Internet Radio, Pastor-Authors, and Trade Agreements Show Notes In which we talk about doing “content” right—whether that content is streaming radio, books published by Christian pastors, or massive trade laws.

  • Spotify, Pandora, and iTunes Radio: thinking about the ups and downs of each service
  • Pastor-authors: thinking about “plagiarism” and whose names end up on books
  • The Trans-Pacific Partnership: or, how making laws in secret as fast as possible is bad for democracy

Music * Opening music: "Time, Time" from Every Time I Leave by Paul J. Phillips. Used by permission. * Closing music: Winning Slowly Theme by Chris Krycho. Used by dint of being written for the show.

Links * Spotify * iTunes Radio * Pandora * Stop Fast Track * Lots of pols are against it * Senate Bill Text / Senate-provided info * House overview / House-provided info * Open Media Survey

Extras Sometimes, because we’re just that cool, we’ll include bonus content related to the show. Case in point: today, you get the full text of the OpenMedia survey discussed on the show. NEAT.

Open Media’s Citizen-Powered Digital Future Survey If you so desire, you can visit and participate in the original. If you’re just curious about the questions they’re asking, take a look:

  • How would you rank the priorities below if you were developing copyright laws?

    • Protecting free expression
    • Compensation for creators & artists
    • clear and simple rules
    • Rules made democratically
    • Privacy Safeguards
    • Protection for media conglomerates
    • If I download copyrighted songs without permission, the penalty should be:

    • A Tribunal should issue me a fine, ranging from $250 to $15,000. (New

    Zealand’s Copyright “Infringing File Sharing” Amendment Act) + No penalty + A warning, and instruction about the laws surrounding copyright + Payment of a fine equivalent to the cost of purchasing the song + A Court should be able to issue a fine and order that I be disconnected from the Internet. (France’s “HADOPI” Law) * How many years should copyright last?

    • 0yrs
    • 10yrs
    • 25yrs
    • 50yrs
    • 75yrs
    • 100yrs
    • until death of creator
    • 10yrs after death
    • 25yrs after death
    • 50yrs after death
    • 75yrs after death
    • 100yrs after death
    • Which body(ies) should be responsible for enforcing copyright rules? (check all that apply)

    • None

    • Internet Service Providers, with new technologies installed on their networks
    • A new national government agency
    • Copyright holders
    • Police and judges
    • My Internet Service Provider should be permitted to share information about who I am and what I download with (check all that apply):

    • Any copyright holder that makes a request (i.e. publishing company, production company)

    • Any copyright holder that makes a request (i.e. publishing company, production company)
    • A copyright holder but only after a court order
    • No-one ISPs should not share my information
    • Law enforcement authorities at their discretion
    • Finland is set to vote on a new crowdsourced copyright law created by over 1100 people in collaboration with volunteer copyright lawyers. My country should:

    • Design copyright laws through the legislative process, with extensive public consultation

    • Design copyright laws through the legislative process, with extensive public consultation
    • Design copyright laws by following Finland’s example, launching a participatory multi-stakeholder process that involves the general public, including Internet users & creators as well as copyright law experts
    • Design copyright laws by following Finland’s example, launching a participatory multi-stakeholder process that involves the general public, including Internet users & creators as well as copyright law experts
    • Design copyright laws by following Finland’s example, launching a participatory multi-stakeholder process that involves the general public, including Internet users & creators as well as copyright law experts
    • When I download music, I want the following percentage of revenue to go to the artist:

    • 100%

    • 50%
    • 0%
    • When I buy content (i.e. music, ebooks, movies) online, I expect to be able to:

    • Use it on any device and modify it if necessary for any special needs I have (i.e. using software that can convert text into speech for the blind)

    • Use it on any device
    • Use it on any device I own, modify it for my special needs, & share it with friends as I would a physical copy
    • Modify it in any way I see fit, and make it available for free to anyone online, as long as nobody profits from it
    • Use it only on the device I used to purchase it
    • When using the content of others online we should: (check all that apply):

    • Be able to excerpt from works to share commentaries and reviews without fear of legal penalties

    • Always give credit to the creator of the work when sharing
    • Be able to create parodies, remixes and fan fiction without having to break the law and face penalties
    • Have free access to content so long as we do not profit from the original work
    • Be sure that the majority of our payments goes directly to compensating the creator(s) of the work