Keith Eisenbrey: Recent Episodes

Keith Eisenbrey

Podcast by Keith Eisenbrey

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Amy Denio, Keith Eisenbrey, and Bonnie Whiting - Chapel Performance Space, Good Shepherd Center, Seattle, August 7, 2026 (second set)

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Amy Denio, Keith Eisenbrey, and Bonnie Whiting - Chapel Performance Space, Good Shepherd Center, Seattle, August 7, 2026 (first set)

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, July 27, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, July 13, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, July 6, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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a recent composition for clavichord

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, live at Noisegarden, Seattle, June 13, 2026.

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, June 1, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, May 18, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, May 4, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, improvising April 20, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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, recorded April 15, 2026.

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, recorded April 14, 2026.

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, recorded April 2, 2026.

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, recorded April 2, 2026.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, April 6, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer [March 23, 2026]

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, March 9, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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my recent composition, recorded March 4, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer [February 23, 20206]

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer [February 9, 20206]

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt [December 30, 1988]

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer [January 26, 2026]

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer [December 23, 1988]

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer [December 20, 1988]

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, December 15, 2008

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, December 20, 1988

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, December 17, 2026

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, January 12, 2026

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, December 2, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, November 10, 1988

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, November 4, 1988

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, December 29, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Banned Rehearsal 157 881027 by Keith Eisenbrey

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the most recent part of an ongoing project

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arrangement of the titular tune as found in an 1846 shape note song book

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, September 24, 2018

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, December 15, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, October 20, 1988

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, September 29, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, September 20, 1988

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, August 7, 1988

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my arrangement/performance of Jim Knodle's tune.

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version completed October 29, 2025, recorded December 4, 2025

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer December 1, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Banned Rehearsal 153 880915 by Keith Eisenbrey

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, December 1, 2003

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, September 8, 2025

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arrangement of W. Billings' titular tune as found in an 1846 shape note song book

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recorded November 25, 2025

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recorded November 25, 2025

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recorded November 25, 2025

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, September 1, 1988

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, November 17, 20023

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, November 17, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, August 25, 1988

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, November 3, 2003

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Keith Eisenbrey, Aaron Keyt, October 18, 1983

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, August 6, 1988

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, July 28, 1988

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, October 20, 2003

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, November 3, 2025

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, August 18, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, November 10, 2008

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, July 13, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Seacrest Park floating dock, July 28, 2018

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer [July 22, 1988]

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, October 10, 2003

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, July 22, 2025

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Detritus 8 251023 [252024] by Keith Eisenbrey

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, October 20, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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recorded at The Tintinabulary, Seattle, December 23, 2013

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, October 7, 2003

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, December 16, 2013

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recorded October 15, 2025

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an arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, October 27, 2008

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, July 21, 1988

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, October 6, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, September 2, 2003

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my recent composition, recorded October 3, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, December 26, 1998

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, September 8, 2003

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, December 12, 1998

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draft of a guitar piece performed on clavichord

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, September 22, 2025

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, November 28, 1998

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, August 11, 2003

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Banned Rehearsal 514 981121 by Keith Eisenbrey

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recorded September 18, 2025 - clavichord

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, October 6, 2008

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, November 7, 1998

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, September 8, 2008

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Keith Eisenbrey and Neal Kosály-Meyer, November 1, 1998

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, September 8, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, October 24, 1998

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, November 25, 2013

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, October 10, 1998

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, October 3, 1998

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt , Neal Kosály-Meyer; September 26, 1998

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arrangement of the titular tune as found in an 1846 shape note song book

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crickets or cicadas and frogs in Red Hook, NY, September 1, 1983

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Haley K, Steve Kennedy, Neal Kosály-Meyer, August 25, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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performed on an old pump organ in a ranch house in Avon, Montana, July 17, 1988

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arrangement of titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, September 12, 1998

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, June 30, 1988

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November 14, 2013

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recorded at Sleeping Dog Farm, Clinton, WA, May 5, 2018

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, September 5, 1998

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made November 12, 2013

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, August 11, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, August 29, 1998

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Sharon Watson, June 14, 1988

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, November 11, 2013

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my recent clavichord piece

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, August 11, 2008

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, August 15, 1998

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, June 8, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, June 1, 1988

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, July 28, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, October 28, 2013

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, July 21, 2008

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, May 27, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, August 8, 1998

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, July 21, 2003

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, June 30, 2008

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, August 1, 1998

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, July 14, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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Tom Baker, Keith Eisenbrey, Haley Freedlund, Leanna Keith, and Jim Knodle, recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 16, 2025

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Tom Baker, Keith Eisenbrey, Haley Freedlund, Leanna Keith, and Jim Knodle, recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 16, 2025

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, September 30, 2013

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made using magnetic media in 1988

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Fox Spit 02 130923 by Keith Eisenbrey

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made June 18, 2013

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, July 7, 2003

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Banned Rehearsal's lone rock album assembled from early sessions, mostly Keith Eisenbrey and Neal Kosály-Meyer, April 23, 1988

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Pete Comley, Keith Eisenbrey, July 6, 2003

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, June 9, 2008]

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, April 3, 1988

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer, June 30, 2025

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arrangement of the titular tune as found in an 1846 shape note song book

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my 2013 composition

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, June 9, 2008

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, Marily Meyer, William Meyer, April 3, 1988

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arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, September 16, 2013

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, June 16, 2025

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, April 2, 1988

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arrangement of the titular tune from an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, September 2, 2013

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, May 19, 2008,

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arrangement of the titular tune as found in an 1846 shape note song book

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arrangement of the titular tune as found in an 1846 shape note song book. To celebrate this my 100th such arrangement I took care to have it consist of exactly 100 notes.

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, August 19, 2013

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, June 16, 2003

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an arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, May 19, 2025

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my arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, May 5, 2008

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, July 22, 2013

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just what it says - March 18, 2018

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, May 5, 2025

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arrangement of titular tune from an 1846 shape note song book

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arrangement of titular tune found in an 1846 shape note song book

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, July 25, 1998

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July 15, 2013

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosàly-Meyer, April 21, 2008

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, July 8, 2013

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my 1984 composition, performed by The Fehrwood Ensemble, recorded live at the University of Washington, January 18, 1985.

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my arrangement of the the titular tune as found in an 1846 shape note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, December 17, 1993

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, April 7, 2008

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Isaac E, John E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Holden K, Kia M, and Neal Kosály-Meyer improvising on June 27, 1998

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, December 3, 1993

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 21, 2025

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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Isaac E, John E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Holden K, Kia M, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, June 27, 1998

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, June 24, 2013

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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My 1993 composition/improvisation

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 7, 2025

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, June 10, 2013

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, May 24, 2003

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, November 19, 1993

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, June 20, 1998

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, May 27, 2013

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, May 9, 2003

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, October 22, 1993

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy improvising at The Tintinabulary, Seattle, March 24, 2025

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, October 29, 1993

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John E, Karen Eisenbrey, Keith Eisenbery, and Aaron Keyt improvising at The Tintinabulary, Seattle, October 15, 1993

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at The Tintinabulary, Seattle, March 10, 2025

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, May 13, 2013

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, September 10, 1993

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my recent arrangement of the titular tune as found in an 1846 shape note song book.

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my Sonata in 2 Movements (1988) in sequential iterations of tape speed acceleration

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 29, 2013

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, September 3, 1993.

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my arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 24, 2025

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 17, 2008

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my recent arrangement of the titular melody as found in an 1846 shape note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, August 20, 1993

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, August 27, 1993

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 10, 2025

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my recent arrangement of the titular tune as found in an 1846 shape note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, August 13, 1993

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, June 13, 1998

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my recent arrangement of the titular melody as found in an 1846 shape note song book.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 3, 2008

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, June 6, 1998.

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My recent arrangement of the titular melody as found in an 1846 shape note song book.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 27, 2025.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 18, 2013

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 14, 2003

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, July 23, 1993

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle May 30, 1998

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my recent arrangement of the titular melody as found in an 1846 shape note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, August 6, 1993

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, May 23, 1998

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 18, 2008

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My arrangement of this melody found in an an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 13, 2025

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yet another in a weekly series of arrangements of tunes found in an 1846 shape note song book.

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John Cage, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary Seattle, April 1, 2013.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, July 17, 1993

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my recent composition, recorded at The Tintinabulary, Seattle, January 1, 2025

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, December 30, 2024

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my arrangement of the titular melody found in an 1846 shape note song book

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my arrangement of the titular melody found in an 1846 shape note song book

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I recorded our washing machine going through a cycle on February 18, 2008.

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my 1988 composition: Karen Eisenbrey, percussion, Keith Eisenbrey, piano - realized at The Greenwood Big House, February 13, 1988

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, July 9, 1993

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, May 9, 1998

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, May 2, 1998

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my recent composition

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, December 16, 2024

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my recent arrangement of the titular melody found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 21, 2003

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Karen Eisenbrey, Keith ‪Eisenbrey, and Wally Shoup improvising at the Greenwood Big House, February 5, 1988.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 25, 1998

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my recent composition

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my recent arrangement of the titular tune from an 1846 shape note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at The Tintinabulary, Seattle, June 25, 1993

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 4, 2008

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, April 18, 1998

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Karen Eisenbrey, Keith Eisenbrey, Bill Meyer, and Wally Shoup, improvising at The Greenwood Big House, Seattle, January 29, 1988.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 11, 1998

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at The Tintinabulary, Seattle, June 18, 1993

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my recent arrangement of the titular melody, as found in an 1846 shape note song book

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my arrangement of the titular melody as found in an 1846 shape note song book.

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my recent composition, recorded at The Tintinabulary, Seattle, November 22, 2024

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my recent composition, recorded at The Tintinabulary, Seattle, November 19, 2024

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, November 18, 2024

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my arrangement of the titular tune from an 1846 shape-note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, Jun4 11, 1993

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My recent arrangement of the titular tune as found in an 1846 shape note song book.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, June 4, 1993

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 28, 1998

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recorded in Magnuson Park on November 3, 2024

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, November 4, 2024

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my recent arrangement of a tune from an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 21, 1998

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my recent composition on piano, recorded October 30, 2024

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my arrangement of the titular tune as found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Chapel Performance Space, Good Shepherd Center, Seattle, February 22, 2013

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, May 28, 1993

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary Seattle, January 14, 2008

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my recent arrangement of a tune from an 1846 shape note song book.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary Seattle, October 21, 2024

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my recent composition, recorded October 22, 2024

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recorded October 24, 2024

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my recent composition recorded October 25, 2024

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Benjamin Boretz's 1973 composition, recorded October 17, 2024.

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my recent arrangement of a tune from an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, March 14, 1998.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Greenwood Big House, Department of The Tintinabulary, Seattle, January 7, 1988.

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my recent composition, recorded October 8, 2024

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my arrangement of a tune found in an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, October 7, 2024

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 28, 1998

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Greenwood Big House, Department of the Tintinabulary, Seattle, January 1, 1988

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Ben's 1974 piece, recorded on his 90th birthday, at the Tintinabulary, Seattle, October 3, 2024

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my arrangement of a tune from an 1846 shape note song book

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 7, 2003

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, September 23, 2024

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my arrangement of a tune found in an 1846 shape-note song book, recorded September 22, 2024

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 21, 1998.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Greenwood Big House, Department of The Tintinabulary, Seattle, January 6, 1988.

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my arrangement of a melody found in an 1846 shape-note song book.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, February 28, 2023

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, February 14, 1998

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Benjamin Boretz's 1974 composition, recorded at my home on September 13, 2024.

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Lockrem Johnson's 1953 composition, recorded at my home on September 13, 2024.

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William Byrd's composition from My Ladye Nevells Booke of Virginal Music, recorded on clavichord at my home on September 13, 2024.

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my arrangement of a melody found in an 1846 shape-note song book.

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my recent composition, played on piano, recorded September 6, 2024.

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my arrangement of a melody found in an 1846 shape-note song book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 6, 1998

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising live at Gallery 1412, Seattle, September 6, 2024

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising live at Gallery 1412, Seattle, September 6, 2024

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the Patio at The Tintinabulary, Seattle, August 26, 2024.

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my arrangement of a tune found in an 1846 shape-note song-book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, improvising at The Tintinabulary, Seattle, February 27, 2023.

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John E, Betty Eisenbrey, Dick Eisenbrey, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, April 30, 1993.

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my arrangement of this tune found in an 1846 shape-note song book.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 31, 1998

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising on the patio at The Tintinabulary, Seattle, August 12, 2024

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Benjamin Boretz's 1979 composition ("...what I could hear, trying to crawl out from between the lines of your last ferocious sonata..."), recorded at The Tintinabulary, Seattle, August 16, 2024

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my recent composition performed on piano

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my recent composition played on clavichord

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my composition played on a clavichord

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arrangement of a melody found in an 1846 shape-note song-book

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my recent composition, realized with midi

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my recent composition realized with midi

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 10, 2003

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, April 16, 1993

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recorded at The Tintinabulary, Seattle, August 7, 2024

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my recent composition, recorded on August 7, 2024

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my arrangement of a tune found in an 1846 shape-note song-book

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my recent composition, rendered by midi harpsichord

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, January 24, 1998

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, July 29, 2024.

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my arrangement of a melody found in an 1846 shape-note song book.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, April 10, 1993.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 17, 1998.

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an arrangement of a melody found in an 1846 shape-note song book

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Benjamin Boretz: ("...my chart shines high where the blue milks upset...")Keith Eisenbrey, pianorecorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

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05 Invention by Keith Eisenbrey

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Benjamin Boretz: Lament for SarahKeith Eisenbrey, pianorecorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

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Benjamin Boretz: Liebeslied for a pianist aloneKeith Eisenbrey, pianorecorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

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Benjamin Boretz: OKeith Eisenbrey, pianorecorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

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Benjamin Boretz: ("...what I could hear, trying to crawl out from between the lines of your last ferocious Sonata...")Keith Eisenbrey, pianorecorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

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Hayley, Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, July 15, 2024

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this week's arrangement of a melody found in an 1846 shape-note song-book.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, March 19, 1993.

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this week's arrangement of tune found in an 1846 shape-note song-book

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 10, 1998.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 1, 1988.

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at Pinehurst on June 30, (Jennifer) and at The Tintinabulary, Seattle, on July 1, 2024

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my recent arrangement of a melody found in an 1843 shape-note song-book

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, March 12, 1993

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arrangement of a tune found in an 1846 shape-note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, January 15, 2018

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 3, 1998

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Banned Rehearsal in a version of Aaron Keyt's sudden song, with Neal Kosály-Meyer, vocal

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, improvising at The Tintinabulary, Seattle, June 17, 2024

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my arrangement of a melody found in an 1846 shape-note song-book

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my 2013 setting of the Beatitudes from Luke, Zach Buker and Karen Eisenbrey voices, Keith Eisenbrey, piano - recorded live at University Temple United Methodist Church, Seattle, June 25, 2017

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my 2003 composition recorded live at University Temple United Methodist Church, Seattle, June 21, 2003

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, March 5, 1993

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my recent composition, written for alto-horn, but played here on clavichord

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arrangement of a tune found in an 1843 shape-note song-book

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Aaron Keyt sings his sudden song in 1984, Keith Eisenbrey accompanies

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 4, 2013

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, Jun4 3, 2024

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arrangement of a tune from an 1846 shape-note song-book

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, February 26, 1993.

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my 1983 composition - recorded October 13, 2007

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my 2008 hymn

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my recent composition

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my recent composition

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my recent composition

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my recent composition for flute (and imaginary (or optional) percussion)

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an arrangement of a tune from an 1846 shape-note song-book

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my recent composition

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 1, 1986

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Karen Eisenbrey and Keith Eisenbrey taking a walk in Meadowbrook Park on May 20, 2024.

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my recent arrangement of a melody from an 1846 shape-note song book.

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my recent arrangement of a melody from an 1846 shape-note song book.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, February 19, 1993

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my 2024 composition, on clavichord, recorded May 14, 2024

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Karen Eisenbrey, Keith Eisenbrey, Lisa, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer improvising at The Tintinabulary, Seattle (Karen, Keith, Aaron, and Neal) and in Tucson, Arizona (Lisa and Steve) on May 6 and 7, 2024.

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my 2024 composition in a midi realization

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an arrangement of a tune from an 1846 shape-note song-book.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Greenwood Big House (Karen, Keith, and Aaron) and in San Diego (Anna and Neal) on January 1, 1988.

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My 2024 composition

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 21, 2013

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, February 6, 1993

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my 1983 composition, recorded live at Bard Hall, Annandale-on-Hudson, New York, March 18, 1983

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my 2015 hymn

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, April 22, 2024 (Karen, Keith, and Aaron) and out Outpost Tucson, April 23, 2024 (Steve)

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arrangement of a melody found in an 1846 shape-note song book

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arrangement of a tune found in an 1846 shape-note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, January 29, 1993

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Karen Eisenbrey and Keith Eisenbrey improvising at The Tintinabulary, Seattle, April 8, 2024

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arrangement of a melody found in an 1846 shape-note song book, recorded April 7, 2024

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an arrangement of a melody found in an 1846 shape-note song book

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 7, 2013

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 15, 1993

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Jennifer Chung (at Magnusson Park, Seattle), Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer (all at The Tintinabulary), improvising on March 22 (Jennifer) and March 25, 2024.

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arrangement of a tune found in an 1846 shape-note song book.

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this week's arrangement of a tune from an 1846 shape-note song book

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at The Tintinabulary, Seattle, January 8, 1993

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my 1983 composition, recorded live at University Temple United Methodist Church, Seattle, March 17, 2007

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program:Sonatina for Trumpet and Piano, Op. 35 (1950)Chaconne for Piano, Op. 29 (1948)Last 2 Songs, Op. 52 (1973)2 Songs to a Child, Op. 27 (1948)5th Sonata for piano, Op. 34 (1953)24 Preludes for piano, Op. 5 (1976)Susan Payne Barnes, sopranoKeith Eisenbrey, pianoPeter Nelson-King, trumpetrecorded at The Chapel Performance Space, Good Shepherd Center, Seattle, March 16, 2024

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arrangement of a melody found in an 1846 shape-note song book

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an arrangement of a melody found in an 1846 shape-note song book.

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy improvising at Outpost South (Steve) and The Tintinabulary (Karen & Keith) February 26, 2024

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an arrangement of a tune found in an 1846 shape-note song book.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 3, 1993.

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an arrangement of a shape-note tune found in an 1846 song book

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Hayley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary and at Outpost South, on February 12, 2024

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my recent composition

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my recent composition

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arrangement of a shape-note tune

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an arrangement of a shape-note tune

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Hayley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer

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arrangement of a tune found in an 1846 shape-note song book.

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an arrangement of a tune found in an old shape-note songbook

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Haley, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, January 15, 2024

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after the old shape-note melody

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my recent composition, recorded January 11, 2024

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my recent composition, recorded at the Tintinabulary, Seattle, January 9, 2024

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this last week's arrangement of a tune from an 1846 shape-note songbook.

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my recent composition

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a hymn setting of Charles Wesley's text.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 1, 2024.

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arrangement of a tune found in an 1846 shape-note songbook.

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arrangement of a tune from an 1846 shape-note song book.

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my recent composition

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my recent composition

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My recent composition

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, December 18, 2023.

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My recent arrangement of a tune found in an 1843 shape-note songbook.

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my recent composition

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a midi realization of my recent composition

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an arrangement of a tune found in a Tyler era shape-note songbook.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, December 4, 2023.

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my 2023 arrangement of a tune from an 1846 shape-note songbook.

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my 2023 composition

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a midi realization (robot harpsichord) of my 2023 composition.

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my weekly devotional activity: write a setting of a melody from an 1846 shape-note songbook.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, November 20, 2023.

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Arrangement of a tune from an 1846 shape note song book.

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My recent arrangement of a melody from an 1846 shape-note songbook.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, November 6, 2023.

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My 2023 arrangement of a melody found in an 1846 shape-note songbook.

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My 2023 composition with a midi harpsichord.

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my recent composition, recorded at The Tintinabulary, Seattle, November 7, 2023

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My arrangement of a tune from an 1846 shape-note song book.

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midi version of my recent composition.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on October 23, 2023.

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An arrangement of a tune found in an 1846 Shape-Note songbook.

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my recent composition, recorded at The Tintinabulary, Seattle, October 17, 2023

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my arrangement of a tune from an 1846 shape-note song book.

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My 2023 composition, recorded at The Tintinabulary, Seattle, October 11, 2023

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, October 9, 2023.

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an arrangement of a shape-note tune found in an 1846 song-book.

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my arrangement of a shape-note tune found in an 1846 song book.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, September 25, 2023.

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setting a tune found in an 1846 shape-note song book.

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my recent arrangement of a tune found in an 1846 shape-note songbook.

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a snapshot phonograph, December 17, 2017

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recorded at The Tintinabulary, Seattle, December 10, 2017

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Karen Eisenbrey and Keith Eisenbrey improvising at The Tintinabulary, Seattle, September 11, 2023.

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my 2023 arrangement of a Shape-Note tune from an 1846 hymnal

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recorded at The Tintinabulary, Seattle, September 3, 2023

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recorded at The Tintinabulary, Seattle, August 31, 2023

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recorded at The Tintinabulary, Seattle, August 30, 2023

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, August 28, 2023

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recorded at The Tintinabulary, Seattle, August 27, 2023

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newly corrected, recorded at The Tintinabulary, Seattle, August 25, 2023

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a new one

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an arrangement of a melody found in an 1846 shape-note song-book.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, on December 10, 2007.

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My 2022 composition, recorded at The Tintinabulary, Seattle, August 15, 2023.

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My 2022 composition recorded at The Tintinabulary, Seattle, August 15, 2023.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, August 14, 2023.

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My 2023 composition, recorded at the Tintinabulary, Seattle, August 13, 2023

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My 2023 composition, midi realization.

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My 2022 composition, recorded at The Tintinabulary, Seattle, August 9, 2023

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my 2023 composition, recorded at The Tintinabulary, Seattle, August 6, 2023.

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My 2007 composition: Matthew Weiss, violin; Keith Eisenbrey, piano; recorded at the Tintinabulary, Seattle, November 12, 2009

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My 2007 composition for violin and piano - midi realization

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My 2022 composition recorded at The Tintinabulary, Seattle, August 4, 2023

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, July 31, 2023

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My 2022 composition, recorded at The Tintinabulary, Seattle, July 30, 2023

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My 2023 arrangement/composition, recorded at the Tintinabulary, Seattle, July 30, 2023

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My 2023 arrangement/composition, recorded at the Tintinabulary, Seattle, July 23, 2023

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, November 5, 2007.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising on the patio at The Tintinabulary, Seattle, July 17, 2023.

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My 2023 composition, recorded at The Tintinabulary, Seattle, July 16, 2023

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My 2023 composition, brought into it's native key, recorded at The Tintinabulary, Seattle, July 16, 2023

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, October 22, 2007

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Tom Baker, Keith Eisenbrey, Leanna Keith, and Jim Knodle improvising at the Chapel Performance Space, Good Shepherd Center, Seattle, on July 13, 2023.

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First draft of a new composition, realized by midi on July 13, 2023.

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My 2022 composition, recorded at the Tintinabulary, Seattle, July 11, 2023

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My 2023 composition, in form of an arrangement of a tune found in an old shape-note hymnal, recorded at the Tintinabulary, Seattle, July 11, 2023

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising on the patio Anarcadia of the Tintinabulary, Seattle, July 3, 2023

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my 1979 composition recorded live at University Temple United Methodist Church, Seattle, October 13, 2007

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tinttinabulary, Seattle, June 19, 2023.

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what it is, recorded August 13, 2017

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My recent composition, recorded at The Tintinabulary, Seattle, June 16, 2023.

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My recent composition, recorded at the Tintinabulary, Seattle, June 15, 20023]

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My recent composition realized by midi harpsichord.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, October 8, 2007.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the patio at The Tintinabulary, Seattle, June 5, 2023

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playing with effects - August 6, 2017.

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My 2018 composition (the final version) - recorded at The Tintinabulary, Seattle, June 1, 2023

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My 2018 composition (the final version) - recorded at The Tintinabulary, Seattle, June 1, 2023

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My 2018 composition (the final version) - recorded at The Tintinabulary, Seattle, June 1, 2023

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My 2018 composition (the final version) - recorded at The Tintinabulary, Seattle, June 1, 2023

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising on the patio at the Tintinabulary, Seattle, May 22, 2023.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, August 13, 2007.

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collage of sounds from Oregon, recorded May 12 and 13, 2023

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, July 9, 2007.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, December 3, 2012

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my 1982 composition, recorded February 10 and 11, 2010.

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My 2023 composition, recorded April 28, 2023

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, April 24, 2023

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My 2007 composition

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The latest and greatest version of my composition, realized with midi

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Greenwood Big House, Seattle, December 28, 1987

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Greenwood Big House, Seattle, December 26, 1987

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My 2012 composition written in memory of my (spouse's side) Uncle, Jim Meyer.

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recorded in Maple Leaf, Seattle, April 12, 2023

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recorded at Magnuson Park, Seattle, April 11, 2023

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recorded at Magnuson Park, Seattle, April 11, 2023

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at Outpost Magnuson Park (Jennifer) and at The Tintinabulary, Seattle (others) on April 7 (Jennifer) and April 10 (others), 2023.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, December 21, 1987.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, November 19, 2012

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, December 21, 1987.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer

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My most recent draft, completed March 29, 2023.

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The tiny old house immediately to our North was demolished by a large excavator on March 31, 2023, so I recorded some of the sound.

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Assembled from Telepaths made March 27 and 29, 2023, at Outpost South and at The Tintinabulary, Seattle, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising.

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Benjamin Boretz's 1990 composition, recorded at the Tintinabulary, Seattle, March 26, 2023

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a midi realization of my most recent composition, this draft completed March 26, 2023.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Greenwood Big House, Department of the The Tintinabulary, Seattle, December 16, 1987.

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My 2012 composition, recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, April 2, 2016

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, June 25, 2007.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, Marilyn Meyer, and Yvonne Meyer improvising at Outposts San Diego (Anna, Aaron, Neal) and Bickleton (remainder) on November 26, 1987.

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My 2012 composition, recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, May 4, 2013.

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My 2012 composition, recorded at The Tintinabulary, Seattle, November 20, 2012

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising in Hoonah, AK (Jennifer and Aaron) and at the Tintinabulary, Seattle (Karen, Keith, and Neal) on March 12 (Hoonah) and March 13 (Seattle), 2023.

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My 1999 piano duet, with Jennifer Chung, recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, November 17, 2022.

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My 2021 composition, recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, November 17, 2022

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, December 13, 2002.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Greenwood Big House, Department of the Tintinabulary, Seattle, October 31, 1987.

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My 2023 composition (as newly revised) realized by midi.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary (Karen, Keith, and Aaron) and at Outpost South (Steve) on February 27, 2023.

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Tom Baker, Keith Eisenbrey, Leanna Keith, and Jim Knodle, live at The Chapel Performance Space, Good Shepherd Center, Seattle, March 2, 2023. Graphic by Daniel J. Husser.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, October 22, 2012.

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Tildy Bayar, Karen Eisenbrey, Keith Eisenbrey, Gary Mosca, and Markus Olin-Fehler improvising at Bard College, October 16, 1987.

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Karen Eisenbrey, Keith Eisenbrey, and Gary Mosca improvising at Bard College, October 16, 1987

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, June 4, 2007.

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My 2011 composition, as lightly revised in 2021, recorded at the Tintinabulary, February 17, 2023.

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sounds of a foundation being poured, recorded February 14, 2023.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, and Tucson (Steve), February 13, 2023.

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Karen Eisenbrey and Keith Eisenbrey improvising at Brook House, Bard College, October 15, 1987.

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recorded in our backyard May 30, 2007

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Karen Eisenbrey and Keith Eisenbrey improvising a walk around Bard College on October 14, 1987.

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metal squeal - linoleum roller in action recorded October 9, 2012

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Hillary Butler, Karen Eisenbrey, Keith Eisenbrey, and Dan Sedia improvising in a field at Bard College, October 14, 1987

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sound of a linoleum roller with pitch dropped

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, May 21, 2007

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 30, 2023.

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Tildy Bayar, Karen Eisenbrey, Keith Eisenbrey, and Dan Sedia improvising at Bard College, October 12, 1987.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, October 8, 2012.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Greenwood Big House and at Outpost San Diego, Department of the Tintinabulary, September 26, 1987.

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A pile drive driving piles on January 25, 2023.

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24 Preludes 2011 [2022 - 23] by Keith Eisenbrey

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, April 30, 2007

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My 2011 composition, revised in the 2021, recorded at the Tintinabulary, Seattle, January 19, 2023.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 16, 2023.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, September 20, 2002.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, April 16, 2007.

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my 2002 composition, being an arrangement of a hymn I had written earlier - a midi arrangement

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, April 2, 2007.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Greenwood Big House, Seattle, September 24, 1987.

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Wayne Berman, Keith Eisenbrey, Keith Eisenbrey, and Gary Mosca improvising at the Greenwood Big House, Seattle, on September 19, 1987.

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recorded from the driveway of the Tintinabulary, January 14, 2023

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My 2011 composition, lightly revised in 2021, recorded at The Tintinabulary, Seattle, January 6, 2023.

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My 2011 composition, lightly revised in 2021, recorded at The Tintinabulary, Seattle, January 6, 2023.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 2, 2023.

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Karen Eisenbrey and Keith Eisenbrey improvising at the Greenwood Big House, Department of the Tintinabulary, Seattle, September 12, 1987.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, on September 6, 2002.

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Karen Eisenbrey, Keith Eisenbrey, and Wally Shoup improvising at the Greenwood Big House, Department of the Tintinabulary, Seattle, August 20, 1987.

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My 2011 composition, recorded December 29, 2022.

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My 2022 composition, in a midi realized version.

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My 1982 compositions, recorded February 10 and 11, 2010, at the Tintinabulary, Seattle

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Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary, and Aaron Keyt at Toad Hall, improvising on December 19 (Tintinabulary) and December 20 (Toad Hall), 2022.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, September 24, 2012.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, August 27, 2012

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, August 2, 2002.

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Karen Eisenbrey and Keith Eisenbrey improvising at the Greenwood Big House, Department of the Tintinabulary, Seattle, on July 30, 1987.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, December 5, 2022

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the porch of the Tintinabulary, Seattle, August 13, 2012

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Isabel K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, July 19, 2002]

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, March 19, 2007.

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composition by Dieterich Buxtehude, recorded at the Tintinabulary, Seattle, November 23, 2022

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Aaron Keyt's 2021 composition, recorded at the Tintinabulary, Seattle, between January and August, 2022. Shared with permission of the composer.

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My 1981 composition, recorded live at the Chapel Performance Space, Good Shepherd Center, Seattle, February 24, 2018

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my 1981 composition, recorded live at University Temple United Methodist Church, Seattle, June 21, 2003

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my 1981 composition, recorded live at Seattle Concert Theater, July 9, 1981.

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My 2021 composition, recorded at the Tintinabulary, Seattle, November 18, 2022.

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My 1993 composition reimagined as a duet for two pianos, realized and assembled at the Tintinabulary, Seattle, March 13, 2007

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A shared recital at the Chapel Performance Space, Good Shepherd Center, Seattle, November 17, 2022. Compositions by Gavin Borchert, Keith Eisenbrey, Aaron Keyt, and Peter Nelson-King: Borchert: Four Pieces, performed by Borchert 00:00 - 18:10 Eisenbrey: 15 and 16 Rounds for Aaron and 17 Rungs for Neal, performed by Eisenbrey ; and Entr'acte, performed by Jennifer K. Chung and Eisenbrey 18:10 - 33:30 Keyt: Monsters, performed by Chung and Eisenbrey 33:30 - 47:39; and Nelson-King: Magpie's Shadow (performed by Nelson-King)47:39 - 66:41 all music shared by permission of the composers

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, (KandK) and pulled in from Outpost Howth, November 7, 2022

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I just completed making some heavy revisions to this piece, cutting back the brush and propping up the more slender shoots. realized on midi November 7, 2022

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, May 23, 2017

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, March 5, 2007.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at Outpost South (Steve) and at the Tintinabulary, Seattle, October 24, 2022

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My 1993 composition, in a realization recorded at the Tintinabulary, Seattle, February 22, 2007

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, May 8, 2017.

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My 2007 composition

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, July 5, 2002

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Karen Eisenbrey and Keith Eisenbrey attend a rodeo on June 13, 1987

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Marta K, Aaron Keyt, and Neal Kosály-Meyer improvise at the Tintinabulary (Karen, Keith, and Aaron) and from Outpost Howth, on October 10, 2022.

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My 2011 composition, recorded at the Tintinabulary, Seattle, October 7, 2022

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Bickleton Manse, Department of the Tintinabulary, June 11, 1987.

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My 2017 composition, recorded at the Tintinabulary, Seattle, September 11, 2019.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising from Anarcadia, at The Tintinabulary, Seattle, September 26, 2022.

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Karen Eisenbrey and Keith Eisenbrey improvising along Cemetery Road, Bickleton, June 9, 1987.

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Greenwood Big House, Department of The Tintinabulary, Seattle, June 2, 1987

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Karen Eisenbrey and Keith Eisenbrey improvising at the beach, May 24, 1987.

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My 2022 hymn, recorded on clavichord, September 14, 2022. Text (not part of this performance) by Charles Wesley:

1 The Sun of Righteousness on me Hath risen with healing in his wings: Withered my nature's strength, from thee My soul its life and succor brings; My help is all laid up above; Thy nature and thy name is Love.

2 Contented now, upon my thigh I halt till life's short journey end; All helplessness, all weakness, I On thee alone for strength depend: Nor have I power from thee to move: Thy nature and thy name is Love.

3 Lame as I am, I take the prey; Hell, earth, and sin with ease o'ercome; I leap for joy, pursue my way, And as a bounding hart, fly home To all eternity, to prove Thy nature and thy name is Love.

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My 2011 composition, recorded at the Tintinabulary, Seattle, September 14, 2022.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at Rhymes with Food and the Tintinabulary, Seattle, on September 12, 2002.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on June 14, 2002.

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My 2011 composition, recorded at the Tintinabulary, Seattle, September 7, 2022

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a midi realization of my 2022 composition

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 29, 2022

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Karen Eisenbrey, Keith Eisenbrey, and Karie P improvising at Outpost Greenwood Big House, Seattle, May 16, 1987

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my 2011 composition, recorded at the Tintinabulary, Seattle, August 23, 2022

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Karen Eisenbrey, Keith Eisenbrey, and Antonia W improvising at Outpost Greenwood Big House, Department of the Tintinabulary, Seattle, May 9, 1987.

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Our electric car backing out of the driveway on August 19, 2022.

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My 2011 composition, recorded at the Tintinabulary, Seattle, August 17, 2022.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 15, 2022.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, July 23, 2012.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, May 10, 2002.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 19, 2007.

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Greenwood Big House, Department of the Tintinabulary, May 5, 1987

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The first of Banned Rehearsal's "Sudden Songs", this arose in Banned Rehearsal 7, assembled from Banned Telepaths 1, on August 18, 1984. Keith Eisenbrey, Aaron Keyt (on the spot song writer), Karen Meyer, Marilyn Meyer, Neal Meyer, William Meyer, Yvonne Meyer, variously at Outposts Bellevue (Keith and Aaron) and Bickleton (all others), Department of the Tintinabulary.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, on July 2, 2012.

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My 1987 composition, recorded at the Tintinabulary, Seattle, on August 20, 2010.

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My 2020 composition, recorded at the Tintinabulary, Seattle, onAugust 12, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on August 10, 2022.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, and Neal Kosály-Meyer improvising at Outpost Tucson (Steve) and at the Tintinabulary, Seattle, on July 31 (Tucson) and August 1 (Tintinabulary), 2022.

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Singing escalators in the Sound Transit Roosevelt Station, Seattle, recorded July 30, 2022.

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my 2020 composition, recorded at the Tintinabulary, Seattle, July 29, 2022

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my 2020 composition, recorded July 27, 2022

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my 2020 composition, recorded at the Tintinabulary, Seattle, July 22, 2022

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my 2011 composition, recorded at the Tintinabulary, Seattle, July 21, 2022

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my most recent composition, hot off the midi-floor, July 21, 2022

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising a collecting sounds variously on MV Spokane on July 14, and at the Tintinabulary, sitting out in Anarcadia, on July 18, 2022.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 26, 2002.

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my 2020 composition, recorded at the Tintinabulary, Seattle, on July 15, 2022

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my 2011 composition, recorded at the Tintinabulary, Seattle, July 15, 2022

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a chorus of junko cheeps foraging in our back yard, recorded July 14, 2022

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my 2020 composition, recorded at the Tintinabulary, Seattle, July 14, 2022

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my 2011 composition, recorded at the Tintinabulary, Seattle, July 13, 2022

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my 2020 composition, recorded at The Tintinabulary, Seattle, July 8, 2022

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Jennifer Chung, at Dungeness, and Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on Anarcadia at The Tintinabulary, Seattle, on July 2 (Dungeness) and 4 (Anarcadia) 2022

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on June 18, 2012.

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Greenwood Big House, Seattle, April 22, 1987.

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My 2020 composition, recorded at the Tintinabulary, Seattle, July 1, 2022.

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my 2011 composition, recorded at the Tintinabulary, Seattle, on June 29, 2022.

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Karen Eisenbrey, Keith Eisenbrey, and Marilyn Meyer having lunch at the Valley Café in Ellensburg, April 11, 1987.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer at Outpost San Diego (Anna & Neal), and Outpost Greenwood Big House, (Karen, Keith, and Aaron), Department of the Tintinabulary, on December 31, 1986, assembled on April 6, 1987.

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my 2020 composition, recorded at the Tintinabulary, Seattle, June 24, 2022

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my 2020 composition, recorded at the Tintinabulary on June 15, 2022.

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my 2011 composition, recorded June 15, 2022 at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, Yvonne Meyer, variously in Bickleton, San Diego, and Seattle during Thanksgiving weekend of 1986, assembled from Banned Telepaths 7 on April 5, 1987.

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, variously grouped, provide sounds included herein from The Tintinabulary and outposts Samish Island and Roosevelt Station, on May 20, June 5, and June 6, 2022.

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Karen Eisenbrey and Keith Eisenbrey visit Woodland Park Zoo on April 4, 1987.

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My 2011 composition, recorded at the Tintinabulary on June 3, 2022

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My 2020 composition, recorded at the Tintinabulary, Seattle, on June 3, 2022

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a midi realization of my new composition

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My 2020 composition, recorded at the Tintinabulary, Seattle, on June 1, 2022

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recorded at the Tintinabulary, Seattle, on May 27, 2022

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My 2020 composition, recorded at the Tintinabulary, May 27, 2022

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary (Karen and Keith) and at Outpost Lake City, on May 23, 2022

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on June 4, 2012

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My 2022 arrangement of J. Rosamond Johnson's melody, recorded at the Tintinabulary, Seattle, on May 20, 2022.

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My 2020 composition recorded at the Tintinabulary, Seattle, on May 18, 2022

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 12, 2002

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Isaac E, John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 27, 1997.

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My 2010 composition recorded at the Tintinabulary, Seattle, on May 12, 2022.

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Karen Eisenbrey and Keith Eisenbrey stroll in the neighborhood of the Tintinabulary, Seattle, on May 9, 2022.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 20, 1997.

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Greenwood Big House, Department of the Tintinabulary, Seattle, on March 28, 1987

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on December 13, 1997.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at Outpost San Diego and at the Tintinabulary, Seattle, on March 24, 1987.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 22, 2002.

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Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on November 27, 2022.

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at locations various on April 25, and 27, 2022, assembled at the Tintinabulary, Seattle, on April 27, 2022.

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Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improving at the Tintinabulary, Seattle, on November 22, 1997. Recorded by Pete Comley.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 15, 1997.

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Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at Outpost San Diego, Department of the Tintinabulary, on March 23, 1987.

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary and other locations in and around Seattle, on April 11, 12, and 13, 2022.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle on November 8, 1997

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Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at Outpost San Diego, Department of the Tintinabulary, on March 22, 1987.

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My 2011 composition, recorded April 8, 2022 at the Tintinabulary, Seattle,

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My 2020 composition, being one part of part 14 of Études d'exécution imminent, recorded April 8, 2022 at the Tintinabulary, Seattle.

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My 2020 composition, being one part of part 14 of Études d'exécution imminent, recorded April 6, 2022 at the Tintinabulary, Seattle.

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My 2021 composition, being parts 15 and 16 (simultaneously and intercomposed) of Études d'exécution imminent. recorded between March 11 and April 1, 2022, at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 21, 2012.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 8, 2002.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 1, 1997.

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Karen Eisenbrey and Keith Eisenbrey (at the Tintinabulary), Steve Kennedy (Lost Again, all on March 28, 2022, and Aaron Keyt (Outpost Toad Hall) on April 1, 2022, improvising.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on October 25, 1997.

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Karen Eisenbrey, Keith Eisenbrey, Julie F, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising telepathically at Outpost San Diego and at the Tintinabulary, Seattle, on March 21, 1987.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on March 25, 2022.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 1, 2002.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on October 24, 1997.

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My 2011 composition, recorded at the Tintinabulary, Seattle, on March 18, 2022

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My 2020 composition, recorded on March 18, 2022.

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improving at or from Outposts Magnuson Park (JC), McGrath, AK (AK), Echo Land (SK), and at the Tintinabulary, Seattle (KE&KE) on or about March 14, 2022.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 27, 1997.

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Aaron Keyt improvising at Outpost Toad Hall, Department of the Tintinabulary, on February 17, 2022.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 18, 1992.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on March 9, 2022.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 6, 1992.

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Isaac Eisenbrey, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 19, 1997. Some clipping in the second half.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle (Karen and Keith); and at Outpost San Diego, Dept. of the Tintinabulary (Anna, Aaron, and Neal) on March 20, 1987. Assembled from two cassette tapes.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Toad Hall, Department of the Tintinabulary on November 28, 1992.

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My 2021 composition, recorded at the Tintinabulary, Seattle, on March 3, 2022.

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My 2021 composition, recorded at the Tintinabulary, Seattle, on March 3, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on March 3, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on March 2, 2022.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 11, 1997.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 20, 1992.

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my 2020 composition, recorded at the Tintinabulary, Seattle, on February 25, 2022.

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my 2021 composition, recorded on at the Tintinabulary, Seattle, on February 24, 2022.

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my 2021 composition, recorded on at the Tintinabulary, Seattle, on February 22, 2022.

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my 2021 composition, recorded on at the Tintinabulary, Seattle, on February 21, 2022.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 11, 1997.

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Karen Eisenbrey, Keith Eisenbrey, Steve Scribner, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 7, 2012.

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my 2002 composition, recorded live at University Temple United Methodist Church, Seattle, on October 25, 2002

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on April 13, 1992.

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my 2020 composition, recorded on February 18, 2022

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at Outpost South (Steve), Outpost Toad Hall {Aaron), Outpost Lake City (Neal) and at the Tintinabulary itself (Karen and Keith), on February 13 (South), February 14 (Lake City and Tintinabulary), and February 17 (Toad Hall), Seattle.

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Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 6, 1997

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Greenwood Big House, Department of the Tintinabulary, Seattle, on March 14, 1987.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Toad Hall, Department of the Tintinabulary, Seattle, on October 30, 1992.

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Karen Eisenbrey and Keith Eisenbrey improvising at the Tintinabulary, Seattle, on February 27, 2017.

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I recorded the sound of a couple of folks cracking bull-whips in Cowen Park, Seattle, on February 11, 2022.

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My 2011 composition, recorded at the Tintinabulary, Seattle, on February 11, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on February 11, 2022.

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I recorded some bird sounds at Meadowbrook Park, Seattle, early in the morning of February 9, 2022.

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Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 6, 1997.

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John E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Bill Meyer, and Marilyn Meyer improvising or chatting at the Tintinabulary, Seattle, on October 25, 1992.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 29, 1997.

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my 2011 composition, recorded at the Tintinabulary, Seattle, on February 4, 2022.

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my 2020 composition, recorded at the Tintinabulary, Seattle, on February 4, 2022

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C, D, Karen Eisenbrey, Keith Eisenbrey, Ahava K, and Neal Kosály-Meyer improvising at the Tintinabulary (Karen & Keith) and narrowcast from Outpost Lake City, Department of the Tintinabulary, Seattle, on January 31, 2022

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Karen Eisenbrey, Keith, Eisenbrey, and Loretta M improvising at Outpost Greenwood Big House, Department of the Tintinabulary, Seattle, on March 7, 1987

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 23, 2012.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on October 10, 1992

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My 2020 composition, recorded at the Tintinabulary, Seattle, on January 28, 2022

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Isaac E, Anna K, and Aaron Keyt improvising at the Tintinabulary, Seattle, on August 29, 1997

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on October 9, 1992

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A minute of frogs, recorded in Magnuson Park, Seattle, on January 16, 2022.

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Karen Eisenbrey and Keith Eisenbrey (at the Tintinabulary), C, D, Anna K, and Neal Kosály-Meyer (narrowcasting from Outpost Lake City), and Steve Kennedy (at Outpost Theremud) all improvising on January 17, 2022.

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My 2011 composition, recorded at the Tintinabulary, Seattle, on January 21, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on January 21, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on January 19, 2022.

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seatlle, on August 23, 1997.

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Karen Eisenbrey, Keith Eisenbrey, and Paul Eisenbrey, improvising at Outpost Greenwood Big House, Department of the Tintinabulary, Seattle, on February 21, 1987.

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John E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 25, 1992.

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My 2020 composition, recorded at The Tintinabulary, Seattle, on January 12, 2022

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, on August 23, 1997.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on September 18, 1992

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 9, 1997.

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My 1980 composition, recorded July 29, 2009 at the Tintinabulary, Seattle.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on January 7, 2022.

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My 2020 composition, recorded at the Tintinabulary, Seattle, on January 5, 2022.

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Matthew Beckmeyer, Karen Eisenbrey, and Keith Eisenbrey improvising at the Greenwood Big House, Department of the Tintinabulary, Seattle, on February 4, 1987]

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D, Karen Eisenbrey, Keith Eisenbrey, Ahava K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, and via the cellwaves from Outpost Lake City on January 3, 2022

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on September 13, 1992.

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This is the first of possibly 16 Sinfonias, just completed on December 31, 2021, in a midi realization.

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My 2020 composition, recorded on December 31, 2021

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Peter Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Holden K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on August 2, 1997.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 15, 2002.

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John E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising on at the Tintinabulary, Seattle, on August 28, 1992.

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Karen Eisenbrey and Keith Eisenbrey improvising at the Tintinabulary (Greenwood Big House), Seattle, on January 31, 1987

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The third bit from my 2020 composition of finger exercises.

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Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary, and Ahava K, Anna K, and Neal Kosály-Meyer reaching out from Outpost Lake City, all improvising together on December 20, 2021.

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Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 2, 1997. There were two recordings made, this is my analog cassette version.

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my 2020 composition, recorded at the Tintinabulary, Seattle, on December 17, 2021.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 22, 1992.

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a midi rendition of my 1997 duets from clarinet and bassoon.

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My 2020 composition, recorded on December 10, 2021.

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Karen Eisenbrey, Keith Eisenbrey (at both the Tintinabulary and the Chapel Performance Space); Steve Kennedy (at Outpost Southend Stuff) and Neal Kosály-Meyer (at the Chapel); all improvising on December 6 and 8, 2021.

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My 1992 composition, assembled on August 22, 1992. Keith Eisenbrey, clavichord; Neal Kosály-Meyer, voice

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, Heidi S, and Lynn W improvising at the Tintinabulary, Seattle, on July 19, 1997.

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An early version of my 1987 clavichord composition, recorded on January 11, 1987.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 9, 2012.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 1, 2002.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary on July 12, 1997

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Karen Eisenbrey and Keith Eisenbrey (at the Tintinabulary on November 22, 2021, Steve Kennedy (at Outpost Southern Reverb on November 25, 2021), and Aaron Keyt (at Outpost Toad Hall on November 22, 2021), all improvising together.

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my clavichord recording of Gavin Borchert's composition. Shared with permission of the composer. recorded on November 19, 2021

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my clavichord recording of Gavin Borchert's composition. Shared with permission of the composer. recorded on November 12, 2021

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary on June 21, 1997

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I took a walk in Ravenna Park, Seattle, on November 17, 2021.

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A drollery I made up in 2002 to entertain the kids. the title contains all the lyrics. insert at will.

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Pete Comley, Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle on June 14, 1987.

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Karen Eisenbrey and Keith Eisenbrey improvising at Outpost Greenwood Big House, Department of the Tintinabulary, Seattle, on January 17, 1987.

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Recorded in our backyard on the morning of February 20, 2017.

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Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary, Seattle; Anna K and Neal Kosály-Meyer calling in sounds from Outpost Howth; Steve Kennedy at Outpost Southern Fried; all on November 8, 2021; and Aaron Keyt at Outpost Toad Hall on October 31, 2021, doing our improvisation thingy.

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Gavin Borchert's composition, recorded in November 5, 2021. Shared with permission of the composer.

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Gavin Borchert's composition, recorded in November 5, 2021. Shared with permission of the composer.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on August 16, 1992.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on June 7, 1997.

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My 1982 composition, recorded on February 23, 2010 at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 26, 2012.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 18, 2002

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, July 31, 1992.

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My 2002 composition, recorded on February 17, 2021 at the Tintinabulary, Seattle.

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Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary, Seattle, and Anna K and Neal Kosály-Meyer linked in from Outpost Lake City, all improvising together on October 25, 2021.

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My recording of October 20, 2021, of Gavin Borchert's "Two-Part Invention in A Major" from "19 Two-Part Inventions". Shared with permission from the composer.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 31, 1997.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on July 24, 1992.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 24, 1997.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary, Seattle; and Steve Kennedy at Outpost South, Department of the Tintinabulary, on or about October 11, 2021.

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Karen Eisenbrey and Keith Eisenbrey, improvising at Outpost Greenwood - Big House, Department of the Tintinabulary, Seattle, on January 16, 1987.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on March 12, 2012.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on September 17, 1992

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My 1982 composition, recorded in recital at University Temple United Methodist Church, Seattle, on November 6, 2004.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising at the Tintinabulary and Lake City Annex, on September 27, 2021.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 10, 1997.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on July 10, 1992.

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My 1982 composition, recorded on February 22, 2010.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on April 12, 1997.

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Karen Eisenbrey and Keith Eisenbrey improvising at the Tintinabulary in Seattle, with Neal Kosály-Meyer phoning in from Outpost Lake City, on September 13, 2021.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 5, 1997.

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My 2002 composition, recorded on February 3, 2021, at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 28, 2012.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Toad Hall on July 2, 1992.

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My 1982 composition, realized electronically on March 20, 2005.

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A draft recording of my performance of Benjamin Boretz's "Lament for Sarah" (1990), made on September 1, 2021.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on August 30, 2021.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on March 29, 1997.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 13, 2012.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on June 12, 1992.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 22, 1997

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on August 16, 2021

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at Outpost Toad Hall, Department of the Tintinabulary, Seattle, on May 29, 1992.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt gather on the evening porch at the Tintinabulary, Seattle, on August 2, 2021, and improvise.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on July 31, 2021

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Toad Hall, Office of the Tintinabulary, Seattle, on May 5, 1992.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer improvising on the porch of the Tintinabulary, Seattle, on July 19, 2021.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on July 5, 2021. We celebrated the 37th Bannediversary, having preceded the noise by partaking Karen's homemade cherry ice cream.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Isabel K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 11, 2002.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on April 11, 1992.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on February 22, 1997.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on January 10, 1987

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising on the porch at the Tintinabulary, Seattle, on June 14, 2021.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Toad Hall, Department of the Tintinabulary, Seattle, on April 3, 1992.

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From my 1982 composition "Book of Windows", a midi version of just the instrumental parts.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer and a miffed little bird improvising on the porch at the Tintinabulary, Seattle, on May 31, 2021

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on February 15, 1997

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on January 7, 1987.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvise on the porch of the Tintinabulary, Seattle, Center of the Unknown Universe, on May 17, 2021. It was drizzling.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on March 27, 1992.

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The text-sound portion of my 1982 composition "Book of Windows", recorded and altered March 20, 2005, at the Tintinabulary, Seattle.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary, Anna K and Neal Kosály-Meyer phoning in from Outpost Lake City, and Aaron Keyt at Outpost Toad Hall, improvising on May 3, 2021, (Tintinabulary and Lake City), and May 4, 2021, (Toad Hall).

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on February 8, 1997.

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Aaron Keyt, Karen Eisenbrey, and Keith Eisenbrey, improvising at the Tintinabulary, on January 3, 1987, with Neal Kosály-Meyer's Amazing Grace on the speakers.

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Karen Eisenbrey and Keith Eisenbrey, on the porch at the Tintinabulary, and Anna K and Neal Kosály-Meyer phoning in from Outpost Lake City, improvising together on April 19, 2021

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on January 4, 2002.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at Outpost Toad Hall, on March 20, 1992.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvise at the Tintinabulary and Outpost Toad Hall on the 5th and 6th of April, 2021, respectively, to which is added some sounds from the archives.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on January 31, 1997.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Greenwood Big House, Seattle, on January 3, 1987

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, and Neal Kosály-Meyer improvising variously at the Tintinabulary, Seattle (Karen & Keith); Outpost South (Steve); and by phone from Outpost Lake City (Anna & Neal) on March 21 (Steve), 2021 and March 22 (Karen, Keith, Anna & Neal) 2022.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary on February 28, 1992

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on March 7, 8, and 10, 2021, at the Tintinabulary (Karen & Keith), at Outpost South Seattle (Steve), at Outpost Duck (Anna & Neal ), at Outpost Lake City by telephone to the Tintinabulary (Anna & Neal ), and at Outpost Toad Hall, (Aaron), assembled at the Tintinabulary, Seattle

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Karen Eisenbrey and Keyt Eisenbrey, at the Tintinabulary; Aaron Keyt at Outpost Toad Hall; and Anna K and Neal Kosály-Meyer from Outpost Lake City; improvising on February 21 and 22, 2021.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 25, 1997.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary on February 8, 2021, and Aaron Keyt at Outpost Toad Hall, Department of the Tintinabulary, on February 9, 2021, improvising.

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 9, 2012.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Toad Hall Outpost, Department of the Tintinabulary, Seattle, on February 21, 1992

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My 1980 composition "Sonata 1980", recorded on May 14, 2009, at the Tintinabulary, Seattle.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary, Anna K and Neal Kosály-Meyer by cell phone from Outpost Lake City, and Aaron Keyt from Outpost Toad Hall, improvising on January 25, 2021

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary on January 22, 2007.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on January 17, 1997.

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A midi realization made on February 6, 2006, of my 1987 composition "Seeds".

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Karen Eisenbrey and Keith Eisenbrey, improvising at the Tintinabulary, Seattle, on January 11, 2021.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on February 14, 1992.

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A midi draft of my 2020 composition

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary in Seattle, joined telephonically by Anna K and Neal Kosály-Meyer in Outpost Seattle; Steve Kennedy at Outpost Humble, and Aaron Keyt at Outpost Toad Hall, improvising on December 28, 2020

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In 2019, during an Advent service at our church, Karen performed a setting of these two verses that I had composed in the Summer of 2000. I was accompanying, but at a certain point it occurred to me that the reason one particular bit was difficult to pull off - the very bit that I was even then preparing to play - was due to the clear fact that I had composed it poorly, settling for a good enough when I should have worked it out properly. Further, I began to furiously make internal compositional decisions on how to improve that moment and the rest of the piece. Needless to say my feeble brain can't compose one thing and play another at the same time. Karen persisted like the trooper she is, singing on until I regained my bearings and rejoined.

When I got home I made some notes, and over the course of several weeks realized that the only way to correct that spot was to start from scratch and re-compose the whole thing. Those pages sat on the music rack until this Summer when I finally had some time to complete it. For about a month I have been learning to play and sing it myself. The range is pretty high for me in spots, and the chromatic leaps are a challenge, but I get the idea of it across. Next task is to teach Karen to sing it. It fits her range much better than it does my untutored-except-by-what-I-have-picked-up-over-the-years-from-choral-cunductors voice.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary, Seattle; Anna K and Neal Kosály-Meyer phoning in from Outpost Lake City; and Aaron Keyt at Outpost Toad Hall, improvising on 12/14/2020

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My 2002 composition performed live at University Temple United Methodist Church on October 25, 2002; Keith Eisenbrey, piano

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on February 7, 1992.

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Steve Kennedy from South Outpost on November 29, 2020; Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary and Anna K and Neal Kosály-Meyer monocasting to the Tintinabulary from Lake City Outpost on November 30, 2020; and Aaron Keyt at Toad Hall on December 1, 2020, improvising.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 16, 2020 (Karen and Keith), by phone for Outpost Lake City, on November 16, 2020 (Anna & Neal), and from Outpost Toad Hall, on November 17, 2020. Assembled from Banned Telepaths 65

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Karen Eisenbrey and Keith Eisenbrey (at the Tintinabulary, Seattle); and Anna K and Neal Kosály-Meyer (at Outpost Lake City, by phone (phone at Tintinabulary end placed in large tin can)); improvising on November 2, 2020

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Karen Eisenbrey, Keith Eisenbrey, John E, Aaron Keyt, Marilyn Meyer, and William Meyer, improvising at the Tintinabulary on January 31, 1992.

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Karen Eisenbrey, and Keith Eisenbrey at the Tintinabulary, Aaron Keyt at Toad Hall, and Anna K and Neal Kosály-Meyer in Lake City, improvising on October 19, 2020, assembled from Telepaths 64

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Karen Eisenbrey and Keith Eisenbrey improvising at the Tintinabulary, Seattle, on October 5 2020; Aaron Keyt improvising at Toad Hall, Seattle, on October 6, 2020; and Anna K and Neal Kosály-Meyer phoning in from Outpost Lake City, Seattle; assembled at the Tintinabulary.

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Assembled from Banned Telepaths 62 200921 Tintinabulary and Toad Hall, Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary, and Aaron Keyt at Toad Hall, Seattle, improvising.

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I layered all the versions extant of my 1981 electronic piece "Aku" on top of each other.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising on the porch and environs at the Tintinabulary, Seattle, on September 7, 2020.

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My 2007 Hymn "Whether The Word Be Preached Or Read" as performed by me in July of 2017. Text by Charles Wesley (public domain).

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Karen Eisenbrey and Keith Eisenbrey (on the porch), Steve Kennedy (near the porch), at the Tintinabulary, and Neal Kosály-Meyer (by phone from Outpost Lake City), improvising on August 24, 2020.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Toad Hall on January 3, 1992.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on January 10, 1992.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising on the porch (Karen, Keith, and Aaron) of the Tintinabulary, and by phone from Outpost Lake City (Neal), on August 10, 2020.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising on and off the porch at the Tintinabulary, Seattle, on July 27, 2020

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Karen Eisenbrey and Keith Eisenbrey [on the porch], Steve Kennedy and Aaron Keyt [in the yard], and Neal Kosály-Meyer [narrowcasting from Lake City Outpost to the tiny speaker], improvising at the Tintinabulary, Seattle, on July 13, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, and Neal Kosály-Meyer improvising, masked, on the porch and yard, and by phone from Outpost Lake City, of the Tintinabulary, Seattle, on June 29, 2020. Our first session together since early March, in celebration of the 36th Bannediversary.

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Early in the morning on the porch at the Tintinabulary, June 27, 2020

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Karen Eisenbrey and Keith Eisenbrey, on the porch at the Tintinabulary, and Aaron Keyt at Toad Hall Outpost, improvising on June 15, 2020

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Karen Eisenbrey and Keith Eisenbrey improvising at the Tintinabulary, Seattle, on June 15, 2020

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Karen Eisenbrey and Keith Eisenbrey (at the Tintinabulary), Steve Kennedy (at South Outpost), Aaron Keyt (at Toad Hall Outpost), and Neal Kosály-Meyer (by phone from Lake City Outpost), improvising on June 1 and 2, 2020, Seattle.

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Karen Eisenbrey and Keith Eisenbrey on the porch at the Tintinabulary, and Neal Kosály-Meyer checking in by phone from Outpost Lake City, improvising on June 1, 2020.

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy at the Tintinabulary, Seattle, and Aaron Keyt in Anchorage, improvising on December 26, 2016. Remixed from the original Telepaths May 2020.

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy at the Tintinabulary, and Aaron Keyt in Anchorage, improvising on December 13, 2016. Remixed from the Telepaths in May 2020.

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rain and thunder at the Tintinabulary, Seattle, on the morning of May 30, 2020

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Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary, Steve Kennedy at the South Outpost, Aaron Keyt at Toad Hall Outpost, and Neal Kosály-Meyer at the Lake City Outpost, all improvising on May 17 and 18, 2020; collected and assembled at the Tintinabulary.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary, and Neal Kosály-Meyer at the Lake City Outpost, improvising on May 18, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary and outposts on May 4, 2020

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary and outposts on April 20, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, Neal Kosály-Meyer improvising at the Tintinabulary and outposts on April 6, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary and outposts on March 22-24, 2020.

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Karen Eisenbrey and Keith Eisenbrey, at the Tintinabulary, Neal Kosály-Meyer calling in from Lake City, improvising on May 4, 2020

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Chapel Performance Space, Good Shepherd Center, Seattle, on June 27, 2014. 30th Bannediversary.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Chapel Performance Space, Good Shepherd Center, Seattle, on June 27, 2014. The 30th Bannediversary

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Chapel Performance Space, Good Shepherd Center, Seattle, on February 22, 2013.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Chapel Performance Space, Good Shepherd Center, Seattle, on February 22, 2013.

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Karen Eisenbrey and Keith Eisenbrey at the Tintinabulary and Neal Kosály-Meyer and others in the out and about phoning in, improvising on April 20, 2020.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinbalary, Seattle, and from a remote location, on April 6, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 12, 2011.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 28, 2011.

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recording made at dawn on March 16, 2020, Meadowbrook Pond, Seattle.

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Recording made early in the morning of March 15, 2020, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 9, 2020

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 24, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 14, 2011.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 10, 2020.

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at Gallery 1412, Seattle, on February 1, 2020

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Key, and Neal Kosály-Meyer improvising at Gallery 1412, Seattle on February 1, 2020

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 27, 2020.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on January 13, 2020.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on October 24, 2011.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Greenwood Outpost, Department of the Tintinabulary, Seattle, on December 31, 1986

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 30, 2019.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 20, 2006.

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Karen Eisenbrey and Keith Eisenbrey, improvising at the Greenwood Big House Outpost, Department of the Tintinabulary, Seattle, on December 26, 1986

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on October 10, 2011.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Greenwood Outpost, Department of the Tintinabulary, Seattle, on December 20, 1986

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 16, 2019

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Series 2 of 2 of my 2016 composition, recorded live at the Chapel Performance Space, Good Shepherd Center, Seattle, on March 24, 2018.

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Series 1 of 2 of my 2016 composition, recorded live at the Chapel Performance Space, Good Shepherd Center, Seattle, on March 24, 2018.

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My 2017 composition, recorded at the Tintinabulary, Seattle, on December 12, 2019. The piano is an 1890 Chickering 9 foot grand.

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Karen Eisenbrey and Keith Eisenbrey improvising at Bickleton Outpost, Department of the Tintinabulary, on November 29, 1986.

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recorded live at University Temple United Methodist Church, Seattle, on December 1, 2019. Karen Eisenbrey, soprano, Keith Eisenbrey, piano.

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My 2017 chorale setting, recorded on December 4, 2019, at the Tintinabulary, Seattle. Keith Eisenbrey, piano.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on September 26, 2011.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 25, 2019.

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Karen Eisenbrey and Keith Eisenbrey, improvising at the Bickleton Department of the Far Flung Tintinabulary on November 28, 1986, this tape destined to be part of Banned Rehearsal 105, when finally assembled.

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Anna K and Neal Kosály-Meyer improvising at the San Diego Department of the Far Flung Tintinabulary, on November 27, 2019. This tape destined for inclusion in Banned Rehearsal 105.

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An intermediary step in the collection of sound files used, eventually, in my Zither Film, from September of 2011. The original track was played at (probably) 17 different speeds/pitch levels. These are those all lined up slow to fast.

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Alison B, Karen Eisenbrey, Keith Eisenbrey, and Nan H, improvising at the Greenwood Full House Outpost of the Tintinabulary, Seattle, on November 21, 1986.

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My recently completed setting of the passage in Luke known as "The Magnificat." The modifications to the King James version of the text are mine. Karen Eisenbrey, soprano; Keith Eisenbrey, piano. Recorded at the Tintinabulary, Seattle, on November 17, 2019.

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My 2017 chorale setting, recorded on November 21, 2019, at the Tintinabulary, Seattle.

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My 2017 chorale setting, recorded on November 14, 2019, at the Tintinabulary, Seattle

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 11, 2019.

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Karen Eisenbrey and Keith Eisenbrey, joined by a neighbor, improvising at the Greenwood Front House Outpost of the Tintinabulary, Seattle, on November 9, 1986.

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The eighth of my twelve chorale settings from 2017.

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My 2017 setting of In dulci jubilo, recorded on October 31, 2019, at the Tintinabulary, Seattle.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, and a host of others, including Yvonne Meyer, alto; Peter Herpst, tenor; and [an unremembered name] piano. Since the wedding of Karen & Keith had all of the current members of Banned Rehearsal in it, and since it is a recording, it is in canon. All composed music except the hymn is by Keith Eisenbrey.

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Karen Eisenbrey,Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on October 28, 2019.

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rain falling from inside, then outside, then inside the Tintinabulary, Seattle, on the evening of October 25, 2019.

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My composition of June 4, 2017, recorded on October 15, 2019, at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on October 14, 2019.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising on November 6, 2006, at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on August 15, 2011

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Cruddy and cheesy, this is a recording of my 1974 composition, originally for string quartet, overdubbed in February of 1985, using a Wurlitzer Funmaker Sprite electronic organ and a cassette deck with a switchable erase head.

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My solo piano composition of 1975-76, recorded live on November 5, 2011, at University Temple United Methodist Church, Seattle. Performed by me.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer rattle around in an improvisatory way at the Tintinabulary, Seattle, on September 30, 2019. Keith is concerned about the state of the ceiling tiles, vis-a-vis the earth's gravitational pull.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on September 16, 2019

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(other way), composed May 29, 2017, recorded September 19, 2019, at the Tintinabulary, Seattle

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(one way) - composed May 28, 2017, recorded September 12, 2019, at the Tintinabulary, Seattle

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A ride on the Max, Orange Line to Milwaukie, but still in Portland, Oregon, September 14, 2019

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Passersby on the esplanade, just south of Steel Bridge, Portland, on September 14, 2019.

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A bell, constructed by Robert Meyer from a propane tank, Milwaukie, Oregon, September 14, 2019

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Robert Meyer demonstrates an old Gramophone, Milwaukie, Oregon, September 13, 2019

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Robert Meyer gives a tour of his collection of brass instruments, Milwaukie, Oregon, on September 13, 2019

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Train going by, Steel Bridge, Portland, on September 13, 2019

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Cars on the grated bridge deck, from underneath, Hawthorne Bridge, Portland, September 13, 2019

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising on the Porch, Department of the Tintinabulary, Seattle, on September 2, 2019.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on October 23, 2006.

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Karen (Meyer) Eisenbrey and Keith Eisenbrey improvising at the Greenwood Big House Outpost, Department of the Tintinabulary, Seattle, on September 22, 1986.

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This is the first of 12 chorale settings I composed in 2017, recorded on August 30, 2019, at the Tintinabulary, Seattle, on an 1890 8' Chickering piano.

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Karen (Meyer) Eisenbrey and Keith Eisenbrey improvising for the last time at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on August 22, 1986

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on August 19, 2019.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on August 1, 2011.

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This is the piano solo version of a quod libet chorale prelude I wrote in 1998. I recorded this on June 26, 2014.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on August 16, 1986.

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy improvising at the Tintinabulary, Seattle, on August 5, 2019.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 25, 2006.

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My brother Paul Eisenbrey performing (on clarinet) my 1986 composition "for oboe," without much if any rehearsal, and pretty much nailing it.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on July 22, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on August 12, 2019.

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Karen (Meyer) Eisenbrey and Keith Eisenbrey improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on August 9, 2019.

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Empty Shelves shaking, HVAC, and footsteps, recorded in Seattle on July 12, 2019.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on July 8, 2019

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 5, 2006

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Karen (Meyer) Eisenbrey and Keith Eisenbrey, on patrol at the Blowout, on the edge of the Yakima Indian Reservation near Bickleton, Washington, improvising on July 26, 1986.

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Karen (Meyer) Eisenbrey and Keith Eisenbrey improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on July 10, 1986.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on August 14, 2006.

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Jenny Chung, Keith Eisenbrey, Karen Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising in celebration of the 35th Bannediversary, on the porch at the Tintinabulary, Seattle, on June 24, 2019.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, June 16, 2019, out on the porch

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after Anne Gorrick's recent encaustic monotype

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer improvising variously in Seattle (Greenwood Half House Outpost of the Tintinabulary), San Diego, and Berkeley, mixed together from the Telepaths #6.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising on the porch at the Tintinabulary, Seattle, on June 3, 2019.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on July 17, 2006.

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My string quartet variations of 2006, in midi rendition

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy, improvising at the Tintinabulary, Seattle, on May 20, 2019.

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collected short bits from early Banned Rehearsals, assembled on or about June 2, 1986.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and others unnamed, improvising at an undisclosed location on June 22, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seatlte, on June 27, 2011.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Paul Eisenbrey, improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on June 22, 2019.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on May 6, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Manse Outpost of the Tintinabulary in Bickleton, Washington, on June 14, 1986. Side B of 2.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 22, 2019

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My 2006 composition being a recomposition of Boretz's Liebeslied of the '70s. Recorded at the Tintinabulary, Seattle, on June 15, 2010. The piano is an 1890 8' Chickering.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 8, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at Outpost Bickleton of the Tintinabulary, on June 14, 1986. Side A of 2.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Bickleton Pioneer Picnic & Rodeo on June 14, 1986

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My 2001 composition for solo piano, recorded March 29, 2019, at the Tintinabulary, Seattle.

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This opera, composed in 2018, features the eponymous traditional song as the main character. It also constitutes the 13th etude of my work in progress Études d'exécution imminent. I recorded this rendition at the Tintinabulary on March 29, 2019.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on March 25, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on June 10, 2986. Our last full session at the Half House ever, I think.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on June 10, 1986.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising on the porch at the Tintinabulary, Seattle, on June 26, 2006.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on June 9, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on March 11, 2019

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on May 23, 2011.

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what it is, on March 4, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House Outpost, on June 7, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, improvsing at the Tintinabulary, Greenwood Half House Outpost, Seattle, on June 7, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on February 25, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half-House Outpost, on June 6, 1986.

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My 2005 electronic composition as presented at my recital "Preludes in Seattle" on June 10, 2006, at University Temple United Methodist Church.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Doug Haire, Neal Kosály-Meyer, and Wally Shoup improvising at the Tintinabulary, Greenwood Half-House Outpost, Seattle, on June 7, 1986.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Doug Haire, Neal Kosály-Meyer, and Wally Shoup improvising at the Greenwood Half House Outpost of the Tintinabulary, Seattle, on June 7, 186.

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at Hollow Earth Radio as part of the 34th annual Seattle Improvised Music Festival, on February 7, 2019. The snow is on us.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Doug Haire, Neal Kosály-Meyer, and Wally Shoup improvising around Green Lake, Seattle, on June 7, 1986.

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Broken tire chains on the 312 bus, afternoon of February 4, 2019, Seattle. Recorded on my phone. Or is it the collected chattering teeth of all the frozen souls waiting for the bus this morning?

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 28, 2019.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Doug Haire, Neal Kosály-Meyer, and Wally Shoup improvising from the Greenwood Half House Outpost of the Tintinabulary to Green Lake, Seattle, on June 7, 1986

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Jesse Canterbury, Eric Dahlman, Keith Eisenbrey, Carl Juarez, Jim Knodle, Mike Marlin, Deb Scott, and Tari Nelson Zagar improvising at the Chapel Performance Space, Good Shepherd Center, Seattle, on January 25, 2019

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on January 14, 2019

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 27, 1991.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, Greenwood Half House Outpost, on June 5, 1986.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Toad Hall Outpost, on December 20, 1991.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House, on June 5, 1986.

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Keith Eisenbrey improvising at the Tintinabulary, Seattle, December 25, 2018, on a handmade acoustic steel string guitar.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 29, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 17, 2018.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 15, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 3, 2018.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt recording at the Tintinabulary, Toad Hall Outpost, on November 8, 1991.

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Karen Eisenbrey, Keith Eisenbrey, George Kosály, Marta Kosály, and Neal Kosály-Meyer, improvising at the Tintinabulary, Greenwood Half House Outpost, on June 4, 1986.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 1, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on November 19, 2018

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My 2001 Chorale Prelude, Originally for Organ, on Lauda Anima, lightly arranged for piano, recorded at the Tintinabulary, Seattle, on November 13, 2018. Piano: 1890 Chickering 8'.

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on June 5, 2006

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Karen Eisenbrey, Keith Eisenbrey, Goerge Kosály, Marta Kosály, Neal Kosály-Meyer, improvising at the Tintinabulary, Greenwood Half House Outpost, Seattle, on June 4, 1986

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Toad Hall Outpost, Seattle, on October 25, 1991.

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our back yard in Seattle, November 10, 2018

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 5, 2018.

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Keith Eisenbrey and Neal Kosály-Meyer improvising in Bellevue, Washington, on November 15, 1981

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising on May 31, 1986, at the Greenwood Half-House Outpost of the Tintinabulary, Seattle

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on October 22, 2018.

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Keith Eisenbrey improvising on October 15, 2018, at the Tintinabulary, Seattle

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on October 18, 1991.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House Outpost, on May 31, 1986.

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Free Improvisation: The Quartets Project, Part 2. S. Eric Scribner presiding, September 29, 2018, at the Chapel Performance Space, Good Shepherd Center, Seattle:

Aaron Keyt, piano, objects, melodica Bruce Greeley, bass clarinet Carol J Levin, harp, electric harp Ha-Yang Kim, ‘cello Jim Knodle, trumpet Karen Eisenbrey, piano, objects, drums (?) Keith Eisenbrey, piano, objects Neal Kosaly-Meyer, piano, guitar, voice S. Eric Scribner, piano, percussion, field recordings Amelia Love Clearheart, what she does

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Free Improvisation: The Quartets Project, Part 1. S. Eric Scribner presiding, September 29, 2018, at the Chapel Performance Space, Good Shepherd Center, Seattle:

Aaron Keyt, piano, objects, melodica Bruce Greeley, bass clarinet Carol J Levin, harp, electric harp Ha-Yang Kim, ‘cello Jim Knodle, trumpet Karen Eisenbrey, piano, objects, drums (?) Keith Eisenbrey, piano, objects Neal Kosaly-Meyer, piano, guitar, voice S. Eric Scribner, piano, percussion, field recordings Amelia Love Clearheart, what she does

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on September 29, 2018.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Toad Hall Outpost, Seattle, on October 11, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on September 10, 2018, at the Tintinabulary, Seattle.

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Keith Eisenbrey and Neal Kosály-Meyer producing an improvised rendition of Keith Eisenbrey's text "A Pedantic Soliloquy". Recorded at the Tintinabulary, Bellwood East Outpost, on November 15, 1981.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House, Seattle, on May 30, 2018.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising on the porch at the Tintinabulary, Seattle, on August 27, 2018.

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cars on the bridge deck of University Bridge, Seattle, on August 31, 2018.

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Keith Eisenbrey improvising at the Tintinabulary, Seattle, on August 20, 2018.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on October 4, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising on the porch at the Tintinabulary, Seattle, on August 13, 2018.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary Greenwood Half-House, Seattle, on May 30, 1986.

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My performance of Benjamin Boretz's 1955 composition, "Partita"

Recorded July 31, 2018, at the Tintinabulary, Seattle Assembled August 12, 2018 Piano: 1890 Chickering 8'

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Sounds of a car wash from inside the car, Oak Harbor, Washington, on August 7, 2018.

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Keith Eisenbrey asks a long-winded question of Neal Kosály-Meyer after and concerning Gradus 337.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Toad Hall Outpost, Seattle, on September 27, 1991.

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John Teske and Neil Welch present music in Ravenna Park, Seattle, on August 4, 2018.

performers: John Teske, bass Neil Welch, tenor and C soprano saxophone Samantha Boshnack, trumpet Ebony, cello Noel Kennon, violin Greg Campbell, drums

made public by the kind permission of John Teske and Neil Welch. So many thanks! So little time.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising on the Porch at the Tintinabulary, Seattle, on July 30, 2018.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary Half House Outpost, Seattle, on May 29, 1986.

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These two short pieces began life in the late 90's as a clarinet bassoon duet. In 2000 I transcribed them for solo piano. I made these recordings on June 27 and July 6, 2018, at the Tintibulary, Seattle.

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John E, Karen Eisenbrey, Keith Eisenbrey, Paul Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on September 20, 1991.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising at the Tintinabulary Greenwood Half House on May 29, 1986, being the official beginning of the "push to 100."

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy improvising on the porch at the Tintinabulary on July 16, 2018.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Toad Hall Outpost of the Tintinabulary on September 6, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer, improvising at the Brooklyn Ave Outpost of the Tintinabulary, on May 26, 1986.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on August 30, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House Station, on May 21, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising on the Tintinabulary porch on June 18, 2018.

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My 1991 composition arranged with the clavichord bits first, followed by the text read by Neal Kosály-Meyer.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on June 5, 2018.

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Karen Eisenbrey and Keith Eisenbrey chatting occasioanlly in the Mural Room of The Kaiser House in Phillipsburg, Montana, in the evening of June 13, 2018. Birds and folks making sounds.

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Karen Eisenbrey and Keith Eisenbrey, walking on a boardwalk in the Old Faithful area of Yellowstone National Park, Wyoming, on June 11, 2018. There were also strong winds.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 15, 2006.

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Keith Eisenbrey and Neal Kosály-Meyer in 3 and a half tag-team readings of my "Sonata 1980", a graphic score from 1980. Recorded May 20, 1986, probably at my home in Bellevue, Washington.

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Stillness, Concentrate (a recital) - Keith Eisenbrey [April 2016] 1. Welcome to my planet. I come in peace. - Eisenbrey 2. Another - Eisenbrey 3. J - Eisenbrey 4. "...such words as it were vain to close..." - J. K. Randall

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At about 3 minutes in, and then again at the very end, a parent Chickadee visits the bird house and you can hear the baby chicks cheep. Recorded May 27, 2018, on the porch at the Tintinabulary, Seattle. A small detail in an urban soundscape.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 21, 2018.

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four tiny tracks piled together in 2011.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Toad Hall Outpost, on August 23, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer, improvising at the Tintinabulary, Greenwood Half House, Seattle, on May 15, 1986.

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My 1981 composition recorded live on February 24, 2018, at The Chapel Performance Space, Good Shepherd Center, Seattle.

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My 2008 SATB setting of John Bunyan's poem "Who would True valour see" from "A Pilgrim's Progress." Sung by the University Temple Chancel Choir, directed by Chris Vincent, on May 13, 2018. Recorded during the service at University Temple United Methodist Church, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 7, 2018.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosaly-Meyer, improvising on May 7, 1986, at the Tintinabulary, Greenwood Half-House Outpost, Seattle.

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Raising a wall near Greenbank, Washington, May 5, 2018

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Lamb Day at Sleeping Dog Farm, Clinton, Washington, May 5, 2018

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on August 18, 1991

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Lamb Day at Sleeping Dog Farm, Clinton, WA, May 5, 2018

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on April 23, 2018.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on Mary 9, 2011.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on May 1, 2006.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Toad Hall Outpost, Seattle, on August 3, 1991.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 21, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on April 9, 2018.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on April 25, 2001.

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Karen Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on December 21, 1996.

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John E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Holden K, Neal Kosály-Meyer, Marilyn Meyer, and William Meyer, improvising and chatting at the Tintinabulary, Seattle, in July 1991

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Karen Eisenbrey and Keith Eisenbrey improvising at the Tintinabulary, Seattle, on April 23, 2011.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, and Wally Shoup improvising at the Tintinabulary, Greenwood Half House, Seattle, on April 21, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on March 26, 2018.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer (in Seattle), and Aaron Keyt (Chignik Lagoon School, and Port Haiden) improvising at March 11 (Chignik Lagoon School), March 12 (Seattle), and March 14 (Port Haiden); assembled at the Tintinabulary, Seattle.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Toad Hall Outpost, Seattle, on July 13, 1991.

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At dawn on March 11, 2018, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Kelly WW, Allen Welch, and Suzanne Winter-Welch improvising at the Tintinabulary, on April 11, 2006.

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My Recital of February 24, 2018, at The Chapel Performance Space, Good Shepherd Center, Seattle. Kam Morrill: Puppet Pieces Benjamin Boretz: Partita Keith Eisenbrey: Two Pomes Play Ken Benshoof: Patti's Parlour Pieces 17-20 Keith Eisenbrey: Seventeen Prepuntal Contraludes Lockrem Johnson: 24 Preludes 17-20 Ken Benshoof: 24 Preludes 17-20 Keith Eisenbrey: 24 Preludes 17-20 Greg Short: 24 Tonal Preludes 17-20

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Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy at the Tintinabulary in Seattle on February 26, 2018, and Aaron Keyt on St. Paul Island, Bering Sea, Alaska, on February 25, 2018.

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Hail storm on a metal chimney on February 25, 2018

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on April 18, 2011.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on December 28, 2001.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer, improvising at the Tintinabulary, Greenwood Half House, Seattle, on April 16, 1986.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Toad Hall Outpost, Seattle, on June 21, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 12, 2018.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 30, 1996.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on April 10, 2006.

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Karen (Meyer) Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House, Seattle, on April 10, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Isabel K, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on December 21, 2001.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising on November 16, 1996, at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer, at the Tintinabulary, Seattle, on January 29, 2018; and Aaron Keyt in Lake City, Seattle, on January 30, 2018. Assembled from Banned Telepaths 59.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on June 14, 1991.

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My 1981 composition, recorded on January 6, 2010, at the Tintinabulary, Seattle.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on April 4, 2011

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Isabel K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 30, 2001.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on October 5, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, Greenwood Half-House Camp, March 31, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary on January 15, 2018.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 21, 1996.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinbalury, Seattle, on March 27, 2006.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Toad Hall Outpost of the Tintinabulary, Seattle, on June 7, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Bickleton Outpost of the Tintinabulary, on March 22, 1986. Side 2 of a two sided session.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on November 23, 2001.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on June 2, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on January 1, 2018.

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New Year's fireworks in Greenwood, Seattle, and a tow-truck.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 7, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Bickleton Outpost, on March 22, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 18, 2017.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on March 21, 2011.

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Bird Tweets at Green Lake, December 9, 2017.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on December 4, 2017.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer perform a very quick punky version of the camp favorite "Tom The Toad", at the Tintinabulary, Seattle, on November 2, 2001.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on August 30, 1996.

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Karen Eisenbrey (Meyer then), Keith Eisenbrey, Anna K, Neal Kosály-Meyer (Meyer then), improvising at the Tintinabulary Greenwood Half House, Seattle, on March 20, 1986.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on May 10, 1991.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on March 13, 2006.

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These little bits constitute the 9th of my "Études d'exécution imminent". Completed in 2016, I made this test recording on November 15, 2017, at the Tintinabulary, Seattle. The piano as an 1890, 8 foot Chickering.

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Unloading and loading the dishwasher on November 14, 2017.

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Recorded from the Porch of the Tintinabulary, on November 12, 2017.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on March 7, 2011.

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Isaac E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, on August 24, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on November 2, 2001.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on October 19, 2001.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Greenwood Half House Outpost, Seattle, on March 4, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on November 6, 2017.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at Toad Hall, Seattle, on April 26, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising on July 27, 2017, at the Tintinabulary, Seattle.

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Karen Eisenbrey reads her picture book "The Boospook Story" at the Tintinabulary dinner table, Seattle, on October 27, 2017.

Boo!

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on October 23, 2017.

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Karen Eisenbrey recorded construction sounds from her office on Capitol Hill, Seattle, on October 20, 2017

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, improvising at the Tintinabulary, Greenwood Station 912 1/2, Seattle, on March 1, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Isabel K, Aaron Keyt, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on September 21, 2001.

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Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on October 9, 2017

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on July 20, 1996

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Frogs recorded on the morning of April 15, 1991, south of Coupeville, WA.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 27, 2006

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Karen Eisenbrey, Keith Eisenbrey, Isabel K, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 14, 2001.

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Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on July 13, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on September 25, 2017.

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John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on April 19, 1991.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising a the Tintinabulary, Seattle, February 21, 2011.

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My 2006 composition, recorded at University Temple United Methodist Church, Seattle.

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Isaac E, John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle on September 7, 2001.

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A short walk (wome audio problems here and there) in the chilly early morning, Turnbull National Wildlife Refuge, September 16, 2017.

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Recorded early in the morning at Turnbull National Wildlife Refuge, Washington. September 16, 2017.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Toad Hall Annex, Seattle, on March 15, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 22, 2016.

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Keith Eisenbrey performing his 2006 composition in Snohomish, Washington, on October 14, 2010.

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Isaac E, John E, Karen Eisenbrey, Keith Eisenbrey, Anna K, Isabel K, Aaron Keyt, and Neal Meyer improvising a the Tintinabulary, Seattle, on August 31, 2001.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, and Anna S improvising at the Tintinabulary, Seattle, on July 6, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Doug Henderson, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 24, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on August 28, 2017.

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Karen Eisenbrey, Keith Eisenbrey, Isabel K, Aaron Keyt, and Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on August 17, 2001.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on March 8, 1991.

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Aaron Keyt's contribution to Banned Rehearsal 905, from Somerville, MA.

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Anna K, Isabel K, Aaron Keyt, Neal Kosály-Meyer, improvising on the porch at the Tintinabulary, Seattle, on August 10, 2001.

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Karen Eisenbrey, Keith Eisenbrey, John H, Anna K, Aaron Keyt, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on June 22, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, improvising on the porch at the Tintinabulary, Seattle, on August 14, 2017.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Isabel K, Aaron Keyt, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on August 3, 2001.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on March 1, 1991.

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Midi realization of my 2001 Organ Prelude, based on the hymn tune "Foundation".

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Pete Comley, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on July 31, 2017.

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Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 13, 2006

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Karen Eisenbrey, Keith Eisenbrey, Anna K, and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on June 15, 1996.

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Keith Eisenbrey and Neal Kosály-Meyer improvising at the Tintinabulary, Seattle, on February 13, 1986.

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A composed composite from 2001, being the wrecked tape version of AKU and Confessions of a Polyphonist, assembled by Doug Haire at Jack Straw Productions.

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Karen Eisenbrey, Keith Eisenbrey, Neal Kosály-Meyer, at the Tintinabulary, Seattle, on February 7, 2011

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Neal Kosály-Meyer, at the Tintinabulary, Seattle, May 24, 1996

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, at the Tintinabulary, Seattle, on February 22, 1991

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What it is, a list of words and/or letters spoken. Recorded by Doug Haire at Jack Straw Productions on July 7, 2001.

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Improvisation: Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Neal Kosály-Meyer, in Seattle; and Aaron Keyt at Composing In The Wilderness Camp, Coal Creek, AK; on July 17, 2017.

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt, improvising at the Tintinabulary, Seattle, on January 19, 1986.

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Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Neal Kosály-Meyer (in Seattle); and Aaron Keyt (in Anchorage); improvising on July 3, 2017.

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Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on May 17, 1996.

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Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, improvising at the Tintinabulary, Seattle, on February 15, 1991.

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Karen Eisenbrey, Keith Eisenbrey, Isabel K, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle, on January 17, 2011.

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Karen Eisenbrey, Keith Eisenbrey, Isabel K, Neal Kosály-Meyer, improvising at the Tintinabulary, Seattle on July 6, 2001.

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Zachary Buker, tenor; Karen Eisenbrey, soprano; Keith Eisenbrey, piano. My setting of Luke's Beatitudes (2013), offered during service at University Temple United Methodist Church, June 25, 2017.

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Assembled from Banned Telepaths 56, two short segments from Aaron Keyt in Anchorage looped over a porch session with Karen Eisenbrey, Keith Eisenbrey, and Steve Kennedy at the Tintinabulary, Seattle, on June 10 and 18 (Anchorage) and 19 (Seattle).

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Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at the Tintinabulary, Seattle, on February 8, 1991.

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My 1981 synclavier piece "Aku" played through a guitar amp into the Chapel at Bard College on July 21, 1982 - and treated to a good dose of tape degradation before being ripped to digital.