Welcome to Multimanifestations -- variations on a singular interdisciplinary theme: tradition-philosophy-democracy-psychology. Multimanifestations' primary goal is to provide paradigms that assist the reader to reDiscover, reDefine, reStore, and reVisit a normalcy that augments individuality and community.
Multimanifestations' is a series of living paradigms. These living paradigms serve as a means to study and interpret culture and art from a local as well as global perspective.
Locally and globally there is a call to derive a cross-cultural theory that protects diverse interests. Multimanifestations' discuses be the behavioral and cognitive consistencies between developing/modern/postmodern individuals, peer groups, and communities.
Multimanifestations' is also an archive of literary work. In this website you will find my essays, poetry, and fiction (prose as well as plays).
At issue are the Ethics "of society," the (cathartic/quiescent/vicarious) literacies that lie beneath the (path/map/passage in the) celebration of a (fundamental/practical/metaphysical) culture.
The focus of this essay, living within multimanifestations, is to show how oxymoronic paradoxes are inherent in individuals, communities and societies, and how these composites are derived from similar differences.
Multimanifestations is variations on a singular interdisciplinary theme: tradition-philosophy-democracy-psychology. This theme assists in understanding clearly one's thoughts and opinions as well as assist in interpreting an other's. Hence, this project's primary goal is to elucidate the makings of Society as we the people oscillate between private and public life.
ART AND ARCHITECTURE [.PDF]: from the poetry collection FROM SOCIETY, TO THE CITY, TO CULTURE AGAIN
ART AND ARCHITECTURE [.PDF]: from the poetry collection FROM SOCIETY, TO THE CITY, TO CULTURE AGAIN
ART AND ARCHITECTURE [.PDF]: from the poetry collection FROM SOCIETY, TO THE CITY, TO CULTURE AGAIN
ART AND ARCHITECTURE [.PDF]: from the poetry collection FROM SOCIETY, TO THE CITY, TO CULTURE AGAIN
POEM: Ingredients
FOODSTUFF LISTING:Ed's Chicken Stuff/Fishy Noodles
Yes, in the kitchen, there is business process management (BPM), a process that takes into consideration steps, technique and timing. Whenever preparing a meal from a recipe or from scratch, success or failure begins and ends with the process involved. When substituting ingredients, an awareness of process in comparison to the improvisation is required.
A short story about a college student (Karma) who explains to his parents his intentions of becoming a writer. [download PDF]
The story is an adaptation from the novella and screenplay. Change Hell [download PDF] is about an artist who must face his demons in order to get a show in a gallery. A Dionysian tale, Peter I. Wasworth, a fledgling visual artist, must come to terms with what it takes to be a postmodern success in New York City. Change Hell, full of wit and charm, fuses East Village grunge humor and horror with Soho artsy nuance and intrigue during a time when performance art was its peak in popularity.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Warren Sanders, having just completed an MBA program, has obtained funding from an angel investor to do research for a start-up dot-com company. He has enlisted the support of an old college friend Gus Tampocian (an accountant) to help him write a business plan. Gus brings on-board a colleague Burt K. Jons. The three men bond and solicit the support of a marketing consultant (Vera Smith) and business analyst (Charlie Manning). How quickly will this motley crew run through their seed money? Will they be able to create a credible business plan within two months? DotCompany [download PDF] is a comedy about New Economy tactical planning and relationship building.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
A play about an open poetry reading. The individual poems are provided as well. Setting: Philadelphia. 'The Poetic Bar' [download PDF] was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection 'Portraits and Landscapes'
Poem read in the poetry-play, 'the Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
Poem read in the poetry-play, 'The Poetic Bar' [download PDF], which was influenced by the several open readings I attended. The poems were written first as me, then placed into context by character and setting. From the collection Portraits and Landscapes.
New York: Nuyorican Poets Cafe; July 23, 1993 with interview. from the poetry collection 'Portraits and Landscapes'
Spirits in the Dark: Festival of Performance. Philadelphia: The Painted Bride Art Center; April 28-29, 1994. [excerpt, download PDF]