Having A Blast with Kyle Devlin: Recent Episodes
Kyle Devlin
Having A Blast is a pop punk and emo podcast where we'll be doing a deep dive on important albums and bands. We'll also be speaking with band members, producers, and friends. I want to know what makes these people tick. How has being self-motivated moved them in the direction of their goals? What sort of rituals, exercise practices, and personal development do they participate in? We’re gonna have fun finding out! Enjoy!
On today's episode, I'm really excited to be chatting with Mr. Justin Linn. Justin is the guitarist and co-vocalist for the band Save Ferris.
Justin lives in San Diego. Save Ferris was formed in Los Angeles.
We talk about him joining the ska and pop punk/rock band as well as his history being a musician.
We talk about his family's musical legacy and how it transformed the 80's and beyond.
Justin also had a stint in the post hardcore outfit Bleed the Dream when they played the 2005 Warped Tour.
So, we talk all about what that was like.
It was a pleasure speaking with Justin. I've really enjoyed following him on social media, it seems as though there are a lot of cool things in the pipeline for Save Ferris.
Hey friends!
It's been a minute since I've been able to get a podcast out into the world. Long story short my computer blew up a few weeks back and I had to send it away to get looked at. Unfortunately, all of the files for the podcast are on a corrupted drive, so I had to re-record everything from scratch.
On today's episode, I'm excited to share a conversation that I had about a month ago with Mr. Jared Rohde!
Jared is the bassist/vocalist for @counterpunchrock. He's also currently playing bass for Death by Stereo. Other bands that he's played in include @elwaytheband, @chartattackmusic, and @unit91official.
Jared was a lot of fun to talk to. He and his band Counterpunch put out a phenomenal skate punk record last year. I listened to it a ton and it was one of my favorites for the year.We discuss all things punk rock. Getting into skate punk. Touring in bands, and what it's like to release music now as an adult with other obligations.
He just hit the road with another legendary band Death by Stereo, and we chat about that, as well.
I hope you enjoy this wide-ranging conversation with Mr. Jared Rohde.
On today's episode, I'm speaking with Chris, vocalist for the band Nominee. Nominee is a pop punk/emo band from Austin TX.
Chris was an absolute pleasure to speak with. We talk about creativity, songwriting, punk roots, and what it's like to make music in your thirties. Check them out!
On today's episode, I do a deep dive on one of my favorite albums; Alkaline Trio's "Crimson".
Crimson is the fifth studio album by American rock band Alkaline Trio. Produced by Jerry Finn, it was released on May 24, 2005 by Vagrant.
2022 was jam packed with amazing musical releases. It was almost overwhelming. I'm grateful for music, and I'm grateful for the bands and artists who still find it so important and vital to keep making art and continue gracing us with new music.
These are my favorite records of the year. I hope you find some validation in your choices and hopefully you discover some new records worth checking out.
Punk Category:
A Wilhelm Scream: Lose Your Illusion
Craigs Brother: Easily Won, Rarely Deserved
Hot Water Music: Feel the Void
Pulley: The Golden Life
Bodyjar: New Rituals
Counterpunch: Rewire
Ignite: Self-Titled
Cigar: The Visitor
The Flatliners: New Ruin
Sic Waiting: A Fine Hill to Die On
Be Well: Hello Sun
Ten Foot Pole: Winning
Pop Punk/Emo Category:
No Pressure: Self-Titled
Unwritten Law: The Hum
State Champs: Kings of The New Age
The Wonder Years: The Hum Goes on Forever
Tiny Moving Parts: Self-Titled
The Dangerous Summer: Coming Home
Armor For Sleep: The Rain Museum
Coheen and Cambria: Vaxis II
Cliffdiver: Exercise Your Demons
Anxious: Little Green House
Stand Atlantic: F.E.A.R.
Action/Adventure: Imposter Syndrome
Magnolia Park: Baku's Revenge.
Indie Category:
The Beths: Expert in A Dying Field
Pup: The Unraveling of Puptheband
Signals Midwest: Dent
Wallows: Tell Me That It's Over
The 1975: Being Funny in A Foreign Language
Post Hardcore/Metalcore:
Silverstein: Misery Made Me
Comeback Kid: Heavy Steps
Stick To Your Guns: Spectre
The Devil Wears Prada: Color Decay
Rock Records Category:
Plosivs: Self-Titled
84 Tigers: Time in the Lighthouse
Drug Church: Hygiene
Other Stuff Category:
Weezer: SZNS
Pop Category:
Harry Styles: Harry's House
Blackbear: In Loving Memory
Honorable Mentions:
Taylor Swift: Midnights
Lizzo: Special
Favorite EPs of 2022:
The Way Way Back: Trying
Hidden In Plain View: Tantrums
Tigers Jaw: Old Clothes
Hunny: Homesick
On today's episode, I'm extremely excited to be speaking with Mr. Chris Dalley, drummer of Authority Zero.
This guy has been in several other legendary skate-punk bands over the years. He's played with Zero Down, Ten Foot Pole, Pulley, Death by Stereo, Voodoo Glow Skulls, The Implants, and the list goes on. All before joining the Mesa Arizona band Authority Zero. He's been with them for 8 years. They put out a fantastic record last year titled "Ollie Ollie Oxen Free".
We talk about his story, what led to him wanting to tour and play in bands for a living. How he got into punk rock. His first encounter with Cameron Webb. We talk about a lot in this episode.
I really appreciate Chris's time; he was a total sweetheart. I've always appreciated Chris' love of music on social media, it's infectious. I've really been enjoying his rundown of his favorite records in 2022, it's made me a bigger fan of some of the bands. We talk about some of them in this episode.
So, without further ado, please enjoy this multifaceted conversation with Mr. Chris Dalley.
On today's episode, I'm extremely excited to be speaking with Mr. Billy Brimblecom Jr.
Billy is an incredible drummer that has played in some amazing bands in the Kansas City Music scene. He has played for Stick, The Creature Comforts, Blackpool Lights, Summer Breeze, and many more. He also played for Los Angeles band The Start. This guy is a legend!
Billy has been the Executive Director of the non-profit organization Steps of Faith Foundation since 2013.
STEPS OF FAITH PROVIDES LIMBS TO AMPUTEES WHO CAN'T OTHERWISE AFFORD THEM. THEY HELP PEOPLE GET PROSTHETIC LIMBS.
We talk all about the organization, as well as the yearly fundraiser they throw in Kansas City. It is hosted by Mr. Ted Lasso himself Jason Sudeikis.
We talk about a whole bunch of cool stuff in this episode. I had always heard that Billy has a heart of gold, and I can confirm. He's a very easy-to-talk-to, down to earth guy and I want to thank him for the time.
The website for Steps of Faith is www.stepsfaithfoundation.org. Thundergong is this upcoming Saturday at the Uptown Theater in Kansas City Missouri.
A little birdy told me there's still a few tickets left.
So, without further ado, please enjoy this conversation with Mr. Billy Brimblecom.
On today's episode, I give my five favorite Fat releases from the 1990's. This was tough. Enjoy!
On today's episode, I'm extremely excited to be speaking with Mr. Ted Bond, singer of melodic punk rock band Craig's Brother.
I've been a fan of Craig's Brother for over 20 years now. I discovered them on the Tooth & Nail compilation "Songs from The Penalty Box".
Craig's Brother has a really fascinating career arc, and we talk all about it.
Ted opens up about what it's like to be ostracized by not only your label, but also by members of the Christian music scene in general.
We talk about the history of the band, and we discuss what it was like to make a new full length at this stage of their career as a band.
I learned a ton in this talk. I had so many things I wanted ask him and he was gracious in giving me really thoughtful answers. We talk about Ryan Key from Yellowcard joining the band and the cross-connection between the two bands. We talk about Lost at Sea. We talk about getting records shelved and sent back from stores because a song discusses masturbation. We talk about it all.
I hope you find this conversation as illuminating as I did.
Craig's Brother is an American punk rock band. They have released three full-length recordings internationally, two on Tooth & Nail Records and one self-released.
Craig's Brother are currently on People of Punk Rock Records and they have a new full length being released on November 11th, 2022.
Craig's Brother on Bandcamp
Craig's Brother Website
On today's episode, I'm speaking with Frank and Dan from Chicago's skate punk band Much the Same.
Frank is a returning guest. We had so much fun chatting last year, that we decided to do it again. This time, we brought guitarist Dan into the conversation.
We talk all about their 2003 ripper of an album "Quitters Never Win". We discuss the early days of the band, making the album, the creative process, and even beating cancer and what it's like to live life urgently.
This is a great episode and I think you'll have fun listening.
Quitters Never Win is the first full-length studio album by Much the Same.
Much The Same is a punk rock band from the suburbs of Chicago, Illinois, United States. Their style is based on the fast, melodic skate punk of the mid-to-late 1990s made popular by bands such as NOFX, Lagwagon, and No Use for a Name.
The band began in 1999 under the name Don't Look Down and changed to Much the Same in 2001 after a legal dispute with the now-defunct New Jersey band Don't Look Down. They released Quitters Never Win on A-F Records in 2003 and Survive in 2006.
On today's episode, I'm extremely excited to be speaking with Mr. Pat Kennedy, guitarist for new band No Pressure, as well as the guitarist and vocalist for the band Light Years.
Pat is from Kent Ohio, and we talk about what it was like growing up in the scene there.
We talk all about how No Pressure came to be. The vocalist for No Pressure is Parker Cannon, vocalist for The Story So Far. No Pressure has been putting out music since 2020. They released an ep in 2020, a single last year, and a killer LP just dropped a few weeks ago.
We talk about the formation of the band, the positive reception they've received so far, and what he thinks is missing from the scene these days.
This was a really fun conversation. Pat seems like a really humble dude. I really enjoyed chatting with him and I think everyone should check out No Pressure, as well as Light Years.
On today's episode, I'm extremely excited to be chatting with Mr. Kevin Sanders, drummer for the pop/rock pop punk band Cartel.
Cartel is from Conyers, Georgia which is a suburb of Atlanta.
We talk about a lot in this convo. We talk about the early days of the band, linking up with producers Zack Odom and Kenneth Mount.
We talk about Chroma, The MTV experiment, major labels, and what it's like to have a legacy as a band in general but also as a band in the subculture that is Emo.
We talk about being a band doing things on its own terms and having fun in the process.
I thoroughly enjoyed this conversation. I've been a band for almost 20 years now and talking to Kevin felt like talking to a bud. A very down-to-earth thoughtful dude.
I think you'll enjoy this one.
Cartel's Website
On today's episode, I'm extremely excited to be speaking with Mr. Bill McShane, lead singer of the pop-rock and roll band Ultimate Fakebook.
Ultimate Fakebook is from Manhattan Kansas, but I always thought of them as one of my favorite local bands.
We talk all about Ultimate Fakebook, we discuss their new album "The Preserving Machine" and the inspiration behind the new record.
We talk all about the creative process that led to them releasing a new record after 16 years.
They are playing on Friday night at The Record Bar in Kansas City, and MidFest in Manhattan Kansas on Saturday. It's going to be a blast.
Bill is also a video editor, a trailer editor more specifically and we talk a little about that as well.
This was such a fun conversation. Bill is someone I've wanted to talk to since the inception of this podcast and I want to thank him for taking the time.
So, without further ado, please enjoy this multi-faceted conversation with Mr. Bill Mcshane.
About Bill McShane: Award winning editor with over 15 years of experience in LA working on theatrical trailers, TV spots, promos, sizzle reels, music videos, home entertainment and behind the scenes material for every major studio, including Disney, Pixar, Marvel, Warner Bros, 20th Century Fox, Dreamworks, Sony, Paramount, Universal, Lionsgate, Magnolia Pictures, Cartoon Network, HBO Max, Netflix, FX, AMC and Hulu.
Bill's Website
Ultimate Fakebook on Bandcamp
I'm extremely excited today because I'm chatting with a friend that I've known for a few years now. Mr. Jason Trabue, drummer of The Casket Lottery.
Jason is also the tour manager and production manager for the legendary band Garbage, and I actually caught up with him while he was on tour with Garbage. They just wrapped up their US tour opening for Tears for Fears.
I met Jason a few years ago while he was home during Covid. We started training together. He was introduced to me by our mutual friend RL.
We realized that we had a ton of mutual friends as we grew up in the KC music scene.
I'm a huge fan of The Casket Lottery and Jason did a killer job on their latest record Short Songs for End Times. He's an incredibly talented drummer.
Jason has run the full gamut of not only playing in bands but working with bands that we all know and love. Motion City Soundtrack, Thrice, Jimmy Eat World, and the list goes on and on.
I had a blast catching up with Jason, he's such a solid dude. It's always a pleasure hanging out.
On today's episode, I'm extremely excited to be speaking with Ted Felicetti, front man of the pop-rock/pop-punk band Don't Panic.
Don't Panic are based out of Pennsylvania. They have two full lengths out currently. Their first release "See Through It All" was released in November 2020, and they just released their second album "Dark Horse" in September of last year. I would say that's a uniquely fast advance of music, and we talk about that.
We also talk about our days out on the Warped Tour. We had a similar experience meeting Kevin Lyman which was so fun to talk about.
We also talk about Star Wars, creativity, working hard to create our own opportunities and the gratification of getting some opportunities along the way.
I had a lot of fun chatting with Ted, and I think you'll enjoy this conversation and get a lot out of it.
They're headed out the road with Less Than Jake and Bowling for Soup at the end of this month!
Don't Panic's Website
On today's show, I speak with my good buddy, Mr. Ben Wendt.
Ben is the front man of the Kansas City pop punk band The Way Way Back.
We talk all about their new EP entitled "Trying" which is out NOW.
It's a fun episode. Enjoy!
Hey there friends!
I've been missing in action the last few weeks. I apologize for that!
I've been busy renovating my house with my partner in crime and my dad. That's been consuming some time, for sure.
Alas, today I'm extremely excited because this episode is a fun conversation with Randy Frobel; front man for Canadian pop punk band We Were Sharks.
I've been listening to We Were Sharks for a few years now. They write incredibly well crafted, fun, and energetic pop punk tunes. Randy has a killer voice, and a distinct voice.
He's also in a cover band called The Young Bucs and we discuss what that's like.
We also talk about the creative process, writing tunes with Paul from Silverstein, navigating Covid, and continuing to make art into adulthood.
Because, why not? Shouldn't we keep making art? Isn't that the life-giving element? Creating stuff.
I loved this conversation. I love We Were Sharks. If you haven't heard them, please go check them out immediately.
So, without further ado, please enjoy this multi-dimensional convo with my new buddy Randy from We Were Sharks.
Randy's Instagram
On today's episode, I do a deep dive on Dashboard Confessional's second official full-length album "The Place You Have Come to Fear the Most".
The Places You Have Come to Fear the Most is the second studio album recorded by the American emo band Dashboard Confessional, released on March 20, 2001, through Vagrant Records.
Dashboard Confessional started as an acoustic side project for vocalist/guitarist Chris Carrabba while he was fronting Further Seems Forever. The project's first album The Swiss Army Romance was released in early 2000 through local independent label Fiddler Records. Using his connections within the punk scene, Carrabba was able to perform on a few tours. Though the audience wasn't used to acoustic instrumentation, Carrabba won the crowds over. Eventually demand for the album was exceeding the label's supply, which resulted in owner Amy Fleisher licensing the record to Drive-Thru Records. In October, Carrabba announced his departure from Further Seems Forever.
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
In this episode, I have my first guest! My buddy Adam and I chat about the second album "Where You Want to Be" from Emo virtuosos Taking Back Sunday.
Where You Want to Be is the second studio album by American rock band Taking Back Sunday. While touring to promote Tell All Your Friends (2002), guitarist John Nolan and bassist Shaun Cooper left the group and were replaced by Fred Mascherino and Matt Rubano, respectively. After a co-headlining tour with Saves the Day in fall 2003, the band began working on Where You Want to Be.
Dismissive of several early songs, they wanted to "grow musically with this [new album]." In March 2004 recording of Where You Want to Be began, with Lou Giordano as producer. The band recorded at Mission Sound in Brooklyn, New York for two weeks before moving to Water Music in Hoboken, New Jersey, finishing recording by April.
Where You Want to Be has received mixed-to-positive reviews, selling 163,000 copies in its first week. The album debuted at number three on the Billboard 200 chart, remaining there for an additional 19 weeks. It topped the Independent Albums chart and remained on that chart for 50 weeks. "A Decade Under the Influence" reached number 16 on the Alternative Songs chart and the UK Top 75 chart. Where You Want to Be is Victory's highest-charting album; in July 2005 it was certified gold in the U.S. for sales of 500,000 copies, and sales have since exceeded 700,000.
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
On today's episode, I'm extremely excited to be speaking with my new bud, Mr. Joe Ortega.
Joe is a photographer and he's photographed several of my favorite bands. Countless in fact at this point. He's probably captured some iconic images and moments of some of your favorite bands, as well.
He's worked with bands like Dashboard Confessional, Anberlin, Taking Back Sunday, The Maine, Thrice, Acceptance, and the list goes on and on.
I absolutely loved this conversation; Joe is a very passionate and insightful guy. We discuss many topics including why we should expect things to suck before we get better, fitness, creativity, capturing moments, leveling up in life and in our crafts, and why the best hidden trick to gaining opportunities might just be being a good person with a good moral character.
I think you'll dig it!
On today's episode, I'm thrilled to be speaking with bassist Mike Davenport. Mike is the long-running bassist of The Ataris, as well as Versus the World.
We cover a lot of ground in this episode. We discuss the early days of the band, the trials and tribulations of being on a major label, and everything Don Henley.
It was a blast to speak with Mike and I really appreciate his honesty and transparency. Enjoy!
Michael Sean Davenport (born 13 September 1968) is an American musician. Davenport was bass guitarist for The Ataris,[1] joining the band in 1997 prior to the album Blue Skies, Broken Hearts...Next 12 Exits in which Davenport co-wrote the song "In Spite of the World". He also played bass on the album End Is Forever and the EP Look Forward to Failure on Fat Wreck Chords. Davenport played bass on Live at the Metro. In 2005, Davenport left the band after the Ataris headed in a different musical direction. In 2005 Davenport appeared in the documentary movie Punk's Not Dead.
Davenport went on to form the band Versus the World with the employees of The Ataris record store Down on Haley. Versus the World put out a self-titled album on Kung Fu Records in 2005. The album featured a top twenty hit in Europe. The band toured extensively through the US, Canada, and Europe. Their song "Forgive Me" is featured on WWE SmackDown vs. Raw 2007 They have also made a music video for one of their songs "Is There No End.[2]
Davenport began to play with friends Brian McVicar on drums and Chris Flippin on Guitar and formed Cave Mummy in 2008.[3]
Davenport rejoined The Ataris from 2014-2016 for two reunion tours in the U.S., Europe, and Australia.
On today's episode, I'm extremely excited to be speaking with Mr. Alex Howard.
I first became aware of Alex when discovering his band Conditions back in 2007.
They were a band generating a lot of hype back then and they put out a couple of really great records and EPs.
I've followed Alex since Conditions became inactive in 2014, as he joined the band Sleeping with Sirens as a touring member.
We chat all about that. The history of Conditions, what led him to being a touring musician with other artists. He went on to play for the rapper Hoodie Allen after his stint in Sleeping with Sirens and now he's playing with the musical act Jelly Roll.
We even get a really cool story about him meeting the legendary Mike Dirnt and Mark Hoppus.
It was an absolute pleasure speaking with Alex. He's always come across as a super likeable, humble, and approachable guy. That was clearly evident during our talk. Enjoy!
Conditions is an American rock band from Richmond, Virginia.
Conditions was founded in 2006 by members of the previous local bands Motion Picture Demise, Race the Sun, Scarlet and Forever in a Day (FIAD). The group released its first recorded material in 2007 and played Bamboozle and Warped Tour that same year.
The group signed with Good Fight Music and released their debut full-length, Fluorescent Youth, in September 2010. This album drew comparisons to bands such as Anberlin, Ivoryline, and Saosin. Their sophomore effort, Full of War, followed in March 2013. On November 7, 2013, the band announced on their Facebook page that they were breaking up. On July 12, 2014 the band played their farewell show and officially broke up.
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
On today's episode, I'm extremely excited to be speaking to Mr. Jon Graber. Otherwise known as J Grabes.
Jon is a producer/engineer/mixing engineer, and he's worked with bands we know and love such as NOFX (he's currently recording their new record), MXPX, Goldfinger, The Suicide Machines, We Are the Union, and many more.
Located in Los Angeles, he's managing a surprising amount of output and we talk about that.
We discuss his early days of discovering punk rock, playing in bands, and how he found his way behind the boards. We also talk about working with legendary punk rock front men like John Feldmann, Fat Mike, and Mike Hererra.
This was such a fun and enlightening conversation; I feel like we could do several of these. I think you'll enjoy it.
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
This is the first episode of 2022, and what a fantastic one it is.
Today, I'm incredibly excited to be speaking with my long-time friend Mr. Ben Harper. Ben is one of the original founding members of the band Yellowcard.
I met Ben in 2002 and we became quick friends. I always admired Ben as a guitar player, but he was always a lot of fun to be around.
He really championed our band and was always extremely supportive.
Ben went on to form Takeover Records while in Yellowcard, and Takeover has evolved into many iterations over the years. Ben parted ways with Yellowcard in 2006 and we discuss that a little.
But the purpose of the chat today is to highlight Yellowcard's debut full length "One for the Kids" and the recent re-release of the record.
Ben and I chat about the formation of the band, the process of the re-release and lots more.
I want to thank Ben for taking the time, and for being so transparent in this conversation.
He's one of the best dudes in the music industry that I was ever able to meet and hang alongside and I'm really glad I was able to get him on the show.
So, without further ado, please enjoy this multi-faceted chat with Mr. Ben Harper from Yellowcard and This Legend.
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
On today's edition of Flashback Fridays, I wanted to give a quick rundown of more of my favorite records of 2021.
However, because I'm crazy and I can very rarely narrow down my favorites for the year into a neat little ten best records list...
I've decided to split up my favorite records of the year into sub-categories. I'll be doing three "Best Of" episodes, and these will be the final three Flashback Fridays episodes until I decide to revisit the idea.
The categories on this episode that I'll cover are three different genres: Pop, Indie, and Miscellaneous.
I explain which records were my favorites for the year and which category they fall under.
Got some favorite records from the year that you think I may have missed? Hit me up and let me know!
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
On today's episode, I'm incredibly excited to welcome Mr. Jim Suptic of The Get Up Kids fame.
Jim is the co-singer and co-songwriter for The Get Up Kids. He is also the singer and songwriter for the band Blackpool Lights.
The Get Up Kids formed in 1995 in Kansas City, Missouri. My hometown. They are of legendary status at this point. They are my favorite Kansas City band, and I've been listening to them for 23 years now.
This was an absolute thrill for me, as I've never met any of the members of The Get Up Kids. But Jim was an absolute sweetheart, I really appreciate him taking the time to chat with me. I also want to thank him for being so honest and forthcoming, we discuss a lot in this episode.
Jim is also currently working with fellow Blackpool Lights member Billy Brimblecom on Steps of Faith.
Steps of Faith is a nonprofit public charity dedicated to providing prosthetic care, hope, and comfort to amputees needing financial support. They help uninsured underinsured amputees get the prosthetic limbs they need.
For the last five years, they've thrown a wonderful charity event called Thundergong in KC. Hosted by Ted Lasso himself Mr. Jason Sudeikis.
My partner Pamela and I have enjoyed going to Thundergong, it's a blast. We chat about that and plenty more.
So, without further ado, please enjoy this Get Up Kids filled conversation, with my new bud Mr. Jim Suptic.
The Get Up Kids
Blackpool Lights - Wikipedia
Steps of Faith | #GiveSteps (stepsoffaithfoundation.org)
Thundergong! • A Benefit Concert for Steps of Faith Foundation
Polyvinyl Records - Artists, News, Merch - Shop Vinyl, Merch, Music and More
Vagrant Records
LET'S CONNECT:
Kyle's Instagram
Kyle's Facebook
Email: Kyledevlinfitness@gmail.com
On today's edition of Flashback Fridays, I wanted to give a quick rundown of more of my favorite records of 2021.
However, because I'm crazy and I can very rarely narrow down my favorites for the year into a neat little ten best records list...
I've decided to split up my favorite records of the year into sub-categories. I'll be doing three "Best Of" episodes, and these will be the final three Flashback Fridays episodes until I decide to revisit the idea.
The categories on this episode that I'll cover are three different genres: Heavier music, Post-punk/alternative, and Emo.
I explain which records were my favorites for the year and which category they fall under.
Got some favorite records from the year that you think I may have missed? Hit me up and let me know!
On today's episode, I'm extremely excited to be joined by my good friend Kyle Black.
Kyle and I go way back. I met him when I was 18 years old, nearly 20 years ago. Kyle booked the first show Gametime show that we ever played in California. It was at a place called Skateland. We play there with his band Nural.
Kyle and the rest of the Nural guys were so incredibly kind to us, we loved playing shows with them. I'm a huge fan of their band.
Kyle has also become one of the best and most prolific producers in the scene. He's worked with bands like Comeback Kid, State Champs, All Time Low, Pierce the Veil, Strung Out, Hit the Lights, Seaway, New Found Glory, Set Your Goals, Like Pacific, and many more.
You can check out his website at www.kyleblackproducer.com for his entire discography.
He is the owner of West Alley Recording Studios. You can find more info at www.westalleyrecordings.com.
It was so fun catching up with Kyle. I really appreciate him taking the time. He's one of the nicest dudes, and he always made me laugh.
I think anyone interested in how the special sauce is made, a look behind the curtain, will really enjoy this chat.
So, without further ado, please enjoy this engineering and production filled convo with Mr. Kyle Black.
On today's edition of Flashback Fridays, I wanted to give a quick rundown of my favorite records of 2021.
However, because I'm crazy and I can very rarely narrow down my favorites for the year into a neat little ten best records list...
I've decided to split up my favorite records of the year into sub-categories. I'll be doing three "Best Of" episodes, and these will be the final three Flashback Fridays episodes until I decide to revisit the idea.
The categories on this episode that I'll cover are three different genres: Skate Punk, Pop Punk, and New-school Pop Punk.
I explain which records were my favorites for the year and which category they fall under.
Got some favorite records from the year that you think I may have missed? Hit me up and let me know!
On today's edition of Flashback Fridays, the 21st installment if my math is correct, I wanted to highlight a record from 2020.
Last year. A crazy year for so many. The pandemic year.
But there were some silver linings that came along with the year 2020, and one of them is the fact that a lot of fantastic music was released in the year 2020.
There were so many great releases from the year, that it honestly was difficult choosing an album to highlight. A good problem to have I suppose.
The album that I chose is an album by the band Be Well.
Be Well is an American hardcore punk band, formed in 2019 in Baltimore, Maryland. The group was formed by members of various bands including Bane, Only Crime, Darkest Hour, Fairweather, Ashes, Battery, Olympia, Beasts of No Nation, and Converge.[1] The group signed to Equal Vision Records in December 2019[2] and released its debut album, The Weight and the Cost, through the label in August 2020.
The singer is the legendary Brian McTernan. Brian is also a record producer. McTernan operates a studio called Salad Days in Baltimore, named after the Minor Threat song of the same name, and has produced albums for a number of notable artists, including Thrice, Circa Survive, Turnstile, and Hot Water Music.
The lyrics on this Be Well record are phenomenal. Raw, brutal, and honest. I love this record. I can't wait to hear their next record.
On today's episode, I'm extremely excited to be speaking with Warren Cooke. Original bassist of the band Yellowcard. One of the founding members, as well. He's currently in the band Flag on Fire from Jacksonville Florida.
I met Warren in 2001 when my band Gametime played with Yellowcard for the first time.
We became close friends and played countless shows with them around that time period.
One for the Kids is the first official full length from Yellowcard, and it's celebrating it's 20th anniversary this year. Warren and I talk about the 20 year re-release of One for the Kids. It's been remixed and remastered and its up for presale RIGHT NOW at lobsterrecords.com.
There are multiple limited vinyl variants, as well as bundles and other merchandise. We talk about the process of making it all come to fruition.
I had so much fun reconnecting with Warren, it had been almost 20 years since I last spoke with him.
I really appreciate his honesty and transparency with me in this conversation. I think fans of One for the Kids and the band are going to really enjoy this conversation.
www.lobsterrecords.com
One for the Kids is the third studio album by American rock band Yellowcard. It was released on April 3, 2001 on Lobster Records and is the first Yellowcard album to include Ryan Key as lead singer and guitarist. It was produced, engineered and mixed by Darian Rundall at Stall No. 2 in Redondo Beach, California. "Drifting" and "Rock Star Land" both originally appeared on the band's previous EP, Still Standing EP.
On June 15, 2000, Yellowcard signed to Lobster Records, and were aiming to release their next album in early 2001. The band moved from their native Florida to Thousand Oaks, California to record the album. Sessions where held at Stall No. 2 in Redondo Beach, California, with producer and engineer Darian Rundall. He mixed the recordings, before the album was mastered by Mark Chalecki at Capitol Records in Hollywood, California.
This week on Flashback Friday's, I'm highlighting a record from the year 2019. The band is called HUNNY, and their record is titled "Yes Yes Yes Yes Yes". I love this record.
Hunny (stylized as HUNNY) is an American rock band from Newbury Park, California, formed in 2014. The band consists of Jason Yarger, Jake Goldstein, Kevin Grimmett, and Joey Anderson.
Lead singer and guitarist Jason Yarger and bassist Gregory Horne had been friends since high school. After all the members had been in multiple bands around the local area (notably with other members of Bad Suns and The Neighbourhood), they decided to join forces and form Hunny in 2014.
They released their first single "Honey Blonde". Their second single, "Cry For Me", was released in January 2015 and became a breakthrough hit, gaining over 1 million streams within a year. On 9 October 2015, they released their debut EP, Pain / Ache / Loving. In 2016, Hunny released the singles "Vowels (and The Importance of Being Me)" and "Colder Parts". Guitarist Jake Munk left the band in December 2016.
In May 2017, Hunny released their second EP Windows I. In early 2018, bassist Gregory Horne left the band. Hunny signed to Epitaph Records in July 2018, before releasing their third EP Windows II. In May 2019, Hunny released their first full-length album, Yes. Yes. Yes. Yes. Yes. Hunny worked with producer Carlos de la Garza on the album.
On today's episode, I'm extremely excited to be speaking with someone that I've wanted to have on the show since it began.
Today I'm talking to my buddy, Ross, otherwise known as DJ Rossstar.
DJ Rosstar has been interviewing bands well before podcasts were cool. He did a live show interviewing bands starting all the way back in 2002.
He's interviewed some of my favorite bands, some of your favorites as well: Fall Out Boy, Motion City Soundtrack, Less Than Jake, Sugarcult, The Get Up Kids, Saosin, Say Anything, and on and on and on.
Ross is also, what I would consider to be, a Green Day super fan. Today, we're breaking down their classic and monumental album "American Idiot".
We talk about Ross's experiences with the album, the shows he attended during that time, the insider info. He mentions some things that I was not aware of, and I consider myself a massive Green Day fan.
I really appreciate Ross's time, he had such thoughtful answers and this is such a fun conversation.
So, without further ado, please enjoy this American Idiot-filled conversation with DJ Rossstar.
On today's installment of "Flashback Friday's", I'm highlighting a record that came out in 2018. The band is called Settle Your Scores, and the album is titled "Better Luck Tomorrow".
These guys remind me of a poppier Four Year Strong.
About Settle Your Scores:
Formed in late 2014, Settle Your Scores has hit the ground running and shown no signs of slowing down. Releasing their first full-length album at the beginning of 2016, the Ohio natives quickly made a name for themselves, touring frequently across the US. Their second album is set to be released in early 2018.
Check them out!
From Hysteria Mag:
Dynamic, fun, sonically cutthroat and an all-round party banger—just a few words to describe Better Luck Tomorrow, the sensational new album from punk rock aficionados Settle Your Scores.
MORE: The Wonder Years: Around The World In 11 Bangers
It’s a throwback to the zesty vibes of the genre as they were in the noughties, with an ingenious element of industrial hardcore thrown in the mix. You wouldn’t have thought beatdowns and gang chorales could work in a punk setting, but it’s something Settle Your Scores does really, really well. Better Luck Tomorrow brings luck today for Settle Your Scores, who fix up to sound sharp.
Sick yet subtle industrial guitar runs are paired well with gritty vocals in standout track Zero Hour, elements of each genre stepping into the spotlight in turn. Screamo vox verses, punk-rock choruses–epic. Sure, the word punk is getting thrown around a lot here but Settle Your Scores, with their unified attitude, melodic fun and recalcitrant tone, should just have their image inserted into the English dictionary by way of definition of the word!
Better Luck Tomorrow is a lucky dip of sonic surprises with every track, never failing to bring the listener to attention. It’s an album of unconstitutional attitude and pestilent punk.
On today's episode, I'm speaking to my buddy Mark Van Sickle. Mark and I have known each other for a long time.
Mark was a DJ on the iconic alternative Kansas City station 965 The Buzz for 12 years. He was on many shows during his tenure at The Buzz. He also hosted the "Taking Back Sunday with Mark", an hour of emo music, on Sunday evenings from 7-8pm CST on 96.5 The Buzz.
We had a lot of fun catching up and discussing what Mark is up to now.
He's also hosting at this event:
Knuckle Breakers Productions, in association with Furnace Fest, presents Knuckle Breaker Bash - Midwest on Friday, December 10th at The Rino.
This is the first date in our series of multi-community regional events. Join us in Kansas City, MO for a weekend of music and fun!
An intimate night of Songs & Stories featuring Aaron Marsh from Copeland, Emery, Aaron Sprinkle and Chris Keene (Surrogate)
The fun doesn’t end after the show! Make it a late night, and stay for the after party and a chance to win a ticket to Furnace Fest 2022! Spend the weekend with fellow community members and hit the town on Saturday!
Mark is currently writing for Arrowhead Report: GM Report - Sports Illustrated Kansas City Chiefs News, Analysis and More
He's also currently participating in a podcast called "Roughing The Kicker": Roughing the Kicker on Apple Podcasts
On today's quick episode, I wanted to mention that I'm on the Talking Records Podcast with Jed Dion.
We do a deep dive discussion on the album "Act Your Age" by the band Homegrown. I had so much fun talking with Jed and it would mean a lot to me if you took a listen. He's got a great show and I've been a fan for a long time.
Home Grown was a North American skapunk/pop punk band formed in 1994 in Orange County, California. They released three full-length albums and several EPs before disbanding in 2005. Their music is often characterized as pop punk, lyrically favoring humor and silly or satirical subjects.
The band signed to major label Outpost Recordings and released its second album, Act Your Age, in 1998. It increased their popularity and they toured extensively in support of it. The album had peaked at #24 on Billboard's Heatseekers chart in 1998. During this era of the band, the song "We are Dumb" appeared on the soundtracks of movies Half Baked and Homegrown. Cone left the band shortly after and was replaced by Justin Poyser. This line-up released EP Phone Home in 1999, which included the punk version of aqua’s barbie girl. Later that year they toured with the band Limbeck, with whom they recorded a split EP called Connection.
In March 2000, the band embarked on a US tour with Amazing Crowns, Limbeck, Pilfers, and the Gadjits. Around this time, the band released a split EP with Limback, through Utility Records. After returning home, they began writing material for their next album. Following this, the band were scheduled to go on a tour of the UK, which was ultimately cancelled.[4] Later in the year, Home Grown experienced significant line-up changes. Herco was forced to leave the group in order to undergo surgery and rehabilitation for a brain tumor. Poyser also left, leaving the band without a second guitar player. Lohrbach and Tran recruited Darren Reynolds from the band Longfellow as the new drummer, and spent some time searching for a suitable second guitarist. In addition, their label Outpost closed down and the band was without a recording contract. Eventually the band decided to continue as a trio without a second guitarist, and signed to the independent label Drive-Thru Records.
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On today's edition of "Flashback Friday's", I highlight a record that came out in the year 2017. The record I have chosen for this week comes from The Movielife and it's called "Cities In Search of A Heart".
The Movielife is a Long Island punk rock band composed of vocalist Vinnie Caruana, guitarist Brandon Reilly, and drummer Brett Romnes. The band originally formed in 1997 and disbanded in 2003, but announced their official reunion in December 2014.
Caruana and Reilly re-connected as friends and shortly afterwards began talking about a potential the Movielife reunion. The band subsequently began rehearsing in December 2014, performing their first shows since 2011 in New York City at Irving Plaza in February 2015.
Asked whether a new album would be released, Caruana said he would "never rule that out". The Movielife performed several additional shows in the US later in the year, including an appearance at Today's Mixtape Festival, as well as a tour of the UK in June. In March 2016, Caruana revealed that the band were in the process of writing new material.
The following month, the band released "Future Feeling (Afraid of Drugs)" as a single. In 2017, the group performed at Slam Dunk Festival in the UK. All promotional materials posted to the band's Twitter after the 2016 Presidential election feature only Brett Romnes, Brandon and Vinnie, implying they are the only current members of the band. The band's fourth album, Cities in Search of a Heart was released in September 2017 through Rise Records. In May and June 2018, the band supported New Found Glory on their Sick Tour in the US.
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In this episode, I give a full list of why I think Travis Barker is the smartest man in the music industry right now.
Travis Landon Barker (born November 14, 1975) is an American musician who serves as the drummer for the rock band Blink-182. He has also performed as a frequent collaborator with hip hop artists, is a member of the rap rock group Transplants, founded the rock bands +44 and Box Car Racer, and thereafter joined Antemasque and Goldfinger. Barker was a frequent collaborator with the late DJ AM, and together they formed TRV$DJAM. Due to his fame, Rolling Stone referred to him as "punk's first superstar drummer" as well as one of the 100 greatest drummers of all time.
Born in Fontana, California, Barker began drumming at an early age. He began playing for the Aquabats in 1996, but left to join Blink-182 in 1998, which encountered mainstream success with Enema of the State (1999). Barker established himself as a versatile drummer, producing and making guest appearances in music projects of numerous music genres including hip hop, alternative rock, pop and country. He also starred in an MTV reality series named Meet the Barkers. He was involved in a plane crash in 2008, but he recovered and released his debut solo album, Give the Drummer Some, in 2011. He has continued to work with rappers, releasing extended plays with Yelawolf and Asher Roth and Nottz, as well as with Blink-182 and the Transplants.
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This week, I'm highlighting an album that came out in the year 2016, Thrice's "To Be Everywhere Is to Be Nowhere". This was my favorite record released in 2016, so I felt as if it needed to be remembered and honored appropriately.
To Be Everywhere Is to Be Nowhere is the ninth studio album by American rock band Thrice. The album was released on May 27, 2016, through Vagrant Records. To Be Everywhere Is to Be Nowhere is Thrice's first release after a four-year hiatus that lasted from mid-2012 to mid-2015, and the band's first album of original material in five years since 2011's Major/Minor. During the hiatus, most of the band members continued performing music and pursued other interests, which included moving to other cities or states with their new families.
After reuniting and performing sporadic festival dates in 2015, Thrice announced the band's intention to release a new album the following year. Because of the distance between the members' new homes, the demos for To Be Everywhere Is to Be Nowhere were written, recorded, shared and worked on digitally using software programs that were not as prevalent before they went on hiatus. Produced by Eric Palmquist, the resulting recording was a hard rock, post-hardcore and grunge album that features songs with more politically and socially charged lyrics than those on previous Thrice albums.
Thrice formally announced the release of To Be Everywhere Is to Be Nowhere in March 2016 and released two singles in support of the album; "Black Honey" in May 2016 and "Hurricane" in April 2017. The album managed to reach number 15 on the Billboard Hot 200, and received mostly positive reviews from critics; some were moved by the lyrical aspects, while many others praised the album's sonic diversity, especially the heavier parts. Because most members of Thrice settled down and started families during their hiatus, the band decided to be more selective about its touring schedules after reforming so the members could spend more time at home.
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On today's episode, I speak with the very prolific Tim Grisnik! I was stoked to talk to Tim all about his many projects. Tim plays drums for Inspection 12, The Softer Side, The John Carver Band, and Gentlemen.
It was so much fun getting to know Tim. Inspection 12 was a huge influence on Gametime, so it was a lot of fun getting to pick his brain and learn about his story and the history of his bands and projects.
Inspection 12 is an American pop punk band from Jacksonville, Florida, founded by Robert Reid, Dan McLintock, John Comee and Scott Shad. They have released two full-length recordings internationally, one on Honest Don's Records and one on Suburban Home Records and Takeover Records. They have also released four full-length albums independently.
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On today's edition of Flashback Friday's, I highlight The Maine's 2015 album "American Candy".
American Candy is the fifth studio album by American rock band The Maine, released on March 31, 2015, through 8123 Records. The album debuted at number 37 on the Billboard 200.
The Maine were teasing a new album in summer 2014, and then proceeded to announce that they would be writing new material in Heber, Arizona. Recording took place at Joshua Tree in California with Colby Wedgeworth acting as the producer. He also engineered and mixed the sessions. Recording place between November 12 and December 12. Ross Garfield was the drum technician at Drum Doctors. Tom Coyne mastered the recordings at Sterling Sound.
The album's sound has been described as alternative rock, indie rock, new wave, pop, pop rock and rock. "American Candy" was originally written for Forever Halloween. Drummer Pat Kirch explained that the song "didn't really fit" Forever Halloween, but the band revived it for American Candy "and made it fit."
On January 6, 2015, the group revealed that their new album was titled American Candy, and would be released in the spring. "English Girls" was made available for streaming on February 9, and was released as a single on February 10. On the same day, American Candy was announced for release, and the track listing and artwork was revealed. "Miles Away" was made available for streaming on March 10. "Same Suit, Different Tie" was made available for streaming on March 30. American Candy was released through 8123 Records on March 31.
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On today's episode, I interview Chris Beeble who is an audio engineer/producer at The Blasting Room in Fort Collins Colorado.
Chris received a degree in Audio Production from The University of Denver, where he also studied jazz bass and composition. Being heavily influenced by Bill, Jason, and Andrew’s work, it has been Chris’ ambition to work at The Blasting Room since high school. With a musical background that spans far across the spectrum, Chris brings unique tools to the studio such as experience in synth programming, string arranging, and signal processor construction, among others. There is nothing he enjoys more than working with bands and seeing a song grow from start to finish.
The Blasting Room is a recording studio in Fort Collins, Colorado. Founded by members of the punk rock band All in 1994, it is owned and operated by musician Bill Stevenson (Descendents, Black Flag, All, Only Crime) and Jason Livermore. The studio is known for recording and producing many punk rock bands, with Stevenson and Livermore serving as in-house audio engineers and record producers.
www.theblastingroom.com
The Blasting Room has produced records by Descendents, Rise Against, Good Riddance, Alkaline Trio, A Day To Remember, Face to Face, Propagandhi, Lagwagon, NOFX, Less Than Jake, Hot Water Music, The Swellers, The Bouncing Soulds, Teenage Bottlerock, All, and many more!
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On today's episode of Flashback Friday's, I'm highlighting a record that was released in 2014. It's the second full-length from We Are The In Crowd, and the album is called "Weird Kids".
We Are the In Crowd is an American rock band from Poughkeepsie, New York, formed in 2009. The band consists of Taylor Jardine, Jordan Eckes, Mike Ferri, Rob Chianelli, and Cameron Hurley.They released their debut EP, Guaranteed To Disagree, on June 8, 2010, and followed it up with their first full-length album, Best Intentions in 2011. Their second full-length album, Weird Kids, was released on February 18, 2014. The band announced a hiatus in February 2016.They have since performed their first shows in 6 years at Slam Dunk Festival 2021.
Weird Kids is the second studio album by American rock band We Are the In Crowd.
Weird Kids was produced, mixing, and recorded by John Feldmann. Tommy English and Zakk Cervini did additional production and mixing; Joe Gastwirt mastered the album.
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On today's episode, I'm going to be doing a bit of a departure episode. I just got back from vacation and I have some podcast guests lined up for this weekend and next weekend.
On Monday, I learned on Instagram that two of my favorite bands, two of which we've already covered extensively on this podcast, are going to be doing a co-headlining show at Chain Reaction in Anaheim California on Friday night.
The two bands are none other than Taking Back Sunday and Jimmy Eat World.
Now, this is a pretty unique and special thing. Chain Reaction is a smaller Southern California venue and the thought of being one of the lucky souls watching these two iconic behemoth bands performing in such a place has me all sorts of excited.
Chain holds up to 250 people total, and they nearly shut down in 2020, due to Covid19 and being closed for so long.
Chain Reaction holds a special place in my heart. Gametime was fortunate enough to play there many times throughout our travels in a place they say glistens gold.
There is so much history at Chain. When you walk inside, the venues walls are covered with t-shirts from bands that have played there over the years. You can also find a good assortment of band stickers on things, too.
We played there with Don't Look Down, Dogwood, Off The Record, and many great local bands.
It's like most venues that have stood the test of time in that it's dark, it has a venue-like smell (usually stale booze spills), and the faintest hint of sweat.
My partner Pamela and I went to LA a couple of years ago and she surprised me with a ticket to a Chain Reaction show. Bristol to Memory, Odd Robot, and one other band played and it was so much fun. It had been at least 15 years since I had stood in that tiny all ages venue. It immediately transported me back.
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On today's episode, I'm excited to be finally be speaking with my lovely partner Pamela about one of her favorite records of all time: No Doubt's "Tragic Kingdom".
We discuss our favorite parts of the record. We take a look at each song and we go into the history of the album, as well.
We even discuss some of the cultural relevance of the band, and this album as a whole.
It was so fun, I know you're going to love listening. Enjoy!
Tragic Kingdom is the third studio album by American rock band No Doubt. It was released on October 10, 1995, by Trauma Records and Interscope Records. It was the final album to feature original keyboardist Eric Stefani, who left the band in 1994. The album was produced by Matthew Wilder and recorded in 11 studios in the Greater Los Angeles Area between March 1993 and October 1995. Between 1995 and 1998, seven singles were released from it, including "Just a Girl", which charted on the Billboard Hot 100 and the UK Singles Chart; and "Don't Speak", which topped the Billboard Hot 100 Airplay and reached the top five of many international charts.
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On today's episode of Having A Blast, I do a deep dive on a classic pop punk album, The Starting Line's debut full length "Say It Like You Mean It".
Say It Like You Mean It is the debut studio album by American rock band the Starting Line, following their debut EP With Hopes of Starting Over....
On February 6, 2002, Say It Like You Mean It was announced for release in July.
On February 6, 2002, Say It Like You Mean It was announced for release in July. In April 2002, the band toured Japan with Planet Smashers and Nicotine. In April and May, the band went on tour with Brand New and Finch; the trek included an appearance at Skate and Surf Fest. Following this, the band went on a UK tour with New Found Glory and Finch.
Between late June and mid-August, the band performed on the Warped Tour, appearing on the Drive-Thru stage. Say It Like You Mean It was made available for streaming on July 13, before being released on July 16 as a joint release by Drive-Thru and major label MCA Records. The band went on tour with Reel Big Fish in September and October. On October 27, a music video for "The Best of Me" was posted on Launch.com. The video starts with a guy attempting to impress a girl by playing music from a boombox outside of her residence. When the music stops, the band appear and start performing.
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Hey there friends!
Welcome to the 14th edition of Flashback Fridays! I am way late on this one, but I suppose better late than never.
Today, I'm highlighting a record that came out in the year 2013. This was a fantastic year for music. I just looked at the playlist that I made for the year 2013 and it is completely stacked. There is a ton of music on that thing.
I had a lot of favorite records that year, one being the Paramore Self-Titled record. I think that record is their best record. Their opus, if you will.
But, today, I'm highlighting another female-fronted band from Australia. The record comes from the band Tonight Alive on Fearless Records. The album is called "The Other Side".
The record was released on September 6th. It was produced by Dave Petrovic and mixed by Dan Korneff.The Other Side is the second studio album by Australian rock band Tonight Alive.
This record sounds amazing. It's got guitar riffs. This band grew up listening to bands like Thrice and Rufio and you can hear the influence in their music. The album is full of hooks. Jenna McDougall has a fantastic voice. She's got her own voice, too. She's not just another Hailey Williams.
McDougall explained that there is "a lot more cohesive [because] I know my voice a lot better. I'm excited because the songs have got a very pop structure but [they've] still got a lot of edge."Vocalist Jenna McDougall spoke to Alternative Press about the record:"There are definitely some sad songs on the album, and I think there are a few heartbreakers, but there are also songs like 'The Fire' that's a super-liberating, empowering punk song. I'm so proud of that song because the lyrics are really passionate, affirmative and positive, but the music is really aggressive.
"...but I think this album is really about finding our sound but at the same time also accepting that we don't have one particular sound. Not all our songs are going to be the same, and you can't put them under the same umbrella. Some of them are poppy, some of them are really heavy and some of them are somewhere in the middle. We found a balance on this record, and I'm proud of that because I think it's just being true as human beings. You can be at both ends of the scale."
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Hey there friends!
Today, I'm excited because I'm speaking with a good friend of mine, Mr. Steve Lydick from the bands A No Coast November, and Joceyln.
Steve and I go way back, our bands went on tour together back in 2009 with The American Life and A No Coast November, and we were also joined by The JV Allstars. This was one of the most fun tours I was ever a part of.
Steve has always been a profound guy, he's a smart and funny guy. I've always loved our conversations. I feel like it's always a life-giving conversation. One in which I take something really valuable away.
We talk about a lot of things in this convo. We talk about exercise, personal growth, personal transformation and development, and we talk about how our identity plays a role in that. We also talk a little bit about being in a band and how that carries over into now.
I really enjoyed this conversation, I think you will, too.
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Welcome to today's show. Today is the 13th edition of our Flashback Friday's Series here at Having a Blast.
Today, I'm highlighting a record that came out in the year 2012. This was the first year where I really embraced streaming and starting using Spotify regularly.
This record is one that I missed when it came out. It wasn't until a few years after this that I went back and revisited it.
It's from one of my favorite singers in one of my favorite bands. This record is called "Babylon" by Matt Skiba & The Sekrets.
Matt Skiba put out this solo record in 2012. He wanted it to sound a little bit more "romantic" as he put it in several interviews, than Alkaline Trio.
Cameron Webb produced the record. I know Matt and Cameron get along, as Cameron has done a few Alkaline Trio records at this point.
I love this record. I love every song. I know Matt says he wanted to make a record that sounds like The Cure, The Chameleons, and Adam Ant, but this record sounds like the best that Matt has to offer whether it be solo or with Alkaline Trio. The songs are just really great Skiba tunes.
Some of the songs remind me of early Green Day with some synths thrown in.
A couple of noteworthy items about this record: Wes Borland of Limp Bizkit fame helped Skiba create the aesthetic of this album. I think he even helped write some of the songs or complete some of the songs. Hunter from AFI also helped Skiba with some live performances as part of his backing band along with Wes.
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Hey there friends!
On today's episode, I'm excited to be speaking to my buddy Tyler Harms.
Tyler and I go way back, he played a band called Fourth and Long from St. Louis that we played some shows with.
He moved to KC a few years ago, and I'm always running into him at shows. It's always fun chatting with him.
He mentioned to me a while ago that the newest MXPX record, their self-titled record, has become his favorite of theirs. I wanted to dig into that.
I think it's awesome when a band that has been around as long as MXPX has, can put out an album so well-received from their fans.
MxPx is a self-titled album by American rock band MxPx self-released on July 25, 2018. The band used the crowd-funding website Kickstarter and exceeded their $50,000 goal by over $200,000. A month before the album's release, MxPx released a music video of "Let's Ride." A deluxe edition of the record was also released, containing the original track listing along with four bonus songs and acoustic versions of five of the original tracks.
"Let's Ride" was included in the 2020 video game Tony Hawk's Pro Skater 1 + 2.
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When You're Through Thinking, Say Yes is the seventh studio album released by American rock band Yellowcard on March 22, 2011 under Hopeless Records. The album has received positive reviews. The album's title comes from a text message sent to a girl by lead singer Ryan Key.
Later in the year, the band released an acoustic version of the album.
In July 2010, rumours surfaced that Yellowcard, who had been on a two-year hiatus, would be reforming. In August, Yellowcard announced they would be returning from their hiatus and would be working on a new album for independent label Hopeless Records. Following the band's reformation, they immediately began working on their new album. Ryan Key, who had previously been in a small project with Reeve Oliver vocalist/guitarist Sean O'Donnell (who was chosen as Pete Mosely's replacement after he declined to return) called "Big If", confirmed that some of Big If's songs were going to be reworked by Yellowcard and included on the new album.
Sessions for When You're Through Thinking, Say Yes were held at Sunset Sound and The Casita, both in Hollywood, California, in October and November 2010, with producer Neal Avron. He handled recording with engineer and Pro Tools operator Erich Talaba; they were assisted by Morgan Strattton at Sunset. Avron mixed the recordings at Paramount Recording Studios in Holly, with assistance from Nicolas Fournier. Ted Jensen mastered the album at Sterling Sound. While in the studio, they released a number of video updates. Some of the studio updates were shown originally on Rock Sound magazine's website.
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On today's episode, I do a deep dive on MXPX's 1998 album "Slowly Going the Way of the Buffalo".
Slowly Going the Way of the Buffalo is the fourth studio album released by American punk rock band MxPx in 1998. The album title was taken from a letter that a fan had written to the band, complaining that the band was changing and was "slowly going the way of the buffalo".
Due to the success of MxPx's "Chick Magnet", from their previous album, Life in General, the band signed a multi-album contract with A&M. A&M had previously signed a deal with Tooth & Nail to co-market Life in General. This market deal was "cobbled together in order to sign the band", according to A&M chairman Al Cafaro.
Moving away from the sound of Life in General, the band "dirtied things up a little", according to vocalist and bassist Mike Herrera, for Slowly Going the Way of the Buffalo. The band refrained from making the album "sound like it was produced in a lab." Greg Hetson of Bad Religion has guest vocals on "The Downfall of Western Civilization".
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Hey there friends!
Welcome to the 11th edition of Flashback Fridays.
On today's episode, I'm going to be highlighting a record that came out in the year 2010.
This record is titled Fluorescent Youth by the band Conditions.
Florescent Youth was the first official full length from the band. They had put out a couple of eps before this one.
The record was released by Good Fight Music, and I believe that label is still putting out releases, they just released this album on vinyl last year in September of 2020. Fluorescent Youth was remixed and remastered by Paul Leavitt, who originally recorded the LP. There are also two all-new bonus tracks, “Broken Kingdom,” which the band recorded during the Fluorescent Youth sessions, and “Give it All,” which the band released as a standalone in 2018.
I like this record a lot, and I feel like the band Conditions was a bit of a sleeper band. It seemed like they were destined to blow up after being added to the Alternative Press Tour in 2011, but I think it may have just not been in the cards.
The record is great, though. It sounds polished and punchy. Big guitars, big drums, and big anthemic melodies. These guys are definitely a band to check out if you're a fan of bands like Anberlin, Saosin, Ivoryline, and even the more melodic stuff from bands like Senses Fail and Silverstein.
I think my favorite tune is called "Better Life", and they released it as a single. It's got a great message. I'm going to play a clip of that now.
And there you have it, my Flashback Friday band of the week is Conditions from Richmond Virginia. Check them out. Their full length after this one that was released in 2013 called "Full of War" is also very good.
Alright! I hope you all are doing well out there in real life. I hope you're having fun and listening to your favorite records, because the universe knows we need it right now. I'll talk to you guys soon.
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Hey friends!
Today I'm excited to be speaking with someone that I've wanted to talk to for a while. Mr. Jed Dion, the host of Talking Records Podcast. I can't say that without hearing the Chris Demakes intro podcast theme.
Jed is a fantastic human. I really appreciate him taking the time to chat with me.
Sometimes, I think people who host podcasts get a little podcasted out, so I really appreciate his time.
Jed is a big reason why I started Having A Blast. I was turned on to his podcast by my friend Jonathan Langston when he interviewed Jake from the band Strung Out. And I've been listening ever since.
We talk about getting into punk rock, playing in punk rock bands, falling in love with music and identifying with punk music.
Jed is also a 5th grade teacher, so we discuss what that's like as well.
I had so much fun talking to Jed, I feel like we could discuss music for hours. He has always seemed like an insanely likable and humble dude on his podcast and I can confirm that he is indeed exactly that and more. Check out his podcast wherever you listen and check out his Instagram @talkingrecords as well for updates.
Without further ado, please enjoy this fun convo with Mr. Jed Dion, host of Talking Records.
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Hey there friends!
Welcome to the show. I hope you all are doing fantastically well out there. Staying safe and staying active.
Today, I'm extremely excited to talk to my buddy Josh Kemble from the band Dogwood.
Josh and Dogwood were extremely kind to myself and my band Gametime. They took us out on the road with them in 2003 and we had a lot of fun.
I remember watching them every night and I really learned a lot from those guys.
Josh is currently the executive chef for Harvest Kitchen in San Diego California.
We talk about the cross pollination of food, being in a band and punk rock.
We discuss what it's been like to collaborate with some of our favorite artists with music and the podcast.
This was a lovely conversation, I'm so glad I was able to speak to Josh. He's a very sweet, kind, and humble person.
So, without further ado, please enjoy this multiple-topic convo with Josh Kemble from Dogwood.
Dogwood is a punk rock band from Escondido, California founded in 1993. Their music has been compared to that of The Offspring, and they list Bad Religion, NOFX and Lagwagon as musical influences.
The band caught the eye of Tooth & Nail Records. In 1999, More Than Conquerors was released, followed by Building a Better Me in 2000, Matt Aragon in 2001, and Seismic in 2003. In 2004, Tooth & Nail released a Dogwood greatest hits album titled Reverse, Then Forward Again.
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When I Hit the Ground is the second studio album by American rock musician Ace Enders, using the name Ace Enders and a Million Different People. The album was released on 17 March 2009 through Vagrant Records. The album peaked at number 15 on the Top Heatseekers chart and number 44 on the Top Independent Albums chart.
Arthur Carl "Ace" Enders (born April 19, 1982, in Hammonton, New Jersey) is an American musician. Enders is the lead singer and guitarist of the band The Early November. He is also the lead musician, songwriter and co-producer in his band, I Can Make a Mess Like Nobody's Business. He has also released music under the name Ace Enders and a Million Different People.
In December 2008, Ace Enders and a Million Different People released the single "Bitter Sweet Symphony", a cover of The Verve song, on the iTunes Store. The song involves multiple artists including Mark Hoppus, Aaron Marsh, Craig Owens, Alex Gaskarth of All Time Low, Bryce Avary, Kenny Vasoli, Matt Thiessen, and Duane Okun. All of the proceeds from the song went to VH1's Save the Music Foundation.
Ace Enders and a Million Different People released its second album, Enders' third solo album, on March 17, 2009, through Vagrant/Drive-Thru Records. The album is titled When I Hit the Ground.
Ace Enders and a Million Different People went on tour with The All-American Rejects on the I Wanna Rock Tour starting in early April 2009.
On today's episode, I do a deep dive into the making and history of The Used' Self-Titled album. We talk about the origin of the band, the demoing process, the release, and the recording process.
I give my thoughts on the album and why I think it resonated with fans as much as it did.
We also discuss the role of John Feldmann as the producer of this album and the sound that spawned from this time period to define a genre and time period.
It was fun to revisit this classic.
The Used was released on June 25, 2002 through Reprise Records.
The album's sound has been described as screamo, emo and post-hardcore. "The Taste of Ink" is "pretty much about being frustrated and maybe biting on a pen", according to McCracken. McCracken said "Buried Myself Alive" was "about a girl. It's about drugs. It's about loss. It's about being alive, about living". "A Box Full of Sharp Objects" was inspired in part by McCracken's past experiences with drugs. He said it was about "drugs and alcohol and loss and love... and just being stoked that things are always going to get better or always gonna get worse and that's such a great thing". "Blue and Yellow" is about McCracken and Allman's friendship, as the latter explains: "When the band started to really pick up... we were almost not being friends anymore because we were focusing so much time on the band and not on each other".
On today's edition, we're highlighting a record from the year 2008.
The record I've chosen today is the third official full length from Chicago's very own The Academy Is... The album is called Fast Times at Barrington High.
I love this record. I think it's one of the most expertly crafted pop rock albums. Sonically, it still holds up and the recording and production is quite good. I love every song. It's a very bright Summery record. The songs have big anthemic choruses. The lyrics and melodies get stuck in your head. There's nothing too complex.
Fast Times at Barrington High is the third and final studio album by American rock band The Academy Is..., released in August 2008.
It was named the 46th best album of 2008 by Rolling Stone.It was produced by SAM and Sluggo. The title refers to the high school to which William Beckett and Adam Siska went,[3] and a play on the title of the 1982 film Fast Times at Ridgemont High. The album cover photo was taken by William Beckett's sister, Courtney Beckett, and shows William sitting on a couch with Naomi, a friend of the band.[citation needed]
Pete Wentz posted a blog entry saying that he heard the demos for the new album and called them, "Mind blowing. Miles away from where they were."[4] Collaborations include Andrew McMahon from Jack's Mannequin; Gabe Saporta, Ryland Blackinton and Alex Suarez from Cobra Starship; and Mason Musso and Blake Healy from Metro Station.
I feel like this was the record that should have put The Academy Is into the realm of pop stardom. It may have just been a year or two too late. I'm not really sure why radio didn't grab ahold of any of the singles from the record.
On today's episode, I'm excited because I had the opportunity to speak with Frank Tsoukalas from the Chicago band Much The Same.
Frank is the bassist and co-songwriter for Much The Same. He is also the songwriter and singer of the band Burn Rebuild.
Frank and I have a lot in common. We both grew up on Fat Wreck and Epitaph, we both have bands that were heavily influenced and inspired by those types of bands and it's reflected in the music of our bands.
I also wanted to have Frank on because his social media presence always makes me laugh and it's always entertaining. I knew that Frank, like me, enjoys exercising and lifting weights, so I knew we would probably discuss that.
I also wanted to know what compelled Much The Same to put out a new full length over 13 years after the previous record. It's a fantastic record called "Everything is Fine", and it was one of my favorite records of 2019. So, we get into that.
This is a lot of fun. I had a blast speaking with Frank, I think you'll enjoy our convo.
So, without further ado, please enjoy this multiple-topic conversation with Mr. Frank Tsoukalas.
On today's edition of Flashback Friday's, we're going to be highlighting a record that came out in 2007.
2007 was an interesting year for music. I rejoined a band after spending two years not playing music or being in a band.
I was 23 years old, still trying to figure out who I was.
I think this particular year was kind of like the year 1995. I think the music landscape was changing a bit, especially within the scene. I think people were getting a little tired of sad and dark music with similar themes. People were craving something a little more upbeat, positive, and catchy.
This shift resulted in pop punk and pop rock really having a resurgence. Bands like All Time Low, Boys Like Girls, Mayday Parade, The Maine, and A Day to Remember burst onto the scene. Many with very popular debut records.
But I want to highlight a lesser-known band and album that came out in 2007. This is a bit of sad and dark record, too. Perhaps that's why people missed it. Even the title is a bit of a downer. The album I'm highlighting today is "Hiding Inside the Horrible Weather", the second full length from My American Heart.
Hiding Inside the Horrible Weather is My American Heart's second and final album, released on June 26, 2007, by Warcon Records. The album was produced by James Paul Wisner, and the artwork was designed by Don Clark of Invisible Creature.[1] Two music videos for the album's single "The Shake (Awful Feeling)" were released.
This was a band finding their sound and hitting their stride with their first fully realized album. The first album "The Meaning in Makeup" is fun and a good rock and roll album, but Hiding is them solidifying who they were as a band.
I love the eclectic nature of the record. There's pop rock, there's aggressive rock songs, there are speakeasy sultry blues-esque songs, and there are subdued tracks. This record takes you on a journey. The lyrics are introspective and somewhat dark. The singer must have been finding himself throughout the journey of writing this songs and you can hear catharsis and longing in his words.
Building a Better ____ is the fourth full-length album by Illinois indie rock band Park. It was released in 2006.
The fourth word of the album's title is written in a similar style to that used in Mad Libs, as a blank with the word (noun) under it. This has led to some confusion on how to pronounce the title out loud. Frontman Ladd Mitchell has said they just refer to it as "Building..." or "Building a Better". The working title for the album had been "Building a Better Pirate", but the band changed it to a blank as they felt it was too whimsical. On July 22, 2008 Vega Vinyl released "Building A Better ______" on vinyl. An acoustic B-side entitled "Eraser" was later released online.
Ladd Mitchell was the primary songwriter for the album. According to a lyric feature written by Ladd Mitchell for PlayPro.com, the album's lyrical content came from personal experiences of Mitchell such as relationships and dreams.
On today's episode, I'm excited to be speaking with my new buddy Jameson Ketchum.
Jameson has worn many hats within the music industry. He's worked as a publicist, a freelance writer, an editor for publications such as Substream, AMP, and HM Magazine. He's also worked as a tour manager and a booking agent. He's also the host of the Godspeed Podcast.
I wanted to have Jameson on the show because he's about to release his book titled "Name Dropping: Seeking Creative Truth through Trendy Altruism and Punk Rock"
It was a pleasure speaking with Jameson. We bonded over bands like Anberlin and Acceptance, we talk about having doubts while creating something, the creative process in general. It was a lot of fun; I think you'll enjoy it.
So, without further ado, please enjoy this multiple category exploration in conversation form with Jameson Ketchum.
On today's episode of "FLASHBACK FRIDAYS", I'm highlighting one of my favorite records by the band Copeland. Today I'm highlighting their second record "In Motion".
In Motion is the second full-length album by the Lakeland, Florida-based band Copeland. It was released in 2005. The album includes a bonus disc of the Sony Connect Sessions with acoustic versions of "Don't Slow Down," "Pin Your Wings," "Take Care," and "Coffee," the latter two of which are taken from Beneath Medicine Tree.
AllMusic wrote that In Motion "is a surprisingly varied album, offering everything from the muscular emo attack of 'No One Really Wins' to the waltz-time accordion-and-falsetto strangeness of 'Kite.'" Seattle Weekly wrote that the album is characterized by an "emo-tinged whine." Paste called the album "disarmingly anthemic power pop filtered through some unexpectedly theatrical Southeastern sun."
Hey there friends!
Welcome to the show. This is Having A Blast. I am your host, Kyle Devlin.
Normally on the show, I'm either discussing a particular album or band, or interviewing guests, but today is going to be a little different.
I've been having a lot of conversations with friends about the recent announcement from Mark Hoppus that he is battling cancer.
He first alluded to having the disease in a quickly deleted Instagram post from just shy of two weeks ago. It featured a photo from what appeared to be a hospital room where he looked to be undergoing treatment. The text on the picture said “Yes hello. One cancer treatment, please,”.
Several hours later, he confirmed the diagnosis. “For the past three months I’ve been undergoing chemotherapy for cancer,” the bassist-singer wrote in a statement. “I have cancer. It sucks and I’m scared, and at the same time I’m blessed with incredible doctors and family and friends to get me through this.”
The 49-year-old Hoppus did not announce what type of cancer he is battling, but shared his optimism that he would beat it.
“I still have months of treatment ahead of me but I’m trying to remain hopeful and positive,” Hoppus added. “Can’t wait to be cancer free and see you all at a concert in the near future. Love to you all.”
Blink-182’s Travis Barker said of his bandmate’s cancer battle in a statement “Mark is my brother and I love and support him. I will be with him every step of the way on stage and off and can’t wait for us to play together again soon.”
Tom echoed this sentiment with a post of his own: I too, have been aware of Mark’s cancer diagnosis for awhile now. And to add to his own words that he used today, I would also like to say that he is strong, and a super-human who is pushing through this difficult obstacle with a wide-open heart. #WeHaveHisBack
In this episode, I give my favorite six Mark Hoppus tracks that aren't singles.
Hey there friends!
Welcome to another addition of Flashback Fridays! Tonight is the fifth official edition of this particular format.
I hope you all are doing well gearing up for the holiday weekend.
Tonight, I wanted to highlight a record from 2004. Last week we highlighted Gob's "Foot in Mouth Disease" from the year 2003.
Tonight, I'll be highlighting a record that I don't think gets enough attention, and that record is Punchline's "Action".
Punchline is an American rock band from Belle Vernon, Pennsylvania, United States, that was formed in 1998.
In 2003, the band signed to Fueled by Ramen Records. This was when Fall Out Boy was signed to Fueled by Ramen as well.
On the February 2004 album, Action, produced by Sean O'Keefe, Punchline set itself apart in the world of pop-punk music with bright three-part harmonies, unique melodies, catchy riffs and a strong rhythm section.
I remember sitting in the Punchline van as they played me the record a few weeks before it was set to be released. Chris was kind enough to give me a preview and i knew I was going to love the record. I think it's great from front to back. There's a lot of great harmonies and vocal melodies. The other thing I love about Punchline is that they're not afraid to play around with song arrangements and they take a lot of chances with their music, and where it can go.
They've got a lot of great albums, but I have a soft spot for this record and The Rewind EP. I saw them open for Less Than Jake a couple of times and they were so great live. I remember watching them walk the lines after the shows, hustling, and working hard to get their music out there.
And they're still doing it! They put a great record a couple of years ago called "Lion".
I'm going to play a snippet of a song called "Not Afraid". So, please enjoy.
On today's episode, I'm extremely excited to share my chat with you all. I recently spoke with Zach Gehring of the band Mae. Zach is the guitarist and co-songwriter for the band Mae and he's been in the band since 2004. Right after Destination: Beautiful came out.
I have been a fan of Mae since around 2003/2004. Honestly, they're one of my favorite bands.
Zach and I go into a lot of topics. I want to thank Zach for being transparent, honest, and even vulnerable in parts of our conversation. He gave a lot extremely thoughtful answers to a lot of different questions. We talk about the history of the band, becoming a massively successful independent band, putting out a major label release and then ultimately finding ways to put out music on their own terms.
I felt compelled to support Mae in any way that I could after speaking to Zach, he's just a class act.
We also talk a little bit about trying to learn and having the openness and willingness to learn, even when it's uncomfortable. We also talk about little bit about Zach's love of punk rock and how that influences his personality.
Honestly, I could talk to Zach all day. It was so much fun.
So, without any further delay, please enjoy this multifaceted conversation with Mr. Zach Gehring of the band Mae.
Hey there friends! Welcome to the show for our fourth edition of Flashback Fridays. I'm recording this on Saturday, but semantics, am I right? I would have recorded this last night, but we got a new puppy, so I was a bit preoccupied. Today, I want to highlight an album that came out in 2003 that I don't think gets near enough credit. I rocked this record so much back in 2003, and subsequently many times since. I was one of the biggest Mark Trombino fans. Still am. He's a producer that those in the pop punk and emo community are well aware of, however, he's got some hidden gems that not a lot of people know about or talk about. This album is one of them. Today, I'm highlighting Gob's album "Foot in Mouth Disease". This record sounds PHENOMINAL. It's kind of absurd how good it sounds. After the incredible and prolific years of 2001 and 2002, I can only assume that Mark Trombino had not only perfected his process, but he had every audio resource that there could possibly be available. Foot In Mouth Disease is the fourth studio album by Gob, released on April 1, 2003. Four singles were released from the album: "Give Up the Grudge", "Oh! Ellin", "Ming Tran" (which previously appeared on the F.U. EP), and "This Evil World".
Three of the album's tracks have been featured in many Electronic Arts video games. The album's second track "I've Been Up These Steps" was in NHL 2003, "Oh! Ellin" was in NHL 2004, and "Give Up the Grudge" was in Madden NFL 2004 and the 2003 film American Wedding. It is the band’s final album with longtime bassist Craig Wood, as he left the band in 2004.
The song "Ming Tran" was featured in the Being Ian episode, "Band 'o' Bruthaz", which features Gob as guest stars.
Foot in Mouth Disease is an onslaught of aggressively catchy anthems. This record has poppy songs, dark songs, heavy songs, and epic pop rock and pop punk songs. I love this record. Even if there are a couple of throwaway tracks. Honestly the single might be my least favorite track on this record. I also really don't like the cover art. It mimics the title too much. I have to wonder if the single choice and cover art played a role in not exploding Gob to the masses. This is a major label release and Gob was/is huge in Canada. Even with the aforementioned stumbles, I still think this record is a classic and should be more widely appreciated. The melodies are unique, the guitars cut through the speakers like machetes, and the drums pulse right into the center of the chest. The drums sound about as good as any recorded drum set that I can think of. The song I'm highlighting is called "I Cut Myself, Too". There you have it! Another Flashback Friday. Check out this album and if you love it, you might check out the rest of Gob's catalogue. The singer is currently playing guitar in Sum 41. But I hope I get the chance to see them live again.
On today's episode, I'm very excited because I'm speaking with an old friend. Today I'm chatting with Mr. Peter Munters. The lead singer, guitarist, and songwriter for the band Over It. Peter was also the co-singer and songwriter for the band Runner Runner. I've known peter for almost 20 years now, Gametime had the honor of playing many shows with Over It, and we shared the same stage together on Warped Tour in 2003. I really had a great time speaking and reconnecting with Peter. He's always been a very smart and creative person and I always admired his ability to write such great melodies and lyrics. I also had a deep admiration for Over It in general. We were such fans, but they always treated us as equals and with respect. We dig in to a lot with this episode, we discuss the history of Over It as well as the transition into Runner Runner. We talk about playing on live television, working with different producers, as well the creative process in general. We also get into what it's like to enjoy the ride of life, how to stay present and open to what possibility may reveal, what opportunities may arise. I think people will get a lot out of this one. So without further ado, please enjoy this wide-ranging conversation with Mr. Peter Munters of Over It and Runner Runner.
On tonight's edition of Flashback Fridays, I'm highlighting the 2002 album "Timing is Everything" by the band Over It. If you love fast pop punk almost leaning towards skate punk, you'll love this record. Give it a re-spin if you haven't listened to it in a while.
Hey there friends!
On today's episode, I'm excited to be speaking with Mr. Aaron Friesen, co-host of the podcast "Growing Up Punk".
I've been listening to Growing Up Punk now for a while, I'm a fan of their show.
When I first started Having a Blast, Aaron reached out to me and gave me some encouraging words and I really appreciated that.
I figured we'd have a lot in common seeing as how we are the same age, and we grew up loving the same types of music and bands.
Aaron and I cover a lot of topics in this episode.
He was the drummer in the band Means, and we talk a little bit about playing in bands, making time to play our instruments, as well as touring.
We also talk about transitioning away from being in a band and doing other things like podcasting.
We also dive into the new "resurgence" of pop punk, what our thoughts are, and what we're excited about with bands and albums coming up.
I had a lot of fun chatting with Aaron, it was great to learn more about him and hear about his process.
So without further ado, please enjoy this wide-ranging conversation with Aaron from Growing Up Punk.
Everynight Fire Works is the debut album by American rock band Hey Mercedes. Following the demise of Braid, most of the members formed Hey Mercedes, with guitarist Mark Dawursk joining in early 2000. The band released a self-titled EP through Polyvinyl Record Co., before signing to Vagrant Records at the end of the year. They recorded their debut with Burning Airlines member J. Robbins at Pachyderm Studios in Cannon Falls, Minnesota in April 2001. Everynight Fire Works is an alternative rock, emo, indie rock and pop punk record that drew comparisons to Burning Airlines, Jets to Brazil, and Shudder to Think.
Everynight Fire Works was announced for release shortly after recording, but was delayed a few times distribution troubles or legal issues that Vagrant was having. It was eventually released on October 23, where it was met with a mixed-to-positive reaction from music critics, with some commenting on the group's maturity and guitar work, as well as Nanna's vocals. Sometime after release, Dawursk left the band and was replaced with Michael Shumaker, and drummer Damon Atkinson spent some time touring with Saves the Day. The band went on two stints of the US, one as part of the Vagrant America arena tour, with other acts on the label. In all, Everynight Fire Works was promoted with over 200 shows.
On today's episode, I give a retrospective look and deep dive into New Found Glory's Self-Titled album.
Hey there, friends!
Welcome to the show. I hope you all are doing well out there beyond Podcast Land.
Tonight, I'm going to be debuting a new format for the show called "Flashback Fridays".
Every Friday, I'm going to be highlighting an album that I not only love, but believe deserves more love, more credit, and a bit more of an audience.
After all, this is a music podcast, primarily, so I thought this would be fun. Perhaps you've already heard of this band, or maybe you love this album already and it's been a while since you've given it a proper spin in your car with the windows down. We're approaching Summer, so it doesn't hurt to have some lesser known hidden gems available.
I'm going to start with the year 2000, and I'm going to work my way up all the way to 2020. After that I may do some 90's releases that I don't think get enough attention, but we'll have fun with this.
Tonight, the first album I'd like to highlight is Ace Troubleshooter, the self-titled debut album from the band with the same name.
Ace Troubleshooter, often shortened to Ace, was an American pop punk band. Formed in December 1995 in Minneapolis, Minnesota, they released five albums. This first album was officially released on BEC Recordings and their next two records were released on Tooth & Nail Records. And those two records are great as well.
Ace Troubleshooter is the third studio album by American pop punk band Ace Troubleshooter and their debut on BEC. The album was recorded at the Blasting Room with Bill Stevenson and Stephen Egerton of Descendents/All.
My first band played a few show with Ace in Minnesota, and we also stayed with Ben, their bass player when we went up there. Those guys were a lot of fun, we really had a good time playing shows with them.
I remember they owned a bus that they bought from a country music artist, and the only one in the band who could legally drive it was the drummer.
John, the singer, eventually went on to play bass for Relient K. You can hear his voice on the song "Let it all out".
Their first record is a really fun, fast, punchy pop-punk record that kind of came out of nowhere and it makes sense that it was recorded at The Blasting Room. It still sounds great. The guitars, the vocals, the drums... It doesn't sound like a record that's 21 years old. It's one that I revisit and I think you should check it out, if you haven't heard it.
This is the first song off of the album, it's called SE 101.
Okay, I hope you are all doing fantastically well this weekend. Let me know what you think of this format. Maybe you can recommend some records to me for future Nostalgia Fridays. Talk to you soon! Take care.
Hey there, friends!
On today's episode, I'm very excited to be chatting with Mr. Nick Thompson. The singer and songwriter for the band Hit The Lights.
Nick is also the singer and main songwriter for his project Thief Club.
I first heard Hit The Lights in 2005 and I've been a fan since. Hit The Lights has put out four full lengths and they're all amazing.
Nick and I have crossed paths a few times in the last 10 years or so and we talk about some of those random connections.
I remember running into him at an Alkaline Trio/New Found Glory show in Columbia Missouri of all places.
We discuss what it was like growing up in Ohio, forming Hit The Lights, navigating the challenges associated with going from guitar to lead vocals.
We also discuss what it's been like working with such a wide array of producers and how that carries over and influences Nick's production today.
I had a lot of fun speaking with Nick, he's about as down-to-earth and humble as they come. I really appreciate him taking the time.
So without further ado, please enjoy this wide-ranging convo with none other than Nick Thompson from Hit The Lights and Thief Club.
Hey there friends!
On today's episode, I'm really excited because I'm speaking with my friend Christie Gee.
Christie Gee is many things, one of which is the podcast host for her show The Christie Gee Podcast. She's interviewed some amazing artists like Chris Carrabba from Dashboard Confessional, Kris Roe of The Ataris, Matt Pryor of The Get Up Kids, and many more.
She's also an extremely creative person, she's an artist who does custom portraits for folks, as well as a maker of buttons, stickers, pins, and art. She's even worked on some album art which is really cool.
I started following her a few years ago on social media, and I've always enjoyed her enthusiasm for all things 90's, but also because she's a fan of pop punk and emo of the 90's and into the 2000's.
I love that she's a big fan of Empire Records as that's one of my favorite movies that I grew up with and it makes total sense that she's making buttons that not only honor that film but pays tribute to so many different bands and things.
We talk about growing up in a small town in Texas, moving to California, embracing country music, selling stuff to celebrities, doing creative work, and pursuing your dreams despite all the naysayers and doubters.
It was an absolute pleasure speaking with Christie. I really do think we could talk about this stuff for hours. I had a lot of fun.
So, without further ado, please enjoy this wide-ranging and fun convo with Christie Gee.
Hey there friends!
I hope you are all doing well out there beyond podcast land.
I'm very excited, on todays episode, I'm speaking with my buddy Johnny Hamlin.
Johnny and I connected on social media last year. We talked about fitness originally and it was shortly after that in which I realized that I had been listening to Johnny's band Lights Over Bridgeport for a few months.
Nick Deiner from The Swellers had posted about the band because he produced their newest record "Better This Way" and I loved the record.
Lights Over Bridgeport is a band from south Chicago. They put out one of my favorite records of 2020, so definitely go check it out, if you haven't already.
Over time, I noticed that Johnny was really into lifting, I'd see him doing some impressive weight on social media, and we'd chat periodically about fitness and music, so I knew I wanted to get him on the podcast. And we talk about fitness and what that has meant to Johnny. We talk about his band, working with Nick, and we also talk about the Chicago music scene. We also talk about our shared love of Fat Wreck Chords, Epitaph Records, Propagandhi, Strung Out, Face to Face, Jimmy Eat World, The Misfits, Hum, and others.
I had a lot of fun chatting with Johnny, I feel like we're kindred spirits. Johnny strikes me as a hardworking, humble guy. Very appreciative of what he and his band mates have been to do and accomplish and I admire that.
So, without further ado, please enjoy this wide-ranging conversation with Mr. Johnny Hamlin, guitarist and vocalist for Lights Over Bridgeport.
My name is Kyle Devlin. I love music obviously.
I'm a personal trainer during the day. I have an online nutrition/fitness/mindset coaching company called Better Self. I run it with my partner. She's a much better coach than I am.
I love personal development, fitness, strength training, healthy nutrition, investing, routine, Star Wars, The Simpsons, Lots of pop culture from the 80's and 90's. My favorite movie of all time is Raiders of the Lost Ark. I've probably seen it 200 times and I'm sure I'll watch it 200 more times if I'm allowed.
I don't really care about owning lots of stuff. I like experiencing things. Talking to new people on this podcast. I have another podcast that I do with my partner Pamela and we talk more about nutrition/fitness/ and mindset. It's called The Better Self Project.
I'm 37 years old currently. As of right now, the average American lives to be 79 years old. So I've got about 42 years left and that is not lost on me. I think it's good to live life urgently, while also remembering to savor the good moments and aim to stay present when it counts.
My goal with the podcast is to talk to people who REALLY want to talk. I want to talk to people who are excited to talk. I will gladly speak with the singer of any band, but they are often the ones who get asked for interviews. I'd love to speak with drummers, bassists, guitarists, producers, tour managers, techs, photographers, labels, etc.
If you've listened to any of the Having A Blast episodes, I really appreciate it. I hope you've enjoyed them. I'm grateful for you.
Feel free to reach out if you'd like. My handle on Instagram is Kyle_Devlin__, my Facebook is facebook.com/kyle.a.devlin
I hope you all are doing fantastically well out there. I've got some fun interviews coming up soon. Excited to keep doing it.
On today's episode, I'm excited because I'm talking about the differences of two genres of music: The ones in which we spend a great deal talking about on this particular podcast: Pop punk and emo.
I've gotta give credit to my partner for coming up with this topic, because she was the one who asked the question and then suggested that I talk about it on an episode of Having a Blast.
It was in my attempt to answer the question that I recognized... Oh, this is a bit of a loaded topic. But at the same time, I don't know if I have a clue as to what the answer is.
I gave my initial thoughts. Pop punk is generally happier sounding. Emo is relatively more somber and melancholy. But is that an accurate representation? Does Clarity feel sad or happy to me? Does Crimson feel happy or sad to me? Does "make damn sure" feel sad to me? Does "I miss you" by Blink feel happy to me?
This is where it gets complicated.
So here we go. I decided to outsource to my FB friends and get their feedback on this question: What is the difference between Pop punk and Emo?
There's no way I could have predicted the amount of responses I got, and honestly, I think I could get a lot more if I deliberately asked some specific people.
I wanted to share their thoughts on the podcast. So, I hope you'll enjoy getting some different perspectives.
Hey there friends, I hope you all are doing well and having a wonderful and productive day.
I am very excited because today, I'm speaking with my friend Mr. Danny Freeman.
Danny is in the UK pop punk alternative band A Few Too Many. He is the guitarist/co-vocalist for the band. Danny is also the founder and curator of the FB group The Pop Punk Networking Group.
I wanted to have Danny on for a couple of reasons. One, I wanted to know what it was like being in a band across the pond in 2021. Especially considering how many bands have been popping up from that area infiltrating and inspiring the scene.
I also wanted to know how Danny became such a networker and why that is such an important element when a person decides to do anything in this life. I wanted to know what inspired that.
A Few Too Many was recently signed to Lost Music Collective co-founded by Vinnie Fiorello, the previous drummer of Less Than Jake and one of the co-founders of Fueled by Ramen Records. We talk about that, Fall Out Boy, and what it's like to get on the same page in a creative endeavor.
It's a fun listen, I know you'll take away something from this conversation. So, without further ado, please enjoy my wide-ranging conversation with Mr. Danny Freeman.
Hey there friends! Today, I'm extremely excited to welcome my longtime confidant, one of my former PIC's, and one of my most special and unique friendships. Yes, that's correct... Today, I'm speaking with my buddy Nick Pickrell otherwise known as Nick Pick. Nick is a legend within the Kansas City area. Some wonder if he even exists at all. Some think he's just a myth. A tall tale. I happen to know that he's real. Nick and I met when I was 16 years old. We were in a pop punk band together for four years. You've heard me mention it here before. Gametime was fortunate enough to do a lot of really cool things and I don't know if we could have done them without Nick. Nick is currently playing bass for the band Akilles. He's also the founder of The Open Table KC. A very progressive gathering and community builder in KC. He also just procured his real estate license and I know he's going to be a big success. It's always fun talking with Nick and this is how we actually talk to one another when we see each other. Please enjoy my wide-ranging and hopefully humorous dialogue with none other than Nick Pickrell.
On today's episode, I discuss five important albums from the year I graduated high school. I graduated in 2002. The year was an especially significant and important year for pop punk records. I hope you enjoy my list! Let me know what your favorites are from the year YOU graduated. Message me on Instagram @kyle_devlin__
On today's episode, I'm extremely excited to be chatting with another Drive Thru Records Alum, Mr. Rob Freeman, guitarist, co-singer, and primary songwriter for the band Hidden In Plain View.
My first memory of hearing Hidden in Plain View was with the Valencia guys on tour with them back in the early 2000's. I think I actually had a brief exchange with Rob back then about potentially playing some shows.
Rob owns and works at Audio Pilot Studio and Production as a record producer, recording various up and coming artists. I was just looking at their website and the studio looks like a beautiful space to work in, so if you're needing some production, you can contact them directly on their site.
Rob has produced albums for Hit The Lights, Armor for Sleep, Hidden in Plain View, Parade the Day, Thief Club, and many others.
I really appreciate him for taking the time to chat with me today. Hidden in Plain View's record "Life in Dreaming" is one of my favorite records and one that I revisit often.
We talk about that particular period of time in his life amongst other things involving production, and exercise for mental health. I think you'll enjoy it.
Without further ado, please enjoy my wide ranging conversation with Mr. Rob Freeman.
On today's episode, I'm speaking with my friend Michael Hollins. Mike is the owner of TDR Records.
TDR Records began in the mid-2000's when Mike began releasing his band's music. Eventually he began working with other bands.
TDR has had several vinyl releases from bands like Punchline, The Early November, Over It, The Promise Hero, The Prize Fight, Yellowbird Mantra, Barely Blind, and many more.
We discuss what it's like to run a record label in 2021, as well as reminisce about the scene in the early 2000's. I think everyone can take away from the example Mike has set with his ability to network, cultivate relationships, and ultimately establish friendships that span years and years.
I had a great time chatting with Mike. Enjoy!
On today's episode, I speak with my good friend Mikey Elfers! I've known Mike for a long time now. Both of my old bands had the privilege's to play with Mike's band The JV Allstars. Mike is a busy man. He's currently the singer/songwriter/guitarist in his futuristic project Thirst Things First, as well as the drummer in legendary punk rock band The Killigans. When he's not working at his 8-5 gig, he's also writing music reviews for the site Punknews.org, and That's Good Enough For Me. He's also currently doing a fun YouTube series of interviews under the name "Who's Zoomin' Who?" for That's Good Enough For Me where he interviews bands. He just recently had the band Midtown on his show. He's also interviewed members of Sum 41, Homegrown, Propaghandi, and Pears. This was a fun one, we talk about touring, creativity, living with a pandemic, and coming out the other side. Enjoy!
On today's episode, I do a deep dive on the history and making of Fall Out Boy's debut record "Take This To Your Grave". We cover the making of the record. The demoing process leading up to the recording. We discuss the fact that Fall Out Boy had another release before TTTYG that they don't really acknowledge as being a proper release. It was surprising to learn just how dramatic the recording of this record was. I wasn't aware of how much Patrick and Pete fought over melodies and lyrics. Apparently, they agonized over words and phrases until they believed it was just right. We also have Sean O'Keefe to thank for the sound of the record. He also foot the bill for the studio time, so clearly he believed in Fall Out Boy. This is a pop punk staple, in my opinion. Every track is great, there isn't a single skippable song on it. The band has evolved greatly over the years, but I still reminisce fondly on their naïve first record full of fun, fast, upbeat pop punk songs. "To my favorite liar, to my favorite scar". I think everyone who's had their heart broken can relate to those lyrics. Take This to Your Grave is the debut studio album by American rock band Fall Out Boy, released on May 6, 2003, by Fueled by Ramen. Enjoy!
In today's episode, I speak with one of my favorite vocalists from the scene, Mr. Adam Lohrbach! One of the first big stacked shows I was lucky enough to see was Homegrown, MXPX, and Blink 182. It was at Liberty Hall in Lawrence KS. Even before that show, I have fond memories listening to Homegrown's first record "That's Business" on the floor of my best friends bedroom. We were borderline obsessed with that record and then when "Act Your Age", their second record came, we were beyond fans. I spent an entire Summer devouring that record front to back. Adam and I discuss what it was like growing up in the scene, forming Homegrown, and the many stages the band encountered afterwards. We also discuss what it was like making the painful decision to transition away from the band. Adam feels like it was a decision he had to make, and it changed the trajectory of his life. We also get a chance to discuss the writing and recording of Adam's new solo record under the project name "Radical Radical". The first single from the album "Misfit Toys" is on all the streaming networks NOW, and I'll leave a Spotify link as well. At the end of the episode, we talk about the role exercise, meditation, and being present has really allowed Adam to soak up the good moments and feel a sense of gratitude and purpose. I absolutely loved having this conversation, and I hope you all enjoy it and take something away from it. Enjoy! Radical Radical Spotify "Misfit Toys" Single Homegrown Spotify Radical Radical Instagram
In today's episode, I talk about five bands that I didn't love upon first listen, but eventually loved. I didn't quite understand the charm, brilliance, and creative genius of the five bands listed until I really dug deep. In a few instances, I went back and revisited the band's back catalogue, and that is where I discovered that I did in fact love the band.
The bands mentioned are:
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Alkaline Trio
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Smoking Popes
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Taking Back Sunday
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Glassjaw
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Armor For Sleep
As you'll hear, I learned the error of my ways, and I love all of these bands dearly now. Please don't think less of me. Enjoy this episode.
Today I talk with my friend Mike Henneberger. Mike is the author of "Rock Bottom at the Renaissance, An Emo Kid's Journey Through Falling in and out of Love in and With New York City".
Before Mike Henneberger was an Emmy-winning producer with credits from Comedy Central, Rolling Stone, Billboard, Spin, and Vice, he was just another lost soul in New York City, stumbling down a path paved by mental illness, and littered with pieces of a broken heart and a broken mind.
Rock Bottom at the Renaissance: An Emo Kid's Journey Through Falling In and Out of Love In and With New York City is Mike's mixtape memoir that follows those pieces through a mental breakdown that spanned his first years as a Texas transplant in NYC, brainwashed by the New York romance that films, TV, books, and music, sold him.
Much of Rock Bottom At The Renaissance is set in a hotel room during a debaucherous weekend of self-imposed isolation and self-destructive introspection, and navigates the dark tunnels of Henneberger's booze and drug-addled mind, it's larger in scope - taking in much of his past. Henneberger tells of his south Texas childhood defined by divorce, sibling rivalry, and an instability that forced him to navigate the most important years of a young man's life without a compass. He takes us through his minor successes - touring in bands, launching a magazine, and performing stand-up comedy - as he begins to wonder if the sense of confidence instilled by them is actually delusion. We get a glimpse into his time in the U.S. Army, which was meant to increase his sense of purpose, but only increased his chemical dependencies and triggered mental illness. At the heart of the book, are Henneberger's quest to find love and his relationship with music and the power that it has to get us through life's toughest moments.
Despite the sense of abject loneliness and the existential dread coursing through its sentences, there is a great deal of hope within these pages. Partly that's through the history conveyed by Henneberger, which reveals who he is, how he ended up in that situation and the clarity of purpose that comes as past and present weave together to turn a broken, lost person into someone with purpose and optimism.
The Dangerous Summer and Bayside are just two of many bands - including Jimmy Eat World, The Smoking Popes, Bright Eyes, Death Cab For Cutie, Alkaline Trio, Mayday Parade, and The Wonder Years - whose songs feature prominently in Rock Bottom At The Renaissance as lyrics appear as a soundtrack to the chapters. Because music, and those bands in particular, are crucial to Henneberger overcoming his demons.
The redemption and salvation in these songs is undeniable, but there's more to this memoir. It is, as Henneberger puts it, about "romanticizing New York City and letting your ideas guide you rather than reality" and the detrimental results. It's about being in love with the person you think will make you whole and coming to terms with the fact that they never will - nor would have done. That's something Henneberger navigated - viscerally, painfully - in that hotel, but also something he contends with in the narratives that surround that moment, and flashes that look back and forward.
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In this episode, I interview my good friend, Mr. Toby McAllister from the band Sparks The Rescue. Sparks The Rescue was signed to Fearless Records and they released two albums with the label, as well as additional EPs independently.
We go through the history of the band, getting signed, and everything that happens when we get a little bit older. We discuss the dynamic of the band now and how it's more about friends getting together and having fun.
We talk about life with Covid, what Toby is up to now, and we discuss some of his early influences and favorite bands.
Sparks the Rescue is an American rock band from Maine. They formed when members of three high school bands Pozer, Short of April and Two Girls Later converged. Their debut EP Stumbling Skyward was released independently in 2005 with McAllister and O'Connell sharing main vocal duties. The band released the Hey, Mr. Allure EP in 2006, which saw the addition of lead vocalist Alex Roy.
On February 6, 2007, Sparks the Rescue released their junior EP The Secrets We Can't Keep after signing to Double Blind Music. This release saw the departure of their keyboardist. STR officially released their debut full-length album Eyes to the Sun on May 5, 2009 on Fearless Records (the album was previously released October 7, 2008 on Double Blind Music). The album was produced by Jonathan Wyman of Halo Studios in Westbrook, Maine.
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In today's episode, I highlight 11 (originally said 10 in the episode and did 11 on accident) newer pop punk bands that I love and I think everyone should check out.
The bands listed are:
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Stand Atlantic
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Eternal Boy
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Seaway
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The Way Way Back
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Odd Robot
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We Were Sharks
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FigureItOut
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Bearings
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Lights Over Bridgeport
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Meet Me @ The Altar
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Grayscale
All great bands. They all deserve to get more love. They all could blow up and become a massive mainstream band at any moment. I'll probably do more of these in the future, be sure to let me know if you enjoy this episode! Thanks for Listening!
I made a playlist of all the bands as well! Newer Pop Punk Bands to Check Out Playlist
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I'm incredibly excited about today's episode. I had the privilege to interview one of my favorite producers/artists, Mr. Aaron Sprinkle.
Aaron is a singer, songwriter, composer, and record producer. He's done dozens of records that have been put out by Tooth & Nail Records (Anberlin, The Almost, Emery, Ivoryline, Dead Poetic, Copeland, MxPx, Hyland, etc.) as well as other classic albums (Acceptance, Every Avenue, New Found Glory, Pedro The Lion, Story of the Year, etc.) The list really does go on and on.
Aaron shared some of his experiences making some of these records. He talks about the early days of Tooth & Nail and how he became acquainted with them as one of their most prolific producers. We talk about making the record "Phantoms" by Acceptance and how unique that time period was. We discuss the song-writing and creative prowess associated with the band Anberlin, and we even talk about social media.
Aaron plans to release a new solo record in the near future, and we talk about how the landscape of the music industry has changed and how this will affect the new release.
It was an honor being able to speak with Aaron, he really is one of my favorite producers and has been for two decades now. I've spent countless hours listening to his solo work as well as all of the bands he's worked with over the years. I really hope you enjoy this conversation as we peak behind the hood of what it's like to be a producer behind the scenes as well as in the spotlight. Enjoy!
Aaron Sprinkle Discography
Aaron Sprinkle on Spotify
Fair on Spotify
Poor Old Lu on Spotify
Rose Blossom Punch on Spotify
Tooth & Nail Spotify Playlist
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In this episode, I discuss Blink-182's fifth full length, the "Untitled" album. This album proved to be a turning point for the band in their lives and in their career. It was a lot of fun revisiting this classic, and it certainly holds up and stands the test of time.
Blink-182, also known as Untitled, is the self-titled fifth studio album by the American rock band Blink-182, released on November 18, 2003 by Geffen Records. Following their ascent to stardom and success of their prior two releases, the trio was compelled to take a break and subsequently participated in various side projects (Box Car Racer and Transplants). When they regrouped, they felt inspired to approach song structure and arrangements differently on their next effort together.
Recorded from January to October 2003 with producer Jerry Finn, the album has been described as darker and more mature than the band's earlier work. It also marked a musical departure from their previous efforts, infusing experimental elements, inspired by lifestyle changes (the band members all became fathers before the album was released) and side projects, into their usual pop-punk sound. Its songs are sonically expansive and downcast, leading critics to view it as a more elaborate, mature side of the band. The songwriting is more personal in nature and explores darker territory, touching upon the realities of adulthood and unexpected hardships. In addition, its recording process was long and often unconventional.
Fans were generally split regarding the band's "new" direction, but the album proved successful, selling 2.2 million copies in the United States. It received positive reviews, with critics welcoming its change in tone. Lead singles "Feeling This" and "I Miss You" received the most radio airplay out of the four singles released, and peaked high on Billboard charts. The worldwide touring schedule, which saw the band travel to Japan and Australia, also found the three performing for troops stationed in the Middle East. The album was the band's last recording with longtime producer Jerry Finn and their final original material before a four-year-long hiatus. It is also their longest studio album to date, clocking in at 49 minutes.
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Today, I'm joined by my good friend Ben Wendt from the band The Way Way Back.
We discuss the major label debut "So Long Astoria" from legendary pop punk band The Ataris.
We start by discussing the history of The Ataris and their complicated trajectory. We talk about their earlier albums and how they influenced us and the scene as a whole. We mention their earlier albums and EPs, like "Blue Skies, Broken Hearts... Next 12 Exits", "Look Forward to Failure", "End is Forever", and "Anywhere But Here". But we really dive deep on So Long.
We shift gears a bit towards the end to discuss Ben and his band The Way Way Back's brand new EP "Baggage or You're Never Going to Leave it All Behind". We discuss their process as well as recording with Kyle Ward.
This is one of my favorite episodes that I've been able to do with this podcast and I think people will really enjoy it.
It's been a lot of fun revisiting So Long Astoria in all of it's glory. It still holds up. The Ataris continue to be one of the most influential pop punk and second wave emo bands to this day.
So Long, Astoria is the fourth studio album by American rock band The Ataris, released on March 4, 2003. The album's title song alludes to the 1985 film The Goonies, which is set in Astoria, Oregon.
Early in the writing process for the record, Roe found a book that gave him the theme for the album. The book, which was Go Now by Richard Hell, contained a chapter "where he had a quote that said memories are better than life ... I wanted this record to portray, that life is only as good as the memories we make." Roe said the group "focus[ed] on writing good songs [and] straightforward rock songs". Musically, the album's sound has been described as pop punk, pop rock, punk rock and rock, drawing comparison to Blink-182, Green Day, Good Charlotte, New Found Glory
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Today's episode is Part Two of my conversation with Todd Anderson of The Dear Misses.
Todd and I discuss the seminal third album "The Artist in the Ambulance" by Thrice. Thrice signed with a major label in 2002 after the unexpected success of their second album "The Illusion of Safety". The album garnered the band critical and fan praise.
We talk about the themes of the record, as well as how the record has stood the test of time. We talk about how Thrice chose to go a different direction from many of their contemporaries at the time.
The lyrics and themes of the record tackle heavy subjects like third world oppression, seeking knowledge and truth, political theatrics, and the information age. We had a great time chatting about this important album, and how it helped to shape and define a genre. Enjoy!
The Artist in the Ambulance is the third studio album by American rock band Thrice. It was released on July 22, 2003, through Island Records, marking their first release on a major label. They released their second studio album The Illusion of Safety in March 2002; by July of that year, they were writing material for their next album.
Recording sessions were held at Salad Days Studios in Beltsville, Maryland, Bearsville Studios in Bearsville, New York and Phase Studios in College Park, Maryland with producer Brian McTernan. The Artist in the Ambulance is an melodic hardcore and post-hardcore album that has been compared to the world of Blindside.
Preceded by a tours of the United States and Europe (the latter as part of the Deconstruction Tour), "All That's Left" was released as the lead single from The Artist in the Ambulance. Thrice appeared briefly on Warped Tour, before "Under a Killing Moon" was released on a split 7" vinyl single with a track by Thursday. They appeared at the Reading and Leeds Festivals in the United Kingdom, before embarking on a European tour supporting co-headliners Rancid and Alkaline Trio.
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In this episode, I speak with my good friend Todd Anderson.
Todd is the front man for a great band called The Dear Misses. Todd and I have been friends for a few years, but we met over a decade ago when our bands played together in Lawrence Kansas.
Todd and I have a ton of common when it comes to music and I always really enjoy talking to him about bands we both grew up on. In this episode, we talk about how we initially got into playing music.
We talk about how we connected with bands like Green Day, Metallica, Nirvana, and MXPX. It's a fun listen for anyone who grew up in the scene.
We reminisce on going to The Warped Tour for the first time and how that changed our lens on what music could be, forever. We also talk about the structure and pillars of being in a band and how to best make that work. Enjoy!
This is the first part of a two part episode. On the next episode, Todd and I do a deep dive on the album "The Artist in the Ambulance" by Thrice. Stay tuned!
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In this episode, I speak with Bryan Czap, the former guitarist in The Dangerous Summer.
He is now working on his new musical project Violette with his partner Chelsea.
He's also working his way into becoming a prolific producer.
We talk about being a person on a mission and seeing goals and projects come to fruition. We also talk about his transition from The Dangerous Summer into producing and writing songs for Violette.
There's a lot to take away from this episode. It's a story about the different seasons of being a musician. Bryan also talks about the benefits of having a "producer-like" person in a musical project. Enjoy!
The Dangerous Summer is an American rock band from Ellicott City, Maryland, United States. The band's name is taken from the book of the same name by Ernest Hemingway. The band has stated influences from Third Eye Blind, Bright Eyes, U2, Phil Collins, Explosions in the Sky, Jimmy Eat World, and Andrew McMahon. Over the years the band has sold over 60,000 albums and over 300,000 singles.
The band formed in Ellicott City, Maryland, United States in the summer of 2006 to write their first EP, There Is No Such Thing as Science, which drew the attention of Hopeless Records and other labels in 2007. They signed with Hopeless Records within eight months (in April 2007) of starting the band during their senior year of high school. They then re-released their debut EP under a new name, If You Could Only Keep Me Alive, with new songs included.
In April 2009, the band played The Bamboozle.
The band's debut studio album, Reach for the Sun, was released on May 5, 2009, and reached number 42 on the Billboard Heatseekers chart.
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In this episode, I have the opportunity to sit down with The Sweller's drummer Jonathan "Jono" Diener.
Jonathan is also the front man for his most recent musical project Baggage.
He's also in the musical projects Braided Veins and No Trigger.
Jonathan has recently been working to promote his new coffee company Rootless Coffee out of Flint Michigan where he lives. Jonathan and I talk about marketing, creativity, and identity, and how they are all interconnected when it comes to pursuing new projects.
Whether it be playing in bands, starting companies, or writing blogs and articles, Jono does a great job at juggling a lot of plates and producing a lot of really cool things. It was a pleasure to talk with him, and I think anyone with a passion for creativity and art will take something away from our conversation. Enjoy!
The Swellers were an American punk band from Flint, Michigan. Their music is influenced by melodic punk rock bands as well as alternative and indie rock from the 1990s.
It was announced April 22, 2011, through Alternative Press that the new album titled Good For Me would be released on June 14, where one of the new tracks called "Best I Ever Had" could be streamed.
In April 2012 they announced their departure from the Fueled by Ramen label. They would release a 7" (Vehicle City Blues) on Side One Dummy Records.
On October 16, The Swellers self-released an EP entitled Running Out Of Places To Go. It is composed of five songs that the band recorded and produced independently.
The Swellers signed to No Sleep Records in May 2013 and announced in August 2013 that they would be releasing their 4th full length, The Light Under Closed Doors, on October 29.
On April 15, 2014, The Swellers announced via Facebook their release of "B-sides and Rarities."
On June 24, 2014 they announced via Facebook and Twitter that they are breaking up and booking farewell shows.
In February and March 2015, the band performed at Soundwave festival in Australia. On May 1, 2015, they played their last show at Groezrock.
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In this episode, I tell the story of how I managed to get my band Gametime on the Vans Warped Tour in 2002 and the lessons I learned from it.
The Vans Warped Tour was a traveling rock tour that toured the United States (including three or four stops in Canada) annually each summer from its initial start in 1995. It was the largest traveling music festival in the United States and was the longest-running touring music festival to date in North America. Vans toured Australia in 1998-2002 and again in 2013. Following the first Warped Tour, the skateboard shoe manufacturer Vans became the main sponsor of the tour, when it became known as "The Vans Warped Tour". Although Vans continued as main sponsor and lent its name to the festival, other sponsors also participated, with stages or other aspects of the festival being named after them on occasion.
Warped Tour was conceived by Kevin Lyman as an electric alternative rock festival, but later began focusing on punk rock music. Although it was known primarily as a punk rock festival, it included acts of diverse genres over the years.
Warped Tour founder Kevin Lyman said that the 2018 Vans Warped Tour would be the final, full cross-country run. On 18 December 2018, Lyman revealed details for the tour's 25th anniversary, with only three events in 2019.
In November 2019, rumors spread that Chris Fronzak planned to bring back the Warped Tour after Lyman's retirement. On 4 October 2020, Fronzak confirmed his intent to be involved in the return of Warped Tour, however, "for legal reasons it (could not) come back for "three years or so."
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In this episode, I talk with my long-time friend and musician/producer extraordinaire about his favorite record of all time! We talk about Saosin's debut full length. We discuss what led to the genre-defining album as well as Saosin in their early stages with Anthony Green.
We talk about how Cove Reber had some big shoes to fill, and how he surpassed expectations with this opus of an album. We also talk about what Kyle has going on with his band What A Wreck, and his most recent production effort with the band The Way Way Back. Enjoy!
Saosin, also known as “the beetle album”, is the debut full-length, self-titled studio album by American rock band Saosin, released September 26, 2006 through Capitol Records. It is the band's second release to feature lead vocalist Cove Reber. The album is best known for its lead riffs with delays and natural harmonics as a form of creating melodies. The guitar riffs on the album were listed on Alternative Press's "Best Guitar Riffs of 2000s Rock." The first single, "Voices" was listed on the Top 46 post-hardcore songs of the 2000s, and the second single, "You're Not Alone" was listed on the Top 10 Essential Emo Power Ballads by the Alternative Press.
A limited edition version of the album was also released and included a behind the scenes look into the making of the album as well as music videos of "Bury Your Head" (Saosin EP version) and "Lost Symphonies" (a song first included on the 2003 Translating the Name EP). The album has currently sold an estimated 800,000 copies worldwide
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In this episode, I talk about one of my favorite bands of all time, Yellowcard.
Ocean Avenue is their most recognized album and today we take an inside look at the album, the band, and the stories surrounding it.
I was fortunate to really know these guys during this time in their lives and there's so much more to this album than meets the eye!
Ocean Avenue is the fourth studio album by American rock band Yellowcard. It was released on July 22, 2003, through Capitol Records. After touring to promote their third studio album One for the Kids in 2001, the band signed to the label in early 2002. Following this, bassist Warren Cooke left the band in mid-2002, and was replaced by Inspection 12 guitarist Peter Mosely.
In February and March 2003, the band recorded at Sunset Sound in Hollywood, California, with Neal Avron. Ocean Avenue is a pop-punk and punk rock album, which was compared to Blink-182 and Simple Plan.
Before Yellowcard's promotional tour of Ocean Avenue, Mosely was replaced by Alex Lewis.
Yellowcard appeared on the Warped Tour, during which "Way Away" was released as the album's lead single on July 22, 2003. The band went on a club tour of the United States, before going on tour with Less Than Jake and Fall Out Boy. "Ocean Avenue" was released as the second single on December 16, 2003.
Lewis was kicked out the band and replaced by Mosely before a co-headlining tour with Something Corporate and a stint in Europe. "Only One" was release as the third single in June 2004; they toured Europe, Australia, and Japan. "Believe" was released as the fourth single in September 2004, which was followed by a US tour.
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In this episode, I talk to my long-time friend Rishi Bahl from the band Eternal Boy. Rishi and I had a blast catching up.
Not only is he the front-man of the band Eternal Boy, but he's also a professor of marketing, as well as the founder of The Four Chord Music Festival and the founder of Four Chord Music.
Four Chord Music has released records by Eternal Boy, Fortune Cove, and Harbor, just to name a few. We discuss what it's like being a professor and how marketing ties into the DIY ethos derived from playing in bands. Enjoy!
Eternal Boy is an American pop punk band from Pittsburgh, Pennsylvania, which had been called The SpacePimps prior to 2017. The band consists of vocalist and lead guitar player, Rishi Bahl, bass guitar player, Joe Harbulak, and drummer, Andy Mayer.
The group have released five full-length albums and have a touring history that includes years on the Vans Warped Tour, as well as touring in China and Japan.
The debut Eternal Boy album, Awkward Phase, charted on five of the Billboard charts in 2017 (the Billboard 200, Heatseekers, Top Independent Albums, Top Rock Albums, and Top Vinyl Albums charts). In April 2021, Eternal Boy released their fifth overall album, Bad Days Are Over, which charted for 4 weeks in Billboard top 100 New Albums.
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In this episode, I interview my friend Shane Henderson, the singer of Valencia.
Shane and I go way back.
We discuss the history of the band Valencia, the re-release of their album "Dancing With A Ghost", and what Shane has planned for the future.
Valencia is an American alternative rock band from Philadelphia, Pennsylvania, United States.
Valencia met by playing local shows together around the tri-state area in separate bands. George Ciukurescu and JD Perry grew up together; attending elementary school, high school, and their first year of college.
They joined a band in 2001 called The Capgun Heroes with Brendan Walter and former members Sean Mundy and Ryan O'Hara. Shane Henderson sang in the band Attracted to Miss and Max played drums in The Emphasis. They formed the band that is known today as Valencia in 2004. The band is named after the wife of the protagonist, Valencia, in the book by Kurt Vonnegut, Slaughterhouse-Five.
In 2005 Valencia signed to I Surrender Records after the label's owner, Midtown's drummer Rob Hitt, heard their demo tape.
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In this episode, I have my first guest! My buddy Adam and I chat about the second album "Where You Want To Be" from Emo virtuosos Taking Back Sunday.
Where You Want to Be is the second studio album by American rock band Taking Back Sunday. While touring to promote Tell All Your Friends (2002), guitarist John Nolan and bassist Shaun Cooper left the group and were replaced by Fred Mascherino and Matt Rubano, respectively. After a co-headlining tour with Saves the Day in fall 2003, the band began working on Where You Want to Be.
Dismissive of several early songs, they wanted to "grow musically with this [new album]." In March 2004 recording of Where You Want to Be began, with Lou Giordano as producer. The band recorded at Mission Sound in Brooklyn, New York for two weeks before moving to Water Music in Hoboken, New Jersey, finishing recording by April.
Where You Want to Be has received mixed-to-positive reviews, selling 163,000 copies in its first week. The album debuted at number three on the Billboard 200 chart, remaining there for an additional 19 weeks. It topped the Independent Albums chart and remained on that chart for 50 weeks. "A Decade Under the Influence" reached number 16 on the Alternative Songs chart and the UK Top 75 chart. Where You Want to Be is Victory's highest-charting album; in July 2005 it was certified gold in the U.S. for sales of 500,000 copies, and sales have since exceeded 700,000.
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In this episode, I'll be discussing going to the 2002 "Pop Disaster Tour" with co-headliners Green Day and Blink 182 with the openers Jimmy Eat World and Saves The Day.
I talk about attending the show and getting on stage with Green Day to play a song with them and somehow walking away with Billie Joe's guitar. The Pop Disaster Tour was a concert tour co-headlined by American rock bands Blink-182 and Green Day.
The Pop Disaster Tour was a concert tour co-headlined by American rock bands Blink-182 and Green Day. The two groups, with supporting acts Jimmy Eat World, Kut U Up and Saves the Day, toured for two months across the United States and Canada, mostly in outdoor amphitheatres.
The tour was conceived by Blink-182 to echo the famous Monsters of Rock tours; the idea was to have, effectively, a Monsters of Punk tour. The tour, from the band's point of view, had been put together as a show of unity in the face of consistent accusations of rivalry between the two bands, especially in Europe. Instead, Green Day's Tré Cool acknowledged in a Kerrang! interview that they committed to the tour as an opportunity to regain their status at the top of tree, as their spotlight had faded over the years. "We set out to reclaim our throne as the most incredible live punk band from you know who", said Cool.
Cool contended that "we heard they were going to quit the tour because they were getting smoked so badly […] We didn't want them to quit the tour. They're good for filling up the seats up front."
The 2003 film Riding in Vans with Boys follows the Pop Disaster Tour throughout the U.S from Kut U Up's perspective. DeLonge and Hoppus had the idea for the film, and enlisted Matt Beauchesne, who also worked on their documentary The Urethra Chronicles II: Harder Faster Faster Harder, to direct. It was designed to be "a social experiment that shows exactly what would happen if an average Joe band spent two months with two of the biggest groups in rock."
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In this episode, I'll be discussing the album "Bleed American" by the band Jimmy Eat World.
I do a deep dive on the history surrounding the album.
Bleed American is the fourth studio album by American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. Originally released as Bleed American, it was re-released as Jimmy Eat World following the September 11 attacks on New York and Washington, D.C., which took place seven weeks after its initial release. The Jimmy Eat World title stayed until 2008 upon its re-release with its original title returned.
Following a lack of recognition for their third studio album Clarity (1999) from Capitol Records, the band departed from the label in late 1999. Aside from working odd jobs, the band toured to raise money for their next album. It was recorded with Mark Trombino and the band as producers in Los Angeles in October and November 2000 at the Cherokee and Harddrive studios. The musical style was more direct and accessible than its predecessor, with simpler chord structures.
"Bleed American" was released to radio on June 5, 2001 as the album's lead single, coinciding with tours of Australia and Japan (the latter supporting Eastern Youth). After appearing on the East Coast dates of the Warped Tour, the band supported Blink-182 and Weezer. "The Middle" was released as a single on November 19, 2001. The band went on a headlining European tour in early 2002, followed by a Japanese tour, leading up to a two-month support slot for Blink-182 and Green Day on their Pop Disaster Tour. "Sweetness" was released as the third single on June 3, 2002. The band supported Incubus in Australia, before embarking on headlining tours of the UK and the US. "A Praise Chorus" was released as a promotional single during 2002.
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In this episode, I discuss the album "Dookie" by Green Day.
We go over the entire history of the album, including the making and production of the record. I also give my thoughts on all of the songs, as well as some fun memories with the record.
Green Day is an American rock band formed in the East Bay of California in 1987 by lead vocalist and guitarist Billie Joe Armstrong and bassist and backing vocalist Mike Dirnt. For much of the band's career, they have been a trio with drummer Tré Cool, who replaced John Kiffmeyer in 1990 before the recording of the band's second studio album, Kerplunk.
Dookie is the third studio album and the major label debut by American rock band Green Day, released on February 1, 1994 by Reprise Records. The band's first collaboration with producer Rob Cavallo, it was recorded in late 1993 at Fantasy Studios in Berkeley, California.
Written mostly by front man Billie Joe Armstrong, the album is heavily based around his personal experiences, with themes such as boredom, anxiety, relationships, and sexuality. The album was promoted with five singles: "Longview", "Basket Case", a re-recorded version of "Welcome to Paradise" (originally on their Kerplunk album), "When I Come Around", and the radio-only "She". "All by Myself" is a hidden track performed by drummer Tré Cool.
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Having A Blast is a podcast dedicated to punk rock and personal development.
a pop punk, emo, post-hardcore, and skate punk podcast.
All under the umbrella of modern punk music and all it's subgenres.
We're going to do deep dives of important bands and albums. We're also going to find out what makes these people unique, how they managed to take their destinies into their own hands, and how they approach self-development and exercise.
We're also going to be speaking with band members, producers, songwriters, and friends.
I may also drop in a story from my two bands (Gametime and The American Life).
Who we've interviewed so far: Members of Valencia, Eternal Boy, The Swellers, The Dangerous Summer, The Way Way Back, Sparks The Rescue, Home Grown, The JV Allstars, Hidden in Plain View, A Few Too Many, Lights Over Bridgeport, Hit The Lights, Over It, Runner Runner, and Mae.
Producer Aaron Sprinkle
Podcast Hosts of The Christie Gee Podcast, Growing Up Punk, and Talking Records
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Email: kyledevlinfitness@gmail.com
Having A Blast is a pop punk, emo, indie, post-hardcore, and skate punk podcast. All under the umbrella of modern punk music and all it's subsequent subgenres. We're going to be doing deep dives of important bands and albums. We're also going to be speaking with band members, producers, songwriters, and friends. I may also occasionally drop in a story from my time in two bands that travelled nationally and abroad (Gametime and The American Life). If you'd like to get ahold of me, you can find me on my Instagram and Facebook. If you'd like to email me, feel free to at kyledevlinfitness@gmail.com If there's an album or a band that you'd like me to discuss at length, feel free to let me know! I want this to be an interactive experience.