Shakespeare Anyone?: Recent Episodes
Korey Leigh Smith & Elyse Sharp
In today's episode, we are joined by the brilliant Dr. Mia Escott to embark on a journey through the complex intersections of race, Shakespeare, and the early modern era.
Dr. Escott provides crucial context to help us understand how people of the early modern era were socially categorized based on nationality, religion, and social status. It's a crucial foundation for dissecting Shakespeare's approach to race.
Aaron, the enigmatic character from Titus Andronicus, takes center stage. Dr. Escott walks us through the complexities of this character, a Moor in a world where stereotypes and villainy are often intertwined. We explore key moments and lines that shed light on Aaron's character and the racial dynamics at play.
We also discuss Blackness and race within Shakespeare's broader canon, as Dr. Escott sheds light on how Shakespeare both humanized and socially othered his Black characters. Woven throughout our discussion are Dr. Escott's insights into how the worlds of academia and theatre can better approach race and discussions of race, especially when it comes to Shakespeare.
Dr. Mia Escott is an Assistant Professor of English, Rhetoric, and Writing at Berry College. She joined the faculty in 2022 after receiving her doctoral degree in English from Louisiana State University. An Alabama native, she has graduated from Auburn University and the University of Montevallo. Her research and teaching interests include early modern British Literature, Renaissance Drama, Shakespeare, Critical Race Theory, and Women’s and Gender Studies. Dr. Escott is the 2022 recipient of LSU’s HSS Diversity Committee— Excellence in Teaching Graduate Student Award, which highlights her commitment to making academia an inclusive and equitable learning space. Most recently she has been a guest speaker at various Berry College events, sharing her love for English and Shakespeare.
If you are not a Berry student then luckily you can find Dr. Escott on TikTok as @dr.shakesfeare, where she is making The Bard more accessible and comprehensible, in a humorous way.
Recommended Reading:
White People in Shakespeare: Essays on Race, Culture and the Elite by Arthur L Litttle Jr.
The Great White Bard by Dr. Farah Karim-Cooper
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
In today's episode, we're peeling back the layers of a genre that not only fascinated audiences of the Early Modern period but also left an enduring mark on the works of the Shakespeare himself: Revenge Tragedies.
Join us as we journey through time to an era of dramatic tension, dark desires, and vengeful spirits. Revenge tragedies, a genre that flourished in the late 16th and early 17th centuries, paved the way for some of Shakespeare's most iconic plays. In this episode, Kourtney and Elyse will shed light on the defining features, influential playwrights, and societal factors that contributed to the allure of these gripping tales of retribution.
Delve with us into a world of poisoned chalices, secret plots, and enigmatic ghosts as we dissect the very essence of a classic revenge tragedy. We'll explore the groundbreaking works of playwrights like Thomas Kyd, whose play The Spanish Tragedy not only set the stage for the genre's popularity but also influenced Shakespeare's own exploration of vengeance on the stage.
Step into the shoes of Elizabethan and Jacobean theatergoers, and discover why themes of political intrigue, power struggles, and personal vendettas struck a chord during those tumultuous times. We'll discuss the psychological complexities of characters seeking revenge, as well as the societal undercurrents that resonated with audiences then and continue to captivate audiences today.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Findlay, Alison. “Re-Marking Revenge in Early Modern Drama.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 58–82. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.7. Accessed 26 Aug. 2023.
“The Maid’s Revenge.” Wikipedia, Wikimedia Foundation, 20 Aug. 2023, en.wikipedia.org/wiki/The_Maid%27s_Revenge.
“The Maid’s Tragedy.” Wikipedia, Wikimedia Foundation, 21 Aug. 2023, en.wikipedia.org/wiki/The_Maid%27s_Tragedy.
Preedy, Chloe Kathleen. “‘Women’s Weapons’: Education and Female Revenge on the Early Modern Stage.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 181–200. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.14. Accessed 26 Aug. 2023.
“Seneca His Ten Tragedies, 1581.” British Library Collection Items, British Library, 2023, www.bl.uk/collection-items/seneca-his-ten-tragedies-1581.
“The Spanish Tragedy.” Wikipedia, Wikimedia Foundation, 24 Mar. 2023, en.wikipedia.org/wiki/The_Spanish_Tragedy.
Tassi, Marguerite A. “The Avenging Daughter in King Lear.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 111–21. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.10. Accessed 26 Aug. 2023.
“’tis Pity She’s a Whore.” Wikipedia, Wikimedia Foundation, 30 May 2023, en.wikipedia.org/wiki/%27Tis_Pity_She%27s_a_Whore.
Willis, Deborah. “‘The Gnawing Vulture’: Revenge, Trauma Theory, and ‘Titus Andronicus.’” Shakespeare Quarterly, vol. 53, no. 1, 2002, pp. 21–52. JSTOR, http://www.jstor.org/stable/3844038. Accessed 26 Aug. 2023.
Introducing Play On! Podcasts: Love's Labour's Lost! Play On Podcasts are epic audio adventures that reimagine Shakespeare’s timeless tales, featuring original music composition and the voices of award-winning actors. Each episode explores plays from Macbeth to A Midsummer Night’s Dream, in a way that you can actually understand it and created specifically for the podcast form by some of America’s most exciting playwrights, directors and composers, and performed by stage and screen’s best.
Check out the first episode from their latest series: Love's Labour's Lost!
The King of Navarre gathers together with his best friends (Longaville, Dumaine and Berowne) in the library at Howard University where he gets them to agree that they will devote themselves entirely to their studies without dating or indulging in food, drink or sleep for three full years. Berowne protests and reminds the King that the Princess of France is going to arrive soon to plead a case on behalf of her ailing father. The King promises to handle the situation and Berowne agrees to stick with his vow despite his reservations. They decide they’ll amuse themselves during their downtime by laughing at the antics of Don Adriano de Armado, a visiting scholar from Spain who is hilariously full of himself. Almost as soon as the King’s proclamation is issued, Sir Anthony Dull delivers a letter from Armado accusing Costard, a groundskeeper at Howard, of having an affair with Jaquenetta, a young lady who lives nearby. The King punishes Costard with a week of fasting on bread and water. Meanwhile, Armado confesses privately to his young friend and confidante, a Custodial Assistant named Moth, that he is painfully in love with Jaquenetta and vows to win her affections.
The Play On Podcast series, “LOVE’S LABOUR’S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's episode, we will be discussing the portrayal of women in Shakespeare's Titus Andronicus and how it reflects the evolving concept of girlhood in Early Modern England as well as popular conceptions of one specific woman involved in early modern European politics: Catherine de Medici.
Step into the past and uncover how linguistic developments in the early modern era point to an evolving understading of womanhood and how these developments appear in Shakespeare's Titus Andronicus.
Discover the enigmatic Catherine de Medici's profound influence on Shakespeare's iconic tragedy. Unveil the parallels between her powerful legacy and the depecition of Tamora, offering fresh perspectives on the play's timeless themes. Join us for a captivating episode that delves into history, literature, and their echoes in our world today on "Shakespeare Anyone!"
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Carney, Jo Eldridge. "“I’ll Find a Day to Massacre Them All”: Tamora in Titus Andronicus and Catherine de Médicis." Comparative Drama, vol. 48 no. 4, 2014, p. 415-435. Project MUSE, doi:10.1353/cdr.2014.0034.
Higginbotham, Jennifer. “‘A Wentche, a Gyrle, a Damsell’: Defining Early Modern Girlhood.” The Girlhood of Shakespeare’s Sisters: Gender, Transgression, Adolescence, Edinburgh University Press, 2013, pp. 20–61. JSTOR, http://www.jstor.org/stable/10.3366/j.ctt20q22dc.6. Accessed 1 Aug. 2023.
In today's episode, we are joined by New York Times bestselling author Evelyn Skye to discuss her debut adult novel THE HUNDRED LOVES OF JULIET and her process for adapting one of Shakespeare's most famous stories into her own. THE HUNDRED LOVES OF JULIET is available now, wherever you get your books! Join us on our Patreon later this month as we dive deeper into the book (with spoilers!) with Evelyn.
THE HUNDRED LOVES OF JULIET is a modern reimagining of Romeo and Juliet, with a twist: Romeo has been cursed to live forever, Juliet to reincarnate and die soon after they meet. Sometimes they only have minutes together, sometimes they have years. But she always—no matter what they do to prevent it—perishes. Told in alternating dual perspectives, “this novel cleverly imagines the epilogue the lovers didn’t get to have, and how curses can be blessings in disguise.” (Jodi Picoult)
A STORY ORIGINATING FROM THE AUTHOR’S POIGNANT PERSONAL EXPERIENCE: In 2018, just ten months after they were married, Evelyn’s husband Tom underwent an emergency double lung transplant—and since the moment he woke, they have lived with the knowledge that any day could be his last. In the years following Tom’s surgery, Evelyn turned to her own writing to grapple with the uncertainty and anxiety of their future. She was drawn to the tragedy of Romeo and Juliet—but instead of immersing herself in the themes of desperation and senseless loss that mark Shakespeare’s best-known play, she was inspired to reimagine the eponymous characters as two regular people fighting against the heartbreaking fate that bound them together… and instead for the unshakeable, transcendent love that fate dealt them.
EVELYN SKYE is the New York Times best selling author of eight novels, including The Crown's Game. A graduate of Stanford University and Harvard Law School, Skye lives in the San Francisco Bay Area with her husband and daughter. For more, follow her on Instagram at @evelyn_skye or visit evelynskye.com
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Skye, Evelyn. The Hundred Loves of Juliet. Del Rey Books, 2023.
In today's episode, we are starting off our discussions on Shakespeare's Titus Andronicus by discussing trauma and trauma theory and how trauma and trauma theory appear throughout the play.
We will discuss the cultural effect of Lavinia's trauma and the ethics involved in reproducing that trauma onstage in both Shakespeare's time and today.
Finally, we'll discuss how theatremakers and educators use trauma-informed practices to responsibly engage with early modern works that contain trauma. We reference The Pillars developed by Intimacy Directors International, which can be found here.
Content Warning: Titus Andronicus contains depictions and descriptions of acts of mutilation, graphic discussions of sexual assault and rape, overt racism, non-consensual cannibalism, and torture. Please listen with care.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
BROCKMAN, SONYA L. “TRAUMA AND ABANDONED TESTIMONY IN ‘TITUS ANDRONICUS’ AND ‘RAPE OF LUCRECE.’” College Literature, vol. 44, no. 3, 2017, pp. 344–78. JSTOR, http://www.jstor.org/stable/44504139. Accessed 11 July 2023.
Mendoza, Kirsten N. “Sexual Violence, Trigger Warnings, and the Early Modern Classroom.” Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now, edited by Hillary Eklund and Wendy Beth Hyman, Edinburgh University Press, 2019, pp. 97–105. JSTOR, http://www.jstor.org/stable/10.3366/j.ctvrs912p.13. Accessed 11 July 2023.
Sina, Tonia, et al. “The Pillars - IDI.” The Pillars, 2020, docs.wixstatic.com/ugd/924101_2e8c624bcf394166bc0443c1f35efe1d.pdf.
Smith, Charlene. “Staging Sexual Assault Responsibly.” HowlRound Theatre Commons, 10 July 2019, howlround.com/staging-sexual-assault-responsibly.
Solga, Kim. “Rape’s Metatheatrical Return: Rehearsing Sexual Violence among the Early Moderns.” Theatre Journal, vol. 58, no. 1, 2006, pp. 53–72. JSTOR, http://www.jstor.org/stable/25069779. Accessed 19 July 2023. Willis, Deborah. “‘The Gnawing Vulture’: Revenge, Trauma Theory, and ‘Titus Andronicus.’” Shakespeare Quarterly, vol. 53, no. 1, 2002, pp. 21–52. JSTOR, http://www.jstor.org/stable/3844038. Accessed 11 July 2023.
When we decided to name the episodes where we cover major themes, the main sources, and key background information for Shakespeare’s plays, we definitely weren’t thinking of the implications it would have for this play in particular.
But now we are here, and discussing stuff to chew on for Titus Andronicus!
Content warning: Titus Andronicus contains depictions and descriptions of acts of mutilation, graphic discussions of sexual assault and rape, overt racism, non-consensual cannibalism, and torture. Please listen with care.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
“Philomela.” Wikipedia, 23 May 2023, en.wikipedia.org/wiki/Philomela.
Shakespeare, William, and Jonathan Bate. Titus Andronicus: Revised Edition. Bloomsbury Publishing Plc, 2018
It's time for a new play, which means a new synopsis! We are diving into Titus Andronicustoday, and we will be breaking down this play scene by scene.
ContentWarning: Titus Andronicuscontains depictions and descriptions of acts of mutilation, graphic discussions of sexual assault and rape, overt racism, non-consensual cannibalism, and torture. Please listen with care.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Special thanks to Nat Yonce for guest-editing this episode.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William, and Jonathan Bate. Titus Andronicus: Revised Edition. Bloomsbury Publishing Plc, 2018.
In today's episode, we are joined by Dr. Trevor Boffone and Dr. Danielle Rosvally to chat about Yassified Shakespeare, their recent Shakespeare Bulletin article, "'Everyone in illyria is bi you absolute cowards': Shakespeare TikTok, Twelfth Night , and the Search for a Queer Utopia," and the intersection between Shakespeare, social media, and queer youth cultural aesthetics. We also sing some showtunes!
Trevor Boffone went viral in 2019 and hasn't looked back. His work using TikTok and Instagram with his students has been featured on Good Morning America, ABC News, Inside Edition, and Access Hollywood, among numerous national media platforms. His work as a social media expert has been featured in the New York Times, Washington Post, LA Times, Forbes, The Atlantic, and NPR. Trevor has published two books on social media and popular culture, and has two forthcoming books exploring theatre marketing on social media. Oh, and he does the Shakespeare thing, too. He is the co-editor of Shakespeare & Latinidad and is currently co-writing a book on Yassified Shakespeare. Danielle Rosvally is less cool than Trevor, but hoping to someday attain his relative level of awesomeness. She is a fight director, actor, dramaturge, and direction and is an assistant professor of theatre at the University at Buffalo. Danielle is primarily a Shakespearean and has written one book on Shakespeare as an economic value, co-edited a collection about what “liveness” means in early modern theatre, and published articles about Shakespeare, labor, economies, and social media in journals such as Theatre Topics, the Early Modern Studies Journal, and Shakespeare Bulletin. She’s currently co-editing a journal devoted to exploring issues of Shakespeare and Contingency, and co-writing a book about Yassified Shakespeare. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Additional sound effects from https://www.zapsplat.com
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Boffone, Trevor, and Danielle Rosvally. “‘Everyone in Illyria Is Bi You Absolute Cowards’: Shakespeare Tiktok, Twelfth Night, and the Search for a Queer Utopia.” Shakespeare Bulletin, vol. 40, no. 4, winter 2022, pp. 481–507, https://doi.org/10.1353/shb.2022.0048.
It's our final episode of our series on A Midsummer Night's Dream! As always, we watch multiple productions of the play and share our thoughts.
Join us as we discuss 1999's film version directed by Michael Hoffman which features a star-studded cast and incredible scenery alongside the National Theatre's 2019 production starring Gwendoline Christie as Titania which was notable for swapping Titania and Oberon's language for most of the play.
You'll also learn why Elyse struggles to enjoy productions of this play and the pitfalls in which she believes most productions fall.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Hoffman, Michael, director. A Midsummer Night’s Dream. Regency Enterprises/Fox Searchlight Pictures, 1999.
Hytner, Nicholas and Ross MacGibbon, directors. A Midsummer Night’s Dream. National Theatre, 2019, https://www.schooltube.com/media/Official+Midsummer+Night%27s+Dream+%7C+Bridge+Theatre+%7C+National+Theatre+at+Home/1_k78527j3. Accessed 21 May 2023.
In today's episode, we explore the fascinating history of trade and commerce in Britain, starting from prehistoric times and ending in Shakespeare's era. This episode topic was chosen by our by our Patreon patrons at the Gentry, Noble, and Royal Patron levels. Special thanks to Collective Action Comics Podcast, Claire Sharp, Elizabeth Sharman and Katie Smith!
Discover how the monetization of England's economy fueled the growth of trade and commerce, and how merchant guilds helped shape trade regulation and the urban landscape of England's bustling port towns. From the wool trade to the spice trade, Elyse and Kourtney examine the impact of commerce on everyday life, and how it challenged traditional notions of identity and community.
In addition, the episode will explain how joint-stock companies transformed the world of trade and investment, and how they contributed to the growth of England's global empire. Drawing on Shakespeare's plays and contemporary accounts, Elyse and Kourtney examine the legacy of early modern commerce on modern-day economies and societies.
Whether you're a Shakespeare enthusiast, a history buff, or just curious about the origins of global capitalism, this is an episode not to be missed!
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Anievas, Alexander, and Kerem Nişancioğlu. “Rethinking the Origins of Capitalism: The Theory of Uneven and Combined Development.” How the West Came to Rule: The Geopolitical Origins of Capitalism, Pluto Press, 2015, pp. 43–63. JSTOR, https://doi.org/10.2307/j.ctt183pb6f.7. Accessed 21 Apr. 2023.
Brunton, Deborah. “6.3 Work and Trade.” Early Modern Europe: An Introduction, 2016, www.open.edu/openlearn/history-the-arts/early-modern-europe-introduction/content-section-6.3.
Grafe, Regina, and Oscar Gelderblom. “The Rise and Fall of the Merchant Guilds: Re-Thinking the Comparative Study of Commercial Institutions in Premodern Europe.” The Journal of Interdisciplinary History, vol. 40, no. 4, 2010, pp. 477–511. JSTOR, http://www.jstor.org/stable/20685545. Accessed 27 Apr. 2023.
Hair, Paul; Law, Robin (1998). "The English in western Africa to 1700". In Nicholas Canny (ed.). Oxford History of the British Empire volume 1: The Origins of Empire. British Overseas Enterprise to the Close of the Seventeenth century. Oxford: Oxford university press. pp. 241–263. ISBN 978-0-19-164734-5.
Janega, Eleanor. and Waters, Luke, “Historical Materialism 5: Feudalism, Finally”, We’re Not So Different Podcast, WNSD Podcast, 15 Nov. 2021. Accessed 24 Apr. 2023.
Janega, Eleanor and Waters, Luke, “Historical Materialism 11: Colonialism”, We’re Not So Different Podcast, WNSD Podcast, 19 Jan. 2022. Accessed 24 Apr. 2023.
Jarman, Cat. “Britain After Rome”, Gone Medieval, performance by Robin Fleming, History Hit, 29 Aug. 2022, Accessed 24 Apr. 2023.
Palma, N. (2018). Money and modernization in early modern England. Financial History Review, 25(3), 231–261. doi:10.1017/s0968565018000185
Picard, Liza. “Exploration and Trade in Elizabethan England.” British Library, 15 Mar. 2016, www.bl.uk/shakespeare/articles/exploration-and-trade-in-elizabethan-england.
“Prehistoric Britain: Visit Resource for Teachers”, British Museum, The British Museum, Background Information pp. 4-11, https://www.britishmuseum.org/sites/default/files/2019-09/visit-resource_prehistoric-britain-KS2.pdf, Accessed 21 Apr. 2023
Schmitthoff, M. “The Origin of the Joint-Stock Company.” The University of Toronto Law Journal, vol. 3, no. 1, 1939, pp. 74–96. JSTOR, https://doi.org/10.2307/824598. Accessed 29 Apr. 2023.
In today's episode, we take a closer look at how climate change affected early modern England--especially during the Little Ice Age, a period of global cooling that occurred from the 16th to the 19th century. We explore how this environmental phenomenon influenced the works of Shakespeare and his contemporaries, and what it can teach us about our current global climate crisis.
To help us gain a deeper understanding of the issue, we are joined by Sydney Schwindt. Sydney Schwindt wears many hats in the theatre world; she is an actor, director, fight director, and educator. She is a resident artist and climate justice advocate on the engagement team with the San Francisco Shakespeare Festival. She is the program developer with the Society of American Fight Directors and is on the advisory board for the Same Boat Theatre Collective. She has taught movement and stage combat at the American Conservatory Theatre’s Graduate program and Indiana University.
Sydney shares her expertise on the intersection of climate change and the arts, and how theatre can be used as a tool to raise awareness and promote action on climate issues. We discuss the role that theatre can play in shaping our attitudes towards the environment and how they can inspire us to take action.
Finally, we provide listeners with resources to get involved in the fight against climate change, from simple actions that can be taken in our daily lives to organizations that are making a difference.
Resources to learn more:
- The EarthShakes Alliance
- Follow on Instagram: @earthlyeducation | @blackgirlenvironmentalist | @seedingsovereignty
- Cymbeline in the Anthropocene
- BBC's Planet Earth and Planet Earth II
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced for this episode:
Martin, Randall. Shakespeare and Ecology. Oxford University Press, 2015.
Robinson, Mary, and Palmer Caitríona. Climate Justice: Hope, Resilience, and the Fight for a Sustainable Future. Bloomsbury Publishing, 2019.
Scott, Charlotte. Shakespeare's Nature: From Cultivation to Culture. Oxford University Press, 2014.
In today's episode, we'll be diving into the fascinating topic of changeling children in Shakespeare.
Changeling children were believed to be babies that were swapped by fairies with their own offspring, leaving behind an imposter. This myth was prevalent in Shakespeare's time and appears in many of his plays.
We'll explore the historical and cultural context behind the changeling myth, including its origins in folklore and its significance in Shakespeare's time. We'll discuss how the myth reflects the anxieties and beliefs of Shakespeare's society.
Content warning: today's episode contains material related to ableism and child deaths that may not be appropriate for all listeners. Please listen with care.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
In this episode, we explore Shakespeare's use of political satire within the pastoral comedy genre, focusing on A Midsummer Night's Dream. The pastoral genre, which originated in ancient Greek literature, involves stories set in a rustic, rural world that idealizes the simplicity and harmony of nature. During the Renaissance through Elizabethan and Stuart England, writers continued to use the pastoral setting to explore social and political issues of their time, and Shakespeare was no exception.
We'll examine how Shakespeare drew on the political tensions and intrigues of the Elizabethan court to shape the plot and characters of A Midsummer Night's Dream, revealing the complex politics of the time. Through characters such as Titania and Oberon, we'll explore how Shakespeare used the dynamics of power and authority to comment on the political struggles of the Elizabethan court. We'll also examine how the character of Bottom can be read as a charicature of several Elizabethan political figures.
Through our analysis of A Midsummer Night's Dream, we'll gain new insights into the political and cultural context that shaped one of Shakespeare's most beloved plays. So join us for a fascinating discussion of Shakespeare's use of political satire in the pastoral comedy genre, and some piping hot tea about the Elizabethan court.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Andrews, Richard. "A Midsummer Night’s Dream and Italian Pastoral." Transnational Exchange in Early Modern Theater. Routledge, 2016. 65-78. (if I have time)
Hunt, Maurice. "A Speculative Political Allegory in A Midsummer Night's Dream." Comparative Drama 34.4 (2000): 423-453.
Montrose, Louis Adrian. “Of Gentlemen and Shepherds: The Politics of Elizabethan Pastoral Form.” ELH, vol. 50, no. 3, 1983, pp. 415–59. JSTOR, https://doi.org/10.2307/2872864. Accessed 4 Mar. 2023.
Rickert, Edith. “Political Propaganda and Satire in ‘A Midsummer Night’s Dream.’ II.” Modern Philology, vol. 21, no. 2, 1923, pp. 133–54. JSTOR, http://www.jstor.org/stable/433740. Accessed 29 Dec. 2022.
Swann, Marjorie. “The Politics of Fairylore in Early Modern English Literature.” Renaissance Quarterly, vol. 53, no. 2, 2000, pp. 449–73. JSTOR, https://doi.org/10.2307/2901875. Accessed 4 Mar. 2023.
In today's episode, we are joined by award-winning poet Elizabeth Sylvia to discuss her latest collection of poetry, None But Witches: Poems on Shakespeare's Women, the inspiration she took from Shakespeare's works, and the process behind this collection.
Elizabeth Sylvia is the winner of the 5th annual Three Mile Harbor Poetry Prize. She lives in Mattapoisett, MA and teaches high school English in Bourne. Her poetry has been published in a wide range of literary journals, including Salamander, Pleiades, Slipstream and Crab Creek Review. None But Witches: Poems on Shakespeare's Women began as a project to read all of the bard's plays in one year. It is her first book.
None But Witches: Poems on Shakespeare's Women is a stunning debut collection by Elizabeth Sylvia, winner of the 5th annual Three Mile Harbor Poetry Prize. Although Sylvia started off accepting the truism that Shakespeare was remarkable for the depth of his female characters, she found herself surmising that the women had a lot more to say than they were given. Sometimes sympathetic, frequently enraged, Sylvia began writing to them, for them, as them, the poems ultimately going into this richly textured collection that looks at the plays themselves, at the poet's own life as a woman, and at women's continuing efforts to take the stage in the contemporary world.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Sylvia, Elizabeth. None but Witches: Poems on Shakespeare's Women. Three Mile Harbor Press, 2022.
At the heart of William Shakespeare's A Midsummer Night's Dream is a fantastical world of fairies, magic, and mythical creatures, and in this episode, we explore the different influences that helped to shape this world.
First up, we look at the rich tradition of English fairy folklore, which was still very much a part of the popular imagination during Shakespeare's time. We take a journey back in time to the early medieval period, when the Anglo-Saxon and Celtic cultures first began to develop their own unique traditions around fairies and other supernatural beings. As we progress through history, we discover how these beliefs evolved and became woven into the fabric of English culture during Shakespeare's time.
We also delve into the influence of Greco-Roman mythology on the play, which is perhaps most evident in the characters of Theseus and Hippolyta. We will also explore how Greco-Roman mythology influences Shakespeare's depicition of the fairies. The fairy queen Titania, for example, takes her name from a figure in ancient Greek mythology, and her depiction in the play draws on this tradition as well as on the English fairy folklore that was prevalent during Shakespeare's time.
We will also discuss how appreciating the impact and influence of these cultural traditions today can impact productions and modern readings of this play.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Folger Shakespeare. Living through the plague – excerpt: 'death by Shakespeare' by Kathryn Harkup. Shakespeare & Beyond, 5 May 2020, https://shakespeareandbeyond.folger.edu/2020/05/05/plague-death-by-shakespeare-kathryn-harkup-excerpt. Accessed 24 Jan 2023.
Greenblatt, Stephen. What Shakespeare actually wrote about the plague. The New Yorker, https://www.newyorker.com/culture/cultural-comment/what-shakespeare-actually-wrote-about-the-plague. Accessed 24 Jan, 2023.
Kobrak, Paul. Shakespeare’s Restless World, performance by Neil MacGregor, et al., episode 17, BBC, 8 May 2012. Accessed 24 Jan. 2023.
Newman, Kira L. S. “Shutt Up: Bubonic Plague and Quarantine in Early Modern England.” Journal of Social History, vol. 45, no. 3, 2012, pp. 809–34. JSTOR, http://www.jstor.org/stable/41678910. Accessed 24 Jan. 2023.
Shapiro, James. Ch. 14 Plague. In The Year of Lear: Shakespeare in 1606. essay, Simon & Schuster Paperbacks, 2016, pp. 549-596.
Content Warning: This episode contains discussions of topics that may not be suitable for all audiences. Please listen with care.
In this episode, we explore the depictions of sex and sexuality in Shakespeare's A Midsummer Night's Dream. While this play (and many of Shakespeare's comedies) end with a hetero-normative marriage or three, we'll explore the depictions of queer sex in Early Modern literature and Shakespeare before diving into Early Modern England's fascination with bestiality and zoophilia.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
BOEHRER, BRUCE THOMAS. “Bestial Buggery in A Midsummer Night’s Dream.” The Production of English Renaissance Culture, edited by David Lee Miller et al., Cornell University Press, 1994, pp. 123–50. JSTOR, http://www.jstor.org/stable/10.7591/j.ctvr6970z.8. Accessed 29 Dec. 2022.
Olson, Paul A. “A Midsummer Night’s Dream and the Meaning of Court Marriage.” ELH, vol. 24, no. 2, 1957, pp. 95–119. JSTOR, https://doi.org/10.2307/2871824. Accessed 29 Dec. 2022.
SANCHEZ, MELISSA E. “‘Use Me But as Your Spaniel’: Feminism, Queer Theory, and Early Modern Sexualities.” PMLA, vol. 127, no. 3, 2012, pp. 493–511. JSTOR, http://www.jstor.org/stable/41616842. Accessed 29 Dec. 2022.
Vanhoutte, Jacqueline. Age in Love: Shakespeare and the Elizabethan Court. University of Nebraska Press, 2019.
Wyrick, Deborah Baker. “The Ass Motif in The Comedy of Errors and A Midsummer Night’s Dream.” Shakespeare Quarterly, vol. 33, no. 4, 1982, pp. 432–48. JSTOR, https://doi.org/10.2307/2870124. Accessed 29 Dec. 2022.
It's time to talk about donkeys! Just kidding...a little. In this episode, we are going to unpack the major themes and tropes in Shakespeare's A Midsummer Night's Dream. We'll also discuss the challenges presented by some problematic plot points and what theatremakers are left to reckon with when they produce A Midsummer Night's Dream.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William, and Harold F. Brooks. A Midsummer Night's Dream. Bloomsbury, 1979.
SparkNotes Editors. “A Midsummer Night's Dream: Literary Devices: Themes.” Sparknotes, SparkNotes, 2005, https://www.sparknotes.com/shakespeare/msnd/themes/.
Hello 2023! It is time for us to embark on our next play: A Midsummer Night's Dream! As always, we begin our series with a synopsis of the play in case it has been a while since you've read the play or if it is completely new to you. So, let's dive into a summary of a play about fairies, lovers, and a donkey!
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William, and Harold F. Brooks. A Midsummer Night's Dream. Bloomsbury, 1979.
As we wrap up 2022, we are taking a look back at the plays we covered this year by re-reading them and discussing how our readings of the plays has changed after doing our research for our episodes.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William. Hamlet. Edited by Ann Thompson and Neil Taylor, Revised ed., Bloomsbury Arden, 2016.
Shakespeare, William, and R. A. Foakes. King Lear: Arden Third Series. Bloomsbury, 2018.
In today's episode, we are joined by Professor Arthur W. Frank to discuss his new work, King Lear: Shakespeare's Dark Consolations, part of Oxford University Press's My Reading series. We discuss Frank's work outside of the realm of Shakespeare, what drew him to Shakespeare and King Lear, and how the play can offer insight into our own lives.
As part of the My Reading series, King Lear is a personal meditation on a great literary work. Arthur Frank brings a career of studying illness experience and suffering to consider how King Lear can aid people whose lives need help. Reading King Lear leads Frank to both an encounter with his own old age and a source of consolation-companionship—in his future. This book doesnot try to minimize vulnerabilities, but it shows what is fully human, and thus shared, in suffering. The book introduces readers to King Lear, and it invites those who know the play to a new consideration for its ability to affect people's lives.
Arthur Frank spent his career teaching at the University of Calgary, Alberta, Canada. He haslectured internationally, holding visiting professorships in England and Australia. His work has focused on the experience of serious illness, beginning with his memoir, At the Will of the Body and his most cited work, The Wounded Storyteller. He is an elected member of the Royal Society of Canada and recipient of the Career Achievement Award from the Canadian Bioethics Society.
ABOUT MY READING What is it like to love a book or author? Who has most influenced or challenged your life or work? Whose standing would you most wish to enhance or rescue? What is like to have a thought or idea, doubt or memory, not cold and in abstract, but live in the very act of reading? What is it like to feel, long after, that this writer is a vital part of your life?
My Reading invites authors from across academia and the professions to focus their attentions upon the work of a single literary writer. They tell us what it’s like to care about an author, strive to recreate through specific examples imaginative versions of what those authors and works represent, and seek to share their effect upon the reader’s own thinking and development.
Other titles currently available in the My Reading series as below, with more to follow in 2023. • Samuel Beckett – Rosemarie Bodenheimer • Honoré de Balzac – Peter Brooks • William James – Philip Davis • Charles Dickens – Annette Federico
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Frank, Arthur W. King Lear: Shakespeare's Dark Consolations. Oxford University Press, 2022.
In recognition of the National Day of Mourning/Thanksgiving holiday in the United States, we are examining how British colonialism impacted the depiction of people of color in Shakespeare's work.
We also suggest listening to our episode on Shakespeare and the Colonial Imagination (Website | Apple Podcasts | Spotify) and the All My Relations podcast’s episode “ThanksTaking or ThanksGiving” (Website | Apple Podcasts | Spotify)
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Barin, Filiz. “Othello: Turks as ‘the Other’ in the Early Modern Period.” The Journal of the Midwest Modern Language Association, vol. 43, no. 2, 2010, pp. 37–45. JSTOR, http://www.jstor.org/stable/41960526. Accessed 7 Sep. 2022.
Singh, Jyotsna G. “Historical Contexts X: X” Shakespeare and Postcolonial Theory, The Arden Shakespeare, Bloomsbury Publishing, London, 2020
We’re changing things up a bit today and bringing you a preview of a new podcast we’re enjoying and think you will, too. Where There’s a Will searches for the surprising places Shakespeare shows up outside the theater. Host Barry Edelstein, artistic director at one of the country’s leading Shakespeare theaters, and co-host writer and director Em Weinstein, ask what is it about Shakespeare that’s given him a continuous afterlife in all sorts of unexpected ways? You’ll hear Shakespeare doing rehabilitative work in a maximum security prison, helping autistic kids to communicate, shaping religious observances, in the mouths of U.S. presidents, and even at the center of a deadly riot in New York City. Join Barry and Em as they uncover the ways Shakespeare endures in our modern society, and what that says about us. In this preview,
Barry and Em explore one of The Bard’s most popular works: Hamlet. Hamlet is everywhere right now. But this isn't the same play you read in high school English. We meet the minds behind a singing Hamlet, The Northman's Amleth, and Pulitzer prizewinner Fat Ham's Juicy – and ponder what makes this Shakespearean tragedy speak directly to our time. Hear the full episode, and more from Where There’s a Will, at https://podcasts.pushkin.fm/wtaw?sid=anyone.
We've reached the end of our Hamlet series! As always, to wrap up our study of a play, we are looking at a handful of noteworthy adaptations and critiquing them. With Hamlet, there were so many great ones to choose from (ahem, The Lion King), but to keep this episode from being as long as the play we stuck to the following:
- Grigori Kozinstev's 1964 Russian film adaptation
- Kenneth Branagh's 1996 Hamlet film adaptation
- Royal Shakespeare Company's 2016 production starring Paapa Essiedu
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Sound effects obtained from https://www.zapsplat.com
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Branagh, Kenneth, and David Barron. Hamlet: A Kenneth Branagh Film. Sony Pictures Releasing, 1996.
Kozint︠s︡ev Grigoriĭ, et al. Hamlet. Kozinstev's Hamlet (1964), Sovexportfilm, 1963, https://www.youtube.com/watch?v=McKuFBAp_i8. Accessed 4 Nov. 2022.
Shakespeare, William. Royal Shakespeare Company: Hamlet. Hamlet, Royal Shakespeare Company, 2016, https://video.broadwayhd.com/movies/hamlet?display=portrait. Accessed 4 Nov. 2022.
In our latest installment of our Shakespeare's Language Framework series, we are discussing the opposite of a discussion: soliloquies and asides! In this episode, we look at Marcus Nordland's work with the Shakespearean Inside Database and what trends we can find in the solo speeches of Shakespeare when we look at them across the Complete Works.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Nordlund, Marcus. The Shakespearean inside: A Study of the Complete Soliloquies and Solo Asides. Edinburgh University Press, 2017. JSTOR, https://www.jstor.org/stable/10.3366/j.ctt1g0519z.5. Accessed 25 Oct. 2022.
Have you ever wondered why Claudius becomes king over Hamlet? In today's episode, we are exploring the laws of succession that Shakespeare's audience would have understood and diving into how modern productions have highlighted the geopolitical themes within the play.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Assay, Michelle. “'Hamlet' in the Stalin Era and Beyond: Stage and Score.” Universite Paris-Sorbonne and University of Sheffield, Universite Paris-Sorbonne and University of Sheffield, 2017.
In today's mini-episode, we'll be talking about the touring theatre companies of Shakespeare's time. Did companies like the Players in Hamlet actually exist (and is Shakespeare's depiction of them accurate)? What do we know about them?
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Cash, Cassidy, host. “Ep 25: Sally Beth MacLean & 16th Century English Travelling Playing Companies.” That Shakespeare Life, episode 25, Publisher, 8 October 2018, https://html5-player.libsyn.com/embed/episode/id/7137029/height/90/theme/custom/autoplay/no/autonext/no/thumbnail/yes/preload/no/no_addthis/no/direction/backward/render-playlist/no/custom-color/cc0014/.
The Medievalists. (2020). Medieval Drama. YouTube. YouTube. Retrieved September 7, 2022, from https://www.youtube.com/watch?v=HExBbaIJWfw.
In today's episode, we are expanding our research on Early Modern beliefs about ghosts. We'll looking be at how folk tales and ghost stories influenced the writing of Hamlet and the depiction of King Hamlet's ghost as much as (or possibly more than) Early Modern religious beliefs about the afterlife. We'll also discuss the details of how a ghost would appear onstage in Shakespeare's time and how early theatrical traditions influenced Shakespeare and his company.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Belsey , Catherine. “Beyond Reason: Hamlet and Early Modern Stage Ghosts.” Gothic Renaissance - a Reassessment, edited by Beate Neumeier and Elisabeth Bronfen , Manchester University Press, Manchester, UK, 2017.
Gordon, Bruce, and Peter Marshall, editors. The Place of the Dead: Death and Remembrance in Late Medieval and Early Modern Europe. Cambridge University Press, 2000.
McKeever, Amanda Jane (2011) The ghost in early modern Protestant culture: shifting perceptions of the afterlife, 1450-1700. Doctoral thesis (DPhil), University of Sussex.
Phillippy, Patricia. Women, Death and Literature in Post-Reformation England. Cambridge University Press, 2010.
Schreyer, Kurt A. “‘Then Is Doomsday Near’: Hamlet, the Last Judgment, and the Place of Purgatory Book.” Shakespeare's Medieval Craft Remnants of the Mysteries on the London Stage, Cornell University Press, Ithaca, NY, 2014, pp. 104–134.
Today's episode is brought to you by our Patreon Patrons at the Gentry, Noble, and Royal Patron levels! They voted on today's topic: Shakespearean Woodcuts!
Woodcuts were a popular Early Modern print-making method used to add illustrations to printed publications and were kind of like an Early Modern meme.
Check out some of our favorites below:
- Hans Holbein's The Dance of Death series
- Works by Albrecht Durer
- The Beggar's Delight (a Broadside Ballad)
- The English Broadside Ballad Archive
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Cash, Cassidy, host. “Ep 79: James Knapp and Elizabethan Woodcuts.” That Shakespeare Life, episode 79, Publisher, 21 October 2019, https://www.cassidycash.com/ep-79-james-knapp-elizabethan-woodcuts/.
Toledo Museum of Art. (2020, July 27). The History of the Woodcut and Printmaking’s Collaborative Process [Video]. Youtube. From 1:30 to 17:30. https://www.youtube.com/watch?v=IKyC4DcDu1E&t=254s
In today's episode, we are going to be discussing the female characters of Hamlet: Ophelia and Gertrude. We will be tackling some of the more difficult parts of the play for modern readers and theater-makers: the misogyny and seeming lack of female agency.
In the first half, Korey will help us grapple with the seemingly inherent misogyny of the text (is the play misogynist just because the title character is? Or is there another possible reading?).
Then, Elyse will lead us through what an Early Modern audience member would have understood about Ophelia's death and Gertrude's part in it. Specifically we will focus on a cultural knowledge that has largely been lost for the modern audience, and the agency granted to these characters through that understanding.
Content warning: we will be discussing abortion, reproductive health, misogyny, and include brief mentions of assault and violence. Please listen with care.
- We do not recommend any early modern medical advice. We are not doctors now or in the early modern era.
- Also, we may use women, feminine, and female interchangeably to discuss issues pertaining to non-cismale bodies. While we know that people of all genders can be affected by patriarchy as well as become pregnant and need to be able to make their own decisions about reproductive health, we are aligning our language for this episode with that of the early modern writers we are analyzing.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Brustein, Robert. “Misogyny: THE HAMLET OBSESSION.” The Tainted Muse: Prejudice and Presumption in Shakespeare and His Time, Yale University Press, 2009, pp. 13–52. JSTOR, http://www.jstor.org/stable/j.ctt5vktzf.4. Accessed 17 Aug. 2022. Culpeper, Nicholas. The Complete Herbal: To Which Is Now Added, Upwards of One Hundred Additional Herbs, with a Display of Their Medicinal and Occult Qualities ; Physically Applied to the Cure of All Disorders Incident to Mankind ; to Which Are Now First Annexed, the English Physician Enlarged, and Key to Physic, with Rules for Compounding Medicine According to the True System of Nature Forming a Complete Family Dispensatory, and Natural System of Physic. Edited by Thomas Kelly, Thomas Kelly, 17, Paternoster Row, 1843.
Culpeper, Nicholas. The English Physitian, or, an Astrologo-Physical Discourse of the Vulgar Herbs of This Nation: Being a Compleat Method of Physick, Whereby a Man May Preserve His Body in Health ; or Cure Himself, Being Sick, for Three Pence Charge, with Such Things Only as Grow in England, They Being Most Fit for English Bodies ... Edited by Thomas Cross, Peter Cole, at the Sign of the Printing-Press in Cornhil, near the Royal Exchange, 1652, Early English Books Online Text Creation Partnership, http://name.umdl.umich.edu/A35365.0001.001, Accessed 16 Aug. 2022.
Leong, Elaine. “‘Herbals She Peruseth’: Reading Medicine in Early Modern England.” Renaissance Studies, vol. 28, no. 4, 5 Sept. 2014, pp. 556–578., https://doi.org/10.1111/rest.12079.
Neville, Sarah.“Early Modern Herbals and the Book Trade: English Stationers and the Commodification of Botany”.Cambridge University Press,6Jan.2022.Online.Internet.26Jul.2022.Available:https://books.openmonographs.org/articles/book/Early_Modern_Herbals_and_the_Book_Trade_English_Stationers_and_the_Commodification_of_Botany/19189484/1 Riddle, John M. Eve's Herbs: A History of Contraception and Abortion in the West. Harvard University Press, 1999.
In today's mini-episode, we are joined by independent author Carly Stevens to discuss her recently released novel, Laertes, and the process and inspiration behind writing a piece of modern narrative fiction based on Shakespeare's characters.
Carly Stevens lives in Colorado Springs, where she has taught high school English (and Hamlet!) for over ten years. Writing Laertes is the fulfilment of a long-time dream. She also writes immersive YA fantasy novels set in the dark but beautiful world of the Tanyuin Academy.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Stevens, Carly. Laertes. Carly Stevens, 2022.
In today's episode, we will be exploring the trope of antic disposition in William Shakespeare's Hamlet and asking the questions: does Hamlet actually go mad, or is he just pretending the whole time? What function did Hamlet's madness (pretend or otherwise) serve for Shakespeare's audience and what does it mean for audeinces today?
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
McGee, Arthur. “Antic Disposition.” The Elizabethan Hamlet, Yale University Press, New Haven, CT, 1987, pp. 75–103.
Neely, Carol Thomas. “Reading the Language of Distraction.” Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture, Cornell University Press, Ithaca, NY, 2004, pp. 46–68.
Wood, David Houston, et al. “Antic Dispositions: Mental and Intellectual Disabilities in Early Modern Revenge Tragedy.” Recovering Disability in Early Modern England, Ohio State University Press, Columbus, OH, 2013, pp. 73–87.
In today's episode, we are covering the major themes, tropes, and topics related to William Shakespeare's Hamlet. We'll also discuss the challenges involved in reading, performing, and editing Hamlet as well as how scholars have struggled to determine when exactly Hamlet was written.
Content warning: because of this play's themes, we will be discussing mental health and suicide in this episode. Listen with care.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Green, John, et al. “Ghosts, Murder, and More Murder - Hamlet Part 1: Crash Course Literature 203.” YouTube, Crashcourse, 13 Mar. 2014, https://www.youtube.com/watch?v=My14mZa-eq8.
Green, John. “Ophelia, Gertrude, and Regicide - Hamlet Part 2: Crash Course Literature 204.” YouTube, Crashcourse, 20 Mar. 2014, https://www.youtube.com/watch?v=nDCohlKUufs.
“Hamlet.” Edited by SparkNotes Editors, Sparknotes, SparkNotes, 2005, https://www.sparknotes.com/shakespeare/hamlet/.
Shakespeare, William. Hamlet. Edited by Ann Thompson and Neil Taylor, Revised ed., Bloomsbury Arden, 2016.
In today's episode, we are kicking off our series on William Shakespeare's Hamlet by giving you a synopsis of this looong play.
In addition to covering the plot points you'll likely remember if you've seen or read this play before (like "to be or not to be," "alas poor Yorick!" etc.), we also make sure to cover the geopolitical subplots that can get cut or skipped.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William. Hamlet. Edited by Ann Thompson and Neil Taylor, Revised ed., Bloomsbury Arden, 2016.
We are so excited to be sharing this episode with you. This week, we are sitting down for a conversation with Sir Jonathan Bate and Eric Rasmussen about their recently released second edition of the Royal Shakespeare Company's Complete Works of William Shakespeare, now available at a fine bookseller near you. The newly revised, wonderfully authoritative First Folio of William Shakespeare’s Complete Works, edited by acclaimed Shakespearean scholars and endorsed by the world-famous Royal Shakespeare Company.
Combining innovative scholarship with brilliant commentary and textual analysis that emphasizes performance history and values, this landmark edition is indispensable to students, theater professionals, and general readers alike.
Jonathan Bate is professor of Shakespeare and Renaissance literature at the University of Warwick. Widely known as an award-winning biographer, critic, and broadcaster, Bate is the author of several books on Shakespeare, including Shakespeare and Ovid and The Genius of Shakespeare, which was described by Sir Peter Hall, founder of the RSC, as "the best modern book on Shakespeare."
Eric Rasmussen is professor of English and director of graduate study at the University of Nevada. He is a co-editor of the Norton Anthology of English Renaissance Drama and of the forthcoming New Variorum Shakespeare edition of Hamlet. He has edited a number of works for the Arden Shakespeare series, Oxford's World's Classics, and the Revels Plays series, and is the general textual editor of the Internet Shakespeare Editions Project.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William, and Jonathan Bate. “Preface to Shakespeare: A Second Edition.” Complete Works, edited by Jonathan Bate et al., 2nd ed., The Modern Library, New York, NY, 2022, pp. 6–14.
Shakespeare, William, et al. “Foreward.” Complete Works, 2nd ed., The Modern Library, New York, NY, 2022, pp. 59–60.
Our time with King Lear has come to an end! This week, we will be discussing two major film adaptations and whether or not we feel they are worth watching: Trevor Nunn's 2008 film adaptation of the Royal Shakespeare Company production, starring Ian McKellen, and Richard Eyre's 2018 film produced for Amazon Studios, starring Antony Hopkins. We'll also talk a little about a few other significant productions and adaptations. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Bickley, Pamela, and Jennifer Stevens. “8. King Lear.” Studying Shakespeare Adaptation: From Restoration Theatre to YouTube, The Arden Shakespeare, London, 2021, pp. 145–163.
Eyre, Richard, director. King Lear. Performance by Antony Hopkins, Amazon Studios, 2018.
Nunn, Trevor, director. King Lear. Performance by Ian McKellen, Richard Price TV Associates Ltd., 2008.
Shakespeare features food all over his plays--he even names characters after food! Today, we are diving into the culinary landscape of Early Modern England and learning more about the foods (and foodies) of the time. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Brears, Peter. Cooking and Dining in Tudor and Early Stuart England. Prospect Books, 2015. .
Cash, Cassidy, and Brigitte Webster. “ Shakespeare’s Daily Diet with Brigitte Webster.” That Shakespeare Life, performance by Cassidy Cash, season 1, episode 42, 4 Feb. 2019, https://www.cassidycash.com/shakespeare-daily-diet/. Accessed 10 May 2022.
Hughes, Glyn. “Foods of England Cheat.” Foods of England - Cheat, 1 Mar. 2022, http://www.foodsofengland.co.uk/cheat.htm.
Paul, Richard. “You Will Hie You Home to Dinner: The Food of Shakespeare's World.” Shakespeare Unlimited, performance by Wendy Wall, and Barbara Bogaev, season 1, episode 53, 26 July 2016, https://www.folger.edu/shakespeare-unlimited/food-wendy-wall. Accessed 10 May 2022.
Tufts, John. Fat Rascals: Dining at Shakespeare's Table. John Tufts, 2020.
Tufts, John. Performance by John Tufts, Fat Rascals: Dining at Shakespeare's Table, Episode 1: Chewets, Youtube, 7 Apr. 2020, https://www.youtube.com/watch?v=tIVBetm29ck. Accessed 10 May 2022.
It is often said of King Lear that if an actor has the stamina to play the titular role, they don't have the age, but if they have the age, they don't have the stamina. With this in mind, we are taking a look at Early Modern perceptions and beliefs surrounding aging and old age, how aging and old age is represented in the text of King Lear, and how it has been portrayed on stage.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Additional sound effects from https://www.zapsplat.com
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone. This month, Patreon patrons receive an extended version of our conversation on Gallatea with Dr. Simone Chess!
Works referenced:
Martin, Christopher. Constituting Old Age in Early Modern English Literature, from Queen Elizabeth to King Lear. University of Massachusetts Press, 2013.
Performance by Simon Russell Beale, and Simon Lovestone, Shakespeare and Old Age: Simon Russell Beale, National Theatre, 19 Apr. 2016, https://www.nationaltheatre.org.uk/file/shakespeare-and-old-age-simon-russell-beale. Accessed 26 Apr. 2022. Snyder, Susan. “King Lear and the Psychology of Dying.” Shakespeare Quarterly, vol. 33, no. 4, 1982, pp. 449–60, https://doi.org/10.2307/2870125. Accessed 27 Apr. 2022.
In this week's mini-episode, we are taking a slight departure from the plays of William Shakespeare to look at another play, Gallatea by John Lyly. We are joined in conversation by Dr. Simone Chess of Wayne State University to discuss the play's significance in Early Modern Queer and Trans Studies. This episode is an excerpt from our longer discussion. If you'd like to hear more, we will be sharing the full conversation with our Patreon patrons. Join our Patreon community at www.patreon.com/shakespeareanyone
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Chess, Simone. Gallathea Introduction for The Show Must Go Online, 29 Mar. 2022.
Chess, Simone. “Or whatever you be: Crossdressing, Sex, and Gender Labor in John Lyly’s Gallathea,” Special Issue: Sex Acts in the Early Modern World, Renaissance and Reformation. Vol 38, No 4 (2015), pp.145-166.
Frankland, Emma, and Andy Kesson. “‘Perhaps John Lyly Was a Trans Woman?": An Interview about Performing Galatea's Queer, Transgender Stories.” Journal for Early Modern Cultural Studies, University of Pennsylvania Press, 24 Sept. 2020, https://muse.jhu.edu/article/765327.
Lyly, John. “Gallathea.” Edited by Meaghan Brown et al., A Digital Anthology of Early Modern English Drama, Folger Shakespeare Library, 21 July 2017, https://emed.folger.edu/gal.
This is part two of our series on the intersection between Shakespeare's works and Mental Health and Disability. In this episode, we dive into how individuals at the forefront of the early field of psychiatry used Shakespeare's works, including King Lear, to develop treatments for their patients. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Neely, Carol Thomas. “Chapter 6 Rethinking Confinement in Early Modern England: The Place of Bedlam in History and Drama.” Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture, Cornell University Press, 2004, pp. 184–199.
Neely, Carol Thomas. “‘Documents in Madness’: Reading Madness and Gender in Shakespeare’s Tragedies and Early Modern Culture.” Shakespeare Quarterly, vol. 42, no. 3, [Folger Shakespeare Library, The Shakespeare Association of America, Inc., Johns Hopkins University Press, George Washington University], 1991, pp. 332–336, https://doi.org/10.2307/2870846.
Reiss, Benjamin. “Introduction & Chapter Three Bardolatry in Bedlam: Shakespeare and Early Psychiatry.” Theaters of Madness: Insane Asylums & Nineteenth-Century American Culture, University of Chicago Press, Chicago, 2008, pp. 1–21 & 79-102.
In today's episode, we are continuing our series on Shakespeare's Language Framework by looking at his sonnets!
In addition to his plays, Shakespeare also wrote 154 sonnets. What are they and can they tell us anything about the man behind the plays?
You can listen to our previous Language Framework episode here.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Gassman, Ian. “10 More Songs Inspired by William Shakespeare.” Pastemagazine.com, Paste Magazine, 27 Apr. 2016, https://www.pastemagazine.com/music/william-shakespeare/10-more-songs-inspired-by-william-shakespeare/#1-when-in-disgrace-with-fortune-and-men-s-eyes-sonnet-29-rufus-wainwright-feat-florence-welch.
Green, John, et al. Shakespeare's Sonnets: Crash Course Literature 304. YouTube, YouTube, 27 July 2016, https://www.youtube.com/watch?v=bDpW1sHrBaU. Accessed 20 Feb. 2022.
Magnusson, Lynne. “A Modern Perspective: Shakespeare's Sonnets.” The Folger SHAKESPEARE, Folger Library, 15 Aug. 2021, https://shakespeare.folger.edu/shakespeares-works/shakespeares-sonnets/shakespeares-sonnets-a-modern-perspective/.
Scabere, Wilude, and Society of Classical Poets, The. “On the 400th Anniversary of Shakespeare's Death: Society of Classical Poets.” Society of Classical Poets | A Community of Poets Dedicated to Classical Forms, The Society of Classical Poets, 26 Apr. 2016, https://classicalpoets.org/2016/04/26/on-the-400th-anniversary-of-shakespeares-death/#/.
Werstine, Barbara Mowat and Paul, and Editors of the Folger Shakespeare Library Editions. “About Shakespeare's Sonnets.” The Folger SHAKESPEARE, Folger Library, 29 July 2021, https://shakespeare.folger.edu/shakespeares-works/shakespeares-sonnets/about-shakespeares-sonnets/.
Werstine, Barbara Mowat and Paul, and Editors of the Folger Shakespeare Library Editions. “An Introduction to This Text: Shakespeare's Sonnets.” The Folger SHAKESPEARE, Folger Library, 15 Aug. 2021, https://shakespeare.folger.edu/shakespeares-works/shakespeares-sonnets/an-introduction-to-this-text/.
This episode is part one of a two part series where we will be looking at the representations of mental health and disability in Shakespeare's King Lear. First, in this week's episode, we will be discussing mental health and disability in Shakespeare's time, specifically early modern treatment of what we would now describe as mental illness, neurodiversity, and disability. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Neely, Carol Thomas. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Cornell University Press, 2004.
Neely, Carol Thomas. “‘Documents in Madness’: Reading Madness and Gender in Shakespeare’s Tragedies and Early Modern Culture.” Shakespeare Quarterly, vol. 42, no. 3, [Folger Shakespeare Library, The Shakespeare Association of America, Inc., Johns Hopkins University Press, George Washington University], 1991, pp. 315–38, https://doi.org/10.2307/2870846.
Wood, David Houston, and Allison P. Hobgood. Recovering Disability in Early Modern England. Ohio State University Press, 2013.
In today's episode, we are exploring the first official publications of Shakespeare's plays: the quartos and the first Folio. What even is a quarto versus a folio? Let's find out!
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
“An Introduction to This Text: Hamlet.” Edited by Barbara Mowat and Paul Werstine, Folger Shakespeare Library, Folger Shakespeare Library, Accessed on 1 Feb. 2022, from https://shakespeare.folger.edu/shakespeares-works/hamlet/an-introduction-to-this-text/.
Bryson, Bill. “Ch. 8 Death.” Shakespeare: The World as Stage, Harper Perennial, New York, NY, 2007, pp. 156–165.
“DIY Quarto: Printing Quartos in Shakespeare’s Time.” Edited by Kathleen Lynch and Justine DeCamillis, Folger Shakespeare Library, Folger Shakespeare Library, Accessed on 1 Feb. 2022, from https://www.folger.edu/publishing-shakespeare/diy-quarto.
Marchant, Kat. “Dr Kat and Holinshed's Chronicles.” YouTube, YouTube, 13 Nov. 2020, Accessed 1 Feb. 2022, from https://www.youtube.com/watch?v=7WBw3XB-qyo.
Paul, Richard. Shakespeare Unlimited Podcast, performance by Dr. Emma Smith, et al., episode 47, Folger Shakespeare Library, 3 May 2016. Accessed 31 Jan. 2022.
“What Is a First Folio?” Folger Shakespeare Library, Accessed 1 Feb. 2022, from https://www.folger.edu/shakespeare/first-folio/faq.
In this week's episode, we are taking a look at how the patriarchal society and patrilineal anxieties of early modern English society influenced the sexist representations of gender in Shakespeare's King Lear, and how much further more recent productions have comes in terms of representation...or not. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Aughterson, Kate, and Ailsa Grant Ferguson. Shakespeare and Gender: Sex and Sexuality in Shakespeare's Drama. The Arden Shakespeare, 2020, pp. 153-171. Accessed 11 Jan. 2022.
Kelly, Philippa. “See What Breeds about Her Heart: ‘King Lear’, Feminism, and Performance.” Renaissance Drama, vol. 33, [University of Chicago Press, Northwestern University], 2004, pp. 137–57, Accessed 12 Jan. 2022 from http://www.jstor.org/stable/41917389.
Rudnytsky, Peter L. “‘The Darke and Vicious Place’: The Dread of the Vagina in ‘King Lear.’” Modern Philology, vol. 96, no. 3, University of Chicago Press, 1999, pp. 291–311, http://www.jstor.org/stable/439219.
Schwarz, Kathryn. “‘Fallen Out With My More Headier Will’: Dislocation in King Lear.” What You Will: Gender, Contract, and Shakespearean Social Space, University of Pennsylvania Press, 2011, pp. 181–208, http://www.jstor.org/stable/j.ctt3fh7rv.12.
There's so much to talk about with each play that doesn't fit into the synopsis or into its own episode, so we've decided to cover several topics in this episode. In this episode, we discuss major thematic elements in Shakespeare's King Lear as well as topics that are usually covered or talked about in reference to this play.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
“Introduction.” King Lear, edited by R.A. Foakes, The Arden Shakespeare, 1997, pp. 1–11. Third. Accessed on 27 Nov. 2021.
“Leir of Britain.” Wikipedia, Wikimedia Foundation, 31 Aug. 2021, Accessed on 29 Nov. 2021, from https://en.wikipedia.org/wiki/Leir_of_Britain.
SparkNotes Editors. (2005). “SparkNotes: King Lear.” SparkNotes.com, SparkNotes LLC, 2005. Accessed 29 Nov. 2021, from https://www.sparknotes.com/shakespeare/lear.
Let's start diving into a play that is widely considered to be one of Shakespeare's best: King Lear. First up, as always, let's review the plot with a synopsis. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Works referenced:
Shakespeare, William, and R. A. Foakes. King Lear: Arden Third Series. Bloomsbury, 2018.
Quick annoucement time! We are launching a Patreon! Patreon patrons will get access to exclusive bonus content throughout the year. The link is also in the episode description.
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Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
You can support the podcast at patreon.com/shakespeareanyone
Before we dive into our next play, we are taking the time to revisit both of the plays we covered this year. For this episode, we re-read Twelfth Night and will be discussing what we noticed in the reading and what was different for us after spending six months researching and studying the play.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Shakespeare, William. Twelfth Night. Arden Shakespeare, 2008.
Before we dive into our next play, we are taking the time to revisit both of the plays we covered this year. For this episode, we re-read Macbeth and will be discussing what we noticed in the reading and what was different for us after spending six months researching and studying the play.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Shakespeare, William. Macbeth. Arden Shakespeare, 2015.
In recognition of the National Day of Mourning/Thanksgiving holiday in the United States, we are exploring how the "Age of Exploration" and Colonial Imagination in Early Modern England influenced Shakespeare's works--specifically The Tempest.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Singh, Jyotsna G. “Historical Contexts 1: Shakespeare and the Colonial Imagination.” Shakespeare and Postcolonial Theory, The Arden Shakespeare, Bloomsbury Publishing, London, 2020, pp. 23–39.
To wrap up our deep dive into Shakespeare's Twelfth Night, we are bringing things full circle by examining the 00's teen classic movie that introduced both of us (and many others) to the plot of Twelfth Night: She's the Man, starring Amanda Bynes and Channing Tatum.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Additional sound effects from https://www.zapsplat.com
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Klett, Elizabeth. “Reviving Viola: Comic and Tragic Teen Film Adaptations of ‘Twelfth Night.’” Shakespeare Bulletin, vol. 26, no. 2, 2008, pp. 69–87. JSTOR, www.jstor.org/stable/26347691. Accessed 11 Sept. 2021.
Pittman, L. Monique. “Dressing the Girl / Playing the Boy: ‘Twelfth Night’ Learns Soccer on the Set of ‘She's The Man.’” Literature/Film Quarterly, vol. 36, no. 2, 2008, pp. 122–136. JSTOR, www.jstor.org/stable/43797455. Accessed 11 Sept. 2021.
Shuler-Donner, Lauren, et al. She's the Man. Prime Video (Streaming Online Video), DreamWorks Distribution LLC, 2006, https://www.amazon.com/Shes-Man-Amanda-Bynes/dp/B015O3MV5O/. Accessed 9 Nov. 2021.
In today's mini-episode, we are talking all about Christopher Marlowe, one of Shakespeare's contemporaries. We'll talk about what is known about this mysterious playwright's life as well as the legends that surround him!
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
“Christopher Marlowe”. Wikipedia, Wikipedia Foundation, 26 September 2021. https://en.wikipedia.org/wiki/Christopher_Marlowe. Accessed 24 September 2021.
“Marlowe” In Our Time: Science, performance by Melvyn Bragg, et al., season 7, episode 40, BBC 4 Radio, 7 July. 2005. Accessed 26 September 2021.
In today's episode, we are exploring the character of Malvolio by diving into the history of the Puritan Movement in Early Modern England. Because Malvolio is described throughout the play as a Puritan, we will examine what a contemporary understanding of Puritanism would have added to the play (and especially that letter scene) for Shakespeare's audiences.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Simmons, J. L. “A Source for Shakespeare’s Malvolio: The Elizabethan Controversy with the Puritans.” Huntington Library Quarterly, vol. 36, no. 3, University of California Press, 1973, pp. 181–201, https://doi.org/10.2307/3816599. Accessed 3 Sept. 2021
Thompson, James Westfall. “Shakespeare and Puritanism.” The North American Review, vol. 212, no. 777, 1920, pp. 228–237. JSTOR, www.jstor.org/stable/25120573. Accessed 30 Aug. 2021.
Winship, Michael P. Hot Protestants: A History of Puritanism in England and America. Yale University Press, 2018. JSTOR, www.jstor.org/stable/j.ctvbnm3ss. Accessed 4 Sept. 2021.
In today's episode, we are talking about what might be the most famous theatre in the English-speaking world: The Globe Theatre, and what we know about what it would be like to be an audience member seeing a Shakespeare play at The Globe.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Alchin, L.K. “Globe Theatre Interior.” Elizabethan Era, Siteseen Ltd., Accessed on 16 May 2012 from http://www.elizabethan-era.org.uk/globe-theatre-interior.htm.
Bryson, Bill. “Ch. 6 Years of Fame 1596-1603.” Shakespeare: The World as Stage, Atlas Books, New York, 2016, pp. 124–127.
“Globe Theatre.” Wikipedia, Wikimedia Foundation, 31 Aug. 2021, Accessed on 25 Aug. 2021, from https://en.wikipedia.org/wiki/Globe_Theatre.
Henslowe, Philip. The diary of Philip Henslowe, from 1591 to 1609. Printed from the original manuscript preserved at Dulwich college. London, Shakespeare Society, 1845.
No Sweat Shakespeare. Lord Chamberlain's Men and King's Men Company Member Timeline. Instagram, 29 August 2021, https://www.instagram.com/p/CTKPYXxr7Y6/?utm_medium=copy_link.
“Who Were These People? Audiences in Shakespeare's Day.” Seattle Shakespeare Company, Seattle Shakespeare Company, 23 Jan. 2018, Accessed on 27 Aug. 2021 from https://www.seattleshakespeare.org/who-were-these-people/.
Where did Shakespeare get his jokes? In today's episode, we dive into the comedic tropes Shakespeare uses in the plot of Twelfth Night and where they came from.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Britannica, The Editors of Encyclopaedia. "Commedia dell'arte". Encyclopedia Britannica, 18 Nov. 2019, https://www.britannica.com/art/commedia-dellarte. Accessed 21 August 2021.
Felver, Charles S. “Robert Armin, Shakespeare's Source for Touchstone.” Shakespeare Quarterly, vol. 7, no. 1, 1956, pp. 135–137. JSTOR, www.jstor.org/stable/2866142. Accessed 21 Aug. 2021.
Gray, Austin K. “Robert Armine, the Foole.” PMLA, vol. 42, no. 3, 1927, pp. 673–685. JSTOR, www.jstor.org/stable/457397. Accessed 17 Aug. 2021.
Hobgood, Allison P. “‘Twelfth Night’s’ ‘Notorious Abuse’ of Malvolio: Shame, Humorality, and Early Modern Spectatorship.” Shakespeare Bulletin, vol. 24, no. 3, The Johns Hopkins University Press, 2006, pp. 1–22, http://www.jstor.org/stable/26347474. Accessed 20 Aug. 2021.
G. Salingar. “The Design of Twelfth Night.” Shakespeare Quarterly, vol. 9, no. 2, 1958, pp. 117–139. JSTOR, www.jstor.org/stable/2867233. Accessed 21 Aug. 2021.
“La Commedia Dell'arte.” La Commedia Dell'Arte, sites.google.com/site/italiancommedia/home?authuser=0. Accessed 21 Aug. 2021
Penuel, Suzanne. “Missing Fathers: Twelfth Night and the Reformation of Mourning.” Studies in Philology, vol. 107, no. 1, 2010, pp. 74–96. JSTOR, www.jstor.org/stable/25656037. Accessed 15 Aug. 2021.
“Twelfth Night (Theatre).” TV Tropes, tvtropes.org/pmwiki/pmwiki.php/Theatre/TwelfthNight. Accessed 15 Aug. 2021.
In today’s episode, we’ll be covering cross-dressing in early modern England. Shakespeare depicts cross-dressing in multiple plays, but what was the contemporary cultural context? We'll dive into early modern reactions to cross-dressing both onstage and off and how Shakespeare uses cross-dressing as a plot device across his plays.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Cressy, David. “Gender Trouble and Cross-Dressing in Early Modern England.” Journal of British Studies, vol. 35, no. 4, 1996, pp. 438–452. JSTOR, www.jstor.org/stable/176000. Accessed 28 May 2021.
Howard, Jean E. “Crossdressing, The Theatre, and Gender Struggle in Early Modern England.” Shakespeare Quarterly, vol. 39, no. 4, 1988, pp. 418–440. JSTOR, www.jstor.org/stable/2870706. Accessed 19 May 2021.
Saccardi, Nadia. “Women Cross-Dressing and the Early Modern.” The Costume Society, The Costume Society, 2014, accessed 18 May 2021 from costumesociety.org.uk/blog/post/women-cross-dressing-and-the-early-modern.
In today's episode, we explore Shakespeare's Twelfth Night through the lens of Gender and Queer Theory. We take a look at how Early Modern concepts of gender and queerness may have influenced the writing of Twelfth Night and how modern productions use the play to explore themes related to gender and queer identity. In the second half of the episode, we are joined by our first ever guest of the pod, Dr. Sawyer Kemp to continue our discussion on Gender and Queer Theory.
Dr. Sawyer Kemp (they/them) is a Chancellor’s Postdoctoral Fellow in Transgender Studies with the Gender & Women’s Studies department at the University of Illinois, Urbana-Champaign. Sawyer’s current book project investigates the rhetoric and industry of “accessibility” in contemporary Shakespeare performance. Exploring access as a tool for feminist and queer critique, this project analyzes theatres’ impact on and outreach to communities of trans and gender non-conforming people, sexual assault survivors, and people with disabilities.
Sawyer’s work has appeared in Shakespeare Quarterly, Shakespeare Studies, The Journal for Early Modern Cultural Studies, and the edited collection Teaching Social Justice Through Shakespeare. Their most recent article, “Two Othellos: Transitioning Anti-Blackness” is forthcoming in Shakespeare Bulletin.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Ake, Jami. “Glimpsing a ‘Lesbian’ Poetics in ‘Twelfth Night.’” Studies in English Literature, 1500-1900, vol. 43, no. 2, 2003, pp. 375–394. JSTOR, www.jstor.org/stable/4625073. Accessed 20 June 2021.
Aughterson, Kate, and Ailsa Grant Ferguson. "Chapter 4: Cross-dressing and Gender Transgression(s)". Shakespeare and Gender: Sex and Sexuality in Shakespeare's Drama. The Arden Shakespeare, 2020, pp. 97-121. Accessed 19 June 2021.
Barker, Roberta. “The ‘Play-Boy,’ the Female Performer, and the Art of Portraying a Lady.” Shakespeare Bulletin, vol. 33, no. 1, 2015, pp. 83–97. JSTOR, www.jstor.org/stable/26355090. Accessed 19 June 2021.
Charles, Casey. “Gender Trouble in ‘Twelfth Night.’” Theatre Journal, vol. 49, no. 2, 1997, pp. 121–141. JSTOR, www.jstor.org/stable/3208678. Accessed 19 June 2021.
Coontz, Stephanie, et al. “Marriage vs Friendship.” Call Your Girlfriend, 2 Aug. 2009, www.callyourgirlfriend.com/episodes/2019/08/02/marriage-vs-friendship.
Dekkar, Thomas, and Thomas Middleton. “The Roaring Girl. OR Moll Cutpurse.” Folger Shakespeare Library, 21 July 2017. https://emed.folger.edu/sites/default/files/folger_encodings/pdf/EMED-Roaring-reg-3.pdf
“Introduction.” Twelfth Night, edited by Keir Elam, The Arden Shakespeare, 2008, pp. 57-68, 111-119. Third.
McManus, Clare. “When Is a Woman Not a Woman? Or, Jacobean Fantasies of Female Performance (1606–1611).” Modern Philology, vol. 105, no. 3, 2008, pp. 437–474. JSTOR, www.jstor.org/stable/10.1086/591257. Accessed 18 June 2021.
“Volume 19, Number 4, Fall 2019 Special Issue: Early Modern Trans Studies Guest Editors: Simone Chess, Colby Gordon, and Will Fisher.” Journal for Early Modern Cultural Studies, Project MUSE, 24 Sept. 2020, muse.jhu.edu/issue/42946.
In today’s mini-episode, we are exploring Shakespeare’s Language Framework. In this episode, we will discuss technical elements of how Shakespeare plays were written, as well as provide tips and tricks for navigating what can be a major hurdle to reading and performing Shakespeare: the text itself. How do you actually start to understand what is written on the page?
We dive into the clues that can be found by looking at the syllables in each of Shakespeare's lines.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Shakespeare, William, et al. Speak the Speech!: Shakespeare's Monologues Illuminated. Faber and Faber, 2002.
Scholars know that Shakespeare's Twelfth Night was performed at court. But what does that mean?
In today's episode, we're diving into what producing a play at court looked like for Shakespeare and his contemporaries as well as how performing at court influenced characters and themes of plays like Twelfth Night.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
Bergeron, David M. “Court Masques about Stuart London.” Studies in Philology, vol. 113, no. 4, 2016, pp. 822–849. JSTOR, www.jstor.org/stable/44329617. Accessed 18 June 2021.
Henslowe, Philip. The diary of Philip Henslowe, from 1591 to 1609. Printed from the original manuscript preserved at Dulwich college. London, Shakespeare Society, 1845.
Hirrel, Michael J. “Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?” Shakespeare Quarterly, vol. 61, no. 2, 2010, pp. 159–182. JSTOR, www.jstor.org/stable/40731154. Accessed 23 May 2021.
Lucy Munro. “Actors, Plays and Performances in the Indoor Playhouses, 1625–42: Boy Players, Leading Men and the Caroline Ensemble.” The Yearbook of English Studies, vol. 44, 2014, pp. 51–68. JSTOR, www.jstor.org/stable/10.5699/yearenglstud.44.2014.0051. Accessed 18 June 2021.
RANKIN, MARK. “Henry VIII, Shakespeare, and the Jacobean Royal Court.” Studies in English Literature, 1500-1900, vol. 51, no. 2, 2011, pp. 349–366. JSTOR, www.jstor.org/stable/23028079. Accessed 24 May 2021.
Streitberger, W. R. “Chambers on the Revels Office and Elizabethan Theater History.” Shakespeare Quarterly, vol. 59, no. 2, 2008, pp. 185–209. JSTOR, www.jstor.org/stable/40210263. Accessed 23 May 2021.
“The Royal Household and Its Revels.” Music in Elizabethan Court Politics, by Katherine Butler, NED - New edition ed., Boydell & Brewer, Woodbridge, Suffolk; Rochester, NY, 2015, pp. 76–104. JSTOR, www.jstor.org/stable/10.7722/j.ctt7zst07.10. Accessed 23 May 2021.
Vanhoutte, Jacqueline. "Introduction" & "3: Remembering Old Boys in Twelfth Night". Age in Love: Shakespeare and the Elizabethan Court, University of Nebraska Press, 2019, pp. 1–32 & 121-158.
In this episode, we will go over the major themes of Twelfth Night and touch on topics we will cover in depth in future episodes as well as any fun facts.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works Referenced:
“Introduction.” Twelfth Night, edited by Keir Elam, The Arden Shakespeare, 2008, pp. 1–26. Third.
SparkNotes Editors. “SparkNotes: Twelfth Night.” SparkNotes.com, SparkNotes LLC, 2005. Accessed 14 May. 2021 from https://www.sparknotes.com/shakespeare/twelfthnight/.
It's time to dive into our second play! To cleanse our palates of the murder and mayhem of Macbeth, we are switching to one of Shakespeare's comedies: Twelfth Night!
As with Macbeth,we are starting off with a summary of the action in the play--just in case it has been a while since you've read the play or if you are unfamiliar with it.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Works referenced:
Shakespeare, William, and Keir Elam. Twelfth Night: or What You Will. Bloomsbury Arden Shakespeare, 2017.
We can hardly believe it, but here it is: our final episode in our Macbeth series (for now)! Before moving on to our next play, we wanted to cover how Macbeth has been adapted for stage and screen and how the myth of the hero turned tyrant continues to shape our world narratives.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Additional sound effects from https://www.zapsplat.com
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com
Works referenced:
- Barnes, Todd Landon. “George W. Bush's ‘Three Shakespeares’: ‘Macbeth, Macbush’, and the Theater of War.” Shakespeare Bulletin, vol. 26, no. 3, 2008, pp. 1–29. JSTOR, www.jstor.org/stable/26347734. Accessed 28 Mar. 2021.
- Bickley, Pamela and Jennifer Stevens. “Macbeth.” Studying Shakespeare Adaptation: from Restoration Theatre to YouTube, by Pamela Bickley and Jennifer Stevens, The Arden Shakespeare, 2021, pp. 165–183
- Britannica, The Editors of Encyclopaedia. "Theatre of the Absurd". Encyclopedia Britannica, 12 May. 2020, https://www.britannica.com/art/Theatre-of-the-Absurd. Accessed 27 March 2021.
- Brown, Eric C. “Shakespeare, Class, and ‘Scotland, PA.’” Literature/Film Quarterly, vol. 34, no. 2, 2006, pp. 147–153. JSTOR, www.jstor.org/stable/43797270. Accessed 28 Mar. 2021.
- Cain, Bill. Equivocation. Dramatists Play Service, Inc., 2014.
- HOPKINS, D. J. Theatre Journal, vol. 64, no. 2, 2012, pp. 269–271., www.jstor.org/stable/41679587. Accessed 28 Mar. 2021.
- Jarry, Alfred, et al. “Ubu Roi.” The Wadsworth Anthology of Drama, by William B. Worthen, Wadsworth Cengage Learning, 2011, pp. 714–731.
- Kevin Wetmore. Ecumenica, vol. 3, no. 1, 2010, pp. 65–67. JSTOR, www.jstor.org/stable/10.5325/ecumenica.3.1.0065. Accessed 28 Mar. 2021.
- Koehler, Robert. “Makibefo.” Variety, Variety, 18 Feb. 2003, variety.com/2003/film/reviews/makibefo-1200543361/.
- Menon, Sita. “Watch Maqbool. It Is Class!” Rediff, Rediff.com, 30 Jan. 2004, in.rediff.com/movies/2004/jan/30maqbool.htm.
- Piepenbring, Dan. “An Inglorious Slop-Pail of a Play.” The Paris Review, The Paris Review, 9 Sept. 2015, www.theparisreview.org/blog/2015/09/08/an-inglorious-slop-pail-of-a-play/.
- Prince, Stephen. “Throne of Blood: Shakespeare Transposed.” The Criterion Collection, The Criterion Collection, 6 Jan. 2014, www.criterion.com/current/posts/270-throne-of-blood-shakespeare-transposed.
- Rooks, Amanda Kane. “Macbeth's Wicked Women: Sexualized Evil in Geoffrey Wright's ‘Macbeth.’” Literature/Film Quarterly, vol. 37, no. 2, 2009, pp. 151–160. JSTOR, www.jstor.org/stable/43797714. Accessed 26 Mar. 2021.
- Smith, Alfred Edgar. We Work Again. Performance by Maurice Ellis, and Charles Collins, U.S. Works Progress Administration, 1937. National Film Preservation Foundation, www.filmpreservation.org/preserved-films/screening-room/voodoo-macbeth#. Film notes by Scott Simmon
- Stevens, Jennifer, and Pamela Bickley. “Macbeth.” Studying Shakespeare Adaptation: from Restoration Theatre to YouTube, by Pamela Bickley and Jennifer Stevens, The Arden Shakespeare, 2021, pp. 165–183.
- Taylor, Jane, et al. “Ubu and The Truth Commission.” The Wadsworth Anthology of Drama, by William B. Worthen, Wadsworth Cengage Learning, 2011, pp. 1710–1724.
Ever wonder where Shakespeare got his inspiration or ideas for plays? In this episode, we explore the history behind one of Shakespeare's major sources for many of his plays: Holinshed's Chronicles.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
Clegg, Cyndia Susan. “Which Holinshed? Holinshed's ‘Chronicles’ at the Huntington Library.” Huntington Library Quarterly, vol. 55, no. 4, 1992, pp. 559–577. JSTOR, www.jstor.org/stable/3817633. Accessed 20 Feb. 2021.
“Holinshed's Chronicles, 1577.” The British Library, The British Library, 23 Nov. 2015, www.bl.uk/collection-items/holinsheds-chronicles-1577#.
Kewes, Paulina, et al. The Holinshed Project, Oxford University, 2013, www.cems.ox.ac.uk/holinshed/.
Marchant, Katrina. Dr Kat and Holinshed's Chronicles. Reading the Past with Dr. Kat: Dr. Kat and Holinshed's Chronicles, YouTube, 13 Sept. 2019, www.youtube.com/watch?v=SzK4Y2EEYUM.
PASUPATHI, VIMALA C, et al. “Shakespeare & Holinshed's Chronicles.” DHSHX, University of Southern California, 14 Jan. 2017, scalar.usc.edu/works/dhshx/holinsheds-chronicles.
Zaller, Robert. “King, Commons, and Commonweal in Holinshed's Chronicles.” Albion: A Quarterly Journal Concerned with British Studies, vol. 34, no. 3, 2002, pp. 371–390. JSTOR, www.jstor.org/stable/4054738. Accessed 20 Feb. 2021.
Remember when we said that we'd cover all of the different parts of Macbeth that were influenced by King James being on the throne or written just for him? In this episode, we finally get around to talking about all of that!
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Works referenced:
Calhoun, Howell V. “JAMES I AND THE WITCH SCENES IN ‘MACBETH.’” The Shakespeare Association Bulletin, vol. 17, no. 4, 1942, pp. 184–189. JSTOR, www.jstor.org/stable/23675195. Accessed 4 Mar. 2021.
Mathew, David. "James I". Encyclopedia Britannica, 23 Mar. 2021, https://www.britannica.com/biography/James-I-king-of-England-and-Scotland. Accessed 1 Mar. 2021.
Shakespeare, William. Macbeth. Arden Shakespeare, 2015.
“The Book of Books: The King James Bible.” A Little History of Literature, by JOHN SUTHERLAND, Yale University Press, 2013, pp. 47–53. JSTOR, www.jstor.org/stable/j.ctt5vkwh2.10. Accessed 4 Mar. 2021.
“The Smell of Gunpowder: Macbeth and the Palimpsests of Olfaction.” Untimely Matter in the Time of Shakespeare, by Jonathan Gil Harris, University of Pennsylvania Press, Philadelphia, 2009, pp. 119–140. JSTOR, www.jstor.org/stable/j.ctt3fj17b.10. Accessed 25 Jan. 2021.
Turrell, James F. “The Ritual of Royal Healing in Early Modern England: Scrofula, Liturgy, and Politics.” Anglican and Episcopal History, vol. 68, no. 1, 1999, pp. 3–36. JSTOR, www.jstor.org/stable/42611999. Accessed 2 Mar. 2021.
Williams, George Walton. “‘Macbeth’: King James's Play.” South Atlantic Review, vol. 47, no. 2, 1982, pp. 12–21. JSTOR, www.jstor.org/stable/3199207. Accessed 4 Mar. 2021.
Today we have a new mini-episode for you!
In these mini-episodes, we’ll be exploring topics that are related to Shakespeare but aren’t necessarily connected to whatever play we’ve been discussing.
And they’re mini, because well, they’re shorter than our other episodes. They’re like quartos if the regular episodes are folio editions.
In today's episode, we are exploring the Four Humours, which were a widely held theory in medicine during Shakespeare's time and which are referenced throughout his works!
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works referenced:
Cummings, M. J. (2018). The Four Humors in Shakespeare's Works. Accessed 5 Jan. 2021, from http://shakespearestudyguide.com/Four%20Humours%20in%20Shakespeare.html#:~:text=Examples%20of%20characters%20who%20exhibit,blood)%20in%20Much%20Ado%20About
DRAPER, JOHN W. “HUMORAL THERAPY IN SHAKESPEARE'S PLAYS.” Bulletin of the History of Medicine, vol. 35, no. 4, 1961, pp. 317–325. JSTOR, www.jstor.org/stable/44449750. Accessed 10 Jan. 2021.
Elliott, R. (2020, February 06). Bloodletting and the treatment of menstrual disorders. Accessed 13 Jan. 2021, from https://hekint.org/2020/02/06/bloodletting-and-the-treatment-of-menstrual-disorders-in-early-modern-england/
Galen: Selected Papers, by Jacques Jouanna and Neil Allies, Brill, LEIDEN; BOSTON, 2012, pp. 335–360. JSTOR, www.jstor.org/stable/10.1163/j.ctt1w76vxr.21. Accessed 29 Dec. 2020.
Kern Paster, Dr. Gail. “William Shakespeare and the Four Humors: Elizabethan Medical Beliefs by Dr. Gail Kern Paster.” National Library of Medicine exhibit, "And there's the humor of it, Shakespeare and the Four Humors". William Shakespeare and the Four Humors: Elizabethan Medical Beliefs, 14 Jan. 2021, Pittsburgh, Accessed on October 2, 2014, from https://www.youtube.com/watch?v=pKt4pDZDefQ
Marschall, Whythes. “Ancient & Medieval Medicine: Crash Course History of Science #9.” Produced and edited by Nicholas Jenkins and Nicole Sweeney, Hosted by Hank Green, YouTube, Crash Course, 4 June 2018, Accessed 5 Jan. 2021, from www.youtube.com/watch?v=iGiZXQVGpbY
Paul, Richard. Shakespeare Unlimited Podcast, performance by Neva Grant, et al., episode 55, Folger Shakespeare Library, 23 Aug. 2016. Accessed 13 Jan. 2021.
“The Four Humours.” In Our Time: Science, performance by Melvyn Bragg, et al., season 10, episode 13, BBC 4 Radio, 20 Dec. 2007. Accessed 13 January 2021.
“Understanding the Female Body: MISOGYNY AND SYMPATHY.” A Medieval Woman's Companion: Women's Lives in the European Middle Ages, by Susan Signe Morrison, Oxbow Books, Oxford; Philadelphia, 2016, pp. 88–95. JSTOR, www.jstor.org/stable/j.ctvh1dnb3.15. Accessed 2 Jan. 2021.
Van der Eijk, Philip, editor. “THE LEGACY OF THE HIPPOCRATIC TREATISE THE NATURE OF MAN: THE THEORY OF THE FOUR HUMOURS.” Greek Medicine from Hippocrates to Galen: Selected Papers, by Jacques Jouanna and Neil Allies, Brill, LEIDEN; BOSTON, 2012, pp. 335–360. JSTOR, www.jstor.org/stable/10.1163/j.ctt1w76vxr.21. Accessed 24 Jan. 2021.
In this week's episode, we'll be discussing the elements of tyranny and treason as they appear in Shakespeare's play Macbeth as well as modern parallels to the plot and character of Macbeth and the implications of tyranny and treason in the Early Modern Era. Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp. Our theme music is "Neverending Minute" by Sounds Like Sander. Works referenced: Coddon, Karin S. “‘Unreal Mockery’: Unreason and the Problem of Spectacle in Macbeth.” ELH, vol. 56, no. 3, 1989, pp. 485–501. JSTOR, www.jstor.org/stable/2873194. Accessed 29 Jan. 2021.
Frye, Roland Mushat. “Hitler, Stalin, and Shakespeare's Macbeth: Modern Totalitarianism and Ancient Tyranny.” Proceedings of the American Philosophical Society, vol. 142, no. 1, 1998, pp. 81–109. JSTOR, www.jstor.org/stable/3152266. Accessed 27 Jan. 2021.
Lemon, Rebecca. “Scaffolds of Treason in ‘Macbeth.’” Theatre Journal, vol. 54, no. 1, 2002, pp. 25–43. JSTOR, www.jstor.org/stable/25069019. Accessed 24 Jan. 2021.
Meron, Theodor. “Crimes and Accountability in Shakespeare.” The American Journal of International Law, vol. 92, no. 1, 1998, pp. 1–40. JSTOR, www.jstor.org/stable/2998059. Accessed 24 Jan. 2021.
Mullaney, Steven. “Lying Like Truth: Riddle, Representation and Treason in Renaissance England.” ELH, vol. 47, no. 1, 1980, pp. 32–47. JSTOR, www.jstor.org/stable/2872437. Accessed 31 Jan. 2021.
Paul, Richard. Shakespeare Unlimited Podcast, performance by Stephen Greenblatt, et al., episode 100, Folger Shakespeare Library, 12 June 2018. Accessed 25 Jan. 2021.
“Sovereignty, Treason Law, and the Political Imagination in Early Modern England.” Treason by Words: Literature, Law, and Rebellion in Shakespeare's England, by Rebecca Lemon, 1st ed., Cornell University Press, ITHACA; LONDON, 2006, pp. 1–22. JSTOR, www.jstor.org/stable/10.7591/j.ctt7zgxv.4. Accessed 25 Jan. 2021.
“The Smell of Gunpowder: Macbeth and the Palimpsests of Olfaction.” Untimely Matter in the Time of Shakespeare, by Jonathan Gil Harris, University of Pennsylvania Press, Philadelphia, 2009, pp. 119–140. JSTOR, www.jstor.org/stable/j.ctt3fj17b.10. Accessed 25 Jan. 2021.
Introducing the first of our Mini Episodes!
In these mini-episodes, we’ll be exploring topics that are related to Shakespeare but aren’t necessarily connected to whatever play we’ve been discussing.
And they’re mini, because well, they’re shorter than our other episodes. They’re like quartos if the regular episodes are folio editions.
In this episode, we dive into the Gunpowder Plot--an event which shook Early Modern England and shaped Shakespeare's Macbeth.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works referenced:
Arnold, Catharine. Globe: Life in Shakespeare's London. Simon & Schuster UK Ltd., 2016.
Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. W.W. Norton Et Company, 2016.
Quinn, Shannon, and Jennifer Da Silva. Guy Fawkes and the Conspiracy of the Gunpowder Plot. Performance by Simon Whistler, Youtube, Biographics with Highlight History, 5 May 2019, Accessed 17 Dec. 2020, from www.youtube.com/watch?v=hWZIbnkkI9U&t=300s
In this episode, we are examining the gender politics of Shakespeare's Macbeth: how gender is represented in the play and how it affects our understanding of characters.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
“[Act 4] Chaos Is Come Again: The Lion Eats the Wolf Scene 1: Overview: Hamlet Leading into Macbeth.” Women of Will: The Remarkable Evolution of Shakespeare's Female Characters, by Tina Packer, One, Vintage Books, 2016, pp. 227–240.
Chamberlain, Stephanie. “Fantasizing Infanticide: Lady Macbeth and the Murdering Mother in Early Modern England.” College Literature, vol. 32, no. 3, 2005, pp. 72–91. JSTOR, www.jstor.org/stable/25115288. Accessed 21 Dec. 2020.
Clark, Sandra. “Macbeth and His Lady: the Relationship of Power.” Macbeth, edited by Pamela Mason, The Arden Shakespeare, 2015, pp. 103–116. Third.
Helms, Lorraine. “Playing the Woman's Part: Feminist Criticism and Shakespearean Performance.” Theatre Journal, vol. 41, no. 2, 1989, pp. 190-200. JSTOR, www.jstor.org/stable/3207858. Accessed 24 November 2020.
Kamps, Ivo. Shakespeare Left and Right. Taylor & Francis, 2015.
Levin, Joanna. “Lady MacBeth and the Daemonologie of Hysteria.” ELH, vol. 69, no. 1, 2002, pp. 21–55. Accessed 22 Nov. 2020, from JSTOR, www.jstor.org/stable/30032010
Liston, W. (1989). "Male and Female Created He Them": Sex and Gender in "Macbeth". College Literature, 16(3), 232-239. Accessed 18 Jan. 2021, from http://www.jstor.org/stable/25111824
“Macbeth Contextual Analysis - Shakespeare Lesson.” Schooling Online, 29 Sept. 2020, Accessed 10 Nov. 2020, from www.youtube.com/watch?v=-S6sQtmbYhY
Soloski, Alexis. “Gender, Guilt, and Fate - Macbeth, Part 2: Crash Course Literature 410.” Directed by Stan Muller, Hosted by Hank Green, YouTube, Crash Course, 30 Jan. 2018, Accessed 10 Nov. 2020, from www.youtube.com/watch?v=iGiZXQVGpbY
In this episode, we tackle reading King James I's Demonology so you don't have to! Because it. is. a. lot. But there's also plenty of source material in there that likely informed the depiction of witchcraft in Macbeth.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
King James VI and I. (2008). Daemonologie. Urbana, Illinois: Project Gutenberg. Accessed x Nov. 2020, from http://www.gutenberg.org/files/25929/25929-h/25929-h.html.
Normand, Lawrence, and Gareth Roberts, editors. Witchcraft in Early Modern Scotland: James VI's Demonology and the North Berwick Witches. 1st ed., Liverpool University Press, 2000. JSTOR, www.jstor.org/stable/j.ctt5vjmvw. Accessed 21 Dec. 2020.
Tyson, Donald, and James Carmichael. The Demonology of King James I. Edited by Tom Bilstad, 5th ed., Llewellyn, 2019.
Wright, James. “Ritual Protection Marks and Witchcraft at Knole, Kent.” Mondays at One Archaeology Series. 19 Oct. 2015, Gresham College, Accessed 5 Nov. 2020, from https://www.gresham.ac.uk/lectures-and-events/ritual-protection-marks-and-witchcraft-at-knole-kent
Ever read Macbeth and wonder, "Why witches?" Well, if you were trying to earn favor with your new Scottish King who was OBSESSED with witchcraft, maybe you'd write some witches into your very Scottish play.
In this episode, we explore the concept of witchcraft in Early Modern Scotland, King James I's obsession with the topic, and the North Berwick Witch Trials to discover the cultural context that surrounded the creation of Shakespeare's Weird Sisters.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
Normand, Lawrence, and Gareth Roberts, editors. Witchcraft in Early Modern Scotland: James VI's Demonology and the North Berwick Witches. 1st ed., Liverpool University Press, 2000. JSTOR, www.jstor.org/stable/j.ctt5vjmvw. Accessed 21 Dec. 2020.
Tyson, Donald, and James Carmichael. The Demonology of King James I. Edited by Tom Bilstad, 5th ed., Llewellyn, 2019.
Wright, James. “Ritual Protection Marks and Witchcraft at Knole, Kent.” Mondays at One Archaeology Series. 19 Oct. 2015, Gresham College, Accessed 5 Nov. 2020, from https://www.gresham.ac.uk/lectures-and-events/ritual-protection-marks-and-witchcraft-at-knole-kent
There's so much to talk about with each play that doesn't fit into the synopsis or into its own episode, so we've decided to cover several topics in this episode. In this episode, we discuss major thematic elements in Shakespeare's Macbeth as well as topics that are usually covered or talked about in reference to this play.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Additional sound effects from https://www.zapsplat.com
Works Referenced:
Lemon, Rebecca. “Scaffolds of Treason in ‘Macbeth.’” Theatre Journal, vol. 54, no. 1, 2002, pp. 25–43. JSTOR, www.jstor.org/stable/25069019. Accessed 21 Dec. 2020.
LiteraryDevices Editors. Accessed 24 Oct. 2020, from “Themes in Macbeth with Examples and Analysis” https://literarydevices.net/macbeth-themes/
“Macbeth - Themes.” BBC Bitesize, BBC, Accessed 24 Oct. 2020, from www.bbc.co.uk/bitesize/guides/zgv7hyc/revision/1
Marchitello, Howard. “Speed and the Problem of Real Time in ‘Macbeth.’” Shakespeare Quarterly, vol. 64, no. 4, 2013, pp. 425–448., www.jstor.org/stable/24778493. Accessed 21 Dec. 2020.
Shakespeare, William. Macbeth. Arden Shakespeare, 2015.
SparkNotes Editors. (2005). “SparkNotes: Macbeth.” SparkNotes.com, SparkNotes LLC, 2005. Accessed 24 Oct. 2020, from https://www.sparknotes.com/shakespeare/macbeth/
Before diving into our discussions surrounding Macbeth, we wanted to give a synopsis of the events of the play as they are written for anyone who hasn't read the play at all, in a while, or found it confusing to try and read on their own.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
Shakespeare, William. Macbeth. Arden Shakespeare, 2015.
This is Part III of our intro series “Stuff You Should Know,” which will cover some background and context into the life and times of Shakespeare, because art is influenced by the world around it, you know?
In this episode, we’ll be covering some basic information about the life of William Shakespeare.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
Dale, Liam, director. William Shakespeare: the Life and Times. 1091 Pictures, Cobra Entertainment, 3 Apr. 2017. Accessed 16 Sept. 2020, from www.youtube.com/watch?v=qafnuBH8KPs
Mcarafano. (2020, February 25). Shakespeare's Life. Accessed 16 Sept. 2020, from https://www.folger.edu/shakespeares-life
William Shakespeare Biography. (n.d.). Accessed 16 Sept. 2020, from https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/william-shakespeare/william-shakespeare-biography/
This is Part II of our intro series “Stuff You Should Know,” which will cover some background and context into the life and times of Shakespeare, because art is influenced by the world around it, you know?
In this episode, we’ll be covering some basic information about the Elizabethan era and the Elizabethan theatre.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Works Referenced:
Brown, John Russell, and Peter Thomson, editor and author. “Chapter 6 English Renaissance and Restoration Theatre.” The Oxford Illustrated History of Theatre, pp. 173 - 200. Oxford University Press, 2001
Sherry, Joyce. “Elizabethan Theatre.” YouTube, 4 Jan. 2014, Accessed 6 Sept. 2020, from www.youtube.com/watch?v=z_cTCdkCAcc
This is Part I of our intro series “Stuff You Should Know,” which will cover some background and context into the life and times of Shakespeare, because art is influenced by the world around it, you know?
In this episode, we’ll be covering some basic information about the Monarchy and British Renaissance.
Shakespeare Anyone? is created, written, produced, and hosted by Korey Leigh Smith and Elyse Sharp.
Our theme music is "Neverending Minute" by Sounds Like Sander.
Additional sound effects from https://www.zapsplat.com
Works Referenced:
Cooper, Dr. Tanya. “Elizabeth I and Her People”. National Portrait Gallery, The Weiss Gallery, 7 Oct. 2013. Accessed 8 Sept. 2020, from www.npg.org.uk/whatson/elizabethi/film
Elizabethans - Religious Settlement. (2018, September 23). Accessed 24 Sept. 2020, from https://www.youtube.com/watch?v=ylP6oZgSeuI
Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 1: The Renaissance Arrives. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=Rtc1cY3ZDTs
Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 2: The Elizabethan Code. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=qCCjOck6cd4
Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 3: Whose Renaissance?. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.bbc.co.uk/programmes/b03yzflc/episodes/guide
William, Professor Kate, presentor. The Stuarts - A Bloody Reign, Episode 101: King James I. Timeline, A 3DD Production in association with Yesterday imagined by UKTV, 31 July 2018. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=7zfgxzk3UtY
Introducing Shakespeare Anyone?
A podcast by two Shakespeare nerds...minus the bardolatry.
Coming in 2021.
Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com