Structure and Synecdoche : Recent Episodes
Ty Forman
This episode is about how filmmaking can be a TRANSFORMATIVE and revolutionary act. Where the supposition of aesthetics relative to implied structure is one unto which the creative can take advantage of already exiting methods and structure by which phasing allows them to blend and affect form and function. In full camouflage to come upon the mechanisms of change - all through optics and aesthetics.
Just a bit of freeform discussion on the nature of contextualized optical linearity relative to the ACTORS' / ACTRESSES' notion of the "through line". Juxtaposed against mathematical / functional analysis.
Keys #FBG #Bonesbrigade
This episode of Structure and Synecdoche approached and investigates the subject matter of the filmmaking mechanism and its opposite - experiential reality.
This episode of Structure and Synecdoche focuses upon Situationist filmmakers, their ideology, and aesthetics. Exploring the reactionary filmmaking of Guy Debord and the apologist aesthetics of Rene' Vienet.
The second part of the tripartite series on the Situationist International: This episode explores the subject of the "spectacle" as juxtaposed against what constitutes identity and individuality in a structured society defined by rules, norms, and constraints.
Dedicated to Mckenzie Foy #TOPO #CUE #FF
This tripartite episodic series centers upon the Situationist International. An international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972
The first episode centers itself upon the dilemma of social freedom and ideological fluidity - join us for the experience,
Structure and Synecdoche
Third and final segment of "the transcendental Cinema"
Thank you so much for tuning in!
Second part in a tripartite series, where I examine the nature of the transcendental aspect of filmmaking. Characterization which serves to effect reflectivity in audiences upon their own aesthetic formal or informal of their own "story".
his week, Structure and Synecdoche address the subject matter of "Aesthetic Reflexivity". Where form and function of modernist / post-modernist aesthetics are examined relative to the impact and influence of the discursive modality of the cinematic medium and its structure in its rendition and interpretation of the contemporary aesthetics upon discursive modality within contex