The guys have complicated feelings about Brand New, which is no surprise if you listened to the Your Favorite Weapon episode. How can they like the music so much, but dislike everyone else talking about how much they like the music? (they understand it doesn't make sense).
Instead of talking about an album, we're talking about our favorite songs/albums we listened to in 2022. Be sure to check out the notes below for links to all the tunes!
Notes:
We normally talk about really old music, but on today's snack we chat with a super fresh band - so fresh they just released their 2nd single ever this week! Kyle found the band on Reddit and invited Chris from Shower Beers to join us to talk about the tunes (one of which he believes is the first pop punk song tribute to an EDM song), how the band came about, and his prescription for America being more American Pie movies.
Shower Beers on Spotify and Apple Music
Shower Beers on Instagram
NOFX released a tune Fat Mike originally wrote with Matt Skiba and that was recorded for blink-182's California album, but didn't end up making the cut.
Punk Rock Cliche on Spotify and Apple Music
This band is too gigantic for 2/3 of us to have never listened to any of their albums all the way through, so we remedy that on this episode. We realize the irony of 3 guys who don't love screaming to have a podcast about emo music, but it is what it is.
Notes:
We're going back to Saves The Day's 1999 release for this episode. We talk about all the stuff you'd expect, including the (creepily foreshadowing) lyrical content. Here's what our faces looked like most of the time. 😬
Kyle and Blake talk about seeing Motion City Soundtrack, A Day To Remember, and The Used recently. Kris hasn't been to a concert in a bit, so he just cries in the background.
This one has to be on the podium of all time emo album titles, right? The Juliana Theory undoubtedly inspired a lot of bands with their 2000 album (which wasn't released Jan 1st despite Blake seeing so on Spotify - chalk that one up to a lazy intern at Tooth & Nail maybe). The guys talk at length about this and maybe get off on a tangent or twelve.
Notes:
Paramore finally give us a peek into their new album scheduled to release in February 2023. We're pretty excited.
Well, our last snack was relevant for approximately 48 hours because as of this morning, it's official - blink-182 is back with Tom with a world tour and album in 2023. Join us as we discuss in a very special SNACK recorded pre-NINE AM! A true first for the podcast.
Adding further credibility to the rumors swirling around the internet of Tom re-joining blink-182 was a since-deleted tweet from the head of rock programming for Cumulus Media saying as much, and that the trio would be doing an arena tour in 2023. The guys discuss.
Story of the Year's debut album went platinum, y'all. So, despite Kris and Blake not having really given them a chance in the 2000s, we felt we had to do an epsiode on it.
Blake puts Kyle and Kris on the spot to think of the best concert they went to in the 2000s. It's highly probable all three guys spent the time between recording and releasing this episode kicking themselves for not including other shows. WE WERE UNDER PRESSURE!
Since we'll not be releasing a full album episode for Labor Day, we thought we'd put together a few songs we think you should check out. We each pick 2 old tunes, and one new(ish) one to share with each other...and you!
Playlist on Spotify and Apple Music
It's Cartel week here at Finding Emo, apparently. We talk about their new singles 17 and The End, and whether the beat in 17 should be referred to as "BLAH-ka-ka Blah-ka-ka" or "Clocks" beat. Very important stuff.
Cartel on Spotify and Apple Music
Did Kris and Blake's band have anything to do with the leaking of Cartel's debut full-length album? Do we all maybe have the same notes about some not-so-great lyrics on this album? Do we think this is a solid debut album from a band that got better and better? What's the meaning of life? We answer some of these questions on this episode.
Notes:
Dashboard Confessional and Andrew McMahon In The Wilderness are on tour together and just announced they'll be doing two live streams of upcoming shows.
Notes:
The boys from AZ have a new single out. Spoiler alert: we like it.
Something Loud on Spotify and Apple Music
Buckle up because we're tackling what might be THE defining album of the genre on this episode. Between the lyrical concept, the production, the ballads, the guitar solos, and the vibraslaps there is a LOT going on on this album and we love (almost) every second of it.
Notes:
Kyle has new music from Hot Mulligan for us to check out. We may get on a tangent or 3 in the process.
Hot Mulligan - Drink Milk And Run on Spotify and Apple Music
We already did The Used's sophomore album, but are going in reverse to talk about their debut self-titled album because it turned 20 years old this month! Blake complains about screaming, but overall we're even more impressed with this album than we were 20 years ago. Also, we continue to lavish praise on their wonderfully talented bass player.
Notes:
We're trying something new! There's so much going on with these bands we talk about that we wanted to start recording and releasing little bite sized Finding Emo Snack episodes about the current goings-on in the genre. Bayside has new singles out, so that's what we talk about on the first SNACK! bonus episode.
Bayside - Strangest Faces (Spotify , Apple Music)
Bayside - Rainbow (Spotify , Apple Music)
We go back to 1998 for this one, chatting about Unwritten Law's self-titled or "black" album. Also, because it's been a month since our last episode (sorry, summer vacations and all), we get off-subject more than usual because we haven't talked in a while.
Notes:
Let's talk about this monster of a record, ok? Fall Out Boy went multi-platinum with their 2005 sophomore effort, and we have lots of opinions. It might be the first time a song has been nominated for Nobody's Perfect by one host, and Desert Island Song by another.
Notes:
It's our 2 year anniversary! And our 50th episode! We celebrate by talking about one of our favorites, Futures by Jimmy Eat World. Gushing ensues. Blake gets mad at online articles referencing harmonizing guitars when they're actually octaves. Kris has opinions about Night Drive. Kyle somehow brings up Hinder. It's a long one, so buckle in!
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Did Bayside not get enough love in the 2000s? We think that might be the case. On this episode we talk about their 2011 album.
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Was there any way for the debut Angles & Airwaves album to live up to the absolutely astronomical (see what we did there?) expectations set by Tom DeLonge? The answer is a resounding "no", but we still like the album.
Notes:
We Don't Need to Whisper on Apple Music and Spotify
This marks our 2nd episode spent gushing over the talents of Hayley Williams and co. Don't say we didn't warn you.
Brand New Eyes on Spotify and Apple Music
We'd honestly forgotten about this record, which is a shame because it holds up much better than a lot of the other pop-punk released around the same time. We miiiiiight have issues with the opening and closing tracks, though. Maybe.
All Killer No Filler on Apple Music and Spotify
Shots fired! Blake comes in hot with his opinions on this album, so buyer beware (this is free, don't get too excited). 2002's mega super giant multiplatinum album from Good Charlotte has us feeling conflicted.
Notes:
We think it's a travshammockery Motion City Soundtrack isn't more widely considered the face of the genre. They've got everything we love and came it hot with their follow up to Commit This To Memory. This album is underrated. Full stop.
After the dramatic Taking Back Sunday falling out, John Nolan and Shaun Cooper started Straylight Run along with Will Noon and John's sister, Michelle. On this episode, we talk about their awesome debut self-titled record. #teamnolan for sure.
Notes:
The So Impossible EP turned 20 years old this week! In what should've been a shorter episode based on the math of this only having 4 songs, the guys ramble on about how dating was different in 2001 (they assume, even they've all been married for at least a decade) and how much they love this EP.
Notes:
Sorry about the long break! Kyle and Blake had colds, Blake's computer crashed, Blake's audio equipment didn't work after his computer got fixed, Kyle got busy with work...basically, we failed you all. It won't happen again. Or it will. Time will tell. ANYWAY! Back to talking about great 2000s albums, and this one is a doozy. Join us for a chat about our second Death Cab record on the show.
Notes:
We're all in on Something Corporate's piano-driven pop/rock/punk vibes (and basically everything Andrew McMahon has done since). Although, for some weird reason, Kyle had never listened to this album before! But he's with us, now.
Despite the debut from Panic! selling over 2 million copies, the guys are not as impressed with it as you'd think. They think th $11k budget and 18 year old band members makes more sense as a measuring stick for the quality than the 2 million albums sold. Please don't hate us, Panic! fans!
Notes:
Against Me!'s 2010 album was a departure from previous album styles, but that didn't stop 2/3 of the guys hosting this podcast from loving it. The other 1/3 is Blake, and he just honestly had never listened to the band before. Fresh ears!
While Yellowcard admittedly had a slight downturn post Ocean Avenue with their 2006 album Lights and Sounds, they were back to being one of the best pop-punk bands of the 2000s with the quick follow up, Paper Walls. It's one of Blake's all time favorites, and his wife has zero interest in it. It's a real tragedy.
"Warning?", you say, confused. YES. We think this 2000 Green Day album is the catalyst for the follow up success of American Idiot. Full stop. We love everything about this album, despite it being a commercial disappoinment for the band at the time.
Notes:
Despite 2/3 of the guys not being huge Coheed & Cambria fans, we still manage to all have lots of opinions about this record. Siri even chimes in at one point to tell us how she feels about the record.
Notes:
Clocking in at our longest episode thus far, we talk about what is now regarded as Weezer's 1996 masterpiece (though it was basically hated by everyone at the time) and its contribution to the genres of the 2000s.
Notes:
We really thought Acceptance was going to be HUGE back in the day. Unfortunately, they had a ton of bad luck. This album is great, anyway.
It's our podcast and we'll slightly weave outside the genre if we want to! Look, if you haven't listened to this highly underrated album (because it came out before all the crazy one-take music videos), please do so and then listen to us talk about how much we love it.
OKGo on Spotify and Apple Music
Kyle brings fresh ears to a conversation about Copeland's 2003 debut album since he never really listened to it back in the day. Blake reveals where he stole the podcast's theme song from. Kris has a righteous mustache you can't see because it's a podcast.
Notes:
It's our 30th episode! We talk about Relient K's mainstream breakout album Mmhmm, which we've decided must be said in a sassy tone.
Notes:
Some would argue Death Cab is indie, not emo. But it's our podcast and this album came out in 2003 and is close enough for us. Also, we really like the album a lot. Unlike Ben Gibbard's 2003 haircut.
Notes:
It's our 1st birthday! Woo hoo! Thanks so much for listening. On this episode we talk about Jimmy Eat World's super successful Bleed American album. Find out which of us would have danced in their underwear in The Middle's video shoot, given the chance.
Notes
Would this album be considered 100% pop if it weren't on Drive-thru? Probably. Does that make it any less good? No.
Notes:
The Rocket Summer is definitely a band you're either totally into or don't like at all. The guys are decidedly all-in on Bryce's songs, and this is such a good debut album for a 19 year old to make.
Notes
(Let's try this again - Apologies for uploading bad audio on the first try)
Before the massive success of fun., there was The Format. On this episode we essentially look at half of their catalog, since they only made two albums.
Kris and Blake finally come to terms with how much The Ataris influenced their band's music. Plus, a discussion about what makes a great cover. And more!
On a very special episode of Finding Emo...The guys put together a mix tape of their favorite romantic mix tape jams from the genre. Plus, you get to hear about Kyle's incredibly awkward evening with Aaron Marsh from Copeland (it was all Kyle's fault).
Notes
Finding Emo Valentine’s Day playlists!!! On Spotify and Apple Music
Also, here’s one on Spotify you can add your own tunes to!
All of It - MXPX
The Agreement - Lakes (or now Eager Seas)
Pretend You’re Alive - Lovedrug
New Acceptance album Wild, Free
The Garth Brooks song mentioned is That Summer, but per Garth’s wishes you can only play it on CD or Vinyl, because it’s not on any streaming service.
We finally get around to doing a Dashboard Confessional album! Spoiler alert: we all have man-crushes on Chris Carraba.
Notes:
We'd be lying if we said Pete Wentz didn't get under our skin a little back in the day, but that doesn't take anything away from this being a heck of a debut album from Fall Out Boy.
Notes:
Are Taking Back Sunday lyrics the most commonly tattooed emo lyrics? We think so. And we can see why, honestly. Listen to find out who's on Team Jesse, Team Adam, Team Nolan, and Team Edward (wait, sorry, that's something else...).
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For the final episode of 2020 (good riddance) we dive into Paramore's 2007 Sophomore album. We spend half of the episode complaining about the band's decision to not play Misery Business live anymore.
Notes:
Don't ask us why it took us 18 episodes to get to this classic. We don't have a good excuse. Saves The Day captured some serious magic with this album in 2001, and it's as good now as it ever was.
Notes:
Ok, so we lied about The Everglow being the next episode (for good reason, we promise). So instead we're wishing a Sweet 16 to blink-182's untitled/self-titled (argument to ensue) album from 2003.
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Jack's Mannequin's debut coming-of-age masterpiece Everything In Transit came out 15 years ago, and Kris and Blake were fortunate enough to watch Andrew and his new band rock the whole thing front to back at a drive-in show over the weekend. After the drive home, they then hopped on the podcast to discuss the album with Kyle.
Notes
Just in time for Halloween, we picked the most eye-linery band around, AFI, and their 2003 smash hit Sing the Sorrow. Kyle has determined this album to have, hands down, the most emo lyrics of all time and gives us his favorites, track by track.
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Notes:
We skip right ahead to The Used's sophomore album...not because their first one isn't deserving of an episode, but just because we really like this one and IT'S OUR PODCAST!
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Notes:
Motion City Soundtrack made the happiest music with the saddest lyrics. On this episode we cover their sophomore (and breakout) album, Commit This To Memory. It's solid!
Notes
It's our first contentious episode where everyone doesn't love the album. "But guys, EVERYONE loved this album!", you say. Not so. Apparently one of our hosts is the only person alive that didn't like it. Listen to find out who it is!
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Notes
We just couldn’t get around this episode being explicit due to some of the lyrics. It’s all in the song clips, so earmuffs (if applicable)! Also, we had some technical difficulties on this one so apologies for Kris and Kyle’s voices not sounding quite as sexy and high-quality as they normally do.
If My Chemical Romance's Three Cheers For Sweet Revenge album isn't a definitive early 2000s emo record, we don't know what else would possibly qualify. The music, lyrics, outfits, swagger, makeup...it really defined the genre.
Notes
Let's talk about punk rock with a violin! Specifically, Yellowcard's super successful Ocean Avenue album. Spoiler alert: Blake doesn't shut up about how much he like's all of Yellowcard's bridges in their songs.
Kyle and Kris are huge MXPX fans. Blake, not so much. Truth be told, he listened to this album for the first time the day of the episode recording. Therefore, he's clueless as to what constitutes an appropriate MXPX tattoo (don't worry, Kris and Kyle set him straight).
On this episode we talk about The Starting Line’s underrated sophomore effort, Based On A True Story. While the lead single originally left a very very bad taste in Kris and Blake’s collective mouths, they’ve since come around to realizing what Kyle knew all along; this album is a masterpiece.
Note: While this is technically edited to be “clean”, we do talk at length about the song Bedroom Talk so maybe skip that part if you’ve got kids in the car? K.
Show Notes:
The guys talk about their fellow Oklahomies, The All-American Rejects, and their self-titled debut album from 2002. And what a pop-tastic album it is, indeed!
Note: Our Twitter account is still suspended, so hit us up on Facebook, Instagram, or at info@findingemopod.com
For those complaining the podcast doesn't have enough drama, do we have an episode for you! Okay, so maybe it's not as much drama as there ever was between Brand New and Taking Back Sunday, but let's just say our feelings for Brand New and their debut album Your Favorite Weapon are complicated.
Note re: t-shirt review contest - Don't tweet us, as we're still suspended. Instead, email info@findingemopod.com or hit us up on facebook.com/findingemopod
Show notes:
The fellas talk about Chris Carabba's pre-Dashboard Confessional band (or mid-Dashboard band, depending how you look at the timeline), Further Seems Forever and their debut album, The Moon Is Down. Spoiler alert: We all have man-crushes on Chris Carabba.
Here's one that's on everyone's top 20 emo albums. The Get Up Kids' Something To Write Home About is a classic. And yes, we realize we've done more 90s albums than 2000s at this point.
Show notes:
Yes, we realize we're only 3 episodes into this and we've done 2 pop-punk albums. But, we think they're the two that influenced a lot of the pop-punk and emo in the years following. Plus, it's our podcast soooo we'll do what we want.
Show notes:
As adolescent males in 1999, we were required by law to know every lyric of this album, so it's got a real special place in our musical history and influence. And yet, Kris learned things he never knew about this album during this episode.
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Show notes:
On the inaugural episode of the podcast, the guys go track by track through Jimmy Eat World's 1999 masterpiece Clarity and talk about how it influenced a generation of bands.
Show Notes: