Two women, isolated in a house together with no outside contact, slowly lose their minds as the lines between their identities blur and breakdown. No, this is not the story of the Criterion Thots during quarantine but the shared thematic thread of this week’s Criterion double-feature: Olivier Assayas’ “Clouds of Sils Maria” (2014) and Ingmar Bergman’s “Persona” (1966). Join the Thots as they discuss how the meaning of a film is meant to change depending on who’s watching it, society’s obsession with staying young and now once you watch “Persona”, you will see it in EVERYTHING.