In the plains of eastern Colombia, men have long sung to accompany their tasks of herding and milking cows. Consequently, música llanera (plains music) has a masculine character, and its themes draw from the male-dominated cattle-herding lifestyle. Yet today, one of the most renowned música llanera singers is a woman: Ana Veydó. Veydó is one of the few female singers that follow the recio (robust, coarse) style of joropo singing usually associated with the male voice. Here Veydó discusses the influence of feminine voices in música llanera. Learn more about Ana Veydó at
In the plains of eastern Colombia, men have long sung to accompany their tasks of herding and milking cows. Consequently, música llanera (plains music) has a masculine character, and its themes draw from the male-dominated cattle-herding lifestyle. Yet today, one of the most renowned música llanera singers is a woman: Ana Veydó. Veydó is one of the few female singers that follow the recio (robust, coarse) style of joropo singing usually associated with the male voice. Here Veydó discusses the influence of feminine voices in música llanera. Learn more about Ana Veydó at
While women in música llanera (plains music) have traditionally been encouraged to sing songs with emotional or romantic themes, Ana is one of the few female singers that follow the recio (robust, coarse) style of singing usually associated with the male voice. Considered one of the most archaic forms of the Colombian plains joropo, the pajarillo type of golpe is the archetypical framework for recio-style singing. The lyrics usually allude to the singer’s pride in their culture and homeland and in working with the earth. Learn more about Ana Veydó at
In the plains of eastern Colombia, men have long sung to accompany their tasks of herding and milking cows. Consequently, música llanera (plains music) has a masculine character, and its themes draw from the male-dominated cattle-herding lifestyle. Yet today, one of the most renowned música llanera singers is a woman: Ana Veydó. Veydó is one of the few female singers that follow the recio (robust, coarse) style of joropo singing usually associated with the male voice. Here Veydó discusses the influence of feminine voices in música llanera. Learn more about Ana Veydó at