Why are crossover artists still surprising in the industry ? Was MGK's decision to switch genres a good one? Here are some of the topics that we go over in this episode: The mainstream resurgence of horror pop Alessia Cara "Sweet Dream" Are sample packs cheating? Will live instrumentation regain the throne to replace loops? Beatles/Wailers parallels Are posthumous releases exploitive? NAS' "King's Disease II" overview Did and how did Eminem drop the ball?