Talking Writing Podcast: Recent Episodes
John Vogel
A place where the staff of Talking Writing talk to artists of all mediums about their personal and creative lives, and the intersections between the two.
Author Ramona Ausubel sits down with TW creative director John Vogel to talk about her new craft book and write's guide. In Unstuck: 101 Doorways Leading from the Blank Page to the Last Page, Ramona lays out exercises and strategies to maintain momentum throughout a writing project. Much of the advice centers around a few different themes, such as forging a relationship with the ever-present self-doubt, deeper exploration of the internal world of the artwork, and keeping the fun alive during the writing process.
Ramona has written three novels and two short story collections while maintaining an active teaching schedule, with a faculty position at Colorado State University and teaching summer workshops for several organizations including Writing by Writers and the Breadloaf Environmental Conference.
Unstuck is published by the Tin House imprint, which was recently acquired by independent publisher Zando. Ramona also attended the Tin House Writing Workshop at Reed College shortly after finishing graduate school, and taught there during the online era of COVID.
During the interview we talk about more about Tin House, how her short story writing both fueled and provided respite from her novel-writing, and other personal experiences behind the strategies.
For this week's episode, author Brian Trapp sits down with TW creative director John Vogel to talk about Brian's 2025 novel Range of Motion (Acre Books). The book is semi-autobiographical fiction about twin brothers, one of whom was born with cerebral palsy and severe intellectual disabilities, an experience paralleling Brian's own with his twin brother Danny.
The novel is written with tenderness, humor, and celebration centering twin brothers Michael and Sal, their parents Hannah and Gabe, and the whole family’s experience balancing care, work, school, and social lives.
In 2009, while enrolled in a master’s program for creative writing at the University of Cincinnati (UC), Brian started to write a fictional story based on a week that he and Danny spent at Camp Cheerful in Ohio. He wrote about a hundred pages for his thesis before losing steam. To regain momentum, he backtracked to the twins’ childhood, starting when they were five and going forward from there to catch up to the scenes at the camp when they were 18.
Brian earned his PhD in creative writing and disability studies from UC, and has accumulated a list of grants, fellowships, and residencies, including a Tin House Residency, Borchardt Scholarship, and Steinbeck Fellowship. In 2017, Brian moved with his partner—novelist Marjorie Celona—to Eugene, where the University of Oregon was just starting up a disability studies program. A product of good timing, he “lucked into” a position as director of the program, while teaching fiction and nonfiction and editing the Northwest Review.
For this episode musician and filmmaker Michael Sanchez sits down with TW creative director John Vogel.
Michael grew up in Newcastle, Delaware, where he started playing and recording music. One of his bands from that time, the New Death Show, eventually pared from four-piece to duo and migrated to Seattle. Later Michael would move to Brooklyn, San Francisco, Chicago, and then Philly, settling into different artistic projects along the way, including his band The Way It Is and a solo project, Electric Dylan. In San Francisco he started trying out comedy, which started to become more serious during his time in Chicago. There, he and four other comedians started a showcase called Comedians You Should Know, which ran at a local pub every Wednesday starting in 2010. In 2015 and 2016 the showcase expanded to LA and New York.
Throughout this time period, Michael was also creating videos both for himself and as a contractor for different artists and corporate institutions. Early on he and his friends filmed a no-budget superhero movie called The Return of Great Guy, which stalled due to hard drive issues.
For this interview, Michael fields questions from John's Perfect Recognition project.
Lisa Borders, author of three novels, talks with TW creative director John Vogel to talk about her newest book. Last Night at the Disco (Regal House Publishing, 2025) is a fictitious memoir framed as a letter to the former editor of Rolling Stone, Jann Wenner. That context gives the audience their first clue about the book’s narrator, Lynda Boyle.
The introduction to the letter also gives us a few other vague references to crimes, the loss of a teaching position, and a “coke-fueled disco queen” that help fill in a few blanks while raising many more questions.
Although humor had always been a part of Lisa’s personality and writing, for a time she leaned away from it. Her first two books, Cloud Cuckoo Land and The Fifty-First State, reflected this shift, but starting around 2016—as she developed the tone for what would become Last Night at the Disco—she started focusing on humor, including writing a submission for McSweeney's Internet Tendency over the course of a year. That piece was accepted and published as “Signs That You Are a Gen-Xer Going Through Menopause,” which went viral.
In this interview the two discuss narrator Lynda Boyle, satirizing avant-garde poets, and her need to make art as the world falls apart.
For this episode TW creative director John Vogel sat down with television writer and showrunner Michael Jamin about his collection of personal essays, A Paper Orchestra.
Michael’s television career started in the mid-90’s with an episode of Lois and Clark, followed by more involved work on Just Shoot Me! and King of the Hill. Other writing and production credits include Beavis and Butthead, Rules of Engagement, Maron, and Wilfred.
He self-published A Paper Orchestra through his company 3 Girls Jumping, and the book was named one of the best comedy books of 2024 by Vulture. Partially inspired by David Sedaris, Michael has also developed a stage show of the essays that has evolved from readings to reenacted performances of the scenes. In this conversation Michael and John talk about different themes throughout the essays, his transition to the stage, and balancing family life with work.
Author and musician Antonio Michael Downing sits down with TW creative director John Vogel to talk about Antonio Michael's books Black Cherokee and Saga Boy, music audience expectation regarding race and incorporating varied genres, and the disregard of the tech industry when it comes to profiting off of the work of artists without compensation.
If his memoir Saga Boy is a personal story grappling with the effects of colonialism on his psychology, his first full-length novel, Black Cherokee, is a story constructed to show the ways that everyone is living underneath unseen layers of history that they don’t understand.
The story follows Ophelia Blue Rivers, whose Black grandmother married the Cherokee Chief Trouthands, through four slices of time from 1993 to 2005. The book begins with Grandma Blue raising her on the Cherokee reservation while the disbanded tribe figures out how to handle a cattle farm that’s polluting the river. When she’s shipped off to live with her aunt in the nearby town, Ophelia has to integrate herself into typical southern society and finding temporary fellowship in a Baptist church. As she enters high school, she again has to assimilate, this time into affluent white society.
This episode is scored with the John Orpheus song, “Fela Awoke (I Will Miss You).”
Multidisciplinary writer Joanna Walsh sits down with TW creative director John Vogel to talk about Amateurs! How We Built Internet Culture and Why It Matters. When Joanna first started writing, lacking IRL community and instruction, she turned early Twitter to find likeminded others to share work with. It wasn’t until after she’d been working as an artist that the schooling aspect came into play, getting her PhD in Critical and Creative Writing from the University of East Anglia and a MSCA postdoctoral fellowship at Maynooth University.
Joanna also founded and ran two activist campaigns on Twitter—@read_women, a movement dedicated to equal treatment for women writers, and @no_entryarts to reshape ideas about age in the arts—and wrote twelve fiction and nonfiction books, including two co-written with self-coded AI.
In this conversation, the two discuss aesthetics through history, funding structures for the arts, and how policy affects access to who’s able to practice art.
Pia Leichter, founder of Kollektiv Studio and author of Welcome to the Creative Club, talks with TW creative director John Vogel about her experience transitioning from the advertising world to the artistic path. A big shift happened in her life about ten years ago, and Pia delves into some very personal details about the events that brought about that shift. As she said in our conversation: “I wasn’t expecting to share such vulnerable stories at all. I mean, I shared stuff some of my closest friends didn’t even know about me.”
The two discuss Pia’s experience with self-promoting her book, the role of the brain’s default mode network in the creative act, and the presence of the cosmos in all people. Also included in the episode are three tracks from her collaborative spoken word album Famished with electronic composer Tyler Bodkins. All the music in the episode came from that album.
In today’s episode author Molly Gaudry sits down with TW founder and publisher Martha Nichols. Molly holds degrees in fiction, poetry, and experimental prose, and her new book that just came out last week is aptly titled Fit Into Me: A Novel, A Memoir. The book weaves a fictional narrative into Molly’s own story along with fragments from a wide range of other authors in an effort to create a sense of self via the combination of different elements. With this format Molly explores her experience as a Korean adoptee raised in the US, meeting her birth family as a teenager, and recovering from a brain injury as an adult.
In this TW conversation, Fit Into Me provides a jumping-off point for big questions about self-creation and the holes in memory that writers inevitably confront when telling their own stories. Martha and Molly discuss how she blended its nonfiction sections with the fictional story of a character (the “tea-house woman”) taken from her two previous works, We Take Me Apart (Ampersand, 2009), which was a finalist for the Asian American Literary Award; and Desire: A Haunting (Ampersand, 2018).
In this week's episode, TW Creative Director John Vogel sits down with drummer and author Nic Brown to talk about his memoir Bang Bang Crash (Counterpoint, 2023).
Despite being accepted to Ivy League colleges, Nic opted to pursue his band Athenaeum straight out of high school. They signed to Atlantic Records, landed a few hits, and played extensively before Nic decided to leave to group in 2001 to pursue different styles of music and reclaim his opportunity to go to college.
While attending Columbia University, he joined up with the band Skeleton Key, headed by bass player Erik Sanko, who played in John Lurie’s Lounge Lizards. Nic also played in several other bands, including Falcon! and Longwave. This episode is scored with that first Falcon! album, The Early Year.
Nic then left NYC for the Iowa's Writer's Workshop, sending him down the writing and teaching path that he's followed over the last almost 20 years.
Victor Manibo, a 2022 Lambda Literary Emerging Voices Fellow, sits down with TW Community Manager Neva Talladen to discuss the drafting process for his 2022 science fiction novel, The Sleepless. Manibo and Talladen connect over their shared Filipino heritage and roots in New York, as they explore the rise of “hustle culture.” The Sleepless portrays a society where sleep is no longer necessary or even desired. Instead, young professionals like Jamie, the story’s main character and an aspiring journalist, spend endless hours working, driven by an insatiable pursuit of career advancement.
TW Creative Director John Vogel interviews author Tom McAllister about his new essay collection It All Felt Impossible (Rose Metal Press, 2025). For the book, Tom challenged himself to write an essay a day that corresponded to each year of his life, keeping within a 1500 word limit. The result is a kind of mosaic memoir through snapshots across time with some tangential thoughts instigated by the memories.
This is Tom’s fourth published book, his first being the 2010 memoir Bury Me in My Jersey about his late father and their shared love of the Philadelphia Eagles. His other two books are the acclaimed novels How to Be Safe and The Young Widower’s Handbook, which have both been noted for their mix of darkness and humor.
In their conversation, Tom talks about the experiences of teaching and being a student, expectations along the artistic path, and the community that art can create.
TW Creative Director John Vogel talks with Andrew Boryga, author of the satirical novel Victim. The two talk about the autobiographic backdrop to the novel, balancing creative time with parenthood, and the addictive and distancing natures of social media.
TW Community Manager Neva Talladen talks with visual artist and graphic designer Sasha Wizansky about her experience starting Pencil Magazine. The magazine, created entirely out of work made with pencil and paper, brings attention to the physicality of writing and drawing with pencil, as well as the slowing down that writing and reading handwriting can cause.
In our last episode of the season, TW Creative Director John Vogel interviews author Athena Dixon, our first repeat guest for the podcast. A year and a half ago we released Neva’s interview with Athena, which focused on her book The Loneliness Files (Tin House, 2023). This time around, in January 2025, John asked her questions from his Perfect Recognition project focusing on intense aesthetic experiences and people’s life paths towards creativity. Fellow artists might find some resonance and solace in their open discussion about their own disillusionment surrounding artistic pursuit and how their lived experiences deviate from the more common narratives handed down to us.
TW proofreader Jess Barnett hosts award-winning Minnesotan food writer, Steve Hoffman, for a conversation about the unique joys and challenges of travel. Hoffman, a lover of French cuisine and culture, discusses traveling to the picturesque south of France, not as a tourist, skimming the surface of trending destinations, but as a humble guest, ready to immerse himself and his family in the cultural and culinary experience. In his recently published memoir, A Season for That: Lost and Found in the Other Southern France, Hoffman dishes out a humorous and layered perspective on marriage, parenting, and cooking in the small town of Autignac.
Hoffman is a self-described Francophile and lifelong lover of literature. Like many aspiring writers, he relied on other industries for financial stability, working first in real estate before transitioning to tax preparation. Hoffman’s food writing career was launched during his family's extended stay in France in 2012. Upon returning, he wrote for the Minnesota Star Tribune about his experience abroad. His 2018 piece, “What is Northern Food?” earned Hoffman the James Beard MFK Fisher Distinguished Writing Award and propelled his career as a food writer.
Hoffman describes his writing process as a decade-long reflection on “learning how to write a book, while writing one.” Stemming from journal entries during his time in France, he fashioned his writing after inspirational authors like John Updike and Jane Austen. Beyond a vivid depiction of the rural country and aromatic apprenticeship as a winemaker, he offers readers sincere vulnerability. Hoffman explores his imperfections and growth through professional coaching, caring but unvarnished feedback from his wife, and finding the balance in his writing between travel log and storytelling.
Steve Hoffman continues to draw inspiration from shared experiences with his family. Following a recent house fire (thankfully no one was injured), Hoffman’s potential second book will focus on this unfortunate event as a “clarifying devastation.” As someone who closely links identity to physical place and space, he reflects on the skillful art of a simplistic lifestyle and carrying on the “minimal number of things you need to live graciously.”
TW Podcast Production Manager Sarah Tulloch interviewed author Jeanne Blasberg this past September. Jeanne Blasberg is an award-winning and bestselling author and essayist. The two discuss her latest book, Daughter of a Promise, a modern retelling of the story of David and Bathsheba, completing the thematic trilogy she began with Eden and The Nine.
TW Creative Director John Vogel interviewed author Mary Carroll Moore this past November. Mary pursued a decades-long career as a food and cookbook writer before pivoting into writing instruction and self-releasing Your Book Starts Here in 2011. The two discuss her latest book, Last Bets, and her lifelong career as a creative with multiple mediums.
TW’s Community Manager Neva Talladen talks to the CEO and Co-Founder of Pique Publishing. In 2022, she was inspired to launch The Editor's Half Hour podcast—a monthly podcast that focuses on the craft of editing, industry trends, and editorial resources for advanced editors. The two discuss Nadia’s move from book coaching to starting her own publishing company, where she and her team help authors take advantage of the best book production practices.
Last May, TW founder Martha Nichols spoke with Laura Hartenberger, author of the definitive 2023 essay “What AI Teaches Us About Good Writing” in Noema. Laura, who’s a lecturer in the Writing Programs at University of California at Los Angeles, is an essayist and fiction writer herself. When she spoke with Martha, they were both finishing up a turbulent spring semester that included protests for and against Israel at UCLA and Harvard. Here they confront big ethical questions surrounding AI and writing instruction. Are bots helpful tools for students or just another way of cheating? How and when should such tools be part of writing assignments? What qualities of voice and meaningful exposition are missing from chatbot writing? Can AI-generated work emotionally move readers?
TW’s Neva Talladen talks to writer Naomi Cohn about her book The Braille Encyclopedia: Brief Essays on Altered Sight and the reclamation of self it explores for her as a legally blind person. A 2023 McKnight Artist Fellow in Writing, her previous publications include a chapbook, Between Nectar & Eternity (Red Dragon-fly Press, 2013), and pieces in Baltimore Review, Fourth River,Hippocampus, Terrain, and Poetry, among others. Naomi has also appeared on NPR and been honored by a Best of the Net Finalist and two Pushcart nominations.
TW’s Neva Talladen talks to author Jianna Heuer about blown-up whale parts, opening a bookstore during the 2020 pandemic, and writing a revenge novel as catharsis. Her creative nonfiction and personal essays have been published in The Inquisitive Eater, Midsummer Dream House, Across The Margin, and other literary journals. Her flash non-fiction has appeared in two books, Fast Funny Women and Fast Fierce Women.
TW Creative Director John Vogel interviews writer Maris Kreizman, creator of the Tumblr blog and book Slaughterhouse 90210 and the podcast turned Substack newsletter, The Maris Review. Maris's work mixes together humor and serious poignancy to talk about a wide range of topics, from the publisher industry to politics and social justice to prime time soap operas. It's all on the table. Her forthcoming book, I Want to Burn This Place Down, is a series of essays that takes on the myths of the American system from the personal standpoint of a disillusioned adult. I
TW's Creative Director John Vogel interviews Philadelphia punk trio Northern Liberties. The band consists of brothers Justin and Marc Duerr on vocals and drums and Kevin Riley on bass and occasional vocals. The band’s most recent album, Self-Dissolving Abandoned Universe, was recorded in March 2022 with the legendary engineer and producer Steve Albini, who passed away in May of this year. The album provides the soundtrack to this episode. In this interview they dive into their background growing up in a small town and then squatting in Philadelphia, the role that art plays in their lives, and deep experiences with music and art.
TW Managing Editor Neva Talladen interviews Dr. Tamara Mitchell-Davis, award-winning author of #GoalGetter: Strategies for Overcoming Life’s Challenges (self-published, 2017) and chief executive officer of TM Davis Enterprises, LLC, a coaching practice that empowers aspiring authors to bring their books and business visions to life through storytelling. In this week’s episode, Tamara joins us from Jamaica to discuss the process of self-publishing her first book.
TW Creative Director John Vogel interviews drummer and composer Jay Mumford from New York City. He is half of the funk duo the Du-Rites and author of the out-of-print autobiography Root for the Villain, which pokes fun at the classic musician’s story of rising to fame and fortune. The book offers a different and more realistic perspective of a creative career.
In this week’s episode, TW publisher and founder Martha Nichols interviews author Sean Michaels. Sean is an internationally bestselling novelist and critic from Montreal. He is the author of the new novel Do You Remember Being Born?, a book about family, poetry, work, and artificial intelligence (AI). During their conversation, Martha inquires about his thoughts on the intersection of AI and writing.
TW Managing Editor Neva Talladen interviews Minaa B, author of Owning Our Struggles, which is available for purchase now on our Bookshop page. Her work focuses on taking responsibility for one’s self in order to enjoy the benefits of healing, including taking a look at one’s own personal development, one’s community, and the social justice issues that one may have to deal with on a day-to-day basis. In this week’s episode, Neva and Minaa dive into what Mina means by healing trauma through community care and how her readers can implement her ideas in their everyday lives.
In this week’s episode, the TW staff get together to share their current technological obsessions. We discuss everything from software to hardware and everything in between. We share the tools that make our daily lives so much easier and complain about the planned obsolescence that seems to be ingrained in every new piece of tech we buy today.
TW Copyeditor Jess Barnett interviews Jonathan Kravetz, author of How We Were Before, which will be released Running Wild Press this month. His short stories and plays have appeared in various journals, including The Iris Literary Journal, The Rappahannock Review, The Furious Gazelle, The Opiate Magazine, Narrative Northeast, and others. He also teaches a creative writing class online.
This week’s conversation focuses on his writing process, experience in publishing, and career as a full-time writer.
TW founder and publisher Martha Nichols talks AI with linguist and professor Naomi Baron. Mostly centering around Baron's recent book, Who Wrote This? How AI and the Lure of Efficiency Threaten Human Writing (Stanford University Press, 2023), their discussion ranges from the effects of AI on writing and teaching, what makes good writing, and the importance of thinking for oneself in an AI world.
TW Creative Director John Vogel interviews Russell Baker, the creator of the sustainability platform A Modern Remedy (AMR), a company helping purpose-led organizations deliver value for people and the planet. On his website, Russell writes long-form essays about various topics and their role in sustainability, including artificial intelligence, social media, fashion, and weather, among other subjects.
TW Creative Director John Vogel interviews Sarah Jaffe, author of Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone. In this episode, the two discuss the idea of the American dream, how it is used to control the working class, and how it affects working artists and their ability to live off their work.
TW Creative Director John Vogel interviews Alan King, a poet and author of the book, Point Blank. In this interview, which John collected as part of his Perfect Recognition project on intense aesthetic experiences, the two discuss his connection to music and poetry, as well as his development as a poet.
TW’s Podcast Production Manager Sarah Tulloch interviews Angie Elita Newell, a trained historian, and author of the novel All I See Is Violence. The two discuss how Angie sought to make Native American history more accessible by writing a historical fiction novel as well as the lasting impact of the Battle of the Little Bighorn and how the results of the battle still affect us to this day.
TW Managing Editor Neva Talladen interviews Saundra Gilliard, a professional storyteller, a playwright, and a personal transformation leader. The two discuss the importance of prioritizing feminine storytelling from the perspective of feminine people. Much of mainstream media prioritizes the misogynistic idea of a feminine woman rather than the stories written by women for women. Saundra emphasizes the connection that is lost within this misrepresentation and how it can be found in women’s writing.
TW Creative Director John Vogel interviews Bekka Palmer, Matt Buccelli, and Toya Gavin. Each guest is a respected artist in their field and creates art while raising their kids. In this week’s episode, the group discusses how they juggle their creative careers and parenting.
TW Creative Director John Vogel interviews musician and author Adam Gnade, who just released I Wish to Say Lovely Things. The two discuss the realities of life as an artist—including the idea of the starving artist, avoiding lifestyle creep, and making the world a better place.
TW Managing Editor Neva Talladen interviews Claudia Acevedo-Quiñones, author of The Hurricane Book: A Lyric History. In this episode, Neva and Claudia discuss the process of writing a memoir from the perspective of people who have experienced ecological and colonial trauma.
TW Managing Editor Neva Talladen interviews Nifemi Aluko, author of Toffy’s Divide. In this episode, Neva and Nifemi discuss the rise of Web3 options in publishing and his use of non-fungible tokens (NFTs) to maintain ownership over his work.
TW Creative Director John Vogel interviews Amy Belfi, PhD, an Associate Professor in the Department of Psychological Science exploring the intersection of music, psychology, and neuroscience. In this week’s episode, they discuss intense aesthetic experiences, the role of art in people's personal lives and society as a whole, and Amy’s journey to the science of music.
In this week’s episode, the TW staff get together to share their current artistic obsessions. We discussed everything from community building, ink making, book reviewing, and a thorough analysis of Beverly Hills, 90210. This discussion allowed us to take a break from making art to pay the bills and discuss our processes of making art for art’s sake.
In this week’s episode, the TW staff get together to share their current artistic obsessions. We discussed everything from community building, ink making, book reviewing, and a thorough analysis of Beverly Hills, 90210. This discussion allowed us to take a break from making art to pay the bills and discuss our processes of making art for art’s sake.
TW Managing Editor Neva Talladen interviews Athena Dixon, the author of The Loneliness Files. In this episode, Neva and Athena discuss the weight of loneliness that came about during the lockdown of 2020 and how it affected our daily lives even after being lifted.
TW Managing Editor Neva Talladen interviews Tuan Phan, author of Remembering Water: A Memoir of Departure and Return (Hidden River Press). Tuan juxtaposes his childhood memories of Vietnam and his family’s exile to the US with his parents’ recollection of the same events, finding connections and resonance in spite of the discrepancies. The memoir explores the complex questions around identity and home through the story of Tuan’s leaving and eventual return to his birthplace, where he reconnects with his father and old friends. Remembering Water is a winner of the 2018 Panther Creek Nonfiction Book Award.
John Vogel, our creative director, interviews artist and short story writer Christian McCulloch, also known as WART. WART's art has been featured on the Talking Writing website before so it’s only natural that we invite him to speak on the podcast. WART is a prolific short-story writer with a background in fine art. He’s been an international teacher in the British West Indies, Singapore, Japan, and Hong Kong. He also worked for 10 years in special needs in the United Kingdom. After 30 years of teaching, he returned to the United Kingdom and now lives and creates in London.
Sarah Tulloch, Talking Writing’s podcast production manager, interviewed JoeAnn Hart. JoeAnn is the author of Highwire Act and Other Tales of Survival. Highwire Act is a collection of previously published short stories that highlight the conflicts that climate change will bring to the forefront of human civilization. The characters are confronted with the consequences of dying ecosystems, illnesses, political tension, and new norms within human communities in order to survive the global change.
In the wake of this summer’s Canadian wildfires, protesters are descending on Climate Week NYC, which includes today’s United Nations Climate Ambition Summit. Although the spotlight on climate change has gotten a lot brighter in the past several months, the issue has been going on for decades. Three works have come out recently that were all conceived before this summer’s alarming weather but seem even more relevant now. All three artists have some connection to Talking Writing, and I decided that making a collage of their works and interviewing them would be a great way to explore these themes through the lens of aesthetics. JoeAnn Hart has just released a book of short stories set in the near future called Highwire Act and Other Tales of Survival, which won the 2022 Hudson Prize. In April 2023, Alice Major put out Knife on Snow, a collection of poems that weaves together emotional considerations of climate change with science, mythology, space exploration, and daily life. And in March, 2023 John Atkinson released his solo album Energy Fields, created from field recordings of coal mines, turbines, refineries, and animals from his residency at the Ucross Foundation in Wyoming in 2019.
In this episode, the interviewed artists talk about their approaches to playing their music live. What are the challenges? Where is the wiggle room for improvisation? What makes a performance engaging? As with the previous episode, each artist approaches the live situation differently, whether trying to present something that you've made in a studio or working out something that you've made in rehearsal.
Performing live and recording music are very different acts, and the skill sets don't necessarily cross over. Some musicians are prone to creating things in the studio and then face the challenge of making something live out of it. Others write and experiment in the live setting and then go into the studio to try and translate what they've been doing live. Both approaches come with unique challenges, and this episode asks the question: "What do you get psychologically out of each process, playing live and recording?"
In this episode, the interviewed artists talk about their approaches to playing their music live. What are the challenges? Where is the wiggle room for improvisation? What makes a performance engaging? As with the previous episode, each artist approaches the live situation differently, whether trying to present something that you've made in a studio or working out something that you've made in rehearsal.
Performing live and recording music are very different acts, and the skill sets don't necessarily cross over. Some musicians are prone to creating things in the studio and then face the challenge of making something live out of it. Others write and experiment in the live setting and then go into the studio to try and translate what they've been doing live. Both approaches come with unique challenges, and this episode asks the question: "What do you get psychologically out of each process, playing live and recording?"
Most artists tend to have many different projects occurring simultaneously or over the course of their artistic lives. Here the artists interviewed tell how they tend to move from one project to another and what their various projects provide them.
This episode explores the way that ideas come up and how they move through the process into becoming a piece of art. The path from vague idea to finished product is never straightforward. One thing that becomes clear during these conversations is how messy and random the progression can be.
The first episode of the Weird Music podcast series focuses on an idea put forth by Stephen King in On Writing: that art depends on telepathy. While discussing the telepathic elements of art, the conversation veers into the area of whether or not the artist's intention translates through the work.
John Vogel, our art director, interviews author Brad Schreiber on his latest book, Music is Power, and the influences that shaped his writing. Brad Schreiber is an author, screenwriter, producer, literary consultant, journalist, playwright, teacher, and performer. Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.
Neva Talladen, Managing Editor of Talking Writing, interviews the self-published author Dana Humphrey. The two discuss creating such a vulnerable piece of work while still keeping your real-life relationships intact. Dana is a life coach, an author, a life coach, a Death Doula, and a hot yoga instructor. May All Beings Be Fed is an incredibly vulnerable memoir of Dana’s life written in the third person. Through Yaya, Dana is able to explore her upbringing, her experience acquiring a mental health diagnosis, and her experience with drugs at a healthy distance.
John Vogel, Talking Writing’s art director, interviewed poet, writer, and editor Kelli Russell Agodon. Kelli Russell Agodon (she/her) is the author of four collections of poems, including her most recent, the award-winning Dialogues with Rising Tides, published by Copper Canyon Press in 2021. Kelli and John discuss the logistics behind making time for art as a parent, the role of their spouses in the artistic process, and staying motivated to submit and publish.
Talking Writing founder and publisher Martha Nichols talks to David Santos Donaldson about his novel Greenland, published by Amistad Press in 2022 and out now in paperback, which has garnered wide critical acclaim. In this interview, Martha and David discuss the personal background of the novel, the struggle of racial and sexual identity in the face of the white heterosexual default, and the cultural background of magical realism.
TW's managing editor Neva Talladen speaks with Nicki Pappas, a writer and podcaster whose self-published memoir, As Familiar as Family, delves into the abusive events that led her to leave a church with which she had been intimately involved. Nicki also hosts Broadening the Narrative, a podcast dedicated to exploring themes, ideas, and ways of being that exist outside the white evangelicalism in which she was raised. Neva and Nicki discuss the book, religion, and self-publishing.
TW's publisher, Martha Nichols, talks with novelist Richard Zimler. Their conversation focuses on Richard's latest novel, The Incandescent Threads, which was selected as a finalist for the National Jewish Book Award. Martha delves into the personal stories behind the book's themes as well as Richard's thoughts on the invisible threads that connect the past with the future – and all of us.
John Vogel, TW’s art director, talks with director for the Penn Center for Neuroaesthetics Anjan Chatterjee about his paths in science and photography, the brain’s role in deriving pleasure from art, and the funding of the science of art. Anjan has practiced neurology for the past thirty years and produced two books on the subject of neuroaesthetics.
In this closing episode for the year, the Talking Writing team discusses how they mix their creative lives with everything else. Publisher Martha Nichols, Art Director John Vogel, Managing Editor Neva Talladen, and Nonfiction Editor Gabrielle (Gabi) Coloma talk about their successes, hesitations, failures, and determination to stay creatively sparked. Happy Holidays! The TW podcast will be on hiatus for the rest of 2022, returning early next year.
As the HarperCollins strike continues, we're running a fuller edit of TW managing editor Neva Talladen's interview with HarperCollins associate editor Rachel Kambury. This version focuses on Rachel's personal story entering into the publishing world, as well as specifics about the causes and conditions of the strike.
This episode focuses on the financial sustainability of art and publishing. It features an interview by managing editor Neva Talladen about the current HarperCollins strike with Rachel Kambury, an associate editor at HarperCollins, and a reading by Rebecca Steinitz of her essay On Writing Another Novel.
n this spotlight episode about politics and art, we bring together readings from poets, interview comments, and excerpts from the essay "Is History Wasted on Everyone?" by Martha Nichols.
John Vogel, TW's art director, talks with Philadelphia musician Jamey Robinson about creativity, criticism, and intense aesthetic experiences. Robinson is the former keyboard player for Need New Body and Man Man as well as composer for his solo project, Buffalo Stance.
All music in this episode is © Jamey Robinson and used with his permission.
TW founder and publisher Martha Nichols talks to Sarah Fay, author of Pathological: The True Story of Six Misdiagnoses, about writing and diagnosing mental health conditions.