When Mike Nayna began using his camera to document the efforts of the Grievance Studies Project, it marked not only an explicit certification of his filmmaking talents but also an initiation of an urgent and necessary autodidactism in philosophy. Stephen Hicks’ work proved a reliable and enduring anchor point for Nayna’s research as an exploration of postmodernism’s vice grip on modern academia. The two join forces in this thinkspot exclusive for a discussion of Nayna’s experiences and his future projects.