Every year, the Fair Saturday Foundation brings together international cultural and social leaders to encourage reflection on culture and social innovation as the main drivers to build more humane and positive societies.
In these uncertain times we continue to live in, and given the challenges we still face as humanity, what role should culture and social innovation play in building a better future?
[PT] Dia 16. Da lata ao tambor
Elisete Jesús Silva, conhecida artisticamente como Elem Silva, tem 24 anos de idade e nasceu em São Paulo, no bairro de Tatuapé, na zona leste. Com 3 meses de idade, sua mãe Nilzete Silva foi para Salvador, Bahia, onde viveu até hoje. Aos 8 anos, com a ajuda de sua mãe, ele criou uma banda chamada Crianças da Rocinha (favela) no Pelourinho. Ele começou a tocar com latas, baldes e garrafas recicladas e, com a ajuda de turistas, mais tarde comprou instrumentos de couro para a banda. Aos 17 anos, ele fez sua primeira viagem internacional a Londres com uma delegação de artistas para participar e se apresentar no festival South Bank Centre.
A Banda Meninos da Rocinha do Pelô é uma banda de 40 percussionistas liderados por três "maestrinos" e um "maestrina", Elem da Silva, criador do grupo e estrela do documentário "Maestrina da Favela".
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Día 15. Canta con nosotros/as
Descubre la historia de Iñigo Alberdi, gerente de la Sociedad Coral de Bilbao, entidad en la que ha puesto en marcha el proyecto musical Eskolan Kantari, cuyo objetivo es llevar la formación coral a las escuelas.
Convencidos de los beneficios de la música y del canto coral en particular, buscan transmitir los valores de la escucha, la solidaridad y el trabajo en común, promoviendo el diálogo intercultural.
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Day 14. Merging arts, health and science
Merging Health and Science through the ARTS is possible! And we tell you how in today's inspiring #FSForum talk featuring Hannah Dye, Head of Programs at Breathe Arts Health Research.
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Day 13. War divides, music connects SONGS that heal wounds! Today at #FSForum the inspiring talk “War divides, music connects” by Laura Hassler. Discover the story of the founder of Musicians Without Borders, the organisation that uses the power of music to bridge divides, build communities and heal the wounds of war.
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Day 12. Cultivating better tomorrows PERFORMING ARTS and SOCIAL ACTION go hand in hand! Today at #FSForum an inspiring talk for the advancement of diversity, equity, and inclusion in the performing arts community. Discover the story of Erica Lynette Edwards, founder of Cultivating Better Tomorrows (Chicago).
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Day 11. Theatre as community-building
Empathy GOES ON STAGE! Today at #FSForum an inspiring talk about how theatre has a social purpose. Jordan Campbell from the Creative Generation collective will talk about the successful idea of embodying the other to generate empathy through difference, a project that has theatre as a basis for a fairer world.
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Day 10. Building bridges through music - intercultural music education for a social change
Building bridges with MUSIC is possible! Today on #FSForum Victoria Romann tells us how the Architects of Music initiative has done it. This newly established, socially motivated music education programme for young people in Uganda's vibrant capital Kampala serves to build bridges through music education between Uganda and Germany.
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Day 8. Keeping the Arts Alive amidst the New Normal What does a pandemic-proof festival look like? Jack Wong, director of the George Town Festival in Penang, tells us about it today in #FSForum session.
The pandemic has put the cultural industry to the test, but creativity can achieve a lot. In today’s talk, Jack brings us several ideas and recommendations to keep the arts alive in this new normal.
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Day 6. Music at its best: solving social problems Discover the inspiring story of South Korean violinist Hyung Joon Won, a symbol of the quest for peace through music.
After a decade of attempts in which the two nations have been divided since the war in 1950, the artistic director of the Lindenbaum Music Festival Orchestra is leading a movement in the hope of achieving inter-Korean peace and promoting a message of peace and harmony through music.
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Day 5. New Narratives, or how to build together
Today we bring you the inspiring work of the Nowrouze Honar Theater Company, Iran’s first international theatre agency, whose main objective is to facilitate cultural exchange between Iran and the world through performances of the latest local and international theatre productions.
Discover its trajectory with Sepehr Sharifzadeh, its co-founder and artistic director.
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Day 4. Esseri Urbani 2022 SPORE
How can art and culture trigger a process of urban and social regeneration in a city? Angela Conte, the artistic director of the Esseri Urbani Festival, the first accessible contemporary art festival in southern Italy and winner of the New European Bauhaus Awards 2021 in the category "Mobilisation of culture, arts and communities", tells us.
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Día 3. Vivir en la confianza
Hoy tenemos el placer de contar con las inspiradoras palabras de Javier Cascón Coca, CEO de la asociación AMAQTEDU con sede en Madrid. AMAQTEDU desarrolla programas de formación artística y desarrollo personal para personas sin hogar y en riesgo de exclusión a través de diversas disciplinas: Música, danza, pintura, teatro, artesanía y literatura.
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Day 2. Breaking the sound barrier
As the opening session of the Fair Saturday Forum, we are pleased to have Afa S. Dworkin, President and Artistic Director of the Sphinx Organization, a Detroit-based social justice organisation dedicated to transforming lives through the power of diversity and inclusion in the arts, specifically classical music.
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Día 1. Acto de apertura del Fair Saturday Forum 2022
El pasado 2 de mayo, con motivo del lanzamiento de esta nueva edición del Fair Saturday Forum, se celebró de manera presencial el Acto de Apertura en la Sala BBK (Bilbao) dónde se presentó el panel oficial de ponentes de este año junto con las organizaciones impulsoras y la participación de varias organizaciones participantes. Únete a Anabell Ramírez (actriz), Alex Borovensky (director artístico) y Antonio Garrigues Walker en una conversación al rededor de la compañía ucraniana ProEnglish Theatre, el único teatro de habla inglesa en Ucrania. Además de su labor educativa, el teatro dirigido por Alex Borovensky se ha convertido en referente durante las últimas semanas, en las que han resistido a la guerra con Rusia a través del arte.
Esta jornada de apertura incluyó el estreno internacional de “The Book of Sirens”, obra de teatro creada y estrenada en refugios antiaéreos de Kiev, que se representó a cargo de esta compañía. Si no pudiste asistir, puedes disfrutar de la obra a través de la web oficial del Fair Saturday Forum www.fsforum.online.
Día 31. Cultura e Innovación Social en tiempos de incertidumbre.
"El arte y la cultura son sociedad. Son conectores y herramientas de evolución y transformación social. Y, en este sentido, indisociables de la diversidad. La cultura es, por lo tanto, un potente acelerador de la inclusión […] Debemos esforzarnos para que la cultura sea el espacio de todas y todos.”
Nora Sarasola. Obra Social BBK. Directora
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Day 30. Bringing the magic of performance in rural communities
"I think what we have learned from all this as an organization is that we are hugely adaptable and that we can respond effectively to change. And actually, for us, it's just been a real lesson in life about how working together and being less individualistic is the way forward, really. I think it's about empowering communities and working from the grassroots up and working as a collective."
Marie Lewis. Creative director. SEALL
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Day 29. Instruments in the Architecture: Building the Pianodrome
“If you have an intention and you run with it and you put all of your efforts into it, then people are attracted to that. There's like something magnetic about putting energy into something which you really believe in.”
Matt Wright. Pianodrome. Director
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Special thanks to MELT THE FLY and Pianodrome for letting us use their documentary for the occasion. This piece was directed, filmed, and produced by Austen McCowan & Will Hewitt.
Day 28. Pivoting an in-person festival online and retaining its sense of community
"So my advice would be to be brave. Put your audience at the heart of what you do. Understand that as a cultural community we have more in common than we have differences and that we can learn from each other to build back up in the coming years. Whilst HippFest can't wait to welcome audiences back into the warm embrace of the Hippodrome cinema, if this year has taught us anything, it's that one of the oldest mediums of moving image, silent cinema, can pivot successfully into the digital age and that there is a real appetite amongst our audiences for a hybrid life and virtual event going forward."
Emma Mortimore. Freelance producer. Hippodrome Silent Film Festival, Falkirk Community Trust.
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Día 27. Museo de Bellas Artes de Bilbao. Un lugar de encuentro
"Y frente a la globalización, surge en la ecuación una variable de lo que denominamos lo local, que no está en contraposición a lo global. Si lo global es lo abstracto, lo local es lo real. Y creo que la combinación de esos dos términos o entidades nos ofrecen una llave para descerrajar el futuro, saber explicar al hombre en su contemporaneidad, desde la experiencia estética, desarrollada individual o colectivamente en un escenario concreto. Creo que es uno de los grandes retos que debemos saber afrontar en el futuro"
Miguel Zugaza. Director Museo de Bellas Artes de Bilbao
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Día 26. La cultura como motor económico y social de una ciudad
"El arte alegra la vida, alegra todo. Y te hace también, quizás, pensar mejor, vivir mejor, con las neuronas, la razón y el corazón quizás mucho más acelerado [...] el arte es fundamental, ya no solo a nivel de una vida particular, pero también a nivel de una ciudad. Bilbao es probablemente un icono, un ejemplo mundial de por qué el arte te cambia una vida, una ciudad, incluso un país, de repente."
Javier Santiso. Mundi Ventures. CEO & Fundador
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Day 25. Transcendence
"As a transformative approach, there are short term, mid-term, long term, and general impacts beyond the obstacles of uncertainty that we have recognized. Commencing efforts towards healing, education, community rehabilitation, supporting peace and capacity building, empowering education efforts to prevent terror and prevent radicalization within the community, I believe is the way forward."
Karim Kanaan Wasfi. Founder & CEO. Peace Through Arts Foundation-Conductor. Iraq National Symphony Orchestra
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Día 24. La Signodanza: espacio para la diversidad y motor de inclusión en un mundo global
“Hace muchos años, cuando creé la compañía, tenía una idea muy clara de que quería crear un espacio, artístico y cultural, que no tuviera barreras de ningún tipo para las personas que acceden a ella. Personas con y sin diversidad funcional y de cualquier procedencia. Por eso en nuestros espectáculos trabajan artistas de diferentes disciplinas artísticas y personas de diferentes países, de diferentes edades, con y sin discapacidad.”
Rakel Rodríguez. CEO, Fundadora y Artista. ARYMUX
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Día 23. Abriendo las puertas a la inclusión
“Si la cultura puede hacer algo para mejorar la inclusión social, ¿Cómo vamos a dejar de hacerlo? Su papel es muy relevante y no sólo es una responsabilidad pública, es también individual. Nos corresponde a todos hacer lo que esté en nuestra mano para mejorar la sociedad. La cultura y el arte son alimentos para el alma”
Sonia Gainza. Fundadora. Apropa Cultura
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Day 22. Best of FSForum 2020
Today we bring you a very special session remembering the best moments with the panel of speakers from the last edition of the FSForum. A year has already gone by and all these teachings and lessons, which continue to be applicable today, are still very much with us. We hope they inspire you as much as they do us.
Hoy os traemos una sesión muy especial recordando los mejores momentos con el panel de ponentes de la edición pasada del FSForum. Ya ha pasado un año y todas estas enseñanzas y lecciones, que siguen siendo aplicables hoy en día, las seguimos llevando con nosotr@s. Esperamos que os inspiren tanto como a nosotr@s.
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Day 21. Supporting the arts in U.S. communities (II)
“And I'm hopeful that, again, when we emerge in 2022 from our strategic planning […] we may find some ways to create metrics that will tell us if we're being successful in supporting true equity in various places and doing it relative to those communities needs, I think is really important. […] as the nation's leading arts funder, I think we're put in a position to where we have to kind of learn as we go along and accelerate the process because of the demand.”
Michael Orlove - Sunil Iyengar. National Endowment for the Arts. Director of international activities - Director of research and analysis.
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Day 20. Supporting the arts in U.S. communities
“It'll be interesting to see how patterns of giving in the arts in the future change over time and whether it will change over time in the US, since that formed so much of the US support system for the arts very well. One thing that we've started to hear is other countries […] asking to learn more about our philanthropic model, because, of course, in other countries where they've had budget cuts from a centralized arts support system, they've had to look to ways to stimulate donations and to cultivate that. And of course, we have a tax code that helps us in this case to incentivize charitable donations to the arts.”
Michael Orlove - Sunil Iyengar. National Endowment for the Arts. Director of international activities - Director of research and analysis.
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Día 19. "La importancia de la cultura en los entornos rurales".
"¿Quién no se ha visto transportado a la felicidad de la infancia a través de un olor? ¿Quién no ha sentido una punzada de dolor, o un ataque de risa, o una profunda indignación leyendo un libro o viendo una película? Esa es la verdadera grandeza de la cultura. Que es capaz de construir el puente que nos une a través del espacio y del tiempo con los demás."
Concha Andreu Presidenta del Gobierno de La Rioja
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Día 18. "Mesa redonda con el ecosistema cultural de Bizkaia (II)"
Modera Lorea Bilbao, Diputada Foral de Euskera y Cultura de Bizkaia desde el año 2015 la mesa redonda con participantes como Artoteka, Deabru Beltzak , Loraldia , Ura bere bidean y Urmuga.
“Es absolutamente necesario establecer conexiones y compartir lo que somos, nuestras expresiones y cómo nos proyectamos. La cultura vuelve a ser embajadora y puente. La cultura nos ha abierto muchas puertas a diversos temas [...] Debemos generar modelos participativos, diversos, enriquecedores, sostenibles y que permanezcan durante mucho tiempo y que se proyecten, que permanezcan variando y que permanezcan transformándose, pero que nos proyecten hacia un futuro mucho mejor.”
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Día 17. "Mesa redonda con el ecosistema cultural de Bizkaia"
Modera Lorea Bilbao, Diputada Foral de Euskera y Cultura de Bizkaia desde el año 2015 la mesa redonda con participantes como Artoteka, Deabru Beltzak , Loraldia , Ura bere bidean y Urmuga.
“¿Cómo afrontamos desde Bizkaia el futuro? ¿Cómo lo estamos viendo? Pues desde luego lo estamos viendo e imaginando y trabajando, no con medidas cortoplacistas sino con estrategias más a futuro que quizás vayan algo más lentas, pero que también nos ayuden y podamos conseguir fortalecer mucho más el tejido social cultural que nos toca. Nos toca favorecer ese desarrollo cultural a todos los niveles, en todas las disciplinas y en todos los ámbitos de nuestra sociedad.”
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Day 16. "The Role of Culture in times of distress"
"Governments will have to face and respond to the challenges of greater accountability to cultural agents and their practices. A deeper institutional responsibility relates to the need to operate with greater knowledge of cultural practices to respond to new and old needs [...] This means that countries must experiment with a new framework for investment in the arts and for the involvement of different cultural disciplines. Research, study and experimentation must be prioritized."
Rui Moreira. Câmara Municipal do Porto. Mayor
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Day 15. "Transforming culture"
"Much of our world […] is grounded in the past, there are amazing works of art from the past, profound traditions and ancient knowledge and skills that are worth preserving. But our societies equally need the daredevils who are challenging the status quo. If we only concern ourselves with what we already know, what kind of world would that be? We need those who seek out the borders, who go to the places where it hurts, for it is only there that we are doing work that really matters.”
Matthias Roder. Karajan Institute. Managing Director
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Day 14. "Social transformation through music"
"This is just a small sample of some of the projects in the five sections of the "Music as a Global Resource" compendium, which really showcase the power of music to illuminate all of the UN Sustainable Development Goals, which work in a really powerful, intrinsic and instrumental way."
Jose Pedro Zenteno. Global Leaders Program. Academic Director - Brydie-Leigh Bartleet. Queensland Conservatorium Research Centre Griffith University. Director
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Día 13. "¿Está la cultura siendo un espejo de la transformación digital de la sociedad?"
“Creo que hasta este momento, en estos 20-25 años que llevamos de vida digital, la cultura ha estado muy mimetizada por la evolución tecnológica. Creo que un ejemplo de ello son las redes sociales […] que no han traído bienestar […] han traído innovación, acceso a la información, pero también una tremenda globalización de la superficialidad. Hago un llamamiento para que recuperemos esa reflexión y pensamiento profundo que hemos dejado de lado.”
Alex Rayón. Universidad de Deusto. Vicerrector de Relaciones Internacionales y Transformación Digital
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Day 12. "Staying in touch during uncertain times: is your interior world digitally “pre-paired”?"
"We all are sounding bodies so, in other words, we are all musical instruments, we all respond to natural physical vibrations of the exterior world. [...] It is so important to show how we can actually make use of music for music and medicine to benefit lots of well-being applications into health."
Chika Robertson. Music Mind Spirit Trust. CEO
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Day 11. "Live Music Now - The Transformative Power of Music"
“Music is a transformative vehicle for social change because it connects us to one another in profound and meaningful ways. Music gives us agency, control, and choices. It is a powerful language that communicates and reflects ideas, identity and emotions and improves our sense of well-being."
Janet Fischer. Live Music Now. CEO
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Day 10. "See what everyone else sees but think what no one has thought about".
"We don't know what the future of education will look like. But what we can do is make sure that children are motivated to want to learn. And that's what we call educational resilience. Helping kids love to read and become lifelong readers and lifelong learners, ready to face whatever the world has in store for them in the future."
Rana Dajani. We Love Reading Project. Founder & Director.
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Day 9. "COVID-19 - New Zealand's response to support the cultural sector."
"We want to see arts, culture, and heritage thrive and be supported by our government's approach to New Zealand's wellbeing. We want to see strong career paths, broad access to cultural experiences, and a celebration of our diverse cultural traditions. We want New Zealanders to be inspired by creativity and excellence [...] this is the sector that creates and reflects our identity as a nation, connects us to each other, and presents our stories to the world."
Hon. Carmel Sepuloni. New Zealand Minister for Arts, Culture and Heritage.
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Día 8. "La cultura como herramienta para la reconstrucción social"
Enrique Avogadro Ministro de Cultura de Buenos Aires
"En un escenario de creciente exclusión, de creciente desigualdad como en la Argentina […] dónde la pobreza ya ha llegado al 42% de nuestra población ¿Qué tiene que hacer la cultura con relación a este gran desafío? ¿De qué manera puede ser protagonista, entendiendo que la cultura es mucho más que entretenimiento?"
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Día 7. "La cultura rompe barreras"
"La cultura es muy importante porque ayuda a la inclusión social"
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Day 6. "The humanizing power of the arts: building back better".
"It is a critical time to reintegrate culture and the arts into strategies for economic and social regeneration, to finally recognize the value of culture and the arts to the well-being of all citizens, and to harness their power to bring people together, even when it is still impossible for us to physically come together."
Susanna Seidl-Fox. Program Director, Culture and Arts Salzburg. Salzburg Global Seminar
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Day 5. "How the Sydney Opera House lifted the curtain on a new program of live events after its public closure due to COVID-19."
"It's hard to get back up. And all the preparation we've put into it has more than paid off. And I guess my biggest hope is that the fact that Australia is in such a fortunate position is giving hope to people in other performing arts centers and other companies around the world that they'll be back and it's great to be back. And everyone is enjoying the renewed vigor."
Louise Herron AM, CEO of the Sydney Opera House, tells us how they lifted the curtain again.
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Día 4. "Cultura e Innovación Social"
“Un teatro como este se basa en el encuentro entre el público y los artistas. Ese es el hecho esencial de la creación en las artes escénicas. Este encuentro conmueve, este encuentro altera la cotidianeidad y combate la mediocridad de la vida diaria".
Ramiro Eduardo Osorio Fonseca, Director General del Teatro Mayor Julio Mario Santo Domingo, reflexiona sobre la cultura y la innovación social.
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Día 3. "El reto de una industria cultural y musical accesible, diversa e inclusiva"
"Si todo el mundo puede y debe consumir cultura, todo el mundo debe contribuir a su construcción y creación”
Pablo Galindo, Director de Music for All , reflexiona sobre el reto de una industria cultural, diversa y accesible.
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Day 2. "Music: Our universal language".
"Let's learn from each other through this language we have. Our one universal language. Music."
Jake Groshong, CEO of Playing for Change Foundation, reflects on the importance of music as a vehicle for connection.
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Day 1. "When an artist becomes a leader".
"Is this the time to look to artists as our references to help us imagine a collective future?"
Nico Daswani, Head of Arts and Culture at the World Economic Forum - winner of two Emmy awards - reflects on the importance of creators in narrating the world we live in and shaping the future we want to live in.
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