Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ownership of Knowledge: Beyond Intellectual Property (MIT Press, 2023) provides a framework for knowledge ownership that challenges the mechanisms of inequality in modern society. Scholars of science, technology, medicine, and law have all tended to emphasize knowledge as the sum of human understanding, and its ownership as possession by law. Breaking with traditional discourse on knowledge property as something that concerns mainly words and intellectual history, or science and law, Dagmar Schäfer, Annapurna Mamidipudi, and Marius Buning propose technology as a central heuristic for studying the many implications of knowledge ownership. Toward this end, they focus on the notions of knowledge and ownership in courtrooms, workshops, policy, and research practices, while also shedding light on scholarship itself as a powerful tool for making explicit the politics inherent in knowledge practices and social order. The book presents case studies showing how diverse knowledge economies are created and how inequalities arise from them. Unlike scholars who have fragmented this discourse across the disciplines of anthropology, sociology, and history, the editors highlight recent developments in the emerging field of the global history of knowledge—as science, as economy, and as culture. The case studies reveal how notions of knowing and owning emerge because they reciprocally produce and determine each other's limits and possibilities; that is, how we know inevitably affects how we can own what we know; and how we own always impacts how and what we are able to know. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
Avi Staiman, CEO of Academic Language Experts discusses the how advancements in artificial intelligence are shaping academic publishing. Avi offers various solutions and remedies to concerns around misuse, in addition to offering several tools that can support academics in their writing and research. Sci Writer Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the library profession, and in the world as a whole, the experiences of trans and gender diverse people often go unnoticed, hidden, and ignored. Trans and Gender Diverse Voices in Libraries (Library Juice Press, 2021) is entirely written and edited by trans and gender diverse people involved in the field: its fifty-seven authors include workers from academic and public libraries, special collections and archives, and more; LIS students; and a few people who have left the library profession completely. Editors Kalani Adolpho, Stephen G. Krueger, and Krista McCracken share in this interview how this book is not intended to be the definitive guide to trans and gender diverse experiences in libraries, but instead to start the conversation. This project hopes to help trans and gender diverse people in libraries realize that they are not alone, and that their experiences are worth sharing. This book also demonstrates some of the reality in a field that loves to think of itself as inclusive. From physical spaces to policies to interpersonal ignorance and bigotry, the experiences recounted in this book demonstrate that the library profession continues to fail its trans and gender diverse members over and over again. You cannot read these chapters and claim that Safe Zone stickers and “libraries are for everyone” signs have done the job. You cannot assume that everything is fine in your workplace because nobody has spoken out. You can no longer pretend that trans and gender diverse people don’t exist. Find the table of contents for Trans and Gender Diverse Voices in Libraries as well as open access chapters online here. Learn about the Trans and Gender Diverse LIS network here. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
Niko Pfund joins the podcast to discuss the value of scientific content for building out Large Language Models and some of the challenges around tracking the quality and ownership of aggregated content from unknown sources. We also discuss potential avenues for collaboration between Generative AI companies and scholarly publishers. Niko Pfund is Academic Publisher at Oxford University Press and President of Oxford’s US office. Learn more about your ad choices. Visit megaphone.fm/adchoices
Do we need bookstores in the twenty-first century? If so, what makes a good one? In Praise of Good Bookstores (Princeton UP, 2022), Jeff Deutsch--the director of Chicago's Seminary Co-op Bookstores, one of the finest bookstores in the world--pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts--perhaps audaciously--a future in which the bookstore not only endures, but realizes its highest aspirations. In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch's arguments for the necessity of bookstores is the incalculable value of browsing--since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection. In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them. Jeff Deutsch is the director of Chicago’s Seminary Co-op Bookstores, which in 2019 he helped incorporate as the first not-for-profit bookstore whose mission is bookselling. He lives in Chicago. Recommended Books:
Lewis Hyde, The Gift
Leon Forrest, Divine Days
Toya Wolf, Last Summer on State Street
Pierre Hadot, Don’t forget to Live
W.B. Yates, “Words for Music, Perhaps”
Aeschylus, Prometheus Bound
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Rachael Cayley, Associate Professor in the Graduate Centre for Academic Communication at the University of Toronto, Canada. Rachael also blogs. Her Explorations of Style is a wide-ranging discussion of topics associated with graduate writing. In our interview, we talk about mindset and drafting and revision and structure and writing, writing, writing — basically, all the great stuff in Thriving As a Graduate Writer: Principles, Strategies, and Practices for Effective Academic Writing (U Michigan Press, 2023) for you, the graduate writer! Rachael Cayley : "You should have an Introduction, and I believe strongly that you should write the Introduction first. But you shouldn't polish an Introduction first. A student of mine — after I'd explained this — said that it sounded like making an IKEA table. So, you don't want to tighten the first leg of the table too much before you've started tightening the other legs, because you need all the connections in place first before you can flip the thing over and have a stable structure. Well, it's the same with an Introduction: you tighten a little bit here, and you move to the next part and tighten there, and so on, gradually round and round that part of your text, until you've got something solid." Learn more about your ad choices. Visit megaphone.fm/adchoices
Bianca Vienni-Baptista, Isabel Fletcher, and Catherine Lyall's Foundations of Interdisciplinary and Transdisciplinary Research (Bristol University Press, 2023) is a groundbreaking reader designed to lower the barriers to interdisciplinarity and transdisciplinarity in research. Edited by experienced researchers from a range of different fields whose work grows out of the SHAPE-ID consortium, it paves the way for future scholarship and effective research collaborations across disciplines. For more on the SHAPE-ID project, including the toolkit and annotated bibliography referenced in this podcast episode, visit https://www.shapeid.eu. Chapters in this book offer extracts from key academic texts on topics such as the design, funding, evaluation and communication of research, providing a thorough grounding for newcomers to the field as well as experienced practitioners. Content included highlights examples of interdisciplinary and transdisciplinary triumphs as well as challenges. Each chapter concludes with a commentary provided by practitioners from diverse backgrounds, many of whom are themselves developing new approaches to inter- and transdisciplinarity; these commentaries serve to model the types of dialogue this book hopes to inspire. This is a much-needed primer that improves our understanding of the characteristics of interdisciplinarity and transdisciplinarity, unlocking their exciting potential in research and teaching within and beyond academia. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
Does listening to an audio book count as reading? Can audio books help democratize education? Will more academic presses be creating audio versions of their books? Princeton University Press audio books editor Danielle D’Orlando joins us to share about the exciting future of audio books for academia. More about PUP Audio: In 2018, the Princeton University Press team launched the first university press audiobook program, Princeton Audio. Four years and almost a thousand hours of published audiobooks later, they published their hundredth audiobook. Along the way, they have had the privilege of learning from their trusted partners in audio, from authors and agents to narrators, producers, proof-listeners, directors, and engineers. Their hundredth audio production is “only the tip of the iceberg”, which also includes co-publications with other publishers, audiobooks produced by partners new and old including Audible, Recorded Books, Blackstone, University Press Audio and many others. More about our guest: Danielle D’Orlando is the Curator of Audio at Princeton University Press, home to the first in-house university press audiobook division: Princeton Audio. She spent much of her career at Yale University Press where she spearheaded their audio program, including the development of Yale Press Audio. She has an M.S. in Publishing and lives in Connecticut with her spouse, two children, and, as featured in today’s episode, her 10-year-old dog, Lacey. More about our host: Dr. Christina Gessler holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. She is a freelance book editor, and has served as content director and producer of the Academic Life podcast since she launched it in 2020. The Academic Life is proud to be an academic partner of the New Books Network. Listeners to this episode may be interested in:
Becoming the Writer You Already Are, by Michelle Boyd
The Grant Writing Guide, by Betty S. Lai
The Book Proposal Book, by Laura Portwood-Stacer
Writing with Pleasure, by Helen Sword
How To Impress an Acquisitions Editor
The libro playlist of African-American studies audio books for AP students
Listeners may be interested in these Academic Life episodes:
This conversation on revising your dissertation for press submission
This conversation on determining if you need a developmental editor
This discussion of the top ten things to fix in your manuscript before submitting it
This conversation on university press submissions and the peer review process
This conversation on marketing your scholarly book
This conversation about how to write a book proposal
This conversation explaining open-access publishing
This discussion about doing archival research
This conversation about Where Research Begins
Welcome to the Academic Life! Join us here to learn from experts inside and outside the academy, and around the world, and embrace the broad definition of what it truly means to live an academic life. Missed any of the 150+ Academic Life episodes? You can find them all archived here. And check back soon: we’re in the studio preparing more episodes for your academic journey—and beyond! Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Aaron Clauset, Professor of Computer Science at the University of Colorado at Boulder and in the BioFrontiers Institute. Aaron is also External Faculty at the Santa Fe Institute. We talk about what the science of science can contribute to your career in research. Aaron Clauset : "In science, having good ideas is, in the end, the most important part. You can go a long way, in terms of surviving in the ecosystem of scientific research, on the basis of having really good ideas. Because those ideas can help you get to a good, resource-rich institutional environment. Your ideas can help you cultivate a rich, productive collaboration network that will enable you to be successful over time. For example, a paper that I wrote, looking at the composition and size of collaboration networks and how, once you control for differences between men and women in the way they construct and maintain these different kinds of collaboration networks, productivity differences and impact differences essentially go away. I mean, that's kind of fascinating — that the social network that underlies science ends up being the thing that creates many of the disparities that we superficially see in the ecosystem of scientific research." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Nicolas Christin, Professor at Carnegie Mellon University, jointly appointed in the School of Computer Science and in the department of Engineering and Public Policy. We talk about the luck it takes to succeed in research, and of course too about the initiative shown by successful researchers to seize that luck. Nicolas Christin : "You will get a pretty good understanding of where some research idea has come from if you read the Introduction of the paper very carefully. Because the Introduction will typically start with either a sort of case study, 'Alright, so, x does y and this is what happened to them, and so, yeah, we need to fix that problem' or the Introduction will tell you how the paper inscribes itself in a larger body of work but without going through all the related work, as in, 'Yeah, we are different from A, B, and C in this and that way' but instead like 'Yeah, this is what the state-of-the-art is and this is what we are bringing to the table.' And as you read this, you can back-track it all and then see what the initial spark was, what the key motivation for that whole line of research was. Because in some cases, when you do this careful reading, say, ten years after the fact, you know, when you return to the seminal papers in your field, there you may realize or you may find out that the initial idea came from a case study or from a problem that actually was not a problem at all, because really the thing just became famous because it was applied to a different context. And that is, of course, completely fine. In fact, it tells you something about the serendipity or the randomness of what sticks and what doesn't." Learn more about your ad choices. Visit megaphone.fm/adchoices
In this lively and far-reaching text, Nick Witham (University College London) tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation’s history. For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past: Historians, Publishers, and Readers in Postwar America (University of Chicago Press, 2023), Witham challenges this interpretation by telling the stories of Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner - writers who, in the decades after World War II, published widely read books of national history. Witham compellingly argues that we should understand historians’ efforts to engage with the reading public as a vital part of their postwar identity and mission. Not just a matter of writing style, popular accessibility was also a product of an author's frame of mind, the editor's skill, and the publisher's marketing acumen, among other factors. Rooted in extensive archival work, Popularizing the Past persuasively demonstrates the cross-influences of popular history writing and American popular culture. James West is a historian of race, media and business in the modern United States and Black diaspora. Author of "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (Illinois, 2020), "A House for the Struggle: The Black Press and the Built Environment in Chicago" (Illinois, 2022), "Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (Massachusetts, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Yuval Yarom, Professor of Computer Science at Ruhr University Bochum, Germany. We talk about how authors interpret the data and the facts, and we talk, too, about how readers interpret the authors' words about those data and facts. Yuval Yarom: "I like to think that the question whether the Title is boring or not does not affect me, just like I like to think that advertising does not affect me. But, I'm probably wrong on both counts. I do try to read papers based on whether they're related to what I do. But still, papers that are easier to read, or to be precise, that are easier to interpret — these papers are likelier to affect me positively: I'm paying attention. These are the papers that make it easier to relate, easier to understand, easier to see exactly what the authors mean by what they write. And so, the net effect is, everyone has an easier time working with the findings of those authors." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Daniel Gruss, Associate Professor in the Secure Systems group at Graz University of Technology, Institute of Applied Information Processing and Communications, Austria. We talk about asking the right questions when writing, for example, asking not "How should I write that?" but asking instead "How would someone else write that?" Daniel Gruss: "Actual methods and results have almost no value if they don't serve a purpose, and the purpose in research is to show that some idea is valuable enough to be shared with the community — basically, that this idea needs to get into the shared knowledge of the community, the state-of-the-art. Because, if you don't have any idea there that you're adding to the state-of-the-art, then what is the value of a result or a method?" Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Thorsten Holz, Professor for computer science and faculty at CISPA, the Helmholtz Center for Information Security, in Saarbrücken, Germany. We talk about mentoring, collaboration, writing, and a little more about writing again. Thorsten Holz : "I'm rather open in just sharing ideas with other researchers, even with researchers whom I haven't yet collaborated with. I haven't really had any bad experiences this way so far. Of course, from time to time, we've gotten scooped by other works. But in these cases, on the one hand, I don't think those other groups stole our ideas or intentionally tried to beat us to it. And on the other hand, being scooped also can be interpreted as an encouraging sign. Sure, it's depressing for a PhD student to see other authors get priority for that work. But really, since other groups have had similar ideas and have wanted to achieve similar goals, this means that we are doing interesting research which should have uptake in the community." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Peng Liu, Professor at the College of Information Science and Technology at Pennsylvania State University, and also Director of the Cyber Security Lab. We talk about cold proposals to potential collaborators, we talk about reading across areas and through time, and we talk about how to write as an author and how to write as a reader. Peng Liu : "There's not really any one place a reader can go in a paper in order to find the critical insight. In my understanding, a reader needs to use a sort of synthesis-reasoning if he or she is going to identify the real contribution developed in the work. Because, although the authors try to communicate their contribution in a clear and predictable way — really, it's just not an easy thing to quickly locate this in any given paper. So, my experience has been that, as a reader, you will find critical insights in papers by asking — you find these insights when you ask the right questions about that research." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Sascha Fahl, Professor for Computer Science and Faculty for Usable Security and Privacy at CISPA, the Helmholtz Center for Information Security, in Saarbrücken, Germany. We talk about replicable methods, we talk about critical reading, and we talk about the necessity of a network to your research. Sascha Fahl : "I myself practise — and I encourage my PhDs to practice it too — the zero-draft writing approach. This is the approach of writing early, writing often. Because it's just absolutely important to accept that what you initially write is not what's going to be submitted and definitely not what will be in the camera-ready version of the paper. So I encourage the researchers in my group to put text into a manuscript very early on and to write sections which can be written before the results are in. And then it's just about revising the text multiple times, as it grows and as the project advances. Because we want to make sure that the argumentation is good, that the research questions are good, that the results actually address the research questions, that the discussion really fits well together with the results, and all that stuff. So the approach I promote is write early, write often, and also revise a lot." Learn more about your ad choices. Visit megaphone.fm/adchoices
Many library project plans, from small projects to institution-wide strategic planning committees, follow a linear trajectory: create the plan, do the plan, then review the outcome. While this can be effective, it also sometimes leads to disregarding new information that emerges while executing the plan, making the outcome less effective. Planning processes can also feel forced and predetermined if stakeholder feedback is not seriously considered. When this happens too many times, people stop offering their honest opinions and new ideas because they have learned that the planners do not really want to hear them. Integrated Library Planning: A New Model for Strategic and Dynamic Planning, Management, and Assessment (ACRL, 2023) offers a different kind of approach to planning that is both strategic and dynamic: fueled by open communication, honest assessment, and astute observation. Voices at the table, near the table, and far from the table are heard and considered. Its perpetual rhythm gives space to consider new information when it emerges and freedom to make changes at a time that makes sense instead of when it is most convenient or expected. The era of fixed-length strategic plans is coming to an end. Five-year strategic plans had already given way to three-year strategic plans, and now we find ourselves needing to plan and function when nothing is certain beyond the present moment. The components of this model might look deceptively similar to the strategic planning practices used in libraries and organizations for decades; however, when implemented as a whole, with a monthly review cycle on a rolling planning horizon and space for regular analysis of information needs and behavior, it has the potential to shatter any previous notions of planning that serve only to satisfy administrators. Integrated Library Planning can help libraries effectively navigate and become agents of change. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity’s age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Mathias Payer, a security researcher and associate professor at the EPFL School of Computer and Communication Science, leading the HexHive group. We talk about research as a social activity — No researcher can go it alone! Mathias Payer: "Reading and writing are integral parts to the research process. I would even say that there's a split one-third, one-third, one-third: for one-third, you're doing research; for the next third, you're reading about research; and for the final third, you're writing about your research. So you should split this up equally, and I say the same to my students. They should be reading several papers each week, for example." Learn more about your ad choices. Visit megaphone.fm/adchoices
Dealing with the colonial archive entails acknowledging the inability to know everything, accounting for the archive’s limited and incomplete condition. Dealing with the colonial archive is not merely about stories of the past but also about the history of the present, and how it is interrupted by the past. — Irene Hilden, in conversation with New Books Network.With a firm commitment to postcolonial scholarship, Absent Presences in the Colonial Archive: Dealing with the Berlin Sound Archive's Acoustic Legacies (Leuven University Press, 2022) presents a historical ethnography of a metropolitan institution that participated in the production and preservation of colonial structures of power and knowledge.This book examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories. Based on research at the Berlin Sound Archive (Lautarchiv), which consists of an extensive collection of sound recordings compiled for scientific purposes in the first half of the 20th century, Irene Hilden engages with the archive by focusing on recordings produced under colonial conditions.This publication is available as a free ebook at OAPEN Library, JSTOR, Project Muse, and Open Research Library.Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.Learn more about your ad choices. Visit megaphone.fm/adchoices
The Political Lives of Information: Information and the Production of Development in India (MIT Press, 2022), written by Janaki Srinivasan and published by MIT Press in October 2022, examines how the definition, production, and leveraging of information are shaped by caste, class, and gender, and the implications of this for development. Information, says Srinivasan, has fundamentally reshaped development discourse and practice. In this study, she examines the history of the idea of “information” and its political implications for poverty alleviation. She presents three cases in India—the circulation of price information in a fish market in Kerala, government information in information kiosks operated by a nonprofit in Puducherry, and a political campaign demanding a right to information in Rajasthan—to explore three uses of information to support goals of social change. Countering claims that information is naturally and universally empowering, Srinivasan shows how the definition, production, and leveraging of information are shaped by caste, class, and gender. Srinivasan draws on archival and ethnographic research to challenge the idea of information as objective and factual. Using the concept of an “information order,” she examines how the meaning and value of information reflect the social relations in which it is embedded. She asks why casting information as a tool of development and solution to poverty appeals to actors across the political spectrum. She also shows how the power to label some things information and others not is at least as significant as the capacity to subsequently produce, access, and leverage information. The more faith we place in what information can do, she cautions, the less attention we pay to its political lives and to the role of specific social structures, individual agency, and material form in the defining, production, and use of that information. Janaki Srinivasan is Associate Professor at the International Institute of Information Technology, in Bangalore, India. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scholarship is frequently imagined as a solitary pursuit, done mostly in archives or with books. This CHI Salon will feature scholars pursuing alternatives to this model and who regularly publish scholarship that emerges out of community activism, who co-write or co-edit books, and who actively seek out and create new models of authorship and research. Amherst Presidential Scholar Karma Chávez (UT-Austin) and Amherst College Press authors Megan Jeanette Myers (Iowa State) and Edward Paulino (John Jay) discuss their past publication experiences and the opportunities and challenges of collaborative scholarship. This panel is in honor of Open Access Week 2022 (Oct. 24-30). Participants: Karma Chávez is Bobby and Sherri Patton Professor in the Department of Mexican American & Latina/o Studies at the University of Texas-Austin. The author of The Borders of AIDS: Race, Quarantine, and Resistance (Washington, 2021), Queer Migration Politics: Activist Rhetoric and Coalitional Possibilities (Illinois, 2013), and the book of interviews Palestine on the Air (Illinois, 2019), Chavez has also co-edited four volumes: Queer and Trans Migrations: Dynamics of Illegalization, Detention, and Deportation (with Eithne Luibhéid, U of Illinois Press), Keywords for Gender and Sexuality Studies (with the Feminist Editorial Collective: other members are: Kyla Wazana Tompkins, Aren Z. Aizura, Aimee Bahng, Mishuana Goeman, and Amber Jamilla Musser, NYU Press), Standing in the Intersection: Feminist Voices, Feminist Practices in Communication Studies (with Cindy L. Griffin, SUNY Press) and Text + Field: Innovations in Rhetorical Method (Penn State University Press). Megan Jeanette Myers is associate professor of Spanish at Iowa State University where she co-directs the Languages and Cultures for Professions program. She is also a Faculty Fellow for Active Learning and Engagement at Iowa State’s Center for Excellence in Learning and Teaching. Myers is the author of Mapping Hispaniola: Third Space in Dominican and Haitian Literature (UVA, 2019), co-editor of the multimodal and multivocal anthology, The Border of Lights Reader: Bearing Witness to Genocide in the Dominican Republic (ACP, 2021), and just returned from a Fulbright Fellowship in the Dominican Republic. Edward Paulino is associate professor of Global History at John Jay College of Criminal Justice. Paulino is the author of Dividing Hispaniola: The Dominican Republic’s Border Campaign against Haiti, 1930-1961 (U. of Pittsburgh Press, 2016) and co-editor of The Border of Lights Reader: Bearing Witness to Genocide in the Dominican Republic (ACP, 2021). His scholarly articles and chapters have appeared widely and his research has been supported by the Fulbright Foundation, the National Endowment for the Humanities, the PSC-CUNY Research Foundation, and the New York State Archives. Learn more about your ad choices. Visit megaphone.fm/adchoices
The NBN would not exist but for the work of university presses. So every year we celebrate the efforts of our colleagues at UPs during "University Press Week," which happens to be November 14 to 18. This year I talked to Charles Watkinson, director of the University of Michigan Press and president of the Association of University Presses. We discussed what UPs do, what makes them different from other publishers, how UP books are priced, and the future of open access publishing. We also talked about how to make a career in UP publishing. The AUP has a wonderful resource that will answer all your questions about UPs here. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Archives of Times Past: Conversations about South Africa’s Deep History (NYU Press, 2022) is an exploration of particular sources of evidence on southern Africa’s early history. It gathers recent ideas about archives and asks the question: “How do we know, or think we know, what happened in the times before European colonialism?” Historians use a wide range of source materials for this work. What are these materials? Where can we find them? Who made them? When? Why? What are the problems with using them? The essays by well-known historians, archaeologists and other researchers engage these questions from a range of perspectives and in illuminating ways. Written from personal experience, they capture how these researchers encountered their archives of knowledge beyond the textbook. The aim is to make us think critically about where ideas about the time before the colonial era originate and to encourage us to think about why people in South Africa often refer to this “deep history” when arguing about public affairs in the present. The essays will appeal to students, academics, educationists, teachers, archivists, and museum practitioners. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology, and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
Saronik Bosu talks about humanities work engaging diverse communities and publics, misconceptions about what the ‘public’ in public humanities might mean as well as the recent attention paid to it by academic departments. In a longer version of the conversation, some individual instances of various digital humanities and archival projects are discussed. Here he speaks mainly from the perspective of his own work as a humanities podcaster and creator of humanities programming. Saronik Bosu is a doctoral candidate at the Department of English, New York University. He researches literary rhetoric and economic thought in contexts of decolonization. He is co-host of this podcast and the 2022-23 NYU-Mellon Public Humanities Doctoral Fellow. His work has appeared on journals like Interventions and Movable Type, as well as Avidly and Post45. He also makes art and works together its integration with scholarship. Image: © 2022 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoices
You’re going to an academic conference—and maybe even presenting a project! Whether you are going virtually or in person, for the first time or the tenth, presenting or just attending, you want to feel prepared. Are you? This podcast episode explores:
Why we need to go to academic conferences.
Why it can be difficult to navigate them.
How can you get the most of out of it.
Our guest is: Dr. Thomas J. Tobin, who is a founding member of the Center for Teaching, Learning, and Mentoring at the University of Wisconsin at Madison. He is an internationally recognized speaker and author on quality in technology-enhanced education. His latest book is Going Alt-Ac: A Guide to Alternative Academic Careers, written with Katie Linder and Kevin Kelly, from Stylus Publishing. You can find him on Twitter @ThomasJTobin and at his website, Thomasjtobin.com. Our host is: Dr. Christina Gessler, a historian of women and gender and an introvert, who has presented in dozens of academic conference, and like many of our listeners, she is still learning how to make the most of an academic conference. Listeners to this episode may also be interested in:
The Chronicle of Higher Ed article “How to Make the Most Out of An Academic Conference”
The Chronicle of Higher Ed article “How to Make the Most of a Virtual Conference”
The Chronicle of Higher Ed article “How To Cope With Presentation Anxiety”
This article on The Introverts’ Guide to Speaking Up
Quiet: The Power of Introverts, by Susan Cain
The Craft of Research, by Wayne Booth et al
The Research Companion, by Petra Boynton
The Art of Creative Research, by Philip Gerald
Welcome to The Academic Life! We reach across our mentor network to bring you podcasts on everything from how to finish a project to how to take care of your beautiful mind. On the Academic Life channel we embrace a broad definition of what it means to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Barbara Sarnecka, Professor of Cognitive Sciences and Associate Dean of Research and Graduate Studies for Social Sciences, University of California, Irvine. We talk about putting your mind in print. She is the author of The Writing Workshop: Write More, Write Better, Be Happier in Academia. Barbara Sarnecka : "The more quantitative a person's field of study is, the more likely they are to say that they just don't think that writing is a big requirement in their field. And they'll say, 'Well, writing isn't very important. I'm a biologist.' They imagine that writing is somehow for people in the humanities, or it's for playwrights or novelists, or something like that. But whenever anyone fails to be productive as a scientist, it's because they're not writing. It's because they're not publishing manuscripts or they're not producing funding proposals that are getting funded. It's not because they don't have enough ideas for experiments, or because they didn't collect enough data, or because they didn't learn to analyze the data properly. Those things are all kind of trivially easy, and that's why we can subcontract them to graduate students or the statistical consulting center or somebody to do them for us. You can't get somebody else to think for you, and you can't get somebody else to write for you."
Find about more about Barbara, including why she chose to self-publish, in this interview.
Read the research on Barbara's writing-shop intervention here.
Read the research on cascading mentorship here and here.
Contact Barbara's editor at michael.dylan.rogers@gmail.com
Daniel Shea is committed to helping scientists write at their best. Contact me at daniel.shea@kit.edu Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebel Book Club is an online and in-person book club. Each month, over 1,000 people get together to discuss a non-fiction book, occasionally with the author as a participant. For new members, use code: REBELREADER Ben Keene is an entrepreneur, author, and food journalist. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Is there a strategy to communicating your research online? This episode explores:
What an academic communications strategist does.
Why having a strategy to your online presence is important.
Common misperceptions about communicating online.
Lessons learned from an academic communications strategist.
The benefits and challenges to being an academic entrepreneur.
Our guest is: Jennifer van Alstyne (@HigherEdPR), a communications strategist for professors and researchers. At The Academic Designer LLC, Jennifer helps people share their work effectively in online spaces like websites and social media. The Social Academic blog shares advice about managing your online presence in Higher Education. Jennifer is a Peruvian-American poet with a BA in English from Monmouth University, an MFA in Writing & Poetics from the Jack Kerouac School, and an MA in English from the University of Louisiana at Lafayette. She lives in San Diego, California. Connect with Jennifer on Twitter and LinkedIn. Our host is: Dr. Dana M. Malone, a higher education scholar and practitioner energized by facilitating meaningful conversations and educational experiences. She specializes in college student relationships, gender, sexuality, and religious identities as well as student success and assessment planning. Dana is the author of From Single to Serious: Relationships, Gender, and Sexuality on American Evangelical Campuses, (Rutgers UP). Listeners to this episode may also be interested in:
Social Media How To’s
Articles about managing your personal website
Successes and Setbacks of Social Media: Impact on Academic Life edited by Cheyenne Seymour (Wiley)
Social Media for Academics by Mark Carrigan, 2nd edition (Sage)
This NBN conversation on how social media has shaped contemporary society.
This NBN conversation on theories and practices of social media communication.
Welcome to The Academic Life! You are smart and capable, but you aren’t an island, and neither are we. We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. Wish we’d bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices
How do metrics and quantification shape social science? In The Quantified Scholar: How Research Evaluations Transformed the British Social Sciences (Columbia UP, 2022), Juan Pablo Pardo-Guerra, an Associate Professor in sociology at the University of California, San Diego, explores this question using a case study of British academia. The book combines a rich array of quantitative and qualitative analysis, demonstrating the transformation of working conditions, institutional contexts, and research areas since the introduction of a metrics and quantification regime during the 1980s. Highlighting the complexity and ambivalences of metrics and quantification, as well as the uneven distribution of positive and negative impacts, the book offers essential reading for every academic, irrespective of the nation or institution in which they work. It also will be important for those seeing to better understand the role of metrics and markets in contemporary life. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Sarah Huffman (Assistant Director of the Center for Communication Excellence) and Elena Cotos (Associate Professor of Applied Linguistics in the English Department and Director of the Center for Communication Excellence) and Kimberly Becker, (Lecturer in English) — all three at Iowa State University. We talk about how to ruin your or anyone's reading experience of research articles by showing you just how much is going on in the text besides research! Kimberley Becker : "Less experienced writers of research tend to think that academic writing is this objective and faceless entity, when in fact it's very much negotiating lots of different social relationships. Academic writing is really pulling together this whole rhetorical situation of the author and the audience and the purpose. I think students, for example, get so bogged down in the complexity of the content — I mean this is very high-level content they have — that they forget that the reader has needs." Read Preparing to Publish (Iowa State University Digital Press, 2022) here. Learn more about your ad choices. Visit megaphone.fm/adchoices
The hardest part of research isn't answering a question. It's knowing what to do before you know what your question is. Where Research Begins: Choosing a Research Project That Matters to You (and the World) (University of Chicago Press, 2022) tackles the two challenges every researcher faces with every new project: How do I find a compelling problem to investigate--one that truly matters to me, deeply and personally? How do I then design my research project so that the results will matter to anyone else? This book will help you start your new research project the right way for you with a series of simple yet ingenious exercises. Written in a conversational style and packed with real-world examples, this easy-to-follow workbook offers an engaging guide to finding research inspiration within yourself, and in the broader world of ideas. Read this book if you (or your students):
have difficulty choosing a research topic
know your topic, but are unsure how to turn it into a research project
feel intimidated by or unqualified to do research
worry that you're asking the wrong questions about your research topic
have plenty of good ideas, but aren't sure which one to commit to
feel like your research topic was imposed by someone else
want to learn new ways to think about how to do research.
Thomas S. Mullaney is professor of history at Stanford University and a Guggenheim fellow. His books include The Chinese Typewriter: A History and Your Computer is on Fire. Christopher Rea is professor of Asian studies at the University of British Columbia. His books include Chinese Film Classics, 1922-1949 and The Age of Irreverence: A New History of Laughter in China. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of John Measey, Researcher at the Centre for Invasion Biology, Stellenbosch University, South Africa. We talk about the needs of early-career researchers and also about our need for early-career researchers. John Measey : "What we really need to know is what a scientific journal is for and what we want it to be for. So, we know, more or less, what it was for and where it came from, but what do we want that to be in the twenty-first century, and how will the journal meet rigor, independence, transparency, and replicability? Because we have a lot more potential now than we've ever had before for making knowledge available, so this means that every single publication that's out there, every piece of scientific work — all of it can be used not only one time by one scientist, but again and again and again by all scientists today and to come. So the question here is, How do we want that to be presented? I don't think that we should lose that interpretive manuscript, that (as we call it) journal paper, because it really gives us the insight of what the people who conducted that research did and what they think about what they did. That is a historical document of the time. But I want to ask too: What else can we get that will really make that paper so much more valuable going on into the future? Let's make the data available, let's make the script for the analysis available, let's make the code available — and there's so much more, because these days scientists are producing so much more digital content. So what do we want journals to do, and how do we want them to interact with this availability, with this big data?" Read and use How to Publish in Biological Sciences Read and use How to Write a PhD in Biological Sciences Learn more about your ad choices. Visit megaphone.fm/adchoices
The Journal of Black Religious Thought advances critical scholarship in the fields of Religious Studies – with special attention to Black religious studies, which includes and intersects, but not limited to the Hebrew Bible/Old Testament, New Testament, Intertestamental, Quran, theology, history, ethics, practical theology, religion-science, philosophy of religion, Black hermeneutics, philosophy of religion, womanist, intersectionality, cultural studies, among others – offering African American, African, and/or African Diaspora points of view. Dr. John Ahn is Associate Professor of Hebrew Bible at Howard University School of Divinity. He is trained in ancient Near Eastern and Religious Studies. He specializes in the historical and social reconstructions of the sixth and fifth centuries BCE with interests to the first century CE. Dr. Ahn is the editor-in-chief of The Journal of Black Religious Thought (Brill). Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
In Molecular Capture: The Animation of Biology (University of Minnesota Press, 2021), Adam Nocek, Assistant Professor in the Philosophy of Technology and Science and Technology Studies at Arizona State University, investigates the collusion between entertainment and scientific visualization in the case of molecular animation. “The very same tools that were invented to animate a character like Shrek or Nemo are now being applied to set in motion protein domains and cellular processes.” Opening with this quote by animator and scientist Gaël McGill, the book retraces the complex genealogy of molecular animation and analyses its pretension to scientific value. While the first half of the book deals with “molecular capture” as the cinematographic process of producing moving images of the molecular world, the second half thinks about that same “capture” as a form of governmental rationality, a kind of apparatus rendering life visible and available down to its most fundamental mechanisms. This discussion leads the author to consider the elusiveness of life and how the current codes of molecular animation are blurring the line between knowledge, data, speculation, and imagination. At the source of fascinating images, granting consumers with the impression of directly accessing the invisible processes defining life, molecular animation stands at the intersection of important questions relating to the history of scientific visualization, the evolving relationship between science and entertainment, and the production of biopolitical forms of governance. Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is also teaching French language and literature to undergraduates. Learn more about your ad choices. Visit megaphone.fm/adchoices
For this episode of How To Be Wrong, I speak with George Styles, a biochemist and author of the book Contemplation. George is also what we describe these days as an “influencer”—although as we discuss he objects to that label—on social media, with over 37 thousand followers on Twitter. His approach to Twitter is novel in that he focuses on asking probing questions designed to generate discussion, which at times become rather heated. Our conversation moves through topics related to how Twitter is used and how it can be used as a tool for generating civil intellectual discourse. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview with Jo Mackiewicz, professor of rhetoric and professional communication at Iowa State University, and with Isabelle Thompson, emerita professor of technical and professional communication and former coordinator of the English Center at Auburn University. We talk about their book Talk about Writing: The Tutoring Strategies of Experienced Writing Center Tutors (Routledge, 2018) and writing. Jo Mackiewicz : "The more I think about writing center interactions and write books about it, the more I think that the value a tutor brings to learning is this: to show students a thinking process, to show students an analysis process about writing — to show them a self-questioning of yourself as writer, and also a questioning of any sort of text, a questioning of your relationship to the text, a questioning of what you know about the subject matter, of how you evaluate your handling of that subject matter. Tutors model this process for student writers." Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Nicholas Rowe, researcher and educator based in Finland. We talk his book The Realities of Completing a PhD: How to Plan for Success (Routledge, 2021) and about what needs to change. Nicholas Rowe : "Writing for different purposes, for different audiences is a huge skill, because people are going to need this communication skill in their research proposal when they present their ideas to advisors, but also in their publications when they share their ideas with colleagues. Now, of courses, everybody's systems and processes are different, but the key communicative skills that you need are fairly much the same, and if you don't need them at one stage of a project, you're going to need them at another." Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
A special opportunity to hear from Sara Custer, editor of The Campus (Times Higher Education), about the role of journalism and reporting in higher education. Avi and Sara cover topics ranging from the role of media in increasing cross-institution collaboration and sharing during the pandemic to how universities can do a better job supporting their junior scholars. Also, don't miss out on the opportunity to learn how you can publish in Times Higher Education yourself! Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Paul A. Djupe, Anand Edward Sokhey, and Amy Erica Smith, The Knowledge Polity: Teaching and Research in the Social Sciences (Oxford UP, 2022) explores a more holistic understanding of knowledge production in the social sciences, moving beyond the publication process often required by those in tenure/tenure-track positions to thinking about the role of community in the construction of knowledge. Political Scientists Paul A. Djupe (Denison University), Anand Edward Sokhey (University of Colorado-Boulder), and Amy Erica Smith (Iowa State University) emphasize the idea of academics as citizens in communities and institutions, endowed with certain rights and responsibilities with regard to knowledge production, exchange, and promotion. These actions go beyond simply research; knowledge production incorporates teaching, reviewing, blogging, podcasting, commenting, mentoring, and other similar actions, all of which inherently depend on collaboration and community. Djupe, Smith, and Sokhey all have first-hand experience in the “publication pipeline” process. They accurately and intricately detail aspects of community that are overlooked within the academia. The collaborative nature of The Knowledge Polity speaks to the power of co-authorship in political science and sociology. The research indicates that building relationships with peers and mentors alike provides scholars with access to people whose advice is trusted, people who they consider friends, and people who know other scholars whose advice can also be trusted and valued. Similar to co-authorship, peer review is another dimension of knowledge exchange, collaboration, and the rights and responsibilities of the knowledge polity. The review process is reciprocal, and there is an innate sense that it is a duty, especially when the authors discuss “reviewer debt” (reviewing fewer papers than one is submitting) and how it is usually “paid off” when scholars reach tenure and have more time and capacity to give back to the community. Most academics would like to do more reviews, proving there is a powerful desire to participate in this important act of knowledge production. The authors use data from an extensive Professional Activity in the Social Sciences (PASS) study, which sampled responses from 1,700 sociology and political science faculty about their publications, and experiences with regard to the process. They integrate different aspects of all of these findings in each chapter, examining for differences across disciplines, methodology, gender, race, and age, among other variables. The Knowledge Polity: Teaching and Research in the Social Sciences integrates a diversity of empirical research, qualitative inputs, and sophisticated analysis to better understand knowledge production within the social sciences. It becomes clear that the idea of the solitary scholar, alone in his/her office, creating knowledge is much more of a myth, since the reality is that knowledge production is much more of a collective undertaking and experience. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Vivian Kao, Associate Professor of Composition and Coordinator of the First-Year Writing Program, and Julia Kiernan, Assistant Professor of Communication and Coordinator of Technical and Professional Communication — both at Lawrence Technological University, Michigan. It's more than just hot air — we talk about their STEAM, and their book Writing STEAM: Composition, STEM, and a New Humanities (Routledge, 2022). Vivian Kao : "Writing is really central to the project of STEM. And I'm talking about writing very capaciously, so that is, composing in multiple modes, in multiple media — that is, learning how to communicate to many different audiences and how to utilize many different genres. Because writing is a way of thinking and a way of understanding your place in the world." Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The International Association of Genocide Scholars is a global, interdisciplinary, non-partisan organization that seeks to further research and teaching about the nature, causes, and consequences of genocide, and advance policy studies on genocide prevention. The Association, founded in 1994, meets regularly to consider comparative research, important new work, case studies, the links between genocide and other human rights violations, and prevention and punishment of genocide. The Association holds biennial conferences and co-publishes the scholarly journal Genocide Studies and Prevention. Melanie O’Brien is Associate Professor of International Law at the UWA Law School, University of Western Australia. Dr. O'Brien's work on forced marriage has been cited by the International Criminal Court, and she has been an amicus curiae before the ICC. She has been an expert consultant for multiple UN bodies, and is widely consulted by global media for her expertise on international criminal law. She has conducted fieldwork and research across six continents. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Academic Life! In this episode you’ll hear about:
Dr. Laura Portwood-Stacer’s own experience getting her first two academic books published.
An overview of different kinds of editors who will be part of shepherding your book to publication.
What a developmental editor does.
Why might you need to hire one.
Her advice to book editors and their clients.
Our guest is: Dr. Laura Portwood-Stacer, who is a scholar and academic. She wrote a book based on her dissertation and many scholarly journal articles, including “How To Email Your Professor (Without Being Annoying AF).” She earned a PhD in Communication, with a certificate in gender studies, from the Annenberg School for Communication and Journalism at the University of Southern California. She lives in Los Angeles and, in 2021, I became a two-time Jeopardy champion. She is the author of The Book Proposal Book, and runs her own consulting business for authors. Our host is: Dr. Christina Gessler, who holds a PhD in American history. Listeners to this episode may also be interested in:
Stylish Academic Writing, by Helen Sword
What Editors Do, by Peter Ginna
This podcast about the peer review process
This podcast about book proposals, by Laura Portwood-Stacer
Information about developmental editing and academic book publishing in general:
These online programs, including a free webinar for scholarly authors on How to Work With a Developmental Editor
Information about The Book Proposal Book including free downloads and worksheets
Laura’s weekly newsletter with timely tips and resources for scholarly authors
You are smart and capable, but you aren’t an island, and neither are we. We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. Wish we’d bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices
80,000 Hours provides research and support to help students and graduates switch into careers that effectively tackle the world’s most pressing problems. Benjamin Todd is the president and co-founder of 80,000 Hours. He managed the organisation while it grew from a lecture, to a student society, to the organization it is today. He also helped to get effective altruism started in Oxford in 2011. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Colesworthy talks about the university press and how its workings should be demystified, what authors should keep in mind when they pitch their books, and what university presses do for the state of academic labor. Rebecca Colesworthy (she/her) is senior acquisitions editor at SUNY Press. Her areas of acquisition include literary studies, women’s and gender studies, queer studies, Latin American and Iberian studies, Latinx studies, African American studies, Indigenous studies, and education. She is the author of Returning the Gift: Modernism and the Thought of Exchange (Oxford UP, 2018) and co-editor with Peter Nicholls of How Abstract Is It? Thinking Capital Now (Routledge, 2016). She is on the editorial board of MAUSS International; has taught at New York University, University at Albany, SUNY, and Skidmore College; worked for a handful of years in the nonprofit sector; and holds a PhD in English from Cornell. Image: © 2022 Saronik Bosu Music used in promotional material: ‘Nerys & Leo’ by Bloom K Trio Learn more about your ad choices. Visit megaphone.fm/adchoices
The protests of summer 2020 led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors? It's Not Free Speech: Race, Democracy, and the Future of Academic Freedom (Johns Hopkins University Press, 2022) considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech. In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, It's Not Free Speech insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses. Michael Bérubé (interviewed here) is Edwin Erle Sparks Professor of Literature at Pennsylvania State University; Jennifer Ruth is a professor of film at Portland State University. Both have served in various roles within the American Association of University Professors, and also coauthored The Humanities, Higher Education, and Academic Freedom: Three Necessary Arguments (2015). Catriona Gold is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in the Cold War. She can be reached by email or on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
How can we get our articles in Asian studies published? What criteria should we use in selecting what journals to target? On what basis do journal editors make decisions on what articles to publish? How should prospective authors deal with harsh and even contradictory reviewer reports? In this special double-length summer podcast, based on an online event convened by NIAS in 2021, two editors of Asian studies journals discuss the challenges of publishing high-quality articles in the field, in a lively and wide-ranging conversation with NIAS Director Duncan McCargo. Julie Yu-Wen Chen is Professor of Chinese Studies at the University of Helsinki. One of the editors of the Journal of Chinese Political Science, until recently Julie was also the editor-in-chief of Asian Ethnicity. Hyung-Gu Lynn is AECL/KEPCO Chair in Korean Research at the University of British Columbiaand the longstanding editor of Pacific Affairs. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Laura Portwood-Stacer talks with Kim about book proposals. Laura is a consultant for academic authors. Her book, titled, appropriately, The Book Proposal Book (Princeton UP, 2021), is a how-to-guide for writing an outstanding book proposal. Through her business, Manuscript Works, Laura runs courses, workshops, and provides editorial assistance, to help academics navigate the world of publishing. Enrollment for her next “Book Proposal Accelerator Course” opens on Jan. 3, at 9am PST. Here’s the link: courses.manuscriptworks.com Image of several books from Wikimedia Commons. Music used in promotional material: Mozart Piano Concerto K.467 2mvt. by Cheong Lin Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Academic Life! In this episode you’ll hear about:
Why Robert Ramaswamy wants to see your revised dissertation submitted for publication.
What makes a revised dissertation ready to submit to a press.
How to choose mentor texts to put in your proposal.
Signs that you might not want to turn your dissertation into a book, and what to do instead.
The editorial complexities of saying “no” to a book proposal.
And a discussion about the new University of Wyoming Press imprint
Our guest is: Robert Ramaswamy (he/they), who has a BA in American studies from Yale University and an MA in American studies from George Washington University, and left a PhD program in American Culture at the University of Michigan ABD. He joined UPC/University of Wyoming Press as acquisitions editor in 2022, after working as an assistant editor for the Ohio State University Press and as an editorial assistant for University of Michigan Press/Michigan Publishing. At UPC/UWyoP, Robert acquires in history, environmental humanities, public humanities, and democracy and the United States. He lives in Ann Arbor, MI with his partner, Anna, two dogs, and eight chickens. Our host is: Dr. Christina Gessler, the co-creator of the Academic Life. Listeners to this episode might also be interested in:
Association of University Presses
University of Wyoming Press
On Revision, by William Germano
From Dissertation to Book, by William Germano
What Editors Do: The Art, Craft and Business of Book Editing, by Peter Ginna
A discussion of From Dissertation to Book, hosted by Dr. Dana Malone
A conversation with Mona Hamlin about marketing scholarly books
A conversation with acquisitions editor Rachael Levay
You are smart and capable, but you aren’t an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. Wish we’d bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today’s guest is Whitney Trettien whose book Cut/Copy/Paste: Fragments from the History of Bookwork was published through the University of Minnesota Press in 2022. Trettien is a Professor of English at the University of Pennsylvania, and researches the history of the book spanning print and digital technologies. Cut/Copy/Paste explores makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. The book is complemented with a wide array of resources on early modern publishing available on the book’s webpage hosted by the University of Minnesota Press. John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jason Prevost, coordinating Chair of the Publication Ethics Committee, and Senior Acquisitions Editor at Brill joins Avi Staiman, CEO of Academic Language Experts, to discuss how publishers handle ethical issues such as plagiarism, questions of authorship, and even fraudulent results. Hear how Jason dealt with a senior professor who refused to credit authorship to his Ph.D. student despite the fact that he wrote a considerable amount of his book. Also, learn how publishers go about retracting problematic research and tracking down the subsequent citations of the faulty research. Avi Staiman is the founder and CEO of Academic Language Experts Learn more about your ad choices. Visit megaphone.fm/adchoices
Plan S: the open access initiative that changed the face of global research. Robert-Jan Smits and Rachael Pells's book Plan S for Shock: Science. Shock. Solution. Speed. (Ubiquity Press, 2022) tells the story of open access publishing - why it matters now, and for the future. In a world where information has never been so accessible, and answers are available at the touch of a fingertip, we are hungrier for the facts than ever before - something the Covid-19 crisis has brought to light. And yet, paywalls put in place by multi-billion dollar publishing houses are still preventing millions from accessing quality, scientific knowledge - and public trust in science is under threat. On 4 September 2018, a bold new initiative known as 'Plan S' was unveiled, kickstarting a world-wide shift in attitudes towards open access research. For the first time, funding agencies across continents joined forces to impose new rules on the publication of research, with the aim of one day making all research free and available to all. What followed was a debate of global proportions, as stakeholders asked: Who has the right to access publicly-funded research? Will it ever be possible to enforce change on a multi-billion dollar market dominated by five major players? Here, the scheme's founder, Robert-Jan Smits, makes a compelling case for Open Access, and reveals for the first time how he set about turning his controversial plan into reality - as well as some of the challenges faced along the way. In telling his story, Smits argues that the Covid-19 crisis has exposed the traditional academic publishing system as unsustainable. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Jo Mackiewicz, Professor of Rhetoric and Professional Communication at Iowa State University and editor of the Journal of Business and Technical Communication. We talk about welds that hold and about sentences that stand. Jo Mackiewicz : "Oh, I'd definitely agree that people can be motivated in what they're learning when they appreciate the art of it. I mean, for instance in welding, you need to put in a certain number of hours in order to have your mind and your body work as one in this technique — you know, you need to become the technique. And that kind of thing doesn't just happen. Your body has to do it over and over and over again for you to become an artist, or in the terms I use in the book, an expert. And those hours that you spend practising in a welding program, or in a writing program for that matter — those hours are all just building up your practice hours, building up your technique, and you keep continuing on towards true expertise." Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hear from Professor Chris Gerteis, director of the International Publishing Initiative at Tokyo University. Avi and Chris have a fascinating discussion about the role of English language publication in universities and colleges in Asia and his work to assist faculty to publish their books with respected university publishers. Chris shares some of the unexpected hurdles in helping Japanese scholars to publish their work and how reviewers can be more open and understanding to different writing styles, formats, and tones. Avi Staiman is the founder and CEO of Academic Language Experts Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Academic Life! In this episode you’ll hear about:
Why Dr. Marshall Poe left a tenured professorship to create the New Books Network
How his own experience with dyslexia inspired his book-talk podcasts,
Why he wouldn’t want to go back to being a professor now,
Common misconceptions—plus some good advice—about starting a podcast
The NBN’s role in democratizing education and in supporting academic presses.
Our guest is: Dr. Marshall Poe, who is a historian, writer, podcaster, and editor. He is the founder and editor of the New Books Network, an online collection of podcast interviews with a wide range of nonfiction authors which began as a single channel in 2007 and has since grown into an archived audio library containing thousands of NBN episodes. He has taught Russian, European, Eurasian, and world history at universities including Harvard, Columbia, University of Iowa, and the University of Massachusetts Amherst. Dr. Poe has also authored and edited of a number of books for children and adults. He lives in Northampton, MA. Our host is: Dr. Christina Gessler, the co-creator of the Academic Life. Listeners to this episode might also be interested in:
A History of Communications: Media and Society from the Evolution of Speech to the Internet, by Marshall Poe
Articles by Marshall Poe in the Atlantic
The Grinnell College History Department
The Grinnell College podcast channel on the NBN
The Russian and Eurasian Studies channel on the NBN
You are smart and capable, but you aren’t an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. Wish we’d bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Julia Molinari, lecturer in professional academic communication at The Open University (UK) and independent researcher. We talk her book What Makes Writing Academic: Rethinking Theory for Practice (Bloomsbury, 2022) and about the things people use academic writing for. Julia Molinari : "We need to ensure that teachers of academic writing have access to scholarship and can do the research that they need to do in order to sensitize themselves to the different ways of conceiving of writing. Because I see scholarship very much as a lever to the change that needs to happen in higher education. Scholarship means, for the teacher of EAP, knowing what has been written about academic writing and knowing that there isn't just one standard form, there isn't just one template that says, 'This is academic. This is not academic.' So, enabling practitioners to do research, to do the scholarship — this is something that requires an institutional commitment: people need to have time built into their contracts, they need to be literally paid to do the scholarship, to be aware of what's at stake when it comes to academic writing." The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Should academic scholars trust machine translation for the publication of their academic articles? In this episode, Avi Staiman and Prof. Ana Guerberof Arenas discuss the evolution of machine translation and the most recent developments in machine translation technology. Ana shares her insight on the potential pitfalls of relying on machine translation for unpublished manuscripts. She also shares the results of her recent study on the advantages of human translation for creative and literary texts. Ana Guerberof Arenas is a Marie Skłodowska Curie Research Fellow at University of Groningen. Her project (CREAMT) looks at the impact of MT on translation creativity and the reader's experience in the context of literary texts. Ana is also a Senior Lecturer in Translation and Multimodal Technologies at University of Surrey (UK) where she is a member of the Centre for Translation Studies. She has worked more than twenty years in the translation/localization industry in roles that ranged from translator to operations manager. She has authored refereed articles and book chapters on MT post-editing productivity, quality and experience; pre-editing and post-editing; reading comprehension of MT output; translator training and creativity, and reading experience with different translation modalities. Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices
ADST has the world’s largest collection of U.S. diplomatic oral history. They have over 2,500 oral histories at ADST.org Susan Rockwell Johnson is the president of ADST since November 2016. She is a career member of the Senior Foreign Service (retired) with over three decades of distinguished service in a broad range of bilateral and multilateral assignments in and out of the State Department. Margery B. Thompson directs ADST’s book-related programs, advises diplomats and others on editing and publishing matters, and coordinates the ADST-DACOR Diplomats and Diplomacy Series. Before joining ADST in 1995, she was director of publications and editor at the Georgetown University Institute for the Study of Diplomacy (ISD) from 1980 to 1994. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Founded in 1884 and incorporated by Congress in 1889 for the promotion of historical studies, the American Historical Association provides leadership for the discipline and promotes the critical role of historical thinking in public life. The Association defends academic freedom, develops professional standards, supports innovative scholarship and teaching, and helps to sustain and enhance the work of historians. As the largest membership association of professional historians in the world (over 11,500 members), the AHA serves historians in a wide variety of professions and represents every historical era and geographical area. James Grossman is Executive Director of the American Historical Association. He was previously Vice President for Research and Education at the Newberry Library, and has taught at the University of Chicago and the University of California, San Diego. James H. Sweet is Vilas-Jartz Distinguished Professor of History at the University of Wisconsin-Madison, where he has taught since 2004. He is a historian of Africa and the African diaspora, with a particular focus on the cultures and politics of enslaved Africans in the Americas. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I talked to Sean Guillory. Sean did something pretty remarkable (and hard): He started a successful academic podcast. It's called the SRB Podcast and deals with Russian and Eurasian affairs. In the interview, Sean explains how he did it, how he does it, and his current project, a wonderful narrative podcast called Teddy Goes to the USSR. I highly recommend you subscribe to the SRB Podcast and Teddy Goes to the USSR. You can follow Sean on Twitter here: @seansrussiablog. Sean Guillory is the Digital Scholarship Curator at the Center for Russian, East European, and Eurasian Studies at the University of Pittsburgh. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Roslyn Petelin, Honorary Associate Professor at the University of Queensland, Australia. We talk about her book How Writing Works: A Field Guide to Effective Writing (Routledge, 2021) writing well and knowing why. Roslyn Petelin : "My book caters for all kinds of writers: student writers, creative writers, technical writers, journalistic writers, corporate writers, all of whom need to be able to write well, write successfully, for either personal or corporate credibility." Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Dave Harris, a writing coach who uses principles from design to help authors develop writing practices. We talk about his book, Literature Review and Research Design: A Guide to Effective Research Practice (Routledge, 2019), and the ongoing conversation that is research. Dave Harris : "And one of the important elements of thinking of your research as a conversation with your community of scholars is that the gaps in the literature are, to some extent, the things that others have left unsaid. So, we're in this conversation, and one person mentions an idea and they mention three factors of that idea, and there's a fourth factor that they didn't mention — well, that's your gap in the literature, and you jump in and you say, 'Well, we also want to talk about this fourth factor.'" Clear your thoughts with Dave! Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Zen Faulkes, instructor at the School of Interdisciplinary Science, McMaster University, Canada. We talk about his book Better Posters: Plan, Design and Present an Academic Poster (Pelagic Publishing, 2021) and efficiency. Zen Faulkes : "Any time that you're very early on in a project, you'll have tendency (as I call it) to democratize data. You want to have all the data be important. You think everything's important when you're just at the start of a project. But when you've been at the project longer, when you've had the time to sit with the data and with your questions and the ideas — then you start realizing, 'Of all the stuff I've done, this part right here, this is the thing that is really the key result. This is going to be the thing that other people are going to be the most interested in.' And so I think that this is a skill: being able to figure out, What are the most critical things in terms of what I think the project is about, and what are most likely going to be the things that are critical for other people — what's going to be most valuable for other members of my research community." See more posters here! Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The American Association of Geographers (AAG) is a non-profit scientific and educational society aimed at advancing the understanding, study, and importance of geography and related fields. Its headquarters is located in Washington, D.C. The organization was founded on December 29, 1904, in Philadelphia. As of 2020, the association has more than 10,000 members, from nearly 100 countries. Emily T. Yeh is Professor of Geography at the University of Colorado at Boulder and President of the AAG. Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
A Guide to Academic Podcasting is a practical guidebook introducing scholars to the multiverse of podcasting. It’s an open-source publication made by Amplify Podcast Network, written by Stacey Copeland and Hannah McGregor. In this conversation, we talked about embodied knowledge, gendered (and racialized) voices, and how new media publishing is transforming the relationships scholars have with the public(s). We entered into the territory of the vulnerable scholar, examined our discomfort with silence, and the spaces of possibilities academics may discover in podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Pandemic Perspectives Podcast, Ideas Roadshow founder and host Howard Burton talks to John Tregoning, Imperial College respiratory infections researcher and author of the acclaimed book Infectious: Pathogens and How We Fight Them. Ideas Roadshow's Pandemic Perspectives Project consists of three distinct, reinforcing elements: a documentary film (Pandemic Perspectives), book (Pandemic Perspectives: A filmmaker's journey in 10 essays) and a series of 24 detailed podcasts with many of the film's expert participants. Visit www.ideasroadshow.com for more details. Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Pandemic Perspectives Podcast, Ideas Roadshow founder and host Howard Burton talks to bestselling author and University of Oxford law professor Charles Foster on how the coronavirus pandemic reveals how so many of us—including so many scientists—have replaced rigorous scientific skepticism with an alarming cult of "scientism." Ideas Roadshow's Pandemic Perspectives Project consists of three distinct, reinforcing elements: a documentary film (Pandemic Perspectives), book (Pandemic Perspectives: A filmmaker's journey in 10 essays) and a series of 24 detailed podcasts with many of the film's expert participants. Visit www.ideasroadshow.com for more details. Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Pandemic Perspectives Podcast, Ideas Roadshow founder and host Howard Burton talks to renowned UC San Diego neurophilosopher Patricia Churchland about the importance of communicating science, the wonders of the biological world and the dangers of wishful thinking. Ideas Roadshow's Pandemic Perspectives Project consists of three distinct, reinforcing elements: a documentary film (Pandemic Perspectives), book (Pandemic Perspectives: A filmmaker's journey in 10 essays) and a series of 24 detailed podcasts with many of the film's expert participants. Visit www.ideasroadshow.com for more details. Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Zhihui Fang, the Irving and Rose Fien Endowed Professor of Education in the School of Teaching and Learning at the University of Florida. We talk his book Demystifying Academic Writing: Genres, Moves, Skills, and Strategies (Routledge, 2021) and about how functional grammar can benefit the academic writer. Zhihui Fang : "Learning disciplinary content is primarily a linguistic process. When you learn the language that construes particular content, then you are learning just how people understand this content, and so content and language go together inseparably. That's why language should be a key component to our pedagogical emphasis in whatever the subject being taught." Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of John Measey, Associate Professor of Biological Sciences at Stellenbosch University, South Africa, and author of How to Write a PhD in Biological Sciences: A Guide for the Uninitiated (CRC Press, 2021). We talk about how the communication of science is changing, and we talk about how you can keep up and produce the research you want to produce. John Measey : "We're in an extremely interesting time, because the potential that we have to not just publish what we've written — which is where we used to be with scholarly journals, which just had the articles and the predigested data (if you like) in the tables and figures — but now we're at a moment where we can actually put all the data out there, and we can also put out there all of the code that we wrote so that people can repeat the analysis. And really, the writing that we're doing is to communicate one team's particular understanding of the questions they've posed and of their particular interest in certain parts of the dataset. The writing is now a means of not just communicating the particular questions that we have there, but also of producing and of advertising the dataset for other people to use. So, I think we're starting to enter this very dynamic period in publishing where the actual article will be one of our many products in any study that we do." Read and use How to Write a PhD in Biological Sciences http://howtowriteaphd.org/ Read and use How to Publish in Biological Sciences http://howtopublishscience.org... Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The University Network for Human Rights facilitates supervised undergraduate engagement in the practice of human rights at colleges and universities in the United States and across the globe. The University Network partners with advocacy organizations and communities affected or threatened by abusive state, corporate, or private conduct to advance human rights at home and abroad; trains undergraduate students in interdisciplinary human rights protection and advocacy; and collaborates with academics and human rights practitioners in other parts of the world to foster the creation of practical, interdisciplinary programs in human rights. James (Jim) Cavallaro is Executive Director of the University Network for Human Rights. He has taught human rights law and practice for nearly a quarter-century, most recently at Wesleyan University, Stanford Law School (2011-2019), and Harvard Law School (2002-2011). Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Dashun Wang, Professor at the Kellogg School of Management and McCormick School of Engineering at Northwestern University, and also with Albert-László Barabási, Robert Gray Dodge Professor of Network Science and Distinguished University Professor at Northeastern University. We talk about their new book The Science of Science" (Cambridge UP, 2021) and science, squared. Albert-László Barabási : "There is, of course, the need that you grow professionally. If you're a mathematician, you need to perfect your math. If you're a physicist, you need to do your physics. If you're a biologist, you need to develop your lab techniques. But no matter the magnitude of any discovery you might make, it's not impactful unless you can actually communicate it. And I think that this is where science lacks significantly. I would even go so far as to say, there is a counter-selection: People who are not necessarily the best communicators tend to prefer science because there's the impression that that is not the skill that you need — you just need to be able to solve problems in a meaningful way. But if you're not able to write your ideas down, if you're not able to share your ideas with your community, then it's really as if you didn't have the ideas at all. And you know, I have experienced this in my own career. When I got interested in network science back in 1994/95, for the first few years my papers got rejected one after the other, and not because it wasn't good science (as I would later realize) — no, my papers were getting rejected because I could not communicate to the community at large and to my referees in particular why we should care about networks. And it took me about five years to find the way into people's minds, to learn how they write papers about networks. I needed to learn the hard way about how the community of scientists appreciated and did not appreciate research on networks. And it took me so long because I'd never been offered the opportunity to study the communication of science." Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Joseph Cheatle, Director of the Writing & Media Center at Iowa State University. We talk about how communication will change your life. Joseph Cheatle : "One of the typical traits of writing center tutors is that they are just really great. I don't know how else to describe it other than that they are often the best of the best at an institution in terms of their leadership, their vision, their work ethic, their desire for professional development. I mean, people who are writing center tutors, when they go out for job interviews, they often get asked about their writing center work, because people know that those are going to be good employees. So, there's a lot to be said for the students who come in and work at writing centers. Really these are just some of the best students at the institution: hard-working, ethical, interesting, and dedicated." Visit the Writing & Media Center. Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In In Praise of Good Bookstores (Princeton University Press, 2022), Jeff Deutsch, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Joe Esposito, Senior Partner of Clarke & Esposito. We talk about the space between academic research and consumer markets, and we travel in space to the metaverse! Joe Esposito : "The thing that's at issue when a field of study begins publishing more in journals and less in books is another aspect of the audience. If you're a scientist, you write short articles because this is what gets you tenure, this is what gets you a promotion, this is what allows you to go to grants-making bodies and get money to hire postdoctoral students and to build out your laboratory. So the aspect of audience I'm talking about here is broader than just your fellow experts in your field — it's broader than just the readers of your communications, because it includes, too, the business model that these communications are placed into. There is money in articles in the sciences. There is very little money in books in the sciences. But switch over to history, anthropology, literary criticism, and the whole situation gets turned on its head. There the tenure promotion committees are looking for books, preferably published with a university press. So, when we talk about questions like where the book is going, where text is going, or whether digital or print, we can't escape the fact that all these things live within an environment of people pursuing their own personal interests, which itself has a economic basis as well." Clarke & Esposito have an excellent newsletter on scholarly communication and publishing. You can read and subscribe here. Joe is also a regular contributor to The Scholarly Kitchen, which you can read and subscribe to here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Daniel Bolnick, Editor in Chief of The American Naturalist and Professor of evolution and ecology at the University of Connecticut. We talk about the role of research journals today and we talk about the location of research journals in the big endeavor that is called science. Daniel Bolnick : "Ultimately, research articles are technical. Articles have to deal with the mathematics or with the details of the physiology or the neurobiology that they're dealing with. But the authors can create a wrapper around that technical core that makes it digestible. I like to think of it as when you're taking a medicine. You have the actual pharmacological content that you're delivering to your body, but you can wrap it in something that makes it easier to swallow and hopefully that conveys the medicinal effect at just the time and in just the right dosage. And so, I think the same thing is true of the research article. You can have a deeply technical content, but if it's bracketed, bookended by a very clear exposition of 'What is it that we don't know right now?' Okay, and: 'Here's what I've done, and here's how it resolves that thing that we didn't know or the thing that we suspected but now know to be true.' And that can all be conveyed in a very accessible language ideally." Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Hilary Glasman-Deal, teacher of STEMM communication at the Centre for Academic English, Imperial College London, and author ofScience Research Writing For Native and Non-Native Speakers of English (World Scientific Publishing Europe, 2020). We talk about researching, reading, and writing. Hilary Glasman-Deal : "One of the things I'm very often saying, particularly with early-career researchers, is this: 'Look, your reading is clearly effective, because you understand your field, okay, and you're an expert in your field. But your writing is operating at a different location from your reading. And what you need to be doing is bringing the two closer together so that they are, in a sense, a mirror image of each other, so that you're using your reading to feed your writing. You're using the reading as a bridge into the writing, rather than assuming that the two can exist in separate orbits.'" Visit the Centre for Academic English here. Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Stephen Heard, Professor of Biology at the University of New Brunswick. We talk about his book The Scientist’s Guide to Writing: How to Write More Easily and Effectively Throughout Your Scientific Career, 2nd ed. (Princeton UP, 2022), we talk about writing when it's a verb, we talk about writing when it's a choice, and we talk about writing when it's the science. Stephen Heard : "Especially for early-career scientists there's a risk of their writing entering into a positive feedback loop with the writing as it is in the literature. And really, we do this to them, we professors and instructors. We say, 'Next week, you're going to hand in a lab report. Write out this experiment you did,' and we say, quote, 'and write like the scientific literature,' unquote. Well, that's a horrible thing to tell anyone to do, because unfortunately, much of our literature isn't particularly well written. We love our acronyms, we love really long noun phrases, we love the passive voice, and so on. And so, people who don't make conscious choices and just sort of model what they're writing on what's already out there — I think they sort of get locked into some of those bad decisions, like the five-noun noun phrase. So being aware of what you're doing, thinking about the language you're using, and being willing to use the language to its fullest — that's not an invitation to write your own Finnegans Wake — but it is an invitation to think carefully about the way of constructing your point that will resonate best with the reader." Readers may be interested in Heard's webpage for the book. Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mary Norris, The New Yorker's Comma Queen and best-selling author of Between You & Me, has had a lifelong love affair with words. In Greek to Me: Adventures of the Comma Queen (Norton, 2020), she delivers a delightful paean to the art of self-expression through accounts of her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, and reveals the surprising ways in which Greek helped form English. Greek to Me is filled with Norris's memorable encounters with Greek words, Greek gods, Greek wine--and more than a few Greek men. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Christophe Bernard, Director of Research at INSERM and Editor-in-Chief of eNeuro. We talk about the review process, about education in the sciences, and again a little bit more about education in the sciences. Christophe Bernard : "Science is everything that a scientist does. But for many people, science is only the bench work — to them, that's what a scientist really does. And the publishing part — well, that's just something that others do. Even the review process, for too many people, is just not fully integrated into the work that scientists are doing. But there should not be a barrier between doing science and reviewing science. It should be the same world — a continuity between the two. Now, in institutions, they focus all their efforts on teaching people how to do science. But doing science also is knowing how to review a paper. Perhaps you know, but there is a crisis in the reviewing process. Many authors have commented on being mistreated by reviewers, and although there'll be many reasons why that happens, the main reason is that we are not taught how to review a paper. And this just leads to frustration, or worse, because when you're an author and you submit a paper and you receive comments which are aggressive and do not make sense and are just plain unhelpful, then you start to distrust the system." Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Adam Marcus and Ivan Oransky, cofounders of Retraction Watch. We talk about lots of things, retracting very few. Ivan Oransky : "Accountability in science certainly does not come down to only retracting papers, because there are just lots of issues. And by the way, just to remind everyone, science is very much a human endeavor. It doesn't exist outside of humans doing the science. I mean, facts exist, and there is truth out there, and we'd very much appear to be getting close and closer to it — that's not what I'm talking about. I'm talking about the actual process, like, how do we learn these things. How — as this podcast more generally looks at — how does knowledge get known. Basically, epistemology. But that requires human beings. It requires human beings interpreting, talking and listening, collaborating, and so that's one part of science that is really critical. Therefore, of course, the issue of accountability is multifactorial." The Retraction Watch database is here. You might also be interested in this article: "Repeat Offenders: When Scientific Fraudsters Slip Through the Cracks." You can learn more about retraction here. Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hear from Catherine Cocks, assistant director and editor-in-chief at Michigan State University Press talk about her attempt to replicate the success of the Scholarly Kitchen blog in the humanities with the 'Feeding the Elephant' forum, her work to make university publishers more accessible to authors through ASK UP and publishing on the Great Lakes at Michigan State! Avi Staiman is the founder and CEO of Academic Language Experts Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Pascal Patrick Matzler, Associate Professor at Pontifical Catholic University of Valparaíso, Chile. We talk about his book Mentoring and Co-Writing for Research Publication Purposes: Interaction and Text Development in Doctoral Supervision (Routledge, 2021), mentorship in STEM — we talk about writing in STEM. Pascal Matzler : "For me, perhaps the most beautiful aspect of the years that I spent with these three supervisors and three doctoral students was just seeing how scientific knowledge is gained, how it is reproduced, and how new scientists are born — so, just seeing how these students became scientists who are capable of reasoning and arguing as members of their fields, and also seeing how they even developed this notion, because that's maybe the one key point of my book: that the student walks into a meeting with a graph or a chart, and the student is convinced that this graph or chart contains the truth, and so all they need to do is send that graph or that chart to a journal and there will be a round of applause for the new knowledge. And the supervisor, slowly and carefully, over many months, will explain to the student, 'No, that's not how it works. First you have to verbalize this chart, verbalize what you see on it. Then you have to verbalize what you think it means, whatever you're seeing on the chart, and also why you think it means this. And then you have to convince your readers that it actually means this. And this process is going to be terribly challenging, because your readers are going to disagree with that. And some people's careers might be ruined by your interpretation. So we're going to have to do this very slowly and very carefully — and, we might even be wrong! We have to deal with that, as well.' So there's this slow and gradual awakening of the rhetorical persona in the doctoral student over the course of writing a first research article." Learn more about your ad choices. Visit megaphone.fm/adchoices
What does it take to become a digitally agile scholar? This manual explains how academics can comfortably navigate the digital world of today and tomorrow. It foregrounds three key domains of digital agility: getting involved in research, education and (community) service, mobilising (digital) skills on various levels, and acting in multiple roles, both individually and interlinked with others. After an introduction that outlines the foundations of the three-dimensional framework, the chapters focus on different roles and skills associated with evolving as a digital scholar. There is the author, who writes highly specialised texts for expert peers; the storyteller, who crafts accessible narratives to a broader audience in the form of blogs or podcasts; the creator, who uses graphics, audio, and video to motivate audiences to delve deeper into the material; the integrator, who develops and curates multimedia artefacts, disseminating them through channels such as websites, webinars, and open source repositories; and finally the networker, who actively triggers interaction via social media applications and online learning communities. Additionally, the final chapters offer a blueprint for the future digital scholar as a professional learner and as a change agent who is open to and actively pursues innovation. Informed by the authors' broad and diverse personal experience, Evolving as a Digital Scholar: Teaching and Researching in a Digital World (Leuven UP, 2021) offers insight, inspiration, and practical advice. It equips a broad readership with the skills and the mindset to harness new digital developments and navigate the ever-evolving digital age. It will inspire academic teachers and researchers with different backgrounds and levels of knowledge that wish to enhance their digital academic profile. Free ebook available at OAPEN Library, JSTOR and Project Muse. Learn more about your ad choices. Visit megaphone.fm/adchoices
Can libraries be radical positive change agents in their communities? R. David Lenkes offers a guide for librarians who see their profession as a chance to make a positive difference in their communities —librarians who recognize that it is no longer enough to stand behind a desk waiting to serve. Lankes reminds libraries and librarians of their mission: to improve society by facilitating knowledge creation in their communities. In this book, he provides tools, arguments, resources, and ideas for fulfilling this mission. Librarians will be prepared to become radical positive change agents in their communities, and other readers will learn to understand libraries in a new way. The libraries of Ferguson, Missouri, famously became positive change agents in August 2014 when they opened their doors when schools were closed because of civil unrest after the shooting of an unarmed teen by police. Working with other local organizations, they provided children and their parents a space for learning, lunch, and peace. But other libraries serve other communities—students, faculty, scholars, law firms—in other ways. All libraries are about community. In The New Librarianship Field Guide (MIT Press, 2016), Lankes addresses the mission of libraries and explains what constitutes a library. He offers practical advice for librarian training; provides teaching notes for each chapter; and answers “Frequently Argued Questions” about the new librarianship. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoices
Hear Dr. Rosina Lippi-Green talk about some of her shocking findings on language discrimination and bias on campus. Lippi-Green and Avi discuss her book English with an Accent: Language, Ideology and Discrimination in the US (Routledge, 2011) and what the academic community can do to be more inclusive of scholars with different levels of English. We also discuss Rosina's transition from researcher to popular novelist. Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Nigel Caplan, Associate Professor at the English Language Institute, University of Delaware. We talk generically. Nigel Caplan : "And this sort of brings us to an important point about knowledge and expertise in a discipline. The great genre scholar Doreen Starke-Meyerring said that academic writing tends to be transparent to experts in the discipline, and they forget how opaque it is to novices. So, if you study engineering, biology, philosophy, whatever it is, and you're immersed in that world all the time, it's very easy to believe that that is the only way of writing, because that's the only type of writing you have done for decades. And it quickly becomes, 'Well, that's obviously good writing.' And the idea is, 'Anything else is bad writing.' But experts don't realize what we see as English teachers, especially as teachers in English for Academic Purposes, where we work with students across the disciplines — what we see is that each discipline does have its own way of creating knowledge and communicating that knowledge. But that can be very opaque to a novice. And I think what novices need are the tools to crack open that opacity, and what experts need is a little reminder now and then that good writing is actually not transparent. It is highly contextual, it is something that needs to be learned, it is not natural in any sense. It is not automatically good writing just because you like it and it works in your field." Visit the Michigan Series in English for Academic and Professional Purposes here. Visit and join the Consortium on Graduate Communication here. Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tune in to hear Prof. Talya Miron Shatz, author of Your Life Depends on It: What You Can Do to Make Better Choices About Your Health (Basic Books, 2021) discuss her surprising decision to publish her book with a non-academic publisher and how her writing and revision were driven by her desire to get her book into thousands of homes around the world. Avi Staiman is the founder and CEO of Academic Language Experts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Ayelet Baram-Tsabari. We talk about the accessibility of science using Google to scholars and students in languages beyond English and how scholars can de-jargonize their research to ensure increase their reach. Avi Staiman is the founder and CEO of Academic Language Experts Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Melinda Baldwin about her book Making 'Nature': The History of a Scientific Journal (U Chicago Press, 2015). Melinda is AIP Endowed Professor in History of Natural Sciences at the University of Maryland. We talk about Nature, naturally. Melinda Baldwin : "Yes, I think it will be surprising to many scientists today that Nature has really been thoroughly shaped by the journal's contributors and readership, and certainly to the people who view Nature's editorial staff as these all-powerful gatekeepers of scientific success. But, I love the list you just gave of all the people who are involved in making a journal — the referees, the editors, the authors, the readers, the publishing executives — because that can really be one of the things that we lose sight of when discussing modern scholarly communication: The professional advancement of scientists is so heavily dependent on being published in these peer-reviewed journals, and according to where a scientist works, things like tenure, promotion, and even just getting hired can depend heavily on getting into a particular type of journal, a prestigious journal that rejects many submissions. And so it can seem like the power to shape scholarly communication is only in the hands of the editors and in the hands of the anonymous referees who review papers. But looking at the history of scientific publication, you really see a story where a lot more figures are influential in shaping the way that the scientific journal has developed. And you see that, of course, with Nature, where it was definitely contributors' needs and interests that drove some significant changes in the format and the audience of the journal." Learn more about your ad choices. Visit megaphone.fm/adchoices
In Living Books: Experiments in the Posthumanities (MIT Press, 2021), Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project -- not as linear, bound and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Our conversation highlights the performative nature of publishing, the possibilities and limitations of open access, balancing experimentation with fixity, and how publishing practices are intertwined with neoliberalism, scholarly identity, technology, and culture. In addition, we discuss the different forms that this work has manifested as, including the digital open access version on PubPub, as well a call for researchers, publishers, and institutions to make room for more experimentation in their academic performances. Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated. Learn more about your ad choices. Visit megaphone.fm/adchoices
In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a World Brain, as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of The War of the Worlds and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this new edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a hypothetical super-gadget). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices
One pervasive stereotype about mathematics is that it is objective, unbiased, or otherwise exempt from the influence of human passions. James Wynn and G. Mitchell Reyes's edited collection will be a revelation even to mathematics professionals who don't take this strict view. The essays in Arguing with Numbers: The Intersections of Rhetoric and Mathematics (The Pennsylvania State UP, 2021) explore the interplays between rhetoric and mathematics that have shaped scholarly and popular culture through to the present day. Opening the collection are both an historical sketch of scholarship at the intersection of these disciplines, from their division in ancient Greece to their hesitant reunion since the mid-twentieth century, and also a taxonomy of modern research into three distinct approaches, which we review in our discussion. The remaining essays use these approaches to probe the impact of mathematical rhetoric on the sciences (including Hantaro Nakaoka's analogical "Saturnian" model of atomic spectra), on cultural norms and institutions (including the influence of David X. Li's Gaussian copula on the behavior of financial markets), and on relations between mathematics professionals and the lay public. This last part contains a chapter on the legacy of the National Council of Teachers of Mathematics that highlights the importance to mathematics professionals of understanding the rhetorical dimensions of our discipline. Bookending our discussion, Drs. Wynn and Reyes related the story of their edited collection, which makes the point that a cross-disciplinary exchange is needed to help both disciplines better understand their connections to each other and more responsibly manage those connections. Their suggestions will resonate with mathematicians interested in challenging narratives of objectivity, in diversifying our ranks, and in developing responsible rules and principles for the use of social and personal data. The analytical tools demonstrated in this book abet this effort. Suggested companion works:
Trust in Numbers, Theodore Porter
Meeting the Universe Halfway, Karen Barad
James Wynn is Associate Professor of English at Carnegie Mellon University. He is the author of Citizen Science in the Digital Age: Rhetoric, Science, and Public Engagement and Evolution by the Numbers: The Origins of Mathematical Argument in Biology. G. Mitchell Reyes is Professor of Rhetoric and Media Studies at Lewis and Clark College. He is author of Stranger Relations: Mathematics, Rhetoric, and the Translative Force of Mathematical Discourse (in press with Penn State University Press) and coeditor of Global Memoryscapes: Contesting Remembrance in a Transnational Age. Cory Brunson is an Assistant Professor at the Laboratory for Systems Medicine at the University of Florida. His research focuses on geometric and topological approaches to the analysis of medical and healthcare data. Learn more about your ad choices. Visit megaphone.fm/adchoices
Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes, or filled with bean bags and children's drawings--the history of the library is rich, varied, and stuffed full of incident. In The Library: A Rich and Fragile History (Basic Books, 2021), historians Andrew Pettegree and Arthur der Weduwen introduce us to the antiquarians and philanthropists who shaped the world's great collections, trace the rise and fall of literary tastes, and reveal the high crimes and misdemeanors committed in pursuit of rare manuscripts. In doing so, they reveal that while collections themselves are fragile, often falling into ruin within a few decades, the idea of the library has been remarkably resilient as each generation makes--and remakes--the institution anew. Beautifully written and deeply researched, The Library is essential reading for booklovers, collectors, and anyone who has ever gotten blissfully lost in the stacks. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Humanist Reason: A History, an Argument, a Plan (Columbia UP, 2021), Eric Hayot develops the concept of “humanist reason” to understand the nature and purpose of humanist intellectual work and lays out a serious of principles that undergird this core idea. Rather than appealing to familiar ethical or moral rationales for the importance of the humanities, Humanist Reason lays out a new vision that moves beyond traditional disciplines to demonstrate what the humanities can tell us about our world. Eric Hayot is Distinguished Professor of Comparative Literature and Asian Studies at Penn State University, where he is also Director of the Center for Humanities and Information. His books include Chinese Dreams: Pound, Brecht, Tel quell (U of Michigan P), The Hypothetical Mandarin: Sympathy, Modernity, and Chinese Pain (Oxford UP), On Literary Worlds (Oxford UP), The Elements of Academic Style: Writing for the Humanities (Columbia UP), and, most recently, Humanist Reason (Columbia UP), published in 2021. He edited and co-edited numerous books and in 2018 he published with Lea Pao a translation of Peter Janich’s What is Information? (U of Minnesota P). Bryant Scott is a professor in the Liberal Arts department at Texas A & M University at Qatar. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of William Germano, Professor of English at Cooper Union, New York, We talk about his new book On Revision: The Only Writing That Counts (U Chicago Press, 2021), about writers, and about readers and about text — everyone involved in the revision process. William Germano : "There an almost endless number of things one can say about revision because it is so crucial and yet so underdiscussed. In recent years, there have been a couple of events, or conversations, that have appeared, with other writers, and in particular writers who work on fiction, who have been addressing the enigma of revision. I'm so happy that revision is kind of (I hope) getting its due. Maybe this is revision's moment!" Watch Daniel Shea edit your science here. Write Daniel at writeyourresearch@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Comedian Robin Ince quickly abandoned science at school, bored by a fog of dull lessons and intimidated by the barrage of equations. But, twenty years later, he fell in love and he now presents one of the world's most popular science podcasts. Every year he meets hundreds of the world's greatest thinkers. In this erudite and witty book, Robin reveals why scientific wonder isn't just for the professionals. Filled with interviews featuring astronauts, comedians, teachers, quantum physicists, neuroscientists and more - as well as charting Robin's own journey with science - The Importance of Being Interested: Adventures in Scientific Curiosity (Atlantic Books, 2021) explores why many wrongly think of the discipline as distant and difficult. From the glorious appeal of the stars above to why scientific curiosity can encourage much needed intellectual humility, this optimistic and profound book will leave you filled with a thirst for intellectual adventure. John Weston teaches academic communication at Tampere University, Finland. His work focuses on the sociolinguistics of knowledge, and creative writing and wellbeing. Twitter: @johnwphd. Email: john.weston.media@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Mike Palmquist, Professor of English (with a focus on rhetoric and composition) and also University Distinguished Teaching Scholar. We have a conversation. Mike Palmquist : "We tend to think, 'Oh, writing. Just learn how to put your sentences together. Learn how to develop a nice paragraph. Learn the rules of grammar.' And somehow that's supposed to transfer magically into another discipline. But in fact, the kinds of debate and discourse and discussion and reporting and inquiry that go on in a particular discipline are highly conditioned by the knowledge they share, by the things they think are important — by the conversations, in a sense, that are going on in that discipline. You really have to learn it. Otherwise, you'll just be writing about stuff but won't quite know how to connect it to what everybody else is researching and publishing on." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Bradley Alger, Professor Emeritus of Physiology at University of Maryland School of Medicine and author of Defense of the Scientific Hypothesis: From Reproducibility Crisis to Big Data (Oxford UP, 2019). We talk about definitions of words and about explanations of the world. Bradley Alger : "I don't care how brilliant your data are, but if you don't succeed in explaining them clearly and laying them out and making them accessible to other people, you're really going to be penalizing yourself, at least as a scientist. And the idea of the hypothesis as a story structure, as helping to organize a narrative, as helping to lead a reader (even your competitors) through your reasoning is, I think, unparalleled. It's funny, I've talked to some scientists who say they don't use hypotheses because they want to tell a story — my view is, that's getting it backwards. The hypothesis has got almost a built-in narrative. We start from a problem, there is a proposed solution, we extract predictions from it, and that can lead us through the entire paper." Watch the scientific hypothesis at here. Meet the scientific hypothesis at here. Watch Daniel edit your science here. Write Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
At the New Books Network, we love university presses. So we're happy to tell you about University Press Week, the annual celebration of UPs and their important work. Today I talked to Lisa Bayer, the director of the University of Georgia Press and the president of the Association of University Presses. We discuss a lot of things--open access, business models, libraries, peer review, careers in UP publishing--all knit together by a theme, that being how UPs keep up with everything that is going on, scholarly-communications-wise. Enjoy. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Aliyah Kovner, science writer and also host of the podcast A Day in the Half-Life. We talk about who science communication reaches: peers, other experts, non-experts, you, me, everyone. Aliyah Kovner : "That's definitely a thing not talked about enough, that is: often the audience for science communication is the scientists themselves, who want to learn about other fields. And even brilliant people with PhDs don't know the lingo for a different field. So, any scientist really actually has to appreciate the fact that most people are going to be outsiders to their research, but that doesn't mean that these people aren't terribly interested in the research and really willing to dive in and learn. But for whoever's not inside your close area of research, you're going to have to step back and think about how to communicate your work to people who might not know, but who definitely care." Listen to A Day in the Half-Life. Watch Daniel Shea edit your science here. Write Daniel at writeyourresearch@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Jari Saramäki, author of How to Write a Scientific Paper: An Academic Self-Help Guide for PhD Students (2018) and professor of computational science at Aalto University, Finland. We talk about how hard soft skills are. Jari Saramäki : "Yes, I think that there is something to a kind of immersion approach to learning. Because you can learn a lot by observing, by imitating, by looking at things and asking questions. But this is something you need to decide to do. So, you can read a paper so that you just read and try to get the science out of it. Or, you can start reading it as if you wanted to write a similar paper, so that you look at its structure, the shape of its sentences, and so on. You try, basically, to absorb all this information that's in the writing. But you need to know that there is this method of reading. So, yes, as teachers, we should maybe be trying to point this out to students: 'Next time when you read a paper, forget about the science, and try instead to look at the sentences and the paragraphs. Write like a one-sentence summary of each paragraph, and then observe in your sentences how the whole paper has been structured.' So, yeah, we should definitely encourage our students to do more of this kind of immersive learning." Watch Daniel Shea edit your science here. Write Daniel at writeyourresearch@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Avi Staiman, who is CEO, founder, and director of Academic Language Experts. We talk about how complex and how simple editing is. Avi Staiman : "Let me give you an example of where the editing is not about the vocabulary available or the construction of the sentences. Japanese. Japanese academic writing tends to be two things. Number one, it's very repetitive, and this is done to place emphasis on key ideas, which is not something that you see in English writing as much. And secondly, in a lot of Japanese texts, the writing is suggestive. So, if in a typical article in English the author will write, 'We have found X, Y, and Z,' in Japanese they may write something along the lines of 'Our humble suggestion is the following...' That might come across to an English reader as a lack of confidence. The reviewer might say, 'They don't actually know.' But of course, that's not it, because in Japanese academic culture there's a level of humility that's a value there, which for good or for bad, does not exist in English academic culture. So, then, we face this question: Either we render it in a way which the English reviewer will appreciate and understand and know what to do with but at the same time betray the source text, or we honor the source text but maybe reduce the chances that the scholar is going to get accepted because it's nonstandard. So, these are really difficult questions. I think the answer is simple, and that is, really, open lines of communication with the author and laying out these issues. Which is why, when I speak to prospective clients, I tell them that getting the right academic translator or right academic editor is about a lot more than their knowledge of the language. That's the basis. But they need to understand what academic writing is, they need to understand the specific field, and they also need to understand the cultural nuances and differences between different countries and different fields." The next event on the Publication Success Interview Series. You find all this at Academic Language Experts. Read about the experiences of multilingual scholars in English-language publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Hilary Glasman-Deal and Andrew Northern, teachers of STEMM communication at the Centre for Academic English, Imperial College London. We talk about what's so special about scientists: their communication! Hilary Glasman-Deal : "You know, if I left this work for just one year, it would be the devil-of-a-job to get back in because the communication norms in each field and even the language itself changes so fast that you've got to go like the wind in order to keep up to date. I mean, let's be honest, we're all a little bit lazy. We'd like to have material that we can fall back on, last year's material for this year's course. But because we can't do that, because we are at the mercy of whatever research articles we are faced with by our students and by faculty, there's no escape for us. That graft has to be done. And it's that graft that gives us the credibility for scientists to trust us in the first place. Without that, you just don't have a starting point. You've got to be absolutely on point in terms of understanding what's currently being published in their fields, what the recent changes are — I mean, Andrew and I sit back to back in an office, in a large office, and sometimes he'll shout across and he'll say, 'Look, can you see this journal has started putting a strapline under the title!' And we all crowd around and say, 'Okay, which other journals are doing that? How's that connected to what's inside the research article? Is it a new sentence? Is it a rewrite of a sentence? What sentence are they using?' You start from that. You start from doing that hard work. And then you're, in a sense, entitled to sit down with authors and they'll trust you to work with them on a piece of writing." Visit the Centre for Academic English here. Find an example of STEMM editing here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Book workshops produce great books, but too few scholars have access to the resources needed to organize and execute one, especially scholars at Historically Black Colleges and Universities, Hispanic Serving Institutions, Asian American and Pacific Islander Serving Institutions, and Tribal Colleges and Universities. The 2021 American Political Science Association Annual Meeting in Seattle, launched a new initiative, The Minority-Serving Institution Virtual Book Workshop Project, to provide book workshops for scholars (tenured, untenured, VAP, term appointments) at Minority-Serving Institutions. In the podcast, the co-directors of the Project discuss the importance of supporting MSI faculty, how to successfully apply, and what other authors, editors, and administrators can do to make this project a success. Niambi M. Carter, Associate Professor of Political Science at Howard University, published American While Black: African Americans, Immigration, and the Limits of Citizenship (Oxford 2019) and listeners may remember her New Books in Political Science podcast. Heath Brown, Associate Professor of Public Policy at John Jay College of Criminal Justice City University of New York (and former host of New Books Political Science), published Homeschooling the Right: How Conservative Education Activism Erodes the State (Columbia 2021) and Lilly Goren interviewed him for NBPS. Minority-Serving Institution Virtual Book Workshop | Deadline: January 14, 2022 | Apply Now! Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Josh Schimel and Karl Ritz, Editors-in-Chief of Soil Biology and Biochemistry. We talk about the people who all scientists are, and we demonstrate why all that matters to your next submission. Karl Ritz : "It is definitely important that authors take seriously matters of text presentation and formatting. And one of the reasons, perhaps, people don't understand as to why it matters, as to why we need things in a specific format and following certain rules — the reason is that there are rules here that form the framework, and you can stick your creativity on top of that. Because if there's a consistency and coherence in the fonts and in the spacing and in the headings and in the structure of the manuscript — this makes the process for the editors and the reviewers considerably more straightforward, because then they know what they're dealing with in terms of the actual process part of the procedure versus the creative and the intellectual part of it. And if we have to mess around dealing with unusual formats or unusual colors or just a general lack of attention to formatting, then it just distracts us from being able to get to the nub of what needs to be assessed here in the manuscript." Daniel hosts Scholarly Communication, the podcast about how knowledge gets known. Email: writeyourresearch@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021). What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen in the now. In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, Liberation Now! Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. Urgent Archives will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond. In the interview, Caswell recommends following two readings to the listeners: SAADA. Our Stories: An Introduction to South Asian America. Philadelphia: SAADA, 2021. "The Chronopolitics of Racial Time," Time & Society, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317. Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Elena Cotos, Director of the Center for Communication Excellence at the Graduate College (Iowa State University) and also Associate Professor in the English Department (Iowa State University). We talk about the needs of both students and faculty for training in scholarly communication, and we talk about one excellent way that those needs are being met, the Center for Communication Excellence. Elena Cotos : "When I'd begun, as a student, to write academic texts, you know, initially I'd thought it was my English that was to blame, but then I discovered I just didn't know the genre. Because, when I started, I wasn't really thinking about how a genre has certain conventions that are accepted by the disciplinary community and that are expected by the readership in a field—and not only in just a field, but across fields, because conventions are also cross-disciplinary. And this is what I discovered through my research. This is what I uncovered when I looked at multiple disciplines and saw that really they do share communicative goals, and that really they do use very similar sets of rhetorical strategies when they build their scientific arguments. So, I was a bit mistaken to think that the problem was my English, because it's really more about genre knowledge than about English-language proficiency." Danie Sheal hosts Scholarly Communication, the podcast about how knowledge gets known. Learn more about your ad choices. Visit megaphone.fm/adchoices
How can one approach religion as both an academic researcher and a spiritual practitioner? Join us for this wide ranging talk with Dr. Albion Butters, historian of religion and a specialist in Tibetan Buddhism. The first half of the conversation focuses on the Finnish Oriental Society (Suomen Itämainen Seura) and academic publishing through the digital journal Studia Orientalia Electronica, edited by Dr. Butters. In the second half of the episode, Dr. Butters shares his experiences and insights on studying and teaching Buddhism, first in the USA and India, and now in Finland. Dr. Butters is also currently an Academy of Finland Research Fellow at the University of Turku. Klaus Karttunen's History of the Finnish Oriental Society (in Finnish) (Vuosisata Aasiaa ja Afrikkaa. Suomen Itämainen Seura 1917-2017). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoices
When Google announced that it planned to digitize books to make the world's knowledge accessible to all, questions were raised about the roles and responsibilities of libraries, the rights of authors and publishers, and whether a powerful corporation should be the conveyor of such a fundamental public good. Along Came Google: A History of Library Digitization (Princeton University Press, 2021) traces the history of Google's book digitization project and its implications for us today. In this conversation, we hear from Roger Schonfeld about, not just the history of book digitization, but the dynamic and intricate relationships amongst libraries, publishers, and technology corporations. In addition, we talk about the ongoing conversations and community-lead projects that hint at what the future of book and scholarship digitization could look like. Sarah Kearns (@annotated_sci) reads about scholarship, the sciences, and philosophy, and is likely over-caffeinated. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Jonathan Zimmerman, Professor of History of Education at the University of Pennsylvania Graduate School of Education and author of The Amateur Hour: A History of College Teaching in America (Johns Hopkins UP, 2020). We talk about yesterday today. Jonathan Zimmerman : "Look, I don't think anyone questions that some of the best teaching they do is in their responses to student drafts and student papers. And, I think this restates the obvious, but: That is highly individuated, right? I mean, unlike a collective exercise, this is targeted directly at the student, and at what she or he has to say, and at different strengths or weaknesses in the way they're presenting what they have to say. But look, here's the important context, teaching through writing takes a great deal of time and effort. There's no way to do it on the cheap. And the bigger the university gets, the more costly everything becomes and the less likely it is that we're going to engage in the practices I'm describing—they're too expensive—they're too labor-intensive. You've probably heard the name Richard Arum. Well, he wrote, together with Josipa Roksa, the book Academically Adrift, the first sociological study of how much people are learning at college, and what they found, unsurprisingly, is that a lot of people are not learning very much. Now, there are many reasons for that, but one of them actually has to do exactly with this point of teaching through writing. One of the reasons is how little writing is actually assigned or evaluated. So again, what does this tell you? I think it tells you how little we value a process such as learning through writing. Would it cost more to teach like this? Of course it would! Things of value exert costs. And if you're not willing to pay the costs, you don't value it." Daniel hosts Scholarly Communication, the podcast about how knowledge gets known. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Joshua Schimel, Professor of soil ecology at the University of California, Santa Barbara and author of Writing Science: How to Write Papers That Get Cited and Proposals That Get Funded (Oxford UP, 2011). We talk about how writing is research, and about how the Vietnam War was really just one big fat rejected manuscript. Joshua Schimel : "One of the challenges, I think, we have in science is that all the way up through university, we're being taught scientific knowledge. But that isn't really science. That's the product of science. Science is the process of learning new things. And there's this wonderful book, Ignorance: How it drives science, by Stuart Firestein, and the book is elegant in that idea of reminding people that science is about ignorance. Science is about what we don't know and how to figure it out. And so, for example, in a good Introduction to an article, you're not just trying to tell people everything we know about a field, you're trying either to identify the gap in what we know or, as the most important papers do, to locate the error in what we do know: 'We've been thinking about things this one way, but we've been wrong in some part of that thinking.' That's going to really engage the experts." Learn more about your ad choices. Visit megaphone.fm/adchoices
Artefacts, Archives, and Documentation in the Relational Museum (Routledge, 2021) provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation. Drawing on case studies from Australia, the United Kingdom, and the United States, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory ‘relational museum.’ Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies. Mike Jones is an archivist, historian, and collections consultant with more than 12 years of experience working with the GLAM sector (galleries, libraries, archives, and museums) on digital, archival, and public history projects. His interdisciplinary research explores the history of collections-based knowledge, and the ways in which contemporary technologies can help us to develop and maintain relationships within and between archives, collections, disciplines, and communities. Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us your suggestion on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: how Megan became an archivist, the unusual collections she works with, why archives can be intimidating, how historians and archivists work together, and archival etiquette tips for new researchers. Our guest is: Megan Hahn Fraser, who has worked as the Assistant Curator of Manuscripts at The New-York Historical Society, the Library Director at the Independence Seaport Museum in Philadelphia, Co-Head of Collection Management at UCLA Library Special Collections in Los Angeles, and the Vice President and Marcus A. McCorison Librarian at the American Antiquarian Society in Worcester, Mass. Currently, she is working for the Research Institute for Contemporary Outlaws, a private collection of 20th century counter-culture materials based in Los Angeles. She received her Master of Information and Library Science (with a concentration in archives management) degree from Pratt Institute in 2000, and has an undergraduate degree in history from New York University. While at UCLA in 2014, Megan founded the Los Angeles Punk Rock Archive Collective, a group of archivists and others focused on acquiring collections from musicians, artists, and fans of the punk rock scene in Southern California. She has presented at the Society of American Archivists annual conference, the South by Southwest Festival, the L.A. as Subject Archives Bazaar, and the Legion of Steel Metalfest and Conference. She can be found on Twitter @mmhfraser, talking about archives, justice, and The Clash. Our host is: Dr. Christina Gessler, the co-producer of the Academic Life podcasts, and a historian of women and gender. She has a small garden. Listeners to this episode might be interested in:
UCLA Library Special Collections Punk archive
Research Institute for Contemporary Outlaws on Instagram
For more information on how reliance on contingent labor is detrimental to the responsible stewardship of archives
American Historical Association open letter to National Archives and Records Administration and retraction
Society of American Archivists (SAA) Responds to the American Historical Association
Priceless: How I Went Undercover to Rescue the World's Stolen Treasures by Robert K. Wittman (2010)
Meetings with Remarkable Manuscripts: Twelve Journeys into the Medieval World by Christopher de Hamel (2017)
Standing in their own Light: African American Patriots in the American Revolution by Judith L. Van Buskirk (2017)
Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall by James Polchin (2019)
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In Beyond Conversation: Collaboration and the Production of Writing (Utah State UP, 2021), William Duffy revives the topic and connects it to the growing interest in collaboration within digital and materialist rhetoric to demonstrate that not only do the theory, pedagogy, and practice of collaboration need more study but there is also much to be learned from the doing of collaboration. Our conversation focuses on the processes that remain elusive during a collaborative project (and thus are difficult to teach in a classroom or recognized by the academic ecosystem), the risky accounts that live alongside collaborations, and a few ideas to think about and apply the next time you collaborate. Sarah Kearns (@annotated_sci) is an acquisition editor for an open scholarship publishing platform, a freelance science writer, and loves baking bread. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is Open Access Publishing and why is it important? Listen in as Raj Balkaran interviews Dominik A. Haas on his Fair Open Access Publishing in South Asian Studies (FOASAS) initiative which maintains a list of relevant publishers, journals, book series and other publication media. The list is available here. If you know of any other FOA publishers, journals etc. with an emphasis on Indological / South Asia-related research, or have feedback about the list, feel free to contact Dominik directly at dominik@haas.asia Dominik A. Haas, BA MA, is a DOC Fellow, Austrian Academy of Sciences and a PhD Candidate, University of Vienna Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us your suggestion on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: what a book proposal is and isn’t, why you have to write one, the importance of seeking the right “fit” for your manuscript, how to pitch a quirky book, the difference between a book’s topic and its argument, how to summarize your project in just one sentence, and a discussion of The Book Proposal Book: A Guide for Scholarly Authors (Princeton UP, 2021) Our guest is: Dr. Laura Portwood-Stacer, an experienced developmental editor and publishing consultant for academic authors. She is the author of The Book Proposal Book: A Guide for Scholarly Authors. You have to write a book proposal to get published, but most scholars receive no training on how to do so, and you may have never even seen a proposal before you’re expected to produce your own. The Book Proposal Book cuts through the mystery and guides you step by step through the process of crafting a compelling proposal and pitching it to university presses and other academic publishers. Whether you’re hoping to publish your first book or you’re a seasoned author with an unfinished proposal languishing on your hard drive, The Book Proposal Book provides honest, empathetic, and invaluable advice on how to overcome common sticking points and get your book published. It also shows why a well-conceived proposal can help lead to an outstanding book. Our host is: Dr. Christina Gessler, the co-producer of the Academic Life podcasts, and a historian of women and gender. Listeners to this episode might be interested in:
The Book Proposal Book: A Guide for Scholarly Authors, by Laura Portwood-Stacer
Dr. Portwood-Stacer’s Manuscript and Editing Workshops
Dr. Portwood-Stacer’s website
Handbook for Academic Authors, by Beth Luey
Writing and Publishing Your Book: A Guide for Experts in Every Field, by Melody Herr
From Dissertation to Book, by William Germano
The Chicago Manual of Style: The Essential Guide for Writers, Editors, and Publishers
Story Craft: The Complete Guide to Writing Narrative Nonfiction, by Jack Hart
The Business of Being a Writer, by Jane Friedman
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Helen Sword, writing champion, brings us into the word gym. Or maybe kitchen. Either way, The Writer's Diet: A Guide to Fit Prose (U Chicago Press, 2016) is a short, sharp introduction to great writing based around 5 principles: --use active verbs whenever possible; --favour concrete language over vague abstractions; --avoid long strings of prepositional phrases; --employ adjectives and adverbs only when they contribute something new to the meaning of a sentence; --reduce your dependence on four pernicious “waste words”: it, this, that, and there.
There are examples of the good - William Shakespeare, Emily Dickinson, Martin Luther King Jr., John McPhee, A. S. Byatt, Richard Dawkins, Alison Gopnik, and well, the bad. But you can fix the bad - really Dr Sword's point. Dr Helen Sword received her doctorate in comparative literature from Princeton University and has lived since 2001 in New Zealand, where she is a Professor of Humanities at the University of Auckland and runs a private writing consultancy, WriteSpace Limited. Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Peter Kaufman, Program Manager in Strategic Initiatives and Resource Development at MIT Open Learning and author of The New Enlightenment and the Fight to Free Knowledge (Seven Stories Press, 2021). We talk about us. All of us. Peter Kaufman : "Well, I'd say this about how to bring about the change my book calls for. Take a broad look at our knowledge institutions. Define them as broadly as we can, so obviously the universities, but there are museums, there are libraries, there are archives, there are public broadcasting institutions, there are historical societies–––and just figure out ways for all of these institutions, which have so many stakeholders, so many members, so many funders, so many visitors and readers and people who absorb things emanating from these institutions–––figure out ways for all these institutions to publish more, to publish more on to the Web, because (as someone put it) 'The truth is paywalled but the lies are free.' And you know, if these knowledge institutions can band together, can commit in principle and practice to publishing more, to linking to each others' content, to citing and sourcing each others' work, then we'll be a much stronger world, we'll be a much stronger society, and we'll be a little bit better equipped the next time that the gladiators from the Monsterverse manage to gain access to the most powerful offices in the land." Daniel heads Scholarly Communication, the podcast about how knowledge gets known. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Alex Csiszar, professor in the Department of the History of Science, Harvard University and author of The Scientific Journal: Authorship and the Politics of Knowledge in the Nineteenth Century (U Chicago Press, 2018). We talk about the British, the French, and the Germans. No joke. Alex Csiszar : "There's this myth out there about what makes a scientist a scientist. It's that they're highly skeptical of everything. They don't believe a claim until they see it with their own eyes. But anybody who spends any kind of time in the scientific process knows this is ridiculous. Most everything that everybody believes in the sciences is stuff that they've been given to believe through reading papers, through education, through being told by their colleagues, through textbooks–––almost everything anybody in the sciences believes has come to them through trust. And the formats and genres through which a lot of that stuff comes to one's eyes matter a lot for generating that trust. Though, maybe one of the lessons of the book is that the formats and genres might matter a little less than you might at first think because there are other means, perhaps more important means, through which individuals come to trust a particular claim––and personal contacts matter a lot here. But clearly what is being discussed in a lot of the debates that I follow in this book are the means through which such trust can be established, guaranteed." Daniel heads Scholarly Communication, the podcast about how knowledge gets known. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
After a turbulent political revolt against the military superpower of the early modern world, the tiny Dutch Republic managed to situate itself as the dominant printing and book trading power of the European market. The so-called Dutch Golden Age has long captured the attention of art historians, but for every one painting produced by the Dutch during the seventeenth century, at least 100 books were printed. In The Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2019), Andrew Pettegree and Arthur der Weduwen present the untold story of how a group of family-owned businesses transformed the economics of printing and selling and conquered the European communications economy. This printing revolution helped to turn their pluralistic population into a highly literate and engaged society. Andrew Pettegree (@APettegree) is Professor of Modern History at the University of St Andrews and Director of the Universal Short Title Catalogue. He is the author of over a dozen books in the fields of Reformation history and the history of communication including Reformation and the Culture of Persuasion (Cambridge University Press, 2005), The Book in the Renaissance (Yale University Press, 2010), The Invention of News (Yale University Press, 2014), and Brand Luther: 1517, Print and the Making of the Reformation (Penguin, 2015). Arthur der Weduwen (@A_der_Weduwen) is a British Academy Postdoctoral Research Fellow at the University of St Andrews and Deputy Director of the Universal Short Title Catalogue. He researches and writes on the history of the Dutch Republic, books, news, libraries and early modern politics. He is the author of Dutch and Flemish Newspapers of the Seventeenth Century (2 vols., Brill, 2017), and two books on early newspaper advertising in the Netherlands (both Brill, 2020). His latest project is The Library, A Fragile History, co-written with Andrew Pettegree and published by Profile in 2021. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Terry McGlynn, author of The Chicago Guide to College Science Teaching (U Chicago Press, 2020). McGlynn is also a professor of biology at California State University Dominguez Hills and research associate in the Department of Entomology in the Natural History Museum of Los Angeles County. We talk about learning, actually. Terry McGlynn : “If you’re giving students a writing assignment, like an experimental protocol, and they’re supposed to write about what they did in the lab or in the field, and it’s a cookbook project, you know, where the students don’t design the methods themselves and they're just doing what they were told to do and they're writing that down–––well, then the students are just jumping through a hoop and there's no ownership. That just gets you following through the prescribed steps, and in each of those steps, you just need to know, 'Oh, I just need to write a sentence where I've said This is where I did this,' and you write that sentence. And so, I think you can get through the whole assignment without thinking about the grand reason why you're doing it, right? Because the grand reason why you're doing it is because you need to turn it in and get your grade. And so all the little decisions you're making when you're doing the writing assignment–––all those decisions are all based on a micro level of, 'Okay, this next sentence, and that next sentence,' rather than if you had more control over what you're writing or if you had a bigger set of questions–––basically, if you knew why you're doing this assignment, you know like, what is the purpose of the assignment other than to turn it in and to get a grade–––because then that would be the purpose which is behind all those other small decisions, the purpose that guides you toward some destination." McGlynn's blog is here. Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
We live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. Written by Ruth Ahnert, Sebastian Ahnert, Nicole Coleman, and Scott Weingart, The Network Turn: Changing Perspectives in the Humanities (Cambridge UP, 2021) contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. Ruth Ahnert is Professor of Literary History and Digital Humanities, Queen Mary University of London. Sebastian Ahnert is University Lecturer, Department of Chemical Engineering and Biotechnology, University of Cambridge. Nicole Coleman is Digital Research Architect, Stanford University Libraries. Scott Weingart is Director of the Navari Family Center for Digital Scholarship at the University of Notre Dame. Katie McDonough is Senior Research Associate, The Alan Turing Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices
We are now living in the richest age of public memory. From museums and memorials to the vast digital infrastructure of the internet, access to the past is only a click away. Even so, the methods and technologies created by scientists, espionage agencies, and information management coders and programmers have drastically delimited the ways that communities across the globe remember and forget our wealth of retrievable knowledge. In Architects of Memory: Information and Rhetoric in a Networked Archival Age (University of Alabama Press, 2020), Nathan R. Johnson charts turning points where concepts of memory became durable in new computational technologies and modern memory infrastructures took hold. He works through both familiar and esoteric memory technologies—from the card catalog to the book cart to Zatocoding and keyword indexing—as he delineates histories of librarianship and information science and provides a working vocabulary for understanding rhetoric’s role in contemporary memory practices. This volume draws upon the twin concepts of memory infrastructure and mnemonic technê to illuminate the seemingly opaque wall of mundane algorithmic techniques that determine what is worth remembering and what should be forgotten. Each chapter highlights a conflict in the development of twentieth-century librarianship and its rapidly evolving competitor, the discipline of information science. As these two disciplines progressed, they contributed practical techniques and technologies for making sense of explosive scientific advancement in the wake of World War II. Taming postwar science became part and parcel of practices and information technologies that undergird uncountable modern communication systems, including search engines, algorithms, and databases for nearly every national clearinghouse of the twenty-first century. Nathan R. Johnson is assistant professor of Rhetoric at the University of South Florida. His work has appeared in the Journal of Technical Writing and Communication, Poroi, Journal of the Association for Information Science and Technology and enculturation: A Journal of Rhetoric, Writing, and Culture. Connect with your host, Lee Pierce (they & she) on social and Gmail @rhetoriclee Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Rachel Sagner Buurma (associate professor of English literature at Swarthmore College) and Laura Heffernan (associate professor of English at the University of North Florida). We talk about there book The Teaching Archive: A New History for Literary Study (University of Chicago Press, 2020) and the great figures of English Studies--the professors and the students. Laura Heffernan : "There is this real sense right now that the ability to read carefully, to learn how to think critically, to learn how to write well, and to conceive of those things as part of a larger life is under threat for the majority of American students. And one of the things our book really tries to do is to recover just how many of those students have participated in the making of English Studies, a discipline which is now being taking away from students, essentially. And so, our intellectual histories need really now to incorporate the institutions where such majors in the humanities are under threat and show, in really material ways as we do, that those students at those schools helped to make some of the core concepts and methods in the humanities." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? DM us your suggestion on Twitter: The Academic Life @AcademicLifeNBN. In this episode you’ll hear about: Ros Pyne’s path through higher education, how she found her way to her current job, her role at Bloomsbury Publishers, what Open Access [OA] is and is not, how OA can democratize knowledge, and what she’s hopeful about. Our guest is: Ros Pyne, who is the Global Director of Research and Open Access at Bloomsbury Publishers. She has worked in academic publishing since 2007, initially as an editor, and for the last eight years in roles focusing on open access. She has a particular interest in bringing open access to long-form scholarship and to the humanities, and is the co-author of several reports on open access books. She holds a degree in English from the University of Cambridge, and an MA in early modern English literature from King’s College London. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode might be interested in:
Open access at Bloomsbury
Directory of Open Access Books
OAPEN OA Books Toolkit (for anyone interested in learning more about what open access books are and how they work)
Open Access Books Network (a free online network for people working on open access books or interested in getting involved)
Open Access and the Humanities (a 2014 book by an open access expert Martin Paul Eve that’s still an excellent primer on this topic)
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In Getting to the Heart of Science Communication (Island Press, 2021), Dr. Faith Kearns unpacks science communication as so much more than the “sage from the stage” perspective. Dr. Kearns, through decades of experience and countless interviews, writes to further a conversation for best practices and necessary training for science communication practitioners. In this interview, we discuss the past, present, and future of science communication. We dig into Part II of the book, The Tools of Science Communication, which for those newer to the field or practice, might be shocked to hear has little to do with speaking. Instead, we talk about relating, listening, conflict, and trauma. While Dr. Kearns is clear this book is not intended to be a final word on the topic, it does force readers to think about how the sciences might adopt training from other fields. We finish our talk with an unanswered question – how do trained generalists fit into the expertise-focused world of science? Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of William Tierney, University Professor Emeritus and Founding Director of the Pullias Center for Higher Education at the University of Southern California. We talk about his book Get Real: 49 Challenges Confronting Higher Education (SUNY, 2020), about what people really believe when it comes to higher education, and also about what people need to do when it comes to higher education. William Tierney : "Oftentimes the board and the administration and the faculty are in cahoots with one another, in the sense that the marker is only how to improve in the rankings. And you can see this when a teaching college becomes a state university, and then it will try to move away from teaching and move towards research. And a board member will feel good about that: 'Boy, I came in, and my institution was ranked 250th, and now it's a 100. We the board are doing a great job.' And what the administration will say is: 'I transformed the institution. We were 250, and now we're 100.' And the faculty will say, 'Yup, the students are better.' And all this impacts on writing centers like this: Writing centers are often seen as problems–––you know, that kids go to the writing center because they have a problem. Well, then, if we don't have writing centers, then we don't have students who have problems–––which is, of course, the exact wrong way to think about an essential skill that we need for the twenty-first century." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Brooke Rollins, Assistant Professor of English at Lehigh University. We talk about lots of Greeks and about one Frenchman and (if you write) also about you. Brooke Rollins : "I think there is a way that practice in reading and writing–––that it lines up so nicely with physical training. You know, to run a marathon, you don't simply just run 26.2 miles every day to practise for that. There are things that gradually take you up to that, but it's persistent. It's over an extended period of time. Regularity in reading and writing is important. And I certainly feel like the contemporary university doesn't do enough of that with writing. There's first-year courses, and then the thinking is, 'Well, they've had that, they've passed that bar, and now they can move on to their fields and not worry about writing anymore. We've taken care of that.' But in fact, writing development is necessary along the whole course of study. That's why writing-in-the-discipline programs are so important." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Iain McGee (PhD, Cardiff University) a PhD student in the Department of Religion and Theology at the University of Bristol (UK), and an EAP teacher at Cardiff University. We talk about his book Understanding the Paragraph and Paragraphing (Equinox, 2018), the paragraph as a break in the text, about the paragraph as a unit of the text, and about the ¶. Iain McGee : "Often writing instruction in classroom environments is readerless in terms of the actual text and in terms of who will engage with it. Many writers in classrooms know that the only reader will be the teacher. But when it comes to writing for purposeful reasons, then we will be thinking of the reader, and the reader will have certain (as Michael Hoey puts it) textual colligation expectations, that means that the reader will be expecting paragraphs to flow in a certain way, will be expecting certain ways of organizing that text. And so, for the writer in that environment, the writer needs to be aware of those discourse-specific ways in which we communicate. One of the points I make in the book is that, Alexander Bain and his work in particular never really considered the reader and as such, made rather prescriptive, one-size-fits-all comments on what good paragraphing is. But in reality, the genre very much determines how we will go about writing our paragraphs, for example, how many sentences we might have, or the kinds of links between the paragraphs, for example, those links will be very different between reading an article in a newspaper and reading a journal article. And so, that sensitivity to genre is one of the focal points of my research, and I want to draw attention to the fact that we need to understand genres better so that we can make comments about the paragraph which are more intelligent, more specific, and more relevant to the actual readers of real genres and to the writers engaged with those genres." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Martin Paul Eve (Birkbeck, University of London), Cameron Neylon (Curtin University), Daniel Paul O'Donnell (University of Lethbridge), Samuel Moore (Coventry University), Robert Gadie (University of the Arts London), Victoria Odeniyi (University College London), and Shahina Parvin (University of Lethbridge) about their book Reading Peer Review: PLOS One and Institutional Change in Academia, published this year by Cambridge University Press. The book is part of Cambridge UP's "Elements" series. It's also open access. We talk about excellence in higher education and about excellence in scientific research, and we talk about all the trouble that can bring. Martin Paul Eve : "Yeah, I think that's right that in scholarly communication, we're dealing less with language and more with discourse. And the most frustrating defenses of the humanities disciplines try to claim some exclusivity around language and expression and so on. And really, when you're dealing with extremely complicated scientific concepts, the way you express them does matter, and if there isn't clarity in your expression, it leads to poor communication. I mean, part of the challenge here is that the evolution of the research article in the sciences means that you're only ever really getting a description of what has been done. And so making the description as perspicacious as possible is a core part of that. Now the questions is: Since we have practices like open data, like replication studies that attempt to give more of an insight into the process, into what's going on–––Do they obviate that need for such careful language usage, given that you're exposing more of the process itself or does it remain as important as ever. I think it's probably the latter. But it's interesting to me that this need for precision has evolved, that it does play a role, and that reviewers nearly always comment upon it when they think it's lacking." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Martin Paul Eve and Jonathan Gray, editors of Reassembling Scholarly Communications: Histories, Infrastructures, and Global Politics of Open Access (published open access by MIT in 2020). We talk about a lot, and all of it, really, falls under the head "Ethics of Scholarly Communication." interviewer : "How did you conceive of a project of this diversity on the subject of open access and publishing?" Martin Paul Eve : "What's really interesting to me is that most academics think they know about scholarly publishing because they have all published. This is a bit like me saying that I'm an expert in how car engines work because I can drive. It doesn't equate to the same thing. And so what we really wanted to do was to put together a volume that did not really attempt forcibly to synthesize all of the propositions made under its roof, but rather to give a space for a debate to develop, a space for argument and conversation to flourish about the difficulties surrounding open access."
interviewer : "The book just tells all it has to tell from every perspective, and these disagreements, and agreements, make for the feel of a real discussion. I wonder what your basic view of scholarly communication was throughout the, surely, long editing process." Jonathan Gray : "Well, we thought of it like this: so if you look at work on the sociology of art––rather than looking at the artwork, you look at everything around that artwork which is required for it to be seen and appreciated as an artwork. You look at the supply chains involved in producing print and canvas, you look at the gallery workers, you look at ticket sales and so on. And I guess we were keen to kind of do a similar thing with this book, to perform a kind of inversion around scholarly communication and open access, and really situate it and re-world it in relation to all sorts of issues, communities, forms of labor, and infrastructures." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Ken Hyland, Professor of Applied Linguistics in Education at the University of East Anglia, UK. We talked about his book Second Language Writing (Cambridge UP, 2019), the importance of reflection to teaching, and about the importance of teaching to research, and about the importance of research to reflection. Interviewer : "I wonder whether second language writing isn't sometimes identifying itself too closely with language learning, and not–––well, it should be writing in a second language, shouldn't it? You know, put something up front which is what this is really about." Ken Hyland : "Yeah, I think that one thing that an emphasis on second language writing has given us is the recognition that writing is important. I don't think that there is a university anywhere now that doesn't have a writing center or at least an office where students can go and get consultation about their texts. Writing has been recognized as important, and also in native-English-speaking contexts as well, and in UK universities. And in fact, when we look at writing at advanced levels, like PhDs and writing for publication, language doesn't really come into it anymore. It's a rhetorical issue. And this crude native/nonnative polarization I think breaks down entirely. You know, it's counterproductive, because it demoralizes second-language writers who are trying to get their PhD or publish in journals, and it ignores the very real writing problems experienced by native English speakers, by L1s, you know. So, the L1s get ignored, in favor of the L2s, who get the courses, but everyone's unhappy because it's seen as a language issue rather than as a writing issue." Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I talked to John Thompson, Emeritus Professor, Fellow of Jesus College, Cambridge, about his new book Book Wars: The Digital Revolution in Publishing (Polity, 2021). We discuss crowdfunding, audio books, distribution chains, social media, self-publishing, ebooks, Amazon, retail, and oh, also those things that are made of paper and glued together and have words printed in them. Interviewer: "One of the real eye-openers for me in the book was the distance, historically speaking, between readers and publishers. Now, as I think about it, and as I compare what a company like Amazon does to what traditional publishers do, well, I begin to notice that publishers are on the side of authors and content and that publishers have an obligation, even, on that side." John Thompson: "Yes, they have an obligation to authors. Publishers are good and professional at developing content. And if they're good publishers, they have a well thought-through and sophisticated marketing and publicity operation that helps to create visibility for books. But on this last point alone–––making books known to others–––the opportunity created by the digital revolution is not just that you make books visible by using traditional media like advertising in the newspaper, but that you are able to reach out directly to readers and consumers and make your books visible to them directly, in much the way that Amazon does when they send an email blast to an Amazon user that says, 'You might be interested in this book.' But why can't publishers do that themselves? Now, thanks to the digital revolution, the opportunity is created for publishers to develop relationships with readers, and to do so at scale. It simply wasn't possible, prior to the digital revolution and prior to the Internet. But now it is. And so that is a huge transformation that publishers are beginning to avail themselves of and which will, I think, continue to change the industry." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I talked to Helen Sword about Air & Light & Time & Space: How Successful Academics Write (Harvard UP, 2017). We talk about what not enough people talk about when the subject is writing. interviewer : "You offer the advice of forming a writing group, because writing groups are, well, just all-around terrific for helping people write as they want to." Helen Sword : "Exactly, and well, so I try not to be didactic about just about anything having to do with writing––I'm much more about, 'Here's a range of possibilities. Make a considered decision here,' rather than, 'I'm going to tell you what to do.' But if I were to give one piece of advice concerning the social dimensions of writing, I would say, 'Really, really strongly consider belonging to some kind of writing group.' And I define a writing group as being two or more people who meet more than once to talk about any aspect of writing. So, if you have somebody you meet with for coffee once a month, one other person, and all you do is you sit there and complain about your supervisor and how you wish that they were more sympathetic to your writing––That's already a writing group. So, it doesn't have to be some big kind of formal thing. It's opening yourself up to the social dimensions of writing and particularly to the idea of having supporters in your corner, having some cheerleaders, having some people you can talk to about writing who are not there to criticize you––who are there to help you." Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Gerd Bräuer, Head of the Schreibzentrum, the writing center, at Freiburg University of Education. We talk about the place of the internet in writing development, we talk about views on writing in German higher education and more widely in German society and culture, and we talk about Bert Brecht's journals. Tnterviewer: "What part does a person's biography play in their writing? And I mean the academic writing students do, or also, the academic writing we publish, and not just literature and memoir." Gerd Bräuer: "Well, in the writing process, there's something we call writer-based prose. And here the writer would really get the chance, from the institution and from the instructor, to pay attention to this first phase within the writing process, where the writer struggles with his or her own thoughts and ideas and also reconnects to what he or she has learned through the writing––or however else they've learned it––and the writer gets the chance to be always trying to figure out what to explore and how to explore it, before he or she starts to think about how to say it to a certain audience within a certain text genre. This writer-based prose is focused on immediate work with knowledge, with creating new knowledge. Peter Elbow, an American writing researcher that I admire greatly––he speaks about cooking, about letting your ideas boil and simmer, and then tasting to find out whether you like it and what to change. And all this I see as part of biographical work. You work on your biography as a learner, and that phenomenon, learning, is lifelong and includes everyone. So, with every single new writing assignment you get a learning chance. But of course, the institution or whoever assigns the writing would also have to provide the framework to make this learning happen." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Christopher Thaiss, author of Writing Science in the Twenty-First Century (Broadview Press 2019). We talk about the research article, about writing styles, and about the uses of rhetoric to scientists. Interviewer: "Too many students learning to write in the sciences lack helpful feedback on their writing, and this causes them to experience, quite personally, that disconnect we were talking about, between doing science and writing science." Christopher Thaiss: "Feedback is one of the things I return to again and again in the book. And in my teaching, I think that one of the ways that feedback is used––I think that the most effective way that feedback is used is not so much the feedback that I give students about their writing, although the students will always say, 'We love your feedback!' But what's really important is the feedback that they learn to give and get in peer response workshops. I'm very careful in designing peer response so that students feel that sense of responsibility to give good feedback to one another, but also how to ask for feedback on the work that they're doing themselves. I think that peer response is so important in the scientific context, but it is, you know, in any writing context, and so I really try to foreground that within the course. The way I talk about it in writing in STEM is actually in the context of how research is done and how scientific discoveries and advancements are made: It's through the process of peer review. And if we can teach students early on to become good readers and then careful, conscientious givers of feedback to one another, we have achieved so much in terms of their ability to become contributing members of the scientific community." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Joan Turner, author of On Writtenness: The Cultural Politics of Academic Writing (Bloomsbury Academic 2018). We talk about writers, writing, writers writing, unwritten subtexts, and written text. Interviewer: "What do you see as the step which writing practitioners can take in the direction of their discipline-based colleagues, and what's the step that researchers can take toward writing practice?" Joan Turner: "Well, obviously, it has to be something that has to be ongoing, and in many respects, it comes down to individuals. There are a lot of well-meaning researchers who value collaboration with writing practitioners, as there are many who don't. And I think is it probably incumbent upon the writing practitioners to kind of put themselves forward more, to kind of slough off the sense of inferiority that might surround them because of how institutions position writing development, and they just have to attempt to begin the conversation. I think that often, when they do, on an individual level, it works. Although often, another problem that occurs with that, is, if you're actually making contact with a particular department where you've got a lot of students, then you might make contact with a particular individual, who then leaves that institution or goes on to a different role in the institution, and is no longer collaborating with the writing center, and then you have to begin again with another one. So, it can be an uphill struggle, but I do have some optimism that things will get better." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Robert Samuels, author of Teaching Writing, Rhetoric, and Reason at the Globalizing University (Routledge, 2021). We talk about grammar, which is what everything really fits inside of. Mostly. Interviewer : "Clearly, the liberal globalist position will cause some pushback. What would you say to our listeners, what would you say to your readers to help them make that pushback into counterargument?" Robert Samuels : "Well, it's difficult, because on one hand, if I'm saying we should focus on logic and reason, it seems like I'm saying that we should ignore emotion, but what I'm also saying is that we should really think about how emotion is manipulated through language and the role that language plays in communication. And so the problem is you want to have a more complex argument, where it's not just either-or. But in our current debate culture it seems that everything often comes into this very polarized either-or discourse. And so it's difficult to figure out how to get people who are not already on your side to listen to you. And I think that's a general problem we have within culture and society, at least in the United States: that is, how to open up this space where people can try to judge arguments based on facts and their merit and their logic and not on some predetermined ideological investment." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I talked Joe Essid and Brian McTague about their book Writing Centers at the Center of Change (Routledge 2020). We discuss about critical thinking through writing and we talk about what it is that's critical to writing. Interviewer: What's the next big change you see coming? Brian McTague: I don't know exactly what that's going to be, but I think it's going to have something to do with adapting what the previous 'normal' model was for writing centers into this new normal that definitely takes into account technology on a broader scale and how we communicate. You know, we can communicate face-to-face via technology, so does it have to be in person? One example from my own writing center: Over the last year we have done a lot of online-Zoom group workshops. And group workshops are something that we've always offered in person, and sometimes we'd get ten people, sometimes we'd get nobody. Now, we have a Zoom workshop, and we get up to eighty students, or actually, eighty participants, because there are also often some faculty and staff there, too. So to me, that shows that there's potential to learn a lot from what we've done well in this very challenging past year. Joe Essid: Brian, that's grounded optimism. And I think it's something I will do on our campus, once I have the breathing space. That's a post-pandemic opportunity to begin to host some workshops, and use Zoom, because then faculty can attend them from home, students don't have to trek to a room that we have to book. So, I think our writing workshop program is going to move to Zoom, and I can bring in outside experts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of David Payne, who is Chief Careers Editor at Nature. We talk about high quality writing, about the gracious community of scientists, and about diversity, diversity, diversity. Interviewer : "What is the one thing you hope, for sure, that every piece of Careers content will achieve?" David Payne : "Oh, that's a question, isn't it? You know what, I think it is about emotion. And I just want it to––not tug at your heartstrings, that sounds cheesy––but I feel, we spend so much time at work, and work does define us, rightly or wrongly, actually. So much of what we do is mediated through the jobs that we do. We spend so much time with our colleagues, and probably more than we do with family members often. So, I just hope that every piece we publish resonates. We can't resonate with everybody, of course, because it's a very diverse workforce in science. But, whenever I read any piece of content, I always think, how many boxes are we ticking here. You know, who is going to be interested in this. Of course, the target audience is currently the early career researcher, but of course you have all sorts of halo effects, as well. You want to think that funders are reading it, that they're finding it a useful take; people like yourself, who train people to write as a scientist; lab leaders; policymakers; thought leaders; and all the way down the line." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Bill Cope and Mary Kalantzis, creators of the website newlearningonline.com and also professors at the College of Education, University of Illinois. We talk about monastic instruction in the sixth century, we talk about textbook learning in the sixteenth century, and we talk about cybersecurity education in the twenty-first century, but overall we talk about imbalances in self agency. Interviewer: "Could you describe one pedagogical affordance of the technology on your learning platform CGScholar?" Bill Cope: "So, what we're doing is we're using big data and learning analytics as an alternative feedback system. So, what we say, then, is, okay, well: 'The test is dead! Long live assessment!' We have so much data from CGScholar. Why would you create a little sample of an arrow or two at the end of a course, when we can from day one be data mining every single thing you do? And by the way, by the end of the course, we have these literally millions of data points and for every student. Now, the other thing, as well, is, our argument is––and we call this recursive feedback––is that every little data point is a piece of actionable feedback. Someone makes a comment on what you do, you get a score from somebody on your work against a Likert scale...so what we're doing is, we have this idea of complete data transparency, but also, we're not going to make any judgments for you or about you, or the system's not going to do it, without that feedback being actionable, so that you can then improve your work. It feeds into your work. So, the difference is, instead of assessment being retrospective and judgmental, what we're doing is making micro-judgments which are prospective and constructive and going towards your learning." Visit the Learning Design and Leadership Program here and visit CGScholar here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Shyam Sharma, Associate Professor and Graduate Program Director in the Department of Writing and Rhetoric at Stony Brook University. We talk about how mutually appreciative attitudes advance Writing in the Disciplines, about how other languages matter to writing in English, and about how US Presidents have changed the ways we teach writing and learn to write. Interviewer: "Where does language come in to the sort of writing development called Writing Studies or English for Academic Purposes or Academic Literacies?" Shyam Sharma: "Well, there are language-focused academic curriculums around the world. But language is not writing. If it was, then I wouldn't have my job. You know, for the most part, students who speak English as a native language wouldn't need to learn anything about genres and conventions and writing and rhetoric and communication. And so, where English is taught in non-English-speaking regions, the concern about language buries everything so far down that it is difficult for people to foreground it and to pay specialized attention to it and to develop research programs and to be funded and to be recognized and so on." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Heidelberg Writing Program, a division of the Language Center at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Elisa De Ranieri, Editor-in-Chief of Nature Communications. We talk about knowing the research you have done, but communicating the message you want said. Interviewer: "When a submission lands on your desk, or better said, you call it up on your screen, what are you pleased to see, what makes your work easier?" Elisa De Ranieri: "Yeah, well, I guess what makes the job easier for an editor is to receive a paper that is well-written and well-constructed and where the authors are so experienced that they know how to pitch their story. It's nice because it, obviously, spares the editor the trouble of having to unpick what's being said. You know, there are papers where––I'm not saying that they're badly written––but they are so dense because it's not a story, it's a dump of facts, so that you have to start unpicking the facts until you've made your own version of the story that the authors are trying to tell, and only then can you assess that story based on your criteria." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Shyam Sharma, author of Writing Support for International Graduate Students: Enhancing Transition and Success (Routledge, 2020). We talk about international students and rhetoric, international students and confidence, international students and community-based programming, and vision. Interviewer : "Could you give an example for how teachers can foster agency among international students?" Shyam Sharma : "Let's say you walk into a class and you ask, 'How do people greet in a formal academic setting.' If you say, 'How do people greet in a formal academic setting, in your local community' –– Just add that phrase at the end –– what happens is that the Chinese student versus the American student versus the Brazilian student get to share their ideas about how people (in English, of course), about how people greet each other formally. But by giving them a platform where their ideas can be brought in order to explore, that allows many of things, one being to set the terms of engagement which are, then, not my terms and you are the foreigner. Instead, at least it's a starting point. It allows the student to create these different terms of engagement on their own." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Helen Sword, author of Stylish Academic Writing (Harvard UP, 2012). We talk about bad writing, but a lot more about how to make it good. There's even a dog. Interviewer : "What is it that keeps most students and then, too, many early-career academics away from making the effort to write well?" Helen Sword : "Writing is seen as this utilitarian thing. You've got to learn it. It's got lots of rules. If you get things wrong, somebody's going to put red ink on there or red tracked changes or whatever. There's a lot of emotional baggage tied up with the hard work of writing well, and yet when I interviewed successful academic writers, what I heard over and over again, was about the pleasures that they take in the hard work of the craft. And that's where, for me, I link the pleasures of writing well back to stylish academic writing, to the craft of writing well. Those two things have got to go hand in hand to be a long-term sustainable kind of enterprise." Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Jo Mackiewicz, author of Writing Center Talk over Time: A Mixed-Method Study (Routledge, 2018). We talk about talk, tutor talk, student talk, spoken written-language, and Wisconsin. interviewer : "Now, this is pretty much something that a writing center is aiming for, isn't it? I mean, you don't want that––just as in the classroom with the teacher––you don't want that the writing tutor is doing all of the talking, do you?" Jo Mackiewicz : "Oh, yeah. One of the biggest goals of the writing center tutor is to try to get the student to talk. Because there's a great tendency for students to backchannel, to show they're understanding––and of course, that's their role and it makes sense that they would do that. But what a tutor wants to try to do, in the best case, is to get them to start talking, to try to start putting words together themselves, to try to reshape their words, to try to orally shape the words that would go in their papers." Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
What do university presses do? And how do they contributed to public discourse? November 9 is the beginning of University Press Week, and today I had the honor of talking to Niko Pfund, the president of the Association of University Presses and the head of Oxford University Press. In the interview, we discuss the work of university presses and their value to the production of knowledge and a vibrant exchange of ideas. We also talked about the challenges UPs face generally and in the time of COVID. Pfund began his career at Oxford University Press (OUP) in New York in 1987 as an editorial assistant in law and social science before moving to NYU Press as an editor in 1990. He served as editor in chief at NYU before becoming director in 1996 and returned to Oxford in 2000 as its academic publisher. Currently he is responsible for the development of OUP’s acquisitions and editorial program for research books and reference, as well as for the management of the its North American offices. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to this interview of Kit Nicholls, Director of Cooper Union Center for Writing. We talk about writing, thinking, the university, and what everyone cares about. Interviewer : "That's the key, and the sense that I get from many students, and even also from faculty, when it comes to the point that they're writing up their results––well, it's basically, this is just a necessity, a thing that's just sort of got to be got around, got through. But if you can actually provide them with the view that the writing is the research, that you're doing your research right now as well. Or even if you can get them to drop the 'as well' and say, 'I'm doing my research still.'" Kit Nicholls : "Yeah, it's not like you do sort of all this prior work and then you sit down and write. That's a surefire way to produce some pretty terrible writing. It's much better to write your way through, which is exactly why the Center for Writing offers ongoing sessions, because otherwise students almost automatically come to the assumption that the Center of Writing is a place you come only when you've got an assignment to finish. It sends the message that writing is just a thing you do at the end. But anyone who seriously writes knows that writing is this long, complicated process." The interviewer, Daniel Shea, heads the podcast series Scholarly Communication, where the world of research publishing is brought to your ears. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Transforming Ethos: Place and the Material in Rhetoric and Writing (Utah State UP, 2020) approaches writing studies from the rhetorical flank, the flank which, for many, is the only flank the discipline has. However, at a time when universities are optimizing structurally and streamlining pedagogically, the book must plead the case for a university where character is formed. Now that writing studies has shouldered up to its other disciplinary and institutional neighbors, composition instructors need to begin asking themselves tough questions about administration, teaching, and assessment, and perhaps more importantly, composition instructors need to begin providing answers. Rosanne Carlo provides answers, answers which spring from the New Rhetoric, from the writings of Jim Corder, from ethos as a gathering place for community, from kairos, chora, and from many another well found and well placed theoretical tool turned to her overriding purpose of teaching writing and teaching rhetoric as a way of life. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better.
The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write writingprogram@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
When I put down Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (University of Chicago Press, 2016), I looked up and began to wonder. I wondered about the book on gnomic poetry in Medieval Greek I had read over the weekend. I wondered about the PDF conference volume on my desktop between other PDFs downloaded at my university library. Casting an eye to the bookshelves along my wall, I looked at the spines of all the books there, upright and peaceful in their rows, and I wondered just who did the publishing of those books. Who printed the bindings and pages? Who stocked backlisted copies in the warehouse? Who encouraged booksellers to buy? Who adopted the project early stages? Who chauffeured the manuscript through marketing? Which editor oversaw production while which harried professor, between lectures biting into a sandwich, flipped the pages and weighed the arguments and challenged the ideas? Getting It Published opens up the other spaces which are inside of every book. There's quite a lot besides just the research inside those books on our Works Cited lists, and we don't know. Or we don't know enough, anyway. Getting It Published, as the subtitle announces, is the guide to everything a scholar needs to know about where his or her research goes. William Germano, the author, is the guide of the book. A deft hand at elegant and lucid prose, William Germano has the industry experience, the university experience, and the teaching experience to know what writers of research will need when they go to submit their own manuscript, the manuscript that just might become the next book on a shelf or the next PDF on a desktop. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better. The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write writingprogram@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Open Access is spelled with a capital O and a capital A at the Public Library of Science (or PLOS, for short), a nonprofit Open Access publisher. Among PLOS's suite of journals, PLOS One is the nonprofit's largest in number of articles published and its broadest in coverage, ranging as it does over all topics in the natural sciences and medicine, to include, as well, some in the social sciences, too. PLOS One appears only online, a format the staff bring into service to foster Open Access Science, whether they do this through initiatives for Open Citations and Open Abstracts, or through Transparent Peer Review, or also through PLOS One's newest endeavor, registered reports. Since its inception in 2006, PLOS One has been at the forefront of Open Access publishing. And today, against the trend to equate Impact Factors with journal names, PLOS One does not promote their own Impact Factor because the measure has been shown to be, at best, only an approximate indicator of research significance. However, in true PLOS fashion, PLOS One offers an alternative in various Article-Level Metrics. These ALMs (as the abbreviation goes) make a closer, tighter fit between value of research and quantifiable measures. Joerg Heber is Editor-in-Chief of PLOS One. When you track Joerg Heber's career in publishing, you get the sense of a clear mission: (1) provide access to good science and (2) make providing that access not only viable, but enviable. Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better.
The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write writingprogram@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices
Nature is the premier weekly journal of science, the journal where specialists go to read and publish primary research in their fields. But Nature is also a science magazine, a combination unusual in journal publishing because in an issue of Nature, research stands side by side with editorials, news and feature reporting, and opinion articles. In fact, over two-thirds of the pieces Nature publishes are journalism and opinion content. This is the remit of Helen Pearson. Helen Pearson is Chief Magazine Editor of Nature. After her PhD, Helen wanted a "broader view" of science, and so she chose science journalism. Helen has written award-winning journalism, and she is the author of The Life Project, voted 2016's best science book by The Observer and a best book of the year by The Economist. Today, Helen can look back on a distinguished career at Nature, where she continues to make a significant contribution to conversations around and in the scientific communities Nature aims to reach. Scholarly Communications is the podcast series about how knowledge gets known. Scholarly Communications adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better.
Daniel Shea, heads Scholarly Communications, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices