Off The Shelf: Recent Episodes
PHIL AND DAVE
We grab a movie off of the shelf and decide whether it goes back on the shelf or in the trash receptacle.
Holy anniversary, Batman!! It's been 35 years since that crazy summer of 1989 when Bat-Mania swept the world. Why not join us as we look back at the movie that resurrected the super hero movie and allowed the Dark Knight to finally be dark. Incredible score too. Dave really misses the mark. Enjoy!
New episode next week!
"It's not your cause, don't make it personal" - Dave makes it very personal as he takes 1997's The Jackal off the shelf this week. He explains that he's seen this movie many times over the years despite never loving it. What he does love, however, is Jack Black and Bruce Willis. Phil had never seen it before and feels as though nothing in the movie makes any sense. He's not convinced the Jackal is really all that threatening and unsure the movie succeeds in accomplishing anything it's trying to do.
It's another "Wild Summer Night" as Phil takes 1983's Eddie and the Cruisers off the shelf. Phil remembers the countless times he's seen the movie, how much he liked the first 2/3 and how good the music. Unfortunately, he also remembers the sequel. Dave knew nothing about this movie before watching it and feels that he was more interested in the investigative journalism that the beginning of the movie promises more than what comes after.
From Chicago in the 20's to New Asia in 2065, Dave takes 2023's The Creator off the shelf. Phil questions the idea of speaking about a movie so new that the cultural footprint has yet to be decided but overall enjoys the things this movie does right. Dave sees the potential of a story about A.I but doesn't always think it says what it wants to. The solid performances hold up even the story parts that are rushed and illogical
5,6,7,8... Phil finishes the "Fosse" trilogy by taking 2002's Chicago off the shelf. Dave finds musicals to be a challenge to get into but found himself getting into Richard Gere's performance. Phil recounts seeing it on Broadway recently as well as at the 5th Ave Cinema in 2002. He loves the conceit of the movie and is dazzled by John C. Reilly, too.
It's showtime, folks as Phil takes 1979's All That Jazz off the shelf. Bob Fosse's follow-up to Lenny is a masterpiece of showbusiness, narcissistic behaviour, and workaholic tendencies and the effect it has on loved ones. Phil loves just about everything about this and Dave, aside from the musical numbers, connects with the performances, led by Roy Scheider. The movie still lingers in the mind even after multiple watches.
"Ladies and Gentlemen, Podcast." It's a great week as Phil takes 1974's Lenny off the shelf. He reminisces about when he discovered this film, the rabbit hole he went down about the subject matter and the creators and how impactful they were. Dave watches the film not knowing anything about it and really enjoys the pace, character and style of the film. Found the editing to be stylish without being showy and loved the choice to film in black and white.
Podcast, Podcast Podcast! Dave takes 1988's Beetlejuice off the shelf this week. Phil explains why this movie, though loved, is a dvd he never opened. He finds the imagination and creativity to elevate a pretty thin plot. Dave finds the leads to be charming and enjoyable but does think that there are some holes in the plot and questions the relationships
"This pod really ties the room together" as Phil takes 1998's The Big Lebowski off the shelf. Phil remembers not really liking this movie when it came out and watched it become a cultural phenomenon in the years since. He enjoyed it much more over subsequent viewings and respects the Coen Brother's ability to change things up with each movie. Dave found the characters to be engaging and is taken by the troupe of actors. He didn't love the dream sequences, welcomes Sam Elliot but wonders why he is there.
"Everybody Podcasts" and we're no different as Dave takes 2002's Minority Report off the shelf. Phil is reminded why he hasn't seen this movie since its theatrical release and explains why this led to a 15 year long boycott of Spielberg movies. Dave revisits a favorite and finds a few more flaws than before but generally enjoys what the movie has to offer and is impressed by the performances.
We fall off the wagon as Phil takes 1945's The Lost Weekend off the shelf. This Billy Wilder movie is dark and moody but conveys the desperation of addition as good any any movie Phil has seen. Dave found the realities of alcoholism to be realistic and occasionally triggering. Both agree that the ending resolves a little too easily and leaves us wondering if Don has really beat the bottle.
The boys of summer are back on the field this week, and Dave takes 2012's Trouble With the Curve off the shelf. Phil found the movie to be a bland mix of common themes. Amy Adams manages to elevate some of them but struggles with a story that doesn't quite reach the heights it could have. Dave found the characters to be one note and the script to be pretty pedestrian. The movie culminates with too many "easy" answers to questions it barely asks.
Let's snap to it! Phil takes 1991's Oscar off the shelf. Phil remembers a very early theatrical experience and a newspaper headline that has never escaped him. Dave wonders what this movie is about for far too long but once he figures it out enjoys it. We discuss the complicated history of Stallone's comedies and John Landis' 90s.
Dave celebrates the first Bruce of the season as he takes 1993's Striking Distance off the shelf. Phil finds the movie to be predictable, bland and repetitive at times. He loves the supporting cast despite them being wasted. Dave revels in the complexity of the mystery as he revisits this movie. He enjoys the turns the plot takes and continues to be impressed by the tightness of the script.
It's a time for romance in the heart of Los Angeles as Phil takes 1991's L.A. Story off the shelf. This has been a constant favorite this time of year. Phil enjoys the wacky and absurd and how it mixes with the sweet, sincere and romantic. It's a bit dated but the jokes still hold up. Dave found the laughs but struggled to find the romance in this film despite Phil begging him to.
We're happy to share our enthusiasms as part of a team as Dave takes 1987's The Untouchables off the shelf. Phil remembers loving this DePalma classic from the first time he ever saw it from VHS to 4K and even owned the soundtrack on CD. Dave needed an excuse to connect with this movie again and was not disappointed. Even the perceived flaws are largely ignored. This movie's great.
We honour the day the music died as Phil takes 1978's The Buddy Holly Story off the shelf. Phil shares fond childhood memories of sharing this music with his mother. Dave found himself captivated by the music and the story that he was unaware of prior.
We left the bad accents to Brad Pitt this time as Dave takes 1997's The Devil's Own off the shelf. Phil has never seen it before and finds it rather bland as there didn't appear to be much reason for Harrison Ford to be in this movie. Dave likes the performances and the score but finds there to be something missing.
Whodunit? We dunit as Phil takes 1985's Murder in Space off the shelf. Phil recalls the hype of this movie gripping him at a very early age and watching all the promo interviews and loving every minute of it. Dave watches for the first time and misses the hype but found the mystery compelling even if he didn't get any right answers.
It's a new season, and we get some hot chocolate, pecan pie, and Dave takes 2000's Reindeer Games off the shelf. There is not a lot to cheer about as even Ben Affleck can't save this movie. Phil believes it struggles with tone, the direction is flawed, and the story crumbles under its own structure. Dave can't even be impressed by Charlize. The cast is good but wasted and the script, though a clever premise, can't keep it up.
Well it's the end of the year and we take 2023's Off the Shelf off the shelf. Phil and Dave look back on the year in the podcast, hand out some awards and tease some of the future movies coming up in 2024. Happy New Year!
What happens when violence surrounds you? Find out as Dave takes 2014's A Most Violent Year off the shelf. Phil enjoys the performances and the dark themes that run through the movie but doesn't totally connect at the end. Dave finds the movie a little hollow despite a collection of great scenes and characters. The violence the movie alludes to surrounds the characters but doesn't lead to the payoff they thought it would.
An angel may get their wings as Phil takes 1946's It's a Wonderful Life off the shelf. Phil recounts the emotions this movie brings up every time he watches it and shares that the next generation finds it just as impactful. Dave sees it for the first time and finds the humor to be pretty timeless and the performances beautiful. They even try out Jimmy Stewart impressions. Don't miss this one. :)
It's such a great movie we decided to re-release the episode. We aired in during Christmas season 1. Phil still thinks the movie is a good despite what everyone else says. Dave sees it's charm and felt like it was worthy of a viewing. Enjoy !
Do you hear what I hear? Find out when Phil takes 1984's Gremlins off the shelf. Phil still connects to this holiday favorite which bridged his love of horror and Christmas to his young, impressionable mind. Those two things have stuck with him all the years since. Dave's first watch is met with a good feeling and an appreciation for the practical effects of the Gremlins themselves and is a little darker than he first thought.
We visit the airport again as Dave takes 2000's Meet the Parents off the shelf. It's been 23 years since Phil had seen the movie and he remembers enjoying it but time has not been kind. The laughs feel pretty dated but some elements continue to be enjoyable. Mostly the cast. Dave barely remembers the movie and feels Owen Wilson steals the scenes he is in and it's nice to see James Rebhorn too. Movie is too long but some scenes hold up.
We take to the skies, the rails and the road as Phil takes 1987's Planes, Trains and Automobiles off the shelf. Phil revisits a holiday favorite and marvels at just how funny the lead actors are in such different ways. Dave had never seen the movie and connected to the performances and questions just how many Thanksgiving movies there have been. This one holds up.
Randall Wallace strikes again as Dave takes 2002's We Were Soldiers off the shelf. Phil finds this movie to have qualities that some previous war movies have not had and appreciated that scenes of the families at home more than the action. Dave finds the performances solid and the writing to be engaging and while he has seen it a few times before believes it continues to hold up.
The day that will live in infamy. Dave takes 2001's Pearl Harbour off the shelf and forced Phil to watch what he has dreaded. Dave commits to the relationships in this movie and finds its enough to keep interest throughout the whole 3 hours. Phil finds the whole thing a waste of time and feels that the choices Michael Bay makes don't make the drama any more interesting just boring. Strangely, Phil does believe the action is the best part of the movie.
What happened to Jamie after the ending of part 4? We find out after Phil takes 1989's Halloween 5 off the shelf. Phil is almost immediately disappointed as the movie doesn't deliver on the promise of the last entry and brings in new characters that drove him crazy. Dave, however, was ready for a life change upon meeting Tina. Sees value in the choices made by the new director and is mildly interested in the next chapter with the introduction of "the man in black"
It's October and Phil takes 1988's Halloween 4 off the shelf this week. A Return to the basics of Halloween is welcomed. Phil finds the style to be a bit flat but enjoys the way in which is holds to and then occasionally flips the horror tropes. Dave was ready for Michael Myers' return after his distaste of the last entry and found this to be pretty enjoyable. Both agree that this is one of the great movie endings.
We hide from those we don't speak of as Dave takes 2004's The Village off the shelf. Phil is reaffirmed that M. Night just can't sustain the tension he thinks he can. The movie's languid pace and lack of payoff leave him less than enthusiastic. Dave enjoys some of the performances and finds the cinematography to be appealing but overall doesn't deliver a quality movie
Dave learns a new word as Phil brings 2002's Road to Perdition off of his shelf. This is Dave's first viewing of the film while Phil, much like the general public, has neglected it after their first viewing despite it's star-studded cast. Phil story about driving a stick-shift is more entertaining than Mike Sullivan's driving lessons and Dave reveals his crush on Felicity from Road to Avonlea.
We quietly go back to space as Dave brings Interstellar off of his shelf. Apparently Dave doesn't like Nolan films but makes an exception to this one and, well, most of them. Phil is reminded why he gravitates to Nolan films and likes the 4th dimension of emotionality but can't quite get into the 5th dimension. All in All, the fellas enjoy this blockbuster film and the performances within.
The boys of summer are heading into the fall as Dave takes 2005' Fever Pitch off the shelf. Phil believes that the central problem with the movie is the casting. Jimmy Fallon who feels as though he is in way over his head. Drew Barrymore feels as though she is phoning it in and the whole movie suffers because of it. Dave refutes this and believes that Jimmy's charm and personality elevate his performance and the baseball themes connect Dave to his lifelong love of the game.
It's the end of the season as Phil takes 2009's (500) Days of Summer off the shelf. Phil discovers that he enjoyed this movie even more than he did when he first watched it. It's a great blend of romance and comedy without falling for the trappings of a "rom-com" Dave enjoyed the performances and thought the choices made by director Marc Webb were compelling and made for a breezy watch.
The guys blast off as Dave takes 2000's Space Cowboys off the shelf. Phil struggled to get through this overlong movie but did manage to enjoy a Tommy Lee Jones moment or two. Clint Eastwood directs this movie and it's questionable that he was the right choice. Dave suggest this movie has no impact but ultimately found it difficult to not be entertained by such charismatic cast.
What better way to spend Labor day than the most laborious watch we've had. Dave takes 2011's Cowboys and Aliens off the shelf and we mistakenly watched the extended cut. Phil finds the pace, performances and the score to be almost unbearable and even the easy going Dave has a hard time defending the talent involved for making such a drab film. The conversation is more lively and thankfully shorter than this movie.
As Paul Reubans takes on the next adventure; the guys pay tribute as Phil takes 1985's Pee-Wee's Big Adventure. It's a pleasure to watch this collaboration with 3 distinct artists as Burton and Elfman lend their talents. Phil remembers connecting to the fantastic elements as a kid but finds a little more heart this time. Dave is introduced the to Pee-Wee character and feels the movie loses a little steam by the end but the character doesn't.
Back to high school as Phil takes 1995's Angus off the shelf. Phil tells the story of his personal connection to the character and how this movie came to mean even more to him as he met more fans along the way. Dave finds this movie to be a real sweet movie with great characters and elevates the teen movie above the usual stuff. Appreciates the message and performances but does get a little jealous when Phil brings up the "first" Dave in his life.
It's the end of the world again as Dave takes 1998's Deep impact off the shelf. Phil admits to never seeing it despite it being described as the "smart" Armageddon. To his surprise, he thought the movie offered something different and somewhat unique. As Phil sees it, Tea Leoni is the weakest link however Dave really connected to her family story and found her performance compelling. The movie tries to serve all characters well and ends up sagging a little under the weight but the story is delivered well by Mimi Leder and her cast.
It's the rematch of the century as Phil takes 1979's Rocky 2 off his shelf. Phil is excited by the sequel that takes place immediately after the events of the first movie. Eager to spend more time with the lovable boxer but finds Adrian's ark to be less satisfying this time around. Dave finds more to like about the first movie after watching this one but did appreciate Carl Weathers performance and wanted less coma more Carl.
Phil delivers a knockout punch as he takes 1976's Rocky off the shelf. The boxing movie that cares less about boxing than the boxer himself. Phil still connects to the underdog story that believes in doing the distance while Dave struggles to connect to the main character and his love interest and daydreams of Bruce Willis. A stellar cast, great writing, and an incredible score make this the movie that turns the 70s away from anti-heroes and towards the stars. Still it remains a beautiful story.
Phil and Dave confront their fears as Dave takes 1997's Event Horizon off the shelf. The movie's reputation as being a great Sci-fi horror movie is questioned as Phil finally watches it for the first time. The potential is there and in a rare case, wishes it were a little longer to help the movie not feel so rushed. Dave enjoys some of the performances of the cast and their deaths. Some dated special effects don't help the movie but the core of it is worth a watch, arguably.
This week, the guys finally get the pool they always wanted as Phil takes 1950's Sunset Boulevard off the shelf. Long felt as being one or the best movies Phil had ever seen. He's happy how well it holds up. Dave continues to enjoy visiting another black and white film. The performances are perfect in a great story of desperation and obsession. A masterpiece in every way.
Sparks fly as Dave takes 2005's The Island off his shelf. The movie brings back fond memories of an aborted episode 3 years ago and this most recent look leaves Phil wishing he never won the lottery to visit this Island. Dave remembers fondly watching this movie the first few times but perhaps repeated viewings have left the movie stranded in a silo. Both agree what Michael Bay does well, is done well.
School is out for the summer as Phil takes 1998's Can't Hardly Wait off his shelf. Phil remembered enjoying this movie upon first watch and felt those memories rush over him when revisiting this one. It's such a fun watch and he wishes the writer/director team had more chances to make movies. Dave vaguely remembered seeing this before but certain scenes reminded him that he enjoyed it before and even more this time. The guys agree that this was a great time.
It's the end of June and Dave takes 2010's Repo Men off his shelf to discuss the father son relationship... nope, not this week. Though there is a father and a son in this movie, it is nowhere near the plot of this movie. Is this a satire, a comedy, a drama? Phil couldn't settle on what this movie wants to be and found the plot mechanics muddled and thin. Dave enjoyed the performances and found parts of it entertaining enough but thought it lost a little steam as the movie went on.
Happy Father's day from Phil as he grabs 2003's Big Fish off the shelf this week. The last great Tim Burton movie, according to Phil, as it brings a new level of character depth to his usual flair for fantasy. Dave found this movie to a beautiful representation of art, story, and movie making itself. The guys don't understand why this movie was maligned upon release and isn't remembered as fondly as they do.
It's another father favorite as Dave takes 1997's Liar Liar off his shelf. Phil has better memories of the company he shared the first time he watched it than anything he saw this time. Dave explains his love of Jim Carrey and his commitment to that brand of comedy. The guys don't believe his comedic energy matched the role and ends up being just a showcase for his talent. For better or for worse. Dave also learns the cold hard truth of Carl Yules.
What is the difference between innocent people and demons? The guys find out as Phil takes 2001's Frailty off his shelf. Returning to this movie after nearly 20 years, Phil has renewed excitement for this movie. Bill Paxton directs this movie and gets great performances from the children involved. Dave vaguely remembers seeing this many years ago but was caught up in the story regardless.
Ben is back as the boys discuss 2011's The Town. Dave beats Phil to the punch as he takes it off his shelf. Phil wants to like this movie more than he does as he sees much to like about it. Jeremy Renner in a star making performance and great camera work. Dave feels that the movie met his expectation but thought Renner was less than impressive but the cast overall delivered.
The sights and sounds of film get put front and center as Phil takes 1981's Blow Out off his shelf. The guys discuss their first Brian DePalma film. Phil has not seen this movie in over 10 years and marvels at the craft being presented. Dave found this movie to be a breezy watch despite its less than lovable set of characters. This 1981 movie may, in fact, be the last great 70s movie.
Dave cuts his hand when he takes 2019's Glass off his shelf. Phil nodded through this film in the theatre and discovered he didn't really miss much other than some neutering. Dave finds some things to like but can't deny this film is a letdown and senses a lack of effort doing the small things. Ultimately a swing and foul ball off the mesh.
Well, this is a big one as Phil takes 1999's Magnolia of of his shelf. He discusses his excitement to see this movie in the theatre the first time and how after 3 more viewings Phil chose to share it with his family. Dave finds the scope of the film to be compelling but wishes he could spend more time with some characters and less with others. We discuss the themes of fathers and sons, regrets and family secret of this special episode.
Dave searches every gas station, residence, warehouse, farmhouse, henhouse, outhouse and doghouse and found 1993's The Fugitive. Phil remembers watching this movie dozens of times when younger and finds it just as compelling today. Dave continues to enjoy the work of Tommy Lee Jones and Harrison Ford and shares that this movie is a comfort movie favorite of his.
This train thing is out of control as Phil takes 1985's Runaway Train off the shelf. Phil has memories of loving this movie as a child and connecting to the characters and beautiful cinematography. Dave enjoys the performances of the three leads and found it compelling despite some potential "Francis" candidates.
Dave continues to ride the rails as he takes 1990's Narrow Margin off the shelf. The return of Gene Hackman and Anne Archer to the show who provide some good performances within a somewhat banal "thriller." Phil loves the rare combo of J.T and M. Emmett Walsh in the same movie but finds the movie never lives up to its first 15 minutes. Dave continues to connect to this movie even though he admits that the threat presented by the "bad guys" is anti climactic. Let us know your thoughts.
It's Easter again and Phil brings 1999's Jesus' Son off the shelf for discussion this week. Ottawa born film maker Alison Maclean's amazing film featuring stellar performances by Billy Crudup and Samantha Morton. Phil find this film just as emotionally moving and beautiful as he did the first time he saw it. Dave finds out his brained is fused but managed to find some of the ideas to be thought-provoking and worth another viewing. Share your thoughts with us.
Dave brings us back to the rails as he takes 2018's The Commuter off his shelf. Phil, once again, had barely heard of this movie but thought the conceit of the film to be engaging and the camera work not too showy. Dave enjoys some of the twists and turns of the plot and likes seeing Liam Neeson in his "I'm gonna kill you" phase of his career. The movie has some struggles in the third act but manages to not fully derail. Is Neeson the "good guy' of this movie? Watch and listen and share your thoughts.
Dave is out of his mind as Phil takes 1998's Out of Sight off his shelf. Phil still connects to this stylish movie with one of the great modern movie stars. He finds this to be his favorite Jennifer Lopez performance and the beginning of Steven Soderbergh's partnership with George Clooney and a career pivot that has produced great entertainment as well as complex and creative swings. Dave however finds the central relationship completely unbelievable and checked out early on the film. He struggled to get excited throughout the film. Does Phil change his mind? Have a listen to find out.
Phil and Dave enter the multiverse as Dave takes 2011's Source Code off his shelf. Phil had almost no memory of this movie existing and is pretty pleased that Dave forced him to watch it this week. Dave finds the movie's reveals to be a little lackluster after repeated viewings but kept Phil guessing for most of the runtime. Overall a relatively fun movie with a solid performance from Jake Gyllenhaal.
Phil tries to convince Dave he didn't watch this week's movie as Phil takes 1944's Gaslight off his shelf. The earliest movie the guys have discussed is still relevant today as the word was 2022's word of the year. Phil finds the film mesmerizing and the performances outstanding. Dave finds the circumstance of the movie to be pretty frustrating and heartbreaking as the story comes to a spellbinding conclusion.
Holy shnikies! Dave takes 1995's Tommy Boy off his shelf for this week's discussion. Phil has never seen it and has never been a fan of the lead actors... did this movie change his mind or connect him to his childhood as a chunky clutz? Dave enjoys the revisit and feels the heart and comedy are a great blend with solid direction and a good script.
Phil and Dave take on another disaster movie this week as Phil takes 1996's Daylight off his shelf. Phil is taken in by the lost art of practical special effects and the way in which they are implemented here. Dave finds the heart that may have been missing last week but feels most of the characters unlikable due to too much bickering. Also, Phil makes a confession to the listeners.
Phil and Dave take on the end of the world as Dave takes 2004's The Day After Tomorrow off his shelf. Phil has never seen this movie but doesn't really have a lot of respect for its director and doesn't gain much after watching. Dave enjoys some of the quieter moments on screen but doesn't feel any of the characters have chemistry with each other. They both felt a little cold by the end.
It's Valentine's day and what better way to celebrate than Phil taking 1999's The End of the Affair off the shelf? Phil marvels at Julianne Moore's performance as the whole movie revolves around her despite her not having the most lines. Dave enjoys the bitter and twisted character of Bendrix and both remember being in an obsessive relationship in the past.
If John Spencer says someone is bad news, they’re bad news. Dave takes 1990's Presumed Innocent off his shelf and presents a movie that Phil only vaguely remembers the title of. Dave enjoys a great script and a great cast and Phil agrees and reflects that movies like this aren't very common anymore despite being the 11th most successful movie of the year.
The winter is in full effect and Phil takes 1982's The Thing off his shelf. One of the great horror movies of all time but mostly ignored upon release and has only grown over time to be one of the most loved entries in the genre. Phil talks about seeing it presented in the theatre for its 40th anniversary and loving the experience and Dave found himself impressed with the effects along with Kurt Russell’s somersault.
This is it, another 52 in review. Phil and Dave look back on the year that was and honour the best and worst of the season. Phil gives recommendations for theatrical releases and recalls the feeling he gets from seeing a great movie in the theatre and Dave decides that this year he'll see more.
The new year begins as the last one ends when Dave brings 1990's Die Hard 2 off his shelf. Our original movie we planned for this week is delayed like so many flights this winter.. The guys discuss if this is more of a Christmas movie than the first one. Phil believes it to be an excellent sequel and Dave thinks that it gives a little more depth to McClane's character while the other returning actors don't get the same treatment.
It's the new year and Phil takes 1999's 200 Cigarettes off his shelf. The guys discuss their favorite "new years" memories and remind themselves that there just isn't the same feeling as Christmas. Phil finds the movie to be a mess but some meaningful lines that have stuck with him throughout the years but doesn't rise above those few high points. Dave finds all the performances too heightened to be believed and wanted to quit smoking again after watching this movie.
Happy holidays from Phil and Dave . It's the gift of Bruce as Dave takes 1988's Die Hard off his shelf. Is it a Christmas or not? It doesn't matter considering this is a near perfect action movie. Phil finds the movie takes the care to provide even the "bad guys" a character and personality and no bad guy is badder than Hans - bubbe! This quotable film has stood the test of time and Dave confesses that he may have seen this more than maybe any other movie and he still loves it
It's the most wonderful time of the year as Phil takes 1983's A Christmas Story off his shelf. The movie that brings all the joy and wonder of a child at Christmas is a real treat to discuss. Phil is transported to his childhood that occurred 40 years after the setting of this movie yet still connects to the similarly. Considering the guys are talking about this movie almost 40 years after the film was released is a testament to its power. Dave finds the sweetness of the story, as well as the 40s setting to be really enjoyable and may become a Christmas tradition.
Phil and Dave wrestle with the 2 hour and 8 minute war as Dave takes 2018's Mortal Engines off his shelf. Phil struggles to get through what he feels is a mess of a movie while Dave enjoys the visuals and the audio but finds the plot to be less interesting. This movie feels like it was meant to be a franchise but at the same time feels like an hour was cut out of it. A strange paradox for a less than engaging movie.
Phil and Dave get animated when Phil takes 2009's Up off his shelf. Disney/Pixar deliver a beautiful film that shows life, love and adventure through the eyes of a septuagenarian. Phil believes its a masterpiece that kind of loses steam near the end and Dave briefly questions the logic but gets lost in it regardless.
Phil and Dave visit the criminal underworld again as Dave takes 2007's American Gangster off his shelf. The guys discuss the star power of Denzel Washington and Russell Crowe. Phil remembers seeing this in the theatre and being disappointed, then buying it on HD-DVD with high hopes and being let down again watching the extended version. Dave watched the theatrical cut and found it to be entertaining enough but feels a little let down at the overall experience.
Phil and Dave crawl into 2002's Panic Room as Phil grabs this off his shelf. Phil delights in finally talking about a David Fincher movie and remarks that it seems to have gotten better over time. Dave finds the showy camera work more impressive and less obvious than Unbreakable.
Phil and Dave pay their respects as Dave takes 2006's Flags of our Fathers off his shelf. Phil finds the story structure to be jarring and unnecessary and leaves the movie missing key elements and ultimately wishes a different movie was made. Dave praised the presentation of the war theater but was unable to connect to any of the characters.
Can you hear that? It's the sound of Dave taking 2002's Windtalkers off his shelf. The guys discuss how John Woo seems to miss the fundamental story at the heart of the movie this could be and favours Nicolas Cage and traditional war movie tropes. Adam Beach is solid in what turns out to be less of a role than Phil would like. Dave enjoys some of the action sequences but finds the plot of the movie doesn't hold up to its running time.
The hills run red as Phil takes 1982's Halloween 3 off his shelf. Dave wonders what the story could be after last year's Halloween episodes... apparently one he wasn't interested in. Phil finds some things to enjoy while he feels the the movie just doesn't come together. A plot that tends to drag and a villain that isn't that easy to define made Dave scream STOP IT by the end.
Phil and Dave confront the devil himself as Phil takes 1973's The Exorcist off his shelf. Considered by many to be the scariest movie ever made, does the movie hold up? The guys really dig into what makes the movie so compelling. The performances standout while the visuals are beautiful but it's the storytelling, setting up all the pieces early to deliver a stunning climax that really makes this movie exceptional
Phil and Dave are good at holding grudges but both have to admit that Leo does it better than either of them. Dave takes 2015's The Revenant off his shelf this week. Phil marvels at the breathtaking shots and gorgeous scenery. Dave believes the performances are excellent but each agree that the movie's depiction of events may have traded in entertainment value.
Phil and Dave visit Monte Carlo as Phil takes 2002's The Good Thief. Phil remembers loving nearly everything about this movie and thinks that most of it holds up if not entirely. Dave found himself hooked by the first song and really appreciate the style of Neil Jordan's direction. Another forgotten gem of early 2000s from Phil.
Phil and Dave go back to school as Dave takes Old School of his shelf. The guys marvel again at Vince Vaughn. Phil crushes on Owen Wilson..wait no..Luke Wilson. Will Ferrell gives us a little bit of everything and the movie is able to still provide some laughs.
Phil and Dave go back to the family drama as Phil takes 1997's The Myth Of Fingerprints off his shelf. Phil opens up about his love of Roy Scheider and why he loves visiting themes of the visiting relative for holiday theme so much. Dave doesn't connect quite as much but appreciates the performances and thinks there is something that the movie doesn't quite dig deep enough into.
Phil and Dave feel a rumble under their feet as Dave takes 1990's Tremors off his shelf. Phil embraces the tone of the movie as a "creature feature" and loves the practical effects that bring the grab-oids to life and admits that, at one time, Fred Ward was his favorite actor. Dave gets a kick out of the performances and finds the characters grounded in their own reality. This movie holds up.
Phil grabs Predator off his shelf and gets to relive one of his favourite video game moments of the last few years. They discuss the amazing way director John Mctiernan mixes action, sci-fi and horror with characters that, though larger than life, still feel human. Dave agrees that the last 20 minutes isn't nearly as interesting as the rest of the film but it all comes together to an exciting viewing experience.
Phil and Dave are back as Dave takes 2016's Split off his shelf. Phil finally finds an M. Night movie that he sort of enjoys as Dave remembers his feeling of excitement as the end approached. They both agree that James McAvoy is a huge reason this movie works and wonder if it's nearly as good with any other actor.
This week Phil takes 2001's The Man from Elysian Fields off his shelf and present to Dave a very underknown and underseen Andy Garcia movie. The guys discuss the many things they like about this movie. The real standout is Mick Jagger in a small but pivotal role. Phil and Dave wish the movie spent more time with his character and only slightly found the main relationship storyline to be the weakest.
Dave takes 2016's Arrival and presents a film beautifully directed by Denis Villeneuve and accompanied by a fantastic performance by Amy Adams. Both Phil and Dave seem to consider Ms Adams their favourite actress. Phil appreciates the ability to make a movie about communication so interesting and compelling while Dave enjoys the story structure and amazing score which Dave discovered after recording had contributions from Ad Astra's Max Richter.
Phil/Dave have a look at 2008's Frost/Nixon. Phil grabs this movie off his shelf and the guys get a glimpse of Nixon after the Watergate scandal that All the President's Men depicted. Phil loves the performances and the writing and Dave feels as though the big win the team gets is a little of a let down despite being built up very well.
Phil and Dave have another look at Jack Ryan as Dave takes 1992's Patriot Games off the shelf. The guys reflect on having watched its sequel and Affleck's take on the character before viewing this movie. Phil believes that Clear and Present Danger is a much more compelling and accomplished movie and finds some of the plotting a little muddled while Dave enjoys Richard Harris and Sean Bean as the movie's villains as well as the action of the end.
Phil and Dave discuss another special relationship as Phil takes 1976's All the President's Men. Woodward and Bernstein took down Nixon and Robert Redford and Dustin Hoffman take those roles and create amazing characters with brilliant performance. Gordon Willis shot this gorgeous movie and Alan Pakula directs it perfectly. Sadly, the content is still relevant all these later but this movie is a towering achievement and worth spending your time. Phil talks about becoming interested in Journalism, Nixon and newspaper movies and Dave finds the tone, atmosphere and performances to be compelling.
What's a more special relationship than your podcast hosts? We find out when Dave pulls 2010's The Special Relationship off of his shelf. With Solid performances by Dennis Quaid and Michael Sheen and especially Hope Davis edge this movie out of "made for HBO" territory but the movie still feels a little flat.
Phil and Dave look back at their own challenges as they discuss 1962's The Days of Wine and Roses. A stunning look at the ravages of addiction. Lee Remick and Jack Lemmon give powerhouse performances in glorious black and white.
Phil and Dave visit Africa in search of 2006’s Blood Diamond. Phil has a little trouble with Leo's accent at first but grows accept it. Dave explains how this movie impacted him directly and both admit that Djimon Hounsou is the star of the movie.
Phil and Dave discuss 1982's Poltergeist. Phil takes one of his favourite childhood movies off his shelf to share with Dave. Phil believes the movie holds up with great performances by the cast and some wonderful visual effects. Dave had trouble connecting to a 40 year old movie and as a result leaves him a little cold. Can Phil convince him? Have a listen.
Phil and Dave storm the beaches as they visit 1998's Saving Private Ryan. The rare movie that lives on both shelves. Phil recounts his early experience with the movie that is considered the best of 1998 and still has trouble agreeing with that title. Dave admits that after nearly two dozen viewings some moments have lost their potency but other are just as compelling as the first.
Phil and Dave visit the ballpark and put the women of baseball at centre field when Phil takes 1992's A League of Their Own off this shelf. Effortlessly directed by Penny Marshall and with great performances by Geena Davis, Rosie O'Donnell and Madonna. The guys agree that this movie just flies by in the best ways and think Bob may have cost the Peaches the World Series.
What do you get when you take the world's least complicated actor, surround him with people who don't seem to know what movie they're in and add a complex plot that doesn't make much sense? We find out when Dave takes 2012's? Contraband off his shelf. Phil reaffirms his dislike of Marky Mark and Dave finds it a challenge to enjoy it. Have a listen and share the podcast with your friends.
Phil is breaking balls in this weeks episode as he takes 1990's Goodfellas off his shelf. It's remarkable that Dave had never seen this masterpiece. The guys talk about Ray Liotta's performance, the stellar cast and beautiful look of this classic. Dave remarks that this movie hooked him quick and didn't let go for all 2+ hours.
Phil and Dave are shipwrecked with 1960's Swiss Family Robinson. Phil has never seen this Disney classic and finds Francis interminable and makes it hard for him to enjoy it. Dave has some fond memories of watching it as a kid and finds comfort in that.
Phil and Dave head back to the "good ol' days" by taking 1998's Pleasantville off Phil's shelf. Phil is reminded of how much he loves this movie and the ability of Gary Ross to weave a fantastic fable into a believable world. Dave can't think of a better suited cast ensemble and questions his morning coffee routine. This movie manages to challenge the ideas of the past with a very modern spin.
Phil and Dave tell the truth about 2008's Body of Lies. How did this Ridley Scott movie fall off our radar? Phil barely remembered the poster and Dave finds it difficult to see how this cast and crew produce such a flat movie.
Phil and Dave are seduced by 1967's The Graduate. Phil brings this movie off of his shelf for only the second time and is impressed by the performances and Dave appreciates the visual flair that Mike Nichols shows.
Phil and Dave are still buzzing as they view 2007's Bee Movie off of Dave's shelf. Dave gets to revel in the Seinfeld of it all and Phil believes it may have been better suited as a television episode rather than a feature length film.
Phil and Dave tackle their first musical when takes 1973's Jesus Christ Superstar off his shelf. Dave admits to growing in a religious home but never the film before and Phil recounts when he first heard some of the music and how much he loved it.
In this special episode of Off the Shelf, Dave takes 2000's Disney's The Kid off of his shelf to celebrate the career of Bruce Willis and we get two Bruce performances in one. Phil can't contain his contempt for this family film while Dave forgives some of the shortcomings and finds some enjoyment with light hearted moments and Bruce's sandwich making abilities.
Phil brings 1975's Dog Day Afternoon off his shelf and introduces Dave to a near perfect movie. Lumet's direction and Pacino's performance are nearly unparalleled.
Dave delivers 1989's The Package to Phil who had never watched it before and thinks he may not have heard of it despite its great cast. Dave enjoys Gene Hackman's performance as a man of action which a casual charm and Phil sees the pieces of a better movie that came out a couple of years later.
Phil and Dave visit Gotham City as they discuss 1989's Batman. Phil talks about all the ways the movie and the hype around the movie connected with him and Dave thinks the spectacle of the film may have hidden some of the plot challenges.
Phil and Dave don't like BS. Don't like to hear it. Don't like to speak it. 1999's Talented Mr. Ripley gets taken off of Dave's shelf. Both agree that Jude Law is a performer that you can't take your eyes off of. They both find the performances of the rest of this incredible cast a great sign of their futures. Anthony Minghella sets a tone and atmosphere that is mesmerizing.
What if you could erase the most painful memories you have experienced? What would be left? That's the question that 2004's Eternal Sunshine of the Spotless Mind asks as Phil takes this favorite off his shelf. Is forgetting the bad memories worth losing the good ones? How do we look at relationships before, after and during get discussed as well. Have a listen as we reckon with the consequences.
Phil and Dave stir the pot as Dave takes 2001's Last Castle off his shelf. Both attempt to find the meaning in this well cast but overall empty film. Phil gets more and more frustrated as he looks at all the ways in which the movie let him down. Dave wonders what other prison movies this resembles and why they are better.
Phil and Dave take 1991's Soapdish off the shelf and discuss their history with soap operas and how an audience of 2022 may feel about a movie that so closely mirrors the soap opera world. Phil finds the leads so compelling in roles that allow for fun and big performances while the writing races to keep up. Dave enjoys the banter of the characters and finds the movie hits its peak during the last 30 minutes and ends on a high note.
Phil and Dave are all ears as they discuss 1992's Reservoir Dogs. They discuss Quentin Tarantino's effect on pop culture and how this movie shows some of the promise of his follow up. They do wonder why this movie has been part of the zeitgeist for 30 years. Phil reveals the reason he's never seen this movie while Dave admits to owning more copies of the movie than times he's seen it.
Phil and Dave discuss 1998's A Simple Plan. Phil enjoys the complexity of character when challenged by finding 4.4 million dollars but feels some of the motivations seems rushed and Dave wonders what this movie would be like if it were a Canadian comedy set in a Trailer Park in Nova Scotia.
Phil and Dave visit 2010's Shutter Island. Dave brings our first Scorsese movie off his shelf and finds that this is an overlooked gem in Leo's catalogue of performances and Phil finds so many levels to the questions asked of this challenging and compelling film.
Phil and Dave can't handle the truth of 1992's A Few Good Men. The truth being that maybe 20 years later the charm of the dialogue is a little lost but the movie continues to deliver a breezy watch. So nice, Dave bought it twice..
Phil and Dave go into overdrive as season 2 begins. Coming off of Dave's shelf we have 2015's Mad Max: Fury Road. Phil remembers not loving this movie when he first saw it theatrically while Dave finds this watch to be the most rewarding yet.
Phil and Dave take a look back on the last 52 episodes and discuss the origins of the podcast and their friendship. The guys give their year end thoughts on some of the highlights and lowlights of the season looking at categories such as, Best Bruce Willis / Ben Affleck movie and their biggest surprises of the year while recognizing the Best movies and performances.
Merry New Year from Phil and Dave as they discuss 1983's Trading Places. Phil finds Eddie Murphy electric from minute one while Dave is disappointed that the last act of the movie doesn't deliver on the promise of the first two. Beef Jerky Time!
Phil and Dave round up their Christmas double bill with 1992's Home Alone 2. Phil admits that this may be his least favorite movie of the year and threatens to take this cynical movie off the shelf while Dave enjoys the surface fun of the movie and agrees that the emotional punch was left home alone too.
Phil and Dave discuss the merits of 2007's Fred Claus. Phil thinks it should be in the ranks of the greatest Christmas Movies as the amazing cast brings top notch performances while Dave appreciates the fast talking humour and the joke behind the joke that carried this movie over the edge an onto the shelf
Phil and Dave live through an F5 of a movie. 1996 Twister. Phil talks about the impressive action direction of Jan De Bont and the lack of character development while Dave contends that character is there and performances are solid with a soundtrack that holds up.
Yule Love it when Phil and Dave spend some time with the ghosts of Christmas past, present and future. 1988's Scrooged lets the guys get more Murray for their buck as Phil continues to enjoy the sheer madness of the miracle of Christmas and Dave thinks his Christmas cheer may be improved with another viewing.
Phil and Dave are mad at 2014's Fury as it fails to deliver any real depth to the war genre. While beautifully shot, Phil can't find much to appreciate in a familiar story told in an uninspired way. Dave continues to find less and less to enjoy on his third time through.
Phil and Dave are both the keymaster and the gatekeeper as they revisit 1984's Ghostbusters. Phil continues to quote the great writing to this day and Dave celebrates Bill Murray whose charm continues to endear. This movie may end up on both shelves.
Phil and Dave discuss 2000's Unbreakable and leave without a scratch on them. Phil finds the camera work showy and the story lacking and Dave continues to enjoy the superhero payoff of the pacing and execution of this movie.
More of the night Phil and Dave discuss 1981's Halloween 2. They both appreciate the sequel that begins just after the events of the previous movie. Phil finds the movie fails to maintain the energy and promise of first 10 minutes while Dave thinks he may take a break from Halloween movies for a while.
Phil and Dave get babysat by 1989's Uncle Buck and dicuss the charm of its star, John Candy, but can't decide if the rest of the movie still has legs. Phil doesn't appreciate the negative, mean spirited start and Dave legit lols at one key scene.
Phil and Dave visit Haddonfield for 1978's Halloween. Phil reminisces on the history of horror movies and his childhood and the continued power of John Carpenter's filmmaking while Dave has only minor quibbles with a movie that left him wanting more of the night "He" came home.
Phil and Dave revisit 2019's 1917. While the shallow characters keep them 6 feet away from the heart of the story, the visuals are a treat for the eyes and are just enough to keep the film moving towards the climatic ending.
Phil and Dave team up to discuss 1987's The Monster Squad. Phil connects to the squad as a monster obsessed kid. Dave dips a toe in the world of horror and enjoys the pace, the performances and script.
Your B-team podcasters return to discuss 2010's A-Team. The plan: to figure out why this mess of a movie started out as an entertaining movie to Phil only to discover by the end that nothing makes sense. Dave appreciated the 2nd watch more than the 3rd which somehow makes no sense either.
Phil and Dave spend 60 minutes revisiting 2002's 25th Hour. Phil loves what feels like a brash post 9/11 New York and Dave gushes about so many of the performances. This movie continues to deliver the goods so many years later and this podcast came so close to never happening.
Phil and Dave are in detention again as they discuss 2002's Hart's War. Luckily for Phil the Bruce is limited and the look of the film is great. Dave finds repeated viewings rewarding and wonders why so much pivoting?
Phil and Dave go back to school with 1985's Breakfast Club. Phil believes that these conversations are still relevant so many years later and Dave wonders why 25 year olds are still trying to play 16.
Phil and Dave attempt to untangle 2020's Tenet. Spoiler alert, they fail. Though they do discuss the many things they like about the overall experience even if the end result is a somewhat less than satisfying movie. eivom gniyfsitsa naht ssel tahwemos a si tluser dne eht fi neve ecneirepxe llarevo eht tuoba ekil yeht sgniht ynam eht ssucsid od yeht hguohT .liaf yeht ,trela reliopS .teneT s'0202 elgnatnu ot tpmetta evaD dna lihP
Episode starts just after 1:20. Apologies..What does Phil love most about 2000's Almost Famous? To begin with, Everything. Dave connects to the real people of Topeka.
Phil and Dave visit Chris Farley's last movie; 1998's Almost Heroes and Phil wonders why Dave continues to subject humourless comedies to him while Dave recommends being in a certain "frame of mind" to truly appreciate this film.
Phil and Dave revisit a childhood favorite when they go back to the Goondocks with 1985's The Goonies. Phil admires the casts unending love for this movie while Dave enjoys the 4K restoration.
Phil and Dave visit 1971's French Connection to discuss Popeye Doyle's Obsession with getting the bad guy and Dave's obsession with all things Gene. Phil continues to glorify the work of Roy Schieder while bringing the conversation back to the movie at hand.
Phil and Dave venture out on the ocean of summer blockbusters and encounter the original 1975's Jaws. Phil gushes about the staying power of a perfect movie and Dave wonders if it would have been scarier if he had seen it earlier in life.
Phil and Dave discuss 2000s Rules of Engagement. Phil wonders who is the hero of a movie where no one is likeable. Dave ponders the larger questions that the movie presents while Phil debates whether those questions even exist.
Phil and Dave visit Los Angeles in the 50's to discuss the excellent noir 1997's L.A. Confidential and their conversation is off the record, on the QT and very Hush Hush. **This was a second recording of said film due to technical issues
Phil and Dave head to the 70's by way of 2000's The Virgin Suicides. Her directorial debut is a stunning story of loss and the male gaze. James Woods surprises in what Phil considers may be his best performance.
Phil and Dave go back to their retail roots to revisit 1994's Clerks. They discuss what it meant to feel like they could make this movie, what they would keep and discard and how there is a surprisingly positive message about friendships and relationships amidst some very childish humour.
Phil and Dave wonder if it's better to be the first to fall or be the Last Man Standing in this bore of a film. Bruce Willis whispers his way through this prohibition noir and that presents no threat, no motivation and worse yet, no direction.
Phil and Dave accept the movie they think they deserve as they explore 2012's The Perks of Being a Wallflower. Dave confronts DCS and Phil gushes about the coming of age story.
Phil and Dave look to the stars and wonder what this movie really wants to say about the themes and ideas it presents.
Phil and Dave missed out on key parties but didn't miss this 1997 film by Ang Lee. They discuss the family dynamics at play during a Thanksgiving break in the early 70s
Phil and Dave buy a lemon in this disaster. The magic of mid 80s Spielberg can not save this dilapidated film.
Phil and Dave visit Miller's Crossing, look into their hearts and ultimately present an ethically sound conversation about 1990's Miller's Crossing
Phil and Dave talk about how the Sum of All Fears just doesn't add up to a good movie. Wasted talent in front of and behind the camera.
Phil and Dave Keep each other honest by talking about Beaches and the power of friendship.
Dave tracks down this star-studded film from his shelf and Phil and Dave focus their eyes and follow around Gene, Jon and Will.
From the past to the future, Phil and Dave venture to the undiscovered country to celebrate the 30th anniversary of star trek 6.
Phil pulls quiz show off the shelf and we go into the booth to answer some questions and share some points in this True story from the late 50's
Dave lobs this one in, and Phil easily hits it out of the park into his shelf as we enjoy this great sports gem starring Brad Pitt.
Phil and Dave always wished they could be Tennenbaums. Now is their chance as they review the 2001 film. Phil remembers 8 complaints and Dave gives his highest recommendation yet.
Dave pains Phil with his pick of the week and together discover this film made us feeling nothing at all. But find out who'd we cast as the Max.
From the Red Demon to the Red Knight, Phil and Dave revisit their old stomping grounds at the Video Store to discuss 1991's The Fisher King and confirm that Mercedes Ruehl rules!
Dave grabs this Harrison Ford gem of his shelf and presents it to Phil and they discuss this political thriller and its cast.
Phil snags this feel good film off his shelf and shares this family film along with our love for Ethan Hawke.
Dave takes the plastic off of this classic and gives it a first viewing while Phil rewatches it after 30 years. Classic may have been an overstatement..
Phil grabs this Odenkirk film off the shelf and we go to town on this 2003 film about a group of people having drinks and possibly dinner. Don't want to spoil it here.
Phil's turn to yank a film off his shelf. Turns to the early 90's Misery starring Kathy Bates and James Caan. This is a first viewing of said film by Dave and we share our thoughts including ones of J.T. Walsh.
Phil and Dave discuss how and why cold pursuit got on Dave's shelf and will it stay or is it bound for a yard sale.
It's Christmas time and Phil's turn to pull one off of his shelf. Phil loves Christmas and Phil loves Ben Affleck. Dave's first viewing. Let's see how this goes.
Dave's turn to grab one off the shelf and discuss this film with his ol' pal and movie critique Phil