Words That Burn: Recent Episodes
Benjamin Collopy
Poetry is insightful, stirring, incredibly beautiful but it can also be a labyrinth.
Join Ben, an Irishmen with a borderline obsessive love of poetry, on a trip through that labyrinth, one poem at a time.
Each episode Ben picks a single poem and does a close reading, showing you how to do the same. Each close reading focuses on the poet's life, the context of the poem's create and the litany of techniques used to create works that never fail to evoke emotions.
If you want to learn just a little bit more about poetry, in a gentle calm way that won't overanalyze, give it a listen now.
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In this episode, we delve into "The God of Stories," a poignant poem by Rowan Ricardo Phillips from his latest collection, Silver (2024). This piece captures the essence of creation myths and the search for meaning, offering a fresh perspective on how we, as humans, assign significance to gods and everyday achievements alike.
I take a look at the layers of Phillips' verse, exploring themes of perception, identity, and the fluidity of meaning. From the intriguing opening lines to the dense, imagery, I note how Phillips navigates between symbolism and allegory, encouraging us to embrace the transformative power of storytelling.
Discover how the poem's epiphanies and rich metaphors reflect a universal yearning for identity and understanding in a world that often feels void of concrete truths. This episode will guide you through the intricate interplay between seeing and hearing, truth and mystery, and the self-definition found through interpretation.
This poem is a profound meditation on the nature of understanding, as we uncover the liberating potential of ambiguity and the continuous shaping of identity through the stories we tell.
If you enjoyed this episode, please leave us a review and share it with fellow poetry enthusiasts.
*In the interests of full disclosure I was sent a copy of Silver for review.
The Music In This Week's Episode:
'Echoes' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
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On this episode of Words That Burn, I feature the poetry of Milena Williamson, a celebrated poet and author of the haunting collection Into the Night That Flies So Fast published by Daedalus Press. In this episode, Milena shares her journey from Pennsylvania to Belfast, her academic and creative endeavours at Queen's University Belfast, and the deeply personal project that turned into her latest book.
Dive deep into the tragic yet intriguing history of Bridget Cleary, a figure from l Irish history, whose story inspired Milena's collection. Bridget's life, marked by education, independence, and a tragic end, serves as a canvas for Milena's exploration of historical voice and tragedy through poetry and drama.
Milena discusses the unique structure of her collection, blending poetry with theatrical monologues to breathe life into historical figures, each resonating with authentic voices filled with grief, guilt, and the nuances of rural Irish life. Discover how real-life interactions and in-depth research into Irish culture and historical events influenced her poems.
This episode also features Milena reading from her collection, including the powerful poem "Lawful," and discussing the impact of Shakespeare and other literary influences on her work. Gain insights into how she intertwines classical references with the modern-day challenges faced by her characters.
Don't miss this fascinating conversation about creativity, historical reflection, and the power of poetry to address profound human experiences. Tune in to understand how Milena Williamson makes history resonate with today's audience through her compelling narratives and lyrical prowess.
Listen and subscribe to "Words That Burn" for more episodes that delve into the minds of contemporary poets and writers. If you enjoyed the interview, please leave us a review and share the podcast to help us reach more listeners interested in the transformative power of poetry.
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In this week's episode of Words That Burn, I take a look at the powerful poem 'Fuck Your Lecture On Craft, My People Are Dying' by Palestinian American poet Noor Hindi.
The poem found a surge of interest during the lockdowns of 2020 and became phenomenally popular on social media, with thousands of shares and retweets. Given its unflinching disdain for injustice and searing language that refuses to allow passivity to take hold in its audience, it's not hard to see why.
This abrasive but essential poem sheds light on the ongoing plight of the Palestinian people, revealing the grim realities of occupation through poignant imagery. We explore Hindi's critique of colonial mindsets and her challenge to academic conventions, which increasingly seem like hollow, banal rhetoric.
As violence and suffering continue to devastate Gaza, Hindi's words resonate with urgency and a yearning for justice. The poem is her call for decolonised thinking and is an excellent showcase of her ability to connect the personal with the political in a deeply moving way.
I look at Hindi's unique voice as she cuts through layers of rhetoric to present a searingly honest portrait of Palestinian resistance.
Brigid Quirke's Excellent Breakdown of the Poem
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The Music In This Week's Episode:
'Cicadas' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
Listen to more Palestinian poetry:
Listen to the Episode on Mahmoud Darwish
Listen to the Episode on Fadwa Tuqan
Listen to the Episode on Najwan Darwish
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This week on Words That Burn, I am joined by poet Camille Ralphs, whose debut collection After You Were, I Am mesmerises with its vibrant exploration of historical and mythological narratives often overlooked.
In this enlightening interview, Ralphs shares the inspiration behind her compelling work, featured in esteemed publications like the New York Review of Books and the Times Literary Supplement.
Discover the electrifying language and empathetic depth that animate figures from Elizabethan occultists to the Pendle Witches, offering a fresh perspective on their lives and legacies.
Listen an Ralphs' recites three poems from the collection that are all at once technically masterful yet poignantly human.
Ralphs' fascination with the Elizabethan Gothic, her innovative wordplay, and the profound empathy woven through her poems offer a rich tapestry of the past and present. From there, Ralphs' discusses her creative process, her exploration of form and language, and the intriguing blend of historical research and personal reflection that shapes her poetry.
Thanks a million to Camille for coming on and discussing all this with me. It was a really fun conversation.
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Welcome to this special Seachtain Na Gaeilge edition of Words That Burn, where we dive deep into the heart of Irish poetry.
In this episode, we explore "Doineann" by Caitlín Nic Íomhair, a poignant piece that mirrors the seasonal changes with the personal and linguistic rebirths of its narrator. Translated by the celebrated Colette Bryce for the anthology Calling Cards, this poem is not just a call for the revival of the Irish language but a testament to the enduring connection between our the Irish language and identity.
As we navigate through Nic Íomhair's evocative imagery and Bryce's meticulous translation, we unpack the poem's layers, revealing its rich dialogue with nature, language, and decolonisation. This episode also reflects on my personal journey with the Irish language and the broader cultural conversation about its place in modern Ireland.
With Seachtain Na Gaeilge upon us, Doineann stands out as a beacon of hope and resilience, urging us to peel away the layers of imposed languages to reveal our true linguistic selves. Caitlín Nic Íomhair's work challenges us to embrace bilingualism not as an afterthought but as an integral part of our identity. This episode aims to shine a light on the transformative power of language and poetry in shaping our collective consciousness.
If you're passionate about poetry, language, or the rich tapestry of Irish culture, this episode is for you. Join us as we celebrate the beauty of Irish poetry and its profound impact on our identity and heritage.
If this episode resonates with you, please share it with friends, leave us a review, and join our conversation about the power of language and poetry. Your support helps us bring more enriching content to light.
Go raibh míle maith agat.
Other Gaeilge Poems From Words That Burn:
Sceimhle by Nuala Ní Dhomhnaill
Conrioch by Ailbhe Ní Ghearbhuigh
The Music In This Week's Episode:
'The Long Dark' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
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Enter the poetic world of Leonard Cohen with this special episode of Words That Burn, dedicated to the transformative power of love and mysticism in Cohen's work. In this episode, we unravel the layers of "Owning Everything," a poem that captures the essence of Cohen's early poetic ventures through its intricate blend of romantic mysticism, spirituality, and the profound connections between the divine and the mundane.
This is a very special episode dedicated to my gorgeous partner, Hannah. We both have a special place in our hearts for the works of Leonard Cohen and he was one of our first great shared loves.
Leonard Cohen, known for his cryptic and ethereal presence in the music and literary worlds, started his journey as a poet. His collections, including "Let Us Compare Mythologies," "The Spice Box of the Earth," and "Flowers for Hitler," laid the foundation for a career that would blend love, spirituality, and human experience into a unique artistic expression.
I explore how Cohen's work, deeply rooted in love's myriad forms—be it lust, romance, or religious transcendentalism—serves as a testament to his belief in the transformative power of love. Through "Owning Everything," Cohen delves into the intimate connection with the beloved, turning the world around him into an extension of this bond, where even the moon and the river carry the weight of his devotion.
Join me as I look at Cohen's evolution from a poet to a music icon, his impact on the singer-songwriter movement, and how his exploration of love and mysticism continues to resonate with audiences today. This episode is not just an analysis of Cohen's work but a tribute to the enduring legacy of a literary and musical legend whose themes of love and divine encounter remain as relevant as ever.
Whether you're a lifelong fan of Leonard Cohen or new to his work, this episode offers insightful interpretations and personal reflections on the ways love can shape and transform us. Words That Burn invites you to ponder the depths of Cohen's poetry and its reflection on our own experiences with love, loss, and the quest for meaning.
The Music In This Week's Episode:
'Within Our Nature' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
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On this episode, I explore the world of Edna St. Vincent Millay, one of America's first celebrity poets. I unravel the layers of "Siege," a poem that showcases Millay's brilliant manipulation of traditional forms to express themes of desire, and the inexorable presence of death.
Discover how Millay, a luminary of the 1920s, defied societal norms with her bold exploration of sexuality, politics, and the human condition, earning her a place as a pivotal figure in literary history.
I take a closer look at Millay's life, from her stratospheric rise to fame to her untimely decline, shadowed by addiction and loss. Then I focus her groundbreaking work, including the Pulitzer Prize-winning "The Ballad of the Harp Weaver," and how her legacy has been unfairly obscured by her scandalous reputation.
"Siege" serves as a testament to Millay's mastery of poetic form and her profound insight into the human psyche.
Edna St. Vincent Millay was a poet who lived fearlessly, wrote passionately, and left an indelible mark on the world of literature. Whether you're a long-time admirer of Millay or new to her work, this episode offers a compelling glimpse into the mind of a poet who dared to challenge the conventions of her time.
Key Highlights:
- Insightful analysis of "Siege," Millay's poignant reflection on mortality and the futility of material possessions.
- Exploration of Millay's role as a "new woman" of the 1920s, challenging traditional gender roles and societal expectations.
- Discussion of Millay's impact on poetry and her controversial personal life, including her affairs and outspoken political views.
- Examination of Millay's legacy and the modern resurgence of interest in her work.
If you're captivated by the blend of beauty and rebellion in Millay's poetry or intrigued by her extraordinary life, don't forget to leave us a review and share this episode with fellow poetry enthusiasts. Your support helps us bring the transformative power of poetry to more listeners.
The Music In This Week's Episode:
'Reawakening' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
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On this episode of Words That Burn, I take a look at the poignant work of Palestinian poet Najwan Darwish and his devastating poem "Nothing More to Lose." This poem was written over ten years ago, but its message seems more important and contemporary today than ever before. His words explore the heart-wrenching realities of Palestinian life under occupation. The poem, expertly translated by Kareem James Abu-Zeid, serves as a testament to the physical, spiritual, and cultural losses endured by the Palestinian people.
Recorded against the backdrop of ongoing turmoil in Palestine, this episode sheds light on the relentless attempts by the Israeli government to erase Palestinian identity, culture, and existence. The poem delves into the history and significance of key locations of Palestine, such as the madrasah of Saladin, the village of Lifte, and the Sea of Galilee, bringing to life the sounds, sights, and emotions tied to these places.
Learn more about Najwan Darwish's unique poetic style, his refusal to adhere to a consistent poetic voice, and his critical examination of not only the Israeli occupation but also the wider political and cultural issues within Palestine.
Discover how poetry by Darwish, acts as a historical witness to the struggles and resilience of the Palestinian people.
The Music In This Week's Episode:
'Cicadas' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
Listen to the Episode on Mahmoud Darwish
Listen to the Episode on Fadwa Tuqan
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In this episode, we explore Susannah Dickey’s Outtake #3, a thought-provoking piece from her debut collection, Isdal. This poem critically examines the true crime genre, questioning the ethics of deriving entertainment from real-life tragedies.
Dickey’s work is inspired by the mysterious case of the Isdal Woman, weaving a narrative that challenges our fascination with true crime. Through a fictional podcast setting, the poet addresses the problematic nature of exploiting such stories for entertainment. The poem critiques the voyeuristic tendencies in true crime consumption and the moral dilemmas faced by creators and audiences alike.
In Outtake #3, Dickey confronts the normalisation of violence against women in media. The poem begins by dismissing the notion that consuming stories of femicide is subversive, drawing parallels with other acts of accepted cruelty. It then moves into a reflective phase, examining the thin line between observing, studying, and committing acts of violence.
The poem concludes with a sharp turn, highlighting the commercial aspects of podcast production. This ending serves as a stark reminder of the industry's prioritisation of profit over ethical storytelling.
All of this serves to show how Susannah Dickey is a poet specialising in building intricate verse that makes her readers think about and examine the established in whole new ways.
Susannah Dickey grew up in Derry and now lives in London. She is the author of four poetry pamphlets, I had some very slight concerns (2017), genuine human values (2018), bloodthirsty for marriage (2020), and Oh! (2022). Her poetry has been published in The TLS, Poetry London, and Poetry Ireland Review. Her short fiction has been published in The Dublin Review and The White Review.
The Music In This Week's Episode:
'Effervescence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
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In this episode of "Words That Burn," I delve into the enthralling microcosm of James Tate's poem "Dear Reader."
Our journey through "Dear Reader's" 13 lines reveals the intricate layers and emotional depth that Tate, a beloved poet of the surreal, weaves into his direct dialogue with the reader. His poem is sometimes playful in tone, other times pure tongue in cheek, but always draws the reader deeper and deeper into the lines.
I will look at Tate's distinct blend of suspenseful and macabre imagery. His ability to juxtapose the difficulties and joys of the everyday is a highlight of this episode, demonstrating why Tate's work is so popular among poets and poetry enthusiasts alike.
I dissect each segment of "Dear Reader" in this insightful episode, beginning with its enigmatic opening lines. We delve into Tate's poem's symbolism and thematic content, discussing its implications for the nature of poetry and its impact on both readers and writers. Which can be devastating and illuminating in equal measure
Learn more about James Tate's distinct style and his impact on the poetry community. Tate's experimental approach and distinct way of avoiding confessional poetry have established him as a significant figure in modern literary studies. and explain why he's considered the godfather of American surrealist poetry.
The Eileen Myles Episode
The Charles Simic Episode
The Frank O' Hara Episode
The Music In This Week's Episode:
'Phase Shift' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
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Ireland Palestine Solidarity Campaign: http://www.ipsc.ie/support/donate
correction: In the episode I mistakenly say the Ireland Solidary Palestine Campaign or ISPC, it is in fact the* Ireland Palestine Solidarity Campaign or IPSC apologies for this.
In this episode, we explore "The Deluge and the Tree" by the renowned Palestinian poet Fadwa Tuqan (1917-2003), a voice of defiance and hope amidst the struggles of the Palestinian people. As Palestine faces ongoing challenges since October 7, 2023, we turn to Tuqan's work to shed light on the enduring spirit of resistance and resilience.
Fadwa Tuqan, born into a turbulent era in Nablus, Palestine, witnessed first-hand the hardships of occupation and displacement, experiences that deeply influenced her poetry. Despite facing a conservative upbringing and limited formal education, Tuqan's poetic journey, initially guided by her brother, Ibrahim Tuqan, evolved to echo the cries of her people. Her early works, published under the pseudonym Dananir, touched on themes of women's silencing and the need for Muslim feminism.
The pivotal year of 1948, marked by the Nakba – the mass displacement of Palestinians – transformed Tuqan's poetic voice into a beacon of political resistance. Her words became a rallying cry against the injustices faced by her people, particularly following the second wave of displacement in 1967, known as the Naksa.
"The Deluge and the Tree," a poem from her 1988 collection "Daily Nightmares," masterfully intertwines nature imagery with the Palestinian struggle. The hurricane symbolizes the invading forces, while the resilient tree represents the enduring Palestinian spirit. This metaphor extends throughout the poem, reflecting Tuqan's deep connection to her land and her people's unwavering determination to resist and reclaim their identity.
As we analyse this powerful poem, we also recognize the importance of poetry in Arab culture – not as an elite art form but as a medium of mass appeal and spontaneous reaction to events. Tuqan's work, like that of her contemporaries, served as a vital tool in nurturing Palestinian nationalism and hope.
Join us in this episode as we dive deep into "The Deluge and the Tree," understanding its historical context, symbolism, and the lasting impact of Fadwa Tuqan's words.
Listen to the Episode on Mahmoud Darwish
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Join us in this riveting episode of Words That Burn, where we delve into the poetic and mental health journey of Daragh Fleming, an acclaimed poet and mental health advocate from Cork, Ireland. Daragh, the voice behind the award-winning Thoughts Too Big blog and author of the poignant collection "Lonely Boy," shares his insights into how poetry serves as a bridge to mental wellness and personal expression.
In this exclusive interview, Daragh opens up about the therapeutic role of poetry in his life, especially during his early twenties when he battled depression. He discusses his latest works, including the highly commended pamphlet "The Hole," and his upcoming collection "Enigmatic," revealing the intricate process of creating art that resonates with themes of masculinity, loneliness, and mental health.
Discover how Daragh leverages social media platforms like TikTok to bring his conversational poetry style to a broader audience, breaking down barriers and challenging the traditional notions of masculinity in Irish culture. His candid reflections on performing poetry, the impact of language, and the importance of authenticity will inspire both poetry enthusiasts and mental health advocates alike.
Whether you're a long-time fan or new to Daragh's work, this episode promises a deep dive into the intersection of mental health and poetry, offering a fresh perspective on how words can heal, connect, and transform us.
Daragh's Social Media
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Words That Burn Halloween Special 2023
Step into the shadowy world of poetry with the Words That Burn Halloween Special. This episode meticulously unravels the spine-tingling works of three legendary poets: Emily Dickinson, Linda Pastan, and Lord Alfred Tennyson.
- Emily Dickinson's "One Need Not Be a Chamber": Venture into the eerie corridors of the human mind, where Dickinson masterfully illustrates that the most profound hauntings come not from external specters but from our innermost fears and memories.
- Linda Pastan's "The Deathwatch Beetle": Experience a haunting narrative that echoes the style of Edgar Allan Poe, delving deep into the psyche's unraveling amidst the omnipresent ticking of the deathwatch beetle—a symbol of impending doom.
- Lord Alfred Tennyson's "The Kraken": Plunge into the abyssal depths of the ocean, where Tennyson paints a vivid picture of a monstrous creature, stirring theories that it might have inspired the infamous Cthulhu mythos.
This episode promises not just a poetic journey but an immersive experience that intertwines literature, history, and the supernatura
If this episode sends shivers down your spine, don't forget to leave a review and share the chilling experience with your friends. Light a candle, dim the lights, and prepare for a poetic journey that promises to haunt long after the episode ends. Wishing you a truly terrifying Halloween!
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The music in this episode is I Did It by Alon Peretz
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In this special episode, I got a chance to chat with Irish Poet Jessica Traynor about her sequence of witch poems from her 2018 collection The Quick.
Jessica Traynor is an accomplished Dublin-based poet whose work reflects her deep roots in Irish history, culture, and contemporary society. Her poetry is known for its intricate layering of personal and collective narratives, often delving into topics such as heritage, identity, the human experience, and the intersections of past and present.
All this and more exist in her Witch Poems. They delve deep into the world patriarchy, and societal dynamics. Jessica shares her evocative poems that paint a vivid picture of the struggles and triumphs of women navigating a society stacked against them. From the cunning strategies of witches demonstrating how to catch a rabbit to the raw emotions of curses born out of suppressed anger, these poems offer a unique lens into the transformative power of words.
We also discuss the juxtaposition of humour and darkness, the significance of societal subterfuge, and the lasting impact of intergenerational dynamics. Join us for a journey through poetic landscapes that challenge, inspire, and resonate with listeners.
The portrait in the thumbnail was taken by Bríd O’Donovan.
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In this episode, we reflect upon the profound impact of Seamus Heaney, celebrating the tenth anniversary of the poet’s passing by examining his poignant piece, "The Haw Lantern."
We explore:
- The rich, multifaceted landscapes in Heaney's poetry, capturing the essence of Ireland with raw, genuine portrayals.
- Heaney’s unique ability to intertwine dense, academic poetic language with relatable narratives, allowing readers to experience and inhabit the worlds he depicts.
- Heaney’s intertwining of classical references and Irish folklore, from Diogenes's lantern to the symbolic Hawthorn Tree, weaving a tapestry of interconnected myths and truths.
- Heaney’s reflections on the socio-political chaos, known as the Troubles in Northern Ireland, and his exploration of hope and self-respect amidst turmoil.
- The significance of "The Haw Lantern," a title piece that encapsulates Heaney’s quest for unearthing truth and illuminating the opaque aspects of human experience.
Featured Poem: "The Haw Lantern"
This titular poem, from his 1987 collection, serves as a beacon, revealing Heaney's introspective journey and his grappling with the transient nature of life, death, and everything in between. As we dissect the poem, the layers of meaning unfold, demonstrating Heaney's intricate intertwining of personal and universal truths.
About Seamus Heaney:
Awarded the Nobel Prize in Literature in 1995, Heaney’s legacy as a poetic titan remains evergreen, providing solace and insight to both avid poetry enthusiasts and casual readers. His melding of mythology and reality offers a fresh perspective on contemporary issues while retaining the essence of timeless wisdom.
The Poem
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The music in this episode is Textures by Okaya
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What does it mean to truly grieve and can we ever move on from it?. In this episode, I explore OBIT [Ambition] by Victoria Chang, a poignant reflection on how we grieve not just physical deaths but abstract losses as well. Delve deep into the background of Chang’s 2020 collection, "OBITS", and understand the inspiration and intention behind her poetic obituaries. Join me in decoding this evocative poem that intertwines grief, ambition, memory, and more. Whether you're a poetry enthusiast or someone navigating the maze of grief, Chang's words will resonate deeply.
The Poem
T.S. Eliot's Rhapsody on a Windy Night
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The Music in this week's episode is Mindfulness by Aija Alsina
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Delve into the poetic world of Mahmoud Darwish on this week's episode of Words That Burn. Uncover the heart-wrenching narrative of "Earth Presses Against Us" from his 1986 anthology, "Fewer Roses." .
Often considered to be Palestine's most important poet, Darwish's poetic expanse narrates the profound pain and oppression of immigrants, particularly from the Palestinian perspective. Born in the Palestinian village of Birweh, Darwish became an emblem of resistance and a voice of lamentation after witnessing the demolition of his home by Israeli forces.
Through poetic analysis, we trace the suffocating journey of a fleeing group of refugees, unearthing the symbolism of stones, and the essence of identity in exile, and the hope of the olive tree while we do so. All this punctuated by looking at the style and technique that made Darwish a titan of poetry.
By the end, we confront the inevitability of sacrifice and the everlasting hope embedded in the iconic Palestinian olive tree. Whether you're a long-time fan of Darwish or just starting, this episode is a poignant journey into the resilience and heartache of the Palestinian spirit. Join me as we uncover the layers of one of Palestine's most compelling poets.
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This week's episode is deep dive into the unflinching poetry of Irish poet, Molly Twomey.
It looks at the complex layers of Twomey's poignant masterpiece, "Knives We Used on Our Skin".
This compelling exploration of the turbulence of youth, nestled in the serenity of the Irish countryside, presents a raw and intimate portrayal of the trials of adolescence.
In this analysis, we'll traverse the emotional landscape of self-harm, adolescent insecurities, and the oft-overlooked connection between humans and the natural world.
A must-listen for poetry lovers, and for anyone who seeks a deeper understanding of the struggles of youth, and the potential pathways to recovery.
*Trigger Warning: Includes references to eating disorders and self-harm.
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Dive into the realm of self-compassion and forgiveness in this episode of 'Words That Burn'. We delve deep into the transformative words of Nobel laureate Derek Walcott, particularly focusing on his acclaimed poem 'Love After Love'.
Walcott's poetry shines a light on the intricate dynamics of self, identity, and culture within the larger context of Western literature. His powerful verses have not only earned him significant accolades, including the MacArthur Genius Grant, but have also stirred controversy and discussion amongst his contemporaries.
In 'Love After Love', we explore how Walcott masterfully navigates the journey of personal healing and self-reconciliation through evocative imagery and poignant themes. We also uncover Walcott's unique perspective on his position within the Western literary canon, sparking an insightful look at the role of cultural identity in literature.
Join me as we unravel the intricacies of Walcott's poetry, hear snippets from thought-provoking interviews, and delve into what led to the enduring influence of Walcott's work.
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When we are forced to leave a life behind, what price do we truly pay. This question is the one at the heart of Warsan Shire's poem Midnight In the Foreign Food Aisle.
Join me as I delve into this incredible portrayal of her uncle. Warsan Shire can only be described as a poetry superstar, who has captured the attention of audiences worldwide. From becoming London's first young poet laureate to collaborating with none other than Beyoncé on her album LemonadeShire has made a remarkable impact in the world of poetry.
But those achievements are only a small part of what makes her writing so powerful. Warsan writes with a raw emotion that connects directly with her readers, and her unflinching approach to writing about her own feelings, family relationships, and the world at large has earned her immense popularity.
In this episode, we'll explore the way in which Shire's culture and upbringing in North West London have shaped her unique writing style and crystal clear observations of others.
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The music in this week's episode is Little Fire by Tamuz Dekel
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How can we make peace with an ending? Can we make peace with them at all. In this episode of Words That Burn, we'll be taking a closer look at the poetry of the late Charles Simic. The episode will focus on his poem Car Graveyard, a wonderful showcase of all the talents he possessed as a poet. The poem looks at a pivotal moment in the youth of the poet, whilst simultaneously deconstructing the oft overlooked side of the American Dream. Throughout, we will be sure to point out the themes and techniques that earned Charles Simic his position as 15th Poet Laureate of the United States. His was a voice of the displaced and alienated; one which will be sorely missed.
Some of my favourite Simic poems:
Mummy's Curse
Private Eye
Come Winter
The Friends of Heraclitus
Substack
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The music in this week's episode is Golden Hour by Jonas Kolberg
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I have a chat with Irish poet Luke Morgan about his latest collection Beast and all the themes of shape shifting and transformation that are in it. We talk about the ways we carve out identities and the various metaphors and coping mechanisms we develop to navigate that.
Luke Morgan's poetry collection "Beast" was published in 2022 by Arlen House. His debut, "Honest Walls" was published in 2016 when he was 22 years old. His work has appeared in numerous publications around the world. He is also an award-winning filmmaker. He lives and works in Galway, Ireland.
Luke Morgan Twitter: https://twitter.com/lukemorganpoet
Twitter: https://twitter.com/wordsthatburn
Instagram: https://instagram.com/wordsthatburnpodcast
Change is hard, it’s a well worn statement. It can be difficult for us personally to go through, it can be difficult for others to accept. Despite all that the hardest aspect of it may be when change fails to come and we are trapped in the same relentless situations.
This poem, Cotton Candy On A Rainy Day, tackles change in its many frustrating forms. It comes at a point of tremendous change in the life of poet Nikki Giovanni. In many ways it symbolises a massive transition in the viewpoint and beliefs of the poet.
She achieves this using the seeming innocent image of cotton candy to show just how difficult the journey of personal growth can be, personally and for those around you.
Revolutionary Dreams by Nikki Giovanni: http://renaissancewedding.org/text/revolutionary_dreams_by_nikki_gi.htm
Show notes:https://wordsthatburn.substack.com/p/cotton-candy-on-a-rainy-day-by-nikki?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Music: Open Ended by Keston Wright - https://artlist.io/artist/832/keston-wright
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What does it feel like when we burn for those we love? Do we burn more in their presence or in their absence? More importantly what is the line between love and worship? All these questions are tackled in Clifton Gachagua's A Bronze God, or a Letter On Demand. In it a speaker spills a monologue of devotion to their love, both their physical presence and the memory of them. Gachagua's imagery moves fluidly together, washing over the reader in a cascade of fragments and glimpses. It shows us how those we love can linger about us both in body and mind.
Show notes: https://wordsthatburn.substack.com/p/a-bronze-god-or-a-letter-on-demand?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Where The Wind Blows by Sean Williams: https://artlist.io/song/95474/where-the-wind-blows
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It can be easy to relegate Halloween to the realm of a kitsch festival every year but to do so would be a mistake. Here in Ireland Halloween or Oíche Shamhna, was an important festival for both recognising the dead and the beginning of the darker half of the year. There was a recognition that acceptance of that darkness was important. In this week's special Halloween episode I'm going to discuss three poems from three poets, each dealing with the supernatural in their own way. Those poems are:
- Her Kind by Anne Sexton
- In The Desert by Stephen Crane
- The Witches Hex an Enemy by Jessica Traynor
Each of these works uses darkness and the macabre in the hopes of unearthing some kind of insight. Does it work? I'll let you be the judge.
*A special thank you to Jessica Traynor for allowing me to use her poem. You can find her work here: https://twitter.com/JessicaTraynor6
Show notes: https://wordsthatburn.substack.com/p/the-words-that-burn-halloween-special?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
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Where does practice turn to obsession? Is anger when pursuing perfection inevitable?
These are two of the questions explored in Anne Carson's Hokusai. In the poem Carson takes a look at the later life of one of Japan's greatest artists: Hokusai. She creates poem of magical realism, one that allows the old painters daily ritual of painting lions to spring to life from the page.
Using the poem Carson explores that frustration and subsequent anger that can arise from the creative mind. In the relentless pursuit of your best work, where should an artist draw the line?
Once again Anne Carson has breathed life into an aspect of antiquity that is usually inaccessible to a modern audience, and does so in a way that causes use to empathise with it's subject.
Part 1: Shadowboxer by Anne Carson: https://shows.acast.com/words-that-burn/episodes/shadowboxer-by-anne-carson
One of Hokusai's Lions: https://upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Hokusai%2C_Tiger_in_the_Snow.jpg/1280px-Hokusai%2C_Tiger_in_the_Snow.jpg
Show notes: https://wordsthatburn.substack.com/p/hokusai-by-anne-carson?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
One Word (Reworked) by Christopher Galovan: https://soundcloud.com/christophergalovan
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How do we deal with trauma and regret? If we're honest, it's usually not well. This seems especially true for men. Difficult emotions around remorse, guilt and vulnerability are rarely expressed.
In her poem Shadowboxer, Anne Carson looks at the toll that might take on the male psyche. Using the biblical parable of Longinus and infusing it with a contemporary edge, Carson explores the way in which some men retreat from their emotions and they price for that action.
Show notes: https://wordsthatburn.substack.com/p/shadowboxer-by-anne-carson?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Music: Slow Tides by Eleven Tales : https://eleventales.bandcamp.com/
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Should we accept the world as it is? Harsh realities and all? Langston Hughes certainly didn't think so.
In his poem Tired, he lures the reader in with a soothing recognition of the exhaustion of the modern world. Then quickly uses their attention to deliver a call to action for change and revolution. In this deceptively brief poem, everything that made Langston Hughes a leading figure of
the Harlem Renaissance is showcased. There his ability to illustrate layers of meaning with simple and direct language. His innate gift to commune directly with his audience and, perhaps most importantly his talent for communicating to those from diverse and distinct backgrounds.
- Boy Breaking Glass by Gwendolyn Brooks: https://shows.acast.com/words-that-burn/episodes/boy-breaking-glass
- Tired by Fenton Johnson: https://shows.acast.com/words-that-burn/episodes/tired
Irish Podcast Awards Listeners Choice: https://www.theirishpodcastawards.ie/vote/
Show notes:https://wordsthatburn.substack.com/p/tired-by-langston-hughes?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Music: https://www.mattiavladmorleo.com/
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Do you ever feel at odds with yourself or the world around you? I think it's an unavoidable truth of being human to be torn on occasion. U.S Poet Laureate Ada Limón has certainly felt and recognised this in others. In this poem, Torn, Limón examines the nature of division and dichotomy through an unusual image; a dead snake. This dead snake becomes a treatise for the poet to explore how separation from yourself can feel but also a way in which we might find our way back to a sense of wholeness once more.
Irish Podcast Awards Listeners Choice: https://www.theirishpodcastawards.ie/vote/
Show notes: https://wordsthatburn.substack.com/p/torn-by-ada-limon?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Light Blue by Alan Špiljak: https://alanspiljak.com/
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What should we do in a time of crisis? Become stoic? Take stock? Flounder in existentialism? In the case of Frank O' Hara, why not all three?
In Meditations In An Emergency, the speaker finds themselves in a spiral of self-doubt and melancholy self loathing. All this happening in the wake of a separation from their love.
Frank O' Hara creates a stream of consciousness to document the highs and lows of such a moment. It swings from tragic to hilarious in the space of jus a few short syllables and all with his incredible talent for imagery and free association. Its no wonder it became one of the New York poet's greatest works.
Show notes: https://wordsthatburn.substack.com/p/meditations-in-an-emergency-by-frank
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Scott Buckley:https://www.scottbuckley.com.au/
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These are exactly the questions that Rachel Long's The Yearner hopes to answer.
This week's poem looks at the pressures we all face in modern life and the toll our own experiences take on us.
Rachel Long weaves solid poetic technique and a unique ability to create intimacy together to show the lengths some people will go to to escape those pressures.
Show notes: https://wordsthatburn.substack.com/p/the-yearner-by-rachel-long?sd=pf
Twitter: https://twitter.com/wordsthatburn?t=p7rGkfElfHZ_8ua0mvsB9A&s=09
Website: https://wordsthatburnpodcast.com/work
Instagram: https://instagram.com/wordsthatburnpodcast?igshid=YmMyMTA2M2Y=
Maarten Schellekens: https://freemusicarchive.org/music/maarten-schellekens/
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Is love truly madness?
It's certainly foolishness for Poet E.E. Cummings.
In this episode I explore Since Feeling is First , one of his more famous love poems that looks at the way in which love almost always overrides reason. It is a fine example of the mastery Cummings held over form, grammar and syntax. On its surface it is a seemingly simple theme but, like all Cumming's works, that surface impression is just the beginning.
The First E.E Cummings Episode: https://open.spotify.com/episode/0QTnL3ZYMzLKkbCBFCFTfK
The Show Notes: https://wordsthatburn.substack.com/p/since-feeling-is-first-by-ee-cummings?sd=pf
Instagram: https://www.instagram.com/wordsthatburnpodcast/
Twitter: https://mobile.twitter.com/burnwords
The music: https://www.scottbuckley.com.au/
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What does Paranoia really feel like?
It's an absolute nightmare according to poet Nuala Ní Dhomhnaill's Sceimhle. In this poem Ní Dhomhnaill fuses folklore and terror to create an allegory for a woman's experience in life. She weaves together a folkloric dreamscape in which to set all this. Death omens and portents of doom haunt every line as an unnamed character attempts to find any kind of refuge.
If you're looking for an Irish language poem with some serious bite to it, this is the one.
Find Ailbhe Ní Ghearbhuigh's Conriocht episode here:
https://shows.acast.com/words-that-burn/episodes/conriocht
Check out the show notes / script.
Read it here: https://wordsthatburn.substack.com/p/sceimhle-by-nuala-ni-dhomhnaill
Download a PDF here :https://drive.google.com/file/d/1HsLvktXv-c1vY8XJcK4b3aRrgHObXPW8/view?usp=sharing
Instagram: https://www.instagram.com/wordsthatburnpodcast
Twitter: https://twitter.com/BurnWords
The music in this weeks episode was Closer to You by Sergey Cheremisinov: https://sergeycheremisinov.bandcamp.com/track/closer-to-you
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What do you associate with the good times in your childhood? For Stephen Sexton it's Super Mario World, the classic 1991 video game for the SNES. In his truly moving poem Outrageous, Sexton takes on a journey of grief and possible consolation using the level as a lens. Memory and Reality merge together into a pixelated landscape that Sexton fills with emotion and exploration. It is all a stunning work of ekphrasis and a truly unique work of art.
Substack Show Notes: https://wordsthatburn.substack.com/p/outrageous-by-stephen-sexton
Outrageous Level Playthrough: https://www.youtube.com/watch?v=9PN2eofUS2U
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
Twitter: https://twitter.com/BurnWords
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Falling Together by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
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What is defiance exactly? Is it an act of bravery in the face of a tyrant? A bold battle cry against a Goliath? Or could it simply be a refusal to engage, to fuel, the passions of our abusers?
The latter is certainly the case of this poem; The Courage of Shutting Up by Sylvia Plath. In the poem, Plath utilises her trademark mercurial imagery to paint a portrait of a woman long oppressed. She expresses the way in which words can be turned into weapons and how, sometimes, stoicism and silence can do more than any act of aggression.
This poem is taken from the restored edition of her famous collection Ariel and is a landmark moment of the poet reclaiming her agency and finally trusting her voice.
*Trigger Warning: This episode deals with the topics of suicide and domestic abuse.
Substack Show Notes: https://wordsthatburn.substack.com/p/the-courage-of-shutting-up-by-sylvia?r=th4eb&utm_campaign=post&utm_medium=web&utm_source=copy
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Falling Together by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
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It's the season of things that go bump in the night! So in honour of Halloween I've brought you two poems about creatures that make a big bump.
The first poem is Windigo by Louise Erdrich, a poem on the decaying spirit of cannibalism that haunts the North American wilderness.
This is swiftly followed by Instructions for not becoming a werewolf by Abjgail Parry. A poem on battling the monsters within ourselves.
Each one is sure to make you uneasy about what lurks just beyond the reach of the light.
Windigo by Louise Erdrich: https://www.poetryfoundation.org/poems/43086/windigo
Instructions for not becoming a werewolf by Abigail Parry:
https://nationalpoetryday.co.uk/poem/instructions-for-not-becoming-a-werewolf/
The Monster by Henry Rago:
https://www.poetryfoundation.org/poetrymagazine/browse?contentId=25632
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Sleepwalker IV by Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: https://www.s-cheremisinov.com/
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Is beauty more important than depth? Is nature the ultimate form of beauty? Do you believe in giving in to experience over rationality?
If you answered yes to any of the above questions, then this week's poem is for you. This episode looks at To Autumn by John Keats, the final full poem written by his hand. In it Keats writes the ultimate tribute to his favourite season and in doing so cemented his position as one of the greatest poets ever to grace the English language. We will look at the way in which he crafts a beautiful persona for Autumn and carefully observes the changes that occur within its tenure. It is a poem of reflection and appreciation, one written in a languid manner that allows the reader access to that same wonder that Keats feels for the season.
To Autumn by John Keats: https://www.poetryfoundation.org/poems/44484/to-autumn
Substack Show Notes (Never Miss a new episode!): https://wordsthatburn.substack.com/p/to-autumn-by-john-keats?r=th4eb&utm_campaign=post&utm_medium=web&utm_source=
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Rooftops by Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: https://www.s-cheremisinov.com/
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Why do we find those who light fires within us? The people we know will burn us to the ground? The lure of chemistry and lust is a hard one to turn from and yet when we manage it, there is a quiet triumph to be felt.
This battle of desire and restraint is explored in a subtle yet engaging way in this week's poem. at half eleven in the Mutton Lane in, I am fire, slaughter, dead starlin gs by Doireann Ní Ghríofa is, as the title suggests, a piece of verse that brims with witchcraft, omens and chaos. The poet calls on Irish history and it's creatures to take us the listener on a journey through forgotten depths of history. It is a true pleasure to read and, hopefully, by the end of the episode you'll agree.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
Substack Show Notes (Never Miss a new episode!): https://wordsthatburn.substack.com/p/at-half-eleven-in-the-mutton-lane?r=th4eb&utm_campaign=post&utm_medium=web&utm_source=
The two soundbites heard in this week's episode are from:
The Secret Lives of Writers: https://podtail.com/en/podcast/the-secret-life-of-writers-by-tablo/doireann-ni-ghriofa-on-a-ghost-in-the-throat-and-t/
Between The Covers: https://tinhouse.com/podcast/doireann-ni-ghriofa-a-ghost-in-the-throat-to-star-the-dark/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Ground Lines by Sergey Cheremisinov and is used with the creators permission. Enjoy his music here: https://www.s-cheremisinov.com/
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To what extent can the natural world help inform our inner lives? More importantly can it paradoxically irritate and soothe some of the wounds we've managed to accrue? Séan Hewitt certainly seems to think it can.
This week on the podcast I take a look at his poem Two Reflections from his collection Tongues of Fire. I take a look at the masterful way that he harnesses nature and the world of symbols and imagery that accompany to work his way through one of life's most difficult experiences: The loss of a parent.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is An Ocean of Stars by Sid Acharya and is used with the creators permission. Enjoy his music here: https://sidacharyamusic.com/
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What lurks behind the glory days? Is there salvation in nature? Or has humanity moved to far forward in it's relentless pursuit of progress? These are the questions that Charlotte Mew puts to us in her poem Fame. Though all this hides her true question; Can we ever find a peace between our inner desires and social contracts?
Charlotte Mew is surely one of the most tragic figures to emerge from the Victorian period of poetry. In this week's episode I take a look at her life and her struggles through one of her most beautiful poems and reveal just what made her such a unique voice in her time.
You can find a copy of the poem here: https://poets.org/poem/fame
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Lavender by Sergey Cheremisinov and is used under creative commons license . Enjoy his music here: https://www.s-cheremisinov.com/
See acast.com/privacy for privacy and opt-out information.
Is love always a positive thing? How many forms can it take? More importantly, how can we learn to accept it. These are all questions tackled in Henri Cole's poem Gravity and Center. In this week's episode we look at Henri Coles uniquely direct and sometimes abrasive style of poetry. We examine the unflinching biographical elements of his work and his incredible ability to evoke emotions in readers.
You can find a copy of the poem here:https://www.poetryfoundation.org/poems/57088/gravity-and-center
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Undertow by Scott Buckley and is used under creative commons license . Enjoy his music here: https://www.scottbuckley.com.au/
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How do we capture those brief and fleeting moments when we fall in love with someone? Might I suggest a ghazal? On this week's episode we take a look at Ghazal by Mimi Khalvati. Khalvati expertly navigates the rigorous Arabic form making it a perfect vehicle for the English Language. In the process of doing so she reconnects the native culture of her birth, Iran, with the adopted culture of her present, England. It is a poem that is a testament to all the wonderful feelings that accompany being in love.
You can find a copy of the poem here: https://poetryarchive.org/poem/ghazal/
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is September by Kai Engel and is used under creative commons license . Enjoy his music here:https://www.kai-engel.com/
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Can we ever really value what we have in the moment? Will we always realise too late what we've lost? These are two of the key questions tackled by Northern Irish Poet Michael Longley's poem Laertes. A self confessed ''lapsed classicist'' Longley expertly retells the famous story of Odysseus reuniting with his father Laertes and in doing so explores the themes of loyalty, family, and memory. Using the classic myth Longley investigates not only his own past, but the troublesome one of his own country as well.
You can find a copy of the poem here: https://wfupress.wfu.edu/poem-of-the-week/poem-of-the-week-laertes-by-michael-longley/
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is An Ocean of Stars by Sid Acharya and is used with the creators permission. Enjoy his music here: https://sidacharyamusic.com/
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What responsibility do we have to use our voice? More importantly who is that responsibility to? If we were to follow the example of poet and activist Audre Lorde, the answer would be everyone. Throughout her life Lorde sought for the inclusiveness of all, no matter what colour, preference or ethnicity. She worked tirelessly to ensure that every soul had a voice. Using her own experience in her poetry to illustrate much broader points. In this episode, we look at the poem Never to Dream of Spiders which illustrates her commitment to drawing attention to wider issues even when her world was crumbling around her.
You can find a copy of the poem here: https://www.poetryfoundation.org/poems/42584/never-to-dream-of-spiders
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Hiraeth by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
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How do you grind through the day to day in a system that is designed against you?
That is precisely the question at play in Fenton Johnson's poem Tired.
Johnson was a figure of the Harlem Renaissance and this week's episode examines the movement and it's impact on African American Identity.
Johnson's poem is the beleaguered cry of a man who has had enough from the society around him. It is a cry that is still resonates with listeners today.
You can find a copy of the poem here: https://www.poetryfoundation.org/poems/150665/tired
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Blur by Kai Engel and is used under creative commons license. Enjoy his music here: https://freemusicarchive.org/music/Kai_Engel
See acast.com/privacy for privacy and opt-out information.
Fear is one of our oldest companions and in many cases an unwelcome one. In her poem, I Give You Back , Joy Harjo explores the toxic and often suffocating relationship we can have with our fear. In this intensely biographical poem that showcases her own struggles with panic and anxiety, as well as her peoples struggles since the colonization of America. It is a poem that seeks to find way to heal from the wounds that trauma has dealt us and to do so in a compassionate and caring way.
*TW: There is a mention of sexual assault in this poem for listeners who may find that difficult.
You can find a copy of the poem here: https://scholarblogs.emory.edu/eng190/files/2012/11/Joy-Harjo.fearpoem.pdf
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Undertow by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
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Ireland might always be associated with the land. That's certainly the way it was for much of the 20th Century and while certain Irish poets sought to romanticise this connection between the land and it's people Patrick Kavanagh chose to do the exact opposite. Kavanagh was a poet who chose instead to look at every aspect of Irish society seeming to revel in the less polished side.
In this poem Epic he looks at the narrow world view of those restricted by rural communities and settings. In doing so he exposes the short sightedness of the Irish perspective on land and wealth. At the same time it is a poem of reflection that hopes to find some empathy for those self same people.
You can find a copy of the poem here: https://www.poetrybyheart.org.uk/poems/epic/
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is By The Winds by Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: http://www.s-cheremisinov.com/
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I was lucky enough to get to talk with poet and academic Katie Condon about her new poetry collection Praying Naked. In the interview Katie delves into what made her begin to write poetry, why it's often a refuge for her and just what it means to make poetry today.
Her work encompasses so many different aspects ranging from an unflinching look at sexuality and desire, to challenging the narrative handed down to women through the generations.
- This special bonus episode is taken from my Irish Radio Show This Be The Verse.
You can buy Katie Condon's book here: http://www.katiecondonpoetry.com/praying-naked-1
Katie Condon's Instagram: https://www.instagram.com/katie__condon/?hl=en
Words That Burn Instagram: https://www.instagram.com/wordsthatburnpodcast/?hl=en
Contact me: https://wordsthatburnpodcast.com/contact
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What happens when we completely lose touch with nature? What chaos could occur?
That's exactly the question put forward by Ailbhe Ní Ghearbhuigh in this week's show. In her poem Conriocht she invokes a more primal version of Ireland to explore the territory of miscommunication and isolation all through the Irish language.
It's seachtain na gaeilge this week in Ireland and so the episode is intended to bring you some poetry in the native Irish Language
Cad a tharlaíonn nuair a chaillimid ár nasc leis an dúlra? Cén saghas anord a scaoiltear?
Sin díreach an ceist atá pléite sa dán Conriocht le Ailbhe Ní Ghearbhuigh. Sa dán, agairt sí íomhá de Éireann i bfhad níos príomhúil chun na slíanna a tharlaíonn míchumarsáid a phlé.
Tá sé Seacthain na Gaeilge anseo in Éireann agus iarann an clár seo beagánín filíocht dulgais a sheol chugat.
You can find a copy of the poem here: https://www.poetryfoundation.org/poetrymagazine/poems/58308/conriocht-werewolf
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is River by Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: http://www.s-cheremisinov.com/
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What does it mean to make art in the modern world? Is it for public consumption or is it simply for personal expression and
achievement? More importantly what happens when we grind down the time we should be setting aside for creativity? All these questions and more are tackled in this weeks poem: The Panther by Rainer Maria Rilke. Rilke was a modernist master and manages to create a poem that resonates despite its brevity.
You can find a copy of the poem here: https://wenaus.org/poetry/panther.html
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Solace by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
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How do you come to terms with loss? Is it simply part of life or should it be examined and carefully acknowledged? These are the themes and questions at play in One Art by Elizabeth Bishop. The poem looks at the difficulty of moving on from a loss and in some cases how it's simply not possible.
You can find a copy of the poem here: https://www.poetryfoundation.org/poems/47536/one-art
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Solace by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
Which poet gives love a grander form? Byron? Keats? Cummings? What about the everyday love. The kind of love that stumbles and doesn't flare into a phoenix like eruption? The kind of love that hesitates and takes its time? In that case, Todd Colby's got you covered. In this week's excellent poem, You'd Think the Sky Would Run Out of Water, he employs his usual blend of chaos and humour to show just how shaky love can be a times and why that's not a reason to fret too much.
You can find a copy of the poem here: https://www.poetryfoundation.org/poems/90910/you39d-think-the-sky-would-run-out-of-water
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Solace by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
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Who gives a voice to the displaced, the exiled, the lost? Someone who attempts to do so in every way is Nathalie Handal. In this poem, The Act of Counting , she takes us on a journey into the depth and breadth of loss that can be experienced by refugees and victims in the wake of cataclysms like the 2010 earthquake in Haiti. Within the poem we experience the slipstream of imagery that Handal has a mastery of, as well her uncanny ability to create a genuine voice for others.
You can find a copy of the poem here: https://www.poetryfoundation.org/poems/58507/the-act-of-counting
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Solace by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
See acast.com/privacy for privacy and opt-out information.
This week I take a look at the poem Send No Money by Philip Larkin. It's a poem that focuses on many of the narratives given to us by society, the ways in which they are present and how, quite often, they can cause us to take a passive role in our own lives.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Solace by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
This week I take a look at the poem Inner Life by Ariana Reines. It is a poem that perfectly encapsulates the deeply personal kinetic style in which she writes her poem. It is a poem that will give you a new reference for anxiety and that will connect with anyone who has struggled to get through the day without thinking of someone.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Filaments by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
This week's poem is one of exile and family dysfunction. André Naffis-Sahely has always been a poet who attempted to document the lives of people who fell victim to tragedy and as a result seemed to slip through the cracks of society. It just so happens that in this case it is his own mother.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Trainby Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: : http://www.s-cheremisinov.com/
This week I take a look at the poem Amber by Eavan Boland.It is a poem that speaks to the joy and pain of remembering a lost loved one through the objects they've left behind. It showcases Boland's talent for imagery and the fluidity of movement and experience she became famous for.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Illuminationsby Kai Engel and is used under creative commons license. Enjoy his music here: : https://www.kai-engel.com/content-id.
This week I take a look at The Men are Weeping in the Gym by Andrew McMillan, a poem that looks at the devastating effects that toxic masculinity and body image issues can have on whole generations of men. The poem draws from historical movements like muscular Christianity and leaves the reader feeling as though they've been punched in the gut.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Gray Dropsby Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: : http://www.s-cheremisinov.com/
Race and oppression were always at the heart of Gwendolyn Brooks and this particular poem was a watershed moment for her career. A poem brimming with necessary destructive energy and an homage to creativity in all it's forms.
Find the poem here: https://www.poetryfoundation.org/poems/43322/boy-breaking-glass
The shownotes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Hiraeth by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
This week I take a look at the poem Shooting Script 1987 by Inua Ellams. The poem is a dissection of the way in which race and culture inform our sense of identity but more importantly the way in which a race or culture can be misrepresented by media.
Find the poem here: https://poems.poetrysociety.org.uk/poems/a-shooting-script-1987/
The shownotes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Hiraeth by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
Halloween is upon us and so I chose three poems to send a shiver down your spine and take a look at what makes them so memorable.. They are:
This Living Hand by John Keats
All Hallows by Louise Gluck
Samhain by John Montague
I hope it makes your Halloween just a touch eerier.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Fogby Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: : http://www.s-cheremisinov.com/
This week I take a look at Eye Contactby Caroline Bird. It's a poem of pain and haunting in intimate relationships, with a dash of the surreal and Victorian gothic thrown in or good measure. I look at the way in which Bird uses metaphor and analogy to navigate the pains of the heart and raise difficult questions as to whether people can be free of their pasts.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Northern Lullabyby Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: : http://www.s-cheremisinov.com/
In Memory of the Northern Irish poet Derek Mahon, who passed away last week, I took a look at his poem Derry Morning. Over the course of the episode I look at the way in which the poem investigates and dissects the effect that war and conflict can have on an area.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Octoberby Kai Engel and is used under creative commons license. Enjoy his music here: : https://www.kai-engel.com/content-id
This week I take a look at the poem Dido to Aeneas by Barbara Guest. As a poet Guest tends to create pieces and verse of extreme beauty her language is a decadence all it's own. Often, she will choose to forgo obvious meaning in favour of a kind of lyrical tapestry. What I hope to show in this episode is that, despite this, her work resonates deeply with the human condition.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Gray Drops by Kai Engel and is used under creative commons license. Enjoy his music here: : https://www.kai-engel.com/content-id
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This week I take a look at the poem Chronosby Nick Laird. Laird crafts a poem which all at once combines the gravitas of the classics with jarring modern flair. He touches on the universal theme of raging against time, which is a well worn path in the realm of poetry. That being said he still manages to make the theme uniquely his own.
The show notes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Gray Drops by Sergey Cheremisinov and is used under creative commons license. Enjoy his music here: : http://www.s-cheremisinov.com/
This week I take a look at the poem Home by Starlight by Paula Meehan. I'll be focusing on how Meehan uses the ancient history of Ireland to create a poem of lament for a lost time and lost knowledge. More importantly I'll examine how she uses her own knowledge of Irish custom and society to create a specific type of feminism for her country.
The shownotes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Static by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
This week I take a look at the poem What Work Is by Philip Levine. I'll be focusing on how Levine tried his best to present the working classes in a new and dignified light, how he used an economy of language and love of physical description to engage his listen then, most importantly, how he examined the toll intense labour and poverty had on the human condition.
A copy of the poem can be found here: https://www.poetryfoundation.org/poems/52173/what-work-is
The shownotes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
or by email : wordsthatburnpodcast@gmail.com
The music in this weeks episode is Solace by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
See acast.com/privacy for privacy and opt-out information.
This week I take a look at the poem The Honey Bear by Eileen Myles, I'll look at how Myles is able to capture the essence of any given moment of her life in sparse yet intense verse. How changing identity and milestone moments often give way to intense reflection.
Find the poem here: https://www.poetryfoundation.org/poems/54619/the-honey-bear
The shownotes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Life is Easy by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
This week I take a look at the poem Somewhere I Have Never Traveled, Gladly Before by E.E. Cummings. I focus on how the poem encapsulates, not only the hallmarks of his style, but also how much he had grown throughout his career. This one has a little bit of everything: Paganism, Romanticism, life and death.
The shownotes for today's episode, with full references can be found here: https://wordsthatburnpodcast.com/
You can get in touch with me on instagram: https://www.instagram.com/wordsthatburnpodcast/
The music in this weeks episode is Undertow by Scott Buckley and is used under creative commons license. Enjoy his music here: https://www.scottbuckley.com.au/
What do I do?
I make a podcast about poetry.
How do I do it?
Fifteen - Twenty minutes on one poem per week . Analysing it and breaking down why it's good .
Why?
To help people better understand a form of literature I feel is more accessible than it gets credit for.
Mission :
To promote the accessibility of poetry in a way that everyone can understand . To avoid elitism and academic language where possible . To research every episode to the best of my ability .
Finally To build a community where people can freely express their opinions, confusion , triumph when it comes poetry. Hopefully promoting critical thinking skills in the process .
Get in touch:
@wordsthatburnpodcast
www.wordsthatburnpodcast.com
Music by:
Midnight Stroll [Relaxing Study Music] by Ghostrifter Official
https://soundcloud.com/ghostrifter-of...
Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0
Free Download / Stream: http://bit.ly/2CFc6KR
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