https://3speak.tv/watch?v=overorlando/mnxtocwd

In this occasion I present a cover recorded by my band Overground of the song "Centric Flow" from the German band Obscura. The musicians performers: Félix Molina in the lead guitar and the bass guitar, Geovanni morillo in the drums and my person, Orlando Cordero in the voice and rhythmic guitar. It is an incredible and long song, technical, melodic, strong, heavy. It symbolized the road and goal to continuing for the band for future recordings. It was included in the album "Sisyphean Endeavour" as "Bonus track" it is shared with a lot of enthusiasm, waiting your enjoyment

En esta ocasión presento un cover realizado por mi banda Overground de la canción "Centric Flow" de la banda alemana Obscura. Los músicos ejecutantes: Félix Molina en la guitarra líder y el bajo, Geovanni Morillo en la batería y mi persona, Orlando Cordero en la voz y guitarra rítmica. Es una increíble y larga canción, tecnia, melodica, fuerte, pesada. Simbolizaba el camino a seguir por la banda para grabaciones futuras. Fue incluida en el album "Sisyphean Endeavour" como "Bonus track" Se comparte con mucho entusiasmo, esperando su disfrute Centric Flow The primal energy infuses everything and nature awakens Flowers bloom, waterfalls tumble into immense canyons, And the animals evolve as consciousness races back to its source Shiva reveals his secret to Matseyendra. The secret of the ages, the secret of life And then turns into a statue of Kayavarohan, Awaiting discovery someday by one who seeks awakening.

Awakening happens only in the next world,

The next, and the following

But the promise of awakening is here and now

And without the promise, there is only cold and darkness.

But Shiva remains hiding just out of sight

He reveals himself last, if ever

For to discover

Shiva is to understand the mystery that has no answer.

And the dance goes on even though worlds collide,

The sun burns out and the universe freezes

It just awaits the next step.

This is,

This is,

This is the Centric Flow!

Author: Hannes Grossmann

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