That's Terrorble: Recent Episodes
That's Terrorble
Oh, we are SO BACK. After a forty-four week hiatus, we finally got around to When Evil Lurks. Turns out, it's still just as messed up now as it was so many weeks ago.
As always, you can find us, reach out to us, suggest movies, all of that on just about any social @ThatsTerrorblePodcast
Some movies pay homage to their ancestors, and some rip them off. Somehow we're caught in the middle with no diversion in sight.
The most un-horror pick we've ever had leaves us with a lot of feelings despite the fact that it doesn't seem to want to say much.
A young girl gets younger, her new asylum home burns down, she loses her mind completely, and a couch-moose doesn't know how to fly.
A cult, a rookie cop, and a benevolent demon walk into a police station, sacrifices ensue.
Attempting to break a few curses, the boys look to a story of a few super-powered kids. What could possibly go wrong?
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This week we subject ourselves to something resembling a commentary on the treatment of animals in the farm system. Or we're making that up. The movie is unclear.
Jeff and Jordan go to camp, summon a witch, and have to outrun small children. Also, one of them did intimate-time with the witch. Guess which one.
Jeff is out, Jordan is waters, can they find common ground in this absolutely bonkers found footage horror movie?
The boys return to debate the merits of proper childcare during the desecration of some haunted grounds.
Unlike us, a struggling youtuber heads to a haunted house to salvage his audience. I think we're gonna take some queues from him anyway.
They're baaaaaack and ready to finally, once and for all, begin to crown the single best horror movie ever made. We'll start that quest with A Christmas Horror Story, an unexpected yuletide tale.
Well, we finally hit episode 52. We cap off the longest 52-week stretch ever with the second greatest Blair Witch sequel ever.
We don't think anyone asked for a sequel to The Exorcist, but it happened. Can it live up to the hype of following up one of the best horror movies ever?
Phil Tippett's Mad God is a damn-near impenetrable movie that leaves you with more questions than answers. At the end of the horrifying journey, though, you might be left thinking about it long enough to find your own answers.
The boys are back to shake things up a little bit with a brief chat on The Amusement Park, followed by a... strange... double feature.
The boys are BACK and ready to watch Michael King get hecka possessed. Short, sweet, and to the point as we get our scream-legs back.
We're back with more nazis, a man named Kevin James, and a girl named Becky, or is it Kevin?
We've got it all: Nazis, murder, dogs, machetes, and punk rock. What more could you want?
Can this family-produced horror film leverage charm and inventive ideas to overcome its micro budget?
Actual Speed Racer, Emile Hirsch, attempts to carry this low-budget horror sci-fi story, that is so much more than what it seems, to great heights.
It may be a low budget experience, but that doesn't stop TDATW from pulling off a few surprises.
Home invasion movies have been around the block a few times. Can this group of horror contributors help it find new roads?
Whether it's a sofa or an armchair, comedy or horror, Killer Sofa definitely tries its heart out.
M. Night McTwisty is back with another one, but can he stick the landing in his follow up to After Earth?
We're back after our break to watch what's been billed as an original horror movie from the year 2016.
It may sound generic, but this particular clown brings something special to the horror table.
Does this distilled home-invasion horror capitalize on the "inspired by a true story" tag to create effective scares?
The first movie filmed entirely on Zoom, in quarantine, attempts to set a new bar for this small genre bursting with potential.
The Den is a very overshadowed entry in the "zoom horror" space or whatever, but that doesn't stop us from talking about Shocktober stuff anyway.
The first Unfriended didn't set the world on fire, but does a change of direction lead to a better sequel?
Keanu Reeves and Eli Roth team up to make a single location horror movie that is more reminiscent than revolutionary.
The cast is primed for a cult classic (and Marky Mark's brother is there too) but does Dreamcatcher achieve such heights?
Kevin Smith brings together a fantastic cast who bring great performances to this ridiculous, made-in-a-podcast story. Does it come together as an enjoyable horror-comedy? #walrusyes
Has the problem with King adaptations been that the man himself hasn't written the screenplays the whole time?
This somewhat forgotten Stephen King story dropped right before the IT remake, so was it the actual beginning to this new, good era of King movies, or the finale of the old era of bad ones?
One of the more recent (and underrated?) Stephen King adaptations is a real trip that forced us to repeatedly stumble through talking about it, but was it worth it?
John Carpenter's Halloween stands among the top horror classics, but does the second revival, written by funnyman Danny McBride, deserve top-tier consideration?
Nightmare either came out at the wrong time or targeted the wrong audience when it was reintroduced. Ten years on, does that remain true?
Jason has always been campy and corny, but does the Michael Bay-adjacent remake capitalize on that, or simply marinate in the fondue?
Leprechaun Returns is the 8th sequel in a 25-year franchise, but does this pervy villain deserve to die? Does anyone even care to notice either way?
This Korean horror-thriller made a few waves when it came out, but is it a worthy addition to the horror scene? And better yet, does it deserve an American Remake?
The Eye has been referred to as the scariest movie of all time, or at least among them, but is that just horror hyperbole, or do we have truly terrific terror?
This Austrian horror movie took watchers by storm in 2015, but does it really do anything different?
The Forest sure seems forgettable, but is it? Does the world it creates make this a surprise would-be cult classic, or do its tropes send it to Aokigahara?
Many up-and-coming directors suffer greatly in their second project, especially in the horror space. Does Jordan Peele's sophomore effort suffer the same terrorble fate?
Finnish horror is a rarity, but we're glad this one was exported to our side of the world.
Black Christmas might be the most influential, or at least borrowed from, horror movie of all time, but does it stand the test of time and remakes?
Michael Keaton may have ripped this one off just a year later, but few 90's horror movies had just gone for it in the same way the OG Jack Frost did.
It turns out Vampire's Kiss made Cage into the ultimate memester, but what does it do for vampire movies?
The Wicker Man has a lot of things (a cult, a convoluted plot, many inconsistencies and a plethora of tropes) but how many of it's various elements make it worth watching?
Nic Cage is back with another banger, but can this story keep up with him and the fast-paced camera work?
Mandy is a Nicolas Cage horror movie that begs not to be taken too seriously, but what happens if we do? Can we even?
Final Destination has a bad reputation, but is that the cause of too many bad sequels, or bad execution across the board?
The Last Exorcism does some really cool things in both the found-footage and possession sub-genres, but what changes could have been made to transform it from good to great?
Piranhaconda is a movie that's meant to be bad (we think), but there's some small hope for redemption (we hope).
Boar does some things right, some things wrong, and some things in an IMMENSELY satisfying way.
Well, this is a MOVIE alright. Rubber manages to mesh actual horror elements in a package that is too absurd to not laugh at.
Hey everyone, and welcome to That's Terrorble, a horror podcast about finding the good in bad movies, and the bad in good movies. Each week Jeff and Jordan will discuss a probably-not-so-classic horror film in broad strokes and fine details. To start, we lay out our individual viewing styles, then try to work out why we're in this scare-seeking place to begin with.