OUR MISSION
To act and operate exclusively as a public charity, nonprofit corporation, and operate as a community organization which serves to support Native American Indians with charitable programs, that advance quality of life while promoting social dignity though relief of the poor, the distressed and the underprivileged. Honoring all path’s of cultural and spiritual traditions.
Operating under the jurisdiction of a covenant with Creation.
http://4allourrelations.org/?page_id=2033
Fern Naomi Renville is an enrolled member of the Sisseton Wahpeton Oyate, but also carries her grandmother's Omaha and Seneca-Cayuga blood. She is a graduate of the Evergreen State College, a mother of grown children, and the Director of Se...attle-based Red Eagle Soaring Native Youth Theatre. Red Eagle Soaring programming integrates contemporary theatre with traditional Native performing arts, empowering youth to sustain their cultural heritage and take creative action on the issues affecting their lives.
Award Award winning Coast Salish artist Peter Boome is a member of the Upper Skagit Tribe of Washington State. He works in a variety of mediums with a primary focus on printmaking and graphic work. Peter earned his AA from Northwest Indian College, his BA from the Evergreen State College and his JD from the University of Washington School Of Law. He is currently finishing his Master’s of Environmental Studies at Evergreen State College, as well as pursuing a PhD through the School of Indigenous Graduate Studies Te Whare Wananga o Awanuiarangi in New Zealand.
Peter’s work has been aggressively sought after by collectors throughout the world. His art pieces span the continents in various European countries as well as New Zealand, Australia, Asia and Africa. Peter is a regular attendee of many prestigious juried art markets and events throughout the country, such as the Santa Fe Indian Market. His work has shown at institutions such as the National Museum of the American Indian both in New York and Washington DC. Some other places Peter has also shown include the Heard Museum in Phoenix, the Eiteljorg Museum in Indianapolis, the Autry Museum in Los Angeles, Indian Art Market in Santa Fe, and the Washington State History Museum where his work is part of the permanent collection. Peter’s work is carried by many galleries and art distributors throughout the world.
Peter works in a variety of mediums such as painting, carving, inlay, and glass work, but he is best known for his Hand-pulled serigraphs. He prints his own original work as well as the work of other artists. As a printer, Peter has worked with both new and established artists. He has worked with indigenous artists from New Zealand and Canada and has been active in printing indigenous work and giving back to his community. Through this commitment to his community Peter has introduced the work of many artists who would not have been otherwise able to have their work printed.
For more information about Peter and his art visit his website and blog at: araquin.com For questions about individual work such as pricing and availability or to contact Peter email him at: pete@araquin.com
Artist Statement
Peter’s artist statement says, “Art is all around us. Art is everywhere in life, there are lines, curves, shapes, colors, and shades all around us. Each culture has its own way of expressing the art of our world, a window through which we view the world. I am a Coast Salish Artist. My art is rooted in a historical design tradition. My art is a direct reflection of my culture; it is also a reflection of my personal, cultural, and world view.
I believe art is more than a simple reflection of culture. I feel art influences and guides cultures in many directions and ways. If you accept that art and culture are intrinsically connected you realize that art like culture is malleable, while based on a historic foundation both continue to evolve and expand. Our use and need of art is as strong as our use and need of culture. It is intrinsically connected; it surrounds us and often guides us. As an artist representing a distinct culture there is a moral obligation to carry on the artistic tradition with the upmost care and respect. We must carry on this tradition by honoring the past, representing the present, and laying the foundations for the future.”
For questions about pricing and availability and for more information about Peter or to view his work, check out his website and blog:
http://www.araquin.com
Ed Johnstone of the Quinault Indian Nation , shares with us on July 28, 2013, on the upcoming Paddle to Quinault 2013, at 4pm.
The Quinault Indian Nation and the Quinault Canoe Society will proudly host the Paddle to Quinault 2013 during the dates of August 1st-6th, 2013.
Back in 1989, Emmit Oliver, a Quinault Tribal elder organized the “Paddle to Seattle” as a part of Washington State Centennial Ceremony revitalizing a tradition that was lost for many years, and that is canoeing. We now know this as the Canoe Journey. The Canoe Journey has become symbol of cultural revitalization on a national level; we can expect anywhere from 90 US tribes, Canadian First Nations, and New Zealand to join the celebration.
The Canoe Journey creates opportunities for tribal members to re-learn, strengthen and reinforce their canoe traditions. There are many cultural values that are learned from the canoeing some include: pride, cultural knowledge, learning how to paddle, respect, and sense of achievement.
Next Regional skippers meeting: June 15th 1pm at wexliem building, Lummi Nation Surf Training: June 30th 12:00 noon Pt. Grenville Taholah, Wa.
http://www.paddletoquinault.org/
Chief Phil Lane Jr. Chief Phil Lane Jr. is a traditionally recognized Hereditary Chief and Elder. He is an enrolled member of the Ihanktonwan Dakota and Chickasaw Nations, and is a citizen of both Canada and the United States.
www.fwii.net
Louie Gong is an educator, activist, and artist who was raised by his grandparents in the Nooksack tribal community. He is the past President of MAVIN, co-developer of the Mixed Heritage Center, and a former child and family therapist. Louie is also the founder of Eighth Generation, through which he merges traditional Coast Salish art and icons from popular culture to make strong statements about identity, such as his highly sought-after, hand-drawn custom shoes. Louie’s latest creation is called “Mockups”, a DIY art toy based on his work with youth and his desire to a make the experience of personalizing a pair of shoes more accessible.
Louie is proud to have represented his family and community through keynote level presentations and custom shoe workshops around the world, as well as in media such as NBC Nightly News, The New York Times, MSNBC.com, and Indian Country Today. His unique merger of art and activism is the subject of UNRESERVED: the Work of Louie Gong, a Longhouse Media film that was selected to screen at prestigious film festivals around the world, including Festival De Cannes and National Geographic’s All Roads Film Festival.
In 2012, Louie began an artistic partnership with the Smithsonian’s National Museum of the American Indian called Design Yourself: I AM NMAI, and a collaboration with Manitobah Mukluks that led to the “LG Gatherer”, a limited edition boot that has already sold out of it’s first 3 runs.
Louie was recently honored by being named to Native Max Magazine’s list of the “Top 10 Inspirational Native’s: Past and Present” and received the Seattle Indian Health Board’s Adeline Garcia’s Community Service Award, through which the nation’s largest Urban Indian Health Clinic recognizes community leaders for volunteer service.
http://eighthgeneration.com/
Kevin Locke (his Lakota name, Tokaheya Inajin, means “The First to Arise”) is known throughout the world as a visionary Hoop Dancer, preeminent player of the indigenous Northern Plains flute, traditional storyteller, cultural ambassador, recording artist and educator. From his early Lakota influences and from his extended “world” family he has learned how we each can draw from our individual heritages to create a vibrant, evolving global civilization embracing and celebrating our collective heritage.
www.kevinlocke.com
Singer/songwriter/musician, poet, artist, dancer, actor, teacher, and activist:
This “Renaissance woman” is the founding member of the internationally renowned native woman’s a capella trio, ‘Ulali’, and is recognized for creating a new genre, bringing Native contemporary music to the forefront of the “mainstream” music industry.
Pura Fe has studied and performed with ‘The American Ballet Theatre’ company’, has been in several Broadway musicals and TV commercials. She has sung for ‘The Mercer Ellington Orchestra’, countless Jazz, R&B, Rock bands and has stamped her distinct vocals on many recordings, demo’s, jingles, music videos and movie sound tracks/trailers through out her career. She was nominated for a Juno Award (Canadian Grammy) with ‘Kanatanaski & Pura Fe’ for best aboriginal music video. She’s appeared on
Jay Leno’s ‘The Tonight Show’, UK’s ‘The Late Show’ and Brazil’s ‘Joe Suares Show’ with Ulali and Robbie Robertson. Pura Fe has toured world wide, in concert halls, festivals, nightclubs, universities, Pow Wow’s, conferences, campaigns and endless benefits…for environmental and humanitarian rights.
In “Indian Country”, Pura Fe holds a “Smoke Dance” champion title and is a recipient of the ‘Community Spirit Award’ from the ‘First People’s Fund’ of the Tides Foundation, for her volunteered cultural contributions of traditional song and dance, working with Native youth groups in North Carolina.
Pura Fe has done vocal workshops instructing Native theatre schools, women’s drum groups and has cultivated several traditional singing dance troops from her Nation.
Recording:
“With her voice soaring, foot stomping, this beautiful songbird transcends time and brings the message of our Ancestors who have sewn this beautiful seed, that makes powerful music”.
-Taj Mahal
Pura Fe launched her solo career touring her new album ‘Follow Your Hearts Desire’… on the ‘Music Maker Relief Foundation’ blues label. Her soulful voice and acoustic lap steel slide guitar, carries the ancestral message of the “Indigenous World” and the missing history that unified and separated the blood ties of Black and Indian people of the South. With a fresh new take, Pura Fe resurrects and elegantly states the common bond and the indigenous influence on the “birth of the blues”!
Pura Fé released her 2nd solo album, ‘Hold The Rain’ on Music Maker Relief Foundation label and European distribution by Dixie Frog label (France). ‘Hold The Rain’ is a more personal collection of music where Pura Fé is joined by one of Seattle’s finest guitarist, Danny Godinez. This great song album is infused with Danny’s heavy acoustic melodic guitar picking, Pura Fé’s signature lush vocal harmonies and slide guitar. In 2006, Pura Fe' won a Nammy (Native American Music Award) for Best Female Artist. She also won a L’académie Charles Cros Award (France) for Best World Album.
http://www.purafe.com/bio.html