New Books in Italian Studies: Recent Episodes
Marshall Poe
Interviews with Scholars of Italy about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Neil Tarrant challenges conventional thinking by looking at the longer history of censorship, considering a five-hundred-year continuity of goals and methods stretching from the late eleventh century to well into the sixteenth. Unlike earlier studies, Defining Nature's Limits: The Roman Inquisition and the Boundaries of Science (U Chicago Press, 2022) engages the history of both learned and popular magic. Tarrant explains how the church developed a program that sought to codify what was proper belief through confession, inquisition, and punishment and prosecuted what they considered superstition or heresy that stretched beyond the boundaries of religion. These efforts were continued by the Roman Inquisition, established in 1542. Although it was designed primarily to combat Protestantism, from the outset the new institution investigated both practitioners of “illicit” magic and inquiries into natural philosophy, delegitimizing certain practices and thus shaping the development of early modern science. Describing the dynamics of censorship that continued well into the post-Reformation era, Defining Nature's Limits is revisionist history that will interest scholars of the history of science, the history of magic, and the history of the church alike. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood. Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell. Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the generation after Constantine the Great elevated Christianity to a dominant position in the Roman Empire, his nephew, the Emperor Julian, sought to reinstate the old gods to their former place of prominence--in the face of intense opposition from the newly powerful Christian church. In early 363 c.e., while living in Syrian Antioch, Julian redoubled his efforts to hellenize the Roman Empire by turning to an unlikely source: the Jews. With a war against Persia on the horizon, Julian thought it crucial that all Romans propitiate the true gods and gain their favor through proper practice. To convince his people, he drew on Jews, whom he characterized as Judeans, using their scriptures, institutions, practices, and heroes sometimes as sources for his program and often as models to emulate. In The Specter of the Jews: Emperor Julian and the Rhetoric of Ethnicity in Syrian Antioch (U California Press, 2018), Ari Finkelstein examines Julian's writings and views on Jews as Judeans, a venerable group whose religious practices and values would help delegitimize Christianity and, surprisingly, shape a new imperial Hellenic pagan identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The fastest-rising force in Italian politics is Giorgia Meloni's Fratelli d'Italia - a party with a direct genealogy from Mussolini's regime. Surging to prominence in recent years, it has waged a fierce culture war against the Left, polarised political debate around World War II, and even secured the largest vote share in Italy's 2022 general election. Eighty years after the fall of Mussolini, his heirs, and admirers are again on the brink of taking power. So how exactly has this situation come about? Mussolini's Grandchildren: Fascism in Contemporary Italy (Pluto Press, 2023) delves into Italy's self-styled 'post-fascist' movements - rooted in historical fascism yet claiming to have 'transcended' it. David Broder highlights the reinventions of far-right politics since the Second World War and examines the interplay between a parliamentary face aimed at integrating fascists into the mainstream and militant fringe groups which, despite their extremism, play an important role in nurturing the broader far right. Fratelli d'Italia has retained its hegemony over fascist subcultures whilst embracing a raft of more pragmatic policy positions, fusing harsh Islamophobia and anti-communism with support for the European Union and NATO. As countervailing anti-fascist forces in Italian society wane, the far-right party's mission to redeem historical fascism, legitimize its political heirs, and shift the terrain of mainstream politics is proving alarmingly successful. David Broder is a historian of the Italian far-right. He is a regular contributor to the New Statesman and Internazionale, writing about Italian politics, as well as Europe editor for Jacobin. His writing has also appeared in the New York Times, the Guardian, the Independent, New Left Review and Tribune. He is the author of The Rebirth of Italian Communism: Dissident Communists in Rome, 1943-44 and First They Took Rome: How the Populist Right Conquered Italy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Focusing on gender relations, family formation, and marriage patterns in areas peripheral to the England, France, and the Holy Roman Empire, Christian Raffensperger and Joanna Drell argue for a more inclusive understanding of medieval Europe. Their conversation dwells on Kyivan Rus and Norman Salerno in the eleventh and twelfth centuries, but also the present state of medieval history and the importance of thinking beyond Western Europe and talking across language and geographical divides. Raffensperger is author of Reimagining Europe: Kievan Rus in the Medieval World, 988-1146 (Harvard UP, 2012). Joanna Drell is the author of Kinship and Conquest: Family Strategies in the Principality of Salerno during the Norman Period, 1077-1194 (Cornell UP, 2002). Her recent article “The Luxuriant Southern Scene: Textiles as Reflections of Power in the Kingdom of Southern Italy and Sicily” is also a focus of conversation. It is published in Mapping Pre-Modern Sicily: Maritime Violence, Cultural Exchange, and Imagination in the Mediterranean, 800-1700. Stephen V. Bittner is Special Topics Editor at Kritika: Explorations in Russian and Eurasian History and Professor of History at Sonoma State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The province of Grosseto in southern Tuscany shows two extremes in the treatment of Italian and foreign Jews during the Holocaust. To the east of the province, the Jews of Pitigliano, a four hundred-year-old community, were hidden for almost a year by sympathetic farmers in barns and caves. None of those in hiding were arrested and all survived the Fascist hunt for Jews. In the west, near the provincial capital of Grosseto, almost a hundred Italian and foreign Jews were imprisoned in 1943–1944 in the bishop's seminary, which he had rented to the Fascists for that purpose. About half of them, though they had thought that the bishop would protect them, were deported with his knowledge by Fascists and Nazis to Auschwitz. Thus, the Holocaust reached into this provincial corner as it did into all parts of Italy still under Italian Fascist control. Judith Roumani's Jews in Southern Tuscany During the Holocaust (Lexington Books, 2020) is based on new interviews and research in local and national archives. Judith Roumani is founder and director of the Jewish Institute of Pitigliano. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Simona Berhe and Olindo de Napoli's Citizens and Subjects of the Italian Colonies: Legal Constructions and Social Practices, 1882-1943 (Routledge, 2021) is the first book on Italian colonialism that specifically deals with the question of citizenship/subjecthood. Such a topic is crucial for understanding both Italian imperial rule and the complex dynamics of the different colonial societies where several actors, like notables, political leaders, minorities, etc., were involved. The chapters gathered in the book constitute an unprecedented account of a heterogeneous geographical area. The cases of Eritrea, Libya, Dodecanese, Ethiopia, and Albania confirm that citizenship and subjecthood in the colonial context were ductile political tools, which were structured according to the orientations of the Metropole and the challenges that came from the colonial societies, often swinging between submission, cooptation to the colonial power, and resistance. On one hand, the book offers an account of the different policies of citizenship implemented in the Italian colonies, in particular the construction of gradated forms of citizenship, the repression and expulsion of dissidents, the systems of endearment of local people and cooptation of the elites, and the racialization of legal status. On the other, it deals with the various answers coming from the local populations in terms of resistance, negotiation, and construction of social identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
A new account of the Mediterranean economy in the 10th to 12th centuries, forcing readers to entirely rethink the underlying logic to medieval economic systems. Chris Wickham re-examines documentary and archaeological sources to give a detailed account of both individual economies, and their relationships with each other. Chris Wickham offers a new account of the Mediterranean economy in the tenth to twelfth centuries, based on a completely new look at the sources, documentary and archaeological. Our knowledge of the Mediterranean economy is based on syntheses which are between 50 and 150 years old; they are based on outdated assumptions and restricted data sets, and were written before there was any usable archaeology; and Wickham contends that they have to be properly rethought. The Donkey and the Boat: Reinterpreting the Mediterranean Economy, 950-1180 (Oxford UP, 2023) is the first book ever to give a fully detailed comparative account of the regions of the Mediterranean in this period, in their internal economies and in their relationships with each other. It focusses on Egypt, Tunisia, Sicily, the Byzantine empire, Islamic Spain and Portugal, and north-central Italy, and gives the first comprehensive account of the changing economies of each; only Byzantium has a good prior synthesis. It aims to force our rethinking of how economies worked in the medieval Mediterranean. It also offers a rethinking of how we should understand the underlying logic of the medieval economy in general. Chris Wickham is Chichele Professor of medieval history emeritus at University of Oxford.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Great Schism divided Western Christianity between 1378 and 1417. Two popes and their courts occupied the see of St. Peter, one in Rome, and one in Avignon. Traditionally, this event has received attention from scholars of institutional history. In The Great Western Schism, 1378-1417: Performing Legitimacy, Performing Unity (Cambridge UP, 2022), by contrast, Joëlle Rollo-Koster investigates the event through the prism of social drama. Marshalling liturgical, cultural, artistic, literary and archival evidence, she explores the four phases of the Schism: the breach after the 1378 election, the subsequent division of the Church, redressive actions, and reintegration of the papacy in a single pope. Investigating how popes legitimized their respective positions and the reception of these efforts, Rollo-Koster shows how the Schism influenced political thought, how unity was achieved, and how the two capitals, Rome and Avignon, responded to events. Rollo-Koster's approach humanizes the Schism, enabling us to understand the event as it was experienced by contemporaries. Joëlle Rollo-Koster is Professor of Medieval History at the University of Rhode Island. A scholar of the Avignon papacy, she is the author of Avignon and its Papacy, 1309–1417: Popes, Institutions, and Society and Raiding Saint Peter. In 2016, she was made Chevalier de l'Ordre des Palmes Académiques.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter. The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces. Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Samuel David Luzzatto (1800-1865), known by his Hebrew acronym, Shadal, was the leading Italian Jewish scholar of the 19th century. Now, for the first time, an all-English version of Shadal's text translation and unabridged commentary of the book of Numbers, Bemidbar, is available through Kodesh Press. Luzzatto's work was translated and edited by Daniel A. Klein, who also offers copious explanatory notes as well as two appendices, offering translations of Shadal's poetry and letters. Tune in as we speak with Daniel Klein about his recent publication, Shadal on Numbers: Samuel David Luzzatto's Interpretation of the Book of Bemidbar (2023). Daniel A. Klein is an attorney and legal writer, and a graduate of Yeshiva University and New York University School of Law. His study of Italian as a youthful hobby led to a fascination with Italian Jewish culture and, in particular, the works of Shadal (Samuel David Luzzatto).He and his wife live in Rochester, New York, where he has taught Judaic studies at elementary, high school, and adult levels. Through Kodesh Press, Daniel has also translated Shadal's commentaries on Genesis (2019), Exodus (2015), and Leviticus (2020). Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at mmorales@gpts.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
When he was in his late 30s, the Italian poet Dante Alighieri got himself into some serious political trouble and was exiled from his beloved Florence. While in exile, he wrote one of the world’s greatest literary works, the Divine Comedy. In the story, Dante, the main character, must pass through the nine circles of Hell, climb Mount Purgatory, and ascend to Heaven to reach salvation. Along the way he meets all sorts of characters including the Roman poet Virgil, various politicians of his time, teachers from his school, and his one true love. Nassime Chida is a Core Lecturer in Literature Humanities at Columbia University. She is the author of Local Power in Dante’s Inferno. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Italian Renaissance was an era of rebirth in the arts, sciences, engineering, anatomy, and architecture. But also for literature. One of the most influential works from this period was Matteo Maria Boiardo’s epic poem Orlando innamorato. While read by the literate upper classes, Boiardo’s incredible story of knights-errant, adventure, justice, chivalry, and true love became popular among the public through puppet theatre in Sicily. Boiardo combined genres to create a beloved work of art that continues to influence Italian culture today. Jo Ann Cavallo is a professor of Italian at Columbia University. Professor Cavallo has adapted episodes from Orlando innamorato that have been performed in various regions of Italy and New York City. She is also the author of Orlando Innamorato per ragazzi. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
For much of his life, the Roman philosopher Boethius was exceptionally fortunate. But towards the end of his life, his luck ran out. He was accused of treason, thrown in jail, and sentenced to death. While he was awaiting execution, he began to reflect on his life and how luck had played such an important part. He wrote his thoughts in what would later become one of the most influential philosophical works in history, The Consolation of Philosophy. John Marenbon is a Fellow of the British Academy, Senior Research Fellow, and Honorary Professor of Medieval Philosophy at Trinity College in the University of Cambridge. He is the author of Medieval Philosophy: An Historical and Philosophical Introduction and editor of The Cambridge Companion to Boethius, among other works. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
There’s nothing better or more important in life than a good friend. For Roman statesman and philosopher Cicero, the emphasis was on “good.” Cicero lived through the assassination of Caesar, one of the most famous examples of betrayal between friends in history. But according to Cicero’s treatise On Friendship, you must be virtuous to be a good friend, and, he argues, bad people cannot really be friends. In this text, Cicero examines true friendship, tough love, social transaction, and affection. Professor Katharina Volk of Columbia University discusses the role of friendship in ancient Rome and how this text in particular has kept Latin alive. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In this episode of the Vault, we hear Harry Berger’s talk about Leonardo da Vinci and Vassari’s "Lives of the Painters." Harry Berger was a scholar of Renaissance English literature who wrote books about art history, anthropology, and philosophy. He taught at UC Santa Cruz, where he was an emeritus professor until he died in 2021, at age 96. Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Society of Jesus was established in 1540. In the century that followed, thousands sought to become Jesuits and pursue vocations in religious service, teaching, and missions. Drawing on scores of unpublished biographical documents housed at the Roman Jesuit Archive, Camilla Russell illuminates the lives of those who joined the Society, building together a religious and cultural presence that remains influential the world over. Tracing Jesuit life from the Italian provinces to distant missions, Russell sheds new light on the impact and inner workings of the Society. The documentary record reveals a textual network among individual members, inspired by Ignatius of Loyola's Spiritual Exercises. The early Jesuits took stock of both quotidian and spiritual experiences in their own records, which reflect a community where the worldly and divine overlapped. Echoing the Society's foundational writings, members believed that each Jesuit's personal strengths and inclinations offered a unique contribution to the whole--an attitude that helps explain the Society's widespread appeal from its first days. Focusing on the Jesuits' own words, Being a Jesuit in Renaissance Italy: Biographical Writing in the Early Global Age (Harvard UP, 2022) offers a new lens on the history of spirituality, identity, and global exchange in the Renaissance. What emerges is a kind of genetic code--a thread connecting the key Jesuit works to the first generations of Jesuits and the Society of Jesus as it exists today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the fourteen-year-old mistress of Ludovico Sforza, Duke of Milan. Her lover, a ruthless man, was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty but reflect his own political prowess. Indeed, with this beguiling painting--in which Gallerani holds a strange white ermine close to her breast--da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work's importance in its own time, no records of it from the three hundred years following Gallerini's death exist. In What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait (Doubleday Books, 2022), Eden Collinsworth illuminates the eventual history of this exquisite oil painting, as it journeyed from one owner to the next--from the brutal Milanese Duke to a Polish noblewoman to the Nazis, who added it to Hitler's private collection, to the Czartoryski Museum in Krakow where it is currently displayed. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo’s interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems. In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist’s Renaissance drawings in person to the power of comparisons within art historical writing and research. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
You may know the term “Machiavellian,” but where does the word really come from? Niccolò Machiavelli was an Italian diplomat who worked firsthand with Italy’s most powerful politicians. He wrote his famous book, The Prince, as a sort of instruction manual for the Medici princes of Florence. And while Machiavelli’s ideas were shocking to many—and repugnant to some—the influence of his ideas has been profound. James Hankins is a professor at Harvard University where he teaches History, focusing particularly on Renaissance intellectual history and political thought. He is the author of Virtue Politics: Soulcraft and Statecraft in Renaissance Italy. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Contesting Race and Citizenship: Youth Politics in the Black Mediterranean (Cornell University Press, 2022) is an original study of Black politics and varieties of political mobilization in Italy. Although there is extensive research on first-generation immigrants and refugees who traveled from Africa to Italy, there is little scholarship about the experiences of Black people who were born and raised in Italy. Camilla Hawthorne focuses on the ways Italians of African descent have become entangled with processes of redefining the legal, racial, cultural, and economic boundaries of Italy and by extension, of Europe itself. Contesting Race and Citizenship opens discussions of the so-called migrant "crisis" by focusing on a generation of Black people who, although born or raised in Italy, have been thrust into the same racist, xenophobic political climate as the immigrants and refugees who are arriving in Europe from the African continent. Hawthorne traces not only mobilizations for national citizenship but also the more capacious, transnational Black diasporic possibilities that emerge when activists confront the ethical and political limits of citizenship as a means for securing meaningful, lasting racial justice—possibilities that are based on shared critiques of the racial state and shared histories of racial capitalism and colonialism. Camilla Hawthorne is Associate Professor of Sociology and Critical Race and Ethnic Studies at the University of California, Santa Cruz. She is coeditor of The Black Mediterranean. Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Italian court culture of the fifteenth century was a golden age, gleaming with dazzling princes, splendid surfaces, and luminous images that separated the lords from the (literally) lackluster masses. In Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy (Pennsylvania State University Press, 2022), Timothy McCall describes and interprets the Renaissance glitterati―gorgeously dressed and adorned men―to reveal how charismatic bodies, in the palazzo and the piazza, seduced audiences and materialized power. Fifteenth-century Italian courts put men on display. Here, men were peacocks, attracting attention with scintillating brocades, shining armor, sparkling jewels, and glistening swords, spurs, and sequins. McCall’s investigation of these spectacular masculinities challenges widely held assumptions about appropriate male display and adornment. Interpreting surviving objects, visual representations in a wide range of media, and a diverse array of primary textual sources, McCall argues that Renaissance masculine dress was a political phenomenon that fashioned power and patriarchal authority. Brilliant Bodies describes and recontextualizes the technical construction and cultural meanings of attire, casts a critical eye toward the complex and entangled relations between bodies and clothing, and explores the negotiations among makers, wearers, and materials. This groundbreaking study of masculinity makes an important intervention in the history of male ornamentation and fashion by examining a period when the public display of splendid men not only supported but also constituted authority. It will appeal to specialists in art history and fashion history as well as scholars working at the intersections of gender and politics in quattrocento Italy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Italy has just held an election in which it appears that a far-right candidate from a post Fascist Party has won, and his leader will become the next prime minister of the country. What's happening in Italy? What does this election tell us about wider developments in Europe today? In this episode of International Horizons, Andrea Mammone from Sapienza University of Rome explains the linkages of Giorgia Meloni's party, Brothers of Italy with Fascism and the dynamics of 2022 elections, marked by a generational shift from Berlusconi's leadership. Moreover, Mammone discusses how the victory for the far-right reflects the failure of the Center and Center-Left to consolidate durable coalitions, and the paradox that a more forward-thinking left has not been able to present a woman for elections. Finally, the author discusses the implications of this election for Europe, how the EU has legitimized with their speeches the extreme-right movements in Europe and the challenges that Meloni will face in the economic realm where immigrants can no longer be used as a scapegoat for the problems of Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio’s The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Empires of the Normans: Makers of Europe, Conquerors of Asia (Pegasus, 2022) by Dr. Levi Roach is a tale of ambitious adventures and fierce freebooters, of fortunes made and fortunes lost. The Normans made their influence felt across all of western Europe and the Mediterranean, from the British Isles to North Africa, and Lisbon to the Holy Land. In Empires of the Normans we discover how they combined military might and political savvy with deeply held religious beliefs and a profound sense of their own destiny. For a century and a half, they remade Europe in their own image, and yet their heritage was quickly forgotten - until now. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In February 1937, following an abortive attack by a handful of insurgents on Mussolini's High Command in Italian-occupied Ethiopia, 'repression squads' of armed Blackshirts and Fascist civilians were unleashed on the defenseless residents of Addis Ababa. In three terror-filled days and nights of arson, murder and looting, thousands of innocent and unsuspecting men, women and children were roasted alive, shot, bludgeoned, stabbed to death, or blown to pieces with hand-grenades. Meanwhile the notorious Viceroy Rodolfo Graziani, infamous for his atrocities in Libya, took the opportunity to add to the carnage by eliminating the intelligentsia and nobility of the ancient Ethiopian empire in a pogrom that swept across the land. In The Addis Ababa Massacre: Italy's National Shame (Hurst, 2017), Ian Campbell reconstructs and analyses one of Fascist Italy's least known atrocities, which he estimates eliminated 19-20 per cent of the capital's population. He exposes the hitherto little known cover-up conducted at the highest levels of the British government, which enabled the facts of one of the most hideous civilian massacres of all time to be concealed, and the perpetrators to walk free. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Elijah Del Medigo (1458-1493) was a Jewish Aristotelian philosopher living in Padua, whose work influenced many of the leading philosophers of the early Renaissance. His Two Investigations on the Nature of the Human Soul uses Aristotle's De anima to theorize on two of the most discussed and most controversial philosophical debates of the Renaissance: the nature of human intellect and the obtaining of immortality through intellectual perfection. In this book, Michael Engel places Del Medigo's philosophical work and his ideas about the human intellect within the context of the wider Aristotelian tradition. Providing a detailed account of the unique blend of Hebrew, Islamic, Latin and Greek traditions that influenced the Two Investigations, Elijah Del Medigo and Paduan Aristotelianism: Investigating the Human Intellect (Bloomsbury, 2016) provides an important contribution to our understanding of Renaissance Aristotelianisms and scholasticisms. In particular, through his defense of the Muslim philosopher Averroes' hotly debated interpretation of the De anima and his rejection of the moderate Latin Aristotelianism championed by the Christian Thomas Aquinas, Engel traces how Del Medigo's work on the human intellect contributed to the development of a major Aristotelian controversy. Investigating the ways in which multicultural Aristotelian sources contributed to his own theory of a united human intellect, Elijah Del Medigo and Paduan Aristotelianism demonstrates the significant impact made by this Jewish philosopher on the history of the Aristotelian tradition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian. Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, Ten Tomatoes that Changed the World (Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating story complete with heroes, con artists, conquistadors and, no surprise, the Mafia, this book is a mouth-watering, informative, and entertaining guide to the good that has captured our hearts for generations. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
When the Germans requested an armistice in October 1918, it was a shock to the Allied political and military leadership. They had been expecting, and planning for, the war to continue into 1919, the year they hoped to achieve a complete military victory over the Central Powers. In Coalition Strategy and the End of the First World War: The Supreme War Council and War Planning, 1917-1918" (Cambridge UP, 2019), Meighen McCrae illuminates how, throughout this planning process, the Supreme War Council evolved to become the predominant mechanism for coalition war-making. She analyses the Council's role in the formulation of an Allied strategy for 1918-1919 across the various theatres of war and compares the perspectives of the British, French, Americans and Italians. In doing so we learn how, in an early example of modern alliance warfare, the Supreme War Council had to coordinate national needs with coalition ones. Alex Beckstrand is a PhD candidate in history at the University of Connecticut, an officer in the Marine Corps Reserves, and works in the aerospace industry. Email: alex.beckstrand@uconn.edu Twitter: @AlexBeckstrand. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Manifesto of Futurism was published in 1909, on the front page of Le Figaro, the oldest daily newspaper in France. Its author was Filippo Tomasso Marinetti, a 33-year-old Italian writer who was born in Alexandria, Egypt, in 1876 and was educated in Egypt and France. With his Manifesto of Futurism, Marinetti launched a new artistic movement that opposed what he called pastism, the worship of the past. Jeffrey Schnapp is a Carl A. Pescosolido Professor of Romance Languages and Literatures and of Comparative Literature at Harvard University. He specializes in Italian language and culture, art, and media. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Brexit debate has been so all-consuming and filled with so much misinformation that many Brits and others can overlook some the challenges facing the European Union itself. Looked at in broad terms, it has been an astonishingly successful political project, having delivered 70 years of peace and prosperity. But what lies ahead? What issues does it need to tackle to maintain that kind of success? Luuk van Middelaar is a Dutch historian, Professor of EU law at Leiden University. He has worked at the heart of EU institutions and give his observations and analysis of the underlying tensions in the EU and what lies ahead. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Starting in the sixteenth century, Jews in Rome were forced, every Saturday, to attend a hostile sermon aimed at their conversion. Harshly policed, they were made to march en masse toward the sermon and sit through it, all the while scrutinized by local Christians, foreign visitors, and potential converts. In Catholic Spectacle and Rome's Jews: Early Modern Conversion and Resistance (Princeton University Press, 2022), Dr. Emily Michelson demonstrates how this display was vital to the development of early modern Catholicism. Drawing from a trove of overlooked manuscripts, Dr. Michelson reconstructs the dynamics of weekly forced preaching in Rome. As the Catholic Church began to embark on worldwide missions, sermons to Jews offered a unique opportunity to define and defend its new triumphalist, global outlook. They became a point of prestige in Rome. The city’s most important organizations invested in maintaining these spectacles, and foreign tourists eagerly attended them. The title of “Preacher to the Jews” could make a man’s career. The presence of Christian spectators, Roman and foreign, was integral to these sermons, and preachers played to the gallery. Conversionary sermons also provided an intellectual veneer to mask ongoing anti-Jewish aggressions. In response, Jews mounted a campaign of resistance, using any means available. Examining the history and content of sermons to Jews over two and a half centuries, Catholic Spectacle and Rome’s Jews argues that conversionary preaching to Jews played a fundamental role in forming early modern Catholic identity. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. The Life and Death of Ancient Cities: A Natural History (Oxford University Press, 2020) by Dr. Greg Woolf tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
A new history explores how one of Renaissance Italy's leading cities maintained its influence in an era of global exploration, trade, and empire. The Grand Duchy of Tuscany was not an imperial power, but it did harbor global ambitions. After abortive attempts at overseas colonization and direct commercial expansion, as Brian Brege shows, Tuscany followed a different path, one that allowed it to participate in Europe's new age of empire without establishing an empire of its own. The first history of its kind, Tuscany in the Age of Empire (Harvard UP, 2021) offers a fresh appraisal of one of the foremost cities of the Italian Renaissance, as it sought knowledge, fortune, and power throughout Asia, the Americas, and beyond. How did Tuscany, which could not compete directly with the growing empires of other European states, establish a global presence? First, Brege shows, Tuscany partnered with larger European powers. The duchy sought to obtain trade rights within their empires and even manage portions of other states' overseas territories. Second, Tuscans invested in cultural, intellectual, and commercial institutions at home, which attracted the knowledge and wealth generated by Europe's imperial expansions. Finally, Tuscans built effective coalitions with other regional powers in the Mediterranean and the Islamic world, which secured the duchy's access to global products and empowered the Tuscan monarchy in foreign affairs. These strategies allowed Tuscany to punch well above its weight in a world where power was equated with the sort of imperial possessions it lacked. By finding areas of common interest with stronger neighbors and forming alliances with other marginal polities, a small state was able to protect its own security while carving out a space as a diplomatic and intellectual hub in a globalizing Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
From Octavian's victory at Actium (31 B.C.) to its traditional endpoint in the West (476), the Roman Empire lasted a solid 500 years -- an impressive number by any standard, and fully one-fifth of all recorded history. In fact, the decline and final collapse of the Roman Empire took longer than most other empires even existed. Any historian trying to unearth the grand strategy of the Roman Empire must, therefore, always remain cognizant of the time scale, in which she is dealing. Although the pace of change in the Roman era never approached that of the modern era, it was not an empire in stasis. While the visible trappings may have changed little, the challenges Rome faced at its end were vastly different than those faced by Augustus and the Julio-Claudians. Over the centuries, the Empire's underlying economy, political arrangements, military affairs, and, most importantly, the myriad of external threats it faced were in constant flux, making adaptability to changing circumstances as important to Roman strategists as it is to strategists of the modern era. Yet the very idea of Rome having a grand strategy, or what it might be, did not concern historians until Edward Luttwak wrote The Grand Strategy of the Roman Empire: From the First Century A.D. to the Third forty years ago. Although the work generated much debate, it failed to win over many ancient historians, in part because of its heavy emphasis on military force. By mostly neglecting any considerations of diplomacy, economics, politics, culture, or even the changing nature of the threats Rome faced, Luttwak tells only a portion of what should have been a much more wide-ranging narrative. For this and other reasons, such as its often dull presentation, it left an opportunity for another account of the rise and fall of Rome from a strategy perspective. Through a more encompassing definition of strategy and by focusing much of the narrative on crucial historical moments and the personalities involved, Rome: Strategy of Empire (Oxford UP, 2022) promises to provide a more persuasive and engaging history than Luttwak's. It aims not only to correct Luttwak's flaws and omissions, but will also employ the most recent work of current classical historians and archeologists to present a more complete and nuanced narrative of Roman strategic thinking and execution than is currently available. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Italian Empire and the Great War (Oxford UP, 2021) by Vanda Wilcox brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911–12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915–18. The war was designed to bring about 'a greater Italy' both literally and metaphorically. In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy's newest colony, Libya, was also a theatre of the war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa. After the war, Italy's failures at the Peace Conference meant that the 'mutilated victory' was an imperial as well as a national sentiment. Events in Paris are analysed alongside the military occupations in the Balkans and Asia Minor as well as efforts to resolve the conflicts in Libya, to assess the rhetoric and reality of Italian imperialism. Lastly, Vanda has answered a few questions about Italy in the war and General Cadorna. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Where did the idea of sin arise from? In The Origin of Sin: Greece and Rome, Early Judaism and Christianity (Bloomsbury, 2022), David Konstan takes a close look at classical Greek and Roman texts, as well as the Bible and early Judaic and Christian writings. He argues that the fundamental idea of “sin” arose in the Hebrew Bible and the New Testament, although this original meaning was obscured in later Jewish and Christian interpretations. Through close philological examination of the words for “sin,” in particular the Hebrew hata’ and the Greek hamartia, he traces their uses over the centuries in four chapters and concludes that the common modern definition of sin as a violation of divine law indeed has antecedents in classical Greco-Roman conceptions, but acquired a wholly different sense in the Hebrew Bible and New Testament. Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private. In Petrarch: Everywhere a Wanderer (Reaktion Books, 2017), Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection The Reception of Jesus in the First Three Centuries (2019) from Bloomsbury. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Ever wonder about the Roman catacombs? Look no further. Today I talked to William "Chip" Gruen of Muhlenberg College about his article "Roman Catacombs" from the collection The Reception of Jesus in the First Three Centuries (2019) from Bloomsbury. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The three protagonists of Pasta, Pizza and Propaganda: A Political History of Italian Food TV (Intellect, 2022) are food, television and politics. These are the three main characters that interrelate, collaborate and fight behind the scenes, while in front of the camera the writers, intellectuals and celebrity chefs talk about, prepare or taste the best Italian dishes. In Pasta, Pizza and Propaganda, Dr. Francesco Buscemi develops a political history of Italian ‘good food’ on national television, and the central role of food in Italian culture. The focus is highly original and this is a unique interdisciplinary study at the intersection between food studies, media studies and politics. The book retraces the history of Italian food television from a political point of view: the early shows of the pioneers under strict Catholic control in the 1950s and 1960s, the left-wing political twist of the 1970s, the conservative riflusso or resurgence of the 1980s, the disputed Berlusconian era and the rise of the celebrity chefs, which, for better or for worse, makes Italy similar to the other western countries. The history of Italy since the mid-1950s is retold through the lenses of food television. This lively book demonstrates that cooking spaghetti in a TV studio is a political act, and tries to uncover how it is possible that, while watching on TV how to make pizza, we become citizens. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Dynasties Intertwined: The Zirids of Ifriqiya and the Normans of Sicily (Cornell UP, 2022) traces the turbulent relationship between the Zirids of Ifriqiya and the Normans of Sicily during the eleventh and twelfth centuries. In doing so, it reveals the complex web of economic, political, cultural, and military connections that linked the two dynasties to each other and to other polities across the medieval Mediterranean. Furthermore, despite the contemporary interfaith holy wars happening around the Zirids and Normans, their relationship was never governed by an overarching ideology like jihad or crusade. Instead, both dynasties pursued policies that they thought would expand their power and wealth, either through collaboration or conflict. The relationship between the Zirids and Normans ultimately came to a violent end in the 1140s, when a devastating drought crippled Ifriqiya. The Normans seized this opportunity to conquer lands across the Ifriqiyan coast, bringing an end to the Zirid dynasty and forming the Norman kingdom of Africa, which persisted until the Almohad conquest of Mahdia in 1160. Previous scholarship on medieval North Africa during the reign of the Zirids has depicted the region as one of instability and political anarchy that rendered local lords powerless in the face of foreign conquest. Matt King shows that, to the contrary, the Zirids and other local lords in Ifriqiya were integral parts of the far-reaching political and economic networks across the Mediterranean. Despite the eventual collapse of the Zirid dynasty at the hands of the Normans, Dynasties Intertwined makes clear that its emirs were active and consequential Mediterranean players for much of the eleventh and twelfth centuries, with political agency independent of their Christian neighbors across the Strait of Sicily. Matt King is Assistant Professor of Medieval History and Digital Humanities at the University of South Florida. He is also actively involved in National History Day, an outreach program that allows middle school and high school students to conduct original historical research about topics of their choice. Luka Haeberle is an enthusiastic student of Latin American and medieval history. His main areas of interest are political economy, labor history and political theory. You can find him on Twitter: @ChepoteLuka Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
For the Freedom of Zion: The Great Revolt of Jews against Romans, 66–74 CE (Yale University Press, 2022) by Dr. Guy Maclean Rogers is a deeply researched and insightful book examines the causes, course, and historical significance of the Jews’ failed revolt against Rome from 66 to 74 CE, including the destruction of the Jerusalem Temple. Based on a comprehensive study of all the evidence and new statistical data, Dr. Rogers argues that the Jewish rebels fought for their religious and political freedom and lost due to military mistakes. Dr. Rogers contends that while the Romans won the war, they lost the peace. When the Romans destroyed the Jerusalem Temple, they thought that they had defeated the God of Israel and eliminated Jews as a strategic threat to their rule. Instead, they ensured the Jews’ ultimate victory. After their defeat Jews turned to the written words of their God, and following those words led the Jews to recover their freedom in the promised land. The war's tragic outcome still shapes the worldview of billions of people today. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Masculinity and Dress in Roman Antiquity (Routledge, 2020), Olson argues that clothing functioned as part of the process of communication by which elite male influence, masculinity, and sexuality were made known and acknowledged, and furthermore that these concepts interconnected in socially significant ways. This volume also sets out the details of masculine dress from literary and artistic evidence and the connection of clothing to rank, status, and ritual. This is the first monograph in English to draw together the myriad evidence for male dress in the Roman world, and examine it as evidence for men's self-presentation, status, and social convention. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
What are the connections between the past and modern politics? In Heritage and Nationalism: Understanding Populism through Big Data (UCL Press, 2022), Chiara Bonacchi, a Chancellor's Fellow in Heritage, Text and Data Mining and Senior Lecturer in Heritage at History, Classics & Archaeology and Edinburgh Futures Institute at University of Edinburgh, explores the uses of heritage by contemporary populist politics. Drawing on ‘big data’ sources, including Facebook and Twitter, along with a deep theoretical engagement with digital humanities and heritage, the book compares and contrasts key political events in Italy, USA, and the UK to show how the ancient world is deployed by both politicians and audiences. The book is essential reading for both humanities and political science scholars, along with anyone interested in understanding the current populist moment. The book is available open access here. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Venice Ghetto was founded in 1516 by the Venetian government as a segregated area of the city in which Jews were compelled to live. The world's first ghetto and the origin of the English word, the term simultaneously works to mark specific places and their histories, and as a global symbol that evokes themes of identity, exile, marginalization, and segregation. To capture these multiple meanings, the editors of this volume conceptualize the ghetto as a "memory space that travels" through both time and space. This interdisciplinary collection engages with questions about the history, conditions, and lived experience of the Venice Ghetto, including its legacy as a compulsory, segregated, and enclosed space. Contributors also consider the ghetto's influence on the figure of the Renaissance moneylender, the material culture of the ghetto archive, the urban form of North Africa's mellah and hara, and the ghetto's impact on the writings of Primo Levi and Marjorie Agosín. In addition to the volume editors, The Venice Ghetto: A Memory Space That Travels (U Massachusetts Press, 2022) features a foreword from James E. Young and contributions from Shaul Bassi, Murray Baumgarten, Margaux Fitoussi, Dario Miccoli, Andrea Yaakov Lattes, Federica Ruspio, Michael Shapiro, Clive Sinclair, and Emanuela Trevisan Semi. Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule. Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Diana Garvin’s Feeding Fascism: The Politics of Women's Food Work (U Toronto Press, 2022) is an expansive and multifaceted look at women’s food work in Fascist Italy. From less-explored archives, Garvin has assembled a diverse set of sources―diaries, work songs, cookbooks, kitchen plans and utensils, factory records, and more―to tell the story of how women negotiated the daily tasks of producing and preparing food under a Fascist regime, its autarkic policies, and, as the war progressed, increasingly dire food rationing and shortages. Feeding Fascism is particularly attentive to the intersections of class, gender, and the politics and realities of women’s food work, as well as to the material culture of life under Fascism and what it says about the dialectic between practicality and patriotism, resistance and consent. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
As modern empires rise and fall, ancient Rome becomes ever more significant. We yearn for Rome's power but fear Rome's ruin--will we turn out like the Romans, we wonder, or can we escape their fate? That question has obsessed centuries of historians and leaders, who have explored diverse political, religious, and economic forces to explain Roman decline. Yet the decisive factor remains elusive. In New Rome: The Empire in the East (Harvard UP, 2022), Paul Stephenson looks beyond traditional texts and well-known artifacts to offer a novel, scientifically-minded interpretation of antiquity's end. It turns out that the descent of Rome is inscribed not only in parchments but also in ice cores and DNA. From these and other sources, we learn that pollution and pandemics influenced the fate of Constantinople and the Eastern Roman Empire. During its final five centuries, the empire in the east survived devastation by natural disasters, the degradation of the human environment, and pathogens previously unknown to the empire's densely populated, unsanitary cities. Despite the Plague of Justinian, regular "barbarian" invasions, a war with Persia, and the rise of Islam, the empire endured as a political entity. However, Greco-Roman civilization, a world of interconnected cities that had shared a common material culture for a millennium, did not. Politics, war, and religious strife drove the transformation of Eastern Rome, but they do not tell the whole story. Braiding the political history of the empire together with its urban, material, environmental, and epidemiological history, New Rome offers the most comprehensive explanation to date of the Eastern Empire's transformation into Byzantium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Julius Caesar was no aspiring autocrat seeking to realize the imperial future but an unusually successful republican leader who was measured against the Republic's traditions and its greatest heroes of the past. Catastrophe befell Rome not because Caesar (or anyone else) turned against the Republic, its norms, and institutions, but because Caesar's extraordinary success mobilized a determined opposition that ultimately preferred to precipitate civil war rather than accept its political defeat. Based on painstaking re-analysis of the ancient sources in the light of recent advances in our understanding of the participatory role of the People in the republican political system, a strong emphasis on agents' choices rather than structural causation, and profound skepticism toward the facile determinism that often substitutes for historical explanation, Julius Caesar and the Roman People (Cambridge University Press, 2021) offers a radical reinterpretation of a figure of profound historical importance who stands at the turning point of Roman history from Republic to Empire. Robert Morstein-Marx is Professor of Classics at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In her recent book on the Jewish community of Modena in Italy, Federica Francesconi tells a tale of contradictions. Segregated to the city’s ghetto in the 17th century, the Jewish merchants of the city nonetheless possessed an enormous presence in its economic, governmental and cultural milieu. By the start of the 19th century, these merchants even took center stage in Modena’s political scene following Napoleon’s conquest of Italy and the subsequent abolition of the ghettos themselves. How did this transformation occur? In what ways had life in the Modena – and in the Modenese ghetto – prepared these Jewish merchants to perform such leadership roles and to advocate fluently for the values of the French Enlightenment? To answer these questions, Francesconi tracks the development of the Modenese Jewish community since the arrival of her protagonists in the city in the middle of the 16th century, describing the techniques that merchant family members employed to stay abreast of – and innovate on – Modenese, Italian and European intellectual trends. The reader is not only privy to the economic activities of these figures, but also sees how they acted – for centuries – as cultural intermediaries for the rulers of the Este Duchy, who sought their advice on purchases of art, books and pieces of material culture. The book thus features Jews that do not fit neatly on the dichotomy between assimilation/conversion and communal isolation, but instead embodied aspects of both the ghetto society they dominated and the broader city setting with which they continually engaged. As the narrative progresses, the archival material that Francesconi has uncovered also gives readers glimpses into the rich social life of an Early Modern Jewish community in the midst of gradual change. The merchants’ personal worship sites became synagogues for the whole ghetto. Their personal libraries – stocked with Kabbalistic masterpieces – were the sites of communal activity. Excluded from official leadership, Modenese Jewish women nonetheless found avenues to participate in shaping their own religious practices and the moral priorities of the community at large. Itself a series of cordoned off houses and living spaces, the ghetto was both “domestic” and a venue that fostered a nascent “civil society”; a “laboratory” that gave the Jewish merchants of Modena their first experiences with governmental practices. At once an intellectual, socio-economic, religious and cultural history, Invisible Enlighteners: The Jewish Merchants of Modena, from the Renaissance to the Emancipation (U Pennsylvania Press, 2021) is not only a microhistory of Jewish life over the course of three centuries. It is, moreover, a model for understanding how Jews navigated, interpreted and even co-opted the policies of state institutions that emerged for the first time in the Early Modern period. James Benjamin Nadel is a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Destinations in Mind: Portraying Places on the Roman Empire's Souvenirs (Oxford UP, 2021), Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artefacts circulated new information. Engraved silver cups list all the stops from Spanish Cádiz to Rome while resembling the milestones that helped travellers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheatres and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colourful enamelling typical of Celtic craftsmanship. Glass bottles display labelled cityscapes of Baiae, a notorious resort, and Puteoli, a busy port, both in the Bay of Naples. These artefacts and their journeys reveal an empire divided not into centre and periphery, but connected by roads that did not all lead to Rome. They bear witness to a shared visual culture that was divided not into high and low art but united by extraordinary craftsmanship. New aspects of globalization are apparent in the multi-lingual placenames that the vessels bear, in the transformed places that they visualize, and in the enriched understanding of the empire's landmarks that they impart. With in-depth case studies, Cassibry argues that the best way to comprehend the Roman Empire is to look closely at objects depicting its fascinating places. More information along with images from the book can be accessed on the author's new database. Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum (Harry N. Abrams, 2021), Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human. Emma Southon holds a PhD in ancient history from the University of Birmingham. She co-hosts a history podcast with writer Janina Matthewson called History is Sexy and works full time as a bookseller at Waterstones Belfast. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital. Bringing this extraordinary history marvelously to life, Judith Herrin rewrites the history of East and West in the Mediterranean world before the rise of Islam and shows how, thanks to Byzantine influence, Ravenna played a crucial role in the development of medieval Christendom. Drawing on deep, original research, Herrin tells the personal stories of Ravenna while setting them in a sweeping synthesis of Mediterranean and Christian history. She narrates the lives of the Empress Galla Placidia and the Gothic king Theoderic and describes the achievements of an amazing cosmographer and a doctor who revived Greek medical knowledge in Italy, demolishing the idea that the West just descended into the medieval “Dark Ages.” Beautifully illustrated and drawing on the latest archaeological findings, Ravenna: Capital of Empire, Crucible of Europe (Princeton UP, 2020) provides a bold new interpretation of Ravenna’s lasting influence on the culture of Europe and the West. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
What happened in the years following World War II to create a democratic revolution in the western half of Europe? In Western Europe’s Democratic Age: 1945-1968 (Princeton UP, 2021), Martin Conway provides an innovative new account of how a stable, durable, and remarkably uniform model of parliamentary democracy emerged in Western Europe—and how this democratic ascendancy held fast until the latter decades of the twentieth century. Drawing on a wide range of sources, Conway describes how Western Europe’s postwar democratic order was built by elite, intellectual, and popular forces. Much more than the consequence of the defeat of fascism and the rejection of Communism, this democratic order rested on universal male and female suffrage, but also on new forms of state authority and new political forces—primarily Christian and social democratic—that espoused democratic values. Above all, it gained the support of the people, for whom democracy provided a new model of citizenship that reflected the aspirations of a more prosperous society. This democratic order did not, however, endure. Its hierarchies of class, gender, and race, which initially gave it its strength, as well as the strains of decolonization and social change, led to an explosion of demands for greater democratic freedoms in the 1960s, and to the much more contested democratic politics of Europe in the late twentieth century. Western Europe’s Democratic Age is a compelling history that sheds new light not only on the past of European democracy but also on the unresolved question of its future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Dragoman Renaissance: Diplomatic Interpreters and the Routes of Orientalism (Cornell UP, 2021) is a fascinating study of a crucial early modern cadre of "go-betweens:" the Istanbul-based diplomatic translator-interpreters, known as the dragomans. Blending a creative mix of quantitative methods, prosopography, and the systematic close reading of texts produced or translated by the dragomans, the book shows how, far from being simple intermediaries, the dragomans actively engaged Ottoman elites in the study of the Ottoman Empire, refracting the knowledge thus acquired across Europe. The book takes a three-pronged approach: it first focuses on the dragomans themselves, exploring how, particularly Venetian dragomans, were recruited, trained, and eventually grew to create an influential cast of subordinate elites enmeshed in both Ottoman and Veneto-Habsburg patterns of representation and consumption. The book then delves into different texts translated or produced by dragomans (relationi, translations of Ottoman charters, grammar books, and even pictorial representations) to examine the self-representation and mediation strategies developed by this specialized cast of interpreters. The final chapters of the book explore the legacy of the dragomans, notably how they contributed to the definition, in Europe, of a Turkish canon of letters that would coalesce into the discipline known as Orientalism. The Dragoman Renaissance offers two substantial contributions to our understanding of diplomacy, mediation, and even incipient Orientalism in the early modern Mediterranean. First, it challenges Eurocentric assumptions still pervasive in Renaissance studies by showing the centrality of Ottoman imperial culture to the articulation of European knowledge about the Ottomans. By studying the sustained interactions between dragomans and Ottoman courtiers in this period, Rothman, therefore, disrupts common ideas about a singular moment of "cultural encounter," as well as about a "docile" and "static" Orient, acted upon by extraneous imperial powers. Second, Rothman creatively uncovers how dragomans mediated Ottoman ethno-linguistic, political, and religious categories to European diplomats and scholars, showing how these intermediaries did not simply circulate fixed knowledge. Rather, their engagement of Ottoman imperial modes of inquiry and social reproduction shaped the discipline of Orientalism for centuries to come. Thanks to the Sustainable History Monograph Pilot, the e-book editions of The Dragoman Renaissance are available as Open Access volumes from Cornell Open and other repositories. Natalie Rothman, associate professor at the University of Toronto, specializes in early modern Mediterranean history, the history of cultural mediation, genealogies of Orientalism, and the relationship between translation and empire. She is currently continuing her research on intermediaries on The Dragoman Renaissance research platform Ian F. Hathaway, a postdoctoral fellow at the Leibniz-Institut für Europäische Geschichte (IEG), focuses on mobility, identification, and cross-cultural diplomacy in the early modern Mediterranean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Herculaneum Uncovered is based on an in-depth filmed conversation between Howard Burton and Andrew Wallace-Hadrill, Director of Research and Honorary Professor of Roman Studies in the Faculty of Classics at the University of Cambridge. This wide-ranging conversation covers his fascinating archeological work done in Herculaneum and Pompeii, the politics of excavation, and life in the ancient Roman world. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the wake of the French Revolution, Napoleon Bonaparte, First Consul of France, and Pope Pius VII shared a common goal: to reconcile the Catholic church with the French state. But while they were able to work together initially, formalizing a Concordat in 1801, relations between them rapidly deteriorated. In 1809, Napoleon ordered the Pope’s arrest. Dr. Ambrogio Caiani, Senior Lecturer in Modern History at the University of Kent, in his book, To Kidnap a Pope: Napoleon and Pius VII (Yale University Press, 2021), provides a pioneering account of the tempestuous relationship between the emperor and his most unyielding opponent. Drawing on original source materials in the Vatican and other European archives, Dr. Caiani uncovers the nature of Catholic resistance against Napoleon’s empire; charts Napoleon’s approach to Papal power; and reveals how the Emperor attempted to subjugate the church to his vision of modernity. Gripping and vivid, this splendid book shows the struggle for supremacy between two great individuals—and sheds new light on the conflict that would shape relations between the Catholic church and the modern state for centuries to come. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today we speak with Eva Del Soldato about her new book on how the authority of Aristotle was reinscribed and challenged during the early modern period. In his Nicomachean Ethics, Aristotle affirms that despite his friendship with Plato, he was a better friend of the truth. With this statement, he rejected his teacher's authority, implying that the pursuit of philosophy does not entail any such obedience. Yet over the centuries Aristotle himself became the authority par excellence in the Western world, and even notorious anti-Aristotelians such as Galileo Galilei preferred to keep him as a friend rather than to contradict him openly. In Early Modern Aristotle: On the Making and Unmaking of Authority (University of Pennsylvania Press, 2020), Eva Del Soldato contends that because the authority of Aristotle—like that of any other ancient, including Plato—was a construct, it could be tailored and customized to serve agendas that were often in direct contrast to one another, at times even in open conflict with the very tenets of Peripatetic philosophy. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. His NBN interview is available at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Though typically considered oral cultures, ancient Greece and Rome also boasted textual cultures, enabled by efforts to perfect, publish, and preserve both new and old writing. In Editorial Bodies: Perfection and Rejection in Ancient Rhetoric and Poetics (University of South Carolina Press, 2018) Michele Kennerly argues that such efforts were commonly articulated through the extended metaphor of the body. They were also supported by people on whom writers relied for various kinds of assistance and necessitated by lively debates about what sort of words should be put out and remain in public. Spanning ancient Athenian, Alexandrian, and Roman textual cultures, Kennerly shows that orators and poets attributed public value to their seemingly inward-turning compositional labors. After establishing certain key terms of writing and editing from classical Athens through late republican Rome, Kennerly focuses on works from specific orators and poets writing in Latin in the first century B.C.E. and the first century C.E.: Cicero, Horace, Ovid, Quintilian, Tacitus, and Pliny the Younger. The result is a rich and original history of rhetoric that reveals the emergence and endurance of vocabularies, habits, and preferences that sustained ancient textual cultures. This major contribution to rhetorical studies unsettles longstanding assumptions about rhetoric and poetics of this era by means of generative readings of both well-known and understudied texts. Lee M. Pierce (she/they) is an Assistant Professor at SUNY Geneseo specializing in rhetoric, race, and U.S. political culture. They also host the Media & Communications and Language channels for New Books Network and their own podcast titled RhetoricLee Speaking. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
He was the son of a prominent politician, Benito Mussolini’s son-in-law, and viewed by many as the Duce’s likely successor, only to die before a fascist firing squad near the end of the Second World War. In Galeazzo Ciano: The Fascist Pretender (U Toronto Press, 2021), Tobias Hof examines Ciano’s career for the many insights it has to offer into Italian fascism and Italian politics during the years of its dominance. As Hof explains, Ciano benefited considerably both from his father Costanzo’s political connections during the early part of his career and from his 1930 marriage to Mussolini’s daughter Edda. During the 1930s Ciano enjoyed a rapid ascent to high office, which fueled the belief that he was being groomed to succeed his father-in-law. Yet Hof demonstrates how Ciano’s positions and bourgeois public persona often were at odds with the views of committed fascists, and that he enjoyed little support from either the monarchy or the Catholic Church. Instead, Ciano found himself increasingly marginalized once Italy entered the war in 1940, while his vote to oust Mussolini from his position as prime minister led to his trial and execution less than a year later. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The fashionable and decorous men whom we recognize in portraits and letters from the Italian Renaissance penned some of the most scathing critiques of the courts in which they served. Such anti-courtly discourse furnished a platform for discussing pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern politics and of an ethics based on merit and on individual self-interest. In The Court and Its Critics: Anti-Court Sentiments in Early Modern Italy (University of Toronto Press, 2020), Paola Ugolini analyzes anti-courtly critiques using a wide variety of sources including manuals of courtliness, dialogues, satires, and plays, from the mid-fifteenth to the early seventeenth century. The book is the first work of its kind, as it systematically investigates anti-court sentiments across an impressive number of primary sources. At its core, the book reimagines the agency of authors who served in roles they often despised, and it prompts questions of the psychological effect of transforming the self in order to please those in power. An elegantly written study, The Court and Its Critics will be of interest to scholars of the early modern period as well as to those who are curious about the fraught history of the development of the self. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. His NBN interview is available at Moral Combat: Women, Gender, and War in Italian Renaissance Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
As this book intriguingly explores, for those who would make Rome great again and their victims, ideas of Roman decline and renewal have had a long and violent history. The decline of Rome has been a constant source of discussion for more than 2200 years. Everyone from American journalists in the twenty-first century AD to Roman politicians at the turn of the third century BC have used it as a tool to illustrate the negative consequences of changes in their world. Because Roman history is so long, it provides a buffet of ready-made stories of decline that can help develop the context around any snapshot. And Rome did, in fact, decline and, eventually, fall. An empire that once controlled all or part of more than 40 modern European, Asian, and African countries no longer exists. Roman prophets of decline were, ultimately, proven correct-a fact that makes their modern invocations all the more powerful. If it happened then, it could happen now. Edward J. Watts' The Eternal Decline and Fall of Rome: The History of a Dangerous Idea (Oxford UP, 2021) tells the stories of the people who built their political and literary careers around promises of Roman renewal as well as those of the victims they blamed for causing Rome's decline. Each chapter offers the historical context necessary to understand a moment or a series of moments in which Romans, aspiring Romans, and non--Romans used ideas of Roman decline and restoration to seize power and remake the world around them. The story begins during the Roman Republic just after 200 BC. It proceeds through the empire of Augustus and his successors, traces the Roman loss of much of western Europe in the fifth century AD, and then follows Roman history as it runs through the Eastern Roman Empire (Byzantium) until its fall in 1453. The final two chapters look at ideas of Roman decline and renewal from the fifteenth century until today. If Rome illustrates the profound danger of the rhetoric of decline, it also demonstrates the rehabilitative potential of a rhetoric that focuses on collaborative restoration, a lesson of great relevance to our world today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Stefania Tutino, Professor and Peter Reill Chair in European History at UCLA talks about her new book, A Fake Saint and the True Church: the Story of a Forgery in Seventeenth-Century Naples (Oxford UP, 2021), why history remains relevant and also very fun, and the role of narrative and historical imagination in the development of compassion for our fellow humans. This episode is as much a lively conversation as an interview about some fascinating subject matter. A Fake Saint and the True Church uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the Kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni's wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni's case to the Roman Curia. The Catholic authorities, however, immediately realized that the sources were forged, and that Giovanni was not real (let alone holy). Yet, it took more than two decades before the forgery was exposed: why? Vividly reconstructing the intricate case of the supposed saint, Stefania Tutino explores the tensions between historical and theological truth. How much could the truth of doctrine depend on the truth of the facts before religion lost its connection with the supernatural? To what extent could the truth of doctrine ignore the truth of the facts without ending up engulfed in falsity and deceit? How could the absolute truth of theology relate to the far less absolute certainty of human affairs? This story of a fake saint illuminates early modern tensions. But the struggles to distinguish between facts, opinions, and beliefs remain with us. Examining, as this book does, how our predecessors dealt with the relationship between truth and authenticity guides us too in thinking through what is true and what is not. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Däubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste. Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. Salvatore Pappalardo's book Modernism in Trieste: The Habsburg Mediterranean and the Literary Invention of Europe, 1870-1945 (Bloomsbury, 2021) seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Samuel David Luzzatto (1800-1865), known by his Hebrew acronym Shadal, was the leading Italian Jewish scholar of the 19th century. A linguist, educator, and religious thinker, he devoted his talents above all to the interpretation of the Bible. As a master of Hebrew grammar and usage, he focused on the plain meaning of the text. Although he was a devout believer in the divinity, unity, and antiquity of the Torah, Shadal approached the text in a remarkably free spirit of inquiry, drawing upon a wide variety of sources, ancient and contemporary, Jewish and non-Jewish. As a result, his interpretations may strike even the modern reader as fresh and novel. Shadal's treatment of the books of the Torah consisted of his Italian translation of the text and his Hebrew-language commentary. Here, for the first time, is an all-English version of both the text translation and the unabridged commentary. Daniel A. Klein, translator and editor of Luzzatto's commentaries, has supplied copious explanatory notes and a list identifying the sources cited. Through Kodesh Press, Daniel Klein has translated Shadal's commentaries on Genesis (2019), Exodus (2015), and Leviticus (2020). Join us as we speak with Daniel Klein about Luzzatto's life and commentaries on the Torah! Daniel A. Klein is an attorney and legal writer, and a graduate of Yeshiva University and New York University School of Law. His study of Italian as a youthful hobby led to a fascination with Italian Jewish culture and, in particular, the works of Shadal (Samuel David Luzzatto).He and his wife live in Rochester, New York, where he has taught Judaic studies at elementary, high school, and adult levels. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at mmorales@gpts.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021) In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied. Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. A History of Art History (Princeton UP, 2019) shows that the pioneering chroniclers of the Italian Renaissance—Lorenzo Ghiberti and Giorgio Vasari—measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however—Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich—struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.
Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Federico Fellini’s distinct style delighted generations of film viewers and inspired filmmakers and artists around the world. In Fellini’s Films and Commercials: From Postwar to Postmodern, renowned Fellini scholar Frank Burke presents a film-by-film analysis of the famed director’s cinematic output from a theoretical perspective. The book explores Fellini’s movement from relatively classic filmmaking to modernist reflexivity and then to ‘postmodern reproduction’. Burke moves from analysis of stories told from a relatively ‘objective’ standpoint, to increased concentration on Fellini-as-author and on the cinematic apparatus, to Fellini’s dismantling of authorship and cinematic apparatus, to his postmodern signifying strategies. Grounded in poststructuralist approaches to texts and signification, Burke shows that Fellini is profoundly readable, if extremely complex. Revisiting Burke’s 1996 Fellini’s Films: From Postwar to Postmodern, this new edition includes revised material from the original, plus a new preface and new chapter on the filmmaker’s work on commercials. Elegantly written and thoroughly researched, this book is essential reading for Fellini fans and scholars. The Wiley Blackwell Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation. Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
With thousands of migrants attempting the perilous maritime journey from North Africa to Europe each year, transnational migration is a defining feature of social life in the Mediterranean today. On the island of Sicily, where many migrants first arrive and ultimately remain, the contours of migrant reception and integration are frequently animated by broader concerns for human rights and social justice. Island of Hope: Migration and Solidarity in the Mediterranean (University of California Press, 2021) sheds light on the emergence of social solidarity initiatives and networks forged between citizens and noncitizens who work together to improve local livelihoods and mobilize for radical political change. Basing her argument on years of ethnographic fieldwork with frontline communities in Sicily, anthropologist Megan Carney asserts that such mobilizations hold significance not only for the rights of migrants, but for the material and affective well-being of society at large. Megan A. Carney is Assistant Professor in the School of Anthropology and Director of the Center for Regional Food Studies at the University of Arizona. Her writing has appeared in The Hill, The Conversation, and Civil Eats. She is the author of the award-winning book The Unending Hunger. Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on the refugee women's commoning practices to build sustainable futures in Turkey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Outside: Migration as Life in Morocco (Indiana UP, 2021) traces how migration has come to occupy a striking place in the lives of many Moroccans. A full 10 percent of the population now lives outside the country, affecting individual and collective life in countless unanticipated ways. In this intimate ethnography of rural Morocco, Alice Elliot considers the experience of migration from the point of view of the families and people, mostly women, who have not (yet) left. Elliot shows how the specter of migration has permeated life, from kinship relations to intimacy between spouses and to the imagination of the future. The Outside seeks to answer the question, what is migration when it becomes the very foundation on which forms of social and individual life are built? New understandings of migration emerge through its intimate textures as Elliot shows how it has become, in some parts of the world, a distinctive condition of everyday life. Alice Elliot is Lecturer in Anthropology at Goldsmiths, University of London. She edited (with Roger Norum and Noel B. Salazar) Methodologies of Mobility: Ethnography and Experiment. Alize Arıcan is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. Her research focuses on urban renewal, futurity, care, and migration in Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.” Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Back in 1997, when Anthony Valerio’s Conversation with Johnny was first published, the world hadn’t yet seen The Godfather, The Sopranos, or Goodfellas. In this slim volume, Valerio explores two distinct Italian American stereotypes: the dashing man about town and the successful gangster. Nicholas, the descendant of parents who emigrated to America, goes back to the old Italian New York neighborhood where Johnny, the old but still powerful gangster resides, surrounded by acolytes and luxury. The source of Johnny’s power and wealth is assumed to be crime, but he is is a caring and nurturing godfather, listening closely as Nicholas cries about his married, lover calling it quits. He is also a ruthless don who can shower Nicholas with wealth, get him a job as a maître-d at a famous restaurant, or create a retirement home for Italian American Writers. But he can’t promise Nicholas an Italian-American culture that focuses on solely on art as if organized crime never happened. Anthony Valerio is the author of 12 books of fiction and non-fiction. As a book editor in major publishing houses, including McGraw-Hill, he was fortunate to have edited great writers such as Toni Cade Bambara, Shel Silverstein and others. His short stories have appeared in the Paris Review and have been published in anthologies by Random House, the Viking Press, and William Morrow. He has taught undergrad and post-grad writing at New York University, City University of New York, and Wesleyan University, and he has been a fiction judge at PEN's Prison Writing Committee. He works every day, is a jazz afficionado, and a passionate golfer who tries to get out in nature and on the links. About Anthony Valerio’s work, his friend and legendary children’s book author, the late Shel Silvertein said: "He knows his craft: he gets in, tells his story and gets out. It’s what good writing should be." I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
A new and incisive account of how Mussolini pioneered policies which we would not label ‘populism’ in reaction to Hitler’s rise to power in 1933 —and thereby reinforced his role as a model for later authoritarian leaders On the tenth anniversary of his rise to power in 1932, Benito Mussolini (1883–1945) seemed to many the “good dictator.” He was the first totalitarian and the first fascist in modern Europe. But a year later Hitler’s entrance onto the political stage signaled a German takeover of the fascist ideology. In this definitive account, eminent historian, Professor of History R.J.B. Bosworth charts Mussolini’s leadership in reaction to Hitler. Professor Bosworth shows how Italy’s decline in ideological pre-eminence, as well as in military and diplomatic power, led Mussolini to pursue a more populist approach: angry and bellicose words at home, violent aggression abroad, and a more extreme emphasis on charisma. In his embittered efforts to bolster an increasingly hollow and ruthless regime, it was Mussolini, rather than Hitler, who offered the model for all subsequent authoritarians. In short, Mussolini and the Eclipse of Italian Fascism: From Dictatorship to Populism (Yale University Press), is a must read for any scholar or lay educated reader interested in Mussolini and his regime. R.J.B. Bosworth is Emeritus Fellow at Jesus College, Oxford. He is a leading authority on Mussolini & 20th century Italian history and is the author of more than two dozen books on fascism and Italy’s twentieth-century experience. He lives in Oxford, UK. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Before the Transatlantic slave trade ravaged the western coast of Africa, immense numbers of persons were taken from their homes and carried across the Black and Mediterranean Seas as involuntary passengers. This trade is the subject of Hannah Barker’s remarkable study, That Most Precious Merchandise: The Mediterranean Trade in Black Sea Slaves, 1260-1500 (University of Pennsylvania Press, 2019). Professor Barker provides a comprehensive overview of this tangled, multiethnic trade in human beings. Professor Barker is uniquely equipped to do so because she brings a knowledge of both Arabic and Latin. Since this trade brought captives both to Mamluk Egypt and late medieval Italy, previous studies, hampered by linguistic limitations, have not examined the trade in its totality. Barker is able to marshal both Arabic and Latin sources to provide a truly comprehensive picture of slaving and slavery. The result is a work that is both detailed and synoptic, and is essential reading for scholars of late medieval Europe and North Africa. Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Enlightenment: The Pursuit of Happiness, 1680-1790 (Harper, 2021) is a magisterial history that recasts the Enlightenment as a period not solely consumed with rationale and reason, but rather as a pursuit of practical means to achieve greater human happiness. One of the formative periods of European and world history, the Enlightenment is the fountainhead of modern secular Western values: religious tolerance, freedom of thought, speech and the press, of rationality and evidence-based argument. Yet why, over three hundred years after it began, is the Enlightenment so profoundly misunderstood as controversial, the expression of soulless calculation? The answer may be that, to an extraordinary extent, we have accepted the account of the Enlightenment given by its conservative enemies: that enlightenment necessarily implied hostility to religion or support for an unfettered free market, or that this was “the best of all possible worlds”. Ritchie Robertson goes back into the “long eighteenth century,” from approximately 1680 to 1790, to reveal what this much-debated period was really about. Robertson returns to the era’s original texts to show that above all, the Enlightenment was really about increasing human happiness – in this world rather than the next – by promoting scientific inquiry and reasoned argument. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In his new book, Strangling the Axis: The Fight for Control of the Mediterranean during the Second World War (Cambridge University Press, 2020) , Dr. Richard Hammond, Lecturer in War Studies at the University of Brunel, offers a major reassessment of the causes of Allied victory in the Second World War in the Mediterranean region. Drawing on a unique range of multinational source material, Dr. Hammond demonstrates how the Allies' ability to gain control of the key routes across the sea and sink large quantities of enemy shipping denied the Axis forces in North Africa crucial supplies and proved vital to securing ultimate victory there. Furthermore, the sheer scale of attrition to Axis shipping outstripped their industrial capacity to compensate, leading to the collapse of the Axis position across key territories maintained by seaborne supply, such as Sardinia, Corsica and the Aegean islands. As such, Dr. Hammond demonstrates how the anti-shipping campaign in the Mediterranean was the fulcrum about which strategy in the theatre pivoted, and the vital enabling factor ultimately leading to Allied victory in the region.In short, Strangling the Axis is a major new treatment of this always interesting subject. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
This is a reassessment of British and Italian grand strategies during the First World War. Dr. Stefano Marcuzzi, Max Weber Fellow at the European University Institute, tries to shed new light on a hitherto overlooked but central aspect of Britain and Italy's war experiences: the uneasy and only partial overlap between Britain's strategy for imperial defense and Italy's ambition for imperial expansion in his book: Britain and Italy in the Era of the First World War: Defending and Forging Empires (Cambridge University Press, 2020). Taking Anglo-Italian bilateral relations as a special lens through which to understand the workings of the Entente in World War I, Dr. Marcuzzi reveals how the ups-and-downs of that relationship influenced and shaped to a limited degree Allied grand strategy. Dr. Marcuzzi considers three main issues – war aims, war strategy and peace-making – and examines how, under the pressure of divergent interests and wartime events, the Anglo-Italian 'traditional friendship' turned increasingly into competition by the end of the war, casting a shadow on Anglo-Italian relations both at the Peace Conference and in the interwar period. While not everyone will be convinced by some of his arguments and propositions (such as the partial rehabilitation of such rightly discredited figures as Salandra and Sonnino), that does not take away from the great effort that Dr. Marcuzzi has made. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Marcus Aurelius’ Meditations is one of the most popular philosophical works by sales to the public, while in academic philosophy he is considered somewhat of a philosophical lightweight. In Marcus Aurelius (Routledge, 2020), John Sellars argues that this academic perception mistakes the Meditations as a failed work of theoretical argument, when instead it is a series of spiritual training exercises to condition the Roman emperor’s character in accordance with the Stoic doctrines he learned as a bookish boy. Sellars, who is reader in philosophy at Royal Holloway, University of London, sees Marcus Aurelius as using his Meditations as an antidote to corrupting pressures of his powerful position and debilitating suffering in the face of adversity in his personal life and in his military campaigns against Germanic tribes. The book accessibly introduces the main Stoic doctrines that form the background of Marcus Aurelius’s writings, and shows how he reviews the day’s events and where he has gone wrong in his responses to them in their light. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Ramsey McGlazer's Old Schools: Modernism, Education, and the Critique of Progress (Fordham University Press, 2020), traces the ways in which a group of modernist cultural practitioners (thinkers, politicians, artists, poets, novelists, and filmmakers) across varied linguistic and cultural contexts ((Italian, English, Irish, and Brazilian) resisted certain notions of education perceived as “progressive”. At the heart of this remarkable study, pulses a nexus of issues that are of interest to anyone teaching anything anywhere: What is education? How does it differ from “instruction”? What is education for? (if anything) What does it mean to ask the question “what is education for”? Who is education for? What are the stakes of that question? Education reforms from the end of the Victorian Era until the mid-20th century sought to surpass the “sterile and narrow” forms of education that insisted on rote learning (memorization, declamation, imitation, and so forth) that did not help students of any age or grade “transform.” Resisting the ideology of “progressive” education, the figures in McGlazer’s fascinating study propose instead a “counter tradition” that sought to offer resistant strategies in “old school” pedagogies focusing on rote means, reproducing (though McGlazer will “queer” that term) ordained content. The practitioners McGlazer focuses on include figures like Walter Pater, author of the influential Studies in the History of the Renaissance, first published in 1873 and whose interest in mechanistic pedagogies anchors the first chapter. Giovanni Pascoli and his focus on grammar follows, then a chapter on “direct instruction” in James Joyce’s Ulysses. McGlazer concludes by focusing on films centering on instruction, like the pedagogy of pain in Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom (1975) and avant-garde Brazilian filmmaker Glauber Rocha’s film Claro (1975). McGlazer’s focus on this nucleus of texts and practitioners from the end of the 19th Century to about the middle of the 20th gives rise to questions about tradition, resistance, and the ideology of education that are evergreen and of interest to educators in a wide array of places and spaces and Old Schools will be of interest to anyone who has taught and anyone who has learned. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Join us today for a roundtable conversation with three leading medieval scholars about the phenomenon of conspiracy theories in history. Michael T. Bailey, professor of history at Iowa State University is one of the world’s leading scholars on the development of the idea of the Witches’ Sabbath, the verifiable hysterical historical panic about a gathering of diabolical witches joined together to dance with the devil himself in order to spread evil power, a nocturnal festival capable of destroying flora and fauna. Miri Rubin, professor of history at Queen Mary University of London, and translator of the first Blood Libel accusation in England, speaks on her historical forte: the dangerous, long-lived, and utterly spurious assertion that Jews ritually murder a Christian child to celebrate Passover. Emerging in medieval England and flourishing throughout the whole of the premodern era, the Blood Libel was responsible for another form or murderous hysteria. Sean Field, a specialist on religious life in medieval France, speaks about the creation of mystery around the Templars. This is a different kind of conspiracy theory, that develops later around a specific and very real event. King Philip IV of France accused the Templars of a laundry list of spiritual and corporeal crimes; almost all the accused were entirely innocent. Though there was much furor contemporaneously, there was no belief that the Templars were involved in some sort of international secret financial skullduggery. Instead that modern balderdash developed much later and sticks with us. Our conversation covers the appeal of conspiracy theories, how they gain traction, and how they might be handled. Though our discussion is based in history it has strong repercussions for the current political and cultural situation. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Has 'migrant' become an unshakeable identity for some people? How does this happen and what role does the media play in classifying individuals as 'migrants' rather than people? How Media and Conflicts Make Migrants (Manchester UP, 2020) challenges the idea of the 'migrant', pointing instead to the array of systems and processes that force this identity on individuals, shaping their interactions with the state and with others. Kirsten Folkert, Gargi Bhattacharyya, and Janna Graham speak to Pierre d'Alancaisez about their research carried out in the United Kingdom and Italy and examine how media representations construct global conflicts in a climate of changing media habits, widespread mistrust, and fake news. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Laura Eastlake’s Ancient Rome and Victorian Masculinity (Oxford University Press, 2019) examines Victorian receptions of ancient Rome from the French Revolution to the First World War, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature were at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire. These manifold and often contradictory representations were used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde. In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models. Using approaches from literary and cultural studies, reception studies, and gender studies, and ranging across the topics of education, politics, empire, and late Victorian decadence, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity. Dr. Laura Eastlake is a senior lecturer in English literature at Edge Hill University in the UK, with degrees in the Classics, classical reception, and Victorian literature, with additional research interests in sensation fiction, Victorian humour and substance-use, and the late-Victorian Gothic. Check out her exhibition at The Atkinson museum: Fatal Attraction: Lilith and Her Sisters. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today we are joined by Fiona Greenland, Assistant Professor of Sociology at the University of Virginia, to talk about her new book, Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy (University of Chicago Press, 2021). Through much of its history, Italy was Europe’s heart of the arts, an artistic playground for foreign elites and powers who bought, sold, and sometimes plundered countless artworks and antiquities. This loss of artifacts looted by other nations once put Italy at an economic and political disadvantage compared with northern European states. Now, more than any other country, Italy asserts control over its cultural heritage through a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In its efforts to bring their cultural artifacts home, Italy has entered into legal battles against some of the world’s major museums, including the Getty, New York’s Metropolitan Museum, and the Louvre. It has turned heritage into patrimony capital—a powerful and controversial convergence of art, money, and politics.
In 2006, the then-president of Italy declared his country to be “the world’s greatest cultural power.” With Ruling Culture, Fiona Greenland traces how Italy came to wield such extensive legal authority, global power, and cultural influence—from the nineteenth century unification of Italy and the passage of novel heritage laws, to current battles with the international art market. Today, Italy’s belief in its cultural superiority is evident through interactions between citizens, material culture, and the state—crystallized in the Art Squad, the highly visible military-police art protection unit. Greenland reveals the contemporary actors in this tale, taking a close look at the Art Squad and state archaeologists on one side and unauthorized excavators, thieves, and smugglers on the other. Drawing on years in Italy interviewing key figures and following leads, Greenland presents a multifaceted story of art crime, cultural diplomacy, and struggles between international powers. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso. Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today we speak to Hannah Marcus, Assistant Professor in the Department of the History of Science at Harvard University in Cambridge, Massachusetts, about her new monograph, Forbidden Knowledge: Medicine, Science, and Censorship in Early Modern Italy (University of Chicago Press, 2020). Forbidden Knowledge explores the censorship of medical books from their proliferation in print through the prohibitions placed on them during the Counter-Reformation. How and why did books banned in Italy in the sixteenth century end up back on library shelves in the seventeenth? Historian Hannah Marcus uncovers how early modern physicians evaluated the utility of banned books and facilitated their continued circulation in conversation with Catholic authorities. Through extensive archival research, Marcus highlights how talk of scientific utility, once thought to have begun during the Scientific Revolution, in fact began earlier, emerging from ecclesiastical censorship and the desire to continue to use banned medical books. What’s more, this censorship in medicine, which preceded the Copernican debate in astronomy by sixty years, has had a lasting impact on how we talk about new and controversial developments in scientific knowledge. Beautiful illustrations accompany this masterful, timely book about the interplay between efforts at intellectual control and the utility of knowledge. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
This original research on the forgotten Libyan genocide specifically recovers the hidden history of the fascist Italian concentration camps (1929-1934) through the oral testimonies of Libyan survivors. Ali Abdullatif Ahmida's book Genocide in Libya: Shar, a Hidden Colonial History (Routledge, 2020) links the Libyan genocide through cross-cultural and comparative readings to the colonial roots of the Holocaust and genocide studies. Between 1929 and 1934, thousands of Libyans lost their lives, directly murdered and victim to Italian deportations and internments. They were forcibly removed from their homes, marched across vast tracks of deserts and mountains, and confined behind barbed wire in 16 concentration camps. It is a story that Libyans have recorded in their Arabic oral history and narratives while remaining hidden and unexplored in a systematic fashion, and never in the manner that has allowed us to comprehend and begin to understand the extent of their existence. Based on the survivors' testimonies, which took over ten years of fieldwork and research to document, this new and original history of the genocide is a key resource for readers interested in genocide and Holocaust studies, colonial and postcolonial studies, and African and Middle Eastern studies.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today we are here with Dr. Ioanna Iordanou, a Senior Lecturer in Human Resource Management at Oxford Brookes University and an Honorary Researcher at the Centre for the Study of the Renaissance at Warwick University in Coventry, to talk about her recent book, Venice’s Secret Service: Organizing Intelligence in the Renaissance, out with Oxford University Press in 2019. Venice's Secret Service is the untold and arresting story of the world's earliest centrally-organized state intelligence service. Long before the inception of SIS and the CIA, in the period of the Renaissance, the Republic of Venice had masterminded a remarkable centrally-organized state intelligence organization that played a pivotal role in the defense of the Venetian empire. Housed in the imposing Doge's Palace and under the direction of the Council of Ten, the notorious governmental committee that acted as Venice's spy chiefs, this 'proto-modern' organization served prominent intelligence functions including operations (intelligence and covert action), analysis, cryptography and steganography, cryptanalysis, and even the development of lethal substances. Official informants and amateur spies were shipped across Europe, Anatolia, and Northern Africa, conducting Venice's stealthy intelligence operations. Revealing a plethora of secrets, their keepers, and their seekers, Venice's Secret Service explores the social and managerial processes that enabled their existence and that furnished the foundation for an extraordinary intelligence organization created by one of the early modern world's most cosmopolitan states. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Project Europe made waves when it was published in German in 2018 (CH Beck) and was soon translated into English as Project Europe: A History (Cambridge UP, 2020). A clue to its crossover appeal can be found in its original subtitle: "A Critical History." Avoiding the traps of euro-'Whig' or eurosceptical histories, Patel rethinks the development of the European Communities and the European Union from first principles. He concludes that they were just one model among many postwar associations but proved the most evolutionarily fit; that they benefited from peace more than they contributed to it; and that "disintegration and dysfunctionality" were embedded in their design. Having taught at Maastricht University and at the European University Institute in Florence, Kiran Klaus Patel is now professor of European history at Ludwig Maximilian University Munich. *Patel's book recommendation is The Capital by Robert Menasse (MacLehose Press, 2019). Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Konstantina Zanou is an Assistant Professor of Italian and Mediterranean Studies at Columbia University. Her captivating book Transnational Patriotism in the Mediterranean, 1800-1850: Stammering the Nation (Oxford University Press, 2018) investigates the long transition from a world of empires to a world of nation-states in the Ionian Adriatic. She narrates the biographies of a group of intellectuals who were born within empires but came of age surrounded by the emerging vocabulary of nationalism. Transnational Patriotism in the Mediterranean, 1800-1850 follows a generation of literati from the Ionian Islands who experienced the collapse of the Republic of Venice and the dissolution of the common cultural and political space of the Adriatic, and who contributed to the creation of Italian and Greek nationalisms. By uncovering this forgotten intellectual universe, the book retrieves a world characterized by multiple cultural, intellectual, and political affiliations that have since been buried under the conventional narrative of the formation of nation-states. Ultimately, Zanou shows how modern nations emerged from an intermingling, rather than a clash, of ideas concerning empire and liberalism, Enlightenment and religion, revolution and conservatism, and East and West.r Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
According to legend, the Roman emperor Nero set fire to his majestic imperial capital on the night of July 19, AD 64 and fiddled while the city burned. It's a story that has been told for more than two millennia--and it's likely that almost none of it is true. In Rome Is Burning: Nero and the Fire That Ended a Dynasty (Princeton UP, 2020), distinguished Roman historian Anthony Barrett sets the record straight, providing a comprehensive and authoritative account of the Great Fire of Rome, its immediate aftermath, and its damaging longterm consequences for the Roman world. Drawing on remarkable new archaeological discoveries and sifting through all the literary evidence, he tells what is known about what actually happened--and argues that the disaster was a turning point in Roman history, one that ultimately led to the fall of Nero and the end of the dynasty that began with Julius Caesar. Rome Is Burning tells how the fire destroyed much of the city and threw the population into panic. It describes how it also destroyed Nero's golden image and provoked a financial crisis and currency devaluation that made a permanent impact on the Roman economy. Most importantly, the book surveys, and includes many photographs of, recent archaeological evidence that shows visible traces of the fire's destruction. Finally, the book describes the fire's continuing afterlife in literature, opera, ballet, and film. A richly detailed and scrupulously factual narrative of an event that has always been shrouded in myth, Rome Is Burning promises to become the standard account of the Great Fire of Rome for our time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Fiume Crisis: Life in the Wake of the Habsburg Empire (Harvard UP, 2020) recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis. In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D'Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver's seat. Support for annexation was largely a result of the daily frustrations of life in a "ghost state" set adrift by the fall of the empire. D'Annunzio's ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire. Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Digitizing Enlightenment: Digital Humanities and the Transformation of 18th-Century Studies (Liverpool UP, 2020) explores how a set of inter-related digital projects are transforming our vision of the Enlightenment. The featured projects are some of the best known, well-funded and longest established research initiatives in the emerging area of ‘digital humanities’, a field that has, particularly since 2010, been attracting a rising tide of interest from professional academics, the media, funding councils, and the general public worldwide. Advocates and practitioners of the digital humanities argue that computational methods can fundamentally transform our ability to answer some of the ‘big questions’ that drive humanities research, allowing us to see patterns and relationships that were hitherto hard to discern, and to pinpoint, visualise, and analyse relevant data in efficient and powerful new ways. In the book’s opening section, leading scholars outline their own projects’ institutional and intellectual histories, the techniques and methodologies they specifically developed, the sometimes-painful lessons learned in the process, future trajectories for their research, and how their findings are revising previous understandings. A second section features chapters from early career scholars working at the intersection of digital methods and Enlightenment studies, an intellectual space largely forged by the projects featured in part one. Highlighting current and future research methods and directions for digital eighteenth-century studies, the book offers a monument to the current state of digital work, an overview of current findings, and a vision statement for future research. Simon Burrows is a Professor of History and Digital Humanities at Western Sydney University, Australia, where he is Leader of the Digital Humanities Research Group. Glenn Roe is Professor of French Literature and Digital Humanities in the Faculty of Letters at Sorbonne University, where he teaches into the UFR of French and Comparative Literature and is attached to the Centre d’étude de la langue et des littératures françaises (CELLF UMR 8599) and the LabEx OBVIL. Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
On this episode of New Books in History, Jana Byars talks with Ara Marjian, Professor of Italian and affiliate of the Institute of Fine Arts and the Department of Art History at New York University about his newest book Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism (University of Chicago Press, 2020). Paosolini, a filmmaker who created art in a variety of media, has something approaching a cult following. Merjian explores, “Pasolini’s fraught relationship to the aesthetic experiments of his own age… [and] demonstrates how Pasolini's campaign against neocapitalist culture fueled his hostility to the avant-garde. An atheist indebted to Catholic ritual; a revolutionary communist inimical to the creed of 1968; a homosexual hostile to the project of gay liberation: Pasolini refused the politics of identity in favor of a scandalously paradoxical practice, one vital to any understanding of his legacy. Against the Avant-Garde examines these paradoxes through case studies from the 1960s and 1970s, concluding with a reflection on Pasolini's far-reaching influence on post-1970s art. Merjian not only reconsiders the multifaceted work of Italy's most prominent postwar intellectual, but also the fraught politics of a European neo-avant-garde grappling with a new capitalist hegemony.” Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
On this episode of New Books in History, Jana Byars talks with Sharon Strocchia, Professor of History at Emory University. She is the author of Death and Ritual in Renaissance Florence, (Johns Hopkins University Press, 1992), Nuns and Nunneries in Renaissance Florence (Johns Hopkins University Press, 2009), and the book we are here to talk about today, Forgotten Healers: Women and the Pursuit of Health in Late Renaissance Italy, a 2019 Harvard University Press release. In this book, Professor Strocchia continues the work of her career: recentering the discourse to include the formative contributions of women in the Italian Renaissance. Through a discussion of Medici women, convent pharmacists, and hospital nurses, Strocchia adeptly argues that women played a leading role in the development of Renaissance medicine. Jana Byars is the academic director of SIT Amsterdam’s study abroad program, Gender and Sexuality in an International Perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Italian Neorealism: A Cultural History (University of Toronto Press, 2020), Charles Leavitt steps back from the micro-histories focusing more narrowly on, for example, Italian cinema so as to weave together divers cultural strands (literature, the visual arts, drama, journalism, poetry, essays) into a tapestry of historical practice. Which realisms are being invoked under the category of “Neorealism” as it was plied and applied in the mid-20th Century? What were the aims of these realisms? What did they accomplish? Each of Italian Neorealism’s four chapters sketches answers to these questions by approaching a corpus that interweaves some very well-known texts from Italian Neorealism (Rome, Open City, Bicycle Thieves, La terra trema, etc.) with texts that have enjoyed scantier critical attention (like films from the period that have not widely circulated, for example) or which hail from extra-cinematic and even extra-Italian contexts. The result is an eminently readable study whose broad embrace does not sacrifice meticulous attention to detail. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Renaissance humanists and the Holy Roman Empire haven’t mixed well in most scholarship. Humanists were supposed to be learned exponents of liberty. Often employed by Italian city-states, their civic pride and positive valuation of the ancient Roman Republic meant, it was claimed, that empire was anathema to them. But in a lucidly written and penetrating study of the early Renaissance, Dr. Alexander Lee turns these narratives on their heads. Humanism and Empire: The Imperial Ideal in Fourteenth-Century Italy (Oxford University Press, 2018) looks at the relationship between humanists of northern Italy and the Holy Roman Empire. It finds, for example, that humanists working for both republican and autocratic cities could fit their politics onto an imperial landscape drafted on a classicizing canvass. They debated the universality of imperial dominion, the spheres of authority between pope and emperor, and much besides. Impressively, this study is grounded in the frenetic politics of the fourteenth century, and Dr. Lee demonstrates the extent to which humanist assessments of empire responded in lockstep with the shifting sands of Italian affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Stefan Bauer has written an outstanding study of one of the most important Catholic historians in early modern Europe. Bauer, who has just taken up a new position teaching history at Warwick University, UK, has spent much of the last decade working on the life and work of Onofrio Panvinio. The result, The Invention of Papal History: Onofrio Panvinio between Renaissance and Catholic Reform (Oxford UP, 2020), updates our knowledge of Panvinio’s biography and interprets his work in both Catholic reformation and counter-reformation contexts. This exceptional new book promises to do much to shape future work on history writing in early modern Europe. Tune into today’s episode to find out more. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of Survival and Resistance in evangelical America: Christian Reconstruction in the Pacific Northwest (Oxford UP, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo’s caption, referencing the couple’s trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America’s sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States’ entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood’s silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini’s, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women’s suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini’s study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Before Trans: Three Gender Stories from Nineteenth-Century France (Stanford University Press), Rachel Mesch reads the biographies and work of three writers who did not conform to the gender norms of the period. In different ways, Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912) lived and wrote gender stories that challenged prevailing notions of masculinity and femininity, claiming and writing identities that complicated existing binaries and conventions. All three of the writers Mesch examines pushed boundaries in their private and public ways of being and in their self-presentation. An archaeologist, Dieulafoy fought in the Franco-Prussian War and traveled to Persia to study the ancient city of Susa. Rachilde wrote erotic novels including the ‘scandalous’ Monsieur Vénus. An art critic, Montifaud published erotic literature that shocked the sensibilities of the time. Thinking about these figures individually and together, Before Trans considers their non-conformity at a moment that held limited possibilities for the expression of a diversity of gender and sexual identities. The book offers so much, as a history of these important figures of nineteenth-century French literary and cultural life, and as a contribution to the exciting and growing field of trans scholarship. Rachel Mesch is Professor of French and English at Yeshiva University. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, ‘“No Hiroshima in Africa”: The Algerian War and the Question of French Nuclear Tests in the Sahara’ appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Jeremy Black, the prolific professor of history at Exeter University, has published A Brief History of the Mediterranean (Little Brown, 2020), to offer readers an overview of this sphere from pre-history to the present day. Taking in the importance of geography, civilizational change and cultural representations, Black moves between disciplines to offer readers a compelling handbook to a region rich in historical significance. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In her new book, The Perfect Fascist: A Story of Love, Power, and Morality in Mussolini’s Italy (Belknap Press), Dr. Victoria de Grazia takes the story of Attilio Teruzzi and explores the social history of fascism. When Attilio Teruzzi, Mussolini’s handsome political enforcer, married a rising young American opera star, his good fortune seemed settled. The wedding was a carefully stage-managed affair, capped with a blessing by Mussolini himself. Yet only three years later, after being promoted to commander of the Black Shirts, Teruzzi renounced his wife. In fascist Italy, a Catholic country with no divorce law, he could only dissolve the marriage by filing for an annulment through the medieval procedures of the Church Court. The proceedings took an ominous turn when Mussolini joined Hitler: Lilliana Teruzzi was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous seduction and inconvenient marriage―brilliantly reconstructed through family letters and court records―to a riveting account of Mussolini’s rise and fall. It invites us to see in the vain, loyal, lecherous, and impetuous Attilio Teruzzi, a decorated military officer, an exemplar of fascism’s New Man. Why did he abruptly discard the woman he had so eagerly courted? And why, when the time came to find another partner, did he choose another Jewish woman as his would-be wife? In Victoria de Grazia’s engrossing account, we see him vacillating between the will of his Duce and the dictates of his heart. De Grazia’s landmark history captures the seductive appeal of fascism and shows us how, in his moral pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today. Victoria de Grazia is the Moore Collegiate Professor of History at Columbia University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond (Palgrave MacMillan, 2019), Dana Renga offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, her book examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences. Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
On this episode of New Books in History, Jana Byars talks with Guy Raffa, Associate Professor of Italian Studies at UT Austin, about his new book, Dante’s Bones: How a Poet Invented Italy (Harvard University Press, 2020). Dante’s Bones is an academic mystery story, the “graveyard history” of Dante Alighieri, the master poet of what has come to be called The Divine Comedy. This book is about Dante’s literal remains and the where and how they’ve been kept. But in tracing that story, Guy Raffa tells a much broader tale about what Dante comes to mean over the past 700 years. Interview topics include thieving Franciscans, Lord Byron, Mussolini, and Longfellow, as we consider Dante the father of Italy and the Italian language, Dante the liberator, and Dante the secular saint. Discussion covers the author’s personal digital accompaniment to the Comedy, Danteworlds. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
On this episode of New Books in History, Jana Byars talks with Colin Rose, Assistant Professor of History at Brock University in St. Catherine’s, Ontario, Canada, about his new book, A Renaissance of Violence: Homicide in Early Modern Italy (Cambridge University Press, 2019). Seventeenth-century Bologna saw a severe uptick of homicide, the result of several factors that we discuss here. Beyond just a discussion of the book and its impact on our understanding of early modern Italy, Colin talks about his source material in detail, providing a small primer on the workings of an early modern criminal court. This makes for a lively conversation between two very happy historians about the joys of archival work. Jana Byars is the academic director of SIT Amsterdam’s study abroad program, Gender and Sexuality in an International Perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Russell J. A. Kilbourn’s The Cinema of Paolo Sorrentino: Commitment to Style (Wallflower Press, 2020) is the first comprehensive study published in the English-speaking world on one of the most compelling figures in twenty-first centry European film, Italian 2014 Academy Award recipient Paolo Sorrentino. Kilbourn’s book offers close readings of Sorrentino’s cinema in eight dense and elegantly written chapters and one coda: from the filmmaker’s first feature One Man Up, to The Consequences of Love, The Family Friend, Il Divo, This Must Be the Place, The Great Beauty, Youth, and the TV series The Young Pope, produced by HBO. The coda discusses the biopic on Silvio Berlusconi Loro (Them), which came out in 2018. While contextualizing Sorrentino within the legacy of Italian cinema tradition, Kilbourn establishes meaningful connections with international filmmakers (from Spike Lee’s Do the Right Thing to Mary’s Harron’s American Psycho, among many others), literary texts (such as Primo Levi’s If This is a Man), and artistic works (such as Magritte’s surrealist paintings), showing how Sorrentino is “an exemplary twenty-first-century transnational filmmaker” and “an emergent auteur for the twenty-first century.” His definition of Sorrentino’s cinema as “commitment to style” summarizes his critical perspective on a filmmaker, who, Kilbourn argues, brings to life Godard’s famous statement that “the problem is not to make political films but to make films politically.” Russell J. A. Kilbourn is Professor of English and Film Studies at Wilfrid Lauriel University. His books include Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema (2010) and W.G. Sebald’s Postsecular Redemption: Catastrophe with Spectator (2018) Nicoletta Marini-Maio is co-founder and editor of g/s/i-gender/sexuality/italy. Recent scholarly publications center on Italian cinema, particularly the intersections between politics, gender power relations, and collective memory; and auteur cinema. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Ellen Nerenberg (forthcoming, Rubbettino, Italy). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
James Renshaw modestly describes his interactive textbook, In Search of the Romans (Bloomsbury, 2019) as an attempt to bring his high school readers to a “base camp on Mount Everest and then hand them off to the Sherpas.” Renshaw explains that the “Sherpas” are historians who delve into a particular aspect of Roman history in greater detail. But what a delightful base camp In Search of Romans is! Following on the success of the book’s companion piece, In Search of the Greeks (both published in their second edition by Bloomsbury Academic), Renshaw has created an engaging and thoroughly enjoyable introduction to the history, politics, culture and everyday life of the Romans from their mythical beginnings to the fall of the Western Roman Empire in 476. In clear and cogent prose, Renshaw leads us masterfully from the era of the Roman kings through the foundation of the Res Publica, Rome’s brutal civil wars, and the dictatorship of Julius Caesar. The reign of Emperor Augustus with its sweeping reforms of religion and politics is discussed in detail, as are the reigns of the "good,” and “bad” emperors who follow Augustus, including the infamous Nero, and Constantine, who gifted Christianity to Europe. Finally, Renshaw unpacks the role of the barbarian tribes who brought the Western Empire to its end in the 5th century. James Renshaw approaches his subject with zeal and infectious enthusiasm, which no doubt resonates with his students at London’s Godolphin and Latymer secondary school. “In Search of the Romans” provides a broad overview of Rome’s history with plenty of recommendations for further reading by authors as diverse as Mary Beard and Tacitus. The book is filled with clear maps and photos, which bring the ancient world to life in vivid color and detail. In Search of the Romans goes beyond the “I came, I saw, I conquered,” Tick-Tock of Roman history. With detailed chapters on everyday life, culture, and religion, and individual chapters on Pompeii and Herculaneum, the reader emerges with a well-rounded sense of the world of the ancients. Renshaw is particularly good on the cultural touchstones of Ancient Rome, including the enduring obsession with Greek culture and the ever-present yearning for “the good old days.” For the past few months during the global pandemic, Renshaw has been teaching his students via Google Meet, which he believes the Romans — those masters of innovation — would have applauded. In Search of the Romans makes a compelling case that the classics are still very relevant for any curious about the march of civilization and humanity’s drive to innovate. Though designed for high school seniors, In Search of the Romans is an excellent choice for college students looking for an easily digestible overview of Roman history, and, indeed for anyone embarking on a voyage of discovery of Ancient Rome by land, sea, or from an armchair. James Renshaw was educated at the University of Oxford and has held teaching positions at St. Paul’s School and Westminster Under School. He currently teaches classics at London’s Godolphin and Latymer. He is the author of many manuals on Ancient History, and “In Search of the Greeks.” Find out more about James Renshaw by following him on Twitter or LinkedIn. Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Abolitionism and the Persistence of Slavery in Italian States 1750–1850 (Palgrave MacMillian, 2019) offers a pioneering study of slavery in the Italian states. Documenting previously unstudied cases of slavery in six Italian cities—Naples, Caserta, Rome, Palermo, Livorno and Genoa—Giulia Bonazza investigates why slavery survived into the middle of the nineteenth century, even as the abolitionist debate raged internationally and most states had abolished it. She contextualizes these cases of residual slavery from 1750–1850, focusing on two juridical and political watersheds: after the Napoleonic period, when the Italian states (with the exception of the Papal States) adopted constitutions outlawing slavery; and after the Congress of Vienna, when diplomatic relations between the Italian states, France and Great Britain intensified and slavery was condemned in terms that covered only the Atlantic slave trade. By excavating the lives of men and women who remained in slavery after abolition, this book sheds new light on the broader Mediterranean and transatlantic dimensions of slavery in the Italian states. Giulia Bonazza is currently a post-doctoral researcher on the international project Documenting Africans in Trans-Atlantic Slavery (CIRESC-CNRS Paris). Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Though not as well known today as many of his contemporaries, few American mob bosses were as feared as Albert Anastasia. As head of “Murder Inc.”, Anastasia presided over the contract killing of hundreds of people, some of whom he murdered with his own hands. In Lord High Executioner: The Legendary Mafia Boss Albert Anastasia (Citadel, 2020), Frank DiMatteo and Michael Benson draw upon DiMatteo’s firsthand experiences with several of Anastasia’s contemporaries to recount the tale of Anastasia’s bloody career. Born Umberto Anastasio, the young Anastasia went AWOL from the Italian Navy in order to start his life in America. During the 1920s Anastasia rose rapidly in the ranks of the New York mob in the thanks to his organizing abilities and his willingness to do dangerous work. When “Lucky” Luciano organized the five families in 1931, Anastasia became the underboss of Vincent Mangano and was placed in charge of their enforcement arm. Over the next quarter of a century Anastasia ruled through intimidation and bloodshed, until his growing public infamy and a series of missteps on his part led to his own execution in a Manhattan barbershop in 1957. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In Michelangelo’s Inner Anatomies (Penn State University Press), Christian Kleinbub challenges the notion that Michelangelo, renowned for his magnificent portrayals of the human body, was merely concerned with “superficial” anatomy—that is, the parts of the body that can be seen from the outside. Providing a fresh perspective on the artist’s portrayals of the human figure, Kleinbub investigates what he calls the artist’s “inner anatomical poetics,” revealing the Michelangelo’s beautiful bodies as objects of profound intellectual and spiritual significance. In so doing, Michelangelo’s Inner Anatomies illuminates how Renaissance discourses on anatomical organs and organ systems informed the artist’s figures, linking the interior experiences of his subjects to physiological processes associated with sex, love, devotion, and contemplation, among other thoughts and feelings. The book’s case studies cover the full range of Michelangelo’s prodigious output—including such iconic works as the Sistine Ceiling, Dying Slave, and Last Judgment—and reconstructs what the artist knew of internal anatomy and how he projected that knowledge into his most important works. Drawing upon theological, poetic, philosophical, and scientific texts, the book shows how Michelangelo created a context-dependent, adaptable practice that could be adjusted according to the needs of an individual situation or commission and manipulated to embody, literally and figuratively, a variety of meanings. Deeply researched and convincingly argued, this study heralds a significant shift in thinking about the Italian Renaissance body as it pertains not only to the work of Michelangelo but also to the era as a whole. Christian K. Kleinbub is Professor of Italian Renaissance Art at The Ohio State University and CoDirector of the New Foundation of Art History. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In this episode Jana Byars speaks with Elizabeth Horodowich, Professor of History at New Mexico State University, about her new book, The Venetian Discovery of America: Geographic Imagination and Print Culture in the Age of Encounters. We explore her primary argument, that Venetians used their knowledge, and their ability to employ that knowledge, to write Venetians into the story. Along the way, we talk about grand historical narratives, the Venetian archives, and what leads an historian to her topics. We end up with a quick preview of her newest work, Amerasia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Jana Byars talks with Martina Cvajner, Assistant Professor of Sociology in the Department of Psychology and Cognitive Sciences at the University of Trento, about her new book, Soviet Signoras: Personal and Collective Transformations in Eastern European Migration (University of Chicago Press, 2019). This book focuses on a group of women who migrated from areas in the former Soviet Union to northern Italy, following them from the first days of their arrival and their early work as elderly home caregivers, as they build personal lives and networks, through the establishment of a meaningful community. Dr Cvajner spent almost two decades with the women she studies, developing friendships and long-term connections. This personal interest shines through in the book and in our talk. She has a genuine affection for her subjects and approaches them not just as research material, but as whole humans, with complex stories. As a review noted, “By zeroing in on these elements of personal identity, she reveals previously unexplored sides of the social psychology of migration, colouring our contemporary discussion with complex shades of humanity. ”Our discussion discusses the importance of sexuality, the relationship between gender and migration, and explores the benefits of long-term ethnographic research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced. John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In a sad but loving tribute to his Sicilian-Italian heritage, Marco Rafala’s debut novel How Fires End (Little A, 2019) centers on the haunting legacy of WWII on the people of a small Sicilian village. It’s the summer of 1943 and an unexploded mortar shell kills 9-year-old Salvatore’s twin brothers. His faith is destroyed, and his family unravels, fueling fear that the Vassallo name is cursed. Salvatore and his sister, Nella, accept the help of a fascist Italian soldier, Vincenzo, who accompanies them to a new life in America. But the three of them make the choice to keep their secrets hidden, and years later in America, Salvatore’s son, David, is swept up in the chaotic aftermath of their hidden pasts. This is a story about loyalty, family, and forgiveness. Marco Rafalà is a first-generation Sicilian American, novelist, musician, and writer for award-winning tabletop role-playing games (e.g. The One Ring). He earned his MFA in fiction from The New School and is a co-curator of the Guerrilla Lit Reading Series in New York City. His fiction and non-fiction have appeared in the Bellevue Literary Review and LitHub. Born in Middletown, Connecticut, he now lives in Brooklyn, New York. And when not working, reading or writing, Rafalà loves walking in the cemetery with his partner. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education. Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia). Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the Sultan’s Realm: Two Venetian Reports on the Early Modern Ottoman Empire (Centre for Reformation and Renaissance Studies, 2018) is Professor Eric Dursteler’s translation of two final diplomatic reports (relazione) that Venetian ambassadors delivered upon their return to that Most Serene Republic at the turn of the seventeenth century—Lorenzo Bernardo in 1590 and Ottaviano Bon in 1609. These were polished and summative works performed before the assembled government of Venice detailing the politics and culture of the Ottoman Empire and its dealings with other powers. They offer insight about the work—and sometimes game—of early modern diplomacy; they aspire to a explain the character and spirit of the Sultan and his empire, in the process revealing even more about Venice and her agents. In this discussion, Professor Dursteler describes the early modern Mediterranean world, its arrangement and political issues, and its changes in the wake of the Battle of Lepanto (1571). He also talks about slavery, corsairs and piracy, and the Ottoman devşirme system (“blood tax” or “child levy”) that enslaved children from tributary states into its imperial administration, military, and harem. At the same time, this integration of cultures contributed to the multi-national and cosmopolitan empire (or ‘composite state’) unlike any other in the Mediterranean. Dursteler discusses gender and sex in the imagination of Early Modern Venice and in the cultural memory of both the West and East, and how it has changed. Finally, Dr. Dursteler invites us to think comparatively about early modern fears of the plague, and our current crisis—this was recorded in April of 2020—of pandemic. Eric Dursteler is Professor of History at Brigham Young University. Krzysztof Odyniec is a historian of the Early Modern Spanish Empire specializing in culture, diplomacy, and travel. He completed his PhD in 2017 at UC Berkeley where he is now a Visiting Scholar and a Fellow in the Berkeley Connect in History program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the late nineteenth century, Italians and Eastern European Jews joined millions of migrants around the globe who left their countries to take advantage of the demand for unskilled labor in rapidly industrializing nations, including the United States. Many Americans of northern and western European ancestry regarded these newcomers as biologically and culturally inferior--unassimilable--and by 1924, the United States had instituted national origins quotas to curtail immigration from southern and eastern Europe. In her new book Unwanted: Italian and Jewish Mobilization against Restrictive Immigration Laws, 1882–1965 (UNC Press, 2020), Maddalena Marinari examines how, from 1882 to 1965, Italian and Jewish reformers profoundly influenced the country’s immigration policy as they mobilized against the immigration laws that marked them as undesirable. Strategic alliances among restrictionist legislators in Congress, a climate of anti-immigrant hysteria, and a fickle executive branch often left these immigrants with few options except to negotiate and accept political compromises. As they tested the limits of citizenship and citizen activism, however, the actors at the heart of Marinari’s story shaped the terms of debate around immigration in the United States in ways we still reckon with today. This episode is part of a series featuring legal history works from UNC Press. Support for the production of this series was provided by the Versatile Humanists at Duke program. Maddalena Marinari is Assistant Professor in History; Gender, Women and Sexuality Studies; and Peace Studies at Gustavus Adolphus College. She has published extensively on immigration restriction and immigrant mobilization. Siobhan M. M. Barco, J.D. explores U.S. legal history at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In his new book On Trial for Reason: Science, Religion, and Culture in the Galileo Affair (Oxford University Press, 2019), Maurice Finocchiaro shows that there were (and are) really two Galileo “affairs.” Galileo’s original trial and condemnation forms the first affair, the cultural history of controversies about the meaning of the original trial, forms the second. With scrupulous attention to evidence and the argumentation employed by various participants, Dr. Finocchiaro’s book is at once an accessible primer on a key event in the 16th- and 17th-century Scientific Revolution, and a thought provoking look at how the subsequent controversies resonate down to the present day. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape. Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Karima Moyer-Nocchi is a professor of modern languages at the University of Siena and a lecturer for the Master in Culinary Studies program at the University of Rome, Tor Vergata. Her first book, Chewing the Fat – An Oral History of Italian Food from Fascism to Dolce Vita (Medea, 2015) explored the folklore and foodways of Italy in the twentieth century through the first-hand accounts of women who lived through the twenty-year fascist regime. Moyer-Nocchi’s new book, The Eternal Table: A Cultural History of Food in Rome (Rowman & Littlefield, 2019), covers the entirety of Roman (or romanesco) food history from pre-Roman times to the present day. According to Moyer-Nocchi, the cucina romanesca is multi-layered from the papal court to the flow of pilgrims and Grand Tourists, from the House of Savoy and the Kingdom of Italy to Fascism and the rise of the middle classes. It is not a cuisine frozen in time, but a cuisine that’s as fluid and changeable as the city’s inhabitants. Indeed, human, plant, and animal migration is one of the recurring themes of this book that places food in a rich social history. “Rome enthusiasts will revel in this well-researched retrospective of a dynamic, ever-evolving city” - Publisher’s Weekly Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Who or what originated and/or caused the Great War from breaking out in July 1914? Was it Serbia with its expansionist and aggressive designs on Austria-Hungary? Was it Austria-Hungary itself, unnecessarily plunging itself and the rest of Europe in a futile effort to keep together its tottering Monarchy? Was it Tsarist Russia? Attempting to both expand its influence in the Balkans at the expense of both Austria and Germany and at the very same time, seeking to bolster its own tottering monarchy by showing its aggrieved public that Mother Russia was backing the cause of its down-trodden, Slavic brothers. Was it Kaiserreich Germany? Aiming in the famous thesis of 20th-century German historian Fritz Fischer, to launch a Great War to establish itself as the hegemonic power on the European continent? A war which its military leaders stated repeatedly, Germany could only win if war occurred in the next few years. Was it France? Aiming in conjunction with its Russian ally to start a war with the aim of regaining the two lost provinces of Alsace-Lorraine. Was it Liberal England? Hoping for the final success of the policy of ‘encirclement’ of Germany, commenced by Edward VII? The origins of the Great War is one of the most fascinating and enthralling subjects in modern History. Which oceans of ink, almost (but not quite) matching the oceans of blood spilled during the war itself, have been devoted to the subject. From the immediate outbreak of the war to the centenary anniversary in 2014, master historians have researched and written on it. Now to bring the topic to the audience of New Books Network, are Jeremy Black, Emeritus Professor of History at Exeter University, without a doubt, the most prolific historian writing in the Anglophone world and Charles Coutinho of the Royal Historical Society. Please listen to this most interesting of podcast. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019. Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.” Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Robin Pickering-Iazzi’s Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 is the first history of its kind in English. An open access ebook, this study literally “unburies” the identities of over two-hundred girls and women who lived in Italy between 1878 and 2018, and were killed by members of the organized crime from different regions of Italy, including the camorra (Naples), Cosa Nostra (Sicily), ’ndrangheta (Calabria), and the United Sacred Crown (Puglia). By providing their background, the circumstances of their deaths, and the often unsatisfactory (if any) legal conclusions of their stories, this impressive counter-archive of the past raises several related questions on the women of Dead Silent. Some played a role within the clan, others were simply mafiosis’ daughters or wives, many had no relationship at all with the mafia and were killed accidentally, others were kidnapped for a ransom, and, finally, some were well known antimafia judges or journalists. How are the women’s individual stories related, as a whole, to the collective issue of the mafia in their communities? How do they become “bodies of evidence” and connect with the “history of the Italian nation”? In which ways does the form of the catalog, which Dead Silent adopts, replace the lack of commemoration and justice? But the most important issue that emerges concerns the study’s open access format: In addition to the broader circulation and availability (and the resulting security issues), what are the other positive effects that open-access can inherently produce? How does this format assert the scholar’s freedom and responsibility in the larger society? Nicoletta Marini-Maio is co-founder and editor of g/s/i-gender/sexuality/italy. Recent scholarly publications center on Italian cinema, particularly the intersections between politics, gender power relations, and collective memory; and auteur cinema. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Ellen Nerenberg (forthcoming, Rubbettino, Italy). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you. Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that. Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Barbara Spackman’s riveting study identifies a strand of what it calls “Accidental Orientalism” in narratives by Italians who found themselves in Ottoman Egypt and Anatolia in the late 19th and early 20th centuries. Relocated, or “de-toured” by historical accident, these travelers wrote about their experiences in Italian, English, and French. Crossing class, gender, dress, and religious boundaries as they move about the Mediterranean basin, the travelers’ accounts variously reconfigure, reconsolidate, and often destabilize the imagined East-West divide. Ranging widely on an affective spectrum from Islamophobia to Islamophilia, their narratives are the occasion for the book’s reflection on the practices of cultural cross-dressing, conversion to Islam, and passing and posing as Muslim on the part of Italians who had themselves the object of an Orientalization on the part of Northern Europeans, and whose language had long been the lingua franca of the Mediterranean. Listen in as we discuss Spackman's new book Accidental Orientalists: Modern Italian Travelers in Ottoman Lands (Liverpool UP, 2017). Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Italy's current crisis of Mediterranean migration and detention has its roots in early twentieth century imperial ambitions. Stephanie Malia Hom's new book Empire's Mobius Strip: Historical Echoes in Italy's Crisis of Migration and Detention (Cornell University Press, 2019) investigates how mobile populations were perceived to be major threats to Italian colonization, and how the state's historical mechanisms of control have resurfaced, with greater force, in today's refugee crisis. What is at stake in Empire's Mobius Strip is a deeper understanding of the forces driving those who move by choice and those who are moved. Hom focuses on Libya, considered Italy's most valuable colony, both politically and economically. Often perceived as the least of the great powers, Italian imperialism has been framed as something of "colonialism lite." But Italian colonizers carried out genocide between 1929–33, targeting nomadic Bedouin and marching almost 100,000 of them across the desert, incarcerating them in camps where more than half who entered died, simply because the Italians considered their way of life suspect. There are uncanny echoes with the situation of the Roma and migrants today. Hom explores three sites, in novella-like essays, where Italy's colonial past touches down in the present: the island, the camp, and the village. Empire's Mobius Strip brings into relief Italy's shifting constellations of mobility and empire, giving them space to surface, submerge, stretch out across time, and fold back on themselves like a Mobius strip. It deftly shows that mobility forges lasting connections between colonial imperialism and neoliberal empire, establishing Italy as a key site for the study of imperial formations in Europe and the Mediterranean. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Versailles Treaty of 1919, celebrates its one-hundred anniversary this year. And, yet unlike the more recent centenaries, such as that of the outbreak of the Great War or the Russian Revolution, the Versailles Treaty, notwithstanding its importance as perhaps the most important of the twentieth-century, has not seen the same level of interest? Is this relatively indifference due to the fact that it is still regarded by some (in the words of John Maynard Keynes) as a 'Carthaginian Peace', which lead inevitably to the rise of Hitler and the outbreak of the Second World War? To discuss this and other aspects of the Treaty, in the podcast channel, 'Arguing History', are Professor of History at the University of Exeter, Jeremy Black and Dr. Charles Coutinho, of the Royal Historical Society. Professor Jeremy Black MBE, Is Professor of History at the University of Exeter. A graduate of Queens College, Cambridge, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement". Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Giuliana Chamedes' new book A Twentieth-Century Crusade: The Vatican’s Battle to Remake Christian Europe (Harvard University Press, 2019) explores how World War I galvanized the central government of the Catholic Church to craft its own variety of internationalism, which was intended to rival both liberal and communist internationalism. From 1918 up through the mid-1960s, the Vatican’s ‘Catholic International’ made novel use of international law, public diplomacy, and new forms of communications to deepen the ties between the Catholic Church and different countries and weaken perceived ideological and geopolitical rivals. Drawing on new archival research conducted in eight countries, the book aims to show how the Vatican’s internationalist activities decisively shaped European reconstruction after both the Great War and World War II, and left a lasting mark on global politics, culture, and society. A Twentieth Century Crusade is an avowedly revisionist interpretation of the existing literature on the Holy See in the 20th century. Not all scholars by any means will agree with some or indeed much of what Professor Chamedes has to say. However, no one can gainsay her attempt to re-envisage the politics and diplomacy of the Vatican in the period covered by her book. Henceforth, no one will be able to examine the history of the Holy See in the 1914 to 1965 period without dealing with her new and challenging interpretation. Giuliana Chamedes is Assistant Professor of History and a faculty affiliate of the Religious Studies Program at the University of Wisconsin–Madison. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them. However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas. In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Roman Republic was one of the most remarkable achievements in the history of civilization. Beginning as a small city-state in central Italy, Rome gradually expanded into a wider world filled with petty tyrants, barbarian chieftains, and despotic kings. Through the centuries, Rome's model of cooperative and participatory government remained remarkably durable and unmatched in the history of the ancient world. In 146 BC, Rome finally emerged as the strongest power in the Mediterranean. But the very success of the Republic proved to be its undoing. The republican system was unable to cope with the vast empire Rome now ruled: rising economic inequality disrupted traditional ways of life, endemic social and ethnic prejudice led to clashes over citizenship and voting rights, and rampant corruption and ruthless ambition sparked violent political clashes that cracked the once indestructible foundations of the Republic. Chronicling the years 146-78 BC, Mike Duncan's book The Storm Before the Storm: The Beginning of the End of the Roman Republic (PublicAffairs, 2017) dives headlong into the first generation to face this treacherous new political environment. Abandoning the ancient principles of their forbearers, men like Marius, Sulla, and the Gracchi brothers set dangerous new precedents that would start the Republic on the road to destruction and provide a stark warning about what can happen to a civilization that has lost its way. Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The word “ghetto” has taken on different meanings since its coinage in the 16th century. The uses of this term have varied considerably, from its original understanding as a compulsory Jewish quarter in Venice to its appropriation by black Americans to describe racial segregation in the United States. Daniel Schwartz traces this fascinating history in Ghetto: The History of a Word (Harvard University Press, 2019) and examines how “ghetto” has come to occupy different meanings to different people in a variety of historical and cultural contexts. Daniel Schwartz is Associate Professor of History and Judaic Studies at George Washington University. Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Elena Past’s recently published Italian Ecocinema: Beyond the Human (Indiana University Press, 2019) studies a complex of issues surrounding on-location films made in Italy and the way their production leaves lasting, material traces on the environment. The films span a number of regions and ecospheres within Italy: the Adriatic, site of the petrochemical wastelands in Antonioni’s Red Desert; the Neapolitan hinterland’s toxic waste dump in Garrone’s Gommora; the plight of an outlander goatherd in the Italian alps in Diritti’s The Wind Blows Round; the Calabrian mountains in Frammartino’s Le quattro volte; and the volcanoes of the Aeolian Islands in Taviani’s Fughe e approdi/Return to the Aeolian Islands. Past explores pressing environmental questions as well as the partnerships and collaborations of film crews, local protagonists (including human and non-human animals), and the environment as she works to bring the “matter” of cinema, its material side, into the production of its meaning. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Gerry Milligan’s Moral Combat: Women, Gender and War in Italian Renaissance Literature (University of Toronto Press, 2018) takes as its subject the woman warrior in early modern Italy as she was and as she was represented across varied types of texts, both literary and historical. What emerges is a discursive construction of the role gender played in the concept of warfare during this time period. How are women depicted in relation to warfare? Are they non-combatant innocents protected by male warriors? If this is not (only) the case, how does the representation of the woman warrior illuminate men and masculinity in the Italian Renaissance? How are gender roles rewritten, challenged, and reaffirmed in the texts under consideration? How do the figures of the virago and the woman warrior resonate with 21st century gender norms? These are some of Milligan’s questions, as well as some of the topics, we consider in this podcast. Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Despite the Roman Empire's 500-year reign over Europe, parts of Africa and the Middle East, Italy does not have the same long national history as states such as France or England. Divided for much of its history, Italy's regions have been, at various times, parts of bigger, often antagonistic empires, notably those of Spain and Austria. In addition, its challenging and varied terrain made consolidation of political control all the more difficult. This concise history covers, in very readable fashion, the formative events in Italy's past from the Etruscans all through a unified country in thrall to fascism in the first half of the twentieth century right up to Silvio Berlusconi and beyond. The birthplace of the Renaissance and the place where the Baroque was born, Italy has always been a hotbed of culture. Within modern Italy there is fierce regional pride in the cultures and identities that mark out Tuscany, Rome, Sicily and Venice to name just a few of Italy's many famous regions. Professor Jeremy Black, of the History department of Exeter University, the most prolific historian writing in the English Language today, draws on the diaries, memoirs and letters of historic travelers to Italy to gain insight into the passions of its people, first chronologically then regionally. In telling Italy's story, Professor Black examines what it is that has given Italians such cultural clout - from food and drink, music and fashion, to art and architecture - and explores the causes and effects of political events, and the divisions that still exist today. In short,A Brief History of Italy (Robinson, 2019) is an outstanding introduction to bella Italia, past and present. Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Did the early Christians believe their myths? Like most ancient—and modern—people, early Christians made efforts to present their myths in the most believable ways. In How the Gospels Became History: Jesus and Mediterranean Myths (Yale University Press, 2019), M. David Litwa explores how and why what later became the four canonical gospels take on a historical cast that remains vitally important for many Christians today. Offering an in-depth comparison with other Greco-Roman stories that have been shaped to seem like history, Litwa shows how the evangelists responded to the pressures of Greco-Roman literary culture by using well-known historiographical tropes such as the mention of famous rulers and kings, geographical notices, the introduction of eyewitnesses, vivid presentation, alternative reports, and so on. In this way, the evangelists deliberately shaped myths about Jesus into historical discourse to maximize their believability for ancient audiences. Dr. M. David Litwa is a scholar of ancient Mediterranean religions and Research Fellow at the Institute for Religion and Critical Inquiry at the Australian Catholic University in Melbourne. His most recent books include Desiring Divinity: Self-deification in Ancient Jewish and Christian Mythmaking and Hermetica II: The Excerpts of Stobaeus, Papyrus Fragments, and Ancient Testimonies. Jonathan Wright is a PhD student in New Testament at Midwestern Baptist Theological Seminary. He holds an MDiv from The Southern Baptist Theological Seminary and a ThM from Trinity Evangelical Divinity School, and can be reached at jonrichwright@gmail.com, on Twitter @jonrichwright, or jonathanrichardwright.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Violet Moller has written a narrative history of the transmission of books from the ancient world to the modern. In The Map of Knowledge: A Thousand-Year History of How Classical Ideas Were Lost and Found (Doubleday, 2019), Moller traces the histories of migration of three ancient authors, Euclid, Ptolemy and Galen, from ancient Alexandria in 500 to Syria and Constantinople, to Baghdad in 800, and then to Renaissance Venice in the 15th century. Moller demonstrates how tenuous were the chances of such ancient works’ survival, from the depredations of invading armies to the hazards of fire and flooding, to the problems of translation through multiple languages over the centuries. The migration of ancient texts from Greece to the Middle East and back to medieval Europe is a fascinating story of how knowledge was preserved when certain conditions were met, such as political stability, the willingness of itinerant scholarly “manuscript hunters” to risk life and limb to find obscure, ancient texts, and the openness to tolerate and embrace knowledge derived from other cultures and civilizations. Moller’s book is the story of how the texts upon which the modern world was built were acquired through fortuitous accident and scholarly diligence. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In 1349 the City-Republic of Florence had just endured a horrific epidemic of bubonic plague, that contagion that became known as the Black Death. Nevertheless, despite the effects upon both their population and treasury, they marshaled their resources to fight the Ubaldini clan who dominated the mountain passes through the Appenines to the north of the city. This event my guest Bill Caferro refers to as “Petrarch’s War,” since the Florentine humanist Petrarch–normally regarded as a promoter of peace in Italy–had urged Florence to attack the Ubaldini after they had waylaid and killed a friend of his. Caferro examines this little war to find out its institutional and economic effects–to see what it says about wages of soldiers, and to answer such curious questions as why Florence sent a cook on an embassy to the court of Hungary. Bill’s arguments in his new book Petrarch's War: Florence and the Black Death in Context(Cambridge University Press, 2018) aren’t just about Florence. Ultimately, he is suggesting that context matters a great deal to historical thinking, and that pleas to ignore the short term in favor of the long term ignore the fact that understanding the short term is always at the heart of the historian’s task. Long-term wage studies, he argues, have cut corners both in terms of evidence and through epistemological jumps. “The current long-term methodological construct,” Caferro writes, “is as stubborn as it is pernicious.” Ultimately, Caferro believes, “a proper understanding of context lies at the core of the historians’ task.” Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Though commonly used today to identify a polity that lasted for over a millennium, the label “Byzantine empire” is an anachronism imposed by more recent generations. As Anthony Kaldellis explains in Romanland: Ethnicity and Empire in Byzantium (Harvard University Press, 2019), this has contributed to the denial of the ethnic identity that most denizens of the empire had of themselves as Romans. Kaldellis traces the origins of this process of denial to the 8th century CE, with the papacy’s turn to the Franks as their protectors. The efforts by the Catholic Church to de-legitimize the Eastern Empire as the legatee of ancient Rome denied the self-identification of its residents as Romans, one that is reflected in much of the surviving literature from this era. This identity was so widely embraced by the residents of the empire as to make it a largely homogenous state ethnically throughout much of its existence, one that absorbed many of the bands of people from other ethnic groups who migrated to the empire over the centuries of its existence. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
One of the first and most famous of Christian martyrs was Perpetua, who died in Carthage in the early 3rd century CE. Though there is no record of her life beyond the details contained in a single text, in her book Perpetua: Athlete of God(Oxford University Press, 2018), Barbara K. Gold analyzes the account of her sacrifice and draws upon the dual contexts of the Christian and Roman worlds of that time to provide a framework for understanding her. Central to this effort is the "Passio Sanctarum Perpetuae et Felicitatis," one of the earliest Christian texts and one which presents an incomplete and often confusing picture of Perpetua as a woman. As Gold explains, the gendering of her depiction reveals much about the complexities of her portrayal in the work, which posed a number of challenges for subsequent generations of male authors and Christian leaders in terms of the example she set with the martyrdom described within it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Stretching across the north of England, from coast to coast, are the 73-mile long remnants of a fortification built by the Roman Army during the reign of the Emperor Hadrian. It is, as our guest Adrian Goldsworthy has written, “the largest of the many monuments left by the Roman Empire and one of the most famous.” For centuries the purpose of Hadrian’s Wall, and the life of those who built it and lived near it, were shrouded in archaeological mystery. In Adrian Goldsworthy’s new book Hadrian's Wall (Basic Books, 2018) illuminates the subject by synthesizing the latest research, and bringing to bear his powerful historical imagination on the subject. And, speaking of historical imagination, in the United States he has simultaneously published a novel set along the border of Roman Britain—the second of a series—with his study of the wall itself. Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In one of his latest books, The World at War, 1914-1945 (Rowman & Littlefield, 2019), Professor of History at Exeter University, Jeremy Black, the most prolific historian in the Anglo-phone world, if not indeed on the entire planet, explores the forty-one years from the beginning of the Great War in August 1914 to the surrender of Japan in August 1945. This book provides the reader with an innovative global military history that joins three periods—World War I, the interwar years, and World War II. Professor Black, offers a comprehensive survey of both wars, comparing continuities and differences. He traces the causes of each war and assesses land, sea, and air warfare as separate dimension in each period. A must read for anyone interested in this time period of military and indeed global history. Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today I spoke with Francesco Grillo (co-authored with Raffaella Nanetti) about his latest book, Democracy and Growth in the 21st Century: The Diverging Cases of China and Italy (Palgrave Macmillan, 2019). Despite the title, it is not strictly a book on China or Italy. It is a visionary contribution to both economics and political theory that reflects on the crisis of the West and the paradoxical success of China. Is democracy still the best political regime for countries to adapt to economic and technological pressures and increase their level of prosperity? While the West seems to have stagnated in an environment of political mistrust, increasing inequality and low growth, the rise of the East has shown that it may not be liberal democracy that is best at accommodating the social mutations that technologies have triggered. The cases of China and Italy form the research focus as two extremes in growth performance. China is the star of globalisation in the East, while Italy is the laggard of globalisation in the West and a laboratory of creeping political meltdown now shared by other major Western economies. But is this forever? Introducing the ‘innovation paradox’ as the main challenge to the West and the notion of ‘knowledge democracy’ as key to sustainable growth, this book presents a new side to the debate on the Fourth Industrial Revolution (or fifth as the authors argue). It is a vital reading for all those questioning what kind of democracy positively impacts innovation as the force whose speed and direction transforms societies and economies. Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
From its humble beginnings as a crossing point over the river Thames Londinium grew into the largest city in Roman Britain. In Londinium: A Biography (Routledge, 2018), Richard Hingley draws upon the latest archaeological discoveries to provide a look at the growth and development of London over the first centuries of its existence. Though typically thought of as a community established by Roman conquerors, Hingley describes the recently discovered artifacts that point to an Iron Age prehistory of human activity in the area. This may have recommended the location to the Romans, who established a town there which thrived until it was burned to the ground by Boudica’s forces in 60 CE. Its rapid recovery from both this and another destructive conflagration a few decades later demonstrated the importance of the site to the Romans, who by the second century CE made Londinium into the preeminent center for administration and commerce on the island. Hingley shows how recent archaeological evidence has helped us better understand life in the city in the two centuries that followed, as well as how it is changing our understanding of the timeline for its decline and abandonment with the collapse of the western Roman Empire in the 5th century CE. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Tonight we are talking with Federico Varese about his new book Mafias on the Move: How Organized Crime Conquers New Territories (Princeton University Press, 2011). Whenever you read a book about transnational crime one of the themes will be about how globalisation has made it easier for organized crime groups to operate. You will also see another chapter about how large mafia style groups are spreading outside their traditional domains. But there have been very few studies, other than individual case studies, of how this occurs and what circumstances help or hinder this expansion of operation. Federico takes a rigorous approach to try and answer these questions. He not only looks at how groups expand but also compares successful expansion to unsuccessful cases. He asks what features of the social environment allowed one group to succeed and another to fail. His answers are surprising and they reveal some cumbersome characteristics of large, structured organised crime groups which make it difficult for them to expand their operations to new environments. This is a very enjoyable book to read as it combines detailed stories with strategic data. Federico has clearly put many years of research into this work and the result adds significant new insights for organized crime research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the annals of cold war history Italy is rarely seen as a crucial locale. In his stimulating new book, The United States, Italy, and the Origins of Cold War: Waging Political Warfare (Cambridge University Press, 2014), Kaeten Mistry reveals how events in Italy proved surprisingly crucial in defining a conflict that dominated much of the twentieth century. For the United States, it marked the first intervention in the postwar era to influence events abroad through political warfare, the use of all measures 'short of war' in foreign affairs. Drawing particular attention to the Italian election of 18 April 1948, he explains how the campaign for the first national election of the newfound Italian republic marked a critical defeat for communism in the early cold war. The United States utilized a range of overt and covert methods against Marxist political and social power. Political warfare seemingly outlined a way to tackle communist strength more widely. Analyzing American political warfare efforts against the Italian left allows Mistry to advance a number of important arguments. He shows how U.S. efforts were largely improvised and many key decisions ad hoc. While officials in Washington like George F. Kennan worked to institutionalize political warfare, Italian actors and a host of non-governmental organizations played a crucial role in the defeat of the Italian left, even if they did not always share the same agenda as American officials. Mistry emphasizes Italian agency, explaining how Christian Democrat Prime Minister Alcide De Gasperi pursued his own agenda to protect national sovereignty. The Vatican had its own objectives, as did trade unions, citizen groups, and multinational corporations. Other actors held a less rigid view of the Cold War than their American counterparts. In short, political warfare was more than an American story yet U.S. officials and commentators lined up to praise the election campaign as a distinctly American success. Mistry argues that this 'perception of success' contributed to an expanded use of political warfare, as U.S efforts turned to subverting communist power in Eastern Europe and, later, the Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In his new book, Mussolini and Hitler: The Forging of the Fascist Alliance (Yale University Press, 2018), Christian Goeschel, Senior Lecturer in Modern European History at the University of Manchester, examines the relationship between Hitler and Mussolini and how their relationship developed and affected both countries. In this highly readable book, Goeschel, revisits all of Mussolini and Hitler’s key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public. The first comprehensive study of the Mussolini-Hitler relationship, this book is a must-read for scholars and anyone interested in the history of European fascism, World War II, or political leadership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In The Invention of Race in the European Middle Ages (Cambridge University Press 2018), Geraldine Heng collects a remarkable array of medieval approaches to race that show the breadth and depth of the kinds of racial thinking in medieval society. In creating a detailed impression of the medieval race-making that would be reconfigured into the biological racism of the modern era, The Invention of Race in the European Middle Ages reaches beyond medievalists and race-studies scholars to anyone interested in the long history of race. Throughout the study, Heng treats race-making as a repeating tendency to demarcate human beings through differences that are selectively essentialized as absolute and fundamental. Thus constituted, these categories are then used to guide the differential apportioning of power. Scholars working in critical race studies have clearly demonstrated that culture predisposes notions of race. The Invention of Race in the European Middle Ages reaffirms that insight by examining the era before the dominance of biological discourses. Race has always been about strategically creating a hierarchy of peoples for differential treatment. By exploring race in the European middle ages, Heng lays bare the skeleton of racial thinking as a sorting mechanism, a structural relationship for the management of human differences. In Heng's hands, the tools of critical race studies make it possible to name the systems and atrocities of the Middle Ages for what they were, revealing race-making before the modern vocabulary of race coalesced. Bringing together a group of specialized archives that aren't usually in conversation, Heng in many cases allows the medieval past to powerfully testify to the pre-modern history of race-formation, racial administration, and racist exploitation and oppression. Beginning with the violent and sweeping anti-Semitism of thirteenth century England, showing the ways that Jews became the template by which other races were measured, The Invention of Race in the European Middle Ages launches a careful exposure of the way that minority groups were (and are) manipulated to create the sense of a national majority. A short but potent comparison to the English treatment of Irish subjects drives the analysis home. A researcher, writer, editor, and educator, Carl Nellis digs in archives and academic libraries for the critically-acclaimed Lore Podcast and as research lead for Unobscured Podcast. Studies on both sides of the Atlantic left him chasing the tangled colonial history that threads the culture of the Middle Ages into today’s United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In her new book, Unlearning Eugenics: Sexuality, Reproduction, and Disability in Post-Nazi Europe (University of Wisconsin Press, 2018), Dagmar Herzog examines the relationship between reproductive rights and disability rights in contemporary European history. In a study that appeared in the George L. Mosse Series in Modern European Cultural and Intellectual History, Herzog uncovers much that is unexpected. She analyzes Protestant and Catholic theologians that were pro-choice in the 1960s and 1970s; the ways in which some advocates of liberalized abortion access displayed hostility to the disabled; the current backlash against women’s reproductive rights in Europe fueled in part by activists presenting themselves as anti-eugenics and pro-disability; and the impressive advances in disability rights inspired by submerged, contrapuntal strands within psychoanalysis and Christianity alike. An outstanding contribution to the histories of religion, sexuality, and disability rights, this book is essential reading for anyone interested in post-1945 Europe. Michael E. O’Sullivan is Associate Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today I spoke with Flavia di Mario, a young scholar of political economy and industrial relations. She coauthored a very provocative book with Andrea Micocci, The Fascist Nature of Neoliberalism (Routledge, 2017). Flavia is doctoral student at London Middlesex University, Andrea Micocci was professor of Economics at Link University, Rome, Italy. In their words, they claim that capitalism is based on a false logic in which all facts and ideas are reduced to a consideration of their ‘feasibility’ within the capitalist system. Thus, all mainstream economic and political theories, including those such as Marxism which are supposed to offer an alternative vision, have been stunted and utopian ideas are completely side-lined. "In order to constantly work out the feasible, you have to hang on to pseudo-factual concepts: nationalism; a constant drive for efficiency; the idea of nation/state; corporatism; managed markets; business ethics; governance etc. Capitalism is reduced to the management of the economy by states that fight each other and marvel at the independence of finance. All this, the book argues, is akin, intellectually, economically, politically, and unfortunately individually, to fascism." We started our conversation with a 1925 quote from Benito Mussolini. In his inaugural speech as prime minister, he argues for the importance of finance and budget stability. A good starting point to discuss the relationship between fascism and capitalism. We then moved on to neoliberalism. The Fascist Nature of Neoliberalism offers a brief, provocative analysis of this issue with special reference to the most visible executioners of its will: the managerial class. "This group simply happens to hold power, and hence visibility, but they do what everybody else does, and would do, all the time. This is because capitalism is an intellectual outlook that thoroughly directs individual actions through fascist and non-fascist repression." The book argues that the only way to escape capitalism is to recover individual intellectual and sentimental emancipation from capitalism itself in order to produce radical solutions. A very interesting book that many might find worth reading: those who study and are interested in political economy, economic theory and philosophy, as well as fascism and neoliberalism. Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
How do social movements remember the past? How do collective memories affect their current strategic choices? In his book Social Movements, Memory and Media: Narrative in Action in the Italian and Spanish Student Movements (Palgrave, 2018), Lorenzo Zamponi provides an answer to these questions by analyzing the representations of specific episodes related to the Italian and Spanish student movements of the 1960s and 1970s, and the recollection of those events by current student activists. By bridging the disciplines of memory studies and social movement studies, Lorenzo makes a significant contribution to our understanding of how cultural factors shape political action. Collective memories can serve as a way of legitimation and mobilization to social movements, but they can also limit their strategic choices by imposing certain past identities and contentious repertoires. Researchers from all disciplines interested in the intersect between memory and social movement studies are encouraged to answer to the Call for Papers for a special issue to be published in Mobilization, edited by the author.
Felipe G. Santos is a PhD candidate at the Central European University and Visiting Research Fellow at the University of California Irvine. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In his new book, The Italian Executioners: The Genocide of the Jews of Italy (Princeton University Press, 2018), Simon Levis Sullam, associate professor of modern history at Ca’ Foscari University of Venice, examines how ordinary Italians became willing perpetrators and actively participated in the deportation of Italian Jews between 1943 and 1945. Levis Sullam challenges long held notions that Italians were largely resistant to deportations and protective of their Jewish neighbors. Through detailing the actions of ordinary Italians as they participated in arrests, looting and betrayals he dismantles the myth of italiani brava gente- the “good Italians.” This concise book does much to correct a tremendous blind spot in the history of the Holocaust in Italy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener, André seeks to understand the resonances and importance of opera to today’s audiences, performers, and scholars. To do this, she focuses on seven works and two continents. André places opera in the United States in conversation with opera in South Africa, the only country in Africa that has a continuous operatic tradition from the nineteenth century until the present day. Her work in South Africa began when she traveled with renowned opera singers George Shirley and Daniel Washington to that country as part of a project through the African Studies Center at her home institution of the University of Michigan. There she found a rich operatic life that included the performance of new works, such as Winnie: The Opera by Bongani Ndodana Breen as well as new interpretations of canonical operas such as a South African reimagining of Bizet’s Carmen called U-Carmen eKhayelitsha, both of which she features in Black Opera. The other works she considers are From the Diary of Sally Hemings by William Bolcom and Sandra Seaton, Porgy and Bess by George Gershwin, along with Carmen and two American versions of that opera, Oscar Hammerstein’s Carmen Jones and the MTV production, Carmen: A Hip Hopera. André’s central concern is how the history of race relations and changing gender roles in both countries impacted the development, performance, composition, and reception of opera. To do this, she provides what she terms a “shadow history” of opera culture to help her readers understand “black operas” (that is operas by black and interracial compositional teams, about black subjects, and the issues around black opera singers) that have been hidden due to social, political, and economic reasons rather the quality of the works and performers. Nestled within the disciplines of musicology, ethnomusicology, African Studies, and cultural theory, this truly interdisciplinary monograph points to a new way to analyze music’s place in the past and the present. Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. She received her B.A. from Barnard College and M.A. and Ph.D. from Harvard University. Her research focuses on opera and issues surrounding gender, voice, and race. Her publications are on topics including Italian opera, Schoenberg, women composers, and teaching opera in prisons. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity. In addition to serving on the Executive Committee for the Criminal Justice Program at the American Friends Service Committee (Ann Arbor, MI), she brings her expertise on race, politics, and opera to the public through numerous appearances on public panels and symposia, and in the popular press.
Kristen M. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
How do transitions to democracy affect the shape and participation of social movements in the present? In their new book, Legacies and Memories in Movements: Justice and Democracy in Southern Europe (Oxford University Press, 2018), Donatella della Porta and her collaborators develop a comparative historical study of social movements in Spain, Portugal, Italy and Greece, tracing some of the characteristics of the last anti-austerity protests to the shape transitions to democracy took in each country. Transitions to democracy represent critical junctures that affect historical legacies and memories in different ways. Participated pacts, where political elites play a major role and civil society is excluded from the negotiations, bring about closed and exclusive political opportunities. This leads movements to develop more radical repertoires, and erase or confront the memory of the transition in their framing. Conversely, eventful transitions, where civil society plays a leading role, produce political systems that are more open to social movements’ participation. This is reflected in more institutionally-active social movements who embrace the memory of the transition and use it as a legitimating frame. The book puts into question the idealization of transitions led by political elites and provides a more nuanced analysis of the relations between the different actors that participate in these key historical episodes. Additionally, it provides a novel perspective on the impact that transitions have for the opportunities of political participation of society at large. This work will be of interest to political scientists, historians and sociologists alike and represents a major effort in bridging these disciplines under the umbrella of social movement studies.
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
What was Italy’s role in the Holocaust? Why is it that Italy is known as the Axis power that was benevolent to Jews, despite a scholarly consensus that many Italians actively participated in anti-Jewish persecution? In Italy’s Jews from Emancipation to Fascism (Cambridge University Press, 2018), Shira Klein skillfully narrates the historical developments that belie this myth, and the complex process that have led to its perpetuation. By examining the experiences of Italian Jews during the Second World War from a wide chronological lens, Klein shows how the particular history of Italian Jews in the century prior to the Holocaust helped to mold their positive perception of Italy during and in the aftermath of genocide. Drawing from oral testimonies as well as unpublished memoirs, Klein reveals how a uniquely Jewish Italian patriotism was fostered in the decades leading up to (and even during) Fascism. Through their allegiance to Italy, she explains, many Jewish exiles and survivors themselves helped to spread the myth of Italian innocence. Shira Klein is Assistant Professor of History at Chapman University. Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York. He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv). A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms. The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters. Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”. In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself. As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.” Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari explores this relationship, what he calls “the edge”, between the two cultures. Gennari examines the intersectionalities in music, film, sports, and foodways, spotlighting the edge as a way to highlight the ways in which the relationship between Italian American and African American cultures has been both joyous and beneficial as well as fraught with violence and suspicion. He posits that an Afro-Italian sensibility has vitalized American culture, even with the conflicts over urban spaces, political and personal respect, and overlapping histories of exclusion. Through his personal connections as well as critical and well-researched chapters on the intersections between these two cultures, Gennari gives readers a deeper understanding of the histories and relationships between African Americans and Italian Americans.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Sam White’s brand new book A Cold Welcome: The Little Ice Age and Europe’s Encounter with North America (Harvard University Press, 2017) turns the tales we learned in grade school about early European colonization of North America upside-down. In the last decades of the 16th and first decades of the 17th century, three empires—Spain, France and England—each sought to establish new colonial projects on the continent of North America. They had the misfortune to embark on these projects at the most severe point of a global climatic shift called the Little Ice Age, whose harsh winters, droughts and storms seemed to plague the unready Europeans at every turn. From Florida to Maine, North Carolina to New Mexico, climate and weather-related difficulties challenged European colonists in a multitude of ways, and White explains how even the nominally successful colony projects, like Jamestown, were lucky near-misses whose success was by no means inevitable. This is a totally new look at the early history of Europeans in North America, which holds significant lessons for coping with and thinking about our modern problems of anthropogenic climate change. Sam White is associate professor of history at Ohio State University. An expert on climate and environmental history in the early modern period, he is also the author of the acclaimed book The Climate of Rebellion in the Early Modern Ottoman Empire (Cambridge University Press, 2011) and co-founder of the Climate History Network, a resource for historians and other professionals studying climate history and climate change.
Sean Munger is an author, historian, teacher and podcaster. He also has his own historical podcast, Second Decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The daughter of the emperor Theodosius I, Galla Placidia successfully navigated the tumultuous politics of the late Roman Empire to rule as regent for her son Valentinian III. In Rome’s Christian Empress: Galla Placidia Rules at the Twilight of the Empire (Johns Hopkins University Press, 2015), Joyce Salisbury details the extent of this accomplishment by situating it within the context of her time. Orphaned at an early age, Placidia grew up in the household of Stilicho, a Vandal general who had established himself as the most powerful figure in the western Empire. The sacking of Rome in 410 made her the captive of the victorious Goths, eventually marrying their leader Ataulf. After the tragic death of their son and Ataulf’s subsequent assassination brought her hopes of establishing a Romano-Gothic dynasty to an end, she was forced by her ruling half-brother Honorius to marry his general Constantius III. With Constantinus and Honorius’s deaths leaving her son Valentinian as emperor, Placidia became regent for the boy, in which capacity she dealt with the problems of barbarian invasions, rebellious commanders, and the many other challenges of an empire in decline. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
When is war justified? What makes a just war? These are difficult questions to answer, but particularly so for Christians, followers of Jesus, who suffered violence without responding in kind. One philosopher-theologian who wrestled with these issues was Thomas Aquinas. Dr. Gregory Reichberg, research professor at the Peace Research Institute Oslo, explores this subject in his new book Thomas Aquinas on War and Peace (Cambridge University Press, 2017). Not only does this work do an excellent job in probing in an accessible yet deep way Aquinas understanding of just war, Reichberg both reveals aspects of Aquinas thought on war that are rarely examined, such as the connection between the cardinal virtue of fortitude and military service, and connects Aquinas and the just war tradition to contemporary debates about the waging of war. This book is highly recommended for anyone interested in this subject, and it has something to say both to people largely unfamiliar with it, as well as those who have studied the subject at length. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen (Dartmouth, 2017) emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities. The author examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. He also explores the links between African American literature and the Mediterranean tradition of Italian immigrants, and then examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. Sameule F. S. Pardini is the coordinator of the American Studies Program and Faculty-in-Residence of the Honors Pavilion at Elon University. He holds a Laurea degree in Letters and Philosophy from the Universita’ degli Studi di Pisa, Italy, and an M.A. and a Ph.D in Comparative Literature from the State University of New York (SUNY) at Buffalo. Dr. Pardini’s teaching and research interests focus on 20th century Italian studies, Italian American studies, American studies, cinema and literary criticism. Prior to this work, Pardini edited and translated into Italian two collections of writings of the famed critic Leslie Fiedler titled Vacanze Romane: Un critico americano a spasso nell’Italia letteraria and Arrivederci alle armi. He also edited The Devil Gets His Due: The Uncollected Essays of Leslie Fiedler. Pardini is currently pursuing a new book-length research project called Modernity on Wheels: Speed and Automobile Culture from Futurism to Fascism and the New Deal, which examines the theme of speed in automobile culture of the first half of the 20th century in Italy and the United States. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
In her new book, Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra (Cambridge University Press, 2017), Anna Harwell Celenza examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting jazz throughout Italy in the 1920s and 1930s. With the technology of the radio and gramophone, jazz became part of the local music culture and ethnic and national identities were not viewed across the new mediums. In Jazz Italian Style Celenza explores how Italians made jazz their own, creating a genre distinguishable from American varieties and influencing Italian-American musicians. Well researched and documented, Celenza’s work presents a narrative of jazz that is seldom heard and must be remembered. In addition, Celenza uses @JazzItalianStyl to promote Italian Jazz and share some of the music she recovers in her book.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Meredith K. Ray’s new book contextualizes and translates a range of seventeenth-century letters, mostly between Margherita Sarrocchi (1560-1617) and Galileo Galilei (1564-1642), that collectively offer a fascinating window into the correspondence of two brilliant early modern writers and intellectuals. Margherita Sarrocchi’s Letters to Galileo: Astronomy, Astrology, and Poetics in Seventeenth-Century Italy (Palgrave Macmillan, 2016) traces the relationship between Sarrocchi, a Naples-born writer, famous for her salons and for writing an epic poem that emphasized the significance of women as knowers of the natural world, with Galileo. The letters feature three major themes: Sarrocchi consulting Galileo for writerly advice as she revised her epic poem, Sarrocchi’s efforts to defend Galileo’s discoveries to the scientific community in Italy, and Sarrocchi and Galileo’s shared interest in judicial astrology and natal charts or nativities. The slim volume will be a resource not just for readers and researchers but also for classroom discussion, where the letters could serve as great primary sources to feature in a number of course contexts. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany.
James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Assistant Professor Federica Goffi fills a blind spot in current architectural theory and practice with this book, Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s, the Vatican (Routledge, 2013). In proposing a hybrid approach which merges architectural and conservation theory the work offers the reader a counter-viewpoint to common understandings of preservation as singular moment from the past which has been frozen and brought forward to the present. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple’s plans, Alfarano created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. Federica Goffi book further uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. This research shows how architectural and conservation practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design joining multiple temporalities within a continuity of identity. The study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when transforming a building of recognized significance.
Brant Matthew Tate https://au.linkedin.com/in/t8architect https://uq.academia.edu/BrantMatthewTate branttate@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Our modern networked world owes an oftentimes unacknowledged debt to Guglielmo Marconi. As Marc Raboy demonstrates in Marconi: The Man Who Networked the World (Oxford University Press, 2016), it was he who pioneered the concept of wireless global communications. As a teenager he was fascinated by the recent discovery of radio waves, and by the time he was in his early twenties he had developed an apparatus that used these waves to transmit and receive messages. Traveling to London, he demonstrated a gift for publicity as he established himself as a technological pioneer in an age of rapidly emerging wonders. Thanks to his unassailable patents, Marconi soon created a global communications empire, one that made his name synonymous with radio and was so dominant that it brought the nations of the world together in an unprecedented international agreement to regulate the field of wireless telegraphy. Raboy recounts Marconi’s roving life as a celebrated figure, the development of his multinational business concerns, and his later relationship with the Fascist regime of Benito Mussolini and the shadow it cast over his posthumous reputation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
“Any sufficiently advanced technology is indistinguishable from magic.” Clarke’s third law, coined in 1973, expresses the difficulty that people of any era have in reconciling the bounds of current knowledge with our experiences in a world full of marvels. In a fascinating investigation of role of automata in the culture of the medieval Latin west, E.R. Truitt’s Medieval Robots: Mechanism, Magic, Nature, and Art (University of Pennsylvania Press, 2015) traces the story of automata from their early appearance in the Latin west as gifts of foreign courts, to the literary manifestations of these objects, to the eventual creation of elaborate mechanical automata in the middle of the thirteenth century. Along the way, this history examines the nature of marvels, the constitution of natural knowledge, the text-based transformation of Latin intellectual culture, definitions of life and death, the spectacle of court, and the mechanics of the universe (8, 9). The cast of characters, both fictional and factual, embraces writers, travelers, and natural philosophers ranging from Liudprand of Cremona (c. 920 972), Pope Sylvester II (c. 946 1003) and Fr. William of Rubruck (c. 1220 1293), to Sir John Mandeville, witness of marvels mechanical and divine, and a Charlemagne whose stay in Constantinople brings him face to face with a pagan rulers powers of astral science that test the potentials of Charlemagne’s piety. Our conversation about Truitt’s comprehensively researched and highly readable book ranges over C-3PO’s medieval forebears in the alabaster chamber, the religious rehabilitation of disembodied talking heads, the role of clocks and clockwork in the discourse shift from natural philosophy to mechanical engineering, and the political significance of lewd mechanical monkeys covered in rotting badger pelts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Most biographers writing about the life and achievements of Napoleon Bonaparte have focused on his dramatic personality or his military campaigns. In Napoleon: Soldier of Destiny (Pegasus, 2015) the inaugural volume of a projected three-volume biography of the French ruler Michael Broers’ takes a different approach. Drawing upon a new and vastly expanded collection of Napoleons letters to chronicle his subjects life from his early years in Corsica to the eve of his 1805 campaign, Broers focuses on his achievements in politics and state-building. He sees Napoleon’s time as conqueror and ruler of Italy as key both to his emergence as a prospective leader and to the development of his ideas of governance. Though applied bluntly in Egypt, their legacy in Napoleons development of the French state during his subsequent years as First Consul and as emperor are made clear by the author, who details how they created not just the structure of administration France uses to this day but more modern and uniform states throughout much of Europe as well. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Nick Wilding's new book is brilliant, thoughtful, and an absolute pleasure to read. Galileo's Idol: Gianfrancesco Sagredo and The Politics of Knowledge (University of Chicago Press, 2014) takes an unusual approach to understanding Galileo and his context by focusing its narrative on his closest friend, student, and patron, the Venetian Gianfrancesco Sagredo. Though most readers might be familiar with Sagredo largely as one of the protagonists of Galileo's 1632 Dialogue upon the Two Main Systems of the World, here he takes center stage. In order to bring Sagredo to life and help us understand his significance both for Galileo and for early modern science in context more broadly conceived, Wilding has worked with an impressive range of materials that include poems, paintings, ornamental woodcuts, epistolary hoaxes, intercepted letters, murder case files, and more. After a chapter that reads like a detective story as Wilding tracks down and expertly reads missing portraits of Sagredo, subsequent chapters explore the Venetian's role in major disputes involving the Jesuits, his family's mining interests, his time as treasurer for a fortress and a consul to Syria, and his performance as a "rich, old, slightly batty widow" in the context of a rather hilarious epistolary hoax. We also come to understand Galileo anew, as Wilding pays careful attention to his use of scribal publication to control and disseminate his writing and the relationship between instrument and text in his work. (In one wonderful chapter, Wilding reads woodcuts associated with the Sidereus nuncius in order to reframe how we understand the history of production and publication of this text in the context of transalpine book smuggling.) Along the way, the chapters make significant interventions in the historiography of science, suggesting ways that Sagredo helps us think anew about the use of visual sources, the agency of "intermediaries and go-betweens" in creating their own networks, the importance of understanding the sense of humor of our historical actors, the social nature of early modern authorship, and the need to reassess the historiography of the global scientific network of the Jesuits. There are also some really, horribly, wonderfully bad puns. (Consider yourselves forewarned.) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Ann C. Pizzorusso‘s new book is a wonderfully creative and gorgeously illustrated meeting of geology, art history, and Renaissance studies. Arguing that understanding Italy’s geological history can significantly inform how we see its art, literature, medicine, architecture, and more, Tweeting Da Vinci (Da Vinci Press, 2014) takes a deeply interdisciplinary approach to engaging the cultural history of Italy from the Etruscans to Da Vinci and beyond. The chapters explore the significance of volcanic activity, cave geology, lightning, gemstones, the healing powers of amber, underwater cities, and much more as they inform how we understand the histories of painting, religious practice, entombment, and the work of authors including Virgil, Dante, and Leonardo Da Vinci, among others. A pair of chapters focuses particularly closely on demonstrating how analyzing Da Vinci’s art from the perspective of geology and botany has helped to identify and authenticate his work and that of his students. Enjoy! Here’s the website for an upcoming conference on medical geology, a topic that Ann discusses during the interview: http://medgeo15.web.ua.pt/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
As the son and heir to the workshop of sixteenth-century Venice’s premier gondola maker, Luca Vianello has his career, his marriage, and his place in society mapped out for him. True, his stern father still grieves for Luca’s older brother who died in childhood. And Luca’s left-handedness–viewed in Renaissance Europe as sinister, even demonic–provokes blows from his father even as it causes him to lag behind his younger brother in developing his skills. But it is only when tragedy shoots Luca out of his family’s boat-building business altogether that he can envision the possibility of change. Through luck, Luca lands a position in another Venetian boatyard, far less prosperous than the workshop to which he was born. He loads boxes, succeeds as an errand boy, and befriends an older, more experienced gondolier determined to introduce Luca to the charms of wine, women, and on-the-side deals. Before long, Luca has become the private boatman of Master Trevisan, painter to Venice’s elite. There Luca encounters both the beautiful Giuliana Zanchi (and Trevisan’s portrait of her) and the abandoned, broken-down gondola that will become his personal restoration project. Laura Morelli is an art historian and the author of, among other nonfiction works, Made in Italy and Artisans of Venice. In her award-winning debut novel, The Gondola Maker (Laura Morelli, 2014), she draws on her extensive knowledge of the Venetian past and present to recreate a lost fictional world that will astonish you with its rich, varied, endlessly fascinating detail. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Mafia Republic: Italy’s Criminal Curse (Sceptre, 2013) is the second book by John Dickie on the history of the three organized crime groups from Southern Italy: the Sicilian Mafia or Cosa Nostra, the ‘Ndrangheta from Calabria and the Camorra from Naples. Dickie has an advantage over other researchers in organized crime by being able to read the Italian sources in the original. This puts him in a position to provide an English language book that has more detail and local characters than other authors. The book sets out the history of the three groups from the Second World War to today. It shows how they integrated themselves into the normal social and political life of state; a political alliance that was tied up with the fight against Communism. After the fall of the Soviet Union, the Italian state has tried to recognize and respond to the threat these three groups present to the power of the government to control southern Italy. This is a fascinating look into the reality of these mafia organizations, the horrors and depravations they impose on society and their threat to democracy. It is difficult to overstate the danger they have presented to the Italian nation including the real chance that they would displace the government in certain regions. Dickie’s book puts the power of organized crime into perspective. I highly recommend it to anyone interested in organized crime and its influence on society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
What can the United States learn from Europe? One good answer, says Steven Hill, is social capitalism, a form of economic management that is responsive to markets and productive of broadly-shared prosperity. First known for his work on electoral reform in the United States, Hill began travelling through Europe in the late 90’s to study the use of proportional representation (PR) in European elections. Once there, his research agenda gradually broadened to include European approaches to healthcare, corporate governance, support for families, transportation, energy, media, and other policies that together constitute what Hill calls “The European Way,” as compared to “The American Way.” This comparison is laid out with clarity and a wealth of examples in Hill’s highly-readable book Europe’s Promise: Why the European Way is the Best Hope in an Insecure Age (University of California Press, 2010). In the first half of this interview, we discuss the compatibility of European healthcare systems with thriving economies, focusing on models from Germany for controlling costs and increasing transparency. Hill explains how Europe manages to maintain more Fortune 500 companies than the U.S. and China combined, while at the same time offering benefits to workers like paid maternity leave, generous vacations, paid sick leave, and low-cost child care. We also discuss CEO perspectives on codetermination–a form of corporate power-sharing among workers and management–in German companies like Deutsche Bank, Mercedes, and Volkswagen. In the second half of the interview, we take up the American side of the question. I ask Steven if European-style policies are only possible in small countries with PR, or if they are also possible in a large country without PR, like the United States. Hill describes what it would it take for U.S. states to enact similar policies and where, if anywhere, that is most likely to happen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
John Dickie is an historian of Italian organized crime who has a fairly unique perspective as he writes in English but is able to read the Italian sources. This allows him to bring new points of view and information to Anglo-American audiences. His new book is Mafia Brotherhoods: The Rise of the Italian Mafias (Septre, 2012). This book builds on his previous work Cosa Nostra: A History of the Sicilian Mafia, by including the other major groups from southern Italy – the ‘Ndrangheta and the Camorra. John points out the surprisingly recent creation of these groups and tracks their rise in their respective localities. The book is both entertaining and very readable. This is not dry history but the stories of real people, both as members of the organized crime groups and, in a much smaller category, those trying to fight the criminality in the region. It is not giving too much away to say that the criminals are winning – especially in the point of history at which this book ends, namely, the arrival of the Allies in World War II. Clearly this is volume one of a larger work and the next volume should be out this year. For those who are interested in the theory of organized crime, I suggest you suspend your assumptions as the data does not match current accepted wisdom. We see ethnocentric groups, hierarchical organizations, and the power of familial relationships. For those who simply enjoy reading about organized crime, you will not be disappointed as this book is full of everything you expect – crime, murder, drama and deceit. Overall it is a book of tragedy – tragedy for a beautiful region of the world overcome by a social disease Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Azzurri, cyclists, boxers, Berlusconi, Balotelli, strapping Fascist men preparing to bear arms, strapping Fascist women preparing to bear children, the shirtless Duce, Ferraris, Vespas, doping scandals, World Cup celebrations, Serie A officials on the take, Il Grande Torino, and the barefoot marathoner Abebe Bikila. You find all this and more... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The story starts on a high-speed train and ends with six men in a crater, with hundreds of years and a number of explosions in between. Sean Cocco‘s rich new book uses Vesuvius as a focal point for exploring the histories of natural history, travel, observation, imaging, astronomy, and many other aspects of the places and identities of early modern history. Watching Vesuvius: A History of Science and Culture in Early Modern Italy (University of Chicago Press, 2013) pays special attention to the many resonances of emplacement and locality, and to the agency of the Vesuvian landscape, as it explores the continuities and transformations in the seventeenth and eighteenth century volcanic landscape. Volcanology emerged along with Neapolitan identity while volcanoes became emblematic of the south in the writings of European travelers: rumbling, unpredictable, given to heated eruptions. Cocco’s account shows us the beauty of these transformations as they were embodied in paintings, poems, letters, and other media. Scholars and enthusiasts of the urban and political history of Europe will find much of interest here, as will readers interested in the history of vernacular understandings of nature. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Before the sixteenth century, bugs and other creepy-crawlies could be found in the margins of manuscripts. Over the course of the sixteenth and seventeenth centuries, insects crawled their way to the center of books, paintings, and other media of natural history illustration. Janice Neri‘s wonderful book charts this transformation in the practices of depicting insects through the early modern period. Inspired by the archaeology of Foucault but using an approach that spans the history of science, art history, and visual studies, The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (University of Minnesota Press, 2011) identifies a “specimen logic” through which images of insects were removed from their habitats, decontextualized, and mobilized into networks of regional and global exchange and circulation. Part I of the book traces the emergence of insects as subject matter for artistic representation, looking in turn at the work of Joris Hoefnagel, Ulisse Aldrovandi, Thomas Moffet, and still-life painters from 1580-1620. The choices made by these artists contributed to the transformation of ideas about nature as controllable and commodifiable. Part II shifts our attention to the later seventeenth century, and considers how the work of artists such as Robert Hooke and Maria Sibylla Merian helped visualize insects (as well as their own professional identities) anew across several media. Neri’s work urges us to reconsider some common binaries that tend to characterize thinking and writing about images in history: art/science, professional/amateur, image/object. To see some of the images that we talked about in the interview, check out the following links: Hoefnagel images can be found here, and the stag beetle is here. Digitized images from Aldrovandi’s work can be navigated to from here [site is in Italian]. The Van Der Ast image can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
There is exactly one strong woman in the movie “The Godfather,” and she’s not Italian. (It’s “Kay Adams,” played by the least Italian-looking actress alive, Diane Keaton.) Such is the stereotype about Italian women, at least in the U.S. They are always in the background, sometimes cooking for la famiglia, sometimes counting rosary beads, sometimes simply missing (as in the case of “The Godfather” films). Alas, it’s all wrong. In her pathbreaking book Living the Revolution: Italian Women’s Resistance and Radicalism in New York City (University of North Carolina Press, 2010), Smith College historian Jennifer Guglielmo dives into the archives to show that before the First World War Italian women were at the forefront of radical, predominantly socialist politics in the New York City region. They organized parties and unions; protested and marched for fairness and against injustice; they struck and stood fast on the picket line; they wrote and published newspapers, flyers and books. And, in their daily lives, they tried as best they could to “live the Revolution.” As Jennifer points out, though, Italian women had to adapt. The ways they did so involved becoming both American and “white.” It’s a fascinating story remarkably well told. I urge you to read it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
From artificial talking heads to the famed defecating duck and beyond, Sublime Dreams of Living Machines: The Automaton in the European Imagination (Harvard University Press, 2011) offers readers an intellectual and cultural history of Europe on the mechanical wings and flexing backs of its automata. Balancing a cognitive argument with careful historical contextualization, Minsoo Kang maps the landscape of self-moving entities as actual and conceptual objects. He allows us a glimpse into the many ways that these categorical anomalies, as perennial figures in what we might think of as a cultural imagination, have helped shape some of the most influential work in the history of science, literature, and ideas. Kang also offers many chapters worth of fascinating examples in this carefully curated cabinet of wonders. In the course of our conversation, we also spoke about the particular joys and challenges of balancing the work of a historian with a concurrent career in fiction writing, and debated the benefits of being an AM vs. PM writer. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Today we are talking with Philip Gounev (co-edited with Vincenzo Ruggiero) about his new book Corruption and Organized Crime in Europe (Taylor and Francis, 2012). He is the co-author of this book with Vincenzo Ruggiero, and they have a number of people who have made contributions to individual chapters. This is a great combination of two researcher’s skills. Prof Ruggiero is a major theorist on the topic of organized crime and Philip is a leading researcher into corruption in Europe. The issue of corruption is always ‘timely’. It may be that in a global financial crisis the consequences of corrupt practices have even greater impact. The authors focus on the connection between corruption and organized crime, especially how these two concepts interact in a market place. Organized criminals need security to ensure stable operations, and the public officials can provide that security through corrupt practices. I do a great deal of research into corruption and organized crime but I still learnt an enormous amount from this book. Any researchers in this area from the English speaking world will benefit from reading this book as about half of their references come from non-English speaking sources; thus this is an opportunity to see data and theories that you otherwise would not have the chance to read in English. I really enjoyed both reading this book and talking with Philip. I hope you enjoy the interview. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Raymond Jonas‘ The Battle of Adwa: African Victory in the Age of Empire (Harvard UP, 2011) places Menelik alongside Napoleon and other greatest strategists. The Ethiopian emperor carried out a brilliant maneuver across hundreds of miles, essentially defeating his Italian adversaries without battle. That battle came was the colossal blunder of the Italians and one that cost thousands of Italian and Askari soldiers their lives. More than just the history of the campaign, The Battle of Adwa provides keen insights into Menelik’s court and elucidates Italian imperial ambitions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
I’ll be honest: I have a Ph.D. in early modern European history from a big university you’ve probably heard of and I couldn’t name a single female writer of the Renaissance before I read Sarah Ross’s new book The Birth of Feminism. Woman as Intellect in Renaissance Italy and England (Harvard University Press, 2009). Does that make me a bad person? No, other things make me a bad person. But it does make me and my entire field ignorant, for as Sarah points out there were quite a number of female intellectuals in the Renaissance. They were, so to say, waiting for us to pay them the attention they deserve. Sarah does a nice job of unearthing them, telling us how they came to be intellectuals, and giving us a good idea of what they wrote about and why. That’s quite an achievement in itself, but there is more. Sarah also makes a bold claim, one that I’m sure will have the field of Renaissance studies atwitter (no, not twitter as in “tweets”). She argues that these women intellectuals were sort of proto-feminists, not in the Gloria Steinem sense, but an important sense nonetheless. They proposed that, via humanist education, women could have as much “virtue” (NB: from the Latin word for “man,” vir) as men. And they not only argued this was the case, they demonstrated it by means of their writing. This act, Sarah convincingly proposes, was a crucial early step in the movement toward the idea that women were, well, equal to men. And, I should add, she offers lots of other meaty stuff for those interested in the history of gender, the history of the family, intellectual history, and the Renaissance generally. Read the book and then you, too, will be relieved of the embarrassment of not being to name a single female Renaissance writer. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
