Musicians vs the World: Recent Episodes
Frosted Lens Entertainment
Join professional musician, Christine Smith, as she discusses topics that face the day-to-day lives of those responsible for making the music we all love. Together, with experts and fellow musicians, Christine dives into everything from the business to the personal and even the social/political side of being a musician. It is a refreshing and honest look into the lives of those responsible for performing and creating the music in our lives.
than performing, and realizing how teaching can improve our performing career-What is tuition-based teaching?-Reshaping our relationship with boundaries, studio policies, and value-based teaching-Creating your own Stress-Free StudioLaura K. Sinclair is reopening Stress-Free Studio next month—a one-on-one coaching program for private music teachers who want to design an intentional studio life, streamline systems like pricing and invoicing, and build a studio that supports both creativity and quality of life. Learn more on her website: https://lauraksinclair.com/
a haptic VR experience directed by Cameron Kostopoulos that tells the true story of Carolyn Mercer, a survivor of electroshock conversion therapy.Prateek Rajagopal is a film composer, record producer, and artist by way of Oman and India, known for his boundary-pushing work across film, immersive media, and music. He is the executive music producer and composer at KOST AI, where he scored In The Current of Being, which won SXSW 2025, premiered at Cannes Immersive 2025, and the 2025 Tribeca Film Festival. In the film and television world, Prateek has collaborated, written, and produced music on major studio projects including Trolls Band Together (Justin Timberlake), Star Wars’ The Mandalorian Season 3, and Creed III (Michael B. Jordan), as part of the team under Joe Shirley and Oscar-winning composer Ludwig Göransson; a path he began after being selected for USC’s prestigious Screen Scoring program. Most recently, he has returned to his musical roots through close collaboration with electronic composer and producer Bobby Krlic (Midsommar, BEEF, Beau Is Afraid). Outside of film, Prateek is the chief songwriter and guitarist of GUTSLIT, India’s leading death metal export.
and many more.In this captivating conversation, we discuss Etienne's unconventional path into film scoring, starting with chance encounters on bulletin boards to working on high-profile Netflix projects. He shares candid stories about music school, his first film project, navigating the French film industry, and the importance of maintaining relationships while building a music career.
Creating Without Limits: Saam Gabbay on Finding Harmony in the Human Experience by Frosted Lens Entertainment
Award-winning film composer Juan Carlos Enriquez shares his career journey from progressive rock bassist to scoring Disney+ projects. In this episode, discover the pathway from assistant to lead composer, essential organization systems using Google Sheets for managing 40+ cues, and techniques for adapting musical themes across genres - from Cumbia to orchestral scores.Topics Include:- The composer's career ladder- Organization systems for managing complex film scores with multiple team members- Recording with live orchestras and working with directors- Creating cohesive scores for projects like Disney's "Mesa Para Dos" and Telemundo's "Velvet"
Today we’re talking to Egee, the captivating rock 'n' roll cabaret artist taking Austin's music scene by storm! We chat about her life as a performing musician and her journey into curating her cabaret rock persona and developing her sound, which she displays in her most recent song “La Mer.” Topics Include: -How COVID changed Egee's perspective on pursuing music professionally-The psychology behind creating a stage persona vs. performing as yourself-Separating "music life" and "private life"-Breaking down the creative process behind "La Mer" and genre-blending techniques-Austin's supportive music community and networking tips-Overcoming imposter syndrome and embracing your authentic artistic voice-The balance between personal branding and artistic integrity
Discover the cutting-edge world of music technology at The Georgia Institute of Technology! Dr. Jeff Albert, Interim Chair of the School of Music, reveals how students combine engineering brilliance with musical creativity to shape the future of music. He'll take us inside Georgia Tech's Guthman Musical Instrument Competition, whose timeline for submissions runs from now through October 10, 2025. We'll also cover improvisation and how we can learn more about humanity and human connection through technology.About our guest:Dr. Jeff Albert is Interim Chair and Associate Professor of the School of Music at the Georgia Institute of technology. His areas of research and creative practice include improvisation and interaction, jazz performance, performance paradigms for live computer music, and audio production. He has performed in concerts and festivals in the U.S and throughout Europe, and contributed as a performer, producer, or engineer on over 60 recordings, including the 2017 Grammy winner for Best Traditional Blues Album. He has been named a Rising Star in the DownBeat Critics Poll, and his album Unanimous Sources was named a Top 10 album of 2020 by Jan Garelick in the Boston Globe. Albert received his B.M. from Loyola University New Orleans, and his M.M. from the University of New Orleans. In May of 2013, he became the first graduate of the PhD program in Experimental Music and Digital Media at Louisiana State University, where he was a founding member of the Laptop Orchestra of Louisiana (LOLs).
Discover the secrets behind Netflix's most acclaimed sound design! My guest today is Andrés Silva, Sound Supervisor, Sound Designer and Founder of La Tina, an international audio post-production and film scoring studio, exporting services globally since 2010, whose latest projects include Narcos and One Hundred Years of Solitude for Netflix. In this interview, Andrés reveals how he approaches sound design like a musical composition. In this Episode We Learn: •How sound design functions as musical composition for film •Behind the scenes secrets from Netflix’s “100 Years of Solitude” •Dolby Atmos mixing techniques that create immersive experiences •Field recording strategies for authentic Caribbean soundscapes •Building an international audio post-production studio from Colombia •The creative process behind “Narcos” sound design
Today I chat with Columbian composer Juan Cortés Arango as he shares his creative process behind The Head Season 3 and his innovative approach to extended techniques. In this episode we discuss Juan's transition from cello performance to composition due to tendinitis Creating organic sounds that feel electronic using extended techniques Working with prepared piano, unusual woodwinds, and unconventional string techniques The philosophy behind choosing acoustic instruments over synthesizers His collaboration process and the importance of documentation in composition How the music industry is evolving and what it means for composers.About our Guest:Juan Cortés Arango is a versatile Colombian composer based in Los Angeles. Juan’s portfolio includes such notable works as Mala Fortuna, Anywhere With You, and Above the Yangtze River. As an additional composer, Juan worked on Pablo Larrain’s Golden Globe-nominated Neruda, as well as Judd Apatow’s HBO docuseries George Carlin’s American Dream, and Amazon Studios’ Life Itself, starring Oscar Isaac and Olivia Wilde. Through his close relationship with Richard Ludlow’s Hexany Audio, Juan also orchestrates for a wide variety of video games, virtual reality, and interactive media projects, including Honor of Kings and Arknights. He also co-founded Salon de Paprika, a boutique film production house. Both ventures have developed a global clientele since their founding. He is currently building an orchestration collective. Juan graduated from Berklee College of Music in 2014 with a double major in Film Scoring and Electronic Production & Design.
Veteran composer Brian Steckler takes us through his fascinating 30-year journey in the ever-changing music industry, from his unexpected start with the iconic Budweiser Frogs Super Bowl commercial to scoring the Sundance Film Festival selection “Sunfish (& Other Stories from Green Lake).”In this episode, Brian shares:• How a piano performance degree led him from Nashville to LA’s musicscene• Working with artists like Paul Stanley (KISS) and Tony winner Billy Porter• The reality of the music industry and adapting to survive• Innovative scoring techniques for the acclaimed film “Sunfish (& Other Stories from Green Lake)” plus his favorite mic placement for recording piano• Behind-the-scenes stories from jingle houses to reality tv productions• Honest advice for aspiring musicians entering today’s competitivelandscape
Today is the first of a two-part series with our guest, musician and composer Alexander Parsons. In Part I, we’re discussing Alexander's score to the upcoming film, "Flight 149: Hostage of War," the extraordinary story of passengers and crew who become unwitting hostages during Saddam Hussein’s invasion of Kuwait. We also discuss the impact of music teachers on their students, and how his own teacher influenced his life. https://alexparsonsmusic.com/
Today we learn about the Alexander Technique and improving our musicianship with the incredible Jennifer Roig-Francolí! We talk about the power of awareness, the sneaky thoughts and obstacles we put in our own way, and Christine even gets a quick lesson on a tension/awareness exercise we can all use in our own practice!Jennifer's Website: https://artoffreedom.me/
Composer James Allen Roberson has a great quote on his wall by Ira Glass that explains that the gap between our ability and our taste is only bridged by a lot of work. In today's episode, James sits down with us to discuss his own creative development and the hard work that went into it. We talk about maintaining and attitude of humility and learning lessons from unexpected places, living in the studio, how to find the right sound for a project, and mourning the end-of-life of Finale.https://www.robersonsound.com/
Today we visit Middle Earth and discuss the score to "The Lord of the Rings: The War of the Rohirrim" with Emmy award-winning Composer Stephen Gallagher and Grammy award-winning Producer/Engineer Mark Willsher. Their goal in this project was to “honour the narrative of the film by blending the beloved design and musical language of the original Lord of the Rings trilogy with ideas befitting Kamiyama-san's beautiful hand-drawn anime.” We discuss learning from and enjoying the differences between "The War of the Rohirrim" and the original live action LOTR trilogies in terms of workflow and creative style. We also cover thematic material, composition/mixing techniques and the value of having a trusted collaboration!"Overture" from THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM (Original Motion Picture Soundtrack) is copyrighted and used with permission from WBD Music AS(ASCAP), New Line Tunes (ASCAP) and Warner Bros. Entertainment Inc. All rights to the music are owned by WBD Music, New Line Tunes, and Warner Bros. Entertainment, Inc.
Renowned German film composer Christoph Zirngibl joins us today to talk about his recent projects AppleTV+ “Where’s Wanda” and the animated adventure film “The Hero of Centopia.” We chat about the difference between a Palette Composer vs an Artist Composer, his own composing process, and what makes a good melody.Christoph Zirngibl is a renowned German film composer based in Munich, Germany. Among the over 120 movies Christoph has composed the music for by now, you will find some of the most-watched German prime-time TV movies and successful national feature films, as well as a diverse range of indie films, short movies, TV series and documentaries. His music has been awarded the Hollywood Music in Media Award, the Jerry Goldsmith Award and the “German Emmy” ({reis der Deutschen Fernsehakademie) and has been nominated multiple times, e.g. for the German Filmmusic Award, the European Filmmusic Award (Camille Award) and the Music & Sound Awards. At the Cannes Film Festival 2022, he was one of ten international composers being selected for the Spot the Composer Program.
Collaboration is the cornerstone of a musicians’ creativity and career. This is especially true in media composing. And here to talk with me about it today are my guests Ari Posner and Joel Schwartz. They worked together composing the score to the acclaimed drama series “Sullivan’s Crossing” whose 2nd season premiered in the US in October 2024 on the CW, and kicks off its 3rd season on Canada’s CTV in the spring of 2025.
Today we are honored to have Deva Anderson and Rachel Lautzenheiser, two renowned music supervisors, joining us to share their insights on the film adaptation of August Wilson’s Pulitzer Prize-winning play, The Piano Lesson. The two have worked together for more than a decade. Deva leads the music department at Tom Hanks and Gary Goeztman’s Production Company, Playtone, where she has overseen music for all their productions for over 25 years, including the Oscar-nominated film Greyhound, Band of Brothers, and The Pacific. Rachel has played an integral part of the music department at Playtone as a rising Music Supervisor whose credits include Masters of the Air, Alaska Daily, and My Big Fat Greek Wedding 3. Deva and Rachel also received two Guild of Music Supervisor nominations for Best Music Supervision in a TV Drama (Masters of the Air) and Best Music Supervision in a Mid-Level Budget Film (The Piano Lesson).
Today we’re talking with accomplished composer, Andrew Morgan Smith who has successfully navigated the world of both film and concert composition. We are diving into the technical details about work flow, working with orchestrators, scoring sessions that span the globe, and keeping up with latest technological innovations in the music world. https://www.andrewmorgansmith.com/
Musicians often get stuck in the mindset of 'being chosen.' We practice and hope we are chosen for the masterclass. We audition and are chosen to fill a seat in the studio, or in the orchestra. We submit a demo and cross our fingers that we win the project. Kate Kayaian, Career Coach for High Performing Creatives, has made it her life's mission to help creatives thrive in their careers and take the steps they need to unlock their creative potential.She joins us today to share her own story pivoting from a very successful career as a cellist to her new life helping other high-performing creatives. We discuss how fear gets in the way of creativity and growth, when it's time to pivot, when it's time to consult a career coach, and the value of community. We also chat a bit about Kate's first full-length book, "Beyond Potential: A Guide for High-achieving Creatives Who Are Looking to Re-assess, Re-define, and Re-ignite Their Careers" which is due out in March 2025. It is available for preorder on February 25, 2025.https://katekayaian.com/ https://talesfromthelane.com/ Instagram: @kkayaian 10 Habits of Successful Artists: https://mailchi.mp/b97d167bd642/10habits
The score for the BAFTA and Annie-nominated film, Kensuke’s Kingdom, is big, traditional, and symphonic. Directors Neil Boyle and Kirk Hendry initially conceived the project almost as a silent movie, as there is very little dialogue between the two lead characters, who do not speak each other’s language. The music plays a pivotal role in the story-telling, featuring a 60-piece orchestra and a 35-piece choir. Stuart handled every aspect of the music production – composition, orchestration, music editing, supervision of the mix, handling the budget, etc. He joins us to discuss the highs and lows of this massive project: from the business/budget to the thematic and orchestral development of this gorgeous score.He also shares his love of orchestral music from Stravinsky to John Williams, and gives his advice on scores to study and the importance of composing horizontally as well as vertically.https://www.stuarthancock.com/https://www.youtube.com/watch?v=a2fTTVQwaWU
Steffen Thum is a German composer for film, TV, games and advertising, based in Berlin. With over 70 credits to his name, he has extensive experience across high profile studio films, independent cinema, TV and advertising campaigns. Max Aruj is a composer born and raised in Los Angeles. His recent projects include MoviePass, MovieCrash (HBO), Lansky starring Harvey Keitel, and The Ice Road (Netflix) starring Liam Neeson. Both are successful film composers with experience working on high profile projects with composers such as Lorne Balfe, Hans Zimmer and others. They’re here to talk with us today about collaboration, lessons learned in their careers, and their work on the film “Betrayal.” Topics Include:Working for another composer is another level of training and “school” The importance of working very cleanly and clearly in collaboration Work at a high level to hone your craft The importance of attention to detail Behind the score of “Betrayal” Advice for aspiring musicians https://www.steffenthum.com/https://maxaruj.com/
Robert Arzola is a freelance composer and music supervisor for Phantom Power based in the Atlanta, GA metropolitan area. After injury interrupted his plans of being a classical performer, Robert pivoted to composing. As a freelance composer, Robert has scored feature films for Reel One Entertainment, Lifetime, Lionsgate, and Feifer Worldwide along with the video game Tactical Breach Wizards. Robert has landed numerous placements in trailers as a composer, sound designer, and editor. As the music supervisor for Phantom Power, Robert helped release multiple albums and has helped Phantom Power acquire placements for various major campaigns. He is also a contributor for the YouTube channel, The Samplelist, where he does overviews of sample libraries. Today we talk about his career, his pivot to composing, and we do a deep dive into his score for the game Tactical Breach Wizards.https://robertarzola.com/
David Naroth is a Composer, Sound Designer, and all-around creative person. He loves creating and audio is his favorite outlet of that creativity! He loves experimenting with the traditional and non-traditional to create new perspectives in his compositions. He also loves to push himself to explore different genres of music and loves to work on all types of visual media formats. Today David joins us to discuss his latest project, “Searching for Amani.” The documentary takes place In the heart of Kenya, where a tragedy shatters a young boy's life. The film had its world premiere at the Tribeca Film Festival on June 8, 2024. We also talk about creating sonic palettes and world building through sound, as well as sonically representing abstract concepts like climate change. Topics Include: -Sonically representing climate change -Collaboration in composing -The process of creating sonic palettes -World building through sound -Experimentation vs working fast -The differences between documentaries and fiction projects -Gear David can’t live without -Finding source sounds and creating a sound library -Sampling and re-sampling https://www.davidnaroth.com/https://www.searchingforamani.com/
Austin Weber first gained attention in 2018 with his original records and boundary-pushing music videos. His music and videos are vibrant collages of early YouTube blogging, David Attenborough documentaries, and heartbreak. His theatrical live shows feature puppet monsters, lucha libré matches, and Gregorian chant ceremonies. With an upcoming solo record set to release in November 2024, and his involvement in scoring the recently Tribeca-premiered film Rent Free, Austin continues to push creative boundaries. His score for Rent Free uses homebuilt instruments and analog synthesizers alongside an original soundtrack of new songs to alternatingly ground and augment the chaos of your early 20s. Topics include: -Early success laying the track for a music career-The fun of being your own boss vs. having a director -Classical vs Media music....is there a difference? -Classical music as a visual medium -The “Cow tools” Plinko instrument – making new instruments for “Rent Free” -Collaboration and communication in Music https://www.austinweber.info/https://www.youtube.com/@AustinWeberhttps://open.spotify.com/prerelease/5h0rTGkBqbWz66GwvsgwzF?si=b675e9bced7f4c43https://www.imdb.com/title/tt28626359/?ref_=ext_shr_lnk
My guest today is Dr. Erin Parkes, Founder and Executive Director of the Lotus Centre for Special Music Education. She is here to talk about her work with Adaptive Concerts, which are performances that are adapted for neurodivergent audiences that may respond differently to stimuli, and especially music. ABOUT OUR GUEST:Dr. Erin Parkes holds a Ph.D. in music education from McGill University, where she researched how to train studio music teachers to work with students with autism. In 2012, Dr. Parkes founded Lotus Centre for Special Music Education, a charitable organization committed to providing access to music education for people with exceptionalities. In addition to her role at Lotus Centre, Dr. Parkes is an adjunct professor at the University of Ottawa, where she is also a principal researcher at the Music and Health Research Institute. Dr. Parkes presents at conferences and guest lectures internationally on teaching music to students with exceptionalities and other issues in music education.MORE INFORMATION ON ADAPTIVE CONCERTS:www.lotuscentre.nethttps://www.chamberfest.com/series/2022/adaptive-concerts/https://nac-cna.ca/en/stories/story/a-musical-experience-for-autistic-childrenhttps://nac-cna.ca/en/video/series/the-music-circlehttps://journals.sagepub.com/doi/pdf/10.1177/1321103X231214113https://xeniaconcerts.com/
After 12 years as a composer for media, David Bertok is branching out into the world of concert music with his most recent project, ONE, which will be released in October. He joins Christine in this episode to discuss his journey through music, his belief in the human touch of music, and the perfection in imperfection and experimentation.Topics include: David’s background from Germany to LA The value of a wide range of skills With new technology is human creativity necessary? Will AI make us appreciate live performances and creativity more in the future? What AI cannot do. What is the composing process for “ONE” David’s favorite pieces Improvising Baroque Counterpoint? Why create a neoclassical? From the DAW to the recording stage The advantages of live instruments The perfection in imperfection *Advice for aspiring musiciansAbout our Guest: https://www.davidbertok.com/Composer of the award winning feature films "Peace by Chocolate" and "Botero", David Bertok writes for film, TV and the concert hall. After graduating from music college in Germany, David enjoyed a busy career as a live musician touring Europe with progressive rock bands opening for acts such as Scorpions and Saga. His band, Subsignal, reached the German album charts twice during his tenure as keyboarder, songwriter, lyricist and producer. In 2012, he relocated to Los Angeles on a Fulbright Scholarship admitted to the famed Scoring for Motion Picture and Television Program at USC. David's creativity extends to songwriting, producing and more. After 12 years as a composer for media, David is branching out into the world of concert music with his most recent project, ONE, which will be released in October.https://frostedlens.com/musicians-vs-the-world/f/david-bertok-on-his-neoclassical-album-one
"You can't be the producer and the generator at once"When you get a chance to learn from an influential and innovative musician like Evan Frankfort, you can't pass it up! In this episode Evan shares fantastic practical advice for aspiring musicians/producers as well as his own philosophies on creativity, curiosity, craft, and of course....The Spiritual Machines! 4- time Emmy nominated, Songwriter, Sound Designer, and composer Evan Frankfort's innovative musical contributions in both television and indie rock have offered uniquely captivating soundscapes for nearly 30 years. He currently serves as Head of Music for Hearst Media, as well as frontman of the innovative indie rock band “The Spiritual Machines” and co-creator of “Less Friction.” His past credits include shows like The 100, and Beverly Hills 90210, and he has collaborated with iconic artists like The Bangles, Plain White T’s, Rancid, Warren Zevon, and Liz Phair.Topics Include:Finding your place in music – embrace your differences Hiding the Tool – how it applies to music making The Spiritual Machine – what defines us as individuals or as human? Instruments as Spiritual Machines Don’t get bogged down by proving something You can’t be the producer and the generator at once Spontaneous vs Scheduled creativity Creativity through collaboration The Spiritual Machines and the evolution of a band’s “sound” What is your “spiritual machine?” Balancing life as a Music Director and a creative Advice for aspiring musicians
Just like the many students in the US returning to school this month, music teachers are making goals of their own for the upcoming school year. In honor of that, Christine is switching from interviewer to interviewee, and with the help of producer, Russ, will be discussing some of the activities she's planning on implementing to help her students become more connected and creative in their music making. We also discuss a teacher's role in preparing and protecting their students in very competitive environments/auditions, as well as reviewing lessons Christine has learned from a few of her fantastic guests on this program!Resources Mentioned:These are not affiliated links. We're not getting sponsored by any of these products...we just like themThe Mind's Ear by Bruce Adolphe https://a.co/d/hmBdsu2Rhythm Cup Explorations by Wendy Stevens: https://composecreate.com/product/rhythm-cup-explorations/Pattern Pieces by Piano Safari: https://pianosafari.com/product/patternpiecespack/Shades of Sound by Jenny Boster: https://a.co/d/1JB7JeWMvW Episodes referenced:What Are You Trying to Say? Musical Imagination with Bruce Adolphe: https://frostedlens.com/musicians-vs-the-world/f/what-are-you-trying-to-say-musical-imagination-with-bruce-adolphHow to Win an Audition: A conversation with Dr. Scott Holden https://frostedlens.com/musicians-vs-the-world/f/musicians-vs-auditions-part-1---how-win-an-auditionAudiation and Music Learning Theory with Siliana Chiliachka: https://frostedlens.com/musicians-vs-the-world/f/audiation-and-music-learning-theory-with-siliana-chiliachkaCompetition in Music with Dr. Brandon Bascom https://frostedlens.com/musicians-vs-the-world/f/competition-in-music-with-dr-brandon-bascomPerformance Anxiety: https://frostedlens.com/musicians-vs-the-world/f/performance-anxiety-5-principlesJenny Boster: Female Composers and Why We Should Study Them https://frostedlens.com/musicians-vs-the-world/f/female-composers-and-why-we-should-study-them
Binaural beats are an audio illusion often used in psychology circles to aid in stress reduction and concentration. Our guest today, composer John Joseph Wiater, used this compositional technique in a creative way to enhance the emotional impact of his score for the film “I Think I’m Sick.” He’s here to talk with us about it today. TOPICS INCLUDE:-John’s background -Finding the first composing job -Branching out to new styles -Binaural beats – what are they? -The use of binaural beats in film scoring -Where can binaural beats be -DIY building a composing businessAbout our Guest:https://johnwiater.com/https://itisfilm.com/Philidelphia-based John Joseph Wiater (Waiter) has scored over 15 genre-spanning films from an Oscar-qualifying family drama short to a dark comedy on suicide awareness, to espionage, romance, and sci-fi adventures. John's most recent credits include the debut feature from Danny Gevirtz "I Think I'm Sick", which portrays a young man's second chance at life after a failed suicide attempt. The score was a collaboration with long-time musical collaborator Matt Fell, and featured a textural scoring inspired by binaural beats and choral vocals. John has a strong following on social media through his educational and film composer and music production-centric content, and a large fanbase for his artistic compositions streaming on music platforms.
Today we are talking with Award-winning mixing engineer Shalev Alon. We’ll be discussing the art of mixing music, the difference between vocal and instrumental mixing, and we’ll also hear his excellent advice on building a successful career in music. TOPICS INCLUDE:-Mixing Music in depth: The width, the depth, and the height -Our ears are in charge of the final decisions – if it sounds good, it’s good. -The intricacies of mixing vocals -The importance of the foundation: good songs, good arrangement, good production -Common mixing mistakes -Shalev’s background and career path -Everyone can be successful in the entertainment business -What does success mean for you? -The value of persistence -The balance of building relationships – having social awareness -The 3 things you need to build your reputation and businesshttps://www.youtube.com/@S.AMixing
Today we are talking with ASCAP award-winning composer, Matt Bowen. We discuss his musical development from a classically trained violinist touring with a youth symphony to a full-time composer. We also dive into the compositional process behind his project, the Amazon Series "Gen V."Topics Include:•Matt’s Background in violin•San Diego Youth Symphony•Learning harmonic structure •Do you know how to wrap cables? The value of an internship •The Importance of asking questions•Gen V: Threading the needle of spinoff music•Creating the Gen V “gritty” sound •How experience as an orchestrator helps with synthesized music•The members of the Gen V music team•Advice for aspiring musicianshttps://mattbowenmusic.com/Matt Bowen is an ASCAP award-winning composer based in Los Angeles. A classically trained violinist from the age of three and later a member of a touring youth symphony, he ultimately shifted to working behind the scenes. He teamed up with record producer Matt Wallace (Maroon 5, Faith No More) and worked as an engineer on RIAA-certified platinum singles Michael Franti & Spearhead's "All Rebel Rockers" and O.A.R.'s "All Sides.” As composing projects continued to ramp up, he ultimately pivoted to composing full-time. Bowen recently scored Hulu’s R-rated feature film THE BINGE starring Vince Vaughn and Skylar Gisondo. His work can be heard on the gritty Emmy Award-winning documentary BLOOD ROAD (Red Bull Media House). He also teamed up with Christopher Lennertz to co-score the Netflix TV series BEST WORST WEEKEND EVER. In addition to composing, Bowen has contributed as an arranger, orchestrator, and composer of additional music on a wide variety of projects for all mediums. He frequently works on Christopher Lennertz's music team on projects such as THE BOYS and BAD MOMS.
Today we are talking with Elyssa Samsel, the composer behind the music of the Lionsgate feature film "Miller's Girl." We discuss her process of composing and creating the score for the popular film, including the use of conventional and unexpected instruments to add depth to scenes and characters. In addition, Elyssa discusses her background composing for musical theater and animation, the importance of collaboration, and her strategies for maintaining optimism in a competitive career. TOPICS INCLUDE:-Elyssa’s Background-BMI Lehman Engel Musical Theatre Workshop-The Importance of Collaboration -The Freedom of Composing for Animation-Endless Optimism and How to Persist Through “Hiccups” in Your Career-The Value of Networking and Consistency-Surround Yourself with “A Mastermind Alliance”-Behind the Music of “Miller’s Girl”-Advice for Aspiring Musicianshttps://www.samselanderson.com/https://betweenthelinesmusical.com/https://youtu.be/pKA01VUKlCU?si=kZGdalvpO9YQTUxY
“Cliff End Records is more than a label; it’s a movement that empowers artists and navigates them through a vast ocean of musical possibilities.” In this episode Christine talks with Dina Rizvic and Alan Jones about the founding of Cliff End Records, and their goal of helping musicians create their art on their own terms. TOPICS INCLUDE:-Dina and Alan's backgrounds-The beginning of Cliff End Records-The goal of Cliff End Records-The history of recording and publishing-How a small label is different than a large label-Working with artists from a creative and legal standpoint-Plans for the future-A day in the life at an Independent Label-Advice for aspiring musicianshttps://www.cliffendrecords.com/https://www.cliffendbooks.com/https://dinarizvic11.wixsite.com/dinarizvichttps://frostedlens.com/musicians-vs-the-world/f/cliff-end-records-behind-the-scenes-at-an-independent-label
Composer Jason Brandt joins us today as we’re talking about how the composer needs to function as part of the story telling team in the world of film and television production. We discuss strategies you can use as a composer to help to support your message, transport your audience to different settings, and even foreshadow key narrative events. Topics Include:What Stravinsky and Metallica have in commonThe world is so beautiful when looking back into the history of classical musicIn Media Music, many different genres can have a home. Composing on a 4-track recorder - how to adjust composing to new technologyWrite a piece of music every day - but don’t show it to anyoneGive yourself space to failMusic’s role in storytelling - Looking into the music of Camp Hideout and Max Winslow and the House of Secrets”When does your ear get tired?Advice for aspiring composersAbout our Guest:https://www.jasonbrandt.com/https://soundcloud.com/jasonbrandtmusicJason Brandt recently composed music for the film Camp Hideout (starring Christopher Lloyd and Corbin Bleu) released by Roadside Attractions. This family comedy was released theatrically on September 15, 2023 and on HULU in February 2024. Jason also scored the award-winning film Max Winslow & The House Of Secrets, (starring Chad Michael Murray) F.R.E.D.I. (starring Kelly Hu), and Christmas Wonderland. Other films include the thrillers Mommy Be Mine and The Other Mother. A Christmas Reunion, (starring Denise Richards). Night of the Living Dead 3D (starring Sid Haig) and the documentary That Guy Dick Miller premiered at SXSW 2014.Jason also creates original music for a wide range of national television programming, including Cartoon Network's Teen Titans GO!, Mike Tyson Mysteries, Extra, and TMZ. Other TV shows include American Idol, The Bachelor The Bachelorette, and many more.Music Featured in this Episode:Camp Hideout Main Title - from the motion picture "Camp Hideout" Composed by Jason BrandtWho is Atticus Virtue? - from the motion picture "Max Winslow and The House of Secrets" - Composed by Jason BrandtThe Story Begins -from the motion picture "F.R.E.D.I." - composed by Jason Brandt
Have you stopped to think about what makes music funny? What makes a good action score? And what can a composer do to suck the life out of their composition? In today’s episode, we’re talking to Composer Matt Novack. We discuss all of this and really get into the details, so if you want to learn about how to write music like this, this is the episode for you.Matt Novack is a classically trained composer and percussionist whose intuitively smart scores have created indelible moments in (mostly) comedy projects across series and film. Matt’s music supports performances by many of today’s greatest comedic actors, including Amy Poelher, Paul Rudd, Rob Corddry, Megan Mullally, Henry Winkler and Will Arnett. Some of his notable credits include working cult favorite Children’s Hopsital, Netflix’s a Murderville, as well as award-winning Dog Days and spots for Assassin’s Creed Valhalla. His most recent work can be heard on TBS’s Miracle Workers: End Times.Topics include:•Matt’s background and education as a percussionist/composer•What makes good “action” music•Scoring a comedy•Absurdist comedies vs sitcoms•What I wish I learned in school•Working with a temp track while staying original•Using and manipulating digital samples to create analog synth sound•Nothing kills the music of a scene like trying to be funny•The project Matt learned the most from•Advice for aspiring composers/musicianshttps://www.mattnovack.com/Music featured in this episode (and shared with permission):Better Than Heroes Overture Composed by Matt NovackI Regret Lots of Things from "Harley Quinn" composed by Jefferson Friedman, Matt Novack, Christopher FrenchI Like it Here from "Miracle Workers" Composed by Matt NovackSad Sid from "Miracle Workers" Composed by Matt NovackThe Enchanted Workshop Composed by Matt NovackEnd Times Main Title From "Miracle Workers" Composed by Matt Novack
Today we are talking with Composer, Producer, Cellist, and Teaching Artist, Margaret Maria, about music’s power to change the world for the better. She shares her passion for creating music and giving back to the community by walking us through her not-for-profit organization "OrKidstra" as well as her creative projects.•Love at first sight with the cello•Learning to be fearless at Curtis Institute•Playing professionally. What comes next?•OrKidstra – not for profit serving kids in underserved areas•The internal drive to create and giving back to the community•Passion over Precision•Two goals of OrKidstra: create musicianship and social development• Academy of Impact through Music’s five pillars of creating social change through music• Finding a place where music and belonging are the same•Changing the social structure so children learn their voices matter•Genre-fluid collaboration: “Music Can Change the World”•Finding a place for new musichttps://margaretmariamusic.com/homehttps://orkidstra.ca/https://www.aimpowers.com/https://musictreson.com/https://marbyllia-bg.bandcamp.com/album/uncountable-sphereshttps://www.apmmusic.com/albums/HARD-0061https://www.craigrobertmcconnell.com/
Video game orchestral composer Amanda Cawley joins us to discuss creating the music and atmosphere for the video game Siegebreaker.It's a fascinating discussion of the challenges of composing and producing numerous musical options for interactive entertainment.Topics Include: •Creating different palates for different settings in different points of the game•Workflow for Video Game music - Who does the composer answer to? •3 levels of intensity •Linear vs looping track•Composing for an orchestra•How to break into the business •Finding inspiration when walking through the woodsMusic shared in this episode:Siegebreaker Main ThemeSiegebreaker Main Theme 2Forest Continent - Low IntensityDesert Continent - High IntensityArctic Continent - Low IntensityVolcanic Continent - High Intensityhttps://amandacawley.com/https://store.steampowered.com/app/21...
Composer Vinicius Barbosa Pippa believes that musicians need to be creative not only in their musical works, but also how they structure their career. In this episode we discuss Vinicius’ journey from Brazil to the Berklee College of Music, to LA where he is currently running his own company “The Music Giant.” During our conversation we discuss how to say yes to diverse opportunities without losing sight of the ultimate goal, how to gain essential skills in unexpected places, and how to have fun and enjoy life along the way.Topics Include:•From Brazil to Berklee College of Music•Composing process: echoes of an idea fleshed out•The different paths in a music career leading to your ultimate goal•How experience in music editing can help composers technically and creatively•Be creative in how you structure your career•Say yes to opportunities without losing sight of your ultimate goal•Conducting an orchestra, conducting to screen•The next experiment – The Music Giant •Advice for aspiring musicians Music featured in this episode:“The Last Battle” composed and recorded by Vinicius Barbosa Pippa“Catalyst” composed and recorded by Vinicius Barbosa PippaAll music shared with permissionhttps://www.themusicgiant.com/https://frostedlens.com/musicians-vs-the-world
Today we are talking with Carlos Baker, who is sharing his story of overcoming childhood cancer and using creativity through becoming a songwriter and author to deal with the emotional aftermath.Topics Include:•The emotional aftermath of Cancer•Carlos’ hermitage in Germany•Seeing yourself as an artist•Using creativity to cope with depression and anxiety•Working with a producer•Song melody vs syllabic melody•Working with studio musicians •Advice for future musiciansSong Writer, Bass Player, and Author Carlos Baker is an American born musician who moved to northern Germany in 2009. In 2020, he penned the novel, Songs for Ivy which is available on Amazon. Carlos has written over 50 songs ranging from country to ballads to rock and blues. He writes songs that are filled with raw emotion, many of which deal with his personal experiences and struggles with depression. But above all, Carlos is most proud of the 4 children that he and his wife have raised. https://ckbakerband.com/C.K. Baker Band on Spotify: https://open.spotify.com/artist/1CsZn...Songs for Ivy on Amazon: https://a.co/d/huzxAoC
Today we are exploring the world of music editing, the invisible art form that is a success only if you don’t notice it. We are lucky to have the award-winning music editor Yuri Gorbachow here to talk with us about this topic.Yuri Gorbachow is the founder of Aesthetic Corporation, a sound and music production company with a rich history in the audio for video industry. With a career spanning over 35 years, he has been working behind the scenes, ensuring that the music in some of the most iconic television productions reaches its highest possible standards.Recognized for his outstanding work, Yuri has been nominated for 25 M.P.S.E. Golden Reel awards and has won four times for best sound and music editing. He has received 11 Canadian Screen Award nominations, winning nine times. Additionally, Yuri's contributions earned him two Primetime Emmy Award nominations for Outstanding Sound Editing for a Series, and he is especially acclaimed as a trustworthy ally and collaborator on prestige projects such as Vikings and Hulu’s The Handmaid’s Tale.TOPICS INCLUDE:· A music editor’s role· What makes a good music edit?· How are awards decided?· The art form of temp music· Episodic music editing vs feature film music editing· What is a cue sheet?· Managing time and multiple projects· Yuri’s background · The future of music editing · Advice for future music editorshttps://aesthetic.ca/https://www.imdb.com/name/nm0329786/
In this episode of Musicians vs the World, we talk with Adam Lukas and James Everingham, the incredibly creative composers behind the music to the BBC’s Frozen Planet II. We’re going to do a deep dive into the inspiration and composition techniques they used when creating their beautiful score and we’ll also chat about their experience collaborating with Norwegian singer, songwriter and record producer, Aurora in this project.TOPICS INCLUDE:· Vomiting birds and baby seals· Collaboration with Aurora· The theme should be “giving” to the rest of the score for cohesion· Creating a sound palette – what is the core of your project?· How a chord progression can grow throughout a large project · That first view of a scene…where to begin?· The more you prepare before a project, the more fun you’ll have at the end of it· Working with Spitfire to create “Fractured Strings”· What does Ice Sound like in Music · Take care of your mind, and keep composinghttps://www.adam-lukas.com/https://www.jameseveringham.com/https://www.bleedingfingersmusic.com/https://www.spitfireaudio.com/https://frostedlens.com/musicians-vs-the-world/f/frozen-planet-ii-behind-the-music
Tormod Ringnes is a Norwegian sound designer and sound editor. He is an avid collaborator and sought-after artist for much of his contributions, expertise, and precise dictations in the sound design community. In this episode, Tormod describes his collaboration with filmmaker Margreth Olin, editor Michal Leszczylowski, and composer Rebekka Karijord on the 2023 Norwegian documentary film "Songs of Earth," which was recently selected as Norway’s entry into the International Feature category for the Oscars. Tormod's past projects also include Maleficent, Pirates of the Carribbean Dead Men Tell no Tales, Academy Award Winning Animated Feature Flee, partnerships with German filmmakers Thomas Aslan and Wim Wenders, video games like Battlefield 2042, and Tribeca 2023 selection Laroy (Steve Zahn).TOPICS INCLUDE:-What is sound design?-Tormod's background -Storytelling through sound-Collaborating with filmmakers, composers, and editors to enhance storytelling-The process of creating musical symphony using sound in "Songs of Earth"-Gaining inspiration from nature and from music-Tormod's 4-step approach to sound -Advice for future sound designersSongs of Earth Trailer: https://www.youtube.com/watch?v=InpVP...Songs of Earth Score: https://open.spotify.com/album/0o8KF0... https://www.margretholin.com/songsofe...www.uohert.no
In our latest episode of Musicians vs the World we’ll be learning about the role and importance of the sound editor and re-recording mixer in the film and television industry. It’s a possible career path for musicians, so we’re going learn about it over the next 2 episodes. My guest today is Supervising Sound Editor and Re-recording mixer, James Parnell from Monkeyland Audio. Topics Include:•The difference between a sound editor and a re-recording mixer•The process of re-recording and mixing• What is foley?•How much sound is foley, and how much is original sound?•Ear Fatigue – what is it? Why is it a problem? •How to protect hearing as a sound remixer•How to stay true to source material in an adaptation•Advice for musicians wanting to become sound editorshttp://www.jamesparnell.com/https://www.monkeylandaudio.com/https://frostedlens.com/musicians-vs-the-world
Our guest today is composer, producer, and songwriter, Kyle Rodriguez. He’s here to share his thoughts on building a career as a composer in the film industry through a non-traditional path. We also get to hear some great stories about gear, analog vs digital music production, and some tips on how to become a good composer’s assistant.Topics Include:Doing things the hardest way possibleAnalog or Digital? Gear Kyle lovesThe secret to learning how to write orchestrallyLessons learned from orchestrator Bill RossGetting a musical education without a degreeDissecting an orchestral score to find your own taste and compositional style – even when you don’t connect with classical musicBreaking down barriers for other musicians of colorHiring “blind” to remove biasThe key to being hired as a composer’s assistantLive life to inform your musichttps://kylerodriguezmusic.com/
It’s football season! Ever wonder where the networks get the memorable theme music for their broadcasts? In our latest episode I’m talking with Alexander Hitchens, one of the top composers in the sports music business. He’s here to talk with us about his latest project composing music for NBC’s Big 10 football package, and how being observant and being prepared can change the course of your career in unexpected ways! Stay ready so you don't have to get ready!TOPICS INCLUDE:-How Hip Hop and Classical Music complement each other-Alexander's composing music for LeBron James and Kobe Bryant-The composing process: "Quantity Breeds Quality"-How an early morning tweet turned into a contract with NBC-The process of creating music for live sporting events-Advice for future musicianshttps://www.alexanderhitchens.com/https://frostedlens.com/musicians-vs-the-world
In honor of Halloween, we’ll be talking with Grant Meuers, sound designer for “The Angry Black Girl and Her Monster,” on how not only music, but sound design can effect an audience’s experience and emotions. We talk about the importance of sound design, how to look at sound compositionally, foley, and how Grant balances his life while running his company “Snow Globe Sound.”Topics Include:•The difference between sound design and sound editing•The thought process behind the sound design in “The Angry Black Girl and Her Monster”•The use of texture and thinking compositionally in sound design•How music and sound can work together, and work against each other•Grant’s music background and his path to sound design•The importance of taking breaks for physical and creative health•Balancing the administrative and creative aspects of owning a companyhttps://snowglobesound.com/https://frostedlens.com/musicians-vs-the-world
Dr. Malena McLaren joins me to discuss her decades-long passion project of discovering little-known Spanish clarinet works, their characteristics, and the stories behind their composers. This information is critical for composers wanting to integrate Spanish influences into their compositions, as well as musicians wanting to perform this music with appropriate stylistic nuances.Topics Include:•Malena’s journey to Spain to find Yuste’s music•Miguel Yuste’s Life•Characteristics of Spanish Music: Rhythmic Elements, Melodic Elements, Harmonic Elements•Spanish clarinetists to listen to•Where to find Yuste’s Music•Other Spanish composers to listen toBassus Ediciones: https://www.bassusediciones.com/?lang=enVan Cott Information Services Inc,: https://vcisinc.com/
Have you ever heard of affiliate income, and how it can boost your financial situation as a musician and/or teacher? I am fortunate today to introduce you to Dr. Tonya Lawson who happens to be an expert in this very topic. We’ll be diving into details into how to use your website properly, together with social media, to generate income. Topics Include:· How passive income can create stability for free-lance/independent musicians and music teachers· What is affiliate income? Is it possible for musicians to earn it? Where do I sign up?· What is SEO? Why do musicians need to know what it is?· Blog posts are not what they once were· Tips on working smarter, not harder when using social media and websites for marketing and affiliate income· Advice for new musicianshttps://tonyalawson.com/https://tonyalawson.com/creative-seo/https://frostedlens.com/musicians-vs-the-world
After an intense introspective moment during the pandemic, Kelly Monrow decided to pivot her artistic expression from acting to music. Months within launching her career, the determined musician had already amassed more than 2.5 million streams and made her performance debut at SXSW in Austin. In this episode, she candidly shares her story, her creative process, and advice for other musicians wanting to claim their own musical goals/dreams.Topics include:•Why pivot to music?•Kelly’s creative process •Taking country music to France•Allow yourself to be free and make mistakes•Building your team to build your career•Being authentic to connect with fans •How to defy the odds of societyhttps://www.youtube.com/@kellymonrowmusichttps://www.instagram.com/kellymonrowdowdle/?hl=enhttps://www.kellymonrow.com/https://open.spotify.com/artist/2Y9Plh9eUGTA1MKytihsvq?si=vk7K4lGnT0igtZD3j55TUQ
Sherri Chung has been recognized internationally as a trailblazing composer for film and television. From her beginnings as a classical pianist to award-winning composer, she has been recognized internationally as a trailblazer throughout her career. In 2022, she created history by being elected as the first female governor of the Television Academy’s music branch. In this latest episode, Sherri talks about her career, her work on HBO Max/Amblin’s animated series “Gremlins: Secrets of the Mogwai,” the Television Academy’s music branch and her role in it, and the future of music and the Emmys.https://www.sherrichung.com/https://www.emmys.com/https://frostedlens.com/musicians-vs-the-world
“This is a moment to cherish…not everybody gets to do these kind of things.” Mark Evitts is an accomplished American composer, songwriter, and multi-instrumentalist whose career spans multiple genres and has led him from Nashville to The Grand Ole Opry and Carnegie Hall. Following his early career work as a road musician playing with country music artists, Mark has established himself as a versatile songwriter and composer. His songwriting credits include co-writing Nas' single "Brunch on Sundays,” which he also performed on, from the Grammy-nominated album "King's Disease II" and The Game's single "Violence." He joins Christine today to talk about his career and to share insight into his latest project: composing music for Apple TV+’s animated series “Frog and Toad.” Topics Include: · Mark’s experience touring and recording with country and rock bands · How Mark’s classical training opened doors into string arranging for albums and television music · Zoom in 2019? · Be yourself to win jobs · Frog and Toad: A collaborative philosophy to composing · Peter and the Wolf meets Frog and Toad · Cherishing the big moments · How do you get to Carnegie Hall? · The value of listening to many genres of music · Advice for upcoming Musicians
http://www.markevitts.com/ https://frostedlens.com/musicians-vs-the-world
“Embrace the chaos. Breathe. Choose what you like about it. Repeat.” Today Christine talks with Latin Grammy and Grammy Award-winning producer, mixer, and engineer Vago Galindo. Together they discuss the production side of music, specifically about engineering, mixing, and producing, and how all of those things are critical to conveying the emotions of recorded music.
Vago has worked with an impressive list of artists such as Juanes, Whiplash, Vale, and Elvis Costello, among many others. Besides his work in the music industry, Vago has also worked in the film industry as an engineer for movie soundtracks, including La La Land, The Girl in the Spider’s Web, Beauty and The Beast (2017). He has also worked as Voice Over engineer for TV shows like Pokémon, Baby Shark, Rick & Morty, and more.
Topics include: • Recording Engineers vs Mixing Engineers vs. Producers. What are their roles? • Embracing the chaos of music-making • Finding and emphasizing the emotion behind the music • What’s great about working in musical films • Staying organized in high pressure situations • How working in VO made Vago better at his job • Recording an album during lockdown • Advice to aspiring musicians
Vago Galindo: https://www.rebeleon.net/daniel-vago-galindo Elvis Costello: https://elviscostelloandtheimposters.bandcamp.com/album/the-boy-named-if Whiplash: https://www.youtube.com/channel/UCVMA1HFhCtBY9f71GlM2F2w Vale: https://www.youtube.com/channel/UC4_e7S45aWj3QdLYg47Qzrw La Usurpadora: https://www.imdb.com/title/tt16301792/
What makes a great performance? Yes, the quality of the music is a part of it, as is the skill of the musician. But the really successful musicians have all of that plus a thing called “stage presence.” They have the ability to connect with their audience on a personal level, and create truly meaningful performances. But why do some musicians have great stage presence, and others don’t? Are people just born with it, or is it a skill that can be developed? In this episode, Christine is joined by pop singer/songwriter, Felice, to talk about stage presence and connecting with the audience. We also talk about her life that took her from Vienna, Austria to New York City, in pursuit of her own music career.
• Felice’s background/songwriting process • The magic of live performance • What makes a great performance • Connecting with your audience • Overcoming Performance Anxiety • The key to a great Stage Presence • How to build confidence in your performance • How to bounce back from a bad performance • Advice for future musicians
https://felice3.bandzoogle.com/home https://www.youtube.com/@feliceofficialmusic/about https://frostedlens.com/musicians-vs-the-world/f/developing-your-stage-presence-with-pop-singer-felice
The word "audiation" means “to think music.” For music teachers who incorporate audiation and its accompanied Music Learning Theory in their teaching, it is a way to help students deepen their musical understanding from the very beginning of training. Music Learning Theory is a comprehensive approach for musical learning, based on an extensive body of research and practical field testing by Edwin E. Gordon. In this episode, Christine discusses audiation and Music Learning Theory with pianist and music educator Siliana Chiliachka, who uses Music Learning Theory and Audiation in her own piano studio. TOPICS INLUDE: What is Audiation? What is Music Learning Theory? What is missing in modern music/piano instruction What a audiation-based piano lesson looks like How to present Music Learning Theory to parents and students How to learn more about the Music Learning Theory method
For links to more information about Music Learning Theory and Audiation, visit our shownotes on our website: https://frostedlens.com/musicians-vs-the-world/f/audiation-and-music-learning-theory-with-siliana-chiliachka
After losing her hearing to Ménièr’s disease, Gaelen McCormick pivoted from her position in the double bass section in the Rochester Philharmonic to become Director of Eastman Performing Arts Medicine. EPAM’s four pillars are to Heal, Inspire, Care, and Learn. Through these four pillars, EPAM combines music with healthcare by promoting music therapy, conducting research into music’s effects on cancer treatments, and offering performance opportunities for musicians in hospital waiting areas. In this episode, Gaelen joins Christine to share her story, and to share the remarkable effects music can have in the healthcare field.
Topics include: • What is the difference between Music Therapy and Music Performance • What are the benefits of Music Therapy? • Musicians and hearing loss • Finding meaning in a new normal • Connecting Eastman School of Music Students with hospital volunteerism • Creating a service mindset in music making • Know your “why”
https://www.urmc.rochester.edu/eastman-performance-medicine.aspx
https://frostedlens.com/musicians-vs-the-world
Raptor Violin? Hadro Cello? Triserachord? Fat Rex? These are real instruments crafted out of fossils, bones, and traditional string instruments. How better to bring the sound of dinosaurs into the 21st century? In this episode we continue our look into innovative composition in our conversation with composers Kara Talve and Anže Rozman. They, working alongside Hans Zimmer at the Bleeding Fingers Music Composers Collective, had the unique challenge of creating music to underscore Apple TV+’s Prehistoric Planet. Kara and Anže join Christine to talk about the incredible innovation and imagination behind the music.
Topics include: -Designing instruments out of fossils and bones -Improvisation and Composition when you’re not sure what your instrument will sound like -Inspiration and Growth that comes from Collaboration -Bleeding Fingers and the benefits of a composer collective -The workload of a full-time composer -Advice to aspiring composers
“Let’s figure out where the boundary is by crossing it, and then walking back.” Award-winning composer, Tom Third, is known for his experimental leanings, using unconventional instrumentation to create novel textures and palettes. In this episode, Tom takes some time out of his busy schedule to chat with Christine about discovering the music hidden in ordinary objects, making a collage of sound using organic and synthesized samples, and working with other creatives on projects ranging from television, documentaries to Installation Art Exhibits.
Topics Include: -Finding Music in Unlikely Sources -The creative composition process -Blending organic and looped music to create something new -Collaboration in Television/Building trust with other creatives -Bringing things to the edge of “crazy” without messing it up -Installation Art and music’s role -Advice for aspiring musicians
https://www.tomthird.com/ https://frostedlens.com/musicians-vs-the-world
Today we continue our series of episodes on building your music career. What do you know about publicists? When do you need one? What can they do for you?Here to teach us about this topic is Kate Twilley, Publicity Coordinator at Impact24 Public Relations. Hopefully, this episode can give you some clarity on what publicists do, and can help you in your decision on whether or not you need a publicist at this point in your career. Topics Include: What does a publicist do, and who needs one?At what point in your career should you think about finding a publicist?What should you look for in a publicist?What to bring with you to your first meeting?What is a pitch?What NOT to do when pitching yourself?How to find a PR agency that could be a good fit for you
In this episode we are continuing our look into taking charge of our music careers. We’re focusing on website design with Taylor Rossi. Taylor is a Boston-based flutist and the website designer for Nicole Riccardo Media which offers conversion-based web design for classical musicians. As you listen to Taylor discuss this topic, you will be amazed at how many mistakes we as musicians are making on our websites.Topics Include:-What is a conversion-based website?-What are common mistakes musicians make when building their website?-How do I create a well curated website?-How much information is too much information?-How do I make my website stand out?-How would a portfolio music career work with a website?-How to use backlinks to increase credibilityhttps://www.nicolericcardomedia.com/https://www.instagram.com/thetaylorrossi/https://frostedlens.com/musicians-vs-the-world
In this first episode in our series of “How You Can Take Control of Your Music Career,” we are exploring the idea of the Portfolio Career, and how musicians can make choices to take control of their lives artistically and financially. Here to guide us on this first crucial step is Musician/Entrepreneur/Teacher/Writer/Coach Jennet Ingle, who is an expert in the field of “being your own CEO” in order to become "The Happiest Musician. "Topics include:- What is a Portfolio Career?- Finding the common thread that guides your choices- Rethinking the definition of “success” and “failure”- A big obstacle musicians must overcome to cultivate their own Portfolio Careers.About our guest: Jennet Ingle truly is the Happiest Musician. She has been Principal Oboist of the South Bend Symphony Orchestra since 2006, and freelances throughout the Mid-west. As the owner and operator of Jennet Ingle Reeds, she makes and sells hundreds of handmade reeds every month to oboists all over the world and helps people with their own reed-making through her video series, The Five Minute Reedmaker, her weekly online Reed Club, and her online beginner course, Zero to Reedmaker. She is an experienced teacher and astute coach, devoting herself to helping musicians through her podcast, Crushing Classical, her group program, the Invincible Oboist and her one-to-one career and mindset coaching as The Happiest Musician. Her latest book “The Happiest Musician: How to Thrive in Your Creative Career” is available in both paperback and kindle versions on Amazon.Jennet’s Website: https://jennetingle.com/about/“The Happiest Musician” https://a.co/d/ggO46sgCrushing Classical https://crushingclassical.libsyn.com/
"Work towards discovering what makes you unique...what makes you, you. That's what's going to set you apart from the rest." Award-winning Venezuelan composer Sandro Morales-Santoro joins us today to talk about his career in Los Angeles, where he composes music for film and television, as well as interactive and new media. We also discuss the importance of collaboration and experimentation in his work on National Geographic's "Restaurants at the End of the World," as well as the eclectic influences that give him his compositional voice. Topics Include:-Sandro's journey from Venezuela to Los Angeles-The professional and personal value of finding community in the music world-His work on the new National Geographic show "Restaurants at the End of the World"- Finding your own eclectic voicehttps://www.sandromorales.com/https://frostedlens.com/musicians-vs-the-world
What is licensing? How can it be a source of income for musicians? In this episode we're talking to Composer Eric Copeland from "Make Music Income" as he gives us an introduction into the world of music licensing and how it can be a part of a musician's income stream. Specifically, we’re going to look into sync licensing and stock music licensing. Both of these options can be a source of income that maybe you haven’t thought about if you’ve mostly been performing or teaching during your career. Or perhaps you’re a composer who’s been working on commission, and are hoping to have a more passive income stream to supplement other projects.Either way, join us for this enlightening conversation and discover if you may want to learn more!https://frostedlens.com/musicians-vs-the-worldhttps://makemusicincome.com/About our guest:Composer, arranger, and producer Eric Copeland has been working in Nashville, TN and Orlando, FL for twenty years. His experience as a composer and producer has led to success in music licensing, leading music artists, and making a full-time income from music for over 20 years. He is the owner of Make Music Income, a collection of websites and online channels dedicated to helping musicians navigate the world of Music Production, Publishing, and Licensing.
Music has long been known as a method of communication and bonding. It has the ability to synchronize our bodies and stimulate neuro-chemicals in the brain that help us feel connected to each other. But can this creation of unity and good happen on a large scale, maybe even an international scale? Can music actually be used to decrease tensions between nations and bring in diplomacy? This question was put to the test in 2008, when the New York Philharmonic gave an unprecedented concert in Pyongyang, North Korea. To learn more about this historic concert and its effects, Christine invited back her favorite Julliard-trained musician and Harvard-trained historian, Dr. Jonathan Rosenberg. The answer may surprise you!www.frostedlens.comhttps://www.amazon.com/Dangerous-Melodies-Classical-America-through/dp/0393608425
Female composer representation in music world has come a long way since our first chat with Jenny Boster three years ago. Jenny Boster, NCTM, is the owner of The Playful Piano, and author of the Shades of Sound Music History series. To celebrate Women's History Month, Jenny has returned to teach us about 10 more female composers we need to listen to in 2023....okay, there's a chance we talk about more than ten....but who's really counting?Topics include:Updates in the world of female composersHow life experiences shape compositions5 historic female composers to listen to in 20235 female composers from this year's Female Composer ChallengeWhat is the Female Composer Club?Suggestions for teachers to incorporate music history in lessons
Adrian Dunn is a prolific composer, conductor, and performer, who has paved a new path in 21st century concert music by honoring and preserving the legacy of Black music in America. After a long weekend of performing, Adrian sat down with Christine to discuss his career, his music, and his passion for promoting and supporting Black music and musicians, and acknowledging their important role in the history and future of American art music.Topics include:Emancipation: Act 2 and Preserving the music and performance aesthetic of Black American musicAdrian’s composing process, and threading and weaving genres together Reaching the next generation through music: 42 project honoring Jackie RobinsonEasy ways to support the Black Music Matters Movement*Adrian’s hopes for the future, and advice for future musicianshttps://adriandunn.com/https://frostedlens.com/musicians-vs-the-world
We’ve all heard the advice (even in this very podcast!): take care of yourself and you can prevent injuries! But what happens when a sudden medical issue arises and threatens to derail your musical career? It’s the stuff of nightmares, so we musicians try not to talk about it. But not talking about it can cause feelings of isolation and hopelessness for musicians dealing with these challenges. Fortunately, there are musicians like trombonist Bradley White, who are willing to tell their story and bring attention to health and injury problems in the music world. In this episode, he shares his years-long adventure with Bell's Palsy, which took him from the stage, to the emergency room, to disability, and back again. It is an inspiring story of determination and patience, and one that all musicians can learn from.Topics include:The role of trombone in the orchestraWhat type of music makes trombonists excited?Bradley’s story with Bell’s PalsyIsolation in Illness/InjuryHow can we support our colleagues going through long-term health challengesSuggestions for those living with long-term health challengeshttps://frostedlens.com/musicians-vs-the-world
When should a learning difference prevent a person from being successful in music lessons? Short answer? Never. Many times, small adjustments and accommodations can be made by music teachers to make lessons accessible for their neurodivergent students. Dr. Shannon McDonald is an educator, advocate, and avid researcher in the field of clarinet pedagogy. In today's episode, she shares her pedagogical guide on learning differences in the private music studio, in hopes of helping music teachers gain knowledge and confidence when teaching all of their students. Topics include:Research in learning difference trendsCommon Diagnoses found in the Private Music StudiosStrategies for Students with Behavioral and Emotional CharacteristicsStrategies for Students with Learning Disabilities and Processing DisordersStrategies for Students with Sensory Impairment and Sensory SensitivityStrategies for Students with Physical and Orthopedic Disabilitieshttps://www.shannonmcdonaldclarinet.com/https://frostedlens.com/musicians-vs-the-world
Forget what the stories say, there is nothing romantic about being a starving artist! As the vast majority of professional musicians are self-employed or free-lancers, being able to make enough income to survive is always on the mind. This is especially true at the beginning of a new year, when many people take stock of their lives and make goals for the future. In today’s episode, Nicole Riccardo (musician, marketing strategist, and business coach) makes the case for looking outside the box for diversifying income streams. She and Christine discuss passive vs active income, ideas for diverse income streams, going from inspiration to income, and making your career fit your life, not the other way around!https://frostedlens.com/musicians-vs-the-worldhttps://www.nicolericcardo.com/https://www.nicolericcardomedia.com/
As we at the Musicians vs the World Podcast say goodbye to 2022, Christine takes a moment to look back to the amazing guests and conversations we’ve hosted over the past 12 months. She also takes a few minutes to give some interesting updates to a few of our previous conversations!Guests Featured in this episode:Dr. Renee-Paule Gauthier https://www.mindoverfinger.com/aboutDr. Kensley Behel https://www.kensleybehel.com/Sam Rothstein https://www.candidclarinetistpodcast.com/Joel Dallow https://www.thecellosherpa.com/Christina HughesBill DavisPat Irwin https://patirwinmusic.com/Dr. BeiBei Lin http://www.beibeilin.com/Dr. Jonathan RosenburgDavid Troy Francis https://www.davidtroyfrancis.com/Dr. Nkeiru Okoye https://www.nkeiruokoye.com/Guilherme Andreas https://www.guilhermeandreas.com/Dr. Joy HoffmanDr. Malena McLarenPatrick Derivaz https://patrickderivaz.com/Jenny Boster https://www.theplayfulpiano.com/Dr. Brandon Bascom https://brandonbascom.com/Music Featured in this episode:Mozart - Sonata in D Major for 2 PianosMel. Bonis - PheobeC. Smith - Fortune FloatsC. Smith - Expression
Patrick Derivaz is a Producer, Engineer, Composer, and Musician who has worked with artists such as Philip Glass, Erika Badu, A Tribe Called Quest, Jeff Buckley, Charles Mingus Band among many others. Most recently, he collaborated with our previous guest, Pat Irwin, on the creation of the score for the hit series, Dexter: New Blood. In part 2 of our “Behind the Score” series, Christine and Patrick discuss the artistry behind mixing, and how it enhances musical compositions and projects.Topics include:-Patrick’s career and philosophy on music-The importance of a good mix, and how different genres must be treated differently in the mixing stage-The method and process of mixing music, including the score for Dexter: New Blood-Tips for musicians on getting the most out of a recording session, and how to best work with a mixing engineerMUSIC FEATURED IN THIS EPISODE:"Birds" from the album "The Walk" (recorded under the name Patrick Cornelius)ABOUT OUR GUEST:https://patrickderivaz.com/MORE SHOWNOTES:https://frostedlens.com/musicians-vs-the-world
It is no secret that the score to "Dexter: New Blood" was essential to the world-building and emotional arc of the popular Showtime series. How did it get that way? What makes composing for film and television such a collaborative process? Does that collaboration help or hinder a composer’s creativity? Award-winning composer and musician, Pat Irwin, has much to say about this. And we should listen to him. Pat been a part of influential musical projects his entire career. From his early days in the NYC no-wave bands, to touring with the B-52’s, to attending composition workshops with John Cage and composing for film and television, Pat has enjoyed collaboration and creating music of many different genres. In today’s episode, Christine sits down with Pat to learn about his career, his creative process, and to discuss his newest score, Dexter: New Blood, the most watched show in Showtime History.https://patirwinmusic.com/https://www.sussband.com/https://frostedlens.com/musicians-vs-the-world
"Music is a language, and we all express ourselves through it. Their struggles are being told through their music. And as we listen to their music, we become...more connected and more human." Flutist Guilherme Andreas celebrates underrepresented Brazilian composers in his new album, "Beyond Bossa Nova." In today's episode, he shares not only his own story, but the fascinating stories of many overlooked Brazilian composers featured on his album.Composers discussed in today's episode:Leopoldo MiquezPattapio SilvaJose SiqueiraClarice AssadHeitor Villa-LobosMusic performed by Guilherme Andreas and Gianne Ge Zhuhttps://www.guilhermeandreas.com/https://frostedlens.com/musicians-vs-the-world
Are you an over-reader, or an over-skimmer? Is there something that is getting in the way of improving your sight-reading skills? Our guest today is Dr. Malena McLaren, and in today’s episode, she and Christine talk about different types of note-readers, and some very specific strategies for sequencing and scaffolding to improve music reading. This is a great episode for teachers, students, or professionals that feel they’ve hit a wall with their reading, or may want some very practical steps that can help improve that aspect of their musicianship.Host: Christine SmithSpecial Guest: Dr. Malena McLaren, Professor of Clarinet, Northwestern State University of LouisianaLearn more about our Dr. McLaren on our website: https://frostedlens.com/musicians-vs-the-world
“Remember that ADHD is a superpower!” Christine is joined by Dr. Kensley Behel, Dr. Joy Hoffman, and Ms. Sarah Dotterweich in a round-table discussion about being a musician with Attention Deficit Hyperactivity Disorder. Drawing on their research and own personal experiences, the panelists offer a candid and honest picture of how ADHD affects them personally and professionally. From performance anxiety and executive functioning difficulties, to perfectionism and masking, our guests offer the research, survival tips, and encouragement to other neurodivergent musicians finding their way through their musical life. They also offer helpful tips for teachers, colleagues, or family members of those living with ADHD.Host: Christine SmithGuest Panelists: Dr. Kensley Behel, Dr. Joy Hoffman, Ms. Sarah DotterweichMusic Featured in this episode:Sonata in E-flat Major, Mvt 1: Allegro Maestoso Composed by Francois Devienne Performed by Joy Hoffman, bassoon, & Greg Hankins, harpsichordVariations Sur Un Air Du pays D'Oc Composed by Louis Cahuzac Performed by Kensley Behel, clarinetFor more information and resources and research mentioned in this episode, see our website at: https://frostedlens.com/musicians-vs-the-world/f/musicians-and-adhd
Composer Bela Bartok famously said “Competitions are for horses, not for artists.” And yet, competition can be a fierce and constant presence for those pursuing a life in music. Why do we have competition in music? Is it a necessary evil? Does it create exciting opportunities and open professional doors? Or is it something toxic we should just get rid of altogether? That's the topic of conversation with special guest, pianist and arranger, Dr. Brandon Bascom. Together, Dr. Bascom and Christine discuss his experiences growing up in a competitive studio, the differences between structural vs intentional competition, and an alternative outlook on music and teaching that may be better for both musicians and society at large.
https://brandonbascom.com/ https://www.youtube.com/c/BrandonBascomMusic https://frostedlens.com/musicians-vs-the-world https://www.youtube.com/channel/UCm5PpVA46kmCl-wJRo4FjEQ
Sometimes there are just too many great stories to fit into one episode! Today is part 2 of our look into Choral Education and its impact that reaches much farther than learning music. In our last episode, we learned a bit about Bill’s background, and how he worked with school administration to create incredible opportunities for his choral students. In today’s episode, we take a minute to talk about expectations, how to set them, and how to motivate students to reach them. Through even more beautiful stories, we also learn how to keep our lives and music making in perspective, and Bill gives his advice to new musicians, no matter where their music career is taking them.
Podcast Website: https://frostedlens.com/musicians-vs-the-world
Today, as students across the US prepare to go back to school, we at Musicians vs the World want to take a couple of episodes to dive into the career of a school educator. These unsung heroes often give students their first taste of music making or ensemble work, and help to create memorable experiences that can shape the trajectory of a child’s life. In the next two episodes we’ll take a look into the life of high school choral director William C Davis, whose teaching took him up and down the eastern seaboard, included tours across the ocean, and ended with an auditorium dedicated to his and his fathers’ teaching legacies. Join host, Christine Smith as she talks with Bill about working with school administrators, balancing high expectations with positive relationships, and how a choral tour helped heal emotional wounds from war.
As the world becomes more and more digital, musicians need to adapt in order to survive. This fact is perhaps most evident in the world of composing and publishing. In today's episode, our host Christine Smith chats with Jennifer Eklund, composer, arranger, and founder of Piano Pronto Publishing. Through innovation, flexibility, and determination, Jennifer Eklund has established herself as a leader in digital publishing, and her brand as a favorite among music teachers and students alike. Today she shares her story, along with her composing/arranging process, the importance of licensing, and how embracing digital technology can help teachers keep their studios relevant and thriving.
Episode Shownotes: https://frostedlens.com/musicians-vs-the-world
Piano Pronto Publishing website: https://pianopronto.com
Dreamweaver Songbook: https://pianopronto.com/songbooks/piano-solos/dreamweaver-songbook/
F.M. Sheet Music (Jennifer Eklund Pop Music arrangements): https://fmsheetmusic.com
About our guest: Jennifer Eklund holds a bachelor’s degree in music with an emphasis in performance and pedagogy and a master’s degree in historical musicology from California State University, Long Beach. She is an avid arranger, composer, and author of the Piano Pronto® method books series as well as a wide variety of supplemental songbooks for students of all ages and levels.
As of 2017, an estimated 194,000 musicians are in the US labor force. Approximately one-third of those musicians identify themselves as self-employed. How do these “lone wolf” musicians find the support and resources they need to survive their careers? In today’s episode, Amy VanderLugt, NCTM, President of the North Fulton Music Teachers Association, joins Christine to talk about the importance of networking and professional collaboration. Drawing on her experiences from over thirty years as an independent music teacher, Mrs. VanderLugt discusses the professional, educational, and musical advantages to being connected to other musicians through associations.
Find detailed show notes on our podcast page: https://frostedlens.com/musicians-vs-the-world/f/dont-be-the-lone-wolf-collaboration-for-musicians
What do professional musicians and professional athletes have in common? What can musicians learn from Olympic Gymnasts, or from the developments in American Football safety equipment? Dr. Kensley Behel is on a mission to raise a health aware mindset to reduce injuries in musicians. Learning from her own experiences with injury, experiences as a journalist covering professional gymnastics, and research in the field of Performing Arts Health, Dr. Behel is dedicated to improving physical and mental outcomes for performing artists. In this episode, Christine and Dr. Behel discuss her research as well as sharing advice for improvements to education, awareness, and injury prevention for musicians.
http://kensleybehel.com/ https://www.instagram.com/kensleybehel/
To celebrate their 50th episode of Musicians vs the World, the team wanted to make this special episode focusing on their listeners! After gathering questions from aspiring musicians and fans of the show, host Christine and producer Russ sought out answers from experts and fellow musicians. From college courses and career opportunities to preparing for competitions and dealing with performance anxiety, Christine and Russ share the advice from experienced experts, and discuss some of their own lessons learned along the way! This is a perfect episode for students and parents, especially if they are having trouble deciding what to do with their love of music!
Guest Experts: Joel Dallow from The Cello Sherpa Heidi Kay Begay from Flute 360 and The Pivoting Musician Austin Pancner from Functional Musician ...and many more!
Dr. Nkeiru Okoye is committed to creating music that engages communities and affects social change. In part two of their conversation, Christine and Dr. Okoye explore what it takes to engage communities through new music, and the impact that music makes on people and society at large. It's a genuine inside look into the mind, heart, and compositional process of a modern composer.
Composer Dr. Nkeiru Okoye's music defies categorization. She is an expert at fuzing different musical styles and genres into her music, and injecting humanity into difficult subjects. Her mission is to create music that engages communities and affects social change. In part 1 of this 2-part episode, Dr. Okoye takes time out of her busy schedule to talk with Christine about her inspiring life story. From a shy little girl whose teacher tells her she'd never have a life in music, to becoming 2021's Guggenheim Fellow in music composition, composer Dr. Nkeiru Okoye's life story is a masterclass in grit, talent, and passion.
"Music expresses that which cannot be said and on which it is impossible to be silent." What happens to our bodies when we are deeply moved by music? Why do some people weep at a beautiful melody? Perhaps most concerning to the host of this show, why doesn't Christine, a life-long music lover and musician, shed tears over music? Is she a heartless robot? It turns out the answer to that question is as complicated and fascinating as music itself. Join Christine as she explores the research on the emotions of music, and learns a little bit about human nature in the process.
Many musicians have found that adjusting back to normal life after the pandemic has been difficult in surprising ways. The stress from the transition back to the hustle of musician life has effected musicians on the stage, in the practice room, and in life balance. In today’s episode, Christine speaks with Dr. Renee-Paule Gauthier, from “Mind Over Finger,” on how practicing mindfulness can increase quality of practice, quality of musicianship, and quality of life for all musicians. Dr. Gauthier also takes the time to give important advice for young musicians to get the most out of their musical training.
Is Russian music “canceled?” What sort of responsibility do musicians have to make their political and moral views known? What relationship do music and politics have with one another? Can they truly be separated? In this episode, Christine speaks about this timely topic with Jonathan Rosenberg, Julliard-trained musician and Harvard-trained historian. Using lessons learned while researching his book, "Dangerous Melodies: Classical Music in America from the Great War through the Cold War," Jonathan explains how learning from the past can greatly inform our present, and help us shape the future we would like to see.
Teacher and clinician Jenny Boster, NCTM, is back with more resources and information about female composers! In the year since Jenny’s last visit, much has changed in the music world. From music publishers and symphony schedules to awards shows such as the Grammys and the Oscars, female composers are beginning to receive well-deserved attention. In this episode, Jenny and Christine talk about the progress being made, future goals, resources for teachers, and highlight some of their new favorite female composers.
How does a young boy from a working class family practicing on a cardboard piano in Memphis grow up to compose a smash-hit stage musical, collaborate with Academy Award-winning sound engineers, discuss domestic arguments with Pulitzer-prize winning composers, and help a police force deal with grief? Concert pianist, composer, and arranger David Troy Francis grew up thinking of himself as “the other.” Music was a welcome escape from difficult situations that arose from feeling different and unaccepted. In this episode he tells his story of how music helped him find joy, create a career, and how he is continually using his gifts to bring that joy to “others.”
On the eve of their new adventure in Washington DC, Flutist Christina Hughes and Trombonist Tanner Antonetti spare a moment to speak with Christine about their careers, mental preparation for auditions, and balancing career and marriage between two successful musicians.
Mental Health is a difficult topic to discuss for musicians. However, Sam Rothstein, acting principal clarinetist with the Indianapolis Symphony Orchestra and host of "The Candid Clarinetist," has made a name for himself by tackling difficult topics through honest conversations. In this episode, Christine and Sam discuss mental health, perfectionism, supporting fellow musicians, and how the concept of Ikigai can help a musician create a balanced and meaningful life.
Music streaming services have found themselves back in the news lately, as famous musicians are again bemoaning the music industry (and streaming services in particular), trying to show everyone how predatory the system is, and how it’s impossible for musicians to earn a living in the current digital streaming climate. So how does streaming revenue actually work? How do musicians actually get paid when they release music onto music streaming services? In this episode, Christine takes a look into the revenue stream in digital distribution, and helps to make sense of the complicated money side of the music streaming industry.
As a member of the Atlanta Symphony Orchestra, Joel Dallow is living the dream of many aspiring cellists. As host of “The Cello Sherpa Podcast,” he shares his expertise with those aspiring musicians to help them along their way. As Christine’s guest today, he shares an insiders’ look into winning an orchestral audition, and knowing your instrument’s role once you get the job. Along the way he shares memorable and unexpected moments from his life in the Cello Section, as well as his must-listen list of Chamber and Orchestral Pieces.
Why are so many American Conservatories and University Music programs recruiting students and musicians from China? What is happening in Chinese pre-collegiate music schools that produces such successful musicians? Dr. Beibei Lin from Valdosta State University set out to research that question, and came back with a completely unexpected answer that goes far beyond the practice room. Join Christine as she and Dr. Lin explore her findings, and discuss motivation, teaching tips, and honoring the past.
"It's a weird confluence of musical worlds....which happens to be me." Composer Christopher Norton has had a prolific career spanning three decades. His music, where Classical meets Popular music, has sold over 1 million copies, and continues to be loved by musicians, students, and music teachers around the world. In this episode of Musicians vs the World, Christine sits down with Christopher as he talks about his career, from his early days in New Zealand, to his current projects in 2022. Along the way he shares funny stories, inspirational wisdom, and practical career advice for all musicians.
2021 was a year full of change for the world of Classical Music. In this episode, Christine reviews the inspirational interviews and guests from the past 12 months. As she looks back, she finds a surprising theme that weaves itself through many of the interviews. Christine discusses what she's learned from her guests, and how music teachers will "save" Classical Music in the years to come.
Why do musicians look down on well-paying gigs? Why do some musicians have difficulties with self-promotion? What does small-talk have to do with being a successful classical musician? The Classical Musical world is working diligently to make Classical Music more inclusive and diverse. But any working musician will tell you that the real world of musicians, based on working gigs and networking, does not always match the ideals we’re aiming for. But why? For the past decade, Dr. Christina Scharff of King's College London has been using sociological assessment to figure it out. In this episode, she walks Christine through her research and brings to light answers for many of the questions and roadblocks freelance musicians face.
This episode is part 2 of Christine's conversation with William Chapman Nyaho, Vice President of Diversity, Equity, and Inclusion for the Music Teachers National Association. Together, they discuss traits and characteristics of African pianism, as well as the future of Classical Music. Along the way, Dr. Chapman Nyaho shares tips and resources for teachers on helping students to connect with unfamiliar music, as well as a list of worthy composers that deserve the attention of teachers and performers alike. To learn more about Dr. Chapman Nyaho's background and Anthology, be sure listen to part one of this interview: Music for All with William Chapman Nyaho.
As the newly-appointed Music Teachers National Association's Vice-President for Diversity, Equity and Inclusion, Dr. William Chapman Nyaho has a firm belief that classical music is meant for all. In his new position, he has the objective of helping music teachers create a positive and inclusive atmosphere for students of all nationalities and backgrounds, as well as bringing classical music to under-served communities. In this part one of two episodes with Dr. Chapman Nyaho, he talks with Christine about his world-wide educational background, gives practical tips for music teachers, and discusses his quest to bring attention to the music of composers of African descent.
As musicians' livelihoods depend on audiences hearing their music, and as media continues to be a major gateway to reaching those audiences, it’s important that we understand how to navigate the relationship between musicians and the media. Executive Editor Doug Wilks from Deseret News, one of the strongest multi-platform newsrooms in the country, guides us through the complex world of media. He gives insights on how to catch the attention of national news sources, how to build credibility, and the resources available to musicians in this ever-changing media landscape.
In 2021, a group of researchers at Dartmouth College set out to study "The Mozart Effect," and why listening to Mozart seems to help patients with Epilepsy. In the same year in Dublin, researchers tried to figure out what happens to our brains when the music goes....silent. But why talk about them in the same episode? Today, Christine discusses the surprising findings, how they're related, and the possibilities they bring for both music makers and music listeners in the future.
Colin Williams, Associate Principal Trombonist for the New York Philharmonic, is a passionate performer, engaging educator, and advocate for musician wellness. In this important episode for all musicians, he shares his experience with a potentially career-ending injury. He discusses the physical, mental, and emotional hurdles in his journey back to the orchestra, bringing awareness to a serious issue that isn’t talked about enough in the musician world.
In music school, we're sold on the dream of traveling the world, performing in elite ensembles, and "making it big." In reality, musicians often have to forge their own path, bypassing the auditions and "gatekeepers" to a fulfilling and lucrative career. In this episode, Christine has a candid conversation with Jared Judge, host of The Gigging Musicians Podcast, founder of BookLive, and author of "Gigging Secrets: The Underground Playbook to Making a Living Performing." Jared draws on his own successes and lessons learned to give valuable practical advice for musicians wanting to make a living performing.
When you're done with this episode, be sure to check out Christine's interview on "The Gigging Musician Podcast!"
A small town. A young college professor. A non-existent music program. Join Christine as she talks with Dr. Keith Bradshaw on how he built a legacy and influenced lives through his development of the music program at Southern Virginia University.
What is it with NFTs that is making musicians so excited? It seems like every week there's a news story about a musician jumping on the NFT bandwagon in some way. They're either minting and selling NFTs, or investing in companies involved with them. But what are NFTs anyway? Is it just a side-hustle famous musicians are doing while they wait for concerts to start up again? Or is it a long-term, sustainable income stream for musicians and other artists? In this episode, Christine takes a look into NFTs, what they are, how music is involved, and why should musicians even care?
In 2020, the Video Gaming Industry was estimated to be worth $159.3 Billion. Video Games are a huge part of our global culture, and music and sound design are a huge part of the gaming experience. In this episode, Christine talks with Matt Kenyon, composer, arranger, and host of Composer Code Podcast. Matt and Christine wade into the world of Video Game Music, and discuss how composers and musicians can find a place in and navigate their way around this growing industry.
How do performers balance creativity with the need to follow the composer's intentions? Why can it so difficult to compose original music? And what does Albert Einstein have to do with it? In part 2 of Christine's interview with composer Bruce Adolphe, Bruce shares his wisdom on all of these topics, as well as offering advice for new musicians. For background information on Bruce Adolphe and his career, be sure to listen to the first half of this interview in "What Are You Trying to Say? Musical Imagination with Bruce Adolphe Part I."
What is a Musical Imagination? Do musicians really need it? Composer and scholar Bruce Adolphe thinks so. And he believes that even the most reluctant musician can learn to improvise and express themselves more deeply. And he should know; he wrote the book on it! Join Christine and Bruce on part 1 of their interview as they discuss the wonders of music, and the keys to unlocking improvisation and creativity in composers and performers alike.
In honor of our newest National Holiday, "Juneteenth National Independence Day," Christine discusses three classical pieces to listen to and study. These pieces are only a jumping off point into a deep dive into African American musical heritage, and how it has shaped music of all genres, but specifically classical music in American Culture.
Hailed as "a true heir of the mainstream of Russian pianism, like Horowitz," Armenian concert pianist Raffi Besalyan has lived an exciting life. In this episode, Raffi shares lessons learned along the way, from his start in Armenia to his current home in Atlanta. This episode is perfect for pianists, or anyone who loves piano music. He and Christine talk about the difference between Armenian and American music education, technique, performing, recording, editing, and the never-ending quest of expression and connection through Classical Music.
"Music allows a voice to things we can't otherwise express." What is spirituality, and what does it have to do with music? How are spirituality and music connected? In this episode, Christine talks with Dr. Keith Bradshaw about his career, his philosophy on composing and performing classical music, and the vital role spirituality plays in connection and musical experiences.
Part 2 of the Choose the Best Music For Your Project series is here! In this episode we take a deeper look into the emotions of music. Why do certain songs make us sad? Or happy? How do we use that knowledge to increase the impact of the music we choose? And along with that, how can this understanding of music and emotion help us to become better story tellers, content creators, or musicians?
How do professionals choose music to fit their projects? How does a composer get started scoring a film? How can music help enhance the effectiveness of visual presentations? In this episode, Christine gives a step-by-step tutorial on how she approaches music in video and audio projects. She covers important initial steps that ensure that the music composing (or licensing) portion of any project ends up with the most effective outcome.
How many composers from music history can you name? Probably a good number. How many of those composers were female? Jenny Boster from The Playful Piano is on a mission to help solve that discrepancy and re-introduce some fantastic female composers back into the classical repertoire. In this episode Christine and Jenny share their reflections on Jenny's Female Composer Challenge, discuss a few favorites, and most importantly, explain WHY we all should be studying the work of female composers along with the old standards we know and love!
Who would have thought there was so much business strategy and bookkeeping in music! So you want to make a living as a musician or an independent music teacher. Where to start? In this episode, Christine talks with Sara Verheyen, CPA and owner of Mareish books. Sara's passion is helping small, artistic business owners start off on the right foot. Today she gives helpful advice on everything from setting up a business, figuring out your goals for the future, bookkeeping, key performance indicators, and taxes. This is a must-listen episode for any musician learning to navigate the ins and outs of making a living as an independent musician or music teacher.
In this episode, Christine continues her deep dive look into collaboration and music by discussing a musician's role in film production. Join her as she has a round-table conversation with the the Producer and Director of the award-winning short film, "Broken Lilies." They discuss workflow, communication, how to find work in the industry, as well as the importance of good music and sound in film production.
In this first installment of the "Student Sectional" Series, Christine explores different types of motivation, and how they relate to a musician's world. What happens when a musician loses their motivation? Is it time to quit? Or can the magic be found again?
Musicians vs the World returns with a Valentine's Day love letter to the unsung heroes of music: accompanists! In this episode Christine speaks with the president of the Collaborative Pianists Guild of Utah, Jayne Galloway, about the art and craft of accompanying. As the music world prepares for in-person concerts to start up again, let's take a few minutes to learn from Jayne's expertise on building strong collaborative work relationships and creating effective performances. She also shares useful tips for pianists that may be interested in a career in collaborative piano. Enjoy!
For many musicians, the act of composing their own original music is the ultimate expression of creativity and connection to music and other people. In these uncertain times, many have turned to composing as an emotional outlet. But how does a musician take that creativity and turn it into a living? In this episode, Christine speaks with award-winning composer, Bradley Ellingboe. Together they discuss the "ins" and "outs" of composing new music and getting that new music performed. From the very first spark of inspiration to dealing with unexpected performances, Brad shares stories and expert advice drawn from over 40 years of professional composing experience. Enjoy!
In today's world, the only constant is change! In this episode, Christine speaks with the wonderful coloratura soprano, Amber Brooke. They discuss Amber's inspiring life story, and how she seized every unexpected opportunity to live her life to the fullest and to share her music with audiences around the world. We hope you enjoy this uplifting and inspiring interview!
IMPORTANT!!! The US government has made money available to citizens who are self-employed, sole proprietors, or contract workers, along with small business owners! This money can help many musicians who are struggling financially due to the COVID-19 shut downs. In this episode, Christine goes over some of the basic information to get you started on your way for financial help during this difficult time.
In this episode, Christine has a conversation with the wonderful Grant Gershon, Artistic Director of the Los Angeles Master Chorale. Together they discuss the human aspect of music making, and how music can connect people from all different aspects of life in powerful ways. Grant shares his expertise on how, as musicians, we can garner that sense of connectedness through our performance, and how we can look forward towards the future of music and performance. As an added bonus, Grant shares some valuable advice for musicians wanting to make a career out of music.
In this episode, we continue our fascinating conversation with Lori Finlay Hamilton (and a few special guests!), about how music effects our bodies on the cellular level. This time, we dive into the science behind music's effect on the minds and bodies of children. What is the Mozart effect? Does it really exist? Does music make children better students? Better people? Should every child study music? Join us and find out!
We all know that music can help lift us out of a bad mood and reduce stress. But have you ever wondered how or why? Join Christine's conversation with Lori Finlay Hamilton, as they discuss the fascinating way music effects the body on a cellular level. They will discuss the ever-growing body of research on music and how it can be used to compliment western medicine in improving people's lives.
Most musicians feel some sort of pre-performance jitters. But what happens when it goes beyond nervousness and becomes Performance Anxiety? Is there any way to save a performing career when it strikes? Join musician and teacher, Christine Smith, as she shares 5 principles she's learned over the years to help manage the symptoms of performance anxiety.
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Maybe you are a musician interested in becoming a professional conductor. Perhaps you play in an ensemble with an orchestra, and want a better understanding of your music director. Or…Perhaps your only experience with a conductor is watching an old Bugs Bunny cartoon and you’re wondering “what exactly is that person with a baton doing up there on stage?” Maybe most importantly, you just love music, and are looking to hear a beautiful and touching story into the power of music. Well, this episode is for a person that fits into any of those categories. Dr. Jose Daniel Flores-Caraballo is the Opalka Family Artistic Director For Albany Pro Musica, is back to speak to us all about conducting! His expertise is surpassed only by his passion and love for music, and I hope that you enjoy our telephone discussion with him into the mind and the very heart of the Maestro.
Join host, Christine Smith, as she speaks with Dr. Jose Daniel Flores-Caraballo, the Opalka Family Artistic Director of Albany Pro Musica. In the first of a two-part interview, Dr. Flores-Caraballo describes his love of choral music and music education. Come celebrate with us as he also announces a wonderful surprise about his upcoming Pro Musica International Choral Festival!
Can athletics make you a better musician? Can music make you a better athlete? Join Christine as she speaks with Physical Therapist, James Wilks, about both questions, as well as diving into injury prevention. As a bonus, find out if Christine's performance preparation is actually healthy, or if she needs to find a new way to practice!
Do you have what it takes to be a professional orchestral musician? In part 3 of our Musicians vs Auditions series, Christine talks with Madelyn and Brian Blanchard, both orchestral Horn players. They share their expertise on choosing a college, auditioning, and navigating through the ups and downs of professional orchestral life.
How does repertoire choice effect the results of an audition? How important are first impressions in a piano competition? Why should repertoire performance order be different in competitions than in recitals? In this episode, Christine finishes her discussion on auditions with Dr. Scott Holden from Brigham Young University. They discuss repertoire, teaching tips, and some final words of advice for all those preparing for high-pressure auditions.
Auditions! A word that causes anxiety in even the most seasoned performer! In this episode we speak with concert pianist, Dr. Scott Holden, and learn his tips for impressing judges and giving a successful performance in a high-pressure audition.
Welcome to Musicians vs. the World! A podcast discussing the day-to-day life of musicians. We cover topics ranging from performing, education, career development, health, auditions, and everything in between. We'll even talk about music. Join us!