Visual Artist, Ranulph Redlin, and Artist Advocate, Caroll Michels, tackle the career challenges facing artists today and explore solutions.
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ART OF THE DEAL: Artists are always getting screwed over because we don't talk about what a good deal looks like. So now we are. Caroll and Red explore the fine art of negotiation. lol. This episode is the last in the current season. Visit creatorade.art to support our fundraiser for Season 2, or stay in touch via social media.
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CHAMPIONS OF THE WORLD: Artists are the lowest paid people in the artworld, even though the rest of it depends on us for its existence. Caroll and Red chat how the most common way artists give up their power is by thinking they don't have any, and how to reclaim it.
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FUNDING APPLICATIONS: SHAKE THAT MONEY MAKER -- The right funding at the right time can be the secret sauce for bringing an idea (or even a career) to life. Caroll and Red chat what goes into making a winning funding proposal, how to identify which opportunities are right for you (project support! grants! residencies!) and how to stay creative against that ever increasing pile of admin!
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COMMUNITY OF PILLARS: It can be really isolating being an artist. Also competitive. Also totally bewildering. Caroll and Red discuss how much that sucks, plus all the amazing ways artists connect and collaborate with one another to help everyone thrive, and how you can get involved.
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SNAKE OIL & SUBMISSION FEES: Where did all these submission fees come from??? From endless competitions to vanity galleries, the Artworld is overgrown with opportunities for artists to waste their time and resources. Caroll and Red hack through the weeds, and explore some of the more effective ways to nurture your creativity and career — from public art commissions, to residencies and beyond.
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FEAR: ANDY WARHOL'S GHOST -- Red & Caroll chat fear, self doubt, imposter syndrome, creative uncertainty and how to live free without being a douchebag.
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OPPORTUNITIES PT.1 - WHO WILL BUY MY BEAUTIFUL PAINTINGS? Why do so many galleries and art consultants / advisors have a No Submissions policy, and just what are artists supposed to do instead? Caroll and Red chat getting your work out there, the pros and cons of approaching galleries, art consultants, museums and non-profit spaces, and the importance of tenacity. Juicy.
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Red & Caroll explore the wild west of gallerists and art dealers: who they are, why they often seem to have a lot of power of artists' careers, and what you can do about it.
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Please ignore this one also.
SHOW NOTES GO HERE. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Support the show (http://www.patreon.com/creatorade)
This is a technical test. Please ignore.
SHOW NOTES GO HERE. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Support the show (http://www.patreon.com/creatorade)