Philosophy, Ideas, Critical Thinking, Ethics & Morality · The Creative Process: Recent Episodes
Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists · Creative Process Original Series
Philosophy episodes of the popular The Creative Process podcast. We speak to philosophers, writers, educators, spiritual leaders, environmentalists, bioethicists, artists & creative thinkers in other. disciplines To listen to ALL arts & education episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition. www.creativeprocess.info
For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
INSTAGRAM @creativeprocesspodcast
“We are in the middle of a labyrinth which suggests to us many fake corridors. What's the superpower of literature? Literature is like an antidote against propaganda. Propaganda explains the world easily in a two-dimensional way. Literature gives you a more complex explanation. Literature tells personal stories.”
Today, we have a conversation about time, memory, and the bittersweet geography of human sorrow. Georgi Gospodinovis widely considered one of the most daring voices in contemporary European literature. His acclaimed novel, The Physics of Sorrow, won the prestigious Jan Michalski Prize in 2016, blending ancient myth and quantum physics to chronicle the delicate realities of post-socialist Eastern Europe. Joining him is Angela Rodel, a brilliant linguist, musician, and translator whose profound artistic empathy carries the flowing cadences of the Bulgarian language into vivid English. Together, this extraordinary creative duo made history by winning the 2023 International Booker Prizefor Time Shelter—the first book written in Bulgarian to ever receive the honor.
Time Shelter is a masterfully dark, funny, and prescient novel. It begins with an enigmatic psychiatrist opening a clinic that treats Alzheimer’s patients by meticulously recreating past decades to match their internal clocks. But the experiment quickly escapes the clinic walls, triggering a pan-European crisis where entire nations hold democratic referendums to choose which era of the past they will retreat into. It is a book that holds up a mirror to our own world, exploring what happens when a civilization faces a deficit of meaning and tries to weaponize nostalgia.
(0:00) The Trap of Nostalgia
(2:13) The Art of Translation
(5:44) The Pandemic of the Past
(11:30) Reading from ‘Time Shelter’
(14:28) Death and the Gardener
(19:34) The Translator's Calling
(26:05) Cultural Rhythms of the Bulgarian Language
(30:00) The Nonlinear Approach to Storytelling
(34:30) Separating Personal and Historical Pasts
(42:55) Storytelling vs Propaganda
(47:19) Bodies, Animals and the Loneliness of the Minotaur
(56:00) Reading ' Eight Minutes and 19 Seconds’
(1:00:28) What makes a good life? What has given your life meaning?
(1:04:18) Childhood, Memory and Imagination
(1:10:38) Reflections on God and the Stories His Grandmother Told Him
(1:17:20) Education and the Empathic Imagination
(1:23:25) The Museum of Memory
(1:26:15) The Importance of Hugging and Empathy
(1:28:02) AI and the Future of Humanity
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Today, we have a conversation about time, memory, and the bittersweet geography of human sorrow. Georgi Gospodinovis widely considered one of the most daring voices in contemporary European literature. His acclaimed novel, The Physics of Sorrow, won the prestigious Jan Michalski Prize in 2016, blending ancient myth and quantum physics to chronicle the delicate realities of post-socialist Eastern Europe. Joining him is Angela Rodel, a brilliant linguist, musician, and translator whose profound artistic empathy carries the flowing cadences of the Bulgarian language into vivid English. Together, this extraordinary creative duo made history by winning the 2023 International Booker Prizefor Time Shelter—the first book written in Bulgarian to ever receive the honor.
Time Shelter is a masterfully dark, funny, and prescient novel. It begins with an enigmatic psychiatrist opening a clinic that treats Alzheimer’s patients by meticulously recreating past decades to match their internal clocks. But the experiment quickly escapes the clinic walls, triggering a pan-European crisis where entire nations hold democratic referendums to choose which era of the past they will retreat into. It is a book that holds up a mirror to our own world, exploring what happens when a civilization faces a deficit of meaning and tries to weaponize nostalgia.
(0:00) The Trap of Nostalgia
(1:22) The Nonlinear Approach to Storytelling
(3:53) Translating the Atmosphere
(4:31) The Pandemic of the Past
(6:37) Death and the Gardener
(9:49) The Translators Calling
(11:00) Slowing Down Time
(13:14) Storytelling vs Propaganda
(15:54) Translating the Atmosphere
(18:19) What makes a good life? What has given your life meaning?
(20:56) Reflections on God and the Stories His Grandmother Told Him
(23:43) The Importance of Hugging, Empathy and Storytelling
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
For over a decade, technology has promised to make life easier. Social media was meant to connect us, we were told smartphones would simplify our lives, and now artificial intelligence promises to lift even more daily burdens. Yet these advances also raise an important question: when do tools enhance human creativity, and when do they replace the very experiences that give life meaning? While AI holds immense promise, many people face challenges coping with current technological advancements that ‘redefine’ human communication, work, education, and democratic values. Today, we examine societal and cultural impacts of AI, identity, inclusion, governance, education, and community well-being. And are speaking with Nacho de Gregorio, author of TheWhiteBox, one of Medium's most-followed AI analysts, for a level-headed conversation about both the remarkable potential and the real limitations of AI.
(0:00) The AI compute gap and national security
(1:56) The hidden risks of the AI debt bubble
(4:40) Separating AI hype from job displacements
(12:38) Shadow borrowing and the data center boom
(17:19) Europe's missing infrastructure and tech sovereignty
(21:52) The Jevons paradox and the demand for compute
(26:37) Regulatory capture and doomerism
(31:12) Why open source AI is the best path forward
(42:19) The chess paradox and the future of human art
(46:35) Unmeasurable domains and future-proofing your career
(53:45) Tutoring and AI in education
(1:01:48) Navigating the AI slop and information ecosystem
(1:16:00) Finding beauty in the natural world
(1:20:18) The pleasure of waiting vs. the hustle
(1:35:01) Setting healthy boundaries with technology
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“ I'm a believer in this technology. I believe that the cheaper it is, the more people will use it. So, even if we assume that models will get smaller for the same level of intelligence, the demand to actually have more compute is going to be enormous. And the reason why you want to have the, the compute close to you is not only in terms of performance. As a national security threat, I'm not saying this will happen, but it could happen that, China or US or whoever decides to stop exporting compute to the rest of the world. If that happens today, Europe has zero AI at the scale of data the data center.”
For over a decade, technology has promised to make life easier. Social media was meant to connect us, we were told smartphones would simplify our lives, and now artificial intelligence promises to lift even more daily burdens. Yet these advances also raise an important question: when do tools enhance human creativity, and when do they replace the very experiences that give life meaning? While AI holds immense promise, many people face challenges coping with current technological advancements that ‘redefine’ human communication, work, education, and democratic values. Today, we examine societal and cultural impacts of AI, identity, inclusion, governance, education, and community well-being. And are speaking with Nacho de Gregorio, author of TheWhiteBox, one of Medium's most-followed AI analysts, for a level-headed conversation about both the remarkable potential and the real limitations of AI.
(0:22) The hidden risks of the AI debt bubble
(0:55) Shadow borrowing and the data center boom
(3:12) The AI compute gap and national security
(5:40) Europe's missing infrastructure and tech sovereignty
(8:13) The Jevons paradox and the demand for compute
(10:25) Why open source AI is the best path forward
(12:31) The chess paradox and the future of human art
(12:53) Unmeasurable domains and future-proofing your career
(14:00) Tutoring and AI in education
(15:11) Navigating AI slop and the information ecosystem
(16:24) The Pleasure of Waiting vs. The Hustle
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
"So synanthropes are animals that have adapted to human-modified environments, and the Greek translation essentially is together with humans, so synanthrope. And they're a fascinating subset of wild animals that they're all around us, but we don't really notice them. And so in this new book, I was excited about writing something that had to do with the natural world. I was excited about writing something that touched on climate change. These are not just insects and earthworms and things like that. These are very large predators that have nevertheless found a way to survive among us. And that in and of itself I think is just an amazing story and what I explore in this book."
If you live in a city, you’ve probably had that moment in the middle of the night. You hear a scratching in the walls, or you catch the glowing eyes of a raccoon peering out from a dumpster, and for a second, the concrete world feels a lot less 'controlled' than we like to pretend. We’ve been taught to think of cities as 'biological deserts'—places where nature goes to die. But my guest today, Dan Werb, says that’s a myth we tell ourselves to feel safe. Dan is an award-winning epidemiologist and a musician, and in his new book, Our Wild Familiars, he explores the 'synanthropes'—the wild creatures that aren't our pets, but aren't quite strangers either. They are the coyotes, the bats, and even the octopuses that are learning to use our cities as laboratories for their own rapid evolution. He’s also the author of The Invisible Siege and City of Omens.
(0:02) The unexpected biodiversity of urban areas and wild familiars
(2:32) Defining synanthropes and the myth of the biological desert
(6:04) Why cities are becoming magnets for wildlife and natural biodiversity
(14:32) How our discarded garbage acts as a reliable nutrition source
(18:01) The raccoon city and highly adaptable urban mesopredators
(21:49) Redesigning cities as crucial sites for wildlife conservation and containerisation
(26:31) The impact of highways on mountain lion migration in Los Angeles
(31:03) The ancestral spiritual bond between early humans, ravens, and foxes
(38:24) Facial recognition, grudges, and the intense intelligence of urban crows
(42:40) Discovering giant Pacific octopuses living in discarded garbage near Seattle
(49:04) How translucent boardwalks helped save baby salmon afraid of the dark
(52:42) Building green corridors and ecological stepping stones in the concrete
(1:01:07) Cultural shifts in pods of orcas sinking boats off the Iberian coast
(1:05:23) Social epidemiology, vulnerable populations, and insights from City of Omens
(1:08:29) The epidemiological triangle and the environmental causes of novel viruses
(1:16:08) The rhythm shift required to observe wild animals in urban spaces
(1:25:26) Why we need more cosmological humility when studying animal biology
(1:31:06) The illusion of AI connection and why engaging with nature expands the mind
(1:34:46) Memories, Laughter, and Animal Connection
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
If you live in a city, you’ve probably had that moment in the middle of the night. You hear a scratching in the walls, or you catch the glowing eyes of a raccoon peering out from a dumpster, and for a second, the concrete world feels a lot less 'controlled' than we like to pretend. We’ve been taught to think of cities as 'biological deserts'—places where nature goes to die. But my guest today, Dan Werb, says that’s a myth we tell ourselves to feel safe. Dan is an award-winning epidemiologist and a musician, and in his new book, Our Wild Familiars, he explores the 'synanthropes'—the wild creatures that aren't our pets, but aren't quite strangers either. They are the coyotes, the bats, and even the octopuses that are learning to use our cities as laboratories for their own rapid evolution. He’s also the author of The Invisible Siege and City of Omens.
(0:02) The unexpected biodiversity of urban areas and wild familiars
(1:18) What is a Synanthrope?
(4:15) The Myth of the Biological Desert
(8:04) The Ancestral Bond between early humans, ravens, and foxes
(9:15) Crows and Grudges
(12:42) Stepping Stones in the Concrete
(14:20) The Epidemiological Triangle
(17:58) The Illusion of AI Connection
(19:56) The Museum of Memory
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Today, we hear from writers Yann Martel, Carl Safina and David George Haskell on the practice of listening to the living world. Tom Chi discusses the dangerous volatility of a one-degree shift. Clayton Aldern explores how climate change alters brain health and behavior, while Ami Vitale,Osprey Orielle Lake and Martín Von Hildebrand remind us of the kinship we share with nature. Fred Pearce discusses 40 years as a journalist reporting on climate from around the world, while Richard Black of the environmental think tank Ember and Paula Pinho, European Commission’s Chief Spokesperson, talk about policy, hope and the radical empathy required to protect the planet for future generations.
(0:00) Clayton Page Aldern – Finding awe and beauty in the world
(0:40) David George Haskell – On consequences of humans tuning out the sounds of the living world
(2:11) Yann Martel – How animals ask us to step out of our humanity
(3:12) Carl Safina – The interior lives of non-human animals
(5:08) Ami Vitale – Environmental collapse and human conflict
(6:37) Martín von Hildebrand – Indigenous views of nature
(8:00) Richard Black – Transition to clean energy vs. massive fossil fuel subsidies
(10:01) Tom Chi – Climate destabilization
(11:07) Paula Pinho – Europe’s vision for energy independence
(14:04) Osprey Orielle Lake – Māori concept of "I am the river and the river is me”
(16:08) Bill Hare – On limiting global warming to 1.5 degrees
(17:19) Fred Pearce – Finding hope in nature’s resilience
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
@creativeprocesspodcast
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”
Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.
After honing their craft under two of the world’s most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?
They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it’s about shaping relationships: between people, between past and future, between technology and craft.
(0:04) The Intuitive Knowledge of Living Art
(4:24) The Medina and the Geometry of Childhood
(8:18) The Social Spaces of Rooftops
(13:46) The Intuitive Knowledge of Living Art
(15:31) Contextual Echoes & Traces of the Site
(19:18) The Twin Dynamic and Confrontation with 'l'autre'
(26:42) The Temples of Water
(33:24) The Mosque as Pure Spatiality
(38:01) The Crisis Period and Structural Systems
(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé
(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building
(57:02) Preserving the Human Core of Expression
(1:04:29) Urban Acupuncture in the Modern City
(1:08:46) The Smells and Sounds of Home
(1:10:02) Balance, Nature, and Sisterhood
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process, we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers.
We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail.
Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers.
The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice.
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Why does our economy treat environmental destruction as an inevitable side effect rather than a massive design flaw? How can shifting our focus from polarizing "talkers" to practical "builders" literally save the planet? We are repeatedly told that the climate crisis is too vast and volatile to solve, but what if the true obstacle is simply bad design?
Tom Chi is a physicist, designer, inventor, and investor whose work has shaped everything from Google Glass and rapid prototyping at Google X to some of the most ambitious climate technologies being built today. He’s now the founding partner of At One Ventures, where he invests in deep-tech companies focused on a bold goal: a world where humanity is a net positive to nature.
Tom’s new book, Climate Capital: Investing in the Tools for a Regenerative Future, reframes economics itself—not as a fixed law, but as a design discipline that can be reimagined to align with the physical realities of our planet. Drawing on science, systems thinking, and lessons from nature, the book offers a grounded, practical framework for moving beyond both climate doom and empty optimism—and toward real, regenerative solutions. Today’s conversation is about what Tom calls the 4Cs: Capital, Compassion, Climate, and Community—but also about agency, responsibility, and what becomes possible when we stop treating the future as something that happens to us and start designing it deliberately.
0:00) Build Integrity: Choosing Builders Over Talkers
Why prioritizing those who physically create solutions over those who merely debate them is essential for systemic change
(1:21) Overcoming Powerlessness Through Creativity, Critical Thinking, Community Compassion
Utilizing a specific framework of portable skills to move from climate anxiety into meaningful, iterative action
(2:22) Capital Misallocation: Taxing What We Want to See
A critique of current tax structures that burden labor while under-taxing capital and failing to serve societal needs
(3:47) The Volatility Gap: Why Average Temperatures Mislead
Understanding why increasing climate volatility—rather than just average temperature rise—is the true driver of human distress
(6:19) Economics As Design: Redesigning The Global Engine
Moving beyond "physics envy" in economics to treat the global market as a discipline that can be redesigned for better outcomes
(9:11) Depth Over Breadth: Reforming Education Through Experience
(13:30) Local Resilience: How Cities Can Lead The Transformation
Practical, block-by-block strategies for urban adaptation, from expanding tree canopies to improving household efficiency
(16:33) AI and Robotics in Agriculture
(19:12) Human-Centric AI: Flipping The Priority Of Automation
(20:18) Thinking In Pictures: A Language Beyond Words
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“In the book I spend a bunch of time basically teaching skills and teaching frameworks of thinking. Not to indoctrinate, it's not a framework like an ideology where you need to believe exactly these things. This is a lot more about how does one use their minds effectively to solve problems that have been solved before. Of course, I work on things that have to do with investment and climate and the future of the economy and automation. The main things I'm trying to teach in the book are skills around creativity, critical thinking, community compassion and frameworks around how to go and use that on problems that should be relatively portable to a bunch of problems that are meaningful to you. The way that education needs to change is that people need to actively be working on things that truly matter to them so that over time they end up being able to go make that difference.”
Tom Chi is a physicist, designer, inventor, and investor whose work has shaped everything from Google Glass and rapid prototyping at Google X to some of the most ambitious climate technologies being built today. He’s now the founding partner of At One Ventures, where he invests in deep-tech companies focused on a bold goal: a world where humanity is a net positive to nature.
Tom’s new book, Climate Capital: Investing in the Tools for a Regenerative Future, reframes economics itself—not as a fixed law, but as a design discipline that can be reimagined to align with the physical realities of our planet. Drawing on science, systems thinking, and lessons from nature, the book offers a grounded, practical framework for moving beyond both climate doom and empty optimism—and toward real, regenerative solutions. Today’s conversation is about what Tom calls the 4Cs: Capital, Compassion, Climate, and Community—but also about agency, responsibility, and what becomes possible when we stop treating the future as something that happens to us and start designing it deliberately.
(0:00) Overcoming Powerlessness through Creativity, Critical Thinking, Community Compassion
Why broad hopelessness about the future is a purposeful tactic to maintain the status quo.
(7:16) How average temperature metrics fail to communicate the true danger of extreme climate volatility.
(11:54) Economics as Design
(17:11) Multi-disciplinary Learning Centered on Real-World Impact
(26:12) Local Resilience
(31:15) Tax & Capital Misallocation
(36:52) Build Integrity
(45:32) AI and Robotics in Agriculture
(51:08) The First Honeybee Vaccine
(56:11) The Entropy Curve of Pollution
(1:15:31) Human-Centric AI
Flipping the priority of automation to serve the collective good rather than enriching a select few
(1:20:59) Thinking in Pictures
How learning to communicate and problem-solve without language fueled a career in deep tech invention
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems?
Our guest today is David George Haskell, a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.
His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.
(0:00) How Flowers Made Our World
The incredible ancient history of flowers on Earth
(4:56) Contemplating the Small
Expanding our world by restricting our gaze
(14:30) The Illusion of Individuality
Why atomism is false and interconnectedness is the foundation of life
(26:08) We Are Grass Apes
The evolutionary origins of humans and our dietary dependence on grass
(33:32) Memories of His Childhood in Paris & Wild Orchids
(38:55) The Networked Intelligence of Forests
How trees communicate and share resources beneath the soil
(44:00) The Earth in Full Song
Tracing the sonic history of our planet
(51:08) The Practice of Listening
Why tuning in to the natural world is crucial for our survival
(1:01:21) Silence Without Expectation
Sitting with nature without demanding progress or enlightenment
(1:11:01) Transforming Ourselves
Why personal change matters in the fight for the climate
(1:15:20) Escaping the Screen
Finding real human-to-human connection away from technology
(1:16:16) The True Cost of AI
The devastating impact of data centers on our fossil fuel consumption
(1:23:18) A Sensory Legacy for the Future
What we must preserve for the generations not yet born
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Step into the deep time of the forest floor, where a single fallen leaf contains the history of the world, and invisible fungal networks hum with ancient conversations. Biologist and acclaimed author David George Haskell reveals a staggering truth: we are completely dependent on the botanical world, and our belief in strict human individuality is a biological illusion.
Haskell has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken, and he received the John Burroughs Medal for The Songs of Trees.
His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World. In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories.
(0:00) How Flowers Made Our World
(1:33) Networked Connection is the Foundation of Life
(2:00) Contemplating the Small
(4:07) Consciousness, Intelligence & Memory in the More-Than-Human-World
(4:18) We Are Grass Apes
(5:41) Memories of His Childhood in Paris & Wild Orchids
(6:34) The Networked Intelligence of Forests
(7:45) The Earth in Full Song
(8:46) The Practice of Listening
(10:11) Escaping the Screen: Real Connections in the Classroom
(11:35) The True Cost of AI
(12:11) Transforming Ourselves
(14:23) Silence Without Expectation
(15:32) A Sensory Legacy for the Future
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Two weeks away from filming her most ambitious film to date, Cherien Dabis and her crew were forced to evacuate Palestine as the devastating events of October 2023 began. Instead of abandoning the project, they adapted, filming across Cyprus, Jordan, and Greece, creating a cinematic love letter to the resilience, joy, and humanity of the Palestinian people.
My guest today is Cherien Dabis. She’s a filmmaker and actress who has spent much of her career trying to fill the silences in the American narrative. In 2022, she became the first Palestinian to receive an Emmy nomination. She has worked on everything from The L Word to Ozark, Only Murders in the Building to the hit Netflix series Mo, always with an eye toward breaking the one-dimensional mold that has historically defined Arab representation in the West. But her latest project is perhaps her most ambitious yet. It’s a film called All That’s Left of You. It follows one Palestinian family across three generations, beginning in 1948 and ending in 2022. It is a story of exile and memory, and it’s Jordan’s official submission for this year’s Academy Awards.
(0:00) The Inheritance of Trauma
Cherien Dabis discusses how collective trauma is passed down and the importance of showing Palestinian resilience and humanity
(1:50) Inherited Trauma: Identity And History The passage of trauma requires a multi-generational lens to truly understand how history and political events shape people
(2:37) The Bakri Acting Dynasty: Collaborative Lineage Collaborating with four generations of the Bakri Family brought immense authenticity to the screen
(4:02) Filming The Nakba: Art Imitating Crisis Evacuating Palestine weeks before shooting forced the crew to adapt amidst devastating, ongoing events
(7:09) The Moment Of Activation: Racism In Ohio Experiencing severe racism during the first Gulf War ignited a lifelong drive to challenge dangerous media stereotypes
(9:34) Psychological Violence: Impact Of Humiliation The film explores how non-physical harassment and humiliation leave devastating, long-term relational scars
(10:48) Broken Distribution: Industry Gatekeepers Navigating systemic fear and gatekeeping in Hollywood distribution remains a profound challenge for Palestinian cinema
(11:37) Previous Films, Television And Craft Directing television hones the craft and expands the creative capacity needed for ambitious feature films
(12:28) Truth Seekers: The Next Generation Hope lies with young people who refuse to accept the broken systems and hidden truths of previous generations
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“These oppressive structures are built to strip us of our humanity. One of the ways they do that is by filling us with anger and hatred. If we allow ourselves to stay there, we're doing the job of the oppressor for them by slowly killing ourselves. I wanted to make a movie that would remind people that we can't allow them to win by giving up our humanity. We have to hold onto our humanity and try in these impossible circumstances.”
My guest today is Cherien Dabis. She’s a filmmaker and actress who has spent much of her career trying to fill the silences in the American narrative. In 2022, she became the first Palestinian to receive an Emmy nomination. She has worked on everything from The L Word to Ozark, Only Murders in the Building to the hit Netflix series Mo, always with an eye toward breaking the one-dimensional mold that has historically defined Arab representation in the West. But her latest project is perhaps her most ambitious yet. It’s a film called All That’s Left of You. It follows one Palestinian family across three generations, beginning in 1948 and ending in 2022. It is a story of exile and memory, and it’s Jordan’s official submission for this year’s Academy Awards.
(0:00) The Inheritance of Trauma
Cherien Dabis discusses showing the multifaceted humanity of Palestinians beyond just pain and suffering
(3:41) Inherited Trauma: Identity And History The film explores how collective trauma is passed down across generations and shapes individual identities
(5:52) The Bakri Dynasty: Collaborative Lineage Working with the legendary Bakri Family brought deep, authentic relational dynamics to the screen
(9:25) Filming The Nakba: Art Imitating Crisis The crew faced severe challenges and had to evacuate Palestine during the October 2023 escalation
(16:10) Representation Gap: Dehumanization In Media Growing up in Ohio, Cherien Dabis witnessed the dangerous misrepresentation of Arabs in Western media
(21:24) The Moment Of Activation: Racism In Ohio The stark racism experienced during the first Gulf War ignited her passion to become a filmmaker
(33:40) Psychological Violence: Impact Of Humiliation The film depicts how psychological harassment under occupation leaves devastating, long-term impacts on families
(38:23) Broken Distribution: Industry Gatekeepers Despite international success, systemic fear and gatekeeping in the US distribution market remain significant obstacles
(45:28) Previous Films, Television And Craft Directing television shows like Only Murders in the Building expanded her creative capacity and adaptability
(51:45) Truth Seekers: The Next Generation
Cherien Dabis shares her profound hope for young people who refuse to accept the broken systems of the past
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
"To be in the process of making things, to be in the process of talking to people about what things mean. The creative process is actually, I think, the most meaningful part of life, but it's very hard to measure. When we get shoved towards a world that demands easy measurables, it's very hard to optimize away from the creative process and optimize towards things that are more static."
On this episode of The Creative Process, philosopher C. Thi Nguyen joins us to discuss his new book, The Score: How to Stop Playing Somebody Else's Game. He unpacks the profound concept of "value capture"—the moment we stop caring about the rich, subtle experiences of life and start obsessing over simplified, external metrics like grades, likes, and screen time.
Beyond the trap of quantification, C. Thi Nguyen explores the liberating power of games and art. We discuss how true play requires us to step lightly between different rule sets, the difference between art and craft, and how reclaiming our creative process might just be the ultimate meaning of life.
(0:00) THE TRAP OF VALUE CAPTURE How external metrics and scoring systems hijack our personal values and creativity
(7:09) THE LOGIC OF QUANTIFICATION Why simple numbers travel well but strip away vital human context, from screen time to grades
(11:58) THE MAGIC CIRCLE OF PLAY Understanding the difference between a gamified life and the true, disattached beauty of struggle
(14:57) ART, CRAFT, AND METRICS Why taking the hard way leads to genuine creative expression, and how to spot value-laden systems
(19:34) THE POLITICS OF MEASUREMENT Questioning the assumption that complex human traits, like IQ or consciousness, can be quantified on a single scale
(21:31) THE SPIRIT OF PLAY Using constraints to boost collaborative storytelling and learning to step lightly between different rule worlds
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
We live in a world obsessed with tracking. From our sleep scores to our social media engagement, invisible systems constantly quantify our worth. But when we replace our deepest values with these thin, easily measurable numbers, we lose a part of our humanity. It is time to step outside the magic circle of optimization and reclaim the unstructured joy of being alive.
C. Thi Nguyen is a philosopher whose work gets to the heart of the invisible structures that define modern life. He first established himself as a food writer, exploring the sensory world, before turning his intellectual gaze toward the philosophy of games and agency. He’s the author of Games: Agency As Art.His new book is The Score: How to Stop Playing Somebody Else's Game.He argues that when we simplify our values for the sake of a leaderboard, something inside the human spirit begins to die. In it, he explores a concept called "value capture"—the moment we stop caring about the experience and start obsessing over the metric. He joins me now to discuss how we can lead a playful, spontaneous life without getting lost in the scoring systems of the 21st century.
(0:00) THE MEANING OF LIFE IS THE CREATIVE PROCESS Why the most valuable parts of life are impossible to measure
(6:46) VALUE CAPTURE DEFINED How external metrics and institutional scoring systems take over our personal values
(11:38) THE METRICS WE LIVE BY The invisible toll of screen time, credit scores, and daily optimization
(19:44) THE LOGIC OF QUANTIFICATION Why simple numbers travel well but strip away vital human context
(24:13) THE MAGIC CIRCLE OF PLAY Understanding the difference between a gamified life and the true beauty of struggle
(31:56) ART AS A GAME How taking the hard way and avoiding efficiency leads to genuine creative expression
(38:48) THE POLITICS OF TECHNOLOGY Why tools and systems like factories and databases are never truly value-neutral
(44:23) AI AND HUMAN CREATIVITY Navigating the tension between automated efficiency and expressive human art
(50:44) THE POLITICS OF IQ Questioning the assumption that complex human traits can be measured on a single scale
(1:01:12) NARRATIVE SCAFFOLDING How structured constraints in role-playing games can actually boost collaborative storytelling
(1:10:00) THE SPIRIT OF PLAY Stepping lightly between different rule worlds and reclaiming our agency
Episode Website
www.creativeprocess.info/pod
@creativeprocesspodcast
"The thing that puzzled him was why people don't agree to be fully expressed while they're alive. Why does it only happen in their last moment? Why wouldn't you live being fully expressed?"
My guest today is AL Kennedy. She is one of Britain’s most acclaimed and versatile literary voices, a writer who can inhabit the internal life of a soldier in a POW camp, as she did in her Costa Book Award-winning novel Day, as easily as she can navigate the "professional lying" of a modern civil servant.
Her latest novel, Alive in the Merciful Country, takes place during the 2020 lockdown. It tells the story of a primary school teacher who receives a confession from an undercover police officer who infiltrated her life decades earlier. It’s a provocative investigation into state power, the "Spy Cops" scandal and the search for mercy in an age of surveillance. It’s a book about the breakdown of trust. We talk about her life, her activism, and why she believes fiction is the only way to tell the truth when the facts are forbidden and how she balances the truth of her novels with the relief of stand-up comedy.
(0:00) Finding Your Voice
On the Alfred Wolfsohn voice method and the power of being fully expressed
(2:30) Reading from Alive in the Merciful Country
Kennedy shares a passage from her latest novel, exploring hope and resilience in dark times.
(4:43) The Myth of Shrinking Attention Spans
Challenging the narrative that modern audiences cannot focus, and the importance of engaging storytelling.
(6:22) Education and the Foundation of Democracy
The dangers of dismantling education and how critical thinking protects us from fascism.
(10:26) The Spy Cop Scandal and State Surveillance
Unpacking the reality of undercover police infiltrating peaceful protests and intimate lives.
(13:59) Lockdown: A Global Pause and the Inrush of Empathy
The fleeting moment of unified humanity during the pandemic and how it was ultimately betrayed.
(17:34) Writing Without Theft: The Ethics of Character Creation
Kennedy explains her imaginative process and why she refuses to steal details from real people's lives.
(28:16) AI, Digital Slop, and the Loss of Trust
Reflections on artificial intelligence as an unstable plagiarism machine and its impact on truth.
(30:03) Nature, Spirituality, and the Merciful Country
Finding healing in the natural world and navigating the future with love and awareness.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
What happens when the state infiltrates your most intimate relationships? How do we protect the innocence and imagination of children in an increasingly authoritarian world? “"If you have love, eventually you're going to win. It's not that people aren't going to die. It's not terrible things aren't going to happen. But if you stay with that and you stay centered in that, you'll get through and you will not have turned into a monster in order to overcome monsters.”
My guest today is AL Kennedy. She is one of Britain’s most acclaimed and versatile literary voices, a writer who can inhabit the internal life of a soldier in a POW camp, as she did in her Costa Book Award-winning novel Day, as easily as she can navigate the "professional lying" of a modern civil servant.
Her latest novel, Alive in the Merciful Country, takes place during the 2020 lockdown. It tells the story of a primary school teacher who receives a confession from an undercover police officer who infiltrated her life decades earlier. It’s a provocative investigation into state power, the "Spy Cops" scandal and the search for mercy in an age of surveillance. It’s a book about the breakdown of trust. We talk about her life, her activism, and why she believes fiction is the only way to tell the truth when the facts are forbidden and how she balances the truth of her novels with the relief of stand-up comedy.
(0:00) Finding Your VoiceOn the Alfred Wolfsohn voice method and the power of being fully expressed
(2:17) Education and the Foundation of Democracy
The dangers of dismantling education and how critical thinking protects us from fascism.
(5:14) The Myth of Shrinking Attention SpansChallenging the narrative that modern audiences cannot focus, and the importance of engaging storytelling.
(8:23) Reading from Alive in the Merciful CountryKennedy shares a passage from her latest novel, exploring hope and resilience in dark times.
(17:45) The Spy Cop Scandal and State SurveillanceUnpacking the reality of undercover police infiltrating peaceful protests and intimate lives.
(22:07) AI, Digital Slop, and the Loss of TrustReflections on artificial intelligence as an unstable plagiarism machine and its impact on truth.
(28:29) The Power of the Powerless: Radical WhimsyHow absurdity, humor, and inflatable costumes can disrupt authoritarian mindsets and potential violence.
(33:13) Lockdown: A Global Pause and the Inrush of EmpathyThe fleeting moment of unified humanity during the pandemic and how it was ultimately betrayed.
(42:53) Writing Without Theft: The Ethics of Character CreationKennedy explains her imaginative process and why she refuses to steal details from real people's lives.
(1:29:40) Nature, Spirituality, and the Merciful CountryFinding healing in the natural world and navigating the future with love and awareness.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”
Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt’s writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.
(0:00) “We were hugely important to the drama of becoming in our own lives”
(2:04) Grief as Unrequited Love
Siri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.
(3:19) The Shared Space of a 43-year Marriage
(4:36) Reading from Ghost Stories
Siri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.
(7:02) How Loss Changes Our Sense of Time
(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness
(13:04) Believing in a Reality that Transcends the Individual
(20:06) Physical Love in Marriage
On the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”
Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt’s writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.
(0:00) Grief as Unrequited Love
Siri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.
(4:00) Facing Death with Courage
The importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.
(12:37) Reading from Ghost Stories
Siri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.
(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”
(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing
(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness
(30:09) Feeding the Earth
"Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”
(44:23) Physical Love in Marriage
On the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.
(54:00) The Philosophy of the Between
How relational existence is foundational to life.
(1:00:16) The Hubris of Controlling Nature
(1:12:00) The Dark History of Statistics
(1:32:12) The Art of Learning vs. AI and Automated Outcomes
“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Can curiosity and empathy be taught? How can we expand our sense of solidarity through stories? In this episode, we explore the internal dialogues of artists, actors and writers to ask what it means to step into someone else's shoes.
(0:00) Novelist Jim Shepard discusses Literature as a Tool for Emotional Education and Exploring History
(2:05) Tony Award-winning Actor Neil Patrick Harris on Being Moved by Theater and its Ability to Bridge Worlds
(3:55) Novelist Katie Kitamura on How a Book is Made in Collaboration with the Reader
(5:00) Screenwriter, Playwright Laura Eason on Inhabiting the Hearts of Characters Different from Ourselves
(6:03) Academy Award-winning Director Sharmeen Obaid-Chinoy on the Art of Visual Storytelling
(6:37) Cinematographer, Director Benoit Delhomme on the Freedom of Handheld Cinematography
(7:19) Author Etgar Keret on Looking for Humanity through Shared Intention
(8:18) Viet Thanh Nguyen – Opposing Power through Expansive Solidarity
(9:27) Adam Moss – Author, Fmr. Editor New York magazine on “The Work of Art”
(10:29) John Patrick Shanley – Tony & Academy Award-winning Writer, Director on Finding Value in Ordinary Experiences and the Creative Power of Daydreaming
(11:56) Pulitzer Prize-winning Journalist Nicholas Kristof on Why Individual Stories are Necessary to Generate Connection
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
"Within society, we seem to have separated the arts out, so they're not so much a part of our daily lives. Often there's something that we feel we should do as a kind of leisure activity or hobby if we have enough time or if we have enough money to engage in them. And this is so fundamentally different to how humans engaged with the arts. When we look back thousands of years, it just was part of the everyday, and I feel like that's a major loss within contemporary societies."
Daisy Fancourt is a Professor of Psychobiology & Epidemiology at UCL and the author ofArt Cure: The Science of How the Arts Transform Our Health. A pioneer in the field of psychoneuroimmunology, she directs the WHO Collaborating Center on Arts and Health, where her research influences global health policy and the integration of the arts into medical care.
(0:00) The Healing Power of the Arts: Longevity, Immunity & Wellbeing
(1:17) Singing to Daphne: How Daisy used singing to comfort her premature daughter in the ICU
(2:47) The Story of Russell: How a stroke survivor used art classes to reclaim his life, health, and identity
(5:23) A Planet of 8 Billion Artists: Tracing the evolutionary origins of creativity back 40,000 years
(8:58) Psychoneuroimmunology. Defining the biological mechanisms: how art reduces inflammation and cortisol
(12:42) Art & Longevity. How arts engagement can slow biological aging and alter gene expression
(18:24) Safeguarding Creativity. Why we should use AI for routine tasks but protect the human joy of the creative process
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Did you know that visiting a museum can lower your cortisol levels? Or that singing can bond a group faster than almost any other activity? We tend to think of the arts as entertainment, but science tells a different story. Today, we explore why creativity is hardwired into our biology and how it can be used to treat everything from postnatal depression to stroke recovery.
Daisy Fancourt is a Professor of Psychobiology & Epidemiology at UCL and the author of Art Cure: The Science of How the Arts Transform Our Health. A pioneer in the field of psychoneuroimmunology, she directs the WHO Collaborating Center on Arts and Health, where her research influences global health policy and the integration of the arts into medical care.
(0:00) The Healing Power of the Arts: Longevity, Immunity & Wellbeing
(4:14) The Story of Russell: How a stroke survivor used art classes to reclaim his life, health, and identity
(9:01) A Planet of 8 Billion Artists: Tracing the evolutionary origins of creativity back 40,000 years
(15:30) The Chemistry of Connection. Why singing evolved before language and how it accelerates group bonding
(20:32) Psychoneuroimmunology. Defining the biological mechanisms: how art reduces inflammation and cortisol
(25:57) The Professional Paradox: Balancing the wellbeing benefits of art with the pressures of a creative career
(30:03) Predictive Coding & Play: Why the human brain needs improvisation and why we shouldn't outsource creativity to AI
(33:26) Singing to Daphne: How Daisy usedsinging to comfort her premature daughter in the ICU
(37:55) World Health Organization, Public Policy & Social Prescribing
(46:04) Art & Longevity. How arts engagement can slow biological aging and alter gene expression
(58:17) Finding Artistic Reverence in Nature
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“They're kind of like a hidden superhero in your body and we just didn't know they existed. Muse cells eat the damaged cells, and they can actually turn into new cells using the cellular machinery.”
Dr. Adeel Khan is a global thought leader in regenerative medicine. He is the CEO and Founder of and founder of Eterna Health, whose work with MUSE cell therapy—developed in collaboration with its discoverer, Professor Mari Dezawa—has made him the go-to expert for world leaders, athletes, and celebrities Chris Hemsworth, Kim Kardashian, and Tony Robbins. In this episode, we move beyond the hype of "anti-aging" to explore the hard science of Muse cells (Multilineage-differentiating Stress-Enduring cells). Dr. Khan breaks down how these unique cells differ from the "medicinal signaling cells" (MSCs) found in most clinics and how they act as a bridge to a future where tissue regeneration is standard care.
(0:00) The "Repair Guys" & The Muse Difference Dr. Khan explains why traditional stem cells (MSCs) often disappoint and how Muse cells offer the "best of both worlds": safety and pluripotency.
(2:19) Smart Cells: How They Find the Damage Understanding the "homing mechanism" that allows Muse cells to sense inflammation and instinctively travel to injured areas like the brain or heart.
(3:11) Curing the Incurable: Diabetes & Alzheimer's The potential of the "cure triad"—stem cells, gene therapy, and FMT—to treat complex autoimmune diseases within the next decade.
(4:40) Biological Noise & The Symphony of Health How "static" in our gene expression indicates aging, and how cellular therapy can reduce this noise to restore the body's harmony.
(6:40) The Viral Monkey Study Dr. Khan discusses a recent study showing significant de-aging in monkeys through high-frequency cell dosing.
(7:32) Unshakeable Foundations: Lifestyle as Medicine
Why advanced therapies must be paired with purpose, community, and mindfulness to create a "bulletproof" body.
(8:44) From Sketchy to Standardized
Navigating the regulatory landscape: why Muse cells are being classified as a drug in regions like the UAE and the path toward FDA approval.
(12:24) A Personal Mission
Dr. Khan shares the origin of his journey: trying to find solutions for his mother's chronic illness when traditional medicine failed.
(14:16) The Cancer Hunter
Unlike other pluripotent cells that risk tumor growth, Muse cells have a unique mechanism that can detect cancer cells and trigger their death.
(18:30)Future Outlook: AI, Nature & Blue Zones Reflections on the risks of AI, the importance of "Blue Zone" city design, and reconnecting with nature in a post-human world.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
"The repair mechanisms don't work as well as you get older... The whole idea was: if we can give you more of the 'repair guys,' maybe we can reverse disease."
Dr. Adeel Khan is a global thought leader in regenerative medicine. He is the CEO and Founder of and founder of Eterna Health, whose work with MUSE cell therapy—developed in collaboration with its discoverer, Professor Mari Dezawa—has made him the go-to expert for world leaders, athletes, and celebrities Chris Hemsworth, Kim Kardashian, and Tony Robbins. In this episode, we move beyond the hype of "anti-aging" to explore the hard science of Muse cells (Multilineage-differentiating Stress-Enduring cells). Dr. Khan breaks down how these unique cells differ from the "medicinal signaling cells" (MSCs) found in most clinics and how they act as a bridge to a future where tissue regeneration is standard care.
(0:00) The Future of Regenerative Medicine
(6:13) The Muse Difference: Why these cells are "pluripotent" (able to become any tissue) without the cancer risks of Yamanaka factors.
(10:29) Curing the Incurable: Diabetes & Alzheimer's
(11:27) The Cure Triad: How combining stem cells, gene therapy, and Fecal Microbial Transplants (FMT) could cure complex autoimmune diseases within a decade.
(12:56) Biological Noise: Measuring the "mistakes" in our gene expression to quantify aging.
(16:42) Lifestyle as Medicine: Why Dr. Khan prescribes community, mindfulness, and nature immersion alongside advanced therapies.
(18:13) From Sketchy to Standardized: The Regulatory Landscape
(23:25) A Personal Mission: Trying to Save Mom
(25:38) The Cancer Hunter: How Muse cells naturally detect and trigger cell death in tumors.
(29:02) Quantum Biology & Healing Frequencies
(41:13) The AI Pessimist: Planning for a Post-Human World
(44:03) Reconnecting with Nature
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.
MAX RICHTER, Composer, Sleep, The Blue Notebooks
CARL SAFINA, Author, Becoming Wild
ADA LIMÓN, 24th US Poet Laureate
CYNTHIA DANIELS, Grammy Award-winning Sound Eng.
SUZANNE SIMARD, Finding the Mother Tree
JOELLE GERGIS, Lead Author, IPCC 6th Assessment Rpt
NOAH WILSON-RICH, CEO, Best Bees Company
INGRID NEWKIRK, PETA Founder
BERTRAND PICCARD, Solar Impulse Foundation
DAVID FARRIER, Author, Footprints
KATHLEEN ROGERS, Pres, Earth Day Network
ODED GALOR, Unified Growth Theory
PETER SINGER, Philosopher
GEOFF MULGAN, Another World Is Possible
CLAIRE POTTER, Welcome to the Circular Economy
CHRIS FUNK, Dir. Climate Hazards Car.
JENNIFER MORGAN, Special Envoy, International Climate Action
To hear more from each guest, listen to their full interviews.
Episode Website
On Music, Trust and Connection with the Animal World
“Mostly I’ll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”
Musician Plumestakes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
How is music a pathway to understanding animals?
Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.
“Mostly I’ll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
On the urgent need to reclaim our political voices, the forces that silence dissent, and how art and poetry are crucial tools for survival
Our guest today is an activist scholar who believes the classroom is inseparable from the public square. David Palumbo-Liu is the Louise Hewlett Nixon Professor of Comparative Literature at Stanford University and a founding faculty member of Stanford’s Program in Comparative Studies in Race and Ethnicity. But his work has long reached beyond the academy. Through his book, Speaking Out of Place: Getting Our Political Voices Back, and his podcast of the same name, he insists that the great global crises of our time—from escalating wars and democratic failures to environmental collapse—are fundamentally crises of value and voice. His recent work has put him on the front lines of campus activism, challenging institutions, resigning his membership from the MLA, a move that highlights the ethical cost of speaking truth to power. We’ll talk about what he calls the "carceral logic" of the modern university, why art and poetry are crucial tools for survival in times of war, and what he tells his students about preparing for a future defined by uncertainty. His perspective is rooted in literature, but his urgency is all about the world we live in now. We will discuss the forces that silence dissent, the "imperial logic" of AI, and what it means to be a moral, active citizen when the systems we rely on are failing.
“There is a dispute about what the American Dream is or how it would play out in different circumstances. The American dream has essentially been narrowed into a white Christian nationalist notion of things so that everything that falls outside what they imagine that to be is not only undesirable, but should be the subject of extermination, deportation, and detention. I am heartened by the fact that more of our 'better angels' are emerging with a more capacious and expansive notion of what the American dream could be.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
On the urgent need to reclaim our political voices, the forces that silence dissent, and how art and poetry are crucial tools for survival
“There is a dispute about what the American Dream is or how it would play out in different circumstances. The American dream has essentially been narrowed into a white Christian nationalist notion of things so that everything that falls outside what they imagine that to be is not only undesirable, but should be the subject of extermination, deportation, and detention. I am heartened by the fact that more of our 'better angels' are emerging with a more capacious and expansive notion of what the American dream could be.”
Our guest today is an activist scholar who believes the classroom is inseparable from the public square. David Palumbo-Liu is the Louise Hewlett Nixon Professor of Comparative Literature at Stanford University and a founding faculty member of Stanford’s Program in Comparative Studies in Race and Ethnicity. But his work has long reached beyond the academy. Through his book, Speaking Out of Place: Getting Our Political Voices Back, and his podcast of the same name, he insists that the great global crises of our time—from escalating wars and democratic failures to environmental collapse—are fundamentally crises of value and voice.
His recent work has put him on the front lines of campus activism, challenging institutions, resigning his membership from the MLA, a move that highlights the ethical cost of speaking truth to power. We’ll talk about what he calls the "carceral logic" of the modern university, why art and poetry are crucial tools for survival in times of war, and what he tells his students about preparing for a future defined by uncertainty. His perspective is rooted in literature, but his urgency is all about the world we live in now. We will discuss the forces that silence dissent, the "imperial logic" of AI, and what it means to be a moral, active citizen when the systems we rely on are failing.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?
ADA LIMÓN(24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.
JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.
JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he’s found a way not to think about personal risk as he’s writing.
ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon’s concept of the bounce, in which creativity gains momentum as it is passed between people.
VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.
To hear more from each guest, listen to their full interviews.
Episode Website
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How can we use negative spaces in fiction to engage with readers’ imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?
KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.
PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.
DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.
HALA ALYAN (Novelist, Poet, I’ll Tell You When I’m Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.
T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.
ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.
SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.
DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.
ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
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Today’s episode is about something most of us long for: feeling healthy in our bodies and calm in our minds – not by pushing harder, but by letting the body restore itself. Our guest today is LD Chen, an entrepreneur-turned-author who discovered the ancient wisdom that healing doesn’t come from trying harder, but from restoring the body’s natural intelligence. LD believes everyone has the right to live peacefully and free from constant stress and anxiety – to move through life with genuine joy, peace, and appreciation. After quickly building a 1,000-person company and then facing burnout and serious health issues, LD’s life changed when he encountered an ancient standing practice called Oneness. He is now the Head Coach of the Oneness Institute for America and Europe, and author of the Amazon bestseller Oneness: The Self-Healing Secret You Were Never Supposed to Know.
“Oneness is actually not about learning in the usual way. Most teachings tell you how to learn – how to let go, how to calm down, how to manage anger. Oneness does the opposite: we stand, we train the body to correct the heart, and then we live from that heart.”
Episode Website
Oneness Weekly newsletter
TEDx; How AI is changing us- And what means to be human
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“Oneness is actually not about learning in the usual way. Most teachings tell you how to learn – how to let go, how to calm down, how to manage anger. Oneness does the opposite: we stand, we train the body to correct the heart, and then we live from that heart.”
Today’s episode is about something most of us long for: feeling healthy in our bodies and calm in our minds – not by pushing harder, but by letting the body restore itself. Our guest today is LD Chen, an entrepreneur-turned-author who discovered the ancient wisdom that healing doesn’t come from trying harder, but from restoring the body’s natural intelligence. LD believes everyone has the right to live peacefully and free from constant stress and anxiety – to move through life with genuine joy, peace, and appreciation. After quickly building a 1,000-person company and then facing burnout and serious health issues, LD’s life changed when he encountered an ancient standing practice called Oneness. He is now the Head Coach of the Oneness Institute for America and Europe, and author of the Amazon bestseller Oneness: The Self-Healing Secret You Were Never Supposed to Know.
Episode Website
Oneness Weekly newsletter
TEDx; How AI is changing us- And what means to be human
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“ I think we're betting on AI as something that can help to solve a lot of problems for us. It's the future, we think, whether it's producing text or art, or doing medical research or planning our lives for us, etc., the bet is that AI is going to be great, that it's going to get us everything we want and make everything better. But at the same time, we're gambling, at the extreme end, with the future of humanity , hoping for the best and hoping that this, what I'm calling the AI wager, is going to work out to our advantage, but we'll see.”
As we move towards 2026, we are in a massive “upgrade moment” that most of us can feel. New pressures, new identities, new expectations on our work, our relationships, and our inner lives. Throughout the year, I've been speaking with professional creatives, climate and tech experts, teachers, neuroscientists, psychologists, and futureists about how AI can be used intelligently and ethically as a partnership to ensure we do not raise a generation that relies on machines to think for them. It’s not that we are being replaced by machines. It’s that we’re being invited to become a new kind of human. Where AI isn’t the headline; human transformation is. And that includes the arts, culture, and the whole of society. Generative AI – the technologies that write our emails, draft our reports, and even create art – have become a fixture of daily life, and the philosophical and moral questions they raise are no longer abstract. They are immediate, personal, and potentially disruptive to the core of what we consider human work.
Our guest today, Sven Nyholm, is one of the leading voices helping us navigate this new reality. As the Principal Investigator of AI Ethics at the Munich Center for Machine Learning, and co-editor of the journal Science and Engineering Ethics. He has spent his career dissecting the intimate relationship between humanity and the machine. His body of work systematically breaks down concepts that worry us all: the responsibility gap in autonomous systems, the ethical dimensions of human-robot interaction, and the question of whether ceding intellectual tasks to a machine fundamentally atrophies our own skills. His previous books, like Humans and Robots: Ethics, Agency, and Anthropomorphism, have laid the foundational groundwork for understanding these strange new companions in our lives.
His forthcoming book is The Ethics of Artificial Intelligence: A Philosophical Introduction. The book is a rigorous exploration of everything from algorithmic bias and opacity to the long-term existential risks of powerful AI. We’ll talk about what it means when an algorithm can produce perfect language without genuine meaning, why we feel entitled to take credit for an AI’s creation, and what this technological leap might be costing us, personally, as thinking, moral beings.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
As we move towards 2026, we are in a massive “upgrade moment” that most of us can feel. New pressures, new identities, new expectations on our work, our relationships, and our inner lives. Throughout the year, I've been speaking with professional creatives, climate and tech experts, teachers, neuroscientists, psychologists, and futureists about how AI can be used intelligently and ethically as a partnership to ensure we do not raise a generation that relies on machines to think for them. It’s not that we are being replaced by machines. It’s that we’re being invited to become a new kind of human. Where AI isn’t the headline; human transformation is. And that includes the arts, culture, and the whole of society. Generative AI – the technologies that write our emails, draft our reports, and even create art – have become a fixture of daily life, and the philosophical and moral questions they raise are no longer abstract. They are immediate, personal, and potentially disruptive to the core of what we consider human work.
Our guest today, Sven Nyholm, is one of the leading voices helping us navigate this new reality. As the Principal Investigator of AI Ethics at the Munich Center for Machine Learning, and co-editor of the journal Science and Engineering Ethics. He has spent his career dissecting the intimate relationship between humanity and the machine. His body of work systematically breaks down concepts that worry us all: the responsibility gap in autonomous systems, the ethical dimensions of human-robot interaction, and the question of whether ceding intellectual tasks to a machine fundamentally atrophies our own skills. His previous books, like Humans and Robots: Ethics, Agency, and Anthropomorphism, have laid the foundational groundwork for understanding these strange new companions in our lives.
His forthcoming book is The Ethics of Artificial Intelligence: A Philosophical Introduction. The book is a rigorous exploration of everything from algorithmic bias and opacity to the long-term existential risks of powerful AI. We’ll talk about what it means when an algorithm can produce perfect language without genuine meaning, why we feel entitled to take credit for an AI’s creation, and what this technological leap might be costing us, personally, as thinking, moral beings.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”
Today, we’re joined by someone uniquely positioned to unpack the art world’s inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie’s, one of the world’s leading auction houses. That role gave him an insider’s perspective on how value is created — and mythologized — in the modern art market. In this conversation, we’ll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.
Episode Website
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Images courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.
“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”
Today, we’re joined by someone uniquely positioned to unpack the art world’s inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie’s, one of the world’s leading auction houses. That role gave him an insider’s perspective on how value is created — and mythologized — in the modern art market. In this conversation, we’ll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard Gordon
Today, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.
Episode Website
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“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.” - Daniel Pearle
Today, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. With different views, there is a possibility to synthesize new ideas. If majority of the world leaders become female, world become safer. I feel that. Compassion is the key factor. Non-violence, compassion and self-confidence, these are key factors for happy individual, happy community, peaceful world. This century should be century of compassion, century of peace. No more bloodshed. We should develop a big “we,” rather than “we” or “they.” With these wings, you can fly.” -DALAI LAMA
For decades, the Dalai Lama has been a global symbol of peace, compassion, and resilience, a spiritual leader living in exile from his home in Tibet. But how do you capture the essence of his wisdom—the kind that can truly change a life—in a way that feels intimate and personal? My guest today, documentary filmmaker Barbara Miller, has managed to do just that in her new film, Wisdom of Happiness. It’s a beautiful film that feels less like a documentary and more like a private, heart-to-heart conversation, where he invites us into his thoughts and shares practical steps for finding inner peace in a chaotic world. She's dealt with anti-globalization, domestic violence, and the fight for female pleasure in her previous works. We’ll talk about how she shifted from exposing systemic pain to focusing on radical hope and her collaboration with Executive Producer Richard Gere and Manuel Bauer, the Dalai Lama’s personal photographer for the last thirty-five years, who made his cinematography debut with this film. She shares what the Dalai Lama taught her about living in harmony with our body, nature, and the world.
Episode Website
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Instagram:@creativeprocesspodcast
“ Everybody wants happiness, joyfulness, peaceful world. Our 21st century will not be easy century. Fear, anger, hatred. In our mind we created distinctions. Different nationality, different color, different religion. Strong concept of “we” and “they”. Brothers and sisters of this small planet, we are same human beings. Meanwhile, global warming is a serious problem. Destruction of this planet is actually destruction of yourself. Our common responsibility should be work together, to save our world. We all have this marvelous human brain. The problem is, when negative emotions develop, our whole mind is taken over. So, we must deal with emotions.
I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. With different views, there is a possibility to synthesize new ideas. If majority of the world leaders become female, world become safer. I feel that. Compassion is the key factor. Non-violence, compassion and self-confidence, these are key factors for happy individual, happy community, peaceful world. This century should be century of compassion, century of peace. No more bloodshed. We should develop a big “we,” rather than “we” or “they.” With these wings, you can fly.” -DALAI LAMA
For decades, the Dalai Lama has been a global symbol of peace, compassion, and resilience, a spiritual leader living in exile from his home in Tibet. But how do you capture the essence of his wisdom—the kind that can truly change a life—in a way that feels intimate and personal? My guest today, documentary filmmaker Barbara Miller, has managed to do just that in her new film, Wisdom of Happiness. It’s a beautiful film that feels less like a documentary and more like a private, heart-to-heart conversation, where he invites us into his thoughts and shares practical steps for finding inner peace in a chaotic world. She's dealt with anti-globalization, domestic violence, and the fight for female pleasure in her previous works. We’ll talk about how she shifted from exposing systemic pain to focusing on radical hope and her collaboration with Executive Producer Richard Gere and Manuel Bauer, the Dalai Lama’s personal photographer for the last thirty-five years, who made his cinematography debut with this film. She shares what the Dalai Lama taught her about living in harmony with our body, nature, and the world.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it’s probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.”
The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei’s belief that 'Everything is Art. Everything is Politics.'
The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.
My guest is the documentary’s director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei’s words, “art competes with reality, but art will have the last word.”
Episode Website
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Instagram:@creativeprocesspodcast
“Everything is Art. Everything is Politics.
I think art competes with reality. And art will give you the last words.” –Ai Weiwei
The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei’s belief that 'Everything is Art. Everything is Politics.'
The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war.
My guest is the documentary’s director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei’s words, “art competes with reality, but art will have the last word.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
How do our environments shape who we are and how we care for the world and each other? There are many solutions to climate change, inequality, and poverty around the world. How can we learn from them and transform our society?
Eiren Caffall (All the Water in the World) discusses the importance of embracing complexity and emotional flexibility in facing ecological grief.
Irvin Weathersby Jr. (In Open Contempt) discusses the transformative power of meditation and nature, drawing inspiration from Emerson and Thoreau.
Jay Parini (Biographies of Steinbeck, Frost, Faulkner…) on the significance of place in literature and life.
Natasha Hakimi Zapata (Another World Is Possible) explores the generosity and hope in people’s efforts to build better societies.
Audrea Lim (Free The Land) on how personal experiences with public lands influence our views on conservation.
Katie Kitamura (Audition, Intimacies) reflects on the role of landscape and memory in her novels.
Dr. Bayo Akomolafe (Philosopher, Founder of Emergence Network) discusses his awe for mountains, using them as a metaphor for humility and the search for meaning beyond oneself.
For more from each guest, listen to their full interviews.
Episode Website
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“There are many ways in which I think human exceptionalism has seeped into the sciences, but one of the many ways is through the methodologies we use when we compare the intelligence of humans and other species. In particular, in my field, I’m a primatologist by training, comparing the cognitive abilities of humans with the abilities of our closest living relatives, the great apes. Many times, those studies compare the intelligence of captive chimpanzees who are living in highly restricted, manmade environments. Often, these chimpanzees have been separated from their biological mothers at birth. They're often separated from the group during testing. They're subjected to very human-centric experimental paradigms, like playing with plastic puzzle boxes or computer touchscreens, and we're measuring how they perform on these tasks.”
In this episode of Speaking Out of Place podcast, Professor David Palumbo-Liu talks with primatologist Christine Webb about her new book, The Arrogant Ape: The Myth of Human Exceptionalism and Why it Matters. The title of the book itself is a concise and precise description of its two constituent halves. First, Webb tells us how science itself, from premodern times onward, has operated with an assumption it keeps reconfirming constantly--that humans are not only exceptional, but also superior to other forms of life. Webb convincingly debunks this science over and over again. And most importantly, she explains how this myth has devastating political, cultural, and environmental consequences. Combining scientific and humanistic studies, we go into some detail about what this arrogance produces, and why we desperately need a much more humble sense of ourselves.
Christine Webb is an Assistant Professor in the Department of Environmental Studies at New York University, where she is part of the Animal Studies program. Her research is driven by growing awareness that the ecological crisis demands a profound shift in how we understand other animals and our place among them, leading to two intersecting lines of inquiry. First, her work seeks to elucidate the complex dynamics of animal social life and to apply this knowledge to foundational questions in animal ethics and conservation. Second, she is interested in how prevailing societal norms, values, and institutions shape contemporary scientific knowledge of other animals and the environment, with a critical emphasis on human exceptionalism. Her debut book, The Arrogant Ape: The Myth of Human Exceptionalism and Why it Matters, was recently published with Avery (Penguin Random House) and is being translated into 17 languages.
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“The Future of Life Institute has been working on AI governance-related issues for the last decade. We're already over 10 years old, and our mission is to steer very powerful technology away from large-scale harm and toward very beneficial outcomes. You could think about any kind of extreme risks from AI, all the way to existential or extinction risk, the worst kinds of risks and the benefits. You can think about any kind of large benefits that humans could achieve from technology, all the way through to utopia, right? Utopia is the biggest benefit you can get from technology. Historically, that has meant we have focused on climate change, for example, and the impact of climate change. We have also focused on bio-related risks, pandemics and nuclear security issues. If things go well, we will be able to avoid these really bad downsides in terms of existential risk, extinction risks, mass surveillance, and really disturbing futures. We can avoid that very harmful side of AI or technology, and we can achieve some of the benefits.”
Today, we take a closer look at the future of artificial intelligence and the policies that determine its place in our societies. Risto Uuk is Head of EU Policy and Research at the Future of Life Institute in Brussels, and a philosopher and researcher at KU Leuven, where he studies the systemic risks posed by AI. He has worked with the World Economic Forum, the European Commission, and leading thinkers like Stuart Russell and Daniel Susskind. He also runs one of the most widely read newsletters on the EU AI Act. As this technology is transforming economies, politics, and human life itself, we’ll talk about the promises and dangers of AI, how Europe is trying to regulate it, and what it means to build safeguards for a technology that may be more powerful than anything we’ve seen before.
Episode Website
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“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.”
In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.
“I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.”
Episode Website
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“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.
For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”
In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.
Episode Website
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“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh’s poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It’s a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh’s poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.
Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers’ Conference, Bread Loaf Environmental Writers’ Conference, and the President’s Committee for the Arts and Humanities, and served as a National Student Poet, America’s highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.com Bluesky @palumboliu.bsky.social
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“There's something fundamental about the value of art and culture. Not just being integrated for vocational reasons, but because the experience of art and having a cultural element in one's life brings enjoyment, learning, relief, or any of the many experiences and feelings that art provides. I think this is quite fundamental as an element of life. Creativity is key in any career and also in personal life, especially in terms of problem-solving, relationships, kindness, compassion, and empathy. The arts, creativity, and the cultural world at large are not just nice to have; they are essential. Their value is fundamental, although sometimes it's extremely difficult to define. To see the arts lost from the developmental moments in one's life is tragic. Developmental moments in life come at all points in the arc of one's existence. To see that taken or diminished is unfortunate. Everyone involved in working with artists, artists themselves, or those who are creative knows this and believes in it.”
Today, we have with us a figure from the heart of the London art scene, Hannah Barry. At a moment when the art world often feels centered on global mega-galleries, Hannah has cultivated something truly unique in Peckham. With her gallery and the ambitious non-profit, Bold Tendencies, she has created a vibrant platform for a new generation of artists, taking risks and championing experimentation. She has been pivotal in shaping careers and bringing ambitious projects to life. We'll talk to her about the mission behind her work, her journey as a gallerist, and her latest exhibitions, including The Garden with the photographer Harley Weir.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“When one looks at the relative power imbalance between the Palestinian people on one hand, including the paramilitaries that are clearly existing in Gaza, and the Israeli armed forces, they have been bombarded from land, sea, and air. They have been starved and are being starved. They have been chased from pillar to post by the hundreds of thousands, up and down this very small strip of land.
All of it can be attributed to a scorched-earth policy of these Israelis to destroy every aspect of civilian life that we are all familiar with: schools, homes, roads, religious buildings, governmental offices, hospitals, medical centers, and so on. The idea is not new by any means. Anyone familiar with Israel's settler colonial endeavor in Palestine, particularly around 1947, 1948, and 1949, will know that scorched earth tactics are a policy.”
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liuspeaks with Ardi Imseis and Chris Gunness for an urgent discussion of Israel’s accelerated genocide and ethnic cleansing in Gaza and the West Bank. These eminent international human rights scholars discuss Israel’s longstanding violations of international law and the complicity of the US. They also discuss at length the responsibility of states to immediately halt their direct and indirect support for the genocide. Our conversation includes an in-depth discussion of the UN and both the usefulness and shortcomings of international law. They end with a call to international civil society to use the information, rules, and judgments of law to do what too many states fail to do—protect the rights and lives of Palestinians and bring forth justice.
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“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”
Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival’s Caméra d’Or (2007), the Charles Bronfman Prize (2016), and the prestigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.
“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.
I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.
I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.”
Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into dozens of languages, uses fantastical premises—from alien visitations to parallel universes—to illuminate the most human of truths. His new collection, Autocorrect, explores a world grappling with technology, loss, and the aftershocks of a global pandemic and, more recently, war. His awards include the Cannes Film Festival’s Caméra d’Or (2007), the Charles Bronfman Prize (2016), and the prestigious Sapir Prize (2018). Over a hundred short films and several feature films have been based on his stories. Keret teaches creative writing at Ben-Gurion University of the Negev. He now has a weekly newsletter on Substack called Alphabet Soup. He's also the new MFA Director of the Jewish Theological Seminary, where he's pioneering a new approach to storytelling. Joining me today from Tel Aviv is the great Israeli writer and filmmaker Etgar Keret.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association.
Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There’s a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.”
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liutalks with Huda Fakhreddine, writer, translator, and scholar of Arabic literature. Among the many topics they touch upon are the challenges of teaching Arabic literature, especially Palestinian literature, in a time of genocide, when universities, professional organizations, and political groups militate against any honest discussion of these topics, and punish those who do. They talk about the notion of belonging and the importance of being able to choose what to belong to, and what not to. Huda speaks of the freedom found in living in Arabic, and explains what that means to her. She also reads in Arabic and English Nima Hasan’s stunning and wrenchingly beautiful poem, “Old Song.”
Huda J. Fakhreddine is a writer, translator, and Associate Professor of Arabic Literature at the University of Pennsylvania. She is the author of Metapoesis in the Arabic Tradition (Brill, 2015) and The Arabic Prose Poem: Poetic Theory and Practice (Edinburgh University Press, 2021), and the co-editor of The Routledge Handbook of Arabic Poetry (Routledge, 2023). Among her translations are The Sky That Denied Me: Selections from Jawdat Fakhreddine (University of Texas Press, 2020), The Universe, All at Once: Selections from Salim Barakat (Seagull Books, 2024), and Palestinian: Four Poems by Ibrahim Nasrallah (World Poetry Books, 2024). Her creative work includes a book of creative non-fiction titled Zaman saghīr taḥt shams thāniya (A Brief Time under a Different Sun), Dar al-Nahda, Beirut, 2019 and the forthcoming Wa min thamma al-ālam (And then the World), Manshūrāt Marfa’, Beirut, 2025. Her translations of Arabic poems have appeared in Protean, Lithub, Words Without Borders, Nimrod, ArabLit Quarterly, Asymptote, and Middle Eastern Literatures, among many others. She is co-editor of Middle Eastern Literatures and section editor of the Encyclopedia of Islam.
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“One day, I woke up with this concept of oil being tied up in our lives in ways that we don't talk about. It’s sort of a value-theoretical approach to climate change and the climate crisis. Something that's impersonal and goes to the root of our entire social metabolic structure.”
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liuwelcomes Malcolm Harris back to the show. Previously, he talked with us about his mammoth study, Palo Alto: A History of California, Capitalism, and the World. This time, we are looking not at a history of Capitalism and the World, but our possible futures under the threat of catastrophic climate change. We talk about not only failed policies, but failed perspectives on society, politics, and culture, and focus on a deadly form of Value that has led us to the abyss precisely because it has emanated from a basic rift between humans and the world. It is a rift that Capital has always both fed and exploited, but will end up exhausting a finite resource—the Planet. We talk about what is needed to heal this, what we are up against, and his latest book, What's Left: Three Paths Through the Planetary Crisis.
Malcolm Harris is the author of the national bestseller Palo Alto: A History of California, Capitalism, and the World, a finalist for the Los Angeles Times Book Prize; Kids These Days: The Making of Millennials; and Shit is Fucked Up and Bullshit: History Since the End of History. He was born in Santa Cruz, CA and graduated from the University of Maryland.
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“I think my role and where I'm most comfortable is focusing on the economic harms that the choices this administration is making will limit access to affordable, clean energy. Affordable energy overall, and that they will wind up harming the American people. EDF is standing up and fighting the Trump administration in court every single day. We believe, based on the facts and the law, that we have very good cases and expect to see more wins than not. When the government sets aside all of the things they need to do to land appropriately and just say, "We don't care. This is what Donald Trump wants," there is recourse to step in, intervene, and challenge that. They were sloppy the first time he was president. They're even more brazen now.”
David Kieve has been on the front lines of some of the most critical environmental debates of our time. Before becoming president of EDF Action, the advocacy and political arm of the Environmental Defense Fund, he was in the White House as the director of public engagement at the Council on Environmental Quality. But his journey to the West Wing started on the campaign trail, where he was tasked with a unique role: convincing a broad coalition of voters that Joe Biden was the candidate to tackle the climate crisis. He is a strategist who understands not just the science of climate change but what it takes to implement those policies. We talk about connecting climate policy to everyday costs and the political will required to confront climate change.
Episode Website
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“As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms that I then started trying in my classrooms as well. I also really liked their educational philosophies, thinking about what it means for college to be free and the fact that they were teaching during this revolutionary era. What would that look like today? What would it mean? What could free college bring to our society? What does free college make possible? All of those things coming together led me to the project.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Danica Savonick about her marvelous book entitled Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College. This is a riveting and deeply inspiring story of how each of these luminaries in the fields of literature and feminism found their way into the City University of New York in the 1960s, when community activists had forced open what was called the Harvard for the proletariat to admit new classes of Black, brown, and other people of color. Savonick shows through copious archival research how Bambara, Jordan, Lorde, and Rich each came to find radical teaching methods in collaboration with these new students, and how their experiences with this new pedagogy affected their creative and other writing in profound and lasting ways. This is a critical history we can and must learn from today, when federal and state governments have added to the damage and violence done by the neoliberal university. We find exactly the tools and models we need to create spaces for education for liberation both within, but also outside, the Academy.
Danica Savonick is an Associate Professor of English at SUNY Cortland. Her current project focuses on the radical writers and artists who taught at the experimental Livingston College (part of Rutgers University) in the 1970s. Her research has appeared in MELUS, American Literature, Modern Fiction Studies, Radical Teacher, Keywords for Digital Pedagogy in the Humanities, Public Books, and The Chronicle of Higher Ed.
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“The origin was really trying to make sense of that 2016-2017 moment and to ask whether the alt-right was, as we were being told, a return to the 1930s, a kind of awakening of the sleeping beast of white supremacy armed in the streets in the United States. There are many explanations, but I decided to take this kind of curious route in with the distorted readings and reinterpretations of the works of people like Ludwig von Mises and Friedrich Hayek. As a scholar of comparative literature, I wanted to write a revision based on Crack-Up Capitalism.”
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Quinn Slobodian about his new book, Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right. He takes a deep dive into the genesis of a weird and powerful merging of two seemingly different groups the Far Right and neoliberals. Slobodian writes, “as repellent as their politics may be these radical thinkers are not barbarians the gates of neoliberalism but the bastard offspring of that line of thought itself.” They talk about how this meshing is driven by a primitive desire to ward off egalitarianism, difference, democracy, and government that services the common good. The wide-ranging talk ends with addressing DOGE, Trump's tariffs, and yes, the Jeffrey Epstein case.
Quinn Slobodian is a professor of international history at the Frederick S. Pardee School of Global Studies at Boston University. His books, which have been translated into ten languages, include Globalists: The End of Empire and the Birth of Neoliberalism, Crack-Up Capitalism: Market Radicals and the Dream of a World without Democracy, and Hayek’s Bastards: Race, Gold, IQ and the Capitalism of the Far Right . A Guggenheim Fellow for 2025-6, he has been an associate fellow at Chatham House and held residential fellowships at Harvard University and Free University Berlin. Project Syndicate put him on a list of 30 Forward Thinkers and Prospect UK named him one of the World’s 25 Top Thinkers.https://speakingoutofplace.com Bluesky @palumboliu.bsky.social
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“I want people to understand South Asian art as broader than a single gallery or a single artist, but as a larger cultural movement. I want people to encounter art in all parts of their lives, and I’m constantly thinking about new ways to achieve that. I was very aware, as someone launching a South Asia-focused gallery, that this was the cultural dynamic that undergirded the way that most people in the West were thinking about art from the region. Taking that on directly and inviting artists to work with that theme was a really important ground for setting the ethos of the gallery and the types of critical questions we wanted to tackle with the work we were doing.”
My guest today is Rajiv Menon, a gallerist and curator who is carving out a distinctive space in the contemporary art world. Based in Los Angeles, Rajiv Menon holds a PhD from NYU, where he studied global media and visual culture, and he's also a passionate collector of South Asian art. He founded Rajiv Menon Contemporary with a clear mission: to bring artists from South Asia and its diaspora to a wider audience, and to cultivate a new generation of art collectors within these communities. His exhibitions have tackled fascinating themes, from the exuberant and sometimes overwhelming world of the Indian wedding through Viraj Khanna's intricate textile art in Why Did I Say Yes?, to a deep dive into the creativity of Kerala in Three Steps of Land, and a compelling look at how artists transform nostalgia into an aesthetic movement in The Past Is a Country. His work resonates far beyond the gallery walls, aiming to shift our collective culture. He's also recently been honored by the City of Los Angeles for his contributions to the arts. @rajivmenoncontemporary
Episode Website
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In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?
PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world.
BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned from his children, especially his autistic son, who teaches him about grace, possibility, and futurity.
MICHEL FORST (Human Rights Advocate & the UN Special Rapporteur on Environmental Defenders) explores how theology and meditation serve as ongoing sources of inspiration, shaping his values and career choices in human rights advocacy.
DR. GUY LESCHZINER(Neurologist & Author of The Nocturnal Brain, The Man Who Tasted Words & other books; Consultant Neurologist & Professor at King's College London) analyzes the concept of free will, suggesting that much of what we do is influenced by factors beyond our control. He also discusses the importance of striving to make the world better, the role of sleep and dreams in memory and emotional processing, and the changing nature of mentorship and education.
EIREN CAFFALL (Musician & Author of All the Water in the World) highlights the importance of preserving knowledge and human history, imagining how future generations might rebuild society after catastrophe by holding onto stories, traditions, and the hope of repair.
DR. FERNANDO GARCÍA-MORENO (Neuroscientist, Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience) explains that while our brains have not changed biologically for thousands of years, cultural evolution has accelerated. He emphasizes the unique human roles of generating and transmitting knowledge across generations.
NATASHA HAKIMI ZAPATA (Journalist, Author of Another World Is Possible: Lessons for America From Around the Globe) shares her inspiration from the generosity and hope she encounters in others, and describes how connecting with nature—especially bodies of water—reinforces the importance of conservation policies that integrate human communities into ecosystems.
IRVIN WEATHERSBY JR. (Author of In Open Contempt) reflects on the influence of his church upbringing and family, especially his grandmother, on his writing and creative expression. He discusses the impact of music, particularly hip hop, and the importance of lyricism and cultural heritage in shaping his literary voice.
To hear more from each guest, listen to their full interviews.
Episode Website
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“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things.”
In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Dan Hicks about the present’s responsibility to itself. How do not only monuments, but also the very idea of monumentality, serve to mystify and perpetuate beliefs that maintain social orders that deserve to be strenuously re-evaluated? Archaeologist and anthropologist Dan Hicks traces the development of a particularly virulent strain of monument-worship, that which emerges out of what he calls “militarist realism,” which harnesses technologies of war, particularly colonial, white supremacist war, to build institutions, disciplines, museums in its image in order to permanently maintain a border between those deemed human subjects and the object-worlds of the non-human—which includes racial others. Rather than grant the past immunity, Hicks argues that we need to decide for ourselves what we chose to remember, and what deserves to be forgotten.
Dan Hicks is Professor of Contemporary Archaeology at Oxford University, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College. He has written widely on art, heritage, museums, colonialism, and the material culture of the recent past and the near-present. Dan's books include The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution (Pluto 2020) and Every Monument Will Fall: a story of remembering and forgetting (Hutchinson Heinemann 2025). Bluesky/Insta: @ProfDanHicks
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"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.
There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn’t make sense. We’re growing animals to produce food that we can’t eat so that we can ship it halfway around the world. It’s a system that doesn’t work.
The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can’t handle any more carbon absorption; they’re acidifying and heating up. We need to take the carbon we’ve emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding.
It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."
Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.
Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.
Episode Website
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“I think the community came together more when we started getting those notices about people being swept up by these supposedly ICE agents who are just covered up. So that was the thing that made us come out there and start defending everyone who doesn't want to come out to defend themselves.”
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liuspeaks with Daniela Navin and Jeanette de La Riva, two members of Grupo Auto Defensa a community organization based in Pasadena CA, which has come about in response to attacks by ICE, which have violently disrupted everyday life and led people to form new relations of mutual support and care. We hear their stories of how Trump lieutenant Stephen Miller's demand that ICE arrest 3000 people every day has put unbelievable constraints on hard-working people's lives. Nevertheless, we also hear how they have invented tactics to challenge these repressive measures. We are joined by journalist-activist Maxmillian Alvarez of The Real News Network who grew up in Los Angeles and comments on the broad networks of resistance cropping up organically to fight fascism.
Maximillian Alvarez is an award-winning journalist and the Editor-in-Chief and Co-Executive Director of The Real News Network (TRNN) in Baltimore. He is the founder and host of Working People, "a podcast about the lives, jobs, dreams, and struggles of the working class today," and the author of "The Work of Living," a collection of interviews with US workers recorded during Year One of the COVID-19 pandemic. Prior to joining TRNN, he was an Associate Editor at the Chronicle Review. His writing has been featured in outlets like The Nation, In These Times, Poynter, Boston Review, The Baffler, Current Affairs, and The Chronicle of Higher Education; as an analyst and commentator, he has appeared on programs like PBS NewsHour, Breaking Points, Democracy Now!, The New Republic, NPR’s 1A, The Hill’s Rising, and more.
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“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.
If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.
We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”
Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.
Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.
Episode Website
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“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.
At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.”
Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,’ have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.
Episode Website
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“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there’s also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.
If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.
I’m trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They’re all photographed on film. A lot of them are photographed on instant film. They’re not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.
At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.”
Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,’ have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“We're living in a fascinating time, and unfortunately, to an extent, Europe and, very much so, North America are trying to hold onto the past while other parts of the world, like China, Taiwan, Korea, and Japan, are looking to the future. As an Italian citizen and an English citizen, I feel that we’ve left ourselves behind and that others are taking leaps forward. This isn't just about climate science; it’s about big geopolitics. It's about who wins the power battle over the dominant economy, economic thinking, and currencies. Do we have a reserve currency in the petrodollar? All these things are now being questioned in 2025. We're in an extraordinary period of history.”
For decades, the conversation around climate change often felt abstract, a distant threat. But what happens when that threat collides with the very concrete world of finance, with investments, and with the bottom line? Mark Campanale has been at the forefront of this critical intersection for over two decades. He's a veteran of sustainable finance, having helped launch some of the earliest responsible investment funds. But it's his work with the Carbon Tracker Initiative that has truly reshaped how we understand the economic risks of a fossil fuel-dependent future. Carbon Tracker, an independent financial think tank, introduced concepts like the "carbon bubble" and "stranded assets"—terms that have not only become central to the divestment movement but are now indispensable for investors and regulators trying to navigate the path to decarbonization. Mark Campanale and the Carbon Tracker Initiative have made it impossible to ignore the financial implications of a warming planet.
Episode Website
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“Carbon Tracker is a non-profit financial think tank focused on change and the energy transition. I set it up because I spent 20 years working in the financial world, and I noticed that a lot of coal, oil, and gas projects, even with all the evidence we know about climate change, were getting financed through banks and the stock market. It was almost as if investors were completely disregarding what climate change was going to do within our lifetime. What I wanted to do was challenge that, challenge the way people think, and challenge the financial operators, the bankers, stock exchange regulators, and investors to think about what climate change was going to do and what we could do about it. We're saying to the owners of these companies, the shareholders, ‘Why don't you think about what the world will look like in 50 years, and why are you putting these young people's pensions into coal, which we know is going to destroy the planet?’ ”
For decades, the conversation around climate change often felt abstract, a distant threat. But what happens when that threat collides with the very concrete world of finance, with investments, and with the bottom line? Mark Campanale has been at the forefront of this critical intersection for over two decades. He's a veteran of sustainable finance, having helped launch some of the earliest responsible investment funds. But it's his work with the Carbon Tracker Initiative that has truly reshaped how we understand the economic risks of a fossil fuel-dependent future. Carbon Tracker, an independent financial think tank, introduced concepts like the "carbon bubble" and "stranded assets"—terms that have not only become central to the divestment movement but are now indispensable for investors and regulators trying to navigate the path to decarbonization. Mark Campanale and the Carbon Tracker Initiative have made it impossible to ignore the financial implications of a warming planet.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“We as humans can destroy things in a couple of years that have taken thousands or even millions of years to form. So in the snap of a finger, we can destroy so much work. That's an observation I’ve seen in all biomes, and it's pretty scary. On the other hand, nature regenerates pretty fast. It heals itself. If humans help this healing process, it can go even faster.”
Louis De Jaeger has spent years traveling the world, witnessing firsthand the decline of nature. He is an eco-entrepreneur, a landscape designer, co-founder of the Food Forest Institute, and a leading voice in the regenerative agriculture and food forest movements. He’s founded numerous ventures aimed at creating positive impact and has created over 100 food forest sites around the world. His new book, SOS: Save Our Soils: How regenerative food and farming will save your health and the planet, asks us to consider every meal as a vote for either destruction or regeneration.
Episode Website
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“The Earth started as one big rock, and soil did not exist. Without soil, you can't really grow trees or any crops whatsoever. We are depleting soils super fast, and it is predicted that in less than 25 years, 90% of our soils will be degraded. We as humans, we can destroy things in a couple of years that have taken thousands or even millions of years to form. On the other hand, nature regenerates pretty fast. It heals itself. If humans help this healing process, it can go even faster.”
Louis De Jaeger has spent years traveling the world, witnessing firsthand the decline of nature. He is an eco-entrepreneur, a landscape designer, co-founder of the Food Forest Institute, and a leading voice in the regenerative agriculture and food forest movements. He’s founded numerous ventures aimed at creating positive impact and has created over 100 food forest sites around the world. His new book, SOS: Save Our Soils: How regenerative food and farming will save your health and the planet, asks us to consider every meal as a vote for either destruction or regeneration.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“Abolishing Silicon Valley means freeing the development of technology from a system that will always relegate it to a subordinate role, that of entrenching existing power relations. It means designing a new system that isn't deluged in the logic of the bucket. It means liberating our worlds from the illegitimate ring of capital. Perhaps this sounds unfair to capital. Perhaps I sound like I'm not grateful enough for everything that capital has given us, but we don't owe capital anything; the things we attribute to capital were built by workers.
People can labor and sometimes die in a process. Their contributions are unrecognized in death as in life. So don't thank capital. It doesn't deserve our gratitude, and it doesn't need it. Thank the people who created everything that capital always takes credit for. Capital is a means of accounting for wealth ownership, not its creation. And that means it's perpetually shrouded in a fundamental untruth; we can leap the swamp of capital behind and start over with something new. “
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Wendy Liu. Ever since its publication, Abolish Silicon Valley—How to Liberate Technology from Capitalism has proven to be more urgent and insightful. Today, he talks with author Wendy Liu about how developments like AI and LLM, further erosions of intellectual property, and increased invasions of privacy make the case for abolishing Silicon Valley even more important. They talk about how abolition is critical at a time when more and more the private sector has come to eviscerate the public good. Turning to the genocide in Gaza, they discuss the ways Capital has enlisted technology in deadly and horrific manners. They end with a meditation on the commons and how one can live with fewer commodities and find value in common projects to make life more valuable and worthwhile outside of the logic of the market.
Wendy Liu is the author of Abolish Silicon Valley: How to Liberate Technology From Capitalism, a memoir/manifesto about the tech industry from the perspective of a former believer. She lives in San Francisco and is working on a novel.
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“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”
Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It’s designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.
Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University’s 80WSE and as a curator for Frieze Projects at Frieze London. Today, we’ll delve into her philosophy of art, leadership, and the transformative power of this new initiative.
Episode Website
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“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.
I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”
Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.
Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He’s edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.
He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He’s received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we’ll talk about his books, America’s forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. We are very invested in enabling people to build new relationships. What we've found from these past gatherings in Aspen is that those are the things people still talk about from 40, 50, or 60 years ago. You were also asking about a relationship with the environment. I think Maya Lin, who is coming to give a keynote lecture, is someone who is very invested in that conversation.
We are also working with the Serpentine Gallery and Hans Ulrich Obrist on the keynote lectures. Francis Kéré is also coming to talk about the sustainability of his architectural practice and how that navigates the world differently. We're also working with Storefront for Architecture, who have done this brilliant swamp project for the last two years. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.
Nicola Lees is truly pushing the boundaries of what a museum can be. Since 2020, she has been director of the Aspen Art Museum, a non-collecting, artist-founded institution dedicated to experimentation and supporting the most innovative voices in contemporary art. Under her direction, the AAM has just unveiled an ambitious, decade-long initiative called AIR Aspen. From July 26–August 1, 2025, AIR isn't just another program; it's the first artist-led global summit, a bold undertaking that will bring together artists, cultural leaders, policymakers, and influencers for yearly talks, performances, workshops, and an annual retreat. It’s designed to explore the profound role of art in addressing the big questions of our time, from AI to how we relate to one another. The inaugural theme, "Life As No One Knows It," promises to be a deeply engaging exploration of what it means to be alive in an era of rapid technological and environmental change, and it will feature an extraordinary roster of creatives whose work transcends traditional disciplines, including Francis Kéré, Paul Chan, Aria Dean, Glenn Ligon, and Maya Lin.
Before her tenure in Aspen, Nicola Lees made her mark as the director and curator of New York University’s 80WSE and as a curator for Frieze Projects at Frieze London. Today, we’ll delve into her philosophy of art, leadership, and the transformative power of this new initiative.
“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a way of working, which I think is the most important framework for an institution, the institution should constantly want to learn and evolve, and it isn't a static place. Particularly coming from the opportunity of not being a collecting institution, we are ever-evolving and ever-changing.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”
Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers’ Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature’ case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.
Episode Website
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“From my perspective, it just seemed like a way to terrorize a neighborhood and intimidate the people living there, and intimidate the city in a way that they've been trying to accomplish for the last six weeks, and it wasn't fun. So were there orders? There were no orders to disperse.”
Last week, over 100 agents from nine federal agencies stormed a bucolic public park in Los Angeles, claiming it was a hotbed of terrorism and lawlessness. In fact, heavily armed soldiers in camouflage found a group of young children attending a summer camp. This was a show of force meant to intimidate, shock, and awe, but just like Trump’s military parade in Washington, DC, it ended up pathetic and farcical. In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liuspeaks with longtime journalist Mel Buer, who was at MacArthur Park and witnessed this sad spectacle. We talk about what she saw and how is simply part of a recent history of attacks on mostly brown people. We get Mel’s thoughts on both the broader national context, and how local people and longstanding immigrant’s rights groups are resisting and fighting back.
Mel Buer is an LA-based independent journalist covering labor, social movements, and community organizing.
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“So I think that part of colonialism for Indigenous peoples has been this idea that Indigenous peoples aren't thinking peoples and that we don't have thought on a kind of systemic level. One of the things that I was interested in doing is intervening in that because I think Indigenous people have a lot of beautiful, very intellectual, theoretical contributions to make to the world. A lot of our theory is encoded in story, but a lot of our theory is also encoded in land-based practice. You can't learn about it from reading books or from going to lectures. You have to really be out on the land with elders for long periods of time.”
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Leanne Betasamosake Simpson about her new book,Theory of Water. Theory of Water is a rich, complex, and deeply personal reflection on world-making and life-giving processes best captured in the fluidity of water as it circulates through all our bodies and the planet. It is a largely collective project that enlists our listening and love, and helps us face the violence of all forms of dominance, enclosure, and containment. We are especially gifted to have the chance to listen to one of the songs from Leanne’s album, Theory of Ice, and have her comment on it and the relation of her music to her writing. This is a particularly special episode of Speaking Out of Place.
Leanne Betasamosake Simpson is a Michi Saagiig Nishnaabeg scholar, writer, and musician. She is the author of eight previous books, including the novel Noopiming: A Cure for White Ladies, which was short listed for the Dublin Literary prize and the Governor General’s award for fiction. Leanne’s album, Theory of Ice, released by You’ve Changed Records in 2021 and short-listed for the Polaris Prize and she was the 2021 winner of the Prism Prize’s Willie Dunn Award. Her latest project Theory of Water was published by Knopf Canada/Haymarket books in the spring of 2025. Leanne is a member of Alderville First Nation.
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“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.
The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”
Viet Thanh Nguyenhas spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.
Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He’s edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.
He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He’s received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we’ll talk about his books, America’s forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“Poetry is the prince of the literary arts to me. It's at the very top because it's language refined to its apex of memorability. I am interested in poetry as memorability and poetry as something you live by. These are the words you live by. These words stay in your brain and guide your life. That's what I am interested in. My memoir slash autofiction is called Borges and Me, and as you know, it's a story of my time in 1970 when my best friend Billy was drafted for the Vietnam War, and so was I. He went to Vietnam, and I went to Scotland to hide out and do my graduate work. I spent nearly seven years in Scotland, but I certainly spent the next five years definitely in Scotland. I was there before as an undergraduate for a bit, too. During that time, Billy was killed in Vietnam, and I was a nervous wreck. My memoir talks about my depression, my anxieties, and then, through my friend Alastair Reid, I met Borges, the great Argentine writer. We went on a little road trip through the Highlands, and this conversation with Borges really restored me back to myself and what was important in life. I felt that I owed a huge amount to that contact with Borges… I was lucky that suddenly, out of nowhere, came a wonderful director-producer named Mark Turtletaub. He had read my book and loved it, and he approached me. We had a conversation, and he said, ‘Look, I want to make this movie.’ So off we went.”
It’s a real pleasure today to welcome a writer whose voice has been a guiding force in American letters for decades. Jay Pariniis the author of acclaimed biographies of literary giants like John Steinbeck, Robert Frost, William Faulkner, and Gore Vidal—as well as an illuminating portrait of Jesus in The Human Face of God. He’s also a celebrated poet, novelist, essayist, and teacher whose work reflects a lifelong devotion to the arts, the humanities, and the power of language to tell the truth, gently. From his poetry to his prose, Jay's writing brings rare insight and deep compassion to the page. He doesn’t just study his subjects—he inhabits them, helps us hear their voices, and see the world through their eyes. And of course, he’s one of the few people who can say they've gotten into the heads of both Jesus and Gore Vidal...and lived to tell the tale.
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In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with M. E. O’Brien and Eman Abdelhadi about their dazzling and challenging book, Everything for Everyone: An Oral History of the New York Commune, 2052 to 2072. They imagine a world haunted by genocide, ecocide, disease, fascism, and viral capitalism, but rather than writing a dystopian novel, O’Brien and Abdelhadi create a complex mosaic of oral histories, in which they each play the part of interviewer. The result is a story that far exceeds New York, and the twenty years noted in the title. The histories cover generations across the globe, and reach into the deep sources of trauma, and the kinds of mutual care we will need to not only survive, but also to thrive in these frightening times.
Eman Abdelhadiis an academic, organizer and writer based in Chicago. She is co-author of "Everything for Everyone: An Oral History of the New York Commune, 2052-2072," a revolutionary sci-fi novel published in 2022 with Common Notions Press. She is an assistant professor and sociologist at the University of Chicago, where she researches American Muslim communities, and she is a columnist at In These Times magazine where she writes on the Palestine Liberation movement and American politics. Eman organizes with the Salon Kawakib collective, Faculty and Staff for Justice in Palestine at the University of Chicago, Scholars for Social Justice, and other formations.
M. E. O’Brien writes and speaks on gender freedom and capitalism. She has written two books: Family Abolition: Capitalism and the Communizing of Care (Pluto Press, 2023) and a co-authored speculative novel, Everything for Everyone: An Oral History of the New York Commune, 2052–2072 (Common Notions, 2022). She is a member of the editorial collective of Pinko, a magazine of gay communism. Her work on family abolition has been translated into Chinese, German, Greek, French, Spanish, Catalan, and Turkish. Previously, she coordinated the New York City Trans Oral History Project, and worked in HIV and AIDS activism and services. She completed a PhD at NYU, where she wrote on how capitalism shaped New York City LGBTQ social movements. She currently works a psychotherapist in private practice and is a psychoanalyst in formation.
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“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.
I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.
To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”
Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers’ Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature’ case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.
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In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Aziz Rana about his brilliant and bracing article recently published in New Left Review, “Constitutional Collapse.” They talk about how the Trump administration and its enablers are shredding a liberal “compact” which was established in in the 1930s through the Sixties and extending an imperial presidency abroad to an authoritarian one domestically. They discuss the current constitutional crisis, but also the need for, and manifestations of, a politics which is at once a genuine membership organization and social community. As Aziz Rana powerfully argues, “its aim should be to transform the world people organically experience.” This is exactly the analysis and message so many of us need in these dark times.
“In the US, we have this idea that exists as a kind of popular cultural sense. The country has basically had the same constitution—a document ratified in the 1780s, and it has really been in effect since then. However, one of the things that's distinctive about the US Constitution is that it is perhaps the hardest in the world to formally amend. It is incredibly difficult to change the actual terms of the text, even during times when we've had pretty profound changes to the language. Here, we can think about the Reconstruction period with the passage of the 13th, 14th, and 15th amendments.”
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“ It's a really dangerous time we're living through, and I do think that when we talk about these progressive policies, a huge problem in the US is that we still have a lot of stigma left over from the Cold War that keeps us from really great ideas because they're branded as socialist or communist. And I’ve seen, in the time I've been a journalist for the past 15 years, how that stigma has slowly faded. And you see that younger people are more and more interested in these ideas, whether or not they're considered socialist.”
Natasha Hakimi Zapata is an award-winning journalist, translator, and university lecturer based in Europe. She is the author of Another World Is Possible: Lessons for America From Around the Globe.Her articles appear regularly in The Nation, In These Times, and the Los Angeles Review of Books. She is the former foreign editor of Truthdig and has received several Southern California Journalism and National Arts & Entertainment Journalism awards, most recently in 2024 for her work as a foreign correspondent.
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In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Lindsay Weinberg and Robert Ovetz about the use of Artificial Intelligence in higher education. Under the guise of “personalizing” education and increasing efficiency, universities are increasingly sold on AI as a cure to their financial ills as public funds dry up and college applications drop. Rather than maintain that education is an essential public good that needs broad support, universities are looking to technology in ways that are changing the nature of education in dangerous and destructive ways. As Lindsay writes in the book, Smart University: “Higher education is becoming increasingly synonymous with digital surveillance in the United States. Advanced network infrastructure, internet- connected devices and sensors, radio frequency identification (RFID), data analytics, and artificial intelligence (AI) are being celebrated as a means of ushering in the age of “smart universities,” one where institutions canrun their services more efficiently and strengthen the quality of higher education using digital tools. However, as this book demonstrates, these tools have a darker side. They allow public universities to respond to and perpetuate corporate logics of austerity, use student data to reduce risk of financial investment in the face of dwindling public resources, and track student behavior to encourage compliance with institutional metrics of success. Surveillance of student behavior forms the foundation of the smart university, often in ways that prove harmful to students— particularly those who are already marginalized within the academy.
They talk about these issues and attach them to critical issues of labor—everything from the outsourcing of the most dangerous work to laborers in the Global South, to the way university workers at all levels are subordinated to the logic that drives AI. They end with a discussion of what we can and should do about it.
Dr. Lindsay Weinberg is a clinical associate professor in the Honors College at Purdue University, and the Director of the Tech Justice Lab. Her research and teaching are at the intersection of science and technology studies, media studies, and feminist studies, with an emphasis on the social and ethical impacts of digital technology. She is interested in the constitutive role that history and unequal power relations play in shaping the design,
Robert Ovetz, Ph.D. is a Senior Lecturer in Political Science and teaches non-profit management and labor relations in the Master of Public Administration program at San José State University. He is the author and editor of four books, including We the Elites (Pluto, 2022), and the forthcoming Rebels for the System: NGOs and Capitalism (2025 Haymarket Press).
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What happens when the state, with the pretext of protecting public safety, can detain indefinitely certain individuals whose dreams seem to indicate they may be capable of committing a crime? Set in a precarious world where sleep-enhancing devices and algorithms provide the tools and formulae for making one’s unconscious a witness to one’s possible waking life, this novel touches on a myriad of political, philosophical, and moral concerns as they particularly connect to issues of gender, race, ethnicity, privacy, and the security state.
In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with award-winning novelist Laila Lalami about her new novel, The Dream Hotel. Laila Lalami is the author of five books, including The Moor’s Account, which won the American Book Award, the Arab-American Book Award, and the Hurston / Wright Legacy Award. It was on the longlist for the Booker Prize and was a finalist for the Pulitzer Prize in Fiction. Her most recent novel, The Other Americans, was a national bestseller, won the Joyce Carol Oates Prize, and was a finalist for the National Book Award in Fiction. Her books have been translated into twenty languages. Her essays have appeared in the Los Angeles Times, the Washington Post, The Nation, Harper’s, the Guardian, and the New York Times. She has been awarded fellowships from the British Council, the Fulbright Program, the Guggenheim Foundation, and the Radcliffe Institute at Harvard University. She lives in Los Angeles.
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“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”
Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.
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We are working in the lab to understand this moment in development, which is called phylotypic. This is something that has been known for over a hundred years. When you see many vertebrate embryos at this early embryonic time point, all embryos look very, very similar. We are extrapolating these ideas to the brain. We have seen that at this time point, the phylotypic period, all brains of these species are very simple but very closely related. We share the same features with a fish or with a gecko or with any other mammalian species at this early time point. We have the same brain with the same genes active and the same cell types involved in it.
Dr. Fernando García-Moreno is a neuroscientist whose work explores the deep evolutionary roots of the brain—and what they reveal about identity, complexity, and even the future of technology. From the thalamus to the phylotypic brain, his research uncovers how our most fundamental brain structures co-evolve—and how they shape, and limit, the way we think. As we navigate an age shaped by AI and rapid innovation, Fernando brings a powerful lens: one that reminds us where we come from—and what evolution may still be writing into our futures. He is an Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience.
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“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.
I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”
Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.
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“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.
David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.
Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward’s words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era.
Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine’ when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That’s another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”
Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she’s earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson’s Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.
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“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.
I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.
David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.
Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward’s words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era.
Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine’ when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That’s another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”
Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she’s earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson’s Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.
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“I think that it all goes back to childhood. I’ve always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.
I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”
Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.
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“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.
I think that it all goes back to childhood. I’ve always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”
Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.
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“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”
Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner’s Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.
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“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”
Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner’s Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.
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“I want to live a life of consequence, and I want to live a life that has stakes in it because that means that things matter to you. I think, in some ways, this memoir was a project of sifting through and excavating the darkest hours, both for me and for the lineage and ancestry that I came from. I think the darkest hours were experienced by so many people I come from who have had to leave places they didn't want to leave. I live in exile and have been forced to leave behind houses, land, cities, and people. Oftentimes, this has happened more than once in a lifetime, so they have carried that trauma. Of course, it plays out intergenerationally in many different ways.
I think it's a time of fear. I don't think I'm alone in that. I am scared for people that I love. I am scared for people who are quite vulnerable. I worry for my students. I am concerned for the places that I feel are engaging in complicity because that will be such a heavy legacy to endure later on, how people, places, and entities comport themselves in moments like this. They will be remembered. There will always be people who remember it.”
Hala Alyan is the author of the memoir I'll Tell You When I'm Home, the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists’ City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.
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How do our personal relationships affect political movements and activism? What can we learn from Native American tradition to restore ecological balance? How can transforming capitalism help address global inequality and the environmental crisis?
DEAN SPADE (Author of Love in a Fcked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together)* shares his reflections on the importance of understanding common relational patterns within activist movements. He emphasizes the need for solidarity and collective action in response to global crises like the conflict in Gaza and ecological disasters. Spade argues for resilience and mutual support within activist communities as essential for sustained efforts toward systemic change.
TIOKASIN GHOSTHORSE (Founder · Host · Exec. Director of First Voices Radio · Founder of Akantu Intelligence · Master Musician of the Ancient Lakota Flute) discusses the often-overlooked Native history and the Western historical domination that has shaped contemporary educational perspectives. He highlights the need for reconnection to Native perspectives and calls for an acknowledgment of the spiritual and cultural richness lost through historical and ongoing colonial practices.
ALEXI HAWLEY (Showrunner · Writer · Creator of The Rookie · The Recruit) explores the complexities and challenges of depicting policing on television. Reflecting on the creation of his show "The Rookie" in the aftermath of Philando Castile's murder, Hawley discusses the show's evolution in addressing injustice in the justice system and the effort to portray an aspirational version of policing that acknowledges real-world issues.
JERICHO BROWN (Pulitzer Prize-winning Poet · Director of Creative Writing Program · Emory University · Editor of How We Do It: Black Writers on Craft, Practice, and Skill) delves into the complexities of being a Black writer, emphasizing the importance of embracing one's identity rather than trying to transcend it. He discusses how blackness enriches his craft and argues that the power of writing comes from its capacity to create new ways of seeing and understanding the world.
PAUL SHRIVASTAVA (Co-President of THE CLUB OF ROME) analyzes the need for collaborative efforts across various sectors—businesses, governments, and individuals—to address global inequalities and environmental challenges. He underscores the imperative to reshape capitalist principles to reduce extreme inequalities and to foster a sustainable and equitable global system.
To hear more from each guest, listen to their full interviews.
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“I want to draw the similarities with alien life, and we have these questions. They're the same questions that we would be asking if we could get a sample from Europa or if we could get a sample from Mars. I think the parallels are partly in how we study them. They're teaching us how to look for strange life, but then they're also teaching us about what’s possible with life, and they're so close to the edge of what is and isn't life that it really helps us to sort of — I don’t know. I don’t know where to draw that line personally, but they at least show us that that line is maybe closer to non-life than we would have thought, than I would have thought.”
Karen G. Lloyd is the Wrigley Chair in Environmental Studies and Professor of Earth Sciences at the University of Southern California. Her work has appeared in leading publications such as Nature and Science. She is the author of Intraterrestrials: *Discovering the Strangest Life on Earth.*
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“It's really changed my view of what life is. So many of the things that we attribute to the trappings of life look like requirements, like oxygen and sunlight. All the things that humans would absolutely die without — they’re not really necessary for life. Studying these things sort of breaks down what is necessary; what are the things that life has to have?”
Karen G. Lloyd is the Wrigley Chair in Environmental Studies and Professor of Earth Sciences at the University of Southern California. Her work has appeared in leading publications such as Nature and Science. She is the author of Intraterrestrials: *Discovering the Strangest Life on Earth.*
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“I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is keeping me down, you know? And that's, I think that's a theme that emerges in The God of the Woods.
I think there's a certain thread in American history of, like, individualism at all costs. The Van Laars named their house Self-reliance, which is a testament to the idea that they, I think, falsely believe themselves to have, have created their own power, their own capital, their own wealth, and ignore the fact that it's really the labor of the working class community around them- that, and of the people of Albany who've invested their money in the Van Laars Bank - that that really contributed to the acquisition of this enormous wealth that they now have and this enormous power that they now have.”
Liz Moore is the author of the New York Times bestselling novel Long Bright River, which was one of Barack Obama’s favorite books of the year, and has been made into a Peacock series starring Amanda Seyfried. Set against the opioid crisis and a string of mysterious murders, it’s a love story between two very different sisters and their path to recovery. Moore is winner of the 2014-2015 Rome Prize in Literature. Her other books include The God of the Woods, Heft, and The Unseen World.
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“ I've lived in Philadelphia for about 16 years. The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient, a lot of people struggling with addiction and a lot of women doing sex work to fund their physical addiction to opioids. You find out about their past, their road into addiction, their aspirations, their fears. I began to lead free writing workshops at an organization named St. Francis Inn, which is a longstanding food service organization in the community. They had a women's day shelter where I taught. I was really able to connect with people within the community on a quite personal level and loved my experiences in Kensington. And I still go, I'm still quite close with a number of the community workers, people who run free healthcare clinics. All of it ultimately informed the writing of Long Bright River.”
Liz Moore is the author of the New York Times bestselling novel Long Bright River, which was one of Barack Obama’s favorite books of the year, and has been made into a Peacock series starring Amanda Seyfried. Set against the opioid crisis and a string of mysterious murders, it’s a love story between two very different sisters and their path to recovery. Moore is winner of the 2014-2015 Rome Prize in Literature. Her other books include The God of the Woods, Heft, and The Unseen World.
Episode Website
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"The country spoke Irish largely before it spoke English. Grammatically, the structure of Irish is different from English. As Ireland adopted the English language, this sort of hybridization started to occur, where the English language was placed on top of Irish grammatical constructions. You get this slipperiness, this ability to move sentences, to place words in interesting places, and to use constructions that you just wouldn't find in England, for example. The thing about being an Irish writer is there isn't a reverence. There’s a sort of implicit freedom to use the language however we like. So long as you have mastery and command of the language, you can push it to the edges."
Paul Lynch is the author of five novels. His most recent novel, Prophet Song, won the 2023 Booker Prize and the Dayton Literary Peace Peace Prize for Fiction, and other prizes. Prophet Song presents a dystopian vision of Ireland and a mother’s determination to protect her family as her country slides towards totalitarianism. The Booker Prize Jury said, “It’s a remarkable accomplishment for a novelist to capture the social and political anxieties of our moment so compellingly.“ In 2024, Lynch was elected to Aosdána, the Irish academy for the arts, honoring distinguished artists. He was the chief film critic of Ireland’s Sunday Tribune newspaper. His novels have been translated into 35 languages.
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Paul Lynch is the author of five novels. His most recent novel, Prophet Song, won the 2023 Booker Prize and the Dayton Literary Peace Peace Prize for Fiction, and other prizes. Prophet Song presents a dystopian vision of Ireland and a mother’s determination to protect her family as her country slides towards totalitarianism. The Booker Prize Jury said, “It’s a remarkable accomplishment for a novelist to capture the social and political anxieties of our moment so compellingly.“ In 2024, Lynch was elected to Aosdána, the Irish academy for the arts, honoring distinguished artists. He was the chief film critic of Ireland’s Sunday Tribune newspaper. His novels have been translated into 35 languages.
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“We narrate the story of our lives to ourselves. We narrate it in linear fashion. And I know many writers have played with time in all sorts of amazing ways, but we're storytellers. This is what we do. And if you give the brain a story, a prepackaged story, you're giving a cheesecake. That's what it wants. That's why it loves stories. That's why our society is just built on stories. Politics is nothing but stories. Everything you do in the evenings – we sit down, we're watching Netflix – just stories. We consume them all the time. We are just machines for belief.”
Paul Lynch is the author of five novels. His most recent novel, Prophet Song, won the 2023 Booker Prize and the Dayton Literary Peace Peace Prize for Fiction, and other prizes. Prophet Song presents a dystopian vision of Ireland and a mother’s determination to protect her family as her country slides towards totalitarianism. The Booker Prize Jury said, “It’s a remarkable accomplishment for a novelist to capture the social and political anxieties of our moment so compellingly.“ In 2024, Lynch was elected to Aosdána, the Irish academy for the arts, honoring distinguished artists. He was the chief film critic of Ireland’s Sunday Tribune newspaper. His novels have been translated into 35 languages.
Episode Website
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We are privileged to present the voices of individuals dedicated to effecting change and mitigating the harm inflicted upon our precious planet. These are individuals deeply committed to the core values that drive positive transformation. Thank you for tuning in to our episodes and for your ongoing dedication to stewarding our planet, not just on Earth Day but throughout the year. We can’t save the planet overnight, but by acting mindfully, we can create a better future. Let’s make Every Day, Earth Day!
Composer MAX RICHTER on Nature's Sonic Landscape
Founder of PETA INGRID NEWKIRK on the Shared Traits between Humans and Animals
JULIAN LENNON (Musician and Founder of White Feather Foundation) on Balancing Our Relationship with Mother Earth
BERTRAND PICCARD (Explorer, Aviator of 1st Round-the-World Solar-Powered Flight) discusses his adventures and how climate change will change our quality of life
CARL SAFINA (Author and environmentalist) on the Miracle of Life on Earth
NAN HAUSER (Whale Researcher, President, Center for Cetacean Research & Conservation) on How a Whale Saved her Life
U.S. Poet Laureate ADA LIMÓN on Embracing Hope Amid Environmental Uncertainty
Environmental Writer DAVID FARRIER on Evaluating Our Environmental Legacy
Grammy & Emmy Award-winning Sound Engineer CYNTHIA DANIELS on The Role of Art and Compassion in Transforming Society
Economist ODED GALOR on Education's Role in Addressing Climate Change
President of EarthDay.ORG KATHLEEN ROGERS on Advocating for Global Environmental Education
Lead Author of IPCC 6th Assessment Report JOELLE GERGIS on Learning from Historical Climate Data
Fmr. Prime Minister’s Strategy Unit Director SIR GEOFF MULGAN on Imagining a Circular Future for Society
Free Solo Climber of 200+ of the World’s Tallest Skyscrapers ALAIN ROBERT on The Consequences of Overproduction on the Planet
Director of Climate Hazards Center, UC Santa Barbara CHRIS FUNK on Adapting to a Two-Degree World
Environmental Writer DAVID FARRIER Stretching Time and Empathy for Future Generations
Author of Finding the Mother Tree DR. SUZANNE SIMARD on Trees: Advanced Communicators of the Natural World
“Most Influential Living Philosopher” PETER SINGER on the Ethical Imperative to Respect Animal Life
Fmr. Exec. Director, Greenpeace Int'l, Special Envoy for Int'l Climate Action, German Foreign Ministry JENNIFER MORGAN on the Importance of Resilience in Advocacy
To hear more from each guest, listen to their full interviews.
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“I'm really interested in the relation between performance and ritual. Where do those two separate?”
Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.
“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”
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“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”
Richard Sennettgrew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.
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“One of the things that hopefully my books illustrate is that everybody's mind is different. And one of the amazing things about the human experience–and indeed that manifests in terms of art and creativity–is that when we have such different minds, that is why all this creativity, all this art is possible.”
Dr. Guy Leschziner is the author of The Nocturnal Brain, The Man Who Tasted Words, and other books. He is a consultant neurologist and a Professor of Neurology and Sleep Medicine at the Institute of Psychiatry, Psychology and Neuroscience, King's College London. He sees patients with a range of neurological and sleep disorders, and is actively involved in research and teaching. He has presented series on sleep and neurology for BBC World Service and Radio 4. His latest book is Seven Deadly Sins: The Biology of Being Human.
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“ I'm fascinated by the extremes of the human experience, partly because it is so far removed from our own experience of life. In another way, when you look at people who have neurological disorders or diseases, these are really nature's experiments. They are ways of trying to understand how the brain works for all of us. By extrapolation from looking at these extremes, we can learn about the workings of our own brains. That's very much the case across all the areas of my work, whether it be sleep disorders, neurology, or epilepsy—how we regulate our emotions, how we move, how we experience the world.
I never intended to be a storyteller; I intended to be a story listener, which is what we do daily in our clinics. Telling these stories generates empathy, creates understanding, and hopefully inspires the next generation to pursue careers as doctors, psychologists, and healthcare professionals, fostering a fascination with the brain similar to what Oliver Sacks did for me.”
Dr. Guy Leschziner is the author of The Nocturnal Brain, The Man Who Tasted Words, and other books. He is a consultant neurologist and a Professor of Neurology and Sleep Medicine at the Institute of Psychiatry, Psychology and Neuroscience, King's College London. He sees patients with a range of neurological and sleep disorders, and is actively involved in research and teaching. He has presented series on sleep and neurology for BBC World Service and Radio 4. His latest book is Seven Deadly Sins: The Biology of Being Human.
Episode Website
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“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it’s a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”
Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors’ Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.
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“So, post-activism is not ‘post-activism’ in the sense of being after activism. It is not supposed to be a through line to results or resolutions or solutions.”
Dr. Bayo Akomolafe is a philosopher, psychologist, writer, public intellectual, and the founder of the Emergence Network. His work, which he names post-activism, marks an earth-wide effort to sensitize bodies towards new response-abilities and other places of power – a project framed within a material feminist/post-humanist/post-activist ethos and inspired by Yoruba indigenous cosmologies. He is the author of These Wilds Beyond Our Fences: Letters to My Daughter on Humanity's Search for Home.
“Post-activism is instead a noticing that the ways we care for ourselves and our causes and our worlds could actually be incarcerated. Another way to put that is to notice that care can often become carceral. I often suggest that we like to embrace things, but sometimes in the squeeze of embrace, it could quickly become asphyxiation, where we choke the air out of each other in trying to care for each other.”
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“I learn more than anything else from my children. My son, he's seven, he's autistic, and I call him my prophet for a reason. He teaches me to meet myself in ways that are usually very stunning. I can get information from other people; I can read a book here and there, but it's very rare to come across such an embodiment of grace, possibility, and futurity, all wrapped up in a tiny seven-year-old boy's body. My son has given me lots of gifts.”
Dr. Bayo Akomolafe is a philosopher, psychologist, writer, public intellectual, and the founder of the Emergence Network. His work, which he names post-activism, marks an earth-wide effort to sensitize bodies towards new response-abilities and other places of power – a project framed within a material feminist/post-humanist/post-activist ethos and inspired by Yoruba indigenous cosmologies. He is the author of These Wilds Beyond Our Fences: Letters to My Daughter on Humanity's Search for Home.
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“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”
Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.
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“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.”
Katie Kitamura is the author five novels, most recently Auditionand Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.
Episode Website
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“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”
Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME’s 100 most influential people and serves as Prime Unifying Scientist at Microsoft’s Office of the CTO—aka “Octopus.” As a musician, he’s performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.
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Episode Website
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“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social media, we let ourselves be guided by the algorithms, so we start to become dumb in the way the algorithms want us to. You see that all the time. It's really degraded our psychologies and our society.”
Jaron Lanier is a pioneering technologist, writer, and musician, best known for coining the term “Virtual Reality” and founding VPL Research, the first company to sell VR products. He led early breakthroughs in virtual worlds, avatars, and VR applications in fields like surgery and media. Lanier writes on the philosophy and economics of technology in his bestselling book Who Owns the Future? and You Are Not a Gadget. His book Dawn of the New Everything: Encounters with Reality and Virtual Reality is an inventive blend of autobiography, science writing, and philosophy. Lanier has been named one of TIME’s 100 most influential people and serves as Prime Unifying Scientist at Microsoft’s Office of the CTO—aka “Octopus.” As a musician, he’s performed with Sara Bareilles, Philip Glass, T Bone Burnett, Laurie Anderson, Jon Batiste, and others.
Episode Website
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Instagram:@creativeprocesspodcast
Photo credit: Michael Springer
“When I first started writing this book, it really foregrounded the problems within our land ownership system, which treats land as a commodity. The way we talk about land and issues like racial and food justice reflects this. We tend to focus on the problems, attaching big concepts to them, such as racial justice or environmental justice. I realized that my job primarily consists of going around and talking to activists and community groups about their work. I’m interested not just in the very big problems we face as a society, economy, and political system, but also in how people are trying to think through solutions or approaches to those problems.
Audrea Lim is a Brooklyn-based freelance writer and journalist whose work focuses on land, energy, and the environment. Her writing has appeared in TheNew Yorker, Harper’s, Rolling Stone, the New York Times, the Guardian, the New Republic, and The Nation. Lim is the editor of The World We Need and the author of Free The Land: How We Can Fight Poverty and Climate Chaos. She is a visiting scholar at the Asian/Pacific/American Institute at New York University and was a 2022 Macdowell fellow.
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The music on this episode is “Snowball” from the album Sunken Cities, performed by Audrea Lim and her band Odd Rumblings.
“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”
James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.
“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”
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Why is there so much conflict over people, land, and resources? How can we rethink capitalism and land ownership to create a fairer, more equitable society?
Audrea Lim is a Brooklyn-based freelance writer and journalist whose work focuses on land, energy, and the environment. Her writing has appeared in TheNew Yorker, Harper’s, Rolling Stone, the New York Times, the Guardian, the New Republic, and The Nation. Lim is the editor of The World We Need and the author of Free The Land: How We Can Fight Poverty and Climate Chaos. She is a visiting scholar at the Asian/Pacific/American Institute at New York University and was a 2022 Macdowell fellow.
Episode Website
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Instagram:@creativeprocesspodcast
@audrea_lim
The music on this episode is “Snowball” from the album Sunken Cities, performed by Audrea Lim and her band Odd Rumblings.
“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”
James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.
“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”
Episode Website
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Instagram:@creativeprocesspodcast
How has feminism changed in light of the way we live now?
DEAN SPADE (Author of Love in a Fcked Up World: How to Build Relationships, Hook Up & Raise Hell Together*) on recognizing political conditions in personal relationships.
MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process.
TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development.
ELLEN RAPOPORT (Creator, Exec. Producer of Minx) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work.
LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards) on the significance of representing ordinary women’s experiences.
SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg.
SARA AHMED (Author, The Feminist Killjoy Handbook) reclaims the stereotypes, calling for solidarity among feminists.
INTAN PARAMADITHA (Author, The Wandering) reflects on the importance of intergenerational knowledge among women.
DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines.
KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience.
Listen to full interviews
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In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Sarah T. Roberts about the hidden humans behind Artificial Intelligence, which is reliant on executives and business managers to direct AI to promote their brand and low-level, out-sourced, and poorly paid content managers to slog through masses of images, words, and data before they get fed into the machine. They talk about the cultural, sociological, financial, and political aspects of AI. They end by taking on Elon Musk and the DOGE project, as an emblem of how Silicon Valley executives have embraced a brand of tech rapture that disdains and destroys democracy and attacks the idea that people can take care of each other, independent of sociopathic libertarianism.
Sarah T. Roberts, Ph.D., is a full professor at UCLA (Gender Studies, Information Studies, Labor Studies), specializing in Internet and social media policy, infrastructure, politics and culture, and the intersection of media, technology, and society. She is the faculty director and co-founder of the UCLA Center for Critical Internet Inquiry (C2i2), co-director of the Minderoo Initiative on Technology & Power, and a research associate of the Oxford Internet Institute. Informed by feminist Science and Technology Studies perspectives, Roberts is keenly interested in the way power, geopolitics, and economics play out on and via the internet, reproducing, reifying, and exacerbating global inequities and social injustice.
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Photo of Elon Musk: Debbie Rowe
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“We've lost over 70 percent, 73 percent, I think the latest data indicates, of wildlife and mammals in the last 50 years. That’s just shocking when you get that data, but then you ask, what can I do? What can I do? I wanted to move away from any guilt or compulsion because it doesn't work to talk to people that way. After 50 years of climate being in the news, in science, and in our schools, less than a fraction of 1 percent of people in the world do anything about it on a daily basis. How could that be? This is a civilizational crisis. For less than 1 percent to be engaged and do something means that our communication is flawed. I’m not saying the people are wrong, or the science is wrong, or the facts are wrong, but the narrative as a whole is not one that truly entices people or draws them in with a shared understanding of what we face and what to do about it. “
Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. He starts ecological businesses, writes about nature and commerce, and consults with heads of state and CEOs on climactic economic and ecological regeneration. He has appeared on the Today Show, Talk of the Nation, Real Time with Bill Maher, CBS This Morning, and his work has been profiled or featured in hundreds of articles, including The Wall Street Journal, New York Times, Newsweek, Washington Post, Forbes, and Businessweek. He has written nine books, including six national and New York Times bestsellers. He's published in 30 languages, and his books are available in over 90 countries. He is the founder of Project Drawdown and Project Regeneration, which is creating the world's largest, most complete listing and network of solutions to the climate crisis. His latest book is Carbon: The Book of Life.
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“We have 1.2 trillion carbon molecules in every cell. We have around 30 trillion cells, and that’s us. So carbon is really a flow that animates everything we love, enjoy, eat, and all plant life, all sea life—everything that's alive on this planet—is animated by the flow of carbon. “
Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. He starts ecological businesses, writes about nature and commerce, and consults with heads of state and CEOs on climactic economic and ecological regeneration. He has appeared on the Today Show, Talk of the Nation, Real Time with Bill Maher, CBS This Morning, and his work has been profiled or featured in hundreds of articles, including The Wall Street Journal, New York Times, Newsweek, Washington Post, Forbes, and Businessweek. He has written nine books, including six national and New York Times bestsellers. He's published in 30 languages, and his books are available in over 90 countries. He is the founder of Project Drawdown and Project Regeneration, which is creating the world's largest, most complete listing and network of solutions to the climate crisis. His latest book is Carbon: The Book of Life.
“We want to see the situation we're in as that, as a flow. Where are the flows coming from, and why are we interfering with them? Why are we crushing them? Why are we killing them? For sure. But also, we need to see the wonder, the awe, the astonishment of life itself and to have that sensibility as the overriding narrative of how we act in the world, how we live, and how we talk to each other. Unless we change the conversation about climate into something that's a conversation about more life—better conditions for people in terms of social justice, restoring so much of what we've lost—then we won’t get anywhere.”
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In this episode on Speaking Out of Place podcast Professor David Palumbo-Liut talks with Professor Adrian Daub about the recent elections in Germany, where we saw a surge in votes for the Far Right AfD party, which is now the second most powerful party in the country. They discuss the significance of this rise in popularity and the ways the elections reveal a number of shifts in German politics as the various parties stake out positions that align with not just a center-right orientation but, more dangerously, a far-right one. They speak of the parallels to the recent election of Donald Trump to the US presidency, and what it says about the entrenchment of both neoliberalism and a faux populism based on xenophobia and not serving the actual material interests of everyday people.
Adrian Daub teaches German and Comparative Literature at Stanford, where he directs the Clayman Institute for Gender Research. He is the author most recently of The Cancel Culture Panic (2024), and co-hosts the podcast In Bed With the Right.
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Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.
“Art transcends time and culture—the beauty of it. People worry about the world now. I remind them to go live in 1968, a time of preparing to go to the moon while people died for their beliefs. This is a difficult time in a republic that’s supposed to be free, but music was leading the way. It’s actually harmonious, transcending culture and time. That might be the greatest gift of our transcendence.”
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“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who’s that white boy?” I introduced him to Bob Thiele Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.”
Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book, Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting.
Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature. The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors.
Episode Website
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How can we overcome our fears? How can we challenge ourselves, pushing our physical boundaries to achieve the impossible?
Alain Robert is a renowned rock climber and urban climber. Known as "the French Spider-Man” or "the Human Spider," Robert is famous for his free solo climbing, scaling skyscrapers using no climbing equipment except for a small bag of chalk and a pair of climbing shoes. Some of his most notable ascents include the Burj Khalifa, the Eiffel Tower, and the Sydney Opera House, and over 200 of the world's tallest skyscrapers. He is also a motivational speaker and the author of The Spider-man: Free and Unattached, and With Bare Hands: The True Story of Alain Robert, the Real-life Spiderman.
“You are fighting to stay alive. You are fully in the present moment. You don't have time to think about being afraid. You are focused on what you are doing. You struggle to pass another window. You don't have time to think about your problems. The only thing you are concerned about deep down in the back of your mind is that you need to stay alive, and for that, you need to remain calm and focused.”
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“You are fighting to stay alive. You are fully in the present moment. You don't have time to think about being afraid. You are focused on what you are doing. You struggle to pass another window. You don't have time to think about your problems. The only thing you are concerned about deep down in the back of your mind is that you need to stay alive, and for that, you need to remain calm and focused.”
How can we overcome our fears? How can we challenge ourselves, pushing our physical boundaries to achieve the impossible?
Alain Robert is a renowned rock climber and urban climber. Known as "the French Spider-Man” or "the Human Spider," Robert is famous for his free solo climbing, scaling skyscrapers using no climbing equipment except for a small bag of chalk and a pair of climbing shoes. Some of his most notable ascents include the Burj Khalifa, the Eiffel Tower, and the Sydney Opera House, and over 200 of the world's tallest skyscrapers. He is also a motivational speaker and the author of The Spider-man: Free and Unattached, and With Bare Hands: The True Story of Alain Robert, the Real-life Spiderman.
www.instagram.com/alainrobertofficial/?hl=fr
www.creativeprocess.info
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Instagram @creativeprocesspodcast
Image courtesy of alainrobert.com
In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west’s “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X’s boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:
“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after’? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”
Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe’s book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University.
Dr. Goffe’s research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty.
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“What I have done in my career is just try to assess who we are, what we are, why we are here, and how come we, as animals, are able to walk around and wear pants and dresses and talk on the internet, while the other animals are not. It's been my obsession since I was young. I think if I hadn't become a novelist, I might have been happy to be a naturalist or a field biologist.
There is some kind of magic in the creative process. I am reaching for things in my unconscious that surprise me. I don't know what it's going to be. I'd like to do many, many things. It's all my life's work. I don't want to just write the same book over and over again as some other authors do. I don't want to become formulaic.”
T.C. Boyle is a novelist and short story writer based out of Santa Barbara, California. He has published 19 novels, such as The Road to Wellville and more than 150 short stories for publications like The New Yorker, as well as his many short story collections. His latest novel Blue Skies is a companion piece to A Friend of the Earth. His writing has earned numerous awards, including winning the PEN/Faulkner Award for Best Novel of the Year for World's End.
Episode Website
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Why are we filled with so many contradictions? How does writing help us make sense of the absurdity and of the absurdity and chaos of the world?
T.C. Boyle is a novelist and short story writer based out of Santa Barbara, California. He has published 19 novels, such as The Road to Wellville and more than 150 short stories for publications like The New Yorker, as well as his many short story collections. His latest novel Blue Skies is a companion piece to A Friend of the Earth. His writing has earned numerous awards, including winning the PEN/Faulkner Award for Best Novel of the Year for World's End.
“What I have done in my career is just try to assess who we are, what we are, why we are here, and how come we, as animals, are able to walk around and wear pants and dresses and talk on the internet, while the other animals are not. It's been my obsession since I was young. I think if I hadn't become a novelist, I might have been happy to be a naturalist or a field biologist.
There is some kind of magic in the creative process. I am reaching for things in my unconscious that surprise me. I don't know what it's going to be. I'd like to do many, many things. It's all my life's work. I don't want to just write the same book over and over again as some other authors do. I don't want to become formulaic.”
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Photo credit: Spencer Boyle in Santa Barbara, CA
“You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen.
You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.”
Patrick Healy was born in Dublin in 1955. He studied philosophy and Semitic languages at St. Columbans Dalgan Park, Pontifical University Maynooth, and University College Dublin. He has published over 20 books on topics around artists, aesthetic theory, philosophy of science, architecture, art criticism and innumerable essays. He has been a Professor of Interdisciplinary Research at Free International University Amsterdam, 1997-present, and was a Senior Research Fellow at the Faculty of Architecture from 2020-2022. He is currently completing a new work of fiction entitled Fatal Fragments, a loose follow-up to his novel Beyond the Pale.
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Patrick Healy’s novel Beyond the Pale explores memory, time, childhood, and how language shapes our world. Set in rural Ireland, starting in the 1950s, the book follows a young boy’s early memories through a series of expressionistic soundscapes. The expression from which the book takes its name has come to mean beyond what is considered acceptable behavior, but the origins of the phrase referred to land within Ireland that was “beyond the control of the English government.” Healy’s book examines social class, stigma, village, family life, identity, and the nature of consciousness. Rooted in the oral tradition, the book is a celebration of place, the Irish idiom, music, and memory.
Patrick Healy was born in Dublin in 1955. He studied philosophy and Semitic languages at St. Columbans Dalgan Park, Pontifical University Maynooth, and University College Dublin. He has published over 20 books on topics around artists, aesthetic theory, philosophy of science, architecture, art criticism and innumerable essays. He has been a Professor of Interdisciplinary Research at Free International University Amsterdam, 1997-present, and was a Senior Research Fellow at the Faculty of Architecture from 2020-2022. He is currently completing a new work of fiction entitled Fatal Fragments, a loose follow-up to his novel Beyond the Pale.
“You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen.
You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.”
Episode Website
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Instagram:@creativeprocesspodcast
Photo credit: Marc Damri
“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”
Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.
Together, they’ve written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.
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AI competes for our attention because our attention has been commodified. As our entire lives revolve more and more around the attention economy, what can we do to restore our autonomy, reclaim our privacy, and reconnect with the real world.
Computer scientist Fabien Gandon and research engineer Franck Michel are experts in AI, the Web, and knowledge systems. Fabien is a senior researcher at Inria (Institut national de recherche en sciences et technologies du numérique), specializing in the Semantic Web, while Franck focuses on integrating and sharing data through Linked Open Data technologies.
Together, they’ve written Pay Attention: A Call to Regulate the Attention Market and Prevent Algorithmic Emotional Governance. Their research unpacks how digital platforms are monetizing our attention at an unprecedented scale—fueling misinformation and division and even threatening democracy and affecting our emotions and well-being.
“The fact that technologies are being used and combined to capture our attention is concerning. This is currently being done with no limitations and no regulations. That's the main problem. Attention is a very private resource. No one should be allowed to extract it from us by exploiting what we know about the human mind and how it functions, including its weaknesses. We wrote this paper as a call to regulate the attention market and prevent algorithmic emotional governance.”
Episode Website
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In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Maya Schenwar and Kim Wilson on their new book, We Grow the World Together: Parenting Toward Abolition. They talk about what inspired them to commission a wide range of amazing activists, artists, scholars, and organizers to write whatever came to their minds about the topic of parenting and abolition. The result is a rich mosaic of unique insights expressed in diverse forms, but each one touching deeply on the interdependency of living beings and the importance of caregiving in all its forms. It is this commitment that leads us always to imagine an abolitionist future for ourselves, and all children.
Maya Schenwar is Truthout's editor-in-chief, author of Locked Down, Locked Out: Why Prison Doesn’t Work and How We Can Do Better, and co-editor of Who Do You Serve, Who Do you Protect? Police Violence and Resistance in the United States.
Kim Wilson is an artist, educator, writer, and organizer. She is the co-founder, cohost, and producer of Beyond Prisons, a podcast on incarceration and prison abolition. A social scientist by training, Dr. Wilson has a PhD in Urban Affairs and Public Policy, and her work focuses on examining the interconnected functioning of systems, including poverty, racism, ableism, and heteropatriarchy, within a carceral structure. Her work delves into the extension and expansion of these systems beyond their physical manifestations of cages and fences, to reveal how carcerality is imbued in policy and practice. She explores how these systems synergize to exacerbate the challenges faced by under-resourced communities, revealing a deliberate intention to undermine and further marginalize vulnerable populations.
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"Hegel taught me that things can be true and false at the same time. In fact, to expect that, and therefore to understand something, you have to know the boundaries that separate it from what it isn’t. What it isn’t is part of understanding what it is. When you have that in your mind, then when you want to understand capitalism, you have to understand what separates it from everything else. The minute you have that, you have an 'else.' Now you can compare. That is what human beings do. When you see a cat and a dog, your brain begins to organize that these are different. Out of that might come a notion: I really like cats, or I really don’t care much for dogs, or vice versa. That is all bingo."
Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City.
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When capitalism stops serving the needs of the people, what can we do to create a fairer more equitable society? What can we learn from China's success and economic growth? Are we witnessing the decline of the American Empire and what comes next?
Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City.
“The position of the United States in the world, economically and politically, is the weakest it has been in my lifetime. I was born in the middle of the 20th century, so I have watched the rise of the American empire and the success of American capitalism in the second half of the 20th century. However, over the last 20 years, I have watched that turn into its opposite—a decline. The decline is visible everywhere. Unless you live in the United States and consume mainstream media, there is a level of denial that will be recorded historically as one of the great examples, not just of a declining empire, which typically has people who cannot face it and who refuse to see it. You can go to Great Britain today and find quite a few people who think we still have the British Empire, even though everyone who isn't crazy knows that is silly. But we are earlier in the decline phase than the British are; they have had to endure it for a century while we have just had to do it for a couple of decades. It is fresh.”
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How do our personal lives influence the art we make?
JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity.
LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers’ room of House of Cards, adapting the creator’s vision.
BENOIT DELHOMME (Award-winning Cinematographer · Artist · Director · At Eternity’s Gate · The Theory of Everything ·The Scent of Green Papaya) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom.
JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft.
MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows.
ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art.
MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news.
To hear more from each guest, listen to their full interviews.
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“My mandate focuses on the protection of those trying to protect the planet. Protection of defenders is my main topic. When I'm speaking to states or companies, it's always related to cases of defenders facing threats, attacks, or penalization by companies or governments, like the recent case of Paul Watson (founder of Sea Shepherd) in Denmark… When I travel to places like Peru, Colombia, or Honduras and meet Indigenous people, I realize they have a relationship with nature that we don't have anymore. They express that the food they eat, the water they drink, and the air they breathe goes beyond just air and food; it represents what they call Pachamama or Mother Earth. This is a cosmovision shared across various communities, not only in Latin America but globally.”
Michel Forst is a prominent human rights advocate and the UN Special Rapporteur on Environmental Defenders under the Aarhus Convention. He previously served as the Special Rapporteur on Human Rights Defenders (2014–2020) and has worked with Amnesty International, UNESCO, and the Global Alliance of National Human Rights Institutions, championing protections for activists worldwide. Forst’s career is marked by his unwavering commitment to defending those at risk for advancing justice, environmental protection, and human rights globally.
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Who Defends the Defenders? In many countries, the state response to peaceful environmental protest is increasingly to repress rather than to enable and protect those who wish to speak up for the environment.
Michel Forst is a prominent human rights advocate and the UN Special Rapporteur on Environmental Defenders under the Aarhus Convention. He previously served as the Special Rapporteur on Human Rights Defenders (2014–2020) and has worked with Amnesty International, UNESCO, and the Global Alliance of National Human Rights Institutions, championing protections for activists worldwide. Forst’s career is marked by his unwavering commitment to defending those at risk for advancing justice, environmental protection, and human rights globally.
“My mandate focuses on the protection of those trying to protect the planet. Protection of defenders is my main topic. When I'm speaking to states or companies, it's always related to cases of defenders facing threats, attacks, or penalization by companies or governments, like the recent case of Paul Watson (founder of Sea Shepherd) in Denmark… When I travel to places like Peru, Colombia, or Honduras and meet Indigenous people, I realize they have a relationship with nature that we don't have anymore. They express that the food they eat, the water they drink, and the air they breathe goes beyond just air and food; it represents what they call Pachamama or Mother Earth. This is a cosmovision shared across various communities, not only in Latin America but globally.”
Episode Website
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Instagram:@creativeprocesspodcast
"I would love to have an educational system that allowed children to remain with that sense of wonder or retain that sense of wonder and the emotionality that makes them children. In our hurry to grow up and become rational—because rational gets rewarded by a rational economy—we have distorted many parts of being human. And not just distorted, we systematically keep on suppressing and distorting it. It might be that at some point, humans—at least some humans—will realize the power and the utility of being emotional and being more natural to who they are; being feral in some ways, and embracing wildlife and nature in more naturalistic ways than we currently do through our socialized ideas about what nature is and what we can do with it. Because the socialized ideas are the ones that are destroying nature. They are making nature into an asset. Then you put a price on it, and you forget that it’s also a tree.
I feel that all this knowledge I’ve accumulated over 20 years in colleges and universities and working in those environments has diminished my own humanity. I think we are the final authors of our lives. If we look at ordinary things, we can make them extraordinary just by our sheer will and by experiencing them in a different way.
Ultimately, it changes the big picture because I see people changing jobs, changing their livelihoods, and changing their communities in order to maintain the integrity of what they want to do in these small, ordinary things."
Paul Shrivastava is Co-President of The Club of Rome and a Professor of Management and Organisations at Pennsylvania State University. He founded the UNESCO Chair for Arts and Sustainable Enterprise at ICN Business School, Nancy, France, and the ONE Division of the Academy of Management. He was the Executive Director of Future Earth, where he established its secretariat for global environmental change programs, and has published extensively on both sustainable management and crisis management.
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Less than two weeks into the new year and the world’s wealthiest 1% have already used their fair share of the global carbon budget allocated for 2025. 2024 was hottest year on record. How can we change our extractive mindset to a regenerative mindset? How can we evolve our systems from economic growth to a vision of regenerative living and eco-civilization?
Paul Shrivastava is Co-President of The Club of Rome and a Professor of Management and Organisations at Pennsylvania State University. He founded the UNESCO Chair for Arts and Sustainable Enterprise at ICN Business School, Nancy, France, and the ONE Division of the Academy of Management. He was the Executive Director of Future Earth, where he established its secretariat for global environmental change programs, and has published extensively on both sustainable management and crisis management.
“Climate change is here. It's already causing devastation to the most vulnerable populations. We are living with an extractive mindset, where we are extracting one way out of the life system of the Earth. We need to change from that extractive mindset to a regenerative mindset. And we need to change from the North Star of economic growth to a vision of eco civilizations. Those are the two main principles that I want to propose and that the Club of Rome suggests that we try to transform our current organization towards regenerative living and eco civilization.”
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Photo credit: Penn State. Creative Commons
“This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.”
Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law. His latest book is Love in a Fcked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together*.
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Why is it that we find the courage to boldly confront mainstream societal norms and structures, yet are so often unable to treat romantic partners with care and generosity? Why do we lose our principles when we become insecure, disappointed, or jealous? Why do we act our worst in sexual and romantic relationships? And why do we prioritize romantic connection above other types of relationships, like friendship?
Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law. His latest book is Love in a Fcked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together*.
“This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.”
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“I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold. But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter.”
Laura Eason is an Emmy-nominated producer, screenwriter, and playwright. Currently, she is the executive producer and showrunner of the Starz drama series Three Women. Based on a book by Lisa Taddeo, the series stars Shailene Woodley, DeWanda Wise, Betty Gilpin and Gabrielle Creevy. Laura’s writing and producing credits for television include The Loudest Voice and four seasons of House of Cards. Laura's many plays include the critically acclaimed Sex with Strangers. She has also adapted many classic novels for the stage, including a highly successful version of Around the World in 80 Days. She has served as Artistic Director of Lookingglass Theatre Company in Chicago, where she also acted, directed, and produced in upwards of 20 shows.
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What is love? How do the narratives we internalize shape our understanding of relationships, intimacy, and family?
Laura Eason is an Emmy-nominated producer, screenwriter, and playwright. Currently, she is the executive producer and showrunner of the Starz drama series Three Women. Based on a book by Lisa Taddeo, the series stars Shailene Woodley, DeWanda Wise, Betty Gilpin and Gabrielle Creevy. Laura’s writing and producing credits for television include The Loudest Voice and four seasons of House of Cards. Laura's many plays include the critically acclaimed Sex with Strangers. She has also adapted many classic novels for the stage, including a highly successful version of Around the World in 80 Days. She has served as Artistic Director of Lookingglass Theatre Company in Chicago, where she also acted, directed, and produced in upwards of 20 shows.
“I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold. But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter.”
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How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life’s big questions?
MAX RICHTER(Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people’s perceptions and experiences, fostering understanding and connection.
ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity.
ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments.
CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax’s Gordita Chronicles) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans."
BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration.
JOHNJOE McFADDEN (Author of Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically.
SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) discusses his choice of writing in the second person to explore the spiritual dimension.
CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland) reflects on creative freedom, experimental theater and her work in film and television.
KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations.
To hear more from each guest, listen to their full interviews.
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What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world?
NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection.
DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations.
DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization.
SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption.
LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy.
MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues.
MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world.
To hear more from each guest, listen to their full interviews.
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How can we be more engaged global citizens? How do we fight for truth and protect democracy in a post-truth world? What influence do billionaires have on politics, journalism, and the technology that shapes our lives?
Lee McIntyre (Philosopher · Author of On Disinformation: How To Fight For Truth and Protect Democracy) examines democracy, and science denial. He delves into how continuous disinformation campaigns not only promote falsehoods but ultimately aim to demoralize the public by making them doubtful about the existence of truth.
Darryl Cunningham (Cartoonist · Author of Elon Musk: Investigation into a New Master of the World) on the problematic nature of extreme wealth concentration among billionaires and the political power they wield.
Debora Cahn (Television creator, writer, and Emmy-nominated showrunner of Netflix’s The Diplomat) on how being a child of Holocaust survivors sparked her interest in moral questions and complex characters.
Julian Lennon (Singer-songwriter and documentary filmmaker, founder of The White Feather Foundation) on the need for supporting education and safety for girls in Kenya.
Arash Abizadeh (Philosopher · Assoc. Editor of Free & Equal) on wealth inequality and how economic disparities create social unrest and political manipulation, suggesting that tackling inequality is essential for the healthy functioning of democratic societies.
Daniel Susskind (Economist · Author of Growth: A Reckoning) explores how involving ordinary citizens in deliberation processes in mini-publics and citizen assemblies can help resolve complex political issues like nuclear policy and climate change.
Carlos Moreno (Originator of the 15-Minute City concept) emphasizes the importance of proximity and social interaction in urban design, highlighting how it counteracts social isolation, reduces radicalization, and helps foster more inclusive, tolerant communities.
To hear more from each guest, listen to their full interviews.
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How can we learn to speak the language of the Earth and cultivate our intuitive intelligence? What lessons can we learn from non-human animals about living in greater harmony with nature? How have we contributed to making our planet a more dangerous place, and how can we work to save it?
COLIN STEEN (CEO of Legacy Agripartners) reflects on his upbringing on a farm in Weldon, Saskatchewan. He highlights the rewarding yet challenging nature of farm life, emphasizing the importance of agriculture and its impact on shaping one's responsibilities and successes in life.
JILL HEINERTH (Canadian cave diver, underwater explorer, writer, photographer, and filmmaker) discusses her experiences exploring underwater caves. She talks about the collaborative nature of her work and her reflections on our connected planet.
NOAH WILSON-RICH (Co-Founder and CEO of The Best Bees Company, Author of The Bee: A Natural History) explores his fascination with bees and their significance to human society. He shares the broader lessons humans can learn from these pollinators.
INGRID NEWKIRK (Founder and President of PETA) discusses the fascinating world of animal communication. She explores the ways animals interact and communicate with each other, the complexity of animal languages and their significance in the animal kingdom.
NEIL GRIMMER (Brand President of SOURCE Global, innovator of the SOURCE Hydropanel) highlights the critical issue of water insecurity and scarcity facing the global population. He underscores the urgent need for innovation and technology deployment to address the increasing water stress and ensure sustainable water resources.
CARL SAFINA (Ecologist, Founding President of Safina Center) offers a critical perspective on human impact on the environment. He emphasizes that while humans are technologically advanced, we are often reckless in our use of these capabilities, leading to severe planetary problems that we struggle to solve.
RICHARD VEVERS (Founder and CEO of The Ocean Agency) stresses the importance of coral reefs as foundational species that support diverse marine ecosystems. He warns of the dire consequences of coral reef destruction and advocates for the protection and conservation of these essential habitats.
WALTER STAHEL (Founding Father of the Circular Economy, Founder-Director of the Product-Life Institute) discusses the necessity of adopting a circular economy to tackle environmental challenges. He argues that creating a low-waste, low-carbon, and low-anthropogenic mass society is essential for preserving natural resources and reducing environmental impacts.
JOELLE GERGIS (IPCC Lead Author, Award-winning climate scientist and writer, Author of Humanity’s Moment: A Climate Scientist’s Case for Hope) shares insights on coping with the emotional burden of climate change. She highlights the importance of maintaining hope, connecting with like-minded individuals, and finding meaning amidst the ongoing environmental crisis.
JAMES BROWNING (Founder of advocacy group F Minus) explains the insidious nature of fossil fuel lobbying. He reveals how lobbyists representing both harmful industries and beneficial causes can complicate efforts to raise awareness and address the climate crisis effectively.
PAULA PINHO (Director of the European Commission’s DG for Energy) encourages active participation in nurturing values such as peace, democracy, and sustainability. She advocates for using social media and other means to speak out and engage in meaningful discussions to promote these values.
To hear more from each guest, listen to their full interviews.
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What influence do billionaires have on politics, journalism, and the technology that shapes our lives? What drives people to seek absolute power, and how can we hold them accountable?
Darryl Cunningham is a cartoonist and author of Science Tales, Psychiatric Tales, The Age of Selfishness, and Billionaires: The Lives of the Rich and Powerful. Cunningham is also well-known for his comic strips, which have been featured on the websites Forbidden Planet and Act-i-vate collective, among others. others. His more recent work includes a graphic novel on Elon Musk, titled Elon Musk: Investigation into a New Master of the World.
“No one should be a billionaire because it's damaging. There's a certain level of wealth that's damaging to a country. Billionaires have so much wealth that they have enormous political power, which is undemocratic. There should be a ceiling on wealth. I have nothing against people becoming millionaires or even multi-millionaires. But multi-billionaires are incredibly bad for all of us. If you have so much money that you can buy an entire political party, that's a thing that shouldn't exist.”
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Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make?
Erland Cooper (Scottish composer, producer, and multi-instrumentalist) explores the emotional and transformative effects of music and visual arts. He underscores how music can transport individuals to different places and evoke emotional responses and relates his personal experiences of homesickness for his native Orkney.
Debora Cahn (television creator, writer, and Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat) discusses the craft of long-form storytelling in television. She highlights the process of building immersive worlds and the challenge of integrating ideas into narratives that resonate with audiences on a universal level.
Julian Lennon (singer-songwriter and documentary filmmaker, founder of The White Feather Foundation, and photographer/author of Life’s Fragile Moments) reflects on the influence of his heroes and teachers and remembers the thing his mother taught him. He speaks about the importance of empathy, respect, and positivity, and how these values shape his creative and humanitarian efforts.
Ed Zwick (Academy-Award-winning writer, director, and producer, and author of Hits, Flops, and Other Illusions) analyzes the elusive nature of talent and the magical moments in casting where undeniable potential shines through. Zwick shares insights into the subtle and unspoken aspects of directing that elevate a performance and bring a story to life.
Chris Blackwell (Founder of Island Records and inductee of the Rock & Roll Hall of Fame) highlights the importance of instinct in recognizing and nurturing talent. He recounts his initial hesitation before signing Cat Stevens to Island Records. He shares how artistic partnerships grow out of personal connections and friendship.
Joy Gorman Wettels (Executive producer of UnPrisoned and the founder of Joy Coalition) highlights stigmatized social issues through her storytelling. She emphasizes that humanizing these issues by creating relatable, empathetic characters can lead to real-world change and understanding.
Rick Carnes (Songwriter and President of the Songwriters Guild of America) discusses the fundamental elements of songwriting and how music marks significant moments in people’s lives. He elaborates on his creative process and the importance of mindfulness and emotional awareness in writing meaningful songs.
To hear more from each guest, listen to their full interviews.
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How can we shape technology’s impact on society? How do social media algorithms influence our democratic processes and personal well-being? Can AI truly emulate human creativity? And how will its pursuit of perfection change the art we create?
Daniel Susskind (Economist · Oxford & King’s College London · Author of Growth: A Reckoning · A World Without Work) shares insights on the nature of growth driven by technological progress. He contends that while technology can accelerate growth, its impacts can be consciously directed to reduce environmental damage and social inequalities. According to Susskind, the current trajectory of technological progress needs reevaluation to mitigate potential adverse effects on future working lives.
Arash Abizadeh (Professor of Political Science · McGill University Author of Hobbes and the Two Faces of Ethics · Associate Editor · Free & Equal) explores the ethical tensions between democratic needs and commercial imperatives of social media platforms. He highlights how algorithms designed to maximize engagement often foster outrage and fear, contrasting these commercial objectives with the requirements for a healthy democratic public sphere.
Debora Cahn (Creator & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell · Exec. Producer Homeland · Grey’s Anatomy · Vinyl · Co-Producer The West Wing) toggles between apprehension and optimism about emerging technologies like AI. She reflects on her father's experience with nuclear technology and ponders the unpredictable impacts of AI, drawing parallels with the unforeseen transformation of the internet.
Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind) examines the rise of AI and its influence on aesthetics in the arts. She argues that technology drives creators towards superficial beauty conforming to popular standards, thereby cluttering the mind and fostering an obsession with perfection fueled by dopamine signals.
Julian Lennon (Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation Photographer/Author of Life’s Fragile Moments) discusses AI's potential in the medical field, highlighting recent advancements that are paving the way for novel treatments and cures. While acknowledging the importance of copyright issues, he remains optimistic about AI’s positive impact on healthcare.
Brian David Johnson(Author of The Future You: How to Create the Life You Always Wanted · Director of the Arizona State University’s Threatcasting Lab Futurist in Residence · ASU’s Center for Science & the Imagination) emphasizes the importance of maintaining a human-centric approach to technology. He questions the purpose behind technological advancements, urging developers to always consider the human impact and clarify their objectives.
To hear more from each guest, listen to their full interviews.
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How does art change the way we see and experience the world? Art has the power to offer transformative experiences, but what about the lives of artists who give so much of themselves? How can we balance creativity and personal well-being while still making work that is true and meaningful?
David Rubin (President of the Academy of Motion Picture Arts & Sciences 2019-2022 · Casting Director) discusses the importance of fostering an international presence for the Motion Picture Academy. He highlights how inviting filmmakers from around the world has enriched the community and emphasizes the power of collaboration in the filmmaking industry.
Later, he reflects on his journey in casting, the challenges younger people face in finding their niche, and the importance of patience and open-mindedness in discovering one's career path. Rubin highlights how negative experiences can also be valuable learning points.
Jericho Brown (Pulitzer Prize-winning Poet: The Tradition · Editor of How We Do It: Black Writers on Craft, Practice, and Skill) shares his process of writing poetry, emphasizing the element of discovery and the unexpected directions a poem can take. He shares his advice to young poets, how they should aim to create original works that could become lasting cultural touchstones.
Julian Lennon (Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation · Photographer/Author of Life’s Fragile Moments) reflects on the emotional highs and lows experienced by creatives. He discusses the significance of finding balance and happiness through artistic and charitable expression.
Sam Levy (Award-winning Cinematographer of Lady Bird · Frances Ha · While We’re Young) explores the art of cinematography. Levy underscores the importance of intention in every scene, whether it’s to highlight a character’s emotions or to convey the unspoken elements of the story.
Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind) discusses transformative experiences through art and literature. She explains how aesthetic emotions can lead to profound changes in perception and understanding, drawing from both personal and scientific insights.
To hear more from each guest, listen to their full interviews.
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This episode explores the enduring power of storytelling to shape our world and illuminate the human experience. Writers Neil Gaiman, Ada Limón, Jericho Brown, E.J. Koh, Marge Piercy, and Max Stossel discuss creativity, resilience, and the power of words to heal and bring people together.
Neil Gaiman (Writer, Producer, Showrunner · The Sandman, American Gods, Good Omens, Coraline) explores the secret lives of writers, reflecting on the masks they wear in the pursuit of truth and beauty.
Jericho Brown (Pulitzer Prize-winning Poet: The Tradition · Editor of How We Do It: Black Writers on Craft, Practice, and Skill) shares “Foreday in the Morning”, highlighting the hard work and resilience in Black America. He examines the vernacular of his poetry and how it intertwines themes of race, nationality, and familial love.
Ada Limón (U.S. Poet Laureate · The Hurting Kind, The Carrying) presents an "apocalyptic love poem" that questions the intersection of despair and hope in today's changing world. She reflects deeply on the personal and universal struggles of finding beauty amidst environmental and existential crises.
Marge Piercy (Award-winning Novelist, Poet & Activist) delves into the emotional weight of words and memories, the terror of child separation, and the impending doom facing our world due to environmental destruction and political negligence.
E.J. Koh (Award-Winning Memoirist & Poet · The Magical Language of Others · A Lesser Love) recounts a haunting family history from Jeju Island in Korea, emphasizing the lasting impacts of trauma and the collective memory of ancestral sufferings.
Max Stossel (Award-winning Poet, Filmmaker, Speaker, Creator of Words That Move) uses the metaphor of a boxing ring to discuss the complexities of human conflict and connection, encouraging a shift from adversarial relationships to collaborative problem-solving.
To hear more from each guest, listen to their full interviews.
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“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.
From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”
Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.
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Photo credit: © 2024, Julian Lennon. All rights reserved.
Life’s Fragile Moments, published by teNeues, www.teneues.com, August 2024. 27,5 x 34 cm |10 5/6 x 13 3/8 in., 240 pages, Hardcover, approx. 200 color photographs, texts English & German ISBN: 978-3-96171-614-2
What is the power of photography? How do images and songs bookmark our lives, reminding us of what we care about, who we love, and what it means to be alive?
Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.
“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.
From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”
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Photo credit: © 2021 Marilyn Clark
How and when will we transition to a clean energy future? How have wetlands become both crucial carbon sinks and colossal methane emitters in a warming world? What lessons can we learn from non-human animals about living in greater harmony with nature?
Richard Black (Author of The Future of Energy · Fmr. BBC Environment Correspondent · Director of Policy & Strategy · Global Clean Energy Thinktank · Ember) addresses the substantial economic impact of fossil fuel subsidies, noting that the actual costs, when including climate change damages, reach up to six or seven trillion dollars annually, overshadowing the relatively small climate finance provided by Western governments.
Euan Nisbet (Earth Systems Scientist · Royal Holloway University of London) explores the role of methane in the atmosphere, its historical importance in maintaining the planet’s temperature, and its current contribution to global warming. He explains the sources of methane, including natural processes and human activities, and discusses recent trends and challenges tied to rising methane levels.
Julie Pierce (Vice President of Strategy & Planning · Minnesota Power) highlights her company's significant strides in sustainability. She outlines Minnesota Power's decade-long journey towards decarbonization, noting that they have transitioned from a 95% fossil-based portfolio to sourcing 50-60% of their energy from clean sources, including wind, solar, and hydropower.
Arash Abizadeh (Professor of Political Science · McGill University Author ofHobbes and the Two Faces of Ethics · Associate Editor · Free & Equal) reflects on the future we are leaving for the next generations. He underscores the social and political challenges of ensuring that the technologies and resources needed to adapt to climate change are distributed equitably across all societies.
Daniel Susskind(Economist · Oxford & King’s College London · Author of Growth: A Reckoning · A World Without Work) discusses the critical role of technological progress in driving economic growth. He advocates for a shift toward technologies that not only enhance prosperity but also protect the environment and promote social equity.
Ian Robertson(Author of How Confidence Works: The New Science of Self-belief · Co-Director of the Global Brain Health Institute · Co-Leader of The BrainHealth Project) calls for young people to connect with nature and develop mastery over their minds. He envisions a future where individuals can access the joy of being conscious, embodied beings in a healthy, natural world.
Ingrid Newkirk(Founder & President of PETA · People for the Ethical Treatment of Animals) emphasizes the shared traits between humans and other animals, advocating for a compassionate approach to all living beings. She urges listeners to recognize the personhood in animals and to treat them with respect and empathy.
This episode brings together diverse voices discussing critical environmental and ethical issues. From the economic burden of fossil fuel subsidies to the equitable distribution of climate adaptation resources, the importance of technological progress, and the need for the ethical treatment of animals.
To hear more from each guest, listen to their full interviews.
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"The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.”
Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it.
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How can we unlock a state of flow in our daily lives? How does connecting with nature influence our mental and physical well-being? How do movement, dance and play help us feel more creative, connected, and content?
Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it.
"The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.”
https://www.linkedin.com/in/dr-julia-f-christensen-36539a144https://www.instagram.com/dr.julia.f.christensen?igsh=cHZkODgxczJqZmxl
www.creativeprocess.info
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Photo credit: Hans Scherhaufer
What does it mean to live a good life? How can the arts help us learn to speak the language of the Earth and cultivate our intuitive intelligence? What is the power of mentorship for forging character and creative vision? How can we hold onto our cultural heritage and traditions, while preparing students for the needs of the 21st century?
Alan Poul (Emmy & Golden Globe-winning Executive Producer · Director · Six Feet Under · Tales of the City · Tokyo Vice · My So-Called Life) shares his personal journey and the importance of mentorship in shaping one's creative path. He discusses his experiences with influential figures such as Stephen Sondheim, Paul Schrader, and Robert Wilson, emphasizing the value of learning from those you admire.
Rupert Sheldrake (Biologist · Author of The Science Delusion · The Presence of the Past · Ways to Go Beyond and Why They Work) explores the significance of cultural and religious traditions in education. He argues that knowing the open questions in science, integrating arts, and learning by heart are crucial for a well-rounded education.
Jericho Brown (Pulitzer Prize-winning Poet · Director of Creative Writing Program at Emory University · Author of The Tradition · The New Testament) emphasizes the power and agency that young writers have to create change. He encourages persistence and the importance of trying, despite the fear of failure.
Sy Montgomery (Naturalist · Author of The Soul of an Octopus · The Hawk’s Way · Of Time and Turtles: Mending the World, Shell by Shattered Shell) reflects on how animals have been her mentors and teachers. From her Scottish Terrier, Molly, to wild emus in Australia, she shares how her interactions with animals have guided her career and life choices.
Manuela Lucá-Dazio (Exec. Director of the Pritzker Architecture Prize · Fmr. Exec. Director of Venice Biennale · Dept. of Visual Arts & Architecture) discusses the necessity of reconnecting with cultural heritage and expanding educational tools. She advocates for a more imaginative approach to integrating different fields of knowledge and teaching methods.
Jeffrey D. Sachs (Economist · President of UN Sustainable Development Solutions Network · Director of Center for Sustainable Development · Columbia University) highlights the global consensus on Sustainable Development Goals (SDGs) and the critical importance of education. He specifically advocates for SDG 4, which focuses on inclusive and equitable quality education for all.
Todd B. Kashdan (Psychologist · APA Award-winning Author of The Art of Insubordination: How to Dissent and Defy Effectively · Curious? · The Upside of Your Dark Side · Leading Authority on Well-being, Curiosity, Courage & Resilience) analyzes the shortcomings of the current education system. He stresses the need to teach critical thinking and develop superior information-gathering strategies.
Tiokasin Ghosthorse (Founder · Host · Exec. Director of First Voices Radio · Founder of Akantu Intelligence · Master Musician of the Ancient Lakota Flute) offers a unique perspective on our connection to the Earth. He delves into Indigenous wisdom about living in harmony with nature, our ancestors, and recognizing the timeless energy around us.
Erland Cooper (Songwriter · Producer · Multi-instrumentalist · Composer of Folded Landscapes) reminisces about his upbringing surrounded by nature and traditional folk music. He shares how these elements have influenced his work and creative process.
Peter Singer (Philosopher · Author of Animal Liberation · Founder of The Life You Can Save) examines the core philosophical questions about living a good life. He discusses the principles of Effective Altruism and the importance of using our resources wisely to make the world a better place.
To hear more from each guest, listen to their full interviews.
www.creativeprocess.info
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Have we entered what Earth scientists call a “termination event,” and what can we do to avoid the worst outcomes? How can we look beyond GDP and develop new metrics that balance growth with human flourishing and environmental well-being? How can the 15-minute city model revolutionize urban living, enhance health, and reduce our carbon footprint?
Euan Nisbet (Earth Systems Scientist - Royal Holloway University of London) analyzes historical patterns that point to a potential termination event and emphasizes the urgency of addressing abrupt climate changes.
Daniel Susskind(Economist - Oxford & King’s College London - Author of Growth: A Reckoning - A World Without Work) discusses the economic trade-offs involved in pursuing net-zero emissions and the growing public discontent with the costs.
Carlos Moreno (Originator of the 15-Minute City concept - Author of The 15-Minute City: A Solution to Saving Our Time & Our Planet) explores how the 15-minute city model can enhance urban living, promote local commerce, and reduce our carbon footprint.
Richard Black(Author of The Future of Energy - Former BBC Environment Correspondent - Director of Policy & Strategy - Global Clean Energy Thinktank - Ember) explains the future energy landscape, critiques the contributions of oil and gas companies to the clean energy transition, and emphasizes the need for a realistic clean energy transition.
Carissa Carter (Academic Director at Stanford's d.school - Co-author of Assembling Tomorrow: A Guide to Designing a Thriving Future) highlights the importance of people critically interpreting climate data and understanding its emotional impact.
Gordon Lambert (World Economic Forum Global Council - Energy and Sustainability - Former Member of Alberta’s Climate Change Advisory Panel) shares his personal reflections on the harmony of nature and the necessity of aligning business strategies with renewable energy goals.
Dr. Ben Shofty(Functional Neurosurgeon - Professor - University of Utah) discusses the health benefits of exposure to nature and its positive impact on well-being and creativity.
Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind) explores the neuroscience behind human interaction with nature and its restorative effects on the brain.
The episode examines critical issues surrounding climate change, economic growth, and urban development. Euan Nisbet highlighted the urgency of addressing abrupt climate changes, while Daniel Susskind shed light on the economic complexities of achieving net-zero emissions. Carlos Moreno presented the revolutionary concept of the 15-minute city, and Richard Black emphasized the need for a realistic clean energy transition. Carissa Carter underscored the importance of understanding and visualizing climate data, while Gordon Lambert, Dr. Julia F. Christensen, and Dr. Ben Shofty provided personal and scientific insights into the benefits of integrating nature into our lives. These conversations give us a deeper look into the challenges and potential solutions for creating a sustainable future.
To hear more from each guest, listen to their full interviews.
www.creativeprocess.info
www.oneplanetpodcast.org
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“There is a tremendous tension between healthy democracy and deep economic inequalities. I don't think that, in the long run, democracies can survive in a healthy way unless we address the problem of economic inequalities. If we have individuals who are living day to day, on the one hand, and we have other individuals who are billionaires in our societies, on the other hand, it will be very difficult for us to have a genuine democracy.”
Arash Abizadeh is the R.B. Angus Professor of Political Science at McGill University. His research has focused on democratic theory, including topics such as immigration and border control. Abizadeh also specializes in 17th and 18th century philosophy and has recently published the book Hobbes and the Two Faces of Ethics. He is currently working on a book about social and political power and is the Associate Editor of Free & Equal: a Journal of Ethics and Public Affairs.
https://abizadeh.wixsite.com/arash
www.cambridge.org/core/books/hobbes-and-the-two-faces-of-ethics/B565348CE9B53945F4F962784A5842C2
https://freeandequaljournal.org
www.creativeprocess.info
www.oneplanetpodcast.org
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How is economic inequality undermining our democratic systems? In what ways is social media reshaping political landscapes and democracy? Can we design political institutions that adapt to rapid social and technological changes while remaining stable? How is journalism critical for the health of our democracies?
Arash Abizadeh is the R.B. Angus Professor of Political Science at McGill University. His research has focused on democratic theory, including topics such as immigration and border control. Abizadeh also specializes in 17th and 18th century philosophy and has recently published the book Hobbes and the Two Faces of Ethics. He is currently working on a book about social and political power and is the Associate Editor of Free & Equal: a Journal of Ethics and Public Affairs.
“There is a tremendous tension between healthy democracy and deep economic inequalities. I don't think that, in the long run, democracies can survive in a healthy way unless we address the problem of economic inequalities. If we have individuals who are living day to day, on the one hand, and we have other individuals who are billionaires in our societies, on the other hand, it will be very difficult for us to have a genuine democracy.”
https://abizadeh.wixsite.com/arash
www.cambridge.org/core/books/hobbes-and-the-two-faces-of-ethics/B565348CE9B53945F4F962784A5842C2
https://freeandequaljournal.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“We have a choice to change the nature of growth. How we can have growth that is more respectful of place, doesn’t cause as much damage to the environment, doesn't lead to as large inequalities in society, doesn’t disrupt politics, doesn't undermine the availability of good work? We ought to pursue this morally enriched GDP measure which better reflects what we really value and care about as a society.”
Daniel Susskind is a Research Professor in Economics at King's College London and a Senior Research Associate at the Institute for Ethics in AI at Oxford University. He is the author of A World without Work and co-author of the bestselling The Future of the Professions. Previously, he worked in various roles in the British Government - in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. His latest book is Growth: A Reckoning.
www.danielsusskind.com
www.penguin.co.uk/books/446381/growth-by-susskind-daniel/9780241542309
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we look beyond GDP and develop new metrics that balance growth with human flourishing and environmental well-being? How can we be more engaged global citizens? In this age of AI, what does it really mean to be human? And how are our technologies transforming us?
Daniel Susskind is a Research Professor in Economics at King's College London and a Senior Research Associate at the Institute for Ethics in AI at Oxford University. He is the author of A World without Work and co-author of the bestselling The Future of the Professions. Previously, he worked in various roles in the British Government - in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. His latest book is Growth: A Reckoning.
“We have a choice to change the nature of growth. How we can have growth that is more respectful of place, doesn’t cause as much damage to the environment, doesn't lead to as large inequalities in society, doesn’t disrupt politics, doesn't undermine the availability of good work? We ought to pursue this morally enriched GDP measure which better reflects what we really value and care about as a society.”
www.danielsusskind.com
www.penguin.co.uk/books/446381/growth-by-susskind-daniel/9780241542309
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“Education is at the core of our transformations. Nelson Mandela in South Africa said, “We have three powerful weapons for transforming our life. Education, education, education.” I’ve been a university professor for more than 40 years, and I have observed the process of transformation through different generations. When we have these capabilities for transmitting more humanistic values and for discussing with the new generation, we need to find a sense of life. We need to find a sense of belonging to this humanity. But to have this sense of life, we need to find a sense of our local community, UN-Habitat and the United Nations in charge of cities, for the next World Urban Forum taking place in Cairo in November, has taken a motto: It All Starts at Home. It all starts in our local life. To be aware that all starts at home, all starts in our local community, is to be aware that we constantly need real-life contacts for dating and for this humanistic process. Education is not only about going to school. Education is to constantly have an open mindset, at home with my family, in my building, with the others in the street, in the squares, and in different activities. The otherness should be a permanent lifestyle for transforming our individual behavior and transforming our relationships. This is the sense of this proximity.”
Carlos Moreno was born in Colombia in 1959 and moved to France at the age of 20. He is known for his influential "15-Minute City" concept, embraced by Paris Mayor Anne Hidalgo and leading cities around the world. Scientific Director of the "Entrepreneurship - Territory - Innovation" Chair at the Paris Sorbonne Business School, he is an international expert of the Human Smart City, and a Knight of the French Legion of Honour. He is recipient of the Obel Award and the UN-Habitat Scroll of Honour. His latest book is The 15-Minute City: A Solution to Saving Our Time and Our Planet.
https://www.moreno-web.net/
https://www.wiley.com/en-us/The+15-Minute+City%3A+A+Solution+to+Saving+Our+Time+and+Our+Planet-p-9781394228140
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can the 15-minute city model revolutionize urban living, enhance wellbeing, and reduce our carbon footprint? Online shopping is turning cities into ghost towns. We can now buy anything anywhere anytime. How can we learn to stop scrolling and start strolling and create more livable, sustainable communities we are happy to call home.
Carlos Moreno was born in Colombia in 1959 and moved to France at the age of 20. He is known for his influential "15-Minute City" concept, embraced by Paris Mayor Anne Hidalgo and leading cities around the world. Scientific Director of the "Entrepreneurship - Territory - Innovation" Chair at the Paris Sorbonne Business School, he is an international expert of the Human Smart City, and a Knight of the French Legion of Honour. He is recipient of the Obel Award and the UN-Habitat Scroll of Honour. His latest book is The 15-Minute City: A Solution to Saving Our Time and Our Planet.
“Education is at the core of our transformations. Nelson Mandela in South Africa said, “We have three powerful weapons for transforming our life. Education, education, education.” I’ve been a university professor for more than 40 years, and I have observed the process of transformation through different generations. When we have these capabilities for transmitting more humanistic values and for discussing with the new generation, we need to find a sense of life. We need to find a sense of belonging to this humanity. But to have this sense of life, we need to find a sense of our local community, UN-Habitat and the United Nations in charge of cities, for the next World Urban Forum taking place in Cairo in November, has taken a motto: It All Starts at Home. It all starts in our local life. To be aware that all starts at home, all starts in our local community, is to be aware that we constantly need real-life contacts for dating and for this humanistic process. Education is not only about going to school. Education is to constantly have an open mindset, at home with my family, in my building, with the others in the street, in the squares, and in different activities. The otherness should be a permanent lifestyle for transforming our individual behavior and transforming our relationships. This is the sense of this proximity.”
https://www.moreno-web.net/
https://www.wiley.com/en-us/The+15-Minute+City%3A+A+Solution+to+Saving+Our+Time+and+Our+Planet-p-9781394228140
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think another thing that makes us human is our generational transfer of information. Our ability to distill the knowledge that was passed on to us and then pass it on and give it our unique stamp is again another one of these things that makes us human. The main thing that I've learned from my mentors and the main thing that I would like to pass on to my children is the notion that compassion is the most important thing that we have as human beings. And hopefully, I'll be able to teach myself and then them how to be also self-compassionate. I feel like this is a very good coping mechanism for this extremely violent and stimulating world that's happening out there. Whatever profession you choose, whatever you choose to study, just remember that there's a human being on the other side. This is something that social networks and online media are trying to make us forget: that there's actually a person on the other side of that video or text. I feel like this is the main thing that I would like to pass on to my children to help them remember that, eventually, we are all human.”
Dr. Ben Shofty is a functional neurosurgeon affiliated with the University of Utah. He graduated from the Tel-Aviv University Faculty of Medicine, received his PhD in neurosurgical training from the Israeli Institute of Technology, and completed his training at the Tel Aviv Medical Center and Baylor University. He was also an Israeli national rugby player. His practice specializes in neuromodulation and exploring treatments for disorders such as OCD, depression, and epilepsy, among others, while also seeking to understand the science behind creativity, mind-wandering, and the many complexities of the brain.
https://healthcare.utah.edu/find-a-doctor/ben-shofty
https://academic.oup.com/brain/advance-article/doi/10.1093/brain/awae199/7695856
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Where do creative thoughts come from? How can we harness our stream of consciousness and spontaneity to express ourselves? How are mind-wandering, meditation, and the arts good for our creativity and physical and mental well-being?
Dr. Ben Shofty is a functional neurosurgeon affiliated with the University of Utah. He graduated from the Tel-Aviv University Faculty of Medicine, received his PhD in neurosurgical training from the Israeli Institute of Technology, and completed his training at the Tel Aviv Medical Center and Baylor University. He was also an Israeli national rugby player. His practice specializes in neuromodulation and exploring treatments for disorders such as OCD, depression, and epilepsy, among others, while also seeking to understand the science behind creativity, mind-wandering, and the many complexities of the brain.
“I think another thing that makes us human is our generational transfer of information. Our ability to distill the knowledge that was passed on to us and then pass it on and give it our unique stamp is again another one of these things that makes us human. The main thing that I've learned from my mentors and the main thing that I would like to pass on to my children is the notion that compassion is the most important thing that we have as human beings. And hopefully, I'll be able to teach myself and then them how to be also self-compassionate. I feel like this is a very good coping mechanism for this extremely violent and stimulating world that's happening out there. Whatever profession you choose, whatever you choose to study, just remember that there's a human being on the other side. This is something that social networks and online media are trying to make us forget: that there's actually a person on the other side of that video or text. I feel like this is the main thing that I would like to pass on to my children to help them remember that, eventually, we are all human.”
https://healthcare.utah.edu/find-a-doctor/ben-shofty
https://academic.oup.com/brain/advance-article/doi/10.1093/brain/awae199/7695856
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“When you're thinking about a creative field or just bringing creativity to whatever field you have, creativity is often about finding the hidden thing, finding the thing that nobody else is seeing and taking it to reality. Don't think that make believe or imagination or weird ideas are not worth it. I had some mentors in my life that allowed me to understand how you should take make believe seriously, because if you go down this kind of wild path, you find something beyond what's going on, and eventually the world is going to normalize it and integrate it. Otherwise, it just won't work. So don't worry about being out there. We need people to be thinking beyond what is toward what could be. I think that's number one. The second thing is that the way you do things is as important as the things you do. It's not just about the product; it's about how you do it because how you do it actually has more repercussions sometimes than the product. You might create a great product, but if everyone working on it is angry and the people you're trying to serve aren't excited about it or they've been taken advantage of to make it come into the world, that leaves more bad stuff that's harder to see but has an equal or bigger impact. Just how you make it is as important as what you make.”
Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carteris the Academic Director at Stanford's d. schooland author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future.
www.scottdoorley.com
www.snowflyzone.com
https://dschool.stanford.edu/
www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we design and adapt for the uncertainties of the 21st century? How do emotions shape our decisions and the way we design the world around us?
Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carteris the Academic Director at Stanford's d. schooland author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future.
“When you're thinking about a creative field or just bringing creativity to whatever field you have, creativity is often about finding the hidden thing, finding the thing that nobody else is seeing and taking it to reality. Don't think that make believe or imagination or weird ideas are not worth it. I had some mentors in my life that allowed me to understand how you should take make believe seriously, because if you go down this kind of wild path, you find something beyond what's going on, and eventually the world is going to normalize it and integrate it. Otherwise, it just won't work. So don't worry about being out there. We need people to be thinking beyond what is toward what could be. I think that's number one. The second thing is that the way you do things is as important as the things you do. It's not just about the product; it's about how you do it because how you do it actually has more repercussions sometimes than the product. You might create a great product, but if everyone working on it is angry and the people you're trying to serve aren't excited about it or they've been taken advantage of to make it come into the world, that leaves more bad stuff that's harder to see but has an equal or bigger impact. Just how you make it is as important as what you make.”
www.scottdoorley.com
www.snowflyzone.com
https://dschool.stanford.edu/
www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image credit: Patrick Beaudouin
“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source. Come and see the real work. Let us figure out how to make that connection.”
Stephen Reily is the Founding Director of Remuseum, an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance, an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives.
https://remuseum.org
https://crystalbridges.org
www.stephenreily.com
www.kentuckypress.com/9781734248517/promise-witness-remembrance
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can museums remain relevant in the digital age, where visual imagery is more accessible than ever? What role do museums play in fostering creativity and innovation in their communities?
Stephen Reily is the Founding Director of Remuseum, an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance, an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives.
“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source. Come and see the real work. Let us figure out how to make that connection.”
https://remuseum.org
https://crystalbridges.org
www.stephenreily.com
www.kentuckypress.com/9781734248517/promise-witness-remembrance
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Recently, twenty-three lecturers in the highly successful Creative Writing program at Stanford were summoned to a Zoom meeting where they were first praised, and then summarily fired. One of the most surprising aspects of this purge is the fact that it was carried out not by top-tier university administrators, but by tenure-track faculty in the program. It was they who decided to brutally terminate their colleagues. On this episode of the Speaking Out of Place podcast Professor David Palumbo-Liuspeaks with two of the lecturers who have been told they will leave Stanford in nine months, and one of their students, a published novelist. They explain the devastating nature of this act and share statistics and histories that show this was not at all necessary. Expediency for senior faculty trumped the survival of a carefully developed and nurtured community of creative writers.
Here is the link to a petition we urge our listeners to sign and share as widely as possible to support this program, and these talented and devoted teachers.
Sarah Frisch is a former Wallace Stegner Fellow and current Lecturer in Stanford's Creative Writing Program. Her work has been published in The Paris Review, the VQR, and The New England Review. She’s won a Pushcart Prize and an Elizabeth George Foundation Grant for fiction and has been a finalist for the National Magazine Award. She holds an MFA in Fiction from Washington University in St. Louis.
Malavika Kannan is a queer fiction writer who graduated from Stanford University in 2024 with a minor in Creative Writing, where she served as the Creative Writing peer advisor. Her work appears in Washington Post, Teen Vogue, and elsewhere and her YA novel was published by Little & Brown in 2023. From the Chappell-Lougee and Major Grants to the IDA fellowship and the Honors in the Arts program, Malavika feels thankful for the many opportunities at Stanford to nurture her craft and all the people who supported her. Malavika feels very grateful to her mentor Nina Schloesser Tarano, a Jones Lecturer, for all her support.
Nina Schloesser Tárano was born and grew up in Guatemala City. She received her MFA from Columbia University. Her work has appeared in Fence and The New Inquiry Magazine. She was a Wallace Stegner Fellow in Fiction 2010-2012, and has been a lecturer in the Stanford Creative Writing Program since 2012.
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
www.instagram.com/speaking_out_of_place
“I came to neuroscience from a humanistic perspective. I was very interested to find out who we are. What do we know? What do we think we know? Why do we think we know certain things? How do we see things? How do we perceive them? Ultimately, the question behind curiosity is what things we find interesting in our environment. The way I think about eye movements is that they really are trained in some largely subconscious process.”
Dr. Jacqueline Gottlieb is a Professor of Neuroscience and Principal Investigator at Columbia University’s Zuckerman Mind Brain Behavior Institute. Dr. Gottlieb studies the mechanisms that underlie the brain's higher cognitive functions, including decision making, memory, and attention. Her interest is in how the brain gathers the evidence it needs—and ignores what it doesn’t—during everyday tasks and during special states such as curiosity.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What ignites curiosity in humans? How does our brain select things we need to know and ignore what isn’t essential? How does our perception shape what we know about the world?
Dr. Jacqueline Gottlieb is a Professor of Neuroscience and Principal Investigator at Columbia University’s Zuckerman Mind Brain Behavior Institute. Dr. Gottlieb studies the mechanisms that underlie the brain's higher cognitive functions, including decision making, memory, and attention. Her interest is in how the brain gathers the evidence it needs—and ignores what it doesn’t—during everyday tasks and during special states such as curiosity.
“I came to neuroscience from a humanistic perspective. I was very interested to find out who we are. What do we know? What do we think we know? Why do we think we know certain things? How do we see things? How do we perceive them? Ultimately, the question behind curiosity is what things we find interesting in our environment. The way I think about eye movements is that they really are trained in some largely subconscious process.”
www.creativeprocess.info
www.oneplanetpodcast.org
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“"I'm trying to get people to care about a crisis in ways that may bring solutions to it. And that's also how I deal with the terror and the fear to find a sense of purpose in what I do. It's incredibly heartbreaking to see some of the things and hear some of the stories, but at the end of the day, it feels like–inconsistently here and there–you can shine a light on problems, and by shining that light, you actually make a difference.
If you look over the last 500 years or so, the best metric to predict where society will be in 30 or 50 years, the best metric is simply education today. One reason I think the U.S. is the world's largest and most successful economy today is that, beginning in the 19th century and through about 1970, the U.S. led the world in mass education. And what matters is not so much elite education. Britain had Eton, Oxford, and Cambridge, and it had better elite education, but it wasn't great at mass education. And the U.S. really was. We were the first country to have almost universal literacy, male and female. We were the first country to have widespread high school attendance and the first country to have significant college attendance. And then, beginning in about the 1970s, we lost that lead. And now, there are many countries that are way ahead of us. I think back to my old classmates who are now dead, and I think: What were adults thinking in the 1970s that they let them drop out? And yet, I think today: What are adults thinking in 2024 when they let one in seven American kids today drop out of high school and let so many emerge from the school system not literate, not numerate, completely unprepared for the 21st century?”
Nicholas D. Kristof is a two-time Pulitzer-winning journalist and Op-ed columnist for The New York Times, where he was previously bureau chief in Hong Kong, Beijing, and Tokyo. Kristof is a regular CNN contributor and has covered, among many other events and crises, the Tiananmen Square protests, the Darfur genocide, the Yemeni civil war, and the U.S. opioid crisis. He is the author of the memoir Chasing Hope, A Reporter's Life, and coauthor, with his wife, Sheryl WuDunn, of five previous books: Tightrope, A Path Appears, Half the Sky, Thunder from the East, and China Wakes.
www.nytimes.com/column/nicholas-kristof
www.penguinrandomhouse.com/books/720814/chasing-hope-by-nicholas-d-kristof
Family vineyard & apple orchard in Yamhill, Oregon: www.kristoffarms.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can journalism make people care and bring about solutions? What role does storytelling play in shining a light on injustice and crises and creating a catalyst for change?
Nicholas D. Kristof is a two-time Pulitzer-winning journalist and Op-ed columnist for The New York Times, where he was previously bureau chief in Hong Kong, Beijing, and Tokyo. Kristof is a regular CNN contributor and has covered, among many other events and crises, the Tiananmen Square protests, the Darfur genocide, the Yemeni civil war, and the U.S. opioid crisis. He is the author of the memoir Chasing Hope, A Reporter's Life, and coauthor, with his wife, Sheryl WuDunn, of five previous books: Tightrope, A Path Appears, Half the Sky, Thunder from the East, and China Wakes.
“If you look over the last 500 years or so, the best metric to predict where society will be in 30 or 50 years, the best metric is simply education today. One reason I think the U.S. is the world's largest and most successful economy today is that, beginning in the 19th century and through about 1970, the U.S. led the world in mass education. And what matters is not so much elite education. Britain had Eton, Oxford, and Cambridge, and it had better elite education, but it wasn't great at mass education. And the U.S. really was. We were the first country to have almost universal literacy, male and female. We were the first country to have widespread high school attendance and the first country to have significant college attendance. And then, beginning in about the 1970s, we lost that lead. And now, there are many countries that are way ahead of us. I think back to my old classmates who are now dead, and I think: What were adults thinking in the 1970s that they let them drop out? And yet, I think today: What are adults thinking in 2024 when they let one in seven American kids today drop out of high school and let so many emerge from the school system not literate, not numerate, completely unprepared for the 21st century?”
www.nytimes.com/column/nicholas-kristof
www.penguinrandomhouse.com/books/720814/chasing-hope-by-nicholas-d-kristof
Family vineyard & apple orchard in Yamhill, Oregon: www.kristoffarms.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: David Hume Kennerly
Have we entered what Earth scientists call a “termination event,” and what can we do to avoid the worst outcomes? How can a spiritual connection to nature guide us toward better environmental stewardship? What can ancient wisdom teach us about living harmoniously with the Earth? How have wetlands become both crucial carbon sinks and colossal methane emitters in a warming world?
Euan Nisbet is an Emeritus Professor of Earth Sciences at the Royal Holloway University of London. Specializing in methane and its impact on climate change, his research spans Arctic and Tropical Atmospheric Methane budgets. Nisbet led the MOYA project, focusing on global methane emissions using aircraft and ground-based field campaigns in Africa and South America. Born in Germany and raised in Africa, his field work has taken him around the world. He is the author of The Young Earth and Leaving Eden: To Protect and Manage the Earth.
“I am a Christian and I have strong Muslim and Jewish friends as well as great respect for Hindu beliefs. I grew up in Southern Africa and I am well aware of the depth of some Indigenous beliefs. I think that having belief systems does give you a very different perspective sometimes. Now, in Christianity, the concept of the shepherd, human beings are here and this is our garden, our garden of Eden, but we have a responsibility. And if we choose to kick ourselves out of the garden, there are consequences. And that's precisely what we are doing. The garden is there, it's lovely, and we can manage it, and it's our job to manage it. We can manage it properly. We can respect it. It's for all creation, and it's very explicit that it involves all Creation. And that's a very fundamental biblical law that you have to respect all Creation. And if you don't do that, then the consequences—you’re basically throwing yourself out of the Garden of Eden."
https://pure.royalholloway.ac.uk/en/persons/euan-nisbet
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How do the works of Emily Dickinson and Charles Darwin continue to influence our understanding of nature, ecological interdependence, and the human experience? How does understanding history help us address current social and environmental issues. How can dialogues between the arts and sciences foster holistic, sustainable solutions to global crises?
Renée Bergland is a literary critic, historian of science, and educator. As a storyteller, Bergland connects the lives of historical figures to the problems of the present day. As an educator, she emphasizes the interdisciplinary connections between the sciences and humanities. A longtime professor at Simmons University, where she is the Program director of Literature and writing, Bergland has also researched and taught at institutions such as Dartmouth College, Harvard University, and MIT. Bergland’s past published titles include Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics and The National Uncanny: Indian Ghosts and American Subjects. Her most recent book, Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science, was published in April of 2024. It explores Dickinson and Darwin’s shared enchanted view of the natural world in a time when poetry and natural philosophy, once freely intertwined, began to grow apart.
“There is a stronger connection between Dickinson and Darwin than the proximity of history. Or the universality of literature. They both understood natural science and the natural world in ways that seem strange and somewhat surprising in the 21st century. Their 19th century attitudes to nature and the study of it are so different from ours that when we trace their stories, a vanished world begins to emerge. The more I consider these figures together, the more I feel their world and my world. come alive. Darwin and Dickinson illuminate each other. By reading them together, we can start to understand the interconnected relationships that animated 19th century poetry and science.”
– Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science, Preface, pp. xiv–xvi.
www.reneebergland.com
https://press.princeton.edu/books/hardcover/9780691235288/natural-magic
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think history is tremendously important. The environmental crisis, Gaza, the war in Ukraine—all of those don't make sense if you don't have a sense of history. History and the humanities have come under huge pressure. We've seen falling student numbers, and that's a real shame because history continues to be a source of intellectual inspiration and curiosity that not only makes us wiser and more reflective but also creates the dynamism and creativity we need to confront our present and future challenges. I hope that among the young generations, there will be people inspired by history, people that have the ambition to research and write about the past.”
What can we learn from Germany's postwar transformation to help us address today's environmental and humanitarian crises? With the rise of populism, authoritarianism, and digital propaganda, how can history provide insights into the challenges of modern democracy?
Frank Trentmann is a Professor of History at Birkbeck, University of London, and at the University of Helsinki. He is a prize-winning historian, having received awards such as the Whitfield Prize, Austrian Wissenschaftsbuch/Science Book Prize, Humboldt Prize for Research, and the 2023 Bochum Historians' Award. He has also been named a Moore Scholar at Caltech. He is the author of Empire of Things and Free Trade Nation. His latest book is Out of the Darkness: The Germans 1942 to 2022, which explores Germany's transformation after the Second World War.
www.bbk.ac.uk/our-staff/profile/8009279/frank-trentmann
www.penguin.co.uk/authors/32274/frank-trentmann?tab=penguin-books
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What can we learn from Germany's postwar transformation to help us address today's environmental and humanitarian crises? With the rise of populism, authoritarianism, and digital propaganda, how can history provide insights into the challenges of modern democracy?
Frank Trentmann is a Professor of History at Birkbeck, University of London, and at the University of Helsinki. He is a prize-winning historian, having received awards such as the Whitfield Prize, Austrian Wissenschaftsbuch/Science Book Prize, Humboldt Prize for Research, and the 2023 Bochum Historians' Award. He has also been named a Moore Scholar at Caltech. He is the author of Empire of Things and Free Trade Nation. His latest book is Out of the Darkness: The Germans 1942 to 2022, which explores Germany's transformation after the Second World War.
“I think history is tremendously important. The environmental crisis, Gaza, the war in Ukraine—all of those don't make sense if you don't have a sense of history. History and the humanities have come under huge pressure. We've seen falling student numbers, and that's a real shame because history continues to be a source of intellectual inspiration and curiosity that not only makes us wiser and more reflective but also creates the dynamism and creativity we need to confront our present and future challenges. I hope that among the young generations, there will be people inspired by history, people that have the ambition to research and write about the past.”
www.bbk.ac.uk/our-staff/profile/8009279/frank-trentmann
www.penguin.co.uk/authors/32274/frank-trentmann?tab=penguin-books
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Jon Wilson
“The SDSN has been set up to mobilize research and science for the Sustainable Development Goals. Each year, we aim to provide a fair and accurate assessment of countries' progress on the 17 Sustainable Development Goals. The development goals were adopted back in 2015 by all UN member states, marking the first time in human history that we have a common goal for the entire world. Our goal each year with the SDG index is to have sound methodologies and translate these into actionable insights that can generate impactful results at the end of the day. Out of all the targets that we track, only 16 percent are estimated to be on track. This agenda not only combines environmental development but also social development, economic development, and good governance. Currently, none of the SDGs are on track to be achieved at the global level.”
In today's podcast, we talk with Guillaume Lafortune, Vice President and Head of the Paris Office of the UN Sustainable Development Solutions Network (SDSN), the largest global network of scientists and practitioners dedicated to implementing the Sustainable Development Goals (SDGs). We discuss the intersections of sustainability, global progress, the UN Summit of the Future, and the daunting challenges we face. From the impact of war on climate initiatives to transforming data into narratives that drive change, we explore how global cooperation, education, and technology pave the way for a sustainable future and look at the lessons of history and the power of diplomacy in shaping our path forward.
Guillaume Lafortune joined SDSN in 2017 to lead work on SDG data, policies, and financing including the preparation of the annual Sustainable Development Report (which includes the SDG Index and Dashboards). Between 2020 and 2022 Guillaume was a member of The Lancet Commission on COVID-19, where he coordinated the taskforces on “Fiscal Policy and Financial Markets” and “Green Recovery”, and co-authored the final report of the Commission. Guillaume is also a member of the Grenoble Center for Economic Research (CREG) at the Grenoble Alpes University. Previously, he served as an economist at the OECD in Paris and at the Ministry of Economic Development in the Government of Quebec (Canada). Guillaume is the author of 50+ scientific publications, book chapters, policy briefs and international reports on sustainable development, economic policy and good governance.
SDSN's Summit of the Future RecommendationsSDG Transformation Center
SDSN Global Commission for Urban SDG Finance
www.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
How can we get 193 countries to move in the same direction for a better tomorrow?
In today's podcast, we talk with Guillaume Lafortune, Vice President and Head of the Paris Office of the UN Sustainable Development Solutions Network (SDSN), the largest global network of scientists and practitioners dedicated to implementing the Sustainable Development Goals (SDGs). We discuss the intersections of sustainability, global progress, the UN Summit of the Future, and the daunting challenges we face. From the impact of war on climate initiatives to transforming data into narratives that drive change, we explore how global cooperation, education, and technology pave the way for a sustainable future and look at the lessons of history and the power of diplomacy in shaping our path forward.
Guillaume Lafortune joined SDSN in 2017 to lead work on SDG data, policies, and financing including the preparation of the annual Sustainable Development Report (which includes the SDG Index and Dashboards). Between 2020 and 2022 Guillaume was a member of The Lancet Commission on COVID-19, where he coordinated the taskforces on “Fiscal Policy and Financial Markets” and “Green Recovery”, and co-authored the final report of the Commission. Guillaume is also a member of the Grenoble Center for Economic Research (CREG) at the Grenoble Alpes University. Previously, he served as an economist at the OECD in Paris and at the Ministry of Economic Development in the Government of Quebec (Canada). Guillaume is the author of 50+ scientific publications, book chapters, policy briefs and international reports on sustainable development, economic policy and good governance.
“The SDSN has been set up to mobilize research and science for the Sustainable Development Goals. Each year, we aim to provide a fair and accurate assessment of countries' progress on the 17 Sustainable Development Goals. The development goals were adopted back in 2015 by all UN member states, marking the first time in human history that we have a common goal for the entire world. Our goal each year with the SDG index is to have sound methodologies and translate these into actionable insights that can generate impactful results at the end of the day. Out of all the targets that we track, only 16 percent are estimated to be on track. This agenda not only combines environmental development but also social development, economic development, and good governance. Currently, none of the SDGs are on track to be achieved at the global level.”
SDSN's Summit of the Future RecommendationsSDG Transformation Center
SDSN Global Commission for Urban SDG Finance
www.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
“I think as humans, we forget. We are often limited by our own stereotypes, and we don't see that in everyone there's the potential for beauty and love and all these things. And I think The Architecture of Oppression, both parts one and two, are really a reflection of all the community and civil rights work that I've been doing for the same amount of time, really - 25 years. And I wanted to try and mix my day job and my music side, so bringing those two sides of my life together. I wanted to create a platform for black artists, black singers, and poets who I really admire. Jermain is somebody I've worked with for probably about six, seven years now. He's also in the trenches of the black civil rights struggle. We worked together on a number of projects, but it was very interesting to then work with Jemain in a purely artistic capacity. And it was a no-brainer to give Anthony a call for this second album because I know of his pedigree, and he's much more able to put ideas and thoughts on paper than I would be able to.”
Jake Ferguson is an award-winning musician known for his work with The Heliocentrics and as a solo artist under the name The Brkn Record. Alongside legendary drummer Malcolm Catto, Ferguson has composed two film scores and over 10 albums, collaborating with icons like Archie Shepp, Mulatu Astatke, and Melvin Van Peebles. His latest album is The Architecture of Oppression Part 2. The album also features singer and political activist Jermain Jackman, a former winner of The Voice (2014) and the T.S. Eliot Prize winning poet and musician, Anthony Joseph.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can music challenge systemic oppression and bring about social change? How can we envision alternative paths while avoiding the pitfalls of past paradigms?
Jake Fergusonis an award-winning musician known for his work with The Heliocentrics and as a solo artist under the name The Brkn Record. Alongside legendary drummer Malcolm Catto, Ferguson has composed two film scores and over 10 albums, collaborating with icons like Archie Shepp, Mulatu Astatke, and Melvin Van Peebles. His latest album is The Architecture of Oppression Part 2. The album also features singer and political activist Jermain Jackman, a former winner of The Voice (2014) and the T.S. Eliot Prize winning poet and musician, Anthony Joseph.
“I think as humans, we forget. We are often limited by our own stereotypes, and we don't see that in everyone there's the potential for beauty and love and all these things. And I think The Architecture of Oppression, both parts one and two, are really a reflection of all the community and civil rights work that I've been doing for the same amount of time, really - 25 years. And I wanted to try and mix my day job and my music side, so bringing those two sides of my life together. I wanted to create a platform for black artists, black singers, and poets who I really admire. Jermain is somebody I've worked with for probably about six, seven years now. He's also in the trenches of the black civil rights struggle. We worked together on a number of projects, but it was very interesting to then work with Jemain in a purely artistic capacity. And it was a no-brainer to give Anthony a call for this second album because I know of his pedigree, and he's much more able to put ideas and thoughts on paper than I would be able to.”
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear."
For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on.
Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, Insurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South.
Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien’s film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d’études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L’Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l’espace public (2021), The Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020).
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
www.instagram.com/speaking_out_of_place
“I'd like young people not to limit their world to content they can find on the internet. I think that's a real danger. Many of my students say, “well, I haven't thought about this,” “I haven't read this because I didn't find it online for free.” I want them to remember that not all knowledge is digitized, that much remains elusive to the nets of the internet even in its effort to make knowledge accessible on one platform, to create this kind of enormous encyclopedia. And in this quest, we also reduce the past to the present. The past is more virtually present in our lives than for any other generation, because it's available online in the form of textual and audiovisual archives. This proximity actually affects the past's pastness. The appearance of distance is lost in the digital reproduction, whether it's paintings, or archival documents, or photographs. I think it's erroneous to think that everything that is extant from the past is at our fingertips and that we don't have to go out and look for it. So what I would like to pass on is curiosity; curiosity about the past shouldn't stop at the digital. It's tempting to think that all the answers are already there online because it's so vast, this web we are spinning, but that’s not the case.”
S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.
https://profiles.laps.yorku.ca/profiles/sylwiac/
www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopie
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?
S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.
“I'd like young people not to limit their world to content they can find on the internet. I think that's a real danger. Many of my students say, “well, I haven't thought about this,” “I haven't read this because I didn't find it online for free.” I want them to remember that not all knowledge is digitized, that much remains elusive to the nets of the internet even in its effort to make knowledge accessible on one platform, to create this kind of enormous encyclopedia. And in this quest, we also reduce the past to the present. The past is more virtually present in our lives than for any other generation, because it's available online in the form of textual and audiovisual archives. This proximity actually affects the past's pastness. The appearance of distance is lost in the digital reproduction, whether it's paintings, or archival documents, or photographs. I think it's erroneous to think that everything that is extant from the past is at our fingertips and that we don't have to go out and look for it. So what I would like to pass on is curiosity; curiosity about the past shouldn't stop at the digital. It's tempting to think that all the answers are already there online because it's so vast, this web we are spinning, but that’s not the case.”
https://profiles.laps.yorku.ca/profiles/sylwiac/
www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopie
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“There's a whole section in my book about tips and advice. One of the ways that I try to maintain a feeling of safety while also not collapsing into a state of passivity, and it's taken a very long time for me to learn this, but it’s being forgiving with myself. One of the people who I write about a lot in the book is Jennifer Uchandu, a Nigerian climate activist and mental health activist who sets up an organization called The Eco-Anxiety in Africa Project. She talks about needing to remind herself constantly. Her test is not whether she's doing enough, it's whether she's doing her best. And doing her best doesn't mean doing as much as she possibly can, it means having the right balance of self care and action. Recently I've been really struggling with insomnia because I've still got quite bad nerve pain from my surgeries. And it sounds so simple and I used to get annoyed at these things, but just breathing. You know, deep breathing and kind of breathing into my back. Spending time in nature is also helpful. It can be quite hard for me because my mobility isn't always great on my prosthetics or if I'm in a wheelchair, but I swim a lot. And I draw a lot. One of the things that's been really amazing is that over the last few years, me and my friends have gotten into the habit of calling one another as first points of contact, not just in crisis, but if we've had a tricky day.”
Charlie Hertzog Young is a researcher, writer and award-winning activist. He identifies as a “proudly mad bipolar double amputee” and has worked for the New Economics Foundation, the Royal Society of Arts, the Good Law Project, the Four Day Week Campaign and the Centre for Progressive Change, as well as the UK Labour Party under three consecutive leaders. Charlie has spoken at the LSE, the UN and the World Economic Forum. He studied at Harvard, SOAS and Schumacher College and has written for The Ecologist, The Independent, Novara Media, Open Democracy and The Guardian. He is the author of Spinning Out: Climate Change, Mental Health and Fighting for a Better Future.
https://charliehertzogyoung.me
https://footnotepress.com/books/spinning-out/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
The planet’s well-being unites us all, from ecosystems to societies, global systems to individual health. How is planetary health linked to mental health?
Charlie Hertzog Young is a researcher, writer and award-winning activist. He identifies as a “proudly mad bipolar double amputee” and has worked for the New Economics Foundation, the Royal Society of Arts, the Good Law Project, the Four Day Week Campaign and the Centre for Progressive Change, as well as the UK Labour Party under three consecutive leaders. Charlie has spoken at the LSE, the UN and the World Economic Forum. He studied at Harvard, SOAS and Schumacher College and has written for The Ecologist, The Independent, Novara Media, Open Democracy and The Guardian. He is the author of Spinning Out: Climate Change, Mental Health and Fighting for a Better Future.
“There's a whole section in my book about tips and advice. One of the ways that I try to maintain a feeling of safety while also not collapsing into a state of passivity, and it's taken a very long time for me to learn this, but it’s being forgiving with myself. One of the people who I write about a lot in the book is Jennifer Uchandu, a Nigerian climate activist and mental health activist who sets up an organization called The Eco-Anxiety in Africa Project. She talks about needing to remind herself constantly. Her test is not whether she's doing enough, it's whether she's doing her best. And doing her best doesn't mean doing as much as she possibly can, it means having the right balance of self care and action. Recently I've been really struggling with insomnia because I've still got quite bad nerve pain from my surgeries. And it sounds so simple and I used to get annoyed at these things, but just breathing. You know, deep breathing and kind of breathing into my back. Spending time in nature is also helpful. It can be quite hard for me because my mobility isn't always great on my prosthetics or if I'm in a wheelchair, but I swim a lot. And I draw a lot. One of the things that's been really amazing is that over the last few years, me and my friends have gotten into the habit of calling one another as first points of contact, not just in crisis, but if we've had a tricky day.”
https://charliehertzogyoung.me
https://footnotepress.com/books/spinning-out/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Richard Black spent 15 years as a science and environment correspondent for the BBC World Service and BBC News, before setting up the Energy & Climate Intelligence Unit. He now lives in Berlin and is the Director of Policy and Strategy at the global clean energy think tank Ember, which aims to accelerate the clean energy transition with data and policy. He is the author of The Future of Energy; Denied:The Rise and Fall of Climate Contrarianism, and is an Honorary Research Fellow at Imperial College London.
https://mhpbooks.com/books/the-future-of-energy
https://ember-climate.org/about/people/richard-black
https://ember-climate.org
www.therealpress.co.uk/?s=Richard+black
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How and when will we transition to a clean energy future? How will the transition empower individuals and transform global power dynamics? How did China become the world’s first electrostate, leading the drive for renewable energy, and what can we learn from this?
Richard Black spent 15 years as a science and environment correspondent for the BBC World Service and BBC News, before setting up the Energy & Climate Intelligence Unit. He now lives in Berlin and is the Director of Policy and Strategy at the global clean energy think tank Ember, which aims to accelerate the clean energy transition with data and policy.
He is the author of The Future of Energy; Denied:The Rise and Fall of Climate Contrarianism, and is an Honorary Research Fellow at Imperial College London.
“So I rest on the contention that in a world that had already gone through the clean energy transition, Vladimir Putin could not have nurtured Europe’s dependence on Russia; could not have filled his war chests; could not have attempted to blackmail the EU into submission; and would not have been able, therefore, to attempt the invasion of Ukraine.
–The Future of Energy, p.76
“Environment of Peace: Security in a New Era of Risk is a report that I was fortunate enough to take part in writing a couple of years ago, courtesy of the Stockholm International Peace Research Institute. The report is out there, available for download. It's a landmark report linking environmental destruction to conflict risk through all kinds of mechanisms and linking peace building and environmental restoration. The links, some of them are quite obvious, and others are a little bit more subtle. There are short-term things, and there are long-term things, and there's a role for international institutions, as well as national governments. So, in the short term, let's put a sticking plaster on the issue. The main recommendations that come out of the report, for example, environmental peace building, where you try and tackle an environmental issue alongside conflict resolution and so on, is something that could be used a lot more and United Nations agencies and other organizations can really take this on board and build this into all of their operations. But the longer-term stuff, the number one thing is to just get off fossil fuels. Because all the while we're using fossil fuels, we're going to be emitting carbon dioxide into the air and causing climate change to progress further.”
https://mhpbooks.com/books/the-future-of-energy
https://ember-climate.org/about/people/richard-black
https://ember-climate.org
www.therealpress.co.uk/?s=Richard+black
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode of the Speaking Out of Place podcast Professor David Palumbo-Liutalks with acclaimed author and activist, and San Francisco legend, Chris Carlsson about his new novel, When Shells Crumble. It begins in December 2024, when the US Supreme Court nullifies the popular vote in the Presidential election and awards the presidency to an authoritarian Republican, who proceeds to demolish democracy and install a fascistic state that hastens ecological havoc. The novel is much more than your usual dystopian tale—it focuses on how to resist political cynicism and defeatism, and rebuild on planetary wreckage. It is a world-building project filled with wisdom, sadness, and joy. We specifically put this fictional text in conservation with his brilliant non-fiction work, Nowtopia, which offers a radical redefinition of “work” that restores dignity and value to their proper places.
Chris Carlsson, co-director of the “history from below” project Shaping San Francisco, is a writer, publisher, editor, photographer, public speaker, and occasional professor. He was one of the founders in 1981 of the seminal and infamous underground San Francisco magazine Processed World. In 1992 Carlsson co-founded Critical Mass in San Francisco, which both led to a local bicycling boom and helped to incubate transformative urban movements in hundreds of cities, large and small, worldwide. In 1995 work began on “Shaping San Francisco;” since then the project has morphed into an incomparable archive of San Francisco history at Foundsf.org, award-winning bicycle and walking tours, and almost two decades of Public Talks covering history, politics, ecology, art, and more (see shapingsf.org). Beginning in Spring 2020, Carlsson has hosted Bay Cruises along the San Francisco shoreline.
His latest novel, When Shells Crumble was published by Spuyten Duyvil in Brooklyn, NY at the end of 2023. At the dawn of the pandemic, he published a detailed historical guidebook of the city, Hidden San Francisco: A Guide to Lost Landscapes, Unsung Heroes, and Radical Histories (Pluto Press: 2020). His full-length nonfiction work Nowtopia(AK Press: 2008), offers a groundbreaking look at class and work while uniquely examining how hard and pleasantly we work when we’re not at our official jobs. He published his first novel, After The Deluge, in 2004, a story of post-economic utopian San Francisco in the year 2157. He has edited six books, including three “Reclaiming San Francisco” collections with the venerable City Lights Books. He redesigned and co-authored an expanded Vanished Waters: A History of San Francisco’s Mission Bay after which he joined the board of the Mission Creek Conservancy. He has given hundreds of public presentations based on Shaping San Francisco, Critical Mass, Nowtopia, Vanished Waters, and his “Reclaiming San Francisco” history anthologies since the late 1990s, and has appeared dozens of times in radio, television and on the internet.
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
www.instagram.com/speaking_out_of_place
“I realized very young and very early on in my career that film does more than just inform and inspire and entertain. It can move people into action, whether it's personal or collective action. As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In 2015, with A Girl in the River, I created a film that was about a young girl who had been shot by her father and her uncle because she had decided to get married on her own free will. They left her to die in a gunny sack in the river, and she survived. Sabah's story was deeply inspiring, because she wanted to send her father and uncle to jail, but in the end, she forgave them using a lacuna in the law. And when it was nominated for an Academy Award, we wrote a letter to the prime minister of Pakistan, and we used the film to educate and inform the government about the impact of the lacuna in that law, and how it was being misused. The film played a role in closing that and changing the law, which ensured that men who killed women in the name of honor would go to prison.”
Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.
www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women?
Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.
www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“When I was producing that documentary with my producer at the BBC, I don't think I was expecting us to have accelerated so quickly into that future. The world has been quite synthetic for some time. I just don't think we've necessarily been aware of it, but whether it's computational photography in every single smartphone, even when you think you're taking a photo, no filter, there's still quite a lot of shaping of the reality that you're presented with at the end by these phones. Movie magic and entertainment, recommendation algorithms for your Facebook feed or Grammarly are all AI-powered. But we're now interfacing with AI in a much more intimate and personal way. When you were taking a photo or scrolling through your Twitter feed, AI was working behind the scenes, but you weren't necessarily aware of that. Whereas in the age of generative AI, we are becoming almost kind of synthetic conductors of the reality that we're creating. That could be via a large language model or through one of these companion based apps. We're starting to see some really powerful tools like Suno coming out which can generate AI-generated music. We are starting to see AI-generated content seep into areas of our lives, particularly around what we traditionally see as human-to-human communication or human creativity, that I think does fundamentally change the way that we kind of almost evaluate the value of human creative endeavors, but also the way that we think about interacting with each other in the digital world. How is that going to shape expectations of what normal messy human relationships look like? There's a huge swathe of gray. There's a big question of are we feeling uncomfortable about these use cases because they're new, they're unfamiliar? Or are we feeling uncomfortable because a deeper ethical intuition is being disturbed?”
Henry Ajder is an advisor, speaker, and broadcaster working at the frontier of the generative AI and the synthetic media revolution. He advises organizations on the opportunities and challenges these technologies present, including Adobe, Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organizations. Henry presented the BBC documentary series, The Future Will be Synthesised.www.henryajder.com
www.bbc.co.uk/programmes/m0017cgr
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How is artificial intelligence redefining our perception of reality and truth? Can AI be creative? And how is it changing art and innovation? Does AI-generated perfection detach us from reality and genuine human connection?
Henry Ajder is an advisor, speaker, and broadcaster working at the frontier of the generative AI and the synthetic media revolution. He advises organizations on the opportunities and challenges these technologies present, including Adobe, Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organizations. Henry presented the BBC documentary series, The Future Will be Synthesised.
“When I was producing that documentary with my producer at the BBC, I don't think I was expecting us to have accelerated so quickly into that future. The world has been quite synthetic for some time. I just don't think we've necessarily been aware of it, but whether it's computational photography in every single smartphone, even when you think you're taking a photo, no filter, there's still quite a lot of shaping of the reality that you're presented with at the end by these phones. Movie magic and entertainment, recommendation algorithms for your Facebook feed or Grammarly are all AI-powered. But we're now interfacing with AI in a much more intimate and personal way. When you were taking a photo or scrolling through your Twitter feed, AI was working behind the scenes, but you weren't necessarily aware of that. Whereas in the age of generative AI, we are becoming almost kind of synthetic conductors of the reality that we're creating. That could be via a large language model or through one of these companion based apps. We're starting to see some really powerful tools like Suno coming out which can generate AI-generated music. We are starting to see AI-generated content seep into areas of our lives, particularly around what we traditionally see as human-to-human communication or human creativity, that I think does fundamentally change the way that we kind of almost evaluate the value of human creative endeavors, but also the way that we think about interacting with each other in the digital world. How is that going to shape expectations of what normal messy human relationships look like? There's a huge swathe of gray. There's a big question of are we feeling uncomfortable about these use cases because they're new, they're unfamiliar? Or are we feeling uncomfortable because a deeper ethical intuition is being disturbed?”www.henryajder.com
www.bbc.co.uk/programmes/m0017cgr
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we show more kindness, respect, and love to the animals we share this planet with? What lessons can we learn from non-human animals about living in greater harmony with nature?
Ingrid Newkirk is the Founder and President of PETA, actively leading the organization and advocating for animal rights. PETA is the largest animal rights organization in the world with more than 9 million members and supporters globally. Under her leadership, PETA has achieved significant victories, such as ending car-crash tests on animals, pushing major fashion brands to go fur-free, influencing Ringling Bros. to become an animal-free circus, and helping pass a law that allows the U.S. Food and Drug Administration to approve new medications without conducting cruel tests on animals. Ingrid has written 14 books and has been featured in major publications like The New Yorker and The Guardian, and was the subject of HBO's documentary I Am an Animal and was named one of Forbes’ “100 Most Powerful Women.” She joined One Planet Podcast to reflect on her 75 years as animal rights advocate.
“They’re not human traits. They’re all shared traits because, of course, we all love. We all love our families, or not. We all grieve if somebody we love disappears or dies. A family dog, perhaps. A grandfather. We all feel loneliness, we all feel joy. We all really value our freedom. And so I think, if anything, looking into the eyes of the animal, even online, you see a person in there. There’s a someone in whatever the shape or the physical properties of that individual are. And that lesson is that I am you. You are me, only different. We are all the same in all the ways that count…Any living being teaches you– Look into my eyes. And there you are, the reflection of yourself. So we need to learn from the animals how to live more gently and consume less and be more thoughtful and look out for each other in this great circle of life.
I think things do change because of agitation. So agitation is vital. I mean, nobody who is in a cause should be there to win a popularity contest, whether you're working for children or the elderly or working for peace animals, it's all against nonviolence, aggression, domination, and needless cruelty and suffering. It's all for respect. So you have to be vigorous. You have to use your voice. You can use it politely, but if people don't listen, at PETA, we escalate. So we always start off with a polite letter, a polite entreaty. We always try to, as I say, do the homework. So we have the options that we put out on the table to say, look, instead of doing this, you could do that, and we will help you transition to that.”
www.peta.org
www.ingridnewkirk.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“My dad fought in World War II in France, and my mom was an electrician building warships in the United States. They were both war workers very proud to be Americans and instilled in me from an early age that the wonderful thing about America is that anybody could be an American, that you didn't have to be born here, that you didn't have to be a particular ethnicity or speak a certain language or be a certain religion. The wonderful thing about America was that you just had to believe, and that meant it was open for everyone. I find great hope in that because despite all the horrible rhetoric about people seeking asylum and immigrants, I'm cheered by just the casual conversations I have with people who have just come to this country. Despite all of our flaws in the United States, I really believe we have great diversity, and that sustains me. I think deep down, some Americans have been poisoned into thinking immigrants are a threat, and I think that's wrong. And so in my work, I'm trying to fight that by fighting for the idea of truth. As a philosopher, I don't ever get burned out. I mean, what do philosophers believe in more strongly than the concept of truth?”
Lee McIntyre is a Research Fellow at the Center for Philosophy and History of Science at Boston University and a Senior Advisor for Public Trust in Science at the Aspen Institute. He holds a B.A. from Wesleyan University and a Ph.D. in Philosophy from the University of Michigan. He has taught philosophy at Colgate University, Boston University, Tufts Experimental College, Simmons College, and Harvard Extension School (where he received the Dean’s Letter of Commendation for Distinguished Teaching). Formerly Executive Director of the Institute for Quantitative Social Science at Harvard University, he has also served as a policy advisor to the Executive Dean of the Faculty of Arts and Sciences at Harvard and as Associate Editor in the Research Department of the Federal Reserve Bank of Boston. His books include On Disinformation and How to Talk to a Science Denier and the novels The Art of Good and Evil and The Sin Eater.
https://leemcintyrebooks.com
www.penguinrandomhouse.com/books/730833/on-disinformation-by-lee-mcintyre
https://mitpress.mit.edu/9780262545051/
https://leemcintyrebooks.com/books/the-art-of-good-and-evil/
https://leemcintyrebooks.com/books/the-sin-eater/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How do we fight for truth and protect democracy in a post-truth world? How does bias affect our understanding of facts?
Lee McIntyre is a Research Fellow at the Center for Philosophy and History of Science at Boston University and a Senior Advisor for Public Trust in Science at the Aspen Institute. He holds a B.A. from Wesleyan University and a Ph.D. in Philosophy from the University of Michigan. He has taught philosophy at Colgate University, Boston University, Tufts Experimental College, Simmons College, and Harvard Extension School (where he received the Dean’s Letter of Commendation for Distinguished Teaching). Formerly Executive Director of the Institute for Quantitative Social Science at Harvard University, he has also served as a policy advisor to the Executive Dean of the Faculty of Arts and Sciences at Harvard and as Associate Editor in the Research Department of the Federal Reserve Bank of Boston. His books include On Disinformation and How to Talk to a Science Denier and the novels The Art of Good and Evil and The Sin Eater.
“My dad fought in World War II in France, and my mom was an electrician building warships in the United States. They were both war workers very proud to be Americans and instilled in me from an early age that the wonderful thing about America is that anybody could be an American, that you didn't have to be born here, that you didn't have to be a particular ethnicity or speak a certain language or be a certain religion. The wonderful thing about America was that you just had to believe, and that meant it was open for everyone. I find great hope in that because despite all the horrible rhetoric about people seeking asylum and immigrants, I'm cheered by just the casual conversations I have with people who have just come to this country. Despite all of our flaws in the United States, I really believe we have great diversity, and that sustains me. I think deep down, some Americans have been poisoned into thinking immigrants are a threat, and I think that's wrong. And so in my work, I'm trying to fight that by fighting for the idea of truth. As a philosopher, I don't ever get burned out. I mean, what do philosophers believe in more strongly than the concept of truth?”
https://leemcintyrebooks.com
www.penguinrandomhouse.com/books/730833/on-disinformation-by-lee-mcintyre
https://mitpress.mit.edu/9780262545051/
https://leemcintyrebooks.com/books/the-art-of-good-and-evil/
https://leemcintyrebooks.com/books/the-sin-eater/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think as there is more automation, there is more kind of emphasis on this question of our choice. The story of the development of things tends to be what do humans decide that they care about? In what direction do they want to go? What kind of art do they want to make? What kinds of things do they want to think about? There is in the computational universe of all possibilities, there is sort of infinite creativity. There's an infinite collection of possibilities, but it's something that's a matter of human choice, which of these infinite things do we actually choose to pursue? There's all these different possibilities out there. But our kind of challenge is to decide in which direction we want to go and then to let our automated systems pursue those particular directions.”
Stephen Wolfram is a computer scientist, mathematician, and theoretical physicist. He is the founder and CEO of Wolfram Research, the creator of Mathematica, Wolfram|Alpha, and the Wolfram Language. He received his PhD in theoretical physics at Caltech by the age of 20 and in 1981, became the youngest recipient of a MacArthur Fellowship. Wolfram authored A New Kind of Science and launched the Wolfram Physics Project. He has pioneered computational thinking and has been responsible for many discoveries, inventions and innovations in science, technology and business.
www.stephenwolfram.com
www.wolfram.com
www.wolframalpha.com
www.wolframscience.com/nks/
www.amazon.com/dp/1579550088/ref=nosim?tag=turingmachi08-20
www.wolframphysics.org
www.wolfram-media.com/products/what-is-chatgpt-doing-and-why-does-it-work/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can computational language help decode the mysteries of nature and the universe? What is ChatGPT doing and why does it work? How will AI affect education, the arts and society?
Stephen Wolfram is a computer scientist, mathematician, and theoretical physicist. He is the founder and CEO of Wolfram Research, the creator of Mathematica, Wolfram|Alpha, and the Wolfram Language. He received his PhD in theoretical physics at Caltech by the age of 20 and in 1981, became the youngest recipient of a MacArthur Fellowship. Wolfram authored A New Kind of Science and launched the Wolfram Physics Project. He has pioneered computational thinking and has been responsible for many discoveries, inventions and innovations in science, technology and business.
“I think as there is more automation, there is more kind of emphasis on this question of our choice. The story of the development of things tends to be what do humans decide that they care about? In what direction do they want to go? What kind of art do they want to make? What kinds of things do they want to think about? There is in the computational universe of all possibilities, there is sort of infinite creativity. There's an infinite collection of possibilities, but it's something that's a matter of human choice, which of these infinite things do we actually choose to pursue? There's all these different possibilities out there. But our kind of challenge is to decide in which direction we want to go and then to let our automated systems pursue those particular directions.”
www.stephenwolfram.com
www.wolfram.com
www.wolframalpha.com
www.wolframscience.com/nks/
www.amazon.com/dp/1579550088/ref=nosim?tag=turingmachi08-20
www.wolframphysics.org
www.wolfram-media.com/products/what-is-chatgpt-doing-and-why-does-it-work/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“There is magic everywhere. There's wonder everywhere. There's wondrous complexity that is so complex, so difficult to conceptualize, to grasp, to articulate that it might as well be magic for all intents and purposes, but we can gradually start to unpick how the tricks are done, how nature learned to do these wonderful tricks. And that's the wonder of science, gradually learning what's happening behind the scenes and how these marvelous effects are produced.
I'm probably best known for my work on consciousness. My view about this is often caricatured, I think, as a kind of heartless, materialist one, because I'm resistant to all forms of dualism about the mind. I think that's a very unhelpful way of thinking.
Some people think that I do that because I have a sort of crass materialist attitude to the world, that there's only things you can measure and weigh and bump into and everything else is just nonsense and fancy and different. What I like about the sort of view I have is that it represents us as fully part of the world, fully part of the same world. We're not sealed off into little private mental bubbles, Cartesian theaters, where all the real action is happening in here, not out there. No, I think we're much more engaged with the world… Another one of my heroes is Daniel Dennett's great friend, Nicholas Humphrey, who has a wonderfully rich range of experience. He's been described as a scientific humanist. What he does is he knows his science, including cognitive neuroscience and psychology, but he's also steeped in literature, art, music, and painting, and he brings all this together in his wonderful book on consciousness Soul Dust, published in 2011, suggests the idea that the soul is actually made of dust, which is a fantastic concept.”
Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science.
www.keithfrankish.com
www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42
www.imprint.co.uk/product/illusionism
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Is consciousness an illusion? Is it just a complex set of cognitive processes without a central, subjective experience? How can we better integrate philosophy with everyday life and the arts?
Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science.
“There is magic everywhere. There's wonder everywhere. There's wondrous complexity that is so complex, so difficult to conceptualize, to grasp, to articulate that it might as well be magic for all intents and purposes, but we can gradually start to unpick how the tricks are done, how nature learned to do these wonderful tricks. And that's the wonder of science, gradually learning what's happening behind the scenes and how these marvelous effects are produced.
I'm probably best known for my work on consciousness. My view about this is often caricatured, I think, as a kind of heartless, materialist one, because I'm resistant to all forms of dualism about the mind. I think that's a very unhelpful way of thinking.
Some people think that I do that because I have a sort of crass materialist attitude to the world, that there's only things you can measure and weigh and bump into and everything else is just nonsense and fancy and different. What I like about the sort of view I have is that it represents us as fully part of the world, fully part of the same world. We're not sealed off into little private mental bubbles, Cartesian theaters, where all the real action is happening in here, not out there. No, I think we're much more engaged with the world… Another one of my heroes is Daniel Dennett's great friend, Nicholas Humphrey, who has a wonderfully rich range of experience. He's been described as a scientific humanist. What he does is he knows his science, including cognitive neuroscience and psychology, but he's also steeped in literature, art, music, and painting, and he brings all this together in his wonderful book on consciousness Soul Dust, published in 2011, suggests the idea that the soul is actually made of dust, which is a fantastic concept.”
www.keithfrankish.com
www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42www.imprint.co.uk/product/illusionism
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“We and all living beings thrive by being actors in the planet’s regeneration, a civilizational goal that should commence and never cease. We practiced degeneration as a species and it brought us to the threshold of an unimaginable crisis. To reverse global warming, we need to reverse global degeneration.”
Can we really end the climate crisis in one generation? What kind of bold collective action, technologies, and nature-based solutions would it take to do it?
Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. A leading voice in the environmental movement, he has founded successful eco-friendly businesses, authored influential works on commerce and ecology, and advised global leaders on economic and environmental policies. As the founder of Project Regeneration and Project Drawdown, Paul leads efforts to identify and model solutions to reverse global warming, showcasing actionable strategies. His pioneering work in corporate ecological reform continues to shape a sustainable future. He is the author of eight books, including Regeneration: Ending the Climate Crisis in One Generation.
https://regeneration.org
https://paulhawken.com
https://drawdown.org
https://regeneration.org/nexus
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Can we really end the climate crisis in one generation? What kind of bold collective action, technologies, and nature-based solutions would it take to do it?
Paul Hawken is a renowned environmentalist, entrepreneur, author, and activist committed to sustainability and transforming the business-environment relationship. A leading voice in the environmental movement, he has founded successful eco-friendly businesses, authored influential works on commerce and ecology, and advised global leaders on economic and environmental policies. As the founder of Project Regeneration and Project Drawdown, Paul leads efforts to identify and model solutions to reverse global warming, showcasing actionable strategies. His pioneering work in corporate ecological reform continues to shape a sustainable future. He is the author of eight books, including Regeneration: Ending the Climate Crisis in One Generation.
“We and all living beings thrive by being actors in the planet’s regeneration, a civilizational goal that should commence and never cease. We practiced degeneration as a species and it brought us to the threshold of an unimaginable crisis. To reverse global warming, we need to reverse global degeneration.”
https://regeneration.org
https://paulhawken.com
https://drawdown.org
https://regeneration.org/nexus
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“What we do still really, really matters in terms of defining what the future looks like. I don't think that climate change in an apocalyptic sense is a foregone conclusion. Our efforts to change that trajectory to lower emissions will change how severe the impacts are in the future. So I really want people to understand that. And I really want my kids to understand that. I also trust that I want people to understand that we might be entering an era of unprecedented change and disruption.
This is the life that we've got and I feel great sadness for the things that I know that we've lost, but younger people don't have that perspective, which in this particular context is maybe a relief, and all there is, is what's in front of them. And, there is an ample supply of natural beauty of rejuvenating resources and inspiring resources in our natural environment and in the people around us. I would just say, as we all settle into a less predictable future with all sorts of bumpy roads and rollercoaster rides, that we also stay focused on experiencing what's in the moment, in that beauty and in that community.”
Abrahm Lustgarten is an investigative reporter, author, and filmmaker whose work focuses on human adaptation to climate change. His 2010 Frontline documentary The Spill, which investigated BP’s company culture, was nominated for an Emmy. His 2015 longform series Killing the Colorado, about the draining of the Colorado river, was nominated for a Pulitzer Prize. Lustgarten is a senior reporter at ProPublica, and contributes to publications like The New York Times Magazine and The Atlantic. His research on climate migration influenced President Biden’s creation of a climate migration study group. This is also the topic of his newly published book, On The Move: The Overheating Earth and the Uprooting of America in which he explores how climate change is uprooting American lives.
https://abrahm.com
https://us.macmillan.com/books/9780374171735/onthemove
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
An estimated one in two people will experience degrading environmental conditions this century and will be faced with the difficult question of whether to leave their homes. Will you be among those who migrate in response to climate change? If so, where will you go?
Abrahm Lustgarten is an investigative reporter, author, and filmmaker whose work focuses on human adaptation to climate change. His 2010 Frontline documentary The Spill, which investigated BP’s company culture, was nominated for an Emmy. His 2015 longform series Killing the Colorado, about the draining of the Colorado river, was nominated for a Pulitzer Prize. Lustgarten is a senior reporter at ProPublica, and contributes to publications like The New York Times Magazine and The Atlantic. His research on climate migration influenced President Biden’s creation of a climate migration study group. This is also the topic of his newly published book, On The Move: The Overheating Earth and the Uprooting of America in which he explores how climate change is uprooting American lives.
“What we do still really, really matters in terms of defining what the future looks like. I don't think that climate change in an apocalyptic sense is a foregone conclusion. Our efforts to change that trajectory to lower emissions will change how severe the impacts are in the future. So I really want people to understand that. And I really want my kids to understand that. I also trust that I want people to understand that we might be entering an era of unprecedented change and disruption.
This is the life that we've got and I feel great sadness for the things that I know that we've lost, but younger people don't have that perspective, which in this particular context is maybe a relief, and all there is, is what's in front of them. And, there is an ample supply of natural beauty of rejuvenating resources and inspiring resources in our natural environment and in the people around us. I would just say, as we all settle into a less predictable future with all sorts of bumpy roads and rollercoaster rides, that we also stay focused on experiencing what's in the moment, in that beauty and in that community.”
https://abrahm.com
https://us.macmillan.com/books/9780374171735/onthemove
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.”
Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain.
http://mattiamauree.com
https://studio.com/mattia
https://mattiamauree.com/love-your-brain
https://www.audhdflourishing.com/hello
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we learn to flourish because of who we are, not in spite of it? What is the sensory experience of the world for people with autism and ADHD? How can music help heal trauma and foster identity?
Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain.
“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.”
http://mattiamauree.com
https://studio.com/mattia
https://mattiamauree.com/love-your-brain
https://www.audhdflourishing.com/hello
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“There's been some interesting research recently about the fact that we don't really know how many people are losing lives because of extreme heat, right? Extreme events are climate change-exacerbated events, which I call climate shocks in the book. We haven't been counting that. I think we will start counting it and we'll get a better sense of the trends, but there's no doubt that the numbers are going up, even though we aren't sure about the exact numbers globally. We need a lot more people pushing back against power, particularly given the way that fossil fuel interests are continuing to push greenwash to try to continue to affect decision-making. The Trump administration is trying very hard to attract funds from oil companies with the promise that all regulations will be gone. And fossil fuel interests are supporting elected officials and pushing for decision-making that reflects their interests, which is not in the interest of the planet and certainly not in the interest of the general public. I know at the most recent COP, OPEC had its own pavilion. You would have never seen that back in the 1990s, but nowadays, they are trying to present themselves as a pathway towards the other side of the climate crisis, which is just absolutely not true.”
Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action.
https://danarfisher.com
https://cece.american.edu
www.acc.gov
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we make the radical social changes needed to address the climate crisis? What kind of large ecological disaster or mass mobilization in the streets needs to take place before we take meaningful climate action?
Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action.
“There's been some interesting research recently about the fact that we don't really know how many people are losing lives because of extreme heat, right? Extreme events are climate change-exacerbated events, which I call climate shocks in the book. We haven't been counting that. I think we will start counting it and we'll get a better sense of the trends, but there's no doubt that the numbers are going up, even though we aren't sure about the exact numbers globally. We need a lot more people pushing back against power, particularly given the way that fossil fuel interests are continuing to push greenwash to try to continue to affect decision-making. The Trump administration is trying very hard to attract funds from oil companies with the promise that all regulations will be gone. And fossil fuel interests are supporting elected officials and pushing for decision-making that reflects their interests, which is not in the interest of the planet and certainly not in the interest of the general public. I know at the most recent COP, OPEC had its own pavilion. You would have never seen that back in the 1990s, but nowadays, they are trying to present themselves as a pathway towards the other side of the climate crisis, which is just absolutely not true.”
https://danarfisher.com
https://cece.american.edu
www.acc.gov
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Credit Sarah Fillman from FillmanFoto, 2023
“There’s a lot of greenwashing that's going on these days. It is great marketing. And that was really the reason why I wrote this book. I had started to see the patterns. You can start to tell them the companies that are genuinely doing it versus the companies that are just talking about it. So that was one indicator, you know, a company that would send out a press release about their goals and what they anticipated to do in the next 5 to 10 years was very different from companies who had said, you know what, this is what we've achieved. Regenerative started coming into the lexicon, the term in 2017, 2018. And regenerative means to regenerate, means to bring life into something. To sustain means to keep the status quo. And regenerative looks at things from a very holistic lens. You know, it's like if you're going to run a regenerative farm, it's all the different components of the farm and the ecosystem ideally come within the ecosystem.”
Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth.
www.eshachhabra.comwww.beacon.org/Working-to-Restore-P2081.aspx
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is regenerative business? How can we create a business mindset that addresses social, economic and environmental issues?
Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth.
“There’s a lot of greenwashing that's going on these days. It is great marketing. And that was really the reason why I wrote this book. I had started to see the patterns. You can start to tell them the companies that are genuinely doing it versus the companies that are just talking about it. So that was one indicator, you know, a company that would send out a press release about their goals and what they anticipated to do in the next 5 to 10 years was very different from companies who had said, you know what, this is what we've achieved. Regenerative started coming into the lexicon, the term in 2017, 2018. And regenerative means to regenerate, means to bring life into something. To sustain means to keep the status quo. And regenerative looks at things from a very holistic lens. You know, it's like if you're going to run a regenerative farm, it's all the different components of the farm and the ecosystem ideally come within the ecosystem.”
www.eshachhabra.comwww.beacon.org/Working-to-Restore-P2081.aspx
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“One very interesting question is what might we learn from recent developments in AI about how humans learn and process language. The full story is a little bit more complicated because, of course, humans don't learn from the same kind of data as language models. Language models learn from this internet-scraped data that includes New York Times articles, blog posts, thousands of books, a bunch of programming code, and so on. That's very different from the kind of linguistic input that children learn from, which is child-directed speech from parents and relatives that’s much simpler linguistically. That said, there is a lot of interesting research trying to train smaller language models on data that is similar to the kind of input that a child might receive when they are learning language. You can, for example, strap a head mounted camera on a young child's head for a few hours every day and record whatever auditory information the child has access to, which would include any language spoken around or directed at the child. You can then transcribe that, and use that data set to train a language model on the child-directed speech that a real human would have received during their development. So some artificial models are learning from child-directed speech, and that might eventually go some way towards advancing debates about what scientists and philosophers call “nativism versus empiricism” with respect to language acquisition—the nature/nurture debate: Are we born with a universal innate grammar that enables us to learn the rules of language, as linguists like Noam Chomsky have argued, or can we learn language and its grammatical rules just from raw data, just from hearing and being exposed to language as children?If these language models that are trained from this kind of realistic datasets of child-directed speech manage to learn grammar, to learn how to use language in the way children do, then that might put some pressure on the nativist claim that there is this innate component to language learning that is part of our DNA, as opposed to just learning from exposure to language itself.”
Dr. Raphaël Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence.
https://raphaelmilliere.com
https://researchers.mq.edu.au/en/persons/raphael-milliere
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we ensure that AI is aligned with human values? What can AI teach us about human cognition and creativity?
Dr. Raphaël Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence.
“One very interesting question is what might we learn from recent developments in AI about how humans learn and process language. The full story is a little bit more complicated because, of course, humans don't learn from the same kind of data as language models. Language models learn from this internet-scraped data that includes New York Times articles, blog posts, thousands of books, a bunch of programming code, and so on. That's very different from the kind of linguistic input that children learn from, which is child-directed speech from parents and relatives that’s much simpler linguistically. That said, there is a lot of interesting research trying to train smaller language models on data that is similar to the kind of input that a child might receive when they are learning language. You can, for example, strap a head mounted camera on a young child's head for a few hours every day and record whatever auditory information the child has access to, which would include any language spoken around or directed at the child. You can then transcribe that, and use that data set to train a language model on the child-directed speech that a real human would have received during their development. So some artificial models are learning from child-directed speech, and that might eventually go some way towards advancing debates about what scientists and philosophers call “nativism versus empiricism” with respect to language acquisition—the nature/nurture debate: Are we born with a universal innate grammar that enables us to learn the rules of language, as linguists like Noam Chomsky have argued, or can we learn language and its grammatical rules just from raw data, just from hearing and being exposed to language as children?If these language models that are trained from this kind of realistic datasets of child-directed speech manage to learn grammar, to learn how to use language in the way children do, then that might put some pressure on the nativist claim that there is this innate component to language learning that is part of our DNA, as opposed to just learning from exposure to language itself.”
https://raphaelmilliere.com
https://researchers.mq.edu.au/en/persons/raphael-milliere
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“It gets back to this core question. I just wish I was a young scientist going into this because that's the question to answer: Why AI comes out with what it does. That's the burning question. It's like it's bigger than the origin of the universe to me as a scientist, and here's the reason why. The origin of the universe, it happened. That's why we're here. It's almost like a historical question asking why it happened. The AI future is not a historical question. It's a now and future question.
I'm a huge optimist for AI, actually. I see it as part of that process of climbing its own mountain. It could do wonders for so many areas of science, medicine. When the car came out, the car initially is a disaster. But you fast forward, and it was the key to so many advances in society. I think it's exactly the same as AI. The big challenge is to understand why it works. AI existed for years, but it was useless. Nothing useful, nothing useful, nothing useful. And then maybe last year or something, now it's really useful. There seemed to be some kind of jump in its ability, almost like a shock wave. We're trying to develop an understanding of how AI operates in terms of these shockwave jumps. Revealing how AI works will help society understand what it can and can't do and therefore remove some of this dark fear of being taken over. If you don't understand how AI works, how can you govern it? To get effective governance, you need to understand how AI works because otherwise you don't know what you're going to regulate.”
How can physics help solve messy, real world problems? How can we embrace the possibilities of AI while limiting existential risk and abuse by bad actors?
Neil Johnson is a physics professor at George Washington University. His new initiative in Complexity and Data Science at the Dynamic Online Networks Lab combines cross-disciplinary fundamental research with data science to attack complex real-world problems. His research interests lie in the broad area of Complex Systems and ‘many-body’ out-of-equilibrium systems of collections of objects, ranging from crowds of particles to crowds of people and from environments as distinct as quantum information processing in nanostructures to the online world of collective behavior on social media. https://physics.columbian.gwu.edu/neil-johnson https://donlab.columbian.gwu.edu
www.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
How can physics help solve messy, real world problems? How can we embrace the possibilities of AI while limiting existential risk and abuse by bad actors?
Neil Johnson is a physics professor at George Washington University. His new initiative in Complexity and Data Science at the Dynamic Online Networks Lab combines cross-disciplinary fundamental research with data science to attack complex real-world problems. His research interests lie in the broad area of Complex Systems and ‘many-body’ out-of-equilibrium systems of collections of objects, ranging from crowds of particles to crowds of people and from environments as distinct as quantum information processing in nanostructures to the online world of collective behavior on social media.
“It gets back to this core question. I just wish I was a young scientist going into this because that's the question to answer: Why AI comes out with what it does. That's the burning question. It's like it's bigger than the origin of the universe to me as a scientist, and here's the reason why. The origin of the universe, it happened. That's why we're here. It's almost like a historical question asking why it happened. The AI future is not a historical question. It's a now and future question.
I'm a huge optimist for AI, actually. I see it as part of that process of climbing its own mountain. It could do wonders for so many areas of science, medicine. When the car came out, the car initially is a disaster. But you fast forward, and it was the key to so many advances in society. I think it's exactly the same as AI. The big challenge is to understand why it works. AI existed for years, but it was useless. Nothing useful, nothing useful, nothing useful. And then maybe last year or something, now it's really useful. There seemed to be some kind of jump in its ability, almost like a shock wave. We're trying to develop an understanding of how AI operates in terms of these shockwave jumps. Revealing how AI works will help society understand what it can and can't do and therefore remove some of this dark fear of being taken over. If you don't understand how AI works, how can you govern it? To get effective governance, you need to understand how AI works because otherwise you don't know what you're going to regulate.”
https://physics.columbian.gwu.edu/neil-johnsonhttps://donlab.columbian.gwu.edu
www.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
“We actually do need these animals on the landscape, and we're going to protect them and restore them and help their populations increase. And so, to me, beavers are proof that what we're doing as conservationists is not futile, right? That there really is reason for hope and optimism, which beavers demonstrate. I think that's a really important lesson for young people to hear is that you're not just entering this world of eco-anxiety and climate change and depression. There are some really hopeful wildlife stories out there, and you can be part of that future.”
Ben Goldfarb is a conservation journalist. He is the author of Crossings: How Road Ecology Is Shaping The Future of Our Planet, named one of the best books of 2023 by the New York Times, and Eager: The Surprising, Secret Life of Beavers and Why They Matter, winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award.
www.bengoldfarb.com
https://wwnorton.com/books/9781324005896
www.chelseagreen.com/product/eager-paperback
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Every year, humanity's footprint casts a deadly shadow over our skies and landscapes, claiming the lives of billions of birds and other wildlife. What is road ecology? How are our roads driving certain species towards extinction? And what can we do about it?
Ben Goldfarb is a conservation journalist. He is the author of Crossings: How Road Ecology Is Shaping The Future of Our Planet, named one of the best books of 2023 by the New York Times, and Eager: The Surprising, Secret Life of Beavers and Why They Matter, winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award.
“We actually do need these animals on the landscape, and we're going to protect them and restore them and help their populations increase. And so, to me, beavers are proof that what we're doing as conservationists is not futile, right? That there really is reason for hope and optimism, which beavers demonstrate. I think that's a really important lesson for young people to hear is that you're not just entering this world of eco-anxiety and climate change and depression. There are some really hopeful wildlife stories out there, and you can be part of that future.”
www.bengoldfarb.com
https://wwnorton.com/books/9781324005896
www.chelseagreen.com/product/eager-paperback
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“The Greek Enlightenment introduced the idea of centrality and the priority of rationality in understanding ourselves and our relation to the world. Heidegger wants to move us away from what he thinks has culminated in a kind of dead end. We appear in this world without any instruction manual, we have these finite, corporeal lives that begin in ways- we have no control over and end in ways we often have no control over. The classical conception was that the cosmos was good, because it was open to human interrogation. It allowed itself to be interrogated, so the thing that mattered most of all was knowing, because knowing was the way in which we became at home in the world. Heidegger thought we had prioritized the question of knowledge to such a degree as the primordial relationship to all of reality. He connected this to the kind of predatory stance of contemporary technology, which is essentially destroying the world because it considers the world as just material stuff, which we can understand and manipulate for our own ends. He thinks there's a huge influence in the original understanding of being as intelligibility that eventually has cut us off from all sources of meaning in a possible life other than this successful control of the environment for our own satisfaction.”
What is the importance of philosophy in the 21st century as we enter a post-truth world? How can we reintroduce meaning and uphold moral principles in our world shaken by crises? And what does philosophy teach us about living in harmony with the natural world?
Robert Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago where he teaches in the College, Committee on Social Thought, and Department of Philosophy. Pippin is widely acclaimed for his scholarship in German idealism as well as later German philosophy, including publications such as Modernism as a Philosophical Problem, and Hegel’s Idealism. In keeping with his interdisciplinary interests, Pippin’s book Henry James and Modern Moral Life explores the intersections between philosophy and literature. Pippin’s most recent published book is The Culmination: Heidegger, German Idealism, and the Fate of Philosophy.
https://socialsciences.uchicago.edu/directory/Robert-Pippin
https://press.uchicago.edu/ucp/books/book/chicago/C/bo208042246.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is the importance of philosophy in the 21st century as we enter a post-truth world? How can we reintroduce meaning and uphold moral principles in our world shaken by crises? And what does philosophy teach us about living in harmony with the natural world?
Robert Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago where he teaches in the College, Committee on Social Thought, and Department of Philosophy. Pippin is widely acclaimed for his scholarship in German idealism as well as later German philosophy, including publications such as Modernism as a Philosophical Problem, and Hegel’s Idealism. In keeping with his interdisciplinary interests, Pippin’s book Henry James and Modern Moral Life explores the intersections between philosophy and literature. Pippin’s most recent published book is The Culmination: Heidegger, German Idealism, and the Fate of Philosophy.
“The Greek Enlightenment introduced the idea of centrality and the priority of rationality in understanding ourselves and our relation to the world. Heidegger wants to move us away from what he thinks has culminated in a kind of dead end. We appear in this world without any instruction manual, we have these finite, corporeal lives that begin in ways- we have no control over and end in ways we often have no control over. The classical conception was that the cosmos was good, because it was open to human interrogation. It allowed itself to be interrogated, so the thing that mattered most of all was knowing, because knowing was the way in which we became at home in the world. Heidegger thought we had prioritized the question of knowledge to such a degree as the primordial relationship to all of reality. He connected this to the kind of predatory stance of contemporary technology, which is essentially destroying the world because it considers the world as just material stuff, which we can understand and manipulate for our own ends. He thinks there's a huge influence in the original understanding of being as intelligibility that eventually has cut us off from all sources of meaning in a possible life other than this successful control of the environment for our own satisfaction.”
https://socialsciences.uchicago.edu/directory/Robert-Pippin
https://press.uchicago.edu/ucp/books/book/chicago/C/bo208042246.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“We've got four billion years of biological accidents that created all of the intricate aspects of everything about life, including consciousness. And it's about what's going on in each of those cells at the time that allows it to be connected to everything else and for the information to be understood as it's being exchanged between those things with their multifaceted, deep, complex processing.”
Joseph LeDoux is a Professor of Neural Science at New York University at NYU and was Director of the Emotional Brain Institute. His research primarily focuses on survival circuits, including their impacts on emotions, such as fear and anxiety. He has written a number of books in this field, including The Four Realms of Existence: A New Theory of Being Human, The Emotional Brain, Synaptic Self, Anxious, and The Deep History of Ourselves. LeDoux is also the lead singer and songwriter of the band The Amygdaloids.
www.joseph-ledoux.com
www.cns.nyu.edu/ebi
https://amygdaloids.net
www.hup.harvard.edu/books/9780674261259
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How does the brain process emotions? How are emotional memories formed and stored in the brain, and how do they influence behavior, perception, and decision-making? How does music help us understand our emotions, memories, and the nature of consciousness?
Joseph LeDoux is a Professor of Neural Science at New York University at NYU and was Director of the Emotional Brain Institute. His research primarily focuses on survival circuits, including their impacts on emotions, such as fear and anxiety. He has written a number of books in this field, including The Four Realms of Existence: A New Theory of Being Human, The Emotional Brain, Synaptic Self, Anxious, and The Deep History of Ourselves. LeDoux is also the lead singer and songwriter of the band The Amygdaloids.
“We've got four billion years of biological accidents that created all of the intricate aspects of everything about life, including consciousness. And it's about what's going on in each of those cells at the time that allows it to be connected to everything else and for the information to be understood as it's being exchanged between those things with their multifaceted, deep, complex processing.”
www.joseph-ledoux.com
www.cns.nyu.edu/ebi
https://amygdaloids.net
www.hup.harvard.edu/books/9780674261259
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Music courtesy of Joseph LeDoux
It said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.
Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.
“But what happens is a space is created. And maybe it’s the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you’re holding in your hands. And that’s why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We’re all human beings, and it’s stories from the moment we’re able to talk.”
We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.
“If you look at meditation, and you strip away the belief system, you find that essentially every meditation is attention training. It might be bringing your mind back to a mantra; some sound, or to your breath, or to a particular attentional stance. I like mindfulness of breathing, where you pay full attention to your in-breath, and to your out-breath, and then the next breath, the in-breath, and the out-breath. At some point, your mind is going to wander off. That's the way our minds are wired. But here's the key: When you notice your mind has wandered and you bring it back to the point of focus—to the next breath, for example—that's the moment of mindfulness. Attention training of this kind is really a beautiful avenue into the optimal state, where you're fully focused on what you're doing. And in this state, which is one of high creativity, people experience themselves as part of a web of connection. The connection may be to the artists who have gone before you, whose work you imbibe and build on, or the writers whose thoughts you're building on, or the people who are doing this with you, in whatever context that might be. Thich Nhat Hanh calls this interbeing; being fully connected and interdependent. I remember a dialogue from years ago, in the 80s, with the Dalai Lama and a group of psychologists, where he said: In my languages, Tibetan and Sanskrit, the word for compassion implies for yourself as well as for others. In English, it only focuses on others. He said, you need a new word in the English language—self compassion. Today, there's a rather robust field of research on that, but the Dalai Lama saw that gap way before, because he realized that our view of compassion didn't include first taking care of ourselves.”
Daniel Goleman is an American psychologist, author, and science journalist. Before becoming an author, Goleman was a science reporter for the New York Times for 12 years, covering psychology and the human brain. In 1995, Goleman published Emotional Intelligence, a New York Times bestseller. In his newly published book Optimal, Daniel Goleman discusses how people can enter an optimal state of high performance without facing symptoms of burnout in the workplace.
www.danielgoleman.info
www.harpercollins.com/products/optimal-daniel-golemancary-cherniss?variant=41046795288610
www.penguinrandomhouse.com/books/69105/emotional-intelligence-by-daniel-goleman/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we enhance our emotional intelligence and avoid burnout in a changing world? How can we regain focus and perform in an optimal state? What do we mean by ecological intelligence?
Daniel Goleman is an American psychologist, author, and science journalist. Before becoming an author, Goleman was a science reporter for the New York Times for 12 years, covering psychology and the human brain. In 1995, Goleman published Emotional Intelligence, a New York Times bestseller. In his newly published book Optimal, Daniel Goleman discusses how people can enter an optimal state of high performance without facing symptoms of burnout in the workplace.
“If you look at meditation, and you strip away the belief system, you find that essentially every meditation is attention training. It might be bringing your mind back to a mantra; some sound, or to your breath, or to a particular attentional stance. I like mindfulness of breathing, where you pay full attention to your in-breath, and to your out-breath, and then the next breath, the in-breath, and the out-breath. At some point, your mind is going to wander off. That's the way our minds are wired. But here's the key: When you notice your mind has wandered and you bring it back to the point of focus—to the next breath, for example—that's the moment of mindfulness. Attention training of this kind is really a beautiful avenue into the optimal state, where you're fully focused on what you're doing. And in this state, which is one of high creativity, people experience themselves as part of a web of connection. The connection may be to the artists who have gone before you, whose work you imbibe and build on, or the writers whose thoughts you're building on, or the people who are doing this with you, in whatever context that might be. Thich Nhat Hanh calls this interbeing; being fully connected and interdependent. I remember a dialogue from years ago, in the 80s, with the Dalai Lama and a group of psychologists, where he said: In my languages, Tibetan and Sanskrit, the word for compassion implies for yourself as well as for others. In English, it only focuses on others. He said, you need a new word in the English language—self compassion. Today, there's a rather robust field of research on that, but the Dalai Lama saw that gap way before, because he realized that our view of compassion didn't include first taking care of ourselves.”
www.danielgoleman.info
www.harpercollins.com/products/optimal-daniel-golemancary-cherniss?variant=41046795288610
www.penguinrandomhouse.com/books/69105/emotional-intelligence-by-daniel-goleman/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“It's important to imagine, to keep imagining, a world that is free from colonialism, from oppression, from exploitation, also expropriation of nature. And unfortunately this world is not sustainable—we are not living in that kind of world today. But if we want to see the world for our next generation for the future, we need to pass the torch and ask them to imagine, and then perhaps that way the struggle will continue.”
Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.
https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How are writing and travel vehicles for understanding? How can we expand the literary canon to include other voices, other cultures, other experiences of the world?
Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.
“It's important to imagine, to keep imagining, a world that is free from colonialism, from oppression, from exploitation, also expropriation of nature. And unfortunately this world is not sustainable—we are not living in that kind of world today. But if we want to see the world for our next generation for the future, we need to pass the torch and ask them to imagine, and then perhaps that way the struggle will continue.”
https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Environmentalists, writers, artists, activists, and public policy makers explore the interconnectedness of living beings and ecosystems. They highlight the importance of conservation, promote climate education, advocate for sustainable development, and underscore the vital role of creative and educational communities in driving positive change.
00:00 "The Conditional" by U.S. Poet Laureate Ada Limón
01:27 The Secret Language of Animals: Ingrid Newkirk, President of PETA
03:03 A Love Letter to the Living World: Carl Safina, Ecologist & Author
04:11 Exploring the Mysteries of Soil and Coral Reefs: Merlin Sheldrake, Biologist, Author of Entangled Life
04:47 Exploring Coral Reefs: Richard Vevers, Founder of The Ocean Agency
05:56 The Importance of Climate Education: Kathleen Rogers, President of EarthDay.org
07:02 The Timeless Wisdom of Turtles: Sy Montomery, Naturalist & Author
07:38 Optimism in the Face of Environmental Challenges: Richard Vevers
08:32 Urban Solutions for a Sustainable Future: Paula Pinho, Director, Just Transition, Consumers, Energy Efficiency & Innovation, European Commission
08:57 The Circular Economy: Walter Stahel, Founder & Director of the Product-Life Institute
09:39 The Power of Speaking Out for Sustainability: Paula Pinho
10:16 Empowering the Next Generation Through Education: Jeffrey Sachs, President of the UN Sustainable Development Solutions Network
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
www.maxrichtermusic.com
https://studiorichtermahr.com
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.
Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.
He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.
In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.
https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatory
The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.
Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.
He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.
In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”
https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatory
The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Our brain is the organ from which our rich experience of the world arises. Brains are responsible for love, for sadness, and these profound experiences are those in which I sought to investigate."
Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.
https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.edu
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How does a changing climate affect our minds, brains and bodies?
Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.
"Our brain is the organ from which our rich experience of the world arises. Brains are responsible for love, for sadness, and these profound experiences are those in which I sought to investigate."
https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.edu
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate."
Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.
He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.
www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph
www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo courtesy of HBO
What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?
Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.
He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.
“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate."
www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph
www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photos courtesy of HBO
Susan Downey, Robert Downey Jr., Don McKellar
Robert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBO
Hoa Xuande in The Sympathizer, photo by Hopper Stone/HBO
"You can't choose your family. You know, I hear that all the time. I'm always amazed when I see families that stick together and wind up being friends at the second, third, fourth decades of their lives. I didn't grow up with that. I didn't see that. I've only seen it as an adult, and it's remarkable when I see it. So I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance."
"Philipp Meyer wrote a very, very beautiful book and it was the reason that made me want to do it. Jeff Daniels gave me the book. He'd been having trouble getting it made, getting a script that he liked. And he said to me, "Will you read this and just remind me what I love about it? And if you feel that way?" And I read it very quickly and felt that it was terrific. And there were a lot of possibilities in making it. So just kudos to Philipp Meyer. He wrote a beautiful novel. And if anybody's listening is looking for a great novel to read, there's that and there's Adam Rapp's novel Wolf at the Table."
Dan Futterman is creator, executive producer, and writer of Amazon Prime's American Rust, the acclaimed crime drama starring Jeff Daniels, Maura Tierney, and David Alvarez. Previously, Dan has written screenplays for Capote, Foxcatcher, In Treatment, and Gracepoint. He served as executive producer on The Looming Tower. Dan is also an actor, director, and two-time Oscar nominee.
Adam Rapp is the executive producer and writer of American Rust. He has written plays, films, and series, including Red Light Winter, The Sound Inside, In Treatment, Blackbird, The Looming Tower, and Dexter: New Blood. His latest novel is Wolf at the Table. He recently wrote the book for the new Broadway musical, The Outsiders.
www.imdb.com/name/nm0001246
www.imdb.com/name/nm1452688/?ref_=fn_al_nm_1
www.imdb.com/title/tt1532495/
https://outsidersmusical.com/
www.hachettebookgroup.com/titles/adam-rapp/wolf-at-the-table/9780316434164/?lens=little-brown
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What role do the families we’re born into or the traumas we experience shape the people we become? Do good deeds offset bad deeds? How can the arts increase our capacity for empathy, understanding, and kindness?
Dan Futterman is creator, executive producer, and writer of Amazon Prime's American Rust, the acclaimed crime drama starring Jeff Daniels, Maura Tierney, and David Alvarez. Previously, Dan has written screenplays for Capote, Foxcatcher, In Treatment, and Gracepoint. He served as executive producer on The Looming Tower. Dan is also an actor, director, and two-time Oscar nominee.
Adam Rapp is the executive producer and writer of American Rust. He has written plays, films, and series, including Red Light Winter, The Sound Inside, In Treatment, Blackbird, The Looming Tower, and Dexter: New Blood. His latest novel is Wolf at the Table. He recently wrote the book for the new Broadway musical, The Outsiders.
"You can't choose your family. You know, I hear that all the time. I'm always amazed when I see families that stick together and wind up being friends at the second, third, fourth decades of their lives. I didn't grow up with that. I didn't see that. I've only seen it as an adult, and it's remarkable when I see it. So I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance."
"Philipp Meyer wrote a very, very beautiful book and it was the reason that made me want to do it. Jeff Daniels gave me the book. He'd been having trouble getting it made, getting a script that he liked. And he said to me, "Will you read this and just remind me what I love about it? And if you feel that way?" And I read it very quickly and felt that it was terrific. And there were a lot of possibilities in making it. So just kudos to Philipp Meyer. He wrote a beautiful novel. And if anybody's listening is looking for a great novel to read, there's that and there's Adam Rapp's novel Wolf at the Table."
www.imdb.com/name/nm0001246
www.imdb.com/name/nm1452688/?ref_=fn_al_nm_1
www.imdb.com/title/tt1532495/
https://outsidersmusical.com/
www.hachettebookgroup.com/titles/adam-rapp/wolf-at-the-table/9780316434164/?lens=little-brown
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The Judeo-Christian idea is of Adam in the Garden of Eden, where he's given dominion over all things on the Earth, including plants and animals, and he is in a superior position, and the living world is subordinate to him. And you have this idea of a kind of divine approval for this hierarchy. Then, in the 17th century, Descartes comes along, and he takes the idea from Aristotle that what humans have is the capacity to reason, and they have the capacity to speak. And that is what fundamentally distinguishes humans from other animals is they have the capacity to speak, and they have capacity to speak a particular kind of language that allows us to express the results of a rational thinking, and all of that's very much concentrated in the mind.
So, what's happening, of course, is that alongside this, we find that the idea of a kind of inert world that is simply there for our pleasure, enjoyment, and exploitation has proved to be catastrophically mistaken because we see it with flooding, we see it with forest fires. We see it with acidification of the oceans. We see it with the continuing rise in temperatures that the world itself, the more-than-human world is fighting back. It has taken on its own agency. And therefore, the idea of a pyramid, a hierarchy, is no longer operative."
Michael Cronin is an Irish academic specialist in culture, travel literature, translation studies, and the Irish language. He has taught in universities in France and Ireland and has held visiting research fellowships to universities in Canada, Belgium, Peru, France, and Egypt. He's a fellow of Trinity College Dublin, an elected member of the Royal Irish Academy, and a senior researcher in the Trinity Centre for Literary and Cultural Translation. He is the current holder of the Chair of French (est. 1776) at TCD. He is the author of Eco-Travel: Journeying in the Age of the Anthropocene, Eco-Translation: Translation and Ecology in the Age of the Anthropocene, and other books.
www.tcd.ie/French/people/michaelcronin.php
www.cambridge.org/core/books/ecotravel/24263DF8E2E021915FEF4F937F146D25
www.routledge.com/Eco-Translation-Translation-and-Ecology-in-the-Age-of-the-Anthropocene/Cronin/p/book/9781138916845
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How has tourism and writing about travel contributed to the ecological degradation of the planet?How does language influence perception and our relationship to the more-than-human world?
Michael Cronin is an Irish academic specialist in culture, travel literature, translation studies, and the Irish language. He has taught in universities in France and Ireland and has held visiting research fellowships to universities in Canada, Belgium, Peru, France, and Egypt. He's a fellow of Trinity College Dublin, an elected member of the Royal Irish Academy, and a senior researcher in the Trinity Centre for Literary and Cultural Translation. He is the current holder of the Chair of French (est. 1776) at TCD. He is the author of Eco-Travel: Journeying in the Age of the Anthropocene, Eco-Translation: Translation and Ecology in the Age of the Anthropocene, and other books.
"The Judeo-Christian idea is of Adam in the Garden of Eden, where he's given dominion over all things on the Earth, including plants and animals, and he is in a superior position, and the living world is subordinate to him. And you have this idea of a kind of divine approval for this hierarchy. Then, in the 17th century, Descartes comes along, and he takes the idea from Aristotle that what humans have is the capacity to reason, and they have the capacity to speak. And that is what fundamentally distinguishes humans from other animals is they have the capacity to speak, and they have capacity to speak a particular kind of language that allows us to express the results of a rational thinking, and all of that's very much concentrated in the mind.
So, what's happening, of course, is that alongside this, we find that the idea of a kind of inert world that is simply there for our pleasure, enjoyment, and exploitation has proved to be catastrophically mistaken because we see it with flooding, we see it with forest fires. We see it with acidification of the oceans. We see it with the continuing rise in temperatures that the world itself, the more-than-human world is fighting back. It has taken on its own agency. And therefore, the idea of a pyramid, a hierarchy, is no longer operative."
www.tcd.ie/French/people/michaelcronin.php
www.cambridge.org/core/books/ecotravel/24263DF8E2E021915FEF4F937F146D25
www.routledge.com/Eco-Translation-Translation-and-Ecology-in-the-Age-of-the-Anthropocene/Cronin/p/book/9781138916845
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?"
Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.
https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm
Music courtesy of Dustin O’Halloran and Deutsche Grammophon
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What will happen when Artificial General Intelligence arrives? What is the nature of consciousness? How are music and creativity pathways for reconnecting us to our humanity and the natural world?
Dustin O’Halloran is a pianist and composer and member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, and a BAFTA for his score for Lion, written in collaboration with Volker Bertelmann (aka Hauschka). He has composed for Wayne McGregor (The Royal Ballet, London), Sofia Coppola’s Marie Antoinette, Ammonite starring Kate Winslet, and The Essex Serpent starring Claire Danes. He produced Katy Perry’s “Into Me You See” from her album Witness and appears on Leonard Cohen’s 2019 posthumous album Thanks For The Dance. With six solo albums under his name, his latest album 1 0 0 1, which explores ideas of technology, humanity and mind-body dualism, is available on Deutsche Grammophon.
"I think it's really a crossroads between knowledge and wisdom. And I think that wisdom for me is so connected to nature and the information that we get from nature. We ultimately are part of the natural world. And the knowledge of knowing things and facts and these kinds of bits of information doesn't necessarily mean that we are going in the right direction that we know things. In this space, a lot of wisdom is being lost... About being connected to an earlier time. I feel that that's true. Language is being diminished. There's so many things that are being diminished in this moment. And yet, we're creating something that is going to have vastly more knowledge. But this is where it splits. And what is the idea of consciousness? Is wisdom something that's external? Is it something that is more related to quantum physics and the quantum world, more than just the physical body and the physical brain?"
https://dustinohalloran.com/
www.deutschegrammophon.com/en/artists/dustin-o-halloran
www.imdb.com/name/nm0641169/bio/?ref_=nm_ov_bio_sm
Music courtesy of Dustin O’Halloran and Deutsche Grammophon
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
""That idea of planting seeds for future generations came from the Tusculan Disputations. There’s something especially empowering about Cicero. And it's very striking that Thomas Jefferson and John Adams and so many in the Founding Era viewed this manual about overcoming grief as the definition for achieving happiness. And I think it's because it's a philosophy of self-mastery, self-improvement, and self-empowerment.
The habits of deep reading are themselves the most tangible expression of the virtues. In that sense, the virtue of industry is the one that I still take with me. So many of the Founders did, too. They fell short of so many virtues, as we all do every day. But it was the habits of deep reading and writing, keeping up a consistent daily schedule, and setting aside time for deep reading and writing that they maintained until the end of their lives."
Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.
https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcasts
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is the true meaning of the pursuit of happiness? What can we learn from the Founding Fathers about achieving harmony, balance, tranquility, self-mastery, and pursuing the public good?
Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.
""That idea of planting seeds for future generations came from the Tusculan Disputations. There’s something especially empowering about Cicero. And it's very striking that Thomas Jefferson and John Adams and so many in the Founding Era viewed this manual about overcoming grief as the definition for achieving happiness. And I think it's because it's a philosophy of self-mastery, self-improvement, and self-empowerment.
The habits of deep reading are themselves the most tangible expression of the virtues. In that sense, the virtue of industry is the one that I still take with me. So many of the Founders did, too. They fell short of so many virtues, as we all do every day. But it was the habits of deep reading and writing, keeping up a consistent daily schedule, and setting aside time for deep reading and writing that they maintained until the end of their lives."
https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcasts
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The other big hard problem in philosophy is time. And I felt, you know, who better to lead me in this exploration than turtles, who live in some cases for centuries, who've been around...they arose with dinosaurs, yet they survived the asteroid impact. They are the embodiment of patience and wisdom. It's wonderful having an animal recognize you and be interested in you really acknowledges the animal in me. And that's the oldest, most sacred part of me, as far as I'm concerned."
Author Sy Montgomery and illustrator Matt Patterson are naturalists, adventurers, and creative collaborators. Montgomery has published over thirty acclaimed nonfiction books for adults and children and received numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association.
Patterson’s illustrations have been featured in several books and magazines, such as Yankee Magazine and Fine Art Connoisseur. He is the recipient of Roger Tory Peterson Wild American Art Award, National Outdoor Book Award for Nature and the Environment, and other honors. Most recently, Patterson provided illustrations for Freshwater Fish of the Northeast.
Their joint books are Of Time and Turtles: Mending the World, Shell by Shattered Shell and The Book of the Turtle. Montgomery’s other books include The Soul of an Octopus, The Hawk’s Way and The Secrets of the Octopus (published in conjunction with a National Geographic TV series).
www.mpattersonart.com
https://symontgomery.com
www.harpercollins.com/products/of-time-and-turtles-sy-montgomery?variant=41003864817698
www.harpercollins.com/products/the-book-of-turtles-sy-montgomery?variant=40695888609314
https://press.uchicago.edu/ucp/books/book/distributed/F/bo215806915.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What can turtles teach us about time, patience, and wisdom? What can we learn about the mysteries of consciousness by observing animals? How can we open our senses and embrace the interconnectedness of all life on Earth?
Author Sy Montgomery and illustrator Matt Patterson are naturalists, adventurers, and creative collaborators. Montgomery has published over thirty acclaimed nonfiction books for adults and children and received numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association.
Patterson’s illustrations have been featured in several books and magazines, such as Yankee Magazine and Fine Art Connoisseur. He is the recipient of Roger Tory Peterson Wild American Art Award, National Outdoor Book Award for Nature and the Environment, and other honors. Most recently, Patterson provided illustrations for Freshwater Fish of the Northeast.
Their joint books are Of Time and Turtles: Mending the World, Shell by Shattered Shell and The Book of the Turtle. Montgomery’s other books include The Soul of an Octopus, The Hawk’s Way and The Secrets of the Octopus (published in conjunction with a National Geographic TV series).
"The other big hard problem in philosophy is time. And I felt, you know, who better to lead me in this exploration than turtles, who live in some cases for centuries, who've been around...they arose with dinosaurs, yet they survived the asteroid impact. They are the embodiment of patience and wisdom. It's wonderful having an animal recognize you and be interested in you really acknowledges the animal in me. And that's the oldest, most sacred part of me, as far as I'm concerned."
www.mpattersonart.com
https://symontgomery.com
www.harpercollins.com/products/of-time-and-turtles-sy-montgomery?variant=41003864817698
www.harpercollins.com/products/the-book-of-turtles-sy-montgomery?variant=40695888609314
https://press.uchicago.edu/ucp/books/book/distributed/F/bo215806915.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The point of life is to be happy, and the way to be happy is to be a success. – It's horseshit. This is not the point of life. It's a lie. The second part is, you must be willing to fail. Not, oh, I'm going to tolerate a little bit of it. I am going to totally fail at this, but I'm still going to do it anyway."
Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin.
Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell.
www.andredubus.com
www.andredubus.com/ghost-dogs
www.andredubus.com/house-of-sand-and-fog
www.andredubus.com/such-kindness
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What can reading teach us about loss, healing, and survival? How can we transform anger into empathy? What can we learn from the creative act about turning personal setbacks into opportunities for self-discovery and growth?
Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies. His novel, House of Sand and Fog was a finalist for the National Book Award and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His most recent books are the novel, Such Kindness and a collection of personal essays, Ghost Dogs: On Killers and Kin.
Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell.
"There's a wonderful essay by the American poet William Stafford, where he says the poet, before writing, must put herself into a place of openness or receptivity. And he said, you're being receptive when you are. And this is really hard, I think, especially for Americans who still eat a steady diet of the following: The point of life is to be happy, and the way to be happy is to be a success. – It's horseshit. This is not the point of life. It's a lie. And the second part is, you must be willing to fail. Not, oh, I'm going to tolerate a little bit of it. I am going to totally fail at this, but I'm still going to do it anyway."
www.andredubus.com
www.andredubus.com/ghost-dogs
www.andredubus.com/house-of-sand-and-fog
www.andredubus.com/such-kindness
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"You have the brain, and you have the heart, and you cannot feed only the brain without feeding the heart. So feeding the heart means creating authentic relations between people and educating children to have compassion, empathy, and respect for others, nature, animals, and other human beings. I'm a bit afraid that today we feed only the brain and not the heart. And when we want to put these Neuralink implants in the brain, we forget that there is the heart where maybe we should also work a little bit more."
Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth.
http://www.solarimpulse.com
https://climateimpulse.org/
https://bertrandpiccard.com/
Photos:
Bertrand Piccard with Ilham Kadri, CEO Syensqo (main technological partner of Climate Impulse)
Bertrand Piccard @ Solar Impulse, Jean Revillard
What is the future of green aviation? How do we share environmental solutions to unite people and change the climate narrative from sacrifice and fear to enthusiasm and hope?
Bertrand Piccard is a notable Swiss environmentalist, explorer, author, and psychiatrist. His ventures include being the first to travel around the world in a non-stop balloon flight and years later in a solar-powered airplane. He is regarded as a pioneer in clean technology. Piccard is also the founder of the Solar Impulse Foundation, which has identified over 1500 actionable and profitable climate solutions and connects them with investors. As a UN Ambassador for the Environment, his goal is to convince leaders of the viability of a zero-carbon economy, which he will demonstrate via his next emission-free project Climate Impulse, a green hydrogen-powered airplane that can fly nonstop around the earth.
"You have the brain, and you have the heart, and you cannot feed only the brain without feeding the heart. So feeding the heart means creating authentic relations between people and educating children to have compassion, empathy, and respect for others, nature, animals, and other human beings. I'm a bit afraid that today we feed only the brain and not the heart. And when we want to put these Neuralink implants in the brain, we forget that there is the heart where maybe we should also work a little bit more."
http://www.solarimpulse.com
https://climateimpulse.org/
https://bertrandpiccard.com/
Photos:
COPSummit
Bertrand Piccard with Simon Stiell, Executive Secretary of the UNFCCC
Ville de Demain exhibition, Cité des sciences et de l'industrie, Paris
"As long as your children believe your traditions are a good way to be human on Earth, they will continue to be like you. And your society and your civilization will continue. But the moment they see a better and more efficient way to do things, they will no longer believe in your ways, and your traditions will collapse in a whisper.
I think what is very, very important for the young generations - because they hear every day and everywhere that this is the end of our world because of many things, particularly about the question of climate change - and we must tell young generations, first of all, we don't know anything about the future. Maybe the future is incredibly nice. Incredibly nice, because we are going to have at a certain moment absolute energy, the ability to travel anywhere in space, the ability to colonize any satellite in our solar system, and maybe with no more any kind of fitness, no more cancer, nothing else. So the future can be bright and incredible. And the young generations should keep in mind that they are on a magical planet which is full of beauty and they must love it and preserve it as best as they can with hope."
Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature.
http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover
https://lampea.cnrs.fr/spip.php?article3767
www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.php
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Who were the Neanderthals? And what can our discoveries about them teach us about intelligence, our extractivist relationship to the planet, and what it means to be human?
Ludovic Slimak is a paleoanthropologist at the University of Toulouse in France and Director of the Grotte Mandrin research project. His work focuses on the last Neanderthal societies, and he is the author of several hundred scientific studies on these populations. His research has been featured in Nature, Science, the New York Times, and other publications. He is the author of The Naked Neanderthal: A New Understanding of the Human Creature.
"As long as your children believe your traditions are a good way to be human on Earth, they will continue to be like you. And your society and your civilization will continue. But the moment they see a better and more efficient way to do things, they will no longer believe in your ways, and your traditions will collapse in a whisper.
I think what is very, very important for the young generations - because they hear every day and everywhere that this is the end of our world because of many things, particularly about the question of climate change - and we must tell young generations, first of all, we don't know anything about the future. Maybe the future is incredibly nice. Incredibly nice, because we are going to have at a certain moment absolute energy, the ability to travel anywhere in space, the ability to colonize any satellite in our solar system, and maybe with no more any kind of fitness, no more cancer, nothing else. So the future can be bright and incredible. And the young generations should keep in mind that they are on a magical planet which is full of beauty and they must love it and preserve it as best as they can with hope."
http://ww5.pegasusbooks.com/books/the-naked-neanderthal-9781639366163-hardcover
https://lampea.cnrs.fr/spip.php?article3767
www.odilejacob.fr/catalogue/sciences-humaines/archeologie-paleontologie-prehistoire/dernier-neandertalien_9782415004927.php
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I started as a scholar of English literature in particular. And then I realized I didn't like boundaries. I've always tried to explore other domains and areas of knowledge. So I moved on to the relationship between literature and science because what has always fascinated me is how science is written, circulated, and understood and how science is popularized and narrativized. The Role of Utopian Studies in Sustainability led me straight to sustainability and to envision possible future societies. For example, the sciences and the humanities coexist and thrive on and sustain each other. And if you think about the best or the worst possible futures, then after a while, you come to think about whether futures may be sustainable or not. More importantly, we should try to envision ways of living in the future that may be acceptable and, above all, enjoyable for everyone."
Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.
https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures?
Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.
"I started as a scholar of English literature in particular. And then I realized I didn't like boundaries. I've always tried to explore other domains and areas of knowledge. So I moved on to the relationship between literature and science because what has always fascinated me is how science is written, circulated, and understood and how science is popularized and narrativized. The Role of Utopian Studies in Sustainability led me straight to sustainability and to envision possible future societies. For example, the sciences and the humanities coexist and thrive on and sustain each other. And if you think about the best or the worst possible futures, then after a while, you come to think about whether futures may be sustainable or not. More importantly, we should try to envision ways of living in the future that may be acceptable and, above all, enjoyable for everyone."
https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How would the life of Jesus be told through the eyes of his mother? How can literature help us understand history and the nature of identity?
Maciej Hen was born in 1955 in Warsaw. He graduated from the Cinematography Department at the Film School in Łódź. For years he has been trying his hand at diverse activities, from music to all fields of journalism and television lighting design. As a prose writer, Hen has published four novels so far: Według niej (2004, DUE; the English translation, According to Her, published in 2022 by Holland House Books, was shortlisted to the EBRD Literary Prize in 2023), Solfatara (2015, W.A.B., 2016 Gombrowicz Prize and shortlisted for the Norwid Prize and the Angelus Prize), Deutsch dla średnio zaawansowanych, Segretario and one non-fiction book, Beatlesi w Polsce (The Beatles in Poland).
"Polish intellectuals, artists, and writers are still in that never-ending argument on Polish history in terms of why Poland lost its independence after being some kind of empire and what the injustices and historical harms were. The traumas of World War II and the period before WWII, the Communist period, and everything of that nature are topics of argument that are really present in Polish culture, creativity, and literature. On the other hand, contemporary Polish literature is very much form-oriented, not so much content-oriented, except for some topics focusing on the peasant background of the society or discussing injustices the peasant class suffered, and that's it. But generally, contemporary Polish literature is very much language-oriented. There is a race towards experimentalism to be observed. And I, quite frankly, try to be beyond all of that because I'm a content-oriented type of writer. Of course, the language issues are important for me, too, but not dominant."
https://en.wikipedia.org/wiki/Maciej_Hen
www.hhousebooks.com/shortlisted-ebrd-according-to-her
www.wydawnictwoliterackie.pl/autor/1271/maciej-hen
https://www.instagram.com/maciej.hen/
www.facebook.com/profile.php?id=100064871385361
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"My favorite teacher was in second grade. I had a teacher named Mrs. Abo who let me write all my homework assignments in rhyme. And it was like such a simple thing. I asked her if I could write all my homework assignments in rhyme. And she said, "Absolutely!" And she gave me permission to be wildly creative while still doing my work. And little moments like that can really change a kid's life. And I lobbied with this group called the Creative Coalition. We went and lobbied in DC to really fight for the arts being added to the STEM programs to make them STEAM programs because they're so interconnected. It's creative imagination that got us to the moon. It's science fiction stories that are getting us to Mars. It's like that. You know, playing the piano helps you in math. It's all part of the beautiful development of the brain, and it helps so much for learning other things."
From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.
Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.
https://lisaedelstein.komi.io/
www.lisaedelsteinpaintings.com/
www.imdb.com/name/nm0249046
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Artworks:
“Beach Day”, “Marsha”, “Karen” Courtesy of the Artist
Lisa Edelstein in the Studio
Photo credit: Holland Clement, Courtesy of the artist
How can the arts help us examine and engage with social issues? How do our families shape our views, memories, and experience of the world?
From her role as Dr. Lisa Cuddy on the hit Fox series House, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.
Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.
"My favorite teacher was in second grade. I had a teacher named Mrs. Abo who let me write all my homework assignments in rhyme. And it was like such a simple thing. I asked her if I could write all my homework assignments in rhyme. And she said, "Absolutely!" And she gave me permission to be wildly creative while still doing my work. And little moments like that can really change a kid's life. And I lobbied with this group called the Creative Coalition. We went and lobbied in DC to really fight for the arts being added to the STEM programs to make them STEAM programs because they're so interconnected. It's creative imagination that got us to the moon. It's science fiction stories that are getting us to Mars. It's like that. You know, playing the piano helps you in math. It's all part of the beautiful development of the brain, and it helps so much for learning other things."
https://lisaedelstein.komi.io/
www.lisaedelsteinpaintings.com/
www.imdb.com/name/nm0249046
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Mitch Stone
Courtesy of the artist
“So the feeling that we've essentially been priced out of the life that we were supposed to lead. So, we were all taught to put our heads down, go to school, and get a job. You're going to afford a family, a house, kids, all the things that your parents had, you're going to have if you just follow the same path. But none of the things that were promised has a path. So the collective majority who grew up on technology and have no problem living inside of it are saying [of AI]: Hey, can this thing save me? Can I find my out?”
Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.
Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.
moonmancomics.com
https://imagecomics.com
https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)
What does the future hold for our late-stage capitalist society with mega-corporations owning and controlling everything? How can the world-building skills of the makers of films and comics help us imagine a better future?
Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.
Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.
“So the feeling that we've essentially been priced out of the life that we were supposed to lead. So, we were all taught to put our heads down, go to school, and get a job. You're going to afford a family, a house, kids, all the things that your parents had, you're going to have if you just follow the same path. But none of the things that were promised has a path. So the collective majority who grew up on technology and have no problem living inside of it are saying [of AI]: Hey, can this thing save me? Can I find my out?” -Karina Manashil
moonmancomics.com
https://imagecomics.com
https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)
"Climate change gives us a chance to re-imagine the world in a way that every single human being can participate in. And so whether you're in a remote part of the United States or some other country, when you learn about climate change, it shouldn't just be the science. It should be the opportunity." –Kathleen Rogers
Excerpts of interviews from One Planet Podcast & The Creative Process.
Voices on this episode are:
KATHLEEN ROGERS
President of EarthDay.ORG
POORVA JOSHIPURA
Senior VP, PETA UK - Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence
DAVID FENTON
Founder of Fenton Communications - Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator
BRITT WRAY
Author of Generation Dread: Finding Purpose in an Age of Climate Crisis
Researcher Working on Climate Change & Mental Health, Stanford University
DR. FARHANA SULTANA
Co-author: Water Politics: Governance, Justice & the Right to Water
Fmr. UNDP Programme Officer, United Nations Development Programme
ANDRI SNÆR MAGNASON
Icelandic Writer & Documentary Filmmaker
Author of On Time and Water, The Casket of Time, LoveStar, Not Ok
THOMAS CROWTHER
Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of Restor
DR. SHIV SOMESHWAR
Fmr. European Chair for Sustainable Development & Climate Transition - Sciences Po
PAULA PINHO
Director of Just Transition at the European Commission Directorate-General for Energy
ARMOND COHEN
Executive Director of Clean Air Task Force
MAYA K. VAN ROSSUM
Founder of Green Amendments For The Generations - Delaware Riverkeeper
Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment
Max Richter’s music featured in this episode:
“Spring 1” from The New Four Seasons – Vivaldi Recomposed
“Vladimir’s Blues” from The Blue NotebooksMusic is courtesy of Max Richter, Universal Music Enterprises,
and Mute Song.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo courtesy of Unsplash
Photo credit: Valdemaras D.
“The natural world has its own sonic language. Its own fingerprints. And that's one of the beautiful things about being out here. There is another acoustic environment, another sort of sonic fingerprint, and it is always changing. Every day is a sort of a different sound picture. I walk out the door and you do hear it changing over time. The leaves are coming in now, different kinds of bird song. The wind sounds different. It's a wonderful thing to be around and experience.” —Max Richter
Excerpts of interviews from One Planet Podcast & The Creative Process
SY MONTGOMERY
NYTimes Bestselling Author of Of Time and Turtles: Mending the World, Shell by Shattered Shell, Secrets of the Octopus, The Hawk’s Way: Encounters with Fierce Beauty, and other books
MAX RICHTER
Award-winning Composer, Pianist & Environmentalist (The Blue Notebooks, Waltz with Bashir, Arrival, Ad Astra) His album SLEEP is the most streamed classical record of all time. Cofounder of Studio Richter Mahr
MERLIN SHELDRAKE
Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021
THOMAS CROWTHER
Ecologist - Co-chair of the Board for UN Decade on Ecosystem Restoration - Founder of Restor
TIOKASIN GHOSTHORSE
Founder/Host of First Voices Radio - Master Musician of the Ancient Lakota Flute
ERLAND COOPER
Nature’s Songwriter - Composer of “Folded Landscapes”
RICK BASS
Environmentalist & Story Prize Award-winning Author of “Why I Came West”, “For a Little While” - Fmr. Geologist - Organizer of Climate Aid: The Voice of the Forest
PETER SINGER
“Most Influential Living Philosopher” - Author, Founder of The Life You Can Save
KATHLEEN ROGERS
President of EarthDay.ORG
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
www.maxrichtermusic.com
https://studiorichtermahr.com
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
Photos courtesy of Unsplash
Photo credit: Kyle Johnson, Sebastian Unrau, Abner abiu Castillo diaz, Deepak Nautiyal
"So everyone should probably throw their smartphones in a river, myself included. And I think that it is hard. There's never going to be a version where you get the right answer, and suddenly your life falls into place, and everything's perfect. And that's not what it's supposed to be for anyway. And I think there is a tendency in self-care circles that once we solve our demons and figure out our path in life, we are in touch with the vibes of the universe. Like suddenly, we're going to be wealthy and healthy and happy and have the perfect marriage. And I think the questions of philosophical inquiry are about how to live a good life, but that's not the same thing as assuming, as so much of contemporary wellness culture assumes, that a normatively successful life will come to us by virtue of doing the right things."
Tara Isabella Burton is the author of the novels Social Creature, The World Cannot Give, and Here in Avalon, as well as the nonfiction books Strange Rites: New Religions for a Godless World and Self-Made: Curating Our Image from Da Vinci to the Kardashians. She is currently working on a history of magic and modernity, to be published by Convergent in late 2025. Her fiction and nonfiction have appeared in The New York Times, National Geographic, Granta, The Washington Post, The Wall Street Journal, and other publications.
www.taraisabellaburton.com
www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBg
www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What are we willing to give up to find meaning, connection, and a sense of belonging? What happens if we don't self-promote, self-create, and self-brand on social media? Will we find the right partner? Will we get into the right college? Or find the best job?
"So everyone should probably throw their smartphones in a river, myself included. And I think that it is hard. There's never going to be a version where you get the right answer, and suddenly your life falls into place, and everything's perfect. And that's not what it's supposed to be for anyway. And I think there is a tendency in self-care circles that once we solve our demons and figure out our path in life, we are in touch with the vibes of the universe. Like suddenly, we're going to be wealthy and healthy and happy and have the perfect marriage. And I think the questions of philosophical inquiry are about how to live a good life, but that's not the same thing as assuming, as so much of contemporary wellness culture assumes, that a normatively successful life will come to us by virtue of doing the right things."
www.taraisabellaburton.com
www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097?fbclid=IwAR30lnvlXMrDJtCq_568jUM3hvzr6yUz_GUUZSkbR2RarreOF6PMcvhabBg
www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&qid=1565365017&s=gateway&sr=8-1-fkmr0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we better educate young people about the future & the planet? How can we address eco-anxiety while providing students with climate optimism, hope, and solutions?
Bryce Coon is the Director of Education at EarthDay.ORG, a nonprofit that champions climate education for all students and is the global driving force behind Earth Day. Previously, Coon was a high school teacher for 11 years in Montgomery County, teaching economics and leading a variety of projects for students, such as a school-wide tutoring program. Throughout his teaching career, Bryce participated in international fellowships where he studied climate education and policy in Asia, Europe, and Oceania.
https://www.earthday.org/campaign/climate-environmental-literacy/
Planet vs. Plastics www.earthday.org
Sign The Global Plastic Treaty Petition
https://action.earthday.org/global-plastics-treaty
Toolkits: https://www.earthday.org/our-toolkits
NDC Guide for Climate Education
https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdf
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photos courtesy of EARTHDAY.ORG
How can we reimagine a world without plastic? How can we push governments and companies to admit what they know about the health impacts of plastics and change public policy?
Kathleen Rogers is the President of EARTHDAY.ORG. Under her leadership, it has grown into a global year-round policy and activist organization with an international staff. She has been at the vanguard of developing campaigns and programs focused on diversifying the environmental movement, highlighted by Campaign for Communities and Billion Acts of Green. Prior to her work at EARTHDAY.ORG, Kathleen held senior positions with the National Audubon Society, the Environmental Law Institute, and two U.S. Olympic Organizing Committees. She’s a graduate of the University of California at Davis School of Law, where she served as editor-in-chief of the law review and clerked in the United States District Court for the District of Columbia. EARTHDAY.ORG’s 2024 theme, Planet vs. Plastics, calls to advocate for widespread awareness of the health risks of plastics, rapidly phase out all single-use plastics, urgently push for a strong UN Treaty on Plastic Pollution, and demand to end fast fashion. Let's build a plastic-free planet for generations to come.
"The world recognizes that plastics have imperiled our future. Many environmentalists, myself included, view plastics as on par with, if not worse than, climate change because we do see a little light at the end of the tunnel on climate change. Babies vs. Plastics is a collection of studies, and we particularly focused on children and babies because their bodies and brains are more impacted than adults by the 30, 000 chemicals that assault us every day.
We have histories littered with dozens of stories and court cases of malfeasance where companies knew for years before we, the public, did about the impacts. Climate change is a perfect example because we know Exxon scientists knew in 1957 that burning fossil fuels was creating climate change and that eventually, the temperature of the planet would heat up, and they hid it from us for 50-plus years. And more and more reports are coming out every day about what companies and some governments know. Tobacco companies knew tobacco caused cancer for decades before our scientists did. And so we have the same problem with plastics.”
Planet vs. Plastics www.earthday.org
Sign The Global Plastic Treaty Petition
https://action.earthday.org/global-plastics-treaty
Toolkits: https://www.earthday.org/our-toolkits
NDC Guide for Climate Education
https://www.earthday.org/wp-content/uploads/2023/11/NDC-GUIDE-Final.pdf
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photos courtesy of EARTHDAY.ORG
Microplastics and nanoplastic pollution are currently blanketing the planet. They are in the air we breathe, the food we eat, and the water we drink, infiltrating our bodies and even brains and human embryos. Coca-Cola alone sells 100 billion+ single-use plastic bottles each year, ending up in landfills and the ocean. Earth’s population will reach 9.8 billion people by 2050. Two-thirds of humans will become city dwellers. Our waste will drive a mounting worldwide crisis.
Highlights from our interview with Kathleen Rogers, the President of EarthDay.org. The full episode will be published next week.
Planet vs. Plastics
Sign The Global Plastic Treaty Petition
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."
Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.
https://www.imdb.com/name/nm0693561
https://www.imdb.com/title/tt2887954/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What does learning another language and living in another culture do for your humanity and creative process?
Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.
"I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."
https://www.imdb.com/name/nm0693561
https://www.imdb.com/title/tt2887954/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I went to film school, But at the end of two years, I think you've only begun the learning. I think it's very hard in school, and particularly in graduate school, to take in all that's coming at you because you're being barraged with information, and you're trying to listen, and you're trying to internalize. At the same time, you're very anxious, and you're very fervent, but you're also furtive about what can I do and how do I get ahead and how do I do this?
And I think those things are in contradiction, and what happens After you get out of school, as you begin to try to put into practice some of those things that they've been talking about, especially as you try and fail, unbelievably important to have somebody there with you or on off whom you can bounce ideas.
And notions or with whom you can analyze the thing that someone else has done, or you can analyze your own failures. It's a kind of continuing education that happens with a collaborator that as you grow, he grows. You grow together, and you have an observation about something, or he does, and you begin to work, and then you. It was never our intention to work. Our intention was just as friends. It never became about my idea or his idea, but it was the creation of a third idea that somehow evolved."
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry.
www.simonandschuster.com/authors/Ed-Zwick/212290077
https://www.imdb.com/name/nm0001880/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry.
"I went to film school, But at the end of two years, I think you've only begun the learning. I think it's very hard in school, and particularly in graduate school, to take in all that's coming at you because you're being barraged with information, and you're trying to listen, and you're trying to internalize. At the same time, you're very anxious, and you're very fervent, but you're also furtive about what can I do and how do I get ahead and how do I do this?
And I think those things are in contradiction, and what happens After you get out of school, as you begin to try to put into practice some of those things that they've been talking about, especially as you try and fail, unbelievably important to have somebody there with you or on off whom you can bounce ideas.
And notions or with whom you can analyze the thing that someone else has done, or you can analyze your own failures. It's a kind of continuing education that happens with a collaborator that as you grow, he grows. You grow together, and you have an observation about something, or he does, and you begin to work, and then you. It was never our intention to work. Our intention was just as friends. It never became about my idea or his idea, but it was the creation of a third idea that somehow evolved."
www.simonandschuster.com/authors/Ed-Zwick/212290077
https://www.imdb.com/name/nm0001880/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image Courtesy of Dick Thomas Johnson
Creative Commons 2.0
“I would go back to that very simple thing of treating animals the way that you would like to be treated. And I know that humane education is becoming a more welcome subject or way of teaching in schools. And I definitely think we need more of that where it's not just you go to school and learn about maths and science and history and so on, but you learn about those subjects within the realm of real-life issues and real-life problems.
I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over.”
Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health.
https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0
www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we improve animal-human relationships? How can we increase our sensitivity to the other animals who share this planet with us?
Poorva Joshipura is PETA U.K. Senior Vice President. She is the Author of Survival at Stake: How Our Treatment of Animals is Key to Human Existence and For a Moment of Taste: How What You Eat Impacts Animals, the Planet and Your Health.
“I would go back to that very simple thing of treating animals the way that you would like to be treated. And I know that humane education is becoming a more welcome subject or way of teaching in schools. And I definitely think we need more of that where it's not just you go to school and learn about maths and science and history and so on, but you learn about those subjects within the realm of real-life issues and real-life problems.
I wrote Survival at Stake because I've been working in animal rights for nearly the past 25 years. Throughout that time, one common question has been asked: Well, shouldn't we deal with human issues first. But animal rights are human rights. Animal rights is environmentalism. These things are not distinct. And that's the point I was really trying to make in my book. I was inspired to write it because of the COVID-19 crisis. It just brings us back to the point of why it is so important to teach people, young people, and young men the importance of being kind to everyone, animals included. If you teach them that, I think the other lessons start to much more automatically transfer over.”
https://usw2.nyl.as/t1/24/2jdwp5ogezjqb5wxg76eqfqeq/0/14474d94f4e832cd573ffc39be471e57616314b12314a26ca7dd9c2bbf559ac0
www.harpercollins.com/products/for-a-moment-of-taste-poorva-joshipura?variant=39399505592354
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I'm optimistic about education. There will likely be more traffic between technology and the arts. The tech world needs more creative-minded people and less literal people who have some understanding of how things work.
With Jony Ive, you've got someone who designed the iPhone and was very interested in photography himself. We were talking about doing a portrait. He mentioned that he'd been fascinated by self-portraiture as a kid, so much so that when he was doing his industrial design degree, he wrote his thesis on artists' self-portraits. Fast forward a few years, and we are all taking photos every day and learning really fast how to compose images and read images and why they've been cropped in a certain way. All these things, which were probably the preserve of artists and art historians in the past, are suddenly things that kids are thinking about because it's the way they communicate with each other. So I think that that shift is interesting."
Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro.
www.jonathanyeo.com
www.bbcmaestro.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Jonathan Yeo
How can the arts help cultivate our intuitive intelligence? What does visual art teach us about consciousness and the human condition?
Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro.
"I'm optimistic about education. There will likely be more traffic between technology and the arts. The tech world needs more creative-minded people and less literal people who have some understanding of how things work.
With Jony Ive, you've got someone who designed the iPhone and was very interested in photography himself. We were talking about doing a portrait. He mentioned that he'd been fascinated by self-portraiture as a kid, so much so that when he was doing his industrial design degree, he wrote his thesis on artists' self-portraits. Fast forward a few years, and we are all taking photos every day and learning really fast how to compose images and read images and why they've been cropped in a certain way. All these things, which were probably the preserve of artists and art historians in the past, are suddenly things that kids are thinking about because it's the way they communicate with each other. So I think that that shift is interesting."
www.jonathanyeo.com
www.bbcmaestro.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Jonathan Yeo
"It seems that a lot of education is a little bit obsessed with training students to remember facts and figures. In the modern world, when every one of us has got the total of human knowledge in our pockets, it's much less important what you can hold in your head and what you can remember because you can just look it up whenever it becomes important, and it's now how you interpret or analyze or synthesize that information and developing skills and techniques in rapidly understanding and interpreting and analyzing information and making decisions based on information. The internet has changed a huge amount about what is important to our lives and simplified many things that would have been examined on otherwise.
It's in finding things out for yourself that is that deep spark of human creativity, which gives us the innovation and all the sort of creativity and designs that we can come up with. So, I think that is something that you would absolutely want to try to continue nurturing yourself."
How have our psychology and cognitive biases altered the course of human history? What would you do if you had to rebuild our world from scratch?
Lewis Dartnell is an author, researcher, and holds the Professorship in Science Communication at the University of Westminster. He researches astrobiology and the search for microbial life on Mars. He also works as a scientific consultant for the media and has appeared in numerous TV documentaries and radio shows. Dr. Dartnell has won several awards for his science writing and outreach work. He has published five books, including The Knowledge: How to Rebuild our World from Scratch; Origins: How the Earth Made Us; and Being Human: How Our Biology Shaped World History.
http://www.lewisdartnell.com
http://lewisdartnell.com/en-gb/2013/11/the-knowledge-how-to-rebuild-our-world-from-scratch
www.penguin.co.uk/books/433955/origins-by-lewis-dartnell/9781784705435
www.penguin.co.uk/books/442759/being-human-by-dartnell-lewis/9781847926708
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Shortlist/Paul Stuart
How have our psychology and cognitive biases altered the course of human history? What would you do if you had to rebuild our world from scratch?
Lewis Dartnell is an author, researcher, and holds the Professorship in Science Communication at the University of Westminster. He researches astrobiology and the search for microbial life on Mars. He also works as a scientific consultant for the media and has appeared in numerous TV documentaries and radio shows. Dr. Dartnell has won several awards for his science writing and outreach work. He has published five books, including The Knowledge: How to Rebuild our World from Scratch; Origins: How the Earth Made Us; and Being Human: How Our Biology Shaped World History.
"It seems that a lot of education is a little bit obsessed with training students to remember facts and figures. In the modern world, when every one of us has got the total of human knowledge in our pockets, it's much less important what you can hold in your head and what you can remember because you can just look it up whenever it becomes important, and it's now how you interpret or analyze or synthesize that information and developing skills and techniques in rapidly understanding and interpreting and analyzing information and making decisions based on information. The internet has changed a huge amount about what is important to our lives and simplified many things that would have been examined on otherwise.
It's in finding things out for yourself that is that deep spark of human creativity, which gives us the innovation and all the sort of creativity and designs that we can come up with. So, I think that is something that you would absolutely want to try to continue nurturing yourself."
http://www.lewisdartnell.com
http://lewisdartnell.com/en-gb/2013/11/the-knowledge-how-to-rebuild-our-world-from-scratch
www.penguin.co.uk/books/433955/origins-by-lewis-dartnell/9781784705435
www.penguin.co.uk/books/442759/being-human-by-dartnell-lewis/9781847926708
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Shortlist/Paul Stuart
“I think it's kind of important to think about the fact that originally, neural networks were inspired by neurons, really by our brains, but fundamentally, brains are really different than AI models, currently. Brains are quite efficient. For example, we won't be using all of our neurons all the time. If we're recognizing a face, or if we're speaking, or if we're drawing, or if we're watching a movie, or reading a book, there are different zones. And I think that that's kind of the core of the issue because whereas we can kind of use a portion of our brain, depending on the activity, neural networks don't have that built-in efficiency.”
What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable?
Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing.
https://www.sashaluccioni.com
https://huggingface.co/
http://www.climatechange.ai
https://wimlworkshop.org
What are the pros and cons of AI’s integration into our institutions, political systems, culture, and society? How can we develop AI systems that are more respectful, ethical, and sustainable?
Dr. Sasha Luccioni is a leading scientist at the nexus of artificial intelligence, ethics, and sustainability, with a Ph.D. in AI and a decade of research and industry expertise. She spearheads research, consults, and utilizes capacity-building to elevate the sustainability of AI systems. As a founding member of Climate Change AI (CCAI) and a board member of Women in Machine Learning (WiML), Sasha is passionate about catalyzing impactful change, organizing events, and serving as a mentor to under-represented minorities within the AI community. She is an AI Researcher & Climate Lead at Hugging Face, an open-source hub for machine learning and natural language processing.
“I think it's kind of important to think about the fact that originally, neural networks were inspired by neurons, really by our brains, but fundamentally, brains are really different than AI models, currently. Brains are quite efficient. For example, we won't be using all of our neurons all the time. If we're recognizing a face, or if we're speaking, or if we're drawing, or if we're watching a movie, or reading a book, there are different zones. And I think that that's kind of the core of the issue because whereas we can kind of use a portion of our brain, depending on the activity, neural networks don't have that built-in efficiency.”
https://www.sashaluccioni.com
https://huggingface.co/
http://www.climatechange.ai
https://wimlworkshop.org
"Re-living the Memories of an Indian Forester was really a neat way of trying to tell you, the current generation, especially the youngsters, how managing forests is not just black-and-white. It's not that the governments and the state are this kind of 'evil', and then you have NGOs and communities, who are this kind of 'goody two shoes'. And how it's in the gray areas that you can actually make the most effective forest management. How do you actually bring the best of both? Because now we are so careless in the way we approach things we think we understand. And we're dismissive. We are quick to judgment. And that's one thing that I hope that in my class and the current generation really needs to be far more reflective. And not just because something doesn't gel with what they think is the right thing, is the just thing. They can't just dismiss it out of hand."
How do urbanization and rural development impact communities differently? How can we make public policy and enlightened self-interest advance climate action?
Dr. Shiv Someshwar is a Development Clinician, diagnosing development of cities and nation states. A Visiting Professor at Columbia University, New York and at Sciences Po, Paris, he was the founder chair-holder of the European Chair for Sustainable Development and Climate Transition at Sciences Po. He helped set up the initial national and regional networks of the global Sustainable Development Solutions Network.
His publications cover a range of issues: planning, institutions and governance of sustainable development; climate change mitigation, adaptation, risks and offsets; and ecosystem management. He edited Re-living the Memories of an Indian Forester: Memoirs of S. Shyam Sunder and is presently writing The Fallacy of Evidence-Based Policy Making.
He convened and chaired the Independent Task Force on Creative Climate Action. Dr. Someshwar received a Ph.D. in urban planning from the University of California, Los Angeles, and he was a Bell-MacArthur fellow at Harvard University. He has two masters’ degrees, on housing and on environmental planning, and is also trained as a professional architect. He has previously worked at the Earth Institute, Columbia University, the Rockefeller Foundation in New York, and the World Bank in Washington D.C.
https://www.sciencespo.fr/psia/sites/sciencespo.fr.psia/files/ITFClimateReport_Web.pdf www.amazon.com/Reliving-Memories-Indian-Forester-Memoir/dp/9388337131
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How do urbanization and rural development impact communities differently? How can we make public policy and enlightened self-interest advance climate action?
Dr. Shiv Someshwar is a Development Clinician, diagnosing development of cities and nation states. A Visiting Professor at Columbia University, New York and at Sciences Po, Paris, he was the founder chair-holder of the European Chair for Sustainable Development and Climate Transition at Sciences Po. He helped set up the initial national and regional networks of the global Sustainable Development Solutions Network.
His publications cover a range of issues: planning, institutions and governance of sustainable development; climate change mitigation, adaptation, risks and offsets; and ecosystem management. He edited Re-living the Memories of an Indian Forester: Memoirs of S. Shyam Sunder and is presently writing The Fallacy of Evidence-Based Policy Making.
He convened and chaired the Independent Task Force on Creative Climate Action. Dr. Someshwar received a Ph.D. in urban planning from the University of California, Los Angeles, and he was a Bell-MacArthur fellow at Harvard University. He has two masters’ degrees, on housing and on environmental planning, and is also trained as a professional architect. He has previously worked at the Earth Institute, Columbia University, the Rockefeller Foundation in New York, and the World Bank in Washington D.C.
"Re-living the Memories of an Indian Forester was really a neat way of trying to tell you, the current generation, especially the youngsters, how managing forests is not just black-and-white. It's not that the governments and the state are this kind of 'evil', and then you have NGOs and communities, who are this kind of 'goody two shoes'. And how it's in the gray areas that you can actually make the most effective forest management. How do you actually bring the best of both? Because now we are so careless in the way we approach things we think we understand. And we're dismissive. We are quick to judgment. And that's one thing that I hope that in my class and the current generation really needs to be far more reflective. And not just because something doesn't gel with what they think is the right thing, is the just thing. They can't just dismiss it out of hand."
https://www.sciencespo.fr/psia/sites/sciencespo.fr.psia/files/ITFClimateReport_Web.pdf www.amazon.com/Reliving-Memories-Indian-Forester-Memoir/dp/9388337131
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Scientists, artists, psychologists, conservationists, and spiritual leaders share their stories and insights on the importance of connecting with nature, preserving the environment, embracing diversity, and finding harmony in the world. Music courtesy of composer Max Richter. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast.
00:05 Adapting to Earth: Indigenous Perspectives
TIOKASIN GHOSTHORSE - Founder/Host of First Voices Radio - Founder of Akantu Intelligence
https://firstvoicesindigenousradio.org
https://akantuintelligence.org
01:06 The Beauty and Fragility of the Natural World
APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center
www.aprilgornik.com
www.thechurchsagharbor.org
02:01 The Importance of Whales in Ecosystems
NAN HAUSER - Whale Researcher - President, Center for Cetacean Research & Conservation - Director, Cook Islands Whale Research
https://whaleresearch.org
03:27 The Importance of Community and Collective Well-being
ROBERT WALDINGER - Co-Author of The Good Life: Lessons from the World's Longest Scientific Study of Happinesshttps://www.robertwaldinger.com
04:19 The Power of Love, Respect, and Unity
JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of the films Common Ground & Kiss the Ground
https://julianlennon.com
https://commongroundfilm.org
05:05 The Importance of Cultural and Scientific Knowledge
RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past
www.sheldrake.org
0:6:18 Mastering Confidence & Human Potential
IAN ROBERTSON - Author of How Confidence Works: The New Science of Self-belief - Co-Director of the Global Brain Health Institute
https://ianrobertson.org
07:01 The Magic of Coral Reefs
GATOR HALPERN - Co-Founder & President of Coral Vita - UN Young Champion of the Earth - Forbes 30 Under 30 Social Entrepreneur
https://coralvita.co
08:06 Lessons from Ancient Trees and Tundra
DOUG LARSON - Biologist - Expert on Deforestation - Author of Cliff Ecology - The The Dogma Ate My Homework
https://experts.uoguelph.ca/doug-larson
09:36 Understanding the Flow of Life
MASTER SHI HENG YI - 35th Generation of Shaolin Masters
Headmaster of the Shaolin Temple Europe
www.shihengyi.online
www.shaolintemple.eu
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“The first guitar I built, I took it to a friend who has a guitar business. And he looked at it and he said this instrument has the approximate shape of a guitar, but it's not a guitar. It's a piece of junk. And he was right. So, what I found is that it's thrilling, as an artist or as a scientist, to pursue something, even if you don't achieve the thing that you're pursuing but it's the attempt that expresses the humanity.”
What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry.
Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework.
https://experts.uoguelph.ca/doug-larson
https://volumesdirect.com/products/the-dogma-ate-my-homework
https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663B
https://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927
https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXU
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Doug Larson
What can thousand-year-old trees teach us about living sustainably? If we want to be sustained by this planet indefinitely, we need to stop trying to suck it dry.
Doug Larson is an award winning scientist, author, and Professor Emeritus of Biology at the University of Guelph. He is an expert on deforestation and regularly contributes to The Guardian and other publications. His books include Cliff Ecology: Pattern and Process in Cliff Ecosystems, The Urban Cliff Revolution: New Findings on the Origins and Evolution of Human Habitats, Storyteller Guitar, and The Dogma At My Homework.
“The first guitar I built, I took it to a friend who has a guitar business. And he looked at it and he said this instrument has the approximate shape of a guitar, but it's not a guitar. It's a piece of junk. And he was right. So, what I found is that it's thrilling, as an artist or as a scientist, to pursue something, even if you don't achieve the thing that you're pursuing but it's the attempt that expresses the humanity.”
https://experts.uoguelph.ca/doug-larson
https://volumesdirect.com/products/the-dogma-ate-my-homework
https://www.cambridge.org/core/books/cliff-ecology/7502E52B487789BEA2CACC4553AA663B
https://www.amazon.com/Urban-Cliff-Revolution-Evolution-Habitats/dp/1550419927
https://www.amazon.com/Storyteller-Guitar-Doug-Larson-ebook/dp/B00B9VZQXU
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Doug Larson
“I had a very tangible interaction with a teacher that shaped everything in my life. I'm dyslexic, but I managed to get into a good university in the UK, and I was messing around in a class with 300 students, and the teacher sent me out of the class. But he met me after that class, and he essentially said, ‘What are you doing? Why are you here?’ And I was like, ‘I like ecology, but I just can't keep up. There's too much reading. There's too much statistics.’ And he said, ‘If you like ecology, just find the bits that you like.’ And I just needed to look at the fungi and find them fascinating. And then that gives you positive endorphins when you have a successful experiment. So I just immersed myself in the parts that I enjoyed and through that process, things started to go really well and my degree went really well. And then after that, my career sort of exploded. And genuinely, I know if I had not encountered that professor, there's no way my career would have gone in the direction it has done. And I just think teachers are unbelievable inspirers, not necessarily for the knowledge they give you, but more for just inspiring you to follow your own your own path, your own trajectory.”
Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems?
Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade.
https://crowtherlab.com/about-tom-crowther
https://restor.eco/?lat=26&lng=14.23&zoom=3
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems?
Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade.
“I had a very tangible interaction with a teacher that shaped everything in my life. I'm dyslexic, but I managed to get into a good university in the UK, and I was messing around in a class with 300 students, and the teacher sent me out of the class. But he met me after that class, and he essentially said, ‘What are you doing? Why are you here?’ And I was like, ‘I like ecology, but I just can't keep up. There's too much reading. There's too much statistics.’ And he said, ‘If you like ecology, just find the bits that you like.’ And I just needed to look at the fungi and find them fascinating. And then that gives you positive endorphins when you have a successful experiment. So I just immersed myself in the parts that I enjoyed and through that process, things started to go really well and my degree went really well. And then after that, my career sort of exploded. And genuinely, I know if I had not encountered that professor, there's no way my career would have gone in the direction it has done. And I just think teachers are unbelievable inspirers, not necessarily for the knowledge they give you, but more for just inspiring you to follow your own your own path, your own trajectory.”
https://crowtherlab.com/about-tom-crowther
https://restor.eco/?lat=26&lng=14.23&zoom=3
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
As we reach the tipping points of climate change, how will our world change? Greenland has already lost 4,700 billion metric tons of ice, an amount that is enough to flood the entire United States in 1.5 feet of water.
Peter D. Ditlevsen is an Associate Professor at the Niels Bohr Institute at Copenhagen University. The institute was founded in 1921 as the Institute for Theoretical Physics. Ditlevsen is a Professor in Physics of Ice, Climate, and Earth. His fields of interest include climate research, turbulence, meteorology, complex systems, time series analysis, and statistical physics.
"The big problem we have with climate change is that this is not like any other crisis because it influences all parts of life. I'm a physicist. I like doing experiments. I thought, you know, how terrible would it be for me not eat meat, right? You know, I was used to going home on Friday night, putting on a steak, and a bottle of red wine. That was sort of the easy thing, right? So now, I don't buy an expensive steak. I buy some vegetables that are cheaper, okay? So I have money left over. If I spend that money on an airplane ticket somewhere, then it doesn't really matter. That's the spillover effect.
I think, in our part of the world, and if we are to be frontrunners, we have to crack that nut. We do like to think that our children should have a better world than we grew up in, and they should be better off and so on. So it should be a different kind of wealth, right? The wealth should not be having a large car and a big house and a lot of goods."
https://nbi.ku.dk/english/staff/?pure=en/persons/peter-ditlevsen(77e9801a-6b31-4488-a282-6c99a406a5f1)/cv.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Clifford Geertz said that human beings uniquely are unfinished animals. And what he meant by that is that we come into the world with some structure, some constraints, some essential knowledge, but very incomplete. And society completes us. And that is not true of most of the other species in the world. They come into the world a lot closer to being complete than we do."
Does having too many choices make us unhappy? How can we learn practical wisdom?
Dr. Barry Schwartz is the Dorwin P. Cartwright Professor Emeritus of Social Theory and Social Action in the psychology department at Swarthmore College. He is the author of many books, including Why We Work, The Paradox of Choice: Why More Is Less, and co-author of Practical Wisdom: The Right Way to Do the Right Thing.
www.swarthmore.edu/profile/barry-schwartz
www.simonandschuster.com/books/Why-We-Work/Barry-Schwartz/TED-Books/9781476784861
https://www.harpercollins.com/products/the-paradox-of-choice-barry-schwartz?variant=32207920234530
https://www.penguinrandomhouse.com/books/307231/practical-wisdom-by-barry-schwartz-and-kenneth-sharpe
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Bill Holsinger-Robinson - CC BY 2.0
Does having too many choices make us unhappy? How can we learn practical wisdom?
Dr. Barry Schwartz is the Dorwin P. Cartwright Professor Emeritus of Social Theory and Social Action in the psychology department at Swarthmore College. He is the author of many books, including Why We Work, The Paradox of Choice: Why More Is Less, and co-author of Practical Wisdom: The Right Way to Do the Right Thing.
"Clifford Geertz said that human beings uniquely are unfinished animals. And what he meant by that is that we come into the world with some structure, some constraints, some essential knowledge, but very incomplete. And society completes us. And that is not true of most of the other species in the world. They come into the world a lot closer to being complete than we do."
www.swarthmore.edu/profile/barry-schwartz
www.simonandschuster.com/books/Why-We-Work/Barry-Schwartz/TED-Books/9781476784861
https://www.harpercollins.com/products/the-paradox-of-choice-barry-schwartz?variant=32207920234530
https://www.penguinrandomhouse.com/books/307231/practical-wisdom-by-barry-schwartz-and-kenneth-sharpe
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Bill Holsinger-Robinson - CC BY 2.0
Can we stop talking about growth and mediate an environmental crisis through the structures of capitalism?
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with Japanese scholar Kohei Saito, whose book, Marx in the Anthropocene sold over half a million copies. In it, Saito shows how late in life Marx came to a richer sense of production when he released that there was a law above the economic as he had conceived it—it was the law of Nature. Marx saw how disturbing Nature’s metabolism could bring about a “rift” that sent destructive ripples across human life. Today we make the connection between that scholarly book and Kohei’s new book, Slow Down!!, which has just come out in English translation. Here he offers a sharp critique of liberal and socialist attempts to “sustain”—like the Green New Deal, and argues for a radical form of degrowth communism that de-celerates our compulsion to add more stuff into the world, in whatever form, and derails our compulsion to sustain, rather than revolutionize. Saito argues that we can lead much happier, and more healthy lives, if we emphasize use value, and revitalize democracy so we all have a hand in deciding what is valuable.
“The Green New Deal presents itself as a kind of radical policy. If you look at the content, it's just simply the continuation of what capitalism wants to do. It's a massive investment in new, allegedly green industries, with the creation of more jobs with higher wages, but these are not the things that socialists or any environmentalists should be actually seeking because we recognize that capitalism is basically the root cause of the climate crisis and the misery of the workers. If so, I think it is high time to imagine something radically very different from business-as-usual capitalism.”
Kohei Saito as an Associate Professor at the University of Tokyo. He completed his doctorate at the Humboldt University in Berlin. In 2018 he won the prestigious Deutscher Memorial Prize for Marxist research—becoming the first Japanese, and the youngest person, ever to win that prize. His books include: Slow Down! How Degrowth Communism Can Save the World (2023); Marx in the Anthropocene: Towards the Idea of Degrowth Communism (2022), Karl Marx’s Ecosocialism: Capital, Nature, and the Unfinished Critique of Political Economy (2017).
https://researchmap.jp/7000022985?lang=en
https://www.hachette.com.au/kohei-saito/slow-down-how-degrowth-communism-can-save-the-earth
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with noted researcher and scholar Ben Franta about two new articles he has written that add to his growing archive of seminal work on climate change. Ben tells us now the fossil fuel industry paid economists to join scientists in denying the true nature of the fossil fuel industry’s destruction of the environment. Economists argued that even if some science were correct, implementing change would be too costly. This became a powerful tool to stall and kill climate change legislation. Ben also talks about how communities have tried to sue fossil fuel companies for damages incurred by such misinformation and disinformation. In sum, we learn about what the industry has done, and how ordinary people and municipalities can fight back.
Benjamin Franta is the founding head of the Climate Litigation Lab and a Senior Research Fellow at the University of Oxford Sustainable Law Programme. The Climate Litigation Lab is a multidisciplinary research initiative to inform, enable, and accelerate climate change litigation globally. Ben is also an Associate at the Institute for New Economic Thinking at the Oxford Martin School and an Associate Member of Nuffield College, Oxford, and a former research fellow at the Belfer Center for Science and International Affairs at the Harvard Kennedy School of Government. He is the recipient of numerous academic and research fellowships including the Stanford Interdisciplinary Graduate Fellowship and the National Science Foundation Graduate Research Fellowship. His research and writing have appeared in 10 languages, been featured in the Paramount+ documentary Black Gold, been cited in the U.S. Congressional Record, and been published in numerous scholarly and popular venues including Nature Climate Change, Global Environmental Change, The Guardian, Project Syndicate, and more.
“For 40 years, the American Petroleum Institute has hired economists to argue it would be too expensive to try and control fossil fuels and that climate change wasn't that bad. The same go-to consultancy firm has been involved in every major climate policy fight from the very beginning and hired by the fossil fuel industry, but what are the courts going to do? It's not just the historical deception. It's an ongoing deception.”
www.inet.ox.ac.uk/people/benjamin-franta
www.smithschool.ox.ac.uk/oxford-sustainable-law-programme/research/climate-litigation-lab
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.
All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.
Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.
www.sheldrake.org
www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20
www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.
Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.
"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws.
And then if we think through that metaphor, then actually the laws do change.
All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."
www.sheldrake.org
www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20
www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20
“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.
When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”
How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.
Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.
http://florianhoffmeister.de/
www.hbo.com/true-detective
www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo: Jodie Foster, Kali Reis · Photograph by Michele K. Short/HBO
How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.
Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.
“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.
When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”
http://florianhoffmeister.de/
www.hbo.com/true-detective
www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credits: Michele K. Short / HBO
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent Anishinaabe legal theorist John Borrows and philosopher Paco Calvo about how we might learn about, learn with, and learn from our plant companions on this earth. Plants show signs of communication and of learning. They produce and respond to many of the same neurochemicals as humans, including anesthetics. They share resources with one another, and when under threat, emit signals of warning and of pain. While Barrows and Calvo both urge us to listen to the Earth, during this conversation we discover that these two thinkers are often listening for different things. The discussion reveals fascinating points of difference and commonality. And in terms of the latter, the point both John and Paco insist upon is that we maintain our separation from other beings at our peril and at a loss.
Dr. John Borrows, BA, MA, JD, LLM, PhD, LLD, FRSC, is Canada's pre-eminent legal scholar and a global leader in the field of Indigenous legal traditions and Aboriginal rights. John holds the Canada Research Chair in Indigenous Law at the University of Victoria as well as the Law Foundation Chair in Aboriginal Justice and Governance.
Paco Calvo is a renowned cognitive scientist and philosopher of biology, known for his groundbreaking research in the field of plant cognition and intelligence. He is a professor at the University of Murcia in Spain, where he leads the Minimal Intelligence Lab (MINT Lab), focusing on the study of minimal cognition in plants. Calvo’s interdisciplinary work combines insights from biology, philosophy, and cognitive science to explore the fascinating world of plant behavior, decision-making, and problem-solving.
https://www.uvic.ca/law/facultystaff/facultydirectory/borrows.php
https://www.um.es/mintlab/index.php/about/people/paco-calvo/
00:02 Introduction to Plant Communication
00:21 Conversation with John Burrows and Paco Calvo
01:11 Challenging Pre-existing Concepts about Intelligence
01:37 Exploring Plant Intelligence
02:32 Understanding Human Intelligence
04:47 Challenging Orthodox Cognitive Psychology
05:34 Ecological Approach to Intelligence
07:26 The Role of Indigenous Knowledge in Understanding Intelligence
09:11 Understanding Anishinaabe Law and Ethical Traditions
12:09 The Role of Treaties in Indigenous Peoples' Relationships with Nature
38:51 The Role of Education in Understanding Ecological Cognition
45:28 The Importance of Experiential Learning and Literacy Beyond Books
46:24 The Power of Ignorance and Openness to Knowledge
50:00 The Ethical Obligations to the More Than Human World
01:07:43 The Role of Religion in Understanding Our Relationship with the More Than Human World
01:16:16 The Importance of Slowing Down to Appreciate Plant Behavior
01:17:39 The Co-Evolutionary Perspective of Life
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more. And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?
Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.
https://firstvoicesindigenousradio.org/
https://akantuintelligence.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Songs featured on this episode are “Butterfly Against the Wind”
And from the album Somewhere In There
“Spatial Moon” and “Sunrise Moon”
Composed by Tiokasin Ghosthorse and Alex Alexander
Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?
Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.
“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more. And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”
https://firstvoicesindigenousradio.org/
https://akantuintelligence.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Songs featured on this episode are “Butterfly Against the Wind”
And from the album Somewhere In There
“Spatial Moon” and “Sunrise Moon”
Composed by Tiokasin Ghosthorse and Alex Alexander
Music on this episode is courtesy of Tiokasin Ghosthorse.
"With the speed and the precision of the AI, make no mistake, we are becoming creators of something that is far more advanced than humans. Is this a bad thing? I see it as a very bad thing, but I also see it as a natural evolution. We are becoming creators and in our evolution process, we are evolving ourselves to something much more advanced. It's what the world, what the universe, what nature wants us to become: stronger so we reach our limit in terms of biological capacity. So this is the fascinating thing, the creation and evolution go hand in hand. It's a circle that feeds into each other."
Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations.
https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopson
https://ipipublishing.org/index.php/ipil/RR
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Are we living in a Simulated Universe? How will AI impact the future of work, society & education?
Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations.
"With the speed and the precision of the AI, make no mistake, we are becoming creators of something that is far more advanced than humans. Is this a bad thing? I see it as a very bad thing, but I also see it as a natural evolution. We are becoming creators and in our evolution process, we are evolving ourselves to something much more advanced. It's what the world, what the universe, what nature wants us to become: stronger so we reach our limit in terms of biological capacity. So this is the fascinating thing, the creation and evolution go hand in hand. It's a circle that feeds into each other."
https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopson
https://ipipublishing.org/index.php/ipil/RR
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"One of the big differences I've noticed talking with people from more communally oriented cultures is that American culture has a strong emphasis on the individual on individual happiness, individual achievement on individual self-expression. And there are other cultures where the community, the family, and the neighborhood where they live and the well-being of others are paramount and are the first thing they think about. The most exemplary instance of that is in Bhutan, where they can't even propose a law for the legislature to consider unless they have a full section describing the effect on the community of any given law, the effect on the well-being of the whole population. So nothing is about the individual. It's all about the collective."
What makes a good life? How important are relationships in helping us lead happy and meaningful lives?
Dr. Robert Waldinger is a professor of psychiatry at Harvard Medical School, director of the Harvard Study of Adult Development at Massachusetts General Hospital, and cofounder of the Lifespan Research Foundation. Dr. Waldinger received his AB from Harvard College and his MD from Harvard Medical School. He is a practicing psychiatrist and psychoanalyst, and he directs a psychotherapy teaching program for Harvard psychiatry residents. He is also a Zen master (Roshi) and teaches meditation in New England and around the world. His TED Talk about the Harvard study “What makes a good life?” has been viewed more than 42 million times and is one of the 10 most watched TED Talks ever. He is co-author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness.
https://www.robertwaldinger.com/
https://www.simonandschuster.com/books/The-Good-Life/Robert-Waldinger/9781982166694
https://www.adultdevelopmentstudy.org/https://www.lifespanresearch.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What makes a good life? How important are relationships in helping us lead happy and meaningful lives?
Dr. Robert Waldinger is a professor of psychiatry at Harvard Medical School, director of the Harvard Study of Adult Development at Massachusetts General Hospital, and cofounder of the Lifespan Research Foundation. Dr. Waldinger received his AB from Harvard College and his MD from Harvard Medical School. He is a practicing psychiatrist and psychoanalyst, and he directs a psychotherapy teaching program for Harvard psychiatry residents. He is also a Zen master (Roshi) and teaches meditation in New England and around the world. His TED Talk about the Harvard study “What makes a good life?” has been viewed more than 42 million times and is one of the 10 most watched TED Talks ever. He is co-author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness.
"One of the big differences I've noticed talking with people from more communally oriented cultures is that American culture has a strong emphasis on the individual on individual happiness, individual achievement on individual self-expression. And there are other cultures where the community, the family, and the neighborhood where they live and the well-being of others are paramount and are the first thing they think about. The most exemplary instance of that is in Bhutan, where they can't even propose a law for the legislature to consider unless they have a full section describing the effect on the community of any given law, the effect on the well-being of the whole population. So nothing is about the individual. It's all about the collective."
https://www.robertwaldinger.com/
https://www.simonandschuster.com/books/The-Good-Life/Robert-Waldinger/9781982166694
https://www.adultdevelopmentstudy.org/https://www.lifespanresearch.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Meta reaches between three and four billion people every day through their platforms, right? That's way more people than any government legitimately can claim to govern. And yet this one company with four major platforms that many of us use is able to reach so many people and make decisions about content and access that have real consequences. It's been shown they fueled genocide in multiple places like in Ethiopia and Myanmar. And I think that's exactly why human rights matter because human rights are obligations that states have signed on for, and they're supposed to protect human values. And I think from a human rights perspective, it's important to argue that we shouldn't be collecting certain types of data because it's excessive. It's violating autonomy. It starts violating dignity. And when you start violating autonomy and dignity through the collection of data, you can't just go back and fix that by making it private.”
Does privacy exist anymore? Or are humans just sets of data to be traded and sold?
Wendy H. Wong is Professor of Political Science and Principal's Research Chair at the University of British Columbia, Okanagan. She is the author of two award-winning books: Internal Affairs: How the Structure of NGOs Transforms Human Rights and (with Sarah S. Stroup) The Authority Trap: Strategic Choices of International NGOs. Her latest book is We, the Data: Human Rights in the Digital Age.
www.wendyhwong.com
https://mitpress.mit.edu/author/wendy-h-wong-38397
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Does privacy exist anymore? Or are humans just sets of data to be traded and sold?
Wendy H. Wong is Professor of Political Science and Principal's Research Chair at the University of British Columbia, Okanagan. She is the author of two award-winning books: Internal Affairs: How the Structure of NGOs Transforms Human Rights and (with Sarah S. Stroup) The Authority Trap: Strategic Choices of International NGOs. Her latest book is We, the Data: Human Rights in the Digital Age.
"Meta reaches between three and four billion people every day through their platforms, right? That's way more people than any government legitimately can claim to govern. And yet this one company with four major platforms that many of us use is able to reach so many people and make decisions about content and access that have real consequences. It's been shown they fueled genocide in multiple places like in Ethiopia and Myanmar. And I think that's exactly why human rights matter because human rights are obligations that states have signed on for, and they're supposed to protect human values. And I think from a human rights perspective, it's important to argue that we shouldn't be collecting certain types of data because it's excessive. It's violating autonomy. It starts violating dignity. And when you start violating autonomy and dignity through the collection of data, you can't just go back and fix that by making it private.”
www.wendyhwong.com
https://mitpress.mit.edu/author/wendy-h-wong-38397
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
The more the science of intelligence (both human and artificial) advances, the more it holds the potential for great benefits and dangers to society.
Max Bennett is the cofounder and CEO of Alby, a start-up that helps companies integrate large language models into their websites to create guided shopping and search experiences. Previously, Bennett was the cofounder and chief product officer of Bluecore, one of the fastest growing companies in the U.S., providing AI technologies to some of the largest companies in the world. Bluecore has been featured in the annual Inc. 500 fastest growing companies, as well as Glassdoor’s 50 best places to work in the U.S. Bluecore was recently valued at over $1 billion. Bennett holds several patents for AI technologies and has published numerous scientific papers in peer-reviewed journals on the topics of evolutionary neuroscience and the neocortex. He has been featured on the Forbes 30 Under 30 list as well as the Built In NYC’s 30 Tech Leaders Under 30. He is the author of A Brief History of Intelligence: Evolution, AI, and the Five Breakthroughs That Made Our Brains.
"I do think there's a very real possibility that we will find that in order to have super-intelligent systems that are energy efficient, we need wetware. I mean, the difference in the energy cost of running ChatGPT versus a human brain is astronomical. A human brain runs on the amount of energy of about a light bulb, which is a crazy thing to realize how energy efficient the thing in our head is that creates all of the amazing intelligence we have, all of the common sense, sentience itself. And ChatGPT, which captures only a small fraction of that is consuming way more energy."
www.abriefhistoryofintelligence.com/
www.alby.com
www.bluecore.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"This is why protecting the indigenous around the world has been an important cause for me because of that history, because of their knowledge, and the potential of losing it forever. I know that around the world that there are groups that are striving and doing the best that they can to maintain and hold onto those languages, doing as much research and capturing as much of that knowledge as possible. You know, fortunately, there are some incredible, dare I say, youngsters these days who are learning, who have such respect for their elders and their history and their past. They are learning the language and holding onto it as best as they can. As I said, I think the fact that it's all being recorded now and put down, and hopefully nothing further bad happens. I think it's key because we've learned so much from the Indigenous. You know, we're part of that history. It's just we've lost our way. They still know where they're going. It's just the rest of us that have been misguided, I would say, in the bigger scheme of things. The other thing was we, you know, for many, I mean we didn't know any better. That's no excuse, but, you know, we all rode on that bandwagon too of enjoying life to the extremes before we knew, really what that meant, how that abused not only people but the Earth. And the situation that we live in, as you see in the film also, I think we're only just seeing the tip of the surface really about the quantity of illness that is coming from the past 50 years of the way things have been done. I mean, the general public didn't know about so, so many of the bad things that were happening. The poisoning, the chemicals in our food, in all of our products, whether it's from, deodorants to hairsprays to makeup. It's really only in the past few years that there's been a decent should I say shift in that world and that finally some companies are taking responsibility for their actions and their positions, and they're trying to change things too. So little by little, little by little, but it's working."
How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations?
Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon’s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020.
https://julianlennon.com
https://commongroundfilm.org
https://kissthegroundmovie.com
https://whitefeatherfoundation.com
https://julianlennon.lnk.to/JudeWE
https://julianlennon-photography.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations?
Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon’s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020.
"This is why protecting the indigenous around the world has been an important cause for me because of that history, because of their knowledge, and the potential of losing it forever. I know that around the world that there are groups that are striving and doing the best that they can to maintain and hold onto those languages, doing as much research and capturing as much of that knowledge as possible. You know, fortunately, there are some incredible, dare I say, youngsters these days who are learning, who have such respect for their elders and their history and their past. They are learning the language and holding onto it as best as they can. As I said, I think the fact that it's all being recorded now and put down, and hopefully nothing further bad happens. I think it's key because we've learned so much from the Indigenous. You know, we're part of that history. It's just we've lost our way. They still know where they're going. It's just the rest of us that have been misguided, I would say, in the bigger scheme of things. The other thing was we, you know, for many, I mean we didn't know any better. That's no excuse, but, you know, we all rode on that bandwagon too of enjoying life to the extremes before we knew, really what that meant, how that abused not only people but the Earth. And the situation that we live in, as you see in the film also, I think we're only just seeing the tip of the surface really about the quantity of illness that is coming from the past 50 years of the way things have been done. I mean, the general public didn't know about so, so many of the bad things that were happening. The poisoning, the chemicals in our food, in all of our products, whether it's from, deodorants to hairsprays to makeup. It's really only in the past few years that there's been a decent should I say shift in that world and that finally some companies are taking responsibility for their actions and their positions, and they're trying to change things too. So little by little, little by little, but it's working."
https://julianlennon.com
https://commongroundfilm.org
https://kissthegroundmovie.com
https://whitefeatherfoundation.com
https://julianlennon.lnk.to/JudeWE
https://julianlennon-photography.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we resolve conflicts without compromising our ethics and moral vision? Each year, wars are being fought in our name or with our support that citizens never get an opportunity to vote on. How can we make our voices heard?
“Warism, taking war for granted as morally acceptable, even morally required, is the primary obstacle to peace.” Duane L. Cady is a philosopher and Professor Emeritus at Hamline University. He was nominated for the 1991 Grawemeyer World Order Award, was named Outstanding Educator of the Year by the United Methodist Foundation for Higher Education, and a festschiff in his honor was published in 2012. Cady is best known for his works on pacifism, including Moral Vision: How Everyday Life Shapes Ethical Thinking, and From Warism to Pacifism: A Moral Continuum.
"So we can think about life as an organism or a market, as many do. Or a gift, a machine. And then when you raise other societies, the range gets even bigger. Well, reason can calculate options and guides decisions consistent with these frameworks, but reason cannot tell us which framework to be in. It doesn't prove or provide our conceptual framework. So what I'm saying is that morality is rational, but that it's not something that we could call scientific or mathematical. And in my view, in the last hundred years, philosophy has more and more modeled itself after science and mathematics. So it's gotten more technical and more narrow, very different than it had been for its first couple of millennia. If ethics is to be meaningful in a pluralistic world, we need ways of thinking that can take us beyond both relativism, regarding all moral visions as equal, choice is arbitrary, and dogmatism, regarding one's own moral view as superior to all others and as justifiably imposed on them."
https://duanelcady.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How do we define intelligence? What is the point of creativity and intelligence if we are not creating good in the world? In this age of AI, what is the importance of a synthesizing mind?
Howard Gardner, Research Professor of Cognition and Education at the Harvard Graduate School of Education, an author of over 30 books, translated into 32 languages, and several hundred articles, is best known for his theory of multiple intelligences, a critique of the notion that there exists but a single human intelligence that can be assessed by standard psychometric instruments. He has twice been selected by Foreign Policy and Prospect magazines as one of the 100 most influential public intellectuals in the world. In the last few years, Gardner has been studying the nature of human synthesizing, a topic introduced in his 2020 memoir, A Synthesizing Mind.
For 28 years, with David Perkins, he was Co-Director of Harvard Project Zero, and in more recent years has served in a variety of leadership positions. Since the middle 1990s, Gardner has directed The Good Project, a group of initiatives, founded in collaboration with psychologists Mihaly Csikszentmihalyi and William Damon. The project promotes excellence, engagement, and ethics in education, preparing students to become good workers and good citizens who contribute to the overall well-being of society. Through research-based concepts, frameworks, and resources, The Good Project seeks to help students reflect upon the ethical dilemmas that arise in everyday life and give them the tools to make thoughtful decisions.
“The word engagement doesn't mean anything when you're talking about computational systems. they aren't asked whether they like what they're doing or not, they just do it. But the issue of ethics is very difficult and very complicated. I touched on it earlier. If you're trying to decide what to do in a complicated economics matter, in a complicated military matter, do you leave the decision to the computational system? Or do you have human beings make it alone or in groups? My guess would be you should find out what would various computational systems recommend that the final decisions shouldn't be a majority vote among ChatGPTs. It should be human beings evaluating with these different systems. Recommend and then living with the consequences of human-made decisions. I don't want a decision about whether to have a nuclear weapon shot off to be made by ChatGPT. I would like to think that rational leaders consulting with one another and being very cautious about life-and-death decisions. There are things which large language instruments could recommend which would destroy the planet, but they don't care. It's not their planet.”
www.howardgardner.com
http://thegoodproject.org
https://mitpress.mit.edu/9780262542838/a-synthesizing-mind
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with legendary climate activist Bill McKibben and scholar Caroline Levine. McKibben relates his long struggle to get companies to divest from fossil fuels and for the world in general to act immediately to seriously and substantially address this existential crisis. Levine tells of her efforts to get the giant pension fund, TIAA-CREF, to divest. She also talks about her new book, The Activist Humanist, and its relation to both her teaching and her activism.
Bill McKibben is founder of Third Act, which organizes people over the age of 60 for action on climate and justice. His 1989 book The End of Nature is regarded as the first book for a general audience about climate change, and has appeared in 24 languages. He’s gone on to write 20 books, and his work appears regularly in periodicals from the New Yorker to Rolling Stone. He serves as the Schumann Distinguished Scholar in Environmental Studies at Middlebury College, as a fellow of the American Academy of Arts and Sciences, and he has won the Gandhi Peace Prize as well as honorary degrees from 20 colleges and universities. He was awarded the Right Livelihood Award, sometimes called the alternative Nobel, in the Swedish Parliament. Foreign Policy named him to its inaugural list of the world’s 100 most important global thinkers.
McKibben helped found 350.org, the first global grassroots climate campaign, which has organized protests on every continent, including Antarctica, for climate action. He played a leading role in launching the opposition to big oil pipeline projects like Keystone XL, and the fossil fuel divestment campaign, which has become the biggest anti-corporate campaign in history, with endowments worth more than $40 trillion stepping back from oil, gas and coal. He stepped down as board chair of 350 in 2015, and left the board and stepped down from his volunteer role as senior adviser in 2020, accepting emeritus status. He lives in the mountains above Lake Champlain with his wife, the writer Sue Halpern, where he spends as much time as possible outdoors. In 2014, biologists credited his career by naming a new species of woodland gnat—Megophthalmidia mckibbeni–in his honor.
Caroline Levine has spent her career asking how and why the humanities and the arts matter, especially in democratic societies. She argues for an understanding of forms and structures as essential both to understanding links between art and society and to the challenge of taking meaningful political action. She is the author of four books. The most recent, The Activist Humanist: Form and Method in the Climate Crisis (Princeton University Press 2023), grows out of the theoretical work of Forms: Whole, Rhythm, Hierarchy, Network (2015, winner of the James Russell Lowell Prize from the MLA, and named one of Flavorwire’s “10 Must-Read Academic Books of 2015”). Levine has also published The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003, winner of the Perkins Prize for the best book in narrative studies) and Provoking Democracy: Why We Need the Arts (2007).
"Viewed one way, we live in a very hopeful moment. Thanks to in large part the work of university scientists and engineers, we now live on a planet where the cheapest way to produce power is to point a sheet of glass at the sun. That is to say, we could run our Earth on energy from heaven instead of hell, and we could do it fast. The fast is the hard part here. The only difference between all the examples of the long victories of social justice activism that we're in now is that this one is a time-limited problem. If we don't solve it fast, then no one's got a plan for how you refreeze the Arctic once you've melted it. And so we have to move very quickly. Our systems are not designed to move quickly. It's the easiest thing in the world to slow down and delay change, which is all that the fossil fuel industry at this point is trying to do, and that means that it's time for maximum effort from all of us. The story to tell is that the planet is outside its comfort zone, so we need to be outside ours."
https://billmckibben.com
https://350.org
https://thirdact.org
https://english.cornell.edu/caroline-levine
https://press.princeton.edu/books/paperback/9780691250588/the-activist-humanist
https://tiaa-divest.org
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
How do some people face incredible tragedies and find within these experiences inspiration to improve the lives of others? Our guest today lost her grandfather, who was the assassinated Prime Minister of the Buganda Kingdom, and her father, who was disappeared by Idi Amin, and yet she went on to become a leading conservationist.
Dr. Gladys Kalema-Zikusoka is Uganda's first full-time wildlife veterinarian and the Founder and CEO of Conservation Through Public Health. Interested in animals from a young age, she pursued her studies at the Royal Veterinary College at the University of London before returning to Uganda. In the time since, she's worked tirelessly to preserve the animals of Uganda, being awarded the Whitley Gold Award, Sierra Club Earth Care Award, Edinburgh Medal, National Geographic Explorer, and most recently an appointment to become a United Nations Champion of the Earth for Science and Innovation. She is author of Walking with Gorillas: The Journey of an African Wildlife Vet.
"When I arrived in the forest, I got sick, I couldn't visit the gorillas for a whole week, and I felt so upset. I was like, 'Oh no, I may never get to see them after wanting to study them for all these years.' But fortunately, I got better. I stopped coughing and sneezing, and then I finally had a chance to see them. And when I got to see them, and I saw how closely connected we are, I could see how it's so easy for us to make them sick. And I felt, why don't I become a full-time wildlife vet? Because up to that point, I thought I wanted to be a vet who also works with wildlife, making sure the gorillas are not getting diseases from tourists, and they're safe. And also bringing the other wildlife back, through translocations moving animals.
I did manage to write a letter to the executive director of the National Parks, and I said to him, 'This is what a vet does in wildlife conservation. You need to have a wildlife vet, and I want to be your first wildlife vet in Uganda.' And this was snail mail because there was no email at the time. And a few weeks later, I was pleasantly shocked to get a letter from him saying, 'Come back.' He said, 'Your job is waiting for you. We look forward to seeing you after you finish your studies!' I was like, wow, he's convinced by what I wrote. And in January, I started as Uganda's first wildlife vet, which is a very exciting first job."
www.ctph.org
https://www.skyhorsepublishing.com/9781950994267/walking-with-gorillas/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
A recent UN report shows that women are underrepresented at all levels of decision-making worldwide. They say that women in executive government positions and gender equality in the highest positions of power will not be reached for another 130 years. How can we close the gender gap and achieve true representation?
With a distinguished career in public service, Mary Hayashi has spearheaded substantial reforms in mental health services, championed gender equality, and forged powerful, unprecedented partnerships for social causes that previously had no financial or public backing. Recognized as “Legislator of the Year” by the American Red Cross and the California Medical Association, Mary has also been featured on Redbook’s “Mothers and Shakers” list and Ladies’ Home Journal ’s “Women to Watch.” Mary remains a steadfast proponent of social justice expansion and the rights of underrepresented communities. She is author of Far From Home: Shattering the Myth of the Model Minority, and Women in Politics: Breaking Down the Barriers to Achieve True Representation.
"One of the studies I mentioned in the book is people don't see women as leaders and the barriers you experience as a candidate during a campaign. And even after you win and you're serving inside the government, there are still challenges to overcome. Last year, we had a record number of women elected and becoming leaders in government positions, but it doesn't mean their path is easy or it's set. Because of gender bias, women are supposed to be coalition builders and not supposed to be ambitious. One of the things that I talk a lot about is the ambition gap. When women show ambition, we're penalized. People are often suspicious of our motivation. It's like, why is she running? What is she about? And being an Asian American woman, I was perceived by my colleagues after I won and chaired one of the most powerful policy committees in the legislature, I often felt like people didn't know how to engage with me as a peer. They'd never seen an Asian American woman in that role before and so they would criticize me for being too ambitious or too aggressive, or too opinionated. And that really takes a toll on you just emotionally. I wasn't raised that way, but when you have an opinion, people are just not used to seeing Asian women as peers in that role and that really needs to change. And I think it will over time as they see more people like us serving in leadership roles."
www.maryhayashi.com
https://womeninpoliticsbook.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I don't think that there is any experience experiment that could tell you if there is a soul that is nonphysical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments. I am a physicalist. So I think that our mind is magnificent, amazing, and physical. And I agree with you, we can change by changing the way we think. We can influence our body.
Let's just think about the placebo. It's probably one of the most robust phenomena we know in medicine, right? They give you a fake pill, and you start to feel better. Why? Because of the way we perceive ourselves. That doesn't mean that we can counteract every disease by thinking positively, but there is a very strong bond between mind and body and brain. And I would argue that everything in that bond happens within the physical domain."
How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning?
Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected.
https://people.socsci.tau.ac.il/mu/mudriklab
https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning?
Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected.
"I don't think that there is any experience experiment that could tell you if there is a soul that is nonphysical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments. I am a physicalist. So I think that our mind is magnificent, amazing, and physical. And I agree with you, we can change by changing the way we think. We can influence our body.
Let's just think about the placebo. It's probably one of the most robust phenomena we know in medicine, right? They give you a fake pill, and you start to feel better. Why? Because of the way we perceive ourselves. That doesn't mean that we can counteract every disease by thinking positively, but there is a very strong bond between mind and body and brain. And I would argue that everything in that bond happens within the physical domain."
https://people.socsci.tau.ac.il/mu/mudriklab
https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean area, over a quarter of all marine life exists in these rainforests of the sea. And if you think of a coral reef as a rainforest, the trees are the coral themselves. Which are incredible organisms, so, magic is really the right word to describe them. They're these animals that are one of the original forms of animal life, the second branch of the animal kingdom is actually Cnidaria, which includes coral and jellyfish. So, an ancient animal, but they have a symbiotic relationship with algae, and so inside the animal tissue are these zooxanthellae, these algae that do photosynthesis, like algae do, like plants do. It's able to capture sunlight and convert it into sugars and energy. And so, it's an animal, but it's got plants that live inside it, this algae, and then even more wild - it grows a skeleton that is rock!
So coral skeleton is actually calcium carbonate, which is limestone. And most of the limestone that exists on the earth was grown by these organisms. And so they're animals with plants inside of them that grow rock as skeleton. And the rock skeletons form these incredibly intricate structures that are coral reefs that can grow for thousands of miles and the corals can live for thousands of years to be seen from space and to create these essential ecosystems that are really the cornerstone of all of life in the ocean and, and therefore much of life on Earth.”
Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean. Over a quarter of all marine life exists in these rain forests of the sea.
Gator Halpern is the Co-founder and President of Coral Vita, a mission-driven company working to restore our world’s dying coral reefs. He is a lifelong entrepreneur who is passionate about starting projects that can help create a better harmony between society and nature. His work has earned him a number of awards including being named a United Nation’s Young Champion of the Earth, a Forbes 30 Under 30 social entrepreneur, and an Echoing Green fellow. Before founding Coral Vita, he worked on development projects in Brazil, Peru, and South Africa. During his career, he has helped distribute millions of baby fish for aquaculture to remote villages in the Amazon, he’s analyzed the environmental effects of land-use change projects on three different continents, and worked for the World Wildlife Fund Global Marine Program. Gator founded Coral Vita during his graduate studies at the Yale School of Forestry and Environmental Studies, and he lives and works in the Bahamas where Coral Vita operates the world’s first commercial land-based coral farm for reef restoration.
https://coralvita.co
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean. Over a quarter of all marine life exists in these rain forests of the sea.
Gator Halpern is the Co-founder and President of Coral Vita, a mission-driven company working to restore our world’s dying coral reefs. He is a lifelong entrepreneur who is passionate about starting projects that can help create a better harmony between society and nature. His work has earned him a number of awards including being named a United Nation’s Young Champion of the Earth, a Forbes 30 Under 30 social entrepreneur, and an Echoing Green fellow. Before founding Coral Vita, he worked on development projects in Brazil, Peru, and South Africa. During his career, he has helped distribute millions of baby fish for aquaculture to remote villages in the Amazon, he’s analyzed the environmental effects of land-use change projects on three different continents, and worked for the World Wildlife Fund Global Marine Program. Gator founded Coral Vita during his graduate studies at the Yale School of Forestry and Environmental Studies, and he lives and works in the Bahamas where Coral Vita operates the world’s first commercial land-based coral farm for reef restoration.
“Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean area, over a quarter of all marine life exists in these rainforests of the sea. And if you think of a coral reef as a rainforest, the trees are the coral themselves. Which are incredible organisms, so, magic is really the right word to describe them. They're these animals that are one of the original forms of animal life, the second branch of the animal kingdom is actually Cnidaria, which includes coral and jellyfish. So, an ancient animal, but they have a symbiotic relationship with algae, and so inside the animal tissue are these zooxanthellae, these algae that do photosynthesis, like algae do, like plants do. It's able to capture sunlight and convert it into sugars and energy. And so, it's an animal, but it's got plants that live inside it, this algae, and then even more wild - it grows a skeleton that is rock!
So coral skeleton is actually calcium carbonate, which is limestone. And most of the limestone that exists on the earth was grown by these organisms. And so they're animals with plants inside of them that grow rock as skeleton. And the rock skeletons form these incredibly intricate structures that are coral reefs that can grow for thousands of miles and the corals can live for thousands of years to be seen from space and to create these essential ecosystems that are really the cornerstone of all of life in the ocean and, and therefore much of life on Earth.”
https://coralvita.co
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Learning about environmentalism in school, you look at specific figures like John Muir, etc. And I wanted people to also have that association when it came to the environmental justice movement because I think sometimes that really is a helpful learning tool for students.
So in particular, Hazel M. Johnson, I'm so fascinated by her because she's often not really written about in environmental textbooks at all. She was just a woman in Chicago who had no environmental experience, but she started realizing that a lot of people in her community, including her husband, were getting all sorts of forms of cancers and other heart diseases and things like that at what she suspected were alarming rates. So when she investigated, she found that her neighborhood was built on top of toxic waste and other things, and she defined this term called a toxic doughnut that her community and so many other communities that were similar to hers that were lower income and primarily Black neighborhoods that were formerly redlined were surrounded by a toxic doughnut of waste, of landfills, highways running through their neighborhoods, and sometimes even buried radioactive waste, etc.
So she was one of the first people who really made a stir about this, and I think something that's really cool in her work, and then also Dr. Robert Bullard, to formalize that research or that hunch that she had and produced the first study on toxic waste and race and really made the field of environmental justice is that they also were really just faith-based people that spoke about this amongst their churches.
And I think again, that's something that's really cool because in the environmental or scientific community, sometimes people do try to separate faith advocacy from science. However, these are people who were mobilizing in their churches and talking about it in their sermons and seeing how they could transform their communities to be better for people and the planet.
So I think it's just a great story, and I really want people to know the names of people like Hazel Johnson and Dr. Robert Bullard just like they know the names of people like John Muir because they've done such a beautiful job, and I want their legacies to be remembered."
Leah Thomas is an intersectional environmental activist and eco-communicator based in Southern California. She’s passionate about advocating for and exploring the relationship between social justice and environmentalism and was the first to define the term “Intersectional Environmentalism.” She is the founder of @greengirlleah and The Intersectional Environmentalist platform. Her articles on this topic have appeared in Vogue, Elle, The Good Trade, and Youth to the People and she has been featured in Harper’s Bazaar, W Magazine, Domino, GOOP, Fashionista, BuzzFeed, and numerous podcasts. She has a B.S. in Environmental Science and Policy from Chapman University and worked for the National Park Service and Patagonia headquarters before pursuing activism full time. She lives in Carpinteria, California. She is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and Winner of the Creative Force Foundation Award 2023.
www.intersectionalenvironmentalist.com
www.instagram.com/greengirlleah
www.hachettebookgroup.com/titles/leah-thomas/the-intersectional-environmentalist/9780316281935/?lens=voracious
Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions
Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk
www.oneplanetpodcast.org
Leah Thomas is an intersectional environmental activist and eco-communicator based in Southern California. She’s passionate about advocating for and exploring the relationship between social justice and environmentalism and was the first to define the term “Intersectional Environmentalism.” She is the founder of @greengirlleah and The Intersectional Environmentalist platform. Her articles on this topic have appeared in Vogue, Elle, The Good Trade, and Youth to the People and she has been featured in Harper’s Bazaar, W Magazine, Domino, GOOP, Fashionista, BuzzFeed, and numerous podcasts. She has a B.S. in Environmental Science and Policy from Chapman University and worked for the National Park Service and Patagonia headquarters before pursuing activism full time. She lives in Carpinteria, California. She is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and Winner of the Creative Force Foundation Award 2023.
"Learning about environmentalism in school, you look at specific figures like John Muir, etc. And I wanted people to also have that association when it came to the environmental justice movement because I think sometimes that really is a helpful learning tool for students.
So in particular, Hazel M. Johnson, I'm so fascinated by her because she's often not really written about in environmental textbooks at all. She was just a woman in Chicago who had no environmental experience, but she started realizing that a lot of people in her community, including her husband, were getting all sorts of forms of cancers and other heart diseases and things like that at what she suspected were alarming rates. So when she investigated, she found that her neighborhood was built on top of toxic waste and other things, and she defined this term called a toxic doughnut that her community and so many other communities that were similar to hers that were lower income and primarily Black neighborhoods that were formerly redlined were surrounded by a toxic doughnut of waste, of landfills, highways running through their neighborhoods, and sometimes even buried radioactive waste, etc.
So she was one of the first people who really made a stir about this, and I think something that's really cool in her work, and then also Dr. Robert Bullard, to formalize that research or that hunch that she had and produced the first study on toxic waste and race and really made the field of environmental justice is that they also were really just faith-based people that spoke about this amongst their churches.
And I think again, that's something that's really cool because in the environmental or scientific community, sometimes people do try to separate faith advocacy from science. However, these are people who were mobilizing in their churches and talking about it in their sermons and seeing how they could transform their communities to be better for people and the planet.
So I think it's just a great story, and I really want people to know the names of people like Hazel Johnson and Dr. Robert Bullard just like they know the names of people like John Muir because they've done such a beautiful job, and I want their legacies to be remembered."
www.intersectionalenvironmentalist.com
www.instagram.com/greengirlleah
www.hachettebookgroup.com/titles/leah-thomas/the-intersectional-environmentalist/9780316281935/?lens=voracious
Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions
Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk
www.oneplanetpodcast.org
"I'm not against AI. I'm not against technology. I'm not against enhancements. You wear glasses. I wear glasses. That enhances your body, but you want to enhance yourself in such a way that you are following your humanity to the next step?
There's no reason that tools can't improve your humanity, but to go beyond your humanity or away from your humanity is a mistake. And so, until we ask ourselves these central basic questions. What am I? What am I doing here? How can we know whether we should use a machine or not? Because there's always going to be some billionaire idiot who thinks he's the smartest person on earth telling us we've got to implant this thing in our brain, or we're going to be less than the guy next to us."
What makes a good drama? What advantages do human storytellers have over their AI counterparts? Where do ideas come from? And what do spiritual beliefs share with artists' faith in the creative process?
Andrew Klavan is the author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don’t Say A Word, filmed starring Michael Douglas, Empire of Lies and When Christmas Comes. He has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He wrote the screenplays to A Shock to The System starring Michael Caine, One Missed Call starring Edward Burns, and Gosnell: The Trial of America’s Biggest Serial Killer starring Dean Cain. His essays have appeared in the Wall Street Journal, The New York Times, and the Los Angeles Times, his political satire videos have been viewed by tens of millions of people, and he hosts a popular podcast The Andrew Klavan Show at the Daily Wire. He is also the author of a memoir about his religious journey The Great Good Thing: A Secular Jew Comes to Faith in Christ and the USA Today bestseller The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus. His latest crime novel is The House of Love and Death, the third book in the Cameron Winter series.
www.andrewklavan.com
www.amazon.com/House-Death-Cameron-Winter-Mysteries/dp/1613164467
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What makes a good drama? What advantages do human storytellers have over their AI counterparts? Where do ideas come from? And what do spiritual beliefs share with artists' faith in the creative process?
Andrew Klavan is the author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don’t Say A Word, filmed starring Michael Douglas, Empire of Lies and When Christmas Comes. He has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He wrote the screenplays to A Shock to The System starring Michael Caine, One Missed Call starring Edward Burns, and Gosnell: The Trial of America’s Biggest Serial Killer starring Dean Cain. His essays have appeared in the Wall Street Journal, The New York Times, and the Los Angeles Times, his political satire videos have been viewed by tens of millions of people, and he hosts a popular podcast The Andrew Klavan Show at the Daily Wire. He is also the author of a memoir about his religious journey The Great Good Thing: A Secular Jew Comes to Faith in Christ and the USA Today bestseller The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus. His latest crime novel is The House of Love and Death, the third book in the Cameron Winter series.
"I'm not against AI. I'm not against technology. I'm not against enhancements. You wear glasses. I wear glasses. That enhances your body, but you want to enhance yourself in such a way that you are following your humanity to the next step?
There's no reason that tools can't improve your humanity, but to go beyond your humanity or away from your humanity is a mistake. And so, until we ask ourselves these central basic questions. What am I? What am I doing here? How can we know whether we should use a machine or not? Because there's always going to be some billionaire idiot who thinks he's the smartest person on earth telling us we've got to implant this thing in our brain, or we're going to be less than the guy next to us."
www.andrewklavan.com
www.amazon.com/House-Death-Cameron-Winter-Mysteries/dp/1613164467
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“So I wrote this book and it was a lot of fun because I had to learn so much. The book examines three iconic teachers: Confucius, Socrates, and Jesus. And I look at how each of those teachers encourage a certain kind of student. The student as follower, someone who will take on the path that you've developed. In the case of Socrates, the student as critical interlocutor or critical conversation partner, someone who will, in dialogue with you, learn what they don't know, how to take things apart. And in the case of Jesus and the apostles, I look at trying to imitate a way of life to transform themselves to strive towards being the kind of person that Jesus incarnated. And so that's the beginning of the book, these models of studenthood, if I could use that word, and being a teacher. And then I look at the way in which these ideas reverberate in the West across a long period of time. So I'm interested in the idea of the student before there were schools. What did we expect young people to learn even when they weren't going to school?”
What is the purpose of education? How are we educating students for the future? What is the importance of the humanities in this age of AI and the rapidly changing workplace?
Michael S. Roth is President of Wesleyan University. His books include Beyond the University: Why Liberal Education Matters and Safe Enough Spaces: A Pragmatist’s Approach to Inclusion, Free Speech, and Political Correctness on College Campuses. He's been a Professor of History and the Humanities since 1983, was the Founding Director of the Scripps College Humanities Institute, and was the Associate Director of the Getty Research Institute. His scholarly interests center on how people make sense of the past, and he has authored eight books around this topic, including his latest, The Student: A Short History.
https://www.wesleyan.edu/academics/faculty/mroth/profile.html
https://yalebooks.yale.edu/book/9780300250039/the-student/
www.wesleyan.edu
https://twitter.com/mroth78
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is the purpose of education? How are we educating students for the future? What is the importance of the humanities in this age of AI and the rapidly changing workplace?
Michael S. Roth is President of Wesleyan University. His books include Beyond the University: Why Liberal Education Matters and Safe Enough Spaces: A Pragmatist’s Approach to Inclusion, Free Speech, and Political Correctness on College Campuses. He's been a Professor of History and the Humanities since 1983, was the Founding Director of the Scripps College Humanities Institute, and was the Associate Director of the Getty Research Institute. His scholarly interests center on how people make sense of the past, and he has authored eight books around this topic, including his latest, The Student: A Short History.
“There's definitely a shift that occurs in the West from education is really giving you the ability to take your place in society, to education as being able to create your space in society. And so for most of human history in the West, education was to show you where you would fit in, and you may have had a couple of options or not, but you were going to fit in, and you were educated in such a way as to enable that fitting. In the modern period that changes. It's less about fitting in than it is about opening a space for flourishing or for creativity or freedom. And I spend a fair amount of time in the book on college students and those privileged folks who get to extend their formal education in ways that are supposed to open themselves up to creativity, transformation, and eventually participation in the system. That creates their schools in the first place.”
https://www.wesleyan.edu/academics/faculty/mroth/profile.html
https://yalebooks.yale.edu/book/9780300250039/the-student/
www.wesleyan.edu
https://twitter.com/mroth78
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Being worried about the future is just that, it's worrying. Think about how much time and energy you spend worrying about stuff that hasn't happened, and maybe even never will. But what if you instead put all of your energy towards the creation of a positive and lasting future?
I think the most important thing that I would like young people to know is that they can build their future. That they have the power and they have the agency to shape their future and they have the ability and the power when working with others to have an even broader impact.
The thing that scares me the most about the future is when people give up that agency and they let other people design their futures for them. For me, I think it's incredibly powerful to go to young people and say you can do it. But also you need to tell me what you want. And I think empowering them to have a vision for the future, that's why I spend so much time in schools and talking to young people because it's those visions that I think are incredibly important."
Brian David Johnson is Futurist in Residence at Arizona State University’s Center for Science and the Imagination, a professor in the School for the Future of Innovation in Society, and the Director of the ASU Threatcasting Lab. He is Author of The Future You: How to Create the Life You Always Wanted, Science Fiction Prototyping: Designing the Future with Science Fiction, 21st Century Robot: The Dr. Simon Egerton Stories, Humanity in the Machine: What Comes After Greed?, Screen Future: The Future of Entertainment, Computing, and the Devices We Love.
https://csi.asu.edu/people/brian-david-johnson/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Brian David Johnson is Futurist in Residence at Arizona State University’s Center for Science and the Imagination, a professor in the School for the Future of Innovation in Society, and the Director of the ASU Threatcasting Lab. He is Author of The Future You: How to Create the Life You Always Wanted, Science Fiction Prototyping: Designing the Future with Science Fiction, 21st Century Robot: The Dr. Simon Egerton Stories, Humanity in the Machine: What Comes After Greed?, Screen Future: The Future of Entertainment, Computing, and the Devices We Love.
"Being worried about the future is just that, it's worrying. Think about how much time and energy you spend worrying about stuff that hasn't happened, and maybe even never will. But what if you instead put all of your energy towards the creation of a positive and lasting future?
I think the most important thing that I would like young people to know is that they can build their future. That they have the power and they have the agency to shape their future and they have the ability and the power when working with others to have an even broader impact.
The thing that scares me the most about the future is when people give up that agency and they let other people design their futures for them. For me, I think it's incredibly powerful to go to young people and say you can do it. But also you need to tell me what you want. And I think empowering them to have a vision for the future, that's why I spend so much time in schools and talking to young people because it's those visions that I think are incredibly important."
https://csi.asu.edu/people/brian-david-johnson/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think people need to remember consciousness. I think it's the most central aspect of our existence. And I think we need to remember to appreciate that felt quality of experience and know what it is and know what it is not. So as we move forward and deliberate over the human future and grasp machine intelligence and see it increasing and improving, we need to understand what's distinctive about us. And I think having a better scientific and philosophical understanding of these questions is very important."
Will AI become conscious? President Biden has just unveiled a new executive order on AI — the U.S. government’s first action of its kind — requiring new safety assessments, equity and civil rights guidance, and research on AI’s impact on the labor market. With this governance in place, can tech companies be counted on to do the right thing for humanity?
Susan Schneider is a philosopher, artificial intelligence expert, and founding director of the Center for the Future Mind at Florida Atlantic University. She is author of Artificial You: AI and the Future of Your Mind, Science Fiction and Philosophy: From Time Travel to Superintelligence, and The Blackwell Companion to Consciousness. She held the NASA Chair with NASA and the Distinguished Scholar Chair at the Library of Congress. She is now working on projects related to advancements in AI policy and technology, drawing from neuroscience research and philosophical developments and writing a new book on the shape of intelligent systems.
www.fau.edu/artsandletters/philosophy/susan-schneider/index
www.fau.edu/future-mind/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Will AI become conscious? President Biden has just unveiled a new executive order on AI — the U.S. government’s first action of its kind — requiring new safety assessments, equity and civil rights guidance, and research on AI’s impact on the labor market. With this governance in place, can tech companies be counted on to do the right thing for humanity?
Susan Schneider is a philosopher, artificial intelligence expert, and founding director of the Center for the Future Mind at Florida Atlantic University. She is author of Artificial You: AI and the Future of Your Mind, Science Fiction and Philosophy: From Time Travel to Superintelligence, and The Blackwell Companion to Consciousness. She held the NASA Chair with NASA and the Distinguished Scholar Chair at the Library of Congress. She is now working on projects related to advancements in AI policy and technology, drawing from neuroscience research and philosophical developments and writing a new book on the shape of intelligent systems.
"I think people need to remember consciousness. I think it's the most central aspect of our existence. And I think we need to remember to appreciate that felt quality of experience and know what it is and know what it is not. So as we move forward and deliberate over the human future and grasp machine intelligence and see it increasing and improving, we need to understand what's distinctive about us. And I think having a better scientific and philosophical understanding of these questions is very important."
www.fau.edu/artsandletters/philosophy/susan-schneider/index
www.fau.edu/future-mind/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What will the future look like? What are the risks and opportunities of AI? What role can we play in designing the future we want to live in?
Voices of philosophers, futurists, AI experts, science fiction authors, activists, and lawyers reflecting on AI, technology, and the Future of Humanity. All voices in this episode are from our interviews for The Creative Process & One Planet Podcast.
Voices on this episode are:
DR. SUSAN SCHNEIDER
American philosopher and artificial intelligence expert. She is the founding director of the Center for the Future Mind at Florida Atlantic University. Author of Artificial You: AI and the Future of Your Mind, Science Fiction and Philosophy: From Time Travel to Superintelligence, and The Blackwell Companion to Consciousness.www.fau.edu/artsandletters/philosophy/susan-schneider/index
NICK BOSTROM
Founder and Director of the Future of Humanity Institute, University of Oxford, Philosopher, Author of NYTimes Bestseller Superintelligence: Paths, Dangers, Strategies. Bostrom’s academic work has been translated into more than 30 languages. He is a repeat main TED speaker and has been on Foreign Policy’s Top 100 Global Thinkers list twice and was included in Prospect’s World Thinkers list, the youngest person in the top 15.
https://nickbostrom.com
https://www.fhi.ox.ac.uk
BRIAN DAVID JOHNSON
Futurist in residence at Arizona State University’s Center for Science and the Imagination, a professor in the School for the Future of Innovation in Society and the Director of the ASU Threatcasting Lab. He is Author of The Future You: How to Create the Life You Always Wanted, Science Fiction Prototyping: Designing the Future with Science Fiction, 21st Century Robot: The Dr. Simon Egerton Stories, Humanity in the Machine: What Comes After Greed?, Screen Future: The Future of Entertainment, Computing, and the Devices We Love.
https://csi.asu.edu/people/brian-david-johnson
DEAN SPADE
Professor at SeattleU’s School of Law, Author of Mutual Aid, Building Solidarity During This Crisis (and the Next), and Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law.
www.deanspade.net
ALLEN STEELE
Science Fiction Author. He has been awarded a number of Hugos, Asimov's Readers, and Locus Awards. of the Coyote Trilogy, Arkwright, and other books. His books include Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century.
www.allensteele.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"You start the film with: Who is David Byrne? And he's a little taken aback by the question."
"So who are you? What is your sense of self and consciousness?"
Ian Moubayed: I think, as David Byrne said, "People are not static. We're ever-evolving." And so I'm not the same person that I was when I was a kid. And so, right now, I'm a filmmaker, I'm a New Yorker, but we're constantly changing, and I'm sure I'll be different in five years from now.
John Tracey: To me, it evokes this question: Is who you are communicable? And whether it is possible for other people, beyond maybe one or two or none, to know that? And it's funny because the Theater of Mind show plays with that and, without giving too much away, each time you go through the show, it's not going to be the same experience as you had maybe the last time.
Nicholas Bruckman: Yeah, it's an uncomfortable question to be confronted with. And I think there's the me that's on this podcast right now. That's maybe more presentational than me over a beer with Ian or with my family or partner. And going back to the meta-storytelling themes, there's a big question about documentary truth when doing portraits of characters. And is this the real version of that person? And I think when you do these kinds of films, you're only able to capture one of those selves.
Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne’s brain, showcasing Byrne’s immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.
He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.
John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.
Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix’s The Great Hack, NBC Peacock’s The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO’s The Vow.
www.youtube.com/@sciencesandbox
www.davidbyrne.com
https://nickny.com/bio
https://www.simonsfoundation.org/people/john-tracey/
https://peoples.tv/director/ian-moubayed/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull?
Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne’s brain, showcasing Byrne’s immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is.
He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass.
John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement.
Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix’s The Great Hack, NBC Peacock’s The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO’s The Vow.
"You start the film with: Who is David Byrne? And he's a little taken aback by the question."
"So who are you? What is your sense of self and consciousness?"
Ian Moubayed: I think, as David Byrne said, "People are not static. We're ever-evolving." And so I'm not the same person that I was when I was a kid. And so, right now, I'm a filmmaker, I'm a New Yorker, but we're constantly changing, and I'm sure I'll be different in five years from now.
John Tracey: To me, it evokes this question: Is who you are communicable? And whether it is possible for other people, beyond maybe one or two or none, to know that? And it's funny because the Theater of Mind show plays with that and, without giving too much away, each time you go through the show, it's not going to be the same experience as you had maybe the last time.
Nicholas Bruckman: Yeah, it's an uncomfortable question to be confronted with. And I think there's the me that's on this podcast right now. That's maybe more presentational than me over a beer with Ian or with my family or partner. And going back to the meta-storytelling themes, there's a big question about documentary truth when doing portraits of characters. And is this the real version of that person? And I think when you do these kinds of films, you're only able to capture one of those selves.
www.youtube.com/@sciencesandbox
www.davidbyrne.com
https://nickny.com/bio
https://www.simonsfoundation.org/people/john-tracey/
https://peoples.tv/director/ian-moubayed/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.
Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.
Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.
www.lizablack.com
www.josephmpierce.com
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?
April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.
She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages.
www.aprilgornik.com
www.thechurchsagharbor.org
www.milesmcenery.com/exhibitions/april-gornik2
https://sagharborcinema.org/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846
Creative Commons CC0 1.0 Universal Public Domain
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?
April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.
She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages.
"I just started reading Emerson, and I'm glad that I've gotten to it because he talks about history and says that folded into every person, if you think of this as a fractal situation, I was just reading about this and it blew my mind. There is the understanding and the containment of all of history, of all dreams, of all desires of all the furthest reaches of our minds and our accomplishments are folded into every person. And how astonishing is that? I mean, I'm so mad at people all the time about what a mess everything is. On the other hand, we are just astonishing. And we have so much potential. But we're also so misdirected by advertising, by product placement, by false desires - say, to get everybody addicted to corn syrup and then have them develop diabetes is really evil, in my opinion. So I'm just always swinging wildly between an appreciation at the amazement of the human spirit and humanity and its accomplishments and then frustration at the bad uses to which that's put."
www.aprilgornik.com
www.thechurchsagharbor.org
www.milesmcenery.com/exhibitions/april-gornik2
https://sagharborcinema.org/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846
Creative Commons CC0 1.0 Universal Public Domain
Additional audio courtesy of Sag Harbor Cinema Arts Center.
"I think that the confidence that I'm talking about, in terms of allowing yourself to turn out something that isn't perfect and to still believe in yourself, I think that comes from my love of science and my understanding of the scientific process. So many experiments fail the first time or the second time or the third time. Also, so many startup companies in Silicon Valley fail and then they innovate and they innovate and they innovate and they become big hits. And I think it's the difference between what's called a fixed mindset versus a growth mindset where people think that they either have a fixed amount of talent or they believe that they have a growing amount of talent where more practice and more input can affect the outcome. And I don't believe that human beings have fixed talent. I believe that human beings have growing talent and that they shouldn't be so fearful of just trying and learning and growing."
Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros.
www.imdb.com/name/nm5170222/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros.
"I think that the confidence that I'm talking about, in terms of allowing yourself to turn out something that isn't perfect and to still believe in yourself, I think that comes from my love of science and my understanding of the scientific process. So many experiments fail the first time or the second time or the third time. Also, so many startup companies in Silicon Valley fail and then they innovate and they innovate and they innovate and they become big hits. And I think it's the difference between what's called a fixed mindset versus a growth mindset where people think that they either have a fixed amount of talent or they believe that they have a growing amount of talent where more practice and more input can affect the outcome. And I don't believe that human beings have fixed talent. I believe that human beings have growing talent and that they shouldn't be so fearful of just trying and learning and growing."
www.imdb.com/name/nm5170222/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“The legal system is a colonial legal system that is designed to preserve capitalist extraction and all the racial dynamics required to produce racial capitalism. The system is already completely captured by our opponents. And anything that looks like it's good for us is probably actually not. People don't get what they're supposed to get. It's undermined in several ways, or it can get flipped all the time. Like the law in the books is not happening on the streets. The police are not supposed to kill people all the time, and they just do. There is no rule of law. We live in lawless, brutal domination under a set of systems that are incredibly resilient and can reframe and sometimes be extra-legal, and that works out fine for them.”
Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. Spade has been organizing racial and economic movements for queer and trans liberation for the past 20 years. Spade's books include Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law and Mutual Aid, Building Solidarity During This Crisis (and the Next). In 2002, Dean founded the Sylvia Rivera Law Project, a non-profit law collective that provides free legal services to transgender, intersex and gender non-conforming people who are low-income and/or people of color, and which operates on a collective governance model. His writing has appeared in The Chronicle of Higher Education, Out, In These Times, Social Text, and Signs.
www.deanspade.net
www.southendpress.org/2010/items/87965
www.deanspade.net/mutual-aid-building-solidarity-during-this-crisis-and-the-next/
https://srlp.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. Spade has been organizing racial and economic movements for queer and trans liberation for the past 20 years. Spade's books include Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law and Mutual Aid, Building Solidarity During This Crisis (and the Next). In 2002, Dean founded the Sylvia Rivera Law Project, a non-profit law collective that provides free legal services to transgender, intersex and gender non-conforming people who are low-income and/or people of color, and which operates on a collective governance model. His writing has appeared in The Chronicle of Higher Education, Out, In These Times, Social Text, and Signs.
“The legal system is a colonial legal system that is designed to preserve capitalist extraction and all the racial dynamics required to produce racial capitalism. The system is already completely captured by our opponents. And anything that looks like it's good for us is probably actually not. People don't get what they're supposed to get. It's undermined in several ways, or it can get flipped all the time. Like the law in the books is not happening on the streets. The police are not supposed to kill people all the time, and they just do. There is no rule of law. We live in lawless, brutal domination under a set of systems that are incredibly resilient and can reframe and sometimes be extra-legal, and that works out fine for them.”
www.deanspade.net
www.southendpress.org/2010/items/87965
www.deanspade.net/mutual-aid-building-solidarity-during-this-crisis-and-the-next/
https://srlp.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"So the why really depends on where you are. People are not all the same. There is no such thing as the public. There are many, many, many different publics within a state, within a country, within the world, right? So one of the first cardinal rules of effective communication is know your audience. Who are they? What do they know? What do they think they know? Who do they trust? Where do they get their information? What are their underlying values? And it's only once you know who they are that you as a communicator can go more than halfway to try to meet them where they are not where you are. Where they are. That's so easy to say, but it's actually so hard for so many of us within the climate community to do because we're steeped in this issue. We want to talk about things."
Anthony Leiserowitz, Ph.D. is the founder and Director of the Yale Program on Climate Change Communication and a Senior Research Scientist at the Yale School of the Environment. He is an internationally recognized expert on public climate change beliefs, attitudes, policy support, and behavior, and the psychological, cultural, and political factors that shape them and conducts research globally, including in the United States, China, India, and Brazil. He has published more than 250 scientific articles, chapters, and reports and has worked with the Intergovernmental Panel on Climate Change, the National Academy of Sciences, the Smithsonian Museum of Natural History, the Harvard Kennedy School, the United Nations Development Program, the Gallup World Poll, and the World Economic Forum, among others. He is a recipient of the Friend of the Planet Award from the National Center for Science Education, the Mitofsky Innovator Award from the American Association of Public Opinion Research, the Stephen H. Schneider Award for Outstanding Climate Science Communication from Climate One, and an Environmental Innovator award from the Environmental Protection Agency. In 2020, he was named the second-most influential climate scientist in the world (of 1,000) by Reuters. He is also the host of Climate Connections, a radio program broadcast each day on more than 700 stations nationwide.
https://environment.yale.edu/profile/leiserowitz
https://climatecommunication.yale.edu
www.yaleclimateconnections.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Anthony Leiserowitz, Ph.D. is the founder and Director of the Yale Program on Climate Change Communication and a Senior Research Scientist at the Yale School of the Environment. He is an internationally recognized expert on public climate change beliefs, attitudes, policy support, and behavior, and the psychological, cultural, and political factors that shape them and conducts research globally, including in the United States, China, India, and Brazil. He has published more than 250 scientific articles, chapters, and reports and has worked with the Intergovernmental Panel on Climate Change, the National Academy of Sciences, the Smithsonian Museum of Natural History, the Harvard Kennedy School, the United Nations Development Program, the Gallup World Poll, and the World Economic Forum, among others. He is a recipient of the Friend of the Planet Award from the National Center for Science Education, the Mitofsky Innovator Award from the American Association of Public Opinion Research, the Stephen H. Schneider Award for Outstanding Climate Science Communication from Climate One, and an Environmental Innovator award from the Environmental Protection Agency. In 2020, he was named the second-most influential climate scientist in the world (of 1,000) by Reuters. He is also the host of Climate Connections, a radio program broadcast each day on more than 700 stations nationwide.
"So the why really depends on where you are. People are not all the same. There is no such thing as the public. There are many, many, many different publics within a state, within a country, within the world, right? So one of the first cardinal rules of effective communication is know your audience. Who are they? What do they know? What do they think they know? Who do they trust? Where do they get their information? What are their underlying values? And it's only once you know who they are that you as a communicator can go more than halfway to try to meet them where they are not where you are. Where they are. That's so easy to say, but it's actually so hard for so many of us within the climate community to do because we're steeped in this issue. We want to talk about things."
https://environment.yale.edu/profile/leiserowitz
https://climatecommunication.yale.edu
www.yaleclimateconnections.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes.
I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world.
And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons."
What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in?
Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century.
www.allensteele.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo from a field trip to Pease Air Force Base in Portsmouth NH, now closed. Photo credit: Chuck Peterson
What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in?
Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century.
"I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes.
I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world.
And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons."
www.allensteele.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I am more interested now in writing on aesthetics from a theoretical basis. I find I'm able to express certain things that I'd always wondered about on a purely intuitive level. And so that's the nature of my writings. I have a book in the works entitled Theorem, which picks up from that series that you're familiar with, the vertical horizon and nature object things I did after that. They're much more based on theory of perception, theory of socially defined shapes, theory of cultural applications to how we perceive. And, you see, I can express le ciel. I can express the sky: the two different languages, same sky, slightly different.
There is a difference when you say il cielo or the sky in Italiano. You see it? The emphasis, the sound of the word produces a response that impacts our perception of the object being described. So if the word sounds slightly different, the object is going to shift in an interesting way, it doesn't have to be positive or negative.
It's just always interesting to me how think of it, which gets us closer to a musical construct. Because musical is nothing. Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."
How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?
Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.
Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.
www.ralphgibson.com
www.deichtorhallen.de/en/ausstellung/ralph-gibson
www.gibsongoeunmuseum.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?
Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.
Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.
"I am more interested now in writing on aesthetics from a theoretical basis. I find I'm able to express certain things that I'd always wondered about on a purely intuitive level. And so that's the nature of my writings. I have a book in the works entitled Theorem, which picks up from that series that you're familiar with, the vertical horizon and nature object things I did after that. They're much more based on theory of perception, theory of socially defined shapes, theory of cultural applications to how we perceive. And, you see, I can express le ciel. I can express the sky: the two different languages, same sky, slightly different.
There is a difference when you say il cielo or the sky in Italiano. You see it? The emphasis, the sound of the word produces a response that impacts our perception of the object being described. So if the word sounds slightly different, the object is going to shift in an interesting way, it doesn't have to be positive or negative.
It's just always interesting to me how think of it, which gets us closer to a musical construct. Because musical is nothing. Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."
www.ralphgibson.com
www.deichtorhallen.de/en/ausstellung/ralph-gibson
www.gibsongoeunmuseum.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“Narcissistic people have very high self-evaluations. This means they're able to do things in spite of not having mastered their brief. I'm thinking of Boris Johnson and Trump, in spite of having lots of legal cases against them. And so the kind of things that would make the rest of us anxious, the narcissist is so engrossed in their positive self-perception that they're not fazed by things. But the other thing about narcissism, particularly in the media, it can create charisma, and charisma gives you status, and status makes you persuasive. And persuasion gets you money and power and all sorts of other things, and these reinforce the charisma. So there's a rather sinister, vicious cycle to the narcissist and vicious to the rest of us. That can put people who are not fit for power in power because of the superficial, supreme overconfidence that is a part of narcissism.”
How important is confidence? Psychologists say confidence is a series of mental, physical, and emotional habits that can be learned. What makes some people overconfident while others are realistic about their abilities and why are both outlooks important to succeed in life?
Ian Robertson is Co-Director of the Global Brain Health Institute (Trinity College Dublin and University of California at San Francisco) and Co-Leader of The BrainHealth Project at University of Texas at Dallas. A trained clinical psychologist as well as a neuroscientist, he is internationally renowned for his research on neuropsychology. He has written five books and numerous newspaper and magazine articles and comment pieces in the Guardian, Times, Telegraph, Irish Times, Time magazine and New York magazine, amongst others. He has appeared on BBC Radio and featured in several major television documentaries. He is a regular speaker at major futurology and business conferences in Europe, the USA and Asia.
https://ianrobertson.org
www.gbhi.org
www.penguin.co.uk/books/441931/how-confidence-works-by-robertson-ian/9781787633728
https://centerforbrainhealth.org/project
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How important is confidence? Psychologists say confidence is a series of mental, physical, and emotional habits that can be learned. What makes some people overconfident while others are realistic about their abilities and why are both outlooks important to succeed in life?
Ian Robertson is Co-Director of the Global Brain Health Institute (Trinity College Dublin and University of California at San Francisco) and Co-Leader of The BrainHealth Project at University of Texas at Dallas. A trained clinical psychologist as well as a neuroscientist, he is internationally renowned for his research on neuropsychology. He has written five books and numerous newspaper and magazine articles and comment pieces in the Guardian, Times, Telegraph, Irish Times, Time magazine and New York magazine, amongst others. He has appeared on BBC Radio and featured in several major television documentaries. He is a regular speaker at major futurology and business conferences in Europe, the USA and Asia.
“Narcissistic people have very high self-evaluations. This means they're able to do things in spite of not having mastered their brief. I'm thinking of Boris Johnson and Trump, in spite of having lots of legal cases against them. And so the kind of things that would make the rest of us anxious, the narcissist is so engrossed in their positive self-perception that they're not fazed by things. But the other thing about narcissism, particularly in the media, it can create charisma, and charisma gives you status, and status makes you persuasive. And persuasion gets you money and power and all sorts of other things, and these reinforce the charisma. So there's a rather sinister, vicious cycle to the narcissist and vicious to the rest of us. That can put people who are not fit for power in power because of the superficial, supreme overconfidence that is a part of narcissism.”
https://ianrobertson.org
www.gbhi.org
www.penguin.co.uk/books/441931/how-confidence-works-by-robertson-ian/9781787633728
https://centerforbrainhealth.org/project
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.
We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.
I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp."
Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.
He’s an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation’s first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill’s box office and online at PortTIX.com.
www.rickbass.net
www.protectancientforests.org
www.montanaproject.org
www.PortTIX.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.
He’s an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation’s first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill’s box office and online at PortTIX.com.
"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.
We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.
I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp."
www.rickbass.net
www.protectancientforests.org
www.montanaproject.org
www.PortTIX.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I remember years ago, my Ph.D. advisor had asked me, 'How do you get such incredible footage of the whales and get them to stay with you?' So I said, 'unconditional love.' It's this whole sort of intuitive thing. And I can say this very comfortably as a scientist because it makes sense for anybody who works with these animals or any animals. And when you trust them, you emit this unconditional love, and they pick up on that, and they are going to respond. Believe me, every species of cetacean has its vibration, personality, and habits. And I'm just so fascinated by humpbacks and their beauty and their acrobatic abilities and their level of consciousness.
Whales communicate with you constantly. It's like you have this relationship with them that you don't even have to use words. So it's reflections of the beauty and the wonder of the natural world, but it's also a reflection of the beauty of ourselves and nature and wildlife, and it's like awakening to to your true self."
Nan Hauser is the President and Director of the Center for Cetacean Research & Conservation and the Director and Principal Investigator of Cook Islands Whale Research. Currently she's in the field studying the migration of the Southern Humpback Whale population that is currently passing through the Cook Islands, where she resides on the main island of Rarotonga. Her research includes population identity and abundance, acoustics, genetics stable isotopes behavior, and the navigation of cetaceans.
https://whaleresearch.org
https://whaleresearch.org/saved-by-a-whale
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Nan Hauser is the President and Director of the Center for Cetacean Research & Conservation and the Director and Principal Investigator of Cook Islands Whale Research. Currently she's in the field studying the migration of the Southern Humpback Whale population that is currently passing through the Cook Islands, where she resides on the main island of Rarotonga. Her research includes population identity and abundance, acoustics, genetics stable isotopes behavior, and the navigation of cetaceans.
"I remember years ago, my Ph.D. advisor had asked me, 'How do you get such incredible footage of the whales and get them to stay with you?' So I said, 'unconditional love.' It's this whole sort of intuitive thing. And I can say this very comfortably as a scientist because it makes sense for anybody who works with these animals or any animals. And when you trust them, you emit this unconditional love, and they pick up on that, and they are going to respond. Believe me, every species of cetacean has its vibration, personality, and habits. And I'm just so fascinated by humpbacks and their beauty and their acrobatic abilities and their level of consciousness.
Whales communicate with you constantly. It's like you have this relationship with them that you don't even have to use words. So it's reflections of the beauty and the wonder of the natural world, but it's also a reflection of the beauty of ourselves and nature and wildlife, and it's like awakening to to your true self."
https://whaleresearch.org
https://whaleresearch.org/saved-by-a-whale
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility. In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination."
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?
Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You’d Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper’s Magazine, McSweeney’s, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.
https://jimshepard.wordpress.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can literature help us extend our empathic imaginations? How can writing and reading expand our curiosity and compassion for people in situations distant from our own?
Jim Shepard is the author of seven previous novels, most recently The Book of Aron (winner of the 2016 PEN New England Award, the Sophie Brody medal for achievement in Jewish literature, the Ribalow Prize for Jewish literature, the Clark Fiction Prize, and a finalist for the National Jewish Book Award) and five story collections, including Like You’d Understand, Anyway, which was a finalist for the National Book Award and won The Story Prize. His short fiction has appeared in, among other magazines, The New Yorker, Harper’s Magazine, McSweeney’s, The Paris Review, The Atlantic, Esquire, Tin House, Granta, Zoetrope, Electric Literature, and Vice, and has often been selected for The Best American Short Stories and The PEN/O. Henry Prize Stories. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles, and he teaches film and creative writing at Williams College. His story “The World to Come” was adapted into a feature film starring Casey Affleck, Vanessa Kirby, and Katherine Waterston.
"I do think that literature is all about extending the empathetic imagination. And so I'm always looking to educate myself in emotional terms, too. Because I'm very interested in the way we respond in those situations where it feels like we both have responsibility, and we don't have responsibility. In terms of what I'm writing, I'm always trying to make myself a more interesting human being. And so that means I'm coming across these human dilemmas where I'm like what would it have been like to be in that position? And that snags my emotional imagination."
https://jimshepard.wordpress.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Sara Ahmed about her new book, The Feminist Killjoy Handbook. How and why is it that complaining about sexism, misogyny, homophobia, transphobia, and other forms of bigotry, is considered impolite? How is civility uncivil, and the mandate to be “happy” a tool for silencing grievances? Sara Ahmed tackles all those questions, and gives us strength and courage to keep on killingjoy and speaking truth.
Sara Ahmed is an independent queer feminist scholar of colour. Her work is concerned with how power is experienced and challenged in everyday life and institutional cultures. Her first trade book, The Feminist Killjoy Handbook is coming out with Seal Press next month. Previous books (all published by Duke University Press) include Complaint! (2021), What's The Use? On the Uses of Use (2019), Living a Feminist Life (2017), Willful Subjects (2014), On Being Included: Racism and Diversity in Institutional Life (2012), The Promise of Happiness (2010) and Queer Phenomenology: Objects, Orientations, Others (2006). She is currently writing A Complainer’s Handbook: A Guide to Building Less Hostile Institutions and has begun a new project on common sense. She blogs at feministkilljoy.com.
"So the door was shut. So when she said no, she ended up with nowhere to go. And that's one of the institutional mechanisms. You're more likely to progress if you say yes. It's a reproductive mechanism, which is why feminist culture knows so much about everything. We can explain how it is that institutions keep being reproduced in the same way. So what then do you do? Where do you go if your no has nowhere to go? And I think when you say no to the world, and you're pushed out by it, you still find your people. And that there's the world-making is in the people who find in the refusal of the institution a common ground."
https://www.penguin.co.uk/books/454793/the-feminist-killjoy-handbook-by-ahmed-sara/9780241619537
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
Photo credit: Sarah Franklin
What makes films memorable and meaningful? Great cinematographers are not only translators of a director’s vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity’s Gate and The Theory of Everything.
Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter.
"If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal.
I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'"
www.benoitdelhomme.com
www.benoitdelhommestudio.com
www.instagram.com/benoitdelhomme
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Rob Verchick is one of the nation’s leading scholars in disaster and climate change law and a former EPA official in the Obama administration. He holds the Gauthier-St. Martin Eminent Scholar Chair in Environmental Law at Loyola University New Orleans. Professor Verchick is also a Senior Fellow in Disaster Resilience at Tulane University and the President of the Center for Progressive Reform, a research and advocacy organization that advocates for solutions to our most pressing societal challenges. He is the author of numerous articles and books, including The Octopus in the Parking Garage. A Call for Climate Resilience.
“Well, there are good stories and bad stories. So the good stories are, Oh my gosh, renewable energy is just a wonderful technology story with solar panels getting as cheap as almost anything. Wind turbine technology. We're working on offshore wind farm planning in the Gulf right now, and we're going to build wind turbines that can survive hurricanes. So there's a lot of technology going on in energy storage that involves batteries. And I'm hoping that at some point we're going to get to batteries that don't use things like lithium so much, so that we don't have to be involved so much in the mining of those kinds of things.
There's a lot of really interesting technology going on with using natural landscapes to protect against flooding and storms. So we have a coastal restoration effort in Louisiana, one of the largest in the world. And what we're experimenting with is diverting water from the Mississippi River to replenish sediment and grow new wetlands on our tattered shores. And that's technology, too. I mean, we've got some of the best engineering firms in the world down here, and NASA trying to figure out exactly how to do that. And if we can do it, we'll export that technology all over the place and help rebuild coastlines. So those are some really bright spots in terms of the technology that I see.”
https://robverchick.com
https://works.bepress.com/robert_verchick
www.progressivereform.org/
Twitter/X/Instagram/Facebook: @robverchick @robsoctopusbook
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Australia is generally considered one of the most vulnerable developed countries to the impacts of climate change, and I've been in the climate science space for more than 30 years, but I have to say this last month has been particularly confronting. We're seeing all sorts of tipping points that scientists have been warning about for decades and they are really real right now. I've never had such climate anxiety, and it's sort of new for me to be struggling with that because I think I've been pretty resilient to sort of eco-anxiety. Talking about averages all the time is a real problem in climate science because the temperature on any one day goes up and down a lot more than 1.5 or 2 degrees. So we have to keep working on relating those average global temperatures to the extremes that people experience in their lives on the ground where they live. We have to keep reminding people that that is the sort of thing that we are going to see more and more often. It isn't a one-off event. It's a message about the future."
Now in the 21st century, with an abundance of renewable technologies, why is the world still using 18th-century energy technology? How can each of us harness our unique skills to help solve the climate crisis?
Lesley Hughes is a Distinguished Professor of Biology and Interim Executive Dean of the Faculty of Science & Engineering at Macquarie University. She is an ecologist whose main research interest has been the impacts of climate change on species and ecosystems, and the implications of climate change for conservation. She was a Lead Author of the IPCC’s 4th and 5th Assessment Report, Director for the WWF Australia and federal Climate Commissioner and is now a Councillor and Director with the Climate Council of Australia. She is also a member of the Wentworth Group of Concerned Scientists.
https://researchers.mq.edu.au/en/persons/lesley-hughes
www.climatecouncil.org.au
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Now in the 21st century, with an abundance of renewable technologies, why is the world still using 18th-century energy technology? How can each of us harness our unique skills to help solve the climate crisis?
Lesley Hughes is a Distinguished Professor of Biology and Interim Executive Dean of the Faculty of Science & Engineering at Macquarie University. She is an ecologist whose main research interest has been the impacts of climate change on species and ecosystems, and the implications of climate change for conservation. She was a Lead Author of the IPCC’s 4th and 5th Assessment Report, Director for the WWF Australia and federal Climate Commissioner and is now a Councillor and Director with the Climate Council of Australia. She is also a member of the Wentworth Group of Concerned Scientists.
"Australia is generally considered one of the most vulnerable developed countries to the impacts of climate change, and I've been in the climate science space for more than 30 years, but I have to say this last month has been particularly confronting. We're seeing all sorts of tipping points that scientists have been warning about for decades and they are really real right now. I've never had such climate anxiety, and it's sort of new for me to be struggling with that because I think I've been pretty resilient to sort of eco-anxiety. Talking about averages all the time is a real problem in climate science because the temperature on any one day goes up and down a lot more than 1.5 or 2 degrees. So we have to keep working on relating those average global temperatures to the extremes that people experience in their lives on the ground where they live. We have to keep reminding people that that is the sort of thing that we are going to see more and more often. It isn't a one-off event. It's a message about the future."
https://researchers.mq.edu.au/en/persons/lesley-hughes
www.climatecouncil.org.au
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The lobbyists that represent the fossil fuel companies like ExxonMobil, Koch companies, and the American Petroleum Institute, they knew for years that the climate crisis would happen, and they've been telling us that it wouldn't. And right now in every state capital, the lobbyists are doing everything they can to slow the transition from fossil fuel to renewables. The sad fact is, these oil and gas lobbyists will never wake up one morning and say: I am worried about the climate crisis. I'm worried about my children. I am going to cut off ties with these oil and gas companies and stop taking their money. That will never happen. And I'm sad to say this, but it's been a long, long road to try to change their behavior with facts or reason."
Why are fossil fuel lobbyists also allowed to work for communities, schools, businesses, and nonprofit organizations being harmed by the climate crisis without declaring their conflict of interest? Why divestment from fossil fuels should include divesting from lobbyists which play for both sides.
James Browning is the founder of F Minus, a research and advocacy group that tracks the extent to which fossil fuel lobbyists also represent victims of the climate crisis. He is also a writer and game designer, and his novel The Fracking King was named one of the best 100 books of 2014 by Amazon.
https://fminus.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Why are fossil fuel lobbyists also allowed to work for communities, schools, businesses, and nonprofit organizations being harmed by the climate crisis without declaring their conflict of interest? Why divestment from fossil fuels should include divesting from lobbyists which play for both sides.
James Browning is the founder of F Minus, a research and advocacy group that tracks the extent to which fossil fuel lobbyists also represent victims of the climate crisis. He is also a writer and game designer, and his novel The Fracking King was named one of the best 100 books of 2014 by Amazon.
"The lobbyists that represent the fossil fuel companies like ExxonMobil, Koch companies, and the American Petroleum Institute, they knew for years that the climate crisis would happen, and they've been telling us that it wouldn't. And right now in every state capital, the lobbyists are doing everything they can to slow the transition from fossil fuel to renewables. The sad fact is, these oil and gas lobbyists will never wake up one morning and say: I am worried about the climate crisis. I'm worried about my children. I am going to cut off ties with these oil and gas companies and stop taking their money. That will never happen. And I'm sad to say this, but it's been a long, long road to try to change their behavior with facts or reason."
https://fminus.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing."
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?
Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.
www.shehanwriter.com
https://wwnorton.com/books/9781324064824
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?
Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.
"The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing."
www.shehanwriter.com
https://wwnorton.com/books/9781324064824
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: David Parry/Booker Prize Foundation
"Climate action has become woven into every aspect of our society. I remember that time so clearly. It wasn't just activists and politicians who were building the future. Artists, creatives, storytellers, actors, and athletes began realizing their part in these movements to shape culture and reach the masses. Entrepreneurs, designers, architects, and poets began to reimagine what our society could look like if we used this great time of crisis as humanity's most unifying moment.
I remember the shows I played and how we transformed those arenas into places of celebration and unity. The idea of being an activist was left behind. We realized that it is within our power as humanity and identity that belongs to all of us. To change the story and to build the world we've always known was possible. The place the world is in is a result of us striking the balance between technology, innovation, culture, and the ancient wisdom and teachings of the original peoples of this earth. Here we are, 10 years after changing everything to redefine our legacy, carried on in flowers and songs."
from Xiuhtezcatl Tonatiuh Martinez’s “To Fight for a Just Climate Is to Fight for Everything That We Love” in Chapter 8: OUR RESISTANCE MUST BE INTERSECTIONAL
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People’s History of the United States in the 21st Century: Documents of Hope and Resistance.
This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future.
Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People’s History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn’s classic book, A People’s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People’s History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey.
Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board.
https://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-century
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
"Death is the imperfection of life. Because life is just a fleeting thing for everyone, for all of us. And so there's no way that a black box AI can know death. So AI can never, in that sense, know life, because every day you walk, you think. Like I was just on my way to do the zoom with you guys, and I just went to grab my bracelet, which was sitting next to my grandmother's picture. And I loved my grandmother. So AI doesn't touch us because we exist on a level of such mortal frailty and mortal cruelty, and mortal love, and hate, and jealousy, and insecurity and freedom and joy and wackiness, and being in the moment that there's no way that when one of my neurotic fellow conspiracy theory New Yorker friends says to me that AI is the end of the world! I'm like, it's just not possible because the world is not that permanent for any of us. This is an impermanent destination that we're on." -Catherine Curtin
Why do we make art? What can the performing arts teach us about how to engage in dialogues to overcome conflict and division?
Our guests today are actress Catherine Curtin and artistic director Kate Mueth. Curtin is known for her roles on Stranger Things, Homeland, and Insecure. She played correctional officer Wanda Bell in Orange Is the New Black, and for this role she was a joint winner of two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series.
Mueth is the Founder and Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls that seeks to deepen and challenge the ways in which audiences experience stories and awaken their human connection. Based in East Hampton, New York they have performed to audiences in America and Europe.
www.imdb.com/name/nm0193160/
www.npcowgirls.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Why do we make art? What can the performing arts teach us about how to engage in dialogues to overcome conflict and division?
Our guests today are actress Catherine Curtin and artistic director Kate Mueth. Curtin is known for her roles on Stranger Things, Homeland, and Insecure. She played correctional officer Wanda Bell in Orange Is the New Black, and for this role she was a joint winner of two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series.
Mueth is the Founder and Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls that seeks to deepen and challenge the ways in which audiences experience stories and awaken their human connection. Based in East Hampton, New York they have performed to audiences in America and Europe.
"Death is the imperfection of life. Because life is just a fleeting thing for everyone, for all of us. And so there's no way that a black box AI can know death. So AI can never, in that sense, know life, because every day you walk, you think. Like I was just on my way to do the zoom with you guys, and I just went to grab my bracelet, which was sitting next to my grandmother's picture. And I loved my grandmother. So AI doesn't touch us because we exist on a level of such mortal frailty and mortal cruelty, and mortal love, and hate, and jealousy, and insecurity and freedom and joy and wackiness, and being in the moment that there's no way that when one of my neurotic fellow conspiracy theory New Yorker friends says to me that AI is the end of the world! I'm like, it's just not possible because the world is not that permanent for any of us. This is an impermanent destination that we're on." -Catherine Curtin
www.imdb.com/name/nm0193160/
www.npcowgirls.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Capitalism is an inherently unsustainable system the way that it is being practiced now. It is an economy that is based on infinite growth, even though we live on a finite planet. What if we measured success based on happiness and based on the health of communities? Based on wealth equity instead of just how rich are the richest people?
So there's always going to be an end game for a growth-based economy. But, of course, that's being largely ignored right now to the detriment of the world around us. It's focused on growth and maximizing corporate profits but at the expense of people and the planet. It exploits workers. It exploits the environment. So we need to reimagine how we approach our economy."
How can we take inspiration from our love for animals to protect wildlife and change the world? How can we take action and start making changes in our lives? What if we measured success based on happiness and on the health of communities?
Stephanie Feldstein leads the Center for Biological Diversity's work to highlight and address threats to endangered species and wild places from runaway human population growth and overconsumption. Previously Stephanie worked for Change.org, where she helped hundreds of people start and win online campaigns to protect wildlife. She has years of experience in organizing, outreach and communications. She is the author of The Animal Lover’s Guide to Changing the World, and the series aimed at young adults Take Action: Save Life on Earth.
https://biologicaldiversity.org/about/staff/#sfeldstein
https://biologicaldiversity.org
www.abebooks.com/9781250153258/Animal-Lovers-Guide-Changing-World-1250153255/plp
https://cherrylakepublishing.com/series/445-take-action-save-life-on-earth
https://takeextinctionoffyourplate.com/
https://endangeredspeciescondoms.com/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How can we take inspiration from our love for animals to protect wildlife and change the world? How can we take action and start making changes in our lives? What if we measured success based on happiness and on the health of communities?
Stephanie Feldstein leads the Center for Biological Diversity's work to highlight and address threats to endangered species and wild places from runaway human population growth and overconsumption. Previously Stephanie worked for Change.org, where she helped hundreds of people start and win online campaigns to protect wildlife. She has years of experience in organizing, outreach and communications. She is the author of The Animal Lover’s Guide to Changing the World, and the series aimed at young adults Take Action: Save Life on Earth.
"Capitalism is an inherently unsustainable system the way that it is being practiced now. It is an economy that is based on infinite growth, even though we live on a finite planet. What if we measured success based on happiness and based on the health of communities? Based on wealth equity instead of just how rich are the richest people?
So there's always going to be an end game for a growth-based economy. But, of course, that's being largely ignored right now to the detriment of the world around us. It's focused on growth and maximizing corporate profits but at the expense of people and the planet. It exploits workers. It exploits the environment. So we need to reimagine how we approach our economy."
https://biologicaldiversity.org/about/staff/#sfeldstein
https://biologicaldiversity.org
www.abebooks.com/9781250153258/Animal-Lovers-Guide-Changing-World-1250153255/plp
https://cherrylakepublishing.com/series/445-take-action-save-life-on-earth
https://takeextinctionoffyourplate.com/
https://endangeredspeciescondoms.com/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji interview renown scholar, activist, and writer Silvia Federici about her powerful and inspiring collection of essays, Re-enchanting the World: Feminism and the Politics of the Commons. These essays, written over the span of several decades, display her abilities to diagnose and indeed predict the most important issues facing us today.
Silvia Federici is a scholar, teacher, and feminist activist based in New York. She is a professor emerita and teaching fellow at Hofstra University in New York State, where she was a social science professor. She also taught at the University of Port Harcourt in Nigeria. In 1972, she co-founded the International Feminist Collective. In 1995, in the course of the campaign to demand the liberation of Mumia Abu-Jamal, she cofounded the Radical Philosophy Association (RPA) anti-death penalty project, an organization intended to help educators become a driving force towards its abolition.
For several decades, Federici has been working in a variety of projects with feminist organizations across the world like Women in Nigeria (WIN), Ni Una Menos, the Argentinian feminist organization; she alsohas been organizing a project with feminist collectives in Spain to reconstruct the history of the women who were persecuted as witches in early modern Europe, and raise consciousness about the contemporary witch-hunts that are taking place across the world.
Federici is considered one of the leading feminist theoreticians in Marxist feminist theory, women’s history, political philosophy, and the history and theory of the commons. Her most famous book, Caliban and the Witch, has been translated in more than 20 foreign languages, and adopted in courses across the U.S. and many other countries. Often described as a counterpoint to Marx’s and Foucault’s account of “primitive accumulation,” Caliban reconstructs the history of capitalism, highlighting the continuity between the capitalist subjugation of women, the slave trade, and the colonization of the Americas. It has been described as the first history of capitalism with women at the center.
"To me, the struggle should not ever be purely an oppositional action but should actually be something constructive. Struggle is also a moment in which you raise your consciousness. You take your consciousness, you express a vision of the world that you want to construct what is being denied. The struggle is at the same time negation and also affirmation of the possibility of another world, another vision. And because of it, the struggle is also transformative. It's not only a wall against your enemies. It is also reshaping the relationship with other people. It's a moment of collective reconstruction. It's a moment of collective solidarity. This, to me, has become a very important element. This is what I've learned from the women's movement. That there's so much of our comfort, when we left the male-dominated organization, had to do not only with the program but also the forms of organizing, the kind of relation that you have with people. It became very, very important to think of the struggle as something much different and far more creative, far more constructive, and this vision of the struggle is also what should attract people to look at the struggle as something in which they want to be, not as another burden, not as another piece of work added to the day-to-day misery and the day in day workload. But actually, something that you look forward to. Going to a meeting has to be something that you look forward to as you go to a party, in the sense that here are the people that you feel connected with. You're building something. You are discovering something."
www.pmpress.org/index.php?l=product_detail&p=961
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
"One of the things we have to do is we have to increase the rate of learning. We are entering into increasingly uncharted territory and not just in terms of climate change, but in many other areas of activity, AI being one of those, of course. And I think what we need to do is we need to find ways to learn more quickly, as a society, as communities, as villagers, as professional groups. And there are advantages of using some of those technologies in terms of accelerating that learning.
We need to be discerning about the technologies we use, and we need to think about the relationships between those technology and social outcomes, environmental outcomes, how to redesign our systems, and how to redesign our governance. So I think there's going to be a need for a lot more thought and creativity in the future."
Our window to adapt to a warming world is narrowing quickly. What it will take to avert the climate crises?
Mark Howden is Director of the Climate Change Institute at The Australian National University and a Vice Chair of the Intergovernmental Panel on Climate Change (IPCC) and a member of the Australian National Climate Science Advisory Committee. He has been a major contributor to the IPCC since 1991, with roles in the Second, Third, Fourth, Fifth and now Sixth Assessment Reports, sharing the 2007 Nobel Peace Prize with other IPCC participants and Al Gore. He was on the US Federal Advisory Committee for the 3rd National Climate Assessment and contributes to several major national and international science and policy advisory bodies. Mark has worked on climate variability, climate change, innovation and adoption issues for over 30 years in partnership with many industry, community and policy groups via both research and science-policy roles.
https://iceds.anu.edu.au/people/academics/professor-mark-howden
https://iceds.anu.edu.au/
www.ipcc.ch
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Our window to adapt to a warming world is narrowing quickly. What it will take to avert the climate crises?
Mark Howden is Director of the Climate Change Institute at The Australian National University and a Vice Chair of the Intergovernmental Panel on Climate Change (IPCC) and a member of the Australian National Climate Science Advisory Committee. He has been a major contributor to the IPCC since 1991, with roles in the Second, Third, Fourth, Fifth and now Sixth Assessment Reports, sharing the 2007 Nobel Peace Prize with other IPCC participants and Al Gore. He was on the US Federal Advisory Committee for the 3rd National Climate Assessment and contributes to several major national and international science and policy advisory bodies. Mark has worked on climate variability, climate change, innovation and adoption issues for over 30 years in partnership with many industry, community and policy groups via both research and science-policy roles.
"One of the things we have to do is we have to increase the rate of learning. We are entering into increasingly uncharted territory and not just in terms of climate change, but in many other areas of activity, AI being one of those, of course. And I think what we need to do is we need to find ways to learn more quickly, as a society, as communities, as villagers, as professional groups. And there are advantages of using some of those technologies in terms of accelerating that learning.
We need to be discerning about the technologies we use, and we need to think about the relationships between those technology and social outcomes, environmental outcomes, how to redesign our systems, and how to redesign our governance. So I think there's going to be a need for a lot more thought and creativity in the future."
https://iceds.anu.edu.au/people/academics/professor-mark-howden
https://iceds.anu.edu.au/
www.ipcc.ch
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Lannon Harley/ANU
"So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations."
How do we connect our personal stories to the big story about the environment? How can we motivate corporations and government to not just aim for profit, but include reporting on their environmental risks and impacts in their balance sheets?
Sue Inches is an advocate, author, and teacher. She has worked in public policy for over 25 years, serving as the Deputy Director of the State Planning Office, and as a Director at the Maine Department of Marine Resources. She is author of Advocating for the Environment: How to Gather Your Power and Take Action, and teaches college and high school workshops on same. Her consulting work focuses on strategic planning, program development, and environmental campaigns.
https://sueinches.com
www.penguinrandomhouse.com/books/670609/advocating-for-the-environment-by-susan-b-inches
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How do we connect our personal stories to the big story about the environment? How can we motivate corporations and government to not just aim for profit, but include reporting on their environmental risks and impacts in their balance sheets?
Sue Inches is an advocate, author, and teacher. She has worked in public policy for over 25 years, serving as the Deputy Director of the State Planning Office, and as a Director at the Maine Department of Marine Resources. She is author of Advocating for the Environment: How to Gather Your Power and Take Action, and teaches college and high school workshops on same. Her consulting work focuses on strategic planning, program development, and environmental campaigns.
"So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations."
https://sueinches.com
www.penguinrandomhouse.com/books/670609/advocating-for-the-environment-by-susan-b-inches
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Benedikt Taschen, like myself, like Arnold, is a man without formal education. Benedikt started his business when he was 18 years old and opened a comic book store. He had been buying and selling trading comic books since the age of 15. He made the money himself to open a comic book store and then went into publishing right after that. And I said, 'Benedikt, when did you have time to go to college?' And he said, 'There was no time. I did not go.' And so people are tempted to call people like Benedikt, to call people like Arnold, to call people like me, self-made. But we are obviously not self-made. We are determined, and we use our determination to bring other people into our dream and our motivation to accomplish what we want. And so Taschen sees in Arnold himself and his own determination he sees in me, himself, and his determination. And so we all come together in that, you know, let's celebrate somebody that most people would not imagine was an art book subject. This has been Taschen all along. Oh, they make sex books. You know, that's not art. Well, Benedikt Taschen said to me at the time when he hired me, and he was trying to hire me since 1994, I said, 'Well, you know, I made porn magazines. Am I going to have to change everything I do to make art books?' And he said, no.
He said, 'I'm hiring you because I like what you do. We make good books. We put good art in our books. We put good sex material in our books. We do not put bad art in our books. We do not put bad sex material in our books. We do it good, and then it's art. And that is what we have done all along.' If you think Arnold is just some muscle guy, well go look in the book. Go see how Annie Leibovitz envisioned him. Go see how Robert Mapplethorpe saw him. Go see how Andy Warhol saw him. Go see how Herb Ritts saw him. He was inspiration for all of these people."
“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGER
Is there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams?
On the publication of Arnold Schwarzenegger’s limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger’s life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold’s private archive and exclusive interviews. Dian’s other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.
www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-edition
www.schwarzenegger.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Taschen.
Photo credit: ARNOLD SCHWARZENEGGER IN VENICE, CALIFORNIA. PHOTO BY ALBERT BUSEK, 1980
“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGER
Is there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams?
On the publication of Arnold Schwarzenegger’s limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger’s life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold’s private archive and exclusive interviews. Dian’s other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.
"Benedikt Taschen, like myself, like Arnold, is a man without formal education. Benedikt started his business when he was 18 years old and opened a comic book store. He had been buying and selling trading comic books since the age of 15. He made the money himself to open a comic book store and then went into publishing right after that. And I said, 'Benedikt, when did you have time to go to college?' And he said, 'There was no time. I did not go.' And so people are tempted to call people like Benedikt, to call people like Arnold, to call people like me, self-made. But we are obviously not self-made. We are determined, and we use our determination to bring other people into our dream and our motivation to accomplish what we want. And so Taschen sees in Arnold himself and his own determination he sees in me, himself, and his determination. And so we all come together in that, you know, let's celebrate somebody that most people would not imagine was an art book subject. This has been Taschen all along. Oh, they make sex books. You know, that's not art. Well, Benedikt Taschen said to me at the time when he hired me, and he was trying to hire me since 1994, I said, 'Well, you know, I made porn magazines. Am I going to have to change everything I do to make art books?' And he said, no.
He said, 'I'm hiring you because I like what you do. We make good books. We put good art in our books. We put good sex material in our books. We do not put bad art in our books. We do not put bad sex material in our books. We do it good, and then it's art. And that is what we have done all along.' If you think Arnold is just some muscle guy, well go look in the book. Go see how Annie Leibovitz envisioned him. Go see how Robert Mapplethorpe saw him. Go see how Andy Warhol saw him. Go see how Herb Ritts saw him. He was inspiration for all of these people."
www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-edition
www.schwarzenegger.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Taschen.
Photo credits:
Cover
Arnold Schwarzenegger for the film End of Days. Sante D'Orazio, 1999
Governor Schwarzenegger with the Lincoln Memorial · Photo by Peter Grigsby, 2009
Arnold Schwarzenegger and Lulu at his Los Angeles home · Photo by Tracy Nguyen, 2021
"When I say 'Make America Great Again', everybody probably cringes and I do too, but we have to learn from that. That is actually how the brain works. It works through being exposed to the repetition of simple, easy-to-understand messages that have an emotional, moral aspect. That's how the brain learns. It doesn't learn from facts. It doesn't learn from figures. It doesn't learn from policy pronouncements. And it certainly doesn't learn from complexity.
Here's an example. People need to be conscious of the difference between internal and external communications. So, if you want to say that you believe in intersectional environmentalism, that's valid within your group. But if you use that in your public communication, no one understands what the hell you mean by that, not at all. Second, you're branding yourself as an other. You're not part of their world. You don't understand them. You have some weird agenda of your own, and you're incomprehensible. I hope my book makes a contribution to helping activists learn the difference between what the communists used to call an internal line and an external line. You know, the communists had a lot of things wrong, but that they were right about.”
How can we effectively communicate that we're moving beyond climate change to a state of climate crisis? The trapped heat energy on Earth is equal to a million Atomic bombs going off every single day. Today we talk to someone who's been mobilizing the public mind for over 50 years.
David Fenton, named “one of the 100 most influential PR people” by PR Week and “the Robin Hood of public relations” by The National Journal, founded Fenton in 1982 to create communications campaigns for the environment, public health, and human rights. For more than five decades he has pioneered the use of PR, social media, and advertising techniques for social change. Fenton started his career as a photojournalist in the late 1960s – his book Shots: An American Photographer’s Journal was published in 2005. He was formerly director of public relations at Rolling Stone magazine and co-producer of the No-Nukes concerts in 1979 at Madison Square Garden with Bruce Springsteen, Bonnie Raitt, James Taylor, Jackson Browne, and other artists. He has also helped create JStreet, Climate Nexus, the Death Penalty Information Center, and Families for a Future. He sold Fenton a few years ago to work on climate change full time. He is the author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator.
https://davidfentonactivist.com
www.simonandschuster.com/books/The-Activists-Media-Handbook/David-Fenton/9781647228668
https://fenton.com
X / twitter @dfenton
IG @dfenton1
facebook.com/davidfentonactivist
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
All photographs © 1968-2022 David Fenton
How can we effectively communicate that we're moving beyond climate change to a state of climate crisis? The trapped heat energy on Earth is equal to a million Atomic bombs going off every single day. Today we talk to someone who's been mobilizing the public mind for over 50 years.
David Fenton, named “one of the 100 most influential PR people” by PR Week and “the Robin Hood of public relations” by The National Journal, founded Fenton in 1982 to create communications campaigns for the environment, public health, and human rights. For more than five decades he has pioneered the use of PR, social media, and advertising techniques for social change. Fenton started his career as a photojournalist in the late 1960s – his book Shots: An American Photographer’s Journal was published in 2005. He was formerly director of public relations at Rolling Stone magazine and co-producer of the No-Nukes concerts in 1979 at Madison Square Garden with Bruce Springsteen, Bonnie Raitt, James Taylor, Jackson Browne, and other artists. He has also helped create JStreet, Climate Nexus, the Death Penalty Information Center, and Families for a Future. He sold Fenton a few years ago to work on climate change full time. He is the author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator.
"When I say 'Make America Great Again', everybody probably cringes and I do too, but we have to learn from that. That is actually how the brain works. It works through being exposed to the repetition of simple, easy-to-understand messages that have an emotional, moral aspect. That's how the brain learns. It doesn't learn from facts. It doesn't learn from figures. It doesn't learn from policy pronouncements. And it certainly doesn't learn from complexity.
Here's an example. People need to be conscious of the difference between internal and external communications. So, if you want to say that you believe in intersectional environmentalism, that's valid within your group. But if you use that in your public communication, no one understands what the hell you mean by that, not at all. Second, you're branding yourself as an other. You're not part of their world. You don't understand them. You have some weird agenda of your own, and you're incomprehensible. I hope my book makes a contribution to helping activists learn the difference between what the communists used to call an internal line and an external line. You know, the communists had a lot of things wrong, but that they were right about.”
https://davidfentonactivist.com
www.simonandschuster.com/books/The-Activists-Media-Handbook/David-Fenton/9781647228668
https://fenton.com
X / twitter @dfenton
IG @dfenton1
facebook.com/davidfentonactivist
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
All photographs © 1968-2022 David Fenton
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Jennifer Jacquet, who is an Associate Professor in the Department of Environmental Studies and Director of XE: Experimental Humanities and Social Engagement at NYU. She is also deputy director of NYU's Center for Environmental and Animal Protection. Her research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. Among other things, we learn how corporations create an arsenal of experts and pseudo-experts at prestigious universities to create misinformation and disinformation for corporate profit, and at great cost to the public. At the end, we make the case for a partnership between the sciences and the humanities to fight such lies and violence.
Jennifer Jacquet’s research focuses on animals and the environment, Agnotology, and attribution and responsibility in the Anthropocene. She is author of The: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World (Pantheon/Penguin, 2022)-- a work of 'epistolary non-fiction' that makes the business case for scientific denial. She also wrote Is Shame Necessary? (Pantheon/Penguin, 2015) about the evolution, function, and future of the use of social disapproval in a globalized, digitized world. She is the recipient of a 2015 Alfred P. Sloan research fellowship and a 2016 Pew Fellowship in Marine Conservation.
https://jenniferjacquet.com
https://as.nyu.edu/faculty/jennifer-jacquet.html
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?
In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.
"This is a book I wish existed 20 years ago. I would have led an easier life if it had. I want you to have what I always wanted. Here is an anthology that gives us modes to try on the way we might wear and change clothing. And these wonderful writers are proof that nothing ever beat a failure but a try.
In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done."
www.jerichobrown.com
www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
The lone wolf is actually alone because it's looking for connection. They leave in order to find a mate and form their own pack. If loneliness is an epidemic, what can wolves teach us about loneliness, courage, and connection?
Erica Berry is the author of Wolfish: Wolf, Self, and the Stories We Tell About Fear. Her essays in journalism appear in Outside, Wired, The Yale Review, The Guardian, Literary Hub, The New York Times Magazine, The Atlantic, and Guernica, among other publications. Berry has taught workshops for teenagers and adults at Literary Arts, the Sitka Center for Art and Ecology, the New York Times Student Journeys in Oxford Academia.
"And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities."
www.ericaberry.com
https://us.macmillan.com/books/9781250882264/wolfish
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo by Andrea Lonas
"I think I would like young people to preserve everything. I think so much of historical work is going back and trying to piece together the things that have not been preserved. And so even with biodiversity and the planet, I think we should try to have less impact on our surroundings and more impact on each other. There's less and less investment in the humanities, and that really saddens me. I think art is important because it's something that we do as humans that has no purpose beyond how it makes us feel.
And something like that is valuable because it is hard and because it is directed at other people. The making of art, the consumption of art, I think is what makes us human as opposed to animals. If we are going to draw that line, I think that's where it is. And I think the purpose of artists is to preserve the feeling of being alive and to communicate that to others."
How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?
Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.
https://twotreeforest.com
www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Little, Brown and Company & Tom Lin
How can we retell the story of America? In the United States of Amnesia, why does the Western celebrate cowboys but not all people who built this country? What does a Chinese-American hero look like in the 21st Century?
Tom Lin is an American writer whose 2021 debut novel The Thousand Crimes of Ming Tsu chronicles the story of a Chinese American outlaw seeking revenge during America's railroad boom. The book won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making Lin the youngest Carnegie winner in the prize’s history. Tom Lin is currently pursuing an English doctorate at the University of California Davis.
"I think I would like young people to preserve everything. I think so much of historical work is going back and trying to piece together the things that have not been preserved. And so even with biodiversity and the planet, I think we should try to have less impact on our surroundings and more impact on each other. There's less and less investment in the humanities, and that really saddens me. I think art is important because it's something that we do as humans that has no purpose beyond how it makes us feel.
And something like that is valuable because it is hard and because it is directed at other people. The making of art, the consumption of art, I think is what makes us human as opposed to animals. If we are going to draw that line, I think that's where it is. And I think the purpose of artists is to preserve the feeling of being alive and to communicate that to others."
https://twotreeforest.com
www.hachettebookgroup.com/titles/tom-lin/the-thousand-crimes-of-ming-tsu/9780316542173/?lens=little-brown
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Little, Brown and Company & Tom Lin
"Economic growth in particular areas, when it comes to developed countries, economic growth in the US does nothing for the average person. It doesn't improve their health, doesn't improve their circumstances, doesn't improve their education. It just goes to the top 1%."
Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society?
Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts.
www.geog.ucl.ac.uk/people/academic-staff/mark-maslin
www.penguin.co.uk/books/320155/how-to-save-our-planet-by-maslin-mark/9780241472521
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Image courtesy of Mark Maslin
Can we imagine a world where we leave half the earth to the natural environment and use the other half for ourselves? Can we change history and protect the Indigenous, the vulnerable, and the very poorest in society?
Mark Maslin is a Professor of Earth System Science at University College London. Maslin is a leading expert in understanding the anthropocene and how it relates to the major challenges facing humanity in the 21st century. He has written a number of books on the issue of climate change, his most book is How to Save Our Planet: The Facts.
"Economic growth in particular areas, when it comes to developed countries, economic growth in the US does nothing for the average person. It doesn't improve their health, doesn't improve their circumstances, doesn't improve their education. It just goes to the top 1%."
www.geog.ucl.ac.uk/people/academic-staff/mark-maslin
www.penguin.co.uk/books/320155/how-to-save-our-planet-by-maslin-mark/9780241472521
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
All images courtesy of Mark Maslin
"Limitations are the greatest, greatest tools for advancing something. And that's where a narrative for me works very well. It acts like a kind of nautical map. I know where I'm going, and I know if I've gone way off course and I shouldn't be there because I look back at the limitations I've set for myself based on the stories within it.
One of our great British artists is Brian Eno, and he spoke a lot about limitations. I had the great joy of having a conversation. We ended up chatting for a couple of hours and he said, 'Oh, I want to show you something. I want to show you my library, and this tool I've created!' His Sonic Library, which is decades of audio material. (I have something similar. I call it an orphanage of sound. These files and folders that will eventually find a home.) But he's created a piece of software using algorithms that will at random pull out sounds and play them. And he can set certain parameters: I want a string sound to be here. And I'd like some bass sounds to come in. And I'd like some drum sounds, but it's just choosing these layers and playing them all at the same time. Again, a bit like the cacophony of birdsong. It's a bit of a mess initially, but then you can edit, and you start to refine. And in those limitations that have come out of this tool - and this is the point I guess I'm trying to make - is that it can be used as a tool to set limits or to burst limits. Or to mix things up. Out of that editing process, you can output something that to your ear sounds good to somebody else's ear."
How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic?
Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found.
www.erlandcooper.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic?
Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found.
"Limitations are the greatest, greatest tools for advancing something. And that's where a narrative for me works very well. It acts like a kind of nautical map. I know where I'm going, and I know if I've gone way off course and I shouldn't be there because I look back at the limitations I've set for myself based on the stories within it.
One of our great British artists is Brian Eno, and he spoke a lot about limitations. I had the great joy of having a conversation. We ended up chatting for a couple of hours and he said, 'Oh, I want to show you something. I want to show you my library, and this tool I've created!' His Sonic Library, which is decades of audio material. (I have something similar. I call it an orphanage of sound. These files and folders that will eventually find a home.) But he's created a piece of software using algorithms that will at random pull out sounds and play them. And he can set certain parameters: I want a string sound to be here. And I'd like some bass sounds to come in. And I'd like some drum sounds, but it's just choosing these layers and playing them all at the same time. Again, a bit like the cacophony of birdsong. It's a bit of a mess initially, but then you can edit, and you start to refine. And in those limitations that have come out of this tool - and this is the point I guess I'm trying to make - is that it can be used as a tool to set limits or to burst limits. Or to mix things up. Out of that editing process, you can output something that to your ear sounds good to somebody else's ear."
www.erlandcooper.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo by Alex Kozobolis
"We feel a great responsibility in that we train the citizens for the future. We train the leaders for the future. And SciencesPo is a unique institution in many ways. And one of those is it plays a disproportionately important role in training the social, political, and business elites in France. In no other country, do you have just one single institution which is so important for training the political elite. And that's why we feel a great responsibility. That's why we always ask ourselves what else we can do to make sure that people who will run this country 20 years later actually know what they are supposed to do?
And we make sure that our student body is diverse. So we don't have this disconnect between elites and the others, but we also think about the subjects. So we teach more and more about environmental transformation. On digital transformation, we have special research programs on discrimination inequalities, and we teach courses on this. And of course, we also involve a highly international faculty and student body. This is, again, something that is a part of my strategy as a provost. We need to recruit more international faculty because we already have internationalized our student body. We have about half of SciencesPo students who are either international or binational. So this is also an important part of our strategy to become not just an institution in France, but also an institution for the whole world because of all these issues: climate change, digital transformation, inequalities, geopolitics, and crisis. These are all global issues that have to be addressed not by one country, but by the international community."
What is a spin dictator? What does tyranny look like in the 21st century? Why is populism on the rise? And how do we reinvent democracy?
Sergei Guriev is the co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century. Guriev is Provost and a professor of economics and at Sciences Po in Paris. He is a former Chief Economist of the European Bank for Reconstruction and Development, London, and a former Rector of the New Economic School in Moscow in 2004-13.
https://sites.google.com/site/sguriev/
https://spindictators.com/
www.sciencespo.fr/department-economics/en/researcher/sergei-guriev.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is a spin dictator? What does tyranny look like in the 21st century? Why is populism on the rise? And how do we reinvent democracy?
Sergei Guriev is the co-author of Spin Dictators: The Changing Face of Tyranny in the 21st Century. Guriev is Provost and a professor of economics and at Sciences Po in Paris. He is a former Chief Economist of the European Bank for Reconstruction and Development, London, and a former Rector of the New Economic School in Moscow in 2004-13.
"We feel a great responsibility in that we train the citizens for the future. We train the leaders for the future. And SciencesPo is a unique institution in many ways. And one of those is it plays a disproportionately important role in training the social, political, and business elites in France. In no other country, do you have just one single institution which is so important for training the political elite. And that's why we feel a great responsibility. That's why we always ask ourselves what else we can do to make sure that people who will run this country 20 years later actually know what they are supposed to do?
And we make sure that our student body is diverse. So we don't have this disconnect between elites and the others, but we also think about the subjects. So we teach more and more about environmental transformation. On digital transformation, we have special research programs on discrimination inequalities, and we teach courses on this. And of course, we also involve a highly international faculty and student body. This is, again, something that is a part of my strategy as a provost. We need to recruit more international faculty because we already have internationalized our student body. We have about half of SciencesPo students who are either international or binational. So this is also an important part of our strategy to become not just an institution in France, but also an institution for the whole world because of all these issues: climate change, digital transformation, inequalities, geopolitics, and crisis. These are all global issues that have to be addressed not by one country, but by the international community."
https://sites.google.com/site/sguriev/
https://spindictators.com/
www.sciencespo.fr/department-economics/en/researcher/sergei-guriev.html
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life?
Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world.
"I just think we need to protect these areas. We have to feel for them. We have to understand them. And we have to feel that connection. So I would certainly encourage as many people as possible to learn to dive, to learn to snorkel and to really be in the moment, be in the space, in order to foster that empathy for the marine world. For me, it's one of the most beautiful, spiritual, and diverse places on the planet. And it's so little understood, but it's changing.
We actually have some new works which have scientific monitoring devices in them. They actually have little sensors in them that monitor temperature and salinity and other factors. And they can be removed and then scanned. And all that data can then be downloaded to also monitor how the works are. I just completed a big project in Australia which just opened on World Ocean's Day. And one of the main pieces there is this piece called The Ocean Siren. And it is a young indigenous woman who is standing on the coastline, and she's actually attached to a weather station connected via a satellite link to a weather station out on the Great Barrier Reef. And that feeds data back to her. And then there's a solar array that changes a series of LEDs on her skin. So she changes red and orange color when there are prolonged spikes in temperature that could indicate coral bleaching. And then when the water is cooler, she obviously comes back down to a cooler blue or green color."
www.underwatersculpture.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life?
Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world.
"I just think we need to protect these areas. We have to feel for them. We have to understand them. And we have to feel that connection. So I would certainly encourage as many people as possible to learn to dive, to learn to snorkel and to really be in the moment, be in the space, in order to foster that empathy for the marine world. For me, it's one of the most beautiful, spiritual, and diverse places on the planet. And it's so little understood, but it's changing.
We actually have some new works which have scientific monitoring devices in them. They actually have little sensors in them that monitor temperature and salinity and other factors. And they can be removed and then scanned. And all that data can then be downloaded to also monitor how the works are. I just completed a big project in Australia which just opened on World Ocean's Day. And one of the main pieces there is this piece called The Ocean Siren. And it is a young indigenous woman who is standing on the coastline, and she's actually attached to a weather station connected via a satellite link to a weather station out on the Great Barrier Reef. And that feeds data back to her. And then there's a solar array that changes a series of LEDs on her skin. So she changes red and orange color when there are prolonged spikes in temperature that could indicate coral bleaching. And then when the water is cooler, she obviously comes back down to a cooler blue or green color."
www.underwatersculpture.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Oysters are incredible beasts. You know, dolphins have cute eyes. Marine mammals, we have a natural affinity with them. How do you engage with a shelled introvert that hides away its entire life? But if we think about them as an organism, they are quite fascinating. A real character of the sea. So part of the reproductive process for the oyster that I work on are what we call sequential hermaphrodites. That means that they can switch between male and female almost on a daily basis. When you open them up, you can actually sometimes see egg and sperm next to each other. Incredibly dynamic organisms. They redefine, in many ways, how we think about sexuality. It's far more fluid with oysters. One of the amazing things about them though is that they were forming these reefs since before the time of the dinosaurs.
We've lost something like 85% of oyster reefs globally.We've been using healthy marine sounds with underwater speakers to attract oysters to these reefs. So when the historical native habitat was lost, it also lost the sound that was associated with those reefs, that sound created by the millions of animals that live in that complex habitat.
Now there's recognition that anthropogenic noise, noise from shipping and motorboats, and other urban noise is masking the natural sounds of the sea and dominating the soundscape as we call it. We're hoping that we can counteract some of those negative impacts of anthropogenic noise by playing healthy marine sounds."
We have lost around 85% of oyster reefs. That’s not only the loss of oysters but also the habitat they provide other marine animals and plants. Oysters are amazing, not only do some create pearls but as sequential hermaphrodites, they can switch between male and female almost on a daily basis.
Dr. Dominic McAfee is a researcher at the University of Adelaide in Australia. His work centers around restoring lost marine ecosystems, specifically shellfish reefs. Along with employing novel technology and reef restoration projects, he seeks to understand how oysters enhance the resilience and function of coastal ecosystems. He seeks to develop conservation messaging strategies that enhance public engagement via conservation optimism.
https://researchers.adelaide.edu.au/profile/dominic.mcafee
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
We have lost around 85% of oyster reefs. That’s not only the loss of oysters but also the habitat they provide other marine animals and plants. Oysters are amazing, not only do some create pearls but as sequential hermaphrodites, they can switch between male and female almost on a daily basis.
Dr. Dominic McAfee is a researcher at the University of Adelaide in Australia. His work centers around restoring lost marine ecosystems, specifically shellfish reefs. Along with employing novel technology and reef restoration projects, he seeks to understand how oysters enhance the resilience and function of coastal ecosystems. He seeks to develop conservation messaging strategies that enhance public engagement via conservation optimism.
"Oysters are incredible beasts. You know, dolphins have cute eyes. Marine mammals, we have a natural affinity with them. How do you engage with a shelled introvert that hides away its entire life? But if we think about them as an organism, they are quite fascinating. A real character of the sea. So part of the reproductive process for the oyster that I work on are what we call sequential hermaphrodites. That means that they can switch between male and female almost on a daily basis. When you open them up, you can actually sometimes see egg and sperm next to each other. Incredibly dynamic organisms. They redefine, in many ways, how we think about sexuality. It's far more fluid with oysters. One of the amazing things about them though is that they were forming these reefs since before the time of the dinosaurs.
We've lost something like 85% of oyster reefs globally.We've been using healthy marine sounds with underwater speakers to attract oysters to these reefs. So when the historical native habitat was lost, it also lost the sound that was associated with those reefs, that sound created by the millions of animals that live in that complex habitat.
Now there's recognition that anthropogenic noise, noise from shipping and motorboats, and other urban noise is masking the natural sounds of the sea and dominating the soundscape as we call it. We're hoping that we can counteract some of those negative impacts of anthropogenic noise by playing healthy marine sounds."
https://researchers.adelaide.edu.au/profile/dominic.mcafee
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is the role of music in cinema and why it is such an important part of the storytelling process? How does music increase our capacity for empathy and wonder?
Fabrizio Mancinelli is an Italian-American composer, songwriter, and conductor, best known for his musical contributions to the world of cinema. As a songwriter, he has created original scores for The Land of Dreams,The Snow Queen 3, The Boat, and the upcoming animated drama Mushka, among others. In 2017, he led the orchestral recording for the Academy Award-winning Green Book, and he recently scored the documentary Food 2050, which premiered at the UN Climate Change Conference in 2022.
"And here I have to recall a conversation I had with one of my mentors, Luis Bacalov, who won the Oscar for the movie Il Postino, one of the biggest film composers of the 20th century and a great music arranger. He told me that he always has music in his brain, and I always had music in my brain as well. It's always there in the background. I would be concerned if there was no music for one day or even for one minute. Silence is a different kind of sound for me in the difference when I write music. Silence, a rest, is as important as a note because it prepares us for something else. It's part of the music. There is a difference between relative silence, which I put in the music, and absolute silence, which I fear."
https://fabriziomancinelli.us
www.instagram.com/fabmancinelli
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What is the path to peace for the war in Ukraine? Is America still powerful enough to impose global order? The US has just 4.1% of the world's population, while the BRICS countries have 41.5%. In this conversation with economist Jeffrey Sachs, we discuss the origins of the conflict in Ukraine and NATO enlargement, US-China relations, and the decline of US dominance.
Jeffrey Sachs is Director of the Center for Sustainable Development at Columbia University and President of the UN Sustainable Development Solutions Network, Sachs has been Special Advisor to three United Nations Secretaries-General. He was an economic adviser to Gorbachev, Yeltsin, and Former President of Ukraine, Leonid Kuchma. Sachs was twice named among Time magazine’s 100 most influential world leaders, received the Tang Prize in Sustainable Development, the Legion of Honor from France, and was co-recipient of the Blue Planet Prize. He is Co-Chair of the Council of Engineers for the Energy Transition, and academician of the Pontifical Academy of Social Sciences at the Vatican.
Sachs has authored and edited numerous books, including three New York Times bestsellers: The End of Poverty (2005), Common Wealth: Economics for a Crowded Planet (2008), and The Price of Civilization (2011).
"The US has militarized the dollar. Meaning that usually, you think about money, well, you have it, you can use it, you can spend it. But the United States has come to say: if we don't like you, you don't necessarily have access to your money anymore if it's in our banks. So the US froze the dollar holdings of Russia. The US has frozen the dollar holdings of Venezuela. The US froze the dollar holdings of Afghanistan. My advice to any government that's not getting along with the US government is be careful about your money because the US might come in and freeze your money. And so countries are looking to hold their reserves in other ways now. Perfectly understandable. And I think that this is another part of the move to an international system from a dollar-based international system."
www.jeffsachs.org
https://sdgacademy.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Richard Vevers is the Founder and CEO of The Ocean Agency. He is a fellow of The Explorers Club and an Adjunct Professor at the University of Rhode Island. He is best known for his leading role in the Emmy Award-winning documentary Chasing Coral on Netflix and his work has been featured in numerous publications and documentaries. Before diving into ocean and coral reef conservation, Vevers worked at some of the top London advertising agencies and then as an artist and underwater photographer. This background guides his unique creative and business-thinking approach to ocean conservation that includes inventing the camera that took Google Street View underwater, pioneering virtual reality ocean education, currently available to over 90 million kids, leading the most comprehensive underwater photographic survey of the world’s coral reefs, and developing a science-based global plan 50 Reefs.
"People just forget the importance of the ocean. It controls the climate system and sustains life. For example, there are 20 billion carbon-capturing sea creatures for every human being. They are sucking carbon out of the system and pooping it to the ocean floor. And this is one of the solutions happening on an epic scale in the ocean. And there are so many other examples like that. And if you think about our bodies, we're 60% water. And that water was once in the ocean with fish swimming through it."
www.theoceanagency.org
www.50reefs.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Happy World Oceans Day! Today we’re streaming voices of environmentalists and artists with music courtesy of composer, producer and multi-instrumentalist Erland Cooper.
Voices on this episode are
GIULIO BOCCALETTI
Author of Water, A Biography
Natural Resource Security & Environmental Sustainability Expert
Chief Strategy Officer 2016–2020, The Nature Conservancy
PAULA PINHO
Director of Just Transition at the European Commission Directorate-General for Energy
RON GONEN
Founder & CEO of Closed Loop Partners
Fmr. Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC
MARCIA DESANCTIS
Journalist, Essayist,
Author of A Hard Place to Leave: Stories from a Restless Life
JEAN WEINER
Goldman Environmental Prize Winner
Founder of Fondation pour la Protection de la Biodiversité Marine, Haiti
DERRICK EMSLEY
Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co.
DR. FARHANA SULTANA
Co-author: Water Politics: Governance, Justice & the Right to Water
Fmr. UNDP Programme Officer, United Nations Development Programme
NEIL GRIMMER
Brand President of SOURCE Global · Innovator of the SOURCE Hydropanel: Drinking Water Made from Sunlight and Air
ALAN JACOBSEN
Director of Photography
Emmy & Sundance Special Jury Award-Winning & Oscar Nominated Documentaries
RICHARD VEVERS
Founder & CEO of The Ocean Agency
BRIAN WILCOX
Chief Engineer & Co-founder of Marine BioEnergy
Grows Kelp in the Ocean to Provide Carbon-neutral Fuels
SETH M. SIEGEL
Entrepreneur, Public Speaker & NYTimes Bestselling Author
Let There Be Water: Israel’s Solution for a Water-Starved World
Troubled Water: What's Wrong with What We Drink
JOELLE GERGIS
Lead Author of the IPCC Sixth Assessment Report, Author of Humanity’s Moment
JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast
ROB BILOTT
Environmental Lawyer, Partner Taft Stettinius & Hollister LLP
Author of Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPont
JILL HEINERTH
Explorer, Presenter, Author of Into The Planet: My Life as a Cave Diver
OSPREY ORIELLE LAKE
Founder & Executive Director of the Women's Earth & Climate Action Network International
Author of Uprisings for the Earth: Reconnecting Culture with Nature & Artist
JESS WILBER
International Outreach Citizens’ Climate Lobby
Coordinator, Senior Stewards Acting for the Environment
BERTRAND PICCARD
Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation
IBRAHIM ALHUSSEINI
Founder & CEO of FullCycle Fund
GARY GRIGGS
Global Oceans Hero Award-Winner · Distinguished Professor of Earth Sciences
Director Institute of Marine Sciences at UC Santa Cruz 1991 to 2017
Sample Credits:
BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited.
BBC News Excerpt, Public broadcast, 19th July. Fair usage, courtesy Simon Gurney, BBC Studios Limited.
UN Broadcast Excerpt, Greta Thunberg, Young Climate Activist at the Opening of the Climate Action Summit 2019, United Nations license 24 October 2022.
CBS News Excerpt 1970. Fair usage, archive courtesy Leah Hodge, CBS
www.erlandcooper.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Artworks by Mia Funk www.miafunk.com
Music from Folded Landscapes courtesy of Erland Cooper and Universal Music Enterprises.
"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."
Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.
www.thecircularway.com
http://danishdesigncouncil.dk/en
www.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.
"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."
www.thecircularway.com
http://danishdesigncouncil.dk/en
www.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace.
"So we tend to take living for granted. I think that might be the biggest limitation of human intelligence is to not understand with awe and reverence and love that we live in a miracle that we are part of and that we have the ability to either nurture or destroy.
The living world is enormously enriching to human life. I just loved animals. They're always just totally fascinating. They're not here for us. They're just here like we're just here. They are of this world as much as we are of this world. They really have the same claim to life and death and the circle of being."
www.safinacenter.org
www.carlsafina.org
www.oneplanetpodcast.org
www.creativeprocess.info
IG www.instagram.com/creativeprocesspodcast
Photo: Carl Safina in Uganda
"Social media is basically built around: Oh, so this is what you think of the world? Well, here are some people who think just the way you do. Listen to them and no one else. So, that is, of course, a great way to manipulate people. Tell them that they're right and have them go off in their own little bubble.
If I meet you in the street, I will put on a certain demeanor. I will smile. I say hi. I want to elicit a positive response from you. That also means that I have influenced your emotional state. Basically, you can't communicate anything to anyone without in some way influencing their thoughts or their behavior. Communication, influence, and manipulation, it's all part of the package. Our brains are hardwired to react to this. That's why marketing works so well."
Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic.
https://henrikfexeus.se/en/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Henrik Fexeus is an internationally bestselling author, lecturer, performer, and star of the TV show Mind Melt. An expert in psychology and communications, he travels the world "reading minds" and teaching others how to understand and manipulate human behavior through body language and persuasion. Henrik has studied mental skills like NLP, hypnosis, acting, and magic.
"Social media is basically built around: Oh, so this is what you think of the world? Well, here are some people who think just the way you do. Listen to them and no one else. So, that is, of course, a great way to manipulate people. Tell them that they're right and have them go off in their own little bubble.
If I meet you in the street, I will put on a certain demeanor. I will smile. I say hi. I want to elicit a positive response from you. That also means that I have influenced your emotional state. Basically, you can't communicate anything to anyone without in some way influencing their thoughts or their behavior. Communication, influence, and manipulation, it's all part of the package. Our brains are hardwired to react to this. That's why marketing works so well."
https://henrikfexeus.se/en/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Pablo Hoffman has always been passionate about plants and natural ecosystems, with special appreciation for research and dissemination with practical results for the production and conservation of native species. Pablo graduated in Forestry at the Federal University of Paraná (UFPR) 2002, had his Master’s in Forestry – UFPR 2014, currently he is a PhD candidate in Forestry. One of the Founders of the Sociedade Chauá, Pablo has been a board member since 2008. Currently is the Executive Director as well Coordinator of the Chauá Nursery of native species. A specialist in conservation, propagation and restoration of rare and endangered species of the Araucaria Forest, whose projects are locally and internationally recognized. As a result of Sociedade’s Chauá efforts to save endangered plant species Pablo was awarded the Marsh Award (2018), Whitley Award (2022), and Guardians of Nature (2022). As a life choice, working with conservation of rare and endangered plant species is the lifeblood of his personal and professional aspirations, to leave a positive legacy for the next generations, keeping the ecosystems alive with humans as part of it.
“We're trying to do a nice thing to save species, but the problem is not ours. I mean it's ours as well, but the problem is a state problem or a countrywide problem. Everybody needs to see this. And also the communication about what we are doing. How hard what we are doing is in terms of even finding these species, and finding funds to keep on going.
Almost 20 years of working with species conservation in a country like Brazil is quite difficult. It's like almost like a miracle that we are still here and keep on going. One of the questions of the Princess was: are you still doing the same? Are you still fighting for this? And she said it because normally people give up. And this is my life. This is my life. I want to leave a legacy, in terms of trying to do something to save this ecosystem, to save the species to make sure that my daughter can see some of the species in the future, and not only my daughter. So that people in the future can see, can discover more species, and can use the species."
www.sociedadechaua.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think it's led to a focus on success and standing out, and I do think that the more young people can walk away with an understanding that perhaps the best thing they can do in life is actually contribute to the lives of others, that's probably where they're going to get most of their happiness from and most of their fulfillment from. And the rest is probably a little bit hollow. You know, money doesn't really buy happiness. I mean, it certainly buys comfort, and we do know some money is very important for that. But you do need to feel connected to other people, and you can't whilst consuming and even promoting ourselves on social media. Or playing the popularity game or aiming to be famous. That seems to be a value that a lot of young people have these days, but I don't think that it's going to breed happiness. And so being able to really identify what the values are that are going to make us happy, that are going to connect us to meaning and purpose in other people and that will actually contribute to a better world for all of us, I think would be great. And I think there's competition and space for young people's minds at the moment. So if we can get them on board with some of those values and approaches to life, I think the future generations would probably be better off."
Brock Bastian is author of The Other Side of Happiness: Embracing a More Fearless Approach to Living and a professor at University of Melbourne’s School of Psychological Sciences. His research and writing focus on pain, happiness, morality, and wellbeing. In his search for a new perspective on what makes for the good life, Bastian has studied why promoting happiness may have paradoxical effects; why we need negative and painful experiences in life to build meaning, purpose, resilience, and ultimately greater fulfilment in life; and why behavioural ethics is necessary for understanding how we reason about personal and social issues and resolve conflicts of interest.
www.brockbastian.com
www.abebooks.com/9780141982106/Side-Happiness-Embracing-Fearless-Approach-0141982101/plp
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Brock Bastian is author of The Other Side of Happiness: Embracing a More Fearless Approach to Living and a professor at University of Melbourne’s School of Psychological Sciences. His research and writing focus on pain, happiness, morality, and wellbeing. In his search for a new perspective on what makes for the good life, Bastian has studied why promoting happiness may have paradoxical effects; why we need negative and painful experiences in life to build meaning, purpose, resilience, and ultimately greater fulfilment in life; and why behavioural ethics is necessary for understanding how we reason about personal and social issues and resolve conflicts of interest.
"I think it's led to a focus on success and standing out, and I do think that the more young people can walk away with an understanding that perhaps the best thing they can do in life is actually contribute to the lives of others, that's probably where they're going to get most of their happiness from and most of their fulfillment from. And the rest is probably a little bit hollow. You know, money doesn't really buy happiness. I mean, it certainly buys comfort, and we do know some money is very important for that. But you do need to feel connected to other people, and you can't whilst consuming and even promoting ourselves on social media. Or playing the popularity game or aiming to be famous. That seems to be a value that a lot of young people have these days, but I don't think that it's going to breed happiness. And so being able to really identify what the values are that are going to make us happy, that are going to connect us to meaning and purpose in other people and that will actually contribute to a better world for all of us, I think would be great. And I think there's competition and space for young people's minds at the moment. So if we can get them on board with some of those values and approaches to life, I think the future generations would probably be better off."
www.brockbastian.com
www.abebooks.com/9780141982106/Side-Happiness-Embracing-Fearless-Approach-0141982101/plp
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“Your time is the time of the people you know and love, the time that molds you. And your time is also the time of the people you will know and love. The time that you will shape."
“Glaciers are frozen manuscripts that tell stories just like tree circles and sedimentary deposits; from them, you can gather information and create a picture of the past. Glaciers store histories of volcanic activity. They store pollen, rainwater and air that reveal the chemical make-up of the atmosphere tens of thousands of years back in time. They are important sources of details about vegetation and precipitation of the past.”
“We do not see fire; we rarely see coal or oil. We’re frequent flyers but we have no idea about the size of the bonfire that could be ignited with 20 tons of jet fuel. We buy our airline tickets online but we never have to check in the oil barrels that will carry us out into the world. Take the time I went to a two-day poetry festival in Lithuania, a journey of around 1,750 miles, the same distance as Chicago to Los Angeles. A barrel of oil holds about 42 gallons, so a single airline passenger burns through about three-quarters of a barrel on such a flight: up to one gallon every 60 miles.”
― Andri Snær Magnason, On Time and Water
Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water.
www.andrimagnason.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Andri Snær Magnason is an award winning author of On Time and Water, The Casket of Time, LoveStar, Dreamland and The Story of the Blue Planet. His work has been published in more than 35 languages. He has a written in most genres, novels, poetry, plays, short stories, non fiction as well as being a documentary film maker. His novel, LoveStar got a Philip K. Dick Special Citation, and the Grand Prix de l’Imaginaire in France and “Novel of the year” in Iceland. The Story of the Blue Planet, was the first children’s book to receive the Icelandic Literary Award and has been published or performed in 35 countries. The Blue Planet received the Janusz Korczak Honorary Award in Poland 2000, the UKLA Award in the UK and Children's book of the Year in China. His book – Dreamland – a Self Help Manual for a Frightened Nation takes on these issues and has sold more than 20.000 copies in Iceland. He co directed Dreamland - a feature length documentary film based on the book. Footage from Dreamland and an interview with Andri can be seen in the Oscar Award-winning documentary Inside Job by Charles Ferguson. His most recent book, Tímakistan, the Time Casket has now been published in more than 10 languages, was nominated as the best fantasy book in Finland 2016 with authors like Ursula K. le Guin and David Mitchell. In English six books are currently available: Bónus Poetry, The Story of The Blue Planet, LoveStar, Dreamland and The Casket of Time, (Tímakistan) and On Time and Water.
“Your time is the time of the people you know and love, the time that molds you. And your time is also the time of the people you will know and love. The time that you will shape."
“Glaciers are frozen manuscripts that tell stories just like tree circles and sedimentary deposits; from them, you can gather information and create a picture of the past. Glaciers store histories of volcanic activity. They store pollen, rainwater and air that reveal the chemical make-up of the atmosphere tens of thousands of years back in time. They are important sources of details about vegetation and precipitation of the past.”
“We do not see fire; we rarely see coal or oil. We’re frequent flyers but we have no idea about the size of the bonfire that could be ignited with 20 tons of jet fuel. We buy our airline tickets online but we never have to check in the oil barrels that will carry us out into the world. Take the time I went to a two-day poetry festival in Lithuania, a journey of around 1,750 miles, the same distance as Chicago to Los Angeles. A barrel of oil holds about 42 gallons, so a single airline passenger burns through about three-quarters of a barrel on such a flight: up to one gallon every 60 miles.”
― Andri Snær Magnason, On Time and Water
www.andrimagnason.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation.
One of my teammates was asking a young boy "What would you like to be when you grow up?" And he pointed at me and said, "That's what I want to be." When I started as a female doing conservation and going to these communities, at that time I was disrespected and really looked down on for being out there doing what I was doing. Like it's either "You're not married. You don't have children. What are you doing in the middle of the forest looking for monkeys?" So to have a young man look up to a woman as a role model, especially in an African society, it's an experience that will live with me forever because I realize that not only are we bringing species back from the brink of extinction, but we are changing the way society thinks. And it makes me glad that I've been persistent. We saw that in real life how a community can be transformed to the point that an entire community has become conservation champions. So knowing that people can turn 180 and really become the protectors of the same species they tried to wipe out."
Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist.
She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country.
Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities.
https://swnigerdeltaforestproject.org.ng
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Rachel Ashegbofeh Ikemeh is a Whitley Award-winning conservationist and Founder/Director at the Southwest Niger Delta Forest Project, a grassroots-focused conservation initiative that has been dedicated to the protection of fragile wildlife populations and habitat across her project sites in Africa’s most populous nation. Rachel won the award in 2020 for her work on chimpanzee populations in Nigeria and is aiming to secure 20% of chimpanzee habitat in Southwest Nigeria. She is also the winner of the National Geographic Society Buffet Awards for Conservaton Leadership in Africa, a Tusk Conservation Awards Finalist.
She works to protect some of the most highly threatened forest habitats and primate populations in southern Nigeria. For example, Rachel’s determined efforts has helped to bring back a species from the brink of extinction – the rare and critically endangered Niger Delta red colobus monkey, also, considered one of 25 most endangered primates in the world. She has helped to establish two protected areas and have also taken on the management of these PAs to restore habitats in these very highly threatened ecosystems which are also areas of high-security risks in the country.
Rachel is the Co-Vice Chair for the IUCN/SSC Primate Specialist Group African Section and Member of the International Primatological Society (IPS) education committee. Through her strategic positions in these networks, Rachel has been committed to championing the need to increase conservation leadership amongst Africans as she co-founded the African Primatological society in 2017. She’s trained the 55 persons that make up her team from local institutions and local communities.
"So it's easier for the community to change their mindset about eating bush meat or about hunting or about destroying the forest wildlife if they're part of the process. You can't do it outside of them. You actively have to make sure they're participating in the entire process, that's where we've seen the best results. That's when we've seen the most progress. And I've also heard of people coming up with very technical step-by-step details of how things ought to go and leaving the people out and leaving indigenous communities out of that same process. And feel like it would be so difficult to sustain that system of doing diverse conservation.
One of my teammates was asking a young boy "What would you like to be when you grow up?" And he pointed at me and said, "That's what I want to be." When I started as a female doing conservation and going to these communities, at that time I was disrespected and really looked down on for being out there doing what I was doing. Like it's either "You're not married. You don't have children. What are you doing in the middle of the forest looking for monkeys?" So to have a young man look up to a woman as a role model, especially in an African society, it's an experience that will live with me forever because I realize that not only are we bringing species back from the brink of extinction, but we are changing the way society thinks. And it makes me glad that I've been persistent. We saw that in real life how a community can be transformed to the point that an entire community has become conservation champions. So knowing that people can turn 180 and really become the protectors of the same species they tried to wipe out."
https://swnigerdeltaforestproject.org.ng
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.
www.madeleinewatts.com
www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper’s Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.
"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."
www.madeleinewatts.com
www.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-watts
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Whenever we are conscious, we are conscious of something, or of many things. These are the contents of consciousness. To understand how they come about, and what I mean by controlled hallucination, let's change our perspective. Imagine for a moment, that you are the brain.
Really try to think about what it's like up there, sealed inside the bony vault of a skull, trying to figure out what's out there in the world. There's no light, no sound, no anything - it's completely dark and utterly silent. When trying to form perceptions, all the brain has to go on is a constant barrage of electrical signals, which are only indirectly related to things out there in the world, whatever they may be. These sensory inputs don't come with labels attached... How does the brain transform these inherently ambiguous sensory signals into a coherent perceptual world full of objects and people, and places?"
– ANIL SETH
Being You: A New Science of Consciousness
Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade.
www.anilseth.com
www.penguinrandomhouse.com/books/566315/being-you-by-anil-seth
https://perceptioncensus.dreamachine.world/
https://dreamachine.world/
@anilkseth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade.
"Whenever we are conscious, we are conscious of something, or of many things. These are the contents of consciousness. To understand how they come about, and what I mean by controlled hallucination, let's change our perspective. Imagine for a moment, that you are the brain.
Really try to think about what it's like up there, sealed inside the bony vault of a skull, trying to figure out what's out there in the world. There's no light, no sound, no anything - it's completely dark and utterly silent. When trying to form perceptions, all the brain has to go on is a constant barrage of electrical signals, which are only indirectly related to things out there in the world, whatever they may be. These sensory inputs don't come with labels attached... How does the brain transform these inherently ambiguous sensory signals into a coherent perceptual world full of objects and people, and places?"
– ANIL SETH
Being You: A New Science of Consciousness
www.anilseth.com
www.penguinrandomhouse.com/books/566315/being-you-by-anil-seth
https://perceptioncensus.dreamachine.world/
https://dreamachine.world/
@anilkseth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"It's a fundamental human question, how do we become individuals? It's a basic thing about being alive and thinking. Nature versus nurture is a phrase that was popularized by Francis Galton in the late 19th century. and the idea behind it is that if you were to look at a particular trait, say, shyness or height, you could say, well, to what degree can we attribute height to nature? In this case, meaning the gene variants that you inherit from your parents versus nurture in this case, meaning how you were raised by your parents and by your community. And I have many problems with this expression. Part of it is that the nature part shouldn't just mean genetics. In other words, there's all kinds of biological things that are not genetic things. If your mother fought off a viral infection while you were developing in utero, then you have a much higher chance of developing schizophrenia or autism when you grow up. Now that's biological, but it's not hereditary. That's not something that you would then acquire and then pass on to your own children. It only happens in the one generation. The other problem is when we hear the word nurture, we really focus on the family, how your parents raised you or failed to raise you, how your community was involved. And those things are very important, but they're far from everything that impinges upon you in your life. I take experience as the thing to substitute for nurture because it is much more inclusive and it includes not just social experience from your family and your peers and your community, but also experience in the more general sense."
David J. Linden is a Professor in the Department of Neuroscience at the Johns Hopkins University School of Medicine. He is the author of Unique: The New Science of Human Individuality, The Accidental Mind: How Brain Evolution Has Given Us Love, Memory, Dreams, and God, The Compass of Pleasure: How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good, and Touch: The Science of the Hand, Heart, and Mind. His laboratory has worked for many years on the cellular substrates of memory storage, recovery of function following brain injury and a few other topics.
www.davidlinden.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
David J. Linden is a Professor in the Department of Neuroscience at the Johns Hopkins University School of Medicine. He is the author of Unique: The New Science of Human Individuality, The Accidental Mind: How Brain Evolution Has Given Us Love, Memory, Dreams, and God, The Compass of Pleasure: How Our Brains Make Fatty Foods, Orgasm, Exercise, Marijuana, Generosity, Vodka, Learning, and Gambling Feel So Good, and Touch: The Science of the Hand, Heart, and Mind. His laboratory has worked for many years on the cellular substrates of memory storage, recovery of function following brain injury and a few other topics.
"It's a fundamental human question, how do we become individuals? It's a basic thing about being alive and thinking. Nature versus nurture is a phrase that was popularized by Francis Galton in the late 19th century. and the idea behind it is that if you were to look at a particular trait, say, shyness or height, you could say, well, to what degree can we attribute height to nature? In this case, meaning the gene variants that you inherit from your parents versus nurture in this case, meaning how you were raised by your parents and by your community. And I have many problems with this expression. Part of it is that the nature part shouldn't just mean genetics. In other words, there's all kinds of biological things that are not genetic things. If your mother fought off a viral infection while you were developing in utero, then you have a much higher chance of developing schizophrenia or autism when you grow up. Now that's biological, but it's not hereditary. That's not something that you would then acquire and then pass on to your own children. It only happens in the one generation. The other problem is when we hear the word nurture, we really focus on the family, how your parents raised you or failed to raise you, how your community was involved. And those things are very important, but they're far from everything that impinges upon you in your life. I take experience as the thing to substitute for nurture because it is much more inclusive and it includes not just social experience from your family and your peers and your community, but also experience in the more general sense."
www.davidlinden.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Listen to Part 4 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:
INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals
JEFFREY D. SACHS, President of the UN Sustainable Development Solutions Network, Director of Center for Sustainable Development, Columbia University, Economist, Author
JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry
MERLIN SHELDRAKE, Biologist & Bestselling Author of “Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures”, Winner of the Wainwright Prize 2021
WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute
ARMOND COHEN, Executive Director of Clean Air Task Force
PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum
RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC
AIMEE NEZHUKUMATATHIL, Poet & Author of “World of Wonders: In Praise of Fireflies, Whale Sharks and Other Astonishments”
ANA CASTILLO, Award-Winning Xicana Activist, Editor, Poet, Novelist & Artist
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
www.maxrichtermusic.com
https://studiorichtermahr.com
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
Artwork: Saudade, Mia Funk
Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.
Voices on this episode:
PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for Energy
PIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic Forum
JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry
WALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life Institute
MERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021
RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC
MANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.
NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”
MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation Biology
MIKE DAVIS, CEO of Global Witness
JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast
BRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University
RICHARD VEVERS, Founder & CEO of The Ocean Agency
ARMOND COHEN, Executive Director of Clean Air Task Force
BILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate Scientist
DAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place Podcast
IBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund
GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”
INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animals
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
www.maxrichtermusic.com
https://studiorichtermahr.com
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
"I'm New York to the soles of my feet, and more specifically, The Bronx. I was formed in The Bronx. I lived there till I was 19. Then I went into the Marine Corps, and I came up against really something that I feel has really been lost when they stopped drafting people. I came up against everybody in the country, mostly poor people of every persuasion from Virginia to DC to wherever. And we lived together in an open barracks, like 90 of us in double-decker bunks for a year. And that is gold. It's irreplaceable. Not simply as an artist, but as a citizen of a given country, you really come to realize we're all in this together. And you see all of the prejudices play out in a kind of healthily violent way. People just punch each other in the face. So, this is back then. Now, apparently, it's much more civilized. I'm not sure I'm in favor of that, but back then, people said Marines said the most awful things to each other imaginable, of a racist nature, and of every other kind of nature. And you know, the shape of your head, anything.
And then fists were thrown and somehow the world didn't come to an end. Then everybody calmed down, and they went back to their bunks and read their comic books or whatever they were going to do, and went to bed. And we got up the next day, and we worked together. That's a big lesson in how to get along, how to live, and how to live with people you don't necessarily agree with."
John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.
www.imdb.com/name/nm0788234
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.
"You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."
www.imdb.com/name/nm0788234
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Listen to Part 2 of this Special Series with music courtesy of composer Max Richter.
Voices on this episode:
MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.
BRITT WRAY - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University
WALTER STAHEL - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life Institute
MATHIS WACKERNAGEL - Founder & President of the Global Footprint Network - World Sustainability Award Winner
JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast
RICHARD VEVERS - Founder & CEO of The Ocean Agency
ARMOND COHEN - Executive Director of Clean Air Task Force
PAULA PINHO - Director of Just Transition at the European Commission Directorate-General for Energy
MARTIN VON HILDEBRAND - Indigenous Rights Activist - Winner of Right Livelihood & Skoll Awards - Founder of Fundacion Gaia Amazonas, named #40 NGOs of the World by The Global Journal
HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts - NYU, Beihang University, East China University
BILL HARE - Founder & CEO of Climate Analytics, Physicist, Climate Scientist
SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Professor of Environmental Change & Public Health
LISA JACKSON PULVER - Deputy Vice-Chancellor of University of Sydney's Indigenous Strategy & Services
Max Richter’s music featured in this episode:
“Spring 1” from The New Four Seasons – Vivaldi Recomposed
Vladimir’s Blues” from The Blue Notebooks
"Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour,
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
www.maxrichtermusic.com
https://studiorichtermahr.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I try to look at people in those positions with as much of an open mind as possible. I think they all want the best for the country, but I think the people who are good at walking into a diner and shaking people's hands in a thousand different towns across the country with a lot of very different diners, I think the people who can walk in and handle that and meet absolutely everybody and create an instant connection with them are not necessarily the people who are interested in the kind of granularity of federal regulations and a wide, wide series of topics. I think the people who are good at those things have cultivated over the course of their life, different parts of themselves and grown different strengths. But then there comes this moment where we want one person to be able to do all of it, and we're somehow surprised when they're not good at every piece."
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon.
www.imdb.com/name/nm1263223
www.netflix.com/tudum/the-diplomat
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon.
"I try to look at people in those positions with as much of an open mind as possible. I think they all want the best for the country, but I think the people who are good at walking into a diner and shaking people's hands in a thousand different towns across the country with a lot of very different diners, I think the people who can walk in and handle that and meet absolutely everybody and create an instant connection with them are not necessarily the people who are interested in the kind of granularity of federal regulations and a wide, wide series of topics. I think the people who are good at those things have cultivated over the course of their life, different parts of themselves and grown different strengths. But then there comes this moment where we want one person to be able to do all of it, and we're somehow surprised when they're not good at every piece."
www.imdb.com/name/nm1263223
www.netflix.com/tudum/the-diplomat
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Netflix/Alex Bailey
Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter.
Voices on this episode are
MAX RICHTER
INGRID NEWKIRK, Founder of PETA
BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation
CARL SAFINA, Ecologist, Founding President of Safina Center
CLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy”
ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcast
CYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composer
JOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment”
KATHLEEN ROGERS, President of EARTHDAY.ORG
ODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth Theory
SIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible”
ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing Equipment
NOAH WILSON-RICH, Co-founder & CEO of The Best Bees Company
CHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes
DAVID FARRIER, Author of “Footprints: In Search of Future Fossils”
DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree”
PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can Save
JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
www.maxrichtermusic.com
https://studiorichtermahr.com
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
“For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.
So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.”
Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams.
A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation.
Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo.
He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community.
www.maxrichtermusic.com
https://studiorichtermahr.com
Photo by William Waterworth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Max Richter’s music featured in this episode is "On the Nature of Daylight” from The Blue Notebooks.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams.
A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation.
Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo.
He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community.
“For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.
So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.”
www.maxrichtermusic.com
https://studiorichtermahr.com
Photo by William Waterworth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Dr. JF Brosschot is a professor of health psychology at Leiden University. He is one of the first to show that stress affects the immune system. Through his research of psychophysiological mechanisms of stress in daily life, while researching stress as a worldwide epidemic, Brosschot also recognizes the importance of where all this stress stems from and why this is happening. Now, his specific inquiry of how unconscious and prolonged physiological stress responses affect our mental and physical well-being has opened up the conversation to mental health and its tangible effects.
"Chronic stress response means continuously high blood pressure, heart rate, and stress hormone level. So why, for example, do lonely people show a chronic stress response when they experience hardly any stressful events? And why do people with a history of early life stress show a continued chronic stress response in their adult life? And the same question can be asked about discriminated minorities or living in an urbanized area without parks or green environments around them. Why do people in these situations fall sick earlier and die prematurely?
So several years ago, my colleagues and I got a new insight that may help to explain these responses. It's based on neurobiology and evolutionary science, and these insights are that the stress response is not a response triggered by stressful events but a default response that is always on but normally inhibited when safety is perceived by the so-called prefrontal brain. In other words, it's all about being better safe than sorry."
www.universiteitleiden.nl/en/staffmembers/jos-brosschot
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Dr. JF Brosschot is a professor of health psychology at Leiden University. He is one of the first to show that stress affects the immune system. Through his research of psychophysiological mechanisms of stress in daily life, while researching stress as a worldwide epidemic, Brosschot also recognizes the importance of where all this stress stems from and why this is happening. Now, his specific inquiry of how unconscious and prolonged physiological stress responses affect our mental and physical well-being has opened up the conversation to mental health and its tangible effects.
"Chronic stress response means continuously high blood pressure, heart rate, and stress hormone level. So why, for example, do lonely people show a chronic stress response when they experience hardly any stressful events? And why do people with a history of early life stress show a continued chronic stress response in their adult life? And the same question can be asked about discriminated minorities or living in an urbanized area without parks or green environments around them. Why do people in these situations fall sick earlier and die prematurely?
So several years ago, my colleagues and I got a new insight that may help to explain these responses. It's based on neurobiology and evolutionary science, and these insights are that the stress response is not a response triggered by stressful events but a default response that is always on but normally inhibited when safety is perceived by the so-called prefrontal brain. In other words, it's all about being better safe than sorry."
www.universiteitleiden.nl/en/staffmembers/jos-brosschot
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“However good the methods of analysis one has at any given time They're not going to be perfect. And so one needs to keep some humility and keep an open mind and keep on learning and not assume that you're on top of things. So, one lesson I would draw for education is we really do need to teach people to think critically and not just try to pump them full of the beliefs that we think are right.
People like Greta Thunberg, that's what gives me the most hope is that there is one segment of society, namely the youngest people, who are fired up and who do see the problem and do want to do something about it. I think it's really accurate to say that the battle to get a grip on climate change is also the battle for democracy. Our politics are now heavily influenced if not literally controlled by vested interests. And these include fossil fuel interests. So the Clear evidence of this is that the richest governments in the world are subsidizing the extraction of fossil fuels.
I mean, the United States and the UK have tax breaks and other subsidies for fossil fuel. So that's a climate problem, but it's also a democratic problem because it means that the politics are not being run for the benefit of the general public. They're being run for the benefit of some relatively small numbers of vested interests. So we need things like youth movements on climate change for the sake of the climate and for the sake of getting our politics back under democratic control.”
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.
www.merton.ox.ac.uk/people/professor-henry-shue
https://press.princeton.edu/books/paperback/9780691202280/basic-rights
https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.
“However good the methods of analysis one has at any given time They're not going to be perfect. And so one needs to keep some humility and keep an open mind and keep on learning and not assume that you're on top of things. So, one lesson I would draw for education is we really do need to teach people to think critically and not just try to pump them full of the beliefs that we think are right.
People like Greta Thunberg, that's what gives me the most hope is that there is one segment of society, namely the youngest people, who are fired up and who do see the problem and do want to do something about it. I think it's really accurate to say that the battle to get a grip on climate change is also the battle for democracy. Our politics are now heavily influenced if not literally controlled by vested interests. And these include fossil fuel interests. So the Clear evidence of this is that the richest governments in the world are subsidizing the extraction of fossil fuels.
I mean, the United States and the UK have tax breaks and other subsidies for fossil fuel. So that's a climate problem, but it's also a democratic problem because it means that the politics are not being run for the benefit of the general public. They're being run for the benefit of some relatively small numbers of vested interests. So we need things like youth movements on climate change for the sake of the climate and for the sake of getting our politics back under democratic control.”
www.merton.ox.ac.uk/people/professor-henry-shue
https://press.princeton.edu/books/paperback/9780691202280/basic-rights
https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them.
Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media.
And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message.
It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.”
Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.
www.wcff.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.
“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them.
Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media.
And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message.
It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.”
www.wcff.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there.
And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda.
I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process.
It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.”
Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).
www.piamancini.com
https://opencollective.com
https://democracy.earth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).
“So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there.
And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda.
I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process.
It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.”
www.piamancini.com
https://opencollective.com
https://democracy.earth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect.
And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.”
Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson.
www.chayseirvin.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson.
“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect.
And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.”
www.chayseirvin.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.
We need to invest a lot in education. Education of the future practitioners, but also the education of future clients. And by client, I don't mean only governments or investors. I mean each one of us, we should become responsible for our demands to architects and to whoever is involved in the building process. And this is why I see so much that education is the main tool to get there because we have to educate ourselves, first of all, and prepare the future generations. And the extent to which, as you say, it's not just beauty, but bringing people together in spaces that are inspiring because it can be a radical thing. It could create societies that are more equal in terms of public spaces. And right now that's being unequally distributed.”
Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.
www.pritzkerprize.com
www.pritzkerprize.com/jury#jury-node-2236
www.labiennale.org/en
Photo credits: Anselm Kiefer, Sylviane Sarfati
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.
“I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.
We need to invest a lot in education. Education of the future practitioners, but also the education of future clients. And by client, I don't mean only governments or investors. I mean each one of us, we should become responsible for our demands to architects and to whoever is involved in the building process. And this is why I see so much that education is the main tool to get there because we have to educate ourselves, first of all, and prepare the future generations. And the extent to which, as you say, it's not just beauty, but bringing people together in spaces that are inspiring because it can be a radical thing. It could create societies that are more equal in terms of public spaces. And right now that's being unequally distributed.”
www.pritzkerprize.com
www.pritzkerprize.com/jury#jury-node-2236
www.labiennale.org/en
Photo credit: Anselm Kiefer
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“When I was 24, I decided to take a year off to travel. And I sold everything. I ended a relationship that I was in. And I ended up taking a plane trip to Colombia, a one-way ticket. And then I backpacked throughout South America for the next six months. And that's where my father is from in Ecuador. My mom is from Mexico. So a part of that trip also was trying to reconnect to a continent that I didn't really have much knowledge of or experience in, even though it was where my family came from.
I did all kinds of new things that I had never tried before. But I do think now looking back, there was also an ancestral connection. So that area was really important for me and really got me thinking too about my identity as a Latinx person in the US and as a person of color. I think what also was really important about those travels is that it made me realize that identity is really malleable, that in the US, I'm considered a Latinx person of color. In South America, I was considered a white person, actually, or an American. People heard my accent, but even when I was speaking Spanish, because of my light skin, I had a different classification in Latin America than I did growing up in the States. So I think also seeing how I changed based on where I was traveling to and where I was living within, in some ways that was kind of liberating. It was educational, and it was also liberating that these identities are not fixed and that we need to be cognizant of them and responsible and accountable to the position we live in or the positionality that we have of privilege or not privilege, depending on where we are. But that there is no concrete identity really. It moves and changes and shifts with us, depending on where we go. So I think that was also something that helped expand and broaden the way I was thinking about all the things I was feeling a little bit trapped in when I was in the United States.”
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.
www.amandaemachado.com
IG www.instagram.com/amandaemachado0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.
“When I was 24, I decided to take a year off to travel. And I sold everything. I ended a relationship that I was in. And I ended up taking a plane trip to Colombia, a one-way ticket. And then I backpacked throughout South America for the next six months. And that's where my father is from in Ecuador. My mom is from Mexico. So a part of that trip also was trying to reconnect to a continent that I didn't really have much knowledge of or experience in, even though it was where my family came from.
I did all kinds of new things that I had never tried before. But I do think now looking back, there was also an ancestral connection. So that area was really important for me and really got me thinking too about my identity as a Latinx person in the US and as a person of color. I think what also was really important about those travels is that it made me realize that identity is really malleable, that in the US, I'm considered a Latinx person of color. In South America, I was considered a white person, actually, or an American. People heard my accent, but even when I was speaking Spanish, because of my light skin, I had a different classification in Latin America than I did growing up in the States. So I think also seeing how I changed based on where I was traveling to and where I was living within, in some ways that was kind of liberating. It was educational, and it was also liberating that these identities are not fixed and that we need to be cognizant of them and responsible and accountable to the position we live in or the positionality that we have of privilege or not privilege, depending on where we are. But that there is no concrete identity really. It moves and changes and shifts with us, depending on where we go. So I think that was also something that helped expand and broaden the way I was thinking about all the things I was feeling a little bit trapped in when I was in the United States.”
www.amandaemachado.com
IG www.instagram.com/amandaemachado0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“Early philosophies as sources of personal guidance and how do we learn to live well? The university has undergone such an enormous shift. In my day, we were engaged with history, literature, philosophy, poetry, and art. And we could because it was a much more open-ended, reflective, sort of existential what am I here for and what am I doing? kind of thing than students today who are very concerned – I have to have this skill, otherwise, I won't be able to get a job.
And what is missing is a sense of how do we think maturely about these kinds of questions that worry us. Questions of what does it mean to be happy? And what is a satisfying life? And how am I going to deal with personal adversity?”
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.
http://harold-sjursen.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.
“Early philosophies as sources of personal guidance and how do we learn to live well? The university has undergone such an enormous shift. In my day, we were engaged with history, literature, philosophy, poetry, and art. And we could because it was a much more open-ended, reflective, sort of existential what am I here for and what am I doing? kind of thing than students today who are very concerned – I have to have this skill, otherwise, I won't be able to get a job.
And what is missing is a sense of how do we think maturely about these kinds of questions that worry us. Questions of what does it mean to be happy? And what is a satisfying life? And how am I going to deal with personal adversity?”
http://harold-sjursen.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“For me, standing in solidarity with the garment workers, 80 million people who are on the front line of capitalism, and in the garment industry. And showing up for them, with the living wage campaigns and the anti-gender-based violence campaigns. And sticking up for land defenders, the protestors in Myanmar, and the people defending the rainforest in Brazil. I think that's where you can start kind of living the political ideology of anti-capitalism. And we've got to free ourselves as well. Capitalism wants us to sort of fixate on our appearance and our consumer choices. Whereas I think if we free ourselves from that...the main thing I'm going to concentrate on is how we change the world in a collective internationalist fashion. I think then we start getting towards being anti-capitalist fashionistas, definitely.”
Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull.
www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/
www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Tansy E. Hoskins is an award winning author and journalist who investigates the global fashion industry. She’s the author of The Anti-Capitalist Book Of Fashion, Foot Work, and Stitched Up. This work has taken her to Bangladesh, India, North Macedonia, and to the Topshop warehouses in Solihull.
“For me, standing in solidarity with the garment workers, 80 million people who are on the front line of capitalism, and in the garment industry. And showing up for them, with the living wage campaigns and the anti-gender-based violence campaigns. And sticking up for land defenders, the protestors in Myanmar, and the people defending the rainforest in Brazil. I think that's where you can start kind of living the political ideology of anti-capitalism. And we've got to free ourselves as well. Capitalism wants us to sort of fixate on our appearance and our consumer choices. Whereas I think if we free ourselves from that...the main thing I'm going to concentrate on is how we change the world in a collective internationalist fashion. I think then we start getting towards being anti-capitalist fashionistas, definitely.”
www.plutobooks.com/9780745346618/the-anti-capitalist-book-of-fashion/
www.amazon.co.uk/Foot-Work-What-Your-Shoes-Are-Doing-to-the-World-Tansy-Hoskins/dp/1474609856/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Sarah Van Looy
“In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take.
So when we started, we were mainly talking about the effects of extreme heat without being able to attribute them to climate change because obviously heat waves have occurred throughout history, and populations are more or less adapted to different climates. But now I think the science has moved on, and we can be much more competent about attributing either some extreme events or trends in extreme heat exposure, for example, to human-induced climate change. So it isn't just natural fluctuation. So that's a change. And as the evidence becomes stronger, of course, it also strengthens the case for climate action, which sadly, as we know at the moment, is not sufficient to really have the desired effect.
So our knowledge has advanced, but the actions that we need to put into practice have not gone at the same speed. And so we're really facing an increasing climate emergency. And we don't know quite where it's going to end up, but it could end up 2.5%, 3% hotter than pre-industrial times on global average as we reach the end of the century.”
Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022.
www.lshtm.ac.uk
https://tylerprize.org
www.interacademies.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022.
“In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take.
So when we started, we were mainly talking about the effects of extreme heat without being able to attribute them to climate change because obviously heat waves have occurred throughout history, and populations are more or less adapted to different climates. But now I think the science has moved on, and we can be much more competent about attributing either some extreme events or trends in extreme heat exposure, for example, to human-induced climate change. So it isn't just natural fluctuation. So that's a change. And as the evidence becomes stronger, of course, it also strengthens the case for climate action, which sadly, as we know at the moment, is not sufficient to really have the desired effect.
So our knowledge has advanced, but the actions that we need to put into practice have not gone at the same speed. And so we're really facing an increasing climate emergency. And we don't know quite where it's going to end up, but it could end up 2.5%, 3% hotter than pre-industrial times on global average as we reach the end of the century.”
www.lshtm.ac.uk
https://tylerprize.org
www.interacademies.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“And we are all wondering the same thing about our threatened species, and so we did some experiments and that's when we found that asking the best-regarded person is a mistake. You don't ask them. They're usually overconfident, and they know more than a random person from the street. But if you are interested and you understand the data and the jargon, then your judgment will be as good as anyone else's. And then I've got a much wider pool of people. I can go to people who are interested than people who profess knowledge and insights. Get them together, talk to them, facilitate the discussion in a structured way, and generate an answer. And that's, we did that because we were interested in conservation problems, but it has implications for expert judgment in epidemiology, medicine, dentistry, social security, national security, and geopolitics. These same questions and these same constraints arise. And so the results of that work are much more generally useful than just conservation.”
Mark Burgman is Director of the Centre for Environmental Policy at Imperial College London and Editor-in-Chief of the journal Conservation Biology. He is author of Trusting Judgments: How to Get the Best Out of Experts. Previously, he was Adrienne Clarke Chair of Botany at the University of Melbourne, Australia. He works on expert judgement, ecological modelling, conservation biology and risk assessment. He has written models for biosecurity, medicine regulation, marine fisheries, forestry, irrigation, electrical power utilities, mining, and national park planning. He received a BSc from the University of New South Wales, an MSc from Macquarie University, Sydney, and a PhD from the State University of New York at Stony Brook. He worked as a consultant ecologist and research scientist in Australia, the United States and Switzerland during the 1980’s before joining the University of Melbourne in 1990. He joined CEP in February, 2017. He has published over two hundred and fifty refereed papers and book chapters and seven authored books. He was elected to the Australian Academy of Science in 2006.
www.imperial.ac.uk/environmental-policy
www.conbio.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Mark Burgman is Director of the Centre for Environmental Policy at Imperial College London and Editor-in-Chief of the journal Conservation Biology. He is author of Trusting Judgments: How to Get the Best Out of Experts. Previously, he was Adrienne Clarke Chair of Botany at the University of Melbourne, Australia. He works on expert judgement, ecological modelling, conservation biology and risk assessment. He has written models for biosecurity, medicine regulation, marine fisheries, forestry, irrigation, electrical power utilities, mining, and national park planning. He received a BSc from the University of New South Wales, an MSc from Macquarie University, Sydney, and a PhD from the State University of New York at Stony Brook. He worked as a consultant ecologist and research scientist in Australia, the United States and Switzerland during the 1980’s before joining the University of Melbourne in 1990. He joined CEP in February, 2017. He has published over two hundred and fifty refereed papers and book chapters and seven authored books. He was elected to the Australian Academy of Science in 2006.
“And we are all wondering the same thing about our threatened species, and so we did some experiments and that's when we found that asking the best-regarded person is a mistake. You don't ask them. They're usually overconfident, and they know more than a random person from the street. But if you are interested and you understand the data and the jargon, then your judgment will be as good as anyone else's. And then I've got a much wider pool of people. I can go to people who are interested than people who profess knowledge and insights. Get them together, talk to them, facilitate the discussion in a structured way, and generate an answer. And that's, we did that because we were interested in conservation problems, but it has implications for expert judgment in epidemiology, medicine, dentistry, social security, national security, and geopolitics. These same questions and these same constraints arise. And so the results of that work are much more generally useful than just conservation.”
www.imperial.ac.uk/environmental-policy
www.conbio.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think our students are the greatest source of inspiration. We learn from them a great deal more than we probably manage to teach them. In many ways, it's an amazing thing to be able to teach. It's a great responsibility, but it's also an enormous opportunity. And although I'm not teaching at the moment, that's why I'm missing it, I suppose. And that impulse, the desire that is there in teaching to talk to people, but also to listen to people is something that I never stop valuing and appreciating.
When academics end their careers, generally speaking, they're never asked to give a final lecture or to kind of attempt to sum up what they've learned or what they've understood or what they've most appreciated, or what they've been most moved by in their years of teaching. I suppose the creative is essentially to do with the unforeseeable. I think it's so much to do with chance, with what you don't see coming, and what turns out or what befalls."
Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle’s current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.
www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846
https://myriadeditions.com/creator/nicholas-royle/
https://quickfiction.co.uk/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle’s current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.
"I think our students are the greatest source of inspiration. We learn from them a great deal more than we probably manage to teach them. In many ways, it's an amazing thing to be able to teach. It's a great responsibility, but it's also an enormous opportunity. And although I'm not teaching at the moment, that's why I'm missing it, I suppose. And that impulse, the desire that is there in teaching to talk to people, but also to listen to people is something that I never stop valuing and appreciating.
When academics end their careers, generally speaking, they're never asked to give a final lecture or to kind of attempt to sum up what they've learned or what they've understood or what they've most appreciated, or what they've been most moved by in their years of teaching. I suppose the creative is essentially to do with the unforeseeable. I think it's so much to do with chance, with what you don't see coming, and what turns out or what befalls."
www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846
https://myriadeditions.com/creator/nicholas-royle/
https://quickfiction.co.uk/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"There's all sorts of fantastic things in the music, but if we think about the music as a model for social form or interaction, it lets one get away from fixed assumptions about the present and the future and attunes one to other people.
You're not dependent upon, if you follow a jazz model, a fixed conception of progress or a calendar, but rather other people. And other people are flexible—sometimes disappointing, but sometimes surprising in fantastic ways. If you take this model of jazz temporality and coordination, it suggests another way of organizing social life. One that is important and productive in all sorts of different ways."
Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.
www.hf.uio.no/ilos/english/people/aca/bruceb
www.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240
https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.
"There's all sorts of fantastic things in the music, but if we think about the music as a model for social form or interaction, it lets one get away from fixed assumptions about the present and the future and attunes one to other people.
You're not dependent upon, if you follow a jazz model, a fixed conception of progress or a calendar, but rather other people. And other people are flexible—sometimes disappointing, but sometimes surprising in fantastic ways. If you take this model of jazz temporality and coordination, it suggests another way of organizing social life. One that is important and productive in all sorts of different ways."
www.hf.uio.no/ilos/english/people/aca/bruceb
www.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240
https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I love podcasts and things like that, if only to listen to people who've done incredible things. We live in a kind of unusual time where we can hear firsthand people talking about their own experiences, and what they went through when they were creating something. And while artists differ greatly from one another in terms of the specifics of their process, what certainly seems to be the case is that they're extraordinarily interested in their own mind, and they have what we would call a metacognitive awareness. They know almost quite precisely, at least what doesn't work for them. They're very cued into what to avoid and how to sort of generate the mental conditions that are necessary in order to be as generative or as creative as they're likely to be in a specific situation. So that is a deep medical awareness that they have about their own process that is really quite something. They know themselves very well.”
Anna Abraham, Ph.D. is the E. Paul Torrance Professor and Director of the Torrance Center for Creativity and Talent Development at the University of Georgia (USA). She investigates the psychological and neurophysiological mechanisms underlying creativity and other aspects of the human imagination, including the reality-fiction distinction, mental time travel, social and self-referential cognition, and mental state reasoning. She is the author of the 2018 book, The Neuroscience of Creativity (Cambridge University Press) and the editor of the multidisciplinary volume, The Cambridge Handbook of the Imagination (2020).
www.anna-abraham.com
https://coe.uga.edu/directory/torrance-center
www.cambridge.org/core/what-we-publish/elements/elements-in-creativity-and-imagination
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Anna Abraham, Ph.D. is the E. Paul Torrance Professor and Director of the Torrance Center for Creativity and Talent Development at the University of Georgia (USA). She investigates the psychological and neurophysiological mechanisms underlying creativity and other aspects of the human imagination, including the reality-fiction distinction, mental time travel, social and self-referential cognition, and mental state reasoning. She is the author of the 2018 book, The Neuroscience of Creativity (Cambridge University Press) and the editor of the multidisciplinary volume, The Cambridge Handbook of the Imagination (2020).
“I love podcasts and things like that, if only to listen to people who've done incredible things. We live in a kind of unusual time where we can hear firsthand people talking about their own experiences, and what they went through when they were creating something. And while artists differ greatly from one another in terms of the specifics of their process, what certainly seems to be the case is that they're extraordinarily interested in their own mind, and they have what we would call a metacognitive awareness. They know almost quite precisely, at least what doesn't work for them. They're very cued into what to avoid and how to sort of generate the mental conditions that are necessary in order to be as generative or as creative as they're likely to be in a specific situation. So that is a deep medical awareness that they have about their own process that is really quite something. They know themselves very well.”
www.anna-abraham.com
https://coe.uga.edu/directory/torrance-center
www.cambridge.org/core/what-we-publish/elements/elements-in-creativity-and-imagination
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I wrote a book called The Aquanaut for kids. I realized that our best hope for humanity is to ignite the imagination of kids. There were lots of things I was afraid of when I was a little kid. I was afraid of the dark. I was afraid to go down the basement stairs, and yet now I live most of my entire career in the dark, in places that would make people feel terrified and claustrophobic. So a lot of those young life experiences that I had I actually turned into my superpowers. And I want to encourage children to know that anything they dream of that they can make it come true with hard work and dedication. I talk all the time to groups, big and small, and I still get asked by people, 'Do you believe in climate change?' And I'm like, it's not a question of belief. It's science. It's happening. And although I might feel frustrated, I try to never communicate that frustration. I recognize that for whatever reason, someone just doesn't have the knowledge. So maybe it hasn't been taught at school. Maybe they've become subjected to the very strong voices of a political entity that has steered them away from believing in climate change. And so I try to take people at wherever they are and try to just very carefully and without judgment share what I've seen and my experiences and try to gently guide them towards better information sources because we can't just be polarized. We can't just call each other names when we don't understand. We have to help people to understand, put out a hand, and, hopefully, bring them onto our side, onto a better understanding of the science of what's occurring.”
Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer, and filmmaker. She is a veteran of over thirty years of filming, photography, and exploration on projects in submerged caves around the world. She has made TV series, consulted on movies, written several books and is a frequent corporate keynote speaker. Jill is the first Explorer in Residence for the Royal Canadian Geographical Society, recipient of Canada’s prestigious Polar Medal and is a Fellow of the International Scuba Divers Hall of Fame. In recognition of her lifetime achievement, Jill was awarded the Sir Christopher Ondaatje Medal for Exploration from the RCGS and the William Beebe Award from the Explorers Club.
www.intotheplanet.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer, and filmmaker. She is a veteran of over thirty years of filming, photography, and exploration on projects in submerged caves around the world. She has made TV series, consulted on movies, written several books and is a frequent corporate keynote speaker. Jill is the first Explorer in Residence for the Royal Canadian Geographical Society, recipient of Canada’s prestigious Polar Medal and is a Fellow of the International Scuba Divers Hall of Fame. In recognition of her lifetime achievement, Jill was awarded the Sir Christopher Ondaatje Medal for Exploration from the RCGS and the William Beebe Award from the Explorers Club.
“I wrote a book called The Aquanaut for kids. I realized that our best hope for humanity is to ignite the imagination of kids. There were lots of things I was afraid of when I was a little kid. I was afraid of the dark. I was afraid to go down the basement stairs, and yet now I live most of my entire career in the dark, in places that would make people feel terrified and claustrophobic. So a lot of those young life experiences that I had I actually turned into my superpowers. And I want to encourage children to know that anything they dream of that they can make it come true with hard work and dedication. I talk all the time to groups, big and small, and I still get asked by people, 'Do you believe in climate change?' And I'm like, it's not a question of belief. It's science. It's happening. And although I might feel frustrated, I try to never communicate that frustration. I recognize that for whatever reason, someone just doesn't have the knowledge. So maybe it hasn't been taught at school. Maybe they've become subjected to the very strong voices of a political entity that has steered them away from believing in climate change. And so I try to take people at wherever they are and try to just very carefully and without judgment share what I've seen and my experiences and try to gently guide them towards better information sources because we can't just be polarized. We can't just call each other names when we don't understand. We have to help people to understand, put out a hand, and, hopefully, bring them onto our side, onto a better understanding of the science of what's occurring.”
www.intotheplanet.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts.
Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn’t blink. He didn’t bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope.
Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.”
Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley’s Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.
www.islandoutpost.com
www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701
www.islandrecords.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Chris Blackwell, an inductee of the Rock & Roll Hall of Fame, is widely considered responsible for turning the world on to reggae music. As the founder of Island Records, he helped forge the careers of Bob Marley, Cat Stevens, Grace Jones, U2, Roxy Music, among many other high-profile acts, and produced records including Marley’s Catch a Fire and Uprising. Blackwell currently runs Island Outpost, a group of elite resorts in Jamaica, which includes GoldenEye—the former home of author Ian Fleming. He received the A&R Icon Award in recognition of his lasting influence on the music business. He is author, with Paul Morley, of The Islander: My Life in Music and Beyond.
“I think you need to be aware and see people be open to what can happen and get a feel, get an instinct, I guess. I think I've been blessed with instinct. I mean, I did not do well at school. I passed zero exams. I'm unemployable, but I've been blessed with having instincts.
Miles Davis was the best teacher, always amused when I asked him questions. I was pretty cocky at the time, and I once asked him why he played so many bad notes, unlike Bix Beiderbecke and Louis Armstrong, who always played clean. He didn’t blink. He didn’t bite my head off. ‘Because I try and play what I hear in my head, he said, “not what I know I can already play.” That, to me, was the essence of jazz, trying to get somewhere new and not worrying if you made mistakes as long as you got there in the end. On a tightrope, and wobbling a little, but eventually gliding across that tightrope.
Well, it's really great if you can be involved in doing something which brings something to people and lifts things. You know, if you can find a way to…when I say find a way, you just get an instinct of something, Oh, this is going to be fun. That can be great. I'm always looking…I don't know that I'm deliberately looking at things. I think things have happened, and I've seen something or got a feel for something or feel for the person or… I think I've been given a lot of luck.”
www.islandoutpost.com
www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172701
www.islandrecords.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think the most important lesson for me is to figure out who you are and be that person and be that person to make the world a better place. So that's what I think is my most important lesson.”
Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty.
www.robertjsternberg.com
www.cambridge.org/fr/academic/subjects/psychology/cognition/adaptive-intelligence-surviving-and-thriving-times-uncertainty?format=HB&isbn=9781107154384#bookPeople
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty.
“I think the most important lesson for me is to figure out who you are and be that person and be that person to make the world a better place. So that's what I think is my most important lesson.”
www.robertjsternberg.com
www.cambridge.org/fr/academic/subjects/psychology/cognition/adaptive-intelligence-surviving-and-thriving-times-uncertainty?format=HB&isbn=9781107154384#bookPeople
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science.
Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering.
www.juliomarioottino.com
www.thenexusbook.com
www.mccormick.northwestern.edu/about/leadership/profiles/ottino-julio.html
Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering.
Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science.
www.juliomarioottino.com
www.thenexusbook.com
www.mccormick.northwestern.edu/about/leadership/profiles/ottino-julio.html
"On mythologies or collective stories, in more recent writing, this is less true of Words That Move, but the next Special will very much draw on basically a religious or spiritual concept that my friend Alice Frank and Derek Hake and a couple of others have really helped instill in me as literally true - that I am literally you. That we are one thing looking through many different eyes. Like one thing having all of these different human experiences. And not as a metaphor, we're all one. No, like actually there's actual, literal oneness. And what does that look like to explore with words? But that is a concept that I will certainly be playing more on in the next Poetry Special."
Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests.
www.wordsthatmove.com/
www.instagram.com/maxstossel/
www.humanetech.com
https://vimeo.com/690354718/54614a2318
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests.
"On mythologies or collective stories, in more recent writing, this is less true of Words That Move, but the next Special will very much draw on basically a religious or spiritual concept that my friend Alice Frank and Derek Hake and a couple of others have really helped instill in me as literally true - that I am literally you. That we are one thing looking through many different eyes. Like one thing having all of these different human experiences. And not as a metaphor, we're all one. No, like actually there's actual, literal oneness. And what does that look like to explore with words? But that is a concept that I will certainly be playing more on in the next Poetry Special."
www.wordsthatmove.com/
www.instagram.com/maxstossel/
www.humanetech.com
https://vimeo.com/690354718/54614a2318
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"So there are analog solutions to the digital problem. I think the single biggest solution, for most people, at least in terms of low-hanging fruit, the most obvious place to begin is to just say, I'm going to carve out time every day, create habits where I will not be near my devices at certain times of the day. It might be dinner time, maybe no matter where I am, whom I'm with, or what I'm doing, I will not during dinnertime use a device. Or it might be the first hour of the day. A lot of people do that, spend the first hour of the day tech-free. Have a cup of coffee, if that's what you like to do, read a physical newspaper, or just read a book - whatever you want to do. Or be with your kids or loved ones, depends what your situation is. And then the same before bed. So between 60 and 90 minutes before bed, don't use a phone. And even those small changes, no phone at dinner time, no phone first hour of the day, no phone an hour before bed. That will change your life.
It gives you back about two and a half hours of your day, which people when they start doing it, say, I can't believe I've lost that much time. So I think that there are many things we can do. We just have to make the decision to do them."
Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023.
https://adamalterauthor.com
www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659
www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960
www.stern.nyu.edu/faculty/bio/adam-alter
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023.
"So there are analog solutions to the digital problem. I think the single biggest solution, for most people, at least in terms of low-hanging fruit, the most obvious place to begin is to just say, I'm going to carve out time every day, create habits where I will not be near my devices at certain times of the day. It might be dinner time, maybe no matter where I am, whom I'm with, or what I'm doing, I will not during dinnertime use a device. Or it might be the first hour of the day. A lot of people do that, spend the first hour of the day tech-free. Have a cup of coffee, if that's what you like to do, read a physical newspaper, or just read a book - whatever you want to do. Or be with your kids or loved ones, depends what your situation is. And then the same before bed. So between 60 and 90 minutes before bed, don't use a phone. And even those small changes, no phone at dinner time, no phone first hour of the day, no phone an hour before bed. That will change your life.
It gives you back about two and a half hours of your day, which people when they start doing it, say, I can't believe I've lost that much time. So I think that there are many things we can do. We just have to make the decision to do them."
https://adamalterauthor.com
www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659
www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960
www.stern.nyu.edu/faculty/bio/adam-alter
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"So even though I might be feeling really distressed by some of the work that I'm exposed to in my profession, it isn't just black and white. And sometimes things are going to be really difficult, and that's life. I mean, the reality is that life is really painful, and there are some really difficult realities, but there's also an immense amount of beauty and joy and all those things.
And so it's an active decision to seek those things out, seek those people out and groups that make you feel connected. And also just realizing that sometimes you need to go into a deep place of contemplation and a place of solitude where you sort of put your own pieces back together. And for me, that often involves connecting with nature.
So whether it's the ocean near where I live or the rainforests being around living creatures and other landscapes. And that makes me feel like I'm a part of something that does feel timeless and eternal. And I think that human beings, we have that in our bones no matter where we are, whatever culture you're from, wherever you live on the planet, we all share that really deep primal connection to the planet. So I guess it's a case of letting it flow through you really because sometimes it is going to, I think sometimes resistance is futile. Like it is just going to move through you, but realizing that it will pass. It's not going to completely break you. So, that's been my experience. I try and write about my experience with that. You know why? Because I think a lot of people feel these things, and I hope that my writing gives other people permission to express their own emotions and realize that there's another conversation that we could be having in public about how we feel about climate change and our changing world. And I really hope that it just provides people with some language around how we express those things."
Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua.
http://joellegergis.com
https://climatehistory.com.au
www.blackincbooks.com.au/authors/jo-lle-gergis
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua.
"So even though I might be feeling really distressed by some of the work that I'm exposed to in my profession, it isn't just black and white. And sometimes things are going to be really difficult, and that's life. I mean, the reality is that life is really painful, and there are some really difficult realities, but there's also an immense amount of beauty and joy and all those things.
And so it's an active decision to seek those things out, seek those people out and groups that make you feel connected. And also just realizing that sometimes you need to go into a deep place of contemplation and a place of solitude where you sort of put your own pieces back together. And for me, that often involves connecting with nature.
So whether it's the ocean near where I live or the rainforests being around living creatures and other landscapes. And that makes me feel like I'm a part of something that does feel timeless and eternal. And I think that human beings, we have that in our bones no matter where we are, whatever culture you're from, wherever you live on the planet, we all share that really deep primal connection to the planet. So I guess it's a case of letting it flow through you really because sometimes it is going to, I think sometimes resistance is futile. Like it is just going to move through you, but realizing that it will pass. It's not going to completely break you. So, that's been my experience. I try and write about my experience with that. You know why? Because I think a lot of people feel these things, and I hope that my writing gives other people permission to express their own emotions and realize that there's another conversation that we could be having in public about how we feel about climate change and our changing world. And I really hope that it just provides people with some language around how we express those things."
http://joellegergis.com
https://climatehistory.com.au
www.blackincbooks.com.au/authors/jo-lle-gergis
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think that there are many complete pictures, but in a sense, they are all kind of redacted. And the truth is that it's strange, but I feel that, let's say, if there's a collective narrative that you totally identify with, then one should go with it. It doesn't matter if it's the Catholic Church or Antifa or the Klu Klux Klan. If people say something, they say, Oh my God, yes! They got it! They cracked it. Yay! Give me a torch. Now I got it. It's good enough. But I think that, at least the experience that I've had, many times it's that I'm too passive. And there are all kinds of narratives passing by, and I hitchhike, kind of sitting on a narrative without really judging.”
But I think that, at least the experience that I've had, many times it's that I'm too passive. And there are all kinds of narratives passing by, and I hitchhike, kind of sitting on a narrative without really judging and thinking, to say, Oh, it's nice. Oh, people say it's good. You know? And from my mother, I learned to be very, very critical of all those narratives. Because the fact that many people say something and are excited about it, doesn't mean anything."
Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life.
A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.
www.etgarkeret.com
The Middleman www.imdb.com/title/tt11523800
www.jmberlin.de/en/exhibition-inside-out-etgar-keret
https://etgarkeret.substack.com
Jellyfish http://www.imdb.com/title/tt0807721
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life.
A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.
"I think that there are many complete pictures, but in a sense, they are all kind of redacted. And the truth is that it's strange, but I feel that, let's say, if there's a collective narrative that you totally identify with, then one should go with it. It doesn't matter if it's the Catholic Church or Antifa or the Klu Klux Klan. If people say something, they say, Oh my God, yes! They got it! They cracked it. Yay! Give me a torch. Now I got it. It's good enough.
But I think that, at least the experience that I've had, many times it's that I'm too passive. And there are all kinds of narratives passing by, and I hitchhike, kind of sitting on a narrative without really judging and thinking, to say, Oh, it's nice. Oh, people say it's good. You know? And from my mother, I learned to be very, very critical of all those narratives. Because the fact that many people say something and are excited about it, doesn't mean anything."
www.etgarkeret.com
The Middleman www.imdb.com/title/tt11523800
www.jmberlin.de/en/exhibition-inside-out-etgar-keret
https://etgarkeret.substack.com
Jellyfish http://www.imdb.com/title/tt0807721
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Lielle Sand
"By doing research and reading about the time and reading contemporary reports about New York and how New York grew very fast and how society was stratified, what was astonishing is that if I hadn't known that some reports were actually written in 1881 or 1882, if I didn't know that they were 140 years old, I would have thought they were talking about the current time. So it's something this incredible amassment of riches and wealth in the hands of a few people, it's something that maybe is always prevalent in any culture, but definitely, there were very strong parallels between the current time and The Gilded Age, where there was this very rapid ascent to immeasurable riches. It's just, Bezos, Musk, you name them, it's a similar kind of discrepancy between who has a lot and who doesn't. And so in that sense, it wasn't a stretch, trying to imagine how those individuals lived in the past because there are parallels to draw from in our current time."
Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón’s Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix’s Inventing Anna, starring Julia Garner.
https://manuelbilleter.com
www.imdb.com/name/nm1193850/
www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1
https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram www.instagram.com/creativeprocesspodcast/
Cinematographer Manuel Billeter has worked across a variety of iconic and groundbreaking shows and films including Jessica Jones, Luke Cage, Iron Fist, Law & Order, Person of Interest, Orange Is The New Black, Lawless, and Alfonso Cuarón’s Y tu mamá también. Most recently he has been Director of Photography on the HBO Max series The Gilded Age, starring Carrie Coon and Christine Baranski, and Netflix’s Inventing Anna, starring Julia Garner.
"By doing research and reading about the time and reading contemporary reports about New York and how New York grew very fast and how society was stratified, what was astonishing is that if I hadn't known that some reports were actually written in 1881 or 1882, if I didn't know that they were 140 years old, I would have thought they were talking about the current time. So it's something this incredible amassment of riches and wealth in the hands of a few people, it's something that maybe is always prevalent in any culture, but definitely, there were very strong parallels between the current time and The Gilded Age, where there was this very rapid ascent to immeasurable riches. It's just, Bezos, Musk, you name them, it's a similar kind of discrepancy between who has a lot and who doesn't. And so in that sense, it wasn't a stretch, trying to imagine how those individuals lived in the past because there are parallels to draw from in our current time."
https://manuelbilleter.com
www.imdb.com/name/nm1193850/
www.imdb.com/title/tt4406178/?ref_=fn_al_tt_1
https://www.imdb.com/title/tt8740976/?ref_=fn_al_tt_1
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram www.instagram.com/creativeprocesspodcast/
Photo credit: Sarah Shatz
"There's a couple of reasons I think that it slipped attention. Partly because International Relations has tended to focus on large professionalized international NGOs, groups that many of your listeners are probably familiar with, like Greenpeace, Oxfam, Human Rights Watch, Amnesty International, but in being focused on those now well-established professional NGOs, our scholarship had missed, in my view, the rise of new forms of organization, which the digital era had enabled. So scholars since the nineties had written about how digital communications could be useful for sharing messages and tactics between different activists around the world, but they hadn't asked how is it going to change the very form? The very organizational structure, and this is where I think political communications scholars who really got interested in digital technology and how it was shaping political communications had done some writing and they had spelled out the ways that we were seeing new, what they called hybrid forms of organization that were blurring the boundaries between social movements or media or political parties.
Most of their literature was focused on national impact. So for IR scholars, it was flying under the radar because these were organizations that might be shaping national debates, but they weren't seen to have an international impact. And one of the things my book does is spell out how, even though these groups might be targeting national actors - ministers, government officials, prime ministers - they can influence public opinion in important ways on international issues like trade, climate, and refugees."
Nina Hall is an Assistant Professor in International Relations at Johns Hopkins School of Advanced International Studies (Europe). She previously worked as a Lecturer at the Hertie School of Governance, where she published her first book Displacement, Development, and Climate Change: International Organizations Moving Beyond their Mandates? Her latest book is Transnational Advocacy in the Digital Era: Think Global, Act Local. She holds a DPhil in International Relations from the University of Oxford and is the co-founder of an independent and progressive think tank, New Zealand Alternative. She has been a Senior Fellow at the Weizenbaum Institute (the German Internet Institute) and a Faculty Affiliate at the SNF Agora Institute, Johns Hopkins University.
https://ninahall.net
https://global.oup.com/academic/product/transnational-advocacy-in-the-digital-era-9780198858744?cc=fr⟨=en&
https://sais.jhu.edu/users/nhall20
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast
Nina Hall is an Assistant Professor in International Relations at Johns Hopkins School of Advanced International Studies (Europe). She previously worked as a Lecturer at the Hertie School of Governance, where she published her first book Displacement, Development, and Climate Change: International Organizations Moving Beyond their Mandates? Her latest book is Transnational Advocacy in the Digital Era: Think Global, Act Local. She holds a DPhil in International Relations from the University of Oxford and is the co-founder of an independent and progressive think tank, New Zealand Alternative. She has been a Senior Fellow at the Weizenbaum Institute (the German Internet Institute) and a Faculty Affiliate at the SNF Agora Institute, Johns Hopkins University.
"There's a couple of reasons I think that it slipped attention. Partly because International Relations has tended to focus on large professionalized international NGOs, groups that many of your listeners are probably familiar with, like Greenpeace, Oxfam, Human Rights Watch, Amnesty International, but in being focused on those now well-established professional NGOs, our scholarship had missed, in my view, the rise of new forms of organization, which the digital era had enabled. So scholars since the nineties had written about how digital communications could be useful for sharing messages and tactics between different activists around the world, but they hadn't asked how is it going to change the very form? The very organizational structure, and this is where I think political communications scholars who really got interested in digital technology and how it was shaping political communications had done some writing and they had spelled out the ways that we were seeing new, what they called hybrid forms of organization that were blurring the boundaries between social movements or media or political parties.
Most of their literature was focused on national impact. So for IR scholars, it was flying under the radar because these were organizations that might be shaping national debates, but they weren't seen to have an international impact. And one of the things my book does is spell out how, even though these groups might be targeting national actors - ministers, government officials, prime ministers - they can influence public opinion in important ways on international issues like trade, climate, and refugees."
https://ninahall.net
https://global.oup.com/academic/product/transnational-advocacy-in-the-digital-era-9780198858744?cc=fr⟨=en&
https://sais.jhu.edu/users/nhall20
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast
"But then what is the next problem? The challenge is not coming up with new technology, right? The challenge is how do we humans adapt to this technology, and put it to a good use? And, right now, so I've gone from hardware and software, Right now I'm most interested in what some people call wetware. How our brain works because all of these ideas that you see behind me on the screen, where do they come up from? They come up from my head. And if you look at how your thought process is working, sometimes they just seem to pop up, right?
Especially these days. I think what all this technology has shown us, especially with the pandemic, Twitter, Facebook, I don't think it's so much that the technology has changed us, more that it kind of reveals what's going on in our mind. And basically, I cannot think of any single thing that anybody could write that you don't get all kinds of feedback. Great idea. Terrible idea. So like Galileo with the telescope, it kind of allows us to see into our collective mind.
Some days it's very illuminating because finally we have the data in front of us. You could not cure infectious diseases until you had the microscope, until you could actually see, Oh, this is what's happening at the cellular level. So similarly, I think what the tools that we have developed for communicating with each other have given us is an ability to look at what is actually happening. What is inside our minds."
Alberto Savoia was Google’s first engineering director and is currently Innovation Agitator Emeritus, where, among other things, he led the development and launch of the original Google AdWords. He is the author of The Right It: Why So Many Ideas Fail and How to Make Sure Yours Succeed, a book that provides critical advice for rethinking how we launch a new idea, product, or business, and gives insights to help successfully beat the law of market failure: that most new products will fail, even if competently executed. He is a successful serial entrepreneur, angel-investor and an expert practitioner in pretotyping and lean innovation. He is based in Silicon Valley where he teaches his uniquely effective approach to innovation at Google, Stanford. He has also taught and coached many Fortune 500 companies, including Nike, McDonald’s, and Walmart, as well as the US Army.
www.albertosavoia.com
https://harperone.com/9780062884671/the-right-it
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
Alberto Savoia was Google’s first engineering director and is currently Innovation Agitator Emeritus, where, among other things, he led the development and launch of the original Google AdWords. He is the author of The Right It: Why So Many Ideas Fail and How to Make Sure Yours Succeed, a book that provides critical advice for rethinking how we launch a new idea, product, or business, and gives insights to help successfully beat the law of market failure: that most new products will fail, even if competently executed.
He is a successful serial entrepreneur, angel-investor and an expert practitioner in pretotyping and lean innovation. He is based in Silicon Valley where he teaches his uniquely effective approach to innovation at Google, Stanford. He has also taught and coached many Fortune 500 companies, including Nike, McDonald’s, and Walmart, as well as the US Army.
"But then what is the next problem? The challenge is not coming up with new technology, right? The challenge is how do we humans adapt to this technology, and put it to a good use? And, right now, so I've gone from hardware and software, Right now I'm most interested in what some people call wetware. How our brain works because all of these ideas that you see behind me on the screen, where do they come up from? They come up from my head. And if you look at how your thought process is working, sometimes they just seem to pop up, right?
Especially these days. I think what all this technology has shown us, especially with the pandemic, Twitter, Facebook, I don't think it's so much that the technology has changed us, more that it kind of reveals what's going on in our mind. And basically, I cannot think of any single thing that anybody could write that you don't get all kinds of feedback. Great idea. Terrible idea. So like Galileo with the telescope, it kind of allows us to see into our collective mind.
Some days it's very illuminating because finally we have the data in front of us. You could not cure infectious diseases until you had the microscope, until you could actually see, Oh, this is what's happening at the cellular level. So similarly, I think what the tools that we have developed for communicating with each other have given us is an ability to look at what is actually happening. What is inside our minds."
www.albertosavoia.com
https://harperone.com/9780062884671/the-right-it
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
"I think actually it's not that complex. Complexity is a racket for not wanting to act. Whole institutions try to generate complexity so everybody can become and maintain business as usual. It's not so complex because, in the end, there's just one planet Earth we live on. It's hard to get to Mars. That's that. And so how can we thrive within that planetary constraint? So I think the first thing is to say is this whole conundrum we live in is not your burden. So it's more helpful rather than saying, "This is my burden" to recognize the conundrums you are in as your context. That's just your game board. You're on that game board, and the question is what is helpful? The second point is what is helpful is solutions that are replicable, and physically replicable, are good for you because you're much more likely to succeed. With them, you're not running into competition. And it also helps others more than they want others to also take on these solutions because they're replicable are not in competition with you. So that's kind of the true meaning of win-win solutions. Solutions that are replicable are more stable. They make the system more stable. So that's kind of the two simple rules. Recognize it's your context. The second one is focus on replicable solutions, and the complexity just falls away."
Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures.
www.footprintnetwork.org
www.footprintnetwork.org/tools
www.overshootday.org/power-of-possibility/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures.
"I think actually it's not that complex. Complexity is a racket for not wanting to act. Whole institutions try to generate complexity so everybody can become and maintain business as usual. It's not so complex because, in the end, there's just one planet Earth we live on. It's hard to get to Mars. That's that. And so how can we thrive within that planetary constraint? So I think the first thing is to say is this whole conundrum we live in is not your burden. So it's more helpful rather than saying, "This is my burden" to recognize the conundrums you are in as your context. That's just your game board. You're on that game board, and the question is what is helpful? The second point is what is helpful is solutions that are replicable, and physically replicable, are good for you because you're much more likely to succeed. With them, you're not running into competition. And it also helps others more than they want others to also take on these solutions because they're replicable are not in competition with you. So that's kind of the true meaning of win-win solutions. Solutions that are replicable are more stable. They make the system more stable. So that's kind of the two simple rules. Recognize it's your context. The second one is focus on replicable solutions, and the complexity just falls away."
www.footprintnetwork.org
www.footprintnetwork.org/tools
www.overshootday.org/power-of-possibility/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
"I’m naturally drawn to optimism, which is a gift from my sweet father. I actually worried that I might just be soft-headed until I read this quote from activist and professor Angela Davis: ‘I don’t think we have any alternative other than remaining optimistic. Optimism is an absolute necessity, even if it’s only optimism of the will ... and pessimism of the intellect.’ But it’s hard to hang on to optimism. Like others—probably you—I panic at the growing, undeniable evidence of humanity’s damage to the natural world around us, and fear we’ll never get our shit together to do anything about it as our politics and cultures continue to clash in the nastiest of ways. When I wrote my previous book, The Soil Will Save Us, I discovered a wellspring of optimism as I met farmers, ranchers, scientists, and others figuring out how to restore damaged agricultural landscapes. But if the world is characterized by greed and grasping and selfishness, as so many people believe, would the growing numbers of ordinary ecological heroes be enough?"
–Kristin Ohlson
Sweet in Tooth and Claw
Kristen Ohlson is the author of Sweet in Tooth and Claw: Stories of Generosity and Cooperation in the Natural World. Her other books include The Soil Will Save Us: How Scientists, Farmers and Foodies are Healing the Soil to Save the Planet, and Kabul Beauty School: An American Woman Goes Behind the Veil. Olson appears in the award-winning documentary film Kiss The Ground, speaking about the connection between soil and climate. Her work has appeared in the New York Times, Smithsonian, Discover, New Scientist, Orion, American Archeology, and has also been anthologized in Best American Science Writing, and Best American Food Writing.
www.kristinohlson.com
www.patagonia.com/stories/sweet-in-tooth-and-claw/story-123959.html
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast
Kristin Ohlson is the author of Sweet in Tooth and Claw: Stories of Generosity and Cooperation in the Natural World. Her other books include The Soil Will Save Us: How Scientists, Farmers and Foodies are Healing the Soil to Save the Planet, and Kabul Beauty School: An American Woman Goes Behind the Veil. Olson appears in the award-winning documentary film Kiss The Ground, speaking about the connection between soil and climate. Her work has appeared in the New York Times, Smithsonian, Discover, New Scientist, Orion, American Archeology, and has also been anthologized in Best American Science Writing, and Best American Food Writing.
"I’m naturally drawn to optimism, which is a gift from my sweet father. I actually worried that I might just be soft-headed until I read this quote from activist and professor Angela Davis: ‘I don’t think we have any alternative other than remaining optimistic. Optimism is an absolute necessity, even if it’s only optimism of the will ... and pessimism of the intellect.’ But it’s hard to hang on to optimism. Like others—probably you—I panic at the growing, undeniable evidence of humanity’s damage to the natural world around us, and fear we’ll never get our shit together to do anything about it as our politics and cultures continue to clash in the nastiest of ways. When I wrote my previous book, The Soil Will Save Us, I discovered a wellspring of optimism as I met farmers, ranchers, scientists, and others figuring out how to restore damaged agricultural landscapes. But if the world is characterized by greed and grasping and selfishness, as so many people believe, would the growing numbers of ordinary ecological heroes be enough?"
–Kristin Ohlson
Sweet in Tooth and Claw
www.kristinohlson.com
www.patagonia.com/stories/sweet-in-tooth-and-claw/story-123959.html
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast
"We have to solve three problems. We have to create a low-waste society through incentives to change individual behavior from consumer to user through loss and waste prevention, and intelligent resource management. We also have to create a low-carbon society by preserving the water, electricity, and CO2 emissions embodied in physical assets or through innovation in green electricity and circular energy. And the third challenge, which is probably the biggest, we have to create a low anthropogenic mass society by preserving these existing stocks of infrastructure, buildings, equipment, vehicles, and objects. The only strategy I know that can fulfill these three challenges is a circular industrial economy.
Now the last point, low anthropogenic mass society is simply because some years ago, the rapidly growing anthropogenic mass has become bigger than the world's biomass. And that of course means we are destroying the biomass because we have a limited planet, and we are destroying biodiversity and replacing it with synthetic manmade materials and objects. And this in the long term means we are killing ourselves, so we have to stop producing anthropogenic mass, except in countries that don't yet have sufficient infrastructures for education, health, living, and sufficient food to feed the population."
Walter R. Stahel is the Founder-Director of the Product-Life Institute (Switzerland), the oldest established consultancy in Europe devoted to developing sustainable strategies and policies. He is Senior Research Fellow at the Circular Economy Research Centre, Ecole des Ponts Business School and Visiting Professor in the Department of Engineering and Physical Sciences, University of Surrey. He is also a full member of the Club of Rome. He was awarded degrees of Doctor honoris causa by the University of Surrey, l’Université de Montréal, and the 2020 Thornton Medal of the Institute of Materials, Minerals and Mining. He is the author of The Circular Economy: A User’s Guide.
www.product-life.org
www.routledge.com/The-Circular-Economy-A-Users-Guide/Stahel/p/book/9780367200176
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast
Walter R. Stahel is the Founder-Director of the Product-Life Institute (Switzerland), the oldest established consultancy in Europe devoted to developing sustainable strategies and policies. He is Senior Research Fellow at the Circular Economy Research Centre, Ecole des Ponts Business School and Visiting Professor in the Department of Engineering and Physical Sciences, University of Surrey. He is also a full member of the Club of Rome. He was awarded degrees of Doctor honoris causa by the University of Surrey, l’Université de Montréal, and the 2020 Thornton Medal of the Institute of Materials, Minerals and Mining. He is the author of The Circular Economy: A User’s Guide.
"We have to solve three problems. We have to create a low-waste society through incentives to change individual behavior from consumer to user through loss and waste prevention, and intelligent resource management. We also have to create a low-carbon society by preserving the water, electricity, and CO2 emissions embodied in physical assets or through innovation in green electricity and circular energy. And the third challenge, which is probably the biggest, we have to create a low anthropogenic mass society by preserving these existing stocks of infrastructure, buildings, equipment, vehicles, and objects. The only strategy I know that can fulfill these three challenges is a circular industrial economy.
Now the last point, low anthropogenic mass society is simply because some years ago, the rapidly growing anthropogenic mass has become bigger than the world's biomass. And that of course means we are destroying the biomass because we have a limited planet, and we are destroying biodiversity and replacing it with synthetic manmade materials and objects. And this in the long term means we are killing ourselves, so we have to stop producing anthropogenic mass, except in countries that don't yet have sufficient infrastructures for education, health, living, and sufficient food to feed the population."
www.product-life.org
www.routledge.com/The-Circular-Economy-A-Users-Guide/Stahel/p/book/9780367200176
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast
"If you don't have the numbers, if you lack status or you lack power, the way to be persuasive towards a group is much different than if you do have the title or are socially attractive in that group. The key is I stress-tested everything that I study, which is: would this intervention work on being influential if you were in a corporation? If you were in a parent-teacher meeting? If you were on a sports team, and you thought that there was, you know, excessive homophobia or sexism in the locker room? And it kept on being that a lot of these interventions ended up being very effective. And they start with really acknowledging how can we modify the norms to be respective of views that are different from what the majority considers valid?"
Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group.
https://toddkashdan.com
www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group.
"If you don't have the numbers, if you lack status or you lack power, the way to be persuasive towards a group is much different than if you do have the title or are socially attractive in that group. The key is I stress-tested everything that I study, which is: would this intervention work on being influential if you were in a corporation? If you were in a parent-teacher meeting? If you were on a sports team, and you thought that there was, you know, excessive homophobia or sexism in the locker room? And it kept on being that a lot of these interventions ended up being very effective. And they start with really acknowledging how can we modify the norms to be respective of views that are different from what the majority considers valid?"
https://toddkashdan.com
www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
"For me, my mind is a kind of safety net. We human beings, unfortunately, are only putting safety on something that we can touch, a rope, a chain, a ladder, whatever. But safety, it can be something else. It can be your faith in yourself. If you meet a lawyer and you are telling him, I've been to court many times having to defend myself in front of a prosecutor charging me for reckless endangerment, and I explain to them when I'm climbing I know what I do, and I feel safe. And if I feel safe, it means that I am not endangering anyone else.
We human beings, we are the problem. We are the ones who are putting a barrier on everything. We don't want to recognize that our human brain or mind is capable of doing something that we cannot put on paper. We cannot buy, like you buy some expensive insurances. And it's just a strong belief in myself. I can make it, and I will make it because I feel safe doing it. Actually, when you are at it, you are focused. Our survival instinct is really working very well.
I don't feel like falling. I don't feel like dying, and even if something happens like a close call. It doesn't really bother me that much. It's like, Okay, I nearly fell, but I didn't. Then the show must go on. And that's it. I'm not panicking. I'm just dealing with the obstacles one by one."
Alain Robert is a renowned rock climber and urban climber. Known as "the French Spider-Man” or "the Human Spider," Robert is famous for his free solo climbing, scaling skyscrapers using no climbing equipment except for a small bag of chalk and a pair of climbing shoes. Some of his most notable ascents include the Burj Khalifa, the Eiffel Tower, and the Sydney Opera House, as well as other of the world's tallest skyscrapers. He is also a motivational speaker and the author of With Bare Hands: The True Story of Alain Robert, the Real-life Spiderman.
www.alainrobert.com
www.instagram.com/alainrobertofficial/?hl=fr
www.blacksmithbooks.com/books/with-bare-hands-the-true-story-of-alain-robert-the-real-life-spiderman/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
Image courtesy of alainrobert.com
Alain Robert is a renowned rock climber and urban climber. Known as "the French Spider-Man” or "the Human Spider," Robert is famous for his free solo climbing, scaling skyscrapers using no climbing equipment except for a small bag of chalk and a pair of climbing shoes. Some of his most notable ascents include the Burj Khalifa, the Eiffel Tower, and the Sydney Opera House, as well as other of the world's tallest skyscrapers. He is also a motivational speaker and the author of With Bare Hands: The True Story of Alain Robert, the Real-life Spiderman.
"For me, my mind is a kind of safety net. We human beings, unfortunately, are only putting safety on something that we can touch, a rope, a chain, a ladder, whatever. But safety, it can be something else. It can be your faith in yourself. If you meet a lawyer and you are telling him, I've been to court many times having to defend myself in front of a prosecutor charging me for reckless endangerment, and I explain to them when I'm climbing I know what I do, and I feel safe. And if I feel safe, it means that I am not endangering anyone else.
We human beings, we are the problem. We are the ones who are putting a barrier on everything. We don't want to recognize that our human brain or mind is capable of doing something that we cannot put on paper. We cannot buy, like you buy some expensive insurances. And it's just a strong belief in myself. I can make it, and I will make it because I feel safe doing it. Actually, when you are at it, you are focused. Our survival instinct is really working very well.
I don't feel like falling. I don't feel like dying, and even if something happens like a close call. It doesn't really bother me that much. It's like, Okay, I nearly fell, but I didn't. Then the show must go on. And that's it. I'm not panicking. I'm just dealing with the obstacles one by one."
www.alainrobert.com
www.instagram.com/alainrobertofficial/?hl=fr
www.blacksmithbooks.com/books/with-bare-hands-the-true-story-of-alain-robert-the-real-life-spiderman/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast
Image courtesy of alainrobert.com
"Well, news is fascinating because news is now engineered to be addictive, right? It's that sort of 24/7 sensational presentation through this visual medium. And what's so interesting about our consumption of news is how little new information we actually glean per unit of time we spend getting our news, especially if we're getting it from social media. But what happens is that it really engages our novelty seeking and our desire for dopamine, which looks for something similar, but with just a slight variation. So that really where we get to a point where we're not chasing new information, although we tell ourselves that, we're really chasing dopamine and wanting to experience the emotional reaction that we get from certain types of news stories, whether it's a validation of our own beliefs and values or that kind of communal outrage when people experience an emotion at the same time that other people are experiencing an emotion, that releases quite a lot of do meaning because of course we're social tribal creatures, and that's one of the ways that we wire together is that we have the same emotional reaction together, and that's very reinforcing."
Dr. Anna Lembke is professor of psychiatry at Stanford University School of Medicine and chief of the Stanford Addiction Medicine Dual Diagnosis Clinic. A clinician scholar, she has published more than a hundred peer-reviewed papers, book chapters, and commentaries. She sits on the board of several state and national addiction-focused organizations, has testified before various committees in the United States House of Representatives and Senate, keeps an active speaking calendar, and maintains a thriving clinical practice. Dr. Lembke explores how to moderate compulsive overconsumption in a dopamine overloaded world in her NYTimes bestselling book Dopamine Nation: Finding Balance in the Age of Indulgence. Her previous book Drug Dealer, MD – How Doctors Were Duped, Patients Got Hooked, and Why It’s So Hard to Stop was highlighted in the New York Times as one of the top five books to read to understand the opioid epidemic.
www.annalembke.com
https://med.stanford.edu/psychiatry/patient_care/addiction.html
www.penguinrandomhouse.com/books/624957/dopamine-nation-by-anna-lembke-md/
www.press.jhu.edu/books/title/11360/drug-dealer-md
www.creativeprocess.info
www.oneplanetpodcast.org
Dr. Anna Lembke is professor of psychiatry at Stanford University School of Medicine and chief of the Stanford Addiction Medicine Dual Diagnosis Clinic. A clinician scholar, she has published more than a hundred peer-reviewed papers, book chapters, and commentaries. She sits on the board of several state and national addiction-focused organizations, has testified before various committees in the United States House of Representatives and Senate, keeps an active speaking calendar, and maintains a thriving clinical practice. Dr. Lembke explores how to moderate compulsive overconsumption in a dopamine overloaded world in her NYTimes bestselling book Dopamine Nation: Finding Balance in the Age of Indulgence. Her previous book Drug Dealer, MD – How Doctors Were Duped, Patients Got Hooked, and Why It’s So Hard to Stop was highlighted in the New York Times as one of the top five books to read to understand the opioid epidemic.
"Well, news is fascinating because news is now engineered to be addictive, right? It's that sort of 24/7 sensational presentation through this visual medium. And what's so interesting about our consumption of news is how little new information we actually glean per unit of time we spend getting our news, especially if we're getting it from social media. But what happens is that it really engages our novelty seeking and our desire for dopamine, which looks for something similar, but with just a slight variation. So that really where we get to a point where we're not chasing new information, although we tell ourselves that, we're really chasing dopamine and wanting to experience the emotional reaction that we get from certain types of news stories, whether it's a validation of our own beliefs and values or that kind of communal outrage when people experience an emotion at the same time that other people are experiencing an emotion, that releases quite a lot of do meaning because of course we're social tribal creatures, and that's one of the ways that we wire together is that we have the same emotional reaction together, and that's very reinforcing."
www.annalembke.com
https://med.stanford.edu/psychiatry/patient_care/addiction.html
www.penguinrandomhouse.com/books/624957/dopamine-nation-by-anna-lembke-md/
www.press.jhu.edu/books/title/11360/drug-dealer-md
www.creativeprocess.info
www.oneplanetpodcast.org
“What is a Green Amendment? It is language that recognizes the rights of all people to clean water and clean air, a stable climate, and healthy environments, and obligates the government to protect those rights and the natural resources of the state for the benefit of all the people in the state, or if it was a federal green amendment in the United States, and they become obliged to protect those environmental rights and those natural resources for the benefit of both present and future generations, that's functionally what it does. But to help people understand what it accomplishes, a green amendment actually obligates the government to recognize and protect our environmental rights in the same, most powerful way we recognize and protect the other fundamental freedoms we hold dear. Things like the right to free speech, freedom of religion, civil rights, and private property rights. We all know how powerfully they are protected from government overreach and infringement. Well, when we have Green Amendments, now the environment and our environmental rights are added to that list of highest constitutional freedoms and protections."
Maya K. van Rossum is the founder of Green Amendments For The Generations, a national nonprofit organization dedicated to inspiring passage of Green Amendments in every state constitution across our nation, and also at the federal level when the time is right. She is an environmental attorney, community organizer, and the Delaware Riverkeeper, leading the regional advocacy organization, the Delaware Riverkeeper Network, for over 30 years. The Delaware Riverkeeper Network works throughout the four states of the Delaware River watershed (NY, NJ, PA & DE) and at the national level using advocacy, science and litigation to protect the Delaware River and its tributaries. She is the Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment.
www.ForTheGenerations.org
www.delawareriverkeeper.org
https://forthegenerations.org/the-green-amendment/
https://twitter.com/MayaKvanRossum
www.creativeprocess.info
www.oneplanetpodcast.org
Maya K. van Rossum is the founder of Green Amendments For The Generations, a national nonprofit organization dedicated to inspiring passage of Green Amendments in every state constitution across our nation, and also at the federal level when the time is right. She is an environmental attorney, community organizer, and the Delaware Riverkeeper, leading the regional advocacy organization, the Delaware Riverkeeper Network, for over 30 years. The Delaware Riverkeeper Network works throughout the four states of the Delaware River watershed (NY, NJ, PA & DE) and at the national level using advocacy, science and litigation to protect the Delaware River and its tributaries. She is the Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment.
"It's very, very important that people are fully informed about what is the current situation when it comes to the environment and environmental impacts within their community. And what does the science say about a proposal that's coming down the pike? It's also very important that they understand the laws that are implicated? What are the agencies that have a role in deciding whether or not they will be exposed to whatever the proposal is that's coming down the pike?
But I think also something that's very important, whether people have a Green Amendment or not, is really for them to take into their hearts and their minds this understanding and belief that the right to a clean, safe, and healthy environment is truly an inalienable right that belongs to all people by virtue of the fact that we are here on this Earth.
It's not something that government has given to us. Government doesn't give us the right to clean water and clean air. We're born with that. The question is what do we do to protect those environmental rights from harm by industry, by developers, and by unscrupulous lawmakers? One of the things that we do is we try to pass and enforce good laws. The problem is the way all the laws are written nationwide is they really, at the state level and on the federal level, they really start from a place that pollution and degradation is acceptable. And so we need to just manage it, and they manage it by issuing permits that very literally legalize the environmental harm that's about to happen."
www.ForTheGenerations.org
www.delawareriverkeeper.org
https://forthegenerations.org/the-green-amendment/
https://twitter.com/MayaKvanRossum
www.creativeprocess.info
www.oneplanetpodcast.org
"I think the general waking up that I'm seeing around me in so many different parts of society, people from all walks understanding that this is here, it's not a future threat. It's active now. We need to get smart about addressing it. And there's a deep approach that... You know, we've just been through the Great Resignation with COVID where a lot of people are leaving their jobs. But similarly, a lot of people are also asking themselves how can I be of service? What can I do at this time? How am I going to be? And you know, the more climate job boards and networking communities and sites of bringing people together to do that work of figuring out how they're going to go on their climate journey while infusing it with a sense of joy, with a sense of how can we make this fun, right? How can we reshift so this is not just focusing on the negative, but really focusing on what we want to be building and what is abundant and the better life that we're working towards? All of that has been popping up a lot and that gives me an honest sense of hope.
You know, I see that reflected. I see real people doing real things and changes in their life. And I feel it within myself and all of those things are just great. It's possible to have high well-being, high meaning, high engagement with things that matter, and that are purposeful, and waves of cultivating, nourishing emotions around all of those things in an increasingly turbulent world. We can do that. So even as the systems around us change. If water is becoming more scarce, let's say, or food scarcity, climate disasters ramping up, and migration crises, there are lots of things that we can do within ourselves to stretch our capacity to be caring and continue taking action for the present moment."
Britt Wray is the author of Generation Dread: Finding Purpose in an Age of Climate Crisis. She's a writer and broadcaster researching the emotional and psychological impacts of the climate crisis. Born and raised in Toronto, Canada, she is a post-doctoral fellow at Stanford University and the London School of Hygiene and Tropical Medicine, where she investigates the mental health consequences of ecological disruption. She holds a PhD in Science Communication from the University of Copenhagen. Her work has been featured in the New York Times, Washington Post Guardian, and Globe and Mail, among other publications. She has hosted several podcasts, radio, and TV programs with the BBC and CBC, is a TED Resident, and writes Gan Dread, a newsletter about staying sane in the climate crisis. She is also the author of Rise of the Necrofauna: The Science, Ethics, and Risks of De-Extinction.
www.brittwray.com
www.penguinrandomhouse.com/books/647141/generation-dread-by-britt-wray
https://greystonebooks.com/products/rise-of-the-necrofauna
www.oneplanetpodcast.org
www.creativeprocess.info
Britt Wray is the author of Generation Dread: Finding Purpose in an Age of Climate Crisis. She's a writer and broadcaster researching the emotional and psychological impacts of the climate crisis. Born and raised in Toronto, Canada, she is a post-doctoral fellow at Stanford University and the London School of Hygiene and Tropical Medicine, where she investigates the mental health consequences of ecological disruption. She holds a PhD in Science Communication from the University of Copenhagen. Her work has been featured in the New York Times, Washington Post Guardian, and Globe and Mail, among other publications. She has hosted several podcasts, radio, and TV programs with the BBC and CBC, is a TED Resident, and writes Gan Dread, a newsletter about staying sane in the climate crisis. She is also the author of Rise of the Necrofauna: The Science, Ethics, and Risks of De-Extinction.
"I think the general waking up that I'm seeing around me in so many different parts of society, people from all walks understanding that this is here, it's not a future threat. It's active now. We need to get smart about addressing it. And there's a deep approach that... You know, we've just been through the Great Resignation with COVID where a lot of people are leaving their jobs. But similarly, a lot of people are also asking themselves how can I be of service? What can I do at this time? How am I going to be? And you know, the more climate job boards and networking communities and sites of bringing people together to do that work of figuring out how they're going to go on their climate journey while infusing it with a sense of joy, with a sense of how can we make this fun, right? How can we reshift so this is not just focusing on the negative, but really focusing on what we want to be building and what is abundant and the better life that we're working towards? All of that has been popping up a lot and that gives me an honest sense of hope.
You know, I see that reflected. I see real people doing real things and changes in their life. And I feel it within myself and all of those things are just great. It's possible to have high well-being, high meaning, high engagement with things that matter, and that are purposeful, and waves of cultivating, nourishing emotions around all of those things in an increasingly turbulent world. We can do that. So even as the systems around us change. If water is becoming more scarce, let's say, or food scarcity, climate disasters ramping up, and migration crises, there are lots of things that we can do within ourselves to stretch our capacity to be caring and continue taking action for the present moment."
www.brittwray.com
www.penguinrandomhouse.com/books/647141/generation-dread-by-britt-wray
https://greystonebooks.com/products/rise-of-the-necrofauna
www.oneplanetpodcast.org
www.creativeprocess.info
"So one of the things that we find about water is that it's really under-institutionalized. I mean the UN plays a big role, and there's actually a big UN Groundwater meeting coming up in Paris at the end of the year, and sometimes these agencies don't really have the teeth to get things done. And I think that although a lot of the work that I do is related directly to climate, I think water sort of takes a backseat to broader climate change issues and carbon issues. So I think that, in general, there's a great willingness to work together across countries, internationally on water management, and on securing our global water futures jointly. There's a great willingness, but it's sort of under-institutionalized. And actually I just yesterday finished a proposal and submitted it to try to mitigate that, to address that situation by putting in a proposal to form basically a global groundwater coalition, that is a team of experts that could become not a governing body, but maybe the go-to body for global groundwater policy."
Jay Famiglietti is a hydrologist, a professor and the Executive Director of the Global Institute for Water Security at the University of Saskatchewan, where he holds the Canada 150 Research Chair in Hydrology and Remote Sensing. He is also the Chief Scientist of the Silicon Valley tech startup, Waterplan. Before moving to Saskatchewan, he served as the Senior Water Scientist at the NASA Jet Propulsion Laboratory at the California Institute of Technology. From 2013 through 2018, he was appointed by Governor Jerry Brown to the California State Water Boards. He has appeared on CBS News 60 Minutes, on HBO’s Real Time with Bill Maher, as a featured expert in water documentaries including Day Zero and Last Call at the Oasis, and across a host of international news media. He is the host of the podcast What About Water?
https://jayfamiglietti.com
What About Water? podcast with Jay Famiglietti
Twitter @WhatAboutWater
GIWS https://water.usask.ca
www.waterplan.com
www.oneplanetpodcast.org
www.creativeprocess.info
Jay Famiglietti is a hydrologist, a professor and the Executive Director of the Global Institute for Water Security at the University of Saskatchewan, where he holds the Canada 150 Research Chair in Hydrology and Remote Sensing. He is also the Chief Scientist of the Silicon Valley tech startup, Waterplan. Before moving to Saskatchewan, he served as the Senior Water Scientist at the NASA Jet Propulsion Laboratory at the California Institute of Technology. From 2013 through 2018, he was appointed by Governor Jerry Brown to the California State Water Boards. He has appeared on CBS News 60 Minutes, on HBO’s Real Time with Bill Maher, as a featured expert in water documentaries including Day Zero and Last Call at the Oasis, and across a host of international news media. He is the host of the podcast What About Water?
"So one of the things that we find about water is that it's really under-institutionalized. I mean the UN plays a big role, and there's actually a big UN Groundwater meeting coming up in Paris at the end of the year, and sometimes these agencies don't really have the teeth to get things done. And I think that although a lot of the work that I do is related directly to climate, I think water sort of takes a backseat to broader climate change issues and carbon issues. So I think that, in general, there's a great willingness to work together across countries, internationally on water management, and on securing our global water futures jointly. There's a great willingness, but it's sort of under-institutionalized. And actually I just yesterday finished a proposal and submitted it to try to mitigate that, to address that situation by putting in a proposal to form basically a global groundwater coalition, that is a team of experts that could become not a governing body, but maybe the go-to body for global groundwater policy."
https://jayfamiglietti.com
What About Water? podcast with Jay Famiglietti
Twitter @WhatAboutWater
GIWS https://water.usask.ca
www.waterplan.com
www.oneplanetpodcast.org
www.creativeprocess.info
"I think my vision for land stewardship is realistic, right? It's not going to go back to the way it was before climate change was a crisis, as it is now. It's not going to go back to before colonialism actually impacted many Indigenous lands. But I think with land stewardship, my vision is that the youth are also empowered to do that intergenerational learning and teaching because we often learn best from our elders, but oftentimes in school settings, we are only learning from the teachers, so we don't get that intergenerational approaches or relationships that are essential as we move forward."
Dr. Jessica Hernandez (Binnizá & Maya Ch’orti’) is a transnational Indigenous scholar, scientist, and community advocate based in the Pacific Northwest. She has an interdisciplinary academic background ranging from marine sciences to environmental physics. She advocates for climate, energy, and environmental justice through her scientific and community work. Her book Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science breaks down why western conservationism isn’t working–and offers Indigenous models informed by case studies, personal stories, and family histories that center the voices of Latin American women and land protectors. In 2022, she was named by Forbes as one of the 100 most powerful women of Central America. She holds appointments at Sustainable Seattle, City of Seattle's Urban Forestry Commission, and the International Mayan League. Fresh Banana Leaves received the Bruce Piasecki and Andrea Masters Award on Business and Society Writing (2022).
www.jessicabhernandez.com
www.penguinrandomhouse.com/books/675699/fresh-banana-leaves-by-jessica-hernandez/
www.oneplanetpodcast.org
www.creativeprocess.info
Dr. Jessica Hernandez (Binnizá & Maya Ch’orti’) is a transnational Indigenous scholar, scientist, and community advocate based in the Pacific Northwest. She has an interdisciplinary academic background ranging from marine sciences to environmental physics. She advocates for climate, energy, and environmental justice through her scientific and community work. Her book Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science breaks down why western conservationism isn’t working–and offers Indigenous models informed by case studies, personal stories, and family histories that center the voices of Latin American women and land protectors. In 2022, she was named by Forbes as one of the 100 most powerful women of Central America. She holds appointments at Sustainable Seattle, City of Seattle's Urban Forestry Commission, and the International Mayan League. Fresh Banana Leaves received the Bruce Piasecki and Andrea Masters Award on Business and Society Writing (2022).
"I think my vision for land stewardship is realistic, right? It's not going to go back to the way it was before climate change was a crisis, as it is now. It's not going to go back to before colonialism actually impacted many Indigenous lands. But I think with land stewardship, my vision is that the youth are also empowered to do that intergenerational learning and teaching because we often learn best from our elders, but oftentimes in school settings, we are only learning from the teachers, so we don't get that intergenerational approaches or relationships that are essential as we move forward."
www.jessicabhernandez.com
www.penguinrandomhouse.com/books/675699/fresh-banana-leaves-by-jessica-hernandez/
www.oneplanetpodcast.org
www.creativeprocess.info
"Now, William of Occam was a theologian, really, but he was closer to being a logician. He worked with logic, and he went to study theology at the University of Oxford. He had an uncertain history. We don't really know anything about his childhood other than he was given to the Franciscans, which gives you a clue he might have been an abandoned child, an orphaned child, an illegitimate child and just left at the monastery. So we don't really know anything much about his early life, but we do know he went to walk Oxford to study theology. And to give you a feeling for what the problem was really, theology was at that time called the Queen of Sciences. And that's because the way that people thought about the world is that theology, religion, metaphysics were all one. So yes, they had gods or angels in the sky pushing the heavenly bodies, and they had those spirits on earth causing plagues and stuff. And it was all one place. Everything was one place but with lots and lots of entities. And also part of the reason why it was called a science is that Thomas Aquinas a century earlier - another great theologian - had incorporated Aristotle's philosophy into Christian theology and came up with what he called theology as a science."
Johnjoe McFadden is the author of Life is Simple, How Occam’s Razor Set Science Free and Shapes the Universe. He obtained his PhD at Imperial College London and went on to work on human genetic diseases and then infectious diseases, at the University of Surrey. Professor McFadden has specialised in examining the genetics of microbes such as the agents of tuberculosis and meningitis. His other books are Quantum Evolution: Life in the Multiverse, and Life on the Edge: The Coming of Age of Quantum Biology (co-authored with Jim Al-Khalili). He has published more than 100 articles in scientific journals on a wide range of subjects and lectures around the world. His present post is Associate Dean (International) and Professor of Molecular Genetics at the University of Surrey.
www.surrey.ac.uk/people/johnjoe-mcfadden
https://johnjoemcfadden.co.uk
www.basicbooks.com/titles/johnjoe-mcfadden/life-is-simple/9781549112119
www.creativeprocess.info
www.oneplanetpodcast.org
Johnjoe McFadden is the author of Life is Simple, How Occam’s Razor Set Science Free and Shapes the Universe. He obtained his PhD at Imperial College London and went on to work on human genetic diseases and then infectious diseases, at the University of Surrey. Professor McFadden has specialised in examining the genetics of microbes such as the agents of tuberculosis and meningitis. His other books are Quantum Evolution: Life in the Multiverse, and Life on the Edge: The Coming of Age of Quantum Biology (co-authored with Jim Al-Khalili). He has published more than 100 articles in scientific journals on a wide range of subjects and lectures around the world. His present post is Associate Dean (International) and Professor of Molecular Genetics at the University of Surrey.
"Now, William of Occam was a theologian, really, but he was closer to being a logician. He worked with logic, and he went to study theology at the University of Oxford. He had an uncertain history. We don't really know anything about his childhood other than he was given to the Franciscans, which gives you a clue he might have been an abandoned child, an orphaned child, an illegitimate child and just left at the monastery. So we don't really know anything much about his early life, but we do know he went to walk Oxford to study theology. And to give you a feeling for what the problem was really, theology was at that time called the Queen of Sciences. And that's because the way that people thought about the world is that theology, religion, metaphysics were all one. So yes, they had gods or angels in the sky pushing the heavenly bodies, and they had those spirits on earth causing plagues and stuff. And it was all one place. Everything was one place but with lots and lots of entities. And also part of the reason why it was called a science is that Thomas Aquinas a century earlier - another great theologian - had incorporated Aristotle's philosophy into Christian theology and came up with what he called theology as a science."
www.surrey.ac.uk/people/johnjoe-mcfadden
https://johnjoemcfadden.co.uk
www.basicbooks.com/titles/johnjoe-mcfadden/life-is-simple/9781549112119
www.creativeprocess.info
www.oneplanetpodcast.org
"One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve.
There are a lot of other reforms that would be useful in improving American policing. And certainly, there are biased attitudes on the part of some police officers, but again, I think the structural problems are even greater with respect to this. There's the problem of racial segregation in high-crime neighborhoods, which means that when police are using aggressive tactics in the neighborhoods with the highest levels of crime, the targets are disproportionately people of color. There's also the fact that in the United States, it's not true in most other countries, policing is decentralized. It's a local matter. And so there's a wide range of training and a wide range of different types of protocols."
Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He’s a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.
His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.
http://richardtford.law.stanford.edu
www.creativeprocess.info
www.oneplanetpodcast.org
Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He’s a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.
His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.
"One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve.
There are a lot of other reforms that would be useful in improving American policing. And certainly, there are biased attitudes on the part of some police officers, but again, I think the structural problems are even greater with respect to this. There's the problem of racial segregation in high-crime neighborhoods, which means that when police are using aggressive tactics in the neighborhoods with the highest levels of crime, the targets are disproportionately people of color. There's also the fact that in the United States, it's not true in most other countries, policing is decentralized. It's a local matter. And so there's a wide range of training and a wide range of different types of protocols."
http://richardtford.law.stanford.edu
www.creativeprocess.info
www.oneplanetpodcast.org
"Human beings are not built for individual cognition. We're not built to master every detail about the world. Our minds are not made for storing a lot of details about the way that the world works because the world is just too complex for any one individual to master too much about it. Instead, what human beings are really designed for is collaborative cognition. We distribute knowledge across our communities, and we have sort of a division of cognitive labor where some people master certain pieces and other people master others. And then we've developed cognitive capacities for jointly pursuing complex goals together by sharing knowledge.
And so that seems to be at the core of what makes human beings really spectacular and really special. However the fact that knowledge works that way, where individuals don't know very much, but then the group knows a lot, what ends up happening is just by virtue of participating in a group, what we call a community of knowledge, we tend to feel like we understand things better than we do because we're surrounded by other people who might have the information."
Philip Fernbach is an Associate Professor of Marketing and Co-Director of the Center for Research on Consumer Financial Decision Making at the University of Colorado, Boulder, Leeds School of Business. He’s published widely in the top journals in cognitive science, consumer research and marketing, and received the ACR Early Career Award for Contributions to Consumer Research. He’s co-author with Steve Sloman of The Knowledge Illusion: Why We Never Think Alone, which was chosen as a New York Times Editor’s Pick. He’s also written for NYTimes, Harvard Business Review, and his research has been featured in the Wall Street Journal, The Washinton Post, National Public Radio, and the BBC. He received his Ph.D. in cognitive science from the Department of Cognitive, Linguistic and Psychological Sciences at Brown and his undergraduate degree in Philosophy from Williams College. He teaches data analytics and behavioral science to undergraduate and Masters students.
www.colorado.edu/business/
www.philipfernbach.com
The Knowledge Illusion
www.creativeprocess.info
www.oneplanetpodcast.org
Philip Fernbach is an Associate Professor of Marketing and Co-Director of the Center for Research on Consumer Financial Decision Making at the University of Colorado, Boulder, Leeds School of Business. He’s published widely in the top journals in cognitive science, consumer research and marketing, and received the ACR Early Career Award for Contributions to Consumer Research. He’s co-author with Steve Sloman of The Knowledge Illusion: Why We Never Think Alone, which was chosen as a New York Times Editor’s Pick. He’s also written for NYTimes, Harvard Business Review, and his research has been featured in the Wall Street Journal, The Washinton Post, National Public Radio, and the BBC. He received his Ph.D. in cognitive science from the Department of Cognitive, Linguistic and Psychological Sciences at Brown and his undergraduate degree in Philosophy from Williams College. He teaches data analytics and behavioral science to undergraduate and Masters students.
"Human beings are not built for individual cognition. We're not built to master every detail about the world. Our minds are not made for storing a lot of details about the way that the world works because the world is just too complex for any one individual to master too much about it. Instead, what human beings are really designed for is collaborative cognition. We distribute knowledge across our communities, and we have sort of a division of cognitive labor where some people master certain pieces and other people master others. And then we've developed cognitive capacities for jointly pursuing complex goals together by sharing knowledge.
And so that seems to be at the core of what makes human beings really spectacular and really special. However the fact that knowledge works that way, where individuals don't know very much, but then the group knows a lot, what ends up happening is just by virtue of participating in a group, what we call a community of knowledge, we tend to feel like we understand things better than we do because we're surrounded by other people who might have the information."
www.colorado.edu/business/
www.philipfernbach.com
The Knowledge Illusion
www.creativeprocess.info
www.oneplanetpodcast.org
"I co-founded what has become EDGE for gender and intersectional equity back in 2009, and at that time workplace gender and intersectional equity were still very much seen as a societal issue rather than a business issue. Organizations were asking themselves if it's within their role to tackle these issues of equity, diversity, and inclusion in the workplace, or if they are the mere recipients of what is going on in societies, following the beliefs around what men and women should be doing at work and at home.
So at that time we wanted to contribute to this transition from making gender and intersectional equity a business issue and help organizations see that how they manage their talent and how they are able to attract, develop, motivate, and retain diverse talent is a key component of their sustainable business success."
Aniela Unguresan is Co-founder of EDGE Certification, the leading global assessment methodology and business certification standard for gender equality. Launched at the Annual Meeting of the World Economic Forum in 2011, EDGE Certification measures where organizations stand in terms of gender balance across their pipeline, pay equity, and effectiveness of policies and practices to ensure equitable career flows, as well as the inclusiveness of their culture. EDGE Certification has been designed to help companies not only to create an optimal workplace for women and men, but also to benefit from it. EDGE stands for Economic Dividends for Gender Equality and is distinguished by its rigor and focus on business impact. Their customer base consists of 200 large organizations in 50 countries across five continents, representing 30 different industries.
Prior to co-founding EDGE Certified Foundation, Aniela acquired extensive professional experience as a consultant with Arthur Andersen and Andersen Consulting, as a trader and project manager with TXU Europe and SIG Geneva, and as the CEO of CT Technologies.
https://edge-cert.org
www.creativeprocess.info
www.oneplanetpodcast.org
Aniela Unguresan is Co-founder of EDGE Certification, the leading global assessment methodology and business certification standard for gender equality. Launched at the Annual Meeting of the World Economic Forum in 2011, EDGE Certification measures where organizations stand in terms of gender balance across their pipeline, pay equity, and effectiveness of policies and practices to ensure equitable career flows, as well as the inclusiveness of their culture. EDGE Certification has been designed to help companies not only to create an optimal workplace for women and men, but also to benefit from it. EDGE stands for Economic Dividends for Gender Equality and is distinguished by its rigor and focus on business impact. Their customer base consists of 200 large organizations in 50 countries across five continents, representing 30 different industries.
Prior to co-founding EDGE Certified Foundation, Aniela acquired extensive professional experience as a consultant with Arthur Andersen and Andersen Consulting, as a trader and project manager with TXU Europe and SIG Geneva, and as the CEO of CT Technologies.
"I co-founded what has become EDGE for gender and intersectional equity back in 2009, and at that time workplace gender and intersectional equity were still very much seen as a societal issue rather than a business issue. Organizations were asking themselves if it's within their role to tackle these issues of equity, diversity, and inclusion in the workplace, or if they are the mere recipients of what is going on in societies, following the beliefs around what men and women should be doing at work and at home.
So at that time we wanted to contribute to this transition from making gender and intersectional equity a business issue and help organizations see that how they manage their talent and how they are able to attract, develop, motivate, and retain diverse talent is a key component of their sustainable business success."
https://edge-cert.org
www.creativeprocess.info
www.oneplanetpodcast.org
"We are the extreme animal. We're certainly, technologically speaking, there's no comparison to what humans can do among all the animals that make some tools, even though we should keep in mind that for close to 200,000 years, humans who were essentially identical to us had no tools that were more complicated than a bow and arrow.
I think the most crucial thing is that while we are such extraordinary tinkerers that we can keep creating unbelievable kinds of technologies, we are not very smart about what we do with those things or seeing them through to the implications of what happens when we do these things. If we were wiser about it, we would conduct ourselves much more differently than the all-out charge that we conduct, where often we just follow some technology along without worrying about the implications of what will happen ultimately, or caring about what will happen ultimately, or denying what is happening as a result of the overuse of those technologies or the overpopulation of the world by human beings. And those are causing many of the problems that we have."
Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace.
www.safinacenter.org
www.carlsafina.org
www.oneplanetpodcast.org
www.creativeprocess.info
Photo: Carl Safina in Uganda
Carl Safina’s lyrical non-fiction writing explores how humans are changing the living world, and what the changes mean for non-human beings and for us all. His work has been recognized with MacArthur, Pew, and Guggenheim Fellowships, and his writing has won Orion, Lannan, and National Academies literary awards and the John Burroughs, James Beard, and George Rabb medals. Safina is the inaugural holder of the endowed chair for nature and humanity at Stony Brook University, where he co-chairs the steering committee of the Alan Alda Center for Communicating Science and is founding president of the not-for-profit Safina Center. He hosted the 10-part PBS series Saving the Ocean with Carl Safina. His writing appears in The New York Times, National Geographic, Audubon, CNN.com, National Geographic News, and other publications. He is the author of ten books including the classic Song for the Blue Ocean, as well as New York Times Bestseller Beyond Words: What Animals Think and Feel. His most recent book is Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace.
"We are the extreme animal. We're certainly, technologically speaking, there's no comparison to what humans can do among all the animals that make some tools, even though we should keep in mind that for close to 200,000 years, humans who were essentially identical to us had no tools that were more complicated than a bow and arrow.
I think the most crucial thing is that while we are such extraordinary tinkerers that we can keep creating unbelievable kinds of technologies, we are not very smart about what we do with those things or seeing them through to the implications of what happens when we do these things. If we were wiser about it, we would conduct ourselves much more differently than the all-out charge that we conduct, where often we just follow some technology along without worrying about the implications of what will happen ultimately, or caring about what will happen ultimately, or denying what is happening as a result of the overuse of those technologies or the overpopulation of the world by human beings. And those are causing many of the problems that we have."
www.safinacenter.org
www.carlsafina.org
www.oneplanetpodcast.org
www.creativeprocess.info
Photo: Carl Safina in Uganda
"So I think this observation that there are sensory cues available that are, either completely different to what's available to us, including a magnetic compass sense that's accessible to some animals, but not us. And also within the sensory modalities that we have available, you find often that different animals, including bees use them completely differently or have a completely different spectrum. So bees can see ultraviolet light. We cannot. And bats can hear ultrasound, but we cannot.
And we think because the way we sense our world is comprehensive and it feels comprehensive to us. And we feel that there is a validity to how we see it, we think that is a kind of complete picture of the environment and a vertical representation of what is out there. That is not the case. So other animals see the same world completely differently from how we do. And so there are limitations. We only perceive certain parts of the environment. Those parts that evolution has given us the kinds of sensors for that have been beneficial in our evolutionary past, but it's by no means a vertical or complete reflection of the environment."
Lars Chittka is professor of sensory and behavioral ecology at Queen Mary University of London, where he founded a new Research Centre for Psychology in 2008 and was its scientific director until 2012. He is the author of The Mind of a Bee and is the coeditor of Cognitive Ecology of Pollination. He studied Biology in Berlin and completed his PhD studies under the supervision of Randolf Menzel in 1993. He has carried out extensive work on the behaviour, cognition and ecology of bumble bees and honey bees, and their interactions with flowers. His discoveries have made a substantial impact on the understanding of animal intelligence and its neural-computational underpinnings. He has published over 250 peer-reviewed articles, and has been an editor of biology’s foremost open access journal PLoS Biology since 2004. He is an elected Member of the German National Academy of Sciences (Leopoldina), a Fellow of the Linnean Society and Royal Entomological Society, as well as the Royal Society of Biology.
http://chittkalab.sbcs.qmul.ac.uk/Lars.html
https://press.princeton.edu/books/hardcover/9780691180472/the-mind-of-a-bee
https://journals.plos.org/plosbiology
www.oneplanetpodcast.org
www.creativeprocess.info
Photo credit: Markus Scholz / Leopoldina
Lars Chittka is professor of sensory and behavioral ecology at Queen Mary University of London, where he founded a new Research Centre for Psychology in 2008 and was its scientific director until 2012. He is the author of The Mind of a Bee and is the coeditor of Cognitive Ecology of Pollination. He studied Biology in Berlin and completed his PhD studies under the supervision of Randolf Menzel in 1993. He has carried out extensive work on the behaviour, cognition and ecology of bumble bees and honey bees, and their interactions with flowers. His discoveries have made a substantial impact on the understanding of animal intelligence and its neural-computational underpinnings. He has published over 250 peer-reviewed articles, and has been an editor of biology’s foremost open access journal PLoS Biology since 2004. He is an elected Member of the German National Academy of Sciences (Leopoldina), a Fellow of the Linnean Society and Royal Entomological Society, as well as the Royal Society of Biology.
"So I think this observation that there are sensory cues available that are, either completely different to what's available to us, including a magnetic compass sense that's accessible to some animals, but not us. And also within the sensory modalities that we have available, you find often that different animals, including bees use them completely differently or have a completely different spectrum. So bees can see ultraviolet light. We cannot. And bats can hear ultrasound, but we cannot.
And we think because the way we sense our world is comprehensive and it feels comprehensive to us. And we feel that there is a validity to how we see it, we think that is a kind of complete picture of the environment and a vertical representation of what is out there. That is not the case. So other animals see the same world completely differently from how we do. And so there are limitations. We only perceive certain parts of the environment. Those parts that evolution has given us the kinds of sensors for that have been beneficial in our evolutionary past, but it's by no means a vertical or complete reflection of the environment."
http://chittkalab.sbcs.qmul.ac.uk/Lars.html
https://press.princeton.edu/books/hardcover/9780691180472/the-mind-of-a-bee
https://journals.plos.org/plosbiology
www.oneplanetpodcast.org
www.creativeprocess.info
Photo credit: Markus Scholz / Leopoldina
"If all jobs could be done more cheaply and better by AI, then what would we do? It would be a world without work, and I think that initially that sounds kind of frightening. How would we earn an income? What would we do all day long? I think it's also a big opportunity to rethink what it means to be human and what gives meaning in our lives. I think because we have been forced to work since the rise of our species, we had to earn our bread by the sweat of our brows.
We have kind of defined our identity and dignity around work. A lot of people take pride in being a breadwinner, in making a contribution to society by putting an effort and achieving some useful aims, but in this hypothetical future where that's not needed anymore. We would have to find some other basis for our human worth. Not what we can do to produce instrumental, useful outcomes, but maybe rather what we can be and experience to add value to the world by actually living happy and fulfilling lives. And so leisure culture, cultivating enjoyment of life, all the good things, happy conversation, appreciation for art, for natural beauty.
All of these things that are now seen as kind of gratuitous extras, little frills around the existence of the universe, maybe we would have to build those into the center. That would have profound consequences for how we educate people, the kinds of culture that we encourage, the habits and characters that we celebrate. That will require a big transition. But I think ultimately that is also an enormous opportunity to make the human experience much better than it currently is."
Nick Bostrom is a Swedish-born philosopher with a background in theoretical physics, computational neuroscience, logic, and artificial intelligence, as well as philosophy. He is the most-cited professional philosopher in the world under the age of 50.
He is a Professor at Oxford University, where he heads the Future of Humanity Institute as its founding director. He is the author of some 200 publications, including Anthropic Bias, Global Catastrophic Risks, Human Enhancement, and Superintelligence: Paths, Dangers, Strategies, a New York Times bestseller which helped spark a global conversation about the future of AI. He has also published a series of influential papers, including ones that introduced the simulation argument and the concept of existential risk.
Bostrom’s academic work has been translated into more than 30 languages. He is a repeat main TED speaker and has been on Foreign Policy’s Top 100 Global Thinkers list twice and was included in Prospect’s World Thinkers list, the youngest person in the top 15. As a graduate student he dabbled in stand-up comedy on the London circuit, but he has since reconnected with the heavy gloom of his Swedish roots.
https://nickbostrom.com
https://www.fhi.ox.ac.uk
www.creativeprocess.info
www.oneplanetpodcast.org
Nick Bostrom is a Swedish-born philosopher with a background in theoretical physics, computational neuroscience, logic, and artificial intelligence, as well as philosophy. He is the most-cited professional philosopher in the world under the age of 50.
He is a Professor at Oxford University, where he heads the Future of Humanity Institute as its founding director. He is the author of some 200 publications, including Anthropic Bias, Global Catastrophic Risks, Human Enhancement, and Superintelligence: Paths, Dangers, Strategies, a New York Times bestseller which helped spark a global conversation about the future of AI. He has also published a series of influential papers, including ones that introduced the simulation argument and the concept of existential risk.
Bostrom’s academic work has been translated into more than 30 languages. He is a repeat main TED speaker and has been on Foreign Policy’s Top 100 Global Thinkers list twice and was included in Prospect’s World Thinkers list, the youngest person in the top 15. As a graduate student he dabbled in stand-up comedy on the London circuit, but he has since reconnected with the heavy gloom of his Swedish roots.
"If all jobs could be done more cheaply and better by AI, then what would we do? It would be a world without work, and I think that initially that sounds kind of frightening. How would we earn an income? What would we do all day long? I think it's also a big opportunity to rethink what it means to be human and what gives meaning in our lives. I think because we have been forced to work since the rise of our species, we had to earn our bread by the sweat of our brows.
We have kind of defined our identity and dignity around work. A lot of people take pride in being a breadwinner, in making a contribution to society by putting an effort and achieving some useful aims, but in this hypothetical future where that's not needed anymore. We would have to find some other basis for our human worth. Not what we can do to produce instrumental, useful outcomes, but maybe rather what we can be and experience to add value to the world by actually living happy and fulfilling lives. And so leisure culture, cultivating enjoyment of life, all the good things, happy conversation, appreciation for art, for natural beauty.
All of these things that are now seen as kind of gratuitous extras, little frills around the existence of the universe, maybe we would have to build those into the center. That would have profound consequences for how we educate people, the kinds of culture that we encourage, the habits and characters that we celebrate. That will require a big transition. But I think ultimately that is also an enormous opportunity to make the human experience much better than it currently is."
https://nickbostrom.com
https://www.fhi.ox.ac.uk
www.creativeprocess.info
www.oneplanetpodcast.org
"I look at Stoicism as this operating system that is very accessible, that helps us to enhance our life, enhance positives in life, and diminish negatives in our life. So what happens to us when we are born: we are given this hardware and software. The software is kind of our operating system, and the operating system is fairly blank at first, and then our parents help us to write this operating system, and then our friends influence this operating system. Then life, things that happen to you, contribute to your operating system. And how you react to things is really driven by all these factors that were somewhat random in the beginning. To me, Stoicism gives me this guide or operating system – how to go through life and minimize pain in your life, negative emotions, which also helps you to maximize positive emotions."
Vitaliy Katsenelson was born in Murmansk, Russia and immigrated to the United States with his family in 1991. He is the author of Soul in the Game, The Art of a Meaningful Life. He is the CEO of Denver-based value investment firm IMA. Vitaliy has also written two books on investing. Forbes Magazine called him “The New Benjamin Graham.” He’s written for the Financial Times, Barron’s, Institutional Investor and Foreign Policy. Vitaliy lives in Denver with his wife and three children, where he loves to read, listen to classical music, play chess, and write about life, investing, and music.
https://soulinthegame.net
https://contrarianedge.com
https://imausa.com
www.creativeprocess.info
www.oneplanetpodcast.org
Vitaliy Katsenelson was born in Murmansk, Russia and immigrated to the United States with his family in 1991. He is the author of Soul in the Game, The Art of a Meaningful Life. He is the CEO of Denver-based value investment firm IMA. Vitaliy has also written two books on investing. Forbes Magazine called him “The New Benjamin Graham.” He’s written for the Financial Times, Barron’s, Institutional Investor and Foreign Policy. Vitaliy lives in Denver with his wife and three children, where he loves to read, listen to classical music, play chess, and write about life, investing, and music.
"I look at Stoicism as this operating system that is very accessible, that helps us to enhance our life, enhance positives in life, and diminish negatives in our life. So what happens to us when we are born: we are given this hardware and software. The software is kind of our operating system, and the operating system is fairly blank at first, and then our parents help us to write this operating system, and then our friends influence this operating system. Then life, things that happen to you, contribute to your operating system. And how you react to things is really driven by all these factors that were somewhat random in the beginning. To me, Stoicism gives me this guide or operating system – how to go through life and minimize pain in your life, negative emotions, which also helps you to maximize positive emotions."
https://soulinthegame.net
https://contrarianedge.com
https://imausa.com
www.creativeprocess.info
www.oneplanetpodcast.org
"Anytime that I am out in nature, I'm not always in the present. I oftentimes drift back into the past and different levels. And so, when I'm looking at a mountain in Montana, a big cliff, for example. I'm looking at the beauty of the cliff, but I'm also looking at what it represents, what that rock unit actually represents.
And, in many cases, cliffs in Montana are a rock unit called the Madison Limestone, which represents an ocean that existed 300 million years ago. And so, I can sit there and look at this spectacular 2000-foot cliff and think of it as a beautiful thing, and also imagine myself sitting next to this tropical sea that it represents. So I live in time, I guess."
Jack Horner is a severely dyslexic, dinosaur paleontologist. He attended the University of Montana for 14 semesters without receiving a degree. He has since received two honorary doctorates of science and a plethora of awards including a MacArthur Fellowship. Jack was Curator and Regent’s Professor of Paleontology at Montana State University in Bozeman, Montana for 34 years. He has more than 300 publications. He was the technical advisor for all of the Jurassic Park/ Jurassic World movies. At Chapman University where he now teaches, Jack encourages his honors students and dyslexic mentorees to challenge their preconceived ideas.
https://jackhornersdinosaurs.com
Horner Science Group
www.creativeprocess.info
www.oneplanetpodcast.org
Jack Horner is a severely dyslexic, dinosaur paleontologist. He attended the University of Montana for 14 semesters without receiving a degree. He has since received two honorary doctorates of science and a plethora of awards including a MacArthur Fellowship. Jack was Curator and Regent’s Professor of Paleontology at Montana State University in Bozeman, Montana for 34 years. He has more than 300 publications. He was the technical advisor for all of the Jurassic Park/ Jurassic World movies. At Chapman University where he now teaches, Jack encourages his honors students and dyslexic mentorees to challenge their preconceived ideas.
"Anytime that I am out in nature, I'm not always in the present. I oftentimes drift back into the past and different levels. And so, when I'm looking at a mountain in Montana, a big cliff, for example. I'm looking at the beauty of the cliff, but I'm also looking at what it represents, what that rock unit actually represents.
And, in many cases, cliffs in Montana are a rock unit called the Madison Limestone, which represents an ocean that existed 300 million years ago. And so, I can sit there and look at this spectacular 2000-foot cliff and think of it as a beautiful thing, and also imagine myself sitting next to this tropical sea that it represents. So I live in time, I guess."
https://jackhornersdinosaurs.com
Horner Science Group
www.creativeprocess.info
www.oneplanetpodcast.org
Designer, author, educator and artist Bruce Mau is a brilliantly creative optimist whose love of thorny problems led him to create a methodology for life-centered design. Across thirty years of design innovation, he’s collaborated with global brands and companies, leading organizations, heads of state, renowned artists and fellow optimists. Mau became an international figure with the publication of his landmark S,M,L,XL, designed and co-authored with Rem Koolhaas, and his most recent books are Mau MC24: Bruce Mau’s 24 Principles for Designing Massive Change in Your Life and Work and, with co-author, Julio Ottino, dean of Northwestern University’s McCormick School of Engineering, The Nexus: Augmented Thinking for a Complex World – The New Convergence of Art, Technology, and Science. Mau is co-founder and CEO of Massive Change Network, a holistic design collective based in the Chicago area.
"When we were working in Panama with E.O. Wilson on the Panama Museum of Biodiversity for the world's first museum of biodiversity, we went into the jungle with E.O. Wilson, and he explained that there's only one thing on the planet and that's life. And life has an experiment going in form. We are one of those forms, and over 99% of all the experiments have gone extinct. So less than 1% of all the forms that ever existed now exist. And we're living through another one of the mass extinctions. Many of those are going to go extinct. We may be one of those, and life goes on. Life will go on. And he said, 'Rock is slow. Life and life is fast rock.' That you are rock animated with electricity, and when we turn that electricity off, you go back to rock. You return to the Earth. And that's all it is.
There's an endless cycle, and the sooner that we get that concept into our way of thinking, into our cosmology, into our way of understanding the universe, into our way of working, the sooner that we'll start to actually do things that have a plausible future. The way we are working now, we're just drawing down our future. We're drawing down the resources of the Earth."
www.massivechangenetwork.com
www.Brucemaustudio.com
Mau MC24
The Nexus
Image Courtesy of Massive Change Network
www.creativeprocess.info
www.oneplanetpodcast.org
Designer, author, educator and artist Bruce Mau is a brilliantly creative optimist whose love of thorny problems led him to create a methodology for life-centered design. Across thirty years of design innovation, he’s collaborated with global brands and companies, leading organizations, heads of state, renowned artists and fellow optimists. Mau became an international figure with the publication of his landmark S,M,L,XL, designed and co-authored with Rem Koolhaas, and his most recent books are Mau MC24: Bruce Mau’s 24 Principles for Designing Massive Change in Your Life and Work and, with co-author, Julio Ottino, dean of Northwestern University’s McCormick School of Engineering, The Nexus: Augmented Thinking for a Complex World – The New Convergence of Art, Technology, and Science. Mau is co-founder and CEO of Massive Change Network, a holistic design collective based in the Chicago area.
"When we were working in Panama with E.O. Wilson on the Panama Museum of Biodiversity for the world's first museum of biodiversity, we went into the jungle with E.O. Wilson, and he explained that there's only one thing on the planet and that's life. And life has an experiment going in form. We are one of those forms, and over 99% of all the experiments have gone extinct. So less than 1% of all the forms that ever existed now exist. And we're living through another one of the mass extinctions. Many of those are going to go extinct. We may be one of those, and life goes on. Life will go on. And he said, 'Rock is slow. Life and life is fast rock.' That you are rock animated with electricity, and when we turn that electricity off, you go back to rock. You return to the Earth. And that's all it is.
There's an endless cycle, and the sooner that we get that concept into our way of thinking, into our cosmology, into our way of understanding the universe, into our way of working, the sooner that we'll start to actually do things that have a plausible future. The way we are working now, we're just drawing down our future. We're drawing down the resources of the Earth."
www.massivechangenetwork.com
www.Brucemaustudio.com
Mau MC24
The Nexus
Image Courtesy of Massive Change Network
www.creativeprocess.info
www.oneplanetpodcast.org
"We're kind of carrying on a tradition of the previous owners of our farm, a wonderful woman, her name is Linda. That's who we bought our farm from. And when she had the farm, she had Grassroots Farm, that was the name. And she was heavily into grassroots organizing, organizing around social issues and seeing the farm, the act of growing your own food and sharing that food with others as kind of a solution to many of the ill-effects of capitalism and scarcity and supply and demand, all these things that drive our culture and our society. I think a lot of times people struggle with trying to find solutions."
John and Emily Beaton have created a multi-enterprise farming business in Northeastern Minnesota near Duluth and the shores of Lake Superior. They founded Fairhaven Farm with a spirit of community building, a focus on soil health, and a desire to see a thriving local food system.
They sell starter plants each spring for home gardeners, grow food for over 50 families through their CSA program, and are launching a new Pizza Farm enterprise where the couple will serve wood-fired pizzas on the farm featuring all locally sourced ingredients—including fresh tomatoes and vegetables right from their field!
www.fairhaven.farm
www.oneplanetpodcast.org
www.creativeprocess.info
John and Emily Beaton have created a multi-enterprise farming business in Northeastern Minnesota near Duluth and the shores of Lake Superior. They founded Fairhaven Farm with a spirit of community building, a focus on soil health, and a desire to see a thriving local food system.
They sell starter plants each spring for home gardeners, grow food for over 50 families through their CSA program, and are launching a new Pizza Farm enterprise where the couple will serve wood-fired pizzas on the farm featuring all locally sourced ingredients—including fresh tomatoes and vegetables right from their field!
"We're kind of carrying on a tradition of the previous owners of our farm, a wonderful woman, her name is Linda. That's who we bought our farm from. And when she had the farm, she had Grassroots Farm, that was the name. And she was heavily into grassroots organizing, organizing around social issues and seeing the farm, the act of growing your own food and sharing that food with others as kind of a solution to many of the ill-effects of capitalism and scarcity and supply and demand, all these things that drive our culture and our society. I think a lot of times people struggle with trying to find solutions."
www.fairhaven.farm
www.oneplanetpodcast.org
www.creativeprocess.info
William B. Irvine is emeritus professor of philosophy at Wright State University in Dayton, Ohio, USA. He is the author of eight books that have been translated into more than twenty languages. His A Guide to the Good Life: The Ancient Art of Stoic Joy played a key role in the Stoic renaissance that has taken place in recent years. His subsequent The Stoic Challenge: A Philosopher’s Guide to Becoming Tougher, Calmer, and More Resilient provides a strategy for dealing, in proper Stoic manner, with the setbacks we experience in daily living. He is currently at work on a book about thinking critically, but with an open mind, in the age of the internet.
"I stumbled across Stoic philosophy and thought it was just wonderful stuff. So, I'd had the exact wrong idea of what it was. Most people do because if they look it up in the dictionary, a Stoic is this glum individual who simply suppresses all emotions, but that isn't what the Stoics were at all. They came up with these really brilliant psychological strategies for retaining our equanimity in the face of life's setbacks, challenges, and tests. And they're brilliant strategies. They are easy to test drive. Stoicism has a very low price of admission... Over the course of a three-day weekend, you can learn what you need. You can test drive it. You can find out what it is. You can find out what these strategies are, and you can try them and see if they make a difference in your life.”
www.williambirvine.com
The Stoic Challenge
www.creativeprocess.info
www.oneplanetpodcast.org
Photo credit: Lyndon French
"I stumbled across Stoic philosophy and thought it was just wonderful stuff. So, I'd had the exact wrong idea of what it was. Most people do because if they look it up in the dictionary, a Stoic is this glum individual who simply suppresses all emotions, but that isn't what the Stoics were at all. They came up with these really brilliant psychological strategies for retaining our equanimity in the face of life's setbacks, challenges, and tests. And they're brilliant strategies. They are easy to test drive. Stoicism has a very low price of admission... Over the course of a three-day weekend, you can learn what you need. You can test drive it. You can find out what it is. You can find out what these strategies are, and you can try them and see if they make a difference in your life.”
William B. Irvine is emeritus professor of philosophy at Wright State University in Dayton, Ohio, USA. He is the author of eight books that have been translated into more than twenty languages. His A Guide to the Good Life: The Ancient Art of Stoic Joy played a key role in the Stoic renaissance that has taken place in recent years. His subsequent The Stoic Challenge: A Philosopher’s Guide to Becoming Tougher, Calmer, and More Resilient provides a strategy for dealing, in proper Stoic manner, with the setbacks we experience in daily living. He is currently at work on a book about thinking critically, but with an open mind, in the age of the internet.
www.williambirvine.com
The Stoic Challenge
www.creativeprocess.info
www.oneplanetpodcast.org
"It can be very difficult. When we say seven generations, our generations are longer - from grandparent to grandparent - it's not the Western idea of one generation. So it's even longer than most people would know, and the thing is it does take practice. It does take true intention, not only individually, but societal, community intention. It has to be built into the structure of a community, of a country, of a tribe. And for our tribes, for my tribe, that was built into our structure. It was built into the way that we lived."
Victor A. Lopez-Carmen is a Dakota and Yaqui writer, health advocate, and student at Harvard Medical School. He is cofounder of the Ohiyesa Premedical Program at the Brigham and Women's Hospital (BWH), which supports Indigenous community and tribal college students to pursue healthcare education. He also founded Translations for our Nations, a grant funded initiation that translated accurate COVID-19 information into over 40 Indigenous languages from over 20 different countries. For his work, he has been featured on the Forbes 30 under 30 and Native American 40 under 40 lists. He is Co-Chair of the UN Global Indigenous Youth Caucus.
Forbes 30 under 30 - Healthcare 2022
Translations for our Nations
Ohiyesa Premedical Program
www.globalindigenousyouthcaucus.org
www.oneplanetpodcast.org
www.creativeprocess.info
Victor A. Lopez-Carmen is a Dakota and Yaqui writer, health advocate, and student at Harvard Medical School. He is cofounder of the Ohiyesa Premedical Program at the Brigham and Women's Hospital (BWH), which supports Indigenous community and tribal college students to pursue healthcare education. He also founded Translations for our Nations, a grant funded initiation that translated accurate COVID-19 information into over 40 Indigenous languages from over 20 different countries. For his work, he has been featured on the Forbes 30 under 30 and Native American 40 under 40 lists. He is Co-Chair of the UN Global Indigenous Youth Caucus.
"It can be very difficult. When we say seven generations, our generations are longer - from grandparent to grandparent - it's not the Western idea of one generation. So it's even longer than most people would know, and the thing is it does take practice. It does take true intention, not only individually, but societal, community intention. It has to be built into the structure of a community, of a country, of a tribe. And for our tribes, for my tribe, that was built into our structure. It was built into the way that we lived."
Forbes 30 under 30 - Healthcare 2022
Translations for our Nations
Ohiyesa Premedical Program
www.globalindigenousyouthcaucus.org
www.oneplanetpodcast.org
www.creativeprocess.info
"For the 30 years, maybe 40 years for some, the dominant view of many cognoscientists, is that consciousness is something that brains create. So most of the processes in our brains are proceeding without any conscious content, so that they're unconscious processes, but a small amount of our brain processes are somehow experiences.
And the standard view is that it's a fairly recent, late evolutionary process that led to the experience of conscious experiences in humans and other animals, and perhaps other creatures more generally. My view is different. I think that the standard view that consciousness is a product of brains isn't correct because I think that our best physical theories tell us that space and time are not fundamental. Spacetime is doomed. So that's on the physics side. Physicists are saying that spacetime is not fundamental for very principled reasons, falling out of Einstein's theory of gravity and quantum field theory.”
Donald D. Hoffman is a Professor of Cognitive Sciences at the University of California, Irvine. He is the author of The case against reality: Why evolution hid the truth from our eyes. His research on perception, evolution, and consciousness received the Troland Award of the US National Academy of Sciences, the Distinguished Scientific Award for Early Career Contribution of the American Psychological Association, the Rustum Roy Award of the Chopra Foundation, and is the subject of his TED Talk, titled “Do we see reality as it is?”
http://www.cogsci.uci.edu/~ddhoff/
The Case Against Reality
www.creativeprocess.info
www.oneplanetpodcast.org
Donald D. Hoffman is a Professor of Cognitive Sciences at the University of California, Irvine. He is the author of The case against reality: Why evolution hid the truth from our eyes. His research on perception, evolution, and consciousness received the Troland Award of the US National Academy of Sciences, the Distinguished Scientific Award for Early Career Contribution of the American Psychological Association, the Rustum Roy Award of the Chopra Foundation, and is the subject of his TED Talk, titled “Do we see reality as it is?”
"For the 30 years, maybe 40 years for some, the dominant view of many cognoscientists, is that consciousness is something that brains create. So most of the processes in our brains are proceeding without any conscious content, so that they're unconscious processes, but a small amount of our brain processes are somehow experiences.
And the standard view is that it's a fairly recent, late evolutionary process that led to the experience of conscious experiences in humans and other animals, and perhaps other creatures more generally. My view is different. I think that the standard view that consciousness is a product of brains isn't correct because I think that our best physical theories tell us that space and time are not fundamental. Spacetime is doomed. So that's on the physics side. Physicists are saying that spacetime is not fundamental for very principled reasons, falling out of Einstein's theory of gravity and quantum field theory.”
http://www.cogsci.uci.edu/~ddhoff/
The Case Against Reality
www.creativeprocess.info
www.oneplanetpodcast.org
“This is an intergenerational problem. The response to climate change relates very much to value systems. And one of the questions people ask, or should ask is: How much do you value the future generations? How much do you value the world that you're leaving your children and your grandchildren? And what kind of a climate you're leaving them with?
And some people don't care, and some people don't have children. And they say, "Eh, it's not an issue for me. It's not one of my values." And so this is part of the problem, but if you're thinking about peoples as a whole, all of the community that you're leaving behind, this is a collective problem. And that's the way I think of it is that this is very much an intergenerational problem, and therefore it's in the interests of young people to get much more involved and much more politically active.”
Kevin Trenberth is a Distinguished Scholar at the National Center of Atmospheric Research (NCAR) in Boulder and an Honorary Academic in the Department of Physics, Auckland University in Auckland, New Zealand. From New Zealand, he obtained his Sc. D. in meteorology in 1972 from Massachusetts Institute of Technology. He was a lead author of the 1995, 2001 and 2007 Scientific Assessment of Climate Change reports from the Intergovernmental Panel on Climate Change (IPCC), and shared the 2007 Nobel Peace Prize which went to the IPCC. He served from 1999 to 2006 on the Joint Scientific Committee of the World Climate Research Programme (WCRP), and chaired a number of committees for more than 20 years. He is the author of "The Changing Flow of Energy Through the Climate System".
The Changing Flow of Energy Through the Climate System
www.ipcc.ch
https://www.cgd.ucar.edu/staff/trenbert
www.oneplanetpodcast.org
www.creativeprocess.info
Kevin Trenberth is a Distinguished Scholar at the National Center of Atmospheric Research (NCAR) in Boulder and an Honorary Academic in the Department of Physics, Auckland University in Auckland, New Zealand. From New Zealand, he obtained his Sc. D. in meteorology in 1972 from Massachusetts Institute of Technology. He was a lead author of the 1995, 2001 and 2007 Scientific Assessment of Climate Change reports from the Intergovernmental Panel on Climate Change (IPCC), and shared the 2007 Nobel Peace Prize which went to the IPCC. He served from 1999 to 2006 on the Joint Scientific Committee of the World Climate Research Programme (WCRP), and chaired a number of committees for more than 20 years. He is the author of "The Changing Flow of Energy Through the Climate System".
“This is an intergenerational problem. The response to climate change relates very much to value systems. And one of the questions people ask, or should ask is: How much do you value the future generations? How much do you value the world that you're leaving your children and your grandchildren? And what kind of a climate you're leaving them with?
And some people don't care, and some people don't have children. And they say, "Eh, it's not an issue for me. It's not one of my values." And so this is part of the problem, but if you're thinking about peoples as a whole, all of the community that you're leaving behind, this is a collective problem. And that's the way I think of it is that this is very much an intergenerational problem, and therefore it's in the interests of young people to get much more involved and much more politically active.”
The Changing Flow of Energy Through the Climate System
www.ipcc.ch
https://www.cgd.ucar.edu/staff/trenbert
www.oneplanetpodcast.org
www.creativeprocess.info
“I also would like to tell you how inspired I was in my childhood by all the big explorers that I met, astronauts of the early American Space Program, pioneers in aviation, pioneers in environment, in underwater exploration. And all these people showed me that it is wonderful to embrace the unknown, to do things that nobody thinks is possible, to try things for the first time, to invent, to create, to call our certitudes into question, to challenge our knowledge and try to know more and better and differently.
All this, I believe, is really important in life. Always try to improve what we see and what we have. This is the meaning of exploration, not only exploration of new territories, but exploration of better ways to think and better ways to do.”
Psychiatrist, aviator and explorer, Bertrand Piccard made history in 1999 by accomplishing the first ever non-stop round-the-world balloon flight, and a number of years later the first round-the-world solar-powered flight. Piccard has dedicated his life to demonstrating sustainable development opportunities. He is Founder and Chairman of the Solar Impulse Foundation, which has assembled a verified portfolio of over 1400 actionable and profitable climate solutions. As a pioneer of new ways of thinking that reconcile ecology and economy, he uses his exploration feats to motivate governments and industries to take action. He is a United Nations Goodwill Ambassador for the Environment and Special Advisor to the European Commission. He’s author of Réaliste, Changer d’Altitude, and other books.
Solar Impulse Foundation
bertrandpiccard.com
Solar Impulse Solutions Explorer (1400+)
Réaliste
Changer d’altitude
Photo credit: Jean Revillard
Cairo, Egypt, July 13, 2016 - Solar Impulse flying over the Pyramids
www.oneplanetpodcast.org
www.creativeprocess.info
Psychiatrist, aviator and explorer, Bertrand Piccard made history in 1999 by accomplishing the first ever non-stop round-the-world balloon flight, and a number of years later the first round-the-world solar-powered flight. Piccard has dedicated his life to demonstrating sustainable development opportunities. He is Founder and Chairman of the Solar Impulse Foundation, which has assembled a verified portfolio of over 1400 actionable and profitable climate solutions. As a pioneer of new ways of thinking that reconcile ecology and economy, he uses his exploration feats to motivate governments and industries to take action. He is a United Nations Goodwill Ambassador for the Environment, Special Advisor to the European Commission, and is author of Réaliste, Changer d’Altitude, and other books.
“I also would like to tell you how inspired I was in my childhood by all the big explorers that I met, astronauts of the early American Space Program, pioneers in aviation, pioneers in environment, in underwater exploration. And all these people showed me that it is wonderful to embrace the unknown, to do things that nobody thinks is possible, to try things for the first time, to invent, to create, to call our certitudes into question, to challenge our knowledge and try to know more and better and differently.
All this, I believe, is really important in life. Always try to improve what we see and what we have. This is the meaning of exploration, not only exploration of new territories, but exploration of better ways to think and better ways to do.”
Solar Impulse Foundation
bertrandpiccard.com
Solar Impulse Solutions Explorer (1400+)
Réaliste
Changer d’altitude
www.oneplanetpodcast.org
www.creativeprocess.info
"If the only place that science or biology students get exposed to ethics is in the philosophy department, then they don't think of it as being a part of their discipline. Whereas if their own faculty that are teaching them their discipline are also integrating ethics, then the idea would be they start to realize that, 'Wait, this is important to my discipline, and I need to know this stuff.' That stimulated my thinking and actually made me then start to question all my foundational premises.”
Jonathan Newman is an ecologist who studies plant–animal interactions in the context of species invasions and climatic change. He is the lead author of two books: Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics, and co-editor of Grasslands and Climate Change. He is the author of more than 100 other scientific publications.
WLU Webpage
https://wlu.ca
Climate Change Biology
Defending Biodiversity: Environmental Science and Ethics,
Grasslands and Climate Change
www.oneplanetpodcast.org
www.creativeprocess.info
Jonathan Newman is an ecologist who studies plant–animal interactions in the context of species invasions and climatic change. He is the lead author of two books: Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics, and co-editor of Grasslands and Climate Change. He is the author of more than 100 other scientific publications.
"If the only place that science or biology students get exposed to ethics is in the philosophy department, then they don't think of it as being a part of their discipline. Whereas if their own faculty that are teaching them their discipline are also integrating ethics, then the idea would be they start to realize that, 'Wait, this is important to my discipline, and I need to know this stuff.' That stimulated my thinking and actually made me then start to question all my foundational premises.”
WLU Webpage
https://wlu.ca
Climate Change Biology
Defending Biodiversity: Environmental Science and Ethics,
Grasslands and Climate Change
www.oneplanetpodcast.org
www.creativeprocess.info
“In terms of human wealth and general quality of life as measured in numerical terms, the costs for that are also manifest and have largely been externalized, if not necessarily into the environment, where they often are, they're also externalized into the future, which is to say, yes, there is this huge surge in human population and relative wealth and so on and so on, but there is absolutely no reason to believe that it's sustainable into the future, especially not infinitely. Infinite growth is impossible. It's just not physically possible.”
Roy Scranton, is the award-winning author of five books, including Learning to Die in the Anthropocene: Reflections on the End of a Civilization, Total Mobilization: World War II and American Literature, and We’re Doomed. Now What? He has written for the NYTimes, Rolling Stone, The Nation, and other publications. He was selected for the 2015 Best American Science and Nature Writing, has been awarded a Whiting Fellowship, a Lannan Literary Fellowship, and other honors. He’s an Associate Professor of English at the University of Notre Dame, and is director of the Notre Dame Environmental Humanities Initiative.
http://royscranton.net
Notre Dame Environmental Humanities Initiative sites.nd.edu/ehum
www.oneplanetpodcast.org
www.creativeprocess.info
Roy Scranton, is the award-winning author of five books, including Learning to Die in the Anthropocene: Reflections on the End of a Civilization, Total Mobilization: World War II and American Literature, and We’re Doomed. Now What? He has written for the NYTimes, Rolling Stone, The Nation, and other publications. He was selected for the 2015 Best American Science and Nature Writing, has been awarded a Whiting Fellowship, a Lannan Literary Fellowship, and other honors. He’s an Associate Professor of English at the University of Notre Dame, and is director of the Notre Dame Environmental Humanities Initiative.
“In terms of human wealth and general quality of life as measured in numerical terms, the costs for that are also manifest and have largely been externalized, if not necessarily into the environment, where they often are, they're also externalized into the future, which is to say, yes, there is this huge surge in human population and relative wealth and so on and so on, but there is absolutely no reason to believe that it's sustainable into the future, especially not infinitely. Infinite growth is impossible. It's just not physically possible.”
http://royscranton.net
Notre Dame Environmental Humanities Initiative sites.nd.edu/ehum
www.oneplanetpodcast.org
www.creativeprocess.info
Photo by Ola Kjelbye
“I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. 'Is it a deep fake?' We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.”
David A. Banks is the Director of Globalization Studies at the University at Albany, SUNY and the author of the forthcoming book The City Authentic: How the Attention Economy Builds Urban America published by University of California Press. He is also a delegate to the Troy Area Labor Council and the co-host of the podcast Ironweeds.
www.davidabanks.org
www.e-flux.com/architecture/software/337954/where-do-you-live/
https://reallifemag.com/true-ish-grit/
www.reallifemag.com/new-haunts/
The attention economy of authentic cities https://doi.org/10.1080/09654313.2021.1882947
https://ironweeds.podbean.com
David A. Banks is the Director of Globalization Studies at the University at Albany, SUNY and the author of the forthcoming book The City Authentic: How the Attention Economy Builds Urban America published by University of California Press. He is also a delegate to the Troy Area Labor Council and the co-host of the podcast Ironweeds.
“I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. 'Is it a deep fake?' We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.”
www.davidabanks.org
www.e-flux.com/architecture/software/337954/where-do-you-live/
https://reallifemag.com/true-ish-grit/
www.reallifemag.com/new-haunts/
The attention economy of authentic cities https://doi.org/10.1080/09654313.2021.1882947
https://ironweeds.podbean.com
“Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth.
Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.”
KC Legacion is a Master of Environmental Studies candidate at the University of Pennsylvania. His research presents a reimagined understanding of social media through the lens of degrowth—this project will culminate in a short film set to premiere in September of this year. Outside of their research, KC is a team member of the web collective degrowth.info and a member of a nascent housing cooperative in West Philadelphia.
www.degrowth.info
www.kclegacion.com
www.decidim.org
www.joinmastodon.org
www.iNaturalist.org
www.oneplanetpodcast.org
www.creativeprocess.info
KC Legacion is a Master of Environmental Studies candidate at the University of Pennsylvania. His research presents a reimagined understanding of social media through the lens of degrowth—this project will culminate in a short film set to premiere in September of this year. Outside of their research, KC is a team member of the web collective degrowth.info and a member of a nascent housing cooperative in West Philadelphia.
“Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth.
Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.”
www.degrowth.info
www.kclegacion.com
www.decidim.org
www.joinmastodon.org
www.iNaturalist.org
www.oneplanetpodcast.org
www.creativeprocess.info
"The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.”
Sir Geoff Mulgan is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. Formerly he was chief executive of Nesta, and held government roles (1997–2004), including as the Prime Minister’s Strategy Unit director and as Downing Street’s head of policy. He is the founder or co-founder of many organisations, from Demos to Action for Happiness, and the author of Another World is Possible, Social Innovation: how societies find the power to change, Big Mind: how collective intelligence can change our world, and other books.
geoffmulgan.com
hurstpublishers.com/book/another-world-is-possible
www.creativeprocess.info
www.oneplanetpodcast.org
Sir Geoff Mulgan is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London. Formerly he was chief executive of Nesta, and held government roles (1997–2004), including as the Prime Minister’s Strategy Unit director and as Downing Street’s head of policy. He is the founder or co-founder of many organisations, from Demos to Action for Happiness, and the author of Another World is Possible, Social Innovation: how societies find the power to change, Big Mind: how collective intelligence can change our world, and other books.
"The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.”
geoffmulgan.com
hurstpublishers.com/book/another-world-is-possible
www.creativeprocess.info
www.oneplanetpodcast.org
“When we look around the world, we see endless and timeless fear, ignorance, hatred, and violence. From our position, we could also boundlessly catalogue the minute details of human groups, highlighting and emphasizing the differences among them. But this pessimistic gaze that separates humans from one another by highlighting evil and by emphasizing difference misses an important underlying unity and overlooks our common humanity. Humans everywhere are also pre-wired to make a particular kind of society — one full of love, friendship, cooperation, and learning. Humans have always had both competitive and cooperative impulses, both violent and beneficent tendencies. Like the two strands of the double helix of our DNA, these conflicting impulses are intertwined. We are primed for conflict and hatred but also for love, friendship, and cooperation. If anything, modern societies are just a patina of civilization on top of this evolutionary blueprint. The good things we see around us are part of what makes us human in the first place. We should be humble in the face of temptations to engineer society in opposition to our instincts. Fortunately, we do not need to exercise any such authority in order to have a good life. The arc of our evolutionary history is long. But it bends toward goodness.”
Excerpted from BLUEPRINT: The Evolutionary Origins of a Good Society
Copyright 2020 by Nicholas A. Christakis
Nicholas Christakis, MD, PhD, MPH, is a social scientist and physician who conducts research in the areas of biosocial science, network science and behavioral genetics. He directs the Human Nature Lab at Yale University and is the co-director of the Yale Institute for Network Science. Dr. Christakis has authored numerous books, including Blueprint: The Evolutionary Origins of a Good Society published in 2019 and Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live published in 2020. In 2009, Christakis was named by TIME magazine to their annual list of the 100 most influential people in the world.
“When we look around the world, we see endless and timeless fear, ignorance, hatred, and violence. From our position, we could also boundlessly catalogue the minute details of human groups, highlighting and emphasizing the differences among them. But this pessimistic gaze that separates humans from one another by highlighting evil and by emphasizing difference misses an important underlying unity and overlooks our common humanity. Humans everywhere are also pre-wired to make a particular kind of society — one full of love, friendship, cooperation, and learning.
Humans have always had both competitive and cooperative impulses, both violent and beneficent tendencies. Like the two strands of the double helix of our DNA, these conflicting impulses are intertwined. We are primed for conflict and hatred but also for love, friendship, and cooperation. If anything, modern societies are just a patina of civilization on top of this evolutionary blueprint.
The good things we see around us are part of what makes us human in the first place. We should be humble in the face of temptations to engineer society in opposition to our instincts. Fortunately, we do not need to exercise any such authority in order to have a good life. The arc of our evolutionary history is long. But it bends toward goodness.”
Nicholas Christakis
Human Nature Lab humannaturelab.net
Yale Institute for Network Science yins.yale.edu
TRELLIS - Suite of software tools for developing, administering, and collecting survey and social network data trellis.yale.edu
The Atlantic: “How AI Will Rewire Us: For better and for worse, robots will alter humans’ capacity for altruism, love, and friendship”
www.creativeprocess.info
www.oneplanetpodcast.org
Nicholas Christakis, MD, PhD, MPH, is a social scientist and physician who conducts research in the areas of biosocial science, network science and behavioral genetics. He directs the Human Nature Lab at Yale University and is the co-director of the Yale Institute for Network Science. Dr. Christakis has authored numerous books, including Blueprint: The Evolutionary Origins of a Good Society published in 2019 and Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live published in 2020. In 2009, Christakis was named by TIME magazine to their annual list of the 100 most influential people in the world.
“When we look around the world, we see endless and timeless fear, ignorance, hatred, and violence. From our position, we could also boundlessly catalogue the minute details of human groups, highlighting and emphasizing the differences among them. But this pessimistic gaze that separates humans from one another by highlighting evil and by emphasizing difference misses an important underlying unity and overlooks our common humanity. Humans everywhere are also pre-wired to make a particular kind of society — one full of love, friendship, cooperation, and learning.
Humans have always had both competitive and cooperative impulses, both violent and beneficent tendencies. Like the two strands of the double helix of our DNA, these conflicting impulses are intertwined. We are primed for conflict and hatred but also for love, friendship, and cooperation. If anything, modern societies are just a patina of civilization on top of this evolutionary blueprint.
The good things we see around us are part of what makes us human in the first place. We should be humble in the face of temptations to engineer society in opposition to our instincts. Fortunately, we do not need to exercise any such authority in order to have a good life. The arc of our evolutionary history is long. But it bends toward goodness.”
Excerpted from BLUEPRINT: The Evolutionary Origins of a Good Society
Copyright 2020 by Nicholas A. Christakis
Nicholas Christakis
Human Nature Lab humannaturelab.net
Yale Institute for Network Science yins.yale.edu
TRELLIS - Suite of software tools for developing, administering, and collecting survey and social network data trellis.yale.edu
The Atlantic: “How AI Will Rewire Us: For better and for worse, robots will alter humans’ capacity for altruism, love, and friendship”
www.creativeprocess.info
www.oneplanetpodcast.org
“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”
Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui’s Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”
· english.hawaii.edu/faculty/candace-fujikane/
· www.dukeupress.edu/mapping-abundance-for-a-planetary-future
· www.oneplanetpodcast.org
· www.creativeprocess.info
Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui’s Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”
“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”
· english.hawaii.edu/faculty/candace-fujikane/
· www.dukeupress.edu/mapping-abundance-for-a-planetary-future
· www.oneplanetpodcast.org
· www.creativeprocess.info
"The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.”
“We think in the west of resistance as something negative but it's actually part of the creative process. Without resistance nothing new can come into being, so the very things that we think of as perhaps obstructing or negating are the very things that will lead to something new and greater. We need to get over this idea. For example, we're only able to move in space because there is friction. Friction is a force that stops you moving but without a degree of friction, you cannot actually move. You wouldn't have anything to move in relation to. So perfection is itself an imperfection. And in a number of traditions, this is memorialized by the idea that when you create something there should deliberately be some imperfection in it.”
Dr. Iain McGilchrist is a psychiatrist, neuroscience researcher, philosopher and literary scholar. He is a Quondam Fellow of All Souls College, Oxford, an Associate Fellow of Green Templeton College, Oxford, a Fellow of the Royal College of Psychiatrists, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital, London.
He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital and a Fellow of the Institute of Advanced Studies in Stellenbosch. He has published original articles and research papers in a wide range of publications on topics in literature, philosophy, medicine and psychiatry.
He is the author of a number of books, including The Matter with Things, and The Master and his Emissary: The Divided Brain and the Making of the Western World.
· https://channelmcgilchrist.com
· www.creativeprocess.info
· www.oneplanetpodcast.org
Dr. Iain McGilchrist is a psychiatrist, neuroscience researcher, philosopher and literary scholar. He is a Quondam Fellow of All Souls College, Oxford, an Associate Fellow of Green Templeton College, Oxford, a Fellow of the Royal College of Psychiatrists, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital, London.
He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital and a Fellow of the Institute of Advanced Studies in Stellenbosch. He has published original articles and research papers in a wide range of publications on topics in literature, philosophy, medicine and psychiatry.
He is the author of a number of books, including The Matter with Things, and The Master and his Emissary: The Divided Brain and the Making of the Western World.
· https://channelmcgilchrist.com
· www.creativeprocess.info
· www.oneplanetpodcast.org
“I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?”
McDonough advises leaders on ESG strategies through McDonough Innovation, is an architect with William McDonough + Partners, and provides product assessments through MBDC, the creators of the Cradle to Cradle Certified™ Products Program.
He has been active with the World Economic Forum for 25 years and served as the inaugural chair of their Meta-Council on the Circular Economy. He recently articulated the Circular Carbon Economy, a framework for carbon management, and presented the concept at COP25 and at 2020 G20 workshops.
William McDonough is a globally recognized leader in sustainable design and development. He has written and lectured extensively on design as the first signal of human intention. He co-authored Cradle to Cradle: Remaking the Way We Make Things, which is celebrating its 20th anniversary this year.
McDonough advises leaders on ESG strategies through McDonough Innovation, is an architect with William McDonough + Partners, and provides product assessments through MBDC, the creators of the Cradle to Cradle Certified™ Products Program.
He has been active with the World Economic Forum for 25 years and served as the inaugural chair of their Meta-Council on the Circular Economy. He recently articulated the Circular Carbon Economy, a framework for carbon management, and presented the concept at COP25 and at 2020 G20 workshops.
McDonough has co-founded not-for-profit organizations, including Fashion for Good, GreenBlue, Sustainable Packaging Coalition, and the Cradle to Cradle Products Innovation Institute. He has been on the faculty of Stanford University (2004-present) and is a Distinguished Research Professor at King Abdullah University of Science and Technology (KAUST) focused on Circular Carbon Economy.
Time magazine recognized him as a “Hero for the Planet,” noting: “His utopianism is grounded in a unified philosophy that—in demonstrable and practical ways—is changing the design of the world," and in 2019 Fortune magazine named him #24 of the World's 50 Greatest Leaders.
· https://mcdonough.com
· mcdonoughpartners.com
· https://mcdonoughpartners.com/projects
· www.oneplanetpodcast.org
· www.creativeprocess.info
William McDonough is a globally recognized leader in sustainable design and development. He has written and lectured extensively on design as the first signal of human intention. He co-authored Cradle to Cradle: Remaking the Way We Make Things, which is celebrating its 20th anniversary this year.
McDonough advises leaders on ESG strategies through McDonough Innovation, is an architect with William McDonough + Partners, and provides product assessments through MBDC, the creators of the Cradle to Cradle Certified™ Products Program.
He has been active with the World Economic Forum for 25 years and served as the inaugural chair of their Meta-Council on the Circular Economy. He recently articulated the Circular Carbon Economy, a framework for carbon management, and presented the concept at COP25 and at 2020 G20 workshops.
McDonough has co-founded not-for-profit organizations, including Fashion for Good, GreenBlue, Sustainable Packaging Coalition, and the Cradle to Cradle Products Innovation Institute. He has been on the faculty of Stanford University (2004-present) and is a Distinguished Research Professor at King Abdullah University of Science and Technology (KAUST) focused on Circular Carbon Economy.
Time magazine recognized him as a “Hero for the Planet,” noting: “His utopianism is grounded in a unified philosophy that—in demonstrable and practical ways—is changing the design of the world," and in 2019 Fortune magazine named him #24 of the World's 50 Greatest Leaders.
· https://mcdonough.com
· mcdonoughpartners.com
· https://mcdonoughpartners.com/projects
· www.oneplanetpodcast.org
· www.creativeprocess.info
©DuHun Photography
“In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there is a lot that we could talk about: design, the layout, scale. Buildings were rarely taller than two stories. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.
I'm from New Orleans, and I am very interested in the fact that cities and the places we live in teach us. They shape us, as much as we shape them. And New Orleans was a wonderful place to grow up in because you wouldn't have said it was sustainable, but the vernacular traditional architecture was naturally cooler in summers because of the way it was built with high ceilings with deep eaves from the roof, with verandas shaded with lots of breezes and lots of gardens, plus it is full of older buildings. And things become gentle over time.”
Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.
· azbybrown.com
· www.safecast.org
· www.oneplanetpodcast.org
· www.creativeprocess.info
Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.
· azbybrown.com
· www.safecast.org
· www.oneplanetpodcast.org
· www.creativeprocess.info
“There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.”
Earl K. Miller is the Picower Professor of Neuroscience in the Picower Institute for Learning and Memory at the Massachusetts Institute of Technology. Miller studies the neural basis of executive control, the ability to carry out goal-directed behavior using complex mental processes and cognitive abilities. This work has established a foundation upon which to construct more detailed, mechanistic accounts of cognition and its dysfunction in diseases such as autism, schizophrenia and attention deficit disorder. He’s the recipient of a variety of awards and his paper with Jonathan Cohen which presented a new framework for understanding the prefrontal cortex, ranks fifth all-time in citations in neuroscience.
· ekmillerlab.mit.edu
· www.creativeprocess.info
Earl K. Miller is the Picower Professor of Neuroscience in the Picower Institute for Learning and Memory at the Massachusetts Institute of Technology. Miller studies the neural basis of executive control, the ability to carry out goal-directed behavior using complex mental processes and cognitive abilities. This work has established a foundation upon which to construct more detailed, mechanistic accounts of cognition and its dysfunction in diseases such as autism, schizophrenia and attention deficit disorder. He’s the recipient of a variety of awards and his paper with Jonathan Cohen which presented a new framework for understanding the prefrontal cortex, ranks fifth all-time in citations in neuroscience.
· ekmillerlab.mit.edu
· www.creativeprocess.info
“We are getting further and further away from the way of life that people had 150, 200 let alone 500 years ago. And it's odd that in some ways, certainly for the middle class, it could be that people had a more satisfactory lifestyle in the 19th century than we have today with all the love the luxuries and comforts we have which they do not have. Of course, there is less poverty, that's a good thing, but we need a revolution of sorts, a mental revolution, a revolution in our expectations of life. I am mostly concerned with analyzing the structure of the change.
Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.”
Merlin Donald was born and raised in Montreal and received his Master’s in Psychology from the University of Ottawa, and his doctorate in Neuropsychology from McGill University in 1968. He is a Fellow of the Canadian Psychological Association, the World Academy of Arts & Science, and the Royal Society of Canada, he is the author of two influential books: Origins of the Modern Mind and A Mind So Rare His early work on human cognitive evolution was unique in its incorporation of both technology and culture into a theory grounded in brain function and brain evolution. He is currently working on an issue that concerns us all: the potentially radical effect of high technology on human cognitive evolution.
· www.queensu.ca/psychology/merlin-donald
· www.creativeprocess.info
Merlin Donald was born and raised in Montreal and received his Master’s in Psychology from the University of Ottawa, and his doctorate in Neuropsychology from McGill University in 1968. He is a Fellow of the Canadian Psychological Association, the World Academy of Arts & Science, and the Royal Society of Canada, he is the author of two influential books: Origins of the Modern Mind and A Mind So Rare His early work on human cognitive evolution was unique in its incorporation of both technology and culture into a theory grounded in brain function and brain evolution. He is currently working on an issue that concerns us all: the potentially radical effect of high technology on human cognitive evolution.
· www.queensu.ca/psychology/merlin-donald
· www.creativeprocess.info
“To explore different worlds, essentially. That’s what literature has taught me. Reading has taught me how difficult it is to write well, to do you something other than the mundane or the expected, so all those things point to a kind of human creativity and a human capacity to both create and also to learn. To learn about life in different ways and to pass on those lessons to other people. One thing I think great teachers do is to embody what they talk about, the values that they profess, the things they feel are important in their everyday lives outside of the literature. So when I become involved in politics or a cause, it’s a reflection of what I've learned through any number of things including literature. Literature doesn’t stand alone. Literature is part of the world. That’s another thing I think is very important. As much as we should enjoy those moments when we’re alone reading a book and we're isolated and just in a meditative state, we should understand that literature is always about something else besides itself.”
David Palumbo-Liu is the Louise Hewlett Nixon Professor, and Professor of Comparative Literature, at Stanford University. He has written widely on culture, literature, human rights, and politics, both in his books and also in venues such as Truthout, The Guardian, Jacobin, The Nation, Al Jazeera, and others.
· www.palumbo-liu.com
Twitter: @palumboliu
· www.oneplanetpodcast.org
· www.creativeprocess.info
David Palumbo-Liu is the Louise Hewlett Nixon Professor, and Professor of Comparative Literature, at Stanford University. He has written widely on culture, literature, human rights, and politics, both in his books and also in venues such as Truthout, The Guardian, Jacobin, The Nation, Al Jazeera, and others.
· www.palumbo-liu.com
Twitter: @palumboliu
· www.oneplanetpodcast.org
· www.creativeprocess.info
Jeffrey D. Sachs is University Professor and Director of the Center for Sustainable Development at Columbia University. He is President of the UN Sustainable Development Solutions Network, Chair of the Lancet COVID-19 Commission, Co-Chair of the UN Council of Engineers for the Energy Transition, Commissioner of the UN Broadband Commission for Development, academician of the Pontifical Academy of Social Sciences, and Tan Sri Jeffrey Cheah Honorary Distinguished Professor of Sustainable Development at Sunway University. Sachs has been Special Advisor to three United Nations Secretaries-General, and currently serves as an SDG Advocate under Secretary-General António Guterres. Sachs was twice named among Time magazine’s 100 most influential world leaders, and has received 38 honorary doctorates. He received the Legion of Honor from France in 2021 and the Order of the Cross from Estonia in 2019.
Jeffrey Sachs hosts “The Book Club with Jeffrey Sachs” podcast featuring renowned authors of scintillating, inspiring and remarkably important books about history, social justice, and the challenges of building a decent world. Previous conversations feature Mariana Mazzucato, author of “Mission Economy: A Moonshot Guide to Changing Capitalism,” and Robert Lustig, author of “Metabolical: The Lure and the Lies of Processed Food, Nutrition, and Modern Medicine” among others.To learn more, visit
· www.bookclubwithjeffreysachs.org/
· www.jeffsachs.org
· sdgacademy.org/
· www.unsdsn.org/
· www.oneplanetpodcast.org
· www.creativeprocess.info
“If we’re badly educated, we’re not going to make it on this planet. If I had to put my finger on one Sustainable Development Goal above all else, it is let’s empower young people so that they know the future. They know the world that they’re going to be leading soon. They can do something about it…Specifically, target 4.7 which says that everybody should learn about sustainable development. Everybody should learn about global citizenship.
If you’re in elementary school up to university, you should be learning–What is climate change? What is biodiversity? What can we do about it? And this kind of learning is not only book learning, but is also experiential learning.”
Jeffrey D. Sachs · President of UN Sustainable Development Solutions Network · Director of Center for Sustainable Development, Columbia University (35 mins)
Interviewed by Mia Funk & Eveline Mol · Associate Podcast Producer Eveline Mol
Jeffrey D. Sachs is University Professor and Director of the Center for Sustainable Development at Columbia University. He is President of the UN Sustainable Development Solutions Network, Chair of the Lancet COVID-19 Commission, Co-Chair of the UN Council of Engineers for the Energy Transition, Commissioner of the UN Broadband Commission for Development, academician of the Pontifical Academy of Social Sciences, and Tan Sri Jeffrey Cheah Honorary Distinguished Professor of Sustainable Development at Sunway University. Sachs has been Special Advisor to three United Nations Secretaries-General, and currently serves as an SDG Advocate under Secretary-General António Guterres. Sachs was twice named among Time magazine’s 100 most influential world leaders, and has received 38 honorary doctorates. He received the Legion of Honor from France in 2021 and the Order of the Cross from Estonia in 2019.
Jeffrey Sachs hosts “The Book Club with Jeffrey Sachs” podcast featuring renowned authors of scintillating, inspiring and remarkably important books about history, social justice, and the challenges of building a decent world. Previous conversations feature Mariana Mazzucato, author of “Mission Economy: A Moonshot Guide to Changing Capitalism,” and Robert Lustig, author of “Metabolical: The Lure and the Lies of Processed Food, Nutrition, and Modern Medicine” among others.To learn more, visit
· www.bookclubwithjeffreysachs.org/
· www.jeffsachs.org
· sdgacademy.org/
· www.unsdsn.org/
· www.oneplanetpodcast.org
· www.creativeprocess.info
“Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.”
Dr.George Ellis is a South African theoretical physicist who is considered to be a world leader in relativity theory and cosmology. He has published over 500 scientific papers and several books including The Large scale Structure of Space Time, which he co-authored with Steven Hawking in 1973. He is an active Quaker and won the Templeton Prize in 2004 for his exceptional contribution to affirming life’s spiritual dimension. He is also a past President of the International Society for Science and Religion.
· math_research.uct.ac.za/~ellis/
· www.creativeprocess.info
Dr. George Ellis is a South African theoretical physicist who is considered to be a world leader in relativity theory and cosmology. He has published over 500 scientific papers and several books including The Large scale Structure of Space Time, which he co-authored with Steven Hawking in 1973. He is an active Quaker and won the Templeton Prize in 2004 for his exceptional contribution to affirming life’s spiritual dimension. He is also a past President of the International Society for Science and Religion.
· math_research.uct.ac.za/~ellis/
· www.creativeprocess.info
Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her books include What I Loved; Memories of the Future; Living, Thinking, Looking; and The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.
· sirihustvedt.net
· www.creativeprocess.info
Photo by Marion Ettlinger
Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her books include What I Loved; Memories of the Future; Living, Thinking, Looking; and The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.
· sirihustvedt.net
· www.creativeprocess.info
Photo by Marion Ettlinger
Dimitrios Pandermalis is Professor Emeritus of Classical Archeology at the Aristotle University of Thessaloniki, where he has served as President of the History and Archeology Department and Dean of the Philosophical School. He is the President of the Acropolis Museum, and Director of Aristotle University's archeological excavations at the ancient site of Dion on the foothills of Mount Olympus. There he has conducted innovative programs converting the excavated area into an archeological and environmental park.
He has presented lectures and seminars on classical archeology at many institutions internationally and is the author of more than 60 publications on the subject. He is an ordinary member of the Archeological Society in Athens and of the German Archeological Institute in Berlin.
· https://www.theacropolismuseum.gr/en
· www.creativeprocess.info
Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals by the Foreign Policy magazine.
· www.bard.edu/faculty/details/?id=153
· www.creativeprocess.info
Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker,
The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.
· www.bard.edu/faculty/details/?id=153
· www.creativeprocess.info
“You can criticize many things in the United States, but there are taboos and the number one taboo is that you cannot criticize Capitalism. That is equated with disloyalty…This story about Capitalism being wonderful. This story is fading. You can’t do that anymore. The Right Wing cannot rally its troops around Capitalism. That’s why it doesn’t do it anymore. It rallies the troops around being hateful towards immigrants. It rallies the troops around “fake elections”, around the right to buy a gun, around White Supremacists. Those issues can get some support, but “Let’s get together for Capitalism!” That is bad. They can’t do anything with that. They have to sneak the Capitalism in behind those other issues because otherwise, they have no mass political support.”
Richard D. Wolff is Founder of Democracy at Work and host of the show Economic Update. Professor of Economics Emeritus, University of Massachusetts, Amherst where he taught economics from 1973 to 2008. He is currently a Visiting Professor in the Graduate Program in International Affairs of the New School University, New York City. Earlier he taught economics at Yale University (1967-1969) and at the City College of the City University of New York (1969-1973). In 1994, he was a Visiting Professor of Economics at the University of Paris (France), I (Sorbonne). Wolff was also regular lecturer at the Brecht Forum in New York City. He is the author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself.
· www.rdwolff.com
· www.democracyatwork.info
· www.creativeprocess.info
· www.oneplanetpodcast.org
Richard D. Wolff is Founder of Democracy at Work and host of the show Economic Update. Professor of Economics Emeritus, University of Massachusetts, Amherst where he taught economics from 1973 to 2008. He is currently a Visiting Professor in the Graduate Program in International Affairs of the New School University, New York City. Earlier he taught economics at Yale University (1967-1969) and at the City College of the City University of New York (1969-1973). In 1994, he was a Visiting Professor of Economics at the University of Paris (France), I (Sorbonne). Wolff was also regular lecturer at the Brecht Forum in New York City. He is the author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself.
· www.rdwolff.com
· www.democracyatwork.info
· www.creativeprocess.info
· www.oneplanetpodcast.org
“There’s a wide range of reasons that we really need to understand the root causes of a lot of our social ills and environmental ills. I think we need to continue to come back to this question of how we heal this imposed divide between the natural world and human social constructs. And that healing is key to how we’re going to really unwind the perilous moment that we face right now. How do we reconnect with the natural world? Not just intellectually, but in a very embodied way.”
Osprey Orielle Lake is the Founder and Executive Director of the Women's Earth and Climate Action Network (WECAN) International dedicated to accelerating a global women’s climate justice movement. She works nationally and internationally with grassroots and Indigenous leaders, policy-makers and scientists to promote climate justice, resilient communities, and a just transition to a decentralized, democratized energy future. She serves on the Executive Committee for the Global Alliance for the Rights of Nature and Osprey is the Co-Director of the Indigenous Women's Divestment Delegations, and actively leads WECAN’s advocacy, policy and campaign work in areas such as Women for Forests, Divestment and Just Transition, Indigenous Rights, a Feminist Agenda for a Green New Deal, and UN Forums. Osprey is the author of the award-winning book,"Uprisings for the Earth: Reconnecting Culture with Nature."
· Global Women's Assembly for Climate Justice: Solutions from the Frontlines and the Protection and Defense of Human Rights and Nature https://www.wecaninternational.org/womens-assembly
· WECAN COP26 Analysis Blog: Despite Government Failures at COP26, Peoples' Movements Continue Rising to Transform our World - https://www.wecaninternational.org/post/despite-government-failures-at-cop26-peoples-movements-continue-rising-to-transform-our-world
· WECAN Programs: https://www.wecaninternational.org/our-work
- WECAN Women Speak Storytelling Database: https://womenspeak.wecaninternational.org/
· Join the WECAN Network: https://www.wecaninternational.org/join-the-network
· WECAN Social Media Handles:
Facebook:https://www.facebook.com/WECAN.Intl/
Twitter: https://twitter.com/WECAN_INTL
Instagram: https://www.instagram.com/wecan_intl/
· www.oneplanetpodcast.org
· www.creativeprocess.info
Osprey Orielle Lake is the Founder and Executive Director of the Women's Earth and Climate Action Network (WECAN) International dedicated to accelerating a global women’s climate justice movement. She works nationally and internationally with grassroots and Indigenous leaders, policy-makers and scientists to promote climate justice, resilient communities, and a just transition to a decentralized, democratized energy future. She serves on the Executive Committee for the Global Alliance for the Rights of Nature and Osprey is the Co-Director of the Indigenous Women's Divestment Delegations, and actively leads WECAN’s advocacy, policy and campaign work in areas such as Women for Forests, Divestment and Just Transition, Indigenous Rights, a Feminist Agenda for a Green New Deal, and UN Forums. Osprey is the author of the award-winning book,"Uprisings for the Earth: Reconnecting Culture with Nature."
· Global Women's Assembly for Climate Justice: Solutions from the Frontlines and the Protection and Defense of Human Rights and Nature https://www.wecaninternational.org/womens-assembly
· WECAN COP26 Analysis Blog: Despite Government Failures at COP26, Peoples' Movements Continue Rising to Transform our World - https://www.wecaninternational.org/post/despite-government-failures-at-cop26-peoples-movements-continue-rising-to-transform-our-world
· WECAN Programs: https://www.wecaninternational.org/our-work
- WECAN Women Speak Storytelling Database: https://womenspeak.wecaninternational.org/
· Join the WECAN Network: https://www.wecaninternational.org/join-the-network
· WECAN Social Media Handles:
Facebook:https://www.facebook.com/WECAN.Intl/
Twitter: https://twitter.com/WECAN_INTL
Instagram: https://www.instagram.com/wecan_intl/
· www.oneplanetpodcast.org
· www.creativeprocess.info
"He'd been painting all his life, and he was a researcher in his soul mostly. Painting was a means to question the universe. In order to make his art as perfect as possible, he would know everything that he could put into his paintings. So everything on perspective, everything on optics and mathematics, everything on the ingredients that have to go into the making. Everything about geology, because it has to be represented in a very accurate way in landscape painting and so and so forth. I don't think that Leonardo had difficulty in imposing himself as an artist because he was so, I should say divinely, gifted, that it struck everyone that he was a genius at once...We have Leonardo in full when we read his texts because it's still there. It's a full testimony, but his private life, we don't know much about it, but he certainly must have been very well organized because you can't make so much work without a base in the organization of your life which is very strict. And you can't go and penetrate such high intellectual spheres unless you're a man of good. Do you understand what I mean? To have some ideal of perfection, beauty, and humanity inside yourself."
Jacques Franck is a specialist in Leonardo da Vinci who has trained both as an art historian and as a classical painter. A consulting expert to the Louvre, the Armand Hammer Centre for Da Vinci Studies at UCLA, and other institutions, he has spent almost fifty years immersed in the Italian master’s body of work. Franck has made “critical copies” in order to better understand DaVinci’s techniques, which have been shown at the Uffizi, and has dedicated his life to raising awareness about the dangers of restoration based on insufficient knowledge. He spoke to Mia on the occasion of the 500th anniversary of the death of DaVinci and his major retrospective exhibition at the Louvre bringing together almost 120 works from the most prestigious European and American institutions.
www.creativeprocess.info
Jacques Franck is a specialist in Leonardo da Vinci who has trained both as an art historian and as a classical painter. A consulting expert to the Louvre, the Armand Hammer Centre for Da Vinci Studies at UCLA, and other institutions, he has spent almost fifty years immersed in the Italian master’s body of work. Franck has made “critical copies” in order to better understand DaVinci’s techniques, which have been shown at the Uffizi, and has dedicated his life to raising awareness about the dangers of restoration based on insufficient knowledge. He spoke to Mia on the occasion of the 500th anniversary of the death of DaVinci and his major retrospective exhibition at the Louvre bringing together almost 120 works from the most prestigious European and American institutions.
www.creativeprocess.info
Jeffrey Rosen is a Professor of Law at The George Washington University Law School. He is also the President and CEO of the National Constitution Center and a Contributing Editor of The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. His latest book, for the American Presidents Series, is William Howard Taft. His other books include: Louis D. Brandeis: American Prophet; The Supreme Court: The Personalities and Rivalries that Defined America, the best-selling companion book to the award-winning PBS series; The Most Democratic Branch: How the Courts Serve America; The Naked Crowd: Freedom and Security in an Anxious Age; and The Unwanted Gaze: The Destruction of Privacy in America. Professor Rosen is coeditor, with Benjamin Wittes, of Constitution 3.0: Freedom and Technological Change. His essays and commentaries have appeared in The Atlantic, The New York Times Magazine, on National Public Radio, in The New Republic, where he was the legal affairs editor, and in The New Yorker, where he has been a staff writer. He hosts the weekly "We the People" podcast. The Chicago Tribune named him one of the ten best magazine journalists in America, and the Los Angeles Times called him the nation's most widely read and influential legal commentator. This interview was conducted before the passing of Supreme Court Justice Ruth Bader Ginsburg. constitutioncenter.org · www.creativeprocess.info
Jeffrey Rosen is a Professor of Law at The George Washington University Law School. He is also the President and CEO of the National Constitution Center and a Contributing Editor of The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. His latest book, for the American Presidents Series, is William Howard Taft. His other books include: Louis D. Brandeis: American Prophet; The Supreme Court: The Personalities and Rivalries that Defined America, the best-selling companion book to the award-winning PBS series; The Most Democratic Branch: How the Courts Serve America; The Naked Crowd: Freedom and Security in an Anxious Age; and The Unwanted Gaze: The Destruction of Privacy in America. Professor Rosen is coeditor, with Benjamin Wittes, of Constitution 3.0: Freedom and Technological Change. His essays and commentaries have appeared in The Atlantic, The New York Times Magazine, on National Public Radio, in The New Republic, where he was the legal affairs editor, and in The New Yorker, where he has been a staff writer. He hosts the weekly "We the People" podcast. The Chicago Tribune named him one of the ten best magazine journalists in America, and the Los Angeles Times called him the nation's most widely read and influential legal commentator. This interview was conducted before the passing of Supreme Court Justice Ruth Bader Ginsburg. constitutioncenter.org · www.creativeprocess.info
“Just getting to know what is Buddhism, which is the foundation of every monastery. The Shaolin Temple is in the core, first of all it’s a Buddhist monastery and when you are starting to read about Buddhism, one of the key sentence in the beginning is: With your thoughts you are creating the world…So it’s very rarely clearly stated that it is the thoughts that are creating the world. Nevertheless, if you are now looking at the practices that the Shaolin Temple offers, that is quite physical. There is a lot of physicality in there, so you might think but why are you saying with thoughts you create the world, but you have so many different physical activities. It is because if you want to have mental freedom. If you want to approach freedom, you cannot just approach freedom by doing things or trying to chase freedom. The freedom that we are looking for is the type of freedom that is derived and that is very closely related to its counterpart, which is very hard restriction or very hard structure. So if you want to experience what freedom is, look at the restrictions of your life.”
For more than 30 years, Master Shi Heng Yi has been studying and practicing the interaction between mind and body. His strength is the ability to smoothly combine this knowledge with physical exercises and to practice Martial art –Kung Fu and Qi Gong. He has an academic background but he prefers to live at the Shaolin Temple Europe, Monastery located in Otterberg, Germany. Since 2010 he has been taking care of the settlement and he personifies sustainable development and spreading Shaolin culture and philosophy.
· www.shihengyi.online
· www.shaolintemple.eu
· www.creativeprocess.info
· www.oneplanetpodcast.org
For more than 30 years, Master Shi Heng Yi has been studying and practicing the interaction between mind and body. His strength is the ability to smoothly combine this knowledge with physical exercises and to practice Martial art –Kung Fu and Qi Gong. He has an academic background but he prefers to live at the Shaolin Temple Europe, Monastery located in Otterberg, Germany. Since 2010 he has been taking care of the settlement and he personifies sustainable development and spreading Shaolin culture and philosophy.
· www.shihengyi.online
· www.shaolintemple.eu
· www.creativeprocess.info
· www.oneplanetpodcast.org
“This generation really does hold the future of the planet in its hands.”
Peter Singeris often described as the world's most influential philosopher. The author of important books such as Animal Liberation, Practical Ethics, Rethinking Life and Death, and The Life You Can Save, he helped launch the animal rights and effective altruism movements and contributed to the development of bioethics. Now, in Ethics in the Real World, Singer shows that he is also a master at dissecting important current events in a few hundred words.
· petersinger.info
· www.thelifeyoucansave.org
· www.oneplanetpodcast.org
· www.creativeprocess.info
Peter Singeris often described as the world's most influential philosopher. The author of important books such as Animal Liberation, Practical Ethics, Rethinking Life and Death, and The Life You Can Save, he helped launch the animal rights and effective altruism movements and contributed to the development of bioethics. Now, in Ethics in the Real World, Singer shows that he is also a master at dissecting important current events in a few hundred words.
· petersinger.info
· www.thelifeyoucansave.org
· www.oneplanetpodcast.org
· www.creativeprocess.info
Photo courtesy of Leif Tuxen
“At first when I began writing these books, people told me that they didn’t think there was an audience for them. They thought it was a kind of niche subject, nobody was really that interested in it. And then gradually it became clear that there’s a surprisingly big audience of people that really have a craving for Classical wisdom and are interested in history, in the relationship between history and self-improvement and philosophy and psychotherapy.”
Donald Robertson is a writer, cognitive-behavioural psychotherapist, and a Fellow of the Royal Society for Public Health (RSPH). He is known as an expert on the relationship between modern psychotherapy (CBT) and classical Greek and Roman philosophy, specifically Stoicism. He has been doing public speaking for over two decades and has spoken on over a hundred podcasts, webinars, and conferences. He has also published six books on philosophy and psychotherapy that have been translated into several languages. Titles include Stoicism and the Art of Happiness and the bestselling How to Think Like a Roman Emperor. His graphic novel, Verissimus: The Stoic Philosophy of Marcus Aurelius, is due for publication around Autumn 2021.
· donaldrobertson.name
Plato’s Academy: donaldrobertson.name/2021/02/10/rebuilding-platos-academy/
· www.creativeprocess.info
Donald Robertson is a writer, cognitive-behavioural psychotherapist, and a Fellow of the Royal Society for Public Health (RSPH). He is known as an expert on the relationship between modern psychotherapy (CBT) and classical Greek and Roman philosophy, specifically Stoicism. He has been doing public speaking for over two decades and has spoken on over a hundred podcasts, webinars, and conferences. He has also published six books on philosophy and psychotherapy that have been translated into several languages. Titles include Stoicism and the Art of Happiness and the bestselling How to Think Like a Roman Emperor. His graphic novel, Verissimus: The Stoic Philosophy of Marcus Aurelius, is due for publication around Autumn 2021.
· donaldrobertson.name
Plato’s Academy: donaldrobertson.name/2021/02/10/rebuilding-platos-academy/
· www.creativeprocess.info
“Take care of yourself. Bring that love and kindness and compassion into your dealings with self and others. And this world will change dramatically. I think you’ll find great reason for optimism and hope and viewing the way our world can go, but it absolutely involves a change from the status quo from our current direction.”
Eben Alexander, MD, was an academic neurosurgeon for over 25 years, including 15 years at the Brigham & Women’s Hospital, Children’s Hospital, and Harvard Medical School in Boston. He experienced a transcendental Near-Death Experience (NDE) during a week-long coma from an inexplicable brain infection that completely transformed his worldview. A pioneering scientist and modern thought leader in the emerging science that acknowledges the primacy of consciousness in the universe, he is the author of the New York Times #1 bestseller Proof of Heaven, The Map of Heaven and Living in a Mindful Universe.
· ebenalexander.com
· www.creativeprocess.info
· www.oneplanetpodcast.org
Eben Alexander, MD, was an academic neurosurgeon for over 25 years, including 15 years at the Brigham & Women’s Hospital, Children’s Hospital, and Harvard Medical School in Boston. He experienced a transcendental Near-Death Experience (NDE) during a week-long coma from an inexplicable brain infection that completely transformed his worldview. A pioneering scientist and modern thought leader in the emerging science that acknowledges the primacy of consciousness in the universe, he is the author of the New York Times #1 bestseller Proof of Heaven, The Map of Heaven and Living in a Mindful Universe.
· ebenalexander.com
· www.creativeprocess.info
· www.oneplanetpodcast.org
Avi Loeb is a Professor of Science at Harvard University and a bestselling author with lists of the New York Times, Wall Street Journal, Publishers Weekly and more. Loeb wrote 8 books and over 800 papers on a wide range of topics, including black holes, the first stars, the search for extraterrestrial life, and the future of the universe. He had been the longest serving Chair of Harvard's Department of Astronomy (2011-2020), and Founding Director of Harvard's Black Hole Initiative. In 2012, TIME magazine selected Loeb as one of the 25 most influential people in space.
Website: lweb.cfa.harvard.edu/~loeb/
Essays in Scientific American: lweb.cfa.harvard.edu/~loeb/Opinion.html
· www.oneplanetpodcast.org
· www.creativeprocess.info
Photo: Lotem Loeb
Avi Loeb is a Professor of Science at Harvard University and a bestselling author with lists of the New York Times, Wall Street Journal, Publishers Weekly and more. Loeb wrote 8 books and over 800 papers on a wide range of topics, including black holes, the first stars, the search for extraterrestrial life, and the future of the universe. He had been the longest serving Chair of Harvard's Department of Astronomy (2011-2020), and Founding Director of Harvard's Black Hole Initiative. In 2012, TIME magazine selected Loeb as one of the 25 most influential people in space.
Website: lweb.cfa.harvard.edu/~loeb/
Essays in Scientific American: lweb.cfa.harvard.edu/~loeb/Opinion.html
· www.oneplanetpodcast.org
· www.creativeprocess.info
Photo: Lotem Loeb
“A lot of people in my family and among my friends when they heard that I study Yiddish and that later made it my livelihood, they are very surprised. Yiddish? How come Yiddish? Why Yiddish? They even laugh sometimes, they are very surprised. And what I answer to them is that there is nothing surprising about the fact that I study or speak Yiddish. The real surprise, the real question that has to be asked is how come my parents, this last generation, didn’t speak Yiddish? Because, if you consider my family, for hundreds of years on all sides they spoke Yiddish.”
Tal Hever-Chybowski is the Director of the Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library. He is the Founder and Editor of the diasporic-Hebrew journal Mikan Ve’eylakh in Berlin, and Ph.D. candidate at the History Department of Humboldt University, Berlin. He holds a B.A. in History from the Hebrew University of Jerusalem and an M.A. in History from the Humboldt University. He translated into Hebrew Edward Said’s Representations of the Intellectual (1993), Mikhal Dekel’s The Universal Jew: Masculinity, Modernity, and the Zionist Moment (2014), and is currently translating a forthcoming book on diaspora by Daniel Boyarin.
· www.yiddishweb.com
· www.creativeprocess.info
Tal Hever-Chybowski is the Director of the Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library. He is the Founder and Editor of the diasporic-Hebrew journal Mikan Ve’eylakh in Berlin, and Ph.D. candidate at the History Department of Humboldt University, Berlin. He holds a B.A. in History from the Hebrew University of Jerusalem and an M.A. in History from the Humboldt University. He translated into Hebrew Edward Said’s Representations of the Intellectual (1993), Mikhal Dekel’s The Universal Jew: Masculinity, Modernity, and the Zionist Moment (2014), and is currently translating a forthcoming book on diaspora by Daniel Boyarin.
· www.yiddishweb.com
· www.creativeprocess.info
One Planet Podcast & The Creative Process is proud to partner with UNESCO Mahatma Gandhi Institute of Education for Peace and Sustainable Development. Hear our first interview with Founding Director of UNESCO MGIEP Anantha Duraiappah, a part of our ongoing series of conversations around education, sustainability, and world peace. Stay tuned for more!
UNESCO MGIEP’s Events and initiatives around World Environment Day https://trello.com/b/NgNkbcm9/world-environment-day-nature-emotion
Course webpage: https://mgiep.unesco.org/course-climate-change
Sign up Form: https://climatechange.paperform.co/
Brochure: https://bit.ly/3ihjr7q
“The whole of hierarchy is just wrong. It’s about passion and it’s about letting the person explore themselves. That’s how I think education should be. It should not be a mechanised…it should be a place to explore. It’s a place to have dialogues."
Anantha Duraiappah took the position as inaugural Director of the UNESCO Mahatma Gandhi Institute of Education for Peace and Sustainable Development (MGIEP) based in New Delhi, India, in 2014. A science-policy pacesetter, with over 35 years’ experience, he now plays a key role in positioning UNESCO MGIEP as a leading science and evidence-based research institute on education for peace, sustainable development and global citizenship. Additionally, Anantha is a Fellow of the World Academy of Arts and Sciences (WAAS), a Fellow of The World Academy of Sciences (TWAS) and Co-Chair of The International Science and Evidence based Education (ISEE) Assessment that contributes to re- envisioning the future of education for human flourishing.
UNESCO MGIEP’s website: https://mgiep.unesco.org/ Vision page: https://mgiep.unesco.org/vision
Anantha’s profile: https://bit.ly/3q4ti1i
Anantha’s page + writings: https://mgiep.unesco.org/office-of-the-director
Youth Initiatives:
TAGe: https://mgiep.unesco.org/tage (Talking Across Generations on Education)
Kindness Campaign: https://mgiep.unesco.org/kindness
Compassionate Integrity Training: https://mgiep.unesco.org/cit
The Blue DOT publication: https://mgiep.unesco.org/the-bluedot - you can receive your free copy by signing up here: https://thebluedot.paperform.co/ https://mgiep.unesco.org/the-blue-dot-issue-10 http://mgiep.unesco.org/the-blue-dot-issue-6
Rethinking learning and the importance of Social and Emotional Learning released on Nelson Mandela Day last year: https://mgiep.unesco.org/rethinking-learning
· www.creativeprocess.info
· www.oneplanetpodcast.org
HAPPY WORLD ENVIRONMENT DAY
One Planet Podcast & The Creative Process is proud to partner with UNESCO Mahatma Gandhi Institute of Education for Peace and Sustainable Development. Hear our first interview with Founding Director of UNESCO MGIEP Anantha Duraiappah, a part of our ongoing series of conversations around education, sustainability, and world peace. Stay tuned for more!
Anantha Duraiappah took the position as inaugural Director of the UNESCO Mahatma Gandhi Institute of Education for Peace and Sustainable Development (MGIEP) based in New Delhi, India, in 2014. A science-policy pacesetter, with over 35 years’ experience, he now plays a key role in positioning UNESCO MGIEP as a leading science and evidence-based research institute on education for peace, sustainable development and global citizenship. Additionally, Anantha is a Fellow of the World Academy of Arts and Sciences (WAAS), a Fellow of The World Academy of Sciences (TWAS) and Co-Chair of The International Science and Evidence based Education (ISEE) Assessment that contributes to re- envisioning the future of education for human flourishing.
UNESCO MGIEP’s Events and initiatives around World Environment Day https://trello.com/b/NgNkbcm9/world-environment-day-nature-emotion
Course webpage: https://mgiep.unesco.org/course-climate-change
Sign up Form: https://climatechange.paperform.co/
Brochure: https://bit.ly/3ihjr7q
UNESCO MGIEP’s website: https://mgiep.unesco.org/ Vision page: https://mgiep.unesco.org/vision
Anantha’s profile: https://bit.ly/3q4ti1i
Anantha’s page + writings: https://mgiep.unesco.org/office-of-the-director
Youth Initiatives:
TAGe: https://mgiep.unesco.org/tage (Talking Across Generations on Education)
Kindness Campaign: https://mgiep.unesco.org/kindness
Compassionate Integrity Training: https://mgiep.unesco.org/cit
The Blue DOT publication: https://mgiep.unesco.org/the-bluedot - you can receive your free copy by signing up here: https://thebluedot.paperform.co/ https://mgiep.unesco.org/the-blue-dot-issue-10 http://mgiep.unesco.org/the-blue-dot-issue-6
Rethinking learning and the importance of Social and Emotional Learning released on Nelson Mandela Day last year: https://mgiep.unesco.org/rethinking-learning
· www.creativeprocess.info
· www.oneplanetpodcast.org
“For a writer of non-fiction or essayist that’s very difficult to work with because we aren’t, or at least some of us don’t consider ourselves journalists. The tools that we are working with aren’t–What your favorite color is. Where you grew up. Or what your favorite number is. If we’re writing a profile of something, the tools that we’re working with are long conversations in which people are sharing anecdotes about themselves. When I do an interview with somebody, I don’t take out a tape recorder. I don’t have a notebook. I invite them on a walk so that we can feel at least that we’re just chatting.”
John D’Agata is the author of Halls of Fame, About a Mountain, and The Lifespan of a Fact, as well as the editor of the 3-volume series A New History of the Essay, which includes the anthologies The Next American Essay, The Making of the American Essay, and The Lost Origins of the Essay. His work has been supported by a Guggenheim Fellowship, a Howard Foundation Fellowship, an NEA Literature Fellowship, and a Lannan Foundation Fellowship. He holds a B.A. from Hobart College and two M.F.A.s from the University of Iowa, and recently his essays have appeared in The Believer, Harper's, Gulf Coast, and Conjunctions. John D’Agata lives in Iowa City where he teaches creative writing at the University of Iowa. The Lifespan of Fact was adapted into a Broadway play starring Daniel Radcliffe, Cherry Jones, and Bobby Cannavale.
· www.johndagata.com
· www.creativeprocess.info
John D’Agata is the author of Halls of Fame, About a Mountain, and The Lifespan of a Fact, as well as the editor of the 3-volume series A New History of the Essay, which includes the anthologies The Next American Essay, The Making of the American Essay, and The Lost Origins of the Essay. His work has been supported by a Guggenheim Fellowship, a Howard Foundation Fellowship, an NEA Literature Fellowship, and a Lannan Foundation Fellowship. He holds a B.A. from Hobart College and two M.F.A.s from the University of Iowa, and recently his essays have appeared in The Believer, Harper's, Gulf Coast, and Conjunctions. John D’Agata lives in Iowa City where he teaches creative writing at the University of Iowa. The Lifespan of Fact was adapted into a Broadway play starring Daniel Radcliffe, Cherry Jones, and Bobby Cannavale.
· www.johndagata.com
· www.creativeprocess.info
Yann Martel is the author of Life of Pi, the #1 international bestseller and winner of the 2002 Man Booker (among other prizes). He is also the award-winning author of The Facts Behind the Helsinki Roccamatios (winner of the Journey Prize), Self, Beatrice & Virgil, and 101 Letters to a Prime Minister. Born in Spain in 1963, Martel studied philosophy at Trent University, worked at odd jobs—tree planter, dishwasher, security guard—and traveled widely before turning to writing. He lives in Saskatoon, Canada, with the writer Alice Kuipers* and their four children.
· www.penguinrandomhouse.com/authors/19175/yann-martel/
· www.creativeprocess.info
Yann Martel is the author of Life of Pi, the #1 international bestseller and winner of the 2002 Man Booker (among other prizes). He is also the award-winning author of The Facts Behind the Helsinki Roccamatios (winner of the Journey Prize), Self, Beatrice & Virgil, and 101 Letters to a Prime Minister. Born in Spain in 1963, Martel studied philosophy at Trent University, worked at odd jobs—tree planter, dishwasher, security guard—and traveled widely before turning to writing. He lives in Saskatoon, Canada, with the writer Alice Kuipers* and their four children.
· www.penguinrandomhouse.com/authors/19175/yann-martel/
· www.creativeprocess.info
Dimitrios Pandermalis is Professor Emeritus of Classical Archeology at the Aristotle University of Thessaloniki, where he has served as President of the History and Archeology Department and Dean of the Philosophical School. He is the President of the Acropolis Museum, and Director of Aristotle University's archeological excavations at the ancient site of Dion on the foothills of Mount Olympus. There he has conducted innovative programs converting the excavated area into an archeological and environmental park.
He has presented lectures and seminars on classical archeology at many institutions internationally and is the author of more than 60 publications on the subject. He is an ordinary member of the Archeological Society in Athens and of the German Archeological Institute in Berlin.
· https://www.theacropolismuseum.gr/en
· www.creativeprocess.info
“Cybernetics is the Greek word for governor, that’s where it came from. It was introduced into the contemporary discussion with a book by Norbert Wiener in 1948 called Cybernetics: Or Control and Communication in the Animal and the Machine. These were the very early days of computers and they were looking for a theory to guide the creation of computers.”
Stuart Umpleby is Professor Emeritus of Management at George Washington University School of Business. He has served as President of the American Society of Cybernetics and is currently an Associate Editor of the Journal of Cybernetics and Systems. His studies in cybernetics, systems and management has led him to consult with the World Bank, US and Canadian government agencies as well as numerous corporate institutions throughout America, Europe, and Asia.
· https://blogs.gwu.edu/umpleby
· www.creativeprocess.info
Stuart Umpleby is Professor Emeritus of Management at George Washington University School of Business. He has served as President of the American Society of Cybernetics and is currently an Associate Editor of the Journal of Cybernetics and Systems. His studies in cybernetics, systems and management has led him to consult with the World Bank, US and Canadian government agencies as well as numerous corporate institutions throughout America, Europe, and Asia.
· https://blogs.gwu.edu/umpleby
· www.creativeprocess.info
Jacques Franck is a specialist in Leonardo da Vinci who has trained both as an art historian and as a classical painter. A consulting expert to the Louvre, the Armand Hammer Centre for Da Vinci Studies at UCLA, and other institutions, he has spent almost fifty years immersed in the Italian master’s body of work. Franck has made “critical copies” in order to better understand DaVinci’s techniques, which have been shown at the Uffizi, and has dedicated his life to raising awareness about the dangers of restoration based on insufficient knowledge. He spoke to Mia on the occasion of the 500th anniversary of the death of DaVinci and his major retrospective exhibition at the Louvre bringing together almost 120 works from the most prestigious European and American institutions.
www.creativeprocess.info
Jacques Franck is a specialist in Leonardo da Vinci who has trained both as an art historian and as a classical painter. A consulting expert to the Louvre, the Armand Hammer Centre for Da Vinci Studies at UCLA, and other institutions, he has spent almost fifty years immersed in the Italian master’s body of work. Franck has made “critical copies” in order to better understand DaVinci’s techniques, which have been shown at the Uffizi, and has dedicated his life to raising awareness about the dangers of restoration based on insufficient knowledge. He spoke to Mia on the occasion of the 500th anniversary of the death of DaVinci and his major retrospective exhibition at the Louvre bringing together almost 120 works from the most prestigious European and American institutions.
www.creativeprocess.info
Yves Winkin is Distinguished Emeritus Professor at the University of Liège and Honorary Professor at the Conservatoire national des arts et métiers. He proposed an "anthropology of communication" based on an ethnographic approach. He was deputy director of the École normale supérieure de Lyon, director of the French Institute of Education and director of the musée des Arts et Métiers. He is the author of several books, most recently Réinventer les musées?
www.arts-et-metiers.net
www.creativeprocess.info
www.cairn.info/publications-de-Yves-Winkin--37080.htm
Yves Winkin is Distinguished Emeritus Professor at the University of Liège and Honorary Professor at the Conservatoire national des arts et métiers. He proposed an "anthropology of communication" based on an ethnographic approach. He was deputy director of the École normale supérieure de Lyon, director of the French Institute of Education and director of the musée des Arts et Métiers. He is the author of several books, most recently Réinventer les musées?
www.arts-et-metiers.net
www.creativeprocess.info
www.cairn.info/publications-de-Yves-Winkin--37080.htm
Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her books include What I Loved; Memories of the Future; Living, Thinking, Looking; and The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.
· sirihustvedt.net
· www.creativeprocess.info
Photo by Marion Ettlinger
Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her books include What I Loved; Memories of the Future; Living, Thinking, Looking; and The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.
· sirihustvedt.net
· www.creativeprocess.info
Peter McLaren is Distinguished Professor in Critical Studies, the Donna Ford Attallah College of Educational Studies, Chapman University and Professor Emeritus, the University of California, Los Angeles. He is an award-winning author and editor of approximately 50 books. His writings have been translated into 25 languages. He is the recipient of numerous lifetime achievement awards and is a Fellow of the American Educational Research Association. One of the architects of critical pedagogy in North America, Professor McLaren is active politically in both North America and America Latina and is co-founder of Instituto McLaren de Pedagogia Critica in Ensenada, Mexico. His work is indebted to his mentor, Paulo Freire, and the Catholic social justice tradition of liberation theology. His latest book is He Walks Among Us: Christian Fascism Ushering in the End of Days. www.diopress.com/he-walks-among-us
Peter McLaren is Distinguished Professor in Critical Studies, the Donna Ford Attallah College of Educational Studies, Chapman University and Professor Emeritus, the University of California, Los Angeles. He is an award-winning author and editor of approximately 50 books. His writings have been translated into 25 languages. He is the recipient of numerous lifetime achievement awards and is a Fellow of the American Educational Research Association. One of the architects of critical pedagogy in North America, Professor McLaren is active politically in both North America and America Latina and is co-founder of Instituto McLaren de Pedagogia Critica in Ensenada, Mexico. His work is indebted to his mentor, Paulo Freire, and the Catholic social justice tradition of liberation theology. His latest book is He Walks Among Us: Christian Fascism Ushering in the End of Days.
Joydeep Roy-Bhattacharya was educated in politics and philosophy at Presidency College, Calcutta, and the University of Pennsylvania. His novels The Gabriel Club and The Storyteller of Marrakesh have been published in fourteen languages. He lives in the Hudson Valley in upstate New York.
www.creativeprocess.info
Joydeep Roy-Bhattacharya was educated in politics and philosophy at Presidency College, Calcutta, and the University of Pennsylvania. His novels The Gabriel Club and The Storyteller of Marrakesh have been published in fourteen languages. He lives in the Hudson Valley in upstate New York.
www.creativeprocess.info