gabolegends 3Speak Podcast: Recent Episodes
GaboLegends
Listen and watch the latest videos from gabolegends. Hosted by 3Speak.tv. The free speech video platform on the HIVE blockchain.
https://3speak.tv/watch?v=gabolegends/xhcfxdun
Español
Drive My Car es una película con un mensaje sumamente hermoso; su gran confección la ha hecho merecedora de su nominación a los premios Óscar cómo mejor película del año, mejor guion y dirección. ¿Qué es lo que hace a este largometraje tan especial? Acompáñame a descubrirlo en este nuevo video para la plataforma de 3speak.
Créditos y Recursos
• Video elaborado con la app de Onshot.
• Imágenes
Se empleó el Póster oficial de la película
• Videos
Se empleó el Tráiler de la película
Transición 1
Transición 2
Transición 3
Transición 4
• Musicalización
A New Beginning
Músico: Agnese Valmaggia
URL: https://filmmusic.io/song/6510-a-new-beginning
Licencia: https://creativecommons.org/licenses/by/4.0/legalcode
Youth
Músico: @iksonmusic
Música: Dome
• Músico: Jeff Kaale
English They say that life is not easy; Every day we face difficult situations that put us against the wall, that plunge us into darkness and confront us with the terrible reality. Even so, after extensive battles, we find that inspiration that forces us to move forward: they call it love, a feeling that gains strength when we share it with others, when we vent everything that afflicts us and makes us vulnerable. We travel in a car, isolated from the steering wheel, waiting for one more reason to convince us that, even when the adventure is short, the experience leads us to reflection.
Drive My Car is just that: a film of transition, of humanity, of compassion. It is a drama of essence, a story that reveals two parts in the same mirror; reflexes and empathy on the paved streets of Hiroshima. Nominated for an Oscar for best film, this great compilation of theatrical and emotional sentiments walks us through memory and affliction under two ionic characters. A red car, like the passion of memory, sings the melodies of a recording tape with the voice of tragedy. A man listens to her, while a woman sees him in the rearview mirror, ignoring the silhouette of the giant city of new opportunities. There is much in common between them, but…
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Will they be able to share the agonies and free themselves from the black and white in their pasts?
Ryūsuke Hamaguchi guides this feature film through the avenues of our feelings, drawing inspiration from the work that Haruki Murakami once shared in his collection of short stories; theater, suffering, attachment and emotional loneliness are our tickets in this film that, flaunting its incredible filmmaking, gives us a hard lesson about the hardest life; the one that everyone wants to run away from but that catches us at some point. How to escape from that prison of melancholy? How to escape from what was and could we avoid? Join me on this journey through Drive My Car, a Japanese film that is undoubtedly a magnificent work of the seventh art.
Synopsis
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On the brink of fulfilling his dream, in the tumultuous fields of spiritual conversion, Yusuke Kafuku delves into the sudden onset of tragedy and betrayal. It has been hard; the journey was difficult. The rear-view mirror of his memories takes him to that moment in which he lost the great love of his life for the second time and for good. Clinging to the idea that he promised in his thoughts, Yusuke surrenders to the prickly voice that the recorder offers him: Oto, the absent lover, would push him to continue his career as a theater director and playwright. And that is how, convinced of following the direction of his instinct, he decides to accept the greatest challenge of his aspirations: Uncle Vanya, the work that Oto longed to see under the reins of Yusuke, and that he, flooded with emotional attachment, has decided to adapt at the Hiroshima theater.
Enlisted in the new adventure of his heart, Yusuke is assigned to a chauffeur who, in addition to driving his car, will begin to tear that small tack that separates him from improvement. Misaki Watari then becomes that confidential fragment, that shoulder where Yusuke can lay his head to recount his vague thoughts. She, with her hands on the wheel, will lead her path to the unexplored world of sentimental metamorphosis, filling a void that doubt and love had left in both hearts. The road is not easy; The streets are dangerous, but two souls are stronger than one, right? New paths are carved in this film where understanding and empathy are, neither more nor less, than the most powerful weapons to continue with life.
Of course, there’s more to Drive My Car than tires and memories in motion. Join me to analyze the most attractive elements of this feature film.
Simple but loyal premise
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Drive My Car is a work full of feelings; the image and the characters converge in a single setting, one where languages break down barriers and emotions are the bridge to the soul. Each moment is a conglomerate of sensations and memories, of a conflict that succumbs to the dramatic axis under the very frustration of its protagonists. We are talking about a film that is capable of following a rhythm from beginning to end, without detaching itself from its original message or from its own narrative form. The script distills the dramatic elements with a slow rhythm, but carefully detailed. Through the minutes we venture into a feature film that evolves according to the will of its characters, reaching a conclusion with touches as harmonic as literal. We are talking about a conversion piece; of a before and an after. Of a necessary relief for the relief of sadness.
A solemn visual portrait
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The image is the character. Isn’t that the basic rule of any feature film? Ryūsuke Hamaguchi does not confirm them in a masterful way. The camera converges on the transition: a moving car, a recorder, a rear-view mirror and a clean, gigantic city isolated from so many agonies. Everything revolves around movement, the need to keep going like tires that roll and roll on the pavement. The camera becomes our messenger, and the portrait we look at later covers our pupils until they are hypnotized. Photography and direction come together in a single anthem to captivate us shot by shot, character by character, scene after scene. The combination of rustic and urban elements to draw the path of this film is a success.
two directions, one path
Source Each character shares the same affliction in this feature film, be it pain or grief, misery or guilt. On the one hand we have Yūsuke Kafuku, who is shown to us as that unfortunate piece that tries to overcome his own guilt. Hidetoshi Nishijima’s interpretation is silent, passive, vulnerable, only upset by Tōko Miura in her role as Misaki Watari; she is more curious, more nosy. The trigger comes from that car that unites it both with her past and with Kafuko’s past. They are made for each other, at least when it comes to nostalgia.
Why watch Drive My Car?
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This feature film is a deep drama; a journey to the reality of compassion and the root of empathy; It may be slow, but the density of the settings fits into a cinematographic work with great vigor. If you are a lover of stories of overcoming and change, you should give Drive My Car a try; a film where emotional isolation is the first barrier that must be broken. In understanding we find our way to overcoming… just turn on our feelings mobile and drive along the road that leads us to self-compassion.
https://3speak.tv/watch?v=gabolegends/ggsbhmgu
Español
Quizas ya hayas visto muchas reseñas sobre esta película pero... ¿Que es lo que la hace tan maravillosa?
The House de Netflix no es la típica serie animada, en sus fotogramas de stop motion esconde un montón de símbolos adornados con horror psicológico. ¿Qué secretos esconde está peli? Acompáñame a descubrirlo en este nuevo video para la plataforma de 3speak.
Créditos y Recursos
Video creado con la app de Onshot.
Videos • Se empleó el Tráiler de la película.
• Transición 1
• Transición 2
Imágenes • Se empleó el Póster oficial de la película
Música
Música Instrumental de suspenso -libre de copyright
- link
Música: Cactus
• Músico: Jeff Kaale
Música: Dome
• Músico: Jeff Kaale
English Horror is not only based on ghosts or paranormal events. The mind can be darker and darker than many think; We are overwhelmed by gray emotions, those that lead us to go crazy with greed, with superficiality, with narcissism, with loneliness. When we are attached to the materialistic world, feelings are ephemeral, as small as lightning flashes. The darkness in the heart comes with interest, with ego, with loss. Will there be any peace for the souls condemned to obsession? Netflix shows it to us in The House, an atypical animated film where madness is, neither more nor less, the adventure to human perdition. Three stories, a house, a single message: there is no escape.
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The House takes us back to childhood in a different way: we travel to a dream world where the images, as beautiful as they are chilling, show us the most daring criticism of the obsessions of the mind, body and soul. Reality fragments, voices multiply and fears transform into great monsters fed by the victim himself. How is it that this film pulls the psychological strings in such a sinister and surreal way? Today we will analyze the secrets that Netflix's animated work hides that a priori are difficult to obtain, but that are there to play with our senses...
Ready for a ride into your own nightmares?
Relativity in The House
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The House reveals three basic premises in a single context: a family that wants to run away from home, a mouse that wants to sell hers and a cat that doesn't want to leave hers. At first glance the stories are different, however, when analyzing in detail we will notice a connection in each timeline through the psychological conception of the protagonists. Through the minutes and frames in volume, the camera details in allegorical images the direction of the film that, like a puzzle, unites its plot threads until its final outcome.
We look at the science of the script in our own flesh; the three parts of the paradigm rip the screen and come to life like the beating of the heart. In the beginning this poor family arises where dad and mom, open to luxuries, decide to leave their humble abode to get a favorite life; a large house with wide curtains, wide spaces and gigantic stairs. Far from the ingratitude of her parents is Mabel, a girl who wishes to return to her small and simple home. She is the starting point: the origin. Further to the center, in a parallel dimension, is a mouse who has invested his savings in a self-centered abode invaded by slimy, dancing tenants. And in the end, Rosa appears as a finishing touch, a humanoid cat condemned to attachment and the infinite past. End? The directions of this film seem to be eternal, everything else will depend on the logic of the viewer.
Wacky animation.
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The House is a Stop Motion film; like a rare double crystal gem. The film combines the beautiful in psychologically creepy settings, and I say "psychologically" because every detail of the story is tailored for the trance of the mind. The characters, carefully destined for chaos and sentimental schizophrenia, change until they evolve into primitive forms. There are tiny eyes, small mouths and shiny fur that dance frame by frame in an animation with gloomy touches. We must not leave behind the dissonant music, sticky to the violin and perhaps the player piano. Sounds and images merge to energize fantasy and drama, karma and tragedy. From start to finish we embark on a very insightful journey for the flow of our neurons.
Three stories, three different visions
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Enda Walsh's script is fractured under the vision of four different directors; This gives an illusory depth to a film that intertwines meticulously studied shots from the beginning to avoid chance and provide more symbolism to the settings. On the one hand there is Marc James Roels and Emma de Swaef, who introduce us to animation with gloomy, mysterious, absurd touches. Psychological horror and existentialism gain strength in this first arc of the story to be replaced by the black humor of Niki Lindroth von Bahr, who uses madness and reason to confuse us in the second arc of this feature film. And with no desire to be left behind is Paloma Baeza, an excellent propitiator of tragedy and melancholy who, with strong allegories of beauty and restoration, outlines the last brushstrokes of this masterpiece of animation.
Archaic symbols
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The themes that this film touches on are not from another world: tragedy, obsession, materialism, loneliness, change, etc. However, this movie shows us another way of looking at the reality that we face in our thinking heads. It is an allegory, a metaphor, a reflection of how weak we can be in the face of our own shortcomings. We see a critique of bizarre lifestyles, that desire to pretend what we are not, and that need to cling to what will never come back. And there is more, much more. If you analyze the film very carefully, you will notice an even bigger message: a line of events that does not happen adrift. Be careful what your eyes see; reality can be accompanied by the unexpected surprise of those who listen in silence.
Why watch The House?
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The House is mature animation; something different, gloomy but at the same time moving. Few feature films achieve such a profound and enigmatic premise, which is why this film is unique. I can safely say that it is a movie that puts the brain to the test, and I am not just referring to the characters. A simple object can be the trigger of chaos and misery, just like the flapping of a small butterfly's wings. This time it is a house: a prison; a doom for the souls who build their own abodes in the valleys of self-destruction.
https://3speak.tv/watch?v=gabolegends/wmkrywhc
Español
Tick, Tick, Boom; una drama musical cuya confección ha logrado causar uno que otro revuelo en la crítica. ¿Es realmente un gran film? Acompáñame a descubrirlo en este nuevo video para la plataforma de 3speak.
Créditos y Recursos • Video creado con la app de Onshot.
• Imágenes:
Se utilizó el póster oficial de la película.
• Videos:
Trailer oficial
Transición 1
Transición 2
• Música
Relaxing Ballad por Alexander Nakarada
URL: https://freepd.com/
Licencia: https://creativecommons.org/publicdomain/zero/1.0/legalcode
Tropic por Jeff Kaale
Peach por Jeff Kaale
English Life is like a musical… isn’t it? At any point a new song of trouble appears with dances of disappointment. I will not lie, we live in a walking dream, we project goals expecting triumphs right off the bat, aspiring big things while remaining small. If anyone knew much about this, it was Jonathan Larson, a playwright who made his life a spectacle for dreamers most in need of inspiration. A work, a young enthusiast… 30 years that are the most frustrating gap of time running out. Can reality beat the will? We look at part of the answer in Tick, Tick… Boom! A musical that will reveal the story of one of Broadway’s greatest visionaries.
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Today we will analyze another of the great candidates for the Oscars to find out why she has so enthusiastically hypnotized the most fussy critics in Hollywood. Lin-Manuel Miranda and Steven Leveson will guide us through a Tour where music and drama prevail with impressive dances, recounting not only the life of one of the most successful playwrights, but also we look at that reality that succumbs to art with an ethical merely reprehensible. Is commercial interest above talent?
Synopsis
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Jonathan Larson is a young man with a wonderful talent for creating musicals just by looking at his rice bowl. Like all New York dreamers, Larson hopes to become a revolutionary in the arts, more precisely, in the theaters of Broadway. After investing 8 years of his life in a musical about aliens, love and human ethics, he decides to launch the fruit of so much effort and sleepless days into stardom, sacrificing friendships and great loves to finally get out of the not-so-pleasant world of rented apartments and waiter jobs.
Narrated from his own play, to the sound of Tick, Tick and Boom, Larson turns his wild and outrageous life into a musical for the deliberation of dreams, the frustration and the terrible disappointments that come with advancing age. 30. Under the piano and rock, conglomerated by the time that is running out, Jon, as the compadres know him, will show us that great ladder of needles that dreamers must climb to reach the painful dream they pursue. Some reach it, others simply give in to disappointments. Why is Larson so different? Or rather: How is it that this film manages to be so different? Let’s take a closer look at this movie.
A musical about life
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Tick, Tick… Boom is not a drifting musical; each dramatic note is inspired by the original work of Jonathan Larson; his gestures, his piano, his microphone and the true account of him before he achieved stardom. It is an autobiographical work, a piece that takes us to the memory of a man with a different vision and a sharp creativity. Minute after minute we feel on Broadway, welcomed by applause and spontaneous laughter, inspired by the life of a visionary for whom things do not turn out as well as he projects them. Thus, the drama is somewhat more real by revealing the loves that are not lasting and the sacrifices between feeling and victory.
Steven Leveson crafts a script more inspired by life, without going into love melodramas or facets of romance. This is how music gains strength with the loss of friends, the lack of money to pay the rent, the visions of a promising future and an effort that does not yield, artistic commercialism and the hammer reality. This is the work that we all sing every day, right? Except unlike Larson, we don’t have a big band to shine a light on everything that ails us. In short, this film is not a musical for broken hearts, quite the opposite! It is a musical about how to build, in the face of reality, a hard heart.
daring direction
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Lin-Manuel Miranda moves us through a film full of sequences, invigorating the musical axis between the protagonist’s own vision and the events that he is narrating from what is his own play. The camera migrates from here to there, between steps and splendid images of a dreamy New York.
We also look at two axes of the same plane; a representative memory split in half between theater and life, music and emotions. Even so, everything revolves as part of a whole, images being that abbreviation for what can go through the viewer’s mind: We are in a Broadway play in front of Jonathan Larson! That genius of musical notes and renovating stories. How is he able to do it? How did it last so little? Part of those emotional conjectures gain strength under the direction of Lin-Manuel Miranda. Not bad for his first job as a director.
one life, three characters Tick, Tick… Boom, despite being a work about the life of Jonathan Larson, also contemplates those great friendships that seem to be also strong protagonists. Here appears a triangle connected with love and friendship at the vertices, and at whose tip is none other than Andrew Garfield, who flaunts his charisma and his long smile to nuance a Larson with complex emotions. Admittedly, Garfield knows how to play empathetic and outgoing characters, with effort that seems minimal on camera. I have no doubt that this has been one of his best artistic works.
Alexandra Shipp is a Susan who also has aspirations, ones that Larson does not share in his quest for success for himself and everyone. This is how these lovers are torn between the dream of one and the other, reliving a balance that at some point has to lean to one side. Suffice it to say that in a world of different goals, sacrifices for love are weak and unbelievable. Isn’t that the reality?
Finally we have Michael played by Robin de Jesús, who is the best friend of a Larson that life will make him decide for the second time; friendship or stardom? Michael also has his own problems although Larson insists on giving importance only to his own. In the midst of the HIV crisis and a society full of prejudices, Michael needs what he considers his brother to talk about his problems. The only problem is that Larson is not like before, and that friendship now hangs in the balance.
Is Tick, Tick Boom! Worth watching?
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Although this Film seems to be another roll of music, comedies and some drama, Tick, Tick… Boom is presented to us from the beginning as a play under the dream of one of the great characters of New York theaters. ; This allows each song and melody to gain strength with a much more verbose argument compared to other musical dramas where the coherence of the facts come and go without a background support. Not that Tick, Tick… Boom! May be the best movie of all time, but it has a charm that outshines minute by minute. We’ll see if this is enough to catch the Academy critics.
https://3speak.tv/watch?v=gabolegends/xeqczxkg
Español Nuevo año ¡Nuevos videos! Cada vez estamos más cerca de la ceremonia de los Óscar, y ya hay películas que se muestran como candidatas fuertes para el galardón… una de ellas, el poder del perro ¿Cómo es que está historia está causando tanto revuelo? Acompáñame en a describirlo en este nuevo contenido audiovisual para la plataforma de 3speak.
Créditos y Recursos
Videos:
• Fuente
Imágenes:
- Fuente
Musicalización:
• 5 Cents Back
Músico: music by audionautix.com
Licencia: https://creativecommons.org/licenses/by/4.0/legalcode
• Beach
Músico: Jeff Kaale
• King
Músico Jeff Kaale
• Dome
Músico: Jeff Kaale
English The highly controversial ceremony of the Golden Globes left a marked path for the next Academy Awards Oscars. Movies and actors appeared after a long list of projections and unexpected surprises. Among them, El Poder del Perro, a feature film that intertwines drama and psychological thriller in scenarios as unique as they are challenging, and I say challenging because of the homogeneous preparation of this film, which will confuse your perception as a viewer and lead you to question the slight dilemma between "loving to be loved" and "being loved to hate". Not everyone who claims to love you really does... sometimes love is like a rabbit trap: he traps you until he slowly leads you to your destruction.
Source Today we will analyze every detail of this movie that has shocked the most critical voices in Hollywood, placing it as a true work of art. This film, Inspired by the book by Thomas Savage, is the darkest representation of silent enemies, those who smile at you and hug you, but secretly blow poison in your ear. Cowboys, landscapes and fragile secrets are strengthened by the hand of Jane Campion, a director who has won praise after making this work with great honor to the Western. What is so special about The Power of the Dog? Does it really deserve the award for best film of the year? Let's make an adventure through this film and find out.
Synopsis George and Phil are two rancher brothers from Georgia somewhere in Montana. Between them the tension and problems are never lacking, despite the fact that both remain together due to the bond of the family and the hard occupations of the wealthy of the old west. On one side is Phil, a tough, wild, rude and impertinent man who doesn't like weakness and femininity. And on the more consistent, reasonable and fully generous side is George, who, unlike Phil, is much more open-hearted and much more willing to accept the love his brother sorely needs.
And it is precisely George's decision to be happy with a widow and her son that generates a conflict in Phil's feelings... Why did his brother marry a woman sealed with the past of alcohol and death? and even worse, why did his brother bring the effeminate son of his hateful fiancée to the ranch? Unable to accept the unwanted new members of his family, Phil unleashes a war against Rose, who in addition to suffering the collateral effects of her marriage to George, must deal with the humiliation suffered by her son Peter for being more sensitive, loving and alien. to the rusticity of the brute man that prevails in the custom of the old west.
Source Succumbed to Phil's hatred and mistreatment, Rose spirals into a spiral of pain that slowly consumes her life, to the point of condemning her to the same suffering she once suffered at the hands of her late husband. What no one counted on, not even the most astute, was Peter, the mannered son who, after connecting with Phil's rusticity and delving into the depths of his feelings, begins to discover his unexplored past and with it the entire accumulation Sensitivity hidden behind a thin layer of feigned strength.
This is how Phil uses his charms not only to captivate Peter, but also to discredit Rose with the child of her womb. What he didn't expect came later in a vengeful, sinister and downright cunning way; Fooled by love and seemingly innocent charisma, Phil falls into the deadly trap of his long-time enemy; taking with her all the suffering and pain of his uncomfortable presence. Now, how is it that this film is capable of deceiving us with such inconsistent plot nuances? Let's highlight more thoroughly the making of this film.
A drama with dark tones The Power of the Dog is not the typical film that reveals the emotional conflicts of the characters as the main line of action, rather, it uses the dramatic resource to hide the true premise of the work: a barely sensitive psychological thriller, silent, tinyly present for camouflage a sinister environment in seemingly sentimental images. It is not what we see at first sight, it is what is hidden behind; the plot gives us clues to the dark setting in which the events take place, but by letting ourselves be carried away by what our eyes see, we are unable to decipher the objective of the film until its final outcome.
Source In short, we are talking about a double-edged feature film, which cuts on one side more than the other. And guess what? Wounds are impossible to heal even with the greatest of bandages, or massage creams, or even sweets to forget the ailments. Nothing, absolutely nothing, is capable of erasing anger after pain... Do you know what I mean? Precisely, this allegory comes to life in a film where really, nothing is what it seems.
A challenging Western Jane Campion has been able to move the cards both in the direction of the feature film and in the writing of the script. The high-sounding premises of those old western movies are buried under a different guideline; no guns, no deathmatches, no bandits or player piano wars. In El Poder del Perro, it is not necessary to show those delirious action scenes to give vigor to the Western genre, because, after all, the subtlety of this film is sketched in a more psychological, sick, more frenetic context. Campion uses the beauty contrasted in the camera to reveal the clues of a great puzzle; rudimentary and wild landscapes are nothing more than a trap for reasoning. It's impossible not to be fooled And those are the best movies! The ones that make you think a lot. Undoubtedly, an achievement of this great director.
Source Emotionally dark characters
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Each character in Power of the Dog has a dark background that triggers the premise, dividing it into two parts of a whole. We have a Phil personified by Benedict Cumberbatch, who left his superhero costume to show us a man who, although he seems to be a monster, is nothing more than a weak and fragile piece of his own desires; of past love and repressed sexuality. Everything revolves around him, but that's not why it's his story. The point is that Phil is that clear example that when the family comes first, there is no love worth.
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Kirsten Dunst brings us Rose, a woman with fragile feelings that Phil will torture in every possible way; she is the trigger, the piece that drives the plot from one side to the other, between desire and death. We look at a decadent Rose, convulsed and one step away from destruction. Kirsten handles her role very well, giving us from the beginning a character in need, lonely and who only wants to be happy.
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Kodi Smit-Mc Phee is Peter, a young man capable of giving his life to save his mother; somewhat delicate but with a lethal perception of life, this boy will be the fundamental piece of the story; Kodi flaunts a bold character, unnoticed, with somewhat misplaced illusions but, in the end, accurate. He is the other face of a love that must be protected, even sacrificing everything he apparently loves to achieve it.
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And to close we have George, a less wild and more passive rancher than his fellow cowboys. Jesse Plemons is the one who makes a loving and empathetic character, very opposed to his brother Phil, but despite everything he loves him as his blood brother. Can the family stand before the heart? Without a doubt, George prefers to listen only to what his heart dictates, although he must face his own brother to be happy.
Is The Power of the Dog worth watching?
Source The Power of the Dog is a story with delusional plot lines, the kind that at first glance seem to show you one thing but as the minutes go by reveal a completely different outcome. We look at a mirage as a plot, a series of dramatic events that only deceive us with gestures, but give us clues with images and dialogue with double meanings. Those who look closely are able to see what is really behind such beauty and eroticism: something dark, sinister and completely sick. Never dare to question the nature of the simple, the silly, the unnecessary... sometimes the insignificant turns out to be more dangerous than many think.
https://3speak.tv/watch?v=gabolegends/nuykdbpz
2021 is leaving us. These last days of the year are a symbol to remember; There have been many movies and television series that have stolen emotions, sighs and even the occasional tear. Yes guys, another cycle ends, one full of fascinating stories and reviews that honored them, without leaving aside the premieres that we have been waiting for a long time. Now, a new brilliance is on the horizon: 2022 is approaching with great surprises. After years of waiting, some of those great works that overshadowed us and kept us in suspense return; the new year is about to begin, and with it a new adventure in the awesome world of cinema.
2021 se nos está yendo. Estos últimos días del año son un símbolo para el recuerdo; han sido muchas las películas y series de televisión que nos han robado emociones, suspiros e incluso una que otra lagrima. Si chavales, otro ciclo más termina, uno lleno de historias fascinantes y reseñas que les hacían honor, sin dejar a un lado los estrenos que esperábamos desde hace muchísimo tiempo. Ahora, un nuevo brillo se marca en el horizonte: 2022 se aproxima con grandes sorpresas. Tras años enteros de espera, vuelven algunas de esas grandes obras que nos eclipsaron y nos mantuvieron en suspenso; el nuevo año está a punto de comenzar, y con él una nueva aventura en el imponente mundo del séptimo arte.
Moviegoers and moviegoers, it is an honor for me to share once again some of the great love I feel for movies and television series. Today, with great joy, we will take a tour of the HBO stories that return to the light of the screens after a long absence: crazy young people, actors with very little honesty, robots with humanity, fantastic battles and Victorian wars are just around the corner. the corner, waiting for our eyes in front of the so hypnotic television. Ready for an exciting 2022?
Cinéfilos y cinéfilas, es un honor para mí compartir una vez más algo del gran amor que siento por el cine y las series de televisión. Hoy, con mucha alegría, haremos un recorrido por las historias de HBO que vuelven a la luz de las pantallas tras una larga ausencia: jóvenes alocados, actores con muy poca honestidad, robots con humanidad, batallas fantásticas y guerras victorianas están a la vuelta de la esquina, esperando nuestros ojos frente al tan hipnótico televisor. ¿Listo para un 2022 lleno de emociones?
I share some reviews that I had already made of these series, either to encourage you to see them, or to remember them:
Comparto algunas reseñas que ya había hecho de estas series, ya sea para que te animes a verlas, o para que las recuerdes:
Euphoria: Review
Barry: Review
Westworld: Review
His Dark Materials: Review
The Nevers: Review
Happy 2022 to everyone!
¡Feliz año 2022 para todos!
Credits and Resources:
Créditos y Recursos:
Videos:
Source-Fuente 1
Source-Fuente 2
Source-Fuente 3
Source-Fuente 4
Source-Fuente 5
Images:
Imágenes:
Source-Fuente 1
Source-Fuente 2
Source-Fuente 3
Source-Fuente 4
Source-Fuente 5
Musicalization:
Musicalización:
- Gerry Rafferty - Right Down the Line
Link
- Rafael Krux - New Horizons
Link
- Jeff Kaale - Peach
Link
- Jeff Kaale - Tropic
Link
https://3speak.tv/watch?v=gabolegends/aslhkayq
¿Puede una gran amistad convertirse en una condena a muerte? El odio es una grieta capaz de romper los muros más gruesos; también está la envida y el recelo, sin contar al aliado más temible para el alma: la obsesión… sí, la obsesión, ese amargo trastorno que puede obligarte a desear lo que no es tuyo, lo que es imposible… lo que está prohibido. Esta vez nos remontamos a la Francia del Medievo para corroborar el delicado hilo en el que cuelga el honor del hombre, y también sus alocadas y desmesuradas creencias para con la ley incuestionable de la razón. Dos amigos, una mujer y una balanza entre el orgullo y la gloria definen un film que, de la mano de Ridley Scott, ha llegado para transmitir un rotundo mensaje: La justicia también puede ser injusta.
Can a great friendship turn into a death sentence? Hate is a crack capable of breaking through the thickest walls; there is also envy and suspicion, not to mention the most fearsome ally for the soul: obsession ... yes, obsession, that bitter disorder that can force you to desire what is not yours, what is impossible ... what is forbidden. This time we go back to medieval France to corroborate the delicate thread on which man's honor hangs, and also his crazy and inordinate beliefs towards the unquestionable law of reason. Two friends, a woman and a balance between pride and glory define a film that, from the hand of Ridley Scott, has come to convey a resounding message: Justice can also be unfair.
Hey queridos cinéfilos, es bueno estar nuevamente por acá para compartirles mi opinión sobre “The Last Duel” una película con mucha tela para cortar, y lo mejor, inspirada en un hecho histórico de la Francia del 1386 que simbolizó el final de una era visceral y lógicamente incorrecta en cuanto a la justicia, la ley y la verdad. ¿Puede la prepotencia llevarnos orillarnos a la destrucción?
Hey dear moviegoers, it's good to be here again to share my opinion about “The Last Duel” a film with a lot of fabric to cut, and the best, inspired by a historical event in France in 1386 that symbolized the end of a visceral era and logically incorrect in terms of justice, law and truth. Can arrogance lead us to bank on destruction?
Creditos y recursos
Credits and Resources
• Video editado con la app Inshot
Video edited with the Inshot app
• Se utilizaron recursos audiovisuales para dinamizar el video, las fuentes son:
Audiovisual resources were used to energize the video, the sources are:
Imágenes:
Images:
Fuente-Source 1
Fuente-Source 2
Videos:
Se utilizó el tráiler oficial de la película
The official trailer of the film was used
https://3speak.tv/watch?v=gabolegends/qfpyrzkl
Gucci, un apellido que resuena con glamur y estilo. Una marca prestigiosa, un imperio que renovó la industria de la moda y la convirtió en un icono meramente familiar. Pero detrás de tanta riqueza, fama y prestigio se esconden oscuros secretos y disputas inmorales. ¿Cuál es la historia que se oculta tras la pasarela y las sonrisas para la cámara? Un linaje queda al descubierto frente a nuestros ojos de la mano del director Ridley Scott: amor, obsesión, glamur, traición, y sangre definen la trama de este film basado en hechos reales que fue capaz de revolotear a la crítica, y también, causar una furia gigantesca en aquellos que aún conservan el prestigio apellido.
Gucci, a surname that resonates with glamor and style. A prestigious brand, an empire that renewed the fashion industry and turned it into a merely family icon. But behind so much wealth, fame and prestige lie dark secrets and immoral disputes. What is the story behind the catwalk and the smiles for the camera? A lineage is revealed in front of our eyes by the hand of director Ridley Scott: love, obsession, glamor, betrayal, and blood define the plot of this film based on real events that was able to flutter critics, and also cause a gigantic fury in those who still retain the prestige surname.
Hoy, queridos cinéfilos, les relataré mi opinión personal sobre la Casa Gucci, una película que destila la historia jamás contada sobre una de las familias más importante de todos los tiempos. Veremos lo que hay más allá de los zapatos y los trajes elegantes, y conoceremos el trasfondo de un asesinato que conmocionó al mundo de la moda. Ah, y también analizaremos por qué este film fue odiado por los actuales herederos Gucci, quienes han catalogado al largometraje como una cinta inexacta, irrespetuosa y completamente denigrante. ¿Tendrán la razón? Si quieres saber más ponte cómodo, prepara algunas palomitas y acompáñame a descubrirlo.
Today, dear moviegoers, I will share with you my personal opinion about the Gucci House, a film that distills the untold story about one of the most important families of all time. We will see what lies beyond the shoes and elegant suits, and we will learn the background of a murder that shocked the world of fashion. Oh, and we’ll also look at why this film was hated by the current Gucci heirs, who have labeled the feature film inaccurate, disrespectful, and completely degrading. Will they be right?
Créditos y recursos Credits and Resources
Audio y transiciones elaborados con la ayuda de la app Inshot. Se Emplearon recursos audiovisuales para dinamizar el video.
Audio and transitions made with the help of the Inshot app. Audiovisual resources were used to energize the video.
Para el resto del video se empleó el trailer oficial de la película.
For the rest of the video, the official trailer of the film was used.
Para la vista miniatura se utilizó el póster oficial de la película
The official movie poster was used for the miniature view
https://3speak.tv/watch?v=gabolegends/hzneifyd
Algunas películas quedan retratadas en nuestra memoria por mucho tiempo. Una de las leyes fundamentales del guion es: “La imagen es el personaje”, de allí parte una larga historia que nos lleva a descubrir la confección de la escena como eje fundamental de todo largometraje. Escena tras escena nos aventuramos en la historia que el director y el guionista han diseñado para nosotros, llevándonos a aventuras mágicas, peligrosas situaciones y escalofriantes tragedias.
Some films remain in our memory for a long time. One of the fundamental laws of the script is: “The image is the character”, hence a long story that leads us to discover the making of the scene as the fundamental axis of every feature film. Scene after scene we venture into the story that the director and screenwriter have designed for us, taking us on magical adventures, dangerous situations and chilling tragedies.
Pero dentro de toda esta gran confección entre la cámara, el dialogo y los personajes, hay escenas tan maravillosamente elaboradas que se han convertido en un ícono del cine mundial, ya sea en forma de parodias coloridas, o en la cultura cinéfila representada más allá de la pantalla. Es por eso que hoy recordaremos las escenas más emblemáticas del cine Hollywoodense, y las que de alguna manera u otra cambiaron nuestras vidas con emociones y suspiros. ¿Listo para una aventura al recuerdo?
But within all this great confection between the camera, the dialogue and the characters, there are scenes so wonderfully elaborate that they have become an icon of world cinema, either in the form of colorful parodies, or in the cinephile culture represented beyond. The screen. That is why today we will remember the most emblematic scenes of Hollywood cinema, and those that in some way or another changed our lives with emotions and sighs. Ready for an adventure to remember?
Créditos y Recursos
Credits and resources
• Video elaborado con la app Onshot
Video made with the Onshot app
Se utilizaron medios audiovisuales para dinamizar el vídeo. Las fuentes son:
Audiovisual means were used to energize the video. The sources are:
Fuente-Source 1
Fuente-Source 2
Fuente-Source 3
Fuente-Source 4
Fuente-Source 5
Fuente-Source 6
Fuente-Source 7
Fuente-Source 8
https://3speak.tv/watch?v=gabolegends/kuqqhrta
¿Qué hay más allá del cine hollywoodense? A veces, una realidad retratada con premisas duras y complejas donde el drama deja de ser surrealista para volverse tangible. El cine latinoamericano ha dejado su huella en el séptimo arte a lo largo del tiempo, matizando historias golpeadas por una convulsión latente e imposible de ignorar: pobreza, delincuencia, corrupción, dictaduras y muchísimas situaciones en las que el conflicto es más íntimo que anecdótico. En esta parte del mundo también hay joyas dignas de la cámara y los guiones, muy a pesar de no relatarse con el mismo estilo de las perlas norteamericanas.
Hoy, mis queridos cinéfilos, les traigo una de esas historias latinoamericanas dignas de mirar y reflexionar. El título de esta película es “Amparo”, un largometraje de origen colombiano que fu capaz de hacer revuelo en el festival cine de Cannes. Descollaré los hechos más trascendentales de esta obra cinematográfica, y te diré por qué es tan única. ¿Qué madre no lo haría todo por un hijo que está en peligro? ¿Es la corrupción el amargo castigo de una sociedad vulnerable? ¿Cuál es el costo de la guerra? Si quieres saber más siéntate cómodo, prepara algunas palomitas y acompáñame a descubrirlo en la este vídeo.
What is there beyond Hollywood cinema? Sometimes a reality portrayed with harsh and complex premises where the drama ceases to be surreal to become tangible. Latin American cinema has left its mark on the seventh art over time, qualifying stories hit by a latent and impossible to ignore convulsion: poverty, crime, corruption, dictatorships and many, many situations in which the conflict is more intimate than anecdotal. In this part of the world there are also jewels worthy of the camera and the scripts, despite not being related with the same style of North American pearls.
Today, my dear moviegoers, I bring you one of those Latin American stories worth looking at and reflecting on. The title of this film is “Amparo”, a feature film of Colombian origin that was able to make a stir at the Cannes film festival. I will highlight the most transcendental facts of this cinematographic work, and I will tell you why it is so unique. What mother wouldn’t do everything for a child who is in danger? Is corruption the bitter punishment of a vulnerable society? What is the cost of the war? If you want to know more, sit back, she prepares some popcorn and join me to find out in this video.
Créditos y Recursos
Credits and Resources
• Video editado con la app de Onshot. Soundtrack propios de la aplicación.
• Video edited with the Onshot app. Soundtrack of the application.
• Se utilizaron imágenes para dinamizar el contenido, las fuentes son:
• Images were used to energize the content, the sources are:
Fuente-Source
Fuente-Source
El resto del material audiovisual del vídeo de extrajo del tráiler oficial de la película.
The rest of the audiovisual material of the video was extracted from the official trailer of the film.
https://3speak.tv/watch?v=gabolegends/phrvrpdm
Mafias, asesinatos y oscuros personajes. Parte del cine clásico estuvo marcado por las historias del crimen organizado, esas donde el acento italiano se marcó con mucha presencia durante décadas enteras. Los iconos de Hollywood más prominentes llegaron con un género inesperado dentro del creciente séptimo arte, incluso destruyendo la apología regulatoria tan estricta que era vigente para aquellas épocas.
Lo cierto es que el crimen organizado, tan visto en los estados unidos de aquel entonces, llegó a las pantallas del cine para mostrar ese lado secreto que nadie conocía del crimen organizado. Honor, gloria, lealtad y juramento, cada una de estas palabras se ensombrecieron con familias mafiosas, Gánsters inescrupulosos y balas sangrientas. Y, para recordar algo de aquel cine clásico, les traigo una recopilación de las 5 películas que a mí humilde parecer han sido emblemáticas en las historias de la mafia. ¿Listo para conocerlas? Si eres un amante del género te garantizo que está aventura eclipsará tu recuerdo.
Mafias, murders and dark characters. Part of the classic cinema was marked by the stories of organized crime, those where the Italian accent was marked with a lot of presence for entire decades. The most prominent Hollywood icons arrived with an unexpected genre within the growing seventh art, even destroying the strict regulatory apology that was in force for those times.
The truth is that organized crime, so widely seen in the United States at that time, reached the cinema screens to show that secret side that nobody knew about organized crime. Honor, glory, loyalty and oath, each of these words were overshadowed with Mafia families, unscrupulous gangsters and bloody bullets. And, to remind you of something from that classic cinema, I bring you a compilation of the 5 films that, in my humble opinion, have been emblematic in mafia stories. Ready to meet them? If you are a lover of the genre, I guarantee that this adventure will eclipse your memory.
Créditos y Recursos:
Credits and Resources:
• Video elaborado con la aplicación Onshot.
• Video made with the Onshot application.
• Se utilizaron medios audiovisuales para dinamizar el vídeo. Las fuentes son:
• Audiovisual means were used to energize the video. The sources are:
Trailers:
Fuente-Source
Fuente-Source
Fuente-Source
Fuente-Source
Fuente-Source
Poster:
Fuente-Source
Fuente-Source
Fuente-Source
Fuente-Source
Fuente-Source
https://3speak.tv/watch?v=gabolegends/mttqizwz
¿Cuál es la película de ciencia ficción perfecta? ¿Acaso aquella queCombine la acción en un escenario épico y transcendental, o la que seAlargue con recursos ostentosos para mostrar un eje paralelo a la Premisa en cuanto a efectos especiales? Ya sea de una manera u otra, Un film que no mantenga un equilibrio entre ambos términos consigue el Temible lugar en las obras del fracaso, donde se apilan aquellas Historias con mucho presupuesto pero con muy poco potencial.
What is the perfect sci-fi movie? Perhaps the one that combines the action in an epic and transcendental setting, or the one that is lengthened with ostentatious resources to show a parallel axis to the premise in terms of special effects? Either in one way or another, a film that does not maintain a balance between the two terms achieves the fearsome place in the works of failure, where those stories with a lot of budget but with very little potential are piled up.
Ahora bien, ¿Por qué la película Dune ha dividido a la crítica con Opiniones contrapuestas? ¿Denis Villeneuve logró forjar una historia Digna de la ciencia ficción o es solo un film de los explotados y Exagerados presupuestos? Después de dos horas y unas cuantas Palomitas acarameladas, al fin pude disfrutar de esta controversial Obra cosmológica de guerras y traiciones. Si aún no has visto laPeli, ¡tranquilo! Acá te diré si vale la pena o no hacerlo.
Now, why has the film Dune divided critics with opposing opinions? Did Denis Villeneuve manage to forge a story worthy of science fiction or is it just a film of exploited and exaggerated budgets? After two hours and a few caramelized popcorn, I was finally able to enjoy this controversial cosmological work of war and betrayal. If you haven’t seen the movie yet, don’t worry! Here I will tell you if it is worth doing or not.
Nota adicional: ¡Mi primera aparición en escena! XD Disculpen la Calidad del video, mi teléfono es algo viejito para esto de los videos.
LOL.
Additional note: My first stage appearance! XD Sorry for the video quality, my phone is a bit old for this video LOL.
Créditos y recursos
Credits and Resources
Audio y transiciones elaborados con la ayuda de la app Inshot. Se Emplearon recursos audiovisuales para dinamizar el video.
Audio and transitions made with the help of the Inshot app. Audiovisual resources were used to energize the video.
- Imágenes:
Images
Fuente-Source 1
Fuente-Source 2
Para el resto del video se empleó el trailer oficial de la película.
For the rest of the video, the official trailer of the film was used.
Para la vista miniatura se utilizó el póster oficial de la película
The official movie poster was used for the miniature view
https://3speak.tv/watch?v=gabolegends/rkmgacxn
El juego del calamar es una serie de televisión surcoreana que ha cosechado un éxito inaudito en muy poco tiempo, pero… ¿A qué se debe tanto alboroto? Te invito a escuchar mi opinión en el material audiovisual que he preparado. ¡Que se abra el debate! XD
Créditos y recursos:
• Video realizado con la app Onshot
• Guion 100% elaborado por mi después de ver la serie
• Para dinamizar el material se empleó imágenes relacionadas a la serie, las fuentes de éstas son:
Fuente 1
Fuente 2
Fuente 3
• También se empleó el tráiler oficial de la serie para extraer el resto de las imágenes.
https://3speak.tv/watch?v=gabolegends/ivckskwy
Hace algunos días HBO lanzó el primer Teaser de la precuela de Game of Thrones “The House Of Dragon” ¿Qué nos depara esta nueva serie de televisión? ¿Será igual de épica como lo fue Game Of Thrones en sus inicios? Te invito a ver este vídeo y a descubrir algunos datos interesantes sobre este nuevo universo de dragones que arribará en el 2022.
A few days ago HBO released the first teaser for the Game of Thrones prequel “The House Of Dragon”. What does this new television series have in store for us? Will it be as epic as Game Of Thrones was in its beginnings? I invite you to watch this video and discover some interesting facts about this new universe of dragons that will arrive in 2022.
Créditos y Recursos.
Credits and Resources
• Video realizado en la app Onshot.
Video made in the Onshot app
• Guión 100% original elaborado a partir de algunas teorías y hechos acontecidos en “Canción de hielo y fuego” y “Sangre y Fuego” de George R R Martin.
100% original script made from some theories and events that occurred in “A Song of Ice and Fire” and “Blood and Fire” by George R R Martin.
• Se utilizaron medios audiovisuales para dinamizar el vídeo. Las fuentes son:
Audiovisual means were used to energize the video. The sources are:
Imágenes:
Pictures
Fuente 1 – source 1
Fuente 2 – source 2
Fuente 3 – source 3
Fuente 4 – source 4
Fuente 5 – source 5
Fuente 6 – source 6
Fuente 7 – source 7
Videos:
Fuente - source
- Musicalización de fondo:
Background music:
Se empleó el soundtrack de Game of Thrones
The soundtrack of Game of Thrones from its eighth season was used.
He ido aprendiendo y mejorando poco a poco. No obstante, sé que puede haber uno que otro detalle técnico. Pido sinceras disculpas, por lo demás ¡Que disfruten el video!
I have been learning and improving little by little. However, I know that there may be one or another technical detail. I sincerely apologize, otherwise Enjoy the video!
https://3speak.tv/watch?v=gabolegends/dlrgxuyl
Old es la pieza cinematográfica de Night Shyamalan que aborda el suspenso bajo el horror de la edad. Guy y Prisca, una pareja no tan matrimonial, se verán atrapados junto a sus dos hijos y otro grupo de turistas en una isla paradisíaca que oculta un terrible fenómeno del tiempo; los minutos equivalen a años enteros, por lo que el envenenamiento y los trastornos ocultos nacen para acabar con sus tan apreciadas vacaciones.
Algunos paraísos son en realidad el infierno… ¿Podrán Guy y Prisca escapar del él?
Créditos y Recursos
• Guión 100% original elaborado a partir de mi experiencia al ver la película.
• El video fue elaborado con la ayuda de la app Onshot
• Se utilizaron medios audiovisuales para dinamizar el vídeo. Las fuentes son:
Fuente 1
Fuente 2
Fuente 3
Fuente 4
Videos
Fuente 1
Fuente 2
Fuente 3
Fuente 4
Para la vista miniatura se utilizó el Póster oficial de la película.
Espero disfruten el vídeo. Pido disculpas si encuentran algún detalle técnico… sigo siendo algo nuevo en esto XD.
https://3speak.tv/watch?v=gabolegends/pqdghuxx
Sucesión es una serie de televisión de HBO que ha logrado cosechar un gran éxito con tan solo dos temporadas. La historia nos narra la disputa entre los Roy, una familia desproporcionada cuyos herederos luchan por liderar Waystar Royco, una gama de compañías exitosas con uno de los temples económicos más grandes de los estados unidos. Entre avaricia, discordia, traición y un veneno insaciable por el poder, los herederos del magnate multimillonario Logan Roy se verán enfrentados en una guerra insaciable por la conquista del trono más preciado: el próximo líder de Weystar Royco.
¿Quien será el privilegiado heredero?
Este es mi primer video en simultáneo con la plataforma de 3speak. Soy algo nuevo en esto; pido disculpas si hay detalles técnicos.
- Creditos y recursos:
Video realizado con mi Motorola G6 midiante la aplicación inshot.
Guión 100% sacado de mi propia experiencia al ver la serie.
Se utilizaron Imagenes de Sensacine para los personajes, las referencias son:
Logan Roy
Connor Roy
Kendall Roy
Roman Roy
Ademas se empleó el trailer de la primera temporada de la serie para complementar el contenido audiovisual.
Para la vista miniatura se utilizó el póster oficial de la primera temporada de la serie.