Audio Anarchy: Recent Episodes
Moxie Marlinspike
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation."
Instead of a direct recording of the text, here a collection of people read some of their favorite aphorisms, and tell stories about how those aphorisms relate to their lives.
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
"Submission to domination is enforced not solely, nor even most significantly, through blatant repression, but rather through subtle manipulations worked into the fabric of everyday social relationships. These manipulations -- ingrained in the social fabric not because domination is everywhere and nowhere, but because the institutions of domination create rules, laws, mores and customs that enforce such manipulations -- create a logic of submission, an often unconscious tendency to justify resignation and subservience in one's everyday relations in the world. For this reason, it is necessary for those who are serious about developing an anarchist insurrectional project to confront this tendency wherever it appears -- in their lives, their relationships and the ideas and practices of the struggles in which they participate. Such a confrontation is not a matter of therapy, which itself partakes of the logic of submission, but of defiant refusal."
In this piece, Moxie Marlinspike and Windy Hart present an anarchist critique of Democracy. Their critique extends to democracy in all of its various forms, and covers alienation, the logic of decontextualized decision making, the reduction of ideas to opinions, and the near-universal acceptance of "majority rule." Also included is a discussion of why democracy is so good at reproducing itself, and how that plays out into our lives.
This piece explores some historical thoughts on the origin and nature of private property. By examining the texts of John Locke, PJ Proudhon, and Peter Kropotkin, we encounter questions of where private property came from, how it became an accepted standard, and what its philosophical justifications are. All of these historical thoughts echo loudly into the world of today.
In this piece, Javier Francisco talks about technology and some of its implications. He moves beyond questions of whether technologies shape social institutions or social institutions shape technologies, to explore the ways in which they are intimately tied together. This is done by looking at perspectives about technology throughout history, examining several myths about technology today, and exploring the ways that technology affects our social relationships.
"Ever since I caught my first ride, hitchhiking has been a love of mine. Although I believe in the strength of community, sometimes it can also act as a cultural sink-hole. Since community is almost always based on similar interest, I sometimes find myself drowning in a chorus of predictably similar thoughts. As an escape from that life growing stale, hitchhiking is a great way to brighten my eyes." A Hitchhiker's Audio Tour Of The United States is a hitchhiker's story, complete with the recorded thoughts, theories, and life philosophies of everyone he met along the way.
"Anarchism is not a concept that can be locked up in a word like a gravestone. It is not a political theory. It is a way of conceiving life. And life, young or old as we may be, is not something definitive: it is a stake we must play day after day. When we wake up in the morning and put our feet on the ground we must have a good reason for getting up. If we don't it makes no difference whether we are anarchists or not. We might as well stay in bed and sleep."
Alfredo M. Bonanno, an Italian anarchist currently serving six years for charges related to the famous "Marini Trial," writes about insurrectionary anarchism.
"Anarchism is not a concept that can be locked up in a word like a gravestone. It is not a political theory. It is a way of conceiving life. And life, young or old as we may be, is not something definitive: it is a stake we must play day after day. When we wake up in the morning and put our feet on the ground we must have a good reason for getting up. If we don't it makes no difference whether we are anarchists or not. We might as well stay in bed and sleep."
Alfredo M. Bonanno, an Italian anarchist currently serving six years for charges related to the famous "Marini Trial," writes about insurrectionary anarchism.
"Anarchism is not a concept that can be locked up in a word like a gravestone. It is not a political theory. It is a way of conceiving life. And life, young or old as we may be, is not something definitive: it is a stake we must play day after day. When we wake up in the morning and put our feet on the ground we must have a good reason for getting up. If we don't it makes no difference whether we are anarchists or not. We might as well stay in bed and sleep."
Alfredo M. Bonanno, an Italian anarchist currently serving six years for charges related to the famous "Marini Trial," writes about insurrectionary anarchism.
"Anarchism is not a concept that can be locked up in a word like a gravestone. It is not a political theory. It is a way of conceiving life. And life, young or old as we may be, is not something definitive: it is a stake we must play day after day. When we wake up in the morning and put our feet on the ground we must have a good reason for getting up. If we don't it makes no difference whether we are anarchists or not. We might as well stay in bed and sleep."
Alfredo M. Bonanno, an Italian anarchist currently serving six years for charges related to the famous "Marini Trial," writes about insurrectionary anarchism.
"Anarchism is not a concept that can be locked up in a word like a gravestone. It is not a political theory. It is a way of conceiving life. And life, young or old as we may be, is not something definitive: it is a stake we must play day after day. When we wake up in the morning and put our feet on the ground we must have a good reason for getting up. If we don't it makes no difference whether we are anarchists or not. We might as well stay in bed and sleep."
Alfredo M. Bonanno, an Italian anarchist currently serving six years for charges related to the famous "Marini Trial," writes about insurrectionary anarchism.
"Why do we work? From necessity or love? If the former, then our world is failing us, we are being exploited, being made slaves for the benefit of others. The ethic that work is a 'good thing' is a throwback to a Victorian mentality of puritanical pain and denial of our humanity, an ethic that is so far removed from the reality of our human nature as to be pathological." A collection of essays written from the anti-work perspective. These essays investigate concepts of freedom, compulsory labor, the 'work ethic', the wages system, employment, and 'occupations.'
"Why do we work? From necessity or love? If the former, then our world is failing us, we are being exploited, being made slaves for the benefit of others. The ethic that work is a 'good thing' is a throwback to a Victorian mentality of puritanical pain and denial of our humanity, an ethic that is so far removed from the reality of our human nature as to be pathological." A collection of essays written from the anti-work perspective. These essays investigate concepts of freedom, compulsory labor, the 'work ethic', the wages system, employment, and 'occupations.'
"Why do we work? From necessity or love? If the former, then our world is failing us, we are being exploited, being made slaves for the benefit of others. The ethic that work is a 'good thing' is a throwback to a Victorian mentality of puritanical pain and denial of our humanity, an ethic that is so far removed from the reality of our human nature as to be pathological." A collection of essays written from the anti-work perspective. These essays investigate concepts of freedom, compulsory labor, the 'work ethic', the wages system, employment, and 'occupations.'
"Why do we work? From necessity or love? If the former, then our world is failing us, we are being exploited, being made slaves for the benefit of others. The ethic that work is a 'good thing' is a throwback to a Victorian mentality of puritanical pain and denial of our humanity, an ethic that is so far removed from the reality of our human nature as to be pathological." A collection of essays written from the anti-work perspective. These essays investigate concepts of freedom, compulsory labor, the 'work ethic', the wages system, employment, and 'occupations.'
"Why do we work? From necessity or love? If the former, then our world is failing us, we are being exploited, being made slaves for the benefit of others. The ethic that work is a 'good thing' is a throwback to a Victorian mentality of puritanical pain and denial of our humanity, an ethic that is so far removed from the reality of our human nature as to be pathological." A collection of essays written from the anti-work perspective. These essays investigate concepts of freedom, compulsory labor, the 'work ethic', the wages system, employment, and 'occupations.'
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"Less of a novel and more of an exploded manifesto, Days of War, Nights of Love might be just what we need. It is the type of book you'd thumb through in the store and actually want to buy (or steal)... Topics range from anarchy to hierarchy, work to sex, alienation to liberation and technology, but every page burns with a passion for a freer life... When you make it to the end, the personal testimonials about not working and the closing art pieces become an aria of voices urging you to close the book and live. Glorious, even for the most cynical reader. What more can we ask from a book?" - Clamor Magazine #6, Dec.00/Jan.01
"In the eighteen-nineties and for years thereafter, America reverberated with the name of the 'notorious Anarchist,' feminist, revolutionist and agitator, Emma Goldman. A Russian Jewish immigrant at the age of 17, she moved by her own efforts from seamstress in a clothing factory to internationally known radical lecturer, writer, editor and friend of the oppressed. ...a collection of her remarkably penetrating essays, far in advance of their time, originally published by the Mother Earth press which she founded."
"In the eighteen-nineties and for years thereafter, America reverberated with the name of the 'notorious Anarchist,' feminist, revolutionist and agitator, Emma Goldman. A Russian Jewish immigrant at the age of 17, she moved by her own efforts from seamstress in a clothing factory to internationally known radical lecturer, writer, editor and friend of the oppressed. ...a collection of her remarkably penetrating essays, far in advance of their time, originally published by the Mother Earth press which she founded."
"In the eighteen-nineties and for years thereafter, America reverberated with the name of the 'notorious Anarchist,' feminist, revolutionist and agitator, Emma Goldman. A Russian Jewish immigrant at the age of 17, she moved by her own efforts from seamstress in a clothing factory to internationally known radical lecturer, writer, editor and friend of the oppressed. ...a collection of her remarkably penetrating essays, far in advance of their time, originally published by the Mother Earth press which she founded."
"In the eighteen-nineties and for years thereafter, America reverberated with the name of the 'notorious Anarchist,' feminist, revolutionist and agitator, Emma Goldman. A Russian Jewish immigrant at the age of 17, she moved by her own efforts from seamstress in a clothing factory to internationally known radical lecturer, writer, editor and friend of the oppressed. ...a collection of her remarkably penetrating essays, far in advance of their time, originally published by the Mother Earth press which she founded."
"In the eighteen-nineties and for years thereafter, America reverberated with the name of the 'notorious Anarchist,' feminist, revolutionist and agitator, Emma Goldman. A Russian Jewish immigrant at the age of 17, she moved by her own efforts from seamstress in a clothing factory to internationally known radical lecturer, writer, editor and friend of the oppressed. ...a collection of her remarkably penetrating essays, far in advance of their time, originally published by the Mother Earth press which she founded."
"In the eighteen-nineties and for years thereafter, America reverberated with the name of the 'notorious Anarchist,' feminist, revolutionist and agitator, Emma Goldman. A Russian Jewish immigrant at the age of 17, she moved by her own efforts from seamstress in a clothing factory to internationally known radical lecturer, writer, editor and friend of the oppressed. ...a collection of her remarkably penetrating essays, far in advance of their time, originally published by the Mother Earth press which she founded."