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Despite heavy overnight showers and city-wide flood warnings leading to festival doors being delayed until 3 p.m., fans poured into Grant Park on Saturday to keep dancing at Lollapalooza.
Dynamic pop acts Olivia Dean and Jennie headlined, ultimately rewarding audience members’ endurance with hit-filled — and miss-filled — performances.
Sunday celebrated the festival’s grand finale, as headliners Tate McRae and The xx brought all their energy to close the weekend in flamboyant fashion, marking the end of Lolla’s 2026 run.
Saturday, Aug. 1
Drawing lines of fans and rapping about even more lines of coke, duo Clipse cemented their status as hip hop mainstays on the Bud Light stage Saturday afternoon.
Brothers Pusha T and Malice’s setlist spanned their 30-year-long discography, performing classics like “Keys Open Doors” to new bangers like “Ace Trumpets.”
Despite being decades deep into their career, the pair performed with a youthful hunger, articulating each lyric with pinpoint precision, all with a delivery full of infectious charisma. This driving sense of urgency was felt no stronger than on Pusha’s opening verse on “So Be It,” where he rapped entirely acapella before the beat returned right in place on the chorus.
The duo’s most recent record “Let God Sort Em Out” was nominated for Album of the Year at the 2026 Grammy Awards. (Frankie Vergara | Lollapalooza)At the adjacent Tito’s Handmade Vodka stage, St. Louis electronic duo Frost Children geared up for their eardrum-obliterating set.
Out of a blinding wall of white strobe lights, siblings Angel and Lulu Prost broke through with an unbridled energy, their platinum blonde and orange hair, respectively, shaking furiously to the beat.
The crowd, seemingly comprised almost entirely of drunk and high teenagers, treated the performance like a religious rite, practically worshiping the soundwaves that blared from the speakers.
When combined with the pouring rain, songs like “ELECTRIC” sent the crowd into an electrocuted frenzy, the mosh pit turning into a slip and slide of raindrops and sweat.
For their final song, Frost Children brought out Lucy Bedroque — whose set earlier in the day was cancelled due to the weather delay — to even greater screams and “holy shit”s from the crowd.
At the T-Mobile stage, fans precariously packed on islands of woodchips amidst seas of mud to see Tumblr legends The Neighbourhood for their evening show. Despite being fresh off a February album release, their set was full of fan favorites, rewarding the poncho-clad, mud-covered masses.
The band opened with “Greetings From California,” played in full for the first time since 2019, and also played rarity “Flawless” for the first time since 2014. A slew of hits followed, including “You Get Me So High,” “R.I.P 2 My Youth” and, of course, “Daddy Issues.”
“Thank you for sticking it out with us,” frontman Jesse Rutherford, sporting a Chicago Bulls jersey, told the drenched crowd.
As a final appreciative gift, the band performed their biggest hit “Sweater Weather” twice, and even the audience waiting at the Allianz stage sang along.
The Allianz audience in question were avian aficionados awaiting no other than alt-rock saviors, Geese.
Donning an unbothered demeanor, Geese frontman Cameron Winter led his flock through an angsty, forlorn bill.
“Thank you to United Airlines for losing our guitars, losing all faith in my life,” Winter deadpanned, using lyrics from “2122” to describe the situation.
While this DGAF persona sometimes proved comical, at points it came off a tad grating and disingenuous.
However, chaos ensued when a black hole-like moshpit opened during the group’s closer, “Trinidad,” with mud staining everything in sight while fans screamed along to the song’s equally barbaric chorus, “There’s a bomb in my car!”
JENNIE is one-fourth of K-pop group BLACKPINK.
(Ismael Quintanilla III | Lollapalooza)At the Bud Light stage, BLACKPINK soloist JENNIE brought her well-honed K-pop performance background to cap off the night.
Adorned in a crown of white feathers, the singer took to the stage with a troop of dancers who unfortunately seemed more energetic than her. Occasionally spinning around or twerking, the extent of her stage activity was mostly limited to dramatically walking up and down a set of stairs.
Only having one album and a few collaboration singles out, JENNIE’s set was riddled with interludes that only served as minor outfit changes. She also included four unreleased songs played back to back, which started exciting but quickly became tedious.
Unlike most K-pop acts, JENNIE was noticeably singing live, but with every riff or high note was a line strangely off-key or off-beat. Her set was also seemingly plagued by mixing errors throughout, causing some speakers to be completely overblown.
Despite an underwhelming showing, both JENNIE and the crowd delivered all the hype necessary for “like JENNIE,” as her biggest hit closed the set in explosive fashion.
Closing out the T-Mobile stage was English singer Olivia Dean, fresh off of her Best New Artist Grammy win.
Performing in front of a crowd of 97,000, Dean’s brass-filled set pleased die-hard fans and casual listeners alike with viral hits like “So Easy (To Fall in Love)” and deeper cuts like “Dive,” all set inside a stage that looked like a blossoming flower.
Dean’s sophomore album “The Art of Loving” arrived in 2025. (Dusana Karam | Lollapalooza)Late into her set, Dean brought out fellow Brit Sam Fender to perform their record-breaking duet “Rein Me In” to a ground-quaking response.
Finishing her set with “Man I Need,” she bid Chicago good night with an unwipeable smile under a flurry of fireworks, ending her first-ever American headlining set with a literal bang.
Sunday, Aug. 2
Upcoming pop it-girl ADÉLA brought a sizable crowd for her midday T-Mobile stage set Sunday, with many fans sporting pink T-shirts to match the performer’s iconic hot pink hair.
Slovak artist ADÉLA began intensive ballet training at three years old. (Taylor Regulski | Lollapalooza)Opening with recent viral single “KGB,” the Slovak singer instantly captured the audience with impressive live vocals and even more extraordinary dancing. With only a hot pink barre as a prop and a few dancers at her side, ADÉLA outperformed nearly every other act of the day, the audience matching her enthusiasm throughout.
The most remarkable moment of the set came halfway during a ballet interlude for “DeathByDevotion,” featuring ADÉLA and a backup dancer doing an array of stunning contortions, leaps and turns.
She maintained her momentum to the end, triumphantly closing with pop bangers “SexOnTheBeat” and “SUPERSCAR,” adding extensive dance sequences to both, capping off a festival high point.
Mark recovered gracefully from a set riddled with technical difficulties. (Greg Noire | Lollapalooza)In the style of a 1920s speakeasy, purple velvet and strings of silver diamonds provided the backdrop for Amber Mark and her band, who were outfitted in full tuxedos while she wore a shimmering flapper-inspired dress.
Unfortunately — to no fault of her own — Mark’s set was riddled with auditory difficulties.
“You haven’t seen this, this is the first time you’re seeing this,” Mark joked, returning to the stage to sing her opener, “Let Me Love You,” after the first of many technical mishaps.
She didn’t let these hiccups stop her, maintaining the luxury aesthetic with her smooth, versatile voice and a natural knack for crowd work.
By the end of her set, she’d kicked off her heels and started dancing around the stage in celebration. Free from the hurdles that plagued the beginning, she let loose and performed “What It Is” with bountiful bliss.
Monaleo’s latest single “Everythang Pinka” released in May.
(Roger Ho | Lollapalooza)An even more bombastic energy could be found with Monaleo at the Airbnb stage, where the self-proclaimed “Pink Pimpcess” took Lolla by storm, complete with a pink corset and a bedazzled microphone.
Accompanied by backup dancers and hypeman Yobi Yobz, Monaleo invited the audience into her rose-colored world, where Black excellence and self-expression reign supreme.
Over the course of her 45-minute set, the Houston rapper stayed true to her confident self with explosive energy, confronting sex-crazed men on “We Not Humping” and bringing out the Black American Heritage Flag during “Sexy Soulaan.”
The highlight of her set was the bass-booming “Suck It Up,” where an unabashed Monaleo rapped about her success as her backup dancers had a staged dance-off on either side of her, culminating in the trio breaking into their own choreographed routine — all in perfect sync.
Closing out the day at the Allianz stage was K-pop girl group Aespa, known for their chart-topping experimental electropop. Fans and festivalgoers alike appeared disappointed by their placing on the side stage, which was clearly too small for the crowd they amassed.
Opening with back-to-back bangers “Black Mamba” and “Next Level,” Aespa immediately enraptured the massive crowd with extraordinary live vocals and powerful dancing, defying the limitations of the stage size.
The South Korean girl group was formed by SM Entertainment in 2020. (Andrea Escobar Garcia | Lollapalooza)The highlight of their set came during B-side “Switchblade,” which featured a cameo from collaborator Ty Dolla $ign. The crowd jumped and screamed at their command, enjoying the track’s first live performance.
The group capped off their monumental set with the revelrous dance-pop tracks “Whiplash” and most recent single “Lemonade,” keeping the crowd dancing and screaming along to the end.
In a fitting close to an eventful and chaotic weekend, The xx were the final act to grace the Bud Light stage.
Their performance marked their return to a Lolla stage after a nine-year gap. Luckily, Chicago fans haven’t missed much, as the London-based band hasn’t released an album since 2017 and hadn’t played a live show since 2018 up until earlier this year.
While other artists may have encouraged fans to get as hyped as possible, The xx instead allowed the audience to get lulled into their oneiric haze, matching the day’s clouded sky. The voices of Romy Madley Croft and Oliver Sim, paired with the beats of Jaime xx, floated above the crowd like a trio of birds playing tag in the sky.
Throughout their set, they played a multitude of tracks from across their catalogue, including the upbeat “Crystalised,” the hypnotic, beat-driven “Shelter,” and for their closer, the inversely named “Intro.”
For much of the set, the trio performed in front of bright, ever-changing lights, leaving themselves nothing more than shadowed silhouettes, furthermore adding to the elusive nature of their show.
The Canadian popstar grew up dancing competitively. (Greg Noire | LollapaloozaThe last act at the T-Mobile stage was Tate McRae, known for her dynamic performances and high-level production — both of which were regrettably missing from her headlining performance.
The set was bloated by four interludes, either videos of her posing for a camera or simply audio of her vocalizing, which broke up the set for no apparent reason other than a singular outfit change from jeans to a skirt.
McRae’s limited discography offered little of the diversity expected from a headline set, and with the lack of dancing, there remained nothing to make up for it. Being predominantly known for her dancing, her singing was predictably wanting, but lacked even the regular high notes and riffs added for her live shows.
The crowd was nonetheless engaged, singing along to the more well-known songs and cheering vigorously throughout, although there may have been more phone video recording than movement.
She ended the festival with more of a whimper than a bang in a remixed edition of “Sports car.” While the crowd seemingly adored the final song, the performance was still underwhelming — especially as a festival closer.
Although it may have ended weaker than it started, Lollapalooza, like its fans, endured through extreme acts and extreme weather to make 2026 one of its most memorable years yet.
McRae’s set closed out the T-Mobile stage for 2026. (Greg Noire | Lollapalooza)The post Lollapalooza Days Three and Four: Almost ‘Next Level’ first appeared on The Loyola Phoenix.
The height of summer is here, and with it has come the annual peak of Chicago’s festival season as fans from around the world make their pilgrimage to Grant Park for Lollapalooza.
Days one and two fulfilled any music fan’s dream with genre-benders like Amble and Little Simz, genre mainstays like UK-based indie rockers Wet Leg and pop innovator Lorde all bringing their A-game to the spotlight.
The alt-pop superstar closed Thursday with a string of hits, including Friday headliner Charli xcx coming out to kick off the weekend in riotous fashion. DJ John Summit performed a literally electric set accompanied by grand light and fire displays.
Charli returned Friday night, showcasing her new album “Music, Fashion, Film” as Chicago legends The Smashing Pumpkins did a hometown victory lap featuring Olivia Rodrigo.
Thursday, July 30
Funaki rocked the Airbnb stage with songs off his March EP “Half Moon.” (Roger Ho | Lollapalooza)Early in the day at the Airbnb stage, LA-based multi-instrumentalist Marlon Funaki entranced the crowd with his dreamy yet driven fusion of indie rock and jazz.
His echoing guitar instantly captivated the shady stage, leaving entranced audience members swaying along.
As the day went on and the temperature increased, alt-pop duo Haute and Freddy took the midday T-Mobile stage by storm, defying the dry heat to deliver a strange yet stunning set.
Dressed in attire appropriate for a circus — with a stage adorned to match — Haute’s trademark orange hair seemed to glow against the circus-inspired backdrop, which included a mock puppet carriage.
The alt-pop duo brought the theatrics from Los Angeles to Chicago. (Ismael Quintanilla III | Lollapalooza)The crowd roared in agreement for “I Like My People Weird,” a power ballad delivered from the heart from a duo who happily embodied weird.
At 5:15 p.m., Irish folk trio Amble took to the same stage, bringing their blend of modern and traditional melodies to a sea of Ireland kit-adorned fans.
“No matter where you’re from, you’ve heard of Lollapalooza,” lead singer Robbie Cunningham told the crowd. “We’re so honored to be here.”
The crowd danced and jived the evening away to the tune of Ross McNerney’s impressively fast-paced Mandolin picking, eliciting cheers after every solo.
The slower moments demonstrated a different side of the band’s talents, with ballads such as “Mary’s Pub” showcasing intricate three-part harmonies that left the crowd swaying and humming long after they departed.
Across the street at the Tito’s Handmade Vodka stage, English rapper and actress Little Simz made her Lolla debut in top shape, performing an array of hits that kept the sea of fans at her fingertips.
Despite starting alone on the stage, Simz’ lightning-quick rapping and addictive bass-heavy beats left the crowd completely at her command, being especially electric for her iconic hit “Venom.”
After the first five tracks, the multitalented Simz started a DJ set, keeping the crowd dancing for more groovy tracks like “Mood Swings.”
“Chicago, you know how to party, right?” Simz asked the crowd from the turntables. “This is the part of the show where you can really party.”
Wet Leg was founded in 2019.
(Anna Downs | Lollapalooza)After four songs on the DJ set, Simz was joined by a live band for a victory lap, with her and the crowd only seeming to gain energy as the set continued.
“Name one time I didn’t deliver,” she rapped on bombastic set closer “Gorilla,” ensuring Lollapalooza couldn’t be counted as anything but a stunning success.
Like a modern-day knight suiting up for battle, Wet Leg’s Rhian Teasdale donned a two-piece chainmail crop-top-skirt combo, wielding a translucent neon green guitar. Throughout the band’s hour-long set at Allianz stage, song after song, they performed each song with serpent-slaying vigor.
“Lollapalooza, we’re going to need your help with this next song,” Teasdale cheekily announced before diving into “Ur Mum,” where she asks the audience to scream along with her.
Even though they were playing at one of Lolla’s smaller venues, the visceral screeches from the audience rivaled those of the main stages.
Thursday marked Lorde’s third Lollapalooza set. (Dusana Karam | Lollapalooza)
Closing the night at the T-Mobile stage was alt-pop mainstay Lorde, who started her set unconventionally with her biggest single “Royals,” instantly captivating the tens of thousands in the crowd.
Featuring mostly tracks from 2025’s “Virgin,” the set was a blend of hits and album cuts, satisfying fans of every degree.
“Melodrama” tracks were especially appreciated by the crowd, as the T-Mobile stage filled with screams to the tunes of “Supercut” and “Liability.”
The highlight of the day came toward the end of her set with a single word: “Girl.”
The camera cut to Friday headliner Charli xcx, clad in all-black leather to perform the duo’s 2025 “brat” single “Girl, so confusing.”
“Girl, so confusing” explores the two stars’ struggles with comparisons between them. (Charles Reagan | Lollapalooza) The crowd went appropriately wild, with seemingly every voice screaming “I ride for you Charli.”
Lorde somehow held the momentum with the following song, “Melodrama” opener and lead single “Green Light.”
The screams turned to sobs for “Virgin” closer “David,” and Lorde capped the hit-ridden set with the infinitely nostalgic “Ribs,” as white and gold fireworks celebrated the end of Thursday and the beginning of Lollapalooza.
The other half of Thursday’s headline bill was EDM DJ John Summit’s pyrotechnic gilded set at Bud Light stage.
Above the Naperville native’s DJ booth, dancers and acrobats twisted and contorted themselves around levels of ladders and exposed pipes, a la “Newsies” gone techno.
Bright white strobe lights jutted out into the sky, while multi-colored pyrotechnics illuminated the faces of the audience, primarily shirtless teenagers and scarf-wearing young adults. Summit’s presence extended past his youthful audience, with his ground-rumbling bass reverberating throughout the festival grounds.
John Summit’s set featured dynamic lighting and pyrotechnics. (Roger Ho | Lollapalooza)The Viagra Boys’ set was unabashedly unrefined.
(Pooneh Ghana | Lollapalooza)The electronic sonic leftovers even reached the Airbnb stage, where the post-punk vulgarities of the Viagra Boys seemed to drown them out at the night one closing show.
Just as their name would suggest, the Swedish band’s set was unapologetically crude, borderline grotesque. At the forefront of the rowdiness was lead vocalist Sebastian Murphy, spitting out his drink like a human fountain, caressing his exposed torso and frequently hurling insults at his own audience, referring to them as “punk rock losers.”
Yet they returned the vulgar favor.
During the depraved “Troglodyte,” limp bodies flopped and punches flew freely within a mosh pit as rampant weed smoke polluted the already sticky air, matching the song’s sludgy lyricism.
Friday, July 31
PARTYOF2 opened the T-Mobile stage on day two. (Greg Noire | Lollapalooza)Storming the T-Mobile stage in military drill fashion, Swim and Jadagrace, known collectively as PARTYOF2, brought a braggadocious energy to their opening set.
Under Friday’s gray, clouded sky, chain-link trapped their band – sporting all camo attire – into their own individual cages as American flags defaced with black spray paint flapped in the choppy wind. A trio of backup dancers served as Jada’s troops, echoing her moves and providing smooth background vocals to an otherwise punchy performance.
The highlight of their set was “FRIENDLY FIRE,” a mutual diss track which had the duo at each other’s throats. Spectators could choose between fans labeled “Team Swim” or “Team Jada,” with the waving signs making the concert feel more like a punked-out political rally.
Taking the T-Mobile stage after was i-dle, the third K-pop girl group to perform at the festival.
They instantly proved their worthiness with bombastic opener “Super Lady,” as the five members, clad in white coats adorned with feathers and surrounded by an army of backup dancers, took the stage by storm.
Without missing a beat, the group packed their eight years of musical diversity into their allotted hour, showcasing the extent of their discography from electropop Korean chart-topper “Queencard,” to hip-hop “My Bag,” pop-punk “Tomboy” and even including their League of Legends collaboration single “Pop/Stars.”
Despite the midday drizzle, the crowd — some dressed in bright blue bob wigs — matched the idol’s energy throughout, waving lightsticks, arms and signs in support.
The K-pop girl group was formed in 2018. (Roger Ho | Lollapalooza)They closed with English single “Mono.” Released this January, the song embodied i-dle’s boundary-pushing inclusive values, uniting the crowd before their departure.
“Whether you’re from the right, left, East, West, or straight, gay, it doesn’t matter here,” leader Soyeon told the crowd before the track closed their historic set.
Across the park at the Bud Light stage, Slayyyter — the self proclaimed “Worst Girl in America” — braved the rain and cranked up the energy to perform songs from her latest album of the same name.
Boisterously bursting out of a trailer, equipped with a bedazzled baseball cap, a belt of fishing bait and a fishing pole, Slayyyter began with “DANCE…,” causing the already hyped audience to go even crazier.
Slayyyter released her new song “brand new chanel$” the same day as her Lolla set. (Charles Reagan | Lollapalooza)As her set progressed, the energy only grew greater and greater. Fan favorite “CRANK” had heads thrashing across the crowd, while “YES GODDD” saw the artist letting out several gutteral, gravely screams. Not even the falling rain could put out Slayyytor’s flame.
Near the end of her set, Slayyyter, whose popularity skyrocketed over the past couple months, reflected on her new found stardom. Fellow popstar Zara Larsson did the same.
Larsson represented Sweden on the T-Mobile stage.
(Greg Noire | Lollapalooza) Though Larsson’s set was delayed due to weather complications, she delivered the highest energy performance of the day.
“This is by far the biggest crowd I’ve ever had in my entire life,” she gushed, peering out into the crowd of thousands.
From start to finish, the Swedish star embarked on a nonstop singing and dancing spectacle spanning her decadeslong career. From dancing in sync with her enclave of backup dancers to “riding” in a cut out of a pink convertible and inviting a fan to dance alongside her on stage, every second of her hourlong set was expertly choreographed.
Despite the weather being anything but sunny, Larsson brought a summery Y2K utopia to Chicago, allowing viewers to join her in her eternal pop paradise.
The pop princess’s set raised the energy ahead of the headlining performance. (Pooneh Ghana | Lollapalooza)Capping out the night was Lollapalooza veteran Charli xcx, headlining fresh off the release of her newest rock-tinged album “Music, Fashion, Film.” After a legendary 2022 Lolla set, expectations were high — yet, just like her fictional self in “The Moment,” she sold out.
Sure, the production quality was higher than ever — she stood atop a multilayered platform topped with a comically large speaker flanked by cannons of fire. Yes, she brought the energy — for nearly 90 minutes she sang, strutted and stomped her way around the T-Mobile stage. Yet she neglected the one thing essential to her live shows — her fans, the Angels.
Charli’s setlist consisted largely of songs from her news album and “Brat,” which wouldn’t have been a problem if that wasn’t all she was touring for the past two years. However, the “party girl’s” biggest party foul was the absence of a song she performs at nearly every show, the song that elevated her from underground status: “Vroom Vroom.”
Across the park, hometown heroes The Smashing Pumpkins had the Bud Light stage enraptured before they even walked on.
Chicago-born The Smashing Pumpkins was formed in 1988. (Chad Wadsworth | Lollapalooza)
As the instantly recognizable riff to “1979” started, the crowd came alive to welcome them and sing along to the band’s biggest song. Frontman Billy Corgan seemed to be in his best Voldemort cosplay, rocking a white painted face and black eyeshadow covered eyes to match his black leather robes.
“1979” might be a difficult song to follow for any other band, but The Smashing Pumpkins immediately one-upped themselves with only four words: “The world is a vampire.”
The crowd moved like an ocean for “Bullet With Butterfly Wings,” ebbing, flowing and screaming along to the iconic chorus.
The band kept the energy up throughout, though it especially exploded for their first guest artist Yungblud, who had just performed on the same stage. The English artist sang the beautiful “Luna” as the waning moon glowed above.
If the energy blasted for Yungblud, there was a supernova when pop-rock darling Olivia Rodrigo, fresh off her June album release, came out to perform “Thirty-Three,” as Corgan strummed his guitar beside her.
Rodrigo continued her streak of performing alongside rock legends as she joined The Smashing Pumpkin’s headlining set. (Chad Wadsworth | Lollapalooza)They went out with a characteristic bang, performing the thunderous “The Everlasting Gaze.” Corgan, holding the hands of his children, victoriously bowed with a radiant smile, capping off the day.
Although severe weather is anticipated, days three and four promise to keep up the energy, with dance pop acts Jennie and Tate McRae headlining Saturday and Sunday, respectively, while Grammy-winning jazz pop singer Olivia Dean and English indie-rockers The xx will play across the park.
The post Come Rain and Shine: Lollapalooza Days One and Two first appeared on The Loyola Phoenix.
From hyperpop to jazz, goth punk to local indie, Chicago’s iconic festival season is back and better than ever this summer.
World-renowned festivals Lollapalooza and Riot Fest promise big crowds and bigger speakers, while local lineups like Sound & Gravity and the Edgewater Music Festival will showcase the Windy City’s dynamic music scene. Here’s a rundown of local music festivals to make the most of your Chicago summer.
Lollapalooza: July 30-Aug. 2
In its 21st year at Grant Park, Lollapalooza will send ground-shaking soundwaves through downtown Chicago July 30 to Aug. 2. A cornerstone of Chicago summers, the festival — affectionately dubbed “Lolla” — will feature an array of artists, from chart-topping pop stars to underground favorites on the cusp of a breakthrough.
Fresh off the high from her 2025 album “Virgin,” synth-pop star Lorde will serve as July 30’s T-Mobile stage headliner. The New Zealander’s top-bill marks her third performance at the festival since debuting in 2014 at just 17 years old.
On the opposing Bud Light stage, rave royalty John Summit is set to perform, bringing banging bass and striking strobes to the birthplace of house music.
After releasing his fifth album “Essex Honey,” Blood Orange will take the same stage earlier in the day, sure to cast festival-goers under his spell of oneiric R&B and ambient electronica.
British pop-star Charli xcx will make her fourth Lolla appearance as July 31 headliner, presumably supporting her newest album “Music, Fashion, Film,” released July 24.
Additionally, Chicago band The Smashing Pumpkins will return to the American edition of the festival for the first time since 1994, closing out the night at the Bud Light stage.
If bratty pop or alt-rock isn’t your jam, day two features a myriad of diverse genres. To be expected are a set from equestrian DJ HorsegiirL, the fusion of Latin flair and old-school R&B from 54 Ultra and eclectic hip hop emceed by ex-child-star duo PARTYOF2.
Aug. 1 sees Best New Artist Grammy winner Olivia Dean serenading the crowd with soulful pop at the T-Mobile stage. Dean took home four prizes at the 2026 BRIT Awards, including British Album of the Year for “The Art of Loving.”
Bobbing between electropop, hip-hop and R&B genres, South Korean artist Jennie rounds out Aug. 1. The Blackpink member’s performance comes after TWICE became the first K-pop girl group to headline the festival last year.
Fan-favorite musicians aren’t solely delegated to the festival’s biggest stages — electronic Excalibur-wielding duo Frost Children, London underground rapper-producer Jim Legxacy and indie rock darlings Geese are set to draw huge crowds.
Four days into its run, Tate McRae is sure to maintain Lolla’s monumental musical energy with acrobatic choreography and diva vocals. Rae’s third Grant Park appearance hopes to ride the highs of her 2025, where she released her first Billboard 200-topping album “So Close to What?” and her first Billboard Hot 100 single “What I Want” with country singer Morgan Wallen.
Wrapping up the festival is electro-rock band the xx, gearing up for their speculated — and much-anticipated — fourth album. Their closing performance continues their festival-filled 2026, following sets at Coachella, Primavera Sound and Kilby Block Party, as well as their first live show in eight years.
As four-day ticket packages sold out before the lineup dropped in March, only one-day passes for General Admission and Platinum tiers for Aug. 2 are available, starting at $185 and $2,100, respectively. Ticket information can be found on Lollapalooza’s website.
Edgewater Music Fest: Aug. 28-30
Dance off first-week-of-class stress to the soundtrack of more than 30 musical acts at the Edgewater Music Fest, taking place Aug. 28-30.
Organized by the Edgewater Chamber of Commerce, the festival will be set on North Broadway between West Thorndale Avenue and West Ardmore Avenue — only a Red Line train to Thorndale or a 20-minute walk away from Lake Shore Campus.
The event will kick off its second year on Aug. 28 with Chicago-based headliners NNAMDÏ and Mucca Pazza. Despite their vastly different makeups — the former being an avant-pop multi-instrumentalist and the latter a 30-odd-member rock marching ensemble — both acts’ experimental roots embody the innovative nature of the city’s underground scene.
With over a quarter century of performing experience under their belts, rock band Ted Leo & The Pharmacists will inject Aug. 29 with a dose of punk. Also billed on the day’s ensemble-filled lineup are hip-hop horn group Lowdown Brass Band and power-pop duo North by North.
Alt-rock bands reign supreme Aug. 30 with Spitalfield, Maps & Atlases and Neptune’s Core announced as performers. The fest is set to end on a high note with this rock rollercoaster, showcasing the genre’s expansive embrace of everything from Spitalfield’s late ‘90s punk origins to Maps & Atlases’ math rock melodies and Neptune’s Core’s youthful indie intensity.
When attendees aren’t head-banging on stage barricades, they can peruse the diversity of pop-up food joints, local brewery booths, a kids activity area and an on-site record store lining North Broadway. Housing over 100 street vendors, the festival will be “the largest street vendor market in Edgewater’s history,” according to the chamber’s Instagram.
If the initial lineup is any indication, the remaining 20-something acts to be announced will spotlight the Chicago music scene’s interdisciplinary instincts and experimental evolution.
Running from 5-10 p.m. Aug. 28 and 12-10 p.m. Aug. 29-30, the Edgewater Music Fest is free to attend. A $10 donation is suggested to support the Edgewater Chamber of Commerce, food and clothing bank Care For Real, local businesses and the event’s performers.
Sound & Gravity: Sept. 3-6
Chicago’s Bricktown neighborhood will host over 50 performances in eight venues across four days for Sound & Gravity’s showstopping second year.
With a lineup ricocheting across genres, the festival serves to reflect “the eclectic programming ethos of Constellation Performing Arts,” which organizes the event, according to the festival’s website.
Started by Pitchfork Music Festival cofounder Mike Reed in 2013, Constellation is a Chicago venue and presenting body that platforms avant-garde artistry. In 2025, Sound & Gravity celebrated its inaugural year as a fundraiser for the not-for-profit organization.
On Sept. 3, English saxophonist and spoken word poet Alabaster DePlume is set to bring the hauntingly hollow vibratos of his May EP “Dear Children Of Our Children, I Knew: Epilogue” to the headlining slot at Rockwell on the River. Just outside, Chicago-based quintet Dos Santos are slated to blend pan-Latin influences on Rockwell’s patio.
Constellation will be headlined by the internationally renowned Heart Trio, composed of longtime jazz collaborators William Parker, Cooper Moore and Hamid Drake.
Sept. 4’s hypnotic highlights begin with a Rockwell on the Water set from Natural Information Society and Bitchin Bajas, whose joint albums from 2015 and 2025 — “Autoimaginary” and “Totality,” respectively — blend jazz and folk tradition with psychedelic drone sounds. Expanding experimentalism across Bricktown, accordionist Walt McClements will headline Judson & Moore and ambient musician Ana Roxanne will serenade Constellation.
Rock fans can rejoice Sept. 5 with performances from Son Lux and The American Analog Set planned to stir up the Athenaeum Center before My New Band Believe brings their maximal soundscapes to Beat Kitchen. Exemplifying Sound & Gravity’s experimental foundation, eclectic jazz quartet Microplastique will incorporate the playful sounds of toy instruments in their set at Judson & Moore earlier in the evening.
Throughout Sept. 6, boundary-pushing improvisers like Yellow Swans, Mary Halvorson and Sylvie Courvoisier will close out the festival in its various locations. Elusive psychedelic folk artist Grouper will headline Beat Kitchen, marking the festival’s end with ambient innovation.
All Sound & Gravity passes are available for purchase through the festival’s website and grant entry to all shows, subject to capacity. Sound & Gravity Festival Passes are available for $240 each. Single-day passes run $50 for Sept. 3 and $85 for Sept. 4-6. A limited amount of individual show tickets will be released ahead of the festival.
Chicago Jazz Festival: Sept. 3-6
The city where jazz grew up will be hosting its 47th annual free summer festival dedicated to the grand genre in Millenium Park this September, where a variety of instrumentalists, bands and vocalists are slated to grace various stages.
The festival promises something for every kind of jazz lover. Piano patrons can enjoy a performance from Chicagoan Bethany Pickens on Sept. 6 and the swinging singers 2 Brown Sisters will join gospel-influenced vibraphonist Joel Ross on the Sept. 3 lineup.
Several tribute performances, a hallmark of the festival, are also slated. Sept. 5 will feature singer Paul Mariano covering Duke Ellington, with the night being topped off by The M.E.B. — formerly the Miles Electric Band — in celebration of iconic trumpeter Miles Davis’ 100th birthday. On Sept. 6, saxophone savants can enjoy Isaiah Collier playing a selection of John Coltrane.
Staying true to its freeflowing nature, several jazz fusionists will bring new shades to the colorful genre. Fans of Latin music will enjoy Grammy-winning clarinetist and saxophonist Paquitto D’Rivera’s Sept. 6 set, and Brazilian Bossa Nova guitarist Luciano Antonio will play with a quintet Sept. 4.
From the most dedicated of connoisseurs to absolute novices, the family-friendly festival will provide an enriching end-of-summer soundtrack.
ARC Music Festival: Sept. 4-7
“House comes home” at Union Park this Labor Day weekend with ARC Music Festival, a four-day rave revelry showcasing a range of electronic music, from traditional Chicago house artists like Honey Dijon to groundbreaking techno acts like Sept. 6 headliner Anyma.
Rave fans will feel right at home in the heart of West Loop, with the festival showcasing big screens, big lights and bigger sound systems — as well as extensive light and pyrotechnics displays traditional to the genre.
For the city that birthed the genre, house will be present in nearly every form — legendary DJ Derrick Carter will showcase the genre at its purest Sept. 7, artists Beltran and Mochakk will bring Brazilian house on Sept. 6 and deep house will be represented by Vintage Culture and Chris Stussy on Sept. 7 and Sept. 4, respectively.
House won’t be the only genre present, however, as the festival also promises a breadth of techno. Along with Anyma, electronic fans get the chance to see iconic live act Underworld’s Sept. 6 set. Detroit techno pioneer Carl Craig will play Sept. 5, and “the High Priestess of Hard Techno” Sara Landry will bring her uniquely dark spin to the genre Sept. 7.
Other electronic subgenres will also be represented throughout the festival. On Sept. 4, British act Joy Orbison will bring his UK funk and garage spin as fellow brits Chase and Status bring drum and bass. Sept. 5 will feature acid techno and house sets from 999999999 and Lil Louis.
Passes can be purchased on the festival’s website, where single-day passes start at $169, and four-day general admission passes start at $499.
Riot Fest: Sept. 18-20
End your summer with a headbang at Chicago’s premiere independent rock ‘n’ roll festival Sept. 18-20 in Douglass Park.
Known for its over-the-top performances and personalities, rock fans of all kinds have pilgrimaged to the park since 2005, making the festival one of Chicago’s most iconic and sought after.
This year’s lineup shows it’s back and better than ever, with foundational acts like The Smiths frontman Morrissey headlining Sept. 19 and the “Godfather of Punk” Iggy Pop on Sept. 18. Legendary ‘90s innovators Nas and Patti Smith will also play Sept. 19, representing golden-age rap and rock ‘n’ roll, respectively.
Other classic acts include prog-rock stars Tool, who are set to bring their singular live performance quality to close out Sept. 19, and the “queen of alt-rock angst” Alanis Morissette, who’ll play Sept. 20.
Nostalgia-fests for newer-age rock fans are also promised, with 2010s emo-rap icons Twenty One Pilots headlining Sept. 18 and scene-staples 3OH!3 playing shortly before. Fellow emo legends Pierce the Veil will finish out the festival with their Sept. 20 headlining set.
Several up-and-coming acts from a variety of genres will also be featured, like punk rap trio Soul Glo on Sept. 18, hardcore noise rockers Chat Pile on Sept. 19 and, for a lighter set, Kiwi indie rockers The Beths on Sept. 20.
Perhaps the most well-known facet of Riot Fest is the sheer ridiculousness it encourages acts and patrons to participate in. For the strangest shows, horrorcore duo Insane Clown Posse will bring their facepaint fright to Sept. 20, where Captain Kirk himself, William Shatner, is also slated to make his musical debut with new band The Fuckers.
Tickets can be purchased on the festival’s website, with one-day passes starting at $115, two-day passes starting at $230 and three-day passes starting at $340.
The post Celebrate the Sounds of Chicago Summer at these 2026 Music Festivals first appeared on The Loyola Phoenix.
It’s difficult to envision a more ambitious cinematic project than an adaptation of an ancient epic like Homer’s “Odyssey” — even with the acclaimed genius of Christopher Nolan at the helm.
The staggering scale of Homer’s world, along with the challenge of directing the first feature film entirely on IMAX 70mm cameras, makes Nolan’s (“Oppenheimer,” “Interstellar”) project even more groundbreaking.
This marks Damon and Nolan’s third film collaboration.
(Courtesy of Universal Pictures)“The Odyssey” recounts the homecoming journey of Odysseus (Matt Damon), King of Ithaca, battered and bedraggled by the brutal Trojan War and a series of seemingly ceaseless divine trials.
As Odysseus struggles to make his way home, his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland) — unaware of the king’s whereabouts and desperate for his return — are tormented by Penelope’s opportunistic suitors, who routinely abuse their hospitality and strive to usurp the throne.
In a captivating, Oscar-worthy performance, Damon (“The Martian,” “The Bourne Identity”) embodies Odysseus, a hero characterized by his cleverness. The mastermind behind the Trojan Horse and a favorite of goddess Athena (Zendaya), he leads with a conviction that he can outwit anyone — including the gods.
Hathaway’s Penelope exhibits unwavering resolve and emotional strength. Her sharp intelligence and position as Odysseus’s intellectual equal, prominent features in the original text, are present but understressed in “The Odyssey.” Instead, Hathaway (“The Devil Wears Prada,” “Les Misérables”) zeros in on Penelope’s internal turmoil, her relationship with Telemachus and her adherence to Zeus’s law of hospitality.
Holland (“Spider-Man: Homecoming,” “Uncharted”) brings depth and determination to the role of Telemachus, capturing the intensity of Ithaca’s heir with soulful expressiveness.
Holland’s performance is focused and impassioned, but by the end, Telemachus appears barely more prepared for the throne than he was at the start. Even if he has matured, Nolan’s screenwriting renders a significant character arc underdeveloped.
Holland stars in his first Nolan film as Telemachus, son of Odysseus and Penelope. (Courtesy of Universal Pictures)The star-studded cast of A-listers may raise suspicions over the actors’ suitability for their roles. At times they are successful, but in other instances their performances are unremarkable.
Chief among Penelope’s sleazy and impatient suitors, Robert Pattinson is exceptional in his role as the severely degenerate Antinous.
Zendaya (“The Drama,” “Challengers”) is immaculate as Athena, goddess of wisdom and war, and guide to Odysseus. In the few minutes she graces the screen, she radiates a demanding and controlled presence marked by a palpable gravitas.
Despite the high volume of press and marketing on their behalf, the glorified cameos of Lupita Nyong’o’s Helen of Troy, Jon Bernthal’s Menelaus and Charlize Theron’s Calypso aren’t particularly impressive.
Benny Safdie’s Agamemnon is supremely commanding, but portrayed less as a character and more as a formidable symbol of Greek power.
The prominence of Homer’s “Odyssey” within the Western canon makes a comparison between the original poem and subsequent adaptations unavoidable. It’s no surprise, then, that “The Odyssey” has been enveloped in a storm of controversy since the release of its trailer, surrounding Nolan’s casting choices—some of which, such as rapper Travis Scott, do feel needlessly out of place—his reliance on Emily Wilson’s radically contemporized translation of the Ancient Greek text and the transferability of modern colloquialisms to the language of the ancient world.
But Nolan’s true Homeric unorthodoxy comes to the forefront in far more fundamental ways.
While the pain of loss, the cost of violating divine law and the danger of distraction feature as important themes, at its core, Nolan’s take conveys a message about the value of humanity, the preservation of civilization and the far-reaching impact of war — ideas that are perhaps more readily sympathized with in 21st century social and political climates.
In the aftermath of widespread imperialism and amid lawless international wars, it’s hard to imagine a modern audience rooting for a classical hero who proudly participates in the sacking of cities, engages in frequent infidelity and administers ruthless, uncompromising vengeance. Just as Homer’s Odysseus exemplifies the values of his time and place, Nolan’s Odysseus is carefully crafted for an audience in a widely different context.
In his adaptation, Nolan opts for a softer, humbler and less morally gray Odysseus, plagued with a sense of regret over his role in the Trojan War, an angrier Penelope — whose disdain for the suitors is equally as fierce as her loyalty to Odysseus — and a notably less assertive Telemachus.
Hathaway’s performance as Penelope paints the ancient figure in a more furious light.
(Courtesy of Universal Pictures)The fantastical is frequently obscured as Nolan leaves out much of the myth and magic embedded in the original text. The two most noteworthy exceptions are the towering Cyclops scene, featuring the dynamic Bill Irwin, and a viscerally terrifying sequence with the witch Circe, chillingly portrayed by Samantha Morton.
Nolan weaves threads of several ancient works together in “The Odyssey” while maintaining a shifting focus on both Ithaca’s royal court and Odysseus and his crew. Narratives from Homer’s “Iliad,” Virgil’s “Aeneid” and Aeschylus’s “Oresteia” are referenced at various points, connecting Odysseus’s story to a broader mythological history.
To viewers unfamiliar with the “Odyssey”’s premise and the myths that Nolan incorporates, the vast number of characters and deep lore associated with them can be overwhelming. A richer experience of the film necessitates a basic understanding of Homer’s key characters and their relevance to Odysseus’s story.
Stunning spectacle and cinematic grandeur populate every frame, from the elaborate, immersive sets of Ithaca’s palace and Trojan fortresses to the sweeping shots of vivid picturesque landscapes. Together with a brilliant and incomparable score — composed with Bronze Age instruments by three-time Nolan collaborator Ludwig Göransson — the visually artistic elements of the film highlight the poetry of Homer’s world.
Arguably Nolan’s masterpiece, “The Odyssey” reinterprets Homer’s original and brings an increased pertinence and breathtaking artistry to the timeless epic.
“The Odyssey” is in theaters now.
The post Christopher Nolan Sails to Familiar Shores With ‘The Odyssey’ first appeared on The Loyola Phoenix.
“What is the conversation that needs to happen in a relationship to allow for people to really know each other and themselves? And are you holding back on a conversation that could lead to rupture or repair?”
These are the questions director Olivia Wilde said she hopes audiences leave “The Invite” asking themselves.
In her third directorial film, Wilde (“Booksmart,” “Don’t Worry Darling”) stars alongside Seth Rogen as couple Angela and Joe, stagnant spouses whose recently renovated San Francisco apartment is far more composed than their relationship.
The film is set almost entirely in Angela and Joe’s newly renovated apartment. (Courtesy of A24)While visually and tonally distinct from her coming-of-age comedy “Booksmart” and psychological thriller “Don’t Worry Darling,” Wilde’s new dramedy is similar to her past films in its examination of interpersonal connection.
“I’m most interested in relationships, and I think what the three have in common is they’re about a moment of combustion within a relationship and a turning point,” Wilde said.
Rogen and Norton also have directorial experience. (Courtesy of A24)For Angela and Joe, that moment of emotional explosion occurs when Angela invites their sexually raucous upstairs neighbors, Hawk and Piña, over for dinner. As the free-spirited guests force their frazzled hosts to question their own relationship, frustrations ping-pong off designer rugs and crown molding, filling the apartment with tensions dying to be released.
Completing the heavy-hitting quartet, Edward Norton and Penélope Cruz star as the promiscuous neighbors. While studded with Hollywood veterans, Wilde said the cast had never embarked on a production quite like this one.
“We approached this as an experimental process in that we treated it almost like a play, and we shot the film in sequential order on 35 millimeter,” Wilde said. “Shooting in order, shooting on film and having rehearsal were my three rules.”
The made-for-stage structure is no coincidence — the film is adapted from Cesc Gay’s 2021 Spanish film “Sentimental,” which itself is based on the writer-director’s 2016 play “Los vecinos de arriba.”
Alongside screenplay adapters and writers Will McCormack and Rashida Jones, the cast spent two weeks rehearsing and reworking the script. In this period — often regarded as “disposable,” according to Wilde — the team let each other’s performances and growing understanding of their characters inform dramatic changes to the material.
“To have that luxury of being able to evolve with the project and respond to what’s naturally happening was a purely singular experience,” Wilde said. “I think you can really feel our sense of discovery.”
With the film’s setting largely confined to one apartment, fostering an improvisational environment and establishing visual diversity were two challenges that allowed creative freedom to flourish.
“I really wanted to have a very specifically intentional way of seeing the world, but I wanted to allow for freedom within the world,” Wilde said. “That I think makes the film have what I hope feels like a combination of spontaneity and a strong perspective.”
This balance is particularly evident in the sound design, with overlapping, “Robert Altman-esque” dialogue babbling over a tone-defining score composed by Devonté Hynes, the alternative R&B artist also known as Blood Orange.
“It felt like the score was the Greek chorus in the room,” Wilde said, describing how the human-like sounds of Hynes’ cello charts played on “the nerves of the characters themselves.”
Functioning as the sole setting, Angela and Joe’s historic apartment is as defined a character as the score.
The home’s ornate mirrors and cased openings enable shot compositions that show emotional distance, force proximity and feed voyeuristic impulses.
The plot unfurls over the course of one night. (Courtesy of A24)“When you have a simple story in a simple setting — in this case, one space, one room — the action sequences are all emotional,” Wilde said. “You have the opportunity to really traverse quite a wide range of emotions in order to make the audience feel like they’ve been somewhere.”
Wilde highlighted the talents of her crew in delivering emotionally resonant visuals, noting the informative approaches cinematographer Adam Newport-Berra and set designer Jade Healy took to the single setting challenge.
“When I approached him with this project and I said, ‘It’s all in one space,’ he said, ‘Well, then we have to make faces into landscapes,’” Wilde said. “She said, ‘We will create frames within frames. We’ll use architecture to reflect the emotional state of the relationships.’”
According to Wilde, every crew member — from production sound mixer Steven Morrow to props master Robbie Duncan — was “plugged in 100%,” a level of complete engagement she’d never experienced before.
“I get so excited when I can tell that audiences are responding to choices made by a crew as a whole,” Wilde said. “These people are experts. They’re artists. And when you can feel their work, it’s sort of an invisible or a subconscious thing that audiences are picking up on.”
Throughout the six-week production, cast and crew alike found outlets for creative freedom within the technical limitations of time, film and space. This exercising of creative agency is just as present in Wilde’s filmmaking philosophy as it is in the themes of “The Invite.”
“I feel like it’s a really important thing to get across to people that you have agency in your life,” Wilde said. “You have choice. And within your relationships, you have the opportunity to reimagine that relationship with that person you love. If you so choose, It will take a lot of courage and honesty, but it’s a possibility.”
“The Invite” is playing Chicago theaters now and nationwide July 10.
The post Olivia Wilde Reexamines Romantic Relationships in ‘The Invite’ first appeared on The Loyola Phoenix.
Content warning: Eating disorders
Returning for its 13th year, both studio-backed pictures and indie offerings illuminated the Music Box Theater’s silver screen for the 2026 Chicago Critics Film Festival.
Despite its name, the festival — which ran from May 1-7 — didn’t only cater to Ebert proteges, but also to the casual moviegoer. With a multitude of cinematic narratives, spanning daring documentaries to explicit explorations in erotism and a 40th anniversary horror celebration, the only constant was each film’s unwavering creativity.
‘Maddie’s Secret’
Past the “Sunset Boulevard”s and “Mulholland Drive”s, countless films have tried to capture the dark side of Hollywood and its movie stars, but none have set out to portray the 21st century’s equivalent: food bloggers.
A self-proclaimed “homage to Lifetime movies,” “Maddie’s Secret” is part satire of content creators, part genuine reflection on eating disorders, with comedian John Early at the directing helm.
Early (“Eternity,” “30 Rock”) also stars in the titular role, playing a culinary influencer whose secret threatens her career — she’s bulimic.
But Early doesn’t play a woman for the sake of humorizing crossdressing. Rather, he uses this female persona to develop a multi-faceted character struggling to pursue her life’s passion while dealing with immense body image issues. The humor comes from the surreal antics of overly earnest Maddie, not a cisgender man performing a caricature of a woman.
While chock-full of jokes, the true gem of “Maddie’s Secret” is Early’s depiction of eating disorders, which are never mocking or patronizing. For example, in an attempt to lose weight through rigorous exercise, Maddie — a heterosexual woman with two left feet — joins a gay dance fitness class.
One scene might have the entire theater riled up in boisterous laughter. Five minutes later, that same auditorium could be left in utter silence, the only sounds being the stifled sniffles elicited from Early’s heartfelt passion project.
“Maddie’s Secret” released in theaters June 19.
‘The Invite’
In a night full of drinking, smoking and arguing, a high school music teacher, a stay-at-home mom, a fire captain and a therapist re-examine their relationships — and their sex lives — in director Olivia Wilde’s “The Invite.”
A remake of the Spanish film “Sentimental,” Wilde (“Booksmart,” “Don’t Worry Darling”), who also stars in the film, takes heavy inspiration from the play and subsequent movie adaptation of “Who’s Afraid of Virginia Woolf?” but sets her rendition within the walls of a Victorian-style San Francisco apartment.
As unique as the characters they portray, the four-piece cast plays to each performer’s respective strengths while pushing them out of their comfort zones at the same time.
Seth Rogen plays Wilde’s husband Joe, a failed musician experiencing a midlife crisis. While both Rogen (“The Studio,” “The Super Mario Bros. Movie”) and Joe are avid cannabis smokers, pot humor and cringe comedy don’t define his character. Instead, Joe uses self-deprecative jokes to find some semblance of control in his life, which seems to sleep farther away from him with each passing day.
Rounding out the quartet are kinked-out couple Piña (Penélope Cruz) and Hawk (Edward Norton), a sex therapist and firefighter captain, respectively.
Adding to the film’s suffocating cacophony is a string-based score composed by Devonté Hynes, better known as Blood Orange, which fuels the stress of an already tense dinner party. Unconventional and claustrophobic shots ensure viewers don’t grow tired of the 1,000-square-foot Bay Area apartment.
Screaming world-class actors, daring filmmaking and nail-biting writing. Will you accept “The Invite?”
“The Invite” released in theaters June 26.
‘If I Go Will They Miss Me’
Los Angeles, the city of angels, the home of stardom and the land of Poseidon?
Under the relentless hum of planes arriving and departing LAX, Anthony “Big Ant” Sr. (J. Alphonse Nicholson) returns home from prison but fails to rekindle his relationship with his eldest son, Anthony “Lil Ant” Jr. (Bodhi Dell).
A pair that once shared an inseparable bond now seems more different than ever. Big Ant is a stone-faced farm hand far too familiar with reality while Lil Ant is a soft-spoken, budding artist who envisions the world through a Greek mythological lens.
No figure is more important to Lil Ant than Poseidon, king of the sea — his own father.
“He sees you as a god,” JJ (Myles Bullock), Big Ant’s best friend, says. “I wish my son would see me as a god when he’s his age.”
A collage-esque narrative, both Ants’ perspectives are combined to give a painfully intimate account of their family’s life. The audience’s point of view is not that of a fly on the wall — that’s too temporary. Viewers assume the role of a tile on their backsplash, a knob on their front door.
During an emotionally charged argument between Big Ant and his wife, Lozita (Danielle Brooks), both actors could’ve gone overboard in a full-blown screaming match. Instead, Nicholson and Brooks let the venom-laced air take over and asphyxiate the audience.
While “If I Go Will They Miss Me” is a feature-length dream sequence rooted in the streets of LA reality, its key focus is crystal clear: the innate connection between a father and a son.
“If I Go Will They Miss Me” is yet to receive a wide release date.
‘Leviticus’
In a blunt allegory of conversion therapy and religious trauma, “Leviticus” centers around the relationship between small-town teens Naim (Joe Bird) and Ryan (Stacy Clausen).
After the pair’s blossoming relationship is discovered, both are forcefully “cured” by the town’s deliverance healer (Nicholas Hope), which brings about violent apparitions.
Just as relentless homophobia ebbs away at one’s psyche, Naim and Ryan’s curse rapidly deteriorates both their mental and physical health.
“This is what they wanted,” Ryan exclaims in a moment of clarity. “Us to be scared of each other.”
At a brisk 88-minute runtime, “Leviticus” feels a tad rushed, with much of the conflict presenting as forced.
Yet what grounds the film in bleak realism are Bird (“Talk to Me”) and Clausen’s (“Crazy Fun Park”) portrayals of two teens just trying to exist in the midst of ruthless hatred.
While there aren’t many jump scares and the gore is kept relatively tame, the horrors of “Leviticus” stem from its roots in reality.
“Leviticus” released in theaters June 19.
‘Chili Finger’
When eating at their favorite fast food spot, empty nesters Jessica (Judy Greer) and Ron Lipki (Sean Astin) discover an unexpected ingredient in their meal — a human finger.
Based on an infamous 2005 hoax, directors Edd Benda and Stephen Helstad attempt to reheat the black comedy and crime aesthetics of the Coen brothers’ “Fargo.”
Unfortunately, “Chili Finger” is still cold in the middle.
Sure, Benda (“Superior”) and Helstad include funny visual gags, witty humor and an overall wacky premise, but it still doesn’t make up for wildly unlikeable main characters — an overly obsessed mother and a gratingly incompetent father.
Despite an equally rickety screenplay, the film’s highlights — unsurprisingly — come in the form of John Goodman and Bryan Cranston, who portray the restaurant chain’s higher-ups. The pair’s on-screen chemistry is immediately apparent, the absurdities of their actions heightening the longer they investigate the chili incident.
However, Goodman and Cranston alone can’t save “Chili Finger.” While the movie works in spoonfuls, the batch as a whole has gone bad. One just hopes Benda and Helstad don’t plan on taking on the KFC rat anytime soon.
“Chili Finger” is yet to receive a wide release date.
The post Surreal, Symbolic and Sexy Standouts from the 2026 Chicago Critics Film Festival first appeared on The Loyola Phoenix.
The Phoenix is now hiring editors for the 2026-2027 academic year. Those interested must email a cover letter, resume and three work samples — articles, photo essays, page designs, graphics, etc. — to Editor-in-Chief Julia Pentasuglio (jpentasuglio@luc.edu) and Managing Editor Faith Hug (fhug@luc.edu). All applications are due by 11:59pm on Friday, June 12.
No prior experience or involvement with The Phoenix is required to apply. If applicants would like to be considered for multiple positions, they should note these explicitly in their email subject headings and touch on their interests in each position in the cover letter.
If applying to multiple positions, please rank the positions from most interested to least interested.
Applicants must be available Sunday and Tuesday evenings.
Read through the role descriptions below to become acquainted with the available positions. Reach out to jpentasuglio@luc.edu and fhug@luc.edu with any questions regarding roles, the hiring process and pay.
News Editor
The News Editor is responsible for leading a team of news writers, pitching story ideas, editing weekly stories, designing news section print pages and coordinating coverage of topics like university happenings, local politics, crime, science and business.
The Phoenix is looking for someone with strong news judgement and constant curiosity to lead the section independently and to mentor writers in the art of newswriting and reporting.
News Deputy Editor
The Deputy News Editor assists the News Editor in making section decisions and works closely with writers to answer questions throughout the week. They are responsible for editing first drafts, designing news section print pages and contributing stories when necessary.
Projects Editor
The Projects Editor will work closely with the News, Arts and Sports editors to tackle larger investigative and community-driven stories which require significant attention and longer amounts of time. They will closely follow budgets, university-matters and city happenings to find and break stories.
The Phoenix is looking for someone who is passionate about investigative journalism and wants to hone their journalism skills by managing long-form projects and working collaboratively with other editors and section writers.
Arts Editor
The Arts Editor is responsible for leading a team of arts writers, pitching story ideas, editing weekly stories, designing arts section print pages and coordinating coverage of local live performances, entertainment releases, Loyola community members and campus events.
The Phoenix is looking for someone with deep interest in local culture and the arts whose varied expertise will guide writers through production of a wide array of article structures.
Arts Deputy Editor
The Deputy Arts Editor assists the Arts Editor in making section decisions and works closely with writers to answer questions throughout the week. They’re responsible for editing first drafts, designing arts section print pages and contributing stories when necessary.
Sports Editor
The Sports Editor is responsible for leading a team of sports writers, pitching story ideas, editing weekly stories, designing sports section print pages, coordinating coverage for all Loyola sports, covering sports news and featuring athletes and events happening in Chicago.
The Phoenix is looking for someone with a passion for sports and strong desire to share Loyola athletes stories with the community by mentoring and supporting sports reporters.
Sports Deputy Editor
The Deputy Sports Editor assists the Sports Editor in making section decisions and works closely with writers to answer questions throughout the week. They are responsible for editing first drafts, designing sports section print pages and contributing stories when necessary.
Opinion Editor
The Opinion Editor is responsible for leading a team of opinion writers, pitching story ideas, editing weekly stories, designing opinion section print pages and overseeing the writing of timely op-eds, personal essays, satires, cartoons and editorials.
The Phoenix is looking for someone with a strong sense of editorial judgement who will foster writers’ unique voices while ensuring commitment to journalistic ethics.
Opinion Deputy Editor
The Deputy Opinion Editor assists the Opinion Editor in making section decisions and works closely with writers to answer questions throughout the week. They’re responsible for editing first drafts, designing opinion section print pages and contributing stories when necessary.
Photo Editor
The Photo Editor is responsible for leading a team of photographers, facilitating photo assignments, editing pictures, pitching photo essays and coordinating with other editors and writers to ensure all stories have photos for both print and online editions.
The Phoenix is looking for someone who is passionate about visual storytelling with the strong communication skills needed to guide photographers through the principles of the craft.
Social Media Editor
The Social Media Editor is responsible for coordinating, creating and editing informative and engaging content for Instagram, Twitter, Facebook, LinkedIn and Tik Tok. They will also lead a team of content creators who create vertical videos relating to weekly stories.
The Phoenix is looking for someone who is passionate about storytelling and willing to find creative ways to share content with our audience. A strong candidate would be willing to pitch new ideas to editors and build The Phoenix’s social media presence on par with professional publications.
Deputy Social Media Editor
The Deputy Social Media Editor assists the Social Media Editor in making decisions and works closely with editors, writers and content creators to build a social media schedule every week. They are responsible for editing and contributing content.
Newsletter Editor
The Newsletter Editor is responsible for writing all weekly newsletters sent out by the paper. They are expected to work with writers and editors to understand which stories should be featured.
The Phoenix is looking for someone with a strong voice to connect with audiences and summarize the biggest headlines of the week. A strong candidate will pitch new ideas for newsletters and expand the topics covered.
Podcast Manager
The Podcast Manager is responsible for planning and hosting The Phoenix’s weekly podcast, The Byline, where the Podcast Manager will bring on writers, editors and sources to tell stories in the audio format.
The Phoenix is looking for someone who has a strong idea of how to engage with podcast guests and tell news stories in a conversational and informative way. A strong candidate will expand The Phoenix’s use of audio and add multimedia coverage to the paper.
Translator
The Translator is responsible for translating five to eight stories into Spanish per week.
Crossword Editor
The Crossword Editor is responsible for making the weekly crossword for print and web.
Web Developer
The Web Developer is responsible for the upkeep of The Phoenix’s website and manages any issues which arise. They also make updates and digital changes when required by the Editor in Chief or the Managing Editor.
The post Join The Phoenix’s Editorial Board for the 2026-27 Year first appeared on The Loyola Phoenix.
After four seasons of action, the characters of “Tom Clancy’s Jack Ryan” return for a tie-in movie directed by Andrew Bernstein, “Tom Clancy’s Jack Ryan: Ghost War” on Prime Video.
The film takes place after the series finale, where the heroic Jack Ryan, played by John Kransinski, is thrown back into the world of espionage after leaving the CIA. The film follows Ryan as he teams up with CIA colleague Mike November (Michael Kelly), CIA boss James Greer (Wendell Pierce) and stranger Emma Marlow (Sienna Miller) to stop a rabid and ruthless black ops unit with eyes and ears everywhere.
The stakes are high in this fast-paced movie. Filled with twists, turns and explosions, the film’s elevated budget and complex action sequences make it obvious there was an objective to make this film feel larger than life.
The film spawned from a television series on Prime Video. (Courtesy of Amazon MGM Studios)Having directed multiple episodes of the television series, Bernstein (“Ozark,” “The Outsider”) told The Phoenix in a roundtable interview the movie had to feel different.
“I didn’t want to repeat what I had done before,” Bernstein said. “The action had to be bigger, the stakes the characters were living through had to feel bigger, so that in an hour and 40 minutes it felt like a race as opposed to long, drawn-out episodes of storytelling.”
The movie follows an international mission in London and Dubai. Rather than using visual effects, Bernstein and the crew opted to shoot on site, capturing elaborate action sequences in real time.
“It’s one of the hallmarks of the movie and franchise,” Bernstein said. “We go to those places and try to take advantage of what they offer and drop the audience right into them. It’s all movie magic, but not visual effects movie magic.”
Krasinski has played the protagonist since 2018. (Courtesy of Amazon MGM Studios)Kransinski (“The Office,” “A Quiet Place”) is one of many actors to portray CIA analyst Jack Ryan, following the likes of Alec Baldwin, Harrison Ford, Ben Affleck and Chris Pine. His performance got him a Screen Actors Guild Awards nomination for Outstanding Male Actor in a Drama Series in 2019.
However, Kransinski’s contributions extend off the screen as well with the actor serving as producer and co-writer of the film.
“[Kransinski] has lived in Jack Ryan’s shoes longer than all of us,” Bernstein said. “As a director, it’s great to have somebody who is so steeped in that history but also deeply understands the ins and outs of the filmmaking process. And [with] a movie of this size, it’s always great to have a sounding board with somebody who knows all that stuff.”
The film’s size sparked discussions between collaborators about raising the personal stakes for these characters and how exactly to go about it.
“Anytime we can put our characters in conflict in an interesting way, it makes for great drama and hopefully a better movie,” Bernstein said, adding that it “wasn’t easy” to execute certain plot points like killing off characters.
However, Bernstein said the decision had to be made in order to execute the vision he and collaborators had for other characters in terms of their growth and asking themselves new questions.
Bernstein previously directed episodes of the TV show before helming this feature film. (Courtesy of Amazon MGM Studios)The thrilling film leaves room for the Tom Clancy series to continue, whether it be in the form of new seasons or more films.
“As the world changes, Jack Ryan will keep changing,” Bernstein said. “There’s no loss for story. I’d love to see us make more of these. I’d love to see more of who Jack becomes in this crazy world we live in, and go from there and keep entertaining folks.”
“Tom Clancy’s Jack Ryan: Ghost War” is available to stream now on Prime Video.
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Unorthodox songwriting takes the stage in this record. (Courtesy of Rough Trade Records)Through fairytale-esque tangents and naturalistic soundscapes, My New Band Believe’s self-titled album pushes the listener into the unknown — in the best ways possible.
Released April 10, the project is helmed by former black midi member Cameron Picton and was recorded in the midst of the band’s disbandment in August 2024.
The eponymous album opens with “Target Practice,” whose innocent storybook-like presentation contrasts its violent, vengeance-filled lyricism.
“If we see you on a spike with holes for your eyes / We’ll just keep practicing our aim,” Picton gleefully sings, evoking images of a forced, teeth-grinding smile.
The track’s simple guitar strums and spirited strings give way to a crashing orchestral wave and chorus of impassioned voices, rivaling even the most grandiose of theatrical openers.
With a sudden jolt of cacophony, “In the Blink of an Eye” bolts in. A complete 180-degree turn from the previous song, Picton’s no longer a coldly calculated, revenge-seeking assassin, but a paranoid man whose impending breakup drives him to derangement.
Pittering’s plucks and skittish drums add to the stomach-churning anxiety, accompanied by his uncontrolled, neurotic ramblings that build in furor and intensity as the song progresses.
Picton’s vocal inflections and tones are enough to classify the album as theatrical, but the way his gravely yet smooth voice interacts with the band’s instrumentation transforms an experimental rock song into a full-fledged Broadway cast recording.
“Heart of Darkness” is characterized by its sonic instability, sloshing through varying song structures, instrumental passages and lyrical topics. There’s no unifying factor, but a scattered collage of projected insecurities and anxieties.
Despite having the longest runtime on the project, clocking in at eight and a half minutes, the song fails to have a single identity, leaving it to sulk in the shadows of an otherwise tight tracklist — especially when the last third is an uneventful, stagnant instrumental outro.
Nonetheless, the album functions as a sonic pinboard for Picton’s musical influences, tacking one-liners or interpolations from other songs for his own record. Nowhere is this clearer than on the lead single “Love Story,” a brutally intimate account of a romance, which borrows its melody from fellow Rough Trade act Jockstrap’s Sexy 2.
Gone is Picton’s frantic paranoia — here, through delicately banal vignettes of domestic life, he recounts his profound admiration for his partner, viscerally minute details adding layers of amorous depth.
“Chopping tomatoes while you wash the rice,” Picton sings, with a soft yet poignantly passionate delivery. “You sing along to your favorite songs / But you don’t know the words, so you make up your own.”
After a mid-song interlude teeming with sounds of dissipating creaks and sporadic plucks, a hazy, dream-like stained glass of pure admiration is shattered by the painful reality of the third verse.
Removed from the safety and contentment of their routine, the couple is placed in Gaza, assuming the roles of Palestinian lovers, torn apart by Israel’s ongoing genocide of the area.
“Under the phosphorus light, I cannot find you,” Picton sings, alluding to the relentless barrage of bombings launched toward the Palestinian people. “You are the love of my life.”
Despite its luxurious title, “Pearls” is downright unnerving, its instrumental palette full of grating dissonance, exasperated breaths and tiers of discordant sounds. Similarly, the track’s lyrics pulsate between biblical allusions and nearly nonsensical prose.
At one point, the audio completely cuts out, leaving a moment of dead space presumably meant for dramatic effect that sounds as if the mastering engineer’s hand slipped.
Returning to the sumptuous bursts of orchestration, Picton talks directly to a caricature of his parents, trying to forge his own life’s trajectory and unlearn the lessons they taught him as if they were his “Opposite Teacher.”
With each passing verse, the track’s instrumentation builds upon itself, transforming from simple plucking guitars to an explosion of emancipatory shouts and soaring strings.
On “Actress,” an eight-minute-long character study centering around a decaying relationship, Picton plays the part of a neglected partner in the shadows of his fame-chasing girlfriend. While he celebrates her newfound success, he laments that it’s at the cost of their love.
As she becomes more and more famous, he falls deeper and deeper into isolation, Picton’s already timid voice bowing under the emotional weight. In a stark contrast, when singing from the perspective of the titular character, his voice instantly brightens, the composition erupting into a snappy, showtuney energy.
Finally fed up, Picton’s character starts to express his desire for independence, not before his fame-drunk subject shows her final, true form — a fire-breathing dragon.
“How can you tell the truth, when all you ever do is lie?” Picton sings from the mouth of the companion. “But girl, you’re flying way too fast / Speak of the dragon and the dragon shall appear at last.”
In an impassioned fit of rage, fueled by overflowing feelings of rejection and climactic instrumentation, he conquers the creature, finally free from the furious flames of a toxic relationship.
A bellowing bass clarinet underscores a repetitive acoustic guitar, while a “One Night” stand slowly blossoms into a full-fledged relationship. Picton’s delicate whispers and unconventional lyrics leave the outro feeling unlike any of the previous songs — he’s no longer playing a character, but speaking from his own soul.
Despite recurring lulls in the form of unnecessary ambient interludes within and between melodies, My New Band Believe’s self-titled album is a collection of folk-tinged tracks whose eccentric and unorthodox songwriting challenges how romance can be portrayed through song.
“My New Band Believe” is available to stream everywhere.
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After a 3-year hiatus, everyone’s favorite sad girl Olivia Rodrigo is back with lead single “drop dead” off her upcoming third studio album, “you seem pretty sad for a girl so in love.”
The song debuted at No. 1 on the Billboard Hot 100 chart, making Rodrigo the first artist in history to debut the lead single of each of her albums at No 1.
The song, produced by Rodrigo’s longtime collaborator, Dan Nigro, begins with synths — a telltale signal she’s about to shock and change the world with new sonic experimentation.
With this newfound dreampop sound, and hopefully the rest of the album, Rodrigo can finally leave the rock and punk genre many fans are desperately pushing her to be in, allowing the 23-year-old to take her final form as the indie pop princess she seemingly longs to be.
As soon as Rodrigo opens her mouth on “drop dead,” she pulls listeners in with each line as she builds up to the chorus. Once she reaches the hook, it crescendos as rich synths play behind with Rodrigo’s voice following suit — an overstimulation greatly appreciated.
“One night I was bored in bed / And stalked you on the internet / It’s feminine intuition / ‘Cause I always had a vision of us standing like this,” Rodrigo sings as she goes back and forth between her falsetto and head voice, emulating the rises and drops of a rollercoaster ride.
Rodrigo perfectly encapsulates the feeling of having an online crush and finally being with them after plotting for so long — an incredibly common experience and the biggest dream of some.
This is off-brand for Rodrigo, as unfortunately, her world-stopping ballads are often inspired by the men who continually traumatize her. The change is welcome and appreciated by hopeless romantics and yearners.
As seemingly the only biological “Taydaughter” it’s a given there’s always a certain “je ne sais quoi” added with the bridge, and Rodrigo did her big one in the most talked about part of the song.
“Pisces and a Gemini / But I think we might go really nice together / If you let me stay the night / Well, I think I might just have to stay forever,” Rodrigo sings in the bridge.
And there it is, a direct reference to Rodrigo’s now ex-boyfriend and Gemini — which hurts to write — Louis Patridge. The couple was together for two years and the actor remains the only muse Rodrigo’s written a happy love song about — 2023’s “So American.”
Rumors circulated that when the pair broke up in December, Rodrigo had to scrap her love-themed album in which he serves as the muse. However, this song both dispels and gives truth to the whispers. She’s not scrapping the album, but their relationship will likely remain the hot topic.
After the initial shock of who the lyrics are talking about so blatantly, listeners leave their trance with a now-classic scream and edgy guitar riffs that occur at the tail end of the bridge before she comes back down quietly back into the final chorus — a pattern that’s becoming one of her staples.
“drop dead” is a thrilling, idealistic pop hit that ranks among Rodrigo’s strongest work. If the album sounds anything like this and the single doesn’t serve as an outlier, she secured herself an album of the year win at next year’s Grammys.
“drop dead” is out now and available to stream everywhere.
The post She has Risen: Olivia Rodrigo Resurrects with Latest Single ‘drop dead’ first appeared on The Loyola Phoenix.
Indie-pop band Japanese Breakfast played a sold-out show May 2, its third night at The Salt Shed. Showcasing the band’s fourth album, “For Melancholy Brunettes (& sad women),” the “Melancholy” tour’s Chicago stop brought an evening of heart-wrenching lyrics and somber music.
Ginger Root kicked off the night with a 40 minute set that melded performance with film. With a sound akin to elevator music, songs were separated by short films shown on projector screens.
Songs “Better Than Monday” and “Karaoke” showcased their synth heavy sound as lead singer Cameron Lew’s voice was masked in a walkie talkie filter as he sang into a red analog phone. Heavy bass guitar and funky keyboard gave the tracks a danceable feel as the crowd bopped along.
Under a cloud of dense fog, a pink clamshell sat center stage. The backdrop was straight from Botticelli’s “Birth of Venus,” previewing the mystical night of music to come.
Lead singer Michelle Zauner walked onstage joining the five-piece band. With a dramatic flourish, she pretended to light a prop lantern. Perched on the shell, she sang the underwhelming opening track, “Here is Someone.” While sweet, the soft lullaby-like song failed to inspire enthusiasm from the silent crowd.
Zauner moved directly into “Orland in Love.” The band brought a unique energy with ethereal violin and the intensified volume of the band’s sound. Compared to the recorded track, the live version instilled a driving energy into the song. Yet, Zauner’s angelic vocals were drowned out by the overbearing weight of the instruments.
Following tracks included “Road Head” and “Boyish,” from the band’s second album “Soft Sounds from Another Planet,” were restrained and hushed as the crowd gently swayed along.
“Mega Circuit” brought life to the set with a grungy sound and slide guitar. Zauner examined modern toxic masculinity using a shuffle rhythm to back the sinister lyrics.
“Well, I better write my baby a shuffle good / Or he’s gonna make me suffer the way I should / Deep in the soft hearts of young boys so pissed off and jaded / Carrying dull prayers of old men cutting holier truths,” Zauner sang.
The vigor was short-lived, however, as Japanese Breakfast reverted back to ballads with Zauner returning to sit in the oversized clamshell.
“Where are all my melancholy brunettes at?” Zauner said. “This is a sad one, it’s about my dad.”
“Leda” was more than a “sad one” — it was devastating. Simple guitar exposed Zauner’s clear vocals as she sang of the pain of holding onto the strained relationship with her father.
“Gordian-like knot / Raveled by the days / Tried to cut you off / Somehow pulled it tighter,” Zauner sang.
Lyrics used as a diary to explore familial trauma have long been an aspect of Zauner’s artistry. In 2021 she published her New York Times bestselling memoir “Crying in H Mart,” detailing Zauner’s relationship with her mother, reconciling with her death and exploring fraying tensions with her father.
“Heft” provided a brief respite from the crushing weight of the melancholic music before the band resumed the mournful tone with “Winter in LA.”
It wasn’t until halfway through the 22-song setlist that Japanese Breakfast sustained a sense of momentum with “Slide Tackle” and “Be Sweet.” Zauner attempted to engage the crowd, instructing them to jump and dance, but only half of the audience obliged.
Transitioning from ethereal crooning to skipping across the stage with childlike whimsy felt discombobulated, as if Japanese Breakfast had no clear direction for the show.
The setlist continued the tonal roller coaster by plunging into “In Heaven” off the band’s debut album, “Psychopomp.” Despite whirlwind guitar, the track zapped the energy in the room with attendees seemingly unfamiliar with the band’s earlier sound.
This was the first time Japanese Breakfast played the track on their “Melancholy” tour, which Zauner attributed to opening act Ginger Root’s request that the band play more from “Psychopomp.” The subsequent song “The Woman That Loves You” was from the same album.
The three-song encore of “Posing For Cars,” “Paprika” and “Everybody Wants to Love You” proved the band’s ability to conduct a memorable performance. Climaxing with a bright guitar solo and Zauner’s iconic gong crash, the closing songs made the preceding set feel like a mild warm-up.
The night ended with Lew, returning on stage to duet “Everybody Wants to Love You.” He and Zauner leaped across the stage, beaming as the crowd screamed along.
A climactic exit for a sonically winding performance suggests that Japanese Breakfast’s primary strength is in the vulnerability of their lyrics, and not the bite of live performance.
The post The ‘Melancholy’ of Japanese Breakfast Engulfs The Salt Shed first appeared on The Loyola Phoenix.
For the first time since winning back-to-back titles in 2014 and 2015, the Ramblers made a comeback to the men’s volleyball NCAA Tournament after winning every set in the Midwestern Intercollegiate Volleyball Association championship for the 2024-25 season.
Led by Loyola Hall of Fame head coach and former NCAA champion Shane Davis, the Ramblers earned one of nine spots to dance at the tournament, facing Pepperdine University in the first round.
With many fans in attendance for both programs at the Covelli Center in Columbus, Ohio, Loyola rematched a determined Waves squad, who suffered a heartbreaking loss in five sets to Loyola earlier in the year.
Pepperdine struck the board to open the game after an attack error from second-year outside hitter Daniel Fabikovic. Redshirt fourth-year outside hitter Parker Van Buren was there in the following play, notching a kill to even the board at one.
First-year Pepperdine outside hitter Cole Hartke registered a service ace before fourth-year middle blocker Nicodemus Meyer tabbed a kill to give Loyola an early 3-1 lead.
Van Buren’s attack went just over the back right side for an error, and Fabikovic tabbed a kill before Van Buren chalked another soft-touch kill that went through the hands of Hartke.
Redshirt third-year Ryan Barnett put a kill into Loyola’s backcourt and Fabikovic kept the Ramblers in momentum, tabbing another kill.
A service error from Barnett gave Loyola a 7-4 lead. Hartke tied the set at eight, and the Waves grabbed momentum after two straight blocks from redshirt second-year middle blocker Ethan Watson and second-year outside hitter Ilay Harvey, who then scored again with a kill.
Harvey and third-year setter Ryan McElligott exchanged service errors in the following sequence. Meyer found a gap to put a kill through Barnett’s hand to put Loyola ahead 10-9.
Pepperdine took a timeout after second-year outside Jake Read tabbed a kill as Hartke’s attack error put Loyola ahead 12-9.
Barnett put back a kill out of the timeout, as Watson and Meyer traded service errors. Van Buren then made a statement by slashing three consecutive kills to put the Ramblers ahead 15-11.
Loyola had a block on Hartke, and after third-year libero JJ Sowa’s acrobatic set connected Fabikovic with another kill, Barnett committed a service error. The Waves called a timeout trailing 18-12.
Two more blocks for the Ramblers from third-year middle blocker Brad Bell, McElligott and Fabikovic gave Loyola 20 out of Pepperdine’s break. Barnet missed his spike, and fourth-year Pepperdine libero Brenden Read’s serve struck the net for a fault, giving Loyola set one at 25-18.
The Waves struck the second frame first with a kill from Barnett, who followed his point with a service error. Van Buren registered a kill and Hartke was there to answer with a kill of his own.
Watson then tabbed two kills to take the lead over Loyola, but Read of Pepperdine had an attack error and challenged, giving the Ramblers a 3-2 lead over the Waves.
Loyola was unable to finish a block from Hartke’s swing as Pepperdine took the lead 6-5. Set two continued in point-for-point sequence until a tie at 16, where a kill from McElligott and Fabikovic sent the Waves into a timeout.
Fabikovic grabbed a kill, giving Loyola a 20-18 lead, then five service errors followed—two for the Ramblers and three from the Waves, keeping Loyola ahead at 22-20.
The Ramblers settled for a timeout as Pepperdine tied the set at 23 with an attack from Van Buren, blocked by Barnett.
Read gave Loyola a set point in the next play, but after a kill from second-year outside hitter Ilay Harver, the Waves tied the set at 24, forcing a win-by-two situation.
Harver responded with a kill after Barnett’s service error gave Loyola 25. Loyola then successfully challenged a kill for an attack error on Hartke. Hartke blocked Van Buren’s attack, giving Pepperdine the go-ahead point, 27-26. The Waves won set two 28-26, with Watson recording the final kill.
The Waves took the first points of the third frame after Read made an attack error while Meyer responded with a kill to tie the score.
The Ramblers fell behind 6-2 after two aces from Hartke and a mistake on Bell’s attack, forcing Loyola to settle for a timeout.
Out of the break, three straight attack errors for Loyola — two from Read and one from Bell — gave the Waves some even cushion, leading 9-2.
A block from Read and first-year middle blocker Aidan Klein broke the sequence, but a kill from Watson and Haver put Loyola down 11-3 and brought the Ramblers in for a timeout.
Barnett gave the Waves 15 with a kill, as the Ramblers found themselves behind a large deficit of 15-4.
At 16-6, Van Buren swung and connected a kill over the left, but Hartke was able to connect for the block. An attack error from Fabikovic put the Waves ahead 18-6.
Pepperdine found point twenty after Brenden Read registered a service ace, then a kill from redshirt first-year Tyler Howard was challenged at 20-8 and reversed to give the Waves 21.
Barnett’s kill took the third set for the Waves 25-13 as the Ramblers sank 10 missed attacks and a -.200 hitting percentage in the frame.
Read and Barnett traded kills to open the fourth set. The Waves went ahead 4-2 after another kill from Barnett. Fabikovic answered with a kill assisted by McElligott.
An ace from Barnett and a kill from Hartke sent the Ramblers in for a timeout down 7-3. Watson grabbed his seventh kill as Pepperdine went up 12-6 over the Ramblers, pushing later into the fourth set.
A block from Klein and McElligott gave Loyola eight, then a challenged service ace from the Waves overturned in favor of Loyola gave the Ramblers nine.
McElligott registered a service ace, and Meyer made a kill, putting Loyola behind 17-10. After two consecutive kills by Van Buren and Meyer brought Loyola closer, Fabikovic gained momentum with an ace, down 17-13.
Hartke put up a kill to give the Waves 18, then an attack error followed from Van Buren. Meyer and McElligott combined for a block on Barnett of Pepperdine to level the score 22-18.
Fabikovic, Meyer, and Van Buren all triple-blocked Hartke’s attempt to connect a kill before the Waves called a timeout up 23-20 as their lead dwindled.
The Ramblers, closing their deficit, scored their last point of the 2025 season on the triple block — a kill by Barnett followed an attack error from Fabikovic.
The Waves took the set 25-20.
Meyer and Van Buren reflected on their team’s resilience that led them back to the NCAA Championships.
“There was never any doubt that we were going to lose,” Meyer said. “The whole time we professed, ‘Why not us? Why can’t we win? It’s our chance.’ The whole team is just really resilient. And then just, this coaching. Pre-game, practice, during the game, constantly firing us up, telling us you’re the best team, you’re the best team, you’re the best team. It means so much to have coaches who truly believe.”
McElligott led the ledger with 35 assists behind 11 digs for his fourth double-double of the season, while Van Buren recorded his 12th straight game with 10 kills.
Davis said he appreciated being back at the helm of the men’s volleyball program. In his debut season, he led the Ramblers to a 25-4 record and a trip to the championship tournament.
“It’s been amazing to be back and be in a position to come back and say yes,” Davis said. “We’ve just had arms wrapped around us and support. I chose Loyola for a reason 30 years ago, and there’s a reason I’m still here. It’s just a special place.”
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Following the death of Pope Francis, the Vatican began the conclave process to elect the new pope. Some students studying at Loyola’s John Felice Rome Center had an up-close view of the historical experience, which resulted in the election of Pope Leo XIV.
Francis died April 21 from a stroke which left him in a coma and caused his heart to fail, only hours after blessing a crowd in St. Peter’s Square on Easter Sunday, The Phoenix reported.
Francis was the first Jesuit pope in history, giving him a special connection to Loyola’s values. He was known for his commitment to the poor, progressive thoughts on LGBTQ+ rights within the church and for championing environmentally friendly policies, the Associated Press reported.
Students were in attendance at Francis’ final papal audience Feb. 5, days before he was hospitalized for bronchitis and double pneumonia. The visit was organized through the university, according to Michael Rogowski, a fourth-year criminal justice and film major who was also an RA at JFRC for the spring semester.
Madeline Kitagawa, a third-year public health major who spent her spring semester at JFRC, said she was one of the students who attended the Feb. 5 papal audience. She said although she didn’t know it would be one of his last public appearances at the time, it was impactful for her to see him in person while she was in Rome.
Rogowski said he was able to see the pope’s body lying in state and attend his funeral April 26. He said although many people visited to pay their respects when his body was in St. Peter’s Basilica, it didn’t compare to the size of the crowd present at his funeral.
“The first thing that kind of struck me was that I had never been in a gathering that huge before,” Rogowski said. “I would look behind me and just see an endless sea of people stretching all the way down that road. I think it kind of puts into perspective the sheer scale of the pope’s influence and the religion as a whole.”
Rogowski said seeing how many other people were impacted by the event was a grounding experience for him.
“The Wednesday prior I had seen him up close and it was definitely strange, but then seeing the closed casket… that was weird because it looked so tiny from where I was at,” Rogowski said. “I was just, like, ‘Wow, so many people for this one person.’”
The JFRC semester ended May 1. Many students had already left campus by the beginning of the conclave May 7. They were in the midst of finals week when Francis died, according to Professor of Roman Catholicism Rebecca Pawloski.
Robert Prevost, who was the Cardinal-Bishop of Albano and President of the Pontifical Commission for Latin America, was chosen to succeed Francis as the 267th pope. Following tradition, Prevost selected a new name for himself upon his election — Leo XIV, the AP reported.
Originally from the southern Chicago suburb of Dolton, Leo is the first pontiff to hail from the United States in the history of the Catholic church. He also spent extensive time working in Peru, acquiring Peruvian citizenship in 2015, the AP reported.
“Peru is rejoicing at the election of Pope Leo XIV,” said Italian Prelate of the Catholic Church Paolo Gualtieri in a statement to Vatican News. “He spent the greater part of his life here, gaining profound experience as a missionary, pastor, educator, and bishop.”
Leo began in Peru as a priest and missionary, and then served two terms as provincial superior. He later became Apostolic Administrator and Bishop of the Diocese of Chiclayo, according to Vatican News.
“He truly gave his heart to Peru,” Gualtieri said in the statement.
Kitagawa attended the first night of the conclave with a professor who she was getting aperitivos with in the area. She said they ended up waiting around two hours to see the smoke, which was black, signaling a new pope hadn’t been chosen. White smoke is used to signal when a pope has been selected.
In order to elect the next pope, 133 cardinals were sequestered inside the Sistine Chapel in Vatican City. They continued to hold rounds of voting until they reached a two-thirds majority.
Pawloski said this conclave involved 133 cardinals — the largest conclave in history compared to the previous fixed number of 120. She shared remarks following the first night of the conclave when black smoke was released multiple hours after it was scheduled to appear.
“When the black smoke finally appeared, my phone battery had died,” Pawloski wrote in an email to The Phoenix the afternoon of May 8, before Leo was selected. “All the better, as it made me more attentive to the experience in a different way. The ‘fumata nera’ wasn’t surprising, nor was its late arrival.
After the white smoke is released, the new pope emerges onto the balcony of St. Peter’s Basilica to make his first remarks in the role. In Leo’s first blessing, he echoed the sentiments of unity and peace present in Francis’ Easter blessing, according to the Vatican News website.
“We can still hear the faint yet ever courageous voice of Pope Francis as he blessed Rome, the Pope who blessed Rome, who gave his blessing to the world, the whole world, on the morning of Easter,” Leo said. “Allow me to extend that same blessing: God loves us, God loves you all, and evil will not prevail! All of us are in God’s hands.”
Landon Hulser, a third-year political science and economics major, said part of him wishes the school would have done more to coordinate trips to the events following Francis’ death, but he also knows it was a chaotic time since it was last minute and during finals week.
Rogowski said as an RA he was responsible for making plans to visit various parts of Rome, and although there were discussions about planning trips to the pope’s funeral, it was difficult to bring them to fruition due to the overlap with finals week.
Hulser said he was present for both days of the conclave. On the second day of the conclave, when Leo was elected, Hulser said he and his family were staying at an Airbnb just a couple minutes away from the square.
When the white smoke was first blown, he said his sister was watching it on a livestream on her phone. At that point, he and his family got up and ran through crowded streets to the square to wait for the new pope’s identity to be released. White smoke was still billowing when they arrived.
“That was the most surreal moment,” Hulser said. “The two-minute walk from our Airbnb to St. Peter’s Square, there were people crying, everybody was on the phone with somebody. There was this one woman and she’s screaming, ‘Bianco, bianco,’ which is white in Italian.”
When it was revealed to the crowd the person selected was an American, Hulser said many people started to leave the square in anger. He said personally, he feels more connected to the pope knowing they have shared experiences growing up in the United States.
“The fact that this guy grew up in Chicago and this is where we go to school,” Hulser said. “That’s the first time anybody in the United States, anybody in Chicago can ever say that and I think that’s really important, and that’s super, super cool being a Loyola student as well.”
Rogowski was visiting family in Poland on the first day of the conclave. On the second day, he said he read about the news online and was surprised to see they had selected a pope so soon. He said although he wished he could’ve been there in person, he didn’t have time. If the conclave had extended to a third day, he said he had planned to attend.
Rogowski, who was born and raised in the Chicago area, said he was very excited to learn Leo is from Chicago. He said in the same way his Polish family felt a connection to Pope John Paul II, he feels a connection now to Leo.
“There’s something about the pope being from your home country or, in our case, your hometown as well, that kind of just makes you feel a little proud,” Rogowski said. “I think it’s kind of funny and an exciting little wrinkle in the whole process that the guy’s probably been to Portillo’s and has an opinion on Cubs versus Sox.”
Hulser said he feels very lucky to have experienced so many historical events when he happened to be in Rome, even though he isn’t Catholic. He said as a Christian, he was supportive of the ideals Francis preached during his time in the papacy.
“First of all, he’s Jesuit, and second of all, I personally think he was really, really good at his job,” Hulser said. “I agree with the things he did for the Catholic church. I agree with the way he moved the church. I agree with his much more liberal ideology and his much more accepting ideology.”
Hulser said he’s hopeful Leo will continue down a similar path of acceptance.
“Especially in this time, I mean there’s just, there’s a lot of bad things happening in the world, there’s a lot of war,” Hulser said. “I think the Catholic church is in a really, really good position to be accepting, to promote peace and to support people who need it, and I really think that’s the job of the church and I think that’s exactly where the pope needs to go.”
Rogowski said he liked Francis’ approach to interacting with marginalized communities and hopes to see Leo follow a similar route.
“He had this very humble and kind of humanistic approach to the papacy that I think really spoke to me,” Rogowski said. “I think his advocacy for those marginalized groups really connected with me, and I think him being a Jesuit and me attending a Jesuit university — there was definitely a connection there.”
Kitagawa said she hopes Leo will continue Francis’ legacy and share similar values, especially in aiding the poor and showing kindness toward migrants.
“Continuing the sentiment of loving everyone, accepting everyone, and sort of what I think Catholicism is all about,” Kitagawa said. “Just trying to help as many people as possible.”
Rogowski will remain in Rome until the end of May and said he hopes to visit Francis’ final resting place in the Basilica of St. Mary before he leaves.
The post Rome Center Students Experience Conclave and Francis’ Funeral First-hand first appeared on The Loyola Phoenix.
The world of fake IDs and flavored vodka is a closeted college student’s playground in the comedy series “Overcompensating.”
Creator, writer and executive producer Benito Skinner stars as Benny, a football-playing first-year masking his gay identity with rehearsed frat boy diction and feigned adoration for masculine media like “The Godfather.”
In a roundtable interview, Skinner (“Queer as Folk,” “Idiotka”) told The Phoenix the series’ title was a reference point for each chaotic predicament and exaggerated personality in the show.
“Every single character and thing on screen is overcompensating to a degree, which can get overwhelming,” Skinner said.
Amid the backdrop of the fictional Yates University, clouds of Axe body spray and publicly hypersexual couples saturate the college setting with gaudy humor.
Skinner said he embedded visual comedy into the script due to a sketch-writing reflex, not thinking production would actually follow through. When he asked why a dog was sitting on a classroom set, he was told, “You wrote it in the fucking script.”
“We had so much fun, I think, in a background joke that can almost feel forward at a certain point,” Skinner said. “Everything feels performative in a way.”
After gaining an audience of millions on TikTok and Instagram with his online persona Benny Drama, Skinner said he departed from the comfort of sketch comedy to develop this semi-autobiographical series. When he felt the same fear developing the show that he felt posting his first videos, Skinner said he knew he was doing the right thing.
“This feels like a true creative challenge and something, I think, where it can get really emotional and I can tap into something in a story I really want to tell,” Skinner said.
Abandoning the exaggerated satirical impressions he built his platform on, Skinner molded Benny after himself and left the wild wigs and melodramatics to an ensemble of flamboyant characters.
The cast is littered with comedians such as Wally Baram and Mary Beth Barone, who Skinner said sharpened the show’s voice.
“It’s so inspiring as a writer to have the actor in and you’re just like, ‘Oh, I know their wheelhouse but I also know what will be shocking for them,’” Skinner said. “They can stand on screen alone and tell a whole story and that was so inspiring to me.”
While each character offers unique comedic possibilities, they reveal their true emotions by overcompensating for their insecurities. For example, brash party girl Hailee’s insistence on taking and posting photos reveals a desire to be properly seen and heard, Skinner said.
“I never shied away from when it felt like it needed to go emotional, go there,” Skinner said. “Trying to find yourself is both really funny in retrospect and really sad at times.”
Being able to explain why characters portrayed themselves in such over-the-top ways allowed Skinner to more honestly depict the college self-discovery experience, he said.
During the majority of his time attending Georgetown University from 2012 to 2016, Skinner was closeted, according to Out. He said finding the humor in the sadness of this reality — and vice-versa — was central to his writing.
“I tried to tell it as true to my experience as possible,” Skinner said. “I wanted it to be definitely from my perspective and the things that I had seen just to make it as true and feel honest to that time.”
While he graduated nearly a decade ago, Skinner said he hopes people of all ages can identify with aspects of his journey. Putting aside specifics of the story — like “George of the Jungle” being Benny’s sexual awakening — Skinner said he wants queer viewers to see themselves reflected in the character’s actions and experiences.
Universal elements of the coming of age story — big life changes, suppressed emotions, the search for true friends — form the surreal world of Yates. With budding sexual lives and newfound independence, Benny and his peers embark on a journey of self-discovery set in the distinctly hectic first weeks of college.
“I do think, in general, there is a college bubble that does exist of style and what campuses feel like,” Skinner said. “These things do kind of feel forever in a way.”
All episodes of “Overcompensating” are available to stream on Prime Video.
The post ‘Overcompensating’ Creator Benito Skinner Talks Self-exploration And The College Experience first appeared on The Loyola Phoenix.
Chasing lights shone bright around the marquee of the historic Music Box Theater, announcing the 12th annual Chicago Critics Film Festival.
From May 2-8, the festival, run by the Chicago Film Critics Association, highlighted more than 20 feature and short films, ranging from gut-busting comedies and tear-jerking dramas to seat-gripping thrillers.
The Duality of “Twinless”
To a completely sold-out audience, writer, director and lead actor James Sweeney presented “Twinless,” a black comedy about two men who form a special friendship after meeting in a bereavement group for those whose twins have died.
Dylan O’Brien plays dual roles as twins Roman and Rocky. While O’Brien’s (“Teen Wolf,” “Maze Runner”) performance as the grieving Roman is the film’s cornerstone, his portrayal of Rocky, a gay man, comes off as stereotypical with overly flamboyant and effeminate mannerisms.
Although Sweeney (“Straight Up”) gives a bold performance as Dennis — a socially awkward man yearning for a boyfriend — his true talent lies behind the camera, balancing witty jokes, emotionally rich dialogue and complex filmmaking techniques — all within the same movie.
Dressed as player characters from the video game series “The Sims,” Roman and Dennis attend a Halloween party where the screen splits into two halves. The divided screen simultaneously tracks their individual experiences before seamlessly merging back together at the scene’s climactic end. While romantic jealousy grows on one side of the screen, sexual tension builds on the other.
Making sure to toe the line between cheesiness and salaciousness, Roman and Dennis’s relationship evolves in a believable, realistic way. Their chemistry transcends the screen, as the two appeared together at a post-screening Q&A.
“You can never predict a working chemistry, a creative chemistry, a friendship of chemistry, you know?” O’Brien said. “It was a really impactful special experience for both of us.”
“Twinless” is scheduled to be released Sept. 5.
The festival, hosted by the Chicago Film Critics Association, occurred between May 2 and 8. (Courtesy of Lisa Trifone, Bright Iris Film)Why can’t it be a “Happyend”?
In a near-future Japanese society, the threat of an impending mega-earthquake looms over five high schoolers during a shaky time in their lives — the last semester of their senior year.
Two of the seniors — childhood best friends Yuta and Kou — struggle to adapt to each other’s increasingly divergent post-grad aspirations. While Kou works hard for a scholarship, Yuta wants to maintain his hedonistic lifestyle as a DJ.
After Yuta and Kou pull a prank on their authoritarian principal, the school implements a hyper-pervasive security system called Panopty, modeled after the infamous panopticon, to curb misbehaviour among students. In the school’s courtyard, a large screen displays footage of infractionary students, inciting further outrage.
“Happyend” critiques the nationalistic sentiment present in contemporary Japan by heightening the discrimination against non-Japanese immigrants in the film. The school administration and Panopty mainly target the Zainichis, a minority group of ethnic Koreans with permanent residence in Japan, which includes Kou.
Reminiscent of Alfonso Cuarón’s “Roma,” political instability and social uprising slowly bubble in the background until it completely overflows. Writer and director Neo Sora achieves this through blunt— yet non-preachy — dialogue.
“I don’t want to be so upset all the time, but I get so angry when I see injustice everywhere,” Prayer Kirarafumi — a fellow student and outspoken critic of Japanese nationalism — said.
Accented by its subtly heartfelt and politically charged screenplay, “Happyend” is a film about growing up and growing apart in an increasingly hostile environment.
“Happyend” is scheduled for an American release June 20.
Passes and individual tickets are available for public purchase. (Courtesy of Lisa Trifone, Bright Iris Film)Oh, “It Ends”!
The hum of a car engine constantly underscores the existential hangout movie “It Ends.” In his debut film, writer, director and editor Alexander Ullom crafts an unmatched Generation Z take on finding purpose in one’s life and eternity.
When they miss a turn on a road trip, four friends find themselves on a seemingly never-ending road. Unable to sleep or stop, the recent college graduates reflect on their past, the perpetual present and an uncertain future.
After peeling away the layers of psychological horror and existentialism, “It Ends” reveals a story about teen friendship. Their connection is tested — and strengthened — not through the eternal road trip but by the little things teenagers may take for granted, like party games, new clothes and brain-rotted memes.
“I think that there is a level of, like, ironic, or you know like, post-terrifying structure collapsing detachment that is going on,” Ullom explained during a post-movie Q&A. “It’s a direct response to something that we actually feel very, very deeply but not really, because that’s why I’m, like, posting memes and shit.”
Although “It Ends” largely takes place inside a car, over its one and a half hour runtime, varying camera angles and frantic shots — paired with a one-of-a-kind Gen Z perspective — drive the film, ensuring the viewer stays engaged.
“It Ends” is yet to receive a widespread release date.
Director Jay Duplass, cast Michael Strassner and Liz Larsen attended a Q&A screening for “The Baltimorons.” (Courtesy of Lisa Trifone, Bright Iris Film)Merry Christmas from “The Baltimorons”
Written and directed by Jay Duplass — his first solo movie production in 14 years — “The Baltimorons” centers around Cliff Cashen (Michael Strassner), an ex-improv comedian and recovering alcoholic requiring emergency dental surgery on Christmas Eve. After a series of misfortunes, Cliff and his dentist, the cold Didi Dahl (Liz Larsen), embark on a wild goose chase around Baltimore.
The film effectively delves into deeper topics like sobriety, depression, and suicide, while maintaining a comedic disposition.
While its name might not make it apparent, “The Baltimorons” is a love letter to the Maryland city, with various references to staples like blue shell crab, 34th Street Christmas displays and the Ravens football team.
During a post-movie Q&A, Duplass explained the choice to film in Charm City.
“The permit to shoot the entire movie on the streets of Baltimore was just $45,” Duplass said. “And when Michael told me that, I was like, ‘Let’s go.’”
Strassner and Larsen’s on-screen chemistry, as the two lovingly annoy one another, is the heart of the film, with Strassner’s boisterous comedic performance being a highlight of the movie.
“The Baltimorons” is yet to receive a widespread release date.
The post Friendship, Existentialism and The Sims Overtake the 2025 Chicago Critics Film Fest first appeared on The Loyola Phoenix.
Congresswoman Jan Schakowsky announced May 5 she won’t be running for reelection in 2026. Schakowsky has represented Illinois’ 9th congressional district since 1999, which includes the far North Side of Chicago, Skokie, Evanston and Crystal Lake.
80-year-old Schakowsky currently serves as a chief deputy whip for the Democratic Party in the House of Representatives. During her tenure in Congress she helped draft the Affordable Care Act and supported consumer protection bills, according to her website.
“It is now time for me to pass the baton,” Schakowsky wrote in her May 6 announcement. “We are so fortunate in the 9th District that there are dozens of talented leaders, advocates and organizers who know our community and who are ready to lead the charge as we fight back against the extreme MAGA agenda and President Donald Trump’s shameful policies.”
Democratic challengers Kat Abughazaleh, Daniel Biss and Laura Fine have already announced campaigns for Schakowsky’s open seat.
Abughazaleh announced her campaign March 24 — before Schakowsky revealed she wasn’t seeking another term. Abughazaleh raised over $100,000 in contributions within seven hours of announcing her campaign, according to her website.
The 26-year-old journalist’s campaign announcement focused on affordability, protecting civil rights and combating the Trump administration while remaining critical of Democratic leadership.
“While current Democratic leadership might be fine cowering to Trump, I’m not,” Abughazaleh said in her campaign announcement.
Evanston Mayor and former Illinois State Senator Biss announced his campaign for congress May 15. He wants to “build a future where truth, dignity and justice come first,” resist obeying the Trump administration and combat moneyed interests, according to his website.
“People gave up on the government because they saw people from both parties give up on them,” Biss said in his campaign announcement. “I’ve never backed down from a fight as a legislator or as Mayor.
In his announcement, Biss called America an “unimaginable hellscape” where “corporations are looting the government” and people are being “disappeared” and sent to foreign prisons.
Laura Fine announced her campaign for Congress May 6 and was endorsed by several Illinois democrats the next day. She has served as a state senator for Illinois’ 9th district since 2018 after representing the 17th district in the Illinois House of Representatives from 2013 to 2018.
“With our rights and freedoms under attack by Donald Trump and his MAGA cronies, I’m ready to stand up and push back,” Fine’s announcement read.
Fine’s top priorities include lowering costs for working families, protecting women’s reproductive rights and combating special interests, especially in healthcare, according to her website.
Schakowsky endorsed Fine in her 2018 run for Illinois State Senate as a “fearless” and “devoted” candidate with “progressive values,” according to Fine’s website.
The same day she announced her campaign, Fine was interviewed by The Jewish Insider, in which she described herself as a “staunch defender of the Jewish state.” Fine has also met with pro-Israeli lobbying groups, including CityPAC, American Israel PAC and Democratic Majority for Israel, according to The Jewish Insider.
Schakowsky is affiliated with the pro-Israeli group J-street, which is sometimes at odds with AIPAC and DMFI. J-street has accused the AIPAC of being indifferent to Palestinian rights and freedoms and the DMFI of perpetuating a cycle of conflict.
Fine’s office did not respond to calls from the Phoenix.
Illinois’ 9th congressional district has one of the highest Jewish populations of any district in America with 12.2% of the adult population being Jewish, according to the Jewish Telegraphic Agency. Both Schakowsky and Fine are Jewish.
The country’s response to the War in Gaza has become an increasingly divided issue for Democrats, especially with Democrats under 30, according to NPR. 59% of Democrats have more sympathy for Palestinians, while 21% have more sympathy for Israelis, according to a March 20 Gallup poll.
Abughazaleh’s father is Palestinian. Her grandparents survived the 1948 Nakba and had to flee to Kuwait from Palestine, The Phoenix reported. She also featured a keffiyeh — a traditional Arab garment synonymous with Palestinians — in the background of her campaign announcement video.
“I think war crimes are bad no matter who is committing them — that means Israel, that means Hamas,” Abughazaleh said in an interview with The Phoenix. “Even if I wasn’t Palestinian I would feel this way.”
During his 2017 mayoral campaign, Biss — whose mother is Israeli — removed his running mate Carlos Ramirez-Rosa due to his support of divestment from Israel, as reported by The Chicago Sun-Times.
“I also care deeply about justice for Palestinians and believe that a vision for the Middle East must include political and economic freedom for Palestinians,” Biss said in a statement as reported by The Hill. “That’s why I oppose the Boycott, Divestment and Sanctions movement, or BDS, as I believe it moves us further away from a peaceful solution.”
Biss was opposed to the Evanston City Council adopting a cease-fire resolution for the war in Gaza provided by the Equity and Empowerment Commission, as reported by The Chicago Tribune.
Biss’ campaign did not respond to emails from the Phoenix.
Democrat Justin Ford and Republican Rocío Cleveland have also announced campaigns for the district 9 seat.
Ford is a Union leader and public health professional. He’s a “progressive” candidate who’s pushing for a four-day work week, climate justice and social security protection, according to his website.
Cleveland is a Republican candidate striving to protect people from crime, discrimination and illegal drugs. She’s also aiming to fight government corruption, according to her website.
Cleveland made a post on Facebook May 9 in which she suggested Muslims abuse women and are plotting to take over American democracy. The post featured photos of women with acid-scarred faces and a graphic claiming Islam is connected to rape, pedophelia, beheading, female genital mutilation, burning people alive and Jihad.
Cleveland named Abughazaleh in the post and accused her volunteers of supporting the Lebanese political party and military group Hezbollah.
Cleveland’s campaign did not respond to emails from the Phoenix.
Democrat David Abrevaya filed a statement of candidacy with the Federal Election Commission April 4, but told The Phoenix he decided to withdraw his candidacy.
This election will be the first in which Schakowsky isn’t running since 1998 and will be held Nov. 3, 2026.
The post Schakowsky Won’t Run For Reelection, Challengers Announce Campaigns for 2026 first appeared on The Loyola Phoenix.
In his feature film debut, director and writer Isaiah Saxon takes viewers on a whimsical, wayward adventure.
“The Legend of Ochi” centers around young farmer Yuri (Helena Zengel), who finds a lost mythical creature called an ochi and tries to return it home. Simultaneously, Maxim (Willem Dafoe), a bombastic child battalion leader and Yuri’s father and her mother, Dasha (Emily Watson), try to stop her perilous journey.
The blue-skinned, orange-haired ochis look like a cross between apes and bears. The sharp-toothed critters communicate through high-pitched warbling, and humans are able to talk back through flute playing.
Overtly uncomplicated, the movie is interspersed with sparse dialogue, simple set dressings and a soft-spoken lead performance by Zengel (“News of the World,” “Transamazonia”).
While the film’s mythicality sometimes works to its advantage, much of the non-dialogue sequences feel more like earnestly made Ewok fan fiction, with the big eyed creatures squealing in attempts to woo the audience with their cuteness.
On the surface, “The Legend of Ochi” appears to be fantasy, but it’s really more of a subdued comedy. Cute and intimate moments between Yuri and the ochi are prioritized over laugh-out-loud jokes, such as the two playing hide-and-seek inside of a grocery store freezer.
The film’s overwhelming beauty comes from two extremes — the breathtaking panoramas of the Transylvanian Apuseni Mountains and the allure of close-up shots. Cinematographer Evan Prosofsky’s camerawork captures the texture and detail of every scene.
A score consisting of soaring strings and blaring brass — composed by David Longstreth — evokes a woodsy feeling, matching the nature-heavy aesthetics of the film.
Another highlight comes from the talents of makeup designer Andrea Dardea Tesdall, whose knack for cosmetology is apparent through the film’s grotesquely impressive special effects makeup. Her revolting creation of a festering, blue and veiny ochi bite is sure to elicit gut-churning reactions.
Despite being second billed on the official movie poster, actor Finn Wolfhard is grossly underutilized. With so little screen time and memorability, Wolfhard could’ve been replaced by any curly-haired teen heartthrob, and the film wouldn’t have changed at all.
In a similar manner, Dafoe’s (“The Grand Budapest Hotel,” “Kinds of Kindness”) performance — the showiest out of the bunch — is cut short in exchange for Zengel’s much more understated performance.
Even the final chase scene is out of place in the picturesque feature, with visuals more apt for a 4D amusement park attraction than a multimillion-dollar production. Despite being filmed on location, this sequence was obviously filmed in front of a greenscreen, full of tacky, computer-generated roaring rapids.
Although its landscapes are visually stunning, subpar visual effects, forgotten cast members and an overall mellow aesthetic bog the mystical film down. As a whole, “The Legend of Ochi” struggles to find its way home.
“The Legend of Ochi” began playing in theaters April 25.
The post ‘The Legend of Ochi’ Flaunts Flutes, Folklore and Furry Friends first appeared on The Loyola Phoenix.
Directed by David Sandberg, “Until Dawn” is the latest theatrical video game adaptation to spit in the face of its influence.
Derived from the titular 2015 survival horror video game, “Until Dawn” isn’t merely an adaptation but a spinoff story set in the game’s world — similar to the 2024 “Fallout” series. Despite releasing close to the divisive “A Minecraft Movie,” “Until Dawn” still manages to be the more abysmal adaptation.
The game emphasizes storytelling and dialogue choice over character control, making it a seemingly easy choice for adaptation. However, without the game’s interactive elements, what remains is a mundane narrative failing to offer anything distinctive.
One year after her sister Melanie’s disappearance, Clover and four friends journey to Melanie’s last known whereabouts — a decaying town secluded in the woods. While exploring the deserted visitor center, they find themselves repeatedly killed by an enigmatic masked figure and reset to the start of their evening in a time loop.
To escape with their lives, each member must survive “until dawn.”
“Until Dawn” suffers from the same weak spots as “Happy Death Day” and “Bodies Bodies Bodies,” being a mundane thriller weighed down by poor writing, tired cliches and little fear factor.
To its credit, the film expands on the time loop concept by introducing new twists to each passing night. Mysterious buildings appear, zombie-like wendigos spawn and the group gradually transforms into monstrous versions of themselves the longer they stay.
Despite the effort, these elements are ultimately buried beneath the poor writing, which prioritizes forced humor at the expense of tone and character development.
While each death is depicted in gruesome detail, they’re treated more as punchlines than brutal ends. The secluded house crafts an eerie setting, with numerous doors leading to branching corridors bathed in darkness. This could build real tension, if not for the cheap barrage of jumpscares around every corner.
Clover (Ella Rubin) and her ex-boyfriend Max (Michael Cimino) are the only ones with any actual chemistry. The remaining characters — Megan, Nina and Abe — are reduced to banal archetypes with no emotional depth.
Megan (Ji-young Yoo) is a medium who taps into the house’s energy to uncover clues and communicate with the dead. Abe (Belmont Cameli) constantly makes snide remarks and sacrifices others, yet somehow earns forgiveness in the end. Nina (Odessa A’zion) is left awkwardly lingering amongst the ensemble, with little to contribute.
The clumsy writing and one-note performances render the characters inauthentic. Given that Supermassive Games, the developer behind the series, has faced criticism for weak storytelling in the past, the adaptation is at least true to its roots.
After a dozen brutal resets, the crew ultimately wake up and find themselves on their 13th attempt — which no previous visitor has survived — with faulty memories, unaware of their previous attempts. While the reveal is initially unsettling, it makes little sense as the characters have learned nothing to aid in survival.
Each night is filled with characters dying in over-the-top manners, rarely introducing anything that drives the plot home. Even when the film establishes a way forward, it rarely materializes.
One night, Megan discovers the hideout of the antagonist Dr. Hill (Peter Stormare), though they aren’t able to reach him. A few nights later, she discovers his whereabouts again through entirely different means. Another night ends with the camera panning towards sketches of werewolves before lingering on the full moon, though the monsters never appear.
These continuity breaks highlight the scattershot structure of “Until Dawn.” Rather than adapting the video game, the film is too timid to introduce new ideas and instead leans on shallow references to preserve the game’s branding.
“Until Dawn,” rated R, is in theaters now.
The post Can You Survive ‘Until Dawn’ — or At Least the Credits? first appeared on The Loyola Phoenix.
President Mark Reed added his name to a list of more than 550 signatures from higher education leaders nationwide in support of a letter criticizing the Trump administration’s action to restrict universities.
The letter, drafted by the American Association of Colleges and Universities, focuses on financial practices and public research funding, but also points out a variety of other issues academic institutions are facing.
“American institutions of higher learning have in common the essential freedom to determine, on academic grounds, whom to admit and what is taught, how and by whom,” the letter writes. “Our colleges and universities share a commitment to serve as centers of open inquiry where, in their pursuit of truth, faculty, students and staff are free to exchange ideas and opinions across a full range of viewpoints without fear of retribution, censorship or deportation.”
More than 10 Illinois schools have signed the letter as of Tuesday. Some Chicago universities, such as DePaul University and the University of Chicago haven’t signed, according to the AAC&U website.
Neither DePaul University nor the University of Chicago responded to The Phoenix’s requests for comment.
Erin Ryan, a fourth-year social work major, said she hates the Trump administration due to policies impacting her life. She said she interns at an LGBTQ+ center and her job has been impacted through Trump’s cuts to their funding.
“We had to fire a lot of people,” Ryan said. “All of my clients who are trans are very, very terrified and constantly coming to us for help. We had to fire a bunch of people”
Ryan said she’s glad Reed signed the letter denouncing Trump’s actions.
“I think it’s good that people are starting to actually stand up and protest what’s been happening, because I feel like a lot of people get scared and a lot of schools are getting scared because I know a lot of schools are at risk of losing their funding right now,” Ryan said.
Despite this, Ryan said she thinks the school could be doing more, but also thinks the same is true of other American universities.
Academic institutions were invited to sign alongside colleges and universities. Among them was Rev. Michael Garanzini, S.J., current president of the Association of Jesuit Colleges and Universities and former president of Loyola.
Jenny Smulson, vice president for government relations at AJCU, said the points outlined in the letter strike at the core of the Jesuit principles her organization operates on.
“Engaging in constructive dialogue is at the foundation of a Jesuit education and is very needed in this moment,” Smulson wrote in an email to The Phoenix. “The statement clearly articulates the purpose and value of higher education, to an individual and collectively to our nation and AJCU was pleased to sign it for those reasons.”
Because Loyola isn’t a member of AAC&U, they weren’t informed of the letter until April 22 when it was released to the public to begin receiving signatures, according to Reed, who said he signed it the following day.
Loyola spokespersons didn’t respond to The Phoenix’s requests for further comment on their decision to sign.
Ellie Bertuglia, a fourth-year history major, said she thinks Trump’s attacks on higher education are “disgraceful.”
Bertuglia said Reed’s signing of the letter doesn’t feel like enough and the university should be doing more to maintain their DEI-focused scholarships and programs.
This year, the university announced their plans to merge the Center for Diversity and Inclusion and the Center for Black Student Excellence into one larger office, The Phoenix reported.
Loyola also suspended a scholarship after the Department of Justice alleged it was discriminatory on the basis of race, The Phoenix reported.
“Stuff like rolling back CDI and stuff like that is very harmful and kind of diminishes just tacking their name onto a paper,” Bertuglia said. “It’s good, but otherwise I kind of see it as an empty promise towards students and the community.”
The post Mark Reed Signs Letter Denouncing Trump Administration first appeared on The Loyola Phoenix.
The sports section remained incredibly active this school year, covering all 13 of Loyola’s NCAA Division I sports through athlete profiles, game recaps and other athletics-related news.
In this year’s review, the Phoenix covered nearly every Loyola home game and occasional road matches, which included notable postseasons such as the men’s basketball’s NIT run, the women’s volleyball first-ever NCAA tournament appearance and the cross country’s women’s team three-peating as Atlantic 10 conference champions.
Coverage also extended to highlighting changes in the world of college athletics, either on a school-specific level — with coach hirings like men’s volleyball returning Hall of Famer Shane Davis — or national developments in the world of Name, Image and Likeness.
None of the in-depth and exhaustive coverage would be possible without our team of passionate writers taking joy in highlighting the happening, history and humans of Loyola athletics while also vocalizing their own unique sports takes through columns, such as the recurring “Hometown Sports.”
We remain committed to delivering quality sports media for readers and thank you for your continued support of both the Ramblers and ourselves. Have a great summer, thank you for reading, and we’ll see you next year.
Klein and Hawks pose with their new medals and prepare for the upcoming volleyball season. (Courtesy of Loyola Athletics)Men’s Volleyball’s Klein and Hawks Bring Home U21 Gold Medal
Originally published Sept. 4.
Aidan Klein, a second-year middle blocker on Loyola men’s volleyball and head coach John Hawks represented the United States at the U21 North, Central America and Caribbean Volleyball Confederation Continental Championship June 11-16 in Nogales, Mexico. The team finished with a gold medal and a spot in the 2025 FIVB World Championship.
Hawks was selected by USA Volleyball to serve as head coach for the championships, his second time in the role. Hawks has worked with USA Volleyball before as assistant coach on the 2008, 2010 and 2018 Pan American Cup team as well as head coach for the US National Men’s Volleyball team in 2019.
Hawks said despite previous appointments to the team, he remains continuously grateful.
“The honor and the privilege of being selected to run a USA team never gets old,” Hawks said. “I don’t take those for granted.”
Read more here.
Chiver’s grandfather has been dealing with Alzheimer’s for a year since his original diagnosis (Courtesy of Kira Chivers).Kira Chivers Organizes Fundraiser for Alzheimers Awareness
Originally published Feb. 26.
Women’s basketball third-year guard Kira Chivers announced on her Instagram Feb. 10 she’d be organizing a fundraiser for Alzheimer’s awareness.
Chivers’ grandfather, Jack, was diagnosed about a year ago with early-onset Alzheimer’s, according to Chivers.
Alzheimer’s disease is a type of dementia that affects memory, thinking and behavior, with symptoms eventually growing severe enough to interfere with daily tasks, according to the Alzheimer’s Association.
Around 7 million people live with Alzheimer’s in the U.S., with the number expected to increase in the coming years, according to the Alzheimer’s Association.
Chivers said her grandfather’s condition has rapidly declined over the past year.
“Within the past year, my grandfather went from kind of fully functioning to now he’s in a wheelchair,” Chivers said. “He’s able to speak, but a lot of the time he’s nonverbal.”
Read more here.
Sitori Tanin of women’s basketball and Parker Van Buren of men’s volleyball teamed up to raise money for Crohn’s disease research. (Courtesy of Sitori Tanin)Student-Athlete Couple Release Merch for Change
Originally published Sept. 18.
Loyola athletes and graduate students Sitori Tanin of women’s basketball and Parker Van Buren of men’s volleyball recently released a new Name, Image and Likeness merchandise line, which donates all proceeds to Crohn’s disease research.
The recently engaged couple was initially planning on creating a fundraiser for a different organization, but their plans changed in October 2022 when Tanin’s family found out her brother, Elliot, had been diagnosed with Crohn’s disease.
Crohn’s disease is a type of inflammatory bowel disease which results in swelling of the digestive tract, and can cause abdominal pain, weight loss, fatigue, severe diarrhea and malnutrition, according to the Mayo Clinic.
More than half a million Americans are affected by Crohn’s disease, with it becoming more common in people aged between 20 and 29-years-old, according to the National Institute of Health.
When Tanin’s brother was diagnosed, his life and the lives of those closest to him changed dramatically.
Read more here.
Out of 13 Division I sports at Loyola, football is left out. (Mao Reynolds | The Phoenix)The History of Loyola Football
Originally published Feb. 19.
Loyola has a wide variety of sports and athletics to offer. But despite the university’s 13 NCAA-level sports programs, we don’t have a football team.
The draw for students at some universities is football. The tailgating, endless cheering and intense chants are long-standing and lively traditions, according to U.S. News.
The “Flutie Effect” — named for legendary Boston College quarterback Doug Flutie — describes the pattern of students applying to schools as a result of the football program’s popularity, according to Ivy Wise. One study published by The Wire showed a university’s incoming student applications increased by 18.7% after winning a major bowl game.
Football has become the most popular American sport, and college football can be particularly exciting. This leaves Loyola students wondering why football isn’t a part of the Athletics Department.
Read more here.
Column: Crying in the Stands on Senior Night
Originally published Nov. 6.
Every year, many of our Loyola student-athletes take the court, field or track for the last time. We hear from the coaches about each graduating fourth-year, watch them receive a framed jersey commemorating their time as a student-athlete and maybe even tear up a little.
Last year, as I sat in the stands at the final home softball game, I saw a whopping seven team members receive recognition. Seven players I’ve watched during my time at Loyola I’d soon never see play again.
As they walked toward the rest of their team holding their frame-encased jersey with announcers reading statements from the coaches, it hit me.
Being The Phoenix’s softball beat writer last season, I attended every game and even traveled to Northwestern where I happily sat in the cold and rain, watching the team play.
As someone who’s spent years cheering for our Rambler athletes, I can say the Senior Nights we’ve seen so far for our fall sports teams have felt different. Worse, even.
Read more here.
Early struggles in the game were evident, as Loyola was held to just 18 first-half points (courtesy of Atlantic 10).Women’s Basketball Suffers Quick Exit in A10 Tourney
Originally published March 5.
The Loyola women’s basketball team was the first to depart the Atlantic 10 Conference Tournament in Henrico, VA., following a 65-44 loss to George Washington University. Poor shooting doomed the Ramblers, who shot just 28% from the field and 18% from three.
Head coach Allison Guth acknowledged the teams’ poor shooting and lackluster defense as key items to avoid in the long term.
“It’s a pretty devastated locker room, because you never want to leave the floor not giving your best performance,” Guth said. “We couldn’t throw the ball into the ocean. So that was a tough, tough way to go out, and we needed to find ways to get stops. We know there’s better basketball for us, and we want to honor the sisterhood by playing better in the future.”
Three Revolutionaries — graduate guard Makayla Andrews, second-year guard Kamari Sims and first-year guard Gabby Reynolds — recorded double-figures, while graduate guard Naelle Bernard was the lone Rambler to cross the threshold with 13 points.
Read more here.
Sitori Tanin recorded over 1,000 points during her time at Loyola. (Ashley Wilson |The Phoenix)Tanin Leaves Her Mark on Women’s Basketball
Originally published Feb. 26.
Sitori Tanin has seen a lot in her five years with the Loyola women’s basketball team, undergoing a switch of head coaches from the former Kate Achter to the current Allison Guth. She’s also one of the few in the program to have experienced life before the switch to the Atlantic 10 Conference.
The graduate forward — colloquially known as “Sit” by teammates and coaches — made an instant impact as a first-year, appearing in all 27 games in the 2020-21 season and starting in six before receiving a spot on the Missouri Valley Conference All-Freshman Team.
Since Achter’s departure a year later, Tanin’s role has steadily increased under Guth’s regime, both on the court and off it, as she’s served as a liaison for Loyola in conference media days, in Name, Image and Likeness conferences and makes consistent appearances on program gameday posters.
Tanin has utilized the experience of becoming a face of Loyola’s brand as an opportunity to best represent her teammates, coaches and the school itself. She said she consistently tries to stay true to Loyola values — being a servant for others and always remaining grateful.
Read more here.
Abbott has built a philosophy within the team to prioritize “support and community” (Courtesy of Loyola Athletics).Softball’s Alicia Abbott Amasses 100 Wins
Originally published Feb. 26.
Loyola softball head coach Alicia Abbott reached 100 career wins Feb. 14 following a win against St. John’s University during the Fonesca Memorial Tournament at the University of South Florida.
Having played the sport herself, Abbott said she attributes the win to the players, and how important their dedication has been during her five years with Loyola.
The New Lenox, Ill. native has been around softball her entire life — from watching her dad win slow-pitch softball state championships to starting to play herself at 7 years old.
“I basically came out of the womb doing it,” Abbott said. “I think it was just one of those things that I was pretty fortunate to be relatively naturally gifted at.”
Abbott started her collegiate career at the University of Illinois-Chicago, where she earned the Horizon League Newcomer of the Year award in 2008. After two years with the Flames, she transferred to North Carolina State University and hit .283 over two more years.
Read more here.
Steve Watson has served as Athletic Director at Loyola for almost 10 years and has made multiple changes to benefit student-athletes and the department. (Courtesy of Steve Watson)A Decade of Watson: Athletic Director Nears 10 Year Milestone with Loyola
Originally published Sept. 4.
From the top floor of the Norville Center, Athletics Director Steve Watson has a complete view of Loyola’s West Quad and its surrounding buildings. Along the hallways of the floor are photographs of former players and coaches, representing 13 NCAA Division I sports he’s responsible for managing.
Watson has served as Athletic Director for nearly a decade now, with the Nov. 12 anniversary of his signing two months away. Before joining Loyola, Watson had settled into his seventh year as the athletic director at St. Bonaventure University.
He was first made aware of the position when Loyola Sr. Vice President for Administration Tom M. Kelly reached out via a random phone call, according to Watson. Loyola had failed to find a new athletic director in a previous search, and Kelly pinpointed him as a potential target in a revitalized effort.
A Franklinville, New York native who grew up just thirty minutes away from St. Bonaventure, Watson said he felt comfortable in his position but connected with Kelly during the call and gave it some more thought.
Read more here.
Action taken by five states could impact revenue-sharing between universities and student-athletes. (Kayla Tanada | The Phoenix)College Athletics Changes After Lifting of NIL Recruitment Ban
Originally published April 9.
After a coalition of five states sued the NCAA in January 2024 for their Name, Image and Likeness recruitment ban — on the grounds of antitrust violations — a federal judge for the eastern district of Tennessee at Knoxville approved the final settlement agreement March 24.
While NIL deals offer student-athletes the opportunity to earn monetary compensation through partnerships with independent brands or businesses, the ban restricted them from negotiating or discussing potential NIL deals before enrolling at a college.
The lawsuit was spearheaded by Tennessee Attorney General Jonathan Skrmetti and Virginia Attorney General Jason Miyares, who were later joined by attorney’s general from New York, Florida and Washington D.C..
The plaintiffs challenged the recruitment ban and said it was an unfair restriction which prevented student-athletes from considering all opportunities regarding commercial success.
Read more here.
Ibrahim, a striker, was called up to Palestine’s senior squad in 2021 (courtesy of Emily Ibrahim).Loyola Club Soccer Player Represents Palestine
Originally published Dec. 4.
Fourth-year Emily Ibrahim not only serves as Vice president for Loyola women’s club soccer, but she’s also co-president of the LUC Refugee Coalition and plays for the Palestine women’s national football team.
Ibrahim said she has been playing soccer since she was 3-years-old, and she was recruited to play for the Palestine women’s national team in 2019 when Amer Khair, the team’s head coach at the time, saw her in action during a match for the Palestinian American Athletic Association.
Ibrahim said she began her national career in the youth ranks before being called up to the senior squad in 2021.
Soccer has always been a part of Ibrahim’s life, but getting to play for the national team is much more than just the game — it’s about representing Palestine, according to Ibrahim.
“To get to represent your country is such an incredible, surreal experience,” Ibrahim said. “But getting to represent people who have been so resilient and have been forced to endure violence, brutality and occupation for decades, that’s an entirely unique experience.”
Read more here.
Graduate Emma Watcke transferred to Loyola because of her close connection with head coach Gavin Kennedy (Courtesy of Suriv Grover | Loyola Athletics).For Sarah: How Tragedy Shaped Emma Watcke’s Career
Originally published Jan. 29.
Content Warning: Suicide
This isn’t the first time graduate mile runner Emma Watcke and Loyola track and field head coach Gavin Kennedy have shared the track.
Four years ago, before either had even stepped foot on Loyola’s campus, the pair were both members of the University of Wisconsin-Madison track and cross country program. Watcke was a redshirt first-year, and Kennedy was in his eighth and final season as coach.
After finishing four years at Wisconsin and entering the transfer portal as a graduate, Watcke said she received a call from Kennedy expressing interest in her joining the program at Loyola.
When the Hinsdale, Ill. native visited Rogers Park for the first time, she said she loved the campus and the team. Watcke said she was excited to be part of the momentum she felt was building in the program.
Before Watcke joined this past fall, the Loyola women’s cross country team were winners of five straight conference championships — three in the Missouri Valley Conference and two back-to-back championships in the Atlantic 10.
Read more here.
Lawrence attributes his charitable work in Ethiopia to his father, Scott (Courtesy of Loyola Athletics).Running Around the World with James Lawrence
Originally published Nov. 13.
Before bringing his talents to Loyola this fall as a graduate transfer, James Lawrence called Dartmouth College home for the past four years.
During his fourth-year, Lawrence served as captain of Dartmouth’s cross country team. He said he hoped to similarly establish himself as a leader at Loyola.
Both Lawrence and head coach Gavin Kennedy agreed his experience helped transform him into a leader heading into his fifth year of collegiate sports.
“He does bring that to our program whether it’s in uniform or out of uniform,” Kennedy said. “I always see him talking with the guys on the team, giving them his experience. I would certainly consider James a leader not only by what he does in the uniform, but what he does outside of the uniform too.”
Read more here.
Loyola women’s cross country secure their sixth consecutive conference title (Courtesy of Loyola Athletics).Loyola Women’s Cross Country Three-Peat, Men Fall Short
Originally published Nov. 2.
Following back-to-back Atlantic 10 championships for the men’s and women’s cross country teams after Loyola joined the conference in 2022, the program headed to Mechanicsville, VA Nov. 2 looking to secure a third straight conference title before the NCAA Midwest Regionals take place in Peoria, IL Nov. 15.
The Loyola women managed to capture their A10 three-peat, while the men’s team fell just short with a second-place finish.
Women’s Cross Country Championship:
Loyola’s women dominated their 6K race as a group. Fourth-years Delia McDade-Clay, Emma Watcke and Grace Kuhn, along with third-year Roisin Treacy, crossed the finish line at the same time of 20:45.4, tying for fourth place. The time set new personal records for both Treacy and Watke.
Rounding out the Ramblers’ qualifying runs was fourth-year Grace Jostock, who set her personal record with a time of 21:07.9. Jostock’s 14th place finish secured the championship win for the Ramblers as they finished with a total of 36 points, far ahead of the rest of the competition.
Read more here.
Three separate Ramblers — Van Buren, Fabikovic and Read — posted double-digit kills in the win. (Megan Dunn | The Phoenix)Loyola Clinches Share of Regular Season Title on Senior Night
Originally published April 12.
The Loyola men’s volleyball team defeated conference rival Ball State University April 12 in front of a noisy Gentile Arena, earning a share of the regular season title.
The Ramblers ended the season ranked sixth nationally and had standout players in the MIVA regular season, including fourth-year middle blocker Nicodemus Meyer — No. 1 in the nation in blocks per set — and third-year setter Ryan McElligott who is third in assists per set. Captain and fourth-year outside hitter Parker Van Buren is third in kills and points per set.
The 2014-2015 National Championship team was honored at midcourt before the match.
The Cardinals took an early lead after fourth-year outside hitter Raje Alleyne tallied the first points. Third-year middle blocker Brad Bell responded with a kill while Meyer and McElligot added a block assist.
A back-and-forth, including kills from Van Buren and McElligott against one from fourth-year outside hitter Tinaishe Ndavazocheva, put Loyola ahead 6-4.
Read more here.
Read currently ranks third on the team in kills with 84 (Lilli Malone | The Phoenix).Jake Read’s Breakout: Loyola’s Outside Hitter Making His Mark
Originally published March 12.
Jake Read has quickly established himself as a key player with Loyola men’s volleyball. The Newport Beach, Calif. native and second-year outside hitter played in 83 sets and started 22 matches as a first-year, finishing with a .458 hitting percentage — third-best on the team.
From his journey to Loyola as a dominant high school athlete, to his recent matchup against his older brother—fourth-year libero Brendan Read at Pepperdine University— Jake has highlighted his rise as a competitor in the sport.
Jake wasn’t initially on the volleyball track, as he grew up a multi-sport athlete with a large passion for basketball. His brother said he excelled in every sport he played growing up.
“He’s always been one of the bigger kids in his age group, and he always kind of dominated,” Brendan said. “Basketball, soccer and whatever other sports — he was always pretty good.”
In seventh grade, Jake said he made a pivotal decision which defined his future and followed his brother’s footsteps — quitting baseball in pursuit of playing for Balboa Bay Volleyball Club.
Read more here.
Davis returned to Loyola men’s volleyball after former head coach John Hawks left (Megan Dunn | The Phoenix).Shane Davis: From Small Town to National Champion
Originally published Jan. 29.
Head coach Shane Davis had an unconventional journey to becoming a cornerstone of Loyola’s men’s volleyball program. After playing three seasons with the Ramblers as a student-athlete and graduating in 2003, Davis went on to lead the program for the next 12 years.
Born and raised in the small town of Denver, Iowa, Davis said volleyball wasn’t a common sport for boys growing up, and his area had no boy’s volleyball at the high school level.
Instead, Davis said his volleyball exposure arose from a special place — his parents.
“My parents would play in a lot of rec volleyball leagues in nearby towns,” Davis said. “My sister and I would just tag along, and we’d pass back and forth. We couldn’t play because we were too young, but we were always there.”
Eventually, someone at one of the recreation leagues suggested Davis’ sister, Shari, try volleyball, which opened the door for Davis to play nearby.
Read more here.
The Ramblers end the season with a 25-12 record. (Andi Revesz | The Phoenix)Men’s Basketball Season Ends in NIT Semifinal
Originally published April 2.
The Loyola men’s basketball team’s season came to an end April 1 in Indianapolis at the historic Hinkle Fieldhouse, as the University of Tennessee at Chattanooga defeated the Ramblers 80-73. The Mocs advance to the championship round of the tournament to take on No. 1 seed the University of California Irvine.
Prior to the game, Sister Jean Dolores Schmidt, BVM shared a message with The Phoenix for students in which she offered support and guidance.
“Dear Ramblers,” Schmidt wrote. “I’m with you in prayer and spirit. The game on Tuesday night is late, so study early. I’ve been watching the team play from home and sending prayers to the players. Thank you to all for your care and concern. Amen and GO RAMBLERS.”
Fourth-year guard Des Watson — in his final year at Loyola — said he’ll remember the team for what they’ve built both on and off the court.
“The family, the culture that we’ve built as players within each other,” Watson said. “Just like us as players and us coming together. Like I said the other day, just being humans and being able to create actual relationships, I think that’s what I’ll miss the most.”
Read more here.
In his graduate season, Edwards Jr. currently averages 12 points per game and recently broke the 1,000-point collegiate career mark (Kayla Tanada | The Phoenix).Sheldon Edwards Jr: From MVC Rival to A10 Star
Originally published Feb. 5.
If you can’t beat them, join them.
This rings true for graduate guard Sheldon Edwards Jr.’s collegiate career, after dropping a season high 23 points against the Loyola men’s basketball team Feb. 16, 2022, in an eventual loss while playing at Valparaiso University.
The next season, he was on Loyola’s roster.
Edwards Jr. started his collegiate career at Valparaiso — his first and only college visit. In two years with the Beacons, Edwards Jr. received a Missouri Valley Conference All- Freshman team nod in the 2020-21 season, an MVC All-Bench team shout and a Most Improved award a year later.
After the conclusion of his second season with the Beacons — averaging 10 points per game and shooting just under 40% from the field — he said he realized it wasn’t the experience he wanted, and decided to enter the transfer portal.
“Obviously, things didn’t turn out the way I feel like it could’ve or should’ve, but everything happens for a reason,” Edwards Jr. said. “I ended up here. And now I feel like I’ve really embodied what Loyola means as a person and an athlete.”
Read more here.
The post Best of Sports 2024-25 first appeared on The Loyola Phoenix.
With love thick in the air as Valentine’s Day is just around the corner, it’s the perfect time to revisit the 1995 romance “Before Sunrise,” directed by Richard Linklater.
Celebrating its 30th anniversary this year, the film still retains a genuine and warm tone. With no hidden twists or shocking revelations, “Before Sunrise” curates a tender story centered around simple conversation.
The first installment of Linklater’s “Before” trilogy, the film follows a budding romance between strangers Céline (Julie Delpy) and Jesse (Ethan Hawke). The pair strike up a coquettish conversation on a train from Budapest to Vienna, leading Céline to ditch her plans in Paris and stay with Jesse for the night.
Upon first meeting Hawke (“Dead Poets Society,” “Training Day”) as Jesse, it’s nearly impossible not to assume he’s yet another faux-philosophical, twenty-something, sporting slicked back hair and cliched pessimism. Yet, by the end there’s a shift in his demeanor.
It’s clear he has a better understanding of himself and allows Céline’s compassion to bring his guard down. By the end Jesse is able to give into the romance and express hope for their future by encouraging Céline to meet him again in six months while parting at the train station.
Céline as portrayed by Delpy (“But I’m A Cheerleader,” “2 Days in Paris”) is an optimist at heart. She has a sense of hope and romance about the world, yet is still down to earth and acknowledges she still has much to learn. Céline, much like Jesse, has a guard up.
Hers is seemingly different as she has a harder time emotionally expressing herself. Jesse gives Céline the room for vulnerability and connection by showing genuine interest in not just her opinions, but her experiences. She’s able to trust him with her worries and stories, allowing her to let go of others’ expectations of her and give into the spontaneous courtship.
“Before Sunrise” makes conversing with a stranger feel less like a chore and more like a privilege. Humor, flirtation, sexual tension and charm are embedded into every word and longing stare.
A vivid highlight of the film is its ability to romanticize individual flaws and mundanity. The pair engage in conversations and arguments in everyday locations like a record store, a trolly and a coffee shop.
The intimacy of “Before Sunrise” is defined by its ability to exist outside of grand gestures and fancy dinner tables. Instead, Céline and Jesse exchange their romantic feelings nestled against a pinball machine while drinking cheap German beer.
The picturesque cinematography from Linklater (“Dazed and Confused,” “Boyhood”) inspires wanderlust. Fortunetellers, actors with thick-framed glasses, belly dancers and cigarette-smoking poets paint the backdrop of Céline and Jesse’s affair.
Observations and opinions from strangers allow the couple to understand one another’s views on humanity and romance. Seemingly every shot, character and line is crafted with intention, without shoving the themes down the viewer’s throat — or eyes.
The audience practically participates in voyeurism via Linklater’s direction. After stealing a bottle of wine, Jesse and Céline debate engaging in a one night stand in a park. Céline confesses it may be more painful to say goodbye if they sleep together while Jesse states he would rather not say goodbye at all.
“If I was asked right now to marry you or never see you again, I would marry you,” Jesse says. “Maybe that’s a lot of romantic crap, but people have gotten married for a lot less. I think we’d have as good a chance as anyone else.”
Jesse matches Céline’s perspective of the world viewed through rose-colored glasses. The duo’s shared vulnerability is painfully real, representing what it’s like to get to know someone for who they really are.
“Before Sunrise” provides a smart, heartfelt and realistic look at young love. Its fantastical perspective argues simply slowing down and talking is the key to falling in love.
“Before Sunrise” is available for streaming on Prime Video.
The post ReView: ‘Before Sunrise’ Shines with Subtlety first appeared on The Loyola Phoenix.
Aquarius: Jan. 20 to Feb. 18
Grief will haunt your joy, just as laughter may bubble between sobs. Your days aren’t painted in a monotonous tone of gray, so embrace the exhilarating and messy journey of life.
Pisces: Feb. 19 to March 20
Mercury will soon enter under Pisces. Parse through words as carefully — the smallest syllables can hold the greatest weight.
Aries: March 21 to April 19
At the moment, you may be scraping your hands as you scramble over the rocks, but rest assured, you’ll eventually find your footing.
Taurus: April 20 to May 20
Swat away the flies gathering at the lip of the lemonade glass. Sweetness isn’t an invitation to exploit hospitality.
Gemini: May 21 to June 21
As dawn slowly blinks awake, greet the sunrise with sleep-fogged idleness and warm mugs of coffee. Mornings were made for leisure.
Cancer: June 22 to July 22
In the confusion of conversation, trust the candor of the other voice. Attempting to decipher implicit meanings will only cause you a headache in the end.
Leo: July 23 to Aug. 22
Be careful how you prune your ever-blossoming garden of memories. Even the weeds hold significance. Remembrance is a gift.
Virgo: Aug. 23 to Sept. 22
Your box has grown too small — it’s pressing you to break out. Take new leaps and strides. Don’t spend your entire life trapped behind self-imposed limitations.
Libra: Sept. 23 to Oct. 23
You can only stretch so many ways before your limbs simply tremble in suspended movement, and tension snaps you in half. Limit the responsibilities you try to juggle.
Scorpio: Oct. 24 to Nov. 21
Abrupt thoughts don’t always translate well into speech. Sit and ruminate for a while. Run the shape of vowels over your tongue before moving to make noise.
Sagittarius: Nov. 22 to Dec. 21
Don’t waste time mourning the person you used to be. Instead, celebrate all that you are and all that you will become.
Capricorn: Dec. 22 to Jan. 19
Smothering your ire will still leave behind smoking embers, threatening another fire. Working through your anger won’t fan the flames, but will slowly extinguish it instead.
The post Horoscope: Feb. 12 first appeared on The Loyola Phoenix.
We are now halfway through the fourth week of the second Trump presidency. It hasn’t even been a full month, and if the experience thus far had to be reduced to a single word, the most apt choice might be confusion.
To start his term, the president and his goons have unleashed a flurry of executive orders, running the gambit of seeming illegality — from attacks on birthright citizenship to the sudden shutdown of entire government agencies.
Much of the administration’s efforts have been caught up in federal court, as judges have ruled they exceed the powers granted to the executive branch.
In response to rulings which stalled the administration’s agenda, Vice President JD Vance raised more than a few eyebrows in a Feb. 9 post on X, which laid out a questionable interpretation of separation of powers.
“If a judge tried to tell a general how to conduct a military operation, that would be illegal,” Vance wrote. “If a judge tried to command the attorney general in how to use her discretion as a prosecutor, that’s also illegal. Judges aren’t allowed to control the executive’s legitimate power.”
Vance’s words raised alarm amongst liberals and the media that the administration could be gearing up to ignore judicial rulings, inciting a potential constitutional crisis. In this moment, it appears as though some of the most basic, foundational concepts in American civics are coming under serious question.
The power of judicial review, which was established in the 1803 Marbury v. Madison decision and gives the judiciary the power to strike down laws ruled to be unconstitutional, is a legal precedent nearly as old as the republic itself.
It’s notions like these — that congress has the power of the purse, that the president executes the laws, that the judicial branch serves as a check on the powers of the other two — that I copied onto flash cards and memorized for my high school civics class.
After graduation I set them aside, carrying on with my life thinking these fundamental precepts of American government were as set in stone as the Ten Commandments. But today it’s hard to be so sure.
I don’t know if the Trump administration will actually follow through on the threats to subvert democratic procedure emanating from some of its members. At that, I couldn’t tell you what it would look like if they did. But I do know that our civic space feels a lot less certain than it did a few weeks ago.
Trump has spent a decade ripping apart political norms, but this feels different. If judicial review isn’t a thing, and if congress doesn’t have the power of the purse, then is any rule or procedure we bind ourselves to actually real? Are the laws we abide by legitimate?
It’s something that, if you think about it for long enough, can really drive you down a path of questioning everything previously thought to be undeniably true — at least it has for me.
We’ve been in spots like this before — our system has been challenged and has come out on top. At the end of the day though, our government, one of laws, not of men, requires faithful stewards to make sure it stays as such.
The historical event our current moment echos the most is when in 1832 the Supreme Court ruled that laws forcing Indigenous Americans from their land were unconstitutional. In response, President Andrew Jackson ignored the ruling and continued with his removal policies, supposedly uttering the now infamous quote, “Justice Marshall has rendered his decision, now lets see him enforce it.”
The system survived this crisis just as it has others. Here’s to hoping our government of laws has another 250 years left in it — but I’d be lying if I said the current situation didn’t feel especially sticky.
The post From The Editor’s Desk: Contending With Civic Chaos first appeared on The Loyola Phoenix.
HINGE:
As digital natives, sometimes it seems like dating apps can be the only option to find true love — replacing traditional methods like meeting a special someone in class or on a night out.
With the plethora of different dating apps out there — some even targeting specific audiences, such as members of the LGBTQ+ community or farmers — one stands out among the rest.
Hinge.
Hinge is the most viable dating app option because of its in-depth profiles and the ability to see who likes you — which is one of the app’s biggest pulls.
Users can scroll through the different elements of a profile, allowing them to like specific pictures or prompts — a key distinction from Tinder’s redundant tapping and swiping. Also included are various prompts and even voice memos that help illuminate a potential match’s personality before sending a like.
Tinder’s setup, on the other hand, is just a few pictures and optional personal questions, including options to highlight your music taste or lie about your height.
The option to see who has liked your profile makes the process of choosing who to interact with easier and less stressful than Tinder where you have to randomly guess if someone has liked your profile.
It’s also much easier to get catfished on Tinder than on Hinge. HInge profiles are more comprehensive — users can’t just use memes or black screens as photos, like they can on Tinder. Hinge profiles require three prompts and six pictures, ensuring all users have to put in the work.
When I used dating apps, I always preferred Hinge for the experience of going through profiles alone.
While I’ve gone on some rough Hinge dates — one particularly awful experience included watching the entire “The Godfather” trilogy — none compare to the horrors I’ve experienced on Tinder. In the college world, it seems Hinge is the more relationship-focused app, while Tinder is used for quick hookups — and less connection.
Hinge claims to be “the dating app designed to be deleted.” In my experience, this holds true.
I met my boyfriend on Hinge in August, so I might be a little biased, but I wouldn’t be in this relationship without it — and our relationship is just one of the many I’ve heard of starting from Hinge. Rarely, if ever, do I hear about a relationship forming from Tinder.
On Hinge, it’s easier to form connections and is meant to be a temporary app on your phone. If you’re looking for a relationship on a dating app, Hinge is the way to go.
TINDER:
It all started with a swipe, 13 long years ago.
Two entrepreneurs were playing with a deck of cards when they discovered an app interface so eagerly received by eligible singles it set a new precedent for the online dating industry and even created a new form of addiction.
Tinder, at its core, is essentially a form of social media. It’s struck a chord with a crowd largely aged 18-24 and has dominated the online dating discussion ever since.
After all, @lucchicks calls its screenshot roundup “Tinder Tuesdays,” not “The Hinge Hour,” right?
Tinder has seemingly gained a reputation for awful frat bro messages, catfishing and hookups, but that’s just a symptom of the industry giant’s massive user base, and it shouldn’t hinder what could be a new experience.
With Tinder’s “Tinder U” feature, students across campuses — especially in a massive city like Chicago — can form quicker connections with other verified students who aren’t at Loyola.
Tinder’s set-up is quick and efficient, and it begins by having you plug in at least four pictures or videos, which can also be prioritized in a “smart photo” method with Tinder’s algorithm for better results.
Changes can be made quickly if you feel you need to amend your “interests” or “basics.” Additional variety can be added with prompts, your top Spotify artists — Tyler the Creator somehow always pops up — and an “anthem” to boot.
The act of swiping is often regarded as low-commitment — but that’s the key. Connections in life are built on first impressions. Both Tinder and Hinge use pictures, but Hinge’s mandatory prompts don’t always add value to a profile, and they can be limited to one word, basic responses.
The opportunity to view new potential matches is around 25 to 50 swipes every 12 hours — as opposed to Hinge’s maximum of eight like a day.
Despite Tinder’s continued advertisements for its subscription tiers, people who’ve liked you can be seen by name and a blurred picture in the messages page, giving you something to keep an eye on.
For new students, Tinder can also expand casual connections for those not insistent on finding a romantic fling. Several of my longest Loyola friendships were initially sparked over silly conversations on Tinder.
With its more in-depth profiles, Hinge is a full step toward finding lasting romance. Since the app is “designed to be deleted,” it often seems to try to extend that process for as long as possible.
Dating apps are another way for us to express ourselves to others in the internet landscape. Tinder offers a slow step in that direction — but one that only takes a swipe.
The post Duel of the Dating Apps: Hinge vs. Tinder first appeared on The Loyola Phoenix.
The Loyola men’s basketball team suffered their fifth conference loss 69-56 in their lone regular season matchup against Duquesne University Feb. 8. Fourth-year guard Des Watson led the Ramblers with 14 points, and fourth-year guard Tre Dinkins took charge for the Dukes with 12 points.
The game started slow with a two-minute scoring drought, before Duquesne’s second-year forward Eli Wilborn scored the first points with a layup. Another brief drought followed before third-year guard Jayden Dawson drained a 3-pointer to get the Ramblers on the board.
A steal and dunk by Watson put the Ramblers up by three before redshirt third-year guard Cameron Crawford made it a one-point game with a layup.
Fourth-year forward Francis Nwaokorie and Duquesne’s fourth-year guard and forward Jahsean Corbett traded layups, and Nwaokorie added one at the line on the following play. A 3-pointer by third-year guard Jalen Quinn and a jumper from Dinkins made it 11-8 in favor of Loyola.
Following a Dinkins free throw, second-year Duke forward Jakub Necas tied the game at 11 with a layup. Three consecutive layups from Corbett, third-year guard Kareem Rozier and redshirt third-year guard Maximus Edwards put the Dukes ahead. Second-year center Miles Rubin kept the Ramblers in the game with a slam dunk.
A 3-pointer by Edwards was met with another Rubin dunk to keep a five-point gap between the teams. Two layups from Crawford and Necas increased the Dukes’ lead to 24-15.
A Dawson layup was followed by a successful trip to the line by first-year guard Daniil Glazkov. The Ramblers momentum was briefly interrupted by a Dinkins 3-pointer, but graduate guard Sheldon Edwards Jr. hit back with a layup and a 3-pointer for a 27-24 game.
A fast break by Dusquesne set up a dunk for third-year forward Matúš Hronský to extend the lead by five. Despite another 3-pointer from Edwards Jr., a jumper by Dinkins and a three from Necas sent the Ramblers to the locker room down 34-27.
In a similar fashion to the first half, an early two-minute scoring drought occurred before Watson ended it with a jumper. A following dunk from Rubin and a Dawson layup put the Ramblers just within reach at 34-33.
Another two-minute scoreless stretch took over the court, with Watson hitting a 3-pointer to give Loyola the lead back. The two-point gap was short-lived, as Rozier hit a three on the Dukes’ next offensive possession.
Two quick point exchanges ensued — successful trips at the line by Dawson and Edwards, followed by layups from Rubin and Crawford, before Rozier hit a jumper to give Duquesne a 43-40 advantage.
Five minutes into the half, Watson snagged an offensive rebound and sent in a layup, with Crawford scoring one on the opposite end. Rubin ended the back-and-forth with a dunk.
Two Loyola straight offensive possessions were negated by strong defensive play by the Dukes — the first ending in a steal and fastbreak by Edwards, and the second ending after a defensive rebound and fullcourt drive with a layup finish by Corbett.
Watson hit a 3-pointer to close into the Dukes’ 49-47 lead before a minute and a half of scoreless play took place.
Third-year forward David Dixon slammed in a dunk for the Dukes, jumpstarting a salvo between the teams. A lone free throw from fourth-year forward Jalen DeLoach was met by a layup from Dixon, while Edwards Jr. and Necas exchanged threes.
Third-year guard Kymany Houinsou scored four points in quick succession — two free throws and a tipped-in layup — while Dinkins had a successful trip to the line and Dixon sank a 3-pointer to extend the Dukes’ lead to 61-55.
The Dukes ran away in the final three minutes of the game for the final 69-56 scoreline, with Dinkins hitting a jumper, Crawford converting a 3-pointer and Dixon recording a dunk and a lone free throw. Hoiunsou’s free throw just inside the minute mark was the final point of the night for the Ramblers.
Head coach Drew Valentine said the team’s plan moving forward is to right the ship.
“It’s disappointing because we were coming off two solid wins and playing well,” Valentine said. “But if we keep perspective and get our mentality right, we will bounce back. I still love coaching these guys and believe in what they can do.”
The Ramblers will look to improve their meager .500 road record when they travel to Richmond, Va. to face off against the University of Richmond Spiders. The game is set for a 6 p.m. start and can be streamed on ESPN+.
The post Ramblers Trip Against Low-Ranked Dukes first appeared on The Loyola Phoenix.
The Loyola men’s basketball team defeated the University of Richmond 87-80 in their first overtime win of the season Feb 11. Third-year guard Jayden Dawson led the team with a season-high 24 points, and graduate guard Sheldon Edwards Jr. followed with 21 points, consisting entirely of seven 3-pointers — a career high.
With the win, the Ramblers advance to fifth place in the Atlantic 10 Conference and improve to 15-9 overall and 6-5 in conference play.
The Ramblers started the game on a 10-2 run — jumpstarted with a dunk and layup by second-year center Miles Rubin and accompanied by 3-pointers by fourth-year guard Des Watson and Dawson. Richmond’s lone score during the run came via third-year center Mike Walz’s jumper.
After a Spiders timeout, Watson made a jumper. Richmond’s redshirt first-year forward Ryan Soulis made a 3-pointer, but Dawson responded with a three on the next possession for a 15-5 Loyola lead.
Following a two-minute scoring drought, third-year guard Jalen Quinn and third-year Richmond forward Jonathon Beagle traded jumpers before third-year guard Kymany Houinsou made a driving layup to increase the Ramblers’ lead to 12.
Fourth-year forward Francis Nwaokorie had a successful trip at the line before Richmond’s graduate guard B. Artis White made a jumper. Dawson kept the Ramblers ahead 24-9 with another 3-pointer.
Another two-minute drought plagued the court, ultimately broken by a Walz jumper. Walz added a 3-pointer shortly after, and third-year Richmond forward Apostolos Roumoglou dropped in a layup for a 24-19 game.
Watson added two at the line, and Nwaokorie and Quinn each hit threes before Richmond’s second-year guard Mikkel Tyne had a successful trip of his own. A jumper from Soulis and a deep three by Dawson kept the Ramblers at a 10-point advantage with just under three minutes remaining in the first half.
White made two 3-pointers — the second resulting in a successful and-one opportunity — before Loyola called for a timeout with 32 seconds left on the clock.
Walz ended the half with a last-second layup, sending the teams to the break with the Ramblers leading 34-31.
Dawson opened the second half with a 3-pointer, which was followed immediately by another from Edwards Jr. Tyne added a layup to keep the Spiders in it, but another 3-pointer by Edwards Jr. slowed their momentum.
Following a brief drought, Soulis rebounded his own miss — which was blocked by fourth-year forward Jalen DeLoach — and slammed a dunk, igniting a fire within the Spiders.
White made a driving layup and fourth-year guard Jason Roche recorded a steal, which led to two straight Richmond misses. A jumper by Walz inched the Spiders closer, but a three-point play by Quinn kept the Ramblers ahead 46-39.
Quinn drained an open three to further increase the Rambler lead. A subsequent Rubin jumper was followed by a 3-pointer and jumper by Walz. Additional layups from White and Tyne brought the score to 51-48 with just over six minutes left in regulation.
Graduate forward Dusan Neskovic added two at the line for the Spiders and Walz grabbed the lead with a successful trip of his own. Watson got the lead back for Loyola with a three before graduate guard Jack D’Entremont tied it up at 57.
Another Watson three gave the Ramblers back the lead, but back-to-back jumpers by Tyne and Neskovic put the Spiders in the driver’s seat. Watson and Neskovic traded jumpers before White added a layup to maintain the slight Richmond lead.
With 24 seconds remaining, Dawson sank a three before both Richmond and Loyola came up short on their final opportunities, sending the squads into overtime — the third time for the Ramblers this season.
Houinsou missed the first chance for points in the extra time. His missed free throw was quickly rebounded and put back by Watson. Walz added a jumper to the board before an Edwards Jr. three put the lead in Loyola’s hands.
Tyne added two at the line and Watson failed to capitalize on the extra point following an and-one layup. Walz brought the game within one with two free throws, but Edwards Jr. responded with another three to give the Ramblers a four-point advantage.
Tyne made two more at the line while Edwards Jr. came up clutch with another three. Soon after Tyne responded with a 3-pointer of his own. Edwards Jr. stayed hot with another 3-pointer as on the next possession Tyne turned the ball over on a travel.
Dawson made both shooting one-and-one at the line, and White added a layup before a timeout was called on the floor with 13 seconds left and the Ramblers ahead 83-78.
Dawson took two more trips to the free-throw line and iced the game, making all four attempts, solidifying the 87-80 Rambler win.
Head coach Drew Valentine said the team worked hard in the extra minutes to finally secure an overtime win.
“Hats off to our guys for fighting through adversity,” Valentine said. “[Dawson, Watson and Edwards Jr.] all made big plays at the end and in overtime that really helped us find the momentum again that we had in the first half to win.”
The Ramblers return to Gentile Arena for their next game against Saint Louis University Feb. 14. Tipoff is scheduled for 6 p.m., and the game can be streamed on ESPN2 or caught on the radio on Ramblers Sports Network.
The post Men’s Basketball Outlasts Richmond 87-80 in Overtime first appeared on The Loyola Phoenix.
Baltimore rapper and producer JPEGMAFIA, known for his violent and politically charged lyrics and production, released the long-awaited deluxe version of his 2024 album “I LAY MY LIFE DOWN FOR YOU” Feb. 3.
The director’s cut comes after a busy year for JPEGMAFIA — known by fans as Peggy — during which he toured the new album, performed at Pitchfork Music Festival Mexico City and worked with rapper Kanye West for his “VULTURES” album series.
Unlike other deluxe albums that tack songs onto the end of the original, JPEGMAFIA said the “Director’s Cut” is actually the original version of the 2024 release.
“This Director’s Cut is my original vision for the album,” Peggy wrote on X, formerly known as Twitter. “When i started working with Ye I learned how to cut fat off an album by watching the master at work.”
The B-side contains previously unreleased and leaked songs, as well as demos and alternate versions of songs.
The “Director’s Cut” begins with “I.S. 231 (Intro),” an interlude with a father and child singing Bob Marley and the Wailers’ song “Rastaman Chant.” The title references the rapper’s old middle school in Queens, New York.
Following the original intro song, “i scream this in the mirror before i interact with anyone,” is the lead single for the deluxe version, “PROTECT THE CROSS.” Released Jan. 20, the day of Trump’s inauguration, the rapper vehemently voices his disdain for U.S. politics.
“White bitches ain’t vote for Kamala / They lie,” JPEGMAFIA raps.
“Jordan Rules” is sonically reminiscent of his 2021 album “LP!,” with sparkling digital synths. JPEGMAFIA reprimands white rappers for appropriating Black culture and threatens an unnamed enemy with death, robbery and total destruction of their life.
An extension of his song “New Black History,” “CULT STATUS” sees Peggy rapping over the former’s outro, which sounds like the “Find My iPhone” alert ringing inside a metal-filled blender. While it seems like an impossible-to-rap-over beat, the track features bars that tout his expansive cultural knowledge, shouting out Whitney Houston’s drug habits and QWERTY keyboards.
“COKE OR DOPE?” is the original version of the released track “JIHAD JOE,” which was placed at the end of the tracklist on the “Director’s Cut,” according to JPEGMAFIA. Both songs share the same chorus, although “COKE OR DOPE?” offers new verses.
On the calmer, more melodic title track, Peggy reflects on failed relationships, wondering when he’ll find the one. The dreamy, acoustic guitar-backed song concludes with vocalizations from Steven Spielberg’s daughter, Buzzy Lee.
The following track, “Boy You Should Know!,” is named after a line from Ciara’s “Body Party,” which is predominantly sampled. Although the song itself is lighter, its subject matter is not, making references to Luigi Mangione, the Jan. 6 Capitol riot and a list of every illicit substance Peggy has taken.
Closing out the A-side is “ALLAH,” an emotional meditation on not only his religious and mental state, but of the state of the world, referencing the War in Gaza.
“They been prayin’ for peace, ain’t no peace when you pay for that bombin,’” he raps.
Side B opens with “What the hip hop hell is this?,” where he airs out his qualms the contemporary rap game, saying civil rights leaders — such as Martin Luther King Jr., Rosa Parks, Malcolm X and more — didn’t die for an underwhelming rap scene. He condemns rappers who make music to win awards, achieve financial success or lie to bolster their egos.
“Come & Get Me” has an R&B-esque delivery from Peggy and takes aim at white people who try to adopt Black culture for their own benefit.
“White boys be copying slang and then thinkin’ this shit make ‘em black / White girls be copying slang and then thinkin,’ ‘This shit make me slay,’” he raps.
The track “Bloodline Freestyle (2022 Demo)” features a heavily autotuned JPEGMAFIA, although his scant lyrics make its classification as a freestyle clear even without the title.
JPEGMAFIA isn’t on “HATE.” Instead, his frequent collaborator Freaky raps over an instrumental from Kenny Beats. His half-mumbled delivery pales in comparison to Peggy’s aggressive flow.
The final few tracks are composed of “TAKE AN (Instrumental),” a short demo of an incomplete song, as well as an alternative, barebones version of his song “don’t rely on other men.”
On “I LAY MY LIFE DOWN FOR YOUR (DIRECTOR’S CUT),” JPEGMAFIA proves even his songs left on the cutting room floor are as strong as those originally released. His anger is so strong it manifests in an almost exasperating way as Peggy airs out his grievances with politicians, rappers and the culture as a whole.
After over an hour of vicious lyrics, grimy beats, cacophonous instrumentals and frankly erratic deliveries, JPEGMAFIA remains a central figure in not only the underground rap scene, but in the rap game as a whole.
“I LAY DOWN MY LIFE FOR YOU (DIRECTOR’S CUT)” is available on all major streaming platforms.
The post JPEGMAFIA Lays Down the Law on ‘I LAY DOWN MY LIFE FOR YOU (DIRECTOR’S CUT)’ first appeared on The Loyola Phoenix.
Loyola men’s golf teed off their 2025 spring season in warm weather as they headed down to Dade City, Fla. for the Match Play Event hosted by Ball State University Feb. 10-11.
The invitational’s format didn’t follow the typical three rounds, 54-hole structure — instead consisting of three matches where Loyola’s six golfers faced off one-on-one against their opponents, and the team with the most holes won over play wins.
Third-years Ryan Walsh, Charlie Kulwin, Dori Lee and Sebastian Kasun were joined by redshirt third-year Zach Mulhearn and first-year Clay Heilman.
Seeded fourth out of eight schools, Loyola first faced Bowling Green State University Friday. The first matchup was Walsh versus fourth-year Darin Hudak, where Walsh finished two under par and beat Hudak by a hole for the first win.
Kulwin was next up versus graduate Evan Johnson. Kulwin won the match with three pars and a birdie to finish two shots under.
Lee — facing fourth-year Luke Evans — lost the lead from the start with a bogey on hole one and wasn’t able to even it up. His struggles continued as he never shot a birdie during the round and hit five bogeys, finishing five shots over par and losing to Evans by a hole.
Kasun faced off against fourth-year Zander Gibson and dominated the round. Kasun never fell behind Gibson, winning five holes in the back-nine — his final point difference — and shot one over par on the round.
Mulhearn followed and teed off with first-year Andrew Lee, where he handled business, scoring four birdies through the round and closing the match one under par and three holes up on Lee.
Heilman, last to compete versus third-year Ethan Irvine, found himself down after the third hole. He bounced back with a dominant back-nine performance, winning five holes and finishing one under par, taking the match by two holes, as Loyola defeated Bowling Green 5-1.
Next the Ramblers faced number one seeded University of Richmond, who also had a win after the first round. Walsh faced off against fourth-year Cole Ekert, shooting two over par compared to Ekert’s four under with six birdies. Ekert clinched the matchup in just 15 holes.
Coming off his first-round victory, Kulwin faced first-year Carson Baez. He got off to a hot start — hitting birdies on the first three holes — and didn’t look back, leading by as many as four holes and capturing the win with two under par and one hole better than Baez.
Lee faced fourth-year Patrick Isztwan in the third matchup of the round. Lee recorded his first eagle on the day in his ninth hole, putting him up one hole. The back-nine was rough for him as he lost two rounds and drew the remaining seven. He’d lose the match by one hole, finishing two under par.
Kasun took on third-year Drew Carlin in the fourth matchup, winning the first two holes and hitting six birdies in 16 holes. Kasun led by as many as four holes and closed his stretch by three as he shot four under par.
Loyola headed into the fifth round tied two apiece with the Spiders. Mulhearn faced off next against second-year Quin Polin. The pair remained neck-and-neck until Polin went up one before they drew every hole after the seventh, beating Mulhearn by five holes, who finished even with par.
Heilman was Loyola’s final golfer with the opportunity to rescue a draw and faced off against second-year Jack LaPiana. Despite an eagle and finishing two under par, Heilman only won four of the 18 holes, while LaPiana’s single hole advantage earned Richmond a 4-2 victory.
For their last round of the invitational on Saturday, Loyola faced off against three-seeded University of Dayton with third place accolades in play. Walsh kicked off the match facing second-year Breckin Taylor and captured five holes from five birdies in the final nine holes, as he finished even with par and two holes up on Taylor.
Kulwin faced third-year Victor Caliguri for the second match, dominating with eight rounds as the match only went to 13 holes. Kulwin’s seven-hole lead resulted in a two under par finish and a lead for the match.
Following behind him was Lee, who faced fourth-year Ben Cors but couldn’t catch up after falling behind on the first hole. Cors hit four under in 16 holes to beat Lee by three holes, and finished even with par.
The fourth match had Kasun against third-year Jacob Garland, and the two swapped winning holes until Kasun won four of five holes in the back-nine. He won by two holes in 17 as he finished even with par.
Up 3-2, Mulhearn faced fourth-year Colin O’Rourke looking to seal third for the Ramblers, and, despite finishing two over par, wrapped up the match in only 15 holes, winning by four holes.
Heilman finished the event against first-year Luke Kahle, but struggled and hit six bogeys and one birdie to finish five over par, losing by four holes.
Loyola returns next month when they head to Southern Pines, NC for the Babygrande Ross Collegiate Classic hosted by George Mason University Mar. 10-11.
The post Kulwin Leads Loyola to Third at Match Play Event first appeared on The Loyola Phoenix.
The Loyola softball team traveled to Cedar Falls, Iowa Feb. 7-9 to compete in the UNI Dome Tournament. The Ramblers competed in five games, ultimately going just 1-4 in a series of hardfought matchups.
Feb. 7 vs. The University of North Dakota
The Ramblers struck first in the first inning after fourth-year infielder Haley Wallace advanced to third on a wild pitch and scored on a throwing error by Fighting Hawks third-year catcher Taya Hopfauf. Second-year Liz Sedakis stole home shortly after to put the Ramblers up 2-0.
Loyola held the momentum heading into the second inning as a hit by first-year outfielder Averi Vander Woude allowed second-year outfielder Katie Mitchell to make her way home for a 3-0 lead. A Wallace at-bat brought Vander Woude home, putting the Ramblers up 4-0.
In the fifth, the Fighting Hawks started to fight back with an RBI by fourth-year North Dakota outfielder Hannah Thompson, bringing home third-year Hawk outfielder Brooklyn Morris.
Six innings in, a double from Morris down the right field line brought in North Dakota third-year utility player Katelyn Neumayer, making it 4-2.
Loyola added an insurance run in the bottom of the sixth after third-year outfielder Sierra Sass doubled to center, bringing in second-year infielder Skyler Croker for a three-run lead.
North Dakota attempted a comeback in the seventh after graduate infielder Katie Joten came in to score. A final scoring play from Hopfauf was the final run of the game as the Ramblers won 5-4.
Feb. 7 vs. The University of Nebraska-Omaha
The University of Nebraska-Omaha jumped out to an early lead in the first inning after fourth-year infielder Maggie O’Brien stole second and scored on a fielding error by first-year Rambler catcher Alli Pawlowicz.
Second-year Omaha infielder Katherine Johnson followed with a two-RBI single to right field, bringing in fourth-year Maverick infielder Sydney Thomason and third-year outfielder Ava Rongisch to extend the Maverick’s 3-0 lead.
Omaha added to the commanding lead in the third inning as first-year infielder Haley Wilwerding hit a double to center to bring home Johnson. The Mavericks added two more in the fourth after a Rongisch single brought home Thomason and O’Brien..
In the sixth inning, third-year Omaha outfielder Emma Durr tripled to center to bring in O’Brien again, while second-year outfielder Sammy Schmidt singled in the seventh, advancing first-year outfielder Gabby Salazar home for an 8-0 Maverick lead.
The Mavericks ended the game with a final score of 10-0 after two fielder’s choices allowed Schmidt and third-year outfielder Marra Cramer to cross home.
Feb. 8 vs. The University of Nebraska-Omaha
The Ramblers struck first in their second outing against the Mavericks with Wallace stealing home in the first inning. Sedakis added another run after stealing second and then was brought home on a single by fourth-year outfielder Riley Owens. A Mitchell bunt brought in Owens for a 3-0 Loyola lead to start out the game.
The Mavericks responded in the bottom of the first after fourth-year pitcher Andie Broniewicz allowed a walk with bases loaded, sending Thomason home. Ronigisch crossed after a Wilwerding RBI shortly after.
Both teams exchanged a run in the second inning after a Sedakis single brought in Vander Woude and a Thomason single advanced Schmidt to home plate.
In the sixth, Rongisch blasted a three-run homerun to right field to put the Mavericks up 7-4. Wilwerding added an RBI single, and first-year infielder Caroline Glenn was walked by fourth-year pitcher Peyton Pepkowski to bring in Johnson. Wilwerding made it 10-4 after scoring on a wild pitch.
A Cramer triple in the sixth drove in two more runs to cap off a 12-4 Mavericks win.
Feb. 8 vs. The University of Northern Iowa
An Owens double to left center brought in Vander Woude for the first run of the game against the Panthers.
Northern Iowa answered with third-inning runs of their own, starting off with a single from first-year Panther infielder Drew Hinrichs, which allowed fourth-year infielder Kylee Sanders to score while first-year Northern Iowa utility player Skylar Banesh scored an unearned run.
After a fielder’s choice and throwing error by Wallace, the Panthers tacked on two more runs by third-year Northern Iowa outfielder Adalyn Reynolds and fourth-year designated player Addison McElwrath.
The Ramblers started in the sixth inning with a sacrifice fly from fourth-year infielder Bella Crimaldi, which brought home first-year infielder Kayci Rigby for a 4-2 ball game.
Northern Iowa added two more runs in the bottom of the sixth after Sanders singled up the middle to bring in second-year Panthers utility player Paige Peterson and infielder Skyora Smith. The Panthers ended the game with a 6-2 win.
Feb. 9 vs. Drake University
In the final game of the tournament, the Ramblers took an early first-inning lead when Mitchell reached base on a fielding error by first-year utility player Lilli Gonzalez, which also resulted in Crimaldi and Croker scoring for the Ramblers.
The Bulldogs answered in the bottom of the first with a solo home run by fourth-year utility player Emma Dighton.
Loyola extended their lead in the second when Wallace — who previously advanced to third on a throwing error by fourth-year infielder Carey Koenig — made her way to the plate for the third Rambler run of the game.
With a double from third-year Bulldog outfielder Tatum Aragon to left field, Dighton and second-year utility Frankie Rita scored for the Bulldogs, tying the sides until the fifth inning, when a sacrifice fly to center field by Aragon allowed Rita to score again to secure a 4-3 Bulldog victory.
Following Iowa, the Ramblers will travel south to Orlando to play in the Fonseca Memorial Tournament at the University of South Florida Feb. 14-17. Their first game will be against St. John’s University Feb. 14, with the first pitch set for 10:30 a.m.
The post Softball Suffers Early Setback in Cedar Falls first appeared on The Loyola Phoenix.
Dear kind editors,
My tail can’t stop wagging! Thank you so much for the nice attention in your featured interview of me in this week’s issue of the Phoenix. I just want to set the record straight on a couple of things. First, I think your characterizing my feelings toward my predecessor Santos as aggressive misread my true feelings. By all accounts, Santos is a very good boy who just didn’t make for a very good therapy dog. My take: he’s too hyper. I will admit, though, that I’m just not that into him. I also wanted to stress that I am very apolitical and that I love getting pets from people across the political spectrum—I do not discriminate!
Your faithful therapy dog,
Ashlar
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Loyola Athletics announced the signing of returning men’s volleyball head coach Shane Davis Nov. 2.
Davis joined the Ramblers after the sudden announcement on Oct. 11 former head coach John Hawks would return to UCLA as their head coach for the upcoming season.
In his return to Loyola, Davis brings with him significant Rambler history. He was not only a men’s volleyball student-athlete from 2000 to 2003, but also served as head coach from 2004 to 2015.
During his time as head coach, Davis led the team to three consecutive NCAA Final Four appearances between 2013 and 2015, with back-to-back national titles in 2014 and 2015.
In a Loyola Athletics press release, Davis shared his sentiment for the men’s volleyball program and his return.
“I am deeply honored to return to Loyola as head coach of the men’s volleyball program — a program that has shaped my life and career in extraordinary ways,” Davis said.
Davis made his mark during his time as a student-athlete. In his first-season, he recorded 1528 assists — the third highest in program history — and was named Midwestern Intercollegiate Volleyball Association Freshman of the Year and Third Team All-MIVA.
Davis was named to the First Team All-MIVA for the next three seasons and was selected for the Second Team All-America in 2003.
By the time he graduated, Davis had set the program record for career assists, secured second place in school history for career digs and was named Loyola’s Male Athlete of the Year in 2003.
The following year, Davis joined the men’s volleyball staff as head coach. For the next 12 seasons, Davis produced 43 All-MIVA picks, four of whom were also named MIVA Player of the Year, and 12 All-Americans’ including two bronze medalists.
During his tenure, Davis was also awarded the MIVA Coach of the Year four times and the 2014 AVCA Coach of the Year.
For his efforts and successes as head coach, Davis became the first men’s volleyball student-athlete or coach to be inducted into the Loyola Athletics Hall of Fame in 2018.
After departing Loyola, Davis served as head coach of the Northwestern women’s volleyball team from 2016-2024, and led several nationally-ranked recruiting classes.
In his first two seasons at Northwestern, the recruiting classes ranked 22nd and 18th, with the 2017 season team recording the best hitting percentage in program history.
With the 2025 spring season approaching, Davis said he can’t wait to reconnect with athletes, alumni and the community at Loyola — a place that has always been home for him.
This season marks Davis’ 21st season as a head coach and his 13th with Loyola. Davis has the most successful record in program history.
Davis said he’s fired up to “begin a new era of Ramber volleyball” with a foundation in place, and is ready to take the team to a position for a championship once again.
Athletic Director Steve Watson said he is excited to welcome Davis back.
“We’re super excited to have Shane back in the Maroon and Gold,” Watson said. “Shane led the Ramblers to national championships in 2014 and 2015, and we look forward to watching him take our program back to national prominence.”
After preseason ends Nov. 16, Davis and the Ramblers officially get their season underway in early January, with the schedule to be released.
The post Loyola Hall of Fame Volleyball Coach Returns to Campus first appeared on The Loyola Phoenix.
I was born and raised on football. Despite being from Pittsburgh, I was raised in a West Virginia University household, meaning my hatred for the University of Pittsburgh runs deep.
Rivalry is in my blood.
When I was looking at colleges, I wanted a school where sports meant something. After I visited Loyola, I knew it was for me. Everyone I talked to was proud to be a Rambler. The school’s enthusiasm for its sports was distinct.
But there was one thing I hadn’t heard about — our rival schools.
Sports rivalries, especially at the college level, help keep the spirit alive. These rivalries act as an outlet for ecstatic fans and emphasize the feeling of community at the school.
According to KnowRivalry, there are 10 ingredients to a good rivalry, spanning three categories — conflict conditions, strong similarities and deep differences.
The one ingredient that can’t be left out, for fear of messing up the recipe, is spatial proximity. When competitors are close to each other, it boosts the pride each group has for their respective team.
In the Red Line Rivalry, Loyola goes up against DePaul University, our crosstown rival. At the women’s soccer game against DePaul Aug. 25, there was record-breaking attendance, with 1,178 people in the stands.
The crowd always makes a difference. With a gritty rivalry game, having the support of a huge crowd helps the players play harder. Rivalry games provide a mental boost to athletes, as well as giving them a chance to prove their superiority over their competitors, according to Peak Performance Sports.
When I went to the Backyard Brawl between Pittsburgh and West Virginia last season, there was an undeniable energy to the stadium — one I didn’t have the pleasure of experiencing again until I went to my first Loyola basketball game against Chicago State Nov. 4.
I stood in the stands in Gentile Arena, taking in the sights around me — the spirit teams, Lu Wolf hyping up the crowd, parents filing into the seats around me and the players warming up on the court.
Rambler Rules were taped to the seats, making sure new students knew what they should be doing during the game. Sister Jean was brought onto the court, praying for the team and the game ahead and most importantly, telling the referees to make fair calls for both teams.
This was a special feeling. I felt like I was finally a part of the Rambler community, and I wasn’t just a lost first-year going through the motions of college life.
While the game I attended wasn’t a rivalry, the excited energy in the arena was still palpable.
There’s something in the air at rivalry games. The fans are on their feet, louder than ever. The players’ mindsets are boosted. The spirit of the game courses through everyone in the arena.
The college experience isn’t complete without a school rivalry.
The post COLUMN: Rivalries Help Keep the Spirit Alive first appeared on The Loyola Phoenix.
Before bringing his talents to Loyola this fall as a graduate transfer, James Lawrence called Dartmouth College home for the past four years.
During his fourth-year, Lawrence served as captain of Dartmouth’s cross country team. He said he hoped to similarly establish himself as a leader at Loyola.
Both Lawrence and head coach Gavin Kennedy agreed his experience helped transform him into a leader heading into his fifth year of collegiate sports.
“He does bring that to our program whether it’s in uniform or out of uniform,” Kennedy said. “I always see him talking with the guys on the team, giving them his experience. I would certainly consider James a leader not only by what he does in the uniform, but what he does outside of the uniform too.”
Lawrence’s journey to leading the Big Green and Ramblers wasn’t similar to those of other high school athletes. Despite being from Charlottesville, VA, Lawrence didn’t attend high school in America. Instead, he spent his four years over 7,500 miles away from Rogers Park in Addis Ababa, Ethiopia at Bingham Academy.
Lawrence said the reason he left the U.S. to attend high school was because of his father, Scott. His dad, an optometrist, took an opportunity to work for Doctors Without Borders, where he provided free eye care to people in Ethiopia.
His father’s humanitarian work inspired Lawrence to do charitable work himself. During his time in Ethiopia, he volunteered with the Ethiopia ACT project, helping provide medical services to families in Addis Ababa who’ve been affected by HIV/AIDS.
He also worked for Jewish Voice Ministries International, helping arrange pharmaceutical services for medical and surgical projects for the people in northern Ethiopia.
While attending Bingham Academy, Lawrence was a varsity cross country and soccer athlete, captaining both teams in his third and fourth years. Lawrence said the running culture in Ethiopia helped train him and gave him an extra edge before entering college.
Running is at the center of Ethiopia’s international athletic success. All 58 of Ethiopia’s Olympic medals, 24 of which are gold, have come in running events varying from the marathon to 5K’s and 10K’s. Lawrence said the long history of competitive racing in Ethiopia prepared him for meets and invitationals in the States.
The summer invitationals are where Lawrence said he got his best chance to show off for colleges. By recording quality runs during the invitationals, Lawrence was able to garner the attention of Dartmouth for the next four years of his college experience.
At Dartmouth, Lawrence established himself on the course during the 2022 fall season when he placed third in consecutive invitationals. His performances clinched Lawrence’s only appearance in NCAA Regionals where he placed 46th in the Northeast region, a placement he’ll look to improve Nov. 15.
Last fall, Lawrence podiumed four times, including two first place finishes, catching the attention of college programs looking to add Lawrence for his last year of eligibility.
From there, Lawrence found himself looking for a program to spend a year in graduate school. He said he initially had an interest in Loyola with their ability to produce recent All-Americans, after back-to-back seasons where former Ramblers Ryan Martins and Chris Devaney both qualified for the NCAA Cross Country National Championships.
Cross country assistant coach Patrick Murphy was the first to reach out to Lawrence about joining the team, and when Lawrence eventually got in touch with Kennedy, he said he thought it was a perfect fit.
“We had great conversations with him,” Kennedy said. “We felt like the academic profile would be really good at Loyola coming from Dartmouth. It’s a big part of our recruitment process — you’ve gotta be able to be good not only in the classroom but also in cross country on the track as well.”
His decision to join Loyola has been beneficial so far, as he finished first for Loyola in both the Wisconsin Pre-Nationals Oct. 19 and later at the Atlantic 10 Conference Championships Nov. 2 — finishing third overall in the men’s division.
With the cross country season winding down, and the possibility of Regionals and National Championships on the horizon, Lawrence said he might have a little time to put some energy into his guitar-playing hobby.
Whether it’s by himself or jamming in one of the numerous bands Lawrence played in with friends at Dartmouth, he said he loves playing music when he can and has even held a few jam sessions with fellow athletes at Loyola, where he enjoys covering songs from pop, rock and even punk.
Heading into NCAA Midwest Regionals Friday Nov. 15, Lawrence said he hopes he can help himself and Loyola advance to the Division I championships. If he can qualify, it’ll mark the third-straight year Loyola has sent a representative to the NCAA national championships.
The post Running Around the World with James Lawrence first appeared on The Loyola Phoenix.
An all-important date marker passed by this past weekend. Nov. 10 marked the 49th anniversary of the sinking of the SS Edmund Fitzgerald beneath the crashing waves of Lake Superior.
Since moving to Chicago, I’ve adopted the annual traditions shared by some meditative Midwesterners that honor the 29 crew members who went down with the ship on that stormy November night.
Between spending time looking somberly out into the Great Lakes’ expanse and repeatedly spinning Gordon Lightfoot’s seminal folk rock ballad “The Wreck of the Edmund Fitzgerald,” I’ve come to realize this freighter-inspired phenomenon is Midwestern culture at its peak.
After dusting off a copy of Lightfoot’s Fitzgerald-laden album “Summertime Dream” I was overcome with a sense of pride — however unconventional its source — for my adopted region.
While I’m not from the Midwest originally, something about the Great Lakes region has gotten to me, despite having lived all over the country. Between euchre, butter cows and drawn out A’s, I’ve been charmed by the particularities of the plains.
One thing I’ve been struck by is the pride Midwesterners have for their home states — particularly Ohioans and Michiganders who are locked in a death struggle of mediocrity rooting back to the Toledo War of 1835. I know this to be true because writing the previous sentence lit a fuse in our newsroom.
I’m sold on the Rust Belt more and more by the day. With any national pride I had left being seriously tested over this past week, Midwestern pride might be just what I need to fill the void.
It may just be the majesty of the lakes — I get really excited whenever there’s a barge passing by — or whatever it is they put in Spotted Cows, but something about the Midwest has made it uniquely easy to adapt to.
So put some brats on the grill, deep fry some cheese and turn to the BIG 10 network, because America’s heartland has stolen mine.
Ope, let me squeeze right past ‘ya ‘der.
The post From The Editor’s Desk: Embracing My Adopted Midwestern Home first appeared on The Loyola Phoenix.
Scorpio: Oct. 24 to Nov. 21
Don’t look to your side. Nothing awaits you there. Instead, watch the sun climb over the horizon. Your path is laid before you.
Sagittarius: Nov. 22 to Dec. 21
Keep your head above the waves, despite the spray of saltwater drowning out your cries. Persevere and you’ll soon reach land.
Capricorn: Dec. 22 to Jan. 19
Cover all your bases. Meticulous note-keeping will be your saving grace. Too often do important details slip through the cracks.
Aquarius: Jan. 20 to Feb. 18
Keep your palate open to new tastes. A restricted diet will break down your strength, wasting away your spirit.
Pisces: Feb. 19 to March 20
Keep your gait airy, your footsteps light. Step too hard and you’ll sink into the mud, trapped between the teeth of Mother Nature.
Aries: March 21 to April 19
What you seek is just around the bend, but keep yourself steady as you follow the curve — don’t scrape your knees in your haste.
Taurus: April 20 to May 20
Rest your weary eyes. Kick up your tired feet. Breaks are seldom unnecessary. Treat yourself with extra kindness this week.
Gemini: May 21 to June 21
Tap your feet in a steady rhythm. Find your groove and you’ll be less likely to stumble. The world is your stage.
Cancer: June 22 to July 22
Sweeten your coffee and treat yourself to dessert. The world need not always be so bitter and bleak.
Leo: July 23 to Aug. 22
Sharpen your teeth and dull your claws. Your words are your greatest weapon — biting and fierce.
Virgo: Aug. 23 to Sept. 22
Shorten your sentences. Break speeches into remarks. You’ll soon lose your breath if your words continue to tumble.
Libra: Sept. 23 to Oct. 23
Your hard-fought ambitions will soon come to fruition. Keep watch of the growing willow tree — you’ll soon be able to enjoy its shade.
The post Horoscope: Nov. 13 first appeared on The Loyola Phoenix.
The Booker Prize is a literary award celebrating the year’s best English-language fiction novel. This annual prize is known for launching writers into international acclaim and spotlighting groundbreaking storytelling.
The 2024 Booker Prize shortlist is packed with female representation, marking a shift in the prize’s 55-year history, according to BBC News. Five of the six nominees are women authors from different backgrounds, resulting in writing laced with diverse voices and unique struggles.
The 2024 Booker Prize has been awarded to Samantha Harvey for “Orbital.” In a year dominated by female authors, the prestigious prize recognized Harvey’s masterful depiction of life beyond Earth.
The shortlist was comprised of “Orbital” by Samantha Harvey, “Creation Lake” by Rachel Kushner, “Held” by Anne Michaels, “The Safekeep” by Yael van der Wouden, “Stone Yard Devotional” by Charlotte Wood and “James” by Percival Everett.
Winner of the Booker Prize: “Orbital” by Samantha Harvey
Set aboard the International Space Station, Harvey’s “Orbital” captures 24 hours of existential reflections through the lens of six international women astronauts.
Harvey takes the reader on a 136-page journey with astronauts as they circle the Earth. In their rotation, the astronauts cope with the fact it’ll be their final mission before the space program is dismantled.
“Orbital” is a book with a poetic meditation on the fragility of the environment and the collective human experience of fixing it. The astronauts grapple with their earthly attachments and daily routines in the space station, unable to navigate their lives.
Harvey floats around a vision of companionship on isolated grounds. In short verses, she pans a camera into the astronauts’ lives and exposes their feelings of hurt, longing and hope. By the end of the book, a message is clear — even in a vacuum, love still exists.
“Creation Lake” by Rachel Kushner
Kushner’s “Creation Lake” is a humorous dive into the world of espionage and political subterfuge. The novel follows Sadie Smith, an enigmatic and seductive American agent who invades an anarchist community in rural France.
While on her mission to incite revolution, she stumbles upon Bruno Lacombe — a mysterious, elusive figure advocating for a return to ancient ways rather than modern revolt.
At first, Sadie manipulates Bruno to aid her mission, but as they work together, her sense of control is challenged and her hatred turns into fascination.
“Creation Lake” is a thrilling exploration of power, identity and resistance, ultimately reflecting the allure and consequences of radical ideologies.
“The Safekeep” by Yael van der Wouden
In “The Safekeep” by van der Wouden, the serene backdrop of the 1961 Dutch countryside is a facade — the novel circles around intense psychological drama between two women, Isabel and Eva.
Isabel is a solitary being, living alone in her dead mother’s rural home. Her strict routine is disrupted when Eva, her brother’s girlfriend, arrives at the house uninvited. In contrast to Isabel’s uptight nature, Eva is free-spirited.
With Eva’s arrival, objects go missing from the house, and tensions escalate. Isabel’s paranoia transforms into an unsettling attraction toward Eva. In their time spent together, Isabel comes to a startling revelation about the house and its past secrets from World War II.
“The Safekeep” houses themes of queer longing by challenging the norms of its historical setting, creating an intimate atmosphere. The end of “The Safekeep” makes one thing clear — a house is never just a house.
“Stone Yard Devotional” by Charlotte Wood
A book about forgiveness, grief and moral ambiguity, “Stone Yard Devotional” by Wood defines what makes something good. The book follows an unnamed woman who retreats from urban life and a crumbling marriage to join a small religious community in Australia’s Monaro plains.
She doesn’t believe in God, yet she’s drawn to the rhythms of monastic life as she’s haunted by her memories of her mother’s early death. Her peace is interrupted by three events — a relentless mouse plague, the discovery of a nun’s skeletal remains and a visit by a mysterious stranger who brings painful fragments of her past.
Wood delves into loss and unresolved grief as the woman grapples with questions of goodness and redemption.
“Held” by Anne Michaels
Michaels tells a narrative of moving through passages of time to find the message of what it means to be human navigating through pain. “Held” explores the consequences of war in addition to the mysteries surrounding human desires and connection.
The novel follows John in nonlinear timelines as he navigates his time serving in war, and the aftermath of the psychological trauma laced with it.
“Held” introduces John in 1917, lying motionless on a battlefield. Snow around him falls and he drifts in and out of memory. Michaels then time shifts the narration to 1920, with John going to North Yorkshire.
John is haunted by the scars of war both physically and emotionally. In his time in North Yorkshire, he reunites with Helena — an artist who attempts to repaint his fractured life base. John, with his inability to move past his war ghosts, tries to fall in love again with his fragmented self.
Through “Held,” Michaels paints a portrait of desire — love is a tapestry of luminous moments even in spots of darkness. The reader, alongside John, tries to find meaning in the finite message of life.
“James” by Percival Everett
Percival Everett flipped the classic Mark Twain adventure “The Adventures of Huckleberry Finn” to write “James,” offering a new perspective through the eyes of Jim, an enslaved man who was a secondary figure in the original Twain novel.
Everett begins his retelling with Jim’s determination to escape the reality of being sold away from his family. He starts on a solitary path to Jackson Island. Through his unique adventure, Jim tries to escape the Free States.
His plan intersects with Huck Finn’s, a wayward boy who staged his own escape toward the Mississippi River. From there, they’re forced to collaborate to find freedom in the midst of fear.
“James” recenters Jim’s experience, giving him agency, intellect and emotional complexity — qualities ignored in the original text. Jim confronts the internal struggles of a man fighting for the right to be seen. Everett writes about freedom, identity and the human cost of oppression.
Learn more about the shortlisted books through the Booker Prize website.
The post Women’s words shape the 2024 Booker Prize first appeared on The Loyola Phoenix.
In the week since former President Donald Trump was re-elected to a second term, the already wide partisan gap has only seemed to increase as supporters of the president-elect celebrate a clear-cut victory and demoralized Democrats wonder where it all went wrong.
The only consistent responses on both sides of the aisle have been emotions running high.
Impassioned responses to political change are normal, justifiable and even occasionally necessary given the unprecedented nature of this election. And yet, letting these emotions vindicate hateful ideologies isn’t just harmful, but is counterproductive to what the nation needs right now.
Since the election, online acts of hate speech have skyrocketed. Black individuals nationwide have received racist messages from unknown numbers telling them they were “selected to pick cotton at the nearest plantation,” according to CNN. Although the messages’ origins haven’t yet been identified, many have connected them to Trump’s victory.
“The unfortunate reality of electing a president who, historically, has embraced and at times encouraged hate, is unfolding before our eyes,” NAACP CEO Derrick Johnson said. “These messages represent an alarming increase in vile and abhorrent rhetoric from racist groups across the country, who now feel emboldened to spread hate and stoke the flames of fear that many of us are feeling after Tuesday’s election results.”
This week has also garnered a surge of misogynistic social media posts from Trump’s supporters who, emboldened by the former president’s triumph, have laid claims to women’s bodies online with adages like “your body, my choice,” according to MSNBC.
These hateful ideologies, directly fueled by Trump’s rhetoric, are horrifying, unconscionable and, above all else, dangerous. The perpetuation of these harmful beliefs in day-to-day interactions add fervor to growing momentum in favor of passing legislation which could restrict the rights, protections and freedoms of women, people of color and others in minority standing.
When so many people’s rights and privileges are under threat by supporters of the president-to-be, responses of fear and rage are warranted — but this doesn’t mean these feelings should blossom into tangential forms of hate.
Respect and responsibility are two-way streets. As election aftermath and pervasive polarization become increasingly entwined with ideologies of hate, it’s important to channel anger into productivity. The progressive way forward is to strategize when to lean into catalyzing change with feelings of rage and when to take the proverbial high road.
Stooping to vitriol equal to that of bigots only polarizes people further and gives credence to radical far-right slander.
Don’t let the flames of post-election anger dwindle, but be sure they don’t morph into something more insidious. It’s important — now more so than ever — to channel anger into action fostering progressive change, rather than using it to stunt discourse, further polarization and villainize those who seem to disagree.
The Phoenix Editorial Board consists of Griffin Krueger, Catherine Meyer, Lilli Malone, Hailey Gates, Brendan Parr and Andi Revesz.
The post Staff Editorial: Know the Difference Between Rage and Hate first appeared on The Loyola Phoenix.
Sunbeams stream through dust-filled air. Hairballs roll across tile floors like tumbleweeds. Wanted posters plaster washing machine sides, accosting alleged tank top thieves.
When swinging open the doors to a dorm laundry room, one might feel like they’re entering the Wild West.
Loyola laundry rooms might not be tormented by a “poop bandit” anymore, but that doesn’t mean people aren’t still making a mess of things.
A deficiency of neighborliness plagues residence hall laundry rooms. Abandoned dryer sheets lying two feet short of the trash and wet loads marooned on washer tops demonstrate disrespect of communal space and others’ personal property.
It doesn’t eat up time or energy to empty lint traps or pick up trash. Although it may be a slight inconvenience, such two-second efforts create a more enjoyable laundry experience for your dorm neighbors.
Turning these small fixes into habit benefits the custodial staff who have to remove islands of forgotten socks, hair and lint formed by repeated negligence.
Camping out for open machines is perhaps the most egregious laundry room faux pas. Impatient dwellers stalk their prey — finished cycles — either sitting in chairs dragged in from lounges or standing defensively, watching, waiting, wishing for the timer to drop to zero.
When “OPEN DOOR” flashes on machine displays, the most zealous residents begin hastily removing another’s clothing to make room for their own.
Others might wait a few minutes for neighbors to return for their completed loads. Then, standing close, the stocking stalker will impose a stern, watchful eye as neighbors move wet clothes across the room, one heavily-judged armful at a time.
Breathing down the necks of those shifting loads doesn’t guarantee they’ll move faster— they’ll likely just be annoyed. Some might even move slower in defiance.
And hey, I get it. I lived in Mertz Hall and dealt with sharing a singular laundry room among 17 residential floors. I know how unfair it is for neglected loads to jam machines for hours. It can be hard to establish a chore routine when others’ forgetfulness or laxity obstructs access to already limited appliances.
It’s understandable to want your laundry done quickly, even at the inconvenience of someone else’s time or at the risk of their property.
The excuse of efficiency shouldn’t be applied too liberally, though — your neighbors are busy too. Everyone is learning to manage their time and live on their own. We should give our neighbors grace when they come a few minutes late to move their laundry.
There are better ways to inspire improvements in laundry room efficiency. While imposing negative sanctions — like setting someone’s underwear and ancient summer camp t-shirts in a highly visible clump — might motivate students to be more prompt with returns to laundry machines, it certainly won’t bolster a sense of community.
Trust and socialization among those who live near each other has decreased over the past 50 years, according to the Institute for Family Studies. Coupled with research demonstrating substantial decreases in social engagement among current young adult populations, the decline of neighborliness has emerged as a threat to the strength of college communities.
As students learn to function as adults, we owe it to each other to work at being good neighbors too. We can band together to spite the individualism which characterizes American culture.
This task isn’t as unattainable as it may sound. Cultural shifts come about through small, everyday activities. Even if it’s as simple as clearing the lint trap to allow another to use the same dryer safely, repeatedly performing these modest deeds can inspire community-wide change.
So don’t wait for someone else to toss the dryer sheet in the trash. Don’t accept an unkempt laundry room as the norm. Take the steps, as inconsequential as they may seem, to help out the people you share space with. Give your neighbors grace in their errors, and allow them to learn alongside you how compassionate communities are created.
The post Wash Your Manners in the Laundry Room first appeared on The Loyola Phoenix.
When Loyola students are logging out of class, they seem to be logging onto the movie-tracking app Letterboxd.
Letterboxd users log their favorite films and write movie reviews. Users can interact with other accounts, track their favorite watches or discover new movies via the platform’s library of movie lists.
As a social media platform for both cinephiles and casual movie watchers, Letterboxd promotes fandom and community through film discourse. With over half of its growing user base falling under 35-years-old, Loyola students discuss how their shared love of movie-watching finds a common outlet in the app.
Diminuendo co-president Joey Daso, a third-year jazz studies and mathematics major, said Letterboxd represents the importance of personal journaling.
“I don’t have a diary — I always wished I had one but I never actually got to start one,” Daso said. “I watch movies so regularly that Letterboxd has kind of become my diary.”
Daso said he first discovered the app through a high school friend, who convinced him to start watching more interesting, engaging films.
“One of the first ones I logged on Letterboxd was Evil Dead II,” Daso said. “It felt satisfying to have an opinion on a movie for once.”
As someone with ADHD, Daso said watching movies has become a tool to train his attention span. When watching a film, the viewer should put their phone away and center their attention on a singular piece of artistry, according to Daso.
“It’s important to be able to engage with art without distraction,” Daso said. “Letterboxd is training a critical muscle to know how to critique that art.”
Daso said the movies he most struggles to talk about are ones with unclear flaws. The movie-tracking app provides an outlet to express confusion and articulate it into criticism.
“People have to work out their creative muscles because it’s easy for anyone to say they like or dislike something,” Daso said. “For someone to say why is really hard. You should challenge yourself to say why you like or dislike something.”
Uers can share their favorite logged films.(Audrey Hogan | The Phoenix)One of the app’s features is a top four favorite movies heading on each user’s profile. Daso’s are “Throwdown,” “Repo Man,” “Gold Diggers of 1933” and “Tropical Malady.”
Growing in popularity since 2020, Letterboxd uses other social media apps to promote itself to a young adult user base. Connor Rahill, a fourth-year film and digital media production major, discovered the app through film influencers on TikTok.
“It’s a good way to keep track of things that I enjoyed,” Rahill said. “It’s good for reliving the first viewing experience and later evaluating how I feel about it in comparison to other movies.”
Rahill said he balances his watching habits between “pretentious” films and fun movies with groups. Rahill said the app’s Top 250 Narrative Feature Films list provides a wealth of engaging movies.
“As a film enjoyer, you need a good balance of that quote-unquote pretentious high-brow type stuff while also enjoying random, fun things,” Rahill said. “You have to expand your tastes to find interest in every niche of film”
Rahill’s top four are “Eighth Grade,” “Parasite,” “Everything Everywhere All at Once” and “Return of the Jedi.”
A common thread amongst Letterboxd users is a desire to discover original movies. Be it popular blockbusters or niche cinema, today’s youth actively look for deep connections in the media they consume, according to Variety.
While many use the app to discuss new movies, others find value in keeping track of personal thoughts. Josie Kaine, a fourth-year history major, said Letterboxd helps her remember what she thinks about movies she’s already seen.
“I like to look back and know what my thoughts were and I like to know what other people were thinking,” Kaine said. “I like to know what other people are learning from media.”
Kaine’s top four include “2001: A Space Odyssey,” “Shiva Baby,” “Scream,” and “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.”
Letterboxd can be a tool for critique, discovery and memory — but also can be an instrument for viewing differing perspectives.
Sophia Martin, a fourth-year environmental science major, said they like to look at how people form differing opinions on pieces of media.
“I grew up in a household that taught me how to watch movies,” Martin said. “I like to know other people’s opinions on movies because of that.”
As an avid movie watcher, Martin said the app hasn’t changed their habit but rather solidified it.
“I’ve kind of always watched movies the same way, I just feel more assured by it now,” Martin said.
Martin’s top four include “Oppenheimer,” “Ford v Ferrari,” “Ferris Bueller’s Day Off” and “Once Upon a Time… in Hollywood.”
Movies provide entertainment, introspection and a sense of identity for the most ardent viewers. For Letterboxd users, that validation is furthered via intense discourse — or snappy one-line reviews.
Letterboxd wasn’t available for comment.
The post Love Letters to Letterboxd: Loyola Students Log Their Favorite Movies first appeared on The Loyola Phoenix.
NOW:
There comes a time, at the end of every October, when the autumn-infused joy of Halloween fades and a new season begins.
And that time is now.
While many may debate when to turn on Hallmark movies and light pine-scented candles, Christmas season really begins the moment spider webs are put into storage. Why wait until after the turkey is carved?
Christmas beginning Nov. 1 retains child-like enthusiasm for overwhelmed college students. The second the tree goes up and the aroma of cookies seeps out of the oven, I’m brought back to a simpler time — a time when I thought Santa was real and there wasn’t an article to write or class readings to procrastinate on.
This effect isn’t just personal, but psychological. People who decorate for the holidays earlier are happier, according to The Today Show. The bright lights, cheerful colors and festive ambiance can spike dopamine and evoke nostalgia.
Nostalgia is what makes the Christmas season so special. I miss the nervous excitement of tip-toeing upstairs bright and early on Christmas morning. I miss snooping through presents and fighting with my cousins over who would take responsibility when we inevitably got caught.
I shouldn’t have to wait until after Thanksgiving to revisit that childhood joy.
Thanksgiving isn’t until Nov. 28 this year, so the Christmas season would start later than other years. Every year, people deck out their homes in ribbons, garland and wreaths, taking tons of time and energy.
Approximately 70% of Americans plan on putting up outside decorations this year. Why spend $100 to $1,200 to install Christmas lights if they’ll only be up for a few weeks?
Besides, does Thanksgiving really need a full month to itself?
Aside from the obligatory turkey, heapings of stuffing and expressions of thanks, Thanksgiving isn’t much different from any other day. I can watch football, eat mashed potatoes and argue with my family over politics anytime. There’s no need to draw out fall festivities for the sake of Thanksgiving, especially when the holiday is rooted in colonial brutality and the weather already feels like winter.
Not to sound un-thankful for Thanksgiving, but it’s just a single day — Christmas is an entire season filled with cheerful ornaments, mugs of steaming hot chocolate, Pillsbury holiday cookies, stockings on fireplaces and laughter with loved ones.
It’s the most wonderful time of the year — why should we wait for it to begin?
LATER:
Patience is a virtue.
While the oft-repeated saying isn’t necessarily a catch-all, it’s certainly applicable during this time of year — when the moon has set on Halloween festivities and Christmas rears its jolly head.
As grocery store shelves prematurely stock peppermint and gingerbread-flavored everything, and Mariah Carey’s “All I Want For Christmas” flies to the top of music charts for another consecutive year, Thanksgiving is neglected by overly-eager holiday cheer.
Everything there is to love about turkey day is squandered under the weight of Santa’s belly.
What other holiday includes a feast of turkey, stuffing and cranberry sauce, all while offering entertainment in the form of near-inevitable family diatribes?
Good food and spirited antics equate to a unique dinner-and-a-show experience, where the only thing truly expected of you is to eat. There’s no stress over perfect presents, Christmas carol ear worms or tedious Secret Santa gift exchanges.
Losing sight of Thanksgiving in holiday haste runs Christmas spirit into the ground before the calendar even reaches Dec. 1.
How much tolerance does the average individual have for the same three Christmas movies playing repeatedly for over a month straight? How many times do we end up skipping beloved holiday tunes because overindulgence provokes listener’s fatigue from the first few notes?
The moment the clock strikes twelve on Halloween night, people immediately seek something else to celebrate — why forgo excitement over Thanksgiving in favor of its jolly counterpart?
There’s plenty to love about turkey day, including eagerly watching extravagant floats parade through Manhattan for the Macy’s Thanksgiving Day Parade or tuning in to the NFL’s annual Thanksgiving games
Just because there isn’t as much fanfare, or as many twinkling lights, doesn’t mean Thanksgiving deserves to be overshadowed — nor does it mean those who favor the November holiday to Christmas should be labeled scrooges.
It’s time we stop treating Thanksgiving as the metaphorical middle child of the big three — Halloween, Thanksgiving and Christmas. Stop letting the smell of pine and the sound of jingle bells eat up all your holiday spirit before Santa can even check his list the first time.
The post When is Too Soon for The Holidays to Start? first appeared on The Loyola Phoenix.
Cold and flu season is here again, and more than once I’ve found myself stuck in the same dilemma — I can’t breathe out of my nose and my entire body aches, but I’ve already used my freebie absence, and my class syllabus requires a doctor’s note for an absence to be excused.
When these inevitable mornings come, my options are to trudge to the Wellness Center to get diagnosed with yet another upper respiratory infection or risk losing points because my body betrayed me.
It’s long overdue to ditch the sick note — a waste of time for both patients and providers.
People get sick. Even with taking all the recommended precautions — from masking up to vitamin C supplements and vaccines — germs are everywhere, and contracting an illness at an inopportune time is almost inevitable.
Cura personalis, or “Care for the whole person” is preached constantly as part of Loyola’s culture, yet proof of illness is required to justify rest.
Although sick notes are perceived as a way of holding people accountable, it’s preposterous to expect a medical professional’s signature to validate needing a bit of time to rest and recharge.
Beyond the scope of trust, getting medical attention is also an immense privilege not all have access to.
At Loyola, we have the Wellness Center, which is a resource I’m grateful for. However, it can be difficult to get a same-day appointment, and the Wellness Center doesn’t provide formal excusal notes, only a small card marking the visit.
An upper respiratory infection — Wellness Center speak for the common cold — shouldn’t require a doctor’s note, especially when the prescription is often fluids and rest.
Not to mention, us common cold folks are potentially taking appointments away from students who may need help from an on-campus health professional more.
Beyond Loyola’s campus, other places to get a doctor’s note include urgent care, hospitals, specialists or primary care offices — if you’re lucky enough to have access to one. All these avenues can be extremely costly and involve lengthy wait times.
To have the ability to see a doctor and easily get a note shouldn’t be expected of the average American. With medical insurance often being tied to employment or some complicated system relating to parents or relatives, there’s no guarantee of having access to a doctor.
While the majority of Americans do have some form of health insurance, according to the U.S. Census Bureau, not all coverage is created equally, and copays unfortunately exist. With insurance the average doctor’s visit costs between $80 and $170, while without insurance this amount can be as high as $600, according to Debt.org. Even the low end cost estimate is beyond pocket change.
Doctors are also fed up with writing sick notes. Patients with minor illnesses are often better off staying at home, so many health professionals feel writing these notes is a waste of time and resources, according to the Canadian Broadcast Channel.
The Canadian Medical Association called for an elimination of sick notes for short-term illnesses Oct. 28, a call which could prevent as many as 12.5 million unnecessary health care interactions in a single year. A similar call would be a smart move for American doctors, since U.S. adults average two to four colds a year, according to the Centers for Disease Control.
There’s no need to waste time, resources and money just to validate being ill.
If I’m sick, I’m sick — and that’s the end of it.
The post Why I’m Sick of Doctor’s Notes first appeared on The Loyola Phoenix.
The Red Line offers a network of Chicago’s famous dogs topped with everything a ketchup-hating native could ask for — yellow mustard, neon-green sweet pickle relish, chopped white onion, tomato slices, a dill pickle spear, pickled sport peppers and celery salt — all on top a tasty poppy seed bun.
Sam’s Chicken & Ribs is blocks away from Lakeshore Campus. (Griffin Krueger | The Phoenix)Granville: Sam’s Chicken & Ribs (1102 W. Granville Ave)
Hidden behind a menu filled with ribs, seafood, chicken and wings, the classic Vienna BeefHot Dog isn’t immediately the main attraction when customers enter the store — less than 30 seconds after hopping off the Granville stop.
Yet, Sam’s provides an affordable and delicious deal on dogs. For $3.89, a hungry student can hustle a few blocks from campus for one gorgeous hot dog — toppings and all. For a dollar more, it comes with a side of classically greasy fries.
If a Chicago dog isn’t your thing, Sam’s offers Polish sausage, chili cheese dogs and a Chicago staple — the Italian Beef Sandwich.
Sam’s is open Monday through Friday 11 a.m. to 11:30 p.m. and Saturday and Sunday 12 p.m. to 11:30 p.m.
Addison: Wrigleyville Dogs (3737 N. Clark St)
Located near the home of the Chicago Cubs and less than a half mile from the Addison stop, Wrigleyville Dogs adds another Windy City classic to the area. The stand’s red and yellow patio and lit-up sign take customers back in time with ‘50s hot dog stand decor.
Only a four-minute walk from Wrigley Field, the stand can be an exceptional post-game meal, especially as an alternative to the stadium’s overpriced dogs. At $7.99 for one hot dog, the Chicago Cubs ranked as one of the most expensive baseball stadiums for a dog, beaten only by the Los Angeles Angels and the Oakland Athletics, The Washington Post reported.
The store also offers a drive-through option for customers looking for a quick bite.
Wrigleyville Dogs is open Sunday through Thursday 10 a.m to 11:30 p.m. and Friday and Saturday 10 a.m. to 3:30 a.m.
Clark/Division: The Dog House Grill (1534 N. Wells St)
Lodged in one of Chicago’s historic neighborhoods, The Dog House Grill offers a dog-filled oasis amidst the busy nightlife and vibrant charm of Old Town. Open late on weekends, customers can end the night with a dog, fries and one of the Grill’s classic ice cream shakes.
The Grill also offers a vegetarian “Garden Dog.” Customers looking to mix and match can also pair their dog with a burger, Italian beef or sausage in one of The Dog House Grill’s combos, which come with a medium drink and fries.
The store captures an old-school hot dog stand atmosphere with neon Vienna Beef signs in the window, cafeteria trays and red and white paper platters.
Only a mile walk from Loyola’s Water Tower Campus, downtown students can check out the Grill between their busy schedules.
The Dog House Grill opens daily at 10 a.m. and closes Thursday at 12:30 p.m., Friday and Saturday at 3:30 a.m. and Sunday through Wednesday at 11:30 p.m.
J’s Dawg and Burger is a seconds away from Water Tower Campus. (Griffin Krueger | The Phoenix)Chicago/State: Mister J’s Dawg and Burger (822 N. State St)
Just a hop, skip and a jump from Water Tower Campus, Mister J’s offers a scrumptious break from the fanciful hoity-toity-ness of Gold Coast. Its mustard yellow paint and massive crown-shaped sign stand stark against skyscrapers and city streets.
Customers order at the counter and watch as their hot dawgs are prepped in the kitchen. The stand, located right around the corner from the Red Line, sells two Vienna Beef dawgs for $8.99, making it a great place to stop and split an order.
Besides the dawgs, Mister J’s menu lists a plethora of fast food delicacies, including burgers, mozzarella sticks, chicken or fish sandwiches and gyros.
Mister J’s is open Monday through Thursday 10 a.m. to 2 a.m., Friday and Saturday 10 a.m. to 4 a.m. and Sunday 11 a.m. to 10 p.m.
The post L-Stop Musts: Hot Dog Edition first appeared on The Loyola Phoenix.
“Mahashmashana” is its name, meaning “great cremation ground” in Sanskrit, according to the album’s description. The album is officially out Nov. 22, but fans have had access to it for months, after several in-person and online listening parties.
The opening and title track wastes no time crashing in, a drumroll introducing overwhelming cinematic strings and brass. The instrumental immediately sets Misty’s tragic-yet-beautiful tone and establishes the album as a step forward in his artistry.
“Mahashmashana / All is silent now / And in the next universal dawn,” Misty sings, heralding the end.
Misty, known for his sardonic portrayals of humanity’s downfall, sounds genuinely troubled by what he sings. Misty’s no stranger to the worsening state of humanity, but reality is setting in.
“A perfect lie can live forever / The truth don’t fare as well / It isn’t perched on lips mid-laughter / it ain’t the kind of thing you tell,” Misty sings, his voice cracking with despair.
An artist who has spent his career trying to capture the sound of the apocalypse, Misty has finally succeeded. It’s a career-defining opus — but it’s only the first track.
“She Cleans Up” takes a hard left turn — in the right direction.
The song captures a Misty-stylerock song in full. He’s skirted around the genre before, like in songs “I’m Writing A Novel” and “Hangout at the Gallows,” but never fully delved in. “She Cleans Up” is a full-throttle banger with infinite replayability.
“Use your discretion so I don’t have to use mine / I spent a hundred bucks on gas / Baby let’s just have a good time,” Misty sings, both nonchalant and tripping over himself with speed.
“Josh Tillman and the Accidental Dose” is an ode to another Misty tradition — including at least one song per album about tripping on acid.
The song begins with ragtime piano warping and bending with out-of-tune strings coming and going in the blink of an eye, mimicking Misty’s trip, but grounding itself on an old Western piano riff.
“Mental Health” invokes an old Hollywood romance movie, with glamourous strings and flutes floating around Misty’s soft voice. Misty monologues about identity and virtues, familiar topics to him, but the song takes a turn at the end.
“One regret that’s really pretty tough / Is knowing I didn’t go nearly far enough,” Misty sings despairingly, almost yelling in an unprecedented show of emotion.
Despite the varying topics of each song, they’re each a reaction to what Misty believes is the coming end of the world. It plagues him, and the music, setting the tone of a final act.
Although Misty is known for being a master of irony, “Screamland” is an uncharacteristically unsuccessful attempt.
Calling it a “mutilated hillsong kind of thing,” the song drastically shifts from quiet, graceful verses laden with intricate religious imagery to a blown-out, violent chorus filled with unusually plain lyrics.
“Stay young / Get numb / Keep dreaming / Screamland,” Misty sings, yelling over the cacophonous static of the instrumental.
“Being You” is a twin to “Mental Health,” a cinematic, string-centric ballad also concerning identity. The chorus features Misty and the strings in a mesmerizing call-and-response, mirroring the nostalgic lyrics.
“In my memory / Is a show I call the past / I watch and decide just what I would do next,” Misty sings dreamily.
“I Guess Time Just Makes Fools Of Us All,” the album’s first single, takes the ragtime atmosphere of “Josh Tillman and the Accidental Dose” and dials it up to 11. Jazzy, upbeat brass propel Misty’s nearly-nine-minute epic as he playfully dances on top of them, spewing sardonic comments about humanity.
“Summer’s Gone” is the end of the end, a final, peaceful ode to Misty’s past, again invoking the nostalgic, cinematic tone of “Mental Health” and “Being You.”
“I drive around the city / The place I knew is gone” Misty sings wistfully, invoking the apocalypse again.
Misty draws upon even himself by referencing his debut album “Fear Fun” and its opening track “Funtimes in Babylon.” A mention of a peach also mirrors “Smoochie” from “Pure Comedy,” wrapping up an album full of personal references. But for the last line, Misty looks forward.
“Time can’t touch me,” Misty sings mysteriously, ending the album with a sigh and a wink into the camera.
“Mahashmashana” is Father John Misty — sonically, lyrically and characteristically. It’s Misty getting everything off his chest before the end, before we realize our shared tragic fate — the burial ground.
“Mahashmashana” will be available to stream everywhere Nov. 22.
Every Father John Misty album begins with an end. His past tracks have all concerned death in some manner — and his latest album details the end of time itself.
“Mahashmashana” is its name, meaning “great cremation ground” in Sanskrit, according to the album’s description. The album is officially out Nov. 22, but fans have had access to it for months, after several in-person and online listening parties.
The opening and title track wastes no time crashing in, a drumroll introducing overwhelming cinematic strings and brass. The instrumental immediately sets Misty’s tragic-yet-beautiful tone and establishes the album as a step forward in his artistry.
“Mahashmashana / All is silent now / And in the next universal dawn,” Misty sings, heralding the end.
Misty, known for his sardonic portrayals of humanity’s downfall, sounds genuinely troubled by what he sings. Misty’s no stranger to the worsening state of humanity, but reality is setting in.
“A perfect lie can live forever / The truth don’t fare as well / It isn’t perched on lips mid-laughter / it ain’t the kind of thing you tell,” Misty sings, his voice cracking with despair.
An artist who has spent his career trying to capture the sound of the apocalypse, Misty has finally succeeded. It’s a career-defining opus — but it’s only the first track.
“She Cleans Up” takes a hard left turn — in the right direction.
The song captures a Misty-stylerock song in full. He’s skirted around the genre before, like in songs “I’m Writing A Novel” and “Hangout at the Gallows,” but never fully delved in. “She Cleans Up” is a full-throttle banger with infinite replayability.
“Use your discretion so I don’t have to use mine / I spent a hundred bucks on gas / Baby let’s just have a good time,” Misty sings, both nonchalant and tripping over himself with speed.
“Josh Tillman and the Accidental Dose” is an ode to another Misty tradition — including at least one song per album about tripping on acid.
The song begins with ragtime piano warping and bending with out-of-tune strings coming and going in the blink of an eye, mimicking Misty’s trip, but grounding itself on an old Western piano riff.
“Mental Health” invokes an old Hollywood romance movie, with glamourous strings and flutes floating around Misty’s soft voice. Misty monologues about identity and virtues, familiar topics to him, but the song takes a turn at the end.
“One regret that’s really pretty tough / Is knowing I didn’t go nearly far enough,” Misty sings despairingly, almost yelling in an unprecedented show of emotion.
Despite the varying topics of each song, they’re each a reaction to what Misty believes is the coming end of the world. It plagues him, and the music, setting the tone of a final act.
Although Misty is known for being a master of irony, “Screamland” is an uncharacteristically unsuccessful attempt.
Calling it a “mutilated hillsong kind of thing,” the song drastically shifts from quiet, graceful verses laden with intricate religious imagery to a blown-out, violent chorus filled with unusually plain lyrics.
“Stay young / Get numb / Keep dreaming / Screamland,” Misty sings, yelling over the cacophonous static of the instrumental.
“Being You” is a twin to “Mental Health,” a cinematic, string-centric ballad also concerning identity. The chorus features Misty and the strings in a mesmerizing call-and-response, mirroring the nostalgic lyrics.
“In my memory / Is a show I call the past / I watch and decide just what I would do next,” Misty sings dreamily.
“I Guess Time Just Makes Fools Of Us All,” the album’s first single, takes the ragtime atmosphere of “Josh Tillman and the Accidental Dose” and dials it up to 11. Jazzy, upbeat brass propel Misty’s nearly-nine-minute epic as he playfully dances on top of them, spewing sardonic comments about humanity.
“Summer’s Gone” is the end of the end, a final, peaceful ode to Misty’s past, again invoking the nostalgic, cinematic tone of “Mental Health” and “Being You.”
“I drive around the city / The place I knew is gone” Misty sings wistfully, invoking the apocalypse again.
Misty draws upon even himself by referencing his debut album “Fear Fun” and its opening track “Funtimes in Babylon.” A mention of a peach also mirrors “Smoochie” from “Pure Comedy,” wrapping up an album full of personal references. But for the last line, Misty looks forward.
“Time can’t touch me,” Misty sings mysteriously, ending the album with a sigh and a wink into the camera.
“Mahashmashana” is Father John Misty — sonically, lyrically and characteristically. It’s Misty getting everything off his chest before the end, before we realize our shared tragic fate — the burial ground.
“Mahashmashana” will be available to stream everywhere Nov. 22.
The post Father John Misty sings a funeral dirge for humanity on ‘Mahashmashana’ first appeared on The Loyola Phoenix.
“A Real Pain” is an authentic portrait of deep-rooted distress.
Starring, written and directed by Jesse Eisenberg, “A Real Pain” follows cousins David and Benji reconnecting with their Jewish heritage after their grandmother’s death. As the two former best friends embark on a history tour in Poland, they reckon with where their family came from and where they ended up individually.
David and Benji contextualize their struggle to remain connected to one another and reach emotional catharsis by visiting Holocaust memorials. In exploring an ancestral home they’ve never known, the cousins look introspectively at where their friendship went awry and how their shared mourning brings unity.
Playing David, Eisenberg (“The Social Network,” “Zombieland”) is a skittish introvert who takes comfort in stability. Eisenberg’s portrayal of the advertising sales family man is impassive and straight-laced, yet confidence is enticed within David by Benji’s risk-taking behavior.
Kieran Culkin effortlessly commands the screen as Benji. The impish cousin is a blunt extrovert prone to rash decisions and light-hearted antics. Culkin (“Succession,” “Scott Pilgrim vs. the World”) leaps with Olympic ease between bouts of excitement and off-putting brashness.
Culkin’s multi-faceted performance clinches “A Real Pain” as a magnetic watch. Layered beneath Benji’s cheerful persona is a grief-stricken center. A stagnant stoner shattered by his grandmother’s death, Benji aggressively switches between childish joy and depressive mood swings.
Through Benji’s emotional whiplash, Culkin’s pathos radiates from the screen. His standout performance is further elevated by Eisenberg’s observant portrayal of David. The cousins’ contrasting personalities propel the film’s heart and drive home its ironic sense of humor.
“We shouldn’t have to pay for train tickets in Poland. This is our country,” Benji says in the film.
“No, it’s not,” David responds. “It was our country. They kicked us out ‘cause they thought we were cheap.”
In dual roles as actor and filmmaker, Eisenberg evolves his directorial skills in his sophomore feature release following 2022’s “When You Finish Saving the World.”
The Polish landscape of “A Real Pain” is placed front and center, bringing the audience along with the cousins’ heritage tour to relish various aspects of Polish culture — from the hidden history of modern streets to the rural villages rife with personality. Polish cities Warsaw and Lublin reverently showcase their tranquility in all avenues.
Contrastly, David and Benji showcase their boyishness by hitching free train rides and climbing rooftops to get high. The two turn Poland’s calm streets into a playground, as they reminisce on their childhood and exercise their current struggles.
Eisenberg balances the witty banter with slower moments of contemplation. When touring Nazi death camps, the film ceases the buddy-dramedy beat to solemnly dignify the setting with silence.
“A Real Pain” is thoughtful, yet concise. Running just an hour-and-half, the characters wear their personalities on their sleeves to allow space for conversation. Between the serene tours and playful antics, David and Benji dissect what it means to be in pain — emotionally, physically and existentially — and if it can be overcome.
By the end of the tour both the characters and audience reach a place of personal understanding. Pain doesn’t need to be visible to be present, and seeming at peace doesn’t mean it’s gone.
Though the characters struggle with shame and guilt, viewing the film is anything but “A Real Pain.”
“A Real Pain,” rated R, comes to theaters Nov. 15.
The post ‘A Real Pain’ is a Real Pleasure first appeared on The Loyola Phoenix.
This review contains spoilers for the book “Pictures of You.”
The story begins with Evie Hudson waking up disoriented in a hospital bed. Doctors circle around her, checking for injuries from the car crash that almost killed her.
What Evie doesn’t know is she’s awakened with transient amnesia. Despite being a 29-year-old married woman, Evie is convinced she’s still a 16-year-old girl.
With an intriguing storyline and mesmerizing turn of events, author Emma Grey returns to the romance scene with her second adult novel, “Pictures of You.” Following Grey’s debut, “The Last Love Note,” “Pictures of You” is a book about finding hope amidst the chaos, and plunges readers into the emotional depths of grief, loss and second chances.
Grey discussed her vision for the book in an interview with The Phoenix, she said she harbors a desire to spark hope within the reader.
“It’s important to give readers hope,” Grey said. “As a writer, you can speak plainly about big issues and also hold hope for a better future.”
Grey’s narrative demonstrates a well executed storytelling in the interplay of loss and discovery, setting the stage for an intricate journey through a past Evie can’t recall. The nonlinear timeline, which cycles between Evie at 16 and 29-years-old, shapes the novel’s structure. With each page flip, the reader gets a peek into Evie’s complex life.
At 16, Evie was an ambitious girl with dreams of becoming a forensic linguist. At 29, Evie is married to the idea of the nuclear family with a picket white fence house. Married to Oliver, a wealthy high school friend, Evie isolates herself from her family and close friends. Oliver, a narcissist, controls all aspects of Evie’s life until her 16-year-old dreams become nothing but a fairytale.
Through alternating perspectives between Evie and her friend, Drew Kennedy, the novel unravels like a gripping TV drama. The chapters are short, episodic snapshots which build suspense and capture the reader’s attention. The cycling narratives pull the reader into a deep, tangled history of forgotten memories and rekindled connections between Evie and those she pushed out of her life.
Grey uses distinctive visual imagery to convey the emotional weight of Evie’s journey — from her reawakening to her realization of having a husband, and the revelation her forgotten husband is dead.
“It’s not a shock that Oliver died, it’s that he existed,” Evie says. “And the loss isn’t about him — it’s about everything else.”
Evie’s struggle isn’t just about mourning Oliver — it’s about coming to terms with the void left by an entire decade of forgotten experiences.
Grey infuses temporal imagery to reflect the dissonance Evie feels — waking up with a teenage mindset while facing the harsh reality of adulthood.
“Footsteps are like fingerprints,” Grey writes. “Indelible proof of a person, locked in from years of tramping the earth.”
In addition to grief, Grey’s writing delves deep into love. She draws Evie and Drew as two starstruck lovers who refuse to believe one loves the other — magically connected by an invisible string. The novel’s theme of love and renewal is captured by a scene in which 16-year-old Evie and Drew stand at Australia’s famous Jervis Bay, the luminescent ocean glowing under the night sky, reflecting the hope and love blooming between them.
“The day I die, when my life flashes before my eyes, this scene will be the final,” Evie tells Drew.
In a pivotal scene, Evie remembers her work with Drew on a photography exhibit called “Pictures of You.” The two capture photos of women performing daily tasks to show the beauty of life within the mundane. Grey’s clever use of the exhibition’s title highlights Evie and Drew’s connection — they might not have gotten together before, but Evie received a second chance to rekindle her love with Drew.
Near the end of the novel, Evie and Drew revisit Jervis Bay. Grey ends the novel with an invitation for the reader to finish the love story between the two. Now as a 29-year-old with new memories made and terrible ones forgotten, the fluorescent scene captures the image of hope and second chances.
“It’s still there, the neon magic,” Grey writes. “We just can’t see it. And that feels like hope.”
Grey wants readers to leave “Pictures of You” knowing loss will eventually lead to light.
“I’m always looking for the light, even through my own trauma and loss,” Grey said. “This is a message women need now more than ever.”
“Pictures of You” is available online and at your local bookstore.
The post Snapshots of second chances: ‘Pictures of You’ captures love, loss and memory first appeared on The Loyola Phoenix.
Released Oct. 31, “You Only Die 1nce” is the sequel to rapper Freddie Gibbs’ 2017 record “You Only Live 2wice.” The album is a comprehensive journey through Gibbs’ rough upbringing, his rise to fame and his critiques of the music industry.
“Status” opens the album with a haunting choir and monologue from Satan himself — introduced as Andre — who attempts to guide Gibbs down a path of temptation and greed.
“Cosmo Freestyle” provides an unfiltered analysis of Gibbs’ career, likening the hardships of urban life in poverty to the music industry — set to the boom-bap beats defined in 90s hip-hop.
The song reflects the classic hip-hop style Gibbs grew up with and drew inspirations from, according to The Vogue.
The second track, “Wolverine,” taps into Gibbs’ activist roots, presenting a vibrant blend of Black culture through jazz, hip-hop and bold social commentary.
“Too many sex crimes, sex scenes, Weinstein, Epsteins / Them crackers rich forever, you Black, they want the whole thing,” Gibbs raps.
The ensuing “Brick Fees” complements “Wolverine’s” dissection of Black communities by delving into its darker aspects — drawing from Gibbs’ involvement in gangs.
“I wasn’t no killer, but they pushed me / Just breathe in deep and squeeze / Don’t close your eyes or you a pussy,” Gibbs raps.
It isn’t until the album’s eighth track, “30 Girlfriends (Yeah Yeah),” where the album’s themes fully develop. Gibbs questions if he’s stuck in his old ways, reflecting on a past marked by gang ties, drug dealing and an inability to settle down.
“30 Girlfriends (Yeah Yeah)” sparks his realization of the album’s core message — life has more to offer than material possessions.
“Ruthless” furthers Gibbs’ search for purpose, in which he raps about the hollow satisfaction his fame provides.
The chorus falls flat in its comparison to flex culture in the rap scene. The beat remains static across its two-minute runtime, resulting in a derivative addition to an otherwise innovative album.
“Neck game stupid (yeah) / Wrist game stupid (yeah) / Whip game stupid (yeah),” Gibbs raps.
“On The Set” ends the album with frustration-fueled commentary on the rap industry.
Reflecting on the deaths of icons Tupac Shakur and The Notorious B.I.G., a sense of betrayal is detailed in lines recounting the industry’s prioritization of material wealth over honoring the dead legends of rap.
“When you die, they ain’t got shit for your moms, they’d rather ice they neck out / Rest in peace to Rich Homie Quan, you was too young to check out / Industry wasn’t checkin’ for Gary, I feel like I was left out,” Gibbs raps.
Blending raw lyricism, pensive moments and uncompromising critiques of the industry, “You Only Die 1nce” solidifies Gibbs as an ever-evolving artist who confronts uncomfortable truths.
“You Only Live 1nce” is available on all major streaming platforms.
The post How To Make Life Count When ‘You Only Die 1nce’ first appeared on The Loyola Phoenix.
In the 17 short months since his inauguration as Chicago’s mayor, Brandon Johnson has transformed his bold vision for the city’s future and a narrow electoral win into a legacy of — well, not much.
When he isn’t running Chicago, he’s an ambitious and seemingly-competent leader, capable of not only building a broad coalition of support, but also extending an olive branch to his former rivals.
Johnson’s 2023 mayoral campaign, although a close victory, was — for lack of a better word — a tour de force of coalition building. During his candidacy, he shored up support from diverse groups across the city, heading off the efforts of other would-be mayors.
Since taking office in May 2023, there has been some progress on Johnson’s bold pronouncement of a “Chicago for the people” has seen some progress, including the announcement of 12 weeks of paid parental leave for Chicago Public Schools employees, but has become bogged down in the controversy and muck of city politics.
While his office has eliminated the subminimum tipped wage and reopened shuttered mental health clinics, key parts of his 223-page plan for Chicago have yet to be implemented, including promises to stabilize Chicago Transit Authority reliability post-pandemic and boost rental affordability in the face of the ongoing housing crisis.
Despite his wins, opinions on Johnson’s administration have soured. Never having been the city’s most popular political figure — winning the mayorship in a bitterly-contested runoff after garnering just 21.6% of the vote in the first round — his polling has hit all-time lows of 70% unfavorability in some districts.
It’s not hard to see why Johnson has grown so unpopular, even with his successes in mind. The CTA, for example, just announced the creation of four brand-new stations — while over a quarter of the entire system continues to operate as slow-only zones, mostly on the South Side.
While his policy promises represent a breath of fresh air, and his election heralded change for Chicago politics, the last few months of the Johnson administration have seen the mayor’s agenda slow to a crawl and his city council coalition start to crack.
The first warning signs appeared March 2023, with the failure of the Bring Chicago Home referendum. This proposal, aimed at boosting city revenue and fighting homelessness, was broadly popular — particularly in neighborhoods like Rogers Park, where it passed with 72.3% — but it still fell short by nearly 21,000 votes citywide.
Fairly or not, the proposal’s failure has been laid at Johnson’s feet, with The Chicago Sun-Times describing it as a “referendum on the mayor’s first year in office.”
In the wake of the loss, the city council’s progressive caucus, Johnson’s legislative base, released a statement acknowledging the defeat, but also expressed discontent with the mayor, claiming the referendum failed in part because Chicagoans weren’t sure if they could trust the administration to follow through on promised changes.
While the mayor told his opponents to “buckle up” for the next stage of the fight for Bring Chicago Home — and over his agenda writ large — there’s been little apparent movement to bring back its policy goals, particularly as fresh controversies have hit the fifth floor of city hall.
Problems with the CTA, Chicago Public Schools, migrant aid and an almost billion dollar budget deficit have driven the mayor further and further from his base of support.
Continued turmoil in the mayor’s office, including a series of high-profile staff turnovers, has peaked with the mayor’s highly-public fight with CPS CEO Pedro Martinez over using a high-interest loan as stopgap funding for the city’s schools.
The battle between different sections of the city’s progressives over how to resolve the CPS funding crisis — pitting Johnson’s debt plan against Martinez’s furlough proposal — resulted in the mass resignation of the old school board last month and earned Johnson major criticism for his handling of the situation.
The mayor has also picked losing fights over the CTA and Regional Transit Authority boards, drawing fire from Gov. JB Pritzker over the lack of an “evolution of leadership” in how the city’s transit is run.
Johnson has tried to reconstruct his campaign strategy of consolidation without the needed coalition-building, infuriating many potential supporters in city government. He’s offered multiple important transit board positions to political allies with no experience, including two well-connected pastors.
One of Johnson’s appointees told alderpeople at his nomination hearing he hardly uses public transportation and their questions about Chicago’s upcoming $730 million transit fiscal cliff were the first he heard of it.
In spite of Johnson’s promises to shake things up and reinvigorate the city’s governance, his decisions — from his board appointments to his flip-flopping on shoveling taxpayer dollars to the Chicago Bears’ billionaire owners for a new stadium — have cracked his support base and raised questions about his ability to govern.
While Chicago’s issues are not Johnson’s fault, they’re certainly his problem. His recent choices have unquestionably tarnished his once progressive image, and with the current trend it’s no wonder discussion has started to swell of making him a “one-termer” in 2027.
In light of the mayor’s disapproval, it’s hard not to draw a connection between his choices and Illinois’ nine point swing toward Republicans in the 2024 presidential election, largely driven by rising voter apathy. Although Democrats still won the state, this shift is a major warning sign against politics as usual, especially considering Illinois is projected to lose two seats in Congress by 2030.
You can’t fix an entire city’s worth of problems in a year, and it’s unfair to expect Johnson to do so. Even Chicago wasn’t built in a day. To truly fix the long-standing and long-ignored problems the mayor has promised to tackle, it’ll take time, commitment and funds from both Springfield and Washington — which are hard to come by without better strategy from city hall.
As America’s cities face a crisis of confidence, Chicago needs its mayor to get over personality politics and coalitional calculus and start making bold choices — not just bold plans — for the future of the city.
As long as he sits in city hall, Johnson succeeding is Chicago succeeding. Let’s hope he does.
The post Mayor Brandon Johnson: A turbulent year in review first appeared on The Loyola Phoenix.
London-based FKA twigs’ biblically-inspired project turned 5-years-old Nov. 8. An amalgamation of different genres, styles and themes, “MAGDALENE” is a bold statement on twigs’ personal life.
At the end of a decade characterized by in-your-face pop music and internet culture’s prominence, FKA twigs released the humble, yet conquering “MAGDALENE.”
Drawing from art pop, avante-garde R&B, trip-hop and opera genres, twigs assembled an eclectic team of producers including Michael Uzowuru, Skrillex, Jack Antonoff and twigs herself for her triumphant second studio album.
“MAGDALENE” was largely inspired by twigs’ breakup with ex-fiance Robert Pattinson and the subsequent fallout. Throughout their three-year relationship, twigs endured a flood of racist remarks and threats from Pattinson’s fanbase.
“He was their white Prince Charming, and I think they considered that he should definitely be with someone white and blonde and not me,” twigs said in an interview with BBC Radio 4.
Opening with layered breathy vocals, “thousand eyes” is a blunt commentary on how artists face constant scrutiny under the public eye. Despite being under near-constant surveillance, the attention only isolates her more.
Released as a single, “home with you” features a distorted, mechanical voice. The chorus crescendos into an eruption of angelic singing and soaring celloes.
“I didn’t know that you were lonely / If you’d have just told me, I’d be running down the hills to you,” twigs sings.
“sad day” describes a desperate attempt to salvage a dying relationship. Muffled snap-like sounds give the track restrained urgency. All instrumentation ceases during the bridge, allowing twigs to fantasize about an idealized lover before returning to a sonically chaotic reality.
Rapper Future sounds at home on the trap-infused “holy terrain,” the album’s sole feature. twigs pleads for a man who’ll stay with her unconditionally and not leave after a hookup. Future compares his own relationship to that of Adam and Eve, explicitly referencing the Garden of Eden — the titular holy terrain.
“Water the garden, play with snakes in Balmain,” Future raps. “We die, we die together, the prophecy complete.”
The album takes its name from Mary Magdalene, a biblical figure and follower of Jesus. twigs explores the relationship between the disciple’s false categorization as a prostitute — and social ostracization — with the experience of what it means to be a female artist today.
The track “mary magdalene” is an ode to both herself and all women who have felt disenfranchised. Much of the production is left restrained, allowing for twigs’ combative and authoritative lyrics to describe the feelings, experiences and sexuality of women alone.
On “fallen alien,” a sample of a church choir is transformed into an extraterrestrial army, singing as if they’re experiencing the Rapture. Distant, screeching violins pair with twigs’ theatrical vocal delivery adding an off-kilter nature to the song. The chaotic outro is layered with glitchy synths, chopped samples and sporadic laser beam blasts.
A stark contrast, the lulling “mirrored heart” reflects on twigs’ perfect lover — one who, like a mirror, is a reflection of herself.
“It’s all for the gain / It’s all for the lovers tryna fuck away the pain,” twigs sings.
Synths and wails radiate at the song’s peak, enhancing twigs’ yearning for her “mirrored heart.”
The droning “daybed” laments twigs’ loneliness, though she finds comfort in her comatose state. Despondent laughs, squeals and whispers sound in the background, culminating in a euphoric explosion.
The closing track and lead single “cellophane” is an explicit expression of her relationship with Pattinson. Simple piano instrumentation allows for twigs’ whisper-esque soprano vocals to shine. Shushes dance around her voice, emphasizing the fragility of the track.
The song climaxes in an amalgamation of dissonant noises where twigs compares their relationship to being wrapped in cellophane — seemingly protected by the outside world but completely transparent. She repeatedly questions why Pattison did nothing to stop the barrage of racist comments and hate aimed at her while they were together.
“Why won’t you do it for me? / When all I do is for you?” twigs sings.
On “MAGDALENE,” twigs isn’t afraid to embrace muted fragility and crushing maximalism. Containing just nine tracks, “MAGDALENE” is packed with emotional — at times confrontational — lyrics, genre-bending production and sexually and feminist-charged themes.
“MAGDALENE” is available to stream on all major platforms.
RePlay is a recurring music review column.
The post RePlay: FKA twigs’ ‘MAGDALENE’ is Divine Ascension first appeared on The Loyola Phoenix.
Despite the grandeur of the presidential election, Loyola students and staff carried on with their lives Wednesday, Nov. 6 after President-elect Donald Trump clinched the electoral college and popular vote.
With the passing of daylight savings Nov. 3, Loyola’s campus is pitch black by 5:30 p.m., matching the post-election gloom observed by some in the Loyola community. In interviews with The Phoenix, students and a faculty member shared their observations of the Loyola community.
Landon Husler, a second-year political science and economics double major, worked as a constituent services intern for congresswoman Schakowsky’s campaign this spring. He said the mood around campus has felt noticeably bleak.
“The feeling around campus, at least for me, has been gut-wrenchingly horrifying,” Husler said. “Especially knowing we likely won’t know anything concrete about Trump’s cabinet until the new year. Everything feels suspended and numb.”
Trump has already appointed four cabinet positions to Pete Hegseth, a co-host for a subsidiary of FOX news, Kristi Noem, the 33rd governor of South Dakota, William McGinley, a lawyer from Trump’s first administration and John Ratcliffe, a former Texas congressman, The Associated Press reported.
Husler also lobbies and does advocacy work for Ignatian Family Teach-In for Justice, a Catholic social justice group. The organization aims to network, educate and form advocates for social justice, according to their mission statement.
“When you work for an organization trying to have their voice heard, it’s important to go to all three levels,” Husler said. “Yes, usually city and state leaders are more willing to listen to you than a national leader, but each level has different ways of getting resources to people who need them. It’s our job as people who live in America to let our representatives know how we think they’re doing.”
Professor Christopher Whidden, senior lecturer in the Interdisciplinary Honors Program, said he observed students in his classes to be downtrodden in the days following the presidential election. His teaching interests include political philosophy and American political thought.
“What’s very clear to me, as a political theorist and also from reading all of these old, great books, is democracy is fickle,” Whidden said. “For the next two years, we know we’ll be in a red wave.”
The House of Representatives requires a 218 majority for party control. Democrats have 206 elected representatives and Republicans 214 as of Nov. 12, AP reported.
“The Republicans definitely have the Senate, and it looks like they’re going to hold the House,” Whidden said. “Right now, the reality is we have a red wave. But that’s the next two years, not the rest of our lifetimes. We can’t become prisoners of the moment. I’ve been telling students who need cheering up — there is no doubt in my mind there will be multiple blue waves in your lifetime. They’re coming, but I can’t say when exactly.”
Student organizations hosted previously scheduled events throughout the week. Loyola Inside Government held a “First 100 days in Office” panel which hosted speakers such as Leslie Perkins, Ald. Maria Hadden’s (49th) chief of staff. The Student Rights, Responsibilities and Conflict Resolution Team held a “Processing Election Results Circle,” The Phoenix reported.
Ella Daugherty, a second-year environmental studies major, worked as a field intern over the summer on Gloria Johnson’s senate campaign. She said she’s seen a sense of quiet introspection following the election.
“After election day, there was an unspoken sadness,” Daugherty said. “People didn’t talk about the election much, but my classmates seemed less engaged. Since Wednesday, people have still been talking about the next steps for our country, but I think the dialogue has opened a bit more to be more hopeful about the future.”
Daughtery said for the country to truly be a democracy, everyone needs to be civically involved.
Jarilo Perkovic, a first-year classical civilization major, said he’d discussed past presidential campaigns run by women in his women’s studies course.
“The first two days after the election, everybody was very solemn,” Perkovic said. “People were crying and obviously distressed. I was tracking election results until two in the morning and thinking to myself, ‘I’m so tired and so over my life.’ Things have somewhat returned to normal since, but there’s still a baseline worry about things. When did we start teaching that a president always has to be a clown?”
The post Taking The Temperature on Campus Post-election first appeared on The Loyola Phoenix.
Loyola is searching for a new Dean of the School of Environmental Sustainability to replace founding Dean Nancy Tuchman, who will step down June 30.
The Office of the Provost announced Tuchman would be stepping down Aug. 8. There’s no reason stated for Tuchman’s departure, but Tuchman said she hopes the new dean will continue the legacy of her leadership for the School of Environmental Sustainability. The search committee for the new dean was announced Oct. 9.
Since her promotion to dean in 2016, Tuchman has worked toward creating Loyola’s 11th school, SES. The new dean is expected to continue the legacy of sustainable values promoted at Loyola such as continuing working with the Strategic Plan for Diversity, Equity, and Inclusion and partnering with faculty and staff in other units such as the Institute for Racial Justice and the Office of Institutional Diversity, Equity, and Inclusion, according to Loyola’s posted criteria for the new dean.
The Dean of the School of Arts and Sciences, Peter Schraeder, is the committee chair for the new dean search. The search committee consists of 14 members from the Office of Sustainability and the Office of Development as well as faculty and student representatives.
The search for the dean has been inclusive toward potential applicants, Schraeder said. Listening sessions have been conducted where students, faculty and staff can listen to the voices of each individual who’ll apply.
The dean search committee is currently reviewing applicants, according to Assistant Professor and Solutions to Environmental Problems Coordinator Tania Schulser.
Applicants will meet with staff, graduate students and other Loyola groups who will all assess the values of each, according to Schraeder.
“We want someone who will reflect the values of the university we are trying to build,” Schraeder said.
Schraeder said the new dean should personify the next generation of leadership for SES. The committee is looking for someone who has prior experience in leadership, whether this be a previous deanship at another university or experience as an assistant dean.
The new dean is expected to have familiarity with leading faculty research, Schraeder said.
Schraeder said the importance of having a strong relationship with the student body is valued. The new dean must partake in the journey of student success by evaluating educational programs, communicating with faculty and students and advocating for diversity and inclusion at the university, according to Schraeder.
“Since Loyola is a highly disciplinary school, we want a dean who is disciplinary,” Schraeder said. “The dean should be able to draw from all aspects of environmental issues, whether this be social sciences, politics or humanities.”
Schrader said the committee is searching for a dean who will continue to promote Jesuit values of sustainability at Loyola.
“Loyola focuses on Laudato Si’, an ecological standpoint from Pope Francis that emphasizes the framework of sustainability and action within our university,” Schraeder said.
The new dean is expected to have interpersonal skills, embrace shared governance, be open to group decision-making and work to make policies with other members of the university according to Schraeder.
“The dean should be good at working with external shareholders,” Schrader said. “By this, I mean working with alumni, donors, industries related to the School of Environmental Sustainability and government agencies.”
Schraeder said he hopes the new dean can work toward increased opportunity for students through resources such as graduate and Ph.D. programs.
“We have a current leader who has done an amazing job at building this school, and we hope to find a Dean who continues at that level,” Schraeder said.
The post Search Continues for New Dean of the School of Environmental Sustainability first appeared on The Loyola Phoenix.
Deep in the dark corners of rickety Rogers Park homes, hallowed-out hallways, old-timey attics and bottomless basements of ancient apartments, I lurk in my forgotten empire — the unassuming crevices where ceilings meet floors.
In these sinister sanctuaries, I watch. I wonder. I wait.
It’s my destiny to help centipede-kind win the war against our lifelong enemies — Loyola students.
As a house centipede, my short lifespan may seem inconsequential. But I know better. For I know each battlefield is an opportunity to avenge my bug brethren, each Raid-ridden murder is reason for revenge. This is my reason for going on — why I continue to put one of my 15 pairs of legs in front of the others.
This war wasn’t my species’ fault, but it has defined our lives and determined our fates for far too long. We entered Rogers Park homes in peace, offering our protective services as spider-eating arthropods, asking only for shelter inside the walls of Loyola students’ dwellings in return.
When we made contact, we naively hoped this relationship would blossom into a prosperous, mutually-beneficial arrangement, in which centipedes and students could live together in harmony.
How wrong we were.
From the moment we set leg into the first string of student apartments, you students began murdering us, screaming in cacophonous bouts of high-pitched terror before smashing us with the nearest disposable object available.
I remember that fateful event with visceral venom. Images of the fallen — or what’s left of them — on the sole of an unassuming Adidas Samba still churns my stomach and fills my mouth with bile, a solemn-tasting sourness which doesn’t even come close to the bitterness left by that tragic day.
Since then, us house centipedes have tightened our ranks. Leg in leg in leg, we’ve heroically slipped through the cracks of student homes, fortifying our borders and boosting our numbers.
Even as students have mercilessly invested in technologies to silence us — from pesticides to vacuums to sandals from Green Element Resale — we’ve grown stronger than their cruel and tortuous innovations.
As their technological prowess rises, so too does our conviction. We’ll never be caught unaware again because now, at long last, we know our advantage — strength in numbers. While Loyola students may be bigger than we are, they’re terrified by our 30 legs, two eyes, 200 optical units and overwhelming quantity.
As long as these numbers keep reaching higher and higher, someday we’ll have enough legs, abdomens and comrades-in-antennae to cover the whole of your insidious campus — maybe someday all of Rogers Park.
And so as the war rages on, I’ll stay in the shadows, training the next generation day after day, season after season, mourning as my kind’s valiant efforts get literally crushed, literally, by last week’s issue of The Phoenix.
What I still don’t understand is why. Why do you Loyola students hate us so? We’re not poisonous, we can’t even bite — in fact, we get rid of the bugs who do. Are we really so grotesque that you Loyolans can’t see past our exoskeletons and into the merriment of our hearts?
Mark my words, the hour of reckoning is upon us. The day will come when Loyola students will walk into their apartments and find them thoroughly infested. On this day, us house centipedes will have finally made it home.
The post Essay: Manifesto of a House Centipede first appeared on The Loyola Phoenix.
The Student Rights, Responsibilities and Conflict Resolution Team in the Dean of Students Office held a “Processing Election Results Circle” Nov. 7 in tandem with the Center for Diversity and Inclusion as part of their Community Circles series.
The circle, styled after the Indigenous healing practice of Circle Keeping, made space for students and faculty to share their fears, hopes and anxieties following the victory of President-elect Donald Trump Nov. 6.
“I think the energy of the circle was very somber,” second-year environmental policy major Olivia Kiefer said. “Just understanding the general political climate here at Loyola, I think if Kamala had won, it would have been more of a celebration and expression of joy, hope.”
The Indigenous practice of using circles for communication, honesty and conflict resolution breaks from Western individualism to honor a collective response and togetherness, according to Assistant Dean of SRCR Willie Gore.
Within the circle, Gore and James Thomas, the director of the Center for Diversity and Inclusion, facilitated prompts for attendees alongside student conflict resolution liaisons.
Gore said the practice of Circle Keeping intends to create a “brave space” for attendees to build community and make connections, specifically when processing difficult situations like the election. Because there’s no head to a circle, Gore said the shape can be a powerful tool of equality.
After each question, a stress ball was passed around, giving each person the privilege to share their thoughts while holding the “talking piece.”
Prior to entering the circle, Kiefer, one of the conflict resolution liaisons, explained the “circle norms,” including being present, trusting the intentions of others, understanding the impact of words, using “I” statements, avoiding dominating the conversation and welcoming any emotion — not just “toxic positivity.”
The first question asked attendees to give three words describing their emotions. Words like “anxious,” “tired,” “angry” and “hopeful” were shared, and many attendees nodded solemnly as others spoke about their fears.
Gore (left) and Thomas (second from left) led the group with speaking prompts. (Ashley Wilson | The Phoenix)The following questions touched on challenges attendees were struggling to move past and actions that could be taken to mitigate the stress of the election and its results. Many students mentioned falling back on their support systems and hoping they could be there for others too.
“I think so often students hold that ‘I don’t want to put this on my friend,’” Thomas said. “And it’s like, sometimes it’s us leaning on each other in those moments.”
The final question asked attendees to talk about ways they were finding “critical hope” or “courageous joy” following the disappointment and feeling of rejection the election caused.
“Sometimes living is just survival,” Gore said. “And other times it’s celebration, it’s courageous joy, it’s critical hope. But you live, you survive. You’re reminded that you’ve made it through. You’ve survived everything you’ve gone through. You live.”
The circle was planned prior to knowing who would be the 47th U.S. president, according to Gore. He said he thinks the circle still would’ve been needed had Vice President Kamala Harris been elected, but he believes hope would’ve been more easily accessible had the results been different.
About half the questions were prepared before knowing the election results, and the rest were added later, according to Kiefer.
Kiefer said while she doesn’t think Loyola students would’ve followed Harris blindly had she been elected, she thinks the immediate aftermath of the results would’ve resulted in a more joyful space.
She suggested taking time to grieve before channeling those emotions into change and action, understanding the power the people have inside democracy.
“It’s really easy, particularly, in this age of polarization, to feel like the world is ending, and there’s nothing we can do,” Kiefer said. “But the more we continue to learn about just things as simple as how the government works, we can sort of feel safer under the new administration.”
Conflict resolution liaison and second-year information systems and analytics major Paige Degnan said she speculated the turnout wouldn’t have been the same if Harris was elected, considering Loyola’s liberal-leaning demographic.
“I still would have come just because an election is a big change, regardless of your political views,” Degnan said. “But it definitely would have been, I feel like, different conversations.”
Degnan said finding alternate outlets, like going on runs and enjoying the little things, has been helpful in coping with the disappointment of the election results.
The post Conflict Resolution Circle Makes a Somber Space for Post-election Fears first appeared on The Loyola Phoenix.
Former employees of the Rogers Park Insomnia Cookies location have gone on strike after allegedly being forced to remain open by corporate level management after a victim of a nearby shooting took refuge in the store Oct. 28.
The shooting occurred near 1200 W. Arthur Ave., about 200 feet from the cookie store located at 6470 N. Sheridan Rd., The Phoenix reported.
Since the beginning of the strike, Brenda Garcia, who worked as the operational manager of the store, has been terminated from her position. With the news of her firing, seven other employees have quit in solidarity, according to Garcia. She said she believes she was illegally fired for being a whistleblower.
Garcia said she has a team of lawyers representing her, and they are in the beginning stages of examining the circumstances of her termination to determine next steps.
Heaven Thomas, a fourth-year forensic science major who worked at Insomnia Cookies for two years as a shift manager, has since quit her job. She said she didn’t think a job should be causing her excessive stress.
She said once Garcia was terminated, the work was less appealing and wasn’t something she was willing to continue doing.
“I just can’t deal with all the stress that comes with so many needs,” Thomas said. “It’s really not worth the stress and the endangerment like that — way too much.”
Garcia, who worked at the store for around two years, said she was the only employee working in the store when the shooting victim came inside. She said she provided aid in the back of the store to the 24-year-old male who had been shot in the arm. Garcia called the police and then spoke on the phone with the mother of the victim as she attempted to help him.
“The way his mom reacted was just heartbreaking and it haunts me to this day,” Garcia said. “She thought it was a prank, and she kept telling me over and over, ‘This isn’t funny, please. Please tell me this is a prank,’ and I was the one that broke the news to her.”
Neither the victim nor his mother were available for comment.
Garcia said after the incident, she called her district managers to inform them of the situation. She said they were dismissive and unwilling to let her close the store for the day. After talking further, she said they decided she could close the store so long as it reopened by 6 p.m. that evening.
Following her conversation with the district managers, Garcia said she spoke with the regional trainer, who informed her she was responsible for cleaning up the blood from the floor before 6 p.m..
“I told her I didn’t have any training to clean up bodily fluids, and she told me to grab gloves in the rag and just clean up the blood,” Garcia said. “And I attempted to, but it was a lot for me emotionally — there was a lot of emotions going on. And my district managers, who were pretty dismissive of it all, they were pushing me to stay open and serve as many customers as I can.”
Thomas said she went to the store the evening of the shooting to help Garcia clean up the blood.
Thomas said they requested a hazmat team to more thoroughly clean up the bodily fluids before reopening the store, and although corporate level management seemed willing at first, a cleanup team wasn’t sent as of Oct. 31. Due to them no longer being with the company, neither Thomas nor Garcia could confirm if a clean up team was ever sent to the store.
“For our back hallway, it has concrete floors and exposed brick, so that’s not easy to get blood off with just the towel,” Thomas said. “There needs to be an actual cleaning crew.”
The day after the shooting, workers went on strike, refusing to return to work until their demands had been met. They hung up signs in the window of the storefront, with phrases such as “COOKIES>LIFE” and “How many more years until corporate decides to treat us like HUMANS?”
Garcia said they demanded corporate level management allocate more labor hours to ensure more than one person to always be working in the stores, install a panic button in the store for emergency situations and a front door buzzer for letting customers in late at night. The workers are also asking for a more prominent barrier to be set up between the guest space and the kitchen and a security guard to be provided for the store.
Corporate level management removed the signs later in the day, but employees made more to replace them, according to Vivian Klosk, a former baker at the store who aided in making the signs and organizing the strike.
A group of around 30 people gathered outside the store Oct. 29 and Nov. 9 for organized protests. Loyola student organizations including LUC Socialists posted on social media to share their support for the cause.
When employees of the store refused to return to work, corporate level management sent employees from alternate locations to reopen the Rogers Park store ahead of Halloween weekend, according to Garcia.
Garcia said she has documentation which shows the store missed about five months of rent payments and hasn’t held a business license or had a health inspection in around two years.
Mandy Banas, the property manager for the establishment, declined to comment.
Garcia said she’s in communication with the Occupational Safety and Health Administration regarding these issues.
Garcia said she returned to work a few days after the strike and found corporate level management had removed her personal belongings from her desk, including a key chain given to her by her step-father just before he died. When she contacted her bosses to ask what had happened to the items and why they were removed, they didn’t respond.
Garcia’s personal belongings were removed from her desk in the store without notice just before she was fired. (Courtesy of Brenda Garcia)Garcia said generally, she felt unsupported by corporate level management, especially considering the trauma she experienced which she’s now processing in therapy. She said their first concern was calling customers who had ordered online and keeping the store open.
“He told me, and I quote, ‘I’m in the middle of something, I’ll call you later,’” Garcia said. “And just the call ended there. So nobody asked me if I was okay.”
Insomnia Cookies emphasized the company’s commitment to the safety and wellbeing of their customers and staff in an email to The Phoenix.
“We want to clarify that our bakery was not the target of an active shooter, nor was our bakery an active crime scene,” they wrote in the email. “The incident occurred outside our premises, but out of an abundance of caution, we closed the bakery. During this time, we took steps to enhance security measures and thoroughly clean the bakery in accordance with OSHA standards.”
Garcia said she thought it was important to point out the shooter was arrested directly in front of the store, the gunshot victim received aid inside the store and the storefront was blocked off by crime scene tape. She also said they only allowed her to close the bakery for a short period of time after a lot of convincing.
The company also wrote they were accessible to employees during and after the incident.
“We also provided paid time off to our affected employees and offered open lines of communication with them throughout this difficult period,” they wrote. “Insomnia Cookies stands firmly against all forms of violence and are committed to supporting our team members as we move forward from this unfortunate event.”
Garcia said she struggled to get in contact with anyone who was willing to hear her out and provide any support when she was struggling. She said they only provided paychecks after the employees began their strike.
Although the shooting was the catalyst for the strike, Garcia said the strike was really brought on by a long list of issues with the company and the way they treat their employees, particularly when it comes to safety.
Thomas said since August, she’s had to call the police around five times due to safety concerns. She cited one incident when a woman attempted to steal the promotional sign outside the store. She said when she asked the woman to leave the sign alone, the woman became verbally aggressive, prompting Garcia to lock the door to the store. The woman responded by spitting on and punching the glass of the entrance.
Tia Young, a baker at the store who has worked there for two months, said she has never had to call the police herself but did have a woman enter, saying she had just been sexually assaulted and needed help. Young said they encouraged her to call the police, but the situation was emotionally strenuous.
Thomas said corporate level management sent them written confirmation via text in June 2023 they had plans to provide the store with a security guard by the end of the week, but more than a year later, no security guard was implemented until multiple days after the shooting.
Klosk said she feels corporate level management is more interested in preserving their sales than they are in the safety of their employees during situations like the shooting.
The post Insomnia Cookies Workers Strike, Cite Long Standing Safety Concerns first appeared on The Loyola Phoenix.
First-year public health major Tyler Watkins-Roden said they thought it was cute when a lady beetle flew past their ear Oct. 29. However, their opinion changed as, one-by-one, more beetles landed on their arm and bit them, eliciting tiny pinpricks of pain.
“I would have one attached to my skin, swat it off, and maybe three minutes later, there would be another one,” Watkins-Roden said. “So they were kind of infrequent, and they wouldn’t group up, thank God.”
Multicolored Asian lady beetles, an invasive species of ladybug native to Southeastern Asia, have become more prevalent indoors in recent weeks due to the onset of cooler temperatures. They can be identified by distinct “M”-shaped white patches on their heads.
School of Environmental Sustainability Professor Reuben Keller, whose research focuses on invasive species, said an uptick in Asian lady beetles occurs every year during late autumn.
Asian lady beetles enter buildings through small crevices and openings, such as cracks in the corners of windows and door frames, in search of warm places to hibernate over the winter.
Keller said large congregations of beetles can also be found on outer building walls facing south, which are typically warmer.
“They’re coming into my house,” Keller said. “I remove two or three every day at the moment. They seem to be pretty skillful at finding ways in. Luckily, they’re not particularly good flyers, and they tend to stay still when you try to catch them, so it’s easy to grab them and throw them outside.”
Unlike Keller, Watkins-Roden hasn’t seen any Asian lady beetles in their dorm on the fourth floor of Simpson Hall. For the most part, she has only seen individuals or pairs of beetles on the outside doors and windows of classroom buildings.
“There was one in Mundelein, before the one in Dumbach, where it almost followed me into the elevator,” Watkins-Roden said. “I was like, ‘Oh my gosh.’ It didn’t get in, thank goodness.”
Multicolored Asian lady beetles can be deep orange, red, yellow, black or mottled, with deep orange being the most common color, according to biology Professor Martin Berg, an entomologist whose research focuses on aquatic insects. They can be identified by distinct white or beige patches on their heads.
Keller said the beetles don’t cause major damage to buildings. However, they have a mild bite and are capable of releasing a foul-smelling substance from their hind legs when threatened. If they’re squashed against a surface such as a wall or table, this substance leaves a difficult to remove stain, making them a nuisance but not a threat to households.
“They don’t carry any diseases,” Keller said. “They don’t chew through the walls or anything — they’re not like termites or anything like that. They’re always hanging around these buildings because they’re warm, and if they get an opportunity to get inside then they go inside because it’s warmer.”
Keller said the multicolored Asian lady beetle was introduced to the U.S. by the government during the 1970s and 1980s to reduce the populations of aphids and other pest species and reduce the amount of pesticides and insecticides farmers must use to protect their crops.
These government efforts reportedly failed, but a population was discovered in the late 1980s and spread throughout the U.S., according to the University of Illinois College of Agricultural, Consumer and Environmental Sciences website.
Keller said the use of lady beetles in agriculture is much cheaper than using pesticides. Also, eliminating pesticides reduces the amount of chemical runoff from soil, minimizing the contamination of nearby rivers and streams.
Berg said Asian lady beetles, one of 12 ladybug species in Illinois, are far more beneficial to humans than they are harmful. However, they’ve had detrimental ecological effects, which is why they’re considered invasive.
The beetles secrete their foul-smelling chemical when eaten by predators, which deters them from hunting additional beetles. A lack of predation has allowed U.S populations of Asian lady beetles to grow exponentially, leading to “too much of a good thing,” according to Berg.
For this reason, Berg said Asian lady beetles are responsible for declines in populations of several native species of lady beetles, including the familiar red and black seven-spotted ladybug. He said their larger populations and larger body sizes usually allow them to outcompete their native counterparts.
Despite the loss of biodiversity Asian lady beetles cause, Berg said it’s usually not in a farmer’s best interest to kill them because the existence of both invasive and native lady beetle species is considered essential for pest control.
“The problem is they’re very effective predators — the invasive and the native ones as well,” Berg said. “But let’s say a disease comes in and kills all the invasive ones. If they’ve already eliminated the native ones, people in agriculture are going to have a problem.”
Watkins-Roden said they avoided killing the lady beetles that landed on them since the outdoors is their natural environment and they only infiltrate buildings seeking warmth.
“I think the bug in Mundelein was already on my arm,” Watkins-Roden said. “If it was inside, unfortunately, I think out of the startled kind of ‘oh gosh, there’s a bug inside,’ it would probably end up dead, but I would prefer to just relocate the bug.”
The post Asian Lady Beetles: The Most Helpful Insect Invaders first appeared on The Loyola Phoenix.
I woke up Aug. 20 to the stillness of an empty dorm with a few plants and books on the desk, a duffel bag half-heartedly shoved in the direction of the closet and absolutely no idea what to do.
Going out into the world seemed harrowing. That first night in August, I didn’t leave my dorm for the entire day. The following week involved hyping myself up quietly before going to a Welcome Week event. It’s been about three months since then and I, like most others, have more or less found my footing with this newfound independence.
Although my first trip to Target involved fumbling over foldable grocery bags, dropping my mixed berry yogurt and mumbling a “thank you” to the cashier while vowing never to return again, I’ve gotten used to it. There’s not much to be afraid of when you realize everything you need is a 10-minute walk away at most.
On the phone with my mom, I asked her if she remembered Kidzania, a theme park in Mexico City where I’d attended a birthday party once as a kid. It was a city for kids, laid out like a small town and everyone was allowed to pick a different job — from firefighters to journalists. Citizens of Kidzania were given fake money to spend on groceries or shops.
Looking back, Kidzania isn’t too different from being in college. The entire experience can be described as an adulthood simulation.
Our IDs seemingly have every function a Loyola student could need for basic survival. Access to the buildings, dorms and dining halls — essentially a student’s entire on-campus life on one tiny piece of plastic. It can even be used as a glorified credit card with Rambler Bucks, in my mind the equivalent to Kidzania’s fake paper money.
In many ways, it’s exactly what I thought life would be like as a kid. If you asked a 6-year-old to go grocery shopping, their shopping list probably wouldn’t be too far from my own — milk, fruit and a family sized bag of sour gummy worms.
My every worldly possession fits in one half of a bedroom. My friends live across the street or a few floors above me. The entire universe has shrunk down to the space between West Loyola Avenue and West Granville Avenue.
In other ways, the problems got bigger than young me expected them to. Where Kidzania offered jobs in making cupcakes or perfumes, college offers biology labs and courses on obscure Japanese authors.
It’s easy to forget in the close-knit environment of college that everyone is getting closer to reaching that last milestone before adulthood. Unlike trying out a fake profession, the classes we choose are indicative of what we want to pursue in life.
However, perhaps the silliness of the college simulation is perfect for the strange limbo between childhood and adulthood. Just as life gets increasingly serious, it can be nice to embrace the Kidzania of college.
The post Essay: College is a simulation first appeared on The Loyola Phoenix.
As the sun set Nov. 6, a panel of professors gathered for a symposium titled “Wars of Resistance: Testimonies of Memories Then and Now” to discuss European, American and African resistance to fascism in the 1930s and ‘40s and reflect on the results of the previous day’s presidential election.
The seven Loyola professors, each with backgrounds in different languages, history and archaeology, hosted the symposium. Though not explicitly centered around the election, “Wars of Resistance” focused on democracy and human rights more broadly.
The event — sponsored by the Modern Languages and Literatures Department, History Department, the Institute for Racial Justice and the Center for Research on International Affairs — consisted of oral presentations, a Q&A session and a reception.
David Posner, chair of the Modern Languages and Literatures Department, said the symposium was especially relevant in the “resounding moment” of the day after the election.
Traces of President-elect Donald Trump — whose far-right, anti-immigrant and racist rhetoric has drawn comparisons to Adolf Hitler, Benito Mussolini and Francisco Franco, the very fascists discussed in the presentation — hung heavy in the room.
“The fight never really ends,” Posner said. “It requires constant, active engaging.”
Spanish Professor Susana Cavallo began with a presentation on three members of the resistance during the Spanish Civil War. Each of the three men had personal importance to Cavallo.
Francisco Ayala was her dissertation director at the University of Chicago, José Hierro was a focus of her book “La Poetica de José Hierro” and José Luis Cano was one of her professors at Middlebury College in Madrid.
History Professor Cranston Ramirez-Knight focused on two Black American women. The first was Salaria Kea, a wartime nurse who organized strikes and taught other Black Americans about the connection between segregation and Jim Crow in the U.S., colonization in Ethiopia and fascism in Spain, where she volunteered and founded a surgical center.
The second was Thyra J. Edwards, a social worker and journalist who reported on the Spanish Civil War for The Associated Press.
Ramirez-Knight also had a personal connection to his presentation. He said his mother-in-law, Doretha Wadley Anderson, was one of under 500 Black nurses in the U.S. military who served in World War II.
Italian Professor Cristina Lombardi-Diop highlighted Jewish and Black antifascists in Italy during World War II. Revisionist history in Italy today perpetuates the myth of the brava gente — meaning “good people” — which allows Italians to ignore the role they played as bystanders and facilitators of fascism, according to Lombardi-Diop.
“This is how Mussolini took power,” Lombardi-Diop said. “We should be worried and we should express our concerns constantly. We should not be silent about it.”
Later in the evening, lecturers Gorgui Tall, Hille Haker and Marek Suszko focused on the intersection of culture and language under colonial and fascist regimes.
Tall cited Martinican writer Aimé Césaire to draw comparisons between colonialism and fascism in the context of Africa and the Caribbean. Tall, a lecturer on Francophone African literature, said decolonial and antifascist movements must center pluralism as well as a celebration of different cultures and languages in politics.
Haker began with a poem by the German writer Bertolt Brecht, “To Those Born Later.” Haker, the Richard McCormick Endowed Chair of Catholic Moral Theology, drew parallels between Trump’s MAGA movement and Germany’s Alternative for Deutschland party.
“We may go back, but we will fight,” Haker said. “We will fight for every inch, or — in the European style — for every centimeter that they take away from us.”
Again connecting the presentation to language, Haker discussed how the AfD has relabeled deportation as “remigration” to make it seem more palatable to the public.
Suszko, a senior lecturer for the interdisciplinary Polish studies program, pointed out the similarities between the far-right Polish party Confederation Liberty and Independence and the college students and professors who made up the audience.
The party, Suszko said, consists of well-educated, pop-culture-oriented scholars and lawyers who know how to hide their fascist ideals under the guise of what they call “ultranationalism.”
“They’re you,” Suszko said, staring at the audience.
Concluding the presentation, Posner noted the “perversion of language” by the Third Reich.
“I think that’s exactly what’s happened in this country for the past — I think it started with Newt Gingrich, a good 20 or 30 years,” Posner said. “It’s been perfected by the person who was elected yesterday.”
The post ‘Wars of Resistance’ Panel Reckons with Fascism first appeared on The Loyola Phoenix.
Ald. Maria Hadden’s (49th) office has been receiving reports of inappropriate use of rat poison around the intersections of West Farwell Avenue and North Sheridan Road and West Fargo Avenue and North Ashland Boulevard.
Hadden brought the issue to the neighborhood’s attention in her Oct. 26 newsletter, linking to a TikTok video in which she further explained the situation.
Hadden’s office has been receiving reports of errant use of rat poison and harmful impacts on local wildlife, according to the video. The concerns mainly surround native animals, small children and pets. Hadden advised residents to stay vigilant and watch for the poison, which appear as green granular packets.
Aleksander Sergienko, who’s lived in Rogers Park for over a year, said he heard about the investigation after spotting dead squirrels throughout the neighborhood.
“I saw a lot of dead bodies of squirrels and thought it was weird,” Sergienko said. “Then, a friend told me about it.”
Sergeinko said he wasn’t concerned for his dog, but other residents said otherwise.
Resident Edward Smithey said he briefly heard about the news from his neighbor when he was walking his dogs and was warned to watch out for green pellets. He said he’s been more cautious as he continues to walk his dogs in the neighborhood.
“I have no choice but to walk them here,” Smithey said. “I don’t have a car to take them anywhere else.”
Smithey said he recognizes the need to control rodent populations, especially considering Chicago’s status as the rattiest city in the U.S. The Phoenix reported. However, he said there are better ways to quell rodents that don’t include poison.
Hadden said in her video Chicago’s high standards regarding the location of rat poison and other measures means the poison found around Roger’s Park streets doesn’t belong to the city.
Director of Public Affairs at the Chicago Department of Streets and Sanitation Mimi Simon said the department receives thousands of 311 calls every year, where their crew responds by surveying outside and around residence buildings under four stories tall. She recommends residents and landlords seal up homes and garbage, ensure vegetation is harvested and clear up pet excrement to keep rats away.
Miriam Reuter, who’s lived in Rogers Park since 2005, said she felt nervous her dog was going to find a way to eat the poison.
“I don’t expect Chicago Police to do anything,” Reuter said. “But maybe community awareness regarding what the pellets look like would help.”
Resident Vicky Jackson said while she hasn’t seen much information regarding the rat poison, she’s previously seen signs and blocked-off areas regarding pesticide use around the neighborhood. She said she suggests doing the same thing to raise awareness about the poison.
“We should post up saying, ‘Hey, someone’s dropping rat poison,'” Jackson said. “Especially since we’re so dog-orientated.”
In her video, Hadden disproved rumors claiming local business Giordano’s laid out the poison and said it must be an individual. She also said the poison wasn’t distributed by the city.
“They have high standards of where they are allowed to put rat poison and abatement measures,” Hadden said. “It’s never going to be laid out on the ground.”
Dr. Alexandra Andhasi, who works at nearby Oz Animal Hospital, said her clinic has received several calls from people finding dead rodents and squirrels in the area. They’ve put out a warning for the neighborhood and clients to be mindful and keep an eye out for the pellets.
“In messaging, the city has not put out where the pellets are from,” Andhasi said. “The question is — what kind of poison are we dealing with?”
Andhasi said there are many different types of rat poison, one of which is specifically threatening to pets. She said she wants people to be vigilant when out with their pets.
“I want them to watch to ensure that their pet is not eating things off the sidewalk,” Andhasi said. “If they do, try to get that out of their mouth as soon as possible and try to see what it is.”
If a dog shows any concerning symptoms, regardless of whether or not there’s any risk of rodenticide in the area, Andhasi said residents should call their local vet and ideally go to an ER as soon as possible.
While the alderwoman hasn’t provided any updates regarding the source of these pellets, Hadden said if a resident comes across anything resembling rat poison, they should contact her office with photos by emailing office@49thward.org or by calling 773-338-5796.
The post Ald. Hadden Urges Neighbors To Be Vigilant of Misplaced Rat Poison first appeared on The Loyola Phoenix.
As autumn turns to winter and November summons colder temperatures, there are still plenty of festive activities around town to lure you outside and out of bed.
Grab your mittens and scarves and head to Millennium Park for opening day of the McCormick Tribune Ice Rink, or get into the holiday spirit at the Film Workers’ market. If winter isn’t your thing, hold on to the last few weeks of fall at the Vedgewater Harvest Party.
McCormick Tribune Ice Rink Opening: Nov. 15
Sooth your impending winter gloom with a pair of ice skates and a view of Chicago’s illustrious Cloud Gate in Millennium Park. The McCormick Tribune Ice Rink will open its gates for the first time this winter season Nov. 15, staying open through February as weather permits.
Admission to the rink is free, but reservations, available on Chicago.gov, are required. Skate rentals are available for $16 Monday through Thursday and $20 Friday through Sunday and on holidays.
Film Workers’ Holiday Market: Nov. 16
‘Tis the season! Get your holiday shopping done early by joining the International Alliance of Theatrical Stage Employees Local 476 Women’s Committee Nov. 16 for a merry holiday market. The vendors — all local filmmakers — will be selling their wares in a mix of arts and crafts as well as vintage sales.
The market will run 12 p.m. to 5 p.m. and will include food, music and even a visit from the jolly old man in the sleigh. Admission is free, and the event will be hosted at the CineCity Studio on 2429 W. 14th St.
Vedgewater Harvest Party: Nov. 16
The Vedgewater Community Garden at 6300 N. Broadway is welcoming neighbors to a Harvest Party this Saturday, Nov. 16. Interested volunteers are invited to help collect the harvest from 10:30 a.m. to 1:30 p.m., according to the Edgewater Environmental Coalition, who operate the garden.
Crops harvested from the garden during the event will be donated to Care For Real, a non-profit organization with food pantries throughout North Side Chicago according to their website. If getting a little dirty while putting in some work sounds interesting, RSVP to the event for free online.
The post Blue Skies Ahead: Nov. 13 first appeared on The Loyola Phoenix.
From tourists hogging the whole sidewalk to Midwesterners strolling at a turtle’s tempo, I’m tired of people who walk slow.
It’s a common culture shock for East Coast city slickers like myself — Chicagoans, and Midwesterners in general, prefer a leisurely stride to a hurried trot.
But Chicago isn’t like the rest of the Midwest. It’s a Democratic stronghold in a sea of red states. It’s a post-industrial economic powerhouse surrounded by corn fields. It’s a big city with big needs.
So why doesn’t it walk like one?
Even my mother, an Indiana-born woman who’s so short she resigns herself to the petite section of every store, has wholeheartedly — or, rather, whole-leggedly — embraced the prompt pace of New York. She has people to see and places to be. She doesn’t have the time, nor the patience to deal with slow walkers.
Walking as slow as a 70-year-old snail makes everyone suffer. These culprits make you late to class, late to work and late to the dining hall line. And to kick you while you’re down, this ambulatory annoyance is more than just a pet peeve — it’s also a threat to your health.
Studies from the American Medical Association, Experimental Gerontology and the British Journal of Sports Medicine have all raced to the same conclusion — walking faster is better for you. The higher your speed, the lower your risk of dementia, stiffness and type 2 diabetes.
But beyond the health factor, walking faster is just plain fun. If running a marathon is too intimidating, try your hand — or foot — at racewalking, an Olympic sport which requires one foot on the ground at all times. Breaking into a near sprint can make you feel like a scatterbrained businessman during lunch rush, or an over-caffeinated reporter on a tight deadline.
To be clear, I don’t think everyone everywhere should adopt the must-go-fast mentality. Time and speed are social constructs which vary wildly between cultures and locations, according to The New York Times. I’m an anthropology minor — cultural relativity is the “C” in our ABCs.
Chicago, though, is a city more akin to New York and Boston than a small town in Iowa. That’s all fine and dandy — but if it wants to talk the talk, it better walk the walk.
The post Chop Chop, Chicago: Walk Faster Midwest first appeared on The Loyola Phoenix.
Janet Nolan, Mundelein College alumna and co-founder of Inter-American Magnet School, the first dual language school in Chicago died Oct. 28 at age 92 following a lifelong career in advocacy and connecting people through language and culture.
Born May 9, 1932, Nolan led her life by example, not lecture, according to her 51-year old daughter Elena Lashmet.
“She loved life, she loved people, she loved nature, she loved learning—that’s how she lived her life,” Lashmet said. “To inspire other people, but quietly, not by telling people what to do, by modeling an incredible work ethic.”
Lashmet recalled the way her mother was to those around her, and said Nolan, mother of two and grandmother to 12, lived a life of God.
Nolan studies with her classmates. (Photo courtesy of Cristina Nolan)When she attended Mundelein College from 1950 to 1952, she was still known as Janet Parmalee. Nolan contributed to the student newspaper of Mundelein College, The Skyscraper, and joined her first human rights organizations during her time at the college.
During her second-year, she joined the Interracial Justice club in which she acted as a chairperson and also merited scholastic honors.
Nolan never described herself as smart, she said she just worked hard, according to her eldest daughter, Cristina Nolan, 52.
Nolan was very humble about her accomplishments and wasn’t a bragger, according to Lashmet.
“She wanted to be in the background, elevating the people so their gifts and strengths could show through,” Lashmet said.
Shortly after leaving Mundelein College Nolan joined the Maryknoll Sisters — the first group of Catholic Sisters in the U.S. to focus their mission overseas. There, she furthered her education, learned Spanish and traveled across the Americas.
Nolan taught in New York, lived in Guatemala and advocated for those living in poverty while living in Yucatan, Mexico for six years, according to Cristina Nolan.
In the late 1960s, Nolan was recruited by the University of Notre Dame as an undercover nun and researcher in Chicago’s Puerto-Rican neighborhoods, according to Cristina Nolan.
She was a key witness to the Division Street Rebellion and a contributor in dismantling Chicago’s Red Squad, a police organization which aimed to disband social groups they deemed threatening, according to a eulogy provided by Cristina Nolan.
Following these events, she married James Nolan in 1970 and had two daughters, according to Lashmet. The benefits of learning a second language would be passed onto her daughters.
In 1975, Inter-American Magnet School first opened its doors. Nolan co-founded the school with her lifelong best friend and “soul sister,” Adela Coronado-Greeley, 90. Their daughters and grandchildren would later attend Inter-American Magnet School.
The two envisioned a bridge between dual language education and the need for Spanish speakers to have a space where they could be educated in their own cultures while also learning another language. Lashmet said the two began by communicating with fellow parents and exposing them to the same excitement they themselves had for learning another language and culture.
Nolan was inspired after visiting Mexico and witnessing children switch fluidly between Mayan and Spanish. Having grown up in Palatine, IL, she wasn’t used to seeing bilingualism. This instilled in her the importance of learning about other people through not only language but their culture, according to Lashmet.
Growing up in East Los Angeles, Coronado-Greeley said she remembers a time where Spanish speakers were ostracized for not assimilating into American culture by speaking English. Coronado-Greeley said she didn’t want her daughters to grow up in the same environment she did.
“My vision was to have a school where the Spanish-speaking child would be appreciated for the advantage of having another language and another culture,” Coronado-Greeley said.
Inter-American wasn’t solely a language school. For Nolan and Coronado-Greeley, the goal was to inspire knowledge and pride in the accomplishments of people across the Americas. Lashmet said it was important for Spanish speakers to preserve their language and culture while learning English and also decentered viewpoints based on eurocentrism.
Nolan returned to school to obtain her master’s degree from Loyola in 1988 when she was 56-years-old.
James Nolan passed away in 1986 but always supported his wife, Cristina Nolan said.
Nolan left Inter-American when she felt she was no longer needed, according to Lashmet. She then worked for the Department of Language and Culture at the Chicago Board of Education.
When Nolan approached the Chicago Board of Education in 1975 about her vision, she envisioned a “pluralistic society” for the city of Chicago and its schools, according to Coronado-Greeley.
Nolan eventually “retired” and worked part time as a professor of education at Northeastern Illinois University.
Lashmet said taking her mother’s class in the early 2000s when she attended Northeastern Illinois for her masters was an “amazing” experience. She said she learned about white privilege and critical race theory in the class.
“She made people experience the things that she was teaching — she put them in the lessons,” Cristina Nolan said. “Nobody was ever bored.”
In 2005, Nolan co-founded Multilingual Chicago, a grassroots initiative which embraced and recognized many of the languages spoken in Chicago.
The Seal of Biliteracy awarded by the Illinois State Board of Education to students displaying a high proficiency in more than one language, including English, upon graduation, according to Multilingual Chicago.
Students who receive the award are presented with an official recognition on their transcript and high school diploma, according to Kateri Halbleib, one of Nolan’s grandchildren.
Nolan’s granddaughter, Kateri Halbleib (right), is an Illinois Biliteracy Seal recipient. (Photo courtesy of Cristina Nolan)Halbleib, 25, an Illinois Biliteracy Seal recipient said their grandmother was the matriarch — the center of the family who led by example
“She didn’t tell us the answer — she was always showing in the actions she did,” Halbleib said.
Toward the later years of Nolan’s life, she spent her time learning Japanese and taking classes at the Japanese American Service Center on North Clark Street, according to Cristina Nolan.
Well into her 80s, she was often seen at the Kimball Brown Line stop with her grandchildren, handing out and translating anti-war and violence pamphlets in Spanish for the Chicago Anti-War Coalition, according to Halbleib.
“She taught us it was really about action, not just your words,” Lashmet said.
“What are you willing to do? Who are you willing to stand up for?”
The post Co-founder of First Public Chicago Dual Language School and Mundelein College Alumni Dies at 92 first appeared on The Loyola Phoenix.
Orkin, an exterminator service, announced on Oct. 21 Chicago is the rattiest city in the U.S. for the tenth year in a row, according to its research.
The information is based on data collected from Sept. 1, 2023 to Aug. 31, 2024 by “tracking new residential rodent treatments,” according to the company’s website.
“Chicago’s abundance of alleys provides rodents with hidden havens, offering plenty of space to hide while feasting on trash,” Orkin’s website said. “Rodents also love to burrow, finding shelter beneath subway tracks or around underground pipes. In these hidden spots, the rodent population can grow if left unchecked.”
First-year political science and history major Jane Wirth said she was surprised to learn Chicago beat New York for the title, and she said she’s seen rats on campus and throughout Chicago.
“They’re gross to look at, and they eat trash and carry diseases,” Wirth said.
Diseases spread by rats include Leptospirosis and Rat-Bite Fever, according to the U.S. Centers for Disease Control and Prevention.
Mary Dinsmore, a lecturer in the School of Environmental Science, said she isn’t worried about the rat population.
“This is an interesting thing,” Dinsmore said. “It’s a title, or maybe an award I guess, that we are gifted upon us every year. It’s something that has perplexed, I think, a lot of people, because I don’t think they would consider us the rattiest city–or at least that’s the perception.”
Rats are able to go unnoticed by nature of Chicago’s alleyways, which often store trash out of sight, according to Dinsmore. She also said she thinks it could be because Chicago has more room.
“The Norwegian rat is the rat species that we have here, and that rat behaves where it can dig in the soil quite a bit, and it makes burroughs kind of,” Dinsmore said. “We have more green space here in Chicago, so I think that might lend itself to the ecology of the rat a lot more and just because we have more space.”
Senior marketing major Amara Bullard said she sees rats, dead and alive, often when she walks through alleyways. She said the two dead rats she saw were 10-12 inches long.
“One of my biggest fears with rats, walking the alleys, is definitely that one will run across my foot,” Bullard said. “I don’t want them to touch me, so I stop in my tracks, I just wait for it to pass, wait for it to figure where it’s going and then continue.”
The city of Chicago’s website urges people who spot rat problems to call 311 or submit a report online.
“Rat infestations are a perennial health and quality-of-life concern in Chicago,” according to the City of Chicago’s Audit and Program Review Section Annual Plan of 2023.
The Lincoln Park Zoo, as part of their Chicago Rat Project, reported rats thrive more in alleys which have uncontained trash.
Dinsmore said she isn’t worried about the Orkin report.
“It’s just a really interesting catchline so I think it gets a lot of fire, but I’m not sure it’s the most scientifically accurate demarcation,” Dinsmore said.
The city of Chicago strives to control the rat population through the poison rodenticide according to their website. But poison can negatively affect animals in the area due to biomagnification and is an inhumane way to kill rats, according to Dinsmore.
Currently, the 49th Ward is undergoing a rat poison misuse investigation which has resulted in wildlife deaths and harm to pets, The Phoenix reported.
Dinsmore and other environmentalists said the best way to control the rat population is through rat traps rather than poison — which makes the rat bleed internally.
“One of the best ways, but we don’t like it, is rat snap traps,” Dinsmore said. “It’s much more humane to use a rat trap, but of course, it’s unappealing to a lot of people which is why we don’t use them.”
Rats are highly successful, making up 40% of all mammals, according to Dinsmore. They are highly adaptable to different environments and food sources.
“That variability in their dentition and their ability to continuously grow their incisors means that they can eat a variety of foods,” Dinsmore said. “That’s what we call behavioral plasticity, their ability to withstand a variety of environments, they’re very good at that. So, that is why we see them succeeding in environments that most other organisms might not succeed within.”
The city of Chicago has a community created Rodent Map made from rodent complaints.
Rats live wherever they can find a safe space and come out at night when there’s less activity, according to Dinsmore. Rats, in their search for shelter, come into homes of people, especially as the weather gets colder.
Dinsmore said students one way people can keep the rat population in check is by protecting foxes.
“The more that we get rid of our greenspaces and villainize anything that is a carnivore, they’re going to be exterminated from these regions which means that rat populations naturally are going to increase even further than they already have,” Dinsmore said. “The more that we can let organisms be and include those in the ecosystem that we built, the more that we will have natural checks and balances between these populations.”
Students can do their part by not engaging with rodents and forcing them to forage for food instead of feeding them directly, according to Dinsmore.
“Let them be — please don’t leave food scraps around, that’s going to draw the organisms in, it’s a cheap way,” Dinsmore said. “That’s going to make them even more used to being around humans, so ensuring that we aren’t leaving food around, just using the standard composting/recycling/garbage bins to put our waste in means that we’re not going to have as much rodent action everywhere.”
The post Chicago Ranked ‘Rattiest City’ for 10th Year first appeared on The Loyola Phoenix.
Depth, desire and disco encapsulate the themes of “Dreamscape,” the latest album from K-pop boy group NCT.
The 11-track album, coincidentally released Nov. 11, treads similar territory to the group’s previous work, focusing on feel-good tunes and fleeting young love. Unlike their similarly-titled “Dream()scape,” released earlier this year, “Dreamscape” sounds less like the screwball stylings of NCT songs and is more akin to mainstream, harmony-heavy K-pop.
NCT is a unique K-pop group. Comprised of 25 members from South Korea, Japan, China, Thailand, Canada and the U.S. over six subunits, NCT’s become synonymous with a dissonant and disturbing sound. The subunit NCT Dream, formed in 2016, originally featured seven teenaged members, but rebranded as they became adults.
“INTRO” launches listeners into a “new world” overgrown with soft, sweet melodies. Main vocalist Haechan’s signature falsetto shines strong, just like it does throughout the album.
Lead single “When I’m with You” begins with a record player’s needle crackling over vinyl. Bold, bumping beats take charge on the electronic pop track, culminating with a bridge from main rapper Mark.
Leaning into the album’s dreamy ambience, “Flying Kiss” introduces flowy harp strums set to romantic lyrics and raspy vocals.
“Like a fantasy, not reality, I know,” Haechan sings.
“i hate fruits” describes hating the tooth-rotting, sweetness of romance. Stripped-down guitar contrasts with strong vocals to produce a layered, lovesick hit.
Members open up about mental health struggles in “No Escape.” The beep and clash of instrumentals add to the song’s brooding presence, peaking with the bridge’s whispered breakdown.
“Anxiety keeps coming for me / 악몽 같은 내 현실은 no escape,” Haechan sings.
“Best of Me” is a relatively lackluster track offset by the catchy, ‘80s-inspired “YOU.” The piano and chord progression make “YOU” sound like the end credits of a coming-of-age movie — wistful, but brimming with wonder.
“Heavenly” is a catchy, choir-like showcase of every member’s talents. The group sings the chorus in unison, rhyming “더멀리” (romanized “teo meolli,” meaning “far away”) with “heavenly” so naturally the two barely register as being in different languages.
Ninth track “Night Poem” returns to the relaxed, but bubbly style of R&B characteristic of K-pop, followed up by the shoulder-shimmy-inducing groove of “Off the Wall.”
Concluding the album, the optimistic “Rains in Heaven” stakes new ground for the group as a track sung entirely in English. English-only K-pop songs have risen in popularity as the genre has expanded across the globe as part of the Korean Wave, or hallyu — Korean for “Flow/Wave of Korea.”
“We are all the same, but heard different / I have heard you cry, ‘It rains in heaven’ / I won’t let you fall down / Unless you’re in my arms / Only in my arms,” the group sings.
Listen to “Dreamscape” on all major streaming platforms.
The post NCT Dream Paints a K-Pop ‘Dreamscape’ first appeared on The Loyola Phoenix.
Former president Donald Trump has been elected for a second term. Given the nature of the current Republican Party platform and the rhetoric wielded by key party members, what does this mean for women? For queer individuals, but specifically transgender and non-binary people? For immigrants?
For the most important election — and Byline — of our lives, host and engagement editor Audrey Hogan is joined by editor-in-chief Griffin Krueger and sports editor Andi Revesz.
Listen to The Byline — the story behind the stories you read — every Friday wherever you get your podcasts.
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The Loyola men’s basketball team defeated the University of Detroit Mercy Nov. 7 87-65 in Gentile Arena. Third-year guard Jayden Dawson, graduate guard Sheldon Edwards Jr. and fourth-year forward Jalen DeLoach led the Ramblers with 13 points each. Detroit Mercy’s fourth-year guard Mak Manciel led both teams with 16 points.
Second-year center Miles Rubin got the game going with a slam dunk right after winning the tip off. Manciel responded with a jumper to even the score at two.
Dawson regained the lead for Loyola with a 3-pointer, before third-year Titan guard Orlando Lovejoy made a layup to decrease the lead to one. Rubin and Manciel traded layups and Dawson made two at the line for a 9-6 Loyola lead three minutes in.
Manciel tied the game at nine with a three-point shot a minute later and first-year Detroit Mercy forward Ryan Kalambay added three points with a layup and an and-one to take an 11-9 lead.
Third-year guard Jalen Quinn tied the game up again after making two free throws for the Ramblers.
Edwards Jr. broke a two minute combined scoring drought with a three to regain the lead for Loyola. Lovejoy attempted to close the gap after being fouled by third-year guard Justin Moore but couldn’t capitalize at the free-throw line.
Moore and first-year Detroit Mercy forward Stephen Okoro traded layups before a timeout was called on the floor. After the break, Moore stole the ball from the Titan offense and found Dawson, who sank a 3-pointer for the advantage.
Third-year guard Kymany Houinsou and Dawson added on with a layup and a one-and-one at the line. Fourth-year guard Des Watson and DeLoach added to the momentum with a driving layup and a jumper to put the Ramblers ahead 27-14.
Redshirt first-year Titan guard Grant Gondrezick II brought the Loyola lead to 10 when he made a three-point shot, but Watson responded with a three of his own to maintain the distance.
Dawson capitalized on a 3-pointer and Detroit Mercy’s first-year guard TJ Nadeau hit a jumper. Watson and Rubin were fouled in back-to-back possessions and added three points to the 37-21 lead.
Over the ensuing three minutes, the Ramblers outscored the Titans 9-5, highlighted by a slam dunk from Houinsou.
After a timeout break, Dawson added a free throw to the score before Houinsou gained possession and sank a 3-pointer. Fourth-year forward Francis Nwaokorie scored the final points of the half at the line, giving the Ramblers a 50-33 advantage at halftime.
The second half started with a minute-long scoring drought, broken when first-year Detroit Mercy forward Nate Johnson made a second-chance bucket.
Edwards Jr. went on a streak, putting up five consecutive points for the Ramblers after sending in a jumper and a 3-pointer. Watson increased the gap to 18 after completing a three point play with a layup and an and-one.
DeLoach sent in two buckets before completing an and-one to bring the score to 63-45. Quinn tacked on two more points after pushing through tough Titan defense to finish a layup.
First-year guard Danill Glazkov scored his first collegiate points after sending in a layup from underneath the net. A minute later, DeLoach made a shot and was fouled in the process, but failed to capitalize at the line.
Lovejoy was sent to the line by DeLoach and made both attempts making it 69-55. Just a minute later, Houinsou gave Okoro an opportunity at the line, where he added one to the board.
After a Rubin dunk, three fouls were called within seconds of each other. Johnson missed three of four attempts for the Titans, while Houinsou only added one point for the Ramblers. DeLoach hit a mid range jumper before Johnson secured one point at the line.
Moore increased the Loyola lead with a tip-in, but failed to capitalize on the following and-one opportunity.
DeLoach and Moore broke 80 for Loyola while Rubin kept things steady on the defensive end, blocking two Detroit Mercy shots.
Graduate Detroit Mercy guard and forward Emmanuel Kuac broke a two-minute stretch with no scoring after being sent to the line by Watson. The Titans tried to close the 20-point gap, but Edwards Jr. sealed the deal, ending the game with a dunk and giving the Ramblers a 2-0 record with a 87-65 win.
Despite the win, head coach Drew Valentine said he’s still not satisfied with the way the team is playing, and he’s still in search of what the “identity of the team” is.
“I don’t think we played particularly well either of our first two games of the year,” Valentine said. “We’re 2-0 so it’s better to learn through winning and I got to continue to find ways to rotationally figure out who’s going to impact winning the most out there on the floor.”
The Ramblers continue their home slate Nov. 10 against Eureka College with a tipoff time of 1 p.m. The game will be available to stream on Marquee Sports Network and ESPN+.
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A republic, if you can keep it.
As I write this, it’s well past 2:30 a.m. and well, you probably know what happened. So, what now? I think first, as was suggested rather astutely by The Phoenix’s deputy sports editor, the goal should be to keep as level a head as possible.
Whether or not your preferred candidate came out on top, it’s important we treat those around us with respect and carry on with civility. While we may not always agree with one another, if it’s a republic we hope to keep, all sides mustn’t castigate and demonize their fellow citizens.
Despite this, I’m struggling to keep my head anywhere near ground level. I’d be lying if I said I wasn’t terrified right now. We have just elected a man who has expressed his affinity for dictatorship — one who incited a violent insurrection seeking to interrupt the peaceful transfer of power — and who’s now set to assume the oval office.
I’m scared, first as a son of a mother, but also as an advocate for equality and the enfranchisement of all. Despite the results tonight, there remains within my shattered psyche a small but important amalgam of hope.
The U.S. is unique in that it was the first modern nation to be founded not around a shared identity or geographic locality, but instead an idea — everyone is created equal.
It’s an understatement to call this a flawed country. But, just as we as citizens have a right to vote for our government officials, we have the right to organize and demonstrate against the actions of those same officials.
While doing so may bring an added layer of unease in the wake of the president-elect’s repeated suggestions about how he will handle “the enemy within,” activists and advocates for justice can’t be deterred. Democracy isn’t a given, and despite it all, right now can’t be the time to check out and resign ourselves and our collective agency.
I don’t know what tomorrow will bring. But in these trying times it’s important we take care of ourselves, try to keep a level head and stay civically engaged.
Deep in my heart, I do believe we shall overcome some day.
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Nabala Cafe envelops the senses. The aroma of cardamom, cloves and coffee floats between bites of croissants and baklava. Espresso makers whir and customers chatter over toasty cups of chai which warm their hands.
But sight tells a different story.
The windows are boarded up. Posters, Palestinian flags and paintings line the walls. A handwritten sign on the makeshift door reads, “BY THE MILLIONS WE’LL RETURN.”
Nabala Cafe is a Palestinian-owned cafe at 4660 N. Broadway. The establishment, which opened in July, has been attacked twice in the past two months, according to the Chicago Sun-Times.
Owner Eyad Zeid said despite the Chicago Police Department leaving him in the dark about their progress investigating the crimes, he’s grateful for the support he’s received from the community.
“Our focus has been on recovering and leaning into the community that’s been supporting us,” Zeid said. “It’s been amazing — between the donations that we’ve received through GoFundMe to replace the windows, to the artwork that people have done to beautify the space outside, to just people coming to the cafe and hanging out and supporting, it’s been incredible.”
The estimated value of the damage to the three windows and door was $5,000, according to a case report obtained by The Phoenix. The report listed the incident as “criminal damage to property,” though it’s also listed on CPD’s online database of hate crimes and the CPD’s Civil Rights Unit has been notified.
An excerpt from CPD’s case report on the Oct. 25 attack.The cafe’s name comes from Bayt Nabala, a Palestinian village Zeid’s family once called home. Bayt Nabala was destroyed in 1948 during Israel’s mass expulsion of Palestinians in an event called the Nakba, or “catastrophe,” in Arabic. The village’s community has stayed strong, though, Zeid said, and maintains their traditions overseas, which inspired the cafe’s name.
“I felt the tribute was a really great representation of the community that I wanted to build within Uptown,” Zeid said.
While most regulars are from the Uptown neighborhood, Zeid said he sees members of the Arab and Palestinian communities in suburban Chicago come by on weekends. Cook County is home to the largest Palestinian population in the country, according to the U.S. Census.
Zeid said he was born and raised in Burbank, a suburb of Chicago, and moved to Uptown in late 2019. He said he’d wanted to create a business for years and first imagined a hookah lounge, but was deterred by the red tape of city ordinances regarding hookah, so he swiveled to the idea of a cafe.
The social, community-minded aspect of the establishment was key, Zeid said. The cafe hosts events like film screenings, concert afterparties and live music performances featuring oud, a Middle Eastern lute-like instrument.
Second-year political science major Ariana Santos said she’s visited the cafe three times, including for a showing and discussion of the documentary “The Occupation of the American Mind.”
Santos, who worked for over two years at Palestinian-founded coffee chain Philz, said she felt the chai at Nabala Cafe was more authentic than that of Philz Coffee.
“It felt like a coffeehouse that you’d walk into in Palestine,” Santos said. “The sense of community was fantastic.”
Philz Coffee was unavailable for comment.
Santos said Nabala Cafe fills a hole left by the disappearance of third spaces, or areas for people to gather outside of home and work.
“I think they’re fully aware — and the entire community should be fully aware — of how necessary of a business they are,” Santos said. “The sense of community that I saw there was so palpable, heartwarming.”
Loyola’s chapter of Students for Justice in Palestine condemned the attacks on the cafe in an email to The Phoenix.
“These attacks are not only an assault on Palestinian businesses but are part of a broader campaign of intimidation aimed at silencing Palestinian voices and their allies,” SJP wrote.
Mao Reynolds | The PhoenixThe Chicago chapter of the Council of American-Islamic Relations also condemned the attacks. Maggie Slavin, operations manager of CAIR-Chicago, said the responsibility falls not on the community, but on biased media attention and systemic anti-Palestinian rhetoric.
“I don’t think we’re going to see any type of de-escalation of local attacks that happen to people or to businesses until those who are responsible, those in power, are willing to acknowledge this is a genocide,” Slavin said.
Slavin said buying coffee and pastries from Nabala Cafe — as well as patronizing any Palestinian-owned shops in Chicago — is a tangible way of supporting Palestinians.
Zeid said the attacks were clearly a response to the cafe’s solidarity with Palestine, but were ultimately marginal compared to the bombings, starvation and torture Palestinians in Gaza undergo every day.
“We are not experiencing even 1% of the violence that folks in Gaza are experiencing,” Zeid said. “I just want to make sure that people continue to center Gaza and center the folks that are going through some of the most horrific and terrifying acts of violence possible.”
The cafe will continue to host get-togethers, parties and film screenings, including a documentary about Japanese-Palestinian solidarity Nov. 9 and a showcase of Palestinian and queer cinema Nov. 10. Upcoming events are listed on the business’ Instagram.
Nabala Cafe is open Monday through Thursday 7 a.m. to 7 p.m., Friday 7 a.m. to 10 p.m., Saturday 8 a.m. to 10 p.m. and Sunday 8 a.m. to 7 p.m.
Featured image taken by Mao Reynolds | The Phoenix.
The post Strong Coffee and Stronger Community at Nabala Cafe first appeared on The Loyola Phoenix.
This election cycle has felt strange. At least it has for me and many other Americans.
Ostensibly, it’s as consequential, polarizing and chaotic an election as ever. But somehow Americans appear to be detached from the political reality unfolding around them. We’re at risk of growing so accustomed to the polarized and dysfunctional nature of recent elections we’ll begin to expect nothing more.
Americans seem to be withdrawn from the current state of public affairs, perhaps overwhelmed by the chaos or disillusioned by the lack of meaningful change. Maybe we’ve simply come to expect the turbulent flavor served over the last three elections. Whatever the reason, apathy not only appears to be on the menu in 2024, but to have become our dish of choice.
National elections in the U.S. have fundamentally changed in the age of social media, and not necessarily for the better. Campaigns are increasingly dominated by sensationalism and shallow soundbites, focused more on emotional manipulation and division than on substantive policy debates.
Those of us born in this century have known no other way, and our elders seem to have forgotten what came before.
America’s ungraceful thrust into this brave new world occurred in 2016, and there was revulsion befitting the occasion. Americans made their dissatisfaction abundantly clear through protests, marches and intense political engagement. Given the election’s unprecedented nature, apathy didn’t seem like an option.
Many expected it would be remembered as an anomalous election cycle, and with 2020, normalcy would return.
How mistaken we were.
The confluence of events leading up to the 2020 election — from the deepening of the partisan divide to the ongoing global pandemic — managed to raise the political temperature beyond what most thought possible in 2016.
The stakes were palpable, and across the political spectrum, Americans asserted their belief fundamental change was needed. As voter turnout surged to over 60%, it was evident apathy — just as in 2016 — wasn’t an option.
In both 2016 and 2020, Americans called for significant changes in how the political system operates, reflecting deep dissatisfaction with the status quo. These demands took various forms, from the rise of movements like Black Lives Matter to the widespread push for universal healthcare seen in the support for candidates like Vermont Senator Bernie Sanders.
The 2016 election saw a populist surge that rejected traditional establishment politics, and the 2020 election was driven by calls for more substantial action on issues like economic inequality, racial injustice and climate change.
Now, in an America domestically and internationally embroiled in increasing precarity — and lacking the monumental political shift its citizens have been demanding for nearly a decade — one would expect the public to sharpen their complaints and demands.
And yet, there’s a widespread sense of resignation to the inadequacy of the way things are. The galvanizing energy once driving change now feels diminished, replaced by a quiet exhaustion. Americans have been making their voices heard for the past eight years, but in 2024 many seem to have fallen silent, accepting no one is truly listening.
We must preserve our dissatisfaction with the present state of affairs if we hope to emerge from them. Allowing the ungraceful momentum of 21st century elections to wash us into detachment and reluctant tolerance will surely spell disaster. It’s now necessary to collectively create and cherish a vision for a better future and know it can be achieved.
Accepting the way things are will lead to nothing better — and could potentially foster something worse. This isn’t meant to encourage frenzied panic, but instead is a call to maintain hope and a belief in the possibility for improvement.
The future isn’t set in stone — it’s ours to shape. But this requires more than fleeting frustration. It demands a lasting commitment to evolve and sustain our efforts to enact change.
The post Don’t Resign Yourself to Absurd Elections first appeared on The Loyola Phoenix.
President Joe Biden visited Arizona Oct. 25 to formally apologize to Native Americans for the decades of government-run boarding school systems that forcibly removed Indigenous children from their families in order to assimilate them into white society.
The apology was historic, primarily because it was the first time the U.S. government has acknowledged their role in the displacement, persecution, death and subsequent multi-generational trauma caused by the abusive boarding school system.
But frankly, it was long overdue.
Although it was a nice sentiment, it does little to reconcile the damage done during the 150 years the schools were open — up until 1969. An Interior Department investigation that called for an apology found out of around 18,000 Native American children removed from their homes, at least 973 died, The Associated Press reported.
Because of this — and because of the blatant political undertones of the apology, which was given to a left-leaning, low-turnout voter population in a swing state just weeks before yesterday’s election — the motivations reek of virtue signaling, causing many Native Americans to implore the President to follow up his words with concrete, political action.
These calls for action are more than understandable, considering Native Americans still face disparities in employment, income and education, according to the Joint Economic Committee. Additionally, only 16.8% of Native Americans and Alaskan Natives aged 25 or older had earned a bachelor’s degree as of 2022, according to U.S. Census data.
It’s because of this the U.S. government should be doing more than giving overdue, overtly political apologies.
The government should be fostering opportunity and education for and about those in Indigenous communities, and academic institutions — like Loyola — should be following suit.
Overall, Loyola does a decent job offering education resources for students to learn about Native American communities. There’s a land acknowledgement statement on every U.S. campus decorated by indigenous artist Buffalo Gouge.
The university also provides a reading and resource list for Native American Heritage Month on the library’s website, as well as occasional programming with panels of Native American people discussing the “strengths and challenges” of Indigenous communities.
Loyola even offers some classes which focus on different aspects of Indigenous and Native American culture across the social sciences and humanities.
While these different strategies toward education and acknowledgement allow Loyola students to engage with Native American cultures in both a historic and contemporary context, this doesn’t contribute to fostering communities of Native American students at Loyola and in Chicago.
Neighboring University of Illinois Chicago and Northwestern University, in addition to providing similar services to those described above, offer a variety of programming and resources with deliberate action plans — a necessary next step beyond acknowledgement, apology and academia.
In addition to emphasizing “Native American/Indigenous Inclusion and Belonging” in their Office of Diversity, Equity and Inclusion’s website, UIC also offers a wide variety of distinct resources for Indigenous students attending their university and living in Chicago.
These include a “Native American Task Force Report” that chronicles the history of Native American students at the university and recommends plans for actions. The report also includes a comprehensive list of university services for Indigenous students, links to student groups and lists of Native American professional organizations and Chicago-based Native American community organizations.
Similarly, Northwestern has had a Native American inclusion initiative since 2014, which seeks “to create spaces where Native American and Indigenous people are heard, their identities are honored, and they can be successful members of Northwestern as well as good tribal and community citizens,” according to the initiative’s mission statement.
The initiatives website also includes links to university staff who specialize in Native American and Indigenous affairs, a link for prospective Native American and Indigenous students and a strategic plan developed by the Native American and Indigenous Strategic Planning Committee.
While Loyola does have some infrastructure to facilitate conversation with Indigenous and Native American communities, a brief search on the websites of neighboring institutions makes apparent how lackluster these frameworks are.
Loyola — like Biden and the federal government — seems to be focused on acknowledgements and apologies rather than initiatives.
Only 0.1% of Loyola’s student body identifies as Native American or Alaskan Native, according to Data USA. Considering Loyola’s social justice mission — not to mention, the less-than-stellar history of Jesuit interactions with Native Americans — Loyola should be making more of an effort to create accessible academic spaces for one of the country’s most educationally-barred communities.
Biden’s apology must be followed by action, and so too must Loyola’s land acknowledgements.
The nuanced necessity of this is best articulated by Seattle-based Bill Hall, a 71-year-old man from Alaska’s Tingit community who accepted Biden’s apology despite suffering years of abuse in a boarding school.
“As I was watching, tears began to flow from my eyes,” Hall told the Associated Press. “Yes, I accept his apology. Now, what can we do next?”
The post Dear Loyola: Do More Than Land Acknowledgements first appeared on The Loyola Phoenix.
“Being vice president is like being declawed, defanged, neutered, ball-gagged and sealed in an abandoned coal mine under two miles of human shit,” Selina Meyer says in the series finale of “Veep.” “It is a fate worse than death.”
Created by Armando Iannucci and spanning seven seasons, the political satire “Veep” stars Julia Louis-Dreyfus as U.S. Vice President, or veep, Selina Meyer. The series follows Selina and her team as they navigate the barbed wire maze of the federal government, setting out to establish a lasting Meyer legacy.
The opening episodes introduce the absurdness of Washington, D.C. politics as Selina debates which frozen yogurt flavor to eat for a publicity stunt while juggling the contentious Clean Jobs Bill — legislation advocating for sanctions on polluting.
Running the veep’s office, and referred to as Selina’s “veeple people,” are Chief of Staff Amy Brookheimer (Anna Chlumsky), Director of Communications Mike McLintock (Matt Walsh), Deputy Director of Communications Dan Egan (Reid Scott), Body Man Gary Walsh (Tony Hale) and Personal Secretary Sue Wilson (Sufe Bradshaw).
During its seven-year run, “Veep” was met with critical acclaim, securing 68 Emmy nominations and 17 wins.
After winning the 2013 Emmy for Outstanding Lead Actress in a Comedy Series, Louis-Dreyfus accepted the award as if she were Selina. Louis-Dreyfus repeated into the mic words whispered by Hale, who flanked her, holding her clutch.
Though created by a Scottish satirist, the series strikes a truthful cord with D.C. staffers.
“The funny thing about ‘Veep’ is, we as people who worked in the White House always get asked, ‘Okay, what’s the most real?’” Tommy Vietor, a former employee of the Obama administration, said in an interview with The Wrap. “And the answer is, it’s ‘Veep.’ Because you guys nail the fragility of the egos, and the, like, day-to-day idiocy of the decision-making.”
The series’ relevancy survives today, as “Veep” viewership spiked more than 300% following Vice President Kamala Harris’ entrance into the presidential race, according to The Hill.
In “Veep,” diplomacy is nothing but a pretty word to toss around — seductively tying a bow around the dumpster fire that is Capitol Hill. Politics devolve into petty catfights as government officials prefer to spit insults rather than pen legislation.
Reeking with foul language, the show’s insults are hilariously and obscenely creative.
Jonah Ryan (Timothy Simons), an arrogant liaison between the West Wing and the vice president’s office, is Capitol Hill’s favorite scapegoat. Jonah’s repugnance earns him the nickname Jonad — a marriage between his name and the word “gonad,” referring to testes or ovaries.
In the episode “Testimony,” Selina’s team sits through hearings regarding her campaign’s federal data breach, uncovering the Jonad Files — a comprehensive list of Jonah’s nicknames, coined by the Vice President’s staff.
The monikers include “the 60-foot virgin,” “Jono Ono,” “Benedict Cum-in-his-own-hand” and “Jack and the Giant Jack-Off.”
In his portrayal of the skittish, eager-to-please and dutifully loyal body man Gary, Hale (“Arrested Development,” “Toy Story 4”) is cartoonishly funny. Hale’s performance merges physical comedy with lighthearted quips — in “Frozen Yoghurt,” he even jumps in front of a sneeze to protect Selina.
Louis-Dreyfus (“Seinfeld,” “Saturday Night Live”), who was awarded a National Medal of Arts in March 2023 for her comedic career, shines as the viciously witty Selina.
With a deceptively sweet cadence and razor-sharp tongue, Louis-Dreyfus slips laugh-out-loud comedy into political commentary.
“Oh, my goodness, you’re so funny,” Selina says to former President Stevenson in the episode “Library.” “If only the American people could’ve known you for your sense of humor instead of your bizarre indifference to apartheid.”
With bawdy humor, brutal cleverness and biting political relevance, “Veep” remains a top dog in satirical television, cementing a Meyer legacy steeped in hilarity and ruthless ambition.
“Veep” is available to stream on Max.
The post ReRuns: The Bawdy Humor and Biting Politics of ‘Veep’ first appeared on The Loyola Phoenix.
I know someone who thinks the world is going to end. So he prays a rosary every day, in hopes it saves him from eternal damnation. A repetitive ten “Hail Marys” followed by an “Our Father” five times.
To devout Catholics, the rosary is prayed with a Mystery separating each decade. The four Mysteries of the Rosary include Joyful, Sorrowful, Glorious and Luminous, each prayed on a specific day and sometimes overruling others during specific times of the Liturgical year.
In the Joyful Mysteries, the Visitation of Mary to Elizabeth allows connection to the virtue of love, and the exchange of joy with a family member, friend or a passerby. Where the Sorrowful Mysteries like The Crowning with Thorns serves as a reminder to have courage, even in the most brutal of times.
Using the rosary as a sole form of repentance, like the person who prays due to fear of being stuck at Heaven’s gates, doesn’t signify redemption. Each Mystery offers guidance, provoking the supplicant into action. This is where faith and social justice coalesce — the prompt begging for a response.
Prayer provokes action. Being Catholic includes a person’s commitment to justice, showcased by the Society of Jesus, also known as the Jesuit Order, which encourage Loyola’s guiding principles.
As an order known to champion a distinctly devout “call-to-action,” the Jesuits frequently stress the import of activism in concert with prayer. Pedro Arrupe, S.J., the 28th superior general of the Jesuits, is a prominent figure in the Jesuit order who preached about the synthesization of Catholicism and social justice.
“Be and form men and women for others,” Fr. Arrupe said in an address to Jesuit high school alumni, according to The Ignatian Solidarity Network.
Fr. Arrupe is the namesake of my own high school, Arrupe Jesuit, where I first heard this phrase. Since, it has been an additional guide to the Mysteries, synthesizing action and devotion.
Engagement with the community was a requirement in our classes, but it only began in the classroom. These obligations fostered within students a commitment to social justice — prompting many to seek additional service opportunities.
Every first Friday and the second Tuesday of the month were dedicated to volunteering at a soup kitchen. Before the van left the school, we’d say a prayer that reminded me of the third Joyful Mystery — The Nativity, which allowed contemplations of poverty, and acknowledging socioeconomic disparities.
Freshman year, my best friend Makayla and I would be responsible for slicing bread, while the upperclassmen finished preparing the meal for the night. There was something about the simplicity that struck me. Not only was I able to share time with my friend, I was also fulfilling the promise I’d made growing up — following the second of Jesus’ two commandments.
“Jesus said, ‘Thou shalt love thy neighbor as thyself.’ On these two commandments hang all the law and the prophets,” Matthew 22:36-40 reads.
Jesus simplifies Moses’ Ten Commandments into two simple, easy to live by commandments. So, while beliefs vary by denomination and religion, action should be at the forefront of a devout Christian’s mind.
Where there is faith, there is social justice.
The post Catholicism Requires Action, Not Just Devotion first appeared on The Loyola Phoenix.
Following Illinois’ implementation of the Pretrial Fairness Act last year, researchers from Loyola’s Center for Criminal Justice are evaluating the impacts of the reform, looking at how the new provisions may impact bond court outcomes, jail populations and the lengths and costs of pretrial detention.
The Illinois General Assembly passed the PFA in January 2021 as a part of a larger crime bill called the Safety, Accountability, Fairness and Equity Act, according to the Loyola Center for Criminal Justice. The reforms outlined in the PFA took effect Sept. 18, 2023.
The PFA prevents the use of pretrial detentions for most defendants, requires a new pretrial hearing process, limits the conditions placed on defendants released pretrial and abolishes the cash bail system altogether, according to the Illinois General Assembly.
Since the law’s implementation, the research team has published several research briefs with support from Arnold Ventures, the MacArthur Foundation and the National Institute for Justice in partnership with criminal justice agencies across Illinois, according to the center’s website.
The site said these briefs examine data from before the PFA with the goal of estimating how the law could impact future pretrial decisions.
A recent report from the center concluded significantly fewer people are being held pretrial. The research indicates pretrial jail populations fell after the PFA went into effect, down 14% in Cook County, 14% in other urban counties and 25% in rural counties.
Dr. David Olsen, co-director of Loyola’s Center for Criminal Justice and a member of the Illinois Pretrial Practices Data Oversight Board, said he has spent the past two years tracking the PFA.
“In Cook County, they’ve been actually implementing reforms to the pretrial system for close to a decade,” Olsen said. “It’s had a much more substantial change in places outside of Cook County, where they haven’t been engaged in pretrial reform.”
While Olsen said the project’s findings vary depending on factors like county, he said his research team was still able to observe certain changes across the board.
“Prior to the law, there was about $140 million a year in Illinois that was put up by defendants to secure their pretrial release, and so that money is no longer being taken to secure pretrial release after someone’s convicted,” Olsen said.
Jack Wolff, a third-year English and criminology double major and contributor to the Center for Criminal Justice’s research, said he spent a semester contributing to the research by observing numerous hearings and documenting different variables of the cases.
Wolff said it’s important to consider the impact bail laws can have on the lives of the defendants and their families.
“Cash bail is an unfair system,” Wolff said. “It sounds simple to say out loud, but Illinois is the first state to abolish it. Something like a person’s life and dignity shouldn’t be decided by money.”
A report published by the center Sept. 24 said more time is now spent at hearings discussing the details of the case, creating a more detail-oriented and individualized system.
“Prosecutors are scrutinizing the cases more closely to decide which ones they want to seek detention on, and judges are scrutinizing the cases a lot more,” Olsen said. “The types of things that are being discussed at these hearings are much more substantial, and a lot more information is being considered.”
Olsen said the process of holding someone for pretrial detention is more complicated than before. If the defendant’s offense is one eligible for pretrial detention under the PFA, then the prosecutor must file a petition requesting the defendant be detained, Olsen said.
Both Olsen and Wolff also emphasized the impact not being held before trial can have on an individual defendant, noting how people can lose jobs or struggle to take care of their families when they are detained.
“There’s a tax that it takes out of you, if you get detained before your sentencing,” Wolff said. “You could be sitting in a jail cell for a year before you get sentenced.”
According to Olsen, the passage of the PFA also significantly enhanced the public defense resources of Illinois courts, especially in rural counties. The PFA created new provisions requiring every defendant to be represented by an attorney at any decision which could affect their pretrial release or the conditions of their release.
Smaller countries without adequate resources to accommodate for this provision were apportioned a large sum of money to their public defense offices so they could afford to hire more attorneys, according to Olsen.
“Most of Illinois, most counties are small, and so for a lot of counties, they receive that assistance from the state in order to implement the law and fulfill its mission,” Olsen said.
Olsen and Wolff both said while the research being done by the Center for Criminal Justice on the PFA is substantial, it’s still in its early stages. Through their continued work, the Center hopes to advance conversations about pretrial justice through objective research.
“Our hope and goal is people who are in positions to make legislation or to modify legislation, read the results and use it to guide their discussions,” Olsen said.
The post Loyola Researchers Assess Impact of Cash Bail Law on Justice System first appeared on The Loyola Phoenix.
A small group of students gathered on the West Quad Tuesday to commemorate last year’s Oct. 7 attack on Israel and recognize the remaining Israeli hostages held in Gaza.
Roughly 10 students attended the event from 2:30 to 4:30 p.m. which was organized by third-year Andrey Pikovskiy. The students read prayers in English and Hebrew from the Tanakh, discussed their personal experiences over the past year and held Israeli flags while sitting inside a circle of posters displaying pictures of the hostages.
Pikovskiy, a biochemistry major, said he applied with the Office of the Dean of Students to demonstrate in the space in accordance with the new changes to the university’s Community Standards, The Phoenix reported.
The application process was surprisingly smooth and the Dean’s office checked in multiple times, according to Pikovskiy, who said he wanted to “keep the peace with the administration” while still having the event, despite being limited in where and when the event could take place.
Dean of Students Will Rodriguez was present throughout the entire event and said the application for the event had been submitted three days prior, as required by the new guidelines.
During the event, several students took turns describing how they first learned of the Oct. 7 attack and their experiences on campus since then. Some spoke about supporting Israel while also sharing their distaste for its current government and Prime Minister Benjamin Netanyahu.
Fourth-year biology major and Loyola-Israel Student Alliance board member Natalie Ramirez said she is Roman Catholic, not Jewish, but she got involved with LISA because she was hurt by the idea of Jewish students being afraid to be open about their culture on campus.
“Some of these people are afraid to speak Hebrew,” Ramirez said. “Some of these people are afraid to wear the Star of David on the outside of their shirt, they purposely put it inside of their shirt and that shouldn’t be happening. So that’s why I got involved, someone from the outside.”
At least 180 ballistic missiles were launched by Iran into Israel Tuesday closely following an Israeli ground incursion into southern Lebanon, the Associated Press reported. Pikovskiy said he received multiple videos from people showing missiles over various locations after he got out of an exam.
“It’s just very disheartening, because, you know, we killed Hassan Nasrallah, we thought it was over,” Pikovskiy said. “It was like, ‘Oh, we can finally, finally be done and it’ll be quiet.’ And it wasn’t that way.”
Another topic of discussion was how to open more lines of dialogue and better portray the participants’ message to the rest of the university community. Ramirez said the most common interactions are usually in passing with students taking pictures or scoffing while she would like them to approach and talk with her.
Ramirez said she’s found it easier to be supportive of Jewish and Israeli students on campus because of what she identified as a more open and welcoming atmosphere even for those not up-to-date on current events.
She also said she supports the Palestinian people and thinks any war over land is an outrageous idea, but acknowledged it’s hard to support both Israel and Palestine simultaneously.
“Unfortunately, it’s been a lot of ‘What? You don’t know what’s going on?’” Ramirez said. “And ‘If you’re not with us, you’re against us. Why are you walking past our demonstration? You should be joining us.’ And I’m not going to just jump in and join something when they are showing that aggression.”
One student not affiliated with the event approached the group twice and began a conversation about why they were there.
The student, fourth-year cognitive behavioral neuroscience major Mikayla Cutler, said they are Jewish and hang a Palestinian flag in their home. They said they “came in hot” at first and needed to momentarily leave to collect themself so they could address one of their main concerns with the gathering — holding both the Israeli and American flags together.
“They’re not gonna change my mind, I’m not gonna change their mind,” Cutler said. “And I think that I honestly, I am so troubled by the fact that they have an American flag especially at something like this. Do I think it was a productive conversation? I think that as far as talking with people on different sides or who have these differing opinions on the issue, I think that’s as productive as it’s gonna get.”
Throughout the event a small number of people approached to look at the various signs with pictures of the remaining Israeli hostages and one woman took a photo with the group. Many students walking around or through the quad looked at the gathering or held up their phone cameras.
The post Students Hold Commemorative Vigil for Oct. 7 and Israeli Hostages first appeared on The Loyola Phoenix.
A community meeting was held Oct. 1 in a parking lot at the intersection of West Arthur and North Glenwood Avenues to discuss potential modifications to the traffic patterns on the section of North Glenwood bounded by West Devon Avenue and West Pratt Avenue.
The meeting was conducted by Ald. Maria Hadden (49th) and two members of the Chicago Department of Public Transportation. During the meeting, the CDOT members summarized the provisions of their plans, and Hadden answered attendees’ questions and concerns about the plans.
Hadden said she has been receiving complaints about North Glenwood Avenue traffic, primarily via email, since she took office in 2019. Hadden and the CDOT members discussed two plans they have collaborated on, each of which presents a different solution to citizens’ traffic complaints.
One plan calls for adding traffic calming measures, such as speed humps and curb extensions, while keeping West Glenwood a two-way street. The other plan proposes converting West Glenwood into a one-way street which directs traffic northbound and adding a contraflow bike lane allowing bikes to move both north and south.
“I think both of the options have their merits,” CDOT member Calvin Graham said. “Both of the options have their negatives, and part of working on infrastructure in the city is that we have to make decisions that aren’t always a complete good or a complete bad.”
Hadden said she held an in-person meeting in 2022 at the same parking lot as the Oct.1 meeting. Since then, Hadden and CDOT have continued to aggregate and weigh complaints and community feedback leading up to the Oct. 1 meeting, the final in-person meeting about the North Glenwood traffic issue, according to Hadden.
North Glenwood Avenue measures 30 feet across, making it relatively narrow for a two-way street and only allocating each traffic lane eight feet of width, according Graham. This has created a high frequency of sideswipes as well as an uptick in front-to-front vehicle collisions, according to data from a crash analysis of Glenwood Avenue conducted from 2018 to 2023.
Graham said if Hadden decides to convert North Glenwood into a one-way street, the single traffic lane will be 10 feet wide, which he said is typical of most lanes in Chicago. He said this means converting North Glenwood to one-way will solve many of the safety concerns arising from the street’s narrowness.
Graham also said if North Glenwood remains a two-way street, the width of each traffic lane won’t change, so side sweeps and front crashes will remain a threat.
However, proposed traffic calming measures, specifically speed humps and curb extensions, will increase pedestrian safety by lowering the speed of oncoming traffic and lowering the distance pedestrians must cross to safely reach the other side of the street, according to Graham.
“Some of those would be involved with the one-way conversion,” Graham said. “With the bike infrastructure and the way that those interact with the street, there will be a little bit less of the potential for these traffic calming elements, and so you’ll have more width for the northbound traffic.”
While deliberating the best solution to North Glenwood’s traffic problems, Hadden and CDOT are weighing the benefits of a wider single traffic lane against the benefits of more abundant traffic calming measures in the presence of two narrower lanes. However, further traffic and pedestrian concerns complicate the issue.
For instance, Hadden said if North Glenwood becomes a one-way street, the removal of southbound traffic on North Glenwood will increase traffic on nearby southbound streets, with North Newgard Avenue experiencing the largest increase in traffic — an estimated 20% increase — since it’s the nearest southbound street to North Glenwood.
Hadden said she will make the final decision between the two proposed plans for North Glenwood before the end of 2024. Until then, Rogers Park residents will be able to share their opinions about the traffic plans in a digital survey posted on the ward’s website. Hadden said she will use the survey feedback to help make her final decision.
Despite the complexity of the issue and the many variables involved, Hadden said she feels optimistic about her ability to meet the decision deadline.
“I think we’ve got a lot of info,” Hadden said. “There’s a couple more things that are kind of outstanding, but I think once we get some of the details on the traffic calming on Newgard, I think we’ll have enough information for community input, and that will give me enough information to make a final decision.”
The post Traffic Flow Changes Proposed for Glenwood Avenue first appeared on The Loyola Phoenix.
Loyola students went to classroom 111 in the School of Environmental Sustainability Sept. 30 holding anything from a single t-shirt to a trash bag full of clothes. The small classroom was bustling with students as they rummaged through the piles of clothes to the welcoming background music.
Once a semester, Loyola’s Restoration Club hosts a clothing swap, where students are invited to donate and take pieces of clothing as they please.
As students shopped through the tables of clothes, community buzzed between donors and perusers. Students took advantage of what was essentially a free thrift exchange, exploring new looks and inviting others to participate.
Restoration Club President Mack Shenker, a fourth-year environmental science major, said the event provides students with a sustainable way to get rid of clothes they don’t wear anymore and find new pieces for their wardrobe.
“I brought an entire backpack and a trash bag full of clothes,” Shenker said. “I love this event because it’s a way for me to clean up my closet, and after the clothing swap, my closet feels much better.”
Shenker said this is the Restoration Club’s third time hosting the clothing swap.
At the end of the event, all remaining clothes are packed into trash bags to be donated to Labre’s Homeless Ministry.
“In the past years we’ve just put it on the free table, but we thought it could go to better use,” Shenker said.
Throughout the night, an estimated 50 students came and went through the clothing swap.
The Restoration Club hosts the Clothing Swap once a semester to inspire communal sustainability among students. (Mao Reynolds | The Phoenix)Ian Sloey, a third-year environmental policy major, said this was his first time attending the campus event, and he was hoping the event would help him expand his wardrobe.
“I kind of just came here because my wardrobe is very bland,” Sloey said. “Everyone else at the clothing swap seems to have great fashion, so I was like, ‘Why not look at the clothes here?’”
Sloey said he liked seeing how he could incorporate other student’s styles into his own.
“It gets your mind thinking about what you can combine things with and how they would look good with your own style,” Sloey said.
The clothing swap also gave incoming students an opportunity to learn more about the Restoration Club. First-year nursing major Maya Chandler said she liked finding a sustainable way to receive new clothes.
“It’s like a cool way to reduce waste on campus,” Chandler said. “I like that somebody else’s clothes that they would have just thrown away can be given new life.”
Chandler attended the event with her friend first-year Mia Obernesser, who said she loved the clothing swap and hopes to attend again in the Spring semester.
“I came in with a t-shirt and a pair of pants, and I’m leaving with something fire,” Obernesser said while displaying a ruffled green tank top she picked out.
The event also allowed attendees to recognize the value in the clothes they already wear. First-year history major Evie Stewart had second thoughts when bringing a hoodie she wasn’t quite ready to give up.
“I brought this hoodie, but I took it back,” Stewart said. “I need to be more prepared next time and bring stuff that I wanna give up.”
Stewart said she ended up leaving her hoodie at the clothing swap. She also left with a dress and a shirt for her roommate.
Shenker said he thinks the clothing swap is one of the Restoration Club’s most popular events because it allows students to connect with other people, both in the club and around campus.
“It’s a lot of fun knowing that your pieces may come from your friends or you may walk around campus and see a sweatshirt that used to be yours,” Shenker said.
The Loyola Restoration Club meets on the first and third Monday of each month in School of Environmental Sustainability classroom 111. Every other Saturday the club hosts restoration workdays at Loyola’s Retreat and Ecology Campus, where they remove invasive species from the local environment. The Restoration Club hopes to host their fourth clothing swap in Spring 2025.
The post Sustainable Fashion Finds at the Restoration Club’s Clothing Swap first appeared on The Loyola Phoenix.
During a two-day stint at a packed United Center Sept. 27-28, Jeff Lynne’s ELO — formerly known as Electric Light Orchestra — bid farewell to Chicago fans with a timeless performance.
A prolific singer-songwriter through the ‘70s and ‘80s, Lynne racked up awards and broke chart records. His style of classically-infused rock produced hits for ELO and others like Tom Petty, George Harrison and Paul McCartney.
Synth-heavy rock outfit Rooney opened the show. Fronted by vocalist Robert Schwartzman, the indie band dynamically performed electro-pop hits “Blueside” and “Why.”
Rooney’s emphasis on multi-instrumentation — forming a choir of mostly electric guitars — made for a modern, angsty tribute to ELO’s operatic aesthetic. Rooney continued to bridge early 2000s sounds with “Stay Away” and “Don’t Be a Hero,” closing with the funk-infused “Are You Afraid?”
Jeff Lynne’s ELO stepped into view as laser lights lined the walls and their iconic spaceship took flight on the venue’s screen. With the televised blast-off, the band gave a rousing rendition of “One More Time.”
Advertised as the last tour for Lynne, the song choice mirrored the audience’s final chance to experience the sounds and colors of Electric Light Orchestra.
With a lively audience, the band jumped into the epic tune “Evil Woman.” While Lynne’s performance honed in on the music and not on flashy dance moves, his stage presence intoxicated the audience through his contemplative execution of complex rhythmic pieces on the guitar.
The setlist moved through the biggest songs in ELO’s esteemed catalog. Heyday hit “Do Ya” infected the arena with its upbeat rhythm, and the sultry “Showdown” followed with a savory guitar solo.
In an age of over-commercialized music, the use of actual instruments played by master musicians drew fans of all ages. Backup vocalists Ian Hornal and Melanie Lewis-McDonald, drummer Domavan Hepburn and keyboardist Marcus Byrne embodied Lynne’s unorthodox approach to music through their energetic performances, alongside a full backing of violinists, cellists and a bassist.
At 76-years-old, Lynne left much of the fast-paced falsettos to his backup singers, allowing him to hit the notes that mattered. Lynne ramped up the nostalgia, singing “Believe Me Now” and “Steppin’ Out,” with his voice just as expressive and intimate as it was at the height of the band’s popularity 40 years ago.
“I’m stepping out, I’m moving on / I’m gonna see the world / Like a rolling stone / I’m stepping out / I’m gonna be somebody,” Lynne sang.
“Last Train to London” retook the momentum with disco-groove backing and disappointing stage production. Close-up camerawork of intense piano and violin solos dominated viewer attention, but the constant stream of AI-generated art on screens was a recurring eye sore.
Lynne and ELO’s musical talent distracted from the lazy slideshows. Multi-instrumental songs “Rockaria!” and “10538 Overture” stunned with their vibrant rock anthems carried by operatic cries and the strings of the orchestra.
As suggested by the band’s name, strobe lights, lasers and digital projections accompanied each performance.
Love ballads “Strange Magic” and “Sweet Talkin’ Woman” melded sentiment to dance rock. The former held a swaying rhythm and the latter a sliding percussion.
“Can’t Get it Out of My Head” slowed the tempo, only to crescendo with the scorching “Fire on High.” The purely instrumental song bled into “Livin’ Thing,” a dancing audience’s delight with soaring guitars and flying laser lights.
Soulful “Telephone Line” matched Lynne’s despondent vocals to synthetic ringing sounds. The eerily electrifying performance rapidly shifted focus to the hypnotic disco-pop tunes of “All Over the World.”
As energy in the arena grew, so did Lynne’s smile. “Turn to Stone” was an easy highlight for both himself and the audience, drawing an especially large reaction from the crowd as singing could be heard from the rafters.
“A sound that flows into my mind / (The echoes of the daylight) / Of everything that is alive / (In my blue world) / I turn to stone when you are gone,” Lynne and the chorus sang.
The set concluded with show-stopping songs “Shine a Little Love” and “Don’t Bring Me Down.” The tracks married Lynne’s pension for falsettos with a mind-melding cacophony of brass, keys and a laser spectacle that lit up the enclosed United Center like a disco ball in a small room.
After leaving the stage briefly, the band returned for only one encore song — “Mr. Blue Sky.” With a final set of vocoded lyrics, Jeff Lynne’s ELO stood proudly on stage and gave a final bow.
His final Chicago performance alongside Electric Light Orchestra proved there’s still a hungry audience for Lynne’s brand of music. It cemented the band’s legacy in rock history and codified their catalog of hits into stone.
The post Showdown at the United Center: Jeff Lynne’s ELO Rocks the House first appeared on The Loyola Phoenix.
Last night saw what will likely be the final debate of the 2024 presidential election cycle, as Minnesota Governor and Democratic Vice Presidential nominee Tim Walz shared the stage with the Republican nominee and Ohio Senator J.D. Vance.
While Vance proved to be a strong speaker — seemingly having spent a good amount of time in his high school debate club — his youth and inexperience was put on full display, particularly on questions relating to the January 6 insurrection and the lies he popularized about immigrants in Springfield, OH.
Typically vice presidential debates tend to be a bit of an afterthought and hold little to no sway over election outcomes. But, due to the continued peculiarities of this cycle, last night’s debate will be one of few remaining national-scale campaign events before November.
While Walz was definitely thrown off-kilter at times, appearing somewhat nervous in the opening minutes, his neighborly, cheerful demeanor carried him through. The difference in experience levels between the two candidates on stage reminded me of one of the more famous moments in recent American political history.
Nearly 36 years ago to the day, 1988 Republican vice presidential nominee Senator Dan Quayle and Democratic nominee Senator Llyod Bentsen met on stage in Nebraska for a debate which, from the candidate’s appearances alone, shares many similarities to last night’s meeting.
In an exchange regarding Quayle’s readiness for the office — he was 41 at the time — Quayle said his experience in Washington D.C. was comparable to that of 35th President John F. Kennedy when he sought the nation’s highest office.
In response, Bentsen landed one of the most legendary political put-downs in recent memory.
“Senator, I served with Jack Kennedy, I knew Jack Kennedy, Jack Kennedy was a friend of mine. Senator you are no Jack Kennedy,” Bentsen said to thunderous applause.
Although Quayle and 41st President George H.W. Bush prevailed in the election, Bentsen’s jab arguably became the campaign’s iconic moment — aside from Bush’s infamous, “read my lips: no new taxes.”
This year Vance is seeking the vice presidency, an office where he would be just a heartbeat away from the Oval Office, with even less experience than Quayle had — and certainly less than Kennedy.
At just 40-years-old, Vance had no government experience before he began his term as a U.S. Senator in January 2023. At that, there’s no precedent for former venture capitalists to assume one of the Republic’s top jobs. On Tuesday night, he came across as thin-skinned, combative and out of his depth.
Meanwhile, Walz brings a wealth of governing experience, having spent over a decade in the House of Representatives before spending time in executive office in Minnesota.
While presidential elections aren’t decided by running mate selection, the vice presidency is the ultimate what-if. While you may have issues with either platform being put forth, one thing we can all agree on is the importance of a reliable, steady hand. If Vance is truly ready for this solemn responsibility, his hands need to get out of the couch.
The post From The Editor’s Desk: Sen. Vance, You’re No Jack Kennedy first appeared on The Loyola Phoenix.
Inside an average suburban home in Geneva, IL, students from Loyola, DePaul and Eastern Illinois University fill a room with sounds of chaos and catharsis.
Three-piece punk band Bloom transcends the constraints of distance through their love of making music together.
Em Vela, guitarist, vocalist and Loyola student. (Courtesy of Nasser Rabadi)Loyola second-year anthropology major Em Vela said the band has metamorphosed since its initial conception in 2022. She said the group originally consisted of five members — all of whom met at the Naperville School of Rock — and fizzled down to Vela, guitarist and vocalist, and DePaul student, Summer Allen, bassist and vocalist.
For Vela, giving up the band wasn’t an option.
“It kind of became like a safe haven for me — because I was going through so much — and it was kind of the one place where I could find joy,” Vela said.
Continuing the band meant they needed to find a drummer. An Instagram post led to Nolan Herbert, EIU student, rounding out the trio.
The three rehearse when they can find time, which is rare, according to Vela. She said if they’re preparing for a gig, the group usually meets only once or twice before the show. But lack of group practice doesn’t affect their ability to perform.
Summer Allen, bassist, vocalist and DePaul student. (Courtesy of Nasser Rabadi)“It comes together so easily when it’s all three of us,” Vela said.
The group came together to write “D. Bite,” the only currently released song they have all contributed to.
Allen said the title of the song came from mishearing lyrics at a Mannequin Pussy concert where lead singer Marisa Dabice sang “loud bark / deep bite.”
Mistaking “deep bite” for “D. Bite,” Allen said they instantly wanted to use the phrase in their own music. Originally written as a folk song, Allen said “D. Bite” was written for marginalized groups.
“It’s standing up for yourself and not giving a fuck about men,” Allen said. “And the lyrics are about basically biting their dicks off.”
While Allen wrote the lyrics, Herbert concocted a guitar riff that launched the once-folk lyrics into a genuine punk piece.
Bloom takes key inspiration from punk and “riot grrrl” music. (Courtesy of Nasser Rabadi)The song has an intentionally imperfect production, Vera said. She said when Bloom was a duo, the group recorded their EP “mudd” at Treehouse Records, but the band produced the new track at home to achieve the less polished, more punk sound they desired.
“D. Bite” producer Sam Kazenko said he offered to produce the track because he and Vera were co-workers at the School of Rock. Kazenko said his lack of experience in production was the incentive for the rate he charged — zero dollars.
“Bloom is definitely not a professional recording studio kind of band,” Vera said. ”We really like the DIY sense of it all.”
During the academic year, a typical month consists of one to two shows, according to Vera. She said each member usually leaves a gig with $80, a significant increase from their first paid performance where they each made $14.
But shows aren’t about the money they make. Allen said it’s about the tight-knit feel of performances.
“It kind of feels like a big weird hangout with your friends,” Allen said. “You’re all just running around and kicking and screaming and smiling.”
Bloom aims to make punk more femme. (Courtesy of Nasser Rabadi)Shows are a culmination of energy exchanged between performers and fans, often resulting in mosh-pits, Vera said.
Regardless of where Bloom plays, Herbert said their goal is to make the punk scene one where femme people feel welcomed.
Taking inspiration from the “riot grrrl” movement — a feminist movement focused on using punk music to push against gender inequality and the constraints of sexual identity — Herbert said Bloom serves as a platform to speak out against the toxic masculinity in the punk scene.
“We’re really talking about issues that matter,” Herbert said. “It would just be really nice to see a scene that is more dominated by girls than a bunch of dudes.”
For Herbert, it all comes down to more women in punk.
Recent shows have ended with girls approaching Bloom expressing their gratitude for bringing a femme presence to an otherwise male-dominated scene, according to Vera.
“It’s a lot harder to be a femme person in the scene,” Vera said. “It kind of feels like they don’t really take us seriously sometimes.”
Bloom is currently working on new music and their next show Nov. 8 at Ashbury Coffee House. Tickets will be sold at the door.
The post Bloom(ing) into the Punk Scene first appeared on The Loyola Phoenix.
On a cool September morning, Gabrielle Zinkel sits among the bushes in the East Quad. In her hand sits not a book nor a laptop, but a bag of pecans. She makes a clicking call, and a squirrel comes bounding up to her, plucking one of the nuts out of her hand.
Zinkel, a fourth-year psychology major, is one of the several students who feed the squirrels on campus. She said she’s been feeding them since her first-year when she was looking for comfort after her father passed away.
“I was always taking care of him, and after he passed, I just wanted to take care of something again,” Zinkel said. “Caring for the animals was my way of healing myself.”
Having grown up around animals — her dad legally changed their home’s name to “the Zinkel Zoo” — Zinkel said she habitually enjoys feeding animals, including local geese, deer and pigeons.
Gabrielle Zinkel finds comfort with the campus squirrels. (Allison Treanor | The Phoenix)Zinkel now feeds the squirrels semi-regularly, taking breaks to ensure they don’t rely entirely on her for food. Despite her efforts to stay secluded, the hobby does attract attention, Zinkel said.
“A lot of people have come up to me with hate.” Zinkel said. “A lot of people have come to me with love. A lot of people have recorded me with permission and without permission. A lot of double takes.”
In one encounter, someone called Zinkel a “freak” and told her to “go back to the forest.”
“At the time, I was pretty offended by this, but as I’ve gotten older, I’m like, ‘Yeah, whatever. I am a freak. I would love to go to the forest.’” Zinkel said.
The responses aren’t all negative, however. Zinkel said she’s met many people and made friends through the hobby. One connection was with first-year computer science major Mitchell Radzienda, who saw Zinkel feeding the squirrels while on a walk and stopped to join her.
“It was more of just a spontaneous, honestly magical, experience because I’ve always wanted to feed squirrels,” Radzienda said. “They’re just adorable.”
Radzienda said he hasn’t been feeding the squirrels regularly, in the interest of keeping the number of people feeding them low. After Zinkel graduates, Radzienda said he’ll probably start feeding them.
“Getting the chance to finally do something I wanted to do for a while, have a cute little critter you really never get to touch eating out of the palm of my hand,” Radzienda said.
Third-year Lu Duffee said they also regularly feed the squirrels, having been inspired after watching a community member do so their first-year.
Some students find the squirrels’ behavior worrying. (Max Bates | The Phoenix)“It makes me feel so in tune with nature,” Duffee said. “Like a Disney princess moment.”
The squirrels have distinct behaviors and can recognize faces, according to Duffee.
“I recognized one of them from last year, which is crazy because they’re squirrels and they all look the same, but I spent so much time with them,” Duffee said. “One was super social. I named her Cashew because she really likes cashews, and we call her Cash.”
Duffee, an environmental science major, said they’re conscious about the impact of feeding wildlife and consulted with professors on the impacts of their hobby.
Zinkel also makes efforts to curb any potential negative effects. The most common reactions Zinkel said she receives are worries over the squirrels becoming dependent, fear of the squirrels harming her or other students and of the squirrels becoming too trusting of humans.
The U.S. Department of Agriculture discourages the feeding of squirrels and other wildlife. Their list of reasons echo Zinkel’s concerns, such as wildlife becoming accustomed to human interaction as well as issues like public health concerns and negative impacts on the animals’ diet.
“I still want them to have their survival instincts,” Zinkel said. “I don’t want them to get to the point where they’re depending on me, or they’re trusting people too much.”
Some students have had negative interactions with the squirrels, however. First-year advertising and public relations major Sydney Craig described being approached, then followed by a squirrel on the East Quad.
“It was cute for a little bit, but it started coming progressively closer, and it had no fear,” Craig said. “I don’t want to be less than five feet away from a squirrel with that distance progressively getting smaller.”
Craig said she believed students should stop feeding the squirrels to curb this dependence and limit unwanted interactions with the squirrels.
“I don’t want to have another standoff with a squirrel,” Craig said.
Dr. Ray Dybzinski, an ecology professor who’s been at Loyola for nine years, was one of the professors Duffee consulted about their feeding.
Dybzinski acknowledged the potential negatives of feeding squirrels, but said if students are conscious of these dangers and act responsibly, the risk can be outweighed.
“Anything we can do to encourage rewilding of urban landscapes and connections to nature is one of the most important things that we can be doing right now,” Dybzinski said. “People have to love nature before they have the internal motivation to really protect nature.”
Duffee also emphasized the unique joy connecting to squirrels gives them.
“I just feel like it gives me so much joy to be able to hang out on the quad, and those little squirrels will come up to me,” Duffee said. “I feel like that’s just such a unique experience that you’re not really going to get in any other place. I think that other people should be able to experience that too.”
One of Zinkel’s first memories with the squirrels on campus is among her favorites.
“A couple of days after my father passed away, one of the squirrels recognized me by face and crawled all the way up to my shoulder, and he just kinda sat with me.” Zinkel said. “It was such unique timing, and it made me feel really good. I was just like, ‘You know, I’m gonna be ok.’”
The post Loyola Students Get Down to Earth by Feeding Campus Squirrels first appeared on The Loyola Phoenix.
One of the cornerstones of cinema isn’t found near the rolling hills of Hollywood nor the cloudless beaches of Cannes — it’s tucked between the peaks of Colorado’s Rocky Mountains in a tiny town called Telluride.
Since 1974, Telluride has hosted its eponymous film festival every Labor Day weekend — save for 2020 due to pandemic restrictions. During this year’s festival, held between Aug. 30 and Sept. 2, two Loyola professors led a group of fourth-year film and digital media majors to volunteer at the festival, where they brushed shoulders with stars, directors and critics.
Telluride hosts conversations with esteemed filmmakers. (Courtesy of Ava Chandler).Miguel Silveira, an assistant professor in the School of Communication who organized the trip, said the festival offers access to some of the greatest creatives in the world.
“In our industry, you have to be very well trained, you have to be talented, you have to work really hard,” Silveria said. “But none of those things will guarantee you success if you don’t have access.”
Silveira, who said he’s been attending Telluride for 20 years, began planning student trips to the festival in 2022. Six students were selected for the 2023 trip and seven for this year’s. He said the traveling group must be small because of the festival’s exclusivity and cost.
Telluride famously doesn’t disclose its lineup of films until the day before it opens, adding to its secretive reputation, according to the New York Times. While this left attendees in the dark, among the most anticipated films expected to be shown this year were “The Apprentice,” “Saturday Night” and “Anora.”
The festival also doesn’t issue press or photo passes, so there are no media blitzes or red carpets — just filmgoers.
Film and Digital Media Program Director Ayesha Abouelazm, who also organized the trip, said the cost of airfare and transport is roughly $1,000 per person. Abouelazm said she hopes to make the student trip into a long-term program in which students intern for the festival’s organizers.
Director Sean Baker introducing “Anora” at Telluride. (Courtesy of Avan Chandler)Despite the price, Ava Chandler said she plans to attend the festival after she graduates.
“If anyone is willing to pay that amount of money, I think it’s worth every penny,” Chandler said.
Tickets to individual films were $40 and passes to the full festival ranged from $390 to $4,900. Telluride Film Festival declined requests to comment on the cost of attendance.
Chandler volunteered as a cue card operator and floor usher — jobs she said were simple, but helped her understand the importance of teamwork in the industry.
“Production is at its core and collaboration is at its core,” Chandler said. “It’s just one of those unique art forms that you’re constantly learning and brainstorming as it’s happening.”
Telluride Film Festival also includes a student symposium, a discussion between students and creators.
The festival typically brings in 5,000 attendees, according to Britannica. Among this year’s guests were notable actors and filmmakers like Bill Murray, Pharrell Williams and Will Ferrell, as well as public figures like Hillary Clinton.
Silveira said sharing such an intimate space with world-renowned figures shows students examples of the pioneers they can be.
“We have to be leaders, we have to be with the leaders,” Silveira said.
In addition to the student symposium, Abouelazm said, attendees can interact with stars and directors through Q&As.
A conversation with director and cast for “The Piano Lesson.” (Courtesy of Ava Chandler)“They’re learning from people who are actually in the industry,” Abouelazm said. “They get to see them and ask questions, but they also get to say, ‘Hey, we can dream big. That can be me.’”
Justin Turner volunteered as a floor usher and saw actors like Angelina Jolie and Selena Gomez watching the very films they’d starred in. Turner said Telluride was especially interesting because it was his first experience with film festivals.
“In this era where movie theaters and going to the movies can be kind of a dying thing, it’s important to have film festivals where people who love movies want to just come to the theater,” Turner said.
Turner said he noticed a common theme of politics among the films shown, including “Emilia Pérez,” about a transgender drug cartel leader, “Nickel Boys,” about racism at a reform school and “The Piano Lesson,” an August Wilson play adaptation about a Black family’s disagreement on their legacy. Another noteworthy showing was “Piece by Piece,” a story about musician Pharrell Williams told through Lego bricks.
“I’m big on Black representation in film and media,” Turner said. “To see Pharrell’s movie about a very successful Black music artist, and ‘The Piano Lesson’ with these deep, rich Black ancestry stories — it’s important to me.”
Volunteer opportunities at Telluride weren’t limited to theater operations. George Gustafson worked as a bartender and served brunch to festival sponsors.
Telluride is a mountain village 8,750 feet above sea level.“Logistically speaking, it’s a stupid place to have a film festival,” Gustafson said. “It’s in the middle of nowhere, it’s seven hours away from Denver, and so because of that, you’ve got to really want it to be there.”
But Telluride, Gustafson said, benefits from its reclusive nature because other attendees know everyone is just as equally passionate about film as they are.
“People are constantly telling stories,” Gustafson said. “It’s fun to see stories told in that professional, high-caliber level.”
That expertise is key to Telluride’s draw, Silveira said.
“The greatest examples of film are not just necessarily a piece of art,” Silveira said. “They are society movers — they are avatars that contain our thoughts, our feelings, our ideas, our desires, our change.”
Applications for next year’s trip will open around May 2025, according to Silveira.
Next year’s Telluride Film Festival will take place from Aug. 29 to Sept. 2. The festival has yet to announce when tickets will go on sale.
Editor’s Note: Arts Editor Brendan Parr was one of the fourth-years who went on the trip.
The post Students Work Behind the Silver Screen at Telluride Film Festival first appeared on The Loyola Phoenix.
Since its debut at Pike’s Place Market in 1971, coffee’s infamous forest-green, two-tailed siren has cropped up so pervasively across the country it has fostered its own cliché — there’s a Starbucks on every corner.
Despite this saying’s seeming hyperbole, Chicago’s 164 Starbucks locations make it almost despairingly true. Even our own corner of Chicago is vulnerable to the frappuccino apocalypse, as a new Starbucks is slated to open closer campus this fall, replacing the current location at 6738 North Sheridan Rd., the Phoenix reported.
There are already 20 Starbucks locations in Rogers Park and Edgewater, not including the Starbucks-adjacent cafes on campus which boast they “proudly serve Starbucks coffee.” Moreover, this not-so-new Starbucks will still be situated on North Sheridan Road — nestled even closer to the two other stores already operating within the half mile stretch of street.
Candidly, this is an atrocity. Chicago is a place made by and for the hallowed halls of homy local coffee shops, offering unique brews and playful pastries that — quite literally — help create the second city’s local flavor.
Rogers Park, a neighborhood flush with vibrant local businesses, is wrought with local coffee shops undoubtedly already under fire due to the Starbucks invasion. While these neighborhood nooks may not offer the same range of drinks or menu consistency as their corporate competitors, they champion exactly what Starbucks cannot — singularity.
The quaint, quiche-loving Common Cup on West Morse Avenue sells hand-made ceramics along with delectable coffee and pastries, making it the perfect place to daydream about your expanding mug collection while watching through the windows at those passing by.
National park themed Rivers and Roads Cafe on West Devon Avenue is a granola-girl heaven, evoking the comfort of a warm camp-fire with their seasonal drink specials, gooey chocolate chip cookies and dog-friendly atmosphere.
On West Granville Avenue sits one of Chicagoland’s fun-loving, family-owned Metropolis Coffee Company locations, which partners with local organizations, artists and bakeries, engulfing customers in anything and everything local despite the company’s city-wide scope.
In addition to these Loyola-student staples, recently-opened Loaves and Witches on North Broadway has brought a deliciously mystical yet heart-warming vibe to the neighborhood, as candles and tarot decks juxtapose bright-colored couches and the smell of fresh focaccia just out of the oven.
People in the community — especially students — love these coffee shops not only because of their abundant seating and free Wi-Fi, but also because of their distinct local feel. The fact that these four seeming-competitors can not only co-exist, but thrive off of their mutual existence is because they each bring something unique.
Starbucks has nothing on these locally owned and grown staples. Frankly, their success is one derived from convenience over class. Even local baristas have expressed ire about the over-saturation of Starbucks locations on North Broadway and North Sheridan alone, the Phoenix reported.
It’s frustrating to learn prime real-estate in such an economically diverse and pridefully communal neighborhood is being handed over to an already present, nation-wide monopoly.
Even more frustrating is the building holding this new Starbucks is owned by Loyola, making this instance another of seemingly endless university initiatives which detract from the community in the name of convenient commercialism.
There’s no reason to have three Starbucks’ within a half-mile of one another — especially with trends of corporations muscling out small businesses and the contemporaneous existence of popular local spots nearby.
This space could and should be used for something which simultaneously lifts up the neighborhood and fills in its commercial gaps. The new Starbucks will do neither of those things — something it’s important to remember whenever the siren song of late-stage capitalism and the intoxicating smell of a Pike’s Place Roast beacon us away from the mom-and-pop shop across the street.
The post Steer Clear of Starbucks’ Siren Song first appeared on The Loyola Phoenix.
A pivotal presidential election is just around the corner. With the stakes so high and time running so short, it’s surprising the two candidates aren’t focused on their policies, but have rather dedicated their campaigns to getting as much influencer support as possible, in hopes of winning this seeming popularity contest.
Each candidate has been trying to rally as much support as humanly possible from some of the world’s biggest stars.
Following the Sept. 10 presidential debate, Taylor Swift endorsed Democratic nominee Kamala Harris through a post on her Instagram account. Just 24 hours after Swift’s public declaration, her post drove an estimated 400,000 people to vote.gov — a site where citizens can register to vote according to CBS News.
Republican nominee Donald Trump and his campaign team are attempting to attract Gen-Z male voters through speeches by influencers like Bryce Hall and the NELK Boys at his rallies.
Celebrities and influencers indeed do have massive followings on their platforms and can be influential at times. Despite this undoubted influence, we shouldn’t let these stars affect our political opinions.
The golden rule, that’s been repeated and passed down through generations, is never speak about politics, religion and money while in good company, as the subjects kill the mood and are known to breed conflict. However, this notion seems to get shoved aside whenever someone asks for a celebrity’s political views.
Granted, it’s likely comforting to have similar views to such admired and favored celebrities. However, when the star has an opposing view from their fans, catastrophe ensues. The star can be canceled, lose millions of followers or get attacked with negative comments labeling them something they’re not.
Selena Gomez and her company Rare Beauty took a neutral stance on the war in Gaza, stating in a post shared on the company’s Instagram account, “We need to protect ALL people.” The post received immense backlash with fans and followers criticizing the company’s stance and many threatening to boycott the makeup line.
The vast consequences these celebrities and influencers face if they don’t align with their fans’ beliefs make it understandable for stars to not speak out on certain issues. After all, most of these household names have earned platforms because of their talent. Fans should focus on this, not their political beliefs or humanitarian efforts.
When speaking with friends, family or colleagues, it’s uncommon to pressure people into expressing their thoughts on an issue they don’t want to discuss, or pressure them into raising awareness on a topic they don’t know enough about. So why don’t celebrities and influencers get the same respect as everyone else? They’re people, not some toy fans can mold into whatever they please.
Nevertheless, public figures raising awareness on social media platforms is a good act that can benefit people, as it can bring attention to topics most people may be unfamiliar with or raise money for certain causes. While this may cause change at the constituent level, it rarely fosters legislative innovation, as lawmakers and political figures don’t typically act based on what these stars have to say.
TikTok influencers with millions of followers have posted thousands of videos just this year in response to Congress and President Joe Biden approving a bill with aims of banning the app. The videos listed reasons explaining why the app shouldn’t be banned, many concerned with losing not only their job, but the platforms’ sense of community.
It has been months since this outpouring from creators and, to no one’s surprise, the app is still at risk of being banned despite current candidates using it for their campaigns. Despite multiple influencers coming together in hopes of saving the app, these efforts seem to have held little to no sway.
Legislators’ opinions aren’t being changed by what a certain public figure has to say, but are benefiting from unwarranted celebrity opinions.
While freedom of expression is a fundamental right in America, forcing famous people into a particular opinion or forming one based on what they say is unjust and foolish, even if they seem larger than life.
With the election just weeks away, to base your vote for who should lead our country solely on the thoughts and opinions of an influencer or celebrity will ensure this election is determined by perforative popularity rather than substantive policy proposals.
The post Influencer politics and why we shouldn’t care first appeared on The Loyola Phoenix.
I want to be excited when an artist I love is releasing an album.
An artist I’ve long admired and cherished — Sophie — released an album Sept. 27. I consider any chance to hear Sophie’s music a once in a lifetime blessing. I’ll never get enough of her sound. I should be thrilled.
Instead, I met the announcement of Sophie’s new album with dread — because Sophie died three years ago.
No matter the quality of the album, knowing Sophie did not, and cannot, consent to its release sits like a rock in my stomach.
Despite this, Sophie’s new release seems, so far, to be a best-case-scenario in the way of posthumous albums. It’s being handled by her siblings, who have worked with her musically and beyond for years.
“I thought, really, it comes down to, would she want this album to come out or would she not? And she definitely would,” Benny Long, her brother, told The New York Times.
But Long’s statement can only be believed to a certain extent. As a producer and spearhead of this new release, he’ll be one of the first to profit from it. We have to take his words at face value, but have limited reasons to.
And many historical reasons not to.
One of the most heinous posthumous careers in recent memory is rapper Jahseh Onfroy, also known as XXXTentacion.
Onfroy was murdered in 2018 at only 20-years-old. At the time he’d released just two albums, but had a committed following.
Since his death, two additional critically unsuccessful albums, which now comprise more than half his discography, have been released, as well as two documentaries, “Look at Me” and “In His Own Words,” and as a clothing line.
All but one of his Instagram posts have been deleted, and ads were posted to his story. Unreleased songs were sold as NFTs. His merch shop is still updated. At this point, nearly the majority of his career has taken place after his death.
All of this, of course, is happening without Onfroy’s consent. His unfinished work and image are being used for profit under a flimsy veil of charity and consoling grieving fans, who are unfortunately literally and figuratively buying in.
One of the more morally disturbing of Onfroy’s posthumous releases was a collaboration with another deceased artist, Gustav Åhr, who went by Lil Peep.
The song, “Falling Down,” was initially pitched as a touching tribute to two young artists gone before their time, and was received as such — for the most part.
After the song was released, controversy began to arise. Not only had the musicians never actually met, fans and friends of Åhr began pointing out his discordant opinions on Onfroy. The artist, among other controversies, had been recorded bragging about nearly beating a gay cellmate to death in juvenile detention. Many found this troubling, as Åhr himself had come out as bisexual.
Benjamin Friars-Funkhouser, who goes by the artist name fish narc, is a member of GothBoiClique, a group of like-minded rappers Åhr belonged to. Friars-Funkhouser denounced the collaboration in an Instagram post.
“This shit is people trying to make money off him,” Friars-Funkhouser said. “He never would have signed up for that, he did not like XXXTentacion.”
These posthumous releases only continue to come out because they’re successful. The commercial success of posthumous releases have been found to not only return pre-death sales levels, but surpass them even several years after the death shock, according to a 2019 University of Texas at San Antonio study.
Even if a posthumous release seems purely driven by artistry and love like Sophie’s, there’s no way to absolutely know if it is, or if the artist would approve. When those releases achieve high financial returns, more posthumous releases are encouraged, and then there’s dead artists with two albums, two documentaries, NFTs, a clothing line and a song with someone who hates them.
Posthumous releases are a slippery slope. Legally, there’s nothing stopping labels and estate owners from profiting prolifically off dead artists. It’s up to us, as fans, to not participate in any posthumous release, no matter how desired, to maintain artists’ legacy and integrity.
I would do anything for a new Sophie album. I won’t listen to this one.
The post Put Posthumous Albums in the Grave first appeared on The Loyola Phoenix.
Three years after her tragic death, electronic artist SOPHIE released a final goodbye to fans.
A concoction of sugary chords and dark synth characterizes SOPHIE’s self-titled final album, released posthumously Sept. 25.
Musician and producer Sophie Xeon, known mononymously as SOPHIE, pioneered the hyperpop genre through the use of heavily processed sounds and distorted vocal manipulation. Metallic clinks and industrial whirring work as an auditory signature. Following the artist’s untimely death in 2021, a hole was left in the music industry.
SOPHIE’s brother, producer Benny Long, announced in June a selection of the musician’s unreleased work would be curated into a final album, along with vocals from friends and collaborators. The album is divided into four distinct segments with a relatively streamlined sound.
A desolate soundscape of howling echoes and ambient white noise forges an uncanny start to the album’s first segment in “Intro (The Full Horror).”
“RAWWWWWW” fits in awkwardly between two tracks brimming with eccentric noise. Featuring R&B artist Jozzy, the track puts a spin on the standard hip-hop instrumental by implementing sonorous bass and echoing vocals.
“Plunging Asymptote” features artist Juliana Huxtable, who repeats the titular phrase over droning synth and jarring snare, fusing with mechanical spurs of noise. The song was originally released on Trip Records’ compilation album “Locus Error” in 2018 under the artist name “Analemma,” a duo composed of SOPHIE and Huxtable.
An infatuation with futurism had a notable influence on SOPHIE’s work, with “The Dome’s Protection” being a final nod to the artist’s appreciation of the times ahead. Atmospheric ambience flows together with time-warping spoken-word from DJ Nina Kraviz.
“The world to know is vanished from your hand / Human consciousness flows like a stream / Consciousness is a very rare and precious thing,” Kraviz says.
“Reason Why” marks the beginning of the album’s second segment. A spacey dance-pop instrumental accompanies pitched-up vocals by pop singer Kim Petras and R&B duo BC Kingdom.
“In your mind, in your eye / Take a little look inside / What’s your life, in your eyes / And I know the reason why,” Petras sings.
“Live In My Truth” and “Why Lies” both feature BC Kingdom and electro-pop artist LIZ, following a similar formula to the previous track. High pitched vocals accentuate glossy, effervescent hyperpop instrumentals, blending into a cohesive sound familiar to SOPHIE.
Dizzying echoes and candy-coated clicks highlight the album’s experimental production on “Do You Wanna Be Alive,” featuring performance artist Signe Pierce under the name BIG SISTER. The lyrics bleed together with robotic squeaks in a gratifying entanglement of ultramodern bliss.
“Product fucking vortex of my deviant mythology / An executive export of my translucent infinity,” Pierce sings.
“Elegance” is a slow-burn instrumental culminating in vigorous waves that erupt into a distorted climax — in the last minute a slower, exuberant sound peeks through, shedding the song’s overstimulating characteristics.
“Berlin Nightmare” uses electronic sounds similar to “Elegance” with added rubbery textures and muted squeaks. The track features SOPHIE’s former partner, Evita Manji.
“Gallop,” also featuring Manji, includes cartoony clicks over an electronic orchestration of motorized clamor.
Glitching, muffled, trance-inducing music sounds as if it’s echoing through a vacant building on “One More Time.” The song reaches its peak two minutes in, before a mechanical voice bellows the titular words repeatedly. The track mutates into an eerie electronic beat before consummating in a sullen spiral of degraded chords.
“Exhilarate” describes having a strong sense of perseverance to the point of losing control. The track features R&B artist and frequent collaborator Bibi Bourelly. Industrial sounds and hand drums compliment Bourelly’s vibrant vocals.
“I be goin’ way too fast for myself, I / Got my foot on the gas, got my foot on the gas / And I won’t stop for no one, I won’t stop for no one else,” Bourelly sings.
“Always and Forever” features hyperpop artist Hannah Diamond, SOPHIE’s close friend and early collaborator. the song was written by the pair about their friendship according to an Instagram post by Diamond. The instrumental is more subdued, but still contains synthesized textures akin to popping bubbles.
“For always and forever / Forever and for always we’ll be shining together / And as the years go by you’ll still be by my side,” Diamond sings.
On “My Forever,” electro-pop musician Cecile Believe, a longtime collaborator of SOPHIE, illustrates an unbreakable relationship. Airy synths float around Believe’s velvety vocals, creating a cosmic echo chamber.
“I can almost feel you again next to me, beautiful / How I long to be forever,” Believe sings.
“Love Me Off Earth” is SOPHIE’s final love letter to the world. An inconstant instrumentation teleports from different genres while vocals by techno artist Doss comment on defying the laws of time. Dance-pop fluxes to transient rhythms floating somewhere in space, ending in a texture-heavy soirée of glitching noise.
“SOPHIE” is full of love. Sounds SOPHIE’s career are present and everlasting. Carefully curated to preserve SOPHIE’s legacy, the album succeeds in telling the artist’s story, and ultimately finishing it.
Listen to “SOPHIE” on all major streaming platforms.
The post SOPHIE Transcends Death on Posthumous Album first appeared on The Loyola Phoenix.
PRO:
Despite all the bizarre people I’ve met and outlandish experiences I’ve had on public transit, I would rather ride the train than pay for a rideshare service. In fact, the eccentric humanity of public transit makes me love it even more.
I’m proud to live in Chicago, especially because of its extensive public transit system. Chicago is one of only three cities in the world with 24/7 train service every day of the year — the others are New York and Copenhagen, according to CNN.
If I took a car to Loyola’s Water Tower Campus, I wouldn’t see the crowds gathered in the shadow of Wrigley Field. I wouldn’t hear old friends catching up across from my seat. I wouldn’t smell the fresh flowers clutched tight by the stranger next to me and I wouldn’t get to dream up a story about who the bouquet is for. Public transit is a daily reminder of our capacity for compassion.
One of the most memorable characters I’ve met on the ‘L’ is a man who skateboards in between train cars with a cardboard box in hand containing a collection of little stones, Japanese candies and a jade turtle figurine. Whenever I see him, I give him whatever change I have and he gives me an assortment of knickknacks.
I know my experience isn’t representative of everyone. Women, especially women of color, are more likely to experience harassment on public transit, according to The Equation. But that shouldn’t mean abandoning the system altogether — rather, we should fight to ensure equitable treatment for every rider.
Violent crime on the Chicago Transit Authority declined in 2023, according to the Chicago Tribune. The Red Line specifically gets a bad rap, but this reputation is rooted in racism, since it extends from the majority-Black neighborhood along Howard Street all the way to the historically Black and Hispanic South Side.
But the Red Line also has the most daily passengers out of every line, according to the CTA. The city plans to expand its stretch to reach more of the South Side, which is one of the least accessible areas of Chicago, according to Transportation Research.
I’m especially thankful for the U-Pass program, which includes CTA passes in students’ tuition. Young adults already have to account for rent, groceries and tuition, so one less financial burden makes life easier.
The joys of public transport more than make up for an occasional oddball or time delay. I’ll keep my U-Pass tucked in my wallet as long as I can, and I hope others do too.
CON:
With public transportation often being the main way of getting around in Chicago, the abundance of options the city offers can feel hard to explore.
Chicago is often referred to as a walkable city, but this doesn’t mean people enjoy covering its entirety on foot. With cars being costly and inconvenient, many residents rely on public transportation to get where they need to go.
The Chicago Transit Authority is one of the largest public transportation systems in the nation. About 1.7 million rides are taken on the CTA every week, spreading through the suburbs with service on some lines extending 24 hours a day, according to the City of Chicago.
Still, the popularity of the CTA doesn’t mean it creates satisfied riders. Train and bus delays are common and can leave riders stranded or stuck on a platform for over 30 minutes, according to Block Club Chicago. What’s meant to be a simple ride home after a long shift can turn into a long interval at a lonely bus stop.
Relying on the CTA to get around limits the freedom this city is supposed to offer. Commuters are bound by the timetables of the train and bus, unable to control their own schedules.
Even worse, the public trains and buses often come with risks. Instead of filling with commuters on their way to work, the CTA can involve people drinking, smoking or harassing others. 45% of CTA users reported feeling unsafe riding trains and buses, according to Chicago Magazine.
The convenience of public transportation fades in importance when it comes with disruption. Someone lucky enough to catch a timely train will sometimes spend their trip stuck in a humid box full of thick cigarette smoke.
Driving a car seems like the easiest solution to this issue, but the constant traffic can disrupt someone’s timing even more than the CTA. Chicago has the second worst traffic in America and the fifth worst in the world, according to the 2023 Inrix Global Traffic Scorecard. A distance that would take 10 minutes to traverse in another city can take closer to an hour in Chicago.
Chicago holds a far larger amount of carless households than the rest of America, due to its walkability and arguably the inconvenience of driving. In 2020, it was estimated about 8.5% of households in the U.S. don’t own a car, compared to 26.8% in Chicago, according to the Chicago Tribune.
Those who do own a car not only have to suffer painful stretches of congestion, but also endure the never-ending struggle of finding a place to park. Metered spaces are hard to come by and signs often render open spots unavailable. More than 100,000 vehicles are towed each year by the city, according to Your Chicago Guide.
Chicago, the third largest city in America, is lovable for many reasons. Simply put, its transportation just isn’t one of them.
The post Chicago Public Transit: A Lifesaver or Limitation? first appeared on The Loyola Phoenix.
Rock band Xiu Xiu’s new album — “13’’ Frank Beltrame Italian Stiletto with Bison Horn Grips”— cuts deep. Experimenting with new sounds and beats, Xiu Xiu made an album accessible to new listeners and impactful for longtime audiences.
Despite its unconventional title, “13’’ Frank Beltrame Italian Stiletto with Bison Horn Grips” is a musical candy salad, with something sweet and sour for everyone, catering to a wide range of listeners with its eclectic mix of sounds from different musical genres.
The first track, “Arp Omni,” starts the album with an overwhelming amount of synth and no percussion. The jagged synth lines flow unpredictably, layering distorted tones and droning textures with some moments having very low musical noise and others where the music is very loud.
Without any percussion to anchor it, “Arp Omni” feels disorienting and off-balance, as if the song is adrift in a sea of electronic sound. Though the track’s synth-driven nature contrasts with the more dynamic, rhythmic lyrical pieces that follow, it hints at the album’s experimental edge and its willingness to embrace sound discomfort.
“Arp Omni” explores the theme of personal liberation, capturing the sensation of overcoming a long-standing obstacle with a lover. The track’s tension-filled synth layers mirror the emotional weight of the heartbreaking journey.
“I have done almost nothing right my entire adult life / But having dared to touch the fire with you/ Breaks the chains of my being nothing,.” Jamie Stewart sings.
There’s a confessional note hidden deep within the lyrics, highlighting the break from conformity and urging the audience to do something different even if it’s scary.
The second track, “Maestro One Chord,” maximalizes percussion, incorporating various drum kits and vocalizations used as percussive backing. Edgy beat sounds and whispered lines add to the ominous aura.
Debris flies in the background as a wake-up call to the audience to steer away from conformity and embrace self-identity even if it seems unacceptable.
One of the heavily lyrical pieces is “Common Loon.” Compared to Xiu Xiu’s rock, grunge and electric-focused beats, “Common Loon” offers a positive lyrical commentary about queerness.
The track exposes a fluid state of gender and sexuality, celebrating the beauty of being queer. This definition of queerness is playful and fun, with lyrics conveying a sense of acceptance and freedom in self-identification.
“I am someone else / They are a freak / And cool,” Stewart sings. “A beautiful B.O.I / Vaseline / To be polite.”
“Common Loon” delivers a nuanced exploration of identity, adding a layer of sweetness and depth to the track.
The following three tracks share similar melodies with the harmony gradually getting darker. With “Pale Flower,” Xiu Xiu showcases a chaotic distortion of preserving beauty in reality.
“Veneficium” includes industrial beats and haunting vocals whice showcases love from a manipulative perspective. Ending the story about beauty and love, “Sleep Blvd.” offers a glimpse of dreamlike escape with its delicate synth.
Switching sharply from sweet and delicate, “T.D.F.T.W” gives off a completely different vibe — goth disco laced with images of death and loving a person till the end. The acronym stands for “The Devil Forgiven That’s Why,” and it’s repeated multiple times throughout the song.
Just like “Common Loon,” the directive behind the acronym is to find a deeper acceptance of self. Unlike “Common Loon,” “T.D.F.T.W” is about accepting inner demons and loving the dark moments.
“There’s only one person / Whose name can be called / At the moment of death / And for me that name is yours.” Steward and Angela Seo sing.
Exhibiting an immaculate lyrical exquisiteness, Xiu Xiu sings about celebration, forgiveness and the hidden wonder surrounding love.
The first track and the last track illustrate the album’s dissonance. With the first track being synth with few lyrics representing the romantic wonder of starting new, the last track “Pina, Coconut & Cherry” is loud with emotional madness and heavy electric beats laced with desperation.
“I never thought I could love this hard for this long / It makes me insane / You can’t refuse love like this / It’s criminal / You must love me, love me, love me,” Stewart sings.
The album tells a story and the intermediate tracks tie together to bring the audience back to the final romance story.
Xiu Xiu’s album feels unresolved since it doesn’t give a hint of finality. The narrative remains unfinished with “Pina, Coconut & Cherry” — much like how “Common Loop” abruptly ends without fully defining queerness and happiness.
Yet it is the rejection of finality and conclusion which completes the album. The absurdity and unexpected shifts between each song highlight the album’s main idea — to try new things and be okay with feeling lost.
“13’’ Frank Beltrame Italian Stiletto with Bison Horn Grips” is an album that appeals to a diverse range of music lovers — rock, pop and lyrical — delivering a powerful, circular message about finding meaning in being lost.
Listen to “13’’ Frank Beltrame Italian Stiletto with Bison Horn Grips” on all major streaming platforms.
The post Dissonance and Delight: Xiu Xiu Creates a Musical Journey with Their New Album first appeared on The Loyola Phoenix.
To bless or not to bless? That is the question — especially in the advent of what is likely to be a sneeze-filled flu season.
As droning lectures will soon be punctuated by “achoos,” it’s time to reexamine the chorus of “bless you’s” which compulsively follow. Outdated and unnecessary, the expression should exit the popular lexicon.
Why do people feel the need to say it in the first place?
From the ancient Stoic belief the soul is a breath or moving air held within the body which can be expelled through the nose, to Zulu explanations of sneezing as the entry of a guiding spirit into the body, sneezing’s history as a spiritual phenomenon is vast.
Cross-cultural perceptions of nostrils as gateways to the soul and highways for evil spirits led to a common call for divine intervention. “Bless you” is the lasting iteration in American culture.
Despite a contemporary myth attributing the phrase’s genesis to an incorrect notion the heart stops beating mid-sneeze, general consensus maintains “God bless you” originated in Rome around 590 C.E. as a bubonic plague era blessing. Viewing sneezes as sure signs of infection, Pope Gregory I instructed Christians to call for divine protection of the imminently dead.
While modern science negates these ancient beliefs about sneezing and the influence of religion on American life weakens, antiquated outlooks live on in well-conditioned social norms. I often wonder if, by saying “bless you,” I’m perpetuating religious ideas I don’t believe in and am unsure the sneezer subscribes to.
I — like most others, I assume — couldn’t tell you the last time I stifled a sneeze in fear of the devil inhibiting my body. Today’s “bless you’s” don’t seem to reflect genuine intention to grant wellness, either.
The omission of the word “God” before “bless you” slightly removes the expression from its nonsecular origins, but religious connotations remain. The benediction seems out of place in an increasingly secular national culture.
So why can’t we just stop saying it?
It isn’t easy to override lifelong social conditioning. Noncompliance with polite protocol can make foregoing “bless you” feel on par with not holding the door for someone behind you or yelling at a waiter. But if the sustaining force of a courtesy is social pressure rather than thoughtful intention, the norm is clearly outdated.
Still, understandings of the phrase’s propriety today are murky. What results is an odd limbo of hushed under-breath utterances and an increasing count of sneezes unblessed.
Its absence can certainly be awkward. When someone else’s sneeze gets more “bless you’s” than mine, what’s likely just collective uncertainty of how often to say it can feel like a personal slight.
As “bless you” usage dwindles, the discomfort of post-sneeze silences will subside. Eventually sneezes could, like coughs, be regarded as bodily reactions that don’t really need addressing.
There’s no reason to keep the spotlight on a sneeze. Ensemble “bless you’s” can be disruptive, as lingering benedictions cut into flows of conservation and draw unnecessary attention to snotty expulsions.
If shaking the knee-jerk reaction proves too difficult, there are alternative sneeze responses that ring sincere. “Gesundheit,” the German word for health, is a common “bless you” replacement with deliberate intent to wish well on a sneezer.
Some Spanish speakers say “salud,” or “health,” after one sneeze, “dinero,” or “money,” after a second and “amor,” or “love,” after the third. If every “bless you” was a call for the showering of health, riches and affection upon someone, it might actually be significant enough to keep relevant.
While it’s comforting to know some pittance of collective goodwill still exists in the U.S., kindness amongst communities should be channeled into intentional action — not archaic phrases.
The post It’s time to bid ‘bless you’ adieu first appeared on The Loyola Phoenix.
I know someone who thinks the world is going to end. So he prays a rosary every day, in hopes it saves him from eternal damnation. A repetitive ten “Hail Marys” followed by an “Our Father” five times.
To devout Catholics, the rosary is prayed with a Mystery separating each decade. The four Mysteries of the Rosary include Joyful, Sorrowful, Glorious and Luminous, each prayed on a specific day and sometimes overruling others during specific times of the Liturgical year.
In the Joyful Mysteries, the Visitation of Mary to Elizabeth allows connection to the virtue of love, and the exchange of joy with a family member, friend or a passerby. Where the Sorrowful Mysteries like The Crowning with Thorns serves as a reminder to have courage, even in the most brutal of times.
Using the rosary as a sole form of repentance, like the person who prays due to fear of being stuck at Heaven’s gates, doesn’t signify redemption. Each Mystery offers guidance, provoking the supplicant into action. This is where faith and social justice coalesce — the prompt begging for a response.
Prayer provokes action. Being Catholic includes a person’s commitment to justice, showcased by the Society of Jesus, also known as the Jesuit Order, which encourage Loyola’s guiding principles.
As an order known to champion a distinctly devout “call-to-action,” the Jesuits frequently stress the import of activism in concert with prayer. Pedro Arrupe, S.J., the 28th superior general of the Jesuits, is a prominent figure in the Jesuit order who preached about the synthesization of Catholicism and social justice.
“Be and form men and women for others,” Fr. Arrupe said in an address to Jesuit high school alumni, according to The Ignatian Solidarity Network.
Fr. Arrupe is the namesake of my own high school, Arrupe Jesuit, where I first heard this phrase. Since, it has been an additional guide to the Mysteries, synthesizing action and devotion.
Engagement with the community was a requirement in our classes, but it only began in the classroom. These obligations fostered within students a commitment to social justice — prompting many to seek additional service opportunities.
Every first Friday and the second Tuesday of the month were dedicated to volunteering at a soup kitchen. Before the van left the school, we’d say a prayer that reminded me of the third Joyful Mystery — The Nativity, which allowed contemplations of poverty, and acknowledging socioeconomic disparities.
Freshman year, my best friend Makayla and I would be responsible for slicing bread, while the upperclassmen finished preparing the meal for the night. There was something about the simplicity that struck me. Not only was I able to share time with my friend, I was also fulfilling the promise I’d made growing up — following the second of Jesus’ two commandments.
“Jesus said, ‘Thou shalt love thy neighbor as thyself.’ On these two commandments hang all the law and the prophets,” Matthew 22:36-40 reads.
Jesus simplifies Moses’ Ten Commandments into two simple, easy to live by commandments. So, while beliefs vary by denomination and religion, action should be at the forefront of a devout Christian’s mind.
Where there is faith, there is social justice.
The post Catholicism Requires Action, Not Just Devotion first appeared on The Loyola Phoenix.
As the golden leaves drift lazily through the crisp Chicago air, students embrace autumn with open arms. The season brings its scents of coffee, snuggly clothes and — most importantly — books.
At Loyola, the fall season was welcomed with a week dedicated to books that have been banned.
From Sept. 23 – Sept. 26, Loyola Libraries hosted a series of events celebrating Banned Books Week. Among the activities was a bookmark-making session and a “blind date with a banned book,” inviting students and faculty to engage with banned literature.
Students were encouraged to pick a book off the shelf, wrapped to conceal its identity, and read it to gain insight as to why it was banned. Some of the books that were concealed included “Lawn Boy” by Jonathan Evison, “Adventures of Huckleberry Finn: American Comic Vision” by David E.E. Sloane and “Of Mice and Men” by John Steinbeck.
Research and Learning Librarians Tori Golden and Easton Brundhae said the library’s events aimed to shed light on why banned books should be read.
“We’re seeing more banned books, so it’s becoming increasingly important to raise awareness,” Golden said.
Brundhae said banning classic literature also reflects ever-changing cultural values.
“Looking at the reasons behind book bannings allows us to see how our society is progressing or regressing,” Easton said. “Since the majority of books being banned had originally been taught in schools, professors assume that the students have read said books when, in fact, students couldn’t because there was a gap in the curriculum.”
He also urged students and faculty to take action by participating in local school board meetings and advocating for uncensored access to knowledge.
“These problems don’t just exist in a vacuum,” Easton said. “Sometimes when students are on campus, they think they’re in a bubble and they can forget how these topics extend to the community. Even simply picking a blind date book from our shelves can make a small change.”
As a private university, Loyola doesn’t face the same restraints when providing literature to students as public institutions do. Since private universities don’t generally receive federal funding or state support, Loyola has free reign in its literary decision-making. The books purchased for the library and implemented in the curriculum are unrestricted, according to Emma Heet, associate dean of Collection and Administrative Services.
In 2023, Governor Pritzker signed House Bill 2789 enacting the Library System Act, designed to protect libraries from restrictions to book collections. The bill made Illinois the first state to outlaw book bans, according to the Illinois General Assembly.
Banned Books Week honors literature banned from public schools. (Kayla Tanada | The Phoenix)“We’re lucky because no one can tell us what to buy or not buy, so we simply buy everything to cater to everyone,” Heet said.
Loyola Libraries also aim to help students access a wide variety of literature through their collections and events, according to Golden.
“We have a great collection for students in the education and English programs,” Golden said. “At our bookmark-making event, we have sheets of paper about the books that are currently getting banned and how students can access them via our database.”
Book bans stifle the development and understanding of literature, fourth-year mathematics major Francesco Costanzo said.
“Banning books takes away safe, thought-out perspectives that have been thoroughly edited and revised,” Costanzo said.
Roughly half of books banned covered topics about the lived experiences of people of color or members of the LGBTQ+ community, according to data from the American Library Association.
Sawsan Abbadi, director of the Arabic Language and Culture minor, said the banning of books deprives students of the opportunity for critical analysis.
“How can we respond to misinformation if we don’t know what’s being said?” Abbadi said.
Banning books limits students’s opportunities to develop awareness and advocacy skills, according to Abbadi
In many cases, the reasons given for banning books include when the books cover themes or instances of violence, detailed sexual experiences, descriptions of sexual assault or discussion about race, according to Pen America, a free speech advocacy organization.
Book bans can also close off readers to stories about other cultures, Abbadi explained.
“If I want to be an advocate, I need to know what I’m advocating for,” Abbadi said. “Banning books continues to divide the East and West, and that’s a problem.”
Natalie Bremer, a first-year psychology major, listed several banned books she’s read, such as “The Giver,” “Of Mice and Men” and “The House on Mango Street.”
“It’s harder to be engaged with a topic if you can’t choose what to read,” Bremer said. “These books present important issues and should be read, discussed and understood to better grasp the world around us.”
Hale Carlsen, a fourth-year social work major, said reading books from different perspectives is an important facet of literature.
“It’s important for people from marginalized groups to have their voices heard and banning books silences those voices,” Carlsen said.
They also mentioned how restricting access to texts on critical race theory and other topics reinforces the status quo.
“It doesn’t leave room for identities that deviate from the norm,” Carlsen said
Golden and Easton encouraged students to engage with Loyola’s Banned Books Week annual events. They operate as a reminder of how censorship affects everyone, not solely within classroom settings, according to Easton.
Students can get involved with banned books by checking out the blind date with a book display on the first floor of Cudahy Library. Students can also check out the print-outs provided by the Information Commons to learn about what banned books are available at Loyola, why they were banned and how to check them out.
The post Turning Pages: Loyola Honors Banned Books first appeared on The Loyola Phoenix.
Content Warning: This article includes mentions of sexual assault and death.
The Netflix documentary “Mr. McMahon” details the damning rise and fall of disgraced former World Wrestling Entertainment chairman Vince McMahon.
Amidst rumors McMahon attempted to prevent Netflix from releasing the series, his reasoning becomes understandable given the unflattering light the series sheds on the media mogul’s life.
The six-episode limited series covers the many scandals McMahon and his company, the WWE, have faced since McMahon purchased the company from his father in 1982. The miniseries tackles allegations of doping, sexual assault and murder-suicide that occurred within the WWE under McMahon’s stewardship.
The documentary searches for McMahon’s true self beyond his public persona. The producers practically hand McMahon a shovel to dig his own grave, given his outward, abrasive persona.
WWE Executive Bruce Prichard in the final episode of the series, “The Finish,” said, that after watching the first few episodes of the documentary, it comes across as a “gotcha piece” against McMahon.
Despite staying silent for years, McMahon addressed each incident throughout the series.
“Based on an early partial cut I’ve seen, this doc falls short and takes the predictable path of conflating the ‘Mr. McMahon’ character with my true self, Vince,” McMahon wrote in a statement on X, formerly known as Twitter.
“Mr. McMahon” features interviews with some of the biggest names in wrestling, including “Stone Cold” Steve Austin, Hulk Hogan, Dwayne “The Rock” Johnson, John Cena and Paul “Triple H” Levesque. Many of the wrestlers interviewed appeared to view him not as their boss, but rather as a father figure.
“I mean, I’d honestly take a bullet for that man,” Mark “The Undertaker” Calaway said while discussing his relationship with McMahon.
Most of McMahon’s former employees had nothing but positive things to say about their boss.
However, a majority of these interviews were filmed in 2021, before the newest batch of allegations against McMahon were made public.
The most compelling piece of the puzzle is McMahon’s relationship with his children, Stephanie and Shane. Their dynamic is comparable to the one portrayed in the series “Succession,” with both children vying to take over the company once their father retires. While Stephanie has her father’s work ethic, Shane is portrayed as the black sheep of the family.
Both Shane and McMahon detail the complexities of their relationship, including an intense argument that led Shane to leave the company in 2008. As it pertains to Stephanie, the series fails to ask hard-hitting questions regarding her personal and professional relationship with her father.
“Mr. McMahon” spends too much time on the surface level of the media figure’s life, leaving audience interpretation to fill in the gaps.
The series’ handling of Janel Grant’s lawsuit against McMahon disappoints in its lack of care. Grant’s allegations of sexual assault, trafficking and emotional abuse — which ultimately led to McMahon resigning from his position as TKO Group Holdings’ Executive Chairman — aren’t discussed until the last 15 minutes of the final episode.
Considering the trailer’s emphasis on the case and the heavy significance of the allegations, the brief retelling of the lawsuit is glaringly insufficient.
It was assumed the series would also provide new details regarding the case and those closest to McMahon would speak on the matter — instead, producers missed the mark as there were just montages of news networks covering the lawsuit and journalists speculating on what happened.
For viewers unfamiliar with McMahon, the documentary succeeds in holding McMahon accountable and forces him to answer for the many controversies that have shaped his professional career.
While McMahon, throughout the documentary, said that his WWE persona is merely an “overly exaggerated version of himself,” the docuseries provides enough details for the audience to determine his assertion as untrue.
“Mr. McMahon,” rated TV-MA, is available now on Netflix.
The post ‘Mr. McMahon’ Details Disgrace and Drama first appeared on The Loyola Phoenix.
When I was a kid I lived across the street from my two best friends. We carpooled to school together, caused a ruckus in our backyards and were always a knock away from wild adventures and boundless joy.
It was easy. Our moms made our plans. We followed the same schedules. We did all the same extracurriculars. We had to put in almost no effort to experience a wonderful childhood full of vibrant memories.
Both of those girls are still in my life, but now we live 1,800 miles away from each other. We play phone tag in-between work and school, and see each other around the holidays — if we’re lucky enough to be in the same place at the same time.
It isn’t that we love each other any less, we’ve just been sucked up by adulthood and forced to sacrifice certain aspects of friendship in the name of internships, degrees, jobs and a full night of sleep.
I’m graduating this spring, and my time in Chicago has been rich and fulfilling.
Still, on the precipice of adulthood, after forming countless new relationships and collecting lifelong friends, I’ve never felt lonelier.
This feeling isn’t unique to me and it definitely has nothing to do with me or my wonderful friends — adult friendships just aren’t the same.
As children, our lives are so tightly intertwined. It’s weird to think I miss the mandated social interaction that comes with youth.
While I don’t miss high school drama, complex love triangles or the rattling insecurities of adolescence, I do miss the ease. At 16, I was the first of my friends to get a driver’s license. As soon as the paper license was placed in my hand, I became the group driver, running my friends to school and all around San Jose, CA.
We’d sneak off-campus for lunches during the week and on the weekends we’d lie to our parents about our whereabouts, always somehow ending up in Santa Cruz or San Francisco. It was so easy to run wild and chase sunsets when our houses were within a five mile radius of each other, and our parents paid for our gas and car insurance.
We had unlimited funds to spend on ourselves when rent, books and groceries weren’t on our radar. I made $22 an hour at the YMCA as a swim instructor and, with no other financial burdens, I had all the freedom in the world to focus on fun — a luxury I wish I appreciated more at the time.
The freedom of adulthood is beautiful. With it comes the ability to pursue my passions and hand-pick the people I want to surround myself with, but it seems like it also demands I pull away from my chosen family.
College life is complex. Trekking through adolescence, my heart aches for the times when having fun was easy and I could afford to dedicate myself fully to friendships.
It’s ironic — the friendships I’ve carried into my adulthood hold the emotional depth and strength I’ve been craving my entire life, but two night classes, work and a bout of fatigue keep me on a path of isolation.
Worst of all, there’s no one to blame.
It’s hard to watch the people around me get busier. It sometimes feels like everyone is moving forward without me, but when I sit and look at my life, I’m getting busier too. All of my energy is reserved for the hours I spend in front of my computer, finding the will to take care of myself and figuring out what the hell I want to do after graduation.
It makes me wish my mom was still the one in charge of making all my plans.
There is so much to do and so much to take care of, and that’s okay. It feels weird to let go of having your best friend glued at your hip on the playground, but I guess that’s coming of age — sitting in the duality of having strong friendships, but never having time.
The separation from my college life is coming. As my friends chase fantastic opportunities in cities all across the world, and I flip coins trying to decide where I want to be, distance is on the horizon — both physical and emotional — and I will learn to be okay with it.
I moved to a new city in 2021 and made dozens of new friends I can’t imagine my life without, while also maintaining strong relationships with my core group of friends at home. In my next city, I am sure there will be dozens more.
It’s difficult to stay positive, but there is no limit on how many friends one can have, even if the relationships with said friends constantly ebb and flow. Yes, there’s immense grief within the process of coming of age, but there also is immense joy — a concept I am constantly still learning.
Graduation will come, but my roommates will still have a table at my wedding. I might move to a new city, but my sorority sisters will still be the aunties to my children someday.
It’s going to be weird to adapt when I graduate. I am sure there will be lonely days and plenty of phone tag, but maybe I’ll meet future bridesmaids at work or join a cornhole league. Who knows.
But that’s adulthood — bittersweet, yet endlessly rich.
The post Essay: The Complexities of Adult Friendships first appeared on The Loyola Phoenix.
Equipped with a catalog of witty alternative pop tunes, singer-songwriter NIKI rocked The Vic Theatre Sept. 25 on her “Buzz” World Tour.
The theater thrummed with anticipation as a crowd clad in leather and lace — per NIKI’s Instagram post assigning a dress code for each tour stop — awaited indie pop singer Allison Ponthier’s opening performance.
The night of silky vocals and propulsive drumming kicked off with Ponthier’s punchy “Character Development.”
Ponthier’s setlist was stacked with illustrative anthems and introspective ballads exploring different facets of queer identity.
During an acoustic segment, the Texas native’s unreleased ballad “Everywhere’s in Texas” was dedicated to those wishing for their hometowns to be more accepting places for LGBTQ+ people.
Ponthier engaged the audience with mid-song quips — “there’s a new ‘It Boy’ in town and she’s a lesbian” — evoking a chorus of supportive hollers.
A curtain dropped after Ponthier’s set revealed a “Buzz” sign, fogged panes shielding column lights, guitar racks and a band’s deserted setup.
As strobing lights and erratic crashes disrupted the still stage, audience members huddled close in anticipation. Emerging from a thick fog, NIKI strutted cooly on stage greeting loud whoops and cheers.
The Indonesian-American performer — dressed in all black with a sparkly lace top, leather skort and knee high boots — eased the crowd into a groovy set by means of the hesitant lyricism and slinky instrumentation of “Too Much Of A Good Thing.”
The 25-year-old’s sugary voice turned sardonic in “Colossal Loss,” where synchronized lighting beats stressed the bite of sung insults.
“Burn (burn) a bridge (bridge), build a resume / Nice trade, and yet, you’re still a jack of none,” she sang.
“Backburner,” off her 2022 album “Nicole,” turned the disappointment inward.
“We’re gonna leave our shit at the door and sing and dance and cry and hopefully no one breaks up tonight,” NIKI said while chatting with the audience.
Impassioned shouts of lyrics like “why can’t you look at what’s in front of you?” during “Focus” seemed to suggest the crowd didn’t quite take the singer’s advice to shed their baggage at the door.
“Strong Girl” was a welcomed relaxation in pace, with plucky guitar and soft drum patters.
Racing streaks of light looked like shooting stars during “Blue Moon,” but NIKI soon returned to Earth for a cover of Katy Perry’s pop classic “The One That Got Away.”
NIKI described “Did You Like Her In The Morning?” as “the kind of song you write when you don’t have an inner monologue.”
The somber track called for minimal movement on stage, as the performer sat back on a stool and gently hummed a list of self-conscious questions for a lover.
“Was she weightless in just your sweater? / And does it feel heavy now to look at me instead?” she sang.
Intricate guitar riffs in “Take Care” elicited whistles and whoops. The musician made a habit of switching guitars between songs and tossing used picks into the crowd.
NIKI’s curiosity about Chicago prompted important inquiries like “is Portillo’s overrated?” which were met by mixed responses.
After asking whether Chicagoans preferred the East or West Coast, NIKI revealed her partiality in “La La Lost You.”
“I mean, Manhattan’s nice / So are Malibu nights / You would know if you stayed / You would know if you put up a fight,” she sang, navigating quick-flowing melodies with polished tone.
Emerging from another bout of nondescript clanging on a darkened stage, “Oceans & Engines” was lit by a sea of phone flashlights bobbing from left to right in the audience.
The band’s full backing returned for “Before” and “Nothing Can.” Dynamic lighting danced between the movements of two guitarists, a bassist, a drummer and a pianist. Prolonged instrumental breaks gave the musicians freedom to interact with each other and jump around.
NIKI reminisced about her past during “High School in Jakarta” — an ode to the people she knew and experiences she underwent attending high school in Indonesia’s capital, which is also her hometown.
The singer reigned the audience’s energy in for “Tsunami,” a sweeping ballad about falling in love. The room swayed to her soothing falsetto.
As the musicians left the stage in darkness, snaps of sound and flickering lights teased a finale. Reentering in “Buzz” branded vests, the band settled in for a final tune.
“It’s the anticipation when the amps turn on / Just cables and crackle / It’s the first flicker of the neon sign / It’s the words stuck in your Adam’s apple,” NIKI sang.
Aptly placed at the end of the night, “Buzz” describes the feeling of standing on the precipice, living in a stalled moment before everything changes.
After repeated “I love you’s” to fans, NIKI waved goodbye, leaving behind a theater humming with exhilaration.
The post NIKI Sparks a ‘Buzz’ in The Vic Theatre first appeared on The Loyola Phoenix.
As the need for video content continues to rise and YouTube curates endless genres and videos to watch, there’s one type of content the platform should’ve thrown out long ago — family vlogging channels.
This YouTube genre was initially created to capture the ups-and-downs of family life along with the triumphs and tribulations of these families’ children. While on the surface it may seem wholesome and innocent, in reality this content is a toxic environment causing more harm than good, especially for the children involved.
This video genre’s existence and popularity on the internet overtly exploits children for money and fame, regardless of the mental health damage this lack of privacy or agency could incur.
Take for example The Prince Family, a channel with almost 12 million subscribers dedicated to creating challenge videos, vlogs and the most harmful of all — educational skits. These skits are meant to show parents how to act around their children, as well as what a healthy family dynamic should look like.
In one of their most controversial skits, the parents pretend to fight and eventually reach a point of wanting to break up. As the couple fights, their young kids are forced to sit and watch, treated as no more than actors, despite the confusion and sadness on their faces.
While this may seem to be just a skit, it’s important to realize they’re still putting their children through a harmful situation. Even if it’s just a simulation, it doesn’t stop the children from seeing their parents fighting and potentially feeling complicated, distressing emotions. Not to mention, their kids’ acting for this video will ultimately put money directly into the parent’s pockets.
Another channel known to exploit their children for views is The Labrant Fam. In a video titled “She Got Diagnosed With Cancer,”the father, Cole Labrant, talks about his child Posie’s many health scares and how he thought she had cancer. She doesn’t have cancer, but the horrific implications of the video’s clickbait title shows he ultimately used her health for views and money.
This lack of privacy and exploitation of a child who can barely even talk reveals the problems with this type of content. Using your child’s health for monetary gain exposes this lack of care for the child’s privacy and wellbeing, as now the world knows every detail about them.
One final infamous example of how badly this type of content can hurt a child’s mental health was DaddyOFive, a channel where the parents constantly played upsetting pranks on their children.
In one video, they call one of their children “super annoying,” and tell him they’re putting him up for adoption. The child initially calls their bluff, but they continue with the prank and the 9-year-old begins to get upset, screaming, crying and hyperventilating.
When they finally tell him it’s a joke, they laugh maniacally and act as if nothing happened, while the kid must continue to live with this disturbing memory and emotional distress. The parents were put in jail for child neglect and the children were re-homed in 2019, according to The Guardian.
While this channel has been taken down, the harmful memories of these pranks will stay with the kids forever. While some channels aren’t as extreme as others, they all depend on manipulating their children’s emotions.
Making money off your kid’s life is a cruel act and shouldn’t be allowed on any internet platform. These children don’t choose to have their lives broadcasted to the world and many aren’t getting any compensation for their work. Fame and money have infiltrated these vlogging parents’ minds, blinding them to the pain they’ve caused.
The children subjected to these kinds of videos will never be the same after going through such emotional and traumatic experiences. These parents refuse to understand money and popularity are temporary, but the harmful vlogging environment they put their child through will stay with them forever. Stopping family vlogging content is the only way to finally let these kids be kids and enjoy a normal and innocent life.
The post Let Kids be Kids: The Need to Stop Family Vlogging Channels first appeared on The Loyola Phoenix.
Not content with being the worst sports team in Chicago, the White Sox have achieved the impossible by becoming the worst team in the history of modern baseball.
Even allowing for an awful run of bad luck — no stranger to any team — the 2024 White Sox have been unprecedentedly terrible. And they brought it on themselves.
The team isn’t just last in the American League Central, last in the American League and last place in the MLB, but will finish this season with a record-breaking amount of losses.
Only two years ago, the Sox were second in the American League Central. Three years ago they were first. Since the highs of 2021, the Sox have slipped further and further into crap status, even falling under the Kansas City Royals — the only team who typically beats the Sox in the AL Central’s race to the bottom.
The 2024 Sox certainly aren’t good players — at least not together — but the Sox’s roster doesn’t quite deserve to be thrown under the bus, no matter how much it might improve the team’s chances. The players, after all, can’t be blamed for management’s choice to hold onto “lovable losers,” instead of a competitive team.
Although the team sucks, the real blame lies with the people at the top — owner Jerry Reinsdorf and the club’s upper management.
Reinsdorf, who owns both the Sox and the Chicago Bulls, helped steer Chicago sports towards champion status decades ago — overseeing the Bulls’ Jordan years and the Sox’s only championship in a century. Since then Chicago sports has been a story of underinvestment, broken dreams and heartbreak.
The Bulls and the Sox of today are little more than shadows of their former selves, with neither having winning seasons since 2021. Across the board, analysts agree the teams’ struggles come not from the players, but the choices of the big man in the head office.
Reinsdorf is responsible for both blindly holding onto staff past their expiration dates and pushing through a series of bad hires in-and-out of the dugout. Even counting the good years in 2005 and 2021, his inflexible leadership since 1981 has sunk their all time win-loss record from a pre-Jerry .502 to the current .495.
As an organization, the White Sox are worth over $2 billion, putting them right in the middle of the league. The post-COVID years saw long-needed growth in MLB revenue, helped by rule changes that brought fans, and funds, back to the sport. On top of this pile of cash, Reinsdorf’s personal wealth sits at $2.1 billion — enough to buy another two baseball teams.
In spite of this wealth, Reinsdorf has cut aggressively at Sox spending, refusing to contend for free-agent talent and slashing player payroll even as the team flails.
These cuts can’t even be justified by shrinking ticket sales. Despite the Sox’s struggles, fans have stayed remarkably loyal to the sport’s worst team, with attendance only down 18% compared to past seasons.
It’s a big gap, but nowhere near as bad as other big losers like the A’s, the Rays or the Marlins, who are lucky to break 10,000 fans at home games and have still managed to seek out new talent. The Sox still draw around 18,000 fans per game. Not bad for the worst team of all time.
Considering the Sox’s division, Reinsdorf’s moves become even more shocking. Both the MLB landscape and the AL Central are more equally matched than ever before, with even the underdog Royals making the playoffs for the first time since 2015. If there was ever a time to invest in Chicago’s South Side sports team, it would be now.
But with the Sox in dire straits, it seems like Reinsdorf has learned the wrong lessons from divisional success stories like Kansas City. Instead of building out a solid bullpen, growing franchise anchors and grabbing affordable expertise out of free agency — steps with proven success across the league for teams seeking rebounds after rough seasons — Reinsdorf’s biggest move has been begging for stadium money.
Reinsdorf’s time as owner already cost Chicago one historic stadium and a whopping $270 million in city and state funds, with millions in debt still not paid back. Now, with the team in an all-time slump, he’s back, tin cup in hand, to ask for another.
Reinsdorf pushed through the construction of the Sox’s current home, Guaranteed Rate Field, by threatening to move the team to Florida in 1991, even floating “Florida White Sox” merch to pressure legislators.
The modern White Sox may be too depressing, even for Florida, but their losses haven’t stopped him, pushing for a new South Side stadium via a billion-dollar land-swap scheme in partnership with the Chicago Bears.
So far, his plot to fleece taxpayers for another billion seems to have failed, with Governor J.B. Pritzker shutting down requests for state funds. Additionally, Chicago’s budget shortfall means Mayor Brandon Johnson — although seemingly in favor of the stadium scheme — is unlikely to back the project with city funds in the near future.
On its merits, the stadium plan isn’t even a bad one – keeping both Sox and Bears in the city while bringing investment into overlooked areas like “The 78,” currently a vacant rail yard on the south branch of the Chicago River.
But the problem with the plan, like the problem with the White Sox, is Reinsdorf demanding the city fund his failed vision for the White Sox to the tune of billions, all while letting the team, the South Side and the taxpayers deal with the mess.
Reinsdorf’s White Sox have been stuck under the iron rule bought by his 19% ownership stake for almost four decades, with the organization digging itself deeper and deeper into disaster while siphoning public funds.
Whatever comes next for the Sox, the team has made its bed. Chicago shouldn’t buy Reinsdorf another one
The post Blame the Owner: Why The White Sox Had it Coming first appeared on The Loyola Phoenix.
It’s Oct. 11, 1975. The set is falling apart, the cast is in open rebellion and the eyes of every NBC executive are set squarely on what’s unfolding in Studio 8H.
The first episode of “Saturday Night Live” goes live at 11:30 p.m.
Co-written and directed by Jason Reitman, “Saturday Night” depicts the 90 minutes preceding the first broadcast of “Saturday Night Live,” the seminal late-night sketch show. Releasing just weeks after the start of the show’s 50th season, the film chronicles the variety series’ manic first launch.
“Saturday Night” races against the clock as it depicts the minute-by-minute efforts of show creator Lorne Michaels to prevent the pilot from failing. With an ensemble portraying a host of combatant comedians and television producers, the film is a comedy with the structure of a thriller.
Reitman (“Juno,” “Tully”) directs with evident passion for the show, having grown up with its biggest talents. Son of filmmaker Ivan Reitman, responsible for “Saturday Night Live” (“SNL”) alumni hits such as “Ghostbusters,” the younger Reitman’s proximity to the material lends the movie a sense of authenticity — no matter how absurd it gets.
Speaking at the Telluride Film Fest, Reitman described the process of conducting research for the pilot broadcast.
“We spoke with every person alive that was there that night,” Reitman said. “From talking with them, we found each story was completely different from one another.”
“Saturday Night” is both a hodgepodge summary of one night’s happenings and an ode to outsiders working their way through a tired system. That latter aspect is the thematic drive, but the former is the film’s real draw.
Equipment stops working without warning, scripted bits are cut for time, crew members quit on the scene and are replaced by rookie hires just as quickly. Even when “Saturday Night” exaggerates or condenses moments, the film gives the impression of multiple memories all stitched together.
As showrunner Michaels, Gabriel Labelle acts as the ensemble’s centerpiece. Labelle (“The Fabelmans,” “Snack Shack”) captures the comedy producer’s soft confidence that comes across as arrogance.
As Michaels bounces between dilemmas, he’s aided by co-producer Dick Ebersol (Cooper Hoffman), nihilistic writer Michael O’Donoghue (Tommy Dewey) and his estranged wife and head writer Rosie Shuster (Rachel Sennott). The four put out literal fires and race to adjust the script as the show’s cast focus more on casual drug use than stage rehearsal.
Michaels is the lead point of view, but the real stars of “Saturday Night” are the eerily accurate portrayals of the show’s original cast.
Gilda Radner (Ella Hunt) is a gleefully immature thorn while Garrett Morris (Lamorne Morris) searches for motivation as an actor. Jane Curtin (Kim Matula) endures insecurities as a performer, yet in contrast, Laraine Newman (Emily Fairn) feels more comfortable in the spotlight than outside of it.
Embodying their counterparts to the point of indiscernibility, Matt Wood relays a somber rendition of impetus comedian John Belushi, and Cory Michael Smith’s egocentric presentation of Chevy Chase foreshadows the comedian’s notorious reputation. Dylan O’Brien utterly melts into the oddball eccentricities of jokester Dan Aykroyd.
The core seven are so captivating they’d be capable of reproducing a whole season of classic “SNL” sketches instead of just one episode.
NBC executives work against Michaels and his crew, betting on their failure to win a proxy battle over their time slot. Willem Dafoe as media mogul David Tebet and J.K. Simmons’ as Hollywood heavyweight Milton Berle crassly antagonize the “SNL” crew’s efforts to make it to air.
Depictions of famed comedians and performers Billy Crystal, Jim Henson, Andy Kaufman, George Carlin and Billy Preston also join “Saturday Night” as sideline acts.
With an overflowing cast portraying showbusiness legends, “Saturday Night” prevents itself from bloating by ensuring everyone stays moving. Reitman gives seasoned direction with fast-paced camera movement and long takes that weave in and out of studio space.
Each character is given just enough time to showcase their personality before moving on to the next scene. In that regard, “Saturday Night” resembles an actual episode of “SNL,” in being just about an-hour-and-a-half of revolving characters, jokes and skit-like scenarios.
“Saturday Night” is an anarchic, absorbing watch. Even knowing “SNL” would reach its 50th season, the film can’t help but feel like a car barrelling towards a collision.
Whether it’s recreating skits from 1975, inciting on-set hookups or delighting in unseemly substances — it’s all just another “Saturday Night.”
“Saturday Night,” rated R, comes to theaters Oct. 3.
The post Live On the Big Screen, It’s ‘Saturday Night’ first appeared on The Loyola Phoenix.
I met my best friend on Reddit.
That sounds weird, especially since I’m not a frequent Reddit user, but one fateful interaction on the site changed my life.
It was a sweltering summer day in 2021 while I skimmed the Loyola subreddit, anxious about what to expect from my future alma mater. I noticed someone asked about the Wellness Center, and since I was also concerned about my health, I messaged them asking if they’d gotten any response.
I don’t remember what they said. I do remember, though, the impact they had on my life after we finally met in person.
As I began my first-year at Loyola, I attended a slew of student-organized events, including a clothing swap hosted by Growers’ Guild. I thought I’d find thick shirts and sweaters to fend off brisk October nights, but I didn’t know I’d also find Levi — the person I’d messaged on Reddit.
We noticed each other combing through the clothing swap tables. Levi had posted selfies on Reddit, so I knew how she looked, and my cartoon profile picture looked enough like me for her to connect the dots. We chatted, a bit flustered given we’d met on a site like Reddit, and eventually we left with each others’ Instagram handles.
We didn’t see each other much the rest of our first-year. Levi majored in neuroscience while I studied communication, so we didn’t have any overlapping classes. Levi lived in Simpson, I lived in Francis. The most we saw of each other was in dining halls, which led to a mortifying interaction when Levi waved hello to my mom and I while we argued about my possibly being hospitalized.
I did in fact land in the hospital that summer. Levi, who’d gone through similar treatment, texted me frequently, even sending me videos of herself to cheer me up. When I was discharged at the end of August, I couldn’t wait to see her at school again.
We grew closer during our second-year. We sprinted under the light of street lamps on our way to underground concerts, dressed up for Halloween. We hung out with Levi’s boyfriend, Víctor, who’s now one of my best friends. We made trips to Devon Market for snacks, passing a big box of Medjool dates around Víctor’s dorm room.
One of the hardest things about studying abroad in Rome my third-year was not seeing Levi, who was still in Chicago, and Víctor, who was studying in Paris. But when I returned to campus in the spring semester, it was like we’d never been apart.
I plan on moving in with Levi and our friend Shreya this spring. We only live about a block away from each other now, so it’s not that big of a change, but I’m still excited for all the adventures ahead of us.
When I reflect on our friendship now, I don’t think about Reddit. I think about the days we’ve spent together — getting groceries, making collages, watching reality TV — and how grateful I am to have found someone as amazing as Levi in such a wonderfully unconventional way.
The post Essay: How I Met My Best Friend on Reddit first appeared on The Loyola Phoenix.
Members from eight pro-abortion groups, including the event sponsor, Reproductive Justice Now, gathered in front of the Union League Club of Chicago downtown Sept. 26, to protest against the Aid for Women fundraising event being held inside.
Protesters held signs reading “Stop Fake Clinics” and spoke into megaphones as they marched in a circle along the side of the building. One man wore a sign reading “Keep Abortion Legal (without apology)” around his neck while he hit a drum — the sound echoing off the city walls, emphasizing each syllable the group shouted.
Lisa Battisfore, founder and president of Reproductive Justice Now, stood in the center of the group leading the protesters.
“Two, four, six, eight, shut down fake clinics in every state!” Battisfore chanted.
Among the protesters were two members of Loyola’s Students for Reproductive Justice club, Ella Hansen, a fourth-year majoring in biology and women and gender studies, and Meyah Chery, a fourth-year majoring in social work.
The club, widely known for its “free condom Friday” events, has a handful of initiatives across campus focusing on sexual and reproductive health, including Txt Jane, easy emergency contraception and, their newest addition, the harm reduction committee.
“Putting up protests, like this, and making sure that people have the right information out there is super important,” Hansen said.
As the protesters continued chanting outside, attendees for the Aid for Women fundraiser began to trickle into the Union League Club of Chicago building, dressed in fitted suits and floor length dresses.
Aid for Women is a network of eight anti-abortion counseling centers in the Chicago area whose general aim is to prevent abortions in line with their religious ideology. Protesters criticized the centers, calling them “fake abortion clinics.”
The centers offer free pregnancy tests and ultrasounds, confidential consultations, abortion pill reversal, medical and community referrals, support programs and maternity homes, according to the Aid for Women website.
A group of protestors walk together with signs from Reproductive Transparency Now. (Sean Kennedy | The Phoenix)In Aid for Women’s 2023 Form 990, the tax document for non-profit organizations, attained from Candid, their organization’s mission states, “Aid for Women operates pregnancy help centers, pregnancy medical clinics and residential programs to assist women in difficult and unexpected pregnancy situations so that they might choose life.”
Battisfore said they do this by using anti-abortion propaganda to convince patients to choose alternative options — regardless of what the patient wants or needs. The ultrasounds are also used to convince a patient to choose life by connecting the patient to their fetus, according to the National Institute of Family and Life Advocates.
“These places are really deceiving and that’s the whole point of them,” Hansen said. “They tell women or anyone looking to get an abortion that they’re here to support them, but then in reality, they’ll take them away from getting an abortion.”
The pro-abortion groups leading the Sept. 26 protest were present to raise awareness on the nature of Aid for Women, for those unaware, according to Battisfore.
“Even if we can get them thinking for just a minute about, ‘Why would someone be protesting this?’” Battisfore said. “That could be really important. Even just to get them to second guess.”
Some attendees attempted to turn a blind eye to the protesters, looking only at the guard greeting them at the door, while others stared at the scene. The protesters and fundraiser attendees had no physical or verbal interactions.
This was the third year Reproductive Transparency Now protested the Aid for Women’s Annual Benefit Dinner. Tickets to the event were sold at $300 a seat, with table sponsorships going for as much as $10,000, according to the Aid for Women donor website.
The night included a reception beginning at 5:30 p.m., with the dinner and programming beginning at 6:30 p.m.
Aid for Women and the fundraiser attendees weren’t available for comment.
In 2023 Aid for Women’s total revenue equated to $2,592,679. Of that amount, $2,516,803 came from “contributions and grants,” according to the organization’s Form 990.
Over half of that revenue, $1,339,629, went back to Aid for Women through “salaries, other compensation, employee benefits.”
“All of this money that they’re spending and bringing in is going into their own pockets versus actually helping anybody,” Battisfore said. “It’s a huge waste of money and an affront to reproductive justice and bodily autonomy.”
Last year, Aid for Women opened three new locations in the Chicago area, according to Battisfore. One is their Edgewater location, situated a half mile south of Loyola’s Lake Shore Campus. Battisfore said she thinks this location is no accident.
Battisfore said young people such as college students, people with less socioeconomic standing and people of color are the groups anti-abortion counseling centers target the most. These demographics struggle to attain real healthcare options because of limiting factors such as transportation to clinics and high costs.
Coupled with a lack of information regarding these centers, this can make a free appointment with an anti-abortion counseling center appealing, according to Battisfore.
Once a patient enters the anti-abortion clinic their experiences can largely vary and Battisfore said it comes down to the intention of the childbearing person.
“Their ideal client is what they term an ‘abortion-minded woman,’” Battisfore said. “They are really going to then kind of hit you with some of their anti-abortion propaganda.”
A Reproductive Transparency Now sign is held up in front of a Chicago city flag. (Sean Kennedy | The Phoenix)Many of the tactics include providing patients with false and misleading information concerning abortions, psychological manipulation and delays to providing care until after the legal abortion period, according to The American College of Obstetricians and Gynecologists.
In addition, many anti-abortion counseling centers aren’t regulated to the same standards as abortion clinics because they’re usually not run by licensed medical professionals or established as licensed medical institutions, according to the AMA Journal of Ethics.
All licensed medical clinics are bound by the Health Insurance Portability and Accountability Act (HIPAA), which established protections on personal medical information, according to the U.S. Department of Health and Human Services.
However, since many anti-abortion counseling centers aren’t official medical institutions, they aren’t required to follow HIPAA regulations, which can lead to issues with patient confidentiality.
“They have no obligation to protect your personal data,” Battisfore said. “Anything you tell them, they can do anything they want with.”
There are nearly 2,500 anti-abotion counseling centers around the country, according to Reproductive Transparency Now. Their website links a tracker, The Crisis Pregnancy Center Map, created by faculty members at the University of Georgia, of anti-abortion counseling centers across the U.S.
While abortion is currently legal in the state of Illinois up to fetal viability, according to the Chicago Department of Public Health, Hansen and Chery said advocacy work on the issue isn’t over.
“I think we’re lucky in Illinois to be able to have the legislature on abortion that we do have,” Hansen said. “Keeping it that way is important.”
Chery said she believes it’s more important than ever to pay attention to the ballot and vote on abortion in elections. Abortion will be on the ballot in at least 10 states this year, including Missouri, New York and Maryland, according to KFF, an independent source for health policy research.
“I’m very passionate about [abortion care] because it’s just another medical procedure,” Chery said. “I don’t think that it should be seen as something that is taboo.”
The post Students for Reproductive Justice Joins Protestors Against Anti-Abortion Clinics first appeared on The Loyola Phoenix.
As a modern American, the word freedom has a few contradictory meanings in my lexicon. It can evoke foamy tides rolling along the New England coast, or cattle herded across the dusty Western plains. It can also mean every American can hypothetically earn the life they desire, regardless of circumstance.
While these are nice sentiments, real experiences speak louder than image-laden concepts. Since America’s founding, freedom has been used to justify conquest and ownership as spiritual liberation for the land and slave owning founders of this nation. Millions were imprisoned, brutalized or slaughtered in the name of freedom.
Marcellus Williams, a St. Louis based-poet also known under the pseudonym Khaliifah ibn Rayford Daniels ‘Abdul-Qudduus, ponders these seeming prices of freedom in his poem “I! CAN’T! BREATHE!” — one of many works detailing his thoughts on the struggles of being a modern Black American
“Do some have to be lynched for others to be free?” Williams wrote.
In addition to being a poet, Williams was an advocate and death row inmate at Potosi Correctional Center. He was imprisoned in 2001 for the 1998 murder of St. Louis Post-Dispatch reporter Felicia Gayle, despite significant evidence contradicting his involvement with the crime and his repeated innocent pleas.
Regardless of these glaring contradictions, Williams was executed by the state of Missouri Sept. 24 at 6:00 p.m.
Before his execution, many Missourians and out-of-staters alike were moved by Williams’ story and urged Missouri Governor Mike Parson to grant Williams’ clemency. Parson not only denied Williams’ team’s request for mercy, but has also denied every plea for clemency since his appointment as governor in 2018.
Williams’ request then reached the Missouri Supreme Court and U.S. Supreme Court, both of which denied the request for a hearing, according to PBS News.
The execution of Marcellus Williams is a failure of the American justice system to the highest degree. The ruling doesn’t only show a blatant disregard for the dignity of criminals as citizens, but also the concept of justice.
Injustice runs deep in Missouri soil. The state sparked national conversation around slave ownership with the Missouri Compromise in 1820. The Civil War left behind a divided state, causing many scorned confederates to be left out of local politics as union supporters flocked to booming industrial hot-spots like St. Louis and Kansas City to hash out their own agendas, according to PBS.
Although some freed slaves found post-war refuge in rural areas, despite their newfound freedom their reality was often grim. Approximately 60 lynchings were reported between 1877 to 1950, most of which in central counties, according to the Community Remembrance Project.
The freed slaves who found homes in the cities faced systematic issues including redlining, segregation and institutionalized racism.
Although lynching may have been criminalized, the legacy of lynching lives on through the death penalty. Incarceration rates also show in detail the perpetuation of systemic racism, with Missouri’s Black incarcerated population making up 33% of those imprisoned while making up just 11% of the population.
The prison system’s insidious promise to protect Missourians’ right to continue living freely is what continues this cycle of injustice.
History doesn’t exist in a vacuum. Missouri will never be absolved of its racist past persistently rearing its ugly head in the culture and political climate of today. Marcellus Williams is a victim of Missouri’s blatant disregard for and unwillingness to acknowledge and change its racist present.
As a native Missourian, I have experienced both the splendor and the brutality of America’s Heartland. It conflicts the heart to love a land with a history so repugnant. The marvelous Ozark waters are murky with spilled blood. My home, Kansas City, is in conflict with itself, desiring to become a progressive, booming city yet still vying to retain its antiquated identity formed on civil war battlefields.
Yet, in lue of it all, art and love persist. Williams was a brilliant poet and thinker despite the systemic shackle he had to work with. His mind’s freedom perseveres through his pen, living on despite Missouri’s suppressive justice system.
Williams’ poetry exists after his death as a symbol of personal freedom, even in times of insurmountable strife. This injustice is a representation of Missouri’s unwillingness to move into the present, to let go of racist ideology and to become a state ready to accept the ever-changing nature of life.
The post A Missourians Take on Marcellus Williams first appeared on The Loyola Phoenix.
As we enter the crisp month of October, this week’s edition of Blue Skies Ahead welcomes fall with all things cozy, tasty and spooky. Kick off autumn with delicious fall treats at the Lincoln Square Apple Fest, explore the twisted history of the city through a chilling tour or spend a relaxing Friday night outside with a movie and meal at Senn High School.
Movie and Potluck at Senn High School: Oct. 4
To kick off the school year, Senn High School will host the community Friday, Oct. 4 at 6:30 p.m. on the Senn Lawn, located at 5900 N. Glenwood Ave., for a viewing of the movie “In the Heights.” Organizers ask attendees to bring lawn chairs, blankets and a dish to share.
The movie will begin at 7:30 p.m. Those interested can RSVP online.
Apple Fest 2024: Oct. 5-6
Hardcore apple and autumn fans can kick off the season with the 37th annual Apple Fest this weekend in Lincoln Square.
From 9 a.m. to 6 p.m. on Saturday and Sunday Oct. 5-6, the Lincoln Square Ravenswood Chamber of Commerce is hosting this a-peeling seasonal event along Lincoln avenue, according to the event website. A $5 donation is also suggested to join other autumn in-ciders at the festival.
A variety of apple-solutely delicious apple-themed drinks and treats will be available at the event — including alcoholic and non-alcoholic ciders, classic apple pie and cinnamon empanadas, according to the site. Numerous vendors from farms around the Midwest will also be present offering even more apple-themed foods and items like butters, candles and jewelry.
The Gangsters and Ghosts Tour: Daily
Learn more about Chicago’s criminally colorful past, ripe with stories of gangsters and speakeasies from the 1920s and 30s, at this immersive guided tour in Chicago’s downtown Vice District. The tour is offered by bus or on foot, running daily at 11 a.m., 1 p.m., 4 p.m. and 8 p.m.
The tour features history on famous gang-related murders and shootings and explores the haunted scenes of crime. The walking tour begins at the Royal Sonesta Hotel at 71 E. Wacker Dr., and the bus tour takes off from the Palmer House Hilton at 17 E. Monroe St. Tickets can be purchased for $35 on their website, with discounts for kids and seniors.
Andersonville Art Tour: Oct. 4-6
This annual event will feature local artists from around Chicago. It will kick off Oct. 4 with a series of Friday night parties hosted by participating galleries and businesses across the city.
The celebrations will then extend into the weekend for three days of artwork and creative exploration. The work displayed will cover a variety of categories, including but not limited to theater, dance, music, film and culinary works.
The tour is walkable and begins at the Swedish American Museum, located at 5211 N. Clark St. Admission to the event is free, and more information can be found online at their website.
The post Blue Skies Ahead: Movie Night, Apple Fest, and Ghost Tours first appeared on The Loyola Phoenix.
There are many ways to relieve stress, such as exercising, meditating, picking up a hobby or talking to a mental health professional. Despite these championed strategies, many use unconventional methods to unwind after a long and grueling day, like binge-watching shows — specifically reality TV.
To some, there’s no better way to unwind after slaving all day at school or work than watching drama unfold in other people’s lives and judging their situations. While these programs can occasionally create some must-see TV, at its core reality TV encourages and feeds off of toxicity amongst viewersin the name of entertainment. Fans are wasting time and energy on people they don’t know and will never meet.
Bravo — a cable network primarily dedicated to reality TV — is home to all of the Real Housewives franchises. The Real Housewives is a reality series that follows the everyday lives of a group of wealthy women. The first installment was launched in 2006 with The Real Housewives of Orange County, ever since the decades-long franchise has become a guilty pleasure for millions.
Despite its ridiculous premise, the Real Housewives has become a hit, producing pop culture moments and garnering millions of viewers every week. While it’s entertaining to watch these ladies’ drama unfold, for the stars the show can be quite traumatizing and detrimental to their mental and physical health, their social lives and business endeavors.
Leah McSweeney, a former real housewife of New York, is suing the Bravo network alleging producers discouraged her from maintaining her sobriety and didn’t provide the right care for her mental health struggles.
With so many viewers tuning in each week with their own comments and thoughts on the personalities on the show, these women get subjected to a barrage of hate and scrutiny from fans. While it’s not unnatural for viewers of any TV show to become emotionally invested in the series they’re watching, spewing incessant hate and treating reality stars as fictional characters rather than real human beings is wrong.
Reality contestants from the hit series Love Island have been exposed to seemingly constant harassment and online bullying from fans. The dating show has a dark past as it pertains to the mental health of its contestants and hosts — with two contestants and a former host committing suicide following the series according to DailyMail UK.
Following the latest season of the series, many cast members feared for their castmates’ lives following the hate and backlash they were receiving online. Everyone seems to be giving their two cents in almost every situation even when it doesn’t pertain to them, and cancel culture is to blame.
Cancel culture allows people to share their opinions on others’ situations based on the notion of educating people on their wrongdoings — in actuality, they’re overstepping and unnecessarily involving themselves for no reason. It’s very hypocritical for fans to try to police how these stars act and react in situations that affect them. This can lead to boring TV, as these stars have to change the way they act to appeal to the viewer.
In a way, reality TV is doing the complete opposite of what it was designed to do. Its original purpose was to be a means of escape for viewers through entertainment by introducing them to these humorous and theatrical characters that happen to be real people. Instead, it’s caused more stress as viewers have become far too opinionated on the stars’ lives, turning reality productions into something neither the stars nor the fans signed up for.
The post Turn the TV Off: Reality TV Causes More Harm Than Good first appeared on The Loyola Phoenix.
Loyola’s Center for the Human Rights of Children held a webinar Sept. 24 discussing their recent study which examined the care migrant children receive while in state custody.
The study provides empirical data on how state facilities treat children, filling a decade-long gap in research. The last landmark study on the condition of care of immigrant children was published in 2010, when the number of children taken into custody was less than a tenth of what it is now, according to the new study. Global migration is at an all time high and is predicted to keep rising, the study found.
The CHRC Director, Professor Katherine Kaufka Walts, and the Associate Director, Professor Sarah Diaz, said they came to Loyola to advance human rights advocacy with cutting-edge research.
“Loyola is committed to visionary thinking and radical change when it comes to immigration,” Diaz said. “Especially when it comes to how immigration treats children because it is the last space left where children are treated like miniature adults.”
The research examines facilities operated by the Office of Refugee Resettlement, which have been responsible for the care and custody of unaccompanied migrant children since 2003, according to Dr. Lauren Heidbrink, the study’s principal investigator.
Before the ORR, the care and custody of migrant children was the responsibility of Immigration and Naturalization Services — the same agency which detained and deported them. Heidbrink said the change came from a child welfare perspective.
The ORR assumed the Unaccompanied Children Program after years of litigation and advocacy to move guardianship of migrant children away from a law enforcement agency, according to Kaufka Walts.
In 2010, the ORR was responsible for just over 7,000 children and a handful of facilities. In 2023, the ORR was referred 118,923 children, the study reported. Heidbrink said as the number of arrivals increase, the ORR is increasingly looking like a law enforcement agency where the point is detention.
“The system keeps getting bigger and bigger,” Kaufka Walts said. “No one’s done anything. Everyone’s just acting more reactively to it. So there’s more places, more buildings, more facilities, more policies, more staff added to manage this. But you know, we’ve never actually looked at, are we helping kids or are we hurting them?”
Diaz said the goal of the study is to provide sound data anyone in the system can use to advocate for better outcomes for children.
The study provides empirical data which clarifies the scene and illuminates specific areas where improvement is needed, Kaufka Walts said. Several advocacy organizations reached out to the research team to thank them for the data as they want to use it in their own work, she said.
Kaufka Walts said media coverage of crises involving children who were released into the community has previously led to a demand for policies regressive to child welfare.
“The blame always goes back to ORR,” Kaufka Walts said. “Then people say, ‘Oh, now we need stricter rules, and we need law enforcement to take over.’ That’s not what we’re suggesting at all. We don’t want to go backward.”
Approximately 85% of children in the ORR are placed into congregate care, “a form of child detention,” the study found.
“Think about it as kind of the opposite of community care or family care,” Kaufka Walts said. “That is where you have a group of people who are living together, and that could be a residential facility for children who are wards of the state, it could be a prison, it could be a detention facility, it could be housing for seniors.”
The confinement of children in large-scale institutions results in high rates of post-traumatic stress disorder, anxiety, depression and suicidal ideation, according to Heidbrink.
Vida Opoku, a graduate student studying international affairs, said she immigrated from Ghana shortly before turning 18 and aged out of the ORR.
“They have cages, you know, where each cage contains at least ten, six kids,” Opoku said.
Opoku said it was lousy at the detention facility. There were no blankets, so they handed out long foil as a covering. She said they would put you in a cage, and you would stay there.
“People were crying for help,” Opoku said. ”Your mom, your dad, there were no family members, and the people who were there don’t even care because I think they get overwhelmed too. It’s a lot of kids to attend to. So it’s just like, you cry, you get tired, you go to sleep. That was my experience in Texas.”
When Opoku aged out of the ORR, she said she was by herself in Chicago, facing discrimination without support or family.
“You will be mature whether you like it or not,” Opoku said. “When I came here, I had to be a great adult.”
She said many children who are released from the ORR begin school, but end up dropping out without any other option, due to the difficulty of surviving on one’s own.
A few decades ago, the U.S. was using congregate care to detain children domestically, in the form of orphanages, Heidbrink said. However, since better understanding congregate care’s effects, the U.S. has moved in the opposite direction, to more community and family-based care.
Nowadays, placing orphaned children into congregate care is a measure of last resort, as opposed to the ORR where it’s the primary type of care immigrant children in the federal system are placed into, Heidbrink said.
The money the ORR has for migrant children comes from a yearly budget designated by Congress, according to Kaufka Walts. So, she explained, if there’s a lacking budget, then the reason for that is a political decision.
Heidbrink said there’s not much continuity between administrations either, so the ORR ends up just maintaining the status quo instead of reinventing the system.
Kaufka Walts said the data has demonstrated the disparate treatment of these children, versus how other systems designed to protect youth respond.
“If every child serving institution in the U.S. and in Europe is moving towards kinship care and family based placements, why are we 10 years behind in terms of research and policy when it comes to child welfare?” Heidbrink said.
Opoku said if her volunteer advocate wasn’t able to take her case, she could have been deported without anyone knowing. Other than Jajah, nobody was watching, she said.
“There is, like, no financial aid, there is nothing,” Opoku said. “So everything is just you, and it’s so hard.”
The post Center for the Human Rights of Children Study Highlights Immigrant Children in State Custody first appeared on The Loyola Phoenix.
Fourth-year midfielder Jaimee Cibulka began playing soccer when she was five-years-old in a recreational league in her hometown of Woodridge, IL. Despite having no family ties to the sport, she said her love for the sport grew more and more with every passing game. With a love for running, soccer gave her the chance to do something she loves while playing with a team of people.
Throughout her career at Loyola, Cibulka has appeared in 69 total games, starting in 40 of them. She’s recorded eight total goals and eight assists, including two goals so far this season in matches against the University of Dayton and Fordham University.
By middle school, Cibulka knew she wanted to play soccer in college. To become a stronger player, Cibulka said she amped up her training and began to take the game more seriously. When the time came to pick a college, Cibulka said she knew Loyola was the place for her after her first step on campus.
“I could just feel that the team was a family,” Cibulka said. “The athletic department kind of mirrored the same thing. Everyone knows everyone and they genuinely want you to succeed here both as a student and as an athlete. The culture ultimately spoke volumes”
Cibulka said the program’s proven success was another major draw for her. When Cibulka joined the program, women’s soccer had won four consecutive conference titles in the Missouri Valley Conference, beginning in 2018 and ending with Cibulka’s first year in 2021.
Following Cibulka’s first season of collegiate soccer, in which she appeared in 18 games, started in two and recorded two goals and an assist, Loyola transferred to the Atlantic-10 conference, a move Cibulka said only helped the program improve.
“I think as a team it’s forced us to utilize our talents in a lot better of a way,” Cibulka said. “We’re playing against good teams that will punish us if we’re not at our best, so it’s really forced that communication and making sure that we’re paying attention to the little details.”
Cibulka said despite the differences in the teams they face in the A10, she believes the Ramblers have made great strides in playing at that level of competition n the years she has been here. Cibulka said since the transition to the A10, the team has continued to improve. She added she hopes the team builds on their success thus far and finishes the season strong.
Head coach Angela Staveskie said two phrases come to mind when she thinks about Cibulka — ‘hard-working’ and ‘consistent’— which she said describe Cibulka both on the field and in the classroom. Staveskie added she knows Cibulka is going to give her all in all endeavors.
Staveskie said in the four years Cibulka has been with the program she has continued to develop her abilities on the field as well as in her confidence in her own leadership abilities, a talent she now uses to uplift teammates and ensure the entire team is consistently operating at a high level.
“She’s always been a hard working kid,” Staveskie said. “As she grew, she let her play speak for itself by being someone that was always looking to get extra touches, always putting in more work when no one was watching, just getting that extra work in. So I’ve just seen her grow in her confidence of the type of hard working person that she is.”
Fellow fourth-year midfielder Taylor Harrison echoed Staveskie’s sentiment, describing Cibulka as someone who gives it her all at practice and in games.
“She’s always just the first one out there, the last one to leave, always trying to learn something from the coaches,” Harrison said. “She gives 110% every single day at practice. She’s someone that we rely on a lot on the team, and we’re so grateful that we can have that consistency and hard work on the field and off.”
Staveskie said Cibulka has high expectations and standards for herself as well as for her teammates, and said her mentality and overall passion for the game has rubbed off on other players in the program as well, making her a strong leader.
Through her hard-work and consistency in games, Cibulka has become an integral part of the team over her four years. Last season, Cibulka started in all 18 games, putting in multiple 90-minute shifts across the season. Despite the added pressure of being an important part of the team, Staveskie said Cibulka has handled it well.
Staveskie said Cibulka has earned her playing time through her time at Loyola. She said she is always prepared and can convert on the field, even in high pressure moments.
This year, the women’s soccer team has a roster of 32 players, the majority of whom are underclassmen. Harrison and Staveskie commend Cibulka’s leadership abilities, especially in giving younger players someone to look up to as a model example of an elite player and student-athlete while also emphasizing Cibulaka’s ability to connect with her teammates.
“She’s always urging them to reach out to her just to ask a question if they have it, soccer related or just offering a piece of advice,” Harrison said. “She can kind of offer that advice to those people who are getting limited minutes this year and maybe wanting more like what else they can do. She’s just the right person to reach out to for that.”
Harrison emphasized how Cibulka cares about the people around her whether they be her teammates or close friends. She highlighted Cibulka’s focus on being intentional in her relationships with coaches and teammates to help foster the best possible environment for everybody in the team, making her an ideal team captain, according to Harrison.
In her last year with the Ramblers, Cibulka said her main goal for the remainder of the season is to take things one day at a time.
“With this being my last year, I’m just showing up everyday and I want to enjoy being with my teammates and playing soccer and just that mindset of taking it one day at a time,” Cibulka said. “It’s been really what’s been getting me through this year and leaning on my friends too.”
In addition to savoring her last year at Loyola, Cibulka said she hopes that her time with the program will have a long lasting impact on her remaining teammates.
“I just wanna leave the program better than I found it and just instill in the people around me what it means to be a part of this team at this school,” Cibulka said. “I don’t really care about stats or minutes or games specifically, I think all that takes care of itself when you have a well functioning program so I just want to kind of instill in all the girls returning what it means to be a student athlete here at Loyola.”
The post Cibulka’s Veteran Leadership Shines for Women’s Soccer first appeared on The Loyola Phoenix.
NBC Sports Chicago went off the air for the final time Sept. 30. Spanning two decades, the network brought countless hours of sports content to fans across Chicagoland.
The network first hit the air Oct. 1, 2004 as Comcast Sports Network Chicago, providing coverage of the Cubs, Bulls, White Sox and Blackhawks. Once Comcast acquired NBCUniversal in 2011, the network was included in the collection of NBC Sports channels, ultimately rebranding to NBC Sports Chicago in 2017.
As a passionate sports fan, I was fortunate to grow up during a golden age of Chicago sports. The Blackhawks were right in the midst of their dominant 2010s dynasty run, winning three Stanley Cups in a six-year period, while the Cubs ended their 108-year championship drought in 2016.
I discovered my love of sports during this period of success, with my earliest memory coming on a quiet night in June 2013. I couldn’t sleep that night and went to get a glass of water. Upon leaving my room, I discovered my parents in the living room watching the final minutes of game six of the 2013 Stanley Cup Finals.
I arrived just in time to see the Blackhawks infamously score two goals in 17 seconds to win the series over the Boston Bruins.
“This is history,” my father said.
In that moment, hockey became my life. I lived, breathed and died with the Blackhawks, trying to consume as much content as I could. NBC Sports Chicago was the first place I went to, as they broadcasted the majority of the Blackhawks’ games.
As the years went on, the network became a consistent presence in my daily life. When the Cubs lost a close game, I knew I could count on hearing David Kaplan’s fiery takes. Pat Boyle and Steve Konroyd were the calming voices who broke down each period of Blackhawks hockey during the intermissions.
If I needed insurance help — thankfully I didn’t — my first instinct would’ve been to call Jeff Vukovich with Nationwide Insurance, as his name was read out in sponsorship reads for every Blackhawks game.
However, the two main figures I would go on to idolize were Pat Foley and Eddie Olczyk, the iconic play-by-play duo of the Blackhawks. Paired together since 2008, the two became synonymous with Blackhawks hockey, bringing a flair to the booth only they could.
While both are no longer with the team, I can’t think of the Blackhawks — especially those championship years — without instantly reminiscing about “Pat and Edzo.”
As I got older and it became clear a career in sports media was in my future — my dream was to one day see myself at the same network as my heroes. To my surprise, that dream was realized much earlier than I expected.
I’d just gotten off the bus on a cold day in October 2021 to work a Loyola men’s soccer game at Hoyne Field. My boss at the time, Bill Behrns, pulled me aside and said he had an opportunity to discuss with me. The next words that came out of his mouth would change my life forever.
“NBC Sports Chicago is broadcasting our men’s basketball games this year and they’re looking for a student to report on them,” Behrns said. “I told them you would be interested.”
In that moment, a thousand emotions swelled into my head all at once. I couldn’t answer him, as it took everything out of me not to faint on the spot. After the game, he introduced me to the network representatives and I anxiously prepared for my first game.
That day came Nov. 13, 2021, as Loyola took on Florida Gulf Coast University in their second game of the season. I remember everything about the game, taking in the sights from press row for the first time. What I remember most was getting back to my dorm room and seeing the headline.
“Ramblers beat Florida Gulf Coast: 3 Observations – By Nick Neumayer.”
As I sit here writing, it’s still hard to describe what I was feeling that evening. I spent my childhood dreaming about seeing myself on NBC Sports Chicago. To see my dream realized in that moment was one of the best days of my life.
Since then, I’ve written over 100 articles for NBC Sports Chicago across three years. Even after all this time, it still doesn’t seem real seeing my name on their website. It’s something I’ve never taken for granted and feel incredibly honored to have achieved.
My sports teams have a new broadcast home now, as the new Chicago Sports Network owned by Standard Media launched for the first time Oct. 1., but I will always remember the impact NBC Sports Chicago had throughout my childhood.
Regardless of what kind of day I was having, I knew I could come home, turn on the TV and immerse myself in whatever sports content I could find. NBC Sports Chicago has brought me countless memories I’ll never forget, experiencing both the highs and lows of being a sports fan.
However, what I will remember most about NBC Sports Chicago is how they gave an 18-year-old first-year the biggest opportunity of his life. The ability to collect hands-on experience almost immediately and learn how to craft content for a massive audience, all while fulfilling a childhood dream, can’t be overstated.
I will forever be thankful to all the amazing people I have come across at NBC Sports Chicago for believing in me and helping me to achieve something truly spectacular. I’m incredibly honored to have spent three years with the network and will always cherish the experiences I had.
The post Essay: Saying Goodbye to NBC Sports Chicago first appeared on The Loyola Phoenix.
Fourth-year Cate Reisinger of the women’s golf team is someone head coach Brandy Johnston regards as a “high quality individual.” Since her debut on collegiate greens during the Ball State Classic Sept. 20, 2021, Reisinger has remained a steady presence for the team.
Reisinger’s introduction to the sport was through her father, who handed her a golf club at a young age. Along with her older brother EJ and younger sister Ava, she participated in a number of junior clinics within and near her hometown of Park Ridge, Ill.
While all three grew up at the range together, each began to deviate into other sports. Her siblings also pursued hockey, while she grew accustomed to the soccer pitch.
While Reisinger’s soccer career was eventually cut short, she said there was a larger draw to it as a kid compared to golf.
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“[Golf is] very slow paced,” Reisinger said. “It’s not the most intriguing sport to a kid, but my top sport was soccer, which I played up through middle school until high school because I had a couple of injuries.”
When considering high school, Reisinger decided to follow in her brother’s footsteps and attend Saint Viator High School, a catholic college-preparatory institution located in the nearby suburb of Arlington Heights.
She enjoyed a successful golf career there, earning individual medals in the East Suburban Catholic Conference in three separate years, along with all-state, all-sectional and all-region shouts. Her time as an upperclassmen saw her playing alongside her sister for only a year, due to the impact of the COVID-19 pandemic.
By the time she was on Saint Viator’s squad, Reisinger said she was fully committed to golf as a collegiate opportunity. In addition to performing highly in tournaments, Reisinger was building up a “golf resume” and networking with coaches.
While high school players are allowed to send out their resumes to schools, it serves as a one way line as coaches are unable to respond until September in an athlete’s third-year of high school, according to Reisinger.
Reisinger’s first contact with Loyola was initiated by then-head coach Carly Werwie-Swartz, who Reisinger described as the largest influence in her eventual commitment to Loyola. Initially, though, Reisinger maintained a mindset searching for out-of-state opportunities.
“I really didn’t want to stay in Illinois because I’ve grown up in Park Ridge,” Reisinger said. “I could get on Devon right now and drive straight west for 30 minutes and I’m home. One road. The campus is on the same road as my home.”
The two kept in contact, with Werwie-Swartz offering constant advice during the recruiting process, even if it wasn’t to Loyola’s benefit. Eventually, the combination of Werwie-Swartz’s personality and recognition of the improving program won over Reisinger — who decided the ride wouldn’t be so bad after all — and joined the program along with two other first-years.
Werwie-Swartz eventually left the program to pursue opportunities in her hometown of Kenosha, WI, allowing Johnston to step into the role in August 2022.
When the coaching change was implemented — at the start of Resiginger’s second-year — she was sidelined due to an injury she’d picked up at the end of the previous season. She had reservations about possibly redshirting, but after a dominant spring season showing — finishing as the team’s second highest scorer — she decided to move along the set path, according to Johnston.
Now in her final season, Reisinger, along with fellow fourth-year Jolie Brochu, is helping a young squad navigate a newly established Atlantic 10 golf conference, the third conference transfer she’s witnessed at Loyola — the previous two being the Missouri Valley and Metro Atlantic Athletic conferences.
In what she describes a “family,” the program’s eight athletes are put in contact with each other well before the start of the season, helping members of the team adjust to new surroundings and faces. Because of the small group, Reisinger said it’s “practically impossible not to be close.”
Johnston indicated the insight Reisinger brought to the team as an older player.
“Having fourth-years step up and provide good leadership is really important,” Johnston said.
“That’s not just in how we treat each other. But it’s also important to show the standards that we want to live by within our program, centered around hard work, making sure that we’re doing the little things and really showing up to compete every single time that we play.”
So far in the season, Reisinger has recorded a top-10 finish — the third of her career — along with her first under-par round and lowest 54-hole finish in her career, all of which came from the Redbird Invitational in Bloomington, Ill.
To close out her final year at Loyola, she said she’s aiming to nab a few more top-10 finishes, along with a possible run at the A10 conference championships in mid-April.
In addition to her athletic career, Reisinger has been pursuing a degree in marketing from the Quinlan School of Business, which she said she hopes to utilize in a way that allows her to remain somewhat connected to golf.
Johnston said by the time Reisinger’s eligibility is up, she’ll be completely prepared for life after college golf.
“When I look at Cate, I just see someone who’s loaded with tremendous potential, tremendous potential in life, tremendous potential in golf,” Johnston said. “She really is the total package and has all the characteristics that you need to have to truly excel both in life and on the golf course.”
The post Reisinger is the “Total Package” for Women’s Golf first appeared on The Loyola Phoenix.
Growing up in the state of New Jersey, I’ve been exposed to the dynamics of one of the largest sports markets in the world — the New York metropolitan area.
It’s expected tons of people will still tune into a live broadcast at any given moment or shamelessly wear their team’s merch, despite said team getting blown out the night before.
As one of those fans, I feel it’s my responsibility to expose readers to why I consistently sign myself up for the delusion. I’m happy to continue the alternating column between Sports Editor Andi Revesz, myself and our writers highlighting our hometown sports.
However, unlike Andi’s clearcut Detroit background, I’ll have to navigate the muddy waters of the Hudson River to find what qualifies as a hometown team. In this issue, I’ll be covering the significant recent news surrounding the New York Mets, but future iterations will include deep-dives into the New York Giants and New Jersey Devils as well.
The blue-and-orange of the Mets has become a more involved part of my life as of late. Ever since I moved out to Chicago, I’ve felt the need to call attention to my East Coast background and the pride I take from it.
My Mets cap has seen a significant amount of wear over the years, coming along with me on numerous family vacations, canoeing trips in the New England wilderness and most recently, across the Atlantic for my study abroad experience in Rome.
My blue alternate Jacob Degrom jersey is a prized feature of my wardrobe, having made its way to Wrigley Field several times and serving as a source of confusion for Cubs fans who wonder why I’m there for a game not involving the Mets.
A lot of that pride is also, perhaps indirectly, for my father and how he introduced me to the world of sports.
Growing up across from Manhattan in Jersey City, NJ, my father opted out of following the “evil empire” — known as the New York Yankees — and brought me along for the wild ride.
One of my favorite memories involved the two of us riding in a car after work in an hour and a half long drive to the Mets’ home stadium of Citi Field in Queen’s Flushing neighborhood.
My father and I patiently stared at my Ticketmaster homepage, waiting for a “guy in his bathtub” to lower the price of great tickets right behind the opposing team’s dugout, while also holding our breaths for possible cancellation due to bad weather.
We were able to snatch the tickets and had a blast before the game started, touring Citi and enjoying the amenities. The Mets lost the game 1-0, but that experience and many others conditioned me into being what he described as a “Mets sufferer.”
If there’s any confusion about what a “Mets sufferer” is, the only way to possibly show what the term means is with what happened on the evening of Sept. 30, the day before Major League Baseball postseason started.
The Mets were facing division rivals, the Atlanta Braves, in a two game double-header. The games were originally scheduled five days earlier Sept. 25-26, but Hurricane Helene made landfall, causing the Wild Card defining matchup to be put on hold.
The Mets had already found themselves in an unexpected position. Only a year after blowing up a squad with record high payroll, the Mets toiled in misery. An early 0-5 record followed by several putrid stretches had their own announcers writing the team off for the season.
Enter McDonald’s mascot Grimace.
With a record of 28-37 and a 15.6% chance of making the playoffs as of June 12, Grimace delivered the first pitch, creating a massive culture shock — nicknamed “Grimace Mania” — in the Mets’ stadium and dugout.
With additional emotional support from second-baseman Jose Iglesias’ Billboard-charting song “OMG,” another celebrity opening pitch courtesy of “Hawk Tuah” star Haley Welch and a permanent purple seat installed in Citi Field’s section 302, the Mets grabbed 60 wins and found themselves staring at a potential Wild Card spot.
With the matchup, not only did the Braves and Mets both need a win to get their Wi tickets punched, but the Arizona Diamondbacks needed one to sweep the other to squeeze in.
The Sunday before the matchup, my father sent me a text while I was cooking dinner, showing even he, a typical nihilist when it came to the Mets, had some optimism in him.
“All the Mets need to do tomorrow is split,” he said. “Watch this!”
The first game in the double header started slow, picking up in the final two innings.
At the top of the eighth inning, the Braves were up 3-0 and had a 94% chance of winning. The bottom of the Mets’ lineup jump started an eventual six-run inning, starting the bottom of the eight up 6-3.
Closing pitcher Edwin Diaz came to the mound and completely lost control, allowing the Braves to score four before he was able to stop the bleeding.
In the top of the ninth and one out down, outfielder Starling Marte ripped a single, giving star shortstop and MVP contender Fransico Lindor a chance to make an impact. Lindor smashed the first pitch, which went over the left field fence for the 8-7 lead.
Diaz surprisingly returned to the mound — a move that prompted my father to text me “I can’t watch” — and was able to recollect himself.
After the first at-bat ended in a pop-up out, the second at-bat saw Atlanta’s left fielder Eli White sneak the ball into the outfield for a single, and immediately steal second.
With a man in scoring position, Diaz was able to retire another for the second out. Former Mets catcher Travis d’Arnaud was the last man standing between New York and October baseball.
He’d eventually put the ball into play with a grounder, which Lindor fielded for the final out of the night. Another postseason appearance and the opportunity for the team to take a crack at the Milwaukee Brewers in the Wild Card the following day.
Although the Braves captured the second game of the double-header 3-0 — much to Arizona’s dismay — the Mets defied expectations, gave fans a speed run of the five stages of grief before bringing hope back and gave a certain purple mascot an even bigger cult following.
Suffering can be sweet sometimes.
The post Hometown Sports: Art of the “Mets Sufferer” first appeared on The Loyola Phoenix.
As the countdown to the 2024 Presidential election continues, here are the different ways Loyola students can cast their vote and what deadlines voters need to pay attention to.
This year’s election will take place Tuesday, Nov. 5. Rules differ by state, but many eligible and registered voters can vote in-person or mail through absentee ballots.
Voters will have the opportunity to cast their ballots not only for the presidential candidates, but also for state representatives, senators, mayors and ballot initiatives. Specific information about what’s on the ballot in each state can be found at your home state’s election website.
Registering to Vote
Voters must be 18 years of age or older, a U.S. citizen and meet their state’s residency status to be eligible to vote.
First time voters can register to vote at Vote.gov by selecting their state and clicking on the first link to start their registration.
If students have already registered to vote, they can confirm or update their registration at Vote.gov by entering their state and scrolling down to the “confirm your voter registration status” link.
Illinois allows voters to register online until Oct. 20, but if voters are registering by mail, the request must be postmarked by Oct. 8. In-person registration is available from now until Election Day at voters’ local polling station.
First-year political science student Dylan Sullivan said he’s been registered to vote since he got his driver’s license. He plans to head to his local polling site to cast his vote.
Registration deadlines vary depending on the state. Voters can view the deadlines for the presidential election at Vote.gov by selecting their state.
Voting Locations
Students who are registered to vote in Illinois and wish to vote in-person can find their nearest polling location by entering their zip code into the state’s Polling Place Locator.
Fourth-year political science student Ximena Castaneda said she will be casting her vote early at a local polling site.
“Last presidential election, I was a couple days off so it was frustrating,” Castaneda said.
Early voting in Illinois opened Sept. 26 for every jurisdiction aside from Cook County, which will open Oct. 3, according to the Chicago Board of Elections. Information on where to vote early in each jurisdiction can be found at the Illinois State Board ofElections page.
IDs are not required to be shown at Illinois polling sites, but there may be cases where a form of identification is needed — including when a voter is filing a change in address on their registration or when a voter’s mail-in registration didn’t include a form of identification.
Chicago voters can visit the Chicago Elections website to find out more about when an ID is needed and what forms of ID are accepted at polling sites.
If a student is registering to vote in-person, two forms of ID must be brought with them to complete the process. Acceptable forms of ID include passports, drivers licenses, university IDs, Social Security cards and credit or debit cards.
Polling sites in Illinois are scheduled to be open from 6 a.m. through 7 p.m. on Election Day, according to the Illinois State Board of Elections.
Voting with Absentee Ballots
Loyola students who wish to vote in other states can use absentee ballots to vote by mail. Students may have received an application for an absentee ballot in the mail before they left for college but if they didn’t, they can visit Vote.org to request one.
Kate Quasius, a fourth-year student studying computer science, said she already has her absentee ballot and will be casting her vote in Wisconsin.
“It’s my first time voting in a presidential election so I’m excited about that,” Quasius said.
Each state has varying deadlines for when absentee ballots need to be requested by and when they must be sent in for counting. Each state’s deadline information is laid out in a chart provided by Vote.org.
Loyola Votes provides a “Toolkit” for voting, resources for staying informed and making a voting plan and a voter guide on their website. Answers to additional questions as well as further information can be found at Vote.gov.
The post The Phoenix’s Guide To Voting In 2024 first appeared on The Loyola Phoenix.
Fourth-year setter Bree Borum was named Atlantic 10 Setter of the Year for the past two seasons. Since then, she has been a consistent member of the A10’s first team all-conference in consecutive seasons with Loyola.
Borum has the same mindset and goals for herself her coaches have for her.
“My last year at Loyola, as a whole team standpoint, is to make NCAA’s and win A10’s,” Borum said. “Overall, for me personally my goal is to go out with a bang and have an impact on the program since it had such a big impact on me.”
Borum said being named A10 Setter of the Year is not just about her, but about how her teammates set her up to perform. She said it’s her hitters and passers who make her look good, along with her coaches who push her to work hard every day.
Borum transferred to Loyola after her first-year where she played at Florida Gulf Coast University. She said coming to Loyola from her previous program was a complete 180. At Loyola, Borum said, people care about players as individuals on-and-off the court. Borum also felt she has made best friends for life.
Borum was named captain this season and has already taken on a larger leadership role as a result. Berkley said Borum is an overall great player and said when the team looks at her to make big plays, she delivers.
Since the team has a growing number of 10 undergraduates, Borum explained it is useful for her to have the ability to answer questions and provide for the team when new situations arise.
“I think just being someone who’s been here along with Esma [Ajanovic], we know how it goes, we know what the coaches need,” Borum said. “It’s nice to be able to help people out when they have questions.”
Berkley said if the team needs to get a kill, she will find a way. Borum remains a threat at the net, having tallied 71 kills so far this season. Along with her offense, Borum has also racked up 135 digs and 425 assists.
“You will never see her taking a play off and she goes for everything,” Berkley said. “And so, it’s pretty huge to have someone like her who just gives 100% every play.”
Borum originally got into volleyball through her family, with her mother and two older siblings all having collegiate volleyball experience. She became a setter after watching her older sister, who she said was one of her biggest inspirations.
“My mom played volleyball in college and taught my dad, and then my two older sisters, who both played collegiate volleyball, so watching them play was really exciting and a lot of fun,” Borum said. “Then me and my twin just started playing as well, and that was a lot of fun. So just something that has happened throughout my family that I definitely wanted to continue.”
Off the court, Berkley described Borum as a “goofy, fun person to be around.” Outside of athletics, Borum is currently pursuing a degree in elementary education, and is considering sticking to education, or possibly pursuing a coaching career. Wherever she ends up, she wants to work with youth in one way or another.
When asked about what piece of advice Borum would give her future self, she said it’s important to soak up every moment.
“That it’ll all be okay, and it does go really fast,” Borum said. “I know my freshman first semester, I was really uncertain with what I wanted to do and where I wanted to be in everything. And then, looking back, I cannot believe four years ago, has almost already gone by. So just like taking in every moment the good and the bad is definitely a big thing.”
The Ramblers will stay home for their next match against Saint Louis University on Tuesday, Oct. 1 at 6 p.m. in Gentile Arena. This will be the third match of conference play for the Ramblers where they hope to continue moving towards conference champions.
The post Borum Leaves Her Mark with Women’s Volleyball first appeared on The Loyola Phoenix.
Loyola is one of six co-recipients of a $51 million federal grant from the National Institutes of Health for research on transgender health equity.
The grant was awarded to the Institute for Translational Medicine, an alliance between The University of Chicago and Rush University Medical Center, in collaboration with Loyola, Advocate Aurora Health, The Illinois Institute of Technology and Northshore University Health System, according to their website.
Loyola’s $646,000 share of the grant will go to the Marcella Niehoff School of Nursing to develop the “Trans*forming Care” program — an online mobile-app curriculum on transgender healthcare, according to the NIH.
The Institute for Translational Medicine has partnered with the Chicago Department of Public Health, nonprofits and community members to improve health equity for the 9.5 million people in their network, according to their website.
Transgender people experience healthcare inequity at a disproportionate rate compared to cisgender people in America, according to the American College of Obstetricians and Gynecologists.
Transgender patients report the lack of providers who are sufficiently knowledgeable on gender affirming healthcare is the biggest barrier they face in receiving proper medical treatment, according to a 2017 NIH study.
Over 1.6 million people in the United States identify as transgender, according to a report from UCLA’s Williams Institute, a think tank dedicated to research on sexual orientation, gender identity and public policy.
Lindsey Garfield, associate professor in the School of Nursing and co-principal investigator on the Trans*forming Care grant project, said the research will ultimately improve patient care through its positive impact on the education of nursing students.
“In order to provide the best patient care, healthcare providers need to know what health topics are important for transgender patients,” Garfield said.“This project will develop a fun, engaging gaming app with a conglomeration of information based on organizational guidelines, expert opinion and patient perspective.”
A 2021 study published by the NIH found game-based curricula are an increasingly popular mode of education for future healthcare professionals. The study showed gamified learning can enhance the experiences of nursing students and increase motivation by meeting the demands of modern-day technology.
Dr. Dian Squire, associate dean for Inclusive Excellence and co-principal investigator of the Trans*forming Care Project, said the choice to present the content in a game format was made specifically to appeal to nursing students.
“We wanted to use the gamified app format so that users can jump in and out of the learning environment as their schedules allowed,” Squire said. “We are hoping that it is also a fun user experience so they’ll return to it regularly.”
The app will be developed over the next four years, and will include seven asynchronous educational modules on topics ranging from legal restrictions on gender-inclusive care to potential drug interactions with hormone therapies.
The International Council of Nurses’ Code of Ethics for Nurses says nurses must be sensitive to the values of people without prejudice or unjust discrimination.
Many healthcare professionals are both unclear and inexperienced with treating the Transgender and Gender Diverse population, according to the Mayo Clinic.
“We’re providing evidence-based instruction to help nurses learn how to address the needs of a population that has long been overlooked by our health care system,” Dean Lorna Finnegan said in a Sept. 16 press release.
Finnegan said their work will be considerate of the realities transgender people face within the current healthcare system.
“Our work is unique because we’re incorporating the real-life experiences and perspectives of transgender and gender nonconforming individuals,” Finnegan said in the release.
The post NIH Grant To Fund Game-based Curriculum On Transgender Health Equity first appeared on The Loyola Phoenix.
A new Starbucks location is opening on North Sheridan Road under the Hampton Inn at Loyola Station. While the store plans on opening this fall, an official date for the opening hasn’t been announced.
The storefront, located at 6576 N. Sheridan Rd., sits across the street from Loyola’s Lake Shore Campus. The space was previously occupied by tea chain Argo Tea.
The new store’s announcement comes as the company is set to close their location further North from campus at 6738 N. Sheridan Rd. The store is expected to employ around 20 staff members, most of which will be employees from the closing location, according to a Starbucks spokesperson.
There are two other Starbucks a block away from the new store: one a drive-thru location at 6350 N. Broadway and the other in the Target on 6418 N. Sheridan Rd. Both are about a two minute walk from campus. There are also quick service locations on the Lake Shore campus serving Starbucks coffee, where students can use their meal plan to pay.
While there isn’t an official opening date, a spokesperson reiterated the company’s commitment to meeting customer needs in convenient locations.
Third-year Karla Galindo-Marquez said she thinks Starbucks locations can offer students a convenient spot to grab a quick coffee between closes, or a place to study with friends.
Galindo-Marquez, a neuroscience major, who said she goes to Starbucks once every couple of weeks, was concerned about the opening of another Starbucks. She said it seems unnecessary given the locations already serving Starbucks coffee near campus.
“Don’t think Starbucks is much more different than any other coffee shop, its coffee is a brand,” Galindo-Marquez said, “They give you the same cup, you get the same ingredients everywhere. If I want a chamomile, I could go to my mom’s cupboard, get a camomile, and make myself one.”
Second-year biology major Lauren Banta shared similar views with Galindo-Marquez and emphasized convenience, as Starbucks remains open for longer hours throughout the day.
Banta said since her preferred coffee shop opens later in the day, her next option is to turn to Starbucks.
“The thing with Starbucks is it’s easy,” Banta said. “You’re comfortable with it. You’ve been there a lot of times.”
However, Galindo-Marquez said she would choose Starbucks over coffee at home because the location is convenient.
“If there were a Dunkin’ Donuts closer to my classes, I’d probably go there instead,” Galindo-Marquez said.
Banta accredited gift cards from friends and family for funding her typical visits, as buying coffee has become expensive. A 16 oz medium roast coffee at Starbucks is $3.65, whereas Keurig’s coffee pods are 57 cents each.
She said when she does go to Starbucks, she often goes in the early morning to study. However, she prefers to go to more local shops, like Metropolis Coffee Company on West Granville and Varietale Bagels & Coffee on North Broadway.
The arrival of a new Starbucks has also sparked concern among local independent businesses. Joey Figueroa, manager at Metropolis, acknowledged the competitive environment of being an independent coffee shop in Chicago, especially regarding accessibility.
“I’m just trying to remember what it was like when I was a student,” Figueroa said. “Starbucks is going to be the convenience spot.”
However, he said he was confident Metropolis will retain its loyal customers including residents and students despite the presence of a new location.
“We really pride ourselves in being a community hub for students,” Figueroa said. “Every year, it’s enjoyable to see the new freshman class that I can possibly see the next four years in college.”
The challenges are even more pronounced for newer businesses like Khmai Fine Dining, according to the restaurant’s Executive Chef Mona Sang.
She said Khmai was forced to close temporarily Aug. 14 due to the construction of the Starbucks. Sang reported she lost thousands of dollars worth of food because of debris and dust from the construction site, which set the restaurant back significantly.
“Dust and everything filled up the whole restaurant from top to bottom to the point where it wasn’t breathable in here,” Sang said.
Sang said Khmai had to undertake its own renovations to address the damage caused by the ongoing construction, which started around Aug. 13. That week, she said she canceled and refunded 500 reservations and lost “thousands” of dollars.
Khmai re-opened Sept. 18 and will be serving dinner and drinks Wednesday through Sunday, according to an announcement by Loyola’s Office of Neighborhood Initiatives.
Sang said she remains hopeful and feels like the neighborhood has always been known for its diversity and support for local businesses.
“I’ve always loved Rogers Park and the community,” Sang said.
The post New Starbucks Location Set To Open Near Lake Shore Campus. first appeared on The Loyola Phoenix.
Libra: Sept. 23 to Oct. 23
Each day, you wake up different. In slow, small ways, you’re changing. Love yourself today, yesterday and tomorrow — each version is deserving of kindness.
Scorpio: Oct. 24 to Nov. 21
Mistakes are seldom irreversible. Apologize, revive, heal and mend — second chances aren’t as rare as you might think.
Sagittarius: Nov. 22 to Dec. 21
One rip doesn’t ruin the entire piece. Cut out a swath of your favorite fabric and patch it up. There’s still a life to live.
Capricorn: Dec. 22 to Jan. 19
There’ll be days of damp sorrow, but there’ll be days of warm affection as well. Keep moving forward through the ugly and beauty will shine once again.
Aquarius: Jan. 20 to Feb. 18
You can’t expect to receive results instantaneously. Harvests aren’t reaped till months after planting.
Pisces: Feb. 19 to March 20
Even the quiet accomplishments deserve celebration. There’s no shame in being proud of who you are or what you’ve achieved.
Aries: March 21 to April 19
Even the creepy crawlies are cherished — spiders, centipedes and cockroaches are all adored by someone. There’s love in this world for everyone.
Taurus: April 20 to May 20
Bask in the soft yellow of the lamplight, in the calm blue of the afternoon sky. Life doesn’t need to be smothered into grays.
Gemini: May 21 to June 21
Your thoughts are poetry, your fears are prose. Write down your life in scribbles and swirls — it may help you understand yourself better in the end.
Cancer: June 22 to July 22
Regain your focus — orient yourself in the world and continue your journey. You haven’t fallen behind just yet.
Leo: July 23 to Aug. 22
Your anger is choking you. Your hatred only rots your soul. Bear no malice and you’ll breathe easier.
Virgo: Aug. 23 to Sept. 22
Just as a garden flourishes in diversity and plenitude, so, too, do you. A solitary life will cause you to wither, deprived of nutrients.
The post Horoscope: Oct. 2 first appeared on The Loyola Phoenix.
What does our student government do? What are the new administration’s plans for the upcoming academic year? How will their efforts affect students?
On this week’s episode of The Byline, a joint project between The Phoenix and WLUW 88.7, host and engagement editor Audrey Hogan is joined by deputy news editor Julia Pentasuglio and Ava Witherite to discuss these questions and more.
Listen to The Byline — the story behind the stories you read — every Friday wherever you get your podcasts.
The post The Byline: What Does Student Government Do for Students? first appeared on The Loyola Phoenix.
Libra: Sept. 23 to Oct. 23
You haven’t been forsaken in the darkness — rest assured, the sun will rise anew. Soon you will be blanketed in warmth once again.
Scorpio: Oct. 24 to Nov. 21
Crush a grape between your teeth and feel out its skin with your tongue. Enjoy the season’s fresh fruits and vegetables before the frost deadens the ground.
Sagittarius: Nov. 22 to Dec. 21
Yield to the ecstasy of good humor, clutching at your stomach as peals of laughter spill from your lips. Stifled joy is the greatest heartbreak of all.
Capricorn: Dec. 22 to Jan. 19
Don’t be afraid to sow seeds of friendship and camaraderie — their blossoms will color your life with invaluable petals of love and loyalty.
Aquarius: Jan. 20 to Feb. 18
Slip quietly into the flow of the crowd and follow your wandering eye. Sometimes the best days are built upon simple observances.
Pisces: Feb. 19 to March 20
Disappointment doesn’t need to be your enemy. Push yourself to regain your footing, and forge new paths of improvement.
Aries: March 21 to April 19
Soften your edges and sweeten your tongue. Not every conversation needs to be a debate. Don’t exhaust yourself by relentlessly playing offense.
Taurus: April 20 to May 20
Don’t rush headfirst into the moments ahead. A slow, careful approach will provide you with more stability in the end.
Gemini: May 21 to June 21
Take action — drum your fingers, knit your brow and brush the dirt off your knees. Your life can’t stand on words alone.
Cancer: June 22 to July 22
Every fleeting moment needn’t be caught and confined to the chains of memory. Allow every second to simply wash over you — there and gone again.
Leo: July 23 to Aug. 22
In despair there’s joy, and in anger there’s calm. Balance emotions with experiences and revel in the thrilling complexity of life.
Virgo: Aug. 23 to Sept. 22
Perfectionism will immobilize you. Trust that a slight misstep or stumble can still reap grand rewards. Success is oftentimes found in the unexpected.
The post Horoscope: Sept. 25 first appeared on The Loyola Phoenix.
Since the start of September, stained clothes and brown sticky hand prints have terrorized residents of San Francisco Hall — with a supposed “poop bandit,” “nutella bandit” or “poop villain” causing mischief within the dorm.
First-year political science student Abby Margolin said she did her first load of laundry on campus in one of the sixth floor San Francisco washers Sept. 2. The load included a mix of both Margolin and her roommate’s light-colored clothes and blankets.
When the two went to retrieve their laundry, Margolin said they found brown stains on their items. Unsure of what the stains were, Margolin said she messaged a San Francisco Hall Snapchat group and warned her peers about the machine.
“We were just flabbergasted,” Margolin said. “We threw everything away because we were absolutely disgusted.”
Margolin said she still isn’t sure where the stains came from. She believed it may have been residual gunk from the machine, but others in San Francisco Hall said they believed it may have been a more alarming stain — human feces.
“How many more times am I going to get my stuff ruined by just using the university washing machine?” Margolin said. “I shouldn’t have to look in the laundry machine or clean it out beforehand to make sure it’s safe to use.”
The incident sparked a series of rumors throughout the hall about the culprit of the dirty stain, according to Margolin who said the blame was originally placed on her — a sort of “whoever smelt it dealt it” kind of deal.
Someone even went as far as to write “poop villain lives here” on the whiteboard hanging outside her door, Margolin said.
Days later the prank was taken a step further when brown handprints and smears of sticky Nutella popped up on the tops of washers, dryers and inside the elevator in the hall.
Residence Life learned of two incidents related to the pranks from Sept. 7 and Sept. 12, Melissa Bagdon, assistant director for assignments, marketing & communication at Residence Life wrote in an email to The Phoenix. Bagdon provided no further details on the incidents.
“At the time, I was like, ‘You know what? It’s kind of funny,’” Victoria Garcia, a first-year environmental engineering student and San Francisco Hall resident, said.
As time went on and the Nutella kept appearing, Garcia said she and others like first-year biology student Morgan Kelley grew more annoyed by the prank.
“I just thought it was kind of immature,” Kelley said. “Yes, it can be funny in the moment, but that’s our laundry and stuff.”
A Sept. 13 email from Hanna Kinney, the Resident Director for San Francisco Hall, asked students to consider the far reaching effects of the prank, which is considered property damage, and to instead work on facilitating a sense of community.
“Respect for one another and the spaces we share is a cornerstone of our community standards here,” Kinney wrote in the email.
The email also outlined the harm the prank had or potentially could cause, referencing janitors who had to clean up the mess and students with tree nut or chocolate allergies who were put at risk by the Nutella spread throughout the hall.
Margolin said the stains on her items made an already difficult transition into college life worse.
“It made me anxious permanently about like ‘Is this gonna happen to me again in the future?’” Margolin said.
The prank hasn’t continued since the Sept. 13 email was sent out, Margolin, Kelley and Garcia confirmed.
“They are stupid freshmen who are doing dumb pranks,” Kelley said. “And when they were told to stop by people in charge, they stopped.”
Bagdon didn’t comment on whether Residence Life knew who the “poop bandit” was, or if they were actively searching for who was behind it. While the perpetrator hasn’t been revealed, Kelley said she is just relieved the prank is over.
“No hard feelings,” Kelley said. “As long as we’re done, we’re done.”
The post So Called ‘Poop Bandit’ Terrorizes San Francisco Hall first appeared on The Loyola Phoenix.
Is there any issue eroding Chicago’s identity right now more than gentrification? It’s a heartbreak we all know — newer and wealthier people enter, prices rise and the weight of increased housing value and additional taxes push the original character of the neighborhood out.
It happened in Lincoln Park. It happened in Lakeview. It’s happening in Bridgeport, Pilsen and Logan Square.
Gentrification seems to be attacking the soul of the working class which once defined Chicago. While the increased community investment and public safety are welcomed by many— members of the community often become unable to afford their home. Why does this happen? Supply and demand.
As of right now, there’s a greater demand for housing than supply. When demand exceeds supply, prices go up due to buyer competition. Further, a larger portion of new developments are so-called luxury apartments, offering added conveniences to the renter and raising rent in return.
As such, anti-gentrification efforts often focus on suppressing new developments and resistance to the newer, wealthier demographic in a neighborhood. This is folly. Newcomers aren’t solely responsible for neighborhoods becoming harder to live in after they arrive — the blame belongs with the local government, who in an alleged effort to preserve a neighborhood’s character end up making gentrification worse.
In short, blame your alderperson.
Many alderpeople in Chicago have a long tradition of blocking the building of dense housing units in the city, decreasing the supply as demand increases, according to the Chicago Sun-Times.
This is because Chicago follows a tradition known as aldermanic prerogative.
In essence, alderpeople in the city act as both legislators in city council, and executives over their own ward. Any new building or zoning change requires the local alderperson’s permission. Further, the alderperson has a very strong influence on zoning laws in their ward, dictating what type of building can be built in a specific area.
Alderpeople also have large powers to upzone or downzone lots within their wards. determining how densely developers are permitted to construct.
Developers want to build affordable homes, and people want to live in affordable homes. Alderpeople are the ones who prevent the building of affordable homes, contributing to the shortening supply of affordable homes.
The U.S. Department of Housing recently investigated this phenomenon. Their report indicted alderpeople of majority white wards for using aldermanic prerogative to block affordable housing as a method of preventing minorities from moving into their ward, according to WTTW.
Consider the example of Ald. Brian Hopkins (2nd), who represents the largely white Lincoln Park and Old Town neighborhoods. Just last year, he blocked developers from turning a 50 foot lot with two small buildings in Lincoln Park into a large, multi-use, 5-story residential building. The amount of housing that could have been built would go a long way to increasing affordability in the Lincoln Park area, but alleged community backlash convinced him to block it.
While racially-motivated politics are despicable, blocking affordable housing in gentrifying areas is not limited to white alderpeople. Ald. Carlos Ramirez-Rosa (35th), of a gentrifying ward where over half the population is Hispanic, attempted to downzone a massive swath of properties in 2017. These plans were blocked in part due to community backlash, but he still downzoned several lots along North Milwaukee Avenue in 2020.
To Ramirez-Rosa’s credit, he’s encouraged certain upzoning and affordable housing projects in other parts of his ward, and there’s no way to definitively prove his decisions to block affordable development were racially motivated. But the affordable housing Ramirez-Rosa has championed is still too little, and those extra properties he downzoned could’ve gone a long way towards maintaining affordability in a gentrifying area.
Many other alderpeople argue against density, claiming it may end up raising rents. The city of Minneapolis, however, shows otherwise, as the city spent the last 15 years densifying and building new housing. As a result, rent has risen much slower than in other cities, according to Pew Research. Chicago cannot say the same.
Alderpeople have near total control over what happens in their wards. So why suppress developers instead of working with them to ensure new housing is affordable?
What this example shows us is that alderpeople are still beholden to their constituents — as long as constituents are making enough noise.
To help solve the affordable housing crisis in Chicago, call or write your local alderperson and tell them to fight for more dense affordable housing in your ward. The more we force them to listen, the more we can afford to stay in our communities.
For those who live around the Lake Shore Campus, Ald. Maria Hadden (49th) can be reached at 773-338-5796, and Ald. Leni Manaa-Hoppenworth (48th) can be reached at 773-784-5277.
Alderpeople who block affordable housing say new development will change the character of a neighborhood, and of course developers should be sensitive to this possibility. That said, neighborhoods like Pilsen or Lincoln Park are defined more by their residents than the types of housing within them. Which hurts a neighborhood’s character more — an increase in density, or the loss of the communities it once held?
The post Blame Your Alderperson For Gentrification first appeared on The Loyola Phoenix.
This season, Loyola’s cross country team features a new athlete — first-year Daphné Dornic. She competes in long distance, and runs both cross country and track distances.
A native of Clermont-Ferrand, France, Dornic recently had the opportunity to represent her homeland at the U-20 World Championships in Peru in late August.
She made it to the women’s finals for the 1500m by clocking in just six seconds more than her personal best time of 4:16.16, and coming in fourth in the first heat she ran. In the finals, Dornic came in sixth to beat nine other competitors with a time of 4:20:80.
Dornic had achieved her personal best time only two months earlier.
Immediately after wrapping up in Peru, Dornic had to quickly turn around and travel to Chicago to get situated at Loyola.
Dornic arrived at Loyola later than the rest of her peers. She had to adjust to new classes, new people and new teachers, all while being a week behind.
The first-year struggles were added to other factors such as international adjustment and helping maintain Loyola’s strong reputation in the Atlantic 10 conference.
It has been a difficult transition for Dornic who said she was “a bit lost at first.”
Head coach and director of the track and field program Gavin Kennedy said he’s been looking out for Dornic during her transition.
“She’s been slowly getting acclimatized to life in America,” Kennedy said. “Life in the dorms, classes, then obviously being with the team and hopefully competing at some point.”
Dornic had several reasons for choosing the Ramblers, including wanting the opportunity to compete in America.
“I want to try the American experience,” Dornic said. “And Loyola seems to be a good opportunity.”
She was also drawn to the location and campus layout —she said Loyola gave her a “good feeling.”
Kennedy had been looking at Dornic for the better part of a year and said he was grateful she chose Loyola. Kennedy said it’s his job as coach to ensure Dornic is comfortable.
“You would think as the coach my priority is the running side of things, but my priority right now is getting Daphné adjusted to life in America,” Kennedy said.
He said he’s also looking forward to getting to know Dornic better, and is excited to see her compete for the first time.
One of Dornic’s main goals during her time at Loyola is to attempt to beat the French record for the mile — an uncommon distance for French runners, who typically use the metric system.
“It’s not hard to believe, because nobody ran that distance,” Dornic said.
Dornic said she also wanted to try competing in American cross country because of the route layouts. Race courses are typically flatter compared to their French counterparts, according to Dornic.
When Dornic is running, she said she attempts to unfocus on the sensations in her body, and instead focuses on who’s around her, the spectators and how much longer to go until the finish line.
Dornic also said she thinks positively while running, and doesn’t feel anxious before her races.
Dornic also likes the food in the U.S., specifically American yogurt. She’s also appreciative of how Americans are kind and patient with her.
Dornic said she’s now looking forward to achieving her goals at Loyola and to sporting the maroon and gold.
The post First-year Runner Daphné Dornic Comes From France to Rep the Ramblers first appeared on The Loyola Phoenix.
On the night of Sept. 17, students crowded on the sidewalk outside 6470 N. Sheridan Rd. dressed in their comfiest pajamas. By 8 p.m., the line was ready to participate in a beloved campus tradition — Insomnia Cookies’ annual PJ Party.
The rules for this event were simple — wear pajamas and download the Insomnia Cookies app to get rewards.
Garcia said a lot of preparation goes into an event like this, including creating plans for crowd control and inventory management months in advance.
“The line wraps around the entire block,” Garcia said. “What we try to do is crowd control outside. The goal is that when they reach the register, it’s a smooth process from there.”
The event took three months to prepare, according to Garcia.
“We prepare decorations and a rough estimate of the amount of how many cookies we’ll have and how many guests we’ll anticipate seeing,” Garcia said. “But it’s so rewarding — I like to see the students be happy.”
Insomnia Cookies’ N. Sheridan location is a favorate for many Loyola students. (Kayla Tanada | The Phoenix) Undecided first-year Trenton Mason said Insomnia Cookies is a popular choice because of their late hours.
“The late-night vibes and the ice cream with warm cookies make tonight so special,” Mason said. “We love cookies. Cookies are great. They’re open late and that’s when I want my cookies.”
Mason, and his friend Jack Barry, joined hundreds of students drawn in by the promise of a free warm cookie and t-shirt.
“We’re just all bonding over cookies and free t-shirts and I really think that’s a wonderful thing,” Barry said. “Especially during a stressful time of figuring out who you are and what you want to do.”
The annual PJ Party wasn’t just about the free cookies — it also brought students together from all corners of campus. Fourth-year Ashlee Ricker reminisced about her experience with Insomnia as a first-year.
“In freshman year, there was this one cookie I loved so much — walnut oatmeal — and me and my roommate would split it all the time,” Ricker said. “It brings back good memories now that I think about it.”
Fourth-year double major in anthropology and biology Hannah Jaghab said she likes how Insomnia is inclusive and caters to the needs of a variety of students.
“They have a lot of options, including gluten-free, dairy-free and vegan options, which is helpful for college students with varied diets,” Jaghab said.
Insomnia Cookies hosts its annual PJ Party across all locations (Kayla Tanada | The Phoenix)Many students said the chocolate chip was their favorite cookie — some said they find comfort in its familiarity and simple yet classic flavor. Insomnia Cookies Operations Manager Brenda Garcia said she thinks chocolate chip cookies are considered a “safe option,” which is why they get bought most often.
For other students, it was the rare and not-very-popular cookies that shaped their college experiences. Hayden Hirschhaut, a third-year resident assistant double majoring in sociology and film, said the mint chocolate chip cookies are her favorite.
“As an RA, we get Insomnia for a lot of our events, and no one ever takes the mint chocolate chip cookies, so we get to eat all of them,” Hirschhaut said. “They’re good — I don’t know why no one ever takes them.”
The accessibility and affordability of Insomnia Cookies were key draws for many students, including first-year political science major, Azizah Bishi.
“It’s good, it’s cheap and they’re open until 3 a.m,” Bishi said. “We never go to Insomnia unless it’s late at night”
For many, Insomnia has become synonymous with late-night bonding sessions.
“Whenever I go to Insomnia, I always go with friends, so it’s a fun trip within itself,” second-year bioinformatics major Tanvi Chadalawada said. “We’ll always grab it and eat it at the beach together, so it becomes kind of like a nostalgic moment.”
Garcia said students come to the event because of the deals and vibrant decorations.
“It’s nice and gives the students a way to escape the stress of studying,” Garcia said.
Even though schedules might get hectic packed with meetings, classes and extracurriculars, it’s
worth taking a break to enjoy the simple pleasures of college life, Jaghab explained.
“Take advantage of it being right there and the fact that it has events like the PJ party — not everyone knows about it, but it’s worth it,” fourth-year Anna Stieren said.
Garcia also pointed out events like this help the store, located near Loyola’s Lake Shore Campus, feel more connected to the university’s community.
“We love to be part of the campus and it’s nice to make that connection with our guests because they’re not guests anymore,” Garcia said. “They become family.”
Insomnia Cookies, located at 6470 N. Sheridan, is open from 11 a.m. to 1 a.m. Sunday through Wednesday, and 11 a.m. to 3 a.m. Thursday through Monday. The menu can be found on their website.
The post Midnight Munchies in PJs with Insomnia Cookies first appeared on The Loyola Phoenix.
Unfortunately, first-year students fit the stereotype of being new, oblivious and tense babies crawling around campus a bit too well. As an oblivious baby crawling around campus myself, I have to concur moving to college is an adjustment.
The whole process of adapting to brand new people, a shiny, unfamiliar city and seemingly endless present and future opportunities is exhilarating and terrifying all at once.
Sure, there are tours and orientations to pull from the back of our minds to help in times of desperation, but what could possibly aid us with the simultaneously tranquil yet ugly truths we need?
Fear not fellow first-years, for help is closer than it may seem — in fact, it’s one download away. Yik Yak is an app for students at the same school to voice their opinions, make inquiries or bring up relevant happenings around campus, all the while concealing their identity.
Although many students enjoy the app, others view it in a negative light. Yik Yak, along with other similar apps, are frowned upon for a myriad of reasons, but primarily because the users are anonymous.
I believe the beauty of Yik Yak is derived from its anonymity.
Students at any university can hide themselves from mortification and ask or say whatever their heart desires, no matter how juvenile or revealing of their first-year status. Some may poke fun at Yik Yak, but most who have the app know it’s common to laugh or find something compelling here and there.
For someone new to this environment — wouldn’t seeing some insanely out of pocket comments by fellow students ease anxiety about fitting in? For a transfer student — wouldn’t it be nice to hear people won’t judge you for walking or eating alone?
Yik Yak provides a sense of community for any student to be able to relate to amusing aspects of life at Loyola. For example, the annoyance caused by cars being obnoxiously loud on a Tuesday morning, the stomach pains brought on by some dining hall foods or the suggestion that “getting comfortable with time alone in college is vital,” as one Yik Yak user said.
Personally, I open the app only once or twice a week — yet each time I find myself in agreement with my peers and captivated by the humorous comments. It’s my way of staying tuned with Loyola affairs and educating myself on others’ insights.
My point is Yik Yak, along with other apps that give users free range to do whatever, could bring up some questionable conversations, but for the most part the good outweighs the bad. Any person who is uneasy about their arrival to Loyola should download this riveting app for entertainment and advice they otherwise would never see.
Whether it’s for a good laugh or for some random but beneficial advice, Yik Yak truly does pitch in to create better students and a better overall experience here at Loyola.
The post Don’t Disregard Advice on Yik Yak first appeared on The Loyola Phoenix.
Squirrel heads, alligator skulls and iguana legs dotted the tabletops of Malliway Bros. — stereotypically macabre ingredients for a witch shop. However, for their fall equinox ritual, the recipe in question called for sugar-free juice, salt water and a miniature coffin.
Malliway Bros. Spells, Charms & Potions is a magic and witchcraft shop located at 1407 W Morse Ave., approximately 0.7 miles north of Loyola’s Lake Shore Campus.
Co-owned by brothers Wycke and Blake Malliway, the store blooms with eccentricity, selling animal bones, tarot card decks, candles shaped like genitalia and make-your-own spell vials.
Malliway Bros. is a witchcraft shop, hosting a wide array of items. (Max Bates | The Phoenix)On the night of the fall equinox Sept. 22, the brothers gathered an intimate crowd of around 20 people for a public ritual. The group circled around a small table draped in white and black cobwebbed lace. Atop the table sat a miniature cauldron, a bowl of small bones, a little wooden coffin and a candle.
The fall equinox ushers in the beginning of autumn, which marks the Northern and Southern Hemispheres receiving equal shares of light and darkness, according to Royal Museums Greenwich.
Beyond its astronomical significance, the equinox also holds metaphorical symbolism in the seasonal harvest, according to Wycke.
“This is the time when the land itself starts to die,” Wycke said. “We’re kind of doing a funeral — we’re laying the Earth down as a corpse so that we can harvest what we need from it and prepare it for when it rises again at Halloween time.”
The ritual is also personally spiritual, Blake said.
Blake Malliway, co-owner of Malliway Bros. (Max Bates | The Phoenix)“We’re transitioning into the darker half of the year, where themes of death, destruction going inward are a lot more prominent,” Blake said. “Separating this out of the landscape, it’s a time of internal reflection.”
However, the exact processes at play in the ritual were kept private until the ceremony actually began.
“The boys usually keep it pretty much a surprise what they have in store for the actual ritual part,” Dalton Williams, a frequent Malliway Bros. customer, said. “I have plans to be delighted.”
The ritual began with the group grounding themselves — breathing in the “cosmic” fire, kneeling with palms against the floor and connecting with the “telluric,” or earthly, power below.
The Equinox ritual was composed of incense, compasses and bird corpses. (Max Bates | The Phoenix)“Horned father of the wise / Serpent fire of the skies / Let fall to Earth that ancient flame / Azazel, Tubal-cain / By thunderbolt and starry shower / To tend and turn the horse of power,” Blake said, leading the crowd in the chant.
During the ritual, four guests volunteered in the ceremony — one laid the compass and three hallowed the red, white and black chicken bones through incantations.
As plumes of incense wafted heavenward, the compass-layer worked to create a transient liminal space, circling the table with a two-pronged staff meant to touch the upper, middle and lower planes of existence.
Another audience volunteer, called the Witch of the White Bone, approached the table, repeated an incantation intended to hallow the bone and laid the bone in the coffin alongside the Downy Grim — a bird corpse.
“We gather here: the edge of shadow / When darkness wins the day / We mourn the Earth made to a corpse / And down these bones we lay,” the attendee said, repeating after Wycke.
The Witch of the Red Bone followed, soaking the bone in the juice before laying it in the coffin.
The group passed around a chalice filled with salt water. Each member dipped their fingertips into the water and flicked drops onto the floor.
“We wet the Earth by spill of sorrow / And mourn for what has lost tomorrow,” the crowd chanted.
The Witch of the Black Bone held the final bone over the candle’s flame, symbolizing cremation, mourning and grief, according to Wycke.
To end the ritual, Wycke instructed the group to breathe in the fumes of the fire.
Ritual attendees Brianne Adelman (left) Fi Smith (right). (Max Bates | The Phoenix)“The energy of life that has been taken from the Earth now is still alive in you,” Wycke said.
Frequent Malliway Bros. customer Fi Smith said she appreciated the community-oriented nature of the ritual. Having a group allows witches to play off each other and build power together, according to Smith.
For Smith, the ritual act of passing around and sprinkling the cup of salt water provoked a tangible reaction.
“It was sort of like flashes of images in my head of different grief feelings, dripping off into the ground,” Smith said, likening the experience to that of stepping out of the shower and still feeling the water running down your body.
Brianne Adelman, a resident of Northwest Indiana, said the most healing part of the ritual was when she channeled her negativity into the ground and let it “die.”
“It was like a black sludge, and the sludge just kind of fell off,” Adelman said. “I felt lighter at the end of it, once I put everything in the ground.”
For those looking to practice witchcraft, Malliway Bros. offers instructional books, workshops and free witchy advice.
“Always cover your tracks if you’re going to curse someone,” Wycke said.
The brothers are hosting a workshop for tarot card reading Sept. 27. Tickets can be purchased on eventbrite for $10.
Malliway Bros. is open 12 p.m. to 8 p.m. Monday through Friday, and 11 a.m. to 8 p.m. during weekends.
The post ‘The Darker Half of The Year’: Local Witches Cast Fall Equinox Ritual first appeared on The Loyola Phoenix.
This is an open letter from the shower shoes of the Loyola community and those who use us.
As summer turns to fall, I want to direct your attention to our worsening labor conditions. Though the residents will remain anonymous, we here at the Misplaced Rights of Shoes Association are hearing reports of shower shoes in De Nobili Hall being left in the shower until next usage and sandals in Mertz Hall tied to a 14th story window to dry. Let’s not forget about the rubber flip-flops in Francis Hall forced to listen to two roommates discuss the merits of their post-postmodernist argument that Beowulf and Grendel are not primordial rivals but actually lovers.
Though our lifespans tend to be only two years, this is no way to live out our short, yet impactful lives. We were brought into this world to protect human feet from the filthy shower tiles of community bathrooms. Though it’s humble and dirty work, we take pride in our necessary role in protecting student lives.
Instead of sitting idly by in a moist corner under a bunk bed, or nestled in a shower caddy between the three-in-one body shampoo and Axe body spray — I’m calling on all shower shoes to go on strike until our demands are met.
Based off precedent, MRSA has determined three basic needs which must be met before any further work can be provided to any first-year and second-year students at Loyola
Our first demand is we must have a designated, pristine, accessible and ethically-sourced drying area after you use us.
Your towel gets a drying rack but we don’t? Unless, that is, you don’t hang up your towel, which you should probably start doing.
Our second demand is the shower area must be cleared of any bodily fluids. You think Old Style-infused throw up with baby carrots is fun to look at? Imagine stepping in it. In the past year, MRSA has recorded over a dozen of these workplace incidents. Per our last negotiation, these throw-up episodes are classified as textbook unsafe working conditions
Our last demand is simple, and in many ways, the easiest to obtain. We are asking for a group membership to Equinox Gym. Despite what you might think, we are a very social bunch and Equinox has great facilities for shower shoes. If this isn’t a possibility, maybe consider getting one account. We can just pass around the membership card to each other — all of us are the same to you humans anyway.
Only after all three of these demands are met will we continue to provide our services. We’re perfectly complacent in waiting for you to come to your senses. For every day you delay, not only does MRSA continue to build coalitions, but also your feet deteriorate from the simple touch of the shower tile. In the meantime, you should ask yourself a question — am I a rational human or an agitating beast?
The post SATIRE: An Open Letter from Your Shower Shoes first appeared on The Loyola Phoenix.
Loyola women’s golf team drove right into the fall season, traveling to Kewadin, Michigan for the A-Ga-Ming Invitational Sept. 1-2 hosted by Central Michigan University. The team finished seventh out of fourteen teams in their first regular season appearance.
The Ramblers finished the two-day, fifty-four hole tournament with a combined total of 938 strokes (315-312-311). Taking first as a team was Bradley University with a total of 910 strokes (306-309-296).
On the individual side, there was a tie for first place with a score of 222 strokes resulting in a playoff. Third-year Caroline McConnell of Bradley University and first-year Elle Zannatta of Central Michigan went head-to-head to determine who would be the overall winner. In the end, McConnell of Bradley University came out on top and took the overall spot over Zannatta.
In the Rambler’s top spot was fourth-year Jolie Brochu, who finished in a tie for seventh place, netting a new career-high at 228 strokes (79-74-75) and her second top-10 appearance in her collegiate career. Brochu recorded her previous top-10 finish last year at the Loyola Parkinson Family Invitational, where she finished in a tie for ninth place with 230 strokes (74-79-77).
Head coach Brandy Johnston said Brochu’s performance was a great way to start off her fourth year as a Rambler, despite rough playing conditions during the first two rounds.
“The highlight of the weekend was the play of Jolie,” Johnston said. “I think it was her best tournament as a Rambler. Her course management was solid and saved her several strokes throughout the tournament.”
In their collegiate debuts, first-years Grace Hui, who competed individually, and Madion Haugen recorded finishes in the top-50. Hui carded a total of 234 strokes (76-79-79) and a tie for 21st place, while Haugen finished in a tie for 38th place with a total of 239 (76-86-77).
Johnston said she was impressed with the play of the two first-years and highlighted their strengths from the tournament.
“Grace posted solid scores, while Madison led the team in round one and showed a lot of resilience in the third round after a tough go of it in round two,” Johnston said. “These two have a bright future.”
Squeezed between the two first-years was second-year Cassie Psuik who finished tied for 29th place. She tied Brochu in the second round going two-over-par but finished 21 over with 237 (84-74-79).
Fourth-year Cate Reisinger finished tied for 46th place with 242 strokes (77-84-81). Only one stroke behind Reisinger with 243 (83-80-80) was second-year Grace Durkin, who tied for 50th place.
Johnston said despite dealing with windy conditions on Sunday, she was happy with how the team started and continued to play through.
Johnston also recognized it’s early in the season, and said she is ready to continue working hard as the team takes on its next challenge.
“Overall, I felt this was a good start to the season for us,” Johnston said. “It was very windy for the first two rounds on Sunday, and I was pleased with how we handled it. There’s definitely a lot to build on as we head into next week.”
The Ramblers look to their next tournament at the Redbird Invitational in Bloomington, Ill. Sept. 8-9th.
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Loyola women’s soccer defeated Bowling Green State University 1-0 Sunday, Sept. 1. Fourth-year midfielder Taylor Harrison scored the only goal for the Ramblers in the 55th minute.
The Ramblers are now 3-1-1, their best start to a season since 2021. During the match, Loyola maintained 55% possession and recorded 11 shots outdoing the Falcons’ nine.
Graduate defender Alaina Abel got the Rambler defense rolling, blocking a Bowling Green shot in the midfield and sliding to stop a shot on target. On the offensive side, Harrison recovered after being tripped and stole the ball from the Falcons.
Graduate midfielder Olivia Rhodes attempted a sliding steal of her own, but was called for a foul. The resulting free kick by Falcons’ first-year forward Regan Riley was wide left of the net.
Rhodes continued to limit the Bowling Green offense, stopping multiple shot attempts in the 13th minute. Abel added to the defensive effort when she redirected a Riley shot on goal.
In the 17th minute, fourth-year defender Ava Metaj stepped in for second-year goalkeeper Allison Deardorff to stop a rebound attempt after Deardorff dove to block the first shot attempt by a streaking Falcon.
A shot by second-year forward Zoey Hevey sailed behind the net before the first Rambler substitutions were made. Fourth-year defender Kenedi Jones and first-year forward Jocelyn Leigh checked into the match, replacing redshirt first-year forward Emily Rossi and fourth-year defender Ava Metaj.
In the 24th minute, the Ramblers were awarded a corner kick which was received by Harrison, who shot it towards the bottom center of the net. First-year midfielder Olivia Anderson renounced the goalkeeper’s deflection for another unsuccessful shot on target.
Anderson attempted another shot which went to the top right of the net before an unsuccessful Falcons’ corner kick. After consecutive shot attempts from first-year Falcon midfielder Brynn Gardner gave possession back to the Ramblers. Jones received control of the ball and shot it low and to the center of the net.
Leigh shot the ball right into the hands of redshirt third-year Falcon goalkeeper Madison Vukas. The Ramblers received a corner kick in the 38th minute which was sent to Rhodes who drilled it into the back of the net, but the goal was called back when the Ramblers were charged with offsides.
Jones took a corner kick in the 42nd minute which was received by Leigh who connected and got off a shot, only for the ball to be picked up by Vukas. A diving save by Vukas to stop a shot from third-year midfielder Faith Grisdale was the final action of the scoreless first half.
Second-year Bowling Green midfielder Emme Butera started the second half being fouled, giving fourth-year midfielder Jaimee Cibulka a free kick chance which was on goal.
Minutes later, the Falcons were called for offsides, leading to a possession change. Hevey took control of the ball, delivering a clean pass across to Harrison, who catapulted the ball and herself into the net giving the Ramblers a decisive 1-0 lead.
After the celebration and missed shots by both teams, Abel was charged with a yellow card in the 61st minute after tripping a Bowling Green player.
Both teams were called for multiple fouls before Leigh and second-year Falcon defender Taylor Green recorded the last shots of the match for their respective teams.
After the slow first half, head coach Angela Staveskie said she had to keep the team motivated and remind them how to play “Ramblers soccer.”
“Sometimes, it’s what you say, but oftentimes putting someone else in, adding subs,” Staveskie said. “We have so much depth and energy on this team, so just adding something different, doing something different, can motivate the group in the moment.”
The Ramblers face the Rockets of University of Toledo in their next home matchup Thursday, Sept. 5. Kick off is set for 5 p.m. and broadcasting information has yet to be released.
The post Women’s Soccer Remains Undefeated at Home in Labor Day Battle first appeared on The Loyola Phoenix.
Loyola women’s volleyball came away with only one win in three matches at the Western Michigan Invite in Kalamazoo, Michigan Aug. 30 to Sept. 1. Loyola’s competitors at the event included Clemson University, hosts Western Michigan University and Loyola Marymount University.
Aug. 30 vs Clemson
Loyola’s season opener against Clemson was the worst result of the weekend, as the Ramblers were swept in three sets. Loyola started the first set with a pair of kills from graduate outside hitter Marta Cvitkovic and second-year middle blocker Avary DeBlieck along with a Clemson error to jump out to a three-point advantage, but Clemson quickly fired back to bring themselves level.
After exchanging several points back-and-forth, Loyola captured their last lead of the first set, ahead 9-8, before the Tigers went on a five-point run to put some distance between the sides. Clemson maintained a steady lead leaving the Ramblers able to get back only within two, before the set finished 25-20 in Clemson’s favor.
In the second set, both teams exchanged a series of points before the Ramblers snatched an 8-4 lead, bolstered by a kill and two aces from Cvitkovic. Clemson clawed back, scoring eight unanswered points and earning their own four point advantage.
Both teams exchanged three-point runs before Clemson went on another dominant run, scoring seven straight. The Ramblers attempted to respond as Cviktovic recorded two kills and DeBlieck and fourth-year setter Bree Borum tallied one each, but Clemson’s first-year pin attacker Neea-Maria Joki put the comeback to rest with a kill, concluding the set 25-16.
Clemson jumped out early in the final set, going on a 7-1 run. Loyola added three straight to bring the score to 7-4, the closest point differential of the set. The Ramblers, led by a valiant effort from Borum, were only able to tack on seven more points against a concentrated Tiger attack to bring the score to 20-11, before Clemson scored five straight to secure the sweep.
Loyola fell short to the Tigers in every statistical category, with the biggest gap seen in the Ramblers’ 21 errors to Clemson’s eight, alongside a poor .086 hitting percentage. Individually, Cvitkovic led the Ramblers in kills with 10, Borum recorded 20 assists and first-year libero Jae Fitting recorded a team-high nine digs.
Aug. 31 vs Western Michigan
The next day, the Ramblers fell short again, losing to Western Michigan three sets to one. In the first set, both teams battled to a 7-6 Bronco lead – which featured a kill from first-year outside hitter Kate Maley in her first career start – before Loyola kicked off a three-point run. Western Michigan responded in kind with a four-point run to put them back up by two.
Loyola continued to hammer away, with both teams tying at 11, 15 and 16 points apiece in an exchange that saw several short runs. After both teams tied again at 17, another back-and-forth exchange involved both teams trading three points each to reach 20-20. The first set came to a close soon after the exchange as Western Michigan captured the first set with a 5-2 run and a 25-22 scoreboard finish.
The second set opened with another back-and-forth start until the Broncos managed to secure a four-point run to bring the score to 8-4. Both teams continued to battle it out, with neither team able to capitalize on more than two straight points until the score reached 18-16 in Western Michigan’s favor.
Loyola finally started a run of their own with four straight to reach the 20 point mark first, but Western Michigan responding with three straight to put themselves back up one. The two teams found themselves tied at 23 apiece, but a Bronco error and a game-finishing kill from third-year middle blocker Ann Marie Remmes gave the Ramblers their first set win of the season.
The third set saw another opening battle, as the lead changed six times before the teams tied at 10. Three more lead changes saw the teams tie again eight points later at 18 before the Broncos scored seven straight points to secure a 25-18 set victory.
The fourth and final set of the evening began with Western Michigan grabbing a three-point run before Loyola responded with five unanswered of their own. The two teams continued to battle until Loyola captured a 7-6 lead, only for the Broncos to go on another run with six consecutive points to gain a 13-7 advantage.
Western Michigan continued to pile on, securing a 9-2 run to add insurance to their lead. Borum led a Loyola attempt to bring themselves back into contention but were only able to reach 15 points before the Broncos killed a set point to earn a 25-15 victory and the series win.
Loyola managed to record more assists and attempts, but also recorded more errors and a lower hitting percentage in comparison to the Broncos. Despite the result, Borum had a standout performance, notching a double-double with 39 assists and 13 digs, and just fell short of a triple double with nine kills.
Sept. 1 vs Loyola Marymount
Loyola secured their first victory of the season in the final day of tournament action, with a three set sweep of the Loyola Marymount Lions.
In the first set, both teams came out firing, with Loyola Marymount slightly ahead 6-5. The lead didn’t last long as the Ramblers recorded a seven-point run, giving them a lead they’d hold for the rest of the set. After more single point exchanges, the Lions attempted to respond with a four-point run, but continued to be rebuked, only managing to get within two at 14-12.
After several more single-point exchanges, the Ramblers found themselves at match point with the score 24-19. Loyola Marymount staged a late four-point rally with three kills and a Rambler error, but a kill from DeBlieck gave Loyola their first set win of the match.
Loyola Marymount came out strong for the second set, going on a 6-3 run before time was paused for substitutions. The Lions maintained a lead of 10-8, only for the Ramblers to explode for seven straight unanswered.
Loyola took the lead for the last change of the set, with two points being the closest the Lions managed to get back in contention. After Loyola Marymount gave the Ramblers set point at 24-21, the Lions managed to get off one final point before Maley finished the set with a kill.
The final set saw the Ramblers maintain a lead from the first serve, with both teams battling until the score reached 14-10. Five straight from the Lions gave them their first lead of the set, which they held until the score was tied at 19.
The Lions’ defense of their lead finally collapsed with Remmes, Maley, Borum and Cvitkovic chipping in for a four-point run to bring the score to 23-19. Kills by Maley and Borum secured the Rambler victory, as the tournament drew to a close with the match finishing 25-21.
Loyola led in every team statistic but aces, and significantly limited their errors compared to previous games with 14. Maley recorded the most kills with 10, Borum recorded 30 assists for her second game in a row and Fitting led the team with 15 digs.
The Ramblers’ next contest will be on the road at the Michigan State Invitational in East Lansing, Michigan Sept. 6-8. Tournament results can be found at the Loyola Athletics website.
The post Women’s Volleyball Drops Two of Three at Western Michigan University Invite first appeared on The Loyola Phoenix.
Street fairs and farmers markets are common summer sights in Chicago, but the city only has one chalk art festival — Chalk Howard Street. The annual event, held two miles from Loyola’s Lake Shore Campus on Howard Street, gathered professional artists, families and neighbors Aug. 24 for a day full of crafts, diverse cuisine and creativity.
Chalk Howard Street was established in 2019 by Howard Street, according to Cindy Plante, economic development manager of the Rogers Park Business Alliance (RPBA). As part of the RPBA, Howard Street works as a nonprofit supporting community development and small businesses on the eponymous street.
A participant maps a portal to another world in a drawing that stretched across nearly all of Howard Street. (Mao Reynolds | The Phoenix)“So many neighborhoods have a street fair that brings people together and gets people excited about their street or their neighborhood — Howard Street, at the time, didn’t have something like that,” Plante said. “The idea is to bring people out, get to know your neighbors and see some great art.”
Attendees could purchase 16-square-foot chalk squares for $25 to show off their chalking chops. Some professional artists invited to the event got their start in those very amateur squares, according to Plante.
Randy Segura, a Denver-based professional chalk artist, said he comes to Chalk Howard Street every year. His piece this year was called “Love is Happiness” and featured a vibrant hummingbird with a saddle. Like other works at the festival, “Love is Happiness” was drawn to appear 3D, using optical illusions so viewers could sit on the saddle and appear to ride the bird.
Segura said he apprenticed as a muralist and sign maker in 2003 but pivoted to chalk after participating in Denver Chalk Art Festival in 2004. His studio, Arthotspot Studios, focuses on chalk art as well as other forms of 3D street art and murals.
“I love watching people interact with the work,” Segura said. “That sense of community — you feel it for sure. Other places, it’s not as obvious.”
Denver-based professional chalk artist Randy Segura’s piece this year was called “Love is Happiness” and featured a vibrant hummingbird with a saddle. (Mao Reynolds | The Phoenix)Empty yogurt containers and water bottles filled with art supplies surrounded Segura’s spot on the street. He said artists often start working the day before festivals because their pieces can take at least 12 hours to complete.
Art wasn’t the only thing on display at Chalk Howard Street — local artisans sold jewelry, incense and face painting sessions while vendors served soul food, tacos and macarons.
Missy Perkins managed a booth at the festival. (Mao Reynolds | The Phoenix)“That’s part of it, too — not only giving folks a fun space to gather and celebrate community but also supporting our local businesses,” Plante said.
Taye Bonitto, a first-year student at Loyola, volunteered at the event as part of the university’s Saturday of Service program.
“It was pretty interesting to see a community come together to celebrate art and diversity,” Bonitto said.
Missy Perkins, co-founder and CEO of Chicago-based nonprofit Paint the City, managed a booth near the edge of the festival. Perkins said Paint the City was created in 2020 to repaint boarded-up businesses after the year’s protests against racial injustice.
Local artisans sold jewelry and incense. (Mao Reynolds | The Phoenix)“Our mission is to heal the city through art but also to help financially support artists of color,” Perkins said.
Alongside Paint the City-branded t-shirts and tote bags, the booth had a station for children to paint their own canvases and a wall for attendees to practice spray painting.
Perkins said Chalk Howard Street being on the far North Side helped Paint the City reach more of Chicago since many art festivals are closer to the center of the city.
“It blew my mind — the 3D ones, unreal,” attendee Eric Krause said. “The one down there, that looks like a gaping hole in the ground. It’s really impressive.”
The post Chalk Howard Street Turns Concrete into Canvas first appeared on The Loyola Phoenix.
The Loyola women’s soccer team took down Red Line Rival DePaul University in a 1-0 win Aug. 25. Fans who attended the “Pack the Park” event set the attendance record at Hoyne Field with 1,178 people.
Second-year goalkeeper Allison Deardorff recorded her second shutout of the season while second-year forward Zoe Hevey tabbed her first goal of the season.
The match started quickly as Hevey’s opening shot was saved by Blue Demon graduate goalkeeper Elena Milam. Hevey took another shot but second-year DePaul defender Kristen Schwartz deflected the pass into Blue Demon offensive territory.
A lofted pass from Hevey was met by fourth-year midfielder Taylor Harrison’s head and went wide of the net in the ninth minute.
Two missed shots from graduate midfielder Olivia Rhodes occurred in the ninth and 14th minute before the first substitutions were made.
Graduate defender Alaina Abel headed fourth-year midfielder Jaimee Cibulka’s corner kick but it was caught by Milam. In the final minute of the half, Cibulka got off another shot which went out of bounds towards the left of the net.
The Ramblers defense worked tirelessly throughout the quiet first half, holding the Blue Demons to zero shots, while their offense maintained 65% possession and five shots.
Harrison got the ball rolling in the second half with a shot that was wide right. In the 48th minute, second-year midfielder Ansley Cryan set Hevey up for a shot, but she sent it wide and out of bounds.
DePaul’s fourth-year midfielder Grace Menser broke away from the pack, looking for a goal opportunity but was stopped by a diving save from Deardorff. With 29 minutes remaining, Hevey tricked the Blue Demon defense but her attempt flew out of bounds.
A pass from Cibulka to second-year midfielder Maggie Schmidt almost made it into the net but Milam grabbed a hold of Schmidt’s attempt for a possession change.
Back-to-back DePaul corner kicks were unsuccessful as Deardorff caught the first attempt and Schmidt kicked the ball out of the zone on the second.
In the 74th minute, Rhodes was given a yellow card after a DePaul player struggled to get back up following a defensive attack. First-year midfielder Olivia Anderson provided quality defense to not allow a shot from the Blue Demons.
A couple seconds later, Hevey stole control of the ball and sunk it into the back of the net for the first and only goal of the match.
Hevey said after the match she has been working to find more ways to score goals, especially since she was moved to the forward position.
“I’m just changing my ways of what I’m used to and just like being more creative,” Hevey said. “I think that’s leading me to these open opportunities and scoring.”
Three unsuccessful Rambler corner kicks within three minutes followed the goal, either being caught by Milam or going out of bounds. In the 86th minute, second-year DePaul forward Mya Gardner was given a yellow card after an altercation with a Loyola player and the referee.
As the clock wound down, Loyola walked away with the latest win in the ongoing Red Line Rivalry, defeating the Blue Demons 1-0 and taking the lead in all time matchups 9-8-1.
Head coach Angela Staveskie said the rivalry influenced the team mentality and helped take home the win for the Ramblers.
“There was excitement tonight, there were nerves tonight, but when you have these nerves and the excitement from the outside, I think our group just rallied together,” Staveskie said. “When you can do that, you just can do a lot of powerful and amazing things. I’m really proud of this group tonight.”
The Ramblers head on the road for their next match against the University of Wisconsin Thursday, Aug. 29. Kick-off is scheduled for 5 p.m. and the game can be streamed on the Big Ten+ network.
The post Women’s Soccer Defeats DePaul in Red Line Rivalry first appeared on The Loyola Phoenix.
Pro-Palestinian protesters gathered downtown for the final day of the Democratic National Convention to call for the U.S. to end military support for Israel and its continuing assault on Gaza.
The event began at Union Park, on Chicago’s Near West Side, where speeches were given to the crowd before they began the half-mile march to the United Center.
March On The DNC, the organization who planned the demonstrations, said they hope the U.S. will stop the flow of money and aid to Israel and instead use those funds to support things such as public schools, reproductive healthcare, the LGBTQ community and immigrant rights.
Demonstrators emphasized their disappointment in the Democratic Party for it’s support of Israel. (Hunter Minne | The Phoenix)“When it comes to Biden, Harris, the Democrats and anyone that opposes our demands, we know where they stand morally,” a speaker at the protest said to the crowd. “Supporting war massacres — and are complicit in genocide.”
Demonstrators repeatedly emphasized their disappointment in the Democratic Party for it’s continued support and aid to Israel, including but not limited to Joe Biden whom they nicknamed “Genocide Joe” and Kamala Harris whom they called “Killer Kamala.”
The State Department announced Aug. 14 the approval of an additional $20 billion in weapon sales to Israel, according to the Associated Press. These weapons aren’t expected to become accessible to Israel until 2026, and the aid is intended for long term military capabilities.
The assault on Gaza has been ongoing for 11 months. The death toll surpassed 40,000 people, including more than 10,000 children, as of Aug. 15, according to the AP. 59% of the buildings in Gaza have been destroyed.
Dr. Tammy Abughnaim, an emergency physician based in Chicago, who’s visited Gaza twice in the last six months, spoke during a press conference about her experience providing medical aid in the area of Palestine devastated by Israel’s military actions during a press conference.
Abughnaim said she’s one of the few humanitarian aid workers permitted within the borders of Gaza, and she only returned to Chicago a couple of days before the end of the DNC.
“I have had a front row seat into the violence that Israel is enacting over thousands of civilians in Gaza,” Abughnaim said. “I specifically want to mention the crime that I have seen. Crimes against children. Crimes against civilians.”
Abughnaim shared the stories of three patients in specific. She said she treated 19-month-old girl who was shot in the leg while she was playing outside of her family’s tent, a pre-teen boy who was shot through the left side of his chest and a 19-year-old male who sustained a shot to the right side of his chest after being used as a human shield by the Israeli Army.
Abughnaim said all of these injuries were the result of a single shot, which proved to her that the wounds were deliberate and targeted by the IDF.
“There is no safe zone in Gaza,” Abughnaim said. “It is obvious and it is clear and it has been clear for the last 10 months that Israel is using U.S. made weapons to target civilians.”
While gathering in Union Park, some counter-protesters shared a variety of opposing messages, including some in support of U.S. involvement in Israel. (Hunter Minne | The Phoenix)Diesel Armstrong, a 21-year-old demonstrator, said he felt the need to attend the event as a way to show his support for the people affected by the war in Gaza. He said he would love to see a world where the U.S. stops funding Israel.
“I think we need to absolutely cut ties with them,” Armstrong said. “We need to let the Palestinians have their land. For them to be able to exist and for Israel to be able to exist and just be separate, and to stop the merciless killing of the Palestinian people. To see such loss of life on such a big scale is terrible and I think that needs to end.”
Younger people are an important part of keeping movements like this going, according to Armstrong.
“Young people play a huge role, mostly because we have a lot of energy,” Armstrong said. “I think we’re the next generation, we’re the next ones going into office, going into those positions. So I think it’s important that we get out here and make our voice known and try to make changes that we want to see not only for us but for the generations ahead.”
The assault on Gaza has been ongoing for 11 months. The death toll surpassed 40,000 people. (Hunter Minne | The Phoenix)While gathering in Union Park, some counter-protesters shared a variety of opposing messages, including some in support of U.S. involvement in Israel.
Armstrong said he isn’t yet sure what role participating in the DNC protests will play in his decision on who to vote for, but he thinks it’s important to emphasize the importance of voting no matter what side of the political spectrum you fall on.
“It’s a very important issue and I get why it weighs heavily on a lot of people,” Armstrong said. “Go vote. Young people, please go vote. I don’t care who you vote for. It’s none of my business, but it’s your right that I think everyone should use so go vote.”
The largest in the string of protests took place Aug. 19, which marked the first day of the convention. Some protestors broke through the security barriers outside of the United Center where the convention is being hosted, and dozens of them were arrested, AP previously reported.
This is a developing story, corresponding updates will be made when their are available.
The post Protesters March in Opposition to War in Gaza on Final Day of Democratic Convention first appeared on The Loyola Phoenix.
Content warning: discussion of trauma, sexual violence and drug-faciliated bodily harm.
“Blink Twice” is the emancipating thriller “Don’t Worry Darling” wished it was.
Co-written and directed by Zoë Kravitz, “Blink Twice” follows friends Frida and Jess as they’re whisked away to a debaucherous island. Working as waitresses for a private gala, the two capture the attention of impulsive billionaire, Slater King
When King invites the duo to his private retreat on a whim, the blue-collar friends vacation with high society’s biggest partiers. As the nights roll on, Frida and Jess notice gaps in their memory and discover something sinister brewing beneath the fanfare.
Primarily known as an actor, Kravitz (“The Batman,” “Big Little Lies”) makes a spectacular directorial debut. Intense close ups highlight the ecstasy and despair felt by the ensemble cast. Tracking shots likewise contrast the setting’s vibrant villa to the story’s unnerving undertones.
Kravitz similarly excels with the film’s writing. The film’s gradual opening act is followed by a fantastic second and third, as the unraveling mystery creatively ties together each red herring and lingering question.
The plot of “Blink Twice” is intriguing, but the film’s contents are disturbing. Men in power abusing women is the film’s defining theme, and Kravitz directs sexual violence with evident consideration. Despicable violations are implied more than shown, appearing non explicit but unsettlingly authentic.
Kravitz directs just enough to sicken the audience without being superfluous. Offscreen screams and haunting expressions provide plenty of fodder to make stomachs turn. However, “Blink Twice” doesn’t relish in its tragedy.
Naomi Ackie is a force of power as Frida. Ackie (“I Wanna Dance with Somebody,” “Lady Macbeth”) gives abundant strength to the entrapped partygirl disentangling the island’s mysteries.
When Frida grasps the reality of her circumstance, she unifies the island’s victims to covertly plot against King. She’s a multilayered victim, expressing distress, rage and vindication in regaining control of her bodily autonomy.
As the film’s despicable heel, Slater King, Channing Tatum revels in his villany. Tatum (“Foxcatcher,” “Logan Lucky”) plays the boyish billionaire at first as well intentioned. With each inconsistency on the island, King’s veil of care withers with intimidation.
King depicts himself as a changed man in the public eye after facing harassment charges. Yet in the deepest corners of his private retreat, he reveals his true disregard for introspection.
Standout performances are given in spades by the ensemble cast of partygoers. Despite the serious subject matter, “Blink Twice” is a surprisingly funny film with the interplay of its characters.
Alia Shawkat as Jess provides laughs aplenty. Shawkat (“Arrested Development,” “Search Party”) touts her comedic chops to lewdly announce their vacation’s absurdity. Shawkwat — like the rest — provides a two-sided performance with an eerie state of distress that contrasts with the character’s typical sarcastic state.
Other highlights include Adria Arjona as reality TV star Sarah, compelling with a brazen and unforgiving presence. Haley Joel Osment as washed up child actor Tom delights with his self-depreciation as a fresh divorcee. Ominous and odd financier Vic is given a ghoulish presence by the adept Christian Slater.
“Blink Twice” is rife with witty dialogue and comical banter. The lighthearted interplay is juxtaposed by a chilling story regarding chauvinistic abuse and feminine retaliation.
The film touches on self-esteem, class authority and retribution through a thrilling narrative that amuses as often as it alarms. In captivating the audience, “Blink Twice” is an unflinching debut twofold.
“Blink Twice,” rated R, comes to theaters Aug. 23.
Featured image courtesy of Amazon MGM Studios.
The post ‘Blink Twice’ if You Can Look Away first appeared on The Loyola Phoenix.
The Loyola women’s soccer team defeated Eastern Illinois University 4-0 in their first game of the season Aug 15. All four goals scored were from Ramblers playing in their first collegiate match.
The Ramblers controlled the ball with 60% possession during the match and recorded 22 total shots with nine on target while the Panthers managed just five total and one on target.
Second-year midfielder Maggie Schmidt recorded the first shot of the night in the third minute, which went above the net and out of bounds. Both teams were called for offsides in the fifth and sixth minutes before second-year Panther forward Alex Tetteh attempted back-to-back shots.
Fourth-year defender Kenedi Jones and second-year forward Zoey Hevey added to the shot total. In the 13th minute, Hevey found second-year forward Emily Rossi, who launched it into the back of the net to put the Ramblers up by one.
Hevey found another opportunity to play through the Panther defense, but couldn’t capitalize after the ball was saved by Panther redshirt second-year goalkeeper Ashlyn Hoover. A defensive foul called on Jones gave first-year Panther midfielder Ella Dwyer a free-kick which was caught by second-year goalkeeper Allison Deardorff.
Loyola made their first substitution of the night when they brought in first-year defender and former Gatorade Player of the Year Roos van Roekel and first-year midfielder Olivia Anderson. Anderson started her shift on the pitch with a wide shot in the 30th minute.
Just two minutes later, another Loyola substitution introduced first-year forward Jocelyn Leigh to the match. Following four uneventful minutes, third-year defender Emily Roberts stepped onto the pitch to replace second-year midfielder Ansley Cryan.
Interim head coach Angela Staveskie said the many substitutions during the game allowed her to see the dynamics of different groups of players and helped players get comfortable being on the pitch early in the season.
Van Roekel took a shot off a 29th minute corner kick which went wide-right of the net. The last action of the half occurred when graduate defender Alaina Abel headed the ball out of bounds with a header after another corner kick, ending the half with the Ramblers ahead 1-0.
Loyola started the second half with three consecutive corner kicks before a yellow card was called on Panthers first-year defender Casey Kittridge. Rossi was given the free-kick and converted her second goal of the night at the 50th minute mark.
Rossi, who missed all of last season due to an injury, said she was excited to be back on the field and help contribute to the Ramblers’ opening night success.
“Finally being back for a real game, it just feels super awesome to just get back and score a couple goals,” Rossi said. “It feels pretty nice.”
Following Rossi’s goal, Loyola subbed Leigh, van Roekel, Anderson and Roberts back into the match. Leigh received a pass from Hevey which went out of bounds. Second-year defender Skyler Bierker took a shot off a corner kick that went way to the right of the net and was caught by Hoover.
In the 74th minute, Hevey sent a pass to Leigh who kicked it into the net and gave the Ramblers a 3-0 lead.
Six minutes later, third-year forward Ella Skelton, who had just subbed into the game for Hevey, assisted first-year midfielder Lydia Case for the final Rambler goal of the night, bringing the score to 4-0. With just under two minutes remaining in the match, third-year midfielder Corissa Koontz was given a yellow card.
As the 90-minute buzzer rang, the Ramblers swarmed the field to celebrate their first win of the season. The recently promoted Staveskie earned her first official win as head coach.
She said despite the personnel changes the team underwent, the Ramblers have stayed grounded and being focused on the game.
“Our goal from the start is just taking everything one step at a time, one day at a time and leaning into one another,” Staveskie said. “It just starts with being where your feet are, appreciating the moment. And, you know, they are doing just that. They’re leaning into that. Tonight’s about enjoying it with their families and tomorrow is about recovery.”
The Ramblers continue their season on the road against Purdue University Thursday, Aug. 22. Kick off is scheduled for 6 p.m. and broadcasting information has yet to be released.
The post Women’s Soccer Shuts Out Eastern Illinois in Home Opener first appeared on The Loyola Phoenix.
This year’s Lollapalooza again solidified itself as Chicago’s premier music event. While headliners took center stage, the emerging talents on display remained the most authentic and relatable attractions.
Singer-songwriter Abby Holliday aspired to forge a personal connection with audiences. Based out of Nashville, Holliday illustrates the anxieties of young adulthood with songs “Earth-Eating Tree” and “Immortal.”
“What I was singing about in those songs, when I mention being 24, being 25, was just feeling unsure of myself,” Holliday said. “[It’s] this searching I think you can hear through a lot of my music.”
The inner turmoil in her lyricism is elevated by experimental instrumentation which blends classic folk rhythms with autotune synths to produce an engaging sound. The honesty to pursue her interests as an artist is something she hopes audiences can resonate with.
“People want to see themselves in an artist’s work,” Holiday said. “Hopefully I provide that.”
Matt Hansen pauses during his set at Lollapalooza on
August 1 in Chicago. (Holden Green | The Phoenix)Pop artist Matt Hansen expressed a similar goal to provide a lyrical mirror in which listeners can see themselves. For Hansen, the relatability and “therapeutic element” of music is important.
“I love to make the stuff that, like, you can sit there and really dig in to and it feels like therapy,” Hansen said. “It feels like, ‘Maybe he’s talking about my relationship, maybe he’s talking about what I went through.’”
With his songs focusing on love and heartbreak, Hansen said he aims to keep his lyrics broad so anybody, regardless of the severity of their situation, can relate.
“Did someone you know ever turn on a dime from an angel right into a monster?” Hansen sings in his 2023 single “WHERE YOU BELONG.” “You still wanna stay, wanna help, wanna heal. Only so much that your love can offer.”
Hayes Warner sings on the third day
of Lollapalooza. (Holden Green | The
Phoenix)Singer-songwriter Hayes Warner likewise said connection is a prominent theme in her music.
“On the one hand, I want people to feel energized and happy,” Warner said. “But on the other hand, I’m extremely honest in the things I write about — it’s things I went through, whether or not I’m embarrassed about it.”
Warner said she prefers to think of listeners as friends. On social media, she consults her followers’ opinions on cover art and song snippets.
“There are big people in the industry that can make decisions and be like, ‘This song is right, this is right,’” Warner said. “But at the end of the day, it’s people that are listening to the songs that really know.”
Indie country artist Chance Emerson said he sees his music as something listeners can rally behind. Raised in Hong Kong and based in Los Angeles, Emerson soulfully sang of relationships both blissful and yearned for with “Honey” and “The Raspberry Men.”
“I try and write stuff I hope people can connect with,” Emerson said. “All the culture we consume is representative of the identity we’re building.”
Emerson’s ballads encompass love, hate and grief, but always retain an air of positivity. His infectious optimism translates to a sound that embraces self-actualization and growing up.
“Being a teen, being in your 20’s, all of college is about figuring out who the hell you are,” Emerson said. “Music is a tiny part of that.”
Infinity Song perform on August 3 at Lollapalooza. (Holden
Green | The Phoenix)Sibling band Infinity Song shared a comparable sentiment of soul-searching in their new album, “Metamorphosis Complete,” which tackles relatability through the themes of growth and transformation.
“Everybody has a metamorphosis,” Angel Boyd said.
The siblings aspire to be the “highest calibrations” of themselves on stage, according to Abraham Boyd.
Although authenticity is important to the band, Israel Boyd said, it’s “the coolest version of authenticity” they strive to embody.
For the Boyd siblings, it’s a performer’s job to tweak authenticity in order to be the best on-stage presence they can be.
“Looking at your favorite performers and stars and wanting to be like them in some aspect — that’s part of the fun,” Momo Boyd said. “That’s part of showmanship, that’s part of the craft, that’s part of being a star.”
And for Infinity Song, Lollapalooza was an aspirational milestone in becoming stars.
“You’ve made it but you have more to accomplish,” Abraham Boyd said. “So it’s like a perfect balance of reward and work harder because you want to headline or you want a better time slot. So it’s motivational and rewarding simultaneously.”
Scarlet Demore claps during her set at the Lollapalooza music festival on August 4. (Holden Green | The Phoenix)Chicago-based punk band Scarlet Demore said getting the confirmation to perform at Lollapalooza felt like a dream — and still felt like one inside the venue.
Performing on such a big stage contrasted the band’s beginnings in the underground scene. Bassist G Passaro credited venues Schubas Tavern and Lincoln Hall for recommending them to the festival.
“We’ve pulled from a lot of different genres, like hardcore and indie,” Ayala said. “The essence of DIY and punk is to have a place or a community to be safe, have fun with people you can rely on.”
The band shouted out other Chicago groups performing at Lolla like Brigitte Calls Me Baby, Friko and Slow Pulp.
“Lolla ought to, in part, serve as a showcase for Chicago talent,” guitarist Joel Smith said.
As for the future of Scarlet Demore, lead singer Cat Ayala said they hope to play at Wicker Park Fest and Riot Fest — both based in Chicago.
“Everybody in Chicago is just so wicked talented and supportive,” Ayala said. “There’s an overwhelming sense of community at all of our shows and I hope our shows keep doing that.”
The post Lollapalooza’s Emerging Artists Sing on Stage with Hearts on Sleeves first appeared on The Loyola Phoenix.
The Loyola men’s soccer team enters their third season in the Atlantic 10 Conference with aims to finally secure a postseason championship. The Ramblers’ previous two attempts fell short, losing to Saint Louis University 3-2 on penalties in the 2022 championship game only to once again come up short on penalties 5-4 against the eventual 2023 champions University of Dayton.
Head coach Steve Bode and associate head coach Graham Brennan are gearing up for their third consecutive season together, although the rest of the coaching staff has seen some shakeups.
Former assistant coach Calum Mallace joined Marquette University’s men’s soccer program, while goalkeeper coach Aleksandar Saric was transferred and elevated to an assistant coach of the Loyola women’s soccer team. Assistant coach Oscar Rivero is set to make his debut with the team after being brought on in late February.
New Additions
Loyola’s 2024 signing class consists of 13 players, with two transfers and 11 first-years making the jump to the collegiate level.
Ameer Abdullah, a 6 ‘2 center back, joins the squad as a redshirt first-year following one season with the University of Pittsburgh. The Chicagoan previously played multiple years of club soccer with Chicago FC United in a captain and starting role, and gained international academy experience when he trained with Italian team AS Roma.
Providing depth in the goalkeeper’s box is the 6 ‘4 Hugo Bauer of Hamburg, Germany. The first-year international athlete last made an appearance with the West Ham United Foundation U19 Clarets and graduated from Gymnasium Heidberg last year.
Hailing from Santander, Spain is the 6 ‘1 striker Hugo Urdiales, who last appeared for Atlético Albericia, a team in the fifth-tier of the Spanish football league system. He attended the European University of the Atlantic and played at the youth level in Deportivo La Coruna’s academy.
Charlie Lacy brings positional versatility to the new crop of signings. The 5 ‘9 Ann Arbor, Michigan native can play both the forward and outside back positions. Lacy played three seasons on the varsity team at Ann Arbor Skyline High School and competed with the MLS NEXT side Michigan Wolves, earning a place in the 2022 All-Southeastern Conference team.
Daniel Firs, a 6 ‘2 center back from nearby Chicago suburb Park Ridge, Illinois, previously played for Maine South High School, scoring a total of 26 goals in four years. He also made appearances for Sockers FC Chicago, helping the Sockers’ defense allow the fewest goals in 2020-21. Sockers later went on to win the top position in the Mid-American region of MLS NEXT Soccer League that same year.
Benji Chavarria of Elkhart, Indiana adds to the Rambler’s depth at the forward position. At 5 ‘8, Chavarria has experience playing for the MLS NEXT academy team Indy Eleven and was a part of the U19 squad which captured the team’s first ever USL Academy League Playoffs Championship in December 2021.
Calvin Hess, a Racine, Wisconsin native, provides width on the Ramblers right side as the 5 ‘11 first-year can play in both the right wing and right back positions. Hess previously played club soccer in the MLS NEXT league, representing Chicago Fire FC from 2020 to 2023 and Bavarian United SC from 2023 to 2024.
The 5 ‘10 defensive midfielder David Siemionko hails from the Illinois town of Mount Prospect. He previously attended John Hersey High School and played club soccer for Chicago FC United.
Beck Rettenmaier, a 6 ‘1 forward, comes from Leawood, Kansas and carries numerous accolades. Rettenmaier previously attended Shawnee Mission East High School and played club soccer for Kansas Curt Scott Gallagher SC. Rettenmaier scored 38 goals and tabbed 30 assists over four years, with two All-Sunflower League First Team, All-State Second Team and First Team honors.
Luka Ivancic joins Loyola as a first-year with extensive club and international experience and provides depth as a 5 ‘11 midfielder. The Chicago local attended Northside College Preparatory, the second ranked high school in Illinois, and played club for the Chicago Fire’s MLS NEXT program and Sockers FC. Ivancic competed against international league clubs such as Manchester United and represented the U16 Croatian Youth National Team.
Liam O’Donoghue of Geneva, Illinois joins the Ramblers after being a three-year varsity starter at Geneva High School and club soccer appearances for Raptors ECNL. The 6 ‘2 defensive midfielder had a massive senior year, leading the DuKane Conference in goals and placing second in assists, earning All-Conference, All-Sectional and All-Area honors along with DuKane Conference Player of the Year, the first in Geneva’s program history since 2009. O’Donoghue was also named the Kane County Chronicle Boys Soccer Player of the Year.
Arved von Vegesack of Stockholm, Sweden previously played in the Swedish Youth League Second Tier with Nacka Gymnasium. The 6 ‘2 forward scored 17 goals with the U19 team and 10 goals with the U17 team in two separate seasons.
Nicholas Roe, a 6 ‘0 center back from Naperville, Illinois previously played for Benet Academy, earning four consecutive varsity letters, All-East Suburban Catholic Conference and All-Area honors, along with a 2023 ESCC Defender of the Year title and All-State call in 2024. He also played for Galaxy Soccer Club, earning back-to-back nominations to the 2022 and 2023 USYS Nationals Best XI’s.
Games To Look Out For
Loyola’s regular season starts with a trip to Ann Arbor, Michigan for a matchup with the University of Michigan Aug. 22 at 7 p.m. Loyola has lost both of its two meetings against the Big 10 Conference team, being outscored 7-3.
The Ramblers’ home opener at Loyola Soccer Park is Sept. 5 in a 7:30 p.m. matchup against Wright State University. The two teams haven’t met since 2012, when Loyola triumphed in a 4-3 offensive battle.
The team’s first conference matchup is Sept. 21 at 3 p.m. against 2023 A10 Conference champions Dayton at Hoyne Field. The last three matches between the teams saw ties at the end of regular time, one of which resulted in a loss for Loyola on penalties in last year’s quarterfinal.
The annual “Hustle to Hoyne” event takes place Sept. 24 against Red Line rivals DePaul University at 7 p.m. The Ramblers will look to add on to their three-game win streak against the Blue Demons. The head-to-head record between the two North Side squads sits at 9-6-5.
Loyola’s final regular season game will be against Saint Joseph’s University at Loyola Soccer Park Nov. 2 at 2 p.m.
Full Schedule
Exhibition
Aug. 10 vs University of Wisconsin-Madison at 5 p.m.
Aug. 14 at Western Michigan University at 4:30 p.m.
Aug. 17 at University of Wisconsin Milwaukee at 4 p.m.
Regular Season
Aug. 22 at University of Michigan at 7 p.m.
Aug. 29 at Creighton University at 7 p.m.
Sept. 1 at University of Nebraska-Omaha at 1 p.m.
Sept. 5 vs Wright State University at 7:30 p.m.
Sept. 12 at University of Illinois-Chicago at 7:30 p.m.
Sept. 17 at Oakland University at 4 p.m.
Sept. 21 vs University of Dayton at 3 p.m.
Sept. 24 vs DePaul University at 7 p.m.
Sept. 28 at Saint Louis University at 7:30 p.m.
Oct. 5 vs University of Rhode Island at 3 p.m.
Oct. 9 at George Mason University at 6 p.m.
Oct. 12 at Virginia Commonwealth University at 6 p.m.
Oct. 19 vs La Salle University at 3 p.m.
Oct. 22 vs Olivet Nazarene University at 7 p.m.
Oct. 26 at Fordham University at 6 p.m.
Nov. 2 at Saint Joseph’s University at 2 p.m.
Atlantic 10 Quarterfinals will take place on Nov. 8.
The post Loyola Men’s Soccer 2024 Preview first appeared on The Loyola Phoenix.
Just two days before the regular season starts, Loyola Athletics announced the hiring of Gabby Whittinghill and Jim Schneiderhahn who will join the women’s soccer program as assistant coaches.
The announcement marks a continuation of the shuffle of the women’s soccer coaching staff following the surprise departure of former head coach Barry Bimbi in July. Angela Staveskie, interim head coach, said she’s excited for the new staff to interact with the current coaches and players and the experience they bring to the program.
Whittinghill was the head coach for the Elk Grove High School girls team for five years before coming to Loyola. During her tenure, her team had their first winning season in 2024. She’s also served as the athletic director for Chicago Public School’s Luther Burbank since 2022.
Before her coaching career, Whittinghill graduated from DePaul University before earning her Master of Exercise Science from Concordia University. She played semi-professional with the Chicago City Soccer Club from 2018-2023, where she served as captain and the leading goal scorer in the 2019 and 2020 seasons.
“I am so excited to work with such a great group of dedicated athletes and coaches,” Whittinghill said in a statement. “I’d like to thank [Staveskie] for this opportunity; everyone I’ve met here has been more than welcoming.”
Schneiderhahn, a St. Louis, Missouri native, has over two decades of coaching experience. He previously served as an assistant coach for Purdue University’s women’s soccer program for nine seasons and led Illinois State University’s women’s soccer team to four consecutive Missouri Valley Conference Championships from 2011 to 2014.
He played as a goalkeeper at Benedictine College in the late 1990’s before becoming the men’s soccer assistant and women’s head coach. He also served as the head coach for Emporia State in Kansas. Since 1996, Schneiderhahn has been a staff assistant with the United States Youth Soccer Association’s Olympic Development program.
“Jim has a wealth of knowledge and experience having coached collegiate women’s soccer for over 25 years and achieving great success at this level,” Staveskie said in a statement. “His strength as a person and coach complement our staff and we’re so happy to welcome him to the Rambler family.”
The Ramblers will face Schneiderhahn’s former team Purdue University Aug. 22, with kickoff scheduled for 6 p.m.
The post Women’s Soccer Completes Coaching Staff for 2024 Season first appeared on The Loyola Phoenix.
The Loyola women’s soccer team is preparing for their third season in the Atlantic 10 Conference. The Ramblers have yet to be successful in the A10 postseason, after they lost in the first round to Saint Louis University 3-0 in 2022 and missed out on the playoffs in 2023.
Multiple changes to the coaching staff just a month before the season have brought a level of uncertainty ahead of the first matches. Former head coach Barry Bimbi was released and replaced by then-assistant coach Angela Staveskie, who stepped in as interim head coach. Loyola Athletics brought in former men’s goalkeeper coach Aleksandar Saric as an assistant coach after assistant coach Brendan Roth left the program for DePaul University.
New Additions
During the off season, the Ramblers signed eight first-years and picked up one transfer.
Second-year forward Julia Liguore is the lone transfer student donning the maroon and gold. Last season at Illinois State University, Liguore started in all 16 matches as a forward. The St. Louis, Missouri native scored three goals and racked up an assist on 12 shots on goal.
Alexandra Gib hails from Lilburn, Georgia where she competed at Parkview High School. Gib was selected to the all-region team four times and the all-county and all-state teams three times. The first-year midfielder and forward was selected as a member of the Georgia High School All-Star game in 2023.
Catherine Cline, a 6 ‘0 defender, helped lead the Cathedral High School team to four straight Sectional Championships and the State Runner-up title in 2020. She is a two-time all-city soccer team selection and was tabbed to the 2023 All-USA Central Indiana Super Team roster. Cline comes to Rogers Park from Indianapolis, Indiana.
Jocelyn Leigh is an Evanston, Illinois native and joins the Ramblers’ roster as a forward. During her time at Evanston Township High School, Leigh netted 51 goals, completed eight hat-tricks and recorded 17 assists. She earned multiple Player of the Week honors and her team finished fourth overall in the 2022 Illinois High School Soccer State Championships.
Roos van Roekel scored 18 goals and five assists her senior year at Barrington High School in Barrington, Illinois. The 6 ‘0 defender was named the 2023-24 Gatorade Illinois Girls Soccer Player of the Year as well as the Illinois High School Coaches Associations Player of the Year. Van Roekel and Barrington High School won the conference title in 2022 and were state runners-up in 2023.
Midfielder Olivia Anderson comes to Rogers Park from nearby Crystal Lake, Illinois. Anderson played three seasons for the Crystal Lake Central Tigers and helped lead the team to their first state championship in 2023. She is a three-time All-Conference selection and played for the Eclipse Select club team.
Lydia Case of Sylvania, Ohio previously played for Liverpool FC Michigan and at St. Ursula Academy. The midfielder was named the 2022 Three Rivers Athletic Conference Player of the Year and recorded 13 goals in her career. She won the 2021 US Club Ohio State Championships with St. Ursula Academy and earned regional and national team honors.
The only goalkeeper who signed with the Ramblers is Zoey Bohmer of Wheaton, Illinois. Bohmer was honored with a place to the All-State and All-Conference teams and with the Dukane Goalkeeper of the Year in 2023. She helped the Wheaton United club team to two straight third place finishes in the State Cup.
Stella Kohl played for Sockers FC Chicago before joining the Ramblers as a defender. The Elmhurst, Illinois native received all-conference nominations in her time playing at York Community High School.
Games to look out for
Loyola opens their regular season Aug. 15 at 7 p.m. against Eastern Illinois at Hoyne Field. The Ramblers haven’t faced the Panthers since 2013, when they won 3-0.
The Ramblers take on Red Line Rivals DePaul University Aug. 25 at 7 p.m. at Hoyne Field. This game marks the return of former assistant coach Brendan Roth. Loyola has won the past three matchups against the Blue Demons and will look to get a leg up in the head-to-head record which stands at 8-8-1.
The Ramblers first A10 conference game is against the University of Dayton Sept. 19 at 7 p.m. at Loyola Soccer Park. In the five meetings between the Flyers and the Ramblers, Dayton has won all five matches, outscoring the Ramblers 11-0.
Loyola faces 2023 A10 Champions Saint Louis University Sept. 26 at 7 p.m. in St. Louis. The Ramblers have never won a game against the defending champions and have been outscored 7-2 in three meetings.
Full Schedule
Aug. 15 vs Eastern Illinois at 7 p.m.
Aug. 22 at Purdue University at 6 p.m.
Aug. 25 vs DePaul University at 7 p.m.
Aug. 29 at University of Wisconsin-Madison at 5 p.m.
Sept. 1 vs Bowling Green State University at 1 p.m.
Sept. 5 vs University of Toledo at 5 p.m.
Sept. 8 at Michigan State University at 12 p.m.
Sept. 15 vs Eastern Michigan University at 1 p.m.
Sept. 19 vs University of Dayton at 7 p.m.
Sept. 22 at Fordham University at 12 p.m.
Sept. 26 at Saint Louis University at 7 p.m.
Sept. 29 vs La Salle University at 1 p.m.
Oct. 3 at Virginia Commonwealth University at 5 p.m.
Oct. 6 at University of Richmond at 1 p.m.
Oct. 13 vs Davidson College at 1 p.m.
Oct. 20 vs University of Massachusetts at 1 p.m.
Oct. 24 at University of Rhode Island at 6 p.m.
Oct. 27 vs St. Bonaventure University at 12:30 p.m.
The post Loyola Women’s Soccer 2024 Preview first appeared on The Loyola Phoenix.
Between vice president Kamala Harris selecting Minnesota governor Tim Walz as her running mate and pop-princess Chappell Roan’s prodigious Lollapalooza performance, it seems the Midwest has abruptly captured the nation’s attention — and crowned its king and queen.
The Midwest-centric strategy behind Harris’ selection becomes apparent after a glance at Walz’s resume. As a veteran and former public school teacher who grew up in rural Nebraska, the governor is a seemingly authentic representation of the moderate Midwest.
This rural relatability is what California-based Harris seems to have set her eye on, as the region is littered with significant swing states, including Michigan and Wisconsin. Harris’ populist pick combined with the upcoming Democratic National Convention in Chicago have thrust the region into a spontaneous spotlight.
While Walz’s personal history and “plucky dad vibes” are a charming asset to Harris’ future-focused and unifying political message, it’s hard to imagine the intimate and authentic Midwestern “je ne sais quoi” persevering on a national scale.
The Midwest’s persuasive powers come from its distinctly local, almost sneakily unobtrusive charm. Midwestern might comes not only from the region’s familial warmth and courteous culture, but also from said culture’s sincerity— it only works because it’s authentic, and it’s only authentic as long as it avoids the limelight.
The political and pop-cultural image of the Midwest is rooted in ideological nostalgia, siphoning power from glossy, mirage-like images of tight-knit, diligent and dedicated families who spend their Sundays lending sugar to their neighbors. The region has assumed an oversized role in representing middle America despite it only being 12 states, emerging as the epicenter of traditional values and the persevering American dream.
This makes any wide scale application of the midwestern lifestyle feel somewhat ornamental and inauthentic — even in the genuine case of Governor Walz. It turns the region’s powerful normalcy into a caricature, undermining the small-town sincerity the Harris campaign is trying to gleam onto.
Governor Walz has had immense success helping Minnesota’s middle class, lowering the price of insulin and enacting paid leave for workers. He started his political career as the first Democrat since 1890 elected to Minnesota’s notoriously conservative 1st Congressional District. Walz’s success emerged from face-to-face interaction with rural communities as he leaned into his farm-hand roots, teaching background and National Rifle Association endorsements.
Despite originally avoiding presenting as a cultural progressive when first elected in 2007, as governor Walz has steadily — and subversively — pioneered state-wide liberal policies by faithfully adhering to a framework which places reformist policy inside a traditional, grassroots, Midwestern framework.
He has used his passion for pheasant hunting and experience as a public school teacher to advocate for gun control laws. He has justified protecting reproductive rights by establishing their importance to the traditional family structure. He has brought awareness to mental health and accessible healthcare by emphasizing his veteran status.
Walz’s nuanced and informed identity has cultivated his political success and put him in the running for vice president. While seeing this kind of political candidate on a national scale ushers in a refreshing semblance of hope, there’s an underlying fear that Walz’s triumphant Midwestern authenticity will be contaminated by national demands — that populist progressivism will be eclipsed by polemic pressures and party lines.
However valid these fears are, though, the alternative would be instigating further polarization in a country already divided. Although Midwestern locality is harder to sell on a national level, perhaps seeing a familiar face on screen will, in some areas, have the effect the Harris campaign is hoping for.
Maybe Walz will prove his work in Minnesota is a microcosm of shifting ideologies across the region. Maybe the Harris “feminionmenon” will burgeon a Midwest that mirrors the forward-looking, hopeful idiosyncrasy of the prospective Democratic ticket.
Perhaps it will shed light on a diversified Midwest united by home — the place everyone comes back to regardless of if they were at the local Bass Pro Shop or a Pink Pony Club.
The post The Rise (and Fall?) of Midwestern Might first appeared on The Loyola Phoenix.
“Sing Sing” is a modern “Shawshank Redemption” in finding personal freedom against incarceration.
Directed and co-written by Greg Kwedar, “Sing Sing” follows the true story of convicted felons rehabilitating themselves through the art of theater.
Set in the Sing Sing Correctional Facility in Ossining, New York, the film tracks John ‘Divine G’ Whitfield organizing a new play with his co-prisoners. His confidence as an actor is challenged when a new arrival joins the Rehabilitation Through the Arts (RTA) ensemble.
“Sing Sing” is deeply in tune with what it means to be human. As the characters explore a shared love for the arts, their passion grants an emotional escape from physical confinement.
Kwedar (“Transpecos,” “Jockey”) directs with skill and evident respect for the subject matter. Long takes linger on Whitfield and his inmate co-stars stewing in their creative process and emotional developments.
Shot on location in the real Sing Sing Penitentiary, the suffocating walls contrast the cast’s lively performances. While the prison stifles creativity, the RTA flourishes in imagination with memories of the outside world fueling heartfelt stage performances.
Colman Domingo as Whitfield is magnetic in his charisma. With the real-life Whitfield being an author, Domingo (“Rustin,” “Selma”) lovingly embodies the writer’s stewardship of the RTA. Domingo expresses longing and distress behind a veneer of showmanship and composure.
Kwedar, cast members Clarence Maclin, Sean ‘Dino’ Johnson and producer Brent Buell discussed the film at the Chicago Critics Fest in May. Kwedar described his introduction to the RTA and its impact on prisoners and their loved ones.
“I’ve been to a few productions at Sing Sing, I was a volunteer teacher,” Kwedar said. “The people outside, waiting for the people they love inside, are serving sentences themselves.”
The inmates’ lives are adapted in a way few films have even attempted. Aside from Domingo, nearly all of the supporting cast for “Sing Sing” is comprised of former RTA members — and Sing Sing prisoners. Making their feature debuts, Maclin and Johnson rival Academy Award winners in portraying their past selves.
Clashing heads with Whitfield as the new RTA member, Maclin learns to recognize his vulnerability. The further he engrosses himself in theater, the more Maclin accepts his past decision and self.
“I got to live other people’s lives, tell their stories that were parallel to my own,” Maclin said. “Villainous or heroic or whatever, the best qualities from those characters is what I played in my real life.”
For his beginner film appearance, Maclin matches up with Domingo in sheer pathos as a secondary lead. Maclin detailed how he discovered his love of acting only through the RTA.
“Shakespear for me is a passion,” Maclin said. “I didn’t know I had that passion until I was exposed to it.”
Courtesy of A24Maclin credits that exposure to his personal betterment and said he hopes that others can be similarly rehabilitated.
“People behind the wall are still people,” Maclin said. “As people, as human beings, we have the ability to change.”
Also portraying himself, Johnson is a standout amongst the extraordinary supporting cast. As a jolly yet dominant member of the RTA, Johnson provides some of the most compelling moments with his introspective view on life.
“I found my freedom behind the wall,” Johnson said. “Freedom is not something that’s in front of you — freedom is in you.”
The power of Maclin, Johnson and the rest of the RTA’s performances cannot be overstated. Reliving those vulnerable periods of time produces a film like no other — creating a firsthand view of insight.
“Playing a part of you from the past is very difficult, because there’s a lot of truths that you may not agree with,” Johnson said. “But you still gotta be honest.”
As the film’s co-writer and RTA’s actual acting coach, Buell summarized the therapeutic powers of the arts.
“Through theater, a person is handed the tools to rebuild themselves,” Buell said. “[They] become the person they were meant to be.”
“Sing Sing” is a masterclass of humanity, resilience and pure talent. The film inspires both awe and awareness with an introspective story that commands attention. It’s one of the best movies of the year, thus far, and a thoroughly extraordinary watch.
Yet the film, like its cast, is more than the sum of its parts. “Sing Sing” is a testament to recovery triumphing over penalty.
“Over 60 percent [of released inmates] are back in prison within three years, nationally,” Buell said. “In our program — we are under three percent.”
“Sing Sing,” rated R, is in theaters now.
The post ‘Sing Sing’ Uncovers Humanity Behind Barred Walls first appeared on The Loyola Phoenix.
The Loyola women’s soccer team underwent multiple coaching personnel changes in the wake of the surprise departure of longtime head coach Barry Bimbi.
Assistant coach Brendan Roth left the program to take an assistant job at DePaul University, prompting Loyola Athletics to hire Aleksandar Saric, who was previously the men’s soccer goalkeeper coach, as an assistant coach.
The changes came after assistant coach Angela Staveskie stepped into the interim head coach role following Bimbi’s firing.
Bimbi declined The Phoenix’s request for comment.
DePaul University’s women’s soccer program announced Roth as their new assistant coach July 29. Loyola Athletics declined to comment on his departure.
“I am very excited to join the DePaul Athletics family,” Roth said in a statement to DePaul Athletics. “I am eager to start working with the team and look forward to competing in the Big East Conference.”
Two days after Roth’s departure, Staveskie announced Saric was stepping in as the new assistant coach for the women’s team July 31.
“It’s been a privilege for me to coach on the men’s staff last year, and now, I’m even happier to be a full time assistant on the women’s side,” Saric said in a statement.
Saric led the men’s team to their best goals allowed per game in program history during the 2023 season. Before coming to Loyola, he served as an assistant coach for Major League Soccer’s Chicago Fire from 2016-2020 and has 18 years of professional playing experience.
Roth will make his return to Hoyne Field Aug. 27 when the Blue Demons face the Ramblers in an early season rivalry matchup.
The post Women’s Soccer Shuffles Coaching Staff Following Bimbi Departure first appeared on The Loyola Phoenix.
Lollapalooza ended with a delayed start from headlining rap duo Future x Metro Boomin and an outstanding revival from ‘00s hit band The Killers on Saturday. Headlining electropop artist Melanie Martinez and ‘90s punk band Blink-182 gave a generation-spanning close for the festival’s younger and older audiences on Sunday.
Saturday, Aug. 3
Chicago-based band Friko rocked out in the afternoon shade of the Bacardí stage. Lead singer Niko Kapetas and touring guitarists shredded in sync like a singular throbbing vein to “Chemical” and “Half as Far.”
Drummer Bailey Minzenberger took a brief hiatus from their hi-hats to play the keyboard during the instrumental interlude “For Ella.” The band closed with a haunting cover of Radiohead’s “Weird Fishes / Arpeggi” and promised a return to Lolla in two years.
Hayes Warner leans against her guitar player while singing on
day three of Lollapalooza. (Holden Green | The Phoenix)Northwestern University alumna Hayes Warner returned to Chicago to open the BMI stage for the third day of the festival. Warner rocked the stage with both original songs and covers.
When performing Bruno Mars’ “Locked Out of Heaven,” Warner appeared almost angelic — bathed in white lights, backlit by fog with her hair waving in the wind.
Opening the day’s slate on the nearby Bud Light stage, sibling band Infinity Song performed tracks from their recent album “Metamorphosis.” Before their performance, the band said their father walked around taking videos with the biggest smile on his face.
Alternative rock band Quarters of Change lifted Bacardi’s stage with electric riffs and tinny guitars. Playing “Blue Copper,” the band surprised the crowd with Thursday performer Ava Maybee. At the end of their set, frontman Ben Roter climbed the stage’s support pillar to hype the crowd to their angsty “T Love.”
Fans dance during DJ Dylan Brady’s set on Aug. 3 in Grant Park.
(Holden Green | The Phoenix)Dylan Brady led a low-key DJ set in the sweltering afternoon — or, as low-key as an electronic dance show could be. Brady, a member of 100 gecs, performed at Pitchfork Music Festival just two weeks ago.
Brady transformed over 40 songs, but his remixes of Nicki Minaj’s “Starships,” Justin Bieber’s “Baby” and Flo Rida’s “Good Feeling” earned the most praise from the mosh pit. He finished as informally as he began with a brief clip of Alan Jackson’s “Chattahoochee.”
On the Bud Light stage, indie pop band TV Girl played all their biggest hits to an eager crowd, including “Lovers Rock” and “Blue Hair.”
Near the end of the set, lead singer Brad Petering spoke about Matty Healy, the lead singer of 1975. Healy is being sued by a Malaysian music festival for allegedly breaking festival restrictions by using profanity, criticizing Malaysia’s anti-LGBTQ laws and kissing bassist Ross MacDonald on stage, according to Time Magazine.
In solidarity, Petering shared a hesitant peck on the lips with keyboardist Wyatt Harmon, all to the cheers of the crowd.
Ethel Cain shared her Southern gothic stylings at the IHG stage. Her pleading vocals rang out like a banshee in “A House in Nebraska” as grainy footage of farms and barnyard animals looped in the background.
The indie singer performed a new song “Punish,” a ghostly-sounding track reminiscent to her previous work on the album “Preacher’s Daughter.”
Before closing with her pop-inspired hit “American Teenager,” Cain delivered a sultry cover of Kim Carnes’ “Bette Davis Eyes.”
Cain announced a new project in the works during her aftershow at Thalia Hall, Friday night. With the new album including “Punish,” Cain also sang the yet-to-be released “Amber Waves.”
Ethel Cain pauses during the intro of one of her songs on the third day of the festival. (Holden Green | The Phoenix)The sound system at T-Mobile’s stage blared loudly with the concussive Deftones. The band’s thrashing guitars and heavy drums were intense enough to guarantee ear-ringing for anyone in earshot.
Frontman Chino Moreno fervidly sang “My Own Summer (Shove It),” “Be Quiet and Drive (Far Away)” and “Change (In the House of Flies).” The experimental metal legends closed with “Genesis” from their 2020 album “Ohms.”
Jake Luppen, lead singer of Hippo Campus, performs early
in their set on Saturday. (Holden Green | The Phoenix)At the nearby IHG stage, alternative rock band Hippo Campus performed both well-known fan favorites like “Way It Goes” and “Buttercup,” as well as the three currently public tracks from their anticipated album, “Flood.”
Unreleased songs from “Flood” like “Corduroy” and the titular track “Flood” had their live debuts during the band’s Metro aftershow Sunday evening.
“Do you guys want to take its virginity?” asked lead singer Jake Luppen regarding the new songs. “Just wanted to make sure we have your consent.”
Atlanta legend and one-half of rap duo Run the Jewels, Killer Mike, had a show which rivaled all others. Backed by Trackstar the DJ and a quintet of choir singers, Mike belted hits from his 2023 album “Michael” which won Grammys for the year including Best Rap Song, Best Rap Performance and Best Rap Album.
Between songs Mike dedicated his performance to the people of Chicago and Fred Hampton, a Black Panther Party chairman who was assassinated in a raid by the FBI and the Chicago Police Department in 1969.
“Chicago is a place where I see people taking care of one another,” Mike said. “I want you all to leave this with a spiritual experience.”
Mike heightened the energy by bringing singer Erryn Allen Cain for a surprise performance of “SCIENTISTS & ENGINEERS.”
While fans awaited hip-hop rap duo Future x Metro Boomin at the Bud Light stage, a fight broke out between two crew members on stage. The performance was further delayed by the need to set up an unready stage.
After around 30 minutes of waiting, some crowd members began to boo. With a scheduled start time of 8:45 p.m., the headlining set didn’t begin until 9:15 p.m.
The rap duo played songs from their joint albums “WE DON’T TRUST YOU” and “WE STILL DON’T TRUST YOU,” as well as tracks from their solo careers.
Their performance of “Fried (She a Vibe)” was cut short as security asked everyone in the crowd to step back away from the stage for safety reasons.
Future (left) and Metro Boomin dance while performing for the crowd to close day three of Lollapalooza. (Holden Green | The Phoenix)The Killers’ set was a well-oiled machine on the opposite end of the park. Singer Brandon Flowers promised audiences a professional performance to remember.
“We’re The Killers, and we’re in the service industry,” said Flowers. “I believe you people ordered up a good time.”
The Las Vegas-based band moved through an 18-song set including “When You Were Young,” “Smile Like You Mean It” and Material Issue’s “Very First Lie.”
During the show Flowers pulled an attendee on stage who had been holding a poster asking to drum. The young Chicagoan named Oscar played “For Reasons Unknown” perfectly in pace with the band.
The Killers closed with two renditions of “Mr. Brightside,” first focusing on Flower’s vocals and again with full guitar instrumentation. Droves of visitors and staff chanted into Grant Park’s adjacent streets. Thousands sang in unison while heading home from the festival’s third day.
Sunday, Aug. 4
A crowd quickly formed for Scarlet Demore’s afternoon show at the Bacardí stage. The Chicago-based punk band dove headfirst into the dramatics with an electrifying rendition of “Lost Dawg,” an energy which continued throughout their set.
Lead singer Cat Ayala blew kisses to the audience after the breathy-but-bold track “A/B.”
“This song is for the girlies — let the girls pit,” Ayala announced before “Dead Men.”
Ending with a feisty cover of Sum 41’s “Fat Lip,” Scarlet Demore cemented themselves as a standout act from the alternative scene at Lolla.
HANABIE vocalist Yukina poses during the band’s set on
day four of Lollapalooza. (Holden Green | The Phoenix)Waving an American flag, Japanese metalcore rock band HANABIE. opened the T-Mobile stage. Dressed in an aesthetically cute style with skirts, stars and bright colors, lead singer Yukina shocked the crowd with harsh, guttural screams.
The band performed songs like “O・TA・KUラブリー伝説” and “NEET GAME.”
Punk-pop singer Huddy took to the BMI stage Sunday afternoon with a set worthy of his Chicago debut. His connection to the audience was palpable, as he performed hits like “All the Things I Hate About You” and songs from his recent EP “Love Bites.”
Throughout the set, Huddy kept the crowd riled up, frequently stepping onto the speakers in front of the stage for the biggest moments of songs and hopping off the stage to interact with fans at the barricade.
English pop singer and self-proclaimed fan of the Chicago architectural boat tours, Mimi Webb, fulfilled a three-year long dream of performing at Lollapalooza. On the Bud Light stage, Webb sang both her newest song, “Erase You,” and her oldest, “Before I Go.”
On the opposite end of the park, Wisconsin rock band Slow Pulp mixed folk vocals with punk guitars. Singer Emily Massey gave a tender voice to anguished instrumentation for songs “High” and “MUD.”
Wearing a red Chicago Bulls jersey, number 69, Teddy Swims was Chicago-ready. Swims performed both singles and tracks from his 2024 album “I’ve Tried Everything But Therapy (Part 1.5).”
“I think we’ll kill it, but you guys won’t know anyway,” Swims said in preparation of performing his unreleased single, “Bad Dreams.”
Indie duo Briscoe married folk banjos and harmonicas with soulful vocals. Featuring bluesy songs “The Well” and “Dirty Shoes,” the act bore a rustic set akin to classic country folk from the ‘70s.
At the Tito’s venue, British band The Last Dinner Party congregated a merry audience. The woman-fronted ensemble adorned Renaissance-inspired dresses as singer Abigail Morris waltzed into the audience. The act concluded with “Nothing Matters,” the viral single from their first album “Prelude to Ecstasy” released in February.
Conan Gray sings early in his set on Aug. 4. (Holden Green | The Phoenix)Conan Gray brought an upbeat energy to the Bud Light stage Sunday evening. Decked out in a red leather vest and pants set, Gray performed songs from across his discography, including hits like “Heather” and “Maniac.”
Fans, many of whom sang along to each song in the set, eagerly danced and filmed during the performance. Gray also maintained a strong rapport with the audience, frequently talking to his fans between songs.
“I gotta say,” Gray mentioned on stage, “Chicago: best American city.”
Pierce the Veil dominated the T-Mobile stage with their pop-punk beats, as songs like “Caraphernelia” and “Emergency Contact” were accompanied by head-banging. A few brave audience members even crowd-surfed during songs like “Circles.”
Fans in the crowd held signs declaring their love for Pierce the Veil and begged to be picked as the lucky audience member who got to join the band on the stage.
Eventually, Orla, who was standing by the barricade, was chosen by lead singer Vic Fuentes. She sat on a stool onstage and was serenaded by the band’s song “Hold On Till May.” Fuentes also gifted her the guitar he had been playing.
Just before the festival’s final headliners, Chicago Made spotlighted the city’s underground talents. Hosted by Tony “Chicago” Russell, DJ Pharris, dancer DLOW, singer M.E.H., rapper Fly Skinz, R&B singer SONATA, guitarist Deacon Denzel and underground icon Twista gave brief stints in quick succession.
To close out the festival, alternative pop artist Melanie Martinez put on a spectacle of horror and fantasy, performing a setlist that spanned her entire discography.
Aspects of subtle horror came into play during songs from “Cry Baby” and “K-12.” In Martinez’s performance of “Nurse’s Office,” she was rolled around the stage on a gurney, the shaky camera above her giving an impression of hectic unease. Near the end of the song, she pretended to be electrocuted while her back-up dancers stared into the cameras with wide eyes and unnervingly large smiles.
Tracks from “PORTALS” introduced a sense of extraterrestrial fantasy as Martinez took to the stage in a moss-covered two-piece and an alien-like pink prosthetic mask with two sets of eyes and large, ribbed ears.
While a snippet of “The Principal” played, the screens behind Martinez showed dolls holding signs advocating messages like “End the occupation,” “Free Palestine” and “Your silence won’t protect you.” Martinez echoed these sentiments during her thank you speech at the end of her set.
Mark Hoppus of Blink-182 performs during the groups headlining set on the
last day of Lollapalooza. (Holden Green | The Phoenix)As T-Mobile’s final headliner, Blink-182 took their audience back in time. With a crowd full of Gen Xers and Millennials, the pop-punk trailblazers played 23 of their latest and greatest singles.
Currently touring for their 2023 album “One More Time…,” newer songs “DANCE WITH ME” and “MORE THAN YOU KNOW” were played alongside classics “The Rock Show” and “What’s My Age Again?” A tease for the band’s future came with the unofficially released “Can’t Go Back.”
Adolescent lyrics regarding teenage resentment paired with their trademark corny humor. Singers Mark Hoppus and Tom Delunge egged on the audience between songs, asking attendees to raise lit phones if they had divorced parents.
“It’s your fault your parents broke up,” said Hoppus. “Every single one of these is a home that you wrecked.”
The set closed with “All the Small Things,” “ONE MORE TIME” and a tape of Journey’s “Don’t Stop Believin,’” which both the audience and band danced to. Attendees left Lollapalooza for the last time this year as fireworks flew and the music triumphantly told them to “hold on to that feelin.’”
Fans dance during Blink-182’s set on Aug. 4 in Grant Park. (Holden Green | The Phoenix)The post The Hottest Music Acts in the Chicago Heat: Lollapalooza Days Three and Four first appeared on The Loyola Phoenix.
Earlier this summer, I took a trip to Stanford University with a close friend of mine. It’s an easy 45-minute drive and a reasonably pleasant day trip from where I grew up in Morgan Hill, California to Palo Alto — Stanford’s home.
It’s hard to describe how beautiful the campus is, with its sprawling lawns and stucco buildings. Nobody moved too fast, nobody talked too fast; it was all peaceful laze and beautiful listlessness.
Walking around the campus felt like touring the mind palace of a Stepford wife, each new building more stunningly picturesque than the last. As we walked, the names adorning each center or institute came into view as if out of a thick fog.
Hewlett. Hoover. Packard. Hoover a second, third and fourth time.
These red-blooded Stanford men, among countless others, have come to define our modern conception of the world as we know it — decidedly for the worse.
In his book “Palo Alto: A History of California, Capitalism, and the World,” author Malcolm Harris uses the deceptive allure of Stanford University to tell the wider history of Palo Alto, the Bay Area and as promised, the world.
Harris begins with the brutal genocide and enslavement of the Muwékma Ohlone, the tribe that lays historical claim to much of the land in the South Bay Area. He outlines the treatment of the Ohlone by Spanish missionaries and the horrific mission system that incited centuries of vicious exploitation.
Moving chronologically, Harris tracks through the history of the Gold Rush and the incorporation of the first beating heart of the Bay — San Francisco. From there, history progresses down the valley to the rise of robber baron Leland Stanford and the eventual inception of Leland Stanford Junior University.
Stanford University binds together the narrative Harris spins. It’s the jumping-off point for the presidency and legacy of notorious alum Herbert Hoover and later discussion of his various ideological offshoots, from Reagan administration Secretary of State George Shultz in the Hoover Institution think tank to billionaire and Stanford graduate Peter Thiel.
So much is covered in the 628 pages of “Palo Alto” that it would be near impossible to outline each wind and bend in Harris’ book. Such a long walk through California’s sordid history — the expulsion of the Ohlone and other tribes throughout the state, vicious anti-Chinese sentiment during the Gold Rush and 20th-century centers of conservative power and influence, leads the Golden State to lose much of its illustrious sheen. One could argue, however, that was very much Harris’s point.
It’s difficult to read historical accounts of what seem to be very contemporary issues to the modern reader. It’s strange and deeply unsettling to realize, to use a topical quote from Democratic presidential candidate Kamala Harris, that “you live in the context of all in which you live and what came before you.”
From that difficulty arises a pervasive, acidic hopelessness — a nagging thought that some ideas are simply too entrenched in national and international politics to ever be fully extracted. There is no recourse, no atonement, no hope.
History has a way of repeating when we find ourselves unaware of its consequences.
In May, campus police units violently swarmed pro-Palestinian student protestors at universities across the nation, mirroring institutional responses to 1969 anti-Vietnam protests. Stanford, alongside many of its academic contemporaries, reminded students and the public it learned all the wrong lessons from 1969.
The Hoover Institution’s particular brand of conservatism, while in a sense the forefather of Trumpian populism, finds itself a strange bedfellow to the new conservative current. And yet, quite a few of the institutions backing the Heritage Foundation’s Project 2025 have deep ties to the Institution.
After all, MAGA-adjacent politicians are just saying out loud what the Hoover Institution tended to obliquely imply.
The events of “Palo Alto” and the writing’s almost prophetic quality feel too close to home — both literally and figuratively. Wherever you turn the page, in the book and in our waking lives, there is a strongman and his Stanford graduate lackeys waiting to star in a tale of exploitation and general skullduggery.
What further compels me about “Palo Alto” is the particular historical track Harris takes in the middle section of the book. He elects to guide the reader through a history of Communist and left-wing organizing in the Bay Area and California at large.
He pays special attention to student radicalism and protests at Bay Area colleges throughout the sixties and seventies, especially at Stanford and San Francisco State University. Harris creates a broader timeline of Bay Area activism, starting with the inception of the Black Panthers in Oakland and ending with Stanford student radicalism in the years following the slow end of the Vietnam War.
Harris argues the history of Palo Alto and its swirling milieu of right-wing Hooverites and Silicon Valley autocratic acolytes is the history of the world. These men and women have placed their blood-soaked hands in as many pies as they can, and their passing whims have become our fates.
The end of “Palo Alto,” for all its pages of greed and unabashed evil, does retain a semblance of hope. This hope contrasted deeply with the resignation I’d developed by the end of the book, shocking me out of what I now recognize to be a selfish, myopic pattern of thinking.
Building on the work of Indigenous scholars Glen Coulthard and Renya Ramirez, Harris argues in the final chapter the best first step toward undoing the years of damage caused by C-suites, politicians and bad actors is giving the land on which Stanford stands back to the Muwékma Ohlone. Not just land acknowledgments, not just nominal recognition, but to truly withdraw from what we now understand as Palo Alto.
It is rightfully theirs, after all.
“Palo Alto: A History of California, Capitalism and the World,” by Malcolm Harris, is available in bookstores and online now.
The post Bookmarked: “Palo Alto,” I Love You but You’re Bringing Me Down first appeared on The Loyola Phoenix.
Lollapalooza returned to Grant Park Aug. 1, kicking off a four-day showcase of music’s biggest names and rising stars. From Thursday’s headlining Hozier and showstopping Megan Thee Stallion to Friday’s lively Stray Kids and serene SZA, Lolla’s first half held no half-measures.
Thursday, Aug. 1
Nashville-based songwriter Abby Holliday opened the festival on the Tito’s Homemade Vodka stage. With an alternative folk sound akin to Phoebe Bridgers, Holliday gave a vulnerable, hypnotic performance.
Matt Hansen performs on day one of Lolla.
(Holden Green | The Phoenix)Singer Matt Hansen kicked off the Bud Light stage with crisp vocals and crunchy guitar riffs. His deep, gravelly voice echoed across Grant Park like a pastor giving a sermon.
Tracks blended together with themes of lost love in “Virgins Are Forever” and “Better Off Without Me.” Hansen’s cover of “Iris” by the Goo Goo Dolls, which he credited with making him famous, drew the crowd even closer together.
Recent college graduate and country-pop singer Chance Emerson heartily rocked BMI’s stage. Passionately singing about young love and wonder, Emerson radiated an upbeat energy that was matched by the dancing crowds.
Hip-hop rap artist Riovaz invited cautious festival-goers to form a pit in front of the Bacardí stage barrier. Attendees shook and sprayed boxed waters as Riovaz hyped up the crowd with songs like “Prom Night” and “I Feel Fantastic.”
Alabama-native and self-proclaimed “king of the south” Brenn! took to the BMI stage Thursday afternoon with a mix of folk and pop. Against the backdrop of clear blue skies over Lake Michigan, his authentic songs about life, love and religion were a welcome break from the hustle and bustle of the festival.
Rising star Brenn! performs to a full crowd on
the BMI stage Thursday. (Holden Green | The Phoenix)Brenn! played all six songs from his 2024 EP “County Line” as well as two unreleased songs. He grew more comfortable on stage as the set progressed, dancing his way through “Looking For.”
“This is my 11th show ever or something like that,” Brenn! said early in the performance. “I’m sorry if I don’t got it all down.”
Clad in a chaps-cut, neon pink and blue wrestling singlet, Chappell Roan performed to what may have been the T-Mobile stage’s largest crowd. Strutting the catwalk on-stage, the pop artist sang viral hits including “Pink Pony Club” and “Good Luck, Babe!”
While teaching audience members the hand motions to her 2023 pop sensation “HOT TO GO!,” it seemed as though most festival-goers were already familiar with the dance. Chappell fans eagerly ran through the motions as easily as they might for the YMCA.
More than 80,000 fans fill Grant Park during Chappell Roan’s set Thursday. (Holden Green | The Phoenix)Across Grant Park from Roan, performing on the Bud Light stage, Lizzy McAlpine serenaded the crowd with soft, melancholic tunes. McAlpine’s songs were instrumentally powerful. In songs like “I Guess” and “Drunk, Running,” she took many lyrical breaks for keyboard, guitar and drum solos.
Pop icon Kesha had her restless crowd wrapped around her finger during her entire set. She burst onto the stage with “TiK ToK” and continued the energy to the darkly camp “Cannibal.”
Kesha holds a knife during her song “Backstabber” on Thursday.
(Holden Green | The Phoenix)Kesha’s set featured more props than a Broadway dressing room. The singer brandished a knife for “Backstabber,” donned a nun’s habit for “Take It Off” and swirled around with her backup dancers.
The performance took an emotional turn when she began “Praying,” a heartfelt ballad about her legal battle with producer Dr. Luke over her freedom as an independent artist.
Palestinian-Algerian rapper Saint Levant charmed the Bacardí stage with his signature blend of bilingual bars and saxophone solos.
The rapper, born Marwan Abdelhamid, performed in English, Arabic and French. His backup musicians — on drums, guitar and keyboard — seamlessly transitioned from slow, suave love songs to raw tracks about his razed homeland.
“Mon corps à Paris / Mon cœur à Gaza,” he rapped in “5am in Paris,” translating to “My body in Paris / My heart in Gaza.”
Closing with the emotional, string-heavy “Deira,” Saint Levant’s voice cracked several times as the crowd waved keffiyehs and Palestinian flags. He ended the set to raucous applause and cheers.
Irish singer-songwriter Hozier charmed fans with songs spanning his entire discography, including a live debut of his unreleased EP “Nobody’s Soldier.”
Hozier plays the tambourine during his headlining
set on day one. (Holden Green | The Phoenix)Before his performance of “Nina Cried Power” from his 2019 album “Wasteland, Baby!,” Hozier spoke on the history of civil rights protests in the United States and Northern Ireland. He urged the crowd to speak with their political representatives about supporting a ceasefire in Gaza.
“In honest goodwill and human witness of the lived experience of other people on the other side of the world,” Hozier said. “And say we wouldn’t want to see any human being subject to the kind of violence that we’ve been witnessing on our TV screens.”
Hozier closed out his set with his most-streamed song “Take Me to Church” from his 2014 debut album “Hozier.” Enthusiastic fans sang along under the cover of their rain ponchos as the night ended with lightning and dark clouds.
Rap superstar Megan Thee Stallion closed the night by taking T-Mobile’s stage by storm. Opening with “HISS” — her Nicki Minaj diss — Megan called out detractors while embracing a confident choreography.
Like a workhorse, Megan moved through hit after hit in dynamic fashion. “Ungrateful,” “Kitty Kat” and a solo rendition of “WAP” moved the crowd to shake in turn with the rapper’s movement.
Between songs Megan commented on her endorsement of Vice President Kamala Harris as the next president of the United States.
“Kamala said she wants a ceasefire,” Megan said. “Kamala said she supports women’s rights. Hotties for Harris.”
As a storm crept over Grant Park, thunder strikes clapped in unison with the music. Rain fell through the duration of “Savage,” “Body” and “Boa” while lightning flashed above. To close Lollapalooza’s first day, Megan brought the thunder with her.
Friday, Aug. 2
Pop duo sundial opened the Bud Light stage on day two of the festival. Despite technical difficulties with the song “your text,” they maintained the same sweet, upbeat mood they carried through the rest of the set.
With songs focusing on relatable themes of the everyday, sundial members Dorothy Chan and Jisu Kim performed tracks about love, family and aging.
Folk group Wilderado performs early on the
second day of Lollapalooza. (Holden Green |
The Phoenix)Wilderado, an indie folk band from Oklahoma, crooned melancholic melodies like “The Ocean And The Sea” and “Morning Light” from the Bud Light stage.
The National Parks held a stripped-down jam session in the Toyota Music Den. The indie band showcased their fiddle, banjo, harmonica and tambourine skills in folksy tunes that’d seem ideal for singing around a bonfire.
First-timers to Lollapalooza, the band played a mix of older songs as well as tracks from their upcoming album, set for release in three weeks. The small-but-spirited crowd whooped and hollered along to “I Can Feel It” and “As We Ran.”
“It’s about to turn into a hoedown,” lead singer Brady Parks said with a laugh.
R&B singer Victoria Monét mesmerized festival goers with the help of her band the Melanistics and backup dancers. Donning a bedazzled orange outfit, Monét sashayed around the stage like a wildcat on the prowl — much like her 2020 EP and its namesake track “JAGUAR.”
Victoria Monét holds a cane early in her
set Friday. (Holden Green | The Phoenix)If the singer didn’t have the audience’s attention already, she certainly hit a high note when she invited attendees to pull out their joints and puff along to her song “Smoke.”
Monét closed with an empowered rendition of “On My Mama.” The track was especially poignant given her daughter Hazel had introduced her hit “Stop (Askin’ Me 4Shyt)” earlier in the set.
Australian singer-songwriter Ruel serenaded the crowd at the IHG stage with pop tunes like “Face To Face” and “I DON’T WANNA BE LIKE YOU.”
Fans holding heart-shaped signs reading “KISS ME” were delighted when Ruel sang an abridged version of Sixpence None The Richer’s track “Kiss Me.”
At the nearby T-Mobile stage, Reneé Rapp performed a setlist almost exclusively composed of tracks from her first and only album, “Snow Angel.” The set contained tunes like “In the Kitchen,” a song disliked by the boy it was written for, Rapp said.
“Saying you don’t have taste would be easier and faster,” the singer-songwriter said. “But I digress.”
The tracks from outside the album were “Not My Fault” from the movie musical “Mean Girls” and “D.R.A.M. Sings Special,” which included a surprise entrance from the song’s original artist, Chance the Rapper.
English singer RAYE
performs on day two.
(Holden Green | The Phoenix)Jazz singer RAYE had her performance undercut by a medical emergency. After singing “Ice Cream Man” at Tito’s stage, the Bud Light venue across the field sounded emergency warnings with screens lighting an attention message for onlookers to clear Bud Light’s barrier for medical attention.
RAYE continued her performance with James Brown’s “It’s a Man’s Man’s Man’s World,” however the emergency broadcast drowned out her volume. It wasn’t until the incident had subsided that the vocalist passionately filled the air with “Prada” and “Escapism.”
Indie artist Faye Webster took up Tito’s stage next. The stage’s sound seemingly increased following RAYE’s set, with Webster’s sultry “Thinking About You” and “Kingston” cooling the crowd with her distinct voice.
Texas-born rapper Kevin Abstract lit up his crowd as the sun set. Abstract, known for his work in the rap collective Brockhampton, delivered heart-pounding performances of the group’s early hits like “GUMMY” as well as his own solo songs like “American Boyfriend.”
Like a flannel-hoodie-wearing Moses parting the Red Sea, Abstract commanded the audience to open up space on both sides of the barricade for attendees to mosh together as a single, sweaty unit.
“How could you leave this city?” Abstract said, appreciating his adrenaline-rich audience.
Icelandic musician Laufey bewitched Bud Light’s Stage with support from the Chicago’s Philharmonic Orchestra. With a full brass and string backing, Laufey gave a classical jazz performance to the festival attendees.
Laufey holds her face while performing on the Bud Light stage on day two of Lollapalooza. (Holden Green | The Phoenix)Rolling through “Dreamer,” “Falling Behind” and “Goddess,” Laufey surprised the crowd by bringing back out RAYE for a guest duet of “It Could Happen.” Following up with “Bored,” the artist manifested an atmosphere reminiscent of classic Disney films, closing with “From the Start.”
Headlining Korean boy band Stray Kids put on a spectacle, complete with complex choreography, outfit changes and two encores. Lightsticks from the band’s official merch line lit up like stars against the dawning darkness.
Fireworks rained gold over the crowd and screams were uttered when band member Felix revealed his bare chest.
Fans film and wave their lightsticks during the Stray Kids
show on Friday. (Holden Green | The Phoenix)“힙합 스텝 큼지막이 밟지, 특출난 게 특기,” the group’s main rapper Changbin sang in “S-Class,” the lyrics translating to “I take big hip-hop steps, being special is my specialty.”
The roar of the crowd seemed to agree with Changbin on his exceptionality.
Headliner SZA ended Friday’s lineup with ethereal vocals and eccentric design choices. Dressed in a gigantic fur coat and a gingham two-piece, the R&B singer descended from her stalactite-covered platform to deliver smooth songs about romance and self-reflection.
The setlist showed off SZA’s wide range from her 2018 collaboration with Kendrick Lamar “All the Stars” to the pop punk-inspired “F2F” from her 2022 album “SOS.” The massive crowd cheered her every move, even when she took a break from dancing to sing on the back of a supersized ant statue.
“You’ll never love me,” SZA sang during “Garden (Say It Like Dat)” — but her fans’ applause proved otherwise.
The post Performers and Fans ‘HOT TO GO!’ for Lolla: Lollapalooza Days One and Two first appeared on The Loyola Phoenix.
In a wide-windowed gallery space, under the cover of murmured mingling and live music, an artist stands in the building at 1224 W. Loyola Ave. he calls home.
As groups of people buzz around the building, the artist — who goes by AJ — perches proudly by his collection of colorful photos pinned on a wall perpendicular to the gallery’s front door. He animatedly talks to anyone who meanders by, describing the nuances of particular shots and the joy he feels when capturing emotional moments.
The photos are part of the show “Go forth and set the world on fire,” an exhibit organized by art non-profit Roman Susan, which opened July 19. The exhibit — on display through Aug. 18 — includes works created by the building’s tenants, community members and individuals associated with Loyola, including six current and four former university faculty members.
For AJ, sharing his artwork with the community is a highlight in what he called a “traumatic” last six months. As a residential tenant of 1234 W. Loyola Ave., which was purchased by Loyola in December, AJ will be forced to move out at the end of his lease.
“I can’t sugarcoat it, it’s a really traumatic experience,” AJ said. “It’s disruption, it’s upheaval, it’s displacement and it’s a recurrent history of that.”
Despite this adversity, AJ said the support from Roman Susan and others in the neighborhood have made him see Rogers Park in a new, community-oriented light — a side of the neighborhood he hadn’t seen in his six years of residency.
Roman Susan and Sonya Bogdanova hosted a free ceramics class for community members to display as works in the show.
(Marky Salvati | The Phoenix)
“Through this upheaval and tremendous community outpouring of support and the neighborhood rallying against what Loyola is doing, I’ve become more connected to Rogers Park,” AJ said.
Partners and Roman Susan founders Nathan and Kristin Abhalter-Smith said supporting tenants was their primary goal when planning the show. They said upon learning the building was going to be sold, they budgeted $7,000 at the beginning of the year for an art show that could include tenants and celebrate the building.
The show features works from 19 individuals and organizations, ranging from paintings, protest banners, historical documents and performance poetry. The Abhalter-Smiths said for this show they wanted to focus on collaboration between Loyola and the community.
The Abhalter-Smiths have been outspoken about the cultural and communal significance of the building since the purchase. They wrote a statement to Loyola in January imploring the university to consider the building’s tenants and local businesses.
As the situation developed and Loyola announced plans for demolition, the Abhalter-Smiths felt compelled to aid the displaced tenants. In addition to writing an addendum to their original statement, they’ve also been liaisons between residents and Loyola’s Office of Neighborhood Initiatives.
Jennifer Clark, the director of Loyola’s Office of Neighborhood Initiatives, wrote in an email to The Phoenix the Abhalter-Smiths have helped the university ensure every tenant could be contacted.
“Loyola has had productive and open dialogue with all 23 tenants in the building,” Clark wrote. “The owners of Roman Susan, Nathan and Kristen, have been valuable partners in helping us to connect with hard-to-reach residents. As stated in the addendum, all tenants were able to stay to the end of their lease agreements and some tenants had their leases extended.”
While helping tenants contact Loyola, the Abhalter-Smiths received a $7,000 grant from the Crossroads Fund’s Critical Response Fund. The grant — in addition to some of their own funds — has allowed them to pay both artists involved in “Go forth and set the world on fire” and set aside $500 stipends for every household in the building.
So far 13 of 23 applicable households have accepted the stipend, according to the Abhalter-Smiths. Nathan Abhalter-Smith said they are still working on contacting tenants who haven’t responded to their offer.
“The version 1.0 was we were going to ask a bunch of artists to volunteer to be in the show and we were going to donate their stipends to the people in the building,” Nathan Abhalter-Smith said. “And so the additional funding let us stick with our sort of bedrock everyone-gets-paid.”
One year from now, “Go forth and set the world on fire” will return, this time with an emphasis on celebrating a community united. The Abhalter-Smiths said the show’s name — a reference to St. Ignatius of Loyola, founder of the Jesuits and the university’s namesake — comments on sustainability and the waste of tearing down buildings as well as being a call to action to foster change.
“I feel like it’s provocative in terms of everything that’s going on in the world right now, and I think that it’s poetic and kind of incendiary,” Kristin Abhalter-Smith said.
The Abhalter-Smiths said they were partially inspired to help tenants by Sonya Bogdanova, a ceramics professor at the School of the Art Institute Chicago. Bogdanova, who spent much of her childhood in West Rogers Park, hosted a free ceramics class for community members as part of “Go forth and set the world on fire.”
Professor Rafael Vera said his work explores themes of nostalgia and displacement. (Marky Salvati | The Phoenix)“I felt selfish making my own stuff,” Bogdanova said. “This was a way of, at the very least, joining the right side of history.”
Bogdanova said she approached the workshop with a free-form mindset, as she simply explained the essential tenets of claywork and allowed participants to craft whatever they wanted. She described the experience as almost democratic, recollecting the creative atmosphere adorned by the jazz band playing next door at Archie’s cafe.
“It was like,‘This is how we should be living,’” Bogdanova said.
Another contributor touched by the show’s collaborative thesis was artist and Drawing and Painting professor Gina Hunt. As a lecturer of Fine Arts at Loyola, Hunt said she was moved by the Abhalter-Smiths’ synergistic perspective despite the situation’s complexity.
“Nathan and Kristin reached out to me as someone who is affiliated with this university in a way that wasn’t bringing any sort of contention or conflict to this dialogue,” Hunt said. “It was like, ‘Let’s work together to do this presentation of this project in support of the people that are important to the space and this building.’”
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Although the show emphasizes collaboration with the university, it still contains an element of protest. Inside the gallery space, banners sporting aphorisms like “stop repeating history” were interwoven between the artworks.
The show also refers to past protests, including documents from the Edgewater Environmental Coalition protesting Loyola’s demolition of two buildings on Kenmore Ave. in 2018.
Rafael Vera, a contributing artist and senior lecturer of fine arts at Loyola, underscored these elements of protest. Vera said his submission explores his personal feelings of nostalgia and displacement as a Venezuelan immigrant, yet he felt the themes were applicable to the tenants’ situations.
“I feel a sense of protest,” Vera said. “I am 100% in support of the people who live in the building and very much Roman Susan, who have done an incredible job and who have been a very important part of our community at Loyola and at Rogers Park and in Chicago.”
For some contributors, however, this sense of protest was more subtextual. Laura Goldstein, a senior lecturer in core Literature and Writing, prepared a spoken-word performance called “The Tower,” which will be performed Aug. 1 with former Loyola student Cean Gamalinda.
Goldstein said they took inspiration from the Torah’s “Tower of Babel” story to explore themes of communication and analyze the language of the community versus the language of “the institution.” Goldstein hopes their work prompts listeners to think deeply about the situation and inspire change.
“Whatever is created can be destroyed at any moment at the whims of power,” Goldstein said. “That’s what I really wanted to look at.”
Protest banners rented from #ProtestBannerLendingLIbrary were interwoven with works of art. (Marky Salvati | The Phoenix)
This dialogue is what the Abhalter-Smiths said they want to facilitate with the show. Although they said they know change is inevitable, they hope it can come about in a collaborative and creative way.
“There are more possibilities than the thought of tearing this building down,” Kristin Abhalter-Smith said. “They have a lot of reasons why they would justify taking the building away, but why not have a more creative solution?”
For AJ, creativity is an overt and pointed form of rebellion and self-love. He said despite looming uncertainty over his future, his art serves as a constant reminder of his resilience.
“This is me, this is my life, these are my experiences, these are things that are important to me,” AJ said, looking fondly at his photos on the wall of 1224 W. Loyola Ave. “And I’m not going to let Loyola extinguish that flame.”
“Go forth and set the world on fire” is on display at Roman Susan until Aug. 18. The Gallery is free and open for visitors Wednesdays and Thursdays 4 p.m. to 7 p.m.
The post Art Show Honoring Soon To Be Demolished 1224 W. Loyola Ave. Ignites Community first appeared on The Loyola Phoenix.
Loyola hosted the first of two virtual town hall meetings July 23 to kick off the Neighborhood Input phase of the university’s campus planning process. During the meeting a new website for community members to submit their input was released.
First begun in spring 2023, the campus planning process is an ongoing effort by the university to identify needs on Loyola’s campuses and outline the next decade of development. The next virtual town hall will be on Tuesday, August 6. Those interested in attending can register for the event online here.
The website includes details on the current phase of the campus plan, an interactive campus map and a community engagement survey. The interactive map was shared with the roughly 50 attendees at the town hall and again with the Loyola community in a July 25 email from Jennifer Clark, associate vice president of Neighborhood Initiatives.
The previous phase, called the Campus Needs Assessment, was completed in January, and the current phase is set to last until September.
University Architect and Vice President for Campus Planning Patrick Brawley has led the needs assessment over the previous year with Loyola students, faculty and alumni. Among other steps, he studied other similar sized universities to find possible standards for how Loyola should address its own needs with the needs assessment, according to Clark.
“We don’t have the, if you will, any set plan to say a project is going to be built here, we’re really looking at opportunities within our existing holdings,” Brawley said during the town hall.
The interactive map allows viewers to comment on specific parts of the map where other community members can then view, like or dislike.
As of Thursday afternoon, the majority of comments placed were in regards to the 1226-34 W Loyola Ave building which Loyola purchased last year and announced they will tear down once the current leases end, The Phoenix reported.
One comment linked to a letter written by Roman Susan Art Gallery owners Kristin and Nathan Abhalter-Smith with numerous co-signers urging Loyola to recognize the importance of 1234 W Loyola Ave, which houses the gallery.
Another commenter, who claimed to be an incoming masters student, said they were disappointed with Loyola’s perceived disinterest in the community.
“Their unilateral plan to evict the tenants and businesses here is undoing years of social and cultural recovery since the pandemic left its mark on our neighborhood,” the anonymous commenter wrote. “Please think collaboratively as you consider your area vision and please build bridges supporting RP at 1234.”
After opening the meeting with vintage photos of Loyola’s campus and surrounding neighborhoods from the early 20th century, Clark held a thought exercise where attendees submitted one word they thought best described their community. The words were collected through an online submission and formed into a word cloud visual.
The first word to appear was “archies” and among the most submitted were “diversity,” “lake” and “walkable.” Archie’s Cafe is another business currently located at 1226-1234 W. Loyola Ave alongside Roman Susan and Edge Art galleries.
Following the word cloud exercise, Clark described why Loyola has a need for development. She referred to the upcoming expected generational population decline alongside the effects of the pandemic and virtual learning on students’ academic, social and emotional health as reasons to adapt the way the university teaches, the way students live and to provide accommodations.
Clark said the purpose of the plan is to prepare the campus for this next generation of students without stopping university operations for an extended period of time.
“We’re confident that we’ll be able to remain at this level of enrollment for decades to come,” Clark said. “So this plan, like I said, is not about growing the university, but it is about changing the way we offer programming to students in order to set them up for future success.”
Part of maintaining current enrollment levels throughout the future is competing with other universities throughout the higher education market, according to Brawley.
“This is a national game that we’re playing relative to attracting and retaining the students, the faculty and staff to the spaces,” Brawley said. “So as we go through this, there’s a lot of assessment, just understanding how can we be the best. Our goal is to be a Top 100 School, so we know we have work to do.”
Clark said though the university isn’t actively looking to acquire new properties, if new property becomes available the university will consider purchasing it.
Featured image by Daphne Kraushaar / The Phoenix
The post Loyola Kicks Off Community Input Phase of Campus Planning first appeared on The Loyola Phoenix.
The recent dump of Supreme Court decisions represents the worst of American politics, the worst abuses of judicial power and the worst of the Republican Party. In a series of ideologically motivated and unjustifiable decisions, Donald Trump’s Republican Supreme Court supermajority on the Supreme Court has voted over and over to strip Americans of their rights and protections, to tear apart our system of due process, to return the United States to a time of rampant pollution and corporate misconduct. Above all, they have acted to place themselves, their corruption, and the Republican Party above the law.
Not only has the court acted against the best interest of the American people, it has acted against decades of legal findings that have protected hundreds of millions of Americans. The transparently political motives behind the court’s decisions in tailoring the law for the Republicans’ corporate backers, in particular the overturning of the Chevron precedent — which allowed government agencies to consider expert opinions and enabled the daily functions of the federal government — and the slow-walking of justice in response to politicians’ crimes in Trump v. US and Snyder v. US show the dire need for accountability within our court system and the long-lasting consequences of every single election.
On top of this dubious track record, in the midst of the worst court corruption scandals in history — namely the careers of Justice Clarence Thomas, Justice Samuel Alito, and Chief Justice John Roberts — the court doubled down to defend the consequence-free status quo, using Snyder v. US to sanctify Thomas’s billionaire-funded vacations while clawing power towards the court in Loper Bright v. Raimondo and blocking any potential accountability or functional ethical standards.
And these three are just the Bush judges — father and son — consequences of the elections in 1988 and 2004. What is more concerning are the consequences of 2016 and 2024.
Trump’s own pack of hand-picked legal hacks are younger, more recent, and if anything more brazen, with Justice Neil Gorsuch and Justice Brett “Beer Guy” Kavanaugh seeing their debts and their property woes somehow slip away after their nominations. Justice Amy Coney Barrett, thankfully, seems to have avoided most of the “technically not bribes” that have plagued her Republican colleagues, even taking thebrave step of joining the call for new ethics standards.
Unlike her colleagues, Justice Barrett is instead a member of a shady religious group under FBI investigation, in which she serves as a “Handmaid,” helping to ensure that the group’s female members display proper “obedience to authority and submission to headship” by their all-male leadership, whose board is led in part by Michael Coney, Justice Barrett’s father. And as icing on the cake of court misconduct, it turns out that even Justice Barrett hasn’t been able to isolate herself from the graft that surrounds her fellow conservatives, with reports pointing towards a link between the recent sale of her house in South Bend, Indiana, and the “Religious Liberty Clinic” at Notre Dame University, a group of conservative legal activists linked to the creation of religious schools in Oklahoma, a pile of “friend-of-the-court” briefs on legal matters facing the court, and an all-expense-paid trip for Justice Alito to give a speech to the group at a palace in the heart of Rome, Italy.
In the last month of rulings, the court has legalized its own corruption and bribery while blocking our government from prosecuting the criminals lining their pockets at every level of federal law. Now, more than ever, it is clear that the Supreme Court has been bent to the will of the private jet class and their own pocketbooks, accepting “gifts” and inventing precedents with no regard for the laws, principles, and values that provide the bedrock for the American way of life.
Democracy cannot exist without a strong and independent judiciary. While the Republican justices of the court continue to ignore the interests of the American people, flout the rule of law and reject all attempts to reign in their blatant corruption, our allegedly Supreme Court is anything but.
With every new decision, it is increasingly clear that a vote for the Republican Party and its enablers is a vote against the rule of law, against decency and against America. Corruption within our nation’s highest court cannot be defeated at the witness stand or at the jury box. It will only — and can only — be defeated at the ballot box.
Six votes criminalized homelessness. Six votes legalized bribery. Six votes put the president above the law. Six votes gave the court the power to dismantle every protection that has fought pollution, kept food safe and protected consumers for four decades.
On Nov. 5, remember who sent these judges to Washington. Remember what the court took from you, from your family, from your friends, and from your future. Remember what they’re planning. Remember where they’re going next: clawing back student loan forgiveness, killing IVF, stripping the department of education, and reversing the Civil Rights Act.
Six votes decided Dobbs v. Jackson. Five votes killed Roe v. Wade.
Your vote will decide the court’s future.
Don’t let them do it again.
Michael Clausen is a fourth-year student studying history, political science, conflict studies and Spanish. He is the president of the Loyola College Democrats and serves as Political Director for the Illinois College Democrats.
Opinions expressed in guest essays do not necessarily reflect those of The Loyola Phoenix. To submit a guest essay for publication please contact hgates@luc.edu and gkrueger1@luc.edu.
The post Guest Essay: Six Votes first appeared on The Loyola Phoenix.
Punk rock and rap dominated the weekend of July 19-21 at 2024’s Pitchfork Music Festival. The annual three-day festival’s lineup maintained a steady tide of enthusiasm among the patrons at Union Park on Chicago’s West Side.
Chicago-based acts Angry Blackmen, Lifeguard and Kara Jackson performed alongside international artists spanning Australia, the U.K. and South Korea. Lesser known acts such as rock band Black Duck — also Chicago locals — played the same stages as established names like Carly Rae Jepsen and Alanis Morissette.
Friday, July 19
Tkay Maidza (Holden Green | The Phoenix)Tkay Maidza dazzled the crowd with a feather-light voice and a star-studded black leather outfit. Her ethereal stage presence was especially impressive considering she’d traveled 40 hours from Australia to Chicago before her performance.
The Zimbabwe-born singer-rapper appeared right at home onstage, seamlessly shifting between songs spanning her decade-long career. Fans were treated to hits like 2013’s “Handle My Ego” and last year’s “Ring-a-Ling.” The festival’s heavy indie influence made her cover of Pixies’ “Where Is My Mind?” a stellar choice.
Korean DJ Yaeji took to the Red Stage with two backup dancers, playing a collection of hits from her 2020 mixtape “What We Drew 우리가 그려왔” and her 2023 debut album “With A Hammer.” At once bouncy and thoughtful, Yaeji’s signature electronic sound prompted crowds to dance to the beat.
“I’m so excited to share my artistry with you,” the singer said during the performance.
Yaeji finished her set with an unreleased, upbeat dance track. The DJ showed the audience how to do a custom dance move to the chorus of “Bu bu, don’t touch me.” Pressing their pointer fingers and thumbs together, then crossing their fingers in an x before pointing back at themselves, grinning audience members followed along.
At the Green Stage, experimental electronic duo 100 gecs shocked and sparkled. Uncharismatic, abrasive and beyond genius, producers Laura Les and Dylan Brady ran through a series of hits from their two accordingly named albums: “10,000 gecs” and “1,000 gecs.”
The crowd was invigorated, pushing and pulling against one another in ecstatic lockstep. This energy shook the core of the crowd, as audience members spun their arms and shook their shoulders in time with the music.
Sudan Archives (Holden Green | The Phoenix)Among the evening time slots was Sudan Archives, hypnotizing the Blue Stage with her vibrant blend of vocals and violin. Donning a polka-dot jumpsuit, the artist treated her violin bows like an archer would arrows, holding them in a quiver on her back while crawling across the stage.
“Am I good enough?” she sang, ending her set with the track “Selfish Soul” from her 2022 album “Natural Brown Prom Queen.”
“Yes, you’re more than enough,” the audience responded, with cheers, whoops and applause.
Along with his touring band, Jeff Rosenstock — known for his work in Bomb the Music Industry! and The Arrogant Sons of Bitches — ended the Blue Stage’s Friday performances with an adrenaline-spiked jam session.
Before the set began, Rosenstock rocked out off stage to System of a Down’s “Chop Suey,” defining the tone for the rest of the hell-raising performance. The sea of fans eagerly embraced crowd-surfing and parted, allowing for multiple mosh pits. Closing with the high of “WILL U STILL U,” Rosenstock cemented himself as a standout in Friday’s lineup.
Black Pumas (Holden Green | The Phoenix)Indian-British legend Jai Paul, who first gained an audience with the release of his Myspace mixtape, took the stage as the sun began to set.
There was something magical about the combination of Paul’s soaring falsettos and on-stage backdrop of fossils, prehistoric lava displays and deep sea creatures as he performed “BTSTU.”
Black Pumas, the final act of the day, blew on stage in a whirlwind of bleach-blond locs and abundant charisma. Four years out from their Grammy win in 2020 for Best New Artist, Black Pumas’ frontman Eric Burton was as dynamic as ever.
The band caught an ineffable groove complete with Burton jumping in and out of the crowd. Infused with Texas twang and built on classic-rock stylings, Black Pumas closed out the first night with a delightful performance.
Saturday, July 20
Legendary hip-hop group De La Soul came on in the Saturday late afternoon, bearing growing heat and glaring sun. At the start of the set, De La Soul briefly paid tribute to former member Trugoy the Dove, who died in 2023.
Audience members of all ages were drawn into the vibrant rhythm of De La Soul’s performance — a testament to the group’s enduring power and lasting impact.
By the end of the set the duo had turned into a quartet, joined by New York rap mainstays Talib Kweli and Pharoahe Monch.
Jessie Ware, Saturday’s first headliner, was enigmatic and irresistibly glam. Decked out in a glittering peach, bat-winged onesie, Ware welcomed cheering audiences to “The Pearl Club,” as an announcer had called the stage before the set.
Her dance-hall hits rolled over the crowd with ease, bringing her eighties-inspired sound to the forefront.
Pop legend and gay icon Carly Rae Jepsen wrapped up the shows on the Red Stage Saturday night. Prowling around the platform in a shimmery silver dress, she sang familiar hits like “I Really Like You” and “Call Me Maybe,” as well as newer tunes from her 2022 album “The Loneliest Time.”
Carly Rae Jepsen (Holden Green | The Phoenix)“Pitchfork holds a special place in my heart,” Jepsen said between songs.
Toward the end of the set, one adoring fan gave Jepsen a Minecraft diamond sword — a gesture which has been a meme since 2018, according to the Chicago Tribune.
As if emerging from a pearly gate crafted from bright white lights and smoke machines, DJ Jamie xx descended from the heavens to close out the second night. The set ran through a few of Jamie xx’s club hits, including “Life.”
Continuing the energy brought by Carly Rae Jepsen and Jessie Ware, Jamie xx wordlessly delivered audience members across Union Park to a state of nirvana.
Sunday, July 21
Nala Sinephro (Holden Green | The Phoenix)Jazz artist Nala Sinephro was a welcome respite from the broader bustle Pitchfork. On the relatively secluded Blue Stage, Sinephro and her band created a beautiful, blissful arrangement of harp, saxophone, drum and keyboard.
New York punk outfit Model/Actriz brought a midday jolt of energy, giving the audience a heavy dose of industrial sound. The band’s vocalist Cole Haden jumped into the crowd throughout the set and stared down audience members in the pit.
Crowd members jumped, kicked and spun in tune with the band’s sound.
Indie darling Jessica Pratt brought her silver-tongued Laurel Canyon stylings to the Green Stage. Her high and dry vocals soared over stripped-back instrumentals.
“It’s a bad day to be dressed like a pallbearer,” Pratt said, referring to her all-black suit as she baked in Sunday’s glaring sun.
Pratt seemed slightly frustrated throughout the set, coolly and wordlessly shifting from song to song. She left as quickly as she came, a brief “thank you” into the mic as a parting gift.
Mannequin Pussy’s set was, as their name suggests, both explicit and exciting. Lead singer Marisa “Missy” Dabice titillated the crowd by contrasting an exaggeratedly breathy voice with deep, disjointed shrieks.
“I’d like to dedicate this next song to all your god-fearing parents,” she informed the crowd in the lead-up to “I Got Heaven.”
Dabice called on all the men in the crowd to raise their hands and scream “pussy” in unison as a unique, albeit edgy, way to psych up the audience.
Grandmaster Flash (Holden Green | The Phoenix)Hip-hop legend member Grandmaster Flash ran onstage to cheers from the crowd but couldn’t keep them engaged for much longer. Despite the DJ’s status as one of the forerunners of the genre and inventor of the “quick mix theory” — often associated with early hip-hop sounds — something just didn’t click.
“It’s okay to dance, y’all, it’s okay,” Grandmaster Flash said over and over again, but unfortunately, very few bodies seemed compelled to move.
Straight out of the Phoebe Bridgers hit factory came MUNA, the queer alternative girl group du jour and first headliner to perform on Sunday. The band played a slew of their sometimes upbeat, sometimes reflective — but always sincere — songs, including “Number One Fan,” “Pink Light” and “Stayaway.”
The trio led into their final song, by calling for a free Palestine and voicing support for “the revolution.”
Following MUNA was Brittany Howard, the former frontwoman of the rock outfit Alabama Shakes. An immensely powerful vocalist and absurdly talented performer, Howard’s set was a testament to her illustrious solo career.
Les Savy Fav (Holden Green | The Phoenix)Eccentric punk band Les Savy Fav easily had one of the most engaging performances of the weekend. Lead singer Tim Harrington commenced the quirkiness by riding a Lime scooter around the crowd. Harrington, sporting a neon orange beard and a bare chest covered in tattoos, later poured beer down an onlooker’s shirt and performed “magic tricks” with a blue tarp, among other shenanigans during the set.
Closing out the festival Sunday night was grunge mainstay Alanis Morissette. The singer brought Pitchfork the same air, attitude and affection she’s carried since her heyday 25 years ago.
Morissette’s on-stage backdrop displayed facts regarding worldwide injustices women face.The songs in Morissette’s set touched on some of her personal experiences with these issues.
Morissette brought MUNA back onstage to sing the first verse of “Ironic,” and she performed other top hits like “Hand In My Pocket” and “You Oughta Know.” The set culminated in a performance of “Thank U” specifically dedicated to her fans.
After Morissette’s performance officially ended, attendees made their way to waiting buses and hovering trains at Ashland, grinning and jubilant.
Some audience members made their way to a series of after shows at local venues, featuring many of the performers from earlier in the day, and others went home. Despite leaving for different destinations, the crowd in Union Park seemed to share the same feeling of fulfillment from the festival weekend.
This story was written by Audrey Hogan and Mao Reynolds.
Fans during Alanis Morissette’s set (Holden Green | The Phoenix)The post ‘Pitchfork Holds a Special Place in My Heart’: A Whimsical Weekend of Music first appeared on The Loyola Phoenix.
Punk anthems and pop tracks weren’t the only notes resonating at Pitchfork Music Festival 2024. Performers, vendors and guests embraced politics throughout the festival’s run from July 19 to 21.
Throughout the weekend, lead singers from Water from Your Eyes, Mannequin Pussy and MUNA all shouted “Free Palestine” during their sets — a sentiment echoed by appreciative roars from the audience. Representatives for the artists were not available for comment.
“I respect no politician who does not let people just fucking live,” Mannequin Pussy’s lead singer Marisa “Missy” Dabice scream during their Sunday set.
Organizers work at the Artists Against Apartheid booth
on the first day of the festival. (Holden Green | The Phoenix)Besides performances, the festival included tents for crafts, vendors and local artisans. One booth was filled by Artists Against Apartheid, an international network of artists, musicians and activists united against what the International Court of Justice has called the Israeli apartheid of Palestine, according to the Associated Press.
Four artists performing at Pitchfork had already signed the network’s statement endorsing Palestinian liberation, according to Artists Against Apartheid organizer Tahia. Tahia requested her last name be withheld due to security concerns.
“At this moment in time you either stand for humanity or you’re standing for genocide,” Tahia said.
Nonprofit organization Chicago Votes also ran a booth throughout the weekend. Pitchfork invited them to be an official civic education partner at the festival, according to member Alexandria Boutros.
“Young people are so powerful, especially in Chicago,” Boutros said. “There’s so many young people that come [to Pitchfork] so it’s such a great place to engage people in politics.”
Information materials and voter registration forms were available at the Chicago Votes booth. (Holden Green | The Phoenix)Chicago Votes describes itself as a group striving to make democracy more equitable and engaging for everyone, especially young people, according to its website. The booth included voter registration forms and other educational materials for guests.
Neighboring Chicago Votes was a stand for the sexual healthcare nonprofit Planned Parenthood. Volunteer Claire McNorton, who graduated from Loyola in December 2016, said the organization appears at Pitchfork annually.
The booth was set up specifically for guests to sign a petition which would set standards for sex education in Illinois public schools.
“There are people at Pitchfork who want to get involved,” McNorton said. “We have to be here, we have to be present and we have to tell the people what we’re up to.”
Activism was a common thread throughout Pitchfork’s three-day span. On the festival’s first day, pro-Palestine posters which appeared to be affiliated with the festival lined the perimeter of Union Park.
Despite the posters displaying the Pitchfork name and branding, organizers denied any connection between the posters and the festival, according to festival representative Ben Demars. Some posters were torn down before the second day of the festival.
Keffiyehs — scarves traditionally worn across the Middle East which have become a symbol of Palestinian resistance — were worn by several individuals amid the sea of attendees.
Attendee Mandy Billups said her keffiyeh not only helped protect her from the sun but also displayed her support for Palestine.
“It’s important for people who are feeling unsafe right now to see people on their side,” Billups said. “I’m planning to show my solidarity all weekend.”
A backup singer for Kara Jackson’s set Saturday performed with a red keffiyeh. Jackson herself has been vocal about her support for the Palestinian cause.
“Trust it’s free Palestine forever,” Jackson wrote on X last year. “We need to see systems and movements.”
Yaeji, Jeff Rosenstock, MUNA and Mannequin Pussy were among other artists performing at Pitchfork who had previously voiced their support for Palestine.
In contrast, headliner Alanis Morissette has faced criticism for performing in Israel, according to the Jewish Chronicle.
Representatives for Water from Your Eyes, Mannequin Pussy, MUNA and Alanis Morissette weren’t available for comment. Representatives for Jeff Rosenstock declined to comment.
Featured image by Holden Green | The Phoenix
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A global technology outage linked to the cybersecurity firm CrowdStrike — used by Microsoft Office and other large corporations — affected access to Loyola online services, workstations and systems July 19.
The production services affected by the technology outage have been resolved, according to a 2:12 p.m. mass text sent by the information technology systems (ITS) service desk July 19.
Beyond Loyola, the outage caused about 1,500 U.S. flights to be canceled and nearly 4,000 delayed as of late morning July 19 on the east coast as well as disruptances in hospitals, banks and numerous other places of work, according to The Associated Press.
Leroy Butler, vice president of information technology and chief information officer, said the university noticed some servers within the network were having issues around 3 a.m. Friday morning. He said as staff began to investigate, more news came out indicating a global issue.
CrowdStrike CEO George Kurtz said on NBC’s “Today Show” the company unintentionally sent an update with a bug that caused a problem to Microsoft’s Windows operating system. Kurtz apologized for the impact caused by the mistake.
Since Loyola primarily uses Microsoft, the bug affected many desktop computers, Butler said.
Butler said Crowdstrike quickly deployed a solution to the bug, but any machines that already received the bad update began having issues. He said the team is now working on resolving the issue on those machines.
The outage affected Loyola’s network which hosts all servers for the university, according to Butler.
‘We had to go and check every one of those servers,” Butler said Friday, July 19. “There’s quite a few of them — there’s over 500 in our environment — and right now we’re about 90% through that process of checking and making sure that those systems are up and running.”
Butler said Friday the issue with the network would most likely be resolved by the day’s end while user issues will be solved as users contact the service desk.
The process to resolve the issues is mostly manual, making it somewhat slow, but the team is working to create an automated solution, Butler said.
Since the outage, the ITS Service Desk has helped over 100 users who experienced a frozen blue screen, severe degradation in the performance of their computer or an inability to launch their machines, Butler said.
“There’s no issue in terms of the university operations,” Butler said. “University operations are still functioning, maybe in some areas a little bit less than optimal performance in terms of the computing power, but all of our administrative offices are open.”
Featured image by Hunter Minné/The Phoenix
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“Magical Thinking with David Parr” invites skeptics and believers alike to an alluring display of illusions.
With the show taking place at the spellbinding speakeasy The Chicago Magic Lounge, magician David Parr unveils his latest set of deception. Hidden behind a fake laundromat in Andersonville, The Lounge reveals a stage of comedy, bafflement and wonder.
“I’ve been thinking about magic for 50 years,” Parr said. “We find joy in imagining the impossible — is possible.”
From the start of the show, Parr establishes a tone of goodwill and mysticism. With delivery akin to a stand-up comic, Parr brings the audience on a magical journey through personal recounts and historical oddities.
His first act, and a recurring motif of the night, was switching a set of playing cards between hands — without visibly moving them. The humble yet effective feat set the bar for straightforward illusions lacking obvious explanations.
Parr followed the act with a much more alarming trick to witness. After tying a thick rope around his neck, Parr instructed two audience members to pull from both ends. However, where the rope should have squeezed his neck tight, it miraculously jumped through his neck to tie itself into a knot before him.
“There are two types of people in the audience at any magic show,” Parr said. “The first type enjoys giving themselves over to the experience — the second type sees magic as a puzzle that demands a solution.”
The rope passing through his body without harm, along with the lighthearted card trick before lent the show an air of mischief. Parr further fueled the high jinks with hypnotic crowd work.
Taking another member from the crowd, Parr handed a paper with “Puppeteer” boldly lettered. Instructing the member to commit the word to memory, Parr dimmed the lights and looked deeply into their eyes. Reciting a story regarding a puppet and his master, Parr commanded the participant to blink with him.
Reciting the word from before, the participant could only swear it was “Forgotten.”
“Just after my 7th birthday, I received a magic set,” Parr said. “I don’t think I’d be standing here right now if I had not received that magic set.”
Image courtesy of the Chicago Magic LoungeBetween the tricks of memory and object permanence, David performed a handful of novelty tricks from his childhood with striking skill. One of the most impressive involved a hand-signed card from the audience being torn and reformed while retaining its signature, yet mystically changing its suit.
His last feat with the cards stood apart for being more than a trick — but a seeming impossibility.
“Synchnacity, a meaningful coincidence that’s so unlikely or uncanny it stays in the memory,” Parr said. “That will be our goal tonight.”
Bringing another member of the crowd, Parr’s instructions appeared rather simple as a game of repeat-after-me. Giving the participant their own deck, Parr shuffled his pile face-down while the audience member did the same. Placing a single card into each other’s stack, the two traded hands of the piles to show one card resting apart in each — revealing them to be the same number and suit.
Without touching the participant’s deck, Parr had orchestrated them to place the same card as him. The odds of such an occurrence are 1 to 2,704, making Parr either extremely lucky or beyond expertly skilled.
Famed magicians Penn and Teller believe the latter. Parr recited his success in pulling the trick over the performance duo on their show “Penn & Teller: Fool Us,” bringing his trophy on stage.
“I fooled them so completely that they didn’t even have a guess as to how I did it,” Parr said. “I had never seen that happen on the show before.”
Parr ended the show with his most baffling feat. Taking a large handheld mirror, he passed it around the audience to prove its durability then tucked it into an envelope. Without even the sound of glass breaking, he punctured the mirror with a metal rod and bent it in half. Unbending it, Parr removed the mirror from its envelope without so much as a scratch on it.
The simplicity of Parr enveloping the mirror, only to wildly contort it and return it undamaged is a bewildering wonder to behold.
David Parr is a charismatic showman who can befuddle puzzle solvers and entrance magic fanatics. His show at the Chicago Magic Lounge delights with his endearing deposition and confounding trickery.
Parr closed his show with a simple adage, “Keep thinking magical thoughts.”
“Magical Thinking with David Parr,” runs for nine shows between July 24th and Sept. 25th. Tickets are available through the Chicago Magic Lounge’s website.
David Parr shares no relation to author Brendan Parr.
Featured image courtesy of the Chicago Magic Lounge.
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“Twisters” blows audiences away with high-flying action and a grounded cast of tornado-chasing characters.
Directed by Lee Isaac Chung, “Twisters” is a standalone sequel to the 1996 hit, “Twister.” Reimagining the disaster-flick 28 years later, “Twisters” employs modern technology while retaining its cowboy feel.
After a weather experiment gone wrong, meteorologist Kate Cooper is pulled into the world of storm-chasing by her old friend, Javi. Testing new technology to track tornado paths, Kate relives a traumatic past while aiding Javi’s altruistic venture.
Traversing across Oklahoman fields, the duo comes across a rowdy band of fame-hungry tornado chasers. Led by the charismatic Tyler Owens, the thrill-seeking caravan disturbs the scientific outing by fighting to reach the storms first.
From a background in independent dramas, Chung (“Minari,” “I Have Seen My Last Born”) steps up to the plate as a blockbuster filmmaker. The film’s best moments lay in each storm’s enormity and the carnage wrought in their wake.
Despite his experience in character-drama, Chung struggles to convey the humanity of his cast. “Twisters” too often relies on cliches and expository dialogue. With half the film following the quieter moments between storms, science jibber-jabber and hamfisted lines detract from both the spectacle and engaging performances.
The bare-bones script of “Twisters” is its biggest strength — and weakness. A film regarding disastrous tornadoes chased around the Southwest is an engaging premise, but doesn’t lend to easy plotting.
Image courtesy of Universal PicturesDaisy Edgar-Jones as Kate does her best with the surface-level story. Conveying easy charm and believable grief, Edgar-Jones (“Normal People,” “Under the Banner of Heaven”) gives a basic lead performance for a spectacle-driven film. Like Chung, “Twisters” feels like a disservice to Edgar-Jones’ talent, only giving her the briefest sequences to stand out.
In comparison, Glen Powell as Tyler fits right at home with the film’s simplicity. Sporting a roughneck attire and attitude, Powell (“Anyone But You,” “Hit Man”) blends perfectly into “Twisters” as an amiable scene-stealer. Given the most nuanced dialogue of the film, Powell breezes between a sarcastic demeanor and an earnest performance.
The two find common ground over a shared love for meteorology and a desire to help others. Edgar-Jones and Powell’s interplay is the highlight of “Twisters” that endears more than the movie’s namesake display.
The namesake twisters rivet with sound design and impressive direction. It disappoints then, that the headline attractions are shown so few and far between. The most impressive whirlwinds do leave a lasting impact, but many are undone by the film’s choice of soundtrack.
Sporting 29 songs by country-pop hitmakers like Luke Combs, Lainey Wilson and Thomas Rett, “Twisters” over relies on its music to the detriment of its thrills. Too often during otherwise heartwarming character beats and death-defying sequences, “Twisters” undercuts its emotional and thrilling tension with bland top 40 ballads.
Fans of modern country may enjoy the music, either on its own or in their placement with the film. However, it’s hard to deny the overdependence as anything other than transparent, traditionalist pandering rather than an honest embracement of the genre.
“Twisters” is a disaster-thriller that snuffs out its twists and thrills. The film’s drama touches down to the surface level and sequences of excitement are spaced so far apart, they don’t have air to breathe.
The aspects where the blockbuster impresses lay flatly in the eye of its premise and stars. Egar-Jones and Powell chasing down tornadoes is the wonderfully compelling center of “Twisters.”
Everything else is empty wind.
“Twisters” is in theaters now.
Featured image courtesy of Universal Pictures.
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Bob Newhart — Loyola alumnus, legendary comedian and actor — died July 18 in Los Angeles at age 94, the Associated Press reported. Newhart graduated from Loyola with an undergraduate degree in business management in 1952 and stayed connected to the university throughout his life.
Newhart was the 1975 Sword of Loyola recipient, an honor given to “an individual who exhibits exceptional dedication and humanitarian service in fields other than medicine,” according to the Loyola Digital Special Collections.
In 2012, Loyola opened the Newhart Family Theater, a newly renovated theater in the Mundelein Center dedicated to Newhart, The Phoenix previously reported.
In recognition of Newhart’s passing, Loyola republished an interview with Newhart from the Spring 2023 issue of Loyola Magazine.
Newhart was born in Oak Park, a western suburb of Chicago. In 1959, he released his first comedy album, “The Button-Down Mind” and was signed to a contract with Warner Records, then Warner Bros. Records, according to his website.
The album, which won Newhart two Grammy Awards in 1960, launched a more than 60-year career, including seven more comedy albums, three self-titled TV series and numerous other film and television roles.
Newhart and his wife, Virginia Newhart, had four children and remained married from 1963 until her death in 2023.
Newhart’s family announced his passing in a post on Facebook. “He was deeply loved by all,” Newhart’s family wrote. “But especially his children and grandchildren.”
Featured image courtesy Alan Light/Creative Commons
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Loyola women’s soccer head coach Barry Bimbi was fired by the university on July 16.
Loyola Athletics confirmed Bimbi’s departure in a statement to The Phoenix. The department didn’t relay any further details regarding the move.
Members of the athletic department were made aware of the decision after an email was sent by Athletic Director Steve Watson. The reason for Bimbi’s release is unknown at this time.
Bimbi’s unexpected termination comes six months after the university announced they’d extended his contract through 2027.
Bimbi, who is the winningest coach at Loyola, is no longer listed on the Loyola Athletics official women’s soccer roster.
Loyola Athletics confirmed assistant coach Angela Staveskie has stepped into the interim head coach position for the season, which is set to begin Aug. 8 in an exhibition match against University of Wisconsin – Milwaukee.
This is a developing story. Updates will be provided as they become available.
Featured image by Aidan Cahill | The Phoenix
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When it comes to America’s political institutions, the unassuming judicial branch seems to be number three of three.
But lately the Supreme Court has thrust its power to the forefront of national politics. For a supposedly unbiased political body, they’ve been making some arguably polarizing decisions.
The Supreme Court ruled July 1 presidents have immunity from prosecution for acts taken during their presidency. The decision is related to criminal charges against Donald Trump alleging his involvement in plots to overturn his 2020 presidential election loss and block the peaceful transfer of power, according to the Associated Press.
It comes at a politically crucial moment. Just days after Trump’s seeming success in the first presidential debate, it’s now almost guaranteed he won’t be tried before the November election.
Supreme Court power is conducted under a supposedly unbiased pretense, as judges are meant to be non-partisan. This supposed independence is technically protected by certain constitutional elements, including life-long appointments and no decreases in their salary.
This lack of bias is a fallacy. A Supreme Court’s power remains steady despite a grid-locked legislature — even when new laws can’t be passed through congress, with judicial review they can still be revoked or reinstated by the court.
In this way, SCOTUS and state supreme courts across the country have increasingly obtained subversive political capital derived from the majority party of a polarized government. The judges appointed are a reflection of their appointer’s views. No truly non-partisan entity would be treated with this kind of political import.
The issue with the non-partisan moniker is that it provides the guise of unbiased legal decision making while shielding justices from the responsibility of representing the population.
An August 2023 poll, conducted shortly after Trump’s federal indictment, found 65% of American adults considered the charges serious, with 49% saying he should suspend his presidential campaign. Public opinion hasn’t shifted much since last year, as an April 2024 poll found 49% of Americans think Trump’s attempts to overturn the election broke the law.
The data shows a significant portion of a population is distressed over this presidential race. With public opinion so split and stakes for our democracy so high, a supposedly non-partisan governmental branch should issue judgements that reflect public uncertainty — not ruling the country’s first simultaneous former president and convicted felon to be above the rule of law.
The immunity ruling was determined in spite of Trump’s recent conviction on 34 felony counts in his New York hush money case. It was determined despite an indictment against Trump in Miami accusing him of taking and retaining classified White House documents.
These contemporaneous convictions underscore the gravity of the election and contextualize troubled public sentiment. Yet, six justices voted in favor of Trump’s immunity — three of whom were themselves appointed by the former president.
These whiplash-inducing contradictions of Trump’s character and legal standing make it difficult to believe the Supreme Court is placing the American people ahead of their own political interests. Despite the non-partisan moniker attached to each justice’s name, decisions like last Monday’s fall squarely on one side of the aisle.
A recent article from National Public Radio — which calls the current Supreme Court “the most conservative in 90 years” — explains Trump’s conservative super-majority has produced the most conservative decisions — 62% — in a single term since 1931.
Claiming justices are non-partisan is a fallacy. News outlets can run headlines labeling the Supreme Court’s conservative majority and justices’ political ideologies can be easily assumed by their previous political activities.
Who are we kidding?
There’s no such thing as non-partisanism in reality — it’s a word thrown around because people want it to mean something. It’s become emblematic, a way to affirm the Supreme Court’s validity despite overt — and frustrating — political bias.
Even if justices claim impartiality, the party of their appointer can’t be ignored. As long as legislative bodies and public opinion remain at a stand-still, courts are the only remaining realm where political capital can be obtained.
Frankly, if supreme courts were truly non-partisan, the decisions being made wouldn’t have such an obviously polemic effect. If they were truly non-partisan, there wouldn’t be any arguments capable of saying otherwise.
Featured image by Aidan Cahill | The Phoenix
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Premier film nonprofit The Sundance Institute visited the windy streets of Chicago from June 19 to 21. Bringing together the local film community, the Institute screened a handful of upcoming films featuring in-person discussions with creatives.
Along with the films explored below, the Institute’s opening selection “Luther: Never Too Much” depicted the life of jazz musician Luther Vandross. The documentary is expected to be released on Max early next year.
Gabriel Mayers and Adam Pearson (left to right)‘A Different Man’
Written and directed by Aaron Schimberg, “A Different Man” follows Edward, a shy actor with a severe disfigurement.
Unable to maintain working and social relationships, Edward undergoes radical surgery to transform his appearance. It’s only after the procedure that Edward discovers a stage role he was born to play — but no longer fits the bill for.
Edward, played by Sebastian Stan, fixates on a role based on his life before treatment. As his sense of self crumbles, he obsesses over the actor cast in his stead — the charming and similarly conditioned Oswald.
“A Different Man” captures genres of horror, comedy and emotion with attentive care. Schimberg (“Chained for Life,” “Go Down Death”) directs with intention, spanning long takes of tense sequences to revisiting themes of identity and confidence. Stan (“Fresh,” “Pam & Tommy”) in turn gives an arresting performance as a man coping with an identity crisis.
As aloof actor Oswald, Adam Pearson charismatically excels. Diagnosed with neurofibromatosis, the growth of non-cancerous tumors in the nervous system, Pearson (“Under the Skin,” “Rodentia”) melts away stigma with a witty persona and kind composure.
Along with producer Gabriel Mayers, Pearson joined a discussion following the screening.
After working with Schimberg on “Chained for Life,” Pearson disclosed. “He wanted to write a character specifically for me, that was quite gregarious and more outgoing.”
That “gregarious” personality translates delightfully to screen. Despite “A Different Man” favoring psychological horror, a surprising amount of comedy arises from Oswald’s goodwill.
“In my mind we were making a psychological thriller,” Pearson stated. “We accidentally made a comedy here.”
First time producer Mayers agreed with the sentiment. “A Different Man” is a film impossible to pin down to a single genre.
“We thought it was a thriller when we read it on the screen, A24 thought it was a horror,” she said. “None of us knew it was a comedy until we watched it.”
Mayers elaborated on her personal connection to the film. For a feature based on perception and identity, the producer related those themes to a familial relationship.
“My father had a stroke when I was younger and he was paralyzed for the rest of his life,” Mayers said. “What was so interesting about watching him was this sense of paranoia he had in the way people perceived him.”
In spite of its lighthearted nature, “A Different Man” is deeply invested in darker emotions. Paranoia, identity and self-acceptance are the film’s prevailing conflicts.
“I never really understood until I read it in the script,” Mayers said.
“A good film or good art will change what you think for a little while. And great art will change how you think for the rest of your life,” Pearson said. “And I think we’ve done some great art here.”
“A Different Man,” rated R, is scheduled for wide release Sept. 20.
Emily Kassie (left)‘Sugarcane’
From journalists Emily Kassie and Julian Brave NoiseCat, “Sugarcane” chronicles the investigation into Native American Residential Schools.
The schools, founded across North America between the 17th and 20th centuries, aimed to assimilate Indigenous children into the Catholic faith and English-American culture.
After the 2021 discovery of 215 child graves at the Indian Residential School, in Kamloops, Canada, “Sugarcane” follows the aftermath felt by British Columbia’s indigenous communities.
Horrifying truths are unearthed as the filmmakers follow individual stories. As evidence mounts, calls for justice rise against the Church’s complacency in the face of centuries of abuse.
Appearing for discussion, Kassie described a personal coincidence regarding the film’s primary location and her filmmaking partner, NoiseCat.
“Out of 139 schools in Canada, I happened to choose the one where my friend’s family attended and where his father’s life began,” Kassie said.
The personal connection between the directors and subject matter is the beating heart of “Sugarcane.” In the time spent recounting those affected by the schools’ abuse, old wounds are still fresh.
“Julian attended 10 funerals while we made this film, I attended five,” Kassie said. “The past is present for these communities, this is a place where the cycles of abuse and addiction go on from each generational trauma.”
Ahead of its wide release, “Sugarcane” is already drumming up support from the federal government through its festival rounds.
“The first Indigenous cabinet secretary Deb Haaland, Secretary of the Interior, came to our Sundance premiere as did Congresswoman Sharice Davids,” Kassie said. “They are leading the first ever government inquiry [into residential schools] here in the United States.”
This October, the documentary will screen at the Rome Film Festival. Kassie hopes screening the film at the Vatican’s front door will force hands to act.
“We are ready to make sure that the Catholic Church sees this,” Kassie said. “We have every intention of holding them to account.”
“Sugarcane” points a revealing light on a schooling system that spanned generations, perpetuating sexual assault and premature death.
This movie is “the first documentation of infanticide, stories of an incinerator coming to light and witness testimony ever on this issue,” Kassie said. “We know this is not the only school where this has happened.”
Following the film, a community member of the San Carlos Apache tribe commented on the film’s necessity.
“As a race of people, we were targeted for genocide,” he said. “We’re still here.”
“Sugarcane,” is set for release Aug. 9.
Kayla Foster, Edmund Donovan, Tommy Dewey, Melissa Barrera, Caroline Lindy (left to right)‘Your Monster’
From debut feature filmmaker Caroline Lindy, “Your Monster” depicts a sheepish actor finding her confidence, with the help of the monster in her closet.
After being dumped by a playwright, Laura attempts to reclaim the off-broadway role her ex had promised her. While she struggles to find her voice on stage, a bizarre creature named Monster helps her regain self-assurance at home.
In setting, “Your Monster” oddly shares similarities to “A Different Man.” While similarly blending genres, “Your Monster” emphasizes its romcom and theatrical elements.
Appearing for discussion were Lindy, stars Melissa Barrera and Tommy Dewey and supporting actors Kayla Foster and Edmund Donovan. Lindy kicked off the discussion by detailing her inspirations.
“I grew up on musical theater,” Lindy said. “I always looked to the women I saw on stage, in Broadway shows, as these powerful, loud unafraid women who were unleashing their monsters and getting a reward for it.”
Fearlessness shines through Laura and Monster’s relationship. The more Monster supports her, the more Laura takes control of her life. Lindy continued to describe the duo’s endearing interplay from a comedic perspective.
“I knew I wanted to make the film funny,” Lindy said. “A woman meets a monster, hilarity ensues.”
Barrera (“Scream V,” “Abigail”) followed up on Lindy’s thoughts and praised the film’s mix of tones. The actress recounted the miraculous amount of work accomplished within a short amount of time.
“How did I get a script that’s horror, romcom and musical? It’s all my favorite things in one,” she said. “We shot this film in only 20 days.”
Dewey (“Casual,” “Perry Mason”) worked with Lindy, as Monster in the original short film the feature began as. In expanding the film from short to feature, Dewey commented on what set “Your Monster” apart.
“The short felt very different. It was still blending genres but it was totally distinct from what we had here,” he said. “We kind of found this deep romance that the film turned into.”
Producer and actor for the film, Kayla Foster comedically summed up the film’s hook.
“The movie lives and dies on whether the monster’s hot,” she said. Lindy quickly agreed, “My North star was to make him lovable.”
A release date for “Your Monster,” is yet to be announced.
Featured images Brendan Parr | The Loyola Phoenix
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Democracy is on the ballot.
This five word credo has been at the heart of the Biden-Harris campaign’s reelection effort in the wake of former President Donald Trump’s attempt to overturn the 2020 Election on Jan. 6th, his statement that if re-elected he would be a “dictator for one day” and that he would seek “retribution” on his political opponents.
Yesterday, in a six to three decision split along ideological lines, the Supreme Court gave Trump ample ammunition to put this dangerous rhetoric into effect, ruling that Trump is immune from prosecution for actions he took in an official capacity as President. The decision is a death blow to the Justice Department’s efforts to hold the former President accountable for his efforts to subvert the democratic will of the people following the 2020 Election.
If it wasn’t already apparent, the court’s decision confirmed the horrifying reality that elected Republicans and the justices they nominate are on board with and will aid in the implementation of Trump’s anti-democratic agenda.
It’s clear, now more than ever, that democracy truly is on the ballot. If President Joe Biden means what he says, and he truly cares about the future of our nation’s representative republic, he must make the difficult decision to step aside and allow a younger candidate to take up the mantle of Democratic nominee in 2024.
Biden has had a very successful first term. He guided the nation through the end of the COVID-19 pandemic and led the vaccination effort that allowed us to begin the return to normal. He passed the largest investment in green energy in the history of the world and the largest investment in American infrastructure since the Interstate Highway Act.
But after his debate performance on Thursday night — in which more than 50 million Americans watched live as he struggled to complete his thoughts, frequently veered into incoherence and was unable to defend his record — it is clear that for the sake of not only his own legacy, but for the future of the republic, he must not seek reelection.
Biden is 81-years-old now. If he is reelected he will be 82 before he is sworn in for a second term and 86 by the time he departs the White House in 2029. Based on the limited mental acuity he displayed on Thursday, the duties of the office have clearly taken a toll on him over the last four years. It’s irresponsible for Biden and his advisors to risk further decline over a second term.
All of the available polling indicates this election will be decided on the margins, and the electoral college is likely to come down to a just small number of states. With so much on the line and such a small margin of error, it’s simply too dangerous to wager that enough voters will overlook the age concerns of Biden and more heavily weigh the threats posed by Trump.
Opinion polling shows that young voters, ages 18 to 29, are particularly concerned about Biden’s ability to faithfully execute the duties of the President at his age. In the days since the debate, TikTok and other social media platforms have been filled with clips of Biden’s debate struggles — standing mouth agape, looking confused and struggling through his answers.
If the Democrats hope to win in November, this cohort of voters is key to their success and they can’t afford to lose them in large numbers. Sticking with Biden considerably increases the risk that young voters will vote third party or just stay home and check out of the process entirely.
In the debate, Trump packed a cacophony of lies into 90-minutes. While the little he said in relation to policy also lacked coherence or any measure of sophistication, he was lucid and stayed on message. Despite his heightened age — 78-years-old — and his demonstrably false claims, Trump still appeared more capable and coherent.
For the millions of Americans burdened by the weight of increased prices and shaken up by disruptions brought on by the pandemic and the war in Ukraine, a candidate with the appearance of greater mental fitness will undoubtedly hold some appeal.
It’s not too late. There are still a little over seven weeks until Democrats meet here in Chicago to nominate their presidential candidate. Although Biden already secured the delegates he needs during the state-by-state primary process, he also reserves the right to release those delegates.
Vice President Kamala Harris is an obvious replacement choice, and one who at just 59-years-old is well suited to take on the demands of the presidency. Michigan Governor Gretchen Whitmer and Illinois Governor J.B. Pritzker are also prominent Democrats who’ve made a name for themselves in recent years and could be up to the challenge.
This process wouldn’t be easy, nor would it be completely painless. Undoubtedly there would be some chaos sown by the sudden withdrawal of a major party nominee this late in the game.
But it’s a process the Democratic Party must undertake. The future of women’s rights, LGBTQ+ rights, voting rights, worker’s rights, the future of the environment, access to healthcare and the very sanctity of our Constitution hang in the balance.
Democracy is on the ballot.
The Phoenix Editorial Board consists of Griffin Krueger, Holden Green, Lilli Malone, Hailey Gates, Brendan Parr and Andi Revesz.
Featured image by Aidan Cahill | The Phoenix
The post Staff Editorial: If Democracy Is Truly On The Ballot, President Biden Cannot Be first appeared on The Loyola Phoenix.
Following “X,” and “Pearl,” does “MaXXXine” settle for an ending it doesn’t deserve?
Written and directed by Ti West, “MaXXXine” caps off the “X” trilogy in thrilling and fashion.
After surviving 2022’s “X,” pornstar Maxine Minx aims to make a name for herself as an actress. In the midst of god-fearing audiences and self-obsessed egos, Maxine dredges through the sleaze of ‘80s Hollywood to become a star.
In the background to her quest for fame lies a mysterious killer stalking the streets of Los Angeles. When the serial murders connect to her past, Maxine aims to find the killer before they sever her dreams of stardom.
“X” stood apart for its ‘70s horror aesthetic with modern filmmaking standards. Its blend of sexual philosophy and unpredictable kills led to its prequel “Pearl,” releasing the same year. The follow up doubled-down on the sensuality, with greater emotion and sparser yet more intense horror.
As a trilogy ender, “MaXXXine” wraps in a flashy but by-the-numbers manner. While not as passionate as “Pearl” or as surprising as “X,” the film entertains in its own right as a celebration of low-budget horror.
West (“X,” “Pearl”) imbues the setting with intense detail. From pedestrians in bold colors walking dingy streets to fluorescent signs atop vintage stores, “MaXXXine” is dripping in design. The film echoes aesthetics from ‘80s auteurs Brian De Palma and Paul Schrader, with scenery ripped straight from the grime-laden Hollywood depicted in their works.
During the day picketers cry against the ‘satanic panic,’ a movement protesting sexual and violent media, while at night droves visit adult boutiques. Whether, in protest or participation, the people of “MaXXXine” are mindful of all things salacious.
Featured image courtesy of A24Populating the sleaze-soaked setting is a cast of memorable characters. Kevin Bacon as private investigator John Labat plays a secondary antagonist digging into Maxine’s past. Bacon (“Footloose,” “Tremors”) chews through his scenes with a thick southern accent and schlubby persona.
Giancarlo Espisoto likewise gives a minor yet boisterous performance as Maxine’s legal representation. Esposito (“Breaking Bad,” “The Boys”) ironically plays a character not dissimilar to his “Better Call Saul” counterpart, Saul Goodman. Esposito’s Teddy Night is a lawyer well-versed in both petty crime and snazzy apparel.
Bringing her own powerhouse performance is Elizabeth Debicki as filmmaker Elizabeth Bender. Debicki (“The Crown,” “Tenet”) depicts the director as dedicated to her craft and Maxine’s debut film. Bender is the endpoint for Maxine’s hustle for success, a career professional still needing to justify her worth in a cutthroat industry.
This isn’t to say each side character is a necessary addition. Two officers occupy a side-narrative investigating the killings. Their forced presence is an unnecessary homage to dated crime thrillers. Additional cast members only serve to grow the kill-count, lacking the personality present in the previous films’ victims.
The myriad of strong and weak characters makes it a shame Maxine herself doesn’t stand out further.
Giving a compelling scream-queen performance in “X” and an astoundingly manic one in “Pearl,” Mia Goth disappointingly falls flat for “MaXXXine.” Giving an understated performance to cap off the “X” trilogy, Goth (“Suspiria,” “High Life”) shines in moments of emotion but is drowned out by louder personalities.
Aside from an accent that dips into parody, Maxine’s character remains mostly static. Save for a crushing sequence in the first 15 minutes, neither Goth nor “MaXXXine” exceeds its opening.
Where “X” surprised and “Pearl” shined, “MaXXXine” feels safe.
The whodunnit-angle is hardly a mystery when its biggest twists are unsatisfyingly obvious. Sentiment falls short when the bodies start dropping, mostly offscreen and hollow of impact.
When paired with its predecessors, “MaXXXine” can’t help but be a lesser film. It doesn’t go far enough to surprise and it doesn’t warrant its safety with a compelling plot. Yet there’s still plenty to love from the film — everything from its atmosphere to its cast and spades of talk-worthy moments.
Releasing three films over four years is a feat worthy of praise. With each harboring its own aesthetic and gratifying scenes, the “X” trilogy is sure to be a new classic among horror fans.
While speed aided the making of “X” and “Pearl,” hopefully “MaXXXine” won’t be mired for turning out less than stellar.
“MaXXXine,” rated R, comes to theaters July 5.
The post ‘MaXXXine’ Maxes Out its Starpower first appeared on The Loyola Phoenix.
“Kinds of Kindness” is an auteur’s anthology on love’s intoxication.
Directed and co-written by Yorgos Lanthimos, “Kinds of Kindness” explores the abusive variables of affection.
Comprising three short films following one after the other, “Kinds of Kindness” dives into themes of obsession, religion and companionship through an avante-garde approach. The stories from Lanthimos (“Poor Things,” “The Lobster”) harbor an ensemble cast who are reused in various roles.
The first of the three shorts, “The Death of R.M.F.” follows a businessman named Robert trying to take ownership of his life. Led by Jesse Plemons, the opening short sets the feature’s tone with an unsettling yet intriguing narrative filled with offbeat comedy and devotional metaphors.
As Robert, Plemons (“Killers of the Flower Moon,” “Civil War”) plays a man in literal love with his work. Micromanaged by his enigmatic boss Raymond, played by Willem Dafoe, Robert grapples with his individuality when given a task he can’t perform.
With each assignment, Raymond lovingly rewards those who adhere to him. Robert’s balance for autonomy against devotion is reminiscent of Old Testament consequences to disobeying a vindictive God.
The second short, “R.M.F. is Flying,” continues themes of harmful devotion through the lens of marriage. With dual leads in Jesse Plemons and Emma Stone as policeman Daniel and marine biologist Liz, the plot follows the swinger-couple working to trust one another after a traumatic incident.
The first short harbors its own idiosyncrasies in presentation and characters, but the second borders supernatural with its undertones of paranoia and cannibalism. The second short also alludes to abusive expectations — the notion that a loving partner will cut out pieces of themself for the other’s approval.
The final short film, “R.M.F. Eats a Sandwich,” is seemingly a mix of both themes, albeit with a more plot-heavy structure. Focused on Stone (“La La Land,” “Birdman”) as sex-cultist Emily, the film follows her search for a deemed messiah while coping with the remnants of an abusive marriage.
Featuring Plemons as her search partner Andrew, the two aim to please their idol and commune leader Omi, played again by Dafoe (“The Lighthouse” “The Grand Budapest Hotel”). Toeing the line between her past and current life, Emily experiences methods of cruel control spanning sexual violence to community ostracization.
While stylistically and narratively distinct, the shorts are connected by recurring motifs and cast members. Margaret Qualley, Houng Chau, Mamoudou Athie, Joe Alwyn and Hunter Schafer populate the shorts as secondary characters. Yorgos Stefanakos as the eponymous R.M.F. repeatedly appears as a mystery-man, ambivalent to the surrounding stories.
Uniting “Kinds of Kindness” allegorically are its themes of sexuality, violence and psychological control. Compounding these themes are repeated phrases regarding water, meat and bodily limbs — stripping away love’s mystique to reveal its animalistic effects.
Lanthimos’ lean on artistry makes his messaging difficult to follow, a fault of the movie being three films sandwiched together. As individual works, each harbors its own abnormal characteristics in plot and pacing.
Despite the subject matter, the film isn’t wholly melancholic. Deadpan dialogue and personal oddities bring frequent bouts of humor, making it difficult to label “Kinds of Kindness” a specific genre. It’s a romance, tragedy, comedy and horror all at once.
Lanthimos’ previous film “Poor Things” was grandiose in every way, but “Kinds of Kindness” is purposefully stripped back. The camera often focuses more on objects and gestures than faces. Additionally, the small cast and suburban settings make surreal sequences feel even more unnerving.
The end result is a film that feels both like arthouse cinema and a student capstone.
Being made of three films with vague themes and simple production, “Kinds of Kindness” can’t help but feel bloated. At over 2-and-a-half hours long, the feature suffers from long-windedness to revisit similar ideas, with similar faces in bizarrely different situations.
“Kinds of Kindness” is as equally likely to discomfort as it is to peak interest. For Lanthimos’ most senior project, it purposefully aims to be amateur.
“Kinds of Kindness,” rated R, is in theaters now.
The post What ‘Kinds of Kindness’ Do You Feel? first appeared on The Loyola Phoenix.
This year, ‘The Windy City’ will gust in music and tourists aplenty with the hot summer breeze.
Concert festivals Pitchfork, Lollapalooza and RiotLand will each take hold of Chicago between July and September. The ensuing events will bring both the biggest names and most prominent rising stars to the stage and the city.
Pitchfork: Friday-Sunday, July 19-21
Every summer, Union Park hosts the Pitchfork Music Festival, a three-day display of the hottest acts in alternative music and hip hop. This year’s lineup is sure to light up the weekend of July 19-21.
Electronic duo 100 gecs will inject Friday’s lineup with their signature hyperpop style and heart-pumping beats. Formed by Laura Les and Dylan Brady, the band rose prominence with their 2019 album “1000 gecs,” a brief collection bursting with energy. Their most recent release, 2023’s “10,000 gecs,” amped up the alt-rock influences while maintaining exhilarating instrumentals.
Sudan Archives, performing the same time as 100 gecs, will take the stage equipped with an unexpected instrument for electronic musicians — a violin. Her critically-acclaimed work is layered with emotion and innovation, resulting in a haunting yet heavenly sound.
Hip hop group De La Soul will inject Saturday evening with an inventive, jazzy touch. The ensemble is notable for their Grammy-winning collaboration on the single “Feel Good Inc.” with alternative icon Gorillaz and recently celebrated the 35th anniversary of their debut album “3 Feet High and Rising.”
Carly Rae Jepsen, pop icon known for “Call Me Maybe” and “Run Away With Me,” holds the headline spot for Saturday night. Her sensitive but soaring voice and cult following have cemented her place among pop music’s highest ranks.
Rap legend Grandmaster Flash will appear Sunday evening. His decades-long career and inventive techniques transformed the field of DJing. His eponymous hip hop group, Grandmaster Flash and the Furious Five, was the first rap group inducted into the Rock and Roll Hall of Fame.
Wrapping up the weekend on Sunday is indie pop band MUNA. Their appearance at Pitchfork will mark a turn from their 2016 and 2022 performances at the more mainstream Lollapalooza.
Beyond music, attendees can explore the festival’s craft fair, vinyl shop and food from local vendors, according to Pitchfork’s website.
One-day tickets and three-day tickets are available on the festival’s website for $129 and $249.
Lollapalooza: Thursday-Sunday, August 1-4
With eight stages, over 170 artists and just four days to fit everything in, Lollapalooza is extraordinarily exceptional, just as its name suggests.
Due to the large number of shows, many artists perform at the same time as others, just on a different stage. The two headliners for each evening perform simultaneously, split between the Bud Light and T-Mobile stages.
Taking place in Grant Park, this year’s lineup features artists representing a wide array of genres, including K-pop, hip-hop and rock.
Irish singer-songwriter Hozier will headline the festival’s first day. Lollapalooza will be his Chicago pit stop while on a world tour for his 2023 album “Unreal Unearth,” which secured a spot in the Rolling Stone’s “The 100 Best Albums of 2023.”
Contrasting Hozier’s bluesy tunes on night one will be rapper Megan Thee Stallion, who will perform on Lollapalooza’s T-Mobile stage.
Another notable Thursday performer is pop artist Chappell Roan. Roan has recently skyrocketed to fame with songs like “Good Luck, Babe!” and “HOT TO GO!” She’ll take on Lollapalooza’s IHG stage as America’s “Midwest Princess.”
Headlining the second night will be K-pop group Stray Kids and R&B pop artist SZA. Stray Kids will be making their Lollapalooza Chicago debut on Friday, having performed at Lollapalooza Paris last year.
Also performing on Friday is Mckenna Grace, a 17-year-old best known for her acting in movies such as “Gifted” and “I, Tonya.” Grace is an alternative pop singer and released her debut album “Bittersweet 16” in 2023.
The Killers — most famous for their song “Mr. Brightside,” which has over two billion streams on Spotify — will be headlining Saturday..
Future and Metro Boomin also headline the Saturday lineup together. The hip-hop-rap duo will likely perform songs from their 2024 collaborative albums “WE DON’T TRUST YOU” and “WE STILL DON’T TRUST YOU.”
Special guest Skrillex is also set to perform Saturday night, possibly on Perry’s stage — although that stage’s lineup remains hidden behind question marks on Lollapalooza’s Saturday schedule. The start time for Skrillex’s show is unknown.
Lollapalooza will strike its closing chord with alternative pop artist Melanie Martinez on the Bud Light stage, and blink-182 on the T-Mobile stage.
blink-182 is a 1990’s rock band enjoying a 21st century comeback with their album “ONE MORE TIME,” released last October.
One-day general admission tickets for Sunday can be purchased for $149. Currently, four-day passes and one-day passes for Thursday, Friday and Saturday are sold out. Waitlists are available for sold-out tickets. All passes are listed on Lollapalooza’s website.
RiotLand: Friday-Sunday, September 20-22
RiotLand, formerly known as “Riot Fest,” is changing both its name and venue this year. Chicago’s Douglass Park, on the city’s West Side between Pilsen and Lawndale, has been home to the punk-rock spectacle since 2015. However, this year’s event will instead be hosted in SeatGeek Stadium, located in Bridgeview, a southwest suburb.
Festival co-founder Mike Petryshyn credited the switch to the Chicago Park District’s “lack of care for the community,” in a notice posted on X. Prior to the change, Douglas Park residents retained a contentious relationship to the festival due to its Riot-ous nature.
Community groups clashed with festival organizers, arguing the event barred residents from public spaces, blocked traffic and disturbed patients at nearby hospitals, The Chicago Sun-Times reported.
Illustrated by the festival’s promotional material, RiotLand aims to evolve the event into a theme park of rock entertainment.
Carnival showcase and Riot Fest staple, Hellzapoppin Circus Sideshow will return after a six-year absence to display stunt performances and magic shows. Additional venues will include a casino, arcade, ferris wheel and local vendors who’ll provide food and drinks.
Over 90 bands will take the stage for the three-day festival, spanning genres from alternative rock, heavy metal, hip hop and reggae.
Fall Out Boy will take center stage Friday, falling in the middle of “The So Much for (2our) Dust” tour coinciding with their recent “So Much (for) Stardust” album. Their newest LP ended the band’s hiatus which dated back to 2019 and marked a return to their grunge-rock roots.
For Saturday, singer-songwriter Beck will headline as part of his ongoing 2024 junket. 90’s alternative staple Pavement will follow for a consecutive set, ending their international reunion tour which began in 2022.
Thrash legends Slayer will close the festival on Sunday, reuniting after an abrupt 2019 break-up. RiotLand will mark an early end to their five-year retirement and kick off a brief festival stint set to conclude in October.
Filling out the lineup are indie-rock icons St. Vincent, The Offspring, Sublime and Spoon. Other names of note include hip hop royalty Public Enemy, filmmaker and metal musician Rob Zombie and sons of the late Bob Marley, The Marley Brothers.
Current tickets on sale include two-day passes for $190 and three-day passes for $250 available through the festival website. Parking passes will be sold separately. Further details on day schedules will be released closer to the festival dates.
This story was written by Brendan Parr, Mao Reynolds and Cate Meyer.
Featured image by Violet Miller | The Phoenix
The post Chicago’s 2024 Summer of Sound: Windy City Music Festival Guide first appeared on The Loyola Phoenix.
Loyola Athletics announced the Keepers of the Culture Classic June 28 which will feature former Rambler legends taking on the new 2024-2025 men’s basketball roster in a scrimmage.
Loyola Athletics teased the event in a promotional video asking fans their opinion on season three of FX’s “The Bear.” A billboard in the beginning of the video featured current and former Ramblers with Loyola’s NIL brand “Keepers of the Culture” with “Coming Soon” above the date Aug. 4.
Returning to Gentile Arena are 2018 Final Four team members, Cameron Krutwig, Donte Ingram, Lucas Williamson and Ben Richardson. Joining them are recent graduates Braden Norris and Tom Welch, Ryan Schwieger, Milton Doyle, Chris Knight and Tate Hall.
The scrimmage will give Rambler fans a chance to see both members of last year’s team who were Atlantic 10 regular season co-champions and the new talent head coach Drew Valentine has added to the roster, including four first-years and four transfer students.
Also making an appearance at the event is Valentine’s brother, Denzel, who recently won a championship with Olimpia Milano in the Italian LegaBasket Serie A and was named AP’s National Player of the Year in 2016 when he played with Michigan State University.
The scrimmage is scheduled for Aug. 4 at 3 p.m. with ticket information to be released soon. All of the proceeds will benefit the Keepers of the Culture NIL collective.
Featured Image by Holden Green | The Phoenix
The post Loyola Basketball Legends Set to Return to Gentile Arena For Scrimmage Event first appeared on The Loyola Phoenix.
Justice Edwin Cameron, a former South African Constitutional Court judge set to speak at the School of Law’s May 11 Commencement Ceremony, was uninvited with no explanation.
Cameron was initially invited to give the School of Law’s Commencement address Oct. 6, 2023, but he said his invitation was later withdrawn by Law School Dean Michèle Alexandre.
The withdrawal was first made public in a May 19 Instagram post by Loyola’s chapter of Students for Justice in Palestine. The post included pictures of the Oct. 6 letter in which Alexandre invited Cameron to serve as the Commencement speaker and a Jan. 29 letter which uninvited him. SJP’s post asserted Cameron’s likelihood to speak about Israel’s ongoing attacks on Gaza was the reason for the withdrawal.
“At the time my invitation was cancelled, I had not planned or drafted my comments, but since I spoke at Stetson Commencement some years before, when Dean Alexandre was Law School Dean there, about the rule of law and justice, it seems a probable surmise that I may well have spoken about Israel’s unlawful conduct in Gaza,” Cameron wrote.
He also identified the timing of the Jan. 29 withdrawal letter, which was sent soon after the Jan. 26 ruling on allegations of genocide brought by South Africa against Israel. In the ruling, the International Criminal Court ordered Israel to do everything possible to prevent further death, destruction and acts of genocide in Gaza, the Associated Press reported.
Cameron confirmed the authenticity of the letters and the accuracy of the post to The Phoenix via email.
Alexandre didn’t respond to repeated requests for comment. SJP didn’t respond to a request for comment.
Cameron served on the Constitutional Court of South Africa from 2008 to 2019 after previously being appointed to the High Court by President Nelson Mandela. He worked as a human rights lawyer and was a key HIV/AIDS and gay rights activist, according to his Constitutional Court bio.
In a Feb. 24 letter to Alexandre, Cameron requested an explanation or apology and gave his phone number for further contact. The only response Cameron said he received to this letter was a call from Alexandre May 3 where he said she denied he’d been “canceled” but gave no explanation for why he was disinvited.
“Your letter of cancellation is abrupt,” Cameron wrote in the letter. “It offers no apology. It would I think be courteous for you to offer some explanation and, in the absence of disgraceful or untoward conduct by me that might warrant discourtesy, an apology.”
White House Fellow and 2010 School of Law graduate Lauren Cherry, who gave the Commencement address at the 2024 ceremony, declined to comment.
Featured image by Austin Hojdar / The Phoenix
The post Prominent Speaker Disinvited From School of Law Commencement Without Explanation first appeared on The Loyola Phoenix.
The Halal Guys location at 6474 N. Sheridan Rd. near Loyola’s Lake Shore Campus closed its doors May 19 after serving the Rogers Park community for just under four years.
The fast casual Middle Eastern restaurant first opened in August 2020 filling the space Five Guys left vacant in September 2019, The Phoenix reported. The Halal Guys began as street vendors in New York City in the 1990s and has since franchised throughout the U.S. and internationally, according to their website.
The chain currently operates four locations in the Chicago area. Two are located in the city on West Division Street and North Wabash Avenue, and two are in the suburbs of Skokie and Countryside.
A note posted on the store’s window said the company intends to relocate to a new location.
“After 4 GREAT YEARS, we regret to announce that we will be moving on from this location,” the note reads.
The Halal Guys didn’t respond to The Phoenix’s request for comment.
Nate Taylor, a fourth-year studying political science and global studies, said he thinks it’s terrible another restaurant near Loyola is closing.
“With Rewired burning down last year, Archie’s closing at the end of this summer and now Halal Guys, new students will be coming to a far less vibrant campus.” Taylor said. “Now that the new closest Halal Guys is up in Skokie, it looks like I’ll be falafel-less for the foreseeable future.”
Fourth-year information systems major Georgia Bakopoulos said she liked Halal Guys but prefers other nearby fast food restaurants. She said she hopes the restaurant which fills the space will contribute a new unique flavor to Sheridan Road.
“I’m excited for something new to open up there,” Bakopoulos said. “Ideally they’d bring back IDOF, it was a block away from Halal Guys and their closing and replacement by yet another burger place on Sheridan was truly devastating.”
It is unknown at this time what business will fill the vacant space.
Featured image by Nick Calhoun | The Phoenix
The post Halal Guys Restaurant On Sheridan Closes Its Doors After Four Years in Rogers Park first appeared on The Loyola Phoenix.
Dressed in an all black outfit, Billie Eilish has fallen through a door, submerged into a body of water. With weights attached to her arms and legs, she’s dragged deeper.
Yet, there’s no fear in her face. She seems serene — comfortable in her plight.
As the album’s title suggests, “HIT ME HARD AND SOFT” varies in its intensity. As the listener follows Eilish into the seabed, the album explores self-discovery and what it means to be comfortable in one’s own skin.
Eilish’s voice is familiar on the opening track “SKINNY.” Her soft, burning vocals glide alongside guitar and violin. Eilish sings for two minutes of the three-and-a-half minute song before an instrumental marks the transition to the next track and first hard hit of the album.
Where “SKINNY” is heartfelt and slow, “LUNCH” is the opposite. The fast-paced track is filled with screeching tires, quips and the full throttle dive into a more electronic production style.
Eilish confirmed her attraction to women in an interview with Variety and “LUNCH” is her first studio album single that explores her sexuality.
“I could eat that girl for lunch / She dances on my tongue / I know it’s just a hunch / But she might be the one,” Eilish sings.
“CHIHIRO” shares all the best qualities of Eilish’s previous hits. The production builds in intensity, in a manner akin to her 2021 album “Happier Than Ever.” A thumping, heartbeat throughline synthesized with repetitive lyricism mimics songs from the 2019 album “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?” The maturity in her vocals parallel the haunting patterns of “dont smile at me.”
The upbeat production and jovial lyrics of the fourth track “BIRDS OF A FEATHER” renews Eilish’s outlier status within the pop genre. Keyboard notes and jingle bells disruptively overpower Eilish’s vocals.
The gut-punch of “WILDFLOWER” quickly alters the album’s tone. The song begins with the sound of drizzling rain as Eilish sings about comforting a woman after a breakup and entering a romantic relationship with their ex partner.
Vulnerability reigns throughout “THE GREATEST.” An overwhelming backbeat initially juxtaposes Eilish’s calm, reflective tone as she describes altering herself to fit another’s standards. Eilish then joins the backbeat, showcasing her vocal prowess with unfettered belting towards the end of the song.
Sarcastic vocals open the seventh track “L’AMOUR DE MA VIE” just before adjusting production at the midway mark, dividing the song into two parts.
“I wish you the best for the rest of your life / Felt sorry for you when I looked in your eyes / But I need to confess, I told you a lie / I said you / You were the love of my life,” Eilish sings.
The latter half of the song is the album’s crown jewel, tastefully auto-tuning Eilish atop synth-style instrumentation. Half a mimicked apology song, half a jab at a former partner, “L’AMOUR DE MA VIE” is an unexpected, yet welcomed track.
“Wanna know what I told her / With her hand on my shoulder? / You were so mediocre / And we’re so glad it’s over now,” an auto tuned Eilish sings.
“THE DINER” is a horror story told from a stalker’s perspective. While the content is disturbing, so is the heavy, bass-riddled production making the track an uncomfortable listen.
“BITTERSUITE” is the last hard strike, describing the intricacies and societal pervasiveness that come with a sapphic relationship. The first half of the song expresses the obsessive yearning involved with queerness, while the second half explores why Eilish hasn’t acted on her sexuality.
“I’m looking at thе boys / I’ve never filled the void / Out of spite / You seem so paralyzed / It’s so romanticized,” Eilish sings.
“BLUE,” once titled “true blue” and originally written around the time as “ocean eyes” has found its home as the final track on “HIT ME HARD AND SOFT.”
The song smoothly recaps the entire album, with the exception of “THE DINER.” The instrumental outro is both serene and haunting, mirroring Eilish’s expression on the album cover.
“But when can I hear the next one?” Eilish asks in the last few seconds.
Eilish’s third studio album, “HIT ME HARD AND SOFT” is the 22-year-old finding her own stride, embracing herself and proving she isn’t stopping any time soon.
“HIT ME HARD AND SOFT” is now available on all major streaming platforms.
The post Billie Eilish’s ‘HIT ME HARD AND SOFT’ is a Concussion Caused by Devotion first appeared on The Loyola Phoenix.
Two euros might not seem like a lot for doing your laundry. But after a semester filled with extensive European travel and weekly intramural soccer, the idea of a clean shirt and pair of pants starts to sound like a luxurious spa day. The two euro price, roughly $2.15 in U.S. dollars according to Forbes, begins to feel like a burden.
At the very least, it’s reasonable to expect to have access to functioning laundry machines that are mostly available when you need them. It’s also reasonable to expect cash exchange machines where students can reliably trade in their five or 10 euro bills for the coins used to start the machines.
For students at Loyola’s John Felice Rome Center this isn’t the case. In addition to the difficulties plaguing the on-campus laundry system, students routinely complain about the food provided on campus, an especially sore subject given Italy’s reputation for cuisine. The lack of study spaces and the abundance of insects in the buildings are also frequently raised issues.
Currently the campus isn’t even big enough to house the number of students who were admitted to the program this semester. Some JFRC students were housed in an off-campus hotel for the entire spring semester.
It’s worth noting the ways the needs and uses of the JFRC differ from the Chicago campuses. Save for some Rome Start and a few other full-year students, it only houses most students for one semester — a European pit-stop on the way to a Chicago-based graduation. The campus isn’t designed as a four-year destination in itself.
Despite this different timeline, it still houses students. It still needs to function as a school and campus, and it still needs to provide students with the essentials to get by.
The mere fact that students are given a bed and access to a bathroom isn’t enough if they wake up every morning with new mosquito bites or have to step over a line of ants to get into the shower.
The studying experience, especially during midterms and finals, is impeded when all but two classrooms are locked overnight, forcing students to choose between studying in the usually-busy student lounge or the cramped library.
As most students measure their time at the JFRC in weeks or months and not years, many don’t feel the need to complain, and these pervasive problems continue from semester to semester.
While the campus largely fulfills students’ basic needs for the time they spend there, its inadequacies detract from the overall study abroad experience. Time that could be spent with friends is instead spent scrounging for a reliable source of coins and students’ travel budgets are eroded by delivery orders because they can’t stand another dining hall dinner.
Despite the positive aspects of spending a semester in Rome, Loyola has a lot of room to improve the JFRC experience. The campus is frequently highlighted in Loyola’s advertising. Its status as a satellite Loyola campus, and not a partnership program with an Italian university, eases some of the traditional burdens of studying abroad and is a big draw for prospective students.
For all the excitement with which Loyola promotes the study abroad experience and its campus in Rome, the reality falls short.
As students navigate Rome’s notoriously unreliable bus routes through streets paved with history, they also navigate the winding halls of the JFRC, trying to find the equally unreliable laundry rooms. As they learn, through trial and error, to navigate the hodgepodge of family restaurants and tourist traps, they also learn which dining hall meals are good enough and which to avoid.
This burden of hardship and discovery is an important part of the study abroad experience, but it is experienced enough outside the campus. On campus, students shouldn’t have to navigate an equally foreign environment to find some comfort.
Featured image by Hailey Gates | The Phoenix
The post Being in Rome Isn’t Enough: Loyola needs to improve the JFRC student experience first appeared on The Loyola Phoenix.
Dua Lipa crowned herself the positive pop princess of the summer in her new album “Radical Optimism.”
Following the previous celestial, ‘80s-style “Future Nostalgia,” Dua Lipa lands her spacecraft on the sunny beaches of summer.
“Here she goes again,” Lipa says in the middle of the opening track “End Of An Era.”
The track is a smooth transition from her previous era on “Future Nostalgia” mixed with the catchy rhythm of her “Barbie” single, “Dance The Night.” In this track, Lipa establishes the album’s main theme — love. Faint church bells ring while the signature synths of a Lipa track guide her vocals from beginning to end.
“Houdini,” which was released as the first of three singles Nov. 9, debuted in the highest slot on Billboard’s Hot Dance/Electronic Songs Chart and inspired its own TikTok dance trend following the singer’s 2024 Grammy performance.
It’s not simply a song about ghosting, the act of cutting off a relationship without explanation, but more broadly Lipa’s disdain towards short-term relationships. The keyboard mixed with Lipa’s adlibs lead the listener to the infectious musical interlude before cutting off with a final, “Catch me or I go Houdini.”
Don’t sit down just yet. The following track, and second single released Feb. 15, “Training Season” is just as irresistible. Lipa, cautious of new love, sings of finding the perfect lover atop electric guitar and a repetitive beat. The song follows the same songwriting equation as the previous track to become a dance and pop hit.
The fast-paces slow down only slightly in “These Walls,” where the beat takes the backseat to Lipa’s opulent vocals. Lipa sings of the walls she is putting up against her partner, leading to the breakdown of a relationship. Although the song leans upbeat, the lyrics offer a somber tone, a combination which has produced some of Lipa’s best songs.
“They’d tell us, “Go and face your fears” / It’s getting worse the longer that we stay together / We call it love, but hate it here / Did we really mean it when we said forever?” Lipa sings.
“Whatcha Doing” is Lipa at her most confident and comfortable. The growth from her 2017 debut self-titled album is evident by her vocal range, both on its own and alongside well-placed musical pauses and the development of her signature synth.
Acoustic guitar, drums and a pan flute flow through “French Exit,” a term which is often called an Irish exit — the act of leaving without notice. While in “Houdini,” the disappearing act is solitary, “French Exit” is an escape into a tryst.
An occasional distortion to Lipa’s voice makes her sound as if she’s speaking through a phone, adding texture to an already well-layered song. The sixth track is an experimental one in Lipa’s discography, but she executes it with ease.
“Illusion,” the last of three singles released April 11, is a return to the singer’s dance-inspired songs. The track about seeing someone’s fabricated personality begs listeners not only to groove, but to jump and let their bodies flow free. The second person lyrics create a back-and-forth between Lipa and an unheard love interest.
A belting Lipa introduces “Falling Forever” by mimicking a film-style scream. The near-four-minute song is a testament to the artist’s vocal prowess. While Lipa has spent the majority of the album in the grips of reservation towards love, on the eighth track she turns towards vulnerability.
“Anything For Love” provides the opportunity for the singer to strictly define love. The track begins with Lipa and her friends speaking before transitioning into a ruminative, piano-backed solo just before she’s joined by uncredited backing singers and an upbeat tune.
“But I’m not interested in a love that gives up so easily / I want a love that’s set on keeping me / When it hurts, we don’t even think to cut it off / Remember when (Remember when) we used to do anything for love?” Lipa sings.
The penultimate track “Maria” is an ode to interpersonal connection, and the long-lasting effects people have on each other. Lipa sings a thankful tune towards her partner’s ex, named Maria. Lipa expresses gratitude towards past lovers and the growth that comes with heartbreak. The song hears the return of acoustic Spanish-style guitar, the pan flute and a rippling beat.
“Never thought I could feel this way / Grateful for all the love you gave / Here’s to the lovers that make you change / Maria, Maria, Maria,” Lipa gratefully sings.
The final song, “Happy For You” is the album’s sunny, high noon. As Lipa’s message returns to vulnerability, looking for love and being open to new lovers despite the chance of getting her heart broken again. By looking at an ex-partners new relationship, she realizes her capacity for love is larger than her well of regret and despair.
The singer has cemented her production style, lyrical pen and her vocal prowess in “Radical Optimism.” The album synthesizes the songwriting of “Dua Lipa” and the production of “Future Nostalgia” into one near-flawless album.
The positivity of “Radical Optimism” is available now on all major streaming platforms.
Featured image courtesy of Warner Records
The post Vulnerability and Fresh Love in Dua Lipa’s “Radical Optimism” first appeared on The Loyola Phoenix.
“The Idea of You” is an R-rated romcom that echoes online fanfiction.
Based on the eponymous novel by Robinne Lee, “The Idea of You” follows a budding romance between a young popstar and the mother of one of his fans.
Divorced mother Solène inadvertently sparks an affair with pop-music superstar Hayes Campbell after walking into his trailer before a performance. Being 16 years his senior, Solène navigates the secrecy of their intimacy and decadent perks associated with dating a boy band singer.
The closer Solène and Hayes grow, the more their outside relationships begin to strain. As paparazzi pressure closes in, the 40- and 24-year-old discover what they value about themselves and one another.
Directed by Michael Showalter, “The Idea of You” lacks enthusiasm for its scandalous premise and ignores discussion of May-December, age-gap relationships. Showalter (“The Big Sick,” “The Dropout”) directs in a middle-of-the-road manner that refuses to lean into nuance or style.
The film blatantly lacks self-awareness. A depressed single mother falling in love with a successful man-child is an overplayed premise ripped straight from online recesses and Colleen Hoover novels.
Celebrity lifestyles filled with private jets and steamy hotels are lauded while the core relationship is uncritically romanticized. The film can’t help but exude an atmosphere of faux glamor to appeal to the wealthy, white and lovesick.
The lack of charisma in story and style is somewhat reclaimed by its two leads. Anne Hathaway as Soléne wholeheartedly sells cliche dialogue and circumstance. Hathaway (“Les Misérables,” “The Dark Knight Rises”) steals the screen with a level of wit and gloom frankly unwarranted. Regardless of context, Hathaway gives her all to a role she clearly had fun with.
Nicholas Galitzine as Hayes surprisingly endears with a slow-burn performance. Galitzine (“Bottoms,” “Red, White & Royal Blue”) first plays the popstar rather arrogantly only to unfurl his sensitivity as the film progresses.
The duo’s chemistry is rather tepid given the R-rating, but the biggest shortcoming is the characters’ writing. Hayes is a celebrity with no definable traits and Soléne exudes apathy in spite of a successful career and supportive family.
Soléne is finding herself in middle age, while Hayes’ whirlwind youth makes maturity difficult to maintain. Both search for personal identity, but their age-gap relationship implies those journeys aren’t equivocal.
“The Idea of You” wastes both the chance to tell a self-reflective narrative and the opportunity to explore realistic or stylized intimacy. The film drags at nearly two hours and its sporadic pop-song-edits reek of an appeal to TikTok demographics.
For those invested in BookTok adaptations, they might find simple enjoyment. For others, the idea of a better romcom would be more serviceable.
“The Idea of You,” rated R, is available now on Amazon Prime Video.
Featured image courtesy of Prime Video
The post It’s Easy to Forget ‘The Idea of You’ first appeared on The Loyola Phoenix.
“I Saw the TV Glow” is a slow-burn of sensitivity and surrealism.
Written and Directed by Jane Schoenbrun, “I Saw the TV Glow” traces the decade-long friendship between two introverts and their haunting love for television.
Owen and Maddy first befriend one another over a shared passion for “The Pink Opaque,” a supernatural teen-drama. As the two view the monster-of-the week spectacle, their intense devotion to the show gradually blurs the lines between reality and fiction.
Billed as a horror/drama “I Saw the TV Glow” dips into dread with an artistic, psychological flair. The film harbors a subdued yet unsettling atmosphere to elevate its introspective premise. Don’t expect typical thrills or emotional horror similar to “Hereditary” or “Midsommar” — “I Saw the TV Glow” is first and foremost a drama.
Schoenbrun (“We’re All Going to the World’s Fair,” “Big Brother Volcano”) shines color upon downcast characters. The film displays heavy pinks and muted neons, infusing a vibrancy to its gentle narrative.
Two kids finding TV more enrapturing than reality is personal for Schoenbrun, a trans woman formerly obsessed with “Buffy the Vampire Slayer.” The director describes Owen and Maddy’s isolated love for “The Pink Opaque” as a means to escape gender dysphoria.
“You can’t really love someone safely when you’re not yourself, in such an intense way as like gender repression or dysphoria,” Schoenbrun said regarding love. “It all went into television. I could see it but it couldn’t see me.”
The duo’s personal confusion comes in part from ostracization. With few friends and family, Owen and Maddy turn towards TV to find safety, another facet of the director’s life.
“I wrote this film while I was in the early stages of physical transition and getting estranged from my family,” Schoenbrun said. “My life was in absolute, terrifying but also exciting, disarray and I just tried to express how that felt.”
As Owen, Justice Smith gives a somber performance clouded in childishness. Smith (“Sharper,” “Dungeons & Dragons: Honor Among Thieves”) portrays Owen as a timid fan of fiction, never able to grow up due to a tragic inability to accept themselves.
Bridgette Lundy-Paine plays the opposite to Owen as the vocally angst-ridden Maddy. Lundy-Paine (“The Glass Castle,” “Bill & Ted Face the Music”) furiously portrays the rebel, delivering monologues on media’s influence on personal identity and the specific imprint of “The Pink Opaque.”
“The Pink Opaque” isn’t just a “Buffy” surrogate, but is also a vehicle for maturity. A fan of the show when first introduced, Maddy is played at all ages by Lundy-Paine. Owen however, is first seen at age 12, with Smith acting thereafter viewing the teen-drama.
With both actors nearing 30, their portrayals of early-teens illustrate how “Buffy” or “The Pink Opaque” become adolescent touchstones and forced mature introspection. The show’s analogue dreaminess provides an outlet for the two to explore themselves. Owen and Maddy see themselves in the show’s protagonists — slowly starting to believe they’re one in the same.
For all the inventiveness and queer subtext, “I Saw the TV Glow” struggles to stay earnest. Dialogue is stilted or overly vague and “The Pink Opaque” is recited so often it loses meaning.
The film’s best moments are when reality and fiction intertwine, but they’re so few and far-between the 100-minute runtime feels twice as long.
“I Saw the TV Glow” may feel static to some but there’s no denying its clear passion, relevance and inventive storytelling.
“I’m not trying to make movies for people who need to be told something is trans,” Schoenbrun said. “I’m making movies for trans people, and anyone else who enjoys it — that’s cool too.”
“I Saw the TV Glow” comes to theaters May 17.
Featured image courtesy of A24
The post ‘I Saw the TV Glow’ Invites Self-Discovery first appeared on The Loyola Phoenix.
In recent weeks, students on campuses across the nation have been protesting university investment in companies which manufacture weapons used in the ongoing Israeli military actions in Gaza. Increasingly within the last 24 hours, police have resorted to violence against student protestors and in the process silenced student media with threats of arrest — these events are reprehensible and deeply alarming to the staff of the Loyola Phoenix.
Late last night the New York Police Department conducted sweeps of encampments set up by pro-Palestinian protestors set up on the campuses of Columbia University and the City College of New York. 300 students were arrested in New York City April 30, adding to the total of 1,600 student protestors which have now been arrested at 30 institutions across the country, according to a count kept by The Washington Post.
Student reporters served as a vital source of information on Columbia’s campus during the raid after the NYPD shut the campus off to professional outlets. While covering the clearing of the encampment, WKCR — Columbia’s student-run radio station — reported NYPD personnel had threatened student journalists that if they left Pulitzer Hall to cover the events occurring on the ground they would be arrested.
WKCR reporters provided a live account as they were escorted away from Hamilton Hall and The West Lawn, the area of campus where the sweep was occurring.
Further at City College in The Bronx, The Paper, a student run news source, reported student journalists who were live streaming the clearing of the encampment on their campus by NYPD for The Campus magazine were escorted off of campus by NYPD officers.
These restrictions on press freedom by police are in direct violation of the First Amendment and have set a dangerous precedent for the treatment of student journalists who’ve been working to document protests on their campuses. Student journalists must be allowed to work freely to ensure members of university communities are informed on what is occurring at their institution.
Here in Chicago, student reporters at The DePaulia and The Daily Northwestern have provided invaluable information from their campuses where student activists have formed encampments.
Students across the country exercising their First Amendment rights to free speech and assembly in a largely non-violent fashion have been met with disproportionate violent repression by police departments. NYPD used tear gas to disperse protestors at City College and Columbia students were thrown down stairs and slammed with barricades, the Columbia Spectator reported.
This level of force is abhorrent and is in some cases a total violation of the free speech rights which are granted in the United States Constitution and were later reaffirmed to apply to students in the Tinker v. Des Moines Supreme Court decision.
As a vital source of student thought and expression, we urge members of university administrations and law enforcement agencies here at Loyola, in the Chicago area and beyond to engage with student protestors and student media members with civility and nonviolence, while upholding their unalienable rights to free speech, assembly and press.
Featured image by The Phoenix staff.
The post Staff Editorial: Respect the Rights of Student Journalists and Protestors first appeared on The Loyola Phoenix.
Protests continued for the third day this week on Loyola’s campus April 26 as students affiliated with the Coalition for Solidarity and Justice renewed their demands for the university to divest from companies which manufacture the weapons used in Israel’s continuing assault on Gaza.
After student protestors gathered on the East Quad for multiple hours for the second straight day yesterday April 25, coalition members brought the demonstrations inside to the Damen Student Center for a protest which began at 12:30 p.m. and continued intermittently for several hours.
Chants of, “No Justice, No Peace,” and “LUC what do you say? How many kids did you kill today?” rang out throughout the student center. Speakers railed against the university and its investment practices, which they alleged support genocide.
The students demanded Loyola disclose its investment portfolio, reinstate the student representative on the Board of Trustees and fully divest from weapons manufacturers such as Raytheon and Lockheed Martin. University officials addressed some of these concerns at a financial town hall hosted in February, The Phoenix reported.
In an email to The Phoenix, university Spokesperson Matt McDermott said Loyola supports students’ right to express their opinions and beliefs, but will not adopt further calls for divestment.
“Loyola has already adopted and published the Sustainable Investment Policy, which considers the University’s commitment to sustainability, and the aspiration to contribute to a more just, humane, and sustainable world in our investment policy and practices,” McDermott wrote.
Fourth-year classical civilization and art history major Katrina Hainline, who said she was present at each of the three protests, praised the student organizers behind the events as well as faculty members who have supported the students.
“As a Loyola student who has spent upwards of $200,000 on my education here, I am incredibly disappointed with the lack of reaction from our administration.” Hainline said. “For a school that claims to value social justice and human rights, it has been incredibly disappointing.”
The continued protests come as student demonstrations against the United States’ involvement in the Israeli campaign and university investments in weapons manufacturers have spread across the country.
Students at Northwestern University formed an encampment on the morning April 25, as several hundred pro-Palestinian protestors joined the “Northwestern Liberation Zone.” Students spent the night sleeping in tents on Deering Meadow despite threats of police escalation, The Daily Northwestern reported.
Hainline said students at Loyola have stood in solidarity with demonstrators at Northwestern and across the country.
“I think we do all stand united as students,” Hainline said. “Education is such a privilege and all university students in this country are privileged to have education, and a lot of movements in the past have started at universities. So I think we all stand united in the liberation of Palestine.”
Students on other campuses across the U.S. — including Columbia University, the University of Texas at Austin, Ohio State University and the University of Southern California — have set up similar encampments and have been met with police violence, according to the Associated Press.
The demonstrations lie in the backdrop of the ongoing humanitarian crisis in Gaza as the Israeli military signaled earlier this week it plans to go ahead with an offensive on the Palestinian city of Rafah, AP reported.
More than 34,000 Palestinians have died during the war, according to the Gaza Health Ministry, and it’s sparked regional unrest drawing Iran and allied militant groups into conflict with the U.S. and Israel.
Isabella Grosso contributed reporting to this article.
Featured image by Griffin Krueger | The Phoenix
The post Pro-Palestinian Protests Calling for Loyola Divestment Continue for Third Day first appeared on The Loyola Phoenix.
As the 2023-24 school year comes to a close, look back through some of the best photos from this year of Phoenix coverage. From the Lake Shore Campus to Water Tower Campus; from Rogers Park to Rome, see the stories and images that defined the past year for the Loyola community.
Men’s Basketball Coach Drew Valentine points while celebrating with the team after their last regular season game March 9, 2024 at Gentile Arena in Chicago. Loyola beat La Salle 64-54, netting the Ramblers the no. 2 seed in the A10 tournament. (Ryan Pittman/The Phoenix)
Roberta Schmatz, the owner of Archie’s Café, poses in the restaurant Jan. 28, 2024. Schamtz and other business owners spoke out when their building was bought by the university, who subsequently announced their plans to demolish the building. (Daphne Kraushaar/The Phoenix)
Oscar Dueso falls during an offensive run in the game against Duquesne Sept. 24, 2023 Hoyne Field in Chicago. (Aidan Cahill/The Phoenix)
Community members gather for a vigil grieving the death of Daveon Gibson Feb. 1, 2024 at Trinity Church in Chicago. Gibson, a student at Senn High School, was one of three students shot in the afternoon Jan. 31. (Ryan Pittman/The Phoenix)
Women’s soccer head coach Barry Bimbi reflects on the match against George Washington University Sept. 24, 2023 at Hoyne Field in Chicago. The Ramblers shut out GW in the 4-0 win. (Aidan Cahill/The Phoenix)
Tessa Rolewicz, the co-president of Loyola’s Crochet Club, crochets Feb. 19, 2024 in Chicago. (Hunter Minné/The Phoenix)
Olivia Knab throws the ball in during Loyola’s game against Richmond Oct. 12, 2023 at Hoyne Field in Chicago. (Max Bates/The Phoenix)
Abraham Garcia, left, and Jorge Blanco pose March 14, 2024 at the Barclays Center in Brooklyn. Garcia and Blanco – 2010 Loyola grads – came together to cheer on the Ramblers during their A10 tournament run. (Austin Hojdar/The Phoenix)
Markus Maurer, right, hugs Julian Cisneros during the game against Saint Louis Oct. 14, 2023 at Hoyne Field in Chicago. Loyola won the game 3-1, marking their first win against Saint Louis since the 1996 season. (Allison Treanor/The Phoenix)
Students use handheld projectors to watch the partial solar eclipse April 8, 2024 at the East Quad in Chicago. At its peak, the eclipse obscured 94% of the sun for viewers at Loyola. (Ella Govrik/The Phoenix)
Loyola’s Emily Banitt tips the ball over the net during the game against Rhode Island Nov. 10, 2023 at Gentile Arena in Chicago. Loyola swept the Rams in the first game of the double header, increasing the Ramblers’ win streak to 15, a new program record. (Holden Green/The Phoenix)
Kara Williams poses with one of her birds March 25, 2024 in Chicago. Williams is a volunteer with the Great Lakes Pigeon Rescue, a nonprofit dedicated to rescuing and fostering pigeons. (Lilli Malone/The Phoenix)
Loyola’s Sitori Tanin blocks Dayton’s Anyssa Jones during the game Feb. 25, 2024 at Gentile Arena in Chicago. (Megan Dunn/The Phoenix)
Alegra Vierra poses at Loyola’s John Felice Rome Center April 16, 2024 in Rome. Vierra, a Rome Start student at Loyola, spent her entire first year of college studying abroad at the Rome center. (Holden Green/The Phoenix)
Sophia Nolan looks for a pass during Loyola’s game against Richmond at the A10 tournament March 8, 2024 at the Henrico Sports and Events Center in Glen Allen, Va. The ramblers lost the quarterfinal match 70-54, ending their A10 tournament run. (Aidan Cahill/The Phoenix)
Featured image by Ella Govrik | The Phoenix
The post 2023-24 School Year Through the Lens: Best of Photo first appeared on The Loyola Phoenix.
The sports section had a writer cover every home sporting event this school year, and profiled at least one athlete from all of Loyola’s 13 Division I sports.
In this year’s review, the most exciting game recaps from the season are featured, including the final moments of the nail-biting men’s soccer quarterfinals and men’s basketball winning a share of the A-10 regular season championship title.
Also highlighted are key news moments from throughout the year, including when the beloved Sister Jean was inducted into the Chicagoland Sports Hall of Fame and the celebration of National Girls and Women in Sports Day by Loyola Athletics.
It’s been a pleasure to cover each and every sport for Loyola in this section. We loved bringing athletes’ stories to life in our pages and reporting, along with giving our writers the platform to share their sports opinions in columns.
Thank you for following the Loyola Ramblers through student media. Enjoy the summer and see you next year.
Alaina Abel Celebrated for Advocacy at Alopecia Awareness Match
Originally published Sept. 6, 2023
Loyola women’s soccer captain and defender Alaina Abel made the story of her alopecia diagnosis public after shaving her head last spring, The Phoenix previously reported. Since then, Abel has brought more attention to the cause and what it means to have alopecia while supporting children who are facing similar challenges.
On Sunday, Sept. 3, the Ramblers hosted Ball State University during their alopecia awareness match, defeating the Cardinals 2-1. Abel said having the support from her team and the athletic department meant “everything” to her, knowing she will always be supported by her community at Loyola.
Alopecia is a disease where the immune system attacks hair follicles causing hair loss, according to the National Institute of Health. Abel started dealing with physical side effects recently but has struggled with the mental side effects since her diagnosis in middle school.
People who have been diagnosed with alopecia are 30 to 38% more likely to be diagnosed with depression, according to the National Alopecia Areata Foundation. Abel’s advocacy regarding the disease has focused on helping more kids who are diagnosed see they aren’t alone.
Read the rest of the article written by Andi Revesz here.
Sister Jean Inducted Into Chicagoland Sports Hall of Fame
Originally published Oct. 12, 2023
Sister Jean Dolores Schmidt, BVM — the 104-year-old chaplain of the Loyola men’s basketball team — was inducted into the Chicagoland Sports Hall of Fame Oct. 4 for her impact in sports ministry in Chicago.
“It has given me a second life,” Schmidt said about Loyola basketball during an interview with The Phoenix at the ceremony.
The Hall of Fame’s Class of 2023 featured Schmidt among other members, including Illinois Governor J.B. Pritzker, NASCAR driver Ben Kennedy and more.
Schmidt’s induction is largely based on her integral role in pushing Loyola’s men’s basketball to reach the NCAA Final Four during March Madness in 2018 for the first time since 1963, according to a video played prior to Schmidt’s recognition. Schmidt said even though she received this recognition for what she has given to Chicago athletics, the field of sports has given so much back to her.
“I express my gratitude to all of these people who are responsible for where I am today,” Schmidt said during her speech.
Read the rest of the article by Julia Pentasuglio here.
Men’s and Women’s Cross Country Secure Back-to-Back A-10 Championships
Originally published Nov. 1, 2023
The men and women’s Loyola cross country teams both earned first place and conference titles at the Atlantic-10 Conference Championships Oct. 29, 2022 in Mechanicsville, Virginia, capping off a successful conference season.
A year later, they’ve done it again.
In Dayton, Ohio Oct. 28 at the Elvin R. King Cross Country Course, the 9 a.m. start time was delayed for 40 minutes due to an earlier thunderstorm overhead. The course was able to absorb the rain to the point there was hardly any visible surface water upon the event’s resumption, according to head coach Gavin Kennedy.
The late start had little impact on the squad as both teams dominated the leaderboards in their respective competitions — the men’s 8K and the women’s 6K — for the title. Additionally, the performances marked the first time a program had gone back-to-back in A-10 history since La Salle University captured titles in 2006 and 2007.
Read the rest of the article by Alexander Sciarra here.
‘Fans Are Critical’: The Crowd at the A-10 Men’s Basketball Tournament
Originally published March 20, 2024
Commuting from across the Midwest and along the east coast, NCAA men’s basketball fans gathered at the Barclays Center in Brooklyn for the Atlantic 10 Championship Tournament March 12-17
For the quarterfinal round between Loyola and St. Bonaventure March 14, Abraham Garcia and Jorge Blanco — 2010 Loyola graduates — showed out in maroon and gold to support their team.
The duo met while living in Campion Hall during their first year. Now states apart, the Loyola men’s basketball team has helped keep Garcia and Blanco connected.
Blanco, who was a manager for the men’s basketball team when he was a student, currently lives in Manhattan, but Garcia flew out from Chicago to continue their yearly tradition.
“It was always cool to follow the team, and we made a tradition to go to Arch Madness and all these tournaments to have some fun and meet up,” Garcia said.
Read the rest of the story by Austin Hojdar here.
Men’s Basketball Wins Share Of A-10 Regular Season Title With 64-54 Win Over La Salle University
Originally published March 9, 2024
It was a bittersweet evening in Gentile Arena as head coach Drew Valentine and the Loyola men’s basketball team cut down the nets celebrating their share of the Atlantic 10 Regular Season Championship following a 64-54 victory over La Salle University. The team also used the evening to honor the seven graduating Ramblers playing their final home game.
Loyola moved into a tie for first place with Richmond University after the Spiders fell short against George Mason University 64-44 earlier in the day. Valentine said after the team finished in last place just a year ago, this year has been all about pride, which he feels has been restored in the program.
“At the end of last year, there wasn’t a lot of people that probably believed that this was real,” Valentine said. “But the people in that locker room did, whether they were newcomers, freshmen, transfers or returners, they believed that this was possible and going to happen.”
The departing members of the squad who were celebrated during a pre-game ceremony along with their loved ones were Greg Dolan, Patrick Mwamba, Will Smythe, Dame Adelekun, Philip Alston, Tom Welch and Braden Norris.
Read the rest of the story by Griffin Krueger here.
Men’s Soccer Falls to Dayton On Penalty Kicks in A-10 Quarterfinal
Originally published Nov. 5, 2023
The Loyola men’s soccer team fell short against the University of Dayton on penalty kicks 5-4 in the quarterfinal round of the Atlantic-10 Men’s Soccer Championships.
The two teams couldn’t settle the score as they were left knotted at 2-2 after playing all of regular time and two ten-minute overtime periods, setting up the decisive penalty-kick shootout.
In the shootout, each of the 10 players who had the opportunity found the back of the net except for graduate midfielder Marc Torrellas who beat the Flyer goalkeeper but his ball struck the post and bounced away, prematurely ending the Ramblers’ season in heartbreaking fashion.
After the game, head coach Steve Bode said he was proud of how his team competed and said the game could’ve been the championship as both Dayton and his side were some of the best the A-10 had to offer.
“Back and forth, we made plays, they made plays and obviously it comes down to [penalty kicks] at the end,” he said. “Which, as we say as soccer people, ‘Flip the coin and see who wins the game.’ And that’s what it was today.”
Read the rest of the story by Griffin Krueger here.
Ramblers Secure A-10 Championship Spot with Win Against VCU
Originally published Nov. 19, 2023
The Loyola women’s volleyball team took down Virginia Commonwealth University in four sets Saturday afternoon to secure their spot in the Atlantic 10 Conference championship.
Fifth-year outside hitter Addie Barnes led the Ramblers in kills, digs and aces with 17, 20 and three, respectively. Third-year setter Bree Borum followed closely with 42 assists and 16 digs.
The Ramblers started the first set high at 6-1 with a four-serve streak by fourth-year outside hitter Karlie McNabb that resulted in kills from graduate middle blocker Taylor Venuto, fourth-year right side hitter Emily Banitt and Barnes.
Banitt would secure two more kills with assists credited to Borum to put the Ramblers ahead 8-3. Two attack errors and a kill from VCU’s third-year outside hitter Kialah Jefferson and a kill from Barnes shortened the Ramblers lead to three at 9-6.
Read the rest of the story by Andi Revesz here.
National Women and Girls in Sports Day Celebrated in Norville by Loyola
Originally published Feb. 14, 2024
Most days, the Norville Athletic Center is home to Loyola’s 13 Division I sports. But Feb. 11, it was packed with young children who were there to celebrate the National Girls and Women in Sports Day event hosted by the Loyola Athletic Department.
The event took place at 12:30 p.m. before the women’s basketball team faced Davidson College at 2 p.m., which resulted in a 48-45 loss for the Ramblers.
Loyola’s women’s soccer, golf, volleyball and spirit teams were in attendance, as well as multiple club sports like field hockey and lacrosse. At each table, kids were given the opportunity to try out a new sport with guidance from members of each team.
With over 250 attendees, the majority being young girls, Rambler athletes from all organizations helped kids try out new and different sports.
Read the rest of the story by Andi Revesz here.
Loyola Women’s Basketball ‘Surviving and Advancing’ Over Fordham in A-10 Second Round
Originally published March 8, 2024
The eighth seeded Loyola women’s basketball team won their first ever A-10 post-season game 53-52 against ninth seeded Fordham University in the second round of the Atlantic 10 conference tournament in Henrico, Virginia March 7. The Ramblers will face No. 1 seeded University of Richmond March 8 at 11 a.m.
Graduate guard Alyssa Fisher led the Ramblers with 14 points and graduate guard Sam Galanopoulos scored 10 in the victory. Graduate guard and forward Ali Berg recorded a team high of 10 rebounds. Fordham’s fourth-year guard and A-10 leading scorer Taylor Donaldson scored 15 points in the Rams’ loss.
Galanopoulos opened scoring with a mid-range jumper, and first-year center Aminata Ly tied it on a second chance after rebounding a missed 3-pointer from Donaldson. A steal from Ly led to an offensive possession ,and Ly gave the Rams the lead on a third-chance bucket.
Fourth-year guard Thoranna Kika Hodge-Carr tied the game again on a reverse layup, then Donaldson made a 3-pointer to gain the advantage over the Ramblers. Fordham stayed hot as graduate guard Emy Hayford made a driving layup followed by two pull-up jumpers from Donaldson.
Read the rest of the story by Andi Revesz here.
Men’s Basketball Loses Heartbreaking Double Overtime Thriller in A-10 Quarterfinal
Originally published March 24, 2024
The Loyola men’s basketball team came up short in a heartbreaking 75-74 loss against St. Bonaventure in a back-and-forth quarterfinal matchup at the Atlantic 10 Men’s Basketball Championship that went into double overtime.
Fourth-year forward Philip Alston was the leading scorer for the Ramblers finishing with 22 points and eight rebounds. Loyola’s big men made a big impact as graduate forward Dame Adelekun dropped a double-double with 12 points and 10 rebounds and first-year center Miles Rubin scored 12 points. Fourth-year guard Daryl Banks III led the Bonnies in scoring and was crucial down the stretch, finishing with 22 points and eight rebounds.
The second-seeded Ramblers finished the regular season 23-8 overall and 14-3 in conference while the seventh-seeded Bonnies wrapped up their campaign 19-12 and 9-9 in A-10 play. In their only regular season meeting, St. Bonaventure got the best of Loyola, taking the win 79-64 Feb. 27.
Loyola head coach Drew Valentine credited St. Bonaventure on playing a tough and physical game.
“It was a gritty, intense college basketball game where it looked like two teams really, really wanted to win,” he said.
Read the rest of the article by Griffin Krueger here.
Featured image by Holden Green | The Phoenix
The post Best of Sports 2023-24 first appeared on The Loyola Phoenix.
This year, the Arts section ventured into new territory. New hole-in-the-wall restaurants. New art galleries. New student productions. New Rogers Park initiatives to spotlight.
With coverage as sweeping as the term “Arts” itself, the section covered everything from a local nudist colony, to Rogers Park’s LGBTQ+ media archive, to Lollapalooza. This year, the section placed special emphasis on feature pieces highlighting student life and happenings within the neighborhood. We told stories of local business owners displaced by Loyola, student fanfiction writers and those pursuing their undergraduate degree later in life.
This section wouldn’t be what it is without our body of passionate student writers, who offered critical reviews of albums, movies and TV shows — alongside personal column reflections — in addition to regular storytelling.
This collection of works, before anything else, is an acknowledgement of their efforts. It’s a tribute to the 17 faces behind the bylines. From your editors, we thank you.
Here’s to telling more stories.
The Sand-Sational Scope of ‘Dune: Part Two’
Originally published Feb. 28, 2024
“Dune: Part Two” climaxes half a story — with no half-measures.
Directed and co-written by Denis Villeneuve, “Dune: Part Two” continues the operatic story of House Atreides left hanging by “Dune,” released in 2021.
Inspired by the latter half of Frank Herbert’s eponymous novel, “Dune: Part Two” follows the prophetic Paul Atriedeis’ ascension to power. Set on the desert planet Arrakis, Paul mobilizes the native Fremen to avenge the death of his father and the destruction of his House.
“Part Two” demands theater viewing. The sense of scale of Arrakis’ vast desert coupled with composer Hanz Zimmer’s electric score produces an otherworldly experience on screen. Bombastic battles elicit feelings of amazement and dread. The immense sandworms, in their horrifying simplicity and unimaginable size, produce utter shock whenever displayed.
“Part Two” picks up immediately where the former left off, sewing up loose threads and fleshing out Herbert’s most fantastical elements. Villeneuve (“Arrival,” “Blade Runner 2049”) fills the near three-hour runtime with gorgeous cinematography, gripping drama and enthralling action.
Read the rest of the article by Brendan Parr here.
Flair for Fanfiction: Students See Their Work as an Art Form
Originally published March 27, 2024
Susana Ciuperciuc’s stories can’t be found in a library or a bookstore. Their books don’t have covers, blurbs or a publishing house. They don’t profit from a single word they write — because they write fanfiction.
Fanfiction is fiction based on pre-existing media, including movies, TV shows and podcasts. While writers have been elaborating on each others’ works for centuries, the modern concept of fanfiction stemmed from the 1960s and ‘70s when “Star Trek” fans started making and mailing stories from their own homes, according to The Guardian.
“I really enjoy writing for characters that you wouldn’t see in a romantic setting,” Ciuperciuc said. “I want to understand how they respond to something like romance, or how a character might respond to something like losing their loved ones or having a divorce.”
Ciuperciuc, a second-year English major, mainly writes about the fantasy role-playing video game series “The Elder Scrolls.” They started playing the games at 6 years old and latched onto the franchise’s characters and intricate worldbuilding.
Read the rest of the article by Mao Reynolds here.
Preserving Queer Voices: One Night of Art, 42 Years of Activism
Originally published Oct. 18, 2023
There’s another world hiding on the second floor of the Howard Brown Health building, situated at 6500 N. Clark St.
Stacked above a Walgreens, the Gerber/Hart Queer Library and Archives appears a liminal world of stories past, present and future. Only accessible via a tucked-away elevator, the sprawling rainbow decor and wall-to-wall bookshelves create an air of invitation, as if to say welcome everyone who enters.
The Gerber/Hart Queer Library and Archives is a small — but growing — non-profit organization dedicated to preserving LGBTQ+ stories across the Midwest since 1981. Their most recent project, an art exhibit titled “This Archive is Queer: Art from the Archives,” was unveiled Oct. 13 at Gerber/Hart’s fall benefit.
Gerber/Hart’s library and archives includes over 24,000 volumes and 160 collections of relics relating to queer history, including audiovisual media, organizational records, letters, diaries and other personal ephemera belonging to members of the LGBTQ+ community, according to their website.
Read the rest of the article by Hailey Gates here.
St. Jerome Parish Celebrates Día de los Muertos
Originally published Nov. 1, 2023
Decorated with an array of tangerine hues, the towering ofrenda at St. Jerome Parish at 1709 W. Lunt Ave. is a monument draped in colorful papel picado, orange flowers and framed photos of friends and family members who have died.
The Rogers Park parish has set up an ofrenda — or altar — for the community to celebrate Día de los Muertos, a Mexican holiday with Indigenous roots to honor deceased loved ones and celebrate death.
Francisco Marín, a deacon at St. Jerome Parish, spoke to the importance of the relationship of life and death during the holiday.
“We don’t believe in death, we believe in life,” Marín said. “So it’s very meaningful and special, the moments we express during this time.”
Intended to be bright and colorful to help the spirits navigate to the realm of the living, ofrendas are often decorated with colorful papel picado — a decorative paper — cempasúchil flowers and other meaningful belongings of the dead kept by family members.
Read the rest of the article by Audrey Hogan here.
Rebuilding the Roman Empire One TikTok at a Time
Originally published Oct. 4, 2023
Julius Caesar may have died in 44 B.C., but the Roman Empire is more alive than ever.
Winning the chariot race to virality is a TikTok trend in which users ask men how often they think about the antiquarian society. The trend has revealed gladiator fights and stoic heroism are often on the minds of many men, who disclose in lighthearted videos that they think about the Roman Empire frequently.
Dr. James Townshend, a classical studies professor at Loyola and expert on Roman history, said the trend may run much deeper than a series of social media posts.
“What begins as almost a joke offers us a potentially much deeper look into our collective cultural subconscious,” Townshend said.
Townshend said movies such as Ridley Scott’s 2000 film “Gladiator”— which has a sequel slated for November 2024 — can paint a media image of the Roman Empire contributing to public perception of the ancient society. He believes the Roman Empire is likely appealing to young men because of its pop culture representation.
Read the rest of the article by Natalie Pitluck here.
‘I Feel Like I’m Just Getting Started’: Students Pursue The College Experience Later in Life
Originally published Nov. 29, 2023
Media depictions of college often paint an experience lived between the ages 18 to 22. Images of 20-somethings with no professional experience and eyes unopened to the realities of adult life often come to mind as one reflects on the concept of university.
But for students who are pursuing degrees later in life, education has no timeline.
Third-year Jackie Gilbert returned to higher education at 53-years-old, pursuing a degree in applied psychology — after all four of her children had graduated from college.
“There was a little voice that said I was afraid, and maybe I shouldn’t and was I too old,” Gilbert said. “But I think you really have to go with your gut. You have to know yourself, and I think that it doesn’t matter if you’re 22 or 62.”
Read the rest of the article by Caroline Bell here.
Rev. Jerry Overbeck is Loyola’s Marriage Maestro
Originally published March 20, 2024
“Love ought to manifest itself in deeds more than words.”
This message, championed by St. Ignatius of Loyola, extends beyond romantic displays, verbal utterances of “I love you” or passionate text exchanges. For the Rev. Jerry Overbeck, who is celebrating 51 years of priesthood, the words from Loyola’s namesake signal a commitment to love through action.
Overbeck said he’s officiated hundreds of weddings, estimating about 95% are for Loyola alumni, of which he is himself. He received his undergraduate degree in classics from Loyola in 1970 and returned as a faculty member in 1976. Since then, he’s lived in Mertz, Simpson, Regis and Baumhart halls, taught in the Department of Theology and become chaplain of the School of Law.
While he doesn’t know the exact number of weddings he’s performed, Overbeck said he’s completely booked on most warm weekends — and a few cold ones, too.
“It’s like a visible embodiment of God’s presence right here on Earth — kind of love incarnate,” Overbeck said. “I sometimes sit and marvel at how this all happened. It’s such a mystery, so many gifts.”
Read the rest of the article by Faith Hug here.
Olivia Rodrigo at United Center: A Performance With Heart and ‘GUTS’
Originally published March 21, 2024
Transforming United Center into a sea of violet, glitter and angst, Olivia Rodrigo offered pop perfection March 20 — the second of two sold-out Chicago shows for her “GUTS” World Tour.
Donning girly-grunge apparel and glittery makeup, Rodrigo fans flooded the arena as pop singer Chappell Roan began her opening set.
Kicking the night off with “Femininomenon,” Roan proved to be a modern musical Shakespeare, effortlessly yielding rhymes to made-up words.
She continued through her set, jumping across the stage during dance tracks like “Naked In Manhattan” and “After Midnight.” As her song “HOT TO GO!” began, Roan led the audience through choreographed arm movements, acquainting herself with the crowd.
While much of her setlist focused on lively beats and playful dancing, Roan’s performances of “Casual” and “Pink Pony Club” maintained high energy despite somber lyricism and pleading vocals identical to those in her September debut album “The Rise and Fall of a Midwest Princess.”
Read the rest of the article by Ella Govrik here.
Spare The Clothes: Chicago Fun Club Practices Social Nudism Through Bowling
Originally published March 27, 2024
The lights dimmed and the doors locked. A crowd of nearly 70 stirred in anticipation, shuffling about in a congested bowling alley.
“I’m not sure if you heard the announcement, but it’s time,” a voice rang.
At once, the scene whirled into a medley of flying garments. Shirts and pants were hastily tossed atop bar stools as participants took to the lanes wearing nothing but shoes.
It’s nearly an average bowling scene, except everybody’s naked.
Led by nudist couple Steve and Katie — who asked for last names to be omitted to protect the identities of group members — the private event is one of many hosted by the social nudist group Chicago Fun Club.
Since its inception in 2009, the group has hosted hundreds of privately-reserved events at local establishments, including nude comedy shows with nude comedians, nude roller skating and nude dinners. They’re one of many groups registered with the American Association for Nude Recreation, an advocacy group for recreational nudists.
Read the rest of the article by Hanna Houser here.
‘We’re happy to be neighbors’: The Storefronts of 1226-1234 W. Loyola Ave.
Originally published Feb. 7, 2024
At the end of December, Loyola acquired the property at 1226-1234 W. Loyola Ave., impacting three local storefronts — Roman Susan Art Gallery, Edge Art and Archie’s Cafe, The Phoenix previously reported.
As each business grapples with the impending reality of Loyola’s intention to tear down the building, their stories continue to reflect the enduring charm of the Rogers Park community.
Before Maggie Roche moved into what is now her Edge Art storefront in 2012, the block of 1234 W. Loyola Ave. — which had no street lighting — was entirely dark.
Committed to enlivening the space, Roche and her son bought light bulbs for the store’s exterior to be kept on overnight — a small but effective way of brightening a community. Soon enough, Roche was receiving “thank you’s” from locals who felt the area had become less “dreary,” Roche said.
Read the rest of the article by Hanna Houser, Julie Soeder and Lilli Malone here.
‘An Actual Phenomenon’: Lollapalooza Days One and Two
Originally published Aug. 5, 2023
Lollapalooza opened in Grant Park on Aug. 3, featuring an inflatable sun arched above KAROL G and a solar-powered stage for Billie Eilish. The next day, the massive crowd was split between The 1975’s alternative-pop set and Kendrick Lamar’s masterclass in rap.
Emerging Latin pop singer Lesly Reynaga dazzled the weekend’s first arrivals at the BACARDÍ Stage. Performing tracks from her 2023 album “Valerosa,” Reynaga’s set exuded sultry charm, accompanied by four folklórico dancers and Northwestern University’s mariachi band, Mariachi Northwestern.
At the Bud Light Stage, pop-rock Toronto band The Beaches energized the crowd with their May single “Blame Brett” — a viral, unapologetic breakup tune.
Back at the BACARDÍ Stage, Chicago indie-rock group Ax and the Hatchetmen channeled youthful triviality with songs like “Where TF Did I Park My Car” and “Existential Crisis, Pt. 1.”
“We’re so excited to be here,” Ellis said to the audience. “This was always the festival to be at when we were growing up.”
Read the rest of the article written by Ella Govrik, Hanna Houser, Austin Hojdar and Angela Ramírez here.
Featured image by Hanna Houser | The Phoenix
The post Best of Arts 2023-24 first appeared on The Loyola Phoenix.
After a two year hiatus, the opinion section was back in full swing and we have a lot of great articles to look back on.
Last year at this time, it was easy to do this. All we needed to do was let the seniors give their final goodbyes and pick our favorite staff editorial. This year, I’m proud to say we had a different problem — picking nine stand-out articles from over 100 total written.
The revitalization of the section saw stories of war and its impacts, self discovery and triumph despite adversity. It included reflections on Loyola and the area around it and questions regarding how we treat each other.
Finally, in this issue’s opinion section, The Phoenix’s departing fourth-years will say their goodbyes to the paper and the university.
In truth, this section’s success wouldn’t be possible without the over 30 writers who told their stories every week in opinion. Every writer brought their own flair and breathed life into the pages between news and arts. Finally there’s the audience.
Thanks so much for reading and engaging with our work, we will see you next year!
Essay: Understanding My Middle Eastern Heritage and its Appalling Conflicts
Originally published Oct. 25, 2023
In February 2004, I was born to a Lebanese mother and an African American father at Pomona Valley Hospital in California.
In 2006, Mohamed Hammoudi, my great-uncle from my mother’s side, was killed in an Israeli invasion of Southern Lebanon. A tank shell was shot through the window of our family home. An article in the Los Angeles Times was written about him in August of that year.
After being born in America, my mother attended grade school in Tyre, a coastal city in south Lebanon, with her older brothers Safi and Adeeb and infant brother Nasif in 1982. Early one morning, air raid sirens sounded, notifying the nearby towns and schools to mobilize into bomb shelters due to the expectancy of Israeli airstrikes.
Operation Peace for Galilee is the name of Israeli soldiers’ three-pronged invasion of Southern Lebanon, led by Defense Minister Ariel Sharon. The objective? Get rid of the Palestinian Liberation Organization in Lebanon after factions moved operations into Lebanon from Jordan. The Israelis used the blitzkrieg tactic, taking siege up to Beirut, the capital of Lebanon, killing thousands along the way. Over 800 tanks and about 60,000 soldiers stormed through the borders of south Lebanon that day in June of 1982, according to the IDF Editorial Board.
My family returned to the United States in 1984 to escape the war, and my mother and uncles attended school in Eagle Rock, a Los Angeles neighborhood.
Read the rest of the article by Christopher J. Henry here.
Column: Thank You for Your Service?
Originally published Nov. 8, 2023
“Thank you for your service.”
It’s one of those phrases we feel obligated to say without putting much thought into it. You hear it broadcast at stadiums, said in political speeches and plastered on bumper stickers across the country.
But have you ever stopped and thought about what it means?
I ask because I’ve heard it said in reference to my family a lot. My father, three of my uncles, and one of my cousins were all in the military. Of those five, four served in the Army — specifically in infantry units — and the other served in the Air Force as a pilot. All five were deployed to the Middle East as part of the post-9/11 wars.
Having grown up in that environment, you’d think I’d be able to tell you all about how to support the troops and how to say thank you to veterans, right?
Not really. As I’ve grown older and learned more about the military, I’ve come to question the motivations behind “Thank you for your service.” To me, the phrase isn’t actually meant for the veteran hearing but rather for the civilian to look like they care. Instead of thanking the veteran as an individual, it seems as though they’re projecting their own ideas of service onto the veteran and thanking them for that.
Read the rest of the article by Aidan Cahill here.
Essay: We Don’t Need Another Breakfast Place
Originally published Sept. 27, 2023
It’s a Sunday morning, and I’m hungry.
I walk down West Granville Avenue to Metropolis Coffee Company where I eat an egg and cheese hand pie to satiate my stomach. As I continue down Granville, I bump into Ann Sather’s and decide to grab a cinnamon roll for the road. I resume my stroll and turn onto West Devon Avenue, where I decide to indulge in a coffee and a pain au chocolat from Rivers and Roads Cafe.
Maybe I’ll make a morning of it — go further west down Devon to have a classic continental breakfast at Cozy Corner Restaurant. I could even hop on the train and head just north off the Morse stop to The Common Cup for a slice of quiche or, if it’s early enough in the semester, to the Glenwood Sunday Market for a breakfast burrito.
When I return to North Sheridan Road, however, I am forced to confront one question — what am I going to eat for lunch?
Now, when I turn to my right, I see Honey Berry Cafe.
But we didn’t need another breakfast place.
Read the rest of the article by Hailey Gates here.
Dear Loyola: Foster Community, Don’t Demolish It
Originally published Feb. 7, 2024
In December, Loyola purchased the building at 1226-1234 W. Loyola Ave. which is home to Archie’s Cafe, Roman Susan Art Gallery, Edge Art and Rogers Park residents.
To accommodate future campus expansion on West Loyola Avenue, university officials told The Phoenix they intend to demolish the building. This is a plea to those same officials to reconsider this decision and follow through on Loyola’s stated goal of being a conscious neighbor in the Rogers Park and Edgewater community.
West Loyola Avenue is a direct route to the Loyola Red Line station and is home to many residents. It would be a disservice to inhibit the community of their right to share the area and lock off yet another block behind green fences.
Loyola is evicting longtime residents from their homes with short notice. The university intends to let the leases expire and not renew them, forcing the current tenants — some of whom have lived in the building for decades — to move. If the university proceeds with their current plans, they should provide these residents with help and resources to find new homes.
Read the rest of the article by Griffin Krueger here.
You’re Not Alone: My Battle with Bulimia
Originally published Feb. 28, 2024
Feb. 26 begins the National Eating Disorder Association’s 39th annual Eating Disorder Awareness Week.
Looking back, I think of silence. I think of a scared girl checking her body in the mirror over and over. A girl who was ashamed, hiding instead of grabbing onto the hands stretched out towards her.
I used to relish in the silence of my disorder as the size of my body masked the torment brewing inside me. I smiled through the pain, unaware of the damage I was doing to my body and the emotional pain I’d endure for years to come.
Silence was never my friend. It was an unhealthy coping mechanism keeping me from the support I needed.
I will never be silent again.
Read the rest of the article by Marisa Panella here.
Essay: I Play Soccer but I Don’t Know the Rules, and Maybe That’s Alright
Originally published March 27, 2024
At Loyola’s John Felice Rome Center, soccer is a big deal. Since we’re an Italian campus, the sport is referred to by its Italian name — calcio.
Every Wednesday evening, students make the trek down to the neighborhood soccer fields to either compete or cheer. Only three fields are available, so games are split into two time slots — 8-9 p.m. and 9-10 p.m. Students competing in 8 p.m. games are allowed to purchase drinks from the on-site bar, Don Orione, after their match is over.
Once all games have come to a close, many of the students make their way to Levels — a neighborhood bar kind enough to host the mass of rowdy American kids. Sweaty students cram together in front of the bar, euros crumpled in their fists, while victorious captains buy celebratory shots for their winning teams.
I’ve put myself on a soccer team without knowing the rules. It doesn’t help that since it’s intramural soccer and played on a smaller field, the rules are specialized. But what I lack in knowledge, I make up for in enthusiasm.
Read the rest of the article by Catherine Meyer here.
Loyal To Loyola’s Female Energy
Originally published March 20, 2024
Loyola isn’t an all-women’s school, but it’s pretty darn close.
With an undergraduate student body that’s 69% women and 31% men, according to the 2022-23 Common Data Set, Loyola’s student body is the complete inverse of congress, which is only about 28% women, according to Center for American Women and Politics.
When the topic of our institution’s gender ratio comes up in conversation, I listen and sympathize as my peers complain about a lack of attention from the opposite gender. The gender ratio was a leading factor in my choice to pursue Loyola, and now that I’m getting ready to graduate, I realize it’s because of the support and acceptance I’ve felt as a queer woman attending a school dominated by females.
Women support and protect each other, in countless ways, including academics and protesting gendered violence — the Loyola Research Symposiums being a great place to admire the multitude of our institutions’ research, with so many women willing and able to share their newfound knowledge.
Read the rest of the article by Rachel Maria here.
On Being A Transgender Journalist
Originally published April 17, 2024
It’s hard to be proud of something I can’t control.
From seventh to 12th grade I attended a private Catholic school and had to take a religion class every year. Those classes were usually spent memorizing the number of books in each Testament and watching cringey movies with thinly-veiled allegories for Jesus. But some classes were more intense.
One of my teachers said the deadliest of the seven deadly sins was pride, especially the kind of pride preached by the LGBTQ+ community. Even though Pope Francis has been campaigning for LGBTQ+ acceptance since coming to the Vatican, many Catholics — and Americans as a whole — still disapprove of who I am.
Sixty-two percent of American Catholics think gender is determined by sex assigned at birth, according to a 2022 Pew Research Center poll. The same poll found 43% of Americans as a whole think social acceptance of trans people is happening too quickly and 38% think acceptance has gone too far.
I’m a transgender man. I’ve felt disconnected from femininity since I was little, always choosing sneakers over fancy shoes, pants over skirts, the boy’s Happy Meal over the girl’s. I even remember when I told my mom I didn’t want to start wearing training bras.
Read the rest of the article by Mao Reynolds here.
Essay: Public Photography: Free Speech or Free Exploitation?
Originally published Sept. 27, 2023
One must ask themselves if humans were meant to have the power to document everything that happens to them in the palm of their hand.
The dawn of smartphones has led to a general fear of being photographed in public. At any moment, a push of a button could lead to an image of someone living forever on the device of a stranger. It feels as if such an action should be protected against — but the opposite is true.
The First Amendment of the U.S. Constitution allows a person lawfully in a public area to take a photo of anything plainly visible, according to the American Civil Liberties Union. Social customs would flag a problem with this definition. While I’m within my rights to take a picture of a stranger across from me in a public space, this doesn’t stop the stranger from rightfully becoming annoyed — possibly resulting in some choice words being thrown my way.
This is because the laws surrounding the documenting of strangers in public areas haven’t changed with the times. The amendment protecting the act of public photography was written in 1787 by men who lived in a world where cameras didn’t exist. Now the same law is being applied in an age where cameras are as countless as stars. A revamp on the laws surrounding photography etiquette in the U.S. is desperately needed.
Read the rest of the article by Julia Soeder here.
Featured image by Hunter Minne | The Phoenix
The post Best of Opinion 2023-24 first appeared on The Loyola Phoenix.
The news section had a busy year covering everything from student organization events to feel-good stories on campus and in the greater Chicago area. While some were easier on the heart than others, they all played an important role in highlighting the beauty and diversity of the Loyola community.
Some of our best articles included coverage of protests by Students for Justice in Palestine, new SGLC legislation and resignations and the planned demolition of 1234 W. Loyola Ave.
Our coverage stretched beyond the boundaries of Loyola’s campus at times, such as in our story on a vigil for a drive-by shooting victim who attended Senn High School and through coverage of an environmental strike in downtown Chicago.
Back in Rogers Park, it was a pleasure to cover the story of Loyola lovers Jean Gustavson and Steve Watts, who reunited after 42 years apart and about our beloved Sister Jean turning 104.
Thank you all for a wonderful year of coverage. Peace and love from the news section of The Phoenix.
‘I just knew things were gonna work out between us’: Couple That Met at Loyola Reunites After 42 years
Originally published Sept. 6, 2023
Jeanne Gustavson and Steve Watts called it love at first sight when they first met at Loyola in 1971. Despite breaking up 42 years ago, the interracial couple found peace on campus despite disapproving families and what Gustavson described as a “still segregated” Chicago.
Three years ago, they reunited.
Gustavson and Watts, who both graduated with German degrees, attended Loyola in 1971 — Watts a fourth-year and Gustavson a first-year. They met at a meeting for German Club, of which Watts was the president. Gustavson said she noticed Watts immediately when he walked in.
“He was striking,” Gustavson said. “I don’t know what other word to use. He was just dashing.”
Watts later said to Gustavson their first encounter was “love at first sight” for him. The couple started dating shortly after and stayed together for seven years, despite opposition from Gustavson’s family because i Watts was Black.
Gustavson cited a time when her mother visited the dean’s office at Loyola, complaining about Gustavson’s relationship with Watts and demanding they be kept apart. Her mother even went so far as to try and get her own daughter expelled from the university, according to Gustavson.
After Gustvason graduated and Watts entered graduate school for linguistics, she decided to end their relationship. Gustavson said she regretted the decision immediately – and continued to for the rest of her life.
“I broke up with him in a terrible way,” Gustavson said. “I was getting a lot of pressure from my family and my relationship with my mother had been rocky ever since this whole thing with Steve came about. I didn’t see how the relationship was going to move forward.”
Read the rest of the article by Lilli Malone and Isabella Grosso here.
Loyola Buys Local Property, Displacing Residents and Local Businesses
Originally published Jan. 31, 2024
Loyola purchased the property at 1226-1234 W. Loyola Ave. Dec 19, adding the building to their list of properties owned in the surrounding area.
Michael Loftsgaarden, Loyola’s vice president of capital planning, said there are currently no construction plans, but the building will be torn down once the leases run out in September 2025.
“The reality of the situation was we felt like, ‘Hey, we got this for a good price that makes sense to us,’” Loftsgaarden said. “Its assemblage value is the primary driver here for a future development, whatever, it just makes total sense for that. But again, there’s nothing on the board right now.”
Lofstgaarden said he was approached by a broker representing Mark Gerb — the building’s previous owner — April 29. After months of negotiations and reviewing the legal terms of purchase, the university officially bought the property.
Loftsgaarden said the price Loyola purchased the building for — $3 million — was far below the previous owner’s asking price due to the poor state of the building, which he said isn’t functionally or fiscally sustainable.
“Our plan is to let all our leases run out in the building,” Loftsgaarden said. “As leases come available, we’re not renewing, and the plan will be to vacate the building and after that try to get it demolished.”
Read the rest of the article by Hailey Gates here.
Students Protest for Divestment After Finance Town Hall
Originally published Feb. 21, 2024
Members of the Coalition for Solidarity and Justice protested against Loyola’s investments in companies that construct weapons used in Israel’s attacks on Gaza in the Damen Student Center following a financial town hall meeting Feb. 14.
Around 100 students gathered in Damen around 12:30 p.m. holding signs with messages such as “Stop Funding War” and chanting “Board of Trustees, you can’t hide, we charge you with genocide.” A banner reading “WAR IS DEATH LOYOLA DIVEST” was held by students over the balcony on the second floor.
Multiple students gave speeches during the protest where they expressed anger with Loyola’s investments and drew attention to things they said students can do to raise awareness and help the cause.
Students for Justice in Palestine President Lena Abushaban said the main purpose of the protest was to bring attention to Loyola’s investments and to also make it a point to attend the town hall.
“Knowing divestment has been something that has been on everybody’s plate for a while now, we decided that today might have been the best day to protest against the university’s awful, awful investments,” Abushaban said. “There’s a lot of traffic in here today. We wanted to make sure that we were being seen and we were being heard.”
Read the rest of the article by Isabella Grosso here.
Loyola Hosts Peacebuilding Discussion with Former Irish President
Originally published Feb. 21, 2024
The College of Arts and Sciences and the Department of Theology co-hosted a roundtable discussion with former President of Ireland Mary McAleese Feb. 16. The discussion, organized and moderated by Dr. Miguel Díaz and Dr. Hille Haker in the Theology department, revolved around the former president’s peacebuilding achievements.
During the event, McAleese discussed her experiences growing up in Northern Ireland amidst sectarian warfare caused by religious differences and socioeconomic disparity. She described how her childhood experiences informed her passion for bridge-building, advising those in attendance to reach out to others with empathy regardless of social and political differences.
“In the middle of binariness and sectarianism, there are resolves and opportunities for the individual somehow to break through with love,” said McAleese, 72. “And that’s what you can’t ever give up on.”
McAleese, who held office from 1997 to 2011, is known for her role in the 1998 Good Friday Agreement, according to her biography on Loyola’s website. The agreement ended a 30-year period of warfare in Northern Ireland, according to the BBC.
Read the rest of the article by Hailey Gates here.
Loyola CFO Discusses University Finances at Town Hall
Originally published Feb. 21, 2024
In the second series of finance town halls hosted this school year, Wayne Magdziarz — Loyola’s senior vice president, chief financial officer and chief business officer — discussed how trends in higher education are affecting Loyola and detailed the university’s operating budget for the upcoming fiscal year.
Magdziarz began his presentation — which was hosted in the Sister Jean Dolores Schmidt, BVM Multi-Purpose Room Feb. 14 — by discussing issues other universities have been facing including budget shortfalls, staff hiring freezes and budget cuts for university programs.
He said despite problematic industry-wide trends including declining enrollment and increasing expenses, Loyola is in a good position to avoid layoffs or significant budget cuts. This is due to the university being in a good place with its debt level and its ability to maintain a comparatively low tuition discount rate for first-year students, according to Magdziarz.
Forecasts for the current fiscal year project Loyola’s results of operations, or net profit, will total between $10 million and $15 million even though originally the university only budgeted for $5 million in left over funds, according to Magdziarz.
Read the rest of the article by Griffin Krueger here.
Facilities in Process of Installing New Water Filters
Originally published March 13, 2024
New filters at campus water bottle filling stations began installation over winter break, less than a month after an article about the filters was published by The Phoenix. Accompanying the new filters, Facilities placed stickers with QR codes over the filters’ indicator lights, which are now incompatible with the new brand of filter.
The QR code on the stickers, found on the Lake Shore, Water Tower and Health Sciences campuses, leads to information about the new filters and the quality of Lake Michigan water, which Loyola uses. Water from Lake Michigan exceeds state, federal and industry standards, according to the site and the Chicago Tribune. Filters are expected to be completely updated by the end of summer 2024.
The filters were removed from water bottle filling stations during the pandemic since they were no longer in use but weren’t reimplemented for three years following students’ return to campus, The Phoenix previously reported.
After the previous article was published Nov. 29, chemistry professor Daniel Becker wrote in an email to The Phoenix that the university’s covering of the filter lights with stickers was concerning. Over the past two years, Becker has advocated for updated filters and more transparency from Facilities.
Read the rest of the article by Mao Reynolds here.
Loyola’s Student Environmental Alliance Joins Fossil Fuel Financing Strike
Originally published Sept. 30, 2023
Loyola’s Student Environmental Alliance joined Fridays For Future Chicago, a youth advocacy group for climate justice, on the frontlines to encourage putting an end to fossil fuel financing Sept. 15.
The groups, consisting of high school and college students, marched through The Loop and Pritzker Park and rallied in front of notable banks, particularly JPMorgan Chase & Co., to demand the banks stop investing in fossil fuels.
JPMorgan Chase is the number one contributor to fossil fuel financing at $434 billion as of 2022, exceeding other mega-banks by millions, according to Banking on Climate Chaos.
Fossil fuels are one of the biggest contributors to global warming, land degradation and pollution, according to The National Resources Defence Council. The fossil fuel industry remains extremely profitable, making it attractive for banks to invest in, according to the council.
Read the rest of the article by Lilli Malone and Laila Ali here.
Beloved Sister Jean turns 104
Originally published Sept. 6, 2023
Sister Jean Dolores Schmidt, BVM celebrated her 104th birthday Aug. 21, prompting festivities at Loyola’s Water Tower campus and in Chicago during the first week of classes.
Celebrations began Aug. 28 when Schmidt threw the first pitch of the Chicago Cubs vs. Milwaukee Brewers game at Wrigley Field, according to Loyola spokesperson Matt McDermott.
President Mark C. Reed also attended the game with Schmidt.
“I have many Sister Jean memories that are favorites but really being on the field with her Monday at Wrigley Field — that will stay with me for the rest of my life,” Reed said to The Phoenix.
Celebrations for the week concluded at the Water Tower Campus block party where students gathered to sing “Happy Birthday” to Schmidt, according to the press release.
Read the rest of the article by Lilli Malone and Hunter Minnè here.
Trinity Church Chicago Hosts Vigil for Shooting Victims From Senn High School
Originally published Feb. 7, 2024
Trinity Church Chicago, a non-denominational church located at 1244 W. Thorndale Ave., hosted a vigil Feb. 1 at 7 p.m. for Edgewater community members to grieve the death of Daveon Gibson, a 16-year-old Senn High School student who was shot and killed Jan. 31.
Gibson was fatally shot at approximately 3:37 p.m. on the 1200 block of W. Thorndale Ave., about a half mile away from Loyola’s campus, according to a public safety update from 48th Ward Alderwoman Leni Manaa-Hoppenworth.
Three teens, including Gibson, were walking when a vehicle pulled up, according to a speech to the press by Chicago Police Superintendent Larry Snelling. Snelling said several individuals got out of the vehicle and began shooting in the direction of the teens. All three teens were shot.
One victim, a 16-year-old, is in critical condition and the other, a 15-year-old, is in stable condition, according to the public safety update.
Read the rest of the article by Julia Pentasuglio here.
SGLC Chief Justice Resigns, Legislation is Passed at Senate Meeting
Originally published Dec. 6, 2023
Chief Justice Paige Gutierrez announced her resignation from her elected position in Student Government of Loyola Chicago during their Dec. 5 senate meeting, citing the organization’s negative impact on her mental health. Gutierrez’s resignation prompted an emergency internal election to elect the new Chief Justice Lindsey Elliot.
The meeting included the approval of two new pieces of legislation and the introduction of five new executive orders from SGLC President Alexandra Brist.
Gutierrez said in a speech to the SGLC body she had to take a leave of absence earlier this semester due to her mental health, which caused her to receive backlash from some members of SGLC.
Gutierrez said while she enjoyed working with other members of the organization throughout the semester, the culture of SGLC hindered her from feeling satisfied with the work she had been doing.
“I felt underappreciated, disrespected and undervalued as branch leader despite how I’ve been chosen for this role by the student body,” Gutierrez said in her speech.
Read the rest of the article by Julia Pentasuglio here.
Shelter Stay Policy Enforcement Throughout Chicago Sparks Changes
Originally published Jan. 31, 2024
The city of Chicago announced a shelter stay policy Nov. 17 in an attempt to accelerate the process of resettlement for shelter arrivals. The press release from Chicago Mayor Brandon Johnson’s Press Office states the policy intends to improve engagement between arrivals and public benefits as well as other support provided by the city.
The policy implements a staggered process of distributing 60-day exit notices to current shelter residents based on the date individuals arrived at the shelter, according to the press release.
As the policy has been enforced throughout the city, 16 alderpeoeple — including 49th Ward Alderwoman Maria Hadden and 48th Ward Alderwoman Leni Manaa-Hoppenworth — signed a letter Jan. 25 encouraging Johnson to rescind the policy due to its ineffectiveness and danger to the safety of new arrivals.
Read the rest of the article by Julia Pentasuglio here.
Flag Demonstration Honors Palestinians Killed in Gaza
Originally published Feb. 14, 2024
Students for Justice in Palestine placed an exhibit representing the Palestinian flag on the field in front of Francis Hall Feb. 8 as a demonstration to honor the Gazans killed by Israeli forces since October.
The exhibit included about 23,000 smaller flags staked into the ground, which together formed the Palestinian flag. Names of about 27,000 of those who have been killed were written on each of the flags as a way to honor their lives, according to Lena Abushaban, a fourth-year student and president of SJP.
Israel declared war on Hamas after an Oct. 7 attack upon Israeli towns outside of the Gaza strip by Hamas militants which led to increased military action, according to the Associated Press. Since then, more than 25,105 Palestinians have been killed in Gaza and more than 62,681 have been wounded as of Jan. 21, according to AP.
Abushaban said it was important for SJP to have the chance to honor the lives lost.
Read the rest of the article by Lilli Malone here.
The post Best of News 2023-24 first appeared on The Loyola Phoenix.
The Coalition of Solidarity and Justice hosted an emergency demonstration on the East Quad April 22 and demanded Loyola divest from companies manufacturing weapons used in Israel’s attacks on Gaza.
Students and community members gathered from 12-5 p.m. on the quad with signs, keffiyehs and their voices to send a message to Loyola’s administration concerning their investments. The demonstration was organized by the Students for Justice in Palestine, the Loyola Dissenters, Loyola’s Black Cultural Center and the Loyola Alliance of Socialists.
Students set up on the quad to listen to speeches and chant messages, including, “Gaza, Gaza don’t you cry, we are all on your side,” and, “No justice, no peace.”
The demonstration was announced April 21 on Instagram. Fourth-year and SJP president Lena Abushaban said the urgency of this event was crucial in order to show solidarity for other schools who established encampments in support of Gaza.
“Essentially we’re following in the footsteps of students at Columbia and all over the U.S. — students at Yale, students at Harvard, students at Vanderbilt,” Abushaban said.
After setting up a pro-Palestinian encampment on school grounds, students at Columbia University faced suspensions and arrests for trespassing on April 17, according to the Associated Press. Columbia University has since halted in-person classes and shifted to hybrid and remote learning until further notice.
As Loyola students gathered, Abushaban said she hopes these efforts and those of other universities puts pressure on Columbia’s administration to revoke the suspensions of their students.
The Revolutionary Communist Party distributed flyers during the demonstration outlining the nationwide turmoil of pro-Palestinian protests on college campuses. The flier called for the support of protesters at Columbia University and across the nation and demanded all of their charges be dropped.
Alongside the protester’s demands for divestment, students also called for more transparency within the university. Speakers demanded a reinstatement of the student representative position on the Board of Trustees and the inclusion of the Loyola community on the investment council.
Abushaban said their demands stem from a history of not being heard by the Board of Trustees. More than anything, she said she believes the board prioritizes profit.
SJP and other student organizations attempted to schedule a meeting with Loyola’s Chief Investment Officer, Katherine Wyatt, to discuss reappointing a student representative on the Board of Trustees and discuss the university’s investments, The Phoenix previously reported Feb. 14. Abushaban said the meeting was canceled with no action taken at all.
Wyatt didn’t respond to The Phoenix’s request for comment.
“The school doesn’t listen to the students, they listen to the people that fill their pockets,” Abushaban said. “If it doesn’t enrich them, it doesn’t matter to them.”
Matt McDermott, Loyola spokesperson, wrote in an email to The Phoenix Loyola has already adopted the Sustainable Investment Policy which outlines the university’s commitment to sustainable, humane and just investment policies. Loyola will not adopt any other calls for divestment, according to McDermott.
On behalf of the university, McDermott wrote Loyola supports the student’s right to engage in civil discourse through respectful and responsible means and believes this enhances “education, engagement, and understanding.”
Betty Kifle, a first-year student participating in the protest, said she hopes this sit-in demonstrates that you don’t have to be Palestinian to care for this cause. She said despite being met with struggle from the university, the community is consistently growing in number and strength.
“Not only are we big in number, but we’re big in heart,” Kifle said. “We should care about each other because we’re human, not because of borderlines.”
As protesters approached their fourth hour on the quad, a student delivered a speech detailing the events of the Feb. 14 town hall meeting where students from the Coalition for Solidarity and Justice questioned Loyola’s Chief Financial Officer Wayne Magdziarz about the university’s investments.
Quotes taken from Magdziarz at the Feb. 14 town hall meeting were read aloud to the crowd and later posted to the SJP instagram.
Magziarz didn’t respond to The Phoenix’s request for comment.
Leon Friedrich-Díaz, a fourth-year and member of the Loyola Alliance of Socialists, said the presence of students within campaigns for liberation is pivotal for progress in the movement.
“The revolutionary history and tradition of students is ongoing, and students have always been at the forefront of social justice and change,” Friedrich-Díaz said. “It’s not only our duty to come out here, but it’s a necessity.”
Friedrich-Díaz, a history major, said students at Loyola have privilege, regardless of their backgrounds. He said students need to make the most of their position and advocate for those who can’t advocate for themselves.
Amongst chants for Palestinian liberation, Friedrich-Díaz said in order to see change, they need to make it.
“There’s nothing in this world that cannot be changed because we as human beings are the motivators, we are the drivers of history,” Friedrich-Díaz said. “Viva viva Palestina.”
Featured image by Ella Govrik / The Phoenix
The post Loyola Students Protest the University’s Investments in ‘Genocidal Corporations’ first appeared on The Loyola Phoenix.
After spending countless hours writing and editing stories, graduating editors look back on their time at The Phoenix.
Editor-in-Chief Austin Hojdar
Before I started writing for The Phoenix, I barely even knew Loyola had a student newspaper. For the past two years, I’ve read and edited every story that’s been published online and in print. However many stories you looked at, thank you for reading.
Managing Editor Ella Govrik
In “On Writing: A Memoir of the Craft,” which was gifted to me by Deputy News Editor Hunter Minné, Stephen King writes, “In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well.”
In the end of my time at The Phoenix, I can say without doubt that my life has been enriched far beyond what I could’ve imagined. The work, support and passion of those around me has taught me as much about journalism as it has about community. I’m so proud of the work we’ve done, and I’m so confident in the future of The Loyola Phoenix.
News Editor Isabella Grosso
So much to say, less than 150 words to say it. The news section of The Phoenix has been my life for the last four years. Through all the good and the bad, I have nothing but everlasting love for my time as a writer, my hours spent editing and the relationships I will forever cherish with my Phoens. To my dearest friends and co-workers on the paper, thank you for trusting me these last two years with the news section. This paper will forever be a part of me and I am so honored to have worked among such bright and intelligent journalists. To the next staff, I know you will do great things next year. The Loyola Phoenix, you have all of my love.
Opinion Editor Aidan Cahill
While I originally planned on writing only 20 words, looking back, I realize that I owe an impossible debt of gratitude to so many people who helped me over the last four years. From everyone I’ve interviewed and spoken with while reporting to the editors, friends and mentors who helped me through challenging times. I wish I could find the right words to express how much they’ve meant to me. Until I gain that ability, I’ll have to settle on just seven parting words to summarize my feelings. To everyone and for everything, thank you.
Arts Editor Hanna Houser
“Onto bigger and better things.” It’s a phrase said often by friends and family as I tell them my time with The Phoenix is over. When I first joined, The Phoenix felt big. I was one of many writers hoping to be more involved, never sure of my footing. Like a child’s sweater, I grew into The Phoenix until eventually, it shrunk. Now, us graduates chase bigger ventures, but who’s to say if they’ll be better than the experiences shared here. Somehow, in the dingy basement of the School of Communications, my life was bettered. To the writers growing alongside me, this is yours now.
Deputy Arts Editor Angela Ramírez
I met my best friends in the world, all thanks to The Bird.
I have never felt more supported than during my time as an editor on The Phoenix. Navigating the realm of journalism alongside other dedicated, impassioned and wonderful humans has been nothing short of a pleasure. This job, and the wonderful people that contribute to it, have defined my college experience — I wouldn’t have flown so freely, so assuredly, without them. My only hope is that I gave back to this newspaper just as much, if not more, than what it gave me.
Audio Editor Jackson Hamrick
I don’t know if you listened, but I was there!
Featured image by Hunter Minné / The Phoenix
The post Graduating Editors Reflect on Their Time at The Phoenix first appeared on The Loyola Phoenix.
Hello! I’m sitting here at the titular desk, so here goes nothing, I suppose. I am Griffin Krueger, a third-year political science major, and starting next fall I will be taking over as the editor-in-chief of The Loyola Phoenix.
I am incredibly excited for the year ahead and the opportunity to continue to work and grow with the incredible student journalists who compose the Phoenix staff.
It would be a lie for me to tell you I’m not a little nervous. The Phoenix is one of Loyola’s oldest traditions and is now entering its second century, as one of our writers Mao Reynolds recently reported. There’s a lengthy list of writers and editors which have guided us to where we are now, and I don’t want to let them down.
However, I am confident that with our wonderful returning staff, talented newcomers and all the collective lessons we’ve learned so far, The Phoenix’s 56th volume will be amongst the best.
Whether this the first time you’ve picked up The Phoenix or you’re a weekly reader, my promise to you is that when school starts up again in the fall, every Wednesday we will once again deliver you everything you need to know about what’s happening in campus news, neighborhood happenings, arts, popular culture and Loyola sports.
Now for the sappiness. First of all I’d like to thank my Mom, Dad and brothers for putting up with me and always being supportive. On a similar note, thank you to all of my friends who have put up with me talking about The Phoenix on an incessant basis over the past three years.
Someone I must mention is my high school journalism teacher and newspaper advisor Laura Landsbaum, without whom I almost certainly wouldn’t be here writing this.
Graduating News Editor Isabella Grosso has been such an important fixture in my life, and I’m not entirely sure how to do this without her. Along those same lines, thank you to my partner in deputy news editing Jacob Danielson who taught me so many things.
I was uncertain coming into this school year as I made the transition to the sports section, and I couldn’t have been luckier to have Andi Revesz by my side as deputy sports editor to help me get my footing.
Outgoing editor-in-chief Austin Hojdar and managing editor Ella Govrik have provided an incredible model for going about this sort of thing, and I could not be more grateful. I am also heartbroken to see arts editors and dear friends Hanna Houser and Angela Ramirez moving on, but I know for sure all of them will go on to bigger and better things.
Featured image by Aidan Cahill | The Phoenix
The post From the Editor’s Desk: We’ll See You Every Wednesday first appeared on The Loyola Phoenix.
Since coming to Loyola, I became physically distanced from everything I felt made me Latina.
My family, their food and most notably, the Spanish language. To reconcile with this disconnect, I turned to Latin music to cure my homesickness — something I wrote in my column’s debut would “hopefully” be cured by the time I graduate.
Well, the time has come. With less than two weeks left until I walk across the stage in Gentile Arena, I reflect upon the creation of “La Ramírumba” and how I aimed to explain my relationship with Latin icons.
From the ever-booming vocal abilities of Celia Cruz’s “La Vida Es Un Carnaval” to Javier Solís’ lust-filled crooning in “Te Amaré Toda La Vida,” every column and its deep dive into artistbrought me closer to my heritage through the comfort of my headphones — or headphone, rather, as I’ve unfortunately downgraded to a singular Airpod since the inception of my column.
Even though I stand out as the only Latina on our 15-person editorial staff, I can’t say I’ve ever felt uncomfortable or unwanted.
Alongside being an editor for The Phoenix, I also work as a multicultural ambassador for the Office of Undergraduate Admissions. Alongside my peers, I’d speak with prospective students and their families about my experience at Loyola.
On one occasion during a multicultural student panel, a parent inquired about my experience at The Phoenix after I mentioned that I am one of two people of color on staff.
“Since you’re the only Latina on the newspaper, who is your support system?” she asked. “Who do you identify with?”
Admittedly, I was rather nervous to reply. My voice wavered at first as I spoke into the microphone, making direct eye contact with the parent from the darkened pit of the Damen Cinema.
My mind flashed back to June, when I covered Antojitos Fest — Chicago’s first Latinx comedy festival.
Austin Hojdar, friend and editor-in-chief, tagged alongside me, and was probably one of the only white men in the room. He didn’t have to be there, but he wanted to support me. Hojdar laughed at Spanish jokes he didn’t fully understand and clapped along to musical interludes — just happy to be there.
Following the performers’ final act, the DJ filled the empty space — not already filled with resounding applause — with “Bidi Bidi Bom Bom.”
Selena Quintanilla-Pérez was born April 16, 1971 — she would have just turned 53 years old had it not been for her tragic death March 31, 1995.
She spearheaded her career through singing in English in the Tejano genre — a fusion of Mexican and U.S. influences interplaying Czech and German polka instrumentals with traditional Spanish vocalizations.
After gaining popularity, Selena’s father, Abraham Quintanilla Jr., phonetically taught her the Spanish language in order to further propel her cross-cultural influence in the Tejano music realm.
Five EPs and one performance at the Tejano Music Awards later — a feat unforeseen by critics who’d repeatedly tell Quintanilla Jr. that his daughter would never excel as a woman in Tejano — Selena released her self-titled debut album in October 1989 at 18.
From there, her career would only skyrocket. Her legacy as a boundary-breaking, trailblazing Latin pop artist would have continued had it not been for her tragic death at 23.
Just one year older than I am right now.
I’ve been reflecting on Selena quite often recently, particularly her multiculturality. In interviews with Spanish news and radio stations, she’d occasionally slip up her verb conjugations or vocabulary — vulnerable to criticism from a vast majority of her audience.
Rather than hiding from embarrassment or being overly apologetic, Selena corrected her mistake, laughed at herself, then continued as normal. As a Latina navigating a white-dominated space, I cannot help but admire Selena’s tenacity and authentic selfhood.
Alongside Hojdar at the iO Theater, I covered my first Spanglish event in an environment that made me realize I could take pride in my Latina identity — in any space of my choosing.
So, who’s my support system? Who do I identify with?
My answer is, undoubtedly, Hojdar and the rest of my editing staff. Without them, my silly one-liners on our quote board, my undying desire to have aux on Tuesday nights and the integrity of “La Ramírumba” would cease to exist in its full, unapologetic capacity.
Thank you for reading this project of mine. I hope it gave you as much joy to read as it gave me to write. Me siento sumamente bendecida en haber compartido este columna con ustedes. Les agradezco todo su apoyo en este tiempo.
Featured image by Aidan Cahill / The Phoenix
The post La Ramírumba: Taking Pride in my Latinidad first appeared on The Loyola Phoenix.
The Loyola women’s volleyball team was welcomed back to Gentile Arena Friday for the first time this season against the No. 9 ranked University of Tennessee Volunteers. The Ramblers were met with an electric crowd and lost the match one set to three, each being close and hard-fought.
The game was attended by 1,115 people, a new record for Loyola women’s volleyball, according to a post on X, formerly known as Twitter, by the Loyola Ramblers.
Head coach Amanda Berkley said she was grateful for the energetic student section and the encouragement they gave the team throughout the entire game.
It was a rough start to the game for the Ramblers when fifth-year outside hitter Jenaisya Moore had two kills in a row, winning points for the Volunteers and pushing Loyola behind.
The Ramblers gained back their flow with a powerful block from second-year middle blocker Ella Ramsay following a serve from third-year defensive specialist Ashllyn King. However, they lost their flow again with a serve from fifth-year libero Volunteer Yelianiz Torres when nobody on Loyola’s side was there to block, leading to a point for Tennessee.
The most notable play of the first set was an impressive kill from second-year middle blocker Volunteer Keondreya Granberry following a serve from Rambler Esma Ajanovic which led to a point for Tennessee.
Halfway through the first set, Tennessee led Loyola 15 – 11. The Volunteers held the lead for the remainder of the first set, beating the Ramblers 25 – 22.
The Volunteers pulled through again in the second set, which ended with a final score of 25 – 20 in favor of Tennessee.
Towards the end of the second set was a moment of healthy rallying from both teams following a serve from Loyola’s fourth-year outside hitter Karlie McNabb. After her serve, there were a series of dive saves from McNabb which earned the Ramblers a point and pulled them closer to matching the score of the Volunteers.
Berkley said she thought the team bounced back well in the third set.
“I think in general we played much better defense, and I think we competed well against a really good team,” Berkley said. “Overall this team is very committed and very much a team that wants to win.”
Set three became the first victorious set for the Ramblers, although the two teams remained neck and neck for the first half of the set.
Following a serve by McNabb, Loyola’s third-year setter Bree Borum swept in and saved the ball twice during one play but ultimately lost it as Tennessee extended their lead.
Loyola took the lead for the first time all game following a kill by fourth-year middle blocker Anna Feldkamp. McNabb pulled through yet again at the end of the third set with two saves in one play, helping the Ramblers win their only set 25 – 23.
Although the Ramblers held an early lead in set four, the Volunteers took control about halfway through. Despite this lead, there were impressive efforts from Loyola including a great kill from fifth-year outside hitter Addie Barns and a dive from third-year outside hitter Olivia Lovett in an attempt to keep the ball in play.
McNabb said overall she was very proud of her and her teammates for the way they competed against nationally-ranked Tennessee.
“I feel like it was a really good game for us, there were a lot of good things,” McNabb said. “They’re obviously a pretty talented team but I feel like we had them pretty nervous throughout that which is huge for us.”
McNabb said although she knows the team has some things to clean up before their next match against The University of Pittsburgh on Sunday, she thinks they worked well as a team on the court Friday.
As the team moves closer to conference play, McNabb emphasized the importance of what she calls composure plays, or the art of staying calm in the midst of a stressful game.
“No one is going to hand us games, we know that,” McNabb said. “Everyone is going to give us their best game in conference and we got to know that and just be prepared.”
The game was a part of the Rambler Invitational hosted by Loyola. The Loyola women’s volleyball team will host No. 9 University of Pittsburgh for the second half of the Rambler Invitation Sept. 10.
Featured image by Aidan Cahill | The Phoenix
The post Women’s Volleyball Falls to No. 9 Tennessee in Home Opener first appeared on The Loyola Phoenix.
The Loyola men’s soccer team fell 2-1 Friday night in a hard fought match against cross-city rival University of Illinois-Chicago Flames.
The Ramblers entered the contest 2-0-1 fresh off a 1-0 win over Oakland University Sept. 4. UIC made the short road trip uptown to Loyola Soccer Park coming off a surprising 2-0 victory over the Badgers of University of Wisconsin-Madison. The Flames entered play Friday sitting at 3-0-1 so far this season.
These two programs know each other very well as they have met in early season non-conference play every year dating back to 1990. Coming into this year’s match UIC led the head-to-head matchup in the rivalry 17-15-4. Head coach Steve Bode said after the game matchups like this tend to have a heightened meaning.
“Both teams really want to win and a lot of these players know each other, grew up playing together and played summer ball together,” he said.
UIC opened up the scoring early when a foul near the top of the goal box by Ramblers third-year defender Julian Cisneros set up a free kick opportunity for UIC’s Jesus De Vicente. De Vicente, a third-year defender, rose to the occasion and with pinpoint precision snuck the ball past the Ramblers defensive line and goalkeeper Lucas Daunhauer to put the Flames up 1-0 in just the fourth minute of play.
Despite the quick UIC goal, Loyola was in near total control of the ball and pace of play in the early going. The Ramblers maintained possession for the majority of the first 15 minutes and had several shots on goal. UIC goalkeeper Oren Asher was credited with three saves in the first half, working hard to keep the persistent Ramblers offense off the board.
In the 16th minute Loyola fifth-year defender Andrew Schweinert burst past the UIC backline and received a crossfield pass with only the goalkeeper left to beat. As he was on the run he got a shot past Asher and in jubilation began celebrating with his teammates. The celebrations were cut short however as an offsides penalty was called on the play and the goal was taken off the board, keeping the Flames up by 1.
The Ramblers defense was suffocating in the first half. UIC only managed to push deep into Loyola’s side of the pitch a few times and were held to just two shots on goal both on free kicks following Rambler penalties.
When the Flames did get something going the Loyola backline — led by stifling defensive play by first-year defender Noel Hannson and third-year defender Lukas Ender — repelled the attack almost immediately. First-year defender Grant Bailey also chimed in throughout the game, making an impact with his speed on both sides of the field.
The Ramblers offense finally broke through in the 28th minute when Cisneros sped past a Flames defender off a throw in. He launched a cross which found third-year forward John Gates who hit a header right in front of the goal where fourth-year forward Oscar Dueso was in the right place at the right time.
Dueso reared back and kicked it past Asher, finding the back of the net and tying the game at one a piece. Both Cisneros and Gates were credited with assists on the play.
Bode said he was encouraged by how the team stayed focused after the early UIC goal and managed to respond with a goal of their own shortly after.
“I was happy with our players to work through that and get through that fast, because I thought we did, and then we didn’t dwell on it, and we moved on and got the equalizer,” he said. “I thought we maybe could’ve had another one going into halftime.”
The last 15 minutes of the first half were quiet as both sides struggled to get anything going and the defenses shut down opportunities to score. Coming out of the halftime break each side got called for early penalties — the physicality and chippiness of the game only increasing as the half went on. In the 49th minute Asher made a huge save preventing a potential game-tying Loyola goal on a free kick.
As in the first, Loyola maintained possession for a large majority of the second half and kept the UIC defense on their heels applying near constant pressure. A series of Loyola fouls gave UIC their first real ball control of the half with around 30 minutes left to play.
A Loyola foul in the 66th minute set up another free kick opportunity for UIC. Flames second-year defender Paul Brauckmann stepped up and placed it in the top left corner giving his team a 2-1 lead with just under 25 minutes to play.
The fouls continued on both sides as the intensity of the match continued to be a defining feature. UIC was charged with 10 fouls in the second half and 13 in total while Loyola was whistled seven times in the second and on 12 occasions overall.
In the 73rd minute UIC third-year midfielder Luka Nedic squandered a golden opportunity to extend the Flames’ lead. He found himself alone, staring at an open net and booted a shot way over the top of the goal. Loyola’s offense pushed hard off the back of the break but their momentum faltered after an offsides call with just under 15 minutes to play.
In the 81st minute Daunhauer made a huge diving save to keep the deficit to just one. The Ramblers offense continued to press hard in the waning minutes but could not find anyone open on a series of crosses.
With just three minutes left on the game clock, Cisneros got a shot off which just barely sailed over the crossbar.
Emotions were running high throughout the game and came to a fever pitch near the match’s conclusion when a few players on both sides began shoving each other in the waning seconds. When the final whistle sounded, both benches cleared and the coaches and referees had to break up players on both teams who were exchanging words in midfield.
Bode explained some of the preparation the coaching staff makes before rivalry games which can have increased intensity and emotion after the game.
“Just try to talk about the process and performance and of course talk about emotional control, too, knowing it’s going to be a chippy game,” he said. “I thought our guys overall, for the most part, were emotionally in control and just focused on our performance and that’s what we try to do.”
Bode said he and the team were disappointed in the result but felt their performance in the first half was very high level.
“We created a lot of chances and scored one,” he said. “Their keeper made some great saves to keep us at one. All in all, I wasn’t disappointed in our effort or the performance, it was just a difficult result.”
Off the heels of the tough loss, Loyola now sits at 2-1-1 and will turn their attention forward with the start of A-10 conference play just around the corner.
Before conference play, the Ramblers will travel to Indianapolis where they will take on the Jaguars of Indiana University-Purdue University Indianapolis Sept. 12 with kick-off scheduled for 5 p.m.
Featured image by Holden Green | The Phoenix
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Loyola women’s soccer faced off against BIG-10 rival University of Wisconsin-Madison Thursday night, taking a tough loss after a determined and physical second half.
The first half started with collaborative efforts by Skyler Bierker, Amanda Cassidy and Alaina Abel at the top of Loyola’s offensive zone. Goalkeeper Naya Lipkens had two early saves to stop the Badgers offense from scoring.
In the 20th minute Wisconsin’s Aryssa Mahrt snuck the ball past Abel and Lipkens to put the Badgers up 1-0.
The Ramblers tried to trick the Badgers offensively with fast footwork and control of the ball which yielded a shot on goal by midfielder Jamiee Cibulka. However the shot was robbed by UW’s goalkeeper Erin McKinney.
First-year forward Jadyn Harris showed out on the field against UW, playing with consistent passion and want for the ball.
“We all are playing for each other,” Harris said. “Having high energy inspires my teammates and seeing them work hard really inspires me.”
In the 43rd minute, Harris’ hustle and teamwork paid off when she passed the ball to Cassidy who sank it into the back of the net. The goal made it a tir match with a minute and a half left, earning Harris an assist in the process.
Mere seconds after, UW’s Adee Boer had a clear shot on net giving the Badgers a 2-1 lead at the end of the first half.
Head coach Barry Bimbi said he was focused on getting the Ramblers their energy back between the halves and learning from what went wrong.
“Everything we are doing right now, we have to learn from and that will prepare us for conference play,” Bimbi said.
Loyola started the second half with defensive plays by Abel and Lipkens to keep the score within one. First-year Zoe Hevey and Cibulka commanded the pitch with plays that kept the Loyola offense optimistic.
The rest of the half maintained a back-and-forth style of play until UW was awarded a penalty kick after a foul by Abel. Emma Jaskaniec shot the ball into the top left corner to increase their lead to two.
About three minutes later, after a foul on UW’s Ella Ottey, Loyola was awarded a penalty kick which Madeleine Barone made, shrinking the Badgers’ lead to one.
The match ended after a lot of physicality from both teams. Loyola was given five fouls and one yellow card after the last goal was scored, with a game total of 14 fouls and two yellow cards. UW was only given six fouls all game which, according to groaning Ramblers fans in attendance, was too few.
Overall, Bimbi said he is proud of the team for their performance against a highly skilled BIG-10 team and is ready to take the team to conference play.
“I’m proud of the effort and I’m proud of the mentality,” Bimbi said about the team’s performance.
Catch the Ramblers at their next game where they will travel down the Red Line to take on local rival DePaul University on Sunday Sept. 10 at 1 p.m. The team’s next home game is Thursday Sept. 14 against last year’s A-10 champion Saint Louis University at 7 p.m.
Featured image by Aidan Cahill | The Phoenix
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The sidewalks of Corboy Law Center and pathways of the east quad are walkways for some and runways for others.
As students returned to campus for the first week of classes, they brought with them the eclectic, diverse style of Gen Z, donning everything from athleisure to fishnets and leg warmers in the persistent summer heat. Alternative styles found their home across Loyola’s Lake Shore Campus, complimenting the edginess of the urban scene.
With the increased attention to appearance that back-to school season often brings, The Phoenix asked students about the importance of personal style and the meaning of fashion.
Kat Gray
Gray said they view themselves as an avatar and their fashion as a customization setting. (Holden Green / The Phoenix)First-year Kat Gray said they have always had an alternative style, sporting fishnets, stockings and Dr. Martens boots since they were young.
“Fashion for me is something that’s definitely part of your identity,” Gray, 18, said. “I would say a lot of people aren’t comfortable dressing the way that maybe they see themselves in their head.”
While Gray said they shop mostly at thrift stores, they have friends with completely different aesthetics.
“Surprisingly, I have so many friends who are Lululemon girls and they love to wear Uggs and it’s great,” Gray said. “Even if we dress completely differently and she looks like my soccer mom, we’re still best friends. Even if fashion is a part of your identity you can still be friends with other people.”
Kat Gray, First-year
Delaney Kemp
Kemp said her style and expressive, colorful appearance garnered “controversy” amongst her family. (Holden Green / The Phoenix)Delaney Kemp, a first-year, was struck by the difference between the fashions of her hometown of Clarendon Hills and the diverse fashions across campus.
“I feel very out of my element here,” Kemp said. “I came from a predominantly white, cishet town and coming here where it’s a lot more diverse i’m like ‘Dang, I gotta step up my game a bit, I don’t feel very cool.’”
Kemp said she gravitates toward students with a similar sense of style and has made many friends based on her appearance.
“I don’t like to say that dressing is an indication of whether or not someone’s a good person, or anything about their personality, but I noticed the people that I interact with who are dressed a little more like me, I find I get along with them better,” Kemp said. “It’s indicative of having similar personalities, similar interests.”
Delaney Kemp, First-year
Maeve Callahan-Murphy
Coming to Chicago from Kentucky, Callahan-Murphy said she was surprised by the diverse fashion across Loyola. (Holden Green / The Phoenix)First-year Maeve Callahan-Murphy said she gets most of her fashion inspiration from TikTok. She described her aesthetic as “grunge and alt.”
“Being able to show who you are to the world just through the way you dress is important, because first impressions are everything,” Callahan-Murphy said.
Sulaiman Kazi
Kazi said he became known for his Hawaiian shirt collection, which he amassed from his grandfather in high school. (Holden Green / The Phoenix)Sulaiman Kazi said he didn’t pay much attention to his style until the pandemic, when he moved schools.
“After covid i definitely tried dressing up more I was like im not gonna try to fit in, i’m gonna stand out a little more,” Kazi said.
Kazi said it became easier making friends as a first-year when you can compliment someone’s outfit to strike up conversation. (Holden Green / The Phoenix)
“I think it helps express myself a lot better and it really helped me come out of my shell, because a lot of times conversations start and it’s like ‘Oh, I like your clothes’ and stuff like that, and that way it leads to like a basis, like a friendship,” Kazi said.
Sulaiman Kazi, First-year
Erion Malone
Malone said her “alternative” style depends on how she feels that day and that she doesn’t plan out her outfits ahead of time. (Holden Green / The Phoenix)Donning a white flower choker and an ethereal skirt, 20-year-old Erion Malone said she mostly shops at Andersonville’s Buffalo Exchange and Village Discount Outlet.
“As a person, if you’re just dressing based on others then you’re not really fulfilling your own needs because you’re just going based on other people,” Malone said on the importance of personal style. “You can’t really feel comfortable in your own skin if you’re just chasing others.
Tim Richie
Richie said his style is grunge and experimental. (Hanna Houser / The Phoenix)Tim Richie said most of his fashion inspiration comes from rappers and the nu-metal/post-grunge scene.
“I feel like it’s important to express yourself through clothing because I feel like clothing and fashion is one of the gateways to the soul,” Richie said. “It’s a way of showing people what makes you unique and gives others insights to your interests and what makes you happy or comfortable.”
Richie described fashion as one of the “gateways to the soul.” (Hanna Houser/ The Phoenix)Having graduated from an arts high school in Chicago, Richie said he values self expression communicated through the clothes across campus.
“I like to see the school outfits mixed in with all the people wearing grunge, sophisticated, and trendy outfits,” Richie said. “It shows all the community we have going and showcases all the unique styles going into the Loyola melting pot.”
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The Loyola women’s volleyball team opened their 2023 season at the Purdue’s Reamer Club Xtra Special Premier tournament in West Lafayette, Indiana, Aug. 25 to 27. Picking up her 200th career win as a head coach in the process, Amanda Berkley led the Ramblers to a 2-1 overall record over the weekend.
Fourth-year right-side hitter Emily Banitt was front and center in an upset win over No. 16 Purdue University and was named Atlantic-10 Player of the Week with a career performance offensively. She registered 19 kills, two aces and three blocks.
Loyola began their season on Aug. 25, dropping a game against No. 18 Creighton University Bluejays 3-0. Despite the outcome, the sets between the Bluejays and Ramblers were even as Loyola held late leads in the encounter. However, the blue and white would close out the maroon and gold in straight sets.
The following day, Loyola faced Duke University and reigned victorious, flipping the outcome of Friday’s game and taking down the Blue Devils 3 sets to none. Third-year outside hitter Karlie McNabb and second-year setter Bree Borum had double-doubles in the match.
The Ramblers held the Blue Devils to a slim .118-team hitting percentage overall. The victory was Berkley’s 200th career win as a head coach and her 96th while leading the Ramblers.
“I didn’t realize I was getting the 200th win, but it’s pretty exciting and means you’ve been doing this a long time,” Berkley said. “So it’s also kind of strange, but it was exciting to get it against a really good program.”
Purdue was the Rambler’s final opponent of the weekend. According to Ramblers athletics, Loyola rallied to defeat the Boilermakers in a 5-set nail-biter — the first win over any ranked opponent since defeating No. 9 Illinois in 2004.
The team performed positively as they seized on service trouble from the Purdue backcourt in the first set. Loyola continued their momentum from the first set into the second and came out with a strong 6-2 lead at the beginning of set two.
“The preseason is a very tough schedule this year. Tournaments typically played two in one day. At this time, it was just one each day,” Berkeley said. “But it’s still really good competition, preparing us for the conference play and trying to put ourselves in position for an at-large bid.”
Purdue was reserved to a 0.61 hitting percentage, and four Loyola serve aces helped stifle the Purdue onslaught, putting the Boilermakers out of the system for most of the set. The two sides were evenly matched during the third and fourth sets, as each team fought to win one each. A major upset opportunity was on the line for Loyola as they entered the decisive fifth set.
Purdue had a 12-7 advantage and was looking like they were going to put the game away towards the end of the set. Loyola scored three consecutive points sealed by a solo block from graduate middle blocker Taylor Venuto, leading to a Purdue timeout as the scoreboard read 12-10.
Out of the break, Loyola scored four points to give the visitors a match point at 14-13. Banitt was the hero and delivered back-to-back kills to accomplish the upset.
“I thought that in the fifth set against Purdue we really finished greatly as a team,” Bannit said. “That last point wouldn’t have been possible without a great dig by K.J. and a great set by Bree Borum. The A-10 award is not just for me but for the team as a whole.”
The Loyola women’s volleyball team will host the Rambler Invitational for their second invitational on Sept. 8 against No. 25 University of Tennessee and Sept. 9 vs. No. 9 University of Pittsburgh.
Featured image courtesy of Steve Woltmann | Loyola Athletics
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Determined to get laid senior year but unsure how to make it happen? According to Emma Seligman’s “Bottoms,” starting a mock self-defense club is the key.
Only for hot girls, of course.
“Bottoms,” released Aug. 25, is the second film from Seligman (“Shiva Baby”) and another installment in the growing filmography of stars Rachel Sennott and Ayo Edebiri.
“Bottoms” follows PJ and Josie played by Sennott and Edebiri, respectively. Doggedly trying to lose their virginity before the end of high school, the pair of lifelong best friends create a fight club to ignite a connection between themselves and the cheerleaders they’re pursuing.
Unwavering in its commitment to both violence and camp, “Bottoms” is decidedly the next induction in the pantheon of raunchy coming-of-age movies.
Its success is affirmed by consistently offbeat humor. Somehow both dry and endearing, the writing speaks to the comedic cadence of a 6th period lab class conversation.
Sennot and Seligman have been friends since their time at New York University, according to an interview with The New Yorker. Seligman said she spent most of her time at NYU a cafe with Sennott working on the script for “Bottoms” as well as “Shiva Baby.”
Having already decided to cast Sennott in the Michael Cera-esque role of PJ, Seligman said she wanted Edebiri to play the Josie character, at the recommendation of Sennott.
The stars have clearly aligned for Nicholas Galitzine, who plays the high school football team’s star quarterback Jeff, succeeding in his starring role in the much-lauded but ultimately poor film adaptation of “Red, White & Royal Blue” by Casey McQuiston.
Perfectly serious and perfectly funny, Galitzine delivers a stunning performance of how one would imagine an overly therapized, loser-at-heart Ken Doll might act.
The true standout, however, is Miles Fowler (“Winning Time: Rise of the Lakers Dynasty”). Fowler plays Tim, Jeff’s loyal lackey and the catalyst for much of the film’s gnarlier plot points. His commitment to vengeance and general attitude are likely to provoke eruptions of cackling from viewers.
An unsuspecting but ingenious casting choice is former NFL player Marshawn Lynch. Lynch plays Mr. G, a history teacher and vocal, recent divorcee who doubled as PJ and Josie’s club advisor.
Aided but not eclipsed by an impressive cast of characters are Sennott and Edebiri. Edebiri was recently nominated for an Emmy for her performance as Sydney in FX’s “The Bear” and brings a weighted amount of acting experience to the film.
Sennott is a powerhouse in her own right, known for her disaffected and hilarious portrayal of Alice in A24’s “Bodies Bodies Bodies.” Sennott’s fluid duality as an actor and writer makes the film incredible from start to finish.
Costume designer Eunice Jera Lee said she took inspiration from various coming-of-age movies from a variety of different eras, according to Vogue. It’s perfectly John Hughes and confidently John Cusack, something Lee and Seligman wanted to achieve, Lee said.
Lee plays with the queer identity of the film’s central cast, often dressing them in more masculine, boxier styles. Fight club member Hazel, played by Ruby Cruz, spends the film in a beautiful collection of breezy Wales Bonner and Vetements polos.
The soundtrack, composed by Leo Birenberg and Charli XCX, merges the pop star’s signature hyper-pop style and instrumentals akin to indie band Sleigh Bells. It’s violent, unapologetically adolescent and a perfect finishing touch for the film.
“Bottoms” fills a hole in the heart of recent film releases that’s been growing for a while — timeless, funny and fundamentally queer narratives. The film is best when it’s at its goofiest and funniest at its outright stupidest and hopefully is only the first in a long line of similar stories.
“Bottoms” is in theaters now.
Featured image courtesy of Metro-Goldwyn-Mayer Studios
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Amanda Berkley, head coach of the Loyola women’s volleyball team, secured the 200th win of her head coaching career in a victory over the Duke University Blue Devils Aug. 26, which the Ramblers won in straight sets to pick up their first win of the season.
Entering her sixth season as head coach at Loyola, Berkley has built the women’s volleyball team into a perennial contender. She is tasked with overseeing the Ramblers as they begin their campaign for a fourth straight 20-win season and for a second Atlantic-10 championship.
Berkley’s overall record at Loyola sits at 97-54 (.642) and over her entire career is 201-113 (.640). Before arriving at Loyola, Berkley was the head coach at the University of Southern Mississippi, a position she held for five seasons.
Berkley said she didn’t know she was approaching the milestone coming into the tournament hosted by Purdue University. In fact, she only found out she had crossed the threshold after the team was on the way home from their game against Duke.
“On the bus after we won, I think a graphic came out and it was Emily Bannit who said, ‘Congrats Amanda on 200 wins,’” Berkeley said. “And I was like, ‘What? Oh wow, neat.’ I guess I didn’t have any idea that was going to happen.”
During her tenure at Loyola, Berkley has led the Ramblers to their longest run of sustained success since the early 2000s as the Ramblers have won at least 20 games in each of the last three seasons.
In 2021 and 2022, the Ramblers won back-to-back regular season conference championships in both the Missouri Valley Conference and in the A-10 during their first season in the new league. Berkley said all of the recent success at Loyola leading up to this personal accolade has meant a lot to her.
“It’s pretty neat that we were able to accomplish that this year, and you know there’s a lot of people that take part in these wins,” she said. “A lot of players have been really good and been successful, so it’s pretty neat to do it here at Loyola, because I just love Loyola so much.”
Fourth-year outside hitter Karlie McNabb, who has played for Berkley through the string of recent success, said the coaches are a huge part of the team and its success. She said it has been exciting to watch the team and its support staff get better every year.
“Watching her grow, along with her watching us grow, has been really cool to be a part of,” McNabb said. “Because coming in, it was like, we weren’t sure what it was going to be like and coming out, I’m just sad. I don’t want to leave.”
McNabb said, just like Berkley herself, the team wasn’t aware their coach was approaching the milestone and was preparing the team and treating the tournament just like she would for any other game.
“She’s such like a humble and quiet leader, and she deserves it,” McNabb said. ”And we all are very happy for her, but it’s awesome that she’s not out here like trying to put any pressure on us to get these wins. She just is so for the team and not for herself and that’s why she gets wins.”
The Ramblers followed up their win over Duke by defeating the No. 16 Purdue University Boilermakers the next day in which they overcame adversity throughout and a first set loss to get their season off to a rolling start.
Looking forward to the rest of non-conference play and competition within the A-10, Berkley said she feels the team only gets better with every game and every practice. She said as the season progresses, the key for the team is staying focused.
“It’s going to be just to continue to limit errors and be ready to be pushed, because we’ll have a target on our back this year,” Berkley said. “We’re picked to finish first, so we’re going to be everyone’s best match and so we’ve got to come ready to play.”
Reflecting on her career thus far, Berkley said the wins she is most proud of include last year’s A-10 championship which gave the team an NCAA tournament berth, a win in the semifinals of the 2021 MVC tournament a win with Southern Miss in 2015 where they defeated Rice University to take second in Conference USA that season.
of all her wins as a head coach she is most proud of include the win in last year’s A-10 championship which gave the team an NCAA tournament berth, a win in the semifinals of the 2021 MVC tournament and a win at Southern Miss where her and the Golden Eagles defeated Rice University to take second in Conference USA that season.
When asked what advice she would give herself before she first assumed the head coaching job as Southern Miss, she thought for a second and said the biggest thing is to trust yourself.
“Just trust your gut and just trust that you know what you’re doing and trust the process,” Berkley said. “And you might make mistakes, but you also learn from those mistakes.”
Featured image courtesy of Steve Woltmann | Loyola Athletics
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Sister Jean Dolores Schmidt, BVM celebrated her 104th birthday Aug. 21, prompting festivities at Loyola’s Water Tower campus and in Chicago during the first week of classes.
Celebrations began Aug. 28 when Schmidt threw the first pitch of the Chicago Cubs vs. Milwaukee Brewers game at Wrigley Field, according to Loyola spokesperson Matt McDermott.
President Mark C. Reed also attended the game with Schmidt.
“I have many Sister Jean memories that are favorites but really being on the field with her Monday at Wrigley Field — that will stay with me for the rest of my life,” Reed said to The Phoenix.
Celebrations for the week concluded at the Water Tower Campus block party where students gathered to sing “Happy Birthday” to Schmidt, according to the press release.
Dean of Arrupe College Father Thomas Neitzke made a short speech introducing Schmidt before leading the crowd in singing.
“Today’s block party is very special, because we get to celebrate a treasure of Loyola University, and that treasure, of course, is our own Sister Jean,” Neitzke said. “Sister Jean’s a treasure not only to us but to the city of Chicago, to the United States, to the world.”
The Loyola University Museum of Art was also open all throughout the week with a special exhibit on Schmidt, including art pieces in celebration of her and history about her life. This was the second year the university opened a LUMA exhibit in honor of Schmidt, and celebrated her at the block party.
Schmidt was the first of three children born to Bertha and Joseph in San Francisco, the exhibit said. She was born Aug 21, 1919.
The exhibit said Schmidt’s family had both a Florida alligator and a South American monkey as pets.
In September 1937, Schmidt left her home in San Francisco and traveled to Dubuque, Iowa, in order to participate in a six month long program as a postulant with the Sisters of the Blessed Virgin Mary, the exhibit explained and a timeline posted online said.
“God comes first, study and all those wonderful things that you want to do as a college student,” Schmidt said. “Use your time well, study hard.”
In 1961, Schmidt started teaching at the women-only Mundelein College in Chicago and was named acting dean in 1970, according to the timeline. 30 years later in 1991, she joined Loyola as an assistant dean and an academic adviser after Mundelein became affiliated with the university, the timeline said.
Schmidt began working with the men’s and women’s basketball teams in 1994 to help players keep up their grades during the basketball season, according to the timeline. In 1996, she became the official team chaplain to the men’s basketball team.
During the men’s basketball team’s final four run in 2018 March Madness, Schmidt was the face of the team and became an “international celebrity,” according to the timeline.
For her 103rd birthday, Governor JB Pritzker and former Mayor Lori E. Lightfoot named the plaza outside the Loyola red line in her honor, The Phoenix previously reported.
This story was written by Lilli Malone and Hunter Minnè
Featured image by Aidan Cahill / The Loyola Phoenix
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The Information Commons on Loyola’s Shore Campus underwent major interior renovations over the summer, reopening for the semester’s start. The IC was closed from May 15 to Aug. 21 to make room for new carpet and furniture.
Senior project manager Carrie Clark said the IC was refreshed based on student feedback to provide a variety of study spaces.
“Not just here but on a national level, what people look for is a variety of options,” Clark said. “You don’t just want one form of all the seats. You want a space that you can be by yourself and alone. And then there’s sometimes where you want to be alone but with others, so maybe you want to sit at a table that’s by yourself, and there could be someone else working, but you’re not together.”
Student feedback was taken in May 2022 using poll boards in the IC during finals week.
Clark, along with IC director Paul Voelker and dean of libraries Marianne Ryan, took this feedback into consideration when creating the new design.
Forward Space, a furniture and workspace solutions company, executed the furniture decisions to match the design plans.
The new layout has received mixed reactions from students, but second-year student Moriah Billingsley is a fan of the renovations.
“I love the carpet, I love the chairs,” Billingsley said. “I like that the desks have the blockers so I don’t have to see the people across from me because I get so distracted.”
Etinosa Imalele, a fourth-year biology major, agrees.
“I think the goal here was just to keep up productivity,” Imalele said. “And I like the color. It goes really well with the view outside.”
Everything from the color scheme to the carpet was intentional, Clark said. The gray and blue carpet was used to blend into the lake based on how the carpet looked in previous years. The carpet also includes fractal patterns which are said to reduce stress, according to Clark.
While time will test the carpet’s ability to destress college students, those already utilizing the IC such as third-year students Lucia Malfeo and Josh Henley have opposing thoughts surrounding the accessibility of group work spaces.
“There’s room for studying by yourself, there’s room for groups,” Malefo said. “I think the setup for individuals is the same, but there’s more room for groups.”
Henley, on the other hand, recognizes the new layout as being fit for individual study.
“It’s more individual, especially with the computers now that there’s the space between them,” Henley said. “That definitely makes it feel like it’s more independent.”
He is not the only one who thinks the new IC is geared toward independent study. First-year Teagan Wilcox shared his sentiment. She said the new layout is not group-oriented and would be best for a single study space.
First-year Paige Dalton agreed there was a lack of table space. She said it’s often difficult to find available tables so she opts for studying outside of the IC instead.
The IC still has seats for 575 people, only 25 less than before the renovation, according to Clark. This is due to the new private modular seating on the first floor, which was once home to tables and chairs.
“I feel like they strategically placed where independent studiers and group studiers would be,” Imalele said. “Because the way they modeled these tables is completely different from what it was last time when they had Y-shaped tables and you could put people together like that.”
Aside from the conflict between group and independent study, Imalele expressed her concern about the lack of charging outlets.
Clark said the IC will eventually have the same number of power towers as before as well as power strips within the desks — the pieces are on backorder.
Featured image by Holden Green / The Loyola Phoenix
The post The IC Reopens Its Doors After Refresh first appeared on The Loyola Phoenix.
If Taylor Swift’s $100 million stage setup, Beyoncé’s bedazzled audiences and the global shortage of pink paint caused by “Barbie” made one thing clear, it’s that summer 2023 was for the girls.
Women carried the economy during the year’s hottest months, ushering in a new era in modern pop culture — one that caters to women in a non-exploitative way.
Third-year Natalie Braga referred to the phenomenon as “pro-girl summer.”
“We’re driving the economy,” Braga said. “It’s exciting.”
“Barbie” broke records with $1.36 billion at the global box office, becoming the highest-grossing film both this year and in Warner Bros.’ history. Likewise, Swift’s The Eras Tour is expected to bring in upwards of $2.2 billion and presales for her recently-announced concert film have already hit $10 million.
Braga, a lifelong Taylor Swift fan, attended The Eras Tour and was struck by the immediate sense of community amongst the concert’s many female attendees.
“There’s friendship bracelets, and everyone wants to talk to each other, and everyone’s excited to be there,” said Braga, 20.
She mentioned the shared struggle of the Ticketmaster meltdown that left many fans scrambling while emphasizing the commitment and enthusiasm of those fortunate enough to get tickets.
Braga said tens of thousands of women passionately screamed the lyrics to Swift’s songs, many of which focus on the highs and lows of womanhood.
“I felt like the whole crowd was connecting with a lot of her lyrics,” Braga said. “It made it feel like we’re not all having such different lives.”
Second-year Najiya Shahzad saw “Barbie” over the summer and was similarly captivated by the honest and unapologetic way women’s experiences were portrayed onscreen.
“Seeing all the women there having their own moment and being able to relate to something that was made just for them, it was really nice,” said Shahzad, 19.
Shahzad stressed the importance of acknowledging and validating women’s experiences across all types of media.
“It was just like, ‘Here’s a reminder of everything you’re going through, and it is real, and this is for you,’” Shahzad said.
Women’s and gender studies professor Héctor García-Chávez stressed the impact female representation across the entertainment industry has in conveying authentic depictions of womanhood onscreen.
“It matters who makes the film, the music video, even the song lyrics,” García-Chávez said. “Lived experience is key.”
In 2022, women accounted for only 26% of writers, directors, executive producers, producers, editors and cinematographers, according to a study by the Center for the Study of Women in Film and Television at San Diego State University. The study also found that a film with a female director is more likely to have female writers and feature a female protagonist.
Elora Bolthouse reflected on Gloria’s “Barbie” monologue which was written by actress America Ferrera and director Greta Gerwig. (Hanna Houser / The Phoenix)Third-year Elora Bolthouse was particularly struck by America Ferrera’s “Barbie” monologue, which speaks on the contradictory nature of womanhood.
“It was nice to see this sort of thought that’s been plaguing women on a big screen,” Bolthouse said. “I felt very seen and heard.”
Director Greta Gerwig and Ferrera, who plays main character Gloria, worked closely to shape a monologue that could accurately depict the double standards women experience on a daily basis, according to Variety.
“It is literally impossible to be a woman,” the monologue begins. “You have to be thin, but not too thin. And you can never say you want to be thin.”
García-Chávez said this honest and authentic representation of women’s experiences can allow the media to become a safe space for women to process the experiences that come with being a woman. When a movie like “Barbie” fosters a shame-free environment, moviegoing is a relaxing experience, García-Chávez said.
“It’s almost like a pajama party,” García-Chávez said. “You can just let go and enjoy your time, not worry about what other people are thinking.”
And yet, despite the recent focus on women’s narratives, their stories are still underrepresented in the media. In 2021, only 31% of movie protagonists were women, according to the SDSU study.
“Entertainment is still such a male-dominated industry, even though women have historically been some of the biggest icons,” Braga said, pointing to figures like Beyoncé and Madonna.
Although “Barbie” received rave reviews and broke box office records, third-year Alejandra Rodriguez acknowledged it wasn’t able to touch on the experiences of all women — but it was a start.
“It was very baseline feminism,” Rodriguez said. “But it’s something that we needed to see, for everyone to kind of connect over.”
Critics have said that although the movie featured a diverse cast and appealed to modern “girlboss” feminism, intersectional feminism was left unaccounted for.
Shahzad echoed this sentiment, stressing the need for more extensive representation going forward.
“We’ve come a long way,” Shahzad said. “But that doesn’t mean there isn’t work still to be done.”
Featured image by Hanna Houser / The Phoenix
The post ‘Pro-girl Summer’: A Renaissance for Women in Media first appeared on The Loyola Phoenix.
Last weekend I watched “The Big Short” for the first time. The film features a series of quotes that flash across the screen at different points in the movie, one of which struck me.
“Truth is like poetry. And most people fucking hate poetry.”
As a journalist, poet and poetry reader, I felt a little targeted despite agreeing with the film’s insight.
Between truth and poetry, the latter is usually more openly criticized — people who don’t like the truth don’t tend to call it that — so I’ll attempt to defend it. I do, however, think it’s important to note that the two ideas are even more intertwined, as the honesty of poetry is what makes it great. Poetry can be an important tool for understanding the variation of human emotion and experience, along with a way to find words that express the reader’s feeling.
My guess is the dislike of poetry stems, partially, from lack of approachability. Poetry, in some cases, is “the spontaneous overflow of powerful feeling,” as William Wordsworth put it in his essay “Preface to the Lyrical Ballads,” meaning it can be a surge of emotion put to words. When one isn’t in a comparable state, that sort of verse can be challenging to engage with.
Novels and stories show the variation of experience but usually don’t examine moments with the honesty or intimate perspective of poems. The reader is carried on a journey with the characters where they experience the same hardships and joys from a distance. With poetry, there’s often no narrative to lead you to the speaker’s emotional state. You need to match the mood of the piece or try to figure it out through context yourself instead of relying on the story to pull you in.
There is value to engaging with other people’s naked thoughts. When Maya Angelou wrote “And I have no pity,” in “No No No No,” I doubt she expected all readers to feel as she did. The expectation when reading poetry shouldn’t necessarily be finding a relatable line but understanding how the speaker feels and what got them there. I didn’t know anyone thought like that before I read the poem.
Ocean Vuong has a similarly polarizing line in his poem “Beautiful Short Loser.”
“I mean it when I say I’m mostly / male. That I recall every follicle in the failure the way they’ll / remember god after religion: alone, impossible & good,” Vuong wrote.
This line is more complex than Angelou’s, but both talk of feelings some readers probably haven’t experienced and many people would disagree with. There are a variety of views on gender fluidity and atheism all around the world and if the reader dissents Vuong’s experience and doesn’t consider how he got there, of course they won’t enjoy the work. If the reader judges the speaker without searching for validity in their experience, the reader is engaging with poetry in the wrong way.
In many cases, poetry is a collection of vulnerable thoughts. If the reader passes judgment on the writer, they are missing out on an opportunity to understand the expansiveness and diversity of human thought.
A piece can be honest without being argumentative. The speaker doesn’t necessarily believe they see things the right way, but they are likely being honest about how they see the world.
Not all poetry is as emotional as Wordsworth’s definition suggests. In “An answer to a Man’s Question, ‘What Can I Do About Women’s Liberation?’” Susan Griffin instructs male readers to effectively live as women are expected. She starts by telling men to wear dresses and progresses to instructing them to borrow a child and stay home with them.
“Still, you wouldn’t know the half of it, not in a million years,” Griffin concludes after her long list of implausible demands.
Griffin’s poem is a response to a question that follows a narrative. It’s a testament to the vagueness of the term “poetry” and the honesty of the platform.
Poetry doesn’t have to be for everybody, just like how sports, films and novels are not for everyone.
I don’t expect hordes of students to flock to the library looking for Walt Whitman and Sylvia Plath after reading this article. However, I do think there are unique artistic qualities to poetry that can enhance our understanding of human feeling.
There are many ways to understand the differences between people but few are as intimate and honest as poetry.
Featured image by Aidan Cahill / The Phoenix
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For a first-year, the beginning months of the college experience can be tumultuous and transformative. The displeasure of change beckons campus newbies to consider one thing — how to survive.
The weight of transitioning into college can also strike at unsuspecting times, whether that be within the first few days or weeks after orientation. For third-year Regina Pochocki, uncertainties enveloped abruptly while decorating her dorm on her first night at Loyola.
“I remember trying to hang up my first poster — a unicorn poster from Five Below — and it kept falling down,” said Pochocki, 20. “It made me break into tears. I called my mom crying, saying, ‘I can’t do college, I’m not ready, this is a mistake.’”
From walking in massive groups on the sidewalks to cramming 15 people at one dining hall table, first-years have many stereotypes to fulfill around campus.
In an effort to mitigate inaugural jitters, Loyola upperclassmen offer their tips for first-year survival — from worthwhile Chicago spots to regrettable first-year situations.
It’s okay to change majors.
Multimedia journalism major Morgan Weaver said she planned to study biology on the pre-med track going into her first year. However, she ended up spending more time in professors’ office hours than enjoying the information she was learning.
Weaver, 19, switched her major to psychology her second year but found the subject was more of an interest than a genuine passion. After meeting with Loyola’s Career Services and her academic advisor, Weaver said she discovered her passion for journalism.
“My mom always said, ‘If you don’t change your major at least three times, you’re not doing college right,’” Weaver said.
Third-year Chadi Amzil also changed his major twice throughout his first two years before deciding to study information technology. Amzil said he recommends contacting Career Services for help when feeling lost or hoping to change majors.
Build a community of those with similar niches.
Amzil, 20, has been a commuter student since his first year. Because of this, Amzil said he initially struggled to incorporate himself into Loyola’s campus — navigating college without the benefit of on-campus housing made joining clubs and student groups a priority for him.
During his first year, Amzil said he attended student organization fairs but didn’t notice a club for his favorite activity: chess.
“It’s a big part of who I am, personally,” Amzil said.
He decided to take on the initiative of organizing a chess club, which officially started the second semester of his first year, Amzil said. The information technology major is now the president of Loyola’s chess club for the 2023 to 2024 academic year.
Despite living on campus, 20-year-old Lauren Packard said she felt “terrified” starting her first year. However, discovering community through clubs and organizations helped her build connections and find like-minded people. Packard said the independence of living alone in the dorms has been one of her favorite aspects of college.
“Don’t be afraid to make college what you want it to be,” the social work major said. “If you want to get involved in something other than the typical activities, just do it. You’re here to learn and grow.”
Prioritize school work and connect with your professors.
Living away from parents can be liberating for many first-years. The bustling social scene of college coupled with the excitement of living in a big city can cause an academic slip, which is why fourth-year Angel Silveyra Jr. recommends maintaining a steady focus on schoolwork.
With an entirely different — and often more rigorous — system of learning than high school, it can be easy for first-years to lose track of assignments. Silveyra said he prioritizes specific assignments over others to ensure the most important assignments are completed when workload becomes hyper-demanding.
As a form of self-care, Silveyra says he grants himself extra time and grace for assignments he finds more challenging and recommends first-years adjusting to college classes do the same.
“I want to be proud of what I’m submitting to my professor,” the English major said.
Silveyra also suggests going to office hours for any classes. Having started his first year online due to COVID-19 restrictions, Silveyra said he felt hesitant to reach out to professors and attend their office hours while being online. Despite enjoying meetings with his academic advisor, Silveyra found his professors intimidating as a first-year.
“Once I got to campus, I realized office hours aren’t just for struggling students,” said Silveyra, 21. “They’re helpful for anyone who is just looking for ideas or wants guidance. Most professors are always open and willing to help.”
Acquaint yourself with the local community.
Besides prioritizing his important assignments, Silveyra said he also prioritizes visiting new restaurants across Chicago. He said navigating the city and learning street names and their intersections has helped him feel independent while orienting him to his new surroundings.
The fourth-year said some of his classes have required him to travel to museums like the Art Institute of Chicago, which Loyola students can enter for free. Traveling to these sites allowed him to better understand Chicago and feel more confident in his home for the next four years.
Silveyra recommends traveling in groups throughout the city, regardless of location, for safety reasons while being aware of surroundings, no matter the time of day.
“Don’t do anything your mom would say is dumb,” Silveyra said.
Silveyra said there are group chats for students to join through platforms like Patio or GroupMe where first-years can reach out and find other students to accompany their exploration of Chicago.
Throughout her first year, Weaver said her RA did an excellent job connecting the girls on her floor in Regis Hall. She traveled to different parts of the city, especially Greektown, Evanston, farmers markets and sporting events.
Weaver said she strives to attend a game from each of Chicago’s professional sports teams within her four years at Loyola. So far, she has attended both a Cubs and White Sox baseball game, a Chicago Fire soccer game and a Chicago Bears football game.
She recommends professional games because Loyola has a good athletics program and Chicago professional teams are an extension of the fun atmosphere and cool environment.
Weaver attributed her finding her best friends on her first-year floor to making an effort to explore Chicago with good company.
Learn Loyola’s sidewalk system.
Both Pochocki and Weaver said they’ve seen first-years walking in clumps on the sidewalk, which inconveniences other students trying to pass by.
Amzil compared Loyola’s walkways to driving a car — students should be walking on the right side of the sidewalk, just as cars are driven on the right side of the road. Weaver said she can tell when first-years are taking their first trip to Target or Aldi.
“There’s just something doe-eyed about freshmen,” Weaver said. “And you just know that they’re freshmen.”
Featured image by Hanna Houser / The Phoenix
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For the past five years, graduate midfielder and forward Amanda Cassidy has been a devoted and consistent presence as a leader of the Loyola women’s soccer team.
Cassidy said she started playing soccer at five years old and decided to stick with it long-term after joining an Elite Clubs National League team in Maple Grove, Minnesota in 8th grade, where the idea of playing at the collegiate level was first introduced and became a goal for her.
Throughout her time as a high school student playing at Benilde-St. Margaret in St. Louis Park, Minnesota, Cassidy racked up two state titles and made appearances at soccer club Minnesota Thunder Academy — all while being scouted by the Ramblers. Head coach Barry Bimbi saw her play and knew he wanted her to be a part of the team.
“She’s just so competitive, and it’s contagious within the group,” Bimbi said. “Throughout the recruiting process you could see that, and that was the main reason we wanted her.”
Cassidy reflected on the years before she became a Rambler and how the caring outreach from the team drove her to call Loyola home.
“They recruited me as a person over a player,” Cassidy said. “A lot of the time in the recruitment process a lot of schools don’t do that — they recruit the player first. I really liked how they cared about me as a person and a player.”
After her four years were up and according to NCAA eligibility rules, Bimbi reached out to Cassidy about playing for another year, based on the NCAA’s COVID-19 policy. Cassidy finished her undergraduate degree in political science last spring and had to continue her education by starting Loyola’s year-and-a-half-long master’s program in international affairs which was a huge draw for her.
On the pitch, Cassidy’s competitive side shines and feeds into her teammates to motivate them to give everything until the last whistle, according to Bimbi. He said she also instills confidence in the coaching staff, creating dependability and taking control of the whole field.
In her fifth year with the Ramblers, Cassidy remains as unstoppable as she was when she first stepped onto the field wearing maroon and gold. She has started in 56 of the 75 games she’s played and is close to reaching her 5,000th collegiate minute.
So far this season, Cassidy has one goal, two points, five shots and two shots on goal. Last season, she played over 1,000 minutes for the Ramblers and achieved many career-best statistics, such as reaching 17 total shots on goal and seven points.
Off the pitch, Cassidy commands attention by being a key communicator between the coaching staff and the newer members of the team while showing her growth and telling her story to the first-years.
“I always tell her, ‘You need to tell your story to the younger players,’” said Bimbi. “Everyone wants to come in and play and start, and now you see her as one of our top players as a fifth-year, and she didn’t start as a freshman, so there’s a journey to your career, where a lot of the players come in and want to start right away and want all these minutes, but there is a process to it.”
As Cassidy’s time as a Rambler makes its final run, she said she can’t help but be grateful for everything this team and her family gave her to make her the person and player she is today.
“It means a lot to me to be on this team,” Cassidy said. “The culture and the family we’ve built at Loyola is pretty incredible. It’s something that I’ll carry with me forever.”
Catch Cassidy and the Ramblers at their next home match on Sept. 7 where they take on the Badgers of the University of Wisconsin. The game is set to start at 7 p.m. at Loyola Soccer Park.
Featured image by Aidan Cahill | The Phoenix
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The Loyola women’s soccer team took to the pitch Sunday afternoon in an out-of-conference matchup against the Ball State University Cardinals where they came away with a 2-1 win. The game brought the team to 3-3 on the season after back-to-back wins.
The first goal of the game was inched across the line in the 23rd minute by fourth-year midfielder Olivia Rhodes for her first goal of the season, assisted by first-year forward Zoe Hevey.
“It was satisfying for sure, ‘cause a lot of practice,” Rhodes said of her first goal. “I’ve been practicing that run on the backside and tryna get that perfected, and it worked out.”
Despite Rhodes’ lone goal of the first half to put Loyola up 1-0, the Ramblers were outshot 10-2 by the opposing Cardinals who dominated much of the first half. They led both possession wise and attack wise, controlling the pace despite never getting a shot into the back of the net.
Four sensational saves by fifth-year goalkeeper Naya Lipkens and a defensive front headed by fourth-year defender Alaina Abel helped to ensure a shutout first half for the Ramblers.
The second goal of the match was scratched across in a 53rd minute goal by Ball State forward Lexi Fraley who was active all day for the Cardinals in leading the team’s barrage on Loyola’s goal.
Despite the Cardinals early success in the second half, the Ramblers took over the game and didn’t allow another shot on goal for the remainder of the half.
The winning goal was fired into the back of the net by third-year midfielder Taylor Harrison in the 57th minute, who was assisted yet again by Hevey and third-year midfielder Jamie Cibulka. This goal started a dominant second half for the Ramblers who had six corner kicks to the Cardinals zero, as well as having five shots to Ball State’s four.
“I think we were rushing it a little bit in the first half and kinda playing our midfielders into space and those balls were going out of bounds or going out for goal kicks,” Bimbi said. “We don’t need to play so quickly, the pace needs to be high but let’s roll it out to their feet and let’s keep possession.”
Sunday’s win over Ball State marks the second win in a row for the Ramblers who have taken three out of the last four and currently sit at .500 with a 3-3 record.
“You hope it builds a bit of confidence moving forward,” Bimbi said. “Hopefully getting a couple goals today leading into a very, very tough Wisconsin team on Thursday night will give us the confidence that hopefully we’ll compete and bring the right mentality.”
Despite the Ramblers win Sunday afternoon, the biggest story was Loyola hosting Alopecia Awareness day in honor of Abel, who came public with her diagnosis in March of this year.
The crowd was filled Sunday with fans wearing Abel jerseys and multiple children with alopecia themselves who got to meet Abel after the game. In support of their teammate, the Loyola players had blue ribbons in their hair — the color representing alopecia awareness.
Bimbi stated the importance of what today symbolized as a whole rather than just the match itself.
“Today was bigger than soccer,” Bimbi said. “It was about raising awareness for alopecia with Alaina.”
The Loyola women’s soccer team will take on the University of Wisconsin Sept. 7 at 7 p.m. before taking on local rival DePaul University Sept. 10 at 1 p.m.
Featured image by Aidan Cahill | The Phoenix
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The Loyola men’s soccer team took on Oakland University Golden Grizzlies on Labor Day morning, the Ramblers came out on top after a back-and-forth match.
Loyola came into the game fresh off of a 2-2 draw against Cleveland State University Friday Sept. 1, making their record 1-0-1.
Neither side was able to create much action offensively early in the first half. Oakland goalkeeper Alex Flowers kept Loyola’s offense working, saving all three shots on goal by the Ramblers.
Loyola maintained control of the ball throughout the first half but struggled to sink anything in the back of the net. First-year forward Petar Janjic shot multiple attempts while working with redshirt third-year defender Lukas Ender and graduate midfielder Markus Maurer to create a push.
First-year defender Noel Hansson helped support Loyola goalkeeper Aidan Crawford multiple times in the first half, by blocking and preventing shots from the Golden Grizzlies’ offense. The Ramblers out-shot the Golden Grizzlies 8-1 at the end of the half.
The second half started off similar to the first, with the Ramblers maintaining the majority of possession but failing to score. Fourth-year forward Oscar Dueso was a force this game, stopping a free kick from OU’s Owen Smith and keeping control of the ball while surrounded by his opponents.
In the 74th minute, Janjic found the back of the net, putting Loyola in the lead and scoring his first goal of the season in front of his family and friends, making it even more special to him.
“To score in front of them — make them happy, make them proud — that’s the greatest feeling in the world,” Janjic said.
The Ramblers made some good defensive plays, especially Hansson who deflected multiple shots and robbed OU’s Smith of his final attempt in the 89th minute of the match.
At the conclusion of the match, the Ramblers had outshot the Golden Grizzlies 22-7 and Crawford made two saves all game to help clinch the win for the Ramblers.
Both teams made more substitutions than usual due to the intense heat at Loyola Soccer Park. With 46% humidity and a high of 92 degrees, Head coach Steve Bode said the team was subbing players in and out so they could take a break from being out in the sun.
While the Ramblers improve their standing, there is still chemistry that needs to be built within the team, according to Bode.
“We did graduate a few players last year in the attack,” Bode said. “We have new players, we have young players — we are still building the chemistry. We’re a work in progress there. We need to improve, and we’re going to keep improving on it.”
The Loyola men’s soccer team will take on University of Illinois Chicago on Friday, Sept. 8 at 7 p.m. at Loyola Soccer Park. The game will be streamed on ESPN+.
Featured image by Holden Green | The Phoenix
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The Loyola women’s soccer team took the pitch Thursday evening, defeating the Western Illinois Leathernecks by a slim margin of 1-0 off a late unassisted goal by first-year forward Zoe Hevey.
The Ramblers came out strong, maintaining possession of the ball for 70% of the first half and getting off seven shots in the first 25 minutes, forcing the WIU goalkeeper Isabel Navas Rodriguez to make five early saves. The Loyola defense held WIU to zero shots opening.
Heavy pressure from the forwards broke down the Western Illinois defense. First-years Jadyn Haris, Maggie Schmidt and Zoe Hevey each had two shots on goal. However, the first half ended with a clean sheet and a scoreless.
Head coach Barry Bimbi praised the first-year players, many of whom started in this match and played well.
“We’re excited about this freshman class,” Bimbi said. “They’re talented. They’re adding a lot to the group on and off the field. It’s always a growth process, with freshmen learning to win at the college level. The little things they maybe got away with at high school and club doesn’t quite translate to the college level. So they’re learning on the fly, and no better way to learn than in games.”
Early in the second half, the Leathernecks showed a more urgent offensive press, with early pressure put on by the Rambler’s backline. Ramblers senior defender Alania Abel forged a goalline tackle to stop the only offensive attempt by WIU to get in behind the defense.
Within minutes, Loyola regained possession and rallied for three corner kicks in two minutes, the last resulting in a shot off the crossbar by Hevey in the 76th minute, Loyola’s closest chance at finishing to that point. The pace of the game continued to reflect the Loyola-controlled first half.
Rodriguez of the Leathernecks stopped back-to-back corner kicks from the Ramblers in the 62nd minute before Loyola followed with a shot hitting just off the crossbar.
The Ramblers found the back of the net in the 82nd minute, where Hevey scored an impressive unassisted goal curled into the top left of the net. This late goal summed up the prevailing performance for Loyola, as the ball rarely left Loyola’s offensive side in both halves of play.
“The performance from beginning to end was totally dominant,” Bimbi said. “The girls did what we asked them to do.”
Bimbi said The pressure on the opposing team’s backline was key to this performance. Controlling possession, stepping higher, and pressing were the focus for this week’s match, and Loyola’s execution of these tactics aided them in their victory.
The Loyola women’s soccer team will face off against Ball State University at home in the alopecia awareness game Sunday, Sept. 3. Kickoff is scheduled for 1 p.m. on ESPN+.
Featured image by Aidan Cahill | The Phoenix
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In the second installment of “The Summer I Turned Pretty” book trilogy, Jenny Han’s 2010 novel “It’s Not Summer Without You” continues the young adult romance with a story exploring grief and teenage love. This summer, the TV adaptation hit Prime Video.
Upon the release of the first season last summer, audiences were catapulted into the love triangles and brooding romances of Cousins Beach. The series embraces the awkwardness and triviality of adolescence with its cheesy tropes and melodramatic acting.
The series is initially disguised as a cringe-worthy tale of a desperate, teenage Isabel Conklin — affectionately known as Belly. She spends her summer in a dreamy beach town, navigating her feelings for her childhood crush — and his brother. Despite its clichés, the story contains a deeply touching narrative about unrequited love and coping with loss.
Belly, played by Lola Tung, is an optimistic and headstrong 16-year-old who has spent years falling in love with Conrad Fisher (Chris Briney) — the apathetic son of her mother’s best friend Susannah. As she stays at the Fisher’s beach house, Belly is persistent in her attempt to win Conrad’s affection. Over the summer, she fights for a relationship with her emotionally unavailable crush, but she must also fight her emerging feelings for his brother Jeremiah (Gavin Casalegno).
After a journey of heartbreak and self-discovery, the first season concluded with her and Conrad together — a seemingly happy ending.
Then, on July 14, the story resumed.
Picking up one summer after the first season, Season 2 immediately dives back into the drama. After Susannah’s death rocks Cousins Beach, the characters must grapple through various stages of grief caused by the loss. The first three episodes embed flashbacks that paint the events leading to the tragedy.
Episode 1 conveys a heartbroken Belly consumed by memories of the past year and her relationship with Conrad. While their acting is cheesy at best and the plot is cliché at worst, the pair’s continued love story mimics many beloved romantic comedies while capturing the awkward moments of teenage years.
The series doesn’t shy away from the embarrassment of adolescence. Rather, it authentically embraces the discomforts of growing up — something shows with teenage audiences tend to struggle with.
Through the highs and lows of their relationship, Belly and Conrad’s characters reveal the mental afflictions that come with managing grief, adding a dose of reality to an otherwise unrealistic drama.
As Belly relives the pain of her past relationship, which takes many rocky turns, she is forced to accept the pain of the present. With summer on the horizon, she must navigate her strained relationship with the brothers and cope with her own heartache over a detrimental loss.
Adding to the conflict, Season 2 keeps true to the book’s original plot. When a character goes missing, Belly reunites with Jeremiah in a search that leads them back to the beach house, only to find the home’s ownership was left in the wrong hands. Unlike the book, Season 2 introduces viewers to the Fisher brothers’ aunt Julia, played by Kyra Sedgwick.
While neither Julia nor her child Skye (Elsie Fisher) are characters in Jenny Han’s trilogy, they add much needed depth to the show. Proving antagonists often have motives beyond just being cruel, Julia offers a glimpse into the complicated drama of the Fishers’ picturesque lives.
In addition to new characters, the season also explores new dynamics between the series’ beloved supporting roles. After continuing flirtatious banter, Belly’s brother Steven (Sean Kaufman) and best friend Taylor (Rain Spencer) struggle to fight their feelings for each other. Even though both were minor characters in the books with no romantic storyline, their on-screen chemistry is undeniable and highlights the toxicity in the show’s other relationships by presenting a romance based on mutual respect, not revenge.
As the series progresses and the fate of the beach house is decided, the main love triangle takes center stage in the final episodes. Since Season 1, fans have been divided between Team Conrad, Belly’s temperamental first love, and Team Jeremiah, her “pick-me” best friend.
Tackling mature themes of anxiety and anguish, the cast’s performances improved compared to the previous season. Tung awkwardly yet perfectly depicts the role of a conflicted teenage girl while Briney shines as an especially moody Conrad.
Due to the cheesy script — which stays true to excerpts from the books — and scenes that are far from superb, “The Summer I Turned Pretty” is reminiscent of romantic comedies and Disney shows from the early 2000s.
With a soundtrack including some of Taylor Swift’s quintessential summer ballads and a story of complex romances, “The Summer I Turned Pretty” is the perfect guilty pleasure series to watch on repeat.
Season 2 of “The Summer I Turned Pretty is now streaming on Amazon Prime Video.
Featured image courtesy of Prime Video.
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The Loyola men’s soccer team took the home pitch for the first time this season against Lindenwood University.
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Honey Berry Pancakes and Cafe will replace Bulldog’s at 6606 N. Sheridan Road.
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The Loyola women’s soccer team took to the pitch at home Sunday afternoon for the first time this regular season where they fell 4-1 to the Kansas University Jayhawks.
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The New 400 Theaters is officially closed after 111 years in operation and five months since owner Tony Fox announced he was looking to sell. The theater, located a block north of Loyola’s Lake Shore Campus at 6746 N. Sheridan Rd., was widely considered the oldest operating theater in Chicago, The Phoenix previously reported. The...
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With its diverse array of artists, Lollapalooza is a delightfully surreal experience for performers with modest beginnings.
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With its diverse array of artists, Lollapalooza is a delightfully surreal experience for performers with humble roots.
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Season 2 bounces between past and present, contrasting historical scenes with modern ones. The audience witnesses the hilarious banter between Crowley and Aziraphale from 1827 Edinburgh, Scotland to 1941 London and even back to the biblical times of Job.
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ODESZA, TOMORROW X TOGETHER, Lana Del Rey and the Red Hot Chili Peppers dominated days three and four.
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Billie Eilish, Karol G, Kendrick Lamar and The 1975 took the stage for the first two days of the festival.
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Disney’s “Haunted Mansion” evokes thoughtful discussions on topics of loss and grief, all while battling ghostly pests.
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The weekend provided fans a safe space for self-expression, platformed up-and-coming artists and sustained Chicago’s establishment as a mainstay of the music scene.
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Director Christopher Nolan chronicles the life of the father of the atomic bomb J. Robert Oppenheimer in his new spectacle.
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This “Barbie” comes with emotional whiplash and an existential crisis.
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The two damaged businesses were Rewired Pizza Cafe & Bar and Thorndale Mart.
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Indie-rock singer Blondshell brought her debut album to life during her Chicago tour stop at Schubas Tavern.
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The first day of Antojitos Fest featured various Latinx improvisational troupes and stand-up comedians at Chicago’s iO Theater June 30.
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A year ago today on July 1, 2022, Loyola Athletics officially joined the Atlantic 10 Conference. The Phoenix spoke to those involved in the move and what it will mean for the university moving forward.
The post ‘Impressions, Exposure and Reach’: The Story and Implications Behind Loyola’s Move to the Atlantic 10 Conference, One Year On first appeared on The Loyola Phoenix.
Asteroid City. Farm Route 6, mile 75. 1955.
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The Supreme Court ruled against colleges and universities using “race-conscious admissions policies” June 29, outlawing affirmative action in American higher education. Chief Justice John Roberts wrote in the decision the admission process is often based on grades, letters of recommendation and extracurriculars but shouldn’t be dependent on race. The decision closes October lawsuits against both...
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The anthology series “Black Mirror,” known and lauded for its cultural commentary, released a highly anticipated sixth season on June 15.
The post Pointless Twists and Predictable Turns: Sixth Season of ‘Black Mirror’ Falls Short of High Expectations first appeared on The Loyola Phoenix.
Lyrical Lemonade’s Summer Smash music festival, founded by Chicago native Cole Bennett, brought boundless hip-hop energy to the Bridgeview neighborhood June 23-25.
The post ‘I Wanna Stay All Night’: Summer Smash’s Fifth Year Brings Hip-Hop and Rap to SeatGeek Stadium first appeared on The Loyola Phoenix.
The season is flavored with thoughtful, unsuspecting humor, with less severity than before. It oozes with intention, peppering drama with laughter.
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The Chicago Police Department was alerted of a body in the water of Lake Michigan on the 1000 block of West Pratt Boulevard at approximately 5:30 a.m. June 20.
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“Elemental” is Pixar’s version of a romcom, complete with montages, heartbreak and tear-jerking confessions of love.
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Genres of all kind will be represented across four major music festivals taking place in Chicago this summer.
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“Entergalactic” serves as a creative turning point in Kid Cudi's career. Still, the rapper's attempt to blend an album with an animated series soundtrack falls unexpectedly flat. Instead, the album fails to reach the highs of his previous works, relying far too much on his now tired formula.
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Read The Phoenix's list of local festivities catered toward LGBTQ+ community members and allies.
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After four seasons of betrayal, scandal and murder, HBO’s “Succession” comes to a tragic but fitting end.
“Succession” spins a story about power, capitalism and cycles of abuse by focusing on a single family. The Roys are conservative media moguls likened to the Fox Corporation’s Murdoch family, according to New York Magazine. Witty writing, unique film techniques and perfect casting make the show an instant classic.
The series started in 2018 with patriarch Logan Roy’s health in jeopardy, leading his four children — Connor, Kendall, Roman and Siobhan, or Shiv — to scramble amongst others for power over their massive media franchise Waystar Royco.
The last season had a rocky start. After Shiv’s husband Tom Wambsgans, a high-ranking Waystar executive, betrayed Kendall, Roman and Shiv by revealing their plan to overthrow Logan in the third season’s finale, the siblings had trouble finding their footing as they fought for rival media company Pierce Global Media and promoted their own hollow company, The Hundred.
The Roys’ bland, “stealth-wealth” fashion sense was subject to a horrible fate: way too many thinkpieces.
The jaw-dropping cinematography in the third episode — which included Logan’s death — helped make it the most-watched episode in the entire series until the finale, according to AP News. The CEO’s surprising, sudden death paid off — every scene afterwards has an emotional undercurrent that keeps viewers on the edge of their seats.
The eighth episode stunned with the intensity of election night. Waystar’s coverage of the presidential candidates has major consequences, especially when one of those candidates, Jeryd Mencken, is an openly fascist white supremacist. The Roys’ decision to call the election for Mencken reminded fans these characters will do whatever it takes to keep themselves in power.
Despite the show’s thick layer of business jargon, it’s acquired a rabid fanbase on TikTok, where users make edits of their favorite characters set to songs by Fiona Apple, Olivia Rodrigo and Taylor Swift. The absurd juxtaposition between the stone-faced Roys and bubbly pop is actually true to the show — after all, according to Logan himself, his children “are not serious people.”
Every piece of “Succession” drips with detail. Composer Nicholas Britell’s sweeping soundtrack resembles an opera while shaky camerawork recalls the twitchy tension of action films like the “Bourne” franchise and “The Hunger Games.”
The finale leaves many characters’ stories unresolved — what exactly was the Roys’ childhood like? What happens to Kendall? Can we learn more about Stewy kissing guys on molly? This ambiguity matches the rest of the series, which prefers subtle hints and side comments to on-the-nose exposition or flashbacks.
Halfway through the finale, a glimmer of hope pokes through. The siblings’ cousin, Greg, reveals that Swedish tech company GoJo plans to buy out Waystar and make Tom CEO. They make a truce and playfully taunt each other in the kitchen, sneaking bites of their step-father’s precious cheese in one final snippet of childish sibling innocence. This levity only makes their fall from grace steeper and more heartbreaking.
As the siblings turn on each other, the show’s motif of soulless self-interest seeped back in. Kendall hugs Roman so hard his stitches pop, which not only perpetuates Logan’s abuse but shows the board that his brother doesn’t have what it takes to run the company. Shiv lives up to her prison-knife nickname by teaming with Roman to metaphorically stab Kendall in the back.
The three siblings had spent their entire lives fighting for their father’s approval. In the finale, Kendall reveals his father promised him the company at just seven years old. So, when Swedish tech company GoJo takes control of Waystar and crowns Tom as CEO, they’re more than a little upset. Tom doesn’t fire Greg for betraying him, though — he promotes him, proud he’s finally embracing the spirit of corporate greed.
Despite some fans’ disappointment that none of the Roys won, the ending makes sense. In the very first episode, Tom gives Logan a watch for his birthday, which was seen on his wrist in promotional posters for the final season, perhaps hinting at the transfer of power.
When Kendall steps in front of his wife Rava’s car to stop her from leaving the city, he parallels his father’s possessive, bitter personality. When Shiv surrenders herself to being the unhappy wife of a heartless CEO, she follows in the miserable footsteps of her mother, who had the same fate.
Shiv isn’t just a victim, though. In the end, she’s not a poor, helpless damsel in distress — she’s a rich white woman who made the choice to concede. She’s also more than complicit in her family’s crimes, like in the second season when she tried to intimidate a victim of sexual assault to save the company’s reputation.
While the fourth and final season is full of Emmy-worthy moments, Matthew Macfadyen and Kieran Culkin stand out in their performances as Tom and Roman, respectively.
Macfadyen (“Pride & Prejudice,” “Frost/Nixon”) expertly captures the essence of pretentious-yet-awkward outsider Tom. As his marriage to Shiv rapidly disintegrated in earlier seasons, Tom projected his insecurities onto fellow outsider Greg (Nicholas Braun), sparking a toxic and twisted homoerotic tension. Macfadyen also succeeds in mastering his character’s hokey Midwestern accent — a hard feat for someone known for his posh English accent.
He serves an especially soul-crushing performance when fighting with Shiv in the fourth season. His subtle but sophisticated hand gestures in the finale are another spectacular detail — he’s soft and gentle when brushing the cheek of Greg, despite his betrayal, yet cold and stiff when holding hands with Shiv, his literal wife.
Culkin (“Scott Pilgrim vs. the World,” “Igby Goes Down”) is equally captivating as Roman. He’s a walking paradox. He blurts profanities in boardrooms indestructibly yet is afraid of intimacy. He despises his father’s abuse yet sobs at his funeral, hindering his ability to give a speech.
Roman’s complex chemistry with the older, motherly Gerri Kellman (J. Smith Cameron) and dry humor make him deserving of sympathy — that is, until he takes on an inflammatory provocateur persona, causes a rocket to explode and supports Mencken as president of the United States. Culkin especially shines in the final season’s episode nine when he fights with protesters to satisfy his need for pain — a need fostered by abuse from his now-dead father.
People of color, especially women, are often pushed to the side in “Succession,” reflecting the racism still embedded in corporate America, according to The Washington Post and Insider. Marcia (Hiam Abbass), a Lebanese woman and Logan’s second wife, mysteriously disappears to Europe at the beginning of this season. Jess (Juliana Canfield), Kendall’s dutiful assistant, is berated and dismissed when she voices concern for herself as a Black woman when the Roys elect Mencken and Sophie, Kendall’s adopted daughter, faces similar harassment both within and outside the family.
It’s futile to debate which character is the most evil or irredeemable — they’re all horrible in their own ways, each capable of destroying lives and, perhaps, society as a whole. The obsession with pinning blame on just one person is exactly the kind of American individualism “Succession” lambasts.
All four seasons of “Succession” are streaming on Max.
Featured image courtesy of Warner Brothers.
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“Life’s so fun, life’s so fun,” pop trio MUNA sings in their hit song “Silk Chiffon.”
Despite being iconically sarcastic, the lyric rang true at the sold-out Chicago stop of their Life’s So Fun Tour. The group turned The Salt Shed, located at 1357 N. Elston Ave., into an intimate nightclub during their approximately hour-and-a-half set May 16.
English duo Nova Twins opened the show with uninhibited rock talent. Guitarist and lead singer Amy Love commanded the crowd’s attention with guitar riffs and impressive vocal range while bassist Georgia South energized the audience by jumping around stage and showing off complex basslines.
Songs like “Fire & Ice” and “Cleopatra” exuded confidence and excitement through hard rock instrumentals and growling vocals. Delicate and rich singing contrasted their typical sound in songs like “Sleep Paralysis.”
Nova Twins have opened for MUNA during many of their Life’s So Fun Tour shows. (Ella Govrik / The Phoenix)Shortly after 9 p.m., the house lights dimmed as fog and white beams of light flooded the stage. Pop music from overhead speakers was replaced by deep bass notes which boomed from amplifiers.
Guitarist Josette Maskin and multi-instrumentalist Naomi McPherson were welcomed onto the stage by roaring applause. Lead vocalist Katie Gavin’s entrance generated louder cheering as flashing red lights and techno-pop music began playing.
“What I Want” aptly kicked off the set. The second track from their 2022 self-titled album, the song encompasses the unabashed self-assurance present in much of their work. Red flashing lights added a spirited intensity to the performance as the artists danced around the stage.
MUNA confronted negative self-perceptions in the undeniably catchy “Number One Fan” from their 2019 album “Saves The World.” Continuing themes of confidence, Gavin reflected on self-love through playful vocals and animated dancing.
“I’ve been looking at myself in the mirror, saying / ‘Don’t leave me now,’ and I turn around like / ‘Oh my god, like, I’m your number one fan,’” she sang.
Deviating from songs centered around internal affirmation, MUNA’s performance of “Solid” was an upbeat examination of a romantic relationship. McPherson’s gentle background vocals benefitted the song’s vibrant choruses.
“Stayaway” put self-awareness at the forefront, reminding fans to avoid emotionally draining relationships. The song appropriately led into “Runner’s High,” which details the joy that accompanies leaving a harmful relationship.
MUNA appeased long time fans by venturing into songs from their first album “About U,” released February 2017. “So Special,” the project’s lead-off track, served as a simultaneously devastating and empowering reclamation of beauty. Amplified cheers during a pop-rock guitar solo signaled the crowd’s satisfaction with the performance.
Naomi McPherson played multiple instruments throughout the show, one of the most prominent being the keyboard. (Ella Govrik / The Phoenix)“Now I know I’m not so special / ‘Cause I’m all dressed up / And you think that I’m beautiful / But it’s not enough,” Gavin declared.
While the trio’s friendship was evident since they stepped on stage, intimate dancing between Gavin and Maskin during “No Idea” elevated the already obvious closeness within the group. The audience radiated growing communal energy as the show continued, paralleling the band’s bond.
“Loose Garment” was the first in a series of songs exploring personal faults and emotional anguish. Each lyric built on unashamed vulnerability and honest self-reflection. Gavin said she wrote the track about expecting pain to subside after reaching personal success and growth.
“It’s bullshit that it doesn’t happen that way,” she said to the crowd before beginning the song.
Warm lighting and fog blanketed the crowd during “Winterbreak.” Gavin said she wrote the song in Chicago — her hometown.
The trio traded their distinctive pop sound for a country twang during their performance of “Kind Of Girl,” a song about accepting change and navigating growth. As soft pink lights covered the stage, the trio communicated sentiments of both womanhood and gender nonconformity in a powerful declaration of self-discovery. The band dedicated the song to the transgender community.
“Yeah, I like telling stories / But I don’t have to write them in ink / I could still change the end / At least I’m the kind of girl / I’m the kind of girl who thinks I can,” Gavin belted.
“Taken” — the group’s “more toxic country song” — featured simultaneously explosive and gentle instrumentals. “Around U” relied on a resonant bassline and a return to the trio’s lively stage presence.
“Pink Light,” which Gavin said details “wishing someone was in love with you,” and “Crying in The Bathroom” abided by their characteristic synth-pop sound.
The crowd steadily clapped along to “Home By Now” while Gavin, McPherson and Maskin turned the stage into an intimate jam session, proving their unwavering energy.
MUNA brought a “helper” out for their performance of “Anything But Me” — an inflated balloon horse for fans to bounce around the venue. This prop was fitting, given the song’s comical opening lines.
“You’re gonna say that I’m on a high horse / I think that my horse is regular-sized,” Gavin sang in the first verse.
Galvin charmed fans with her confident dancing and interactions with the crowd. (Ella Govrik / The Phoenix)The set concluded with their most recent single “One That Got Away,” released April 17, finishing the set with the same confidence the trio began with. Blue and orange lighting shined onto the somehow unexhausted crowd as they continued dancing.
The band’s highly anticipated encore consisted of one of the first songs they wrote as a band — “I Know A Place.” Deeping the bond within the venue, Gavin said the song is about creating safe communities for self-expression.
“If we can’t find a space that’s safe to be ourself then we’re going to fucking make them,” Gavin said.
MUNA’s encore concluded with their hit song “Silk Chiffon.” They were joined on stage by Nova Twins, who sang the second verse originally sung by Phoebe Bridgers in the studio recording. Fans sang along, drowning out the voices on stage with the crowd’s optimistic and excited rendition.
Despite much of their setlist utilizing repetitive techno instrumentals and classic pop lyricism, a wide range of relatable themes and the trio’s personability created a uniquely familial environment.
A masterclass in pop music and dynamic stage presence, the band’s Chicago show proved to be a display of unfaltering energy and genuine care. While MUNA explored several themes for the audience to contemplate, they left fans with one paramount proposition — life’s so fun.
Photos by Ella Govrik / The Phoenix
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A group of approximately 30 community members gathered outside of Rogers Park resale store Boho Barbie Ken located at 1736 W. Greenleaf Ave. May 7 to protest “hateful, transphobic” comments posted by the owner’s fiancé on Facebook.
The owner, Anna Maria Skalicki, has run the store alongside her fiancé Xander Kazanowski since March 10, The Phoenix previously reported.
Throughout the protest, activists handed out flyers depicting a collage of Kazanowski’s recent posts which include satirical memes pertaining to transgender-related issues, personal opinions against COVID-19 vaccinations, seed oils and birth control.
“I’ve never hurt anyone,” said Kazanowski, 22. “I think it’s very childish to say words hurt people. There’s not an action I’ve done that someone could point to and say, ‘You’ve hurt me.’”
Throughout the near-three-hour protest, Kazanowski stood outside the door of Boho Barbie Ken and livestreamed the events to a group of around 15 watching on Facebook. Both of these were safety measures to protect him and his family sitting inside the shop, according to Kazanowski.
Wendy Robb was among the protestors. She said Kazanowski’s statements directly contradict the community values of Rogers Park, where she has lived since 2008.
“Rogers Park is the most ethnically diverse neighborhood in the city — it’s why I live here,” Robb said. “The kind of outright bigotry and hypocrisy that I’ve seen on the owner’s Facebook makes me ill. And yes, free speech. But free speech has consequences.”
Protestors gathered with posters defending transgender rights. (Austin Hojdar / The Phoenix)The protest is the second of two in what is likely to become a recurring Sunday event, said organizer Karen Rose, who declined to publicly share their last name due to privacy concerns. The first protest occurred May 1 and featured tense back-and-forth chanting between Kazanowski and protestors, eventually leading to one group member spitting on Kazanowski, which is documented on his livestream.
During one interaction at the first protest, the mother of a transgender child identified herself. Kazanowski responded by telling the protestor she “failed as a parent,” which is also documented on his livestream.
Rex Cassidy, a protestor who identifies as transgender, became aware of the protest through neighborhood Facebook groups. They said the exchange between Kazanowski and the mother was one of the most hurtful to watch throughout the protest and brought them to tears.
“I would like people to know that that is not welcome and this diversity is what makes Rogers Park beautiful,” Cassidy said.
Kazanowski defended his statement, stating the protestor was using their child as a “political battering ram,” adding that questioning young people shouldn’t be forced into “chemical castration.”
Pride flags were held and worn by many of the protestors. (Austin Hojdar / The Phoenix)Kazanowski and Skalicki both said they draw their beliefs from their Christian identity, which Kazanowski said he felt was “mocked.” Kazanowski said he no longer attends church services because he believes in an “individualized approach” to religion. Instead, he said he relies on the Bible’s teachings of gender roles to support his beliefs.
“I definitely see men pretending to be women as the definition of ungodly and hedonistic,” Kazanowski said. “I’m pro-woman, I’m not necessarily anti-trans or whatever, but I’m pro-women’s spaces, and I don’t think men should be encroaching upon women’s spaces.”
Kazanowski said defending masculinity has become a central issue for him since having a daughter.
“Religion and gender identity coincide,” Kazanowski said. “The Bible speaks a lot about how you should treat women and how you should treat your wife.”
He continued, “I know that in my heart I’m supposed to be the rock and the leader and guide us to truth and just be the one who doesn’t get pushed around and doesn’t submit to the will of others.”
Rose researched the owners once they came to Rogers Park. They said they do this with all new businesses moving in to make sure they’re “safe” for queer members of the community. After scrolling through the store’s instagram, they learned of a portrait of Confederate general Robert E. Lee being sold, which they said prompted the protest initiative.
Framed posters of paintings are sold alongside other items at Boho Barbie Ken. (Austin Hojdar / The Phoenix)“It’s not just transphobia he’s bringing into the neighborhood but racism,” Rose said. “We have a very diverse neighborhood, that’s dangerous.”
A second organizer, Gerardo Marciano, said the protest was brought together to protect transgender neighbors.
“This is about the safety of our community,” Marciano said. “We are here because we care and to keep Rogers Park safe. We’ve seen around the world what can happen to trans people, and this could happen here, and we don’t want that.”
Kazanowski said the May 7 protest was ”boring” compared to the one May 1, with no chants or lengthy back-and-forths between Kazanowski and protestors.
In one of a few interactions, Kazanowski told the group, “There’s lessons to be learned. When you don’t have purpose, you end up like this.”
“If your purpose is to scream to Facebook and sell junk, it’s not a great purpose,” responded one protestor who declined to be interviewed.
Protestors stood outside of the storefront and handed out fliers to passersby. (Austin Hojdar / The Phoenix)Skalicki, the store’s owner, said the pair were unaware of the “political sphere” surrounding their business, which made the protests a shock for the couple.
“They have every right to do this as much as we have every right to share our beliefs,” said Skalicki, 23. “I’m not ashamed of our faith, I’m not ashamed of the truths that we believe.”
The couple said their business is now being hit with fake reviews from customers who have never shopped at their store. The store currently has a 4.8 out of 5 star rating on Google and the pair have had fraudulent one star reviews taken down, Kazanowski said.
Chicago native and former Rogers Park resident Victoria M., who declined to share her last name due to ridiculing, learned of the protest through an article by Block Club Chicago. She said the protestors’ response was a forceful way of silencing free speech.
“If you don’t agree with him, don’t follow him, if you don’t agree with him, don’t shop at his store,” Victoria said. “But you have no right to shut down his ability to make a living for himself and his family. I can’t think of what kind of piece of crap person you have to be to want to ruin someone’s life because their ideas do not fit with your own.”
Anna Maria Skalicki and Xander Kazanowski have a four-month-old daughter. (Austin Hojdar / The Phoenix)Steven I., a Chicago resident who declined to share his last name for privacy reasons, echoed a concern for free speech.
“It’s not a question of safety, they want to ideologically sanitize the neighborhood and that’s dangerous,” Steven said.
Loyola class of 2013 alumnus Nell Seggerson teaches social studies at Rogers Park’s Senn High School. For Seggerson, ensuring the community’s youth see adults speaking out against “hateful, transphobic” rhetoric is what compelled them to protest.
“As a queer teacher, so many of my students are hurting more than I’ve ever experienced, so I want to make sure people see adults they know,” Seggerson said.
Nell Seggerson stood at the protest from start to finish. (Austin Hojdar / The Phoenix)Katie Parlow, Sasha Evrutina and Yuzu Dixon passed by the protest after getting brunch at Honeybear Cafe. The three aren’t local to Rogers Park but expressed support for the group of protestors.
“It seems like a really nice area,” said Dixon, 32. “It’s not crazy and seems cozy, and it’s sad to hear part of the community is not being welcomed by the other part of the community. It’s such a big loss on everyone’s end.”
As the protest concluded, Kazanowski gave blank poster boards to protestors as they left. He said Boho Barbie Ken will donate some items to community members in need of clothing, free of charge.
Kazanowski said after listening back to the livestream, he believes he could have delivered his message differently.
“I have to be my greatest criticizer,” Kazanowski said. “I just know that yes, certain valid things were said. Certain things were superfluous and definitely not needed or didn’t add value or retracted from my statements.”
The group of protestors intends to return to the store next Sunday at 1:30 p.m. The goal is to continue the protests until the two can’t pay their rent and have to move, according to Rose.
“There’s enough hate in this country and the surrounding suburbs,” Rose said. “But this is our neighborhood. This is our community and we’re just not going to see this happen.”
Skalicki and Kazanowski said they have no intention of relocating or being “bullied out” of the area.
Boho Barbie Ken is open Wednesday through Sunday. (Austin Hojdar / The Phoenix)The post Protestors Rally Outside Vintage Store Boho Barbie Ken Over ‘Transphobic’ Posts first appeared on The Loyola Phoenix.
Written and directed by James Gunn, “Guardians of the Galaxy Vol. 3” follows its titular band of misfits on one last tour to save the galaxy.
Following the events of “Avengers: Endgame,” “Guardians of the Galaxy Vol. 3” picks up with the Guardians on a space station named Knowhere. The station itself is formed inside the head of an intergalactic god, though its inhabitants exist peacefully alongside the Guardians’ altruistic presence.
This relative calm is cut short when Rocket, a Guardian and cyborg raccoon, experiences an interruption from his past. With one of their own in danger, Peter Quill brings the band together in a fight to save their friend’s life.
“Guardians of the Galaxy Vol. 3” is the pinnacle of Gunn’s creative growth. Over the course of three theatrical films and a Disney+ holiday special, Gunn (“The Suicide Squad,” “Slither”) has uniquely balanced the Guardians’ comedic emotional range with action-packed storylines.
Gunn’s previous film “The Suicide Squad” (2021) experimented with dynamic camera movement and perspective shifts absent from his previous works. This style carried into his televised projects “Peacemaker” and “The Guardians of the Galaxy Holiday Special.” The series’ third volume is the culmination of this lively filmmaking and the results are nothing short of hypnotizing.
Staggering action shots, moody slow-takes and energetic sequences of levity and restlessness pepper the movie’s two-and-a-half hour runtime.
The film also features a stunning array of physical and computer-generated set pieces. The combination of animated and practical effects, creatures and settings are a visual treat to audiences. The seamless incorporation of both the real and artificial is a testament to Gunn and crew’s passion.
Enticing imagery is married with a surging soundtrack. Featuring hits from the likes of Radiohead, The Flaming Lips, Beastie Boys and many more, “Guardians of the Galaxy Vol. 3” boasts a tracklist for the space-ages.
Technical spectacles aside, “Guardians of the Galaxy Vol. 3” wouldn’t be such a blast without its charismatic cast.
Each member of the core crew of Guardians, including Star-Lord (Chris Pratt), Gamora Nebula (Karen Gillan), Rocket (Bradley Cooper), Drax (Dave Bautista), Mantis (Pom Klementieff) and Groot (Vin Diesel) turn out a captivating performance of dramatics and comedy.
Even offshoot members Kraglin (Sean Gunn) and Cosmo (Maria Bakalova) entertain with enjoyable side-banter and support.
Zoe Saldana as Gamora is a unique take on a decades-old character. With Gamora dying in “Avengers: Infinity War” only to be resurrected through dimension-hopping time travel in “Avengers: Endgame,” Saldana (“Avatar,” “Star Trek”) finds new avenues to explore the trauma and rebelliousness of the space-assassin.
New inclusion Will Poulter as Adam Warlock is a devastatingly charming addition to the budding troupe. With Adam Warlock being teased as far back as the first film, his presence in “Guardians of the Galaxy Vol. 3” feels like a long-promised reward. However, the enjoyment of Warlock’s arrival is undercut by his sparse presence.
Unlike Warlock, Chukwudi Iwuji is utilized to the fullest as the film’s antagonist, The High Evolutionary. Evil to the bone and utterly sadistic, Iwugi (“Peacemaker,” “The Split”) brings a madcap personality to the species-meddling erratic scientist — making him the trilogy’s most ruthless antagonist.
While “Guardians of the Galaxy Vol. 3” is an ensemble piece, its narrative is rooted around the backstory of Rocket. Told over exposition and flashbacks, Cooper (“A Star is Born,” “Silver Linings Playbook”) manages a layered performance of guilt, despair and perseverance with voicework alone.
“Guardians of the Galaxy Vol. 3” is a group effort of powerhouse performances, top-tier effects and rapidly sentimental storytelling. It’s a wickedly awesome and heartfelt finale for one of the greatest film trilogies of the modern era.
Cast and crew have made it abundantly clear that while the Guardians may live on, “Guardians of the Galaxy Vol. 3” is very much the end for this group of misfits and their story. With the film being Gunn’s last for Marvel, the end feels all the more cemented.
As the new co-head of DC Studios, Gunn’s not leaving super heroes behind just yet. With shows based on the bizarre like “Creature Commandos,” “Waller,” and a second season of “Peacemaker,” Gunn isn’t losing his love for the forgotten oddballs who decorate the printed page.
“Guardians of the Galaxy Vol. 3” may be a finale for Gunn and the audience, but his next film “Superman: Legacy” will likely be nothing short of a new beginning for both.
“Guardians of the Galaxy Vol. 3” comes to theaters May 5.
Featured image courtesy of Marvel Studios.
The post No More Encores — ‘Guardians of the Galaxy Vol. 3’ Ends On A High Note first appeared on The Loyola Phoenix.
Student activists drowned out the usual buzz of the Damen Student Center Thursday afternoon with chants and speeches which demanded the university divest from companies they allege profit from environmental destruction and systematic violence.
The protestors criticized the university’s Board of Trustees for not abiding by a resolution the Student Government of Loyola Chicago (SGLC) passed last April which calls upon the university to divest from major weapons companies, The Phoenix previously reported.
The investments in question are wrapped up in the university’s endowment, a fund which totals just over $1 billion and is used primarily to pay for student scholarship support and other university operations.
The protest lasted for around 15 minutes and included approximately 20 students who lined the balcony of the second floor of Damen and held up signs and banners. Below, in the Sister Jean Atrium and food court, around 15 students gave speeches and handed out pamphlets.
The action was organized by four activist student organizations — The Student Environmental Alliance, the Black Cultural Center, Students for Justice in Palestine and the LUC Dissenters — who together identify as The Coalition for Solidarity and Justice (CSJ). Representatives from each of the organizations gave speeches which were critical of the university for not upholding its stated social justice values.
Some students passing through Damen stopped in the atrium to listen to the speeches while others who were already there continued to do their work. Protestors led several chants, waved flags and displayed a banner on the ledge of the second floor which read “WAR IS DEATH LOYOLA DIVEST.”
In a statement to The Phoenix made on behalf of the coalition, sophomore Claire Mendes said Loyola’s investments help support companies which aid in the systematic violence of innocent people by the U.S. military industrial complex. She said student organizers have been dissatisfied with the university’s administration’s willingness to discuss these issues.
“In response to the unanimous vote, students were met with canceled meetings and little action from the Board of Trustees,” Mendes, a studio art and sociology major, said. “Our Jesuit university should not profit off of pain and destruction, and our university should not ignore the voices of those most impacted.”
In a statement following the protest, Loyola spokesperson Matt McDermott said the university supports the right of students to express their opinions and beliefs and respects the purpose of the SGLC as a forum for students to raise and address issues of concern but said the university doesn’t intend to alter the investments it holds.
“The Division of Student Development and relevant University leaders have reviewed the anti-war legislation proposed by SGLC,” McDermott wrote in an email to The Phoenix. “Loyola has already adopted and published the Sustainable Investment Policy, which considers the University’s commitment to sustainability, and the aspiration to contribute to a more just, humane sustainable world in our investment policy and practices. As such, Loyola will not adopt this specific SGLC resolution or other calls for divestment.”
The protest mirrored a similar one in Damen last February, in which students also called upon the university to divest from weapons companies and led SGLC to pass its resolution, The Phoenix reported.
In a pamphlet distributed to those in attendance, the CSJ listed twelve companies — Boeing, Caterpillar, Raytheon, HP, General Electric, Lockheed Martin, General Dynamics, Facebook, Elbit System LTD, Group 4 Securicor, Amazon and Textron — they argue Loyola should divest from.
Joining the protestors in advocating for action from the university was the newly elected president of the SGLC, junior Alexandra Brist. She wrote in a statement the SGLC is committed to amplifying student’s voices on campus.
“As a co-sponsor of this resolution, I share in the frustration demonstrated during today’s protest,” Brist, a bilingual/bicultural education major, wrote in an email to The Phoenix. “The SGLC will continue fulfilling our obligation to advocate for student concerns in every relevant area of the shared governance system. We are intent on making renewed efforts to ensure student voices are taken seriously and that both our work and the progress of the university closely align with student ideas and values.”
Sophomore Ethan Jackson was among the students who observed the demonstration. He said he felt the protestors commanded a good presence.
“I thought it was quite obvious what they were doing when they popped up with the banner up there, but it seems to have gotten a good amount of attention,” Jackson, a political science and philosophy major, said. “I think finals week was a good time for it because it’s a good time to put stress on it and everyone’s awareness on it.”
Samir Mirza, a sophomore computer science major, was sitting at a table in the food court where the speakers stood. He said he supported the students’ cause.
“I appreciate that they are calling out the school’s hypocrisy, and because the same protest happened last year and I was here for that one too,” Mirza said. “So the fact that nothing has changed is not surprising but also disappointing.”
Sophomore Jessica Martens, a multimedia journalism major who was also sitting nearby, said she appreciates the efforts of the protestors to raise awareness of these issues.
“For me I think it’s really easy to go about your life here and not think about any of that so I like that people are calling attention to it especially because of how many students don’t realize what’s going on,” Martens said.
Featured image by Holden Green | The Phoenix
The post Students Protest in Damen, Call for Divestment from Weapons Manufacturers first appeared on The Loyola Phoenix.
Content warning: Violence, gore and death
“Evil Dead Rise” is an enthralling, demonic time.
Written and directed by Lee Cronin, the film follows a mother possessed to murder her children.
Set in Los Angeles, tattoo artist Ellie lives paycheck to paycheck in a decrepit high-rise with her three kids of various ages. When a series of storms and earthquakes rock the foundation, an underground safe buried beneath the building reveals itself and its devilish contents — a hellish text of ancient rituals known as a “Book of the Dead” and a priest’s voice-recorded journals.
In the hopes the book might be of value, Ellie’s son Danny utilizes a turntable to play the journals and understand the text. As the incantations play aloud, Danny inadvertently conjures the souls of the damned.
Called forth from the recordings, zombified spirits of hell rush to the building and overtake Ellie. Now possessed, Ellie’s visiting sister Beth is forced to be a guardian for the children in her stead.
As the elevators and stairs remain destroyed by the storm, Beth and the kids are confined 8 stories up with an undead, murderous mother.
Based on the 1981 film series “Evil Dead” by Sam Raimi and Bruce Campbell, “Evil Dead Rise” isn’t a direct continuation or reboot but a re-imagining that reconfigures the original’s premise to horrifying results.
Creatives Raimi (“Spider-Man,” “Army of Darkness”) and Campbell (“Ash vs Evil Dead,” “Burn Notice”) took the classic cabin-in-the-woods horror trope and amplified it with bloody violence and campy humor. “Evil Dead Rise” replaces the cabin with an apartment secluded from the world but retains the series’ vicious violence and twinge of dark humor.
“Evil Dead Rise” is not for the faint of heart. Dismemberment of limbs, intense impalements, projectile vomiting of various liquids, consumption of glass and eyeballs, and a brief but unforgettable sequence with a cheese grater all decorate this cacophony of carnage.
Even the most die-hard of horror fans may squirm in their seats.
Cronin (“The Hole in the Ground,” “Ghost Train”) pairs obscene levels of violence with impeccable direction. Unabashed of the brutality and unafraid to pull back, the tension-building scenes are just as memorable as the bombastic bouts of bloodshed.
The movie is a back-and-forth between methodical horror and traditional jump scares. It’s a process that keeps the viewer on edge with no clue of what direction “Evil Dead Rise” might take with each scene.
As compellingly sadistic as Cronin’s direction is, it’s the sharp sound design that cements the film as a new icon of horror. Each snap of bone to the buzz of a fly is given painstakingly detailed volume. It’s a purposefully nauseating experience designed to make a viewer’s skin crawl.
For all the violence and gore in “Evil Dead Rise,” the film has a cunningly dark sense of humor to match.
Many of the savage feats Ellie commits are conducted absurdly. As other residents in the building become possessed by the spirits, the taunts they direct towards Beth and the kids are oddly amusing for their brashness and ferocity.
It’s a strange tone but one that harkens to the original “Evil Dead” films from Raimi and Campbell.
Alyssa Sutherland as Ellie is utterly heinous. Sutherland (“Vikings,” “The Mist”) gives an incredibly two-sided performance as both an empathic mother and a vessel for hellspawn.
Sutherland’s hypnotizing smirk of mockery summarizes the film’s malicious tone in a single expression.
Lily Sullivan as Beth is likewise a captivating watch. Sullivan (“Mental,” “Jungle”) matches Sutherland’s over-the-top antics with a grounded performance. Thrown into the role of a mother-like figure, Sullivan portrays a guardian who’s struggling with their confidence but relentless in their defense.
Danny (Morgan Davies), Bridget (Gabrielle Echols) and Kassie (Nell Fisher) as Ellie’s children exhibit their own traits of tenacity, anxiety and childlike hope. The trio’s youth also makes it easier to apologize for accidentally releasing the undead. Every time a tragedy befalls the three, it’s a gut-punch of emotion and a robbery of innocence.
“Evil Dead Rise” is a rollercoaster of pulse-pounding horror. It’s a story of an estranged sister being forced to kill her family to protect her family. The film’s a perversely sleek re-imagining of an ‘80s classic — without losing its rising sense of insanity and humor.
“Evil Dead Rise” is in theaters now.
Featured image courtesy of Warner Bros. Pictures
The post Buckets of Blood and Gallons of Gore — ‘Evil Dead Rise’ Rises to Its Name first appeared on The Loyola Phoenix.
Content warning: Sexual misconduct, assault, rape
Seven additional plaintiffs have been added to a lawsuit against Loyola for its handling of Title IX cases involving allegations of sexual assault, rape, sexual violence and sexual misconduct.
The women are joining a lawsuit filed last year which detailed the experiences of three former Loyola students who filed, or attempted to file, Title IX cases for sexual assault and harassment, The Phoenix previously reported.
“Loyola has systemically mishandled and underreported student complaints of sexual misconduct, contrary to federal and state regulations in addition to its own internal policies and procedures, dating back to at least 2011,” according to the lawsuit.
Along with the seven additional plaintiffs, the amended complaint highlighted 11 claims involving negligence, infliction of emotional distress and breach of legal obligation.
The amended complaint states “The University had notice and knowledge many serial predators” were on campus and “failed to prevent Plaintiffs and other students from injury.”
Physical pain and suffering, financial and earning capacity loss, mental anguish as well as past and future medical expenses were attributed in the amended complaint as harm that could have been avoided if the university adhered to its legal obligations and representations it made to students in ensuring their safety.
Last October, the Division of Student Development sent two campus-wide emails acknowledging sexual assault allegations circulating social media and offered support.
“The health, safety, and well-being of our students, faculty, and staff remain our top priority and a responsibility we take very seriously,” an email addressed to faculty and staff said.
In a separate email addressed to Loyola students, the department wrote, “To any student who has experienced sexual violence, we see you, we hear you, and we are here for you. You are not alone.”
Loyola filed a motion to dismiss the case April 5 stating the plaintiff’s’ claims each fail for a number of reasons.
Among them, Loyola argued the plaintiffs do not plausibly allege Loyola “intended to inflict severe emotional distress or knew there was a high probability that its actions would cause severe emotional distress.”
The motion to dismiss continued to state the plaintiffs can’t establish Loyola had a legal duty to ensure the safety of the students, it breached a duty of safety or that Loyola could have reasonably foreseen the assaults of these students. Additionally, it notes a number of the students alleged they were assaulted off-campus.
Loyola spokesperson Matt McDermott declined to comment on pending litigation but made note of Loyola’s Comprehensive Policy. The policy outlines Loyola’s regulations against discrimination, sexual misconduct and retaliation, according to the Office of Equity and Compliance’s website.
“Loyola University Chicago is committed to ensuring that reports of sexual misconduct are addressed consistent with federal and state laws and the University’s institutional values and educational mission,” McDermott wrote in an email to The Phoenix. “Loyola encourages anyone who experiences misconduct under the Comprehensive Policy to submit a report so that the University may take appropriate steps to promptly stop, prevent, and remedy any substantiated violation.”
Loyola stated in court records a majority of the plaintiff’s claims are time-barred by the statute of limitations. Title IX claims are subjected to a two-year statute, according to an Illinois Compiled Statute on personal injury.
Carrie Ward, the chief executive officer of the Illinois Coalition Against Sexual Assault, said the organization has worked against legal limits for years to make it easier for survivors to come forward.
“It is very difficult if you’re someone who has been sexually abused as a child to come forward or if you’re someone who was sexually assaulted as an adult because you have to feel some semblance of safety for you to be able to come forward and disclose,” Ward said.
The post Ten Former and Current Loyola Students Now Listed in Title IX Lawsuit Against University first appeared on The Loyola Phoenix.
This is my first edition of the column that is passed down from editor-in-chief to editor-in-chief.
Something I’ve been thinking about a lot are endings — something so inseparable from life itself. As I see my first year as a member of The Loyola Phoenix staff coming to an end, I’m fortunate enough to have one more year ahead of me, with which I plan to do so much.
Traditionally, the primary focus of these has been for the editor-in-chief to write about themselves. Secondarily, those around them.
Readers of The Phoenix will have all year to hear about me, so I’m going to talk about the latter, with those leaving The Phoenix.
I am taking this role over from Nicky Andrews, a graduating multimedia journalism and criminal justice major.
Just days after she hired me as her managing editor, she told me I had no choice but to be her best friend. She was mostly joking about the fact we would constantly be working side-by-side, but it turns out she was right.
Andrews will be leaving huge Converse — or Dr. Martens — to fill, and I will be forever grateful for the example she set as editor-in-chief.
From the sports section, Fernando Molina Bier and Gabbi Lumma constantly impressed me with the way they carried themselves and consistently produced stories that made me feel something beyond the turf or hardwood. The trust they placed in themselves, their writers and myself is something that I will be forever grateful for.
Jacob Danielson has been a consistent source of peace in the newsroom. For the past semester, Andrews, Danielson and I have been lugging hundreds of newspapers around Loyola’s Lake Shore Campus. Needless to say, there’s no one I would have rather sit with while waiting in a loading dock than him.
Our audio editor August Toevs joined The Phoenix just this spring but was immediately one of the coolest, kindest and most talented people I’ve ever met. I know, for a fact, he is a person who I will never forget.
Natalie Koetsier, our copy editor, constantly brought a warmth and joy to meetings when I would check in on how everyone was. Running social media, Nick Cruz was always ready to help and check in on how I was doing, and I’m excited to run into him until he graduates in the fall.
A lot is coming to an end, but so much has just begun.
Ella Govrik will be taking over as managing editor. Aside from being one of my best friends, I often find myself falling short compared to her attention to detail, passion for the paper and commitment to accuracy.
The rest of our returning staff and writers are all people who I have a deep respect and appreciation for.
I have a lot of ideas for the upcoming school year — the least to say The Phoenix will not look the same as it has in years past.
I’m excited, and I hope you are, too. See you in the fall.
The post Editor’s Desk: Endings first appeared on The Loyola Phoenix.
Content warning: Death, overdose, drug use
On the early morning of Oct. 29, Loyola sophomore Max Larson took what he believed to be Xanax — an anti-anxiety drug he obtained from a dealer who assured him “they’re legit.” That afternoon, he was found dead in his Bellarmine Hall dorm room, having died from fentanyl poisoning.
Max Larson was 19 years old. (Courtesy of Larry Larson)Fentanyl is a fatal synthetic opioid that is 50 times more potent than heroin and 100 times more powerful than morphine, according to Luis Agostini, the public information officer for the Chicago Division of the U.S. Drug Enforcement Administration. Fentanyl is being laced into nearly every category of illicit drug and pressed into pills that look like they’re legitimate pharmaceutical pills, he said, like Oxycontin, Percocet, Vicodin, Adderall and Xanax.
Drug overdose is the leading cause of unnatural death for those aged 18 to 45, the majority of which are caused by synthetic opioids like fentanyl, according to Agostini.
Because social media platforms play a significant role in this “epidemic,” Agostini said education for students, faculty, staff and administrators is vital. At Loyola, those who are calling for reform said the university should be implementing risk prevention strategies like drug testing strips, overdose reversal kits and educational resources.
This includes Max’s father Larry Larson who reached out to The Loyola Phoenix after he felt he wasn’t getting traction with the Chicago Police Department.
“I can’t stand the thought that his death will mean nothing,” Larry Larson said. “If not, at least helping save another person. That’s the least and the most I can hope for.”
Max Larson was a 19-year-old undergraduate student in the Quinlan School of Business. In a bereavement notice, Campus Ministry wrote he “will be remembered for his quiet ambition, his academic successes, and the respectful way he treated everyone.”
Born in Brooklyn, he was Larry and Janis Larson’s only child. Describing his son as “my beautiful boy,” Larry Larson said he was so proud of his son in all facets of his life — academics, friendship and even the piano, where Max had “natural talent for improvisation.”
“The nicest thing I own is my piano, and that piano was to be Max’s,” said Larry Larson, a trained musician. “And now I can barely — I can’t look at it.”
His mother, Janis Larson, said no one “could possibly comprehend the severity of the loss of your child.”
“He was very lovable, he was very social,” Janis Larson said. “He had a lot of friends and there were a lot of people who were really broken that he’s gone.”
Among the friends was Meda Kerr, an international business and visual communication double major, who helped organize a vigil for Max on the shores of Lake Michigan Nov. 6.
Kerr, who said she has struggled with anxiety and depression, said Max Larson was her “number one emotional support person” at Loyola and would constantly reassure her she needed to be herself and not “get in [her] own way.”
“It’s so sad because once he died, I was like, ‘You know what? You’re so right,’” the sophomore said about Max’s advice. “It was like living for him, being the things he knew and loved.”
The night Max died, Kerr was babysitting her younger brother who lives in New York and had pizza with Larry and Janis Larson in Brooklyn. Kerr told Max she would pick up some clothes for him while there.
“He calls me during our dinner and he says, ‘Hey, don’t forget my black jacket,’” Kerr said. “We all heard his voice the last time together.”
The next afternoon, one of Max’s closest friends and a resident assistant on the first floor of Bellarmine, Macs Mercer, checked in on his friend who hadn’t been responding to texts.
When he opened Max’s unlocked door, Mercer found him lying dead on the floor. Mercer said he dropped his phone twice trying to find the right number to call and within 30 seconds, he and the second floor RA called Campus Safety.
“A lot of times when I think about him, it’s not the sadness,” Mercer said. “I can just focus on, ‘Oh, there’s good things that happened.’”
Campus Safety declined to comment on specific cases, but Commander Tim Cunningham said the fentanyl crisis is not “foreign” to their team.
“There’s no honor amongst drug dealers,” Cunningham said. “You think that you are being sold something by someone you trust, and there’s no guarantee that you’re buying what you actually think you’re buying. I think that’s an important message to get across.”
Max Larson’s cause of death was determined Nov. 26 to be an accidental overdose on fentanyl, according to the Cook County Medical Examiner’s Office.
Around the same time it was confirmed his son was poisoned with fentanyl, Larry Larson said he found the apparent text conversations between his son and his dealer.
“if u do need any I picked some up, prescription,” the dealer sent on the morning of Oct. 28, according to screenshots obtained by The Phoenix. “Can you do $15 each they are prescribed bro, the real deal? You know they’re legit.”
The text conversations between Max Larson (green) and his alleged drug dealer (gray). (Courtesy of Larry Larson)Larry and Janis Larson said they had been asking for updates on the case and received no response from CPD for three to four weeks. During this time, he sent the police these screenshots and the phone number and said they still received no response.
Eventually, Janis Larson, a neurophysiology technician, said she was told “the wheels of justice turn slowly.”
When asked about this lack of response, CPD News Affairs wrote, “This is an ongoing investigation, the details of which cannot be shared.”
Agostini said the DEA is currently working on Max Larson’s case and in order to “maintain the integrity of the investigation,” he refrained from further comment.
“The material result of that, I think, was someone else could have died during that period,” Larry Larson said. “It would have been very easy for another Loyola student.”
Larry Larson said he knows the police are dealing with multiple narcotics cases but because of the way the police have handled it, it feels like it didn’t happen.
On the day Max Larson died, four other Chicago men died from an accidental overdose caused by fentanyl, according to the Cook County Medical Examiner Maps. In the past five months since that day, over 450 people have died an accidental opiate-related death in Cook County, according to the same data.
Sarah Richardson, a grants research specialist in the Office of Substance Abuse for the Chicago Department of Public Health, said there were 1,400 fatal opioid overdoses in the city during 2021 — more than homicides or traffic incidents. She added there are around 40 opioid overdose calls to 911 each day, approximately three of which are fatal.
James DeFrancesco worked at the DEA for nearly two decades and is currently the program director of the Forensic Science Program at Loyola. With the DEA, he said he participated in drug raids and processed labs in Mexico where the “precursors” for the laced drugs are shipped to from “eastern countries” like China. The reason dealers are turning to fentanyl is because it is a “good profit alternative to heroin.”
“They have full control over the entire process,” said DeFrancesco, explaining fentanyl can be produced in “any well-established lab” in just three to four steps.
In his lab in the basement of Flanner Hall, DeFrancesco has a collection of small bags, lottery tickets and tinfoil he has found on walks around campus. All of these items, he said, are ways drug dealers distribute heroin.
DeFrancesco said he found these items in Rogers Park and Edgewater. (Austin Hojdar | The Phoenix)In addition, social media is also a driver in the increase of opioid overdoses, according to the DEA’s Agostini.
“What we’re finding, essentially, is that the accessibility to illicit drugs from both the dealer and the individual that is looking to get their hands on drugs is more accessible than ever before,” Agostini said.
All of this, DeFrancesco said, is a product of Loyola’s place in Chicago.
“For good or bad, Loyola’s within the city limits, and Loyola experiences all the good and the bad the surrounding area can provide,” DeFrancesco said.
Kerr recalled a time when Max Larson said he was pushed a free dime bag of cocaine as a sample on West Rosemont Avenue during their first year at Loyola.
A 19-year-old Loyola student diagnosed with ADHD, who requested their name not be published, said they have bought and sold Adderall — a prescription drug to treat ADHD — on campus before. This student did not know Max Larson.
The national Adderall shortage, announced by the U.S. Food and Drug Administration in October, has prevented the student from obtaining their prescribed drug and has been a “barrier” for the student to clean their room, do laundry and function.
“There’s a pharmaceutical systemic failure there as well, and that’s when you get this entry point for a lot of people into illicit buying and selling of these medications and substances,” the student said.
The student said the alcohol and cannabis modules first-year students are required to take “are nowhere near enough education and harm reduction for these issues.”
One thing they suggested be included was Narcan training for students. Narcan, a naloxone nasal spray that can reverse the effects of an opioid overdose, was approved for over-the-counter, non-prescription use in March, according to the FDA.
Cunningham said all Campus Safety officers have been carrying Narcan since 2017 in case of an overdose at Loyola, and he is “not opposed” to Narcan being available on campus.
Ben Bryan was recently elected vice president of the Student Government of Loyola Chicago (SGLC), The Phoenix previously reported. In March, as the chair of the Safety and Wellness Committee, he proposed a bill that would “formally recommend” opioid awareness training and the distribution of Narcan around campus.
Bryan, a biology major with a pre-health emphasis, was “propelled” to write the resolution because he lived in Bellarmine last fall and heard about Max Larson’s death.
In addition, the resolution — which was passed by unanimous decision in the SGLC senate — suggested fentanyl testing strips be available at the front desk in the Damen Student Center and the Wellness Center.
“I just wanted a high-activity area, but then I also wanted the Wellness Center, because I feel like that’d be their first thought,” Bryan said.
In December, a month after Max Larson’s death, the Wellness Center sent an email to the university community detailing their alcohol and drug policies, that mentioned the “dramatic increase in the number of overdose deaths nationwide due to fentanyl” and said to “stay tuned for more information this spring from the Wellness Center.” In the four months since, there has been no update.
Joan Holden, the Wellness Center’s director, said this portion was written by Mary Duckett, who stepped down as the alcohol and other drug educator at Loyola in February. Duckett declined to comment.
Director of Health Promotion Mira Krivoshey said the Wellness Center originally planned to host Narcan training for students — and it is “still a priority.” The Wellness Center also has over a hundred fentanyl testing strips available that were provided by the Chicago Department of Public Health, but are still trying to understand how it would be implemented at the university. This was also coordinated by Duckett, whose former position is still open on the university’s career portal.
Kayla Turner, the substance misuse prevention specialist for DePaul University’s Office of Health Promotion and Wellness, said Loyola is “one of the only Chicago schools that has been able” to acquire fentanyl testing strips.
DePaul’s entire Office of Health Promotion and Wellness, the housing and residence life staff and all RAs at DePaul have received Narcan training, according to Turner. They also provide this training for any student organization that requests it.
“The Narcan training comes with a long PowerPoint presentation that explains a lot of the statistics, the data around the opioid crisis and things like that and being able to recognize an overdose,” Turner said.
In addition, Narcan kits — containing the nasal spray and instructions — are dispersed around their campus.
Kayla Turner pulled out the Narcan nasal spray from their opioid overdose kits. (Austin Hojdar | The Phoenix)To administer Narcan, the one administering the nasal spray must insert the top of the nozzle into either nostril, tilt the person’s head back and press the red plunger firmly, removing after giving the dose, according to Emergent Biosolutions, who produces the drug. Signs of an overdose include slow or irregular breathing, small “pinpoint pupils” and the person not waking up to their name or touch.
The Chicago Division of the DEA covers most of Illinois and all of Wisconsin and Indiana, according to Agostini. His role includes engagement with educational institutions, including Northeastern Illinois University.
Dr. Jennie Lasko, the interim director of their Student Health Services, said NEIU has done tabling in residence halls about opioids and overdose training with police, faculty and students.
At the University of Wisconsin-Madison, where Larry Larson attended graduate school, they implemented naloxone boxes in all university housing in October, according to their assistant director for high-risk drinking prevention Jenny Damask. She said this was in response to two students who died in 2021 from fentanyl poisoning in the UW-Milwaukee dorms.
“Why don’t we have handouts for students?” Larry Larson said. “Why don’t we have Narcan or something available at the RAs office on every floor? Why don’t we have fentanyl drug kits available for students that they can get without questions being asked — all of which would save lives?”
Holden of the Wellness Center said there are a number of things to “hammer out” before tackling these topics at the university. Facilities, residence life, the dean of students and Matt McDermott, the associate director of external communications at Loyola, directed The Phoenix to the Wellness Center when asked to comment.
“The health and safety and well-being of our students is very important to us,” Holden said.
Although he won’t be an RA again next year, Mercer said he thinks Residence Life should train them on how to use Narcan.
“A lot of our RA training is sitting there, and we absorb information, but I feel like part of it could be CPR and Narcan and maybe how to use a defibrillator,” Mercer said. “I don’t know how to do that stuff. If I find someone, I can’t help.”
Outside of the university, because libraries are “trusted community institutions,” all 81 Chicago Public Library locations offer free Narcan at all branch entrances, according to Richardson. Since the initiative began in 2021, she said the Chicago Department of Public Health has distributed 5,643 Narcan kits.
Narcan is available at the entrance of the libraries so people don’t have to ask a librarian. (Austin Hojdar | The Phoenix)Edgewater branch adult librarian Katy Linehan recalled a time pre-pandemic when a man fell down the stairs and she thought he was having a seizure. When the paramedics arrived, they administered Narcan and he “snapped right out of it.”
Professor Mary Heinz of Loyola’s Marcella Niehoff School of Nursing Community Nursing Center helped organize two opioid awareness presentations at the library March 20 and April 6.
Heinz, a nurse for 30 years, said it was a teaching project for the students in her Community Population Health class. She said the seven students, including junior Victoria Kurisu, who helped present were “advocates for the people.”
“We can’t judge people who are going through it,” Kurisu said about addiction. “Instead, we have to educate and find ways to give resources in order to help them, and that starts on an individual level.”
Linehan, a Rogers Park resident, said learning how to use Narcan and identify an overdose is especially important to her because she is constantly working with the public.
Max’s mom Janis Larson said stories like her son’s are important, because they resonate with people in their hearts and can affect change for the better.
“We know that young people take risks,” Janis Larson said. “When I look back at my own childhood, I think, ‘Why am I here and Max isn’t?’”
Kerr said it is enraging, irresponsible and disrespectful the university has said nothing about how Max Larson died. Campus officials declined to comment on specific cases.
“I would like everyone to know this,” Kerr said. “I would like everyone to be aware of this. I’d like there to be no more Maxes.”
She added that “at the minimum,” she wants to make sure people aren’t bystanders and referenced the Good Samaritan Policy at Loyola, which allows students to report crisis situations involving drugs or alcohol without punishment.
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Thrilling tension with a side of satire and seasoned with social commentary. That’s what “The Menu” brings to the table.
“The Menu” follows a party of foodies, critics and socialites who’ve received an invitation for an exclusive dining experience. Located on the remote island of Hawthorne, famed chef Julian Slowik provides an eccentric and personalized menu to the guests.
Mark Mylod’s direction adds plenty of style to the substance. Despite most of the movie taking place in a single location, the intimate camerawork from Mylod (“Succession,” “Shameless”) gives depth to each scene. Meals are presented with regal elegance and scenes of suspense are chillingly focused.
As the courses roll out, the increasing theatrics of Slowik’s food reveals a theme of hostility. Featuring a menu of murder and mutilation to the guests, Slowik holds the party hostage to experience each course to the violent end.
Written by satire news outlet “The Onion” alumni Seth Reiss and Will Tracy, “The Menu” blends an array of tones and themes without ever feeling unbalanced.
It’s a thriller, but surprisingly humorous. The juxtaposition between character interactions and the situations they’re in breathes levity in an otherwise nihilistic movie.
In spite of the increasing violence, die-hard food connoisseur Tyler (Nicholas Hoult) ignores the life-or-death stakes to instead dissect the flavor palettes of the meat and wine.
Hoult (“X-Men: First Class,” “Mad Max: Fury Road”), along with the rest of the cast, elevates “The Menu” by contrasting its bleak premise with absurdist personalities.
Slowik, played by Ralph Fiennes, is the clear standout of these personalities. Fiennes (“Schindler’s List,” “The Grand Budapest Hotel”) is the epitome of intimidation as the celebrity chef obsessively monologues over each meal’s purpose and his cruel intent for the guests.
Slowik’s motivations are to punish those he deems have sullied his work as an artist — critics who demoralize auteurs, foodies like Tyler who break down the art but can’t even cook and the wealthy who consume without regard.
Anya Taylor Joy’s lead as the enigmatic Margo is the exception above all. As Tyler’s date, Margo is the outsider of the bunch, having no connection to the food industry or any source of exuberant wealth. Joy (“The Witch,” “The Queen’s Gambit”) acts as the foil to Fiennes’ Slowik by refusing to indulge in his theatrics or eat any of his food.
The conflict between Margo and Slowik is what “The Menu” revolves around — a discussion of artists versus their audiences.
Slowik dies on the hill that as artists become increasingly coveted, their work loses purpose, as audiences glutton themselves on the work he painstakingly crafts.
Fiennes’ character constantly states he’s sold himself out. By accumulating the fame and wealth to provide near-perfect dishes, he can serve only those who can afford his services. Yet, by catering to the elite, his food becomes trivialized. How important is a five star meal to a guest who exclusively eats five star meals?
In this way, “The Menu” also doubles as a metaphor for class, with Slowik and his chefs being “providers” that are undervalued and overlooked for the commodities they cook.
Margo’s position, however, calls out Slowik’s dogma for the dispassionate nihilism it is.
By focusing on making the most perfect product, the chef forgets the point of the work. Slowik no longer cooks for passion but for duty, losing the love for the craft and pinning it on those around him.
Without saying too much, “The Menu” ends this conflict by rushing to embrace the simple. Enjoyment can be found through criticism and dissection, but sometimes a cheap cheeseburger is just better than a steak.
If any faults are to be said of “The Menu” it’s that its ingredients don’t always compliment the final dish. The film possesses a wide margin of philosophies and characters, making it feel overstuffed for its under two hour runtime.
Despite the disjointed end and overflow of ideas, the product is more than palatable. The cast, themes and presentation all provide tantalizing entertainment that’ll leave the viewer both satisfied and hungry for more.
“The Menu” is a full course meal. It’s a criticism of criticism, a parody of elitism and a technical showcase of beautifully made food that puts “Food Network” to shame. This film isn’t sloppily made, staying appetizing up until dessert.
“The Menu,” rated R, is in theaters now.
Featured image courtesy of Searchlight Pictures.
The post ‘The Menu’ Is To Dine For first appeared on The Loyola Phoenix.
Omar Apollo gave an “Endlessly” entertaining show to a sold-out crowd on Nov. 30 at the Byline Bank Aragon Ballroom on his latest “Prototype” Tour. This marks the artist’s second time in Chicago this year after his “Desvelado” Tour, where he performed at the Riviera Theatre on May 5.
Since then, Apollo has seen a significant increase in his following, as the song “Evergreen (You Didn’t Deserve Me At All)” from his April 8 album release “Ivory” went viral as an audio on TikTok, gaining traction.
The entire concert was delayed for a couple of hours due to travel complications at the Canada-United States border from Apollo’s previous concert in Toronto, according to security on site. These claims were not confirmed by official tour staff.
R&B singer and Chicago native Ravyn Lenae opened the evening, performing an array of songs from her May 20 album “Hypnos.” The towering, regal halls of the Aragon carried Lanae’s angelic vocals to the ceiling as she swayed and sang.
Soft blue ambient lighting and remnants of fog from Lanae’s show set the stage for Apollo’s long-awaited performance.
Bassist Manny Barajas and guitarist Oscar Santander were the first to emerge from backstage to a cheery, welcoming crowd. Suddenly, the instantly-recognizable opening lines from his title track “Ivory” blasted from the speakers. The crowd erupted in joy when Apollo’s silhouette became barely visible.
The singer-songwriter donned an all-black two piece set covered in gold sparkles. A single red light shone down on him as he spun around in unison to the music, glimmering with every move.
Compared to his last visit to Chicago, Apollo’s stage performance and vocal ability have seen great improvement, an impressive feat in just six months (Angela Ramirez | The Phoenix).Apollo opened with “Killing Me,” the sixth track on “Ivory.”
“What I do makes me wonder if I’m alright / Holding back feelings like it’s the end of my life,” Apollo sang, his voice just barely audible over the fans’ singing along.
The 25-year-old followed with “Talk” and “Ugotme,” a song from his debut EP “Stereo.”
“Cause baby there’s something you know / But clearly you say I’m not good for you,” Apollo sang to a crowd that swayed along to “Ugotme.”
After the introductory trio of tunes, Apollo took a break from singing to chat with the audience.
“Y’all know I love Chicago, right?” Apollo said, who was met with booming screams from the crowd. “It’s a different energy tonight. It’s real different, I can tell. Y’all tryna dance tonight or what?”
Safe to say, a dance party was just what the crowd was looking for.
“Kickback” was next up in the setlist — a throwback to Apollo’s 2019 EP “Friends.”
Fuschia-colored spotlights and flashing stage accents perfectly set the mood. A shining disco ball overlooked the crowd, who jumped along to the song’s catchy bassline.
Throughout the show, the Mexican American singer’s jovial, charismatic energy was evident. He consistently entertained the crowd with impromptu dancing and brief interactions.
Mirroring his Chicago concert back in May, the artist sat alongside Barajas and Santana to perform “En El Olvido,” or “Into Oblivion,” an all-Spanish ballad. The screen behind the trio displayed an image of the Mexican flag as they began strumming the song’s melody.
“Y los Latinos donde ‘tan, man?” Apollo said to the crowd, which translates to “And where are the Latinos at?” The crowd replied with their loudest cheers yet. “We ‘bouta do some Mexican ass shit right now,” he added.
After performing “Dos Uno Nueve (219)” the artist switched tones with a performance of “Frío,” creating a much more intimate mood.
Compared to his last visit to Chicago, Apollo’s stage performance and vocal ability have seen great improvement, an impressive feat in just six months. His vocal riffs and smooth harmonies entranced the crowd, who sang along to every word.
Not once did the audience lose their energy, even as the clock approached midnight.
“Chicago, we have one more song,” Apollo said. “And I have a feeling y’all know what the fuck it is.” The Aragon was then painted green with light, perfectly matching the vibe of his next song “Evergreen.”
“One last time, I see / Ever, evergreen / Please don’t come home to me / Sweet evergreen,” Apollo sang as the crowd belted along. The ballad is his first song to chart, with over 105 million streams on Spotify. Much of its popularity can be attributed to its virality on TikTok, according to Variety.
After thanking the crowd and walking off stage, the Aragon rumbled with booming screams, pleading for an encore from the singer. This continued for a few minutes until Apollo finally returned onstage for one last song.
Apollo concluded an energized show with an encore performance of “Go Away,” the seventh track on his album “Ivory” (Angela Ramirez | the Phoenix).Before performing the last song of the night, Apollo thanked his band and crew and once again expressed his gratitude to the crowd for an unforgettable night.
Apollo made his way down a narrow corridor between two barricades dividing him from the crowd. He smiled as he interacted with fans while performing “Go Away,” the seventh track on “Ivory.”
“But if you had to go away again / I just don’t see you enough / I wish I saw you enough,” Apollo sang the crowd as they swelled around the artist in the pit.
Apollo’s latest album “Ivory” and the rest of his discography is available on all major streaming platforms.
Featured image courtesy of Angela Ramirez | The Phoenix
The post Omar Apollo Kicked Back at the Aragon For ‘Prototype’ Tour Finale first appeared on The Loyola Phoenix.
For some, the final days of October are an excuse to dress up in costume, rewatch classic horror movies and consume copious amounts of candy. For those of Mexican heritage, the season brings anticipation for Dia de los Muertos — Day of the Dead — a ceremonial tradition observed from Oct. 31 to Nov. 2.
The centuries-old holiday celebrates the spiritual return of deceased relatives to their families, according to the Associated Press (AP). Ancestors are welcomed with their favorite food and drink at gravesites or on altars known as “ofrendas” according to AP.
Ofrendas are often adorned with marigolds, candles, photographs of the deceased, “calaveras de azucar”— replicas of human skulls handmade from sugar paste — and “pan de muerto” or “bread of the dead,” according to Smithsonian Magazine. The exhibit combines ofrendas with other art mediums to create a celebration of life and grief, according to the museum.
At the National Museum of Mexican Art (1852 W. 19th St.) in Chicago’s Pilsen neighborhood, the vibrant culture of Dia de los Muertos is on display with ofrendas made by local Mexican artists. The ofrendas vibrantly showcase the holiday through traditional objects and symbols.
Now onto its 36th year, the 2022 exhibit is titled “Memories & Offerings.” The exhibit commemorates those who passed away due to COVID-19. Works of art pay tribute to grief and shared suffering while reminding viewers of the importance of remembrance and acceptance.
Curated by Cesáreo Moreno and Dolores Mercado, “Memories & Offerings” combines photography, fine art and mixed media to craft a strikingly somber reflection on the cycle of life and death.
The exhibit drew crowds near and far, with visitors that are both Pilsen locals and people from across Chicago, according to Calderon (Annelise Richardson | The Phoenix)One such example is “Ofrenda a los Arrancados” — “Offering to the Uprooted” — by Carlos Flores, a Mexican-American artist based in Chicago’s southwest side.
The museum’s written description of Flores’ work said his art highlights the disproportionate burden of COVID-19 on Mexican working class communities who are victims of political inaction amidst the pandemic. Shipping crates and torn personal protection equipment evoke images of essential workers exposed to COVID-19, while shards of glass communicate Flores’s frustration with social inequality.
Another ofrenda commemorates the victims of the May 24 shooting at Robb Elementary School in Uvalde, Texas, a predominantly Latino city according to AP. The piece features monarch butterflies symbolizing the cyclical nature of life, pecan trees for strength and an untitled poem by Mardonio Carballo. The piece’s written description explained that its creators, members of Chicago’s Bernhard Moos Elementary School, call for an end to senseless gun violence in America.
Atsumit Flores from Villa Park, Illinois, said the piece made her reflect on the tragic event in a new light.
“It feels like it happened so long ago and it’s so recent still,” said Flores, a first-time visitor of the museum.
Violence is a recurring theme in the exhibit, felt both locally and globally. One ofrenda, contributed by Chicago’s Ukrainian Institute of Modern Art (UIMA), commends the resilience of Ukranians across the world in wartime.
“Memories & Offerings” pays tribute to the previous generation, instilling hope and perseverance in future Mexican-Americans (Annelise Richardson | The Phoenix).
The altar incorporates works from an open art call. In March, participants in UIMA’s Protest Art Exhibition contributed poems, art or other creations. The resulting altar paints a candid portrait of Ukraine and its supporting community.
One of the most sobering elements is a blue and yellow sketch, seemingly in the handwriting of a child, that reads, “Make more peaes! Stop the war!”
UIMA Curatorial Assistant Christina Wyshnytzky said the gallery space is a form of protest. The resulting piece displayed in “Memories & Offerings” is intended to promote optimism and perseverance rather than depict graphic images of war, according to Wyshnytzky.
“It stands as our form of cultural resistance and unity,” Wyshnytzky said. “It’s our duty to preserve what we can.”
In bridging Mexican and Ukrainian culture, Wyshnytzky said she saw many similarities in the embroidery of the two cultures when installing the piece. Shrines similar to ofrendas are common in Ukrainian households but often revolve around religion and icons, according to Wyshnytzky. Still, grief and loss play an important role in both cultures, especially in the context of the Ukrainian war, according to Wyshnytzky.
“Memories & Offerings” pays tribute not only to the previous generation but instills hope and perseverance in future Mexican-Americans, quantifying their pain while encouraging resilience in fighting for equality.
National Museum of Mexican Art staff member Marlene Calderon, who has worked as a gallery attendant for 10 months, said she’s surprised by the diverse crowd the museum attracts. Visitors are both Pilsen locals and people from across Chicago, according to Calderon.
“It’s nice to see them, because who would have thought they would care about our culture like that?” Calderon, a Pilsen resident, said. “It’s nice to know that at least they take interest, to participate or at least to try to understand.”
“Memories & Offerings” will be on display through Dec. 11. Admission is free, though donations are encouraged. The museum is open Tuesday through Sunday from 9 a.m. to 5 p.m.
Featured image courtesy of Annelise Richardson | The Phoenix
The post ‘Dia de los Muertos’ Exhibit Honors Shared Grief at Chicago’s National Museum of Mexican Art first appeared on The Loyola Phoenix.
“Once upon a time, I came to Chicago on my Give You The World Tour,” R&B singer Steve Lacy said to a sold-out crowd during his Oct. 5 performance. “And I gave you the world.”
Lacy brought his Give You The World Tour to Radius Chicago (640 W. Cermak Road) performing his July album “Gemini Rights.” The California-born singer packed his setlist with recent releases and past projects, turning the venue into a sanctuary for both new and old fans.
At 7 p.m., Lacy’s opening act Fousheé kicked off the night with a sonically complex performance. The delicacy of the singer’s vocals contrasted intense instrumentals to create a blend of R&B, pop and rock elements. The crowd sang along to her viral hit “Deep End” (2020) which amplified their energy for the main act.
Following the crowd’s audible impatience between acts, Lacy’s band made their way to the stage and positioned themselves behind silver and blue fixtures reminiscent of the “Gemini Rights” album cover.
White lighting illuminated the stage as the musicians began to play the intro to “Buttons,” the fourth track on Lacy’s most recent album.
The singer emerged through dense fog wearing a white button-up shirt with an “S” on the front and a target on the back. A pair of blue goggles completed his outfit, which he also wore in recent music videos. With an electric guitar hanging around his neck, Lacy sauntered downstage.
A strong drumbeat and steady bass line supported Lacy’s smooth vocals and would evidently be a consistent aspect of the show. Synths and guitar riffs elevated the otherwise stable opening song.
Lacy’s retro-funk sound captivated fans and audience members throughout his setlist of new and old songs (Ella Govrik | The Phoenix).The show picked up speed during his second song “Mercury.” Lacy traded his electric guitar for an acoustic and plucked its strings while displaying his impressively high vocal range during the song’s introduction.
Following the two tracks from his recent release, Lacy appealed to fans of his earlier solo work by playing a series of songs from his first album “Apollo XXI” (2019) and his EP “Steve Lacy’s Demos” (2017). Songs like “Playground,” “N Side” and “Lay Me Down” served as a testament to the singer’s consistent funk and R&B style.
As he bounced around the stage, Lacy showed off groovy dance moves and magnetic energy. His engagement with the crowd through hand gestures and constant movement built a sense of community throughout the venue. Colorful lighting combined with lingering fog from the singer’s entrance blanketed fans, whose retro aesthetic matched Lacy’s ‘70s vibe.
The sense of unity and love between the 24-year-old singer and his fans strengthened as the show continued.
“I love how many of you guys are smiling,” Lacy said to the crowd between songs. “That’s such a beautiful thing.”
Skilled vocal runs during “Ryd” displayed the singer’s musical advancement and a crowd-led chorus during “Infrunami” was proof of his established fan-base.
As he neared the end of the show, Fousheé made a reappearance on stage for a performance of “Sunshine,”a track from “Gemini Rights” on which she’s featured.
The two singers radiated artistic chemistry. Fousheé danced around the stage as she delivered airy vocals and Lacy traded off between complex guitar riffs and effortless singing.
Lacy concluded his setlist with “Bad Habit.” In an effort to excite the audience, he briefly teased the hit song’s intro before confessing his gratitude for the song’s success as the number one song in the country.
Fans immediately began dancing and singing along, muffling the singer’s voice with their own rendition. Still, Lacy was dissatisfied with the crowd’s enthusiasm. He quickly stopped the song.
“That’s giving number five energy,” Lacy said. “We’re number one baby, let’s act like it.”
The crowd complied and poured the remainder of their energy into devoutly belting along to the last few moments of Lacy’s performance. Lacy danced around the stage and interacted with the crowd, even pointing and singing to his biggest fan of the night — a stuffed Pikachu held up by an audience member.
The crowd expressed their disappointment in the show’s supposed end, practically begging Lacy for one more song. To their content, the singer returned for a two-song encore. Before the encore, Lacy’s humor and charisma were on display as he ran between both sides of the stage, inviting fans to take photos as he hit several poses.
His slowed version of “C U Girl” hinted at a relaxed ending to an energetic night, but “Dark Red” rebuilt the steady liveliness which had filled the room throughout the show. An intense guitar solo, dark red lighting and a kiss blown to the audience concluded Lacy’s set.
“Gemini Rights,” along with the rest of Steve Lacy’s discography, is available on all major streaming platforms.
Featured image courtesy of Ella Govrik | The Phoenix
The post Steve Lacy Turns Radius Into an R&B Oasis first appeared on The Loyola Phoenix.
Loyola students are finding their herd across campus by posting on the social media app Yik Yak.
Yik Yak, an anonymous forum app released in 2013, is gaining popularity again — and after BeReal, it may be the next social media phenomenon across college campuses.
The social media platform allows users to post up to 200 words for anyone in a five-mile radius, known as a “herd,” to view. Users within each herd can upvote and downvote “yaks” to signal agreement or disagreement over the content.
While the app’s format resembles social media platforms like Twitter and Reddit, Yik Yak allows users to post anonymously with no handle or username attached to posts. “Yaks” can range from complaints about dining hall food to compliments for a stranger. The app was created to stimulate community authenticity and creativity through conversation without the constraint of societal labels, according to Yik Yak.
The app’s lack of boundaries permits users to post whatever they want — including revealing information about one another. Whether their “yaks” are well-intentioned or not, Yik Yak users experience no repercussions for content they post publicly.
Biology major Mark Gomez said he was essentially doxxed on Yik Yak, meaning his private information was posted publicly.
He said he downloaded the app after his friends saw recurring posts about a ‘green jacket guy’ and thought the posts were about him. Gomez said students recognized him for his moss green jacket ornamented with patches and users would post his campus whereabouts daily on the social media platform.
“I had people showing up to my dorm, they posted my room number,” Gomez, 19, said. “I couldn’t go out for almost a week without people recognizing me in the dining halls or people coming up to me and asking me stuff.”
He said people would approach him on campus, compliment his jacket and ask where he got it from.
The first-year student said he was eating breakfast in Simpson when his roommate texted him about a “yak” describing his exact meal. He said the user must have been close enough to him to notice his breakfast, and they chose to “yak” about him instead of approaching him for conversation.
Gomez said he did not report this incident to the police since it eventually died down with time.
The anonymous social media forum encourages users to use their best judgment as to whether “yaks” coincide with the app’s community guardrails through the upvote and downvote system. If a “yak” is viewed as unfunny or harmful, the Yik Yak community can decide to downvote the “yak” for it to be removed. When a “yak” receives five downvotes, it is automatically taken down and reviewed by the Yik Yak team.
Once the team reviews downvoted or reported “yaks,” Yik Yak’s privacy policy permits the team to access user’s personal information provided to the app, such as a phone number or location, to take appropriate action as deemed necessary.
“It’s almost like a herd mentality that goes along with the app with the recurring themes and posts,” said Gomez.
Similar to Gomez, multimedia journalism major Megan Ybarra said she had a Yik Yak user post about her on the anonymous forum app. She said a classmate shared with her that someone posted about her star tattoo on her shoulder in a sexualizing manner.
“Somebody had posted ‘To the chick in Mertz with the star tattoo on her shoulder, please give me a chance, I’m on my knees,’” Ybarra, 18, said.
The first-year said she downloaded the app in high school, but users on the app were inactive compared to those on Loyola’s campus.
Ybarra said she finds enjoyment from the anonymous posts about social events and campus complaints but felt nervous after being identified on Yik Yak.
“It made me feel so paranoid for three days,” Ybarra said. “It was like weird, long-distance catcalling.”
Loyola first-year Breydan Larnard said he believed the anonymous app can affect students’ self-image. He said he downloaded the app after a friend recommended it to him.
“When I post, it’s like I sort of view it as I’m looking for validation,” the 18-year-old communication major said. “When I don’t get upvotes, it makes me think I’m not that funny.”
Political science major Kailani Moore shared similar insights. She said she’s more aware of how she presents herself to others because of the app’s lack of filters.
Some Loyolans see the app as a way to connect with one another without embarrassment, hesitation or a filter.
“I can see students being able to think and say what they want freely without any repercussions as something very gratifying,” Moore, 18, said. “Especially in this time of canceling people and calling each other out. Yik Yak has no real accountability there.”
However, when used in a light-hearted manner, Yik Yak allows students to vocalize late-night thoughts, share college complaints and engage in brief, witty banter. For example, one anonymous user close to Loyola posts daily weather information and suggestions for Ramblers on how to dress accordingly.
Because of the spirited comments posted, students can find amusement in interacting on the app. Larnard said he finds humor and enjoyment from the app and views it as a nice de-stressor. He said he checks the app daily to find funny content.
Similarly, Moore said she checks Yik Yak while doing her usual social media rounds for humorous content as well.
“I like the idea of knowing what people are talking about in my area. I think that’s a cool concept,” Moore said. “Everybody is in the same boat and doing the same thing, saying whatever.”
The post Yik Yak is Back: Loyola Students Find Their Herd first appeared on The Loyola Phoenix.
First-year Lucy Neal has loved Taylor Swift for as long as she can remember. She said Swift is always in her top five most listened to artists on Spotify at the end of the year, and seeing her live during her Reputation Tour was one of the best nights of her entire life.
When the education major went to purchase tickets for Swift’s latest Eras Tour, which is set to begin in March 2023, she didn’t anticipate the lengths she’d have to go to get them.
“I sat in Mundelein for hours just looking at that little man cross the screen,” Neal said, referring to the icon of a man that shows buyers where they are in the Ticketmaster queue.
And she’s not alone. First and second-year academic advisor Teryn Robinson said she had repeated issues getting tickets and made it to the point where she could buy her tickets twice, but Ticketmaster crashed both times she made it that far.
Following the announcement of Swift’s Eras Tour, excitement among the singer’s fanbase immediately began to grow. Swifties, the name given to Swift’s fanbase, began posting about their exhilaration online, adding to the growing anticipation.
Professor Christine Chabot, interim director of the Institute for Consumer Antitrust Studies at Loyola’s School of Law, said poor service and high fees are the two key signs of monopoly harm in the actions of Ticketmaster regarding ticket sales, and that these two things could indicate how it’s acting with monopoly power in the market right now. When a firm has a monopoly, it has “significant and durable market power,” or the ability to edge out competitors and raise prices in light of that lack of competition, according to the Federal Trade Commission,
“Ticketmaster’s response is that it does provide a good service and it was just overloaded by the volume of the people trying to buy tickets that day,” Chabot said. “From the flip side, Taylor Swift doesn’t have a ticket-selling platform that she’s happy with.”
Swift is an incredibly popular artist, with over 82 million monthly listeners on Spotify. Alongside the star power of some of her opening acts, such as Phoebe Bridgers, HAIM and Paramore — a few of whom have recently concluded or begun stadium tours of their own — the high demand for tickets was always a clear no-brainer.
Ticketmaster dealt with the heightened demand poorly and left fans in the dark about what had happened without the tickets they had waited for, according to the Associated Press. The ticketing company went on to cancel the general sale, because of “insufficient remaining ticket inventory,” Ticketmaster said in a tweet announcing the cancellation.
Ticketmaster was not available for comment.
Ticketmaster isn’t unfamiliar with canceling general sales of tickets after presale rounds sold out. The same thing happened earlier this year with K-pop boy group BTS’ “Permission to Dance On Stage” Los Angeles and Las Vegas shows, and similarly, Ticketmaster announced via a tweet that the general sale was canceled.
Live Nation, a firm that offers promotion services to artists, merged with Ticketmaster in 2010 to create Live Nation Entertainment, according to their website. They were allowed to do so under the condition that Live Nation sold some of its assets and the companies would not retaliate against venue owners for not using Ticketmaster ticketing services or threaten venue owners to use their service for ten years, according to a final judgment from the Department of Justice.
Live Nation Entertainment was not available for comment.
Ticketmaster is now under antitrust investigation again, however, the current investigation of Ticketmaster began over the summer and is unrelated to the situation involving Swift tickets, according to Politico.
That investigation is the one good thing to come out of this, said sophomore Ainsely Hollender.
“I just feel like if they weren’t a monopoly they’d have more pressure on them to make their systems better,” Hollender said.
Because of the new wave of attention bringing light to the past investigations of Ticketmaster, Democratic Representatives Alexandria Ocasio-Cortez and David N. Cicilline both put out tweets about the situation, calling for the break-up of the company, according to The New York Times.
Following an Instagram story post where Swift condemned the inability of Ticketmaster to meet the demands of fans and described watching the events unfolding as “excruciating,” Ticketmaster released an apology through a blog post. The ticketing company apologized to fans of the pop star who hadn’t been able to get tickets and explained the technical side of their inability to meet demand.
Despite waiting in queues for hours, Swifts rock-solid fanbase doesn’t blame the artist, but is instead turning to ticket selling platform Ticketmaster (Audrey Hogan | The Phoenix)Swifties are reeling from these developments, but Hollender said she doesn’t blame Swift.
“As soon as it happened people were really expecting her to come out right away,” she said. “We don’t know what her legal situation is with Ticketmaster, and she has come out and said something and I definitely felt a lot better after she said something.”
The real public enemy that’s developed out of the situation is Ticketmaster. The company has provoked the ire of Swifties everywhere, especially online, alongside the attorney generals of Pennsylvania, Tennessee and Nevada, according to The Philadelphia Inquirer.
In regards to Ticketmaster’s monopolization of the ticketing market, Neal said the event reminded her of the corporate corruption that occurred at the turn of the 20th century.
“You learn in your history classes about the effect monopolies had on turn of the 20th century America and how bad it was,” she said, “I just never really thought that monopolies still existed and were detrimental, but they totally are.”
The post Ticketmaster Troubles: How Shutdowns Turned Swifties Against Ticketmaster first appeared on The Loyola Phoenix.
Under a line of trees just beginning to bloom sat a bulky, chalk-white truck. Wisps of smoke twisted from the grill to the darkening sky. A neon “open” sign flickered bright orange, blending in with the nearby intersection’s traffic lights.
This is El Azteca, a food truck that used to park outside Regis Hall but has now moved to East Monroe Street, bordering Millennium Park. Owner Mariela Hernandez said she started the truck in July, parking it downtown during the summer and by the lake the rest of the year.
The truck offered a convenient spot for Loyola students while the business’ permanent location at 5011 W. Fullerton Ave., which opened in 1979, has a larger menu and seating area.
Hernandez, 21, runs El Azteca with her boyfriend. The name comes from the Aztecs, a Mesoamerican people who lived in what is now Mexico, according to National Geographic. They also lend their name to the truck’s quesadillas aztecas, which come with cheese, guacamole, crema, salsa verde and any meat of the customer’s choice.
First-year Sean Hernandez, who is not related to the owner, said El Azteca gives him a taste of home, reminding him of the Mexican food his parents would make. He ordered the burrito suizo, or “Swiss burrito,” which means the tortilla is covered with melted cheese.
Hernandez said he only has enough money to eat out about once a day, so he wants to make the most of each meal.
“It gives you a bang for your buck,” he said. “When I see a food truck like this, and they make all this stuff and fill it to the brim, it’s good.”
She said she came to Chicago one year ago from Jalisco, Mexico, and the restaurant’s menu is based on the state’s cuisine. One Jalisciense specialty is quesabirria, or tacos with cheese and beef served with consommé, or meat-based broth, according to the Chicago Tribune.
Printed on the side of the truck is the menu, a colorful cluster of photos and labels in both Spanish and English. Main dishes include tacos, tortas and burritos, while drinks include Coca-Cola bottles and cans, Jarritos soda and horchata — the latter being a sweet, rice-based drink which El Azteca serves iced.
First year students Mia Anderson and Lilly Howard said they like El Azteca as an alternative to the university’s meal plan.
“If I don’t want to eat at the dining hall, I come here,” Anderson, 18, said. “It’s kind of expensive, so I don’t come here often, but when you’re talking about food, you’re willing to spend more.”
Howard said she’s a picky eater, so she usually sticks to plain quesadillas. She ordered the small quesadilla, which is a kid-size version of their quesadilla azteca but packs just as much flavor.
Howard said food trucks sometimes have worse reputations because they offer street food.
“Even though it’s a food truck, I feel like it’s got more quality,” she said. “Dining halls make food in large amounts, and it’s not as much care into it.”
Opening a food truck in Chicago is not an easy feat in the first place, with duties including paying application and license fees, acquiring permits and attending fire safety classes, according to the city’s website. The sidewalk outside Regis is public property, so El Azteca was within their rights to park there, but has now moved to their summer location in Millennium Park.
Loyola spokesperson Matt McDermott said the food truck’s spot is located on a city street not owned by Loyola and that University Facility Policies prohibit catering external food or beverages on campus.
Like the rest of the menu, the quesadillas can come with a variety of meats ranging from al pastor, carne asada and chorizo to beef tongue and tripe.
The truck also offers gorditas, or masa stuffed with cheese and meat, and plenty of sides like rice, beans and plain slices of avocado. The avocado is only $0.50, much cheaper than the steeper guacamole prices of chains like Chipotle, whose costs vary by location but can be between $1.95 and $2.65.
Chipotle had no comment on the food truck’s recipe and price, Chipotle representative Erin Wolford wrote in an email to The Phoenix.
Portions are plentiful, with the quesadilla azteca being bigger than a head, and the styrofoam boxes that come with the food lend themselves to be the next day’s leftovers.
“I’d say they know what they’re doing,” Hernandez said. “I trust them.”
El Azteca’s food truck is open at Millennium Park Sunday through Thursday from 8 a.m. to 11 p.m. and Friday through Saturday from 8 a.m. to midnight.
Featured image by Hanna Houser | The Phoenix
The post Seasoning the Day with Downtown Food Truck El Azteca first appeared on The Loyola Phoenix.
Like most things in her life, Anna Ligtenberg’s recent personal venture started with a cat.
Then another.
And another.
Soon enough, she was nurturing over 60 cats across a 15-year period, most of which entered through an open window in her first-floor apartment.
Later, she’d release many of them back into the outdoors through trap, neuter and release methods, also known as TNR. The approach aims to sterilize wild, feral cats who are afraid of humans at local shelters and return them to where they were found.
The Chicago native, formerly a resident of Rogers Park who now lives in Lakeview, currently manages 35 “Community Cats” Facebook groups for different neighborhoods across the city. In each group, members will post about local strays and ferals, often trying to find their owners or provide food and support.
Now, she’s set out to merge them into a non-profit: “Snip, Clip and Chip.”
Among Ligtenberg’s groups is “Community Cats of Rogers Park & West Ridge,” which is her second largest, garnering 179 members since October. Ligtenberg said she attributes the group’s growth to the caring nature of Rogers Park residents.
“There are people in the Rogers Park news groups who we have passionate disagreements about politics and crime,” she said. “But you post a cat pic, and they’re on my side.”
Ligtenberg said she began creating groups to connect her ex-husband, Paul Navarro, with those managing cat colonies, or groups of feral cats. After feeding a kitten in his Albany Park backyard, he was soon left with a pack of returning feral cats and kittens which Ligtenberg now helps him sustain by providing food and outdoor shelter, she said.
And she’s not alone — many other group members choose to devote their lives to those with nine.
Doorie Ferguson, a member of Ligtenberg’s “Community Cats of Albany & Irving Park” group, regularly tends to a colony of 10 cats with her husband Chris Ferguson.
“I’m not gonna not take care of some animals,” Doorie Ferguson said. “We call them our outdoor kitties. We have our indoor kitties that we sought out and personally adopted, but now we have our outdoor cats, too, and they’re ours as well. We’re very attached to them.”
Together, Chris and Doorie Ferguson have trapped, neutered and released 32 cats, 12 of which were rehomed to members of the group looking to adopt, she said. The trapping process involves using a humane cat trap — distinct from an animal crate — to transport the cat to a shelter.
The couple feeds their feline posse twice a day, even building a heated outdoor shelter for the winter. Medical care is also an oncoming neighborhood expense, with neighbors assembling to treat various issues within their colony.
Given the extensive costs of willingly providing for feral and stray cats, Ligtenberg said “Snip, Clip and Chip” hopes to alleviate the financial burdens of those looking to TNR or maintain a colony but can’t afford to do so.
Ligtenberg said she first considered the financial undertaking of feeding ferals while working with a group member in Wisconsin. She said the group member was an elderly woman on a fixed income, who, after deciding to feed one feral barn cat, soon acquired 70.
“It got me thinking, what do you do when you’re the person who decides, ‘I’m gonna take care of this one feral cat in my yard,’ and eventually you find out there are 12 of them?” Ligtenberg said. “That becomes an expense you have to take on if you’re going to do this. That’s the gap we want to fill.”
Fellow Albany Park “Community Cats” member Krissy Rhyme took on a second job to support her TNR rescue work, with spaying costing $50-85 per cat, Rhyme said. Most recently, she paid for the medical treatment of three neighborhood kittens impacted by eye infections.
“The main motivation for anyone who does TNR is we want there to be less suffering of animals — cats breed very quickly,” Rhyme said, adding that a female cat can produce up to three or four litters in a year.
The intake of stray cats reached a four-year peak in 2022 with 4,075 incidents, according to data from Chicago Animal Care and Control. Ligtenberg said many were overwhelmed by 2022’s kitten season, with the “Community Cats” owner receiving over 100 requests for support.
What to do if encountering a distressed city cat as 2023’s kitten season kicks off?
Cecelia, the programs manager for Tree House Humane Society in West Ridge, advocates for TNR for feral cats. Though, if a feral cat is in extreme agony, contacting animal control to assess the situation is another viable solution. If the cat is lost but friendly, connecting with neighbors through fliers, door-knocks, Facebook posts or bringing the cat to a shelter to check for a microchip is the best practice, Cecelia wrote in an email to The Phoenix.
For Ligtenberg, the fear of encountering discarded kittens is a plausible reality. After a group member found six living kittens stuffed in a garbage bin, Ligtenberg knew her feline family would be gaining new additions.
And she’s willing to take on more, intentionally walking down alleyways to check for other abandoned strays.
“You know how that story ends,” Ligtenberg said of people discarding kittens. “I open every bag I pass, every box I pass, just in case. Because that’s what people do. It’s out of sight, it’s out of mind.”
Cats aren’t the only ones benefiting from the Facebook group. Both Ferguson and Rhyme appreciate the neighborhood camaraderie fostered by “Community Cats.”
“I’ve kind of accidentally become the neighborhood cat lady,” Rhyme said. “Now, enough people know who I am, they’ll pass my number along and be like, ‘Oh you can call Krissy and she’ll come and get the kittens out of your yard.’”
Despite the group’s friendliness, some aren’t welcome in the “Community Cats” Facebook — rats.
Since moving to her house in 2020, Ferguson has yet to find a rat in her neighborhood, despite Chicago being named the rattiest city in 2022 — a testament to the benefits of caring for ferals, she said.
“They serve such an important purpose in the city that if we’re able to take care of them and offer them safety and security, they could be a massive help to the city as a whole,” Doorie Ferguson said. “But only if they’re cared for.”
Featured image courtesy of Hanna Houser
The post Stray-ing From the Norm: “Community Cats” Facebook Group Befriends Chicago’s Feral Felines first appeared on The Loyola Phoenix.
Adjusting to higher-level classes, dining hall food and dorm life are all common challenges for first-year college students.
But what about finding — and fostering — community?
“It was hard to find community with anyone, regardless of whether they were disabled as well,” Jameson Walker, an autistic student at Loyola, said. “If you’re somebody with social anxiety, autism, really any neurodiversity, that can be super hard to do.”
April is Autism Acceptance Month, also known as Autism Awareness Month, which focuses on autism spectrum disorder (ASD) and the autistic community, according to the Autism Society of America. Different people may use different terminology, and it’s best to ask each person which words they prefer, according to the Autistic Self Advocacy Network.
While autism affects everyone differently, for Walker it brings difficulties in social interactions, sensory sensitivity and rigid routines. Routines can be particularly hard to fit into the casual, spontaneous atmosphere of college life, Walker said.
Walker said after being misdiagnosed as a child, he received an autism diagnosis at 18, which is considered late for white men, according to the Journal of the American Medical Association. Girls and non-white people are often misdiagnosed or tested at lower rates, according to the National Library of Medicine. A recent study published in March found that boys are 3.8 times more likely to be diagnosed with autism than girls, according to The New York Times.
Walker said parts of campus life can be difficult for people with sensory sensitivity, or different reactions to things like sound and scent. During convocation, bells ring for two hours straight, and dining halls are full of bright lights, loud conversation and strong smells.
Another issue Walker faced was communication between professors and the Student Accommodation Center (SAC). He said he has flexible attendance and extended deadlines for assignments, but professors’ interpretations of those have varied greatly.
He said some professors may give him one or two extra weeks to submit assignments, while others may give him 24 hours and some might not give extra time at all.
“I have to defend myself, advocate for myself really frequently for things I’ve already had an approved accommodation for,” Walker said. “I’m just trying to access the same course material and have the same shot at doing well in the course as everyone else.”
Walker, now a 19-year-old sophomore, is co-president of Loyola’s Students with Disabilities Coalition. He said the group, founded in June, aims to amplify disabled voices, form a welcoming community and improve treatment of disabled students by talking with groups like the SAC.
In the fall, the SAC had a large turnover, meaning staff came and left quickly, according to interim director Karen Pettus. Pettus, who came to Loyola in January, was formerly a director of the Student Disability Resource Center at the University of South Carolina for 28 years.
“There are a lot of changes we’re making to the SAC,” Pettus said. “We’re working with faculty, working with student affairs, working with a number of different offices to better understand students with disabilities.”
Pettus said students with autism may be subjects of bullying and harassment. She said she heard one story where university police at South Carolina were called on a student with autism because others misinterpreted their body language and style of communication.
Besides communication difficulties, Pettus said another common trait found in autism is sensory sensitivity, which Walker said can make it hard to attend things like concerts. With basketball being so popular at Loyola, Pettus said students shouldn’t even have to ask for accommodations like screen readers or captions on the jumbotron at games — those should be there already.
“Providing accommodations is important, but making our programs and services accessible to everybody is more important,” she said.
Walker said some people may view autism not as an illness or a disability, but as an identity. While he himself views it as a disability, he said each individual is different and uses different language to describe themselves.
Walker said parts of campus life can be difficult for people with sensory sensitivity, or different reactions to things like sound and scent (Holden Green | The Phoenix).“A lot of people see it as an innate part of their being,” Walker said. “It’s not disabling, it’s just who they are. I mean, how can you separate who you are from your neurotype?”
This sentiment is true for sophomore Lilly Allan, who said their autism is inseparable from their identity. Allan, 20, said they were officially diagnosed last summer after being met with “complete dismissal” from a psychiatrist from the Wellness Center, who told them there was no need for testing because their grades were good.
David deBoer, director of counseling at the Wellness Center, said while he’d like to clear up any misunderstanding, the department couldn’t comment on individual patients due to medical privacy laws.
“We want to respond to student concerns, and it’s upsetting to me as the director that they feel they had a bad experience,” deBoer said.
The Wellness Center doesn’t provide services specifically for students on the spectrum but recommends the Autism Clinic and TAP Training Center at University of Illinois Chicago, deBoer said. The clinic didn’t respond to requests for comment.
Allan said they’ve also faced difficulties with the SAC and find it easier to speak to professors directly about accommodations.
“The university probably isn’t putting enough money into the Student Accessibility Center,” Allan said. “These people aren’t getting paid enough. To me, it says that they really don’t care about making education accessible to their students.”
In November, The Phoenix reported on low staffing and student frustration at the SAC, a story for which Allan was also interviewed and said poor communication resulted in not being able to use accommodations that semester.
Allan said most resources for autistic people are geared toward young boys, which doesn’t fit their experience as a femme-presenting nonbinary adult.
“That’s kind of an overlooked experience,” they said. “It feels isolating, to some extent. I know that there’s people out there that are having these same experiences as me, but I can’t find them.”
With it being Autism Acceptance Month, Allan said they want to see less stigma and more education on the disorder.
“Nobody can have more autism than another person,” Allan said. “It manifests differently in all people.”
Similarly, deBoer said there’s no universal experience of autism.
“It’s seen as existing on a spectrum of severity, of a constellation of symptoms,” he said.
deBoer, who has worked at the Wellness Center since 2004, said students on the spectrum may benefit from psychiatry, group therapy and individual therapy. He said awareness and knowledge on autism helps build a healthier community.
Community is important for Walker, who said the Students with Disabilities Coalition acts as the community he missed as a first-year.
“It’s really nice to have a community for disabled people and for people who understand the experience that I have in my daily life,” he said. “It’s coming together over a shared experience.”
Featured image courtesy of Holden Green
The post Autistic Students Find Community in College first appeared on The Loyola Phoenix.
Imagine a world full of brightly painted houses and lush, colorful landscapes. Where skies are always blue, problems are solved within seven minutes and every day is a new adventure.
That’s “Bluey” — in a nutshell.
The popular Australian children’s show revolves around titular character Bluey, her younger sister Bingo, her mom Chilli and her dad Bandit. The family of Red and Blue Heelers use their imaginations while learning important life lessons in each episode.
Since the show was added to Disney+ in 2020, “Bluey” has become a household name. The show regularly airs on Disney Channel and Disney Junior, is consistently trending on Disney+ and full episodes even make the rounds on TikTok.
That’s how first-year Maggie Kirwin came across the show.
“It would pop up on those videos where there would be a game on the bottom and then it would be the clips of the show,” Kirwin said, describing videos on TikTok which appeal to viewers’ shortened attention spans by including multiple video frames, according to SocialMediaPsychology.eu. “I found out it was on Disney+, so my sister and I over winter break were like, ‘Well we should check it out.’”
Most childless social media users discover “Bluey” through TikTok, as the seven-minute episodes come in under the app’s 10-minute time limit on videos, according to the Washington Post. It’s easy for the clips to hit a wide audience on TikTok, but the people who come back for more are the ones who find relatability in the show.
Kirwin, who typically watches “Bluey” with her older sister, said the show’s reflection of their relationship was what led her to connect to the show on a deeper level.
“We saw our experience as a little bit similar to the two main characters of this show,” the environmental studies major said, likening herself to Bingo and her sister to Bluey.
First-year Anna Happ, also a younger sister, echoed this sentiment.
“It’s definitely nice to see that little sister representation,” Happ, 19, said. “It’s just neat to see them go through a lot of the same things that I did in my sibling relationship, but they work it out a lot more emotionally and intelligently.”
The psychology major said she admires the way the show promotes adults using their imaginations to engage with their children on a deeper level.
“The adults in the show kind of play into the creative world of a child,” Happ said. “I think not just children but a lot of adults can benefit from a few episodes.”
Sophomore Heden Abdulahi said she appreciates the way the show helps adults as well as children learn to navigate the world around them and process strong emotions.
“There was this one episode where Bluey found a dead bird, and then she learned how to process death and how life works by reenacting the death of the bird,” Abdulahi said. “The fact that it’s in a cute kid’s show makes it really easy to consume.”
The show tackles other sensitive topics, like tensions between family members, premature births and feeling like an inadequate parent. This is what Abdulahi, who watches the show with her three younger sisters, said she loves about “Bluey” — it’s deeper than most children’s shows.
“It’s not just a bunch of colors or learning sequences,” Abdulahi said. “It’s just a family going through their life and learning things through play. It’s really real.”
The balance between the real-life complexities of the show and its simple, wholesome nature is what some students said draws them to “Bluey.” The show recognizes that life doesn’t always go as planned, but things can always get better.
Professor Ayesha Abouelazm, who teaches courses on video production and narratives within film, said she finds tremendous value in watching children’s shows and tapping into that childlike mindset.
“There’s that kind of free thinking that we connect with,” Abouelazm said. “Folks feel that kind of childish energy where they didn’t overthink things and there was hope.”
Happ said the show’s positive nature appeals to college students finding their way into the adult world.
“With my first semester of college and being thrown into independent life, it was really nice to have a wholesome, more for-my-inner-child kind of show to watch,” Happ said.
Kirwin said her inner child has also found solace in the show.
“In a way it’s escapism, because it’s a kid’s cartoon,” Kirwin said. “It brings you back to that childlike innocence.”
A 2017 study published in the International Journal of Communication said media and childhood nostalgia are linked, with TV shows, movies and other types of media being used as coping mechanisms.
“It’s human nature to feel a closeness to something that brings you back to your innocence,” Abouelazm said.
Sophomore Jadyn Craig said she regularly watches shows she grew up with — like “Phineas and Ferb” and “Pokemon” — and agrees that there’s comfort in watching a children’s show as an adult.
“I can almost appreciate it more just because I am older,” Craig, 19, said. “I think a lot of it is just the simplicity of it.”
“Bluey” looks at the world through a child’s eyes, romanticizing little things like trips to the home improvement store, bedtime routines and even car rides to the dump. Craig said she thinks a lot can be learned from the show — and from kids in general — about enjoying the little things in life.
“They’re just focused on making friends and having fun together and going on little adventures,” Craig said. “Everything else that society thinks is such a big deal takes a backburner with kids, because why would that matter when you could just have fun?”
Seasons one and two of “Bluey” are available to stream on Disney+. Season three will be available to stream Aug. 10.
The post ‘In a way it’s escapism’: ‘Bluey’ Offers College Students a Second Chance at Childhood first appeared on The Loyola Phoenix.
The Phoenix Editorial Board published a staff editorial on April 5 about our perspectives on change. Before adding my short blurb to the shared Google Doc, I spent a lot of time thinking about changes in my life and how I’ve handled them.
I pondered the inevitability and acceptance of change. I thought about the dread of knowing change is coming.
After writing a brief admittance of my former fear of change and how I try to overcome it, I realized one of the primary things that gets me through is the hope of something new and exciting waiting on the other side.
While new things can feel unfamiliar, they offer opportunities and ideas that may otherwise never have been presented.
All of this to say, newness can be really exciting. Here are four new songs released since the last edition of Grooves.
“Leonard Cohen” by boygenius
I know I wrote about “the record” just a few weeks ago, so maybe this is repetitive. But that doesn’t take away from the brilliance of boygenius’ debut album and its eighth track “Leonard Cohen,” released March 31.
A tribute to band members Phoebe Bridgers, Lucy Dacus and Julien Baker’s friendship, “Leonard Cohen” navigates the evolution of a close friendship. Through embarrassing anecdotes and humorous references, the trio succinctly expresses a deep appreciation for their friendship and the comfort they find within it.
“I never thought you’d happen to me / I never thought you’d happen to me,” they sing.
“SORRY NOT SORRY” by Tyler, The Creator
“CALL ME IF YOU GET LOST: The Estate Sale,” the deluxe version of Tyler, The Creator’s 2021 album, added eight tracks to the already lengthy release. “SORRY NOT SORRY” was the final installation in the album’s updated tracklist, released March 31.
In true Tyler fashion, the rapper takes a sarcastic approach while addressing his critics and missteps. Tyler uses his animated rap style, supported by serene instrumentals and synths, to explore everything from the struggles of fame to global issues.
“Sorry if you gotta dig for info I don’t wanna give / So you stalk, make up fibs, just to talk about my private life / ‘Cause you’re weird / Met that girl this year, but that’s none ya biz,” he raps.
“Salad” by Blondshell
Released as a single April 5, “Salad” is the fourth track on singer-songwriter Blondshell’s self-titled debut album released two days later.
The album is a ‘90s rock revival, and unfiltered rage is at the center of “Salad.” The song details the singer’s desire to retaliate against those who have hurt her loved ones. Fast-paced and ominous instrumentals build as Blondshell fantasizes about revenge through emphatic vocals.
“It wouldn’t be so bad / It wouldn’t hurt like this / Look what you did / You’ll make a killer of a pacifist,” she asserts.
“Dancing In The Courthouse” by Dominic Fike
Some of you may remember the confession I made in December about my obsession with Dominic Fike’s music last year. I finally started to listen to Fike’s music at an acceptable pace when he released “Dancing In The Courthouse” April 14, launching me back into the artist’s discography.
Fike has seemingly mastered the art of creating songs that sound like summer — warm and upbeat. Contrasting the themes of his previous releases, “Dancing In The Courthouse” exudes positivity and confidence.
A prominent bassline adds depth to otherwise optimistically airy instrumentals while Fike’s charismatic vocals are supported by subtle ad-libbed high notes.
“But we make the ground our grave by laying in it / We make our problems fade by facing ‘em / We make the wind our wings by raising your arms / At the top of the world,” Fike sings.
Featured image by Austin Hojdar | The Phoenix
The post Govrik’s Grooves: Celebrating Change With New Music first appeared on The Loyola Phoenix.
The window of Loyola men’s volleyball Head Coach John Hawks’ office overlooks Lake Michigan. But for most of his life, he’s been looking out at a different coast.
Hawks grew up in Huntington Beach, California, a city along the west coast known for surfing.
“I just was fortunate that my parents exposed me to getting in the water,” Hawks said. “I just did everything. I was outside a lot.”
When he wasn’t surfing in the Pacific Ocean, Hawks recalled playing pick-up football games with his neighbors in the street. In pads and on the field, he and his younger brother were coached by his dad.
Now a coach himself, Hawks was recently honored as the Midwestern Intercollegiate Volleyball Association (MIVA) Coach of the Year — the first Loyola coach to receive the honor in their first season, according to Loyola Athletics.
But before volleyball and after football, he and his sibling gravitated to a different sport on an even bigger field — soccer. Juggling football, soccer and baseball, it wasn’t until the fourth grade when Hawks would eventually try volleyball when he transferred to a private school.
“I just got around some really good players and really kind of liked it,” Hawks said. “The girls are watching us, and it was an easy sport to fall in love with.”
In high school, Hawks and his brother stuck with soccer, but each continued playing a different sport. His brother played football in the fall, the two found themselves together on the pitch in the winter and Hawks focused on volleyball in the spring.
The schedule worked perfectly for the brothers and their family, as the two could support each other at each of their games while their parents, Hawks said, went to every game for all three sports. They still watch every Loyola volleyball match, according to Hawks. During this time, volleyball became Hawks’ sport.
“I felt like in soccer, there was so much stuff away from the ball,” Hawks said. “In volleyball, I was always touching the ball. It was a really fast-paced sport, so I felt like it just stimulated me in a way that soccer didn’t.”
He would wake and practice on the beach at 6 a.m., ride his bike back to the Edison High School at 7 a.m., shower and go to his first class by 7:30 a.m. That afternoon, he found himself at soccer or volleyball practice.
“It’s a different lifestyle in California,” Hawks said. “A lot of it was just consumed by athletics.”
During his senior year in 1989, Hawks was asked to help coach the girls volleyball team during the preseason — while Hawks’ soccer team was in the playoffs. He originally agreed to get more reps in, but soon found he enjoyed watching them “really thrive” off what he taught them.
“When you see a kid’s light bulb go off, and they figure something out and you can help them,” Hawks said. “I just really enjoyed that part of it.”
After graduating, Hawks went into college to become a firefighter and paramedic and never saw coaching as a full-time job. His dad, despite being his pee wee football coach, worked for an aerospace technology company.
Instead of fighting fires, Hawks graduated and worked for medical equipment companies, testing, designing and signing-off on products — including the defibrillators found around campus today. This was his job for eight years, while simultaneously continuing to coach high school and club volleyball.
As a club volleyball coach, Hawks would regularly talk to his friends who were coaches at a higher level, including John Speraw who was hired as the head coach of University of California Irvine in 2002. He reached out to Hawks that year about an assistant position.
“I didn’t know very many people down there,” Speraw said to The Phoenix. “He was a well-regarded club coach down there, so I brought him on staff and we’ve been friends and co-workers and collaborators ever since.”
Hawks immediately accepted the offer but just like in high school, found himself working from sunrise to sunset.
At 5 a.m., he’d start at the medical company. By 2 p.m., he’d drive to UC Irvine and coach for a few hours. Later, his club practices would end at 10 p.m.
The season prior to Hawks and Speraw’s arrival, UC Irvine placed last in the MIVA conference. In their first season at the helm, Hawks said the Anteaters went 10-0 in their first ten games and shot to first in the country.
“I go, ‘Wow, this college is kind of easy,’” Hawks said. “Joking — it wasn’t easy, but we just bounced in success. And he’s a great coach. And I just learned a lot from him about how to manage teams.”
Hawks said he helped recruit the classes that went on to win two national titles at UC Irvine in 2007 and 2009 but wasn’t there to see their success. At that point, he had already moved to be an assistant coach at the “iconic” USC, where he helped the team make the playoffs for two consecutive seasons.
He then coached at Long Beach State University and ran a volleyball academy in Cleveland, where he met his now wife. Eventually, he got another call from Speraw — now the head coach at UCLA.
Hawks spent seven seasons at UCLA as an assistant coach and made three NCAA tournament appearances before accepting the job offer at Loyola, motivated by the program and the chance to return to the Midwest and be closer to his wife’s family.
“When you experience that much of real life and the ups and downs and the wins and the losses with someone, you build a deep amount of trust and respect,” Speraw said. “I’m just really thrilled for him and the direction his career has gone over the years, because I’ve seen it from the very beginning. Just so happy that he’s at the place that he’s at now and having the success he deserves.”
The Loyola men’s volleyball team went 21-6 in the 2023 regular season and finished No. 10 in the country, peaking at No. 9 in March. Hawks attributes this success to the players and the “two-way street” of trust they developed.
“They want to earn respect among the athletes and the athletic department and the staff,” Hawks said. “Everything we do is just being mindful of earning trust and earning respect and that carries over to the court.”
The Ramblers’ season ended in the quarterfinals of the MIVA Tournament to McKendree University, 3-2. Along with Hawks winning the Coach of the Year accolade, six other Ramblers players also received MIVA honors.
Featured image courtesy of Steve Woltmann for Loyola Athletics
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Loyola hosted a Zoom meeting April 18 where university administrators went over this year’s Community Impact Report, a document published annually by the university to outline all of the ways the university is impacted, interacts with and is influenced by the surrounding area.
Attending the meeting was Jennifer Clark, associate vice president of campus of campus and community planning, Summur Roberts, director of community relations, and Cecilia Rodriguez, project manager and business development head.
After being published, the report is sent to partners, elected representatives and funders of the university such as alumni who make large annual donations and members of the university board.
Loyola is one of two Chicagoland universities, along with the University of Chicago, to participate in the annual Community Impact Report, according to Roberts.
The work of the report details Loyola’s efforts within its status as an “anchor” in the community, a task which the university has split into five pillars — “educate, heal, build, serve and research,” according to Roberts.
In the Zoom, Roberts said the first pillar, “educate,” serves to share information about increasing access to higher education for minority groups.
In order to achieve this, the university opened the Arrupe College of Loyola, a two-year program designed to be an affordable option for students to pursue a higher education, according to the university website.
Within the Arrupe student population, 96% identify as people of color, 13% are undocumented, 83% are graduates of the Chicago Public Schools system and 77% will graduate the program without any student debt, according to Roberts.
Loyola partnered with Hope Chicago, an organization which aims to fund education access for first-generation students and their parents, according to the program’s website.
Thanks to a recent $100 million dollar gift from John and Kathy Schreiber, Loyola is also working to increase student access to education through the reduction of the barrier of the cost of education for historically underrepresented students via the allocation of scholarship from the fund, The Phoenix previously reported.
Roberts said Loyola is always looking to find ways to attract a diverse student population through this kind of work.
“Loyola really strives to support vulnerable populations to address the real challenges that are negatively impacting quality of life and have negative outcomes for our community,” Roberts said.
The second pillar, “heal,” is an effort by the university to actively attempt to heal, connect and support those facing health and safety issues within the university and the surrounding community.
One initiative which the university is participating in, White Coats for Black Lives, is a program which promotes solidarity with Black people working in the medical field and leverages the power of physicians to create equity in healthcare, according to the program’s website.
Loyola hosted a half-day event in order to educate about gun violence, with speeches from victims, healthcare providers, local leaders and law enforcement in April 2022, according to Roberts.
Roberts also said the university also offers free courses and instructor training to empower bystanders to help in a bleeding emergency.
The third pillar, “build,” focused on the university’s work in the past year to create a more environmentally sustainable campus.
Loyola has among the most environmentally sustainable institutions in the country, according to Roberts, who said the Lake Shore Campus contains 13 LEED certified buildings, and 84,000 square feet of green roofs.
LEED certified buildings must meet requirements surrounding sustainability in order to gain certification, according to the U.S. Green Building Council website.
Other examples of Loyola’s commitment to sustainability include its stormwater management systems and geo-thermal heating and cooling systems, as well as shuttle buses which are run on homemade biodiesel created in the School of Environmental Sustainability.
“All of the materials that we are using on campus are designed to not create a more sustainable future for our communities,” Roberts said.
The build pillar also covered developments within the campus, such as the renaming of the outside of the Loyola Red Line stop as the Sister Jean Dolores Schmidt, BVM Plaza, where the university plans to restart a late summer and early fall university farmers market.
Roberts also discussed the Elevate Devon Corridor Plan which was recently unveiled, The Phoenix previously reported.
A discussion about the expansion of the Ramblin’ Around student experience guide to the university’s Health Sciences Campus in Maywood was included in the build section of the presentation as well. The Ramblin’ Around guide gives students an overview of local restaurants and places to visit on campus and in this city of Chicago.
The fourth pillar, “serve,” spoke about community partnerships which the university has become involved in or remained involved within the past year.
Robert said the university has given about $135,000 directly to local nonprofit organizations in the last year.
The university also aids with direct service work through events such as the Saturday of Service, which draws over 200 students annually in Edgewater and Rogers Park to become involved in community service work, according to Roberts.
Other service work the university participates in includes the Loyola 4 Chicago initiative, Strich Day of Service in Maywood, the Village Pride Village Wide in Maywood and the Staff and Faculty Ignatian Day of Service.
The fifth and final pillar of the initiative is “research.” This pillar covered the Center for Urban Research and Learning. This program focuses on urban greening and displacement on Loyola’s campuses, according to the website.
“Doing reports like this enable our partners to understand Loyola’s work, and also see itself reflected in that work,” Roberts said. “Capturing data is the number one thing that makes this engine work and allows us to demonstrate our values and our mission with illustrations and narratives that are interlaced with supporting data.”
Featured image by Aidan Cahill | The Phoenix
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The 2022-23 season was a difficult one for the Loyola men’s basketball team. With the departure of three of its five starters from the previous season and the transition from the Missouri Valley Conference (MVC) to an arguably more strenuous Atlantic 10 (A-10), the Ramblers were poised for a season full of adversity. They finished the season last in the A-10 with an overall record of 10-21, going 4-14 in conference play.
This was the first losing season for Loyola Head Coach Drew Valentine — ever.
Drew Valentine said he has never had a losing season in any sport, not even in elementary school. He grew up playing basketball and football and said he was naturally better on the gridiron than he was on the court.
Drew Valentine said his mother, Kathy Valentine, was more of a football fan and wanted him to focus more on his role as a quarterback. However, Drew Valentine said he fell irreversibly in love with basketball in 2000, when Michigan State University won the national championship. As the son of Carlton Valentine — former player for the Spartans from 1984-88 — Drew Valentine said he and his brother got access to the team locker room, where he met all-time greats such as Mateen Cleaves.
“Mateen, senior year, he knew my name whenever I would come in,” Drew Valentine said. “To see him captivating the world in the national championship game — that’s when I fell in love with college basketball.”
Drew Valentine’s brother, Denzel Valentine, also played for Michigan State University and was drafted by the Chicago Bulls with the 14th overall pick of the 2016 NBA draft — coincidentally the same pick in which Cleaves was selected 16 years earlier in 2000 by the Detroit Pistons.
When asked how competitive his relationship was with his brother, Drew Valentine said it wasn’t. He said they never competed against each other, but rather found other people to play two-on-two against to compete with each other.
“My parents, if we got into fights when we were young, they just made us hug each other,” Drew Valentine said. “It’s just always been a lot of love and support with us and I think more motivation than competition…We’re just really proud of each other.”
Even during his time in high school, Drew Valentine said he saw himself as a coach on both of his teams. He said his growth in leadership started on the football team. As the team quarterback and captain for three years, he said his coach, Dan Bogan, helped him develop the confidence to believe in himself as a leader. On the basketball team, he had his father doing the same.
“My dad always told me from eight years old, ‘Be a leader, you’re not like everybody else,’” Drew Valentine said. “So I always thought that way. But my high school football coach inspired me to be a leader within a group of men.”
Drew Valentine attended Oakland University in college, where he continued to play basketball. He continued to do what he knew best and graduated as the winningest player in program history.
Drew Valentine said in his time as a college player, he wasn’t focused on coaching, rather on becoming a professional player, because that’s the highest level you can get. Once he shifted gears to becoming a coach, his goal, per usual, was reaching the highest level — head coach.
Drew Valentine started his coaching career as a graduate assistant under Tom Izzo’s Michigan State University in 2013. In his two seasons with the Spartans, he contributed to the team’s two trips to the Sweet Sixteen, and one to the Final Four in 2015. Even before making it to assistant coach, Valentine knew he would soon reach the “highest level” in coaching.
“When I was at Michigan State as a [graduate assistant], I’d be in the back of the video room and I would just be like, ‘When I’m a head coach, I would do this, I’m gonna do this,’” Drew Valentine said. “I’d be telling the managers and everybody and I told them I was going to be head coach by the time I was 30…I just, I felt like I was gonna outwork people.”
Drew Valentine delivered by becoming the youngest head coach in NCAA Division I basketball at age 29. In a press conference April 5, 2021, Loyola Director of Athletics Steve Watson announced Drew Valentine as the head coach of the Loyola men’s basketball team, where he described him as a “proven winner.”
During his four years as an assistant coach under former Head Coach Porter Moser, Drew Valentine helped lead Loyola to a trip to the Final Four in 2018, two Sweet Sixteen victories, and three trips to the NCAA Tournament following three MVC Championships. In his first year as head coach, Drew Valentine kept his foot on the gas, leading the Ramblers to their second-consecutive MVC Championship in the 2021-22 season and a trip to the NCAA Tournament.
However, achievements on the court aren’t the only priority for Drew Valentine. He said after watching his father shape the lives of so many kids, he understands his position of leadership as a role model.
“It’s really important for me, especially as a minority,” Drew Valentine said. “A lot of us, we don’t have the same amount of positive mentors you know? Just in the world that aren’t in music or playing as athletes…I watched my dad shape so many young men as a high school coach, and help them change their family’s lives. And so that’s what I want to try to help guys do.”
Drew Valentine said his first losing season gave him great perspective, but emphasized it’s not a place in which he wants to be again. As the team leader, he said his job is not letting his athletes lose their passion for the game, reminding them he still believes in them as individuals so they can be great.
With that being said, Drew Valentine said he feels his team can be much more competitive next season as his coaching staff continues to look for players that match the team’s DNA. His formula for excellence is simple.
“We want to be a family type organization,” Drew Valentine said. “We want it to be about being great in all areas with no entitlement, low ego — not [none], I want a little ego in there — and then we want it to just be a family atmosphere.”
Featured image courtesy of Steve Woltmann for Loyola Athletics
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Inigo Communications, Loyola’s student-run communications agency, has been giving students the chance to create promotional content for real clients for six years, including taking a day trip to Washington, D.C. for United Airlines.
Inigo was founded in 2017 by Cheryl McPhilimy, a senior instructor at Loyola and the current faculty advisor for the agency. It counts as an Engaged Learning course at Loyola, also known as COMM 345.
McPhilimy said she started Inigo to give students the skills and confidence to work in communications agencies after graduation. It was created with three major goals in mind — letting students do real work for real clients, putting students in motivated teams and receiving mentoring from alumni and public relations professionals.
Inigo currently works with Avionos, a business-to-business e-commerce company, business networking organization Chicagoland Chamber of Commerce and United Airlines’ Department of Safety and Compliance. They create promotional material for their clients, including press releases, videos, posters and social media content.
Jill Berndtson, a digital marketing specialist at Avionos, is a Loyola alum and was part of Inigo from fall 2017 to fall 2018 before graduating in 2020 with a bachelor’s in advertising/public relations. She works directly with Inigo students, sending them projects like infographics, employee handbooks and market research.
Berndtson said her time at Inigo directly led to her current position. She said having hands-on agency experience separated her from other candidates.
“I have a huge spot in my heart for Inigo,” Berndtson said. “It was my favorite organization I was involved with during my time at Loyola.”
Alex Krebs, the manager of marketing and communications for the Chicagoland Chamber of Commerce, said the Chamber is appreciative of Inigo’s hard work in creating high-quality content.
“Inigo’s team is highly professional, responsive and efficient,” Krebs wrote in an email to The Phoenix. “Inigo Communications is a valued partner of the Chicagoland Chamber of Commerce, and we look forward to continuing our successful collaboration with them in the future.”
Eight students from creative and copywriting teams met with United’s Department of Safety and Compliance to film content and conduct interviews with staff to promote the department. Inigo focused on baggage handlers, customer service representatives and other ground staff during the one-day trip to Dulles International Airport in Washington, D.C. Feb. 24.
Firm Director Marielle Sorhondo, a junior advertising/public relations major, said the trip was proposed by United. Inigo typically travels to O’Hare International Airport to create social media content of the airline’s employees on the tarmac, but the airline wanted to diversify the people pictured on their accounts.
Sorhondo said she enjoyed working with the unsung heroes of commercial flight who make sure travelers get home safe.
“It just feels really meaningful to work with all these people that work under the wing and make your flights happen that you don’t necessarily appreciate on a daily basis,” Sorhondo said. “It makes me feel like we’re doing some good work out here.”
Ellie Landt, promotions coordinator and sophomore marketing major, said this has been a groundbreaking semester for Inigo because of the number of opportunities everyone in the agency had. She went to D.C. to create promotional content for Inigo, advertising the agency to prospective students and clients.
“We have students in Inigo of all different majors and all different years, and there were freshmen going to these events, going on the United trip,” Landt said. “I definitely think it was a super cool experience to get out of the classroom.”
Landt said the trip’s schedule was “choreographed,” as they only had four hours until their return flight. Half of the Inigo team went to the tarmac, while the other half stayed inside the airport. Students gathered as many videos, interviews and pictures as they could to use later on United’s social media pages.
McPhilimy said she was impressed with how the Inigo students handled the trip to D.C. She said everything was carefully budgeted and planned, including how the content would fit into the agency’s goals for working with United.
“It’s the real deal,” McPhilimy said. “It’s not just class exercise anymore when you’re standing on the tarmac talking to under-the-wing employees for one of the biggest airlines in the world.”
Students in Inigo have had other opportunities to get field experience throughout the semester. All 24 members of Inigo went to The Exchange, a business networking event by the Chicagoland Chamber of Commerce held at Soldier Field, to create a video and make new connections March 29, according to Sorhondo.
Sorhondo said covering The Exchange involved careful planning to get the proper background footage of the event and its attendees. Inigo students that weren’t filming toured the event to meet with businesses from everywhere in Chicago.
With the success of the United trip and so many members of the firm being eager to attend, Sorhondo said she believes Inigo is back in full force after the pandemic confined the agency to Zoom meetings for two semesters.
Featured image courtesy of Ellie Landt
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Winners were declared April 11 in the spring elections filling the top offices in the Student Government of Loyola Chicago (SGLC).
Voting was available to all undergraduate students from April 5 to 10 through an online ballot sent to their university email. Candidates were running for president, vice president, chief justice, second, third and fourth year senators and at-large senators.
Junior Alexandra Brist was elected president alongside her running mate for vice president sophomore Ben Bryan. Sophomore Paige Gutierrez was named Chief Justice, SGLC announced.
As president, Brist’s powers will include nominating SGLC associate justices, appointing student representatives to the university Board of Trustees and University Senate, issuing executive orders, ratifying and vetoing SGLC senate legislation, establishing SGLC’s administrative procedures and attending all executive and legislative branch meetings, according to the SGLC Articles of Governance.
“A huge thank you to the people who did vote — we appreciate your willingness to get involved in the election and use your voice,” Brist said. “To the people that didn’t vote for us, that’s okay. If you did vote in the election and not for us, you still used your voice as a student and that’s the most important thing to us.”
Over 1,200 students voted in this year’s spring elections, a dramatic increase from the 600 who voted in last year’s election, according to Brist. She attributed the surge in turnout to a recent change from the SGLC Elections Committee, which allowed for candidates to continue campaigning during the voting period.
“We had one of the biggest voter turnouts in SGLC history, which we think is incredible,” Brist said. “And not only for just the visibility of our organization, but the way that we were able to reach so many students. We think the outlook from here is incredible, and people care about what we do and want to work with us.”
Brist previously served as Speaker of SGLC Senate and Bryan served as a senator during the 2022-23 school year. Bryan said he hopes to implement a piece of legislation he wrote as a senator which would make Narcan — a non-prescription nasal spray capable of quickly reversing the effects of opioid overdoses, according to the Food and Drug Administration — and fentanyl testing strips available on campus.
One of Brist and Bryan’s top priorities is the creation of a multicultural center which would be available for use as a club and event space for the different minority, cultural and veterans campus groups.
“We have a number of organizations that have come to us and said, ‘We don’t have a space on campus,’” Brist said. “We understand that Loyola, it’s very limited to begin with, so it’s hard to really push for space for individual groups. Seeing that that is a concern, we think that creating a multicultural center for anybody in these groups to come to would be great.”
Brist and Bryan held multiple events to spread the word about their campaign including an event in the Damen Den April 3 after the vice presidential debates, The Phoenix reported.
“We were in random classrooms in Mundelein and Cuneo and just thinking about what else we could do to kind of further our platform and kind of get the word out,” Bryan said. “And so it was a lot of long and stressful nights, but I think that really helped us stay on track with our goals and what we wanted to see from ourselves.”
As the chief justice, Gutierrez will preside over all judicial branch meetings, determine the time and place of judicial branch meetings, and send all censure complaints, dissenting and concurring opinions, approved committee bylaws and legislation to the chief of staff to be archived. Gutierrez said her biggest goal is working with the senate’s Governance Committee to reform the allocation process for club and activity funds.
“We definitely want to work with the governance committees to just clarify things in the articles of governance that are more vague,” Gutierrez said. “And then we want to make sure that there is clear rules and guidelines for the allocating of the student activity fund.”
Gutierrez credited her election to the time she spent creating digital campaign materials, including her campaign Instagram, and virtual outreach efforts.
“It was definitely a bit of a stressful campaign period,” Gutierrez said. “I’m currently studying abroad in Spain, so it’s definitely a lot to juggle the time difference and be able to attend all the things I need to attend. So I’m glad that it’s over now and that the results are in.”
The spring is SGLC’s busiest time for elections because alongside the contests for head executive and judicial branch positions, candidates from each class besides outgoing seniors are also running for seven available senate positions per class, according to SGLC.
During the fall elections, only candidates from the new first-year class are running to represent their year in the SGLC senate and internal elections also take place to fill any vacancies on the senate throughout the year, according to SGLC.
The previous SGLC President Hannah Kwak did not respond to requests for comment.
The students elected to serve as second year senators were Ella Beauleau, Najiya Shahzad, Ishmal Hasib, Falak Choudry and Sophie Buchman, according to SGLC.
“Passing the Equitable Gender Housing Resolution was one of the most rewarding parts of my first year at Loyola,” Buchman told The Phoenix via email. “Look forward to big things from me, as my work in ensuring justice for all ramblers has only just begun.”
Those elected as third year senators were Michael Clausen, Swetha Chandrasekar, Daniel Williams, Farheen Saiyed and Alec Richter, according to SGLC.
“In my time as a senator, I’ve been focused on writing legislation to help push Loyola to do more for environmental sustainability on campus and in Chicago as a whole,” Clausen told The Phoenix via email. “And I’m looking forward to the opportunity to keep amplifying student voices and concerns in the next year.”
Those elected as fourth year senators were Marie Delaney, Melissa Bornovali and Heena Sharief, according to SGLC.
Those elected as at-large, or not representing any specific grade but the student body as a whole, were Khalid Hamdan, Erin Tylutki and Haaziya Saiyed, according to SGLC.
“My main initiative really is to get mental health days established on the campus,” Hamdan told The Phoenix via email. “That’s one of the leading stressors I think upon the student body and among college students overall, is challenges with mental health and I’m finding it to be my duty to make sure that Loyola respects mental health.”
Featured image by Hunter Minne | The Phoenix
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“The Super Mario Bros. Movie” karts to the lead by welcoming a madcap, mushroom-filled world.
Based on the video game series by Shigeru Miyamoto and Nintendo, “The Super Mario Bros. Movie” follows Brooklyn brothers Mario and Luigi as they plunge into a magical world of mushrooms, monkeys and tyrannical turtles.
After being sucked into a mysterious tunnel under New York City, the plumber-brothers find themselves separated across the Mushroom Kingdom. With Luigi being held hostage by the Koopa King Bowser, Mario works with the kingdom’s Princess Peach to unite a force to stop Bowser and his invading troops.
“The Super Mario Bros. Movie” features an all-star cast of eccentric characters and famed voices to match.
Chris Pratt as Mario gives a surprisingly endearing performance as the tenacious jumpman. Despite being criticized for his voice acting in the film’s promotions, the end-product shows Pratt (“Guardians of The Galaxy,” “The Lego Movie”) managing a portrayal that doesn’t distract or overtly stereotype.
Making up the second part of the Mario Bros. is Charlie Day as Luigi. Day (“It’s Always Sunny In Philadelphia,” “Pacific Rim”) compliments Pratt’s sure-headedness as the supportive and thoughtful brother.
The interplay between the two lends to the film’s most heartfelt and earnest moments. Unfortunately, the sequences only appear at the start and end as the crux of the film revolves around the two being separated.
The breakaway makes the movie more digestible for world-building but robs the film of the brothers’ dynamic. Consequently, Luigi falls by the wayside despite being the plural bro to Mario.
More than making up for Luigi’s absence, Anya Taylor-Joy as Princess Peach secures the role as a secondary protagonist in his stead. Taylor-Joy (“The Menu,” “The Queen’s Gambit”) embodies regality while retaining both the charisma and strength to lead her people.
Comedic additions like Toad (Keegan-Michael Key) and Donkey Kong (Seth Rogan) keep the pounding energy alive with off-the-cuff humor and witty banter. However, the true standout of the bunch is Jack Black as the delightfully villainous Bowser.
Black (“School of Rock,” “Kung Fu Panda”) pours his heart and soul into the role of a lovestruck, furred and fire-breathing tortoise. Seeking to win Peach’s favor by showing his feats of strength, Black plays Bowser like a pining bully embarrassed by his crush.
Black’s devotion to the role went as far as recording a piano serenade to Peach, simply titled “Peaches.” Not only is the song featured in the film and a post-credit scene, Black also committed to a separate music video directed by Cole Bennett of Lyrical Lemonade.
Performances aside, “The Super Mario Bros. Movie” wouldn’t be such a joyride without Illumination’s sensational animation. Known for producing simple-but-cute features like “Minions” and “Sing,” Illumination improved dramatically for “The Super Mario Bros. Movie.”
Directing duo Aaron Horvath and Michael Jelenic pair Illumination’s bright and bubbly presentation with thrilling re-enactments of gameplay and long takes of lively action. While overwhelming at times, the vibrantly colored scenes wholly captures Nintendo’s imaginative style and fun-focused aim.
Horvath and Jelenic (“Teen Titans GO! To The Movies,” “Elf: Buddy’s Musical Christmas”) pay tribute to Miyamoto and Nintendo’s world lovingly. The film swells with joy every time Koji Kondo’s “Ground Theme” plays.
If there’s a fault to be had with “The Super Mario Bros. Movie” it’s that it’s too short. With such a vast and perplexing history, the film could’ve easily surpassed the hour-and-a-half runtime to give itself depth.
The film settles for a streamlined plot and skims over characters. While shallow, it’s still an enjoyable watch. “The Super Mario Bros. Movie” doesn’t need weighty storytelling to still have a fun time.
Overall, it’s yet another step forward for video game adaptations. “The Last of Us” loyally brought to life its dramatic wasteland and “The Super Mario Bros. Movie” likewise adapts its light-hearted world with passion.
Both are testaments to video games’ gained respect as creatives produce love-letters to their playable-inspirations. These inhabitable characters, settings and worlds are all gradually growing into on-screen galaxies — of super proportions.
“The Super Mario Bros. Movie” is in theaters now.
Featured image courtesy of Universal Pictures
The post Illumination’s ‘The Super Mario Bros. Movie’ Is a Brightly Animated Odyssey first appeared on The Loyola Phoenix.
As Loyola’s students spread out across the country during the summer months, Loyola will undertake several campus construction projects, including stormwater management upgrades and building improvements.
Eight projects are scheduled to go forward on the Lake Shore Campus (LSC) starting May 15, and expected to be completed Aug. 23. Kana Henning, senior associate vice president for facilities, said the projects were intentionally scheduled for the summer.
“It’s our least disruptive time of year, you know we certainly would not be able to do any of this work during the school year whenever students are around and campuses are so busy with activities,” Henning said. “It would be very disruptive to students and to the class schedule.”
The Information Commons (IC) will be receiving a major overhaul with the installation of new carpeting throughout and the addition of new furniture in the building, according to Henning. She said, here will be 20 new study pods put in throughout the building as well as new group study tables and modular lounge tables.
The IC will be closed from May 13 through mid-August, according to the Loyola Libraries Instagram. These new amenities were financed by a federal library improvement grant Loyola received in August, The Phoenix reported.
Cudahy Library, Coffey Hall and Piper Hall — which are all nearby the shoreline of Lake Michigan — will undergo perimeter work on each building’s foundation to build resistance to flooding, Henning said. The buildings have all been prone to flooding in their lower levels during instances of heavy rainfall, according to Henning.
Flooding following heavy storms has been a persistent issue at Loyola in recent years. In September, 34 LSC buildings flooded as a result of a heavy rainstorm, The Phoenix reported.
In addition to the waterproofing efforts to the buildings themselves, the university is upping the ability of its stormwater systems to take in rain and drainage water in areas around the building. Henning said new storm vaults will be installed in the lawn outside Dumbach Hall and in the plaza between Piper Hall and the Mundelein Center.
“We have storm vaults throughout campus and we store rainwater so that it can then be slowly released into the city’s storm lines and into our lake outfalls,” Henning said. “The rainfall gets separated and treated and removed of debris before it goes out into the lake.”
These projects will mean these spaces will be closed to students and pedestrians while the projects are completed. Henning said there will be additional projects in the future which aim at building resilience in Loyola’s stormwater management infrastructure.
“We continue to make progress on a stormwater master plan that identifies areas of vulnerability for us to address and this is one of our areas of vulnerability,” she said.
Henning said Dumbach Hall and Mundelein Center will both undergo facade repairs to the exteriors of the buildings. As two of Loyola’s oldest buildings, she said repairs are needed to prolong their life and continued use.
Repairs on Mundelein have been ongoing over the past two summers and are set to be completed this year, The Phoenix previously reported. Henning said the size of the building has been the main factor contributing to the length of the project.
Repairs on Dumbach Hall will focus on ensuring the soundness of window structures and repairing any cracks in any of the masonry which may have shifted over the years, according to Henning. She said the repairs will improve the energy efficiency of both Dumbach and Mundelein by making the windows less susceptible to letting out warm air from the building.
The Crown Center for the Humanities will undergo improvements which Henning said seek to modernize different aspects of the building. The building’s elevators will be replaced and upgraded as well as its fire alarm and fire sprinkler system, according to Henning. The interiors of the bathrooms in the building will also be renovated and two new gender neutral bathrooms will be added.
New data cabling will be installed throughout the system as well as an upgraded heating, ventilation and air conditioning (HVAC) system. Henning said these improvements will improve the building’s energy efficiency.
“With our HVAC renovations, anytime we upgrade or modernize HVAC with that comes upgraded controls packages that will optimize heating and cooling to continue with our energy efficiency goals,” she said.
Arrupe House, a Jesuit residence on campus, will also be receiving an overhaul. The building’s interior will be updated and new social and learning spaces will be added, Henning said. Upgrades to the building’s lighting, mechanical and heating systems will be completed to improve energy efficiency, according to Henning.
Over the next two summers every shower basin and drain in Regis Hall is set to be replaced to combat regular leaks in shower drains. Henning said the areas around showers in bathrooms won’t be replaced.
Gentile Arena will be closed from July 17 to Aug. 14 as annual maintenance will be performed on the flooring in the arena, Henning said.
Henning said Facilities will keep the Loyola community up to date as these projects begin and are completed.
“As we update our project plans or if there is anything new that we need to alert the community to, we will continue to update our website and make people aware of any changes or additions,” she said.
Featured image by Hunter Minne | The Phoenix
The post Eight Construction Projects Scheduled For Loyola’s Campus Over the Summer first appeared on The Loyola Phoenix.
Last Friday, three protesters disrupted a drag race that had been planned by the Department of Programming (DOP) and Rainbow Connection — an LGBTQ+ organization on campus, The Phoenix previously reported.
We posted this breaking story on our website and social media and, in the four days since that post went live on Instagram, there have been over 1,200 comments defending both the performance and the protesters.
While a majority of the comments were in support of the 7 p.m. event in Mullady Theater, the back-and-forth dialogue is indicative of a greater conversation that is being had in the United States.
Drag, as a practice, has become highly politicized in recent years. In February, Tennessee Gov. Bill Lee said he planned to ban drag and “adult cabaret entertainment” from “public property or locations where children might see the performance,” the Associated Press (AP) reported.
There is often a perception that drag performances are overly sexualized — a protester outside Loyola’s drag show even stated it objectifies women.
Drag is defined as “the art of dressing and acting exaggeratedly as another gender, usually for entertainment such as comedy, singing, dancing, lip-syncing or all of the above,” according to AP.
The legislation was eventually blocked by a federal judge in March, AP reported, but the message Lee sent to the drag community was clear.
Lee and others view drag as a threat to the minds and hearts of children and Americans throughout the country, but this simply isn’t the case. Drag is a form of self-expression and freedom — a tenant of America that is so often perverted.
In hosting this event for the Loyola community, the DOP and Rainbow Connection intended to provide a safe space in which students, faculty and staff could participate and attend.
In a study conducted by researchers at Southern Illinois University Carbondale, drag performers felt a sense of “status, self-affirmation,and empowerment as benefits that drag performers may obtain from participation.”
While those performing in drag may not be part of the LGBTQ+ community, there are inexplicable ties between the two worlds. Having spaces where they can feel welcomed and accepted are necessary.
Attending a fairly liberal institution, members of the Loyola community are — in a way — fortunate to have outlets like the drag show, but protests and demonstrations like this make it clear there is still progress to be made.
Featured image by Ella Govrik | The Phoenix
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As the end of the school year approaches, increased numbers of college students across the country have begun searching for summer jobs and internships.
During the early summer months, the hunt for positions for undergraduate students and permanent full-time jobs for recent graduates spikes, with the youth labor force — 16 to 24 year-olds — having grown by 12.9% between April and July 2022, according to the Bureau of Labor Statistics.
Associate Director of Career Development Advising and Education Jon Rosenfield said while factors like COVID-19 have previously impacted students’ abilities to find summer employment, there are resources designed to help Loyola students find jobs and internships.
“For many, many students, when it comes time to look for an internship or time to look for a job, it kinda feels like, ‘Maybe I don’t know what I’m doing, and it feels like I should,’ or maybe everybody else seems like they know what they’re doing,” Rosenfield said. “That’s not true — very, very many students feel like they don’t know what they’re doing.”
Avery Glunt, currently a masters student studying finance, said she had no idea how to search for jobs and internships when she was entering college as a first-year. She said she was “totally lost” before coming to Loyola.
Rosenfield said Loyola’s Career Services offers a wide range of tools and resources, such as resume and job search guides which are available on the department’s website and career-related YouTube videos. Students can find on and off-campus job and internship listings posted for Loyola students through the career management platform Handshake, according to Rosenfield.
Handshake can also be used to make appointments for career advising, pre-health advising and Quinlan School of Business coaching, according to the Career Services website.
Senior psychology major Elani Williams said Handshake has been a useful tool for finding jobs within the university. In 2019, she became a Peer Advisor after applying to the position through Handshake, and she recently used Handshake to apply to be a first and second-year advisor this summer after she graduates.
Glunt said she has used Handshake to connect with employers after attending career fairs at Loyola. She said Handshake streamlined the application process because it allowed her to search for people she met at the events.
Williams said a willingness to apply to positions and ask for help from advisors and mentors can be beneficial for students going through the job or internship search process.
“The worst thing they can say is ‘No,’” Williams said. “So being open to those opportunities by asking for help is a big piece of advice I would give.”
Williams also uses LinkedIn to search for positions. She said it’s a more personal and specific platform to search for jobs as it allows users to build professional connections with other users and employers. Rosenfield said he also suggested students turn to websites like Indeed and ZipRecruiter to find available positions for the summer.
In addition to networking through online tools, Williams said networking through personal relationships can benefit students finding jobs and internships. She said she found her current position as a student researcher at Loyola’s Institute for Racial Justice by talking to friends and family.
Networking is an important aspect of expanding the job and internship search for students, according to Rosenfield. He said networking isn’t about just asking someone for a job or internship — it’s about understanding the knowledge others have in certain fields and gathering information from them.
“Let them understand who you are and what you’re about and what you’re trying to get into, maybe skills that you bring to the table,” Rosenfield said. “Then, that’s just knowledge that they have in their mind in case they come across something that they think would be relevant to share with you.”
Loyola’s Career Services has also recently developed platforms specifically for Loyola students to find jobs and internships, as well as connect with alumni and other students for guidance.
One of these is Loyola Launchpad, which was released last spring. The site is designed to be a one-stop service for students searching for jobs, especially graduating Loyola students, according to Career Services’ website.
LoyolaLinked has been in a “soft launch” phase this semester to ensure a balance in alums and students on the platform, according to Rosenfield. The new platform is a Loyola-specific networking and mentoring tool, similar to platforms like LinkedIn. Alumni can make accounts to seek career advice and mentor current students, and students can use the tool to receive guidance and search for job opportunities through alumni, according to the platform’s website.
“Right now, there’s a pretty good combination of folks in different areas on there,” Rosenfield said. “But the idea is, these are Loyola alums and Loyola students connecting specifically because, you know, everybody is a Rambler.”
Glunt said she recommends students be proactive when searching for jobs and internships.
“A lot of deadlines are sooner than you think they are, and getting your name in early is always a good thing,” Glunt said.
While the search for summer jobs and internships can feel difficult and confusing, Rosenfield said the resources offered through Career Services can help when finding positions.
“I just want people to know that they’re not alone, and that we can help,” Rosenfield said.
Resources for jobs and internships are accessible through the Career Services website, and appointments with Career Services can be made throughout the summer.
Featured image by Holden Green | The Phoenix
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A group of three protesters gathered outside of Loyola’s Mertz Residence Hall on the evening of April 14 to protest a drag race.
The show was hosted by the Department of Programming and the Rainbow Connection. The protest began at approximately 6:40 p.m. and lasted until the show ended at 9 p.m.
The drag show, which began at 7 p.m., included performances from both professional and student drag performers. As the event took place inside of Mullady Theater, the protesters stood on the steps of Mertz holding signs condemning the event. The signs read “Catholic Schools Follow Catholic Rules!” and “Drag Shows Drag Down Female Dignity.”
Emily Torres, one of the original protesters, said that as a woman, she knows Loyola’s “history with assault and sexualization.” Torres said she believes drag objectifies women to great extents.
“The drag queens at these shows have dresses in a very sexual nature,” Torres said. “It tells people that to be a woman and to dress like a woman is to dress in a sexual manner that objectifies women.”
Matthew McKenna, another original protester, said drag goes against his Christian beliefs.
“Last year we also collected signatures from professors and Jesuits to stop the show,” McKenna said. “Specifically because a few years ago, the show has a performer dressed as a nun, stripping to Madonna’s ‘Like a Virgin.’”
Additional protesters joined in opposition to the event and at approximately 6:50 p.m. a group of students in support of the drag show began a counter-protest. The crowd gathered to approximately 60 people. Protesters screamed, chanted and blared music from speakers to drown out other voices.
Rainbow Connection is an organization dedicated to creating a safe space for LGBTQ+ students on Loyola’s campus, according to their Instagram.
Ryan Bradley, president of Rainbow Connection, said the organization was in contact with university administrators who indicated to Rainbow Connection the protesters would be there prior to the event.
“It is a couple people with homophobic beliefs who are trying to disenfranchise the art of drag,” Bradley said.
While walking to the beach, Loyola student Mustafa Unat said he saw the crowd and joined the group rallying against the protest.
“I’m coming down from my room, only to be greeted by homophobia on my doorstep,” Unat said. “As a gay man at Loyola, I thought I would be accepted.”
Cheering and applause poured out of Mullady Theater as the show wrapped up. Student P.J. McMahon said the protest made the show a momentous event to attend.
“There is something so special about [drag] that people feel the need to fight it,” McMahon said.
Both the original protesters and counter-protesters left shortly after the drag show ended.
Featured image by Ella Govrik | The Phoenix
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A 32 year-old-male sustained a gunshot wound to the foot Thursday afternoon on the 1400 block of W. Arthur Ave., approximately a half mile from Loyola’s Lake Shore Campus, according to the Chicago Police Department (CPD).
The victim was walking down the street at approximately 1:30 p.m. when a dark colored vehicle approached and an occupant inside fired shots, which struck the victim, according to CPD.
No suspects are currently in custody and Area Three detectives are investigating the incident, according to CPD.
Featured image by Nicky Andrews | The Phoenix
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Chicago will be the host of 2024 Democratic National Convention which will meet to nominate President Joseph R. Biden and Vice President Kamala Harris to run for a second-term in the White House.
The Democratic National Committee (DNC) announced in a press release the United Center will be the location of the convention which is set to run from Aug.19-22, 2024. Chicago last hosted a nominating convention in 1996 when Democrats came to the city to nominate Bill Clinton for a second-term.
Chicago beat out Atlanta and New York which had been identified as the other finalists in the competition to host the event, the Associated Press (AP) reported.
DNC Chair Jaimie Harrison said hosting the event in Chicago highlights the importance of the Midwest, which is home to several key battleground states, as a key voting bloc in the 2024 election.
“The Midwest reflects America and will give Democrats an opportunity to showcase some of President Biden and Vice President Harris’s most significant accomplishments for American families,” Harrison said in the press release. “I’m grateful to the leadership of Chicago’s bid for being great partners, as well as to the other cities for putting forward such strong bids.”
The Republican National Committee announced in August it will be hosting its convention 2024 just up the Lake Michigan shoreline in Milwaukee July 15-18, 2024, the AP reported.
Biden said Chicago is a great choice to host the convention due to its democratic values, commitment to labor and world-class amenities.
“Democrats will gather to showcase our historic progress including building an economy from the middle out and bottom up, not from the top down,” Biden said in the press release. “From repairing our roads and bridges, to unleashing a manufacturing boom and creating over 12.5 million new good-paying jobs, we’ve already delivered so much for hard working Americans – now it’s time to finish the job.”
In their 2020 election victory, Biden and Harris received sizable support from Chicago where they garnered 82.5% of the city’s votes, according to the Chicago Board of Elections. Illinois last voted for a Republican in a presidential race in 1988 when the state gave its electoral votes to George H.W. Bush.
Illinois Gov. J.B. Pritzker, who helped lead the effort to lobby for Chicago as the convention site with other prominent Illinois politicians, said the city and its diverse population shows the best of America and its people.
“The 2024 Democratic National Convention in Chicago will welcome people from across the nation to an unforgettable event highlighting our party’s vision for lifting up working families and those who too often have been left out and left behind,” Pritzker said.
Outgoing Mayor Lori Lightfoot said she was deeply honored Biden and the DNC selected Chicago as the host city.
“I want to commend all the city government leaders who demonstrated with a proven track record of excellence that by choosing Chicago, the DNC, convention delegates, volunteers and others would be treated to a first class experience in our world class city,” Lightfoot said in the release. “The DNC will create once-in-a-generation opportunities for job creation and business growth here in our city, and I’m proud that we got it done for the people of Chicago.”
Featured image by Griffin Krueger | The Phoenix
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The Raleigh Relay officially kicked off the Loyola track and field team’s outdoor season on March 23, lasting until March 25. During the three day stretch at North Carolina State University’s Paul Derr Track & Field Facility, the Ramblers men’s and women’s teams posted successful results in different events.
On the first day at Raleigh, two personal records came from the men’s 1500-meter, with junior Miguel Abaitua at 3:48.74 and sophomore Gabe Smit at 3:50.13, placing second and eighth, respectively, within their heat. In the men’s 500-meter, sophomore Fionn Harrington also posted a personal record with a time of 14:23.63.
In the women’s 10,000-meter, the last event of the night, Loyola saw more success. In addition to graduate student Sophia Manners’ new personal best of 35:44.05, sophomore Grace Jostock clocked the ninth-best time in program history with 35:26.23 at the women’s 10K.
Jostock said this performance signals a major comeback after redshirting the outdoor track and field season due to personal health concerns.
“Looking back now, it’s the biggest blessing in disguise,” Jostock said about redshirting. “It made me realize to find an identity outside running, and it made me find my genuine love for it again.”
Jostock also expressed heavy appreciation for her support network through the health concerns, saying it was gratifying to be able to “run and do it.” Because of her decision to redshirt, Jostock finished as a first-year, eligibility-wise for the outdoor track and field season, but finished her indoor track and field and cross-country seasons as a sophomore.
On day two, only three Ramblers competed, with juniors Jayla Johnson and Jevan Terry joined by sophomore Grace Kuhn.
On the third and final day of the relay, the Ramblers hit the ground running. Sophomore Erin Connors posted a time of 1:03.51, tying her personal best in the women’s 400-meter. In the men’s 800-meter, Smit grabbed another personal best with a time of 1:52.27, adding another record-setting run.
With a time of 1:50.46 and a 12th-overall finish, Abaitua set another personal best, placing ninth on the program’s 800-meter all-time record list. The time overtakes his previous best of 1:50.81, which he set at the Indiana Invitational during the 2021-22 season.
Abaitua, who also ran the 1,500-meter, said the results reflect Head Coach Gavin Kennedy’s philosophy of focusing on one event, as well as his 800-meter-centric training method.
Following Easter Break, members of the team will represent Loyola in several different meets across California and Illinois before taking a shot at the Atlantic 10 Conference Championship on May 6 and 7.
Abaitua said the goal for the team in the final stretch of the season is to remain consistent and improve before conference.
“Our main focus is conference and that’s at the end of the outdoor season,” Abaitua said. “On the way there, we also want to get good times to be higher on the ranks and also get original marks to then try to have a shot at making nationals.”
Abaitua also noted how a smaller squad led to greater individual focus, compared to cross country.
“When it comes to track, there’s more individual title ambition,” Abaitua said. “As a team, we don’t have enough people or as many people, we’re not such a big team as other teams are.”
Loyola’s next competition, the Bryan Clay Invitational, takes place in Azusa, California in a two-day stretch from April 13 to 14.
Featured image courtesy of Loyola Athletics
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Redshirt senior Cole Schlothauer has made himself known as a consistent and key player for the Loyola men’s volleyball team, playing in every match this season. In his five years as a Rambler, Schlothauer recorded high numbers all across the board with multiple recognitions in the Midwestern Intercollegiate Volleyball Association (MIVA) and the American Volleyball Coaches Association (AVCA).
Schlothauer’s time as a collegiate athlete did not start like others. In high school, he said he played both football and basketball. After quitting football his junior year, he was faced with the tough decision given to him by his dad — choose another sport or get a job. Volleyball happened to be in the same season, so he said he decided to pick it up. Schlothauer said he quickly fell in love with the sport because of how different it was from everything else he had done.
After making the tough choice of continuing volleyball over basketball, Schlothauer said he got lucky to continue playing at the collegiate level. He had less experience and knowledge than others he was playing against, which led him to not receive as many offers for college play. While playing against a club team with a Loyola commit, Schlothauer said Loyola’s coaching staff caught his eye.
“I went on two official visits and after I went on my second one, the people at Loyola felt right,” Schlothauer said. “I love Chicago. I love the big buildings — it’s my favorite part.”
Schlothauer made the decision to redshirt his first year, forcing him to sit out for the season. During that time, he said he expanded his knowledge on the sport, watching hours of film and attending two practices each day.
“I was just trying to become the best,” Schlothauer said. “I had only been playing for two years up to that point, so I was pretty bad. I had a lot to learn.”
Looking back on his career at Loyola, Schlothauer gave a lot of credit to the former Head Coach Mark Hulse and his coaching staff. Without the push from them during his first year and their constant support on both good and bad days, he said he wouldn’t be the successful player he is today.
Schlothauer has received multiple accolades from the AVCA and the MIVA throughout his five years as a Rambler, according to Loyola Athletics. He has received three First-Team All-MIVA honors, one AVCA All-American mention, two AVCA All-American Honorable Mentions, two all-academic MIVA recognitions, an AVCA Preseason All-American Honorable Mention and was named both the MIVA and the AVCA National Player of the Week in the same week, Feb. 2, 2021, according to Loyola Athletics.
After Loyola Athletics announced the hiring of John Hawks as head coach of the Loyola men’s volleyball team on May 27, and according to Hawks, Schlothauer has been key in leading the team and helping Hawks have the successful season they have had.
“He’s a great player,” Hawks said. “He does so many things for us. I’m fortunate that I can step into a new position and have somebody with his leadership ability. I’m fortunate that his senior year is my first. I’m just so happy to go out with him on this.”
According to Schlothauer’s teammate, junior middle blocker Jimmy Meinhart, Schlothauer has been a leader since he arrived at Loyola. From helping first-years find their way around campus to feeling like they belong on the team, Schlothauer was there, Meinhart said.
“Coach Cole,” as his teammates refer to him, wouldn’t be where he is today without them, Schlothauer said.
He mentioned former teammate Garrett Zolg and the chemistry they had together. Schlothauer said he now has this same chemistry with his new setter, redshirt sophomore Dan Mangun, who stepped into the role after Zolg left. Schlothauer added that everyone on the team puts in hard work, regardless of where they are on the roster, and helps him be the best he can be.
Last season, after facing an injury, Schlothauer stepped even more into his “Coach Cole” responsibilities, helping by learning the game better by watching film constantly and being there for his teammates when they needed him.
“I learned I hated sitting out,” Schlothauer said, laughing. “I’m older than a lot of these guys and I’ve been playing the game for a while. But I think the time down really allowed me to learn the game and become a smarter player.”
With the regular season coming to an end, playoffs are just around the corner for the Ramblers, and Schlothauer said he is excited to win with the team.
“I have never won the conference championship,” Schlothauer said. “That’s been our goal since the beginning of the year. It’s my senior year — the last rodeo. I want to win it. I’m excited to win it, and we’re going to win it.”
Hawks said the entire Rambler team is hopeful and ready for their playoff run, and having Schlothauer on their side makes everyone more confident.
“I think his leadership is impeccable,” Meinhart said. “When you get into the playoffs, you have guys that haven’t been in that position and don’t know what to expect. Cole’s been there and done that four times over, so I think his leadership and his play is going to make a big difference for us.”
After his final season comes to an end, Schlothauer said he intends to turn his part-time job at a real-estate firm — working in acquisitions and development — into his full time job.
Hawks and the team said they wish the best for Schlothauer but will miss him and the impact he had on and off the court.
“He’s going to be really successful in his real-estate adventures and he’s going to be a great donor to the program,” Hawks said laughing.
Schlothauer and the Ramblers are slated to play their final two games of the regular season on the road, when they face Ball State University April 6 and The Ohio State University April 8. First serve is set for 6 p.m. and 4 p.m. respectively and is set to be broadcast on ESPN+ and BigTen+.
Featured image courtesy of Steve Woltmann for Loyola Athletics
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Senior golfer Caroline Dayton has spent the last four years representing Loyola women’s golf. She was recently named Metro Athletic Atlantic Conference (MAAC) Player of the Week — the first for Loyola and the first of her career — after carding a four-under-par 67, the best of her career.
Dayton attended Ottawa Hills High School where she started competing in cheer, dance and lacrosse — where she said she suffered an injury that took her a year to recover from.
Dayton said her journey with golf had an atypical beginning. Her brother started playing golf during middle school, turning into a pretty decent golfer in high school.
After her injury, Dayton said she decided to give up contact sports but still needed something to do, so she decided to try golf. One day, while at her brother’s golf tournament, Dayton said she picked up a club and started swinging, ultimately leading to her starting a new career.
Dayton said there wasn’t a girls’ golf team at her high school, so her dad stepped in as a volunteer coach. The team consisted of two other players who traveled to tournaments together but competed as individuals.
At the end of her sophomore high school season, Dayton said her dad went over the team’s statistics and realized they would be able to advance to the sectional tournaments if they could scout another golfer who shot at least a 120. A few days later, Dayton said the team found a fourth player and was on their way to the sectional tournament.
“We went to the sectional tournament, and I think she shot 130,” Dayton said. “And somehow, we made it out. Kind of a Cinderella story.”
After making it through the sectional tournament, the Cinderella story continued all the way to the state championship.
“I came in seventh at the state tournament, Second Team All-State,” Dayton said. “At that moment, I realized, ‘Oh, maybe I could do this. There’s some potential here.'”
Following a successful sophomore season, Dayton said she set a goal to play Division 1 golf. Two years later, she graduated from high school as a three-time state championship qualifier and achieved her goal by moving to Rogers Park.
“Golf is something that I think anyone would tell you is addicting,” Dayton said. “It’s not fun but when you’re in that intermediate stage trying to get better, you hit one good shot and it makes you want to come back tomorrow and keep trying to repeat it.”
Though Dayton said she hasn’t had her best year so far after a tough fall season, she’s made her mark on the spring season after being named the MAAC Player of the Week March 22 — a career-first award.
The recognition comes after Dayton led Loyola at Lake Jovita Country Club, where she finished 16th with a score of 220 (80-67-73), a career-low four-under-par 67 and the first MAAC award in program history, all in her third appearance in the spring season.
After her strong performance, Dayton said it felt great to go out and have a solid run, giving her a boost going into the final stretch of the season.
“I didn’t need the award to validate my performance. I didn’t need it to be proud of myself. But it is just a little extra validation and encouragement, especially near the conference tournament. We have potential.”
Dayton and the Ramblers have one remaining tournament in their spring season, the Dolores Black Falson Invitation in Bowling Green, Ohio on April 7 and 8, followed by the MAAC championship April 21 to 23.
Dayton said she believes if the team stays united and at the top of its game, the Ramblers have the recipe needed to win the conference.
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Dan Mangun, a 21-year-old redshirt sophomore setter, is an athlete known within the men’s volleyball team for his high energy and persistent determination to be the best he can be. Mangun has recently become nationally recognized for his performance as the sole setter, recently claiming the American Volleyball Coaches Association’s (AVCA) National Player of the Week title March 14.
As Mangun approaches the end of his third year as a Rambler, he said his adoration for all things sports continues to run deep, letting him understand the game from all angles. When watching Mangun on the court, he is typically the first to huddle the group together.
“We all have very different personalities, but we’re a lot of real, fun, loving guys,” Mangun said. “I think that helps me settle in and be myself. I don’t really care if I look crazy out there, I just think it’s cool that these guys allow me to be who I am.”
To get into the gameday mindset, Mangun said he sticks to a typical pregame ritual — eating a nice meal, quickly stopping at the hot tub, and taking a moment to sit at his dad’s favorite spot in Gentile Arena. Mangun said that incorporating this into his routine helps him lock into focus, emphasizing the importance of the support of his family.
Mangun reflected on the memories he has of watching his middle sister pursue her volleyball career, describing his passion originating from growing up in the gym watching her. As he bounced back and forth between different sports during his childhood, he said volleyball just ended up sticking, leading him to his current career as a Rambler.
Behind the number 19 jersey, Mangun is a sports management major, one whose passion for collegiate sports runs further than just his position as an athlete. As Mangun remains unsure of his commitment to a fifth year as a student-athlete, he pursues classes covering the behind-the-scenes work that goes into the sports he loves.
“I know I want to work in college athletics when I’m done,” Mangun said. “I just really have a passion for this stuff. My plan is to kind of stick around in college sports, whether I’m in coaching or in an advisor position.”
Mangun described his enthusiasm for getting to learn the ins and outs of the athletic world, especially what goes on beyond the court. He said the chance to view the crucial parts of both sides lets him balance each interest cooperatively, allowing him to learn more about the sides of athletics that he doesn’t normally see.
Loyola Head Coach John Hawks said that Mangun’s innate drive to conquer new personal goals allows him to continue to grow within his athletic career, Mangun adding that he is fueled by the belief that he can always gain something from each day. Mangun expressed he values discipline in his routine, helping him wake up every day with the motivation to get better.
“We’re working with him daily, and Dan is absolutely, 100% all-in.” Hawks said. “Watching his development, it’s not surprising to see where he is now. Dan’s the kind of guy we feed off of. As Dan’s going, we go.”
Hawks reflected on Mangun’s high-stakes foundational position, commending him for his ability to keep the Ramblers’ offense running at its highest efficiency.
“Dan works hard and he runs a great offense for us,” departing redshirt senior outside hitter Cole Schlothauer said. “Nobody wants to play us come the NCAA tournament, I’ll tell you that. I think Dan should be in that conversation, and I think that it’s great that he got that.”
Schlothauer also expressed his appreciation of Mangun’s lively spirit, describing him as someone who consistently brings great energy to the rest of the team. His persistent communication with the coaches, as well as the players, has become what Schlothauer said he admires greatly about Mangun.
As of Loyola’s regular season home-game finale April 1, Mangun had a total of 946 assists, 156 digs and an overall attack percentage of .311, according to Loyola Athletics.
Mangun and the Ramblers finish out their regular season April 6 and 8 at Ball State University and The Ohio State University. First serve is at 6 p.m. and 8 p.m., respectively, and are set to be broadcast on ESPN+ and Big Ten+.
Featured image courtesy of Steve Woltmann for Loyola Athletics
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As the semester begins to round out and we enter our last few issues of the school year, The Phoenix Editorial Board wanted to reflect on changes in life and how they deal with them.
Nicky Andrews
As journalists, we’re taught to be adaptable. A story can change any minute and we have to be ready to report on it in breaking time. Unfortunately, the ability to think on one’s feet doesn’t work out when change is months in the making.
As I write this, I have no job lined up for post-grad, I don’t know where I’ll be living and I’m unsure when I’ll know these things. It’s scary. However, I’ve realized after many pep talks with friends that there are constants in my life I can rely on — friends, family and my boyfriend.
My life will change in major ways in the coming months, but I know my friends will always be there to boost my mood when I’m bogged down in my job search. My boyfriend will always be there to give me a hug and remind me of my worth. And my parents will always be there cheering me on and reminding me I have a room waiting for me at home if I ever need it.
Change should be approached with reminders of what is staying the same. It’s easy to get lost when your world is changing around you, so remember to check in with your loved ones to help stay grounded.
Austin Hojdar
Last Friday, I got a haircut.
Getting my hair cut has consistently been one of my least favorite aspects of life. It’s always felt like a chore, especially since I grew — metaphorically — out of buzzing my hair super short near the end of high school.
Today, there isn’t much consistency in terms of when I head to the Great Clips off the Belmont Red Line stop. I kind of just wait until my hair gets so long that it’s annoying.
While that works for hair, that’s not how anyone should live their life.
Waiting until something is unbearable and avoiding making the changes necessary only makes it worse for yourself and those around you. The change may be hard. And it may not look exactly how you wanted. But eventually, it will pay off.
In high school, my Health teacher once said, “The difference between a good haircut and a bad haircut is two weeks.” And that’s something I think about a lot.
Isabella Grosso
My whole life has been a series of transitions. From house to house, school to school and family to family, change has been an all-too familiar concept to me. My ability to easily adapt to change, in my opinion, is one of the things that makes me a good journalist. Because of the nature of the business, the news is always developing and changing and we have to adapt to it.
As I’ve grown older, I found it’s easier to see change as not something scary but as a new opportunity for something great. Everything happens for a reason. Every small change or life-altering adjustment prepares us for something new and wonderful to enter.
The 2022 track titled “Change”by Big Thief states change is “like a butterfly” and questions “Would you smile forever, never cry. While everything you know passes?”
Those are some of the lyrics that have helped me realize change is our friend. A life without change is a life without any laughter, tears, hardship or joy. In simpler words, it’s a life without growth.
Ella Gorvik
For a long time, I thought I would know when it was the right time for change. I thought there would be some sort of sign or revelation that would tell me I was ready. It wasn’t until recently that I realized waiting until I’m ready would mean waiting forever.
Change usually happens before we feel like we’re ready. It happens when we don’t expect it and when we haven’t permitted it. And oftentimes, change doesn’t feel “right.” It feels abrupt, unwelcome and scary.
But that doesn’t mean it isn’t needed. Change is inevitable and unavoidable — it’ll happen with or without that sign or revelation.
The only way to combat the fear of change is to embrace it and know that, a lot of times, it’s for the better.
Fernando Molina Bier
I was 12 years old living in Honduras when I took my first major decision for change. My mom was chosen for a job-opening in Quito, Ecuador, and she asked me if I would be O.K. moving outside the country. In a matter of seconds, I said yes.
I thought about what an amazing experience living in another country would be, the people that I could meet, and how lucky I was to have this opportunity. I also considered the rest of my family, friends and everything I would leave behind, but I knew the benefits outweighed the costs.
If I hadn’t left Honduras for Ecuador, or Latin America for college, I would have missed out on lifelong friendships and the two most significant periods of growth in my life.
We don’t overthink much when we’re children. We just trust what we know to be true. We’re also not as attached to our current setting and can be much more flexible to change. With time, that changes, too.
Sometimes the picture is clear, but we tend to overthink. If you’re rejecting change because of fear — whether it be of what you’re leaving behind or what’s to come — take a step back and reassess using the positive traits of a child. Believe in what you know to be true and make the best decision for yourself. Trust that change will bring you growth and stay flexible.
The post STAFF EDITORIAL: Five Perspectives on Change first appeared on The Loyola Phoenix.
I overwork myself. I’m passionate about what I do, and, like mostly everyone else, I love money. So my logic is if I have free time, why would I not make money? I’ve found a lot of my peers fall down this hole and eventually find themselves in a place I’ve repetitively found myself — burned out and physically and mentally sick.
Overworking can sometimes feel like the bare minimum. Last semester I worked over 40 hours a week, 15 of which were unpaid, all while being a full-time student. Any drop of free time I got was spent reporting for my own satisfaction.
I wanted to do it all and I enjoyed doing the actual work, but I had blocked up so much of my schedule, I was left to sacrifice my health and education. I couldn’t focus as well in class, I wasn’t cooking my own meals and I was getting an average of five hours of sleep every night. I became so exhausted, the enjoyment I got out of my work began to fade.
As the senior class begins to transition to a post-grad life, I want to remind everyone to take this opportunity to prioritize yourself. Avoid feeding into the sometimes toxic “grind” culture that compares personal worth to hours on the clock.
Employers, don’t take advantage of recent college graduates. We, just like all workers, deserve livable wages, a healthy work and life balance, as well as necessary benefits to stay healthy.
It’s time to end the narrative that we need to work ourselves to death in order to be able to live a normal life.
The post Death to Unhealthy Work Expectations first appeared on The Loyola Phoenix.
What does it mean to be resilient? With recent attention on anti-LGBTQ+ legislation across the country, the term is a lived reality for members of the LGBTQ+ community. It was also the theme of Loyola’s March 30 Queer Art Show.
Loyola’s Center for Diversity and Inclusion (CDI) collaborated with Rainbow Connection, an organization dedicated to creating a safe space for LGBTQ+ students, to host the art show which focused on “Resistance and Resilience.” Members of the LGBTQ+ community were able to showcase their work from poetry to pottery, the Damen Den welcomed queer art — with an emphasis on the artists.
Abby Simpson, vice president of the Rainbow Connection, helped co-host the event. With queer identities under attack, the theme is about finding strength and power in community, the 22-year-old said.
Jodie Chrapkowski, a queer tattoo artist, showcased artwork representing the corners of her mind. (Holden Green | The Phoenix)“Art is an expression of your inner-self,” Simpson said. “Queer people are beautiful in any form they come.”
Queer tattoo artist and friend of a Loyola student, Jodie Chrapkowski showcased three pieces of artwork representing the dark, beautiful and emotional corners of her mind, she said. The artwork depicted stages of queer emotions, titled “Why Is Love Blue?” and “Love Can Be More Than Blue.”
“My artwork either shows my appreciation for my fellow humans, or the monsters I create to protect myself from the traumatic events of my life,” read the artwork’s description.
“Art is an expression of your inner-self,” Simpson said. “Queer people are beautiful in any form they come.”
Abby Simpson, Vice President of the Rainbow Connection
“I needed something to feel like I was special or important,” Chrapkowski said.
The event’s theme is about finding strength and power in community. (Holden Green | The Phoenix)With the event being her first art show, Chrapkowski said being in a room of people with similar life experiences gives her a sense of comfort.
Simpson said finding a space for queer artists is more important than ever due to recent political turmoil revolving around the LGBTQ+ community.
Among the anti-LGBTQ+ bills introduced over the past few years, Tennessee’s anti-drag laws stick out to Simpson — a Tennessee native. Simpson said seeing people speak up about the ban in her home city is critical. Drag has a rich cultural history, she said. Drag is a type of entertainment where people dress up and perform, often in highly stylized ways, according to the National Center for Transgender Equality.
First-year Lucie Pitt is the artist behind the piece titled “Sickening!” The collage on canvas is a commentary on anti-drag laws, according to Pitt. Having a space to showcase their art and what it means to be queer in art creates freedom to speak out, Pitt said.
Pitt’s art piece features a collage of Tennessee Governor Bill Lee, Tennessee based drag queens, Aura Mayari and Bella DuBalle and notable queer activists, Marsha P. Johnson, Stormé DeLarverie, Miss Major Griffin-Gracy and Sylvia Rivera with a trans flag background on black canvas.
“I was a little nervous it would be too political or too polarizing,” the 19-year-old said. “It reigns true to the current feelings of the ‘anti’ legislation.”
Along with their artwork, Pitt brought zines from Instagram page Protect Trans Health TN (@protecttranshealthtn). The zines offer information on laws being passed, resources to take action to help trans youth and mutual aid donation sites.
Senior Becca McCue attended the event to support her friend, artist Nicole Ficklin. McCue said having an event for queer artists to show their work is a powerful, celebratory move by Loyola.
“Queer art is a beautiful concept,” McCue said. “It often has messages that portray the artist’s stories and struggles.”
Ficklin submitted “We Were In The Garden, Too” to the show after creating it for a ceramics class at Loyola. The ceramic piece depicted queer people in the Garden of Eden through two women kissing. With the creation story used to undermine queer existence, the piece offers a different perspective, Ficklin said. A blatantly queer event that exists within Loyola’s values shows religion and queer identity can coexist, the 21-year-old said.
The event hosted crafts and painting opportunities, allowing queer students and allies to express themselves creatively. (Holden Green | The Phoenix)“If the Garden is a place of origin and belonging, we were there — and we remain, everywhere, tending to each other,” read the stoneware’s description.
“No matter what queer people face, we are always going to be here,” Ficklin said.
Sophomores Sofia Luciano and Madeleine Brix attended the event to support their suitemate, Anastasia Boudreaux, who works for Queer Undergraduates of Empowerment, Support & Triumph (QUEST). Luciano was drawn to Ficklin’s stoneware piece.
“Having a place where Loyola shows its support that’s open to everyone and in a campus building is a step forward in the community,” Luciano said.
QUEST will be hosting a Q-Celebration Brunch on Saturday, April 15 and QTBIPOC, a space intended for Queer Trans Black and Indigenous People of Color, on Thursday April 19.
Rainbow Connection will be partnering with the Department of Programming (DOP) for Drag Race, which includes performances from professional queens and student performers on April 14.
Featured image by Holden Green | The Phoenix
The post Queer Art Show: Creating Community One Brush Stroke at A Time first appeared on The Loyola Phoenix.
The Old Farmer’s Almanac predicts this year’s pink moon — the full moon of April named after the pink wildflowers that bloom in unison with the event— will reach peak illumination at 11:37 p.m. on April 5. In honor of the celestial phenomenon, the “Pink Moon” exhibit is on display this month at the Roman Susan Art Foundation gallery at 1224 W. Loyola Ave. The exhibit was created and curated by artists Cassie Tompkins and Peter Ronan.
“Pink Moon” features Tompkins’ raw silk textiles dyed with natural materials alongside Ronan’s porcelain ceramic jars, planters and wall hangings.
Ronan said he uses the color pink in his works as an ode to queer culture and gender.
“It’s sort of this reclaiming and being able to use it as an openly queer person, whereas before I felt like I wasn’t allowed to use it or didn’t have access to this color,” Ronan said. “It’s a reclamation and it’s just beautiful. It’s a celebration.”
Cassie Tompkins and Peter Ronan created the concept for the “Pink Moon” exhibit after gardening a lot during the COVID-19 pandemic. (Ella Govrik | The Phoenix)“We both love pink and work with pink a lot,” Tompkins said. “Pink is very political – it’s considered a feminine color. There’s lots of negative connotations for it if you’re a believer of the patriarchy. I use it as a feminist statement.”
Tompkins, originally from Sterling, Illinois, said she has been creating art in Chicago for 18 years. She currently works as a freelance artist as well as a design director at Women Unite! – a local women-led nonprofit that offers free brand-development services to grassroots organizations. Tompkins met Ronan in 2019 at Chicago’s Lillstreet Art Center where he had a residency in ceramics. Ronan said he continues to teach and maintain a studio at the center.
Tompkins said she usually creates her art based on intuition rather than a goal, but she and Ronan took a different approach when creating the “Pink Moon” exhibit. They developed “Pink Moon” as a concept before creating the displayed art, focusing on experimentation and inventive processes.
Tompkins and Ronan build forms and colors from natural materials such as clay, fiber, insects, plants and minerals, according to the reception program. (Ella Govrik | The Phoenix)“We came up with the idea for the show because we were both gardening a lot during the pandemic,” Tompkins said. “We were both working with plants and dirt, Peter was making amazing pots for all of his plants, and I started working with natural dyes like indigo.”
Tompkins and Ronan said they drew inspiration for the exhibit from strawberries, moon cycles and the song “Pink Moon” by Nick Drake.
Prior to moving to Chicago, Ronan would often lay in a strawberry patch in his backyard at night to relax after a long day of work as a line cook.
“I would roll in the dirt and eat strawberries off the plant,” Ronan said. “It was beautiful.”
While tending to her home garden during the pandemic, Tompkins said she began referencing the Farmer’s Almanac, where the spring moon is often referred as the pink moon after the creeping phlox, a pink flower that blooms in the spring.
“Named by Indigenous Americans after the native phlox — one of the earliest widespread flowers of spring — the ‘ink Moon’ exerts a strong gravitational pull,” Tompkins wrote in the reception program. “Upsetting the tide and provoking tectonic activity, it signifies metamorphosis, reminding us that awkward transitions and warmer days are ahead.”
In their textiles and ceramics, Tompkins and Ronan build forms and colors from natural materials such as clay, fiber, insects, plants and minerals, according to the reception program.
Tompkins says she and Ronan are very process-oriented in creating their art, especially for “Pink Moon,” focusing on experimentation with materials and learning through the process of making.
Tompkins uses modifiers in her textile dyeing such as rusted objects, citric acid, lemon juice and avocados to experiment with shape and composition.
“Dyeing silk is a long, slow process,” Tompkins said. “I didn’t even see these pieces finished until last week. I’ve been working on them for months, stretching them and putting them in different dye vats, waiting and drying and sitting around.”
Ronan said he uses materials like sodium bicarbonate to create one of a kind finishes on his pieces. He said the firing process of ceramics is central to the outcome of his work.
Tompkins and Ronan said they drew inspiration for the exhibit from strawberries, moon cycles and the song “Pink Moon” by Nick Drake. (Ella Govrik | The Phoenix)“The flame and the glaze in the atmosphere of the kiln create the pattern on the finished piece, unable to be repeated,” Ronan said.
Tompkins said the technical nature of their art informs the message of the exhibit. Silk dyeing and the firing of porcelain is an arduous process, threatening at any moment to corrode or shatter. Tompkins said a central theme of the “Pink Moon” exhibit is growth through volatile environments shown through the tenuous process of their mediums, along with the unique experience of curating the art and its inability to be recreated.
“A lot of this work is about life cycles, death, reemergence, growing and the circle of life,” Tompkins said.
The Roman Susan Art Foundation sits at the corner of West Loyola Avenue, tucked inconspicuously behind the Loyola Red Line stop. This gallery space is a non-profit run by artists for artists, according to their website.
Roman Susan has free gallery showings year-round and often shows the work of Loyola students, teachers and alums, board member Nathan Abhalter Smith said.
“Pink Moon” will be on display at Roman Susan from April 1-30, with visiting hours on Thursdays from 4 to 7 p.m. and Saturdays 1 to 4 p.m. The work is also visible from the street all hours of the day every day of the week. Tompkins and Ronan will be hosting a pop-up market at Roman Susan to sell their work on April 29 from 1 to 4 p.m.
Featured image by Ella Govrik | The Phoenix
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Imagine a sixth grade girl with gangly limbs and a jungle gym of orthodontic work trapping her teeth. Her Old Navy skinny jeans are purple to match the accent color of her hand-me-down shirt. Her hair is cut into a severe bob and her square, blue glasses slide down her nose.
Walking down the sidewalk, her feet drag slightly against the pavement in beige Merrell shoes. Her eyes are glued to a phone too nice to be her own because it isn’t — it’s her dad’s. Her fingers move in odd motions across the screen.
This was me in the summer of 2016, dutifully walking my Pokemon Go character so I could “catch them all.”
I had never seen the “Pokemon” television series nor had I ever played the card game. I only knew of the Pokemon Swablu because I had once stolen the card from a boy during recess in elementary school. Yet, despite my lack of fundamental knowledge, I found myself enamored with the game.
And I still am.
The game, developed by Niantic, connects to the health app on users’ phones to track the amount of kilometers players walk each day. These steps are counted to hatch Pokemon eggs, collect candies from buddy Pokemon — used to evolve it to a higher form — and earn prizes.
Players are motivated to take these walks because different Pokemon will appear to them in different locations. Players also need to move in order to be in the vicinity of Gyms and Pokestops, which are connected to real life edifices.
Gyms act as rings for Pokemon battles against other local players and Pokestops offer valuable items for players to use in their adventures.
On journeys to Loyola’s Crown Center — the longest walk on campus from my Francis Hall home — I whip out my phone to watch my character pass through the West Quad and encounter many a Snubbull.
I send in-game gifts to fellow Pokemon Go friends who now live states away. I receive Pokestop postcards from the University of Michigan and Ohio State University.
However, I forget this game is no longer popular. Its peak of 232 million users in 2016 dropped to 71 million users in 2021, according to Business of Apps.
Other users are now scarce, so when another player joins me in battle during a less-than-inspiring lecture, I scour the crowd around me, looking for any sign of a fellow Pokemon trainer. I have yet to find them.
My friends are more ruthless than others in mocking my continued playing of this now unpopular game. I receive scoffs and laughter when I bemoan my loss of a perfectly good Snorlax, high in combat power (CP).
Clearly they don’t understand the joy of catching them all. I pity their inferior dreams.
I just brush off the teasing. I’m too busy discussing my next assignment with taskmaster and Pokemon mentor Professor Willow anyway.
The Professor now tells me I need to collect 10 steel-type Pokemon in order to obtain 2,000 experience to help me level up. That’s no big deal for a level 32 trainer like me.
In fact, if a Pokemon isn’t above 600 CP, I won’t keep it. That’s how much of a boss I am.
That was a lie. In truth I feel a profound attachment to all of my Pokemon and struggle to transfer them to the Professor for candies. I feel like a child keeping all my stuffed animals on the bed for fear of hurting the toys’ feelings.
However, I will admit that my Dragonite is my pride and joy. Evolved first from a Dratini and then a Dragonair, I’ve spent over 125 candies on this Pokemon.
I became a Pokemon Scrooge as I greedily stock-piled candies. I was gluttonous in the tallying of the singular candies I received for every five kilometers walked with the Dratini.
Walks to class were no longer “how late can I leave my dorm and still make it to class on time,” but rather, “what’s the longest possible route so I can gather more candies.”
My Dragonite isn’t as impressive as others’ top CP Pokemon, but I love him all the same. He’s my top pick for all Gym battles and I feed him the finest power-up berries. His time is spent alternating between the Gym at the Loyola Red Line Station and the Gym attached to the “Welcome to Rogers Park” sign.
I show him off to all those who see me play the game. They give me not-so-subtle eyerolls in return.
I pretend not to see these eyerolls and mourn the days when Pokemon Go was a socially acceptable game to play — now a dream from seven years ago.
But have no fear, for I have no intention of stopping my gameplay, no matter what naysayers may fuss about. I will “catch them all,” as the show’s theme song demands.
I don’t understand why this game has declined in popularity. Wouldn’t TikTok’s viral “Hot Girl Walk” be more fun when you can catch the adorable Pikachu while you exercise? But I digress.
I may not be as accomplished as other Pokemon Go players, but I am no less passionate — and that’s what matters.
Featured image by Catherine Meyer | The Phoenix
The post Campus Confessions: I’m Still Catching Them All in Pokemon Go first appeared on The Loyola Phoenix.
Loyola’s Muslim Student Association (MSA) has partnered with Islamic Oasis to raise money to provide iftars for refugees. Iftar is the meal Muslims have to break their fast after sunset during the holy month of Ramadan, according to the MSA.
Ramadan corresponds with the ninth month of the Islamic calendar. Last year was the first time in 11 years Loyola students were on campus to celebrate the holy month, The Phoenix previously reported.
“It is important to provide iftars to refugees, because we must always do our best to strive and help where we can, especially for groups like refugees,” Esam Shah, a member of MSA, said.
Harris Malik, a member of the MSA, said the MSA’s fundraisers are beneficial to Loyola students because everybody comes together and enjoys iftars.
“Our Islamic religion and tradition teaches us to be charitable and to give our wealth,” Malik said. “One of the popular sayings is that charity doesn’t diminish wealth. We believe that if you give, God is going to bless you in ways that you wouldn’t have blessed him.”
Islamic Oasis, founded in 2008, is a Chicago-based nonprofit organization which has offered after school programs to Muslim students since 2017. The organization also runs programs which help orphans fleeing from countries such as Somalia, Syria and Bangladesh, according to the Islamic Oasis website.
“What you will see during the month of Ramadan is that people are very generous,” Shah said. “Because of a lot of blessings during this month, there are more blessings with donations. People are much more willing to give money out and feed people.”
Muhammad Shirazi, director and founder of Islamic Oasis, said he has known Omer Mozaffar, MSA chaplain, for many years and knows the MSA has sponsored iftars for refugees every Ramadan.
“The MSA will write a check to Islamic Oasis on April 14,” Shirazi said in a phone interview. “I am sure some Loyola students will come and help with providing food to refugees.”
In addition, during Ramadan, students in the MSA raise money to provide iftar meals to Loyola students, according to Mozaffar. The fundraiser is not associated with the university, Mozaffar said.
“Loyola students contacted alumni and they also spoke to their own families to see whoever would like to donate,” Mozaffar said. “To either fund a whole iftar or even just a portion. We are almost fully funded for the whole of Ramadan.”
Mozaffar said he is overseeing the fundraising within the MSA during the month of Ramadan.
“We have one student that is responsible for ordering the food, I will Venmo the money to him and he’ll order the food,” Mozaffar said. “We have a committee that is responsible for picking up the food and setting it up.”
Once the food is picked up, it is set up near the Muslim prayer space or Masullah in the Damen Student Center, according to Mozaffar. Muslim students then come by and grab their iftar and come back later for prayers.
“Sometimes we will have some rice-based meals,” Mozaffar said. “Sometimes we will have burgers, sometimes we will have wraps or pizza. The rest of the food just depends on the day and the mood of everyone involved.”
Traditionally, some Muslims may choose to break their fast in accordance with how the Prophet Muhammad did, by taking a sip of water and eating dates, according to the Associated Press.
In 2022, the MSA raised $15,000 to provide iftars to Loyola students and $4,700 was left over and saved for Ramadan this year, Mozaffar said. This year, the MSA has raised $27,000 in sponsoring iftars for Loyola students.
Malik, a sophomore, said in addition to the MSA providing iftars and fundraising, other organizations also provide iftars, such as Friends of Medecins Sans Frontieres or Friends of MSF, Pakistani Students Association and Students Organize for Syria.
“What happens is that a lot of the times other organizations have events during Ramadan,” Malik, a political science and economics major, said. “Muslim students can go to these events and they can get iftar from there, which happens a few days here and there.”
For the fundraiser with Islamic Oasis, MSA received funds through Loyola for iftars by requesting Student Activity Funding (SAF). To get funding for the fundraiser, they had to fill out a Semester Budget Request (SBR) form and the SPOT funding request form, according to Shah.
The SBR and SPOT funding requests are the same form but differ in regards to funding limits, the Center for Student Engagement told The Phoenix in an email. SPOT funding requests grant funds to organizations to host two events. While SBR funding grants fund organizations to host four events, the email said.
“In these funding cycles, you can request money for events,” Shah said. “Through the school, we requested a few days, and we got money for iftars for only a handful of days.”
The money raised outside of SAF by alumni, students and their families adds up and can make a large difference for those in need, Shah said.
The MSA first partnered with Islamic Oasis in 2022, senior Ermina Hassan said. She connected with people at Islamic Oasis and they were able to provide iftars for Muslim students at Loyola for one night. She said she hopes to do the same thing this year.
Hassan said she reached out to a member of Islamic Oasis and coordinated an effort to get food and trays for refugees. She also made a flyer detailing the fundraiser and sent it out to everyone in the MSA.
Last year, the MSA’s fundraiser with Islamic Oasis was able to raise 1,000, according to Hassan. This year, the goal is to reach $2,500 in sponsoring one night of iftars. Students can donate by going to the MSA group chat in Telegram and sending a donation through Venmo to Hassan, who then sends the funds to Islamic Oasis.
“So far, in the couple days that we’ve been fundraising, we’ve reached the halfway point to $2,500,” Hassan said. “ We are hoping to finish that up by the end of this week or next week.”
Hassan said she volunteered with Islamic Oasis in high school. Once she got to Loyola, she said she knew they needed iftars for refugees so she spoke to Mozaffar.
Between 7 and 8 p.m, throughout Ramadan, the MSA has prayer sessions and offers opportunities for worshippers to break their fast. There are nightly prayers, which end around 10:15 p.m, according to Shah.
Featured image by Austin Hojdar | The Phoenix
The post Muslim Student Association Provides Iftar Meals for Refugees and Students first appeared on The Loyola Phoenix.
Four years after her last album and film debut with “K-12,” Melanie Martinez returns with the “Cry Baby” trilogy finale “PORTALS,” released March 31.
The continuation follows her debut album “Cry Baby” which used reflections on growing up to establish her character Crybaby. The second conceptual album “K-12” discusses societal issues and explores the pains of being human. Each song on “Cry Baby” was accompanied by a music video and “K-12” was released with a film about Crybaby heading off to school.
In teasers and performances, Martinez is dressed as her character Cry Baby’s reborn form — a pink alien-like figure. In the “PORTALS” announcement video, Cry Baby is shown breaking out of an egg and emerging as the pink creature.
The album feels split in two, one side focused on production and the other advancing Cry Baby’s story — rarely, if ever, blending. “DEATH,” the album’s first track, gives the listener sets the scene for Cry Baby’s reincarnation but leaves Martinez’s exploration with production in following tracks hidden. The surprise beat drop halfway through makes the song worthy of being an opening track.
“TUNNEL VISION” offers social commentary on valuing a person for their body alone.
“Tunnel vision, then dead me / Honeysuckle and fresh meat / But I’m more than that, more than that,” Martinez sings.
Pivoting from self-degradation, Martinez adds a semi-love song with “LIGHT SHOWER.” While familiar and reused production feels cloudy and repetitive, the flowery lyrics tug on the heart strings. A love song is unlike Martinez’s previous works, who usually uses lyrics to convey political or societal takes but shows a different side of the singer’s multi-faceted spectrum on life.
In the fourth track “FAERIE SOIRÉE” Martinez sings about the suppression of social conflicts with distractions. Rattling drums and sparkly guitar melodies put the listener into a trance with Martinez’s honey like vocals. The production and higher tone singing almost covers the deeper meaning of the song so choice seems intentional given the song’s subject.
“Lips of sugar, I’m breathing the pheromones again / Hands are tied and Miranda Rights don’t mean nothing / Led me astray to the faerie soirée,” Martinez sings.
The album shines in the second half, with the sixth track “SPIDER WEB” as Martinez brings back her ethereal production style. Angelic harps and playful lyrics return focus to the album, giving it a push over the midway lull. Trapping the listener in its musical web, the song relays the experience of being an internet figure. Once a person rises to fame, they become subject to public scrutiny.
Resembling “Show & Tell” from Martniez’s “K-12” album, “THE CONTORTIONIST” tells the story of finally breaking after being bent over backwards to please society. The song is interrupted by a taunting laugh in the chorus, a strange and startling testament to Martinez’s darkness.
The last four songs of the album feel like a cathartic purge of a previous relationship.
Starting with “MOON CYCLE,” Martinez sings about her menstrual cycle. The song is to “PORTALS” what “Mrs. Potato Head” and “Orange Juice” were to their respective albums — a taboo subject which should be discussed and destigmatized.
“I could win a fight on my period / Matter of fact, right now, I could build a pyramid / You messin’ with my cycle, that is dangerous,” Martinez sings, a lyric that could be a retort to her ex-boyfriend Oliver Tree’s misogynistic lyrics in his song “revival.”
“Stacking shit, like each brick on my pyramid / I’m angry and bloody like a bitch on her period,” Tree sings in “revival.”
Martinez continues to unpack her toxic relationship in “NYMPHOLOGY.”
In classic mythology, nymphs are spirit-like maidens tied to nature, according to Merriam-Webster. Martinez views herself as a nymph in the song, comparing her past partner to a god subjecting nymphs to inferiority.
“Call me your nymph / Praise me for martyr, praise me for sin / Call me your muse / A sprite or an elf you cry to then use,” Martinez chants.
With deep-cutting lyrics laid atop a pop-punk track, the penultimate track “EVIL” gives the album a much needed boost. Escaping from a toxic relationship that seems to be full of gaslighting, Martinez sings about choosing “evil” to protect herself.
“WOMB” brings closure to an album about the afterlife. Following the process of birth, Martinez gives the listener a chance to reflect on the theme of death and reincarnation.
“Feelin’ alive the closer that I get to my life / I’m pushin’ out the center, the core / I’m swimmin’ through the flower no more, no more,” Martinez sings.
The album deserves to be played on repeat but Martinez fails to live up to the bar of her previous conceptual album. While a few songs outshine previous work, the album feels disjointed, leaving the story underdeveloped without visuals.
“PORTALS” is available to stream on all major platforms.
Featured image courtesy of Atlantic Records.
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“I want you to hear my story,” indie-rock supergroup boygenius sings in the first track of their debut album “the record.”
Released March 31, “the record” demands listeners hear the vulnerable yet powerful story of members Phoebe Bridgers, Lucy Dacus and Julien Baker’s lives and lasting friendship. A testament to the inconsistencies of love, the 12-song album draws on the trio’s trademark sincerity to explore heartbreak, friendship and growth.
While the three artists have developed flourishing solo careers, Bridgers, Dacus and Baker came together to release their 2018 self-titled EP under the name boygenius, launching them into success as a group alongside their individual endeavors.
“Without You Without Them,” the album’s lead-off track, is a succinct expression of gratitude. A lack of instruments is compensated by a raw three-part harmony.
“Thank your father before you / His mother before him / Who would I be without you, without them?” the group inquires.
On Jan. 18, the trio unexpectedly released the album’s second, third and fourth tracks — “$20,” “Emily I’m Sorry” and “True Blue” — as singles alongside the album’s long-awaited release date.
Along with “the record,” boygenius released “the film,” directed by actress Kristen Stewart. The near 15-minute visual comprises the music videos for the three singles.
Deviating from the soft acoustics of their 2018 work, “$20” utilizes an electric guitar, punchy drums and a screaming outro to introduce listeners to boygenius’ developed rock sound. Baker’s strong vocal lead demonstrates an advancement in artistic confidence.
“Emily I’m Sorry” brings the group’s characteristically solemn tone to the forefront. Accompanied by a subdued guitar, Bridger’s falsetto delicately delivers a self-aware apology.
“Emily, I’m sorry, baby / You know how I get when I’m wrong / And I can feel myself becoming / Somebody I’m not, I’m not, so / Emily, forgive me, can we / Make it up as we go along?” Bridgers begs.
Dacus’ resonant and full vocals shine in “True Blue.” Sonic warmth radiates from the first guitar strum, contrasting the song’s cool-toned title.
Despite being instrumentally and melodically unassuming, unfiltered storytelling and tender admittances of love make “True Blue” far from uninteresting. Surface level analyses of romance are complicated by speculations that the song actually revolves around the trio’s close friendship.
“And it feels good to be known so well / I can’t hide from you like I hide from myself,” Dacus leads.
Calm guitar-plucking parallels somber lyrics about exhaustive one-sidedness in a relationship in “Cool About It.” Faint and flawless harmonies highlight each singer’s verse and chorus.
“Once, I took your medication to know what it’s like / And now I have to act like I can’t read your mind / I ask you how you’re doing and I let you lie,” Bridgers reveals.
“Not Strong Enough” was released as the fourth single March 1. Bridgers described the song as an investigation into self-hatred as a “god complex,” according to a Rolling Stone interview.
Bridgers fittingly leads “Revolution 0,” which closely resembles the soft sounds and themes of brokenness that permeate her 2020 solo album “Punisher.” The chorus’ discussions of loyalty linger into the bridge, imploring listeners to reflect the song’s all-or-nothing lyrics.
“Leonard Cohen” takes a lighthearted approach to examining the group’s friendship. Utilizing an anecdote shared in their interview with Rolling Stone, the trio humorously recount one of Bridgers’ driving mishaps to prove the nonjudgmental nature of their relationship.
Returning to their newfound sound, “Satanist” is reminiscent of ‘90s grunge and cements the group’s successful attempt at breaking into the rock scene.
“Will you be a satanist with me? / Mortgage off your soul to buy your dream,” Baker sings.
In true boygenius fashion, the optimism of “Leonard Cohen” and “Satanist” doesn’t last long. “We’re In Love” endearingly but solemnly reveals romantic insecurities and doubts. Dacus transforms her typical strong vocals into fragile whispers, desperately begging for an enduring love.
Paralleling imagery of drowning in the ocean in the first verse, casual realizations of character flaws and mortality build and break like crashing waves in “Anti-Curse.”
Devastation and hope are masterfully balanced in “Letter To An Old Poet” — a sobering conclusion to “the record.” While the entire album is a clear exhibition of musical development, the 12 track is an undeniable display of unmatched artistry.
An interpolation of the band’s 2018 release “Me & My Dog” demonstrates not only a rich understanding of how to make music, but what makes music powerful — uncensored vulnerability, thorough reflection and welcomed growth.
“I wanna be happy / I’m ready to walk into my room without looking for you / I’ll go up to the top of our building / And remember my dog when I see the full moon / I can’t feel it yet / But I am waiting,” the trio sings in the concluding lines.
“the record” is available to stream on all major platforms.
Featured image courtesy of Interscope Records.
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This week’s edition of The Byline chronicles The Phoenix’s coverage of three new potential dispensaries in Rogers Park, construction on campus and the strike of a Starbucks near Loyola’s Lake Shore Campus. In arts and entertainment, “John Wick 4” is reviewed by Brendan Parr, alongside Lana Del Rey’s newest album.
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Content warning: Mentions of sexual abuse and kidnapping
Preparing students to discuss art pieces at the Art Institute of Chicago’s Loyola Day, lead art history professor Dr. Paula Wisotzki identified two major stages in presenting their chosen pieces to museum guests — “Walmart greeter” and “bad cocktail party.”
Once a semester, Loyola hosts the day inside the museum, letting art history students share their knowledge of different pieces to museum visitors. While undergraduate students get into the Art Institute for free, faculty, undergraduate and graduate students can bring up to 10 free guests on Loyola Day.
On March 25, 314 Loyola students attended the most recent Loyola Day. The event was split into two major sessions, with one group of six students presenting from 12 to 1 p.m. and 2 to 3 p.m.
Student presenters initially took on the role of a “Walmart greeter,” reaching out to people looking at the piece they’ve chosen to present and asking if they’d like to learn more about it.
After they’ve grabbed the attention of museum visitors, the scene takes on Wisotzki’s coined “bad cocktail party” as students navigate their audiences and answer questions about the artwork.
Loyola University Chicago partners with the Art Institute of Chicago once a semester. (Hunter Minné | The Phoenix)“To me, it is literally the best kind of engaged learning,” Wisotzki said.
Through this event at the Art Institute, students have the great opportunity to understand that the information they have to share is important, Wisotzki said.
Senior Nyah Brizard presented “Girl with Cat,” a 1937 painting by French artist Baltusz Klossowski de Rola that depicts a young girl reclining on a chair alongside a cat. Brizard said it was the first time she had seen the piece in person.
“I walked up, and I was like, ‘Oh my gosh, this is awesome,’” she said. “I had seen it online a few times, but I hadn’t seen it in person yet, so it’s pretty exciting.”
Wisotzki said the emotional connection students and visitors make with the art is an incredibly important aspect of Loyola Day.
“There are other ways to connect with the museum, but that’s not quite the same as feeling what I hope is a kind of ownership,” Wisotzki said of the students and their connection to the pieces.
By presenting in front of their piece, she hoped students would be able to examine their relationship with the artwork and their knowledge of it, Wisotzki wrote in an email to The Phoenix.
Brizard’s piece, while one of Balthus’ less controversial, made the news in 1996 because of its placement on the cover of “Lolita” by Vladimir Nabokov which centers on which centers on the sexual abuse and kidnapping of a 12-year-old girl by her stepfather, according to a review written a few years after the time of publication in The New York Times. This fact was something Brizard was sure to bring up in order to build the connection between the content of the painting and its present impact, she said.
The piece “Girl with Cat” was put on the cover of a 1995 edition of Vladimir Nabokov’s controversial novel “Lolita.” Balthus objected to the idea that he paints adolescent girls in a sexual sense, according to an interview with The New York Times.
Balthus’ paintings, often controversial, depicted young girls in provocative poses alongside cats, according to the Art Institute’s website.
Brizard said she wanted to bring up the painting’s more recent history to visitors, drawing them into considering the artist’s intentions versus the public’s interpretations of “Girl with Cat.”
All of the presenters chosen by professors had done prior research on the pieces they spoke on, either for a paper or another research assignment for any of their 300-level art history classes, Wisotzki said.
Friends of the presenters were among the first to see their presentations. First-years Cella Porter and Zachary Melo both came to see Brianda Gonzalez present on the “Head of Xilonen, the Goddess of Young Maize.” The statue depicts the Aztec goddess Xilonen, who was representative of new maize, fertility and renewal, according to the Art Institute’s website.
After friends and family finished taking photos to commemorate the event, students began interacting with the visitors at the museum. However, sophomore Ian Scheidel wasn’t greeted with exactly the kind of questions he had prepared for.
“The first couple people who came up to me all asked for directions,” he said.
Once the students told visitors they weren’t the most equipped to tell them where different galleries were, students started fielding questions about different aspects of their pieces.
Mattea Sklut, who presented the Marc Chagall piece “White Crucifixion,” said she had a guest ask her about something she hadn’t noticed throughout her research. The visitor was talking about two small white shapes that look like the open pages of a book in the upper right-hand corner of the piece and asked if they were the Ten Commandments.
314 Loyola students attended the event on March 25. (Hunter Minné | The Phoenix)“It’s been kind of exciting to be quizzed about a painting I love so much and have to explain little things that I didn’t even notice at first,” Sklut said.
The pop-quiz nature of the presentations could make even the most extroverted students’ palms sweat, but Gonzalez and seniors Olivia Scholin and Hannah Sween all said before the event they weren’t very nervous.
“I’m kind of excited to see what kind of questions people have, because I usually have a lot of questions and there’s no one really there to answer,” Scholin said.
Scheidel said he was nervous the conversations would be more like a presentation for class, but after answering a few questions his nerves started to dissipate.
Loyola partners with the Art Institute once a semester, so students who missed this session will have a chance to experience it in the fall. Additionally, the museum hosts a University Day with University Partners once a year with programming from partnered institutions in the Chicago area.
Featured image by Hunter Minné | The Phoenix
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A woman-owned independent bookstore in the heart of the city keeps readers turning the page.
Nestled quietly between the skyscrapers and bustling streets of Chicago’s famous River North neighborhood sits after-words bookstore, new and used books. It is located at 23 E. Illinois St. and is just a 10-minute walk from Loyola’s Water Tower Campus. Behind brick walls and glass windows, jazz music floats through the air as customers dance between bookshelves.
Owner Beverly Dvorkin grew up in the western suburb of Lombard, Illinois, went to school for journalism at Boston University and eventually found herself opening her own new and used bookstore in 1997, following her passion for books rather than her degree.
“There’s been maybe two years out of my life where I haven’t been working in bookstores since I was 15,” Dvorkin said.
After beginning her career working for the bookstore Khrochs & Brentanos in Chicago, which closed in 1995, Dvorkin said she realized she might have enough reused books to open a store.
The building after-words moved into was built in 1896 and sat empty for four decades before she took over, according to Dvorkin. Within the brick walls and wood beams, Dvorkin spent a year and a half gutting and repairing the shop.
As a young woman in business, Dvorkin said she was used to being underestimated. Starting from zero and doing all the work herself, Dvorkin did everything from clearing out wires and fixing the lighting to make her vision come to life.
She built her business up page by page. Book by book.
The bookstore features a “hand-curated collection” of new and used books, according to their website. (Xavier Barrios | The Phoenix)The independent store is amongst 123,632 other women-owned businesses in Chicago, according to the Center for an Urban Future.
Stepping into after-words, customers initially experience an intimate bookshop on the main level but can follow the “look down” sign into a larger portion of the bookstore. The shelves were once organized to be new on the main level and used in the basement, but Dvorkin reorganized new and used to be mixed together in 2015.
“Used book people will find used bookstores because they’re into it,” Dvorkin said. “Eventually though, largely because of the online bookselling of used books, people have gotten much more comfortable with secondhand books in the general public.”
Dvorkin said her customers are split into thirds: college students, locals and “local tourists,” which Dvorkin defines as people who live in the suburbs and visit downtown on the weekends.
Vivian Klosk, sophomore, is a regular to after-words bookstore. The communication major visits every month or two to sit in the basement to read a book or just wander through the store. She keeps postcards from her first visit to after-words on her wall. The store is one of the first places she visited when she came to Chicago for the first time after being accepted into Loyola, said the 19-year-old.
“It felt like my grandmother’s house.” said Klosk, “It’s really comfy, cozy and welcoming. The woman behind the counter always wants to talk about what I’m buying.”
While recounting her fond memories of the store, Klosk remembered taking her friends into the bookstore. The next day, indie pop singer Conan Gray posted the store on his instagram stories, Klosk said.
Klosk sneaks into after-words for quiet moments in the big city. Having a place like after-words is special when the only options are Starbucks and department stores, said Klosk.
First-year student Sophia Hartman is an after-word’s customer who said she cherishes the energy of small bookstores.
“I think that since we’re in the city, going to cute bookstores is very accessible,” Hartman, 18, said. “It’s more of an experience if you go to a bookstore versus shopping online, going to Barnes & Noble or the big book corporations.”
Ever since Hartman discovered the shop through a friend, she’s loved the atmosphere of after-words and its close proximity to Loyola’s Water Tower Campus.
Hartman enjoys the adventure of supporting small businesses and finding new things in the city.
“It romanticizes life a little bit,” the biology major said about her preference for small bookstores over big corporations.
after-words bookstore, a 10-minute walk from Loyola’s Water Tower Campus, is split into two stories. (Xavier Barrios | The Phoenix)However, large corporations are not the biggest threat to independent book sellers, according to Dvorkin, but landlords, rent and gentrification.
In 1997, the average trade paperback was $14, but in 2023 it’s currently $18, a $4 increase over 26 years, according to Dvorkin. Book prices increase at a slower rate than rent, the owner said. At after-words, there has been an uptick in sales, with the exception of 2001 after 9/11 and throughout the first two years of the COVID-19 pandemic, Dvorkin said.
Starting with the pandemic in 2020, after-words has been part of the online bookselling platform bookshop.org. The site has raised over $25 million for independent bookstores in the United States, United Kingdom and Spain, according to their website.
Before the creation of this online platform, Dvorkin said she already recognized the importance of creating community with other independent bookstores.
“We’re competitors to a point, yes, but we all have different inventories, events and passions.” Dvorkin said. “As a community we can sell the idea of independent bookstores, authors and listening to diverse voices.”
after-words is located at 23 E. Illinois St. and is open Monday through Thursday noon to 8 p.m., Fridays noon to 9 p.m., Saturday 10 a.m. to 10 p.m. and Sunday from noon to 7 p.m.
This story was written by Natalie Doyle and Xavier Barrios
Featured image courtesy of Xavier Barrios | The Phoenix
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Sophomore pitcher Peyton Pepkwoski’s passion and drive for softball has pushed her to be a strong influence on the Loyola women’s softball team. In her two years as a Rambler, she set the record of most strikeouts for a first-year at Loyola, and won pitcher of the week in both the Missouri Valley and Atlantic 10 (A-10) conferences in 2022 and 2023, respectively.
Throwing her most recent no-hitter March 5 at the Saluki Invitational in Carbondale, Illinois, Pepkowski said the Ramblers are excited to have entered conference play and see what the remainder of the season will bring.
Pepkowski said she started playing the sport when she was five years old, always feeling confident that softball was right for her. In her childhood, she played a variety of sports, but when she got into softball and discovered that getting a degree while doing what she loved was an option, she decided to take it.
Pepkowski said she attended Loyola not only because of her athletic career but because of the “big green flag” she found in Loyola’s academic program, as education has always been important for her. The statistics major said the hard work she has put into her softball career drove her to play the sport she loves today.
The idea of playing softball in college gave Pepkowski the push she needed to work harder.
Her consistency as a pitcher not only earned her an A-10’s Pitcher of the Week distinction March 8. According to Loyola Head Coach Alicia Abbott, it has also helped the team be the best they can be.
“I think ultimately when she’s consistent, the run production and batting average against helps our defense play better behind her,” Abbott said. “It helps propel that confidence knowing full well that if we need to score less runs, that’s a little easier on our offense.”
Pepkowski said her recent accolade wouldn’t mean anything without the team she has behind her. She reflected on how she can have great games, but the support she has from her team makes it more special.
The St. John, Indiana native recalled her first visit to Loyola before joining the team and said she felt welcomed to the team right away, knowing it was the right place for her.
“I can go to [my teammates] with anything, any of my coaches and there are not a lot of places where you can get an environment like that,” Pepkowski said. “This is basically a home away from home for me.”
Abbott agreed Pepkowski has a lot to do with creating a family feeling within the team, which stems from her family. Her parents are always supporting her and the team at every game, no matter where they travel to.
Pepkowski’s parents have always encouraged her to follow her dreams. She recalls her childhood, where her dad would do everything to help her get to where she wanted to go.
“He would always go to the basement and catch for me, and he would find new drills for me to do, and he is the kind of guy who, if he doesn’t know a lot about something, he will research it until he is an expert at that level,” Pepkowski said about her father helping her with her pitching.
In the 15 years she has been playing, Pepkowski said her love for the sport hasn’t stopped growing, turning the mound into a place where she can escape her day-to-day life.
The pitcher’s love and dedication for the sport is reflected in the way she plays, Abbott said, adding she puts everything out on the field.
“I knew she would be great for Loyola because of what she brought to the table with who she already was,” Abbott said. “The fear doesn’t exist for her. She wants to accomplish anything and everything.”
Pepkowski said though her future after graduation remains unknown, she knows whatever she does, she hopes softball is included.
Catch Pepkowski and the Ramblers will head to New York for their next game against St. Bonaventure University April 1. The double header’s first pitch is scheduled for 11 a.m. with the next game starting shortly after at 1:30 p.m. and the third game beginning at 11 a.m. April 2. Broadcast information has yet to be announced.
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At 103 years old, Sister Dolores Jean Schmidt, BVM’s knowledge of basketball is as sharp as an arrow. She can recognize when a player has less arc in their shot, according to senior forward Tom Welch. Men’s basketball Head Coach Drew Valentine said she can analyze a game just like him. She can also get a full scouting report of Loyola’s opponent to carefully craft her pregame prayers for the team and the fans.
As the chaplain of the Loyola men’s basketball team since 1994, Schmidt is responsible for overseeing the team in and out of practice. She’s there to support them spiritually and, according to Loyola’s website, provides a pregame prayer and advice about their opponent.
Before every Loyola home men’s basketball game, Schmidt conducts a full scouting report on the opposing team, where she looks out for players who shoot well from beyond the arc, from the free throw line and players’ foul propensity. She puts all of this information together to craft a pregame prayer for the team. She then reads it to the athletes before they take the court for their final warmup and blesses each of the players’ and coaches’ hands.
Following her pregame prayer and blessing, Schmidt is wheeled onto center court of Gentile Arena where she delivers another prayer to the crowd — something she said she started doing after a player suggested it to her. Schmidt said all her prayers are similar, as she only switches the name of the team and the statistics she might talk about.
“I always start out with, ‘Good and gracious God,’” Schmidt said. “‘We want to be sure at the end of the game when we see the scoreboard, we know that Loyola has the big W. Amen, God bless and Go Ramblers.’”
Once she finishes, the crowd erupts with cheers and even chants her name sometimes.
During the game, Schmidt assumes her designated spot just outside of the tunnel on the left side of the court, where she watches closely. She makes mental notes of feedback to give to Valentine and the team at the half and after the game, something Valentine said is incredible.
“At first I was like, ‘What? What the heck is going on? Like, is somebody doing this for her?’” Valentine said about his first meeting with Schmidt. “Then, as you get here and as you take it all in, you realize it’s really all her for real. It’s almost like a movie character, you know? It’s like you’re living in her movie.”
After every game, win or lose, Schmidt sends two different types of emails — one to Valentine and one to each player, extending congratulations or her sentiments, depending on the outcome, as well as notes for each player.
Valentine recalled Sister Jean’s email after Loyola’s tough loss in the first round of the 2022 NCAA March Madness tournament against The Ohio State University, which he read with a smile. In the email, the team chaplain expressed her sorrow for the loss and her lateness in sending the email, due to computer problems. She followed up with, “I know you and the team had wanted to win that game and go on to beat other bracket schools, but that ball would not go into the basket.”
Over the years, Valentine said he’s grown closer to Schmidt and values their time together, as he considers her part of the athletic administration. Valentine said he loves Schmidt’s positivity, which was huge for him, especially after the Ramblers’ tough first season in the Atlantic 10 (A-10).
“It’s an incredible reminder to me keeping that perspective of life,” Valentine said. “The fact that although we were playing on Tuesday nights, she was still working as hard as she could. I think that meant a lot to me. It meant a lot to the team that regardless of the situation, she still wanted to be there for us not just when it was going good, but even in a year that none of us are used to.”
As another recipient of the emails, Welch echoed Valentine’s comments about Schmidt’s positivity, saying the players see her as their guardian angel and someone who always brightens up their day. Welch specifically said he sees Schmidt like a parent, especially when she gives game notes because she sometimes sounds like his mom.
When asked about her relationship with the team, Schmidt smiled and said they’re not afraid to talk to each other, which to Schmidt, is always a sign of being good friends.
After Loyola’s first season in the A-10, Schmidt reflected on how the team handled adversity and is ready for what next season will bring.
“I’ve talked to Drew and this has been a hard year,” Schmidt said. “It’s been very difficult because of the new conference, but I’m sure we’ll do better next year because we now know how those A-10 people play. I have a lot to learn and I’m sure Drew will work on that. They’ll come back in July to practice and get where he wants to be.”
Featured image by Nicky Andrews | The Phoenix
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The No. 10 Loyola men’s volleyball team (19-4, 9-1) sits atop the Midwestern Intercollegiate Volleyball Association (MIVA) conference standings after losing just one game in conference play. With four games left, however, the season is far from over.
The Ramblers are slated to host their last two games against Lindenwood University March 31 and Quincy University April 1. To close out the season, the Ramblers will go on the road to compete against No. 11 Ball State University Apr. 6 and No. 12 The Ohio State University Apr. 8, who sit at second and third in the MIVA rankings, respectively.
The Ramblers won in a five-set match in their first outing versus Lindenwood. This season, the Lions’ Diego Negron and A.J. Lewis both won all-conference honors, with Negron receiving first-team All-MIVA honors and Lewis receiving second-team All-MIVA honors.
The Quincy University Hawks currently sit eighth in the MIVA rankings. In their previous meeting, the Hawks were swept by Loyola, led by Cole Schlothauer and Parker Van Buren, tallying eight kills each. The Ramblers earned their 27th consecutive win in the all-time series versus Quincy.
Ball State had four athletes, two of whom returned this season, with All-American Honors in their 2022 season. On the sideline, Cardinals Head Coach Donan Cruz has been selected as AVCA coach of the year for the five times in her eleven full seasons at the helm of the Cardinals after leading them to a 23-2 overall record. Their only two losses this season have been against Loyola and Ohio State.
In the 2022 season, three of Ohio State’s student-athletes received All-MIVA distinctions. Jacob Pasteur and Samuel Clark, who were selected to the First and Second All-MIVA Teams, respectively, returned for the Buckeyes in the 2023 season. Besides their defeat against Loyola Feb. 18, their two only MIVA losses have come at the hands of Ball State and Lindenwood — two of Loyola’s last four opponents.
In previous outings versus these opponents, the Ramblers have dominated, taking down Ball State 3-1 Feb.16 and sweeping Ohio State in three sets Feb. 18.
First Year libero J.J. Sowa said the key to staying tough versus these opponents lies in a motto the team has had all season.
“Our motto has been, ‘Tough Together,’” Sowa said. “It’s going to take everyone in practice — in the game — giving energy on the court.”
First-year Bryce Robbins said he has confidence in the team’s training, stating as long as they run the systems they’ve been running in practice throughout the season, they should be fine. Va
Van Buren added how important it is for the team to be dialed-in towards the end of the season, as it brings tough challenges, especially facing two of their conference toughest opponents.
“The playoffs are huge,” redshirt sophomore outside hitter Van Buren said. “Anything can happen. We can go in with the best record we can go in winning the conference. We can go on last in the conference and come out on top.”
Van Buren said the team chemistry feels good, adding his confidence in the team winning the conference en route to the NCAA Tournament.
Sophomore middle blocker Nicodemus Meyer said the Ramblers’ key to success is having consistent service pressure to put both teams into uncomfortable positions.
The MIVA Tournament is set to start April 15, with the Championship game scheduled for April 22. The location has yet to be announced.
Featured image courtesy of Steve Woltmann for Loyola Athletics
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Loyola women’s basketball Head Coach Allison Guth was in Palm Springs, California when she received a phone call that changed her life. As a sales-associate at Coca-Cola North America, Guth said she was sent on a visit with “a set spa and golfing” to build a relationship with a potential business partner. Little did she know, it would be her last corporate trip.
An Arlington Heights native, Guth was raised with basketball, finding her love for the sport through her father. She said he played during high school and continued to play in intramural leagues at his alma mater, Northwestern University. As Guth grew up, she said her father taught her the ropes.
There weren’t many organized basketball leagues for women when she was younger, Guth said. From the third to sixth or seventh grade, she said she had to play in boys clubs until girl leagues started popping up.
In 2000, she helped lead Buffalo Grove High School to a state title, earning an induction into the Illinois Basketball Coaches Association Hall of Fame with her team in 2013, according to Loyola Athletics.
Going into college, Guth was accepted into University of Illinois’ Gies College of Business, and expected to play golf instead of basketball.
“That was kind of the path I took,” Guth said. “I quickly realized as a freshman in college that I missed [basketball] incredibly. My path was really unique, because I ended up getting an opportunity to walk on and then earn a scholarship playing basketball.”
Guth said being a walk-on gave her the chance to compete alongside some of the best talent in the country when the Fighting Illini made their run to the NCAA Tournament in 2003. She added her time as a student athlete also helped her meet people critical to her return to the industry.
After graduating with a bachelor’s of science in business organizations with a focus in marketing, Guth began working with Coca-Cola North America in Denver. While on a business trip in Palm Springs, Guth said she received a call from former Loyola Head Coach Shannon Reidy. After meeting in a Nike clinic when Guth was still playing collegiately, she offered Guth the chance to return to Chicago and work on recruiting for her team at Loyola.
Once Guth landed back in Denver and had time to assess the situation, she said it felt like divine timing that an opportunity for her to follow her true passion in leadership and her purpose of impacting people positively came her way. Despite the perks that came with her job — such as the company car and the business trips to vacation-esque destinations like Palm Springs — she described her decision as a no-brainer.
“I turned that all in for a bike and moved to Chicago because I had to save money,” Guth said. “That was the deal.”
Guth said she had always been fascinated with leadership, adding she has been gifted with the skill set to bring people together. Whether it be her student council president role in high school, her involvement in business fraternities at her university or her role across basketball teams, Guth said she was always looking for organizations that brought people together.
Transitioning from the standard nine-to-five job to working in college athletics is an effort in itself, Guth said, since the job is 24/7, 365 days a year. Regardless, Guth mentioned several times how easy it feels to put in the hours knowing she’s following her passion and purpose in coaching.
“Coaching to me is teaching, it’s mentoring, it’s impacting a young person’s life and really integral part of their life,” Guth said. “I think college is so cool. I think that these next four years really impact the next 40 years of your life.”
After 18 seasons as a head coach, Guth described her leadership role from the sidelines differently than when she was on the court. The primary focus of her coaching staff today is to have a positive impact on the lives of their players.
Guth said her student-athlete experience is over, and now it’s her responsibility to make her student-athletes have the best possible version of it.
“Our why is really the student-athlete experience,” Guth said. “We want our players, our young women, to come in and to grow holistically — I’m real serious when I say this — to be the best versions of themselves when they’re crossing that graduation stage.”
After finishing with a 6-24 overall record, going 1-15 in the Atlantic 10 (A-10) during the 2022-23 season, there is room for growth for the Ramblers. Despite not being happy with the outcome, Guth said she believes this year was foundational in a lot of ways, helping build the blueprint for the championship culture she wants to build.
“I believe that comparison is the thief of all joy,” Guth said. “I think we got to kind of stay in your lane, put your head down, do the hard work and get it done.”
Featured image courtesy of Steve Woltmann for Loyola Athletics
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Women’s History Month, which has been recognized each March since the 1980s, celebrates the accomplishments of women in American history. It’s a crucial time to acknowledge the obstacles women in the United States and around the world continue to overcome.
Everyday, I’m surrounded by women who exhibit the inspiring resilience Women’s History Month intends to highlight.
My mom has gracefully cared for my brothers and me, serving as a role model and confidant my entire life. Beyond being a nurturing mother, she has taught me to be shamelessly eccentric and unapologetically myself.
I’ve been lucky enough to befriend women who have created spaces where womanhood and self-expression feel safe. They’re complex, compassionate and kind.
At The Phoenix, I work alongside some of the most dedicated and determined women I’ve ever met. They support me in moments of wavering confidence and encourage me to pursue my goals. Watching them pursue their goals is an honor.
If I could write about every woman who has impacted my life, I would. In honor of the countless women who inspire me, here are four of my (many) favorite songs by some of the most influential women in music.
“Me and Bobby McGee” by Janis Joplin
One of her most popular songs, “Me and Bobby McGee” puts Joplin’s versatility at the forefront. Her Texas roots shine through a subtle country twang and simple guitar strumming. Uncomplicated singing and instrumentals are quickly replaced by impressive growling vocals and fast-paced riffs — quintessential aspects of Joplin’s artistry.
“Freedom’s just another word for nothin’ left to lose / Nothin’, don’t mean nothin’, honey, if it ain’t free,” Joplin sings.
Joplin rose to fame in the late 1960s and quickly became a pioneer for women in rock and blues music. Despite only releasing one album prior to her untimely death, her unique, powerful vocals led her to become one of the most prominent women in rock — a male-dominated genre.
“Fast Car” by Tracy Chapman
At the onset, the song is sonically unassuming. However, the chorus of “Fast Car” paints a detailed illustration of a moment of clarity and freedom. The song not only exhibits Chapman’s advanced musical capacity but also displays her artistic creativity and rich understanding of music’s emotional impact.
“And I had a feeling that I belonged / I had a feeling I could be someone, be someone, be someone,” Chapman belts.
Chapman’s work is notable not only because of her musical genius and artistic talent but also because of her lyrical openness on topics like poverty, violence and substance use. Also a member of the LGBTQ+ community, Chapman’s success as a singer-songwriter is momentous for women and queer musicians.
“9 to 5” by Dolly Parton
Atop an energetic piano, Parton sings about the struggles and inequalities of an exhausting work life. Her effortlessly high vocal range delivers a pleasantly catchy chorus, accompanied by a harmonic choir and bouncy horns.
“They let you dream just to watch ‘em shatter / You’re just a step on the boss man’s ladder / But you’ve got dreams he’ll never take away,” Parton sings.
My fellow Tennessee native helped pave the way for women in country music. Her unapologetic femininity paired with undeniable talent made her a forceful figure in the music world, becoming an icon for artists looking to feel safe in their womanhood in the music industry.
“Respect” by Aretha Franklin
Despite being originally written and recorded by Otis Redding, Franklin turned “Respect” into an anthem of empowerment and pride, even changing Redding’s lyrics to reflect self-confidence. Her impassioned rendition popularized the song and contributed to her designation as “Lady Soul.”
“What you want, baby, I got it / What you need, do you know I got it? / All I’m askin’ is for a little respect when you come home,” Franklin declares.
Maybe this was a predictable pick for this column — for perfectly justifiable reasons. A revolutionary in the soul genre, Franklin opened doors for women and people of color in music. While the Rock & Roll Hall of Fame still lacks severely in women inductees, Franklin became the first woman inducted in 1987.
Featured image by Austin Hojdar | The Phoenix
The post Govrik’s Grooves: Celebrating Women in Music first appeared on The Loyola Phoenix.
The forum for 48th Ward Alderperson was held in Edgewater as candidates Joe Dunne and Leni Manaa-Hoppenworth faced off in a March 22 forum at St. Ita Catholic Church.
Both candidates advanced to a runoff election in the race to replace retiring Alderperson Harry Osterman. The runoff follows the first round of voting in which no candidate met the 50% threshold needed to secure an election victory, The Phoenix previously reported.
The forum was hosted by the Andersonville Chamber of Commerce, Edgewater Chamber of Commerce and Uptown United in partnership with several block clubs.
Candidates were asked questions on several issues, ranging from infrastructure to education. It was moderated by Pat Whalen, a local late night talk show host on “Good Evening with Pat Whalen.” The questions were submitted in advance by both organizers and audience members. Organizers said 235 people attended the debate — many of which cheered and clapped for their preferred candidate throughout the event.
Housing
Both said they’re in favor of affordable housing and a housing-first approach to tackling homelessness. They want to see the passage of the Bring Chicago Home Ordinance, a one-time tax on the sale of property worth more than $1 million led by the Chicago Coalition for the Homeless, but have different ideas on how to get it passed.
Dunne, vice president of development at nonprofit Bickerdike Redevelopment Corporation, said he has personal experience in financing affordable housing, including the Lawson House YMCA in Near North Side, a hotel being renovated into studio apartments. He recommended the utilization of rental subsidy programs and Section 8, a federal voucher to subsidize rent for low-income families, elderly and disabled people, to get people off the street and into existing housing.
Manaa-Hoppenworth said the city needs to demand funding from the federal government to combat homelessness. She said she supports the Bring Chicago Home Ordinance, and is open to modifications, but called on city council members to come to the table for its proposal, since the last time it was raised in council, many members were not in attendance.
Dunne said he believes it’s an important ordinance but has some concerns about its ability to get passed in its current form.
“There’s some questions about how it’s structured,” Dunne said. “Is a million-dollar threshold the right place? It’s an inflection point right now. As it’s written, if you sell your home for $900,000, you don’t pay this increased tax. If you sell for $1,000,001, you pay that increased tax.”
Joe Dunne, vice president of development at nonprofit Bickerdike Redevelopment Corporation, said he has personal experience in financing affordable housing. Hunter Minné | The PhoenixInfrastructure
Both candidates spoke about their priorities in the area, presenting different ideas on what they hope to accomplish if elected.
Dunne spent much of the forum calling for more electric car charging stations and mixed-use commercial and residential buildings.
In particular, Dunne is looking to the 2025 completion of the Red-Purple Modernization Program at the Bryn Mawr stop on the Red Line. He said the Chicago Transit Authority (CTA) will sell off its construction sites, opening up opportunities to link car charging stations to the Red Line’s electrical grid.
“We need to be working together as a community right now and say what we want to see there,” Dunne said during the forum.
Both candidates agreed that city streets need to be safer for everyone on the road. Manaa-Hoppenworth said that seeing her teenagers learn how to drive has shown her how crowded the roads are.
“We should all be able to use our roads and our sidewalks, whether we walk or bike or use an assistive device,” Manaa-Hoppenworth said. “We need to make investments because one death is too many.”
Manaa-Hopenworth called for an overhaul of Chicago’s street and stoplight grid to be more bike friendly as well as increasing the penalties for those who park in bike lanes. She also said the city’s traffic lights need to be overhauled, making it easier for pedestrians to cross busy streets.
Community Engagement
Both candidates brought up their deep roots within the 48th Ward, having spent decades involved in different local organizations, and seek to expand community involvement.
Dunne advocated for the strengthening of the Ward’s block clubs. The 48th Ward includes portions of Uptown, Edgewater and Andersonville, each with different demographic makeups and needs, according to the Ward’s website. Dunne said block clubs combined with a central office, like the defunct Edgewater Community Council, will help address everyone’s needs.
“Community engagement is critical to governing the ward,” Dunne said. “As alderman, I’m your representative. I need to hear from you, I need to understand what your issues are.”
Manaa-Hoppenworth stressed the importance of local chambers of commerce in community development. As the owner of a dancewear store, Chicago Dance Supply, she said the chambers of commerce help new businesses get started and build the character of each district.
“The neighborhood chambers of commerce are the liaisons from the city to the neighborhoods,” Manaa-Hoppenworth said. “We’re very fortunate to have three — Andersonville, Edgewater and Uptown.”
Leni Manaa-Hoppenworth has run Chicago Dance Supply in Andersonville since 2003. She is also a co-founder of Indivisible Illinois, a progressive activism group. Hunter Minné | The PhoenixExperience and Endorsements
Both Dunne and Manaa-Hoppenworth touted endorsements from key figures within Chicago politics. Dunne received the endorsement of retiring Alderperson Harry Osterman and other local politicians, The Phoenix reported.
Dunne said during the forum that if elected, he would retain Osterman’s chief of staff, Dan Luna, which garnered a large round of applause. Luna confirmed this with The Phoenix and said he’s confident anyone in Alderperson Osterman’s office could transition to a new aldermanic office.
Dunne has been endorsed by former Governor Pat Quinn, former 48th Ward Alderperson Mary Ann Smith, former State Senator Heather Steans and Cook County Commissioner Bridget Stainer, according to his campaign website.
Manaa-Hoppenworth spoke about receiving the endorsement of recently reelected 49th Ward Alderperson Maria Hadden and mayoral candidate Brandon Johnson. She has also been endorsed by Congresswoman Delia Ramirez, State Representative Theresa Mah and Chicago City Clerk Anna Valencia, according to her campaign website.
Both candidates touted their business experience in Edgewater. Dunne spoke about his experience in development while Manna-Hoppenworth talked about her experience running a small business.
Dunne is vice president of development at Bickerdike Redevelopment Corporation, a nonprofit that builds affordable housing units across the city. He listed his experience in the area as a selling point of his campaign. Dunne also served on the Local School Council for Peirce Elementary School and the Edgewater Community Council.
Manaa-Hoppenworth has run Chicago Dance Supply in Andersonville since 2003. She is also a co-founder of Indivisible Illinois, a progressive activism group, the founder of ILVOTE, a voter education group and has served on the boards of several other advocacy and theater organizations.
Concluding Statements
The candidates capped off the forum with thanks and promises to improve the ward. The main topics of the event were quickly rehashed as the crowd cheered them on.
Dunne said his history and familiarity with the ward would help improve it. He again touched on opportunities for affordable housing and development around the Red Line.
Manaa-Hoppenworth said she ran for alderperson out of love for the Ward. While she’s been a coalition builder for many years, she said she was ready to enact more systematic change.
During his closing statement, Dunne said his experience distinguishes him from Manaa-Hoppenworth. He told The Phoenix he and Manaa-Hoppenworth have similar progressive ideals, but his different approach to Bring Chicago Home will help it get passed.
“I think you gotta take a step back and say, ‘Hey, who’s not here? Let’s get them to the table. How are we gonna get this done?’” Dunne said. “Because we all agree on the vote, right? We all think we need a funding stream to address homelessness. Pushing the same rock up the hill is not working.”
In response, Manaa-Hoppenworth told The Phoenix she will look to more experienced elected officials to guide her, especially 49th Ward Alderperson Maria Hadden.
“As any new elected official who’s never served, you don’t know what you don’t know,” Manaa-Hoppenworth said. “So we need to work with people who have been doing the job and doing it well.”
The runoff election will conclude April 4, when voters go to the polls to decide on the next alderperson of the 48th Ward.
This story was written by Maddie Franz and Aidan Cahill
Featured image by Hunter Minné | The Phoenix
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Over the past couple of weeks as my friends and I have reflected on our four years of college, we’ve expressed gratitude toward friends, family and extracurriculars. It makes sense to be most sentimental about the people who have been there from the start and know you the best. However, I’ve begun to realize the impact Loyola professors have had on me over the years.
My growth, education and general understanding of the world is primarily due to their work. Yet, because I am usually only taught by them for a semester, their lasting impact on me and my peers can often go unrecognized while reflecting on our college years. While I don’t have the space to thank all my professors, I’d like to express my gratitude towards a couple that have stood out.
The first professor I have to thank is Professor Michael Cullinane. As an adjunct professor who was full time at Senn High School, he was able to keep myself and my classmates engaged despite teaching COMM 205 on Zoom during the 2020 Fall semester.
He was the professor that first guided me into the wondrous world of journalism and helped me really understand the process of writing, editing and perfecting a story. At the end of his class, I wrote a final paper he encouraged me to submit to The Loyola Phoenix. And, well…the rest is history.
When I returned back to in-person classes, I began to specifically pick electives for my criminal justice major that would be discussion-based. Being able to actively talk about the issues within and involving the criminal justice system allowed me to learn way more about the system than I had learned from Zoom lectures.
Professor Kayla Martensen really fostered a discussion-based space in her classrooms. Taking two classes with her simultaneously I never got tired of the classroom structure. I truly felt like I left each class with a greater acknowledgement of how the criminal justice system impacts women, LGBTQ+ folk, people of color, people in poverty and other marginalized populations.
After taking Martensen’s classes, I wanted to continue to take criminal justice electives that focused on how the system impacts Americans. In Professor Zhandarka Kurti’s class on Race, Ethnicity and Criminal Justice, which I’m currently taking, I’ve been able to learn from a multitude of styles.
By using readings, podcasts, lectures and documentaries to teach, students can expect an accommodating array of learning styles in Kurti’s classroom. Her curriculum has helped me recognize the severity of mass incarceration and the history of the criminal justice system and its relation to racial and ethnic groups in the United States.
Last but certainly not least is another one of my current professors, Katie Drews. While I have grown immensely under her guidance as The Loyola Phoenix’s advisor, I still have really enjoyed her class on media law this semester.
She has the ability to make learning law fun — something very hard to do, in my opinion — and always finds a way to draw it back to an individual level, causing us to think about how we would respond to ethical dilemmas in the newsroom. She seems to perfectly understand how to get students talking by facilitating interactive classroom discussions and lessons which draw students in and leave them walking out not only understanding the content better but themselves, too.
Featured image by Austin Hojdar | The Phoenix
The post From the Editor’s Desk: Thank you, Loyola Professors first appeared on The Loyola Phoenix.
“Just call an 8-RIDE,” has become an age-old adage for many Loyola students when staying up studying at the Information Commons or hanging out late at a friend’s dorm or apartment.
For women, this service is even more important to ensure their safety in the Rogers Park and Edgewater neighborhoods.
Loyola’s safe-ride program is intended to provide students with “safe and quality service” when traveling around campus, according to the university’s website. Between 6:30 p.m. and 3:35 a.m., students can request an 8-RIDE to transport them between locations within a certain distance from campus.
Over the years, The Phoenix has reported on the unreliable van system that provides students with long wait times, sometimes even canceling service.
Providing all students with a system that intends to ensure safety when traveling near campus at night is not only comforting and convenient, but essential in allowing students to feel secure.
The Chicago Sun-Times, WBEZ, Telemundo Chicago and NBC5 conducted a poll in which 44% of voters said “crime and public safety” was the most important issue to them. In the same poll, 63% of Chicagoans said they don’t feel safe concerning gun violence and crime.
The 8-RIDE service is especially crucial for women, who face elevated fears when traveling at night. About 45% of women said they don’t feel safe walking alone at night, compared to 27% of men, according to a 2014 Gallup poll.
Loyola’s undergraduate population is around 68% women, according to U.S. News and World Report. There should not be a single member of that group who should have to make their way from point A to point B without a sense of security.
In 2018, The Phoenix published an article in which students expressed their concerns about the service which has been operational since 2014. In a follow-up February 2022 8-RIDE article, a student said being a woman was a primary reason she didn’t feel safe walking home.
8-RIDE is a service we are grateful for and appreciate having as an option, but the university and its transportation provider MV Transportation need to work to make it one students have no hesitancy to use.
To schedule a ride, Loyola students can download the TripShot app, call 773-508-7433 or use extension 8.7433 (8.RIDE) from a university phone line.
Through this app, a means in which students can contact their driver to ensure they are on time or en route is one way in which the university can assure students’ safety.
For those unable to use the app, the vans stops at Cuneo Hall throughout each night to pick up students without them needing to request a ride. If there were more of these designated stops in the surrounding campus area, 8-RIDE could quickly become more accessible to Loyola’s student body.
Students who experience difficulty with the 8-RIDE service can fill out a feedback and suggestion form through Loyola’s website.
The post STAFF EDITORIAL: An Unreliable Late Ride System Disproportionately Affects Women first appeared on The Loyola Phoenix.
Content warning: Suicide.
Don’t forget her.
After two albumless years riddled with Cook County Jail photoshoots and questionable anti-mask behavior, singer-songwriter Lana Del Rey burst through the music scene with a seductive decree against mama’s boys and a demand to be remembered.
Offering a troubling yet genius exploration of personal insecurity, Del Rey’s discography presents her most vulnerable, tangled self. With this album — “Did you know that there’s a tunnel under Ocean Blvd” — Del Rey is torturously introspective. In many ways, she’s the modern woman.
“The Grants” is the album’s first track and a confession of what Del Rey will remember after death. With a choir of women in the opening sequence, the song feels like a lullaby sung by angels.
Despairingly weighing the memories of a past relationship, Del Rey is at her most pathetic, swooning over a man that refuses to choose her. Like heaven, she’s clouded by dreamlike imaginings — and the thought of romantic reconciliation.
Altogether, the album exudes sultry desperation, rendering Del Rey a commodity to the male gaze. With a career tainted by anti-feminist critique, Del Rey said she used to be labeled the “face of feminine submission,” according to Billboard.
Like her discography, Del Rey affirms she never signed up to be the paradigm of female empowerment.
And that doesn’t make her anti-feminist.
Themes of degradation continue from the album’s titular song, which was released in December. Named to represent the essence of being forgotten, Del Rey equates herself to Jergens Tunnel of Long Beach, California, which was sealed up after the hotel it was built under closed, according to The Long Beach Post.
“Mosaic ceilings, painted tiles on the wall / I can’t help but feel somewhat like my body marred my soul / Handmade beauty, sealed up by two man-made walls,” Del Rey quavers.
Track three, titled “A&W,” meaning “American Whore,” is a diaristic recap of Del Rey’s provocative allurement and shaky self-worth.
“Your mom called, I told her, you’re fuckin’ up big time,” the icon sings on the lead single of her ninth album.
With an ambitious beginning, the album falters in the middle. Two vocally absent interludes, one from Christian pastor Judah Smith, are segregated by the flavorless track “Candy Necklace.”
Wounded by the deaths of her grandmother and her uncle, Del Rey is at her most raw grieving both dead and living family members.“Kintsugi” unveils a shattered Del Rey piecing herself back together. The Japanese term is used in pottery to explain the repairing of breakage, according to The Smithsonian.
In “Fingertips,” Del Rey addresses her uncle’s suicide and her own mental health struggles. Psychiatric cocktails and drowning attempts complicate the singer’s soft dejection alongside non-existent rhythm; both lyrically and rhythmically, the song is hard to listen to.
“To get to you, save you, if I take my life / Find your astral body, put it into my eyes / Give you two seconds to cry,” Del Rey sings.
In the final tracks, Del Rey’s album becomes a wildwood of unrestrained thought.
The sonic standout, “Let The Light In,” which features singer Father John Misty, unexpectedly weaves hearty folk twang with Del Rey’s romantic pleas. Setting the scene for a Midwest love affair, Del Rey asks her lover to be let into his life again — both physically and emotionally.
The song is Del Rey at her best. A painter of emotion, Del Rey unveils every weakness on a canvas of vulnerability.
“Ooh, let the light in / At your back door yelling ’cause I wanna come in / Ooh, turn your light on / Look at us, you and I, back at it again,” she sings in the passionate ballad.
Whimsical romance prevails in “Margaret,” featuring indie band Bleachers. It relays the love story of Del Rey’s producer Jack Antonoff — the lead singer of Bleachers — and his fiance Margaret Qualley.
If you’re wondering how to know you’ve found “the one,” Del Rey has an answer: “When you know, you know,” Del Rey sings along serene piano.
In “Peppers” featuring Tommy Genesis, Del Rey embraces her deviance. Despite anti-mask accusations, Del Rey shockingly toys with those eager to make her a threat to public health.
“My boyfriend tested positive for COVID, it don’t matter / We’ve been kissin’, so whatever he has, I have, I can’t cry,” she sings in reference to former boyfriend Jack Donahue.
With the catchiest chorus on the album, “Peppers” pivots the album. Her passion is exotic, liberating and somewhat crazy — a theme fluent across the singer’s discography. She’s in love and doesn’t care who knows it. What could be more sincere?
Closing out the album, Del Rey gifts fans with “Taco Truck x VB,” a track remixed with beloved “Venice Bitch,” off “Norman Fucking Rockwell.” In a nod to past work, Del Rey wraps the album in a ribbon of nostalgia, reminding listeners controversy hasn’t changed her.
“Ocean Blvd” doesn’t triumph over previous works like “Norman Fucking Rockwell” or “Ultraviolence.” But it does mark a shift for the singer, whose 2021 albums “Chemtrails Over the Country Club” and “Blue Bannisters” were immemorable and rushed.
Del Rey has returned to her classic, sultry sound and romantic idealism. But she’s also tortured, trying to recover from grief and mental affliction. She’s defenseless in some tracks and unrestrained in others. Her commitment to individuality teeters on absurdity, with tracks like “Judah Smith Interlude,” or “Fingertips” feeling out-of-place.
But still, she’s hard to forget.
“Did you know that there’s a tunnel under Ocean Blvd” is available to stream on all major platforms.
Featured image courtesy of Polydor Records.
The post Lana Del Rey is Fiercely Heartbroken in ‘Did you know that there’s a tunnel under Ocean Blvd’ first appeared on The Loyola Phoenix.
Unionized Starbucks workers at 6350 N. Broadway participated in a one-day strike after they said Starbucks cut their hours and changed policy without the input of the union.
The location was closed as workers and supporters stood at the corner of West Devon Avenue and North Broadway early March 22, holding signs to protest the recent schedule changes.
Ryan Kiefer, a union organizer and shift lead at the Starbucks, said the strike was part of a larger nationwide strike with over 100 stores participating.
The strike was one of many coordinated by Starbucks Workers United, a union representing Starbucks workers.
Workers began the process of unionizing the location at West Devon Avenue and North Broadway in August, The Phoenix previously reported
Keifer said some of what workers were protesting included a change in policy preventing supervisors from having overlapping shifts and significant cuts to hours.
Keifer said the change was made unilaterally without having talks with the union but said he is open to future discussion with Starbucks.
“They cannot make that change without bargaining with us,” Keifer said. “I’d be happy to talk with them at the table.”
Ashlyn Parsons, a barista who’s worked at the location for six months, said her hours have been cut in half from when she began working. She said even though business may be down, they still deserve a living wage.
“Some of us can’t pay our rent, and it’s really hard,” Parsons said. “Even though there’s less business, we deserve to work and have a living wage.”
Krista Carrington, another barista, shared similar thoughts and said the recent problems were similar to the ones which led them to unionize back in August.
“Starbucks as a whole is on strike because of unilateral changes across stores,” Carrington said. “But unfair labor practices, as well as cutting hours, and also just changes without consulting us first. That’s essentially why we unionized in the first place.”
Carrington said in her case, she has gone from working 40 hours a week to working 27 hours a week. She said 27 hours is generous, given that some workers can work as little as 10 hours, if at all.
As for the impact of this, Carrington said some have had to dip into savings in order to make up for lost hours.
“It’s not great to dip into them when you have to pay for things like rent,” Carrington said. “You should just be able to pay for that.”
Parsons said they’ve had some customers come up angry the store was closed but said it hasn’t discouraged them.
“We’ve had so many people come through this line and be mad that they couldn’t get their coffee today, and it sucks, but human rights are more important than your morning coffee,” Parsons said “We love to work at Starbucks. We just wish that it were more of a viable option for people.”
Featured image by Nicky Andrews | The Phoenix
The post No Coffee Today: Local Starbucks Workers Go on Strike first appeared on The Loyola Phoenix.
Standing on the sidewalk and looking through the floor-to-ceiling windows of Ralph Arnold Gallery presents a tranquil view of a small gallery. Very different from the concrete realm outside inhabited by hectic car-filled streets, austere apartments and a run-down 7-Eleven. As visitors step indoors, a beautifully disorienting landscape awaits.
“Invisible Architecture” is a new show at the Ralph Arnold Annex that features 14 pieces by six artists. The show, which opened on March 17, was curated by Marina Ross, an art professor at Loyola who said she wanted the show to elicit a meditative feeling.
The show remixes reality in a unique way, exemplified by the abstract ceramic sculptures created by Sonya Bogdanova, a Chicago based artist that like Ross is originally from the former USSR. The sculptures are perched on household items like a chair, a pillow and a bucket causing visitors to maneuver around them to peruse the exhibit. The precariously placed sculptures appear vulnerable, all it would take is one careless patron to knock the bucket and send a piece crashing to the ground.
“They function very differently than the paintings,” Ross, 32, said. “I think the paintings are more like these windows into beautiful idealistic landscapes, and then these sculptures are more like the things we have to deal with in everyday life.”
Though they may initially appear as monochrome, formless blobs, closer inspection reveals intricate, enlivening glaze. Ross said she interpreted the artist’s work as discussing the ways trauma manifests in everyday life.
Ross said she was interested in exploring boundaries with the show, with two stand-out works by Alessandra Norman, a Chicago based artist, supporting the effort. Norman’s sculptural canvases are designed to look like a window and a metal fence. With airbrushed natural scenes overlaying the surfaces, the pieces enjoin the natural and the manufactured.
“It’s kind of collapsing space between inside and outside,” Ross said. “That is kind of another theme I think comes through in the show — this idea of inside and outside and boundaries between the two.”
Jaclyn Mednicov created complex sculptural paintings of decaying plants picked from her own garden. By filling fabricated molds with layers of acrylic paint, she creates three-dimensional paint skins revealing the most delicate details of the plant life.
The “Invisible Architecture” gallery show will be open from 8:30 a.m. to 5 p.m. on weekdays until April 14. (Heather Higgins | The Phoenix)“I’m thinking about preserving or loss and memory, and how can I kind of hold on to time in a way because it’s always so fleeting and moving,” Mednicov said.
The work by Mednicov exposing the intricate formations of plants in conjunction with a piece by Ian Miyamura depicting a slightly abstracted bird wing recalls the complex structures found in nature.
Elena Clim, a psychology and women and gender studies major, said that he was drawn to Mednicov’s pieces because of the way they interacted with the broader theme of the show.
“I really liked the nature incorporation and architecture aspect, like all of the garden pieces. I thought it was interesting because they were just flowers and you wouldn’t really think about that with architecture,” Clem, 19, said.
Salvador Dominguez, another featured artist, has two pieces in the show that both use materials to twist viewer’s perception. “CS-04-0121” is a piece consisting of four molded Chicago sewer grates suspended on a wall like ornate tiles. He used silicon molds and layers of acrylic paint to create the strikingly detailed pieces.
“I noticed that if I brush the paint and build up multiple layers that the paint starts to function more like fabric, so I’m taking the fabric and upholstering it in a sense around wooden cutouts,” Dominguez, 37, said.
Dominguez said his interest in reworking materials relates to his experience as a Mexican American. With his tile sculptures he wanted to create familiar artwork that his father, who does not have knowledge about the broader context of art history could connect with.
“He’s familiar with tiles, so just making these basic tiled compositions it’s like a point of contact. Then we can have a conversation about it and he starts understanding a little better, because he is already familiar with the process,” Dominguez said.
His piece in the show titled “En español se dice Ánfora” is a bright pink and yellow sculpture of a vase constructed out of fabric and rope that was soaked in paint to create a hard structure. His work further prods the questions raised by the show about structure and the unseen processes used to create architecture.
“This is my take on a representation of ancient Greek vessels,” Dominguez said. “I’m really interested in those recently, particularly because they are anchored in European art history. It’s a good way for me to ground my Mexican heritage to kind of juxtapose both.”
His use of rope as a fine art material in the sculpture is a nod to his interest in elevating and recontextualizing materials typically associated with labor.
Mattie Wild is a double major in history and printmaking at Loyola that saw the show on its opening day.
“I liked that it was architecture based but that it’s using different mediums besides just drawing,” Wilde said. “I think that’s a really cool outlook.”
The challenging of specific disciplines is something Ross said she wanted art students at Loyola to take away from the show.
“You know a painting is a painting and a sculpture is a sculpture, but almost all of this work is in between a painting and a sculpture,” Ross said. “It kind of challenges what people might think of conventional art forms and for students to just think more outside the box.”
The show opened on March 17 and will be running until April 14. The gallery is open from 8:30 a.m. to 5 p.m. Monday through Friday. More information about the gallery can be found on their website.
Featured image by Heather Higgins | The Phoenix
The post ‘Invisible Architecture’ Explores Nature and Perception in Gallery Show first appeared on The Loyola Phoenix.
When it comes to Loyola’s long-standing cross country records, they are no match for one of the newest Ramblers on the team — University of Nebraska alumni and 23-year-old graduate Ryan Martins. Martins said his dedication to the sport grew fiercely throughout the last 10 years and his passion was fueled by the support system he has back at his home in New Jersey.
Martins is finishing out his first and last year as a Rambler, receiving national recognition for shattering multiple program records in just one semester. During the fall 2022 season, Martins became Loyola’s first All-American selection since Jim Westphal in 1991, while being additionally distinguished as a United States Track and Field and Cross Country Coaches Association (USTFCCCA) All-Academic Athlete.
“It’s surreal, because it was never a position I saw myself being in,” Martins said. “I always wondered what it would be like to be an All-American, but I never related that to myself. I looked at all of these other guys and wondered what that felt like for them, but I never really thought about what it felt like for myself.”
He said he would remember the moment he received the title for his entire lifetime. Regarding the combined honor of receiving the All-Academic title, he expressed his excitement to be able to “compete at the highest level both on the course and in the classroom”.
Martins’ dedication to pushing himself to higher limits led him to break a 31-year-old record in the 5000m run with a time of 13 minutes and 33 seconds — beating previous record holder Westphal by 23 seconds.
“The 5000m record was a long-standing record and not only did Ryan break it, he smashed it.” Loyola Head Coach Gavin Kennedy said. “That’s a massive achievement. It truly should be plastered on every platform.”
In a little over a year, Martins was able to improve his performance significantly following his time at Nebraska, boosting his 5k time by 41 seconds — going from 14 minutes and 41 seconds to his record-breaking time of 13 minutes and 33 seconds — in just 14 months.
Kennedy said he never could’ve imagined what would come of Martins’ short time at Loyola but expressed his gratitude in being able to work with his presence every day. Kennedy also said he sees a lot of himself in Martins, one being Martins’ persistent work ethic, which he said he admires.
“We feel like we’re waking up from a dream,” Kennedy said laughing. “Ryan superseded every expectation he and I have had. I wish I had the privilege to have him another year.”
Teammate and fellow All-Academic athlete Chris Devaney spoke of Martins’ inspiration to his fellow athletes, describing Martins as an enthusiastic player who loves to chat and catch up with his teammates. He also praised Martins’ intuitive, hard-working qualities and said he’s proud to see Martins is being recognized for it.
“To be in an atmosphere at Loyola that just promotes this desire and drive to be successful and compete at the highest level has definitely been the biggest impact,” Martins said. “I think coming here and being put in an environment where success is a crucial part of who you are as an athlete has really helped me perform at my best.”
Above all, Devaney highlighted Martins’ result-oriented approach to the sport and said he “continues to pave the way for this program” with the results he’s seen in the previous months. Devaney said Martins is motivational and sets examples for his fellow teammates and athletes with his continuous and rapid improvement.
Although Martins credits local support to his community at Loyola, Martins’ dedication to success began when he attended a teammate’s event during his time at Nebraska. As he watched a teammate qualify for nationals at a meet at Oklahoma State University, Martins said something clicked inside him, which harbored the realization that he strived to be in the same position.
Strikingly, just under a year and a half later on Nov. 19, Martins placed 29th at the NCAA Cross Country Championships, where he also qualified for nationals on the same Oklahoma Stillwater course that kickstarted his passion.
Martins’ high-achiever attitude allowed him to make swift improvements in a brief amount of time to accomplish one of his biggest aspirations for his collegiate career. Martins said he believes that once you enter the NCAA, experience becomes your best friend — Martins certainly has it in abundance.
“With this being my sixth year, I realized this isn’t going to last forever,” Martins said. “I need to be all-in on this now more than ever, so I can walk away happy with what I’ve done here.”
Though Martins’ time at Loyola was short-lived, he leaves behind a legacy of records coupled with a congenial personality that did not go unrecognized by the community around him.
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In the second series of university finance town halls hosted this school year, Wayne Magdziarz, senior vice president, chief financial officer and chief business officer at Loyola, explained to members of the Loyola community the fiscal realities and challenges the university faces in the coming years.
Magdziarz prefaced his comments by acknowledging other universities have been experiencing economic issues recently and Loyola has not been spared, although he said Loyola is well-positioned to handle the challenges.
He said current trends in university revenues and expenses are unsustainable and the budget for the upcoming fiscal year will need to consider these realities. Magdziarz said $20 million will need to be cut from the fiscal year 2024 budget — which totals approximately $635 million, The Phoenix reported — for the 2025 fiscal year budget.
Based on projections presented by Magdziarz, which assume first-year student enrollments hold constant and annual tuition increases come in around 4%, the university’s expenses will exceed revenues by fiscal year 2026. Currently, expenses at Loyola are growing at twice the rate of revenues.
“We are not in a position now of worrying about balancing our budget this year or next year, but we’re getting close,” Magdziarz said during his remarks.
The key factors contributing to these conditions, according to Magdziarz, are a leveling-off in revenue from tuition, an increase in non-salary operating expenses since the pandemic and pressures from the broader economy, mainly the persisting inflationary conditions.
Magdziarz said the university has been hard hit by price increases across its operations. One of the largest areas of increase has surrounded insurance costs. He said Loyola’s proximity to Lake Michigan and past history of flooding has made property insurance particularly expensive.
After years of continuous increases in the number of enrolled students, the trend is set to end as over the coming years total enrollment isn’t projected to exceed approximately 16,900 students, Magdziarz said.
Approximately 65% of Loyola’s revenue comes from undergraduate and graduate tuition, Magdziarz said, so the university’s budget is very sensitive to fluctuations in enrollment. The university budgets for first-year enrollment to total 2,750 students, Magdziarz said — a 5% decline in first-year enrollment in a given year would result in a loss of $13 million in revenue.
He also highlighted a decreasing number of high school graduates in coming years. The projected number in the Midwest is set to peak in 2024 and decrease in the following years, Magdziarz said. This means colleges and universities will have to compete for a smaller pool of students by offering more financial aid and scholarships, only further driving down revenue from tuition.
In fiscal year 2023, the university’s budgeted results of operations, or revenues left over after expenses, is forecasted to total $13 million. In fiscal year 2024, the university budget calls for $5 million to be left over. This is a significant decline from where these totals were prior to the pandemic. From fiscal year 2013 to 2018, the net surplus ranged from $30 million to $43 million.
Magdziarz said surpluses are either invested back into the departments and divisions which generate them or are put towards the university’s endowment.
Magdziarz outlined several possible university-wide changes which could be made to reach the fiscal goals he said are necessary. In the short term, this includes drawing on endowment funds instead of using funds from the operating budget in some schools and departments. Loyola has a relatively small endowment compared to other similar universities, totaling just over $1 billion as of June 2022, The Phoenix reported.
Additionally, Magdziarz said the university could reduce or even suspend compensation increases for faculty and staff during the 2024 fiscal year. Other non-critical functions and expenses may need to be suspended, and he said other spending will need to be examined and curtailed across the university.
He also said the university will have to be more prudent in filling vacant staff positions. There are currently around 130 vacancies. He said another possible option is looking at the real estate Loyola owns and possibly selling some properties which aren’t envisioned for future university expansion.
Over the next three or four years, he said the university will have to look at its operating structures to identify areas suited for cut or cost reduction. Resources will have to be reallocated to schools and programs which are best suited for growth and best benefit the university’s bottom line. He also said the university will need to continue upping its fundraising efforts, particularly to fund student scholarship support.
Magdziarz said the university is considering asking all non-student-facing departments to submit a “permanent expense suspension plan” by June 1, 2023 and all schools and academic units to submit a plan to the provost’s office by July 1, 2023.
“This is by no means a crisis,” Magdziarz said. “But I assure you it would be if we were showing these same slides two years from now.”
Featured image by Holden Green
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Gone are the days of ceiling tiles dropping because of intense moshing at New York University shows but after a consistent amount of trial and error, hyperpop duo 100 gecs recaptured the wizardry of their debut album “1000 gecs.” The album is a whiplash-inducing combination of brash nu-metal, trumpeting ska and their traditional glitchy hyperpop sound — safe to say, the magic of 100 gecs has returned on “10,000 gecs.”
The second album from Dylan Brady and Laura Les took around four years to perfect, according to the duo’s interview with music magazine Kerrang. The duo started with 4,000 demos, then 10,000, before they finally arrived at the final track list for the album, which was released March 17.
The duo met in high school and has stayed friends ever since, according to an interview they did with Skrillex for Paper Magazine. 100 gecs comes from a long tradition of experimental electronic artists, but their distinct way of playing with lyrics and sound has given them a distinct niche in the genre.
“Dumbest Girl Alive” opens the album with a pitched-up version of audio company THX’s production logo, famous for its high-volume introductions before movies in the mid-2000s.
Straight after is “757,” a fast-paced showcase of the traditional hyperpop sound casual listeners of the genre will immediately recognize. The song is reminiscent of the duo’s remix for CMTEN’s viral TikTok hit “Never Met!” and is practically awash in the same blistering neon notes.
The album’s most recent single, “Hollywood Baby,” opens with the distinct pop-punk sound of the early 2000s. The instrumentation is driven by electronically distorted guitar riffs and scratchy vocals which have become 100 gecs’ calling card.
Lyrically, the song fits perfectly with the rest of their discography, walking the line between critical and nonsensical. It taps into the duo’s fears of failure and the superficiality of Los Angeles.
“Frog On The Floor” is reminiscent of what a fraternity remix of the children’s camp game “Down by the Banks of the Hanky Panky” might sound like. The ska influences make it a sonic departure from the rest of the heavily electronic album, but the lyricism fits into 100 gecs’ deeply unserious style. The song is driven by the rhythmic sample of a frog croaking and the epic tale of a party animal frog who lives in Brady’s basement and can do keg stands.
100 gecs and their use of the Jamaican predecessor to reggae, ska, go back all the way to their first album. The duo often includes the ad-lib, “Pick it up!” in their more ska-influenced songs. The phrase is extremely common in ska songs and is something Brady says often, according to an interview with Rolling Stone.
“Will you buy my friend a beer / If you see him jumpin’ ’round? / “’Cause he’s got flies in his mouth / And he needs to wash ’em down,” Les croons at the end of the song.
“Doritos & Fritos” is a mosaic of the erratic samples and synthesizer melodies 100 gecs has come to be known by, alongside the pop-punk guitar riffs that appear throughout the album. The song is a love letter to the number of words the duo could rhyme with Dorito and Frito and Brady’s apparent love for chips, according to Kerrang.
It’s incredibly hard to tell when 100 gecs is joking and when they’re serious. “Doritos & Fritos” exemplifies this by contrasting off-the-wall goofing with societal commentary. The song splits itself between verses about cable television making their heads explode and lines about eating burritos with actor Danny Devito.
“Billy Knows Jamie” sounds as if it was designed specifically to blow out the speakers and headphones of listeners. The song is sonically and lyrically violent, marked by gnarled guitars and aggressive vocals. It taps into the nu-metal stylings of bands like Korn and Slipknot, complete with a downplayed bridge full of whispered warnings about what Billy, a character in the song, might do.
“One Million Dollars” is about just that — one million dollars. The song makes use of the TikTok female text-to-speech voice saying “One million dollars” over and over again, as well as an interpolation of “Satisfaction” by Benny Benassi Presents The Biz. The bot repeats “One million dollars” for the entirety of the song, periodically switching with the voice from the Speak and Spell children’s toy also rhythmically chanting “One million dollars.”
The song is a return to the 100 gecs of yore, reminiscent of the song “gecgecgec” from their first album “1000 gecs.” Electronically eclectic and making use of strange samples is where 100 gecs does their best, most experimental work — and “One Million Dollars” is a perfect example.
“The Most Wanted Person In The United States” is a mellow entry into the 100 gecs discography, featuring a lot more of the duo’s unaltered vocals resting on a bed of discordant “boing” sound effects.
“Yeah, you better watch out, ’cause I’m a real killer / Never fall asleep without my finger on the trigger,” sings Brady in a monotone voice.
It’s a line built for the metaphorical “Wild West” of the Internet culture Brady and Les constantly play into, delivered like a cowboy Redditor.
“I Got My Tooth Removed” is a trumpeting near-conclusion to the album as 100 gecs dip their toes back into ska. The song has a Weird Al Yankovic tone and frequently borders on parody, ending up somewhere in between as the story of a breakup or a particularly painful DIY root canal.
“mememe,” the album’s lead single, is an emotional departure marked by the lack of voice-altering technology, which is a central part of the hyperpop sound. Les took vocal lessons during the COVID-19 lockdown to “expand the toolbox” of 100 gecs and put that talent on display throughout “mememe,” according to Kerrang.
100 gecs have become a kind of musical alchemist, having mastered the formula that turns Internet in-joke and brash instrumental lead into hyperpop gold. As goofy as the duo and their music can seem they are experimental pioneers in hyperpop and have defined that genre for generations to come.
“10,000 gecs,” along with the rest of 100 gecs’ discography, is available on all major streaming platforms.
Featured image courtesy of Dog Show Records/Atlantic Records
The post On ‘10,000 gecs,’ 100 gecs Recaptures the Wizardry of Their First Album first appeared on The Loyola Phoenix.
Loyola hosted its annual Climate Change Conference in the Damen Student Center March 16, with an emphasis on migration driven by climate-induced events.
The event, titled “Climate Refugees: Human Migration in the Era of Climate Change,” consisted of a keynote speech along with individual presentations from climate experts and concluded with a panel discussion.
The keynote speech was delivered by filmmaker Michael Nash. The panelists included senior policy researcher Shelly Culbertson, refugee education advocate Yves Umuhoza, and nonprofit director Rev. Tom Smolich, SJ.
The School of Environmental Sustainability (SES) has been organizing annual climate change conferences since 2016, with each year having its own climate-related topic of discussion, including human health, switching to a green economy and youth-led activism.
On Monday, the Intergovernmental Panel on Climate Change released a report citing how the Earth is set to cross a “critical threshold” for global warming within the next 10 years, according to The New York Times.
The conference started with a reading of Loyola’s land acknowledgement statement, followed by an introduction from Margaret Faut Callahan, the chief academic officer and provost at Loyola.
Callahan began by emphasizing the importance of combating climate change for the university as well as for prospective students.
“Loyola launched a far-reaching campus sustainability initiative in 2002, and the university has reduced its environmental footprint by over 50% in the past 20 years,” Callahan said.
Callahan also noted how important environmental issues have become to members of Generation Z, citing a poll which found 54% of Loyola’s incoming first-year class who said the university’s commitment to the environment impacted their decision to attend Loyola.
The University Chorale then performed a song entitled “Courage to Change,” whose lyrics denoted the importance of unity in finding a solution to the climate crisis.
Steve Bynum served as the moderator for the conference’s panel discussion. (Angela Ramirez | The Phoenix)Following the performance, conference moderator Steve Bynum, the Diversity, Equity and Inclusion Manager of Chicago Public Media, spoke to the audience. He said the University Chorale’s performance made him emotional, noting how it was a strong reminder for action to be taken.
“It is a cry, it is a plea that we are being beseeched today to do something,” Bynum said. “We possess knowledge that we never had before in humankind, but yet we have never been more captured by darkness, ignorance or indifference.”
Before introducing the keynote speaker and panelists, Bynum apologized on behalf of his generation for leaving the task of addressing the issues of climate change to today’s youth.
“I am from Generation X and from my generation and those who are older, we left you a mess,” Bynum said. “It’s ironic that we are tasked with advising you — we who have brought the world to a point of catastrophic consequences.”
Bynum then gave a brief introduction for each of the panelists, praising their work and expertise on the subject of forcibly displaced refugees.
“Amongst our panelists we have a healer, a searcher, an artist and, virtually from another country, a solver,” Bynum said.
Nash was the first panelist to be introduced. His 2010 documentary “Climate Refugees” focused on the impact of climate change-induced migration and its effects on large-scale populations around the world.
Nash’s portion of the event was preceded by a clip from his work, featuring writer George DiCaprio. Along with his son, Leonardo DiCaprio, the pair will serve as the executive producers for Nash’s upcoming project “Climate Refugees II,” which began production this year.
The filmmaker then spoke about his overall experience in the production of “Climate Refugees,” and his key takeaways from its documentation.
Following Nash’s keynote speech, Umuhoza — a Burundian refugee and the Chief Executive Officer and Chief Engineer at Assorted Energies International (AEI) — gave a brief presentation via Zoom surrounding his field of expertise. AEI was founded by Umuhoza in Zimbabwe, and is a refugee-youth-led organization.
Smolich, the second panelist of the night, has served as the International Director of the Jesuit Refugee Service (JRS) since 2015. JRS is an international Catholic organization dedicated to serving and advocating forcibly displaced individuals around the globe.
Smolich said of the estimated 100 million refugees around the world, women and children make up the majority — around 40% of which are under the age of 18.
He also explained how most migrants, once they are displaced for five years, will most likely retain migrant status for more than 20 years.
Smolich explained how JRS’ goal has been to create programs that strengthen local communities abroad by forming relationships with local Jesuits to address issues brought about by ecological changes and poverty.
“One of the things that we are particularly involved in doing are agricultural projects that teach people to adapt to climate change so they don’t have to move,” Smolich said, citing an example of a project in northeast Nigeria.
Before finishing his presentation, Smolich made it clear the work of his organization is only possible through the perseverance and collaboration with migrant populations around the globe.
“The folks we are privileged to serve would not be there if they did not have hope,” Smolich said. “They are resilient and they will help us figure out what the best ways are to deal with this reality of climate change and forced displacement.”
Culbertson, the event’s third panelist, is the associate director of the Disaster Management and Resilience Program at the RAND Corporation — an American nonprofit think tank focused on global policy.
“I think the bottom line conclusion from a lot of this work is that the system that we have today for managing forced migration is broken and failing,” Culbertson said during her presentation.
Culbertson reiterated how the number of migrants affected by changes in climate is expected to increase dramatically in the coming decades, with estimates ranging anywhere from 25 million to 1.5 billion.
Following Culberston’s remarks, Bynum asked the panelists a series of questions about the current challenges they believe affect forcibly displaced migrants as well as what solutions would be beneficial.
Nancy Tuchman, the founding dean of the School of Environmental Sustainability, was the final speaker of the night, thanking the event’s organizers and sponsors.
After the conference, students and other audience members in attendance, as well as the speakers, gathered together for a reception.
Founding dean of the School of Environmental Sustainability at Loyola, Nancy Tuchman (far left) concluded the event. (Angela Ramirez | The Phoenix)Thomas Crabtree, a second-year environmental policy major, said he thought the conversation on trying to understand and be empathetic towards migrants was important.
“I found the discussion on the fear of the ‘other’ to be really powerful,” Crabtree told The Phoenix.
He also said that while Loyola isn’t necessarily involved in directly aiding climate refugees, they can always be doing more to address the concerns brought about by climate change.
Lilly Walker, a third-year environmental policy major, said she found the event very informative, but wanted a larger student presence.
“There are only a small number of us in our major, it feels like a very small network,” Walker said. “I wish more students would have shown up.”
Charlotte Roos, a second-year environmental studies major, also said she feels there should be more involvement from other departments at Loyola outside of the SES on climate-related issues.
Roos said since climate-related issues are interdisciplinary, departments across the university should be coming together more to raise awareness and discuss solutions to climate-related concerns.
Nash spoke to The Phoenix on the current film he’s working on, “Climate Refugees II,” along with his hopes in cultivating a solution for the climate crisis.
The sequel’s storyline will be crafted from the research and data that has been released in the past decade, resulting in the biggest change from “Climate Refugees,” according to Nash.
“I tend to look at this issue through a set of rose-colored glasses, like, I believe we are going to be okay,” Nash said. “I think there’s gonna be a lot of pain, I think there’s going to be a lot of change, but I think we’re going to figure this out.”
The 2023 Climate Change Conference livestream can be viewed on the School of Environmental Sustainability’s YouTube channel.
This story was written by Jacob Danielson and Angela Ramirez
Featured image by Hunter Minné I The Phoenix
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With the Instagram account LUC Crushes, everyday is like Valentine’s Day for Loyola student secret admirers.
LUC Crushes (@luccrushes) markets itself as an “anonymous and safe space for you to shoot your shot or just make someone’s day,” according to the account’s bio.
Through a Google Form linked to the account, students can spill their love for fellow classmates or other individuals located near the Lake Shore and Water Tower campuses. Student names and Instagram usernames are encouraged to be included in submissions so the account owner can tag the student being admired in the comment section. Both platonic and romantic confessions are welcomed — however, guidelines exist for submissions to be posted publicly.
If anyone is uncomfortable by a post, LUC Crushes — remaining anonymous to continue running her account unnamed — said she will remove it from her account and all students need to do is direct message her for a post to be removed. All posts are required to be respectful of the individual being spoken about.
Regardless of this rule, the account owner said she still receives submissions that can be viewed as disrespectful towards other students.
“If it makes me feel icky, then I don’t post it,” she said.
Having a positive impact on the Loyola community is what LUC Crushes account owner said she strived for when creating the page.
“I’m kind of a hopeless romantic,” she said to The Phoenix. “I like seeing people get together, and it would be cool if it were through me.”
The sophomore account operator said she wanted to hold space for students to share thoughtful compliments about one another. The owner said her negative experiences on anonymous forum apps such as YikYak are the main reason for her account submission guidelines. By enforcing submission regulations, the account holder said she hopes to limit any sexualization of other students that may occur.
First-year Drew Eickel was mentioned on the account on Feb. 25 in a post stating another student’s admiration for his mustache, followed by a red heart emoji.
“My first reaction was that my girlfriend would not like it,” Eickel said.
The philosophy major said he hasn’t interacted with the Instagram account and doesn’t plan to. However, he believes anonymous platforms can be beneficial for students scared of face-to-face communication.
“A lot of people don’t want to give compliments, even though it’s all positive stuff,” Eickel, 18, said. “This is a way to spread positivity without having to place yourself in an awkward situation.”
Sophomore Isabella Guadamuz said she feels comfortable regularly interacting with the account due to its content filtration.
Guadamuz said she has been both posted about and submitted confessions to LUC Crushes. The criminal justice major said she perceives it as a positive platform for students and tries to submit something every day about someone she sees around campus. She said she actively comments on posts to show support for other students.
“I interact with the account so frequently that people come up to me and ask if I run it,” Guadamuz said.
First-year Daniel Finerty holds a similar view.
Finerty was posted twice on LUC Crushes but didn’t know he had secret admirers around campus until the account requested to follow him on Instagram. The sports management major said he hadn’t interacted with other anonymous Instagram pages but enjoyed keeping up with campus YikYaks last semester.
On March 13, Finerty was acknowledged on LUC Crushes for having a “really cool personality.” The student who submitted the confession also described him as “endearing.”
“I had a girlfriend, so I wasn’t very interested in it,” Finerty said. “I’m pretty confident in myself and who I am, so it didn’t affect me too much.”
However, Finerty said he thinks anonymous online platforms can give students a confidence boost for being noticed. Guadamuz agrees with Finerty on the benefits of anonymous online platforms.
“At the end of the day, as long as these accounts are done tastefully, they do a lot more good than harm,” Guadamuz said.
Featured illustration by Hanna Houser | The Phoenix
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Mattel’s Barbie has done it all — she’s been an astronaut, a paleontologist and a Major League Baseball player, according to Time magazine. Now, she’s bringing bohemian (boho) chic to Rogers Park in the new vintage store Boho Barbie Ken, which opened two weeks ago.
Boho Barbie Ken is located at 1736 W. Greenleaf Ave. half a mile off the Morse Red Line stop and approximately 1.5 miles north of Loyola’s Lake Shore Campus. This vintage shop blooms with charms and eccentricity thanks to owners Anna Marie Skalicki and Xander Kazanowski.
The couple resides in Avondale but said they “practically live” in Rogers Park as they tend to the store four or more days a week.
There’s always something new to find in every nook and cranny of the store — like a children’s search-and-find book.
“I like that kind of stuff where you look really close and there’s something you didn’t expect, and you look far away and it’s like another picture,” Skalicki said. “So that’s kind of my idea with, you know, some of these smaller things we find and making something with them.”
Unique trinkets are piled high on colorful, retro furniture — some hand-painted by Skalicki herself — and the walls are lined with art of all styles. Colored glassware dot the shelves and plants’ leaves delicately brush against stacks of books.
Boho Barbie Ken is co-owned by Anna Marie Skalicki and Xander Kazanowski. (Catherine Meyer | The Phoenix)Passersby may notice the doll head-shaped gardening pots in the windows, and patrons are watched by the all-seeing eyes of the Raggedy Ann and Raggedy Andy in the corner. The eclectic nature of Boho Barbie Ken provides a sense of vibrancy, as each vintage item brings its own life into the small store.
“It’s really fulfilling filling the space with things that make you happy and that make other people happy,” Skalicki said.
The shop’s name, Boho Barbie Ken, comes from Eve Raine, an interior designer who hired Kazanowski’s moving, junk removal and cleanout company to move some higher-end art pieces. She told the couple they were like the boho version of Barbie and Ken.
“At the time, I had no idea that was something that would stick,” Skalicki said. “But the branding is what it is and it will just grow from there.”
The two hope to someday expand the name to Boho Barbie Ken & Baby to include their infant daughter Dorothea in the family business.
Skalicki and Kazanowski acquire most of their vintage items from house clean outs, trades and garbage dumps.
The couple started their vintage shop business in the summer of 2021 and sold wherever they could — Facebook Marketplace, pop-ups and markets. But with the adorable addition of Dorothea, now just over three months old, Skalicki and Kazanowski realized they needed a change in scenery.
“With the baby it was increasingly difficult, if not impossible, to do those pop-ups unless I was to do it alone,” Kazanowski said. “So then we got the opportunity to get this space, and it’s just great to hang out with the baby and still be nice and productive and gain value.”
Common thrift shops have been counteracting their original frugality with rising prices, according to The Wall Street Journal. Boho Barbie Ken challenges this trend through “reasonably” priced, durable antiques.
“We’ve got a lot of nice vintage stuff with real materials of wool, cotton and silk, which is hard to come by,” Kazanowski said. “And people are astonished when they hear how reasonable our prices are.”
The shop emphasizes having certain pieces speak to you — finding goods that make you happy.
Boho Barbie Ken offers a curated selection of vintage items and is open Thursday through Sunday. (Catherine Meyer | The Phoenix)“People like to express themselves in different ways,” Skalicki said. “Sometimes they need some shoulder pads or sometimes they need that really frilly, patterned skirt.”
Skalicki and Kazanowski said they enjoy the community of having regulars and a neighborhood to lean on. As they settle in and the weather warms, they hope to set up different classes like painting and yoga to bring people to the store.
Kazanowski said his late grandmother’s upbringing as an enslaved person in Illinois shaped his sustainable approach to clothing.
“When it came down to it, there wasn’t any excess, so they were making their clothes out of scraps and whatnot,” Kazanowski said. “But now I see dresses and stuff from that era, something they would’ve never had, and it pains me to just toss it when someone can find value.”
In an effort to avoid waste and overconsumption, the couple recycles and repurposes items otherwise headed to the dump.
“Everything has a story and value, and I think that’s really fun,” Skalicki said.
In the next couple months, the couple hopes to expand their business to a second, currently undetermined location. The increased square footage will be primarily used to carry larger items like furniture, since the shop’s current location isn’t big enough to accommodate bigger pieces.
However, anxious shoppers shouldn’t worry about these moving plans because Boho Barbie Ken plans to stick around for a while yet.
“We’ll be here for as long as we can be,” Kazanowski said. “That’s for sure.”
Boho Barbie Ken is open Thursday through Sunday from 9 a.m. to 6 p.m.
Featured image by Catherine Meyer | The Phoenix
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Loyola is hosting a variety of events through the end of March in honor of Women’s History Month, as well as establishing a new scholarship for graduate students, called “Gannon Graduate Leaders.”
Dominique Jordan Turner, vice president of the Office of Institutional Diversity, Equity, and Inclusion (DEI), listed four events celebrating female growth and accomplishment within the university and off campus in an email to students.
‘No Story Left Behind, an evening of appetizers & archives’ was an event hosted by The Center for Black Student Excellence and Women and Leadership Archives, featuring archives from the Mundelein College United Black Association.
The event took place March 14 in the Damen Student Center, and included a discussion surrounding the importance of historical research, according to Jordan Turner’s email.
The Gannon Center for Women and Leadership will be hosting Paula Boggs, a lawyer, musician, veteran and leader as a guest speaker on how to live a mission-driven life March 29 on the fourth floor of the Information Commons, according to the email.
Boggs will be providing insight into her time as a captain in the Army, working as a White House Counsel and as chief legal counsel at Starbucks, Jordan Turner wrote in the email to students.
Mollie Hickey, a first-year psychology and criminal justice major, said she thinks Women’s History Month is important to recognize because women still face a variety of inequalities in the modern world.
“I think it is important because even though we are in 2023 women still don’t have everything a man has,” Hickey said. “Pay inequality is still a thing, that’s the first thing that came to mind.”
On average, women make 82% of what men make, according to the Government Accountability Office. Women make up 44% of the total workforce but only 41% of managers, according to the office.
Hickey said although she was unaware of any events hosted by the university in March, she did know about an initiative started in Francis Hall, where she lives, to collect menstrual products for those in need. The donation drive is being called Her Drive, and is being hosted by the Francis Hall Council, according to Hickey.
Francis Hall Council did not respond in time to The Phoenix’s requests for comment.
Following Boggs’ speech, a reception will be held for Loyola students and staff, with Boggs in attendance, according to the email, which provided a registration link for those interested in attending.
Loyola’s Women’s Studies and Gender Studies’ Feminist Lecture Series will be offering a lecture over Zoom from Sydney Curtis, titled “Exploring the Contours of Black Feminist Pedagogy: Our Politics and Our Bodies.”
The presentation will occur March 30, and the topics will focus on learning through a Black feminist lens, according to the email. A registration link for this event was provided in the email as well.
The Gannon Center for Women and Leadership will start a new leadership coaching program designed for Loyola graduate students, according to Loyola’s website.
“The Gannon Center for Women and Leadership educates and fosters women leaders to contribute to the development of a more just social order,” Jordan Turner said in email. “A key part of this mission is preparing women leaders who will pursue justice for the environment, health, and society.”
Hickey said she would like to learn more about women’s history, as she feels things like Pride Month and Black History Month get more attention than Women’s History Month.
“I would love to hear more about why it is important as well as what inequalities I’m facing,” Hickey said. “I’m a woman, so that’s kind of important. I would love to know what I am facing besides the bias and the pay stuff. I know there is a lot more going on in the world.”
Rylee Abaya, a junior psychology major, said she wishes Loyola talked more about the events they are hosting for Women’s History Month, rather than just sending out a single email to students.
“I didn’t know about much of the initiatives that Loyola is putting on, so I kind of wish that was advertised more because Women’s History Month is definitely important,” Abaya said.
Abaya said she thinks being a woman is an important piece of many students’ identities, and should therefore be celebrated and acknowledged.
“When you think about systems of power and oppression and the different identities a person holds, it’s definitely important to uplift those voices and recognize the importance of what they have done,” Abaya said.
As of the 2021 fall semester, the student population at Loyola was 68% female and 32% male, according to U.S News and World Report.
Abaya said she believes because the school is so heavily female, it’s even more important for the university to host events in honor of Women’s History Month.
“You don’t see this [ratio] much in schools, unless it is an all-girls school for example,” Abaya said. “Making sure that [events] truly mirror the population of the school. Not just cis-gender women but trans women and women of color. Highlighting the different things they have accomplished at Loyola would be really cool.”
Abaya said she feels going to a university with more women than men has benefitted her college experience positively.
“I have definitely felt like because it is primarily female a lot of times you feel like you can have that support in the classroom,” Abaya said.
Featured image by Holden Green
The post Loyola Celebrates Women’s History Month With an Array of Events in Honor of Female Leadership first appeared on The Loyola Phoenix.
Loyola’s School Psychology Program, a three year graduate program in the School of Education, received a $4.5 million grant awarded by the United States Department of Education Dec. 22.
The grant money will mainly go to financially supporting Loyola’s graduate students with culturally and linguistically diverse backgrounds, according to Professor and Associate Dean of Research in the School of Education Dr. Pam Fenning. Fenning said the grant will open opportunities for these students to enter the mental health career field without the barrier of debt.
Fenning and Assistant Professor Ashley Mayworm were the two main authors of the grant, which they began writing in early October. The two said they also received help from professors within the School Psychology Program and their partnerships.
The main objectives and goals for the grant money are based around both the School Psychology Program itself and the partnership the school has with K-12 grade schools in Cicero Elementary District 99, Berwyn Elementary District 98 and Morton High School District 201, according to Fenning.
The students in the graduate program work at these K-12 schools in order to work with the students and provide them with mental health professionals to guide them through their struggles in school, home life, or any other issues they may be facing, according to Mayworm.
“We’re very intentionally trying to recruit students who are bilingual and bicultural into our school psychology graduate program and part of that is by providing them tuition remission and other funding support to pay for their graduate training,” Mayworm said.
The students admitted to the program beginning in the fall would have their entire tuition covered, along with benefits given during their time in the program, according to Fenning. Some of the benefits include a small stipend and coverage of some fees and opportunities for the fellows starting in 2023 to attend a national conference in their second year, Fenning said.
The Puentes Fellows, who will be the class beginning in Fall 2023, will also have exposure to additional training through professional development like our annual summer institutes, and additional mentorship while in the program, according to Fenning.
Along with financial benefits, the grant will support the school districts the School Psychology Program is partnering with to improve their culturally responsive mental health practices, according to Mayworm and Fenning.
With the grant money, the hope is to allow Loyola’s program to provide professional development opportunities for the teachers and staff already working in the school districts, Maywood said. She also said it will implement consultation support for students in order to improve the existing mental health practices in the schools, according to Mayworm.
Through the work the program does with elementary and high schools, the graduate students are able to work with and understand the severity of mental health issues that occur in youth, especially bicultural groups, according to Fenning.
“We’re seeing a drastic mental health crisis happening right now to bilingual and bicultural students who have even higher disparate rates of access of mental health services,” Fenning said.
In 2019, 53% of young black adults struggling with anxiety or depression did not receive treatment for it, compared to 36% of white young adults, according to a poll taken by the Kaiser Family Foundation. Similarly, the American Psychiatric Foundation found that bilingual patients are evaluated differently when interviewed in English as opposed to Spanish and that Hispanics are more frequently undertreated.
Hispanic adolescents were found to be half as likely than white adolescents to use antidepressants and half as likely as white children to use stimulants to treat disorders like ADHD or ADD, according to the American Psychiatric Foundation.
The limited amount of funding given to school’s is heavily impacting their inability to provide mental health services to students, according to Pew Research Center.
Their third main objective is to help expose high school students who live in the Cicero community to careers in mental health fields through the School Psychology program’s collaboration with the high school workforce development program, Youth Crossroads.
By incorporating and involving the School Psychology Program’s students in these districts, the K-12 students will have access to mental health resources and professionals who can help them, and the students in the graduate program can learn how to help students who are dealing with struggles in their home or school lives, according to Mayworm. It will also give access to youth who live in the district communities to enter mental health fields, Mayworm told The Phoenix.
After the students graduate with their masters in psychology from the program, they will be able to work full-time as mental health professionals in the school district, which is a long term goal for the program, according to Fenning.
Featured image by Z Miller
The post Loyola’s School Psychology Program Receives $4.5 Million Mental Health Grant first appeared on The Loyola Phoenix.
During the second night of their annual residency at The Chicago Theatre, located at 175 N. State St., Tedeschi Trucks Band filled the historic venue with their modern country-rock sound. The Florida-based group’s nonstop guitar riffs and warm stage presence invited the audience to an evening of incomparable talent and communal energy.
Substituting an opener with faint rock music coming from overhead speakers, the 12-person band made their way onto the stage shortly after 8 p.m where lead singer Susan Tedeschi swung the colorful strap of an electric guitar over her shoulder. The green instrument stood out against her black dress while complementing the stage design’s warm tones and the band’s vibrant sound.
The group kicked off their set with “Playing With My Emotions” from their 2022 album “I Am The Moon,” instantly unleashing their Southern roots. A bouncy bassline by Brandon Boone and jazzy horn section supported Tedeschi’s soulful vocals and guitarist Derek Trucks’ twangy riffs.
“Pin me down when I’m trying to move / Is that what you call gratitude? / Well, you’re playing with my emotions,” Tedeschi sang.
Keyboard player Gabe Dixon took the lead on “Ain’t That Something.” Accompanied by Tedeschi’s backup vocals, Dixon’s bubbly tone and subtle raspiness bounced off of the venue’s high ceilings and detailed architecture.
Tedeschi settled in front of her microphone stand during “All The Love,” letting her rich vocals shine throughout the ballad. Trucks, Tedeschi’s husband, took instrumental primacy as his complex guitar strumming rang through the theater.
Songs like “Outside Woman Blues,” “Joyful Noise” and “Where Are My Friends?” put the immense talent of the band on display and prepared the crowd for what would prove to be an exhibition of seasoned musicianship.
Seamless backup singing by harmony vocalists Mike Mattison, Mark Rivers and Alecia Chakour were foundational to the performance. Kebbi Williams on the saxophone, Elizabeth Lee on the trombone and Ephraim Owens on the trumpet gracefully handled the responsibility of maintaining a beaming horn section.
“Where are my friends? Now my lover’s gone / Did they step out of rhythm for some other song? / You should be / Here with me,” Mattison sang, leading the band through “Where Are My Friends?”
Adding to the show’s immersivity were engaging visual effects. Colorful stage lighting bounced around the venue like laser beams and a screen displayed corresponding graphics. As Dixon delivered “Gravity,” a drawing of two falling people reaching for each other occupied the backdrop.
Tedeschi took vocal lead on many songs, sending her rich voice throughout the theater. (Ella Govrik | The Phoenix)The last song of their first set, “Yes We Will,” was written about “saving the planet,” according to Tedeschi. Utilizing the moment to speak out about climate change and waste issues, the singing guitarist encouraged the audience to work as a community for change.
“Let’s try to do things together and love each other,” Tedeschi said to the crowd before beginning the powerful song.
Following the first nine songs, all packed full of fine-tuned vocals and astonishing instrumental solos, the band took a brief break. As fans reflected on the band’s first set and quiet rock music played overhead, the room buzzed with excitement and anticipation for the remainder of the show.
The lights dimmed and the crowd, primarily made up of middle-aged fans, erupted in cheers. Smooth horns welcomed the group back to the stage and blue lighting fell over the musicians. Tedeschi crooned melancholic lyrics, introducing the start of a more subdued set.
“Well I know it ain’t refined / But I’ll hold your place in line / Until you remember that you’re mine,” Tedeschi belted in the chorus of “Until You Remember.”
A projection of an ocean wave crashing on the shore in front of a lighthouse served as the backdrop for “Signs, High Times.”
As instruments built and broke throughout “Do I Look Worried,” Tedeschi’s growling vocals remained constant. The crowd danced along as the two drummers, Tyler Greenwell and Isaac Eady, kept time from center stage.
The horn section led the next song, and Williams’ refreshing saxophone notes served as a fitting introduction to “Midnight in Harlem.” The group’s most popular song was a crowd favorite — after booming cheers, fans swayed while singing along to the easygoing tune.
Throughout the show, Tedeschi and Trucks led complex guitar solos from the front of the stage. (Ella Govrik | The Phoenix)“Walk that line / Torn apart / Gotta spend your whole life trying / Ride that train / And free your heart / It’s midnight up in Harlem,” Tedeschi sang as the lighting above her imitated a sunrise.
After lively renditions of “Shame” and Taj Mahal’s “Everybody’s Got To Change Sometime,” a majority of the band exited while Tedeschi remained on stage with the keyboardist, bassist and one drummer. The singer took a delicate vocal approach to a cover of John Prine’s “Angel From Montgomery.”
Despite the simplicity of the performance, fans stood in awe at the prodigious talent on display. As the crowd settled into the song’s relaxed pace, Tedeschi subtly and quickly transitioned into a cover of the Grateful Dead’s folk-rock hit “Sugaree,” inspiring another round of applause and lively dancing.
“Just one thing I ask of you, is just one thing for me / Please forget you know my name, my darling Sugaree,” Tedeschi sang.
After each of the 12 musicians reentered the stage, the set concluded with “I Want More (Soul Sacrifice),” a thundering and momentous conclusion to the three-hour show. Each instrument complemented the others, creating a harmonious ending to the lengthy but engaging night.
Despite wearing obvious expressions of exhaustion following the concert, fans roared in excitement when the band emerged again for an encore of “Space Captain” — a culmination of the band’s versatile and undeniable talent.
“Look out for each other,” Tedeschi said as her parting remark, encompassing the band’s familial energy and compassionate values.
Featured image by Ella Govrik | The Phoenix
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Fill up a water bottle and grab some sneakers — the Halas group fitness program (GFIT) is a different way to get the mind and body moving. GFIT offers peer-led workout classes Sunday through Friday on a first-come-first-serve basis. Classes are divided into three topics — mindfulness & flexibility, strength and cardio where each class is designed for all levels of experience and instructors offer modifications.
For senior Nuala Blaise, fitness is a source of motivation. She is one of the instructors for GFIT’s Tonilates class, a combination of yoga, pilates and toning created by a past Loyola graduate.
The biomedical engineering major said she became an instructor to avoid the discipline of sports while preserving her positive feelings toward fitness.
“There’s a lot of beauty in being able to create a space where people feel safe, motivated and ready to work,” Blaise said.
One week per month, GFIT offers themed classes, which allow instructors to choose different topics such as specific movies and musical artists to base their classes on.
Halas has seen an increase in traffic this academic year, The Phoenix previously reported. There has been a 62% increase in GFIT classes as opposed to the same point in 2022, fitness program coordinator Aaron Carlson wrote in an email to The Phoenix.
“It has been an honor for us to host them and to see so much positive feedback,” Carlson wrote. “Our team of 35 student group fitness instructors appreciate all of the support.”
While in line for a Taylor Swift themed LUCycle class, students Isabella Fiore, Rose Segadelli and Lilia Provost barely missed the cutoff to get in. Class capacity depends on the room and type of class that is being offered. Despite their feelings of despair, the group remained dedicated to GFIT classes and said they would be returning the next hour for a Selena Gomez themed LUCycle.
Segadelli, a sophomore, said she recommends arriving 45 minutes to an hour early for themed classes. The draw-in of themed classes, Segadelli said, is knowing what type of music she’s walking into.
Taylor Swift songs blared loudly through the cycle class speakers as patrons adjusted the bikes. Singing patrons and instructors could be heard nearby as the energized cycle session began.
Spin instructor Sophie Herbig said themes aren’t always the easiest to plan, but she likes the challenge of limiting herself to one artist. The political science major said she loves the energy of theme weeks and giving patrons the opportunity to sing, dance and engage with the class.
“GFIT classes are a great way to figure out what you like and what you don’t like,” Herbig said.
Senior Sarah Atwell is no stranger to the GFIT program. Throughout the semester, the marketing major tries to attend at least two classes per week. Atwell said the pre-planned workout gives her an extra boost to keep her body moving and stay motivated.
Physical movement isn’t the only important aspect of GFIT classes — there’s also an emphasis on moving the mind. Meditation instructor Anton Jahn-Vavrus said physical fitness is an activity to progressively get better at — much like mental fitness.
The sociology major said he proposed the idea of a meditation class to his supervisor at the time, and mediation has become a staple to GFIT ever since. Meditation classes have been part of the GFIT schedule since August 2022.
“I love group fitness because I get to come with my best friends,” Kennedy Mallory, a regular for the GFIT meditation classes, said. (Xavier Barrios | The Phoenix)On Wednesday during the February theme week, Jahn-Vavrus led an Inner Child themed meditation class. Patrons brought stuffed animals and wore pajamas to set the scene. Throughout the class, Jahn-Vavrus instructed patrons to connect with their childhood selves as a form of healing.
Jahn-Vavrus said some people may be dealing with body insecurities or having a rough day. Building a healthy community within Halas remains a top priority for the 19-year-old.
“Respect the space,” Jahn-Vavrus. “For everybody coming into Halas, remember it might not feel as safe to you as it does to other people.”
Meditation regulars Samarah Souffrant, Kennedy Mallory and Kaseba Chibweth each brought their favorite stuffed animals with them to the Inner Child themed meditation. The group said regardless of their busy schedules, they always meet at the same time and place for the Wednesday meditation class.
Chibweth, a senior, said Wednesday meditation is perfect for a midweek reset. Knowing there is a specific time and place to be with her friends gives the 21-year-old a space to unwind.
“I love group fitness because I get to come with my best friends,” Mallory said. “It helps us build our friendship and strengthens the bond we have.”
GFIT classes have an updated schedule that can be found on the Halas Recreation Group Fitness website along with class descriptions. Theme weeks happen once per month throughout the semester, wrote Aaron Carlson.
The post Moving the Mind and Body: Halas Group Fitness Theme Weeks Bring the Best of Both first appeared on The Loyola Phoenix.
The Phoenix shadowed Loyola President Mark C. Reed throughout his day Feb. 22 to get an inside look at the ins-and-outs of being the president of a university.
As president, Reed said he rarely sees the same day twice with his job requiring the push and pull of several different constituents and departments across the university.
“I’m not sure there is a typical day,” Reed said. “Most days start early and end late. When I get a day where I have a chunk of unscheduled time in the morning or afternoon, I really treasure it because, more often than not, most days bounce back and forth between a lot of different things.”
This particular day was no exception, as Reed was busy moving back and forth between meetings and events across Loyola’s campuses.
Reed began his day at 8 a.m. with a meeting with the Loyola Governance and Trusteeship Committee at his office at the Water Tower Campus (WTC).
“We don’t have Board of Trustees committee meetings everyday, but we happen to have two of them today,” Reed said.
Reed then met with The Phoenix at 9:30 a.m. to discuss the intricacies of his daily life. Despite the gray and rainy weather, sitting in a large conference room at the Office of the President on the 15th floor at Lewis Towers, Reed expressed his love of the view.
“We’re sitting here in a conference room and you’re looking out at the Water Tower Campus, and I can see the lake,” Reed said. “How could you not like looking out at Lake Michigan?”
After a 30 minute interview with The Phoenix about his role as president and his experience at Loyola, Reed received a five minute warning before his next meeting. He then ran to grab a quick cup of coffee and was off to his next activity.
At his second Board of Trustees meeting of the day, Reed met with the Executive Committee. Reed then attended a faculty meeting for the Quinlan School of Business at the Schreiber Center at WTC.
Later in the afternoon, Reed attended an Ash Wednesday evening mass at Madonna della Strada Chapel on the Lake Shore Campus (LSC). Reed first interacted with Jesuit, Catholic education in high school when attending St. Joseph’s Prep in Philadelphia, and has focused on the advancement of the Jesuit, Catholic mission in the institutions he has served in, according to his university biography.
Halfway through the mass, Reed distributed ashes to a line of students and other attendees.
Near the end of the service, Reed served as a Eucharistic minister for a line of students and other attendees. Reed said that serving as a Eucharistic minister, a person who hands out the body of Christ during mass, is one way he enjoys being a part of the Loyola community.
“I would say every time that I go to a mass at the university, I try whenever I can to be a Eucharistic minister,” Reed said. “I do think it’s important as the president and as a director of the work and the lingo of the Society of Jesus that I be visible in the pastoral and sacramental life of the institution.”
After mass, Reed went straight to Ireland’s Pub in the Damen Student Center for a pre-game reception. While there, he visited with Law & Health Sciences alumni.
Reed then attended the men’s basketball game against the Fordham University Rams later that evening, sitting across from the student section.
He said some of his favorite moments as president so far have been seeing school spirit at basketball games, as well as getting to meet many people and being a part of the community.
“This hasn’t been as great a year, for example, for our teams as the last five have been, but I’ve got to tell you, I have been so impressed with our student body,” Reed said. “They come out, they still cheer for the team and they’re there. Visiting institutions notice it, our athletic conference notices it — students don’t quit on their fellow students.”
During the game, Reed spoke with the Athletic Director Steve Watson and a number of others around the stadium. After a loss to the Rams decided in the last minute, Reed’s day came to an end.
“Between board, faculty, students, athletics — it just varies from day to day,” Reed said. “And that’s the fun part.”
Reed said he doesn’t get to interact with students as much as he would like to on campus, but he has recently established an office at Loyola’s LSC which allows him to connect with the Loyola community more.
“One of my favorite things to do is to stand at the intersection on Sheridan Road where everyone crosses the street to go from one side of campus to the other,” Reed said. “At certain times of day, it’s just packed.”
Over the last five months, Reed said he has spent most of his time at the WTC, where his main office is located but still travels back and forth between all campuses.
“I have spent more time at the Water Tower Campus, Lake Shore Campus second and Health Sciences Campus third,” Reed said. “I have yet to make it to our Rome Center campus, but I have a short trip planned there in March.”
Reed said his goal with creating an office at LSC in the Sullivan Center is to spend more time at other Loyola campuses. The location of the president’s office at WTC goes back decades, according to Reed.
“I hope in the future to do something that I did for years at my previous institutions, which is that I’d love to teach a class again,” Reed said. “While I can’t do that in my first year — too many things to do and settle in — but for me that’s been the most enjoyable way that I’ve gotten to know students over the years, by having a classroom.”
In his short time as president, Reed said he has enjoyed the wide range of opportunities and roles which come with the job.
“I get asked all the time as president, ‘What’s your vision for Loyola?’” Reed said. “But really, the better question is for me to ask you, ‘What’s your vision?’ As president, I’m arguably the one individual if you had to single out a single person who really has the entire institutional lens and perspective. And that’s what I really enjoy.”
This story was written by Grace Mooney and Hunter Minne
Featured image by Hunter Minne
The post A Day in the Life of President Mark C. Reed first appeared on The Loyola Phoenix.
Students from high schools around Chicago and Loyola left school early Friday, March 2 to participate in a Global Climate Strike led by Fridays For Future, an international youth climate advocacy organization, which took place in The Loop and Heritage Park.
This particular strike focused on ending fossil fuel finance and the money that banks, specifically Chase Bank, invest in fossil fuels.
Fossil fuels are one of the highest contributors to America’s economy and consist of 85% of our energy supply, making them an appealing industry for banks to invest in due to the high profit involved.
The Students of Environmental Alliance (SEA), a student-led environmental advocacy club at Loyola, has been preparing for the strike since December.
Brian Thomspon, a junior who is double majoring in environmental policy and political science, is the Local Policy and Action Campaign (LPAC) leader for SEA. LPAC focuses on getting members involved and educated on the impacts of environmental measures that go beyond just Loyola, according to Thompson.
As the community partnership chair, Thompson also attends community meetings that involve environmental discussions with local organizations like the Edgewater Environmental Coalition, an organization led by community members in Edgewater that focus on encouraging people to lead more sustainable lives through education and advocacy.
SEA attended another climate strike led by Friday’s For Future in late September which focused on climate reparations and justice. Friday’s For Future also has teenagers helping to organize the strikes, including Natasha Bhatia who is a junior at Hinsdale Central High School.
Bhatia started working with Friday’s For Future after participating in It’s Our Future, a Chicago-based environmental advocacy organization. She said she directly helped organize and plan the climate strike and the event in September.
“Until we stop fossil fuel financing, we can’t stop our reliance on fossil fuels in the first place,” Bhatia said. “This is our future.”
Chase Bank has continued to profit off fossil fuels for years due to their investments, according to CNBC. While they profit, other parts of the world are directly facing the effects of climate change, according to the United Nations of Climate Change.
JPMorgan Chase & Co. invested $382.40 billion from 2016-2021 alone, making them the world’s largest bank investor of fossil fuels.
Other banks like Citi, Wells Fargo, and Bank of America hold the second, third and fourth place for highest fossil fuel financers in 2016-2021 . JPMorgan Chase holds the number one spot by 34%, according to the Fossil Fuel Finance Report.
“Many of these companies have been profiting in the last couple years, while many of the other industries and individuals across the country and across the world have been suffering in the wake of economic recession and in the wake of the pandemic,” Thompson said.
Part of holding the strike during the day was to spread the message of ending fossil finance around the city.
Evanston Township High School sophomore Jexa Eidenburg, heard about the strike through an email chain for Friday’s For Future they signed up for after the strike in September.
“Banks are one of the biggest funders of fossil fuels and so is BP, so it might be good to have people who have the power to stop funding,” Eidenburg said.
Oil company British Petroleum (BP) is another large contributor to fossil fuel investment and one that the strike was targeting, as its gas stations are placed so frequently around Chicago.
Eidenburg missed two classes to attend the strike, because they felt it was important to stand up to the companies investing so much money into the fossil fuel industry.
Bryce Friedman, a Loyola student not affiliated with SEA, also participated in the strike after hearing about it through one of his friends. Friedman said his religion plays an important part in his stance on climate issues.
“I’m a Jesuit, and Pope Francis called for us as a Catholic Church to care for our common home,” Friedman said.
After the march, people from both SEA and Friday’s For Future gave speeches in front of Chase Bank located at 10 S Dearborn St, voicing their concerns and frustrations with the bank’s participation in investment of the fossil fuel industry.
Megan Barnhart, a first-year Loyola student majoring in environmental economics, is a new member of the LPAC group of SEA this semester.
Barnhart represented Loyola at the march by giving a speech about the importance of divestment and how the bank’s involvement in the fossil fuel industry is significant to how climate change will be dealt with moving forward.
“I never really knew that banks or other corporations were involved so directly because obviously you just think the bad guys are the oil companies, but there’s more behind that,” Barnhart told The Phoenix.
As for Loyola’s involvement in how to stop investments, they created a policy in 2021 that outlines a strategy to divest from fossil fuels and directly invest in funds and companies that reduce greenhouse gas emissions, according to the Loyola website.
The main goals of LPAC and the rest of the SEA is to monitor Loyola’s action plan on divestment and hold them accountable for making those changes and fulfilling their promise.
“Ideally, the idea is to start going toward clean energy, and the main factor that’s holding us back is that it’s very costly to do so,” Thompson said. “Banking, if they can help divest some of that interest money into cleaner energy such as solar or wind, or any other form like that, it can start encouraging not only the fossil fuel industries to start looking elsewhere, but also other interested investors to start looking into cleaner energies.”
SEA plans to continue their work towards sustainability by encouraging students to attend the climate strikes and by working alongside Loyola to hold the school accountable for their plans regarding divestment.
Featured image by Bridget Moehlman
The post Students of Environmental Alliance Club Attend Global Climate Strike To End Fossil Fuel Financing first appeared on The Loyola Phoenix.
While water might make for a great roommate, it just goes with the flow, the Office of Sustainability is offering a reward to students who report leaks and other water waste on campus through their Water Bounty Initiative.
The Water Bounty Initiative is a part of the Office of Sustainability’s green living on campus efforts, according to the School of Environmental Sustainability website. Any water leakage on Loyola’s Lakeshore Campus, Water Tower Campus and Health Sciences Campus can be reported through their website to receive the sustainability kit reward.
The sustainability kit reward isn’t monetary but a package of various reusable items including reusable straws, water bottles, reusable utensils, compostable bags and pins. The program has been in place since 2020 and receives around 10 to 15 reports a year, according to Megan Conway, the sustainability manager for the Office of Sustainability.
Examples of water leaks include leaky faucets or showers, irrigation systems running during rain, emergency leaks such as continually flushing toilets, rushing water in pipes or flooded spaces, according to Campus Sustainability Intern Junior Abbey Haynes.
Haynes, a junior, recently started working with the Office of Sustainability in January and is responsible for assembling the sustainability kit rewards for those who successfully report a leak.
“The gift is basically just an incentive for people to keep reporting it,” Haynes said. “We’re glad that they report it, and we just like to thank them for doing that.”
Junior Erin Tien has reported three leaks in BVM Hall, De Nobili Hall and Mertz Hall. In each instance the leak was from a sink.
“I am very likely to recommend the water bounty program to others,” Tien wrote to The Phoenix via email. “It only takes a couple minutes maximum, and it helps save water. Plus, you then get some cool prizes. Really, it’s a win-win.”
Water Bounty Initiative first began in 2020 when facilities wanted more campus awareness on how to report leaks and looked to the Office of Sustainability for help with outreach and engagement, according to Conway. Conway said conserving water through reporting leaks also lined up with the office’s sustainability goals which include having the lowest environmental footprint in Illinois, supporting sustainability across curriculum and envisioning the campus as a community change-agent, according to the office’s website.
“It’s been successful,” Conway said. “There’s a limited number of leaks on campus, so we want to make sure any that come through are addressed. We get from 10 to 15 a year reports to Water Bounty that use the official Water Bounty hashtag to receive a prize though there are leaks that are addressed otherwise.”
Hamlet Gonzalez, assistant vice president of facilities and campus planning, said the majority of the leaks reported have been genuine and not what he called false positives.
“Being a school that values sustainability, I think a lot of our students are more conscientious than I would say, at other institutions, because I think people pick Loyola because of its values and one of its major values is sustainability,” Gonzalez said.
The water and sewer rates for Chicago have steadily risen in the past two decades, according to the Chicago Department of Finance. Gonzalez said he is also aware of the financial benefits of saving water on campus.
“We’re trying to not let water run because ultimately, it becomes a university expense,” Gonzalez said. “Expenses increase, then we need to find ways to offset those expenses and I think they’re tied back to tuition and all kinds of stuff. So, there’s that component, too, that always kind of lingers in the back.”
To report a leak, students should file a work order through the ARCHIBUS work order system while including the location of the leak and the hashtag #WaterBounty in the action requested box, according to the Water Bounty Initiative website. If the leak is an emergency, students should call Campus Safety to immediately report it and then file a complementary work order to receive the reward, according to Gonzalez.
ARCHIBUS is a facilities management software, according to the Archibus website. Through it, students can submit online work order requests directly to Facilities who will handle the leak before forwarding the Water Bounty message to Haynes. Many issues such as broken locks, appliances, plumbing and others which can also be submitted to ARCHIBUS.
Tien said she enjoyed each sustainability kit reward she received and how simple the reporting process for leaks is.
“I have always had positive experiences with reporting a leak to Water Bounty,” Tien wrote. “It is quick, easy and I know I’m doing my help to the environment in any small way possible.”
Several Loyola buildings have previously suffered water damage. The Phoenix previously reported on a burst pipe in Mertz Residence Hall over winter break that led to several students being temporarily displaced from their dorms. The Phoenix also previously reported on flooding in 36 Loyola buildings following extreme rainfall Sept. 11.
Featured image by Holden Green
The post Office of Sustainability Rewarding Students Who Report Water Leaks first appeared on The Loyola Phoenix.
On March 12, the academy held the 95th Academy Awards, also known as the Oscars. The ceremony honored films released in 2022, as well as the actors, directors, writers and others involved in the movie-making process.
Most notably, just over one year after its release last March, “Everything Everywhere All at Once” took home seven statuettes. The film saw success in Actor and Actress in a Supporting Role, Actress in a Leading Role, Directing, Film Editing, Writing (Original Screenplay) and Best Picture.
The triumph of “Everything Everywhere All at Once” at the Oscars was unsurprising — the film has become A24’s highest grossing ever, with global ticket sales reaching $103 million, according to Deadline.
What made the sweeping success of the film so notable was the diversity of its cast and winners. “Everything Everywhere All at Once” features a predominantly Asian cast and tells a multiversal story surrounding an Asian American family.
In Michelle Yeoh’s acceptance speech for Actress in a Leading Role, she thanked her extended family in Hong Kong “for letting me stand on your shoulders, giving me a leg up so that I can be here today.”
“This is history in the making,” she said. “Thank you.”
And it was history. Yeoh became the first Asian actress to win an Oscar in the category. Since the awards began, only six Oscars have been awarded to Asian actors, according to the Associated Press.
Standing behind her and having helped present the award was Halle Berry who won the same award in 2002. She was the first Black actress to win the award, only 21 years ago.
Between 2000 and 2018, 72 actors won academy awards, only 12 of which were people of color, according to The Boston Globe.
In 2016, every single one of the 20 acting nominations was given to a white person, according to BBC. The magnification of the academy’s lack of diversity led to widespread criticisms and boycotts surrounding the awards.
While the increasing diversity of the academy winners is undeniably a step in the right direction, the disparity between nominations and awards given to white people and people of color remains a prominent issue in the entertainment industry.
Historically, women have also been overlooked in categories surrounding film production, primarily Directing. Since the first awards ceremony in 1927, a total of seven female directors have been Oscar nominated, according to Deadline.
This year, the lineup of nominees for the major category consisted entirely of men.
The celebration that ensued following the wins of “Everything Everywhere All at Once” should be a testament to the importance of representation in these award shows. Yeoh spoke on the historic nature of this moment in a backstage interview with the academy.
“This is for the Asian community and anyone who has been identified as a minority,” Yeoh said. “We deserve to be heard; we deserve to be seen; we deserve to have the equal opportunity so we can have a seat at table. That’s all we’re asking for. Give us an opportunity. Let us prove we are worth it.”
Featured image courtesy of Richard Harbaugh / A.M.P.A.S., Illustration by Austin Hojdar
The post STAFF EDITORIAL: Diversity is ‘Everything’ first appeared on The Loyola Phoenix.
Growing up in a fast fashion-driven culture, it’s sometimes hard to avoid the most recent fashion trend that everyone is jumping on. In order to avoid overconsuming clothing in recent years, I’ve attempted to primarily buy clothes that I know will be long-lasting staples in my closet. These items are reliable, comfortable and versatile with whatever aesthetic I want to follow on a given day.
First up, is my trusty Patagonia green coat. Despite only getting it in December as a Christmas gift, I know it will have a permanent home in my coat closet for years to come. With a tattersall printed interior accompanied by a spacious inside pocket, the corduroy puffer keeps me toasty while coordinating with most of my other clothes.
My love for brands marketed to last doesn’t stop with Patagonia. My Carhartt black overalls are always one of the first to hit the laundry basket. The solid black cargo material sits on my shoulders comfortably while allowing me room for mobility in the way a pair of jeans or skirt could not. The never-ending number of pockets is a plus, too, allowing me to carry the belongings of my friends whose pockets are ridiculously small.
Catch me on a lazy morning or busy Tuesday night? I’m most likely wearing a stretchy white, purple or red tank. The basics are not just comfortable to sleep in but can be sported with matching biker shorts or leggings to complete the look. While they may have first caught my eye from being a fashion trend, I can see these tanks sticking around for a while.
Lastly are my shoes. If any of you have seen me recently, I’m most likely sporting brown Dr. Martens Chelsea Boots, which my boyfriend bought me for Christmas. While I fought through the agony of Dr. Martens-induced blisters for the first couple of weeks, I eventually broke in the boots that I now wear everyday. I’m often told how “granola” I look whilst pairing the boots with my Patagonia coat, which I take it as a compliment as much of the aesthetic revolves around investing in well-made products that will last a lifetime.
Featured illustration by Hanna Houser, photo by Austin Hojdar | The Phoenix
The post From the Editor’s Desk: Sticking to the Staples: The Clothes I See Lasting a Lifetime first appeared on The Loyola Phoenix.
The Loyola men’s basketball team finished its first season in the Atlantic 10 (A-10) with an overall record of 10-21, going 4-14 in conference play. After finishing last out of 15 teams in the regular season with a first-round exit against Saint Joseph’s University March 7 in the A-10 Championship, the Ramblers have work to do this offseason.
In the 2021-22 season, Loyola Head Coach Drew Valentine led his team to the Missouri Valley Conference (MVC) Championship and a trip to the NCAA Tournament. Loyola was then ranked fourth in the A-10 preseason poll and posted a dominant 76-58 victory over Clemson University Dec. 10, which placed fourth in the Atlantic Coast Conference (ACC) — a power five conference.
Loyola also lost three-straight games during the Myrtle Beach Invitational — all by at least 16 points — and gave up a 13-point halftime lead at home to DePaul University, losing the game in overtime Dec. 3.
With nine newcomers, an undetermined starting five, and a rotation of 10-plus athletes, the expectations for the Ramblers were far from clear.
Loyola started A-10 play with a six-game losing streak, snapped Jan. 21 with a 67-55 win against St. Bonaventure University. Unfortunately for the Ramblers, they would only win four more matches in the remaining 11 games of conference play.
In what is arguably a more competitive conference than the MVC — especially in size — the Ramblers were unable to compete for rebounds against the vast majority of A-10 teams. In the Ramblers’ 18 games played, they were outrebounded in 15 games, winning the matchup once against La Salle University and drawing one time against Fordham University.
The Ramblers placed last in rebounds per game with 31, also closing out the season as the only team in the conference unable to surpass the 1,000 rebounds mark with 960. To put these numbers in perspective, the second-worst rebounding team in the league, St. Bonaventure, recorded 1,048 rebounds — 88 more than the Ramblers.
Ball-security was another one of Loyola’s struggles throughout the season. The Ramblers finished the season with the worst turnover margin in the conference at -2.84. The team with the best turnover differential was Virginia Commonwealth University with 3.12, establishing a pronounced 5.96 gap between the teams.
Furthermore, the Ramblers shot an underwhelming 69.7% from the free throw line — 11th among A-10 teams. As has been famously said in the Phoenix newsroom for years, free throws are free. The Ramblers became more aware of their weaknesses and got better in the second half of conference competition, getting closer to opponents as they lost four games by four points or less. Free throws can be difference makers in tight games like these.
Loyola finished the season fifth out of all 15 A-10 teams in field goal percentage, shooting a strong 46.2% from the floor — a positive differential of 2.1% compared to the A-10 average of 44.1%. However, the Ramblers finished 13th in total scoring, averaging 67.4 points per game.
This sheds light on the fact that, albeit being a very important stat, shooting efficiency — as every other performance metric — is dependent on all other sectors of the game. Loyola’s lack of rebounding and high turnover rate resulted in a staggering, but not so surprising, low quantity of attempted shots.
The Ramblers attempted a mere 1,638 shots in 31 games all season. The second-lowest shot-attempting team was the University of Rhode Island, which played the same number of games Loyola did and still managed to shoot 1,765. The highest rebounding team, the University of Massachusetts, had 1,868 shot attempts through 31 games as well. Despite shooting the second-worst field goal percentage in the conference, they finished four spots above Loyola in total scoring.
The departure of Loyola graduates center Bryce Golden and forward Jeameril Wilson, plus the loss of former Loyola forward Saint Thomas and center Jacob Hutson to the transfer portal opens four additional roster spots for next year. If Loyola can make a splash this offseason by adding size to the team while working on rebounding and ball security, their shot efficiency can be a major threat for all teams in the A-10.
The post Focusing on Fundamentals: Loyola’s Season Struggles by the Numbers first appeared on The Loyola Phoenix.
A sci-fi thriller set during the dinosaur age may sound promising, but “65” failed to bring the expected excitement to the big screen. With a simple plot and lack-luster dialogue, “65,” which was released on March 10, is unengaging and predictable.
Adam Driver stars as Pilot Mills who, during an exploratory mission, crash lands on Earth 65 million years ago. Mills quickly discovers all of his passengers, except for a young girl named Koa played by Ariana Greenblatt, were killed on impact.
Coming from a foreign planet, the pair is surprised by Earth’s roaming dinosaurs. The movie follows Mills and Koa as they journey to an escape ship — their only way home — located 15 kilometers from the site of the crash.
In addition to the threat of dinosaurs, the pair must reach the ship before an incoming asteroid impacts the planet, leaving the pilot and girl with only a few hours to escape.
Speaking two different languages, communication is another challenge for Mills and Koa. Although this provides a unique relationship dynamic, there isn’t enough dialogue to keep viewers interested.
While directors Scott Beck and Bryan Woods helped co-write “A Quiet Place” in 2018, their script for “65” falls short. The repeated pattern of vicious dinosaur attacks, jump scares and narrow escapes becomes increasingly dull each time.
While action in the film begins almost immediately with the crash on Earth, there isn’t much more to the rest of the movie other than Mills and Koa fighting dinosaurs.
The saving grace of the film is its cinematography and computer-generated imagery that realistically portray action-packed scenes and, most importantly, the dinosaurs.
One standout scene occurs when Mills first begins exploring Earth. Surveying the land, he stumbles across the skeleton of a large dinosaur. After Mills bends down to pick up a single bone, the camera pans out to reveal the rest of the remains.
The mood created by this creepy scene is exactly what “65” needed more of.
Another redeeming feature of the film is Driver (“Star Wars,” “House of Gucci”) and Greenblatt’s (“Avengers: Infinity War,” “Awake”) on-screen compatibility that allows each scene to flow smoothly.
Faced with the same challenges including the recent death of loved ones, a paternalistic bond is formed between Mills and Koa, simultaneously adding heartwarming and comedic aspects to the film.
Originally, Koa is reluctant to put her trust in Mills while he appears annoyed by her presence, but as the film progresses they begin to tease each other as a father and daughter might do. Koa jokingly tosses berries at Mills’ back and he lets her place a flower in his hair.
Their relationship complicates the plot to an extent, but it falls into place too perfectly and can only do so much to save the film.
As the most recent dinosaur film to hit the big screen since “Jurassic World: Dominion” was released in 2022, the directors of “65” had big shoes to fill if they wanted to stand out against the multi-billion dollar film. These films are conceptually similar, but Beck and Woods failed to take the creative liberties the directors of the “Jurassic World” franchise took.
After coming to a climax, “65” abruptly ends with viewers left to make assumptions about Mills and Koa’s fate. The end is just as unsatisfying as the rest of the movie.
The film is exactly what the trailer foreshadows. Movie-goers simply searching for dinosaur action will not be disappointed, but for those looking for a multi-layered film, “65” does not meet these expectations.
“65” is in theaters now.
Featured image courtesy of Sony Pictures Presenting
The post Sci-Fi Thriller “65”: How on Earth Could a Dinosaur Movie Be So Dull? first appeared on The Loyola Phoenix.
No injuries were reported after a non-Loyola affiliated individual was robbed at gunpoint early Friday, March 10 on the 6200 block of N. Kenmore Ave., approximately a quarter mile from Loyola’s Lake Shore Campus, according to a crime alert sent to the Loyola community.
The victim, a 26 year-old-male, was approached at approximately 2:00 a.m. by three individuals in a silver vehicle, according to the Chicago Police Department (CPD). An offender exited the vehicle and presented a firearm, demanding the victim to hand over their personal belongings, according to CPD.
CPD said the unknown male offender then took the victim’s belongings and returned to the vehicle, fleeing in an unknown direction.
No suspects are in custody and Area Three detectives are investigating, according to CPD.
Featured image courtesy of Z Miller
The No.15 seeded-Loyola men’s basketball team (10-20, 4-14) fell to the No. 10 seeded-Saint Joseph’s University (SJU) in the first round of the Atlantic 10 (A-10) Championship. A forceful 10 three-pointers off a hot-shooting SJU team eliminated Loyola from tournament contention and carried the Hawks to the second round.
Redshirt first-year forward Ben Schwieger opened up the scoring after senior forward Tom Welch hit him in stride for an open-look layup. Welch would make an appearance at the line on Loyola’s next possession, as he was fouled on his way to the rim, scoring both free throws to put Loyola up by four to start the game.
The Hawks were quick to respond with a 6-0 run to take the lead. A Schwieger pull-up jumper then tied the game at six, but a three-pointer by SJU’s Lynn Greer gave the Hawks a three-point lead.
In the fifth minute of the game, junior forward Philip Alston drove to the rim from the top of the key for a slam dunk, putting Rambler fans on their feet and Loyola within one. However, a three-pointer by the Hawks’ Charles Coleman put his team ahead by four as the score stood at 12-8. Shortly after, Greer scored SJU’s second consecutive three-pointer to extend the Hawks’ lead to seven.
A pull-up jumper by redshirt senior guard Braden Norris and a three-pointer by Alston — Loyola’s first of the half — cut Loyola’s deficit to two nine minutes into the game.
Straight out of a media timeout, SJU’s Christian Winborne stepped up to score on a second-chance layup to keep Loyola from extending its 5-0 run. Graduate forward Jeameril Wilson then found Schwieger for a wide-open look beyond the arc, draining the three-pointer to set the score at 17-16.
The Hawks then caught fire, as they went three for three from three-point territory while Alston scored a layup for a 9-2 SJU run. This gave the Hawks their first double-digit lead of the game as the scoreboard read 29-18.
Over the last six minutes of the first half, the Ramblers’ lockdown defense held the Hawks to a mere four points — allowing just one field goal. Meanwhile, SJU’s defense allowed nine Loyola points. With 14 seconds left in the first half, junior guard Sheldon Edwards scored a three-pointer to send the game into halftime at a score of 33-26 in favor of SJU.
At the half, SJU converted eight three-pointers on 42.1% shooting accuracy from beyond the arc compared to Loyola’s three on 30%. Greer led the shooting spree going four for four in threes, leading the game in scoring with 14 at the half.
Loyola wasted no time coming into the second half. A catch-and-shoot three-pointer by Norris after nine seconds of play was followed by another one, this time by Schwieger, to tie the game at 33.
SJU’s Erik Reynolds struck back with three free throws after getting a shooting foul in three-point territory, but a layup by junior center Jacob Hutson and a three-point play by Alston — after being fouled on a made layup — put Loyola in the lead 36-35 for the first time since the second minute of the game.
Both teams traded baskets over the next two minutes, which featured five lead changes until the sixth minute of the second half, where the Hawks went on a 7-0 run to give them a 48-42 lead.
Alston snapped SJU’s scoring run by starting one of his own, getting fouled on his way to the rim on Loyola’s next two possessions. Alston secured all four free throws and put Loyola within two with just over 11 minutes remaining.
But the Hawks weren’t letting go of their lead easily, as Winborne, Brown and Greer combined for 11 points while SJU’s defense held Loyola to a mere four, giving the Hawks a comfortable nine-point lead with just under 8 minutes to go in the game.
SJU was able to extend its lead to 10 in just under 2 minutes, holding it until the final 4 minutes of the game, when two free throws by Edwards fueled a blazing 10-2 run for the Ramblers. Capped off by a layup and a three-pointer by Norris, the Ramblers were within two of the Hawks with a minute to go.
However, a layup by Winborne shortly after gave the Hawks a four-point lead with 37 seconds left. Norris came back on the next possession to put the Ramblers within three after scoring a free throw, but two subsequent free throws by Winborne closed out the game for the Hawks at 72-67.
Following the game, Loyola Head Coach Drew Valentine said despite the loss, he was proud of the way the team competed. Now turning focus to the offseason and new players to add to his roster, Valentine said his mindset is looking towards the future.
“The message is all about getting better and improving and finding a way to get our program to where we all want it to be,” Valentine said. “Nobody should be able to shake your belief in yourself or your confidence if you’re believing, if you’re working as hard as you can and you believe in the work that you’re doing.”
The Ramblers finished their inaugural season in the A-10 at 4-15 and 10-21 overall. SJU will move on to face the No. 7-seeded George Washington March 8, tipoff is scheduled at 4 p.m. The tournament championship is on March 12 and tipoff is scheduled for 12 p.m.
This story was written by Fernando Molina Bier and Gabbi Lumma
Featured image by Griffin Krueger | The Phoenix
Back-to-back threes for the Loyola men’s basketball team (9-20, 3-14) within the last minute of the game tied the match at 77 for the Ramblers. With two seconds left on the clock, a foul against the University of Rhode Island resulted in two made free throws from the Rams, as they left Gentile with a 79-77 win March 2 on Loyola’s Senior Night and home game finale for the 2022-23 season.
The two Ramblers honored at Senior Night were graduate center Bryce Golden and graduate forward Jeameril Wilson. Both playing in their first year with the Ramblers, the transfers have been important rotational players, averaging 5.5 and 3.1 points per game, respectively.
To start the game, junior forward Philip Alston won the tip-off and scored two free throws on the same possession after being fouled on a layup. Rhode Island responded with a jumper and a layup, but its two-point lead wouldn’t last long.
Redshirt first-year Ben Schwieger came back with a three-pointer, complemented by a Tom Welch layup, getting an and-one after being fouled on the shot to give Loyola a four-point lead. However, Rhode Island hit back harder, going on a scorching 12-2 run over the next three minutes to give the Rams the lead as the score stood at 16-10.
To break Loyola’s two-minute scoring drought, Kennedy scored on a driving layup to cut the Ramblers’ deficit to four. Two free throws by the Rams’ Jalen Carey gave Rhode Island its six-point lead back, but a 6-0 run by the Ramblers sparked by a highlight, reverse-layup by Wilson tied the game at 18.
The Rams were quick to recover the lead after a wide-open Ishamel Legget drained a three-pointer, followed by an alley-oop dunk by Alex Tchikou. Consistent points on the paint and high-pressure defense slowly helped Rhode Island build a 10-point lead over Loyola as the scoreboard read 41-31.
The rest of the half was a defensive standoff, as neither team was able to score a field goal in the last three minutes of the half. Loyola was able to cut its deficit down to seven heading into halftime, capped off by a Wilson block on an attempted Rams three-pointer.
At the half, Loyola and Rhode Island looked like equal rivals from the floor, as they shot 52% and 51.7%, respectively. However, the Rams grabbed seven more rebounds than the Ramblers and led them in second-chance points, points from three-point territory, and points of turnovers.
Both teams started the second half with two-point scores in their first possessions, but a three-pointer and a layup on the fastbreak helped Rhode Island extend its lead to 12 early in the second half.
The Rams were able to extend its lead up to 17 over the first five minutes of the game after starting the second half hot with a 10-2 run.
To break the Ramblers’ scoring drought, redshirt senior guard Braden Norris scored eight unanswered points off back-to-back three-pointers and two free throws to put the Ramblers within nine. A second-chance layup by junior center Jacob Hutson capped off a 10-0 run for the Ramblers’ to put them back within seven.
Two free-throws and a jumper by Tchikou would then give the Rams a double-digit lead as the score stood at 60-49, but first-year guard Jalen Quinn took matters into his own hands, scoring six unanswered points to cut the Ramblers’ deficit to five.
The Rams quickly returned the favor, scoring six unanswered points, but Loyola wasn’t backing down. Wilson and junior guard Sheldon Edwards combined for seven points over the next three minutes to put the Ramblers within a mere four points as the scoreboard read 66-62.
Over the last three-minutes of the game, the Ramblers were able to get eight points off Edwards’ hot hand, which shot for two three-pointers — the latter coming with 44 seconds left in the game and putting Loyola within three.
A missed stepback by Leggett with 17 seconds left in the game sent the Ramblers on a fastbreak. Edwards then found Norris for a catch-and-shoot three that caught nothing but net, tying the game at 77 as Gentile Arena erupted in disbelief.
The Rams took the ball to the Ramblers’ end of the field and with four seconds left in the game, a shooting foul was called on Alston, sending Leggett to the line for a pair of free throws. Leggett scored both, and with four seconds left on the clock, Loyola was unable to score again, giving the Rams a 79-77 win.
Loyola Head Coach Drew Valentine said he wasn’t able to see the foul call properly, but said blaming the refs for a loss is not something he grew up doing.
“Even though I’m going to fight for my guys during the game with the officials…if I tried to blame the refs after the game, when my dad coached me, I was never allowed to do that,” Valentine said. “That’s not what we’re going to do as a part of this program. We’re going to take accountability and ownership over the outcome of the game.”
The Loyola men’s basketball season will finish regular season play when it visits LaSalle University in Philadelphia March 4. Tip-off is scheduled for 1 p.m. and is set to be broadcast on ESPN+.
Featured image by Griffin Krueger | The Phoenix
In a tightly contested race for 24th Chicago Police Council, three candidates pulled ahead and will serve as the inaugural members of the council.
Veronica Arreola received 20.67% of the votes with 10,412, EdVetté W. Jones received 15.95% with 8,035 and Marilyn Pagán-Banks received 16.59% with 8,356, according to the Chicago Board of Elections.
The three candidates were all members of the Unite the 24th slate, a joint campaign by the three longtime community organizers, The Phoenix previously reported. The trio was endorsed by reelected Alderman Maria Hadden.
Jones and Pagán-Banks attended Hadden’s election night party Feb. 28 where they thanked their supporters from the stage of The Rhapsody Theater.
Jones told The Phoenix they couldn’t be happier with the result.
“This is a victory for the people,” Jones said. “This was never about the police, it was about the people.”
Pagán-Banks also said he believes the community thinks the council is necessary.
“I’ve been doing this work before this existed and will continue to do it because I live here and it matters to me that we all live in peace,” Pagán-Banks toldThe Phoenix.
The three candidates beat out four other candidates for the council seats. Three of the other candidates — David Earl Williams III, Cynthia McFadden and Daniel Wolk — were endorsed by 49th Ward Aldermanic candidates Bill Morton and Belia Rodriguez. The fourth candidate, Mitchell Rose, was endorsed by the Fraternal Order of Police Chicago Lodge #7.
In an email to the Phoenix, Wolk said the result was not what he wished for but he wished success to the elected candidates. He also said he was grateful to his supporters and that he would continue to work in this area.
“I plan on finding a way I can make a constructive contribution to promoting public safety and improve intergroup relations within my ward and police district,” Wolk said.
The Phoenix also spoke to Williams who said he’s proud of the work he did. He also said he hopes the elected candidates are able put aside any bias and work with the community.
“It’s gonna be very important that they actually work for the people, because the only way this office is going to work is that they’re going to have to take the people’s input seriously,” Williams said.
McFadden and Rose did not respond to request for comment from the Phoenix.
This story was written by Aidan Cahill and Maddie Franz
Featured image by Holden Green | The Phoenix
Sophomore infielder Haley Wallace has been an unstoppable force for the Loyola women’s softball team since her arrival at Rogers Park in 2021. After playing in all 47 games last season with a team-high 19 RBIs, Wallace has had a hot start to her collegiate career. To begin the 2023 campaign, Wallace went on a six-game hit streak, starting at the Paradise Classic in Boca Raton, Florida Feb. 10.
Wallace said she has been playing the sport she fell in love with since she was 8 years old. Her biggest influence growing up was all of the college players she would watch on the big screen and how much she wanted to be like them.
The Hanna City, Illinois native said she played throughout high school, earning multiple area and conference recognitions by the time she was a sophomore. Her standout statistics had schools calling from all over but said she wanted to make Loyola home.
“I had some options for where I would want to go but usually in my head, it was always I want to go Division I,” Wallace said. “It just really felt like the right fit here at Loyola…I love Chicago. I wanted to take the opportunity to come here and to kind of branch out and find out what life would be like living in the big city.”
Loyola Head Coach Alicia Abbott said Wallace fit right in at Loyola, adding that she had become a consistent rotational player for the Ramblers. Characterized as “goofy” and “really, really positive” by Abbott, Wallace had to grow on the team to have the bright personality she has today.
“When she first walked in, she was so quiet,” Abbott said. “Kind of just in her own little bubble, in her own little shell, and I think this year especially, she really embraced being as goofy as possible. It is so fun to watch her light up and make jokes and make silly Tik Tok dances a lot.”
On the field, Abbott said Wallace is not much different and has been consistently playing a big role in creating positive team chemistry during gameplay. Abbott describes Wallace as a standout defender who can play anywhere the team needs her.
The future is bright for Wallace, according to Abbot. With an additional two years left of undergraduate studies, she still has plenty of time left to make a lasting impact on this team by continuing to gain experience against tough competition and stepping into a leadership position.
Wallace described the lasting impact her teammates and coaches have on her and pushes her to be the player she is today.
“I just love being around my teammates, that is just such a huge part of why I love playing here.” Wallace said. “They are all so great and it’s so fun constantly competing against each other and we really care about each other in ways that really push us all to do better things.”
With the transition from the Missouri Valley Conference to the Atlantic-10, Wallace and the team will be facing many new competitors and challenges this season.
“We are in a new conference and we see a lot of good opportunities being in the conference,” Wallace said. “I think we all have just been pushing each other and that’s really been helpful for me. Just knowing that I have my teammates by my side that are going to keep pushing me.”
Catch Wallace and the Loyola women’s softball team when they compete at the Saluki Invitational Mar. 4th against Butler University, University of Southern Illinois and the University of Tennessee at Martin. First pitch is scheduled at 10:30 a.m. and the broadcast information has yet to be announced.
“Goodbye, Farewell and Amen,” the final, two-hour-long episode of “M.A.S.H.,” aired 40 years ago Feb. 28.The sitcom debuted September 1973 and ran for 11 seasons, telling the story of an army hospital close to the front line of the Korean War. The acronym M.A.S.H. stands for Mobile Army Surgical Hospital.
When “M.A.S.H.” premiered, it was a slapstick comedy with humor and hijinks driving many episodes. Over time, the show evolved into a dramatic story with complex characters.
Despite taking place in a war zone, “M.A.S.H.” doesn’t feature the violence or gore typical of the genre. Instead, it showcased characters trying to maintain sanity through humor and other vices while dealing with the seemingly never-ending flood of wounded soldiers and civilians.
The main protagonist throughout the series, Capt. Benjamin Franklin “Hawkeye” Pierce (Alan Alda), embodies this struggle. Hawkeye is a pacifist who rejects military discipline every chance he gets. He’s quick with a joke and spends most of his leisure time drinking, flirting with nurses or playing practical jokes on the rest of camp.
As a reputable surgeon, Hawkeye’s mischief is excused by his mission to save lives in protest of the war. These values are consistent and unchanging throughout the series, though the same can’t be said for the characters around him. Through recasts and gradual development, the series sacrificed comedy for dramatic eloquence.
The best example of this change was Major Margaret “Hot Lips” Hollihan (Loretta Swit). Margaret was the only other character to have a starring role in “M.A.S.H.” throughout the entire series. In the first four seasons, her character was written in an underdeveloped and blatantly sexist way. Instead of having her own voice, she parrots the racist and hyper-militaristic attitude of show antagonist Major Frank Burns (Larry Linville).
Things took a dramatic turn in season five when Margaret, who Frank was having an affair with, got engaged to someone else and called it quits with Frank. By the end of the season, Frank’s character was written off, allowing Margaret a chance to flourish. In the remaining seasons, Margaret was depicted as a dedicated nurse with a strong sense of duty and independence. She bonded more with the other characters than in previous seasons and let them see the emotional impact the war had on her.
Margaret was joined in her development by Corporal Maxwell Klinger (Jamie Farr). Originally, Klinger as he’s called, was brought on as a one-off joke in a bit wearing women’s clothes in order to be discharged for psychiatric reasons.
It was Klinger’s wit and ingenuity which overshadowed the dresses and allowed him to grow. He got married, divorced and remarried over the course of the series and was eventually promoted to sergeant. When longtime company clerk Radar O’Reilly (Garry Burghoff) left the show in season eight, the role wasn’t recast. Instead, Klinger stepped in and proved just as efficient.
Beyond the development of key characters, recasts brought life to the show. The first change came at the end of season three, when commanding officer Lieutenant Colonel Henry Blake (McLean Stevenson) was killed off.
In place of the incompetent and adulterous commander came Colonel Sherman Potter (Harry Morgan), a wiser and more headstrong character. Similarly, when Hawkeye’s partner-in-crime Captain Trapper John McIntyre left the show the same season, he was replaced by the more wholesome Captain B.J. Hunnicut (Mike Farrell).
By far the best character change occurred when Frank was replaced by Major Charles Emerson Winchester (David Ogden) as the Hawkeye’s foil. Charles, while arrogant and selfish due to his affluent background, was a gifted surgeon and a decent human. Unlike Frank, he bonded with the other cast members and let his emotions shine through, even if they were hidden by his snobbery.
It was this cast of characters who set the stage for the final gut punch that was “Goodbye, Farewell and Amen.”The episode is one of the least comedic of the series but arguably the best. The characters are asked a simple question: What do you do when the war ends?
Here, all of the development is put on display as the characters grapple with moving on and saying goodbye both to each other and the series itself.
Altogether, 40 years after its end and over 50 years after its inception “M.A.S.H.” remains a masterclass in storytelling and character development worth the rewatch.
Cue the guitars and dim the lights — Taylor Jenkins Reid’s New York Times Best Selling novel “Daisy Jones & The Six” is hitting the big screens.
The book’s TV adaptation, produced by Reese Witherspoon, stars Riley Keough and Sam Claflin as musical partners Daisy Jones and Billy Dunne. The show, of the same name, will premiere on Prime Video March 3.
Through her sixth book, Reid has cemented herself as one of today’s most prominent writers. In a mock oral history of a ‘70s rock band, the novel takes place from 1965 to present, and is split into twelve sections. The storytellers of this history range from current and former members of the band to friends, family and industry elites.
Titular character Daisy Jones hails from a wealthy family in the Hollywood Hills of Los Angeles. The first section of the novel showcases Daisy as a fearless character with fiery red hair, willing to do what it takes to make it big.
“I had absolutely no interest in being somebody else’s muse,” Daisy said. “I am not a muse. I am somebody. End of fucking story.”
With only a few pages to introduce her, the novel benefits from her short introduction, leaving the reader longing for more information about Daisy.
The following section, “The Rise of The Six,” follows brothers Billy and Graham Dunne, the creation of their band with fellow members Karen, Eddie, Warren and Pete to the eventual contract with Runner Records. While this section of the book was necessary in painting the overall arc of the band, the lengthy introduction of characters — some of whom made short-lived appearances — was often unnecessary.
Meanwhile, “it” girl Daisy is beginning her own career in the music industry. Filled with a passion for songwriting, Daisy eventually secures her own deal with Runner Records and begins her solo career.
Her solo sections of the novel are few and shorter than the male leads despite being the main character. Though there are feminist undertones, a larger emphasis on the female characters would have left Reid with a near perfect novel.
One of the few characters of color, disco star and Daisy’s best friend Simone Jackson is often pushed aside with simple dialogue. Simone had potential to be a prominent character within the story but was only used as support for the main character, especially later in the novel when Daisy’s drug addiction becomes life-threatening. Simone, played by Nabiyah Be, is set to appear in all 10 episodes of the series, according to IMDb.
During the section “The Rise of The Six,” the band releases their debut album, the process of which is skimmed over. During a tour of 30 cities, Billy takes a turn for the worse struggling with his drug addiction.
With a child on the way, Billy’s wife Camila gives him two options — be present at the birth of their daughter or check himself into rehab. Billy, scared of being an inadequate father like his own, checks himself into rehab. This section of the novel is in its purest form, showcasing the characters at their most vulnerable while strengthening readers’ connection to them.
“I think you have to have faith in people before they earn it,” Camila said while deciding what she wants for her family. “Otherwise it’s not faith, right?”
Back in the studio, The Six begins to record their sophomore album “SevenEightNine.” When finished, Runner Records CEO Rich Palentino points out that the album might not have a number one hit.
Desperate to put the band on the charts, producer Teddy Price suggests Billy sings a duet with Daisy, whose raspy voice and golden reputation are a magnet for public attention. Billy, initially apprehensive about the idea, eventually gives in and allows Daisy’s vocals on the track “Honeycomb.” The song has been adapted into the upcoming Prime Video series.
As “Honeycomb” makes its way up the charts, The Six hit the road for another round of headlining tours. Spotting Daisy in the crowd one night, The Six invite her onstage to sing, leaving concertgoers wild with excitement. In one of the novel’s pivotal scenes, Runner Records adds Daisy as an opener for the rest of The Six’s shows, cuing the book’s romantic undertones.
After the show, tensions build between members when the label wants to combine Daisy and The Six’s careers. After a series of debates and challenges to Billy’s authority, the group is renamed and introduced as Daisy Jones & The Six.
With the creation of the new group, Reid manipulates relationships between characters. The women within the novel tend to create stronger platonic bonds with each other, only connecting to the male leads romantically. Camila, Daisy and Karen create a sense of companionship as the only women in the novels cast of mostly men.
While writing their new album “Aurora,” the band agrees to let Daisy and Karen have their own song.
“Just Daisy singing and me on the keys,” Karen said of the record. “That’s it. Just two bitches playing rock ‘n’ roll.”
Though the sections, “Aurora” and The Aurora World Tour take on the bulk of the band’s story, putting readers in the palm of Reid’s hand. Relationships tether on a very thin line, with character dynamics becoming increasingly vulnerable and tense.
With tensions high in the previous two sections, the story concludes in Chicago, gripping readers until the very last page. Broken love connections and devastating disagreements cause Daisy Jones & The Six to be seen together for the last time at Chicago Stadium — the end of a band doomed from the start.
A complex and layered novel filled with elegant prose, “Daisy Jones & The Six” is a memorable story that leaves readers melancholic. Anticipation remains high among the devoted fanbase as this novel transitions the page-to-screen adaptation.
The book is available now and the TV series will be available for streaming March 3 on Prime Video.
featured image courtesy of Prime Studios
Standup comedian and podcast host Ashley Gavin brought her beloved, angry lesbian humor to Chicago’s Den Theatre from Feb. 23 to 26.
Feb. 26 was the last show the New York-based comedian completed after a four-day string of sets, filming her Friday set at The Den for her upcoming YouTube special.
“My comedy is ineffective in a room full of lesbians,” Gavin joked during her set. “I’m not going to make the world a better place with this. This is just speed dating, right?”
The “room full of lesbians” laughed along at Gavin’s set for an hour and a half as she riffed about her relationship experiences, being a New Yorker, the death of her father and being Carnival Cruiseline’s first openly gay comedian. All the while, Gavin masterfully engaged her audience, showing off her comedic crowd work expertise.
Gavin approached her crowd from perspectives based on her own lesbian identity. She interwove mocking responses from stereotypical “woke” audience members as a bit.
“Lesbian crowds can be pretty upset.” Gavin said, going on to impersonate an offended lesbian. “They’re even pulling back at that joke, like ‘What do you mean? What do you mean we can be upset?’”
She goes on to humor the audience about her dead father and 9/11, walking a sensitive line but winning over the crowd every time. Gavin understands her audience and angles her jokes to shock, only to double back and make the crowd’s anticipated initial responses the joke itself.
“I’m not actually like this — it’s all a schtick,” Gavin joked. “I’m like a reverse Ellen — mean onstage and nice out there.”
Gavin made sure to appeal to all crowds by calling them all out individually. Gavin targeted each group within and out of the LGBTQ+ community for the sake of inclusivity.
Gavin focused in on two men in the front row, giving them a hard time for banter and the sake of comedy. She asked them about their jobs, girlfriends, relationships and sexualities.
“You look like you sleep in a deep dish,” Gavin said jokingly to one male audience member. This was received with a loud bout of Chicago laughter.
“She is the only angry lesbian beloved by all, including old, straight, white guys,” Gavin’s website states. During the show, she told her tales from performing for straight, Midwestern crowds on Carnival Cruise Lines as their first openly gay comedian. Gavin said she was only allowed to be gay during the R rated shows but that the straight men usually best understood most of her jokes about being gay.
Most of all, Gavin is known and loved for her “gay dating material” during her shows. She recounts her own dating life and draws humor from relatable, everyday relationship escapades.
“People think the homophobia is the most difficult part of being gay,” Gavin said. “Homophobia isn’t the hard part. Dating is the hard part.”
Podcast listener and Ashley Gavin fan Melissa Jones, 25, said they drove three hours from Peoria, Illinois with their partner just to see Gavin’s show.
“Ashley’s raw sense of humor and appeal to different people is what sets her apart from other comics,” Jones said.
In addition to her comedy tours, Gavin hosts two podcasts, both focusing on making LGBTQ+ experiences accessible through vulnerability.
On “We’re Having Gay Sex,” Gavin brings on guests and alternating co-hosts discussing stories about sex and dating advice as a resource for LGBTQ+ listeners, aiming to normalize queer experiences. The podcast’s website describes it as “honest, vulnerable, disgusting, hilarious.”
“Chosen Family,” with co-hosts Mak Ingemi and Alayna Joy, allows listeners to submit questions about love, life, sexuality and gender to get answers and support they often don’t receive from their birth families. Gavin takes the role of being the listener’s fake gay dad, giving out advice with mom Alayna and baby Mak at the family dinner table.
Gavin’s tour will continue into August and she has a weekly show every Sunday night at 8 p.m. in New York City. Gavin’s podcasts are available to stream on Spotify, Apple Podcasts and her YouTube channel.
featured image courtesy of Jim McCambridge
In the morning of March 12, 2009 in Kyoto, Japan, I sat on the living room couch, sick and singing into a microphone.
“Thank you for the music, the songs I’m singing / Thanks for all the joy they’re bringing / who could live without it? I ask in all honesty / What would life be? / Without a song or a dance, what are we? / So I say, thank you for the music, for giving it to me.”
The colorful bars of the ABBA Karaoke PlayStation Game ran across the screen as my mum filmed. Trying my best to hit each note perfectly, I felt like the American superstar I one day dreamed of becoming.
Eleven-year-old Nicky Andrews sang along to ABBA. (Courtesy of Nicky Andrews)Today, I listen to “Thank You For The Music” with tears often welling up in my eyes. The song reminds me of my mum’s hugs when I was still small enough to sit on her lap while wrapped in her arms. The tune has always felt like a way for me to thank my mum for not just passing down a passion for dancing and singing but for the eternal love and nurture she has given me.
Every so often I turn to songs like this for a sense of comfort while away from family. In a playlist titled “England,” 148 songs transport me back to my childhood, mostly reminding me of summer drives in the English countryside with my dad’s CDs on repeat.
From “Angels” and “Let Me Entertain You” by Robbie Williams to a slew of Green Day classics like “Good Riddance,” “American Idiot” and “Wake Me Up When September Ends,” the tracks offer a level of comfort I can only feel when surrounded by my two sisters, mum and dad.
However, the rush of serotonin I get when I press play often comes with a wave of yearning and, shortly after the first couple songs play, a harsh reality sets in. As we grow older and start our own families, the summers I remember so fondly will likely never be the same again.
Through college, music has become a means to connect with my family. An isolated form of care and love we all need but sometimes can’t get being so far from home.
While covering Lollapalooza as a photojournalist for The Phoenix last summer, I was handpicked by Green Day to take pictures in their photo pit. As soon as the first guitar cord was struck, I felt a lump in my throat start to form.
I thought of my dad. I thought of the times I copied him as he head banged. I thought of the times a “great song” would come on and how he would immediately roll the windows down, turn the music up, grab my hand in his and wave it back and forth to the music.
As I watched Green Day perform, I couldn’t help but feel an overpowering sense of pride to be his daughter. I started to sob. There I was, taking pictures of a band he had taught me to love that became a band I now listen to to feel his love.
It was because of my parents that I was given the opportunity to do that. Their hard work, sacrifice, and most of all, love, allowed me to go after my dreams. Whether it be to become a superstar or a journalist, thank you mum and dad for always supporting me.
Check out out Arts and Entertainment section this week to hear about not Green Day’s, but Gracie Abrams’ “Good Riddance” as well as an Open Mic event hosted by WLUW where Loyola musicians gathered and shared their work.
It was a quick night in the 49th Ward as Maria Hadden cruised to re-election as alderperson over challengers Bill Morton and Belia Rodrigez.
With all precincts reporting, Hadden received 72.9% of the votes, a total of 7,089 votes. Rodriguez received 17.1%, 1,664 votes and Morton received 10%, 973 votes, according to the Chicago Board of Elections.
Hadden’s campaign priorities include affordable housing, public school investment, development without displacement and local economic improvement.
Hadden hosted an election night party at The Rhapsody Theater on West Morse Avenue. Supporters, ward employees, friends and family filled the theater, cheering and whistling as vote counts rolled in.
Maria Hadden addresses supporters at The Rhapsody Theatre. Holden Green | The PhoenixAfter an introduction from her wife Natalia, Hadden thanked everyone for their hard work, including her challengers.
“This has been an opportunity, just like every time we get to have a fight,” Hadden said in a speech. “An opportunity to learn to be better, to grow, to perfect our message.”
Hadden made a name for herself through community activism. She was a founding board member of The Participatory Budget Project, advocating for a democratic budgeting process, and founded Our City Our Voice, a national nonprofit organization for equitable democratic participation, according to her campaign site.
Challenger Belia Rodriguez speaking at her campaign’s election night festivities. Aidan Cahill | The PhoenixHadden received many endorsements from labor unions and local politicians alike, such as Service Employees International Union Local 1 and former 49th Ward Alderman and Chicago Mayor David Orr. She received the endorsement of Illinois Governor J.B. Pritzker, U.S. Congresswoman Jan Schakowsky and the Chicago Tribune Editorial Board.
The mood was different at Morton’s campaign headquarters. Morton and a few of his supporters gathered to watch the results. He told The Phoenix he was surprised by the results.
“We were out there meeting with people, we had community events and we did everything we could,” Morton said.
Morton’s campaign prioritized public safety, public health and small business development. He was the president of the Rogers Park Chamber of Commerce, Leone Beach Park Advisory Council President and Willye White Park Advisory Council President, according to his campaign site.
Rodriguez and her supporters gathered at The Glenwood, a bar just off West Morse Avenue. She spent time talking with supporters and spoke with The Phoenix about the results.
“All of our support came from the ward, from actual people who live here, who fought really hard to defend our community,” Rodriguez said. “All I ever set out to do was be another choice on the ballot for people who wanted another choice — I accomplished my mission.”
Rodriguez started an IT business in 2009 to help nonprofits before volunteering at Rogers Park Business Alliance and Vision Clark, an organization focused on fighting gentrification on Clark Street, according to her campaign website. She campaigned on community safety, Touhy Park, affordable housing and economic development.
Bill Morton received just 973 votes. Aidan Cahill | The PhoenixWith her reelection, Hadden said she is looking forward to getting back to work full-time with new council members.
“Now it’s kind of a shift to thinking about our progressive caucus,” Hadden told The Phoenix. “Are we going to have new members? What are some things we can do to grow? And how do we start working on a good agenda for the next term?”
This story was written by Aidan Cahill and Maddie Franz
Featured image by Holden Green | The Phoenix
Lori Lightfoot’s time as the mayor of Chicago will come to an abrupt close as she failed to earn enough votes to advance to the runoff in Chicago’s Feb. 28 municipal election. Former Chicago Public Schools (CPS) CEO Paul Vallas and Cook County Commissioner Brandon Johnson will face off to decide the city’s next mayor in a runoff scheduled for April 4, as no candidate is set to eclipse 50% of all votes cast.
Vallas, who has centered his campaign around crime and public safety, jumped ahead of the rest of the nine candidate field soon after the polls closed at 7 p.m. Tuesday night and never relinquished his lead. Vallas secured 172,093 votes, totalling 33.8% of all votes cast.
Vallas secured key endorsements from the Chicago Tribune Editorial Board and Fraternal Order of Police Chicago Lodge, the union which represents Chicago Police Department officers. His support base is centered around white voters on the city’s northwest and southwest sides as well as crime weary residents of wealthy lakefront wards.
In his celebratory address to supporters, Vallas highlighted his background as the son of Greek immigrants and the working class bonafides of his family.
“Public safety is the fundamental right of every American,” Vallas said. “It is a civil right and it is the principle responsibility of government. We will have a safe Chicago. We will make Chicago the safest city in America.”
Johnson, who came in second with 103,387 votes totalling 20.3%, has presented a different approach to public safety than Vallas who has mainly advocated increasing the number of police officers on the streets, specifically raising the number of beat cops within individual neighborhoods. Johnson, by contrast, has advocated for increasing funding for mental health services and youth employment programs.
“Tonight is about building a Chicago that truly invests in our people,” Johnson said in his celebratory speech. “The most radical thing we can do as a city is to love the people of Chicago. Loving people and investing in people, that is the way my father raised me. The finances of this city belong to the people of the city. So we’re gonna invest in the people of the city.”
Johnson, who was virtually unknown prior to this campaign, has ridden a surge of momentum to a strong election night showing and a runoff berth. Johnson, a former CPS teacher and Chicago Teachers Union organizer, has received significant financial and organizational backing from the union as well as other progressive organizations in the city.
Incumbent Mayor Lori Lightfoot finished third, falling shy of an opportunity to serve a second term in city hall. Lightfoot, the first Black woman and first openly-gay person to serve as the mayor of Chicago, secured 86,952 votes, totalling 17.1% of votes cast. Her campaign failed to overcome harsh attacks from opponents criticizing her record as mayor.
Lightfoot quickly became embattled when she began her first-term as mayor in 2019 as she guided the city through the outbreak of the COVID-19 pandemic and its long-lasting economic effects. She conceded the race around 8:45 p.m. — less than two hours after polls had closed as it became clear she couldn’t make up the gap in votes between herself and Johnson.
In her concession speech, Lightfoot said she will be praying for the next mayor to deliver for the people.
“Obviously, we didn’t win the election, but I stand here with my head held high and my heart full of thanks,” Lightfoot said. “You will not be defined by how you fall. You will be defined by how hard you work and how much you do for other people.”
Finishing fourth was U.S. Representative Jesus “Chuy” Garcia, who finished with 13.7% of the vote. Earning 70,006 votes, Garcia, who ran unsuccessfully for mayor in 2015, pushing Rahm Emmanuel to a hard fought runoff, failed to secure enough support from progressive voters to reach the second round.
Despite strong support from Hispanic Chicagoans, Garcia, a longtime stalwart in progressive Chicago politics, lost out on key early endorsements from progressive organizations and labor groups and was unable to win a large enough percentage of progressive voters in lakefront wards away from Johnson.
Billionaire businessman Willie Wilson, also making his second attempt at a mayoral run, came fifth behind Garcia, securing 9.5% of the votes cast. Wilson, who garnered 48,658 total votes, focused on similar concerns as Vallas while campaigning and earned strong support from voters in south side wards but fell short of advancing to the runoff.
Activist Ja’Mal Green came sixth overall with 2.1% of the vote, while State Representative Kam Bucker finished seventh with 1.8% of votes cast. The 4th Ward Alderperson Sophia King finished in eighth earning 1.2% of the vote and 6th Ward Alderperson Roderick Sawyer finished in last with 0.4% of the vote.
Featured image by Holden Green | The Phoenix
The race for the next alderperson of the 48th Ward, the ward which includes the portion of Loyola’s Lake Shore Campus south of West Devon Avenue and the Edgewater and Uptown neighborhoods, will go to a runoff April 4 as no candidate was able to earn over 50% of total votes cast.
The runoff election will be contested by the two top vote getters who emerged from the crowded 10 candidate field — affordable housing developer Joe Dunne and small business owner and activist Leni Manaa-Hoppenworth.
Dunne, who finished first after receiving 3,835 votes totalling 27.5% of those cast, focused his campaign on public safety concerns, promoting economic development and increasing the availability of economic development. Dunne celebrated his success in the first round of voting with supporters and staff at The Edge Theatre (5451 N. Broadway) where he said the mood was very positive.
“I’m tired, but I feel good — it’s a good tired,” Dunne said to The Phoenix. “It’s been a lot of hard work to get here, but it’s important work, and I’m happy with where we are at. This is where we wanted to be when we got into the race. I am looking forward to the run-off on the fourth and serving as the next alderman.”
Dunne received the endorsement of outgoing Alderman Harry Ostermann, who announced his retirement in June, after representing the ward for 12 years, as well as the endorsements from former Governor Pat Quinn and the Chicago Federation of Labor.
Joe Dunne celebrates the results with supporters and staff. Aidan Cahill | The PhoenixManaa-Hoppenworth, who came second in the race with 3,014 votes totaling 21.5%, prioritized making housing more affordable, promoting sustainability and making the ward more walkable in her campaign. Manaa-Hoppenworth celebrated her success in advancing to the runoff with supporters in her campaign office.
“I’m thrilled to have made it to the runoff and am grateful to everyone who has supported me along this journey, in ways both big and small,” Manaa-Hoppenworth said. “I’m looking forward to spending the next 35 days talking to voters, hearing their concerns, collaborating with them on solutions and working with them on our shared vision for the ward.”
Manaa-Hoppenworth, who runs a dance studio in Andersonville, will attempt to differentiate herself from Dunne in the run-up to the second round of voting. If elected, Manaa-Hoppenworth would be the first Filipino member of Chicago’s City Council and would be the first openly gay person to serve as 48th Ward Alderperson.
Coming in third place, just 500 votes behind Manaa-Hoppenworth, was Nick Ward, a community activist and restaurant worker. Ward finished with 18.5% of the votes cast, with a total of 3,014 votes. Jamie Cernek, Ward’s campaign manager, said Ward conceded the race and addressed supporters at an election night party hosted at Rewired Cafe.
Manaa-Hoppenworth cuts the cake at her election night party celebrating a runoff berth. Aidan Cahill | The Phoenix“Nick was so grateful for all of the work all of our over 200 volunteers have put in over the last two months knocking on over 38,000 doors in the ward and raising over $180,000 from individual donations and labor and progressive organizations,” Cernek said. “Nick is extremely proud of all of the work this people powered campaign put in and although we didn’t get the election results we wanted, our movement and organization will continue long after today.”
Isaac Freilich Jones, assistant Illinois attorney-general, finished in fourth place, earning 1,422 votes. Jones campaigned on his progressive principles and personal story of surviving a bout with cancer but failed to reach the next stage of the election as he garnered just 10.2% of votes cast.
Jones reached out to Dunne and Manaa-Happenworth to congratulate them on their success in advancing to the runoff, a representative of his campaign told The Phoenix.
Finishing fifth was University of Chicago Political Science Professor Larry Svabek who garnered 6.5% and 905 total votes. Roxanne Volkmann, a deputy director at the federal government and Loyola graduate, finished sixth with a 5.7% vote share totalling 796 votes.
Nick Ward, who came just shy of reaching the runoff celebrates a hard fought campaign at his election night party. Aidan Cahill | The PhoenixAndy Peters received 518 votes good enough for 3.7% and a seventh place finish while Nassir Faulkner came in eighth with 2.5% and 354 votes. Andre Peloquin finished in ninth with 2.4% and 342 votes and Brian Haag earned 1.5% totaling 209 votes.
Featured Image by Aidan Cahill | The Phoenix
“I’ll see you on the dark side of the moon,” Pink Floyd bassist and vocalist Roger Waters sings in the band’s eighth studio album.
Even 50 years after its release, fans continue to land on “The Dark Side of the Moon.”
On March 1, 1973, prolific English rock band Pink Floyd released one of their most revered works. Despite an ever-changing musical landscape, the ten-song album cemented the band’s legacy as icons in psychedelic rock. The album has maintained its status as an artistic mainstay, selling over 50 million copies worldwide over the past 50 years, according to the band’s website.
Like much of Pink Floyd’s discography, “The Dark Side of the Moon” continues to explore the human condition. Investigations into grief and the complexities of human mentality permeate the album throughout its nearly 43 minute runtime.
With a heartbeat pounding in the background, the album’s lead-off track “Speak to Me” initiates the album’s goal of enveloping listeners in the minds of its creators. Lyrics are substituted with a faint, ominous voice expressing self-awareness.
“I’ve always been mad, I know I’ve been mad / Like the most of us have,” a voice says.
The album brilliantly blends each track into the next. As one song concludes, the next begins seamlessly with very little instrumental or lyrical stumbling. By connecting each song sequentially, Pink Floyd created an album imitating a dreamlike stream-of-consciousness.
“Breathe (In the Air)” merges with the first track and introduces Water’s ruminative lyricism on the album. “The Dark Side of the Moon” was Waters’ first time as the sole lyricist on a Pink Floyd album, according to Rolling Stone.
“Breathe, breathe in the air / Don’t be afraid to care / Leave, don’t leave me / Look around and choose your own ground,” guitarist and vocalist David Gilmour sings.
Dreamy vocals backed by mystic instrumentals in the song contrast the ensuing chaos in “On the Run.” Another lyrically-lacking yet audibly fascinating track, the song’s fast pace and occasional maniacal laugh contribute to the album’s immersive qualities.
A jarring alarm clock is a fitting start to “Time” — a relatable evaluation of anxieties about aging and missed opportunities. Gilmour and keyboardist Richard Wright alternate singing universal lyrics addressing an uneasiness surrounding the passage of time.
“And then one day you find 10 years have got behind you / No one told you when to run, you missed the starting gun,” Wright sings.
An extension of this fear, “The Great Gig in the Sky” abstractly reflects on death. Singer Clare Torry was invited by Pink Floyd to sing on the track, where she iconically improvised the song’s wailing vocals, according to Far Out Magazine.
Pink Floyd shifts gears slightly with “Money,” an aurally funky track with commentary on wealth and greed. Themes surrounding worldly issues — which stand out against the album’s more frequent existential concerns — continue with an analysis of war in “Us and Them.”
Even songs seeming disconnected from the introspection of “The Dark Side of the Moon” are still metaphorically in-touch. Both “Money” and “Us and Them” also represent self-reflection and sacrifice.
A futuristic synth partnered with classic rock guitar riffs make up the album’s third and final lyrically-void song, “Any Colour You Like.” Pink Floyd then returns to inspecting human psychology in “Brain Damage,” which details an understanding between two people who are perceived as mentally unstable.
“And if the cloud bursts thunder in your ear / You shout and no one seems to hear / And if the band you’re in starts playing different tunes / I’ll see you on the dark side of the moon,” Waters sings, likely referencing the estrangement of one of the band’s founding members, Syd Barrett.
Much of Pink Floyd’s work — including “The Dark Side of the Moon” — is presumably inspired by Barrett’s departure.
After the band’s inception in 1965, Barrett was instrumental in kickstarting the development of Pink Floyd’s unconventional style and experimental reputation, according to Biography. His unique ability to craft thought-provoking lyrics and combine traditional musical styles with innovative sounds made Barrett a revolutionary in the ‘60s music scene.
With Barrett’s growing respect as a musician and songwriter, Pink Floyd became pioneers in the rock community. However, by 1967, Barrett’s heavy use of LSD exacerbated previously evident mental health concerns and caused him to become unable to function within the band, according to Biography.
Gilmour replaced Barrett shortly after. Despite it being necessary to the future success of the band, members of Pink Floyd continued grieving the severance of their relationship with Barrett. This loss was reflected in a significant amount of their work moving forward.
This reflection on “The Dark Side of the Moon” culminates in “Eclipse,” which explores the coexistence of good and bad. Through melodic repetition, the song represents complexity as an inherent aspect of human nature.
“And all that is now and all that is gone / And all that’s to come and everything under the sun is in tune / But the sun is eclipsed by the moon,” Waters sings.
Even after 50 years, “The Dark Side of the Moon” has remained one of the most prominent works in musical history. The album is saturated with universal themes and progressive sounds, which submerge listeners in an inward search for what the dark side of the moon truly is.
“There is no dark side of the moon, really,” Abbey Road Studios doorman Gerry O’Driscoll says in the last line of the album. “Matter of fact, it’s all dark.”
“The Dark Side of the Moon,” along with the rest of Pink Floyd’s discography, is available to stream on all major platforms.
featured image courtesy of Sony Music Entertainment
“Bears. Blers. Bots.” It’s a pretty self-explanatory name for a podcast. What it doesn’t mention is it’s the only podcast run by former Loyola men’s basketball players. Cameron Krutwig and Will Alcock get together to talk about the Chicago Bears, the Ramblers, and Krutwig’s professional career overseas — currently with the Ibaraki Robots in Mito, Japan.
Closing out his career in 2021 ranked fifth in program history for scoring, a Third Team Associated Press All-America selection and Missouri Valley Conference (MVC) Player of the Year honors, Krutwig is remembered as one of Loyola’s all-time greats. He helped lead the Ramblers to two MVC Championships, which resulted in trips to the NCAA Tournament’s Final Four and Sweet Sixteen in 2018 and 2021, respectively.
Hailing from Indiana, Alcock entered the team as a walk-on first-year in Krutwig’s sophomore season. Along with Krutwig, he contributed to both MVC Championships and the Ramblers’ Cinderella runs, finishing within the best 16 teams in the nation twice. Krutwig, an Illinois native, said it was particularly easy for him to gravitate towards another midwestern kid like Alcock.
The former Loyola athletes said their relationship grew over time on and off the court, as they were matched up against each other in every practice and shared similar interests. Alcock said they connected over playing video games like Madden and FIFA, adding they were always ready to watch football on Sundays, especially the Chicago Bears.
“Krut and I are kind of old souls a little bit, especially during COVID,” Alcock said. “When we were separated, we’d call a lot… He’d be playing video games and just talk. So I’m like, I’m sure people would like to hear what you say about what’s going on.”
Alcock mentioned he listened to an unhealthy amount of podcasts before co-starring on his own. He also said he was thrilled about the NIL legislation passed in 2021 — not because of the potential monetization, but because it opened opportunities for him to have a platform where he could share his commentary with a larger audience.
Krutwig said he’d been joking about starting a podcast with Alcock since his junior year and after his final season with the Ramblers, they finally did. Krutwig added since he was one of the few athletes to leave the program in 2021, he was further incentivized to start the podcast to keep in touch with Alcock and his former teammates by having them on the podcast as guests.
All-in on the idea, the duo met with Krutwig’s agent, who provided them with contacts who could help them produce the podcast and acquire ads to generate revenue. However, most of the offers they received interfered with the creative ownership of their podcast, so Krutwig and Alcock decided to do all the work themselves. They were responsible for editing and producing the podcast, uploading them to streaming platforms and finding ads to get money through the door.
Halfway through their first season, Alcock said BLEAV podcasts network reached out to them with a deal that would help them keep total creative ownership of the podcast, but would help them get ads for a share of the revenue. Krutwig and Alcock accepted and have been in partnership with them since.
Krutwig, who has played professionally in three different countries, said it has become more challenging to record and have guests on their podcast the farther west he’s moved from the United States.
Since they began their podcast in 2021, however, Krutwig and Alcock have recorded 41 episodes featuring 20 special guests. Some of these include former Loyola athletes and legends — Lucas Williamson, Clayton Custer and Donte Ingram, Loyola alum and now NBA insider Shams Charania and former Loyola Head Coach Porter Moser.
While Krutwig plays in Japan, Alcock returned to Indiana and is currently working while applying to go to law school — hopefully back in Chicago, he said. To “keep his college basketball body,” he plays in men’s basketball leagues with former college players — including former Loyola teammate Tate Hall — and works out with high school players to help coach them.
With the Atlantic 10 Championship coming up, both former players had positive things to say about the team. Having played in one of the biggest stages in basketball himself — the Final Four in 2019 — Krutwig said one never knows what can happen in the month of March.
“March is a whole different game, win or go home,” Krutwig said. “Couple guys that I played with that are still on the team know what it’s like in March, know the focus you need to have. So I wouldn’t be surprised if we go in there and win maybe one or two games.”
Alcock gave some words of encouragement and expressed his faith in Valentine’s program. Although this hasn’t been his most successful year, neither was Moser’s first in a new conference.
“Porter’s first year, in the Missouri Valley they finished dead last four wins,” Alcock said. “And, I just say, coming from Porter’s philosophy and now Drew’s program, it demands a lot. It’s not a pragmatic system and it’s gonna take some time to build up.”
The next episode for “Bears. Blers. Bots” is set to be released March 6 on Spotify and Apple Podcasts. Updates on guests and new episodes can be found on their Instagram @bears.blers.bots.
Featured image courtesy of Steve Woltmann
No one was injured after gunshots were heard early Sunday morning, Feb. 26 in the 1200 block of W. Devon Ave., according to the Chicago Police Department (CPD).
CPD said officers responded to reports of loud noise coming from the area, about two blocks from Loyola’s Lake Shore Campus, at approximately 2:24 a.m, and found multiple shell casings and a shattered window of a business nearby. The Phoenix identified Trilab Health, a COVID-19 testing center, as the affected business.
There was no university connection to the incident, according to a crime alert sent to the Loyola community from Campus Safety.
No suspect is in custody as an investigation into the incident by Area Three detectives remains ongoing, according to CPD.
The Loyola men’s basketball team (9-17, 3-11) fell to the University of Dayton 65-49 at home Feb. 17. Stellar performances from Dayton’s Daron Holmes II and Toumani Camara, scoring 20 and 17 points, respectively, put the Flyers on top for their second win against the Ramblers this season.
Dayton won the tip-off, scoring on their first two possessions with a layup by Holmes II and a three-pointer by Malachi Smith to give the Flyers a 5-0 lead to start the game. Graduate center Bryce Golden put the Ramblers on the board with a three-pointer, but the Flyers struck right back with a turnaround fadeaway jumper off the hot hand of Holmes II.
Philip Alston scored Loyola’s second field goal of the game on a second-chance driving layup, but Dayton’s Toumani Camara responded with a dunk to put the score at 9-5.
After two minutes of scoreless basketball, Dayton was able to snap out of its scoring drought first, as Holmes II scored four unanswered points. The Flyers held Loyola scoreless for a total of four minutes, until a layup by Golden put the Ramblers within six at 13-7.
A turnaround jumper by Mike Sharavjamts extended the lead for the Flyers, but Golden and Alston combined for five points off a layup and three-pointer, respectively, to put the Ramblers within three. Not letting them get any closer, the Flyers went on an 8-0 scoring run featuring four points by Holmes II to secure an 11-point lead with just under five minutes to go in the half.
After a 30-second timeout called by Loyola Head Coach Drew Valentine, the Ramblers were able to adjust and go on a 6-0 run to cut the Ramblers’ deficit to five. The Flyers then interrupted the Ramblers’ streak with a free throw and a highlight windmill dunk by Camara off a steal.
With just over a minute to go in the first half, senior guard Marquise Kennedy was able to score on a mid-range pull-up shot, but Camara came back with a jumper in the paint to keep Dayton’s lead at eight to close out the half.
Going into halftime, Dayton was dominating Loyola under the rim. The Flyers were outscoring the Ramblers 20-8 in the paint and caught three more offensive rebounds than Loyola. Dayton’s Holmes II was also a problem for Loyola, scoring 12 points while shooting 85.7% from the floor.
The Flyers started the second half strong, with a three-pointer and a layup by Smith and Homes II, respectively, within the first minute to extend their lead to 13. Kennedy was able to score for the Ramblers, but a dunk by Holmes II helped the Flyers keep their 13-point lead.
Redshirt first-year Ben Schwieger then scored a three-pointer for the Ramblers, followed by a slam dunk by Alston after a Norris steal to put the Ramblers within eight. For the next five minutes, however, the Ramblers put up two points off free throws from Alston but were unable to record a field goal. Meanwhile, the Flyers went on a blazing 13-2 run with scores from four different players.
In the ninth minute of the second half, graduate forward Jeameril Wilson scored Loyola’s first field goal in just under six minutes with a three-pointer to put Loyola within 17, but Dayton’s Mustaha Amzil scored one back to keep the Flyers’ lead at 20.
A 9-0 run by the Ramblers that ended with just over a minute left in the game set the scoreboard at 60-47. The 13-point deficit was the closest Loyola would get to Dayton for the remainder of the game. Two free throws by Dayton’s Atticus Schuler closed out the game at a score of 65-49 to give the Flyers the win.
Loyola finished the game shooting an underwhelming 30.5% from the floor compared to Dayton’s 48.1%. The Flyers were able to capitalize on their size and outscore the Ramblers 38-22 in the paint while out-rebounding them by 12.
Valentine gave Dayton high praise to Camara, saying that was as special a performance he’s ever seen, as well as the Flyers’ coaches for giving them trouble getting going on offense. However, he said people should not forget how Loyola took them to overtime in Dayton’s gym Jan. 31.
“It’s like a tale of two different games,” Valentine said. “I told them people would say that Dayton this and Dayton that. Let’s not forget we were beating that team in their gym with 13,000 fans three weeks ago, and we were in that overtime game, and I feel like we gave them that game.”
The Loyola men’s basketball team is slated to host Fordham University Feb. 22. Tip-off is scheduled for 8 p.m. and is set to be broadcast on NBC Sports Chicago+.
Featured image courtesy of Loyola Athletics
The No. 13 Loyola men’s volleyball team (11-2, 4-0) defeated No. 10 The Ohio State University in a three-set sweep Feb. 18 at Gentile Arena. The Ramblers came into the match after another victory Feb. 17, defeating No. 11 Ball State University.
The first set was a close battle between the Buckeyes and the Ramblers, with five long rallies and momentum driving the teams to go point-for-point, with 11 ties throughout the first set. The teams matched each other’s energy throughout most of the set until a 3-0 scoring run by the Buckeyes led to a timeout by the Ramblers at 17-15.
After the timeout, Loyola responded with three consecutive points after two attack errors and a ball mishandling error by Ohio State. The Ramblers then took a one-point lead at 19-18, which led the Buckeyes to take their own timeout.
Up by four after two consecutive Ohio State errors, the Ramblers came close to taking the set after a kill by redshirt senior outside hitter Cole Schlothauer brought it to set point at 24-20. The set was sealed shortly after by redshirt sophomore outside hitter Parker Van Buren, with a score of 25-20.
The second set opened with six unanswered points by the Ramblers, featuring kills from Van Buren, Schlothauer and Mangun, which led the Buckeyes to take an early timeout. Ohio State found some momentum after, going on a 4-0 scoring run which was ultimately stopped by a kill from Van Buren.
The set continued neck-and-neck, as neither team led by more than two until Loyola forced two Ohio State attack errors to give itself a four-point lead at 24-20. To close the set, junior middle blocker Jimmy Meinhart hit a kill to give the Ramblers the win at 25-20 and a two-set advantage over the Buckeyes.
To start the third set, Brooks hit a kill that would mark the start of a 5-0 scoring run by the Ramblers, causing an early set timeout by the Buckeyes. Ohio State then caught up to Loyola, cutting its deficit to just one point at 6-5.
Loyola struck back with four unanswered points off kills by Schlothauer and sophomore middle blocker Nicodemus Meyer. The Ramblers kept their lead throughout the set but Ohio State wasn’t far behind and shortly after went on a 3-0 scoring run to bring the score to 15-12.
Nonetheless, the Ramblers kept their foot on the gas and didn’t let up their lead, bringing the set to match point at 24-18. Mangun then hit a kill to finish the set at 25-18 and close out the game 3-0 in sets.
Following the match, Hawks was thrilled about the win, noting it was huge for the program.
“We’ve got alumni here, and I’m super proud that they got to see those guys in action, and I mean, how can you not get charged up,” Hawks said. “You got Ohio State, your gym, you got a great crowd. It’s awesome.”
Up next, the Ramblers travel to face the Lewis University Flyers Feb. 22. First serve is scheduled for 7 p.m., and the broadcast information has yet to be announced.
In a packed auditorium on Tuesday night, candidates for the 49th Ward aldermanic election pitched their ideas for how to improve the neighborhood during a candidate forum run by the League of Women Voters of Chicago.
The forum took place in Loyola’s Crown Center Auditorium Feb. 21 and was sponsored by Loyola and other community organizations. The event featured incumbent alderwoman Maria Hadden and challengers William “Bill” Morton and Belia Rodriguez.
Questions were gathered by moderator Jeannee Turner of the League of Women Voters from a pool of predetermined topics, audience index cards and questions submitted in advance during registration. Topics included housing, crime, climate change, as well as park maintenance.
Before the aldermanic candidates took the stage, six candidates running for the 24th Police District Council in Rogers Park spoke briefly to the audience. This is the first year the position will be on the ballot, The Phoenix previously reported.
Affordable Housing and Commercial Development
Affordable housing was one of the main topics discussed during the forum, with special attention paid to the affordable housing development planned for West Howard Street.
Candidates offered a range of solutions. Hadden supports the 110-unit proposal for below-market housing on the corner of West Howard and North Paulina Streets, warning of Rogers Park’s gentrification. She said she wants housing, at all income levels, to maintain the area’s economic diversity.
“I talk to people every day who are having to leave the 49th Ward because they can’t afford their rent anymore,” Hadden said during the forum. “There’s a lot of building rehab that’s eliminating our naturally occurring affordable housing.”
Morton said issues between tenants and landlords are the biggest threat to housing. He said people in the neighborhood have come to him as president of the Rogers Park Chamber of Commerce (RPCC) with concerns about being evicted unfairly.
However, Morton said he opposed the 110-unit building, claiming it was being built in a violent area and would remove a post office. He said affordable housing should be less concentrated on West Howard Street and be more evenly distributed.
Rodriguez said the ward needs to increase the supply of available units to keep housing prices low. She said without the supply, landlords will refurbish current units and increase rent. She is also opposed to the 110-unit building for its location in an unsafe part of West Howard Street.
Morton and Hadden agreed to support the Bring Chicago Home ordinance, a tax on property sales over $1 million to provide funding for combatting homelessness, while Rodriguez did not.
Touhy Park, the location of an unhoused encampment that closed the park, was also brought up in the forum. Both Morton and Rodriguez expressed dissatisfaction with the way it was handled.
“If I were alderman at the time, I wouldn’t have let it happen,” Morton said during the forum. “I would have nipped it in the bud. I would have found the first couple people housing so it wouldn’t become a thing.”
Rodriguez said while the number of residents in Touhy Park is currently down, she expects it to increase when the weather gets warmer.
“In winter, it goes down,” Rodriguez said. “Come warm weather, they will come back. We need to have a definitive plan that houses people.”
This claim was disputed by the Hadden campaign in a tweet during the forum which said tents are abandoned, and park programming will be restored in the spring. There are still two unhoused residents of Touhy Park, The Phoenix reported.
Candidates were also asked about expanding Chicago’s Additional Dwelling Ordinance, allowing for existing houses to be divided into smaller units, city-wide. Hadden and Rodrigez both said they supported expanding the ordinance, while Morton said he would handle it on an individual case by case basis.
As for development, all three candidates talked about the need to fill empty storefronts and bring businesses and shoppers back to Rogers Park, with a special focus on West Howard Street.
Hadden spoke about the need to develop without displacing residents. She also spoke about the need for affordable commercial lots, something that will be offered on the ground floor of the 110-unit building on West Howard Street.
“We struggle with finding affordable quality commercial spaces for a lot of our entrepreneurs,” Hadden said. “It’s our number one request.”
Rodriguez said she plans on tracking funding and addressing safety to entice shoppers to the area. She said good relationships with property owners can help them align with the goals of the community and create new job opportunities.
Morton said his focus is on attracting businesses from outside the neighborhood to employ Rogers Park residents. He said he introduced the idea of job fairs to the RPCC, which are now held every two weeks.
Crime and Public Safety
As one of the top concerns in the ward, crime came up at several points throughout the night. From causes to enforcement, each candidate had their own idea of how to confront the issue.
Hadden said she has worked with Communities Partnering 4 Peace, a violence prevention and community outreach program, by giving them grants and helping them apply for state funding applications. She was also a co-sponsor for Empowering Communities for Public Safety, the ordinance which implemented the new Police District Councils position.
Rodriguez said she would prioritize locals, businesses and their needs.
“I would start with a taskforce with communication with the business community, with the resident community and certainly the Chicago Police Department,” Rodriguez said. “A lot of conversations with [Commander Joseph Brennan] to see what we can do to start having an action plan towards that.”
Brennan is the commander of the 24th Police District. Morton said he plans on daily briefings with Brennan, the Chicago Transit Authority and community groups to solve public safety issues.
He said he has a meeting planned with Arne Duncan, founder of Chicago Create Real Economic Destiny, a gun violence prevention organization, along with Angalia Bianca, an author and anti-violence activist, to engage with violence prevention groups.
Morton said he plans on going to the 24th Police District Council’s meetings and consulting with them regularly.
Rodriguez said she also has a meeting booked with Duncan to address local crime. She said she’s already in conversation with the candidates for the 24th Police District Council about building community relationships.
Candidates were unanimous in their support for the Peace Book Ordinance — a youth-led violence prevention proposal — and the Treatment not Trauma Ordinance, which established a non-police mental health response team.
Additional Topics
During the forum, candidates were asked a series of yes or no questions about specific policy items. Some issues received unanimous support from the candidates, including plowing the sidewalks, the renaming of Paschen Park to the Pollard Family Park and adding dog-safe areas to existing parks.
When candidates were asked about topics not mentioned during the debate, Morton talked about Chicago’s rat problem in local apartments. In 2022, Chicago ranked as the rattiest city in the country, according to pest control service Orkin.
Rodrigez said she wanted to see more eco-friendly infrastructure such as solar panels and vertical farming. Hadden also spoke about climate change, stating she would make it a priority in her second term and referenced specific projects such as beach repairs and fossil fuel divestment.
The forum provided an opportunity for students and Rogers Park residents to make a final assessment of the candidates before heading to the polls on Feb. 28.
This story was written by Aidan Cahill and Maddie Franz
Featured image by Hunter Minne
Loyola’s Ukrainian Club is still aiming to spread awareness and fundraise in support of Ukrainians in need nearly a year after the onset of the Russia-Ukraine war.
The conflict, which began with Russia’s military advance last year, has caused a total of 17,831 reported civilian casualties in Ukraine, including 6,884 deaths and 10,947 injured, according to a December 2022 report from the Office of UN High Commissioner for Human Rights (OHCHR).
Soon after news of Russia’s invasion of Ukraine reached Loyola’s campus, four students joined together in late February 2022 to create the Ukrainian Solidarity Organization (USN), The Phoenix previously reported.
Around the same time, other Loyola students of Ukrainian heritage worked together to restart the Ukrainian Club at Loyola, an organization which hadn’t been present at the university for several years due to scheduling conflicts among interested students.
Dania Hrynewycz, a senior political science major, is the co-president of the Ukrainian Club. She said the USN has decided to temporarily disband since last year to focus on increasing the presence of Ukrainian students and Ukrainian culture at Loyola, rather than trying to form a network within Chicago’s Ukrainian Village neighborhood.
“Because we couldn’t get official standing with the university and because we wanted to be more of a network of people within Ukrainian Village, we decided to kind of put that on hiatus and put our energy towards the Ukrainian Club at Loyola,” Hrnewycz said.
Hrynewcyz said she has family who live in western Ukraine near the Polish border. She said a series of missile launches deployed across Ukraine Nov. 15 caused her family members to lose power, making it difficult to reach them for a time.
“It’s evident that they are hurting, that they are terrified,” Hrynewcyz said. “But there is really nothing more that can be done in their eyes other than to keep moving.”
Anna Krasiy, a senior human resources management major, is the other co-president of Ukrainian Club. Krasiy said while her immediate family moved to the United States around 20 years ago, most of her extended family still lives in Western Ukraine, and has also experienced regular power outages and warning sirens about possible airstrikes.
“Even when I’m calling, I can hear the alarms going off in the background,” Krasiy said. “It’s kind of scary, but for them it’s their reality.”
She said her cousin, who was working as a truck driver within Poland during the time of Russia’s invasion, was able to relocate to Skokie, Illinois — a suburb of Chicago — around six months ago.
Krasiy said his decision to seek refuge in the United States allowed him to avoid serving in the military, as Ukrainian president Volodymyr Zelensky instituted a policy in late February 2022 that restricted men aged 18 to 60 from leaving the country, according to the Associated Press.
Krasiy said Ukrainian Club has kept its main goal of fundraising and volunteering, but has shifted its focus towards providing a safe communal space for those affected by the conflict.
“I think when it first started last year we focused a lot on what we can do for volunteering and action right away because everyone wanted to help,” Krasiy said. “When we just started we were focusing on main events, but now we are focusing on more social things to be there for each other in these hard times.”
Krasiy said she has seen a number of businesses and residences around Chicago displaying the Ukrainian flag, which has been encouraging. Krasiy also pointed to a series of five virtual panel discussions that have taken place over the past several months through Loyola’s Office for Global and Community Engagement as an indication of the university’s acknowledgement and recognition of the conflict.
The Ukrainian Club has continued their relationship with the Ukrainian Medical Association of North America (UMANA) throughout the past year in gathering hospital and pharmaceutical supplies — such as antibiotics and respirators — for the people of Ukraine, according to Hrynewcyz.
“In the last couple of months we have had several volunteer opportunities where we have gone to warehouses in the suburbs of Chicago and helped pack med kits and sort things,” Hrynewycz said. “We joined a whole consortium of volunteers.”
Dr. Maria Hrycelak is the foundation president for UMANA. She said the Illinois branch of the organization has been one of the most active chapters in raising medical donations since the start of the war.
UMANA’s most recent fundraising update lists the total accrued donations over the past year equivalent to around 350 tonnes of medical supplies, carried over five different cargo plane shipments to Ukraine, according to the organization’s website.
Hrycelak said the response from the American general public initially was tremendous, but has since decreased around 80% over the past year. She said after about May or June, UMANA experienced a sharp drop in the amount of support it received.
“We still get individual support from hospitals if we approach them,” Hrycelak said. “I hate to admit it, but people in America have their own problems.”
Hrycelak pointed to several domestic issues within the United States, such as increases in gas prices and inflation — which are both a result of the Russian-Ukrainian conflict — as factors which have caused people to be less able to donate.
However, Hrycelak said the organization has been able to expand its contacts within Ukraine and even open a warehouse in the country, reducing shipping costs. Additionally, the organization has begun buying medical supplies from surrounding European nations, including Poland and Belgium, which have cheaper prices than in the U.S.
Moving ahead, Hrycelak said the organization is going to continue its mission of gathering and providing resources for Ukrainians in need abroad and those who have become refugees.
“The future goals are still to continue to aid as much as we can,” Hrycelak said. “There really is really no end in sight that we know of.”
Chloe Rafferty, a sophomore journalism major, is the tabling manager for Ukrainian Club. She said the organization has advertised the club and its fundraising efforts through setting up a table in the Damen Student Center every two or three weeks during the fall semester to spread information about the club and also to help gather donations.
“Definitely when the war started we were getting more attention,” Rafferty said. “But as it went on, it’s been less, usually it’s just professors or students who are usually Eastern European or Ukrainian who are thanking us for supporting the cause.”
Rafferty said each of these tabling events, which the club hopes to begin soon for the spring semester, have helped raise around $100 in donations for Ukrainian aid organizations — such as UMANA.
During Easter of last year, Hrnewycz said the Ukrainian Club put together baskets of candy, toys and crafts for newly arrived refugee children at St. Nicholas Orthodox Church in Chicago.
“We wanted to help them feel a little bit more at home and to help them feel a little bit more connected to the culture they would have experienced at home in Ukraine had been able to stay,” she said.
Another event Ukrainian Club members became involved in April was helping pack close to 44,000 pounds of necessary supplies and materials for Ukrainian soldiers on the front lines through the Hromovytsia Ukrainian Dance Ensemble of Chicago.
“We helped the dancers and church leadership pack boxes full of new clothing, food, non-perishables, medical supplies, toiletries, anything the soldiers might have needed on the front,” Hrynewycz said.
Dr. Emily Anderson is an associate professor at Loyola’s Stritch School of Medicine and the faculty advisor for Ukrainian Club. Anderson became involved with the organization after meeting with interested students at a virtual discussion on the outbreak of the war hosted by the Political Science Department last year.
Since then, Anderson said the organization has taken on the important role of providing a place for students who have experienced the war on a personal level to come together.
“In the early days of the war, things like sharing food with each other or doing Ukrainian art together seemed very frivolous,” Anderson said. “And I think now I have tried to encourage the group to do more of those things together to take care of their mental health and to celebrate their culture.”
Anderson said another goal of the Ukrainian Club is to stand in solidarity with other global communities who have been affected by war and share similar goals, such as raising donations for medical supplies or other resources.
The club provides an opportunity for students to have different kinds of conversations outside of the classroom and to stay informed on global issues, which Anderson said is important for college students on any campus.
Hrynewycz said she has seen a renewed interest in club membership as the one year anniversary of the war, which will take place on Feb. 24, approaches. She also said there seems to be a greater emphasis being placed on discussing the Ukrainian conflict around campus.
“I know that in my classes, Ukraine has been brought up a lot more, which is a bit bittersweet,” Hrynewcyz said. “As a Ukrainian, I am glad we are shining a spotlight on the war, but I kind of wish we didn’t have to talk about it in these circumstances.”
Ukrainian Club hosts bi-weekly meetings on Sundays in the Crown Center’s Language Learning Resource Center from 5 to 6 p.m. and invites all Loyola students to join, regardless of whether or not they are of Ukrainian heritage.
The club will also be hosting a bake sale event on Friday, Feb. 24 to fundraise on the war’s anniversary from 11:30 a.m. to 4:30 p.m. in Damen.
Krasiy said members of Ukrainian Club will also be attending a protest in Chicago on Feb. 24, located at St. Volodymyr and Olha Cathedral Square located at 739 N Oakley Blvd in the Ukrainian Village at 6:30 p.m. The protest will be followed by a candlelight prayer at 7:30 p.m. at St. Nicholas Cathedral, located at 835 N Oakley Blvd.
“It’s hard to watch and it’s even harder to be so far away and so far removed from it,” Hrnewcyz said. “I can have a little peace of mind knowing that I am doing what I can here in terms of spreading the word and keeping the war in people’s minds.”
Featured image courtesy of Dania Hrynewycz
The majority of the homeless population residing in Touhy Park have been housed after several months of work by local officials and the Chicago Park District is working on restoring the park to re-open sometime in March.
Starting out with just nine tents in May, there was a rapid rise in the park’s homeless population, with a peak of 41 tents in September, The Phoenix previously reported. The rise led to the closure of the Touhy Park fieldhouse and the relocation of park activities to nearby Pottawatomie Park. Now at least six tents and two residents remain in the park, according to Maria Hadden, the 49th ward alderwoman.
At time of publication, The Phoenix was only able to get in contact with one of the remaining residents of Touhy Park, who declined a request for comment.
Now with the bulk of the tents gone, the Chicago Park District plans to re-enforce a no-camping policy which was removed in the Summer of 2021 following the appearance of the tents, according to Hadden’s Feb. 10 newsletter.
Rapid re-housing events organized by Hadden and the Department of Family and Social Services (DFSS) were the main avenue for housing the park’s residents. 84 people were assigned housing over the course of three events since September, according to Hadden.
The rapid-rehousing program aims to quickly remove homeless residents from public spaces by offering to place them in permanent units, according to the DFSS. The City of Chicago pays landlords on behalf of the residents from various funds under the Expedited Housing Initiative, according to their website.
“One of the challenges sometimes is available housing, what they’re able to secure for the events is oftentimes not in our neighborhood,” Hadden said. “And sometimes that means it’s not really desirable for some folks who have work or family nearby, or who don’t have access to other transportation. Happy to get some closer North Side locations.”
The program does not require proof of employment, income, soberness or criminal record for placement, according to the DFSS.
“The housing event went well,” Hadden said regarding the third rapid-rehousing event. “There was a real push to try and get as many people matched with housing and housed, of course, before the cold weather. Thankfully, the storm element didn’t come, but of course the cold was very significant. So a lot of continued efforts just to try and get people into housing and out of the cold and out of the exposure.”
Leslie Perkins, Hadden’s Chief of Staff, said in a statement sent to The Phoenix efforts to house the last two remaining homeless residents in Touhy Park are ongoing by DFSS and Hadden.
“DFSS is still sending outreach workers to Touhy Park weekly to engage with the remaining two unhoused individuals and connect them to resources,” Perkins wrote. “Later this week, DFSS will host another routine cleaning of the park to remove abandoned tents.”
The Phoenix reached out to DFSS shortly before publication and were unable to receive a comment in time.
Hadden, the Park District and DFSS held a meeting in January which determined the expected March reopening date. Hadden said she also requested a budget from the Park District for the expected repairs to the park, which she hasn’t received but expects to see soon.
“We’re not talking about damage to the physical facility,” Hadden told The Phoenix. “We’re talking about wear and tear in the grassy areas, some trees and other vegetation and things that have been damaged – just stuff that needs some care and restoration.”
Irene Tostado, deputy director of communications for the Park District, said in a statement sent to The Phoenix the Park District is coordinating with its city partners on specifics for the reopening plan to go along with their spring programming. This year’s spring programs will be revealed Mar. 6, available for online registration Mar. 14 and run from Apr. 10-June 9, according to the Park district registration website.
“The reopening plan includes the restarting of park programming during our upcoming spring session,” Tostado wrote. “The proposed restoration of the park will include trimming trees and replanting grass.”
Hadden also thanked the local community for offering food and clothes and conversing with Touhy Park residents in her newsletter.
“So that folks who maybe aren’t super trusting of government processes, or maybe who’ve had bad experiences with social service efforts before, I feel like it’s been a good relationship builder,” Hadden said.
The Park District was criticized for its lack of communication with the community, The Phoenix previously reported. Both Jill Liska, president of the Touhy Park advisory council, and Hadden said they had difficulty communicating with the Park District about Touhy Park.
Both Liska and Hadden said they weren’t informed of some decisions, including the closure of the fieldhouse, beforehand. Since then, Park District coordination concerning Touhy Park has improved, according to Hadden.
“I feel like everyone’s a bit more proactive, more responsive and more coordinated,” Hadden said. “That’s been positive.”
Liska did not respond to requests for comment.
Touhy Park has become an issue in the upcoming aldermanic elections. Both candidates Belia Rodriguez and Bill Morton, who look to unseat Hadden, have listed the encampment in Touhy Park and housing its residents as top campaign issues, The Phoenix previously reported.
Featured image by Hunter Minné | The Phoenix
The Elevate Devon Corridor Plan is completed and outlines to remodel West Devon Avenue from North Ravenswood Avenue to North Kenmore Avenue. The plan is a combined effort of Loyola University Chicago, Rogers Park Business Alliance, Edgewater Chamber of Commerce and input from residents and students.
The project features short-term changes which will be implemented in the next few years and long-term changes which may take more than six years to be completed. These include the construction of safer roads for pedestrians, increasing the diversity of businesses and adding design elements like murals and lighting, according to the plan.
Short-term changes include adding banners, signs, information kiosks and public art, as well as painting crossings and installing temporary parklets.
The more extensive changes are more long-term, requiring upwards of six years. These actions involve carrying out more community engagement to collect data, and collaborating with the Chicago Department of Transportation (CDOT) and the Chicago Transit Authority (CTA).
Cecilia Rodriguez, the director of neighborhood initiatives for Loyola’s Lake Shore Campus, was part of the staff committee for the project. The committee met biweekly with consultants, members of the Rogers Park Business Alliance and members of the Edgewater Chamber of Commerce, according to Rodriguez.
Rodriguez said the aim of the plan is to develop the Devon corridor, especially since many people use it as a means of getting to the university.
“We felt that it was important to have a cohesive plan for the businesses, for the arts—just to make it welcoming and enlightening for those that are using Devon,” said Rodriguez.
Rodriguez said another goal of the plan is to improve business signage, facade improvements and wayfinding for improved accessibility and navigation of the Devon corridor since many people drive by and miss the businesses on Devon because there are no markings or signs.
During the planning design process, the developers collected input from local businesses, residents and Loyola students about changes they wished to see along Devon through focus groups, interviews, polls, pop-up events and social media, according to the plan.
Rodriguez said they held two events in the Damen Student Center on Loyola’s campus to collect input from students.
The plan leaders also created a Steering Committee, including student ambassadors from Loyola, local businesses and community members to ensure the plan closely aligns with community priorities.
The community outreach initiatives led to the outlining of five themes for the project including a focus on safety, lighting and signs, color, nature and reinforcing identity, according to the plan.
Rodriguez said the developers hope to implement public artwork and bring in more color with mosaics and colorful sidewalks and crosswalks. They also plan to host more programs and events to draw people to the corridor.
“When you are going west on Devon, they already have their identity there,” Rodriguez said. “They celebrate a lot of the color theme. They celebrate a lot of the businesses. We’re thinking of bringing some of those ideas over to our corridor.”
Loyola University Chicago, Rogers Park Business Alliance, and Edgewater Chamber of Commerce have also laid out several corridor strategies in the plan. One of the strategies, titled Arts & Culture, emphasizes the desire to celebrate diversity through the installation of public art, while supporting local artists and working with local businesses, according to the plan.
Business activation is another strategy of the Elevate Devon Corridor Plan. The plan outlines ideas for increasing the social media presence of existing businesses and developing marketing campaigns to attract new businesses. The plan also proposes the development of a Diverse Business Development Program to support the development of businesses with Black, women, LGBTQ+ and people of color owners.
The project displays a strong focus on increasing safety for pedestrians through improved crosswalks, more defined bike lanes and remodeling bus stops to include shelters and seating areas.
They intend to work with CDOT to study pedestrian crossing safety at the Devon, North and West Sheridan roads and North Broadway intersection, according to the plan.
The plan is divided into four frameworks of about four blocks each. Framework 4 goes from Broadway to North Kenmore Avenue, including high-traffic areas for Loyola students. This section of the project includes the implementation of decorative pavement and crosswalks, redefined bike lanes as well as opportunities for a mural and lighting.
This framework was based strongly on the desires of students and residents who expressed the need for safety improvements at crosswalks and for bicyclists, according to Rodriguez.
Special Service Area (SSA) #26 and Business Improvement Districts (BIDs) will allow the project to receive funding from the City of Chicago. They also aim to gain financial support by working with wards to allocate funding toward specific projects along Devon, according to the plan.
Rodriguez said they hope to find funding through the SSA and BIDs as well as from the Edgewater Chamber of Commerce, the Rogers Park Business Alliance, Tax Increment Financing money and grants. She also said it is likely Loyola will become a stakeholder in the project.
Despite the design and concept for the plan being released, they are still awaiting CDOT to “release the proposal for construction of the final concept,” as stated in the plan. There is also no estimated completion date, according to Rodriguez, because long-term changes are dependent on funding and may be disrupted by other city projects.
Rodriguez said the committee is set to meet in the first week of March to discuss programming and branding and to decide who will be the key stakeholders in the project. During this meeting, the first steps of the plan will be decided and implementation of the plan will begin.
Rodriguez said she hopes the project will draw more people to the Devon corridor to walk and enjoy the local businesses.
Featured image by Aidan Cahill | The Phoenix
Loyola has shifted protocols regarding COVID-19 on campus in adherence with low risk levels throughout Chicago, according to recent data reported by the City of Chicago.
In early January 2022, the average number of daily laboratory-confirmed cases was 6,125. This past January, that number was 373, according to the City of Chicago.
“We are continuing to see COVID cases and continuing to get reports through our reporting line,” Joan Holden, director of the Loyola Wellness Center, said.
The successes of lessening the impact of COVID-19 on the Loyola community can largely be attributed to the protocols put in place during the height of the pandemic, according to Holden.
“Mandating the vaccine and booster were most pivotal in getting us to where we are right now,” Holden said.
The university began its comprehensive surveillance testing program in 2021 across all three Chicagoland campuses, according to Loyola’s website. The university announced on May 23 that students could stop participating in the COVID-19 surveillance testing program if their vaccine record was uploaded and approved.
Currently, with the Chicago community’s low-risk status, testing has shown little indication of any drastic increases in community COVID-19 levels. Lower risk levels have led to shifts in protocol around Cook County, according to the Center for Disease Control, as well as within the Loyola community.
“We are now allowing students to isolate in place rather than automatically having to go to St. Louis Hall,” Holden said. “As long as roommates consent to having people isolate, they are now able to do it that way.”
If students test positive for COVID-19, they’re now only required to report their case to the university and self-isolate, according to Holden. A student’s ID will be deactivated for their entire isolation period, and they are not permitted to leave their residence hall or appear on campus whatsoever during the five day isolation period, according to the protocol outlined on Loyola’s website.
“Viruses come and go, you sort of see an increase in accordance with peoples’ behavior,” Holden said. “Right now it is flu season too, so we are seeing more flu this month than last.”
Mariana Vargas, a first-year majoring in economics, has worked as an event coordinator in Damen Student Center for the past year. She mentioned how normal things have felt on campus this year.
“They took the sneeze guards down at the end of last semester,” Vargas said. “And since I’ve worked here there haven’t been many protocols in place. It’s been pretty normal.”
While COVID-19 concerns continue to decline throughout Chicago, the university still encourages students to be considerate of their peers and to protect themselves as well as those around them, according to Holden.
“We pulled a lot of different levers in order to minimize exposure on our campus community, it wasn’t just the vaccine and boosters but all of the measures together,” Holden said. “Of course we always encourage students to wash their hands and continue to keep themselves and others safe.”
Featured image by Holden Green | The Phoenix
Girl Scout Cookie season is back and better than ever. This year’s lineup features timeless classics like Do-si-dos (or Peanut Butter Sandwiches) and Samoas (or Caramel deLites), as well as newer cookies like Raspberry Rallies and Adverturefuls.
With such a wide variety of delicious flavors, there’s no way to go wrong. There’s Girl Scout S’mores, which contain all the nostalgia of camping trips past. There’s also Lemonades, which are reminiscent of childhood lemonade stands, and French toast-flavored Toast-Yay!s, which are sure to be a favorite of breakfast enthusiasts.
There are even vegan options such as Tagalongs (or Peanut Butter Patties) and Thin Mints, with gluten free options such as Toffee-tastic and Caramel Chocolate Chip cookies.
Girl Scout cookies have been around for over a hundred years, according to the Girl Scouts website. Some of the first Girl Scouts began baking cookies to sell in schools in order to fund troop activities in the 1910s, and by the 1920s, sales had gone nationwide.
After a brief pause in sales due to food shortages caused by World War II, cookie sales increased throughout the 1940s and ‘50s due to the rising number of suburban shopping malls, which proved to be effective places to sell cookies. By the 1980s, cult favorites like Thin Mints, Do-si-dos and Trefoils had been officially added to the Girl Scout cookie roster.
Today, due to the many in-person and online cookie ordering options implemented throughout the 2010s and 2020s, supporting these vest-sporting, patch-earning young entrepreneurs has never been easier.
Beginning Monday, Feb. 27, cookies will be available to order online using the Cookie Finder tool, which allows buyers to directly support their local troops. Ordering online requires a minimum purchase of four boxes, with the promise cookies will be delivered within 15 business days or fewer.
For those looking to buy cookies in-person, simply visit the Girl Scouts website to find the most conveniently located booth or text “Cookies” to 59618 to get more information on how to purchase cookies.
All proceeds go directly to local Girl Scout troops to fund projects and activities. For Loyola students, there are numerous troops based in the Rogers Park area to support. To find specific troops, use the Girl Scout website’s troop search feature.
Troop 26280 consists of 11 kindergarteners and first graders and is associated with Sacred Heart Schools, which are located just down the street from Loyola. Troop 26913 consists of 22 first, second and fourth graders and is associated with Northside Catholic Academy, which is located at the intersection of West Granville Avenue and North Glenwood Avenue.
There are 15 other Girl Scout troops located within a mile of Loyola and hundreds more within Chicago. With this many troops, there’s no shortage of cookie vendors, so it won’t be hard to spot the brown, blue and green vests in the coming weeks as booths are set up in the area.
According to the Cookie Finder, a booth will be set up at Lady Gregory’s Irish Bar and Restaurant (5260 N. Clark St.) on Saturday, Feb. 25 and Sunday, Feb. 26 from 1 to 3 p.m. Booths will also be set up at Jewel Osco (5343 N. Broadway) on Saturday, Feb. 25 and Sunday, Feb. 26 from 11 to 3 p.m., as well as Sandbox Baby Boutique (5349 N. Clark St.) on Saturday, Feb. 25 from 12 to 2 p.m.
Booths will also be set up at numerous other locations throughout the coming weeks, such as Honeybear Cafe (7036 N. Clark St.), R Public House (1508 W. Jarvis Ave.) and Pet Supplies Plus (3757 N. Lincoln Ave.).
While no official end date for the 2023 cookie-selling season has been announced, sales typically end in April, so there’s still plenty of time to decide what flavors to try — and how many boxes to buy.
Featured image courtesy of Hanna Houser
Kicking off Marvel’s Phase Five was no small feat, and one that the third “Ant-Man” film hardly lived up to.
Written by Jeff Loveness and directed by Peyton Reed, “Ant-Man and the Wasp: Quantumania” follows Scott Lang and his family being sucked into the microscopic Quantum Realm. Once trapped, the villainous Kang the Conqueror forces Lang to help with his own escape.
Conquering every scene he’s in, Jonathan Majors as Kang is easily the highlight of the film. Reprising the role from “Loki,” Majors (“Lovecraft Country,” “Creed III”) plays Kang furiously, giving the character ample setup for his inevitable return in “Avengers: Kang Dynasty.”
While Major’s performance shines, it’s also disconnected. For a franchise set in lighthearted heists, a time-traveling warlord facing Ant-Man feels out of his league.
Despite being a trilogy-capper for Ant-Man, “Quantumania” is really a “Fantastic Four” story from a plot standpoint. A family lost in the unknown, exploring cosmic threats with eye-popping visuals — an exact recipe for a Lee & Kirby comic from the ‘60s.
Reed (“The Mandalorian,” “Yes Man”) has repeatedly voiced his love of the Four and his failed attempt at making a feature. With a new “Fantastic Four” on the horizon — shifting between directors who aren’t Reed — one wonders if “Quantumania” is a forced imitation of what Reed really wanted to make.
In regards to Reed’s direction, it varies in quality. There’s as many alluring visuals and inventive sequences as there are uncanny setpieces with shotty direction. The worst offenders are the fight sequences — with so many cuts and camera shakes, it’s hard to tell what’s happening on screen.
The Quantum Realm itself suffers from similar pros and cons. The incorporation of microbiology makes it a standout setting. However, once the effects are paired with an actor, immersion is immediately lost.
Since “The Mandalorian,” Volume technology has started replacing green and blue screens, but to varying results. A giant light-emitting diode screen might produce a seamless cityscape for “The Batman,” but for “Quantumania,” the tech is still behind the times. Every moment an actor appears in the Realm, it’s incredibly obvious they’re on a soundstage.
This isn’t to say every actor’s performance is poor. While Scott doesn’t get much development, Paul Rudd still raises the character’s bar. Rudd (“The Perks of Being a Wallflower,” “I Love You Man”) shows a level of vulnerability not previously shown in his character. Likewise, Kathryn Newton as Scott’s daughter Cassie builds on the family dynamic of the previous two films, with Cassie following her father’s footsteps to be a superhero.
Darren Cross (Corey Stoll), returning from the first “Ant-Man,” is the most fun inclusion of the cast. While some may find his transition into MODOK uncanny, it’s also the best that could be made when adapting a giant-floating-head comic villain.
In terms of unique performances, it ends there. Despite sharing a third of the title, the Wasp is a support character to their own story. Her mother — Michelle Pfeiffer’s Hope — gets more backstory, but largely at the cost of long bouts of exposition. Michael Douglas doesn’t fare much better, being pretty much an afterthought until the credits roll.
The characters, the setting, the plot — it’s at service to set up Kang and the MCU’s Multiverse Saga. With the amount of lengthy exposition explaining the Quantum Realm and foreshadowing Kang, “Quantumania” feels like homework for a bigger assignment.
Evidently, the MCU is moving to adapt Jonathan Hickkman’s comic “Secret Wars” with the sixth Avengers film already being titled such. Hickman’s comic was an epic of worlds literally colliding, with multiversal versions of characters teaming up.
“Quantumania” is now the fourth MCU entry to set up this adaptation. Despite the previous buildup, Marvel is still sacrificing story for the sake of teasing a film years away.
Phase Five is starting rocky, but with James Gunn’s “Guardians of the Galaxy Vol. 3” next on the slate, there may be hope for course correction.
“Ant-Man and the Wasp: Quantumania” is in theaters now.
Featured image courtesy of Marvel
The City of Chicago announced a plan to expand the Crisis Assistance Response and Engagement (CARE) team to Rogers Park, West Ridge and parts of Edgewater by this summer, according to 49th Ward Alderwoman Maria Hadden.
The CARE response team is a city-run program consisting of a group of behavioral health professionals who assist individuals experiencing a mental health crisis, according to the City of Chicago website. The CARE team responds to 911 calls that have a mental health concern Monday through Friday from 10:30 a.m. to 4 p.m., according to the website.
When the CARE team is called, they will assist in de-escalation, provide a mental health assessment, give referrals to various community services and provide transportation to other community based destinations when needed, according to the newsletter.
After a call, the CARE team will follow-up with the person one, seven, and 30 days after the initial visit. This ensures that they are receiving the mental health care they need, according to the newsletter.
At time of publication, CARE services have responded to approximately 576 calls across Uptown, Lakeview, Southwest Side, Auburn Gresham and Chatham, according to the City of Chicago website.
The CARE team was contacted shortly before publication but was unable to answer the request for comment in time.
Hadden said the decision on where to place the CARE program was made based on the number of mental health calls coming from that district. She said Rogers Park was fifth or sixth highest in the number of mental health related calls.
“I’m excited that it is finally Rogers Park turn [for CARE],” Hadden said.
Hadden said the efforts to bring CARE to Rogers Park aren’t recent, and it is something she has been pushing for since 2021 when it was created.
For the last year, Trilogy Behavioral Health has provided similar response services to the neighborhood, The Phoenix previously reported.
Since the summer of 2022, Trilogy Behavioral Health’s response team has been open 24/7, according to Hadden. Residents of the 49th Ward can call 1-800-322-8400 to talk to someone if they are in need of immediate mental health assistance, Hadden said.
“The City’s expansion of the CARE team will help supplement those efforts and provide our residents with this critical resource,” the newsletter wrote.
There is no specific date for CARE to be fully launched in Rogers Park, but Hadden said it should be some time mid-year.
“The first rounds that were rolled out last year were a little delayed,” Hadden said. “The first round took more than a year to set up with hiring and such and it can take some time to hire and train people. [The Chicago Department of Public Health] has told us around June.”
The community response from the CARE expansion has brought back positive feedback, according to Hadden.
“People are really excited,” Hadden said. “People here in the 49th Ward have been very supportive of the efforts to create more mental health response centers.”
Hadden said she intends to keep pushing for these services until the entire City of Chicago is covered.
More information on the CARE services can be found on the City of Chicago website.
Featured image by Aidan Cahill | The Phoenix
The staff of The Phoenix attended the Illinois College Press Association (ICPA) competition at the DoubleTree by Hilton Hotel on the Magnificent Mile on Feb. 18. The competition included submissions by 22 schools and received 779 entries. The entries were reviewed by a panel of 34 judges.
The Phoenix staff received 11 awards this year. Because the publication’s website was temporarily down at the end of the fall semester, the staff was unable to submit for some categories.
2023 Award Breakdowns
First Place
Photo Essay: Nicky Andrews
“Local LGBTQ+ Rights Advocate Honored By Community Members, Co-Workers and Friends in Andersonville” from March 30, 2022
Community members and co-workers gathered in mourning over the loss of their friend. (Nicky Andrews | The Phoenix)In-Depth Reporting: Kayleigh Padar and Nicky Andrews
“‘It just wasn’t enough’: Loyola Senior Shares Her Experience With ‘Draining’ and ‘Discouraging’ University Sexual Misconduct Reporting Process” from March 23, 2022
“‘What was the point of any of this?’: Three Women Come Forward In Lawsuit Against Loyola For ‘Mishandling’ Sexual Assault Cases” from Nov. 2, 2022
Editorial: Staff
“STAFF EDITORIAL: Dear Dr. Jo Ann Rooney, A Promise is A Promise” from Oct. 5, 2022
Spot News Photo: Austin Hojdar
“BREAKING: Students Protest Sexual Assault Allegations During Presidential Inauguration Event” Photo from Nov. 3, 2022
Students interrupted the inaugural reception of President Mark C. Reed in Damen Student Center. (Austin Hojdar | The Phoenix)Feature Page Design winner from Nov. 30, 2022Feature Page Design: Staff
“Women’s Volleyball Is Going Dancing” from Nov. 30, 2022
Second Place
Feature Story: Austin Hojdar
“Ten Years of Buddha Heads in Chicago” from Sept. 28, 2022
General Excellence – Print: Staff
Third Place
Critical Review – Other Than Film: Austin Hojdar
“The Regrettes Find Their Further Joy At Lollapalooza” from Aug. 4, 2022
Honorable Mention
Sports Page Design: Staff
“Get Your Dancing Shoes, Drew” from March 16, 2022
Entertainment Supplement – Weekly or Periodic Entertainment Section: Austin Hojdar, Ella Govrik, Julia Soeder
“Campus Confessions: ‘Pizza Boy’ Declares His Love for de Nobili Pizza” from Feb. 23, 2022
“Campus Confessions: Money ‘Laundering’ in Regis Hall” from April 13, 2022
“Campus Confessions: Crimes Against Campion Take Root” from Oct. 5, 2022
Graphic Illustration: Austin Hojdar
“Number of Gender-Neutral Bathrooms on Campus Up to 28” Map from Sept. 28, 2022
Featured image courtesy of Austin Hojdar
Creativity blossomed at the Feb. 10 event “Black Voices Uninterrupted” presented by Loyola’s Black Cultural Center (BCC), which showcased its members’ artistic talents.
Host Dorien Perry-Tillmon, a 21-year-old senior, said the event was a celebration of Black culture through song, dance, poetry readings and a student-produced short film. The event is one of many led by the BCC in honor of Black History Month.
“With everything going on on campus, like this week and always, it’s just nice for us to be able to have an event that’s not centered on Black pain,” Perry-Tillmon said.
The event came just one day after the Department of Residence Life announced an anti-Black slur was found on a bulletin board in San Francisco Hall, The Phoenix previously reported.
Love was a major theme woven through the performances. First-year Taylor Shields read one of their poems about heartbreak while dance troupe AfroDescent performed two sprightly contemporary routines arranged to romantic music.
Graduate student Imanii Uwakwe, co-captain of AfroDescent, said the group’s dance style incorporates hip-hop, majorette, modern dance and the background styles of all members. She said she also takes inspiration from her father’s taste in Nigerian music.
Uwakwe described AfroDescent as a “mini sisterhood” and a way to learn more about her culture, like when a teammate from Africa teaches the group legwork pieces from their home country.
“After a long day of classes, go to dance practice and kind of express yourself,” she said. “It calls for a sense of community, a sense of belonging.”
That sense of community was clear as the audience was a kind of performer in itself, with buzzing laughter and approving hums echoing throughout the theater.
Taylor Shelby, Uwakwe’s co-captain, said the group’s dances — which were choreographed by both captains — served as an expression of freedom.
“There’s a lot of different ways Black people can express themselves,” she said. “There’s not one way to do it. We are not a monolith.”
Shelby said she has been dancing since the age of two. The 14-member group practiced twice a week for two hours for over a year for their two performances at “Black Voices Uninterrupted,” one set to a remix of “nasty” by Ariana Grande and another set to a remix of “Soundgasm” by Rema.
Shelby gave a shoutout to Generation Dance Company in Joliet, Illinois, which she said is one of the only Black-owned and operated dance companies in the state.
“I would not be here without them, able to showcase my talent and the talent of my team members as well,” she said.
First-year Jean Paul Homme presented a short film he directed, which spliced together footage of his friends washed in a night-vision-green filter. Non sequiturs, including a skit of Kenan Thompson in “This is All That” and a clip of Gary from “Spongebob”, framed the footage. The randomness of the clips reminded viewers of the night’s lighthearted nature.
Before showing the film, Homme said he started shooting it as a way to express himself artistically after seeing older directors try to emulate youth culture.
“If you look at TV right now, you see shows like ‘Euphoria,’ and it’s always set in high school, or you can even look at movies placed in college — it’s like, they want to replicate it, but it’s not them,” he said. “The directors are grown men. And I’m really doing it, like I’m really in college, I’m really 18. I want to represent my people.”
Homme said he takes inspiration from Denzel Washington, Quentin Tarantino and Spike Lee and especially likes Lee for his ability to act and direct.
“If you are an artist,” Homme said, “do it for the art, never do it for the money. The money will follow if you believe in yourself enough.”
He said coming to Loyola allows him to work with different types of people and to create art without barriers.
The BCC plans to hold more events for Black History Month, including a trip to the Art Institute of Chicago on Feb. 18 and their annual Ebony Ball on Feb. 24. For more details, the organization is active on Instagram and Twitter.
Featured image by Holden Green | The Phoenix
Paramore’s “This Is Why” is both an evolution and a sonic return to form for one of the most iconic rock bands of the past two decades.
After a five year hiatus, “This Is Why” is the band’s sixth album. Their first three, released between 2005 and 2013, are a journey of adrenaline with almost non-stop alternative rock instrumentation. “Paramore” — their self-titled fourth album — was the band’s first foray into mainstream pop with singles “Ain’t It Fun” and “Still Into You.”
The band’s 2017 “After Laughter” was a radical departure for the band. With a neon, ‘80s-inspired album cover and sound, the band leaned into upbeat musicality while maintaining their trademarked heavy lyricism.
“This Is Why” seamlessly blends both genres.
The lead single and titular track opens with a funky bassline and a steady drumbeat that builds as the song progresses. Quickly entering are the soft vocals of lead singer Hayley Williams. With multiple lineup changes since the band’s incarnation, Williams and her instantly identifiable voice has been the band’s lone constant.
“If you have an opinion / Maybe you should shove it / Or maybe you could scream it / Might be best to keep it,” Williams sings to open the album.
Second track “The News” is a reflection on the “collective heart breaks” the world faces on a regular basis, with Williams often opting to tune it all out. The song’s speed is reminiscent of their earliest work, but they quickly slow the album’s pace down for the intro and verses of “Running Out of Time.”
Throughout the track, Williams is constantly trying to complete simple tasks — walking her dog, giving her neighbor flowers — but fails, because she doesn’t have the time.
“C’est Comme Ça” — French for “it is what it is” — continues the tone of the last track and is rife with little quips, recounting the irony of life through the pandemic, during which Williams released two solo albums.
“In a single year, I’ve aged one hundred / My social life: a chiropractic appointment,” she sings.
“Big Man, Little Dignity” features Williams’ voice at her best. She goes from talk-singing to screaming and everything in between. Opening with lines reminiscent of a romantic ballad, she quickly turns the song on its head by blankly criticizing toxic masculinity.
“I memorized all your lines / I can’t look away, you’re like a movie that I love to hate / I fantasize your demise / I should look away because I know you’re never gonna change,” Williams croons.
The song’s only pitfall is that the flute solo teased from the first note gets less than 27 seconds of breathing room to round out the track.
From the tranquil silence, a striking guitar riff opens “You First,” signaling the first of the album’s two most intense songs. Williams resolves that everyone, including herself, is a “bad guy” — but still hopes karma comes for the song’s subject before her.
“Figure 8” maintains the energy of the previous track while harkening back to the echoed vocals established in “The News.” Alternating between a bubbly voice and a growl-like scream, Paramore reminds listeners they’re the blueprint for music’s recent pop-rock revival.
The band slows it down with “Liar,” which is the record’s most emotional and, ironically, honest. It features a slow, heartbeat-paced bass drum and dreamy synths.
“Oh, my love, I lied to you / But you always knew the truth,” she sings sweetly.
Wistful songs like “Liar” have become a staple of Paramore records and always seem to serve as the emotional thesis for the album. Here, she tries to not be ashamed of her love, leading perfectly into the penultimate track “Crave.”
Chronicling Williams’ struggles with intimacy and depression, she aims to live in the present. The final bridge feels like a reminder for future-Williams and Paramore — “Any second, feel the present / Future and the past connecting.”
“Thick Skull” is the perfect closing track. It starts calm and earnest, but as each instrument slowly enters, Williams’ voice crescendos until she’s shouting over her own whisper.
Throughout the song, Williams seems to be reflecting on the criticism she has faced in the music industry. Whether she has had to prove herself as a female lead singer of a generational band or deal with the revolving door of bandmates, Williams sings she has learned the “same lessons” again and again.
Contradicting the opening track in this complex self-reflection, instead of ignoring what the industry says about her and the band, she takes the blame — for better or worse.
“I pick ‘em up and now my fingers are bleedin’ / And it looks like I’m caught red-handed,” Williams sings to close the album.
“This Is Why” is available to stream on all major platforms.
Featured image courtesy of Atlantic Recording Group
Rihanna rose from the ashes and shined like “Diamonds” at Super Bowl LVII between the Kansas City Chiefs and the Philadelphia Eagles at State Farm Stadium in Glendale, Arizona on Feb. 12, 2023. A stellar performance from Rihanna featuring a medley of her most popular songs was no surprise, but a new baby on the way was.
It was first announced on Sept. 25, 2022 that Rihanna would be headlining the Apple Music Super Bowl Halftime Show, according to National Football League (NFL) Communications. After sponsoring the halftime show for the past 10 years, Pepsi was replaced by Apple Music this year, with analysts expecting the NFL to receive at least $50 million per year for the halftime rights, according to the Associated Press.
Rihanna’s agreement to perform came as a surprise after the star revealed she had previously rejected the offer to sing at the Super Bowl LIII due to the NFL’s treatment of Colin Kaepernick, according to a 2019 interview with Vogue. In the interview, Rihanna said she would not be a sellout and did not want to be a service to an industry that did not support her people.
Many fans anticipated Rihanna’s return to the stage after five years of musical inactivity. She last released an album, “ANTI,” in 2016 and last performed in 2018 at the Grammy Awards, according to Billboard. The stage was set for Rihanna to deliver the performance of a lifetime.
Rihanna’s performance took her to new heights – literally. She opened the show with her 2015 single “Bitch Better Have My Money.” The song rang out through the stadium as Rihanna, suspended high on an aerial platform, looked confidently into the camera rocking a red monochromatic look by British designer Jonathan Anderson.
The 9-time Grammy award-winning artist continued her dive into her illustrious catalog with “Where Have You Been” and “Only Girl (In The World),” two songs that have shaped Rihanna’s career and the pop industry with their addictive beats.
She ran through hit after hit, jumping from “We Found Love” to “Rude Boy” to “Work” with her angelic voice flowing seamlessly between songs. The dancers, dressed in all white, aided Rihanna in creating a futuristic, chic performance. Their smooth movements worked in tandem with the Barbadian star’s vocals to produce a performance that was the epitome of captivating.
Many fans predicted Rihanna would perform her first Grammy award-winning song “Umbrella” and other chart toppers such as “Pour It Up,” “All of the Lights” and “Run This Town,” but no one could have predicted the reveal of a new pregnancy, confirmed by Rolling Stone.
Not one to shy away from the spotlight, Rihanna took full advantage of America’s biggest sporting event with over 208 million viewers, according to the NFL. The star revealed her bump during the performance, becoming the first woman to star in the halftime show while pregnant, according to PEOPLE. She played into the reveal by allowing her coat zipper to dip down far enough to reveal her belly along with rubbing her stomach.
Announcing her pregnancy at the Super Bowl ensured her place in pop culture history. But, it was her closing performance of “Diamonds” that carved her name into the stars.
Rihanna returned to the skies one last time to perform the revival of her 2012 hit. The song was a spiritual experience, with Rihanna singing so soulfully it truly felt as if she was calling out to the audience.
Crowd members waved their phone flashlights in the air, making her look like she was flying among the stars. Fireworks erupted in the background as the artist solidified her spot as one of music’s greatest.
Rihanna is no stranger to the spotlight. Her ability to capture audiences with enchanting vocals and sensual performances has landed her amongst a category of artists many aspire to reach but few actually achieve.
Rihanna’s performance didn’t include out-of-this-world animatronics like Katy Perry’s 2015 Super Bowl performance or perfectly timed weather events like Prince’s “Purple Rain” in 2007. But her lack of theatrics was made up for with her killer 13-minute mashup of her extensive discography, complex choreography by backup dancers and surprise pregnancy announcement.
The halftime show was everything the audience could have hoped for from one of music’s most seasoned artists. While some may hope this performance means the pop princess is back to reclaim her throne, no news of any upcoming releases has been announced.
Featured image courtesy of Jack Barron
I almost attended Michigan State University (MSU). I was set on being part of their newspaper, watching my sister graduate as a first-year and eventually graduating myself. I saw a whole future at the university. One now that would have involved a mass shooting.
Deciding to go to Loyola intercepted my plans and may have saved my life.
I stayed up late on Monday night, refreshing Twitter obsessively watching and hoping the number of deaths did not grow and my high school classmates’ names were not amongst them.
Oxford High School and now MSU. Mass shootings seem to be plaguing schools in Michigan and across the country. Witnessing one in-person feels inevitable at this point.
With each shooting, I mourn for the victims and sympathize with survivors. With each, our generation is inflicted with another wave of trauma — another reminder that we’re not safe anywhere.
As a first in a long time, check out our political cartoon on the opinion page. For light-hearted coverage, check out Julia Soeder’s review of Rihanna’s Super Bowl Halftime Show and coverage of Loyola’s most recent athletic Hall of Fame nominees.
Featured image by Nicky Andrews | The Phoenix
Junior forward Philip Alston was under-recruited in high school and began his collegiate career at California University Pennsylvania, a Division II program. Now, he’s made his way to become the leading scorer for the Loyola men’s basketball team (9-16, 3-10) so far in the 2022-23 season. Averaging 14.6 points and 5.9 rebounds per game, Alston has stepped up for a team who lost three of its starters from last season while playing its first season in a new conference.
A Columbus, Ohio native, Alston said he grew up in a sports household. Although basketball wasn’t particularly the sport of choice in his family, Alston said he participated in a multitude of sports until he decided hooping was the one he enjoyed the most.
Redshirt senior guard Braden Norris — who also grew up in Columbus — said he probably has known Alston since eighth grade. He said they played against each other once while they were still in high school, adding his team beat Alston’s.
However, Alston insisted his team won and told Norris they had to find the score of the scrimmage somewhere. Norris took him up on the challenge.
“I will find the score, I’ll screenshot it and post it for everybody,” Norris said as both of them laughed.
During his time playing high school ball, Alston said medical issues got in the way of his recruitment, interfering with his ability to play for a Division I program.
“Under-recruited,” Alston said. “I had some medical issues back in high school that got figured out once I was at college. My freshman year they figured out I was anemic, so once I got that figured out, it was a major increase in performance.”
Alston finished his sophomore season with the Vulcans averaging a double-double with 21 points and 10.8 rebounds per game. He received Division II Conference Commissioners Association Third Team All-America honors after finishing 15th in the nation in scoring, according to Loyola Athletics.
After his breakout campaign, Loyola Head Coach Drew Valentine said Assistant Coach Sean Dwyer found Alston’s tape, but said his talent had drawn the attention of several other programs.
“Because his stats were so insane at his Division II, he had a lot of people calling him,” Valentine said. “When you look at his tape, I mean, he’s a freak athlete, but you don’t know how freakish that’s gonna look.”
Valentine said to be the best athlete on the court, you have to make plays that put you in a different stratosphere than average players. He said he understood Alston’s potential in the offseason when they played against three professional teams in France and had a scrimmage against No. 10 Marquette University. Valentine said he was the best athlete in all four games.
Upon his arrival, Alston said the biggest difference he experienced by transferring to Loyola was the amount of work coaches expect out of players in practice. Valentine said because he was so dominant at Cal U, Alston hadn’t been held accountable towards developing, adding he’s gotten better with this coaching staff in the past eight months than he has in his entire career.
“I don’t even think he’s close to how good he’ll be,” Valentine said. “He can be way better than he even is now. Which is scary. With us as coaches, he’s super, super coachable.”
Alston said he was a bit anxious at first about taking the jump from Division II to Division I. After 23 regular season games, he leads the team in points per game with 14.6, rebounds per game with 5.9, and 42.3% shooting from three-point territory.
Not only has Alston proven he can shoot the ball from beyond the arc, but in clutch time as well. Down three points against the University of Dayton Jan. 31, Alston drained a last second three-pointer to force the game into overtime. He later fouled out and couldn’t help his team get the win.
Valentine said one of the areas of Alston’s game they’ve been working on the most is his three-point shot. He said because other players now have to guard him at the three-point line, Alston has an easier opportunity to just drive past them with his speed.
Norris said Alston’s surge to becoming one of the best players on the team doesn’t surprise him, as he expressed his contentment for sharing the court with him.
“What I’m seeing doesn’t really surprise me at all,” Norris said. “I’ve known him for a while, like I said, so it’s awesome to see, you know? Two Columbus kids, doing what we’re doing out here on the floor together at the college level.”
Off the court, Alston said the transition went smoother than expected, mentioning his enjoyment of the city of Chicago after living in the small town of California, Pennsylvania.
He said not all locker rooms have great relationships, and he had a really close bond with his teammates at his previous team. Fortunately for Alston, his new teammates welcomed him in with open arms.
“This is one of the tighter locker rooms that I’ve been in,” Alston said. “Everyone gets along, everyone’s friends outside of basketball, everyone enjoys each other, so it’s been great, honestly.”
Alston and the Ramblers will return to Gentile Feb. 17 when they host the University of Dayton. Tip-off is scheduled for 6 p.m. and is set to be broadcast on ESPN 2.
Head Coach Allison Guth, who is in her first year at the helm of Loyola Women’s Basketball, is continuing to navigate the transition from the Missouri Valley Conference to the Atlantic 10 (A-10). She’s not only looking for current, on-court results, but ahead to the program’s possible future success through recruitment.
Recruiting is possibly the most important factor in the building of a team and a subsequent winning culture, according to Guth.
“Recruiting is the lifeline to your program,” Guth said. “I think there’s three things required for building a successful championship culture, and I think that’s hiring the right staff, a morale-boosting type of schedule and recruiting. When I say it’s the lifeline to your program, it absolutely is.”
For Guth, the recruitment process began after being hired April 8. Immediately after assembling her coaching staff in July, the recruiting began with the simple evaluation of potential players at non-scholastic basketball tournaments. By the time July rolled around, Guth and her team were prioritizing evaluating on the road, but were unable to have face-to-face communication.
After securing recruits from the class of 2022, Guth confirmed recruiting for this year’s graduating class is well underway. She also mentioned the construction of the team’s recruiting database, which currently consists of recruits from the classes of ‘24, ‘25 and ‘26.
Guth made a note of her role consisting of both engaging with recruits and serving as a school representative.
“When we’re talking, we’re building relationships,” Guth said. “We’re engaging in relationships where we’re trying to understand who these young women are, who their families are, what they’re looking for out of their collegiate experience.”
In addition to ensuring the staff sticks to the official NCAA recruitment schedule, the transition to the A-10 has also provided the Ramblers with the obstacle to start evaluating certain talent that can acclimate to the new conference and the physicality required.
Guth said when recruiting, she’s looking for “strength up the middle” — in the head, heart and guts. She said this means players should value their academics, develop their basketball IQ and consistently contribute on the court and in the community.
Guth runs what she calls a positionless offense but said the main recruiting priority is to make the team more creative and distributional, as well as additions to the post.
Guth said the team needs good skill sets that consist of great passing and footwork, as well as a slasher that can create opportunities for themselves and others. She also mentioned that the current post game is lacking, which she attributed to the current injury report, stressing the need for more size and physicality.
With recruiting focused on future classes, the previously mentioned additions to the squad, composed of first-year guards Kira Chivers, Mallory Ramage and Whitney Dunn, represent the efforts the new coaching staff has taken in recruitment.
Chivers, who committed in early June, spoke to how open and welcoming the culture was in her first experience with Guth and the rest of the team, as well as Loyola itself.
“When I first walked in to watch them practice, I walked in, and Coach Guth came up and she’s like, ‘I’m a hugger,’” Chivers said. “That was kind of the start of everything. It really felt like home and the family atmosphere, and I felt really cared about.”
Although initially in contact with former head coach Kate Atcher, Ramage echoed similar thoughts about how appealing the community factor of the university was.
“Loyola has always been my top option,” Ramage said. “The facilities, the area — everything’s just really amazing. The coaching staff here and just the community is really great. That’s what made me make my choice.”
Guth said she was proud of the young team they’ve been gifted with, but is looking forward to developing the roster.
“We just know this league hit us,” Guth said. “We knew it would with the competition and different style of play. We’re going to have to find that talent to respond to it.”
The Loyola women’s basketball team will take on George Mason University in Gentile Arena on Feb. 15. Tip off is scheduled for 6 p.m. and is set to be broadcast on ESPN+.
Featured image courtesy of Steve Woltmann of Loyola Athletics
Content warning: Gun violence, school shooting, suicide
In May, The Phoenix published an opinion piece about how 948 school shootings had taken place since the Sandy Hook Elementary shooting in 2012. In December, we ran a story detailing Loyola’s “Run, Hide, Fight” plan.
The first article was in response to the shooting at Robb Elementary School in Uvalde, Texas that left 19 students and two teachers dead, according to the Associated Press (AP). The second referred to the shooting at the University of Virginia where three football players were killed after a field trip.
On Monday night, three students were killed and five were wounded on the campus of Michigan State University (MSU), according to AP. The 43-year-old gunman killed himself after a three-hour manhunt, according to their report.
And we’re writing another story.
These articles have begun to feel redundant. Journalists and citizens across the country have called for gun law reform and sent their condolences to those directly affected. And that is important. Laws need to change. People need to feel supported.
But these stories shouldn’t have to be written. And students shouldn’t have to be living through this.
Gunshots were heard inside Berkey Hall — MSU’s social sciences building. Shots were then reported at the MSU Union building. Approximately 15 minutes later, students received a “Run, Hide, Fight” alert issued by university police, according to AP.
The threat of school shootings has become a constant in students’ lives, and while it can often sit in the back of our minds, events like this remind us of the reality we face.
For at least two students at MSU, this wasn’t their first school shooting.
Jaqueline Matthews lived through the Sandy Hook shooting and again found herself worried for her life, according to AP. Jennifer Mancini said her daughter — a first-year at MSU — attended Oxford High School in southeastern Michigan when four students were shot and killed in November 2021, according to AP.
At the time of writing this article, there have been three mass shootings in America since the one at MSU, according to the Gun Violence Archive.
The perpetual nature of mass and school shootings go hand-in-hand, and it’s inevitable those won’t be the last.
This could have been Loyola. This could have been Cuneo Hall. These could have been our phones receiving a campus-wide emergency alert.
We’ve said it before and we will likely say it again, but without tangible and effective gun law reform, nothing will change.
Featured image courtesy of Michigan State University, designed by Austin Hojdar
With season three of Netflix’s “Outer Banks” releasing Feb. 23, actors Chase Stokes (John B) and Rudy Pankow (JJ) spoke with The Phoenix about preparing for the upcoming string of episodes and reflecting on their experiences in the show. Their answers have been condensed for clarity.
The Phoenix: How did you prepare for season three?
Pankow: We didn’t. (Laughs)
Stokes: I think when you get in a groove of doing a show for as long as we have now, you kind of know the characters inside and out, and you’ve spent a lot of time with them, so you know where their heart is and where their moral compass is. So, you just kind of go back into the old things that you have and look at it for a second, and it comes to you.
Pankow: Physically, you got to get in shape, because there’s a lot of running, a lot of swimming and you got all that stuff that you do. You actually do have to get physically in-shape, which is something you’ve [Chase] talked about a lot. But then also like Chase said, there’s a groove at the third season where you’re kind of like, “I figured out this character. It’s somewhere inside of me that I know how to pull out.”
Stokes: Part of it goes back to the locations where we shoot, too. It just immediately brings you back to a very nostalgic state. So, that helps as well.
Pankow: And rehearsing.
The Phoenix: How did you both approach your characters for season three? Has it changed from prior seasons?
Pankow: Yes. I would say a theme this year is — I wouldn’t say it’s growing up. It’s more like responsibilities and fear of responsibilities. New dynamics with your [John B’s] father, it’s just kind of shifting. So, maybe it is just growing. It is growing up, and I think you can’t stop that. So, I think approaching how your character evolves has shifted into a talk, a conversation. Trauma studying — I think that’s a huge thing with people in everyday life.
Stokes: Great answer.
The Phoenix: Has the way you’ve related to your character changed throughout each season?
Pankow: If your character is evolving, I think the way that you relate to your character also is changing. So, I think it changes, just like in the story with JJ and John B, and just like yourself. I think that’s the same thing in humanity — if it changes, the way that your relation to that person is going to change.
Stokes: I think that’s the beauty of life, is that things are inevitably going to change, and they have to change in order to grow. And so, in this situation, with the stakes being higher and the dynamics being tested, things have to change. And so yeah, I think my connection to John B changes every season. He’s 17, and so I look at some of his choices sometimes and I’m like, “God. Dude, why?” But that’s the joy of getting to play pretend for a living, is you get to do that and you get to go to work and do something that you maybe would never, ever agree with. But it’s fun, and that’s why we do what we do — go live in somebody else’s body for a little while. I mean, it’s our bodies.
The Phoenix: “Outer Banks” has dealt with a lot of themes surrounding both loss and reconnection. How do you hope these themes resonate with viewers?
Pankow: Oh, I hope it’s relatable. I hope it’s something that it’s like, “Yeah, I’ve felt that. Yeah, I’ve felt that to an extent.” Hopefully not exactly that.
Stokes: It’s fiction for a reason.
Pankow: Yes, drama for a reason as well. I think it’s relatable and I hope they take away a little of, maybe a reflection where they’re like, “Hey, that might be me, and that person did that. Maybe shouldn’t do that.” Or the opposite, where it’s just like, “I think that’s the decision I should make.” And I hope they maybe learn from it, and relate, and take something away where it’s just like, “I can apply that to my life.”
Stokes: I think the show’s been labeled, especially during COVID, as an escapism show. And I hope that people, after they finish this, don’t look at it as an escapism show and they look at it as a reflection type of moment. Because that’s what it feels like to me. As characters — and humans at their core — who are going through a trying time and may have not been set up with the best circumstances. Really, ultimately, the plot of the show is kids who are just trying to find their way in life, and that’s a journey that I think the entire world is trying to figure out, especially post-COVID. And it’s okay to be okay with the unknown. And it’s okay to be a little bit unsure about your journey in life, but not forgetting to live along the way. So if you take away the giant set pieces and explosions and the treasure hunting, it’s really about a group of kids who’s just trying to figure out who they are and what their core is. And that’s what I really hope the audience takes away from this — that it’s okay to not know who you are right now. As long as you’re trying to find your way. That’s the important part.
The Phoenix: What has been your favorite memory throughout filming season three, on set or with castmates?
Pankow: I think when you’re shooting in such a gorgeous place — like Charleston or Barbados — you just see this beautiful scenery and you’re also seeing culture. You’re seeing all this stuff. I have so many memories. There’s a memory from last season where we were shooting on a ranch, and it was just a gorgeous ranch in Barbados. I had a “pinch me” moment where it just was like, “This is a great memory, I’m on a ranch shooting a TV show in Barbados, and it’s absolutely gorgeous.” And I went and climbed a tree. It’s just like, that’s a perfect day.
Stokes: I think, you know, to pinpoint one thing would discredit the entire experience of the 30 episodes. I had a bizarre experience. Very universe-aligning moment, where I finished my 30th episode on the show on my 30th birthday. And I realized how fragile and how beautiful this time period has been. And to be able to tell the story that has touched so many people and been in so many people’s homes and that has been shared with parents and grandparents and children and had that generational pull has been cool. So I think for me, it’s been — from the day we rolled cameras to when I thought I was gonna shit my pants out of nerves, all the way to having my 30th birthday with my found family here and doing it on a boat and finishing my 30th episode of TV — it’s just been a journey. So you can sit and try to pinpoint something, but for me, I just look at it as an umbrella. Like “Wow, okay, this has been a magical experience.”
Pankow: Very well said.
Stokes and Pankow will continue their treasure hunt in “Outer Banks” season three premiering on Netflix on Feb. 23.
Featured image courtesy of Jackson Lee Davis/Netflix
With the seemingly never-ending amount of overpriced Hallmark cards, Dove chocolates and the overuse of ‘I love you’ buzzing across campus around Valentine’s Day, Loyola students share their first date horror stories to cast a spotlight on the reality of the dating pool.
“He wanted to stay and watch the movie, even after he spilled slurpee all over the family next to us”
First-year Taylor Macias was a senior in high school when her then-boyfriend showed up to their first date late — 15 minutes late.
As a movie lover, Macias and her date were set to watch “Incredibles 2” at her hometown theater in Maui which was irregularly packed, according to Macias. She said her date’s tardiness and last-minute trip to the snack bar was “red flag No. 1” during their night at the movies.
Attempting to rectify his delay with slushy and a large popcorn, Macias’ date tripped over a family of three in the middle of the seat aisle, launching sticky slurpee and freshly buttered popcorn onto the family.
“Not only were we causing a massive scene at the start of this movie, but this family was sticky and cold and covered in popcorn,” Macias, 18, said.
To make matters worse, Macias said her date tried to bribe the family’s forgiveness by offering money, but the family refused. Macias said the child was on the verge of tears as the mother tried to assure the visibly upset father it was an accident.
Macias said she offered to not watch the movie because she felt it was awkward, but her date refused. Wanting to give her date another chance, Macias said she stayed for the rest of “Incredibles 2.”
To Macias, a bad date is void of laughter — if the other person can’t find humor in the situation, she said she sees a problem. When acknowledging the slushy and popcorn spill, she said her date didn’t want to speak about it and found it unfunny.
“I wanted to make light of what happened in the theater,” Macias said.
Macias continues to find humor in this situation, despite no longer being in contact with her date. She said she is on good terms with him and they separated over issues unrelated to the movie monstrosity.
“I went home and deleted Tinder right after”
A junior Loyola student — using the pseudonym “Jane” due to privacy concerns — downloaded online dating platform Tinder the spring semester of her first year.
After matching with a hopeful new fling, Jane and her date agreed to venture to the Loyola Beach lighthouse but met at the Information Commons (IC) first. She mapped out the journey the night before with her friend for safety purposes.
When it was time for her date, Jane’s date showed up 10 minutes late. While waiting outside in the cold for her date in front of the IC, Jane was unable to access her phone because it was almost dead.
Without saying hello, Jane said her date greeted her with unsettling pessimism.
“He said there was nothing for us to talk about,” Jane, 20, said.
She remained hopeful and assured him there was plenty of conversation to be had.
The pair began their trek to the lighthouse through five degree weather and inches of snow while Jane’s date kept grumbling complaints about his wet and probably ruined socks, Jane said.
Jane’s match suggested they take a shortcut through his apartment, adding that he wanted to take the trash out. After throwing out his garbage and any chance at a successful romantic evening, Jane said her date started talking about his experiences in Mertz Residence Hall — and the destruction he and his friends caused to its bathrooms.
“At this moment, I was like, ‘I think I need to go home now,’” Jane said.
She said she utilized the classic first date escape tactic of a fake friend emergency, leaving her date in the cold.
After she made her way home from her date, Jane said she immediately deleted Tinder because of her odd experience.
The two occasionally pass each other on campus in awkward silence, but Jane does not have hard feelings for this individual.
“I didn’t know what to do, so I put on ‘Victorious’ while my dog barked at him”
Sophomore Allison Quist said she went on an “interesting” first date her junior year of high school. Coincidentally, Quist shared the same last name with her date, which the two had bonded over.
When Quist first climbed into her date’s car, she said she recalled him playing one of her music playlists. She said she had sent it to him when he expressed interest in her music taste, but she didn’t expect him to play it in front of her.
“It was so awkward because it was so obvious it was my music,” Quist, 19, said.
Quist said her and her date spoke very little in the car, causing her to feel like the date would be unusual.
The first destination was a popular bowling alley in their hometown of Grand Rapids, MI. After seeing all lanes booked, the Quists headed elsewhere.
After getting Culver’s custard with a side of bland conversation, Quist didn’t know what to do.
“It felt like I was talking with my cousin,” Quist said.
She decided to bring her date home to try and save the night.
“I put on ‘Victorious’ to try to set the mood,” the biology major said. “The mood as in, this isn’t going anywhere.”
While watching Victorious, Quist’s dog starts barking at her date, which she found humor in.
“I don’t think she liked him,” Quist said. “She wouldn’t stop.”
Unfortunately for Quist, her tactic was unsuccessful and she was asked on another date by this man, but she turned him down.
Even though their date was offbeat, Quist and her date remained friends.
Featured image of Allison Quist, taken by Holden Green | The Phoenix
Since 1927, Loyola Athletics has won many championships, set hundreds of records and graduated thousands of student athletes who have propelled Loyola to popularity, according to the NCAA. Three of these athletes — Marcia Faustin, Declan Murray and Blake Schlib — were recently recognized by the university and inducted to the Loyola Athletics Hall of Fame as the class of 2023. All three former student athletes were inducted during the men’s basketball game against George Mason University Feb. 4 at Gentile Arena.
Faustin, a former Loyola track & field high-jumper, graduated in 2007 after a record-setting career as a Rambler. Some of her biggest moments include winning eight Horizon League high-jump titles and being the only athlete in Horizon League history to sweep the high-jump title four times, according to Loyola Athletics. Faustin still holds the program record for high-jump after clearing a Horizon League record of 1.74m in 2004.
Following her time at Loyola, Faustin attended post-baccalaureate at Southern Illinois University where she graduated in 2009 and finished her medical studies at the University of Chicago Pritzker School of Medicine in 2013. Faustin then completed her residency and fellowship at the University of California-San Diego.
Faustin now works as a family and sports medicine physician at the University of California-Davis and is best known for her work as a co-head team physician for the USA gymnastics women’s national team, working with athletes such as Simone Biles, Jordan Chiles and Suni Lee.
Faustin said her experience at Loyola best prepared her for a career in medicine because of the connections and relationships she made. It also helped her better understand the athletes she works with on a daily basis.
“I can see myself in the athletes,” Faustin said. “I remember it so vividly — the challenges that were there, the excitement, the hardships. I have a level of empathy I’m able to provide because I’ve literally walked those shoes, and so I understand some of the nuances they’re talking about.”
Also a former track and field athlete, the second member of the Hall of Fame Class of 2023 is distance runner Murray, who graduated in 2013. During his career as a Rambler, Murray was a five-time Horizon League champion as an 800m runner. He also set records in the 4×4 relay, which qualified him to reach a third place finish in the NCAA Indoor and Outdoor Championships in 2013.
A Cleveland native, Murray came to know about Loyola through his family, who is flooded with Loyola alumni. Over 10 years, Declan, Sean, Brigid and Ciara Murray were all Loyola athletes. Murray said though he had his siblings at Loyola with him, the athletic department as a whole felt like a family and made him feel he could have personalized attention to hone his craft.
“I landed in a program where I wasn’t the fastest, but there weren’t 10 guys ahead of me there — there was one or two,” Murray said. “I was able to step into a leadership role early on as I got faster and started to show that I could do it on the track and then was able to take on more of that leadership role on the team in the locker room and off the field.”
Following his time at Loyola, Murray went on to run professionally for three years, competing in the European Track & Field Championships in 2014, 2015 and 2016, with his best performance in the 2015 Championships in Prague when he advanced to the semi-finals for the 800m event. He now works in sports and entertainment marketing for JP Morgan and Chase.
Schlib, a former Loyola men’s basketball team guard, was the third member of the 2023 Hall of Fame class. Schlib, who was unable to reach for comment, was a three-time First Team All-Horizon League honoree, First Team All-District pick by the National Association of Basketball Coaches (NABC) in 2007 and is the only Loyola player in history to record 1,000 points, 500 rebounds and 400 assists throughout his career, according to Loyola Athletics.
After graduating from Loyola in 2007, Schlib went on to play professionally in Europe since, most recently competing at the 2020 Summer Olympics, representing the Czech Republic.
Though Murray and Faustin have since moved on from their athletic careers, both reflected on their time at Loyola as integral to their lives today.
Faustin particularly recalled an interaction she had with Dr. Tom Hitcho, or “Hitch” — the senior associate athletics director of operations — at the 2018 final four game in San Antonio.
“We walked into the Loyola hotel and there was Hitch, and I hadn’t seen him in 10 years, and we walk in, and he said, ‘Hi Marcie, how’s California? How’s medicine?’” Faustin said. “I think that exemplifies what Loyola is, right? To always make each person feel special and to feel remembered. And that’s exactly what he did.”
A post with a racial slur was found on a residential bulletin board in San Francisco Hall on Feb. 9, according to a statement from Loyola’s Residence Life.
Residence Life said in the statement they began an investigation into the incident the same day and condemned all forms of discrimination and harassment that are in conflict with the University’s Comprehensive Policy.
“The University condemns this incident and all acts of offensive and hateful speech which violate the values of the Department of Residence Life and Loyola as a whole,” the statement said.
Loyola’s Black Cultural Center (BCC) has also released a statement following the news of the event. The BCC condemned the incident as well as the exclamation of various racial slurs used by students in the hallways of other residence halls across Loyola’s Lake Shore Campus.
In an email to The Phoenix, BCC secretary Dorien Perry-Tillmon said everything the organization had to say at this time in response to the incident can be found in their statement.
“As an organization which stands for unity, positive change, and the education of cultures and experiences of people of African Descent/of the African Diaspora, the BCC sincerely denounces the use and display of racial slurs,” the statement said.
The BCC emphasized the importance of recognizing the history of marginalization and present discrimination against Black Peoples within the United States. The organization also pointed to the university to take the right steps in addressing this concern.
“We call on the Loyola Community to acknowledge such harmful occurrences and take the necessary steps to curate and maintain an environment of critique, learning, and growth,” the BCC said in the statement.
The Wellness Center will be offering two community circle events for students on Monday, Feb. 13 to process their reactions to the incident and other recent racial injustices, according to the statement from Residence Life.
The first event will be led by Dr. Andrea Boyd for Black-identified students in Suite 116 of the Damen Student Center. The second event will take place from 2 p.m. to 3 p.m. in the Damen Den for students who do not identify as Black, led by Mira Krivoshey, according to the statement.
The Loyola men’s volleyball team (7-2) hit the ground running to start the 2023 season. In its undefeated start led by first-year Head Coach John Hawks, the Ramblers were placed at no. 13 in the latest AVCA poll. Loyola’s compelling start to the regular season has given a spotlight to the program before their MIVA conference season begins.
“Our ranking doesn’t mean anything to us,” Hawks said. “It’s nice for media, and it’s nice for marketing and all that, but truthfully, it doesn’t mean anything right now.”
Hawks said the team is focused on getting better to compete for the conference championship. He said despite being proud of their start this season, there’s still several games left and they have to take them one by one.
After the 2022 season, the Loyola men’s volleyball team lost four of its starters, leaving big shoes to fill. According to Hawks the new players stepped up, picking up on the new methods of training and eager to take advantage of the chance.
The team has introduced new systems that have been very demanding to learn, an opportunity coach Hawks said the team has capitalized on. Hawks said the practice gym is filled with competition which pushes the players, adding to the depth of his roster and allowing him to switch the starting lineup for specific matches.
According to Hawks, redshirt sophomore outside hitter Parker Van Buren, redshirt sophomore setter Dan Mangun and redshirt junior setter Brian Voight are the team’s vital players stepping up to fill those graduated starting spots. One of these vacancies was left by former setter Garrett Zolg, which Van Buren said has been filled by Mangun.
“Dan is filling his shoes beautifully,” Van Buren said. “Dan’s our new leader. He’s our new setter. He runs things around here on the court and off the court. He’s one of our captains as well.”
Mangun has stood out so far this season, starting in all matches with 264 kills, 55 digs, and 30.5 points. This weekend he registered 49 assists and 5 blocks in a single match versus No. 3 Long Beach State University.
Van Buren said despite losing two games in the team’s weekend trip to California — against no. 3 Long Beach State University and Concordia University — he loves playing with the guys and competing.
Going into the week, Van Buren said he envisions the games towards the end of the week as a reward. He added he’s most looking forward to competing in the postseason, hoping his team’s hard work in conference play sets them up for a high conference tournament seed. Van Buren also said his passion for volleyball stays strong through losses because they provide experience.
Hawks said he has high expectations and a drive to improve all aspects of their game. Hawks said he’s set a championship standard in the practice gym and it starts in how the team acts and how they treat each other. The team is ready to face whatever challenge and adversity the season has in store for them according to Hawks, adding the team will accept it all as a learning moment.
Redshirt senior outside hitter Cole Schlothauer, a vital player to the team, has high hopes for his team this season looking towards the start of the MIVA conference season.
“I’m looking forward to winning the conference,” Schlothauer said. “I think we have a good chance to do some things this year. We showed we can compete with the best this past weekend and I’m looking forward to winning the title this year.”
The Loyola men’s volleyball team will head to Quincy, Illinois to face Quincy University for its first MIVA conference matchup of the season Feb. 10. First serve is slated for 7 p.m. and the broadcast information has yet to be announced.
Featured image courtesy of Steve Woltmann for Loyola Athletics
From a director whose record is hit or miss, “Knock at the Cabin” falls somewhere in between.
Directed by M. Night Shyamalan and based on the novel “The Cabin at the End of the World” by Paul G. Tremblay, the film follows two fathers and their daughter held captive by a band of zealots and their leader Leonard.
Dave Bautista plays Leonard, who forces the trio to make a choice — sacrifice a member of their family or face the end of the world. The more the family refuses to make a decision, the more calamities seemingly beget the planet.
Why the apocalypse must happen, or why this family was chosen to prevent it, is answered only ambiguously. For a film so centered on its premise, the missing context leaves “Knock at the Cabin” to oftentimes lack motivation.
Bautista (“Guardians of the Galaxy,” “Blade Runner 2049”) portrays the obsessive Leonard with an irregular kindness, often apologizing to fathers Eric and Andrew for what he believes he must do.
The relationship between Eric (Jonathan Groff) and Andrew (Ben Aldridge) balances Leonard’s menacing presence with emotion. Groff (“Mindhunter,” “Hamilton”) and Aldridge (“Fleabag,” “Pennyworth”) play the couple lovingly. Flashbacks detail the pair’s struggles of adopting their 7-year-old daughter, Wen, and starting a family.
Each cast member excels in their performance, but the dialogue they’re given doesn’t always suffice. Shyamalan (“The Sixth Sense,” “Split”) has become notorious for valuing plot above all else, resulting in many stilted exchanges. “Knock at the Cabin” is no different.
Too often, characters speak either too simplistically or expositionally. Balance is rarely found, except for the Eric and Andrew flashbacks, which are easily the highlight of the film.
The story itself doesn’t fare much better. The hour and forty minute runtime, prevents the dense premise from being fully fleshed out. Being a thriller, answers are purposefully kept from the audience, but the few clues given don’t carry any subtlety.
The film presents evidence that could support or debunk the apocalyptic threat, but instead of letting the audience decide, the cast plainly spells out what they see and why they think they’re right.
Despite the clunky execution, the plot isn’t hollow. Commentary on media echo-chambers, religious extremism and homophobia are all addressed. It’s the awkward bluntness in how these topics are referred to that removes nuance.
Shyamalan brings his A-game with direction, regularly switching camera focus and perspective. The majority of the movie takes place in a cabin, set in the woods of New Hampshire. Despite the single setting, the constant shifts in camera and lighting make the cabin feel alive.
The evolving presentation coupled with the performances helps keep “Knock at the Cabin” from being a lesser movie. The uncomfortable closeups, smooth transitions and focus shifts build upon the tension already present from the opening premise.
The downside to the erratic direction is that it bolsters the story as often as it hampers. Repeatedly, characters relay crucial information only to be undermined by being barely in frame or distracted by another object in clearer view.
Don’t go into “Knock at the Cabin” expecting an “I see dead people” level twist. While the story takes several turns, its biggest shock is that it has no big shock. No “Unbreakable” post-credit scene, no plants being the bad guys. Everything told in the story plays a role in the end, even if it leaves more questions than answers regarding the ‘why’ as to how the events unfold.
“Knock at the Cabin,” at its best, is an intimate thriller with apocalyptic stakes. At its worst, it’s a mixed drama with hammy dialogue yet inventive direction.
“Knock at the Cabin,” rated R, is in theaters now.
Featured image courtesy of Universal Pictures
Bringing “the best homemade Afghan & Mediterranean food” to Edgewater, Afghan Saray offers more than just an authentic meal. It’s a warm, welcoming space for customers to enjoy owner Isa Ebrahimi’s collection of family recipes from across the Middle East.
“I started off working 14-hour days at Afghan Saray and finally, I built up my restaurant,” Ebrahimi said. “Now I’m super happy.”
Ebrahimi wanted to share his culture through cuisine, which prompted him to open his own restaurant. (Olivia Mitchell | ThePhoenix)Ebrahimi opened Afghan Saray (6141 N. Broadway) in June. Born in Afghanistan, Ebrahimi grew up in Kabul while his father served in the army. At a young age, Ebrahimi took responsibility for his family after his father died.
Ebrahimi said he fled Kabul to seek refuge from the Taliban at 14 years old. He settled in Iran, where he worked in construction to support his mother Zarghoune, sister Vajihe and two younger brothers Eghbal and Ali.
After working in construction for five years, Ebrahimi moved to Turkey in 2011. The same year, a devastating 7.2 magnitude earthquake shook the Turkish province of Van, according to Associated Press. During the natural disaster, 4,000 people were reported injured in addition to building and home damage, the article said.
Ebrahimi said he and his family then moved into a soccer stadium where the Turkish government placed people who were unhoused as a result of the earthquake. He said they lived in tents for more than two months and many of those living there had to fight for food.
Ebrahimi decided to open Afghan Saray after a long career journey across multiple countries. (Olivia Mitchell | The Phoenix)While in Turkey, Ebrahimi followed in his father’s footsteps and joined the army. The Turkish army was in need of a translator, and Ebrahimi said he filled the position in a small office working with fellow refugees. He traveled all around the country translating for the police, military and in courts for four years.
In 2017, Ebrahimi left Turkey for the United States with his mother, sister, two brothers and three cousins. He said ending up in Chicago was completely by chance.
After arriving in the Windy City, Ebrahimi owned and operated a trucking business but faced challenges as a result of the economic impacts of the COVID-19 pandemic. He and his family then began working together catering parties and events from their home, cooking the food they knew and loved.
“Four hundred to 500 people would come to the events,” Ebrahimi said. “They loved the food. That’s how it started.”
After seeing success in catering, Ebrahimi said he decided to open Afghan Saray because he wanted to talk with customers and share his culture through cuisine. His mother and brother still cook for the restaurant, adding to the homemade feel.
Afghan Saray’s menu is composed of Afghan and Mediterranean dishes. Ebrahimi said he recommends Afghan’s national dish, Uzbek Qabuli, which features flavorful lamb and rice.
Ebrahimi also suggests Bolani, an appetizer of potato and bread. For dessert, chocolate salami, a fudge cookie with broken biscuits inside, which resembles real salami.
Afghan Saray also offers a wide variety of vegetarian and vegan options, namely the Banjan Borani and Kadu Borani, fried eggplant and zucchini dishes cooked with fragrant spices.
The menu features Afghan and Mediterranean dishes. (Olivia Mitchell | The Phoenix) Amanda DeShane graduated from Loyola in December with a degree in business management. Since August, she has been going to Afghan Saray and said Ebrahimi was very considerate of her food allergy.
“The atmosphere is very welcoming and cozy,” DeShane said. “The floor seating by the window is very relaxed and comfortable. Isa is so friendly, and you can tell this is his dream.”
Ebrahimi said he sends part of the profits from the restaurant to his family in Afghanistan who were affected by the Taliban and to his close friend from Turkey, who uses the money to purchase food, water and clothing for those who are in need.
Afghan Saray is open from noon to 10 p.m. on weekends, 11 a.m. to 10 p.m. on weekdays, and is closed on Tuesdays.
Featured image courtesy of Olivia Mitchell
Typeface trouble has sent ripples out from the U.S. Department of State into the halls of higher education, plunging educators into debates over how to make reading more accessible.
On Jan. 17, a cable was sent out to members of the State Department with the subject line, “The Times (New Roman) are a-Changing,” instructing them to switch all further memos to the typeface Calibri from Times New Roman by Feb. 6.
The switch was made because of concerns that serifs, the little lines that jut out from the tops and bottoms of letters in certain typefaces, weren’t accessible to those with low vision or learning disabilities, according to The Washington Post. A sans serif option was chosen because of the lack of the little “feet” in serif fonts, making them easier to read for some individuals.
Given the ambiguity in research regarding the accessibility of serif and serif fonts — and whether one is better than the other for people with low vision or learning disabilities — Kelli Evans, an associate professor of fine arts in visual communication at Loyola said she was perplexed by the State Department’s decision.
“I’m confused why the government would decide to go from Times New Roman to Calibri because, again, every time I’ve heard any sort of debate or read research, it’s not that clear cut,” Evans said.
One of the main issues with Calibri and other kinds of sans serif typefaces that causes some designers and accessibility experts to pause is the similarity of some of the letters in these typefaces, according to Evans.
For example, the letters “p,” “q,” “d” and “b” are all the same basic letter form, except rotated or flipped. This can make them especially confusing to someone whose dyslexia manifests in a way that switches any of those letters and creates an extra barrier to reading texts using the fonts, Evans said.
The best typefaces are the ones that can differentiate between those letters, as well as the uppercase I (i) and the lowercase l (L), Evans said.
Most importantly, what the State Department did is a step in the right direction, said Ted Yee, senior director for university branding and Loyola.
Accessibility is important to consider in all communication and by taking this step, the State Department is laying some of the groundwork for other institutions to follow suit in ways they think would best suit their audiences.
The question of typeface accessibility is also on the minds of some educators, especially at the higher education level.
Dianne Rothleder, a professor for the Honors Program with a background in political science, also finds the decision made by the State Department somewhat confusing given the accessibility issues both kinds of typeface can present.
“Calibri is hard for some people, Times New Roman is easier for some people, Calibri is easier for some people,” Rothleder said.
Instead of switching the font, which can ignore the other dimensions of accessibility that go into picking typefaces like size and spacing, she proposed making an electronic copy of every document so people can switch the typeface and enlarge it to their needs.
“Everybody should have a chance to deal with texts,” Rothleder said. “Whatever way you bring the sense of the world into your head, you have a right to do that because that’s what education is for.”
The review from the Journal of Visual Impairment and Blindness recommends the use of sans serif typefaces no smaller than 12-point, but the American Council of the Blind specifically recommends Arial, Verdana, Helvetica and Tahoma so long as they are at least 18-point, according to their website.
The two typefaces are equally beneficial in certain situations, according to David Berman Communications, which advises companies in making their material more accessible. Serif typefaces aid readability in longer texts while sans serif typefaces are more useful for those with certain disabilities.
Evans said a potential alternative to Calibri is a middle ground between serif and sans serif fonts — the slab serif. In her prior readings into the research when typeface accessibility first crossed her radar, slab serif typefaces looked like a viable option to improve accessibility.
Characterized by its comparatively simple serifs and blockier elements, the slab serif can distinguish between the lowercase “p,” “d,” “q” and “b” in a way that sans serif typefaces can’t.
Dr. Lester Marzano, the Assistant Vice President for Student Academic Services and ADA Coordinator, was not available for comment at the time of writing.
After nearly two years of the name, image and likeness (NIL) NCAA policy implementation, the Loyola men’s basketball team (8-14, 2-8) is reaping the benefits from multiple deals individually and through the athletics department. The team has brought in deals such as Mini Jerzeys and Fanatics, but most recently secured a first-of-its-kind deal with NBC Sports Chicago.
In August 2021, former Loyola center Cameron Krutwig was the first Rambler to secure an NIL deal with Mini Jerzeys, an organization which allows individual Loyola athletes to profit off the sale of their own jerseys. Former Loyola guard Lucas Williamson was the next Rambler to join Krutwig at Mini Jerzeys, followed by Head Coach Drew Valentine and redshirt senior guard Braden Norris.
Now, almost all members of the men’s basketball team have their own NIL deals, ranging from the team’s latest NBC Sports Chicago deal to photoshoots with local photographers.
Tom Soboro, senior associate athletics director of external operations, helps all Loyola athletes with their respective NIL deals, providing them training with negotiations and financial literacy but said athletes are in charge of facilitating their own deals due to NCAA regulations.
“We can be involved in getting people connected, we cannot negotiate on behalf of the student athletes,” Sorboro said. “We try to provide education. It’s largely on them to try and find some information through the resources we’re providing.”
Sorboro said once companies reach out to athletes about partnering for a deal, the athlete then has the responsibility of notifying the athletics departments’ compliance office which will either approve or deny the deal making sure it’s within the realm of NIL rules, and thereafter the athlete is allowed to move forward with the partnership. Sorboro said since the deals are between the student-athletes and the brands they work with, Loyola Athletics isn’t able to share any financial information about the deals.
One player in particular has had multiple NIL deals, including one at his former school — Butler University. Graduate center Bryce Golden said he was in his senior year at Butler when he was first able to profit off of NIL and his first endeavor was selling “Bryce and Bryce” t-shirts with former teammate Bryce Nze. Golden said the shirts were popular among fans and students and the opportunity opened his eyes to the possibilities he can have through NIL.
Junior forward Philip Alston has also taken advantage of NIL deals since transferring to Loyola from California University of Pennsylvania, including a photoshoot with Andrew Hancock at the 167 Green Street basketball court alongside Norris, junior center Jacob Hutson and former forward Saint Thomas.
“It gives you a little more excitement that you’re able to make money in school, because we can’t have jobs with how much time basketball takes,” Alston said of the opportunities. “Just being able to make money off your name, it’s something that’s exciting, especially being in school.”
Both Golden and Alston recently secured another NIL deal alongside their team with NBC Sports Chicago, which was released to the public via Instagram Feb. 1 by individual men’s basketball players.
The deal, which according to Sorboro was offered by NBC Sports Athlete Direct to the entire team, is the first of its kind including a subscription service providing users access to a podcast featuring Alston, Golden, senior forward Tom Welch and redshirt first-year Ben Schwieger, along with an autographed team photo and a virtual meet and greet with the the players at the end of the season.
The subscription is a one-time, $29.99 purchase, which, according to Sorboro, is split throughout the team, unless a subscriber uses a player-specific code, to which then that individual player receives a percentage.
Sorboro said NBC worked directly with the team to pick players who would record the podcast and the four players featured on the podcast due to scheduling around class and practice times.
“We talked about the season, our trip to France, random things, too,” Golden said. “It was fun sitting in a unique setting outside the locker room, outside the court with your team and talking about things that you’ve been through and reflecting on those experiences and seeing how far you came from all those, too.”
Alston also said he enjoyed the process of recording the podcast, especially because of the venue at the NBC tower, which they were able to get a tour of before recording. Alston said the podcast was a little uncomfortable at first, but said Golden — the host of the podcast — did a nice job of making everyone comfortable, and it ended up being a fun experience.
Featured image courtesy of Loyola Athletics
Just west of the Morse Red Line stop sits one of Rogers Park’s oldest historical wonders — a near 130-year old Victorian house which, for owner Liz Weck, is practically a member of her family.
“I’ve lived all over the city, but I always came back here, because it was home,” said Weck, 38, who grew up in the house.
Stripping white paint from the home’s woodwork was a 20-year process taken on by Weck’s father. (Hanna Houser | The Phoenix)After buying the home from her mother, Mary, who died in 2017, Weck said she was committed to preserving the home’s original character, fearing others wouldn’t do the same. Her father, Terry, who bought the two-acre property in the ‘70s from previous owner Delite Whitacre, shared a similar mission.
“I always say that we’re like temporary caretakers of the house,” said Weck. “I will never do anything that will structurally alter the integrity of the home, like painting the woodwork or making an open floor plan.”
Liz Weck’s entryway was restored by both her and her father. (Hanna Houser | The Phoenix)Upon initial entry, onlookers bear witness to the labor of Weck’s father, who committed to enlivening the place through a 20-year-long project of revealing the home’s original woodwork, which had been painted over in white by previous owners.
“There was a lot of terrible aesthetics, but the foundations of the house were really good,” said Weck, who reflected on the home once having bright green carpeting.
If visitors really squint, they can see traces of paint where the wood baseboard intersects with the floor. Weck said this was kept intentionally. With the shag carpet having covered some of the trim, Weck’s father was unable to fully remove all paint from the wood. What remains may look like a mistake to some, but to Weck, it’s something more.
Weck intentionally kept some remains of white paint. (Hanna Houser | The Phoenix)“When we redid the floors, they were like, ‘Do you want us to get rid of that?’” Weck said of the paint remains. “And I said no, it’s a testament to what my dad did.”
Despite being built in 1893, Weck said her family is the singular family to have owned the home. The house previously functioned as a boarding house, in which renters could stay at the home on a nightly basis, according to Weck. The property features a barn, which used to house Shetland ponies and is now a safe haven for a racoon family, Weck said.
The home’s entryway is supposed to mimic old Chicago houses, while also looking “vaginal” to represent Weck’s LGBTQ+ identity.Coupled with her father’s work in the entryway is the personal flare of Weck, who added rainbow film to the home’s front door windows and colorful tiling that mimics old Chicago entryways.
Weck DIY’d the glass paneling on her front door for a pop of flare. (Hanna Houser | The Phoenix)“We’re gay and we kind of wanted something that’s gay,” Weck said. “It’s a little vaginal, very gay and I love that it looks like it could’ve been in the house since it was built. Structural changes, for us, have to be in the best interest of the house.”
Segueing into the dining room, Weck’s retro design style combines with vintage staple pieces, one of which is an original 1930s chandelier. Weck said a previous owner alerted her family of a hole below the dining table that served as a foot bell, where diners could summon maids or help without disrupting dinner.
The walls are papered with Lincrusta, a type of 3D wallpaper that was common in homes built in the 1890s, according to Weck. She said this type of paper was used to prevent dining chairs from scuffing the walls.
The home’s dining room features furniture from resale websites like Facebook Marketplace and Craigslist. (Hanna Houser | The Phoenix)From black-painted ceilings to printed wallpaper, Weck said she would describe her style as “modern, maximalist Victorian.”
“I really love a lot about Victorian design,” Weck said. “But I’m a very bright person. Having it really fun and funky was really important to us.”
Lighting up the dining room is a chandelier from the 1930s. (Hanna Houser | The Phoenix)Much of Weck’s furniture comes from resale sites like Craigslist or Facebook Marketplace. Jutting from the wall is a vintage, Chicago butler’s pantry from the early 1900s, which Weck said cost only $500. A pure marble table accompanies Weck’s thrift finds, which she said was given to her in a set for a mere $100.
Formerly a social worker for Howard Brown Health, Weck said her recent pregnancy fostered her love of designing. With more free time, Weck said she was able to do interior decorating for other people in her own personal style, even making an Instagram (@lezgethoused) to document her home’s renovation process.
Most Victorian homes featured two parlors, or living rooms, according to Weck. The first parlor would have commonly served as a funeral space during the Spanish Influenza. (Hanna Houser | The Phoenix)“If you want, like, Scandinavian minimalist, I’m just not your person,” Weck said. “But if you want maximalist, I can totally do that for you.”
One of the stand-out rooms of the house was the first parlor, painted in pale, blush pink hues with lively artwork and a swanky velvet settee. Weck said Victorians typically have two parlors, or living rooms, one of which often functioned as a funeral space. During the influenza outbreak post World War 1, parlors were nicknamed “death rooms,” a term that completely contradicts its current state of pink funkiness, according to History Magazine.
Gesturing to a side door along the room’s dividing wall, Weck said this would have been an entry point for visitors paying their respects, without entering through the house’s main door.
The second parlor is papered in custom William Morris wallpaper designed in 1893, the year the home was built. Much of Weck’s knowledge about Victorian homes came from her father, but also a community of Instagram users dedicated to preserving old homes.
“There are people interested in saving them, so I feel like there’s tons of information,” Weck said. “All our windows are original. I’m a real purist about it. It’s absolutely freezing in our house, but they’re 130-years-old.”
The second parlor, located parallel to the dining room, features custom William Morris wallpaper in a design that was made in 1893, the same year the house was built, according to Weck. Prior to the current paper, Weck said one of her first projects was removing some of the older wallpaper, which she described as “one of the most thankless jobs in the world,” in terms of difficulty.
The couple wanted “outrageous” wallpaper in their bathroom. (Hanna Houser | The Phoenix)Just around the corner is one of the home’s funkiest spaces yet — a brightly colored, flamingo-filled powder room. Weck said the space used to be a coat closet, but her and her wife wanted a bathroom that was “a little outrageous.”
Continuing on the wallpaper theme, Weck highlighted birch tree patterned wallpaper in the home’s back staircase. She said before the home filled the property, the land had been occupied with birch trees, which she felt should be honored.
Apart from the posh wallpaper and chic decor, she said the home functions as the perfect space for entertaining. Weck said her parents always had people over and she and her wife are proud to continue that legacy of sharing the home with others.
Featured image courtesy of Hanna Houser | The Phoenix
Content warning: Sexual harassment, suicide.
“What if there were no tomorrow?”
That’s the question asked by Phil Connors (Bill Murray) in 1993’s “Groundhog Day,” in which Phil finds himself stuck in a daily time loop. The box-office smash — which turns 30 this year — mostly holds up, apart from retrospective criticism of Murray and misogynistic attitudes in the script.
Phil is a pessimistic and pretentious weatherman who travels to Punxsutawney, Pennsylvania every Feb. 2 for Groundhog Day, a national holiday during which a Punxsutawney groundhog — also named Phil — comes out of his burrow and either sees his shadow, meaning six more weeks of winter, or doesn’t, meaning spring will come early. The human Phil hates the monotony of his job and plans on quitting that year, but his arrogance bites him back when he gets stuck repeating the titular holiday over and over again.
“Groundhog Day” plays artfully with each genre it dips into. The first half hour is a lighthearted comedy dripping with so much sarcasm viewers are left wondering how the small town of Punxsutawney hasn’t drowned in it yet.
Phil first takes advantage of the time loop by gorging on cakes and gleefully punching an annoying old acquaintance, Ned Ryerson. Stephen Tobolowsky’s performance as Ryerson is particularly memorable.
However, as he realizes he’s stuck in the time loop with no end in sight, an element of horror seeps in. The soundtrack creeps and creaks in minor chords. Murray masters the art of the resigned grimace. He has the face of every burnt-out essential worker, every quiet quitter and every person who can no longer stand their customer service voice.
Since he’s the only one who remembers the days within the time loop, Phil memorizes details about people — especially women — and tricks them into thinking he’s the ideal man for them. He essentially stalks them. His advances on Nancy (Marita Geraghty) are particularly off-putting as he pretends to be an old high school friend just to hook up with her.
The dread of monotony becomes so overpowering that Phil starts coming up with increasingly dangerous — and darkly funny — schemes to kill himself just to end the loop. Of course, he only breaks free through the power of love and kindness, an ending that isn’t as sappy as it seems.
Later, the film embraces the more light-hearted rom-com foreshadowed in the first act. Phil falls for the equally sarcastic but slightly-more-optimistic Rita, played by a spritely Andie MacDowell.
Phil ultimately realizes he can use the time loop to better himself as a person and care for the world around him. He learns to play the piano, fixes a stranger’s flat tire and cuts back on the snark.
The show of a uniquely American celebration is refreshingly wholesome. The small-town characters are more than just set dressing. They have likes and dislikes and real, human lives — a fact Phil takes the whole hour and 40 minutes to figure out.
Such an absurd premise seems an unlikely subject for critical analysis, but that’s what some have embraced about it, according to Vulture. Screenwriter Danny Rubin said some interpretations include the Nietzschean theory of eternal recurrence, Buddhist regeneration and Kabbalistic numerology, according to an interview with TheWrap. He’s something of a modern-day Job, a pawn for the God that is the writers’ room, a plaything made for testing the limits of man.
Murray’s casting as Phil may have contributed to Murray landing more serious roles, like those in “Rushmore” and “Lost in Translation,” Murray said in an interview with Vanity Fair.
The initial lack of consequences in the film follows into real life with Murray being accused of verbal, physical and sexual assault for decades, according to Vanity Fair. The allegations add a new level of creepiness to his “Groundhog Day” character’s unwanted advances on women.
Apart from Murray’s allegations, the humor and philosophical undertones of “Groundhog Day” prevail. The movie would go on to spawn a Broadway musical, a Super Bowl commercial and even a video game. Though it didn’t pioneer the time loop trope, its title became shorthand for being stuck in repetition. The format is particularly popular with sci-fi shows like “The Twilight Zone,” “The X-Files” and “Doctor Who.”
More recently, “Groundhog Day” found some resemblance in HBO Max’s “The Rehearsal,” in which Nathan Fielder repeatedly practices social interactions to get the most favorable results. Fielder, who previously blurred the lines between fiction and reality in “Nathan For You,” shares Phil’s initial lack of awareness for the people he hurts. By the end of their respective character arcs, Fielder and Phil both become more sympathetic and a bit more human.
“Groundhog Day” is available for streaming on Amazon Prime Video, The Roku Channel and Vudu.
Featured image courtesy of Columbia Pictures
Glendale, Arizona awaits the Kansas City Chiefs and Philadelphia Eagles for Super Bowl LVII Feb. 12. In the first ever matchup between two African American quarterbacks on the most viewed yearly event in America, this year’s Super Bowl will be historic.
The No. 1 seeds of their respective conferences have made the final game of the season. The last time that happened, the Eagles defeated the Patriots regime with quarterback Tom Brady and Head Coach Bill Belichick to win their first Super Bowl in 2017. Unfortunately for the Eagles, history will not repeat itself this year.
Before I tell you why I believe the Chiefs will win, I think it’s fair you know I was at the NFC Championship rooting for the 49ers. My uncle and I walked into Lincoln Financial Field in San Francisco 49ers jerseys and got called every single insult you can fathom.
What’s funny is I wasn’t bothered by it. I enjoyed the competitive spirit and the crazy environment of gameday, especially at a championship game — it’s part of what makes sports great. What did bother me, though, was the gloating Eagles fans who thought they were after defeating a team with a fourth-string quarterback.
I want the Eagles to lose. Now let me tell you, objectively, why I believe they will lose. Philadelphia has the best roster; but this game isn’t about depth — it’s about coaching, experience and playmakers.
Philadelphia makes for a great story. Their quarterback, Jalen Hurts, has been an underdog for his entire career. A starter for the University of Alabama, Hurts got benched in the 2018 College Football National Playoff Championship during halftime, just to see his backup overcome the team’s 13-point deficit to win the title. Now he’ll be starting in a Super Bowl.
Coaching the Eagles is Nick Sirianni, a former wide receiver at the University of Mount Union, a Division III NCAA program. In his two seasons of experience as a head coach with the Eagles, he’s led the team to a 25-12 record while earning the respect of one of the most demanding fan bases in football.
Across the gridiron, quarterbacking Kansas City is Patrick Mahomes. Making his third trip to the Super Bowl, Mahomes already has a Lombardi trophy on his shelf, taking home Super Bowl MVP honors with him along the way.
Head Coach Andy Reid is calling the plays for the Chiefs. A two-time Super Bowl Champion with an overall record of 268-154-1, he stands fifth all-time in regular season wins with 247, and his 21 playoff wins are second all-time by a head coach, according to CBS Sports.
Mahomes and Reid have a 9-3 record in the playoffs and have gone up against the best, with two of their losses falling at the hands of Brady. Experience-wise, Philadelphia is heavily outmatched.
This postseason alone, Philadelphia’s road to the playoffs was a gift, defeating a mediocre Giants team and the 49ers with their fourth-string quarterback. Meanwhile, the Chiefs defeated the Bengals — who were on a 10-game winning streak — eliminating the Super Bowl favorites Buffalo Bills on their way to the matchup.
The Eagles haven’t trailed in the postseason either, so we don’t know what they might look like when they’re losing. After jumping to early leads, they’ve been comfortable sticking to their highly effective rushing offense to consistently advance yards while burning time. But the Chiefs won’t give them any breathing room, which will force them to throw the ball more often.
Hurts hasn’t thrown for more than 154 yards in the postseason. Against the 49ers, he completed just one pass over 11 yards in 25 passing attempts, scrambling in the pocket and looking unsure when looking to pass downfield.
If you know anything about football, it’s that no lead is safe when playing against Mahomes and Reid, especially with tight end Travis Kelce in the mix. Mahomes has led three postseason game-winning drives, one of them coming in Super Bowl LIV. Hurts has none.
The only way to beat the Chiefs’ fire is with fire. Their offense will score on any defense, and Hurts will find himself forced to air the ball out to keep up with Mahomes. His passing insecurity in the playoffs will hurt the Eagles against a passing defense that intercepted Burrow twice while allowing just one passing touchdown in the AFC Championship.
Inspiring stories and depth don’t win Super Bowls — coaching, experience and playmakers do. The Chiefs are superior in all three categories, but I might be wrong. Anything can happen on any given Sunday. That’s the beauty of the sport.
Featured image by Fernando Molina Bier | The Phoenix
She’s a sex columnist, fashion aficionado and self-proclaimed relationship expert with repulsive taste in men. No matter how you view her, Carrie Bradshaw (Sarah Jessica Parker) defined the early 2000s. Nonetheless, as Valentine’s Day approaches, I couldn’t help but wonder how “Sex and the City” gets romance and female friendships so wrong.
Created by male producer Darren Star, the comforting yet caricaturistic depiction of womanhood through six seasons of Bradshaw, Samantha Jones (Kim Catrall,) Charlotte York (Kristin Davis) and Miranda Hobbes (Cynthia Nixon) is more than dated — it’s dull.
The series only leaves room for four types of women — the nurturing Madonna, the neurotic workaholic, the sex-addicted temptress or the quirky girl next door.
Women have fallen into this Buzzfeed-quiz-esque, multiple choice formula of female characters for years. You’re either a Charlotte or a Samantha but never in between. It’s a modern configuration of the centuries-old Madonna-whore complex, which confines women to being pure virgins or polluted prostitutes.
Apart from its depiction of women, the series’ portrayal of female friendships is most disappointing. Despite their closeness, the foursome is constantly finding ways to put each other down. Samantha bears the brunt of this, with Carrie often leading efforts to weaken her self-confidence. In a season four episode titled “What’s Sex Got To Do With It,” Samantha tells the group she’s dating a woman — and none of her friends are supportive.
“How does that work?” Carrie asks. “You go to bed one night, you wake up the next morning and poof, you’re a lesbian.”
“I don’t think she’s a lesbian, I think she just ran out of men,” Charlotte said.
Tensions continue into season five when Carrie, a habitual adultress, shames Samantha for having relations with a man in Samantha’s own office. For a woman that has ended marriages through her sexcapades, Carrie’s judgment is shockingly audacious.
“I can’t believe you would judge me after all we’ve been through,” Samantha said to Carrie.
The “friends” weren’t just feuding on screen, according to tabloid gossip. Kim Catrall and Sarah Jessica Parker allegedly clashed in the show’s later seasons, which resulted in Catrall not returning for the series’ spinoff “And Just Like That,” according to Vulture.
Women aside, the series’ men are even more intolerable, the worst of all being John James Preston (Chris Noth) — otherwise known as “Mr. Big” — whose commitment issues throughout the show escalate, leaving Carrie stranded at the altar in “Sex and the City: The Movie.”
I’d like to think that the days of women vying for disrespectful men are over. Nonetheless, in Star’s “Sex and the City,” nice guys really do finish last.
The series paints a delusional world in which the bad boy gets the girl time and time again. For redeemable male characters like Steve (David Eigenberg,) Miranda’s on-and-off fling who she ends up accidentally having a child with, or Aidan (John Corbett), Carrie’s infrequent second choice, there’s no happy ending in sight.
Charlotte is constantly ridiculing her endearingly goofy husband Harry (Evan Handler) for being shorter, uglier and balder than her — because the only way to be valued by the women in this show is by being bullied by them.
No matter how enticing Carrie’s chic city apartment and collection of Manolo Blahnik’s may appear, the show itself is a blatantly obvious example of a man’s take on femininity.
As a woman myself, I’ve succumbed to the infrequent discussion of which “Sex and the City” character I’m most like. It’s an easy, one-dimensional conversation between girlfriends to better understand how you’re perceived. If they see themselves as being driven, but in a confronting, aggressive way — they’re a Miranda. Or if they enjoy the playfulness of sex, or toying with men — they’re a Samantha. Carries are unknowing and clumsily unrefined and Charlottes are nurturing and naively optimistic.
But, as time goes on, one can only hope these stereotypes of womanhood will be subverted, with women answering the age-old “Samantha, Charlotte, Carrie or Miranda” with “none of the above.”
Featured image courtesy of HBO
With Feb. 14 just around the corner, love is in the air. Whether single, in a complicated situationship or celebrating a long-term relationship, it’s hard to ignore the heart-shaped candies and exaggerated declarations of love.
Valentine’s Day is characterized by all things romance — especially the movies. From enemies-to-lovers tropes to classic comedies, here are five rom-coms to cure the Valentine’s Day sadness or laugh about with your partner.
“10 Things I Hate About You”
When Cameron James (Joseph Gordon-Levitt) transfers to Padua High School, he is immediately infatuated with the school sweetheart Bianca Stratford. Unfortunately for Cameron, his crush has a strict father with a stricter house rule: Bianca can’t date until her older sister, Kat (Julia Stiles), does.
Cameron is willing to go to any extreme to win Bianca’s heart, even organizing a complex scheme to find a boyfriend for Kat, whose rebellious spirit often pushes people away.
Enter Patrick Verona (Heath Ledger), the long-haired, cigarette-smoking bad boy with a notorious reputation and charming Australian accent. When bribed by the most popular guy in school, Patrick agrees to date Kat for a large sum of money — but neither of them expect to fall in love.
Press play for Ledger’s iconic performance of “Can’t Take My Eyes Off You” and stay for a heartwarming love story. This modern adaptation of Shakespeare’s “Taming of the Shrew” is an amazing film to laugh, cry and quote all year round.
Hitch
Will Smith stars as a professional matchmaker. (Courtesy of Columbia Pictures)Will Smith stars in the 2005 film as dating consultant and professional matchmaker Alex “Hitch” Hitchens. Hitch meets celebrity gossip columnist Sara Melas (Eva Mendes) after being tasked with helping Albert Brennaman (Kevin James) — a socially awkward client — score a date with a famous socialite. As Sara seeks to uncover the truth behind Albert’s new relationship, her career sends her crossing paths with Hitch in the most unexpected ways.
As they go from friends to enemies to lovers, Hitch and Sara’s comedic relationship and constant banter will chase away any Valentine’s Day blues.
Crazy Rich Asians
When Rachel Chu (Constance Wu) is invited to attend a wedding with her long-term boyfriend Nick Young (Henry Golding), she expects a lovely trip to Singapore, an abundance of good food and the opportunity to meet Nick’s family. What she doesn’t expect is for his family to be rich — crazy, filthy, inconceivably rich.
As an outsider to Nick’s world, Rachel must navigate his disapproving mother, snobbish ex-girlfriend and the expectations of holding a massive fortune, all while keeping her relationship afloat.
This film proves love is worth more than any amount of money, and true love will always find a happy ending.
The Wedding Planner
“The Wedding Planner” is both tearful and heartwarming. (Courtesy of Columbia Pictures)When Mary Fiore (Jennifer Lopez) is hired to plan an extravagant wedding, she is shocked to find that the groom is Steve Edison (Matthew McConaughey), the mysterious doctor who swept her off her feet only nights before.
Unaware of Mary and Steve’s connection, the bride leaves on a business trip, placing planning responsibilities on the pair. Left alone to plan a wedding, Mary and Steve can’t help falling for one another despite all the obstacles in their way.
From ballroom dancing to chance encounters, “The Wedding Planner”is packed with both tear-jerking and heartwarming moments.
Set It Up
Harper Moore (Zoey Deutch) and Charlie Young (Glen Powell) meet late one night in their office building — and they instantly hate each other.
Both are employees of demanding, selfish bosses who make their lives miserable on a daily basis. Desperate for relief from their difficult jobs, Harper and Charlie team up to set their bosses up on a date. Naturally, while setting up their bosses, they also set themselves up for love.
Cliché rom-coms are a necessity on Valentine’s Day, and “Set it Up” is as cliché as it gets.
Featured image courtesy of Touchstone Pictures
Valentine’s Day is fast approaching. Cupid’s shadow can be found in the corners of the Information Commons, his arrows stuck in Dumbach Hall’s walls.
Those bit by the love bug face one crucial question — where to go on the first date?
Luckily for these bumbling beaus, Loyola offers a range of dining options, dishing up dinner and convenience. These easy-access meals serve a low-effort date night within the comfort of Loyola’s Lake Shore Campus.
Between the Damen, de Nobili and Simpson dining halls, which will be taking home the rose?
Here’s The Phoenix’s ratings of Loyola’s dining halls as first date locations.
Damen: The All-American Lover
Damen Dining Hall is tried and true and considered by some a pure American beauty. Located in the Damen Student Center and open for dinner from 4:30 to 9 p.m., this hall cooks up “curated plates from our states,” according to their logo’s slogan.
Their dishes offer a wide variety of standard American meals. From a well-done burger to breaded chicken drumsticks, it truly doesn’t get more patriotic than this.
In the off-chance Damen serves its spaghetti and red meat sauce, a “Lady and the Tramp” moment could be a romantic possibility.
Damen’s selection of adorable mini desserts allows an indulgence in the most classic of date moves — hand-feeding the other person.
However, caution is needed when planning a first date at Damen. Given the hall’s history with health code violations, couples must be prepared to test the longevity of their relationship, loving each other in sickness and in health.
Many of the dining hall’s seating options are reserved for parties of four or more, which leaves couples to fend for themselves.
Damen does offer two-seaters, but they’ve either been pushed tight together in a row along the booths or have been separated from the pack in the darkest corner of the room. Leaking private conversations to everyone around certainly isn’t ideal but neither is squinting to make out the details of a date’s face.
All in all, Damen stands for extroverted lovers looking to share their newly blossoming relationship over a dinner of reliably simple chicken nuggets and grilled cheese.
First date score: 2/5
Some parts of Loyola’s dining halls are adorned with Valentine’s Day decorations. (Catherine Meyer | The Phoenix)de Nobili’s International Rendezvous
If Damen is the girl next door, then de Nobili is the international summer fling. Self-identifying as being formed from “global inspiration,” this dining hall boasts meals from around the world.
From 4:30 to 11 p.m. de Nobili provides diverse entrees like tender beef stir-fry and hearty Hungarian goulash soup.
This late-night bite aspect makes it easier for busy students to plan and attend a first date. Sadly, the dining hall is closed on weekends, limiting couples to weekday-only dates.
Its bi-flavor ice cream machine analogizes the paring of lovebirds to the compatibility of chocolate and vanilla.
With its cosmopolitan dishes, this dining hall carries an air of sophistication. A honeymoon in Italy can be easily replaced by a slice of de Nobili pizza and salad.
The eating area features an abundance of couple’s corners with a long line of booth-and-chair duo seats. This seating arrangement makes the area feel like a cozy bistro off the beaten path.
It’s busy enough to be attractive without appearing cheap, mimicking the feeling of a coveted Michelin star restaurant and adding a sense of accomplishment and style to the date.
Overall, de Nobili welcomes the elegant and cultured lovers seeking a peregrine night out on the town.
First date score: 5/5
Simpson’s Sustaining Devotion
Simpson Hall’s dining is the sustainable giant, with their motto being “crafted with wellness.” If there’s hope of impressing a date with altruistic eco-consciousness, Simpson is the place to be.
Not only is this hall sustainable, but it’s attentive to any dietary restrictions. Its dishes specialize in halal, gluten, vegan and allergen-friendly meals.
Paramours beware — this dining hall is the first of the three to close its doors in the evening at 7 p.m., making date night a shorter affair than expected.
However, despite its early evening hours, it still remains an open option from 7 to 11 a.m. for a passionate weekend brunch. Simpson’s made-to-order omelettes are excellent to split.
Simpson’s designated area of tables for two is complemented by a vaulted ceiling. This allows for plenty of light to strike a romantic mood, calming any nervous feelings.
Despite these advantages, Simpson suffers a sparsity of guests past breakfast time. On one hand, this offers privacy to a first dinner date. On the other, it appears to trap the two alone together — a scary thought if the date ends up going poorly.
On the whole, Simpson is suited for the cautious sweethearts keen on having a date that’s more on the quiet side.
First date score: 4/5
Featured image by Catherine Meyer | The Phoenix
The Loyola men’s basketball team (8-14, 2-8) took its second win of conference play this season Feb. 4 against George Mason University 69-61. A strong defensive performance by the Ramblers — holding the Patriots to 32% shooting from the floor — and selfless ball carried Loyola to victory.
Loyola opened up scoring with a layup by graduate center Bryce Golden. The Patriots were able to respond with a three-pointer by Ronald Polite III to take the lead, but a bounce-pass by redshirt senior Braden Norris found Golden for another layup to retake the lead.
A three-pointer by Norris and two free throws by graduate forward Jeameril Wilson gave Loyola a dominant 11-3 lead early in the game. Throughout the first seven minutes of the half, the Ramblers held the Patriots to just three points while scoring nine off four George Mason turnovers.
Two layups by the Patriots cut their deficit to four, but a three-pointer by Schwieger would spark the beginning of a 8-2 run for the Ramblers, capped off by a jumper and three-pointer by Golden to set the score at 19-9.
George Mason’s Devon Cooper hit a stepback three as the shot clock expired, but a spin-move layup by junior forward Philip Alston as he was fouled got three points back for the Ramblers after the and-one. The Patriots were then able to cut their deficit to five points off Cooper’s hot hand, scoring one more three-pointer and assisting Malik Henry for a dunk
After senior guard Marquise Kennedy and Wilson scored two points each to extend Loyola’s lead to nine, a slam dunk by George Mason’s Justyn Fernandez got Patriots fans on their feet. However, Norris responded with a three-pointer to quickly sit them back down, as the Ramblers established a commanding 10-point lead.
The Patriots then scored four points off free throws followed by a three-pointer — all unanswered — to put them within three after a 7-0 run. Loyola called a timeout and came back to score a dunk off the hands of Alston, assisted by senior forward Tom Welch to send the game into halftime with a score of 34-29.
The Ramblers capped off the first half with efficient passing, recording 10 assists while committing only two turnovers. On the other side of the court, the Patriots recorded more turnovers than assists — six to five.
Golden put the Ramblers on the board first in the second half as he capitalized off an offensive rebound to score a layup. However, the Patriots were the hotter team coming into the second half, responding with a 9-2 run featuring five Loyola fouls and five points off free throws to tie the game at 38, forcing a Loyola timeout.
Straight out the timeout, Wilson found the net on a layup to snap the Ramblers’ three-minute scoring drought, but the Patriots responded with one of the same to even up the score at 40.
Welch then scored on a layup while fouled and scored the and-one to take a three-point lead at 43-40. However, George Mason would not let the Ramblers extend their lead, tying the game again at 45 after a free throw by Malik Henry.
Loyola then went on a 7-2 run featuring five points by Schwieger on a turnaround fadeaway jumper and a wide-open three assisted by Alston.
Loyola maintained a lead of at least three for the remainder of the game by playing solid defense. For a stretch of seven minutes, the Ramblers did not allow a single field goal until just under four minutes to go in the game, when Cooper scored a layup to set the scoreboard at 58-53.
The Patriots were able to score just one more field goal after Cooper’s. In the last minute of the game, Loyola’s defense denied every George Mason opportunity while Kennedy scored three free throws to give the Ramblers a 69-61 win.
The Ramblers’ smart decision-making and ball security — reflected in their 16 to six assist to turnover ratio — helped them get the win against the Patriots. Loyola also finished the game shooting 42.6% from the floor while smothering George Mason to an underwhelming 32%.
Loyola Head Coach Drew Valentine said despite the adversity his team has faced this year, the win against George Mason shows the belief they have in themselves, also crediting his coaching staff for the game plan and in-game adjustments.
“Passion, intensity, competitiveness at all times,” Valentine said. “That’s what the defense looked like tonight, and that’s what, when people talk about Loyola Chicago defense, that’s what it is.”
The Ramblers return to Gentile Arena Feb. 8 to host Saint Joseph’s University Feb. 8 in their second matchup of the season. Tip-off is scheduled for 8 p.m. and is set to be broadcast on NBC Sports Chicago.
Featured image courtesy of Victor Adegoke
The first day of school has always been widely acknowledged as the chill day of class. After hearing every student’s hometown, major, grade and a cookie-cutter fun fact about themselves, the syllabus gets passed around and students all settle in for a long-winded explanation of the semester ahead.
While for some, this part of class may be a time to mentally check out, others anxiously await the “required reading” section that outlines the books a student may need to buy to ultimately succeed in the class.
A sigh of relief may be heard from students after professors provide a PDF version or say the book is free and accessible through Loyola libraries. However, when the professors fail to mention the high price of a book, students are forced to open Amazon or the Loyola bookstore website and face the harsh realities of paying upwards of $100 on top of the baseline $50,270 annual tuition cost — a total that’s increasing $2,170 this year, The Phoenix reported.
The 2023-24 tuition increase is going toward financial aid and instructor salaries and benefits, The Phoenix reported. Supplies needed in order to perform well should also be included — but they’re not.
With textbook costs unclear prior to the semester, students are unable to financially prepare for the cost that lies ahead. While financial aid is offered to students needing support covering their education, budgeting for the extra cost of textbooks can be difficult when they are unknown to students until syllabi are released.
Yes, students choose to attend Loyola. And they choose to pay this tuition. But there is not enough say from students in what the tuition is covering.
During the virtual semesters, before July 6, 2020, students were given free, at-home access to Adobe programs, including Photoshop and Premiere Pro. For a lot of classes, especially in the journalism department, access is mandatory for any sort of success, but students are forced to work at “Loyola imaged machines” in the library or have to purchase an Adobe subscription, which could cost around $20 a month.
Textbooks and these programs are essential to simply taking each class, but they still are not included in the exorbitant amounts of money students spend attending Loyola.
If students were able to have at-home access before July 2020, why is that no longer a viable option unless a student is enrolled in very specific courses?
While class materials such as textbooks may benefit both in-class instruction and independent studying, it’s unfair to ask students to sacrifice more of their money in order to succeed in a class they are already paying for.
This past week I was finally exposed and contracted the dreadful COVID-19. After three years of somehow avoiding a number of close calls, I finally was faced with the shock of seeing double lines on my rapid COVID-19 test.
Seven exhausting days followed with me experiencing almost all the COVID-19 symptoms possible until finally my misery was put to an end with the help of Paxlovid — an emergency authorized medication to treat COVID-19.
My absence meant more work fell into the hands of other members on staff. I’m grateful to have adaptable and understanding co-workers who took on extra work as I recovered, and it assured me The Phoenix will be left in good hands when I finish this last semester and graduate.
Looking ahead, Austin and I are excited to announce a new and improved version of The Loyola Phoenix website. After crashing prior to break, we spent our time off curating the site to make it up to date aesthetically and more user-friendly than before.
The site is a mark of a new era of The Phoenix. For those with a paper currently in your hand, I appreciate your support for print journalism and encourage you to check out our website in coming weeks for multimedia content.
We have updates and additions to the website to come, so be sure to stay tuned throughout 2023!
Redshirt first-year forward Ben Schwieger is one of the Loyola men’s basketball team’s newest additions to the starting lineup. At 6-foot-7, Schwieger is the second-tallest in the lineup behind 6-foot-11 graduate forward Bryce Golden but is the youngest at just 18 years old.
Though he sat out his first year at Loyola as a redshirt, Schwieger has since started in 16 of Loyola’s 21 games this season, averaging 9.6 points, 3.6 rebounds and 2.1 assists per game. Along with being a standout player on the court, Schwieger also plays the acoustic guitar.
Schwieger grew up in Aurora, Illinois with two older siblings — his brother Dan and sister Stephanie — who he said inspired him in different ways and naturally wanted to follow in their footsteps. While Stephanie introduced Ben to music, Dan introduced his little brother to sports as an athlete himself, and Schwieger said going to all his older brother’s games made him want to play.
“I’ve been playing basketball since I was really little, probably around 4, with the little tykes hoop,” Schwieger said chuckling. “I grew up playing pretty much every sport. Baseball up until high school, played volleyball in high school, played soccer, football, so just kind of a mix of everything, and just kind of stuck with basketball.”
Though you can find Schwieger on the court most of the time, you can also find him playing the acoustic guitar. After getting the music bug from his older sister Stephanie, Schwieger elevated his love for music into talent during the COVID-19 pandemic by learning how to play the guitar.
“I had nothing better to do, so I might as well come out of this with a new skill learned,” Schwieger said. “I just started looking up YouTube videos on how to play guitar and my brother had a guitar from one of his friend’s brothers who was in a band, and I just picked it up and just started learning.”
Schwieger said his favorite song to play is Talking Tennessee, by Morgan Wallen and his talents can be seen on his TikTok @benschwieger.
Schwieger first arrived on campus in the summer of 2021, after being recruited by Loyola Head Coach Drew Valentine, who was an assistant coach under former Head Coach Porter Moser at the time. Valentine said he attended some of Schwieger’s high school games at Waubonsie Valley in Aurora, Illinois, where he immediately noticed the redshirt first-year’s natural ability.
“Just how easy the game came to him, he was always a guy that was super efficient as far as the percentages on the court from three, from two,” Valentine said. “He had just really good instincts for the game and athleticism that really [stands] out.”
Valentine also noted the potential Schwieger had, as a player who wasn’t working on upping his weight and skill development and could work with him on both. Another attractive element in Schwieger’s recruitment was how naturally athletic he was, being a multi-sport athlete. He played volleyball and basketball in high-school.
After Schwieger’s arrival at Loyola, Valentine said Schwieger worked closely with assistant coaches Patrick Wallace and Amorrow Morgan, looking to improve his game and upping his weight. Schwieger came to Loyola at 190 pounds and set a goal at the start of the summer of getting to 210. By the end of summer training, he was 212, putting on 22 pounds in just one year — something Valentine said has really helped him elevate his game to a high level.
Fellow teammate senior forward Tom Welch, who played just down the road from Schwieger in high school at Naperville North, has also taken notice of the work Schwieger has put in over the last year, saying it’s not easy working through the first year.
“It’s a tough year being on the practice squad and getting yelled at and getting beat up every day,” Welch said. “I could see it in his eyes, the determination to get better every day. And he has been doing that now in his second year and I just know he’s gonna skyrocket with his potential.”
From Schwieger’s view, his redshirt year put the “why” behind the game into perspective for him. Schwieger said seeing the fifth year players on last year’s roster lead the team to success showed him just how hard he had to work to get similar results, something he said he didn’t know before coming to Loyola.
Schwieger’s “why” is carrying him through a tough season of rebuilding with so much lost experience. He said he’s pushing himself even more to be a part of a winning team and continuing to grow the culture with other players.
Schwieger and the Ramblers return to Gentile Arena Feb. 4 where they face George Mason University for the second time this season. Tip-off is scheduled for 1:30 p.m. and is set to be broadcast on USA Network.
Loyola Athletics announced the hiring of Steve Bode as head coach for the men’s soccer team Jan. 20, 2022. Formerly an assistant coach for the Ramblers in 2019, Bode made his return to Rogers Park in a period of great change — a conference move from the Missouri Valley Conference to the Atlantic 10 (A-10).
This transition was met with the challenges of more competitive opponents, a more demanding travel schedule, and a lower probability of making the NCAA tournament. In his first year at the helm, however, Bode led the Ramblers to the A-10 Championship game, where they fell to No. 20 Saint Louis University in a penalty shootout Nov. 13.
A natural born leader, Bode said his path to coaching came gradually throughout every stage of his life. Growing up the son of Mike Bode — a professional golfer — Bode said he always felt a significant sports presence growing up. He said he was the “youth of America that wanted to play every sport.”
Ultimately gravitating towards soccer and basketball in high school, Bode said he was fortunate to have excellent coaches, all of which he learned from as they invested their trust in him to lead. As a sophomore in high school, Bode said he was already captain of the soccer team, actively looking to set an example for his teammates.
Bode continued to play soccer in college for the University of Wisconsin-Milwaukee, where he was named captain as a sophomore again — just a year after joining his new team. Bode said throughout his career as an athlete, he was always put in a position to lead, which was the best way for him to develop the ability over time.
“I felt like in a lot of ways I saw myself almost as a coach on the field in college,” Bode said. “The way I tried to look at the game and how I tried to lead others.”
During his time with the Panthers, Bode was selected as the team’s Most Valuable Player in the 2005 and 2007 seasons and was named the Milwaukee Panthers’ Male Athlete of the Year in 2007. He also received the Herman Kluge award for the 2007-08 season — commemorating excellence in academics, athletics, and community service — while garnering several All-Horizon League Honors.
Upon graduating, Bode achieved his lifelong goal when he was drafted by Chicago Fire FC in 2008, but an injury going into training camp would cut this period of elation short.
“It was like, ‘This is the dream come true,’” Bode said on being drafted by Chicago Fire. “‘This is what I’ve been working for. Went into training camp Chicago Fire and got injured. It was devastating for me at that time, because it was like, tryouts situation, and the injury couldn’t have come at a worse time.”
After recovering from his injury, Chicago Fire FC kept Bode, but he said it was essentially to play in reserve games.
However, Bode was then presented an opportunity by one of his former coaches to become an assistant coach at Marquette University — a Division 1 program — with the option of simultaneously attending graduate school.
“I ended up taking it and running with it, based on the hand that I was dealt at the time and never looked back.” Bode said. “I believe that, you know? Doors close and doors open…I wasn’t going to be a special MLS player. I was probably always going to be hopefully a better coach than I was going to be a player, whether it be in MLS or USL.”
In his first year as head coach, Bode exceeded expectations by leading the Ramblers to a runner-up finish in the A-10 Championship after being ranked fifth in the conference’s preseason poll Aug. 17.
Bode said he was fortunate to take the reins of the team with such a talented roster, full of experienced, driven and hungry athletes. He said being able to guide and mold student athletes in such a developmental period for them is one of the reasons why he loves his job.
“They know that we care beyond just what they can do on the field,” Bode said. “Because that’s kind of probably the stigma as the coach, you do what I say… but beyond that is that relationship, and we love to cultivate those.”
Bode takes pride in his communication with his student athletes, also mentioning how it helped them get on the same page approaching this challenging conference-transition season. Bode said they took this challenge as an opportunity to show themselves how good they could be.
That chip-on-your-shoulder mentality took them to the A-10 final, and just a couple penalty kicks shy from winning it and going to the NCAA tournament. The Loyola men’s soccer team returns in the fall of 2023, and Bode said he’s even more excited for this one.
“The fact that we didn’t win it, these guys are hungry,” Bode said. “They’re motivated. They really want to get back to that same feeling of winning it and going to the NCAA Tournament, so we’re excited about that new challenge this year.”
Featured image courtesy of Steve Woltmann of Loyola Athletics
Loyola began offering free subscriptions to Headspace, a mental health and wellness app, for students on Jan. 30. The first 2,500 students to register will receive free access, according to David De Boer, director of counseling at the Wellness Center.
Headspace offers content specific to improving mental health and well-being. The app has guides and exercises for anxiety management and research on meditation, according to the Headspace website.
Irina Greenwald, director of business operations in the division of student development, said Loyola went with this package because of the many different features that it offers for the price of the subscription. Loyola wanted to get an idea of how many students would be interested in using Headspace.
The decision to purchase 2,500 subscriptions was made by Dr. Keith Champagne, vice president of student development, in discussions with staff from the Loyola’s Wellness Center and Information Technology Services (ITS), as well as representatives from the Student Government of Loyola Chicago (SGLC), Greenwald said in an email to The Phoenix.
Champagne did not respond to a request for comment.
“We provided the list of eligible students, meaning students currently enrolled with at least six credit hours, with their email addresses,” De Boer said. “When students sign up, Headspace can verify that they are a currently enrolled Loyola student.”
Headspace did not respond to a request for comment.
The free subscriptions operate according to a licensing agreement between Headspace and Loyola. The licensing agreement can be changed depending on how many students sign up for Headspace, according to Nabhan Rafiq, SGLC’s former chief health and wellness officer.
“In the agreement we could increase that number in future years,” Rafiq said. “We did not want to go out and buy all 16,000 [subscriptions] when not all 16,000 were going to use them. It just truly depends on how this semester plays out.”
Rafiq, who was a part of SGLC’s Safety and Wellness Committee which worked on the mindfulness initiative, spoke on his role during various discussions about the licensing agreement. He continued to advocate for free Headspace subscriptions not just as a member of the SGLC but as a student.
Lilian Baca, a former SGLC senator who graduated in December 2022, said she had come up with the idea to implement free subscriptions in the Fall of 2019 after conversations she had with friends. She was eventually encouraged to run for senator in the SGLC to start working on the Mindfulness initiative, the formal goal outline for free Headspace subscriptions.
In May 2020 Baca began to advocate on a larger scale for the mindfulness app initiative at Loyola. Students were asked in a survey in the Fall of 2020 if they would use a mindfulness app and 75 percent either agreed or strongly agreed, according to Baca.
SGLC’s Safety and Wellness Committee held pitch meetings with a member from Loyola’s Information Technology Services (ITS) and the former Dean of Students where they tested various mindfulness apps to decide which one would be the most useful for Loyola students.
“Eventually we decided that we liked Headspace a lot because it was a familiar app,” Rafiq said. “There is also ways to interact with other students through the app at Loyola. If you want to send someone a reminder and they are also a student at Loyola using Headspace it would be kind of like a poke on Facebook.”
Rita Trehan, a junior psychology major and SGLC’s chief health and wellness officer, who also worked on the Safety and Wellness Committee, said the Wellness Center and the SGLC met periodically within the past year to discuss updates on the initiative and its eventual implementation.
“I have really enjoyed meeting with the Wellness Center,” Trehan, 20, said. “They really care about the students’ needs. Student Government has always been very closely connected to the Wellness Center. They have been on board and willing to push it out as soon as it can.”
Dianna Stencel, a licensed clinical social worker and member of the mental health team at the Wellness Center, said in her 20 years at Loyola she has noticed an increase in anxiety and depression amongst college students.
In a nationwide survey, 71 percent of college students were reported to be experiencing mental health issues such as stress, anxiety, or depression, according to the Associated Press (AP). 75 percent of those who sought help from a virtual mental health app or teletherapy service said their mental health improved after using the resource, the same report found.
“I have looked at other apps and there are some that are not that great at all,” Stencel said. “What is nice about Headspace is the community part but also the smoothness of the technology. It is easy to navigate and really well developed.”
Sriya Patel, 21, a junior majoring in biology, said she has heard of Headspace and is looking forward to the free subscription.
“College can be stressful at times and I believe meditation is key for all students,” Patel said in an email to The Phoenix.“ I am looking forward to the free subscription.”
The free Headspace subscription will increase the availability of mental health resources on campus and the SGLC is excited to see how many students take advantage of the app.
“This free Headspace subscription will serve as one of many resources to LUC community members to help them prioritize their physical, mental, and emotional health,” Hannah Kwak, the president of SGLC, said in an email to The Phoenix. “I highly encourage anyone interested to grab a subscription while you can. If we demonstrate enough interest, we will be able to purchase more licenses in the future!”
Cody Leonhardt, a second-year student in Loyola’s School of Law, passed away on Jan. 15 at the age of 25. According to his best friend, Tony Dye, Leonhardt was very close with his family and aspired to defend individuals in the LGBTQ+ community in his future law career.
Leonhardt had taken a leave of absence from the law program to focus on receiving treatment for mental health challenges, according to an email sent to Loyola’s faculty, students and staff on Jan. 18.
Leonhardt’s sister, Lisa Kozina, remembered Leonhardt as being extremely caring with a big heart.
“He was always empathetic and worried about others,” Kozina said. “He went out of his way to make sure that the other people around him could succeed.”
Kozina, 31, said Leonhardt was very close with his family, including his parents Robert and Manuela, as well as his nieces and nephews.
“He would talk to my mom every day on the phone, they would FaceTime,” she said. “And my dad, he really enjoyed fishing with him.”
Kozina said her favorite memory of her brother was watching him become an uncle.
“He was always so grossed out by my kids, like the dirty diapers and messy hands and spit up,” Kozina said. “But he never hesitated to love on them and play with them.”
Leonhardt would have dance parties with his nieces and let them paint his nails and play “pretty pretty princess,” according to Kozina. She says he was always smiling and went along with them.
Dye, 24, has been Leonhardt’s best friend since fifth grade. Dye said they both had PlayStation 3s that they used to play video games with each other, which is how they initially bonded.
He said Leonhardt was very quiet and kept to himself at first, but once you got to know him, he showed his sense of humor and became the loudest in the room.
“He was the life of the party,” Dye said. “Whenever anything was going on, it was Cody that was making jokes. Everyone was laughing with him. He was telling stories. He was always just a bright soul no matter what.”
Dye said the two of them have been inseparable since middle school — taking the same undergraduate classes and getting the same degree at Purdue University Northwest.
“If we didn’t, we absolutely loathed being there alone, just sitting there wishing we could be with our friend,” Dye said. “Being with him 24/7 every day was an incredible gift.”
Leonhardt was also the best man at Dye’s wedding in October. Dye recalled pinning a set of flowers on his shirt and seeing him smile.
“Seeing him look at me as I’m doing that, fondly, is an image and a memory I am going to hold close to my heart for the rest of my life,” Dye said.
Dr. Nicky Jackson, a criminal justice program coordinator at Purdue University Northwest, had Leonhardt as a student for all four years of his undergraduate education.
Jackson remembered Leonhardt as a student who never hesitated to ask if he needed something.
“I just wish he would’ve asked about other things,” Jackson said. “The world lost an amazing young man, he had so much potential, so much potential.”
Kozina remembered how hard Leonhardt worked to get into law school and recalled the moment he chose to attend Loyola.
“It was a big moment in his life, and I know that my parents and I were really proud of him,” she said.
One of the reasons Leonhardt decided to go to law school was to defend those in the LGBTQ+ community, according to Dye, since he had come out as gay in his sophomore year of college.
“At one point in time he couldn’t find his voice, and though he felt he wanted to come out, he couldn’t until he found the right time,” Dye said.
He explained that Leonhardt wanted to help people that still felt silenced after they came out.
“He wanted to make sure that those people were helped because he felt that the criminal justice system and our civil system was incredibly unjust,” Dye said.
To honor his interest in video games and advocacy for the LGBTQ+ community, Leonhardt was wearing a gay pride pin from his favorite game, Destiny, at his memorial service Jan. 19 at Elmwood Funeral Chapel in St. John, Indiana.
In November, Leonhardt experienced a mental health crisis. He went through inpatient and outpatient therapy and decided he was ready to return to school in January, according to Kozina.
“When he expressed what was going on, it felt like we had got him back in a way, but come January when he had passed, we didn’t realize how bad it was,” Dye said. “Even then, he was incredibly strong and made sure that everyone was okay.”
“He was just a very, very bright person. He was a great friend and a good brother that will be sorely missed,” Dye said.
Kozina said her family wants to share Leonhardt’s story to end the stigma around mental health by encouraging people to seek help and utilize resources.
“We just really want to honor his memory and make people see what we saw in him and help people realize that even if you are struggling with addiction or depression or anxiety or anything, that you should reach out for help and lean on those around you and those that care about you,” she said.
Dye expressed navigating mental health issues is a hard journey for everyone involved.
“Mental health is scary, and I want people to realize that drug abuse and addiction is also a mental illness as well, and there’s help for that,” he said.
Leonhardt’s family has requested in lieu of flowers, donations be made to the National Alliance on Mental Health. The family also recommends students take advantage of available mental health resources at Loyola and reach out to those around them when they are struggling.
Loyola’s Wellness Center offers various resources for mental health including crisis care, counseling and psychiatry, all of which are accessible on their website.
Loyola’s student run hotel service, The Flats at Loyola Station, has almost finished reconstruction after a pipe burst in February of last year.
First opened in 2010, The Flats is a university owned and undergraduate student-operated guesthouse located at 1216 W. Arthur Ave. behind the CTA Red Line Loyola Station. There are a total of 10 units with various amenities including stocked kitchens with food and kitchenware, laundry appliances and free parking, according to The Flats website.
After a guest left a window open and the heating off in February 2022, the indoor temperature of Unit 202 dropped to 34 F and a pipe burst, according to Loyola senior Kamdyn Rhodes, president of The Flats. Following the subsequent flooding, The Flats suffered cancellations and were immediately unavailable for the next three months as the reconstruction process began.
Some of the new additions included new upgraded smart TVs in every unit, with guest access to streaming services. Other amenities that have been added include new furniture, a conference room and a hospitality room or common area with food and a coffee bar.
The Flats are a part of Loyola Limited, Loyola’s largest undergraduate student-run business organization. When redesigning the flooded units, creative control fell to the team of 10 students who work at The Flats, according to Rhodes.
“For instance, this room specifically, I chose the backsplash for the kitchen, I chose the wall colors,” Rhodes said. “I got to personally pick out all the furniture pieces, which was nice, because it’s a big budget too. So I kind of got to live out my designer dreams while doing it.”
Loyola Limited and The Flats are owned by Loyola University Chicago and part of the Quinlan School of Business’s Loyola Business Leadership Hub, according to the Hub’s website. Loyola Limited and all of its components are funded by the university and The Flats are given a monthly insurance budget which The Flats employees decide how to utilize, Rhodes told The Phoenix.
“The Flats and overall Loyola Limited is kind of separated from the bigger Loyola community,” Rhodes said. “Because of the flood, and because of the liability within the flood, Loyola took interest in and we have a lot more support now from the university.”
Since the flooded unit was on the second floor, five other units were also damaged after water dripped down onto the first floor and then needed to be completely torn out and rebuilt, according to Rhodes.
“Because they were completely gutted, we got to do repainting and remodeling, which was a pro of the whole thing,” Rhodes said. “Some of the rooms needed to be updated anyway, so it was a good opportunity for us to freshen up paint and buy some new furniture and do some much-needed repairs to things.”
Rhodes hopes with these new additions, The Flats will be more capable of contending with similar businesses, such as the nearby Hampton Inn, which she identifies as The Flats main competition because of its proximity to campus and name-brand recognition.
Rhodes said she is especially excited about the hospitality room because The Flats is now able to offer some of the same amenities as the Hampton and the greater hospitality industry.
“I’m excited for our staff to have a place, like a central place, to work out of and to have more access to our guests,” Rhodes said. “But also for our guests to have more of a community when they stay here.”
Danielle Omer, a guest service associate at The Flats and first year student, is also particularly happy with the creation of the new hospitality room.
“This space will offer an employee work desk area, a conference room for team meetings, and a gathering area for guests to socialize and eat breakfast together,” Omer said to The Phoenix via email. “We have been working as a team to design a space that everyone feels comfortable working in and is inviting to our guests.”
Omer said she enjoys her time working at The Flats and would recommend it to any student interested in business management or operations.
“The team is friendly and accommodating to my needs as a student,” Omer said. “It has been the best way to get hands-on-experience of operating a real business.”
Despite the recent construction, The Flats are currently enjoying an unprecedented boom for the winter season. During the off-season of January and February, The Flats typically generate around $5,000, however this year the business has already brought in over $24,000, according to Rhodes.
“I started working here in 2020, so it’s like peak COVID time, so we really didn’t have any guests,” Rhodes said. “But we have done a lot of marketing campaigns, we’ve targeted a lot of the parents on Facebook pages and stuff like that. We were also working on our internal relations to different internal departments at Loyola.”
Looking beyond the renovations, Rhodes is optimistic about the future of The Flats.
“You come to Chicago and The Flats is a name that you know,” Rhodes said. “We just want to keep expanding how we serve the Loyola community.”
Late last year, professors, students and administrators were faced with the release of ChatGPT, an artificial intelligence (AI) software that takes user prompts and writes a response in minutes.
The AI can create poems, song lyrics and — most concerning for schools — entire essays. Using online data archives, developers trained ChatGPT on the collective knowledge of the Internet, according to Dr. Michael Burns, an assistant professor of biology at Loyola. OpenAI, the company that developed ChatGPT, researches and creates AI systems that are released to the public, according to their website.
Three Loyola professors addressed fears of academic dishonesty with a session at this semester’s Focus on Teaching and Learning, a virtual professional development conference, on Jan. 12.
Associate Director of the Center for Engaged Learning, Teaching and Scholarship Susan Haarman, Associate Professor Dr. Joe Vukov of the philosophy department and Burns said ChatGPT should be regarded as a new tool, not an instant cheating button. As attending professors listened, the PowerPoint detailed ways to incorporate AI software into the classroom.
Vukov suggested ChatGPT could be used as an aid for creating syllabi, lesson plans and even letters of recommendation. The AI program can spark discussions about its training data, usage and limitations. However, Vukov said the new software struggles to address questions related to ethics and often avoids making any hard moral stances. Burns said this aspect was intentionally designed by the developers.
“The AI is giving kind of wishy-washy answers, where it’s taking a hard centrist approach on a lot of these things,” Burns said at the conference.
Burns said this approach to ethics was programmed in to keep ChatGPT’s responses inoffensive.
For professors concerned about academic dishonesty, Burns said there is software that can detect AI-generated text. GPTZero analyzes text and determines whether it was written by a human or ChatGPT. However, Burns said the program isn’t perfect and may give incorrect results. Burns said OpenAI is developing their own AI detector.
Haarman assured professors that ChatGPT isn’t the end of education. The program is limited in matters of accuracy, personal experience and current events. She suggests that class assignments incorporate these elements to persuade students against using the AI software.
“The bots and AI cannot replicate their own opinions and their own voice,” Haarman said at the conference. “What you are and what you see cannot be found in an algorithm.”
With the start of the new semester, several professors have embraced text-generating programs. Dr. Kristen Irwin, assistant professor of philosophy in the Honors Program, plans on incorporating ChatGPT into her discussion section later in the semester.
In a game she calls “Break the Bot,” students will use the course’s texts to write prompts the AI can’t make sense of, making it spit out gibberish.
Irwin also said she noticed how formulaic ChatGPT’s essays are. She said professors in the Honors Program want to read creative essays that break away from the five-paragraph format.
At the same time, Irwin has several concerns about the information ChatGPT draws from. With the entire Internet used as its training data, the AI has been exposed to the worst things people have said to each other, she said.
“It’s important to know what its limitations are,” Irwin said. “Its training data is racist, sexist and homophobic. It spits out very boilerplate essays and most problematically, it hinders people from finding their own voice.”
Dr. Michael Schumacher, a lecturer in the Department of Political Science, also discussed ChatGPT on the first day of classes. He teaches three sections of Political Theory. With at least 40 students in each class all reading ancient texts, Schumacher says he encounters academic dishonesty most often in this course.
When talking about the AI, Schumacher treated it like any other tool that could be used to cheat. He compared it to SparkNotes, a popular website that provides study guides for courses in literature, history and other subjects.
“I understand the tools that are out there,” Schumacher said. “I can’t prevent you from using them. It is your responsibility as individuals to use them just as that — tools.”
Schumacher said he encourages his students to use these resources only as study tools and not as replacements for their own work.
Students like Madison Passon, a first year psychology major, didn’t hear about ChatGPT until her honors professors brought it up. Passon said every time she’s tried to access it since, the site has been at capacity. She said she hopes students don’t try to use it.
Kamdyn Rhodes, a senior criminal justice major, says there are plenty of applications for ChatGPT outside of academics. She said it could potentially be used to help fill out government applications or write letters to legislators. In school, though, Rhodes said it has more cons than pros.
“It can stifle learning if you have a computer write everything for you,” Rhodes said.
Featured image by Holden Green
Some students were temporarily moved out of their dorms in Mertz Residence Hall after their return to campus, following water damage from a pipe bursting in the building on Dec. 24.
Students were informed on Dec. 25 of the flooding in an email sent to Mertz residents which said a pipe had burst in the residence hall and floors two through 11 were impacted, with floors nine through 11 being impacted the most severely.
The pipe burst was a result of extremely low temperatures which the Chicago area experienced over winter break, according to Matt McDermott, a Loyola spokesperson.
“Residence Life, Facilities and our licensed water remediation vendor have worked diligently through the remediation process to provide a clean, dry and healthy environment for our students upon their return to campus,” McDermott said in an email to The Phoenix.
This process includes the mapping of affected areas, removing wet drywall, insulation and carpet tiles, as well as using a blower to dry out all the building materials, according to McDermott.
Neither Residence Life nor Facilities were available for comment.
Octavio Meza, a first-year student who lived on the ninth floor of Mertz, was temporarily in St. Louis Hall, located on West Loyola Avenue.
Other than the information about the pipe burst, Meza hasn’t received any further information from the university regarding the explanation of the flooding or any information regarding the damage done to the rooms. Meza moved back into his dorm on Jan. 28.
Kiran Osime, an international business major who was also temporarily living in St. Louis Hall, moved back into Mertz Hall on Jan. 29.
Osime said he hadn’t been allowed back into his room before the university gave him the approval to move back in, and when he tried to scan his student ID badge to get into the building, he discovered it had been deactivated.
Osime said he’s seen photos of friends’ rooms on different floors which had been gutted, with no carpet on the floor and pieces of drywall missing.
Students belongings were packed up and moved to a secure location while water remediation was taking place in Mertz, according to an update on the Loyola Residence Life website. Students are responsible for any items damaged in the flooding.
The university gave them an initial date for moving back into the dorms of Feb. 3, but that timeline was moved forward to about a week earlier than expected.
Meza said students were put in the same rooms in St. Louis Hall as the roommates they had already been living with in Mertz Hall.
Although Meza has renters insurance to cover items damaged by the flooding, he said there was some damage caused by the movers who packed up his things over break which would not be covered by his insurance, including posters he had hanging on his wall being ripped.
Osime doesn’t have renters insurance, and when he arrived at St. Louis Hall after returning from break, he found a number of his personal items to be missing. He said replacing these items would cost hundreds of dollars.
Among the missing items were a TI-84 calculator, a pair of Yeezy sneakers, a pair of Nike Vapor Maxes, a backpack filled with various miscellaneous items and Osime’s roommate’s prescription medications.
Osime sent an email to Residence Life on Jan. 19 in an attempt to recover the lost items, and received a response saying he could file a claim for any items which were lost.
The university also provided Osime with a reminder that students signed an agreement with the university stating students were responsible for any damage to personal items in the dorm.
Both Meza and Osime said they did not like the idea of somebody else packing up and looking through their personal belongings, but they also understood there was no other option.
This is the second time Mertz Hall has experienced flooding this school year, as it was one of 34 campus buildings affected by heavy rainfall in early Sept. 2022, The Phoenix previously reported.
Meza said he doesn’t feel the university has done enough for students who have been put in this situation.
“A lot of us feel screwed over,” Meza said. “And that’s because we are screwed over.”
The health, safety and wellbeing of students is the university’s top priority, according to Loyola spokesperson Matt McDermott.
“We are thankful for the care that our faculty and staff have shown students – and that students have shown fellow students – throughout this challenging situation,” McDermott wrote in an email.
Osime said he wished the university had done a better job of planning ahead, considering this is not the first time the university has had issues with flooding.
“If the flooding had happened before, they should have known if it was going to get cold and happen again,” Osime said. “They should have moved our stuff out of the dorm or put it in boxes so that I wouldn’t have to worry about replacing all of the stuff I had lost.”
Meza said he feels students pay too much money in tuition and room and board for things such as this to continue to happen on campus.
“Just alone, we pay a lot in housing, and it feels like we are asked to pay a lot and in return, we don’t really get the feeling of safety in our buildings,” Meza said, citing recent issues with the elevators in Mundelein and in Mertz Hall. “We pay a lot more than what we are given.”
Osime doesn’t feel students are currently the top priority of the university, calling instances such as this detrimental to the student experience and saying he wants the university to take the time to put themselves in the students’ situation.
“Put yourself in someone else’s shoes,” Osime said. “If the ‘higher ups’ things got damaged, if it was their house and their pipes burst, I’m pretty sure that they would want their stuff reimbursed and taken care of.”
Featured image taken by Holden Green
Disclaimer: the reporter and professor mentioned in this article are not the same individual
Dr. Zoe Smith, an assistant professor in the psychology department at Loyola and a licensed clinical child adolescent psychologist, received a two-year grant for $250,000 from the Robert Wood Johnson Foundation’s Health Equity Scholars for Action Program, which works towards health equity for all.
Smith said she was very excited and shocked as when she first learned of receiving the grant.
“I was a first-year faculty member, and I just had never done something like it before,” Smith said. “I was excited but also in complete disbelief. I was going to do this work anyway, and The Robert Wood Johnson Foundation with this grant has allowed me to focus a lot more time on this research.”
After receiving the grant in December 2021, it has gone towards her work in the project called Culturally Responsive Assessments for Teens (Project CRAFT). Project CRAFT is for Black and Latina/e/o teens suspected of having attention-deficit/hyperactivity disorder (ADHD), according to Smith.
“A lot of the teens that we’re going to be working with have not had a diagnosis of ADHD before,” Smith said. “So you can have a diagnosis [to participate], but you don’t have to.”
Smith said the first step in the process is to conduct a clinical interview with the teen as well as their parent asking about common mental health diagnoses in adolescents. Academic achievement testing and a brief IQ scale are also done in the first assessment, according to Smith.
“We compile all of that information into an integrated report and try to make it as succinct as possible so schools, parents and teens can actually understand what’s going on,” Smith said.
The first meeting is followed by a feedback session where Smith and her team provide the families with further information and their recommendations.
“Almost all of the families we’ve worked with so far, this is a first time diagnosis of ADHD, which is unfortunately not unusual in the Black and/or Latina/e/o communities,” Smith said.
Smith cites racism in the school system and individual errors as possibilities for why teens don’t have correct diagnoses.
Follow ups are done every month with the families to check in, have conversations and give surveys. Smith said she and her team are currently working with five families in the Chicagoland area and aim to serve as many families as possible.
Peter Schraeder, dean of the college of arts and sciences, was part of the review team that reviewed the grant Smith received.
“Zoe is the exact type of assistant professor you would hope for, does outstanding teaching, is involved in the pursuit of external grants, and is involved in all sorts of things on campus,” Schraeder said. “She’s a superstar in the department of psychology!”
Smith said in order to reach out and connect with more families, she and her team try to earn back the trust communities might have lost from past researchers. She said oftentimes when researchers’ funding for the work ends, they end up abandoning their projects altogether.
“We are not going to take away this service when the grant funding ends, because often when the grant ends, the intervention ends,” Smith said.
Smith does this by meeting with about 200 community and youth organizers, schools, mental health counselors, pediatricians and principals in the Chicagoland area. Her and her team also go to many events and host workshops on areas such as executive functioning mindfulness intervention so they can become familiar faces.
Smith also cited social media as playing a significant role in spreading information about the project and a helpful tool for reaching a greater number of people.
More of her work can be seen on the ACCTION (Advancing Community-Centered Interventions) Lab website, Twitter, Instagram, TikTok and Facebook. ACCTION Lab works on assessing and intervening with teens with ADHD and cognitive disengagement syndrome.
“We work really hard to provide information on mental health so as not to just be recruiting but also to provide resources for families and people,” Smith said.
Essie Humbertson, a senior psychology major, has been working with Smith since her junior year. Humberston said she was excited to begin working with Smith on Project CRAFT.
“Working with Zoe has made me realize that I am not doing my job as a psychologist if I do not work to make a change within the way we diagnose mental illness and disorders,” Humbertson said. “She is committed to making a positive change in the lives of struggling teens and in the field of psychology in general.”
Smith said she has received a positive response from colleagues after presenting her most recent findings at a conference put on by the Association for Behavioral and Cognitive Therapy.
Smith said she’s gotten a positive response from the medical community, however, directly impacting families in the Chicagoland community is more rewarding. People are able to get the accommodations and health care they need, since they will have the correct diagnosis.
Smith stressed the importance of the work being done in addressing mental health needs that otherwise would not be met in the community.
“When you get the support that you need in this society that does not value neurodiversity, like people with ADHD, then it can be really life changing,” Smith said.
Smith’s team is currently recruiting research assistants for the fall 2023 semester. She said particularly first and second year students are encouraged to check out their website if interested.
Instagram Caption:
Dr. Zoe Smith, Dr. Z, an assistant professor in the psychology department at Loyola and a licensed clinical child adolescent psychologist, received a two-year grant for $250,000 from the Robert Wood Johnson Foundation’s Health Equity Scholars for Action Program, which works towards health equity for all.
Smith received the grant in December 2021. It has gone towards her work in the project called Culturally Responsive Assessments for Teens (Project CRAFT). Project CRAFT is for Black and Latina/e/o teens suspected of having attention-deficit/hyperactivity disorder (ADHD).
“We are really passionate about this work,” Smith said.
Essie Humbertson, a senior psychology major, has been working with Smith since her junior year. Humberston said she was excited to begin working with Smith on Project CRAFT.
“Working with Zoe has made me realize that I am not doing my job as a psychologist if I do not work to make a change within the way we diagnose mental illness and disorders,” Humbertson said. “She is committed to making a positive change in the lives of struggling teens, and in the field of psychology in general.”
Featured image courtesy of Zoe Smith
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The Loyola women’s volleyball team (25-8, 17-1) is on its way to the NCAA tournament for the first time since 2005 under Head Coach Marcie Wolbeck. After beating the University of Dayton in four sets …
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The Loyola men’s basketball team (2-4) lost 61-55 against Harvard University in the first ever matchup between the two programs. This is the Ramblers third straight loss by 16 or more points after struggling with …
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The Loyola men’s basketball team (2-3) fell to No. 24 Texas A&M University (TAMU) by a score of 67-51 in its final match of the Myrtle Beach Invitational Nov. 20. The Ramblers exited the tournament …
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For the first time in program history the Loyola women’s volleyball team won the Atlantic 10 (A-10) championship after it beat the University of Dayton Nov. 20. The team will advance to the NCAA tournament …
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The Loyola women’s volleyball team defeated George Washington University 3-2 in the semifinal round of the Atlantic 10 (A-10) tournament Nov. 19, securing a spot in the championship. Loyola built an early lead in the …
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The Loyola men’s basketball team (2-2) fell 70-48 to Boise State University Nov. 18 in its second match of the Myrtle Beach Invitational. The Broncos’ offense excelled in the second half as it outscored the …
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In its opening match of the Myrtle Beach Invitational, the Loyola men’s basketball team (2-1) lost 85-66 to The University of Tulsa Nov. 17. Loyola was sunk by committing 22 turnovers that created 34 points …
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In his second solo studio album “Faith In The Future,” pop singer Louis Tomlinson doesn’t have much new to say — but it works for him. It seems as though taking the beaten path is …
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Mertz ’til it hurtz. Simpson breakfast is the best. Francis kids don’t talk. de Nobili is always loud. San Francisco catches on fire once a week. Campion is filled with rats. Wait, what’s St. Joe’s? …
The post The Housing Hypothesis: The Stereotypes Shaping First-Year Residence Life appeared first on Loyola Phoenix.
After a blowout 68-0 win over Washington University in St. Louis in the first round of the Division II Men’s National Championship Nov. 12, the Loyola men’s rugby team will travel to Knoxville, Tennessee to …
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A wooden counter separates a small kitchen from the intimate seating area where customers are sprawled with notebooks and iced coffees. Soft indie music and fragrant coffee beans warm the shop’s air. Ellipsis Coffeehouse co-owner …
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Art history students at Loyola were selected by their professors to give talks in the hallowed halls of the Art Institute of Chicago on Loyola Night on Nov. 10. This is the first time the …
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Senior midfielder Marc Torrellas and senior forward Oscar Dueso lead the Loyola men’s soccer team by working together to create scoring chances. Both hailing from Catalonia, Spain, the duo are close friends and boost team …
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The gym can be a chaotic environment — crowds of people, loud music and the ambiance of metal hitting the ground are just a few contributors. However, some students have found that listening to music …
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The Loyola men’s basketball team (2-0) lost a total of nine players coming into the 2022-23 season, including three of last season’s starting five. In their first season in the Atlantic 10 (A-10), the Ramblers …
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The Chicago Symphony Orchestra (CSO) held its biannual College Night on Nov. 5, hosted by CSO student ambassadors. The program was revived last spring after being put on pause due to the COVID-19 pandemic. College …
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Content warning: Medical trauma Ten years ago this month I was diagnosed with Crohn’s disease. I was 12 years old and weighed just short of 60 pounds. I missed a month of 6th grade that …
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Wayne Magdziarz, senior vice president, chief financial officer and chief business officer at Loyola, laid out the current state of the university’s finances at a series of three town hall presentations from Nov. 10-15. The …
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In the Atlantic 10 (A-10) Championship semifinal, the Loyola men’s soccer team defeated Duquesne University 1-0 in Pittsburgh Nov. 9. The Ramblers advanced to the A-10 Championship final thanks to senior midfielder Marc Torrellas’ second …
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I’ve loved baseball my entire life. As a newborn, my parents took me to a St. Louis Cardinals game when I was only four weeks old, and I played on the diamond for most of …
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Loyola Director of Athletics Steve Watson announced the hiring of Alison Guth as the new head coach for the women’s basketball team April 8. Before coming to Loyola, Guth was the head coach for Yale …
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There is no single meaning of “The BLZ.” Between 28 writers, actors, and crewmembers, everyone has a different interpretation of the acronym, but they all agree the titular student-run sitcom, set to be released in …
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The Phoenix had the opportunity to speak with the President Mark C. Reed before his inauguration ceremony on Oct. 13 and asked him a series of questions. He spoke about his time at Saint Joseph’s …
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From the subtle hand hold outside of Mundelein to lakefront dates, love at Loyola is all around. As the thrill of summer subsides and chilled November air fills its place, a new phase of the …
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The Loyola men’s and women’s cross country teams breezed through their Atlantic 10 (A-10) competition to sweep both conference team titles Oct. 29 as they prepare for NCAA Regionals. The men’s team placed first with …
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Content warning: This story mentions colonization, genocide, slavery, police brutality and gun violence. Daniel Boone Elementary School, located around two miles from Loyola’s Lake Shore Campus in Rogers Park, approved a proposal to change the …
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Content warning: Vulgar language, degradation After a one week delay and a parodied NPR Music Tiny Desk concert, Drake and 21 Savage released “Her Loss,” their first full-length album together, on Nov. 4. The duo …
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Content warning: Trauma, suicide and depression She’s the star who taught us to ask “Who Says” when plagued by feelings of insecurity. Yet, underneath her multi-platinum albums and makeup line, a much less confident icon …
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Content warning: Sexual assault, rape, vulgar language Students protested Loyola’s sexual assault allegations for the second day in a row on Nov. 4 by sitting on the floor of the Damen Student Center lobby. The …
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Content warning: Sexual assault, rape, vulgar language Students protested against Loyola’s handling of sexual assault allegations during President Mark C. Reed’s inaugural community reception on Nov. 3. The crowd of approximately 50 people gathered outside …
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The Loyola University Chicago community welcomed Dr. Mark C. Reed as its 25th president in an inaugural installation ceremony Nov. 3. Celebrations began at 10 a.m. with a mass in his honor at the Madonna …
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The Loyola women’s basketball team defeated Purdue University Northwest (PNW) 73-65 in its exhibition game Oct. 30. Led by junior forward Sitori Tanin’s double-double performance with 17 points and 11 rebounds, the Ramblers head into …
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This week I wrote a story that took months to write. It was probably one of the hardest stories for me to write both mentality and physically and yet, here I am, putting it in …
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Illinois voters have a historic opportunity to ensure everyone has a guaranteed right to make their voice heard in the workplace. At the top of this year’s ballot is Illinois Amendment 1, also known as …
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On Sept. 25, the Miami Dolphins defeated the Super Bowl favorite Buffalo Bills in a thrilling 21-19 game. Hard Rock Stadium and the city of Miami erupted in chants of triumph, as they were recognized …
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For some, the final days of October are an excuse to dress up in costume, rewatch classic horror movies and consume copious amounts of candy. For those of Mexican heritage, the season brings anticipation for …
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Warning: story includes mention of lynching and acts of racial violence. The Black Alumni Board (BAB) of Loyola University Chicago established a scholarship in honor of Mamie Till-Mobley, the mother of Emmett Till on Oct. …
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With the 2022 midterm elections less than a week away, Loyola students are deciding whether or not they will, or can, vote this year. Youth voter turnout is historically low, fluctuating among 40 to 50% …
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Content warning: this review mentions eating disorders, depression and mental health related issues. Pack up your red scarves and breakup blues — the “Midnights” era has begun, ushering in a year of self-critique and swanky …
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The Loyola women’s soccer team (7-7-3, 3-5-1) kept its Atlantic-10 (A-10) Tournament hopes alive with a 2-1 win over the University of Massachusetts in its home finale Oct. 20. With several scoring chances and a …
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The Loyola men’s soccer team (6-2-5, 2-2-2) faced Cleveland State University Oct. 19 at Loyola Soccer Park, ending in a 1-1 draw. The Ramblers’ late-game surge helped extend its unbeaten streak at home to seven …
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Loyola University Chicago’s 2022 undergraduate student body includes 16,892 students, according to the Office of Institutional Effectiveness. The university’s academics page reads the university is “committed to excellence” for all Ramblers. In reality, college life …
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Watching the reactions of men when they hear about my job is always interesting. The first reaction I get when I tell people about my job is shock. Other times, I’m bombarded with random sports …
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The Loyola cross country team excelled in both of its last two meets in St. Louis on Sept. 17 and Chicago on Sept. 30. Both men’s and women’s teams found success, carried by strong performances …
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This week on The Byline, news writer Hunter Minne discusses the fifth annual Chicago Women’s March which he attended on Oct. 8 in downtown Chicago. For arts and entertainment, writer Maura Green breaks down the resurgence …
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The Loyola men’s golf team finished 11th out of 14 in the Tom Tontimonia Invitational in Westlake, Ohio Oct. 4. This marks the second out of four invitationals in which the Ramblers have placed outside …
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Loyola students are finding their herd across campus by posting on the social media app Yik Yak. Yik Yak, an anonymous forum app released in 2013, is gaining popularity again — and after BeReal, it …
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Competing in its third competition of the season, Loyola traveled to Ypsilanti, Michigan for the Shirley Spork Invitational Oct. 3 and 4. The team placed fifth with a combined score of 931 (306-310-315) over 54 …
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The Loyola women’s soccer team (6-5-2, 2-3) fell to the University of Dayton 1-0 at Loyola Soccer Park Oct. 2. The Flyers — currently sitting atop the Atlantic 10 (A-10) — recorded a total of …
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When Hollywood comes to town, a piece of it never leaves. Chicago’s goliath skyscrapers and “L” stations aren’t soundstages that can be broken down once filming is over. So when directors choose Chicago as the …
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The Loyola women’s soccer team’s 2022 campaign is in full swing with the Ramblers (6-5-2, 2-3) currently sitting in ninth place in the Atlantic 10 (A-10). Their first season in the A-10 has been challenging …
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Sophomore forward John Gates loves to tell jokes and make his friends laugh off the field, using his witty personality to bond with his teammates. On the field, he leads Loyola with his fast plays …
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History is only a knock away with the return of Open House Chicago’s historic home tours Oct. 15-16. The free Open House Chicago festival organized by the Chicago Architecture Center allows special access to over …
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Whether ruffling their feathers at newcomers or sniffing the hands of regulars, domestic animals have made their way into some Chicago stores. A frame shop, antique gallery and two bookstores near Loyola’s Lake Shore Campus …
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Loyola women’s volleyball Head Coach Amanda Berkley describes herself as a wife and daughter, recently adding the title of mother. Entering her fifth season with the Ramblers, Berkley said she’s loved her time at Loyola …
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At least eight students have reportedly become ill after consuming food from the dining halls, and at least two have found their food to be spoiled or uncooked on Loyola’s Lake Shore Campus (LSC). Last …
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Loyola’s 25th President Dr. Mark C. Reed began his first day at Loyola on Oct. 1 following former President Jo Ann Rooney’s departure. Reed is scheduled to be inaugurated as president on Nov. 3, Loyola’s …
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The line snaked from corner to corner, heads bobbed to an exclusively ABBA playlist and fluorescent lights bounced off the pitch-black tables. This high-energy affair wasn’t Friday night at some random club — this was …
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I’m a diehard Chelsea F.C. fan but hate getting up early on a Saturday morning just to watch my team fall to Manchester City. Luckily for me, the National Women’s Soccer League (NWSL) provides exhilarating …
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During the bleak, cold winter, Darlene Hoftsra parts ways with her garden, relying on other creative outlets to fulfill her love for the outdoors. “This is my winter garden,” she said while laughing. “My [business] …
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Coming off its fourth consecutive Missouri Valley Conference (MVC) Championship, the Loyola women’s soccer team (5-2-2, 1-0) has started conference play in the Atlantic 10 (A-10) where it looks to face a higher level of …
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Caught in the whirlwind of the first month of classes, students often forget to savor the last few weeks of gorgeous Chicago weather. Whether it’s an outing with friends or a break between classes, these …
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In the mind of many people, drinking has become an ingrained part of the college experience, even though almost half the students in attendance are legally prohibited from drinking. The National Institute on Alcohol Abuse …
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From hours spent swiping between photos trying to decide which picture portrays the best angle to countless filters and cropping techniques, some people are willing to go to extremes to get the perfect Instagram post. …
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The Loyola women’s golf team entered its fall season on a tear, winning the Cardinal Classic and placing third as a team in the Redbird Invitational, where they broke multiple program records. The team’s early …
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The Loyola School of Environmental Sustainability (SES) and the Loyola Facilities Division has reported that it is on track to achieve carbon neutrality by 2025. Carbon neutrality is balancing an equal amount of carbon emissions …
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Thirty-four buildings at Loyola’s Shore Campus (LSC) were impacted by flooding on Sept. 11, which caused temporary closures and left some students with standing water in their residence halls, according to Kana Henning, senior associate …
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It’s the best time of year — pumpkin spice flavoring has re-entered coffee shops and my friend and I have fallen back into our seasonal obsession with “Gilmore Girls.” It’s our way of fully embracing …
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