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I keep forgetting that this year’s Crown Jewel is in Australia. I’m definitely not waking up at 7:30 a.m. to watch it live, but I appreciate that I’ll be able to catch the PLE in the morning and still have the rest of my day free.
There are some good matches on this card, and I’m sure the Perth crowd is going to be hot. Plus, the SmackDown before Crown Jewel was solid, so that’s something. Either way, here are my thoughts and predictions for WWE Crown Jewel: Perth.
WWE Crown Jewel Championship: Cody Rhodes (Undisputed WWE Champion) vs. Seth Rollins (World Heavyweight Champion)
Some people say this match came out of nowhere. I get it, but not really. It reminds me of those Survivor Series brand versus brand years when everyone suddenly put on red or blue shirts. This feels like that, just with one of the nicest yet ugliest titles ever, the Crown Jewel Championship.
Cody Rhodes doesn’t lose often, but it makes sense here. He’s 3-0 against Seth Rollins since returning (WrestleMania 38, Backlash, and Hell in a Cell), and if WWE really wants Rollins to be the big bad, he needs this win, even if it’s for a belt we probably won’t see again until next year.
Also, I’m hoping Randy Orton costs Cody the match to kick off that storyline.
John Cena vs. AJ Styles
This is the match we should have gotten at Clash in Paris, but I’ll take it here. John Cena has been wrestling with purpose lately (that Sami Zayn U.S. Open match proved it). If we get that version of Cena and an AJ Styles who still has a little magic left, this could be great.
Cena hasn’t won in his last two matches, so I’m picking him to finally get one back and then hug it out with AJ afterward.
WWE Women’s Crown Jewel Championship: Stephanie Vaquer (Women’s World Champion) vs. Tiffany Stratton (WWE Women’s Champion)
Tiffany Stratton’s title run hasn’t exactly been hitting. Stephanie Vaquer’s stock is up, Tiffany’s is slightly down, and Vaquer hasn’t been around much due to illness, so this feels like the right time for her to pick up the win.
And seriously, it’s time to turn Tiffany heel again.
Australian Street Fight: Roman Reigns vs. Bronson Reed
I’m genuinely happy for Bronson Reed. I didn’t think he would reach the point of getting a one-on-one match with Roman Reigns, but here we are. If I remember right, he was miss the last time WWE toured Australia, so it’s great to see him get this home-country spotlight.
Roman should win, but if WWE is building toward War Games, I could see Reed stealing a win with some shenanigans from The Vision (and maybe a surprise new member).
Rhea Ripley & Iyo Sky vs. Kabuki Warriors (Asuka & Kairi Sane)
I love what Asuka and Kairi Sane have going, and I hope Asuka yelling “Kairi!” continues to be a thing. But there’s no way Rhea “Bloody” Ripley loses in Australia. This one feels obvious, but it’ll be fun and the crowd will be all over it. Rhea and Iyo Sky win.
RESULTS WWE Crown Jewel Championship: Seth Rollins defeated Cody Rhodes * John Cena defeated AJ Styles * WWE Women’s Crown Jewel Championship: Stephanie Vaquer defeated Tiffany Stratton * Australian Street Fight: Bronson Reed defeated Roman Reigns * Rhea Ripley & Iyo Sky defeated Kabuki Warriors*
Straight out of Brazil, we present Yasmin Soares. Another beautiful woman featured in the Certified Banger section. But it’s her eyes that might hypnotize you. As a Cuban drug dealer once said, “The eyes, Chico, they never lie.”
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JID goes full ~~Atlanta~~ Atlanna in the music video for his track “Sk8,” featuring Ciara and EarthGang. The song is already a love letter to bass-heavy, booty-shake music, and the visuals double down on that energy. From the setting at the iconic Golden Glide Skating Rink to a cameo from Kilo Ali himself, everything about this video screams ATL. Take a lap and check out the Maya Table–directed video below.
This week we welcome Vita Marie to the Certified Banger section. The self-proclaimed “Faux Loc Specialist” might have one of the best bodies we’ve seen in a minute and we definitely appreciate that. Check the pictures below. You’re welcome.
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Freddie Gibbs & The Alchemist hit up a Tokyo strip club (Madame Woo Tokyo, to be exact) for the visuals to their track “Shangri La.” While I appreciate that the video nods to the legendary BET Uncut era, that Freddie is rocking a Big Pun tee, and of course the strippers (duh) that’s pretty much it.
The Nick Walker-directed clip is below. After you watch, make sure to check out our full review of Alfredo 2.
Metro Boomin is clearly in a celebratory mood, and what better way to show it than by dropping some fun visuals for the standout track from his latest project: “Take Me Thru Dere,” featuring Quavo, Breskii, YK Niece, and DJ Spinz.
The video is a throwback to an old-school ATL cookout in the park complete with dancing, bikes, grills, American flags, and plenty of women. Bonus points to Breskii for not wearing a bra. Thru dere indeed.
Watch the video below.
Clipse drop the visuals for “The Birds Don’t Sing,” the opener from Let God Sort Em Out. The song doubles as a tribute to their late parents, and the video drives that emotion home with shots filmed at their childhood home, church scenes, and even Pusha T’s son laying flowers at their parents’ graves.
With John Legend and Voices of Fire adding soul and weight, this feels like one of Clipse’s most personal records yet.
Watch the video below.
This is one of those times when we don’t have much info about the woman featured in this week’s Certified Banger. Just a beautiful face. But what a beautiful face, right? This week we welcome the lovely Lexy Meeks. You’re welcome.
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Back at it again with another Notable Tracks post. This is where I pick three tracks I’ve been listening to lately and share my thoughts. I’ve been slacking but I’m here now and two Notable Tracks in three weeks isn’t bad. Let’s get to it.
Jay Electronica feat. Quentin Miller – “Who Killed Michael Jackson??????”Jay Electronica recently dropped THREE projects in three days. And somewhere the 2008 version of B-Easy is extremely happy. And yes, each project has around 5 to 7 tracks and there are a lot of interludes involved, which if you listen to Jay Electronica, is totally on brand (there’s even an oddly timed Diddy intro on Leaflets that I’m not even gonna get into). But I’m just happy that we have new music from Jay Electronica. An early favorite of this new music is the Quentin Miller featured “Who Killed Michael Jackson??????”.
Lil Yachty feat. Sauce Walka – “Silver Lining”I see what Lil Yachty is trying to do and I respect it. But most of the time when Boat drops a new song with a dope beat, he is the worst part of the song (“The Secret Recipe” featuring J. Cole is a great example of this). It happens again to Yachty on “Silver Lining” but thankfully he brings Sauce Walka along to do his thing here and steal the show: “Listen, baby boy/Gotta drop your nuts, nigga, Almond Joy/Know a couple Melvins that got killed for step-daddy noise”. Ouwee!!!
Young Dolph feat. Juicy J & Project Pat – “By Mistake (Remix)”Let’s end this post off paying tribute to Young Dolph. I vaguely remember this song as well as the video but I heard this recently and was reminded how much this goes off, especially “Reverend” Project Pat (“Motherfuck the lizaws/Glock in my drizawers/Frazier boulevard, your ho tryna get my bizalls”) Shout out to Memphis. R.I.P. Dolph.
Fresh off dropping her highly anticipated new album and announcing her pregnancy, Cardi B delivers the visuals for “Safe,” her collaboration with Kehlani. In the video, Cardi fittingly plays a pregnant woman caught up with a man in the streets, and things play out just about how you’d expect (or maybe not).
Both the video and the song stick to a pretty familiar formula and don’t break much new ground, but the Bardi Gang will no doubt enjoy it. Watch the video below.
We love a woman who’s a homebody. And when that homebody also has a gorgeous face and an amazing body? That’s exactly why we love Destiny H.
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As a website called nappyafro, we always appreciate afros or afro-like hair. And of course, we love beauty. That being said, we proudly present Dana Curly to the Certified Banger section. You’re welcome.
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Back at it again with another Notable Tracks post. This is where I pick three tracks I’ve been listening to lately and share my thoughts. I was off the internet last week but now I’m back. Let’s get to it.
Latto & Ice Spice – “GYATT”Like I said in the intro, I was off last week and while it was cool being away from the internet, I was mad I didn’t get to write about Latto & Ice Spice’s new song “GYATT.” A WWE-inspired music video that features Latto and Ice Spice… as professional wrestlers? Am I dreaming? Yeah, I’ll probably forget about the actual song in five minutes, but salute to the ladies for the visuals.
The Weeknd – “I Can’t Wait To Get There”Putting a song by The Weeknd here might seem weird. I’m not the biggest fan of him, and this track “I Can’t Wait To Get There” is off his (maybe) final album that dropped this past January. But while going through my album backlog, I finally got to Hurry Up Tomorrow. I didn’t like most of it, but I really did like “I Can’t Wait To Get There.” A lot. (It’s now on the Official nappyafro Playlist.)
Sidenote: I’ve been meaning to watch Hurry Up Tomorrow (the movie) but I’m still salty after watching The Idol.
Young Thug – “OD”I’ll end this post with a Young Thug song because he’s the first rapper to go platinum off leaked jail phone calls (For better or for worse). Crazy enough, “OD” might be the only solo Young Thug song I really like (also on the Official nappyafro Playlist). The first time I heard it was seeing Jay Electronica on the internet playing it in his car (weird, right?). Either way, hold your head up Jeffery. Or not.
It’s been a few months since I did one of these Thoughts & Predictions about a WWE PLE and it’s weird to come back for Clash in Paris because it feels… okay.
The card shouldn’t be terrible but there are a few things missing. No Stephanie Vaquer vs. Naomi (who was looking to start the best run of her career) because Naomi is pregnant. No Cody because he just had a kid. Not sure why they’re holding off Randy Orton vs. Drew McIntyre either. Then again, we should all be used to WWE rolling with 5–6 match cards the past couple of years.
But let’s look at the card and let me give my “Thoughts & Predictions” on Clash in Paris (I’m not even gonna bother the rest of the FRO Horsemen for this one).
John Cena vs. Logan Paul
Let’s be honest: the money match here would’ve been John Cena vs. AJ Styles. Not only would that have meant more historically, but Paris would’ve gone crazy for Styles.
That said, Cena vs. Logan Paul isn’t bad either. Logan will pull off some athletic stuff that reminds everybody he’s way better at pro wrestling than he has any right to be. Cena still has Brock on the horizon, so don’t be surprised if Cowboy Brock shows up in Paris, costs Cena the match, and hands Logan Paul the win.
Fatal Four-Way for the World Heavyweight Championship: Seth Rollins (c) vs. CM Punk vs. Jey Uso vs. LA Knight
This lineup makes the World Heavyweight Championship feel big-time (especially since Cody and the WWE Title are missing from this card).
As cool as this looks, Paris doesn’t feel like the spot for a major title change. Seth Rollins retains, while CM Punk, Jey Uso, and LA Knight keep building tension for the next chapter.
Good Ol’ Fashioned Donnybrook Match: Sheamus vs. Rusev
Rusev’s WWE return has been underwhelming so far, and he needs this one way more than Sheamus does. Expect a stiff, heavy-hitting fight with Rusev getting the win. Honestly, I wouldn’t mind if this sets up Sheamus and Rusev teaming together afterward.
Roman Reigns vs. Bronson Reed (with Paul Heyman)
Props to Bronson Reed. The Vision was mostly built to set up Bron Breakker eventually turning on Seth, but Reed snatched some spotlight by stealing Roman Reigns’ sneakers like a schoolyard/jailhouse bully. That goofy angle got him here.
But let’s be real, Roman’s not losing to Bronson Reed. The Tribal Chief wins, though I kinda hope Reed keeps stealing sneakers anyway.
WWE Women’s Intercontinental Championship: Becky Lynch (c) vs. Nikki Bella
If I remember right, Nikki Bella was supposed to face Liv Morgan at Evolution 2 before Liv’s injury, so this feels like a makeup match. And with Becky Lynch defending the Women’s Intercontinental Championship against Nikki, it does carry some intrigue.
It’d be wild if Nikki actually pulled it off, but nah. Becky just stirred things up by feuding with Kelly Osbourne in the press, so she’s got plenty more heel work left to do. Becky retains.
WWE Tag Team Championship: The Wyatt Sicks (Joe Gacy & Dexter Lumis) (c) vs. The Street Profits
This one was thrown together on the last Smackdown, almost like it was added just to round out the card. And I see what WWE is trying with the Smackdown tag division. That TLC match at SummerSlam was way better than it had any right to be, so they’re trying to make the tag division into something.
If kickoff show matches were still a thing, this would’ve landed there. I still don’t know how I feel about The Wyatt Sicks, but either way they keep the belts here.
RESULTS Roman Reigns defeated Bronson Reed (After the match, Roman was attacked by Bron Breakker and Bronson Reed. He was taken out on a stretcher) * WWE Tag Team Championship: The Wyatt Sicks (Joe Gacy & Dexter Lumis) defeated The Street Profits * WWE Women’s Intercontinental Championship: Becky Lynch (c) defeated Nikki Bella * Good Ol’ Fashioned Donnybrook Match: Rusev defeated Sheamus * John Cena defeated Logan Paul * Fatal Four-Way for the World Heavyweight Championship: Seth Rollins (c) defeated CM Punk, Jey Uso, and LA Knight (Becky Lynch* helped Rollins secure the win)
JID links with Clipse for the menacing track “Community” off his new album God Does Like Ugly. The video dropped yesterday and also captures the bleak feel of the song, showing the cold reality of the projects.
Both JID and Clipse deliver verses that cut through the darkness, making this one of the standout moments from the album.
Sometimes all we get is a name, and this time the name is Karley. But looking at these images, that’s all we need. No long backstory, no extras. Just pure beauty. Consider us officially in love.
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Back at it again with another Notable Tracks post. This is where I pick three tracks I’ve been listening to lately and share my thoughts (I guess I had to choose a theme here it would “features”). I haven’t done one of these since March, so excuse me if I’m a little out of practice. Or not. Let’s get to it.
Droogie Otis feat. Killer Mike – “The Edge”Funny enough, the last Notable Tracks I did also featured a track from Droogie Otis (Madlib & Your Old Droog). And I feel the same way now as I did back in March: I need the full project from Madlib and Droog. “The Edge” is more proof of that.
Somehow I missed this when it originally dropped, but I didn’t expect the duo to link with Killer Mike anyway. Mike Bigga slides in and steals the show with a verse that reminds you, even with the multiple Grammy awards, he’s still criminally underrated.
Jermaine Dupri feat. T.I., 2 Chainz, & Young Dro – “Turn Around”If this track dropped in the early 2000s, it would’ve been platinum on the charts and in the strip clubs. Jermaine Dupri links with ATL legends T.I., 2 Chainz, and Young Dro for “Turn Around”, a certified strip-club banger built on 8Ball & MJG’s classic “Lay It Down” instrumental. All it’s missing is a BET Uncut video.
And as much as I respect the lineup, it’s Young Dro who shines the brightest. Honestly, over the past year, every time I hear Dro, he’s rapping like he’s got something to prove.
Remix with 8Ball and MJG incoming.
Sidenote: I need to get around to watching Magic City: An American Fantasy.
Rick Ross feat. Dr. Dre & Jay-Z – “3 Kings”I’m revisiting “3 Kings” by Rick Ross featuring Dr. Dre & Jay-Z for a couple reasons. First, I heard it at the barbershop this past weekend and was reminded how strong Jigga’s verse really was:
“Been hoppin’ out the BM with your BM/Taking her places that you can’t go with your per diem
Screamin’ “Carpe diem!” until I’m a dead poet/Robin Williams shit, I deserve a Golden Globe, bitch!”
Second (and randomly), it’s still weird to me that Ross not only ran with Slim Thug’s “Boss/Bawse” title, but also named this track after one of Slim Thug’s more popular songs. Crazy.
Tyler, The Creator keeps dropping new music videos, and I guess (for now) I’ll keep writing about them.
The newest one is for “SUCKA FREE,” off DON’T TAP THE GLASS, and it looks like it was pulled straight off a VHS tape in 1999. Shot by Jasper Dolphin, the whole thing has that lo-fi, fan made energy, grainy edits, chaotic street shots, and raw party vibes. People online are calling it “early 2000s fan-made music video vibes,” and honestly, they’re right.
Another day, another Tyler visual. Check out the video below.
Joey Bada$$ links up with Ab-Soul and Rapsody for the new single “Still,” the latest drop ahead of his upcoming album Lonely at the Top (now set to drop August 29th).
The Statik Selektah-produced track carries gritty motivational energy, while the visuals keep it sharp with all-black suit stylings. And the timing makes perfect sense: Joey, Ab-Soul, and Rapsody will be hitting the road together this fall for the Dark Aura Tour.
Check out the video for “Still” below.
Note: This is the web version of the nappyafro Newsletter, which usually goes out by email. We’re posting it on the site this time just to switch things up (probably just this ~~once~~ twice). The newsletter in it’s original format is here and if you haven’t already, you can subscribe to the newsletter right here.
REVIEW: LET GOD SORT EM OUT
Can two (basically) 50-year-old rappers who haven’t dropped a group album in almost 15 years come back with something worth hearing? Yes. Yes they can. Clipse return with Let God Sort Em Out, and MTHFKA JONES reviewed it and loved it. Check out the review.
REVIEW: ALFREDO 2
Yours truly dusted off the review keyboard (okay, it’s just my regular keyboard) and went in on Alfredo 2. As much as I liked it, writing the review made me realize I probably should have given Alfredo 1 five stars back in the day. Still, Alfredo 2 is my personal Album of the Year (so far). Check out the review.
RECOMMENDATIONS
It’s been a while. Here’s some recommendations.
MOVIE:Freaky Tales (2024): A weird, cool movie that feels like if Quentin Tarantino grew up in Oakland. Come for Pedro Pascal, stay to see Sleepy Floyd use supernatural martial arts skills to kill Nazis. (Yes, you read that right.)
TV SHOW:King of the Hill (1997-): The Hill family is back, and thankfully, the show is still good. King of the Hill has always been one of my “comfort shows,” the kind I throw on before bed (terrible sleep habit, I know).
VIDEO GAME:Eastward: Octopia (2021/2024): I played the hell out of Eastward when it dropped on Switch in 2021. The new DLC, Octopia (released in 2024), isn’t an RPG but a cozy life-sim with farming, cooking, and inviting people over for dinner. After 20+ hours, I liked it way more than I expected. Makes me wonder, should I have just been playing Stardew Valley this whole time?
READING:Ice Cream Man (2018-): After watching the new Superman movie (which was solid, but you already know about that one), I wanted to read some Superman comics. That led me to Superman: The Kryptonite Spectrum, which in turn led me to the same team’s series Ice Cream Man. It’s a dark comedy horror anthology that feels like Creepshow, which I was big on back in the day (shoutout Creepshow 2 specifically).
BUY THIS SHIRT
One of our best-selling and coolest shirts (so cool we keep it on our original store). We give this shirt 5 Mics.
AND LASTLY* Always check out nappyafro.com * Check us out on Instagram, Twitter, YouTube, TikTok, & Twitch * Join our Patreon and see some cool stuff * Check out our store and buy something
Thank you. Continue to support the team.
Salute,
B-Easy
GIF OF THE DAY
For this edition of Certified Banger, we salute Kayla Valentino. She’s beautiful, she’s thick, and fun fact, she is also a welder. Yeah, we love all of that.
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Tyler, The Creator continues rolling out visuals, but this time it’s not for his latest album Don’t Tap the Glass. Instead, he drops the video for “DARLING, I,” a track from his 2024 album Chromakopia.
When you see the video, it makes sense. It’s a departure from the stripped-down, one-room aesthetic of Don’t Tap the Glass. Instead, Tyler steps into full-on romance mode, courting women like Nia Long, Ayo Edebiri, Willow Smith, and Lauren London (just to name a few). In true Tyler fashion, he literally gives his heart to them.
Very on brand.
Watch the music video below.
There’s something special about a beautiful woman with an alliterative name. So it only makes sense that this edition of Certified Banger features the stunning Rosey Royyal. She looks like Latto’s cousin who does OnlyFans on the side. We’re pretty sure she’s not related to Latto… but the other part checks out.
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I saw online that Cardi B’s second single from her (much-delayed) sophomore album, Am I the Drama?, samples Jay-Z’s “Imaginary Player.” Not only is “Imaginary Player” a classic Jay-Z track, but it’s also one of my favorites (it’s on the nappyafro Official Playlist for a reason).
After listening to and watching Cardi B’s new music video for “Imaginary Playerz,” I’ll admit it’s not bad. The production and Cardi’s rhyme scheme stick close to the source material, and I’m fine with that. She sounds good here, talking her shit. I’m not sure how well this will do as a single, but I appreciate it.
The visuals, directed by Cardi and Patientce Foster, are standard fare for the Bronx rapper: she looks glamorous, raps on the wing of a private jet, lounges on a yacht, rocks expensive clothes and jewelry, and more. It all fits the vibe of the song.
Check out the music video below.
Back in 2020, Freddie Gibbs and The Alchemist linked up for Alfredo, which I reviewed at the time. Looking back, I probably should have given it a classic rating (I gave it a 4.6 out of 5). The 10-track project went on to become one of the year’s most acclaimed Hip-Hop albums and even earned a Grammy nomination for Best Rap Album. Four years later, the duo is back with Alfredo 2.
Since the first Alfredo, Gibbs has stayed busy, dropping $oul $old $eparately in 2022, jumping on features, and keeping his name in headlines thanks to a few high-profile beefs and controversies. Alfredo 2 marks his first full collaborative album with Alchemist since their Grammy-nominated debut, and with it already landing as the highest-charting release for either artist, expectations are high.
1. 1995
Produced by The Alchemist
On the first track, the duo delivers a sequel to their “1985” opener from the original Alfredo. “1995” also serves as Alfredo 2’s first single, and at first, I wasn’t sure it was the best choice. Turns out, I was wrong. This might be my favorite song on the album.
As much as Gibbs is effortlessly rapping here with clever lines (“Nothin’ in your catalog classic, you Shaqtin’ like Thanasis”), Alchemist really shows out with the production, from the soulful loops on the first half to the electric guitar–led second half. “1995” kicks the album off in style.
- Mar-A-Lago
Produced by The Alchemist
If I had to describe the vibe on “Mar-A-Lago,” I’d go with “pimpish” or maybe even “hazy,” like it was made in a room full of weed smoke (which, honestly, might be the vibe for the whole album). The verses don’t necessarily match that mood, but it still works and connects. Extra points for sampling Ving Rhames from Baby Boy.
For those wondering, the title comes from a lyric in the song: “Feds hit my shit, they ain’t gettin’ shit, Mar-a-Lago.”
Sidenote: Gibbs also mentions Moissanite here, something I just happened to learn about the other day.
- Lemon Pepper Steppers
Produced by The Alchemist
I thought “Lemon Pepper Steppers” was going to be another slower-paced track, and it does start out that way. But as soon as the verse hits, the beat turns more sinister, things get more gangster, and Gibbs gets right to it:
Smokin’ opps, walk down your block, I put that bitch in shock
Wipe his nose, tag on they toes, I just knocked off his socks (Yeah)
Hundred shots came right back at us, same day, ain’t nothin’ drop
Send your shooter back to you shot, tell ’em you fucking flopped
It’s a quick track with only two short verses from Gibbs, but I enjoyed it. A solid album cut.
- Ensalada
Featuring Anderson .Paak; Produced by The Alchemist
Going back to listen for this review, I appreciate the production on “Ensalada” even more. With its smooth, lush backdrop and Anderson .Paak handling the hook, I’m surprised this wasn’t the first single. It’s definitely a highlight. Gibbs rapping about distrust and murder fits perfectly with the haunting atmosphere Alchemist provides.
My only gripe: Let Anderson .Paak get a verse next time.
- Empanadas
Produced by The Alchemist
If you want to hear someone crack jokes while casually dissing people, check out “Empanadas.” Over a smooth, jazzy loop, Gibbs fires shots at both Jim Jones (“Smacked him in Miami, his boys jumped me, he played it safe”) and Benny The Butcher (“Bitches in Buffalo get the same thing, they was throwin’ plates / Limped away on his good foot, but he ain’t bust a grape”).
That being said, my favorite part of the track is this run:
Chelle fucked me so good in Bali, might have to bring her back
If she get pregnant, I’ll teach my son to shoot like Tee Morant
Ho, I’m courtside, drunk as fuck like I’m Tee Morant
Caught the ball in Barclays Center, I should’ve dunked that bitch
Never catchin’ feelings, these bitches might suck a hundred dicks
And put you in the system, ho, get a job with the government, biatch
Hilarious.
- Skinny Suge II
Produced by The Alchemist
This is the first track I didn’t like at first. I still don’t care for the production here since the loop can get a little annoying. But here’s the thing: Gibbs might have delivered his best verse on the whole album with this one. I kind of forgot about the beat as soon as he came in channeling Ice-T on “Colors”:
I am a nightmare walkin’, psychopath talking
The last fuckin’ nail in the coffin, the flame on the crosses
Black, bald-headed Jesus, I hang on the cross
Industry crucified me, but I stay bouncin’ off it
This might be one of those songs I come back to later and end up loving the production. For now, I still prefer the first “Skinny Suge” from the original Alfredo.
- Feeling
Featuring Larry June; Produced by The Alchemist
The piano-led production here feels like it could have been on Life Is Beautiful, so it makes sense that we get an appearance from Larry June. I’ve seen people online mention the contrast between Freddie’s fast-paced, sing-song delivery and Larry June’s super laid-back verse not really meshing, and they might be right. I’ve also always thought Gibbs is at his best when he’s straight rapping, but I get wanting to switch things up.
Either way, the production alone makes this one worth a listen.
8. I Still Love H.E.R.
Produced by The Alchemist
“I Still Love H.E.R.” is one of the warmer tracks on the album in both production and lyrics. I’m partial to most songs that serve as love letters to Hip-Hop, and this one fits right in. Gibbs also keeps his sense of humor intact, dropping a mention of Umar Johnson (complete with a sample of Dr. Umar’s viral “Donations” clip):
Niggas is nincompoops, tennis my necklace, VVS hula hoops
Fuck thе church girl in a Sunday suit with some Gucci boots
Suburban snow bunnies, tell Umar I gеt that cougar loot
I’m breakin’ bitches’ wages, donations pop out that Bentley coupe
I still love H.E.R. too, Gibbs.
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Shangri La
Produced by The Alchemist
On “Shangri La,” Gibbs leans into a rapid, multi-syllable flow over one of Alchemist’s smoothest productions on the album, and it works. His delivery is sharp, weaving in and out of the beat without losing clarity. I also didn’t expect to hear Three 6 Mafia’s patented “Yeah, ho!” ad-lib here, but it somehow fits perfectly (Update: Now it makes sense). -
Gas Station Sushi
Produced by The Alchemist
I love the weird, spacey vibe of the production on “Gas Station Sushi.” But don’t expect rhymes about space travel. Gibbs delivers sharp gangster lines instead:
Fell back but never fell down
Condo, Sunny Isles, drop the scale, but never scaled down
Put the rabbit on the cross, they had me nailed down
But since they did my ultrasound, bitch, I’ve been Hell-bound
He also throws a jab at Curren$y here (“Could’ve ran that Fetti by myself, bitch, I’m the best with Al”), which is surprising given Spitta and Alchemist have worked on multiple projects together. And to think, it all apparently stems from Curren$y not promoting an album.
All that said, this is still a dope track.
- Lavish Habits
Produced by The Alchemist
This was an early standout when I first listened to the album. I’m not talented enough to fully explain it, but if someone wanted to play you a trademark Alchemist beat, “Lavish Habits” might be the one they’d choose. And that’s not a bad thing. It’s a perfect example of why ALC remains one of the most consistent and prolific producers in Hip-Hop.
On Gibbs’ side, he hilariously disses DJ Akademiks and Gunna (“I’m still gon’ squeeze Akademiks’ titties, that fat bastard/Gunna dissed me and took a plea, he a rat bastard”), raps about pissing on “city girls like P. Diddy,” and even showing up at your funeral like Big Fendi.
There’s a reason this was one of my early favorites.
- Gold Feet
Featuring JID; Produced by The Alchemist
At this point, when you see JID on a tracklist, there’s a good chance you’re about to get some serious rapping. That’s exactly what happens here. Both JID and Gibbs showcase their talents with high-octane yet still somewhat restrained verses.
Who had the best verse? JID.
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Jean Claude
Produced by The Alchemist
One of the best beats on the album, and it’s for a track named after the “Muscles from Brussels.” The jazzy keys give it an almost uplifting atmosphere, which somehow works with Gibbs rapping about life being like Bloodsport and cheating with a lesbian (“She sneak dickin’”). And somehow, it just works. Another highlight. -
A Thousand Mountains
Produced by The Alchemist
This was the second single and music video released from the album, and while I didn’t necessarily love it as a single, it works perfectly as the closer. It feels like the kind of song that would play over the credits at the end of a movie, with Freddie rapping about getting a “flute and just disappear in the mountains” over production anchored by a flute sample. A fitting way to wrap things up.
BOTTOM LINEAlfredo 2 might not top its predecessor, but it’s still proof that Gibbs and Alchemist haven’t lost a step. The album plays more like a continuation than a sequel, sticking to the tried-and-true mix of razor-sharp lyricism, sly humor, and immersive production without forcing unnecessary reinvention. It’s also a reminder of how well they complement each other: Gibbs can shift from gritty street talk to absurd punchlines in the same breath, while Alchemist’s beats range from soulful and smooth to off-kilter and cinematic. In a year stacked with quality Hip-Hop releases, Alfredo 2 stands tall as another fine example of grown-man rap, one fans will have no trouble running back.
Tyler, The Creator drops the second music video from his surprise dance album, DON’T TAP THE GLASS, this time for the track “SUGAR ON MY TONGUE”. Like his previous visuals, the action stays in a single room only now it’s a dreamlike, bathroom-tiled backdrop. Inside that room we get a love interest, a dance floor, BDSM, naked parents, and, yes, a giant tongue. Check out the Tyler-directed music video below.
San Alesia, aka Bama Barbie, is exactly the kind of woman made for the Certified Banger spotlight. She’s got a pretty face, but she knows she has another asset that demands attention and we definitely love it.
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Freddie Gibbs & The Alchemist deliver the second music video off Alfredo 2 with “A Thousand Mountains.” Much like the visuals for “1995,” this one pulls directly from Alfredo: The Movie, this time showcasing the intense training montage sequence (a genius and cost‑effective approach, honestly). The Nick Walker-directed clip captures Gibbs sharpening his skills in a cinematic, martial-arts inspired setting. Watch the video below, and stay tuned for our full review of Alfredo 2.
Clipse have been an integral part of my Hip-Hop journey since I was a teenager. From “Grindin'” being a staple on MTV2 to wearing the burned CDs I made of the We Got It 4 Cheap mixtape series to Hell Hath No Fury expanding my musical palette not just to the underworld that Pusha T and Malice describes but how far ahead of the curve Pharrell and Chad (The Neptunes) were with production.
They initially ended their run in the late 2000s with Til the Casket Drops with mixed results. While I am a defender of that album to this date, what they were going for just didn’t fit them. They shouldn’t be chasing radio hits, they work better when they keep things gutter and more pure than the white they rap about selling. Malice would go on to serve the Lord and Pusha T sold his soul to Satan in a Klansman robe. They would reunite a few times on half-baked collaborations and the announcement would come that they were working on a new album, but like most things, I had the mentality of “I’ll believe it when I see it.”
Then 2025 came…
The anticipation was high. The bar was raised. The expectations are great. How did they do?
1. The Birds Don’t Sing
Featuring John Legend & Voices of Fire; Produced by Pharrell Williams
Breaking the fourth wall, I have been thinking about this a lot lately, about the idea of loss. The final conversation you have with a loved one. Especially, when they are your parents. I didn’t have it this much with my father because my relationship with him, was never the greatest, if anything non-existent, but I do have these thoughts when it comes to my mother, the one who has been there, taught me how to be a man, guided me through childhood, teen angst and early adulthood. I can’t help but listen to this song and not end up on the verge of a tear shedding. It is rare that music does that to me, but it’s real emotion. Great opener and a must-listen if you’re a Clipse fan or a rap fan in general.
- Chains & Whips
Featuring Kendrick Lamar; Produced by Pharrell Williams
One of the most anticipated songs off this album. Pusha’s verse still hits hard after hearing it two years earlier (especially with all the nonsense Jim Jones has been letting off as of late… too many things to note.). If Pharrell’s production was the bread, Pusha’s verse was the meat, Malice’s verse was the toppings, Kendrick’s was that extra seasoning it needed. The alliteration at the second half of the verse had my eyes widening and it didn’t stop until the song ended. My thing however is…
THIS was the verse UMG was scared of?
That’s how you know no matter how much their golden boy is dragging them through the mud, they will defend him at all costs because he’s their bottom line. Outside of that, let demon time commence!
- P.O.V.
Featuring Tyler, The Creator; Produced by Pharrell Williams
Pusha’s talking his SHIT here. Too many lines.
All I see is 60 day stars and 20 year thousandaires
You stream kings but you nеver fit a crowd in there
You Zeus network niggas, you hear me loud and clear
Get these fifty five hundred a hosting niggas out of hereGhostface with the wrist, bird falconaire
Shotgun wit’ ya ex, feels like Malcolm’s near
Just to think I built a rap career off an oz
I’m watchin’ new niggas rap just to O.D.
If I didn’t give you both sides, I wouldn’t be me
I was the only one to walk away and really be freeCame back for the money, that’s the Devil in me
Had to hide it from the church, that’s the Jekyll in me
Pusha sounds like Ma$e stepping back into the underworld and enjoying the lavish life while observing what the peons are doing around him. Tyler is rapping like he has been waiting for this moment his whole life. Come to think, he has, just find the video of him screaming at Pharrell to play “Mr. Me Too” at a N.E.R.D. concert. Malice spoke truth in his verse. Shows you that even though he turned his life to the man upstairs, don’t mistake kindness for weakness.
- So Be It
Produced by Pharrell Williams
Clipse told yall what a lot of us already knew…
Travis Scott is an asshole.
You cried in front of me, you died in front of me
Calabasas took your bitch and your pride in front of me
Her Utopia had moved right up the street
And her lip gloss was poppin’, she ain’t need you to eat
The ‘net gon’ call it the way that they see it
But I got the video, I can share and A.E. it
They wouldn’t believe it, but I can’t unsee it
Lucky I ain’t TMZ it, so be it, so be it
The funny thing is, yes, Jackboys 2 went number one. Yes, this will not hinder Travis’s popularity. The one thing people forget is that the point of these disses, are to remind you, your favorites ain’t always who you think they are. I’m so glad that this version is the one on streaming because I was upset when this wasn’t on platforms at first and then the initial release had a different sample and it didn’t hit like this one did.
But, all is right with the world and this will be one of my most bumped songs of the year, whether the stats show it or not.
And has me wondering…
…that Jay-Z verse has got to be in the works right?
- Ace Trumpets
Produced by Pharrell Williams
I still don’t like that “pee-pee” line but this set everything up for what we would get and this is vintage Clipse. My first initial listen of the song was just me being happy that Malice was back. I haven’t stopped bumping this song since it came out.
6. All Things Considered
Featuring The-Dream & Pharrell Williams; Produced by Pharrell Williams
Out of the six songs, this is my least favorite. It’s a little more understated than the previous tracks, but this is really just to settle things down before they hit us over the face again with a Mike Tyson blow.
-
M.T.B.T.T.F.
Produced by Pharrell Williams
The folks over at Dead End Hip Hop are fucking tripping. This production knocks! I’m literally moving my head the same way I did when I heard this snippet over a year ago. It’s like the soul of Biggie was reincarnated through Push and Malice as I can picture this coming out in the 90s during the Bad Boy era. -
E.B.I.T.D.A.
Produced by Pharrell Williams
Luxury rap at its finest. I would say in this case, the production is doing more of the heavy lifting on this track, while the Thornton brothers are a little more relaxed. Dare I say, this is a song for the “casuals”? -
F.I.C.O.
Featuring Stove God Cooks; Produced by Pharrell Williams
Stove God Cooks somehow always steals the show by doing the least.
Wit a fetti so strong you gotta bag it wit one eye closed
Shout out to Fetty Wap.
Like I said, Dead End Hip Hop is buggin’. Those hipster dipshits at Pitchfork are on the blow. They probably got it from Clipse. My head is nodding back and forth while I’m screw facing the whole time from this beat. Flow is consistent throughout the track. This is one of my go-to’s from this album.
- Inglorious Bastards
Featuring Ab-Liva; Produced by Pharrell Williams
Them infamous Clue drops.
A Re-Up Gang reunion with Ab-Liva. Them “Culturally Inappropriate” ad-libs I could’ve done without being spread all over. They kind of take me out of the song a bit with how distracting they can be. Outside of that, this song made me wanna go back to my burned copy of We Got It 4 Cheap, Vol. 2. That was a glorious summer.
-
So Far Ahead
Featuring & Produced by Pharrell Williams
People need to understand that Clipse never have to work alongside any other producers. Don’t make another Til the Casket Drops (I still like the album, though!). The chemistry between Clipse and Pharrell (and Chad back in the day, work things out y’all!) is second to none. Only Pharrell can pull off a falsetto while shitting on us broke niggas. -
Let God Sort Em Out/Chandeliers
Featuring Nas; Produced by Pharrell Williams
AGAIN. What the hell are these niggas wit nigga ears talking about when it comes to the production not knocking? A C+???….A 6.5??? And you rate Sexyy Red higher, Pitchfork???
I feel like this song is the last thing you hear before they close the trunk on you as you ride to your impending doom. And then Nas comes in as the victory lap while they celebrate at your grave.
- By the Grace of God
Featuring & Produced by Pharrell Williams
This is the victory lap. After 15 years of following different paths, prioritizing different factors in life, they made it. They returned to put niggas on notice and Pharrell caps it off with his hook and the album closes. Man… I love Hip-Hop.
BOTTOM LINEI’ll keep this short (HA!). For those that are in the know, quality in rap music has never gone away, you just have to look far and wide for it. I may be able to help with that… stay tuned.
However, in the “mainstream”, a reset has been brewing, a shift has been needed, a balance has needed to be restored. People are talking about lyrics again, because of this album (and a previous rap battle that I’m quite tired of talking and hearing about). Not only that, but this album proves that you can be well into your 40s and 50s and drop arguably the best material of your career. Nas proved that with his King’s Disease and Magic series. You have veterans all across the board, dropping solid material this year alone. Then you have this. To drop an album this great where even the low lights are still considered dope, is something that only the Thornton brothers alongside their longtime friend and producer could do.
Rappers, content creators, pundits, bitch ass streamers are going to try their hardest to downplay this album and the rollout behind this album, but there is a reason why Def Jam/Biebervelli decided to drop a surprise, colonized R&B album the same day as Let God Sort Em Out. There’s a reason Travis Scott decided to release that Jackboys 2 album and despite it selling more, knowing good and damn well, this was a throwaway filler album at best. The older I get, the more I realize, I can only have my mindless, turn-up bullshit at a minimum. It’s junk food. Let God Sort Em Out is nourishment. Shout out to Clipse, shout out to Pharrell, y’all made an album I’m gonna be bumping the rest of the year and for years to come. If they don’t like it… “so be it, so be it.”
“Bad and boujee” is a phrase that gets thrown around a lot, but it fits Cyan Boujee perfectly. We welcome this African queen to the Certified Banger section. Check out the images below.
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And just like that, Tyler, The Creator drops a new album. On a Monday. Why not?
DON’T TAP THE GLASS is a 10-track project Tyler says is “MADE FOR BODY MOVEMENT,” basically, it’s music to dance to. No alter egos, no skits, just Tyler making the type of energetic, groove-heavy tracks that feel right for the summer.
Along with the album, he also dropped some self-directed visuals for the track “STOP PLAYING WITH ME.” It’s simple but effective: Tyler, a giant speaker, and random cut-ins of LeBron James, Clipse, and Maverick Carter. And somehow, it works.
Check out the music video below.
Raya is the rare combo of beauty, beats, and body. A fitness influencer who doubles as a DJ? That’s a cheat code. We like music. We’re out of shape. So yeah, this just works for us.
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Update: Added the music video for “1995”
So the rumors and the Japan-themed Alfredo 2 artwork were right, huh? I mentioned in our newsletter not too long ago that I was hoping we’d get Alfredo 2 soon, and it looks like that’s exactly what’s happening. Freddie Gibbs and The Alchemist just dropped a short film titled Alfredo: The Movie.
The film takes place in Tokyo, and without spoiling too much, it features a fight scene, a training montage, some hilariously bad acting from The Alchemist, and yes, mascots getting slapped. What more could you ask for?
I kind of wish we got more music in the film, but we do at least hear a snippet of “1995” (which literally dropped in full while I was typing this). Alfredo 2 is dropping on July 25th.
Check out the Nick Walker-directed short film below.
Pusha T & Malice deliver the second visual from Let God Sort Em Out with the Kendrick Lamar-assisted “Chains & Whips.” Easily one of the most anticipated songs on the project, so it makes sense the duo gave it the video treatment. Still, it would’ve hit different if Kendrick actually showed up in the visuals.
Directed by Gabriel Moses, the video leans into the same street-art-meets-social-commentary energy we saw with “So Be It.” It’s stylish, raw, and unapologetically heavy, offering up symbolic shots that highlight Black American struggles without spelling it all out.
Check out the video below and stay tuned for our full review of Let God Sort Em Out.
Clipse just dropped their first album in 16 years with Let God Sort Em Out, and the press run has been a textbook example of how older rappers should handle a comeback. Just today alone, we’ve seen Pusha T and Malice on The Breakfast Club, a Complex cover story, and now this: a Tiny Desk Concert.
The Virginia duo ran through tracks from the new album as well as some classics, but the highlight? A live performance of “Grindin” complete with the iconic lunchroom table beat. You already know what time it is.
Check out the full video below.
After a 16 year hiatus and with no go-to band in place, Clipse’s Tiny Desk took lots of time to piece together. At first, I didn’t know exactly what they were looking for in terms of sonics, but it clicked when I was told what they didn’t want: no jazzy renditions of their music. They meant no disrespect to jazz at all, and if you follow the duo’s music, it boils down to hard drums and even harder synths. Hybrid drummer Daru Jones, who played on last year’s Tiny Desk for the LOX, was the first choice because of his unique ability to mix traditional and electronic drum sounds. He provided the authenticity needed for this set, and everything else fell into place.
The excitement for the Thornton brothers’ return reached its apex instantly as someone in the crowd yelled “Oh my god!” at the opening note of “Virginia.” There was no lull as the band coasted through “Keys Open Doors” and “Momma I’m So Sorry,” from Clipse’s most celebrated album, Hell Hath No Fury. I found so much to analyze witnessing the dichotomy between Pusha T and Malice up close. Malice is more collected in his movements, intensely scouring the room with his eyes while his brother is much more animated, even letting out a sinister laugh mid-set. Recorded weeks ago, the two performed songs from their new album Let God Sort Em Out for the first time, including a chilling dedication to their deceased parents, “Birds Don’t Sing.” Before the tears from the crowd could dry, we got the moment we’d been waiting for in “Grindin’.”
The first half of the year in hip-hop hasn’t been the most exciting, so the timing of this reunion couldn’t be better. Here’s Clipse delivering its best live performance ever recorded and one of the hardest Tiny Desks of all time.
We randomly took a week off, so it’s only right we come back strong. And what better way than with the undeniably beautiful Vicky Lauren? Check out the images below and fall in love like we did.
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Note: This is the web version of the nappyafro Newsletter, which usually goes out by email. We’re posting it on the site this time just to switch things up (probably just this once). The newsletter in it’s original format is here and if you haven’t already, you can subscribe to the newsletter right here.
A fresh new edition of the nappyafro Newsletter: Your guide to what’s happening with nappyafro, along with some stuff we’re watching, reading, playing, and whatever else we’re into right now.
REVIEW: THA CARTER VI
It’s been a few weeks and the public blowback has basically blown over, but yeah, Lil Wayne’s Tha Carter VI is not good, and our album review by MTHFKA Jones pretty much says just that.
The next album review on nappyafro will probably be Clipse’s Let God Sort Em Out or (if we’re lucky) Alfredo 2 by Freddie Gibbs & The Alchemist.
But before that, check out our Tha Carter VI review.
WATCHING MOVIES & SHIT
I’ve been cataloging my movie watching on Tumblr since before Letterboxd was a thing (though I still use Letterboxd too). Lately, I’ve been converting over 1,500 movie posts, one by one, into a proper website.
And it’s been a thing.
Check out watchingmoviesandshit.com, the Instagram, the Twitter, hell—there’s even a shirt.
RECOMMENDATIONS
It’s been a while. Here’s some recommendations. (And yeah, I threw in some bonuses too.)
MOVIES:
Magazine Dreams (2023): It’s a damn shame what happened to Jonathan Majors. In another world, this role would’ve gotten him an Oscar nomination. Luckily, the guy who owns Tubi got the rights and pulled it off the shelf, so now we all get to see this great performance.
The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr (2002): Not the upcoming Rock movie (where he seems to really want respect for his acting), but the original 2002 documentary it’s based on. Watch this first.
TV SHOWS:
Solo Leveling (2024–): As much of a geek as I’ve been called in my life, I’m not that big of an anime fan. That said, I really like Solo Leveling. The animation is fire, and it scratches that old-school JRPG grind itch of leveling up, getting OP, and all that good stuff.
Win or Lose (2025): Pixar’s first “TV show” kinda came and went, but it’s actually a good watch. More mature and complex than I expected.
VIDEO GAMES:
Ghost of Tsushima (2021): I’ll always be the guy playing games way after they drop. Add Ghost of Tsushima to that list. I loved it. And I finished it just in time for Ghost of Tsushima 2 (which I’ll also wait too long to play).
Dead Space (2023): Just beat the remake recently. I never finished the original, but this version is way better.
Switch 2 (2025): The new Switch 2 is solid, but after playing Mario Kart World, I kinda wish I’d waited for more games to drop. (And no, Donkey Kong Bananza ain’t enough.)
READING:
Sky Full of Elephants (2024): Check this premise: One day, all the white people on Earth wake up and drown themselves. The rest of the world tries to figure out what happened and what to do next. You’re probably not seeing this on HBO anytime soon. (But I hope I’m wrong.)
The Kids (2025): Another wild premise, but this time it’s a comic book: Every kid under the age of one suddenly turns into a grown adult with baby brains. Shit gets crazy.
BUY THIS SHIRT
They took down our Lil’ Kim shirt (R.I.P. to one of our bestsellers), but it’s cool. We’ve still got heat like this one that looks like the Krispy Kreme logo. Sweet.
AND LASTLY* Always check out nappyafro.com * Check us out on Instagram, Twitter, YouTube, TikTok, & Twitch * Join our Patreon and see some cool stuff * Check out our store and buy something
Thank you. Continue to support the team.
Salute,
B-Easy
GIF OF THE DAY
Update: A$AP Rocky apparently “unreleased” and made the music video private.
While we all continue to wait for the release of Don’t Be Dumb, A$AP Rocky drops off a new joint and visual with “pray4dagang.”
This one’s a stark contrast from his earlier, more braggadocious singles—it’s slower, more emotional, and hits a different nerve. KayCyy sets the tone with a melodic and vulnerable intro, and Rocky follows up with bars that touch on loyalty, fame, and the weight of carrying your people.
The visuals, directed by Marius Gonzalez, are stunning, like a mix between a Renaissance war painting and a streetwear ad campaign. Bombs, torches, group poses… it’s cinematic as hell and full of symbolism.
It’s definitely worth a watch. Check it out below.
https://youtu.be/-3slepL5VwQ?si=3vomJzk5W3HhRgdS
Drake drops a new track in the form of “What Did I Miss?” via a livestream called Iceman: Episode One.
The premiere was part live, part cinematic; think ice blocks, guns on tables, a branded Toronto van doing slow drives through the city. It’s all very calculated and dramatic. Aesthetically, this was more Sicario than Certified Lover Boy.
I’ll let everybody else break down the lyrics (like “I saw bro at The Pop Out with them but been dick riding gang since ‘Headlines’”) and the usual Drake themes of betrayal and loyalty. Some folks are already calling this “standard Drizzy.” Me? I like it. The beat’s icy, the delivery’s cold, and it fits where he seems to be headed.
So yeah… looks like Iceman really might be the name of the next album.
You may never come across a name more misleading than Underrated Lee. Who in their right mind is underrating her is beyond us but here we are. See for yourself. Check out the images below.
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Let. Me. . Make. . This. . Clear. !
Don Trip & Starlito put out one of the best albums this year. They have been promoting the fourth entry in their Step Brothers series with interviews, visuals, and a documentary. More recognition has been deserved and earned.
Today, their Soulja Slim-inspired song, “Mitchell & Ness” gets a visual treatment that would have gotten the Tennesse duo a spot on the countdown of 106 & Park. Sit back and reminisce on the days spent at the roller rink eating Airheads and playing Tekken before you skated off to the floor as soon as you heard your favorite song playing.
Bonus For The Wrasslin’ Fans: “Royal Rumble”
XXL just dropped their new Freshman Class for 2025. While I continue to question if we even still need list in today’s era, it still serves as an annual reminder of how old and out of touch I am when it comes to recognizing these new rappers. Let’s go:
Ray Vaughn: See, I know Ray Vaughn because he’s signed to TDE and just got into that beef with Joey Bada$$ (I even like that “Hoe Era” song).
BabyChiefDoit: When I first saw the XXL cover, I thought this rapper’s name was BabyChiefFoot and that made me mad for some reason. It’s actually BabyChiefDoit. And no, I still don’t know who this is. Probably a drill rapper? Is that still a thing?
Eem Triplin: I kinda know Eem Triplin because I heard a song once and thought it was 4Batz, but it was him. Is he the singing dude of this class?
1900Rugrat: I know 1900Rugrat from the “One Take Freestyle” that went viral last year. Is that his biggest song? I even know a couple of lines because they’re hilarious (“Yellow wide-body Hellcat look like a school bus”). This might be a white rapper we don’t have to worry about crossing over into country. But you never know.
Samara Cyn: Nothing. I thought this was Cyn Santana and got excited. I don’t know this person.
Ian: I kinda know Ian, but I feel like his time already came and went especially after Tyler, The Creator dissed him. I also always get him mixed up with Lil Mabu, so I could be completely wrong about all of this.
Gelo: We live in a world where, LiAngelo Ball, a former NBA G Leaguer is the biggest name on the XXL Freshman Class. And I’m okay with that. Props to him. But it feels like he needs another song besides “Tweaker” to shake that one-hit-wonder label. Do your job, Def Jam!
Loe Shimmy: I’ve heard of Loe Shimmy because he had that one song with Brent Faiyaz, but that’s about it. He’s giving main character energy on the cover though like he’s the biggest star in the class. I appreciate that.
Lazer Dim 700: Nah, I don’t know Lazer Dim 700, but early favorite for best name in the class. Extra points because it sounds like a character from The Boondocks.
YTB Fatt: Another rapper I have no knowledge of. I feel like I might’ve heard a song or two from him, but that could just be the generic rap name throwing me off. No diss though.
Nino Paid: Yeah, I’m putting up bricks now. I don’t know this person at all.
EBK JaayBo: I know EBK JaayBo and that one song “Boogieman,” (It made our Best of 2024 list) but it feels like I know him more for getting locked up and No Jumper interviews.
Dallas, Texas has had an interesting week. Gillie & Wallo interviewed the “New Dallas” movement on Sunday. Tuesday, BigXThaPlug shut down a bridge downtown during rush hour to film a music video with Shaboozey. I guess you can do that now after being the biggest reason why a song is listenable on Tha Carter VI.
Thursday was Juneteenth. S/O to Ms Opal Lee, the godmother of America’s new favorite holiday. I didn’t join her annual walk, but I did go see the General’s Orders that traveled to Galveston, Texas to proclaim the freedom of the last enslaved.
Today, a young artist from the Oak Cliff side of Dallas released a music video for his new single to give a visual representation of his hometown, culture, and mentality. Directed by FilmsByProphecy.
Enjoy “Hey How Ya Doin (Swim Or Drown)” by OC Chris!
This edition of Certified Banger goes out to all the beautiful women with thick thighs; especially the stunning Avi Rossum. We see you. We appreciate you. We love you.
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Vic Mensa?? The dude from The Chi? Yeah, I just started episode 3 of the new season. What he did?
Chat! Victor reminds us that he is one of the best rappers from Chicago with a song and dedicates the 3rd verse to his son, Mansa Musa Mensa. Fellow Chicagoan, Mick Jenkins performs the 2nd verse while under the pressing of being locked in the stocks. No Matter the obstacle they share “The Word.”
If this year has proven anything is that our OGs in Hip-Hop are going out real sad. All Kendrick Lamar did was put a sensitive rapper back in his pajama clothes and all the senior citizens are losing their collective shits. Hating, backhanded compliments, goal post pushing. But no one is going out sad more than Dwayne Carter aka Lil Wayne.
It all started the moment it was announced that Kendrick Lamar was performing at the Super Bowl Halftime Show. The floodgates opened for more bitching and moaning than congratulations all because of one thing. The Super Bowl was in New Orleans… Lil Wayne’s hometown.
I stand by this, that the only reason people wanted Lil Wayne to perform at the Super Bowl and not Kendrick had nothing to do with his legendary status or his extensive catalog or because of home turf advantage, it was all so Drake could get a W through his mentor, by any means necessary. It didn’t work. Kendrick Lamar killed it, broke numerous TV and streaming records and all Wayne could do was get on a lotion commercial promoting Tha Carter VI.
Now my expectations for this album was very low, mainly because I’ve reached the point where I’ve outgrown Lil Wayne. Wayne hasn’t really put out quality…anything in years. Put him with the right rapper and you’ll get a dope feature verse here and there but outside of that, my last bit of interest in Weezy was back in 2011 around Tha Carter IV and although that album has aged like milk left out in the sun too long, I still have fond memories of that time. Tha Carter V came and went to me outside of a few songs and Funeral, much like the pandemic I wanna forget about altogether. So, for all that crying, we better get a great album. Did we get it?
1. King Carter
Produced by Manny G, Chris Townsend & Lil Wayne
It’s the intro.
- Welcome to the Carter
Produced by ONHEL
This gave me hope. Wayne is rapping like he has a point to prove, like he’s been counted out for too long and he’s back to prove the naysayers wrong and at this moment I’m thinking…
“Maybe this album won’t be that bad…”
Until…
-
Bells
Produced by Lil Wayne & Manny G
So this is the “Uproar” of the album. Take a classic rap song and Weezy it all up I suppose. The problem is, this is “Rock the Bells” bro. I don’t need an update. The original is fine. This song hit like bar bells….and then you’re left with a concussion and you’re trying to figure out what the hell happened to you. -
Hip-Hop
Featuring BigXthaPlug & Jay Jones; Produced by Infamous, Ben Billions, Einer Bankz, & Synco
The song is not bad but I just don’t have anything to say that is noteworthy. Alright let me say something nice, umm…BigXThaPlug’s voice is cool…………pause. -
Sharks
Featuring Jelly Roll & Big Sean; Produced by Boi-1da, Fierce, & Coleman
I am not okay…I’m barely getting by….listening to ANOTHER Jelly Roll feature. And I have to hear him in three different formats (Hip-Hop, country, and rock). But here’s the thing…this chorus may get stuck in my head. Wayne is on autopilot and Big Sean is rapping on his “Fuck the Big 3, it’s just BIG ME!” shit. He too old enough to have them voice cracks though. Drop your balls, Sean! Pause.
The more I hear this, the more I don’t mind it, but that initial listen was rough. I’ll say passable here.
But the conspiratorial bar about kids with no gender gets points taken off. Grow up, Dwayne.
- Banned From NO
Produced by TheNightAftr & Kamo
You know what’s crazy? He has a song where he is freestyling over the original “Banned From TV” beat off of No Ceilings. I would much rather go to that, instead of whatever this is here.
Sidebar: Nicki Minaj’s verse on the remix….yeah, this girl is washed, bathtub.
- The Days
Featuring Bono; Produced by RedOne & DVLP
“XXX” off of Kendrick Lamar’s DAMN. was a surprise on how good it was, but I stand by this, Bono needs to stay far away from Hip-Hop as he possibly can. You will definitely hear this song on car commercials and recap packages for whatever WWE premium live event is coming up, but man….this song lacked edge…..get it?
Also, Wayne….what were you doing in Manhattan on 9/11?
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Cotton Candy
Featuring 2 Chainz; Produced by Manny G, Swede, & Lil Wayne
I am not a fan on this sample and a song like this reminds me of the elements of Tha Carter series that I don’t like. But 2 Chainz gave me a chuckle here and there with his verse so I’ll give it a pass. Don’t expect me to go looking for Collegrove 3 anytime soon though. -
Flex Up
Produced by Rex Kudo, Charlie Handsome, & Bobby Raps
This song is the textbook definition of saying a lot and saying a lot of nothing all at the same time. -
Island Holiday
Produced by Manny G, Julian Munro, & Lil Wayne
I will never forgive y’all for letting Wayne think he’s a rock star. I’ll never forgive Wayne’s team for clearing that Weezer sample. I’ll never forgive myself for playing this song in its entirety on my walk through the neighborhood. It’s not cute, it’s not clever and it is just a further reminder that Lil Wayne does not exist anywhere but in his own echo chamber where only he and what he likes matters. NEXT. -
Loki’s Theme
Produced y DJ Clue, Rizzo, Amiri, Julian Munro, & Manny Galvez
This was almost salvageable. I like the west coast bounce even though him still playing Blood on records in 2025 is laughable. But towards the end it turns into this generic rock song and it’s so sudden, you would’ve thought Kevin Rudolf pulled up from obscurity, socked the producers in the mouth and said “Yo Tune, I got you!”.
12. If I Played Guitar
Produced by MarcLo & Midi Jones
Aight, Kevin. You can leave the studio now, your services are no longer needed here. It is not only Wayne abusing the Auto-Tune button. It is not only Wayne sounding like Jack Johnson if he strolled through Hollygrove and got lost. Wayne just doesn’t know how to write a somber song or a love song without having something in here that makes him sound fucking ridiculous.
- Peanuts 2 N Elephant
Produced by Lin-Manuel Miranda
This Crash Bandicoot meets Ace Ventura ass beat.
Lin-Manuel Miranda… Fuck. Right. Off.
- Rari
Featuring Kam Carter; Produced by Wheezy & Bobby Raps
I will not insult a child.
But I will say this though. As generic as this song is, it’s definitely better than “Island Holiday” and “Peanuts 2 N Elephant”. But it’s still autopilot for Weezy, content-wise.
- Maria
Featuring Andrea Bocelli & Wyclef Jean; Produced Wyclef Jean, Lil Wayne, & Wavie Boi
What are we doing here? Rapping over “Ave Maria,” that’s what!
Everything about this song is just bizarre. Wyclef sounds like he’s just there, the opera sample is very distracting and at least Wayne sounds competent here…even if slightly. Hearing Wyclef had a major part in this album is not surprising because that only speaks to Wayne being stuck in a bubble. The last time these two worked together was what? 2007? The last time Wayne was great….makes sense.
- Bein Myself
Featuring & Produced by Mannie Fresh
I’m floored… this song is not bad?
The production is cool and the rhyme scheme is competent. Wayne stays somewhat on topic until the second verse where he goes right back into how much pussy he eats. Also, the songs starts to falter in that second hook where he starts thinking he’s a Martian again.
It’s not bad but it’s not good either. It’s passable at best.
- Mula Komin In
Featuring Lil Novi; Produced by AdamsAwake & Keyboard Kid
We’re already off to a bad start. I don’t know who this Lil Novi dude is but he definitely sounds like AI Playboi Carti. Maybe Timbaland can sign him.
Some of yall that slather your voice in Autotune, I need yall to know…YOU’RE NOT SINGERS!!!
I’m not even gonna stick around for Wayne’s verse because there is no saving this. Is it unfair, sure…but it’s my review so deal with it. PASS.
- Alone In the Studio With My Gun
Featuring MGK & Kodak Black; Produced by MOD SUN & No Love For The Middle Child
MGK back to reapplying for his hood pass here. Wayne sounds alright here but Kodak Black…is Kodak Blacking here. Which further raises the question…is Kodak okay?
Check on him please.
I don’t mind this song but the bar has been dragged so low here that even a compliment sounds like an insult.
- Written History
Produced by Wheezy, Alex Lustig, & Harley Arsenault
When Wayne is motivated, he’s up there with the best of them and I think this track shows it. I think this is a cool way to close the album and definitely reminds me of a time where I thought to myself
“Maybe this album won’t be so bad…”
But it’s too little too late.
BOTTOM LINEThis album confirmed what I had figured out since 2010. Lil Wayne is a bad rapper.
Now I don’t mean bad as in his skill set, like I said, when Wayne wants to (when he’s not fried out his god damn mind) he can hold his own if not be better than your favorite rapper’s favorite rapper, but here’s the thing, this is someone who doesn’t want to change. This is someone who doesn’t want to evolve. Jay-Z, Nas and others in the late stages of their careers made their most mature work and reminded people that you can be at your age and still talk in a way where your peers can relate to you in addition to the younger generation catching gems here and there. Lil Wayne is in his 2nd childhood. He’s never adapted because he didn’t have to. All because his fan base of lean sippers, weed heads and YNs didn’t allow him to. Wayne is well into his 40s and rapping about the same nonsense he rapped about in his 20s. At some point, you have to wonder, is there more than you than just rapping, skating, drug use, and bitches? Apparently not.
Tha Carter VI is proof that not only has the self-proclaimed “Best Rapper Alive” lost his touch but further confirms that Lil Wayne only pays attention to Lil Wayne and in a genre where trends and styles switch up as quick as the seasons, you end up stunting your own growth. However, the reality is, Wayne’s growth has been stunted for a long time….we’re just finally waking up to see it. Kendrick Lamar didn’t kill his career, much like Aubrey Graham, Lil Wayne’s downfall is self-inflicted.
Weezy F. Baby… the F is for finished.
“Welcome to the Carter” is the only song I like… but that’s not saying much.
As we edge closer to the July 11 release of Clipse’s new album Let God Sort Em Out, Pusha T and No Malice drop another dark street anthem, this time with visuals. Over a haunting Pharrell Williams beat, “So Be It” delivers exactly the gritty, shadowy energy you’d expect from the Virginia duo. The black-and-white clip, directed by Hannan Hussain, perfectly matches the track’s stark aesthetic. And yes, there’s a swipe at ~~Kanye~~ Travis Scott but I’ll let you be the judge.
Let God Sort Em Out lands July 11. Watch the video below.
We took a week off, but we’re back and we brought a banger with us. Say hello to the beautiful Naudia Donald. Yeah, it’s good to be back. You’re welcome.
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Thanks Erica Banks!
A few months ago, Dallas rapper, Erica Banks had a show in the city featuring some of the best homegrown talent. Dorrough, Tay Money. Hashi Senjoo, Big E, Yung Nation, and many others hit the stage that night providing nostalgia and the soundtrack for new memories . Besides everyone’s phones, the night was also captured by Love & Hip-Hop: Atlanta’s cameras for a future episode. It’s been over a decade since cameras came and captured the D-Town Boogie movement at Big T Plaza. The DFW metroplex is overdue for another spotlight.
Inspired by this act, I sought out to find the best music/artists to listen to for a showcase of what it feels like to be in North Texas. I’m from Shreveport, Louisiana, but after over a decade driving down 635, 75, 30, 80, 45, 35 and I-20 when I need to revisit how far I come, I’m glad to call this part of Texas home.
“Louisiana runs in my blood to pump a Texas heart.” – Hashi Senjoo
SPOTIFY
TIDAL
YOUTUBE
Things Done Changed
After riding around Atlanta with the Isley Bros, the Hair Weave Killa gets dropped off at home to take a walk down memory lane with the walking Recession Indicator, Ne-Yo.
Thanks, Titty Two Necklace. This is Grown Man Rap! Have A Good Tues-Chainz-Day.
Kush & NPR
Taylor Gang or … Insert 1000 & One Ways To Die Here. Remember when the internet was fun? Anyway, one of the Blog Era’s best rolls up to NPR’s Tiny Desk.
Happy Black Music Month!
This Black Music Month, Tiny Desk honors the anniversaries of landmark albums that have shaped the course of music and culture.
Wiz Khalifa’s Kush & Orange Juice came out 15 years ago. To honor the anniversary, the Pittsburgh emcee assembled a group of Tiny Desk veterans, Pennsylvania natives and his DJ to reimagine highlights from the classic mixtape, plus tracks from Kush & Orange Juice 2, its similar, yet more mature follow-up.
Something was happening during the entire show and lots of us in the room could feel it. We were waiting for him to engage with us, but he didn’t. I stepped in after a few songs to remind him that it was OK to do so — still, nothing. But then, after “Crime Bud and Women,” Wiz spoke to the audience for the first and only time, wiping away tears: “You made me cry. F*** y’all!”
I can muster up a few guesses as to why the emotion overflowed. Wiz had a host of family and friends present in this very intimate setting, including his father. And he did tell me how much he loves performing. But honestly, this sonic masterpiece was good enough to hit the tear ducts.
SET LIST
“Red Eye”
“Mezmorized”
“The Kid Frankie”
“Never Been”
“Up”
“Crime Bud and Women”MUSICIANS
Wiz Khalifa: vocals
Kenneth Wright: music director, bass
DJ Bonics: turntables
Uncle Bubz: keys
Russell Gelman-Sheehan: guitar
Kendall Lewis: drums
Have you listened to Tha Carter VI yet? Did you love it?
Well it doesn’t matter because I’m going to share the sample from the best song on the album.
Dionne Warwick’s 1973 album features the opening track, “You’re Gonna Need Me.” That song has been used in songs by Usher, Lil B, Fabolous, J Dilla, and more. The great Mannie Fresh chose to take the title track of Ms. Warwick’s 16th album to create #16 on Mr. Carter’s fourteenth solo album. I just knew before I heard the original song that I was going to learn that it was used in the same fashion Kanye produced “Otis” from Otis Redding’s “Try A Little Tenderness.” A great producer knows when to let the sample breathe on its own without adding too much. Smart Move, Mr. Fresh. S/O to the H-D-H team for creating the production.
Enjoy! Have A Great Week!
Gloria Meets Keyshia
New nose, bad IG Story shares, wardrobe malfunctions at weddings, but where is the music that keeps Gloria in the headlines?
The new single “Typa” from the new Queen of Memphis flips the classic “Love” song from Frankie’s daughter. While celebrating the 20th anniversary of her debut album, The Way It Is, Keyshia Cole is able to meet with GloRilla to give some wisdom on romantic relationships. Whether it’s worth following or ignoring is up to her and the listeners.
Let The Trumpets Blow!
We really have to wait until July 11th?!?!?
Clipse made their return Instagram official with a picture in front of the Roc Nation logo and the promo run has been on ever since.
We got the trailer for the album and the first single, “Ace Trumpets” last Friday. This week started with a GQ interview with Frazier Tharpe on Monday that has tidbits for streamers, podcasters, and writers to feed their audience with opinionated content for the week. Family, Def Jam, distribution deals, Ye, Drake, Kendrick, lawsuits, Jim Jones, etc make a really sharp interview and recommended read from the writer and the interviewees, the brothers from VA.
Today, we have the lyrics video with even more Black cultural references and Easter eggs to what Pusha Ton & No Malicious have coming soon on Let God Sort Em Out.
Vivica A. Fox Would Be Proud.
Now that most of the inmates have been recaptured, Ratchet Lo makes the 5-hour trip from Shreveport to New Orleans to cosplay as a Hot-Boy, post up in front of a Soulja Slim mural, and pay homage to two Louisiana anthems. Juvenile’s “Set It Off,” produced by Mannie Fresh and Boosie’s “Set It Off,” produced by Mouse On Tha Track, lay the foundation for one of Louisiana’s newest stars to show and prove.
Directed by Wookie.
S/O to them for getting an intro starring Korey With A K.
ALSO, Ratchet Lo went across the state lines to collaborate with one of Dallas’s newest stars, Hashi Senjoo, for the remix of “Circle K.”
YAY AREA!
This is how you start the celebration of Black Music Month.
Vallejo’s Finest stops by the NPR offices to teach those uneducated how a multi-decade career in Hip-Hop looks.
Bay Area ambassador E-40 moves with the energy of an up-and-coming emcee, but he’s been around a minute. To put it 40 Water’s way: “I’ve been doing this since Kermit the Frog was a pollywog!” Our biggest hurdle to clear was packing in three decades of music at the Tiny Desk, but 40 Fonzarelli and his band clocked weeks of rehearsal to make sure this office was rockin’.
E-40’s sophomore solo album In a Major Way dropped in 1995, one of the most competitive years in hip-hop history, with certified classics dropping weekly by the likes of 2Pac, Mobb Deep, Goodie Mob, Bone Thugs-n-Harmony, Ol’ Dirty Bastard, Raekwon and GZA. Straightforward and plain has never been E-40’s nature, and that left-of-center spit has been the thing that has sustained his illustrious entertainment career.
At the Desk, Charlie Hustle sets things off with “Da Bumble” from In a Major Way and continues to bounce through a catalog of big hits sprinkled with nods to his day ones. Producer Lil Jon brought him back to the mainstream in the early 2000s with “Tell Me When to Go,” “U and Dat” and “Snap Yo Fingers,” while TikTok injected new life in “Choices (Yup)” and introduced him to Gen Z. “I’m on my fourth wind!” 40 tells us. No lies told.
SET LIST
“Da Bumble”
“Yay Area”
“Sprinkle Me”
“Captain Save a Hoe”
“Snap Yo Fingers”
“U and Dat”
“Choices (Yup)”
“Hope I Don’t Go Back”
“1-Luv”
“Function”
“Tell Me When to Go”MUSICIANS
E-40: vocals
Kev Choice: music director, keys
Bosko Kante: music director, background vocals
Martin Luther: guitar, background vocals
Howard Wiley: saxophone, EWI
Marcus Phillips: bass, keys
Dame Drummer: drums, background vocals
Silk-E The People’s Champ aka Sherri Stack-A-Grip: background vocals
DJ KMP: DJ, background vocals
Deedee Tsegaye is a beauty who loves to travel, and yes, she looks amazing in a swimsuit. With the handle @deethiopian, we’re guessing she’s repping Ethiopia—which makes sense when you think about it.
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This Song of the Week is brought to you by me hitting shuffle on my 5 Star ~~iTunes~~ Music app playlist… and also the fact that the site needed content. So yeah.
“Black Republican” marked the first collaboration between Nas and Jay-Z after their legendary beef—arguably one of the biggest in Hip-Hop history. Could we ever see something similar happen between Drake and Kendrick Lamar? Who knows… but maybe.
Back to the track: I remember feeling a little underwhelmed when I first heard “Black Republican.” Maybe I expected more fireworks. But revisiting it years later, it’s actually a fitting moment for two rap icons squashing the drama and getting on the same page. The Wyldfyer & L.E.S. production sounds even more epic now—like it aged into something grand.
For those keeping score at home, Jay-Z had the better verse here and kinda out-charisma’d Nas from the intro (“Just start dancin’ in this muh’fucka…”), but that’s not discounting Nas, who also turned in a strong verse.
Additional thoughts:
This definitely should’ve had a video. It wasn’t a commercial single for Hip Hop Is Dead.
Speaking of Hip Hop Is Dead, we gave the album 4 Stars (What’s up Blood?!), and “Black Republican” is the best song on there.
Since this track, Jay-Z and Nas have linked up a few more times (“Success,” “BBC,” & “Sorry Not Sorry”) but this one still feels like the moment.
Lil Wayne and Juelz Santana once flipped the concept and dropped a freestyle over the “Black Can’t turn my back on the hood,Republican” beat, which kinda felt like a diss. I always refer to it as “Black Democrats.”
Check out the Song of the Week below:
If Red Bull Spiral Freestyle is going to be a regular thing, count me in. While The LOX’s appearance probably won’t make as much noise as the previous one featuring Big Sean, Joey Bada$$, and Ab-Soul, this one is still fire.
Shot in one take at Red Bull Studios in Los Angeles, the legendary LOX (aka the most loyal Hip-Hop group ever) go in over a smooth Smiley’s People beat. The game still needs them.
Our list of favorite people named Ja just got an upgrade with the beautiful and voluptuous Ja Martins. She goes straight to the front, ahead of Ja Morant and Ja Rule.
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2 Chainz and Lil Yachty have teamed up for a new track titled “Sista Wives.” This collaboration is part of the soundtrack for 2 Chainz’s upcoming short film, Red Clay, which he co-wrote with actor Omar Epps. The accompanying back and white music video by directed by Motion Family is simple and stylish and features performances from both rappers. Check out the visuals below.
Kia Kenzie is another beautiful woman rocking swimwear in the Certified Banger section, and we’re giving her extra points for having a name with a cool twist.
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This was nice. Big Sean, Ab-Soul, and Joey Bada$$ link up to kick a freestyle over a Python P beat for Red Bull’s Spiral freestyle series. From the performances to the interactions between the MCs—and with all the verses being dope—this felt necessary. A great idea and an even better execution.
Update: Results
We’re in that post-WrestleMania phase when things cool down. But that doesn’t mean we don’t have a ~~PPV~~ PLE this Saturday—because we do, and it’s WWE Backlash. And since it looks like we’re back to semi-regularly posting about professional wrestling on nappyafro, here we are. And by “we,” I mean me—I’m not bothering the rest of The FRO Horsemen this time. Backlash doesn’t seem to have that much hype around it anyway, and Saule and GQ actually have lives.
Since it’s just me, I’ll cover all the matches on the card… all five of them. As usual, I’ll be back later to update this post with the results.
Undisputed WWE Championship Match: John Cena (c) vs. Randy Orton
Cena vs. Orton. “One Last Time.” The G.O.A.T. versus The Viper. The finale of their 15+ year rivalry. And it seems like WWE is letting heel John Cena run through his greatest hits on the way out (hopefully that includes a final face-off with CM Punk too). Even though this match is happening in Randy’s hometown of St. Louis, we all know The Viper isn’t winning here.
There are rumors that Cody Rhodes might return during this match, but that feels too early. I just hope both legends brings it—though Cena may not want to risk injury due to his Hollywood obligations.
Prediction: CENA WINS LOL
WWE Women’s Intercontinental Championship Match: Lyra Valkyria (c) vs. Becky Lynch
This feels like the setup to Becky Lynch vs. Bayley—who is definitely returning at Backlash. It makes sense for Becky to beat Lyra for the IC title and then feud with Bayley over it… but then what do you do with Lyra?
WWE has been positioning Lyra strong in confrontations with Becky, so I’m flipping the obvious script. Lyra retains, goes on to do something else with the title, and Becky vs. Bayley can happen without a belt (finally giving Bayley something meaningful to do again).
Prediction: Lyra Valkyria Retains
Pat McAfee vs. Gunther
Gunther is going to beat the shit out of Pat McAfee. McAfee might bleed and get a few hope spots in, but this should mostly be a squash. (Michael Cole will do his serious commentator voice)
And honestly? I wouldn’t mind if Goldberg came out afterward to set up a match with Gunther. Let Gunther retire Goldberg too.
Prediction: Gunther Kills Pat McAfee
WWE United States Championship Fatal 4-Way Match: Jacob Fatu (c) vs. LA Knight vs. Damian Priest vs. Drew McIntyre
This feels like a Fatal 4-Way just because WWE didn’t want to run back Priest vs. McIntyre and Fatu vs. LA Knight as separate matches on this card.
Jacob Fatu is still rising, so don’t expect him to drop the title yet. It makes more sense for Solo Sikoa and The Bloodline 2.0 to double-cross him later and take the title. For now, Fatu retains. Should be a crazy match though.
Prediction: Jacob Fatu Retains
WWE Intercontinental Championship Match: Dominik Mysterio (c) vs. Penta
Dominik just beat Penta a few weeks ago. So here’s my wild pick of the night: Finn Balor finally turns on Dom, costing him the title and giving Penta his first gold in WWE.
I like Dominik and think he’s a future world champ, but this direction makes more sense. Finn could later go after the IC title himself, and a babyface Dom could eventually win it back.
Prediction: Penta is Your New WWE Intercontinental Champion (does the Penta walk)
Backlash 2025 Results Undisputed WWE Championship Match: John Cena (c) defeated Randy Orton * WWE Women’s Intercontinental Championship Match: Lyra Valkyria (c) defeated Becky Lynch * Gunther defeated Pat McAfee * WWE United States Championship Fatal 4-Way Match: Jacob Fatu (c) defeated LA Knight, Damian Priest, and Drew McIntyre * WWE Intercontinental Championship Match: Dominik Mysterio (c) defeated Penta*
We like to think we’re showcasing art here in the Certified Banger section, so it’s only fitting that this week’s feature goes by the name ArtsLover (She also goes by Vanessa, but we’ll stick with her street name). Either way, she’s stunning—and we love ArtsLover.
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Coming straight out of Lagos, Nigeria, this week’s Certified Banger features the gorgeous and beautiful A. Omotara Gbadamosi. She’s basically art, and we have the images to prove it below.
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There’s a pattern whenever Megan Thee Stallion drops new music: She releases a new song, a new music video, I ogle at the visuals, and then immediately forget about the song. That being said, Meg’s latest video for her first solo single of 2025, “Whenever,” is at least worth a look — just don’t expect the song to break any new ground. Check out the Zac Dov Wiesel-directed video below.
Young Thug is officially back outside with a new song, “Money On Money” featuring Future, along with an accompanying visual that basically feels like a modern-day remake of Jay-Z & Kanye’s “Otis” video.
The actual song is okay—just like “Dum, Dumb, and Dumber,” I haven’t been blown away by anything Thug has dropped post-RICO case (although I did catch the Gunna diss on this one). That said, I really liked the video, directed by Kaito and Brendan O’Connor… but that might just be because I’m a fan of the original Watch the Throne visuals.
Either way, Young Thug’s upcoming album UY Scuti is supposed to drop on May 9th, so we’ve got that to look forward to. Check out the music video below.
Update: Results
Wait, is it WrestleMania already?! Yes, two nights of WrestleMania 41 are happening this weekend, and if the FRO Horsemen don’t talk about it, we might as well disband the group. So here we are: FRO Horsemen: WrestleMania 41 Thoughts & Predictions.
And while we’re as excited as ever to see WrestleMania 41, it’s reportedly gonna be nine hours per night. We already know there will be at least 13 matches across the weekend. So yeah, it’s a lot.
Let’s just focus on the big matches—and we’ll throw in some bonus predictions at the end too. Today, GQ-Blu, Saule Wright (Let’s all give him some grace this go around) and I are sharing our thoughts and predictions on WrestleMania 41. I’ll be back later to update this post with the results. ~ B-Easy
Will John Cena beat Cody Rhodes for the Undisputed WWE Championship?B-Easy – While I want John Cena to beat Cody for the Undisputed WWE Championship (I mean, who else is gonna do it?), I don’t think it’s happening. Do we even have enough Cena appearances left for him to win the title, defend it a few times, get disrespected by The Rock, and then turn face again? Probably not.
Cody’s gonna beat Cena—and it’s gonna involve some bullshit. Maybe we get a Cena redemption arc after that, but I don’t think he needs the belt for that to happen. Cody retains.
GQ-Blu – John Cena finally going heel is one of the most shocking moments of wrestling history. The one thing we never thought would happen did in the twilight of Cena’s career.
While the moment and the promos the Cenation leader has cut have been epic, the Faustian deal that Cena made with The Rock after Cody turned it down was been largely absent since Elimination Chamber. And it’s certainly been missing from this angle that feels like it would greatly help. WWE can always have a last minute run in the night of for a pop and swerve, but this feud would’ve been better served with input of the Great One and a more clear picture of what it meant for Cena to sell his soul.
Also Travis Scott still needs his ass beat for blacking Cody Luther Kang’s eye. Maybe Cody gets his get back, and the distraction leads to an attitude adjustment for the record breaking win?
Saule Wright – Cena HAS to win.
Who wins Roman Reigns vs. CM Punk (with Paul Heyman) vs. Seth Rollins?
B-Easy – Seth Rollins wins—with help from Paul Heyman.
It can’t be Punk, right? He can’t get his big WrestleMania “main event” moment and win the match. That’s too neat. And does Roman really need it? No. A heel Seth Rollins makes the most sense here.
It never really made sense for Seth to be rocking all those loud ass outfits and still be a babyface. Go ahead and give us a Heel Drip God—but with a Drip God Wise Man this time.
GQ-Blu – Another match that’s getting weirder by the minute. Just in the last 48 hours Reigns went MAGA and Punk is being called out for wrestling for Trump’s favorite Fed.
As a conscience Black man it’s always been hard to balance my love of professional wrestling with all of its racist, xenophobic, sexist, misogynistic and homophobic tropes and narratives. None of this shit is new. Trump is a member of its Hall of Fame no less. As much as we try to escape into the awesome stories of good vs evil and overcoming obstacles there’s no denying how wildly problematic the medium is and continues to be.
That being said, this feud has had troubles finding its legs. The reveal of Punk’s favor being to main event WM was at least logical, but I feel like we all know that while this is the last match of the night, it’s night one, and the real true main event is the last match on Sunday. Making Paul Heyman the bad bitch Roman and Punk are fighting over also again makes storyline sense but the stakes feel overly manufactured.
I think there was hope that Punk would use that favor to parlay into a title match and something wild would happen night two. Maybe Paul turns on both and sides with Seth? Seth wins this one.
Will Jey Uso beat Gunther for the World Heavyweight Championship?
B-Easy – Yeah, I think Jey Uso is beating Gunther for the World Title. Outside of becoming Tribal Chief, winning the World Heavyweight Championship has been the whole point of Jey’s “Main Event”/Yeet storyline.
If Gunther loses, you can easily pivot him toward the Undisputed WWE Title. But if Jey loses… what’s next for him? You gotta pull the trigger. So yeah, Jey wins. (Obligatory Yeet!!!)
G-Blu – There’s nothing else WWE loves more than getting behind African American vernacular about a year too late. But Gahtdamn props to Jey for getting YEET to cereal status and becoming an undeniable fan favorite. Questions on in ring work rate aside, Uso’s rise has been as organic as any other in wrestling history.
The build up for this match as been a little shaky, but I gotta believe you coronate Jey here and see what he can do with the rocket officially strapped to his back.
Saule Wright – I think you have to pull the trigger on this too. If for no other reason, Jey has really earned this and there is zero reason for this Gunther to remain champ.
What other matches are you looking forward to at WrestleMania 41?
B-Easy:
AJ Styles vs. Logan Paul
Fuck what the internet says, Logan Paul is a very good wrestler. Him and AJ Styles should put on a banger—and make money. (Just don’t invest that money in CryptoZoo, please.) Extra points to WWE for putting Logan in there with someone agile and small enough for him to actually hit the “Paulverizer” on.
Fatal Four-Way for the WWE Intercontinental Championship: Bron Breakker (c) vs. Penta vs. Finn Bálor vs. Dominik Mysterio
Look, Finn Bálor is still one of my favorites and it’d be cool to see him holding singles gold again. And Penta and Bron Breakker are cool as hell. But let’s be real—I’ve been campaigning for Dominik Mysterio to win a world title all year. And we all know that winning the IC Title could be a stepping stone. Give Dom his flowers (and the belt).
Triple threat match for the Women’s World Championship: Iyo Sky (c) vs. Bianca Belair vs. Rhea Ripley
The buildup to this match was kinda weird—Bianca got pulled away from the Jade Cargill/Naomi storyline, and Rhea’s been acting like a heelish sore loser—but honestly, it’s still better than most of the card’s build. Either way, this has the potential to be one of the best matches of the weekend. That’s not hard when you’ve got three of the best women’s wrestlers of all time in one ring.
As for the winner? Bianca and Rhea cancel each other out, so Iyo Sky retains. Now we just have to figure out… does that count against Bianca’s WrestleMania streak?
GQ-Blu:
WWE Women’s Championship: Tiffany Stratton (c) vs. Charlotte Flair
This match is getting hyped for all the wrong reasons. Whether it’s Tiffany getting exposed as maybe not ready for prime time with her struggles to carry promos or Charlotte’s baggage taking more attention than her in ring ability, this has been more of a cluster than what I imagine should have been a coming out for Tiffy Time to be the next big women’s star.
Before this went left I would’ve said this an easy W to pencil in for Stratton, but with her recent struggles I think the move should be to have her drop the belt to Charlotte and let Tiffany chase the belt over the summer.
Naomi vs. Jade Cargill
First and foremost let me declare my undying love for Jade Cargill.
Now that that’s out the way I really hope this match gets some time to breathe. Naomi is doing some of her best character work in years. The story line is exciting AND easy to follow, which is not always the case in our favorite soap opera. And even though your opinion of Cargill’s in ring progress since jumping from AEW to WWE may vary, she is an undeniable star who oozes charisma.
This feud should not end at Mania and lead to some kind of high stakes gimmick match down the road. The fact that this is a straight up match and not a street fight or something tells me creative thinks so to. Naomi wins with some trickery.
WWE United States Championship: LA Knight (c) vs. Jacob Fatu
It’s hard to think of the last time someone has come in with as much aura, presence and dominance as Jacob Fatu. I’m secure enough in my manhood to admit I wouldn’t wanna tussle with the Samoan Werewolf (although outside of kayfabe he seems like a pretty nice and goofy girl dad). WWE loves making heels chicken shits. It’s nice to see a truly dominant bad guy who legit looks like he’s murdering people in the ring.
There’s no reason for Knight to retain the title here. The crowd is 10000% ready to see Fatu elevated. This should actually be a savage beating where Knight is mauled. I wouldn’t be mad at an under 10 minute squash victory here.
WrestleMania 41 ResultsWrestleMania 41 Saturday (Night 1)
- World Heavyweight Championship: Jey Uso defeated Gunther (c)
- World Tag Team Championship: The New Day (Kofi Kingston & Xavier Woods) defeated The War Raiders (Erik & Ivar) (c)
- Jade Cargill defeated Naomi
- WWE United States Championship: Jacob Fatu defeated LA Knight (c)
- El Grande Americano defeated Rey Fénix
- WWE Women’s Championship: Tiffany Stratton (c) defeated Charlotte Flair
- Triple Threat Match: Seth Rollins defeated CM Punk (with Paul Heyman) and Roman Reigns
WrestleMania 41 Sunday (Night 2)
- Triple Threat Match for the Women’s World Championship: Iyo Sky (c) defeated Bianca Belair and Rhea Ripley
- Sin City Street Fight: Drew McIntyre defeated Damian Priest
- Randy Orton defeated Joe Hendry
- Logan Paul defeated AJ Styles
- WWE Women’s Tag Team Championship: Lyra Valkyria & Becky Lynch defeated Liv Morgan & Raquel Rodriguez (c)
- Undisputed WWE Championship: John Cena defeated Cody Rhodes (c)
What happens after you win the battle from your mental health attacking your body? Spoiler Alert: A Big Dance Number!
We travel back to the past on this Good Friday. Specifically we’re back in 2020 revisiting Doechii’s bedroom and get a tour of the rest of the thoughts home in her head. We’re even given a nice visual nod to the original instrumental, Gotye’s “Somebody I Used To Know” featuring Kimbra. Directed by James Mackel for Adele Drive, Happy Easter!
Another win for the Certified Banger section as this week we feature the lovely Carla Alison. We think she has Moroccan and Angolan heritage or affiliations, but honestly, it doesn’t matter—because we’re in love.
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Kendrick Lamar and SZA have unveiled the romantic visuals for their chart-topping collaboration “Luther,” directed by the acclaimed Karena Evans (ironically the same director behind Drake’s “God’s Plan,” “Nice For What,” and “In My Feelings”). The video features stunning, cinematic shots of Kendrick alongside his longtime partner Whitney Alford, as well as SZA with her love interest (and yes, her thickness is on full display) — all vibing against the backdrop of some beautifully geometric architecture. It’s smooth, it’s stylish, and yeah, it’s real nice. Check out the music video below.
We love a thick woman here in the Certified Banger section so it’s only right that feature the captivating Melana Davids. Shout out to South Africa and New Zealand.
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To be honest, nothing really stands out to me on Quavo’s new track “Legends” featuring Lil Baby. But it’s still good to see two Atlanta heavyweights—who were once rumored to have issues—reconnect over music. The accompanying music video is visually cool too. Yeah, there’s nothing groundbreaking in the visuals, but it’s got all the usual flexes: luxury cars, beautiful women, and crisp cinematography. It’s polished and well-executed. Check it out below.
Real estate agent. Fashion Nova ambassador. Miami baddie. Michelle Bigby does it all — and looks amazing doing it.
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Kevin Hart‘s rap alter ego, Chocolate Droppa, just pulled up to NPR’s Tiny Desk Concert series, delivering bars and laughs in equal measure. In this April Fools’ special, Droppa came through laser-focused, dressed in all black, declaring it a funeral—not his, but “theirs.” Maybe it was the dope-ass live backing band, but I didn’t mind this at all musically. Go ahead and drop the project, Droppa.
Drake drops the visuals for his hit song “Nokia,” and it’s very… Drake (which is not a bad thing). Shot in crisp black-and-white IMAX by his go-to director, Theo Skudra, the video features some cool and epic shots. From energetic Carnival dancers to a detailed model of Toronto, massive groups of dancers with Drizzy posted in the middle, and even a cameo from Canadian NBA star (and probably MVP) Shai Gilgeous-Alexander — there’s a lot to take in with this one (This video may also be a take on Kendrick Lamar’s recent Super Bowl Halftime show but I’ll let y’all decide that…)
“Nokia” is a standout track from Drake and PARTYNEXTDOOR’s joint album, $ome $exy $ongs 4 U, which dropped last month. Despite some recent challenges, Drake delivers, and the “Nokia” video is proof that the rumors of Drizzy’s downfall are highly exaggerated. Check out the video below.
The beautiful and curvy María José Vergara may hail from Cartagena, Colombia, but she’s the kind of thick we remember growing up with. Either way, we’re in love—and we’ve already booked a flight to Colombia.
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Larry June, 2 Chainz, and The Alchemist drop off the visuals for the title track off their collaborative album Life Is Beautiful. Just like the song, the video keeps things smooth and laid-back—cruising vibes, luxury shots, and West Coast sunshine with just a hint of Atlanta flair. The Alchemist’s soulful production floats in the background while Uncle Larry and Tity Boi trade slick bars about success, peace, and staying focused.
We reviewed the Life Is Beautiful album not too long ago and gave it a solid 3.9 out of 5. If you haven’t checked that out yet, do that here.
Watch the video below and enjoy the vibes.
Back at it again with another Notable Tracks post—where I pick three tracks I’ve been listening to lately and share my thoughts. Weirdly, this is the first Notable Tracks post of 2025, so I guess I gotta make sure it’s a good one. Let’s get to it.
Kanye West – “Preacher Man”Kanye West is currently in the middle of another sad Kanye moment, and this recently included posting links on Twitter to three different versions of his short film titled Bully. The film features his son, Saint West, in a wrestling ring beating up wrestlers from Pro Wrestling NOAH (which actually makes sense—Ye was spotted at a NOAH event in Japan last year).
All that aside, I try not to get caught up in the rants of crazy people, but I heard the audio from Bully ripped straight from the film and was telling people that it was kinda good (glad I’m not the only one who thought so). “Preacher Man” is the first track from Bully and is probably the best song from the still-incomplete project.
Droogie Otis (Madlib + Your Old Droog) feat. Boldy James – “Everything Designer”Madlib is one of my favorite producers, and while I patiently wait to see if he’ll ever reunite with Freddie Gibbs for another joint album, he’s apparently formed a group with Your Old Droog called Droogie Otis (they obviously didn’t workshop the group name).
Madlib is known for his side quests, so I’m not surprised to see him link up with Your Old Droog again (they’ve worked together before). Their first release under the Droogie Otis name is “Everything Designer,” which also features one of my other favorites, Boldy James. And now I need a full project from Droogie Otis.
Leon Thomas – “Mutt (I Wish Remix)”There are at least two official remixes of Leon Thomas’s hit song “Mutt,” but this unofficial version—laid over the instrumental of Carl Thomas’s R&B classic “I Wish”—is easily the best one. Why am I never at places where DJs spin stuff like this? Then again, I’m barely at places.
Safari Foxe is a reality television personality, online content creator, entrepreneur, and—more importantly—the beautiful woman featured in this week’s Certified Banger.
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Jack Harlow just dropped the video for his new joint “Just Us” featuring Doja Cat, and it feels less like a music video and more like a flex. The whole thing is set at some upscale dinner party in L.A., but instead of random extras, the guest list looks like an Oscars afterparty. We’re talking Matt Damon, John Mayer, Taylor Rooks, PinkPantheress, even Cousin Greg from Succession.
The track itself? Harlow in his bag—smooth, flirty, and a little messy. Doja pulls up like she always does, giving just enough sauce without overshadowing the moment. The chemistry is there too, which probably won’t help the dating rumors after they were spotted out together before this dropped.
This one follows Harlow’s recent drops “Tranquility” and “Set You Free,” so maybe he’s cooking something bigger. But even if it’s just a one-off, “Just Us” feels like a soft launch for a whole vibe this summer.
Check the video and peep the A-list cameos. This might be the most Hollywood dinner you weren’t invited to.
Jermaine thanks the crowd for attending the fifth and final Dreamville Festival. After receiving the state holiday declaration for his birthday from Governor Josh Stein, forgiving his stepfather, and bringing out his friend’s daughter that inspired For Your Eyez Only, the crowd goes silent. The beginning of “First Person Shooter” plays, Cole performs his verse, and a spotlight appears between his Dreamville artists, wife and kids. Aubrey comes out with a patched up hoodie, no smoke or open bullet holes like before. Before the beat switches, BYGAWD!. THAT’S KENDRICK LAMAR! He performs an unheard of verse that should have been on the original version. It’s three G.O.A.T.s left and I’m there to see them hugging on stage.
Yeah, but that’s probably not going to happen. I will be there at Dreamville Festival for the first time and the experience of going and anticipating what will happen is enough for me. Meanwhile, Dreamers (Fuck ICE!) are crashing out online at the lack of a lineup announcement for the two stages at Dorothea Dix Park in Raleigh, North Carolina. There is some relief now that we can expect the guest list to be shared tomorrow, Monday the 17th. Short-T AKA Benevolent-T got yall on this beautiful Sunday. Here is who we can expect at Dreamville Fest:
The Usual Festival SuspectsYou already know the artists that live on festival flyers. This is space reserved for the Playboi Carti‘s, the A$AP Rocky‘s, and the artists with a buzz before they embark on their inevitable stadium tours in their careers. I’m looking forward to seeing BigXThaPlug, Bossman Dlow, Coco Jones, Leon Thomas and other buzzing artists perform and get the J.Cole co-sign.
The Contemporaries & PeersThese right here are the ones that have worked with Cole in the past, came out during the Blog Era, or have never been to Dreamville Fest before in the past four installments. It’s long overdue to see Miguel, Cardi B, Childish Gambino, Latto, 2 Chainz, Kid Cudi, Travis Scott, and Meg Thee Stallion on one of those two stages. A set from Mustard or an appearance from Gunna seem plausible, but I’m going bigger with my expectations since this is the last one. We’re getting Doechii, Bruno Mars, and Tyler, yes, The Creator, on that April weekend. We’ll probably see Tyler on April 4th. He’s free that day from his current tour.
The IdolsNow this tier, I admit, even perplexes me because I can’t decide if they will make an appearance during J.Cole’s set on the closing night or they will have their own 30 minute performances throughout the weekend. Either way, we are going to see Missy Elliott, The LOX, Fantasia, Clipse, Jodeci, Three 6 Mafia, Hot Boys, Bun B, and the man Jermaine let down over a decade ago, Nasir Jones.
Welp! You can thank me now or come back after the lineup is “officially” released and thank me later. Either way, I’ll be outside being the old man in the crowd looking for a seat.
@summer_glazed We’re one month away, mind you. #dreamvillefest #jcole
♬ original sound – Dianna
@_justlundy This either boutta be the lineup ever or thr worst #fyp #northcarolina #dreamville #jcole #raleigh #dreamvillefest
♬ Peacock_FlavorOfLove_30Minutes – Peacock
Lil Baby has dropped the visuals for “Dum, Dumb, and Dumber,” teaming up with Young Thug and Future. This track, the second on his latest album, WHAM, showcases three of Atlanta’s heavyweights flexing amidst luxury cars and vibrant nightlife. Notably, Young Thug makes his first on-screen appearance since his release last autumn, keeping a low profile by wearing a mask throughout the video. Check out the visuals below.
Don’t ever let anybody tell you that we don’t appreciate natural beauty in the Certified Banger section. A perfect example of this is today’s featured model, the breathtaking Dakota Simone. And as always, we have the pictures to prove it. You’re welcome.
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It’s been around four months since Freddie Gibbs dropped his last album, You Only Die 1nce. And while we’re still waiting to see if he’ll release a deluxe version, he’s been keeping fans fed with new music, including the full version of “Nobody Like You” on Valentine’s Day. Today, after teasing it on Instagram, he follows up with “Big 2.”
The track flips SWV’s “Anything” (the album version, not the more popular Michael Jackson remix), and if Freddie’s new wave is rapping over classic ‘90s R&B records, I’m all for it—because this is dope. (Gibbs also sends some shots at a few rappers but I’ll let you put that together)
A Taylor Gang reunion. Wiz Khalifa and Ty Dolla $ign team up over Conductor Williams’ production, delivering a track titled “Billionaires.” And it’s dope—the visuals show them rapping in the studio, smoking weed, and hanging out with white women (for reasons). It all works though. Check out the music video below.
Another Friday, another Certified Banger. This time, we’re featuring the stunning Alexandra Sanchez. While we don’t know much about her besides the fact that she’s drop-dead gorgeous, that’s really all we need. A quick scroll through her Instagram tells you everything—she’s got the looks, the vibe, and the confidence to match.
But why waste time talking? Just check out the pictures below. You’re welcome.
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Update: Results
Professional wrestling remains as exciting as ever, yet somehow, we—the FRO Horsemen—managed to forget our annual discussion about this year’s Royal Rumble (I mean, we did, just not on the site). So, the next best thing is to talk about WWE Elimination Chamber 2025, aka WWE Elimination Chamber: Toronto, which takes place this Saturday (3/1/2025).
Like all modern ~~PPVs~~ PLEs under Paul “Triple H” Levesque, the card is short as hell, featuring only a handful of matches. And that’s not even counting the segment where The Rock tries to take the soul of Cody Rhodes (yes, you read that right).
But let’s focus on the two biggest matches of the night—the Elimination Chamber matches where each winner get a shot at a world title and a “main event” of WrestleMania 41. Today, Saule Wright, GQ-Blu, and I are sharing our thoughts and predictions on the men’s and women’s Chamber matches. I’ll be back later to update this post with the results. ~ B-Easy
Men’s Elimination Chamber Match: John Cena vs. CM Punk vs. Drew McIntyre vs. Logan Paul vs. Damian Priest vs. Seth “Freakin” RollinsWHO DO YOU WANT TO WIN THE MEN’S ELIMINATION CHAMBER MATCH?
B-Easy – WHO I WANT TO WIN: DREW MCINTYRE
(A part of me wants to say Logan Paul just for the chaos of it all. But nah.)
Drew McIntyre’s whole story has been about how the (OG) Bloodline screwed him over, and now he’s bitter, petty, and highly entertaining because of it. While it would make more sense for him to win a world title from someone like CM Punk, why not have Drew sell his soul to The Rock and get a shot at Cody? (The Rock and Drew have been cool lately—gifting swords, cursing on social media together, real bonding moments.)
I’m not even saying let Drew beat Cody at WrestleMania 41, but if this whole Rock vs. Cody saga is gonna take a minute (looking at you, Triple H), and won’t “necessarily lead to a match” between them, go ahead and let Drew headline a Mania in front of people.
GQ-Blu – WHO I WANT TO WIN: DREW MCINTYRE
I actually think I want CM Punk to win but you could protect him since he’s still owed that favor from Paul E Dangerous. Drew has been doing some of his best character work of his career and it feels like he deserves to be rewarded for it. But there are too many conflicting things story subplots at the moment, that while good for giving the writers multiple avenues to pick, makes this really convoluted.
Saule Wright – WHO I WANT TO WIN: SETH “FREAKIN” ROLLINS
I don’t think we have a lot left for this version of Seth and I still think he’s one of the best in the company, period. He was a fighting champion and I think we have more story in this Cody versus Bloodline versus Seth thing.
WHO WILL WIN THE MEN’S ELIMINATION CHAMBER MATCH?
B-Easy – WHO WILL WIN: JOHN CENA
STOP BEING A PUSSY AND SELL YOUR SOUL TO THE ROCK, HEEL CENA!!! It’s best for business.
GQ-Blu – WHO ~~WILL~~ SHOULD WIN: ANYONE NOT NAMED JOHN CENA OR LOGAN PAUL
Paul because I know he has President Cheeto in his IG close friends and I can’t abide by that, even if he is a phenomenal wrestler and gimmick. Cena shouldn’t win because he needs to come up short again to FINALLY get him to take the deal the Final Boss offered to Cody. We’ve all been dying for the Cena heel turn. He’s shown a sign or two that he’s ready to make the jump.
He was a dick after coming in second at the Rumble and automatically inserting himself in the Chamber. Hes made it clear he’s obsessed with setting the title record. Let this be the reason he sells out.
Saule Wright – WHO WILL WIN: UNFORTUNATELY, JOHN CENA
I only say that because he didn’t do shit to even be in this match but it’s easy for him to win in a protected match like this. It’s more believable than him winning the Rumble or a ladder match to me.
WHO WILL BE THE RUNNER UP IN THE MEN’S ELIMINATION CHAMBER MATCH?
B-Easy – WHO WILL BE THE RUNNER-UP: CM PUNK. OR MAYBE JAKE PAUL—WHOEVER ELIMINATES THE OTHER.
GQ-Blu – WHO WILL BE THE RUNNER-UP: JOHN CENA
Saule Wright – WHO WILL BE THE RUNNER-UP: CM PUNK. SIGH.
Women’s Elimination Chamber Match: Liv Morgan vs. Bianca Belair vs. Alexa Bliss vs. Bayley vs. Naomi vs. Roxanne Perez
WHO DO YOU WANT TO WIN THE WOMEN’S ELIMINATION CHAMBER MATCH?
B-Easy – WHO I WANT TO WIN: BIANCA BELAIR
I’ll be honest—Bianca Belair winning this year’s Elimination Chamber doesn’t make much sense. She and Naomi just dropped the tag titles, and it finally feels like we’re getting movement on the Who slammed Jade on top of a car? storyline.
But here’s the thing—Bianca is one of the best women’s wrestlers in the world. While her run with the tag title was fun (the ring gear alone made it worth it), she’s better on her own. Plus, Rhea vs. Bianca at Mania just feels right, doesn’t it? But like I said, this probably won’t happen—Bianca’s more likely to end up wrestling Jade or Naomi at Mania instead.
GQ-Blu – WHO I WANT TO WIN: BIANCA BELAIR
This isn’t entirely true because I actually would want Alexa Bliss to win IF she was pre-Bray Wyatt Bliss. That version of Alexa was one of the best talkers (man or woman) and most interesting characters in the game. But ever since she’s been on her passion project kick to merge her horror movie fandom with her wrestling persona she has been in a helluva holding pattern. The dirty screens say she’s linked to the Wyatt Sicks, which feels more like an anchor than a rocket to the top. But if she likes it I love it? Give it to Bianca so we can get her vs Rhea at Mania.
Saule Wright – WHO I WANT TO WIN: #BAEANCA BELAIR
Main roster women’s division needs help. #BAEanca is one of the best wrestlers in the world right now and really does an amazing job of carrying matches and calling the spots. For a division that is struggling and a Mania that is overpriced itself, she HAS to be in the main event. It’s best for business.
WHO WILL WIN THE WOMEN’S ELIMINATION CHAMBER MATCH?
B-Easy – WHO WILL WIN: ALEXA BLISS
Liv is a tag team champion and will probably defend those titles at Mania. Roxanne Perez hasn’t officially been called up from NXT. Bayley hasn’t really done much since she won the Rumble last year. And Bianca and Naomi still have to figure out the Jade situation.
Alexa Bliss (who just came back) feels like the most logical choice here. Plus…where the hell have the Wyatt Sicks been at?
GQ-Blu – WHO WILL WIN: BIANCA BELAIR
It’s the best matchup possible for Mania. You can also advance the Jade hit and run (why do so many wrestlers get hit by cars?) and have Naomi turn on her after being pinned and be revealed as the mastermind behind taking Jade out. There’s a PLE between this and Mania right? (Editor’s Note: No) Have Belair knock her off there.
Saule Wright – WHO WILL WIN: #BAEANCA BELAIR
I think Bliss will sit back and get more of a build with the Sicks so they won’t call this shot yet. Also, #BAEanca has to win this.
WHO WILL BE THE RUNNER UP IN THE WOMEN’S ELIMINATION CHAMBER MATCH?
B-Easy – WHO WILL BE THE RUNNER-UP: ROXANNE PEREZ, CONTINUING HER IRON WOMAN STREAK FROM ROYAL RUMBLE 2025.
GQ-Blu – WHO WILL BE THE RUNNER-UP: NAOMI
Saule Wright – WHO WILL BE THE RUNNER-UP: NAOMI OR ROXANNE
This is where Naomi goes heel during this match. She may not have had anything to do with Jade getting laid out, but her character could use this turn.
Roxanne Perez is building a really good story and a runner up puts her in a great space for spin off feuds.
WWE Elimination Chamber 2025 Results
Women’s Elimination Chamber Match: Bianca Belair defeated Alexa Bliss, Bayley, Liv Morgan, Naomi, and Roxanne Perez
Jade Cargill (Finally) retuned and beat the shit out of Naomi.
Tiffany Stratton & Trish Stratus defeated Nia Jax & Candice LeRae
Unsanctioned Match: Kevin Owens defeated Sami Zayn
Randy Orton (Finally) retuned, hit the RKO on Kevin Owens, almost punted him in the head and the proceeded to hit the RKO on everybody.
Elimination Chamber Match: John Cena defeated CM Punk, Damian Priest, Drew McIntyre, Logan Paul, and Seth “Freakin” Rollins
John Cena (Finally) turned heel, sided with The Rock and betrayed Cody Rhodes. Travis Scott was there too for some reason.
Happy Friday and Happy Certified Banger Day! Today, we’re featuring the beautiful Allison Bustamante. There’s a good chance we can’t pronounce her name, but we can definitely admire her pictures and fall in love. Check them out below.
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The combination of Larry June, 2 Chainz, and The Alchemist might seem random at first, but it makes sense when you think about it. The Alchemist has an extensive list of rappers he’s done collaborative albums with, including Larry June on The Great Escape in 2023. I guess it’s the inclusion of 2 Chainz that makes this feel like an unexpected trio. But then again, while 2 Chainz came up rapping over trap beats, it’s not unusual to see him pop up on a Griselda project or even announce a joint album with Statik Selektah (thinking about it now, we never actually got that album). Plus, this isn’t even the first time Larry June and 2 Chainz have linked up.
Either way, as a big fan of The Alchemist and both rappers, I was excited to see what this trio could cook up. Now, we have a full album in Life Is Beautiful. Some have already called it an early Album of the Year contender, and we’ve seen the trio appear on The Tonight Show and The Breakfast Club, which is cool to see—especially with the release being independent.
Let’s check out Life Is Beautiful from Larry, Toni, & Al.
1. Munyon Canyon
Produced by The Alchemist
The album kicks off in a laid-back, chill manner with the hilariously titled “Munyon Canyon.” Over a lush, soulful backdrop provided by The Alchemist, Larry and 2 Chainz rap about getting money and living the high life—something I might say a few times throughout this review. Props to Larry for his grown-man line about realizing he only needed one woman in his life (“Found out one solid ho was all I needed”), but I might have to start a counter for how many funny quotables 2 Chainz drops on each track. On “Munyon Canyon,” we get:
Chanel B’s, mind full of greed, Pellegrino, lemon squeeze / My car got slanted eyes like it’s Philippines.
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Colossal
Produced by The Alchemist
I assumed this album would be an all-chill affair, but “Colossal” switches things up with a more sinister production. Tity Boi raps about eating lobster and running for president despite having a felony, while Larry June sounds slightly out of his element here—but it still works. I would have preferred the entire album to maintain the vibe of “Munyon Canyon,” as “Colossal” feels a little off, but props to them for switching things up. -
I Been
Produced by The Alchemist
“I Been” is an early favorite for the best track on Life Is Beautiful. It’s a trademark ALC production that fits both rappers perfectly. Who would’ve thought 2 Chainz and Larry June trading verses would sound this dope? But here we are.
Funny story—the mayor of Atlanta actually DM’d 2 Chainz and praised his lyricism on this track. Hilarious.
Smokin’ and drivin’ while I’m ridin’ in a Lambo’ / Tryna dodge all the scandals, like the potholes in Atlanta.
Just listen to the track for yourself.
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LLC
Produced by The Alchemist
From the production alone, “LLC” feels like an album filler track, but I’m okay with it—if only to hear 2 Chainz rap about putting his pistol in “wifey’s name” and Larry June reminding us that calling a “bitch phone back-to-back” is not P. A solid album cut. -
Bad Choices
Produced by The Alchemist
This was the first track the trio dropped, which ultimately led to Life Is Beautiful. When I first saw the video, I assumed it was just a one-off Larry June song featuring 2 Chainz over an Alchemist beat, but I’m happy it turned into something more.
It’s basically a hard-hitting soul sample that gives the rappers room to talk their shit.
2 Chainz: “Soon as I left, I New Edition, gave the game poison.”
All in all, “Bad Choices” proved that these three should’ve linked up sooner while also asking the age-old question: “Where all the good girls that made bad choices?”
6. Life Is Beautiful
Produced by The Alchemist
The title track is another standout for me. Over hopeful, lush production, the rappers reflect on their kids, not gatekeeping, wanting everybody to eat, and “tryna really live.” But remember: “If you don’t work, you don’t eat, young man.”
2 Chainz line of the track: “It’s a cold world, Jermaine wearing a mink.” (Simple but clever.)
If you need further motivation to check this one out, the instrumental for this track was even used in an IG reel on the nappyafro page.
- Generation
Produced by The Alchemist
During their Breakfast Club interview, 2 Chainz talked about The Alchemist making a beat he initially didn’t like but later reconsidered, leading to it making the album. I’m pretty sure “Generation” is that track. And honestly, they probably should have left it off.
As talented as The Alchemist is, this song comes off as a forgettable 2 Chainz track with an awkward Larry June feature. It’s not terrible, but I expected better. The outro on this track is what they should have rapped over.
- Any Day
Produced by The Alchemist
Okay, we’re back on track. While “Generation” felt more like 2 Chainz’s lane, “Any Day” puts Larry June back in his comfort zone, with The Alchemist doing what he does best. 2 Chainz also sounds great here. The song is all about living the high life and doing what you want—any day of the week.
2 Chainz line of the track: “Expired tag, I ride with a lawyer / Come to your residence and you die in your foyer.”
Bonus Larry June line: “I took a lotta L’s, but I’m still thankful / ‘Cause it’s not really an L if you gain somethin’.” (Good advice.)
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Epiphany
Produced by The Alchemist
In an album full of grown player vibes, “Epiphany” might be the most grown-player-y of them all. The track starts with Larry June talking about valet—“a rich nigga with benefits”—and continues the luxurious production. Play this on the way to the Oscars while counting money. -
Tru Organics
Produced by The Alchemist
See, this is the issue with listening to these tracks in order. I thought the previous track was peak player talk, but “Tru Organics” might be even more so—just with a ‘70s vibe (they even mention prostitution). The name had me thinking this would be the “weed song” on the album, but it turned out to be more of a hustler anthem.
It’s a good day to get some paper.
- Jean Prouvé
Produced by The Alchemist
For the last track on Life Is Beautiful, I had to look up who Jean Prouvé was—turns out, he was an architect and industrial designer. It makes sense because Larry June and 2 Chainz rap about their surroundings here. (“This the spot with Dutch glass, vintage rugs.”)
The production feels like something from Alchemist’s back catalog, but it still works. The song doesn’t end the project on a high note, but it’s a consistent one. And that’s the end of Life Is Beautiful.
BOTTOM LINELife Is Beautiful is a solid release from Larry June, 2 Chainz, and The Alchemist. It’s some grown-man player shit—luxury rap with motivation sprinkled in. While 2 Chainz’s charisma steals the show on most tracks, the whole project works, especially on standouts like “I Been” and “Life Is Beautiful.”
Short but sweet at 36 minutes, it’s an early surprise for 2025. Life is, in fact, beautiful. And good.
Another Friday, another edition of Certified Banger, and another feature showcasing beautiful women. This time, we present the stunning Rosette Hing. This is also one of those times when we focus more on the featured model than just her beauty. Oh yeah, we think she’s from the Bay Area—but who knows?
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Right after hearing that J. Cole was “locked in” and working on new music, we get a new track from him in the form of “cLOUDs,” where the North Carolina rapper reflects on themes of aging, societal change, and his position in the rap game. Cole shared this track via his blog, offering his thoughts to fans:
Just wanted to share. Made this a few days ago, then I added a second verse and was like, ‘Man, I got a blog now—I can put whatever I want up there.’
I didn’t have a title 20 minutes ago when I decided to really put this up. But now I got one…
“cLOUDs.” – Produced by DZL, Omen, and small contributions from me.
Check out the track below.
Hailing from Medellín, Colombia, the stunning Vanessa Torres is the perfect model to be featured in the Certified Banger section. So here we are. Check out the images below—you’re welcome.
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It looks like Larry June, 2 Chainz, and The Alchemist may have recorded a music video for every song on their new album, Life Is Beautiful—this time for the track “Munyon Canyon.” And I’m okay with that because the album is dope and probably the best one I’ve heard this year (y’all lied to me about that Central Cee album).
Like the previous music videos, the visuals for “Munyon Canyon” feature the trio hanging out and being cool, which matches the whole vibe of the music. Check out the Miggs-directed video below.
Nearly a year later and I still want Rev. Al Green to clear the sample of “What A Beautiful Thing Love Is” for Kendrick Lamar’s “6:16 in L.A”. Meanwhile, Monk Higgins’s estate is giving free reign to Kendrick and DJ Mustard. Two songs from his debut album, MacArthur Park have been huge catalysts for the various successes of the West Coast Hip-Hop icons.
Fun Fact: Higgins’s “One Man Band (Plays All Alone)” was also used for ScHoolboy Q’s “There He Go.” S/O to Sounwave.
Milton Bland, professionally known as Monk Higgins, was a saxophonist from Menifee, Arkansas. His 1968 debut album covered songs from artists such as Richard Harris and Ray Charles. The title track is a cover of Harris’s “Macarthur Park” and was sampled by Dijon (Excuse me, MUSTAAAARRRRRDDDDDD!!!!!!!!!) for K.Dot’s “TV Off” off his 2024 album, GNX. MAN, that song there! Arguably, my favorite song from the album. I’m taking bets that it will be the first song we hear at halftime. But for today’s R&B Sunday selection, we’re focusing on the sample from the song that changed the world. Ray Charles’s “I Believe To My Soul” landed at track 9 of Mr. Higgins’s album. That cover landed as the finishing move from Kung-Fu Kenny is his little squabble last year. I expect to hear it played by a HBCU marching band in the video I’ll watch later, not live. Sorry Tubi, but it’s still FUCK THE NFL. Yall enjoy! S/O to the Super Bowl parties that have deviled eggs.
Also, did you know Black people love Kendrick Lamar?
This week’s Certified Banger is simple. Anita Isabella is a beautiful thick woman and who doesn’t love beautiful thick women. È una scelta facile.
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GloRilla drops the music video for her song “Procedure,” featuring Latto. The visuals show the rappers working a retail job while dreaming of pulling off bank robberies, inspired by the classic film Set It Off—complete with a cameo from Vivica A. Fox herself. Check out the video below.
Right after dropping the song “Bad Choices,” we all realized that Larry June, 2 Chainz, and The Alchemist were an unexpectedly good combination. The trio then announced they would be releasing a collaborative album, Life is Beautiful, and now they return with another new song and music video, “I Been.” The blend of 2 Chainz and June over Alchemist’s production on “I Been” proves it’s something we need more of, and the panoramic-style visuals perfectly match the vibe. Check out the David Camarena-directed music video below. Life is Beautiful drops on Feb. 7.
As we enter a new month, the Certified Banger section continues, and in today’s edition, we present the beautiful Keanna Theo. Check out her images below. You’re welcome.
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Fresh off a new Def Jam deal, ~~G3~~ Gelo drops the visuals for his hit song “Tweaker.” The momentum might have slowed down on the track, and the song may fall flat after the infectious chorus, but it’s cool to see LiAngelo Ball and his brothers together in this retro-style music video. Check out the video below.
Jhardan Reign reminds me of a captivating alien from another world, the kind we’d instantly fall in love with. Plus her name is so cool. Check out the images below.
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Sexyy Red and Bruno Mars might have a hit on their hands with their new song (and music video) “Fat Juicy & Wet.” Can hit records be explicitly about wet, fat coochie? Yes, the answer is yes. I’m not even sure who technically owns this song or who is featured, but it adds yet another layer to Sexyy Red’s rise, especially with cameos in the music video from Lady Gaga and ROSÉ. Check out the Bruno Mars and Daniel Ramos-directed video below.
Larry June has been consistently releasing new music over the past week or so, and today he delivers another new song and music video titled “Bad Choices” featuring 2 Chainz with production by The Alchemist. June and Tity Boi rhyme over a laid-back soul sample production crafted by ALC, which is unexpected but works out well. The Miggs-directed visuals showcase the rappers cruising around the city in luxurious cars. Check out the video below.
After putting everyone on notice with “The Ruler’s Back” a few weeks ago, Joey Bada$$ returns with another new song and music video, “Sorry Not Sorry.” The New York rapper still sounds invigorated while once again teaming up with Conductor Williams. What will likely grab more headlines is his subtle jab at Jermaine Cole (“Might delete later, I know damn sure that Joey won’t”). Either way, I like the song and hope we continue to get more. Check out the Waqas Ghani-directed video below.
Let’s keep the new year moving in a positive direction with another Certified Banger feature. This week, we’re highlighting the stunning Channy. We don’t know much about this woman, but we do know she’s gorgeous, looks amazing in a swimsuit, and we love her.
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Everybody’s favorite interviewer links up with everybody’s favorite baby mother as Nardwuar interviews Sexyy Red. While at Camp Flog Gnaw 2024, the St. Louis rapper talks about being a high school fashionista, St. Louis rap history, being Facebook famous, and more. Check out the interview below.
You can call her Amber B, but we prefer her other name: Amber THICK. That name fits so much better for some reason. Check out the images of your favorite Dominican mami below.
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Happy New Year! We often feel the need to kick off the year on the right note, and featuring Poliana Ferreira in the Certified Banger section is a perfect way to start 2025. Bonus points: she’s Brazilian, and a quick Google search of her name might lead you to some spicier content. You’re welcome—be sure to check out the images below.
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Doechii has been teasing and previewing the music video for her song “Denial Is A River,” and today she released the full video. The surreal visuals take cues from ’90s sitcoms and evolve as the video progresses, also featuring some notable cameos (I see you, ~~Earl Sweatshirt~~ Brad Pitt). Check out the Carlos Acosta-directed video below. “Denial Is A River” also made it onto a couple of our Best Songs of 2024 lists, so be sure to check that out as well.
Joey Bada$$ kicks off the new year with a bang, dropping his latest song and music video, “The Ruler’s Back.” Over production by Conductor Williams, the Brooklyn rapper delivers a hungry performance, firmly staking his claim as one of the best lyricists in the game. One line, in particular, has made headlines: “Too much West Coast dick-lickin’” (a reference to a Jay-Z lyric, by the way). It will be interesting to see how this unfolds in the future. Be sure to check out the retro-styled visuals below, directed by Waqas Ghani.
With Mad Skillz recently returning with his “2024 Rap Up,” you knew Uncle Murda wasn’t too far behind. Interestingly, according to this year’s “Rap Up 2024,” this might also be the last year he does it. For 17 minutes, Murda raps about the memorable and crazy events of 2024 over classic beats. A music video is set to follow—hopefully, he won’t split it into three parts like last year.
Another year of music is in the books, and it’s that time again. We’ve gathered staff and associates to each share our 10 favorite/Best Songs of 2024.
Before we dive into the list, here are some stats:
A total of 67 songs were listed (with duplicates removed), featuring 44 different artists.
The most mentioned song among our contributors was “Yea Glo!” by Glorilla, cited 4 times. In second place, tied with 3 mentions each, were “Get It Sexyy” by Sexyy Red and “euphoria” by Kendrick Lamar. (Who says guys don’t listen to female rap?)
Kendrick Lamar was the most mentioned artist overall, appearing on the lists 7 times (no surprise there), followed by Future & Metro Boomin, who were each mentioned 6 times.
Now that we’ve covered the stats, let’s get to the Best Songs of 2024 lists. As always, we’ll wrap it all up with a playlist at the end. Happy New Year. – B-Easy
GQ Blu“Ruthless” by Freddie Gibbs
“Bigger In Texas” by Megan The Stallion
“Yea Glo!”/“TGIF” by Glorilla
“Mr Pot Scraper” by Bossman Dlow
“Not Like Us” by Kendrick Lamar
“Everyday Hustle” by Future & Metro Boomin feat. Rick Ross
“Saturday Mornings” by Cordae feat Lil Wayne
“Get It Sexyy” by Sexyy Red
“FallThru” by NxWorries
“Don’t Sleep” by Victoria Monet feat. Thundercat
Short-T“euphoria” by Kendrick Lamar
“TGIF” by Glorilla
“Get It Sexyy” by Sexyy Red
“Étouffée” by Vince Staples
“Back n Love” by ScHoolboy Q feat. Devin Malik
“Red Flags” by Brittany Howard
“Precision” by Big Sean
“Nissan Altima” by Doechii
“Rug Burn” by Wynne
“Red Leather” by Future & Metro Boomin feat. J. Cole
Restless Marc“THank god 4 me” by ScHoolboy Q
“euphoria” by Kendrick Lamar
“hey now” by Kendrick Lamar feat. Dody6
“Type Shit” feat. Travis Scott & Playboi Carti/“Like That” feat. Kendrick Lamar by Future & Metro Boomin
“We Still Don’t Trust You” by Future & Metro Boomin feat. The Weeknd
“4X4” by Don Toliver
“Take Your Mask Off” by Tyler, The Creator feat. Daniel Caesar & LaToiya Williams
“The Shoe Fits”/“Push Ups” by Drake
“Forever Rolling” by Kanye West & Ty Dolla $ign feat. Lil Baby
“Wolverine” by Freddie Gibbs
B-Easy“86Sentra” by NxWorries
“Family Matters” by Drake
“Flying Trapeze Act” by Boldy James & Conductor Williams
“i recovered from this” by JPEGMAFIA
“6:16 in LA” by Kendrick Lamar
“Lithonia” by Childish Gambino
“Flash” by CyHi The Prynce
“On The Set” by Freddie Gibbs
“Juna” by Clario
“Him” by Z-Ro feat. CeeLo Green
King Jerm“It’s Over” by King George
“Ready ’24” by J. Cole feat. Cam’ron
“Pi” by J. Cole feat. Daylyt & Ab-Soul
“act ii: date @ 8” by 4batz
“Yea Glo!” by Glorilla
“redrum” by 21 Savage
“Get It Sexyy” by Sexyy Red
“Speedy Recovery” by Nicholas Craven & Boldy James
“Boogieman” by EBK Jayboo
“Get In With Me” by Bossman Dlow
MTHFKA Jones“meet the grahams” by Kendrick Lamar
“Faith” by Rapsody feat. Mantragold
“Snap My Finger” by KAYTRANADA feat. PinkPantheress
“HERicane” by Lucky Daye
“Third Coast” by Teezo Touchdown
“Justin” by Vince Staples
“Thought I Was Dead” by Tyler, The Creator feat. ScHoolboy Q & Santigold
“THank god 4 me” by ScHoolboy Q
“Denial Is A River” by Doechii
“Crazier” by Ab-Soul feat. JID
DuB“Denial is a River” by Doechii
“euphoria” by Kendrick Lamar
“Family Matters” by Drake
“Fuel” by Eminem feat. JID
“Like That” by Future & Metro Boomin feat. Kendrick Lamar
“Not Like Us” by Kendrick Lamar
“Port Antonio” by J. Cole
“Squeeze 1st 2” by Ab-Soul
“Thought I Was Dead” by Tyler, The Creator feat. ScHoolboy Q & Santigold
“Yea Glo!” by Glorilla
Saule Wright“Nothing Even Matters“ by SiR
“Mutt (Remix)” by Leon Thomas feat. Freddie Gibbs
“Him” by Z-Ro feat. CeeLo Green
“Yea Glo!” by Glorilla
“glow88” by Ariel J
“Back in My Bag” by Rapsody
“Sticky” by Tyler, The Creator feat. GloRilla, Sexyy Red, & Lil Wayne
“Is It Worth It” by Rae Khalil
“Forever Lasting” by Domani feat. DC Young Fly & Seddy Hendrix
“Playa Playa” by Ohana Bam
PLAYLIST
Well, look at this. After retiring from releasing his annual “Rap Up” songs in 2021—and with Uncle Murda essentially taking over the format—Mad Skillz is back with “2024 Rap Up.” The Virginia rapper covers the highlights and lowlights of the year, and it’s great to see him return to this tradition. (Perhaps his recent Grammy nomination for Best Spoken Word Poetry Album inspired the comeback.) Check out the song and video below.
Tyler, The Creator gifts his fans a Christmas present with a freestyle and music video of him rapping over Kendrick Lamar’s “Hey Now.” It seems like he had fun with the freestyle and the visuals, and you even see a mini-reunion with some Odd Future members. He might be really the guy. Check out the Tyler-directed video below.
There’s no better time than now to elevate the Certified Banger section. Featuring Tanyka Renee also feels like an early Christmas gift—and you’re welcome for it.
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SZA is finally releasing the long-awaited deluxe edition of her hit album SOS with Lana. Tonight, she drops a track from the project titled “Drive,” accompanied by a music video featuring none other than Ben Stiller driving aimlessly in the middle of the night while listening to SZA. (When I first saw a preview of this video, I assumed it was some sort of Severance crossover promo.)
My favorite part comes at the end, where we get to see SZA as the sexiest bug alien ever. Now her Hot Ones appearance makes so much more sense. It’s all cool, weird, and quintessentially SZA.
Check out the Bradley J. Calder-directed video below.
Bas has released the music video for his song, “Light of My Soul.” The video features behind-the-scenes footage as well as shots of the rapper in tranquil, picturesque settings. While it’s unclear why Bas chose to drop a visual for a track from an album that came out almost exactly a year ago, the song is a favorite of mine and has been on the Official nappyafro Playlist for a minute. Check out the Kian Broder Wang-directed video below.
Ab-Soul drops the music video for his track “California Dream,” featuring Vince Staples and Kamm Carson. The visuals showcase the Los Angeles rapper outside his crew, with additional clips intercut, including scenes of 9th Wonder crafting the production. “California Dream” is the fourth track on Ab-Soul’s latest project, Soul Burger (Which is pretty good). Watch the video below.
We’re not too superstitious around here, but why not boost your good luck by checking out the captivating Destiny Le? Happy Friday the 13th.
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Kendrick Lamar is cementing his legacy in Hip-Hop with an extraordinary run. This year, he defeated one of the most commercially successful rappers (outside of Eminem) in a highly publicized battle, forced elite MCs to take shots at him only to later apologize, and was chosen as the Super Bowl LIX halftime show headliner—a spot many, including Lil Wayne, thought would naturally go to Wayne. Most impressively, Kendrick accomplished what few could: uniting Los Angeles, even if only briefly.
Despite all this, I didn’t anticipate a new Kendrick album for at least another year. He’s the kind of artist who only steps into the spotlight when he has something monumental to share. While Drake’s moves may have drawn him out, I assumed he’d retreat to his usual solitude afterward. That assumption seemed accurate when things went silent following his “Not Like Us” concert and video release on July 4th.
Dot kept a low profile after the video, with the exception of a few subtle shots at Drake. Even after being announced as the 2025 Super Bowl headliner in New Orleans, he maintained his characteristic quietness—until November 22, 2024. That’s when Kendrick shocked the world with the surprise release of his album, GNX.
Before diving into the music, it’s crucial to recognize the significance of this project. Not only does GNX follow his historic battle with Drake, which solidified his status as the undisputed king of Hip-Hop, but it also marks a major shift in his career. This is Kendrick’s first release since leaving Top Dawg Entertainment, the label that defined much of his legacy, and his debut under his own imprint, pgLang.
The stakes are higher than ever. Can Kendrick deliver another masterpiece without his old team, and after what many consider one of Hip-Hop’s greatest battles?
Let’s find out.
1. Wacced Out Murals
Produced by Sounwave, Jack Antonoff, Dahi, Craig Balmoris, Frano, Tyler Reese, & M-Tech
The album opens with an evocative performance by Deyra Barrera (uncredited), who sings in Spanish over a moody beat that builds with haunting synths and minimalist percussion. While the lyrics are open to interpretation, a rough translation reveals she says, “I feel your presence here, last night, and we start to cry.”
Kendrick enters with the line, “yesterday somebody wacced out my mural,” addressing a series of recent personal and industry-wide issues. The song intertwines introspection with commentary on the state of Hip-Hop, referencing legends like Lil Wayne and Snoop Dogg while exploring the fragility of legacy. The minimalist yet potent production mirrors Kendrick’s piercing lyricism, making it a striking way to set the tone for the album.
- Squabble Up
Produced by Sounwave, Jack Antonoff, Kendrick Lamar, Scott Bridgeway, & M-Tech
This track opens with the instrumental used in the “They Not Like Us” video, and it’s a welcome surprise for fans. Built on a sample of Al Green’s “Let’s Stay Together,” the production blends the soulful essence of the 1970s with the funky swagger of west coast Hip-Hop.
Kendrick uses this upbeat and danceable track to deliver sharp critiques of the industry, posing questions like, “Tell me why the fuck you niggas rap if it’s fictional/Tell me why the fuck you niggas fed if you criminal.” The contrast between the buoyant beat and his incisive lyrics creates a dynamic listening experience that balances fun with depth.
- Luther
Featuring SZA; Produced by Sounwave, Jack Antonoff, Cardo Got Wings, Kamasi Washington, Scott Bridgeway, Roselilah, & M-Tech
A standout track inspired by Luther Vandross’s classic R&B, “Luther” samples “If This World Were Mine” and features a radiant performance by SZA. The production layers lush melodies and rich instrumentation, creating a warm, soulful backdrop.
Themes of love, resilience, and personal growth dominate the lyrics. SZA’s smooth, expressive vocals complement Kendrick’s introspective verses. With its timeless appeal, “Luther” feels destined for heavy rotation and will likely become a highlight of live performances, from concerts to Super Bowl appearances.
- Man at the Garden
Produced by Sounwave, Jack Antonoff, M-Tech, Craig Balmoris, & Tyler Reese
“I deserve it all” serves as the anthem for this introspective track. Kendrick’s repeated mantra over slow, heavy percussion invokes the same meditative energy as Nas’s “One Mic.” The song’s verses grow in intensity, culminating in a fiery final verse where Kendrick raps:
“Keep these bitch niggas away from me / Keep all my blessings faithfully… More blood be spillin’, it’s just paint to me.”
This verse seems to address competition with peers like J. Cole and Drake, questioning their claims to greatness while asserting his own place in the pantheon of Hip-Hop. The restrained yet powerful production allows Kendrick’s dynamic vocal delivery to shine.
- Hey Now
Featuring Dody6; Produced by Mustard, Sounwave, & Jack Antonoff
With its infectious hook (“Hey now, say now”) and funky west coast vibes, “Hey Now” channels the danceable energy of early 2000s Hip-Hop. Kendrick’s playful yet intricate rhymes make this a standout party track, while Dody6 delivers a charismatic guest verse that adds to the song’s fun, carefree spirit. The production’s blend of Mustard’s signature bounce and layered instrumentation ensures this track will be a crowd favorite.
6. Reincarnated
Produced by Kendrick Lamar, Sounwave, Jack Antonoff, Noah Ehler, & M-Tech
Sampling 2Pac’s “Made Niggaz,” “Reincarnated” reimagines the classic beat to explore themes of legacy and redemption. Each verse tells the story of a different life, culminating in Kendrick’s own.
The first verse depicts a male musician’s rise in the 1940s and 1950s, while the second portrays a “musical genius” struggling with addiction, possibly inspired by Billie Holiday. The final verse reveals Kendrick’s current journey and ends with a conversation with God, tying the narratives together and hinting at his redemption from a past life as Lucifer.
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TV Off
Featuring Lefty Gunplay; Produced by Mustard, Sounwave, Jack Antonoff, Sean Momberger, & Kamasi Washington
With its energetic production, “TV Off” feels tailor-made for a homecoming celebration. The beat’s vibrant layers and a mid-song switch showcase Mustard’s signature touch. Kendrick’s animated delivery and Lefty Gunplay’s outro add to the celebratory mood. The track’s infectious energy and meme-worthy moments ensure it will resonate widely. -
Dodger Blue
Featuring Wallie the Sensei, Siete7x, & Roddy Ricch; Produced by Sounwave, Terrace Martin, Jack Antonoff, Tane Runo, & Tim Maxey
A heartfelt ode to the Los Angeles Dodgers, “Dodger Blue” slows the tempo with smooth, melodic production. Kendrick’s verses paint vivid imagery of his love for the city, while guest features from Wallie the Sensei, Siete7x, and Roddy Ricch add depth and texture. This track’s reflective tone provides a welcome shift in the album’s pacing. -
Peekaboo
Featuring AzChike; Produced by Sounwave, Scott Bridgeway, & Sean Momberger
A high-energy banger, “Peekaboo” features a hypnotic hook: “What they talkin’ ’bout? They ain’t talkin’ ’bout nothin’.” Kendrick’s rapid-fire delivery and AzChike’s vibrant guest appearance make this track a surefire hit. The catchy refrain and pulsating beat create an electrifying atmosphere that will leave listeners hitting replay. -
Heart Pt. 6
Produced by Sounwave, Jack Antonoff, Juju The Fool, & M-Tech
The latest installment in Kendrick’s iconic “Heart” series, this track offers a raw, introspective look at his journey. Kendrick reflects on his early days with Top Dawg Entertainment, reminiscing about Jay Rock’s early career, Ab-Soul’s lyricism, and Schoolboy Q’s rise. He also grapples with the dissolution of Black Hippy, expressing guilt and regret while reaffirming his commitment to personal growth. The heartfelt lyrics and soulful production make this a deeply moving entry in the series. -
GNX
Featuring Hitta J3, YoungThreat, & Peysoh; Produced by Sounwave, Jack Antonoff, Rascal, Kenny & Billy, & Tim Maxey
A hard-hitting track where Kendrick steps back to let Hitta J3, YoungThreat, and Peysoh shine. While Kendrick’s contributions are limited to ad-libs and the hook, his presence amplifies the track’s infectious energy. The relentless beat and standout verses from the guests make this an undeniable highlight. -
Gloria
Featuring SZA; Produced by Deats, Sounwave, & Jack Antonoff
On “Gloria,” Kendrick personifies his pen, exploring their complex relationship as though it were a love affair. The song’s narrative is so vivid that listeners may initially believe it’s about his wife, Whitney Alford. SZA’s ethereal vocals add a layer of emotional depth, and the laid-back production perfectly complements the track’s introspective tone. This is a masterclass in storytelling through music.
BOTTOM LINEKendrick’s latest album marks a significant shift in his career. He’s moved beyond the “I’m just happy to be here” phase and fully embraced the “I’m the guy” chapter—a stage every great rapper who’s achieved what Kendrick has inevitably enters. Known for his usually non-confrontational demeanor, Kendrick reveals a more aggressive side on this album, even addressing other rappers by name, including Wayne and Snoop. While these mentions aren’t disses, they stand out because Kendrick rarely acknowledges other artists or their critiques of him.
What’s striking about this album is Kendrick’s presence. While much of his past work has been reflective or conceptual, this project feels rooted in real-time experiences. It’s as though Kendrick is speaking directly from the present, creating something immediate and raw.
For years, critics have claimed that Kendrick couldn’t make hits or produce “slaps.” He’s responded with an album that has at least six potential hits and plenty of undeniable bangers. Most importantly, Kendrick has delivered a true west coast album. Although some of the features don’t add much, he’s provided a platform for emerging west coast artists to shine.
Subtly but surely, Kendrick also takes shots at Drake throughout the album, adding another layer of intrigue.
While the album is undeniably excellent, placing it within Kendrick’s broader catalog is challenging—it’s both a departure and a testament to his evolving artistry.
Everybody’s favorite interviewer, Nardwuar, heads to Camp Flog Gnaw 2024 to interview one of hip-hop’s most fascinating figures, André 3000. In the video, André discusses his life and career, touching on his early days in Atlanta, his groundbreaking work with Outkast, his solo ventures, and, naturally, his passion for playing the flute.
Doechii’s NPR Tiny Desk Concert is a fitting addition to an already outstanding year, marked by the release of her major label debut, Alligator Bites Never Heal, and receiving three Grammy nominations. During the performance, Doechii showcased her incredible stage presence as she performed eight of her songs. However, what stood out most was the powerful representation on display: every musician and background singer was a Black woman, adorned with braids and beads. It was a beautiful moment to witness. Salute to the Swamp Princess.
Doechii, known as the “Swamp Princess,” arrived at NPR HQ radiating confidence. She moved with purpose, knowing exactly what she wanted and how to achieve it. Her declarative statement, “I’m everything,” from “BOOM BAP” off her Grammy-nominated mixtape, ALLIGATOR BITES NEVER HEAL, was on full display in her Tiny Desk debut.
Backed by a full band, horns and two background singers, Doechii’s performance was a masterclass in creativity. Sporting vintage academia looks, complete with matching cornrows and beads, Doechii delivers a freshly rearranged medley of cuts from ALLIGATOR BITES NEVER HEAL, tailored specifically for Tiny Desk. While hip-hop remained at the core, she truly gave us everything: a jazz arrangement of “BOOM BAP,” heavy rock vibes on “CATFISH” and a Southern praise break outro on “NISSAN ALTIMA.”
She closed her set with “Black Girl Memoir” from her debut album, Oh The Places You’ll Go. Before performing, she shared, “I wrote this song specifically for Black women. As a dark-skinned woman, there’s a very unique experience I’m trying to internalize … This is dedicated to all the beautiful Black women in the room.” While her star has been steadily on the rise since her debut, 2024 is shaping up to be the year Doechii cements herself as a household name.
SET LIST
“BOOM BAP”
“BOILED PEANUTS”
“DENIAL IS A RIVER”
“CATFISH”
“NISSAN ALTIMA”
“BULLFROG”
“HIDE N SEEK”
“Black Girl Memoir”
For this edition of Certified Banger, today’s model hardly needs an introduction, as she boasts over 2 million followers on Instagram alone—the phenomenal Juanita Vargas. We’ll let her pictures below speak for themselves.
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Freddie Gibbs has released a new music video for “Cosmo Freestyle,” the second track from his latest project, You Only Die Once. The straightforward, low-key video features Gibbs in Las Vegas, where he relaxes on rooftops, chills in hotel rooms, and cruises down the Strip in a Hummer. The video captures the vibe of the song. Check out the Jonah Schwartz-directed video below, and then read our album review of You Only Die Once.
It is 2011 and Goblin had just dropped. If you were to ask me what my thoughts were on Tyler, The Creator or anyone in Odd Future, I would’ve said, “not for me”. At that time I was heading into my mid-20s and everything from the “Yonkers” video, to their antics in and out of the music, the rampant homophobia (intentional or not), the “KILL PEOPLE BURN SHIT FUCK SCHOOL” mantra they and their fans lived by, not only was I detached from it but in my opinion, represented nothing that I wanted from music, specifically Hip-Hop at that moment in time. When it came to the west coast, I was more TDE than OF. That trend continued with Tyler’s later releases, Wolf and Cherry Bomb where he would wear his influences HEAVY on his sleeve (Pharrell, Kanye, etc.) yet lacked the emotional maturity to pull off something that even my jaded ass could enjoy.
Yet in 2017, something changed. Tyler would release Flower Boy, where it appeared he began to bring it all together. Playful melodies, clever wordplay, a look into what Tyler is going through outside of the glitz and glitter (no pun intended). An album my wife-then-girlfriend enjoyed heavily outside of BROCKHAMPTON’s trilogy that year, while not even being a Hip-Hop head. While 2019’s IGOR lacked in rapping, it made up for in having ear worms in the form of pop & alternative R&B songs, where 2021’s Call Me If You Get Lost gave me everything that I wanted, where this was Tyler at his peak as a rapper, producer and curator. Three years later and CHROMAKOPIA arrives and after a deluxe edition release and an extended break from his usual release schedule, where is Tyler’s mindset in the current frame of the world?
1. St. Chroma
Featuring Daniel Caesar; Produced by Tyler, The Creator
The first track accompanied by Mr. Daniel “All Smiles” Caesar. So on first listen, I wasn’t really feeling this as much. However, with repeated listens, I understand more of what the intent behind this song is from a lyrical standpoint. His mother begins the track and will throughout the album sprinkle tidbits of advice to Tyler, on how to navigate through the music industry, relationships and life in general.
- Rah Tah Tah
Produced by Tyler, The Creator
And now we are here. The bangers that we are accustomed to from Tyler. Tyler is on his bragging shit, talking about the money he’s got, the women that he (probably) screws. Brag raps can get old but if you have enough clever wordplay you can make it work. The line that stuck out the most is
The biggest in the city after Kenny, that’s a fact now
To be honest, with his string of albums, he may be right.
-
Noid
Produced by Tyler, The Creator
For a “lead single”, I was a bit iffy on this at first. However, this grew on me over time when I actually sat down and paid attention to what’s going on. I like the guitar sample and the African chanting during the chorus (which I later found out is a sample altogether). Lyrically, this is Tyler dealing with the headaches that fame brings and the bigger you are, the less time you have to keep your peace of mind. -
Darling, I
Featuring Teezo Touchdown; Produced by Tyler, The Creator
As relatable as the song is thematically, I am not the biggest fan of Tyler’s singing, so as “endearing” as the song may sound, it would’ve been better if Teezo just handled the singing duties all by himself, because he killed his parts, but Tyler made up for it with his verses. -
Hey Jane
Produced by Tyler, The Creator
So far, the most personal song on this album. Also, the most relatable to me. Being in a relationship, the tug-o-war of commitment, especially when the prospect of children is brought into the fray. It’s weird because we’ve heard Tyler be personal before, but it has you wondering… “Tyler, are you hiding a child?” -
I Killed You
Produced by Tyler, The Creator
What a difference reading the lyrics makes, because a song that was already a bop takes on a whole new meaning when you realize that Tyler is talking about identity, specifically around how we see ourselves with our own hair. As someone who only gets a haircut once or twice a year, I can say with confidence, that I am happy to be nappy for most of the year. -
Judge Judy
Featuring Childish Gambino; Produced by Tyler, The Creator
This is another example of how a song that has such a deeper meaning than what you get from listening to it passively. Similar to “Darling, I”, as much as I appreciate the song’s concept and intent, I’m not moved at all by Tyler or Gambino’s singing on this one. -
Sticky
Featuring GloRilla, Sexyy Red, & Lil Wayne; Produced by Tyler, The Creator
This is the perfect example of having multiple features on a song but not have them overstay their welcome, but somehow it leaves you wanting more. Big Glo ready to fight somebody, Sexyy Red is her usual ratchet self, Wayne trying to make things rhyme that shouldn’t and Tyler flexing at the end. It’s like crunk for 2024 but not enough to scare suburban white kids.
9. Take Your Mask Off
Produced by Tyler, The Creator
We’ve heard Tyler get personal in the past with songs like “Answer”, “Garden Shed” and more, but it’s a song like “Take Your Mask Off” where you really start to feel for him and where he is in his journey. A song like this is a continuing progression of Tyler showcasing his vulnerability throughout his late-career albums and beginning to shed the immaturity and recklessness of his earlier output and we’re starting to get the real Tyler.
-
Tomorrow
Produced by Tyler, The Creator
The theme of this song is very akin to Kanye’s “Welcome to Heartbreak” on how Tyler yearns to appreciate the simpler things in life but instead all he has around him are material possessions. I’ve mentioned that I’m not a fan of Tyler’s singing, but this is one of the few songs where it’s impactful, where you’re hearing the pain in his voice. It starts to lose me a bit once the pitch shifting and synths come in on the last chorus but it’s not too much of a detriment. -
Thought I Was Dead
Featuring ScHoolboy Q & Santigold; Produced by Tyler, The Creator
This is the banger of the album and maybe the song I go back to the most. I guess I’m just in a mood for more uptempo tracks to combat this incoming wintery desolation. Q understands the assignment and does what we come to him for and Tyler is rapping like he’s making a statement. If there is any song you go to on CHROMAKOPIA, this is the one. Also, Santigold, where you been at? -
Like Him
Featuring Lola Young; Produced by Tyler, The Creator
I do not care for this song. Understand, there is a difference between not caring for a song and hating it altogether. It’s not that the song is bad but it’s due to one of the reasons that I don’t often go back to IGOR, I come to Tyler for his raps and not his singing and a lot of his singing often comes off as forced especially with the effects thrown to his voice. So I am not going back to this one and if you plan to do this song at karaoke, have a gang of helium tanks around so you can create the feeling. -
Balloon
Featuring Doechii; Produced by Tyler, The Creator
When I saw Tyler and Doechii perform this at Camp Flog Gnaw this year, I’m thinking to myself, “these two complement each other so well”. There’s no overarching theme or concept, it’s just two emcees, poppin off for three minutes. Believe me, after the heaviness of the last few songs, this in addition to “Thought I Was Dead” was necessary. -
I Hope You Find Your Way Home
Produced by Tyler, The Creator
The closer of the album and Tyler wraps everything up in a bow and the last voice we hear is his mom and now proud she is of him and to keep letting his light shine. What to take away from it? Tyler is that nigga and that bitch!
BOTTOM LINEThere’s a reason I don’t like reviewing albums on the first few listens. The various elements that you find on an album like CHROMAKOPIA, won’t be as easy to detect on the first try. Nowadays, it takes weeks if not months for me to really latch on to an album especially when things are thrown at you non-stop in the days of streaming. I’m glad I took my time with this one, because I guarantee you, had I wrote my review the week it came out, I would’ve told you, this is the first time in a while where I was disappointed with what I got as a listener and a fan.
Flower Boy changed my mind on who Tyler is as a rapper, IGOR shifted my musical palette into accepting more than just rap on a surface level from him, Call Me If You Get Lost, years later, is an overall masterpiece and CHROMAKOPIA this year, cements Tyler’s position as a generational artist. It depicts Tyler finally shedding the skin of his insecurities and revealing that confidence that he’s had this whole time, but with every album, layers begin peeling off. Tyler, the Creator is finally comfortable in his own skin, allowing himself to be vulnerable and not hide behind childish antics and in doing that, has made his best work to date.
In other words, Kenny better step his shit up.
)This might feel like an odd time to revisit Shyne. J. Cole just released his pre-fame projects on
DSPs, and Kendrick Lamar surprised us with a new album. Yet, for some reason, Shyne’s story
has been at the forefront of my mind lately. Why? I recently watched Hulu’s documentary The
Honorable Shyne, and it left me in awe.
I never realized how many layers there were to Shyne’s early career. The bidding war for him,
despite having no record? That was a revelation. The tension with Ma$e over Brandy? Totally
new information. And I had no idea that the infamous club shooting occurred before his debut
album even dropped—and how much of a struggle it was to get the album released.
All these revelations compelled me to revisit this album, which some outlets have even labeled a
classic.
1. Dear America (Intro)
Produced by Shyne
“Dear America, I’m only what you made me / Young, Black, and fucking crazy, please
save me.” These are the opening lines of Shyne’s debut album. The first track is devoid
of a beat, with Shyne delivering a raw, poetic reflection on his life and perspective.
-
Whatcha Gonna Do
Produced by Dee Trotman
The first instrumental kicks in, immediately setting the tone for the album. The gritty
snares and menacing strings perfectly complement Shyne’s dark, unapologetic lyrics.
While the intro offers a glimpse into Shyne’s perspective, this track introduces his
actions. The hook, where he asks, “What you gonna do when shit hits the fan, take it like
a man or snitch like a bitch?” solidifies the gangsta persona Shyne clearly aimed to
cultivate for the project. -
Bang
Produced by Yogi
Yogi provides Shyne with a lighter, more infectious beat, featuring lively drums and
playful air instrumentation that feels like it belongs at an exotic festival. Surprisingly,
Shyne’s dark, crime-infused lyrics blend seamlessly with this upbeat backdrop. He raps,
“Prolific words, I speak for the unheard / Niggas who love guns, money, girls, and furs,”
showcasing his sharp wordplay. Notably, if you listen closely, you can catch Diddy
dropping rare ad-libs on this track, a departure from his usual absence on the album. -
Bad Boyz
Featuring Barrington Levy; Produced by EZ Elpee
I won’t spend too much time on this track, but it’s been a staple in my workout playlist
since I first started making them. With an infectious hook, hard-hitting beats, and gritty
lyrics, this is undoubtedly Shyne’s biggest song of his career. -
Let Me See Your Hands
Produced by Shampelle Everett
The strings on this track remind me of another song, though I can’t quite place it. Once
the full beat drops, however, it establishes its own identity. The string-dominant
production, paired with a strong bass, is simple yet perfectly complements Shyne’s
straightforward hook. This track could have easily been a street single, amplifying the
album’s buzz. -
Gangsta Prayer (Interlude)
Produced by Mario Winans
“The Lord is my Shepherd, let’s get this coke measured” opens Shyne’s “Gangsta Prayer”. If you
expected the gangsta persona to soften at this point in the album, you’d be mistaken.
The eerie instrumentation beneath his prayer only intensifies the track, evoking the
atmosphere of a horror movie as the villain stalks their victim.
-
The Life
Produced by Nashiem Myrick, Mario Winans, & Sean “Puffy” Combs
The music on this track is much more upbeat than anything earlier on the album. While
still haunting, it’s enriched with lush, atmospheric undertones, reminiscent of the
signature Bad Boy sound. Shyne’s lyrics remain gritty, yet also introspective, maintaining
his mafioso persona that runs throughout the entire album. -
It’s Ok
Produced by Daven “Prestige” Vanderpool, Sean “Puffy” Combs & Mario Winans
This is the grooviest track on the album. Before this, I couldn’t have imagined Shyne
rapping over a beat like this. Not only is it smooth and groovy, but the laid-back vibe
allows Shyne’s gritty rhymes to hit even harder, making a stronger impact than some of
the other tracks.
9. Niggas Gonna Die
Produced by The Neptunes
Another haunting and ominous beat, this time crafted by The Neptunes, giving it a sound
reminiscent of their work on Lord Willin’. The beat features sharp percussion and a
bass line that seamlessly fits with the rest of the album’s dark atmosphere. Lyrically,
Shyne paints himself as a cold, calculated figure of street justice, commanding the
narrative with lines like, “My point of view is me or you, and I’ma burn anyway,”
solidifying his dominance and resolve.
-
Everyday (Interlude)
Produced by Shyne
This interlude features two young ladies expressing jealousy over another woman dating
Shyne. It sets the stage for the next track, seamlessly leading into the album’s next
chapter. -
Bonnie & Shyne
Featuring Barrington Levy; Produced by Chucky Thompson
This reggae-influenced track is laid-back and captivating, with mellow, soulful sounds
that still retain an edge, allowing Shyne to stay true to his style. His gangsta persona
remains intact, but this time he blends it with a love story reminiscent of Bonnie and
Clyde. Barrington Levy makes another appearance on the album, adding to the track’s
allure. -
The Hit
Produced by EZ Elpee, Sean “Puffy” Combs, & Mario Winans
Simple and gritty is the best way to describe this production. It almost sounds like
Shyne’s vocals were recorded first and then the production was created around his
voice. Shyne’s descriptive rhymes and flow are the closest to Biggie on this song. He
creates an amazing story. This is a highlight of the album. -
That’s Gangsta
Produced by Sean “Puffy” Combs & Mario Winans
The track kicks off with Shyne rapping, “Hustler, Bad Mother Fucker,” instantly setting
the tone. The beat is heavily inspired by “It’s Funky Enough” by The D.O.C., and it’s one
of those tracks that speaks for itself. With dope rhymes over a dope beat, this might just
be my favorite track on the album. -
Spend Some Cheese
Produced by Mario Winans
I’m not a fan of this production. It tries to create a laid-back, mellow vibe, but it feels too
cluttered. Oddly, this is the first track where Shyne sounds a bit uncomfortable. I’m not
sure this one adds much to the album. -
Get Out
Featuring Slim of 112; Produced by Mario Winans
Here we go! This beat does what the last one couldn’t. It’s smooth, mellow, and simple
— exactly where Shyne shines (no pun intended). Slim makes a brief appearance,
mainly in the background. Had Shyne not faced legal issues, this could have been a
massive hit. -
Commission
Produced by Nashiem Myrick & Jay “Waxx” Garfield
The outro track features Shyne over another brooding, dark, and gritty beat, perfectly
closing the album. For the first time, he directly references his upcoming trial with the
line, “Crime pays, nigga, Nine-Hundred and Ninety-Nine ways my destiny’s vague, will I
survive or blow trial? Lay shot up, Puff cryin’ in denial while my enemies smile.” In
hindsight, given what we know now, this song feels like the perfect way to end the
album.
Bottom Line:I’m genuinely surprised by how good this album is. Is it as polished as other Bad
Boy releases from the era? Not quite. But does Shyne display more enduring talent than
contemporaries like Black Rob or G-Dep? Absolutely. The fact that this project was crafted by a
19-year-old is remarkable.
Some of the album’s weaknesses are understandable given the circumstances surrounding its
creation. While Diddy contributes occasional ad-libs and holds a few production credits, his
involvement feels minimal compared to the hands-on approach he took with other artists. More
of Puff’s influence might have elevated this project.
That said, the album’s strengths stand out. Shyne crafted a persona and maintained it
consistently throughout the project. Though often compared to Biggie, Shyne delivers a grittier,
rawer experience than even Ready to Die.
Is this album a classic? Yes—but not solely because of its musical quality. Let me explain.
Shyne dropped three years after Biggie’s untimely death and just one year after the infamous
nightclub shooting involving Shyne, Diddy, and J. Lo. These events, paired with Diddy’s current
legal troubles involving sexual assault allegations, cast a new light on Shyne’s career. In many
ways, he might have been one of the first casualties of Diddy’s ambitious, often exploitative, rise
to power.
What better way to unwind this holiday weekend than with a post-Thanksgiving edition of the Certified Banger section? Today, we’re giving thanks to Rayaaj, a gorgeous “London gal” with some truly remarkable qualities. You’re welcome.
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Hot off the surprise release of his album GNX last week, Kendrick Lamar fuels the fire with the official music video for “Squabble Up.” The song generated major buzz since it appeared as a snippet in the “Not Like Us” video, leaving fans eagerly awaiting the full experience.
The Calmatic-directed video lives up to the hype, showcasing K.Dot’s signature creativity. It unfolds entirely within one room, but the scene is constantly in flux with a diverse cast of characters representing west coast culture and Black identity as a whole.
Brazil is renowned for its stunning women, and Anna Nolatto is a perfect example. This gorgeous model reminds us why we appreciate a nice body in a swimsuit—and why a trip to Rio de Janeiro should be on our list.
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I was just wondering what happened to Jack Harlow in terms of his music. The last update I saw was him on Twitter, talking about having an existential crisis at a Texas Roadhouse. However, he’s back now with a new song and music video titled “Hello Miss Johnson.”
It’s a laid-back, low-key love song featuring a hook where the Kentucky rapper addresses the mother of his love interest: “Hello, Miss Johnson, you know why I’m callin’/You know I’ve been fallin’, fallin’ for your daughter.”
The visuals for “Hello Miss Johnson,” directed by Yulya Shadrinsky, depict the mundane yet quirky life of an upper-middle-class neighborhood. Check it out below.
Back at it again with another Notable Tracks post—where I pick three tracks I’ve been listening to lately and share my thoughts. This one’s a brief edition, but it’s still a good one.
Since I have some space here, we recently released a new edition of our newsletter, so be sure to check it out And hit up our Patreon too while you’re at it. Alright, enough with the ads—let’s get to it.
Jay-Z & Kanye West – “Otis (Potato Salad Remix)”Produced by Missy Elliott & Kanye West | N/A
This is a simple one: ~~The Throne~~ Jay-Z and Kanye West‘s verses from “Otis” over “Potato Salad” by Tyler, the Creator and ASAP Rocky. Well I guess technically it’s them rapping over “Knock Knock” by Monica, but you get it. Also, while writing this I was reminded that Missy Elliott and Kanye actually produced “Knock Knock”.
The Alchemist feat. Larry June – “Details”Produced by The Alchemist | The Genuine Articulate
The Alchemist continues to be one of my favorite producers, and his latest project, The Genuine Articulate, is further proof of why. I chose the track “Details,” featuring Larry June, mainly because it was used in a reel on our Instagram page. You’re welcome.
Sailorr – “Pookie’s Requiem”Produced by Zach Ezzy, Jack Dine, SAINT MINO, & Adam Krevlin | N/A
Sailorr recently went viral for her From The Block performance of “Pookie’s Requiem.” And yes, she does sound a lot like SZA—but honestly, I don’t care because I like the song.
I couldn’t find any interviews with Sailorr, but I did see my imaginary girlfriend Qui Yasuka explaining what Ohaguro is (the black grills Sailorr wears in the video). Based on that, I assume Sailorr is Japanese. Either way, we’ll be keeping an eye on her.
After a short break, the Certified Banger section returns. This time, we’re featuring the gorgeous and flexible Autreyaa. Not only is she our new imaginary girlfriend, but she also raps under the stage name MsMi. Either way, we’re smitten.
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A couple of weeks ago, GloRilla posted a picture on social media showing her posing with actor Da’Vinchi while appearing to be pregnant. Although most people figured the rapper wasn’t actually expecting, the picture was an advertisement for her upcoming music video for the song “I Luv Her,” featuring T-Pain. The video shows Glo and Da’Vinchi going through different stages of a relationship—from their first meeting to marriage and then to pregnancy—and has a nostalgic, early-2000s vibe.
I also remember this song causing a buzz when it was discovered that rapper Erica Banks apparently had the song first, T-Pain feature and all. Check out the music video below.
The past couple of years have been full of ups and downs for Freddie Gibbs. After releasing his fifth studio album, $oul $old $eparately—currently his highest-charting album on the Billboard charts—it felt like Gary, Indiana’s own was making headlines more for controversies outside of music. The news seemed dominated by his clashes (including physical altercations) with Benny The Butcher, and his tumultuous and toxic romantic relationship (I won’t even get into the “Spreadie Gibbs” situation). During this period, Gibbs’s musical output also slowed, which is unfortunate because, in my opinion, Freddie Gibbs is arguably one of the best gangster rappers, with a discography to back it up.
But now, Gangsta Gibbs returns with a new album, You Only Die 1nce. Although there were hints, the album was still a surprise release (it even came with a “Devil Direct Hotline”). While Freddie Gibbs has other interests and endeavors beyond rap, let’s see if this album brings his music back to the forefront.
1. Status
Produced by Pops & K-Notes
Over an eerie beat, Gibbs does what he does best: rapping about his come-up and, naturally, drug dealing. I don’t have a problem with that—Freddie has a talent for detailing his life in the drug trade. It’s a short song that serves as an intro, ending with the devil—voiced by none other than Slink Johnson, aka Black Jesus—asking Freddie if he’s really leaving the streets behind and “strayin’ from the program.” This ongoing theme is a strong setup for the rest of the album.
-
Cosmo Freestyle
Produced by DJ Harrison, Ben “Lambo” Lambert, Pops, Lowner, & Mischa Chillak
I wish Freddie had given us another verse here. Over a piano-led, soulful beat, he raps about leaving the streets, women, and out-rapping his peers. But without the devil’s interlude—who returns to entice Freddie at the end of this song—it’s not even two minutes long. Side note: Has Freddie’s manager Ben “Lambo” Lambert always been a producer? You’ll see his name a couple more times on this project, and I wasn’t aware of this before. -
Wolverine
Produced by 454, Pops, & Moo Latte
For me, this is the first track on the album that feels like it could have been on Bandana or Piñata (especially with the slight beat switch midway through). It’s another song where Gibbs delivers just one verse with no hook, but I’m not complaining—he’s really spitting here:
Slammin’, dollar sign G’s like Vito Genovese
Devil’s in position, they itchin’, wishin’ to get a piece
Rap wolverine, I proceed to survive the murder scene
You can’t be my nigga if we can’t share the same enemies
Niggas lactose intolerant to this cheddar cheese
Youngins poppin’ pills laced with fentanyl and amphetamines
Get your brother whacked while I’m fuckin’ off in the Philippines
I’m judge, jury, and executioner with this guillotine
-
Brick Fees
Produced by YG! Beats, Walbrook Santana, & Pops
“Brick Fees” is a wild title for a song, and as soon as I saw it, I imagined all the ways Freddie might rhyme with it—and he does just that (“Six-speed, fuckin’ on a mixed-breed”). I thought the hook might get repetitive (brick fees, Swiss cheese, bitch need, flip screen, etc.), but he doesn’t overdo it. Plus, the evolving production really keeps the track fresh. -
Rabbit Island
Produced by Pops & Ben “Lambo” Lambert
I was ready to dock points from this song for the off-key hook—until I realized it’s actually Freddie singing, so I’ll let it slide for comedic effect. Despite that, this is one of my favorites on the album. The beat seems to draw inspiration from Earth, Wind & Fire’s “Devotion” and has the Gary, Indiana rapper dropping lines like:
Still thuggin’, hoes frontin’
Niggas underrate me like Jalen Brunson, but yo, I’m leavin’ with somethin’
I’m from around the way, ho can’t take my crown away
Starvin’ in that cell, feel like I lost like three, four pounds a day
Growin’ up in the G, might have to duck at least four rounds a day
Don’t wait ‘round for no ambulance, bitch, ándale
Murder always complicate, once it’s up, it’s outer space
Niggas wanna have a kumbaya, but I can’t conversate
A standout track on the album.
-
It’s Your Anniversary
Produced by Thurston McCrea & Ben “Lambo” Lambert
I remember hearing this track about a year ago, and yes—it’s literally Freddie’s take on Tony! Toni! Toné!’s classic song “Anniversary”. This feels like street mixtape material, but since those aren’t really a thing anymore, here it is on a studio album. It’s kind of low-effort but undeniably catchy. If it were formatted better and a little longer, it could’ve been a solid single. -
Nobody Like You (Interlude)
Produced by Pops & Mischa Chillak
You know that thing rappers used to do on interludes when they have voicemails featuring women? This is that but with the devil sprinkled in.
8. Yeah Yeah
Produced by Pops & Moo Latte
In this track, Freddie raps about dealing with fame and everything that comes with it—women, drugs (is that a sniff at the beginning?), and the need to “unplug from the matrix.” I’ve always thought that once Freddie gains a stronger foothold in acting, he might be done with rap, and this song kind of confirms it (“And I barely be rappin’, but ho, when I turn on the flow, I’m a motherfuckin’ poet”). Solid track.
-
Steel Doors
Produced by BNYX®, Pops, Moo Latte & iloveit!
Over a haunting beat, Gangsta Gibbs takes us back to the crack house with “Steel Doors.” He raps about stealing drugs and unknowingly being around snitches. Nothing groundbreaking here, but it’s a solid album track. -
Walk It Off
Produced by 454
On “Walk It Off”, Gibbs switches up his flow to a faster, more melodic style. There’s two versions of Freddie Gibbs: the straight-up rapper and the singing, fast-flow version featured here. Personally, I always preferred the former, but that’s just me. The production is smooth on this one, though. Yeah, yeah. -
Ruthless
Produced by Ben “Lambo” Lambert & Pops
Much like “It’s Your Anniversary”, where Gibbs rapped over Tony! Toni! Toné!’s “Anniversary”, “Ruthless” finds him spitting over 112’s “Cupid”. I like this one too, but it feels like more could have been done on the production side—it’s a great sample but uses the exact loop you’d expect.
On the lyrical side, Gibbs talks about dealing with women and reflects on his last disastrous (and public) relationship:
If I wasn’t rappin’, I’d still be comin’ down on candy slab
Told her, “If the internet crashed, you’d just be sellin’ ass”
Louis bags, Prada boots
I show too much love to the strippers, scammers, and prostitutes
Left they other kids to come fuck with me, irresponsible
Funnily enough, the devil shows up toward the end, saying he’s the one who gave Freddie the “stupid bitches.” Well…
-
Origami
Produced by Coleman & BNYX®
“Origami” opens with a sample of Muammar Gaddafi and ends with a message from (presumably) rapper Lil’ Sodi, to whom Freddie dedicates a few lines (“Man, I miss my nigga Sodi, I still remember them days”). The track has a somber yet glamorous feel; either way, it’s well-executed. Gibbs delivers some standout bars here too (“Sixteenth seed, bitch, I’m breakin’ through, like a busted bracket”). Another standout track. -
On The Set
Produced by Pops & Mischa Chillak
I mentioned earlier which tracks could have been singles, but “On The Set” is the album’s official first single—and for good reason; it’s probably the best song here. The track features an introspective Freddie reflecting on how he once looked up to Diddy, the deaths of late rappers like Rich Homie Quan, Nipsey, Dolph, and Hip-Hop legends Pac and Biggie, which leads him to consider his own legacy. You Only Die 1nce finishes the album on a resonant note.
BOTTOM LINEWith his sixth studio album, You Only Die 1nce, Freddie Gibbs delivers a solid project. If the theme here is Freddie being caught between the streets and a better life (music, acting, etc.), these tracks capture that tension well.
For those hoping for something that matches his past and best albums like Piñata, Bandana, or the Grammy-nominated Alfredo, You Only Die 1nce doesn’t quite reach those heights—but to me, those are classic or near-classic albums. Another minor issue is that some songs blur together in tempo and production, so they may not stand out to everyone.
Still, there isn’t a bad track on You Only Die 1nce, and Freddie is rapping as sharply as ever throughout. It’s definitely worth a listen for any Hip-Hop fan—at least 1nce or 2wice.
And we’re back—not just to this column, but to everything nappyafro-related. I took about three weeks off, which was much needed, but now (hopefully) we’re back in business.
What better way to dive back into the internet writing world than by talking about three tracks I’ve been listening to lately? Let’s get into it.
Juicy J – “Fucked Up Era”Produced by Juicy J | Ravenite Social Club
Juicy J dropped his jazz-inspired album Ravenite Social Club back in August, and the concept sounded intriguing. Surprisingly, I didn’t enjoy the first four tracks, but by the time I got to “Everything All Good”—basically Juicy J’s version of “It Was a Good Day”—I started to come around. Juicy’s cadence can sometimes feel basic compared to the intricate, top-tier production on Ravenite Social Club, but when it clicks, it really works. This album will probably make my Best of 2024 list, and it seems like something the Grammy board would love (even though it wasn’t nominated this year).
I picked “Fucked Up Era” to showcase the production but the song is dope either way.
Wynne feat. Conductor Williams – “Bad Girl”Produced by Conductor Williams | Speak Of The Devil
When I’m on social media, it feels like I’m seeing more and more white female rappers. It’s as if there are white versions of artists like Sexyy Red and that one white rapper who has a song with Bfb Da Packman. (There are other examples, but you get the idea.) Short-T has only ever sent me music by one white female rapper—Wynne. To be clear, I had already heard her music before, and it was just okay. However, she didn’t have production from Conductor Williams back then. On “Bad Girl,” the Portland rapper flows over Conductor Williams’s signature distorted horns, and it works. I’m still not sure where Wynne fits in among the white female rapper types, but we’ll keep an eye on her.
NxWorries feat. Thundercat – “KeepHer”Produced by Knxwledge | Why Lawd?
I just added “KeepHer” by NxWorries & Thundercat here because I realized I haven’t talked about this song or NxWorries’ album Why Lawd? on this site yet. This album is incredible, and it feels like we, as a society, aren’t giving it enough recognition. (It did get a Grammy nomination recently, but still.) Alongside “86Sentra,” “KeepHer” is one of my favorite tracks on the project.
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Tyler, the Creator is in full album rollout mode, and today he dropped the first full music video with “NOID.” While I could try to explain the visuals, it’s clear that Tyler’s creativity is on full display. I will point out the surprising cameo from Ayo Edebiri, who is literally crying and waving a gun.
To me, both the song and the visuals explore themes of fame, the music industry, and paranoia, but you can judge for yourself. The video was directed by Tyler, the Creator himself, who also produced the song. Tyler’s new album, Chromakopia, drops on October 28th.
We may have trouble pronouncing the name of the model featured in today’s Certified Banger section, but we’re in love with Yamiessence regardless. She is also a Playboy model, so there is that.
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The other day, Short-T pointed out to me that four days after J. Cole dropped “Port Antonio,” which samples Cleo Sol’s “Know That You Are Loved,” Big Sean released a music video for his track “Boundaries,” which also samples the same Cleo Sol song. (Though, to be fair, Sean’s song was released first.)
Now, Big Sean is back with another visual, this time for his song “It Is What It Is,” featuring Gunna. I’m not saying this video was rushed, but it’s just the two rappers hanging out in train yards and other locations. It’s not bad, and I don’t mind the song. Check out the video below.
Latto releases the music video for her viral hit song “Brokey,” featuring cameos from Desi Banks, Rubi Rose, and even the Waffle House employee famous for doing the “Brokey Challenge.” In the video, the Atlanta rapper is seen doing wild things like chopping up a man, transforming into a 50-foot woman, and showing off her figure (not that anyone’s complaining). The video, directed by Laura Marciano, is worth a watch.
A beautiful woman with a cool name always holds a special place in our hearts. So it seems fitting to feature Vivi Panamera in the Certified Banger section. We don’t know much about her, but her most striking features are… well, you’ll have to decide for yourself.
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Hailing from London, England, Baylie Bleú is a stunning model who brings elegance to the Certified Banger section, and we couldn’t appreciate it more.
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KAYTRANADA has released a trippy music video for his song “Witchy,” featuring Childish Gambino. Here’s my attempt to describe the visuals: KAYTRANADA and Gambino perform in a studio, things get weird, and the duo even bust out a two-step. The key takeaway, though, is that KAYTRANADA and Childish Gambino sound amazing together—maybe it’s time to consider a full joint album. (KAYTRABINO, anyone?) Check out the Bethany Vargas-directed video below.
It’s been a quiet year for JID, and it’s been nine months since the rapper released one of his numbered freestyles. Today, he drops “31 (FREESTYLE)” along with visuals. JID is almost always on point with his freestyles, and he continues that trend here. Plus, the music video includes Arabic subtitles and features backstage scenes, as well as JID attending a boxing match in Saudi Arabia.
Happy Friday! Here’s another stunning certified model featured in our Certified Banger section. Jasmine Blandford is a 5’11” model from Nicaragua who captures our imagination. She also sometimes wears an afro so extra points for that.
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Tee Grizzley teams up with J. Cole, who delivers a standout verse, and Pi’erre Bourne, who handles production, on his latest track “Blow for Blow.” While the song is solid overall, the highlight is undoubtedly Cole’s verse (whose rumored downfall has been greatly exaggerated). The visuals for “Blow for Blow” are somewhat generic but still complement the song and get the job done. “Blow for Blow” is from Tee Grizzley’s upcoming album, Post Traumatic. Check out the Jerry Production-music video below.
Maxo Kream links up with Tyler, The Creator for the second time to release the new song and music video, “Cracc Era.” The production, also handled by Tyler, is minimalistic, with both rappers trading verses. In the video, Tyler also shows off his $19,000 Louis Vuitton chess set, which he also designed. Check out the music video below.
Salute to Travis Scott for having a great 2024 by releasing older music. He recently dropped Before Rodeo, a 10-year-old mixtape that now holds the title of “Highest-Selling Mixtape in History.” Today, he followed up by releasing a home video-style visual for a track from that re-release of Before Rodeo called “Mo City Flexologist.” Check out the video below.
This is one of those rare occasions where the pictures featured here might be from a fake Instagram account. Either way, Anna Rachel is worth the risk. With her beauty, it would make sense if she were a fairy tale.
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Tonight, Future released his 17-track project, Mixtape Pluto. In addition to the dope cover art featuring the Dungeon Family house, he also dropped a video for one of the tracks, “Too Fast.” As for the music, it’s typical Future—if you’re a fan, you’ll likely enjoy it. The video, however, is essentially a shot-for-shot remake of DMX’s “How’s It Goin’ Down,” directed by Hype Williams. While it’s not as good as the original (one of my favorite music videos ever), I appreciate and am surprised by the inspiration. Check out the video for “Too Fast” below.
ScHoolboy Q continues his streak of releasing artistically creative visuals with his latest music video for the track “THank god 4 me.” The video is packed with striking imagery, from masked goons tossing a supposed snitch off a bridge to the rapper driving through a doorway submerged in water. The color blue is a recurring theme throughout the video, and the ending transforms into a “hood movie theater” experience. Check out the Omar Jones-directed video below.
ScHoolboy Q also dropped two other visuals for his tracks “Lost Times” and “Nunu.” (These feels more like visualizations but I’ll let you be the judge below)
At the age of 77, just a few months after retiring, Frankie Beverly, born Howard Beverly in Philadelphia, has passed away. That family member that you would always see at the reunion is gone.
While we mourn we’re gonna celebrate a man and his legendary band that having been apart of Black culture since 1977. Instead of just a song or their last performance at Essence Fest this year, I decided to share their concert at the Saenger Theatre in New Orleans on November 15th 1980.
For the first 15 years of the Essence Festival of Culture, Maze & Frankie Beverly were the closing act on the final day. Including their 2019 appearance when they were given the Key to the City by Mayor Cantrell and this year when they received their flowers on the farewell tour, they’ve appeared on stage at the Superdome a grand total of 17 times. With this and their 1980 live album, it’s no wonder why the city called him “Uncle Frankie”.
And I’m adding my favorite song, “Golden Time of the Day.” Thank you to all the current and former members of Maze. Thank you and job well done to Frankie Beverly.
6 days. It has only been SIX days since Kendrick Lamar was announced as Super Bowl LIX’s Halftime performer. What I thought was another sore moment for Drake actually turned out to be the start of a chaotic week. Let me remind you:
- The Saints & Cowboys are having undefeated seasons.
- James Earl Jones passed.
- Trump screamed about Hatians eating cats and dogs during a Presidential debate.
- Frankie Beverly passed.
- Finally, people have been crashing out over Lil Wayne not being the chosen Halftime performer of the championship game that will be held in New Orleans.
Tweets, posts, articles and SOOOO many YouTube reaction videos have been released in favor of and opposing the inclusion of Tunechi. So much so that Kung Fu Kenny’s achievement of being the first rapper to solo headline the 13-15 minute concert has been overshadowed. Today, I’m gonna highlight a moment in time when the PG Lang gang leader was able to pay homage and make a name for himself.
Before YSL’s Woody’s buddy released the Barter 6, a young rapper from Compton named his project an official sequel to Tha Carter series. C4 was K.Dot, along with DJ Ill Will and DJ Dave, joyriding over the instrumentals from the monumental Tha Carter III album. It’s eerie how much he can sound, flow, and rap exactly like Lil Wayne. There’s even a cringy Emmitt Till reference years before Wayne made his on Future’s “Karate Chop”. This week, Whitney’s baby daddy even released a song out of nowhere on IG that was misinterpreted and misunderstood. LIGHTBULB! Song of the Week is Kendrick’s rendition of the Nina-Simone closer of the 2008 album. Enjoy “Misunderstood” featuring Jay Rock. Fingers crossed that Eastside Johnny appears in New Orleans and delivers his verse on “Money Trees” along with the chosen performer.
As a bonus, enjoy “Play With Fire.” I always loved the instrumental, but was disappointed with Wayne’s performance on it. I didn’t think Mr. Carter was like MLK then and still don’t think he is now so to hear him compare himself to him takes me out of the song. The second verse is from a song that leaked early called “World of Fantasy.” Then, because of the sample not getting cleared, only the original hard copies and YouTube can you find the song. Enjoy Kendrick’s version and his Super Bowl performance that I will not be watching live because of my ongoing NFL boycott. Go Team!
Wayne is broken.
The World wanted to see him perform in New Orleans at the Super Bowl in 2025. He feels like he let us down. Nicki Minaj, Birdman, Hurricane Chris, Boosie, Master P, Camron, Ma$e and everyone besides Jay Electronica blames Jay Z and his Illuminati-influenced conglomerate, Roc Nation for the disrespectful treatment of a legend.
Yeah, Lil Wayne is going to be fine, yall. He just performed at the Superdome in July during Essence Fest. His hometown festival in November, Lil Weezyana Fest, already sold out the Smoothie King Center. For all those that used words like “snubbed” or “robbed” in defense of Wayne, you better have your tickets. Resale tickets are available on StubHub and VividSeats. My fingers are still crossed that it’s moved to the Superdome for more seats to be available.
Let’s all gather together to watch one of Wayne’s best performance in New Orleans. Baller Blockin’ was a Cash Money music video extended to 54 minutes with more running, guns, drugs, and hilarity. In my best Primm’s Hood Cinema voice, Wayne, you an All-Star. Hold your head up high.
Ice Spice does it for the strippers in the new music video for her track “Popa.” I’m assuming these visuals were filmed while Ice Spice was on tour, and a stop was made at a strip club with the amount of stripper booty in the video. That, plus all the other shots, are mostly of the Bronx rapper on her tour bus, on a jet, or in a parking lot. Either way, enjoy the video below.
Whether you’re longingly scrolling through her Instagram page or watching her YouTube channel, Janae Daugherty is a beauty we’re proud to feature in the Certified Banger section.
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I’m not sure if the music video for The Weeknd‘s new song “Dancing In The Flames” is just a visual demo for the new iPhone, as the visuals were shot entirely on the iPhone 16 Pro. Either way, it looks great. The video shows The Weeknd crashing his car and being picked up by an ambulance, all in slow motion and stylishly set to his trademark retro-sounding song. Like I said, it looks nice. The Weeknd’s next album, Hurry Up Tomorrow, drops later this year.
With all the debates about who should perform at next year’s Super Bowl halftime show in New Orleans, Kendrick Lamar has dropped a new song with artwork featuring a picture of Black Air Force 1s (Wait, what will this image reveal when we eventually get the full view?). After a few listens, besides shitting on influencers, I don’t think it’s aimed at Drake or that type of diss track at all (though I could be wrong—someone on YouTube might drop a two-hour video explaining how it’s about Drizzy’s dog or something). No official title has been given for the song, but (like most people) if I had to guess, it’s probably “Watch the Party Die” or something along those lines. Check out the track below, and remember: What would Lecrae do?
To some, it might seem surprising that LL Cool J got both a feature and a music video from Eminem for his new song “Murdergram Deux,” but those in the know are aware that Slim Shady has always been a big fan of James Todd Smith. That aside, I actually like the song much more than I expected (even though it feels more like Eminem’s style). “Murdergram Deux” is from LL Cool J’s fourteenth studio album, The Force. Check out the Jake The Shooter-directed video below.
The Alchemist is known for his spontaneous releases, and today he does it again with a song and music video titled “Ferraris in the Rain,” featuring ScHoolBoy Q. The visuals complement the laid-back production, with The Alchemist rapping while Q delivers a short verse. The Alchemist’s new album, The Genuine Article, drops on 9/20.
“Here we go. Here we go again.”
When Kelly Rowland sang that chorus on track 4 of Trina’s Glamorest Life, I never thought it would be my reaction to seeing the announcement of a long awaited group reunion. As many Americans went back to work Tuesday morning after enjoying their Labor Day weekend, the Lil Weezyana Fest IG clocked in to announce the return of Lil Wayne’s hometown festival after a two year hiatus. Rob49 is scheduled to appear, Mannie Fresh will have a DJ set, special guests will be there, and a Hot Boys Reunion will take place.
The Hot Boys were up there with the Mighty Morphin Power Rangers and Teenage Mutant Ninja Turtles in my eyes when I saw them on my TV running around New Orleans. Now that I’m in my 30’s, I can see clearly that they’re grown ass men with interrelationship issues. Tuesday, September 3rd, was also B.G’s 44th birthday and I bet that he did not accept a call or read a text from Turk if his number isn’t already blocked. Since B.Gizzle’s prison release, there has been tension between the two of them and it’s still ongoing. I haven’t even cared enough to research it, because they have too much history together to be malicious towards each other over petty issues like Hot Boy Turk talking on a podcast. [Sidenote: I can’t believe that I can accurately tell you about Karrabooh vs Yachty & Cleotrapa vs Ice Spice. I know I’m way too old for that drama, but somehow they both entertained me.]
AND WHAT THE HELL WAS THAT “CASH MONEY REUNION” AT ESSENCE FEST?!?! This year’s Essence Festival of Culture honored Maze featuring Frankie Beverly on their farewell tour, had Usher there to celebrate the 20th of his classic album, Confessions, and on night one of the celebratory weekend they highlighted a locally owned-Black business started by two brothers three decades ago. The flier read “Birdman Presents 30th Anniversary of Cash Money.” There was speculation of Turk’s presence. He said Essence hadn’t contacted him yet. We wondered if it was truly a Hot Boys reunion with only three members. WELP! We got an answer: It was not. We got confused by the appearance of The LOX first on stage. Okay, they go back to the legendary Ruff Ryders/Cash Money tour of the early 2000s. Then other friends of CMR emerged in the forms of Bun B, Scarface, and Tunechi’s bestie, 2 Chainz. There were also doubts that Weezy would not be appearing that night and we were right. Kind of. Big Tymers, Juvenile, and B.G. rocked the Superdome with classic after classic. Once the final notes of “Back That Thang Up” played, I thought it was over. Nah.
Lil Wayne emerged front and center by his lonesome and stated that he appeared courtesy of Young Money Records. Like father , like estranged son. Beatrice did not acknowledge the artists or music of Cash Money Records before the Universal deal. Weezy Baby did not acknowledge his days pre-Tha Carter III. It was a (s#!t) show as the two never crossed paths on the stage and Turk was nowhere to be found till the next day at Juvenile’s Donna Color Explosion Event and on the road with Juvie & Mannie at select shows on the Back That Azz Up 25th Anniversary Tour the last two months. As we look forward to the second reunion, let’s throw it back to a time when they were all working together. SOTW is “Tuesday and Thursday” from the classic album, Guerilla Warfare.
Since they didn’t do it for Essence, I hope they shoot a promo video with them together in a Mint-Condition Prowler riding around New Orleans like the golden days. They can even drive past Williams Brothers Way. We’ll see what happens in November. Hopefully these are enough Louisiana Legends for Hurricane Chris.
This edition of Certified Banger feels special, mainly because of the beauty of Lismyy. We’re not going to waste your time with unnecessary details—just check out the images below.
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“Since u dummies leaked it already,” A$AP Rocky releases the song and music video “Tailor Swif.” The song is decent, but the visuals are some of the wildest, craziest, and most creative I’ve seen in a while. I’m not great at describing videos, and I won’t even try with this one. Check out the “Tailor Swif” music video below, which was actually shot in Kyiv, Ukraine, and directed by Vania Heymann and Gal Muggia.
Francesca Lama embodies the perfect blend of beauty, Italian elegance, Jamaican flair, Mexican vibrancy, and the ability to look stunning in a bathing suit.
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Tonight, Big Sean finally released his first album in four years, Better Me Than You. He also dropped a music video for one of the tracks, “Who You Are (Superstar).” The song samples Usher’s “Superstar,” which itself sampled Willie Hutch’s “Mack’s Stroll (The Getaway).” This track was also on that leaked Big Sean album, but I won’t even mention it’s former name.
The visuals are star-studded, featuring Sean, Taye Diggs, Aminé, and members of RDCWorld working in a call center—a call center that serves as a sex hotline for successful women. I think.
Check out the music video below.
Even though it feels like summer is over, Cordae reconnects with Anderson .Paak to drop a new track and music video, “Summer Drop.” The song, produced by J. Cole, captures a summertime vibe, while the visuals show the rappers reminiscing about summer and other warm-weather activities. Check out the Samba Diop-directed video below.
The hip-hop genre has been growing since the early 1970s. In its quiet and gradual nature, it has made its way into almost every aspect of our lives, from slang to our clothes, to what we see on television and at the movies. One of the more recent methods by which hip-hop further proliferates is through video game soundtracks; the combination of beats and lyrics from hip-hop in the digital game plays host to something of a thrill for the player, even making their way into online slots. But what has truly been the impact of hip-hop on video games, and what is that suggesting for the future?
The Rise of Hip Hop in Video GamesHip-hop’s connection to video games dates back to the late 1990s and early 2000s, during the stage when suppliers of video games had recognized that it was now dawning upon them that they could use the music to attract a huge demography of the market; some of the older games, such as Tony Hawk’s Pro Skater and Grand Theft Auto: San Andreas, were among the very first games that had hip-hop songs in them.
The music in these games emanated the energy of city life and youthful revolt, it wasn’t just background noise; it pulled players in and gave the games more depth, drawing a bigger and more diverse group of fans. As games got better, so did their music. Hip-hop was used not just as part of the soundtrack, but as a way to make the story deeper and the feelings stronger; games are marveling at hip-hop and making it central to their brand.
The games of NBA 2K and Fortnite have used their lightness in the musical genre to shape the identity of the whole game; this trend is also notable in games featuring online slots, where hip-hop music creates a fun, lively vibe that matches the excitement of gameplay.
The Synergy Between Hip-Hop and Gaming CultureHip-hop and video games are not just very popular but closely related in terms of culture; they are both fundamentally based on creativity, the limitless pushing of boundaries, and innovation as part of life. This common ground paved the way for hip-hop artists and game designers to collaborate in making soundtracks as important as the game’s view or plot.
Big artists like Travis Scott, Kendrick Lamar, and Drake have all embedded their music in video games to project their flare into the world of gaming; these partnership moves are more than just a simple sell of video games, they are collisions between two energetic worlds that live off the pulse of community and connectivity.
For example, when Travis Scott threw his Astronomical event in the game Fortnite, it wasn’t a concert, but an experience in itself; music, gaming, and art, all constructed by new members; this shows that when it’s two of hip-hop and gaming, anything can be possible to construct something new and better for a new experience.
The Impact of Hip Hop on Game Design and Player ExperienceHip hop does not only influence the music but also the basic production of the game, which changes the feeling during the game for the player. Hip-hop sets the pace for the rhythm of a game to discern how fast it would feel, be it intense or exciting, at just the right moments; lyrics can add to the story, like clues about what drives characters or what the themes of the game are about.
Take the case of Grand Theft Auto V. In those missions, while hip-hop is bumpin’, it creates a very real and gritty feel to the game; it makes one feel like they truly belong in such a world. In the case of Watch Dogs 2, the music fits right in to set the mood for the Bay Area, its local artists offering compositions that work very well with the culture of where the game is located.
Games also allow players to engage with hip-hop in ways other forms of media cannot; for example, players can make characters dance to hip-hop in Fortnite or pick songs in NBA 2K that fit their mood. This level of choice helps players connect with the game more, making their time spent playing feel more personal.
The Future of Hip Hop in Video Game SoundtracksWith hip-hop and games only growing, their relations may only become stronger about this aspect; new tech like virtual and augmented reality will bring in even more ways to blend music and gaming: now imagine yourself in a hip-hop concert in a VR world or playing games where the music changes based on what you do.
As gaming expands worldwide, especially where hip-hop is extremely popular, soundtracks showing off the global influence of this music may be expected; hip-hop’s move into online slots is just another example of how the genre is spreading in gaming, adding still more new kinds of flair that is both exciting and culturally relevant.
Ultimately, hip-hop does not merely influence video game soundtracks; rather, changes are headed by it. With both these worlds inching closer and closer to each other, it will base several creative partnerships that push the limits for both music and gaming. Hip-hop will tailor-make the future of gaming with its beats and rhythms into experiences that players will not forget long after they have put the controller down.
Drake continues to surprise fans by releasing three new songs from his Finsta account—this time without leaking 100 gigabytes of other unreleased material.
The three tracks are “Circadian Rhythm” (which feels like a sequel to “The Language”), “SOD” without Lil Yachty (Could this be why Yachty unfollowed Drizzy?), and “No Face” featuring Playboi Carti.
Will these songs get an official release like his last three-pack? Only time will tell.
Drake – “Circadian Rhythm”Drake – “SOD”Drake feat. Playboi Carti – “No Face”
In this edition of Certified Banger, we feature makeup artist and influencer Mel Silva. While we don’t know much about Mel aside from her being from Atlanta, that’s all we need to know after seeing these images. We’re already in love.
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A$AP Rocky releases the music video for his track “HIGHJACK.” The black-and-white visuals combine Rocky’s signature fashion and style with influences from M.C. Escher. The track is from A$AP Rocky’s upcoming album Don’t Be Dumb. Check out the video directed by Thibaut Grevet and AWGE below.
With each album, Eminem always includes at least one inspirational (some might call it sappy) song. “Somebody Save Me,” featuring Jelly Roll, is the final track on Em’s latest album, The Death of Slim Shady (Coup De Grâce), and today, the music video was released.
The song addresses Eminem’s past struggle with drug addiction, an addiction that nearly took his life. The track portrays an alternate reality where Eminem never got clean, and the visuals depict him as detached from important family milestones. Check out the Emil Nava-directed video below.
Every now and then, we like to feature a bona fide model in the Certified Banger section. In this edition, that model is Kiara Pike. In addition to being signed with Ford Models, this beautiful Los Angeles native is simply stunning.
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After delaying the release of his upcoming album, Better Me Than You, Big Sean returns with a new track and music video, “Together Forever,” produced by The Alchemist. Sean previewed this song around the time another one of his albums was leaked, but today we finally get the full version, and it’s dope. Check out the video below.
Future and Metro Boomin released a music video for their song “Streets Made Me A King.” The track is from their second album of the year, We Still Don’t Trust You. In the visuals, the artists can be seen enjoying their off-time during their current tour, visiting strip clubs and hotel lobbies. The video features some impressive wide shots and of course, beautiful women. Watch it below.
JPEGMAFIA recently released his fifth studio album, I Lay Down My Life for You. I enjoyed the project more than I expected, and today, the rapper dropped a music video for one of the standout tracks, “JPEGULTRA!” featuring Denzel Curry. The black-and-white, lo-fi, and stylistic visuals perfectly match the tone of the song, which, production-wise, reminds me of Outkast on acid (in a good way). Check out the Denzel Curry-directed video below.
Megan Thee Stallion drops the music video for her viral hit and Otaku-inspired song “Mamushi,” featuring Japanese rapper Yuki Chiba. The video portrays Meg as a bathhouse worker (or whatever you call those women who were is that scene from Rush Hour 2) who transforms into a giant snake and kills clients. The visuals include some impressive shots, aligning with the themes of her previous songs and videos like “Cobra,” “Hiss,” and “Boa.” (The song title, “Mamushi,” refers to a type of snake native to Japan) Check out the Onda-directed video below.
This edition of Certified Banger is brought to you by Ghana, chocolate, and thickness. These words perfectly describe the beautiful Cindy Adio, and we are in love. Check out the images below.
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VULTURES 1 was released on February 10, 2024, and it feels like a long time has passed between that and the release of VULTURES 2. For one, we had perhaps the biggest rap battle of all time in that space. I mention this because Kanye West (and I guess also Ty Dolla $ign) tried to jump into that battle, and nobody cared. This was compounded by the multiple delays of the actual release of VULTURES 2. While the release of the first of the planned VULTURES trilogy had a lot of hype around it, VULTURES 2 definitely didn’t release to the same fanfare (“Oh, so they finally released it, huh?”).
Well, VULTURES 2 is finally here, and as always with a Kanye project, we have questions. While many think that it’s still Yeezy on the cover of the album, that is actually Ty Dolla $ign and a picture of his incarcerated brother. Does that mean this album will lean more toward Ty Dolla’s talent? And speaking of album art, why did they switch to a low-resolution version for the official cover? (Below I used a higher quality version I found on Ty’s Instagram page)
I haven’t kept up with all the listening sessions or leaks as much as I did with VULTURES 1, but just like Kanye’s previous releases that get updated on DSPs like software patch notes; there’s actually a message on the YZY site: “Updated songs will be published in real-time.” As a matter of fact, as of this writing, a “new” version of the album was just released. Unfortunately, I am reviewing the 1.0 version of VULTURES 2. Let’s see if the delays were worth it.
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Produced by Kanye West, Apollo Parker, ryderoncrack, AyoAA, London on da Track, Lester Nowhere, Peter Lee Johnson, & Leon Thomas III
The production on the first track off the project sounds like the THX sound test with… the drums from the Omarion song “Touch”? (I just checked, and I was right.) Ty Dolla $ign starts off the song and handles the hook with Kanye on the second verse. It’s a club record, and it’s okay, but I’m kind of surprised they started off the project like this instead of how they started off VULTURES 1. Maybe this album will lean more in favor of Ty Dolla $ign. -
TIME MOVING SLOW
Featuring The Inter Milan Ultras; Produced by Kanye West, AyoAA, 88-Keys, Fya Man, SHDØW, The Legendary Traxster, Cruza, Azul, & Nathan Butts
Ye once again gets the “hooligans” back on the track. This can’t be the same group that was on “Carnival”; these guys can sing and sound like a choir. Either way, I was on the fence about this song (which is another club/dance song) until the pianos dropped in. This feels like something CeCe Peniston would have sung on in the 90s (and that’s a good thing). Kanye handles the rapping here, and he matches well with Ty providing a hook and refrain that had me singing “I’m not alone” by the end. I like this one. -
FIELD TRIP
Featuring Playboi Carti, Don Toliver, & Kodak Black; Produced by Wheezy, Dez Wright, EJ PARIS, Chrishan, & The Legendary Traxster
Some people might be hyped to see Playboi Carti and Don Toliver as features on this track. Not me. They may be the worst part of this track. I don’t mind Ye and Ty’s back-and-forth verse, and even though is not Kodak at his best, I guess his verse is passable, but I’m still not feeling the song as a whole.
The more interesting thing about this track is that it supposedly sampled Portishead’s “Machine Gun” without permission. I’m not even sure if the same version is still on streaming as you are reading this. To me, this song not worth getting sued over.
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FRIED
Produced by TheLabCook, Digital Nas, & Ojivolta
Another feature from The Inter Milan Ultras (this time uncredited). The main thing you will immediately notice about this song is that production-wise, Kanye West and Ty Dolla $ign were trying to recreate their hit song “Carnival.” And why not? They made the original. The issue is that “Fried” doesn’t compare and just makes you want to listen to “Carnival.” But if this song came on, I wouldn’t skip it. -
ISABELLA
Produced by Kanye West
A nine-second skit of a woman saying, “You better buy me those fuckin’ shoes.” I don’t get the reference. I did think “Beverly Hills” by Weezer was getting ready to play. -
PROMOTION
Featuring Future; Produced by Kanye West, AyoAA, London on da Track, The Legendary Traxster, KrishnaMusic, & DJ ESCO
“Promotion” feels like a Future song with Yeezy’s touch on the production even the the production credits include names like London on da Track and DJ Esco. Plus, you got Future Vandross singing his regular stuff like buying “another nigga ho” and stuff about Mars. It works. Future fans will love it too. -
HUSBAND
Produced by Kanye West
“HUSBAND” is the only song on VULTURES 2 where Kanye is the solo producer. He is also the only one on this song. And he is singing about a (maybe) promiscuous woman needing (of course) a husband. I actually think Ye has his moments without Auto-tune where his singing isn’t that bad. This isn’t one of those times. I guess you can take this as singing from the heart or something. But nah. -
LIFESTYLE
Featuring Lil Wayne; Produced by Nico Baran, FNZ, & Wheezy
Maybe “HUSBAND” was just an interlude for “LIFESTYLE” because Kanye uses the exact same verse here; speaking of which, I like his singing a little better here too. I also liked Lil Wayne’s verse here; I would have preferred the rapping version of Weezy instead of the singing one, but it wasn’t bad (I wonder are people ever confused when Wheezy produces a song for Weezy).
The song is about women wanting to live a certain lifestyle. Weezy has the first verse, Ty has the second, and Kanye has the last verse (even though we already heard it). Production-wise, I like what they do when the verses start (it samples Led Zeppelin’s “When the Levee Breaks”). Weirdly enough, I can see women liking this song a lot.
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FOREVER
Produced by James Blake
James Blake produced “FOREVER,” and my only problem with this song is I felt like I was waiting for the beat to drop, and it never did. I also felt old because I thought it sampled Faith Evans’s “Love Like This,” but it’s actually Kettenkarussell’s “Maybe,” which also samples Faith Evans’s “Love Like This” (So I was still right). The song is barely over a minute, so maybe it wasn’t supposed to do a lot. -
BOMB
Featuring North West & Chicago West; Produced by The Legendary Traxster, Cruza, Noah Madrid, & Tech Club
I have a rule where I try not to bash songs when the artist features their children. This is still a trend, and this time Kanye does this with North West and Chicago West while he hums over a club beat.
For those keeping a ranking of these types of songs, North West’s “Talking” is still #1.
- RIVER
Featuring Young Thug; Produced by Kanye West, AyoAA, Digital Nas, London on da Track, The Legendary Traxster, Pi’erre Bourne, Gren808, Lamm, Taydex, & Wes Singerman
How many unreleased verses does Young Thug have?!
That being said, I didn’t mind this song at all. “RIVER” is probably the most Kanye-sounding song on the album (so far).
Thug starts things off with a long verse, with Kanye providing the following two with a chorus. It even has an uncredited Charlie Wilson feature at the end, which seems like a waste, but that’s just Kanye.
Free Larry. Free Young Thug.
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530
Produced by Kanye West, E.Vax, FNZ, & BoogzDaBeast
Look at that. After a couple of years of floating around on the internet, we finally get an official release of “530”. I would have thought they would have slapped a new Ty Dolla $ign verse on it, but nah, this is the same verse that you already may have heard. (Bad mix and all) That aside, and even with Kanye’s unfinished-sounding and rambling last verse, this is so far the best song on VULTURES 2. The sample of Swsh’s “Break the Fall” still does most of the heavy lifting. (And apparently, it may have also been used with permission.) -
DEAD
Featuring Future & Lil Durk; Produced by ATL Jacob & London on da Track
I kind of already said this before, but with production by ATL Jacob & London on da Track, “DEAD” feels like a Future song, especially when Durk’s verse and Future says “dead” over and over again as ad-libs (that may be the best part of the song). Besides that and Future saying “Cook up the yay’, make it jump out the gym” six times in a row, it’s an okay song. Another one Future fans will love.
I’m surprised to see Lil Durk here after Kanye went on record and said that Durk was fake and switched up on him. But who knows when this was recorded. Plus, Kanye is crazy.
- FOREVER ROLLING
Featuring Lil Baby; Produced by FOREVEROLLING, Flex on the Beat, Audiovista, Kanye West, Mattazik Muzik, & Leon Thomas III
It’s hard to place it, but for some reason, “FOREVER ROLLING” feels like a song from another album. The production sounds like it’s from a 70’s sci-fi movies (if that makes sense). Still, when the drums finally dropped in, the song grew on me. Plus, it’s just a song where the rappers are talking shit (“Fuck your favorite rapper, his number ain’t even numbers”) and a good verse from Lil Baby.
Also, was this song named after one of the producers credited, FOREVEROLLING?
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SKY CITY
Featuring 070 Shake, Desiigner, & CyHi The Prynce; Produced by Kanye West, BoogzDaBeast, Timbaland, DRTWRK, Federico Vindver, Angel López, & damn james!
I was surprised to see 070 Shake, Desiigner, and CyHi The Prynce featured on this track, seeing that none of these artists are no longer on Kanye’s label. After looking more into it, the song was probably made around 2018/2019. While I like the inspirational feel and theme (“Say it’s my year, know it’s my year, my year”) and I understand why it’s here late in the album (where inspirational songs sometimes go), just like other songs, it still doesn’t feel like it should be on this album at all. Kanye maybe should have kept this one in the vault. -
MY SOUL
Produced by BoogzDaBeast, FNZ, 88-Keys, 30 Roc, Camper, & Rory Noble
This song is dedicated to Ty Dolla $ign’s brother, who is currently serving life in prison, as well as prisoners in California being used to put out the wildfires (something I was not aware of). They even include a verse by Ty’s brother Big TC to end the song and close the album (which, with the album cover, makes sense).
Kanye also has a verse talking about mass incarceration and makes sure to throw in a “Fuck Adidas” for good measure.
While I don’t know if I will revisit this song again, theme-wise, it makes sense to end the album here.
BOTTOM LINENot only is VULTURES 2 not as exciting this go-around, but it’s also a mess. A lot of tracks don’t stand out, and they feel more like songs that were laying around rather than forming a cohesive theme (other than leaning a little more towards dance-infused sound). Songs like “FRIED” or “TIME MOVING SLOW” feel like the artists trying to recreate sparks that happened on VULTURES 1. And while my favorite song on the project is “530,” songs like that and “SKY CITY” show their age and feel like they were added to pad the album.
I also didn’t want to mention how bad the mixes on some of the songs were throughout the review. Yes, it will probably be or has been fixed, but why would Kanye and Ty Dolla $ign release a badly mixed project?
But this is definitely not an unreviewable project. There are a few songs and moments where you still see glimpses of the genius of Kanye as well as the talent of Ty Dolla $ign. But just glimpses.
Kanye and company may tweak VULTURES 2 after it is released, but unless they start all over and present something better, it will not help the letdown.
Here’s looking forward to VULTURES 3. I guess.
How much Drake is too much? How about three new songs plus over 100GB of unreleased and behind-the-scenes Drake content?
We’ll let the internet go through those “100 gigs for your headtop” (available on a website called 100gigs.org) because who has that kind of time? We’ve already seen things uncovered like Drake recording the hook for Ye’s “Yikes” from 2018. But for now, let’s check out the three songs he released via his possible Finsta account, plottttwistttttt.
Remember when Drake said he was going on vacation? Between his recent features, the announcement of a joint album with PartyNextDoor, and now this, it seems that’s no longer the case.
Drake feat. Latto – “Housekeeping Knows”Drake – “Blue Green Red”Drake feat. Young Thug & 21 Savage – “It’s Up”
Mike WiLL Made-It is preparing to release his first album in seven years and has dropped the music video for the song “High3r” featuring Lil Yachty and Lil Wayne. To be honest, the song didn’t really catch my interest; there’s nothing that really stands out (Besides the Weezy like about Kim K). The visuals are interesting in that they show people in different forms of highness, from a couple getting high together to soccer hooligans after a game. The music video is of such high quality that I thought it was from a movie soundtrack. “High3r” is set to appear on Mike’s next album, R3SET.
It was a cool surprise to see that The LOX has a NPR Tiny Desk Concert. Jadakiss, Styles P, and Sheek Louch performed eight songs in the set, some as a group and others from their solo efforts. My only minor complaint is that we didn’t get to hear songs like “Why,” “Wild Out,” or even their verses from “It’s All About the Benjamins.” Like I said, it’s still worth watching though. Props to “the most loyal group ever in Hip-Hop.”
Experience with a live band is a prerequisite for most artists who want to play the Tiny Desk. The space isn’t kind to groups who aren’t locked in with each other and it will fully expose a lack of preparation. In the case of The LOX, chemistry has allowed the group to prevail in any environment. It’s the primary element of the trio’s longevity, so we all took a chance to build this performance from scratch. It took the audience a second to figure out what was happening, but the “woos” in tandem with the music affirmed everything. After 30 years in the game, we experienced The LOX, fresh and new again.
The trio of Jadakiss, Styles P, and Sheek Louch might not spring to mind when it comes to rappers who work with live bands. Established in Yonkers, N.Y., in the 1990s, the group specializes in gritty street anthems, usually best presented with two turntables and a microphone. The LOX utilized the typical tools of the trade three years ago to dominate The Diplomats and reinvigorate the rappers’ careers in their Verzuz battle. The band assembled here consists of Tiny Desk alumnus Carrtoons and Kiefer, Daru Jones on drums and vocalist Le’Asha. The arrangements added a level of sophistication never heard before from The LOX, and for the grand finale, they brought a string section — or “more band,” as Styles put it.
SET LIST
“All for the Love”
“Recognize”
“Good Love”
“Good Times”
“By Your Side”
“Kiss Your A** Goodbye”
“Money, Power & Respect”
“We Gonna Make It”
Featuring the beautiful Chayne Ashley in the Certified Banger section feels like an easy decision, and here we are. Check out the classy and stunning Chayne below.
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Big Sean drops a wholesome song/music video with “On Up.” The song, which samples Jodeci’s “Get On Up,” is dedicated to his son, while the visuals are taken from the perspective of the child, featuring close friends and family (We see you, Jhené). Big Sean had this to say about the visuals on his Instagram:
One of my favorite videos, full of my favorite people, and shot by Noah’s God Dad, Lawrence Lamont. I appreciate my family being a part and especially Jhené Aiko because she was exhausted but still came through to help make this idea such a special video for me. Hopefully one day Noah will look back and see how adored he is by his family. This video doesn’t even show a fraction of that, honestly. My side of the family, being from Detroit, doesn’t get to spend as much time with Noah, but I’m glad they were here for this piece. Love to all the parents, grandparents, aunties, uncles, etc. that make it happen!
Check out the music video below. Big Sean’s album, Better Me Than You, drops on August 8th.
Ice Spice features Travis Scott on her song “Oh Shhh…” from her new album Y2K, and today she released the accompanying music video. While I can’t say much about the song itself (if you’ve heard one Ice Spice song, you’ve kind of heard them all), the video offers some cool visuals, including Ice Spice being depicted as art in a museum and dressing up like a sexy, twerking Statue of Liberty. Check out the music video below.
GloRilla drops the music video for her Moneybagg Yo-featured song, “All Dere”. It’s kind of the typical stripper/twerk song, and the visuals have Glo and Moneybagg running a gym and training women to be on a Zeus reality show (or something). It’s okay.
But have you been seeing GloRilla on social media lately?
Like seriously.
I ain’t saying nothing. But I’m saying though.
Check out the music video below.
This week in the Certified Banger section, we present the alluring Nina Rari. Nina is not only a rapper but also the CEO of the clothing line Rari Body. However, we are here for the photos.
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The legendary producer DJ Premier drops a new song featuring Lil Wayne, Rick Ross, and Big Sean. Rozay and Weezy give verses while Sean drops the hook, all over a trademark Premo beat. Yeah, this is cool. Check out the song below.
Cordae re-links with Lil Wayne and drops the new song and music video “Saturday Mornings.” The song has both rappers turning in a verse, with the production and the visual giving a retro feel. Cordae and Weezy’s last collaboration landed on my Best Songs of 2012 list, and “Saturday Mornings” feels like a win too. Good morning.
Other than briefly mentioning the re-release of his album, Atavista, we haven’t talked much about Donald Glover/Childish Gambino. I’m still upset I didn’t write about the trailer for his movie, which shares the same name as his new album, Bando Stone & The New World Order—something I’m actually looking forward to.
Let’s make up for it by discussing the music video for a song from the Bando Stone & The New World Order album, “Lithonia.” The visuals for the rock song are simple until the end. Childish Gambino and his band play in a sparsely packed room until they start making faces and (spoiler alert) Gambino’s eyes explode on a woman in the front row. Then it turns into a horror movie (I guess).
Check out the Jack Begert-directed music video below. Bando Stone & The New World Order is supposed to be Childish Gambino’s last album, and there is currently no release date for the accompanying movie.
In this edition of Certified Banger, we feature the lovely Lucia de Fatima. Give a point to the slim, sexy women, and check out the images below.
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Do you remember when Offset took a picture with a fan and then that picture went viral? Why did it go viral? Here is the picture and I’ll let you decide:
Yes, Trinecia is the beautiful fan and the reason for the image’s virality, and we all know the reason. That being said, here are some more images of her.
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It feels like I have been putting out these Notable Tracks posts at a pretty good rate (which surprises even me). This edition is a bit different, as all the songs featured here were recently added to the Official nappyafro Playlist. Let’s dive in.
J. Cole feat. Daylyt & Ab-Soul – “Pi”Weirdly enough, despite how much I listen to music, I didn’t check out Might Delete Later until recently. In hindsight, J. Cole deciding not to beef with Kendrick Lamar was the right move. However, when he removed “7 Minute Drill” from the project, it felt like Cole wasn’t fully behind all the songs on Might Delete Later. Regardless, I listened to it recently and enjoyed it. My favorite song is “Pi,” featuring Daylyt and Ab-Soul. Lyrics over soul samples always get me. (I’m still trying to figure out if Cole’s “Now please, hold yo’ L like you guardin’ Philly’s young center” is a good line or not.)
I’ve personally known Daylyt was the truth since “First Breath.” I’m happy he’s no longer known as the guy with the crooked Spawn face tattoo who defecated on stage during a rap battle.
Boldy James & Conductor Williams – “Flying Trapeze Act”In the past few years, I have become a Boldy James fan. Pairing him with certain producers only enhances his sound. Add Conductor Williams to the list of producers Boldy sounds good with; thankfully, they recently dropped a joint project, Across the Tracks. Almost all the songs are worth a listen, but “Flying Trapeze Act” stood out to me. I wouldn’t be surprised if it ends up on my Best of 2024 list.
Sauce Walka – “Justin Credible’s Freestyles #180”I have been singing Sauce Walka‘s praises since “First Testament” and “Dangerous Daringer,” but he’s been a problem way before that. Here he is freestyling over “Hard Knock Life,” showing why he might be one of the most underrated rappers out there. Education for the nation.
After some delay, Eminem has released the music video for his song “Tobey” featuring Big Sean and BabyTron. The Cole Bennett-directed visuals are effect-heavy, with a lot to take in, as we see multiple versions of the Michigan rappers with numerous background transitions. This track is from Eminem’s upcoming album, which drops on July 12, 2024.
Someone sent us Akeyla Marie‘s Instagram page and said, “This is what real women look like.” That may be true, but all we know is that she is fine as hell. Here are the images to prove it, and we are in love.
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Kendrick Lamar continues to take one of the biggest victory laps in history with the release of the music video for his hit song (and essentially the deciding blow in his beef with Drake) “Not Like Us.”
In the visuals, K.Dot shows love to his city, Tommy the Clown, his TDE brethren, and (perhaps most importantly) his fiancée and kids. Trigger warning to those who might find it difficult to watch a piñata of an owl get destroyed. Check out the Kendrick and Dave Free-directed video below (it feels like they left that credit on the screen for a second on purpose).
Fresh off winning Album of the Year at the 2024 BET Awards, Killer Mike releases a new song and music video with “Humble Me.” The song addresses Mike’s commitment to staying humble despite his success and his recent Grammy arrest, while the slick black-and-white visuals serve as a metaphor for these themes. Check out the video below.
From her presidential campaign to ruin America to an appearance on a fake Maury talk show for a paternity test, Sexyy Red drops the visuals for her track “Bow Bow Bow (F My Baby Dad)” featuring Chief Keef. So, I guess the “beef” with King Von’s sister was promo? Yup. Check the music video below.
~~Young~~ Jeezy adds a verse to JT‘s hit song “Okay,” which makes sense when you think about it; the song always had a Jeezy feel to it. The video features the rappers in all black, and of course, our favorite City Girl looks nice to look at.
This week, the Certified Banger section is introduced to the voluptuous Brazilian beauty Ana Flávia Lobo. Since we don’t speak Portuguese, that’s all we really have, but the images below speak for themselves.
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I am posting this mainly because with “N.P.O.”, 42 Dugg and Sexyy Red have basically remade a BET Uncut classic in both song and video. As an old head, this brings back memories. The only question I have is if there is actually an uncensored version somewhere that I can watch (for educational purposes, of course).
After teasing everyone with a snippet, GloRilla has released the song and music video for the viral hit “TGIF.” The visuals show Glo and her crew having fun while on tour with Megan Thee Stallion. Everything looks fun, but I can’t help but wonder why she didn’t drop this on a Friday.
XXL has just released their new Freshman Class for 2024. While I continue to question the relevance of this list in today’s era, it also serves as an annual reminder of how old and out of touch I am with recognizing these new rappers. Let’s go.
BigXthaPlug: Off to a bad start. I thought this was Bfb Da Packman.
That Mexican OT: I know who That Mexican OT. If you saw a Mexican rapping with a rooster, you have too.
Lay Bankz: Lay Bankz has that song “Tell Ur Girlfriend” so I know her too. I initially thought it was a song from the 90’s or something.
BossMan Dlow: Out of all the rappers on this list, BossMan Dlow might have the most influence. Even though people say he makes the same song over and over again, you have at least heard a song if you have been out in the streets (Real or digital).
Rich Amiri: I don’t know who this is. He sounds like Future though.
ScarLip: I am happy ScarLip made the list. Even though she was initially pegged as an alternative to the current crop of female MCs, she is now apologizing for twerking. Sill happy for her.
Hunxho: The first time I heard about Hunxho it was about him dating Keyshia Cole, I thought they was talking about Quavo. Not familiar with the music though.
4Batz: His debut kinda came and went so maybe he can finally dodge the industry plant accusations. I know 4Batz and I think we all still like “act ii: date @ 8”.
Maiya The Don: I don’t know Maiya The Don but I am surprised we got two women on this list and both are from New York.
Cash Cobain: I thought Cash Cobain was gonna be a one and done with “Fisherrr” but it looks a lot of people were wrong as he is the leader of the “sexy drill” wave.
Skilla Baby: Skilla Baby is a name I recognize but I really couldn’t name a song or lyric. Kinda weird.
We have a rule that if a woman is rocking an afro, she’s automatically featured in the Certified Banger section. The beautiful Shawn Jewel meets this criterion, but she would get past the velvet rope regardless.
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Already halfway through June, which means we are halfway through the year 2024. Now is a good time to share my favorite songs for the last 6 months. Enjoy these tunes on Juneteenth and beyond. Discover some new songs and artists from my playlist to celebrate Black Music Month. Yes, you can judge me for how many songs are from Cowboy Carter, We Don’t Trust You, and We Still Don’t Trust You.
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We’re going to be real with you on this one: if someone were to tell us that Zoe Symone‘s Instagram was fake, we would believe it. She looks like a prettier, thicker, and sexier version of Sexyy Red. She can’t be real, right? Either way, we are in love, and we are going to get matching face tattoos.
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LL Cool J recently announced that he has a new album on the way. I had no idea the first single, “Saturday Night Special,” would feature Rick Ross and Fat Joe with production from Q-Tip. That’s not a bad lineup, and more importantly, I like it. Plus, the simple black-and-white music video hits me right in the nostalgia. Check out the Jake The Shooter-directed video below.
16 years ago today, I can tell you exactly how I started my day. It was a Tuesday and this album I’ve been waiting for finally released. No, I didn’t press play on my phone. I put the key in the ignition of my ’97 Honda Civic and drove to Best Buy. Efforts used to be made to hear new music. I didn’t want to hear a leak or download a copy that might not have been the version the artist intended. I wanted to hear the real version of Lil Wayne’s Tha Carter III.
Fake tracklists lived on message boards and even fake release dates might have gotten me to come here before, but I was sure that today was the day that it was going to be here. Checked the new release rack and only saw Plies’ The Definition of Real album. I looked up and down the Rap/Hip-Hop aisle, checked under “L” and “W.” There was no new Lil Wayne album. The first blue shirt wearer I saw at a register would surely end my quest for the latest in Tha Carter series. Apparently, someone tried to steal a copy when they first opened that morning, so that took all the copies off the shelves and keep them at the register. Simple inconvenience to the goal I had that day that was set after Tha Carter II through several singles, freestyles, mixtapes. Overall, the album was alright.
Like I said, my anticipation was high and I was let down by what I heard. There are some songs I liked, but it wasn’t overall as good to me as the album’s predecessors. For me, this album is Wayne’s downfall lyrically and creatively. Fortunately, I want to celebrate the version of the album that I didn’t get back then with songs that I wished made the album along with those I would’ve kept. Imagine a version of the album where Wayne had a song with the other Mr. Carter and a song with the first iteration of his group, Young Money: Raw DI AKA Dizzy, Mack Maine, and Curren$y. (S/O to Boo.) Sorry Kidd Kidd, love your verse, but “Mrs. Officer” had to go in favor of “Prostitute Flange” and Weezy’s most mature love song to date, “Something You Forgot.” R.I.P Static Major, but “Lollipop” is gone. I never liked it and still cringe. Yes, he’s a martian that always stood out amongst his pairs, but my version has him paying homage to Outkast, Scarface, and the Barre Baby, Big Moe. My biggest issue back then might’ve been that Carter III just felt like a collection of songs. Carter 1 and 2 had intros, interludes, and outros that made you feel like we were on an excursion with Birdman JR as our guide. I chose songs that give you an artist starting at their height, getting acclaim from peers and legends, then beginning to realize that it’s lonely at the top and the only companions are paranoia and remorse, then finally remember where and why he began his journey, ending in acceptance at his place on the throne loved and admired. Damn, I’m cold. Enjoy “My Carter Tre”!
Happy Carter 3 Day to all those who celebrate.
- Scarface
- When They Come For Me
- Pussy Money Weed
- Dr. Carter
- Lay My Organs Down
- I’m A Beast
- Prostitute Flange
- Let The Beat Build
- A Milli
- Me and My Drank
- Got Money
- Mr. Carter
- Shoot Me Down
- Tie My Hands
- I Feel Like Dying
- Something You Forgot
- La La La (Lighting Up My)
- Never Get It
- Bonus Track: One Night Only
I know we all LOVE “Summertime” by DJ Jazzy Jeff & The Fresh Prince, but let’s play another song about the hottest season.
“Summer Madness” by Kool & The Gang was released in 1974 off their 5th album, Light of the Worlds. Not only did it spawn a summer anthem from The Fresh Prince of Bel-Air costars, the song’s roots also spread to other notable tracks. “You Know How We Do It,” one of my personal favorite Ice Cube songs, and “Kickin Back” by Mila J, one of my favorite persons, both took inspiration from The Gang to make their own summer jams. Let’s watch their live performance on Soul Train and see if any fashion inspiration was taken as well.
Enjoy your summer. Wear sunscreen. Happy Sunday!
Fun Fact: Everytime I hear this song, I think about trailers for 90’s hood movies. After 30 seconds, I expect to hear a voice over say “From Director John Singleton.”
Bonus: Here’s a cover from that one cool band that has a name I can not pronounce: Khruangbin.
Bad rap ~~bitches~~ women unite as we see Megan Thee Stallion and Flo Milli jump on the remix of Latto‘s “Sunday Service.” I remember when there was news that Latto and Flo Milli stopped backstage at Meg and GloRilla’s concert to have a “twerk off” or something (this is proof that I keep up with important world news and events), but I had no idea a whole remix and music video came out of this meetup. We get some good verses from the ladies, as well as a slick, well-put-together visual with behind-the-scenes footage.
Another win and another beautiful woman featured in the Certified Banger section. In this edition, we present the beautiful and aesthetically pleasing Clémence. Besides the name, this lovely lady hails from Martinique. Check out the images below.
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The story of Pharrell Williams‘s origin and rise in music seems worthy of a movie. How to make it better? Tell the story with Lego pieces. That’s exactly what we get with Piece by Piece. The life of cultural icon Pharrell Williams is told through the lens of Lego animation. As someone who has a Lego bonsai tree sitting in his living room, I approve of this. Piece by Piece comes to theaters on October 11.
Another episode Notable Tracks but unlike the last few weeks, this edition does not contain any songs from my album backlog or any leaks. It’s just the standard version of me talking about three songs that don’t really have anything in common other than that I like them. Let’s dive in.
Big Hit, Hit-Boy & The Alchemist feat. HitgirlLENA – “Gank Move”I’m mad at myself for not having written anything about what super producer Hit-Boy and his father, rapper Big Hit, have been doing. After serving nine years in prison, Big Hit was released, and his once-estranged son made his rap dreams come true. It’s a beautiful story. They have released three projects so far: Big Hit’s The Truth Is In My Eyes, Paisley Dreams (a joint project with The Game), and Black & Whites (with The Alchemist). The song I’ve picked today is from Black & Whites, titled “Gank Move,” and also features Hit-Boy’s sister, HitgirlLENA. Like I said, it’s a beautiful thing.
KOTA The Friend – “Vietnam”I really need to stop sleeping on KOTA The Friend. I already made one of his tracks Song of the Week last year, and most of the time when I hear his music, I vibe with it. Add another one to the list with “Vietnam,” which is off Lyrics to GO Vol. 5. The album dropped earlier this year, with the accompanying music video released last week.
Lil Duval – “UNCtivities”Did Lil Duval drop my song of the summer? And it’s a remake of a Saweetie song? Probably.
They don’t make many tracks celebrating the old heads, so I’ll take what I can get. Plus, now I can tell the youngsters that I be “doing Unc shit.”
As much as I like this song, Duval hasn’t technically officially released it (though he did post it on YouTube). Go ahead and release it, Unc!
While putting together this week’s Certified Banger on Lilah Pi, we came across articles about her dating Drake and even accusations of blackfishing. To be honest, we thought she was at least mixed with Black or something. But the post was already basically done, and she is still beautiful. So here we are.
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After some teasing on social media, Eminem returns with a new song and music video titled “Houdini.” From the actual song to the visuals, the whole thing reaches back to previous singles, especially the music video for “Without Me.” The storyline of the video features a young, prime version of Slim Shady squaring off against the current version.
“Houdini” serves as the first single from his next album, The Death of Slim Shady. Eminem has alluded to this project being his last with things like creating a fake obituary for Slim Shady in the Detroit Free Press or a fake true crime show. However, after listening to the song, it seems like he might be trying to get canceled on the way out. The Megan Thee Stallion line, “If I were to ask Megan Thee Stallion if she would collab with me / Would I really have a shot at a feat?” has already caused some outrage. Check out the music video below.
Action Bronson ventures into the great outdoors in the music video for his new track, “Nourish a Thug.” The song, produced by Daringer, showcases the witty wordplay for which Bronson is known. The stylish visuals, directed by Sean Kelly, are presented in a grindhouse style and depict Bronson on a camping trip, ending on a cliffhanger. “Nourish a Thug” is the first release from Bronsolino’s upcoming project, Johann Sebastian Bachlava: The Doctor.
This edition of Notable Tracks is primarily me still going through albums in my backlog and picking songs from them, but I also include one that surfaced from a recent major music leak. I’m sure the suspense is killing you so let’s dive in.
Kanye West feat. Travis Scott – “Can U Be (Pressure)”In what some are calling one of the biggest song leaks in musical history, hundreds of unreleased tracks from artists like Kanye West, Travis Scott, and A$AP Rocky have surfaced online. (There were like over 130 songs by Gunna, which is crazy) This leak was due to hacks, and the songs were then purchased by fans through “Group Buys,” where fans worldwide pool their money to obtain leaked audio. The standout among these tracks seems to be Kanye West’s “Can U Be (Pressure)” featuring Travis Scott. The song is okay; I think it was more about fans finally hearing the full version, which has been discussed on message boards and forums for about seven years. Either way, you can now check out the full version of “Can U Be (Pressure)”.
Vince Staples – “Étouffée”Last week, Vince Staples dropped his sixth studio album, Dark Times, which also marks his final release with Def Jam. For those unfamiliar with Vince Staples as a rapper, his music might come as a surprise. While he’s known for his humor on the internet and his Netflix show, his music tends to be more introspective and less about producing club or radio hits. That’s not to say his music isn’t good—it often is. I’ve enjoyed Vince Staples’ past projects, and after hearing him talk about sync placement on Drink Champs, it’s clear he isn’t worried about album sales. I’m rambling now, but you should definitely check out my favorite track from Dark Times (so far), “Étouffée”. (Watch out for the “Get The Gat” sample at the end.)
Childish Gambino feat. 21 Savage, Ink, & Kadhja Bonet – “Psilocybae (Millennial Love)”I think the idea of Childish Gambino reworking an album is pretty cool. He essentially expanded on his 2020 album 3.15.20 with the recent release of Atavista, to the point that he removed 3.15.20 from streaming platforms. My only issue is that I barely remember 3.15.20 (all I recall is “Feel Like Summer,” was on it, which is probably why he reissued another version). I’m planning to revisit 3.15.20 and then listen to Atavista to get the full experience. Interestingly, the song I’m highlighting today wasn’t significantly altered (as far as I can tell) aside from the title. Originally called “12.38” on 3.15.20, it’s now titled “Psilocybae (Millennial Love)” and still features the same verse from 21 Savage.
This one feels special. Robyn Edwards is a beautiful Jamaican woman, a naturalist, and a medical doctor with an amazing body made for bikinis. What’s not to love and be amazed by?
Sidenote: Don’t let the braces in some of these images for you; She is 26.
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America’s favorite baby mother, Sexyy Red, dropped a new album tonight titled In Sexyy We Trust.
“U My Everything” is a track from Red’s latest project, featuring none other than Drake. This collaboration isn’t too surprising, considering that Drake and Sexyy Red are kinda frequent collaborators at this point. However, it marks Drake’s first appearance on a track since The Great Rap War of 2024.
What stands out about “U My Everything” is that Drake actually raps over Metro Boomin’s viral “BBL Drizzy” diss beat. (Who says Drake can’t take a joke?) It’s interesting that Metro Boomin didn’t copyright the beat, possibly due to the “BBL Drizzy” contest. Crazy.
As for the song itself, it’s not Sexyy Red’s best work, with Drake’s part being the highlight. I saw her dropping snippets on social media and wasn’t impressed by her singing then. It’s somewhat amusing but not enough to carry the song. (We still love you, though, Sexyy!)
And just like that, my album backlog is piling up. But instead of doing one of those posts, let’s do a Notable Tracks post of songs from some recent albums. Or something. Let’s get into it.
Ghostface Killah feat. Kanye West – “No Face”I remember seeing that Ghostface Killah had a song with Nas, and then all of a sudden found out that he had a whole album, Set The Tone, coming out with a bunch of features (I just looked again, and besides skits, Ghost does not have a song on the album that doesn’t have a feature).
Like me, the song/feature that caught the most attention was Kanye West on “No Face” (that and the random Ja Rule feature on “Bad Bitch,” but I’m not talking about that now).
The song is okay, and to my surprise, this is a new Kanye West verse (or at least sounds like it). Ye didn’t have anything to do with the throwback production, even though it shares the same sample as songs from both rappers’ catalogs (“Bring Da Ruckus” and “New God Flow”). I was going to point out how random this collaboration was, but this isn’t the first time Ghost and Kanye have linked up.
Rapsody – “Asteroids”Man. When there is talk about alternatives to popular female rappers like Sexxy Red or Cardi B, I hear people talk about Rapsody. But then Rapsody drops an album and it kind of comes and goes. We are part of the problem.
Rapsody dropped an album last week called Please Don’t Cry. So far, it sounds good, but it feels like she will never receive the same fanfare as her “sexier” contemporaries. And maybe that is okay.
Even though the Hit-Boy produced “Asteroids” dropped last year, I still like it, and I didn’t get a chance to post it on the site. (Like I said, we are part of the problem.)
Conway The Machine – “Give & Give”I’m a fan of Conway The Machine, but even I lost track of his new projects. From 2023-2024, the rapper has dropped around 10 projects. Yes, crazy.
Still, his last album, Slant Face Killah, not only has a dope title but sounds great so far, with some of the features like Key Glock and Tech N9ne surprising me.
My pick from Slant Face Killah is the Cool & Dre produced “Give & Give.”
Sidenote: Why are a lot of producers now featured when all they did was produce the beats? Is that a publishing thing?
This is another gorgeous woman featured in the Certified Banger section about whom we have limited knowledge. What we do know about Bane M’baye is that she is a model, she speaks Italian, and she is beautiful (yeah, we had to mention that again).
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King Jerm and Short-T sit down to discuss and dissect the diss songs exchanged between Drake and Kendrick Lamar, delving into the history that led to the feud, analyzing who emerged victorious, exploring the aftermath, and placing it within the context of all-time great Hip-Hop beefs. They also explore other notable Hip-Hop battles, discuss various Hip-Hop fandoms, and dive into a plethora of other engaging topics.
Look man, I have no idea why The Game is dissing Rick Ross on his new song “Freeway’s Revenge.” Is he trying to defend Drake, or is he just not coming to Freeway Rick Ross’s defense (Almost two decades later)? Or maybe it’s because fans are hungry for diss records now? Could be all three.
Either way, The Game has made plenty of diss songs in his career, but I’m not sure where “Freeway’s Revenge” would rank. The beat switch is dope though. Check out the song below.
We have been in love with Scottie Beam for a minute (ever since we saw her on the Hot 97 YouTube page). Now, we see her doing things like co-hosting The Scottie & Sylvia Show podcast and creating shows like Get You A Me. And we are still in love. (Plays track 3 off Alfredo**)
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Megan Thee Stallion has released a new song titled “BOA” along with an accompanying video game-themed music video. Meg looks fantastic in these visuals, and if you’ve ever wanted to see her perform a Mortal Kombat-style fatality by sitting on someone’s face (like us), you should definitely watch the video below.
I’m gonna be real with you, I thought we were gonna get a break from this whole Drake versus Kendrick rap civil war. In the words of Short-T: “It is First Sunday. And Cinco De Mayo. Do they not have work in the morning?”
No. No, they don’t. Drake replies to Kendrick’s last two records with “The Heart Part 6”. Just like K.Dot made one of his own timestamp series with “6:16 in LA”, Drizzy does the same and makes his own installment of Kendrick’s “The Heart” series with this latest song.
Sidenote: Yes, I am looking at Kendrick’s YouTube page to make sure he has not already dropped a response.
In Drake’s most recent diss track, he acknowledges the supposed OVO mole who was allegedly feeding Kendrick Lamar information from inside his own circle. He also denies all the pedophile allegations, acknowledges that “Not Like Us” was a record he could dance to if it wasn’t full of lies, and calls Kendrick a master manipulator and woman beater.
Sidenote: Refreshes Kendrick’s YouTube page again.
Yeah, this battle is not over yet.
Nah, Kendrick Lamar is not stopping. After the crazy events of last night, K.Dot dropped yet another diss aimed at Drake in the form of “Not Like Us”.
Kendrick basically created a catchy West Coast track (Produced by DJ Mustard) that calls Drake a colonizer and his OVO crew a bunch of pussies and pedophiles, and gives us a history of how Drake stole style and street cred from Atlanta artists.
Would it surprise me if we got more new diss songs this weekend? No. Who needs to go outside and stuff? (3 diss tracks in 48 hours is crazy)
Yes, as I was writing the post about Drake’s “Family Matters,” Kendrick Lamar dropped a new diss song, “Meet The Grahams.” And just like Drake, it seems like K.Dot was waiting to drop his own (The artwork for “Meet The Grahams” and “Euphoria” is proof of that… Why are there pill bottles and receipts? Oh no…)
To be blunt, Kendrick Lamar dissects Drake, throws some heavy accusations, and gives verses in the form of open letters to Drake, Drake’s mother, father, son, and… (drum roll) his daughter? (Drake, are you hiding another child?!!)
The battle continues. What a crazy night.
We knew Drake was going to respond to Kendrick Lamar’s “Euphoria” (and I guess “6:16 in LA”), and he did just that with “Family Matters”. This time, we even get some visuals with this diss song (Yeah, and it shows the van from Good Kid, m.A.A.d City getting crushed). Drizzy also sent more shots at Rick Ross, A$AP Rocky, Metro Boomin, and more. The battle continues.
Also, did Drake pull a Jay-Z “Takeover” with this song and “Push Ups”? (I’ll let the old heads explain to the young audience).
Sidenote #1: Drake also rapped over the “Buried Alive Interlude” instrumental on his Instagram.
Sidenote #2: As I was writing this, Kendrick Lamar has, in fact, dropped again.
Just when I was getting tired of the constant overanalyzing of “Euphoria” on social media, thankfully Kendrick Lamar drops another diss song aimed at Drake with “6:16 in LA”. K.Dot alludes to going “Back to Back,” and here we are, over a dope Al Green sample and in Drake’s “Timestamp Series” format.
View this post on Instagram A post shared by Kendrick Lamar (@kendricklamar)
Who releases a long-awaited diss (response) song on a random Tuesday? Kendrick Lamar, that’s who. Today, K.Dot finally responds to Drake’s “Push Up” (and I guess “Taylor Made” too) with “Euphoria.” I’ve already had five debates about which song is better or who won, or whatever. I’m going to let you all do that on social media and whatnot. I’m just posting the song for historic purposes. Let the games continue.
Ice Spice jumps on the remix of Cash Cobain‘s and Bay Swag‘s hit song, “Fisherrr”. Not much needs to be said other than Ice Spice sounds great on the track and looks stunning in the accompanying music video. Check out the KZA-directed visuals below. For sure.
BJRNCK (Pronounced byo͝or’nik) is an R&B singer and a stunning woman from Chicago. Just from her pictures alone, without even listening to her music, she has already made it into our top 5 list of current singers ever.
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Out of all the diss songs recently released, if anyone was going to do a music video for their diss track, it was going to be Rick Ross. Today, Rozay dropped the visuals for his Drake diss track, “Champagne Moments.” In the video, Ross hangs out in an airplane hangar while promoting Luc Belaire and his upcoming car show.
The Hood’s Hottest Princess and America’s sweetheart, Sexyy Red, goes sneaker shopping with Complex’s Joe La Puma at Flight Club. Sexyy talks about her favorite sneakers from when she was in school, losing sneakers while on the road, hating that her son love of Crocs, and more. And yes, there is twerking included in this video.
Ye has entered the chat.
I felt it was only a matter of time before Kanye West would insert himself into the Drake versus ~~Kendrick Lamar~~ everybody beef, and here we are. There have been rumors about Yeezy jumping on “Like That” for a minute. Then I saw that Adam 22 said he had a version of it. Later, a version of it leaked earlier today, and I thought it was A.I…. until Kanye West himself premiered it on Justin LaBoy’s The Download.
Over a remixed production by Metro Boomin, Kanye West, & The Legendary Traxster, Kanye starts off by getting straight to the point:
You know we had to get The Hooligans up here, we gon’ take this pussy nigga out
Yo, Dot, I got you
Kanye then proceeds to send some shots at Drake and even takes a swipe at J. Cole (“Play J. Cole, get the pussy dry”). We even get a new verse from Future.
Check out the track below:
So Drake has dropped another diss song towards Kendrick Lamar, featuring read notes AI verses from Snoop Dogg and 2Pac? Yeah, that’s a thing on Drizzy’s latest track, “Taylor Made Freestyle.”
Drake is basically trying to use the same playbook he did with his Meek Mill beef, dropping two consecutive disses with no response. (This song was dropped on Drake’s Instagram with the caption “While we wait on you I guess.”)
I’m also wondering if Drake hit up the guy who made that AI Kendrick song that everybody thought was real. (That would be kind of funny and meta.) The first verse is Pac addressing where Kendrick’s response is at, the second verse is Snoop kind of doing the same thing (I kind of feel like for enough money, Uncle Snoop would have been available), with the last verse being Drake praising Taylor Swift, saying she is the reason K.Dot hasn’t responded, implying that Kendrick is struggling to come up with a response and basically threatening him with another diss song.
“Push Up” recently went to music streaming services. I’m pretty sure we won’t see the same thing with “Taylor Made Freestyle.” Check it out below.
Taylor Made Freestyle pic.twitter.com/OrcdsIb8Wf
— Drizzy (@Drake) April 20, 2024
Yesterday was 50 Cent Day in my hometown. Curtis Jackson was welcomed and honored in the 318 as he signed the lease for G-Unit Studios. Mr. Jackson will brought entertainment industry opportunities with his new production hub.
In honor of G-Unit Studios opening in Shreveport, Louisiana, I wanted to showcase 50 Cent’s past ventures to the South thru freestyles over Southern beats and collaborations with Southerners. No Young Buck songs because that would be too easy. I wanted to challenge myself. Enjoy!
Having seen and admired Naomi Davis in numerous music videos in the past, it’s only fitting that we feature this beautiful fashion model in the Certified Banger section.
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Nicki Minaj has released the all-star ~~remix~~ SLEEZEMIX of her hit song “FTCU,” featuring Travis Scott, Chris Brown, and Sexyy Red. It’s cool, I guess. Chris Brown has an okay verse, but you could probably have left Travis Scott’s part out altogether. To be real, this should have just been Nicki and Sexyy Red, and that’s it. Check out the track below.
This edition of Notable Tracks carries a somber tone. I’ve selected two songs this week as a tribute to recently departed artists, as well as one song that reflects on Hip-Hop’s current landscape of beefs (which, I’m sure you’ll be able to distinguish). Let’s dive in.
The Notorious B.I.G. – “Real Niggaz”R.I.P. Mister Cee. As the DJ who basically helped discover The Notorious B.I.G. (and executive produced his first album, Ready To Die), I felt it was only right to feature a track that I first heard on Mister Cee’s The Best Of Notorious B.I.G. mixtape, “Real Niggaz”.
I’ve been listening to “Real Niggaz” a lot for the past few days, and it may now be in my top 5 Biggie songs (Biggie over west coast classics still holds up today). Long live Biggie and Mister Cee.
Society Of Soul – “E.M.B.R.A.C.E.”R.I.P. Rico Wade. As a member of Organized Noize and an architect of Atlanta Hip-Hop, there were many songs I could have picked that the legendary producer had his hand in. I’ll go with a random pick: a song from a little-known group that Rico Wade was part of, “E.M.B.R.A.C.E.” by Society of Soul. Smooth R&B from 1995. Salute to Rico Wade.
French Montana feat. Drake, Rick Ross, & Lil Wayne – “Splash Brothers”This version of “Splash Brothers” is the song Rick Ross was talking about on “Champagne Moments” when he dissed Drake. Drizzy supposedly sent a cease and desist to French Montana to block his verse. A version of this song still appears on Mac & Cheese 5, just with Drake and a different verse from Rick Ross.
Originally, I was going to post Tyra B’s “Country Boy” since Beyonce’s Cowboy Carter has turned the spotlight on Black country singers. S/O to Shreveport’s own Willie Jones. I wanted to pay homage to the Virginia singer for showing love to the dudes in dirty jeans and dusty boots back in the day; 2005. Instead, I’ll share a ballad to slow things down to have a moment of reflection to appreciate those we have or lost in our lives. Enjoy. Have a good week! Happy Sunday!
Olayemi Olurin is a Political Commentator and Lawyer. I ain’t know none of that. I just be following people on Twitter that entertain/educate me. When she shared a trailer last year, announcing her YouTube channel, I subscribed immediately. She started with videos about why Trump isn’t going to jail, the mistreatment of Angel Reese online and in the media (glad, that’s over, right?), and the incompetence of New York Mayor, Eric Adams. I was happy to see a full-circle moment where Ms. Olay was able to converse with Mayor Adams on the Breakfast Club two weeks ago.
For the last three weeks, from Candace Owen’s conservative narrative to the validation of Charlamagne Tha God’s journalistic integrity, the topic of Black voices in media has been a substantial topic as we dissect who should and should not provide information to the Black community. The position of power could lead to misinformation, misdirection of energy, and a societal decline. I would like to share some education and entertainment in form of the latest gathering of Olay and her peers showcase their thoughts on where/how their voices are best amplified to reach their audiences.
Rick Ross is the first to respond to Drake’s “Push Ups (Drop & Give Me Fifty)”.
To be honest, most of “Champagne Moments” is Rozay just rapping regular Rozay things that he would normally rap about.
But things get interesting at the end of the song when Rick Ross starts talking and explains his beef with Drake. Mainly, it seems like Drake wouldn’t clear a feature for French Montana’s last album and sent a cease and desist letter. He also mentions that Drake got plastic surgery on his nose (“to make your nose smaller than your father’s nose”) as well as surgery on his stomach (“Yeah, you had that surgery, that six-pack gone”).
So I guess Rick Ross is all for the beef. On ~~Twitter~~ X, he said:
Let’s hope so. Check the track below.
cracks knuckles
One thing I never got the chance to talk about in the past few weeks (because I was injured) was Kendrick Lamar’s verse on Future & Metro Boomin’s “Like That,” where he dissed Drake (and kinda J. Cole). I mentioned it briefly when I posted the music video for Future & Metro Boomin’s “Type Shit.” (I’m even going to mention J. Cole’s sad apology and how he ended up actually doing a song onWe Still Don’t Trust You.)
But you know what I am going to talk about? Drake’s (supposed) response, “Push Ups” (Also known as “Drop & Give Me Fifty”). The issue with putting out diss songs in 2024 is that there’s a chance they are A.I. generated. That’s what I thought this song was at first. Then the songs started getting pulled for copyright. Then Rick Ross responded (that’s in the next post). And then fans realized that Mal and Rory mentioned the term “Drop & Give Me Fifty” on their last podcast.
So, who is Drizzy going at on “Push Ups”?
Kendrick (of course) catches the brunt of the diss, being called a midget who has to give most of his money to Top Dawg. Future and Metro also get some shots (“Metro, shut your ho ass up and make some drums, nigga”). Rick Ross catches some strays (“Can’t believe he’s jumping in, this nigga turning fifty”). Hell, even Ja Morant gets a shot or two.
Sidenote: I honestly really wanna know what Drake to make all these rappers mad in the first place.
While the song hasn’t been officially released yet, you can check it out below.
This is an easy one. Lanazia Greene (aka MaamiNextDoor) is the woman from that PartyNextDoor album cover that you fell in love with (Just like we did). We didn’t have much information on this beauty but then she did an interview with Complex. Check out the pictures below.
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Jason Philips once said, “Check this out, Ma. I’m running out of my patience.”
By the way, Mal and Rory have been podding for years now and besides a few clips and their interview with Jermaine Dupri, I have not been following closely. Two hours and 21 minutes passed by as Malakiss, Roryles P, and their co-host Damaris Louch recorded an episode on the levels of the LOX during a Verzuz battle. (Remember those?) Unlike J.Cole, Mal stands by every word he said on this mic and sleeps without any issues.
This episode, there couldn’t have been a better guest to end the latest season of First We Feast’s interview series, Hot Ones.
The Irishman himself, Conan O’ Brian taunts Sean Evans and his little “hot” sauces for a whirlwind convo with a (fake?) personal doctor, the art of comedy, and spice arousal.
Professional wrestling is cool again and we are in the eve of WrestleMania 40 (aka WrestleMania XL). So it felt only right to gather up the FRO Horsemen and argue about if stories will get finish, who will turn on who, and how fine Jade Cargill will look in her match.
We got two full nights to talk about, so check out the FRO Horsemen’s WWE WrestleMania 40 Thoughts & Predictions below.
1. Who will win the main event of WrestleMania XL Night 1: The Rock & Roman Reigns vs. Cody Rhodes & Seth “Freakin” Rollins?
B-Easy: Of course The Rock & Roman Reigns will beat Cody Rhodes & Seth Rollins and of course the “Bloodlines Rules” stipulation will be in effect on Night 2. This is like making 2 out of 3 falls match and only having 2 falls. I am curious to see how Rock wrestlers (and I sure it will big busier style which is kinda interesting)
Saule Wright: It feels like this is chaos. Night 1, we gotta assume Bloodline wins to set up Bloodline Rules for Night 2. I expect it to be hella extra and to take about an hour by itself. I’m not sure that it SHOULD take that long, but I feel like it will take that long.
GQ-Blu: Rock and Roman win here to stack the odds against the baby face. That’s booking 101. I also looked it up. Rock is 51. I didn’t realize he had passed fifty. Like Easy said it’ll be interesting to see his conditioning and how much he has to be protected in this match, if at all.
2. Well, does Cody finish his story on Night 2? – Undisputed WWE Universal Championship: Roman Reigns (c) vs. Cody Rhodes
B-Easy: We have argued about this in the FRO Horsemen group chat a lot, but I think Cody Rhodes will finally beat Roman Reigns and “Finish His Story”. Because what the fuck do you do with Cody Rhodes after he loses twice to Roman at Mania?
Saule: Zero chance. I’ve said this consistently, Roman has to replace Hogan on that list. Cody will be fine and I’ve of course already written his successful story finish lol. (Also, Seth is costing Cody the title.)
GQ-Blu: I was once adamant that WWE owed it to Cody to finish the story. Not so much because he deserved it (although there’s an argument there), but more-so it would be bad booking for him to win the Rumble two years in a row just to lose twice at Mania. That’s doing a wrestler dirty due to bad writing.
But recently I’ve been going to the Church of Saule Wright who preaches every Sunday and twice on Wednesday night that Roman needs to break Hogan’s title reign record. Which would take us to Summerslam. We know Trips loves long title reigns while He Who Must Not Be Named didn’t give a damn, but I doubt we ever see a title reign as long as this again. So in honor of his daddy, I think we get a Dusty finish and have Cody win at Mania, but get the decision reversed on the following Raw.
3. What about the other world title match? World Heavyweight Championship: Seth “Freakin” Rollins (c) vs. Drew McIntyre
B-Easy: Besides Rock constantly saying that he is gonna make sure Seth loses his title, Drew McIntyre deserves this. Besides getting a world title run that’s not in a pandemic, Drew has been doing some of the best character work in his career and standing out in a time when a lot of wrestling can’t with bigger stars currently around.
Saule: I feel like Drew wins, Seth needs some time off, and Priest is dying to cash in. We have PLEs coming in Drew’s home country and in Sami’s home country so I expect this title to change hands like two more times after Sunday.
GQ-Blu: I think I said before how stale I thought The Rock was and how I felt like his shtick came off like a living South Park character. However he has absolutely killed it as a heel since he’s come back.
And even that makes him the second best character in WWE because no one has been more entertaining than Drew McIntyre. I thought The Scottish Pyschopath gimmick was the best version of Drew. Who knew he just needed to be an internet troll to unlock his potential? Drew deserves to get the win here. Seth doesn’t need the belt and hasn’t been all that interesting with the championship.
4. Let’s look at the women’s title matches:
Women’s World Championship: Rhea Ripley (c) vs. Becky Lynch
B-Easy: I know this feud kinda started with Becky saying Rhea was better than her. Guess what? She is. Another win for Mami.
Saule: Becks is great and even though Rhea’s reign has been hella boring, I don’t see that shit changing right now.
GQ-Blu: The fellas know my two biggest crushes in WWE are Jade Cargill and Rhea, so while it’s hard for me to be objective, I still think Mami should win this. However, Becky’s on full star mode, promoting a new book, and standing up for the memory of her late father. This feels like one of those made for WrestleMania feel good moments. Becky wins in what I think will be an overall bad weekend for my favorite crew, The Judgment Day.
WWE Women’s Championship: Iyo Sky (c) vs. Bayley
B-Easy: Somehow this match kinda got forgotten about even though Bayley won the women’s Royal Rumble. Everybody loves Bayley but I can see Iyo Sky (and Damage CTRL) feuding with other women after this (all with the world titles). Iyo Sky wins.
Saule: Iyo, not her fault, is probably the most boring women’s champion in recent memory. I feel like they have some more juice in this feud so we may see them drag this out to another PLE and add a stipulation to the match. They’ve kinda pushed Bayley to the back burner but I think we see them make the main event match at the next PLE. Iyo retains, for now.
GQ-Blu: it feels like this story was more about getting Bayley make over as a face as opposed to Iyo being champ, so Bayley getting redemption from being a mean girl seems to be the logical step. Bayley gets the win here and gives someone a hug.
5. Let’s look at the other title matches:
WWE Intercontinental Championship: Gunther (c) vs. Sami Zayn
B-Easy: Props for WWE doing those Rocky-inspired vignettes with Chad Gable training Sami Zayn, but they’re doing all that for Gunther to still beat the shit out of Sami.
Saule: Sorry Sami, not yet. We have an event in Canada coming. This will do you good to keep you in the big dog tier for a few more months where you’ll be leaving with a title. I think Sami gets beat until the ref has to stop it, we may see the X get tossed up. Gable tries to avenge him but eventually Sami returns and wins in a last man standing match in Canada. However, this time, Philly belongs to the Ring General.
GQ-Blu: Another long title reign. Gunther is already the longest reigning IC champ in WWE history. However I think we all agree Gunther has outgrown the mid card and needs to be in the main event. If the main event wasn’t already super crowded I ‘d say give Sami the belt here and get Gunther a number one contender spot ASAP. But I feel like we could be in a holding pattern for both top belts through the end of Summer. So keep the belt on Gunther until they’re ready to pull the trigger on him being the top guy.
WWE United States Championship: Logan Paul (c) vs. Randy Orton vs. Kevin Owens
B-Easy: This should be an okay match. But unless WWE is gonna give Logan Paul another world title program, he is leaving Mania with the U.S. title. (Plus Orton and Owens winning this title is kinda beneath them at this point)
Saule: I want to care. I really do. I hate the idea of Logan as the champ for various reasons. The main reason is I think he’s made the US Title worthless and that’s not even a rub at his ability, it’s the visibility of a belt that once carried the shows. Cena’s weekly open challenge, Cesaro’s run, etc. We’ve seen some great things done with this belt. Now, it’s a title I legit forget they even have. I’m also not a fan of the fake ass tension they keep trying to push between Orton and KO. Orton is a top 4 heel in wrestling, we all need that guy back. Just make it happen and stop having main event guys act like they want this midcard belt. Logan wins, who cares.
GQ-Blu: Randy Orton looks like he’s legit having the time of his life since he’s come back from injury. I feel like he would enjoy working the mid card and propping up the US title like Cena and (to a lesser extent) AJ Styles did. Orton wins.
Undisputed WWE Tag Team Championship: Six-Pack Tag Team Ladder Match
[The Judgment Day (Finn Bálor & Damian Priest) (c) vs. #DIY (Johnny Gargano & Tommaso Ciampa) vs. The Awesome Truth (The Miz & R-Truth) vs. The New Day (Kofi Kingston & Xavier Woods) vs. A-Town Down Under (Austin Theory & Grayson Waller) vs. New Catch Republic (Pete Dunne & Tyler Bate)]
B-Easy: This one might be the show stealer. And since reports are saying that both the Raw and SmackDown tag titles can be retrieved separately, two teams can (and will) walk out champions. Okay. I’m intrigued.
Saule: Best match of the weekend vibes. Best possible outcomes too. I feel like we will see a title split and this is a great time to treat the fans. I don’t know how they’ll do it but I think your winners will either be one or both, Awesome Truth / Waller and Theory. Both teams are solid transitional options and will provide interest for fans.
GQ-Blu: Sadly, I think we start seeing the cracks in The Judgment Day at this mania. None of them win their matches and the blame game continues. Damian and Finn are losing both titles.
6. And the rest of the card:
Jey Uso vs. Jimmy Uso
B-Easy: I’m happy the Uso brothers finally got their 1 vs 1 Mania match. Don’t be surprised if they hug it out after. (Maybe even with Rikishi there)
Saule: …I want to care… But I don’t. I think Jimmy and Jey are both doing great work but this match itself feels rushed and somehow like it should have happened already. Jimmy done fucked with Jey several times before and they should have been had this match. Then they announced it and Jimmy cut his best solo promo since he’s been there. However, I’m yeeted and no yeeted out and I know Solo is gonna cost Jey this match.
GQ-Blu: TBH, I dont really care about this feud. I‘d actually be ready for the whole Bloodline story to be done if it wasn’t for The Rock coming back and over delivering. Jey wins because WWE loves getting everything they can out of old Black catchphrases. YEET!
Bianca Belair, Jade Cargill, and Naomi vs. Damage CTRL (Dakota Kai, Asuka, and Kairi Sane)
B-Easy: Jade made the WrestleMania card! The real Big 3 (Bianca Belair, Jade Cargill, & Naomi) should win this.
Saule: Black. Girl. Magic. The end.
GQ-Blu: this has SQUASH written all over it. Hiiiiiiii Jade.
Rey Mysterio & Dragon Lee vs. Santos Escobar & “Dirty” Dominik Mysterio
B-Easy: This probably should be on the pre-show. And Dominik seemed to come out of nowhere (I do think Dom will eventually leave Judgement Day to lead LWO but I’ll talk about that another time…)
Saule: The bathroom break match. I don’t know where this falls but let’s stop dragging Santos into some shit he shouldn’t be involved in. That man is epic and his squad and this match are boring. I said in our chat, Santos needs some muscle behind him. I hate when the faction boss is flanked by smaller guys. Plus he REALLY don’t need a crew unless the crew can help him dominate. This ain’t it, nor is this match. Don’t be shocked if we start to see Dom get some face love here. As much as the crowd loves to boo him, he’s working with his dad. You can always pivot on that and get the crowd back on his side.
GQ-Blu: I’m way higher on Dirty Dom than my FRO Horsemen compadres. But Dom has been booked more like a liability than a threat. I honestly don’t see a judgment day win on this show. Rey Mysterio’s wins for all the deadbeat dads out there.
LA Knight vs. AJ Styles
B-Easy: WWE tried to make this bigger with LA Knight showing up at AJ’s house but the buzz here is pretty low. LA Knight probably should be wrestling for the US title but I am happy they both got a spot on the card
Saule: I blame y’all for this. LA Knight is fish grease and it’s y’alls fault. The Universe is a sucka for a catch phrase so you musty bastards have “Yeah’d” this man into more opportunities than he deserves. Styles deserves this and we need to see how this ends up with The Good Brothers as well. That whole faction got musty for no reason.
Bobby Lashley, Angelo Dawkins, & Montez Ford vs. The Final Testament (Karrion Kross, Akam, & Rezar)
B-Easy: Another feud that has been going on for a while but not with a lot of buzz (I’m looking at you Karrion Kross) but this will either be boring or okay.
Saule: If the Job Business don’t win this disband them. I’m tired. The Final Testament may be the least interesting returning faction I’ve seen. They brought them all back and I said why both times. I have received no answers. Kross looks like he left his job at the car dealership and came to wrestle. I hate it all.
GQ-Blu: Remember when Freddy Prinze Jr. was about to start his own wrestling fed and wanted Karrion Kross to be his top star and world champ. But then Karrion said he got a call Trips wanted him back in WWE and Freddy was like you gotta take that offer?
Well, Pepperidge Farm remembers. Also that probably would’ve been a terrible promotion. This feud also seems to be beneath The Almighty. I’m sure I speak for Black people of all races when I say I miss The Hurt Business. I think Karrion’s team wins though but that this feud does nothing for either faction and is probably a designated bathroom break on a loaded card.
Travis Scott has released the music video for his hit song “FE!N,” featuring Playboi Carti. Directed by Gabriel Moses, the visuals can best be described as resembling a full-body scan in a video game, but taken to the next level. Check out the music video below, and then read our album review for Travis Scott’s Utopia.
Do you remember when the music video for 50 Cent’s “I Get Money” came out, with Funkmaster Flex at the beginning saying, “This is the hardest record out!!!”? They should have put that at the beginning of these visuals for “Get It Sexyy” by Sexyy Red. Hard.
In this video, Red takes us back to the days of MySpace pages and long white tees, plus a Soulja Boy cameo. You also see cameos from Adin Ross doing his best American Pie impersonation (I guess all that stuff he said about Sexyy Red was part of the rollout for this video?) and Drake (again) playing Sexy Redd’s love interest. (I assume this video is a prequel or sequel to the “Rich Baby Daddy” music video) Check out the Des Gray & Sexxy Red-directed video below.
We can’t be certain if Aloha Ayana is actually from Hawaii, but we’d greet this lovely woman with aloha any day. Welcome to the Certified Banger section.
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Big Sean is staging a strong comeback, making his presence known over the past few weeks. Today, he adds to that momentum with a 14-song NPR Tiny Desk Concert performance.
Most artists who play the Tiny Desk leave behind a small memento to live on the shelves. Big Sean gave us his special Detroit Tigers/J Dilla baseball cap, an item that speaks to who he is as an artist. Sean doesn’t allow too much time to pass without reminding you of his native Detroit and his most recent freestyle samples an instrumental from the late great J Dilla. Sean pushed our boundaries, presenting one of the longest setlists in Tiny Desk history, but was also extremely gracious and collaborative with our team. This wasn’t just another appearance for him. “It’s something my kids can look back on, something my family can look back on to see where I was at in my career,” he said before closing with the rambunctious “I Don’t F*** With You.”
Sean Anderson’s journey from a high-pitched kid pining for the attention of Ye to one of the most respected lyricists and hitmakers in hip-hop is cleverly packed into this Tiny Desk concert. One of my favorite moments was when he touched on his background as a blog-era emcee. Most of the current kings and queens of hip-hop came up in the same era and it’s hard to fathom what the culture would be without that class. Every word and song of his performance was deliberate: from “Memories,” right up to the world premiere of “On Up,” a song dedicated to his son, Noah, with whom he shares with singer Jhené Aiko, who also gets a bit of shine during his set.
SET LIST
- “Memories”
- “Nothing Is Stopping You”
- “Blessings”
- “Play No Games”
- “Light”
- “My Last”
- “Marvin & Chardonnay”
- “All Me”
- “Beware”
- “I Know”
- “Bounce Back”
- “One Man Can Change The World”
- “On Up”
- “I Don’t F*** With You”
Future & Metro Boomin have just released their joint album, We Don’t Trust You, and the Hip-Hop world is buzzing about Kendrick Lamar’s verse on the album, which supposedly disses Drake and J. Cole.
In the midst of this, Future and Metro dropped a music video for “Type Shit,” featuring Travis Scott and Playboi Carti. In the visuals, the crew is masked up, hitting the strip club (as expected), and chilling around expensive cars. You know, just the usual “type shit.”
It’s been a while since Big Sean has dropped an album or been fully active in the music scene. However, over the past week or so, the Detroit rapper has been making moves. He released a short film/vlog, a freestyle over a J-Dilla flip, and now, a new track and music video titled “Precision”.
I really like the song because Sean is essentially rapping over Three 6 Mafia’s “Poppin’ My Collar” (which samples “Theme of the Mack” by Willie Hutch). The hook is pretty catchy too (“pew-pew, ayy”).
The Onda-directed music video is cool and vibrant, showing Sean coming out of cryogenic sleep and gearing up to shoot a video. However, everything may not be as it seems. Check out the song and music video below. I’m sure an album from Big Sean is on the way.
The thing about picking women for the Certified Banger section is that sometimes we don’t know much about the women other than they are gorgeous. Mowele Shai is one of those women. She is captivating, her body is amazing, and she is from South Africa (we think). We’ll let the images below speak for themselves.
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The site is looking a little dry lately, so I guess it’s time to break out another Notable Tracks post. This is where I gather 3 to 4 songs, sometimes with a theme, and other times, they are just new discoveries for me (I already explained what this edition is for). Let’s get into it.
ScHoolboy Q – “THank god 4 me (Remix)”I’ve kinda been sleeping on ScHoolboy Q‘s latest album, Blue Lips. I haven’t really given the project a close listen, and we haven’t posted anything from the album yet. This changes things with this unofficial remix of ScHoolboy Q’s “THank god 4 me” by Uncle Kizzy (Alternatively title “tHkGoD4mE.”). It uses beats from Jodeci’s “What About Us” and Jay-Z’s “Big Pimpin’.” It sounds way better than me explaining it, so check it out for yourself.
Jabee – “Hear Me When I Pray”You know what’s a great thing to hear when a song comes on? “Conductor, we have a problem!” Yeah, Conductor Williams handles production and steals the show on Jabee‘s “Hear Me When I Pray,” but the rapper doesn’t disappoint either. I’m also a big fan of sampling soulful gospel songs in hip-hop. This track is a problem.
Lil Uzi Vert – “Rigamortis Freestyle”According to the internet, Lil Uzi Vert had the beat from Kendrick Lamar’s “Rigamortis” first and absolutely went off on it. (This was supposedly back in 2012, and I say “supposedly” because, well, the internet.) While songs like “Just Wanna Rock” or “XO Tour Llif3” are what Uzi’s known for, I prefer this or whatever he was doing on “Free Uzi.”
In addition to music and curating fine women, we at nappyafro are also fans of professional wrestling. We believe we are knowledgeable in that field, and we can confidently say that Jaida Parker is the best wrestler not only in WWE but in the whole world (for obvious reasons). Miss Parker is the reason we tune in to NXT every week.
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News broke yesterday of the rapper Boss‘s passing. While her career may have seemed brief, I feel like I witnessed much of it unfold in real time. One of her most recognized tracks, “Deeper,” wasn’t an immediate favorite of mine, but it remained a fixture on the 1993 TV show music video countdowns. Her album, Born Gangstaz, also released that year, and it wasn’t bad.
In 1994, an interview with The Wall Street Journal revealed a surprising aspect of Boss’s background—she had a middle-class upbringing and attended Catholic private school. All of this contrasted with her gangster persona in her music, seemed to mark the end of her rap career, as she faded from the spotlight. (She did have an older song featured on the TV show Orange Is the New Black for some reason).
But then I remembered there was a Boss song I liked a lot. She was featured on Spice 1‘s “Don’t Ring The Alarm (The Heist).” This was one of those songs that somehow got lost to memory, but I used to play it in my bedroom a lot. Listening to it now brings back a lot of memories. The song is still hard, and I still believe everything Boss raps here (“And I’m thinkin’ to do them niggas ‘fore them motherfuckers do me in”).
R.I.P. BO$$
I saw Kanye West‘s recent Instagram post and initially thought he was just celebrating “Carnival” hitting #1 on the Billboard Hot 100. However, it turns out this is (supposedly) the official music video for “Carnival”. While it’s not terrible, I expected something epic, like Kanye and Ty Dolla $ign in a soccer arena with hooligans or something similar. Check out the one-shot video below, created by Jon Rafman with CGI by Dario Alva and Garrett McGale. Also, be sure to check out our review of Vultures 1.
Naomi Janae is not only a beautiful freckled woman but also a good photographer. Welcome to the Certified Banger section.
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After speculation from fans and some hints from the parties involved, Drake jumpes on the remix to 4Batz‘s “Act II: Date @ 8”. Drizzy has a history of jumping on tracks by hot and upcoming artists. Let’s see if this turns 4Batz into the next BlocBoy JB (meh) or Future (good).
Yeah, we don’t know why it took so long for India Love to be featured in the Certified Banger section. This all came about when B-Easy questioned why this beautiful woman made an appearance on Kanye West & Ty Dolla $ign’s album Vultures 1. The majority of us didn’t have an issue with that at all.
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Cardi B puts some gas on the year by releasing a music video for her new song “Like What (Freestyle).” The track features the Bronx star rapping over Missy Elliott’s “She’s a Bitch” instrumental. Directed by Offset, the video shows Cardi in scanty attire, strolling around a mansion covered in glass. Check out the video below.
As the title says: Three reasons why Jodie should have smashed Pandora to smithereens (from the 2001 classic movie Baby Boy)
I was going to delve into Kanye West‘s recent and turbulent history, but Vultures 1, despite being released on the twentieth anniversary of Kanye’s debut studio album, The College Dropout, is not a Kanye West album; it’s a collaborative project with Ty Dolla $ign (or ¥$). Moreover, the making and release of this project has it’s own confusing history, with multiple delays and changes to its tracklist before finally being independently released on February 10, 2024. So, grab your $20 Yeezy Pods, hockey mask, make sure it is still available on your music streaming platforms of choice, and let’s check out the first volume in the Vultures trilogy: Vultures 1.
- STARS
Produced by Kanye West, FNZ, SHDØW, Digital Nas, JPEGMAFIA, Ojivolta, & Sean Leon
Some people have compared this song, “Stars,” to “Ultralight Beam” and I guess I can see it. In my head, the song samples some old, dusty, unknown church choir, but in actuality, it interpolates “Good Luck” by singer Dijon. (I also had no idea what the hook was saying until I looked up the words: “I hope he’s bright and big and strong.”) Either way, the song has this epic feel that I mess with.
With its feel, this is one of those songs that couldn’t fit anywhere else on the album but the intro. Kanye has the first verse, with Ty handling the second. Nothing really of note lyric-wise other than Kanye talking about “blacking out” and keeping “a few Jews on the staff now,” but I am not going to get too into that.
- KEYS TO MY LIFE
Produced by Kanye West, Timbaland, Hubi, SHDØW, Vinnyforgood, & VEYIS
Kanye West said a line on this song, “How does it sound when you got Yeezy over Timbo?” and I thought, “Wait, Timbaland produced this?” This is the most non-Timbaland-produced song I have ever heard. (Maybe I can hear it towards the end, I guess.)
Content-wise, Kanye West seems to be rapping about Kim Kardashian and unhealthy relationships in general. That being said, I wouldn’t rank it as Yeezy’s best rapping:
Ever since I lost my mom, you were like my foster mom
Hold me like your only son
Hold me like the homies in the Chi’ when they hold their guns
Hold me like a trophy in the sky when they know they won
But even with the so-so rapping and even though “Keys To My Life” sometimes feels like it was two songs mashed together, by the time it got to the “Can It Be All So Simple” sample, I was sold.
I am confused about why India Love is singing at the end. I am a fan of her ~~Instagram page~~ work, but it seemed kind of unnecessary.
- PAID
Produced by Kanye West, Stryv, Wax Motif, Chrishan, & Anthony Kilhoffer
I have already spoken a few times about Kanye West’s rapping not being what it used to be, and the same is said here. It’s not “Lift Yourself” bad, but still bad.
I haven’t spoken much about Ty Dolla $ign yet, and let me point out that he is the best thing on this song, and because of him, I can see this song being a hit in the dance clubs (or whatever Drake was doing on Honestly, Nevermind). The whole song is built around the famous Marshawn Lynch quote.
Apparently, that is K-Ci Hailey of Jodeci singing at the end of the song, sounding like a 60-year-old man, and then I looked up his age, and he’s around that age. Now I feel old.
- TALKING
Featuring North West; Produced by Kanye West, DJ Camper, James Blake, No I.D., & Edsclusive
I know there is a trend of rappers putting their kids on songs (see Beyoncé with Blue Ivy and Drake with Adonis), but this is the best one and probably the catchiest song on the album.
The second half of the song is Ty Dolla $ign talking about his daughter, and while the first part of the song is the headliner, the second half is pretty good too. (Actually, when the video came out, I thought it was two songs, as it was originally titled “Talking / Once Again.”) I have always heard elementary kids singing this one, so it’s a win.
Sidenote: With this song, North West became one of the youngest artist to chart on the Billboard Hot 100 at age 10.
- BACK TO ME
Featuring Freddie Gibbs; Produced by Kanye West, Ty Dolla $ign, 88-Keys, Wax Motif, AyoAA, Feez, Nic Nac, & James Alex Hau
Oddly enough, this may have been my most anticipated song just for the Freddie Gibbs verse alone. I was kinda annoyed that it takes over three minutes to get to said verse, but after a few listens, I was won over by Ty Dolla $ign’s hook, the beat, and (of course) the sampled clip from the movie Dogma of Jason Mewes saying, “Beautiful, naked, big-titty women just don’t fall out the sky, you know?” (I even like the quick “Rock Box” Run-DMC sample.)
Yeah, this is one of my favorite songs on the album so far.
- HOODRAT
Produced by Kanye West, 88-Keys, & DJ Camper
The constant and irritating “HOODRAT, HOODRAT, HOODRAT, HOODRAT” here turned me off of this song. (Is that a sample of Rick Ross?!) And while this could have been better, there are a few things to like here. As much as it can be too much, I can see people singing the beginning of Kanye’s verse:
You look like a piece of hallelujah
Wrapped up in—have mercy, Lord
It’s not a bad song (it may grow on me), but it could have been better.
- DO IT
Featuring YG; Produced by Kanye West, Mustard, Wheezy, Chrishan, CuBeatz, LukasBL, & DTP
The production feels like a throwaway DJ Mustard beat…
reads credits
Oh, okay. So it IS a DJ Mustard beat (with the five other producers added after like most of Kanye West tracks).
This is a real west coast track, and with the YG feature, I guess this was Ty Dolla $ign’s idea, which I understand. But “Do It” feels average and like you could put this track on any other project; it doesn’t feel like it’s supposed to be here.
I do appreciate the unnecessary “Back That Azz Up” beat switch towards the end.
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PAPERWORK
Featuring Quavo; Produced by Kanye West, Digital Nas, DJ Vitinho Beat, & DJ Roca
This is the first skip for me on this album. Angry synth sounds with Quavo and a mediocre verse don’t mix. -
BURN
Produced by Kanye West, Azul, Morten “Rissi” Ristorp, Chrishan, The Legendary Traxster, & Leon Thomas III
If I had two favorites off this album, “Back To Me” is the first and this song, “Burn,” is the second (proof of that here). From the beat and the way it flips “Love Me or Leave Me” by Band of Thieves to Kanye’s rapping (“When my campaign turned to cam-pain”); this might be the closest we ever get to the “Old Kanye.” And when I say old, I mean pre-808s & Heartbreaks. Sadly, it clocks in right under two minutes, but it’s worth a listen. -
FUK SUMN
Featuring Playboi Carti & Travis Scott; Produced by Kanye West, Timbaland, SHDØW, Hubi, Digital Nas, AyoAA, Chrishan, & JPEGMAFIA
Much to the dismay of my younger colleagues, I have never been that into Playboi Carti or Travis Scott. Nothing here really changed that. By the time it gets to Travis Scott’s verse, I was kinda checked out. The whole thing sounded messy and thrown together. But let me note that I am an old man, so the kids will probably eat this up. -
VULTURES
Featuring Bump J & Lil Durk; Produced by Kanye West, Ty Dolla $ign, Ambezza, Fya Man, Gustave Rudman, Ojivolta, Chordz, Juice, Wheezy, & Adey
As the lead single for this album, this did not impress me at all. I know at one point Lil Durk was taken off the official version only to be added back, but it didn’t really matter to me. The song is just boring.
I do appreciate Bump J getting some shine though.
- CARNIVAL
Featuring Rich The Kid & Playboi Carti; Produced by Kanye West, TheLabCook, Ojivolta, & Digital Nas
I thought this song sampled some obscure British punk song or something. Nah, Kanye went and got some soccer hooligans, Inter Milan Ultras, to do the hook, and weirdly, even without that backstory, it works, and this one of those songs that is gonna get the crowd amped when this comes on. It could even be another sports anthem if it weren’t for the “Head so good, she an honor roll/She ride the dick like a carnival” lyrics on the hook. (Apparently, there is a “Hooligans Version” of this song I did not know about.)
Sidenote: There needs to be an investigation into how Rich The Kid keeps getting these collaborations. Rich The Kid has songs with people like Kendrick Lamar, does whole projects with rappers like NBA Youngboy and Lil Wayne, and now he has the first verse on what will probably be the biggest song on this album. All that being said, he might have had the best verse on the track.
As for the rest of the participants on this song: Ty Dolla turns in a good verse. Yeezy sounds unhinged (more than usual), and I’m not sure if this was the best place to talk about the school placement of rich kids. Playboi Carti feels like he is overpowered by the beat, but it’s not that bad.
On the breakdown of the song, it originally sampled Black Sabbath’s “Iron Man,” but without Ozzy Osbourne’s permission, so the sample was changed to “Hell of a Life” by Kanye… which also samples Black Sabbath’s “Iron Man.” Personally, for a second, I thought it was gonna go into Shinsuke Nakamura’s theme music. (That’s one for the wrestling fans… or Lil Uzi Vert listeners.)
After singing the hook for two days, I guess I can say the song is a hit. (Unless the Swifties have something to say about it.)
- BEG FORGIVENESS
Featuring Chris Brown; Produced by Kanye West, London on da Track, VITALS, Digital Nas, JPEGMAFIA, & SHDØW
Having a Chris Brown feature only to distort his voice for most of it is an interesting move, but here we are (The same effect is used on Ty Dolla $ign’s vocals on “Back To Me”).
I could give or take the first half of the song as the only interesting thing is the voice distortion. Things pick up when we get to Ty Dolla $ign’s part, and the beat sounds like a frantic church choir in a school gym. It takes a while to get there, and I can see how some would think this is another mashup of two songs.
To me, it’s an okay song, but more importantly this song reportedly helped comfort a stranded skier who was stuck in California mountains overnight. So what do I know?
- GOOD (DON’T DIE)
Produced by Kanye West & No I.D.
The drama behind this song is that it was originally meant to sample Donna Summer’s “I Feel Love.” That didn’t happen, so they replayed and reworked it with singer J. Rey Soul (I have heard that A.I. was used to do this, but apparently that is not true). The estate of Donna Summers still feels the song is copyright infringement, thus the song is not available on streaming platforms as of me writing this.
The song has a pop feel, and the lyrics talk about the smile from a loved one being enough to keep going. It’s serviceable. I probably won’t play it again, but it’s okay.
- PROBLEMATIC
Produced by Kanye West, 88-Keys, Slonka, & DJ Camper
There are some cringe and questionable lines on this album, but Ye kinda stacks them on this song:
I’m not racist, it’s a preference
And my bitch lookin’ like a referenceYou might get you a trip to the Poconos
You might have to tell your man a Pinocchio
That was a jokey-joke
That wasn’t nowhere near as funny when you brokey-brokeAfrican king in a different time
We got multiple wives too, just at different times
Picture this, if every room got a different bitch
Do that make me a po-nigga-mist?
I’m personally not offended, but cringe is cringe.
Still, when the horns came in on the second half, I was kinda sucked in and had to ask myself, “Does this sound epic?” I also liked the quick back-and-forth by Ty and Yeezy. Yeah, this works.
- KING
Produced by Wheezy, Dez Wright, Lester Nowhere, & JPEGMAFIA
Here, Kanye declares that he is still the “King” even after being labeled “Crazy, bipolar, antisemite.”
Shrugs
This doesn’t fit as a proper ending or the exclamation point this album needed. Actually, this probably could have been left off the album altogether.
The beat sounds dated (which I’m sure was on purpose), and the (again) it’s not Ye’s best performance. Just not the best ending for Vultures 1.
Wait, what happened to that Backstreet Boys song?!
BOTTOM LINEBeside being deemed “unreviewable” by some or people feeling for Kanye, Vultures 1 is not a terrible project and offers a mix of standout tracks with forgettable moments. While some songs like “Burn” and “Back to Me” shine, others like “Vultures” and “Paperwork” fall flat. Ty Dolla $ign sometimes steals the spotlight with his performances, while Kanye’s rapping, though not as sharp as in his earlier work and erratic at times, still delivers at moments. Despite its flaws, Vultures 1 showcases glimpses of brilliance, making it a compelling listen for fans of both artists but especially Yeezy fans.
Slimmcee‘s absence from the Certified Banger section has been long overdue. Today, we rectify that by featuring the stunning businesswoman. Check out the images below.
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If someone had told me in 2004 that Young Jeezy would be performing a Tiny Desk Concert for NPR… I probably wouldn’t have understood what they were talking about. However, Jeezy recently performed some of his classic songs in the NPR offices, and it even inspired me to search for my Snowman shirt (I appreciated the band rocking those shirts, by the way). Check out the video below.
Motivation has always been the leading message of Jeezy’s career and he’s never veered off the path. The Atlanta superstar stayed consistent with his Tiny Desk, focusing on the early chapters of his career and creating a story arc in between songs. “I was able to connect with my people and my culture because we spoke the same language,” he explained before playing “Go Crazy.” “I wanted to inspire and give people the blueprint, people who wanted more for themselves.”
Jay “Jeezy” Jenkins’ music could easily be taken at face value given the number of hits he’s racked up over his two-decade career, but he made his target audience and intention clear through the titles of his Thug Motivation albums. He’s taken his mission far beyond music, excelling as an investor and more recently an author. His memoir, Adversity for Sale: Ya Gotta Believe, made it to the New York Times bestseller list.
The Snowman enlisted Tiny Desk vet and bassist D. Hodge to assemble a band to breathe new life into selections from his catalog. The string section brought opulence to these gritty street anthems and features two familiar faces: viola player Lelia-Michelle Walker and NPR’s own Ashley Pointer on violin. Jeezy dedicated “Everythang” from TM:103 Hustlerz Ambition to Pointer and showed plenty of love to the group of Howard University students in the crowd. This is Black History at its finest.
SET LIST
“Standing Ovation”
“Air Forces”
“Bottom Of The Map”
“And Then What”
“Go Crazy”
“Everythang”
The first Notable Tracks post of the year. This is where I gather 3 to 4 songs, sometimes with a theme, and other times, they are just new discoveries for me. This week is… whatever, let’s get into it.
Bryson Tiller feat. Big Sean – “Get Dis Money”Last month, Bryson Tiller released Slum Tiller, Volume 3, and I’ll admit that I never set aside time to check out any release from this series. However, I did catch a song off the project, the Big Sean-featured “Get Dis Money,” which turns out to be basically a remake of Slum Village’s “Get Dis Money” produced by J Dilla. I don’t know if it’s a Detroit thing, but Sean sounds nice over a Dilla beat (even though this isn’t the first time). It’s worth a listen. Also, for a moment, I thought maybe the Slum Tiller projects were just Bryson Tiller rapping over Slum Village beats… it is not.
Lil Yachty – “A Cold Sunday”I see what Lil Yachty is trying to do: things like the song with J. Cole, teasing a project with The Alchemist, and now this, “A Cold Sunday.” But my thoughts always go like, “This would probably be better if somebody else was on it.” But I still appreciate the effort.
Chance The Rapper – “I Will Be Your (Black Star Line Freestyle)”Like everybody else, I also kinda stopped paying attention to Chance The Rapper after The Big Day. While his star isn’t as bright as it once was, he has been dropping random tracks here and there, and “I Will Be Your (Black Star Line Freestyle)” is one of those and was released a few weeks ago. And it’s good. Apparently, Star Line Gallery is the name of Chance’s next project, and this may be a sample of things on the album. I wouldn’t call it a comeback quite yet, but I’m listening.
This week’s Certified Banger is Karisa Curran, who is a model, socialite, and Hooters worker, and we love it all. Check out the pictures below.
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Drake celebrates Valentine’s Day with the release of the visuals for his hit song “Rich Baby Daddy,” featuring Sexyy Red and SZA. The music video features Drake in the role of a baby daddy to a pregnant Sexyy Red (which makes sense since she recently had a baby), while SZA portrays the supportive homegirl. Throw in a VHS filter and some strippers towards the end and the Dizzy-directed video is a lot of fun. Check out the video below, read our review for For All The Dogs here, then put your hands on your knees.
We don’t know if she still drives trucks, but Danielle Jenkins remains the finest truck driver in history (the reason for her Instagram handle: @fineassyellatrucking). Either way, we’re still keeping an eye on what she is hauling. (Yeah, that was lame. Sorry.)
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While the release details for Kanye West & Ty Dolla $ign‘s Vultures album, slated to drop later this week as the first of three volumes, remain uncertain, he surprises fans with the visual for “Talking / Once Again,” featuring his daughter North West.
The video debuted on Kanye’s Instagram and Twitter accounts, showcasing the creative direction of the D’Innocenzo Brothers and cinematography by Matteo Cocco. Notably, the segment with North, tentatively titled “Talking,” was previously teased at a Vultures event. Additionally, Ty’s daughter, Jailynn, makes an appearance in the video.
Interestingly, while the tracklist shirt worn by North did include the title “Talking / Once Again” was not listed. Nevertheless, you can catch a glimpse of the video below.
Rarely do we witness an under appreciated artist receive the recognition they truly deserve. While accolades like the Grammys aren’t the sole measure of musical prowess, Killer Mike‘s recent sweep of the Grammy rap categories with his album Michael was a long-overdue acknowledgment. Personally, I anticipated this victory ever since I reviewed the album back in July. Mike’s triumph in categories Best Rap Album, Best Rap Song, and Best Rap Performance marks a significant milestone in his career, coming more than two decades after his first and only Grammy win for his collaboration on Outkast’s “The Whole World.”
This week’s Song of the Week serves as a tribute and a hearty congratulations to Killer Mike for his well-deserved success. “I Gotcha” stands out as one of my personal favorites from his repertoire, making it a fitting choice to celebrate his monumental achievement.
Sidenote: I’m not even gonna get into the unnecessary arrest of Killer Mike at the Grammy awards show or Kai Cenat’s clueless statement on Killer Mike’s Best Rap Album Grammy win.
In honor of their latest season’s lineup, Kith collaborated with Cam’ron for their debut track on Kith Records, titled “Last Stop,” with production by Swizz Beatz. Dressed in a range of Kith attire, the Harlem rapper showcases his lyrical prowess over a Swizzy beat, all while cruising through a subway adorned with floral decorations.
You know what? I didn’t want to think that it would happen.
When The Rock showed up on the season premiere of Smackdown last year, gave Austin Theory his last breath of relevance, I thought it would just be one and done and we would be back to our regularly scheduled programming… but then New Year’s Day came.
The Day 1 edition of RAW happened and while we were momentarily trolled by WWE by way of Jinder Mahal, “IF YOU SMELLLLLL…” echoed through the speakers and out came Dwayne once more. Again, I paid it no mind…but then he said this…
“Should I sit…at the head of the table?”
From there, I wasn’t so sure anymore…
The rumor mill began to flood and every wrestling fan, journalist, podcaster, YouTuber, TikToker, Twitter Incel began speculating whether we are finally going to get the match that we been dreaming about since the 2015 Royal Rumble`. WrestleMania 40, The Brahma Bull against The Tribal Chief…. and I was not afraid.
Fast forward to the Royal Rumble this year.
Cody Rhodes won after all signs pointed to CM Punk winning. He then points towards the WrestleMania sign per tradition and later motioned to Roman Reigns and I knew our main event for either Night 1 or Night 2 was set. However, the next night on RAW, Punk announced he’s injured and will miss WrestleMania. To add more skepticism, Seth Rollins cuts a promo towards Cody practically begging him to pick him. Like he didn’t beat him three times in a row, in the same year, in addition to tearing his shoulder out in the process.
Fast forward to Smackdown.
After Roman basically calls Seth a bitch, a cross-dresser and labeled the World Title, “The Loser Bracket Title”, Cody just HAD to choose Roman and choose Roman he DID!…then he
didn’t…and said he sought out special counsel…again…”IF YOU SMELL….” and from what it looked like at home, Cody just gave up his WrestleMania spot to Dwayne.
At the end of it all, Cody looked so hurt. He looked like he just came in the house to find Dwayne piping down Brandi while Paul Heyman videotaped it, Solo in the backyard playing with the dog and Jimmy was playing with himself.
Now I have heard numerous takes, read many think-pieces and now that the dust has settled, it is time to give my own.
I understand the business perspective of it all. Your top guy goes out with an injury and now you need to find a way to salvage the card of your biggest show of the year. In addition to The Rock now on the board of directors for WWE’s parent company, TKO, it drives attention onto one of the last “dream” matches we have and away from the headlines surrounding the former chairman Vince McMahon and all of his skeletons. They have the potential to bring in people that have tuned out of wrestling since The Rock’s heyday and now they have a reason to tune in to what could be Dwayne’s last match ever against the man that he metaphorically gave the keys to the kingdom in 2015. It is a story that is written in blood. Who is the REAL “Head of the Table”, who is the ruler of The Bloodline, who is the provider of the Anoa’i/Fatu family??? If I look at all of those factors, this match is MUST-SEE.
If it wasn’t for Cody Rhodes.
Since Cody’s heartbreaking loss at WrestleMania 39, the focal point since then is “finishing the story.” Detractors far and wide complained in the build-up for last year about how Cody didn’t do enough or where he didn’t earn his main event spot. So, after taming the Beast, executing Judgment Day, silencing Shinsuke, and tossing 29 other men over the top rope, it is safe to say he overcame that adversity. Only for Dwayne to come in and interrupt all paths to the end…having to go through zero adversity…and people are okay with this…because it is Rock versus Roman.
In one segment, WWE (through Roman Reigns) buried Seth “Freakin” Rollins, confirmed what we already knew, that the World Heavyweight Championship is a consolation prize for being unable to beat Roman, made the Royal Rumble and the win feel meaningless, made Cody Rhodes look like a punk and put a special attraction match over a story with two or more years of ACTUAL build. Not only that but the news that we are hearing now about The Rock’s push and influence to get this match to even become a possibility. On top of all that, it is damn near guaranteed that Roman will win and this 1000 plus day reign will continue, even though it is long past its expiration date. But to some fans, IT DOESN’T MATTER WHAT THE STORY IS!!! It is Rock versus Roman!
I would like to think that maybe they are going to pull the wool over our eyes and WWE recognizes the backlash that has now occurred and decide that they want to course correct. Even if they stand on business and go on with these plans and somewhere down the line, Cody faces Roman at say, Summerslam and finally dethrones him, the damage would have already been done.
At the end of the day, The Rock came back to WWE on Day 1, became a member of the Board of Directors for its parent company and two weeks later, threw himself into the main event spot that wasn’t even his on The Grandest Stage of Them All. Yet, because it is a “dream” match, because there’s nepotistic storytelling and because it will put “butts in seats”, to some fans, the story can be on hold for a little while longer, because if not now, then it may as well be never for this to happen.
The Rock may be a legend. But as of right now, he is an interruption.
Why would I cheer for that on April 6th???
This week in the Certified Banger section, we’re shining the spotlight on the beautiful and cool Hailey Oblitey (aka almondxmilk). Yeah, that’s all that needs to be said. Check out the images below.
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As someone who listed “Slipping Into Darkness” as one of the Best Songs of 2023, I’m all for more collaborations between Hit-Boy and The Alchemist. Today, we get just that in the form of 3-song EP titled Theodore & Andre, accompanied by a music video medley for all three tracks, shot and directed by THIRDEYERAZ.
As discussions on the intensity and quality of diss records continue, lets talk about an actual good and underrated diss track: Jay-Z & Roc-a-fella’s diss towards Jaz-O over Styles P’s “Good Times” instrumental.
This diss track is akin to a lyrical ambush; Hova lays down a few bars before calling in the wolves with Freeway, Young Gunz, and Memphis Bleek. It was anything but a fair fight.
Additional thoughts:
Freeway’s opening line, “You like the beer Kane dropped in Menace, 40 and broke,” stands as one of the greatest lines in a diss song.
Following Jay-Z’s dismissive bars, Freeway delivers a ruthless performance, and Young Gunz adds insult to injury, paving the way for Hova to talk smack and introduce Memphis Bleek for the final blow. As stated, this was no fair fight.
Each verse in this diss track is arguably too good for what could be considered a throwaway diss song.
The old nigga disses were at an all-time high here.
I’m pretty sure that this song was a response to Jaz-O’s “Ova,” a diss directed at Jay-Z, stemming from a disagreement over Jay-Z’s alleged lack of support for Jaz-O’s career, considering Jaz-O’s role in kickstarting Jay-Z’s own career.
Jaz-O dropped a “Ova 2” as a response to “I Get High Freestyle,” something that I didn’t know about until I started writing this post. It was okay.
I saw on Reddit that Jaz-O signed to Roc Nation about 5 years ago, I don’t believe that but just thought I’d mentioned it.
Check out the Song of the Week below:
So, Nicki Minaj has finally released her diss song towards Megan Thee Stallion, titled “Big Foot.”
If you’ve been under a rock and off the internet, this all started when Megan dropped her song “HISS” on Friday and included some bars aimed at Nicki Minaj. Nicki later went on a tirade via social media and threatened to release a diss song. After not being able to clear the original beat, Nicki released the diss in the form of “Big Foot.”
I’m all for diss songs in Hip-Hop as long as they are kept on wax, and we haven’t seen real musical beef from two prominent female rappers before. However, “Big Foot” is not that great of a song. It’s kind of funny, and the Barbs will eat it up, but this is not the slam dunk Nicki promised. In the song, she did mention she went light, and if Meg doesn’t apologize in 24 hours, she will drop more diss songs. Okay, I guess. Check out the song below.
Ice Spice drops the music video for her long-awaited track “Think U The Shit (Fart).” The visuals feature the Bronx rapper engaging in her usual hot girl activities, including twerking and flashing her middle finger (Of course). No complaints here, though. Check out the video below.
Professional wrestling, basically WWE, has been in the news a lot lately. From WWE getting purchased by Endeavor to Monday Night Raw moving to Netflix after being on linear television for over 30 years (I won’t even mention the Vince McMahon stuff), a lot has been happening in World Wrestling Entertainment.
Another thing happening is a ~~PPV~~ PLE this Saturday, the annual WWE Royal Rumble event. This event is a favorite for many wrestling fans (me included), and I thought this was as good a time as any to reassemble the FRO Horsemen and give our thoughts and predictions on the event (I literally text in a group chat with Saule Wright and GQ-Blu about wrestling every day, so it makes sense).
(Note: They both also helped me with the TOP 10 BLACK WRESTLERS OF ALL TIME video that y’all slept on)
But first, let’s check out another thing I like about the Royal Rumble: the “By The Numbers” video that WWE puts out every year.
Check out the FRO Horsemen’s 2024 Royal Rumble Thoughts & Predictions below
WWE Men’s Royal Rumble 2024WHO WILL WIN THE MEN’S ROYAL RUMBLE?
GQ-Blu – Who Will Win: Gunther
The role of mid card titles was meant to be a testing ground for great work rate guys to see if they were ready for the main event. The IC title has been a great stepping stone for future world title holders like Randy Savage, Bret Hart, HBK and The Rock.
As the new longest reigning IC champion there doesn’t seem to be anything left for The Ring General to prove. He’s got the look. He’s menacing on the mic and his matches look brutal and realistic. With Seth needing time to rehab and Gunther planting the seeds by calling him out, this is the easiest path to insert Gunther into the title picture.
Saule Wright – Who Will Win: Bobby Lashley
I’m famously over Homelander-I mean-Cody and this push. It’s not personal. I LOVED Cody during his run as Dashing, then unDashing. I think he did some of the best work, period. He left WWE and people seemed like they didn’t give a shit. He came back and all of a sudden he’s the favorite wrestler in the world (WWE) and I’m confused. If y’all hate Roman, Theory, even the first run of Drew as chosen guys, why the hell is Cody different? That said, there are a lot of great answers here, but I think Bobby is the answer and him going after Seth and bringing Montez and Dawkins with him for when he wins, and then they can deal with Imperium.
B-Easy –Who Will Win: CM Punk
Initially I was gonna go with Cody Rhodes, (Because: “Finish The Story!!!), but I changed my mind and now I’m going with CM Punk. It feels like Punk has that special Brock Lesnar “part time” schedule and hasn’t really had a match on WWE TV since he has been back; WWE has to cash in on that soon right? Also, there is another story that needs to be finished, and that is for CM Punk to finally main event WrestleMania. Yeah, The Rock is back to steal another top spot at “The Grandest Stage of Them All” but this time that supposed spot he is taking at the top of the card might be Cody’s.
WHO SHOULD WIN THE MEN’S ROYAL RUMBLE?
GQ-Blu – Who Should Win: Gunther
“Should” is a strong word that’s hard to quantify. A lot of guys “should” win the Rumble. There’s an argument that they need to shit or get off the pot with Cody Rhodes and his ongoing story. However, he won last year and until Trips decides whether he wants Reigns and Rock in Australia, Saudi Arabia or Mania the title picture is too murky. I know a lot of us think Cody is bullet proof but his character can’t come up short 2 years in a row at WrestleMania.
I know wrestling fans love swerves and miscues with our favorite soap opera. However, sometimes the best story is the easiest one to tell and follow. Again, Gunther makes all the sense in the world and it’s time to cement him as the next main event star.
Saule Wright – Who Should Win: Bobby Lashley
Considering this is to main event Mania, it has to be a top level start that makes sense. Jey Uso gets love ONLY because of the bloodline story, but I still say Bobby.
B-Easy – Who Should Win: Kofi Kingston
I know KofiMania was over 4 years go, but what is the point of having all of those highlights of Kofi Kingston dodging elimination in Royal Rumbles in inventive ways if he never actually won one. Matter of fact, Kofi has never even been in the final four of a Royal Rumble. Why not start up another campaign for the for WWE Champion and veteran? Plus, he is owed back for that 8-second Brock Lesnar championship match.
WHO DO YOU WANT TO WIN THE MEN’S ROYAL RUMBLE?
GQ-Blu – Who Do You Want To Win: Damian Priest
I honestly think Saule Wright got me on the Priest hype wagon and I think he got off before I did. I know I love the Judgment Day the most out of the group and I always wanna see those guys be on top. However, with each unsuccessful cash in attempt I worry Señor Money In The Bank is starting to lose his push so I just want to see anything that can get him to a world title happen.
Saule Wright – Who Do You Want To Win: Finn Balor or R-Truth
FINN BALOR: I’m a real fan of Rumble being where “dreams” are made. I don’t know that I have an answer that makes sense for that vision right now though. WWE is cooking and I think with the champions you have, it’s not the right time to pull a Jinder reign out. With Priest having the case, I’d make Finn win. Finn ends up ultimately deciding to get his revenge on Seth, wins, and Priest cashes in on him to win the title and end Judgement Day.
R-TRUTH: I’ve said this before but Truth is one of those we gotta get a run in. Seth is legitimately injured right now, a few different ways. I don’t know how you hold him off until Mania, but Truth winning the Rumble and heading to Mania just fucking feels right. WWE books Truth to be a comedy, but imagine the different ways you can have Truth talk about his title shot coming, play on the “Fingerpoke of Doom” stuff with Priest, etc. I think it gives the fans a little something fun and a great moment for Truth as well. I know that this is less likely than Ryback coming back and winning but it’s an answer I have.
B-Easy – Who Do You Want To Win: Dominik Mysterio
Fuck it. Let the main event run for Tom or Nick Mysterio begin. Either one is okay with me.
SURPRISE ENTRANT PREDICTION FOR THE MEN’S ROYAL RUMBLE
GQ-Blu – Surprise Entrant: Brock Lesnar
I imagine Brock hunts bears and eats 72 ounce steaks 5 times a day until he feels like getting another check. He’s probably ready to get off the couch.
Saule Wright – Surprise Entrant: Brock Lesnar
…It’s always Brock right? I just saw the other day Mr. Kennedy is taking bookings…curious timing. I’d be shocked and would welcome a Kennedy moment. Fans would love that.
B-Easy – Surprise Entrant: Brock Lesnar
It’s Mania season, he has to show up eventually right?
WWE Women’s Royal Rumble 2024WHO WILL WIN THE WOMEN’S ROYAL RUMBLE?
GQ-Blu – Who Will Win: Bayley
If Becky Lynch didn’t already have a program with Rhea Mami Ripley I ‘d say her, but since she does Bayley makes sense. They’ve been teasing her getting kicked out of Damage CTRL for months so it seems like it’s time to finally pull the trigger.
Plus it’s time for The Hugger Bayley to come back. I like heel Bayley fine enough but there’s too much money in her being a babyface. I know they tried it when she first got called up but I think as long as smooth some of those edges you go back to that well.
Saule Wright – Who Will Win: #Baeanca (BIANCA BELAIR)
Keeping in line with my previous prediction, #Baeanca coming to Raw to take on Rhea, Bobby and The Profits going after Seth and eventually dealing with Priest, I think you’re pitting faction against faction and the numbers look good this way
B-Easy – Who Will Win: Bayley
Bayley deserves this for basically being the backbone of the women’s division plus it aligns well with the Damage CTRL storyline. Her Royal Rumble victory could lead to a WrestleMania challenge against Iyo Sky especially once she discovers that Iyo, Kairi, and Asuka have been talking shit about her in Japanese for months.
WHO SHOULD WIN THE WOMEN’S ROYAL RUMBLE?
GQ-Blu – Who Should Win: Jade Cargill
Again, this comes down to how you define “should”.
In this case I am NOT saying Jade (hi boo) is the most DESERVING superstar. What I am saying is that all the hype that surrounded her signing and stealing her way from AEW made it SEEM like she was ready to be a day one main eventer. Remember that tease she had with Charlotte Flair on Smackdown?? Remember when the dirt sheets said she was gonna skip NXT and go straight to the main roster?
Yet we’ve barely heard or seen anything about Jade since she got signed, which leads me to believe she’s not the commodity that Trips thought he was getting. I don’t think she wins, but her booking in this match will be very interesting to see where the company thinks she is in terms of being main roster ready.
If she’s not the iron woman of the match or at least final four I think it’ll be a huge letdown.
Saule Wright – Who Should Win: Bayley
Bayley winning and not immediately saying she wants to go after Rhea will spark her getting kicked out of Damage CTRL. It also puts her in a great position to end up with Sasha and Naomi as her new squad to face her former friends in Damage CTRL. I think by then they will also have the women’s tag team belts so Sasha and Naomi coming to get what they never lost is the story going into Mania.
B-Easy – Who Should Win: Bayley
Yeah. Let Bayley win.
WHO DO YOU WANT TO WIN THE WOMEN’S ROYAL RUMBLE?
GQ-Blu – Who Do You Want To Win: Asuka
I just really like Asuka.
Saule Wright – Who Do You Want To Win: ??????
I don’t really know here. Cora Jade would have been my pick because I think she does some good stuff for the brand and the fans but she’s injured. I also really fuck with Zoey Stark. I just don’t know that they’ve built her up to be a main event level star. Ultimately, that’s the problem with WWE, the Women’s division is built so they have the top tier and then everyone else. I don’t think anyone new has broken into that top tier. I’d also say that’s evident with forgettable title runs from Asuka and Iyo. Not that they did anything wrong, but I don’t think they have been built to be stars.
Top level is really #Baeanca, Rhea, Charlotte, Becks… Bayley when she’s on her shit. Then everyone else. Again, I’m not saying the other women there aren’t good, I just don’t think WWE has made any real effort to make us think any of the other women could be or should be champion at any point in the near future.
B-Easy – Who Do You Want To Win: Bayley or (Spoiler Alert) Sasha Banks
Rooting for Bayley, but also open to Sasha Banks entering the fray, especially if Bayley doesn’t clinch the win. It could add an intriguing dynamic to her decision between Sasha Banks and Damage CTRL.
SURPRISE ENTRANT PREDICTION FOR THE WOMEN’S ROYAL RUMBLE
GQ-Blu – Surprise Entrant: Alexa Bliss
If I’m not mistaken Bliss has been on maternity leave. Even having to carry that awful Fiend gimmick (RIP Bray) she’s still one of the best characters ever to grace the women’s divisions. I’m willing to call Alexa the best women’s promo of all time, and her ring work, though not the best, has always been solid. I’m ready to see her back in WWE..
Saule Wright – Surprise Entrant(s): Sasha Banks, Naomi, or Jade Cargill
I think the women’s Rumble will have the most surprises. I think we’ll get a good amount of women’s NXT love in this match as well as the usual legends popping up. The roof will come off when Naomi comes in, probably early. Jade will come in around the last 10. Sasha will be in the final 5 entrants. I think Jade will be eliminated by someone like Stratton or a returning Raquel Rodriquez and that will determine where she lands ultimately and what her first feud is. After Vengeance Day we have the Elimination Chamber and I could see a story running through those events for Jade with either woman. Sasha and Naomi would take less work to get them something to do but all 3 women will be booked and busy without needing to win the Rumble to do so.
B-Easy – Surprise Entrant: Sasha Banks
If Bayley doesn’t win, I’m all for her having to choose sides between Sasha Banks and Damage CTRL and the climax or finale of that storyline happening at Mania.
We don’t know much about Aarohi Allegre other than she is more proof that you can be slim with a body. Picture below are proof of that.
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I didn’t initially have a Song of the Week, but then I remembered that I am currently reading Sweet Jones: Pimp C’s Trill Life Story (a good book but probably unnecessarily long). Because of this, I have also been listening to a lot of UGK, and a particular song came up in my ~~iTunes~~ Music app: Scarface‘s “They Down With Us” featuring UGK. There’s something captivating about hearing super southern rappers over a track like Boogie Down Productions’s “I’m Still #1,” especially when you consider the historical context of southern rappers feeling disrespected by up north rappers back in the day. (I won’t delve into that here.)
Returning to Sweet Jones: Pimp C’s Trill Life Story, there is part of the book that covers how much Pimp C loved and was inspired by Run DMC. It was cool to hear him rap “Pimp and Bun like DMC and DJ Run.” Of course, this was before he felt disrespected by New York rappers and stopped referring to his music as Country Rap Tunes instead of Hip-Hop.
Either way, check out the Song of the Week below, and remember, we’re #1.
Travis Scott has released the music video for his song “I Know ?”. Directed by Dave Meyers and Travis Scott himself, the video depicts the rapper caught between two women. He is with one (played by Anok Yai) while contemplating the other (played by Emily Ratajkowski). The setting for this narrative unfolds against a backdrop of mansions, poolsides, and trippy visuals. Watch the video below, and don’t forget to read our album review of UTOPIA.
While I’m happy to see Old New Orleans and New New Orleans together in the video, I wish the video had shot of them outside in New Orleans.
Rob49 asks the main question of all that have a 504 number to their name. Lil Wayne utters the most famous phrase of their hometown. And it’s the same thing. WHATTT???
Dwayne and Robert hang out in the strippers’ dressing room and a warehouse with homies and bullet holes reminiscent of the one in Wayne’s “The Block Is Hot.” Happy Mardi Gras!
This week in the Certified Banger section, we present the gorgeous model Yillian Marie. That’s all. Check out the pictures below.
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Gunna and producer Turbo have released a music video for their song “Bachelor.” To be honest, I could take or leave the song, but the main reason this is getting posted is because the visuals feature the baddest video vixens from the 2000s. This includes the likes of Esther Baxter, Bria Myles, and Rosa Acosta, just to name a few. Spike Jordan directed the video, and it’s well-done, reaching back to the days of King Magazine. Check out the video below and then go check out the video where we ranked the Top 10 Video Vixens.
FINALLY!
We get to see the day to day activities of one of the most polarizing figures in contemporary Hip-Hop.
Long Beach’s Vince Staples has a somewhat normal life. He gets together with his family in the park for a reunion, but has to be front seat for fights and be lending tree to his Uncle. He has close encounters while at the bank and in a parking lot. (Getting shot at by your opps with their kid beside them and in front of their mini-van is different from the norm.) We’ll also get to see Vincent in a relationship and get beaten by a Waterpark mascot while out with his ol’ lady.
The misadventures of Mr. Staples will be premiering on Netflix February 15th.
For the first Song of the Week in 2024 (last week, we featured the Best of 2023 version), I thought choosing “If I Ruled the World (Imagine That)” by Nas would be quite inspirational. (The proper pick would actually be “The World Is Yours,” but stay with me.) The reason “If I Ruled the World (Imagine That)” is the Song of the Week is that I’ve been listening to it a lot lately, based on my recent fascination with how crazy the beat on “Friends” by Whodini actually is (which “If I Ruled the World (Imagine That)” uses).
Additional thoughts on “If I Ruled the World (Imagine That)” by Nas:
While I was aware of Illmatic back in the day, this song and the music video served as my full introduction to Nas.
Speaking of the music video, it had the patented (and expensive) Hype Williams touch. It felt like watching a movie on BET back in the day, but looking at it now, it doesn’t hold up well due to the random shots in the video. Still a good video though.
In 1996, Lauryn Hill was on the full come-up. She hadn’t gone solo yet, and The Miseducation of Lauryn Hill wouldn’t be out for two more years. However, The Score was released earlier that year, and “Killing Me Softly with His Song” was on fire.
Continuing with The Fugees, it took me a few watches to notice them behind Lauryn during the second chorus.
Back to the song, Nas mentions letting Coretta Scott-King “mayor the cities.” Shout out to Jonathan Majors; he probably likes this song.
Trackmasters produced this, and next to Diddy in the ’90s, Trackmasters were sampling EVERYTHING.
Many people view Nasir’s It Was Written era as his sell-out period or something. But besides when he went full mafioso, the lyrics on songs like this feel a lot like what he was talking about on Illmatic. The sell-out stuff didn’t come until “Owe Me” or maybe “Oochie Wally.” (and I fuck with “Oochie Wally”)
But I too have a wish that “every girl I meet would go down-town”.
Lastly, regarding the video, the cameo from AZ and Cormega gave us an early look at The Firm before Nature replaced Cormega. Mega even has the radio edit “shhhh” part.
Kind of related, Saule Wright sent the group chat an Instagram video about a woman talking about never going to a party and somebody requesting a Nas song. I tried to think about it, but she was probably right.
Check out the Song of the Week below:
There is a new Jay-Z song out. D’Angelo is on it too. And it’s 9 minutes long.
The song is question, “I Want You Forever”, is on the soundtrack for the upcoming movie The Book of Clarence. The song is produced by the director of the movie, Jeymes Samuel, and Jay-Z is also one of the producers of the film.
All that being said, the song isn’t bad (Especially if you are a fan of D’Angelo’s later career stuff) but Jay-Z’s part on the song was probably unnecessary, unless the point was to make idiots like myself take notice and listen the song. The song shouldn’t be 9 minutes either.
On the bright side, I am curious about The Book of Clarence (Just off the trailer alone).
Check out the song below.
We don’t know Megan’s full name so we just gonna go by her Instagram handle Megan Mayhem. What we do know that she is a community advocate, founder of consultancy company Point Forward and (more importantly to us) she is fine as hell and looks great in a bathing suit.
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Another year of music in the books. It’s that time again as we gather our staff and associates to each share our favorite and Best Songs of 2023. And, once again, this year, we’ll wrap everything up with a playlist at the end.
MTHFKA JONES“Kitchen Lights” by Westside Gunn feat. Stove God Cooks
“Don’t Let The Devil” by Killer Mike feat. EL-P & thankugoodsir
“Questions” by Maeta
“Until The Morning” by Kwaku Asante
“Fantasy” by Kali Uchis feat. Don Toliver
“Terms and Conditions” by Mahalia
“C’est Comme Ça” by Paramore
“Lost” by Linkin Park
“Jack Harlow Combo Meal” by JPEGMAFIA & Danny Brown
“Welcome to My Island” by Caroline Polachek
Restless Marc“Fueled Up” by Quavo
“Telekinesis” by Travis Scott feat. SZA & Future
“My Eyes” by Travis Scott
“First Person Shooter” by Drake feat. J. Cole
“Evil Ways” by Drake feat. J. Cole
“Oprah & Gayle” by 2 Chainz & Lil Wayne feat. Benny The Butcher
“Hyaena” by Travis Scott
“Kitchen Lights” by Westside Gunn feat. Stove God Cooks
“Tuscan Perfume” by EST Gee
“Sorry Not Sorry” by Tyler, The Creator
GQ-Blu“Kids Ear Free” by Don Trip
“Last One Left” by Brent Faiyaz feat. Lil Gray & Missy Elliott
“Self” by Cleo Sol
“Smoke” by Victoria Monét feat. Lucky Daye
“Monaco” by Bad Bunny
“The Secret Recipe” by Lil Yachty feat. J Cole
“Rich Baby Daddy” by Drake feat. Sexyy Redd & SZA
“Lovin On Me” by Jack Harlow
“I Might Forgive” by Jeezy
“On The River” by Offset
King Jerm“The Secret Recipe” by Lil Yachty feat. J Cole (J. Cole’s Verse Only)
“Put It On Da Floor Again” by Latto feat. Cardi B
“Top G” by Symba
“Run” by Killer Mike feat. Young Thug
“Summer Reign” by Larry June & The Alchemist feat. Ty Dolla $ign
“Passport Bros” by Bas feat. J. Cole
“Rush Hour” by BigXthaPlug
“Fukumean” by Gunna
“Glory Glory” by Little Brother
“Lovin On Me” by Jack Harlow
Short-T“Fukumean” by Gunna
“Peaches & Eggplants” by Young Nudy feat. 21 Savage
“Talk’n That Shit!” by Killer Mike
“You Wish” by Flyana Boss
“Makin Love” by Treety
“Eastside” by Jay Rock feat. Kal Banx
“Too Fast” by Jay Rock feat. Anderson. Paak, & Latto
“Topia Twins” by Travis Scott feat. Rob49, & 21 Savage
“In Ha Mood” by Ice Spice
“Strike (Holster)” by Lil Yachty
“Sorry Not Sorry” by Tyler, The Creator
B-Easy“Slipping Into Darkness” by Hit-Boy feat. The Alchemist
“The Secret Recipe” by Lil Yachty feat. J. Cole
“Scientists & Engineers” by Killer Mike feat. André 3000, Future, & Eryn Allen Kane
“8am in Charlotte” by Drake
“Barragán Lighting” by Larry June & The Alchemist feat. Joey Bada$$ & Curren$y
“Khalas” by Swizz Beatz feat. Jay Electronica
“Lyrical Eazy” by Rick Ross & Meek Mill
“Dangerous Daringer” by Sauce Walka feat. Conway The Machine
“Attention” by Doja Cat
“Hood Rats” by Sexyy Red feat. Sukihana
Playlist
S/O to the Aquarius folks. .
New Girl is one of the greatest sitcoms ever. If you don’t agree, you haven’t watched it yet. Just like the people that missed out on the Starz, formerly Max owned, show, Minx. Both shows featured exquisite acting from Jake Johnson. His portrayal of Nick Miller in New Girl and Peter B Parker in the Spider-Verse films has added Johnson to the list of (white) actors that I’m happy to see when they appear on screen. Right now, it’s him, Gary Cole, James Marsden, Michael Cera, and Justin Long.
Minx was about a woman with a hard-core feminist idea for a publication teaming up with a soft-core porn publisher to create the first male-nude magazine for women in 1970s Los Angeles. During the end credits, Jennifer Warnes‘s rendition of “Let The Sunshine In” plays and that lady can sang. Today’s song choice is from the Broadway play, Hair, about two friends at crossroads while America is dealing with war, civil rights, sexual revolution, and freedom of self expression.
“Let The Sunshine In” is the uplifting closing song to the rock musical. This rendition by one of the original cast members of the 1969 production is the perfect kickoff to a new year. Happy Kobe Year! Welcome to 2024!
We had to look back and make sure that Chromazz wasn’t already featured. She wasn’t, and we had to rectify that and start off 2024 right. Salute to Toronto’s First Lady.
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Uncle Murda drops his annual song that wraps up the year, this edition being the “Rap Up 2023.” ~~This version isn’t long as last year’s entry and the production utilizes “All Night Long” sample by the Mary Jane Girls~~. Another crazy year in the books.
Update: So apparently, there are 3 parts 0f “Rap Up 2023”?
I thought about sharing what I thought were the best songs of 2023. Then I thought about all the alternative songs from different genres that made Alt-Day Sunday. I decided to share the 50 songs I was either singing along to or repeatedly playing off my phone all 2023. What a Jordan Year. I got R&B, country, broadway, gospel, old school, folk, and even Regina Spektor on my playlist below. Enjoy. Be Blessed. Happy Kobe Year!
The Certified Banger section is going out of 2023 on a good note with your faviorite Dominican (and ours), the beautiful Carlita Vasquez. See you next year.
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For the last Song of the Week of 2023, let’s go MF Doom, more precisely, MF Doom & Madlib, aka Madvillain, and their song “All Caps.”
This choice is inspired by a dope video I saw on Instagram announcing that on January 18th, 2024, at La Cigale in Paris, France, ~~Mos Def~~ Yasiin Bey, would do a show where he only performs MF Doom tracks. The song used in the promo video is “All Caps.”
Does this sound like Mos Def doing Doom karaoke? Yes.
Would I still go if I were in Paris? Also, yes.
According to the internet, La Cigale only holds around 1,400 people, but either way, the show is sold out.
This really shouldn’t surprise old Hip-Hop heads like myself, as Yasiin Bey once said in a rap battle of MF Doom versus Lil Wayne that he would put a million dollars on Doom. And this was at least around 15 years ago when Weezy was still arguably the best rapper alive (since the best rapper retired).
Either way, the final Song of the Week of 2023 goes to “All Caps” by Madvillain, now that I think about it, maybe best known for being featured in The Boondocks episode, “Let’s Nab Oprah.”
R.I.P. Doom. Just remember ALL CAPS when you spell the man name.
Kiarra Storm is an all-natural Black/Italian model, and we’re disappointed it took us so long to discover her. To make up for lost time, we’ve featured her in the Certified Banger section. Check out the images below.
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Drake has released the music video for his track “You Broke My Heart” from the Scary Hours Edition of For All the Dogs. The visuals, directed by Theo Skudra and seemingly captured in one continuous shot, commence with Drake and country music star Morgan Wallen dining at a restaurant. Their departure is abruptly interrupted when their car is mysteriously blown up by two women, presumably their exes, as they drive away. Check out the video below.
It’s been almost a month since I did a Song of the Week, so let me break that streak right now. I’m making Jay-Z‘s “All I Need” the Song of the Week, primarily because I stumbled upon an Instagram post of Bink! playing the sample used and then the song. I assume this video is from the Nottz versus Bink! head-to-head event. Let me share some quick thoughts:
- Of course, “All I Need” is off Jay-Z’s classic album, The Blueprint.
- Bink! produced “All I Need” and sampled Natalie Cole’s “I Can’t Breakaway,” which is a crazy sample.
- Bink! is super underrated.
- This is another song where Jay-Z mentions Mickey and Mallory. He also mentions them on “Takeover.” After doing some research, this duo was actually named Billy Gamble and Jackie-O (not to be confused with Miami rapper Jacki-O), and they were signed to Roc-a-Fella. Has ANYBODY ever heard a song from these two?
- I used to make a post around December 4th for Jay-Z’s birthday, but you can count this one.
- I barely come out the house but I would definitely go to an event that producers just played samples and blends.
That’s all my thoughts. make sure your “bucket is low” and check out the Song of the Week below.
I finally got around to checking out Scarface‘s NPR Tiny Desk Concert, and it’s definitely worth a watch (or listen). Am I the only one who had forgotten Brad Jordan could play guitar? I initially only wanted to hear “On My Block,” but then you see the set list and notice “Mind Playing Tricks on Me” (He even does Bushwick Bill’s verse). All of this backed by a dope band and the legendary Mike Dean, himself, on the keys. Yeah, you absolutely need to check it out below.
Scarface’s Tiny Desk concert radiates with his decadeslong passion as an emcee and producer. There’s calculated intent behind every word and note of this 30-minute set and I learned that his love for golf also runs deep during our initial meeting. He was playing a round and had difficulty dividing his attention between the plan and the course. Three days before the show, amid rehearsals, I got a call from Facemob asking, “What if I brought Mike Dean?” My expectations were already high, but that final addition set the stage for something special.
Mike Dean provided unmatched authenticity, and their shared stories added sentimental value to this performance. After all, his signature keys and synths can be heard on most of Scarface’s classics and countless Rap-A-Lot records. Here, we get a rare glimpse of Scarface the conductor, bouncing through multiple eras of his catalog including “On My Block,” “Mary Jane” and the bone-chilling “I Seen a Man Die.”
Scarface, along with Rakim, was recently awarded the inaugural Hip-Hop Grandmaster Award from the newly launched Paid in Full Foundation, which includes a sizable financial prize and healthcare. No matter how the never-ending hip-hop greats debate is sliced, the rapper’s place is cemented as one of the most influential storytellers in the culture and his Tiny Desk is proof.
This week’s Certified Banger is model and plant based recording artist, Vada Veli. A beautiful woman who (sometimes) rocks an afro. What more could you want?
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It’s easy to see why Qui Qui Tzu is today’s Certified Banger. Not only is she beautiful, but she is also a swimwear designer and the owner of the swim line ALUJ Swim. Plus, she has a cool name. Check out the images below.
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Rockstar Games finally released the trailer for Grand Theft Auto VI a day earlier.
The GTA VI trailer was scheduled to premiere on Tuesday, December 5th, at 9 AM EST, but (of course) it leaked earlier, so Rockstar Games hit the button early.
I’m not sure if the 90-second trailer shows any gameplay footage (we can only hope), but it does confirm rumors that we have heard for the past few years. We do get the Vice City setting, and we also see the series’s first female protagonist.
We also won’t play this game until 2025. I would also like to point out that I bought Grand Theft Auto V in 2013 for the Xbox 360. Still, I’m sure GTA VI will make a bajillion dollars, and I will add to that.
Watch the trailer below.
This year has been remarkably hectic and swift, yet the excellence of the Certified Banger section remains consistently high. ALWAYS. Further evidence of this is embodied in the stunning and awe-inspiring Nana Oduma.
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In the music video for “Polar Opposites,” the final track on the standard version of For All The Dogs, Drake opts for simplicity. The visuals feature Drizzy engaging in friendly gambling and standing on a balcony. As mentioned, it’s a straightforward video. Personally, if I were Drake, I might have chosen one of the bonus tracks from Scary Hours 3, but that’s just my preference. Check out the video below.
Snoop Dogg recently released the 30th Anniversary Edition of Doggystyle and it included the track “Gz Up, Hoes Down”. If you are like me, you just said something like, “You meant to type “Gz and Hustlas” or “That wasn’t on the tracklist”. But it was. Kinda. Let me go to the nerds over on Wikipedia:
Gz Up, Hoes Down” is only included on the very first pressings of the album, and the recently released 30th anniversary pressings. It was omitted due to sample clearance issues. It was later re-released on the 2006 Death Row Records compilation, 15 Years on Death Row.
On the U.S. original release’s back cover “Gz Up, Hoes Down” is erroneously listed after “Pump Pump” instead of immediately before.
Original pressings in Europe features track names for all interludes – the interlude track names listed above are taken from the said European release. “W Balls” was the only interlude listed on the original American release. All interludes, including “W Balls” were later omitted from all track listings.
The original pressings of the album, which contains “Gz Up, Hoes Down”, list an outro track titled, “Tha Next Episode”, but does not feature on any pressings of the album. A low-quality recording of the song later leaked online sometime in the late 2000s.
“Gz Up, Hoes Down”, only included on original pressings of the album. Omitted due to sample clearance issues.
For some reason, I now vividly recall all of this, and in my heart, it feels like I possessed a rare version of Doggystyle. Would it make sense for a kid in Athens, GA, to have a rare version of Doggystyle in 1993? No, it doesn’t. But still. (I do seriously remember the tracklist on the back of the CD being slightly wrong though)
“Gz Up, Hoes Down” has been floating around for a while, but with the 30th anniversary of Doggystyle just passing, why not make it the Song of the Week?
All the real G’s, please stand up.
We missed posting this, but during the Thanksgiving holiday, Little Brother released their documentary May the Lord Watch: The Little Brother Story for free on YouTube. The doc covers the group’s beginnings, breakup, and reunion with their album May the Lord Watch. I remember seeing the trailer for this a year or so ago, and I’m happy it’s up for the world to see.
May the Lord Watch is the definitive story of Little Brother, the North Carolina rap group composed of rappers Phonte, Big Pooh, and (formerly) producer 9th Wonder, the underground legends that bridged the gap between The Roots and Kendrick, Tribe and Cole, De La and Drake. The film follows the rise, breakup, and reunion of the preeminent 2000s rap group, but the heart of the documentary lies in the unfolding relationship between members Phonte and Big Pooh, which begins at the Durham HBCU North Carolina Central University, strains while coming of age together in the music industry, and resolves with an enduring friendship as the two men reunite and make their 2019 album May the Lord Watch.
It might be the day after Thanksgiving, but Shani Jamilah still manages to stir our appetite. However, let’s refrain from sounding inappropriate and instead, let’s take a look at images of this week’s Certified Banger, the stunning Shani.
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2 Chainz & Lil Wayne give a behind-the-scenes look into their lives in the visuals for their track, “Oprah & Gayle,” featuring Benny The Butcher. The stylish black and white video showcases private jet trips, mansions, The Tonight Show appearances, and more backstage highlights. Off Tity Boi & Tunechi’s latest joint project, Welcome 2 Collegrove.
André 3000 found a studio on his many walks with his flute. New Blue Sun was announced on Tuesday, November 14th. In an interview with NPR’s Rodney Rodney Carmichael , Andre Benjamin let it be known that we ain’t getting 3 Stacks. This album is all instrumental, no words like the classic Pootie Tang song. 3K, his co-pilot, Carlos Nino, along with several musicians and woodwinds create a project that lasts nearly 90 minutes for easy listening.
I had a weekend where I didn’t get a chance to experience the album. As soon as I get some new earbuds, thanks to Black Friday or my birthday, November 27th, New Blue Sun is going to be the soundtrack to my bike ride around the lake. Or I can use it as laundry music as its creator intended.
Today, I have selected the penultimate track on the 8 song album for today’s Alt-Day Sunday. Enjoy your week and “Ants To You, Gods To Who ?”. Welcome Back, Andre.
Today in the Certified Banger section we feature Trinidad & Tobago’s own Caela Chapman. This lovely lady reminds us that we need to go to Carnival one day. Or wherever women are festively half naked and doused with paint.
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At this point, it feels like I am using Song of the Week just to bring up old songs that spark feelings (which I am totally okay with). For example, this edition of Song of the Week features “Masta I.C.” by Mic Geronimo. This song came up because I was randomly listening to Blackstreet’s second album, Another Level (an album that may or may not have been the soundtrack to me becoming a man). Track 2 off that album is “This Is How We Roll,” and that song samples “Masta I.C.”
“Masta I.C.” came out in 1995 and is basically a classic example of the East Coast hip-hop sound from that era. The production is handled by a then lesser-known Irv Gotti, who infused the beat with a jazzy and soulful feel and used samples from “Rebato Summer” by Gene Harris and “Rain, Rain, Go Away” by Bob Azzam.
It’s probably the hook that stood out to most people on the first listen (“I’m so high, you so high/I’ll be gettin’ money ’til the day that I die”), but you can’t sleep on Geronimo’s smooth delivery and wordplay (“Behold the uncontrollable, I keep the whole world in drama/Smoke my competition now they’re just a bag of skama”). I almost forgot to mention that Royal Flush is on the hook (Who remembers “Iced Down Medallions”?!).
As for the music video, it’s whatever was cool during the 90s New York Hip-Hop era: shots of the hoods, a group of people standing around while the rappers rap, driving while rapping, slow motion, etc. I approve of all of this of course
Looking back, Mic Geronimo is probably a one-hit wonder. He had others songs to point out, though, besides “Masta I.C.”. “Time to Build” featuring DMX, Ja Rule, & Jay-Z (The original Murder Inc.) was on the same album as “Masta I.C.” (The Natural). A couple years later Mic also had “Nothin’ Move But the Money” featuring Puff Daddy when Puffy was one of the biggest stars in the world. But “Masta I.C.” is easily the best song of Mic Geronimo.
A few more random thoughts:
There was a 1996 MTV documentary-style special called Sex in the 90s that featured Mic Geronimo that nobody remembers. There is a clip on YouTube, so I’m glad I didn’t just imagine that.
It took YEARS before I knew what “Masta I.C.” actually stood for: M. I. C. Mic Geronimo’s first name.
Check out the Song of the Week below. The Masta I.C. enters now in your brain.
Just after revealing their Big As The What? tour, Drake and J. Cole are extending their collaborative endeavors with a new visual directed by Gibson Hazard for their latest joint track, “First Person Shooter,” featured on Drake’s For All The Dogs album. the visuals are basically like that iconic Jordan and Bird McDonald’s commercial, but with a more generous budget, while incorporating elements like ping pong, Spiderman, and chess. Plus at the end, at the beat switch, Drizzy channels his inner Michael Jackson. Check out the video below.
Killer Mike has released the music video for his song “Down By Law” from the rapper’s latest project, Michael. This feels like as good a time as any, considering Michael was recently nominated for three Grammy awards: Best Rap Album, Best Rap Song, and Best Rap Performance (the last two were for “Scientists & Engineers”). I actually reviewed Michael, and it’s probably the best rap album of the year.
I mention all of this because the visuals for “Down By Law” feel like a celebration. The video, directed by Mike Allen, shows Killer Mike representing Atlanta, hanging out with his fans, and chilling with his wife; it’s a beautiful thing. It’s been a journey. And it’s so Atlanta.
We don’t know much about astrology but we love LadiiScorpio. That’s all. Images below.
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This is a random Song of the Week, and it’s based on a super hilarious Instagram post I saw the other day about the video for Ja Rule & Bobby Brown‘s “Thug Lovin'”:
View this post on Instagram A post shared by Jerrell parker (@jerrell_parker707)
“They really should’ve rescheduled… look at Bobby’s jaw.”
Look, who am we to say who was or was not on crack that day on the set of Ja Rule’s “Thug Lovin'”? I’ll also point out that I have always liked the song as well as the visuals for “Thug Lovin'”. A lot.
BUT I have always thought that Bobby Brown was a little too hype in that music video. Hell, he was hype as hell recording the song (Listen to those ad libs). Still, drugs or not, you can’t deny that jumping out of a helicopter while singing and dancing is cool.
Pusha T’s “Bobby Brown jaw” line from “So Appalled” will forever haunt Whitney Houston’s King of R&B.
Certainly! Here’s the corrected version of the text:
Man, DJ Kay Slay’s “Rolling 200 Deep” dropped yesterday, and I didn’t have time to watch or listen to it because the song/music video are literally over an hour long. Nobody should really be surprised, though. Even though Kay Slay is no longer with us, he threatened to drop this at the end of “Rolling 110 Deep”. And here we are now, with 200 rappers on one song. This is truly and ridiculously Hip-Hop. Who is all on this song, you ask? Well…
Sheek Louch, Snoop Dogg, Raekwon, Papoose, Bun B, Millyz, Dave East, RUN DMC, Jim Jones, AZ, Sha Rock, Ice-T, Freeway, Maino, Rev Run (RUN DMC), Nems, Royal Flush, Grandmaster Caz, Cassidy, King Flo, The Original Spindarella, Cory Gunz, KXNG Crooked aka Crooked I, Joel Ortiz, Fame aka Lil’ Fame (M.O.P), Billy Danze (M.O.P), Coke La Rock, Sauce Money, RJ Payne, Uncle Murda, Whispers, Keen Streetz, Piff Jones, Nero Ron, Large Professor, OT The Real, Paul Wall, Nino Man, Mic Geronimo, Ransom, Ms Hustle, Melle Mel, Shoota, Rass Kass, DJ Doo Wop, Haddy Racks, Kid Carpi, Bynoe, Kool Keith, GTB King Card, B-Real, Herb McGruff (We Da Zone), Stan Spit (We Da Zone), Kick Gunz, Tony Touch, Vado, Grand Puba, Axel Leon, Smooth da Hustler, Trigga tha Gambler, Slim Dyme, Big Daddy Kane, Shyheim aka The Rugged Child, Oun P, Page Kennedy, Prayah, Tony Yayo, BK (Double X Posse), Ray Rothchild (Double X Posse), Big Noyd, Head I.C.E, E-A-Ski, Sadat X, El da Sensei (Artifacts), Tame One (Artifacts), Brillo, Daddy-O, Chi-Ali, Tragedy, Twista, CeeLo Green (Goodie Mob), E.D.I Mean (Outlawz), Hocus, Billboard Baby, E-Glass (The Hoodies), Young Poppa (The Hoodies), China Mac, E Ness, DJ Paul, Jack Frost, Ka Flow, Majesty, Neek the Exotic, P.T Capone, O.C. (D.I.T.C), Termanology, Tony Moxberg, Wais P, Talk It Trigga, ZipwittheDrip, Treach, Rah Digga, Mysonne, Jon Connor, Jae Millz, Rockness (Boot Camp Clik), Steele (Smif-N-Wessun), Tek (Smif-N-Wessun), Sky Zoo, Mikey D, Young Noble (Outlawz), Tone Trump, Locksmith, Big T, Saigon, Sha Queen aka Ma Baker, Peter Gunz, King Bless, Corporal AK, Molecules (The Legion), Chucky Smash (The Legion), Diceman (The Legion), D.V. Alias Khryst, Nutso, Kevie Kev aka Waterbed Kev, Torae, Mickey Factz, Young Buck, LO, Smooth B, King Malachi, Master Rob, Vita, Merkules, Nytro, Iron Sheikh, Bishop Lamont, Capitalist, Jade Diamonds, Sparkie D, Fredro Starr (Onyx), Stickey Fingaz (Onyx), Paula Perry, Tah Mell, Da Inphamus Amadeuz, Cortez Bodega, Superstar Floss, Innocent?, MC TNT, Tracey Lee, Aobie, Kurtis Blow, Ladi Kutz, MC Globe, Tony Sunshine, Imam Thug, Mistah F.A.B, Layzie Bone, Lazarus, NeekDaSkittz, J.R. Writer, Terror Van Poo, ItsBizkit, Dyce Payso, Big Gipp (Goodie Mob), Khujo (Goodie Mob), T-Mo (Goodie Mob), Klass Murda, Rayvon, Johnny Wa, Chip Fu, Iman Shumpert, J.SOS, Manolo Bandz, Kitty Gata, Ghostface Killah, King Kirk (Sporty Thievz), Big Dubez (Sporty Thievz), Trae the Truth, Don Q, T.I., KRS-One, E-40, and MC Serch.
Rest in peace, DJ Kay Slay
Benny The Butcher goes big dog status in his new song and music video, “Big Dog,” featuring Lil Wayne. There’s a lot to like here: Benny and Weezy’s rapping, The Alchemist on production, and the gritty black-and-white visuals. It’s worth checking out. Siberian Husky flow.
We’re starting off the month strong with this one. Today, we feature Virdi in the Certified Banger section. She’s yet another beautiful woman with no last name, but we’ll take what we can get, and we have pictures below.
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Megan Thee Stallion confronts her past struggles head-on in her latest track and music video, “Cobra.” In the song, Meg opens up about being shot, dealing with betrayal, and even battling thoughts of suicide. The visuals take a deep dive into the symbolism of the reptilian song title, all while offering some eye candy.
Ysabel Phillips is yet another multi-talented beautiful women to be featured in the Certified Banger section. She is also Puerto Rican, Dominican, and Haitian, but let’s be honest, you are here to look at the images below.
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I am truly surprised that Jay-Z‘s “Reservoir Dogs” has never been Song of the Week. Considering how many times Jay-Z has been featured on this site and how much I used to play Vol. 2… Hard Knock Life, it seems like a foregone conclusion. (Although, we did put the Classic Material title on Vol. 2… Hard Knock Life)
I’m mainly making “Reservoir Dogs” the Song of the Week because it samples the “Theme From Shaft” by Isaac Hayes, and the actual Shaft, Richard Roundtree, passed away the other day.
Now that I think about it, I barely remember watching the movie Shaft, but I do remember it being better than Super Fly. In terms of Blaxploitation, I’d probably choose The Mack or Dolemite over both (I recently saw a list that said The Last Dragon was considered Blaxploitation. If that is true, then that is my favorite Blaxploitation movie). Either way, R.I.P. Richard Roundtree.
Back to the Song of the Week: “Reservoir Dogs,” here are a few more thoughts:
Sauce Money was always underrated. I wanted him to win, but his album was mediocre. I wonder if he still gets royalty checks for Diddy’s “Missing You”? (Is it enough after Sting gets his cut?)
“Reservoir Dogs” contains one of Sheek Louch’s most memorable lines that I used to repeat back in the day to friends: “Yo, shut the fuck up ‘fore I blast and Banned From TV your ass.”
We now know that Styles P’s verse was actually a diss at Jay-Z: “I don’t give a FUCK who you are, so FUCK who you are/I don’t care about a pretty bitch, a watch, or a car.”
As for the best verse on the song, looking back at it now, I would actually give it to Jadakiss (“Gangstas don’t die, they get chubby and move to Miami”), but Jigga’s verse is dope too (“Locked in the slammer? Nope, popped up in Atlanta”).
It has always seemed weird to me that “Reservoir Dogs” was produced by Erick Sermon.
Check out the Song of the Week below and put some more beat on that joint.
It has been difficult to muster up the energy to write music this year, let alone write ABOUT music. Maybe it has to do with spending most of my energy on marrying the love of my life, or not being in a space to go that much into depth as a lot of my content touches on personal stuff, or perhaps just wanting to enjoy music rather than make it. Nut outside of playlists of songs that soundtracked very important moments of my life, I haven’t enjoyed much of what’s come out this year. So, if there is one thing I know I will get enjoyment out of, it’s this…
Roasting the hell out of a Drake album.
Let’s face it, Aubrey has been on auto pilot for years now and why would I expect this to be any different. So let’s start what will be stepping into the abyss that is a 23-track project from Mr. Cry In the Pussy himself called For All The Dogs.
-
Virginia Beach
Produced by 40 & Harley Arsenault
The first couple of times I heard this, was such a slog to get through. I tolerate this song more than I did the first couple of listens, however. His verse in the second half is a better listen now (even with that WWW line, it is Drake after all.) The singing still gets on my nerves, mainly because this is just something we’ve heard before. But I should know better because… we got a long way to go with this album. I need to figure out what song he sample (Editor’s Note: “Wise Man” by Frank Ocean) -
Amen
Featuring Teezo Touchdown; Produced by Sango, Budgie Beats, & Teezo Touchdown
Teezo Touchdown is one of the MVP’s for this album (and his latest project isn’t bad at all either, check it out when you can.) His chorus has been stuck in my head since the album release. -
Calling For You
Featuring 21 Savage; Produced by Lil Yachty, PoWR Trav, Jaystolaa, 40, Gentuar Memishi, Glyn Brown, & Cash Cobain
Drake is the least interesting part of this song. Same goes for 21 Savage. However, the award for most interesting part goes to whoever this girl is complaining about jerk chicken and oxtail…for all the wrong reasons. However, this Her Loss leftover, leaves the impression as we will later see come to fruition on the album, is Drake is starting to become the old guy in the club. -
Fear of Heights
Produced by OZ, Nik D, Pooh Beatz, xynothing, & BNYX®
Editor’s Note: MTHFKA Jones skipped this song in the review. (I don’t think it was by accident) This was the song Drake supposedly sneak dissed Rihanna on or something.
-
Daylight
Produced by Southside, Smatt Sertified, T9C, & Lil E$$o
I’m not gonna roast someone’s five year old son, so outside of that, I’ll give it this, this song actually has energy to it. There’s nothing that really stands out, but at least it isn’t audio AIDS. -
First Person Shooter
Featuring J. Cole; Produced by Coleman, Vinylz, Tay Keith, Boi-1da, FNZ, & OZ
Aubrey knew better not to compete with Cole on this track, because the beat switches into a little something more menacing so he could do his best DMX impression naming every woman under the sun. It’s funny he noted that he was one away from Michael. As of me writing this, he may have even surpassed Michael and this was the song that did it. Fact check this please. -
IDGAF
Featuring Yeat; Produced by BNYX® & Sebastian Shah
Maybe it’s age, maybe it’s taste, maybe it’s something, but I really don’t get Yeat. However, for some reason… I don’t mind this song. Maybe, that has to do more with this feeling more like a Yeat song where Drake just plays the background, that way it plays more to Yeat’s strengths rather than exploit Drake’s weaknesses on songs like these. -
7969 Santa
Produced by Nyan, Alex Lustig, Jahaan Sweet, & BNYX®
Drake gets on here and does what Drake does. Come to think of it, I completely ignored this song until Teezo Touchdown reemerged for this Snoop-endorsed interlude. Outside of that, Drake is being a bitch as usual. -
Slime You Out
Featuring SZA; Produced by BNYX®, Grant Lapointe, Noel Cadastre, 40, & D10
As someone who grew up on gangsta rap, this is way too misogynistic for me these days as a 37 year old married man. The first time I heard this, it just didn’t feel like “Drake first single” material and listening back a couple more times, it not only makes things worst now, but also exposes what I don’t like about SZA’s music for the most part. Either that or I haven’t listened to CTRL or SOS that hard enough. It’s a pass for me with this one. -
Bahamas Promises
Produced by Jahaan Sweet & Ray “Quasi” Nelson
You put the “no” in monogamy.
Next.
- Tried Our Best
Produced by Jahaan Sweet & 40
I’ll cater to you girl, but late night, you a terrorist
I swear to God, you think I’m Shakespeare
That’s why you always wanna play right?
There is a difference between being clever and being corny. Even 2010s Eminem isn’t this cringe.
NEXT.
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Screw the World (Interlude)
Produced by DJ Screw
I don’t rate interludes here. -
Drew a Picasso
Produced by Young Troy, Tommy Parker, SAUCEboy, TheBoyKam, Dnny Phntm, 40, & Eli Brown
I cannot with these bars yo…
Movin like Snoopy and Charlie Brown
Feel like you tryna dog the kid
At least he knows not to judge his significant other for listening to child molesters in the car. If the rest of the world was as progressive, we’d be getting somewhere.
- Members Only
Featuring PARTYNEXTDOOR; Produced by Stwo & 40
Both coming at the same time like “Jinx”
Yeah that’s enough of that, gangy…
- What Would Pluto Do
Produced by Lil Yachty, Bangs, BNYX®, & Gentuar Memishi
Girl I wanna slide in yo box like a vote
I know you are wondering why I am posting these lyrics instead of my usual in-depth analysis/roasting of albums like this. I would love nothing more just to enjoy the songs at face value, take in the aesthetic and let it be that. Here’s the problem…
It’s lines like that…where Drake won’t let me enjoy it.
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All the Parties
Featuring Chief Keef; Produced by BNYX®, Coleman, Boi-1da, Fierce, Maneesh, Harley Arsenault, & Jdolla
Chief Keef’s presence is very minimal with his A Boogie “Drowning” flow, but even then, it just feels like a filler song on an album that already has SO much filler to it. -
8AM in Charlotte
Produced by Conductor Williams, Mario Luciano, & Jason Wool
Finally another song that I like. Though I think this one is in the lower half of his timestamp series and there’s a couple of corny bars here (i.e. the Jordan Peele/orange peel line) but I’ll take this over a lot of what has been here so far. Hell, I’ll take what I can get at this point.
I will say this though. That line about “me versus whoever wanna lose”… you lost that privilege a LONG time ago.
- BBL Love (Interlude)
Produced by Kid Masterpiece
HE IS SO LUCKY I AM NOT SCORING INTERLUDES!!!
(Also, my dog barked as soon as the dogs started barking on the track. Fuck you Drake for making my dog bark.)
- Gently
Featuring Bad Bunny; Produced by OZ, Nik D, & Gordo
Let me just start off by saying this. I am grouping these songs together, because I don’t have the energy to say more negative things about this album. This album is straight garbage. With these two songs, not only do I have to endure Drake attempting Spanish but the next track I have Sexyy Red…
A song that is laughably bad (mainly due to Drake) and a song that is just not for me.
That sums up most of this album.
- Rich Baby Daddy
Featuring Sexyy Red & SZA; Produced by Gordo, Klahr, LIOHN, BNYX®, TheLoudPack, UV Killin Em, & Dougie F
Editor’s Note: See song above
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Another Late Night
Featuring Lil Yachty; Produced by ChildBoy & Lil Yachty
You know, I hear a song like this and makes me wonder… y’all really overrated that Lil Yachty album this year. Maybe I should revisit it and review it for here. Or maybe I should just review underground stuff for the site again, I don’t know man, anything but this bullshit. -
Away from Home
Produced by BNYX®, SADPONY, Justin Raisen, Fluxury, Lucas Levine, & Lil Yachty
I stopped paying attention a long time ago. -
Polar Opposites
Produced by Lil Yachty, Anthoine Walters, Beatmenace, 40, Gentuar Memishi, & Bangs
NIGGA WE MADE IT!
Remember, when Drake made anthems???
BOTTOM LINEYou know, I wanted to review this album, knowing how I been feeling about listening to music this year (at least contemporary Hip-Hop). The closest I got to that, from a mainstream perspective, was Utopia. I understand that Drake has been phoning it in since Views, but never did I EVER think that it would be THIS BAD.
It was going through this album that let me know, that it is just time to let Drake go. Drake is at a point where he doesn’t have to try. Drake is at a level of notoriety and popularity, that giving us an album that showed he actually put effort into his performances, would be a step backwards.
Because let’s be honest, what does giving us effort really mean for a superstar like Drake? More rapping? Mature content? I don’t know. What makes it even more perplexing is that his age, Drake doesn’t even know. The money? The fame? The doomed relationships? The non-starter beefs that HE HIMSELF lays to rest? All I know is, Drake got rich, stopped trying and in return, we the fans, get yet another frisbee to throw out our window. Yet, they don’t make CDs anymore, so slam dunk in the recycle bin this one goes.
Oh yeah, this is a top-notch edition this week. Live from Sierra Leone, straight to the Certified Banger section, we present the beautiful Lilian. We don’t even have the last name of this stunning African model, and looking at the images here, she really doesn’t need one.
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Rick Ross and Meek Mill have released another song and music video from their upcoming album, Too Good To Be True. In “Lyrical Eazy,” Meek and Rozay rap over Jay-Z’s “Lyrical Exercise,” while standing on the block with Jim Jones and company. It works. Breathe easy.
When I was in my late teens, I used to visit my older sister in Dallas. We went to concerts at the House of Blues and saw the early stages of the long careers of Kid Cudi, Wiz Khalifa, and many more. It was always my idea to attend the shows of XXL Freshmen Alum and artists I heard on LiveMixtapes.com. My pregame before a concert is to never listen to the main act’s songs beforehand. I wanted to see how well I knew the lyrics when I heard my favorite songs performed live. My sister went the extreme route and would go to these concerts with me, not knowing a single song from the artists. The best way for her to learn about a new artist was to see their stage presence and be in a crowd of their established fan base.
Tarriona “Tank” Bell, Norman Spence II, and Joshua Johnson, met over a decade ago at an open mic in their hometown of New Orleans. Since then, they’ve become music festival favorites, First Lady Michelle Obama’s favorite band and delivered multiple critically-acclaimed projects with their fusion of R&B, Hip-Hop, jazz, pop-rock, funk, spoken word, and bounce music. With all that they’ve accomplished, I don’t know why I haven’t become a fan yet. They worked with some of my favorite artists, but I still didn’t give them a true listen till recently, even though they’ve done everything right. Tank has the personality and energy to front a band and host the PBS Voices series, “Ritual” that explores the traditions of various aspects of Black culture. Their featured vocalist, Anjelika “Jelly” Joseph is one of my favorite singers from New Orleans. I just found out that the band’s fourth member, Albert Allenback is part of my favorite IG duo, SaxKixAve, with rapper, Alfred Banks. After copying my older sibling’s way of finding new music, I can now say I’m a fan.
This past Friday, the 2x Grammy-nominated band performed in Arlington as part of the Levitt Pavillion’s “free” concert series and it was AMAZING. That Tank can sing, rap, or talk on a microphone and the audience will be captivated by her. The band did not miss a note or step when it came time to do some dance choreography with their vocal talent. Ms. Bell had energy throughout the performance that reminded me of Hayley Williams or Gwen Stefani leading her male bandmates through their hits and crowd favorites. One of my favorites was the closing song on the setlist. 2022’s “Black Folk” featuring Alex Isley and Masego highlights the highs and lows of the lives of the most melanated people in America. This is the latest anthem in a neverending collection of love songs for us, by us. Happy Sunday!
Today is a special day as the Certified Banger section presents the beautiful and super multi-talented model and creator Naka DaVinci. Yes, she also has a cool name. The DaVinci Cheat Code.
Source
There’s something about having the stunning model Antonia Lily here that elevates this rendition of Certified Banger, giving it an air of sophistication and refinement. We truly value that.
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It’s been three whole years since Cardi B and Megan Thee Stallion released “WAP,” and tonight, they’ve teamed up once again for Cardi’s latest single, “Bongos.” In addition to the song, we also have a music video. While the song may not be my cup of tea, the colorful visuals serve as a fitting successor to the “WAP” video. Check out the song and video below and form your own opinion.
UTOPIA is finally here. Whatever was in the briefcase is now available for the world to hear. As a Travis Scott fan since Birds in the Trap Sing McKnight, I’ve been waiting for this to drop since it was first announced in quarantine. I was 17 when ASTROWORLD first dropped, and I remember being absolutely blown away from the first listen. That remains one of my favorite first listen experiences to this day. That being said, lately Travis has been […]
My first concert of 2023 was Kali Uchis’ Red Moon in Venus tour. I was really excited for this show because I’ve been a fan of Kali for years, and I was looking forward to her opening act. British singer RAYE released her debut album in February after battling label and personal issues that inspired My 21st Century Blues. M21CB is one of the best albums I’ve heard so far this year, but it was her appearance on NPR’s Tiny Desk that made me anticipate seeing her live.
Unfortunately, I missed RAYE’s set when the tour made its stop in North Texas. Sidenote: Kali Uchis is amazing. Can you believe her mic was on the whole time? Anyway, Ms. Raye takes us and Coi Leray on a double-decker bus ride depicting a tumultuous relationship in the video for “Flip The Switch.”
For the first Monday of Black Music Month, NPR said they were going to do it big. Charlie Wilson steps behind the tiny desk and leads his band through his life journey of highs and lows, a journey he describes as “…rags to riches, riches to rags, then rags to the curb, the curb to homelessness.” With 28 years of sobriety and a career that has spanned decades, we are blessed to still hear Uncle Charlie sing live.
If you have seen people on social media ripping plastic bags off their heads, you can blame Latto and her hit song “Put It On Da Floor.” She returns with the remix and video titled “Put It On Da Floor Again,” featuring Cardi B. The visuals show the female rappers causing havoc in a supermarket and a jewelry store (Don’t forge the blurred out guns and 1800 sponsorship). they even receive a cameo from Angel Reese. Check out the video below.
Post-prison and post-snitching (depending on the street codes you adhere to), Gunna returns with a new song and a new music video in the form of “Bread & Butter.” Gunna addresses allegations in the track with lines like, “Never gave any statement or agreed to take a stand on them,” and maybe even disses Lil Baby with lines like, “You switched on me when you know you’re in business with a rat.” Will these lines prevent people from calling the former YSL rapper a rat? Who knows.
The black and white visuals show Gunna driving around in a nice car, smoking, and engaging in introspection. He is also accompanied by a crow (for unknown reasons). I assume there is more music to come. The song was produced by Turbo, Omar Grand, and Cam Griffin, and the music video was directed by Leff.
This week, we are pleased to introduce Wenzdai Tosca (Wenzdai = Wednesday). This woman is not only beautiful but also a dating expert. Although we are unsure of the precise definition of a “dating expert,” based solely on her appearance, we assume she is the most exceptional dating expert imaginable. And as her Instagram handle suggests, we also proudly acknowledge her as the goat.
Source | Parteon
Diddy and company are acting up in his new song and music video, “Act Bad” featuring City Girls & Fabolous. The video is slick and and showcases all the artists living their best life, while also capturing the luxurious lifestyle that one would expect from Puff Daddy. (Which also supposedly includes UV glow contact lenses).
The combination of the City Girls and Fabolous is not expected but I’ll allow it. I’ll also point out that Yung Miami raps 50% better when she is on a song with Diddy (Also see “Gotta Move On (Queens Remix)”). Check out the Kid Art directed visuals below.
Another week, another beautiful woman featured in the Certified Banger section. oday, we proudly introduce Saleema Mansur. And yes, we are once again getting ready to propose off pictures alone.
Source | Patreon
Here we are again huh?
Even though this year feels like it has been lackluster in terms of album releases, I somehow find myself falling behind (again) and having an album backlog. So let’s turn this into content and bring back the Album Backlog column. This helps me address my OCD tendencies to finish my list of albums I have yet to listen to while also creating content for nappyafro.com. It’s a win-win for everybody.y. Let’s get into it.
Vince Staples & The Alchemist – Untitled EPRelease Date: April 2022 (Leaked)
A couple of years back, The Alchemist said he had a six-song EP with Vince Staples that was mixed and ready to be released. Supposedly, this EP leaked a couple of months ago. I haven’t heard any other artists confirm if this is the actual EP (I have seen versions with 7 and 8 songs), but let’s just assume it is. This untitled EP also includes “6 Five Heartbeats,” which was also on This Thing of Ours 2 by The Alchemist (It might be my favorite Vince Staples song, so I’ll allow it). Either way, it’s worth a listen (I kept about 4 songs), and it’s readily available on the internet.
Notable Song: “6 Five Heartbeats”
Conway The Machine & Jae Skeese – Pain Provided ProfitRelease Date: March 10, 2023
No, this is not Conway The Machine‘s latest release, Won’t He Do It. And it’s easy to get confused because Conway drops a lot of music (11 projects since 2020). Pain Provided Profit is a collaboration project with Jae Skeese, the first artist to sign with Conway The Machine’s Drumwork label. If you really like NY gritty bars, you will probably like this. But to be honest, the project gets monotonous (and this is coming from a Conway The Machine fan). If you only listen to one Conway project this year, you might want to check out Won’t He Do It instead.
Notable Song: (I didn’t keep any songs because nothing really stood out)
Lil Yachty – Let’s Start Here.Release Date: January 27, 2023
I know there was buzz around Lil Yachty‘s latest album, Let’s Start Here., and that it was kind of a career rebirth for him. But I have been listening to this album off and on since its release at the beginning of the year, and I never really saw that. On the production side, the album is well done, but Lil Yachty may be the worst part of all the songs. It feels like Yachty was hanging with Tyler, The Creator and tried to replicate that sound. And to me, it doesn’t work. Just go listen to Tyler, The Creator’s last album.
Notable Song: “the BLACK seminole.”
Talib Kweli & Madlib – Liberation 2Release Date: March 6, 2023
Mos Def and Talib Kweli (And I guess, to a point, Dave Chappelle) have been releasing their albums exclusively on Luminary. The second Black Star album was released this way, and so was Liberation 2 by Talib & Madlib. And while I shake my head at releasing an album on a platform that nobody I know uses, Liberation 2 surprised me with how good it was. I’m not sure if all of Madlib’s beats are original here, but I really don’t care because the project is produced expertly. Besides that, you also get things like a good posthumous Mac Miller feature, Roc Marciano & Westside Gunn show up to bring their vibe, and even Talib’s daughter (Diani) shows up and does her thing. Yeah, Talib Kweli dropped a good album produced by Madlib, and nobody is really talking about it.
Notable Song: “Ad Vice”
The general consensus on DaBaby is that he is definitely not as hot as he once was. And while that may be up for debate, I like his new music video for his song “Selling Crack” featuring Offset. This is mainly due to the visuals being a faithful and funny recreation of the 1991 classic movie, New Jack City. In fact, this may be the best New Jack City recreation since that episode of Martin. As a man who once made a video tribute to Nino Brown, I approve.
GloRilla keeps it real with her hood rat friends in the music video for her latest track, “Lick Or Sum.” The song is essentially a female remix of Three 6 Mafia’s “Slob on My Knob” (with Juicy J also listed as one of the producers), and the video perfectly captures the energy of the song. This includes lots of twerking in front of a convenience store and in the hood, all of which I wholeheartedly approve of. Check out the video below.
Who would have thought that nearly a year has passed since Beyoncé dropped Renaissance and “America Has A Problem”? Today, she surprises everyone by dropping the unexpected remix, with none other than Kendrick Lamar, who is now officially part of the BeyHive, it seems. Nevertheless, it all falls into place as K.Dot delivers a captivating animated verse (“Hold up, wait a minute/Even AI needs to practice cloning Kendrick”) while Beyoncé showcases why she is Beyoncé. Check out the song below.
This week’s Certified Banger feels like cheating. Jaz Jackson has a body that is simply crazy. That’s all.
Source | Patreon
May 14, 2022, marked the anniversary of Cam’ron‘s influential album Come Home with Me, which not only signified his first release under Roc-a-Fella Records but also left an indelible mark on his career and the Hip-Hop landscape. With its release, Cam’ron showcased his distinctive lyrical style and charismatic delivery, while solidifying his position as a prominent figure in the rap industry. As we reflect on this milestone, it becomes evident that Come Home with Me holds a significant place in Cam’ron’s discography and remains a testament to his talent and lasting impact on the genre.
One of the reasons why Come Home with Me was crucial for Cam’ron’s career is the success of its popular songs. Tracks like “Oh Boy” and “Hey Ma” became instant hits and received extensive airplay, elevating Cam’ron’s mainstream visibility. These songs showcased his ability to craft catchy hooks and deliver infectious rhymes, appealing to both hardcore rap enthusiasts and casual listeners alike. The album’s commercial success allowed Cam’ron to reach a wider audience and cement his status as a prominent figure in the rap industry.
In addition to its impact on Cam’ron, Come Home with Me also played a significant role in establishing the Diplomats. The album featured collaborations with all members of the Diplomats collective, such as Juelz Santana, Jim Jones, and Freekey Zekey. Their contributions not only added depth and variety to the album but also laid the foundation for the Diplomats’ future success as a group. The chemistry and camaraderie displayed on this album set the stage for the Diplomats to become a prominent force in Hip-hop, creating significant impact on the Hip-Hop scene.
Considering its impact, both commercially and artistically, Come Home with Me deserves recognition as a classic album. It encapsulates the essence of early 2000s East Coast rap, blending infectious production with Cam’ron’s distinct flow and witty wordplay. The album’s cohesive sound and memorable tracks have stood the test of time, continuing to resonate with fans and influence subsequent generations of artists.
Editor’s Note: How in the hell did we do a Classic Material for S.D.E. and not Come Home With Me?!
This is one of those situations where, if this week’s Certified Banger turns out to be a fake, it would be totally understandable. This week, we present the stunning Jabril. We also follow her on Instagram, and as of this post, she has around 5,000 followers, but she deserves at least 500,000. The pictures below serve as evidence, whether the account is authentic or not.
Source | Patreon
Besides offering 6ix9ine a $50 million boxing match and perpetually beefing with NBA YoungBoy, Lil Durk has released a new music video titled “All My Life,” featuring J. Cole. Both the song and the visuals exude an uplifting feel, evident from the inclusion of kids singing in the chorus. Although I’m not the biggest Durkio fan, it’s clear that he’s attempting to venture in a different direction with this release. Regardless, it carries a positive message for the youth. The video, directed by Steve Cannon, accompanies the song produced by Dr. Luke.
Lil Durk’s highly anticipated album, Almost Healed, was scheduled to be released tonight but has been delayed until May 26th. Consequently, it seems that the supposed album sales race now only involves NBA YoungBoy and Soulja Boy.
Look, I don’t know what has gotten into Janelle Monáe, but just by looking at the new video for her song “Lipstick Lover,” I think I’m 1000% behind it. We all should have known something was about to go down by her Instagram post yesterday.
The visuals for “Lipstick Lover” are NSFW and have even been age-gated by YouTube. The setting is a Black retro orgy pool party. It also shows scenes of Janelle grabbing a naked booty, as well as her being topless (although it’s blurred). The video also depicts her on a bed using a sex toy (not fully naked, but I feel that might have crossed a line for some people). There is a lot of other sexual imagery with beautiful Black women, but you can check out the video below.
Wait. Did I not talk about the actual song? It’s good. It fits the vibe of the video and is reggae-inspired. This is not one of those videos that “goes hard on mute.” Janelle Monáe’s new album, The Age of Pleasure, drops on June 9th.
For his third studio album, Jack Harlow is taking a different approach. On April 26, 2023, the Kentucky rapper surprised fans by announcing via social media that his new album, titled Jackman., would be released in just two days. There were no pre-released singles on the radio or music videos to accompany the album—just an album cover featuring Harlow without a shirt.
This is far cry from a rapper with big wins like “Whats Poppin”/“Whats Poppin (Remix)”, doing a music video with Drake at The Kentucky Derby, being in big time commercials, hosting Saturday Night Live, and doing a song with Lil Nas X that visuals currently sit at almost a half a billion views on YouTube.
Are we getting a different version of Jack Harlow this go around or is the white rapper just getting this album out the way before his White Men Can’t Jump reboot drops? Let’s take a listen to Jackman. by Jack Harlow.
- Common Ground
Produced by Angel López, Jay-Soul, Mike Wavvs, & Niko The Great
The intro kinda surprised me. It has Jack Harlow talking about gangster rap and it’s (mostly) suburban white audience and the divide between the two. He makes some points (“Never seen the hood, still can’t help but have comments/Never had a convo with a kid from that climate”) but it’s weird that he never really states if he is different or not adding to that point. Let me find out Jack Harlow is from the hood (I don’t think he is). There is also a line where Trap Lore Ross swears he is dissed on (“Condescendin’ suburban kids growin’ up to be rap journalists/Writin’ urban myths about who they think is the best urban kid”) but that could be a lot of people.
The production samples the group Jade’s “When Will I See You Again (Intro)” and if this means the next Hip-Hop trend is sampling 90’s R&B female trios, then I’m all for it. I’m saying all that to say that the beat is nice. The message is all over the place but Jack starts off on the right foot.
- They Don’t Love It
Produced by Hollywood Cole
I talked about “They Don’t Love It” as well as the music video here. The song samples Connie Laverne’s “Can’t Live Without You” and the sped up vocals honestly remind me of something Kanye West would have rapped on during his The College Dropout/Late Registration era. That’s not a bad thing. Even Jack rapping about not meeting his future wife in the club and shouting out local Louisville landmarks add to this.
This is also the song where Jack says he is the best white rapper since Eminem. Well, he says it like this:
The hardest white boy since the one who rapped about vomit and sweaters
And hold the comments ’cause I promise you I’m honestly better than whoever came to your head right then
They ain’t cut from the same thread like him
They don’t study, doin’ work to get ahead like him
They don’t toss and turn in the fuckin’ bed like him
It’s not only false (R.I.P. Mac Miller) but that delivery could have been way better? “Vomit and sweaters”? Nah. But props to him trying to grab the, uh, “Best White Rapper Since Eminem” crown. I still like the song though.
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Ambitious
Produced by Wallis Lane & Goldy Jr
Okay. Three songs in, I think I see the sound Jack is going for. Another soul sample, this time being from 7th Wonder’s “Living My Life Just for You.” I don’t mind at it though. “Ambition” has Jack talking about his come up from ages 14 to 19 to 24. But the production sounds kinda, pimpish, I guess? Like it would have been the “pimpin” track on another rapper’s album (Probably with a Snoop feature or something). It’s not bad. Sort of bland but I still like the beat. -
Is That Ight?
Produced by Hollywood Cole & Mario Luciano
When people say that Jack Harlow bites Drake’s flow and style a lot, it’s because of songs like “Is That Ight?”. But is it biting if the rapper gets a cosign from the rapper he is biting from? Yes. Yes it is.
The song is not bad though. Jack Harlow raps (and sings) about dealing with success (of course) and wanting his team to win. All this over an semi-opulant beat that makes to drink wine and shit. The song does include a sample but I can’t place it right now. All in all the song is ight.
- Gang Gang Gang
Produced by Rashad Thomas
Okay. This song started out so good. Harlow rapping “Ride for my dawgs, lie for my dawgs, die for my dawgs” over a sample (“Baby Lulu” by Stereolab) going “Gang, gang, gang, gang, gang”. At that point, this was easily the hardest song off the album.
And then you find out the song is about Jack finding out one friend is a rapist and another being a pedophile. Who the fuck are hanging out with Mr. Jack Harlow?! Can I really play this shit loudly in my car now?
Besides that, in Hip-Hop you regularly don’t get songs about cutting off friends for doing super weirdo shit, so I give points for that.
Still, somebody do a remix of this and make it about some real “Gang Gang Gang” gangster shit. That sample is crazy.
-
Denver
Produced by FNZ & Angel López
“Denver” has Jack rapping about anxiety and questioning life in general (“Walkin’ past the homeless in a Rolex/Just got off the stage on the TODAY Show and I basically felt soulless”). The is done over a somber, guitar-driven beat that helps the point (Sampling “Do You Know” by Douglas Penn). It’s not a bad song but nothing really stands out. Plus, I’m not that into rich rappers trying to make me feel sorry for them. Nah, chief. -
No Enhancers
Produced by DJ Dahi & Coop The Truth
“No Enhancers” feels like an interlude and is where Jack Harlow raps about how he likes his women natural and his girl does need and surgery or makeup (“She don’t need no enhancers/She don’t need no enhancers/She don’t need no enhancers”). Okay. I like the beat here (I can’t place the sample used). For some reason he threw in that his “homeboy just beat cancer”. That’s cool but it’s just in there because it rhymes with “no enhancer”. The song is okay though. Nothing crazy. -
It Can’t Be
Produced by Rashad Thomas
Jack lets the world know that he didn’t get this far on his skin color alone. He sarcastically lists all the reasons he is successful:
It can’t be my pen, it can’t be these verses
That make people feel like I’m talkin’ to them
It can’t be the homage I’ve paid
Nights when I could’ve left the studio early, but I stayed
It can’t be the tone of my voice
It can’t be the thought I put into every choice
And he is mostly right. I mean, him being white does help, but still.
I like the form of this song and the way it’s set up. The triumpnaht beat uses “I Love You Dawn” by Bill Withers as it’s base and it works.
-
Blame On Me
Produced by Hollywood Cole, Azul, Gray Hawken, Boi-1da, & Angel López
Technically and creatively, “Blame On Me” is propably the best song on the album. Each verse has Jack Harlow speaking from the perspective of his younger brother, older brother, and his father. In an album full of short songs, this is the only song over three minutes and thankfully it’s done well. Funny enough, it’s probaby the song with the biggest chance of being a radio hit mostly due the sampled hook from “Blame” by Gray Hawken. I don’t know if Jack was trying to channel rappers like Biggie, Eminem, or Nas but he ended up possibly making a hit. -
Questions
Produced by shy!!!
With the way the album went, I was expecting him to do more of a celebatory ending. Instead, “Questions” has Jack Harlow asking, uh, questions (33 questions to be exact). The Kentucky rapper asks all the things you would expect:
Why I gotta get so intimate with all my lovers?
Why I gotta cheat and make her question if I love her?
Why am I so flawed? Why am I so skeptical of God?
Why do I pretend like I didn’t see it when I saw it?
Why am I so bold to double back when I’ve been caught?
Why am I not the superhero I thought?
Or is it perfect as these diamonds I bought?
Over a laid-back production, the last track on this album features self-reflection and moods like that. It’s an okay ending. It fits the theme of the album but doesn’t end it on the highest note.
BOTTOM LINEWith Jackman., Jack Harlow attempts to create a more “Hip-Hop” album, prioritizing quality over quantity with its ten tracks, soulful samples, and absence of features. While this effort is commendable, Jackman. may not make it onto any “Best Of” lists at the end of 2023. Harlow shows growth in his lyrics, but he fails to reach the level required to elevate him beyond expectations. The production is cohesive, yet mostly unremarkable.
It’s uncertain whether Jackman. is Harlow’s best album to date. Fans of Jack Harlow were drawn to his previous hits like “What’s Poppin” or “Industry Baby,” which they won’t find replicated here.
However, listeners will discover a more introspective side of Jack Harlow, showcasing his depth as an artist. Yet, as a white rapper claiming to be the best since Eminem, Harlow falls short of expectations. Jackman. doesn’t quite fill those shoes.
The main reason for this Song of the Week is due to the animated TV show Fired on Mars. Before going into the Song of the Week, let me give Fired on Mars some props. It’s a different type of animated adult TV show. It’s mostly about a guy who gets a job as a graphic designer on a new Mars colony with no chance to return to Earth. He then gets fired and has to find purpose in his life (I assume, the show is still airing as of this post). Fired on Mars is interesting but sad in a way. Maybe more sad because I think most of us can probably relate to the main character.
Okay, about the Song of the Week. At the end of episode 1 of Fired on Mars, Kanye West’s “Lord Lord Lord” is played. I was like, “Damn, they got the rights to this song? That’s cool, but I don’t think this song even made it to an album.” Because I’m an idiot, it took me a second to realize that the original song that “Lord Lord Lord” sampled was being played (I was wondering where the Swizz Beatz ad libs were; “This is something special…”). That song was Brian Bennett‘s “Solstice.”
I listened to “Solstice” this past weekend, and like “Lord Lord Lord” by Kanye West and friends, it’s dope too and probably underrated. It was released in 1978 and it’s a little over six minutes, so I’m pretty sure I was supposed to take LSD or some psychedelic substance while listening, but I liked it without the drugs. I’ll go ahead and throw this on a playlist right beside King Crimson’s “Starless.”
Sidenote: A few years ago Mad Static/MTHFKA Jones had me looking for a version of “Lord Lord Lord” without Swizz Beatz’s verse. We found it.
To be honest, there is not a lot we know about the beautiful Casey Dillard other that she is proof that you can be slim and have an attractive curvy body.
Source | Patreon
In most of my Song of the Week posts, I aim to share all the knowledge I have of the featured song. However, for “Fades Em All” by Jamal, I must admit that I’m not the most knowledgeable.
I did buy the album that “Fades Em All” came from, Last Chance, No Breaks, but I don’t recall much about it. Back in the 90s, it was common to have to buy an entire album for just one song, and “Fades Em All” was that one song.
There was a remix version of “Fades Em All” produced by Pete Rock that some people prefer over the original version produced by Redman and Rockwilder. However, I disagree with this and even became upset when I saw the Pete Rock version played on Rap City. That version is not bad, but the original is much better.
Jamal was a member of Def Squad, but before that, he was also in a duo called Illegal with Malik. If I still wrote regularly, I would dive deep into why Illegal, Malik, or Jamal never really gained popularity. Both were talented and featured on great tracks. Malik was on Snoop Dogg‘s “Pump Pump” and was doing songs with Monica when she was at the height of her career. (I just realized that Jamal was on that Junior M.A.F.I.A. track for some reason).
But let’s get back to the song. “Fades Em All” perfectly embodies what 1995 New York rap sounded like (Who can hate on that Biggie sample?). Even the music video is straightforward, featuring Jamal and his crew standing in a rap cypher circle with screw faces included. Simpler times. (Note: Jamal is from Philadelphia, but you get my point).
Respect to Mally G. Check out the Song of the Week below.
Note: I actually did a Song of the Week for “Fades Em All” way back in 2008 but it was more about Mad Skillz rapping over the beat. Although re-reading it now, I do cover the same topics. Knowing me, that makes sense.
Jack Harlow drops a quick music video for his track “They Don’t Love It” off his new album Jackman. The visuals have the rapper hanging out around his hometown of Louisville, Kentucky and matches the laid back and retrospective vibe of the song. For those wondering, this is the song where Jack declares he is “The hardest white boy since the one who rapped about vomit and sweaters” aka Eminem. Okay.
I haven’t had a chance to give Jackman. a proper listen. Matter of fact, I might give this album a review since it’s been a minute since we did one of those. Either way, check out the music video below.
It’s the end of the month so let’s end it off on a good note. The good note: Anea. That’s all. Look at the pictures. She is basically art.
Source | Patreon
It’s been 28 years since Mobb Deep dropped the classic album The Infamous. And it would make sense for us to do a Classic Material style post for that album, but we already did. Way back in 2009.
So let me pick a song off the album for Song of the Week. “Shook Ones, Pt. II” seems to be the easy choice because it’s easily the most iconic song off the album, but that may be too on the nose. So let’s go with the Q-Tip featured and produced “Drink Away the Pain (Situations).”
When first listening to this song, I always liked the beat, which samples “I Remember I Made You Cry” by The Headhunters. But at the time, the verses seemed kind of off. Prodigy’s verse comparing his love of alcohol to women was dope and fit the theme (“Met her back in ’89, now she’s 22, actin’ like she 40”). So was Havoc’s but just not as good. But why the hell was Q-Tip rapping about designer clothing labels?; he even changed the hook. Looking back, I guess you can’t have the Tribe Called Quest leader and Native Tongues member rapping about Hennessy. I guess.
Of course, all of these thoughts were 30 years ago, and everything now with “Drink Away the Pain (Situations)” fits perfectly, and Q-Tip’s verse is basically iconic (“Tommy Hil’ was my nigga, and others couldn’t figure”). But that’s enough of me rambling. Happy anniversary to Mobb Deep’s The Infamous. R.I.P. Prodigy. Check out the Song of the Week below.
Up until this post, we only knew of one Estelle; the British singer best known for the song “American Boy” (We even wrote a review of one of her albums way back in the day). However, today our ranking of favorite women named Estelle has been revised. The images below provide a compelling reason why this new Estelle has earned the top spot.
Source | Patreon
As usual, it feels like I missed out on a lot of music from last year, including the Bun B & Statik Selektah album, TrillStatik 2. Unfortunately, that means I also missed out on the song “Acetone” featuring Boldy James. The song features top-tier Statik Selektah production led by a piano melody that brings everyone together. Uncle Bun delivers his usual consistent performance, while Boldy James proves why I am an idiot for only becoming a fan around the time of The Versace Tape dropped. Despite my tardiness, this song is definitely worth a listen and is worthy of being named Song of the Week. Check it out below.
Dr. Dre’s 2001 is a classic album in the world of Hip-Hop, revered for its exceptional production and iconic collaborations. As Dr. Dre’s second studio album in 7 years, it marked a comeback for the West Coast rap legend and solidified his position as a leading figure in the genre.
The album’s impact on the music scene was immense, with hits like “Forgot About Dre,” “The Next Episode,” “Still D.R.E.,” “Xxplosive,” and “What’s the Difference” dominating the airwaves and becoming staples of the Hip-Hop canon. These tracks showcased Dr. Dre’s unmatched production skills, creating a sound that was both innovative and timeless.
Dr. Dre’s decision to feature Eminem and Snoop Dogg on the album was also instrumental in its success. Eminem’s verse on “Forgot About Dre” is considered one of the greatest guest appearances in rap history, while Snoop Dogg’s contribution to “Still D.R.E.” added a level of authenticity that only a West Coast O.G. could bring.
Overall, Dr. Dre’s 2001 is Classic Material, a masterpiece that continues to influence Hip-Hop to this day. Its impact on the West Coast scene and the genre as a whole cannot be overstated, and its place in the pantheon of great rap albums is secure.
Nicki Minaj jumping on the remix of Ice Spice‘s “Princess Diana” makes a lot of sense. Besides both rappers being from New York, Nicki already cosigned Ice Spice as the “The People’s Princess” about month ago.
Now to be honest, I personally didn’t like to original version of “Princess Diana” and that’s cool because it’s not made for an old head like myself. But the video? As the phrase that I stole from RulerOfMyself goes, “It goes hard mute”.
Catrine Clarke is not only stunning, but she has also shared on her Instagram that she is autistic. In fact, just looking at Catrine’s gorgeous pictures can help us appreciate and better understand the beauty of visual thinking.
Source | Patreon
The longest-running podcast on the nappyafro network, and the highest-rated show in West Palm Beach, FL, the FROCAST, is back with another action-packed episode! This week, the Royal Couple of Ramble are back discussing: vacation stories, the upcoming Freaknik documentary, a teacher arranging fights in the classroom, going back to the moon, and how important is it to be friends with your spouse. Back from vacation and we’re back in the booth! PRESS PLAY BIH!
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Madvillainy is a classic album because it is a unique and innovative work of art that has had a lasting impact on the Hip-Hop genre. The album was created by the duo Madvillain, which consists of rapper MF Doom and producer Madlib. Madvillainy was released in 2004 and was met with critical acclaim. The album has been praised for its unique sound, its complex lyrics, and its dark and atmospheric atmosphere.
One of the things that makes Madvillainy so unique is its sound. Madlib’s production is incredibly creative and experimental. He uses a variety of samples from different genres, including jazz, funk, soul, and rock. He also uses a variety of techniques, such as chopping, scratching, and looping. The result is a sound that is both familiar and unfamiliar. It is a sound that is both old and new.
MF Doom’s rapping is also unique. He has a very distinctive voice and flow. He often uses complex wordplay and references to comic books, cartoons, and other pop culture. His lyrics are often dark and humorous. He raps about a variety of topics, including drugs, violence, and poverty. However, he also raps about love, friendship, and hope.
The combination of Madlib’s production and MF Doom’s rapping creates a truly unique and unforgettable sound. Madvillainy is an album that is both challenging and rewarding to listen to. It is an album that demands repeated listens. It is an album that will stay with you long after you have finished listening to it.
Madvillainy has had a lasting impact on the Hip-Hop genre. It has been cited as an influence by many of today’s top rappers, including Kendrick Lamar, Kanye West, and Drake. The album has also been praised by critics and fans alike. It has been called “one of the greatest hip hop albums of all time” by Rolling Stone and “a masterpiece” by Pitchfork.
Madvillainy is a classic album because it is a unique and innovative work of art that has had a lasting impact on the Hip-Hop genre. It is an album that is both challenging and rewarding to listen to. It is an album that demands repeated listens. It is an album that will stay with you long after you have finished listening to it.
To the world, yoga is a physical, mental, and spiritual practice that originated in ancient India and aims to promote overall health and well-being. But for us, it’s something we like watching Chloe Kent do.
Source | Patreon
If you have been active on social media or following Hip-Hop news, you may have come across the news about Drake‘s upcoming song that samples Kim Kardashian’s discussion of her divorce from Kanye West on the show Keeping Up with the Kardashians. “Search & Rescue” is that song.
While some argue that Drake might be trolling Yeezy, his father denies any such intentions, suggesting that Drake wouldn’t be doing that. Perhaps the sample fits with Drake’s lyrical theme of settling down and relinquishing his player persona for a special woman. The cover art featuring a Kim K lookalike may add fuel to the Kanye-diss theory, but it’s up to the internet to decide.
The song was originally premiered on Drake’s SiriusXM Radio station Sound 42 and is produced by BNYX, Sad Pony, 40, Wesley Curtis, and BEAUTIFULMVN.
The longest-running podcast on the nappyafro network, and the highest-rated show in Ocho Rios, Jamaica, the FROCAST is back with another episode. After a trying week, IYKYK, the King & Queen of the FROnation discussed: Kevin Gates getting out’d, Blue Check madness, a man getting fleeced for 26K, and the amount of people in the US with NO savings. If I’m being honest, I didn’t think this was gone happen…like EVER! But here we are…PRESS PLAY BIH!
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An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
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Act 1: Eternal Sunshine (The Pledge) is a mixtape that was released in 2007, marking the debut of the elusive and enigmatic rapper Jay Electronica. The project is a masterpiece of Hip-Hop, a classic album that remains relevant to this day, and maybe even a defining moment in Hip-Hop culture.
Act 1: Eternal Sunshine (The Pledge) is a conceptual mixtape that revolves around the 2004 movie Eternal Sunshine of the Spotless Mind. The mixtape samples dialogues and soundtracks from the movie and uses them to create a unique and immersive listening experience. Jay Electronica’s lyrics are cryptic and thought-provoking, weaving intricate and introspective narratives that explore themes of love, loss, and self-discovery.
What makes Act 1: Eternal Sunshine (The Pledge) such a great album is the way it seamlessly blends different elements and genres to create a cohesive and unique sound. The mixtape combines samples from Eternal Sunshine of the Spotless Mind with diverse musical influences, ranging from jazz and blues to electronica and classical music. The result is a sonic tapestry that is both timeless and innovative, a testament to Jay Electronica’s artistic vision and creativity.
Furthermore, Act 1: Eternal Sunshine (The Pledge) represents a defining moment in Hip-Hop culture. The mixtape helped establish Jay Electronica as one of the most exciting and promising new artists in the genre, and it showcased the power and potential of independent and underground Hip-Hop. The mixtape was released online for free (via Electronica’s MySpace), bypassing traditional distribution channels and reaching a global audience, which helped create a buzz and generate critical acclaim.
While Jay Electronica’s output of material since has been frustrating random and unpredictable, Act 1: Eternal Sunshine (The Pledge) is a classic Hip-Hop album that stands the test of time. It is a masterpiece of lyrical and musical artistry that explores complex themes and emotions with honesty and depth. The mixtape’s blend of innovative production, introspective lyrics, and cinematic storytelling makes it a must-listen for any Hip-Hop fan or music lover. It is a moment in Hip-Hop culture that will be remembered and celebrated for years to come.
It’s WrestleMania season and this weekend we’ll witness the culmination of the biggest yearly event for professional wrestling. So it’s only right that I put on my FRO Horsemen shirt and talk about WrestleMania 39.
(Remember when nappyafro wrote about pro wrestling too? Good times).
First, let me show some love to the other FRO Horsemen, Saule Wright and GQ-Blu, who I talk to about wrestling almost every day (shout out to King Jerm too, the Mongo McMichael of the group). Here are my thoughts, rambles, and predictions for this year’s “Grandest Stage of them All”.
So, is Cody Rhodes really beating Roman Reigns for the Undisputed WWE Universal Championship?
Probably. While The Bloodline saga can be traced all the way back to 2020 when Roman Reigns returned and beat up Bray Wyatt/The Fiend, one of the best wrestling stories ever told has to end sometime. And what better time than at WrestleMania? Who on the roster is a better candidate than Cody Rhodes?
There is a story to be made about Roman beating Cody and crossing over 1000 days with the Universal title. Cody has had an easy run since his return, other than The Bloodline reminding him that he was a failure in his father’s eyes and threatening to fuck with his wife (Paul Heyman is a demon). So a story of Cody climbing his way back to the title after falling down could be good. But when does Roman lose his title? At Crown Jewel or something? Nah. (Although for the right price, WWE would probably do this).
What other match are you looking forward to besides Roman vs. Cody?
I really think Seth Rollins vs. Logan Paul is going to be interesting. To the surprise of everyone, Logan Paul is one hell of a pro wrestler and he basically owns Hangman Paige’s finisher (I can say all that because he hasn’t scammed me out of any cryptocurrency). I also always like to point out that Seth “Freakin” Rollins is literally the best wrestler on the planet, and nobody has realized this yet.
Wait. Isn’t there another match involving The Bloodline?
Yes. The Usos vs. Kevin Owens & Sami Zayn for the Undisputed WWE Tag Team Championship. Since Sami Uso was an integral part of The Bloodline storyline, some people think he should have Cody’s position in the main event against Roman. I am not one of those people. I do think this will be a very good match with Owens & Zayn winning the titles. They should have a good run as champions. Until they turn on each other. Again.
What match will be the show stealer?
I want to say Gunther (c) vs. Sheamus vs. Drew McIntyre for the WWE Intercontinental Championship (which should be a “banger”), but I’m going to go with Rey Mysterio vs. Dominik Mysterio. While not as epic as The Bloodline, the story of Rey vs. Dom as well as the story of Dominik Mysterio turning heel has also been in the making for a while (You could even say this started way back in 2005 when Rey Mysterio and Eddie Guerrero had a ladder match for custody of Dom). I haven’t wanted to see a father punch his son this much since Rocky V.
Also, be on the lookout for Dominik and Rhea Ripley to crash Rey Mysterio’s Hall of Fame speech. That should be good too.
Speaking of Rhea Ripley, what about the ladies?
I’ll admit that women’s wrestling in WWE isn’t as intriguing as it once was; there was no way a women’s match could headline this year. That being said, there are still four women’s matches scheduled as of this writing. Out of those four, the one to watch might be Charlotte Flair (c) vs. Rhea Ripley for the WWE SmackDown Women’s Championship. Charlotte and Rhea didn’t have much interaction during the buildup and that didn’t help (This is also a rematch from WrestleMania 36). But Rhea Ripley is not only the hottest person in her crew, The Judgement Day, she is also the hottest woman in the women’s division and her winning the title at WrestleMania 39 match be the start of a proper arrival to the main event and as a solo act.
As for the other matches, Trish Stratus, Lita, and Becky Lynch vs. Damage CTRL will be fun. I should be anticipating Bianca Belair (c) vs. Asuka for the WWE Raw Women’s Championship but I need to see more out of this murder clown version of Asuka. Shout out to Bianca Belair though. She doesn’t get enough credit for how good of a wrestler she has become.
On another note, the Women’s WrestleMania Showcase fatal four-way tag team match has a chance to be the worst match at WrestleMania 39.
Okay. What else?
John Cena is having a match with young and hungry Austin Theory for the WWE United States Championship. This should be okay. I expect Theory to win as I don’t assume Cena has the time to start having US Championship Open Challenge matches again (Which I would love). Also, Cena bodied Austin Theory in a promo so you can’t have Theory lose after that.
There is also a Hell in a Cell match on Night 2 with Edge versus (Hopefully Demon) Finn Bálor. The Judgement Day and Edge feud has probably been going on for too long, but this should be a worthy overdue finish.
I mention that the Women’s WrestleMania Showcase fatal four-way tag team match has the chance to be the worst match on the card but so does Brock Lesnar vs. Omos. Brock Lesnar vs. Omos can either be great or terrible. I’ll give it a pass if this match is used to restart The Hurt Business.
Will there be any surprises to look out for?
I hope to see the return of names like Big E, Matt Riddle, or Randy Orton. Maybe even The Rock having time out of his extremely busy schedule have a hand in the finish to the Roman versus Cody match, but that’s more of me fantasy booking crazy finishes in my head. Other than that, I have no idea but a lot of expectations.
The two nights of WrestleMania 39 should be fun, and besides doing dangerous wrestling moves on small kids around my house during the event, I am excited to watch this year.
WRESTLEMANIA 39 CARD: NIGHT 1 & NIGHT 2Below is the full card as well as my prediction of the winners (Winners will be in bold).
NIGHT 1
- WWE United States Championship Match: Austin Theory (c) vs. John Cena
- Seth “Freakin” Rollins vs. Logan Paul
- Trish Stratus, Lita, and Becky Lynch vs. Damage CTRL (Bayley, Dakota Kai, & Iyo Sky)
- Braun Strowman & Ricochet vs. The Street Profits vs. Alpha Academy vs. The Viking Raiders
- Rey Mysterio vs. Dominik Mysterio
- WWE SmackDown Women’s Championship Match: Charlotte Flair (c) vs. Rhea Ripley
- Undisputed WWE Tag Team Championship Match: The Usos (c) vs. Kevin Owens & Sami Zayn
NIGHT 2
- WWE Intercontinental Championship Match: Gunther (c) vs. Sheamus vs. Drew McIntyre
- Hell in a Cell Match: Edge vs Finn Bálor
- Liv Morgan & Raquel Rodriguez vs. Natalya & Shotzi vs. Ronda Rousey & Shayna Baszler vs. Chelsea Green & Sonya Deville
- WWE Raw Women’s Championship Match: Bianca Belair (c) vs. Asuka
- Brock Lesnar vs. Omos
- Undisputed WWE Universal Championship Match: Roman Reigns (c) vs. Cody Rhodes
Today is one of those days when a woman is featured in the Certified Banger section, and words aren’t necessary. Balia is one such woman, and “Good Lord” is all that needs to be said. Take a look at the images below for proof.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Clovis, NM, the FROCAST is back with another action-packed episode! This week, the Royal Couple of Ratchet is discussing: Johnathan Majors got arrested, a woman doing crime on FB live, people getting kidnapped abroad, and the people that are reading to the kids these days. We are getting our stride back… don’t you agree? PRESS PLAY BIH!
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Get Rich or Die Tryin’ by 50 Cent is a classic Hip-Hop album that has stood the test of time and remains relevant in today’s culture. From its release in 2003 to the present day, this album has continued to influence and inspire new generations of Hip-Hop fans and artists alike.
The album is a masterclass in storytelling and lyricism, with 50 Cent’s gritty and raw delivery perfectly complementing the hard-hitting beats and catchy hooks. The lead single “In Da Club” became an instant classic, and the album as a whole was a commercial and critical success, selling over 15 million copies worldwide.
But what sets Get Rich or Die Tryin’ apart from other Hip-Hop albums is its cultural significance. 50 Cent’s story of overcoming adversity and rising to the top of the music industry is one that resonates with fans from all walks of life. His unapologetic honesty and authenticity have made him an icon in the Hip-Hop community, and his influence can be felt in the music of countless artists who have followed in his footsteps.
Get Rich or Die Tryin’ is Classic Material and a classic Hip-Hop album that remains relevant in today’s culture. Its impact on music, culture, and popular media is undeniable, and it will continue to be celebrated and admired for years to come.
Tyler, the Creator has announced the deluxe version of his Call Me If You Get Lost album (The Estate Sale) which will be released on March 31. The album will feature a new track, “Dogtooth,” as well as other previously unreleased songs.
The music video for “Dogtooth” was directed by Tyler himself and features him doing doughnuts in a car, dancing on a lighthouse, and walking some dogs. The video fits perfectly with the aesthetic of the Call Me If You Get Lost album, which is full of colorful and vibrant visuals. Check out the video below.
Cierra Vegas is a talented comedian with a unique blend of beauty and humor. While the pictures here are impressive, they don’t quite capture the full extent of her charm. To truly appreciate her talent, let’s take a moment to watch one of her hilarious videos:
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Bugtussle, KY, the FROCAST is back with another episode! This week the King & Queen of The FRO discussed: Chloe Bailey going the thot route, Kamala’s brunch, Donnie fighting his urges, living on a cruise ship for a year, and what do you deserve? We are trying to get back to that consistency that we had… PRESS PLAY BIH!
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Freddie Gibbs drops another music video for his song “Zipper Bagz,” off his latest album, $oul $old $eparately. In the visuals, Gibbs is mostly trapping out of a motel and dealing with a girl who looks like Sky from Black Ink Crew.
Now that I think about it, “Zipper Bagz” may be my least favorite song on $oul $old $eparately. But it’s still a good song, and the music video is well-made. So check it out below, and then go check out our review of $oul $old $eparately.
Last week, Hit-Boy released a track with Alchemist, and today he has dropped another new song called “The Tide” featuring frequent collaborator and Hip-Hop legend Nas. The accompanying visuals show the rappers at an art gallery, behind-the-scenes and on-stage footage. This latest release is another success for the Grammy-winning duo, and THIRDEYERAZ directed the music video. Fans can look forward to Hit-Boy’s upcoming album, Surf or Drown, which is set to be released on March 24th.
Ab-Soul releases a beautiful black and white music video for a standout track, “Gotta Rap,” off his latest album, Herbert. The video has the Top Dawg artist from the rooftops over DJ Premier production while showing epic shots around his hometown of Los Angeles. This is art. Directed by Cordell Jomha.
RBL Posse‘s A Lesson to Be Learned is a true gem of underground Hip-Hop. This album, released in 1992, has remained largely underrated and overlooked, despite its undeniable quality and influence on the West Coast rap scene.
From the very first track, “Don’t Give Me No Bammer Weed,” it’s clear that RBL Posse were masters of their craft. The beat is infectious, the rhymes are clever, and the chorus is catchy as hell. This song, and its sequel “Bammer Weed II,” are instant classics that have become staples of West Coast Hip-Hop.
But it’s not just the funny, lighthearted tracks that make A Lesson to Be Learned such a great album. The more serious tracks, like “Gotta Git My Scrill On” and “An Eye for an Eye,” showcase the group’s lyrical prowess and storytelling abilities. The beats are consistently top-notch throughout the album, with funky basslines and crisp drums that will keep your head nodding. (I’m pretty sure samples that were probably uncleared when the album was originally released)
What sets RBL Posse apart from other West Coast rap groups of the time is their ability to balance humor with social commentary. They tackle issues like poverty, police brutality, and racial inequality without sacrificing their signature wit and humor. This makes A Lesson to Be Learned a well-rounded and thought-provoking album that deserves more recognition.
RBL Posse’s A Lesson to Be Learned is an underground Hip-Hop classic that shouldn’t be overlooked. Its infectious beats, clever rhymes, and social commentary make it a timeless album that still resonates today. If you’re a fan of West Coast rap or just appreciate great music, then you need to give this album a listen.
In 2017, Kendrick Lamar released the music video for “Humble.” which included the memorable lyrics:
I’m so fuckin’ sick and tired of the Photoshop
Show me somethin’ natural like afro on Richard Pryor
Show me somethin’ natural like ass with some stretch marks
The video features the stunning Carter Kim, who captivates the audience with her natural beauty. It’s a wonder why she wasn’t featured in our Certified Banger section earlier, as it’s something we would typically do. Nevertheless, Carter Kim remains as gorgeous as ever, and we cannot help but admire her beauty.
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The longest-running podcast on the nappyafro network and the highest-rated show in Unalaska, Alaska, the FROCAST is back with another episode! This week, the Royal Couple of Ramble discussed: the cartels in Mexico, giving up an organ for less time, are celebrities/athletes required to sign autographs, and if you could build your perfect mate…what attributes would they have? Time went up this week, that meant one less hour you had to wait for a new show! PRESS PLAY BIH!
https://05785e.p3cdn1.secureserver.net/podcast/FROCAST-Episode541.mp3Apple | Spotify | Instagram | Amazon | Google | RSS
On Friday, The Alchemist and Hit-Boy announced a team-up via an Instagram post where they discussed rapping over each other’s productions while making beats. Shortly after, they released a music video for their collaboration, “Slipping Into Darkness,” which I finally had the opportunity to watch. I have to say, both the song and the music video are dope.
Hit-Boy took the opportunity to question the versatility of some well-known Hip-Hop producers, specifically Metro Boomin, Southside, and Mustard, while also throwing some shots (back) at ~~Yung Berg~~ Hitmaka. He raps, “I just seen Yung Berg spoke on the wave, I should do him like Trick Trick and snatch Hit out his name.”
Putting aside the drama, the song is worth a listen, and it’s cool to see these producers working together. Check out the video below.
The first time we came across Warriyah was a few years ago in a DJ Smallz Eyes interview. We still have no idea what she actually does other than be really attractive, but that’s enough around these parts.
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The longest-running podcast on the nappyafro network and the highest-rated show in Kimbolton, OH, the FROCAST is back with another episode. After taking a week off, the Royal Couple of Ratchet is back discussing: the 7 baby mama man, people holding grudges, Jet Magazine coming back, when did FTK culture become so acceptable, and our Top Ten was the dirtiest cities in the US. We back like we never left… PRESS PLAY BIH!
https://05785e.p3cdn1.secureserver.net/podcast/FROCAST-Episode540.mp3Apple | Spotify | Instagram | Amazon | Google | RSS
This is a random one. I initially was going to make Chris Rock’s “Champagne” Song of the Week to commemorate his new Netflix special, Selective Outrage. But then I realized I didn’t actually have much to say about it other than it was “okay” (Shout out to my boy Verbose. Welcome back from the dead).
So let’s go with… looks through ~~iTunes~~ Music app… “What Am I To Do” by Mick Jenkins.
The funny thing is that even though “What Am I To Do” came out in 2018, I probably didn’t actually hear the full song until last year. But the first time I heard the beat was when it was used in a nappyafro Instagram Story (I’ll try to link it here), but I assumed it was some random Kaytranada-sounding instrumental. And come to find out, “What Am I To Do” is actually produced by Kaytranada; I just didn’t have any idea it was from a Mick Jenkins song. That was probably a weak story, but the song is still good. Check out the Song of the Week below.
This week’s Certified Banger is the beautiful Milan Churchill. While being very lovely to look at, she is also the host of the YouTube show Vibe & Culture. She is definitely a vibe.
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Nas drops another music video for a track off his last album, King’s Disease III, this time for the song “30”. The black and white stylized video matches the aesthetics of his recent videos while also providing proper visuals for the legendary Queens MC. Thirty summers and beyond.
Drake & 21 Savage drop the music video for their song “Spin Bout U”. Here’s the thing, the two rappers chilling on a super expensive yacht (Named Her Loss, of course) is expected. Even their rescuing a beautiful model stranded in the ocean isn’t that surprising. But for that model to be a trojan horse for her pirate crew full of other beautiful models taking over the yacht, robbing 21 and Drizzy, and then (Spoiler alert) killing them was not expected. It’s worth a watch, though. Directed by Dave Meyers. Check out our review of Her Loss here.
For the last Certified Banger of February, we feature the lovely and talented Rose Gibran. All love.
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The longest-running podcast on the nappyafro network and the highest-rated show in Houma, LA, the FROCAST is back with another episode! The “Zulu King” and “Zulu Queen” would like to kick this Mardi Gras party off the right way discussing: redemption for Breezy, married women making single people music, A.I. getting out of hand, and are Black women becoming husbands in their relationships? Let the good times roll and PRESS PLAY BIH!
https://05785e.p3cdn1.secureserver.net/podcast/FROCAST-Episode539.mp3Apple | Spotify | Instagram | Amazon | Google | RSS
A new song from Lil Wayne featuring DMX? Okay. (It’s a DMX sample, but I’ll accept it). When you learn that the song “Kant Nobody” is produced by Swizz Beatz (and Avenue), then it makes more sense. The results are what you expect when Weezy and Weezy link up, and that’s a good thing.
Last year, Wayne also announced that he was working on Tha Carter VI, and apparently, “Kant Nobody” is from that upcoming album. Good to know that Weezy is still in the lab even after selling his publishing for $100 million in 2020.
Sidenote: I just realized that “Kant Nobody” samples DMX’s “Niggaz Done Started Something”
Update: Added video
This is one of those editions of Song of the Week that I didn’t put much research into. I’m vaguely aware of KOTA The Friend; I couldn’t name a song by him other than the one featured today, but I know his name comes from that Disney movie Brother Bear.
So I was watching this movie called Emergency a few months back, and “Scapegoat” played at the end, and I thought it was a good song. That’s it.
Quick movie review for Emergency: It was okay, but I felt something was missing, and I wanted it to be better. You can put it right next to that House Party remake.
Check out the Song of the Week below.
To quote Drake, “So thick that everybody else in the room is so uncomfortable.” This week’s Certified Banger is the epitome of those words. South Africa’s own Nako (or Koko Chanel) is super thick, and we love it.
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The longest-running podcast on the nappyafro network and the highest-rated show in Doral, FL, the FROCAST is back with another episode! After taking a week off, the King & Queen of The FRO is back to discuss: Super Bowl LVII, a 9-year-old high school graduate, people paying for used panties, a JV assistant coach having hoop dreams, and we talked about breaking someone’s heart. We tried to stay in the spirit… but you know how that goes! PRESS PLAY BIH!
https://05785e.p3cdn1.secureserver.net/podcast/FROCAST-Episode538.mp3Apple | Spotify | Instagram | Amazon | Google | RSS
Nothing says Happy Valentine’s Day more than arguably The Notorious B.I.G.‘s nastiest song. And when we talk about “One More Chance” today, we are not talking about the smoother and radio-friendlier remix. This Song of the Week refers to the album version from 1994 Ready to Die*.
From the guaranteeing to fuck a woman “until her nose bleed” or threatening to “shatter your bladder” and “make your kidney shift”, this is the Black Frank White at his filthiest. The song even starts with Biggie’s daughter changing her father’s voicemail message to say, “All you hoes calling here for my daddy, get off his dick” (We are all to assume she was put up to do this by the baby’s mother).
I don’t know if you should be like me and add “One More Chance” to your 2023 Valentine’s Day Bedroom playlist, but if you already have songs on there like Trina’s “Look Back At It” or BRS Kash’s “Throat Baby” (Again, like me), you might as well. Happy Valentine’s Day.
*Sidenote: Uncle Luke’s “Bust A Nut” feat. The Notorious B.I.G. might be nastier.
We don’t have much info on this week’s Certified Banger, Miss Quavo. We don’t even know why she shares names with a certain Migo member, but we do know that she is slim thick, chocolate, and beautiful.
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Let’s start Friday off right with a great Certified Banger: Cléance. Yeah. Happy Friday.
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The longest-running podcast on the nappyafro network and the highest-rated show in Lavergne, TN, the FROCAST, is back with another episode for the FROnation! This week, the Royal Couple of Ratchet discussed: Moments in Black History, Tyre Nichols, a coach trying to help his team win, “no tip, no trip”, a certain megachurch pastor being behind The Shade Room, and keeping an engagement ring after the marriage has been called off. Another good episode if you ask me…but I’m biased! PRESS PLAY BIH!
https://05785e.p3cdn1.secureserver.net/podcast/FROCAST-Episode537.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | RSS
The longest-running podcast on the nappyafro network and the highest-rated show in Daytona Beach, FL, the FROCAST is back with another episode. On this show, the King & Queen of The FRO discussed: golden showers, Sha’Carri being arrogant, Ed Reed and BCU, Tony Dungy getting canceled, and the ego of a six-figure woman. No need to sugarcoat things… PRESS PLAY BIH!
https://nappyafro.com/podcast/FROCAST-Episode536.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | RSS
It’s a good chance we posted Lia before (Even though we lazily checked already). Lia is alluring yet mysterious, and we have been fans for a minute now. Oh, Lia.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Crawfordville, FL, the FROCAST is back with another episode for the FROnation! This week, the King & Queen of nappyafro discussed: MLK being disrespected, a police sex scandal , rappers needing a pension, traveling without your spouse, and why relationships have become so competitive. Can’t believe it has been 16 years since we started this thing of ours… PRESS PLAY BIH!
https://nappyafro.com/podcast/FROCAST-Episode535.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
J. Cole drops a new song out of nowhere and releases it in a unique way. Cole, in need of inspiration, searches “J. Cole type beat” on YouTube and comes across an instrumental on producer Bvtman’s channel. The beat helps get Cole out of a creative funk which he raps over, sends the song to Bvtman, and lets the producer release the song, “Procrastination (Broke),” on said YouTube channel (The message is used as the song’s artwork). Crazy.
This song should live on your channel and serve as a thank you to you and every producer out there cooking up and sharing their work with the world. It’s a million artists out there right now just like me, hungry and searching every day for something to spark a word, a melody, a hook, a verse, a punchline, a way to vent, or a way to CUT THROUGH.
On a day when I couldn’t find much motivation, I was looking for anything to inspire me. Out of curiosity, I typed in ‘J. Cole type beat’ into YouTube. Yours was the first I saw. I pressed play, focused, and wrote this.
This is some shit that would normally stay in the vault, but I don’t want to hold onto the music like that no more. This is for you and whoever else need to hear it. God bless bro and keep doing what you do!
Freddie Gibbs gets introspective and candid with the music video for his song “Rabbit Vision.” The visuals feature home video-style footage of Gibbs in the studio, spending time with his kids, and other moments in the life of the Gary, Indiana rapper. The video was directed by Harley Astorga, Ben “Lambo” Lambert, & Freddie Gibbs. Check out our review of $oul $old $eparately here.
This Song of the Week is Witchdoctor‘s “Holiday” from the 1998 album A S.W.A.T. Healin’ Ritual. I have a few thoughts about this song and Witchdoctor, so let’s get into them (In list form):
- Could a high-quality version of the music video for “Holiday” be considered lost media?
- “Holiday” is one of the few songs that I prefer the clean version to the explicit version (“This is for the radio”).
- “Holiday” came out in 1998, so this was before downloading all your favorite songs off the internet was a thing. While playing the radio played it a lot, I still had difficulty finding this song as a single. I ended up buying the whole album, A S.W.A.T. Healin’ Ritual, when it came out, and looking back; it probably wasn’t worth it seeing that back then, I know I couldn’t afford it.
- More about A S.W.A.T. Healin’ Ritual: Does anybody remember Witchdoctor’s “Dez Only 1” featuring Outkast?
- Witchdoctor was a part of the famous and highly talented Dungeon Family (1st Generation).
- Now that I think about it, it’s a reason The Dungeon Family doesn’t get mentioned talking about the best Hip-Hop collectives. Besides Outkast and Goodie Mob (I guess you can throw in Killer Mike and Organized Noize), there were a lot of members who had careers that didn’t take off.
- Society of Soul, Witchdoctor, Joi, Cool Breeze, Backbone, Lil Will, Slimm Calhoun… do we also count the Purple Ribbon All-Stars? If so, then add them to the list. Shout out to Bubba Sparxxx, though.
- I will say that all the people I mentioned did have at least one hit (Cool Breeze had “Watch for the Hook,” Society of Soul had “E.M.B.R.A.C.E. (Da Da Dah Dah),” Backbone had “5, Deuce, 4, Tre,” etc.).
- Back to Witchdoctor: Is his name Witchdoctor or Witch Doctor or EJ da Witch Doctor?
- The intro and the outro on this song are highly underrated. “Get to dat money”
- Organized Noize killed this beat, and some people would even say that it’s the whole reason to listen to this song.
- I forgot that this song was on the Bullworth soundtrack. I also forgot the movie Bullworth existed. Shout out to Halle Berry. And I guess Pras from the Fugees.
- I couldn’t find a good-quality picture of Witchdoctor, so I just edited out the words from the A S.W.A.T. Healin’ Ritual album cover.
That’s enough of me rambling. Check out the Song of the Week below. Get to dat money.
Drake shows us what a regular 72 hours looks like for him in the music video for his song “Jumbotron Shit Poppin.” Three days for the world’s most famous rapper and crew includes expensive cars, beautiful women, celebrities, exclusive locations, and apparently, Pharrell Williams’s iconic jewelry collection. Big shit poppin. Music video directed by Tristan C-M. Off Her Loss with 21 Savage (Check out our review here).
It’s very rare that we feature an actual goddess in the Certified Banger section but here were. The existence of Ethereal Erykah proves that higher beings walk among us, and the images below are even more proof.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Lynchburg, VA, the FROCAST is back with another episode for the FROnation! This week, the Royal Couple of Ramble discussed: Can the person who makes the most cheat? A dad that is willing to go to the extremes for his kids, bringing your man to ladies’ night, and do you have a say on a date if you’re not paying? How many of your resolutions are still intact? PRESS PLAY BIH!
PATREON EXCLUSIVE: FROCAST: PRE+POST SHOW
An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
https://nappyafro.com/podcast/FROCAST-Episode534.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
I wanted to start off this post by saying that I’m late on Sauce Walka, and technically I am. But that doesn’t mean your boy hasn’t been watching from afar. I don’t know what type of rapper Sauce was in 2007 when he started, but the current version of gangster rapper over soul samples is definitely my genre (See Freddie Gibbs, Griselda, or Jay-Z on The Blueprint). I also knew he wasn’t the average Houston rapper when I saw him pop up on songs with Westside Gunn. Then I saw the video off of Sauce Walka rapping of a Daringer beat for the song “Dangerous Daringer.” And after seeing a random Instagram post about how underrated Sauce Walka was, that leads us to this Song of the Week post.
I actually thought Griselda producer Daringer produced “First Testament,” but it’s actually a producer named Brandin Blanco (The song comes off Sauce Walka’s Ghetto Gospel 3, and there isn’t much info in terms of production credits). And while the project just came out on December 23, 2022, it’s a good chance that “First Testament” would have made my Best of 2022 list. And that’s overlooking that Sauce Walka said that Houston got everybody watching anime (I was watching anime back when it was lame).
As for the actual song, “First Testament,” it’s right down my wheelhouse. The production is heavily anchored by an excellent sample of “You’re The Reason Why” by The Ebonys while Sauce does his thing:
I thought I’d nevеr come outside again and feel the sunrays
All bеcause I was bangin’ my set, lettin’ my gun blaze
I used to follow niggas from church, I banged on Sundays
And then I went to the pen and seen swords made out of lunch trays
But that’s enough of my rambling. Check out the Song of the Week below. Hold your head TSF.
SZA drops the music video for her track “Kill Bill,” and it’s only fitting that it takes inspiration from Quentin Tarantino’s 2003 classic movie of the same name. From the recreation of the iconic House of the Blue Leaves showdown to the quick Vivica A. Fox cameo to even its own O-Ren animated sequence; the music video does the source material justice. Still, the actual best part may be at the end of the music video, but you can be the judge of that. Christian Breslauer directed the video, and the song is off SZA’s second studio album, SOS, which is currently in its 4th week at #1 on the Billboard 200.
Let’s start the year off right. This week’s Certified Banger is Ellane. No words needed; just look at the images. Happy New Year.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Chandler, AZ, the FROCAST is back with its first show of 2023! This week, the Royal Couple of Ramble discussed: Hamlin collapsing on MNF, Netflix cracking down on password sharing, a wild catfish story at Coppin State, and things we should leave behind in 2022. Not only did we just celebrate 19 years of marriage, but we also dropped a fire ass episode! PRESS PLAY BIH!
PATREON EXCLUSIVE: FROCAST: PRE+POST SHOW
An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
https://nappyafro.com/podcast/FROCAST-Episode533.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
I usually don’t do R.I.P. posts (for a few reasons), but it’s only right that Gangsta Boo is featured in this edition of Song of the Week. The Memphis rapper and former member of Three 6 Mafia was found dead this past Sunday.
Thinking about it, “Can I Get Paid (Get Your Broke Ass Out)” might be my favorite Gangsta Boo track, but “Where Dem Dollas At” is probably the best song. Either way, Gangsta Boo easily helped pave the way for female rappers and we salute the Memphis legend. R.I.P. Boo.
Uncle Murda drops his annual song that wraps up the year with “Rap Up 2022.” Murda raps over various old-school samples for fifteen minutes and covers what you expect (Megan The Stallion getting shot, Will Smith slapping Chris Rock, the YSL case, etc.). Since Mad Skillz retired his version, this is the only “Rap Up” song to listen to this year.
Here it is, the last Certified Banger of 2022. We end the year with the lovely Mermaix. Is it dumb that we are sure how to say her name or even if it’s supposed to be capitalized? Nah. We are just here to get lost in her beauty. We did just learn that she has an accent and that she is from Austria. That just makes things even better. See you next year.
Source | Patreon
While it’s not 2023 just yet, I hope to do things a little differently next year. I think nappyafro has posted a new Certified Banger every week for a minute now, and I hope we can do the same for Song of the Week. So let’s (try to) begin that streak now.
This Song of the Week is kinda easy because the nappyafro Staff just did a Best Songs of 2022 list, so I’m still in that mode. While I personally think I made the best contribution to the Best Songs of 2022 list (of course), there are always a few songs that I missed. If I could do my list again today, “Hotel Bel-Air” by Larry June & Jay Worthy would be on my list.
“Hotel Bel-Air” didn’t make my 2022 list because I literally just heard the song a week before putting my list together. But every time I hear that sample of “All My Love” by The Ritchie Family, I am reminded how it probably should have made my list and how much of a vibe “Hotel Bel-Air” is (I’m also becoming a big fan of Jay Worthy). Enough of my rambling. Check out the Song of the Week below.
We are going full speed into the new year, but that doesn’t mean we are letting up here in the Certified Danger section. The woman featured this week, the captivating Ceecee Valez, proves there are no quality dips over here. Ceecee also hits the sweet spot of actually rocking an afro, so she automatically gets extra points.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Oak Cliff, Texas, the FROCAST is back with another episode for the FROnation! This week, the Royal Couple of Ratchet discussed: Gunna getting out, entitled kids becoming entitled adults, regretting having kids, buying your mom and girl the same gift, and our top ten worst gifts to get your girl. We were in the giving mood this week and gave you FULL ACCESS to the show as our Patreon members. This is the last show of the year, and y’all know the deal… PRESS PLAY BIH!
PATREON EXCLUSIVE: FROCAST: PRE+POST SHOW
An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
https://nappyafro.com/podcast/FROCAST-Episode532.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
We already gave you our Best Songs of 2022, and now we do the same as the staff and associates unite and give out our picks for Best Albums of 2022. How did our favorite projects from this year match up with yours? – B-Easy
Short-TNas – King’s Disease III
Vince Staples – Ramona Park Broke My Heart
Meechy Darko – Gothic Luxury
Chaynler Joie – The Resistance Will Not Win (Part 1: Lovers)
Beyoncé – Renaissance
Ella Mai – Heart On My Sleeve
PJ Morton – Watch The Sun
JID – The Forever Story
Mack Swans – Daydream Guide
Seratones – Love & Algorithms
King Jerm & Queen JermKendrick Lamar – Mr. Morale & The Big Steppers
Freddie Gibbs – $oul $old $eparately
Danger Mouse & Black Thought – Cheats Codes
Ari Lennox – Age/Sex/Location
Conway The Machine – God Don’t Make Mistakes
Beyoncé – Renaissance
Nas – King’s Disease III
Finesse2Tymes – 90 Days
Mad StaticNas – Magic
Denzel Curry – Melt My Eyez See Your Future
Benny The Butcher – Tana Talk 4
Conway The Machine – God Don’t Make Mistakes
JID – The Forever Story
The Weeknd – Dawn FM
Charli XCX – Crash
Nas – Kings Disease III
Beyoncé – Renaissance
Danger Mouse & Black Thought – Cheat Codes
GQ-Blu-Beyoncé – Renaissance
Nas – Kings Disease III
Kid Cudi- Intergalactic
Pusha T – It’s Almost Dry
B-EasyFreddie Gibbs – $oul $old $eparately
JID – The Forever Story
Kendrick Lamar – Mr. Morale & The Big Steppers
Pusha T – It’s Almost Dry
Nas – King’s Disease III
Danger Mouse & Black Thought – Cheats Codes
Vince Staples – Ramona Park Broke My Heart
Conway The Machine – God Don’t Make Mistakes
Drake & 21 Savage – Her Loss
Benny The Butcher – Tana Talk 4
It’s been another crazy year in general, but the same goes for music. It’s that time again as we get together staff and associates to all give our favorite and Best Songs of 2022. And again, this year, we wrap everything up with a playlist at the end. Good times. – B-Easy
Short-T“Be Like Water” by PJ Morton feat. Stevie Wonder & Nas
“Just Say That” by Duke Deuce feat. GloRilla
“F.N.F (Let’s Go)” by Hitkidd & GloRilla
“America Has A Problem” by Beyoncé
“BLK Magîc” by Meechy Darko
“Anxiety” by Megan Thee Stallion
“Cardboard Box” by Flo
“Conceited” by Flo Milli
“Magic” by Vince Staples feat. Mustard
“U Gon’ Look At Me (When I Talk To U)” by Chaynler Joie
King Jerm & Queen Jerm“Get Even” by Finesse2Tymes
“Keep On Rollin” by King George
“3AM on Glenwood” by 21 Savage
“Johnny P’s Caddy” by Benny The Butcher feat. J. Cole
“Hrs and Hrs” by Muni Long
“Sunshine” by Latto feat. Lil Wayne & Childish Gambino
“Lizzo” by Moone Walker
“In A Minute” by Lil Baby
“Just Say That” by Duke Deuce feat. GloRilla
“Because” by Danger Mouse & Black Thought feat. feat. Joey Bada$$, Russ, & Dylan Cartlidge
MTHFKA JONES“Heated” by Beyoncé
“Super Plug” by Benny The Butcher
“Tomorrow 2” by Glorilla feat. Cardi B
“Twin Flame” by Kaytranada feat. Anderson .Paak
“The Heart, Pt. 5” by Kendrick Lamar
“Strangers” by Danger Mouse & Black Thought feat. A$AP Rocky & Run The Jewels
“Kodi Blu 31” by JID
“New Shapes” by Charli XCX feat. Christine & The Queens & Caroline Polachek
“Walkin” by Denzel Curry
“Last Last” by Burna Boy
GQ Blu“Pushin P” by Gunna feat. Young Thug & Future
“Tomorrow 2” by Glorilla feat. Cardi B
“Shabooya” by Hitkidd feat. K Carbon, Gloss Up, Slimeroni, & Aleza
“Can’t Stop Won’t Stop” by King Combs feat. Kodak Black
“Hurt Me So Good” by Jazmine Sullivan
“Cuff It” by Beyoncé
“Rich Flex” by Drake & 21 Savage
“Silent Hill” by Kendrick Lamar feat. Kodak Black
“11:30” by Duckwrth
“God Did” by DJ Khalid feat. feat. Rick Ross, Lil Wayne, Jay-Z, John Legend, & Fridayy
B-Easy“Do Better” by Ab-Soul feat. Zacari
“Blackest In The Room” by Freddie Gibbs
“No Gold Teeth” by Danger Mouse & Black Thought
“Father Time” by Kendrick Lamar feat. Sampha
“Power Nap” by Nicholas Craven & Boldy James
“Kody Blu 31” by JID
“Highway 95” by Baby Keem
“Weekends In The Perry’s” by Benny The Butcher feat. Boldy James
“Paradise” by Not The Twos
“Eazy” by The Game feat. Kanye West
Playlist
Ab-Soul drops his music video for the track “FOMF” while also showing us the hypest crowd ever inside in a baseball field. And that’s really it, besides a fan catching on fire and the visuals being cool as shit. Directed by Omar Jones & Onda. Off Ab-Soul’s latest album Herbert.
Kendrick Lamar gets therapy in his latest music video, “Count Me Out.” The therapist is played by Academy Award-winning actress Helen Mirren (Who is also the voice of the narrator on K.Dot’s The Big Steppers Tour). During the session, we get footage of Kendrick with his wife and children, with goats, in the studio, during boring contract signings, among other things. Directed by Dave Free & Kendrick Lamar. Check out our review of Mr. Morale & The Big Steppers here.
This week’s Certified Banger is DMV-bred and Cali-fed beauty Ja’Kani Tashmeka. This is another one of those times where we let the pictures do most of the talking.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated podcast in Rancho Cucamonga, CA, the FROCAST is back with another episode! This week, the Royal Couple of Ramble discussed with the FROnation: BG getting released, a town that is ripe for corruption, office party behavior, and there is a newly divorced fixer-upper out on these streets! Y’all know how we give it up over here… 2022 almost over, and ain’t shit changed round here… PRESS PLAY BIH!
PATREON EXCLUSIVE: FROCAST: PRE+POST SHOW
An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
https://nappyafro.com/podcast/FROCAST-Episode531.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
Some may know her as Suki Baby, and more will probably know her as the woman on the cover of Drake & 21 Savage’s album Her Loss (Check out our review here), but today, Qui Yasuka is a Certified Banger. You’re welcome
Source | Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Boulder, Colorado, the FROCAST is back with another action-packed episode! This week, the Royal Couple of the FROnation discussed: Coach Prime leaving JSU, which is worse… the cheating edition, doing wife things as a girlfriend, and we helped out the parents with the top ten toys for the 2022 Christmas! We will never run out on you like Prime did JSU… PRESS PLAY BIH!
PATREON EXCLUSIVE: FROCAST: PRE+POST SHOW
An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
https://nappyafro.com/podcast/FROCAST-Episode530.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
Last night, Keke Palmer announced her pregnancy on SNL. Congratulations, but more importantly, SZA announced the release date of her CTRL follow-up. S.O.S. will be available on our phones on December 9th. Along with a performance of the latest single, “Shirt,” we were granted the full version of the song, “Blind,” teased at the end of her Lakeith Stanfield co-starring video. (S/O to the goat, Dave Myers)
“Blind” (Live)“Shirt” (Live)“Big Boys”Solana loaned her vocals to an ode to the husky bros keeping ladies warm this Winter.
If you were like us, you didn’t want to go back to work after the holidays. Let this week’s Certified Banger celebrate our week back in the rat race. Besides having a cool name, Keeky is beautiful enough to make the transition easy.
Source | Patreon
The longest-running podcast on the nappyafro network and the highest-rated show in Joplin, Missouri, the FROCAST is back with another episode for the FROnation! This week the Royal Couple of Ramble discussed: Balenciaga playing games, a marriage ultimatum, the bait and switch tactic for job interviews, hood urban myths, and how long are you supposed to keep XXX footage of a former partner. I hope y’all are not still eating leftovers… PRESS PLAY BIH!
PATREON EXCLUSIVE: FROCAST: PRE+POST SHOW
An exclusive feature for our patrons. The mics are always hot. Listen to what happens right before and after the FROCAST. Check it out over on our Patreon (Where you can also get the FROCAST days earlier).
https://nappyafro.com/podcast/FROCAST-Episode529-.mp3Apple Podcast | Spotify | Instagram | Amazon | Google | Patreon | RSS
I am not excited about this.
Look, it’s bad enough this album came out around my birthday, so I’m already wanting to do everything but listen to this, but in addition, Drake has been releasing the worst music of his career post-If You’re Reading This It’s Too Late, and every release gets exponentially worse. On top of that, he’s bringing 21 Savage along for the ride, a rapper who has not only improved since his Metro Boomin-assisted debut, Savage Mode, but a rapper who seems to bring the best out of Champagne Sugar Papi when they collaborate. So, let’s go through this hour… and see what happens.
This thing is an hour… Jesus.
- Rich Flex
Produced Tay Keith, Vinylz, FNZ, & BoogzDaBeast
Okay… where to begin.
So the first part is a rocky start to a song, Drake awkwardly asking 21 Savage to do things for him, leading into a so-so verse from 21, where there’s a bar of him interpolating Megan Thee Stallion’s “Savage” (won’t be the first time she’s mentioned on this album) and then things get really awkward…
Alllll you hooooooes
Drizzy pretending to be a pimp, and we head right into a low-budget Three 6 Mafia beat where he interpolates T.I.‘s “24’s” with minimal effort. It’s basically living up to the title of the song. The problem is it’s not luxurious, nor is it exciting. I’m not in a mood to put this on when I’m wasting my paychecks. Let’s hope those “hoes” are of age (allegedly)
-
Major Distribution
Produced by SkipOnDaBeat, Elijah Fox, & Kid Masterpiece
Leave it to Drake to sing a ballad before the song actually begins. The star of this song is really 21 Savage here, where it feels like he actually followed the assignment, where Aubrey doesn’t really put in the energy to keep me tuned in and invested in the song. Even the One Direction reference in 21’s verse made me chuckle a little. This is a decent song. Nothing special but a step up from the previous. -
On BS
Produced by OZ & Elyas
Now this is what I was hoping the album would be. Drake and 21 going off each other’s words, bringing out the best of each other. Even for as minimalistic as the beat is, their performances make up for the lack of layers in the instrumental. Best song of the album thus far… cutting off that ridiculous ass outro. -
Backoutsideboyz
Produced by Produced by Rio Leyva, Dez Wright, & Taz Taylor
Is this the song Lil Yachty helped write? I feel like I hear him in the adlibs.
Anyway, this is a solo Drake song, and the shamelessness starts to rear its ugly head. Cringe lines about not voting for anyone except porn stars, his disdain for listening to female rappers, amongst it all, it sounds like a low-budget Travis Scott/Don Toliver knockoff. But TikTok will love it.
- Privileged Rappers
Produced by Earl on the Beat, Gentuar Memishi, & 40
The “A Week Ago” sample is a nice touch. More flexing on these broke as fuck, non-factor rappers. Dreams of fucking in banks and cars. 21 coming through again…
Make a diss and see how fast you go from the booth to a blunt
Ewwwwwww that’s nasty!
It’s okay as a whole, but I don’t really have a place to listen to this.
- Spin Bout U
Produced by BanBwoi, 40, & FortyOneSix
Well hey, at least Drake is self-aware to know his audience is the target of corrupt politicians who are working day and night to rid them of their right to choose what and what not to do with their bodies. This energy won’t last. More on that later.
But outside of that, this track is light, fluffy, soft, or any word synonymous with those words.
NEXT!
-
Hours In Silence
Produced by Nyan, Mcevoy, 40, Noel Cadastre, & Daniel East
Six minutes and thirty-nine seconds of absolutely nothing. Just rambling on and on. I don’t even have a joke for this. Like, what can I possibly say about a song that is nothing? -
Treacherous Twins
Produced by OZ, Noel Cadastre, & Boi-1da
Suspect underage clubbing line aside, I think the reason I gravitate to this song more is because of the instrumental. It just does what it is supposed to do to capture the atmosphere. It’s just a vibe, and it’s okay. -
Circo Loco
Produced by Boi-1da, Tay Keith & 40
So here’s the thing…
I understand this is rap, disrespect comes with the territory. I’m lost on this because what exactly was the point of that line? To be clever? So Drizzy can think he’s actually doing something with that line? Am I as upset as I was when I heard this the first time? No. I just find this to be a bit hypocritical, to say all that nonsense he said on “Spin Bout U” then turn around and poke fun at a woman who allegedly got shot and adding on to the narrative of “bitches be lyin’.”
Outside of that, the usage of the Daft Punk sample is horrendous. There’s no room to breathe, there’s no hooks, there’s nothing that stands out. Before you know it, the song is over and you’re left wondering, “that’s it?”
-
Pussy & Millions
Featuring Travis Scott; Produced by Cheeze Beatz, Go Grizzly, Squat Beats, & B100
So I guess this is Travis Scott’s grand return to the mic since the concert from hell from a year ago. His feature…well…much like this song, is just so…lifeless. Especially when Drake is crooning about having his kids eaten. Please don’t do that no more. -
Broke Boyz
Produced by Wheezy, Tay Keith, Jack Uriah, Audio Anthem, & KrishnaMusic
At least we got something where they both sound like they actually want to rap. Confident presence is all I ask for here. As subdued as the instrumental is, it’s a vibe, no more, no less. -
Middle of the Ocean
Produced by OZ, Nik D, Noel Cadastre, Sucuki, & LOOF
A time-honored tradition of Drake waxing poetic about shit I do not care about over instrumentals that would be better suited for better rappers. It just feels like we learn nothing new about Drizzy outside of him being a hater towards Serena Williams’s husband for no reason. It’s got me wanting to listen to AZ’s “Mo’ Money, Mo’ Murder (Homicide)” now that the sample is in my head. Birdman does Birdman things in the end. -
Jumbotron Shit Poppin
Produced by F1LTHY, CuBeatz, Oogie Mane, Sad Pony, 40, Klimperboy, DannoProductionz, & Dilara
Yeah, I can definitely tell Lil Yachty wrote this. This song never really went anywhere except for the bottom. It’s like Drizzy is trying to catch a flow, but it’s all scattered and doesn’t keep a consistent rhythm throughout, plus the “bleh bleh bleh” part is unnecessary. -
More M’s
Produced by Metro Boomin, DAVID x ELI, & Kyson
Metro Boomin provides a backdrop that was well needed to liven up this drab production throughout the album. 21 is rapping like it’s 2020 again, as this sounds like something that could have easily fit within Savage Mode 2… and then Drake arrives.
However, Aubrey sounds motivated and awake, and then I keep in mind there’s lines like…
The way I ran shit, you would think I was Iranian.
Uggggghhhhhh
At least this song is a step in the right direction.
-
3AM In Glenwood
Produced by OZ, Peter Iskander, & 40
It’s kind of weird hearing 21 on these type of beats, but he holds his own on this one here. And it’s not that I’m saying these are the best verses ever or whatnot, all I’m asking for is that for as much as this was made to be an event, it has to be treated like one. While for me, it’s too little too late, this song makes up for all I had to endure throughout. -
I Guess it’s Fuck Me
Produced by TheLoudPack
Yeah…
I guess it is fuck you.
BOTTOM LINESo, as you can tell, I’m very pessimistic about this. Maybe I’m being unfair, but it’s my review, so whatever.
There’s a reason why it took almost a month to review this. It is because I could not bare to muster up the energy to listen to this more than once. Overall, this project feels more like a cash grab and a way of boosting Drake’s ego after his critically panned “techno” release. This is a Drake featuring 21 Savage album, where 21 takes a back seat, guiding Drake throughout these beats, making sure he doesn’t go off course.
It’s not that I don’t like this album, it is not that I think it’s trash, and it’s not that I don’t think this has a place; obviously, it does. It’s just that I don’t care for this album which is something I can say for a lot of Drake’s output post-If You’re Reading This. Drake doesn’t try because he doesn’t have to. The fans will eat it up, his name value alone will keep him afloat, and some songs will go viral, rinse, repeat. With this album coming out on my birthday and me and Aubrey being of the same age, when it comes down to it, I had to tell myself what I’m sure a large part of the audience is telling Drake…
“You’re getting too old for this shit.”
Sorry 21 Savage, you deserved better.
Westside Gunn drops the visuals for his track “Peppas” featuring Mos Def & Talib Kweli. The video matches the retro New York vibe from the song as it features the rappers chilling around New York storefronts. It works. Directed by Daily Gems. Off 10.
Well, would you look at this? A couple of weeks ago, 21 Savage called Nas irrelevant while on the Clubhouse (“He’s not relevant. He just has a loyal ass fan base and he still make good-ass music”). But I guess that didn’t matter or the statement was taken out of context because last night the two rappers united and released a Hit-Boy-produced song titled “One Mic, One Gun.” This is probably the best result for any “rap beef.”
Straight out of Baton Rouge, Louisiana, we have an up and coming rapper by the name of Bando Barbie. Her first song is titled “Know Dat” and the visuals are off the chain! Check her out and tell me what you think!
When I saw the announcement on Drake’s Twitter that he was releasing a surprise album at midnight (11:00 PM my time), the initial thoughts that raced through my mind were: “I am not going to like this.” Let me rephrase that, I thought that I wouldn’t like this album in its entirety, BUT I did think that there would be at least a couple of songs, hopefully some bangers, that I would take into the summer season properly. When I […]
It is here. It is finally here. Kendrick Lamar’s first album in well over five years. This is my seventh listen to this album. Mr. Morale & the Big Steppers came with much anticipation and with the rumor that it may be a double album coupled with “The Heart Pt. 5” that dropped before it. There was no telling what the sound of this album was going to be. Will it continue the string of bangers we got on DAMN.? […]
On his latest single, “Green Juice”, not only does A$AP Ferg get a feature from Pharrell Williams and production from The Neptunes, but he also brings a music video with weird digital...
So, my relationship with Westside Gunn and Griselda is an interesting one. I’ve first caught wind of him in 2016 when he released his FLYGOD album. It was these subdued, minimalist beats compounded...