Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Something to Protect, published by Eliezer Yudkowsky on the AI Alignment Forum. In the gestalt of (ahem) Japanese fiction, one finds this oft-repeated motif: Power comes from having something to protect. I'm not just talking about superheroes that power up when a friend is threatened, the way it works in Western fiction. In the Japanese version it runs deeper than that. In the X saga it's explicitly stated that each of the good guys draw their power from having someone—one person—who they want to protect. Who? That question is part of X's plot—the "most precious person" isn't always who we think. But if that person is killed, or hurt in the wrong way, the protector loses their power—not so much from magical backlash, as from simple despair. This isn't something that happens once per week per good guy, the way it would work in a Western comic. It's equivalent to being Killed Off For Real—taken off the game board. The way it works in Western superhero comics is that the good guy gets bitten by a radioactive spider; and then he needs something to do with his powers, to keep him busy, so he decides to fight crime. And then Western superheroes are always whining about how much time their superhero duties take up, and how they'd rather be ordinary mortals so they could go fishing or something. Similarly, in Western real life, unhappy people are told that they need a "purpose in life", so they should pick out an altruistic cause that goes well with their personality, like picking out nice living-room drapes, and this will brighten up their days by adding some color, like nice living-room drapes. You should be careful not to pick something too expensive, though. In Western comics, the magic comes first, then the purpose: Acquire amazing powers, decide to protect the innocent. In Japanese fiction, often, it works the other way around. Of course I'm not saying all this to generalize from fictional evidence. But I want to convey a concept whose deceptively close Western analogue is not what I mean. I have touched before on the idea that a rationalist must have something they value more than "rationality": The Art must have a purpose other than itself, or it collapses into infinite recursion. But do not mistake me, and think I am advocating that rationalists should pick out a nice altruistic cause, by way of having something to do, because rationality isn't all that important by itself. No. I am asking: Where do rationalists come from? How do we acquire our powers? It is written in the Twelve Virtues of Rationality: How can you improve your conception of rationality? Not by saying to yourself, "It is my duty to be rational." By this you only enshrine your mistaken conception. Perhaps your conception of rationality is that it is rational to believe the words of the Great Teacher, and the Great Teacher says, "The sky is green," and you look up at the sky and see blue. If you think: "It may look like the sky is blue, but rationality is to believe the words of the Great Teacher," you lose a chance to discover your mistake. Historically speaking, the way humanity finally left the trap of authority and began paying attention to, y'know, the actual sky, was that beliefs based on experiment turned out to be much more useful than beliefs based on authority. Curiosity has been around since the dawn of humanity, but the problem is that spinning campfire tales works just as well for satisfying curiosity. Historically speaking, science won because it displayed greater raw strength in the form of technology, not because science sounded more reasonable. To this very day, magic and scripture still sound more reasonable to untrained ears than science. That is why there is continuous social tension between the belief systems. If science not only worked better than magic, but also sounded more int...