Evolution uc-33 midi controller.There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..