Freude am Tanzen: Recent Episodes
Freude am Tanzen
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Just doing our music since 1998 – Freude am Tanzen is an electronic music label from Germany including a sub label called Musik Krause. Our music is available at our local recordstore Fatplastics. Have a good time with our music!
@danpeplow shows us a collection of warm groovers with a transition from deep house to deep techno, holding a moody (ish) atmosphere, staying dubby and minimal throughout. The london-based dj also organises the above below festival, which will take place at the Chiltern Hills near London in early June.SC: https://soundcloud.com/danpeplowIG: https://www.instagram.com/danpeplow/Above below: https://www.abovebelowfestival.ukTracklisting:00:00 Fa.R - We are Should feat. Ram Pass (Shimmering Moods Records)05:05 Philipp Priebe - Another Insane Sky Tonight (Stólar)10:38 Roger Gerressen - Ängsälvor (Monument Records)16:14 Freund Der Familie - PRS (Roger Gerressen remix) (Freund Der Famile)21:00 Philipp Priebe - Schimmer (Stólar)27:55 Unknown Artist - Caleidoscopio (01-8000-UNKNWN)32:00 Stelios Vassiloudis - Avissos (Lawrence Remix) (Balance Music)37:45 Morpha - Hiraeth (Natural Expressions)42:50 Azidax - Cygnus Loop (Indefinite Pitch)49:00 Arkajo - Finally, I'm In Orbit (Aniara)54:00 Birds Ov Paradise - Olika Ljud (Aniara)59:30 Blue Veil - We Live Inside A Dream (Dichotomy Records)
FATPOD-69 - Jean Etàt
The young Frenchman, who discovered his love for vinyl in Lyon, gives us a varied house mix. As hot as the days the summer still has in store for us.
00:00 - Danvers - Mason 05:10 - Saudade - Sonha 11:15 - Norm Talley/ Moodyman - Jus Hangin 18:00 - Andy Vaz - Bicycle Love (Brad P’s Strings and Keys Mix) 23:00 - Saudade - Sknob 29:15 - Unknown - Reckless Eyes 35:20 - Brako - 002 (Police) 41:40 - Jovonn & DJ Deep - Back in the Dark 48:30 - See Other - Waitin 52:10 - Seb Wildblood - Familiar Boundaries 58:40 - Stanley Schmidt - Stoi 64:50 - DJ Poolboi - Like we were the last two people on earth
„Nothing More To Do“ ist in Zusammenarbeit mit Philip Stoya entstanden, der die sanften Keyboardklänge mit dem Fender Rhodes erzeugt. Ob Zuhause oder in einem. DJ-Set. Dieser Track ist immer eine gute Wahl!
FATPOD65 is a view on electronic music from the southern tip of Chile. Shaped by minimalist, abstract, eclectic sounds, inspired by his nightmares and experiences of altered meditative states of consciousness and sensory, peace and deep darkness. In general the dualities of life itself. Please welcome Existencia Pasajera.
Tracklisting: 00:00:00 Heartthrob - Never Wanted One (Isnisnt) 00:03:00 Existencia Pasajera - Untitled (Unreleased) 00:05:40 Raw Constant -Towel Whip (Zeitlos Musix) 00:08:00 Gabriella Vergilov - Siempre Loco (Thema Recordings) 00:14:13 La Cienda Honduras - Om Igen (Gungeligung) 00:18:40 Existencia pasajera - lycanthropy (MP Records ) 00:23:43 Phoenecia - Odd Job -Rhythm Box Version (Soul Oddity Remix) 00:26:00 Los Updates - Pigliate Na Pastiglia (Audio George Remix)(Quanticman Records) 00:31:36 Uknow artist - Untitled 00:36:30 Dorisburg - Studs (Boss Music) 00:38:22 Dhanvantri Dub - Sarita Devi (Dub) (Comarca Records) 00:42:00 Existencia Pasajera - Latambo(MP Records) 00:46:12 Metamatics and Clatterbox (Inbetween Fields) (Neo Ouija) 00:51:28 Dakpa - Pira2 (Amam) 00:53:10 Andres Garcia - Ballad (John Keys Vocal Mix Feat. Los Updates) 00:57:20 Unknown artist - Untitled 01:00:00 Andrea Fiorito - Escape From Myself (Cynosure Recordings) 01:04:02 Existencia Pasajera - Aknirü (Freude am Tanzen )
@existencia_pasajera
FATPOD-64 - DJ Tarmin As the head of InBetween podcast, Tarmin loves all kinds of music. For Fatpod, he dives into house and techno and hits with some hypnotic and breaky vinyl.
00:00:00 - White Afghani – Rain and Bliss 00:04:25 - Antenna – In August 00:08:51 - Juanpablo – Sea People 00:13:45 - Gesloten Cirkel - Chasing Away the Night 00:21:58 - Daze – Lips (‘94) 00:26:20 - Vakula - Robot Fuck The System 00:31.00 - Luca Lozano – Outer Space 00:36:45 - Clarence G – Clarence G’s Club 00:40: 45 - Randomer – Percussion Workout II 00:48:25 - Surgeon – Search 00:52:30 - L.B. Dub Corp - So Much 00:57:45 - Voiski – Drama In The Futurist’s Cabaret 01:03:45 - Dario Zenker – There Is Hope 01:09:15 - O-Wells - ECTID
https://soundcloud.com/trmin https://www.facebook.com/Dj.Tarmin https://www.instagram.com/mrtnjngmnn/ https://www.facebook.com/InBetween.leipzig https://soundcloud.com/inbetween_0617
℗ 2021 Freude am Tanzen
The young DJ and producer "Front-Left" from England began his music career in the field of hip-hop music and has now landed in electronic club music. His debut EP "Shabby" on Freude am Tanzen combines powerful rhythms with detailed percussion, as well as here and there integrated sounds that invite you to dream away. Let Will take you on a journey and enjoy the time!
©2020 Freude am Tanzen
The young DJ and producer "Front-Left" from England began his music career in the field of hip-hop music and has now landed in electronic club music. His debut EP "Shabby" on Freude am Tanzen combines powerful rhythms with detailed percussion, as well as here and there integrated sounds that invite you to dream away. Let Will take you on a journey and enjoy the time!
©2020 Freude am Tanzen
The young DJ and producer "Front-Left" from England began his music career in the field of hip-hop music and has now landed in electronic club music. His debut EP "Shabby" on Freude am Tanzen combines powerful rhythms with detailed percussion, as well as here and there integrated sounds that invite you to dream away. Let Will take you on a journey and enjoy the time!
©2020 Freude am Tanzen
FATPOD#60 - Front Left (@front-leftmusic)
Front Left from UK joint the FAT family with his first single Orange Peel a couple of days ago. Now he's presenting his mix for the FAT Podcast.
00:00 - Yansima - Tweede Cans 05:35 - Spin & Flow - Universal Rhythm 09:42 - Dauwd - Idris 14:08 - Dolo Percussion - DOLO 23 16:39 - Front Left - Fanny Pack 21:01 - Anunaku - Forgotten Tales 26:48 - Al Wootton - Body Healthy 30:05 - SNOW x Dismantle - Junior 33:55 - Strick, Avernian - Smoking Gun Original Mix 37:27 - Monkey Maffia - Sources from the Past 41:27 - Bok Bok & Tom Trago - Pussy Trak 44:01 - Nikki Nair - Time Enough For 47:42 - DJ Sport, C.K & pH1 - Second Wave 51:22 - A strange Wedding - Olo Rave
https://orcd.co/orangepeel
The young DJ and producer "Front-Left" from England began his music career in the field of hip-hop music and has now landed in electronic club music. His debut EP "Shabby" on Freude am Tanzen combines powerful rhythms with detailed percussion, as well as here and there integrated sounds that invite you to dream away. Let Will take you on a journey and enjoy the time!
©2020 Freude am Tanzen
FATPOD-59 - Gabriel
Previoulsly we introduced Gabriel as part of the DJ duo Götze & Wohlfahrt on episode no. 45. Now Gabriel strikes back solo. Enjoy!
@gabriel_solid @goetze-wohlfahrt
00:00 – Lawrence – Montreux (Trux Remix) (Dial) 04:15 – Unknown Artist – Knopochki (CCCP Edits) 09:15 – Body Boys – Speed (Recut) (Civilised Life) 12:24 – David Morley – Phased Out (R & S Records) 15:10 – Escape Artist – Metamorphosis (Temporal Cast) 21:00 – HVL – Night of the Hunter (Hypercolour) 23:10 – DJ Life – Squar (R.A.N.D. MUZIK) 27:00 – Octobo – Jade Blade (Foundation) 32:30 – Janeret – Chōshinsei (YoY) 37:50 – DJ Gregory – Head Talking (Deeply Rooted House) 42:30 – Killer DJs – Untitled (Planet Euphoprique) 49:40 – Nathan Surreal – A Feeling of Ikigai (DELICHTING) 53:45 – Spin Fidilety – Orion (Subwax Excursions) 59:30 – D.Tiffany – Spirit Alien (Oscillate Tracks)
Stranger Remixes LEVEL TWO returns to the roots. Friendship and home is the concept of this EP. Like LEVEL ONE, the ambient sounds of the Stranger album are lifted into the club. The remixes by Danilo Schneider & Eveline Fink, Hofuku Sochi, Enliven and Stereofysh are a refreshing mixture of the former sound of FAT and a bow to the 80/90s. Back to the future.
Stranger Remixes LEVEL TWO returns to the roots. Friendship and home is the concept of this EP. Like LEVEL ONE, the ambient sounds of the Stranger album are lifted into the club. The remixes by Danilo Schneider & Eveline Fink, Hofuku Sochi, Enliven and Stereofysh are a refreshing mixture of the former sound of FAT and a bow to the 80/90s. Back to the future.
Stranger Remixes LEVEL TWO returns to the roots. Friendship and home is the concept of this EP. Like LEVEL ONE, the ambient sounds of the Stranger album are lifted into the club. The remixes by Danilo Schneider & Eveline Fink, Hofuku Sochi, Enliven and Stereofysh are a refreshing mixture of the former sound of FAT and a bow to the 80/90s. Back to the future.
Stranger Remixes LEVEL TWO returns to the roots. Friendship and home is the concept of this EP. Like LEVEL ONE, the ambient sounds of the Stranger album are lifted into the club. The remixes by Danilo Schneider & Eveline Fink, Hofuku Sochi, Enliven and Stereofysh are a refreshing mixture of the former sound of FAT and a bow to the 80/90s. Back to the future.
Episode 58 features a wonderful deep house set from the russian and berlin based DJ and producer Module One, well known for his warm house sound and several record releases on different labels. @creeptone
00:00:00 - Soela - Power of Mind [Dial] 00:07:10 - Galcher Lustwerk - Life [Lustwerk Music] 00:11:15 - KaySoul - The Prosimians (Dark Art Dub) [Tooman Records] 00:15:40 - RNDM - Hideaway (Shine Mix) [Laid] 00:20:04 - Module One & Soela - Everything You Need [Unreleased] 00:26:00 - Burnski - Another Source (Mandar Remix) [Constant Sound] 00:32:00 - Reagenz - The Labyrinth [Ostgut Ton] 00:37:50 - Module One - The One I Believe (Tyree Cooper Remix) [The Bricks] 00:43:00 - Two Armadillos - Theme [Two Armadillos] 00:51:50 - Robag Wruhme - Venq Tolep (Club Smash Hit Version) [Pampa Records] 00:56:00 - Module One - Late Night Radio (Dub) [Unreleased]
Hello hello from Kalif Storch & Muna resident DJ Franz!
Tracklist:
Artist Unknown - II RJay Murphy - Tomodachi Behache - Gump Canedo - Control Dubman F. - Towai Francisco Andrade, Gianni - La Fabrica Feliz dotSTRIPE - Forward E_Bam - Lumpalu Arkady Antsyrev - Jurgen Egal 3 - Petruce Alex Fuente, CIASA - One Day Together Dubman F. Hardflower (6 Am Mix) Behache - Psychedelic Talud Amo, Daniel Sanchez, Daniel Mumbling Sanchez - Oh Yah (Mumbling Vocal) Dacid San - Codorniz Marcel Dope - Lonely Morning Raffaele Effe - Bass Walk Walker & Royce - My Stop DFT - The Plug Simon Kidzoo & Havoc Lawn - Falling Italobros - Ghetto Mark Broom - Break 97 Tommy Vercetti - Won´t Tell
FATPOD-56 - Toni Pfad Our next podcast episode is online! Please give a warm welcome to Toni Pfad from the Biotobt Crew. @toni-pfad
00:00 - DMX Crew - Shell Game (Hypercolour) 02:00 - Bliss inc - Radiant Reality (Magic Wire) 07:55 - James Shinra - Route 909 (20/20 Vision) 13:30 - DJ Life - Squar (R.A.N.D. Muzik) 17:55 - Ebende - Broken Boy (Mood Of The Era) 23:40 - Ronan - Internal Revelation (Eternal Ocean) 29:35 - CASINA - Toxiccc 34:50 - Roza Terenzi - Metal Glo (Luca Lozano + Mr. Ho Remix) (Klasse Wrecks) 41:00 - Desert Sound Colony - Fast Life (Touch From A Distance) 46:00 - Nullptr - Wake Sleep (Fanzine Records) 49:00 - Escape Artist - Another World (Kalahari Oyster Cult) 53:45 - SAAH - Engage (Typeless) 57:00 - No_4mat - Cyber Dance (Mechanical)
In autumn 2019 Stefan Lessner aka Less fulfilled his dream to release his own ambient album. With "Stranger" he created an imaginary soundtrack, influenced by film and music of the classic movie "Blade Runner", as well as the nights and observations of his new home town Berlin. With proudness, one can say that this opus is a real highlight of music for horizontal life situations, which can easily take a place in the Vaporwave corner. Now the first 4 remixes are available, which carry the vibe of the album into the club. From the horizontal position and the head it moves on to the vertical and legs. For this, master Less was able to win over four equally skilled electronic sound processing experts, if all of their names would have been on a flyer, it would be for a must-go event to one of the hippest clubs: Perm, Portable, Freund der Familie and The Exaltics. Together they all form a package that can be used several times in one night.
The remix of „Zum Greifen Fern“ is made by The Exaltics. Far away from any compromises it stops directly at the Electro station, in its classic form. Especially the dreamlike transformation of the original is a perfect fusion of melody and rhythm: you can easly get the feeling that the voice of Human Leagues Phil Oakey is coming soon, but no, it's not needed. The tones carry the track all by themselves, perfect to bring a clubset to the end.
Stefan outed himself to Alan Abrahams, aka Portable, personally as a fan. Portable likes to give back when it comes to emotions. He made the remix of „Blütenstaub“ and it immediately catches your attention. It gets intimate, sticks to your mind like honey and you end up closing your eyes in the middle of the dancefloor. In a better world, his productions would be on the radio.
Freund der Familie are the hidden masters when it comes to connecting spheres between Dubtechno and Ambient. The remix of "Run On My Knife" actually contains two tracks in one. First of all it goes up into the air like a plane, passing clouds in the bright blue sky. Then comes the jump - free fall & „BAM“ just in time the paraglider opens up and the air smoothly carries you like a loved one to the ground.
Perm from Leipzig took "In my dreams" and created an effective weapon for the techno dancefloor for all fans of higher BPM rates. It stays deep in the dark basement, but leaves the cellar door open - letting fresh air inside. „Close the door“, shouts mom from above. But it needs to stay open, to bring the draught to Perm´s Windy Dub!
FATPOD-55 - d.m.s.
d.m.s. from Taron-Trekka just mixed his second episode for the Freude am Tanzen Podcast.
00:00 - Soulphiction - Feeling good (Local Talk) 06:10 - Masomenos and Seuil - Badaboom (Welcome To Masomenos (WTM)) 11:45 - Gathaspar - HWLS 002.2 (Howl Stamp) 19:45 - Steven Cock - Bendersnatch (Vee Recordings) 26:20 - Metaboman - Einseins - Robag Wruhmes Pom Dahl NB Remix (Souvenir Music) 31:00 - Claire - Assholes of the future (Losoul Remix) (Monoclap) 38:20 - Adi Titiriga - Grey Motion (Tzinah Records) 42:15 - Empat - Serendipity (?) 49:15 - Unknown Artist - La Baraque (Cas:mu) 55:45 - Avatism - Mindset (Amam) 1:01:20 - Cobbra - Iris (Mind&Vision)
From Jena to the world! The passionated newcomer LEVT just delivered his thrilling view of house & techno for the Freude am Tanzen Podcast.
00.00 - 03.00 - Delon - Cielo 03.00 - 08.50 - The Advocate - Never Enough (Jiggler Remix) 08.50 - 14.30 - Moonwalk - Elessar 14.30 - 20.20 - Julian Wassermann - Alone 20.20 - 25.35 - Marius Drescher - Panem 25.35 - 32.21 - Match - Escape Reality 32.21 - 38.33 - Clapcodex - Demise & Vestige 38.33 - 43.50 - Marco Effe & UNDERHER - Awaits 43.50 - 49.50 - Giorgia Angiuli - You Shine 49.50 - 56.05 - Felix Kröcher - Faceless Fears (unreleased) 56.05 - 63.00 - The Duals - A Trip To The Moon 63.00 - 67.07 - Ben Böhmer - Wall of Strings
MUSIKINFO
VON Krup is an audiovisual project that reflects the multiculturalism of Mexico City through electronic compositions of different genres. Influenced by the microglitch sound of minimal techno and idm, the harmonic theory of jazz and field recording, it is committed to reflecting the natural cosmic intelligence in his work. Thus creating an audiovisual metaphysical world where dinosaurs, rhythm boxes, plants, synthesizers, microbes and cosmic dust coexist.
VON Krup is an audiovisual project that reflects the multiculturalism of Mexico City through electronic compositions of different genres. Influenced by the microglitch sound of minimal techno and idm, the harmonic theory of jazz and field recording, it is committed to reflecting the natural cosmic intelligence in his work. Thus creating an audiovisual metaphysical world where dinosaurs, rhythm boxes, plants, synthesizers, microbes and cosmic dust coexist.
VON Krup is an audiovisual project that reflects the multiculturalism of Mexico City through electronic compositions of different genres. Influenced by the microglitch sound of minimal techno and idm, the harmonic theory of jazz and field recording, it is committed to reflecting the natural cosmic intelligence in his work. Thus creating an audiovisual metaphysical world where dinosaurs, rhythm boxes, plants, synthesizers, microbes and cosmic dust coexist.
The second episode in 2020 is selected and mixed by VON Krup from Mexico City. After his current single 'Desde' he'll bring his first EP with his very unique concept of house music on Freude am Tanzen at the end of january.
FATPOD-51 - Hannes Tei
00:00:00 - Sidsel Endresen & Bugge Wesseltoft - Try (Christopher Ledger Edit) Not on Label 00:04:44 - Hokuto Sato - Circle (Original Mix) Andromeda 00:11:25 - Baltazar - Viento En Popa (Original Mix) Shamandrum 00:16:01 - Vid - The only way is up (Original Mix) AVI Records 00:23:43 - Unit - Balanced (Original Mix) Isla Records 00:28:10 - Vincentlulian - Sonora (Original Mix) Contemporan 00:31:54 - Kamran Sadeghi - More Than Tomorrow (Original Mix) Amphia 00:35:42 - Visha - Omnitruncated (Original Mix) Fractal records 00:38:53 - Cez - Icaros (Original Mix) High Ends 00:42:30 - parallax deep - Intercept (Per Hammar's Variant) 10Years 00:46:47 - Doubtingthomas - Feinte N° 10 (Original Mix) Slice Music 00:51:13 - Silat Bekis & Daniel Broesecke - Coffee for two (Original Mix) curtea veche 00:56:12 - Bocaje - Pattern I (Original Mix) Vayvay 00:59:15 - W.B. - Teleelektronicagrunch Im Diskodatschen Rework WB Records
FATPOD#50 - @Matthias_Lindner
00:00:00 Lenta - Dive Inside (Abandoned Audio) 00:03:40 Unknown Artist - interp01B (Interpret) 00:09:20 iPca - There's No Summer Left For Me (Inwave) 00:14:45 Sakamaka - Akkadisch (The Y) 00:20:30 ROAR - Amble (Unreleased) 00:25:30 Gri - Klavier (Kanja Records) 00:30:30 Yng Hrn - Bist du alleine (Florian Meffert Remix) (Unreleased) 00:36:30 Meffert & Sannikow - Konstabler Hill (Arapu Remix) (True Love Sounds) 00:42:50 Root - Aztec (Unreleased) 00:49:00 Shuang Hua - Unknown (Shuang Hua) 00:57:40 Herr Koreander - Klauds (Giegling)
This mix by https://soundcloud.com/djless is a concept of desire and lust. Painted in 80s colors and made for “Freude am Tanzen”.
TRACKLIST PODCAST 49 00:00:00 Heaven - Blood On The Tracks (Italians Do It Better) 00:03:00 Portable – A Process (Live At Robert Johnson) 00:09:00 Porkfour - Candy (Ortloff) 00:12:41 So Many Men - Voskhod I (Bordello A Parigi) 00:18:19 Curses Featuring Perel – Gold & Silber (Dischi Autunno) 00: 21:17 The Hacker – Midnight Bliss (Bordello A Parigi) 00:25:35 Chinaski - Erscheinung (Live At Robert Johnson) 00:29:12 The Exaltics - The Others (Clone West Coast Series) 00:32:03 Less – PLAY_ME ( Destroy All Monsters – End 2019) 00:37:36 Forces - Ice (Fleisch Edit) (Fleisch) 00:40:19 Boy Harsher – Fate (Nude Club Records) 00:43:20 The Hacker & Jensen Interceptor - Industrial Drive (International Chrome) 00:47:28 Legowelt - Disco Rout (Younger Rebinds Remix 2) (Cocoon Recordings) 00:51:18 Snax Honeymoon's Over (Konrad Black Mix) (Terranova Records) 00:54:12 cyan85 - Astral Stream (Voitax) 00:59:46 Scratch Massive – Nuit de reve (Bordel Rec.)
FATPOD#48 - Fujimi
00:00:00 - Rrose - Specimen 2 (Infrastructure New York) 00:06:00 - Ultrastation - 666 (Artefakt Remix) (Mary Go Wild Black) 00:10:50 - Rhyw - Unpunishable (Arcing Seas) 00:14:20 - Mike Davis - Anti Mimesis 1 (Brenda) 00:18:30 - Realmz - Incursion (Sonic Groove) 00:24:10 - Paleman - 2068 (Zehnin) 00:27:26 - Oisel - Sisma (Warm Up Recordings) 00:30:41 - Blawan - Tasser (Ternesc) 00:35:10 - DBX - Loosing Control (Accelerate) 00:39:57 - Dj HMC - 6 am (Reflector) 00:43:35 - Johnny Island - Acid Lake (Planet Rhythm) 00:48:20 - Dax J - Zion (Monnom Black) 00:52:33 - Burden, DLTN - Phi 2.4 (Aurea Records) 00:56:46 - Vladimir Dubyshkin - Belissimo (Trip) 01:01:15 - Edit Select - Ascend (Claudio PRC Remix) (Edit Select) 01:05:14 - Ricardo Garduno, Aleja Sanchez - Louder Than Storms (Attic Music) 01:10:43 - Steve Parker - Singular Dimension (Odd Even) 01:13:38 - Moderat - The Mark (Interlude) (Monkeytown Records)
- Earlylate (Panthera Krause Remix) And for the grand finale, his buddy from Leipzig Panthera Krause recruits all his strength. His poetic disco sense is legendary – which he demonstrates brilliantly with his remix.
- Earlylate (Map.ache Remix) Embracing ambient sounds meet mighty breakbeats. Map.ache from Kann Records does everything to male time stand still and does so successfully.
- Earlylate (Andreas Henneberg Remix) Here, the demolition power from »Earlydate« has been bang on. Andreas Henneberg ought to be well ahead with this remix in the category »Best Break«.
- Smallbig (Robert Helms Remix) Robert Helms invites you to delve into dreaming. He highlights the deep chords and vocals of »Smallbig« and boosts them in slow house mode.
The third time is the charme...that's right. Thus, the joy about the third album by Marek Hemmann is huge. Likewise, the third album is perceived as an important brand which ought to show the actual extent of a musician's potential. Either hold one's ground or dare something new? Marek Hemmann is not deterred by such expectations. He was merely in the mood for new tracks. The eight newcomers on "Moments" sound accordingly - easygoing, detached and characterised by the same profoundly and harmonically balanced musicality for which Marek Hemmann is world-renowned. Anyhow, a "just continue as before" mentality is not an option for the Berliner by choice - from the beginning, his music effortlessly blurred the established genre lines. In this vein, his new work is influenced by a great candour.
As already accomplished with his highly esteemed albums "In Between"and "Bittersweet", in "Moments" Marek Hemman takes the listeners - and certainly the dancers - on a journey through different spheres of contemporary electronic music. Nestled in "Helio" and "Bob" branches to significantly different moods are introduced from silent pauses to weightlessly lifting off to dancing around dreamily. Yet, within the many interwoven details, a noticeable sophistication can be picked out. Even more seamless and subtle, Marek Hemmann manages to unite euphoria and sweet melancholy, playful and sublime sounds, warmly shifting basses and sweeping synth-melodies.
"Moments" provides moments of life and moments on the dancefloor with the fitting soundtrack. We are very happy about this.
The third time is the charme...that's right. Thus, the joy about the third album by Marek Hemmann is huge. Likewise, the third album is perceived as an important brand which ought to show the actual extent of a musician's potential. Either hold one's ground or dare something new? Marek Hemmann is not deterred by such expectations. He was merely in the mood for new tracks. The eight newcomers on "Moments" sound accordingly - easygoing, detached and characterised by the same profoundly and harmonically balanced musicality for which Marek Hemmann is world-renowned. Anyhow, a "just continue as before" mentality is not an option for the Berliner by choice - from the beginning, his music effortlessly blurred the established genre lines. In this vein, his new work is influenced by a great candour.
As already accomplished with his highly esteemed albums "In Between"and "Bittersweet", in "Moments" Marek Hemman takes the listeners - and certainly the dancers - on a journey through different spheres of contemporary electronic music. Nestled in "Helio" and "Bob" branches to significantly different moods are introduced from silent pauses to weightlessly lifting off to dancing around dreamily. Yet, within the many interwoven details, a noticeable sophistication can be picked out. Even more seamless and subtle, Marek Hemmann manages to unite euphoria and sweet melancholy, playful and sublime sounds, warmly shifting basses and sweeping synth-melodies.
"Moments" provides moments of life and moments on the dancefloor with the fitting soundtrack. We are very happy about this.
It is one year ago that Mathias Kaden presented a very personal journey to his musical roots in the shape of an album called "Energetic". Equally as long he has been out in the world as a live act - with some large analogous luggage and the same joy of performing with which he had won many hearts as a DJ on the dancefloor beforehand. After the first batch of remixes (among others by Michael Mayer and Redshape) there are now following further revisions of three of the album's tracks.
Those who enjoy Deetron’s bass research/experiments even more extracted, will get very lucky with Bassapella. No strings. No vocals. Only bass drum and a pervasive bass loop which squirms itself out of its basic shape in batches.
Almost Gone" is the name of Remood's debut ep (extended play) and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
- Upstairs From the beginning, "Upstairs" starts in a nu jazzy direction and reveals more and more surprising track elements in its playful arc of suspense which seem to be jamming with the sometimes driving, sometimes prancing drums. The small finale with chimes dissolves unexpectedly in a bittersweet break-down during the last third of the track and radiates the warmth of a summer rain with emotional rhodes (?), sub-bass and reduced drum-work.
"Almost Gone" heißt die Debüt-EP von Remood und vereint 7 ausgewählte Stücke aus den letzten zwei Jahren auf nahezu Albumlänge. Irgendwo zwischen Burial und James Last kann man den Sound von Remood verorten – Bildhafte Bassmusik mit emotionaler Dramaturgie, immer einen Hüftschwung von fester Genreklassifikation entfernt, persönlich und offen experimentierend mit den Einflüssen einer musikalischen Prägung aus allem was Beat, Bass und Soul hat. Das Ziel – Gedanken- und Gefühlswelt in reduzierte Bahnen zu lenken – hat Remood längst aufgegeben und seine Musik gibt sich betont unminimalistisch. Die Welt um ihn herum ist der Farbkasten, aus dem er sich bedient und das merkt man – Schicht für Schicht. Field Recordings aus der traurigen Halbprovinz, verspielte jazzige Passagen, mehrschichtige Beats mit natürlichem Swing, warme tiefe Bassläufe und eine organische, leicht angefrickelte Sound- und Synthwelt fügen sich in erzählungsreichen Arrangements zusammen. Das Ausbrechen aus Gewohntem, sich dabei aber nicht zu verzetteln, fühl- und greifbar zu bleiben, sind die zentralen Motive in Remoods Produktionsweise und die "Almost Gone" EP auf dem Jenaer Label Freude am Tanzen ein erstes Signal für Mehr.
- Upstairs Von Anfang an bricht "Upstairs" in eine nujazzige Richtung auf und offenbart in seinem verspielten Spannungsbogen immer mehr überraschende Songelemente, die mit den mal treibenden, mal tänzelnden Drums zu jammen scheinen. Das kleine Finale mit Glockenspiel zergeht unerwartet in einem bittersüßen Breakdown im letzten Drittel des Stücks und versprüht mit gefühlvollen Rhodes, Sub-Bass und reduziertem Drumwork die Wärme eines Sommerregens.
Almost Gone" is the name of Remood's debut ep and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
- An Empty Letter In halftime pace "An Empty Letter" sets the finale. With voluminous piano chords and a rustling beat, which appears to merely be held together by the snare, the track accumulates to an oddly banal statement and the admission to not be able to offer all of that or maybe not even wanting to. Within the last part, "An Empty Letter" shatters into a melancholic, "bluesy" collage which releases the listener into the dark night.
"Almost Gone" heißt die Debüt-EP von Remood und vereint 7 ausgewählte Stücke aus den letzten zwei Jahren auf nahezu Albumlänge. Irgendwo zwischen Burial und James Last kann man den Sound von Remood verorten – Bildhafte Bassmusik mit emotionaler Dramaturgie, immer einen Hüftschwung von fester Genreklassifikation entfernt, persönlich und offen experimentierend mit den Einflüssen einer musikalischen Prägung aus allem was Beat, Bass und Soul hat. Das Ziel – Gedanken- und Gefühlswelt in reduzierte Bahnen zu lenken – hat Remood längst aufgegeben und seine Musik gibt sich betont unminimalistisch. Die Welt um ihn herum ist der Farbkasten, aus dem er sich bedient und das merkt man – Schicht für Schicht. Field Recordings aus der traurigen Halbprovinz, verspielte jazzige Passagen, mehrschichtige Beats mit natürlichem Swing, warme tiefe Bassläufe und eine organische, leicht angefrickelte Sound- und Synthwelt fügen sich in erzählungsreichen Arrangements zusammen. Das Ausbrechen aus Gewohntem, sich dabei aber nicht zu verzetteln, fühl- und greifbar zu bleiben, sind die zentralen Motive in Remoods Produktionsweise und die "Almost Gone" EP auf dem Jenaer Label Freude am Tanzen ein erstes Signal für Mehr.
- An Empty Letter Im Halftime-Tempo setzt "An Empty Letter" den Schlusspunkt. Mit voluminösen Piano-Akkorden und einem raschelnden Beat, der scheinbar nur noch von der Snare zusammengehalten wird, massiert sich der Track in eine seltsam banale Aussage und dem Zugeständnis, gar nicht mehr als das anbieten zu können oder vielleicht auch gar nicht zu wollen. Im letzten Part zerbricht "An Empty Letter" in eine melancholisch-bluesige Collage, die den Hörer in die dunkle Nacht entlässt.
Almost Gone" is the name of Remood's debut ep (extended play) and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
- Field Notes Turning the screw toward 130 bpm, clear memories of Remood's drum and bass past resonate in "Field Notes". The foundation is a reese (?) bassline that arbitates between the soul-filled changes of chords, vocal snippets and the pushing drum machine beat. In the course of the track, a sizzling piano texture announces itself, which fully develops in the endearing breakdown and briefly threatens to drift into a harsh, distorted world before the beat retrieves it into reality and dissolves the track harmonically.
"Almost Gone" heißt die Debüt-EP von Remood und vereint 7 ausgewählte Stücke aus den letzten zwei Jahren auf nahezu Albumlänge. Irgendwo zwischen Burial und James Last kann man den Sound von Remood verorten – Bildhafte Bassmusik mit emotionaler Dramaturgie, immer einen Hüftschwung von fester Genreklassifikation entfernt, persönlich und offen experimentierend mit den Einflüssen einer musikalischen Prägung aus allem was Beat, Bass und Soul hat. Das Ziel – Gedanken- und Gefühlswelt in reduzierte Bahnen zu lenken – hat Remood längst aufgegeben und seine Musik gibt sich betont unminimalistisch. Die Welt um ihn herum ist der Farbkasten, aus dem er sich bedient und das merkt man – Schicht für Schicht. Field Recordings aus der traurigen Halbprovinz, verspielte jazzige Passagen, mehrschichtige Beats mit natürlichem Swing, warme tiefe Bassläufe und eine organische, leicht angefrickelte Sound- und Synthwelt fügen sich in erzählungsreichen Arrangements zusammen. Das Ausbrechen aus Gewohntem, sich dabei aber nicht zu verzetteln, fühl- und greifbar zu bleiben, sind die zentralen Motive in Remoods Produktionsweise und die "Almost Gone" EP auf dem Jenaer Label Freude am Tanzen ein erstes Signal für Mehr.
- Field Notes Die Schraube in Richtung 130 BPM drehend, hallen bei "Field Notes" deutliche Reminiszenzen an Remoods Drum&Bass Vergangenheit nach. Grundierung bildet eine Reese Bassline, die zwischen den souligen Akkordwechseln, Vocalschnipseln und dem schiebenden Drummachine-Beat vermittelt. Im Laufe des Stücks kündigt sich eine zischende Piano-Textur an, die sich im einnehmenden Breakdown komplett entfaltet und kurz droht in eine harsche verzerrte Welt zu driften, bevor sie der Beat wieder in die Realität holt und das Stück harmonisch auflöst.
Almost Gone" is the name of Remood's debut ep (extended play) and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
- Almost Gone The title track of the ep begins like a deep breath of air in the forests, followed by a heavy analogous surface which pushes its way out of the deepness bit by bit in order to spread on a grooving broken beat. Ensnared by an electric piano and a mellotron, "Almost Gone" juggles an entire orchestra of elements and doesn't provide any breathing space.
"Almost Gone" heißt die Debüt-EP von Remood und vereint 7 ausgewählte Stücke aus den letzten zwei Jahren auf nahezu Albumlänge. Irgendwo zwischen Burial und James Last kann man den Sound von Remood verorten – Bildhafte Bassmusik mit emotionaler Dramaturgie, immer einen Hüftschwung von fester Genreklassifikation entfernt, persönlich und offen experimentierend mit den Einflüssen einer musikalischen Prägung aus allem was Beat, Bass und Soul hat. Das Ziel – Gedanken- und Gefühlswelt in reduzierte Bahnen zu lenken – hat Remood längst aufgegeben und seine Musik gibt sich betont unminimalistisch. Die Welt um ihn herum ist der Farbkasten, aus dem er sich bedient und das merkt man – Schicht für Schicht. Field Recordings aus der traurigen Halbprovinz, verspielte jazzige Passagen, mehrschichtige Beats mit natürlichem Swing, warme tiefe Bassläufe und eine organische, leicht angefrickelte Sound- und Synthwelt fügen sich in erzählungsreichen Arrangements zusammen. Das Ausbrechen aus Gewohntem, sich dabei aber nicht zu verzetteln, fühl- und greifbar zu bleiben, sind die zentralen Motive in Remoods Produktionsweise und die "Almost Gone" EP auf dem Jenaer Label Freude am Tanzen ein erstes Signal für Mehr.
- Almost Gone Wie ein tiefes Luftholen in den Wäldern beginnt der Titeltrack der EP, gefolgt von einer schweren analogen Fläche, die sich Stück für Stück ihren Weg aus der Tiefe bahnt, um sich auf einem groovendem Broken Beat breit zu machen. Umgarnt von E.Piano und Mellotron jongliert "Almost Gone" ein ganzes Orchester an Elementen und lässt dabei keine Zeit zum Verschnaufen.
Almost Gone" is the name of Remood's debut ep (extended play) and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
- New Haven A bit of sailor's yarn melodized in almost 9 minutes. Nostalgically gazing into the distance, "New Haven" seems to tell a story of the sea with its entwined elements and emotional bobbing movement which one ought to listen to.
"Almost Gone" heißt die Debüt-EP von Remood und vereint 7 ausgewählte Stücke aus den letzten zwei Jahren auf nahezu Albumlänge. Irgendwo zwischen Burial und James Last kann man den Sound von Remood verorten – Bildhafte Bassmusik mit emotionaler Dramaturgie, immer einen Hüftschwung von fester Genreklassifikation entfernt, persönlich und offen experimentierend mit den Einflüssen einer musikalischen Prägung aus allem was Beat, Bass und Soul hat. Das Ziel – Gedanken- und Gefühlswelt in reduzierte Bahnen zu lenken – hat Remood längst aufgegeben und seine Musik gibt sich betont unminimalistisch. Die Welt um ihn herum ist der Farbkasten, aus dem er sich bedient und das merkt man – Schicht für Schicht. Field Recordings aus der traurigen Halbprovinz, verspielte jazzige Passagen, mehrschichtige Beats mit natürlichem Swing, warme tiefe Bassläufe und eine organische, leicht angefrickelte Sound- und Synthwelt fügen sich in erzählungsreichen Arrangements zusammen. Das Ausbrechen aus Gewohntem, sich dabei aber nicht zu verzetteln, fühl- und greifbar zu bleiben, sind die zentralen Motive in Remoods Produktionsweise und die "Almost Gone" EP auf dem Jenaer Label Freude am Tanzen ein erstes Signal für Mehr.
- New Haven Ein bisschen Seemannsgarn vertont in fast 9 Minuten. Nostalgisch in die Ferne blinzelnd scheint "New Haven" mit seinen verschlungenen Elementen und emotionalen Auf- und Abbewegungen eine Geschichte vom Meer zu erzählen, der man zuhören sollte.
Almost Gone" is the name of Remood's debut ep (extended play) and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
- Nina's Broken Tango Dust and noise, low-pitched piano fragments, garage-like yoghurt pot drums, and echoes of something that apparently used to be a tango, provide the dark scaffold of the tune before it flees into dreamy melancholy. It remains his secret who nina is. Maybe we're all a bit nina.
"Almost Gone" heißt die Debüt-EP von Remood und vereint 7 ausgewählte Stücke aus den letzten zwei Jahren auf nahezu Albumlänge. Irgendwo zwischen Burial und James Last kann man den Sound von Remood verorten – Bildhafte Bassmusik mit emotionaler Dramaturgie, immer einen Hüftschwung von fester Genreklassifikation entfernt, persönlich und offen experimentierend mit den Einflüssen einer musikalischen Prägung aus allem was Beat, Bass und Soul hat. Das Ziel – Gedanken- und Gefühlswelt in reduzierte Bahnen zu lenken – hat Remood längst aufgegeben und seine Musik gibt sich betont unminimalistisch. Die Welt um ihn herum ist der Farbkasten, aus dem er sich bedient und das merkt man – Schicht für Schicht. Field Recordings aus der traurigen Halbprovinz, verspielte jazzige Passagen, mehrschichtige Beats mit natürlichem Swing, warme tiefe Bassläufe und eine organische, leicht angefrickelte Sound- und Synthwelt fügen sich in erzählungsreichen Arrangements zusammen. Das Ausbrechen aus Gewohntem, sich dabei aber nicht zu verzetteln, fühl- und greifbar zu bleiben, sind die zentralen Motive in Remoods Produktionsweise und die "Almost Gone" EP auf dem Jenaer Label Freude am Tanzen ein erstes Signal für Mehr.
- Nina's Broken Tango Staub und Rauschen, Tief gepitchte Pianofragmente, garageartige Joghurtbecherdrums, und Echos von Etwas, das scheinbar mal ein Tango war, bilden das dunkle Grundgerüst des Tunes, bevor er sich in verträumte Melancholie flüchtet. Wer Nina ist, bleibt dabei sein Geheimnis. Vielleicht sind wir ja alle ein bißchen Nina.
Almost Gone" is the name of Remood's debut ep (extended play) and contains 7 selected tracks of the last two years at almost an album's length. Remood's sound can be located somewhere between Burial and James Last - vivid bass music with emotional dramaturgy, always a hip swing away from a solid genre classification, personally and openly experimenting with influences of a musical imprint of all that has beat, bass and soul. The goal - leading the world of thought and emotion into narrowed pathways - has already been given up by Remood providing music that is ostensibly non-minimalist. The world around him is the paint set on which he draws and it shows - layer by layer. Field Recordings from the sad semi province, playful jazzy passages, multilayered beats with a natural swing, warm deep bass runs and an organic, lightly tinkered world of sound and synth assemble in arrangments that are rich in narration. Escaping habits, at the same time not dissipating, remaining palpable, are the main motives of Remood's production method and the "Almost Gone" ep of the label Freude am Tanzen from Jena is a first signal for more.
Twelve Grapes (Bonus) The bonus track "Twelve Grapes" reveals itself in a dark and distant manner. The track is borne by an hypnotic bassline and synth chords which proceed to dub-techno-terrain. By the shifting drum elements and exciting modulations, "Twelve Grapes" remains interesting, mysterious and especially danceable until the very end.
Taron-Trekka – Black Magic EP
Black magic, what is that supposed to be? A spell that seeks to do harm to others? Usually yes, however Taron-Trekka are animated by the best intentions, rather aim for the magic of the night and as always want to merely destroy the dancefloors of this world in a symbolic way. In fact, nobody has comes to grief with the four tracks of their “Black Magic EP” (the last part of their “Magic” triology) – nevertheless, they possess a certain magic. However, Taron-Trekka don’t make jumbo jets disappear, they don’t walk through the Chinese wall or initiate other cocky tricks à la Copperfield. They are more like thimbleriggers. Or card jugglers. You know, those guys who surprise you when you least reckon with it. Those who have already outsmarted your mind when you were still thinking that it was just about to really begin. Taron-Trekka have the groove and cast a net of loops, which magically creates a tremendous energy. Loops with which the smallest shift can open up worlds. Worlds, which admittedly appear accessible, but are hardly decipherable. This way, tools become magical tracks. Furthermore, house becomes a music, which brands itself to the last corners of a soul. Just like the trick that you haven’t understood until today.
A1 Black Magic Taron-Trekka‘s ride through the night starts funky and dry with the title track of the EP. The effects bleep here and fade away there, however over distance a magical pull develops. A pull that can only be escaped from with great difficulty.
A2 Monofile Regarding “Monofile”, Taron-Trekka conjures a groove as selfwilled as enchanting by initially making vocals and keys appear on a dead straight beat and then letting this very same one stumble over itself. At the right moment it engenders at least as much “Ohs” as “Ahs” in a club, you bet.
B1 Red From black to red, from night until morning. For exactly this moment “Red” was made, which brings every last person to the next afterhour with its swing and depth. B2 Distance Entirely against its own title, “Distance” may indeed affect one deeply. Namely then, when one wants to delve into funk as subtle as extensive. That is Jan Jelinek at a gallop or SND with more punch. Both are fantastic
Feel One (Digi Only) Once again, Taron-Trekka show that they may enchante the lower BPM area due to their exclusive Digi bonus “Feel One”. Classic beatdown-dreamer-food with diffident areas and vocal philandering of which we cannot get enough.
Taron-Trekka – Black Magic EP
Black magic, what is that supposed to be? A spell that seeks to do harm to others? Usually yes, however Taron-Trekka are animated by the best intentions, rather aim for the magic of the night and as always want to merely destroy the dancefloors of this world in a symbolic way. In fact, nobody has comes to grief with the four tracks of their “Black Magic EP” (the last part of their “Magic” triology) – nevertheless, they possess a certain magic. However, Taron-Trekka don’t make jumbo jets disappear, they don’t walk through the Chinese wall or initiate other cocky tricks à la Copperfield. They are more like thimbleriggers. Or card jugglers. You know, those guys who surprise you when you least reckon with it. Those who have already outsmarted your mind when you were still thinking that it was just about to really begin. Taron-Trekka have the groove and cast a net of loops, which magically creates a tremendous energy. Loops with which the smallest shift can open up worlds. Worlds, which admittedly appear accessible, but are hardly decipherable. This way, tools become magical tracks. Furthermore, house becomes a music, which brands itself to the last corners of a soul. Just like the trick that you haven’t understood until today.
A1 Black Magic Taron-Trekka‘s ride through the night starts funky and dry with the title track of the EP. The effects bleep here and fade away there, however over distance a magical pull develops. A pull that can only be escaped from with great difficulty.
A2 Monofile Regarding “Monofile”, Taron-Trekka conjures a groove as selfwilled as enchanting by initially making vocals and keys appear on a dead straight beat and then letting this very same one stumble over itself. At the right moment it engenders at least as much “Ohs” as “Ahs” in a club, you bet.
B1 Red From black to red, from night until morning. For exactly this moment “Red” was made, which brings every last person to the next afterhour with its swing and depth. B2 Distance Entirely against its own title, “Distance” may indeed affect one deeply. Namely then, when one wants to delve into funk as subtle as extensive. That is Jan Jelinek at a gallop or SND with more punch. Both are fantastic
Feel One (Digi Only) Once again, Taron-Trekka show that they may enchante the lower BPM area due to their exclusive Digi bonus “Feel One”. Classic beatdown-dreamer-food with diffident areas and vocal philandering of which we cannot get enough.
Taron-Trekka – Black Magic EP
Black magic, what is that supposed to be? A spell that seeks to do harm to others? Usually yes, however Taron-Trekka are animated by the best intentions, rather aim for the magic of the night and as always want to merely destroy the dancefloors of this world in a symbolic way. In fact, nobody has comes to grief with the four tracks of their “Black Magic EP” (the last part of their “Magic” triology) – nevertheless, they possess a certain magic. However, Taron-Trekka don’t make jumbo jets disappear, they don’t walk through the Chinese wall or initiate other cocky tricks à la Copperfield. They are more like thimbleriggers. Or card jugglers. You know, those guys who surprise you when you least reckon with it. Those who have already outsmarted your mind when you were still thinking that it was just about to really begin. Taron-Trekka have the groove and cast a net of loops, which magically creates a tremendous energy. Loops with which the smallest shift can open up worlds. Worlds, which admittedly appear accessible, but are hardly decipherable. This way, tools become magical tracks. Furthermore, house becomes a music, which brands itself to the last corners of a soul. Just like the trick that you haven’t understood until today.
A1 Black Magic Taron-Trekka‘s ride through the night starts funky and dry with the title track of the EP. The effects bleep here and fade away there, however over distance a magical pull develops. A pull that can only be escaped from with great difficulty.
A2 Monofile Regarding “Monofile”, Taron-Trekka conjures a groove as selfwilled as enchanting by initially making vocals and keys appear on a dead straight beat and then letting this very same one stumble over itself. At the right moment it engenders at least as much “Ohs” as “Ahs” in a club, you bet.
B1 Red From black to red, from night until morning. For exactly this moment “Red” was made, which brings every last person to the next afterhour with its swing and depth. B2 Distance Entirely against its own title, “Distance” may indeed affect one deeply. Namely then, when one wants to delve into funk as subtle as extensive. That is Jan Jelinek at a gallop or SND with more punch. Both are fantastic
Feel One (Digi Only) Once again, Taron-Trekka show that they may enchante the lower BPM area due to their exclusive Digi bonus “Feel One”. Classic beatdown-dreamer-food with diffident areas and vocal philandering of which we cannot get enough.
Taron-Trekka – Black Magic EP
Black magic, what is that supposed to be? A spell that seeks to do harm to others? Usually yes, however Taron-Trekka are animated by the best intentions, rather aim for the magic of the night and as always want to merely destroy the dancefloors of this world in a symbolic way. In fact, nobody has comes to grief with the four tracks of their “Black Magic EP” (the last part of their “Magic” triology) – nevertheless, they possess a certain magic. However, Taron-Trekka don’t make jumbo jets disappear, they don’t walk through the Chinese wall or initiate other cocky tricks à la Copperfield. They are more like thimbleriggers. Or card jugglers. You know, those guys who surprise you when you least reckon with it. Those who have already outsmarted your mind when you were still thinking that it was just about to really begin. Taron-Trekka have the groove and cast a net of loops, which magically creates a tremendous energy. Loops with which the smallest shift can open up worlds. Worlds, which admittedly appear accessible, but are hardly decipherable. This way, tools become magical tracks. Furthermore, house becomes a music, which brands itself to the last corners of a soul. Just like the trick that you haven’t understood until today.
A1 Black Magic Taron-Trekka‘s ride through the night starts funky and dry with the title track of the EP. The effects bleep here and fade away there, however over distance a magical pull develops. A pull that can only be escaped from with great difficulty.
A2 Monofile Regarding “Monofile”, Taron-Trekka conjures a groove as selfwilled as enchanting by initially making vocals and keys appear on a dead straight beat and then letting this very same one stumble over itself. At the right moment it engenders at least as much “Ohs” as “Ahs” in a club, you bet.
B1 Red From black to red, from night until morning. For exactly this moment “Red” was made, which brings every last person to the next afterhour with its swing and depth. B2 Distance Entirely against its own title, “Distance” may indeed affect one deeply. Namely then, when one wants to delve into funk as subtle as extensive. That is Jan Jelinek at a gallop or SND with more punch. Both are fantastic
Feel One (Digi Only) Once again, Taron-Trekka show that they may enchante the lower BPM area due to their exclusive Digi bonus “Feel One”. Classic beatdown-dreamer-food with diffident areas and vocal philandering of which we cannot get enough.
Taron-Trekka – Black Magic EP
Black magic, what is that supposed to be? A spell that seeks to do harm to others? Usually yes, however Taron-Trekka are animated by the best intentions, rather aim for the magic of the night and as always want to merely destroy the dancefloors of this world in a symbolic way. In fact, nobody has comes to grief with the four tracks of their “Black Magic EP” (the last part of their “Magic” triology) – nevertheless, they possess a certain magic. However, Taron-Trekka don’t make jumbo jets disappear, they don’t walk through the Chinese wall or initiate other cocky tricks à la Copperfield. They are more like thimbleriggers. Or card jugglers. You know, those guys who surprise you when you least reckon with it. Those who have already outsmarted your mind when you were still thinking that it was just about to really begin. Taron-Trekka have the groove and cast a net of loops, which magically creates a tremendous energy. Loops with which the smallest shift can open up worlds. Worlds, which admittedly appear accessible, but are hardly decipherable. This way, tools become magical tracks. Furthermore, house becomes a music, which brands itself to the last corners of a soul. Just like the trick that you haven’t understood until today.
A1 Black Magic Taron-Trekka‘s ride through the night starts funky and dry with the title track of the EP. The effects bleep here and fade away there, however over distance a magical pull develops. A pull that can only be escaped from with great difficulty.
A2 Monofile Regarding “Monofile”, Taron-Trekka conjures a groove as selfwilled as enchanting by initially making vocals and keys appear on a dead straight beat and then letting this very same one stumble over itself. At the right moment it engenders at least as much “Ohs” as “Ahs” in a club, you bet.
B1 Red From black to red, from night until morning. For exactly this moment “Red” was made, which brings every last person to the next afterhour with its swing and depth. B2 Distance Entirely against its own title, “Distance” may indeed affect one deeply. Namely then, when one wants to delve into funk as subtle as extensive. That is Jan Jelinek at a gallop or SND with more punch. Both are fantastic
Feel One (Digi Only) Once again, Taron-Trekka show that they may enchante the lower BPM area due to their exclusive Digi bonus “Feel One”. Classic beatdown-dreamer-food with diffident areas and vocal philandering of which we cannot get enough.
The album „Asymetria“ by No Accident in Paradise is still a recommendation for all of those who attentively walk through life with open ears.
They build on the sensually arranged and adventurous masterpieces of electronic music with their subdued rythms and collections of absolute impressions.
The second part of the „Asymetria Remiksy“ remix package continues this slender pull. Remixers carry the original vibe onto a whole new level of consciousness with their individual touches and design truly loveable music for relaxing niches of life.
Das Album „Asymetria“ von No Accident In Paradise ist immer noch eine Empfehlung für alle, die aufmerksam mit offenen Ohren durch die Welt laufen.
Mit ihren dezenten Rhythmen & Sammlungen totaler Eindrücke knüpfen sie an die Meisterwerke sinnlich arrangierter & experimentierfreudiger Elektronik an.
Der zweite Teil des „Asymetria Remiksy“ Remixpaketes führt den feingliedrigen Sog fort. Die Remixer befördern mit ihrer eigener Handschrift den Vibe der Originale auf eine neue Bewusstseinsebene und gestalten echte Liebhabermusik für die erholsamen Nischen des Lebens.
1 Farbiarnia (SYNPSNPOGO Remix) 2 Radiolokacja (Ian Simmonds Remix) 3 Taniec (Lowtec Remix) 4 Koniec (Erlenbrunn – Unter den Ulmen Remix) 5 Radiolokacja (A Forest Remix)
www.noaccidentinparadise.com
Das Album „Asymetria“ von No Accident In Paradise ist immer noch eine Empfehlung für alle, die aufmerksam mit offenen Ohren durch die Welt laufen.
Mit ihren dezenten Rhythmen & Sammlungen totaler Eindrücke knüpfen sie an die Meisterwerke sinnlich arrangierter & experimentierfreudiger Elektronik an.
MUSIKINFO
The album „Asymetria“ by No Accident in Paradise is still a recommendation for all of those who attentively walk through life with open ears.
They build on the sensually arranged and adventurous masterpieces of electronic music with their subdued rythms and collections of absolute impressions.
The second part of the „Asymetria Remiksy“ remix package continues this slender pull. Remixers carry the original vibe onto a whole new level of consciousness with their individual touches and design truly loveable music for relaxing niches of life.
Der zweite Teil des „Asymetria Remiksy“ Remixpaketes führt den feingliedrigen Sog fort. Die Remixer befördern mit ihrer eigener Handschrift den Vibe der Originale auf eine neue Bewusstseinsebene und gestalten echte Liebhabermusik für die erholsamen Nischen des Lebens.
Das Album „Asymetria“ von No Accident In Paradise ist immer noch eine Empfehlung für alle, die aufmerksam mit offenen Ohren durch die Welt laufen.
Mit ihren dezenten Rhythmen & Sammlungen totaler Eindrücke knüpfen sie an die Meisterwerke sinnlich arrangierter & experimentierfreudiger Elektronik an.
MUSIKINFO
The album „Asymetria“ by No Accident in Paradise is still a recommendation for all of those who attentively walk through life with open ears.
They build on the sensually arranged and adventurous masterpieces of electronic music with their subdued rythms and collections of absolute impressions.
The second part of the „Asymetria Remiksy“ remix package continues this slender pull. Remixers carry the original vibe onto a whole new level of consciousness with their individual touches and design truly loveable music for relaxing niches of life.
Der zweite Teil des „Asymetria Remiksy“ Remixpaketes führt den feingliedrigen Sog fort. Die Remixer befördern mit ihrer eigener Handschrift den Vibe der Originale auf eine neue Bewusstseinsebene und gestalten echte Liebhabermusik für die erholsamen Nischen des Lebens.
Das Album „Asymetria“ von No Accident In Paradise ist immer noch eine Empfehlung für alle, die aufmerksam mit offenen Ohren durch die Welt laufen.
Mit ihren dezenten Rhythmen & Sammlungen totaler Eindrücke knüpfen sie an die Meisterwerke sinnlich arrangierter & experimentierfreudiger Elektronik an.
MUSIKINFO
The album „Asymetria“ by No Accident in Paradise is still a recommendation for all of those who attentively walk through life with open ears.
They build on the sensually arranged and adventurous masterpieces of electronic music with their subdued rythms and collections of absolute impressions.
The second part of the „Asymetria Remiksy“ remix package continues this slender pull. Remixers carry the original vibe onto a whole new level of consciousness with their individual touches and design truly loveable music for relaxing niches of life.
Der zweite Teil des „Asymetria Remiksy“ Remixpaketes führt den feingliedrigen Sog fort. Die Remixer befördern mit ihrer eigener Handschrift den Vibe der Originale auf eine neue Bewusstseinsebene und gestalten echte Liebhabermusik für die erholsamen Nischen des Lebens.
Das Album „Asymetria“ von No Accident In Paradise ist immer noch eine Empfehlung für alle, die aufmerksam mit offenen Ohren durch die Welt laufen.
Mit ihren dezenten Rhythmen & Sammlungen totaler Eindrücke knüpfen sie an die Meisterwerke sinnlich arrangierter & experimentierfreudiger Elektronik an.
MUSIKINFO
The album „Asymetria“ by No Accident in Paradise is still a recommendation for all of those who attentively walk through life with open ears.
They build on the sensually arranged and adventurous masterpieces of electronic music with their subdued rythms and collections of absolute impressions.
The second part of the „Asymetria Remiksy“ remix package continues this slender pull. Remixers carry the original vibe onto a whole new level of consciousness with their individual touches and design truly loveable music for relaxing niches of life.
Der zweite Teil des „Asymetria Remiksy“ Remixpaketes führt den feingliedrigen Sog fort. Die Remixer befördern mit ihrer eigener Handschrift den Vibe der Originale auf eine neue Bewusstseinsebene und gestalten echte Liebhabermusik für die erholsamen Nischen des Lebens.
Das Album „Asymetria“ von No Accident In Paradise ist immer noch eine Empfehlung für alle, die aufmerksam mit offenen Ohren durch die Welt laufen.
Mit ihren dezenten Rhythmen & Sammlungen totaler Eindrücke knüpfen sie an die Meisterwerke sinnlich arrangierter & experimentierfreudiger Elektronik an.
MUSIKINFO
The album „Asymetria“ by No Accident in Paradise is still a recommendation for all of those who attentively walk through life with open ears.
They build on the sensually arranged and adventurous masterpieces of electronic music with their subdued rythms and collections of absolute impressions.
The second part of the „Asymetria Remiksy“ remix package continues this slender pull. Remixers carry the original vibe onto a whole new level of consciousness with their individual touches and design truly loveable music for relaxing niches of life.
Der zweite Teil des „Asymetria Remiksy“ Remixpaketes führt den feingliedrigen Sog fort. Die Remixer befördern mit ihrer eigener Handschrift den Vibe der Originale auf eine neue Bewusstseinsebene und gestalten echte Liebhabermusik für die erholsamen Nischen des Lebens.
Finally, you might think, and right on time for the open-air season. Now, two years after „Syvsover“, the Berlin-based Dane, Jesper Ryom, is ready with his latest release „The Two Of Us“ – providing us with the perfect soundtrack for the hot days and the warm nights. Radiating euphoria with each bassline and elegantly bridging house and pop, these four tracks will both make you break out in sweat and put a smile upon your face. Tied together with a hypnotically energetic feel, each track is a journey into the timeless depths of Jesper Ryom’s stylistically confident sounds. And while layers of intricate atmosphere continuously is added on to each beat, Ryom doesn’t forget the floor for a single second. The waiting has finally paid off and these four tunes are sure to enrichen the summer vibe, whether spent partying or basking by a lake.
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The Two Of Us Title track and opener "The Two Of Us" perfectly demonstrates Jesper Ryom's penchant for layered sampling combined with modern elements, as the synth bassline and direct groove of the drums provide the backdrop for this funky yet subtly melancholic track.
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Trivia "Trivia" confidently ups the energy level and directly targets the floor. With reverberating brass samples, unapologetic arpeggios and dusty vocals, its simple message is one of movement and smiles.
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Ada Vocal-driven "Ada" is decidedly melodic and contemplative while still balancing these qualities with a consistent groove. While the lyrically enigmatic vocal sample drives the verse, the chorus is dominated by both melancholic 80s chords and an arpeggiated lead.
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Superluminal The funky guitar, subdued percussion and pulsating beat of "Superluminal" takes you by the hand and pulls you onto the dance floor. As the grooving piano is slowly unveiled amidst 707 claps and tambourine hits there is no doubt about the potential of this tune.
Finally, you might think, and right on time for the open-air season. Now, two years after „Syvsover“, the Berlin-based Dane, Jesper Ryom, is ready with his latest release „The Two Of Us“ – providing us with the perfect soundtrack for the hot days and the warm nights. Radiating euphoria with each bassline and elegantly bridging house and pop, these four tracks will both make you break out in sweat and put a smile upon your face. Tied together with a hypnotically energetic feel, each track is a journey into the timeless depths of Jesper Ryom’s stylistically confident sounds. And while layers of intricate atmosphere continuously is added on to each beat, Ryom doesn’t forget the floor for a single second. The waiting has finally paid off and these four tunes are sure to enrichen the summer vibe, whether spent partying or basking by a lake.
-
The Two Of Us Title track and opener "The Two Of Us" perfectly demonstrates Jesper Ryom's penchant for layered sampling combined with modern elements, as the synth bassline and direct groove of the drums provide the backdrop for this funky yet subtly melancholic track.
-
Trivia "Trivia" confidently ups the energy level and directly targets the floor. With reverberating brass samples, unapologetic arpeggios and dusty vocals, its simple message is one of movement and smiles.
-
Ada Vocal-driven "Ada" is decidedly melodic and contemplative while still balancing these qualities with a consistent groove. While the lyrically enigmatic vocal sample drives the verse, the chorus is dominated by both melancholic 80s chords and an arpeggiated lead.
-
Superluminal The funky guitar, subdued percussion and pulsating beat of "Superluminal" takes you by the hand and pulls you onto the dance floor. As the grooving piano is slowly unveiled amidst 707 claps and tambourine hits there is no doubt about the potential of this tune.
Finally, you might think, and right on time for the open-air season. Now, two years after „Syvsover“, the Berlin-based Dane, Jesper Ryom, is ready with his latest release „The Two Of Us“ – providing us with the perfect soundtrack for the hot days and the warm nights. Radiating euphoria with each bassline and elegantly bridging house and pop, these four tracks will both make you break out in sweat and put a smile upon your face. Tied together with a hypnotically energetic feel, each track is a journey into the timeless depths of Jesper Ryom’s stylistically confident sounds. And while layers of intricate atmosphere continuously is added on to each beat, Ryom doesn’t forget the floor for a single second. The waiting has finally paid off and these four tunes are sure to enrichen the summer vibe, whether spent partying or basking by a lake.
-
The Two Of Us Title track and opener "The Two Of Us" perfectly demonstrates Jesper Ryom's penchant for layered sampling combined with modern elements, as the synth bassline and direct groove of the drums provide the backdrop for this funky yet subtly melancholic track.
-
Trivia "Trivia" confidently ups the energy level and directly targets the floor. With reverberating brass samples, unapologetic arpeggios and dusty vocals, its simple message is one of movement and smiles.
-
Ada Vocal-driven "Ada" is decidedly melodic and contemplative while still balancing these qualities with a consistent groove. While the lyrically enigmatic vocal sample drives the verse, the chorus is dominated by both melancholic 80s chords and an arpeggiated lead.
-
Superluminal The funky guitar, subdued percussion and pulsating beat of "Superluminal" takes you by the hand and pulls you onto the dance floor. As the grooving piano is slowly unveiled amidst 707 claps and tambourine hits there is no doubt about the potential of this tune.
Finally, you might think, and right on time for the open-air season. Now, two years after „Syvsover“, the Berlin-based Dane, Jesper Ryom, is ready with his latest release „The Two Of Us“ – providing us with the perfect soundtrack for the hot days and the warm nights. Radiating euphoria with each bassline and elegantly bridging house and pop, these four tracks will both make you break out in sweat and put a smile upon your face. Tied together with a hypnotically energetic feel, each track is a journey into the timeless depths of Jesper Ryom’s stylistically confident sounds. And while layers of intricate atmosphere continuously is added on to each beat, Ryom doesn’t forget the floor for a single second. The waiting has finally paid off and these four tunes are sure to enrichen the summer vibe, whether spent partying or basking by a lake.
-
The Two Of Us Title track and opener "The Two Of Us" perfectly demonstrates Jesper Ryom's penchant for layered sampling combined with modern elements, as the synth bassline and direct groove of the drums provide the backdrop for this funky yet subtly melancholic track.
-
Trivia "Trivia" confidently ups the energy level and directly targets the floor. With reverberating brass samples, unapologetic arpeggios and dusty vocals, its simple message is one of movement and smiles.
-
Ada Vocal-driven "Ada" is decidedly melodic and contemplative while still balancing these qualities with a consistent groove. While the lyrically enigmatic vocal sample drives the verse, the chorus is dominated by both melancholic 80s chords and an arpeggiated lead.
-
Superluminal The funky guitar, subdued percussion and pulsating beat of "Superluminal" takes you by the hand and pulls you onto the dance floor. As the grooving piano is slowly unveiled amidst 707 claps and tambourine hits there is no doubt about the potential of this tune.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
If there had to be one word to describe Mathias Kaden in all his creative phases as a DJ and producer, „energetic“ would be on top of the list. It's only consistent then that his new album bears exactly this name. The artist, who is closely affiliated with the record label Freude am Tanzen from Jena city, has been on an energetic musical route right from the start of his career. In his preferences he has never stuck to just one sound. From filigree Micro-House and percussive Minimalism to the tracks produced together with Marek Hemmann and the Leipzig band Marbert Rocel (under the name Karocel), Mathias Kaden has kept on revealing new facets throughout the past ten years. Six years after the widely acclaimed and rather club-distant debut album „Studio 10“ Mathias Kaden now refers to both his musical roots as well as his current experiences as an internationally travelling DJ. With the ten new tracks he wants to give something back to the dancefloor, namely a positive and timeless vibe deeply rooted in Funk and the diginity of the early House years. For Kaden like for many others, this early House ethos forms the foundation for a classic club sound. His new warmth had already started to loom through on his ”Tentakle EP“ on Desolat and on ”Fin“, an exclusive track for the Watergate mix compilation of the same name. Between autumn 2014 and spring 2015 Mathias Kaden took some time to produce „Energetic“. He invited the open-minded solo pianist and Karocel-partner Martin Kohlstedt to sessions with him in the studio. The results are most clearly to hear on the hymn-like and up-rising „Wisdoms“. Also on this track, there are live drums played by Mathias Kaden's longtime school friend Herby, who is a gifted drummer with his own studio in the city of Gera. The bassline from ”Get Phunky“ is another live recording – contributed by Dave Daniel, the bass player of Lilabungalow, a band from Erfurt city. Last but not least, Mathias Kaden re-discovered his analog synthesizers. Juno 106, Moog Litte Phatty und Moog Minitaur are shaping the original sound of „Energetic“ as much as the spoken-word elements of a number of vocalists. The most prominent vocalist on „Energetic“ is probably the US legend Foremost Poets, whose ”Moon-Raker“ from 1998 is one of Mathias Kaden's all-time favourite records. And with Aquarius Heaven we can hear an exceptional performer who is usually only working on HipHop and Dancehall records. The warmly permeating voices of Zoe Xenia and Sophie Taylor on „Soulmakers“ and „Clarity“ ensure timeless deepness – a quality that characterizes all ten tracks on „Energetic“. Rocko Schamoni, star of German underground pop entertainment, closes the album with a half-spiritual, half-laconic speech about the effectiveness of energy. The tonal finishing for all tracks was done in Weimar by Mario „Marlow“ Weise, also know for his work with the Sonar Collective. ”Energetic“ captures the manifold emotional billows of a club night. It concentrates on the essentials – few elements, full of energy; more soul and history than quick dancefloor effects. It is an album that is very close to Mathias Kaden as a person – which also shows in his track-by-track notes.
At the end of 2014 “Freude am Tanzen” released “Asymetria” by No Accident In Paradise with this being the first experimental ambient album in the history of its label. This shows that despite all the affection towards stability and agility in the club, the enjoyment of just sitting down, listening and melodious appreciation are also celebrated in Jena. Nowadays, the word “chilling” even passes 60-year-olds’ lips, in clubs this term is almost forgotten. However, it belongs there. In order to combine club feeling and a mental place for recharging one’s batteries a fine digital remix package has been bundled which will be released in two parts.
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Farbiarnia (Gunjah / Niconé Remix) Open air stunner & mover matching this season precisely – wins dancers’ hearts either under the sun or the moon.
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Dawka (Berk Offset Remix) “Cinematic horizontal groove anthem” with string settings for eternity.
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Kochanie (Hofuku Sochi's Shibo-Mix) Energetic psychodopehouse transcended directly on the sofa from the “Under-self” into a new “Super-ego”.
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Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu pretties up No Accident In Paradise for the Mediterranean club, the lipstick remains lightly smeared, lip gloss is left out and barefoot is preferred over high heels.
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Depozyt (Delhia de France Hellyes Songmix) Pentatones’ vocalist constructs a sweetish and experimental chamber ambient pop track. Man & woman ought not be surprised if she emerged vocally with No Accident In Paradise in the future – the perfect combination!
Ende 2014 veröffentlichte Freude am Tanzen mit „Asymetria“ von No Accident In Paradise das erste experimentelle Ambient-Album in seiner Labelhistorie. Damit wird gezeigt, bei aller Liebe zur Standfestigkeit und Beweglichkeit im Club, dass in Jena auch gern Freude am Sitzen, Hören und klangvollen Genießen zelebriert wird. Das Wort „Chillen“ geht heute sogar 60-Jährigen über die Lippen, in den Clubs ist dieser Terminus fast vergessen. Da gehört er aber hin. Um Clubfeeling und seelische Kraftstation zum Auftanken zusammenzuführen, wurde ein feines digitales Remixpaket geschnürt, welches in zwei Teilen erscheint.
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Farbiarnia (Gunjah / Niconé Remix) Freiluftkracher & Macher passend zur Eröffnung eben jener Saison – erobert wahlweise bei Sonne und Mond die Herzen der Tänzer.
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Dawka (Berk Offset Remix) Cinematic-Horizontal-Groove-Anthem mit Streichersätzen für die Ewigkeit.
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Kochanie (Hofuku Sochi's Shibo-Mix) Stachiger Psychodopehouse mit Klack & Schmackes, transzendiert direkt von der Couch aus dem Unter-Ich in ein neues Über-Ich.
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Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu hübscht No Accident In Paradise für den mediterranen Club auf, der Lippenstift bleibt dabei leicht verschmiert, Lipgloss wird weggelassen und barfuß den High Heels vorgezogen.
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Depozyt (Delhia de France Hellyes Songmix) Die Pentatones Frontfrau strickt ein süßlich-experimentelles Kammer-Ambient-Pop Stück zusammen. Mann & Frau sollten sich nicht wundern, wenn sie auch in Zukunft bei No Accident In Paradise stimmlich in Erscheinung treten wird – perfekte Kombination!
At the end of 2014 “Freude am Tanzen” released “Asymetria” by No Accident In Paradise with this being the first experimental ambient album in the history of its label. This shows that despite all the affection towards stability and agility in the club, the enjoyment of just sitting down, listening and melodious appreciation are also celebrated in Jena. Nowadays, the word “chilling” even passes 60-year-olds’ lips, in clubs this term is almost forgotten. However, it belongs there. In order to combine club feeling and a mental place for recharging one’s batteries a fine digital remix package has been bundled which will be released in two parts.
-
Farbiarnia (Gunjah / Niconé Remix) Open air stunner & mover matching this season precisely – wins dancers’ hearts either under the sun or the moon.
-
Dawka (Berk Offset Remix) “Cinematic horizontal groove anthem” with string settings for eternity.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Energetic psychodopehouse transcended directly on the sofa from the “Under-self” into a new “Super-ego”.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu pretties up No Accident In Paradise for the Mediterranean club, the lipstick remains lightly smeared, lip gloss is left out and barefoot is preferred over high heels.
-
Depozyt (Delhia de France Hellyes Songmix) Pentatones’ vocalist constructs a sweetish and experimental chamber ambient pop track. Man & woman ought not be surprised if she emerged vocally with No Accident In Paradise in the future – the perfect combination!
Ende 2014 veröffentlichte Freude am Tanzen mit „Asymetria“ von No Accident In Paradise das erste experimentelle Ambient-Album in seiner Labelhistorie. Damit wird gezeigt, bei aller Liebe zur Standfestigkeit und Beweglichkeit im Club, dass in Jena auch gern Freude am Sitzen, Hören und klangvollen Genießen zelebriert wird. Das Wort „Chillen“ geht heute sogar 60-Jährigen über die Lippen, in den Clubs ist dieser Terminus fast vergessen. Da gehört er aber hin. Um Clubfeeling und seelische Kraftstation zum Auftanken zusammenzuführen, wurde ein feines digitales Remixpaket geschnürt, welches in zwei Teilen erscheint.
-
Farbiarnia (Gunjah / Niconé Remix) Freiluftkracher & Macher passend zur Eröffnung eben jener Saison – erobert wahlweise bei Sonne und Mond die Herzen der Tänzer.
-
Dawka (Berk Offset Remix) Cinematic-Horizontal-Groove-Anthem mit Streichersätzen für die Ewigkeit.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Stachiger Psychodopehouse mit Klack & Schmackes, transzendiert direkt von der Couch aus dem Unter-Ich in ein neues Über-Ich.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu hübscht No Accident In Paradise für den mediterranen Club auf, der Lippenstift bleibt dabei leicht verschmiert, Lipgloss wird weggelassen und barfuß den High Heels vorgezogen.
-
Depozyt (Delhia de France Hellyes Songmix) Die Pentatones Frontfrau strickt ein süßlich-experimentelles Kammer-Ambient-Pop Stück zusammen. Mann & Frau sollten sich nicht wundern, wenn sie auch in Zukunft bei No Accident In Paradise stimmlich in Erscheinung treten wird – perfekte Kombination!
At the end of 2014 “Freude am Tanzen” released “Asymetria” by No Accident In Paradise with this being the first experimental ambient album in the history of its label. This shows that despite all the affection towards stability and agility in the club, the enjoyment of just sitting down, listening and melodious appreciation are also celebrated in Jena. Nowadays, the word “chilling” even passes 60-year-olds’ lips, in clubs this term is almost forgotten. However, it belongs there. In order to combine club feeling and a mental place for recharging one’s batteries a fine digital remix package has been bundled which will be released in two parts.
-
Farbiarnia (Gunjah / Niconé Remix) Open air stunner & mover matching this season precisely – wins dancers’ hearts either under the sun or the moon.
-
Dawka (Berk Offset Remix) “Cinematic horizontal groove anthem” with string settings for eternity.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Energetic psychodopehouse transcended directly on the sofa from the “Under-self” into a new “Super-ego”.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu pretties up No Accident In Paradise for the Mediterranean club, the lipstick remains lightly smeared, lip gloss is left out and barefoot is preferred over high heels.
-
Depozyt (Delhia de France Hellyes Songmix) Pentatones’ vocalist constructs a sweetish and experimental chamber ambient pop track. Man & woman ought not be surprised if she emerged vocally with No Accident In Paradise in the future – the perfect combination!
Ende 2014 veröffentlichte Freude am Tanzen mit „Asymetria“ von No Accident In Paradise das erste experimentelle Ambient-Album in seiner Labelhistorie. Damit wird gezeigt, bei aller Liebe zur Standfestigkeit und Beweglichkeit im Club, dass in Jena auch gern Freude am Sitzen, Hören und klangvollen Genießen zelebriert wird. Das Wort „Chillen“ geht heute sogar 60-Jährigen über die Lippen, in den Clubs ist dieser Terminus fast vergessen. Da gehört er aber hin. Um Clubfeeling und seelische Kraftstation zum Auftanken zusammenzuführen, wurde ein feines digitales Remixpaket geschnürt, welches in zwei Teilen erscheint.
-
Farbiarnia (Gunjah / Niconé Remix) Freiluftkracher & Macher passend zur Eröffnung eben jener Saison – erobert wahlweise bei Sonne und Mond die Herzen der Tänzer.
-
Dawka (Berk Offset Remix) Cinematic-Horizontal-Groove-Anthem mit Streichersätzen für die Ewigkeit.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Stachiger Psychodopehouse mit Klack & Schmackes, transzendiert direkt von der Couch aus dem Unter-Ich in ein neues Über-Ich.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu hübscht No Accident In Paradise für den mediterranen Club auf, der Lippenstift bleibt dabei leicht verschmiert, Lipgloss wird weggelassen und barfuß den High Heels vorgezogen.
-
Depozyt (Delhia de France Hellyes Songmix) Die Pentatones Frontfrau strickt ein süßlich-experimentelles Kammer-Ambient-Pop Stück zusammen. Mann & Frau sollten sich nicht wundern, wenn sie auch in Zukunft bei No Accident In Paradise stimmlich in Erscheinung treten wird – perfekte Kombination!
At the end of 2014 “Freude am Tanzen” released “Asymetria” by No Accident In Paradise with this being the first experimental ambient album in the history of its label. This shows that despite all the affection towards stability and agility in the club, the enjoyment of just sitting down, listening and melodious appreciation are also celebrated in Jena. Nowadays, the word “chilling” even passes 60-year-olds’ lips, in clubs this term is almost forgotten. However, it belongs there. In order to combine club feeling and a mental place for recharging one’s batteries a fine digital remix package has been bundled which will be released in two parts.
-
Farbiarnia (Gunjah / Niconé Remix) Open air stunner & mover matching this season precisely – wins dancers’ hearts either under the sun or the moon.
-
Dawka (Berk Offset Remix) “Cinematic horizontal groove anthem” with string settings for eternity.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Energetic psychodopehouse transcended directly on the sofa from the “Under-self” into a new “Super-ego”.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu pretties up No Accident In Paradise for the Mediterranean club, the lipstick remains lightly smeared, lip gloss is left out and barefoot is preferred over high heels.
-
Depozyt (Delhia de France Hellyes Songmix) Pentatones’ vocalist constructs a sweetish and experimental chamber ambient pop track. Man & woman ought not be surprised if she emerged vocally with No Accident In Paradise in the future – the perfect combination!
Ende 2014 veröffentlichte Freude am Tanzen mit „Asymetria“ von No Accident In Paradise das erste experimentelle Ambient-Album in seiner Labelhistorie. Damit wird gezeigt, bei aller Liebe zur Standfestigkeit und Beweglichkeit im Club, dass in Jena auch gern Freude am Sitzen, Hören und klangvollen Genießen zelebriert wird. Das Wort „Chillen“ geht heute sogar 60-Jährigen über die Lippen, in den Clubs ist dieser Terminus fast vergessen. Da gehört er aber hin. Um Clubfeeling und seelische Kraftstation zum Auftanken zusammenzuführen, wurde ein feines digitales Remixpaket geschnürt, welches in zwei Teilen erscheint.
-
Farbiarnia (Gunjah / Niconé Remix) Freiluftkracher & Macher passend zur Eröffnung eben jener Saison – erobert wahlweise bei Sonne und Mond die Herzen der Tänzer.
-
Dawka (Berk Offset Remix) Cinematic-Horizontal-Groove-Anthem mit Streichersätzen für die Ewigkeit.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Stachiger Psychodopehouse mit Klack & Schmackes, transzendiert direkt von der Couch aus dem Unter-Ich in ein neues Über-Ich.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu hübscht No Accident In Paradise für den mediterranen Club auf, der Lippenstift bleibt dabei leicht verschmiert, Lipgloss wird weggelassen und barfuß den High Heels vorgezogen.
-
Depozyt (Delhia de France Hellyes Songmix) Die Pentatones Frontfrau strickt ein süßlich-experimentelles Kammer-Ambient-Pop Stück zusammen. Mann & Frau sollten sich nicht wundern, wenn sie auch in Zukunft bei No Accident In Paradise stimmlich in Erscheinung treten wird – perfekte Kombination!
At the end of 2014 “Freude am Tanzen” released “Asymetria” by No Accident In Paradise with this being the first experimental ambient album in the history of its label. This shows that despite all the affection towards stability and agility in the club, the enjoyment of just sitting down, listening and melodious appreciation are also celebrated in Jena. Nowadays, the word “chilling” even passes 60-year-olds’ lips, in clubs this term is almost forgotten. However, it belongs there. In order to combine club feeling and a mental place for recharging one’s batteries a fine digital remix package has been bundled which will be released in two parts.
-
Farbiarnia (Gunjah / Niconé Remix) Open air stunner & mover matching this season precisely – wins dancers’ hearts either under the sun or the moon.
-
Dawka (Berk Offset Remix) “Cinematic horizontal groove anthem” with string settings for eternity.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Energetic psychodopehouse transcended directly on the sofa from the “Under-self” into a new “Super-ego”.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu pretties up No Accident In Paradise for the Mediterranean club, the lipstick remains lightly smeared, lip gloss is left out and barefoot is preferred over high heels.
-
Depozyt (Delhia de France Hellyes Songmix) Pentatones’ vocalist constructs a sweetish and experimental chamber ambient pop track. Man & woman ought not be surprised if she emerged vocally with No Accident In Paradise in the future – the perfect combination!
Ende 2014 veröffentlichte Freude am Tanzen mit „Asymetria“ von No Accident In Paradise das erste experimentelle Ambient-Album in seiner Labelhistorie. Damit wird gezeigt, bei aller Liebe zur Standfestigkeit und Beweglichkeit im Club, dass in Jena auch gern Freude am Sitzen, Hören und klangvollen Genießen zelebriert wird. Das Wort „Chillen“ geht heute sogar 60-Jährigen über die Lippen, in den Clubs ist dieser Terminus fast vergessen. Da gehört er aber hin. Um Clubfeeling und seelische Kraftstation zum Auftanken zusammenzuführen, wurde ein feines digitales Remixpaket geschnürt, welches in zwei Teilen erscheint.
-
Farbiarnia (Gunjah / Niconé Remix) Freiluftkracher & Macher passend zur Eröffnung eben jener Saison – erobert wahlweise bei Sonne und Mond die Herzen der Tänzer.
-
Dawka (Berk Offset Remix) Cinematic-Horizontal-Groove-Anthem mit Streichersätzen für die Ewigkeit.
-
Kochanie (Hofuku Sochi's Shibo-Mix) Stachiger Psychodopehouse mit Klack & Schmackes, transzendiert direkt von der Couch aus dem Unter-Ich in ein neues Über-Ich.
-
Depozyt (Laolu Remix) Clap your hands, say yeah… Laolu hübscht No Accident In Paradise für den mediterranen Club auf, der Lippenstift bleibt dabei leicht verschmiert, Lipgloss wird weggelassen und barfuß den High Heels vorgezogen.
-
Depozyt (Delhia de France Hellyes Songmix) Die Pentatones Frontfrau strickt ein süßlich-experimentelles Kammer-Ambient-Pop Stück zusammen. Mann & Frau sollten sich nicht wundern, wenn sie auch in Zukunft bei No Accident In Paradise stimmlich in Erscheinung treten wird – perfekte Kombination!
Marek Hemmann’s new EP “Chameleon” offers an appetizer to his forthcoming album: two euphoric 10-minute house cuts that do what they do whether in the oven that is the underground cellar or on the window sill at home with a view to the prairie. Both give that Hemmann characteristic crispy , dry beat with a pulse and drives the listener almost trance-like ever forward. On top of that, “Chameleon” builds a tender, soft synthie sound structure that again and again brings a wonderful heavenly vibe that in seconds turns into a complex form. “Alice” uses a similarly sounding house rhythm and forms a soft almost romantic melody that so quickly takes on a hypnotic-type flavor.
Marek Hemmann's neue EP „Chameleon“ bietet einen Vorgeschmack auf sein zukünftiges Album: zwei euphorische, 10minütige House-Songs, die ebenso gut im aufgeheizten Tanzkeller wie auch auf der heimischen Fensterbank mit Aussicht ins Grüne genossen werden können. Bei beiden gibt der Hemmann-typische, knackig-trockene Beat den Puls vor, und treibt den Hörer fast tranceartig fordernd voran. Darüber baut sich in „Chameleon“ langsam ein zartes, sanftes Synthie-Klanggerüst auf, das immer wieder wie eine wunderschöne Himmelserscheinung verschwindet, nur um wenig später in noch komplexerer Form erneut zu erscheinen. „Alice“ nutzt einen ähnlich zackigen House-Rhythmus, und formt darüber eine sanfte, fast romantische Melodie, die sehr schnell in hypnoseartige Zustände entführt.
Marek Hemmann’s new EP “Chameleon” offers an appetizer to his forthcoming album: two euphoric 10-minute house cuts that do what they do whether in the oven that is the underground cellar or on the window sill at home with a view to the prairie. Both give that Hemmann characteristic crispy , dry beat with a pulse and drives the listener almost trance-like ever forward. On top of that, “Chameleon” builds a tender, soft synthie sound structure that again and again brings a wonderful heavenly vibe that in seconds turns into a complex form. “Alice” uses a similarly sounding house rhythm and forms a soft almost romantic melody that so quickly takes on a hypnotic-type flavor.
Marek Hemmann's neue EP „Chameleon“ bietet einen Vorgeschmack auf sein zukünftiges Album: zwei euphorische, 10minütige House-Songs, die ebenso gut im aufgeheizten Tanzkeller wie auch auf der heimischen Fensterbank mit Aussicht ins Grüne genossen werden können. Bei beiden gibt der Hemmann-typische, knackig-trockene Beat den Puls vor, und treibt den Hörer fast tranceartig fordernd voran. Darüber baut sich in „Chameleon“ langsam ein zartes, sanftes Synthie-Klanggerüst auf, das immer wieder wie eine wunderschöne Himmelserscheinung verschwindet, nur um wenig später in noch komplexerer Form erneut zu erscheinen. „Alice“ nutzt einen ähnlich zackigen House-Rhythmus, und formt darüber eine sanfte, fast romantische Melodie, die sehr schnell in hypnoseartige Zustände entführt.
After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.
-
Be My Ghost Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone.
-
Myself Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.
-
Turn It Off Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP.
-
Take 'em All “Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.
-
Myself (Micronaut Remix) The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows.
-
Myself (Sven Tasnadi Remix) The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings.
Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.
-
Be My Ghost Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.
-
Myself Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.
-
Turn It Off Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.
-
Take 'em All „Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.
-
Myself (Micronaut Remix) Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.
-
Myself (Sven Tasnadi Remix) Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.
After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.
-
Be My Ghost Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone.
-
Myself Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.
-
Turn It Off Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP.
-
Take 'em All “Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.
-
Myself (Micronaut Remix) The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows.
-
Myself (Sven Tasnadi Remix) The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings.
Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.
-
Be My Ghost Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.
-
Myself Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.
-
Turn It Off Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.
-
Take 'em All „Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.
-
Myself (Micronaut Remix) Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.
-
Myself (Sven Tasnadi Remix) Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.
After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.
-
Be My Ghost Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone.
-
Myself Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.
-
Turn It Off Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP.
-
Take 'em All “Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.
-
Myself (Micronaut Remix) The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows.
-
Myself (Sven Tasnadi Remix) The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings.
Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.
-
Be My Ghost Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.
-
Myself Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.
-
Turn It Off Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.
-
Take 'em All „Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.
-
Myself (Micronaut Remix) Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.
-
Myself (Sven Tasnadi Remix) Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.
After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.
-
Be My Ghost Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone.
-
Myself Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.
-
Turn It Off Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP.
-
Take 'em All “Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.
-
Myself (Micronaut Remix) The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows.
-
Myself (Sven Tasnadi Remix) The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings.
Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.
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Be My Ghost Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.
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Myself Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.
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Turn It Off Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.
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Take 'em All „Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.
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Myself (Micronaut Remix) Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.
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Myself (Sven Tasnadi Remix) Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.
After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.
-
Be My Ghost Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone.
-
Myself Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.
-
Turn It Off Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP.
-
Take 'em All “Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.
-
Myself (Micronaut Remix) The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows.
-
Myself (Sven Tasnadi Remix) The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings.
Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.
-
Be My Ghost Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.
-
Myself Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.
-
Turn It Off Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.
-
Take 'em All „Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.
-
Myself (Micronaut Remix) Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.
-
Myself (Sven Tasnadi Remix) Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.
After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.
-
Be My Ghost Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone.
-
Myself Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.
-
Turn It Off Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP.
-
Take 'em All “Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.
-
Myself (Micronaut Remix) The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows.
-
Myself (Sven Tasnadi Remix) The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings.
Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.
-
Be My Ghost Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.
-
Myself Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.
-
Turn It Off Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.
-
Take 'em All „Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.
-
Myself (Micronaut Remix) Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.
-
Myself (Sven Tasnadi Remix) Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.
After the flirtation: Driven, Summerless and Fake on BPitch strolls Douglass Greed with a new disc and ammo of happiness out of Jena and into the world. The Spark/Noisy EP beams with six inebriated tracks on the FAT horizon. For this adventure young Dougi brought a few buddies to shake the beat tree free. The magic of the union sizzles when Mooryc, Schlepp Geist, Affkt, Chris Manura and Remood strap the drums on to the moped and chase the wind. Techno and house stretched right over its boundaries. A candy storm of elegant blows and snares in the right places. Melodies without the use of sandpaper yet still smoothly polished, bestow a view into the varied ‚Sound-universe‘ when Douglas Greed sparks sounds – releasing endorphins in the bloodstream. 1. Spark Spark opens as a swinging house ballad for the tracklist. Steadily advancing, the rhythm siezes the attention of slinging body parts and the hypnotic vocals spark in the sunrise. 2. Noisy Out of Space. Space conductor Mooryc and Captain Greed fly with a easiness through the sliding synthi-waves of the Noise Galaxy the robots serve intelligent breakfast in a land after our time. 3. Spark (Schlepp Geist RMX) In the searchlight from the drag spirit, „Spark“ reveals the spiral colored unending nature of the night. Tender yet certain he takes us with vocals and pads by the hand, directly to the light. 4. Noisy (Affkt Remix) The driving note plays Affkt blind with 11 fingers and gives the space travel „Noisy“ the club flag. The start on the shimmering carpet of the Milky Way the programmed course in the night. 5. Spark (Remood Remix) Remood beats the brakes in for quality time and shakes up the Sunday bed for „Spark“. Stuttering vocal loops, funky rimshots, finely strained snares and chilling synthies. 6. 56 Karate Tricks (Chris Manura Remix) Ready? Fight? Master Manura and the black groove-belt, a romantic liason from loud and not-so-loud beats on the buttons. the art of fight without violence!
After the flirtation: Driven, Summerless and Fake on BPitch strolls Douglass Greed with a new disc and ammo of happiness out of Jena and into the world. The Spark/Noisy EP beams with six inebriated tracks on the FAT horizon. For this adventure young Dougi brought a few buddies to shake the beat tree free. The magic of the union sizzles when Mooryc, Schlepp Geist, Affkt, Chris Manura and Remood strap the drums on to the moped and chase the wind. Techno and house stretched right over its boundaries. A candy storm of elegant blows and snares in the right places. Melodies without the use of sandpaper yet still smoothly polished, bestow a view into the varied ‚Sound-universe‘ when Douglas Greed sparks sounds – releasing endorphins in the bloodstream. 1. Spark Spark opens as a swinging house ballad for the tracklist. Steadily advancing, the rhythm siezes the attention of slinging body parts and the hypnotic vocals spark in the sunrise. 2. Noisy Out of Space. Space conductor Mooryc and Captain Greed fly with a easiness through the sliding synthi-waves of the Noise Galaxy the robots serve intelligent breakfast in a land after our time. 3. Spark (Schlepp Geist RMX) In the searchlight from the drag spirit, „Spark“ reveals the spiral colored unending nature of the night. Tender yet certain he takes us with vocals and pads by the hand, directly to the light. 4. Noisy (Affkt Remix) The driving note plays Affkt blind with 11 fingers and gives the space travel „Noisy“ the club flag. The start on the shimmering carpet of the Milky Way the programmed course in the night. 5. Spark (Remood Remix) Remood beats the brakes in for quality time and shakes up the Sunday bed for „Spark“. Stuttering vocal loops, funky rimshots, finely strained snares and chilling synthies. 6. 56 Karate Tricks (Chris Manura Remix) Ready? Fight? Master Manura and the black groove-belt, a romantic liason from loud and not-so-loud beats on the buttons. the art of fight without violence!
"My Name Is Schultz", First name "Jens Lutz": two EP milestones that the artist Juno6 from Leipzig achieved in 2009 and 2011 at "Freude am Tanzen" in Jena. Finally, the third one named "No Chappi" is about to be reached in 2015. Instead of width Juno6 is focusing on depth and once again, the conscious sacrifice distinguishes Stefan Demuth's music. Computers only play a minor or no part at all for him in the studio as well as live.
Woe And Flatter starts off the EP feather-light with some nostalgic rushing. Shortly after, substance is lent to the track by a phat analogous drum set. Fluting voice shreds get lost in the bass, it resounds "A Change Is Coming". Organic is not an assertion here, pitch levels slide away, warmth spreads out. Juno6 is going deep, not into width. Shortly afterwards, during The Session he leans back into a wing chair, swings the percussions on his knees and improvises a piece of wanderlust with the C-Melody saxophone. One may divine the opened window of Demuth's backyard studio, it smells of lime trees. After getting refreshed, it continues back to the front of the dance floor with Hey There Buddy. Juno6 greets St.Germain! An organ chord is the anchor, while smooth pads shimmer away. A reminder of Acid is inwrought in the creaking bass of Rnapo Pina and a casual snap of the fingers can only thrust aside the melodic melancholy insufficiently. As a bonus and a big surprise, Tanger from the "Jens Lutz EP" of 2011 is finally to be expected as a rechap version. The original version can only be divined, uplifting & playful becomes deep & dubby. "No Chappi EP" - No bullshit!
"My Name Is Schultz", Vorname "Jens Lutz": Zwei EP-Meilensteine, die der Leipziger Juno6 2009 und 2011 bei Freude am Tanzen in Jena hinterließ. 2015 kommt mit "No Chappi" nun endlich der Dritte. Statt auf Breite setzt Juno6 auf Tiefe und wieder einmal zeichnet der bewusste Verzicht die Musik von Stefan Demuth aus. Der Computer spielt bei ihm sowohl im Studio als auch Live nur eine untergeordnete bis gar keine Rolle.
Federleicht eröffnet Woe And Flatter mit nostalgischem Rauschen die EP. Schon kurz darauf bekommt der Track Gewicht durch ein analog angefettetes Drumset. Im Bass verlieren sich flötende Stimmfetzen, "A Change Is Coming" hallt es zurück. Organisch ist hier keine Behauptung, Tonhöhen rutschen weg, Wärme dehnt sich aus. Juno 6 geht tief, nicht in die Breite. Mit The Session lehnt er sich kurz darauf im Ohrensessel zurück, schaukelt die Percussions auf den Knien und improvisiert mit dem C-Melody-Saxophon ein Stück Fernweh. Man kann das geöffnete Fenster von Demuths Hinterhofstudio erahnen, es riecht nach Lindenbäumen. Frisch aufgetankt geht es mit Hey There Buddy zurück nach vorne auf die Tanzfläche. Juno 6 grüßt St. Germain! Ein Orgel-Akkord ist der Anker, während weiche Pads wegflirren. Eine Erinnerung an Acid ist bei Rnapo Pina in den knarzenden Bass eingearbeitet und nur unzulänglich kann ein lässiges Fingerschnippsen die melodische Wehmut beiseite wischen. Als Bonus und dicke Überraschung kommt abschließend noch Tanger von der 2011er "Jens Lutz EP" als Rechap-Version. Das Original ist nur noch zu erahnen, aus Uplifting & Playful wird Deep & Dubby. "No Chappi EP" - No Bullshit!
FAT SIX10 Compilation - FATCD/LP 011 RELEASE: 08.08.2014
PHYSICAL DISTRIBUTED BY KOMPAKT DIGITAL DISTRIBUTION BY FINETUNES
Check the video! http://youtu.be/Q4KMcpZwvp0
(C) + (P) 2014 Freude am Tanzen
FAT WEB DE: www.freude-am-tanzen.com/index.php?id=289 FAT WEB EN: www.freude-am-tanzen.com/index.php?id=289&L=1
There are of course a whole lotta clubs: you can go in or out, to dance, some go to play football, in some you can smoke and in others you can have a drink. Still, none of them pleases the pallate like the Monkey Maffia Music Club directed by Sören Bodner, the FAT monkey for the gruff and deep. As Monkey Maffia he tours - without rest in the name of a carefully yet profound velvety boom instead of chalk in the neck – throughout the world and now his third-edition M.M.M.C on vinyl. Once again he catches exactly the insanity-come-refined, or deep-come-cool and of course the break-come-breakthrough. A heavy, sizzling bass storm that includes a somersault.
Clubs gibt's ja bekanntlich viele: welche um Ein- oder Auszutreten, zum Tanzen, andere spielen Fußball, manche kann man rauchen und einen sogar trinken um wachzubleiben. Doch keiner davon gibt dem Affen so viel Zucker wie der Monkey Maffia Music Club, seit jeher geleitet von Sören Bodner, FATs Äffchen fürs Grobe und Deepe. Als Monkey Maffia tourt er ohnehin rastlos im Namen des gepflegt tiefsinnigen Wumms samt Schalk im Nacken durch die Clubs dieser Welt, und nun geht sein M.M.M.C. auch auf Vinyl in die bereits dritte Runde. Und wieder einmal trifft hier genauso viel Irr- auf Feinsinn wie Deep- auf Coolness und vor allem Um- auf Durchbruch. Tief brodelnde Bassgewitter und Purzelbäume inklusive.
Die erste LP ist immer ein Grund zu Feiern, und mehr noch auch ein Grund für freudige Erwartung (auf mehr): nun also, Respekt Leute, denn es naht die Doppel-Premiere: die erste LP von Marek Hemmann, dem vielseitigsten Elektrotüftler diesseits der Saale, und ebenso der erste CD-Longplayer aus dem Hause FAT! Wir wissen, Marek Hemmann ist sowohl solo als auch als Teil eins des kongenialen Duos Hemmann & Kaden seit Jahren fester Bestandteil der neuen House- und Technoszene, gleichermaßen als Produzent wie auch als Liveact. Die gesammelten Veröffentlichungen belaufen sich inzwischen auf Dutzende, die unzähligen Remixaufträge für Kollegen von Trentemøller bis Monika Kruse gar nicht mitgerechnet. Und nach der letzten EP, dem floorstürmenden Gemini, war klar, die Zeit ist reif, auf also zum abendfüllenden Gesamtkunstwerk. Auf nach In-Between.