The production process in itself is hard enough we don't have to make it harder on ourselves with too much technical difficulty. Some composers deal with it by having huge templates where they never even have to look for a sound because they are all at their fingertips. But tbh not many of us have the luxury of buying or building a machine that can do that. And in my opinion, that is also total overkill especially for production music and commercials. In tracks where you only might need 10-15 tracks from a 350 track template that doesn't make sense. In this episode, I will show you what I use to create my most successful production music tracks.
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✔️ Episodes mentioned:
3 Ways on How to Kickstart a New TrackSick of Unfinished Tracks - Try These 3 Strategies
TOOLS OF THE TRADE:
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🔉 My Studio Monitors: http://go.thecomposerclass.com/studiomonitors
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🖲️ My Trackball - Kensington Slim Blade: http://go.thecomposerclass.com/kensington
🎹 My Travel Keyboard - NI Kontrol M32: http://go.thecomposerclass.com/travelkeyboard
🌱 My Favourite Podcast Platform - Buzzsprout: http://go.thecomposerclass.com/buzzsprout
🔖 How I remember what I read - Readwise: http://go.thecomposerclass.com/readwise
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WHO AM I:
Hello, hello 👋, my name is Sebastian Watzinger, a film and media composer from Germany, living in Mexico with my family.
I share my best advice, on how to start, build and grow your business as a film and media composer.
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