m3ss 3Speak Podcast: Recent Episodes

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Listen and watch the latest videos from m3ss. Hosted by 3Speak.tv. The free speech video platform on the HIVE blockchain.

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MonsterBloodTV - Transmission 1

A remote control sits in it's hand. The creature has terminal ADHD. Only the most masterfully curated entertainment will do.

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The commercial was filmed in 1991 by the same people who put out THE BOOK OF THE SUBGENIUS in 1982. (MTV paid for the ad.) Nightflight used to run 10-minute clips from the SubGenius film ARISE! (then in progress), although they renamed the segments "Love that "Bob." Rev. Paul Reubens used a Dobbshead in the first season of Pee Wee's Playhouse. The 1st SubGenius pamphlet was published in 1980. A short film, "Bob's" Lunch Hour was made in '77 by Philo Drummond and Ivan Stang. Check wikipedia.

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The 1992 Los Angeles riots, sometimes called the 1992 Los Angeles uprising, were a series of riots and civil disturbances that occurred in Los Angeles County in April and May 1992. Unrest began in South Central Los Angeles on April 29, after a jury acquitted four officers of the Los Angeles Police Department (LAPD) charged with using excessive force in the arrest and beating of Rodney King. This incident had been videotaped and widely shown in television broadcasts.

The rioting took place in several areas in the Los Angeles metropolitan area as thousands of people rioted over six days following the verdict's announcement. Widespread looting, assault, and arson occurred during the riots, which local police forces had difficulty controlling due to lack of personnel and resources. The situation in the Los Angeles area was resolved only after the California National Guard, United States military, and several federal law enforcement agencies deployed more than 5,000 federal troops to assist in ending the violence and unrest.

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An eclectic mix of activists take a stand to protect an old growth forest from logging at Warner Creek in the Willamette National Forest of Oregon, blockading the logging road and repelling the State Police. Over months a community builds around the illegal blockade as it develops into the Cascadia Free State and similar actions spread across the region. Years after its release, Pickaxe has become a classic document of the potential for grassroots direct action to achieve victory against the forces of both government and big business. Lovingly crafted by the participants themselves, the film expertly presents every moment, from confrontation to celebration.

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Falling in love is the fundamental revolutionary act, the prerequisite for resistance to today’s tedious, socially restrictive, culturally constrictive world.

Love transforms the world. Where the lover formerly felt boredom, he now feels passion. Where she once was complacent, she now is excited and compelled to self-asserting action. The world which once seemed empty and tiresome becomes filled with meaning, filled with risks and rewards, with majesty and danger. Life for the lover is a gift, an adventure with the highest possible stakes; every moment is memorable, heartbreaking in its fleeting beauty. When he falls in love, a man who once felt disoriented, alienated, and confused will know exactly what he wants. Suddenly his existence will make sense to him; suddenly it becomes valuable, even glorious and noble, to him. Burning passion is an antidote that will cure the worst cases of despair and resigned obedience.

Love makes it possible for individuals to connect to others in a meaningful way — it impels them to leave their shells and risk being honest and spontaneous together, to come to know each other in profound ways. Thus love makes it possible for them to care about each other genuinely, rather than at the end of the gun of Christian doctrine. But at the same time, it plucks the lover out of the routines of everyday life and separates her from other human beings. She will feel a million miles away from the herd of humanity, living as she is in a world entirely different from theirs.

In this sense love is subversive, because it poses a threat to the established order of our modern lives. The boring rituals of workday productivity and socialized etiquette will no longer mean anything to a man who has fallen in love, for there are more important forces guiding him than mere inertia and deference to tradition. Marketing strategies that depend upon apathy or insecurity to sell the products that keep the economy running as it does will have no effect upon him. Entertainment designed for passive consumption, which depends upon exhaustion or cynicism in the viewer, will not interest him.

There is no place for the passionate, romantic lover in today’s world, business or private. For he can see that it might be more worthwhile to hitchhike to Alaska (or to sit in the park and watch the clouds sail by) with his sweetheart than to study for his calculus exam or sell real estate, and if he decides that it is, he will have the courage to do it rather than be tormented by unsatisfied longing. He knows that breaking into a cemetery and making love under the stars will make for a much more memorable night than watching television ever could. So love poses a threat to our consumer-driven economy, which depends upon consumption of (largely useless) products and the labor that this consumption necessitates to perpetuate itself.

Similarly, love poses a threat to our political system, for it is difficult to convince a man who has a lot to live for in his personal relationships to be willing to fight and die for an abstraction such as the state; for that matter, it may be difficult to convince him to even pay taxes. It poses a threat to cultures of all kinds, for when human beings are given wisdom and valor by true love they will not be held back by traditions or customs which are irrelevant to the feelings that guide them.

Love even poses a threat to our society itself. Passionate love is ignored and feared by the bourgeoisie, for it poses a great danger to the stability and pretense they covet. Love permits no lies, no falsehoods, not even any polite half-truths, but lays all emotions bare and reveals secrets which domesticated men and women cannot bear. You cannot lie with your emotional and sexual response; situations or ideas will excite or repel you whether you like it or not, whether it is polite or not, whether it is advisable or not. One cannot be a lover and a (dreadfully) responsible, (dreadfully) respectable member of today’s society at the same time; for love will impel you to do things which are not “responsible” or “respectable.” True love is irresponsible, irrepressible, rebellious, scornful of cowardice, dangerous to the lover and everyone around her, for it serves one master alone: the passion that makes the human heart beat faster. It disdains anything else, be it self-preservation, obedience, or shame. Love urges men and women to heroism, and to antiheroism — to indefensible acts that need no defense for the one who loves.

For the lover speaks a different moral and emotional language than the typical bourgeois man does. The average bourgeois man has no overwhelming, smoldering desires. Sadly, all he knows is the silent despair that comes of spending his life pursuing goals set for him by his family, his educators, his employers, his nation, and his culture, without ever being able to even consider what needs and wants he might have of his own. Without the burning fire of desire to guide him, he has no criteria upon which to choose what is right and wrong for himself. Consequently he is forced to adopt some dogma or doctrine to direct him through his life. There are a wide variety of moralities to choose from in the marketplace of ideas, but which morality a man buys into is immaterial so long as he chooses one because he is at a loss otherwise as to what he should do with himself and his life. How many men and women, having never realized that they had the option to choose their own destinies, wander through life in a dull haze thinking and acting in accordance with the laws that have been taught to them, merely because they no longer have any other idea of what to do? But the lover needs no prefabricated principles to direct her; her desires identify what is right and wrong for her, for her heart guides her through life. She sees beauty and meaning in the world, because her desires paint the world in these colors. She has no need for dogmas, for moral systems, for commandments and imperatives, for she knows what to do without instructions.

Thus she does indeed pose quite a threat to our society. What if everyone decided right and wrong for themselves, without any regard for conventional morality? What if everyone did whatever they wanted to, with the courage to face any consequences? What if everyone feared loveless, lifeless monotony more than they fear taking risks, more than they fear being hungry or cold or in danger? What if everyone set down their “responsibilities” and “common sense,” and dared to pursue their wildest dreams, to set the stakes high and live each day as if it were the last? Think what a place the world would be! Certainly it would be different than it is now — and it is quite a truism that people from the “mainstream,” the simultaneous keepers and victims of the status quo, fear change.

And so, despite the stereotyped images used in the media to sell toothpaste and honeymoon suites, genuine passionate love is discouraged in our culture. Being “carried away by your emotions” is frowned upon; instead we are raised to always be on our guard lest our hearts lead us astray. Rather than being encouraged to have the courage to face the consequences of risks taken in pursuit of our hearts’ desires, we are counseled not to take risks at all, to be “responsible.” And love itself is regulated. Men must not fall in love with other men, nor women with other women, nor individuals from different ethnic backgrounds with each other, or else the usual bigots who form the front-line offensive in the assault of modern Western culture upon the individual will step in. Men and women who have already entered into a legal/religious contract with each other are not to fall in love with anyone else, even if they no longer feel any passion for their marital partner. Love as most of us know it today is a carefully prescribed and preordained ritual, something that happens on Friday nights in expensive movie theaters and restaurants, something that fills the pockets of the shareholders in the entertainment industries without preventing workers from showing up to the office on time and ready to reroute phone calls all day long. This regulated, commercial “love” is nothing like the passionate, burning love that consumes the genuine lover. These restrictions, expectations, and regulations smother true love; for love is a wild flower that can never grow within the confines prepared for it but only appears where it is least expected.

We must fight against these cultural restraints that would cripple and smother our desires. For it is love that gives meaning to life, desire that makes it possible for us to make sense of our existence and find purpose in our lives. Without these, there is no way for us to determine how to live our lives, except to submit to some authority, to some god, master or doctrine that will tell us what to do and how to do it without ever giving us the satisfaction that self-determination does. So fall in love today, with men, with women, with music, with ambition, with yourself… with life!

One might say that it is ridiculous to implore others to fall in love — one either falls in love or one does not, it is not a choice that can be made consciously. Emotions do not follow the instructions of the rational mind. But the environment in which we must live out our lives has a great influence on our emotions, and we can make rational decisions that will affect this environment. It should be possible to work to change an environment that is hostile to love into an environment that will encourage it. Our task must be to engineer our world so that it is a world in which people can and do fall in love, and thus to reconstitute human beings so that we will be ready for the “revolution” spoken of in these pages — so that we will be able to find meaning and happiness in our lives.

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Kevin Michael "GG" Allin (born Jesus Christ Allin; August 29, 1956 – June 28, 1993) was an American punk rock musician and songwriter who performed and recorded with many groups during his career. Allin was best known for his controversial live performances, which often featured transgressive acts, including self-mutilation, defecating on stage, and assaulting audience members, for which he was arrested and imprisoned on multiple occasions. AllMusic called him "the most spectacular degenerate in rock n' roll history", while G4TV's That's Tough labelled him the "toughest rock star in the world".

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Gwar, often stylized in all caps as GWAR, is an American heavy metal band formed in Richmond, Virginia in 1984, composed of and operated by a frequently rotating line-up of musicians, artists and filmmakers collectively known as Slave Pit Inc. Despite the death of frontman and lead singer Dave Brockie in 2014, the group has continued, albeit without any of its founding members.

Easily identified by their distinctively grotesque costumes, Gwar's core thematic and visual concept revolves around an elaborate science fiction-themed mythology which portrays the band members as barbaric interplanetary warriors, a narrative which serves as the basis for all of the band's albums, videos, live shows and other media. Rife with over-the-top violent, sexual, and scatological humor typically incorporating social and political satire, Gwar has attracted both acclaim and controversy for its music and stage shows, the latter of which notoriously showcase enactments of graphic violence that result in the audience being sprayed with copious amounts of fake blood, urine, and semen. Such stagecraft regularly leads Gwar to be labeled a "shock rock" band by the media.

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Throbbing Gristle/Psychic TV/Genesis P-Orridge "Wrecker of Civilization" Interview (2002) Disinformation

Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was an English singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notability as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. P-Orridge was also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV.

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Duncan Laurie built a glass-and-steel laboratory on the coast of Rhode Island where he conducts experiments that test the limits of human perception. Watch as he demonstrates plant communication and the astonishing, outlawed science of radionics.

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Recorded on vhs from 'Arise: The SubGenius Video' and 'Flight Night' circa 1992

The Church of the SubGenius is a parody religion or cult that satirizes better-known belief systems. It teaches a complex philosophy that focuses on J. R. "Bob" Dobbs, purportedly a salesman from the 1950s, who is revered as a prophet by the Church. SubGenius leaders have developed detailed narratives about Dobbs and his relationship to various gods and conspiracies.

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Getting REKT in The Cycle: Frontier

First by aliens and then by ... well, you'll see!

The Cycle: Frontier is a free-to-play high-stakes PvPvE first-person shooter driven by suspense and danger. Prospect for resources and other riches on an abandoned alien world ravaged by a deadly storm, inhabited by monsters, and frequently raided by other ambitious Prospectors.

Really excited to spend more time with this one soon!

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Grant Morrison on Chaos Magic, the occult & Sigil creation.

Grant Morrison is a Scottish comic book writer, and playwright. He is known for his nonlinear narratives and countercultural leanings in his runs on titles including DC Comics's Animal Man, Batman, JLA, Action Comics, All-Star Superman, Vertigo's The Invisibles, and Fleetway's 2000 AD. He is also the co-creator of the Syfy TV series Happy! starring Christopher Meloni and Patton Oswalt.

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Aum Shinrikyo (オウム真理教, Oumu Shinrikyō), now known as Aleph (アレフ), is a Japanese doomsday cult founded by Shoko Asahara in 1984. It carried out the deadly Tokyo subway sarin attack in 1995 and was found to have been responsible for the Matsumoto sarin attack the previous year.

Chouetsu Sekai (超越世界) is one of the many anime and manga created by the Aum Shinrikyo in order to appeal to anime and manga fans. There are 10 episodes of this series in total. Asahara Shoko himself personally sings the OP and dubs the majority of the anime.

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The Peoples Temple of the Disciples of Christ, originally Peoples Temple Full Gospel Church and commonly shortened to Peoples Temple, was an American new religious organization which existed between 1954 and 1978. Founded in Indianapolis, Indiana, by Reverend Jim Jones, the Peoples Temple spread a message that combined elements of Christianity with communist and socialist ideology, with an emphasis on racial equality. After Jones moved the group to California in the 1960s and established several locations throughout the state, including its headquarters in San Francisco, the Temple forged ties with many left-wing political figures and claimed to have 20,000 members (though 3,000–5,000 is more likely).

The Temple is best known for the events of November 18, 1978, in Guyana, when 909 people died in a mass suicide and mass murder at its remote settlement, named "Jonestown", as well as the murders of U.S. Congressman Leo Ryan and members of his visiting delegation at the nearby Port Kaituma airstrip. The incident at Jonestown resulted in the greatest single loss of American civilian life in a deliberate act prior to the terrorist attacks of September 11, 2001. Because of the killings in Guyana, the Temple is regarded by scholars and by popular view as a destructive cult.

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This is one of Psychic TV's films. It is also known as the shorter title A Message from the Temple (not to be confused with the Psychic TV song of the same name) and A Spokesman For The Temple Ov Psychick Youth. According to Thee Psychick Videos, it is from 1983.