Watched The True Story Behind ‘Tolkien’ Is Just As Interesting As ‘Lord Of The Rings’ by Allie Gemmill, Author at Atom Insider | Discover Movie News & Exclusive Articles from atomtickets.com

When author J.R.R. Tolkien died in 1973 at 81, he left behind a family, an academic career, plenty of friends, and esteemed peers. But what the world remembers of Tolkien to this day are his Lord of the Rings novels, along with The Hobbit and The Silmarillion. While legions of fans keep discoveri...

Biopics are an interesting genre. It is intriguing to read Allie Gemmill’s discussion of J. R. R. Tolkien’s life and some of the facts that were left out for the sake of narrative, such as Tolkien and Bratt marrying. I guess we cannot include every detail of life, but such creations are often just as interesting in what they leave out as what they include.

Another fact is the origin of the idea of ‘Cellar Door’:

The fantasy writer J. R. R. Tolkien, who was also a philologist, might well be the linguist she had in mind. He mentioned the idea of cellar door’s special beauty in a speech in 1955 and is often given credit for it. Other supposed authors abound; the story is tangled. But Tolkien, at least, can be ruled out as the originator. He was, after all, just 11 years old in 1903 when a curious novel called “Gee-Boy” — which also alludes to the aesthetic properties of cellar door — was published by the Shakespeare scholar Cyrus Lauron Hooper. Hooper’s narrator writes of the title character: “He even grew to like sounds unassociated with their meaning, and once made a list of the words he loved most, as doubloon, squadron, thatch, fanfare (he never did know the meaning of this one), Sphinx, pimpernel, Caliban, Setebos, Carib, susurro, torquet, Jungfrau. He was laughed at by a friend, but logic was his as well as sentiment; an Italian savant maintained that the most beautiful combination of English sounds was cellar-door; no association of ideas here to help out! sensuous impression merely! the cellar-door is purely American.”

https://www.nytimes.com/2010/02/14/magazine/14FOB-onlanguage-t.html

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