Low Harmonics builds upon the reflective world first introduced by Zach on Dolere, which explored how time stretches during periods of sorrow and how sound can create a brief shelter from that weight. The predecessor fluctuated between ache and relief, and now its follow-up dives further into the inward, existential space beneath those emotions. Here, the use of deep and subterranean tones feels both intimate and vast, pulling you deeper into the lower spectrum of sound, shaped by heavy bass ebbs, low-frequency flow, and slow-moving drift. This album echoes the textural gravity of artists like Thomas Köner and the cold Arctic brush of Geir Jenssen, while remaining rooted in Affin’s commitment to sound that lives outside the expected.