MFA Writers: Recent Episodes
Jared McCormack
MFA Writers is the podcast where host Jared McCormack interviews creative writing MFA students about their program, their process, and a piece they’re working on.
The pod team is traveling this week, so we invite you to travel back to a great episode from our previous season. We’ll be back with new episodes in the New Year — how fitting! Wishing you all a beautiful close to 2024.
Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally realistic. Plus, Jamie talks about how her background as a Chinese immigrant and the model minority myth shape her interest in writing about in-group/out-group behaviors, and her attraction to VCFA’s emphasis on experimental and cross-genre writing.
Jamie Li is a Southern California-based fiction writer and product marketer. She holds a BA from Dartmouth College and is pursuing her MFA at the Vermont College of Fine Arts. Her writing has been recognized in the New York Times and published in Slant’d Magazine, Mangoprism, and elsewhere. She writes the Creative Juice newsletter and exists online on jamieli.co or IG @j.a.m.i.e.l.i.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
- Donate to the show at Buy Me a Coffee.
- Leave a rating and review on Apple Podcasts.
- Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.
STAY CONNECTED
- Twitter: @MFAwriterspod
- Instagram: @MFAwriterspodcast
- Facebook: MFA Writers
- Email: mfawriterspodcast@gmail.com
It’s winter break! Strap on your snowshoes, brew a hot chocolate, and escape to the heat of the Vegas desert with one of our favorite episodes from last season. Wishing you all rest, writing inspiration, and early-decision acceptances.
This week, an MFA with an international focus! Krista Diamond sits down with Jared to talk about UNLV’s required (and funded) study abroad component and its emphasis on translation. Plus, Krista shares lessons learned as a freelance writer, info on the Vegas literary community, and how her experience working and living in national parks informs her fiction and nonfiction alike.
Krista Diamond is a Las Vegas based writer whose work has appeared in or is forthcoming in The New York Times, Longreads, Hazlitt, Catapult, Electric Literature, Joyland, and elsewhere. Her writing has been supported by Tin House and Bread Loaf. Her essay “That Girl is Going to Get Herself Killed,” which first appeared in Longreads, was adapted for audio by Oscar-nominated actress Naomie Harris. She is currently a third year in the fiction MFA program at the University of Nevada Las Vegas, where she is working on a novel about paparazzi. Learn more at www.kristamariediamond.com and on Twitter at @kristadiamond.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
- Donate to the show at Buy Me a Coffee.
- Leave a rating and review on Apple Podcasts.
- Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
- Apply to be a guest on the show by filling out our application.
STAY CONNECTED
- Twitter: @MFAwriterspod
- Instagram: @MFAwriterspodcast
- Facebook: MFA Writers
- Email: mfawriterspodcast@gmail.com
In this instant classic episode, Wilson M. Sims and Jared talk about the step-by-step process of getting an agent, what they do (or know they shouldn’t do) when a story isn’t working, how MFA programs are like basketball drills, and approaching craft discussions in ways that are more flexible and time-varying than declarative and concrete. Plus, Wilson discusses making lasting connections with faculty and visiting writers and shares the realities of living on an MFA stipend and pivoting to part-time to maintain a day job.
Wilson M. Sims is a behavioral-health worker and policy strategist in the final year of his MFA program at Florida Atlantic University. His work is published in Longreads, The Florida Review, Witness Magazine, and Virginia Quarterly Review. He is the winner of the 2021 Lascaux Prize in Creative Nonfiction, and his essay “Unknown Costs,” received a special mention in the 2025 Pushcart Anthology. Find him at wilsonmsims.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
- Donate to the show at Buy Me a Coffee.
- Leave a rating and review on Apple Podcasts.
- Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
- Apply to be a guest on the show by filling out our application.
STAY CONNECTED
- Twitter: @MFAwriterspod
- Instagram: @MFAwriterspodcast
- Facebook: MFA Writers
- Email: mfawriterspodcast@gmail.com
In this episode, PhD Candidate Mackenzie McGee talks about her process when writing speculative fiction, including how she decides on topics and themes, how her process changes when writing flash versus her novel, and how writers are able to explore politically dangerous topics by leaning into speculative elements. She then tells Jared about her decision to pursue the PhD after finishing her four-year MFA program and how KU is particularly supportive of speculative writers.
Mackenzie McGee is a speculative fiction writer from the Midwest. A winner of the 2021 PEN/Dau Short Story Prize for Emerging Writers, her work can be read inPorter House Review, Nat. Brut, Alaska Quarterly Review, and Cease, Cows. Mackenzie earned her MFA from the University of Arkansas and is currently a second-year PhD student in English-Creative Writing at the University of Kansas. You can find her at mackenziemcgee.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
- Donate to the show at Buy Me a Coffee
- Leave a rating and review on Apple Podcasts
- Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
- Apply to be a guest on the show by filling out our application
STAY CONNECTED
- Twitter: @MFAwriterspod
- Instagram: @MFAwriterspodcast
- Facebook: MFA Writers
- Email: mfawriterspodcast@gmail.com
Rone Shavers joins Jared for our annual application episode to discuss the differences between MFA and PhD applications and programs. Rone and Jared talk about how to choose the right program, put together the best application, and get the most out of your time in a program. Before that, they discuss Rone’s “funky” novel Silverfish and how getting over the pressure of making a commercially viable book allowed him to write the book he wanted to write.
Rone Shavers is the director of the creative writing program at The University of Utah, which offers both an MFA and a PhD in creative writing. Rone is the author of the experimental Afrofuturist novel Silverfish from Clash Books, a finalist for the 2021 Council of Literary Magazines and Presses (CLMP) Firecracker Award in Fiction and one of The Brooklyn Rail’s “Best Books of 2020.” He is also fiction and hybrid genre editor at the award-winning journal, Obsidian: Literature and Arts in the African Diaspora. Find him at roneshavers.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
The leaves are turning, the pumpkin spice lattes are brewing, and that means the MFA applicants are revising and re-revising their personal statements. To celebrate the arrival of fall, we’re bringing you last season’s (super informative) application episode. Stay tuned for a new episode in your feed soon.
Happy MFA Application Season to all who celebrate! Jess Silfa returns to the show bringing seven years of experience with the MFA Draft Facebook Group. On this episode, Jess and Jared offer advice for applicants across a wide range of topics: teaching, funding, health insurance, fees, faculty, letters of recommendation, writing samples, statements of purpose, negotiations, timelines, and more. Good luck, friends.
Jess Silfa is a writer and poet from the South Bronx. They hold an MFA from Vanderbilt University in Creative Writing (Fiction) and are currently pursuing their Ph.D. in Creative Writing at the University of Cincinnati. They have received a Displaced Artist Fellowship from Vermont Studio Center, a grant from the American Academy of Arts and Letters, a Mae Fellowship, and a Ricardo Salinas Scholarship for Aspen Summer Words. Jess serves as President for the Disabled and D/deaf Writers Caucus and helps run the MFA Draft Facebook group. Jess’s first novel, the story of a tight-knit immigrant community rattled by the war on drugs, goes on submission this fall. Learn more at www.jesilfa.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
- Donate to the show at Buy Me a Coffee.
- Leave a rating and review on Apple Podcasts.
- Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
- Apply to be a guest on the show by filling out our application.
STAY CONNECTED
- Twitter: @MFAwriterspod
- Instagram: @MFAwriterspodcast
- Facebook: MFA Writers
- Email: mfawriterspodcast@gmail.com
Carlee Jensen reflects on how the American West and constructions of personal mythology shaped her writing, and how coming out “late” taught her that life has no single narrative. She also tells Jared why she avoided MFA application resources before submitting her materials, how the MFA helped her refocus on writing as an art, not just a profession, and she discusses her experience taking advantage of Hopkins’s optional third year.
Carlee Jensen is a fiction writer and educator, raised in Utah and California, and currently living in Baltimore, Maryland. She earned a BA from Yale University and an MS from Bank Street College of Education, and spent seven years as a classroom teacher before pursuing an MFA from the Writing Seminars at Johns Hopkins University. During her time at Johns Hopkins, she received the 2024 Benjamin J. Sankey Fellowship in Fiction. Her work has appeared in New Ohio Review and The Master’s Review, where it was selected by Kristen Arnett for a 2022 Short Story Award for New Writers, and was a finalist for American Short Fiction’s Short(er) Fiction Prize in 2023. Find her at carleejensen.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
On this episode, Jonny Teklit sits down with Jared to talk about crafting odes to small, granular subjects, sharing his personal productivity tips and the common writing advice that doesn’t work for him. Plus, Jonny discusses the pros and cons of UW-Madison’s rotating genre admissions policy and reflects on how Lynda Barry’s comics class changed his perspective on creative talent, revision, and experimentation.
Jonny Teklit is an award-winning poet whose work has appeared in The Academy of American Poets, The New Yorker, The Atlantic, The Adroit Journal, and elsewhere. He is currently a second-year MFA candidate in poetry at the University of Wisconsin–Madison where he is working on his debut collection. He has an animal fact for any occasion. Find him at his website jonnyteklit.com, on IG @jonnyteklit, and on Twitter @jonnysaysOMG.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
It’s not quite Halloween, but on this episode, Emma Allman talks to Jared about the utility of defamiliarization, surrealism, uncanniness, and body horror in ecofiction (spooky!). Plus, she discusses how working in marketing pre-MFA helped her understand professionalism and realism in academia, life in Tuscaloosa as it aligns with and diverges from outsiders’ expectations, and unique opportunities of the University of Alabama’s MFA program, including teaching in youth writing camps or within the state’s prison system.
Emma Allmann studied creative writing at UW-Madison and is entering her third year in the MFA program at the University of Alabama-Tuscaloosa. Prior to returning to grad school she worked in market research for several years in Chicago. She has had pieces published with Ellipsis and Ink In Thirds, shortlisted with Smokelong and has had a play produced for the Marcia Légère Student Play Festival at UW-Madison. She has pieces forthcoming with LandLocked and Ink In Thirds. Find her at www.emmaallmann.com and on Instagram @emryal91.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
As the pod team settles into the fall semester, we’re excited to celebrate the recent accomplishment of one of our past guests. Simon Graham was awarded an AWP Intro Journals Prize for their story “Blair,” forthcoming in Puerto del Sol. Enjoy our conversation with Simon from Season 3.
How do you write about the climate crisis without becoming didactic? On this episode, Simon Graham describes their approach to activist writing, guided by their experience growing up on the beaches of Australia and working in environmental policy. Plus, they talk about queering the crime fiction genre, the financial realities for international students living in Seattle, and remembering who you’re writing to, for, and with.
Simon Graham is an Australian writer, educator, and climate change worker living in Seattle. They are an MFA Candidate in Prose Writing at the University of Washington, where they won the Eugene Van Buren Prize in Fiction and teach a class on activist writing. Simon is also a 2023 Climate Corps Fellow with the Environmental Defense Fund, and prior to moving to the US they worked on climate policy in Australia and lectured on climate change at Monash University. They are currently working on a queer crime novel set in the shadowy world of Australian climate politics.
This episode was requested by Sarah Blood and Rorie Newman. Thank you both for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
Following Venezuela’s disputed presidential election, debut author Alejandro Puyana returns to the show to discuss his novel, which explores the revolutionary lives of both ordinary and extraordinary Venezuelans over the span of fifty years. He also shares insights with Jared about the rewrites he made to his MFA thesis before publication, the experience of collaborating with an editor, and the journey of securing book blurbs.
Alejandro Puyana is the author of the upcoming novel Freedom Is a Feast, available from Little, Brown on August 20th. Alejandro moved to the United States from Venezuela at the age of twenty-six. In 2022, he completed his MFA at the Michener Center for Writers at the University of Texas. His work has appeared in Tin House, American Short Fiction, The American Scholar, New England Review, and Idaho Review, among others, and his story “The Hands of Dirty Children” was selected by Curtis Sittenfeld for Best American Short Stories 2020. He lives with his wife and daughter in Austin, Texas. Learn more at alejandropuyana.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
Ever heard of an MFA program with 12 different genre concentrations? On this episode, Vivian (Xiao Wen) Li tells Jared about how UBC’s multi-genre emphasis allowed her to work across fiction, nonfiction, poetry, screenwriting, filmmaking, comics, and more. Plus, she discusses self-funding her degree, receiving a grant to do research in China for her novel, and UBC’s online option for distance learning.
Vivian is a queer and neurodivergent Chinese-Canadian writer, director, musician, and interdisciplinary artist who recently graduated with an MFA in Creative Writing from The University of British Columbia. She is the winner in the short story category of the Creative Writing Collective Sustaining Shared Futures Writing Award, and her fiction and poetry have been published in The Massachusetts Review, The New Quarterly, QWERTY, and elsewhere. Her chapbook Someday I Promise, I'll Love You from 845 Press was nominated for The bpNichol Chapbook Award. Her debut experimental novel titled To You, in the Waves of the Future will be going on submission soon. She can be reached @vivianlicreates onX/Instagram or vivianlicreates.com.
This episode was requested by Michelle D’costa. Thank you for listening, Michelle!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
Welcome to Season 5! On this episode, Rose Jenny talks to Jared about her work queering religious texts, rewriting nostalgia, and crafting formal poems. Plus, she discusses growing up and living as a trans person in the American South, finding her first readers in her cohort, and deciding whether to take the University of Miami’s optional third year.
Rose Jenny is a trans writer/performer based in Florida. Her debut chapbook, My Apocrypha (2024), is available through Bottlecap Press. Rose's other selected works have been published in Santa Fe Writers Project Quarterly, South Florida Poetry Journal, Pensive Journal, new words {press}, The Athena Review, and The Dead Mule School of Southern Literature. She holds a BA in English with a concentration in Creative Writing from University of South Florida. Additionally, she is the recipient of the 2021 Estelle J. Zbar Poetry Award. Rose is pursuing her MFA in Creative Writing at University of Miami. Learn more at rosejenny.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
As the pod team wraps up our summer vacation, we’re highlighting one of the gems from a previous season. Watch out for the Season 5 premiere in two weeks.On this episode, Nikki Lyssy tells Jared about how, as a blind writer, she uses research to access the sighted world and fill her fiction with vivid imagery, while in her nonfiction, she explores her own experience with blindness and plays with ideas about which forms translate between braille and the page. Plus, Nikki talks about diversity and disability representation in young adult fiction, formal training in creative writing pedagogy, and support from faculty, friends, and family when she decided to change her thesis at the last minute.Nikki Lyssy is a third-year MFA candidate at the University of South Florida, where she writes fiction and nonfiction. She is blind, and her thesis is a young adult novel that follows the life of 17-year-old Emma Reynolds as she adjusts to her blindness and sets out on a path of self-discovery and acceptance of her disability. Find her on Twitter @Blindnikkii.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOW— Donate to the show at Buy Me a Coffee.— Leave a rating and review on Apple Podcasts.— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.— Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
The pod team is still on vacation! In the mountains! Without recording equipment! The Season 5 premiere will be in your feed soon. Until then, enjoy this conversation with Maurice Carlos Ruffin, author of three books and faculty member twice over.Maurice Carlos Ruffin, author and faculty member at two MFA programs, joins Jared for this special episode about Maurice’s multi-year journey from corporate lawyer to professional writer (with plenty of rejection in between), the role of a creative writing professor in guiding students’ work, and the criticality of retaining joy in our writing, despite the challenges of publication, deadlines, and stories that just aren’t working. Finally, Maurice offers advice on what makes someone a successful MFA student, and where emerging writers should devote their energy.Maurice Carlos Ruffin is the author of The Ones Who Don’t Say They Love You, which was published by One World Random House in August 2021. It was a New York Times Editor’s Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize, among others. A New Orleans native, Maurice is a professor of Creative Writing in the MFA program at Louisiana State University and a faculty member in Randolph College’s low-residency M.F.A. program. Find him at his website, mauricecarlosruffin.com, and on Twitter @MauriceRuffin.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOW— Donate to the show at Buy Me a Coffee.— Leave a rating and review on Apple Podcasts.— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.— Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
The podcast team is on vacation! In the meantime, we invite you to listen to one of our favorite episodes from Season 3. Wishing you all a great summer, friends.
As the editor-in-chief of Peach Mag, Rachelle Toarmino is consistently focused on the work of others. She chats with Jared about her own writing career, including finding and using playfulness in her poetry, coping with MFA faculty turnover through collective cohort support, and how learning a second language opened her mind to poetic craft.
Rachelle Toarmino is a poet, editor, and educator from Niagara Falls, New York. She is the author of the poetry collection That Ex (Big Lucks Books, 2020) and the chapbooks Comeback (Foundlings Press, 2021), Feel Royal (b l u s h, 2019), and Personal & Generic (PressBoardPress, 2016). Her poems and essays have appeared or are forthcoming in American Poetry Review, Bennington Review, Electric Literature, Literary Hub, Pretty Cool Poetry Thing, Metatron Press, Shabby Doll House, Salt Hill Journal, and elsewhere. She is also the founding editor-in-chief of Peach Mag and an editorial advisor to Foundlings Press. She lives between Buffalo and Western Massachusetts, where she is an MFA candidate in poetry at UMass Amherst. Find her on Twitter @rchlltrmn and at her website rachelletoarmino.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
It’s the Season 4 finale! On this episode, Eric Larsh tells Jared about writing into obsessions, whether he’s focusing exclusively on sonnets or, for the last two years, diving into a long poem about the Mojave Desert. Eric also discusses how his music compositions and editorship at Portland Review inform his poetry, deciding between a graduate degree in rhetoric or creative writing, and Portland State’s built-in opportunities to connect with faculty and visiting writers.
Eric Larsh is a writer, bookseller, and musician living in Portland, Oregon. He is currently serving as Editor in Chief at Portland Review and pursuing his MFA in Poetry at Portland State University. His writing can be found at Los Angeles Review, Thin Air, The Daily Drunk, and elsewhere online. His music can be found at universalhealthcare.bandcamp.com. Learn more at ericlarsh.com.
This episode was requested by Emily Jacobson. Thank you for listening, Emily!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
Former stand-up comedian Max Delsohn sits down with Jared to talk about how humor and detailed line-level revision show up in his work for the stage and the page. Plus, he discusses a pleasure-forward writing process, switching MFA programs after the first year, and his experiences with big-name faculty like George Saunders and Mary Karr.
Max Delsohn is a third-year MFA candidate in fiction at Syracuse University. His writing appears in McSweeney's Quarterly Concern, VICE, Joyland, The Rumpus, Passages North, Nat. Brut, and the essay anthology Critical Hits: Writers Playing Video Games, edited by J. Robert Lennon and Carmen Maria Machado, among other places. He has been awarded fellowships and residencies from the Saltonstall Foundation for The Arts, Mineral School, and Hugo House, and has been nominated for the Pushcart Prize three times. His debut short story collection, CRAWL, is forthcoming in fall 2025 from Graywolf Press. Find Max on social media @maxdelsohn, and sign up for alerts to pre-order his collection via his website, www.maxdelsohn.com.
This episode was requested by Amy Peltz, Sarah Blood, and Frank Turner. Thank you all for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
STAY CONNECTED
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
Facebook: MFA Writers
Email: mfawriterspodcast@gmail.com
What’s involved in an English PhD with a creative dissertation? Abhijit Sarmah tells Jared about how this path allows him to pursue his research on global indigenous literatures while continuing to craft poetry on identity and insurgency in Assam, India. Abhijit also discusses postmemory, or the memories we inherit from earlier generations, writing about your homeland when you live far from it, and the strong literary scene in Athens, Georgia.
Abhijit Sarmah is a poet and a researcher of Indigenous literatures with particular focus on Native American women writers and writings from the Northeast of India. Currently, he is a second-year PhD student in the creative writing program at the University of Georgia where he is also an Arts Lab Graduate Fellow. He was a finalist for the 2023 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and his work has appeared in magazines like Poetry, The Margins,The Lincoln Review,and elsewhere. Find him on Instagram @abhijitsarmahwritespoetry and on Twitter @abhijitsarmah_.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On this episode, Sam Herschel Wein tells Jared about their path to finding poetry outside of academia, co-founding and editing Underblong, and their approach to collaboration and humor in their writing. Plus, they discuss the nuances of MFA program decisions (Two or three years? English or Art departments?) and whether creative writing should live within institutions of higher education at all.
Sam Herschel Wein (he/they) is a lollygagging plum of a poet who specializes in perpetual frolicking. They have an MFA from the University of Tennessee (2021-2023) and were the recipient of a 2022 Pushcart Prize. They have published 3 chapbooks, most recently Butt Stuff Flower Bush from Porkbelly Press, and are the co-founder and editor of Underblong Journal. They have recent work in American Poetry Review, The Cincinnati Review, and Gulf Coast, among others. Find them on social media @samforbreakfast and at their website, samherschelwein.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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The podcast team is on spring break, giving us (and you) the perfect opportunity to revisit an episode we love. In celebration of her new short story collection, GREEN FROG, we invite you into this conversation with Gina Chung who spoke to Jared last season about her debut novel, SEA CHANGE.
Gina Chung, debut author of the speculative novel SEA CHANGE, tells Jared how the book began with a writing prompt in her MFA program and how her fellow students encouraged her to turn it into a novel. She and Jared discuss how her experience in publishing shaped her understanding of the business of writing and the importance of a trusted writing community. Plus, Gina offers advice for making the most of your MFA experience.
Gina is a Korean American writer from New Jersey currently living in New York City. Her debut novel SEA CHANGE was a 2023 Barnes & Noble Discover Pick and a New York Times Most Anticipated Book. Gina has also written a forthcoming short story collection titled GREEN FROG. A recipient of the Pushcart Prize, she is a 2021-2022 Center for Fiction/Susan Kamil Emerging Writer Fellow and holds an MFA in fiction from the New School. Her work appears or is forthcoming in Kenyon Review, Literary Hub, Catapult, Electric Literature, Gulf Coast, Indiana Review, and Idaho Review, among others. Find her at gina-chung.com and on Twitter @ginathechung.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Memoirist and director of the Institute of American Indian Arts MFA program Deborah Jackson Taffa talks to Jared about her new book, Whiskey Tender. Deborah shares how memoir writing is a form of familial and historical preservation, and offers advice on having difficult conversations with the real people who appear in our creative nonfiction. Plus, she discusses the value of the low-res IAIA program for both indigenous and non-indigenous writers, offers strategies for sustaining creative energy, and describes methods to avoid falling into a common misstep for MFA students: social comparison.
A citizen of the Quechan (Yuma) Nation and Laguna Pueblo, Deborah Jackson Taffa is the director of the MFA in Creative Writing program at the Institute of American Indian Arts. She is the author of the memoir WHISKEY TENDER and holds an MFA in Creative Writing from the University of Iowa. Her writing can be found at PBS, Salon, LARB, Brevity, A Public Space, The Boston Review, The Rumpus, and the Best American Nonrequired Reading. In late 2021, she was named a MacDowell Fellow, Kranzberg Arts Fellow, and Tin House Scholar. In 2022, she won a PEN American Grant for Oral History and was named a Hedgebrook Fellow. Find her at deborahtaffa.com and on social media @deborahtaffa.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally realistic. Plus, Jamie talks about how her background as a Chinese immigrant and the model minority myth shape her interest in writing about in-group/out-group behaviors, and her attraction to VCFA’s emphasis on experimental and cross-genre writing.
Jamie Li is a Southern California-based fiction writer and product marketer. She holds a BA from Dartmouth College and is pursuing her MFA at the Vermont College of Fine Arts. Her writing has been recognized in the New York Times and published in Slant’d Magazine, Mangoprism, and elsewhere. She writes the Creative Juice newsletter and exists online on jamieli.co or IG @j.a.m.i.e.l.i.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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— Apply to be a guest on the show by filling out our application.
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The podcast team has been busy at the annual AWP conference, so we’re bringing you a rerelease of a great conversation from Season 2. A new episode will be in your feed in two weeks.
Luna Adler talks to Jared about moving between fiction and non-fiction, Brooklyn College’s unique novel-writing workshop aimed at accommodating the long form, the tension between a slow revision process and rapid MFA deadlines, and the benefit in recording one’s writing time while allowing grace for a broad definition of writing time that may or may not include thinking time.
Luna Adler is a Brooklyn-based writer and illustrator. She’s currently an MFA candidate in fiction at Brooklyn College, where she was a recipient of the Truman Capote Fellowship. She is a fiction editor for The Brooklyn Review and a reader for Pigeon Pages. Her words, art, and comics have appeared or are forthcoming in Bon Appétit, Bust Magazine, Interview Magazine, Literary Hub, Gossamer, Autostraddle, Electric Literature, Backpacker Magazine, The Rumpus, The Belladonna Comedy, Hobart Pulp, and Lux Magazine, among others. Find her on Instagram @lunaadler or at lunaadler.com, where you can subscribe to her illustrated newsletter.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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Kate Brody, debut author of the literary thriller RABBIT HOLE, sits down with Jared to talk about crafting a true crime novel that focuses on the victim’s family. Drawing from her own experiences with publishing, she also offers advice for choosing an agent, pivoting if your book doesn’t sell, and marketing your work. Finally, she shares the most memorable pieces of advice from her own MFA teachers, including Mary Gaitskill, E.L. Doctorow, and Amy Hempel.
Kate Brody holds an MFA from NYU and her work has been published or is forthcoming in The New York Times, Parents, Crime Reads, Lit Hub, Electric Lit, Noema, The Literary Review, Write or Die, and other magazines. RABBIT HOLEis her debut. Find her on Instagram and Twitter @katebrodyauthor and at her website: katebrodyauthor.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Noah Evan Wilson spent ten years finishing his undergraduate degree while developing as a musician and a photographer. On this episode, he talks with Jared about how that decade of experiences animates his current writing, how the craft of music and photography overlaps with and informs his fiction, and how the MFA has provided him the opportunity to experience college in a way he wasn’t able to before.
Noah Evan Wilson is a writer and musician based in New York City, and a second-year MFA candidate at Rutgers University-Newark, in the fiction track. His short stories have been published in Beyond Words, Third Street Review, and the anthology, Ten Ways the Animals Will Save Us, from Retreat West Books. He received third place in the 2022 Dreamers Creative Writing Flash Fiction Contest, and second place in the 2021 Prime Number Magazine Flash Fiction Prize, and has stories forthcoming in both Chautauqua and Orca. Noah is currently working on his first novel, exploring the lasting power of a brief and intimate friendship between two young men who become entangled with a high-control religious cult. His solo records, Desert Cities, and The View from the Ground, are available on all major music streaming platforms. Find him at noahevanwilson.com or on Instagram @NoahEvanWilson.
This episode was requested by Marisha Hicks and Dawn Angelica. Thank you for listening, Marisha and Dawn!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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Happy New Year from the pod team! We’re ringing in 2024 with a vacation, so enjoy this episode from our last season. Regular programming will resume in two weeks.
What’s it like writing historical fiction in an MFA program? On this episode, Kayla Cayasso tells Jared about the family histories and archival research that informed her collection portraying families affected by generational trauma. She also talks about the unique role of Florida in Southern literature, the advantages of multi-genre workshops, and the importance of Black and Brown representation in literature.
Kayla Cayasso is an Afro-Latina writer and poet from North Florida. She is a recipient of the 2012 Hollins Creative Writing Book Award, the Florida A&M University Graduate Feeder Fellowship, and placed first in Fiction in the 2021 FAMU Annual Writing Contest. She has stories, poetry, and essays published in CaKe Literary Journal, Olit Magazine, Hyacinth Review, Jabberwock Review, The Amistad, River & South Review, Saw Palm, and elsewhere. Kayla graduated from the University of Central Florida in 2023, where she received a Creative Writing MFA in fiction. Her thesis, a historical fiction collection titled Save the Drowning Child, draws on traditional elements of Southern Gothic, horror, and magical realism to explore the impacts of colonialism and the Maafa on the North Florida region and its Black and Brown peoples. Find her at her website, cayassokg.wixsite.com/writes, and on Instagram @while.smoke.rises.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
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When she became a mother, Sarah Ann Noel turned to autofiction as a way to process her own childhood. In this episode, she sits down with Jared to share how those reflections became a novel about teenagers growing up in a high-control Evangelical environment. Plus, she talks about shifting from magazine editing to creative writing, attending jet-lagged residencies in Paris, and getting feedback on her work from her literary heroes.
Sarah Ann Noel is a writer and editor of fiction and non-fiction. She holds an MFA from NYU’s Writers Workshop in Paris. Her first short story will appear in After Dinner Conversations in April 2024. She is the Co-Founder of the Read Write Brew reading series in Denver. Find her at sarahannnoel.com or on Instagram @sarahannnoel.
This episode was requested by Ryan Babcock. Thank you for listening, Ryan!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
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Finance proofreader turned full-time poet Matt Farley joins Jared to share how his transition out of the corporate world affects his perspective on his MFA program and future career. Plus, Matt talks about his manuscript on mycology and post-traumatic growth, becoming a parent during the MFA, setting up a thesis committee, and Miami University’s emphasis on play, practice, and experimental learning.
Matt Farley is a queer poet, activist, and multimedia artist from Ohio. He is currently studying to earn his MFA from Miami University in Oxford, Ohio. His work explores liminality, queer identity, family, and shame. He has work published in the anthology SOS Art Cincinnati presents Poems and Drawings Inspired by Social Justice. Find him on Instagram @mattfarleywrites.
This episode was requested by Rajiv Thind. Thank you for listening, Rajiv!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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During this season of gratitude, we are grateful for all of you, dear listeners, writers, and friends. We’re also grateful for a university-sponsored break from our laptops. So, as we take a pause from the screens, we hope you enjoy one of our favorites from Season 3. We’ll be back to our regular programming in two weeks.
Jonathan Escoffery, author of the highly acclaimed debut collection If I Survive You, sits down with Jared to discuss how this book grew out of his MFA writing sample and how he plays with form while exploring “the unsolvable problem of family.” A recent MFA graduate and current PhD student, Jonathan also offers advice for emerging writers and shares what it’s like to go on your first book tour.
Jonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times Editor’s Choice and an Indie National Bestseller. If I Survive You (MCDxFSG)was long-listed for the National Book Award, the Andrew Carnegie Medal for Excellence, and was a finalist for the Southern Book Prize and a Golden Poppy Award. Jonathan is a graduate of the University of Minnesota’s Creative Writing MFA Program and currently attends the University of Southern California’s Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University. Learn more at his website, www.jonathanescoffery.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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This week, an MFA with an international focus! Krista Diamond sits down with Jared to talk about UNLV’s required (and funded) study abroad component and its emphasis on translation. Plus, Krista shares lessons learned as a freelance writer, info on the Vegas literary community, and how her experience working and living in national parks informs her fiction and nonfiction alike.
Krista Diamond is a Las Vegas based writer whose work has appeared in or is forthcoming in The New York Times, Longreads, Hazlitt, Catapult, Electric Literature, Joyland, and elsewhere. Her writing has been supported by Tin House and Bread Loaf. Her essay “That Girl is Going to Get Herself Killed,” which first appeared in Longreads, was adapted for audio by Oscar-nominated actress Naomie Harris. She is currently a third year in the fiction MFA program at the University of Nevada Las Vegas, where she is working on a novel about paparazzi. Learn more at www.kristamariediamond.com and on Twitter at @kristadiamond.
This episode was requested by CC Molaison. Thank you for listening, CC!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
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Happy MFA Application Season to all who celebrate! Jess Silfa returns to the show bringing seven years of experience with the MFA Draft Facebook Group. On this episode, Jess and Jared offer advice for applicants across a wide range of topics: teaching, funding, health insurance, fees, faculty, letters of recommendation, writing samples, statements of purpose, negotiations, timelines, and more. Good luck, friends.
Jess Silfa is a writer and poet from the South Bronx. They hold an MFA from Vanderbilt University in Creative Writing (Fiction) and are currently pursuing their Ph.D. in Creative Writing at the University of Cincinnati. They have received a Displaced Artist Fellowship from Vermont Studio Center, a grant from the American Academy of Arts and Letters, a Mae Fellowship, and a Ricardo Salinas Scholarship for Aspen Summer Words. Jess serves as President for the Disabled and D/deaf Writers Caucus and helps run the MFA Draft Facebook group. Jess’s first novel, the story of a tight-knit immigrant community rattled by the war on drugs, goes on submission this fall. Learn more at www.jesilfa.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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Spooky season? More like application season! To help ease your fright, we've got our annual MFA application episode in preparation. Before then, we invite you to check in with last year's episode featuring MFA Admissions Coordinator Lindsay Bernal. Our new episode will be in your feed in two weeks.
It’s the third annual MFA application episode! This time, Jared is joined by Lindsay Bernal, poet and Academic Coordinator for the MFA program at the University of Maryland. She answers listener questions (starting at 27:15), including: What makes a personal statement good? Should I submit similar or varied poems? How do I know whether a program is truly invested in anti-racist work? Plus, Lindsay describes her path to an MFA, taking time between degrees, and the pros and cons of academic jobs, including positions beyond the tenure track.
Lindsay Bernal was born and raised in Rochester, NY, and holds a B.A. in English and Spanish from the University of Virginia and an M.F.A. in Poetry from the University of Maryland, where she coordinates and teaches in the Creative Writing Program and co-directs the Writers Here & Now reading series. Her first collection of poems, What It Doesn't Have to Do With, selected by Paul Guest as a winner of the National Poetry Series competition, was published by the University of Georgia Press in 2018. Find her at her website: www.lindsaybernal.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW— Leave a rating and review on Apple Podcasts.— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.— Apply to be a guest on the show by filling out our application.
STAY CONNECTEDTwitter: @MFAwriterspod
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Poetic forms are sometimes considered limiting, but can we find freedom within the constraints? On this episode, Brandon Blue tells Jared about how recontextualizing traditional forms through the lens of identity creates an additional, sometimes subversive, layer of meaning. Plus, he discusses writing about intimacy and eroticism within and outside of sexual relationships; how he decided to pursue an MFA after teaching middle and high school for seven years; and the importance of advocating for your needs and goals in an MFA program, writing community, and career.
Brandon Blue is a black, queer poet, educator and MFA candidate at Arizona State University from the D(M)V. He is an assistant editor for Storm Cellar Magazine and his work has or will appear in Barzakh, the Saints and Sinners Literary Festival Poetry Anthology, [PANK], and more. His work is also featured in the Capital Pride Poem-a-Day event. His work has received the support of the Virginia G. Piper Center for Creative Writing. His chapbook, Snap.Shot, is forthcoming from Finishing Line Press. Keep up with his work at brandonbluepoet.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
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— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
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What can you learn from a veteran of two MFA programs and an admin of the MFA Draft Facebook page? A lot! Jess Silfa joins Jared to talk about how living in New York, growing up in a Caribbean oral storytelling tradition, and being disabled has influenced their writing. They also discuss their decision to leave one MFA program for another, explain what makes Nashville a surprisingly supportive community, and offer advice for disabled applicants.
Jess Silfa is a writer and poet from the South Bronx. They hold an MFA from Vanderbilt University in Creative Writing (Fiction) and are currently pursuing their Ph.D. in Creative Writing at the University of Cincinnati. They have received a Displaced Artist Fellowship from Vermont Studio Center, a grant from the American Academy of Arts and Letters, a Mae Fellowship, and a Ricardo Salinas Scholarship for Aspen Summer Words. Jess serves as President for the Disabled and D/deaf Writers Caucus and helps run the MFA Draft Facebook group. Jess’s first novel, the story of a tight-knit immigrant community rattled by the war on drugs, goes on submission this fall. Learn more at www.jesilfa.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
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Poet, essayist, and Professor Ross Gay talks to Jared about his new book, The Book of (More) Delights. Together, they discuss how social connection evokes joy, grief, humility, and heartbreak, and the value of practicing radical empathy in our writing and our daily lives. Plus, they talk about Ross’s approach to the creative writing classroom, a space he conceives of as generative, experimental, and cooperative. Finally, he offers advice for students and emerging writers.
Ross Gay is the author of four books of poetry: Against Which; Bringing the Shovel Down; Be Holding, winner of the PEN American Literary Jean Stein Award; and Catalog of Unabashed Gratitude, winner of the 2015 National Book Critics Circle Award and the 2016 Kingsley Tufts Poetry Award. In addition to his poetry, Ross has released three collections of essays—The Book of Delightswas released in 2019 and was a New York Times bestseller; Inciting Joywas released in 2022, and his newest collection, The Book of (More) Delightswas released in September of 2023. Find him at his website: rossgay.net.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW
— Donate to the show at Buy Me a Coffee.
— Leave a rating and review on Apple Podcasts.
— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.
— Apply to be a guest on the show by filling out our application.
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Email: mfawriterspodcast@gmail.com
The pod team is wrapping up our summer vacation. In the meantime, we’re rereleasing one of our favorite episodes from our first season. We’ll be back with new and exciting episodes in two weeks.
How is the zombie of Haitian folklore a poetic metaphor for how society treats Blackness? Bryan Byrdlong of the Helen Zell Writers’ Program at the University of Michigan tells Jared about his project on the traditional and modern conceptualization of zombies, whether poetry can transcend fake news, and how his MFA program gave him an inner editorial voice.
Bryan Byrdlong is a Black poet from Chicago, Illinois. In high school, he was part of Chicago’s Louder than a Bomb poetry slam competition. He graduated from Vanderbilt University where he received an undergraduate English/Creative Writing degree and was the co-recipient of the Merrill Moore Award for Poetry upon graduation. He has been published in the Nashville Review, Heavy Feather Review, and Pleiades Magazine. Most recently, he received the Gregory Djanaikian Scholarship from The Adroit Journal. He is a graduate of the Helen Zell Writers’ Program at the University of Michigan and a current Zell Fellow. You can find him on Twitter @BByrdlong.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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The pod team is on summer vacation! While we rest, recharge, and record some fabulous Season 4 episodes, we hope you enjoy this rerelease from our first season. With political and social unrest rocking his home country of Venezuela, Alejandro Puyana turned to writing as a way to process. He applied to MFA programs four times before landing an acceptance at the Michener Center for Writers. Now, you can read his work in The Best American Short Stories anthology for 2020. Alejandro and Jared talk rejection, revision, and reimagining the world through fiction. Alejandro Puyana is a second-year fellow at the Michener Center for Writers whose primary focus is fiction and secondary genre is screenwriting. His non-fiction pieces have been published in The Toast, Tin House Online, NPR, The Huffington Post; his fiction in Huizache, The Examined Life, and Idaho Review. His short story, "Hands of Dirty Children" was awarded the Halifax Ranch Prize by American Short Fiction, chosen as the winning story by ZZ Packer. That same story was then chosen by Curtis Sittenfeld to be included in the 2020 Best American Short Stories. Find him on Twitter @Puyana. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com
Prose encompasses fiction and nonfiction, but how does the genre affect our process? On this episode, Amanda Scott discusses her “fragmented” approach to the page both across genres and with hybrid techniques. Plus, she discusses how diverse family backgrounds have shaped her identity and writing, as well as how her background in technical communication and her editorial experience informs her current PhD work. Finally, Amanda and Jared chat about the thriving literary scene in Kalamazoo and the challenges and rewards of being a student after spending years as an instructor.
Originally from Houston, Amanda E. Scott is a Latinx writer currently pursuing a PhD in fiction at Western Michigan University, where she also serves as Editor-in-Chief of Third Coast Magazine. She is also co-founder and Assistant Executive Editor of Porter House Review, and her writing has been published in Crab Orchard Review, Gulf Coast, HAD, Hayden's Ferry Review, New South, and elsewhere. Find her on Twitter and Instagram @alizscott.
This episode was requested by Jared Kubokawa. Thank you for listening, Jared!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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How do you write about the climate crisis without becoming didactic? On this episode, Simon Graham describes their approach to activist writing, guided by their experiences growing up on the beaches of Australia and working in environmental policy. Plus, they talk about queering the crime fiction genre, the financial realities for international students living in Seattle, and remembering who you’re writing to, for, and with.
Simon Graham is an Australian writer, educator, and climate change worker living in Seattle. They are an MFA Candidate in Prose Writing at the University of Washington, where they won the Eugene Van Buren Prize in Fiction and teach a class on activist writing. Simon is also a 2023 Climate Corps Fellow with the Environmental Defense Fund, and prior to moving to the US they worked on climate policy in Australia and lectured on climate change at Monash University. They are currently working on a queer crime novel set in the shadowy world of Australian climate politics. Samples of their writing can be found at simongraham.me.
This episode was requested by Sarah Blood and Rorie Newman. Thank you both for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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What’s it like writing historical fiction in an MFA program? On this episode, Kayla Cayasso tells Jared about the family histories and archival research that informed her collection portraying families affected by generational trauma. She also talks about the unique role of Florida in Southern literature, the advantages of multi-genre workshops, and the importance of Black and Brown representation in literature.
Kayla Cayasso is an Afro-Latina writer and poet from North Florida. She is a recipient of the 2012 Hollins Creative Writing Book Award, the Florida A&M University Graduate Feeder Fellowship, and placed first in Fiction in the 2021 FAMU Annual Writing Contest. She has stories, poetry, and essays published in CaKe Literary Journal, Olit Magazine, Hyacinth Review, Jabberwock Review, The Amistad, River & South Review, Saw Palm, and elsewhere. Kayla graduated from the University of Central Florida in 2023, where she received a Creative Writing MFA in fiction. Her thesis, a historical fiction collection titled Save the Drowning Child, draws on traditional elements of Southern Gothic, horror, and magical realism to explore the impacts of colonialism and the Maafa on the North Florida region and its Black and Brown peoples. Find her at her website, cayassokg.wixsite.com/writes, and on Instagram @while.smoke.rises.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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MFA Writers is going to Canada! Neil Griffin, wildlife biologist turned poet and essayist, tells Jared about how both ecology and writing require patience, openness, and vision. Plus, Neil talks about whether “creative nonfiction" is a useful label, the pros and cons of a small program, and UVic’s emphasis on training students in creative writing pedagogy.
Neil Griffin is a poet, essayist, and former wildlife biologist. A former finalist for CBC's Poetry Prize and multiple Alberta Magazine Awards, his writing has appeared throughout Canada and Western Europe. He's an MFA student at the University of Victoria, working on a book-length lyric essay about extinction. In addition, he is the 2023 Artist-in-Resident for Ocean Network's Canada, where he writes about the ecology and history of the abyssal regions of the Pacific Ocean. Find him at his website, neilcgriffin.com, and on Twitter @prairielorax.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Maurice Carlos Ruffin, author and faculty member at two MFA programs, joins Jared for this special episode about Maurice’s multi-year journey from corporate lawyer to professional writer (with plenty of rejection in between), the role of a creative writing professor in guiding students’ work, and the criticality of retaining joy in our writing, despite the challenges of publication, deadlines, and stories that just aren’t working. Finally, Maurice offers advice on what makes someone a successful MFA student, and where emerging writers should devote their energy.
Maurice Carlos Ruffin is the author of The Ones Who Don’t Say They Love You, which was published by One World Random House in August 2021. It was a New York Times Editor’s Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize, among others. A New Orleans native, Maurice is a professor of Creative Writing in the MFA program at Louisiana State University and a faculty member in Randolph College’s low-residency M.F.A. program. Find him at his website, mauricecarlosruffin.com, and on Twitter at @MauriceRuffin.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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What’s it like to pursue a low-residency MFA when you’re a collaborative playwright and performer? On this episode, Suli Holum describes devised work, partnerships between writers and actors, and how she created a piece based on her research in the oil fields of North Dakota. She and Jared also talk about the details of Goddard’s creative and craft assignments, and how students in this low-res program still get teaching experience.
Suli Holum is a Philadelphia-based director, performer, choreographer and playwright who recently graduated with an MFA in Dramatic Writing from Goddard College in Vermont where she was the recipient of the 2020 Engaged Artist Award. She is a member of the Wilma Theatre’s HotHouse Company, a founding member of Pig Iron Theatre Company, and Co-Artistic Director of Stein | Holum Projects, whose works include Drama Desk-nominated Chimera, and The Wholehearted. She’s the recipient of a Drama Desk Award, a TCG/Fox Resident Actor Fellowship, a Barrymore Award, an Independence Fellowship, and a NEFA Touring Grant. Credits at the Wilma include Romeo and Juliet, Dance Nation and Minor Character, and you can also catch her on HBO’s Mare of Easttown. Find her at suliholumthework.org
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Gina Chung, debut author of the speculative novel SEA CHANGE, tells Jared how the book began with a writing prompt in her MFA program and how her fellow students encouraged her to turn it into a novel. She and Jared discuss how her experience in publishing shaped her understanding of the business of writing and the importance of a trusted writing community. Plus, Gina offers advice for making the most of your MFA experience.
Gina is a Korean American writer from New Jersey currently living in New York City. Her debut novel SEA CHANGE was a 2023 Barnes & Noble Discover Pick and a New York Times Most Anticipated Book. Gina has also written a forthcoming short story collection titled GREEN FROG. A recipient of the Pushcart Prize, she is a 2021-2022 Center for Fiction/Susan Kamil Emerging Writer Fellow and holds an MFA in fiction from the New School. Her work appears or is forthcoming in Kenyon Review, Literary Hub, Catapult, Electric Literature, Gulf Coast, Indiana Review, and Idaho Review, among others. Find her at gina-chung.com and on Twitter @ginathechung.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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How does our excavation of ancestral history shape our understanding of ourselves and how can writing guide us through this process? On this episode, Derek Chan discusses the role of family stories in his poetry and life, the magic of bewilderment in art, and the dissonance between our external language and our internal being. Plus, as a first-generation and international student, he offers advice for others moving to the United States to pursue higher education.
Derek Chan is a writer and educator from Melbourne, Australia. He holds a First-Class Honours in Literary Studies from Monash University, where he received the Arthur Brown Thesis Prize. His writing has appeared in journals and anthologies such as Best of Australian Poems, Australian Poetry Anthology, Cordite Poetry Review, Meanjin, The Margins, Juked, and elsewhere. He has been a finalist for awards by Frontier Poetry and Palette Poetry. He is currently an MFA candidate at Cornell University, where he is an Editorial Associate for EPOCH and a university fellow. Find him at his website derekchanarts.com and on Instagram @derek_chan_.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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School's out for spring break! The pod team is resting and recharging this month, so we're bringing you one of our favorites from earlier this season. We'll be back with new episodes in two weeks.
Welcome to Season 3! It’s finally time to tackle the oldest and most famous MFA of them all: the Iowa Writers’ Workshop. On this episode, Steven Duong and Jared discuss whether Iowa lives up to its competitive stereotype, the challenges and freedoms of playing with writing conventions and constraints, and why he—a long-time poet—decided to pursue a fiction degree.
Steven Duong is a writer from San Diego, California. He is the recipient of fellowships from the Academy of American Poets, the Watson Foundation, and the University of Iowa, and his poems, stories, and essays can be found in publications including The New England Review, The American Poetry Review, and Guernica. He is a current second-year MFA candidate in fiction at the Iowa Writers' Workshop. Find him at his website stevenduongwrites.com and on Twitter @boneless_koi.
This episode was requested by Tammy Breitweiser, Esty Downes, and April Ahmed. Thank you all for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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The podcast team is on spring break, so we're rereleasing one of our favorite episodes to celebrate Dr. Taylor Byas's successful defense of her dissertation. Congratulations, Dr. Byas!
On the season 2 finale, Taylor Byas talks to Jared about how her fiction background helps her develop sharp images and accessible lines in her poetry while her poetic knowledge taught her to take more risks in her fiction. She also describes the value of a social media writing community (and how to build one), whether publishing success eliminates imposter syndrome (spoiler: it does not), and how her scholarly studies in her PhD program inform and enrich her creative work (and how to survive the comprehensive exam). MFA Writers will be back in your airwaves in August. Wishing you all a great summer, dear friends, and thank you for listening.
Taylor Byas is a Black Chicago native currently living in Cincinnati, Ohio, where she is now a PhD candidate and Yates scholar at the University of Cincinnati, and an Assistant Features Editor for The Rumpus. She is the 1st place winner of the 2020 Poetry Super Highway, the 2020 Frontier Poetry Award for New Poets Contests, the 2021 Adrienne Rich Poetry Prize, and a finalist for the 2020 Frontier OPEN Prize. She is the author of the chapbook Bloodwarm from Variant Lit, a second chapbook, Shutter, from Madhouse Press, and her debut full-length, I Done Clicked My Heels Three Times, forthcoming from Soft Skull Press in Spring of 2023. She is represented by Rena Rossner of the Deborah Harris Agency. Find her at her website www.taylorbyas.com and on Twitter @TaylorByas3.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Poetic constraints may feel limiting to some, but for others, they spark creativity. In this episode, Erica Reid discusses the freedom and discovery of poetic forms. Plus, she talks with Jared about returning to school 15 years after her undergraduate degree, attending a low-res program with a strong sense of community and a dedication to centering the writer in workshop, and how her experience working at a literary magazine shaped her understanding of rejection.
Erica Reid lives in Fort Collins, Colorado. She earned her MFA at Western Colorado University (‘22) and serves as assistant editor at THINK Journal. In 2022 she was nominated for Best New Poets; in 2021 her poetry won the Yellowwood Poetry Prize and the Helen Schaible Sonnet Contest (Modern Sonnets category), was nominated for a Pushcart Prize, and was commissioned by the Cincinnati Pops Orchestra. Find her at ericareidpoet.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On this episode, Caroline Catlin talks about how her cancer diagnosis motivated a career change from social worker to nonfiction writer. She also describes how she pairs photography with writing, and how she found herself photographing death, grief, and loss. Plus, after transferring from one MFA program to another during the first year, she tells Jared about advice she has for other writers considering this option.
Caroline Catlin is a writer, photographer, and care worker who believes in the power and impact of shared truths. Her work has previously been published inThe New York Times, Teen Vogue, Glamour, Longreads, and elsewhere. Caroline is currently entering her final semester of Pacific University's MFA in Writing program. Her focus has been on nonfiction related work, however she's a big fan of learning from the poets and fiction writers as well. Caroline's 2020 TED talk, "Why I Photograph the Quiet Moments of Grief and Loss" has been viewed over 1 million times. Find her at her website, www.carolinecatlin.com, or on Instagram @mybodyofwater.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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In a small program with a cohort of just three students, who you’re around makes a world of difference. On this episode, Edwards Daschle talks about finding a writing community, a welcoming environment to write both realism and fantasy, and inclusive workshops. Plus, he and Jared talk about mining our lives for stories, drumming up motivation to write, and what it’s like to get into an MFA on your fifth try.
Edward Daschle (he/him/his) is a second year creative writing MFA candidate studying fiction at the University of Maryland. He grew up in the Pacific Northwest, land of serial killers and Sasquatch, deadly mountains and overcast skies. His fiction appears in Grim & Gilded, Stoneboat Literary Journal, Defunct, and OFIC Magazine.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Cynthia. Thank you for listening, Cynthia!
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Most MFA programs last 2-3 years, so what’s it like to earn this degree in just 1-1.5 years? Mary Kate McGrath describes the pros and cons of Boston University’s accelerated program. Plus, she and Jared discuss voice-driven fiction, coping with workshop anxiety, and wheelchair accessibility in literary spaces.
Mary Kate McGrath is a writer, journalist, and disability advocate from Massachusetts. She recently earned an MFA in fiction from Boston University. Her short fiction has appeared in The Florida Review, Booth, Phoebe Journal, and Tin House. Her short story "Gorgeous Vibrations" was nominated for a Pushcart Prize. Find her at her website, marykatemcgrath.com, and on Instagram @marykatemcg.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Raise your hand if you’ve ever felt writing imposter syndrome! We all have our hands up. On this episode, De’Andre S. Holmes of Columbia College Chicago shares his experience with self-doubt, exacerbated by pursuing an undergrad degree in business administration, not English. Plus, he talks about taking a fully-funded semester in Paris through his MFA program, provides advice for students coping with grad school burnout, and describes why racial and ethnic diversity is so critical in the MFA.
A native of Philadelphia, De’Andre S. Holmes received a bachelor’s degree from Temple University and is a second-year MFA candidate at Columbia College in his current home of Chicago. He is an aspiring author, penning his first book of short stories titled "Daddy, do you love me?" and a novelette titled "Obscurity." De’Andre’s work can be found in Contextos Chicago, Short Story Break, SONKU magazine, and Allium Literary Journal. In his free time, he enjoys reading, traveling, exploring different cultures, and binge-watching animal documentaries. Find him at his website dsholmeswrites.wordpress.com and on Instagram @d.s.holmeswrites.
MFA Writers is hosted by Jared McCormack and p
BE PART OF THE SHOWroduced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
— Donate to the show at Buy Me a Coffee.
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The podcast team is on winter break. Thanks for listening, friends. We wish you all a great end of the year. We'll be back with a new episode in two weeks.
Chibuihe Obi Achimba sits down with Jared to talk about the anguish and extreme joy of transferring a poem from imagination to language, using writing to explore the impacts and losses of modernization and civil war in his home country of Nigeria, and the necessary balance between encouraging independence and fostering community in an MFA program.
Chibuihe Obi Achimba grew up in southeastern Nigeria. He's a poet and essayist completing his MFA in Poetry at Brown University. Chibuihe's writing has appeared or is forthcoming inThe New York Times, The Paris Review, Harvard Review, Poet Lore, and elsewhere. He is the Founding-Editor of Dgëku Magazine. He was awarded the 2021 St. Botolph Foundation grant and the 2021 Frontier Poetry Prize for New Poets. Find him at his website www.chibuihe.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Shlagha Borah, Erika Walsh, Amy Peltz, James Jackson, and Sebastian. Thank you all for listening!
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On this episode, Kaitlyn Airy talks about how her experience as an adoptee shapes the themes of her work on abandonment, identity, and history. Plus, she and Jared discuss the benefits they have both reaped after taking breaks from their rigorous writing habits, and Kaitlyn describes how UVA students get to design and teach their own undergraduate creative writing class.
Kaitlyn Airy is a Korean American poet. Born in Minneapolis, Minnesota, she was raised in the San Juan Archipelago off the coast of Washington State. In Spring 2020, her poem “Demilitarized Zone” was selected by Elizabeth Austen as the winner of the Phyllis L Ennes Contest, sponsored by the Skagit River Poetry Foundation. In 2022, Narrative Magazine named her one of their 30 Below 30. Her recent work has been featured or is forthcoming in EcoTheo, Crab Creek Review, Cream City Review, Moss, Post Road, Poetry Northwest, Palette Poetry, and Narrative Magazine. She is an MFA candidate in poetry at the University of Virginia, where she serves as the Editor-in-Chief of Meridian and as an Editorial Assistant for Poetry Northwest. Find her on Twitter @kaitlynairy and at her website kaitlynairy.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Jonathan Escoffery, author of the highly acclaimed debut collection If I Survive You, sits down with Jared to discuss how this book grew out of his MFA writing sample and how he plays with form while exploring “the unsolvable problem of family.” A recent MFA graduate and current PhD student, Jonathan also offers advice for emerging writers and shares what it’s like to go on your first book tour.
Jonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times Editor’s Choice and an Indie National Bestseller. If I Survive You (MCDxFSG)was long-listed for the National Book Award, the Andrew Carnegie Medal for Excellence, and was a finalist for the Southern Book Prize and a Golden Poppy Award. Jonathan is a graduate of the University of Minnesota’s Creative Writing MFA Program and currently attends the University of Southern California’s Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University. Learn more at his website, www.jonathanescoffery.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On this episode, Nikki Lyssy tells Jared about how, as a blind writer, she uses research to access the sighted world and fill her fiction with vivid imagery, while in her nonfiction, she explores her own experience with blindness and plays with ideas about which forms translate between braille and the page. Plus, Nikki talks about diversity and disability representation in young adult fiction, formal training in creative writing pedagogy, and support from faculty, friends, and family when she decided to change her thesis at the last minute.
Nikki Lyssy is a third-year MFA candidate at the University of South Florida, where she writes fiction and nonfiction. She is blind, and her thesis is a young adult novel that follows the life of 17-year-old Emma Reynolds as she adjusts to her blindness and sets out on a path of self-discovery and acceptance of her disability. Find her on Twitter @Blindnikkii.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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It’s the third annual MFA application episode! This time, Jared is joined by Lindsay Bernal, poet and Academic Coordinator for the MFA program at the University of Maryland. She answers listener questions (starting at 27:15), including: What makes a personal statement good? Should I submit similar or varied poems? How do I know whether a program is truly invested in anti-racist work? Plus, Lindsay describes her path to an MFA, taking time between degrees, and the pros and cons of academic jobs, including positions beyond the tenure track.
Lindsay Bernal was born and raised in Rochester, NY, and holds a B.A. in English and Spanish from the University of Virginia and an M.F.A. in Poetry from the University of Maryland, where she coordinates and teaches in the Creative Writing Program and co-directs the Writers Here & Now reading series. Her first collection of poems, What It Doesn't Have to Do With, selected by Paul Guest as a winner of the National Poetry Series competition, was published by the University of Georgia Press in 2018. Find her at her website, www.lindsaybernal.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Happy MFA application season to all who observe! As you craft and revise your applications, here's last year's annual MFA application episode from a faculty member's perspective. We hope it provides you with insight, solace, and direction. The new (third annual) MFA application episode will be in your feed in two weeks.
The annual MFA application episode is back! This year, Jared is joined by Gregory Spatz, Professor and Program Director of the MFA program at Eastern Washington University, who explains what the application process looks like from a faculty member’s point of view. Answering listener questions, they discuss what to include (and avoid) in your personal statement, what makes a writing sample stand out, why to bother with an MFA at all, and more.
Gregory Spatz is the author of the collection of linked stories and novellas, What Could Be Saved, and of the novels Inukshuk, Fiddler’s Dream and No One But Us, and the short story collections Half As Happy and Wonderful Tricks. His stories have appeared in many publications, including The New Yorker, Glimmer Train Stories, Shenandoah, Epoch, Kenyon Review and New England Review. The recipient of a Michener Fellowship, an Iowa Arts Fellowship, a Washington State Book Award, and an NEA Fellowship in literature, he teaches at Eastern Washington University in Spokane. Spatz plays the fiddle in the twice Juno-nominated bluegrass band John Reischman and the Jaybirds. Find him at his website gregoryspatz.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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It’s increasingly common for writers to get accepted in their second (or third) attempts at MFA applications. In this episode, Sean Dolan shares what he did differently his second time around that strengthened his application and landed him a spot in a fully-funded, genre-flexible program. Plus, he and Jared talk about how they return to the page even when it’s hard, the blurred line between autofiction and fiction, and, in Sean’s words, “the ephemeral experience of a short story.”
Sean Dolan is a fiction writer from Missouri. His work has appeared in Hobart, 805 Lit + Art, The Los Angeles Review, and elsewhere. He is currently an MFA Candidate at Western Washington University where he is at work on his thesis -- a collection of short stories. He recently attended the Tin House Summer Workshop and will begin his position as Managing Editor of The Bellingham Review in the fall. You can find him on Twitter @SyannDoelann.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Can you find a close community in a low-res program? Emily St. Martin, having met her best friends in her MFA, says absolutely yes. She joins Jared to talk about how her program has helped her craft her memoir-in-progress, the fear and reward of vulnerability in creative nonfiction, and how writing lets us acknowledge and redefine our pasts.
Emily St. Martin is an independent journalist based in Los Angeles, CA. She has written for the New York Times, InStyle Magazine, Cosmopolitan, VICE, Los Angeles Magazine, The Fix, The Hollywood Reporter, People and elsewhere, including for the Southern California News Group where she won a third place award for best news feature with the LA Press Club in 2022. She holds a BA in Journalism from The University of La Verne and is currently pursuing an MFA in creative nonfiction in the University of California Riverside’s Palm Desert Low-Residency program. Find her on Twitter @ByEmilyStMartin and on TikTok at @edddrock.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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As the editor-in-chief of Peach Mag, Rachelle Toarmino is consistently focused on the work of others. She chats with Jared about her own writing career, including finding and using playfulness in her poetry, coping with MFA faculty turnover through collective cohort support, and how learning a second language opened her mind to poetic craft.
Rachelle Toarmino is a poet, editor, and educator from Niagara Falls, New York. She is the author of the poetry collection That Ex (Big Lucks Books, 2020) and the chapbooks Comeback (Foundlings Press, 2021), Feel Royal (b l u s h, 2019), and Personal & Generic (PressBoardPress, 2016). Her poems and essays have appeared or are forthcoming in American Poetry Review, Bennington Review, Electric Literature, Literary Hub, Pretty Cool Poetry Thing, Metatron Press, Shabby Doll House, Salt Hill Journal, and elsewhere. She is also the founding editor-in-chief of Peach Mag and an editorial advisor to Foundlings Press. She lives between Buffalo and Western Massachusetts, where she is an MFA candidate in poetry at UMass Amherst. Find her on Twitter @rchlltrmn and at her website rachelletoarmino.com.
This episode was requested by Erika Walsh. Thank you for listening, Erika!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Welcome to Season 3! It’s finally time to tackle the oldest and most famous MFA of them all: the Iowa Writers’ Workshop. On this episode, Steven Duong and Jared discuss whether Iowa lives up to its competitive stereotype, the challenges and freedoms of playing with writing conventions and constraints, and why he—a long-time poet—decided to pursue a fiction degree.
Steven Duong is a writer from San Diego, California. He is the recipient of fellowships from the Academy of American Poets, the Watson Foundation, and the University of Iowa, and his poems, stories, and essays can be found in publications including The New England Review, The American Poetry Review, and Guernica. He is a current second-year MFA candidate in fiction at the Iowa Writers' Workshop. Find him at his website stevenduongwrites.com and on Twitter @boneless_koi.
This episode was requested by Tammy Breitweiser, Esty Downes, and April Ahmed. Thank you all for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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This week, as the pod team enjoys the last of our vacation, we’ve got a rerelease of a special episode from Season 2 of the podcast: Jared's conversation with George Saunders. This episode is full of advice for emerging writers, especially those considering an MFA. We’ll be back in two weeks with an all-new episode, the first of Season 3.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Pod's out for summer! We wrapped up Season 2 on our last episode and are busy planning Season 3. In the meantime, enjoy one of our favorite episodes from this past season. We’ll be back in August with brand new episodes.
Jared talks to O. Henry Prize winner Adachioma Ezeano of the University of Kentucky about finding her love of literature through Nigerian novels and folktales, learning craft from strong women, and workshopping without the gag order in favor of Crystal Wilkinson’s wild card critique musings.
Adachioma Ezeano is a 2021 O. Henry Prize recipient. She is a second-year fiction candidate in the MFA program at University of Kentucky. She is an alum of Purple Hibiscus Workshop. Her fiction appears or is forthcoming in McSweeney's Quarterly, Flashback Fiction, Isele Magazine, Best Small Fictions 2020, and The Best Short Stories 2021. She is Igbo, from Nigeria, and worked with First Bank Nigeria before moving to Kentucky for her MFA. She tweets @adachiomaezeano.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On the season 2 finale, Taylor Byas talks to Jared about how her fiction background helps her develop sharp images and accessible lines in her poetry while her poetic knowledge taught her to take more risks in her fiction. She also describes the value of a social media writing community (and how to build one), whether publishing success eliminates imposter syndrome (spoiler: it does not), and how her scholarly studies in her PhD program inform and enrich her creative work (and how to survive the comprehensive exam). MFA Writers will be back in your airwaves in August. Wishing you all a great summer, dear friends, and thank you for listening.
Taylor Byas is a Black Chicago native currently living in Cincinnati, Ohio, where she is now a PhD candidate and Yates scholar at the University of Cincinnati, and an Assistant Features Editor for The Rumpus. She is the 1st place winner of the 2020 Poetry Super Highway, the 2020 Frontier Poetry Award for New Poets Contests, the 2021 Adrienne Rich Poetry Prize, and a finalist for the 2020 Frontier OPEN Prize. She is the author of the chapbook Bloodwarm from Variant Lit, a second chapbook, Shutter, from Madhouse Press, and her debut full-length, I Done Clicked My Heels Three Times, forthcoming from Soft Skull Press in Spring of 2023. She is represented by Rena Rossner of the Deborah Harris Agency. Find her at her website www.taylorbyas.com and on Twitter @TaylorByas3.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Luna Adler talks to Jared about moving between fiction and non-fiction, Brooklyn College’s unique novel-writing workshop aimed at accommodating the long form, the tension between a slow revision process and rapid MFA deadlines, and the benefit in recording one’s writing time while allowing grace for a broad definition of writing time that may or may not include thinking time.
Luna Adler is a Brooklyn-based writer and illustrator. She’s currently an MFA candidate in fiction at Brooklyn College, where she was a recipient of the Truman Capote Fellowship. She is a fiction editor for The Brooklyn Review and a reader for Pigeon Pages. Her words, art, and comics have appeared or are forthcoming in Bon Appétit, Bust Magazine, Interview Magazine, Literary Hub, Gossamer, Autostraddle, Electric Literature, Backpacker Magazine, The Rumpus, The Belladonna Comedy, Hobart Pulp, and Lux Magazine, among others. Find her on Instagram @lunaadler or at lunaadler.com, where you can subscribe to her illustrated newsletter.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Marcia Bronstein. Thank you for listening, Marcia!
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Taylor Sklenar of Iowa State University’s MFA in Creative Writing and the Environment talks with Jared about how growing up in a small town influenced his interests in chemistry and theatre, combining those interests in the MFA, and the myriad considerations that go into writing for the stage. Along the way, they talk about the many unique opportunities at ISU, including editing the Flyway Journal, running the Emerging Writers Reading Series, participating in political action through the EcoTheatre Lab, maintaining the Everett Casey Nature Reserve, and going on writer’s retreats to Lake Okoboji.
Taylor Sklenar is a playwright, poet, and theatre artist pursuing his MFA in Creative Writing and the Environment and MS in Sustainable Agriculture at Iowa State University. He received an MA in Theatre from the University of Missouri, Columbia. His writing has been workshopped or produced at Tallgrass Theatre’s Iowa Playwrights’ Workshop, StageWest Des Moines’ Scriptease, Theatre Cedar Rapids, and many other places. His most recent collaboration, Alice in Quarantine: a Drive-Through Adventure, is published with Next State Press.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On this episode, James Craig Hartz Jr., a Combat Medic turned MFA graduate, tells Jared about flipping the traditional military homecoming story into one filled with resilience, hope, and hard-won healing. He also discusses the role of mythology in modern fiction, the criticality of OSU’s graduate student union for pay and benefits, and his experience of concentrated solitude and intentional boredom at a graduate student writing retreat in the Oregon woods.
James Craig Hartz Jr. earned his MFA in fiction from Oregon State University after serving four years in the US Army as a Combat Medic. His writing has appeared in Witness Magazine, the tiny journal, F(r)iction, and Watershed Review. His fiction has been nominated for Best American Short Stories and he is the winner of Witness Magazine’s 2022 Literary Award in Nonfiction and the tiny journal's "(re)tell me a story contest.” Find him on Twitter @jchartz2 and at his website: www.jamescraighartzjr.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Siloh Radovsky sits down with Jared to talk about her path from anarchistic activism to experimental writing, the blurry line between fiction and nonfiction, and the joys and pains of teaching in an R1 institution.
Siloh Radovsky is a prose writer invested in the overlap between narrative and criticism. A recent graduate of the cross-genre MFA program at UC San Diego, she is currently at work on a collection of linked essays. Her essays, articles, and stories have appeared or are forthcoming inEntropy, [PANK], Sundae Theory, Teen Vogue, Inkwell, Alchemy, Identity Theory, and elsewhere. Siloh is also an educator, a collaborator in a narrative medicine intervention with Adolescent and Young Adult cancer patients, and was a founding editor of Kaleidoscoped magazine. She was an artist-in-residence at the Hinge Arts program in spring 2017, and was the recipient of an Evergreen Foundation Activity Grant and a Summer Graduate Teaching Fellowship at UC San Diego. Find her on Instagram @essence_of_toast and her website silohradovsky.net.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Isabella Neblett and Amy Peltz. Thank you both for listening!
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Gauri Awasthi talks to Jared about how McNeese allowed her to earn an MA and MFA in three years, decolonizing the poetry cannon, and how she first found poems through Bhakti poetry, love poems to the divine.
Gauri Awasthi is an Indian poet and environmentalist who recently graduated with an MFA in poetry from McNeese State University. She has won awards from Sundress Academy For The Arts, Louisiana Office of Cultural Development, Bread Loaf Writers' Conference, and Kundiman. Her writing has been published in Quarterly West, Notre Dame Review, The Punch Magazine, The Wire, Buzzfeed, and others. She teaches the Decolonizing Poetry Workshop at Catapult.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Shalini Singh. Thank you for listening, Shalini!
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Jared's taking this week off to focus on finishing his thesis, so enjoy this rerelease with Vanessa Chan who recently signed a fabulous deal for two books, THE STORM WE MADE, and THE UGLIEST BABIES IN THE WORLD. Regular programming will resume in two weeks.
Do we write because we understand or do we write to reach understanding? Jared and Vanessa Chan of The New School unpack this question. Along the way, they discuss writing about home while living in a foreign country, the long arm of colonialism, and the pros and cons of studying in the literary capital of the world.
Vanessa Chan is a Malaysian writer who writes about race, colonization, and women who don't toe the line. Her fiction and nonfiction have been published or are forthcoming in Electric Literature, Conjunctions, The Rumpus, Pidgeonholes, Porter House Review, and more. Vanessa is a Fiction Editor at TriQuarterly Magazine, an Assistant Fiction Editor at Pithead Chapel, and an MFA candidate in fiction at The New School, class of 2021. This follows a 12-year career in public relations, including most recently as director of communications for Facebook in California. Her writing has received support from Tin House, Mendocino Coast Writers’ Conference, Aspen Words, and Disquiet International. She can be found at her website vanessajchan.com or on Twitter @vanjchan.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
BE PART OF THE SHOW — Leave a rating and review on Apple Podcasts, Podchaser, or Podcast Addict. — Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application.
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How does a creative writing PhD compare to an MFA? Erin Slaughter talks to Jared about the focus on professionalization in her doctoral program at Florida State University compared to the exploration and experimentation she found as part of the inaugural cohort of the Western Kentucky University MFA program. Along the way, she discusses her many experiences in the publishing industry and offers advice for emerging writers to demystify the submission process.
Erin Slaughter is the author of A Manual for How to Love Us, short fiction forthcoming from Harper Perennial in 2023, and two books of poetry: The Sorrow Festival (CLASH Books, forthcoming 2022) and I Will Tell This Story to the Sun Until You Remember That You Are the Sun (New Rivers Press, 2019). She is editor/co-founder of The Hunger, and her fiction, poetry, nonfiction, and hybrid writing has appeared inBlack Warrior Review, CRAFT, Slice, The Rumpus, Prairie Schooner, and elsewhere. She holds an MFA from Western Kentucky University and is a PhD candidate at Florida State University, where she teaches creative writing courses and co-hosts the Jerome Stern Reading Series. Find her at her website erin-slaughter.com and on Twitter @erinslaughter23.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Rajiv Thind. Thank you for listening, Rajiv!
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Chibuihe Obi Achimba sits down with Jared to talk about the anguish and extreme joy of transferring a poem from imagination to language, using writing to explore the impacts and losses of modernization and civil war in his home country of Nigeria, and the necessary balance between encouraging independence and fostering community in an MFA program.
Chibuihe Obi Achimba grew up in southeastern Nigeria. He's a poet and essayist completing his MFA in Poetry at Brown University. Chibuihe's writing has appeared or is forthcoming inThe New York Times, The Paris Review, Harvard Review, Poet Lore, and elsewhere. He is the Founding-Editor of Dgëku Magazine. He was awarded the 2021 St. Botolph Foundation grant and the 2021 Frontier Poetry Prize for New Poets. Find him at his website www.chibuihe.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by Shlagha Borah, Erika Walsh, Amy Peltz, James Jackson, and Sebastian. Thank you all for listening!
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Over the last ten years, Katie M. Zeigler filled out an MFA application six times and never submitted. Now in her second year at St. Mary’s College of California, she talks to Jared about pursuing her MFA 25 years after finishing her Masters, her program’s emphasis on the business of writing, and crafting a novel about caregiving, dementia, and the sandwich generation.
Katie M. Zeigler is a second-year Fiction student in the MFA program at St. Mary's College of California. Before the MFA, she got a BA and an MA in English Literature from Stanford University. Her short fiction and nonfiction have been published in Stonecoast Review, Fish Anthology, The Centifictionist, Griffel, Digging, and Stanford Magazine, and she was recently featured on the podcast, In Short. Visit her at katiemzeigler.com and on Twitter @katiemzeigler.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Poet Gabrielle Grace Hogan of the New Writers Project at the University of Texas at Austin talks with Jared about using images to find theme in poetry, giving ourselves permission to write about happiness, and improving lesbian representation in the literary world. Along the way, they break down the similarities and differences between the New Writers Project and its sister program, the Michener Center for Writers.
Gabrielle is a poet in her third and final year of the New Writers Project MFA from the University of Texas at Austin. She’s been published in the Academy of American Poets, Nashville Review, Salt Hill, CutBank, Foglifter, Peach Mag, and many other places. She has served as the Poetry Editor of Bat City Review, and Co-Editor of the online anthology You Flower / You Feast. Her debut chapbook Soft Obliterationis available from Ghost City Press.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Jared sits down with author and Syracuse Professor George Saunders to discuss his advice for new and prospective MFA students, the value of trusting your writing intuition, the best (and worst) kind of workshop feedback, and how Saunders is creating community through discussions of craft, life, and process in his new project, Story Club.
George Saunders is the author of eleven books including Tenth of December, which was a finalist for the National Book Award, Lincoln in the Bardo, which won the Man Booker Prize, and most recently, A Swim in a Pond in the Rain. He studied in the creative writing program at Syracuse and later joined the faculty there where he currently teaches as part of their MFA program. His newest project is Story Club, a twice-weekly newsletter hosted on Substack.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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With a background in cinema, Jason Rodriguez of the School of the Art Institute of Chicago sits down with Jared to talk about how film influences his poetry. They unpack how Jason captures movement in visual poems, how the bombardment of media and pandemic isolation influence his work, and how he found an MFA program that allows him to investigate all areas of writing without confinement to a single track.
Jason Rodriguez is a second-year MFA in Writing student focusing on design, interactivity, and poetry at the School of the Art Institute of Chicago. He’s been a producer on the school’s podcast, SAIC Beat, for the last three seasons. He was an Assistant Poetry Editor for the journal ANMLY and recently worked on a queer/sci-fi stop-motion short film titled Mother Bunker, which played at the Ann Arbor Film Festival, Outfest, and Melbourne International Film Festival. His writing has been published or is forthcoming in BathHouse Journal, GlitterMOB, Mannequin Haus, Word For/Word, and Gasher, and was included as the introduction to Michael Aurelio’s poetry collection, The Smokers (2019). Find him on Instagram @freefloppydisk.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
This episode was requested by De’Andre Holmes. Thank you for listening, De’Andre!
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The podcast team is on vacation (re: staycation)! Enjoy one of our favorite episodes from the earliest days of the show. Regular programming will resume in two weeks.
Can writing be a form of protest? And if so, is there room for hope? Jared sits down with Marcus Jamison of the University of South Carolina to talk about Confederate monuments and economic justice, as well as finding solace in writing and crafting poetry after our literary heroes.
Marcus Jamison is a poet and scholar from Hamlet, North Carolina. He is in his final year as an MFA candidate in poetry at the University of South Carolina, where he served as a senior editor for Yemassee Journal. His poems have appeared in Barely South Review and Quarterly West, as the 2017 winner of an AWP Intro Journals Award. He has also been a finalist for the Scotti Merrill Award and for 92Y's Discovery Poetry Contest. A fellow of The Watering Hole, he is also an avid fiction and nonfiction writer. He can be found on Twitter @theRarePoet.
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Both stage acting and fiction writing are practices in understanding and embodying characters. Cordis Paldano of Minnesota State University, Mankato joins Jared to discuss the ways his acting career informs his writing, the pros and cons of starting the MFA at an older age, and the experience of publishing a children’s novel he wrote in under two months.
Cordis Paldano is a third-year MFA student in Fiction at Minnesota State University. Previously, he was a theatre artist studying acting at the French National Academy of Drama in Paris. He has performed in over 25 plays in India and France, and co-founded a theatre company in Pondicherry. He is also the author of a 2018 children's novel (Hachette India).
This episode was requested by Ailee Slater. Thank you for listening, Ailee!
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Literary fiction on Monday, pulp on Tuesday, YA on Wednesday, poetry on Thursday. Luke Larkin of the University of Montana tells Jared about crossing and mixing genres in a program with a literary pedigree, how queerness and Catholicism influence his writing, and surviving (and thriving!) in the natural beauty and long winters of Missoula.
Luke Larkin earned his BA in creative writing at the University of Montana before entering UM's MFA program, where he is a second-year fiction student and editor-in-chief of CutBank Magazine, the program's long-running literary magazine. While he studies fiction primarily, he also writes creative nonfiction and poetry. His work has appeared in Popshot, HAD, Barren Magazine, and elsewhere. Find him on Twitter @lukeglarkin, his website, lukelarkin.info, and the micro magazine Unstamatic.
This episode was requested by Diana Heald. Thank you for listening, Diana!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Skiing to campus and living without running water may not be typical aspects of the MFA experience, but they are common at the University of Alaska Fairbanks. On this episode, Keely O’Connell tells Jared about her yurt-to-campus commute, writing nonfiction about wilderness experiences, and surviving comprehensive exams.
Keely O'Connell is a third-year MFA student at the University of Alaska Fairbanks. Her focus is nonfiction. Her work has appeared or is forthcoming in Northwest Review, Hippocampus, and CRAFT.
This episode was requested by Shalini Singh. Thank you for listening, Shalini!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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As we approach the first application deadlines of this MFA cycle, enjoy this rerelease to help you tackle questions such as: Should I get an MFA? What should I consider when applying? How can I strengthen my application? In this special episode, Jared is joined by Cady Vishniac, Editor-in-Chief of The Workshop and MFA graduate from The Ohio State University. Together, they address MFA applicants’ most common questions and concerns, like crafting a solid statement of purpose and finding a program that accommodates student parents.
Cady Vishniac attended The Ohio State University as the first MFA student to be awarded a Distinguished University Fellowship. Her stories have been published in Joyland, Glimmer Train, and New England Review, winning the contests at Ninth Letter, Greensboro Review, Mid-American Review, New Millennium Writings, Lascaux Review, American Literary Review, New Letters, and Salamander, as well as the anthology prize in New Stories from the Midwest. Her most recent publications are two stories in Tikkun and a Yiddish translation in Los Angeles Review. She has been writing for The Workshop since 2015 and became its Editor-in-Chief in 2020.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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The annual MFA application episode is back! This year, Jared is joined by Gregory Spatz, Professor and Program Director of the MFA program at Eastern Washington University, who explains what the application process looks like from a faculty member’s point of view. Answering listener questions, they discuss what to include (and avoid) in your personal statement, what makes a writing sample stand out, why to bother with an MFA at all, and more.
Gregory Spatz is the author of the collection of linked stories and novellas, What Could Be Saved, and of the novels Inukshuk, Fiddler’s Dream and No One But Us, and the short story collections Half As Happy and Wonderful Tricks. His stories have appeared in many publications, including The New Yorker, Glimmer Train Stories, Shenandoah, Epoch, Kenyon Review and New England Review. The recipient of a Michener Fellowship, an Iowa Arts Fellowship, a Washington State Book Award, and an NEA Fellowship in literature, he teaches at Eastern Washington University in Spokane. Spatz plays the fiddle in the twice Juno-nominated bluegrass band John Reischman and the Jaybirds. Find him at his website gregoryspatz.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Jared talks to O. Henry Prize winner Adachioma Ezeano of the University of Kentucky about finding her love of literature through Nigerian novels and folktales, learning craft from strong women, and workshopping without the gag order in favor of Crystal Wilkinson’s wild card critique musings.
Adachioma Ezeano is a 2021 O. Henry Prize recipient. She is a second-year fiction candidate in the MFA program at University of Kentucky. She is an alum of Purple Hibiscus Workshop. Her fiction appears or is forthcoming in McSweeney's Quarterly, Flashback Fiction, Isele Magazine, Best Small Fictions 2020, and The Best Short Stories 2021. She is Igbo, from Nigeria, and worked with First Bank Nigeria before moving to Kentucky for her MFA. She tweets @adachiomaezeano.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Natalie Warther of Bennington College talks to Jared about the potential of flash fiction to introduce literature to nonreaders, making the writer’s life work with a full-time job in advertising, and pursuing a dual-genre degree at her low-residency program.
Natalie Warther is a senior writer at 72andSunny and a recent M.F.A graduate from the low-residency program at Bennington College where she was a dual major in poetry and fiction. She is a prose reader for GASHER Journal and a recent finalist in the Smokelong Grand Micro Contest. Her most recent fiction has appeared in Hobart After Dark (HAD), X-R-A-Y, and Maudlin House. Find her monthly flash fiction on Instagram @NatalieWarther, follow her on Twitter @warther_natalie, and find links to all her work at her website: nataliewarther.com.
This episode was requested by Philip Clapham. Thank you for listening, Philip!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Jared and Ashley Sojin Kim of the University of Florida discuss learning about suppressed historic events through poetry, adding form restrictions to enhance the creative process, and networking with publishers at UF’s annual Visiting Editors weekend.
Ashley Sojin Kim received her MFA from the University of Florida and her BA from The Johns Hopkins University. Her work appears or is forthcoming in Literary Matters, Faultline Journal, RHINO Poetry, Spoon River Poetry Review, Gulf Stream Magazine, and elsewhere. Her honors and awards include a Pushcart Prize nomination and fellowships from Kundiman and the Napa Valley Writers’ Conference. Find her and read her poems on Instagram @ashleysojin.
This episode was requested by Victor DeBianchi and Amy Peltz. Thank you for listening, Victor and Amy!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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In this episode, Jared talks with Katie Schorr of Hunter College about overcoming rejection and the failure to sell her first novel, finding her voice through the writing and revising process, and navigating the MFA while raising two kids.
Katie Schorr earned her MFA in Fiction from Hunter College. She’s written for McSweeney’s and Motherly and she has also written and performed one-person shows at the UCB Theater, Ars Nova, and Joe’s Pub. She is an audiobook narrator and the mother of two young children, both of whom wish her stories were scarier. Find her at katieschorr.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Welcome to Season 2! Jared is joined by Shreya Fadia of Indiana University Bloomington to discuss incorporating genre elements in literary work, making a career change from law to writing, and how editing Indiana Review has helped Shreya cope with rejection.
Shreya Fadia is a third-year fiction candidate in the MFA program at Indiana University, where she currently serves as Editor-in-Chief of Indiana Review. Her fiction appears or is forthcoming in Black Warrior Review, Cream City Review, andThe Florida Review Online. Before beginning her MFA, she practiced law in New York City. She is originally from Mumbai, India.
This episode was requested by Jacie Juliana Andrews. Thank you for listening, Jacie!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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With deep gratitude, we have reached the end of Season 1. The pod team is taking a little vacation and launching Season 2 in two weeks. In the meantime, enjoy this rebroadcast of Music at Midnight, a podcast published by Hobart's Buffalo Buffalo Buffalo. You'll hear an interview between Jared (as interviewee!) and past guest Evan Fleischer (as interviewer!). They discuss MFA programs, what has surprised Jared about making this show, and graduate student unionization. Plus, Lily MacHugh reads an excerpt from a story.
Thank you for tuning into Season 1. Regular programming will return on August 17. Until then, take care of each other.
Subscribe to Buffalo Buffalo Buffalo: https://buffalobuffalobuffalo.substack.com
Revisit Evan's episode of MFA Writers
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Drawing attention to American and Israeli occupation in the Middle East, Tarik Dobbs of the University of Minnesota crafts experimental poetry based on extensive research and personal experience. Tarik joins Jared to discuss the role of poetry in shaping political perspectives, writing as a collaborative process, and how universities can create a more inclusive and diverse academic community.
Tarik Dobbs is an Arab American queer writer born in Dearborn, MI, on stolen land of the Chippewa, Ottawa, & Potawatomi people. Dobbs's poems appear in AGNI, APR, Best of the Net, Missouri Review Online, & Poetry Magazine. A 3rd-year MFA student at the University of Minnesota, Dobbs is Assistant Editor of Great River Review and founded Poetry Online, a nonprofit web magazine. Their poetry chapbook, "Dancing on the Tarmac," was selected by Gabrielle Calvocoressi (Yemassee, 2021). Find them at tarikdo.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
How do emotional pacing and narrative structure influence one another in a story? Jared talks to Aggie Stewart of the Newport MFA at Salve Regina University about her memoir, a braided narrative examining family trauma. They discuss embracing false starts and taking the scenic route to her MFA, a low-res program that lets students practice pitches with agents and editors, encourages cross-genre experimentation, and offers a residency in Havana, Cuba.
Aggie Stewart is a Rhode Island-based writer and is going into her final semester in the Newport MFA program at Salve Regina University in Newport, Rhode Island. Her MFA focus is creative nonfiction. She is currently writing a memoir about growing up in the shadow of her mother’s sister’s murder, an event which occurred when her mother was pregnant with her and that was kept a closely guarded family secret throughout her childhood. Aggie has a BA and MA in English Literature and worked as a technical and business writer and editor for many years before beginning work on her MFA. A certified yoga therapist and meditation teacher, Aggie also teaches others how meditation can support and facilitate the creation of literary art.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Fantasy. Sci fi. Literary absurdist fiction. Keith Enterante of San Diego State University’s novel excerpt has it all. He joins Jared to talk about the support and warmth of his program, the importance of starting and finishing pieces, and how the best writing lights up your nerve endings.
Keith Enterante is a writer with an MFA from San Diego State University, where he spent three years drafting his third book, an absurdist fantasy called Phooka Road. The opening chapter received an Honorable Mention for the AWP Intro Journals Awards; the book will be going on submission to agents later this summer. Find him on TikTok @k.enterante.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Pursuing an MFA is not only about improving your own writing, but also that of your peers. Evan Fleischer of Emerson College talks to Jared about how the workshop is like teaching, how editing at Hobart benefits his work, and how the best writing is full of surprises. He also does a pretty good Bob Dylan impression.
Evan Fleischer is set to graduate from Emerson College with a MFA in fiction at the end of 2021. He has been a fiction editor at Hobart Pulp for two and a half years. He has also worked as a ghostwriter, a research assistant, and as a freelance writer.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Humor. Experimentation. Sound play. Ellie Black of the University of Mississippi talks to Jared about how her poetry has gotten increasingly weird, the influence of the Gurlesque movement, and the benefits of a high faculty-to-student ratio.
Ellie Black is a poetry MFA candidate entering her third year at the University of Mississippi and the incoming senior poetry editor of the Yalobusha Review. Her poetry can be found in Black Warrior Review, DIAGRAM, Booth, Best New Poets, and elsewhere. Find her at her website, elliekblack.com, on Twitter at @elliekblack, and Instagram at @ellie.kb.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
What does a bilingual MFA program look like in practice? Antonio Villaseñor-Baca of the University of Texas El Paso joins Jared to talk about studying cross-genre work in English and Spanish, launching a music magazine between degrees, and how reading a diverse canon helped him take pride in his Xicanx identity.
Antonio Villaseñor-Baca is a Xicanx bilingual journalist, photographer, poet and writer from El Paso, Texas. He spends his time listening to music and working towards his MFA in creative writing at the University of Texas at El Paso, where he taught Rhetoric and Writing Studies courses. Antonio also serves as an online editor for Minero Magazine and has written for YR Media, 18-to-29 Now, Borderzine, and El Paso Inc. He has published poetry in Rio Grande Review, Mojave Heart Review, and Norte/Sur. He focuses on short fiction, poetry, creative nonfiction, and visual/photographic narrative. Find him at his magazine Con Safos Magazine.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Creative writing workshops have remained largely unchanged since their creation in 1936. But what if there’s a better, more empowering, more inclusive way? Jared talks to Felicia Rose Chavez about her new book, The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom. They unpack MFA student advocacy, discuss the benefits of collaboration over competition, and reconceptualize the workshop.
Felicia Rose Chavez is an award-winning educator with an MFA in Creative Nonfiction from the University of Iowa. She is author of The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom and co-editor of The BreakBeat Poets Volume 4: LatiNEXT with Willie Perdomo and Jose Olivarez. Felicia’s teaching career began in Chicago, where she served as Program Director to Young Chicago Authors and founded GirlSpeak, a feminist webzine for high school students. She went on to teach writing at the University of New Mexico, where she was distinguished as the Most Innovative Instructor of the Year, the University of Iowa, where she was distinguished as the Outstanding Instructor of the Year, and Colorado College, where she received the Theodore Roosevelt Collins Outstanding Faculty Award. Her creative scholarship earned her a Ronald E. McNair Fellowship, a University of Iowa Graduate Dean’s Fellowship, a Riley Scholar Fellowship, and a Hadley Creatives Fellowship. Originally from Albuquerque, New Mexico, she currently serves as the Creativity and Innovation Scholar-in-Residence at Colorado College. For more information about The Anti-Racist Writing Workshop, and to access a multi-genre compilation of contemporary writers of color and progressive online publishing platforms, please visit www.antiracistworkshop.com. Follow Felicia on Instagram at @feliciarosechavez and on Twitter @writerantiracist.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspod
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Email: mfawriterspodcast@gmail.com
With political and social unrest rocking his home country of Venezuela, Alejandro Puyana turned to writing as a way to process. He applied to MFA programs four times before landing an acceptance at the Michener Center for Writers. Now, you can read his work in The Best American Short Stories anthology for 2020. Alejandro and Jared talk rejection, revision, and reimagining the world through fiction.
Alejandro Puyana is a second-year fellow at the Michener Center for Writers whose primary focus is fiction and secondary genre is screenwriting. His non-fiction pieces have been published in The Toast, Tin House Online, NPR, The Huffington Post; his fiction in Huizache, The Examined Life, and Idaho Review. His short story, "Hands of Dirty Children" was awarded the Halifax Ranch Prize by American Short Fiction, chosen as the winning story by ZZ Packer. That same story was then chosen by Curtis Sittenfeld to be included in the 2020 Best American Short Stories. Find him on Twitter @Puyana.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
In Singapore, a young nation focused on economic prosperity, the path to the writer’s life can seem uncertain. Against this backdrop, Jemimah Wei of Columbia University tells Jared about her country’s emerging literary canon, how flash fiction taught her restraint, and how open conversations about funding make MFAs more accessible.
Jemimah Wei is a writer and host based in Singapore and New York. Her fiction has received nominations for the 2021 Pushcart Prize, support from Singapore's National Arts Council, and the 2020 Francine Ringold Award for New Writers. She was recently named a 2020 Felipe P. De Alba Fellow at Columbia University, where she is pursuing an MFA in Fiction. Her work has appeared or is forthcoming in Nimrod, Smokelong Quarterly, Pidgeonholes, X-R-A-Y Literary Magazine, and JMWW, amongst others. Presently a columnist for No Contact Magazine, she is at work on a novel and several television projects. This follows an eight-year career in the media, where she's worked both onscreen and behind the scenes as a host, scriptwriter, and producer. Learn more at jemmawei.com and say hi at @jemmawei on socials.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
A joint MA+MFA program allows students to deepen their understanding of literary criticism and theory while crafting creative works. Jeremiah Barker of Northwestern University tells Jared how they balance the workload, how they find self-compassion in the face of pandemic-induced writer’s block, and how writing about trauma is and is not like therapy.
Jeremiah Barker is an essayist currently based in Chicago. They are a third-year student in the MFA and MA Litowitz Graduate Program at Northwestern University. Their work has appeared in Ploughshares and StoryQuarterly.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
A low-residency MFA program helped Koyé Oyedeji of Warren Wilson College develop the discipline to work full-time while writing his composite novel. He and Jared discuss the ins and outs of the low-res experience, as well as how being a British person of Nigerian descent living in the US inspires Koyé to write about Black relationships through the lens of identity and class.
Koyé Oyedeji’s writing has appeared in Ploughshares, Virginia Quarterly Review, The Believer, Wasafiri(UK), The Good Journal (UK) and elsewhere. He has contributed to a number of anthologies, received scholarships to attend the Bread Loaf Writers’ Conference and the Sewanee Writers’ Conference, and has also previously attended the VONA and Callaloo writing workshops. He is currently a Holden Scholar in the Warren Wilson MFA program, where he just entered his final semester. He lives in Washington, DC and is currently at work on a composite novel.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
An MFA-sponsored trip to the Mariana Islands allowed Danielle P. Williams of George Mason University to reconnect with her ancestral culture. She sits down with Jared to discuss exploring Chamorro history through poetry, learning ancient language through translation, and meeting mentors and allies through her program.
Danielle P. Williams is a Pushcart-nominated poet, essayist, and spoken-word artist from Columbia, South Carolina. She strives to give voice to unrepresented cultures, expanding on the narratives and experiences of her Black and Chamorro cultures. She is an Editorial Coordinator for Poetry Daily, the Poetry Editor for So To Speak, and a 2019 Alan Cheuse MFA Travel Fellow. Danielle is a 2020 Writing Workshop Fellow for The Watering Hole and 2021 Langston Hughes Fellow for Palm Beach Poetry Festival. Her poems were selected for the 2020 Literary Award in Poetry from Ninth Letter. Her writing appears or is forthcoming in Hobart, Juked Magazine, The Pinch, Barren Magazine, JMWW, The Hellebore, and elsewhere. She is the author of a self-published collection of poetry, The Art in Knowing Me, and two spoken-word EP's, At My Own Risk and We Fall Down. Find her at daniellepwilliams.com, on Twitter @dpwpoetry, or on Instagram @daniellepwilliams.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
What’s it like to work on a research-driven nonfiction book in an MFA while freelancing on the side? Sarah Ruth Bates of the University of Arizona joins Jared to talk about how the nonfiction genre is more than memoir, how science and philosophy inform her work, and how pandemic writing can help us center our shared humanity.
Sarah Ruth Bates is a second-year nonfiction MFA candidate at the University of Arizona, where she edits the program's student-run literary magazine, theSonora Review, and teaches composition. She's also a writing instructor at Grub Street. Her work is published or forthcoming in the New York Times, Guernica, the Boston Globe Magazine, Aeon, Hobart, Essay Daily, Off Assignment, and elsewhere. Find her at sarahruthbates.com and on Twitter at @sarahrbates.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
How is the zombie of Haitian folklore a poetic metaphor for how society treats Blackness? Bryan Byrdlong of the Helen Zell Writers’ Program at the University of Michigan tells Jared about his project on the traditional and modern conceptualization of zombies, how poetry can transcend fake news, and how his MFA program gave him an inner editorial voice.
Bryan Byrdlong is a Black poet from Chicago, Illinois. In high school, he was part of Chicago’s Louder than a Bomb poetry slam competition. He graduated from Vanderbilt University where he received an undergraduate English/Creative Writing degree and was the co-recipient of the Merrill Moore Award for Poetry upon graduation. He has been published in the Nashville Review, Heavy Feather Review, and Pleiades Magazine. Most recently, he received the Gregory Djanaikian Scholarship from The Adroit Journal. He is a graduate of the Helen Zell Writers’ Program at the University of Michigan and a current Zell Fellow. You can find him on Twitter @BByrdlong.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Should I go straight into an MFA or take some time between degrees? Emily Holland of American University talks to Jared about how she decided to go back to school, how the structure of a poem influences the reader, and how she’s thinking creatively about the post-MFA job market.
Emily Holland is a lesbian writer with poems appearing in publications including Nat. Brut, Homology Lit, bedfellows, and Wussy. She is the author of the chapbook Lineage (dancing girl press 2019). Her work has received support from the DC Commission on the Arts & Humanities and Sundress Academy for the Arts. Currently, she is the editor of Poet Lore and the Editor-in-Chief of FOLIO at American University, where she is a second-year MFA student in poetry. You can learn more at her website emily-holland.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Have you ever wondered how contest winners are selected? Kaj Tanaka of the University of Houston takes us behind the scenes of Gulf Coast’s Barthelme Prize for Short Prose. He and Jared also talk about building tension in a story, careers in prison education, and what he learned from his BFA and MFA that influences his PhD work today.
Kaj Tanaka is a PhD candidate in fiction at the University of Houston. His fiction has appeared in New South, The New Ohio Review, Joyland and Tin House. His stories have been selected for Best Small Fictions, Best Microfiction, and Wigleaf's top 50. Kaj teaches creative writing classes at the Harris County Jail in Houston, TX. He is the online reviews and interviews editor for Gulf Coast. Find him at kajtanaka.com or tweet to him @kajtanaka.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
What’s it like to write a poem from the perspective of someone you despise? Michal “MJ” Jones of Mills College joins Jared to discuss their thesis project about the 2018 Hart family murders, writing from a place of anger, and pursuing an MFA as a working parent.
Michal "MJ" Jones is a poet and parent in Oakland, CA. Their work is featured or forthcoming atAnomaly,Kissing Dynamite, and Borderlands Texas Poetry Review. They are an Assistant Poetry Editor at Foglifter Press, a journal curating queer and trans voices, and have fellowships from the Hurston/Wright Foundation, VONA/Voices, & Kearny Street Workshop. They are currently an MFA graduate fellow at Mills College. They can be found on Twitter @JustSayMJ and at their website michal-jones.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Should I get an MFA? What should I consider when applying? How can I strengthen my application? In this special episode, Jared is joined by Cady Vishniac, Editor-in-Chief of The Workshop and MFA graduate from The Ohio State University. Together, they address MFA applicants’ most common questions and concerns, like crafting a solid statement of purpose and finding a program that accommodates student parents.
Cady Vishniac attended The Ohio State University as the first MFA student to be awarded a Distinguished University Fellowship. Her stories have been published in Joyland, Glimmer Train, and New England Review, winning the contests at Ninth Letter, Greensboro Review, Mid-American Review, New Millennium Writings, Lascaux Review, American Literary Review, New Letters, and Salamander, as well as the anthology prize in New Stories from the Midwest. Her most recent publications are two stories in Tikkun and a Yiddish translation in Los Angeles Review. She has been writing for The Workshop since 2015 and became its Editor-in-Chief in 2020.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
What’s a journalist doing in an MFA program? Dana Liebelson of the University of Wyoming tells Jared how her journalistic habits facilitate and complicate her fiction writing, how her work has become increasingly experimental, and how she wound up with a literary agent.
Dana Liebelson is an MFA candidate in creative writing at the University of Wyoming. Her flash fiction was recently published in Cheap Pop, and she attended the 2020 Tin House summer workshop. She is represented by Sarah Manning of the Bent Agency. Her journalism has appeared in The Atlantic, Insider, ELLE.com, Mother Jones and HuffPost. She is also the recipient of a Writers’ Guild Award. She grew up in Bozeman, Montana. You can find her at her website dliebelson.com and on Twitter @dliebelson.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Can writing be a form of protest? And if so, is there room for hope? Jared sits down with Marcus Jamison of the University of South Carolina to talk about Confederate monuments and economic justice, as well as finding solace in writing and crafting poetry after our literary heroes.
Marcus Jamison is a poet and scholar from Hamlet, North Carolina. He is in his final year as an MFA candidate in poetry at the University of South Carolina, where he served as a senior editor for Yemassee Journal. His poems have appeared in Barely South Review and Quarterly West, as the 2017 winner of an AWP Intro Journals Award. He has also been a finalist for the Scotti Merrill Award and for 92Y's Discovery Poetry Contest. A fellow of The Watering Hole, he is also an avid fiction and nonfiction writer. He can be found on Twitter @theRarePoet.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
Twitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com
Do we write because we understand or do we write to reach understanding? Jared and Vanessa Chan of The New School unpack this question. Along the way, they discuss writing about home while living in a foreign country, the long arm of colonialism, and the pros and cons of studying in the literary capital of the world.
Vanessa Chan is a Malaysian writer who writes about race, colonization, and women who don't toe the line. Her fiction and nonfiction have been published or are forthcoming in Electric Literature, Conjunctions, The Rumpus, Pidgeonholes, Porter House Review, and more. Vanessa is a Fiction Editor at TriQuarterly Magazine, an Assistant Fiction Editor at Pithead Chapel, and an MFA candidate in fiction at The New School, class of 2021. This follows a 12-year career in public relations, including most recently as director of communications for Facebook in California. Her writing has received support from Tin House, Mendocino Coast Writers’ Conference, Aspen Words, and Disquiet International. She can be found at her website vanessajchan.com or on Twitter @vanjchan.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
Twitter: @MFAwriterspod
Instagram: @MFAwriterspodcast
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Email: mfawriterspodcast@gmail.com
Every word matters when writing flash fiction and poetry. Jared sits down with Hannah Cajandig-Taylor of Northern Michigan University to talk about writing and revising short works, crafting plot twists and unexpected imagery, taking a course that includes an overnight island trip, and fighting for an increase in stipends and better access to healthcare.
Hannah Cajandig-Taylor is a poet and flash writer residing in Michigan's Upper Peninsula, where she is a 3rd year MFA candidate at Northern Michigan University. She also reads for Passages North and Fractured Lit. She likes to write anything that's less than 1000 words. Her work has recently appeared in mutiny!, Hobart Pulp, and Perhappened Mag, with new words coming soon. Her debut chapbook, Romantic Portrait of a Natural Disaster, is now available for preorder at finishinglinepress.com. She can be found at her website www.hannahcajandigtaylor.com or on Twitter @hannahcajandigt.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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Singer-songwriter turned novelist Matthew Dougherty of West Virginia University joins Jared to talk about writing songs versus writing prose, fictionalizing family lore, and winning three literary contests.
Matthew Dougherty grew up in Ohio, taught elementary school in the Rio Grande Valley, Texas and is now completing his third and final year in the MFA fiction program at West Virginia University. His short stories have appeared or are forthcoming in Sonora Review, Salamander, and Crab Orchard Review—all as contest winners—and have been praised by writers such as Molly Antopol and Lucy Corin. Matthew is a Teach For America alumnus, and he also enjoys writing and performing original songs under the artist name Matt Skerk. He can be found on Twitter @matt_skerk.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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What’s it like to be a YA writer in an MFA program? Jared talks to Marcos Damián León of the University of California, Riverside about crafting young adult fiction, taking courses outside the department, navigating higher ed as a first-generation student, and helping young readers consider big themes like gender roles and educational equity.
Marcos Damián León is a teacher and writer from the Salinas Valley. He is a first-year Ph.D. student at Texas Tech University, and a recent graduate of the University of California, Riverside's MFA program. He is currently working on a young adult novel about two boys deciding what kind of men they want to be. His work has appeared in The LA Review of Books, The Acentos Review, under the gum tree, and The Monterey County Weekly. Follow him on Instagram @damleon.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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Clancy Tripp of Ohio State University talks to Jared McCormack about what happens when people believe your satire, how OSU encouraged her to experiment in multiple genres, whether humor is thriving or flailing in 2020, and if art can heal wounds.
Tripp is a creative nonfiction, humor/satire, and fiction writer from the Midwest. Most recently, her work has been published in The Rumpus, shortlisted for the SmokeLong Quarterly Flash Fiction Award, and selected as the overall winner of the 2020 Iowa Review Award for Creative Nonfiction by Leslie Jamison. She is a rising second-year MFA student at The Ohio State University where she also serves as Associate Nonfiction Editor at The Journal. Find more of Clancy at her website www.clancytripp.com and on Twitter @TheUnrealTripp.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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Jared McCormack talks with Ali Geren of the University of Arkansas about writing accessible poetry, growing up in small-town America, coming out in a poem, working a second job during the MFA, and drawing inspiration from Quentin Tarantino.
Ali Geren is a poet in her second year of the University of Arkansas’ MFA program in Fayetteville. Her work has appeared in Caustic Frolic and in Moon City Review as the winner of their creative writing contest hosted for Missouri State University students.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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On this episode, Jared sits down with Preety Sidhu of Louisiana State University to discuss how to finance an MFA (Hidden fees? Healthcare? Cost of living?), how to outline a novel, and how to write stories that publishers want to read.
Preety Sidhu is an intern at Electric Literature. She holds an MFA in fiction from Louisiana State University, where she worked as an editorial assistant at The Southern Review. You can find her on Twitter @_preetysidhu or at her website, preety-sidhu.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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Sasha Debevec-McKenney of New York University joins us to talk about completing her thesis during a pandemic, diversity in MFA programs, networking with prolific authors, the institution of the U.S. presidency, and, of course, Garth Brooks. Debevec-McKenney also shares an unpublished poem she just wrote titled “Stand Up Routine."
Sasha Debevec-McKenney graduated with an MFA in Creative Writing from New York University in Spring 2020. Her poems have appeared in Poets.org, The Yale Review, Nashville Review, Peach Mag, and elsewhere. While at NYU, she was the 2018 Rona Jaffe Graduate Fellow. And she was recently named the 2020-2021 Jay C. and Ruth Halls Poetry Fellow at the University of Wisconsin in Madison. You can find her on Twitter @sashadm.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media.
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Mary Henn of the University of Missouri-Kansas City and Missouri State University joins us to talk about gender, trauma, writing as healing, and whether writing can and should be political. Henn reads an excerpt of her award-winning creative nonfiction piece "Assemblies," which will be published in the upcoming issue of Hayden's Ferry Review.
Mary Henn is an emerging poet and nonfiction writer. She holds an MA in Creative Writing from Missouri State University and was recently awarded an Intro Journals Award from the AWP. Currently, she is an MFA candidate at the University of Missouri-Kansas City, where she teaches English.
MFA Writers is hosted by Jared McCormack and produced by Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on Twitter, Instagram, and Facebook.
Host Jared McCormack describes the upcoming MFA Writers podcast launching in June 2020.