dunk!festival: Recent Episodes
One hour of post-rock, post-metal, post-anything,...
A European festival, label and webshop for post-rock, post-metal, post-anything, ambient, drone, experimental,...
In 2016, Raleigh, North Carolina’s Travis Brooks emerged with SPEAK, the debut album of his post-rock project Old Solar. It proved to be one of the year’s most pleasant and exciting surprises, escaping the trappings that can sometimes befall solo artists to bring listeners a fully-formed vision that presented a mastery of attractive ambience, dramatic swells and energetic, often explosive riffing. SPEAK went on to garner strong coverage from genre-focused publications, building a great deal of anticipation for an eventual follow-up. Today witnesses the re-emergence of Old Solar, now solidified as a trio. The new record, SEE, is a thoughtful and powerful exploration of the cycle of seasons, seeking to sonically represent the many emotions, aesthetics and nuances of an ever-changing world, capturing the beautiful shadings in both the bloom and the bleak.
In 2016, Raleigh, North Carolina’s Travis Brooks emerged with SPEAK, the debut album of his post-rock project Old Solar. It proved to be one of the year’s most pleasant and exciting surprises, escaping the trappings that can sometimes befall solo artists to bring listeners a fully-formed vision that presented a mastery of attractive ambience, dramatic swells and energetic, often explosive riffing. SPEAK went on to garner strong coverage from genre-focused publications, building a great deal of anticipation for an eventual follow-up. Today witnesses the re-emergence of Old Solar, now solidified as a trio. The new record, SEE, is a thoughtful and powerful exploration of the cycle of seasons, seeking to sonically represent the many emotions, aesthetics and nuances of an ever-changing world, capturing the beautiful shadings in both the bloom and the bleak.
In 2016, Raleigh, North Carolina’s Travis Brooks emerged with SPEAK, the debut album of his post-rock project Old Solar. It proved to be one of the year’s most pleasant and exciting surprises, escaping the trappings that can sometimes befall solo artists to bring listeners a fully-formed vision that presented a mastery of attractive ambience, dramatic swells and energetic, often explosive riffing. SPEAK went on to garner strong coverage from genre-focused publications, building a great deal of anticipation for an eventual follow-up. Today witnesses the re-emergence of Old Solar, now solidified as a trio. The new record, SEE, is a thoughtful and powerful exploration of the cycle of seasons, seeking to sonically represent the many emotions, aesthetics and nuances of an ever-changing world, capturing the beautiful shadings in both the bloom and the bleak.
In 2016, Raleigh, North Carolina’s Travis Brooks emerged with SPEAK, the debut album of his post-rock project Old Solar. It proved to be one of the year’s most pleasant and exciting surprises, escaping the trappings that can sometimes befall solo artists to bring listeners a fully-formed vision that presented a mastery of attractive ambience, dramatic swells and energetic, often explosive riffing. SPEAK went on to garner strong coverage from genre-focused publications, building a great deal of anticipation for an eventual follow-up. Today witnesses the re-emergence of Old Solar, now solidified as a trio. The new record, SEE, is a thoughtful and powerful exploration of the cycle of seasons, seeking to sonically represent the many emotions, aesthetics and nuances of an ever-changing world, capturing the beautiful shadings in both the bloom and the bleak.
In 2016, Raleigh, North Carolina’s Travis Brooks emerged with SPEAK, the debut album of his post-rock project Old Solar. It proved to be one of the year’s most pleasant and exciting surprises, escaping the trappings that can sometimes befall solo artists to bring listeners a fully-formed vision that presented a mastery of attractive ambience, dramatic swells and energetic, often explosive riffing. SPEAK went on to garner strong coverage from genre-focused publications, building a great deal of anticipation for an eventual follow-up. Today witnesses the re-emergence of Old Solar, now solidified as a trio. The new record, SEE, is a thoughtful and powerful exploration of the cycle of seasons, seeking to sonically represent the many emotions, aesthetics and nuances of an ever-changing world, capturing the beautiful shadings in both the bloom and the bleak.
Haester • So That We Could Live by One hour of post-rock, post-metal, post-anything,...
Celestial Wolves • Stuart & The Maree Man by One hour of post-rock, post-metal, post-anything,...
Celestial Wolves • Porcupine Bank by One hour of post-rock, post-metal, post-anything,...
This is a first song premiere from Hæster's debut album 'All Anchors No Sails'. In this song Sven De Caluwé from Aborted is joining the Hæster line-up.
'All Anchors No Sails' will be available on Oct. 12th. On vinyl of course.
"All Anchors No Sails is largely characterized by its thundering guitar riffs, which are propelled by precision percussion that makes all the difference. It unfolds with sometimes mathematical calculation, but it never ceases to be engaging. (...) The songs on All Anchors No Sails have an uncanny tendency to keep it straightforward enough to successfully deliver the goods while layering in nuances and textural elements that allow them to traverse an ever-expanding palette in a fashion that will undoubtedly draw in even the most discerning post-metal aficionados." — text by David Zeidler (Young Epoch)
https://www.facebook.com/haesterband/ http://dunkrecords.com
Inadequate Shelter by jeffk
Also available on vinyl. Comes in three color editions: 100 purple marbles, 100 green marbles and 100 white marbles. White marble is only available through A Thousand Arms. Released on Sept. 29th on dunk!records and A Thousand Arms.
http://dunkrecords.com http://athousandarms.com http://jeffk-music.tumblr.com
Inadequate Shelter by jeffk
Also available on vinyl. Comes in three color editions: 100 purple marbles, 100 green marbles and 100 white marbles. White marble is only available through A Thousand Arms. Released on Sept. 29th on dunk!records and A Thousand Arms.
http://dunkrecords.com http://athousandarms.com http://jeffk-music.tumblr.com
Inadequate Shelter by jeffk
Also available on vinyl. Comes in three color editions: 100 purple marbles, 100 green marbles and 100 white marbles. White marble is only available through A Thousand Arms. Released on Sept. 29th on dunk!records and A Thousand Arms.
http://dunkrecords.com http://athousandarms.com http://jeffk-music.tumblr.com
Inadequate Shelter by jeffk
Also available on vinyl. Comes in three color editions: 100 purple marbles, 100 green marbles and 100 white marbles. White marble is only available through A Thousand Arms. Released on Sept. 29th on dunk!records and A Thousand Arms.
http://dunkrecords.com http://athousandarms.com http://jeffk-music.tumblr.com
Inadequate Shelter by jeffk
Also available on vinyl. Comes in three color editions: 100 purple marbles, 100 green marbles and 100 white marbles. White marble is only available through A Thousand Arms. Released on Sept. 29th on dunk!records and A Thousand Arms.
http://dunkrecords.com http://athousandarms.com http://jeffk-music.tumblr.com
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
This Fall Shall Cease by Lethvm is also available on vinyl. Comes on 180g gold vinyl with black splatter. Cover with spot UV, designed by David SC. Released on March 9th, 2018.
http://dunkrecords.com (vinyl) http://www.facebook.com/lethvmband/ http://www.deadlight.fr (CD) http://densesrecord.tictail.com (tape)
Working from the template of Doom and Sludge, Belgium’s Lethvm infinitely increases the brutality with which they press their considerable weight upon the ears of listeners by introducing a raw immediacy that does not typically present itself within those genres. As their moniker suggests, Lethvm seeks to embrace the destructive possibilities of music, continually building soundscapes only to burn them down in increasingly spectacular fashion. Listeners will find traces of Powerviolence within This Fall Shall Cease’s seven tracks, an important distinction which informs the extremity of the album’s varying emotional peaks.
Whether they are exploring rage, sadness, the darkness or even occasional glimpses of beauty, Lethvm does so with a snarling intensity which cloaks them with an aesthetic of danger that we are rarely lucky enough to observe. Looking into a moment from the penultimate track “An Encounter With The Sun,” the performance toward the end of the song seems to reveal a willingness, even a desire on the band’s behalf to demolish their respective instruments; to erode their vessels for the opportunity to crush listeners and raze their own creation in the interest of pushing an emotional envelope that is as breathtaking as it is volatile. This instance could indeed be characterized as “subdued” in comparison to other spots throughout the album, so be prepared to listen with clenched teeth and fists.
A savage rhythm section and tortured screams collide with soaring riffs in a way that is brilliantly jarring, forcing the listener to grapple often with whether they should stomp the ground beneath them in anguish or raise their heads and bellow victoriously toward the heavens. The ability to do both over the course of individual compositions is what gives This Fall Shall Cease an uncommonly precious value.
Black Snow Desert by Nonsun. Mixed by Jannes Van Rossom (Deaftone Studios) and mastered by Tobias Stieler Release: January 25th, 2018 Available on double vinyl with artwork by Samantha Muljat.
Black Snow Desert by Nonsun. Mixed by Jannes Van Rossom (Deaftone Studios) and mastered by Tobias Stieler Release: January 25th, 2018 Available on double vinyl with artwork by Samantha Muljat.
Black Snow Desert by Nonsun. Mixed by Jannes Van Rossom (Deaftone Studios) and mastered by Tobias Stieler Release: January 25th, 2018 Available on double vinyl with artwork by Samantha Muljat.
Black Snow Desert by Nonsun. Mixed by Jannes Van Rossom (Deaftone Studios) and mastered by Tobias Stieler Release: January 25th, 2018 Available on double vinyl with artwork by Samantha Muljat.
Black Snow Desert by Nonsun. Mixed by Jannes Van Rossom (Deaftone Studios) and mastered by Tobias Stieler Release: January 25th, 2018 Available on double vinyl with artwork by Samantha Muljat.
Black Snow Desert by Nonsun. Mixed by Jannes Van Rossom (Deaftone Studios) and mastered by Tobias Stieler Release: January 25th, 2018 Available on double vinyl with artwork by Samantha Muljat.
All We Expected • Conquered, We Conquer by One hour of post-rock, post-metal, post-anything,...
'Bleak Daylight' by Stories From The Lost will give you an idea what to expect from their upcoming album 'Exoplanet' to be released as digital album later this year. Vinyl coming up in 2018. Make sure to check out their other song premiere 'Obey The Martians' as well.
Stories From The Lost • Minkowski by One hour of post-rock, post-metal, post-anything,...
Stories From The Lost • A.I. Dreams by One hour of post-rock, post-metal, post-anything,...
Stories From The Lost • Ashfall by One hour of post-rock, post-metal, post-anything,...
Stories From The Lost • Dehumanize by One hour of post-rock, post-metal, post-anything,...
Stories From The Lost • T-Minus by One hour of post-rock, post-metal, post-anything,...
'Obey The Martians' by Stories From The Lost will give you an idea what to expect from their upcoming album 'Exoplanet' to be released as digital album later this year. Vinyl coming up in 2018. Make sure to check out their other song premiere 'Bleak Daylight' as well.
( 0 4 ) is the first full-length by [ B O L T ] as a trio. In comparison to their earlier output the sound is more propulsive and structured. Emerging out of oppressive silence and ending up in ecstatic noise and drone, [ B O L T ] create waving sounds and crushing riffs. The trio presents a set in between the genres of drone, doom and metal.
The album was written and recorded in the end of 2016. Mastering was done by Tobias Stieler (Kokomo).
https://dunkrecords.com/products/b-o-l-t-2-2-lp
( 0 4 ) is the first full-length by [ B O L T ] as a trio. In comparison to their earlier output the sound is more propulsive and structured. Emerging out of oppressive silence and ending up in ecstatic noise and drone, [ B O L T ] create waving sounds and crushing riffs. The trio presents a set in between the genres of drone, doom and metal.
The album was written and recorded in the end of 2016. Mastering was done by Tobias Stieler (Kokomo).
https://dunkrecords.com/products/b-o-l-t-2-2-lp
( 0 4 ) is the first full-length by [ B O L T ] as a trio. In comparison to their earlier output the sound is more propulsive and structured. Emerging out of oppressive silence and ending up in ecstatic noise and drone, [ B O L T ] create waving sounds and crushing riffs. The trio presents a set in between the genres of drone, doom and metal.
The album was written and recorded in the end of 2016. Mastering was done by Tobias Stieler (Kokomo).
https://dunkrecords.com/products/b-o-l-t-2-2-lp
Lethvm from Belgium is getting ready to have their debut album released. Vinyl edition will be available on dunk!records early 2018. Wandering At Dawn is a first song premiere from This Fall Shall Cease.
With only a few weeks until the 13th edition of the festival kicks off we thought it was a good idea to ask Artuur(who's doing his internship at dunk!HQ) to assemble this podcast with his personal highlights for the upcoming festival.
Tracklist: Ashtoreth - Sacred (00:43) Halma - Mud Mound (8:50) Worriedaboutsatan - Jaki (15:14) Flash The Readies - Obodin (21:15) La Ciencia Simple - Pajaros Negros (25:50) TBHR - Rust (31:50) Briqueville - Akte VI (36:19) Terraformer - Amethyst (47:13) The Moth Gatherer - Attacus Atlas (52:00) Time To Burn - Emma Peel (1:01:03) CHVE - Rasa (1:08:18)
Picture by Davy De Pauw
Set and Setting • Eternal Pendulum by One hour of post-rock, post-metal, post-anything,...
Set and Setting • Specular Wavefront of... by One hour of post-rock, post-metal, post-anything,...
Set and Setting • Incandescent Gleam by One hour of post-rock, post-metal, post-anything,...
Set and Setting • ...The Idyllic Realm by One hour of post-rock, post-metal, post-anything,...
Set and Setting • Axiom Dream Within... by One hour of post-rock, post-metal, post-anything,...
First track premiere from the upcoming Set and Setting album titled Saudade.
The album is available on vinyl (EU color edition). Release: Jan. 27th, 2017
After releasing Saudade this is the second preview for the upcoming album 'Reflectionless' by Set and Setting. '...The Mirrored Self' is the first track of the album.
The album is available on vinyl (EU color edition). Release: Jan. 27th, 2017
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
This is the very first live album recorded at dunk!festival. Pelican performed a one hour set at #dnk16 and besides live streaming the whole thing, we also recorded (multitrack) the entire set (credits to Jannes Van Rossom). Dallas Thomas from Pelican mixed the audio. The album was mastered by Collin Jordan (Boiler Room, Chicago) before being pressed on high quality, 180g, colored vinyl in a beautiful gatefold cover, designed by Error! Design, printed on inside out upgraded cardboard. Everything released on dunk!records of course.
Flash the Readies • Some Kinda Sucker by One hour of post-rock, post-metal, post-anything,...
Flash the Readies • Kitten Diver Fair by One hour of post-rock, post-metal, post-anything,...
Flash the Readies • GSFY (live Bonus Track) by One hour of post-rock, post-metal, post-anything,...
Substitutes for Oblivion is the first track from the upcoming album 'Templates For Mimesis' by The Seven Mile Journey. This double LP will be released on Oct. 7th, 2016 on dunk!records.
More info: http://www.dunkfestival.be
The Seven Mile Journey • Causalities by One hour of post-rock, post-metal, post-anything,...
Tutorials is the last track from the upcoming album 'Templates For Mimesis' by The Seven Mile Journey. This song alone contains twenty minutes of intense, dramatic post-rock. This double LP will be released on Oct. 7th, 2016 on dunk!records.
More info: www.dunkfestival.be
The Seven Mile Journey • The Axiom Anomaly by One hour of post-rock, post-metal, post-anything,...
The Seven Mile Journey • The Oddmory Principle by One hour of post-rock, post-metal, post-anything,...
Here's dunk!podcast #2 with brand new (even unreleased) songs, pretty old songs and live music recorded at dunk!festival2016.
Enjoy!
Tracklist: 1. Pelican • Ephemeral live at #dnk16 (starts at 00:00:00) 2. Flash The Readies • Obodin (starts at 00:05:40) 3. Terraformer • Adamantine (starts at 00:10:32) 4. ALMA • To The Stars (starts at 00:18:38) 5. The Seven Mile Journey • Substitutes for Oblivion (starts at 00:24:14) 6. Pray For Sound • I Have Seen Hell And It's White (00:34:18) 7. Time To Burn • Is + Nayeli (starts at 00:40:58) 8. we were heading north • rave rain (starts at 00:48:40) 9. ARCHE • Her (starts at 00:51:36)
Cover picture by Nele Dierick Photography. https://www.facebook.com/neledierickphotography
Ladies and gentlemen, here's the very first dunk!podcast.
There are a lot more bands out there that can be shared in one weekend a year. So in these podcasts we'll be sharing new stuff, known stuff and weird stuff. Each episode will be one hour of post-rock, post-metal, post-hardcore, post-anything, ambient, drone, experimental,... Not much talking, just music.
We hope you like it!
Tracklist:
- Glasir • Precipice — starts at 00:00:26
- Lost In Kiev • Narcosis — 00:06:20
- Caspian • Loft — 00:13:52
- The Moth Gatherer • Pale Explosions — 00:20:06
- Obscure Sphinx • Lunar Caustic — 00:28:40
- We Lost The Sea • A Gallant Gentleman — 00:36:27
- Ranges • As Fire Would Certainly Burn — 00:42:30
- Environments • Empat — 00:47:27