Listened 2023 studio album by Kimbra by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.
A Reckoning is the fourth studio album by New Zealand singer-songwriter Kimbra, and the first under the label Inertia and [PIAS], having previously been signed with the label Warner Music.[1] It was released on 27 January 2023.[2] The album was promoted with the singles "Save Me",[3] "Replay!"[4] and "Foolish Thinking".[5]
A few years ago, my family and I went on a holiday to New Zealand. One of the things the stuck out to me was the balance between beauty and chaos. On the one hand, there are majestic landscapes, but these always feel in contrast to thermal mud pools and dormant volcanoes. I came away thinking that maybe one was not possible without the other. I had a similar experience with Kimbra’s new album.
It some ways A Reckoning continues on the path started with the raw striped back reimagining of Primal Heart. This is captured through tracks like Save Me, I Don’t Want to Fight and Foolish Thinking. However, this is contrasted by more upbeat and sometimes abrasive sounds, such as Replay and New Habit. This is something that Kimbra herself has touched upon:
Kimbra: There’s a juxtaposition in the aggression of certain sounds against something very soft and tender, which is really me in a nutshell. I have all these conflicting things that live within me. My art is an attempt to translate my inner world to be understood, like all of us. The sonic identity is ever-changing, because I’m ever-changing.
Source: Kimbra is Busier Than Ever After a Five-Year Recording Break: ‘I’m Growing as a Person’ by Bradley Stern
Even with the various ebbs and flows, the album still feels contained. For Kimbra, the constant is the storytelling:
Kimbra: I think the cohesion in my work is often the storyteller at the center, the voice that leads you through these different worlds.
Source: Kimbra is Busier Than Ever After a Five-Year Recording Break: ‘I’m Growing as a Person’ by Bradley Stern
An embracing of the contemplation:
Kimbra: It’s my belief that, when you try to annihilate parts of you, they just get stronger, you know? So, instead, I wanted to sit and listen to them and embrace the chaos and embrace the contemplation.
Source: Kimbra: “If You Try To Annihilate Parts Of Yourself, They Just Get Stronger” by Cyclone Wehner
Capturing the current shift we are all experiencing:
“We’re in a reckoning around spirit, race, our earth and how people walk in the world with a sense of conscience,” Kimbra has said of creating her fourth album. “I wanted to have something to say in my work that spoke to that shift we’re all experiencing.”
Source: Kimbra’s A Reckoning is mesmeric, contemplative and incredibly intimate by Bryget Chrisfield
Pain can transform us, and that this transformation is ultimately our best chance at a happy and just world.
Source: Kimbra – A Reckoning – Double J by @doublejradio
Additionally, the constant with A Reckoning is Ryan Lotts co-production that provides a consistent sonic pallet throughout. When I think about what makes that ‘pallet’, it is the tightness throughout. Whether it be strong sounds coming in just as quickly as they cut out or the way in which the vocals one minute feel distant and then feel close.
One of the interesting things I read about the collaboration between Kimbra and Lott was the way in which his role resembled a remixer.
Hunkering down in Upstate New York, she sent vocal demos to Lott, whose role resembled that of a remixer.
Source: Kimbra: “If You Try To Annihilate Parts Of Yourself, They Just Get Stronger” by Cyclone Wehner
Alternatively, Charles Brownstein has suggested that it is Kimbra’s performance the pulls all the disparate parts together:
You could listen to this album on shuffle, or the way it was designed, it really doesn’t matter — the one throughline is Kimbra’s performance. She always sells the song, whether it’s the yelling to get out of one’s head on “replay!” or the barely-there vocals of the closer. And on songs where the arrangements are eclectic, like on “la type”, “the way we were”, or “GLT”, she manages to make pop music fresh.
Source: Kimbra – A Reckoning – Northern Transmissions by Charles Brownstein
Place between Daniel Johns and James Blake.
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