Part 2 of my conversation with guest Matt Phillion as we discuss the decade in TV and movies.

Show notes:

  • Going over some of our favorites of the decade

  • Jay: Haven't seen a lot of critical faves

  • Both enjoyed Blackkklansman

  • Toy Story 3 is the best of that series

  • Matt: Beasts of the Southern Wild was a stunner

  • In the Loop is profanely excellent

  • Jay never saw Inside Out; Matt says it's borderline educational

  • The traumatic sadness of Disney movies

  • Don't ban offensive old movies

  • Stereotypes in older movies stick out

  • The series 24 was so over the top about torture and terrorists

  • Writing for women's roles in the '80s was pretty awful

  • Post-9/11 jingoism

  • Good Sorkin: The Social Network

  • Bad Sorkin: The Newsroom

  • When older celebs are trending on Twitter

  • Matt: In praise of Monsters

  • Timothy Olyphant is great

  • Matt needs to watch Justified

  • Black Mirror is predicting everything

  • The Americans is an excellent show

  • Matt hasn't seen Breaking Bad or Better Call Saul

  • Orphan Black features an amazing performance by Tatiana Maslany

  • Bill Hader elevates himself from comic genius to dramatic auteur on Barry

  • Russian Doll came out of the blue

  • The People Vs. OJ Simpson was excellent, with a bizarre performance by John Travolta

  • The sneaky genius of Legends of Tomorrow

  • Dark on Netflix is a German show that is brilliantly out there

  • Downton Abbey: Cultural phenomenon that doesn't make sense

  • The Leftovers got better when it went beyond the book

  • The Marvel shows on Netflix were surprisingly good (except for Iron Fist)

  • The fight scenes in Daredevil were intense and creative

  • So much content out there that it's impossible to see it all

Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review!

The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.