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Orlando Cordero

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Encounter with a Ángel, song that was intended originally for to be recorded in the first album of Overground but for inexplicable reasons left outside. It speaks of the fictitious encounter among a human being, sinner, and a vengeful angel. The emotions are varied, the stimuli, the colors and forms. All finished in a violent act of justice The song was recorded in format demo in the year 2008. Formation of Overground in that moment: Orlando Lamb: Guitar Leader and Voice.

Victor Rodríguez Rhythmic Guitar.

José Rico: Bass.

Geovanny Morillo: Drums.

Encuentro con un Ángel, canción que estaba destinada originalmente para grabarse en el primer álbum de Overground pero por razones inexplicables quedo fuera. Habla del encuentro ficticio entre un ser humano, pecador, y un ángel vengativo. Las emociones son variadas, los estímulos, los colores y formas. Todo termina en un violento acto de justicia

La canción se grabó en formato demo en el año 2008. Formación de Overground en aquel momento:

Orlando Cordero: guitarra líder y voz.

Victor Rodriguez Guitarra Ritmica.

José Rico Bajo.

Geovanny Morillo: batería.

Encounter with a Angel

Put in a corner in the finest thoughts

Her moment lapsed; it filtered her emotions,

As if of a great crystalline sieve

It held her illusions.

The look twinkled, reaching unsuspected corners.

His flashing smiles were similar to the wind,

Strong, restless; hitting you

With its invisible members.

And in followed act: the shock!

Her meek calmness was dislocated

And per seconds she got lost her look in him,

In that interesting figure, in his wings.

And followed act: the madness!

Of his wings a sword appeared.

And in seconds he took possession of it,

That sharp and naked blade that it kills.

Caught in the prettiest feelings

She suffered in cruel serenity; irradiated his names,

Again and again, like an obsession,

Poisoning her actions.

She looked him, fighting against her intentions,

His blinded aura was a virtual subjection.

Death, desire, waiting for her

As sublime monsters.

And in followed act: the attack!

Her sinner head was decapitated

And per seconds she got lost her look in him,

In that interesting figure, in his wings.

Lyrics & Music: Orlando Cordero

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Elementary Quantum Particle is a very particular song inside the history of Overground. We were in the end of the process of recording of the disk Sisyphean Endeavour when I composed it. Inspired a lot in the recent interaction with the music of the Obscura band. I introduced the song to Félix Molina and Geovanni Morillo, sending them the score. They loved the song so much that they recorded it in less than one week, thing that they didn't participate me. Félix suggested me a lyric based on scientific disclosure, I consented, we discuss several ideas and arose to make compose a lyric about the Higgs boson particle. I investigated on the topic and I proceeded to create it. To the following week, in the study they played me the song recorded in their entirety. Geovanni played the drums and Félix took charge of all the strings. I had never sing the song, not even to practice it, only I had written it, imagining like the melody went. But, prepared or not, Félix connected the microphone and in a single session I recorded the voice. It was magic, if we had recorded all the songs of the album this way we are not retarded 4 years it. It was the last recording of the band and is a sample of the new ideas that we were gestating in the band. It was the primordial spark

Elementary Quantum Particle es una canción muy particular dentro de la historia de Overground. Estábamos en el final del proceso de grabación del disco Sisyphean Endeavour cuando la compuse. Inspirada mucho en la reciente interactuación con la música de la banda Obscura. Le presenté la canción a Félix Molina y Geovanni Morillo, enviándoles la partitura. La canción les encantó tanto que la grabaron en menos de una semana, cosa que no me participaron. Felix me sugirió una letra basada en divulgación científica, accedí, discutimos varias ideas y surgió hacer componer una letra sobre el Bosón de Higgs. Investigué sobre el tema y procedí a crearla. A la siguiente semana, en el estudio me colocaron el tema grabado en su totalidad. Geovanni tocó la batería y Félix se encargó de todas las cuerdas. Nunca había cantado la canción, ni siquiera para practicarla, solo la había escrito, imaginando como iba la melodía. Pero, preparado o no, Félix conectó el micrófono y en una sola sesión grabé la voz. Fue mágico, si hubiéramos grabado todas las canciones del álbum así no hubiésemos tarado 4 años ello. Es la última grabación de la banda y era una muestra de las nuevas ideas que se estaban gestando en la banda. Era la chispa primordial

Elementary Quantum Particle

Primordial sparkle

Essential particle that compounds everything

Theorist junction of mass

Relationship of tension and energy

From is mere existence all the existence

It's the universe in eternal expansion

It's the black hole, the super nova

Mysterious monitor of a harmonic chaos (catastrophic vacuum decay)

A game of fate is running

To discover the Higgs boson particle

Future, past, others dimensions

To comprehend the god particle

Colliding in inner spaces our reality is tested

The search for truth beyond imagination

Inhabiting in inner spaces our reality is fulfilled

Finding the rules beyond of the creation

In speed of a light

Protons face disintegration

Irradiating components and knowledge

A picture of the transcendental

A miniaturize time

In a little bang

Of material and energy

Truth undiscovered

Point zero of the creation,

Effect and cause of a materialistic beginning

Magic explanation of an unveiled perfection

And the mankind waits with curiosity

From is mere existence all the existence

It's the universe in eternal expansion

It's the black hole, the super nova

Mysterious monitor of a harmonic chaos (catastrophic vacuum decay)

A game of fate is running

From discover the Higgs boson particle

Quantum fluctuations expands through space

And could wipes out all the universe

A little energy fluctuation triggering the quantum tunneling

In the empty vacuum of space between galaxies

By the super symmetry in the standard model

The anti-particle helps to stabilize the universe

L & M: Orlando Cordero.

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In this occasion I present a cover recorded by my band Overground of the song "Centric Flow" from the German band Obscura. The musicians performers: Félix Molina in the lead guitar and the bass guitar, Geovanni morillo in the drums and my person, Orlando Cordero in the voice and rhythmic guitar. It is an incredible and long song, technical, melodic, strong, heavy. It symbolized the road and goal to continuing for the band for future recordings. It was included in the album "Sisyphean Endeavour" as "Bonus track" it is shared with a lot of enthusiasm, waiting your enjoyment

En esta ocasión presento un cover realizado por mi banda Overground de la canción "Centric Flow" de la banda alemana Obscura. Los músicos ejecutantes: Félix Molina en la guitarra líder y el bajo, Geovanni Morillo en la batería y mi persona, Orlando Cordero en la voz y guitarra rítmica. Es una increíble y larga canción, tecnia, melodica, fuerte, pesada. Simbolizaba el camino a seguir por la banda para grabaciones futuras. Fue incluida en el album "Sisyphean Endeavour" como "Bonus track" Se comparte con mucho entusiasmo, esperando su disfrute Centric Flow The primal energy infuses everything and nature awakens Flowers bloom, waterfalls tumble into immense canyons, And the animals evolve as consciousness races back to its source Shiva reveals his secret to Matseyendra. The secret of the ages, the secret of life And then turns into a statue of Kayavarohan, Awaiting discovery someday by one who seeks awakening.

Awakening happens only in the next world,

The next, and the following

But the promise of awakening is here and now

And without the promise, there is only cold and darkness.

But Shiva remains hiding just out of sight

He reveals himself last, if ever

For to discover

Shiva is to understand the mystery that has no answer.

And the dance goes on even though worlds collide,

The sun burns out and the universe freezes

It just awaits the next step.

This is,

This is,

This is the Centric Flow!

Author: Hannes Grossmann

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technique in spite of being short. It bears to execute a well-known technique as tapping, with some strings to the air, the slow tempo (contrary to what many people think, to play slow it is more complicated than quick tempos, the errors, are noticed more). Geovanni morillo played the drums and I recorded all the guitars and the bass. It was the song that more I repeated and in spite of it, was always a marginal error, a harmonic, it was impossible to recover it or to execute it better. The name of the song is due to a small called friend Alina, the meaning of the 1070 I ignore it, it is not that was a mystery. I simply forgot to ask, then we lost contact and remain as something unknown. It is one of the three instrumental songs of my band Overground, I hope that you enjoy it

Alina 1070 es una canción instrumental que a pesar de ser corta tiene una alta dificultad técnica. Conlleva ejecutar una técnica conocida como tapping, con algunas cuerdas al aire, el tempo lento (contrario a lo que muchas personas piensan, tocar lento es más complicado que tempos rápido, los errores, se notan más). Geovanni Morillo tocó la batería y yo grabé todas las guitarras y el bajo. Fue la canción que más repetí y a pesar de ello siempre quedó un error marginal, un armónico, fue imposible recuperarlo o ejecutarlo mejor. El nombre de la canción es debido a una pequeña amiga llamada Alina, el significado del 1070 lo desconozco, no es que fuese un misterio. Simplemente olvidé preguntar, luego perdimos contacto y quedo como algo desconocido. Es una de las tres canciones instrumentales de mi banda Overground, espero que la disfruten

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The Antichrist is an original song of the extinct Group Power Age. It was recorded by that band in a rudimentary way in the year 1980. It was never published neither recorded in an official way. Only existed in demo. In the year 1992 Paul Gillman included the song in an unofficial cassette and he made it sound in his program radio "The Essence". This way, for first tima I listened this song, which I liked from the beginning, long, apocalyptic, raw. Further on that the sound distancing vastly of the professional soun the musical essence was dark and malicious. In the year 2006, when it was still maturing the project Overground, I decided to record a version of the same one, including it in the first version of Super Nova. It was a demo of a demo. It was not published neither sounded profusely. In the year 2014, in view of the rerecorded of the EP Super Nova was taken in consideration and it is a song of a band that never made it out a professional recording it had its premiere in the Naos Studies. From the hand of Bertrand Cape in the controls and the invaluable consultant ship of Warnis Padilla the plan it was executed. Geovanni Morillo in the drums and me recording all the guitars, bass guitar and the voice. Regrettably the rest of Overground was not able to participate in the recording due to the disturbances and street violence that happened in Venezuela in those moments. It was contacted Mr. Paul Gillman to request his permission to record this song. He didn't put objections, the song didn't have an official recording. It is shared with you, I wait they appreciate the cover

El Anticristo es una canción original del extinto Grupo Power Age. Fue grabada por esa banda de manera rudimentaria en el año 1980. Nunca fue publicada ni grabada de manera oficial. Sólo existió ese demo. En el año 1992 Paul Gillman incluyó el tema en un casete y lo hizo sonar en su programa de radio "La Esencia". Así, por primera escuché esta canción, la cual me gustó desde el principio, larga, apocalíptica, cruda. Más allá que el sonido distaba enormemente de lo profesional la esencia musical era oscura y maléfica. En el año 2006, cuando aún estaba madurando el proyecto Overground, decidí grabar una versión de la misma, incluyéndolo en la primera versión de Super Nova. Era un demo de una demo. No fue publicada ni sonada profusamente. En el año 2014, en vista de la regrabación del EP Super Nova fue tomada en consideración y es así que una canción de una banda que nunca realizo una grabación profesional tuvo su debut en los Naos Estudios. De la mano de Bertrand Cape en los controles y la invaluable asesoría de Warnis Padilla se ejecutó el plan. Geovanni Morillo en la batería y grabando todas las guitarras, el bajo y la voz. Lamentablemente el resto de Overground no pudo participàr en la grabación debido a los disturbios y violencia callejera que ocurrían en Venezuela en aquellos momentos. Se contactó al señor Pual Gillman para solicitar su permiso para grabar dicho tema. No puso objeciones, el tema no tenía grabación oficial. Se comparte con ustedes, espero aprecien el cover

El Anticristo

Se han cumplido ya los mil años

Satanás ya salió de su encierro

Él va seduciendo nación tras nación

Hasta lograr nuestra destrucción

Hoy Lucifer tiene sed de venganza

Influye a los pueblos para el mal

Nos reunirá en una gran batalla

En un infierno nuclear

Y subirán sobre la anchura de la tierra

Y luego verán el campamento de los santos

Pero caerá fuego del cielo y los devorará

El Diablo quien los seducía

Será arrojado al estanque de fuego y azufre

Donde están la bestia y el falso profeta

Que serán atormentados por los siglos de los siglos

Así el mal huirá de la tierra

Y en el mundo volverá la paz

Hasta el juicio de vivos y muertos

Este es el juicio, el juicio final

Letra: Paul Gillman.

Música: Gillman/Picozzi/Diaz

Arreglos: Orlando Cordero, Geovanni Morillo, Warnis Padilla, Bertrand Cape.

Mezclado y masterizado por Bertrand Cape

En Naos Studios, Valencia. Edo. Carabobo. Venezuela

Producido por Orlando Cordero

OVERGROUND en esta producción:

Orlando Cordero: Guitarra, bajo y voz líder

Geovanny Morillo: Batería

THE ANTICHRIST

It have already been pass the thousand years

Satan already left his confinement

He goes seducing nation after nation

Until achieving our destruction

Today Lucifer is thirsty of vengeance

He influences the people toward the evil

It will gather us in a great battle

In a nuclear hell

And He will ascend on the width of the earth

And then He will see the camp of the saints

But will fall fire from the sky and it will devour them

The Devil who seduced them

he will be heady to the fire pond and sulfur

Where are the beast and the false prophet

That they will be tormented by the centuries of the centuries

The evil will escape this way from the earth

And in the world it will return the peace

Until the trial of alive and dead

This is the trial, the final trial

Lyrics: Paul Gillman.

Music: Gillman/Picozzi/Diaz

Arrangements: Orlando Cordero, Geovanni Morillo, Warnis Padilla, Bertrand Cape.

Mixed and mastered for Bertrand Cape

In Naos Studios, Valencia. Edo. Carabobo. Venezuela. 2014.

Produced by Orlando Cordero.

OVERGROUND in this production:

Orlando Cordero: Guitar, bass and leader voice

Geovanny Morillo: drums.

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For Elena it is an instrumental song from the album "Cosmic Shield Revival" 2013. Originally it was not taken into the set list to be recorded because for the moment of the recording it was not completely arranged, it only was an idea in evolution. José Rico, bass player from the band, had composed a small arrangement in the bass guitar. He intended to leave it instrumental and that was added some guitar arrangements those which, then I composed. In September of 2012 Elena Meaño dies, person to who I love a lot and whose her death marked me deeply. I made the petition of recording the song and that allows me to call it "For Elena" in homage to her. Approved the idea José recorded his part, during the recording of the guitars we accept the Sound engineer suggestions, Ricardo Vizcarrondo, and we made small arrangements, everything it in the study, without having rehearsal previously. The result is a song full with nostalgic, different melodies, a different track, a pause, a requiem for Elena

Por Elena es una canción instrumental del álbum "Cosmic Shield Revival" 2013. Originalmente no estaba tomada en cuenta para ser grabada porque para el momento de la grabación no estaba totalmente arreglada, solo era una idea en evolución. José Rico, bajista de la banda, había compuesto un pequeño arreglo. Él propuso dejarla instrumental y que se le agregara unos arreglos de guitarra los cuales, luego compuse. En Septiembre de 2012 muere Elena Meaño, persona a quien yo quería mucho y cuya muerte me marcó profundamente. Hice la petición de grabar la canción y que me permitiesen llamarla "Por Elena" en homenaje a ella. Aprobada la idea José grabó su parte, durante la grabación de las guitarras aceptamos las sugerencias del ingeniero de Sonido Ricardo Vizcarrondo e hicimos pequeños arreglos, todo ello en el estudio, sin haber ensayo previamente. El resultado es una canción llena de melodías nostálgicas, diferentes, un tema diferente, una pausa, un réquiem para Elena

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This song was already published here in its format of Study. From the album Sisyphean Endeavour, 2018. How its name expressed it, the lyricsr refers to an entity that presents uroborics characteristic like is the Planet Earth. It describes the magnificence of our home, like it is renewed with every day. It will remain a lot after us dancing and singing. No matter how much have human voices decreeing total destruction it won't be this way. The earth will be eternal, us finite and unconcluded beings. The Alpha and the omega come to be the same thing in the figure of the earth. Lyrics and Music of Pedro Espinosa, guitarist of Overground for a lot of time. Ironically it didn't end up recording a single note of his own song. In the Playthrough, we play Félix Molina and my person, Orlando Lamb.

Esta canción ya fue publicada aquí en su formato de Estudio. Del album Sisyphean Endeavour, 2018. Cómo su nombre lo expresa, la letra se refiere a una entidad que presenta características urobóricas como lo es el Planeta Tierra. Describe la magnificencia de nuestro hogar, como se renueva con cada día. Ella permanecerá mucho después de nosotros bailando y cantando. Por más que hayan voces humanas decretando destrucción total no será así. La tierra será eterna, nosotros seres finitos e inconclusos. El Alfa y el omega vienen a ser lo mismo en la figura de la tierra. Letra y Música de Pedro Espinosa, guitarrista de Overground por mucho tiempo. Ironicamente no llegó a grabar una sola nota de su propia canción. En el Playthrough, tocamos Félix Molina y mi persona, Orlando Cordero.

Ouroboros

Eyesight caught upon a marvelous blend

Of snow, lone tundra, mist and trails

Dysrhythmic patterns, carved through ages

By thunderous winds, water and stone

Parched beyond what meets the eye

Faceless figures swirl their countless limbs

With haunting ritualistic sway,

Reviving the motionless miasma.

The cold barren landscape greets uneasy

A misty grin of frozen lakes

Estranged from man-made blind illusions

It welcomes the voyager with goodbyes

Roaming over solid seas and nodulous ambient

Wandering, relentlessly

Dwelling over crusted liquid

On a cyclic journey,

Constant, uroboric

Chasing the scent

Of a long lost essence

Like hounds in the wild,

Stubbornly striving

Running from a predestined fate

Yet, in spite of the meticulous labor

The outcome of this Sisyphean Endeavor repeats

With ceremonial thrift, the serpent eats its tail Once again

Solo: Félix Molina

Sensorial detachment, mind’s astray

Wintry whispers caress the ears, in waves,

Persuading in forlorn tongues, decaying,

Converting into archaic, delusional slang.

In Occam’s blade, most simple ways

Embody truth, completion, life

In minimalistic shades, this landscape bears

Perfection, parsimony, eternal return.

Pursuing the inconceivable, amidst the fog

Another cycle approaches Omega

Preserving deeds, karmic, ever returning

Alpha is now reborn.

Roaming over solid seas and nodulous ambient

L & M: Pedro Espinosa

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This song had already published it in its recording format in study, the disk "Cosmic Shield Revival" 2013, now I show it live. Recorded in August 7 of 2016, in the club Lasos Rock. Barquisimeto, state Lara. The Line up that day:, Geovanni Firedog in the drums, José Rico in the Bass and choirs, Félix Molina in the guitar and my person, Orlando Cordero , in the guitar and voice. The recording of the video was carried out by Mr. Miguel Sánchez, administrator of the club who gladly shared it with us. I am Grateful. It is the song that describes the philosophy of the group. I am very happy of being able to share it with all you Ya esta canción la había publicado en su formato de grabación en estudio, el disco "Cosmic Shield Revival" 2013, ahora la muestro en vivo. Grabado el 7 de Agosto de 2016, en el club Lasos Rock. Barquisimeto, estado Lara . La formación ese día: Geovanni Morillo en la batería, José Rico en el bajo y coros, Félix Molina en la guitarra y mi persona, Orlando Cordero, en la guitarra y voz. La grabación del video fue realizada por el señor Miguel Sánchez, administrador del club, quien gustosamente la compartió con nosotros. Agradecido. Es la canción que describe la filosofía del grupo. Estoy muy contento de poder compartirla con todos ustedes COSMIC AEGIS OVER THE GROUND

Where the flowers fall dead

Remains the sign of the progress

From life to death is the process

Where love has dried out.

The world is a living entity

A geological creature

Compounded and supported

By multiple force systems

The unanimated is the base

In which life is born and dies

The beings transform the earth

And feed it with their impulse

A universal conscience

Maintains the shield

Wrapping up the world

With its cosmic energy

Three great kingdoms are its dominion

Mother Nature is the queen

And all we are its vassals

The rocks, the forest, the lion

Our feelings and thoughts

Control the psychic protection

Hate destroys the balance

And damages the cosmic layer

Cosmic aegis over the ground

Watch the sky, beyond the clouds

Cosmic aegis over the ground

A powerful aura surrounding all around

The earth absorbs the rain

Storing the prize of life

The gifts to eternity

All the green and good of this world

(Solo: Orlando Cordero)

Ashen darkness

Volcanoes spitting life and death

Silence occupied by the wind

While the earth bellows

And proclaims its renovation

Between fire and movement

We are spectators

And supreme witness of the life

(Solo: Orlando Cordero)

Cosmic aegis over the ground

Watch the sky, beyond the clouds

Cosmic aegis over the ground

A powerful aura surrounding all around

Lyrics and Music by Orlando Cordero.

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América, canción en español que habla sobre la lucha por la libertad y otros aspectos. Larga, compleja, rítmica y melódica. Es una obra de arte, si me permiten decirlo. Comparto la letra en ingles para que los usuarios de esta comunidad que se manejan con ese idioma puedan disfrutarla

America, song in Spanish that talks about the fight for the freedom and other aspects. Long, complex, rhythmic and melodic. It is a masterpiece, if they allow me to say it. I share the lyric in English so that the users of this community that are managed with that language can enjoy it

América

Una lucha sin tregua es su corazón

cada latido es el sonido

De la artillería disparando sin cesar

el velo de la derrota está siempre presente

pero el anhelo de una victoria

lo mantiene firme y en pie de guerra

AMERICA

A fight without break is its heart

each beat is the sound

Of the artillery shooting unceasingly

the veil of the defeat is always present

but the yearning of a victory

it maintains strong and in foot of war

Independencia, motivo y fin

Lucha sin cuartel, vencer o morir

América unida en una proclamación

Un grito de autodeterminación

Independence, reason and end

fights without cease, to conquer or to die

America united in a proclamation

A self-determination scream

1er Coro

América, tierra de gracia,

Y abundancia

Belleza endógena

sabiduría indígena

Aztecas, chibchas,

Caribes, Mayas, Incas

Latinoamérica, hija de clamores

madre de libertadores

1er Choir

America, earth of grace,

And abundance

Endogenous beauty

indigenous wisdom

Aztec, chibchas,

Caribbean, Mayan, Inca

Latin America, daughter of clamors

mother of liberators

2do Coro

América – Bernardo O Higgins

América – José de San Martín

América – Antonio José de Sucre

América – Francisco de Miranda

Simón Bolívar

2do Choir

America – José María Morelos

America – José Martí

America – Paula de Santander

America – Santa Cruz

Simón Bolívar

Una esperanza de armonía inspira su pasión

cada río transporta el sedimento

Futura alfarería construyendo sin parar

el delta en las fronteras del progreso permanente

para que el triunfo sea una sola gloria

una sola nación y una sola lengua

A hope of harmony inspires its passion

each river transports the silt

Future pottery building without stopping

the delta in the frontiers of the permanent progress

so that the victory is a single glory

a single nation and a single language

Acuerdo entre hermanos

Es el sueño panamericano

Mandamiento de paz y prosperidad

El cual debemos respetar

Agreement among brothers

It is the Pan-American dream

Commandment of peace and prosperity

Which we should respect

1er coro

América, tierra de gracia,

Y abundancia

Belleza endógena

sabiduría indígena

Aztecas, chibchas,

Caribes, Mayas, Incas

Latinoamérica, hija de clamores

madre de libertadores

1er Choir

America, earth of grace,

And abundance

Endogenous beauty

indigenous wisdom

Aztec, chibchas,

Caribbean, Mayan, Inca

Latin America, daughter of clamors

mother of liberators

2do coro

América – Atahualpa

América – Guaicaipuro

América – Cuatemoc

América – Gerónimo

2do Choir

America - Bernardo OR Higgins

America - José of San Martin

America - Antonio José of Sucre

America - Francisco of Miranda

Simón Bolívar

Héroes caídos por una que otra traición

orgullo raído de cuna que ya se extinguió

Próceres amados de una que otra nación

americanismo, cultura de sacrificio y valor

Fallen heroes for one or another betrayal

frayed pride from the cradle that already extinguished

Dear eminent persons of one that another nation

Americanism, culture of sacrifice and courage

Miro los hermanos caídos

En los panteones honrados

Bajas lamentables

Nunca serán olvidados

Pero el día a día exige sacrificios

y si la recompensa es una expresión

una pequeña alegría es una victoria más

contra la tristeza y el desamor

I look at the fallen brothers

In the pantheon receiving honor

lamentable casualties

They will never be forgotten

But the day by day demands sacrifices

and if the recompense is an expression

a small happiness is another victory

against the sadness and the indifference

Luchemos y no desfallezcas en la contienda

quiero ver tu sonrisa de triunfo al final

lo que hoy puede parecernos una fantasía,

en nuestros corazones se hará realidad

Let us fight and don't faint in the war

I want to see your smile of victory at the end

what today can look like each other a fantasy,

in our hearts the reality will be made

Solo: Félix Molina

``` 1er Coro

```

América, tierra de gracia,

Y abundancia

Belleza endógena

sabiduría indígena

Aztecas, chibchas,

Caribes, Mayas, Incas

Latinoamérica, hija de clamores

madre de libertadores

2do coro

América – José María Morelos

América – José Martí

América – Paula de Santander

América – Santa Cruz

Simón Bolívar

L & M: Orlando Cordero

Original Photos

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Song The Goldsmith, its history begins in December of 2001. I find out the tragic news, Chuck Schuldiner has died. Impacted by the death of my idol and maxim musical influence I wrote a poem that then I arranged as song lyric and I began to compose the music. The song remained sleeping and latent during many years, being used for the first time live in December 31 2011. Originally the drums of this song was recorded during the recordings of the Cosmic Shield Revival, in the 2012. But an error on my person when I elaborating the guitar tracks meant that it could not record completely. It was taken into account for their new recording in the year 2014 and it was finally edited and published in the album Sisyphean Endeavour in the year 2018. Is dedicated to this great musician's musical work, contains some paraphrased sentences of some of his more symbolic songs. I wait that you enjoy and remember the musical legacy of Charles' "Evil Chuck" Schuldiner

Canción El Orfebre, su historia comienza en Diciembre de 2001. Me entero de la trágica noticia, Chuck Schuldiner ha muerto. Impactado por la muerte de mi ídolo y máxima influencia musical escribí un poema que luego arreglé como letra de canción y empecé a componer la música. La canción permaneció dormida y latente durante muchos años, siendo estrenada en vivo el 31 de Diciembre de 2011. Originalmente se grabó la batería de esta canción durante las grabaciones del Cosmic Shield Revival, en el 2012. Pero un error de mi parte al elaborar las pistas de guitarra significó que no se pudo grabar por completo. Fue tomada en cuenta para su nueva grabación en el año 2014 y por fin fue editada y publicada en el album Sisyphean Endeavour en el año 2018. Esta dedicada a la obra musical de este gran músico, contiene algunas frases parafraseadas de algunas de sus canciones más emblemáticas. Espero la disfruten y recuerden el legado musical de Charles "Evil Chuck" Schuldiner

The Goldsmith

The goldsmith has died

His works survive him.

The shine of his metal

Still smile, cry and scream.

His legacy resonates in our throats,

Harmonic devices

Pulled up of the Death and the destruction

Guide a life of dreams and sounds.

The Flattening of the emotions,

Perennial Quest,

Story to Tell,

Forgotten Past.

They are only some immortal titles

Added to a cosmic collection

Fused thousand times

In the forges of the real.

The reality is brutal

And the brutality is Death.

Death and Control were his children,

And of the fruits of his creation

We delight with jewels of perfection,

Jewels loaded with feelings,

Death and Control were his children

Melodic and grandiose gems,

Works that testify

The sound of the perseverance.

Even in the Death the creator doesn't die,

We taste his truth

And we see like others before him,

For us He is past

A story to tell: we shall tell it. (*)

1° solo: Orlando Cordero

2° solo: Félix Molina

He precedes us in the longest journey,

His curiosity is innate,

His imagination

Won't have limits now,

The spiritual notes

Accompanied him

In his metal crusade.

Guiding a life of battles and sounds

In that immense

Cosmic sea

He will look

For vacant planets

Where his music is ignored

Showing the voice of the soul

To all the individual

Thoughts patterns.

The reality is brutal

And the brutality is Death.

The final destiny is not the end,

When the flesh and the power it holds

The art of this fragile existence

Reveals the necessity of a sacred serenity

The closed wounds

Expose the importance of our innocence

A high that can never

Be bought or sold. (**)

Even in the Death the creator doesn't die,

We taste his truth

And we see like others before him,

For us He is past

A story to tell: we shall tell it. (*)

L & M: Orlando Cordero. except and *

  • Fragment paraphrased of Story to Tell.

** Fragment paraphrased of Symbolic.

Charles Michael Schuldiner;

image source

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Bring forth thy wrath is a choleric, strong, rabid song. The earth doesn't remain silent, no longer guard silence. It counterattacks with roar, lightning's. He/she is no longer the innocent mother tolerating the aggression of its children. Lyrics and music of Pedro Espinosa, guitarist of the band, arrange by my person, Orlando Cordero. It is a song a overpowering, quick and concise, I wait the you enjoy

Bring forth thy wrath es un canción iracunda, fuerte , rabiosa. La tierra no calla, ya no guarda silencio. Contraataca con estruendo, relámpagos. Ya no es la inocente madre aguantando la agresión de sus hijos. Letra y música de Pedro Espinosa, guitarrista de la banda, arreglos de mi persona, Orlando Cordero. Es una canción avasallante, rápida y concisa, espero la disfruten

Bring Forth Thy Wrath

Fear is once again born

From the sight of an ashen cloud

Eyes on the heights

Scrutinize the bout

Light and darkness

Make the skies their battleground

Higher powers claim

This earth as theirs to pound.

Death by water, death by sand,

Death by winds, by shaking grounds

Death by insects, death by storm

Death by leeches, death by worms

Earthquakes, floods, devoiding blows

Leave none but food for feasting crows

Amid the grief the wise one knows

Is time to reap what mankind sows.

Death by water, death by sand,

Death by winds, by shaking grounds

Death by insects, death by storm

Death by leeches, death by worms

(In) humankind, breathing hell on every corner of the earth

Nature calls for support, to reciprocate the attack

What a perfect coalition. Sleep now tight

And await demise. Bring forth thy wrath

Solo: Félix Molina

For now you face no mortal foe

No minds to seed for fear to grow

a grieving mother now up rises

Prepare to cope a global crisis

Tonantzin, Pachamama,

Hou Tu, mother Gaia

Bring forth thy wrath

And take back thy land.

Death by water, death by sand,

Death by winds, by shaking grounds

Death by insects, death by storm

Death by leeches, death by worms

L & M: Pedro Espinosa

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the conqueror's l Amulet is one of the two songs in Spanish of the disk Sisyphean Endeavour. Originally written for the band Prikktor, in which participated also as musician, he/she had a different letter "Conquering the Soil" but with my exit of the band it recovers the topic for Overground with different letter. A protest for the violent cultural crash between two worlds and later imposition of the Christianity in America. A rich before Columbus America culturally whose civilization flat and erased fua. All first floor the protection of the weapons and the impulse of a totem, an amulet.

El Amuleto del conquistador es una de las dos canciones en español del disco Sisyphean Endeavour. Originalmente escrita para la banda Prikktor, en la cual también participaba como musico, tenía una letra distinta "Conquering the Soil" pero con mi salida de la banda recupere el tema para Overground con letra distinta. Una protesta por el violento choque cultural entre dos mundos y posterior imposición del cristianismo en America. Una America precolombina rica culturalmente cuya civilización fua aplastada y borrada. Todo bajo la protección de las armas y el impulso de un totem, un amuleto.

THE CONQUEROR'S AMULET

Brought by the missionaries,

Heralds of the civilization

To create prisoners,

A new inquisition world.

With begging messages.

Indoctrinated seduction

Baptism, sacrament.

Acceptance of God

Genocide, apostasy,

Violation and corruption.

Tortures, instrument

For the submission act.

Madness, displacements

To concentration fields (churches)

It feels the light of the Christendom

Accept it or he/she rests in peace

They opened up with false justice

The bitter arms of the religion

Aided after their militia

Virgins' America was tinted

To fake pity didn't hide their greed

And the native rebelled

Baptism, kidnapping

Of beliefs and imposition

Genocide, pact

Between the church and the invasion

It tortures, sacrament

For the communion act.

Madness, hell

In conversion places (missions)

It feels the power of the Christendom

To reject it is the true freedom

The conqueror's amulet

Death in cross form (crucifixion)

Destruction symbol

Salvation excuse, sign of slavery

Alone: Félix Molina

The result of the transculturización

The blessings are:

Uncertainty, violence and it condemns

When the death is the only solution

The options are:

Servitude or indigenous resistance

The conqueror's amulet

Death in cross form (crucifixion)

Destruction symbol

Salvation excuse, sign of slavery

The conqueror's amulet

I adorn of tombs, the cross (annihilation)

Devastation icon,

Religion badge, Christ of slavery

L & M: Orlando Lamb

El Amuleto del Conquistador

Traído por los misioneros,

Heraldos de la civilización

Para crear prisioneros,

Un nuevo mundo de inquisición.

Con mensajes pordioseros.

Adoctrinada seducción

Bautismo, eucaristía.

Aceptación de Dios

Genocidio, apostasía,

Violación y corrupción.

Tortura, instrumento

Para el acto de sumisión.

Locura, desplazamientos

A campos de concentración (iglesias)

Siente la luz de la cristiandad

Acéptala o descansa en paz

Se abrieron con falsa justicia

Los amargos brazos de la religión

Amparados tras su milicia

América de vírgenes se tiñó

Fingir piedad no escondió su codicia

Y el indígena se rebeló

Bautismo, rapto

De creencias e imposición

Genocidio, pacto

Entre la iglesia y la invasión

Tortura, sacramento

Para el acto de comunión.

Locura, infierno

En sitios de conversión (misiones)

Siente el poder de la cristiandad

Rechazarlo es la verdadera libertad

El amuleto del conquistador

Muerte en forma de cruz (crucifixión)

Símbolo de destrucción

Excusa de salvación, signo de esclavitud

Solo: Félix Molina

El resultado de la transculturización

Las bendiciones son:

Incertidumbre, violencia y condena

Cuando la muerte es la única solución

Las opciones son:

Servidumbre o resistencia indígena

El amuleto del conquistador

Muerte en forma de cruz (crucifixión)

Símbolo de destrucción

Excusa de salvación, signo de esclavitud

El amuleto del conquistador

Adorno de tumbas, la cruz (aniquilación)

Icono de devastación,

Insignia de religión, Cristo de esclavitud

L & M: Orlando Cordero

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Super nova is a song with several recorded versions, already one of them has published some weeks ago, this it is the version number 3, because first it was recorded in a homemade demo in the year 2006, then in a demo something more professional in the 2008, finally we record it for our first disk in 2013. The version published previously was that of the EP. Super Nova, of date 2015. It is a very special song inside the discography of the band. Still existing a live version that was never published, the quality of the sound was low and for that reason it was not published. Without more than to add, I wait the they enjoy. I republished it, because have ocurr an error in the last post. I apolagize

Súper nova es una canción con varias versiones grabadas, ya una de ellas la publique hace unas semanas, esta es la versión numero 3, pues primero fue grabada en un demo casero en el año 2006, luego en un demo algo más profesional en el 2008, finalmente la grabamos para nuestro primer disco en 2013. La version publicada anteriormente era la del EP. Súper Nova, de fecha 2015. Es una canción muy especial dentro de la discografía de la banda. Existiendo aún una versión en vivo que nunca fue editada, la calidad del sonido era baja y por eso quedó sin publicar. Sin más que agregar, espero la disfruten. Republico porque ocurrio un error en la publicación anterior. Pido disculpa por ello

In the eyes of this star

you will find the peace

but her death

will leave you in darkness

MG 4 28/78 Astral Name and natal position

thousands of light years unbound me from its shining

Green-gray eyes, Blinding light, closed eyes, total eclipse

mouth shutting, silent explosion, her smile, super nova.

I see you every night

I make my wish

Many years ago,

Are you listening to me.

MG 4 28/78 Astral Name and natal position

thousands of light years unbound me from its shining.

Green-gray eyes, Blinding light, closed eyes, total eclipse

mouth shutting, silent explosion, her smile, super nova.

Green-gray eyes, enchanting look, her shining face, total beauty

mouth opening, silent seduction, her smile, super nova.

I know where you are but I am afraid of visiting you

I miss you in the cold and I despair to see you

If you look for me you found me with the open arms

your burning lights has the keys of the windows of my heart .

MG 4 28/78 Astral Name and natal position

thousands of light years unbound me from its shining.

Green-gray eyes, Blinding light, closed eyes, total eclipse

mouth shutting, silent explosion, her smile, super nova.

Green-gray eyes, enchanting look, her shining face, total beauty

mouth opening, silent seduction, her smile, super nova.

Lyrics and music: Orlando Cordero.

Letra y Música Orlando Cordero.

Fotos y diseño original, editado por mí.

Original Photos and designs edited by me.

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Song that describes the ecological philosophy of the band Overground. The concept that the planet is an alive being and as such it possesses an aura, a soul. It is a system that regulate and regenerates itself. The cosmic aura of the planet, that cover protector, the magnetic field is over the ground. The planet earth is a macro cosmic being and we, like part of its system, we are micro cosmic beings. The interrelation between the mother earth and the small children should be symbiotic and beneficial mutually. Musically it is a very complete song which I composed with a lot of patience and during several years, however it didn't suffer many changes through the years except that initially was longer, with a duration of more than 9 minutes

Canción que describe la filosofía ecológica del grupo Overground. El concepto de que el planeta es un ser vivo y como tal posee un aura, un alma. Es un sistema que se regula y regenera así mismo. El aura cósmica del planeta, esa cubierta protectora, el campo magnético esta sobre el mundo. El planeta tierra es un ser macro cósmico y nosotros, como parte de su sistema, somos seres micro cósmicos. La interrelación entre la madre tierra y los pequeños hijos debería ser simbiótica y beneficiosa mutuamente. Musicalmente es una canción muy completa la cual compuse con mucha paciencia y durante varios años, sin embargo no sufrió muchos cambios a través de los años, excepto que inicialmente era más larga, con una duración de más de 9 minutos

Cosmic Aegis Over the Ground

Where the flowers fall dead

Remains the sign of the progress

From life to death is the process

Where love has dried out.

The world is a living entity

A geological creature

Compounded and supported

By multiple force systems

The unanimated is the base

In which life is born and dies

The beings transform the earth

And feed it with their impulse

A universal conscience

Maintains the shield

Wrapping up the world

With its cosmic energy

Three great kingdoms are its dominion

Mother Nature is the queen

And all we are its vassals

The rocks, the forest, the lion

Our feelings and thoughts

Control the psychic protection

Hate destroys the balance

And damages the cosmic layer

Cosmic aegis over the ground

Watch the sky, beyond the clouds

Cosmic aegis over the ground

A powerful aura surrounding all around

The earth absorbs the rain

Storing the prize of life

The gifts to eternity

All the green and good of this world

(Solo: Orlando Cordero)

Ashen darkness

Volcanoes spitting life and death

Silence occupied by the wind

While the earth bellows

And proclaims its renovation

Between fire and movement

We are spectators

And supreme witness of the life

(Solo: Orlando Cordero)

Cosmic aegis over the ground

Watch the sky, beyond the clouds

Cosmic aegis over the ground

A powerful aura surrounding all around

Lyrics & Music by Orlando Cordero

Original Photos edites by me