LA Review of Books: Recent Episodes

Los Angeles Review of Books

The Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts.

The Los Angeles Review of Books magazine was created in part as a response to the disappearance of the traditional newspaper book review supplement, and, with it, the art of lively, intelligent long-form writing on recent publications in every genre, ranging from fiction to politics. The Los Angeles Review of Books seeks to revive and reinvent the book review for the internet age, and remains committed to covering and representing today’s diverse literary and cultural landscape.

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transposes the relationship of the 19th century poets Arthur Rimabaud and Paul Verlaine to 1970s New York. Told from the hospital room of poet Paul Vaughn, the story centers on his meeting of a wily and charismatic 16-year-old punk named R.T. Wode decades earlier. Their attraction is instant, and it becomes a kind obsession for Paul that is as clarifying and creatively fruitful as it is deluding. The novel is steeped in the poetry of the New York School and captures the scene around St. Mark's Church that Hell came to know when he was just a teenager himself. An anti-nostalgic remembrance, the book reflects on aging, death, belief, and the power of the word to transform the detritus of the everyday into something holy and lasting.

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a collection of essays that examine how everyday life emerges as a vantage point for understanding and transforming our social world. The book represents three decades of Ross’s writing about the everyday in French political, social, and cultural theory and history, including the commune form and current autonomous zones in France, the romance and memory of the May 1968 protests, and the present predicaments both faced and created by the Macron government. Featuring a long interview with the pioneering philosopher Henri Lefebvre, the book also invokes the work of Fredric Jameson, Jacques Ranciere, Emile Zola, and many others, to explore the intersections of political transformation and cultural representation as resources for thinking opposition and liberation in the present.

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A double header show on sculpture, public art, communal space, and gaps and omissions in American history. First, Kate Wolf speaks to Hamza Walker, co-curator of “Monuments,” an exhibition currently on view at the Museum of Contemporary Art Los Angeles and The Brick. The show presents a series of decommissioned Confederate monuments from cities across the US alongside contemporary pieces by Karon Davis, Stan Douglas, Kara Walker, Julie Dash and more. Next, Kate is joined by legendary artist Senga Nengudi to discuss a new career-spanning book of her work, “Populated Air.” Published in conjunction with Nengudi’s exhibition at Dia Beacon, the book charts the many forms of her practice, including performance, sculpture, dance, and poetry. Nengudi talks about collaboration and her role in the Studio Z collective; being someone who relishes in “thinking” things rather than “making” them; organizing a performance under an LA freeway; and following her own intuition. She is joined by the curator of the Dia exhibition, Matilde Guidelli-Guidi.

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which follows an aging movie star named Verity, his on and off lover Helen, and Phoebe a screenwriter and filmmaker. One day, on a whim, Verity decides to hold a lottery, giving away his earnings from a massive superhero movie to one lucky filmgoer. Rothery discusses the relationship between failure and success, the current state of Hollywood and why she thinks television is a good metaphor for romance.

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Taking an ecological approach to true crime, the book explores how decades of industrial pollution from large smelting plants in the Pacific Northwest may have shaped the social and environmental conditions that coincided with an unusually high number of serial killers in the region during the 1970s and 1980s, including Ted Bundy, Randall Woodfield, and others. Fraser discusses how she came to draw connections between environmental contamination and these terrifying killers, while also considering the wider human costs of unchecked corporate power and deregulation on vulnerable communities.

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as well as many others. Here she discusses her life and career, her curiosity, her approach to change and opportunity, as well as the state of journalism today.

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Medaya Ocher and Kate Wolf speak with Mann, whose book describes her path to becoming an artist and provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann’s rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann’s advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it’s a job like any other: you have to work at it.

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Today’s episode features a live recording from a LARB Luminary Dinner honoring writer, performer and actor Jenny Slate. Author Sarah Manguso sits down with Slate for an intimate conversation exploring the complexities of balancing artistic practice with the demands of parenthood and the ways personal transformation shapes creative expression.

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whose attention often centers on a film’s star rather than its plot, Anderson’s criticism engages with movies on an affective level, charting her own pleasure, desire, and occasional disgust. Here she talks about grounding her writing in queer and feminist politics and how her ardent cinephilia is born of a sense of open-minded curiosity, hopefulness, and the willingness to be transported.

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It's that time of the year again! Hosts Kate Wolf, Medaya Ocher, and Eric Newman look back on some of the bright lights from a pretty dark year with a rundown of their favorite books, movies, TV shows, music, and scandals from 2025. For a full list of this year's picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

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Filmed in 2021, just before Russia’s invasion of Ukraine, the five-hour epic follows independent journalists at TV Rain as they navigate escalating government repression and the “foreign agent” laws designed to silence dissent. The film is a moving, unsettling portrait of resilience and a stark reminder of the global stakes of Russia's suppression of independent media. Medaya and Eric talk to Julia about her experience filming the documentary in a moment of intense political upheaval, as well as what the disturbing parallels between the campaign against the press in Russia and the United States.

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The four part collection emerged out of a collaboration with other artists commissioned by the Onassis Foundation to celebrate the 160th birthday of poet Constantin Cavafy, exploring Lewis's encounters with Cavafy's life, work, and sexual history. Lewis discusses her experience poring over the materials from Cavafy's archives in Athens, how his poetry still speaks to us so profoundly more than a century later, and their queer kinship.

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Eric Newman speaks to Brandon Taylor about his latest novel, “Minor Black Figures.” It centers on Wyeth, a Black artist in his thirties wrestling with creative stagnation and the pressures of sudden fame after some of his paintings unexpectedly go viral. As he resists the temptation to produce the sort of identity-based art the market seems to want, Wyeth engages in recovering the life and career of a forgotten Black artist from the 1970s. He also finds himself entangled in a romance with a former seminarian whose views on art and faith challenge and inspire him amid the humid swirl of summer in New York. Taylor discusses the novel's origins, the white gaze and the struggles faced by Black artists, and how to write a good sex scene.

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With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today’s most pressing political goals—from Palestine’s self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

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Moving back and forth from the early 2000s to the present, the novel looks at the stories of five women living in New York and Los Angeles, capturing the mess and power of their deep, complicated friendships as they navigate love, motherhood, careers, and everything in between. Angela discusses how she developed these characters, how she works with scenes and dialog, and why she wanted to write about Black female friendship.

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— as reference points, the hosts discuss labor practices, government regulation, the place of spirituality and religion, cottagecore fantasies, and how they personally navigate unplugging from the machine.

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out in theaters now. Josh O’Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history.

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and other publications.

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Chris Kraus joins Kate Wolf to talk about her new novel, "The Four Spent the Day Together." Organized into three linked sections, the book begins with a portrait of Kraus’s avatar, Catt Greene, and her family, as they struggle to overcome the isolation of the suburbs after moving into their first home in Milford, Connecticut, in the late 1950s. The book’s second part takes place many decades later: Catt is now a well-known novelist grappling with sudden fame and her failing marriage to an alcoholic ex-con named Paul Garcia with whom she lives part time in the woods of Minnesota. The final section finds Catt investigating a crime that has taken place near her home with Paul, in the neighboring town of Harding, when three teenagers senselessly murder a man after spending a full 24-hours together. What binds the stories together is alienation, chance, the acceleration of history and the spoils of late capitalism, the devastation of addiction, and an attempt to reconcile something even darker and more ineffable about the American project as it exists today.

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Kate Wolf speaks to J. Hoberman about his latest book, "Everything is Now: Primal Happenings, Radical Music, Underground Movies, and the 1960s New York Avant-Garde." It recaptures the frenetic, creative simultaneity of New York in the 60s, rendering the era's cultural explosion in real time. The events of a single decade, let alone a single year, or month, or even day, can be staggering. Hoberman compiles the work of various musicians, painters, filmmakers and poets who gave birth to everything from Conceptual Art, Fluxus, Free Jazz, Guerrilla Theater, Protest Folk, Black Arts, and Underground Film, and more often than not, faced censorship and legal consequences for their innovations. The book reifies the link between artistic vanguardism and progressive politics, exploring the web of connection between artists and fate of the city—and country— at a time of ruthless redevelopment, labor strikes, atomic bomb scares, and emerging civil rights battles.

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Eric Newman speaks to Alejandro Varela about his latest novel, "Middle Spoon." Told in epistolary form through the narrator's unsent emails, the novel opens in the immediate aftermath of a devastating breakup. The breakup, like the relationship, was complicated. It was the narrator's first experience with polyamory, and his now ex-boyfriend ended things because the narrator refused to leave his husband and two children. As it grapples with the self-shattering experience of heartbreak, "Middle Spoon" explores how we think about love beyond the romantic couple, and how we navigate the faultines of intimacy, desire, race, and class. Eric and Alejandro dive into the cultural discourse around polyamory—why it seems to be more visible in recent years and what's driving the backlash to it–as well as how capitalism shapes modern love. They also discuss the challenges of thinking and writing through heartbreak, and how grief and love can make us unreliable narrators.

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Medaya Ocher and Kate Wolf speak to the photographer and writer Sally Mann about her new book, "Art Work: On the Creative Life." In describing her path to becoming an artist, Mann provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann’s rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann’s advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it’s a job like any other: you have to work at it.

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In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the "crisis" du jour in American publishing: the erosion of male literary stars and their readers across the landscape of contemporary fiction. Is this even happening—and if so, why? Tackling cultural anxieties about the waning centrality of the straight, white male author alongside spurious statistics and questions about the material realities of publishing in the 21st century, the hosts break down the forces they see lurking behind the discourse.Links: https://www.nytimes.com/2024/12/07/opinion/men-fiction-novels.html https://www.nytimes.com/2025/06/25/style/fiction-books-men-reading.htmlhttps://lareviewofbooks.org/article/against-high-brodernism/https://www.vox.com/culture/392971/men-reading-fiction-statistics-fact-checkedhttps://www.lrb.co.uk/the-paper/v47/n16/emily-witt/do-you-feel-like-a-failurehttps://theconversation.com/a-new-publisher-will-focus-on-books-by-men-are-male-writers-and-readers-under-threat-255874https://defector.com/the-plight-of-the-white-male-novelist

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Kate Wolf speaks with historian Fara Dabhoiwala about his new book, "What is Free Speech? The History of a Dangerous Idea." A foundational aspect of the U.S. Constitution, free speech is a relatively recent invention and one rooted less in democratic ideals than first may be clear. Tracking its evolution from the pre-modern age through the Enlightenment to our present day, Dabhoiwala explores how free speech and freedom of the press initially served imperial and corporate interests rather than those of common citizens. His book also examines the counterintuitive ways free speech continues to be an engine for questionable ends today, benefitting tech companies and upholding misogyny and racism. But while it has never been equally distributed, free speech has also resulted, at times, in more freedom rather than less, so what are we to do with this abiding concept and how might we modify its absolutism to better serve those it claims to protect?

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This week we're listening back to Eric Newman and Medaya Ocher's interview with the Palestinian poet, short-story writer, and essayist Mosab Abu Toha. Abu Toha is the author of the award-winning collection of poetry, "Things You May Find Hidden in My Ear," as well as the founder of the Edward Said Library in Gaza, which he hopes to one day rebuild. In 2025, Toha was awarded a Pulitzer Prize for his series of essays about Gaza in the New Yorker and his work has also appeared in the New York Times and the Los Angeles Review of Books. This conversation took place in 2024 when "Forest of Noise," a collection of poems, grappling with Abu Toha's memories, experiences, and many losses was published. Last week the UN officially declared a famine in Gaza for the first time since the beginning of the war.

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Eric Newman speaks with Nicholas Boggs about his monumental new biography, "James Baldwin: A Love Story." Drawing on fresh archival research and interviews, Boggs offers an intimate portrait of the literary legend anchored by the romances that shaped his life, writing, and political vision. Spanning Baldwin’s formative mentorship under artist Beauford Delaney, his romance with Lucien Happersberger, and lesser-known relationships with Turkish actor Engin Cezzar and French artist Yoran Cazac, the book explores how these relationships, alongside periods of isolation, served as the engines of Baldwin's literary production. Arriving amid a renaissance of interest in Baldwin’s life and work, Boggs’ biography offers a fresh perspective on the iconic writer for longtime fans and younger generations who may be encountering him for the first time.

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Kate Wolf speaks with Nathan Kernan about his new biography, "A Day Like Any Other: The Life of James Schuyler." It’s an intimate look at the great poet who was born in 1923 and would become one of the original members of the so-called New York School along with John Ashbery, Frank O’Hara, Kenneth Koch and Barbra Guest. With the restraint, precision and wry humor of one of Schuyler’s own poems, Kernan’s biography delves into Schuyler’s tumultuous upbringing in the midwest and Washington DC, his early years in 1940s New York City where he became close with and worked as the secretary to the poet W.H. Auden, his fateful meeting of Ashbery and O’Hara, which led to the composition of his first poems, and his many struggles with mental illness. A winner of the Pulitzer Prize in 1981 for his collection, "The Morning of the Poem," Schuyler’s decades of instability began to ease only by his later years, but the lucid observation and “inspired utterance” of his work remained a constant throughout his life.

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Eric Newman speaks with director Sam Feder and producer Amy Scholder about their new documentary "Heightened Scrutiny." The film follows ACLU attorney Chase Strangio’s journey to the Supreme Court in United States v. Skrmetti, which sought to overturn Tennessee's ban on gender-affirming care for trans youth. Alongside Strangio's work on the case, interviews with journalists, activists, and others reveal how media coverage of trans issues by publications including the New York Times have fueled legislative attacks against trans people as well as a burgeoning anti-trans cultural turn fed by disinformation. Feder and Scholder's documentary offers a sobering look at the current assault on trans rights.

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Writer and scholar Michael Clune joins Kate Wolf and Medaya Ocher to discuss his debut novel, "Pan." It captures the frenetic mind of a 15-year old boy named Nicholas as he undergoes his first panic attacks. Trapped in suburban Illinois in a time before the internet, Nicholas has little basis to understand what is happening to him. His search to understand his panic leads him to the condition’s namesake, the Greek god Pan, and a series of strange rituals Nicholas will go on to perform that involve him with a group of close friends. But the presence of Pan in the book also underscores an even more fateful aspect of Nicholas’s awakening: the connection between feeling, language, and literature, and anxiety as the catalyst for spirituality, insight, and criticism.

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Eric Newman and Medaya Ocher are joined by writer and professor Sebastian Castillo whose new novel "Fresh, Green Life" is the LARB Book Club pick for the summer. "Fresh, Green Life" follows a narrator, also named Sebastian Castillo, who has resolved to spend a year alone, exercising, watching self-improvement videos and thinking about how he has arrived at this particular point in his life: a lapsed adjunct philosophy professor, obsessed with a former classmate named Maria, but disconnected from everyone around him. Castillo discusses a certain type of lost literary man, the creation of art, and the why it may or may not all be worth it.

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Medaya Ocher and Kate Wolf speak with writer Catherine Lacey, author of the novels "Biography of X," "Pew," "The Answers," and a short story collection, "Certain American States." Her most recent work is "The Möbius Book," which is split in two — one half is fiction and the other memoir. The novel tells the story of two friends, catching up on a grim Christmas Eve. The memoir is about Catherine herself, set adrift after a brutal breakup. Lacey discusses new beginnings, the formal experiment in the book, the connection between memory and storytelling.

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Medaya Ocher and Eric Newman speak with Traci Thomas, host of the "The Stacks” podcast. They discuss the impact of social media on publishing, the content creator life, and the way readers discover books today. At the end of the episode, Medaya, Eric, and Traci offer readers a rundown of recommendations for the books getting us through 2025.

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For Independence Day, we dive into the archives to bring you an episode that still feels timely. Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her collection, "Abolition Geography: Essays Toward Liberation," which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism.

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Susan Choi joins Kate Wolf and Medaya Ocher to speak about her new novel, "Flashlight." An epic story that spans multiple generations of a single family, the book is an astute exploration of identity, migration, memory, kinship and the irrepressibility of the past. It begins in the wake of the mysterious disappearance of a young academic named Serk. An ethnic Korean, who was raised in Japan and decided to continue his studies there when his family returned to Korea after WWII, Serk later moves to the US and marries Anne, who is also estranged from her family and has her own secrets. Their daughter, Louisa, is with her father on the night of his disappearance, from a beach back in Japan, where the family has come for Serk’s year-long academic appointment. Washing up on the shore in the morning, Louisa has little memory of what has taken place, and it will take her many decades, and the course of the novel, to discover the truth.

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In this double episode celebrating pride month, Kate Wolf speaks with the critic Vince Aletti about his new book, "Physique," an assortment of hundreds of physique photos from Aletti’s own personal collection. The images in the book represent a time when homosexual life in the US was illegal, existed mostly underground, and was by necessity furtive and coded. Yet throughout the country there were photo studios producing erotic and often very beautiful photographs of barely clothed men, and distributing them through mail order catalogues and small magazines. Aletti revisits these images and their quiet revolution in his book; post-Stonewall physique photos may have appeared timid or kitsch but today they point to a largely unknown story and genre of imagery that is worthy of reconsideration as well as enjoyment. Then Milo Todd discusses his novel "The Lilac People" with Eric Newman. Set in the aftermath of World War II, "The Lilac People" follows three queer Holocaust survivors—Bertie, a trans man; his girlfriend, Sofie; and a young trans man named Karl—as they attempt to flee a hostile postwar Germany. As they evade Allied forces who are re-imprisoning queer and trans survivors, they must also navigate betrayal, suspicion, and the ongoing threat of violence from neighbors and hidden Nazis alike. Todd’s debut shines a light on a buried chapter of Holocaust history, one in which the queer and trans people, who were among the Reich's first victims, became victims anew after its fall.

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Eric Newman and Medaya Ocher speak with Alison Bechdel about her new graphic novel, "Spent." Bechdel is the author of "Essential Dykes to Watch Out For," "Fun Home," and "Are You My Mother?" "Spent" fictionalizes Bechdel’s life with her wife Holly on their pygmy goat sanctuary in Vermont. The comic chronicles political and local dramas, generational shifts, experiments with polyamory, and navigating the relationship between success and art. In conversation, Alison shares her struggles with fame, success, and the Trump era with a view toward the steadying forces of our relationships with others.

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In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman wrestle with the question: What are we to do about shame? Using Frédéric Gros’s recent book, "A Philosophy of Shame," as a guidepost, they discuss shame’s place in culture, politics, and our personal lives. Are there social benefits to feeling shame? And what are the repercussions of trying to avoid it? The hosts debate the possibility of a post-shame society and share personal stories about what they feel most ashamed of.

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Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, "Crumb: A Cartoonist's Life." The book traces the life and art of Robert Crumb, arguably the most influential cartoonist of the last half century. Crumb emerged from the world of underground comics that he helped create in the late 1960s to both mainstream fame and commercial success. But he was a reticent celebrity who often felt at odds with the hippie culture that he became so identified with. Nadel sifts through the aspects of American culture that did inspire Crumb—from Disney cartoons to pre-war comic books to old blues 78s— and also looks closely at his troubled early life and complicated family. The book also faces the misogyny and racism in much of Crumb’s work and explores his long marriage to his wife and frequent collaborator, cartoonist Aline Kominsky-Crumb.

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Eric Newman speaks with journalist and author Vauhini Vara about her new book “Searches: Selfhood in the Digital Age.” The book hybrid blend of memoir and modern tech history explore how the internet, AI, and the corporate tech giants behind them have shaped the way we see ourselves and connect with others. Through Vara’s personal anecdotes and digital history deep dives—including a nostalgic look at AOL chat rooms, a rundown of her Google search history and prolific Amazon product reviews, and her reporting on the rise of AI and how an early version of ChatGPT helped her write an essay about her sister’s death—“Searches” shows how our search for meaning and identity online defines life in the digital age in ways both fascinating and concerning.

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Eric Newman speaks with Jon Hickey about his debut novel "Big Chief." The book is a gripping political thriller about the struggle for power, belonging, and destiny set against a tribal election campaign on a fictional reservation. It follows the story of Mitch Caddo and his childhood friend Max Beck, who is seeking reelection as the tribal president of the Passage Rouge Nation. As Max’s reelection turns ruthless and agitated protesters turn out in force, Mitch is caught between loyalty, love, and his own conflicted sense of purpose—not least because Max's opponent, Gloria Hawkins, is backed by his estranged sister Layla, Mitch’s former love. When a tragic plane crash reveals a political and financial bombshell, Mitch and the tribe’s future hangs in the balance. Eric and Jon discuss the many meaty questions that suffuse "Big Chief," including tribal identity and the long legacies of historical trauma the US government has inflicted on Native Americans.

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Medaya Ocher is joined by TV writer, memoirist and librettist Sarah Labrie, author of the book "No One Gets to Fall Apart." The book is a memoir of LaBrie’s fraught relationship with her mother, who suffers a psychotic break in 2017 and is found on the side of a freeway, convinced that she is being followed by FBI agents. LaBrie is then forced to confront the difficulties and mysteries of her childhood, the way her family dealt with mental illness, and the many questions we all face around fate and inheritance.

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Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, "The Fantasy and Necessity of Solidarity." With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today's most pressing political goals—from Palestine's self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

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Maggie Nelson joins Kate Wolf to discuss her new book "Pathemata, Or, The Story of My Mouth." It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor’s visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

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Eric Newman and Medaya Ocher speak with writer Katie Kitamura about her recent novel, "Audition," which explores a tense, complex relationship between a middle-aged actress and a young man who may or may not be her son. The book raises questions about the roles we play, the stories we inhabit, and the many choices we make. “Audition” is LARB’s Book Club pick this month. Join in on the conversation at https://lareviewofbooks.org/event/larb-book-club-discussion-audition-by-katie-kitamura/

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Eric Newman and Medaya Ocher speak with Andrea Long Chu about "Authority," a collection of previously published and new essays and criticism. "Authority" interrogates what it means to be a critic today, analyzing the work that the critic does in interpreting a book, film, or TV show for us as well as how the status of the critic has developed from antiquity to the present. Andrea, Medaya, and Eric talk about finding one's voice as a critic, how the critic approaches an object of analysis, and the increasingly siloed role of the full-time critic in an era of tectonic shifts in the media landscape.

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Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, "Thrilled to Death," a collection of short stories selected from over four decades of her work. The stories in "Thrilled to Death" attest to Tillman’s range as a writer and stylist, showcasing her frenetic humor, deep psychological insight, and her innovation of the form. Ever playful and perverse, these stories cover terrains of urban existence, romantic obsession, familial entanglement, the interplay between culture—particularly film—and experience, along with the carnivalesque of American life in all of its absurdity.

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The writer Pankaj Mishra joins Kate Wolf and Medaya Ocher to discuss his new book, "The World After Gaza: A History." It probes how the legacy of the Holocaust has shaped the contemporary world order, including how it has shaped the government of Israel, and the current war in Gaza. The book grapples with how, within the relentless violence of the 20th century, trauma can lead to nationalism, and also how one genocide can lead to another.

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Eric Newman speaks with Bruce Robbins about his latest book, "Atrocity: A Literary History," which explores how literary accounts of mass killing came to shape our collective moral indignation against such violence. Moving from the pre-modern era to the twentieth century, Robbins's book wrestles with how texts from the Bible to Kurt Vonnegut's "Slaughterhouse-Five" reckon–or fail to reckon–with atrocity, drawing out the risks of representing such violence, namely forgetting it altogether or normalizing its horrors.

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Eric Newman speaks with Torrey Peters about her new story collection, "Stag Dance," which spans genre, time, and place to explore the shifting sands of gender, sex, desire, and identity. From a post-apocalyptic world in which everyone is trans to a pirate logging camp in the early 1900s where desire and gender explode in surprising ways, the stories in "Stag Dance" plumb the murky and often ugly feelings that contradict the “good politics” narrative of the transgender experience. Eric and Torrey discuss how our desires and identities often remain unintelligible to us, how the materialist force of capitalism shapes those desires and our relationships with others, and what history might tell us about today’s unprecedented assault on trans rights and lives.

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Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about "No Fault: A Memoir of Divorce and Romance." The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother’s work as a divorce mediator. At a time when it’s easier than ever before to access divorce, "No Fault" looks at the many questions that still persist around “what divorce should be, who it is for, and why the institution of marriage maintains its power.”

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In this special episode, host Eric Newman joins LARB senior editor Paul Thompson and Film Comment co-editors Devika Girish and Clinton Krute for a look at this year’s Oscar nominees ahead of this weekend’s award ceremony. Surveying this rather strange year in film, the gang discusses the gory camp of The Substance, the omnipresence of Wicked, the multi-genre madness of Emilia Pérez, and much more.

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Kate Wolf and Medaya Ocher are joined by the art critic and historian Hal Foster to speak about his latest book, "Fail Better: Reckonings with Artists and Critics." A collection of essays that brings together over three decades of Foster’s work, the book exhibits a rigorous philosophical and political engagement with a celebrated group of critics and artists who span the 1960s to the present. Foster digs deep into the work of Pop masters, Minimalists, and the Pictures Generation, as well as contemporary artists, always splaying open the vein of his critique to make it resonant beyond the confines of the art world, and in broader conversation with history and culture. In addition to writers like TJ Clark and Rosalind Kraus, in "Fail Better" he also reflects on his own work as a critic, and the changes that have occurred in the landscape between his emergence in the 1980s and now.

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Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker’s Fiction podcast. Deborah is the editor of a new anthology of short stories, "A Century of Fiction in The New Yorker, 1925-2025," which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

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Eric Newman speaks with Colette Shade about her book “Y2K: How the 2000s Became Everything.” Revisiting the strange hallmarks of that era–remember inflatable furniture and phones without touch screens?–Colette’s essays explore the social and political antecedents that formed the fashion, culture, and style of the millennial turn. With a sharp eye to the neoliberal forces that shaped the tech-fueled utopianism of the era and its aftermath, Colette’s writing brings into focus the promises of Y2K against the considerably less hopeful reality we’re living two decades on.

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Kate Wolf and Medaya Ocher are joined by writer and poet Aria Aber to discuss her first novel, Good Girl. Aber is the author of the poetry collection Hard Damage, which won the Prairie Schooner Book Prize and the Whiting Award. Her writing has appeared in The New Yorker, New Republic, The Yale Review, Granta, and elsewhere. Good Girl follows 19-year old Nila, who’s trying to make sense of her family’s history in Afghanistan and their expectations for her own life in Germany. Nila attends university and lives with her widowed father in a housing project in Berlin, where she escapes into the city’s nightlife and a love affair with an older American writer. The novel probes identity, history, shame, racism, and desire, along with real life political events in Germany over the last decade.

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In this week’s episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, “Trump L’Oeil,” at the Los Angeles Review of Books.

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In this week’s episode, we are talking about the wildfires that have ravaged LA. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA on lareviewofbooks.org. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery.

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On July 18th, Los Angeles Review of Books and The Berggruen Institute hosted a panel discussion titled "Writing Climate Futures," featuring David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake.As our planet faces a climate crisis, questions about the role and efficacy of environmental writing assume greater urgency by the day. Through education, envisioning fictitious new worlds, and pushing forward the public discourse, writing holds the power to move the conversation we have around the future of our planet. LARB and The Berggruen Institute convened exciting voices in the climate movement from across genres to discuss how writing can enact change.David Wallace-Wells is the author of The Uninhabitable Earth: Life After Warming (Penguin Random House, 2019), which argues that the state of the world, environmentally speaking, is “worse, much worse, than you think.” He is a weekly columnist and staff writer for the New York Times, deputy editor of New York Magazine, and he was previously the deputy editor of The Paris Review. He writes frequently about climate and the near future of science and technology.Jenny Offill is the author of three novels, Last Things, Dept. of Speculation, and most recently, Weather, which was shortlisted for the Women's Fiction Prize and the Joyce Carol Oates Prize. She is also the recipient of a Guggenheim fellowship. She teaches at Bard College and lives in upstate New York.Dr. Bharat Jayram Venkat is an Associate Professor at UCLA with a joint appointment spanning the Institute for Society & Genetics, the Department of History, and the Department of Anthropology. His forthcoming title—tentatively titled Swelter: A History of Our Bodies in a Warming World— is about thermal inequality, the history of heat, and the fate of our bodies in a swiftly warming world riven by inequality. Dr. Venkat is the founding director of the UCLA Heat Lab, which investigates thermal inequality from a variety of disciplinary perspectives, ranging from biology and history to anthropology and urban planning.Jonathan Blake directs the Planetary Program at the Berggruen Institute. He is the coauthor, with Nils Gilman, of Children of a Modest Star: Planetary Thinking for an Age of Crises and author of Contentious Rituals: Parading the Nation in Northern Ireland.

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In this encore special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips’s recent book On Giving Up, in which the psychoanalyst observes that “we give things up when we believe we can change; we give up when we believe we can’t.” The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he’d prefer not to.

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In our last episode of the year, Kate Wolf speaks with the poet, playwright, and performance artist Ariana Reines about her latest book, Wave of Blood. A hybrid text that includes poems, diary entries in verse, and various forms of public address, Wave of Blood spans the six month period between October 2023, after the outbreak of war in Gaza, and April 2024. In it, Reines wrestles with the genocide and what she calls “the mind of war,” as well her own ancestry as the descendant of Holocaust survivors, her late mother, and a contemporary culture steeped in violence, shame, and anxiety. Searching for power within a moment of seeming powerlessness, and for words in a time of unspeakable tragedy, the writing in the book seeks to address the recent past with deep introspection and personal responsibility, while also upholding poetry as a way to “open the space of the miraculous—and keep it open. Forever.”Also, Kathryn Davis, author of Versailles, returns to recommend Thursbitch by Alan Garner.

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It’s time for our favorite episode of the year. Hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss their favorite books, movies, TV shows, music, scandals and (new category!) memories of 2024. For a full list of picks, visit https://lareviewofbooks.org/podcasts/larb-radio-hour/

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Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis, the acclaimed author of many novels, including Labrador, The Girl Who Trod on a Loaf, Hell, The Walking Tour, The Thin Place, Versailles, Duplex, and Silk Road, and a memoir, Aurelia Aurélia. Davis discusses her novel Versailles, originally published in 2002, recently reissued by Graywolf. Versailles is the story of Marie Antoinette, beginning when she’s a teenager traveling to France. The book is a lyrical meditation on personhood and girlhood, amidst the objects and structures of power, politics and history.

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Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck’s film looks closely at the conditions that thwarted Cole’s promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg.Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

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Medaya Ocher and Eric Newman are joined by writer and artist Renee Gladman to discuss the re-release of “To After That (TOAF)” and her latest book, “My Lesbian Novel.” TOAF focuses on one of Gladman's abandoned manuscripts, working through its creation and revision in an attempt to parse what literary failure means. “My Lesbian Novel” completely reinvents and reimagines the lesbian romance. Gladman discusses form and its possibilities, as well as the artist's struggle to realize the vision of a project. Also, Edwin Frank, author of Stranger than Fiction: Lives of the Twentieth Century Novel, returns to recommend Louis Aragon's Paris Peasant.

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Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction, the book, Stranger than Fiction: Lives of the Twentieth Century Novel. Taking the novel as the preeminent art form of the last century, Frank’s book charts its winding path of development, beginning with Fyodor Dostoevskey’s Notes from the Underground, published in 1864, and ending with W.G. Sebald’s Austerlitz which arrived more than a 100 years later. Along the way, Frank looks at the many different forms and categories great 20th century novels take, from the distinctly modern and popular science fiction of H.G. Wells to the “minorness” of Franz Kafka; the historical precision of Thomas Mann to Gerturde Stein’s stress on sentence itself, and James Joyce’s stress on words. The book connects an eclectic collection of authors by way of style, sensibility, reception, temporality, and perhaps most importantly the influence of cataclysmic world events on their work and the shaping of their work on the world.

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In this special episode, Kate Wolf, Medaya Ocher, and Eric Newman are joined by writer and psychoanalyst Jamieson Webster to talk about the role of psychoanalysis in politics. Their discussion emerges from Webster's essay, “Freudulence,” published in the latest issue LARB Quarterly Journal, which reassesses a controversial book co-authored by Sigmund Freud that gives a psychoanalytic reading of the presidency of Woodrow Wilson, including his disastrous handling of the Treaty of Versailles. Taking the recent election into account, the panel debates if psychoanalysis indeed belongs in politics. Could it help the electorate as a tool for making wiser decisions or understanding why we’re attracted to certain leaders? How much does self-knowledge, or lack thereof, tip the scales of history?

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Eric Newman and Medaya Ocher are joined by the Palestinian poet, short-story writer, and essayist Mosab Abu Toha. He is the author of the award-winning collection of poetry, Things You May Find Hidden in My Ear, as well as the founder of the Edward Said Library in Gaza, which he hopes to rebuild. Toha recently published a series of essays about Gaza in the New Yorker and his work has also appeared in the New York Times and the Los Angeles Review of Books. His new book is Forest of Noise, a collection of poems, grappling with his memories, experiences, and many, many losses.Also, Forrest Gander, author of Mojave Ghost returns to recommend Liontaming in America by Elizabeth Willis.

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Kate Wolf and Eric Newman are joined by Pulitzer Prize-winning poet, novelist, and translator Forrest Gander to discuss his new book, Mojave Ghost. A long poem situated along the 800-mile length of the San Andreas Fault, which runs from Northern California where Gander lives to his birthplace in the Southern California Desert, the work reflects both exterior and interior landscapes with tender precision and heightened awareness. Gander moves through memory, grief, and fault lines— in the earth, our country, and himself. He confronts what it means to be a self that contains divisions born out of time, experience, and relationships to other people, both living and gone.Also, Simon Critchley, author of Mysticism, returns to recommend A Most Remarkable Creature by Jonathan Meiburg, and give a tip of the hat to Housekeeping by Marilynne Robinson.

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Kate Wolf speaks with filmmakers Brett Story and Stephen Maing about their new documentary Union, which is out in theaters now. It follows, in real time, the forming of the first ever Amazon union in the country, the ALU, at the JKF8 plant in Staten Island. Later in the conversation Chris Smalls, the president of ALU, joins as well. Chris began to petition for the Amazon union after he was fired by the company in March of 2020 for walking off the job in protest of the lack of Covid safety precautions at the plant. The film picks up about a year later as Chris and his fellow organizers are gathering signatures to ratify their petition to formalize the union process. It captures the ensuing months of grueling work by Chris and other ALU members as they try to convince the 8,000 plus workers at the JFK8 plant that a union is in their best interest. The film is an object lesson in the many tactics needed for political organizing, and the inevitable discord that comes with it, both from the outside—in this case, one of the biggest companies in the world—and from within as well.Also, Alexis Pauline Gumbs, author of Survival Is A Promise: the Eternal Life of Audre Lorde, returns to recommend Audre Lorde's The Black Unicorn.

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Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.”Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Catastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

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Kate Wolf and Eric Newman speak with Alexis Pauline Gumbs about Survival Is A Promise: the Eternal Life of Audre Lorde. A deeply researched and impressionistic biography of one of the most iconic figures of 20th century Black, queer, and feminist thought, Survival Is A Promise is a love letter to Lorde, pushing past her broad circulation in social media memes, inspirational quotes, and other forms of contemporary iconography. Gumbs’ book locates the tectonic forces Lorde at once brought into view and moved through herself.Also, Rumaan Alam, author of Entitlement, returns to recommend Visitors by Anita Brookner.

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Kate Wolf speaks to the author Deborah Levy about her new book, a collection of essays called The Position of Spoons: And Other Intimacies. The piece collected here cite Levy’s early influences from French writers like Colette, Simone de Beauvoir and Marguerite Duras to JG Ballard and Anna Quinn. The collection also moves through snippets of Levy’s life: her relationship to her mother, her youth in dreary London, her abiding interest in surrealism and psychoanalysis, the way inspiration strikes and then takes shape for her novels, and the sensual and aesthetic pleasures of food and nature. In her review of the book for LARB, Grace Linden writes: “It is evident to everyone who reads Levy that language is her plaything….her words are lit from within.”Also, Emily Witt, author of Health and Safety: A Breakdown. returns to recommend A Song for the River by Philip Connors.

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Medaya Ocher talks with Ramaan Alam about his new novel, Entitlement, that tells the story of Brooke, a product of the upper middle class, who works for an aging billionaire looking for places to give away his fortune. Brooke comes to recognize all that she could do with a vast fortune of her own. Entitlement captures the centrality of wealth and dreams of wealth in the contemporary American imagination.Also Garth Greenwell, author of Small Rain, returns to recommend Michael Gorra's Portrait of a Novel: Henry James and the Making of an American Masterpiece.

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Kate Wolf and Medaya Ocher talk to Emily Witt about her latest book, Health and Safety: A Breakdown. A personal history that reflects on this past turbulent decade, the book begins right before the election of Donald J. Trump, a time when Witt finds herself ever more drawn to Brooklyn’s underground techno music scene. Quitting Wellbutrin in 2012, she’d already started experimenting with psychedelics, but once she’s going out dancing all night, her drug use transforms from a focused ritual under the rubric of the vaguely therapeutic to something more like hedonism: a brief accessing of utopia one party at a time. Then she meets a DJ named Andrew who's at the heart of the scene, and the kind of conventional domestic life she thought she was foregoing suddenly comes into focus, before the pandemic and social uprising of 2020 arrive and change everything. Health and Safety is about trying to find different ways to survive, live, and make family, as well as the changing landscape of New York, the ingenuity and creativity of promoters and DJs, and the shaky line between the collective and the individual in a world gone mad.Also, Danzy Senna, author of Colored Television, returns to recommend Another Word for Love by Carvell Wallace.

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Eric Newman speaks with Garth Greenwell about his latest novel, Small Rain. The novel picks up the story of the same unnamed narrator from Greenwell's earlier novels, What Belongs to You and Cleanness, a poet and teacher now in his forties and settled down with his partner in the Midwest. Their placid life is upended when a sudden and excruciating pain sends the narrator to the hospital, where he's diagnosed with an aortic tear -- a life-threatening condition. Unfolding from this point, the novel explores how the narrator navigates his recovery as he's treated in a cramped hospital room in the midst of the COVID-19 pandemic. Dilating on the power of art and intimacy to buoy us up in moments of extreme suffering, as well as the moments in which suffering overwhelms the transcendent capacity of art, Small Rain reckons with how we make our way through the agonies and ecstasies, unique and mundane, of life itself. Also, Sofia Samatar, author of Opacities, returns to recommend two books by Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives.

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Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christpoher Isherwood, Christopher Isherwood Inside Out. The book moves along the horizons of Isherwood's many journeys as a pathbreaking British writer whose work excavated fascist terrors and queer pleasures alike: in plays, films, memoir, voluminous diaries, and celebrated novels such as Goodbye to Berlin and A Single Man. Bucknell's biography examines the tectonic forces of the 20th century that shaped Isherwood's life and career, spanning two world wars, gay liberation, the AIDS crisis, and the spiritual awakening in America of the 1950s and '60s. It brings into intimate relief an enigmatic writer whose experience shuttled between the visceral physicality of erotic desire and the gossamer abstractions of ascetic life, often-conflicted, but always yearning for deeper understanding, and committing everything to the page.

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Kate Wolf talks to Danzy Senna about her latest novel, Colored Television. It follows a writer named Jane Gibson who’s finally making headway on her second book, a magnus opus her husband calls the “mulatto War and Peace” that’s been nearly a decade in the making. Jane’s helped along by her family’s stay in the tony, Eastside Los Angeles home of a friend of hers—a former fiction writer who long ago sold out to work in TV. Jane and her husband, Lenny, help themselves to this friend's wine and clothes, and Jane yearns for his financial stability. When her novel is rejected by her agent, she decides to try on his career in Hollywood as well. Colored Television is a hilarious unpacking of class, marriage, race, midlife, exploitation, Los Angeles, and what it takes to be an artist when no one cares about your work.Also, Charlotte Shane, author of An Honest Woman, returns to recommend a trilogy of historical novels by Sharon Kay Penman: Here Be Dragons, Falls the Shadow, and The Reckoning.

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Sofia Samatar speaks with Kate Wolf about her new book Opacities: On Writing and the Writing Life. Opacities is addressed to a fellow writer, Samatar’s close friend Kate Zambreno, and considers both the process of composing a book—the wellspring of inspiration, wishes and anxieties that accompany it— as well as the distance between a work and its author. Samatar explores how to stay alive as a writer through things such as community, extensive reading, and research alongside the dissonant ways writers are often asked to codify their identities and constantly promote themselves. Drawing on the words of writers like Eduard Glissant, Maurice Blanchot, Clarice Lispector, and Theresa Hak Kyung Cha, Opacities is at heart a book about the furnace of creativity, and the fuel that keeps it burning despite its many trials, risks, and disappointments.Also, Eugene Lim, author of Fog and Car, returns to recommend Too Loud a Solitude by Bohumil Hrabal.

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Charlotte Shane joins Kate Wolf to speak about her latest book, An Honest Woman: A Memoir of Love and Sex Work. Detailing Shane’s many years as a sex worker, the book is also a candid examination of her own sexuality, as well as her deep fascination with the sex lives and interior worlds of men. Shane writes about the importance of her early “sexperimentation” with a group of close guy friends in high school; the nuances of her relationship to her father, her husband, and her clients—especially the almost decade long bond she shared with one of them named Roger. She comes to sex work, and even heterosexuality, with both curiosity and empathy, as well as a feminist perspective. Her book focuses less on matters of harm and power than the intricacies of desire and the variety of intimacy possible between women and men.Also, Sarah Manguso, author of Liars, returns to recommend Soldier Sailor by Claire Kilroy.

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Eric Newman speaks with Eugene Lim about his novel Fog & Car. First published in 2008 and freshly brought back into print this year, the novel dilates on the experiences of a couple making a life on their own in the wake of their divorce, the novel explores loneliness, grief, and the struggles of human relation through rotating perspectives of each member of the former couple as well as the friend they share in common. Walking through the novel's key moments, the discussion also explores how the passage of time has changed Lim's relationship to the characters and the existential loneliness that orbits the core of Fog & Car.Also, Mark Krotov co-editor of The Intellectual Situation: The Best of n+1’s Second Decade, retruns to recommend Alan Hollinghurst's The Swimming Pool Library.

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On July 18th, Los Angeles Review of Books and The Berggruen Institute hosted a panel discussion titled "Writing Climate Futures," featuring David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake.As our planet faces a climate crisis, questions about the role and efficacy of environmental writing assume greater urgency by the day. Through education, envisioning fictitious new worlds, and pushing forward the public discourse, writing holds the power to move the conversation we have around the future of our planet. LARB and The Berggruen Institute convened exciting voices in the climate movement from across genres to discuss how writing can enact change.David Wallace-Wells is the author of The Uninhabitable Earth: Life After Warming (Penguin Random House, 2019), which argues that the state of the world, environmentally speaking, is “worse, much worse, than you think.” He is a weekly columnist and staff writer for the New York Times, deputy editor of New York Magazine, and he was previously the deputy editor of The Paris Review. He writes frequently about climate and the near future of science and technology.Jenny Offill is the author of three novels, Last Things, Dept. of Speculation, and most recently, Weather, which was shortlisted for the Women's Fiction Prize and the Joyce Carol Oates Prize. She is also the recipient of a Guggenheim fellowship. She teaches at Bard College and lives in upstate New York.Dr. Bharat Jayram Venkat is an Associate Professor at UCLA with a joint appointment spanning the Institute for Society & Genetics, the Department of History, and the Department of Anthropology. His forthcoming title—tentatively titled Swelter: A History of Our Bodies in a Warming World— is about thermal inequality, the history of heat, and the fate of our bodies in a swiftly warming world riven by inequality. Dr. Venkat is the founding director of the UCLA Heat Lab, which investigates thermal inequality from a variety of disciplinary perspectives, ranging from biology and history to anthropology and urban planning.Jonathan Blake directs the Planetary Program at the Berggruen Institute. He is the coauthor, with Nils Gilman, of Children of a Modest Star: Planetary Thinking for an Age of Crises and author of Contentious Rituals: Parading the Nation in Northern Ireland.

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Could feeling bad actually be good? In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman consider the uses of pessimism in our approach to contemporary politics. Digging into Joshua Foa Dienstag’s 2006 book Pessimism: Philosophy, Ethic, Spirit they discuss this branch of philosophical thought: its core beliefs and practitioners, how it’s been misunderstood, and how we might use it to navigate the boomeranging emotions of our present political climate.

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Kate Wolf and Medaya Ocher speak to Sarah Manguso about her new novel, Liars, which focuses on a marriage and its disintegration. Jane is a writer, and her husband John is an artist and entrepreneur. Even early on in their relationship, John gives Jane plenty of reason to doubt their future. By the time they have their first child, Jane is subsumed by the role of wife and mother, responsible for tackling the domestic work as well as the chaos of John’s finances and shifting career ambitions, and ultimately his betrayal. The novel focuses on the trespasses of a single relationship, but it’s also about art, wifehood, and the institution of marriage itself, as well as the stories we tell about it from inside and outside its vows.Also, Dayna Tortorici, co-editor of The Intellectual Situation: The Best of n+1’s Second Decade, returns to recommend All Fours by Miranda July.

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Editors Dayna Tortorici and Mark Krotov join Kate Wolf and Medaya Ocher to speak about 20 years of the magazine n+1, as well as their new anthology The Intellectual Situation: The Best of n+1’s Second Decade. The book collects n+1 essays, short stories, and reviews from the last ten years, covering the rise of Bernie Sanders and democratic socialism, the George Floyd protests, #MeToo, and the Covid pandemic. The guests discuss the ins and outs of running a small magazine, the current media landscape, their commitment to formal experimentation and political discourse, and their vision for the future of print. Also, Yasmin Zaher, author of The Coin, returns top recommend The Kingdom by Emmanuel Carrere.

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Kate Wolf speaks with writer and journalist Yasmin Zaher about her debut novel, The Coin. An allegorical tale of alienation, loneliness, and repulsion, the book follows a Palestinian woman who’s recently fulfilled her family’s dream of moving to America. In New York, working as a middle school teacher, she finds herself disillusioned with the filth of the city and its poverty. She’s beset with a deep unease at her own body and haunted by memories, especially that of a coin—a shekel—she swallowed on a car ride as a child just moments before a horrible accident. Estranged from the few people she knows in the city, her behavior becomes increasingly unhinged and bizarre in ways that complicate standard stories of immigration, and instead imagine the path of a character who sees through America’s promise and realizes she has nothing to lose.Also, Nell Irvin Painter, author of I Just Keep Talking, returns to recommend three books and one magazine: The Plague Edition of Konch Magazine edited by Ishmael Reed and Tennessee Reed’s; Black Art and Aesthetics: Relationalities, Interiorities, Reckonings edited by Michael Kelly and Monique Roelofs; James: a Novel by Percival Everett; and Changing My Mind: Occasional Essays by Zadie Smith.

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Eric Newman is joined by historian Nell Irvin Painter to discuss I Just Keep Talking: A Life in Essays, a compendium of Painter's writing about art, politics, and race across nearly four decades. The wide-ranging discussion moves from how researching Sojourner Truth inspired Painter to get her MFA in visual art, to the struggle over what can be taught and known about American history, to the ways modern information technology impacts our experience of the present and its echoes in the past, and to how we might navigate a bleak present in which fascism seems newly on the march.Also, Emily Nussbaum, author of Cue the Sun! The Invention of Reality TV, returns to recommend Strangers to Ourselves: Unsettled Minds and the Stories That Make Us by Rachel Aviv.

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Eric Newman and Medaya Ocher are joined by New Yorker staff writer and former television critic Emily Nussbaum to discuss her book Cue the Sun! The Invention of Reality TV. Nussbaum's overview of the most dominant genre of our time moves from reality TV's origins in radio to its role in forging the public image of a US president. In a sweeping conversation, the hosts and Nussbaum break down some of the unsung heroes and incredible stories behind the creation of our nostalgic reality TV touchstones, the harbingers of a darker genre to come, and its relationship to broad, tectonic social and political changes in American life.Also, Patrick Nathan, author of The Future was Color, returns to recommend Housemates: A Novel by Emma Copley Eisenberg.

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Medaya Ocher and Eric Newman speak with author Patrick Nathan about his latest novel, and this month's LARB Book Club pick, The Future Was Color. The novel chronicles the life of Hungarian immigrant writer George Curtis. When we meet George, he's writing the hacky sort of monster movies that are today's cult classics, trying to find sex and love amid the closeted ambiance of life between the wars and in the midst of the McCarthyite purges of communists and homosexuals that plagued the mid-century film industry. As George demurs writing the studio's next big hit to create something of greater substance about Hungary and the war from his exile perspective, he follows a passionate affair with his coworker in the writers' room. But when he departs the studio office for a residency of sorts with a Malibu actress and her gay husband, a dramatic chain reaction brings new motivations and possibilities to light. A novel about a moment in time that is also in so many ways timeless, The Future Was Color is an exploration of the line between the personal and political, between safety and risk, the art we create and the art that creates us.Also, Claire Messud, author of This Strange Eventful History, returns to recommend Susie Boyt's novel, Loved and Missed.

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Medaya Ocher and Kate Wolf are joined by celebrated writer Claire Messud, the author of six works of fiction including the highly-acclaimed bestseller The Emperor's Children. Messud's latest novel is This Strange Eventful History, which follows the Cassars, a Pied-Noir family from Algeria, who find themselves constantly displaced by the changing tides of history, first by World War II and then by Algerian independence. Partly based on her own family's story, the book traces the story of each family member, across three generations, as they encounter the world as well as their own personal joys and tragedies. The novel is, of course, about history, both personal and global, as well as the ways people build homes outide of their homelands.

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In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman debate an age-old question that's being taken up in new ways amid an increasingly atomized landscape for thinking and writing about the literature and art that moves (as well as enervates) us. What does it mean for criticism to "matter"? And what indications do we have that it does beyond the measure of the marketplace? The hosts discuss what they think has changed—and hasn't—about how and where reviews circulate, the art of the take down, what they look for in a good piece of criticism, and if you can trust the New York Times Book Review. They also discuss the many roles critics play—from forming canons to puncturing them, using specific language, and transforming personal taste and sensibility into something that can, occasionally, change culture.

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Rachel Khong joins Eric Newman to discuss her latest novel, Real Americans. Divided into three parts that each trace the experiences of different generations of a Chinese American family, the book delves into the thickets of identity, exploring how cultural strictures and the chaos of love shape our reality. The first section, set in 1999, recounts the romance between Lily, a second generation Chinese American media intern in New York, and Matthew, the WASPy private equity investor of the company where she struggles to eke out a living. The second section transports us to Seattle in 2021, where Lily's son, Nick, is navigating the end of high school and early college years with his father, Matthew, conspicuously absent. When Nick reconnects with Matthew through a DNA ancestry test, old wounds heal even as new ones are opened up in the wake of long-buried family secrets. In the final section, Nick's grandmother reflects on her experience fleeing Mao Zedong's China to make a new life in the United States, while trying to reconcile with a tattered and scattered family in present-day San Francisco. As these three lives are woven together and torn apart, Real Americans moves propulsively through questions of race, class, and gender as its characters work to understand their relationship to inheritance, variously conceived, around the tripwires of silence, desire, and pain.Also, Erik Davis, author of Blotter: The Untold Story of an Acid Medium, returns to recommend Dale Pendell's Pharmako Trilogy.

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Erik Davis joins Kate Wolf to speak about his latest book, Blotter: The Untold Story of an Acid Medium. The book is a study and history of the emergence of acid blotter paper from the late 1970s to the present day. It charts not only how the distribution and legal definition of LSD has changed over the decades—along with shifting cultural attitudes towards the drug—but also how blotter makers reflected these changes in their designs. The book examines the many recurring themes and aesthetics of blotter from cartoon characters, underground comics and advertising, to religious and political imagery, as well as associations with modern art movements like pop and minimalism. As psychedelics move closer to legalization for therapeutic purposes, Blotter is a reminder of the freak culture, anti-establishment origins of LSD and the inventive and playful path one of its main mediums has cut across countless minds over the last half century.

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Writer and curator Legacy Russell joins Kate Wolf to discuss her new book, Black Meme, which theorizes the history of viral images of Blackness in America from the dawn of the 20th century to the present. The book argues for the centrality of Black culture in the formation of the digital sphere; it also points to the many ways images of Black people have been exploited, decontextualized, and abused both before and after the internet. Russell draws on a variety of examples, from the open-casket photos of Emmet Till that appeared in Jet Magazine, to the phenomena of Michael Jackson’s Thriller video, which helped popularize the VCR, to more recent viral videos of police violence and Black social death. Calling for a reexamination of notions of private and public property, Black Meme urges a reconsideration of what an equitable exchange might look like for Black creators online, as well as engagement on the internet that goes beyond a reshare.Also, Miranda July, author of All Fours, returns to recommend Small Rain by Garth Greenwell.

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Miranda July speaks to Kate Wolf about her latest novel, All Fours. Its narrator is a woman in the middle of her life, a recognized artist who’s worked steadily for years with “the confidence that comes from knowing there is no other path.” Shortly after her 45th birthday, she decides to take a road trip to New York to celebrate with money she’s recently made from a whiskey commercial. She leaves her husband and child one morning and ends up stopping in a small suburb outside of Los Angeles for breakfast. But instead of continuing on, she rents a motel room there and proceeds to stay for the next three weeks. Part of her decision is based on her intense desire for a Hertz rental car employee she meets named Davey, a younger man, who yearns to be a hip hop dancer. But other aspects of her reasoning are more ineffable, fueled perhaps by the uncertainty of the future, aging, mortality, and struggles with the confines of domestic life. Her sojourn in the motel room becomes the catalyst for a reckoning with that life upon her return, and the basis for a deeper philosophical and visceral inquiry into desire, the female body, social and sexual possibility, caregiving, and what truly makes life worth living.Also, Danielle Dutton, author of Prairie, Dresses, Art, Other, returns to recommend The New Animals by Pip Adam.

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Kate Wolf and Medaya Ocher are joined by writer and publisher Danielle Dutton, author of Prairie, Dresses, Art, Other as well as Margaret the First and Sprawl. Dutton is also co-founder of the outstanding press Dorothy Project. Prairie, Dresses, Art, Other is a collection of stories and essays that exemplify Dutton’s approach to writing: ekphrastic, collaborative, laced with dread, wonder, and silence, as well as the power of landscapes (outer and inner) to transport both characters and readers beyond the normal bounds of being. Many of the stories in the book are set in the open plains of the Midwest—a space that becomes rife for projections of bodily harm and climate collapse, where the real world and the digital sphere frequently overlap.Also, Jennifer Croft, author of The Extinction of Irena Rey, returns to recommend Entangled Life by Merlin Sheldrake.

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In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips’s recent book On Giving Up, in which the psychoanalyst observes that “we give things up when we believe we can change; we give up when we believe we can’t.” The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he’d prefer not to.

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Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle. Shechtman is an accomplished cruciverbalist, constructing a bimonthly crossword at The New Yorker; she is the former Humanities and Film Editor at the Los Angeles Review of Books, where she is now an editor-at-large. Her book is a history of how women shaped the crossword puzzle, only to be pushed out of the puzzling industry. It’s also a memoir of Shechtman's own start with crossword constructing and the simultaneous development of her eating disorder. Riddles explores language, meaning-making, the body, as well as who is allowed to set the rules and write the clues.Also, Katya Apekina, author of Mother Doll, returns to recommend four diaries written during the Russian Revolution: Earthly Signs by Marina Tsvetaeva; and three volumes by Teffi, Other Worlds; Memories; and Tolstoy, Rasputin, Others, and Me.

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Scholar Randol Contreras joins Kate Wolf and Eric Newman to discuss his new book The Marvelous Ones: Drugs, Gang Violence, and Resistance in East Los Angeles. The book is a study of the history and present lives of veterans of the legendary Maravilla gang that long dominated the scene in East Los Angeles before a bitter rivalry with the La Eme during the 1990s and early 2000s that had Maravillas scrambling for their lives in the streets and in prison. Though centered around the experience of that epic gang rivalry, The Marvelous Ones is also an examination of how masculinity, race, and cultural identity are shaped and reshaped within the context of organized crime inside state institutions and in the everyday lives of those living in Los Angeles. It is also a story about what it means to matter and to be remembered as a man, as a husband, as a father, and as a Maravilla amid the roiling waters of political, social, and historical change.Also, poet Victoria Chang, whose latest collection is With My Back to the World, returns to recommend an anthology of poetry entitled You Are Here: Poetry in the Natural World edited by the current Poet Laureate of the United States, Ada Limon.

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A double-header episode about two new novels that each feature high stakes feats of translation. First, the translator and writer Jenny Croft speaks with Medaya Ocher about her debut novel, The Extinction of Irena Rey. It follows eight translators who have just arrived at the house of a famous, beloved writer, the titular Irena Rey. Suddenly, Irena disappears, and the translators are left to figure out what has happened to her. Stuck and isolated in a primeval Polish forest and driven by ambition, paranoia, and obsession, the group uncovers secrets about Irena and the stakes of their endeavor become higher and higher. Then, writer and translator Katya Apekina joins Kate Wolf to discuss her latest novel, Mother Doll. The book examines how we can be haunted, sometimes literally, by the choices and experiences of our ancestors. Its main character is an adrift young woman named Zhenia. In the midst of finding out she’s pregnant and splitting up with her husband, Zhenia receives a mysterious call from Paul, a pet psychic who has been communicating with her great-grandmother, Irina. Paul needs Zhenia to translate Irina’s story, from Russian, about her role in the Russian Revolution and why she decided to place Zhenia’s beloved grandmother in an orphanage; Irina meanwhile needs Zhenia to understand her choices, and just perhaps, forgive her.

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Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin’s paintings and is also often accompanied by Chang’s own visual interpretations of Martin’s work. Regarding Martin’s intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

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Eric Newman speaks with director Morgan Neville about his new film "STEVE! (martin) a documentary in 2 pieces," which explores the legendary comedian's meteoric rise to standup stardom, his abrupt pivot to TV and film, and his return to stage in the present as he and close friend Martin Short prep a new comedy tour. Eric and Morgan discuss the treasure trove of never-before-seen archival that brings Martin's early career to life, what Morgan has learned about fame and the psychology of entertainers from his storied work documenting the lives of cultural luminaries, and much more.

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On this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman talk about the ethics and politics of memoir in the wake of several recent controversies. Touching on Blake Butler’s Molly, Emily Gould’s essay in The Cut on her flirtation with divorce, and much more, the gang considers who gets to tell whose stories, how, and why.

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Eric Newman speaks with writer Tommy Orange about his novel Wandering Stars, a multigenerational epic that is both prequel and sequel to his award-winning 2018 debut There There. Beginning in the immediate aftermath of the Sand Creek Massacre of 1864, the novel follows a Native family's journey across more than 150 years as they struggle to maintain their connection to one another and to their Cheyenne history and identity in the face of addiction and the brutal legacy of forced assimilation. Also, Gretchen Sisson, author of Relinquished: The Politics of Adoption and the Privilege of American Motherhood, returns to recommend The Turnaway Study bhy Diana Greene Foster.

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Kate Wolf speaks with sociologist Gretchen Sisson about her first book, Relinquished: The Politics of Adoption and the Privilege of American Motherhood. The book is based on interviews Sisson conducted over the last decade with birth mothers who relinquished their children for private adoption in the US. Most often Sisson found that these women deeply regretted their decision, and that poverty was the driving force behind it. Alongside the harrowing stories of the women who Sisson spoke with, her book also looks at the history of adoption in the United States and its ties to conservative Christianity, as well as family policing systems of the state. In an age of narrowing reproductive freedom, when adoption is touted by the Supreme Court as an answer to the need for abortion, Relinquished asks hard questions about the compatibility of the practice with the possibility for true reproductive justice.Also, Brad Gooch, author of Radiant: The Life and Line of Keith Haring, returns to recommend Candy Darling by Cynthia Carr.

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Eric Newman and Kate Wolf speak with Brad Gooch about his new biography, Radiant: The Life and Line of Keith Haring. A deep-dive into the life of an artist whose work can be seen today on everything from museum walls to t-shirts and tote bags, Gooch's book unearths the cultural moment that gave rise to Haring's meteoric career before his untimely death in 1990. Moving across topics including the commercialization of art, cultural appropriation, the AIDS crisis, and more, Radiant brings the highly-recognizable artist into nuanced focus.Also, Tana French, author of The Hunter, returns to recommend Watership Down by Richard Adams.

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Medaya Ocher and Eric Newman speak with megawatt mystery maven Tana French about her latest novel, The Hunter. Set in the fictional rural Irish town of Ardnakelty, The Hunter is a dark, slow-burning story of the ties that knit together small communities–and the animosities that tear them apart. French talks about how American Westerns influenced the tone and texture of her latest novels, where she gets the ideas for her dark stories, and how her globe-hopping childhood made her the mystery writer she is today.Also, Leslie Jamison, author of Splinters: Another Kind of Love Story, returns to recommend Eliza Barry Callahan's The Hearing Test: A Novel, as well as Emmeline Clein's Dead Weight: Essays on Hunger and Harm.

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In this special episode, Eric Newman chats with LARB Film & TV editor Annie Berke and Film Comment co-editors Devika Girish and Clinton Krute for a preview of this year's Academy Awards. Breaking down the top Oscar contenders, the group talks the best and worst of the year in movies, from Barbie to Oppenheimer, Killers of the Flower Moon, Poor Things, Maestro, and more. If you loved–or hated!–the year in film, this episode is for you.

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Leslie Jamison joins Medaya and Kate to discuss her latest book Splinters: Another Kind of Love Story, a memoir that chronicles the birth of her daughter and the collapse of her marriage soon after. Jamison writes about the bond with her own mother, as well as the intense, consuming love for her child. The book is not only a story about her most intimate relationships, but an examination of doubt, betrayal, forgiveness and, as the subtitle says, love.Also, Phillip B. Williams, author of Ours, returns to recommend The Black Book, edited by Toni Morrison.

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Eric Newman speaks with Phillip B. Williams about his debut novel, Ours. A surrealist epic largely set in the American midwest both pre- and post-emancipation, the book tells the story of Saint, a conjure woman who uses her supernatural powers to liberate slaves and keep them safe in a magically secluded town near St. Louis. But as Saint's magic begins to falter and newcomers appear in the town, the residents chafe at her power over them, eager for a freedom, identity, and community forged on their own terms. In the interview, Williams discusses his novel's blend of diasporic traditions and spirituality, how his characters repair themselves and each other, and what it means to read–and write–with love.Also, Lucy Sante, author of I Heard Her Call My Name: A Memoir of Transition, returns to recommend April Ashley's Odyssey by Duncan Fallowell and April Ashley.

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Kate Wolf speaks to cultural critic and historian Lucy Sante about her latest book, I Heard Her Call My Name: A Memoir of Transition. It is the story of how as living as Luc for almost the entirety of her life, three years ago, she became Lucy. The book begins with the letter she sent her closest friends with the "bombshell" confession that the image of herself as a woman had been “the consuming furnace at the center” of her life, but that she had repressed it with almost equal force. Sante goes on to reflect back on that life, from her time growing up in Belgium as the only child of emotionally distant working class parents, to her adolescence as an immigrant in suburban New Jersey, and finally her nascent adult years as a punk and budding writer in a pre-corporatized New York City. Intercutting this past with the practical steps and transcendent emotions that accompany her first few months of transitioning, Sante explores the ways she contorted herself to fit into her male identity and the great unhappiness it caused, as well as the path to finally unburdening herself of her secret and emerging as Lucy.Also, Nathan Thrall, author of A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy, returns to recommend Rian Malan's My Traitor's Heart: A South African Exile Returns to Face His Country, His Tribe, and His Conscience.

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Adam Shatz speaks with Kate Wolf and Eric Newman about his latest book, The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon. The book is both a biography of Fanon— one of the most important thinkers on race and colonialism of the last century— as well as an intellectual history that looks closely at his most seminal texts. Shatz uncovers the events that led to the writing of books such as Black Skin, White Masks and the Wretched of the Earth by following Fanon from his birth in Martinique (then a French colony), to his time serving in World War II, his studies in Lyon, his innovative work as a psychiatrist in France and Algeria, as well as his pivotal decision to join in the fight for Algerian independence and become a part of the FLN. Though Fanon died at only 36, in 1961, Shatz also explores the many afterlives of his work, from his embrace by the Black Panthers and his influence on filmmakers such as Claude Lanzmann and Ousmane Sembene to echoes of his thought in the continued movements for Black liberation and decolonization today.Also, E. J. Koh, author of The Liberators, returns to recommend The Twilight Zone by Nona Fernandez, translated by Natasha Wimmer.

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Writer Nathan Thrall joins Kate Wolf to talk about his recent book, A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy, which was published last October and named one of the best books of the year by The New Yorker, The Economist, The New Republic and the Financial Times. It is an account of a horrific accident that took place in the outskirts of Jerusalem on a rainy day in 2012, when a school bus full of kindergarten students on their way to a class trip collided with a semi-trailer and caught on fire. Thrall follows the lives of a number of people who were directly impacted by the tragedy, delving into their pasts and the ways in which the decades-old conflict between Israel and Palestine has indelibly shaped their trajectories. Chief among them is Abed Salama, a Palestinian, and father of five-year-old Milad, who was a passenger on the bus. In looking closely at the material conditions of Salama’s life, and the way they play out within the worst circumstances imaginable, Thrall evinces the toll of occupation in the most human of terms.Also, Kohei Saito, author of Slow Down: The Degrowth Manifesto, returns to recommend Naomi Klein's No Logo.

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Medaya Ocher and Eric Newman are joined by E.J. Koh to discuss her debut novel, The Liberators, LARB Book Club's pick for Winter 2024. Widely acclaimed by critics, The Liberators tells the story of two families as they navigate love and survival from the Korean dictatorship of the early 1980s through the Sewol Ferry sinking of 2014. Between those bookending events lie a fraught terrain of marriage, birth, death, love, hope, and disappointment that unfurls itself across Korea and the United States. Moving from questions of form and diaspora to the relics that secure our belonging to places and people, the discussion explores how history both makes and unmakes us.Also, Lexi Freiman, author of The Book of Ayn, returns to recommend To The Friend Who Did Not Save My Life by Herve Guibert.The Liberators is the Winter 2024 selection for the LARB Book Club. The Book Club is one of many perks offered to our wonderful supporting members. To learn more about our membership program, check out https://lareviewofbooks.org/membership/

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The philosopher Kohei Saito speaks to Eric Newman and Kate Wolf about his book Slow Down: The Degrowth Manifesto. A critique of our insufficient response to the climate crisis, Slow Down aptly points to capitalism—its race for profits and endlessly expansive production— as the chief cause of our present emergency. The cure is not a green capitalism (such as what we see in proposals for a Green New Deal here in the United States) but rather degrowth: a vision for reorganizing labor, production, and consumption in ways that Saito argues are the only sustainable future. Drawing on previously unpublished work by Karl Marx, Saito argues that degrowth may help thread the needle between the horrors of Soviet-style socialism and the insufficiency of green Keynesianism, or techno-optimism, to help foster a world and community in which we can all thrive.Also, Alicia Kennedy, author of No Meat Required, returns to recommend two books: Feeding Fascism: The Politics of Women's Food Work by Diana Garvin; and National Dish: Around the World in Search of Food, History, and the Meaning of Home by Anya con Bremzen.

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Medaya Ocher and Eric Newman are joined by author Lexi Freiman to discuss her latest novel, The Book of Ayn. A punchy satire of contemporary life, the story centers on Anna, a writer reeling from being cancelled after the New York Times dubs her novel classist. When Anna happens upon a group of Ayn Rand enthusiasts, she takes a shine to Rand's philosophy and biography, seeking to reorient her life around Rand's ideal of "rational selfishness." Across Anna's existential journey through Los Angeles and the Greek island of Lesbos, Freiman's by turns hilarious and poignant novel skewers and reckons with the politics and cultural currents that shape contemporary life.Also, Ed Park, author of Same Bed Different Dreams, returns to recommend two books: The Stories of John Cheever by John Cheever, and I Heard Her Call My Name: A Memoir of Transition by Lucy Sante.

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Eric Newman and Kate Wolf speak with writer Alicia Kennedy about No Meat Required: The Cultural History and Culinary Future of Plant-Based Eating. The book unpacks the ethical, spiritual, environmental, economic, and political dimensions of vegetarianism and veganism. It traces the emergence of meatless eating in the US, from 19th century religious groups to various subcultures—including commune-dwellers, Rastafarians, Buddhists, punks, ecofeminists and Black Nationalists—to the watershed moment of Frances Moore Lappé’s book, Diet for a Small Planet, published in 1971. Kennedy also interrogates more recent trends like wellness culture and meatless Big Macs, considering how the radical origins of not eating meat are becoming obscured as veganism hits the mainstream. A rejoinder to questions about the efficacy of personal choices in the fight against climate change and social injustice, No Meat Required argues for the critical importance of biodiversity, local agriculture, and local economies, and offers a holistic vision of food consumption and production for both the present and future.Also, Blake Butler, author of Molly, returns to recommend Last Words from Montmartre by Qiu Miaojin.

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Author Ed Park joins Kate Wolf and Eric Newman to discuss his new novel, Same Bed Different Dreams. It begins with a former writer named Soon Shen, who’s given up fiction for a cozy suburban life in upstate New York, working for a tech conglomerate. At a booze-soaked literary dinner back in Manhattan one night, Soon encounters a famous Korean author named Echo and later finds himself in possession of Echo’s new book, Same Bed, Different Dreams: Being A True Account of the Korean Provisional Government. This book presents an alternate history of the peninsula, one in which the KPG (a real organization that formed to protest Japanese occupation of the country) continued their activity after WWII from far flung locations, roping in a wide variety of accomplices from both Eastern and Western cultures. Adding to the speculative history, Park also includes a third narrative of a Korean war veteran and sci-fi writer named Parker Jotter that bridges the first two stories and demonstrates the afterlife of fiction, the murkiness of identity, and underground networks running through art that connect us all.Also, Robert Gluck, author of "About Ed," returns to recommend Camille Roy's Honey Mine.

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Together we've travelled one more trip around the sun... and that means it's time for our favorite episode of the year! Kate, Medaya, and Eric share their favorite books, movies, TV shows, music, magazines (a new category!) and more in this look back at the year that was 2023.

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Kate Wolf and Medaya Ocher speak with the writer and editor Blake Butler about his latest book, a memoir called Molly. Molly is dedicated to the poet and writer Molly Brodak, Butler's wife of three years. Molly committed suicide one spring afternoon, near the house they shared outside of Atlanta. After her death, Molly comes into clearer view, as the secrets and traumas she hid during her life begin to reveal themselves. The book is an extraordinarily honest account of her death, of their relationship, and of the way people manage to survive immense loss.Also, Andrew Chan, author of Why Mariah Carey Matters, returns to recommend Keats's Odes: A Lover's Discourse by UCLA Professor Anahid Nersessian.

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Eric Newman and Kate Wolf are joined by the author, editor, and co-founder of the New Narrative movement Robert Glück to discuss his latest book, About Ed. The book is a non-linear memoir (of sorts), parsing the life and death of Glück's lover, the artist Ed Aulerich-Sugai. The narrative moves promiscuously back and forth between the 1970s when Bob and Ed's relationship takes shape, to the 1980s when AIDS ravages the gay community and Ed is diagnosed with HIV, to Ed's death in 1994, and Bob's wrestling with the emotional aftermath of Ed's loss. Along the way, Glück captures the peaks and valleys of the relationship— tumultuous moments conjured in elegiac reveries—as well as the everyday objects by which the world of a deeply intimate history continues into the present. About Ed forces us to confront what we know and don't know about those loved ones who indelibly shape our lives.Also, Sasha Frere-Jones, author of Earlier, returns to recommend two books by Avi Shlaim, The Iron Wall: Israel and the Arab World, and Three Worlds: Memoirs of an Arab-Jew.

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Eric Newman and Medaya Ocher are joined by writer and critic Andrew Chan to discuss his latest book, Why Mariah Carey Matters. Exploring Mariah's career as a singer, performer, and dexterous music producer, Andrew's book unpacks how the music industry of the 1980s and 1990s shaped and was reshaped by the work of the landmark whistle-tone diva. The conversation ranges across developments in R&B, cultural battles over Mariah's "authenticity" as a Black artist, and the erosion of the ballad's centrality to our contemporary musical landscape, diving into the world of a diva whose songs we love but whose life and struggle often slip out of view.Also, Dan Sinykin, author of Big Fiction, returns to recommend Who Will Pay Reparations on My Soul?, a collection of essays by Jesse McCarthy.

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Writer, musician, and critic Sasha Frere-Jones joins Kate Wolf to discuss his first book, Earlier. A non-chronological memoir, Earlier collects fragments of Frere-Jones's life: intimate recollections, minor triumphs, path-defining moments, failures, loves, losses, and all stations in-between. An artist formation story that is too humble to declare itself as such, the book enacts the simultaneity of memory, smashing the late 1960s, when Frere-Jones is born, against the 1990s, when he arrives back home in New York, falls in love with his ex-wife, and begins to write in earnest and tour; the 1980s when he attends high school at Saint Ann's, college at Brown, and obsessively collects and listens to music, against the 1970s growing up in Brooklyn, wondering at aspects of his parents faltering finances and private lives. Like all noteworthy memoirs, it addresses both personal and collective history, pointing to a present bursting at the seams with the past. Also, filmmaker Nicole Newnham, Director of The Disappearance of Shere Hite, returns to recommend Every Good Boy Does Fine: A Love Story, in Music Lessons by Jeremy Denk.

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Eric Newman and Medaya Ocher are joined by award-winning director Nicole Newnham to discuss her latest film, The Disappearance of Shere Hite. The documentary explores the life and work of Shere Hite, a sexological researcher whose 1976 book The Hite Report on Female Sexuality brought the private reality of women's sexual experience into mainstream consciousness and became one of the bestselling books of all time. But the male cultural anxiety sparked by the book's findings generated a powerful backlash to Hite's work in popular media, making her a pariah and driving her into a self-imposed European exile after which she largely receded from American public consciousness. Eric, Medaya, and Nicole discuss the larger cultural frameworks of Shere Hite's story, the enduring legacy of her research, and how restoring a feminist firebrand from the past might help us navigate ongoing battles for gender and sexual liberation in the present.Also, Justin Torres, fresh from winning the National Book Award for his novel Blackouts, returns to recommend My Body is Paper, a collection of previously unpublished writings by Gil Cuadros, as well as City of God by Cuadros.

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Eric Newman and Medaya Ocher are joined by writer and professor, Dan Sinykin. His new book is called Big Fiction: How Conglomeration Changed the Publishing Industry, which chronicles the many changes publishing has undergone in the past 50 years, starting in 1965 when Random House was bought by an electronics company. Since then we’ve seen the radical conglomoration of publishing, as small independent houses were bought up by multinational companies, slowly forming the Big Five. Dan writes about the way these changes affected the books we read — what editors buy, what readers expect, and even, what writers write. He covers everything from the rise of mass-market paperbacks to the establishment of prestigious non-profits, hoping to protect literature from the market.Also, Dorothea Lasky, whose new collection of poems is called The Shining, returns to recommend two books: Eileen by OIttessa Moshfegh and Hermetic Definition by H.D.

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Medaya Ocher and Eric Newman speak with author Justin Torres about his latest novel, Blackouts. As they discuss the novel's layered revelation of both the characters' lives and the real queer history into which they are imaginatively woven, the conversation explores queerness as a literary identity, history as a particular site of queer desire, and how we tell the stories that make us intelligible to ourselves and others. Also, Anna Biller, author of Bluebeard's Castle, returns to recommend Wide Sargasso Sea by Jean Rhys.

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A LARB Radio Hour double-header Halloween horror special. In the first half, Kate Wolf is joined by the poet Dorothea Lasky to discuss her most recent poetry collection, The Shining. The book is an ekphrastic ode to Stanley Kubrick’s classic film, based on the novel by Stephen King. Its poems remix and reimagine the haunted spaces and uncanny elements of King and Kubrick’s story in a uniquely personal register, and from a feminist perspective, touching on violence, time, identity, isolation, and creative ghosts. Then filmmaker Anna Biller speaks with Kate and Medaya Ocher about her first book, Bluebeard’s Castle, a traditional romance and horror novel that pays homage to the genre while turning it inside out. The book follows a romance writer named Judith who falls in love with Gavin, a man who seems too good to be true. He’s aristocratic, rich, handsome and cultured. It is, of course, all very erotic and very misleading. The relationship is both enthralling and as we quickly begin to see, violent and abusive.

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LARB Editor-in-Chief Michelle Chihara and Executive Director Irene Yoon speak with author Lydia Kiesling about her novel Mobility, this fall’s LARB Book Club selection. The inaugural book from Crooked Media Reads, Mobility begins in post-Soviet Azerbaijan, following the main character, Bunny, from childhood into her ultimate career transition to Big Oil. The novel is timely and urgent, a macro and micro study of climate change’s destructive impact on the Earth and our individual lives, and evokes the tension between emotional investment in and arms-length detachment from large-scale catastrophe. Lydia shares how she researched the book, the joys and dangers of storytelling, and how to navigate overwhelm in the face of unrelenting and difficult news cycles.

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Kate Wolf speaks to author and translator Lydia Davis about her latest collection of stories, Our Strangers. The book, which is notably not available for sale on Amazon, includes well over 100 stories, with many measuring at just a few lines. The stories take a variety forms: sketches of interactions from daily life, letters of complaint, recorded anecdotes, sequential interludes, grammatical inquires, meditations on passing thoughts and fantasies, as well as more sustained looks at life in a small country town and the intimacies we share with neighbors. Davis returns to abiding themes of aging, friendship, illness, death, mutual care, melancholy, nature, and the life of women with singular insight, humor, rigor, and an ever-present curiosity. Also, Hilary Leichter, author of Terrace Story, returns to recommend Worry: A Novel by Alexandra Tanner.

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Journalist and author Mary Gabriel joins Eric and Medaya to talk about her latest book, Madonna: A Rebel Life. The massive, richly researched biography follows every detail of the superstar’s life: her Michigan roots, her debut amid New York’s heady underground scene, her film career, her London era, finally catching up with Madge in 2020. The book is also a history of the culture that shaped her, and which she shaped in her wake. Mary discusses writing the book, as well as Madonna’s breakthrough performances, the AIDS crisis and its legacy, sweeping changes in the music industry, and a re-examination of the “feminist” as a pop icon.Also, Ross Gay, author of The Book of (More) Delights, returns to recommend a trio of books: Guston in Time by Ross Feld; Come Back in September by Darryl Pinckney; and Stealing History by Gerald Stern.

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In the first half of the show, Medaya Ocher speaks with Hilary Leichter about her novel Terrace Story. It follows a young family who live in cramped quarters in a big city, surviving but financially strapped. One day, a woman named Stephanie comes over and when she opens the closet door they discover a magic terrace, which immediately disappears once Stephanie leaves, and only appears again when she returns. Suddenly, the family's tight, mediumrestricted lives take a turn for the magical—and the tragic. Then, Kate Wolf is joined by writer, artist, and beloved former LARB senior editor Lisa Teasley to talk about her latest book of gripping short stories, Fluid, her first in two decades.

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Ross Gay joins Eric Newman and Medaya Ocher to talk about his latest, book, THE BOOK OF (MORE) DELIGHTS, a second installment of THE BOOK OF DELIGHTS, published before Ross, us, and the world were plunged into the COVID19 pandemic. Like it's predecessor THE BOOK OF (MORE) DELIGHTS features a collection of short essays that bring into focus the small wonders we so often overlook in our busy lives. Among them are the wonders of a neighbor's fruit tree, a discovery of self-maturation in an impromptu pickup ball game, and appreciating the toothy feel of a stolen notebook. Moving between the intimate record of Ross' quotidian experiences and the larger political, social, and philosophical questions that saturate and surround them, THE BOOK OF (MORE) DELIGHTS revels in the everyday joy—and sometimes the pain and horror—of a world right at our fingertips… if only we'd take the time to notice it.Also, Thea Lenarduzzi, author of Dandelions, returns to recommend A Life by Guy de Maupassant, translated by Roger Pearson.

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Writer and longtime TLS editor Thea Lenarduzzi joins Kate Wolf and Medaya Ocher to speak about her debut book Dandelions, a winner of the Fitzcarraldo Editions Essay Prize. Weaving together memoir, history, and criticism, Dandelions explores the life of Lenarduzzi’s grandmother, Dirce, a totemic figure in her family who was born almost a century ago into Mussolini’s Italy. Political and economic circumstances, as well as personal tragedy, force Dirce to leave Italy for England, first as a child and later as an adult. Migration becomes one of the central realities of her life, and subsequently the life of her son and then Lenarduzzi herself. But even as the conditions of these moves between countries grow less critical, the difficulties of immigrating remain, complicating and splintering a sense of identity and home, foregrounding difference, and calling belonging into question. Lenarduzzi portrays the gravity of what for so many across the world is still the most dire of decisions, tracing the effect emigrating can have over multiple generations, while also finding inspiration in her family’s resiliency and the stories they leave behind.Also, Colin Dickey, author of Under the Eye of Power, returns to recommend Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News by Kevin Young.

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Colin Dickey joins Eric Newman and Medaya Ocher to discuss his latest book, Under the Eye of Power, in which he charts the history of America through its fear of secret societies, like the Illuminati and the Freemasons, as well as the enduring cultures of conspiracy theories that spring up around these shadowy clubs. Colin posits that our national belief in the fantastical and conspiratorial is the slave we reach for in view of the chaos and randomness of history, the rising and falling fortunes of Americans, and the messiness of our democracy. Only by seeing the cyclical nature of our national obsession with secret societies and conspiracies–one that no doubt resounds for many listeners right now–can we break its grip on our society, politics, and culture.Also, Maya Binyam, author of Hangman, returns to recommend The Lonely Londoners by Sam Selvon.

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Writer Maya Binyam joins Kate Wolf and Medaya Ocher to speak about her debut novel Hangman. The book begins with a man who finds himself returning to his home country somewhere in Sub-Saharan Africa for the first time in 26 years. But the places, customs, and traditions he encounters there have become foreign or burdensome to him, and the people he meets, even members of his own family, strange and unrecognizable. Somewhere in the country his brother lays dying, but his journey to be by his side is marked by a series of losses—of money, clothes, and passport. Along the way, he’s forced to rely on the stories and experiences of the strangers he meets and speaks with at length to make sense of things, even as he sees himself as disinterested or apart from them. Working against more typical narratives of homecoming and migration, the novel pushes deeper into questions about the essentialism and continuity of self, the individual versus the abstract, the obligation of kinship and the necessity of faith, as well as the possibility of political change. Also, Prudence Peiffer, author of The Slip: The New York City Street That Changed American Art Forever, returns to recommend two books The Nameplate: Jewelry, Culture, and Identity by Marcel Rosa-Salas and Isabel Attyah Flower, as well as My Autobiography of Carson McCullers by Jenn Shapland.

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Writer, editor, and art historian Prudence Peiffer joins Kate Wolf to speak about her first book, The Slip: The New York City Street That Changed American Art Forever. The book is a group biography of a collection of luminous American artists including Agnes Martin, Ellsworth Kelly, Robert Indiana, James Rosenquist and Jack Youngerman, as well as his wife, the French actress and filmmaker, Delphine Seyrig. From the late 1950s to the middle of the 1960s, all of them happened to live in the same place: a collection of former sail-making warehouses on Coenties Slip, a dead end street in one of the oldest sections of Manhattan, right next to the river. Rather than jostle their work into well-established art historical movements and categories, Peiffer’s book asserts place as the generative frame from which to understand these artists and the connections and influence between them. Though the community was short-lived, their support of one another, the collective solitude they found, even their rivalry, takes shape as integral to their development, and at least one of the reasons that their work survives today. Also, Andrew Leland, author of The Country of the Blind, returns to recommend Darryl by Jackie Ess.

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Andrew Leland joins Kate Wolf and Medaya Ocher to talk about his first book, The Country of the Blind: A Memoir at the End of Sight. The book recounts Leland’s experience of gradually losing his vision due to a condition called retinitis pigmentosa, which eventually results in blindness. The knowledge that it’s not a question of if, but when he will become blind, leads him to a deeper investigation of blindness itself: how it is represented in literature, language, and media; what its political and racial dimensions are; the connection it has to technology and innovation; how it can both shape identity and also feel incidental to it. Most importantly, Leland relates the ways blindness is actually experienced by the many people he meets and writes about in his book. Their testimonies help him reckon with the two worlds he finds himself in—the blind and the sighted—and close the gap between them. Also, Heidi Julavits, author of Directions To Myself, returns to recommend David Wojnarowicz's Close to the Knives: A Memoir of Disintegration.

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In this special edition LARB Book Club episode of the Radio Hour, Editor-in-Chief Michelle Chihara talks with Koritha Mitchell, editor of Harriet Jacobs’s Incidents in the Life of a Slave Girl, and Michelle Lanier, professor and public historian in North Carolina. The two recount Lanier’s invitation to Mitchell to visit Edenton, North Carolina, the hometown of Harriet Jacobs. By visiting the historic site at the culmination of her project, out now by Broadview Press, Mitchell embraced the practice of embodied knowledge—connecting her physical experience in Edenton to the legacy of Jacobs’s escape from enslavement and creativity in survival. By combining their intellectual knowledge with Jacobs and physical embodiment of her hometown, Mitchell and Lanier connect their own work as descending from the legacy of Harriet Jacobs as an activist, scholar, mother, and writer.

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A LARB Radio Hour double feature. In the first half of the show Eric Newman speaks to D. Brown about her new documentary—and directorial debut—Kokomo City. The film turns an intimate lens onto the lives of four Black transgender sex workers in Atlanta and New York, revealing their everyday experience alongside probing conversations about the intersections of gender, sexuality, and race as they struggle to survive and find acceptance within the Black community and a world at large that too often confronts them with derision, shame, and violence. Then, in the second half of the show, Kate Wolf is joined by filmmaker Claire Simon to discuss her new documentary, Our Body, which is shot entirely in the gynecology unit of a public hospital in Paris. Simon shows the many patients within at every stage of life: they manage unexpected pregnancies, transitioning genders, endometriosis, infertility, breast and reproductive cancer, birth, and death. The film lends itself to looking at individual bodies as part of a bigger organism—both within the hospital and society at large—and it gently questions the limits of autonomy, the power differential between doctors and patients, the hopes we have for our futures, and the fears and comfort we find when facing the end.

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Kate Wolf and Medaya Ocher are joined by author Heidi Julavits, whose new book is called "Directions to Myself: A Memoir of Four Years." Heidi Julavits is also the author of The Folded Clock: A Diary as well as four novels. She is an associate professor at Columbia University. In Directions to Myself, Heidi returns to her own life, specifically her relationship to her pre-adolescent son, whose childhood is nearly at an end. After a student at her university accuses another of rape, she begins to wonder about how a mother should steer her son as he grows into a man. How can a parent guide and form who their child becomes? How much of our personhood is nature, nurture, or culture? She looks back at her own childhood, growing up in Maine, and the lessons and stories she heard from her own parents. The book works through Julavits’s own private thoughts and heartaches, but always leads back to bigger questions about the time we live in, the way we think about justice and punishment, and how we form ourselves as people. Also, John Yau, author of Please Wait By the Coatroom: Reconsidering Race and Identity in American Art, returns to recommend Ghost Music by An Yu.

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Kate Wolf is joined by filmmaker Wes Anderson and film programmer and distributor Jake Perlin to discuss Do Not Detonate Without Presidential Approval, an anthology inspired by Anderson's latest, Asteroid City, which is out in theaters now. The book, edited by Perlin, interprets different aspects of Asteroid City, including its setting, which is the American West (in a small town in the 1950s hosting a Junior Stargazers award ceremony) as well as it’s parallel existence as a televised stage play—another theme is the Broadway stage—and of course the movies themselves with the theme of mid-century cinema. Like Anderson’s film, the collection reveals an interwoven lattice of allusion, reference, and history; a deep and sometimes startling connection between American life, politics, and entertainment; the day to day realities of of being part of an ensemble and working on a theatrical production; as well some incredibly incisive film criticism with excellent essays on movies such as Vincente Minnelli's Some Came Running, Billy Wilder's Ace in the Hole, and Lewis Allen's Desert Fury.

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The poet and longtime art critic John Yau joins Kate Wolf and Eric Newman to speak about his latest collection of criticism, Please Wait By the Coatroom: Reconsidering Race and Identity in American Art. The book's title comes from an essay Yau wrote in 1988 on reductive readings of the Cuban artist Wifredo Lam and the unwillingness of art historians and curators to consider Lam’s biracial identity as relevant to his work. In his collection, Yau makes a case for the role identity and cultural background can play in the formation of an artist’s aesthetic choices, and he interrogates standard art historical hierarchies and the supposed objective viewpoint of the avant-garde. While he acknowledges a number of strides in recent decades toward a more inclusive, open version of art history, he also shows how far there is to come, a gap he helps to close through thoughtful pieces on artists such as Ruth Asawa, Kerry James Marshall, Richard Hunt, Jiha Moon, Ed Clark, and many more. Also, Juana María Rodríguez, author of Puta Life: Seeing Latinas, Working Sex, returns to recommend A Lover's Discourse: Fragments by Roland Barthes.

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Eric Newman is joined by scholar and critic Juana María Rodríguez to discuss her latest book, Puta Life: Seeing Latinas, Working Sex. Moving between stories gleaned from archives, interviews, and Rodríguez's personal experience, Puta Life explores the proliferating and often incongruous meanings of the term "puta" as it circulates in Latinx identity and culture as a signifier of power and powerlessness, rebellion and revulsion, exaltation and degradation. In accounting for how the figure of the puta is socially produced through the regimes of race, gender, class, and the state, Rodríguez's moving stories of those living, struggling, and thriving on the margins ask us to reckon with the past, present, and future of sex work. Also, Claire Dederer, author of Monsters: A Fan's Dilemma, returns to recommend Alison Bechdel's collection The Essential Dykes to Watch Out For.

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Medaya Ocher and Eric Newman speak to Rachel Nuwer about her recent book, I Feel Love: MDMA and the Quest for Connection in a Fractured World. They discuss the drug's emergence in the Bay Area during the 1960s when pioneers hailed it as a groundbreaking mental health therapy for treating everything from addiction to trauma before the US government classified it as a dangerous Schedule I drug. Eric, Medaya, and Rachel also discuss MDMA's surge in popularity as a party drug during the 1980s and 1990s, as well as inclusion in new clinical trials currently underway to research its effectiveness in treating severe cases of PTSD. Across her account of MDMA's past, present, and future, Nuwer's accessible journalistic account informs and challenges what we know about how the drug works and how the government, researchers, and underground renegades have shaped the scientific and cultural discourse that surrounds it.

Also, Kristin Ross, the author of The Politics and Poetics of Everyday Life returns to recommend a range of works that capture and comment on everyday life: Wayward Lives, Beautiful Experiments by Saidaya Hartman, the writing of Mike Davis and Fredric Jamison on Los Angeles, the noir novels of Raymond Chandler and Ross MacDonald set in Sothern California, the detective novels (and even-darker fictions) of George Simenon, and the historical novels of Janet Lewis, including The Wife of Martin Guerre.

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Eric Newman and Kate Wolf speak to the author Kristin Ross about her recent book, The Politics and Poetics of Everyday Life, a collection of essays that examine how everyday life emerges as a vantage point for understanding and transforming our social world. The book represents three decades of Ross's writing about the everyday in French political, social, and cultural theory and history, including the commune form and current autonomous zones in France, the romance and memory of the May 1968 protests, and the present predicaments both faced and created by the Macron government. Featuring a long interview with the pioneering philosopher Henri Lefebvre, the book also invokes the work of Frederic Jameson, Jacques Ranciere, Emile Zola, and many others, to explore the intersections of political transformation and cultural representation as resources for thinking opposition and liberation in the present. Plus, artist Martine Syms, whose new exhibition Loser Back Home is currently on view at Spruth Magers in Los Angeles, returns to recommend Steffani Jemison's novel A Rock, A River, A Street.

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Kate Wolf is joined by the acclaimed artist and filmmaker Martine Syms to discuss her new exhibition Loser Back Home, currently on view at Spruth Magers in Los Angeles. Sym's work in the show encompasses video, sculpture, painting, photography, installation, publishing, and clothes. It merges recognizable brand names with personal ephemera to create a form of self-portraiture and explores the slippery nature of self as distilled through technology, as well as a state of "dysplacement"—a term coined by the historian Barbara Fields to describe the loss of a shared sense of connection to one’s familiar or home country. Last fall, Syms also released her first narrative feature film, The African Desperate, which she co-wrote and directed. The African Desperate (now streaming on MUBI) takes place over the course of 24-hours in the life of an artist named Palace on the day she receives her Masters of Fine Arts degree at a small college in upstate New York, combining formal innovation with humor, pathos, and astute social commentary. Also, Craig Seligman, author of Who Does That Bitch Think She is?, returns to recommend Liz Brown's Twilight Man: Love and Ruin in the Shadows of Hollywood and the Clark Empire .

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Eric Newman and Kate Wolf speak with writer Craig Seligman about his recent book, Who Does That Bitch Think She is? Doris Fish and The Rise of Drag. The book follows the story of the groundbreaking drag queen, performer, and artist Doris Fish, who was born in Australia in the early 1950s as Philip Mills. Seligman initially wrote about Fish in the 1980s after they met through his boyfriend in San Francisco. He builds on his past interviews to recount Fish’s life, from her early days in Sydney when she was a member of the outre drag group Silvia and the Synthetics, to her time living in San Francisco, where she moved in the late 1970s. She formed the group Sluts A-Go-Go there, and went on to become one of the city’s most celebrated performers, writing and starring in the cult film Vegas in Space, and staging increasingly avant-garde and political performances until her death from AIDS in 1991. In addition to Fish’s story, Seligman looks at larger attitudes toward drag, both within the queer community and outside of it, elucidating the way drag has seeped into popular culture and why it still remains a radical act today. Also, Joanna Biggs, author of A Life of One's Own, returns to recommend Still Born, a novel by Guadalupe Nettel, translated by Rosalind Harvey.

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Kate Wolf and Medaya Ocher are joined by editor and writer Joanna Biggs, whose new book is called A Life of One’s Own: Nine Women Writers Begin Again. Joanna is an editor at Harper’s Magazine. Her writing has appeared in the New Yorker, The Nation, the Financial Times and the Guardian. In her new book, Joanna is attempting to recalibrate her life after a divorce. She turns to literature and specifially, to nine different women writers and philosophers, ranging from Mary Wollstonecraft to Sylvia Plath to Toni Morrison to Elena Ferrante. In exploring their lives and their work, Joanna finds radical ways to live and rebuild, inspired by these women who forged their own paths outside of domestic and societal expectations. With the help of their writing and their example, Joanna slowly starts to find a new sense of self. She writes “I was alone in many ways, but in my reading I had company for the big questions.” Also, Gary Indiana, author of Do Everything in the Dark, returns to recommend The Age of Skin by Dubravka Ugresic.

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Kate Wolf is joined by author, critic, and artist Gary Indiana to speak about the recent reissue of his 2003 novel, Do Everything in the Dark. Told on the heels of the aftershock of AIDS and the coming catastrophe of 9/11, alongside an ever-increasing globalization, Do Everything in the Dark centers on a group of friends, who, as Indiana writes in a new introduction, are “experiencing crises in their personal or professional lives, having committed themselves to relationships and careers that, however bright and promising for years, were suddenly not working out.” The characters are artists, actors, filmmakers, and writers like the auto-fictive narrator of the novel, Gary Indiana. In New York City, over the summer of 2001, the narrator becomes both axis point and witness to the various breakdowns his friends undergo: he receives their missives from far-flung locations across the world, their late night phone calls, and follows their private moments from an omniscient point of view. Through it all, he questions his ability to help them or change the course of their lives—if life at this late point in history is even livable— while offering his friendship all the same.Also, Tom Comitta, author of The Nature Book, returns to recommend the complete oeuvre of Percival Everett.

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Writer and veteran book critic Christian Lorentzen and Pantheon publisher and editor Lisa Lucas join Kate Wolf and Medaya Ocher to talk about recent shake-ups in the publishing industry. The guests discuss the closure of Bookforum and a spate of other small magazines and websites, changes to social media, the DOJ's decision to block Penguin Random House’s purchase of Simon & Schuster, and their hope despite the difficulties. Are we at an inflection point for American publishing? Can the industry adapt to these challenges before it's too late?

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A look at our sometimes uncomfortable relationship to television. In the first half of the show, Eric Newman is joined by Hunter Hargraves to talk about his new book, Uncomfortable Television. Hargraves argues that since the dawn of the new millennium, American television has kept audiences glued to the screens with intensely plotted and character-driven dramas that borrow from the epic aesthetics of cinema as well as reality programming. At the same time, this type of TV shellacks us with disturbing images and themes: graphic sex, addiction, misogyny and racialized violence, despicable antiheroes, and the exploitative world of ordinary people sharing their profound pain for a national audience of millions. What's unique about this programming is that it encourages us to find pleasure in being disturbed, training us to survive an increasingly precarious world that it also asks us to surrender to. Next Newman and Kate Wolf speak with LARB's TV editor Phillip Maciak about his new book, Avidly Reads: Screentime. Part cultural criticism, part personal essay, Screentime explores how fears over kids spending too much time playing video games and watching TV in the 1990s has morphed in the current proliferation of ubiquitous screens that capture—and demand—our attention seemingly everywhere. Screentime looks at how what once was a threat has now become a metric tracked in every moment of our lives.

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Today we’re speaking with writer and critic Claire Dederer, the author of Love and Trouble, as well as the memoir Poser: My Life in Twenty-Three Yoga Poses. She is a long-time contributor to the New York Times, and her work has also appeared in the Atlantic. The Nation, NY Magazine as well as many others.Her new book is called Monsters: A Fan’s Dilemma. The book is a personal and critical investigation of how to deal with the art and work of difficult, or monstrous people. She first started thinking abuot this question while working on a book about Roman Polanski. Dederer dives into the knotty moral issues around art and the often flawed people who make it. She considers how an artist’s behavior might stain and affect the way an audience approaches a work. Dederer explores and asks questions about people like Woody Allen, JK Rowling, Picasso and Nabokov. How do we deal with the monsters among us, especially when they’ve created something we love?Also, Hernan Diaz, authoir of Trust, drops by to recommend works by two norwegian writers, Love by Hanne Orstavik and Evil Flowers by Gunnhild Oyehaug.

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Kate Wolf is joined by the Turner prize-winning artist Helen Cammock to discuss her new book, and current exhibition at Art and Practice in Los Angeles, I Will Keep My Soul. Both are drawn from Cammock’s time in New Orleans—which she began to visit early last year—and address the city’s social history, geography, and community. Her book brings together poetry, film stills, photography, collage, and a number of archival documents from the Amistad Research Center. One of the focuses of Cammock’s research is the artist Elizabeth Cattlet, an active member of the Civils Rights Movement who taught in New Orleans early in her career in the 1940s before leaving the US for Mexico. Decades later, she received a commission to create a sculpture of Louis Armstrong in Congo Square, a historical meeting place for enslaved people in the city. Cattlet’s words and work are woven throughout the book, and evoke the rich accumulations of history that are ever present, and constantly presenting themselves, within a contemporary encounter of place.Also, Colm Toibin, author of A Guest at the Feast, returns to recommend Claire Keegan's Small Things Like These.

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A LARB Radio Hour doubleheader featuring two innovative approaches to addressing nature in, and with, art. In the first half of the show, Kate Wolf speaks with LARB-contributor Tom Comitta about their first novel The Nature Book, “a literary supercut” that collects and collages descriptions of the natural world from 300 works of fiction by authors spanning Charles Dickens and Emily Bronte to Toni Morrison and William Gibson. The Nature Book is a narrative encompassing the changing of the seasons and the sweeping movement from islands to jungles and grasslands to outerspace, while also serving as an archive of the way nature has appeared in novels since the form was invented to the present day. Then, in the second half of the show, Kate Wolf and Eric Newman are joined by the scholar Suzaan Boettger to discuss Inside the Spiral: The Passions of Robert Smithson, the first biography of the great American best known for his breathtaking work of land art The Spiral Jetty. Exploring the autodidact's interest in religion, psychology, sexuality, temporality, and our shifting relationship to the environment, Inside the Spiral offers an account of Smithson as a multi-hyphenate thinker and artist whose work has had an enduring impact on contemporary art and the existential questions of place, space, and relation we wrestle with today.

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Colm Tóibín joins Eric Newman and Kate Wolf to speak about his latest book, a collection of essays, A Guest at the Feast. The book brings together an inspiring range of pieces that Tóibín has published over the last three decades, from his visceral, forthright, and very funny essay on his cancer diagnosis and treatment, to the stirring title essay of the collection, which is an episodic remembrance of his youth in the small town of Enniscorthy in Ireland. The collection also features Tóibín's political commentary, with pieces that draw on his days as a reporter and magazine editor—including coverage of the 1983 Supreme Court case against homosexuality in Ireland and his appraisals of three popes—as well as his masterful literary criticism in considerations of the authors Marilyn Robinson, Francis Stuart, and John McGahern.Also, Jenny Liou, author of Muscle Memory, returns to recommend Koon Woon's collection of poetry Water Chasing Water.

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On this special LARB Book Club episode of the Radio Hour, Editor-In-Chief Michelle Chihara talks to Poet Jenny Liou about her debut book Muscle Memory, Liou’s vulnerable intense series of autobiographical poems about Chinese American ancestry, family, and about Jenny’s time as a Mixed Martial Arts cage fighter. Jenny practiced martial arts as a kid, ran track in college, and then started training at a jiu jitsu gym during her time in graduate school. Eventually, that led to a career as a professional fighter for a variety of outfits, including Invicta, the pioneering women’s fighting organization that was a pipeline to the UFC. She has an undergrad degree in biology and graduate degrees in English and writing, and she now teaches at a college in the Pacific Northwest, where she lives with her two small kids. Muscle Memory draws on all of her complicated paths through different forms of competition and different kinds of loyalties. Michelle and Jenny talk across the different disciplines of writing and fighting, about how it feels to be in the cage, about who we fight and why and how. We use the word “identity” a lot these days, but Jenny’s poems and this conversation delve into all of the contradictory and complex currents that truly drive us.Also, McKenzie Wark, author of Raving, returns to recommend Faltas: Letters to Everyone in My Hometown Who Isn’t My Rapist by Cecilia Gentili.

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Kate Wolf speaks with the writer and scholar McKenzie Wark about her latest book, Raving. Raving beckons readers onto the dance floors of underground parties in New York, combining Wark’s own vivid experience of these spaces with her theories of the rave itself. Wark considers the rave’s potential for a break in linear time, and its offering of a different mode of self-embodiment or self-abandon; its condition as a communion place for a variety of queer and trans bodies; its array of substances; and of course, its techno soundtrack. In the book’s six essays Wark moves seamlessly from autofiction to reportage to cultural critique, and invites the voices of other ravers along for the ride.Also, Malcolm Harris, author of Palo Alto: A History of California, Capitalism, and the World, returns once again to recommend Antony Loewenstein's The Palestine Laboratory.

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Medaya Ocher and Kate Wolf speak with the renowned Mexican writer Cristina Rivera Garza about her first book written in English, Liliana’s Invincible Summer: A Sister’s Search for Justice. The book begins with Rivera Garza's experience of searching for the police record of her sister Liliana’ murder, which took place in Mexico City in 1990 at the hands of an ex-boyfriend when Liliana was 20 years old. But the maze of bureaucracy and indifference she encounters leads her to another kind of record, that of Liliana’s own writing. A mischievous, funny, and exceedingly bright young woman, Lilliana wrote frequently in journals and letters, and through them, as well as through the recollections of her many friends, Rivera Garza reclaims her sister’s memory. A testament to familial love and the indelible nature of loss, the book also considers the epidemic of femicides in Mexico and the importance of the language and the activism that has emerged around such violence in the three decades since Liliana’s death.Also, Malcolm Harris, author of Palo Alto: A History of California, Capitalism, and the World, returns to recommend Ma Bo'le's Second Life by Xiao Hong.

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Malcolm Harris joins Eric Newman and Medaya Ocher to discuss Palo Alto: A History of California, Capitalism, and the World. A native of Northern California, Malcolm attended Palo Alto High School and that High School experience is a jumping off point of sorts — and a dark one — for the book that Malcolm joins us to discuss. Malcolm's hefty tome, a history of California told through a Marxist lens, opens with a grim reflection on the spate of suicides that darkened his high school years. Teens who took their lives on the train tracks over which Leland Stanford built Palo Alto and much of the booming Western economy that has made the Bay Area and California in general such a dominant pole of global wealth, innovation, and the allure of good, easy living. It's that darker side to this history that Malcolm brings into focus throughout PALO ALTO, a history of Silicon Valley that traces the region's celebrated ideologies, technologies, and policies to its roots in Anglo settler colonialism, racial capitalism, and the ravages of an extractive system that builds glittering new worlds and opportunities for a few, too often at the expense of everyone else up to and including the earth itself. Malcolm explores how the histories of big tech, the military industrial complex, and Stanford University converge in the story of Palo Alto, braided together in a way that at once builds the world we have today at the cost of a potentially better one.Also, Emmanuel Iduma, author of I Am Still With You, returns to recommend three books: The Return by Hisham Matar, Afterlives by Abdulrazak Gurnah, and A Spell of Good Things by Ayobami Adebayo.

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Eric Newman is joined by LARB Film Editor Annie Berke and film critic Kyle Turner for a special 2023 Oscars Preview episode. Ahead of this weekend's award show, the trio chats about general trends from the past year in movies and in the film industry more broadly and offers a few predictions for which stars and flicks they think will take home the night's biggest prizes. Eric, Annie, and Kyle also dish on their faves and flops from the year in film, including The Fabelmans, Everything Everywhere All At Once, The Banshees of Inisherin, Tár, The Whale, Don't Worry Darling, M3GAN, and much more.

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Kate Wolf is joined by writer and critic Emmanuel Iduma to discuss his new memoir, I Am Still With You: A Reckoning With Silence, Inheritance, and History. The book follows Iduma’s return to his native Nigeria after many years of living abroad. It recounts his travels through the southern portion of the country in search of information about one of his uncles—the man for whom he was named but never met. The elder Emmanuel disappeared after fighting in Nigeria’s Civil War, also known as the Biafran War, a conflict that lasted from 1967 to 1970, and came on the heels of Nigeria’s independence from British Rule. Though it touched the lives of a significant amount of the population, and killed over a million Igbo people, the war is still shrouded in mystery within the country, and like Iduma’s uncle, the fates of many of its casualties remain unknown. In I Am Still With You, Iduma meets the lacunae of his uncle’s life head on, in turn confronting other painful absences within his family with a thoughtful introspection, using history, literature, the archive, and vivid encounters from everyday life to make a path across the abyss.

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Medaya Ocher and Eric Newman speak to Laura Poitras about her latest documentary, All the Beauty and the Bloodshed, recently nominated for an Academy Award. The film explores the efforts of celebrated photographer Nan Goldin and a group of activists to compel arts institutions to refuse donations from the Sackler pharmaceutical family and remove their names from the walls of the many exhibits and museums they fund in recognition of the damage their highly lucrative opioid OxyContin has wreaked in communities across America. Blending an intimate and revealing look at Goldin's with footage of the group's actions against the Sacklers, this moving documentary offers a powerful account of art, activism, and the struggle to be heard above the clamor of wealth and the cultural and political power it concentrates. Also, Ann Goldstein, translator of Alba de Cespedes' Forbidden Notebook, returns to recommend The Cazalet Chronicles, a five book series, by Elizabeth Jane Howard.

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Medaya Ocher and Kate Wolf speak with the celebrated translator Ann Goldstein, whose most recent translated work is a novel called Forbidden Notebook by Alba de Cespedes. Ann Goldstein is a former editor at the New Yorker, where she worked from 1974 to 2017. She began translating Italian literature in the 90’s and in 2005 she transalted Elena Ferrante’s Days of Abandonement. She went on to translate Ferrante’s entire Neapolitan trilogy, starting with My Brilliant Friend. Ann’s latest translation, Forbidden Notebook, is a novel written by the Cuban-Italian writer Alba de Cespedes. It was first published in Italy in the 1950s. It centers around a woman who buys a notebook on a whim, and begins to furtively write in it, hiding it and herself from her husband and her children. Through the notebook, she begins to learn more about herself, her desire, her guilt, the sacrifices she has made for her family, her past and her future.Also, Maggie Millner, author of "Couplets," returns to recommend The Call-Out: A Novel in Rhyme by Cat Fitzpatrick.

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Maggie Millner joins Medaya Ocher and Kate Wolf to discuss her debut book, Couplets, a love story in verse, written in alternating chapters of couplets and prose poems. It’s about a woman whose life is good: she has a loving partner, caring friends, organic vegetables, plenty of tote bags. Everything changes when she meets a woman at a bar and falls deeply in love, beginning an intense, consuming affair. What follows is an exploration of selfhood — a body and heart turned inside out. Millner writes about the ways in which we discover ourselves, the power other people have over us, about being both subject and object. Couplets is about relationships, queerness, sex and desire, as well as the very act of writing all of that down and turning it into poetry. Also, De'Shawn Charles Winslow, author of Decent People, returns to recommend What Napolean Could Not Do by DK Nnuro.

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Kate Wolf and Eric Newman are joined by author De'Shawn Charles Winslow to speak about his novel, Decent People. The book is set in the fictional small town of West Mills, North Carolina, and takes place in 1976, when West Mill is still segregated. It focuses on a crime: the calculated murder of three siblings in their home. Marian, Marva, and Lazarus Harmon have been found dead, and there are plenty of people to suspect of having wanted to kill them, including their half-brother Lymp, whose fiancé Jo is determined to prove his innocence; Eunice, an acquaintance from church whose teenage son Marian has wronged; Savannah, who was close friends with Marva and shared a drug habit with her; and Savannah’s father, Ted, who served as the landlord of the siblings’ pediatric practice in town. Alternating perspectives between many of these characters, the novel untangles the tightly knit and interrelated stories of people in a community who know each other intimately—sometimes too intimately for comfort—and considers the ways in which the need for privacy and autonomy can corrode into secrecy, even conspiracy, as well as the harmful effects of racism and homophobia across decades.Also, Kathryn Ma, author of The Chinese Groove, returns to recommend Gish Jen's short story collection Thank You, Mr. Nixon.

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Kathryn Ma joins Eric Newman to discuss her most recent novel, The Chinese Groove, which follows protagonist Xi Liu Zheng, who goes by Shelley, as he leaves his home in China's Yunnan province to make his future with the help of a rich uncle in San Francisco. But Shelly's journey is a comedy of errors in which nothing is as he expected. Yet, with indefatigable optimism, compassion, and determination, Shelly works to change his fortune and repair fractured family bonds. At once a harrowing immigrant tale and a humorous romp through cultural misunderstandings, The Chinese Groove explores the everyday negotiations of romance and family ties, as well as the power of belief that helps us make our way through the world without breaking.Also, Curtis White, author of Transcendent: Art and Dharma in a Time of Collapse, returns to recommend two classic authobiographies, The Education of Henry Adams by Henry Adams, and The Seven Story Mountain by Thomas Merton.

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Curtis White joins Kate Wolf and Eric Newman to speak about his latest essay collection, Transcendent: Art and Dharma in a Time of Collapse. The book offers an incisive critique of the Westernization of Buddhism, from its adoption by tech companies like Amazon and Google into a practice of corporate mindfulness that aids with productivity in the workplace; to its embrace by New Atheists, such as Stephen Batchelor, who argue for Buddhism without beliefs; to its reduction to being solely a matter of neuroscience. White emphasizes the more unruly, unmaterialistic aspects of the dharma—defamiliarization, passion, and metaphysical consciousness— all of which he argues share a deep connection to the work of Western artists, musicians, and poets. Writing with a fiery skepticism about techno-capitalism as the only solution to solving the world’s crises, White advocates for Buddhism’s place as a form of resistance and a way to think against the status quo.Also, Anand Giridharadas, author of The Persuaders, returns to recommend V.S. Naipaul's A Million Mutinies Now.

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Award-winning journalist Anand Giridharadas joins Eric Newman and LARB’s new Editor-in-Chief Michelle Chihara to talk about his latest book, The Persuaders: At the Front Lines of the Fight for Hearts, Minds, and Democracy. The Persuaders, which is this month's selection for the LARB Book Club, offers an inside account of how activists, politicians, educators, and other leaders on the Left are working to manifest change in a deeply divided America. It's a fabulous study, chock full of interesting tidbits gleaned from hundreds of hours of interviews with folks like Black Lives Matter's Alicia Garza, Congressional Representative Alexandra Ocasio Cortez, Bernie Sanders' campaign workers, and so much more. The Persuaders goes deep to get a handle on what helps change hearts and minds at a time when our fragile nation feels more divided than ever and common ground is eroding beneath our feet.Also, Sabrina Imbler, author of How Far the Light Reaches: A Life in Ten Sea Creatures, returns to recommend Patricia Likes to Cuddle by Samantha Allen.(To sign up for the LARB Book Club membership, visit www.shop.lareviewofbooks.org/join)

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Eric Newman and Medaya Ocher speak with Sabrina Imbler, a Brooklyn-based writer and science journalist, about their debut essay collection, How Far the Light Reaches: A Life in Ten Sea Creatures. Part creature feature part memoir, each essay explores the life of a unique sea animal as a means of illuminating key experiences from Sabrina's own life story. Across essays the life of a Chinese sturgeon is a catalyst for understanding a grandmother, a whale necropsy for understanding a dying romance, or a bloom of slippery slopes who help us understand the ephemeral joys of queer gathering.Across the collection they ask us to think about how our lives mirror those of the animals around us, especially the ones who so often escape our gaze, just like the darker facets of our own personalities and histories.Also, the writer and curator Jordan Stein, author of Riptales, returns to recommend Eat Your Mind: The Radical Life and Work of Kathy Acker by Jason McBride.

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In an encore presentation, Adam Phillips joins Kate Wolf to discuss his two latest books, both published this year, On Wanting to Change and On Getting Better. The series looks at the very human impulse toward transformation, from religious and political conversion, and the conversion to family life from which one must ultimately emerge, to the aims and practices of psychoanalysis, along with more quotidian ideas of self-betterment. As always in his work, Phillips attends in these books to the aspects of ourselves that can be hardest to bear, and that can lead us to desire more rigid structures — intellectual or otherwise — or desire to be someone else, while also quietly petitioning for a more complex and thoughtful mode of change in which, as Socrates encouraged his pupils, we learn only to be ourselves. How might we get better, Phillips wonders, at talking about what it is to get better?Also, Pankaj Mishra, author of Run and Hide, returns to recommend Josep Pla’s The Grey Notebook.

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Writer and curator Jordan Stein joins Kate Wolf to discuss his book Rip Tales: Jay DeFeo’s Estocada and Other Pieces. The book centers on the American artist Jay DeFeo who’s best known for her monumental 2,000 pound painting The Rose, which she worked on for eight years. Following her eviction, in 1965, it had to be removed from her apartment by a forklift after the building’s bay window was sawed off. At the time, DeFeo was in the process of completing another painting, Estocada, a piece on paper stapled directly to the walls of her hallway. Instead of removing it intact, she ripped the pieces of the work apart and over the next decades reanimated the fragments by way of photography, photocopy, collage, and relief. While Stein documents the many incarnations of Estocada in his book, its mutating quality also become a template for writing about other Bay Area artists — including Trisha Donnelly, Ruth Asawa, Lutz Bacher, and Vincent Fecteau — whose work similarly engages with risk, reinvention, absence, ephemerality, and community.Also, Jamieson Webster, author of Disorganisation and Sex, returns to recommend The Case of Dominique by Francoise Dalto.

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We made it to the end of the year... and our favorite episode! Kate, Medaya, and Eric share their favorite books, movies, TV shows, podcasts, music, and more in this look back at the year that was 2022.

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A LARB Radio double header on two mavericks of independent cinema. In the first half of the show, Kate Wolf and Eric Newman are joined by Joyce Chopra to discuss her new memoir, Lady Director: Adventures in Hollywood, Television, and Beyond. The book traces Chopra's earliest inspirations as a young girl growing up near Coney Island to the projects that launched her storied career across TV news, documentaries and feature films, including the feminist classics Joyce at 34 and Smooth Talk. The memoir also engages larger questions about how women combatted sexism in the entertainment industry before the #MeToo movement and in its wake. Chopra's story offers a path for women in film and beyond to find creative achievement, and that moving target we call happiness. Next, Kate Wolf speaks with Chris Smith about his most recent movie, Sr. It documents the career of the American underground filmmaker Robert Downey Sr., who’s best known for his 1969 farce Putney Swope, about an advertising agency in New York City. Downey made over a dozen other films, such as Greaser’s Palace, Chafed Elbows, and Hugo Pool, which stars his son, the actor Robert Downey Jr., who made his debut in another film of his father’s, Pound, when he was only five years old. In Sr. Smith follows Robert Downey Jr.'s experience of reckoning with his father’s wildly creative and unconventional life, his complicated parenting, and his painful decline as he struggles with Parkinsons, all while celebrating the work of a true iconoclast.

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Kate Wolf speaks with the writer and psychoanalyst Jamieson Webster about her most recent book Disorganisation and Sex, which collects a decade’s worth of Webster’s essays on themes such as desire, pleasure, fantasy, and the unconscious, and the often uneasy relationships we have with them in our everyday lives. Sex, Webster writes, is sometimes felt as a curse, not a cure—and by extension its disorganizing force is both highly guarded and legislated against (as it was recently with the overturning of Roe vs Wade). In her writing and clinical work, Webster sees the role of the psychoanalyst as someone “who takes on the burden of disorganisation and tries, at all costs, to do something other than make it go away,” leaving room for its revelatory potential and power to change us.Also, Hilton Als, author of My Pinup, returns to recommend Henry Green's Party Going.

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Hilton Als, joins Eric Newman to discuss his new book, My Pinup, a hybrid memoir-essay that explores questions of race, desire, and autonomy through an intense and intimate focus on Hilton's relationship with and to polymath musician and sexual dynamo Prince. By looking at Prince as a subject of queer desire and being and at his recording career as a study in the struggle between Black excellence and white corporate control, MY PINUP probes the simultaneous allure of Black queer aesthetics and its disavowal in the hostile terrains of the music industry and American culture. The memoir/essay offers us a chance to remember and get close to the Prince that was, and to mourn the Prince that could have been. Also, Dionne Irving, author of The Islands, returns to recommend A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib.

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Author Dionne Irving joins Eric Newman to talk about her debut story collection, THE ISLANDS. Moving across the United States, Jamaica, England, and France, the collection explores its female characters' experience of diasporic dislocation, that feeling of never quite fitting into the rhythms of either their adopted culture or their culture of origin. Dionne's prose reveals origin—that foundational and orienting sense of where one is "from"—as an eternally unsettled question for these female protagonists, troubling the ways in which they find or make a home for themselves and the relationships they form with others. Also, Peter Brooks, author of Seduced by Story: The Use and Abuse of Narrative, returns to recommend The Shadow King by Maaza Mengiste as well as The Anomaly by Herve Le Tellier.

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Kate Wolf and Medaya Ocher are joined by literary critic and scholar Peter Brooks. Brooks is the Sterling Professor of Comparative Literature Emeritus at Yale. He is the author of many books but perhaps most notably of Reading for the Plot, originally published in 1984, which initiated the narrative turn in literary criticism. In it, Brooks focused on the story, how it was told and how it moved forward. His latest book Suduced by Story returns to narrative as its main subject, 30 years later. Brooks now finds narrative everywhere — from President Bush invoking the “stories” of all of his cabinet members to corporate websites touting the company “story”. What does this narrative takeover mean? Why have we started to privilege storytelling over any other form of expression? Brooks writes “This…suggests something in our culture has gone astray.” Peter Brooks joins us today to discuss, as he puts it, “the misuses, and mindless uses, of narrative.” Also, Darryl Pinckney, author of Come Back in September, returns to recommend three books: Elizabeth Hardwick's Seduction and Betrayal; Margo Jefferson's Constructing a Nervous System; and Marina Warner's Esmond and Ilia.

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In the first half of the show, Kate Wolf and Eric Newman are joined by LARB contributing editor Jon Wiener to remember the historian Mike Davis, who died last week at 76 years old. Jon and Mike were longtime friends and together they wrote Set the Night on Fire: L.A. in the Sixties, Davis's final book. Then Kate speaks with the writer Constance Debré about her novel, Love Me Tender, the first of her books to be translated in English. It follows a woman, who like Debré was once a lawyer, but has quit her job, and vacated the comforts of her former life to devote herself to her writing. She has a son from her marriage named Paul. After telling her husband, who she's separated from, that she has decided to be with women, the narrator’s ex starts to turn Paul against her and prevents her from seeing him. The novel takes place over the span of a glacial court case that will decide the narrator's fate with her son—all the while asking critical questions about the fearsome nature of unconditional love and attachment, the roles of gender and motherhood, and the unassailability of the truth.

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Eric Newman and Kate Wolf speak with the novelist and critic Darryl Pinckney about his new memoir, Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan. The book recounts Pinckney’s relationship with a legend of American letters: the singular stylist Elizabeth Hardwick. Hardwick was Pinckney’s professor in a creative writing class at Barnard in the early 1970s, and they quickly became close friends. She invited him into her home, into her writing process, and into a world of New York literary culture and gossip, which Pinckney doles out here in generous cupfuls. It was through Hardwick that Pinckney met Barbara Epstein, an editor and co-founder of the New York Review of Books, where he began his writing career. His memoir documents a critical time in both his own life and in Hardwick’s, including the dissolution of her marriage to the poet Robert Lowell, and the composition of her masterful novel, Sleepless Nights. Also, Namwali Serpell, author of The Furrows, returns to recommend "Old Boys Old Girls" a short story by Edward P. Jones from his collection All Aunt Hagar's Children.

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On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times’s Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books’ series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers’ Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist’s life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell’s novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

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Kathryn Scanlan joins Kate Wolf and Medaya Ocher to discuss her new novel, Kick the Latch. A series of taut, electrifying vignettes based on real-life interviews, the book narrates the life of Sonia, a horse trainer in rural Iowa, who enters the world of competitive racing while still in high school. Sonia’s experiences at the racetrack are by turns exultant and brutal: they take place in an atmosphere in which both human and animal are often pushed to the edge of their lives in the name of winning it all. But Sonia’s grit, devotion, and perseverance serve to counter to the exceptional details of her life and work. In her, Scanlan crafts a uniquely humane and gripping voice that reveals itself in small details, idiosyncratic phrases, and deep tenderness. Also, Hua Hsu, author of Stay True, returns to recommend Maxine Hong Kingston's Tripmaster Monkey: His Fake Book.

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Hua Hsu joins Eric Newman to discuss his latest book, STAY TRUE. The memoir recounts Hua's feeling of being caught between the Taiwanese culture of his immigrant parents and the burgeoning Silicon Valley suburbs in which he was raised. A lifeline of sorts is thrown to him in the form of Ken Ishida, a confident young man from a multigenerational Japanese American family. At first, it seems that Ken has every Hua lacks—the looks, the easy social confidence, a finger on the pulse of American culture. But during their friendship those first years of college, the young men support and lean on each other as they grow into adults with bright—if intangible—futures ahead of them. But one night, a shocking and random act of violence takes Ken away and Hua and his friends must try to makes sense of a senseless tragedy and pull back together the broken lives left in its wake. Also, Andrew Sean Greer, author of Less is Lost, returns to recommend Julian Delgado Lopera's Fiebre Tropical.

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Andrew Sean Greer, author of six novels, including The Confessions and the Pulitzer Prize-winning Less, joins Eric Newman to talk about Less Is Lost, a sequel to 2017's Less. This latest installment finds our beloved and bewildered eponymous gay novelist of minor repute dashing across the American Southwest, South and East Coast as he scambles to save, and in some ways clarify, his relationship with Freddy Pelu and pay back some monumental back rent on the charming San Francisco home left to him by his recently deceased lover, Robert Brownburn. As Less takes his fish out of water act on the road, Andrew Sean Greer treats readers to a number of poignant insights on the nature of love, devotion, belonging, and the by turns miserable and, er, miserable condition of being a writer. Also, Yiyun Li, author of The Book of Goose, returns to recommend Charlotte Bronte's Villette.

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Kate Wolf speaks with celebrated author Yiyun Li about her latest novel, The Book of Goose. A tale of a passionate friendship between two adolescent girls set in a rural village in postwar France, The Book of Goose is told from the perspective of Agnès. Now living in America, many years later, she recounts the devotion and creativity she shared with her best friend, Fabienne, when they were young. Together the two girls composed a book of stories, but, at Fabienne’s urging, Agnès posed as the sole author when the book was eventually published, setting the course of their lives in two very different directions. An examination of friendship, poverty, feminine ambivalence, and death, Li’s novel is most concerned with the nature of stories themselves: where they come from, how they function, and who they belong to.

Also, Rachel Aviv, author of Strangers to Ourselves: Unsettled Minds and the Stories that Make Us, returns to recommend Louis Sass’s Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought.

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Kate Wolf and Medaya Ocher are joined by New Yorker staff writer Rachel Aviv to discuss her first book, Strangers to Ourselves: Unsettled Minds and the Stories That Make Us. The book collects the stories of people whose mental health crises subvert our usual understanding of diagnosis, treatment, and healing. It begins with Aviv herself, who was hospitalized at the age of six for anorexia, before she even knew the term for her illness. Each chapter is then dedicated to a different person: Bapu, an Indian Brahmin woman, who shortly after giving birth dedicates herself to religious asceticism and mysticism; Naomi, a Black woman, who in her psychosis, despairs of the very real racism and generational oppression that surrounds her; and Ray Osheroff and Laura Delano whose chapters both show the ways in which psychiatry is still grappling with medication and biology. Aviv explores how mental illness can defy psychiatric explanation, requiring a broader view of the economic, social and lived realities of the people who experience it. Also, Raquel Gutierrez, author of Brown Neon, returns to recommend Dog Flowers by Danielle Geller.

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Editors of The LARB Quarterly, Chloe Watlington and Michelle Chihara, join Jeff Weiss of theLAnd and local designer and near-futurist writer, Schessa Garbutt, on a panel at this summer's LITLIT Festival.to discuss the love and labor of print magazines, designing for print, and ongoing debates around the relevance of literary criticism and production today. On July 30th and 31st, LARB presented the second annual LITLIT, or Little Literary Fair, in partnership with Hauser & Wirth Publishers at Hauser & Wirth’s stunning gallery space in Downtown L.A.’s Arts District. LITLIT brought together 48 small presses and literary arts organizations and over 5,000 visitors for a two-day celebration of independent publishing on the West Coast. All five free panel discussions from the weekend are available to watch back on litlit.org. Today, you’ll hear one of these special conversations, For the Love of Print.

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Translators Andrew Way Leong, Bruna Dantas Lobato, Robin Myers, and Magdalena Edwards discuss the Art of Translation on a panel at this summer's LITLIT Festival. On July 30th and 31st, LARB presented the second annual LITLIT, or Little Literary Fair, in partnership with Hauser & Wirth Publishers at Hauser & Wirth’s gallery space in Downtown L.A.’s Arts District. LITLIT brought together 48 small presses and literary arts organizations and over 5,000 visitors for a two-day celebration of independent publishing on the West Coast, which included five free panel discussions. Today, you’ll hear one of these special conversations, The Art of Translation, produced in partnership with the Center for the Art of Translation in San Francisco. Andrew Way Leong, Bruna Dantas Lobato, Robin Myers, and Magdalena Edwards, four eminent translators, discuss the hard-fought, increasing visibility of their art and offer insight into their methods and projects. Are you a literary translator who has not yet publishing a book-length work? Know an emerging translator? Consider applying to the new LARB + Yefe Nof Emerging Translation Residency in Lake Arrowhead this winter. Applications are due September 14. Learn more and apply today at lareviewofbooks.org/events.

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An encore presentation from early 2021 that speaks to our current summer of floods, droughts, blazing temperatures and extreme weather across the northern hemisphere: Hosts Kate and Medaya are joined by New Yorker staff writer and Pulitzer Prize-winning author Elizabeth Kolbert, whose new book is called Under a White Sky: The Nature of the Future, in which Kolbert explores the many ways humans intervene in nature. Kolbert discusses invasive species, the sinking of New Orleans, the triage plan for climate change and how solar geoengineering might bleach our skies. Also, Karla Cornejo Villavicencio, author of The Undocumented Americans, returns to recommend Children of the Land by Marcello Hernandez Castillo.

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On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Lindsay Wright are joined by K-Ming Chang to discuss her collection of stories, Gods of Want. Chang made her debut with the 2018 poetry chapbook Past Lives, Future Bodies, which she followed up in 2020 with the novel Bestiary. A New York Times Book Review Editors’ Choice long-listed for the Center for Fiction First Novel Prize and the PEN/Faulkner Award, Bestiary is a strikingly imaginative, fable-like tale of three generations of women who immigrate to the United States from Taiwan. Some of Bestiary’s motifs — hauntings, queer desire, violence, and unexpected transformations — recur in Chang’s 2021 chapbook Bone House, a phantasmagoric spin on Wuthering Heights, and also in Gods of Want. Shifting between genres, modes, and degrees of gravity, the collection displays the young Taiwanese American author’s striking inventiveness, both at the level of imagery and of language, as well as her cutting humor.

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Architecture critic and author, Alexandra Lange joins us today to talk about her latest book, Meet Me By The Fountain: An Inside History Of The Mall. As it's title suggests, Meet Me By The Fountain explores the beginnings and development of the American shopping mall, but rewards our nostalgic gaze with a fascinating look at the mall as architectural challenge and sociological phenomenon. As a response to the changing relationships to consumerism and urban space in the post-World War II period, the shopping mall soared in popularity for Americans in large part because it offered at once a space for consumerist escape and nearly complete environmental and social control. It shaped its won social culture, shot through with all of the prejudices of the world outside but with the promise of experiential transformation. In Meet Me By The Fountain, the shopping mall emerges as a uniquely postmodern public space grounded in the perennial human longing for social connection, and the nostalgia we feel for that space in the present demonstrates its ongoing appeal, even in the present when it is considered to be, if not dead, dying an all-but certain death. Also, Elvia Wilk, author of the essay collection Death By Landscape, returns to recommend both Marlen Haushofer's 1963 novel The Wall (German: Die Wand) and Ned Beauman's new novel Venomous Lumpsucker.

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Elvia Wilk joins Kate Wolf to discuss her latest book, Death by Landscape, a collection of essays, including one originally published by the Los Angeles Review of Books. The pieces in Death by Landscape invite us to look closer at the narratives that persist in this time of environmental collapse and cataclysm. Reading a range of fiction and theory — including the work of writers such as Mark Fisher, Margaret Atwood, Amitav Ghosh, Jeff VanderMeer, Octavia Butler, and Karen Russell — Wilk explores the stories and genres that might allow us to decenter our human perspective of Earth and reimagine old divisions, such as those between people and plants, dystopia and utopia, role play and reality, and existence before and after apocalypse.

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The writer and critic Raquel Gutiérrez joins Kate Wolf and Eric Newman to speak about their debut collection of essays, Brown Neon. The book follows Gutiérrez's peregrinations across time and place, particularly the West and Southwest: from their upbringing in 1990s Los Angeles as a member of post punk bands and inside of a queer community of color, to their years as an arts administrator in Northern California, as well as their more recent experiences in the borderlands of Arizona and Texas. With an approach that is both intimate—many of the artists they write about are close friends— and expansive, the book takes on issues of identity, gender, class, ownership, and legacies of violence, with complexity, historical perspective, and rapt attention to place. Also, Joseph Osmundson, author of Virology, returns to recommend C. Russell Price's poetry collection Oh, you thought this was a date.

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Joseph Osmundson joins Eric Newman to discuss VIROLOGY, his new collection of essays published in June by Norton. Joe is a professor of microbiology at NYU, critic, essayist, and co-host of the Food4Thot podcast. Part memoir, part COVID diary, part essayistic journey into questions of risk, identity, and modern culture, Virology loosely explores what queer thought and experience can help us see and understand about viruses, and what a close look at viruses can help us understand about ourselves and our relation to others and the world. Two major pandemics saturate the book—the legacy of the HIV/AIDS crisis of the 1980s and 1990s, and the COVID19 pandemic of the past several years. In looking at how queerness, risk, and social bonds intersect with moments of peak medical crisis, Joe searches out how we have been challenged and changed by pandemics and what new worlds we can build out of that experience.

Also, Ruth Wilson Gilmore returns to recommend six books, which, taken together, renew her faith in "human internationalism from below." The titles and authors are: Sinews of War and Trade by Laleh Khalili, Almanac of the Dead by Leslie Marmon Silko, Those Bones are Not My Child by Toni Cade Bambara, Return of a Native by Vron Ware, The Common Wind by Julius S. Scott, and the collection As If She Were Free edited by Erica L Ball, Tatiana Seijas, and Terri L Snyder.

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Kate Wolf speaks with the renowned French filmmaker Claire Denis about her latest feature, Both Sides of the Blade, out in theaters now. It stars Juliette Binoche and Vincent Lindon as Sara and Jean, a couple who have been together for almost a decade. Sara works in broadcasting, and Jean is a former rugby player looking for a job, but finding it difficult after serving a prison sentence some time ago. Sara used to be with a different man, François, Jean’s old co-worker. When François remerges in their lives, Sara is overcome by yearning, returned to a love that never really went away. Jean is more circumspect but begins to work with François again, and the drama unfurls from there. The film probes the power of female desire and the possibilities of escaping one’s past, while subtly examining bureaucracy as well as racial and class tensions in France.

Also, Nell Zink, author of Avalon, returns to recommend Croatian novelist Robert Perišić’s No-Signal Area, translated by Ellen Elias-Bursac.

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Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her new collection, Abolition Geography: Essays Toward Liberation, which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism.

Also, Natalia Molina, author of A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, returns to recommend two books on Latinx Los Angeles, George Sanchez’s Boyle Heights: How a Los Angeles Neighborhood Became the Future of American Democracy, and Pierrette Hondagneu-Sotelo and Manuel Pastor’s South Central Dreams: Finding Home and Building Community in South LA.

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Kate Wolf and Eric Newman are joined by historian Natalia Molina to discuss her most recent book, A Place at the Nayarit: How a Mexican Restaurant Nourished a Community. The book follows Molina’s maternal grandmother, Doña Natalia Barraza, who immigrated to Los Angeles from Mexico in the 1920s and went on to open a series of restaurants. The most successful and longest lasting was the Nayarit, which opened on Sunset Boulevard in Echo Park in 1951. The Nayarit served the ethnically diverse and historically progressive and queer neighborhood for over two decades. As Molina, a MacArthur Fellow, shows, it was a refuge for members of the city’s Latinx community, many of whom were recent arrivals in the United States. At the Nayarit they “could come together for labor, leisure, and access to a ready-made social network,” and this act alone would shape the face of Los Angeles for years to come.

Also, Ottessa Moshfegh, author of Lapvona, returns to recommend Dr. Mike Bechtle's The People Pleaser’s Guide to Loving Others without Losing Yourself.

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Author Ottessa Moshfegh returns to speak to Kate Wolf about her latest novel Lapvona. The book is set in a medieval village of the same name; a place beset by violence and extreme cruelty. Its ruler is the loutish overlord Villiam, who engineers massacres of Lapvona’s inhabitants whenever dissent grows and steals their water during a deadly drought. Villiam’s distant relative is Jude, a shepherd who beats his son Marek and lies about the fate of Marek’s supposedly deceased mother. Marek weathers his father’s abuse through a devotion to God and the soothing of the village wet nurse, Ina, but his piety doesn’t keep him from his own brutal acts. In a fatal twist, he ends up in the care of Villiam, on the hill above the suffering villagers, increasingly complicit in Lapvona’s corruption, which is as germane today as a thousand years ago. Also, Elif Batuman, author of Either/Or, returns to recommend The Eighth Life by Nino Haratischvili.

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Author Nell Zink joins Eric Newman and Kate Wolf to talk about her latest novel, Avalon. The book is a coming of age novel centered on Bran, a young woman abandoned by her parents, left to fend for herself on a Southern California farm where she helps raise and sell exotic plants amid the looming presence of a biker gang. When Bran meets Peter, a college student thick on theory and philosophy, she glimpses the possibility of a lush new world of ideas and possibility. The two share a tortured and sweet romance through which Bran enters the world of ideas as a young writer coming into her identity, a relationship that promises an escape to a new life she glimpses just on the horizon. Also, Shelly Oria, editor of the anthology, I Know What’s Best for You: Stories on Reproductive Freedom, returns to recommend four books (the first three by contributors to the anthology): Notes on Your Sudden Disappearance by Alison Espach; The Stars are not yet Bells byHannah Lilith Assadi; American Estrangement, a short story collection, by Said Sayrafiezadeh; and A Lie that Someone Told You about Yourself by Peter Ho Davies.

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Kate Wolf and Medaya Ocher are joined by the revered writer and artist Renee Gladman to speak about her latest book, Plans for Sentences. Plans for Sentences is a collection of ink and watercolor drawings paired with texts, each duo labeled as a “figure,” making 60 figures in all. The drawings combine the loops and scribbles of words and letters with the lines of cityscapes and buildings. The text meanwhile outlines what the titular “sentences” of the book will do. Together, Gladman seems to create a new kind of architecture, made up of a blend of words and images, solid and in flux at the same time. The plans here are for the future. Also, John Markoff, author of The Many Lives of Stewart Brand, returns to recommend Kim Stanley Robinson's The Ministry for the Future.

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Novelist and New Yorker staff writer Elif Batuman joins Kate Wolf to discuss her latest book, Either/Or. A sequel to 2017's The Idiot, the novel follows Batuman’s protagonist Selin in her sophomore year at Harvard University in 1996. Endearingly sincere in her efforts to understand the world around her, Selin turns most often to the books she reads for her literature major to do so, especially the titular work by Kierkegaard, which allows her to consider the merits of an aesthetic life versus an ethical one. It’s The Seducer’s Diary portion of Kierkegaard’s book, however, that Selin finds herself most interested in—and horrified by. It helps explain the mystifying behavior of her crush, Ivan, with whom nothing much of consequence has happened. But are books really a reflection of life? And might Selin write a novel of her own? Selin's quest for understanding eventually leads her away from campus and to her native Turkey and then Russia where she connects more deeply with experiences outside of literature and finally finds herself living on her own terms. Also, Dan Lopez, author of The Show House, drops by to recommend Cuba: An American History by Ada Ferrer

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Author Shelly Oria returns to speak with Kate Wolf about her latest anthology, I Know What’s Best for You: Stories on Reproductive Freedom. The book compiles a range of fiction, essay, poetry, plays, and comics by twenty-eight contributors that offer perspectives on reproductive rights, health care, bodily autonomy, and family making, among many other things. It was published in collaboration with the Brigid Alliance, a nationwide service that arranges and funds confidential and personal travel support to those seeking abortions. The Brigid Alliance’s Executive Director, Odile Schalit, also joins the conversation.

Also, Hernan Diaz, author of Trust, returns to recommend Harrow by Joy Williams.

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Eric Newman and Medaya Ocher speak with writer Hernan Diaz about his latest novel Trust, which tells a single story from multiple perspectives, or rather revisions. Trust brings into focus both how storytelling itself, as well as the narratives American culture tells about wealth and money, shape and distort our world. The conversation moves from the traditions of the 19th century American novel, the vagaries of capital and how Diaz put together this nesting doll-like novel. Also, Celia Paul, author of Letters to Gwen John, returns to recommend the Complete Letters of Vincent Van Gogh.

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Kate Wolf and Medaya Ocher are joined by acclaimed artist and writer Celia Paul to speak about her latest book Letters to Gwen John, an epistolary memoir addressed to the Welsh painter Gwen John, who lived and worked in Paris in the late 19th and early 20th century. Paul explores the connections between herself and John, who was a passionate defender of her own artistic practice, as well the lover of a much older, much more established man, the sculptor and painter Auguste Rodin. In her letters to John, Paul considers what it means to be a woman and an artist, as well as a mother and a romantic partner. Also, Douglas Stuart, author of Young Mungo, returns to recommend Maria McCann's As Meat Loves Salt.

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Author Douglas Stuart joins Eric Newman to talk about his new novel Young Mungo. Stuart's previous work, Shuggie Bain, won the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters. Young Mungo is a coming of age novel about a young Protestant boy, growing up in working class Glasgow, who finds friendship and love with a Catholic boy who lives nearby. Together, they form a bond that promises to heal the wounds inflicted by family, class, and culture, hoping to build a world all their own before it all comes crashing down. Also, Margo Jefferson, author of "Constructing a Nervous System," returns to recommend "The Deja Vu: Black Dreams and Black Time" by performance artist Gabrielle Civil.

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Writer and critic Margo Jefferson joins Kate Wolf to speak about her latest book, Constructing A Nervous System: A Memoir. A formally inventive and exacting assemblage of personal history and deliberation that delves into Jefferson’s familial legacy, her battles with depression, and the oppressive construct of the model minority, the book is also a cultural reflection. It touches on such subjects as Ella Fitzgerald, Bud Powell, Ike Turner, and Willa Cather, especially as they manifest in the author’s conception of herself. With a kaleidoscopic sense of voice, Jefferson enacts here the constant toggle of the self, from the harshness of the superego to the curiosity, pain and enthusiasm of the child and most of all, the ingenuity of the writer. Also, Claire-Louise Bennett, author of Checkout 19, to recommend Letters to Gwen John by Celia Paul.

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On this special LARB Book Club edition of the Radio Hour, Boris Dralyuk and Lindsay Wright are joined by Andrey Kurkov, one of Ukraine's leading literary figures. Kurkov was raised in Kyiv and, until very recently, was based in the city. Kyiv is not only the setting of some of his most beloved novels, like Death and the Penguin, but also the position from which he has chronicled his nation's journey towards democracy in works like the Ukraine Diaries, his firsthand account of the 2014 Euromaidan Revolution of Dignity and the subsequent Russian annexation of Crimea and the war in Donbas. His latest novel available in English, Grey Bees, focuses on those devastated eastern and southern regions of Ukraine, two or three years into what is now an eight-year war. Russia's brutal escalation of that war has uprooted Kurkov and his family, along with millions of Ukrainians, making Grey Bees more painfully relevant and its insights more important. Dralyuk happens to be the novel’s translator into English, so this special edition of the Book Club is all the more special for him.

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Kate Wolf and Medaya Ocher speak with musician, author, artist and all-around legend Patti Smith about her latest work, The Melting, an extended piece of prose she began releasing last spring in serial form via the Internet platform Substack. The Melting, started in the early days of the pandemic, finds Smith alone in her apartment, her world tour having just been canceled. As she yearns for the freedom of travel while stuck at home, her living space begins to yield to other spaces: dreams, literature, memory, reflection, and fictions. The melting of the title refers not just to global warming, but to time itself.

Also, NoViolet Bulawayo, author of Glory, returns to recommend Nana Darkoa Sekyiamah’s The Sex Lives of African Women.

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NoViolet Bulawayo joins Eric Newman and Medaya Ocher to talk about her latest novel, Glory, which explores the waning days and political ouster of Robert Mugabe, the authoritarian leader who controlled NoViolet’s home country of Zimbabwe for nearly four decades before he was overthrown in a coup spearheaded by his Vice President, Emmerson Mnangagwa. Allegorized as animals — in the style of George Orwell’s Animal Farm — the major players in Mugabe’s ouster and a chorus of citizens tell the story of utopian promise that becomes totalitarian terror, of ruthless political subterfuge and everyday survival, of a country torn between the righting of old wrongs and the almost cyclical production of new ones. At once an allegory of Zimbabwe’s history and a deeply poignant reading of the fractious moment we are all living through, Glory looks at how leaders command and forfeit power, as well as at the lives of ordinary people caught in the roiling waters of politics.

Also, Danielle Lindemann, author of True Story: What Reality TV Says About Us, returns to recommend Lorrie Moore’s short story collection Self-Help.

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This week it’s a LARB Radio doubleheader. In the first half of the show, Kate Wolf talks with John Markoff about his latest book, Whole Earth: The Many Lives of Stewart Brand. Brand is probably best known as the creator of the Whole Earth Catalog, a countercultural magazine he published regularly between 1968 and 1972, and then infrequently up until 1998. With influences ranging from the Beat poets whom Brand met as a youth in San Francisco to his experimentation with LSD, the wisdom of indigenous cultures, and the philosophy of Buckminster Fuller, Whole Earth Catalog featured articles on sustainable living, ecology, and emerging technologies. As Markoff shows in his book, Brand — who’s worked as a photographer, writer, political advisor, and environmental activist, among other things — is not an easy person to pin down. His sympathies have ranged from libertarianism to eco-pragmatism, which stresses “useful technologies,” including nuclear power. Brand is now 83 and Markoff’s book is based on many years of interviews with him.

In the second half of the show, Kate is joined by artist Ulysses Jenkins on the occasion of his first, long overdue retrospective, Without Your Interpretation, which runs until May 15th at the Hammer Museum in Los Angeles. Jenkins’s career spans five decades and he’s known especially for his pioneering video and performance art pieces, which often explore questions of race, multiculturalism, ritual, representation, and technology. Born in Los Angeles in 1946, Jenkins has been integral to the artistic evolution of the city, collaborating and forming collectives with many other important artists, including Senga Nengudi, Maren Hassinger, David Hammons, Nancy Buchanan, Harry Gamboa Jr., May Sun, and Kitt Galloway and Sherrie Rabinowitz.

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Danielle Lindemann joins Eric Newman and Medaya Ocher to talk about her latest book, True Story: What Reality TV Says About Us. Drawing on the ideas of major thinkers in modern sociology, including Emile Durkheim, Michel Foucault, and others, the book explores how reality TV both reflects and reproduces real-world social tensions, inequities, and slippages around class, race, gender, sexuality, and other categories of being. Rather than merely trash TV — or perhaps in addition to being trash TV — Lindemann argues that our favorite shows are lenses through which we can better understand our world, our social lives, and the powerful forces that shape them and us.

Also, Jonathan Alexander drops by to recommend Mia McKenzie’s Skye Falling.

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Adam Phillips joins Kate Wolf to discuss his two latest books, both published this year, On Wanting to Change and On Getting Better. The series looks at the very human impulse toward transformation, from religious and political conversion, and the conversion to family life from which one must ultimately emerge, to the aims and practices of psychoanalysis, along with more quotidian ideas of self-betterment. As always in his work, Phillips attends in these books to the aspects of ourselves that can be hardest to bear, and that can lead us to desire more rigid structures — intellectual or otherwise — or desire to be someone else, while also quietly petitioning for a more complex and thoughtful mode of change in which, as Socrates encouraged his pupils, we learn only to be ourselves. How might we get better, Phillips wonders, at talking about what it is to get better?

Also, Pankaj Mishra, author of Run and Hide, returns to recommend Josep Pla’s The Grey Notebook.

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Pankaj Mishra joins Medaya Ocher and Eric Newman to talk about his new novel, Run and Hide, which takes up many of the themes explored in his political nonfiction. The book explores the lives of the literary translator Arun — our narrator — two of his friends from college, and Alia, a woman with whom he has an impactful romance, as they all grapple with the moral and emotional scars of economic globalization. Their story, as Run and Hide frequently points out, is also the story of modern India, a country in which rapid changes to centuries-old inequities bear both great boons and great costs. Also, Claire-Louise Bennett, author of Checkout 19, returns to recommend Celia Paul's Letters to Gwen John.

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Kate Wolf and Medaya Ocher are joined by Claire-Louise Bennett, whose new novel is Checkout 19. It follows an unnamed young woman born into a working-class family, who is slowly discovering her own sense of self through the many books she reads and the stories she writes. Her relationship to her own experiences is partly filtered through the words of other writers, as she eventually attends college, finds work as a checkout clerk, in a grocery store, and dates a few inadequate, jealous men with literary ambitions of their own. The book seamlessly moves between literary analysis, fantastical storytelling, and life itself, eventually confronting the realities of sex, violence, and death. Also, Isaac Butler, author of The Method, returns to recommend Amanda Vaill’s Somewhere: The Life of Jerome Robbins.

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Writer Isaac Butler joins co-hosts Kate Wolf and Eric Newman to speak about his new book, The Method: How the Twentieth Century Learned to Act which was published this month by Bloomsbury. The Method traces the dissemination of a style and way of thinking about acting that’s so prevalent, it’s hard to imagine the performing arts without it today. Originally envisioned by the great actor and textile heir Konstantin Stanislavski, in Moscow, in the late 1800s, the Method, originally known as the System, stressed the importance of emotional realism, research, a character’s motivation, and the actor's organic experience. Stanislavski believed actors were meant to be truth tellers and to this end, he developed empathic and imaginative exercises to enhance the authenticity of their performances such as “affective memory” and the “Magic If.” When the Moscow Arts Theater, which Stanislavski co-created, toured its productions in Europe and the US in the early 1920s, it inspired a whole new generation of actors and teachers, including Lee Strasberg and Stella Adler, who would go on to teach the Method to much the acclaim and controversy in the United States. Also, Lewis R. Gordon, author of Fear of Black Consciousness, returns to recommend three books: Sister Outsider by Audre Lorde; Living While Black: The Essential Guide to Overcoming Racial Trauma by Guilaine Kinouani; and Mary Shelley's Frankenstein; or, The Modern Prometheus.

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Lewis R. Gordon, head of the philosophy department at the University of Connecticut, joins Eric Newman and Medaya Ocher to talk about his latest book, Fear of Black Consciousness. The book explores contemporary racism and the long historical movement from black consciousness with a lower-case “b” to capital “B” Black consciousness, an active and more liberatory mentality that sees through the lies of white supremacy and works to build a better and more democratic society. Gordon examines these weighty topics through sustained readings of popular film and culture, including Jordan Peele’s Get Out and Ryan Coogler’s Black Panther. Also, Sheila Heti, author of Pure Colour, returns to recommend Elif Batuman’s Either/Or.

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Sheila Heti joins Kate Wolf and Medaya Ocher to speak about her latest novel, Pure Colour. A mythical and tender telling of the life of a woman named Mira, Pure Colour imagines our present day as taking place in the first stages of God’s creation. The world as we know it is but God’s first draft, and the complaints of human beings about its difficulties are being logged by him as input for his second. In this first draft world, people come in three categories: birds, fish, and bears. Mira is a bird — she relates to the world aesthetically and studies writing and criticism — while the woman that beguiles her, Annie, is a fish — a pragmatist who believes in justice for all of humanity. Mira’s father, meanwhile, is a bear, devoted most to the people he loves. When he dies early in the novel, questions of how to reconcile these different positions, how and at what distance to love someone, and how much to let go of that love, take the fore, as do other deeply philosophical inquiries about time, the future, art, and the universe as we know it. Also, Francesco Pacifico, author of The Women I Love, drops by to give a glowing recommendation for Gertrude Stein’s classic The Autobiography of Alice B. Toklas.

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Italian author Francesco Pacifico talks with hosts Kate Wolf and Medaya Ocher about his latest novel, The Women I Love, which follows an editor and poet named Marcello who is trying to write a novel about the women in his life. The relationships he explores are sexual and romantic - there’s a young editor Elenora, with whom he is having an affair; Barbara, his girlfriend and later his wife - as well platonic and familiar, he writes about his sister Irene as well as his mother. The book is about love and sex, as well as gender, power, and literature. How well can we know each other, even our most intimate partners? Also Neel Patel, author of Tell Me How To Be, returns to recommend Speak No Evil by Uzodinma Iweala.

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Eric and Medaya are joined by Neel Patel, an author and TV writer based in Los Angeles, to talk about his debut novel, Tell Me How To Be. The novel opens as Akash, a gay songwriter in his twenties living in LA, returns to his hometown in Illinois in the wake of his father’s death to help his mother, Renu, and brother, Bijal, sell his family home before his mother returns to London. Akash is the black sheep of the family, still deeply closeted and reeling from a failed relationship of his own. But he’s not the only one keeping secrets. Renu is holding fast to a long-simmering love that she’s told nobody about; and things are not as good as they seem for golden son Bijal. Alternating narration between Akash’s and Renu’s perspectives, Tell Me How To Be is an intimate story about race, sexuality, and the secrets that keep a family together, but also tear it apart. Also, Tochi Onyebuchi, author of Goliath, returns to give a glowing recommendation for This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar.

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Eric and Kate are joined by Tochi Onyebuchi to discuss his debut adult science fiction novel Goliath. Told through a series of vignettes, Goliath meditates on a world destroyed by environmental and viral catastrophe, in which the privileged largely white population has decamped for a space colony. The group left on earth, predominantly people of color, try to eke out an existence amid the ruins. Delving into such topics as colonization, gentrification, and the racial conflict that courses through American history and which, in the novel, firmly shapes its future and the future of the world in the 2050s, Goliath is a haunting and incisive look at a world that could very much be our own. Also, Gary Shteyngart, author of Our Country Friends, returns to recommend his favorite book of 2021, Luster by Raven Leilani.

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Boris Dralyuk, LARB’s Editor-in-Chief, joins Medaya Ocher for a very special ex-Soviet edition of the LARB Book Club and Radio Hour. The guest of honor is the doyen of Russian-American letters, Gary Shteyngart. The author of the novels The Russian Debutante's Handbook, Absurdistan, Super Sad True Love Story, and Lake Success, as well as of the memoir Little Failure, Shteyngart’s sharp sense of humor, memorable characters, and up-to-the-minute responsiveness to developments in the culture have won him comparisons to Philip Roth and Saul Bellow, as well as a number of prizes and a wide, dedicated readership. His latest novel, Our Country Friends, is a poignant, affectionate tale of pandemic life set at a “House on the Hill” in the Hudson Valley. More than one critic has called it Chekhovian, and Chekhov does make a well-timed appearance, but this eventful novel is no pastiche. During the talk, Shetyngart touches on the lessons of Soviet and Russian life, the pernicious effects of social media, the importance of community, and the ways in which fiction can and should address the unfolding crises of modern life. Also, James Hannaham, author of Pilot Impostor, returns to recommend Megan Mylan’s 2021 documentary about Syrian refugees, Simple as Water.

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Author, activist, and novelist Arundhati Roy joins us from Delhi to discuss her new collection of essays, Azadi: Freedom. Fascism. Fiction. Roy is well known for her impassioned political writing, as well as her two novels, The Ministry of Utmost Happiness, and The God of Small Things, which won the Man Booker in 1997. She talks with us about the rise of Indian nationalism, Modi’s descent into fascism, the oppression of Muslims in India, and the role of fiction and literature in the world today. Also, Yaa Gyasi, author of Transcendent Kingdom, returns to recommend Saidiya Hartman's groundbreaking Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals.

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It’s that time of year again — the end. In our annual “best of” show, Kate, Daya, and Eric select their favorite books, movies, TV shows, podcasts, scandals, and other items from the past 12 months. Sit back, enjoy, and have a very Happy New Year!

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Kate Wolf and Medaya Ocher talk with Anna Della Subin about her new book, Accidental Gods: On Men Unwittingly Turned Divine. Accidental Gods traces the rarely told history of the deification of living men in modern times, revealing the phenomenon’s connection to imperial conquest, revolution, and civil war. Taking as a starting point Columbus’ exploitation of his reception by native peoples as a deity come from the heavens, the book offers in-depth studies of figures such as the Ethiopian King Haile Selassie, who is regarded as God by Rastafarians in Jamaica, England’s Prince Philip, who became the center of a religion on an island in the South Pacific, and Jiddu Krishnamurti, who was seen as divine by early Theosophists. What does it mean to make a man a God? Why is it always a man? And what does that say about notions of masculinity, the place of religion in society, and the relations between political power and divinity? Also, Sam Quinones, author of The Least of Us, returns to recommend Calvin Trillin’s Killings.

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Award-winning author and investigative journalist Sam Quinones joins Kate Wolf and Medaya Ocher to discuss his latest book, The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth. The book charts the sweeping, shocking rise of synthetic drugs in the United States, and their production here, by corporations such as Purdue Pharma, as well as in labs in Mexico and China. The proliferation of so-called “designer drugs” has led to yet another wave of the opiate crisis, with more overdose deaths between the spring of 2020 and 2021 than ever before recorded. The Least of Us tells the personal stories behind many of these casualties, the larger political and socioeconomic shifts that have exacerbated the problem, the fascinating and disturbing history of the emergence of fentanyl and methamphetamine, and what some communities are doing to fight against the drugs’ devastation. Also, Anna Della Subin, author of Accidental Gods: On Men Unwittingly Turned Divine, drops by to recommend Jason Josephson Storm’s The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences.

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Medaya Ocher and Kate Wolf moderate a panel on the use, abuse, and omnipresence of digital technology in our lives — with writers and scholars Christoph Bieber (University of Duisburg-Essen), Safiya Noble (Algorithms of Oppression), and Anna Wiener (The New Yorker, Uncanny Valley).

A global pandemic, a national election, entire regions devastated by one natural disaster after another: new technologies have made it possible for us to track, grasp, and witness these large-scale phenomena in real time and in the palms of our hands. Tech platforms like Facebook and Twitter have encouraged a sense of community and mobilized action, even as they have facilitated the spread of misinformation and the formation of fissures in public life. How do we, as individuals and as communities, navigate technologies of information and misinformation? How much power do tech companies have in shaping public conversation, and how much power should they have?

This event was called Online Together and it was a part of LARB’s Semipublic Intellectual Sessions, a tenth anniversary celebration and fundraiser.

Donate to LARB between now and Dec. 31 and your support of vibrant and vital conversations will be matched by an anonymous donor! https://lareviewofbooks.org/donate/

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Writer and artist James Hannaham joins Kate Wolf and Medaya Ocher to discuss his most recent book, Pilot Impostor, a mix of prose, poetry, and visual collage. James is the author of the award-winning novels Delicious Foods and God Says No. His short stories have appeared in One Story, Fence, and Bomb, and he was for many years a writer for the Village Voice and Salon.

Pilot Impostor was partly inspired by a trip to Cape Verde and Lisbon, right after Trump’s election in 2016. The book brings together disparate influences like the work of Portuguese writer Fernando Pessoa, the TV show Air Disasters, and current events. Through shifts in form, narrative, and style, Hannaham asks some of the biggest questions about the self, identity, the failure of leadership, history, and the nature of consciousness.

Also, film critic Melissa Anderson, author of Inland Empire, returns to recommend Jean Stein’s depiction of Hollywood, West of Eden.

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In the first half of the show, Kate Wolf is joined by Melissa Anderson to discuss her first book, Inland Empire, a volume in Fireflies Press’s Decadent Editions series, which revisit seminal films from the 2000s. A story of a “woman in trouble,” David Lynch’s Inland Empire (2006) is a bold selection, since, as Anderson points out, to try and make sense of its plot “would be to replicate the tediousness and pointlessness of narrating a dream.” Instead the book concerns itself most with the film’s star, Laura Dern, an electrifyingly expressive performer who has worked in the industry since she was a child. Using the whole of Dern’s career and her many collaborations with Lynch, Anderson explores Inland Empire as the work not so much of an auteur but of an actor, making poignant observations along the way about disintegration and desperation, victimization and agency, the possibilities of the female gaze, and the dark side of Hollywood.

In the second half, Kate is joined by artist and inventor Pippa Garner. Over the past six decades, Garner has satirized American consumer culture with a range of drawings and ideas for outlandish yet, given our zeal for novelty, completely plausible products, custom furniture, and things like the world’s most fuel efficient car — which is actually a bicycle set inside the frame of a miniature Honda. In the 1970s she collaborated with the media collective Ant Farm, and in the 1980s, as Phillip Garner, she published books such as Better Living Catalog: 62 Absolute Necessities for Contemporary Survival and Utopia — or Bust! Products for the Perfect World. She also made regular appearances on the talk show circuit, in character as a small-town inventor, presenting some of her many gadgets — like a crop-top business suit and an umbrella whose canopy is constructed of palm fronds. “Immaculate Misconceptions,” a retrospective of her work, is currently on view at Joan in Los Angeles.

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Essayist, poet, playwright, and filmmaker José Vadi joins Eric Newman to discuss his debut essay collection, Inter State. José’s first play, a eulogy for three, was the winner of the San Francisco Foundation’s Shenson Performing Arts Award. He is also the author of SoMa Lurk, a collection of photos and poems that spring from the San Francisco neighborhood of the same name, and his writing has been featured in a number of publications, including Catapult, McSweeney’s, New Life Quarterly, and our own Los Angeles Review of Books. The essays in Inter State move across a California that is at once family home and site of alienation, humming with possibility and on the brink of disaster, energetic and decayed. Also, Ruth Ozeki, author of The Book of Form and Emptiness, returns to recommend Jorge Luis Borges’s The Aleph and Other Stories.

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Ruth Ozeki is a writer, filmmaker, Zen Buddhist priest, and author of three novels, My Year of Meats, All Over Creation, and A Tale for the Time Being, which was a finalist for the 2013 Booker Prize. Her nonfiction work includes the memoir The Face: A Time Code and the documentary film Halving the Bones. Ozeki joins Eric Newman and Medaya Ocher to talk about her latest work, The Book of Form and Emptiness. The novel opens with the death of Kenji, an itinerant jazz musician who is run over by a chicken truck after he falls down in the street late at night and is too intoxicated to pick himself back up. The story follows Kenji’s wife, Annabelle, and son, Benny, as they both cope, in their own ways, with their terrible tragedy. Annabelle becomes a hoarder, stacking various objects in their home as a kind of insurance against loss. Benny starts to hear those objects, and many others, talking to him, which eventually lands him in a psychiatric ward. As the novel moves forward, Benny meets an alluring, rebellious girl, Aleph, and Slajov the Bottleman, a wheelchair-bound alcoholic whose ravings about poetry, capitalism, and philosophy gin up, in part, the novel’s deep investment in questions about consumption, objects, and grief. Also, Tom McCarthy, author of The Making of Incarnation, returns to recommend Ann Quin’s Three.

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Eric Newman and Medaya Ocher are joined by Tom McCarthy, author of the contemporary classic, Remainder, as well as of the novels C and Satin Island, both of which were shortlisted for the Booker Prize. He is also the author of the collection of essays Typewriters, Bombs, and Jellyfish and of the literary study Tintin and the Secret of Literature, and is the “General Secretary” of the “semi-fictitious organization” the International Necronautical Society (INS), which has exhibited art around the world. McCarthy’s latest book is The Making of Incarnation, a novel that follows the hunt for a box that has gone missing from the archives of a time-and-motion pioneer named Lillian Moller Gilbreth. Gilbreth’s studies in movement helped birth the era of mass observation and big data, but did she also discover the “perfect” movement, one that would “change everything”? Also, Natalie Diaz, author of Postcolonial Love Poem, returns to recommend poet Desiree C. Bailey’s What Noise Against the Cain.

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In a special LARB Book Club installment of the Radio Hour, Boris Dralyuk and Callie Siskel speak with poet Natalie Diaz about her collection Postcolonial Love Poem, which was awarded the Pulitzer Prize in 2021. Diaz is also the author of the collection When My Brother Was an Aztec, which was a 2012 Lannan Literary Selection and won an American Book Award the following year. Throughout her work she explores the beauty and heartbreak of her own experience as a Latina and Mojave American as well as the broader tragedies and contractions of life in the US and in its global shadow. Also, Dodie Bellamy, author of Bee Reaved, returns to recommend Marlen Haushofer's 1963 novel The Wall.

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Kate, Daya, and Eric speak with director Todd Haynes about his latest movie, and first documentary, The Velvet Underground, which shows just how the legendary rock group became a cultural touchstone representing a range of contradictions. The band is both of their time, yet timeless; rooted in high art and underground culture. The film features in-depth interviews with key artistic players of the 1960s combined with a treasure trove of never- before-seen performances and a rich collection of recordings, Warhol films, and other experimental art. The result is an immersive experience into what founding member John Cale describes as the band's creative ethos: “how to be elegant and how to be brutal." Also, Kelefa Sanneh, author of Major Labels: A History of Popular Music in Seven Genres, returns to recommend I'm with the Band: Confessions of a Groupie by Pamela Des Barres.

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Writer Dodie Bellamy joins Kate Wolf to speak about her latest collection, Bee Reaved. The book gathers nearly 20 essays Bellamy has written over the last few years, with a focus on the state of bereavement, examining not only the loss of her husband Kevin Killian, but the loss of other artists, physical objects, her own past lives, and radical social movements. As with all of Bellamy’s work, the pieces in Bee Reaved foreground the viscera of the body and other aspects of the physical world, while also engaging with ghosts, fairy tales, the internet, spirituality and a deep sense of community. Then, in this week's second interview, Kate is joined by fillmaker Mia Hansen-Love to discuss her latest, and first English-language movie, Bergman Island, which follows a filmmaking couple during their residency on Fårö, the island in Sweden where Ingmar Bergman lived and shot many of his films. As the couple, Chris and Tony, work on their screenplays and tour the sites that inspired the great filmmaker, the line between real life and fiction becomes ever more ambiguous. Bergman Island opens in theaters October 15th and available for digital rental October 22nd.

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Kate Wolf speaks with writer Kelefa Sanneh about his debut book, Major Labels: A History of Popular Music in Seven Genres. An exhaustive, enthralling breakdown of the last 50 years in music, Major Labels diagrams the American sonic landscape, Alfred Barr-style, in the discrete yet overlapping categories of rock, R&B, country, punk, hip hop, dance, and pop; it also pays close attention to the proliferation of genres within genres, covering everything from thrash metal to glitter rock, quiet storm to hip hop soul, and many more. The book reveals what these divisions mean not only for the way music gets made, but how it’s listened to, and by whom. In conversation, we learn what inspired, and continues to inspire, one of our leading music writers. Also, Cynthia Cruz, author of The Melancholia of Class, returns to recommend a collection of writings by the late Mark Fisher "Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures."

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Kate Wolf and Medaya Ocher are joined by author Cynthia Cruz to discuss The Melancholia of Class: A Manifesto for the Working Class. A mix of memoir, cultural theory, and polemic, Cruz’s latest work addresses the personal and social consequences of the marginalization of America’s majority population, its working class. Cruz speaks about what inspired her to write the book and how she came to focus on the lives of certain famous working-class people, like musicians Amy Winehouse and Ian Curtis (who both died tragically in their 20s), and Jason Molina (who made it to 39), actress Barbara Loden, and others. How did they and Cynthia contend with the hegemonic “middle-class” culture’s shaming of working-class characteristics? Denial and repression of working-class consciousness is encouraged in our society. This repression is seen as a precondition for success, but it mangles the soul and shreds the bonds of social solidarity that are the foundation of community and provide a sense of belonging. 173 years after Marx and Engels recast the working class as the protagonist of history in their Manifesto, Cruz does the same in hers. Also, Amia Srinivasan, author of The Right to Sex: Feminism in the 21st Century, returns to recommend Revolting Prostitutes: The Fight for Sex Workers’ Rights by Molly Smith and Juno Mac, who are both British sex workers.

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Eric Newman and Medaya Ocher are joined by documentary filmmakers Betsy West and Julie Cohen, who are perhaps best known for RGB, their Academy Award-nominated documentary about late Supreme Court Justice Ruth Bader Ginsburg. That film provided the impetus for their latest project, My Name Is Pauli Murray, which traces the career of a fierce warrior against injustice whose story has been confined to the margins of history. A pioneering African American attorney, activist, and priest, Murray shaped landmark litigation — and consciousness — around race and gender equity, including the Supreme Court case Brown v. Board of Education and the extension of the 14th Amendment to provide equal protection under the law to all Americans, regardless of sex. Also, Maggie Nelson, author of On Freedom: Four Songs of Care and Constraint returns to recommend a major work scheduled to be released in November, The Dawn of Everything: A New History of Humanity by David Graeber and David Wengrow. Graeber was working on The Dawn of Everything at the time of his death last year.

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Medaya Ocher and Kate Wolf are joined by writer, critic, and philosopher Amia Srinivasan, whose new book is The Right to Sex: Feminism in the 21st Century. Amia is a professor of Social and Political Theory at All Souls College at Oxford and a contributing editor at the London Review of Books. The essays in her book probe how we think and talk about sex. Srinivasan grapples with the subject from a variety of angles, looking closely at the #MeToo movement, the history of feminism and pornography, and the larger political forces that shape our personal lives. She discusses the complicated relationships between sex and racial justice, class, and disability. As she asks in her preface, “What would it take for sex really to be free? We do not yet know; let us try and see.” Also, poet Kaveh Akbar, author of Pilgrim Bell, returns to recommend Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry, a poetry anthology edited by Jane Hirshfield.

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Kate Wolf and Medaya Ocher are joined by Maggie Nelson to discuss her latest book, On Freedom: Four Songs of Care and Constraint. In 2015, Nelson’s bestselling, genre-defying The Argonauts won the National Book Critics Circle Award, and her other works of criticism, memoir, and poetry include The Art of Cruelty: A Reckoning; Women, The New York School, and Other True Abstractions; Bluets; Jane: A Murder; and The Red Parts: Autobiography of a Trial. She is the recipient of a MacArthur Fellowship, a Guggenheim Fellowship, an NEA Fellowship, and a Warhol Creative Capitol Arts Writing Grant, among other awards. Currently she is a professor of English at USC. Written in the wake of the 2016 election, On Freedom is an ambitious consideration of the complex knots of “sovereignty and self abandon, subjectivity and subjection, autonomy and dependency” that form under the blanket of liberation. Focusing on four topics — art, sex, drugs, and the climate crisis — the book challenges the notion of freedom as a utopian state toward which we might move untethered from our responsibilities to the planet and to one another. At the same time, Nelson carves out a notable amount of space within realms many would be quick to deem as uniquely unfree: caretaking, addiction, conflict, and negative affect, even the ticking time bomb of global warming that leaves so many of us feeling helpless. Here, we’re asked to consider what feeling free might have to do with feeling good — and what could be a better question than that? Also, Rachel Greenwald Smith, author of On Compromise: Art, Politics, and the Fate of an American Ideal, returns to recommend Heather Berg's Porn Work: Sex, Labor, and Late Capitalism.

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Eric Newman and Medaya Ocher are joined by poet Kaveh Akbar to talk about his latest collection, Pilgrim Bell. Whereas Akbar's previous collection, Calling a Wolf a Wolf, meditated on addiction and the challenges of recovery, Pilgrim Bell figures a turn to the spiritual and the possibility of repair, focusing on the damaged self, the abuses of empire, penitence, the failures of the faithful, and untamable efforts at submission and devotion. Because the work of faith and thus the work of the faithful, is never complete — indeed, as Akbar’s best lines suggest to us, is always inchoate, compromised, confused — the spiritual is an experience of cycling, of makings, unmakings, and remakings. The poems leave the reader suspended between action and futility, the generosity of love and the pain of loss. Like the pilgrim of the collection’s title, we listen for the words that will ring out to us and we wait, in the interim between the bell’s tolls, to determine how we will respond to its call. Akbar opens the interview with a reading from the collection.

Also, Matthew Specktor, author of Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California, returns to recommend Emily Segal’s novel Mercury Retrograde.

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Kate Wolf and Medaya Ocher are joined by Rachel Greenwald Smith to discuss her new book, On Compromise: Art, Politics, and the Fate of an American Ideal. On Compromise takes a critical look at liberalism’s persistent push towards the center in both political and artistic realms. Instead of Compromise as a measure of good in and of itself, Smith argues for the values of illiberalism, passion, and commitment to a cause, aesthetic or otherwise. Her book explores how conflict and democracy need not be thought of as opposing forces. In doing so, she interprets a wide range of contemporary cultural phenomena, from Beyoncé’s album Lemonade to David Foster Wallace’s novel Infinite Jest, the history of poetry magazines, Guns N’ Roses, the far right, riot grrrl, and her own experience playing in an indie rock band. Also, Nawaaz Ahmed, author of Radiant Fugitives, returns to recommend Shyam Selvadurai’s novel Funny Boy.

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Matthew Specktor, one of the founding editors of the Los Angeles Review of Books, joins Kate Wolf and Medaya Ocher to discuss his newest book, Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California. A memoir and cultural history, Always Crashing explores the work and lives of writers, actors, directors, and musicians who straddle the line between success and anonymity, and whose careers, though majestic, still leave questions about what might have been had circumstances or, in many cases, their temperaments, been different. These include the screenwriters Eleanor Perry and Carole Eastman, the novelist Thomas McGuane, the actress Tuesday Weld, and the filmmaker Hal Ashby. The book questions notions of both success and failure, especially as filtered through the distorted prism of Hollywood. It also touches on Matthew’s own experiences growing up and later working in the film industry, his mother’s brief turn as a screenwriter, and his father’s more abiding success as a talent agent. A native of Los Angeles, Matthew draws a vivid portrait of the city, with both love and disdain.

Also, Jeanetta Rich, whose first collection of poems, Black Venus Fly Trap, was released in June, drops by to recommend Federico Garcia Lorca's play Blood Wedding.

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Eric Newman talks with Nawaaz Ahmed about his debut novel, Radiant Fugitives, which loosely centers on Seema, a woman who makes a life for herself as a San Francisco-based campaign worker for progressive politicians after her Muslim family in Chennai, India reject her for being a lesbian. As the book opens, Seema is dying just as she is about to give birth to a son, conceived with a fellow campaign worker to whom Seema was briefly married. Gathered around are Seema's mother, Nafeesa, and Tahera, her deeply devout and jealous younger sister.

Narrated by Seema's newborn son, Ishraaq, Radiant Fugitives moves back and forth in time and space, from Chennai to London to the United States, charting the struggles of a family in the throes of rupture and reconciliation. Set against the backdrop of the Obama era, the novel explores what it means to belong, to be free, to love, to understand, and to forgive across countries, cultures, and desires.

Also, Rivka Galchen, author of Everyone Knows Your Mother Is a Witch, returns to recommend a book that was featured on the LARB Radio Hour just two weeks ago — Katie Kitamura’s Intimacies.

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Eric Newman and Medaya Ocher are joined by Hogir Hirori to talk about his latest film, Sabaya, which documents the heroic efforts to rescue women and girls from ISIS slavery at a refugee camp in eastern Syria near the Iraqi border. Sabaya, which premiered at Sundance and is now available nationwide, is a moving and visceral documentary that follows a team of volunteers from the Yazidi Home Center in northern Syria as they try to rescue Yazidi girls, some as young as seven, who have been kidnapped and sold into sexual and physical slavery by ISIS. Armed with just a mobile phone, a handgun, and information from “infiltrators” indicating where the captured girls are being held, Mahmud Ziyad and his team face incredible odds. After the rescued girls return to the Yazidi Home Center, we witness their palpable relief and learn of the horrific treatment they’ve been forced to endure. Sabaya is a harrowing story of both the best and worst of humanity, told from a place, and by a people, who are too often just words in headlines across the world. It also testifies to the power of documentaries and to the courage of filmmakers, who put their lives on the line to tell stories the world needs to hear. Also, Katie Kitamura, author of Intimacies, returns to recommend German author Anna Seghers’s Transit, translated by Margot Bettauer Dembo, about a refugee attempting to leave Vichy France in 1944 through the port of Marseilles. Katie also recommends German director Christian Petzold’s 2018 film adaptation of the same name, which is set in contemporary France.

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Kate Wolf and Medaya Ocher are joined by Katie Kitamura to discuss her latest novel, Intimacies, an existential thriller that follows an unnamed narrator who has recently moved to The Hague to serve as an interpreter at the International Criminal Court. Worldly, well-travelled, and multilingual, she excels at her new job, but grows increasingly uneasy. A similar sense of discomfort permeates her close relationships with an art curator, and with her love interest, a married man. Yet it is the Court, where she is interpreting for a former President of a West African nation who has ordered the carrying out of unbelievable atrocities, that gives rise to her strongest anxieties and to her questions about power, confrontations with violence, and the possibility of neutrality.

Also Claire Fuller, author of Unsettled Ground, returns to recommend Anne Michaels’ award-winning 1996 novel Fugitive Pieces.

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Kate Wolf and Medaya Ocher are joined by Rivka Galchen, whose new novel, Everyone Knows Your Mother Is a Witch, is set in the Holy Roman Empire in 17th-century Germany, amid the plague and the Thirty Years’ War. It fictionalizes the real-life story of Katharina Kepler, the mother of astronomer and mathematician Johannes Kepler. Katharina, an elderly widow who seems to care most for her cow Chamomile, is accused of being a witch by another woman in the small town of Leonberg. Soon everyone in town is testifying to Katharina’s wickedness. Her own side of the story is told by her neighbor, Simon, who acts as her guardian — but as a bookseller later tells him, “People don’t like an old lady’s story.” The novel is told through both fictional testimonials as well as actual translated historical documents.

Also, Zakiya Dalila Harris, author of The Other Black Girl, returns to recommend Raven Leilani’s acclaimed first novel, Luster.

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Boris Dralyuk and Medaya Ocher are joined by author Claire Fuller to discuss her new novel, Unsettled Ground, this season’s selection for the LARB Book Club. Born in Oxfordshire, Claire Fuller is the author of four novels: her Desmond Elliot Prize-winning debut Our Endless Numbered Days, as well as Swimming Lessons, Bitter Orange, and her latest, the griping, intensely evocative, and often unsettling Unsettled Ground, a finalist for the Women’s Prize for Fiction. The book begins with the death of a woman, which sets her 51-year-old twin children on a difficult journey of survival and discovery. 

Also, Kate Zambreno, author of To Write As If Already Dead, returns to recommend Bhanu Kapil's book of poetry How to Wash a Heart.

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Eric and Medaya are joined by Zakiya Dalila Harris to discuss The Other Black Girl; her sharp and often funny debut novel that centers large contemporary questions about the politics of race as it encounters diversity, inclusivity, and representation through the unique lens of working in the publishing industry. 

The novel opens from the perspective of Nella Rogers, the only Black girl in the editorial department at a prestigious publishing house.  Nella has to navigate the familiar landmines of race in the modern workplace: microaggressions from her white coworkers, diversity initiatives that no one takes seriously, and the daily exhaustion of navigating the elite cultural spaces she's managed to gain access to but which definitely are not built nor maintained for her.

Then, shortly after Nella raises concerns about racist stereotypes in the manuscript of one of the publisher's most famous white male authors, she starts receiving anonymous notes telling her to leave the publisher if she knows what's good for her. What was previously claustrophobic and uninviting begins to feel much more sinister. 

Bouncing between mystery, satire, and an indictment of the modern publishing industry, THE OTHER BLACK GIRL keeps the reader guessing right up to its haunting end and we're thrilled to have Zakiya here with us to break it all down.

Also, Davarian L Baldwin, the author of The Shadow of the Ivory Tower: How Universities Are Plundering Our Cities, returns to recommend Ralph Ellison's ever-brilliant 1952 novel, Invisible Man.

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Kate and Eric speak with writer and historian Davarian L. Baldwin, the Paul E. Raether Distinguished Professor of American Studies and founding director of the Smart Cities Lab at Trinity College. His newest book is In The Shadow of the Ivory Tower: How Universities Are Plundering Our Cities, an exploration of the often uneasy relationship between universities and the cities they inhabit. The book draws on numerous examples, such as Yale, Columbia, NYU, University of Chicago and even Trinity College, to show the impact schools have on their surrounding neighborhoods. As often as not, these universities are drivers of inequality, displacement, and gentrification. In an era of post-industrialization, universities have replaced factories to regularly become the largest employers of their cities, with tax-exempt status to boot, giving them an undue amount of power, while their focus remains on self-enrichment. 

Also, we are joined by Susan Bernofsky, author of Clairvoyant of the Small, a book length study of the the life and works of Robert Walser. Susan recommends Kate  Zambreno's To Write as if Already Dead, which is itself a study of the work of author and artist Herve Guibert, who died in his early thirties from AIDS.

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Eric and Medaya talk with queer writer Kristen Arnett about her knew novel, With Teeth, which centers on the troubled relationships between Sammie, her wife Monica and their son, Samson.  As Samson grows up, it becomes clear that he isn't quite like the other children. He is emotionally aloof and prone o outbursts. As a teenager, he's even more of a mystery: a loner and a threat to the image of a normal family that Monica is so desperate to present to the world. As the stay at home Mom, and narrative focal point, Sammie is tasked with trying to understand both her mysterious son; and herself, as her marriage and seemingly every else begins to deteriorate around her - or so it seems. As With Teeth spins through its insightful portrayal of queer parenthood, the struggle for identity and autonomy amidst the disintegration of a marriage, Kristen Arnett keeps us guessing until the final moment when it appears that everything we think we know about Sammie, Monica, and Samson might be wrong. Also, Joan Silber, author of Secrets of Happiness, returns to recommend two recent novels: The Sun Collective by Charles Baxter; and The Boy in the Field by Margot Livesey.

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On this week's show we're joined by two authors, Kate Zambreno and Susan Bernofsky, who have both written a magisterial work about a past literary master. First, Medaya Ocher and Kate Wolf talk with Kate Zambreno about To Write as if Already Dead, a study of the writing and photography of Herve Guibert (1955-1991); and, in particular, his work To The Friend Who Did Not Save My Life, which documents Guibert's diagnosis and disintegration from HIV, and portrays a character based upon his close friend, philosopher Michel Foucault. Then, Kate is joined by Susan Bernofsky to discuss Clairvoyant of the Small, her biography of Swiss author Robert Walser (1878-1956), one of the most influential modernist writers in the German language.  Susan’s biography portrays Walser not just as the eccentric outsider figure he’s often made out to be, but as a fully formed artist, with serious creative aspirations, proliferate charms, and many complications. Clairvoyant of the Small offers a nuanced picture of his turbulent life—much of its drama stemming from financial precarity, family legacy, and the sweeping pendulums of early twentieth century European history—as it also illuminates the complexity and beauty of his writing.

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Author Joan Silber, whose previous work Improvement won both the National Book Critic’s Circle Aware and the Pen Faulkner Award, joins Kate and Eric to discuss her new novel Secrets of Happiness, a multi-vocal story that radiates out from a single family dealing with a father's intimate betrayal.  He has a secret family that he told nobody about.  As it moves across characters and continents, Secrets of Happiness considers the weight of love, family, and other attachments in a world where nothing is as it seems, and happiness is a fleeting experience best savored in the presence. Also, Sarah Schulman, author of Let the Record Show: A Political History of Act Up New York, 1987-1993, returns to recommend Natasha Trethewey’s Memorial Drive: A Daughter’s Memoir as well as Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All by Martha S. Jones.

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Professor Carol Anderson, whose previous work White Rage won the 2016 National Book Critics Circle Award, joins Kate and Eric to discuss her latest book, The Second: Race and Guns in a Fatally Unequal America.  The Second takes a long historical look at the emergence and development of the second amendment—"A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed"—against the backdrop of anti-Black violence, fear, and public policy. Professor Anderson reveals the various ways in which slavery—and, in particular, white slaveowners' fears of slave insurrection—shaped the Second amendment from the very beginning, with long-reaching effects that we continue to face today, a year after the murder of George Floyd by a white police officer. America's most infamous constitutional amendment was not about guns, but about the racial divides through which a white man wielding a gun receives Constitutionally-lauded legal protections, while in the hands of a Black man in America, a firearm can so often be a death sentence. Also, Jacqueline Rose, author of On Violence and On Violence Against Women, returns to recommend both Anna Burns' The Milkman, which won the Man Booker Prize in 2018, as well as Eimear McBride's A Girl is a Half-formed Thing.

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Filmmaker Matthew Heineman joins Eric to talk about his latest documentary, THE BOY FROM MEDELLIN, which centers on reggeton superstar J Balvin (the voice and creative force behind such massive hits as MI GENTE, I LIKE IT,, AGUA, and countless other songs). Heineman's camera turns its gaze on Balvin as the pop star returns to his home city of Medellin for the last stop on his world tour. That homecoming takes a dramatic turn as the country is plunged into anti-government protests led by Colombian youth. Heineman shares what it was like to capture a superstar caught between the desire to entertain and the demands of fans on social media that he speak to the political crisis of his homeland; to witness a brilliantly talented performer with his reputation and tour all on the line.  Also, Claire Phillips, author of A Room with a Darker View: Chronicles of My Mother and Schizophrenia drops by to talk with Kate and recommend Schizophrenia: A Brother Finds Answers in Medical Science by Ronald Chase.

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Writer Sarah Schulman joins Kate and Eric to discuss her new book Let the Record Show: A Political History of ACT UP New York 1987-1993. A longtime activist, Sarah was a participant in the history she writes about. Back in 1987 Sarah joined The AIDS Coalition to Unleash Power, known as ACT UP, in New York City.  Let the Record Show is a focused, exceedingly thorough look at ACT UP’s organizational tactics, its diverse range of members and intersecting causes, and its profound impact in fighting for access to treatment and more national attention for people with AIDS at a time when the US government was barely addressing the crisis. The book builds on over 200 oral histories Sarah and her collaborator and fellow ACT-Upper Jim Hubbard conducted with former members. In an ecstatic review, the New York Times wrote that "it’s not reverent, definitive history. This is a tactician’s bible." Also, Helen Oyeyemi, author of Peaces, returns to recommend James Robertson's To Be Continued, or, Conversations with a Toad.

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Kate and Medaya are joined by feminist critic Jacqueline Rose to discuss her new book On Violence  and On Violence Against Women.  Jacqueline's addresses the prevalence and persistence of violence through the analytical lenses of feminism, history, psychoanalysis, politics, and literature. Jacqueline argues that violence in our times thrives on a form of mental blindness; and elucidates its relationship to the rise of politicians like Bolsonaro and Trump as well as broader society's complicity in these horrors. Also, Larissa Pham, author of the collection Pop Song: Adventures in Art and Intimacy, returns to recommend Annie Ernaux's A Girl's Story (2016), which was released last year in translation.

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Brooklyn-based artist and writer Larissa Pham joins Medaya and Eric to discuss her debut collection Pop Song: Adventures in Art and Intimacy. Larissa contributed to the collection KINK (previously covered here), with a piece that deals with themes of violence and desire, which are equally reflected in the new collection - and which Larissa addresses throughout the conversation. The entries in Pop Song shift between memoir and an acute attunement to various art objects and experiences in the present, POP SONG explores what it means to want a life and to strive for it: to navigate relationships, to build and rebuild a self, and to appreciate and even desperately rely upon the encounters with art that give such a life meaning.  Also, Nick Pinkerton, author of Goodbye to Dragon Inn, returns to recommend The Dog of the South by Charles Portis.

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Eric and Daya are joined by acclaimed author Helen Oyeyemi, whose latest novel is Peaces. The plot involves two young lovers, Otto and Xavier Shin, who board an unusual train to celebrate their unofficial honeymoon. Accompanied by their pet mongoose, the two begin to explore the cars and the meet the three other passengers on board. The book can be described as a madcap existential mystery at the center of which is a question about how we see other people and what it means to be seen or not seen. Rachel Kushner returns to recommend The Autobiography of Chuck Berry. And there's also special bonus gushing over the recently completed season of Drag Race.

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On a special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by George Saunders, author of four collections of virtuosic short stories and of the novel Lincoln in the Bardo, which won the 2017 Man Booker Prize. His latest work is A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life. Examining individual works by Leo Tolstoy, Anton Chekhov, Ivan Turgenev, and Nikolai Gogol from a variety of angles, Saunders teases out lessons for writers and readers alike. During the conversation, he discusses what fiction can teach us about ourselves and each other, shares his experiences teaching these stories over the past two decades, and reflects on the role of humor in his work.

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Kate Wolf is joined by writer and film critic Nick Pinkerton to discuss his book-length essay on Tsai Ming-liang’s film Goodbye, Dragon Inn, which revolves around the final screening at a cinema in Taiwan — on the very day that 300 movie theaters were shuttered across Southern California. The book is both a eulogy and a call to arms for cinema. Kate and Nick share a defiant sadness, revel in memories of the power and meaning they found in a communal space of shared dreams, and wonder how it might be preserved amidst the tyranny of tiny screens and the banality of the bottom line. Also, Sam Cohen, author of the collection of stories Sarahland, drops by to recommend Larry Mitchell’s The Faggots and Their Friends Between Revolutions.

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Kate and Medaya are joined by Rachel Kushner, author previously of Telex from Cuba and the Flamethrowers, both nominated for the National Book Award, and The Mars Room, which was shortlisted for the 2018 Man Booker Award. Rachel's new book is a collection of her essays from the past two decades, The Hard Crowd, which exhibits the inspiring breadth of her interests and influences, many of which she discusses - from motorcycle racing, to prison abolition, the Anarcho-Marxist Italian left, rock impresario Bill Graham, the writing of Marguerite Duras, and the people and places of her rough-edged youth in San Francisco. Also, Jackie Wang, author of The Sunflower Cast a Spell to Save Us from the Void, returns to recommend Nobody: A Hymn to the Sea by poet Alice Oswald

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Kate and Medaya talk with poet, essayist, and critic Jackie Wang about her new collection of poetry The Sunflower Cast a Spell to Save Us From the Void.  As an Assistant Professor of Culture and Media Studies at The New School, Wang also works on race, surveillance technology, and the political economy of prisons and police.  In her poetry, she uses dreams to get to very concrete historical and social issues; along with the apocalypse, survival, intimacy, speech, silence and of course, sunflowers. Jackie discusses the relationship between her poetry and academic work; and her exploration of dreams, psychoanalysis, and the work of the imagination “the work of creating openings where there were previously none.” Also, Jo Ann Beard, author of Festival Days, returns to recommend both Daniel Orozco's collection of stories Orientation; and also Amy Hempel's collection Sing To It.

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Medaya talks with renowned essayist and fiction writer Jo Ann Beard, whose latest collection is called Festival Days. Near the beginning of the book, Jo Ann writes that there’s an element of fiction in her essays and essays in her fiction - an idea she elaborates on during the conversation. Jo Ann shares much about her own life and development as a writer, while addressing many of the central themes of the work: death, illness, childhood, memory and of course, her renowned and professed love for animals.  Also, Chanda Prescod-Weinstein returns to recommend one of Jane Austen's later novels, Mansfield Park.

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Eric Newman is joined by Dr. Chanda Prescod-Weinstein to discuss her book The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred, which opens up with some very heavy science, explaining quarks, dark matter and other phenomena that point to the limits of our knowledge about the how the universe, and everything in it, functions. But at the heart of the book is a series of questions about how the social construction of science both foments a toxic culture and might help us to understand not only how to do science better, but how to do better science. Also, Brian Dillon, author of Suppose a Sentence, returns to recommend Inventory of a Life Mislaid by Marina Warner.

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Kate and Medaya speak with two heralded debut novelists. First up is Christine Smallwood, author of The Life of the Mind, about Dorothy, a failing adjunct professor in New York City, who suffers a miscarriage, and struggles to maintain her resilience in an unwelcoming world. Christine explains how the novel came to be and reflects on why Dorothy’s travails so successfully capture the texture of our time. Then Sara Davis joins Kate and Daya to talk about her novel The Scapegoat, which also centers around an academic in crisis. The narrator, N, disrupts his routine life to investigate the circumstances of his estranged father’s death, which is clouded in uncertainties of history, identity, and reality. Sara shares how she approached writing such a challenging and rewarding work.

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Kate and Medaya welcome essayist Brian Dillon, author of Suppose a Sentence which offers sharp analysis (along with intriguing discursus) of 27 sentences, both celebrated and obscure, from the likes of William Shakespeare, James Baldwin, John Ruskin, and Joan Didion. Brian opens the show with a passage from his introduction, a paean to the work of the writers he loves and the expansive possibilities of a single line. The conversation focuses on the joys and perils of close reading and reverie. Also, Claudio Lomnitz, author of Nuestra America: My Family in the Vertigo of Translation, returns to recommend On Kings by anthropologists David Graeber and Marshall Sahlins - and relate its lessons to the reign of Donald Trump.

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Kate Wolf talks with Claudio Lomnitz, author of Nuestra America: My Family in the Vertigo of Translation, which traces his family's history in the Jewish diaspora from the Eastern European region of Bessarabia to South America and onto Mexico. Claudio tells tales of his relatives, in particular, his maternal grandfather Misha Adler, a scholar and publisher involved in a number of revolutionary movements in the mid 20th century. He also relates his family's experiences to the struggles of marginalized peoples and migrants across the globe. Also, Lauren Oyler, author of Fake Accounts, returns to recommend Norman Rush's Mating, on the occasion of the 30th anniversary of this revered novel.

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Kate and Daya talk with Lauren Oyler, one of the country's leading literary critics, about her first novel, Fake Accounts; which is about a central character who breaks up with her boyfriend after discovering that he's an online conspiracy theorist. She then moves to Berlin where goes on a series of dates under different personas. The conversation addresses online culture and its influence on 21st century notions of subjectivity, secrecy, romance, and literature. Also, Elizabeth Kolbert, author of Under a White Sky: The Nature of the Future, returns to recommend two books by David Quammen - the highly prescient Spillover: Animal Infections and the Next Pandemic (published in 2012) and The Song of the Dodo.

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A double dip, rife with romance, and right on time for a celebration of sex and love. First, Jeremy Atherton Lin joins Eric and Medaya to talk about his new book Gay Bar: Why We Went Out, which covers both the history of Gay Bars and Jeremy's personal history in London, San Francisco, and Los Angeles - with a consideration of how these iconic social institutions have fared in the age of hook-up apps and a year-long pandemic. Then, Eric and Kate are joined by Brontez Purnell to discuss his new work of autofiction, 100 Boyfriends, and reflect on queer time

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This week it's a doubleheader. First, Eric and Medaya, speak with Taylor Renee Aldridge, the Visual Arts Curator and Program Manager at the California Afrcian-American Museum,  about a new exhibit Enunciated Life that centers around notions of surrender in Black Spiritual Life - inspired, in part, by the work of Ashon Crawley. Then, LARB contributor Patricia A. Matthew, Associate Professor of English at Montclair State University, joins us to talk about her recent article on the new Netflix hit series Bridgerton, Shondaland's Regency.

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Hosts Kate and Medaya are joined by New Yorker staff writer and Pulitzer Prize-winning author Elizabeth Kolbert, whose new book is called Under a White Sky: The Nature of the Future, in which Kolbert explores the many ways humans intervene in nature. Kolbert discusses invasive species, the sinking of New Orleans, the triage plan for climate change and how solar geoengineering might bleach our skies.  Also, Karla Cornejo Villavicencio, author of The Undocumented Americans, returns to recommend Children of the Land by Marcello Hernandez Castillo.

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In a special LARB Book Club edition of the Radio Hour, Eric Newman and Boris Dralyuk sit down with R. O. Kwon and Garth Greenwell, co-editors of Kink, a new anthology that aims to push the boundaries of traditional literary representations of love, desire, and sexual behavior. Kink features work by Alexander Chee, Roxane Gay, Carmen Maria Machado, and many other leading authors. Kwon and Greenwell speak of their goals for the anthology, the literary history of sex, and the politics in the background and at the heart of the book.

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In this encore presentation, on the occasion of Fran Lebowitz's new show Pretend It's a City, Eric Newman, Medaya Ocher and Kate Wolf speak with legendary public speaker Fran Lebowitz. In a wide-ranging conversation, the gang flits from the Kavanaugh hearings to how the uber-rich have blighted the landscape of New York, from the escapism of literature (Lebowitz maintains that books are always better than real life) to the changes that have rocked the media environment in which Lebowitz has been a central figure for decades. In her iconic unvarnished style, Fran proves — as if there were ever any need for such a thing — that she’s still one of the most fascinating people to chat with about the lofty and mundane. Also, Eric recommends classicist Madeline Miller's novel, The Song of Achilles, that brings to life the love affair between Patroclus and Homeric Greece's greatest warrior.

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In an encore presentation, Kate and Medaya talk with award-winning screenwriter and novelist Charles Yu about his book, Interior Chinatown; an experimental, yet eminently enjoyable, novel-in-the-form-of-a-screenplay, which won the 2020 National Book Award for fiction. Charles discusses how he came to write such a formally challenging book, in which the central character's world is defined by, and limited to, the horizons available to Asian and Asian-American characters in popular film and television. Also, J Hoberman, author of Make My Day: Movie Culture in the Age of Reagan, returns to recommend Victor Serge's recently discovered Notebooks from 1936-47, in which the great communist writer lived in exile, from Paris to Mexico.

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Author Karla Cornejo Villavicencio joins co-hosts Kate Wolf and Medaya Ocher to talk about The Undocumented Americans, which is both a memoir and a series of essays about immigrant laborers from across the country.  Karla shares her own experiences as an immigrant child, the trauma it has caused her; and relates how widespread, and under-acknowledged, such trauma is among immigrants. In a free-flowing conversation, Karla reflects on what motivated her to write the book in the age of Trump, her love of the immigrant communities in Queens where she grew up (as did Medaya), how literary academia continues to fetishize mental illness, and much else. Also, Alex Ross, author of Wagnerism, returns to recommend Rick Perlstein's Reaganland.

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Big Freedia is a 21st Century musical trailblazer from the Dirty South, who emerged from the Bounce music scene in New Orleans and has helped popularize the genre across the country and the world.  Big Freedia joins co-hosts Eric Newman and Medaya Ocher to discuss her new memoir God Save the Queen Diva; and talk about how she, and dance club culture in general, has responded to the global pandemic. In this, the final show of 2020, Kate, Eric, and Medaya also talk about the tunes that helped them survive this most benighted of years. Also, Kiese Laymon, author of How to Kill Yourself and Others in America, returns to recommend I Don't Like the Blues by B. Brian Foster.

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Kate, Medaya, and Eric look back at a year that many of us can't wait to put behind us. Against the background of the pandemic and the politics, the hosts review the books, movies, TV shows, podcasts, and quirky new hobbies that helped them get through this year in their annual best of round-up.

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Eric, Kate, and Medaya talk with Kiese about the struggle to buy his work back from the original publisher in order to revise and republish them, an experience that highlights the imbalance of power in the industry and the commodification of a writer’s work. The gang also chats about how the intervening years, including the Trump presidency now coming to a close, shaped his revisions.  Also, Sarah Shun-Lien Bynum, author of Likes, returns to recommend Theory, a novel by Dionne Brand.

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Medaya and Eric are joined by Alex Ross, the New Yorker's longtime music critic and author of Wagnerism: Art and Politics in the Shadows of Music. Wagner's wide reaching influence across centuries, thinkers and artists reaches far beyond the realm of music. As they explore the complexity of his impact, the conversation wrestles with the stain of anti-Semitism, in Wagner’s thought and the Nazis embrace of his work, on his legacy.  Also Tom Zoellner, author of The National Road: Dispatches From a Changing America, returns to recommend John Gunther's 1947 classic Inside USA.

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This week co-hosts Kate and Medaya are joined by author Sarah Shun-Lien Bynum, whose latest book is the collection of short stories Likes. Sarah discusses the magic of childhood, the difficulties of family life in the current political climate, and ways to see the quotidian in new and unexpected ways. Also, Richard Seymour, author of The Twittering Machine, returns to recommend Benjamin Taylor's Here We Are, My Friendship with Philip Roth.

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Co-hosts Kate and Eric speak with filmmaker Alexander Nanau about his stunning new documentary Collective about corruption in the Romanian Hospital system, government, and the broader society.  Alexander discusses the terrifying story at the heart of the film, the state of politics in his home country, and how he produced the film.  If a tale like Collective might have seemed from a far off land, or a bygone Eastern Bloc era; the Trumpian mismanagement of the ongoing pandemic - with shortages of PPE's and the unnecessary deaths of thousands of essential workers - delivers the film's unbearable tragedy right to our doorstep. Also, Bryan Washington, author of Memorial, returns to recommend Rachel Khong's novel Goodbye Vitamin

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We’re joined by Tom Zoellner, award-winning author and the LA Review of Books Politics Editor. Tom and the co-hosts talk about the election, the tenor of the online political debate, and the future of patriotism. We also discuss Tom’s new book, The National Road: Dispatches from a Changing America, a collection of essays from Tom’s travels throughout the country. Also, former LARB intern Jenna Beales returns to recommend Starting Point 1979-1996, a collection of essays by Hayao Miyazaki, the legendary animator and co-founder of Studio Ghibli.

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This week's show opens with Kate, Eric, and Medaya sharing their thoughts on the morning after Election Day. At the time, Joe Biden seemed to have a pathway to victory; but the trauma of the previous evening when, for a few hours, Trump seemed destined to repeat his improbable feat from four years earlier. The conversation revolves around a shared sense of incredulity that Trump's outrageous, nightmarish Presidency could be embraced by half the country; which leads to the observation that Bryan Washington's Memorial is a perfect book for this moment. Indeed, when Washington joins the show to discuss his new novel, Memorial, the conversation focuses upon the necessity of building bridges between people who can seem so far apart. Certainly, a poignant theme for our time.

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This week, we have filmmaker Garrett Bradley discussing her new documentary Time, which follows a larger-than-life matriarch, fighting for the release of her incarcerated husband. Bradley discusses the idea of time in her film — time served, the slowness of justice and the accumulation of grief and joy. Later in the episode, we have one of the founding members of the Guerrilla Girls, alias Kathe Kollwitz, on to discuss the legendary Guerrilla Girl movement, misogyny and racism in the arts, the battles ahead and the battles won.

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Richard Seymour, author of The Twittering Machine,  joins Eric and Kate to discuss the “social industry" — online platforms that monetize and manipulate our need to share our lives online. Seymour moves beyond the negative effects social media has on us as individuals and as a community, bringing into view a bigger picture: the social, economic, and political perils that are now at our fingertips.

Also, Ayad Akhtar, author of Homeland Elegies, returns to recommend Saul Bellow's Ravelstein.

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Suzanne Nossel, of PEN America, on the decimation of the local news landscape.

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A special episode, featuring Alain Mabanckou, author of "Black Moses," our latest pick for LARB’s members-only Book Club. Mabanckou is an award-winning Francophone novelist who was born in Congo-Brazzaville in 1966 and grew up in a time of political upheaval and repression. Mabanckou joins LARB editors to discuss his novel, his childhood, and his experience of religious schooling and revolution. He also discusses his relationship with the French language, his move to the US, and his thoughts on contemporary American politics. Also, former LARB intern and writer Yi Wei returns to recommend Emily Jungmin Yoon's collection of poems, A Cruelty Special to Our Species.

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Akhtar talks about his new book Homeland Elegies, a hybrid of memoir, cultural criticism, psychological study, and loosely plotted novel that uniquely responds to the chaos and confusion of contemporary American life. The hosts also talk with Akhtar about the political, social, and affective entanglements of diaspora consciousness and experience (in this case, for Muslims from Pakistan living in the US), and about the Whitmanian fantasy of a diverse nation. Also, Vivian Gornick, author of Unfinished Business: Notes of a Chronic Re-Reader, returns to recommend a collection she has returned to her entire life, Natalia Ginzburg's The Little Virtues.

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This week, we’re joined by acclaimed writer and critic Vivian Gornick. Gornick began her career in 1969, as a staff writer for The Village Voice. Since then she has published a number of nonfiction books, like The Situation and the Story, the memoirs Fierce Attachments and The Odd Woman in the City, as well as essay collections The End of the Novel of Love and The Men in My Life, which were both nominated for the National Book Critics Circle Award. Her latest book is Unfinished Business: Notes of a Chronic Re-Reader. Gornick looks back on her long writing career, and talks to us about how feminism oriented her life and her reading habits. Also, Arundhati Roy returns to recommend Ian Kershaw's two-volume biography of Adolf Hitler.

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Author, activist, and novelist Arundhati Roy joins us from Delhi to discuss her new collection of essays, Azadi: Freedom. Fascism. Fiction. Roy is well known for her impassioned political writing, as well as her two novels, The Ministry of Utmost Happiness, and The God of Small Things, which won the Man Booker in 1997. She talks with us about the rise of Indian nationalism, Modi’s descent into fascism, the oppression of Muslims in India, and the role of fiction and literature in the world today. Also, Yaa Gyasi, author of Transcendent Kingdom, returns to recommend Saidiya Hartman's groundbreaking Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals.

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Author Sigrid Nunez, who won the National Book Award for 2018's The Friend, joins Kate and Eric to talk about her new novel, What Are You Going Through, which focuses on the narrator's close relationship to a friend with a terminal illness. The work revolves around witnessing the lives and needs of others; intertwines with themes of friendship, mortality, bravery, and even transcendence, amidst the commonplace. The conversation touches on how we contend with death in our society, and in relation to the pandemic. Nunez discusses contemporaries who have inspired her as they faced their mortality. Also, Joni Murphy, author of Talking Animals, returns to recommend Matthew Goulish's 39 Microlectures in Proximity of Performance.

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Yaa Gyasi’s latest novel, Transcendent Kingdom, takes on family and the gulfs of diaspora experience through an intimate narrative of a neuroscientist trying to come to grips with her brother’s drug overdose and her mother’s crippling depression. Gyasi joins us to reflect on the different ways in which faith and science attempt to answer the unfathomable and inchoate, and talks about the addiction narrative, so often seen through the lens of white, rural poverty. Gyasi also describes a friendship that led her to fascinating impasses in what remain fundamental mysteries in the neuroscience research on addiction. Also, Kelli Jo Ford, author of Crooked Hallelujah, returns to recommend David Heska Wanbli Weiden's highly acclaimed first novel, Winter Counts.

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Hosts Kate and Medaya talk to Kelli Jo Ford, author of the new novel, Crooked Hallelujah, a multi-generational story about Justine — a mixed-blood Cherokee woman — and her daughter Reney. Kelli Jo Ford, a citizen of the Cherokee Nation of Oklahoma, discusses her love of landscape, her childhood, and how she has come to consider about faith, even in the most difficult of times. Also, Melissa Faliveno, author of the collection of essays Tomboyland, returns to recommend Heavy: An American Memoir by Kiese Laymon.

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Hosts Kate, Eric, and Medaya are joined by renowned Chinese writer Yan Lianke, whose latest book is the memoir Three Brothers, about his childhood growing up during the Cultural Revolution. Calling in from Beijing, Yan discusses his life as a writer, being banned and censored in his own country and how he thinks literature can influence politics. Nicole Liu translates from the Chinese. Also, Nicole Liu recommends Fleche, a book of poetry by Hong Kong author Mary Jean Chan.

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Co-hosts Kate and Medaya are joined by writer Joni Murphy, whose new novel, Talking Animals, takes place in a fictional New York City, populated entirely by animals. Joni discusses why she chose an alpaca and a llama as her protagonists, and how animals might allow us to talk about climate change, politics, and culture differently.  Plus, Akwaeke Emezi, author of The Death of Vivek Oji, returns to recommend Sacrament of Bodies by Nigerian poet Romeo Oriogun.

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Hosts Eric and Medaya are joined by the writer Awkaeke Emezi, whose new novel The Death of Vivek Oji, explores the life and death of a young transgender person, Vivek, who is discovering and navigating his identity in contemporary Nigeria. We talk with Akwaeke about what inspired this story, their own life and childhood in Nigeria, and how they think about work as an “artist and writer based in liminal spaces”, as they put it. Also, Aminatow Sow, co-author of Big Friendship, returns to recommend Nessa Rapoport's new novel Evening.

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Eric and Melissa Faliveno, author of Tomboyland, parse the history of the tomboy, its queer geographic and temporal character, as part of a broader discussion about how gender remains a wonderfully incoherent experience for so many of us, yet one that social and cultural norms is forever trying to fit into neat, rigid boxes. As she reflects on her debut collection of essays, Faliveno talks about bisexual erasure, not feeling “queer enough,” her love of roller derby, and the essay as a beautifully flexible genre. Also, Ann Friedman, co-author of Big Friendship, returns to recommend Kathryn Scanlan's touchingly human and poetic Aug 9 - Fog.

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Authors Aminatou Sow and Ann Friendman join co-hosts Kate and Medaya to discuss their exploration of their friend, and close adult friendships in general, Big Friendship: How We Keep Each Other Close. The discussion opens up with Aminatou and Ann telling the story of their friendship, how they met, bonded, grew inseparable, and have remained emotionally-so through trials, tribulations, and major life changes. The conversation then addresses how close non-romantic adult friendships, particularly among women, remain a difficult fit in contemporary America - even as bonding among women is given lip service throughout much of mass culture - and, as Aminatou and Ann testify, the upside to Big Friendship is immeasurable. Also, Frank B Wilderson III, author of Afropessimism, returns to recommend USC Assistant Professor Zakiyyah Iman Jackson's new book Becoming Human: Matter and Meaning in an Antiblack World.

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Mieko Kawakami, whose poignant and pointed debut novel Breasts and Eggs is this season’s LARB’s Book Club selection, joins Medaya Ocher and Boris Dralyuk to discuss her career as a musician, poet, blogger, and author, the challenges facing women around the world, the state of Japanese literature, and the wonders of translation. Also, Eric Cervani, author of The Deviant's War: The Homosexual Vs. the United States of America, returns to recommend James Baldwin's classic Giovanni's Room.

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This week, co-hosts Eric and Medaya talk to professor, writer, and revolutionary, Frank B. Wilderson III, whose latest book, Afropessimism, is a work of memoir and theory. Wilderson defines Afropessism, the ways it has been misrepresented and how it can shape our understanding of contemporary justice. Wilderson also recounts his childhood and how he became an Afropessimist. Also, writer and translator Joyce Zonana returns to recommends Betty Smith's classic from the 1940s, A Tree Grows in Brooklyn.

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This week, Medaya speaks with acclaimed filmmaker Hirokazu Kore-eda about his new film, The Truth (La Vérité), starring French film screen legends Catherine Deneuve and Juliette Binoche. Kore-eda discusses complicated family dynamics, the relationship between art and truth-telling and what brought him to France. In our second interview, Kate and Medaya are joined by scholar and translator Joyce Zonana, who discusses her translation of Henri Bosco’s 1946 novel Malicroix. This is the first time the French novel has been translated into English.

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Author Eric Cervini Cervini explains Frank Kameny's legacy as a complex figure in the history of the LGBTQ struggle, as he discusses his new book The Deviant's War with Daya, Kate , and Eric. Kameny was a trailblazer for civil rights yet also a person deeply committed to an assimilationist vision of queer equality, one that often sidelined people of color as well as trans and gender-nonconforming members of the community. In the wake of Bostock vs. Clayton County, the landmark Supreme Court case that firmed up protections against employment discrimination for LGBTQ workers under the 1964 Civil Rights Act, Cervini discusses how Kameny would have seen this moment in history and how his early work demonstrates at once the decades of struggle that have brought the freedoms of our moment as well as the road we still must travel. Also, our own Eric Newman explains how he came to read Robert K Massie's magisterial biography of Catherine the Great; and why he'd recommend it to anyone.

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The new documentary Disclosure captures the history of trans representation in Hollywood and mainstream media, with particular attention to the ways in which racism and misogyny influence the portrayal of those who transgress society’s gender norms in order to live their truth. In a wide-ranging discussion, Director Sam Feder and Laverne Cox, star of Orange is the New Black, talk with Medaya and Eric about what has been gained in recent years as well as the challenges ahead as transgender stories, writers, directors, and performers take center stage. Also, Percival Everett, author of Telephone, returns to recommend Laurence Sterne's classic Tristam Shandy, as well as Michael Winterbottom's recent film adaptation: Tristam Shady: A Cock and Bull Story.

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Co-hosts Kate and Daya join acclaimed writer Percival Everett to discuss his new novel, Telephone, which was published in three different version simultaneously. Kate, Daya and Percival discuss playing with the novel form, his greatest fears and our current political moment.

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Ottessa Moshfegh, one of America's most celebrated young writers, joins Kate and Daya to discuss her third novel, Death in Her Hands. Ottessa completed the book before the beginning of the COVID-19 pandemic, but it has an uncanny resonance with this unique historic moment as it grapples throughout with issues of isolation. When, in the interview, Ottessa declares "being in isolation and not going crazy is a lot of work," she is speaking about her book's protagonist; but she could just as well be talking about anyone in the world during these days of Shelter in Place. Throw in a deftly crafted murder mystery, a central character reckoning with her own mortality and disappointing life as she begins to find clues and piece together the puzzle, and a dog in the lead supporting role - and it's pretty clear that Ms. Moshfegh has written a psychological thriller for our times. Also, Juli Delgado Lopera, author of Fiebre Tropical, returns to recommend House of Impossible Beauties, Joseph Cassara's vibrant debut novel set in Harlem's gay ball scene in the 1980s.

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In light of the nation-wide public uprising that followed the murder of George Floyd, we return to Patrisse Cullors, author of When They Call You a Terrorist: a Black Lives Matter Memoir. At the 2018 Lambda LitFest, Patrisse spoke with host Eric Newman about her activism, the philosophy that undergirds #BlackLivesMatter and how queer writers and activists from the 1960s and 1970s continue to shape her political vision and practice. While Cullors celebrates recent victories against police brutality and the prison system in Los Angeles, she also gives the audience inspiration for fighting back on what was then the eve of Brett Kavanaugh’s confirmation to the Supreme Court.

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Juli Delgado Lopera, author of Fiebre Tropical, joins co-hostsEric and Daya. Juli shares how their debut novel draws on their experiences growing up in a strong, matriarchal family, moving from Colombia to the U.S. as a teen, and grappling with the unevenness of coming to queer consciousness beyond the cliche coming out narrative. As we close out the show, they share how drag has been a consistent and profound source of joy and creativity in their lives and public performances. Also, Wayne Koestenbaum, whose latest collection of essays is Figure it Out, returns to recommend two novels by Magda Szabo, The Doorn and Katalin Street; as well as two works by Pierre Guyotat, Coma and In the Deep.

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Kate and Medaya talk to the critic and writer Olivia Laing about her new collection of essays Funny Weather: Art in an Emergency. The three discuss the role of art in dark times, Olivia’s environmental activist youth and what she turns to during a crisis. Then, Lucy Ives joins the hosts to discuss the legacy of the artist, architect and writer Madeline Gins, whose work was recently collected into a comprehensive reader titled The Saddest Thing is That I Have Had to Use Words.

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One surefire way to lift yourself out of the shelter-in-place doldrums is to engage with someone whose enthusiasm for life and literature is more infectious than any coronavirus. Wayne Koestenbaum joins Kate, Eric, and Daya to discuss his new collection of essays Figure it Out; what ensues is a conversation with exuberant inspirations at every turn. Share this one with your friends, it will renew their faith in living the literary life. Also, Cathy Park Hong, author of Minor Feelings, returns to recommend two foreboding works of recent literature (as if to counterbalance Wayne's optimism): C Pam Zhang's novel How Much of These Hills is Gold; and Joyelle McSweeney's new book of poetry Toxicon and Ariadne.

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Writer, editor, and poet Cathy Park Hong joins Medaya Ocher for a dialogue about her new book Minor Feelings: An Asian American Reckoning, which is a blend of memoir, history, and cultural criticism that investigates what it means to live as an Asian American women and artist in America. Cathy and Daya learn that they shared some quirky experiences in their youth: wearing inappropriate t-shirts and how they struggled to conquer the english language. Cathy also explains her resonant eponymous concept, "Minor Feelings," which is introduced in an essay on Richard Pryor's hilarious/tortured/sublime "Live in Concert." Also, Samantha Irby returns to give an advance recommendation for Raven Leilani's novel Luster, which is scheduled for release this summer.

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This week we bring you two tales of lore from the olden days of Queer LA. First, Kate, Daya, and Eric are joined by Sharp and Durk Dehner from the Tom of Finland Foundation to tell the story of the legendary gay artist Touko Valio Laaksonen, who immigrated to Los Angeles, on the occasion of Tom's 100th birthday. Then, Rachel Mason drops by to talk about her documentary Circus of Books, which recently debuted on Netflix, about the legendary porn bookstore in Southern California that was owned and operated by Rachel's parents. This is the tenth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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Feeling nostalgic for social anxiety? Go public vicariously with Samantha Irby! You may not conquer your fears, but you'll laugh so much you'll be happy about them. Samantha joins Kate, Eric, and Medaya to talk about her new collection of comic essays Wow, No Thank You, her experience writing for Hulu's hit series Shrill, TV writer's rooms in general, and Hollywood's one constant: fake kindness. The wit is accompanied by wisdom throughout; and, in a plague year, there's added resonance to Samantha's themes of making peace with the body and how not to feel alone. Also, Rufi Thorpe, author of The Knockout Queen, returns to recommend Lynn Strong's Want, fever dream of a novel about contemporary American economic anxieties, which will be released this summer.

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This week, writer Rufi Thorpe joins Eric and Medaya to discuss her latest novel, The Knockout Queen. Rufi, Eric, and Medaya talk about love and violence in American culture, as well as our failed systems of justice. They also discuss RuPaul’s Drag Race, and the beauty of friendships, which brings one of our hosts to tears. Also, Felicia Angeja Viator, author of To Live and Defy in LA, returns to recommend Hari Kunzru's novel White Tears.

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This week, we're joined by Felicia Angeja Viator, author of To Live and Defy in LA: How Gangsta Rap Changed America. Eric, Kate and Medaya talk with Felicia about the rise of gangsta rap in Los Angeles, the sounds and culture that defined the era, the artists and performers who rose to stardom, and how we still see the effects of that sound in music today. Also, artist Harry Dodge, author of My Meteorite, returns to recommend Crudo A Novel by Olivia Laing This is the ninth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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What better way to break out of the stay-in-place doldrums, and reflect on this transformational moment, than to consider the role of the random in the creation of the new with one of our most brilliant shape-shifters, artist Harry Dodge. Kate, Medaya, and Eric speak with Harry from four different locations across Southern California on the occasion of the publication of his first, already-heralded, book, My Meteorite. Harry talks about what motivated him to write, how he arrived at a form that interweaves memoir-like accounts with extended philosophical reflections - and, of course, the content of those reflections. The imagination of Harry Dodge is an exciting place; and your random encounter with this podcast just might inspire new approaches to our new reality. Also, Garth Greenwell, author of Cleanness, calls in to recommend The Gift by Barbara Browning. This is the eighth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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From their disclosed locations, Kate, Eric, and Daya report on the new normal: cooking, enclosure, and a changed perspective on doing nothing. One thing they all agree on, it's a good time to give Jenny Odell another listen, so... Jenny Odell, author of How To Do Nothing: Resisting the Attention Economy, joins co-hosts Medaya Ocher and Kate Wolf to asses the state of the human soul in the age of social media reproduction. The verdict is clear: we need strategies of resistance. Constantly tracked and hunted by the digital panopticon, we have no time for reverie, reflection, letting go, or just being. We desperately need Nothing, which is everything. Jenny shares details of her own liberation. Also, Susan Straight, author of In The Country of Women, returns to honor Toni Morrison by sharing how she has read her favorite book every single year since she was twelve, Morrison's luminous second novel, Sula.

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"There's so much there, and it's so fascinating" observes co-host Kate Wolf after Lyra Kilston opens this week's podcast with a summary of her new book Sun Seekers: The Cure of California. Kate might as well be talking about the entire history, brief yet spectacular, of Southern California. This week's show unveils another of the spectacular paradoxes that define the rise of the Golden State Paradise/Dystopia - the relationship between California Modernism to European Sanatorium culture. If you've ever marveled at the modern architectural jewels that dot the LA landscape; and fantasized about a refined European ex-pat community that built them - prepare to have your dreams recast (in the best SoCal tradition!). Lyra spins fascinating tales that will challenge your understanding of LA history, in dialogue with Kate and Eric Newman. Also, Hanif Abdurraqib returns to recommend Harmony Holiday's new book of poetry, A Jazz Funeral for Uncle Tom.

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Kate and Medaya talk to longtime journalist Joshua Hammer about his most recent book, The Falcon Thief: A True Tale of Adventure, Treachery, and the Hunt for the Perfect Bird. Joshua discusses the strange story of notorious egg smuggler, Jeffery Lendrum, and the wildlife detective who pursued him, as well as the larger repercussions of wildlife poaching, climate change and the global animal trade. Also, writer and producer Samantha Culp drops by to recommend a timely book, A Journal of the Plague Year, a catalogue from an exhibition of the same name, looking back on the SARS outbreak of 2003.

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...and now for something completely difficult. We are inaugurating a new project, the "Best of..." series. Inspired by our annual holiday season "Best of..." special, in which Eric, Kate, and Daya pick their faves from the previous year; the new series differs in one significant way, each episode is organized around one theme - today's is Difficult Women. So, expect to be challenged and meta-challenged! The show opens with a brief discussion about the new series; then Kate explains what inspired her to propose this week's theme; followed by three sets of three engaging discussions about three difficult women - "thrice to thine and thrice to mine / And thrice again. to make up nine."

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Tom Lutz sits down with legendary Los Angeles author Walter Mosley, recipient of LARB/UC Riverside Lifetime Achievement Award. Mosley, a master of contemporary noir, has written over 50 books, most famously Devil in a Blue Dress. In late 2019, Mosely published Elements of Fiction; and his most recent novel, Trouble Is What I Do, hit the bookstores this week. In his dialogue with Tom, Mosley spins tales about his childhood, his years as a young writer, and his experiences most recently in the TV writer’s room and Hollywood.

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Janet Fitch, author of the classic White Oleander, joins Kate and Medaya to discuss the life and work of Kate Braverman, a Los Angeles literary legend who passed in late 2019. Braverman was Janet's teacher, mentor, and later friend; and Janet reflects on the person she knew, tells tales of her in the classroom, and, of course, on the power of her work on the written page. Then, LARB's own Founder and Editor-in-Chief Tom Lutz joins Kate and Medaya for an extended conversation about his just released debut novel, Born Slippy. This is the seventh episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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This week the legendary actress, model and filmmaker Isabella Rossellini joins co-hosts Kate and Medaya to discuss her new theatrical production, Link Link Circus, her studies into animal behavior, and her long career in film and TV. Isabella also discusses her most recent book, My Chickens and I; as well as her previous one, Green Porno, a hugely successful multi-media project that helped revive interest in one of Isabella's other loves, the short film form. Also, Charles Yu, author of Interior Chinatown, returns to recommend Lisa Damour's Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood.

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Kate and Medaya talk with Garth Greenwell about his new book of fiction, Cleanness, the follow-up to his heralded debut What Belongs to You. Set in Bulgaria, where Greenwell taught in the wake of the global financial crisis of 2008 and the social crises that followed; the book's distinct nine chapters/stories focus on the narrator's life as a teacher as well as his romantic and sexual experiences.

Also, Director Celine Sciamma, who's latest film is Portrait of a Lady on Fire, returns to recommend the entire body of work of French author Virginie Despentes.

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Kate and Medaya talk with award-winning screenwriter and novelist Charles Yu about his new book, Interior Chinatown; an experimental, yet eminently enjoyable, novel-in-the-form-of-a-screenplay. Charles discusses how he came to write such a formally challenging book, in which the central character's world is defined by, and limited to, the horizons available to Asian and Asian-American characters in popular film and television. Also, J Hoberman, author of Make My Day: Movie Culture in the Age of Reagan, returns to recommend Victor Serge's recently discovered Notebooks from 1936-47, in which the great communist writer lived in exile, from Paris to Mexico. This is the sixth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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LARB Editor-in-Chief Tom Lutz is joined by author and USC Professor Viet Thanh Nguyen, winner of the 2016 Pulitzer Prize for Fiction for his novel The Sympathizer, at a recent LARB Luminary Dinner. Viet begins by talking about about his family's experience as refugees, and how that informs his writing; as well as his understanding of globalization, American politics and contemporary Vietnam. They then discuss the breadth of Viet's writing, how he approaches his fiction vs his non-fiction vs his academic writing; and his latest work too, Chicken of Sea, a children's book - with powerful detours along the way on the importance of both Paul Ricoeur's concept of "enlightened forgetting," and the absent presence of ghosts, for our fraught times.

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Celine Sciamma joins hosts Eric Newman and Medaya Ocher to discuss her film Portrait of a Woman on Fire, which was nominated for Best Foreign Film at the Golden Globes and won this year's Queer Palm at Cannes. Set in the 18th Century, the film is about the growing desire between a woman painter and her subject, a young woman about to marry a nobleman. The central action takes place on an island in which the men all-but-disappear. Claire discusses how she rejects the established ways that women, women's bodies, their desire, and their sexuality are traditionally represented in cinema; and how she seeks to develop a new feminist approach to such representation, one which lends itself to new forms of dramatic tension and groundbreaking cinematography. Celine also addresses the struggles of women directors in France and their even greater marginalization in America; and what can be done to remedy this injustice. Also, Amanda Yates Garcia, author of Initiated: Memior of a Witch, returns to recommend Ariana Reines' transcendent poetry in A Sand Book.

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Critic, photographer and artist, Hilton Als joins Kate and Medaya to discuss his debut play, Lives of the Performers, which tells the story of actress Sheryl Sutton, one of the lead actors in Robert Wilson's ground-shattering troupe in the 1970s. Als, the former theater critic at the New Yorker, also discusses his fascination with twins, writing a play, and the role race has played in the history of the avant-garde. The show also includes a spirited debate among the hosts about this year's soporific Golden Globes: are woke actors enough to keep you awake? Also, legendary film critic J Hoberman returns to explain why his favorite film of 2019, Mary Harron's Charlie Says, was a superior take on the Manson Family saga than Quintin Tarantino's Once Upon a Time in Hollywood.

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Legendary film critic J Hoberman joins Kate and Daya to discuss Make My Day: Movie Culture in the Age of Reagan, which is the the final installment of his film history trilogy Found Illusions. Hoberman describes how he set out to tell the story of how cinema operated as the social and political unconscious of American society throughout the Cold War and discovered along the way that Ronald Reagan was the "protagonist" of this story. The conversation traces Reagan's career in Hollywood and politics; and how the development of feel good blockbusters in the 1970s harmonized with Reagan's message as a candidate. Of course, no encounter with J Hoberman goes without delicious close readings of movies we love or loathe. You'll never see Ghostbusters the same way again! Equally poignant are J's thoughts on how our current entertainer President reflects the much coarser media environment of the 21st Century. Also, Darryl Pinckney, author of Busted in New York, returns to recommend Jonathan Crary's eloquent study of our exhausting, over-extended lives 24/7: Late Capitalism and the Ends of Sleep - as well as James Fenton's collection of poems Yellow Tulips.

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It's a LARB Holiday Season tradition! Kate, Daya, and Eric review all that they read, watched, attended, and gossiped about to select their favorites from the past year. The result is a broad, eclectic array. Indeed, the first work chosen is by an author who died in 1996. Many more surprises ensue. A few of our picks are by authors or directors that we interviewed over the past year. Most, however, were not previously discussed on the show. No matter, every selection sparks a spirited discussion. As Eric warns in the introduction, "no one chose only one thing in any category." So, get out your notepads and prepare for an avalanche of excellence.

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Few would argue with the assertion that we are in the throes of a political crisis in American society; and, no doubt, many would acknowledge that the Trump presidency is more symptom than cause - that something with deep roots has taken hold of the American collective unconscious. How can this spell be broken? Is there a roll for progressive spirituality in healing our polity? What variant of mytho-poetic literature can truly speak to our times? Kate and Medaya talk with Amanda Garcia Yates, aka The Oracle of Los Angeles, author of Initiated: Memoir of a Witch about her spiritual practice, its deep historical roots, organic ties to nature, and the myriad ways it is misunderstood. What unfolds is a vibrant, inspiring exchange animated by literary theory, ecological awareness, and a tangible sense that ancient feminist wisdom can yet illuminate our dark zeitgeist. If you're looking for the perfect podcast for the winter solstice season, this is it. Also, Molly Lambert, who wrote the introduction to I Used To Be Charming: The Rest of Eve Babitz, returns to recommend Dorothy B Hughes' 1963 noir classic The Expendable Man, re-released by New York Review of Books Classics. This is the fifth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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Author Darryl Pinckney joins Kate and Medaya to discuss his new collection, Busted in New York and Other Essays, which includes twenty-five pieces from the past two and a half decades, which reflect and report on politics, culture, and African-American lived experience. The conversation begins with Pinckney's thoughts on Barack Obama's election and presidency, and it's unexpected tragic denouement with the victory of Donald Trump. Pinckney reflects on what remains of the great advance that Obama represented. How much was lost? Should the next act have been so surprising? Looking back further, he wonders have we lost the America we thought we knew; or is our current nightmare merely the return of the repressed? Also, Matt Wolf, director of Recorder: The Marion Stokes Project, returns to recommend Peter McGough's memoir of the 1980's New York art scene, I've Seen the Future and I'm Not Going.

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Filmmaker Matt Wolf joins co-hosts Kate and Medaya to discuss his new documentary Recorder: The Marion Stokes Project. Marion Stokes was a former librarian, political activist, and early Apple investor who began recording the 24/7 news cycle in 1979 and continued into the early years of this decade, producing the largest archive of recorded television material. Matt discusses the potential of this archive, Marion’s vision, portraying problematic characters, and how the news reconfigures history. Also, Yogita Goyal, author of Runaway Genres: The Global Afterlives of Slavery, returns to recommend German Author Jenny Erpenbeck's 2015 novel Go, Went, Gone about a retired professor and his relationship with African Refugees staging a protest in Berlin.

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Author Fred Tuten joins co-hosts Medaya Ocher, Kate Wolf and Eric Newman to talk about his new book, My Young Life: A Memoir. The conversation begins with Fred explaining why after five celebrated novels, he chose to write a memoir; what follows is a series of beautiful reflections on his life. Indeed! Medaya says this is perhaps her very favorite LARB Radio Hour to date. Indeed, Fred's deep compassion for the people in his life, his novel-like descriptions of time and place, and his trenchant political observations makes this a show that cannot be missed - there's a true generosity of Spirit here. Also, the irrepressible John Waters returns to recommend a book and offers four: Moby's new memoir, Then It Fell Apart; Kevin Killian's Fascination - as well as the works of Clarice Lispector and Dodie Bellamy.

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Yogita Goyal, author of Runaway Genres: The Global Afterlives of Slavery, joins Eric, Medaya, and Kate to discuss the shape of traditional slave narrative and the ways it has been transformed over the past 70 years across the world and in different genres. Goyal talks about what drew her to this subject, and about teaching the slave story in the Trump and Kanye era. She contrasts abolitionist era slave narratives with those from the past five decades, following their return to prominence in African-American literature in the 1970s, bringing together work by Paul Beatty, Colson Whitehead, and Toni Morrison. Also, Monique Truong, author of The Sweetest Fruits, returns to recommend Chia-Chia Lin's beautiful debut novel, an immigrant narrative set in Alaska, The Unpassing.

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Eve Babitz, our LA Woman, was one of the heavyweights of the 1970s New Journalism. Now, thanks to the New York Review of Books Classics series, Babitz's vibrant prose is collected in I Used To Be Charming: The Rest of Eve Babitz. Molly Lambert, who wrote the introduction to the edition, joins co-hosts Kate Wolf and Medaya Ocher to discuss the career of this Southern California legend and why her writing remains as captivating as ever. Indeed, the show opens with Kate revealing the tremendous importance of Eve Babitz in her own life; and why she has long felt it necessary that this author, who conveys the cultural fabric of our hometown as well as any in recent decades, be readily available to new readers. Also, Natasha Stagg, author of Sleeveless: Fashion, Image, Media New York 2011-2019, returns to recommend one of Denis Johnson's lesser known novels, The Name of the World. This is the third episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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Co-hosts Kate Wolf and Medaya Ocher speak with author Monique Truong about her new multi-voiced novel The Sweetest Fruits; aptly titled given its sensuality, and special attention to cuisine. Monique explains her decision to write in the voices of three women - one Greek, one African-American, and one Japanese - all of whom were central figures in the life of globetrotting 19th century author, Lafcadio Hearn, who was born in Greece and is best known for his books about Japan. Giving voice to amazing souls that history and patriarchal culture have put under erasure. Also, Stephen Van Dyck, author of People I've Met From the Internet, returns to recommend Joe Brainard's groundbreaking I Remember from the 1970s.

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Kate Wolf talks with "It Girl" Natasha Stagg about her new essay collection from Semiotexte: Sleeveless: Fashion, Image, Media 2011-19. Natasha explains overcoming her reluctance to move to NYC, how she landed in the fashion world - simultaneously at its center and on the periphery - and what she discovered there. This most-priveleged sphere in the capital of the world is just part of the scenery: where the old is new again until the moment of re-interpretation passes; the thrill of creativity is tangible, yet nothing to get excited about; and it's most definitely post-Post-Modern yet pastiche, nostalgia, and appropriation remain the order of day. Telling tales of Late Capitalism in its interminable phase. The conversation also inspires Medaya Ocher, LARB's Managing Editor, to reveal details of her previous life as a Parisian fashion photographer. Also, Ariana Reines, author of the A Sand Book, returns to recommend two exceptional works of poetry, one old, one new: James Merrill's National Book Award winning epic from the late 70s, The Changing Light at Sandover; and Edgar Garcia's Skins of Columbus: A Dream Ethnography.

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Tori Reid, Hollywood insider and producer, visits with poet Nikki Giovanni to discuss her life and thoughts on the future, humanity, politics, and the highs and lows of it all. Giovanni is arguably the greatest living American poet, as well as a beloved activist and educator. On this special show, Giovanni shares her thoughts on our current political climate, the Global International African Arts Movement, and her report card to God about humankind.

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Tom Lutz opens the show with a spirited introduction of co-hosts Kate Wolf and Medaya Ocher and author Leslie Jamison, who has a new collection of essays: Make It Scream, Make it Burn. Jamison describes her empathic approach to her eclectic subjects, her relationship to the body and how she thinks about writing and authorship. Also, Jenny Odell returns to recommend Robin Wall Kimmerer's Gathering Moss: A Natural and Cultural History of Mosses.

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Co-hosts Kate Wolf and Medaya Ocher are joined by filmmaker, Bong Joon Ho, whose latest film is Parasite. Parasite has already gathered a wide range of acclaim, winning the Palme D’Or at the Cannes Film Festival and breaking specialty box office records. Bong joins us to discuss how he grew up, how he came up with the idea for the movie, and how he understands the relationship between the rich and the poor. Bong’s previous films include Mother (2009), Snowpiercer (2013) and Okja (2017). Also, Sarah M Broom, author of The Yellow House, returns to recommend The Emigrants by W.G. Sebald.

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Host Eric Newman is joined by Stephen Van Dyck, author of People I Met on the Internet, a series of narrative vignettes derived from the list Van Dyck kept for over a decade of all the men he first met online. Van Dyck talks about how internet chat rooms and blogs offered him a new safe world of contact as a shy queer teen; the unique counterintuitive intimacy of online encounters, and how sex often operates as a backdrop for more interesting experiences. Also, Shelly Oria, editor of Indelible in the Hippocampus: Writings from the Me Too Movement, returns to recommend the books authored by the contributors to the collection including Blueprints for Building Better Girls by Elissa Shappell; The Bed Moved: Stories by Rebecca Schiff; See Through: Stories by Nelly Reifler; The Dark Dark by Samantha Hunt; Blue Talk and Love by Mecca Jamilah Sullivan; and Our Revolution: A Mother and Daughter at Midcentury by Honor Moore.

This is the second episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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Co-Hosts Kate Wolf and Medaya Ocher are joined by Shelly Oria to talk about her new anthology Indelible in the Hippocampus: Writings from the #MeToo Movement. The collection includes essays, poetry, and fiction around harassment, abuse and the underlying power dynamics in our everyday lives. Oria explains how the collection came together and the need for diverse voices and styles in our fraught political moment. Also, Tea Obreht, author of Inland, returns again to recommend Nana Kwame Adjei-Brenyah's short story collection Friday Black.

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Co-hosts Kate Wolf and Medaya Ocher speak with Sarah M Broom about her latest work The Yellow House; a moving and beautiful book rooted in one place, which combines memoir, archival history of her family, and a story of her growing up in New Orleans East. Sarah explains how the culture of this forgotten part of the city - isolated by the industrial canal, accessible only by the High Rise bridge - came alive in and around her family's home. Hurricane Katrina devastated New Orleans East and destroyed The Yellow House; but through days of interviews and years of research Sarah conjures them back to life, reviving her large extended family, re-animating a lost world rife with character, tragedy, wisdom, and love. Also, Tea Obreht, author of The Tiger's Wife and Inland, returns to recommend Salvatore Scibona's stunning second novel, The Volunteer.

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Jenny Odell, author of How To Do Nothing: Resisting the Attention Economy, joins co-hosts Medaya Ocher and Kate Wolf to asses the state of the human soul in the age of social media reproduction. The verdict is clear: we need strategies of resistance. Constantly tracked and hunted by the digital panopticon, we have no time for reverie, reflection, letting go, or just being. We desperately need Nothing, which is everything. Jenny shares details of her own liberation. Also, Susan Straight, author of In The Country of Women, returns to honor Toni Morrison by sharing how she has read her favorite book every single year since she was twelve, Morrison's luminous second novel, Sula.

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What if that most celebrated of American genres, the Western, was stripped of its traditional tropes? Gone are the heroic lonesome gunslingers, the helpless women on the homesteads, the rampant outlaws, and cliched representations of inidigenous people. Is it possible that a such novel, rooted in greater historical accuracy, could prove equally (if not more) engaging? Tea Obreht's Inland accepts this challenge; and she joins co-hosts Medaya Ocher and Eric Newman to explain how she came to tell the story of two women, 40 years apart, on the western frontier. There's heartbreak, bravery, ghosts and camels because, when it comes to the western, reality is stranger than mythology. Also, writer and translator Magdalena Edwards, whose article for LARB "Benjamin Moser and the Smallest Woman in the World" became a viral sensation, returns to direct folks to an astonishing filmed interview of Clarice Lispector, the only one available online: https://www.youtube.com/watch?v=w1zwGLBpULs

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The redemptive power of oral history is at the heart of Susan Straight's new memoir, In The Country Of Women; and also in this installment of the LARB Radio Hour, the first in a special series featuring Los Angeles authors. As Susan relates the amazing stories of the women in her family from across many generations to host Kate Wolf, the spirit and character of these women is conjured back to life. Our troubled times are presaged in the tragedies and violence encountered by Susan's ancestors; but the promise, not yet extinguished, of this blood-stained land shines through from these women of the past to their sisters in the present. Also, filmmakers Julia Reichert and Steven Bognar, whose latest film is American Factory, return to recommend four books: Their Eyes Were Watching God by Zora Neale Hurston; The Underground Railroad by Colson Whitehead; The Warmth of Other Suns by Isabel Wilkerson; and The New Jim Crow by Michelle Alexander. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

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We have two great interviews this week. First up, Magdalena Edwards joins co-hosts Kate Wolf and Medaya Ocher to discuss her article for LARB "Benjamin Moser and the Smallest Woman in the World," which has gone viral. This dialogue is no less gripping, as Magdalena outlines her experience working with a publishing industry icon as the hired translator for Clarice Lispector's The Chandelier; and what that harrowing experience led her to reveal about the sordid underbelly of intellectual accreditation. Suffice to say, the powerful readily exploit the vulnerable; but, in this case, the pen and the podcast are gaining the upper hand. Then, Kate and Medaya are joined by Jess Row to discuss his new groundbreaking work White Flights: Race, Fiction, and the American imagination. Row brilliantly critiques a broad range of white American authors as he advocates for reparative writing, in which writers use fiction "to approach each other again" in full awareness of America's long racist history. It's nothing short of a clarion call for authors to ply their trade in the fight against Trump and the on-going racist/enthno-nationalist revival that he leads. (p.s. The amount of great literature referenced and discussed in both halves of this podcast would satisfy anyone's late summer reading list.)

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LARB's Medaya Ocher talks with Steven Bognar and Julia Reichert about their new film which documents the recent history of an American factory in Dayton, OH that was closed last decade and re-opened this decade under Chinese ownership and management. The tale is rife with paradoxes: the communists are the capitalists; and the workers from the land of Reagan and Trump channel socialist solidarity as they move to form a union against the wishes of the folks from the People's Republic. The conversation fills in the backstory; and, along the way, reveals what makes this highly political documentary so compelling - the filmmakers' drive to capture the humanity of all the players in the drama. Also, author Anthony McCann returns to recommend No One Knows My History, Fawn Brodie's beautifully written biography of Joseph Smith, the founding prophet of the Mormon religion.

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One of the most pressing issues facing American society is the rise of a radical anti-government right wing movement over the past few decades; and now, in particular, its relationship to President Trump. Author Anthony McCann goes right to heart of this movement in his new book Shadowlands: Fear and Freedom at the Oregon Standoff, the product of his first hand experience covering the Ammon Bundy-led occupation of the Malheur National Wildlife Refuge in Oregon in early 2016. In this illuminating conversation with co-hosts Kate Wolf, Eric Newman, and Medaya Ocher, McCann's observations about the array of characters at the heart of this dramatic stand off in isolated rural America both confirm and dramatically deny expectations. What is clear is that this movement, for worse not for better, now has deep roots in our country. Yet McCann's unflinching reporting points a way forward: nothing is to be gained by further isolation and vilification versus direct engagement with people, including with this troubled-but-fascinating lot. Also, Lyra Kilston returns to recommend Laila Lalami's heralded 2014 novel, The Moor's Account.

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"There's so much there, and it's so fascinating" observes co-host Kate Wolf after Lyra Kilston opens this week's podcast with a summary of her new book Sun Seekers: The Cure of California. Kate might as well be talking about the entire history, brief yet spectacular, of Southern California. This week's show unveils another of the spectacular paradoxes that define the rise of the Golden State Paradise/Dystopia - the relationship between California Modernism to European Sanatorium culture. If you've ever marveled at the modern architectural jewels that dot the LA landscape; and fantasized about a refined European ex-pat community that built them - prepare to have your dreams recast (in the best SoCal tradition!). Lyra spins fascinating tales that will challenge your understanding of LA history, in dialogue with Kate and Eric Newman, Also, Hanif Abdurraqib returns to recommend Harmony Holiday's new book of poetry, A Jazz Funeral for Uncle Tom.

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What could possibly be more of an LA literary event: James Ellroy reading from his new novel, This storm, then talking with Tom Lutz, founder and Editor-in-Chief of the Los Angles Review of Books - and even taking questions from the audience (you simply need to hear his answer to a question about Trump). It's the greatest contemporary practitioner of the great LA genre, live in LA!

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Filmmaker Petra Costa joins co-hosts Eric Newman and Medaya Ocher to talk about Brazil's turbulent politics over the past few decades; and how she was able to capture their operatic intensity in her new documentary, Edge of Democracy. Petra grew up the child of political militants, who were jailed and then went into hiding during Brazil's military dictatorship, which ended in the '80s. However, she also had deep roots in the country's political right-wing. Her father's family ran a construction company; a major player in the industry at the heart of the country's legendary corruption. This unique family history grants Petra unparalleled access to the leaders of both the left and the right while shooting her film; but also informs her deep sense of personal conflict and remorse as events unfold. The film begins by heralding the dramatic rise of Lula, Brasil's first leftist President since the end of the dictatorship. Petra is equally thrilled at the election of his chosen heir, Dilma Rousseff, the country's first women President; but mostly she is delighted by what appears to be the successful establishment of democracy in her country. Then, the forces of reaction start to stir... Petra acknowledges that many viewers draw parallels with the political crisis in the only western hemisphere country more populous than Brazil. Though, there are conspicuous differences: in one country, it's a corrupt Judge that successfully topples a sincere, well-intentioned President; while in the other, an honorable prosecutor is unable to dislodge an utterly corrupt President. What's strikingly similar is that the right-wing triumphs in both countries while democracy loses. Also, author Claire Vaye Watkins returns to recommend Rising: Dispatches from the New American Shore by Elizabeth Rush.

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Poet Ariana Reines joins co-hosts Eric Newman and Kate Wolf to discuss A Sand Book, her most ambitious work to date. The show opens with a powerful extended passage from the poem A Partial History. If listeners are not yet aware of Reines as one this century's great new voices, they will be within five minutes: a rhythmic cascade of language rife with resonant images of social conflict, dissipation, recurring glimmers of self-awareness lost in a flood of unrelenting distraction, but our drive to quest never extinguished - epic verse for our lost society. What follows then is a series of reflections on the promise of 21st century language; and the new territories where Reines is searching for, and finding, inspiration. Also, Erica Jong returns to recommend Horizon by Barry Lopez, the National Book Award-winner's new work of non-fiction.

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NOTE For our podcast listeners, the LARB Radio Hour can now be downloaded as a separate podcast. The LARB Radio Hour will no longer appear on the LA Review of Books podcast.

This week we present the second half of our interview with Michael Silverblatt, the host of KCRW’s nationally syndicated literary show Bookworm. Silverblatt explains his 100-page rule for reading, how old-school writers shared a kind of magician’s code, and how he relates his Jewish grandmother to the novels of Samuel Beckett.

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Author Fred Tuten joins co-hosts Medaya Ocher, Kate Wolf and Eric Newman to talk about his new book, My Young Life: A Memoir. The conversation begins with Fred explaining why after five celebrated novels, he chose to write a memoir; what follows is a series of beautiful reflections on his life. In the introduction to the show, Medaya says this is perhaps her very favorite LARB Radio Hour to date. Indeed, Fred's deep compassion for the people in his life, his novel-like descriptions of time and place, and his trenchant political observations makes this a show that cannot be missed - there's a true generosity of Spirit here. Also, the irrepressible John Waters returns to recommend a book and offers four: Moby's new memoir, Then It Fell Apart; Kevin Killian's Fascination - as well as the works of Clarice Lispector and Dodie Bellamy.

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Legendary Chicanx Feminist Theorist Cherrie Moraga joins host Eric Newman to talk about her new memoir, Native Country of the Heart, which tells the story of Cherrie mother, Elvira, along with reflections on Cherrie's own life and the long history of the Mexican-American/Indigenous diaspora. Cherrie discusses how she came to write about her mother's life, her own coming into being as a Chicanx radical feminist artist and lesbian, and ends with some somber thoughts about our dire contemporary politics balanced by where she finds hope in this context. Also, Jacob Tobia, author of Sissy: A Coming of Gender Story, returns to recommend the super-hot, gender-shifting, pan-sexual Paul Takes the Form of a Mortal Girl by Andrea Lawlor

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In a wide-ranging conversation, Eric and Medaya talk with author Jordy Rosenberg about the life and times of Jack Sheppard, eighteenth century Britain’s most famous prisonbreak artist, who is at the center of Rosenberg’s Confessions of the Fox. Plumbing the archival material that remains of this mysterious figure, Rosenberg’s novel imagines Sheppard as a transgender man whose gender ambiguous “slight” body was often described as boon to his trade and to his reputation as a notorious ladies man. Throughout the conversation, we discuss how our changing understandings of gender and sexuality across history challenge how we think about identity, desire and embodiment. Also, filmmaker Werner Herzog returns to recommend J. A. Baker's The Peregrine.

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Author Jacob Tobia joins co-hosts Eric Newman and Medaya Ocher to discuss their first book, Sissy: A coming of Gender Story. In a wide-ranging conversation, Tobia talks about coming into their non-binary gender, confronting haters, and embracing the messiness of Identity. Not only is Jacob a joy to talk with, but they also give a brilliant longview on the struggles both for queer rights and also for people to live however they feel gendered in their body.

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Co-hosts Eric Newman, Medaya Ocher and Kate Wolf are granted an audience with his Holiness the King of Filth, John Waters. Speaking about his new memoir, Waters opens up about the importance of understanding the business of show business, remaining committed to your vision and believing, against all odds, that you’ll be a success. Along the way, Waters talks about sex, politics and Eric's memory of meeting him at a urinal during a Hairspray! intermission.

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Authors Erica Jong and Susan Choi joins co-hosts Eric Newman, Medaya Ocher, and Kate Wolf in our third and final installment from the 2019 Los Angeles Times Festival of Books on USC Campus. First, Erica Jong talks about her new collection of poems, “The World Began with Yes,” as well how she sees the present moment from the long view of her engagement with feminist and other political causes. Then, exploring the trials and tribulations of life in high school, Susan Choi’s talks about the ethics of storytelling and how her novel “Trust Exercise” emerges from questions about how we work through our ideas about power, identity and values in the turbulent years of high school and, much later, after we've become adults.

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It's our second show from the Los Angeles Times Festival of Books at USC; and this installment features two of the Festival's award winners, as hosts Eric Newman, Medaya Ocher, and Kate Wolf speak with Nafissa Thompson-Spires and Carl Phillips. Nafissa won the Art Seidenbaum Award for First Fiction for her short story collection Heads of the Colored People; while Carl took home the LA Times Book Prize in Poetry for Wild is the Wind.

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In the first of a series of shows from the Los Angles Festival of Books, Eric, Medaya, and Kate, catch up with two friends of the show: Hanif Abdurraqib and Claire Vaye Watkins. First up, Hanif talks about his new book, Go Ahead in the Rain: Notes to A Tribe Called Quest, an epistolary appreciation of one of the most influential groups in Hip Hop history. As always, Hanif astounds with instant recall of, and insights about, all things pop cultural and their social resonance. Then, Claire joins the team to discuss her heralded first novel, Gold Fame Citrus: a terrifying, and all-too-possible, representation of Southern California's near future, in which love blooms in a landscape ravaged by drought.

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Co-hosts Kate Wolf and Medaya Ocher talk to writer Laila Lalami about her most recent novel, The Other Americans, a story about a Moroccan immigrant family in the Mojave Desert. In the second half of the episode, Kate, Medaya, and Eric come together to talk about the lessons they've learned from their mothers with Jo Giese, author of Never Sit If You Can Dance, a recent memoir about the lessons her mother has taught her.

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Co-hosts Medaya Ocher and Kate Wolf talk with filmmaker Werner Herzog about his new documentary Meeting Gorbachev, which he co-directed with Andre Singer. They discuss the legacy of the last Soviet leader, the era of Glasnost and Perestroika, the fall of the Berlin Wall, and how Herzog understands the history of Russia. The centerpiece of the film is a dialogue between Gorbachev and Herzog, which Gorbachev agreed to do because he recognized the great German filmmaker as more poet than journalist. Indeed, in this show, Herzog's reflections flow seamlessly across an array of subjects, from politics, culture, and history to the resilience of the human spirit. Also, Sally Rooney, author of Normal People, returns to recommend both The Kingdom by Emmanuel Carrere and the book that inspired it, the Gospel of Luke.

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Co-hosts Medaya Ocher and Kate Wolf speak with Sally Rooney about her two novels Conversations with Friends and Normal People. Dubbed the "Jane Austin of the Precariat" and called "the first great millennial novelist" Sally addresses the acclaim she’s received; and how she’s grown into the person and writer she is today. Also, William E. Jones returns to recommend The Imposter byJavier Cercas, which tells the story of Spaniard Enric Marco, who was a national hero until he was exposed as a fraud in 2005.

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Juliet Lapidos is a writer and editor. She is currently a senior editor at The Atlantic, and previously worked for the LA Times, NYT and Slate. Host Tom Lutz joins Juliet to discuss Talent, her new novel about a 29 year old English grad student who can’t finish her dissertation, spending her days eating pop tarts rather than producing pages — relatable. Everything changes when she meets the niece of a famous author and gets access to his notebooks. Anna finds in the author’s archive the inspiration that takes her on a whirlwind journey into the depths of a literary mystery. Tom talks with Juliet about every writer's favorite subject, writer's block; along with the role of slacking in American culture, and that ancient quandary of artistic production: hard work vs inspiration or, could we say, Talent.

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Author and Artist William E Jones joins co-hosts Eric Newman, Medaya Ocher, and Kate Jones to discuss his first novel I'm Open to Anything. In the midst of a successful career as both an artist and a writer of non-fiction, William explains what inspired this change; albeit one clearly situated in the Los Angeles of the late 80s, which William encountered after a childhood in the declining rust belt and college on the East Coast. Much like his writing, insights pour forth as William reflects on the difference between writing and making art, his contempt for sexual ellipses in literature and film, his passion for both explicit sexual realism and literary pranks, and why these inform his love for Denis Diderot. Also, Poet Tommy Pico returns to recommend Tommy Orange's novel There There; and clarify who's who.

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Author Karen Tongson talks with co-hosts Eric Newman and Kate Wolf about the tragic life and beautiful voice of Karen Carpenter, the singer who is Tongson's namesake and whose star has never lost its lustre for an enduring fanbase in the Philippines. What she unpacks in Carpenter's story is a moving account of suffering and beauty, of longing for a world we may never reach save in soaring notes and the practiced perfection of vocal harmony, a struggle resonant with queer and diasporic experience. Also, Morgan Parker, author most recently of Magical Negro, returns to recommend poet Nabila Lovelace's first collection, Sons of Achilles.

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Co-hosts Eric Newman and Kate Wolf talk with poets Morgan Parker and Tommy Pico about their respective new works, Magical Negro and Junk. Parker and Pico discuss how they use poetry to explore the experiences of oppressed communities, shuttling between the sublimity and nuance of everyday experiences and the larger cultural and political questions that saturate bodies, spaces and relations. They also talk about how their aesthetic practice has changed as they have moved into writing novels and screenplays.

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Who is Steve Bannon? The evil mastermind of a far right global counter-revolution that's taking the world by storm; or a shallow, frumpy guy doing the bidding of his billionaire backers. Could he be both? One thing for certain, Alison Klayman's verite documentary The Brink, which follows Bannon in the months after his exit from the Trump White House, is the essential portrait of one of the central players in global politics. Klayman explains to co-hosts Eric, Kate, and Medaya how she came to have such unlimited access to Bannon, her reflections on his toxic politics and on the man himself: his character, his motivations and what he hopes to accomplish. Also, Geoff Dyer, author of Broadsword Calling Danny Boy, returns to recommend Annie Ernaux's "impersonal autobiography" The Years, an astonishing first-hand reflection on the cultural, political, and economic changes over the 2nd half of the 20th century.

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Geoff Dyer joins co-hosts Eric Newman, Medaya Ocher, and Kate Wolf to discuss his new book Broadsword Calling Danny Boy about the 1968 Richard Burton/Clint Eastwood war movie, Where Eagles Dare. In talking about a film that has held his attention since childhood, Dyer expounds on the continuities and discontinuities between the movie-going child and the adult critic as a resource for good film writing. It's not the plots that fascinate Dyer so much as a writer as the moments caught on camera that grab our critical attention: the signature expressions, the technicolorization of reality, the cacophony of sounds that transport us from our seats into the somewhere else of the film. Also, Deborah Eisenberg, author of Your Duck is My Duck, returns to recommend a classic of Chinese Literature from the 18th Century: Cao Xueqin's five volume The Story of the Stone.

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Co-hosts Medaya Ocher and Kate Wolf talk with acclaimed author and master of the short story Deborah Eisenberg about Your Duck is My Duck, her new collection and her first since 2006. The free-wheeling discussion opens with the mystery of the silly, and selfish, sounding title; winds through a set of surprising reflections on inspiration, process, and myths of creativity; and how Deborah's relation to her craft has evolved throughout her life. Also, Chloe Ardijis, author of Sea Monsters, returns to recommend Charles Baudelaire's Prose Poems.

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Sara Borjas reads a poem from 'Heart Like a Window, Mouth Like a Cliff'

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Inspired in part by her childhood in Mexico City, Sea Monsters charts the journey of a young girl who takes chase after both a budding romantic infatuation and in interest in, of all things, a band of Ukrainian dwarfs alleged to have defected from the USSR while on tour in Mexico. In a wide-ranging conversation, Chloe Aridjis talks with co-hosts Eric Newman, Kate Wolf, and Medaya Ocher about running away from home, the anxiety of inheritance coming from a family of noted writers and artists, goth aesthetics and teenage romance. Also, Johanna Fateman, co-editor of Last Days at Hot Slit: the Radical Feminism of Andrea Dworkin, returns to recommend Re:Search Magazine's 1991 collection Angry Women, featuring interviews with and essays by the likes of bell hooks, Andrea Juno, Kathy Acker, Susie Bright, Wanda Coleman and many others.

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Johanna Fateman and Amy Scholders, the editors of Last Days at Hot Slit: the Radical Feminism of Andrea Dworkin, join co-hosts Medaya Ocher, Kate Wolf, and Eric Newman. Fateman and Scholder talk abut the literary and political legacy of Dworkin, a controversial figure in feminist history whose critiques of patriarchy and pornography made her an icon and a pariah in the 1970s and 80s. By looking back at Dworkin beyond the frame of the so-called Sex Wars, they challenge us to see the incisiveness of her political vision balanced against an abrasive style at once thrilling and off-putting. Also, Sam Lipsyte, the author of Hark, returns to recommend Lucy Ives' creatively titled upcoming novel Loudermilk or The Real Poet or The Origin of the World.

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This week, co-hosts Kate Wolf and Medaya Ocher talk to Dani Shapiro, author of the memoir Inheritance: A Memoir of Genealogy, Paternity, and Love. They discuss how Dani Shapiro discovered her real parentage and how that discovery shaped her understanding of herself, her relationship to her family, her body and her career. Also, Sam Lipsyte returns to recommend Mark Doten's new novel Trump Sky Alpha.

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Join LARB editors Kate Wolf, Medaya Ocher and Eric Newman for a special Valentine’s Day episode. In the first half of the show, we speak with Laurie Essig, author of Love Inc., an investigation into the ways in which the wedding, romance and dating industry have affected our lives and made us believe in happy endings, despite the world crumbling (or rather, melting) around our shoulders. Our second guest is long-time LARB veteran, Briallen Hopper, who talks to us about her new collection of essays, Hard to Love. We talk to Briallen about spinsters, singledom and how to throw the perfect Galentine’s party.

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Sam Lipsyte talks to co-hosts Kate Wolf and Medaya Ocher about his latest novel, Hark, which follows the exploits of an unlikely prophet named Hark and his acolytes, who think that they have found salvation in “mental archery”. Sam, Kate and Medaya discuss the appeal of gurus, the power of satire, and how to explain global warming to your kids. Sam Lipsyte is the author of author of Venus Drive, The Ask, Home Land, and The Fun Parts. He is also the Chair of the creative writing program at Columbia University. Also, Dan Lopez, author of The Show House, returns to recommend Stephen Hawking's Brief Answers to the Big Questions.

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Mitchell S Jackson, author of 2013's widely acclaimed The Residue, joins co-hosts Eric Newman and Medaya Ocher to talk about his new, soon to be released, book Survival Math: Notes on an American Family. An eclectic text - part reportage, part memoir, with cento poems, an epistilary opening, and powerful narrative passages throughout - Survival Math seamlessly testifies to a life and a consciousness born from difficult environments, devastating experiences, and an insatiable appetite for understanding and insight. Mitchell talks about what inspired him to write in such a challenging form; how the book's stories capture the complex ways in which adult mentors and friends become "family;" and the relationship of African-American history to the production of spectacular African-American art and literature. Also, Wayetu Moore returns to recommend The Lazarus Effect, a thriller, by Liberian author H. J. Golakai.

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Poet Jeffrey Yang joins co-hosts Eric Newman and Kate Wolf to discuss Hey, Marfa, his heralded new collection. In poems that balance between intimacy and alienation, Hey, Marfa explores the unique history of the tiny town where art, history and culture intersect in the vastness of the Texas desert. Yang talks about his writing practice, what it means to write from and about a place, and the figures he encountered in Marfa that continue to fascinate him. Also, John Wray, author of Godsend, returns to recommend Joaquin Maria Machado de Assis' miraculous classic The Posthumous Memoirs of Bras Cubas, which John describes as a post-modern tour de force that happened to be written in Brazil in the 1880s.

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Oscar season is upon us and our fearless co-hosts Eric Newman, Medaya Ocher, and Kate Wolf bravely tender their predictions and preferences in a range of categories. There's a lotta love for Glenn Close and The Favorite; not so much for A Star is Born; respect for Roma; and a special focus on documentaries because we've interviewed the directors of many of this year's favorites (having featured last year's winner, Icarus). Medaya and Kate spoke with Sandi Tan, director of Shirkers; Eric talked to Bing Liu, director of Minding the Gap; and Morgan Neville discussed his film Won't You Be My Neighbor? with Kate and Eric; but we've chosen... to bring you a command performance of Eric and Daya's interview with Tim Wardle, director of Three Identical Strangers. Also, author Julietta Singh returns to recommend The Queer Art of Failure by Jack Halberstam, which features close readings of Pixar Films which celebrate a new generation of animated films which embrace characters, narratives, and communities that counter the traditional tropes of patriarchal, hetero-normative, heroic individualism.

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Legendary essayist John McPhee joins co-hosts Eric Newman and Medaya Ocher to discuss his latest collection The Patch. Reflecting on his long career in creative non-fiction and journalism, McPhee talks about the duty of the writer to get out of the way of the story and bemoans the rise of the branded writer in the age of social media. In place of speed, McPhee extolls the virtue of slowness, the time it takes for a writer to develop his voice, to collect material and to divine the associations and structures through which it might breathe itself into a story. Also, author Julietta Singh returns to recommend Bhanu Kapil's Humanimal: A Project for Future Children.

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Wayetu Moore speaks with host Eric Newman about her debut novel She Would Be King, which interweaves history with magical realism to re-tell Liberia's founding in the 19th century. The Allegorical tale revolves around three characters: an immortal woman Vai, exiled from her indigenous community; an African-American man June Dey, who possesses super-human strength; and Norman Aragon, half-white from Jamaica, with the magical power to vanish. As the three stories merge, Liberia is born. Wayetu tells Eric about her family's history in Liberia, their move to America when Wayetu was five years old during a civil war, her subsequent relationship to Liberia, and what motivated her to write its foundation myth in such a beautiful and mystical form.

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We end the year with a special treat as hosts Eric Newman, Medaya Ocher, and Kate Wolf reveal their Best of 2018 selections. Eric, Daya, and Kate go high and also low with their favorite books, films, TV shows, podcasts (present company excluded), art shows, and one category so scandalous it's best kept a secret (for now). So, All Hail King Paimon and the Combahee River Collective; as well as authors Azareen Van Der Vliet and Rebecca Makkai, the two previous guests who made the list! Please enjoy our look back at the year that was; and make sure to catch Eric, Daya, and Kate's sage advice for 2019 at the end of the show.

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Author John Wray joins co-hosts Medaya Ocher and Kate Wolf to read from and discuss his critically-lauded new novel, Godsend; which has found its way onto many best of 2018 lists. Godsend tells the story of Aden, a young woman from Santa Rosa who travels to the Pakistan/Afghanistan border region shortly before 9/11, converts to Islam, disguises herself as a male and joins the Taliban as a fighter. John Wray tells us the almost-equally-amazing backstory to the novel, which stems from his time in Afghanistan as a reporter for Esquire; and his motivations for immersing himself so completely in Aden's world. Also, author and podcast host Karina Longworth returns to recommend Angelica Houston's second memoir, Watch Me.

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A double dose of SoCal culture, from classic Hollywood in the 1930s & '40s to the wasteland of the '90s. First up, hosts Eric Newman, Medaya Ocher, and Kate Wolf welcome back Karina Longworth to the show. Previously, Karina talked about her hugely popular podcast, You Must Remember This, which tells tales of old Hollywood. Now she returns to discuss her equally intriguing book, Seduction: Sex, Lies, and Stardom in Howard Hughes Hollywood that profiles the lives of women involved with the mogul, filmmaker, and playboy; and exposes the routine damage done by male power in classic Tinseltown, #ThemToo. Then Nikki Darling drops by to talk about her debut novel, Fade Into You; a coming-of-age tale set in suburban nowhere during the dire days of the early '90s.

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Author Julietta Singh troubles the boundaries that we imagine in and through the body, recuperating it as a porous site marked by flows betwen the internal and external, the self and others. In a wide-ranging conversation about her new book, No Archive Will Restore You, Singh and hosts Eric Newman, Medaya Ocher, and Kate Wolf touch on gender, sexuality, parenting and navigating the world in and as a body. Also, LARB's Medaya Ocher recommends her favorite short story from this past year, The Cafe by Kristen Gleason, which appeared in the Romance Issue of LARB's quarterly journal.

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Journalist and Author Mark Jacobson joins co-hosts Medaya Ocher and Eric Newman to discuss his timely new book, Pale Horse Rider: William Cooper, the Rise of Conspiracy, and the Fall of Trust in America. The result is a Trump-era gem: equally depressing and hilarious, with as much sociological and political insight as can be packed into one show. Jacobson addresses the phenomenal rise of conspiracy theory culture through the underground history of its most influential text, Behold a Pale Horse by William Cooper; who emerges as a sincere and at-least-somewhat redeemable character, the tragedy to Alex Jones' farce. The detour the conversation takes through Hip-Hop culture is worth the price of admission itself! Also, philosopher Kwame Anthony Appiah returns once more to recommend a text he never tires of teaching, John Stuart Mill's On Liberty.

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Author, Publisher, and Art Critic Chris Kraus joins hosts Eric Newman, Kate Wolf, and Medaya Ocher to talk about her new collection, Social Practices; which is described as "Essays on and around art and art practices" by Semiotexte, the legendary radical imprint where Chris has been a driving force since the '90s. What follows is a wide-ranging conversation about the role of art and art criticism in contemporary society; with detours into the recent cultural history of LA, the back-story to her novel I Love Dick, and the importance of good old fashioned description when your beat is radical creativity beyond your comfort zone. Also, Kwame Anthony Appiah, who chaired this year's Man Booker Prize, returns to recommend the book that won fiction's most prestigious award, Milkman by Northern Irish author Anna Burns.

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Philosopher Kwame Anthony Appiah talks with host Eric Newman about his new book The Lies That Bind: Rethinking Identity. Appiah tackles questions of cultural appropriation, how we come to feel that we possess our various identities, and why it is past time that we start restructuring our relationship to identity and our relationship to others. While Appiah’s work has long engaged questions of how we relate to others through and across difference in pursuit of a more peaceful world, these questions take on a special weight in today’s perilous times as the President inflames racial and political divisions and the commentariat ponder whether we have entered a new “Cold Civil War.” Also, Dan Lopez returns to honor poet Tony Hoagland, who died last month, by reading from and recommending his Application for Release from the Dream.

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In conversation at the finale of the Lambda LitFest in October, Patrisse Cullors, author of When They Call You a Terrorist: a Black Lives Matter Memoir, speaks to host Eric Newman about her activism, the philosophy that undergirds #BlackLivesMatter and how queer writers and activists from the 1960s and 1970s continue to shape her political vision and practice. While Cullors celebrates recent victories against police brutality and the prison system in Los Angeles, she also gives the audience inspiration for fighting back on the eve of Brett Kavanaugh’s confirmation to the Supreme Court. Also, Author Dan Lopez returns to recommend Autonomous by Sci-Fi author Annalee Newitz.

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"Shirkers" is a film that Sandi Tan and her friends made in 1992, in Singapore, when they were teenagers. Then the film was lost - stolen. 20 years later it was recovered. Tan's new documentary on Netflix, also called Shirkers, tells the story behind the original film, the tragedy of its theft, and the mystery of its recovery. Co-hosts Medaya Ocher and Kate Wolf ask Tan about her life as a teenage auteur in Singapore and how she came to work with Georges, an older mentor, who shot the sumptuously gorgeous footage and then betrayed her trust. Tan evokes the DIY spirit of early '90s Indie cinema, and her magical relationship to the few great films she saw (in the era before instant access); providing an uncanny re-encounter, at mid-life, with the dreams of an inspired youth. Also, Dan Lopez drops by to herald Haruki Murakami latest novel, Killing Commendatore; reflect on the magical humanism of the master's flawless formula; and confess that he, like legions of fans around the world, never wants it to end.

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Moving between the starlight of Hollywood’s golden age and the stardust that made Studio 54 sparkle in the 1970s, director Matt Tyrnauer’s recent documentaries “Scotty and the Secret History of Hollywood” and "Studio 54" capture sexual utopias before the dawn of the HIV/AIDS epidemic. Moving between the two films in a wide ranging conversation, host Eric Newman and Tyrnauer riff on post-closet culture, the social absorption of economic and political changes, and the glimpses of freedom to be caught in these moments for the archive of American experience. Also, Ben Marcus drops in to recommend Catherine Lacey's most recent collection of stories Certain American States.

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Is there something fundamentally different about contemporary capitalism than the system that Adam Smith identified, Karl Marx critiqued, and John Maynard Keynes sought to reform? If so, is there a unique underlying logic to what is frequently called Neo-Liberalism (aka post-Reagan/Thatcher capitalism)? Co-hosts Eric Newman and LARB Economics and Finance editor Michelle Chihara speak with Political Economist Martijn Konings about his ambitious new book, Capital and Time: For a New Critique of Neo-Liberal Reason, which posits that, yes, the current global order is distinct in ways that impacts every aspect of our lives. This raises two essential issues: one, on the economic and political front, how can we hope to reform (let alone challenge) Neo-Liberalism if we don't have a solid theoretical understanding of how it operates in our daily lives; two, on the philosophical front, given how all-encompoassing this system is in our materialist society, what does it say about how we experience "reality," in particular time. As Martin takes us through the changes that led to the rise of Neo-Liberal logic, he reveals the web we are entangled in - and, to paraphrase one of Martijn's predecessors, an accurate interpretation of the world is a necessary first step to changing it. Also, Brian Phillips, author of Impossible Owls, drops by to recommend Rebecca West's beautiful, heart-wrenching 1956 novel The Fountain Overflows.

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As one of today's featured authors is a celebrated sports blogger, it seems appropriate to begin by quoting legendary Chicago Cub Ernie Banks, "Let's Play Two!" Indeed, it's a Doubleheader today. First off, co-hosts Medea Ocher and Kate Wolf talk with Ben Marcus about his new collection, Notes from the Fog. Medea posits what she sees as a recurring theme in the stories, "Can we really know the people closest to us?" What follows is fascinating series of reflections on child raring, the banality of death, surreal realism, what makes a narrative compelling, and how Trump is undermining contemporary fiction. Then guest host Evan Kindley talks with Brian Phillips, one of our most celebrated non-fiction writers, about his new collection, Impossible Owls. While Brian initially gained notoriety and a huge fan base on the beloved-but-now-defunct Grantland website, which featured quality writing on sports; and he delighted millions with his puckish Tweets during the men's World Cup; he has now established himself as a master of long form reporting that is indistinguishable from the literary essay, through which he bares witness to our contemporary moment. In conversation with Evan, Brian opens up about his unorthodox career and inspired approach to his often-quirky subjects.

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It's the LARB Radio Reunion Show, as the original triumvirate of hosts - Seth Greenland, Laurie Winer, and Tom Lutz - reconvene on the occasion of the publication of Seth's new novel, The Hazards of Good Fortune. The witty repartee flows forth as if they never skipped a beat. Seth speaks of the motivations and inspirations behind his sweeping story of contemporary American society that echoes classics from the previous gilded age. Tom and Laurie praise while they ponder the pressures of producing a narrative that captures the spirit of the times. The result is a thoroughly entertaining extended reflection on how we write today. Also, Fran Lebowitz returns to recommend Deborah Eisenberg's masterful new collection of short stories, Your Duck is My Duck.

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Eric Newman, Medaya Ocher and Kate Wolf speak with legendary public speaker Fran Lebowitz. In a wide-ranging conversation, the gang flits from the Kavanaugh hearings to how the uber-rich have blighted the landscape of New York, from the escapism of literature (Lebowitz maintains that books are always better than real life) to the changes that have rocked the media environment in which Lebowitz has been a central figure for decades. In her iconic unvarnished style, Fran proves — as if there were ever any need for such a thing — that she’s still one of the most fascinating people to chat with about the lofty and mundane. Also, Eric recommends classicist Madeline Miller's novel, The Song of Achilles, that brings to life the love affair between Patroclus and Homeric Greece's greatest warrior.

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Documentary filmmaker Bing Liu joins host Eric Newman to discuss his award winning and critically acclaimed documentary Minding the Gap. A portrait of Bing's friends from his skate community in his hometown of Rockford Illinois, Minding the Gap is a hard film to pin down. In his conversation with Eric, Bing reflects upon the allure of skate culture for struggling teens, the cycles of domestic violence and abuse that move across generations from parents to children, and the emotional and cultural density of life in Middle America. Also, Michael Arceneaux, author of the collection I Can't Date Jesus, returns to recommend Darnell Moore's No Ashes in the Fire: Coming of Age Black and Free in America, a tale of a young, queer, black activist that's full of social observations, trenchant critique, and beautiful prose.

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Michael Arceneaux joins co-hosts Eric Newman and Medaya Ocher to discuss the first collection of his writing, the critically heralded I Can't Date Jesus: Love, Sex, Family, Race and Other Reasons I've Put My Faith in Beyonce. If ever a LARB podcast captured the texture of an author's writing, this may be it. After Michael opens the show, fittingly, by reading a passage from his book, he and Eric begin with reflections on their shared experience of growing up Queer and Catholic in the South - the conversation then moves seamlessly through matters of faith, family, race, writing and gay dating culture - all of it infused with Michael's wit. Along the way, amidst the laughter, much is revealed about our deepest shared desires.

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Author Porochista Khakpour joins co-hosts Medaya Ocher and Kate Wolf to talk about her new book Sick: A Memoir, which chronicles her struggle with Lyme disease. Porochista discusses how she identified the illness, how it has affected her career and day to day life and how she navigates the experience of being a young sick woman in contemporary society. Also, LARB's Medaya Ocher recommends Ali Smith's novel Autumn.

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Legendary LA-based art reporter Jori Finkel joins co-hosts Eric Newman, Kate Wolf, and Medaya Ocher to discuss her first documentary film "Artist and Mother;" which investigates why the contemporary art world, which prides itself as a space of absolute free expression, seems more-than-reluctant to embrace work about Motherhood, even when done by theretofore established artists who are new mothers. Finkel and her team of filmmakers highlight the work of four powerful Los Angeles based artists, all mothers, who challenge this bias: Kenyatta A. C. Hinkle, Andrea Chung, Rebecca Campbell, and Tanya Aguiniga. In the interview, Jori shares her theories about why such a universal theme remains taboo in this iconoclastic realm. Also, LARB's Eric Newman recommends Nella Larsen's 1929 classic Passing, which has long been a staple of academic syllabi but has remained relatively obscure among the general public. All that should change, Eric explains, as it's soon to be a major motion picture.

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Two scholars of Queer History, Emeritus Professor Martin Duberman and LARB's Eric Newman, assess the state of the LGBTQ+ movement and ask whether today's generation can redeem the radical vision of Stonewall era activists. The jumping off point is Martin's new book, Has the Gay Movement Failed?, which finds today's largest and best-financed advocacy groups championing a narrow vision of the LGBTQ+ community that is unthreatening to the American status quo. However, both Martin and Eric take heart in the new emphasis by radicals on intersectionality, which celebrates both diversity and inclusion. Towards the end of the dialogue Martin offers a searing critique of "individualism," as the core of mainstream American ideology; a peroration that should be heard by all progressives, radicals, and people of good will. Also, Eric tells LARB's Medaya Ocher about Michael Bronski's excellent A Queer History of the United States of America.

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It is safe to say, in the Age of Trump and the Kardashians, that America's obsession with wealth grows ever-stronger. Photographer and Documentarian Lauren Greenfield has built a brilliant career both capturing and critiquing the conspicuous consumption of the 1% and wanna-be one percenters. Lauren joins co-hosts Eric Newman and Kate Wolf to discuss her new film, Generation Wealth; which, she explains, contrasts with her previous work because it shows how her super-wealthy subjects had a come-to-Jesus moment in the wake of the spectacular market crash of 2008 and subsequent Great Recession, which seemed, once-and-for-all, to kill the Greed is Good ethic. Generation Wealth then captures how quickly the super rich betrayed Jesus once their balance sheets recovered, even as the average household fell further behind. Also, fittingly, LARB Radio's own Medaya Ocher stops by to recommend 99 Glimpses of Princess Margaret by Craig Brown, a fascinating study of a daughter of (the highest) privilege who remains more worthy of our attention than America's current crop of gluttonous narcissists.

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To celebrate the release of the Romance Issue of the LARB Print Journal, this week’s podcast focuses on one of the definitional institutions of 21st century romance: The Bachelor (and The Bachelorette). Co-hosts Eric Newman, Medaya Ocher and LARB Poetry Editor Callie Siskel discuss the ABC hit-series with LA Times writer Amy Kaufman, the author of Bachelor Nation: Inside the World of America's Favorite Guilty Pleasure. The conversation hones in on the cultural resonance, as well as the juicy behind-the-scene secrets, of the now 16-year old TV franchise. Also, Lydia Millet, author of Fight No More, returns to recommend Julia Holmes' first novel Meeks, a tale about bachelors in an alternative woman-dominated world.

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Co-hosts Eric Newman, Medaya Ocher and Kate Wolf talk with Lydia Millet about her new short story collection, Fight No More, which covers the wide swathe of LA life through intimate, quiet stories in homes magnificent and modest. In a wide-ranging conversation, Millet talks about the simultaneously private and public nature of homes, delighting in the moments that blur the distinction between what a host wants you to see and what they want to hide from view. Millet and the co-hosts also lament the pornified nature of contemporary culture, one in which abjection and nakedness are not only daily fare but also the center of performed social identities. Also, author Jervey Tervalon pays tribute to his friend, legendary food critic and Los Angeleno Jonathan Gold, with some epic verse: Adventures in Life and Food with J Gold.

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Co-hosts Medaya Ocher and Eric Newman talk with Director Tim Wardle about his Sundance-winning documentary Three Identical Strangers, which tells the story of identical triplets, separated at birth and re-united by chance in their late teens. The film is a masterpiece of pacing and Wardle discusses how he approached unveiling a story with so many unexpected twists and jaw-dropping turns; and also how he integrated reflections on the many controversial elements of the story. Throughout the interview, Wardle's compassion for the triplets shines through. Also, Michelle Chihara, LARB's Economics and Finance Editor, stops by to explain why she adores The Woman Upstairs and all of Claire Messud's novels.

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This week's podcast is an homage to Ursula K Le Guin from her final collaborator. David Naimon joins co-hosts Kate Wolf, Medaya Ocher, and Eric Newman and explains the backstory to his new book, Ursula K Le Guin: Conversations on Writing, a collection of dialogues with the legendary author from Naimon's literary podcast, Between the Covers. Le Guin died unexpectedly before Naimon had completed the project; thus, her mortality did not hang over the proceedings. Still, Naimon, a master interviewer, elicited reflections on the breadth of her work and thinking. In this conversation, he paints a resonant portrait of Le Guin as a generous, powerful, and fully-engaged person. Also, author Dan Lopez returns to recommend Lisa Halliday's novel, Asymmetry.

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Hosts Eric Newman and Kate Wolf sit down with documentary filmmaker Morgan Neville to discuss his latest work, Won’t You Be My Neighbor?, which tackles the work and impact of Fred Rogers and his iconic children’s show. In a conversation that moves from Rogers’ recognition of the complex emotional life of children to his sense of television as his ministry for a more loving world, Neville outlines both the example and challenge that Rogers sets for us in an era when hatred and vitriol seem poised to engulf the nation. Also, in recognition of The World Cup, Joseph O'Neill, author of the short story collection Good Trouble, recommends his favorite book on football, Brilliant Orange: The Neurotic Genius of Dutch Soccer by David Winner.

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Co-hosts Kate Wolf and Medaya Ocher talk with author Joseph O'Neill about his new collection of stories, Good Trouble. This show is a gem, full of reflections on 21st century mores, literature, politics, and crises. A master of contemporary language, O'Neill begins by playfully challenging a description of his characters - and away we go - as he reflects upon his craft and the task of representing the inner lives of the "American educated bourgeoisie," which he describes as "still a revolutionary class" that's remaking the world. Also, Johanna Drucker returns to recommend Arthur C Clarke's sci-fi tale of Alien invasion, Childhood's End, which holds up a mirror to humanity.

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Author Rebecca Makkai joins co-hosts Eric Newman, Medaya Ocher, and Kate Wolf to discuss her heralded new novel, The Great Believers, which tells two parallel and inter-related stories: one of the AIDS epidemic ravaging the Chicago gay community in the 1980s; the other, set in Paris in 2015, about a woman, Fiona, searching for her daughter, who has joined a cult. The connection is Fiona, who had become a caretaker for the men dying 30 years earlier in Chicago. Rebecca explains how she arrived at such a complex narrative structure (hint: it wasn't how the project started); as well as how she struggled with issues of cultural appropriation versus historical alliance. Also, Jenny Zhang, author of Sour Heart, returns to recommend the work of Tommy Pico, in particular his new book-length poem, Junk.

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Author Tayari Jones joins co-hosts Eric Newman and Medaya Ocher to talk about her latest novel, An American Marriage, that tells the story of an African-American couple that gets separated when the husband is falsely accused of a crime and receives a twelve year sentence. Tayari relates her inspiration. How she set out to research the impact of mass incarceration on families; but, fittingly, made no progress until she overheard an exchange from a couple at a mall. She realized that the key component for any novel to have a powerful political impact is having fully realized, fully human, central characters. Also, Carmen Maria Machado, author of Her Body and Other Parties, returns to recommend Anne Rivers Siddons horror novel from the 1970s, The House Next Door.

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Co-hosts Kate Wolf and Medaya Ocher are joined by UCLA Professor Johanna Drucker, author most recently of a novel Downdrift and a work of social philosophy, The General Theory of Social Relativity. The conversation begins with Downdrift, a tale narrated by an Archaeon, the world’s oldest surviving species, who relates how non-human species are increasingly adopting human behavior in a world dominated by the ever-more-destructive Homo Sapiens Sapiens. As Johanna explains, we happily proclaim those documented instances in which animals act like us as “updrift” because the reality is something we’d rather deny: we are destroying our mutually shared habitat and the other animals are feeling desperate. Johanna’s work is a clarion call for us to respect, and learn from, all those other species on earth, who in marked contrast to us, live in harmony with their environment. Also, Morgan Jerkins returns to recommend Jesmyn Ward’s Sing, Unburied, Sing, which won the National Book Award for Fiction in 2017.

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This week’s podcast is another Doubleheader, featuring interviews with Carmen Maria Machado and Jenny Zhang recorded at the Los Angeles Times Festival of Books. First up, co-hosts Eric Newman, Kate Wolf, and Medaya Ocher speak with Carmen Maria Machado about her heralded collection, Her Body and Other Parties, an eclectic set of fictions that both revels in, and challenges, the standard tropes of a wide variety of genres. Carmen also drops hints about what to expect from her upcoming memoir. Then poet, essayist, and storyteller Jenny Zhang stops by to talk about her approach to writing Sour Heart, a collection of coming-of-age stories about the children of recent Chinese immigrants, which also won numerous prestigious awards this past year.

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Morgan Jerkins, author of This Will Be My Undoing, talks with co-hosts Eric Newman and Medaya Ocher about tackling the personal as political as a black woman author in these troubled times, nuancing what each of those terms mean. Morgan also talks about the struggle that all writers face – the voices inside our heads telling us that we can’t or shouldn’t – and how she found the balance between acknowledging vulnerability while embracing bravery. Also, Ijeoma Oluo returns to recommend Daniel Jose Older's young adult Shadowshaper series.

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Wim Wenders, one of cinema's greatest living directors, drops by to tell co-hosts Medaya Ocher and Kate Wolf the astonishing story behind his new documentary Pope Francis: A Man of His Word. Given unprecedented access, Wenders witnessed the Pope walk the walk in the footsteps of his namesake, St. Francis of Assisi; his revolutionary statements on the environment and the economy flowing from his genuine love for nature and compassion for every individual. Across the interview, Wenders himself reveals a generosity of spirit not unlike his latest leading man. Also, Hanif Abdurraqib returns once more to recommend No More Nice Girls: Countercultural Essays by critic Ellen Willis.

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Ijeoma Oluo, author of So You Want to Talk About Race, joined co-hosts Eric Newman and Medaya Ocher for a discussion on race in America at The Los Angeles Times Festival of Books. Ijeoma begins with the tale of how she became a social media superstar when she bravely highlighted a set of racist posts targeting her, and then exposed Facebook's shameful response (the company temporarily banned Ijeoma). The episode confirmed her status as a prominent truth-telling voice on the digital battlefield that is the national dialogue in the Age of Trump. Few of us ever engage in public exchanges with such high stakes; Ijeoma shares how it has impacted her as a mother, a writer, and a human being. Throughout the interview, her reflections on race, and how best to combat racism, show why she is such a brilliant champion for our time. Also, Hanif Abdurraqib, author of They Can't Kill Us Until They Kill Us, returns to recommend the writings of one of his heroes and predecessors, Lester Bangs, collected in Psychotic Reactions and Carburetor Dung.

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This week's LARB Podcast is a master class in 21st Century power relations, as Ryan Holiday discusses his sensational new book Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of Intrigue with co-hosts Eric Newman and Kate Wolf. Befitting our time, this one episode has more salacious subterfuge than your favorite serial podcast: sex tapes, the blogosphere, rival visions of LGBTQ liberation, free speech wars, the crisis of journalism, and, in the end, the overwhelming force of an oligarch's money. To top it off, Ryan didn't merely have a front row seat, he was a player in the game. Also, to celebrate Mother's Day we asked three of our favorite Moms to recommend books. Heidi Newman chose Nora Ephron's I Feel Bad About My Neck, Dr, Elena Ocher tapped Tolstoy's Anna Karenina, while Kate Wolf selected Ina May Gaskin's Guide to Childbirth.

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This week's show features interviews with authors Lynell George and Michelle Dean. First up, Lynell talks with LARB Radio's Janice Rhoshelle Littlejohn about After/Image: Los Angeles Outside the Frame, her new collection of essays about, and photos of, Los Angeles. The conversation, both historical and personal, celebrates LA while mourning the fraying of communities and the decline of human-scale connection as the city grows wealthier and more cosmopolitan. Then, Michelle is joined by co-hosts Eric Newman and Kate Wolf to discuss her book Sharp: The Women Who Made An Art Of Having An Opinion; why the ten literary legends that she profiles constitute a distinct group; and how their power, and ideas, speak to the critical issues of our time.

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Hanif Abdurraqib may just be the most poignant raconteur of American culture in the age of Donald Trump. Hanif joins co-hosts Eric Newman and Medaya Ocher to talk about They Can't Kill Us Until They Kill Us, his magisterial collection of essays on the contemporary music scene; and all the pain, pleasure, promise, disappointment, pasts and presents, communities and self that he finds there. The interview, like Hanif's writing, conveys what it feels like to be awake, fully observant inside the whirlwind of America in the late twenty-teens. Also, Francisco Cantu, author of The Line Becomes a River: Dispatches from the Border, returns to recommend the work of a number of poets writing about the US-Mexico border, in particular Javier Zamora's collection Unaccompanied.

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What if a highly illegal drug could be used, far more successfully than prescribed pharmaceuticals, to help people with depression and bi-polar disorder? Who would be willing not just to experiment on themselves, but also to spread the word? LARB Radio's Medaya Ocher talks with just such a brave soul, Ayelet Waldman, author of A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life. Recorded in front of a full house at Scripps College, it's a fascinating dialogue full of surprises: Ayelet relates her own personal struggles, her frustration with anti-depressants, her traumatizing years as a Federal public defender appalled by the War on Drugs, her full knowledge of the severity of the law she was breaking, the whimsical arrival of a package from Lewis Carroll, the pharmacology of LSD, the precision of micro-dosing, and then, magically, relief. Ayelet acknowledges that her social privilege (as a prosperous white woman, a Harvard Law graduate, married to Michael Chabon, herself a successful mystery writer and novelist) allowed her to take a huge risk, as such she feels compelled to announce her discovery of happier trails ahead.

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What motivates a great novelist to write a children's book? Author Junot Diaz joins co-hosts Eric Newman and Kate Wolf to discuss the inspiration behind Islandborn, the story of five year-old Lola learning about her family's history and culture, beautifully illustrated by Leo Espinoza. What follows is a penetrating conversation about the severe under-representation of people of color in children's books, the long-overdue reckoning that needs to happen across society, the genius of diasporic literature, and the healing potential of stories for all ages, about all peoples, that convey universal human experience. Also, Elon Musk's SpaceX Falcon Heavy rocket inspired LARB Radio's Dan Lopez to re-read, and highly recommend, Kim Stanley Robinson's Mars Trilogy

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How do cultural practices become established? Why do we live in the way that we do? For generations social scientists, philosophers, and even psychologists have emphasized the centrality of human rationality as the arbiter of cultural development. USC Professor of Neuroscience, Psychology and Philosophy Antonio Damasio suggests otherwise in his latest book, The Strange Order of Things: Life, Feeling, and the Making of Cultures. As Professor Damasio explains to co-hosts Tom Lutz and Eric Newman, his research shows how cultural decisions, and their potential adoption across a given society, is rooted much more in feelings than previously thought. What follows is a fascinating dive into the role emotions and feelings play in all living things on earth: from us (so-called) higher primates to other animals, plants, and all the down way to micro-organisms. Suffice to say, this week's show will challenge, and possibly change, the way you understand, and feel about, the world.

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At the top of the show, Sean Penn reflects on how his just-released first novel, Bob Honey Who Just Do Stuff, had its roots in his effort to intervene in the 2016 presidential election. So after Trump's victory, Penn continued with Bob Honey to investigate the ways in which we're all complicit in this catastrophic outcome; and what better mode to take all that on than a Pynchonesque, Foster Wallace-inspired antic tale, an absurdist/realist fiction. Co-hosts Eric Newman and Kate Wolf don't shy away from the obvious and vexing question: why would an A-list Hollywood actor, director, and screenwriter, sure to get any project green lit, choose the written word? What emerges is a fascinating portrait of a celebrity who truly rejects celebrity culture, a person of conscience, a restless creative imagination, rooted in the American rebel tradition, hell-bent on the next inspired, giddy, revealing turn-of-phrase.

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The great author reflects on a lifetime of writing, an unorthodox career, and her current work as a teacher and healer, which couldn't be more relevant for our troubled times. Under a majestic oak in Reza Aslan and Jessica Jackley's beautiful backyard, Maxine Hong Kingston talks with LARB Radio's Tom Lutz and answers questions from an audience hanging on her every word. It was an evening rife with wisdom, charm, laughter, and confrontations with some of life's greatest challenges; a true celebration of literature.

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In a penetrating interview, LARB Radio host Kate Wolf talks with author Francisco Cantu about his new book The Line Becomes a River, an impressionistic chronicle of his five year stint as an agent for the United States Border Patrol, his emotional fallout from the experience, and his reflections on the humanitarian crisis of the US-Mexico border. Cantu also offers his thoughts on the controversy that has surrounded this book, stemming from criticism from immigration rights activists; as well as his critique of Trump’s brutally wrong-headed border wall proposal. Also, LARB Radio's Eric Newman drops in to recommend Jeffrey C Stewart’s magisterial 800-page biography The New Negro: The Life of Alain Locke, which transports you to the milieu of one of the Harlem Renaissance’s most influential thinkers.

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Bassem Youssef, author of Revolution for Dummies: Laughing through the Arab Spring, joins co-hosts Eric Newman and Medaya Ocher to discuss what it's like to launch an entirely new genre in the Middle East - mass media political satire (modeled upon Jon Stewart's Daily Show) - and then become Egypt's most popular TV host before having to flee the country. Youssef has lost none of his wit or political insight since his days on center stage of an actual revolution; and the conversation is laden with relevance for a certain country dealing with a dangerous, wannabe-authoritarian leader. Youssef's analysis of the role of political satire during troubled times delivers a pointed lesson for all us taking solace in the wit of Colbert, Bee, SNL & Co. Also, Azareen Van der Vliet Oloomi, author of Call me Zebra, returns to recommend Claire Lispector’s The Passion According to G.H.; a classic of Brazilian literature from 1964. Azareen reads a stunning passage that foregrounds a central concern of all serious authors, how words fall short.

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Azareen Van der Vliet Oloomi joins co-hosts Eric Newman, Kate Wolf, and Medaya Ocher to discuss her first novel, Call Me Zebra, released to universal praise this past month. In his review for The Los Angeles Review of Books, Nathan Scott McNamara, describes how Zebra, “the precocious narrator, a self-proclaimed “connoisseur of literature,… is unvaryingly brilliant and deadpan funny… the smartest narrator you will encounter this year.” Through her travels, tragedies, romance, and voracious reading of canonical literature, this book of ideas captures the “the experience of exile, deftly threading the narrative with theory while also using theory to pull the reader in.” In conversation with Azareen, we learn about a young author ambitious enough to take all this on and produce a captivating work of literature. Also, Giulia Sissa stops by to tell how she fell in love with Marcel Proust’s Remembrance of Things Past (À la recherche du temps perdu) as a young woman and remains under its spell to this day.

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LARB Radio was live at The Last Bookstore in Downtown LA this past Sunday at the Book Release Party for author Tim DeRoche's and illustrator Daniel Gonzalez's 21st century recasting of Mark Twain's American Classic: The Ballad of Huck and Miguel. Co-hosts Eric Newman and Medaya Ocher facilitated the main event, a free flowing discussion with Tim and Daniel that captivated the overflow crowd with reflections on a book that, much like the original, illuminates many of the central concerns and crises of contemporary American society. Tim and Daniel explain the project's evolution: why Huck's companion Jim, a runaway slave, became Miguel an undocumented migrant; the Mississippi became the LA River; and how Los Angeles, with its limitless diversity and underappreciated nature, plays a staring role accentuated by Daniel's gorgeous prints. Once again, the searing social critique resonates because our hearts are drawn in by the battered-but-unbroken adolescent who finds on the river an older role model, something unavailable to him in "proper" society, in the person of a fellow outcast, Miguel - a human connection, as with Jim, all-but-forbidden by white America. Also, Dan Lopez drops by to share his Olympic Fever, by recommending a book that the Winter Games inspired him to read: Barbara Demick's study of life in the world's most closed and mysterious country, Nothing to Envy: Ordinary Lives in North Korea.

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On this Valentine's week, we celebrate jealousy! Giulia Sissa, Professor of Classics and Political Science at UCLA, joins hosts Eric, Kate, and Medaya to discuss her new book Jealousy: A Forbidden Passion; and elucidate how jealousy, though much maligned, is in fact central to our greatest desire, passionate amorous love. Sure, jealousy can hurt like hell, can be an unstoppable force of (creative) destruction; indeed, the soul-wrenching tales of Medea and Othello have universal resonance - but, as Sissa explains, jealousy is much more than fearful agony. Jealousy operates whenever we desire another, for then we are desiring to be desired by someone who is free to shun us or choose another; and that vulnerability both heightens, and is elemental to, love. Also, our own Kate Wolf recommends Sam the Cat, a short story collection from 2001 by Matthew Klam with surprising plot twists that challenge the artifice of sexist machismo and have an uncanny resonance in the #MeToo moment.

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Befitting the scope of Min Jin Lee's National Book Award-nominated novel Pachinko, this interview sweeps delightfully through a broad range of subjects - the challenges of writing a historical novel, of representing the unique pressures felt by immigrants, 20th Century Korean and Japanese relations, Presbyterian theology, fate, the dangers inherent in the American pursuit of happiness, the importance of valuing suffering and perseverance, and a show stopping meta-moment where we reflect on the possibilities of a LARB Radio interview - animated throughout by the joy and intensity that co-hosts Eric Newman, Kate Wolf, and Medaya Ocher experienced reading Min Jin Lee's masterpiece. Also, Medaya recommends Janet Malcolm's The Silent Woman, a biographical study of Sylvia Plath and Ted Hughes' relationship that uses this legendary, tragic, near-mythical relationship to critique the distorting operation of conventional biographies.

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A couple of weeks ago, LARB hosted an event that featured science writer K.C. Cole in dialogue with Actor and Author Alan Alda to discuss the ideas that animate his new book, If I Understood You, Would I Have This Look on My Face?: My Adventures in the Art and Science of Relating and Communicating. A lifelong science-enthusiast, Alda tells how he parlayed his experience hosting a TV series produced by Scientific American into working with scientists to help them better represent their work to the public (and to each other) by teaching them improvisational acting. The results were measurable and impressive; and, if people are willing, the evidence suggests that the lessons are universally applicable, even in a country divided. Also, don't miss the exchange that starts in the 36th minute, when Alda, an outspoken feminist for decades, is asked to reflect on the current #MeToo moment - co-host Medaya Ocher described his response as "by far the most articulate, generous, and kind" description by a man of why this is a great and necessary movement.

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Authors Ivy Pochoda and Galt Niederhoffer join co-hosts Eric Newman and Medaya Ocher to talk about their new noir novels. Pochoda’s heralded Wonder Valley weaves a tale of striving, wayward Los Angelenos, from Skid Row through gentrifying neighborhoods and out to a New Age Desert commune; a 21st Century update of the gloom beneath LA’s glamour. Niederhoffer’s intimate Poison, a harrowing portrait of betrayal, is drawn from the author’s own experience (she accused her ex-partner of trying to murder her); which inspires a discussion about “gaslighting,” MeToo, and the need to challenge the underlying logic of patriarchy that informs these treacherous times. Also, author and avid reader Dan Lopez returns to recommend Sadness is a White Bird by Moriel Rothman-Zecher.

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Author and artist Myriam Gurba joins co-hosts Eric Newman and Kate Wolf for a conversation about her new book Mean, which is receiving effusive praise across the literary, art, and mainstream presses - including a glowing review from last week's guest, Jonathan Alexander, in the LA Review of Books. Billed as part True Crime Tale, part Ghost Story, part Queer coming-of-age Memoir; with all parts deformed by an epidemic of sexual assault and violence in Myriam's hometown - it sounds a perfect fit for the Zeitgeist. Only it's the opposite; as Myriam explains, her love of language is disruptive, and empowering, a lifeline that even allows her to recognize, and commune with, the ghosts haunting our souls. Indeed, as Myriam, Kate, and Eric's conversation turns to our on-going #MeToo moment, Myriam insists we cannot continue to reduce people to good or bad caricatures, our team vs the enemy; rather, we need to talk to each other, have compassion for the traumatized, and, if you're really serious about trying to do some some good, deploy the type of deep psychological insight familiar to readers and writers of literature. Also, Jonathan Alexander drops by to recommend Jay McInerney's latest novel Bright, Precious Days, the third installment of the Calloway Saga; set in NYC in-and-around the (declining) publishing industry during last decade's financial collapse through the early Obama years. Jonathan says it's top notch Mcinerney: delicious junk food for the literati, plus a front row seat for the Decline of the American Empire!

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Memoirist, composition theorist, and educator Jonathan Alexander joins hosts Eric Newman and Kate Wolf to talk about his new critical memoir "Creep: a Life, a Theory, an Apology." With wit and sharpness, Alexander walks us through the definitional morass that informs our cultural accounts of the "creep" in a wide ranging discussion that shuttles from the Deep South to Hollywood to the White House. Also, author Janet Fitch return to recommend Sergei Dovlatov's The Suitcase: A Novel.

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Janet Fitch, author of the legendary novel White Oleander, joins co-hosts Eric Newman and Medaya Ocher to talk about her new work, The Revolutions of Marina M, which tells the story of a young woman poet coming of age in the heady, early days of the October Revolution. Fitch talks about her approach to writing such a sweeping novel, her visits to Russia before and after the collapse of the Soviet Union, how she's able to represent sex so well on the page, and the importance of balancing the utopian dream with mundane reality when writing about, and living through, revolutions. Also, Author Dan Lopez drops by to recommend Richard Lloyd Parry's Ghosts of the Tsunami: Death and Life in Japan's Disaster Zone, which reflects on humanity's relationship to death and life while telling the story of a small town in Japan that suffered a tremendous loss of life during the March 2011 Tsunami.

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Wasn't the collapse of the Soviet Union supposed to herald the dawn of a new era of unfettered freedom, liberal democracy, and the end of history? Instead Russia moved rapidly from Autocratic Socialism to Autocratic Oligarchy. Masha Gessen talks with co-hosts Eric Newman and Medaya Ocher about why she chose to investigate this world-historical disappointment by talking to young people who witnessed this calamitous transition first-hand. The result is Gessen's National Book Award-nominated The Future of History: How Totalitarianism Reclaimed Russia, a work of literary journalism rife with the unique insights this novel approach revealed(to which our own Soviet-born Medaya adds her memories). Gessen also reflects on what Russia's re-embracing of repression may teach us in our suddenly benighted land with an unstable leader who reveres strongmen like Putin. Also, Essayist Garnette Cadogan returns to recommend two works by the contemporary British Author Robert MacFarlane: one for children: The Lost Words; one for adults: Landmarks - both of which exhibit how language can re-enchant our relationship to the world.

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USC Professor of Physics Clifford Johnson joins LARB's Eric Newman to discuss his new work of natural philosophy The Dialogues: Conversations About the Nature of the Universe, which also happens to be a comic book (from MIT Press no less, move over Marvel!). Sure, the popular form is a strategy to engage a larger audience with ideas that Johnson affirms are already widely considered, just not as dull/intimidating science; but that doesn't diminish the Johnson's achievement, as a presenter of ideas, an author of vignettes, and a first-time graphic artist. Also, author Dan Lopez drops by to recommend They Can't Kill Us Until They Kill Us, Hannis Willis-Abdurraqib's stunning collection of essays on contemporary music and black culture, reflected against a legendary performance of the national anthem by Marvin Gaye.

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It's the question on everyone's mind: How the hell did we get here, Donald Trump's America? How did our belief in democratic ideals get warped into what Errol Morris terms the “bat shit craziness” of the Trump era? LARB's Tom Lutz talks with Morris about his brilliant new film Wormword, which debuts this week on Netflix, and how it’s tale of an army scientist’s suspicious death in 1953 relates to the current crisis of a government we feel we fundamentally can’t trust. As Morris explains, a society that builds powerful, secretive, violent institutions cannot also be an honest democracy with citizens who demand to know the truth - and what better way to deliver this message than an uncanny, six-part, binge-worthy, murder mystery. Also, John Freeman returns to recommend Solmaz Sharif's sublime book of verse, Look.

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This week's LARB Radio Hour features two full length interviews, both all about conspicuous, yet mysterious, New York Jews. In the first, the celebrated documentary team of Heidi Ewing and Rachel Grady talk about what inspired them to focus their lens on a few brave souls who decided to leave the tight knit Hasidic community in their new film One of Us, which recently debuted on Netflix. Heidi and Rachel felt these tales would reveal much about the human spirit, the vulnerability of those that challenge orthodoxy, the safety of community contrasted with dangerous thrill of freedom; and understood the commitment necessary to complete such a challenging and captivating film. In game two of our double-header, co-hosts Eric Newman and Medaya Ocher are joined by Eric Lax, author of Start to Finish: Woody Allen and the Art of Moviemaking. Eric explains what he sought to reveal in a book that documents the production of Allen's 2015 film Irrational Man from start to finish: a unique, quirky master-craftsman at work doing what so few get to do, make films just the way he wants. And lest the elephant in the room pass unnoticed, Eric directly addresses the charges of sexual molestation against his legendary friend.

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Who are the writers pushing the boundaries of contemporary literature? How are they doing so? And where can they be found? No small matter this; as, unlike previous avant-gardes, today's are dispersed across the entire globe. Legendary editor John Freeman, of Granta fame, set out to answer these daunting questions. The result is the spectacular fourth edition of his journal Freeman's: The Future of New Writing. Twenty Nine authors made the cut. John shares his rationales for inclusion, and an abundance of enthusiasm, with co-hosts Medaya Ocher and Eric Newman. Author Garnette Cadogan, one of the 29, joined John in-studio to share his thoughts on today's cutting edge writing, the necessity of tricksters (to literature & life), and his contribution to the collection: With Nothing to Hide. Also, John Freeman wasn't about to leave the studio without singing the praises of Eka Kurniawan's gorgeous magical realist epic novel of modern Indonesia: Beauty is a Wound.

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Author Liska Jacobs joins co-hosts Eric Newman and Medaya Ocher to discuss her heralded first novel Catalina, narrated in vibrant prose by a young woman destined for a fall during an outing with friends to the eponymous island off the coast from LA. Echoes of Gatsby and Brett Easton Ellis abound – decadence is a blast, but can’t slay demons – but this is very much a tale of our time; as we encounter a woman stranded, her career and identity collapsing following a failed affair with a powerful boss. Liska, Eric, and Medaya reflect on the many insights Catalina provides for our post-Weinstein Crisis moment. Also, Liska recommends Chris Kraus’ Video Green, reflections on LA and the art world in the early ‘90s.

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Co-hosts Eric Newman and Medaya Ocher are joined by filmmaker Robin Campillo, and actors Nahuel Perez Biscayart and Arnaud Valois - the Director and the stars, respectively, of 120 BPM, which won the Grand Prix at this year's Cannes Film Festival - to discuss how they captured the spirit of the Parisian chapter of one of the most dynamic and transformative social movements in recent history, ACT UP; as well as the beautiful, tragic romance at the heart of the story. A reflection of the intensity of living constantly on the precipice of death, the show doubles as a masterclass on the rigors of creating truly excellent historical cinema. Also, Nathan Englander returns to recommend two books, both of which have special appeal to dog lovers: Pit Bull: The Battle Over an American Icon by Bronwen Dickey; and Barbara the Slut and Other People by Lauren Holmes.

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Lynn Comella, author Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, joins co-hosts Eric Newman and Sarah Mesle, to discuss how a handful of Feminist entrepreneurs in the 1970s helped women in America and around the world take greater control of their own bodies and pleasure. The discussion couldn't be more timely in a month when our society is beginning to confront the patriarchal power relations that emboldens sexual predators. Vibrator Nation tells the history of women putting women's liberation in the hands of women! Also, author Dan Lopez drops by to recommend Katherine Heiny's new novel Standard Deviation.

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Author Nathan Englander joins co-hosts Medaya Ocher and Eric Newman to discuss his ambitious new novel Dinner at the Center of the Earth, which is set inside the Israel/Palestine conflagration. In an energetic conversation, teeming with wit, Nathan also shares the despair he felt while living in Israel in 2000 at the collapse of the peace talks and beginning of the second intifada; and explains why he mixed the surreal and all-too-real in a work that strives to do nothing less than bring the two sides together to recognize their shared humanity, need for cooperation, and desire for peace. Also, Medaya recommends Rachel Cusk’s divinely drafted novel Outline.

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This week’s show is a doubleheader. In game one, Award-winning poet & Mancunian Adam O’Riordan joins co-hosts Eric Newman and Boris Dralyuk, as well as author David Shook, to discuss the Manchester writing school, it’s partnership with LARB, the tradition of English letters in Southern California – and how to strengthen Los Angeles’ literary ties across the pond. In the nightcap, Eric, Boris, and David are joined by Amanda de la Garza, curator of an exhibit of contemporary Oaxacan murals at the Downtown LA Library entitled “Visualizing Language: Oaxaca in LA” to discuss the powerful resonance of indigenous language, art, and tradition in an era of mass migration from Oaxaca to Los Angeles. Also, author Karen Tei Yamashita returns to recommend Pankaj Mishra’s From the Ruins of Empire: The Intellectuals Who Remade Asia; as well as his most recent book, Age of Anger: A History of the Present.

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Artist, architect, and activist Ai Weiwei joins co-hosts Eric Newman and Medaya Ocher to discuss his new feature-length film Human Flow; and the on-going global refugee crisis that it documents. The conversation weaves through matters central to 21st Century humanity: digital technology, globalization, national identity, economic inequality, climate catastrophes, demagogues, and threats to liberty - as well as more eternal themes like war, beauty, human vulnerability, and how we bear witness to the mystery of existence.

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Karen Tei Yamashita, one of the most celebrated American novelists of her generation, turns historian/archeologist with Letters to Memory, an investigation into the lived experience of the World War Two Japanese Internment Camps, as revealed by the words and images from her family's archive. Karen joins co-hosts Eric Newman and Medaya Ocher to discuss how this striking new work came to be, her political motivations, and the importance of bringing forward the tremendous impact this horrible episode in American history had on people, families, and communities. Also, author Chiara Barzini returns to recommend Leonard Michaels' Slyvia, a tragic tale of a sexually charged romance in early '60s Manhattan.

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A LARB Radio Double-Header! First, Author, Academic, and OC resident Andrew Tonkovich joins co-hosts Eric Newman and Medaya Ocher to talk about the all-but-unknown, but surprisingly excellent, literary tradition of Orange County. Andrew and his wife, poet Lisa Alvarez, have compiled a collection of stories, essays, and memoirs about (or reflective of) LA County's more right-wing neighbor - and the list of contributors is as impressive as the content itself. Andrew talks about some of his favorite entries; as well as the promising political evolution of a longtime GOP bastion that voted against Trump. Then, in the 2nd half of the show, author Rebecca Tuhus-Dubrow joins Eric and Medaya to reminisce about the glory days of the Sony Walkman from the late 70s through to the 90s. Rebecca has written a short history/memoir entitled Personal Stereo, as part of Bloomsbury's charming Object Lesson series, about the device that revolutionized our listening habits.

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Award-winning Italian screenwriter and English Language Novelist Chiara Barzini joins co-hosts Medaya Ocher and Eric Newman to talk about Things that Happened Before the Earthquake, which tells the story of an adolescent girl who moves with her family from Rome to LA in the early '90s. The conversation centers on the experience of moving to a massive, mythical city without a center; the turmoil of the Rodney King era; and the nuances of a coming-of-age immigrant tale. Also, Natalie Graham returns to recommend Play Dead, a collection of poems by Francine Harris.

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Cave Canem award winning poet Natalie J Graham talks with hosts Eric Newman and Medaya Ocher about her collection Begin with a Failed Body. The discussion opens about failure, imperfect bodies, and fallible memories; detours through hip-hop and black culinary traditions; and weaves through history to hope and pleasure. Also, LARB's Boris Dralyuk drops to commemorate the 100th anniversary of the October Revolution by recommending a collection of stories written in the wake of 1917: Russian Emigre Short Stories from Bunin to Yanovsky, edited by Bryan Karetnyk.

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Director Peter Bratt and the subject of his new Documentary, Dolores Huerta, talk with co-hosts Eric Newman and Medaya Ocher about the making of the film Dolores; but in the hands of Dolores Huerta, every moment is an organizing moment - and the conversation flows across the central political issues of our time, much as the film tackles those from the past half-century and beyond. The message remains the same: everyone can take action to improve our lives and society, here's how you do it! Also, Medaya recommend's NYRB's re-issue of David Plante's classic (and controversial) Difficult Women: A Memoir of Three, which contains literary portraits of Jean Rhys, Sonia Orwell, and Germaine Greer.

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Who is Donald Trump, and what does he stand for? Do we know? Does he himself know? Or is he caught in that precarious state of disorientation that characterizes our current political predicament.

The public discourse is heated, the language inflammatory. Philosopher Hans Sluga of the University of California, Berkeley, brings a cool head and rational thinking to his interview about our 45th president, Donald Trump, with Entitled Opinions host Robert Harrison.

Trump has been a real estate developer, a reality TV star, a prolific tweeter, a politician, and has changed his party affiliation seven or eight times. Is he a fascist? Sluga, author of Wittgenstein and Heidegger’s Crisis, warns against easy tags: “We’ve drained this word of much of its specific meaning.” Fascism, he says, “is a form of statism quite different from what we have in America today.” Is he a populist? That’s not clear, either.

“Plutocrat,” the term Aristotle used to describe the rule of the rich, might be a more precise characterization. Sluga says we might turn to the world of real estate to understand Trump’s worldview.

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Author Lucy Ives joins co-hosts Kate Wolf and Medaya Ocher to discuss Impossible Views of the World, her first novel, which centers on the life of a curator working in New York's greatest museum. The ensuing conversation revolves around the Ives' inspiration for writing such a multi-faceted work: part character-driven social satire, part literary pastiche, it's also an intellectual mystery novel rife with artistic and philosophical resonance. Plus, poet Imani Tolliver, author of Runaway: A Memoir in Verse, returns to recommend Roxane Gay's Hunger: A Memoir of (My) Body.

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Bryan Fogel joins co-hosts Kate Wolf and Medaya Ocher to discuss his astonishing new film Icarus, which belongs on a shortlist of documentaries that fortuitously captured history in the making. The film began as an expose on Fogel as a guinea pig, taking performance enhancing drugs in preparation for a major cross-country bike race. However, the specialist who is assisting Brian backs down and hands Bryan over to the head of Russia’s “anti-doping” team, Dr. Grigory Rodchenkov; who is, in fact, the mastermind behind Russia’s massive national doping program. Rodchenkov decides he's had enough and turns to Bryan to protect him and assist in blowing the whistle on the biggest doping scandal in history. Icarus is a tale of friendship, heroism, and suspense; which also happens to prove beyond a reasonable doubt the dishonesty and corruption of Vladimir Putin’s regime. Also, LARB Radio’s own Eric Newman drops by to recommend Tom Atwood’s new photography book Kings and Queens in Their Castles, which portrays 160 LGBTQ subjects in their homes.

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Cave Canem Award-winning Poet Imani Tolliver joins LARB's Janice Rhoshalle Littlejohn to read from, and talk about, her powerful new book, Runaway: A Memoir in Verse. The powerful, emotive conversation (recorded on Imani's birthday!) focuses on the redemptive role that verse, the community of poets, Howard University, The World Stage, coming out, and romantic partnership have all played in Imani's life. All of which gets reflected in her beautifully empowering words. Also, author Danzy Senna returns to recommend Elena Ferrante's The Lost Daughter, a short taught novel written before the more celebrated Neopolitan Novels.

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Author Danzy Senna joins Kate, Medaya, and Eric to discuss her novel New People, a romantic "comedy" of manners that overflows with insight into race and identity in America. Senna describes how she crafts historical/cultural geographies: of Brooklyn in the '90s, Stanford University a few years earlier, and the nightmare utopia of Jonestown. The dialogue reveals an author of personal, very human, tales with tremendous resonance for our troubled Trumpian times. Also, poet and choreographer Harmony Holiday returns to recommend Toni Cade Bambara's novel The Salt Eaters.

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Architect Frank Gehry sits down with Joseph Giovannini to discuss projects from across his career: including his rebuff of Donald Trump's inept courtship; his on-gong engagement with the LA River Project (which Giovannini has written about for LARB); and the many hurdles he had to overcome to complete the jewel of Downtown LA, Disney Hall. This is a Master both in repose and politically engaged; reflective and yet adamant that his work serve humanity.

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LARB Radio goes in depth with poet Douglas Kearney. Co-hosts Janice Rhoshalle Littlejohn and Will Clark talk with the award-winning poet, librettest, and Cal Arts Professor about the progression of his publications, writing of and for the common (wo)man, the vibrant beauty of his language, and so much more! Also, Peter J Harris returns to recommend a 1970s underground classic of African literature, The Healers by Ghanaian author Ayi Kwei Armah.

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In early July, LARB invited Lorin Stein, the Editor in Chief of the Paris Review, to speak at its publishing workshop at USC. During the trip, he also joined LARB's Tom Lutz for a public dialogue on the state of publishing, books, journals, reading, and literature - which naturally flowed into an even wider range of subjects from the joy of print, the craft of editing, translation in the digital age, Michael Houellebecq, and the marvelous writing of Edouard Louis. Also, author Fiona Maazel, who's new book is A Little More Human, returns to recommend Jim Shepard's new collection of stories The World To Come.

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Kate and Eric are joined by poet, choreographer, and founder of the Mythscience artist collective Harmony Holiday, whose new collection of verse is titled Hollywood Forever. Harmony reads from the volume and discusses her time-collapsing, historically conscious, visually engaging, collage-style poetry that produces a socially-conscious, politically resonant, sensual literary triumph. Also, author Garth Greenwell recommends novelist Yiyun Li's memoir "Dear Friend, from My Life I write to You in Your Life."

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LARB's Janice Rhoshalle Littlejohn talks with author Peter J Harris about the new production of his work "Johnson Chronicles: Truth and Tall Tales About My Penis," which opens in Los Angeles on July 21st. Janice and Peter discuss the work's transition from page to stage, reflect on the mythology surrounding the black male member and the role of that mythology in the ongoing de-humanization of African-Americans, and the challenges still facing artists presenting honest, intimate portraits of Black Americans. Also, author Morgan Parker returns to recommend Dick Gregory's provocatively titled autobiography.

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Errol Morris, the legendary filmmaker, joins Kate, Medaya, and Eric to discuss his new documentary "The B-Side: Elsa Dorfman's Portrait Photography." A loving investigation of the work of a longtime friend, the film represented a new challenge for a master celebrated for revealing the tortured souls of America's elite war criminals on the big screen. Errol Morris reveals a couple secrets of his craft; and his sense of what, at the end of the day, still remains. Also, Jonathan Lethem returns to recommend Alison Lurie's brilliant novel of transplants in LA, The Nowhere City.

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Jonathan Lethem joins Kate, Medaya, and Eric to discuss the publication of his first collection of essays, reviews, and commentaries "More Alive and Less Lonely;" which serves as a fine description of the free-ranging dialogue that ensues. The great subjects of life are tackled: how to contend with the impact of having children on your daily regimen of reading; New York v California; Fiction v Criticism; etc, et al. Also, Dana Spiotta returns to recommend Chanelle Benz's The Man Who Shot Out My Eye is Dead.

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Author Deborah Nelson joins Kate, Medaya, and Eric to discuss her new book Tough Enough about a five iconic 20th century women writers, plus one photographer, and their stylistic affinity - a rejection of sentimentality that challenged gender stereotypes. A fascinating discussion about six fascinating figures in the American pantheon: Susan Sontag, Mary McCarthy, Diane Arbus, Joan Didion, and (the two expats) Hannah Arendt and Simone Weil. Also, Amelia Gray returns to recommend Kristen Iskandrian's novel Motherest.

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Los Angeles Author Amelia Gray joins Kate, Medya, and Eric to discuss her new novel Isadora. The book focuses on two years in the life of Isadora Duncan, the legendary American Modern Dance pioneer. It begins when Isadora is the toast of Paris (her adopted hometown) in 1913, the year before the outbreak of World War One. Then, tragedy strikes, her two young children drown in the Seine. Isadora flees Paris, traveling across a Europe that is itself imploding. Author Amelia Gray talks about her approach to historical fiction, what attracted her to Isadora Duncan, and how we try to cope with soul shattering grief. Also, author Jess Arndt returns to recommend a novella, The Last Wolf, by Hungarian author Lazlo Krasznahorkai.

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Los Angeles author Jess Arndt joins Kate and Medaya to talk about her first collection of stories Large Animals: Stories. Arndt is a stunningly original author; writing fluidly surrealistic tales where subjectivity is multiplicity; yet the proceedings are anchored by the bodies we navigate and inhabit. Also, Kate recommends Proxies: Essays Near Knowing, a book of philosophical poetry by Cal Arts Professor Brian Blanchfield.

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Mary Gaitskill, one of the most distinctive and celebrated contemporary American writers, spoke with Tom Lutz and Laurie Winer at a special LARB event in Silver Lake last month. Mary opened the evening with a reading from her new collection of essays, Somebody with a Little Hammer. The conversation flowed through countless subjects from there: the psychology of Mary's most celebrated characters; drugs, alcohol, and writing; Linda Lovelace; the question of cultural appropriation; Mary's scathing take on Donald Trump, and more. Also, Janet Sarbanes author of The Protester Has Been Released returns to recommend two books: The Censors by Luisa Valenzuela; and a book of poetry The Wasp Queen by Claudia Cortese.

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LARB Radio's Kate Wolf, Medaya Ocher, Eric Newman spoke with authors Joyce Carol Oates, Morgan Parker, and Fiona Maazel at this year's LA Times Bookfest held recently on the USC campus. Morgan Parker is the author of There are More Beautiful Things than Beyonce. Fiona Maazel's latest novel is A Little More Human. Joyce Carol Oates remains one of the leading figures in contemporary American letters, a status she has held for many decades. All three reflect on their writing processes, on contemporary literature and culture, as well as our troubled political times.

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LARB Radio's Kate Wolf, Medaya Ocher, Eric Newman braved 90 degree heat to speak with authors Garth Greenwell, Marcy Dermansky, and Dana Spiotta at this year's LA Times Bookfest held recently at USC's campus. Garth Greenwell is the author of the novel What Belongs to You. Marcy Dermansky's latest novel is The Red Car (which was recommended a few weeks ago on the LARB Radio hour). Dana Spiotta is a return guest on the show and author most recently of Innocents and Others: A Novel. All three offer spirited observations on contemporary literature, as well as our troubled political times.

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Author Janet Sarbanes speaks with Kate and Medaya about her new collection The Protester Has Been Released. The wide-ranging conversation includes Soviet space dogs, humanity's betrayal of the planet, the relevance of Latin American literature in the era of Trump; and, of course, the reason this moment inspires protest. Also, LARB's Eric Newman drops in to recommend two books from the recent Chinese LGBT canon: Notes of a Crocodile by Qiu Miaojin from Taiwan and Beijing Comrade by Bei Tong - both of which brilliantly capture the spirit of romantic obsession.

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Documentary filmmaker Laura Poitras joins Kate, Eric, and Medaya to discuss her new film, Risk; the product of filming Julian Assange and the Wikileaks team over the past seven years. The film is a companion piece to Poitras' Academy Award winning Citizen Four, about Edward Snowden. Both films place Poitras at the epicenter of two of the most significant politcal phenomena of our digital age; and, in both instances, she has crafted brilliant films. Also, Abdellah Taia returns to recommend Russell Banks' novel from the 1980's Continental Drift.

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The Real WORD Podcast, produced by Reading Opens Minds. This season on The Real WORD we read and discussed the following books:

Me Before You by JoJo Moyes, Cuckoo’s Calling by Robert Galbraith - aka J.K. Rowling, The Ocean at the End of the Lane by Neil Gaiman, Tattooed Soldier by Hector Tobar, Everything I Never Told You by Celeste Ng and Pleasantville by Attica Locke.

From these books, we’ve considered questions about parental expectations and the sheltering and protection of family, the amount of power we have as individuals in shaping our lives, aspirations for the future, and how we deal with the inconsistencies of our world and how we can survive change.

I spoke with one of our program alumni, Jackie Amezcua, who’s on a Posse Scholarship (full tuition for all 4 years) at Dickinson College in Pennsylvania. I asked her about how joining book club in her sophomore year of high school is helping her now.

We’ve seen our students take advantage of our programming because they are hungry for knowledge and hungry to experience a world outside of their communities. Some of them have dreams of being artists and writers, but these dreams sometimes become unattainable due to lack of resources available to them because of their race and socio-economic situation.

The question then arises: Are we running the risk of losing these unique voices?

We at Reading Opens Minds want to keep the voices of these young people, these cultures alive in this country. Extra-curricular reading, especially for schools in low-income areas seems to have almost completely lost its importance and value. The more we turn our attention away from reading and critical thinking, the less vibrant and resilient we become. We want to continue to give attention, love, encouragement and new books to the people in our programs because we know, especially in these times of disconnection, building supportive relationships in our communities is incredibly important.

The Real WORD Podcast produced by Reading Opens Minds and edited by Saul Black. You can find us on iTunes or the podcast app on your phone, or on the web at: LAReviewofbooks.org/the-real-word. Thank you to the LA Review of books staff and supporters for giving this podcast a home and some tender loving care. For more information about Reading Opens Minds goto: readingopensminds.org - there you can subscribe to our newsletter and see what else we’re up to!

Special thanks for this episode goes to Jackie Amezcua for producing, and -- to all of the people who donated to our Indiegogo campaign last year to make this project happen.

If you want another season of The Real WORD, you can donate at our website, Or if your company wants to sponsor the next season, please contact: lauren@readingopensminds.org.

We hope to have the opportunity to produce Season Two of the Real WORD for you!

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In a powerful show, author Abdellah Taia talks with co-hosts Kate Wolf and Eric Newman about his new collection from Semiotexte, "Another Morocco;" and also about his experience as the first prominent Moroccan author to come out of the closet; his love of Morocco; how he knew he would lose part of himself when he moved to France; and his bitterness towards French liberal society, which may be less homophobic, but is not tolerant of the young man he was in Morocco. George Prochnik, author of a new book about Gershom Scholem, returns to recommend Scholem's magisterial biography The Mystical Messiah: Sabbatai Sevi about one of the most astonishing figures in Jewish history.

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Art Historian Kellie Jones talks about her new book, South of Pico, on the flourishing African-American Art scene in Los Angeles in the 1960s and '70s. Co-host Kate Wolf is joined by first-time co-host Eric Newman in a wide-ranging discussion with Kellie about the social, economic, historical, and artistic forces that influenced a powerful generation of black artists in Southern California; whose work continues to resonate. Also, author George Prochnik returns to recommend the work of novelist Irene Nemirovsky, whose stories from both pre- and post-nazi Europe are chillingly cautionary tales for our times.

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George Prochnik is one of our leading biographers and cultural historians; and he talks with Kate and Medaya about his latest book, "Stranger in a Strange Land: Gershom Scholem and Jerusalem." As he talks about Scholem's life, from his close friendship with Walter Benjamin to his exodus from Europe, to his history excavations of Judaica that were motivated by a desire to enliven contemporary Jewish life - it becomes apparent that Prochnik sees something of his own quest for meaning in Scholem's unique path. Also, Elif Batuman returns to recommend Hanya Yanagihara' s The People in the Trees.

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Author Elif Batuman joins Kate and Medaya to discuss her new semi-autobiographical novel, The Idiot, about a Turkish-American freshman at Harvard. Elif explains the book’s unique genesis: she wrote it shortly after graduating, found it in a drawer many years later, and reworked it into its current form. Many Elifs contributed to this book - the Harvard freshman, the postgraduate author, the recent literary archaeologist, and the nonfiction author whose celebrated book The Possessed covers a similar time period as a work of “objective journalism.” And, yes, Kate, Medea, and Elif share their love for Dostoyevsky! Also, Melissa Febos, author of Abandon Me, returns to recommend a book of poetry, Donika Kelly's Bestiary. And we end by honoring Robert Silvers, legendary founder and editor of the New York Review of Books, who died at 87 in March. LARB contributor Jon Wiener spoke to Silvers in 2013.

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The Real WORD Podcast is produced by Reading Opens Minds. I’m Lauren, and in this episode, we’re talking about the book: Pleasantville by Attica Locke.

Kirkus Reviews says of Pleasantville: “Race, politics and petty grievances muddy the quest for justice when a young election volunteer is kidnapped and murdered...A thriller wrapped in an involving story of community and family dynamics. Locke serves up a panorama of nuanced characters and writes with intelligence and depth.”

We chose this book because it is set in an election year in the 90’s both for local and national seats and Attica is a local author and a writer/producer for the hit TV drama Empire. She was kind enough to come and sit with me at the sound studio at Emerson College in LA for a chat...

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Melissa Febos joins Medaya and Kate to discuss Abandon Me, her new beautifully lyrical eight-chapter essay. In one of the most intimate dialogues to date on the LARB Radio Hour, Melissa talks not only about the life changing love affair, and her search for her birth father, that are the core of the book's narrative; but also draws us into how the world looks through the eyes of one of America's leading literary stylists. Also on this week's podcast, Naima Keith of the California African American Museum returns to recommend Issa Rae's The Misadventures of Awkward Black Girl.

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Host Janice Rhoshalle Littlejohn talks with Naima Keith, the award-winning deputy director of the California African American Museum in Los Angeles about art, history, politics, and how they intersect. Naima also talks in detail about the new Spring Season at CAAM, which features five shows including exhibits of the work of New York based artist Derrick Adams, Los Angeles' own Kenyatta A C Hinkle, and a look back at the 1992 LA Uprising. Also, podcast superstar Karina Longworth returns to recommend Marcy Dermansky's novel The Red Car.

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In this episode, we’ll be discussing Everything I Never Told You, by Celeste Ng. Ng’s debut novel was published in 2014, and it follows the lives of a Chinese-American family after their teenage daughter, Lydia, goes missing. The book touches on issues of immigration, assimilation, marriage and love.

Our young readers talk about Ng’s novel as well as fear, isolation and the pressures young people face, including the expectation parents have for their children, who should do better and be better than they were.

The Real WORD Podcast, is produced by Reading Opens Minds and edited by Saul Black. Special thanks for this episode goes to Stacy Reader, Lesley Peters and Mercedes Vasquez for facilitating the book club and to Ernesto Orellano for recording this meeting.

Next week we’ll be talking about Pleasantville by Attica Locke. Until then, happy reading!

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Yale Law Professor and constitutional scholar Akhil Reed Amar joins LARB Legal Editor Dan Franzen for a discussion of his book, The Constitution Today; and how the new Trump Administration may represent a threat to the US constitutional system. From possible impeachment proceedings to travel bans already knocked down by District Courts to Administration challenges to the Free Press, it's clear the Trump Administration requires newfound vigilance for defenders of the Constitution. Also, Akhil explains one of his best known policy proposals: The National Popular Vote Interstate Compact (already adopted by ten states) that could transform American Presidential Elections so that the winner of the national popular vote becomes President.

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Award-winning novelist Valeria Luiselli joins Kate and Medaya to talk about her new book, Tell Me How it Ends: An Essay in Forty Questions, about the flood of children refugees coming to the United States on a harrowing journey through Mexico from Central America. Luiselli reminds us that Trump may exacerbate the problem, but its been a tragic reality for years. Also, Sarah Manguso returns to recommend Amy Fusselman's underappreciated "8: All True: Unbelievable."

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In this episode we’re talking about the book: The Tattooed Soldier by Hector Tobar. The Tattooed Soldier was first published in 1998 by Delphinium Books and was hailed by LA Weekly in 2014 as “The Best LA Novel Ever”.

The story of The Tattooed Soldier begins with Antonio, a refugee from Guatemala's dictatorship during the 1990’s who stumbles upon his wife's killer in MacArthur Park, recognizing the soldier by his unforgettable tattoo. He plots his act of personal justice as Los Angeles explodes into what we now know as the LA Riots.

I had the great pleasure of speaking a bit with the author Hector Tobar, about his early days of journalism and covering the LA Riots. I also ask him about nurturing more budding Latino writers.

We ask our group if they connected to the book more deeply because it’s set here in LA, and we talk about empathy for the two main characters in the book who, by the end of the book, both have committed murder.

The Real WORD Podcast produced by Reading Opens Minds and edited by Saul Black. Special thanks for this episode goes to Stacy Reader and Mercedes Vasquez for facilitating the book club. Next episode we’ll be talking about the book, Everything I Never Told You, by Celeste Ng Until then, Happy Reading!

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Essayist Sarah Manguso joins Kate and Medaya to read from and talk about her new book 300 Arguments, which is a searing set of aphorisms (though Sarah shies away from that word) that prove the power of concision. Also, Vanessa Davis, author of Spaniel Rage, returns to recommend Lynda Barry's One Hundred Demons.

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This week's podcast is the audio from the Film Now panel held in late 2016 & moderated by LARB's Anna Shechtman. The panelists were LA Times film critic Justin Chang, USC Professor and film scholar J D Connor, Cathy Schulman, the head of the organization Women In Film, and Gil Robertson, President of the African American Film Critics Association - and the event featured a wide-ranging consideration of the state of Cinema in the middle of the second decade of the 21st century, with particular focus on questions of diversity and distribution as well as the best films of 2016.

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Real WORD Podcast – Episode 4: The Ocean at the End of the Lane

In this episode, we’re talking about the book: The Ocean at the End of the Lane by Neil Gaiman

The Ocean at the End of the Lane was published in 2013 by HarperCollins. Gaiman himself has said he wasn’t sure as he was writing it whether it would be an adult novel - his first in a while - or a novel for young adult readers. Reviewers have come down on both sides with The Guardian reviewer noting that, “When I thought about it, I realised that I am an adult reading self, and also a child reader, and that it was my childhood self who settled into this story.”

When I began to read the book, it reminded me of the film, Pan’s Labyrinth by Mexican filmmaker, Guillermo del Toro, where the real world of a child is intermingled with a magical one in order to make some sense of the darkness around them.

First, we talk about the absence of the narrator’s name, then we look at the quote the author chose to put on the first page of the book and what it seems to mean. (If you’re a parent you may want to pay special attention to this section!)

We talk about how in the book memory becomes fabric and what would make a sacrifice worthwhile.

The Real WORD Podcast is produced by Reading Opens Minds and edited by Saul Black.

For more information about Reading Opens Minds goto: readingopensminds.org - there you can subscribe to our newsletter and see what else we’re up to!

Special thanks for this episode goes to Stacy Reader and Mercedes Vasquez for co-facilitating the book club. Next episode we’ll be talking about the book, The Tattooed Soldier by Hector Tobar.

Until then, Happy Reading!

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Vanessa Davis talks with co-hosts Medaya Ocher and Kate Wolf about her autobiographical comics; in particular her collection Spaniel Rage, which is being re-issued. Davis discusses the evolution of a new literary art form; along with the establishment of women in the comics world. Then Martabel Wasserman drops by to recommend Sarah Schulman's classic novel of New York City at the height of the AIDS crisis, People in Trouble; which features a Donald Trump inspired antagonist. Lastly, Tom and Laurie listen to, and adore, a couple of poems by Emily Dickinson.

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Co-hosts Kate Wolf and Medaya Ocher speak with Iranian Poet in exile Moshen Emadi, who lives in Mexico but is touring America on the occasion of the publication of the first English language collection of his poems, Standing On Earth. A lover of Whitman and other great American poets, Emadi reflects on the tragedy that when he leaves the country the current President would ban him from returning to the Land of the Free. Then local artist, publisher, and activist Martabel Wasserman joins Kate and Medaya to discuss how art and literature are a powerful and essential component of resistance against oppression - needed now more than ever. Also, Karina Longworth drops by to give a book recommendation: Slow Days, Fast Company by Eve Babitz.

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In this episode we’re talking about the book: The Cuckoo’s Calling by Robert Galbraith aka JK Rowling.

The Cuckoo’s Calling was first published in the UK in 2013 by Sphere Books, and had placement at number 4,709 on Amazon.com before it was revealed that the author of the Harry Potter book series had actually penned the book under the pseudonym, Robert Galbraith. The book shot to the top of the charts nearly overnight when Galbraith’s true identity was leaked!

This is a crime novel about a model who falls to her death from a balcony. Though it looks like suicide, her brother is not convinced and hires private investigator Cormoran Strike to look into the case and find the killer. Reviews were good (even before the outing of the author) with The Independent noting that it’s “...a book about looking and listening...and about using loss to develop emotional intelligence and about friendship.”

This group hadn’t read a crime novel yet, so we thought it would be a fun new experience with the Harry Potter author tie-in --- of course, this was before we learned that many of them hadn’t actually read the Harry Potter books! We talk about the relationship between the two main characters, and the killer in the story and his motives -- SPOILERS AHEAD!

The Real WORD Podcast is produced by Reading Opens Minds and edited by Saul Black. You can find us on iTunes or the podcast app on your phone, or on the web at: LAReviewofbooks.org/the-real-word. Thank you to the LA Review of books staff and supporters for giving this podcast a home and some tender loving care.

Special thanks for this episode goes to Maria Jose Vazquez and Stacy Reader for co-facilitating the book club.

Next episode we’ll be talking about the book, The Ocean at the End of the Lane by Neil Gaiman. Until then Happy Reading!

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Karina Longworth talks with LARB's Medaya Ocher and Gustavo Turner about her phenomenally successful podcast about old Hollywood, "You Must Remember This," on the occasion of the launch of its new season series on Dead Blondes. Then LARB's Janice Littlejohn talks with African-American Theologian Monica Coleman about her stunning memoir Bipolar Faith. Also LARB Film Editor Anna Schectman drops in to recommend Patricia White's book Women's Cinema/World Cinema: Projecting Contemporary Feminisms.

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LARB's resident film critic Anna Shechtman joins fellow cinephiles Medaya Ocher & Kate Wolf to talk about their favorite foreign films of 2016; focusing on Pedro Almodovar's change of pace, Julieta; Paul Veerhoeven's Elle starring fiercely sublime Isabelle Huppert; and The Handmaiden, a genre-bending and visually stunning tale of Victorian Korea by Park Chan-Wook. Also, Tom Lutz recommends TC Boyle's The Terranauts (with its surprising Trump Administration tie-in); and praises DH Lawrence's Terra Incognita.

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The Real WORD Podcast, produced by Reading Opens Minds and hosted by the LA Review of Books.

In Episode Two of The Real Word, the Reading Opens Minds teen book club will be discussing the novel, Me Before You (2012) by JoJo Moyes. Me Before You is a love story about a young, novice caregiver and a wealthy, former adventurer, paralyzed by an accident.

Listen in as our young men and women banter about family dynamics, morality in love and what it might feel like to be in a wheelchair

*A word here about how we’re honoring privacy for our students. You’ll hear some first names here and there, and in upcoming episodes, you’ll also hear certain details about the lives of these students, but not too many. We hope to offer enough to enjoy, but not enough to expose.

The Real Word Podcast is produced by Reading Opens Minds and edited by Saul Black. For more information about Reading Opens Minds go to: readingopensminds.org. Subscribe to our newsletter and see what we’re up to!

Special thanks for this episode goes to Michelle Kholos-Brooks, Lesley Peters and Jackie Amezcua for story editing, Katie McCuen for graphic design, and Stacy Reader for co-facilitating the book club.

Until next time, happy reading!

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In part two of LARB in SF, we feature Laurie and Tom's dialogues with one of America's most celebrated authors, Ha Jin, as well as the only path breaking professor of ethnic studies who is also a legendary bandleader, Dr. Loco (aka Jose Cuellar). Ha Jin reflects on literature, cross-cultural insight, and the very real threat of Donald Trump to democracy. Dr Loco reveals the joyous traditions of, and multicultural influences on, Chicano music; and tells tales of his former bandmate, a young Tom Lutz. Also, both Laurie and Tom express their appreciation of Lena Dunham's memoir Not That Kind of Girl. The show closes with a reading of Thomas Lux's A Little Tooth.

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Welcome to the first season of the Reading Opens Minds podcast, produced by the people behind the Reading Opens Minds non-profit, whose mission is "to promote literacy in at-risk communities through book clubs, empowering individuals, building relationships and inspiring hope." This podcast will follow a group of teenagers in Los Angeles, who will meet each week to discuss a book, their ideas and their lives.

Like MTV’s The Real World, we hope to introduce you to a new generation. You will get to know these talented young men and women intimately as they tell their own stories through the books they read.

Listen now to Episode One – "An Introduction"

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This week's Podcast features interviews from LARB's recent event in San Francisco. Co-hosts Tom Lutz and Laurie Winer speak with Rabih Alameddine about his new book The Angel of History, structures of narrative outside the American mainstream, and the state of poetry in light of Bob Dylan's Nobel Prize; and then Jade Chang talks about her novel The Wangs vs The World, the changing shape of the American immigrant tale, and her desire to struggle as a stand-up comic. Then Taschen's Dian Hanson returns to recommend the spectacular erotic photography of China's Ren Hang (soon to be published by Taschen); and we re-listen to CP Cavafy's classic poem Waiting for the Barbarians, pending the arrival of Donald Trump.

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Director Jack Pettibone and Producer Shane Slattery-Quintanilla join LARB's Gustavo Turner to discuss their exceptional new documentary The Seventh Fire. Six years in the making, the film takes an unflinching look at the lives of gang members on an Ojibwe Reservation in Minnesota; and discovers men of profound intelligence, acutely aware of the tragic history of their people. Then Dian Hanson, legendary editor of Taschen's sexy books series, drops by to tell the story of trail-blazing gay pornographer, Bob Mizer; and celebrate the publication of The Bob Mizer AMG 1000 Model Directory.

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Host Boris Dralyuk is joined by his fellow soviet-emigre Sasha Razor, and Slavic Scholar David MacFadyen, to conjure the spirit of the Holiday Season in the Workers' Paradise. Sasha, David, and Boris relate how the beloved Soviet-era traditions remain alive across the vast territories of the USSR; and also among Southern California's huge immigrant communities from the former Communist Empire. Also, Boris and Sasha recommend Peter Pomerantsev's excellent book on Putin's Russia, "Nothing is True and Everything is Possible: The Surreal Heart of the New Russia."

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Hosts Medaya Ocher and Kate Wolf decide that in a year unlike any other, it's time for a different approach to holiday gift giving. How can we give the gift of resistance against the anti-democratic forces empowered on November 8th? Medaya and Kate raise this question with guests Adrienna Wong from the ACLU of Southern California, Adrian Martinez from Earthjustice, and Shahid Buttar of the Electronic Frontier Foundation.

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Author Susan Kaiser Greenland talks with Laurie Winer about her new best-selling book Mindful Games: Sharing Mindfulness and Meditation with Children, Teens, and Families. The question is raised: Can mindful meditation be the antidote to the toxicity of Trump? Also, in recognition of Bob Dylan's Nobel Prize in literature, LARB's Gustavo Turner drops by to recommend two works of literature: Bob Dylan's "Love and Theft" and Leonard Cohen's 10 Songs, great albums overlooked because they were released on (or around) 9/11/01. The show closes with Gerard Manley Hopkins' poem Spring and Fall.

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Emily Witt, author of Future Sex, joins co-hosts Laurie Winer, Medaya Ocher, and Kate Wolf for a wide-ranging discussion of changing attitudes towards sex in the digital age. Also, Leo Braudy drops by to talk about one of his earlier works, The Frenzy of Renown, and its particular relevance in The Age of Trump. The show closes with a reading of Edna St Vincent Millay's Love Is Not All.

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Leo Braudy talks with host Laurie Winer about his new book Haunted: On Ghosts, Witches, Vampires, Zombies, and Other Monsters of the Natural and Supernatural Worlds; and its relevance for understanding our terrifying new post-election world. Impresario Paul Crewes drops by to recommend Michael Morpurgo's WWII yarn The Amazing Story of Adopho Tips; and we listen to Dorothy Parker's Love Song.

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Paul Crewes, the new Artistic Director of the Wallis Annenberg Center in Beverly Hills, joins host Laurie Winer to discuss the tremendous possibilities for theater in Southern California. Also, author Dinah Lenney stops by to recommend two books: Marisa Silver's Little Nothing; and Nancy Reisman's Trompe L'Oeil. The show closes with a reading of Anne Sexton's poem "To a Friend Whose Work has Come to Triumph."

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Screenwriter John Romano joins Laurie Winer and co-host Dinah Lenney to talk about his adaptation of Philip Roth's 1997 classic novel American Pastoral about a family torn apart amidst the turmoil of the late 1960s. The film directed by Ewan McGregor, who co-stars alongside Dakota Fanning and Jennifer Connelly, was released this past month. A wide-ranging discussion ensues, addressing Roth's relationship to the "meaning" of the 60s, family suffering, Job's suffering, and ours in the age of Trump. Also, author Simon Reynolds drops by to recommend a biography of Occultist Colin Wilson by renaissance man Gary Lachman; and Linda Balgord reads Mark Strand's Eating Poetry.

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Host Evan Kindley talks with Simon Reynolds about his new book "Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-first Century." David Bowie may be Glam's greatest superstar, but figures as diverse as Roxy Music, Alice Cooper, and LA's own Sparks are also central to this most colorful and still-influential 1970's pop movement. The LA Times Jill Leovy drops by to recommend anthropologist Hortense Powdermaker's After Freedom, a study of 1920'as Mississippi; and which remains a stunning reminder of the severe oppression suffered by Black Americans under Jim Crow. This week's poetry reading is of Denise Levertov's Psalm Concerning the Castle.

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Laurie Winer and co-host Medaya Ocher, managing editor of the LA Review of Books, are joined by Jessica Koslow, chef extraordinaire and creator of Sqirl, one of LA's most popular restaurants — on the occasion of the publication of Jessica's first cookbook, Everything I Want To Eat. It's the "Comfort Radio" edition of the podcast, as Laurie and Medaya build up an appetite learning the secrets behind Jessica's scrumptious creations. Leslie M.M. Blume drops by to recommend Anita Loos's brilliant comic novel from the 1920s Gentlemen Prefer Blondes. Judy Kaye reads ee cummings's poem "I thank God for most this amazing."

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Legendary publisher and editor Robert Gottlieb talks with Laurie about his new memoir Avid Reader; reflects on his glory days at Knopf and The New Yorker; and expresses confidence about the state of writing today. Tracy Tynan offers PG Wodehouse as comfort reading for these treacherous times. Tom and Laurie launch a new poetry feature with a reading of WB Yeats The Second Coming.

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This week Laurie is joined by LARB legal affairs editor Don Franzen to discuss two competing California Ballot Initiatives related to the death penalty: Proposition 62, which would put an end to the death penalty in the state, and Proposition 66, a confusing pro-death-penalty measure, which calls for speeding up executions. Stephen Rohde (from Death Penalty Focus) and legendary former District Attorney of Los Angeles County, Gil Garcetti, contribute to the clarifying conversation.

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Despina Stratigakos, author of "Hitler at Home", joins Laurie, and co-host Boris Drayluk, for a wide-ranging discussion about how tasteful interior design operated as propaganda in the Third Reich, the powerful woman at the heart of that effort, Gerdy Troost, and the lessons learned for our own celebrity-saturated politics.

Also, Nicholson Baker, author of Substitute: Going to School With a Thousand Kids, returns to explain his mysterious relationship to classic Russian-American novelist Vladimir Nabokov's "Speak, Memory".

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Celebrated costume designer and author, Tracy Tynan, joins Tom and Laurie to talk about her new memoir, "Wear and Tear: The Threads of My Life". The daughter of a legendary couple from London during the Swinging '60s - famed theater critic and playwright Kenneth Tynan ("Oh! Calcutta!") and actress turned author Elaine Dundy ("The Dud Avocado") - Tynan spins tales of a daringly dysfunctional, but beautifully dressed, nuclear family.

LARB editor (and new father) Evan Kindley drops by to recommend "Child, the Family and the Outside World" by British Developmental Psychoanalyst D.W. Winnicott, a pioneer in "object relations theory".

Produced by Alan Minsky

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Novelist Nicholson Baker joins Tom, Laurie, and Evan Kindley to discuss his new book, "Substitute: Going to School with a Thousand Kids," the story of Baker's time as a substitute teacher in the Maine public school system. This morphs into a fascinating discussion of pedagogy in light of the everyday realities of contemporary American public schooling and the issues modern schoolteachers confront to teach children.

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Ron Arias, author of the acclaimed novel The Road to Tamazunchale, joins Tom and Laurie to discuss his new collection The Wetback and Other Stories; as well as his career in journalism and his encounters with Jorge Luis Borges and Ernest Hemingway. Also, Janice Littlejohn returns to recommend Monica Coleman's Bipolar Faith: A Black Woman's Journey with Depression and Faith.

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This week Tom and Laurie talk with Lesley MM Blume about her new book 'Everybody Behaves Badly: The True Story Behind Hemingway’s Masterpiece The Sun Also Rises.' Laura Albert is back on the show after last week's brilliant interview to recommend Annie Proulx’s 'Barkskins.' Plus, Janet Fitch’s reading from her novel 'Paint it Black.'

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Hosts Laurie Winer and Tom Lutz talk with Laura Albert on the eve of the cinematic debut of the documentary film about her, "Author: The JT Leroy Story." The conversation covers the story of the Albert's bestselling books, which she wrote under the pseudonym - or rather, through her avatar - "JT Leroy." It's one of the most fascinating, and controversial, tales in recent American letters.

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LARB's Senior Editors Janice Littlejohn and Evan Kindley join Tom and Laurie for a pair of wide ranging conversations. First, Janice discusses the documentary film she is producing on women horn players; and then two recent articles she wrote: one about representation of people of color in Hollywood films (with a focus on a project in development about the Persian poet Rumi with Leonardo DiCaprio slated to play the muslim scholar); the second about the relationship of people of mixed race to Black American political and cultural discourse. Then, Evan Kindley discusses his book, Questionairre, a delightful study of the history of the form from its origins to its most popular contemporary incarnation - as irresistible click bait.

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Political Journalist Walter Shapiro joins Seth and Tom to discuss his new book Hustling Hitler: The Jewish Vaudvillian Who Fooled thew Fuhrer; it's about Walter's Great Uncle Freeman Bernstein - one of the legendary grifters of his time. Then David Ulin discusses the satirical novel he co-authored with Paul Kolsby in the 1990s, Ear to the Ground. Recently published in book form for the first time; Ear to the Ground originally appeared in weekly serial installments in the LA Reader.

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Author and Slate Editor Jessica Winter joins Seth and Laurie to discuss her novel Brake In Case Of Emergency; and all the delicious subjects that arise from writing a scathing, yet loving, satire of an all women's workplace. Plus, Jessica's reflections on Election 2016.

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Laurie, Seth, and Tom talk with LA Times reporter Jill leovy about her fascinating and best-selling book on a murder case in South Los Angeles, Ghettocide. The conversation goes in-depth into some of the hottest political issues of 2016: race, policing, and our society's unequal distribution of resources. Also, Seth and Laurie address another source of political trauma, Donald Trump, in the wake of both major party conventions

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Radio Hour: DNC, Kid's Corner, and Meghan Daum by LA Review of Books

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This week's episode features Margaret Wappler who joins the show to talk about her new novel 'Neon Green.' Plus, your hosts discuss the Hulk Hogan lawsuit against Gawker and Peter Thiel's role in it.

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This week, Seth, Laurie and Tom talk about one of Seth’s favorite topics: bullshit. The conversation ranges across a few recent newsmakers, including Jared Kushner, son-in-law of Donald Trump and owner of the New York Observer; Gay Talese, acclaimed journalist and author of the debatably non-fiction book 'The Voyeur’s Motel'; and Jonah Lehrer, former writer for The New Yorker at the center of several plagiarism scandals.

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Claire Hoffman joins Seth, Laurie, and Tom to discuss her new book Greetings From Utopia Park: Surviving a Transcendent Childhood; and Sandra Tsing Loh returns to recommend a book by Buddhist monk Pema Chodron

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This week, our hosts talk with novelist Julia Claiborne Johnson about her debut work 'Be Frank With Me.' Plus, actor Lauren Weedman recommends everybody read Carl Jung's 'The Undiscovered Self.'

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This week, actor Lauren Weedman talks about her collection of funny, personal essays 'Miss Fortune: Fresh Perspectives on Having It All from Someone Who Is Not Okay.' Plus David Ulin stops by to talk about Donald Trump.

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The show opens with Seth and Laurie discussing this year's Tony Awards, then author Julia Claiborne Johnson recommends "To the One I Love the Best;" our own Tom Lutz talks about his newly published book "Drinking Mare's Milk on the Roof of the World," Norman Klein comes back to recommend his favorite meat and condiment, and Seth, Laurie, and Tom choose their favorite literary fathers in honor of their Day.

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Tom and Seth talk about Tom's travel in Georgia, Armenia, and environs; Laurie, Tom, and Seth interview Michelle Latiolais about her new book of fiction, 'She.' Ryan Gattis recommends Jill Leovy's 'Ghettoside.'

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Don Franzen interviews Baz Dreisinger about prisons around the world. by LA Review of Books

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In this episode of the LARB podcast, legal affairs editor Don Franzen interviews Roslyn Fuller about the state of democracy and her book 'Beasts and Gods.'

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Jack Miles discusses the first ever Norton Anthology of Religion, which he compiled; and Ryan Gattis returns to recommend another masterful historical novel about Los Angeles, Nina Revoyr's Southland.

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Cynthia D'Aprix Sweeney joins Seth, Laurie, and Tom to discuss her best-selling novel The Nest; and screenwriter John Romano praises George Eliot's masterful Daniel Deronda

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Author Ryan Gattis joins Seth, Laurie, and Tom to discuss his novel All Involved.

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On this week’s show we talk with BLDGBLOG writer Geoff Manaugh about his new book, A Burglar's Guide to the City, which offers a fascinating look at architecture and design principles from the point of view of burglars and the authorities looking to catch them. Bruce Wagner reads a poem by William Butler Yeats, and Kate Gale and John Brantingham of Red Hen Press join to talk about their new collection of short fiction LA Fiction Anthology.

This episode is sponsored by Otherppl with Brad Listi, a weekly podcast featuring in-depth interviews with today’s leading authors, poets, and screenwriters. Electric Literature calls it “one of the best podcasts on the web,” and Buzzfeed calls it “the perfect way to get the story behind your stories.” There are now more than 400 episodes available — and counting. Hear conversations with writers like George Saunders, Cheryl Strayed, Roxane Gay, Leslie Jamison, Hanya Yanagihara, Jonathan Lethem, Sheila Heti, Eileen Myles, and many more. Otherppl with Brad Listi has its own official app, available for free at your favorite app store. The show is also available for free at iTunes and Stitcher, and on the web at otherppl.com.

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This week’s show features Bruce Eric Kaplan, also known as BEK, a longtime cartoonist for The New Yorker and a writer and producer on HBO's Girls, talking about his new memoir I Was a Child. We also talk with author and critic Katie Roiphe about her new book The Violet Hour, stories of writers coping with death, and with David Gessner about his new book All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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This week’s show features our final interviews from the Los Angeles Times Festival of Books. We talk with Sarah Bakewell, author of At the Existentialist Cafe: Freedom, Being, and Apricot Cocktails. Tony Tulathimutte joins us to discuss his novel Private Citizens and how he overcame his fear of writing comedy. We also talk with Andrea Kleine about her deeply personal novel Calf, a story about a love affair between John Hinckley, Jr. (the failed Reagan assassin) and Leslie DeVeau, a woman who murdered her own daughter.

This episode is sponsored by Otherppl with Brad Listi, a weekly podcast featuring in-depth interviews with today’s leading authors, poets, and screenwriters. Electric Literature calls it “one of the best podcasts on the web,” and Buzzfeed calls it “the perfect way to get the story behind your stories.” There are now more than 400 episodes available — and counting. Hear conversations with writers like George Saunders, Cheryl Strayed, Roxane Gay, Leslie Jamison, Hanya Yanagihara, Jonathan Lethem, Sheila Heti, Eileen Myles, and many more. Otherppl with Brad Listi has its own official app, available for free at your favorite app store. The show is also available for free at iTunes and Stitcher, and on the web at otherppl.com.

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This week’s show features more interviews from the Los Angeles Times Festival of Books. We talk with actor Rainn Wilson, author of a new memoir, The Bassoon King, and with Malaysian Chinese writer Mei Fong, a Pulitzer Prize–winning journalist and the author of One Child: The Story of China’s Most Radical Experiment. We also talk with LARB Senior Humanities Editor Sarah Mesle about the upcoming season of Game of Thrones.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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This week’s show is the first of several to feature interviews conducted at the Los Angeles Times Festival of Books. We talk with attorney and author Marcia Clark about her portrayal in American Crime Story and her latest crime novel, Blood Defense. We also talk with graphic novelist Sonny Liew about The Art of Charlie Chan Hock Chye, and Steve Wasserman, one of the co-founders of the festival, talks about his career and his new stint as publisher of Heyday Books in Berkeley, California.

This episode is sponsored by Otherppl with Brad Listi, a weekly podcast featuring in-depth interviews with today’s leading authors, poets, and screenwriters. Electric Literature calls it “one of the best podcasts on the web,” and Buzzfeed calls it “the perfect way to get the story behind your stories.” There are now more than 400 episodes available — and counting. Hear conversations with writers like George Saunders, Cheryl Strayed, Roxane Gay, Leslie Jamison, Hanya Yanagihara, Jonathan Lethem, Sheila Heti, Eileen Myles, and many more. Otherppl with Brad Listi has its own official app, available for free at your favorite app store. The show is also available for free at iTunes and Stitcher, and on the web at otherppl.com.

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This week’s show features an in-depth conversation with novelist and screenwriter Bruce Wagner, whose work includes the novels Force Majeure, Wild Palms, and I’m Losing You, and the screenplay for Maps to the Stars, directed by David Cronenberg. He talks about his new book, I Met Someone, and the struggles of being seen as a “Hollywood” novelist despite an interest in much darker and more spiritual themes. Also, author Norman M. Klein recommends two books by Dutch historian Johan Huizinga.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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On this week’s show we talk with Deanne Stillman on the occasion of the 15th anniversary of her most well-known book, Twentynine Palms: A True Story of Murder, Marines, and the Mojave. We also discuss the new HBO documentary Everything Is Copy, about the life and career of author and screenwriter Nora Ephron, and author Wally Rudolph recommends reading Scott O’Connor’s Half World.

This episode is sponsored by Otherppl with Brad Listi, a weekly podcast featuring in-depth interviews with today’s leading authors, poets, and screenwriters. Electric Literature calls it “one of the best podcasts on the web,” and Buzzfeed calls it “the perfect way to get the story behind your stories.” There are now more than 400 episodes available — and counting. Hear conversations with writers like George Saunders, Cheryl Strayed, Roxane Gay, Leslie Jamison, Hanya Yanagihara, Jonathan Lethem, Sheila Heti, Eileen Myles, and many more. Otherppl with Brad Listi has its own official app, available for free at your favorite app store. The show is also available for free at iTunes and Stitcher, and on the web at otherppl.com.

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This week’s show features a recap of Laurie’s recent trip to Broadway, including a review of the hit musical Hamilton. We also discuss the new documentary City of Gold, about legendary Los Angeles food critic Jonathan Gold, and talk with screenwriter John Romano about the late Charles Dickens novel Our Mutual Friend.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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This week’s guest is the acclaimed and often controversial author, playwright, actress, and radio columnist Sandra Tsing Loh. Her latest book, The Madwoman in the Volvo, is an unforgiving memoir about parenting, menopause, and adultery, and she takes us through the entire story and its adaption into a play at the South Coast Repertory theater in Costa Mesa, CA.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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On this week’s show we discuss the new FX miniseries American Crime Story: The People v. O.J. Simpson, author Antoine Wilson returns to recommend the French short story writer Guy de Maupassant, and Linda Hervieux joins to talk about her new book Forgotten: The Untold Story of D-Day’s Black Heroes, at Home and at War.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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On this week’s show we discuss the new Showtime series “Billions,” Jerry Stahl returns to endorse Philip Kerr’s trilogy of Berlin novels, and we’re joined by professors Norman M. Klein and Margo Bistis to talk about their new book and companion multimedia project, “The Imaginary 20th Century.”

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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On this week’s show we discuss a panel that Tom Lutz recently moderated at UC Irvine on the limits of free speech with regard to cartooning. Also, former Los Angeles Times book critic David L. Ulin recommends one of his favorite LA books, Armed Response by Ann Rower, and we talk with screenwriter John Romano about his work on the upcoming film adaptation of Philip Roth’s American Pastoral.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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LARB law editor Don Franzen talks about the career of the late supreme court justice Antonin Scalia and whether his unique legal theories will survive him. We’re also joined by Daniel Olivas and Ruben Rodriguez, co-editors of an upcoming anthology of Los Angeles poetry, "The Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles", from Tia Chucha Press.

"The Coiled Serpent" publishes on April 15, 2016, and Tia Chucha Press will host a launch party for the book during the AWP (Association of Writers & Writing Programs) Conference, on March 30, at the Ace Hotel in downtown Los Angeles.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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In this conversation taped at a recent LARB Luminary Dinner, Mexican American novelist and pioneer writer of gay literature John Rechy discusses his life and career with LARB Editor-in-Chief Tom Lutz.

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On this week’s show, Laurie and Seth (sans Tom) speak with Michael Tolkin, the novelist and award-winning screenwriter of The Player, about his theory that the character of Tom Sawyer is darker than we remember; film critic and beloved Iowan John Powers joins to discuss the results of this week’s Iowa caucuses and whether he feels guilty, as a journalist, for rooting for Trump; and NBA legend Kareem Abdul-Jabbar talks about Mycroft Holmes, his well-received debut novel about the brother of Sherlock Holmes.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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On this week’s show, a conversation on the wildly popular Netflix show Making a Murderer; an interview with Phil Zuckerman, author of Living the Secular Life and founder at Pitzer College of one of the first departments of secular studies; and a recommendation by author Bruce Bauman of three books that he describes as a “philosophical and foodie trilogy of the early part of the 20th century.”

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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This week we discuss Woody Guthrie L.A.: 1937 to 1941, a chronicle of Guthrie’s formative years in Los Angeles, during which he not only experimented and refined his music but also found his calling as a political songwriter. Co-authors Darryl Holter and William Deverell join to talk about Guthrie’s legacy in Los Angeles, and Holter even plays a rare Guthrie tune about the city's 1934 New Year’s Eve flood.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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Colin Marshall talks with David. L Ulin, former book critic at the Los Angeles times and author of such books as 'The Myth of Solid Ground: Earthquakes, Prediction, and the Fault Line Between Reason and Faith', 'The Lost Art of Reading: Why Books Matter in a Distracted Time', and the novella 'Labyrinth'. He's also edited the anthologies of Los Angeles writing 'Reading Los Angeles' and 'Another City', and his new book, 'Sidewalking: Coming to Terms with Los Angeles', deals directly with his nearly 25-year history in the city and what it means, to him and others, to live here.

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This week’s show features some surprising opinions on the career and life of David Bowie; an interview with author Alex Espinoza, who is currently helping launch California’s first bilingual MFA program at Cal State LA; and a discussion of Sean Penn’s Rolling Stone feature with Mexican drug kingpin Joaquín “El Chapo” Guzmán.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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Our latest book club featured Percival Everett's 'Half an Inch of Water'. LARB editor-in-chief Tom Lutz spoke with Everett, a prolific writer and professor at USC, at Chevalier's Books in Los Angeles on December 12, 2015.

Sign up for Tom's Book Club, in which you'll receive four book each year via mail, get exclusive access to conversations with the author and LARB staff about the book on Facebook, and access to live interviews with the author either in person or via video or podcast. https://lareviewofbooks.org/toms-book-club/

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Colin Marshall talks with Brad Listi, founder of literary and culture site The Nervous Breakdown and author of the novel Attention. Deficit. Disorder. He is also the host of the podcast Otherppl, on which, right here in Los Angeles, he has conducted “in-depth, inappropriate interviews” with over 400 writers about their lives, their working methods, their social media habits, and what they think happens when we die — among many, many other topics.

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Colin Marshall talks with J. Ryan Stradal, fiction editor at The Nervous Breakdown, editor-at-large at Unnamed Press, and advisory board member at 826LA. He is the author of Kitchens of the Great Midwest, which offers at once its own spin on the modern food novel and its own spin on the modern family novel, telling dozens of stories about midwesterners and the food they eat through the rise of one young girl, connected to all of them, who becomes one of the most respected chefs in America.

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On this week’s show, Los Angeles Times book critic David L. Ulin joins to talk about his latest book Sidewalking: Coming to Terms with Los Angeles, the artifice and authenticity of the popular entertainment complex The Grove, and the urban qualities of New York compared with Los Angeles.

Featuring Tom Lutz, Laurie Winer, and Seth Greenland. Produced by Jerry Gorin. The LARB Radio Hour airs Thursdays at 2:30pm on KPFK 90.7 FM in Los Angeles.

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Colin Marshall talks with Farley Elliott, senior editor at Eater Los Angeles and author of Los Angeles Street Food: A History from Tamaleros to Taco Trucks, a hybrid history of and guide to everything one can buy and eat on a sidewalk in this city, from taquitos on Olvera Street to illegal backyard Burmese restaurants in the San Gabriel Valley to new-wave fusion food trucks of the likes pioneered by Roy Choi's Korean-Mexican Kogi fleet.

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Colin Marshall talks with Amelia Gray, author of AM/PM, Museum of the Weird, Threats, and the new short story collection Gutshot, which showcases her writing at its most grotesque, its most hypernormal, its most speculative, and its most darkly funny. The book offers a portrait of her very own America, a country populated by Greyhound bus riders, compulsive vomiters, Camaro IROC-Z drivers, cruelly fetishistic conscious-consuming vegans, and victims of every sort of personality disorder.

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Colin Marshall talks with James Sie, voice actor, onscreen actor, and author of a new debut novel, Still Life Las Vegas. This alienated young artist's coming-of-age story in the decidedly non-glamorous part of Sin City weaves together Greek myth, family myth, and Liberace, doing so with not just text but graphic-novel sections as well. Sungyoon Choi, the artist behind those sections, also joins in on the conversation.

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Colin Marshall talks to Jay Rubin, Takashima Research Professor of Japanese Humanities at Harvard University, translator of such books by internationally beloved Japanese novelist Haruki Murakami as The Wind-Up Bird Chronicle and 1Q84 (parts one and two), and author most recently of his own debut novel, The Sun Gods, a tale of the love and hatred between Japanese and Americans in postwar Seattle.

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Colin Marshall talks with two of South Korea's best-known novelists, Bae Suah and Cheon Myeong-kwan, as they visit Los Angeles on a trip with the Literature Translation Institute of Korea. Bae's 'Nowhere to Be Found' and Cheon's 'Modern Family' have both recently appeared in English translations. Colin also speaks with Institute president Kim Seong-kon, who gives us an introduction to these writers and places their themes in the context of modern Korean literature.

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Colin Marshall talks with Oliver Wang, a DJ, an associate professor of sociology at CSU Long Beach, and also a former producer of the Los Angeles Review of Books podcast. He's a writer on topics from Asian American hip-hop, retro soul music, the critical geography of the Kogi truck, and the nature of Universal CityWalk, and his new book is Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area.

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NOTE The LARB Radio Hour can now be downloaded as a separate podcast. It will no longer appear on the LA Review of Books podcast.

This week’s show features crime and mystery writer Gary Phillips, who discusses the changing publishing landscape in genre fiction, diversity in genre fiction, and the 'Black Pulp' and soon to be released 'Asian Pulp' anthologies that he created. Also, television writer and producer Betsy Borns talks about the success of comedian Amy Schumer, Russian studies professor Boris Dralyuk talks about one of his favorite Ukrainian crime writers, and writer Meri Nana-Ama Danquah reads a poem by Kenyan-born poet Warsan Shire.

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Colin Marshall talks with Sam Sweet, who has written on a variety of subjects, especially ones having to do with Los Angeles, in the New Yorker, the Paris Review, and Stop Smiling. He's currently writing and publishing All Night Menu, a series of five 64-page books on "the lost heroes and miniature histories of Los Angeles."

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NOTE The LARB Radio Hour can now be downloaded as a separate podcast. It will no longer appear on the LA Review of Books podcast.

On this week's show, Tom, Laurie, and Seth interview Michael Silverblatt, the host of Bookworm, a nationally syndicated radio show featuring interviews with the world's best writers of literary fiction and poetry. Silverblatt talks about conceiving a show where "the author finally talks to someone who has read their work," and talks about his rigorous interviewing style and process, shares stories of some of his favorite guests — like David Foster Wallace and Joy Williams — and also talks about his childhood and his early love of musicals.

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LARB's law editor Don Franzen interviews Erwin Chemerinsky, Dean and Distinguished Professor of Law at the University of California, Irvine. Among the topics discussed is the U.S. Court of Appeals for the Second Circuit's recent decision that the NSA’s telephone records program went beyond its authorization under Section 215 of the Patriot Act.

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Conceptual Poet Vanessa Place has ruffled some feathers in the literary world as a growing number of people have taken notice of her latest project, in which she has been tweeting the entirety of Margaret Mitchell's Gone with the Wind juxtaposed with provocative images of mammy characters. Place says her goal is to point to the racism in the text, but a Change.org petition rallied together many voices who found the project itself to be "at best, startlingly racially insensitive, and, at worst, racist." Recently the Assn. of Writers and Writing Programs (AWP) removed her from the selection committee for next year's annual meeting, and this year's Berkeley Poetry Conference, where she was scheduled to speak, has been cancelled in response to protests.

On our program this week we try to make sense of what we feel is a very complicated issue. Does the racism lie in Mitchell's original work, or in Vanessa Place's re-creation? What responsibilities, if any, does one have to contextualize their art or make it more sensitive? Does the fact of her being white make the project more insensitive? And how do we think about her dismissal from the AWP and the canceling of the Berkeley Poetry Conference, which this year was celebrating a 50-year anniversary of the Free Speech Movement?

We'll hear from Vanessa Place to try to better understand her meaning, and we'll also hear from two writers, Matthew Shenoda and Meri Nana-Ama Danquah, both of whom are critical of Place's work.

NOTE: The LARB Radio Hour can now be downloaded as a separate podcast (https://itunes.apple.com/us/podcast/larb-radio-hour/id998390884?mt=2). After a few weeks the LARB Radio Hour will no longer appear on this LA Review of Books podcast

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Naomi Hirahara is the author of the Mas Arai and Ellie Rush mystery series', and co-writer of a new nonfiction book, "Terminal Island: Lost Communities of Los Angeles Harbor". Other topics on this week's show include the usefulness of critical theory's role in literature, and how to deal with article pitches from publishers and writers seeking press for their new books.

NOTE for our podcast listeners, the LARB Radio Hour can now be downloaded as a separate podcast (https://itunes.apple.com/us/podcast/larb-radio-hour/id998390884?mt=2). After a few weeks the the LARB Radio Hour will no longer appear on this LA Review of Books podcast

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Colin Marshall talks with Patricia Wakida, editor of Heyday Books' new LAtitudes: An Angeleno's Atlas, a collection of cartographically organized essays on the real Los Angeles from such contributors as David L. Ulin, Glen Creason, Laura Pulido, Lynell George, and Josh Kun.

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On this week's show Tom, Laurie and Seth talk about McSweeney's campaign to raise $150,000 on Kickstarter and what it means for the publishing world. Also Tom Teicholz, the columnist behind Tommywood at the Jewish Journal, joins to discuss self-publishing and his belief that Los Angeles is the greatest Jewish city in America.

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Colin Marshall talks with novelist, poet, translator, and film producer Grace Jung. She is the author of Deli Ideology, a new novel from Thought Catalog about one young woman's experience of the Great Recession in New York and Seoul.

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Tom and Laurie talk with actor and playwright Eric Bogosian, whose new book "Operation Nemesis" tells the fascinating story of Soghomon Tehlirian and a vast network of assassins who in the early 1920's systematically tracked down and murdered former Ottoman leaders and perpetrators of the Armenian genocide. Also, Tom, Laurie, and Seth discuss this week's #TwitterFiction Festival.

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Colin Marshall talks with reporter Sam Quinones, who covered gangs, drugs, and immigration at the Los Angeles Times for a decade. He has written the books Antonio's Gun and Delfino's Dream, True Tales from Another Mexico, and the new Dreamland: The True Tale of America's Opiate Epidemic.

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This week's show features historian and journalist Jon Wiener, who was among hundreds of writers who signed a letter of protest against The PEN American Center's recognition of Charlie Hebdo with the 2015 Freedom of Expression Courage Award on Tuesday night. Also, Tom interviews Laila Lalami, author of the Pulitzer Prize finalist The Moor's Account, and Tom, Laurie and Seth talk about the value of literary prizes in general.

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This week's segments include excerpts from Tom Lutz' interview with legendary poet Nikki Giovanni; LARB contributing editor Dinah Lenney joins to talk about Kim Gordon's memoir "Girl in a Band"; Maria Bustillos interviews film and television composer Ego Plum; Seth asks Tom and Laurie about the perils of editing at the Los Angeles Review of Books, especially when editing the work of friends.

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Günter Grass' recent death had us wondering whether we can read authors whose personal lives offend us, considering Grass' history as a member of the Waffen-SS during WWII. We also discuss which authors or books we're ashamed of enjoying, and Laurie apologizes for a word she used on last week's show.

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This week's segments include a discussion on William Giraldi's New Republic essay "Immortal Beloved: Why writers want fans who last forever;" Hilary Mantel's wildly popular Wolf Hall; Laurie Winer reviews the Broadway hit Fun Home; Maret Orliss, senior programming manager for the LA Times Festival of Books, talks about this coming weekend's festival, now in its 20th year.

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Ellis Weiner, former writer and editor at National Lampoon, columnist at Spy Magazine, and currently a contributor at The New Yorker, joins Laurie Winer and Seth Greenland on this week's show. They discuss Weiner's prolific career as a humor writer and the history of humor writing in America.

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Colin Marshall talks with Laila Lalami, author of Hope and Other Dangerous Pursuits and Secret Son. Her latest novel is The Moor's Account, the story of a 16th-century Spanish expedition in search of gold in modern-day Florida through the words of an unusually eloquent Moroccan slave.

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This week Meghan Daum talks about a brand new collection of essays she edited titled "Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids." Daum also discusses an earlier book of her own essays, "The Unspeakable." Featuring Tom Lutz, Laurie Winer, and Seth Greenland.

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LARB's Philosophy & Critical Theory editor Arne De Boever interviews Judith Butler about her 2015 CalArts lecture series, Demonstrating Precarity: Demonstrating Precarity: Vulnerability, Embodiment, and Resistance. A video version of this interview can be found at http://lareviewofbooks.org/av/

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Tom McCarthy's new experimental novel "Satin Island" celebrates the role of the anthropologist over the novelist; John McPhee's latest essay in The New Yorker questions the extent to which authors should use cultural references in their work; author Meghan Daum discusses a great book she just finished, Bernard Cooper's "My Avant-Garde Education"; Tom Lutz talks about finding a lost city in Honduras and the dilemma that the archaeologists now face.

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Tom Lutz is back this week and joins Laurie and Seth to discuss schmaltz (sentimental art, not rendered chicken fat), and whether it is necessary in our cultural diet. Also they debate the merits of Laura Poitras' Academy Award-winning documentary "Citizen Four", and Judith Freeman talks about a great book she just read, Rachel Cusk's "Outline."

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Colin Marshall talks with Cynthia Kadohata, author of novels for young readers like the Newbery Medal-winning Kira-Kira, the National Book Award-winning The Thing About Luck, and the new Half a World Away. She has also written for adults with such novels In the Heart of the Valley of Love, a grim but hopeful vision of Los Angeles' future.

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Composer Jake Heggie talks with LARB's Stephen Rohde about his opera, Dead Man Walking, and its treatment, musically and dramatically, of the death penalty.

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Cultural historian Leo Braudy joins Laurie Winer and Seth Greenland to discuss ISIS videos and the history of propaganda. Also the trio discuss a recent article, "What's Wrong with Public Intellectuals?" in The Chronicle of Higher Education; Michael Tolkin extols the virtues of his favorite book, The Professor's House by Willa Cather; another tale from the road from Literary Death Match founder Adrian Todd Zuniga.

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LARB's Philosophy and Critical Theory editor Arne De Bouever speaks with Michael Marder, Ikerbasque Research Professor of Philosophy at the University of Basque Country. He is the author of the recent books The Philosopher's Plant and Pyropolitics.

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Colin Marshall speaks with Alain Mabanckou, the Congolese-born author of such novels as African Psycho, Broken Glass, Memoirs of a Porcupine, Black Bazaar, Tomorrow I'll Be Twenty, and the coming The Lights of Pointe-Noire. His latest book translated into English, Letter to Jimmy, takes the form of a letter to his writing "mentor" James Baldwin on the twentieth anniversary of his death.

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Joining us this week is cultural historian Leo Braudy to talk about a trend that he's noticed among award-winning acting performances. Also, author Judith Freeman drops by the studio to discuss literary tourism and her historical memoir about Raymond Chandler, The Long Embrace.

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This week's topics include the news of a forthcoming book from reclusive 88-year-old author Harper Lee, the phenomenon of Fifty Shades of Grey, and the announcement of a new website for book lovers called Literary Hub. Also featuring new segments from Literary Death Match's Adrian Todd Zuniga and acclaimed poet Juan Felipe Herrera.

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This week's segments include the latest in Alexandra Socarides's series The Poems (We Think) We Know, Juan Felipe Herrera reads a favorite poem from Matthew Lippman, and Literary Death Match's Adrian Todd Zuniga shares a story from the road. Plus Tom, Laurie and Seth rank literature's best first lines, and reflect on the the role of nostalgia in fiction.

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Colin Marshall talks with Scott Timberg, editor of The Misread City: New Literary Los Angeles and author of Culture Crash: The Killing of the Creative Class, an examination of the damages to our cultural landscape wrought by recent technological and economic shifts and an argument for a more equitable and navigable future.

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Debut episode of the Los Angeles Review of Books Radio Hour (actually a half hour, but we're aspirational). Join LARB founding editor Tom Lutz, fiction editor Laurie Winer, and author Seth Greenland every week for conversations about literature, arts and politics, along with interviews and critiques from today's leading writers and thinkers.

This week's topics include the legacy of Hannah Arendt from a recent book by Bettina Stangneth, reading for pleasure via Charles Dickens, and the cult of modern noir writer James Ellroy. Also featuring contributions from Juan Felipe Herrera and Maria Bustillos.

Subscribe to LARB's podcast, or tune in live on Wednesdays at 8pm (PST) on KPFK radio.

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Colin Marshall talks with Tod Goldberg, author of such novels as Fake Liar Cheat and Living Dead Girl and several books based on the television series Burn Notice. His latest novel Gangsterland sends a ruthless Chicago mafia hitman out into the Jewish community of suburban Las Vegas, where he must start a new life under a new identity — the identity of a rabbi.

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Bryan Stevenson is the executive director of the Equal Justice Initiative in Montgomery, Alabama, and a professor of law at New York University Law School. He has won relief for dozens of condemned prisoners, argued five times before the Supreme Court, and won national acclaim for his work challenging bias against the poor and people of color. He has received numerous awards, including the MacArthur Foundation “Genius” Grant.

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Colin Marshall talks with Mona Simpson, author of the novels Anywhere But Here, Off Keck Road and My Hollywood. Her latest is Casebook, a story of marriage, divorce, boyhood and surveillance, told as a text within a text and set in this most suitable city for detective stories, Los Angeles.

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Colin Marshall goes to Toronto to talk with Craig Davidson, author most recently of Cataract City, a novel of boxing, wrestling, dogfighting, factory work, and friendship in Niagara Falls. In addition to the books published under his own name, which include Rust and Bone, The Fighter, and Sarah Court, he writes horror novels under the names Nick Cutter and Patrick Lestewka.

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JSTOR recently launched "JSTOR Daily", providing public access to the strange and fascinating world of the academy in a beautiful, eclectic and intelligent publication. LARB contributor Maria Bustillos speaks with editor Catherine Halley.

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Tom's Book Club: David Grand, author of Mount Terminus by LA Review of Books

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Colin Marshall talks with Jim Ruland, founder of the Southern California-based reading series Vermin on the Mount and a columnist at Razorcake and San Diego CityBeat. He is the author of the short story collection Big Lonesome and the new novel Forest of Fortune, the story of three haunted souls — an alcoholic, an epileptic, and a gambling addict — who try to turn their luck around at a decrepit Indian casino.

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Colin Marshall has an in-depth talk with Jonathan Lethem, author of novels like Gun, with Occasional Music, Girl in Landscape, Motherless Brooklyn, You Don't Love Me Yet, and The Fortress of Solitude; non-fiction collections like The Disappointment Artist and The Ecstasy of Influence; monographs on works such as John Carpenter's film They Live and Talking Heads' Fear of Music; and short story collections like The Wall of the Sky, the Wall of the Eye, Men and Cartoons, and the upcoming Lucky Alan and Other Stories.

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Colin Marshall talks with Sean Wilsey, author of the memoir Oh the Glory of It All, and co-editor of the collections The Thinking Fan's Guide to the World Cup and State by State: A Panoramic Portrait of America. In his new volume of essays, More Curious, Wilsey investigates the artistic and social realms of Marfa, Texas, compulsively buys precision-engineered German appliances on Craigslist, investigates the causes of NASA's diminishing relevance to the national consciousness, and returns to his days as a Thrasher-reading San Francisco skater.

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Colin Marshall talks with Edan Lepucki, staff writer at The Millions and founder of Writing Workshops Los Angeles. She is the author of California, a mid-21st century domestic relationship novel set somewhere outside Los Angeles after the whole country suffers a long, gradual apocalypse.

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Colin Marshall goes to Seoul, South Korea to talk with Krys Lee, author of the acclaimed short story collection "Drifting House". They discuss her obsessions with violence and religion, "Koreanness" as an accidental unifier of her stories, her life between Korea, America, and England, and her next novel, which deals with the lives of North Korean refugees.

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Colin Marshall talks with Geoff Nicholson, author of nonfiction books like Day Trips to the Desert, The Lost Art of Walking, and Walking in Ruins as well as such novels as Bleeding London, Gravity's Volkswagen, and The Hollywood Dodo. His latest is the novel The City Under the Skin, a story that combines Nicholson's familiar urban exploration tropes with murder, kidnapping, and forcible tattooing.

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Colin Marshall talks with Lisa See, author of novels at the intersection of Chinese history, American history, and women's history. Her novels include "Peony in Love, Snow Flower" and "Secret Fan, Shanghai Girls, Dreams of Joy". Her latest is "China Dolls", a story of the Chinese nightclubs of wartime America that takes place in the Chinatowns of both San Francisco and Los Angeles.

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Award-winning journalist Glenn Greenwald speaks with Los Angeles Review of Books legal affairs editor Don Franzen in Los Angeles.

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Colin Marshall talks to Geoff Dyer, author of books all across the spectrum between fiction and non-fiction on such subjects as jazz, photography, travel, World War I, and Andrei Tarkovsky's film Stalker. His newest book Another Great Day at Sea follows his two weeks aboard the aircraft carrier the U.S.S. George H.W. Bush, and his first two novels The Color of Memory and The Search have just received their very first American editions. Dyer himself also recently moved from London to Los Angeles.

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Colin Marshall talks to journalist and poet Dana Goodyear who, as a staff writer for the New Yorker, has profiled such subjects as Japanese cellphone novels, filmmaker James Cameron, Los Angeles restaurant critic Jonathan Gold, and "Two-Buck Chuck", the budget wine at Trader Joe's. Her latest book is Anything That Moves: Renegade Chefs, Fearless Eaters, and the Making of a New American Food Culture.

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Colin Marshall talks to novelist and food writer Michelle Huneven, author of Round Rock, Jamesland, Blame, and now Off Course, a novel of the early 1980s that finds its 28-year-old economics grad-student protagonist, born and bred in Pasadena, setting off into self-imposed dissertation-writing exile (and no small amount of romantic intrigue) up in the Sierras.

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Colin Marshall interviews David Grand about his latest novel, "Mount Terminus."

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Colin Marshall talks to Leslie Jamison, author of the novel "The Gin Closet" and the new essay collection "The Empathy Exams."

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LARB Podcast #58: Mimi Pond by LA Review of Books

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Barbara Mor Reading "The Blue Rental" by LA Review of Books

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Colin Marshall interviews Sandra Tsing Loh, author of "The Madwoman in the Volvo."

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Novelist Helen Wan speaks with Asia Co-Editor Megan Shank about race and gender in the workplace, being an outsider and how to live an authentic life.

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Celebrating the second issue of the LARB Quarterly Journal, featuring contributors Geoff Nicholson and Colin Dickey.

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Colin Marshall interviews novelist and screenwriter Attica Locke.

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Colin Marshall interviews novelist and poet Percival Everett.

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Jeffrey Lewis in conversation with writer and bookseller David Kipen, discussing Lewis's new novel, "The Inquisitor’s Diary." Recorded at the Skirball Cultural Center.

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LARB Podcast #51: Thomas E. Kennedy by LA Review of Books

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Colin Marshall interviews Pulitzer Prize winner A. Scott Berg about his new biography of Woodrow Wilson.

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Arne De Boever talks to Stathis Gourgouris about his latest book, Lessons in Secular Criticism.

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Interview: Damien Sneed by LA Review of Books

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Colin Marshal talks to Jerry Stahl about his newest books, Bad Sex on Speed and Happy Mutant Baby Pills.

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Colin Marshall talks to Michael Krikorian about gangs in Los Angeles and his new novel, Southside.

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Colin Marshall speaks with Keenan Norris about his debut novel, Brother and the Dancer, a coming-of-age tale about young African Americans in the San Bernardino Valley.

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Interview: Wynton Marsalis by LA Review of Books

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Celebrating the inaugural issue of the LARB Quarterly Journal. Featuring Maria Bustillos, Cord Jefferson, and Ander Monson.

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Colin Marshall chats with Nick Antosca, author of the new short story collection "The Girlfriend Game."

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Colin Marshal talks to journalist and filmmaker Leslie Cockburn.

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Colin Marshall talks to author Gabe Durham about summer camp and his new book FUN CAMP.

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Colin Marshall discusses the life and career of Roman Polanski with authors James Greenberg and James Morrison.

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Colin Marshall interviews author Richard Rayner about the manifold identities of Los Angeles.

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LARB Podcast #39: Robert Polito, Tom Healy, Adam Fitzgerald by LA Review of Books

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Colin Marshall interviews actor, writer, and publisher Ken Baumann.

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The Water Is Wide by LA Review of Books

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LARB Podcast #37: Songs In The Key Of Los Angeles by LA Review of Books

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Colin Marshall interviews David Iserson, screenwriter and author of the new book "Firecracker."

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Colin Marshall interviews literary historian Loren Glass about Grove Press, the literary avant-garde, and his new book "Counterculture Colophon."

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Colin Marshall interviews Tosh Berman, founder of Tam Tam Books and author of "Sparks-Tastic."

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Host Colin Marshall speaks with poet/translator David Shook about his latest collection, "Our Obsidian Tongues" and his translation of experimental Latin American author Mario Bellatin's "Shiki Nagaoka: A Nose for Fiction."

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Jeff Weiss and Evan McGarvey speak to host Colin Marshall about their book "2pac vs. Biggie: An Illustrated History of Rap's Greatest Battle."

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Colin Marshall interviews Marc Maron, comedian, author of "Attempting Normal," and star of IFC's new TV series "Maron."

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Colin Marshall interviews Steph Cha about her debut novel "Follow Her Home."

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Colin Marshall interviews Nathaniel Rich about obsession, fear, and impending doom in his latest novel, Odds Against Tomorrow.

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LARB Podcast #28: Anna Stothard by LA Review of Books

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Colin Marshall interviews LARB contributor Colin Dickey.

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Colin Marshall sits down with LARB founding editor Matthew Specktor to discuss his book American Dream Machine.

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LARB Podcast #25: Jim Gavin by LA Review of Books

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LARB Podcast #24: Margot Lachlan White by LA Review of Books

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LARB Podcast #22: Gabriela Jauregui by LA Review of Books

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LARB Podcast #21: Richard Kramer by LA Review of Books

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Steve Greene interviews Teddy Wayne about his new novel, The Love Song of Jonny Valentine, at Skylight Books.

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Colin Marshall talks to Eric Lax about his new book on radiation.

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LARB Podcast #18: Julian Tepper talks to Clarissa Romano by LA Review of Books

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LARB Podcast #17: Lani Hall talks to Colin Marshall by LA Review of Books

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Colin Marshall interviews Tom Lutz as part of his Notebook on Cities and Culture series (blog.colinmarshall.org)

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RJ Smith talks about James Brown, his music, his influence, and Smith's new book.

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Monique Truong on her latest novel, 'Bitter in the Mouth.'

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Toby Miller discusses the environmental impact of digital media.

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Jonathan Kirsch interviews Irvin Yalom about his latest novel, The Spinoza Problem.

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LARB Podcast #11: Dana Spiotta interviewed by Michael Szalay by LA Review of Books

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David J. Leonard discusses his new book "After Artest: The NBA and the Assault on Blackness" with LARB Audio Editor Oliver Wang.

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More on factory workers in China.

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Philosopher Catherine Malabou talks with Los Angeles Review of Books editor Arne De Boever about her books on neuroscience and continental philosophy.

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Jonathan Lethem is a novelist, critic, and professor of English at Pomona College. His new book "Fear of Music" is the latest in Continuum's 33 1/3 series of monographs on individual record albums. Andy Zax is an L.A.-based writer and record producer who, in the mid 2000s, prepared Talking Heads' entire catalog (including "Fear of Music") for CD reissue. In this podcast, they discuss the ins and outs of this highly unsettling record (the band's third), air some rare ephemera from the archives, and share some reminiscences of adolescence. Produced by Oliver Wang for the Los Angeles Review of Books.

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Rob Schmitz is the Shanghai bureau chief foe American Public Radio's Marketplace. he broke the story about Mike Daisey, showing that Daisey's reporting on Chinese factory workers for This American Life was full of fabrication. He talks about that story, about reporting in China, and the problems trying to understand the vast, rapidly changing country.

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Los Angeles Review of Books Podcast #5: LARB Senior Editor Clarissa Romano talks to Francesca Lia Block about the "Weetzie Bat" series. Producer/Engineer: Oliver Wang

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Los Angeles Review of Books Podcast #4: Maggie Nelson and Arne de Boever.

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Los Angeles Review of Books Podcast #3. Part 1: Art Spiegelman and Van Dyke Parks. Part 2: Lee Konstantinou and Evan Kindley.

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An interview with Simon Reynolds about his book "Retromania: Pop Culture's Addiction To Its Own Past," conducted by Andy Zax for the Los Angeles Review of Books.

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An interview with Simon Reynolds about his book "Retromania: Pop Culture's Addiction To Its Own Past," conducted by Andy Zax for the Los Angeles Review of Books.

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An interview with Misha Glouberman and Sheila Heti, authors of "The Chairs Are Where The People Go," by Tom Lutz.