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miranda meditacion excelente curacion regresion hipnotica psikiica reimportante en mi Existencia esto es ermoso y hay q hacel mas by FAridt 2003 06

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Relaxing Historia Arte Contemporáneo Septiembre/00

Escrito sobre una obra de arte contemporáneo

Obra

´El grito´ (1893) Óleo, témpera y pastel sobre cartón 91 x 73.5 cm Galería Nacional, Oslo Firmado en la parte inferior izquierda : E. Munch 1893 Presentado en 1910 por Olaf Schou

Autor

Munch, Edvard ( 1863-1944)

Identificación como movimiento artístico: Expresionismo Noruego

Edvard Munch fue una de las figuras más importantes del expresionismo, y como consecuencia de ello, de todo el arte, en general, del siglo XX. Siendo uno de sus precursores, enseñó a entender el arte, más que como una disciplina, como un estado de ánimo. Esa nueva visión de la pintura dió paso a una gran diversidad de estilos: cubismo, futurismo, abstracción lírica, etc. La pintura siempre ha evolucionado a fuerza de rupturas, pero en épocas tan radicales como la que aportaron los expresionistas, que dejaron a un lado la delicadeza de las formas del impresionismo, para llenar de violencia y pesimismo un hueco que faltaba, que se hacía necesario llenar, como presagio de un siglo caótico.

Edvard Munch fue un pintor aislado e introspectivo que se relacionó principalmente con la filósofía de Nietzsche y Kierkegaard

Posibles Influencias Ideologicas filosoficas en la obra: relacionado con lo ontológico-psicológico asociado con una concepción marcada por el sentido trágico de la vida, pesimismo ( Schopenhauer ) irracionalismo y vitalismo ( Nietzsche con su transmutación de los valores establecidos) existencialismo (Kierkegaard con su concepto sobre la angustia vivencial), voluntarismo,etc.

Una interpretación-percepción sobre las posibles meditaciones del personaje representado en la obra en esos momentos:

Para el personaje, quien pareciera estar viviendo un momento de cuestionamiento existencial se podría plantear lo siguiente en la pretensión de inmiscuirse en su subjetividad y mentalidad, con la intención d especular sobre los pensamientos que en ese determinado tiempo y espacio de su vida surgieron:

Para este, en el momento del día en que se encuentra, cuando empieza el atardecer, ya viene la oscuridad de siempre en su cotidianidad; siente que la angustia lo persigue y que lo va a acabar ,que todo en su vida es odio y que no lo resiste mas, se cuestiona sobre lo que pensara la gente de el, piensa que lo van a aniquilar y que ya no entiende esta vida. El personaje no le encuentra sentido a su vida y mientras observa a su alrededor siente que no puede caminar mas y que tendrá que parar, así lo hace. Luego se pregunta sobre el sentido de su existencia y se dice: ´ para que estoy aquí todo se me esfuma, nada comprendo, la melancolía me ahoga, la tristeza me paraliza ´. Piensa que el mundo es una farsa y que se le viene encima sin poderlo parar, el personaje se siente tan cansado que siente que se va a desmayar, para el dios no existe ni lo podrá salvar jamas de su amargura existencial. Se siente tan desgastado, tan insatisfecho y desarraigado de la vida, para el esta es solo irracionalidad, tan solo decepción, y se dice: ´ que gran decadencia ,que perdición ,la demencia me consume solo busco escaparme de esta absurdidez ya no se que hacer, todo es tan incomprensible .Siente que esta en un túnel que lo quiere absorber, entonces empieza repentinamente a perder sus sentidos y dice:´ aquí voy a morir ´, es entonces cuando siente la necesidad de vomitar, así lo hace .Detrás de su pánico esta su soledad, para el personaje todo en su vida ha sido un engaño, siente una gran desesperación y piensa nuevamente aunque ya con migraña: ´para que vivir en esta fobia, es mucho dolor ,pero, para que dejar de vivir? ´. Se siente tan perdido y para el solo hay un estado de ánimo: el depresivo. Se dice: que depresión, que hago aquí, me quiero ir yo no pedi nacer y temo morir!. Así es que en esos instantes empieza a temblar y piensa: ´ que me va a pasar, esto no lo asimilo ´ .El personaje se siente desfallecer y entonces se pregunta: ´ que pasara al morir, que voy a hacer y que si sigo aqui , de nada estoy seguro ´. Siente entonces el personaje una tremenda desolación y también una gran alteración de su percepción, y es en este momento en el que ocurre el instante que estaría representado en la obra, el personaje quiere desahogarse de su problemática vida y siente entonces la necesidad de gritar en medio d su impensable desesperación, y así lo hace.

Bibliografia

´Edvard Munch ´ por Luis Alfonso Fernandez

´Edvard Munch ´ por Alf Boe

´Edvard Munch ´ por Ulrich Bischoff

´Edvard Munch ´ por JP Hodin

Revista Lápiz # 16

The Sick Child, (1885-1886)

HYPERLINK "http://www.museumsnett.no/nasjonalgalleriet/munch/eng/innhold/ngm00939.html" The Scream , 1893

Ashes, (1894)

HYPERLINK "http://www.museumsnett.no/nasjonalgalleriet/munch/eng/innhold/ngm00940.html" Death in the Sick-Room , 1893

HYPERLINK "http://www.museumsnett.no/nasjonalgalleriet/munch/eng/innhold/bilder.html" http://www.museumsnett.no/nasjonalgalleriet/munch/eng/innhold/bilder.html

Melancholy, (1892) Waves wn

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manWHO

REDEMPTION CREEP PADURA GIRLSONG GDA UNTUNED Haifischbecken 4MANDOLINLAUDARPA NOVIOVILMA WILSMITHRelaxing Ocean Waves wnRelaxing Ocean Waves wn. 256kbps the end doors demoThe mandolin is the soprano member of the mandolin family, as the violin is the soprano member of the violin family. Like the violin, its scale length is typically about 13 inches (330 mm). Modern American mandolins modelled after Gibsons have a longer scale, about 13+7/8 inches (350 m thendThe words lute and oud possibly derive from Arabic al-?oud (????? - literally means "the wood"). It may refer to the wooden plectrum traditionally used for playing the oud, to the thin strips of wood used for the back, or to the wooden soundboard that distinguished it from similar instruments with skin-faced bodies.[14 florenciastrah titanium Only those with ignorance of spelling and grammar lose credibility in their arguments. [05Sep22 21:42:25][pyntaman] hello [10Sep22 11:49:37][schmidtlef] ? [10Sep22 11:51:41][pyntaman] hello [10Sep22 11:55:09][pyntaman] thanks [10Sep22 11:55:18][pyntaman] MAY I ASK about a file or yours [10Sep22 11:55:25][pyntaman] ? [18Sep22 05:36:07][schmidtlef] What is Your question? he key to being a musician or an artist is to be yourself. Let your mind free and music will be your best friend. My insta is ryan_mccarthy_720 (NE S'EMPLOIE PLUS EN PSYCHIATRIE) Personne atteinte de troubles, de désordres mentaux. Gott ist tot. Nietzscheviews 5.779 Mi Novio Es Un Zombie Alaska y Dinarama

Sus dientes no son blancos, sólo tiene tres, Su piel es transparente y verde a la vez Sus ojos amarillos me hacen enloquecer, Tiene algo ese chico y yo no sé que es,

Somos inseparables Y veo muy probable Llevarle al altar.

Siempre viste de blanco Y le sienta muy bien Nunca lleva zapatos Él sabrá porqué

Somos inseparables Ya conoce a mis padres Él es feliz y yo soy feliz.

Mi novio es un zombi Es un muerto viviente Que volvió del otro mundo Para estar conmigo Mi vida ya tiene sentido Recuperé el amor perdido Intacto pero podrido.

Sus ojos amarillos me hacen enloquecer Tiene algo ese chico y yo no sé que es.

A veces pienso que no puede ser Pero yo sé que nadie me separará de él, Está muerto, aunque lo niegue, Él es un zombi pero me quiere.

Somos inseparables Ya conoce a mis padres Él es feliz y yo soy feliz.

Mi novio es un zombi Es un muerto viviente Que volvió del otro mundo Para estar conmigo Mi vida ya tiene sentido Recuperé el amor perdido Intacto pero podrido. Mi novio es un zombi Es un muerto viviente Que volvió del otro mundo Para estar conmigo Mi vida ya tiene sentido Recuperé el amor perdido Intacto pero podrido.

Mi novio es un zombie Mi novio es un zombie Lutes were in widespread use in Europe at least since the 13th century, and documents mention numerous early performers and composers. However, the earliest surviving lute music dates from the late 15th century. Lute music flourished during the 16th and 17th centuries:[E]very time I hear that song, it means something else to me. I really don't know what I was trying to say. It just started out as a simple goodbye song ... Probably just to a girl, but I could see how it could be goodbye to a kind of childhood. I really don't know. I think it's sufficiently complex and universal in its imagery that it could be almost anything you want it to be

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astral pyn wn theysucob faridthabka

Imtheone6778! faridt2009@hotmail.com ? tipoenbogota@hotmail.com thejesuscobain faridjabba theysucob pyn bu bio pyntaman@hotmail.com

is is an A rated chat room and may contain offensive language and nudity. Alert: Room Rules: Be kind yet firm. Act boldly without regret. Room Owner and Admins will try to uphold ONE rule no poor talking about another chatter while they are not in the room. Jesus built my spaceship! I saw the lite but I could have sworn it was a UFO.

Limitez les discussions sur des choses profitables et necessaires dans le respect des limites donnees par la religion et dans le respect reciproque sans prises de tetes ou disputes. Romanian I - Lesson 03 Savia?Salvia:

La primera es la sangre de los árboles, la segunda la planta sagrada y alucinógena. A veces se me cuela la L "Todo hombre herido se ve forzado a la metamorfosis. El deseo constante de morir y de seguir resistiendo, sólo eso es el amor".

Franz Kafka

clipNOv0121

VLAD THE IMPALER: DOCUMENTS & USEFUL INFORMATION

This blog is dedicated exclusively to the historical figure of Vlad III Drakulya, Voivode of Wallachia (known as Vlad the Impaler; ca. 1431-1476) and to everything related to him: books, documents, chronicles, manuscripts and personal research. / Warning: Lots of Google Translated posts. Buscar... 10 ENE 2022 60 image image image image image image image image image How historians make the difference between the fictional Vlad and The real one and why were the stories about him so popular:

I quote the German historian dr. Albert Weber: It’s complicated because it is difficult to prove to what extent and on which political levels there was a propaganda campaign based on the “Dracula Stories” and at what moment the texts were turned into literary works without political agendas.

First let’s have a look at who the anonymous authors of the Dracula Stories may have been and then we can discuss the causes for their considerable cultural impact and how we historians can identify the facts. I’m summarizing here the results of my (soon to be published) PhD thesis on the biography and reception of Vlad the Impaler Draculea (1431-1476) and of the edition project Corpus Draculianum where all surviving sources on Vlad are published.

Who were the authors?

A few general assessments: As we know, Vlad the Impaler, who ruled 1448, 1456-1462 and 1476, was an extremely resilient, combative and aggressive voivode (these attributes were very much needed in the crisis of the Wallachian voivodate from 1420 – 1480, being in almost constant danger of being occupied by the Ottomans or attacked by the Hungarians who wanted to control the voivodate, turning it into a buffer region next to their border). His internal enemies (factions of noblemen/boyars) as well as external adversaries (several Hungarian factions, mostly anti-Hunyadi, among them the Transylvanian Saxons) couldn’t get rid of him. Vlad had improved the Wallachian army, now trained for high mobility and fast surprise attacks on the northern side of the Carpathian Mountains, and could strike at any time of the year. He again and again attacked the unfortified country estates and villages of his adversaries, causing huge economic damages; his army, consisting of light cavalry, was however not equipped to cause any damage to the big fortified Saxon cities like Kronstadt/Bra?ov or Hermannstadt/Sibiu, so he torched the surrounding areas.

By propagandizing these actions and the massacres he committed there as great “victories” at the courts of his overlords in Buda and Constantinople (see his letter to Matthias Corvinus from 11 February 1462 or the Ottoman Chronicles from the Sublime Porte which, in my opinion, recorded some of the voivode’s own propaganda), he advertised himself as being a strong voivode with a stable control over his country and noblemen who provided him with their best troops. Thus he tried to show that he deserved the support of his overlords, countering at the same time the complaints of his adversaries who also went to the courts. Their strategy was to provoke an intervention of the overlords by portraying Vlad as a weak voivode who was slaughtering his noblemen who in reality were of course the foundation of any medieval ruler’s power due to the lack of efficient state institutions (his strong army and annual raids questioned the plausibility of these claims that he would have impaled hundreds (!!) of boyars. The lists of the members of the voivodal councils before and after Vlad prove that actually many of his adversaries survived his rule, they were just thrown out of court).

This was very likely the beginning of the propganda campaign against Vlad and it went on for years, resulting in 1462/63 at the latest in the creation of the text which we basically know as “Stories on the voivode Dracula” in Latin, German and Russian. They portray him as “the worst tyrant” or “tyrant of tyrants” and claim that he spent his reign constantly mutilating or impaling children, women, peasants from Transylvania and Wallachia, noblemen, Turks, Moldovans, Bulgarians, Roma people etc.

Looking at this situation, there are 4 plausible but, due to the fragmentary historical tradition, hypothetical authors of the propaganda stories:

• The Transylvanian Saxons. They are the suspects no. 1 in the Romanian tradition (see beside the research literature e.g. the movie from 1979). The main argument is that the Dracula Stories are in German so the Saxons must be the authors. However, a linguistical analysis doesn’t show any substantial elements of the Saxon dialect. The texts are of southern German origin. Yes, the author (or authors) indeed knew Transylvania very well (the Saxons are correctly shown as being autonomous within the complicated political structures of the Transylvanian voivodate which was part of the kingdom of Hungary. Foreigners maybe didn’t know this.) but this is no proof: the authors could have used source materials originating from Transylvania. Regarding the fact that the oldest versions of the Dracula Stories are in Latin (see the Commentarii of Piccolomini/Pius II and the chronicle of Thomas Ebendorfer, both from 1463) and the German version is evidenced no earlier than 1466 (the Colmar manuscript), it is actually quite probable that the Stories were originally not written in German but translated from Latin.

However, we know that the Transylvanian Saxons often used Latin even in internal correspondences. They could have composed and spread the text in Transylvania and given it as a complaint to king Matthias Corvinus, Vlad’s overlord, thus protesting against Vlad’s pillaging of their estates and villages. But the complaint-theory is problematic: the Saxons were until late 1462 among the enemies of the Hunyadi family of Matthias Corvinus. They very likely perceived Vlad’s massacres among their peasants as retribution or proxy war by the Hunyadis. Therefore a complaint was useless; the king knew very well what was done to the Saxons, and anyway he didn’t need to be informed about what was going on in Transylvania, his family’s home region. But let’s look at Corvinus and the Hungarian court as suspects.

• The Hungarian court of Matthias Corvinus was until late 1462 Vlad’s ally. The voivode had supported the Hunyadi family since about 1453/54 and kept the alliance even when the ,civil war’ with the party of king Ladislaus Postumus broke out in 1457. It seems that the Hunyadis promised Vlad to marry a woman from their family to further strenghten their bond. After they got to the throne with Matthias Corvinus, they finally fulfilled their promise in 1462 and Vlad became the first Wallachian voivode to marry into the Hungarian royal family. This was a considerable success for him and the Hunyadis themselves made this alliance widely known which also turned the Ottomans against their vassal Vlad, causing their invasion of Wallachia in the same year. Regarding this connection, it seems quite unlikely that the Hunyadis would have demonized Vlad on such a level as do the Dracula Stories. They would have badly damaged their own reputation.

The reason why Vlad was imprisoned in late 1462 were not his massacres against the Transylvanian Saxons but the fact that, after losing his throne to his pro-Ottoman brother Radu the Handsome, he disregarded Matthias’ order to retreat to Hungary and tried to provoke a war between Hungary and the Ottoman Empire by attacking Radu. Matthias, who very likely had been quite satisfied with Vlad’s defensive performance against the Ottoman invasion – no Ottoman soldier reached Hungarian territory –, needed to take him out of politics but he also wanted his vassal to stay in the political reserve as a potential pro-Hungarian substitute for Radu. The accusation of high treason – Matthias sent to the European courts and to the Pope an alleged letter from Vlad to Mehmed the Conqueror where the voivode promised to support the sultan’s conquest of Hungary – was enough to ruin Vlad’s political stance among the Christian powers (Venice, the Holy See etc.). He simply didn’t need the Dracula Stories which – by the way – were totally improper for the diplomatical communication of this time. Especially the Italians, who were the most important sponsors of Hungary, had a very developed diplomatic culture which wouldn’t accept such materials as valid arguments for political decisions.

It is therefore not very likely that the Hungarian court had composed and spread the Dracula Stories. At most it would be plausible that one of the humanists at the Hungarian Court had sent the text over his semi-official channels of communication to his contacts in Germany and Italy. A suspect is of course the Hungarian chancellor and humanist János Vitez, but we’ll probably never know.

• The third plausible but also hypothetical scenario is that there was a writer who collected information about Vlad the Impaler and then composed the basic text of the Dracula Stories. It is ouf course possible that the scenarios 1 and 2 were separately or both preceding, meaning that the writer received a text written by the Saxons which was further edited and spread by the Hungarian court. German historian Christof Paulus discusses in his monography “Geschichte und Geschichten” (2020) that maybe an ecclesiastical writer composed the text and sent it through his southern German networks to his contacts in several monasteries where it was copied and finally reached in the 1480s and 1490s the German printers in Nürnberg, Bamberg, Augsburg etc. who vastly popularized the Dracula Stories. This entire scenario of course implies a mostly apolitical stance of the writers, editors and printers who did not have a closer relationship with Wallachia or Transylvania/Hungary but were merely literary or commercially interested in the topic.

• The fourth scenario was developed by me during research for my PhD: the origins of the Dracula Stories could be based on proclamations of the Wallachian opposition to Vlad. There were several different groups of anti-Vlad exiles in Transylvania but also (very likely) in Moldova and the Ottoman Empire and there also was an opposition in Wallachia itself. This geographically divided opposition could grow for years because there were very few occasions when Vlad missed making enemies. His brutal and repeated raids against the Wallachian opposition’s fiefs and estates in Hungary and in the Ottoman Empire surely strengthened the resolve to use all available means to get rid of Vlad, so the communication by texts – which saw a considerable rise in these decades – became more and more important.

The most likely genre which may have been used to circulate the anti-Vlad propaganda were the proclamations, from which we have a few contemporary examples about other personalities and conflicts (e.g. from Stephen the Great or Basarab the Young). Addressed to the political public of certain communities in the form of open letters, they had a certain broader impact and therefore could influence the targeted decision-makers. An example are the Latin and Slavonic letters from Dan the Pretender to the Saxons in Bra?ov where he describes Vlad’s massacres and asks for political and military support in order to fight him. Such proclamations could have been merged into a single text which was to be further spread, as discussed above, by political actors or by writers. That would also explain to a certain degree why the stories are such a mélange of very different groups of victims: if the Saxons wrote the stories, why are they underrepresented in it? They only make about one fourth of the victims in the episodes.

This hypothesis was so far not at all or only partially considered by the Romanian-dominated research, heavily influenced by national historiography, because it meant that “Romanians“ actually were the inventors of the Dracula Stories which damaged Vlad’s reputation so badly and long-lasting.

2) Why were the Dracula Stories so popular?

Several factors came together: extreme narratives about violence (this always sells!); the new technical possibilities by the printing press; a lack of knowledge about Wallachia and Moldova combined with a growing interest about these eastern realms due to the Ottoman expansion in the 15th and 16th centuries. The middle European public wanted to know who were the military forces to potentially stop the Ottomans, and Vlad (but also Stephen the Great in Moldova) had some resounding successes after the downfall of all other Orthodox realms in Southeastern Europe. Regarding the printing press – the Dracula Stories were printed in southern and northern Germany from 1488 until the 1560s – one of the causes were surely the expressive images of the wood engravings. The texts were short and it seems that their overall narrative of an evil feudal ruler who in the end is arrested and convicted also played a significant role (according to a recently published article by Daniel Ursprung): most readers of the Dracula Stories were probably townspeople whose communities had violent conflicts with local and regional rulers, similar like the Transylvanian Saxons against Vlad.

The printed stories were, obviously, financially quite profitable, and therefore often reprinted until the interest began to fade after 1550.

Nevertheless the stories were not the only branch of the narrative tradition that was highly successful: the positive description of Vlad’s reign by Antonio Bonfini, the Hungarian court’s chronicler in the 1480s and 1490s, was processed and popularized by Sebastian Münster in his Cosmographia with more than 50 editions starting from 1544. It presented Vlad in a positive manner as a harsh but just ruler and thus nuanced the simplistic image of the tyrant from the Dracula Stories.

3) How do historians separate the fiction and facts about Vlad the Impaler?

A very basic problem for the research is that the anti-Vlad literary works of (very likely) propagandistic origin are highly interesting and long reads. On the other side the documentary sources like deeds and letters are much more difficult to collect, understand and analyze. They provide us with historically very important and, compared to the literary works, with much more reliable informations, but they are a very fragmentary tradition. Most historians, and especially the classics from the 19th and 20th centuries who formed our modern image of Vlad, therefore prefer to work with the Dracula Stories and not with the more difficult but much more nuanced documentary sources: an analysis of our project team demonstrated that most diplomatic reports potrayed Vlad in a neutral or positive manner and only very few condemned him. There are of course nuanced reasons also for this kind of judgement – most reports were Italian and the Italians (Venetians, Milanese, Genoese etc.) didn’t care how many Transylvanian peasants or Wallachian traitors Vlad had brutally tortured and impaled but they cared if he had any impact against the Ottoman expansion which threatened Italy and Italian possessions in the Eastern Mediterranean.

Too many historians also neglected contextualizing Vlad’s biography (however, let’s not forget that many Romanian historians could not leave the country during the communist period and therefore had no access to foreign research literature and especially archives like we do. Before and after communist times the lack of funding for archival research and other factors were a problem which prohibited a revision of deficient research results. They simply did not have the necessary sources to further develop their research.). If one tries to analyze the stories isolated from their context, the results are very modest. Knowledge about the basic structures of the voivodate and its elites, about the geopolitical interests and conflicts and also about the modalities of political communication in this region are essential.

I am obviously biased when I discuss my own research but my general strategy to deal with this problem was i.a. 1) to find as many unedited documentary sources as possibile and, based on the resulted new knowledge and perspectives, 2) to fact check the narrative tradition. The result is interesting: the central texts of the anti- as well as of the pro-Vlad traditions are more fictional than factual. That further complicates the actually unanswerable question if Vlad was “good” or “bad”… In the end it is maybe this striking contrast of the sources and of the contemporary and modern reception that make Vlad so incredibly interesting and popular.

So the best advice to get closer to the ,real Dracula’: It is necessary to mostly blank out the Dracula Stories and focus on contexts, documents and also on archaeological findings.

This has been a very long answer but your question made it necessary to get deeper into the complex situation of the origins of the historical Dracula myth.

YT CORPUS DRACULIANUM: https://www.youtube.com/c/CorpusDraculianum

Best books to take your information from:

1. “Corpus Draculianum” by Adrian Gheorge, Albert Weber and Thomas M Bohn [RO/GER] Buy link vol 1, 1.2, 3. English review

2. “In the World of Vlad: The Lives and Times of a Warlord” by Alexandru Simon [ENG] Buy link 1, 2

3. The life (in fact the lives) of Vlad III the Impaler or Dracula is a ­Rorschach test. Everybody sees what they want to see in the documentary stains . And these stains are expanding. Based on research in the archives and libraries of Budapest, Dubrovnik, Genoa, Mantua, Milan, Modena, Munich, Rome, Venice and Vienna, the book focuses on the conflictive medieval, and modern images created by the clash between the classical pictures of Vlad and the still preserved coeval sources.

4. “Vlad der Pfähler–Dracula: Tyrann oder Volkstribun?” by Thomas .M Bohn [GER] Buy link 1 English review

5. “Vlad The Impaler: Dracula” by Stefan Andreescu [RO/ENG-rare to find]

Mentions:

I would also recomand the books of Matei Cazacu and Radu Florescu but you already need some basic knowladge about Vlad before jumping in any of them since their informations are outdated + the authors were looking for a more fantastic version of Vlad and when they didn’t find it, they created it themselves. so if you don’t have anything else better go for them but don’t believe everything in those books. __________________

Useful links:

https://vk.com/voivode_vlad_tepes = Almost everything I’ve posted so far is from this Russian VK group, if you understand Russian this is the place for you to go (Also this group has an impressive colection of books and Documents)

https://www.facebook.com/Documente.Vlad.Tepes = Corpus Draculianum’s oficial page, you should follow it to be up-to-date with their research

http://siebenbuergenurkundenbuch.uni-trier.de/catalog… = German site containg Vlad’s Documents

http://arhivamedievala.ro/ = Medieval Archive of Romania, here you can see Vlad’s documents digitalized (Search for “Vlad Tepes”)

https://www.facebook.com/groups/vladdocs/files = You can find some intresting books in our facebook group

__________________ Some more useful links:

Corpus Draculianum I / Romanian

The Corpus Draculianum collection brings together for the first time all sources by and about Vlad III Draculea (“the Impaler,” 1431-1476) from the period 1448 to 1650: private, diplomatic, and business correspondence, negotiation records, administrative documents, narrative and pictorial sources, as well as inscriptions, coins, and seals. Dozens of chroniclers, literati and power holders from the ruling courts from the Safavid Empire to the Iberian Peninsula, Britain and the Muscovite Empire have left relevant testimonies. The sources, written in 17 European and Oriental languages, have been critically edited and extensively annotated in two languages (original text and translation) by an interdisciplinary team of researchers. Accompanying studies open each volume to facilitate understanding and contextualization of the text collection. This is addressed to interested laymen as well as to specialists. The Corpus Draculianum sees itself as a reference work and a portal to all historical materials and scholarly tools for the study of one of the most famous figures of the late Middle Ages. Volume I/1 of the collection contains 61 letters and documents from the chancellery of Vlad the Impaler and other rulers and nobles of Wallachia. The documents, preserved in Latin, Church Slavonic, Romanian and Hungarian, are particularly close to the historical figure: the voivode himself, his allies and adversaries have their say and offer direct insights into, for example, the Ottoman conquest of southeastern Europe and the late medieval crusade movement, whose standard bearers included Vlad Draculea, feared by Muslims and Christians alike.

https://3lib.net/book/18339657/4d16f4

http://libgen.rs/book/index.php?md5=FB2EFFEF3D8043FE906BC768800BEE5E

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Corpus Draculianum III / German.

The third volume of the Corpus Draculianum documents the entire Ottoman tradition on the historical Dracula figure. In numerous sources, some of which were previously unknown, Christian post-Byzantine authors have their say alongside Muslim, mostly Ottoman, authors and acquaint the reader with the “oriental” Dracula. For Vlad the Impaler was a well-known and infamous figure not only in Western and Eastern Europe, but also in Byzantine and Ottoman literature. On the basis of oral and written eyewitness accounts, which circulated in Southeastern Europe in the decades following the campaign of 1462, a unique image of the Wallachian voivode was created and handed down, which is in no way inferior to the contemporary European tradition in terms of narrative content and source value. The sources are not only made available to researchers in their entirety for the first time, but also offer themselves as worthwhile reading for readers generally interested in Dracula myths and the medieval history of Southeastern Europe. The mentions of Vlad handed down by 35 authors are reproduced by critical edition of the original texts with translation, introduction, bibliography, and commentary, thus placing the figure of Dracula in his authentic historical context in the sense of an “untouched biography.” The text-genealogical statistical systematization and chapter-by-chapter presentation of the texts with various indexes, maps, and a detailed chronology also make the edition useful as an encyclopedic reference work.

https://pdfcoffee.com/corpus-draculianum-iii-pdf-free.html _

Stefan Andreescu - Vlad Tepes / Romanian. https://pdfcoffee.com/stefanandreescu-vlad-tepes-pdf-free.html_

Vlad Tepes und die Sachsischen Selbstverwaltungsgebiete Siebenburgens

By Gustav Gundish in Revue roumaine d'histoire (1969) Available for download in pdf format: http://dspace.bcucluj.ro/handle/123456789/139788

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Ioan Bogdan: Documente ?i regeste privitoare la rela?iile ?arii Rumîne?ti cu Bra?ovul ?i Ungaria în secolul XV ?i XVI Publication date 1902 Source Biblioteca Digitala a României This work contains important letters and documents by Vlad III Drakulya and his contemporaries in Romanian language. http://www.digibuc.ro/

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Documenta Romaniae Historica. Series D. Relations between the Romanian Countries. Volume 1: 1222-1456 https://kupdf.net/…/documenta-romaniae-historica-seria…

A remarkable collection of letters, official documents etc in Latin and Romanian by Vlad III Drakulya, Janos Hunyadi and many others. 573 pages. Available for download in pdf format.

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Another important collection of documents by Vlad III Drakulya, his father Vlad Dracul, his brother Radu cel Frumos and other historical figures. 687 pages. In Romanian. Available for download in pdf format. Documenta Romaniae Historica. Seria B : Tara Româneasca. Volumul 1 : 1247-1500 https://en.calameo.com/books/000827433682e93065018

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LA VICTOIRE DE VLAD L’EMPALEUR SUR LES TURCS (1462) par NICOLAE STOICESCU, 1976, in Revue roumaine d’histoire http://dspace.bcucluj.ro/handle/123456789/139824 Available for download in pdf format

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Critical edition of Laonikos Chalkokondyle’s “Histories” by Egenius Darkó. Laonici Chalcocandylae Historiarum demonstrationes. Ad fidem codicum recensuit, emendavit annotationibusque criticis instruxit Eugenius Darkó by Chalkokondyls, Laonikos, ca. 1430-ca. 1490 Publication date: 1922 Publisher: Budapestini Sumptibus Academiae litterarum hungaricae Languages: Latin, Greek Available for download in pdf format https://archive.org/…/laonicichalcocan00chaluoft/mode/2up “The Histories”, by Laonikos Chalkokondyles describes the fall of the Byzantine empire and the rise of the Ottomans. Written sometime between 1464 and 1468, it centres around the capture of Constantinople in 1453. However, it also covers many events that were happening in Eastern Europe, where the Ottomans, Hungarians and other states were vying with each other. It

gives us an account of Vlad III Drakulya too.

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PÂNDELE OLTEANU LIMBA POVESTIRILOR SLAVE DESPRE VLAD ?EPE? Ed. Acad. R. P. R., Bucarest, 1961, 409 p. (TALES IN SLAVIC LANGUAGE ABOUT VLAD ?EPE?) In Revue roumaine d’histoire, 1965, Bucuresti : Editura Academiei Române. Language: French Pages 140-145 An old but very interesting paper, available for donwload in pdf format. http://dspace.bcucluj.ro/handle/123456789/139764

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Vlad Tepes si Naratiunile Germane si Rusesti asupra lui : Studiu critic (1896) [Vlad Tepes and the German and Russian Narratives about Him: A Critical Study]

Author: Bogdan, Ioan (1864-1919). Bucuresti : Editura Librariei Socecu & Comp. Language: Romanian Available for download in pdf format https://upload.wikimedia.org/…/Ioan_Bogdan_-_Vlad_%C8…

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The slanderous German incunabula about Vlad III Drakulya.

1) The two incunabula (“Dracole Wayda”, Nuremberg 1488, Augsburg 1494) which are obviously both based on a common original text, depict a misleading and barbaric image of the Wallachian Prince. They are two out of at least eleven further prints of this kind, which appeared on the book markets of rich German merchant towns as of 1488.

All pamphlets start with a very brief biography of Vlad III, followed by an unsystematic listing of almost 50 gruesome anecdotes from his reign. The spreading of these historically largely made up stories is doubtlessly connected with the growing reading public’s craving for sensation. Available for download in pdf format. https://opacplus.bsb-muenchen.de/title/BV023354729 and https://opacplus.bsb-muenchen.de/title/BV023354738

2) The Saint-Gall manuscript. A composite manuscript consisting mainly of historiographic and hagiographic content. The texts were written between 1450 and 1550, then assembled as a volume in 1573 by St. St. Gall monk Mauritius Enk. This text is only transmitted in three other manuscripts: one at the library of Lambach Abbey in upper Austria, one at the British Library in London, and one at the Municipal Library of Colmar in France. https://www.e-codices.unifr.ch/en/csg/0806/283 See also Matei Cazacu, “ GESCHICHTE DRACOLE WAIDE UN INCUNABLE IMPRIMÉ A VIENNE EN 1463” , available for dowload in pdf format. https://www.persee.fr/…/bec_0373-6237_1981_num_139_2…

https://www.academia.edu/…/Croisade_tardive_et_d%C3…

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the chronicle of Antonius Bonfinius, “Historia Pannonica: Sive Hungaricarum Decades ” . Antonio Bonfini (Latin variant: Antonius Bonfinius; 1427?1502) was an Italian humanist and poet who spent the last years of his career as a court historian in Hungary. He was a secretary to King Matthias Hunyadi Corvinus and was commissioned by him to produce a work chronicling the History of Hungary. Bonfini arrived at Matthias’s court in 1486; the king assigned him this project in 1488. Under Matthias’s successor Vladislaus II, Bonfini could continue his work intermittently until 1497. Bonfini gives in his work a lengthy description of the alleged “crimes” of the Wallachian Prince Vlad III, closely resembling the German stories. Some of the paragraphs coincide with the German pamphlets, while others are different. Bonfini apparently used a printed or manuscript version of the malicious German narratives about Drakulya which were circulating at that time.

1) Original pages of Bonfini “Rerum Hungaricarum Decades”, available at http://epa.oszk.hu/…/MKSZ_EPA00021_1984_100_04_330-373… 2) Critical edition of Bonfini’s work by I. Fogel, B. Ivanyi and L. Juhasz, Lipsiae, Bibliotheca Scriptorum Medii Recentisque Aevorum SAEC. 3) Antonii Bonfini Asculani Rerum Hungaricarum decades libris 45. comprehensae ab origine gentis ad annum 1495. Accessit index rerum locupletissimus recensuit et praefatus est d. Carolus Andreas Bel .. (1771). Available at https://archive.org/details/bub_gb_34sty47HR2EC

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His monetary policy is a scarcely investigated side of the rule of Wallachian Voivode Vlad III Drakulya. The Octavian Iliescu’s paper “Vlad l'Empaleur et le droit monétaire” gives us a very interesting insight into this topic. In “Revue roumaine

d'histoire”, 1979, Bucuresti, Editura Academiei Române. Available for download in pdf format at http://dspace.bcucluj.ro/handle/123456789/139834

See also Matei Cazacu, “L'impact Ottoman sur le Pays Roumains et ses incidences monétaires (1452-1504). In “Revue roumaine d'histoire”, 1973, Bucuresti : Editura Academiei Române. Available for download in pdf format at http://dspace.bcucluj.ro/handle/123456789/139807

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I would like to draw attention to this interesting book about diplomatic relationships between Transylvania, Hungary, Moldova and Wallachia in the period 1468 to 1540. It’s called “Acta et epistolae relationum Transylvaniae Hungariaeque cum Moldavia et Valachia” Volumen primum, by Veress, Endre (Budapest,1914), Publisher Kolozsvár Fontes rerum transylvanicarum, in Hungarian and Latin. It contains important documents and letters about the last years of life of Vlad III, his death and the political events of the period. Those interested can download it in pdf format at https://archive.org/details/actaetepistolaer01vereuoft

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here are two more sources.

1) Magyar diplomacziai emlékek Mátyás király korából 1458-1490 , by Iván Nagy, Albert Nyáry, Matthias, 1877, Publisher A M. Tud. Akadémia. Avaliable for download at https://archive.org/details/magyardiplomacz00mattgoog 2) Monumenta Hungariae historica: Magyar történelmi emlékek, byTörténelmi Bizottság , Magyar Tudományos Akadémia,1875,Publisher Magyar Tudományos Akadémia. Available for download at https://archive.org/details/monumentahungar27akadgoog

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I want to introduce to you the work of Ludovico Antonio Muratori (1672-1750) “Rerum Italicarum scriptores ab anno aerae christianae quingentesimo ad millesimumquingentesimum” (1731), Volume 18, Publisher Mediolani : ex typographia Societatis Palatinae in Regia Curia. Ludovico (also spelled Lodovico) Antonio Muratori was an Italian historian, notable as a leading scholar of his age. Duke Rinaldo I d'Este (1700) appointed him archivist and librarian in Modena’s Ducal library, which position he held until his death in that city. He studied sources for a history of Italy, and as a fruit of his researches there appeared the large work, “Rerum italicarum Scriptores ab anno æræ christianæ 500 ad annum 1500” (Writers on Italy, 500–1500). It was published in twenty-eight folio volumes with the assistance of the Società Palatina of Milan (Milan, 1723–51). In Volume 18 of his massive work (18.2: Matthaei de Griffonibus “Memoriale historicum de rebus Bononiensium”: aa. 4448 a.C.-1472 d.C.), we can find a brief account of the Wallachian victories against the Ottoman forces of Mehemet II in the summer of 1462. The thrilling news of the attack on the Ottoman camp by the troups of Vlad III Drakulya were brought to Bologna by Venetian merchant’s letters. According to these reports, 40000 Turks were slained or take prisoners. Those interested can download Muratori’s work at https://archive.org/details/rerumitalicarums271mura See also the letter of Dominicus Balbi to Signoria di

Venetia, 28 July 1462, in Monumenta Hungariae historica: Magyar történelmi emlékek https://archive.org/details/monumentahungar31akadgoog

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It might be worth checking out Teresa L. Jones’s documentary: https://www.youtube.com/user/DraculaDocumentary

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The letter allegedly sent by Vlad III Drakulya Tepes, Voivode of Wallachia, to Sultan Mehmet II on 7 November 1462 and his supposed treason against Matthias Hunyadi Corvinus, in “Pii secvndi pontificis max. Commentarii rerum memorabilium, quae temporibus suis contigerunt” by Pius II, Pope, 1405-1464; Gobellinus, Joannes; Ammannati Piccolomini, Jacopo, 1422-1479; Pius II, Pope, 1405-1464. Apologia ad Martinum Mayer. Publication date: 1584 Publisher: Romae, Ex typographia Dominici Basae Language: Latin

Available at: https://archive.org/details/piisecvndipontif00pius

[Pope Pius II, born Enea Silvio Bartolomeo Piccolomini (18 October 1405 – 14 August 1464). He was born at Corsignano in the Sienese territory, Tuscany, Italy. His major work is the “Commentaries”.]

For an excellent analysis of the complex political background of this entry in Pius II work, I refere those interested to Alexandru Simon’s paper “A

Humanist’s Pontifical Playground: Pius II and Transylvania in the Days of John Dragula”, in Transylvanian Review . 2020 Supplement, Vol. 29, p35-70. 36p. Available online at (This link usually dosen’t work but it will be the first pop up if you google “A Humanist’s Pontifical Playground Pius II and Transylvania in the Days of John Dragula”) https://web.a.ebscohost.com/abstract?direct=true&profile=ehost&scope=site&authtype=crawler&jrnl=12211249&AN=149408111&h=yxGso1dhUtosN0nJiSVsTxjOATB20ADd7awuq45SSQbuV1z7dZTj%2fxaoVXAkNGghLlrC5EYLvekc4%2f4svJpxNQ%3d%3d&crl=f&resultNs=AdminWebAuth&resultLocal=ErrCrlNotAuth&crlhashurl=login.aspx%3fdirect%3dtrue%26profile%3dehost%26scope%3dsite%26authtype%3dcrawler%26jrnl%3d12211249%26AN%3d149408111 ________ For Entertainment

Dracula The Engraved chest of time[ENG]: https://b-ok.xyz/book/2711487/527db5 _

Rastignit Intre Cruci Vol 1 [RO] https://pdfcoffee.com/rastignit-intre-cruci-volumul-1-de-vasile-lupasc-pdf-free.html

- Vlad Tepes(1979) Blu-ray with English Subtitles https://www.youtube.com/watch?v=SSBNR9NDf0E&t=1960s - A short video about Vlad [ENG Subbed] https://www.youtube.com/watch?v=oXgfQ2Rqn3s - A True Story about Vlad Dracula (Short Animation with ENG subtitles) https://www.youtube.com/watch?v=D-N4vOkdiyA&t=233s - Expozitie Grafica Vlad Tepes Draculea[RO] https://www.editura-rhea.com/expozitie-grafica-vlad-tepes-draculea/_______

European sources:

1.Antonio Bonfinius (1434-1503), Rerum Ungaricum decades 2. Piccolomini Aerea Silvio (Pius II) Commentarii Rerum Memorabilium, 3. Thuroczy I.G. 4. Jean de Wavrin, 6. Wattenbach Wilhelm, 7. Cantacuzino chronicle, 8. Ciriaco of Ancona, 9. Venetian chronicle of Gasparo Zancaruolo, 10. Nicolae de Modrussa’s report (Operi Minori vol. 4, 1937, Giovanni Mercati, “Notizie varie sopra Niccolö Modrusiense”), 11. Stari srpski rodoslovi letopisi 12. George Sphrantzes and his Chronicles and memoires , 13. Romanian warrior chronicle in Calatori straini desre tarile române, vol. 1 14. Witnesses of an Albanian slave of the Turks 1463-1464 in Relatia scavului Albanez, Columna lui Traian, Bucharest 1883, 40-41, 15. The work of the English pilgrim, William Wey. 16. The work of Pietro Tomasi (circa 1375-1458) for Venice. 17. The chronicle of Domenico Balbi (can be found in Monumenta Hungariae Historica, Acta Externa, vol. 4 (Budapest, 1907), 18. Munster’s Cosmografia universalis - http://www.e-rara.ch/doi/10.3931/e-rara-8833 19. Nicolaus Olahus, Hungaria et Attila sive de originibus gentis regni Hungariae (…), 20. The report of Leonardo Botta written to Ludovico Maria Sforza Visconti, 21. Iacob Unrest, «Theologi et sacerdotis Carinthiaci, Chronicon Austriacum». Later published in «Collectio monumentorum veterum et recentium ineditorum», I (Braunschweig, Meyer, 1724), 22. All the documents in Monumenta Hungariae Historica, Acta Externa. 23. Stefan cel Mare correspondence (Dan’s correspondence, Laiota’s and so on an on and on) 24. 3 variants of Slavic manuscripts 25. Various german pamphlets, 26. Beheim’s Poems, two of them, 27. St. Gallen, Stiftsbibliothek, Cod. Sang. 806, p. 4 – The St. Gall Manuscript, 28. Lambach’s manuscript.

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Greek, post-Byzantine and Turkish sources:

1.Chalkokondyles, 2. Kritovoulos, 3. Doukas, 4. Zoras, 5. Makarios Melissenos, 6. Enveri, 7. Maali, 8. Asik Pasa zade, 9. Tursun beg, 10. Tevarih-i-Ali Osman, 11. Kivami, Idris Bitlisi, 12. Kemal pasa-zade, 13. Mehmed Nesri, 14. Ahmed Sinan Bihisti, 15. Hadidi, 16. Rustem Rasa (pseudo), 17. Mustafa Ali, 18. Koca Hyseyn, 19. Solak -zade, 20. Hoca Sa'deddin Efendi. __

For a better understanding of those sources and MANY others read Corpus Draculianum.

vlad the impaler#vlad tepes#history#wallachia#documents#romania#vlad dracula#vlad voda#Sources about Vlad Tepes#free book#historicaldocuments#15thcentury#dracula

27 AGO 2022 102

HIDDENROMANIA image Badea Câr?an (1849-1911)

Badea Câr?an made a journey on foot to Rome, and when he arrived at the city's edge after 45 days, said, "Bine te-am gasit, maica Roma" ("Pleased to meet you, mother Rome").

He wished to see Trajan's Column with his own eyes, as well as other evidences of the Latin origin of the Romanian people.

After pouring Romanian soil and wheat at the column's base, he wrapped himself in a peasant's coat (cojoc) and fell asleep at the column's base.

The next day he was awakened by a policeman who shouted in amazement, "A Dacian has fallen off the column!", as Cârtan was dressed just like the Dacians carved into the column; the event was reported in Roman newspapers and Duiliu Zamfirescu, Romanian representative in Italy.

He was a self-taught ethnic Romanian shepherd who fought for the independence of the Romanians of Transylvania (then under Hungarian rule inside Austria-Hungary), distributing Romanian-language books that he secretly brought from Romania to their villages. In all he smuggled some 200,000 books for pupils, priests, teachers and peasants; he used several routes to pass through the Fagaras Mountains.

VLADDOCS image 1/2 Gheorghe Câr?an, a Romanian peasant from Câr?i?oara Sibiului, known as Badea Câr?an, who remained in history as a great fighter for the cause of Romanians everywhere. At a time when Romanians in Transylvania, which belonged to the Austro-Hungarian Empire, did not enjoy more rights, Badea Câr?an used the most effective method to show that he was Romanian: he chose to distribute Romanian books in Transylvania and especially history books showing the Latin origin of the Romanian people. For 30 years, he crossed the mountains several times, carrying thousands of Romanian books in his bag, which he distributed to Romanian peasants, teachers and priests in Transylvania. Badea Câr?an arrived several times in Bucharest, where he met several people of culture, from whom he learned the history of the Romanians, including Professor Vasile Alexandrescu Urechia, president of the Cultural League of Romanians, who also helped him on several occasions with important donations of Romanian books. In Bucharest, Badea Câr?an visited the museums of the capital, the Romanian Athenaeum, the University, the Romanian Academy and met Nicolae Iorga, George Co?buc, Spiru Haret, Take Ionescu and others. Wishing to see with his own eyes the monuments that represented the testimonies of the history of the Romanian people, Badea Câr?an decided to go on foot to Rome. Thus, in January 1896 he decided to go to Italy, where he wanted to see Trajan's Column, which for him symbolised the most eloquent testimony to the Latin origin of the Romanians. But before leaving, he told Professor Vasile A. Urechia what he intended to do, receiving from him moral support, some letters of recommendation and money for the journey. On 3 January 1896, Câr?an set off for "mother Rome", as he liked to say, and in addition to a few changes of clothes and some goods, he took a handful of earth from the garden of his house and grains of wheat in his bag to offer to his ancestors at Trajan's Column. After forty-three days and after breaking four pairs of shoes, he arrived in Rome, and in front of Trajan's Column, Badea Câr?an sprinkled the Romanian earth and wheat grains as a symbolic gesture to his ancestors. Then, weary from the long journey, he lay down at the foot of the Column, where he slept until the next morning. When he woke up, he was surrounded by a crowd of curious people, and one of them, seeing the Romanian folk costume he was wearing, exclaimed in amazement: "a dac has come down from the Column". In a few days, Badea Câr?an became famous in Italy, with several newspapers writing about him and Romania. During his four weeks in Rome, he was repeatedly invited by several Italian personalities, from university professors to artists, MPs and senators, all of whom considered him "a sol of the Romanian people".

VLADDOCS 2/2

He was received in audience by the Mayor of Rome, at the Vatican by Cardinal Rampolla, by numerous members of the Italian government and even by King Umberto I, from whom he received gifts in the form of books and photographs of Trajan’s Column. Everywhere, Badea Câr?an made an admirable impression, arousing sympathy, interest and admiration for him and for Romanians in general. On 15 March he left for the country, and on 10 June 1896, while at home in Transylvania, he was arrested by Hungarian gendarmes, who confiscated his photographs of Trajan’s Column and the books he owned. He was beaten and sent to Fagara?, and one of the questions he was asked at the court was “what do you have to do with Rome and Romania? He was released after two days in prison, but the confiscated belongings were never returned to him. In August 1896, Badea Câr?an set off again, this time for Paris, and on his way to the French capital he stopped in Vienna to lodge a complaint with the Emperor of the Austro-Hungarian Empire, showing him the suffering endured by the Romanians at the hands of the Hungarian authorities. From Vienna he continued his journey through Bologna, Florence and Genoa, then through Marseille and Lyon to Paris, where Romanian students studying there took him to visit the great museums of the French capital. On 7 August 1911, Badea Câr?an died in Sinaia on his way back to Transylvania from one of his many trips to Romania and so he never saw the day of the reunification of all Romanians on the historic day of 1 December 1918. At the initiative of the Romanian Cultural League, Badea Câr?an was buried in the cemetery of Sinaia, and the following words were inscribed on his grave cross: "here sleeps Badea Câr?an, dreaming of the reunification of his nation”.

27 AGO 2022 102

HIDDENROMANIA image Badea Câr?an (1849-1911)

Badea Câr?an made a journey on foot to Rome, and when he arrived at the city's edge after 45 days, said, "Bine te-am gasit, maica Roma" ("Pleased to meet you, mother Rome").

He wished to see Trajan's Column with his own eyes, as well as other evidences of the Latin origin of the Romanian people.

After pouring Romanian soil and wheat at the column's base, he wrapped himself in a peasant's coat (cojoc) and fell asleep at the column's base.

The next day he was awakened by a policeman who shouted in amazement, "A Dacian has fallen off the column!", as Cârtan was dressed just like the Dacians carved into the column; the event was reported in Roman newspapers and Duiliu Zamfirescu, Romanian representative in Italy.

He was a self-taught ethnic Romanian shepherd who fought for the independence of the Romanians of Transylvania (then under Hungarian rule inside Austria-Hungary), distributing Romanian-language books that he secretly brought from Romania to their villages. In all he smuggled some 200,000 books for pupils, priests, teachers and peasants; he used several routes to pass through the Fagaras Mountains.

VLADDOCS image ½ Gheorghe Câr?an, a Romanian peasant from Câr?i?oara Sibiului, known as Badea Câr?an, who remained in history as a great fighter for the cause of Romanians everywhere. At a time when Romanians in Transylvania, which belonged to the Austro-Hungarian Empire, did not enjoy more rights, Badea Câr?an used the most effective method to show that he was Romanian: he chose to distribute Romanian books in Transylvania and especially history books showing the Latin origin of the Romanian people. For 30 years, he crossed the mountains several times, carrying thousands of Romanian books in his bag, which he distributed to Romanian peasants, teachers and priests in Transylvania. Badea Câr?an arrived several times in Bucharest, where he met several people of culture, from whom he learned the history of the Romanians, including Professor Vasile Alexandrescu Urechia, president of the Cultural League of Romanians, who also helped him on several occasions with important donations of Romanian books. In Bucharest, Badea Câr?an visited the museums of the capital, the Romanian Athenaeum, the University, the Romanian Academy and met Nicolae Iorga, George Co?buc, Spiru Haret, Take Ionescu and others. Wishing to see with his own eyes the monuments that represented the testimonies of the history of the Romanian people, Badea Câr?an decided to go on foot to Rome. Thus, in January 1896 he decided to go to Italy, where he wanted to see Trajan’s Column, which for him symbolised the most eloquent testimony to the Latin origin of the Romanians. But before leaving, he told Professor Vasile A. Urechia what he intended to do, receiving from him moral support, some letters of recommendation and money for the journey. On 3 January 1896, Câr?an set off for “mother Rome”, as he liked to say, and in addition to a few changes of clothes and some goods, he took a handful of earth from the garden of his house and grains of wheat in his bag to offer to his ancestors at Trajan’s Column. After forty-three days and after breaking four pairs of shoes, he arrived in Rome, and in front of Trajan’s Column, Badea Câr?an sprinkled the Romanian earth and wheat grains as a symbolic gesture to his ancestors. Then, weary from the long journey, he lay down at the foot of the Column, where he slept until the next morning. When he woke up, he was surrounded by a crowd of curious people, and one of them, seeing the Romanian folk costume he was wearing, exclaimed in amazement: “a dac has come down from the Column”. In a few days, Badea Câr?an became famous in Italy, with several newspapers writing about him and Romania. During his four weeks in Rome, he was repeatedly invited by several Italian personalities, from university professors to artists, MPs and senators, all of whom considered him “a sol of the Romanian people”.

romania#Badea Câr?an

26 AGO 2022 3

The TRUE strength of the Ottoman armies during the reign of Vlad Tepes

[RO video with ENG subtitles]

vlad?epe?#history#vladdracula#vladtheimpaler#vladtepes#romania#wallachia#dracula#corpusdraculianum#youtube#Youtube#ottoman

25 AGO 2022 2 TikTok TIKTOK.COM I made a TikTok account (@Vladvoda I don’t know how this name was free), I will post there memes and cringe edits from time to time!

vladtepes#romania#history#wallachia#dracula#tiktok

12 AGO 2022 21

New video from Corpus Draculianum “How Did Vlad the Impaler LOOK like on the Battlefield?”

vlad?epe?#history#vladdracula#vladtheimpaler#vladtepes#romania#wallachia#dracula#corpusdraculianum#youtube#Youtube

05 AGO 2022 8

My favorite artist <3

romania#art#Youtube

04 AGO 2022 61

VLADDOCS image Made a meme inspired by the latest Corpus Video ????

STUCK-IN-A-ROMANIAN-WORMHOLE When two family members get the same idea for execution but one is better than the other...got research this now.

VLADDOCS C'mon bro It wasn’t an idea they came up with ?? , it was just the proper lawful punishment of those times in Wallachia and many other parts of the world, it had nothing to do with the person who impaled and the voievode had no saying in the punishment. Usually the punishment had to be approved by the church and a number of other groups. How it was the case of boyar Albu https://www.youtube.com/watch?v=5r-OBjMdQNo&t=4s

15 JUL 2022 7

New video from Corpus, About Vlad’s campaign in Serbia in 1476.

Enjoy!

vlad ?epe?#history#vlad dracula#vlad the impaler#vlad tepes#romania#wallachia#dracula#corpus draculianum#Youtube

08 JUL 2022 6

Enjoy!

vlad ?epe?#history#vlad dracula#vlad the impaler#vlad tepes#romania#wallachia#dracula#corpus draculianum#Youtube

01 JUL 2022 9

New video from Corpus, This time about Vlad’s big brother Mircea

vlad ?epe?#Mircea II#history#vlad dracula#vlad the impaler#vlad tepes#romania#wallachia#dracula#corpus draculianum#Youtube#crusade#varna#1444

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jAbbagutierrezfarid@yRegia_: despues regreso ala misma hora y lo vi Regia_: q nick ess Regia_: ese Regia_: laz Regia_: dijo eso Regia_: no se q pase la verdad Regia_: como Regia_: ahii Regia_: si Regia_: no see Regia_: por q cuando quise entrar esto no me dejoo Regia_: no se de el hace tres semanas Regia_: no lo he visto Regia_: ps no se Regia_: q pase Regia_: en esa sala Regia_: viaje astral Regia_: '''???? Regia_: REALMENTE NO SE Regia_: YO NO HE HABLADO CON EL Regia_: Y NOSE Q NICK DICES TU Regia_: ESE DIA Q ENTRE ERAN MUY POQUITOSS Regia_: Y SOLO LAZ HABLABA Y NADIE LE HACIA CASO Regia_: PS SI YO SIENTO ESO ME SALGO MEJOR Regia_: ME VOY A OTRA SALA Regia_: PS ASI ES EL Regia_: AI ES LAZER Regia_: DICE Q ES ESPIRITUALIDAD Y ASI NO ES UNA PERSONA ESPIRITUAL Regia_: PERO EL TIENE LA CULPA X DEJAR SE EMBAUCAR POR ESAS PERSONAS Regia_: CLARO Regia_: PERO EL NO HACIA NOSOTROS Regia_: NO TENEMOS AGUA Regia_: NOS LLEGA CADA TRES DIAS Regia_: AQUI NO Regia_: MONTERREY NO Regia_: DEJAME SUBIR Regia_: CADA QUIEN SABE LOQUE QUIERE EN SU CAMINO Regia_: DE MUSICA Regia_: UN CONSEJO SI YA NO TE VIBRA ESA SALA YA NO VALLAS AHI Regia_: NO TE SIENTAS MAL SI NO ESTAS AHI Regia_: HAY OTRAS SALITAS Regia_: Y YA Regia_: NO Regia_: NO HE VISTOO Regia_: APOCO Regia_: SE VAN APRESENTAR MAS COSAS Y TENEMOS Q IR CON CUIDADO Regia_: POR NOS VAN QUERER ENGAÑARR Regia_: SII Regia_: EN FIN Regia_: BUENO AMIGO ME VOY A DORMIR Regia_: CUIDATE MUCHOO Regia_: BENDICIONES Regia_: TU SE TU Y CREE EN LO Q TU CREASS Regia_: AS TU PROPIA ENERGIAA Y QUE NADIE TE LA ROBE Regia_: NOS VEMOSRegia_: hace tres semanas Regia_: a Regia_: el estaba en mas temprano Regia_: despues regreso ala misma hora y lo vi Regia_: q nick ess Regia_: ese Regia_: laz Regia_: dijo eso Regia_: no se q pase la verdad Regia_: como Regia_: ahii Regia_: si Regia_: no see Regia_: por q cuando quise entrar esto no me dejoo Regia_: no se de el hace tres semanas Regia_: no lo he visto Regia_: ps no se Regia_: q pase Regia_: en esa sala Regia_: viaje astral Regia_: '''???? Regia_: REALMENTE NO SE Regia_: YO NO HE HABLADO CON EL Regia_: Y NOSE Q NICK DICES TU Regia_: ESE DIA Q ENTRE ERAN MUY POQUITOSS Regia_: Y SOLO LAZ HABLABA Y NADIE LE HACIA CASO Regia_: PS SI YO SIENTO ESO ME SALGO MEJOR Regia_: ME VOY A OTRA SALA Regia_: PS ASI ES EL Regia_: AI ES LAZER Regia_: DICE Q ES ESPIRITUALIDAD Y ASI NO ES UNA PERSONA ESPIRITUAL Regia_: PERO EL TIENE LA CULPA X DEJAR SE EMBAUCAR POR ESAS PERSONAS Regia_: CLARO Regia_: PERO EL NO HACIA NOSOTROS Regia_: NO TENEMOS AGUA Regia_: NOS LLEGA CADA TRES DIAS Regia_: AQUI NO Regia_: MONTERREY NO Regia_: DEJAME SUBIR Regia_: CADA QUIEN SABE LOQUE QUIERE EN SU CAMINO Regia_: DE MUSICA Regia_: UN CONSEJO SI YA NO TE VIBRA ESA SALA YA NO VALLAS AHI Regia_: NO TE SIENTAS MAL SI NO ESTAS AHI Regia_: HAY OTRAS SALITAS Regia_: Y YA Regia_: NO Regia_: NO HE VISTOO Regia_: APOCO Regia_: SE VAN APRESENTAR MAS COSAS Y TENEMOS Q IR CON CUIDADO Regia_: POR NOS VAN QUERER ENGAÑARR Regia_: SII Regia_: EN FIN Regia_: BUENO AMIGO ME VOY A DORMIR Regia_: CUIDATE MUCHOO Regia_: BENDICIONES Regia_: TU SE TU Y CREE EN LO Q TU CREASS Regia_: AS TU PROPIA ENERGIAA Y QUE NADIE TE LA ROBE Regia_: NOS VEMOS hoo.com

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FINE ZHAM Anarchy In The U[1].K. UMA

JABBAGUTIERREZFARID@YAHOO.COM PYNTAMAN@HOTMAIL.COM tipoenbogota@HOTMAIL.COM Imtheone6778! IMTHEONE imtheone78 imtheone2 imtheone6778! Imtheone6778! imtheone78! We'll do it all Everything On our own We don't need Anything Or anyone If I lay here If I just lay here Would you lie with me and just forget the world? I don't quite know How to say How I feelINGENUA HUMANIDAD, [03/07/2022 1:54] [Forwarded from INGENUA HUMANIDAD] [ Photo ] ¿Recuerdas que los nombres de muchas ciudades y pueblos europeos que originalmente habitaron Europa son palabras del idioma ruso antiguo?

En Inglaterra, además de que la mesa redonda del Rey Arturo es la ciudad capital - la capital, hay otras coincidencias.

Londres es una ciudad en el seno del Don. Don - en ruso antiguo - cualquier río, incluyendo: - Don - Danube - Dniester - Dnieper. Viene de la raíz "bottom". Londres es una ciudad a orillas del río Támesis. La primera parte significa Lono - el seno del río - la llanura aluvial del río. En este caso, el río Támesis. Así se llamará mucho más tarde.

✨@ingenuahumanidad✨ DR. MARK TROZ EXPOSED THE PLANDEMIC IN PLAIN ENGLISH 💀💀💀

HE EXPOSES AGAIN HOW PFIZER PAYS THE FAKE MEDIA TO PROMOTE THESE BIOWEAPON JABS.

PLAIN & SIMPLE THIS IS POISON IN A VILE & WHILE WE'VE LOST OUR HUMAN RIGHTS BUT THEY'VE MADE BILLIONS OFF OF KILLING US OFF.

"COVID" IS REALLY THE COMMON COLD THEY'VE REBRAND AS A DEADLY VIRUS SO THEY CAN SCARE SHEEPLE INTO GETTING THIS BIOWEAPON JAB. HE ALSO GETS INTO THE NUREMBERG CODE & HOW HE BELIEVES ALL THESE NEWS STATIONS & POLITICIANS, PASTORS, DRS, NURSES... SHOULD ALL HANG LIKE THEY DID THE LAST TIME THESE ZIONIST JEWS TRIED THIS BS. THE "VACCINES" KILLED MILLIONS THEN TOO. WAKE THE FRUCK UP. 💉💉💉

EPHESIANS 5:11 Take no part in the unfruitful works of darkness, but instead expose them. Pyn, [05/07/2022 6:59] [In reply to INGENUA HUMANIDAD] DUMB'ASS Those three words Are said too much They're not enough If I lay here If I just lay here Would you lie with me and just forget the world? Forget what we're told Before we get too old Show me a garden that's bursting into life Let's waste time Chasing cars Around our heads I need your grace To remind me To find my own If I lay here If I just lay here Would you lie with me and just forget the world? Forget what we're told Before we get too old Show me a garden that's bursting into life All that I am All that I ever was Is here in your perfect eyes, they're all I can see I don't know where Confused about how as well Just know that these things will never change for us at all If I lay here If I just lay here Would you lie with me and just forget the world? 789NJ-TQK6T-6XTH8-J39CJ-J8D3P POSSESION 1981 https://www.youtube.com/watch?v=S69_WW8x6sk dont no many chords so i try to strect the chord to meet the nxt word , if u no wat i mean , wen am singing, im still a lerner , pyntaman@gmail.COM tipoenbogota BlueTechSupport bluetechsupport imtheone6778! Imtheone6778!789NJ-TQK6T-6XTH8-J39CJ-J8D3P thejesuscobain iamtjc thejesuscobain imtheone78! 06 - Anarchy In The U[1].K. UMA thejesuscobain Learn From the Bestpoe berenice faridt coment

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Jump To Section What Is Drone in Music? What Is Drone Music? A Brief History of Drone in Music 14 Instruments That Produce Drone in Music Want to Learn More About Music? Learn More About Carlos Santana's MasterClass What Is Drone in Music? In the world of music, a drone is a sustained chord or cluster of notes that linger uninterrupted for many measures or even many minutes. A wide array of instruments can produce ambient drone sounds, from Scottish bagpipes to Indian tambura to Australian didgeridoo to analog and digital synthesizers. Even rock musicians like the Beatles' John Lennon and the Velvet Underground's John Cale incorporated drone sounds into their music.

Meet One of Your New Instructors SIGN UP Play Video What Is Drone Music? Drone music refers to a genre that uses long sustained tones with only subtle variations over the course of a piece. Drone appears in ambient music, avant-garde rock music, folk music, heavy metal, and the minimalist subset of classical music. In drone music, harmonic rhythm rarely plays an integral role because chords shift and transition very slowly over the course of a piece. Instead, drone artists focus more on elements like timbre and dynamics, which can change more rapidly than chords do in a typical drone piece.

A Brief History of Drone in Music Drone music transcends many world cultures and musical eras.

1. International traditions: Western drone music largely evolved in the twentieth century, but it has existed for centuries in other cultures. Indian music, particularly Hindustani classical music and Carnatic music, have long relied on drone sonorities created by the tambura (also called a tanpura) and the sitar. Tibetan singing bowls have long produced ambient drones in the Buddhist music of central Asia. Woodwind instruments like the Scottish bagpipe and the Australian didgeridoo also produced drone sounds outside the realm of Western classical or pop music.
2. Minimalism: In the late 1950s, American composer La Monte Young began experimenting with sustained drones for traditional instruments. His 1958 composition Trio for Strings helped reimagine the role of orchestral string instruments, and it is widely credited with establishing a classical music subgenre called Minimalism. In New York, Young founded the Theatre of Eternal Music where he collaborated with other fledgling drone artists such as Marian Zazeela, Terry Riley, Tony Conrad, and John Cale.
3. Droning rock music: John Cale, a veteran of Young's Theatre of Eternal Music and an admirer of avant-garde composer John Cage, introduced drone tonalities to his band the Velvet Underground. As a violist and arranger, Cale brought ambient drone soundscapes to the music of Lou Reed, the singer and principal songwriter of the group. Their debut, The Velvet Underground & Nico, demonstrated how droning could function in a rock context. In the 1970s, drone was rapidly adopted by other rock artists including Brian Eno and Glenn Branca. By the 1980s, guitarists Thurston Moore and Lee Ranaldo of Sonic Youth incorporated drone into indie rock, merging hooks with the avant-garde.
4. Krautrock drone: German groups of the 1970s also took an interest in drone—particularly drone sounds generated from keyboards and synths. Kraftwerk, Tangerine Dream, and Klaus Schulze all leaned heavily on drones at points in their careers.

5. Fanning out to many genres: Over time, drone has touched a vast array of musical genres. This includes drone metal, where artists like Sunn O))) have added droning to a typical doom metal sound. Charlemagne Palestine uses drone music in avant-garde compositions inspired by Middle Eastern tonalities. Phill Niblock uses tape loops and computers to create his own form of drone music. The indie rock label Kranky has released underground drone hits by acts such as Labradford and Stars of the Lid. 14 Instruments That Produce Drone in Music Many musical instruments, both acoustic and synthetic, can produce drone soundscapes.

6. Hurdy-gurdy: The hurdy-gurdy is a hand-cranked string instrument that can sound like a violin being continuously bowed.

7. Didgeridoo: The didgeridoo is an Australian wind instrument that can create steady drones when the player practices circular breathing.
8. Tambura: Also called a tanpura, this four-string Indian instrument is specifically designed for producing drones.
9. Sitar: Although more melodically versatile than a tambura, sitars can produce steady resonant drones when players use certain strings.
10. Banjo: Banjo players may use individual strings to produce a steady drone while using other strings to play melodies. Many banjos have four strings for playing chords and melodies and a fifth drone string that continually rings and reflects overtones from the other strings.
11. Bagpipes: An instrument popular in Scotland and Ireland, the bagpipe can produce continuous drones when air is pushed in via built-in bellows. Variations on bagpipes also exist in North Africa and the Middle East.
12. Accordion: Like the bagpipe, accordions rely on a bellows-type mechanism to provide a steady stream of air, making them suitable drone instruments. Some bagpipes are even designated as "drone pipes" in a music ensemble.
13. Harmonium: Also known as a reed organ or pump organ, the harmonium is a keyboard instrument that produces drones through a steady cycle of air passing through reeds.
14. Shruti box: Also called a surpeti, a shruti box is a harmonium-style instrument used in Indian classical music.
15. Guitar: Guitar players can use open strings to produce reliable drone sounds. Electric guitar effects like delay and reverb can artificially sustain drones through an amplifier. Acoustic guitarists can create similar effects without an amp, but the notes will not sustain as long. Resonator guitars are acoustic guitars with metal components that amplify vibrating strings and allow them to drone.
16. Folk stringed instruments: The folk music tradition includes other stringed instruments that function similarly to guitar and they, too, can produce drones. The lute and the zither produce relatively short drones when the strings are plucked. The hammer dulcimer, which features strings struck by small hammers, can drone for much longer.
17. Orchestral stringed instruments: Orchestral stringed instruments—including violin, viola, cello, and contrabass—can produce drones when players continually bow a single string.
18. Synthesizers: Many contemporary drone sounds come from keyboard synthesizers. Some synths mimic acoustic instruments, while others deliberately aim for a more machine-like sound. Many of these sounds offer infinite sustain, which greatly aids drone artists.
19. Piano: The piano can produce drones when a player holds down the instrument's sustain pedal. A piano is essentially a percussion instrument in which strings are struck with felted hammers and then stopped with dampers. Yet when the sustain pedal is depressed, the strings continue to ring and produce a droning sound. Want to Learn More About Music?The algorithm to eternal life, is also the algorithm to google search engine, is also the cure to violence, as the mechanics of the universe, as being; 1+1=1 in the energetically linked, eternal moment of now, and so saying that the mind is in the body, is a system of the denial of reality, as separation and competition. And saying the body is in the mind is a way of life of sharing in a universal utopia. pyntaman: interesting pyntaman: interesting music, i think u gave me the title the other time, but i lost it Prime Creator: The black and the white, the sutra of the sutra, the source to all creation and manifestation, the story of all stories, the ultimate of all ultimates, the highest sphere of the universe, in the limits to knowing and understanding, the transcendence of an order of difficulties to miracles, the return to our origin of source awareness, flowing in perfect oneness, and perfect love, worlds without end, in the limitless outlook, of the unified plane of existence, in the energetically linked, eternal moment, of the total light, of the total energy, of the total now, flowing in a universal utopia. interesting music, i think u gave me the title the other time, but i lost it non ho ancora sonno OLD TOWN ROADim not isish lol . in british norm-sings-live: irish , is frum south ireland norm-sings-live: northern irish norm-sings-live: is from northern ireland norm-sings-live: ulster norm-sings-live: yes that rite norm-sings-live: . i say i have an uksrerish accent norm-sings-live: lol norm-sings-live: oops norm-sings-live: no . error norm-sings-live: ulster ish accent can remember a specific tone far better than can a human.? HocEnglish_com: [HINT] (4 points) : D#####N HocEnglish_com: [HINT] (3 points) : #O###I# HocEnglish_com: [HINT] (2 points) : D#LPH#N HocEnglish_com: [HINT] (1 points) : #O#P#I# pyntaman: DOLPHINSUFFERING, BECAUSE. WHITE, PLAIN, PURE, HocEnglish_com: Well Done! pyntaman has correctly answered "DOLPHIN". Score: 1 • New Score: 14742 • Rank: 22 HocEnglish_com: QUESTION (5 points): Before wwii, the new york phone book had 22 listings for what surname, and none after wwii? HocEnglish_com: [HINT] (4 points) : H####R pyntaman: HITLER HocEnglish_com: Congratulations! pyntaman has correctly answered "HITLER". Score: 4 • New Score: 14746 • Rank: 22 Alert: HIDDEN VIRTUE HAS BEEN PLACED UPON A STAND AND A RED CARPET ROLLED OUT BEFORE THY GATE kristy robinett DELILAH TIMELORDDELILAH BIRDIES ,tks bz lala blue boos holsonggr8suits noms 74ccolsongbsu record nothing ,tks bz lala blue boos holsonggr8suits noms 74ccolsongbsu record nothingSIGMTIME

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myhearwilgoon https://www.youtube.com/watch?v=dDdi6bn06bo white flag by dido? x_WiLL_x: wtggggggggg SEEMS ALL SWITCH ROOM, NEVER SEEN THIS ROOM LIKE THIS stagehawk3: the only room pyntaman: DO U KNOW WHOS THE ONE THAT SINGS SENOR AND WORKINGCLASSHEROHERE ? GREAT SONG CAPTAIN, IVE HEARD IT, WHAT TITLE? ROCKETLAUNCHER?CAN U DO SENOR? AND ROMEO? ACROSSTHENIGHT? STREETSOFAMERICA? GREAT SONG CAPTAIN, IVE HEARD IT, WHAT TITLE? ROCKETLAUNCHER?CAN U DO SENOR? AND ROMEO? Captain Spaulding: If I Had a Rocket Launcher, by Bruce Cockburn. Captain Spaulding: Already did Senor just a bit ago, but we can definitely get Romeo had Juliet in there for ya. pyntaman: THANS, WHO WROTE THAT ONE ? Captain Spaulding: Lou Reed U DO UNDERRAINBOWAND WONDERGFUL WORLD?pyntaman: VERY COOL, CUTE WITH THECAM pyntaman: WHAT NAME THIS SONG? FUNERAL ? U DO UNDERRAINBOWAND WONDERGFUL WORLD? rham54 is using a different variety of Paltalk. Some features may not be available to this member. pyntaman: DO U KNOW ANOTHER SONGROMEO? rham54: what song bro? pyntaman: THANKS, SOMEONE HERE SANG A SONG WITHROMEOLYRIC, BUT FORGOT WHO, DO U DO ,,, pyntaman: ONE WITHROMEOAND A WEIRD PICKING ? rham54: i don think it was me bro pyntaman: COOL pyntaman: U DOUNDERRAINBOWAND WONDERGFUL WORLD? rham54: if you could hum a few bars lol rham54: i do both on uke and guitar rham54: wanna hear wonderful world? pyntaman: YEAH, HEARD IT BEFORE HERE, MAYBE IT WAS U rham54: okay ill do that one for yabro pyntaman: LOVELY pyntaman: COOL SOUNDS rham54: glad you liked it bro pyntaman: SOME GREAT RAW MUSICIANS HERE, U ONE OF THEM, HOW LONG PLAYING HERE? IVE BEEN HERE LIKE 3 MONTHS rham54: welcome ive been here and in paltalk since 2008 long time huh ive know blue as long rham54: do you play? pyntaman: WOW pyntaman: SOMETIMES, I HAVE PLAYED HERE A FEW TIMES pyntaman: YOU KNOW WONDEFULBY CLAPTON ? rham54: yes i do you want to hear that? pyntaman: YEAH, IT IMPRESSED ME TO, MANY SONGS IVE HEARD HERE I HAD NO CLUE OF, GUESS IT WAS U TOO pyntaman: I HADNT HEARD SO MUCH AMERICAN FOLK, AND ITS GREAT, HOPE DO IT LIVE rham54: quite a few people do that song i play it acoustic LEONARDCOHEN, JONYCASH View All Chat History ========== 22/05/2022 23:37:32 ========== pyntaman: NICE SONG AND PERFORMANCE+ rham54: ty bro ========== 29/05/2022 1:22:00 ========== rham54 is using a different variety of Paltalk. Some features may not be available to this member. pyntaman: DO U KNOW ANOTHER SONGROMEO? rham54: what song bro? pyntaman: THANKS, SOMEONE HERE SANG A SONG WITHROMEOLYRIC, BUT FORGOT WHO, DO U DO ,,, pyntaman: ONE WITHROMEOAND A WEIRD PICKING ? rham54: i don think it was me bro pyntaman: COOL pyntaman: U DOUNDERRAINBOWAND WONDERGFUL WORLD? rham54: if you could hum a few bars lol rham54: i do both on uke and guitar rham54: wanna hear wonderful world? pyntaman: YEAH, HEARD IT BEFORE HERE, MAYBE IT WAS U rham54: okay ill do that one for yabro pyntaman: LOVELY pyntaman: COOL SOUNDS rham54: glad you liked it bro pyntaman: SOME GREAT RAW MUSICIANS HERE, U ONE OF THEM, HOW LONG PLAYING HERE? IVE BEEN HERE LIKE 3 MONTHS rham54: welcome ive been here and in paltalk since 2008 long time huh ive know blue as long rham54: do you play? pyntaman: WOW pyntaman: SOMETIMES, I HAVE PLAYED HERE A FEW TIMES pyntaman: YOU KNOW WONDEFULBY CLAPTON ? rham54: yes i do you want to hear that? pyntaman: YEAH, IT IMPRESSED ME TO, MANY SONGS IVE HEARD HERE I HAD NO CLUE OF, GUESS IT WAS U TOO pyntaman: I HADNT HEARD SO MUCH AMERICAN FOLK, AND ITS GREAT, HOPE DO IT LIVE rham54: quite a few people do that song i play it acoustic rham54: yoou mean like john prine james taylor cast stevens ect neil young pyntaman: YEAH, LEONARDCOHEN, JONYCASH pyntaman: SOLO ONES pyntaman: GR8 SONGS pyntaman: BUT I DONT KNOW PRINE, TAYLOR, STEVENS rham54: lol bro cant play em all at once yes they are indded so you wanna hear the clapton song i also do tears in heaven by clapton also pyntaman: HEAVY ONE, U DID HURTHERE ? rham54: you should check them out on you tube you will like em all rham54: have you heard the song wicked game bro? pyntaman: NO rham54: planning on that one next ill bet you have you just didnt know what it was its a cool song you will like it rham54: where are you from? rham54: indiana usa here pyntaman: IVE BEEN IN USA AND HOPE GET BACK, BEEN IN OTHER COUNTRIES AND WAIT TO TRAVEL, IM IN LATINO MARICA`

WICKEDGAME? rham54: yes bro chris issacs YOU KNOWWONDEFULBY CLAPTON ? INTERESTING POINTS, SERIOUS INDEED, SAD, APOCALYPTIC, MY OPINION Some will love you just because and will never hurt you. Find people like that and you found best friends. INTERESTING POINTS, SERIOUS INDEED, SAD, APOCALYPTIC, MY OPINION UZ ELIANA DIOS AMOR tu parles fluently ? pyntaman: COMME MOLKO pyntaman: PAS COMME SARTRE Father Figure - George Michael C h-r-i s: Sue is lovely really...especially in bed ( while shes asleep) lol The thunder rolls pyntaman: THANKS pyntaman: INTERESTING pyntaman: BY WHOM ? JenniferW1: Garth Brooks ACROSSTHENIGHT? STREETSOFAMERICA? HOLD YOU DEAR ...The Secret Sisters awesome cat stevens awesome https://www.youtube.com/watch?v=90Wo0WYTZQ0 as tears go by : melie safka nickle sonfg aLEINwARE: melinie bob dylan aLEINwARE: tomarrowbob dylan aLEINwARE: tomarrowgreat music bro aLEINwARE: \u rock ma n aLEINwARE: u are a good player aLEINwARE: remember one thing aLEINwARE: you are you own worst cridtic JADEDROOSTER: Be nice if I could hear ya lol aLEINwARE: belive aLEINwARE: the power of the music aLEINwARE: u know u can play just do it aLEINwARE: do what you do ..... aLEINwARE: u great aLEINwARE: i used to be aLEINwARE: got oldThe thunder rolls: Garth Brooks,,71, MIS . UNC. COD amandapeters: hi alenware aLEINwARE: i was the crazy slide playeThe thunder rolls pyntaman: THANKS pyntaman: INTERESTING pyntaman: BY WHOM ? JenniferW1: Garth Brooks

ACROSS THELINES??????? : ???????? - 10000 rub / 100$ ???????? - 7000 rub / 80$ ????????????????? ??? - 5000 rub / 55$ ?????????? - 3000 RUB / 45$ ??????????? - 4000 RUB / 55$ ??????? - 4000 RUB / 55$ ??????????? - 5500 RUB / 60$ ????????? - 4000 RUB / 55$ ???????????? (????????) - 5000 rub /

fictitious murder

leo nardo da vinci: great evergree hello, lets EXCHANGE LANGUAGES, ENGLISH, FRENCH, SPANISH, RUSSIAN NONE SINGS LIKE U ANYMOREThe thunder rolls ROMANIAN, GERMAN, ITALIAN and others ARE quite interesting to me NONE SINGS LIKE U ANYMORE HELLO EVANESCENSE father figure Irene Cara - what a feeling (from the movie soundtrack Flashdance (1983) the Earth is Stationary, and they don't call em Planes for no reason INTERESTING POINTS, SERIOUS INDEED, SAD, APOCALYPTIC, MY OPINION ILMAKEMYONWYAW LETITERLEYHEAVYONURCONCIECNUSS

GREAT SONG CAPTAIN, IVE HEARD IT, WHAT TITLE? ROCKETLAUNCHER?CAN U DO SENOR? AND ROMEO?GREAT SONG CAPTAIN, IVE HEARD IT, WHAT TITLE? ROCKETLAUNCHER?CAN U DO SENOR? AND ROMEO? REM HURTS, WORLD, DRIVE

ROCKETLAUNCHER ACROSTHELINES

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SEEMS ALL SWITCH ROOM, NEVER SEEN THIS ROOM LIKE THIS stagehawk3: the only room pyntaman: DO U KNOW WHOS THE ONE THAT SINGS SENOR AND WORKINGCLASSHEROHERE ? stagehawk3: live only

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LETITBE` Wicked Game

Hello, who plans to go ? any hostels nearby ? any camping site nearby ? is there still a grungy bar in Aberdeen or Seattle ? its my biggest dream and frustration hello, do u know how long it takes on public transportation from Seattle¿ hello, do u know how long it takes on public transportation from Seattle¿ hello, can you get there on public transport from Seattles downtown? if so, how ? thanks whats up Diamonds and Rust DYLAN KARENMONTOYA BUNKER CHARLES TORAH CHARLES TORAH NANDO, RELAMPAGO, ZOMBIFICACION, VOZ, CHARLES TORAH, JESUS, VENTAS DOMO, LUNA, CERTEZA, SENTIDO FAKE, PATAZ,, ARTICULOROBO,,FICION, TEMA, NANDO, RELAMPAGO, ZOMBIFICACION, VOZ, CHARLES TORAH, JESUS, VENTAS DOMO, LUNA, CERTEZA, SENTIDO FAKE, PATAZ,, ARTICULOROBO,,FICION, TEMA, ARTICULOROBO,,FICION, TEMA, NANDO, RELAMPAGO, ZOMBIFICACION, VOZ, CHARLES TORAH, JESUS, VENTAS DOMO, LUNA, CERTEZA, SENTIDO FAKE, PATAZ,, ARTICULOROBO,,FICION, TEMA, NANDO, RELAMPAGO, ZOMBIFICACION, VOZ, CHARLES TORAH, JESUS, VENTAS DOMO, LUNA, CERTEZA, SENTIDO FAKE, PATAZ,, ARTICULOROBO,,FICION, TEMA, Damien Rice song called the Blower's Daughter elunicornioazul Captain Spaulding: rham54 plan, vatycabin , pactosangre, mmalakias, papa negromalo o jes, jesysuts frabcusci, ratzinser, sustityeron, 2 papas¿ categandolfofo avitaciobes. renuncio....2013, 112papasplan, vatycabin , pactosangre, mmalakias, papa negro`malo o jes, jesysuts frabcusci, ratzinser, sustityeron, 2 papas¿ categandolfofo avitaciobes. renuncio....2013, 112papas "see you later, alligator?" pyntaman: OF COURSE MY HORSE HocEnglish_com: [HINT] (3 points) : I# A ##I#E, ##O#O#I#E# HocEnglish_com: QUESTION (4 points): What?s the response to "see you later, alligator?" pyntaman: HELLO HocEnglish_com: [HINT] (2 points) : #N # WH#L#, CR#C#D#L#.

romancingmyshadow Florencia ViDA stagehawk3 Florencia ViDA I REMEMBER ME torn baharon phool barsaao new shoes - paulo nutini hyped ANY RESTRICTIONS FOR TRAVELLING INTERNATIONALLY WHERE U R ?

g |320003| as the all open

c |x30210| as the 5 7

d |x54030| as the 7 9

em |022000| for the bridge

and a|--7h8-| for the ending part

CONNECTICUT

he seekers shall not find marie_2000: hi Pynta marie_2000: welcomeWelcome to friendly fellowship. Chat, sing, read a poem, play trivia, share info, encourage others, etc. NO PERSONAL ATTACK ALLOWED, DRAMA FREE ZONE Even though we may NOT agree on certain issues, we must still be kind and compassionate to each other Let no one deceive another or despise anyone anywhere, or through anger or irritation wish for another to suffer. hello, lets play, sing or talk Alternative Rock, Grunge, Nirvana, Kurt Cobain, or lets discuss about his Disappearance pale_blue_dot: Hi pyntaman L A D D U: vince say it in sanskrit master_vince: If you look for a girl, you'll never find her. It is only when you are devoid of desires that you'll make a connection. pyntaman: thanks WHO WROTE THIS SONG ? The Cobain Case as Exposed by Tom Grant and others is quite interesting to me Alert: This is an R rated chat room. Adult language is permitted, however nudity is not. Alert: "The reason people give for doing things isn't necessarily the reason they do these things." —Amos W. Yoder, 1921-2010 "It’s not who you are that holds you back, it’s who you think you’re not.” —Eric Thomas Too stubborn to change? Who changes? Is it "I"?

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Simple hermit: About me 13,570 views • 26 Feb 2008 • My first video. I briefly introduce myself.

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Real Yogi 4.87K subscribers

Comments 28 PYNTAMAN - Add a public comment... 28 Comments PYNTAMAN - Add a public comment... Armando Rekury / SER FELIZ / Vitaelogia zen Armando Rekury / SER FELIZ / Vitaelogia zen 5 years ago BLESSINGS BROTHER ALWAYS BLESSINGS TO YOU, I ENJOY SO MUCH YOUR WALK ON THIS LIFE

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Dhamma Dasa Dhamma Dasa 1 year ago Love that I have followed this man for almost 10 years I think lol, was just watching his latest vid from 2020 , we have been on similar journey, mine far more householder life, both good though:), , well yours much much harder lol, but Thank you for Sharing your lifes Journey my friend ha ha! ❤💖❤🙏🏾🦋💐🌼🌸🕊🦅, I don't know what you have discovered, but as for me I have discovered that our true nature is a deep ocean of dreamless peace🙏🏾, much Love brother🙏🏾🙏🏾🕊🍂🍃🍃🍃

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seaco2000 seaco2000 10 years ago What an great video!! kEEP UP THE GREAT WORK!!

JEAN k JEAN k 12 years ago I am so moved by this esp. how it's your own truth..I feel this way. Please don't be an actor or something...please be real.b/c it is so inspiring. A lot of things you say remind me of my poetry .I'm trying to live in the worlds way too..it's hard to balance between the two...you've chosen a path I thought about when younger..but not strong enough. Hey..but I'm silly and worldly too..I can't be just one way..Thank you for your videos.

Sheila Kay McIntyre Sheila Kay McIntyre 10 years ago There is something very familiar about you...you are an OLD Soul indeed. I feel many of the same feelings you do...you are not alone! Namaste!

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enjoixander enjoixander 12 years ago 5:54-6:23 I rather believe that the spirit within a person forms the thoughts and belief and helps to control your actions. In exploration of these spirits we find that it isn't at the thought level but a much deeper level and that is what influences all parts of the mind and body. The more interactions we have at spiritual levels the more we realize what spirit is responsible for the reactions inconcert with other spirits within us or without. Thereby making a noise spiritually, within or out.

Simon0 Simon0 11 years ago this video kind of makes me want to become a hermit or something!

dbossmarc1 dbossmarc1 11 years ago i respect you man. I see that you can reason and create your own thoughts independently of what is considered normal within society.

Sheila Kay McIntyre Sheila Kay McIntyre 9 years ago Had to go back to your roots where it all began. So you are from near where I grew up in Germany. Not too far ... how old were you in this video. So wise at such a young age. You are an "OLD" Soul my friend. Namaste!

Something Kind Something Kind 9 months ago Self-perception is mirror of reality. Nice.

GongsunXin GongsunXin 10 years ago i liked the ending very much i thought i knew it but now i know it better

phillydoughboy phillydoughboy 3 years ago Very glad I found this channel. Let's get started

pinetree909 pinetree909 12 years ago How do you support yourself so you can live the life you want? Do you have a cell phone, pay rent, auto insurance etc? Wish I could live a simple life off the grid but don't know how to make it financially possible.

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Pete Just Pete Pete Just Pete 10 years ago I recently wanted to just get away completely was seeking the humble life of an orthodox Jew studying Torah. But I hope to live spiritually and find some peace and still remain in wetern lifestyle keeping away from the bad part of it as much as possible. It was family that made me decide to stay although I know they would want me to be happy.. Anyway I have to get money before I fully decide lol. Good vid hope it's not too lonely out there bud.

Zocialstudiesteacher j Zocialstudiesteacher j 5 years ago super intereting , may i ask why u came back from himalayas the first time? where did u go ? im interested

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daisilui daisilui 6 years ago @Barbara Tavernetti Hope you find peace, yourself and... your clothes... yeah, where're your clothes, man?

cicirunner cicirunner 10 years ago This is an insightful video, but you come across as some mysterious soothsayer from the Matrix or something.

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Are Risnes Are Risnes 4 months ago

A #Protected #Language 🇸🇯 The-one-film on their Internet from the-one-time, the-one-moment, when Originally saved to their Internet. #Strange #Sentence: The first time, if Miss Telephone may add an-absolute-judge - imperceptible - in your guardian - Iris Eye © [Exercise Avoidance] Avoid any judgment towards any hermit. Period. #Holy #Hermitage

Your #Future #Protected #By #Hermits

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studyofsociety studyofsociety 10 years ago @Hermit1yoga why do you speak spanish if your from lithuania?

Barbara Tavernetti Barbara Tavernetti 11 years ago Where are your clothes Man!!! Hope you find peace with yourself and others to.

john jones john jones 6 years ago you ever get to southern spain,

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Rafael Davila Rafael Davila 12 years ago bro i see the rest of your videos i think you need some help , the retreat is good but do not meditate so much, you probably russian or a mix product of what is left after the soviet union any way get a good job a chick and live your life and stop wasting your time ............you are not tibetan and you will not become tibetan monk you need to much training ..........the prove of that is your trip to patagonia and when your chick left you peace and good luck.

PYNTAMAN - PYNTAMAN - 0 seconds ago u still think that way ?

m2frogger m2frogger 12 years ago Back off Jeff..he's mine.;]

JustFeelBetter JustFeelBetter 13 years ago who are you??

Barbara Tavernetti Barbara Tavernetti 11 years ago Where are your clothes Man!!!

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Beatriz haizea

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Beatriz incorregible jose jose luis betta entidad diabolica. muertes. confesiones, 11 pyntos, entidad diabolica. muertes. confesiones, 11 pyntos, alkaeda inventado o aliado, entidad diabolica. muertes. confesiones, 11 pyntos, alkaeda inventado o aliado, pasaportes, victimas------mundofeliz, 9 11, plandemia, nosotros

entidad diabolica. muertes. confesiones, 11 pyntos, alkaeda inventado o aliado, pasaportes, victimas------mundofeliz, 9 11, plandemia, nosotros FARIDJABBA [1:21] : did u do the vacccine? FARIDJABBA [1:22] : can u tell me about ivermectin? FARIDJABBA [1:22] : dont u belive its a PLandemic and that this is based on a ficticion? FARIDJABBA [1:22] : fiction, a lie

laurentovarFaridt says: bien o q? haller says: enotnces.... haller says: con sueño haller says: y ud qué Faridt says: pues ahi haller says: cómo le acabó de ir Faridt says: ayer estuvo la Locura haller says: estuvo bueno el fracaso haller says: fracasados pero contentos Faridt says: si Faridt says: y q mas, nada ? haller says: nada, me acabo de levantar haller says: vamos a ir a cine al fin? Faridt says: uy Faridt says: pues yo creo si haller says: o qué plan tiene? Faridt says: ninguno Man Faridt says: Chino haller says: qué pasó haller says: ahí entró lalita haller says: pero se colocó ocupada haller says: eso es una señal Faridt says: ahi llego su Nena, ya lo saludo ? Faridt says: esta Busy o q ? haller says: sip haller says: paila haller says: eso es que no queire hablar Faridt says: como asi, no lo ha saludado ? haller says: si está ocupada es por algo Faridt says: Ok Faridt says: oiga, cuante algo Faridt says: q quien mas tiene ONLIne ? haller says: es que estyo leyendo el periódico, prou hoy no llegó acá....va tocar demandar a esos del tiempo, y ya llamamos y que lo traen mañana haller says: a maragarita Faridt says: y le esta hablando ? haller says: pro ahí me saludó,p ero nada más... Faridt says: oiga y esta apenas me vio se puso en Busy o q ? haller says: ajjaj..quien sabe, eso fue cuandome vió a mi... Faridt says: ya Faridt says: uy Man, q vamos a hacer !! Faridt says: jajjaa haller says: oiga, yo me desperté más enfermo qeu ayer haller says: tengo más tos Faridt says: aja Faridt says: a donde iriamos ? haller says: venga miramos dónde estándanod eso haller says: esa vaiana la están dando en todo lado haller says: hasta en teusaquillo qeu vale a 3000..jejje Faridt says: UY Faridt says: ESO donde es? haller says: ajjaja haller says: enl a 34 con caracas Faridt says: y q tal sera ? haller says: pues la sala es más bien mala haller says: yono creo que no aguanta ira ver esa pelícual allá Faridt says: jaja, por qno ? no es com la de la JAv, Radiocity es? haller says: son doso sales, es pareceida pero más chiquitas Faridt says: aja, Faridt says: seria como ir a donde, a Andino ? haller says: yo creo qeu si Faridt says: Ok Faridt says: q horas ? haller says: la nda a las 6 y 40, la 8 y 10, a las 9 y 50, a ls 10 y 50 Faridt says: cual prefiere? haller says: la de las 6 y 40 para llegar temprano a la casa Faridt says: no , q CHanda Faridt says: MAtine pues !!!!....pa q llegar temprano? haller says: jajajjaj Faridt says: pa ir con las Tias haller says: jajaj.... haller says: respete, es qeu estyo trannocahdo y enfermo Faridt says: pfff Faridt says: oiga, esta vieja tiene q tener mil contactos como para q no salude a un Man q se rumbio, no ? Faridt says: q berraca haller says: que berraca..me va tocar saludarla Faridt says: sera ? Faridt says: espere Faridt says: es mejor meditarlo, no nos precipitemos como ayer Faridt says: q despues nos arrepentimos haller says: será? Faridt says: claro q ayer no huniera sido gran cosas el otro Faridt says: y hubieramos visto una Gata salir de barbie yubiermao dicho , si ve Man, les dije q aya haller says: jajja...pero estuvo bien Faridt says: pues si lastima Faridt says: oiga, la ultima vez ella silo saludo ? estara esperando q ud la salude ? como es la psicologia de es a Vieja ? Faridt says: quiere hablar conla HEmbra de Lucia ? q Mujer!!!!q CUlo1!! haller says: yo tampoc entiendo eso haller says: noooo haller says: olvídelo Faridt says: entonces pa q habla tanto q dizq nena Faridt says: bien fea q es haller says: pues aguanta,p ero está muy tragada de ud Faridt says: aghha Faridt says: entonces q se joda haller says: ajjaj Faridt says: por fea y mamona haller says: y le está hablando y todo, me imagno Faridt says: no Faridt says: asco haller says: háblele...esa es su nena Faridt says: q Mamon haller says: bueno, a qué horas vamoas Faridt says: oiga, Laura lo saludo la vez pasada? haller says: sipiri Faridt says: porque si la Viej esta esperando q la salude, saludela y nojoda Faridt says: antes de q se vaya haller says: será? Faridt says: no le diga nada de mi hasat q le de permiso, nada Faridt says: caigale ud por ahora haller says: seguro Faridt says: seguro q ? haller says: voy decirle qeu ud qeuire hablar ocn ella Faridt says: no espere Faridt says: qberraco! Faridt says: cumpla el Pacto haller says: así hizo ud me la hizo cnlucía Faridt says: no Señor Faridt says: yo le pregunto haller says: es lahora dela venganza Faridt says: q digo Faridt says: jaja Faridt says: yo le pregunte : oye a ti quien te gusta de H ? haller says: jajajaj Faridt says: y me dijo q ud haller says: no lño arregle Faridt says: es la verdad haller says: bueno, ya me decidí.. haller says: le voy a hablar haller says: no huya farid Faridt says: Chinazo, lo apoyo como Amigo Incondicional Faridt says: espero me responda haller says: ajja haller says: oioga, más bi diga haber a qué horas vamos Faridt says: yo prefiero mas tarde pero no se espere a ver q sale Faridt says: ya le hablo ¿' Faridt says: oiga haller says: dígame maestro Faridt says: la Nena tiene foto, la esta viendo ? Faridt says: q Locura haller says: jno ve uqe sta chanda de msn es como viejo haller says: ya le está hablando? Faridt says: agh Faridt says: uy si claro Faridt says: q pasa, ud ya se habis decidido o no ? Faridt says: como cosa suya, digo Faridt says: uy Man la foto esta de LUjo haller says: se ve lnda' Faridt says: si Faridt says: Black & White Faridt says: no diga nada haller says: ejejje Faridt says: oiga, imposible q esta no pregunta de donde le saco uno el msn, tiene q tener demasiasdos admiradores Faridt says: bueno , le va a hablar o no ? haller says: ahí voy Faridt says: hagale no joda Faridt says: ud sabe q ud siempre tiene las de ganar con todas haller says: listo haller says: me dijo "cami, espérame unos segundos" Faridt says: uy q DUro Faridt says: no MAn , casese haller says: pero si me dejó esperando Faridt says: o por lo menos diviertase de aca a un buen rato Faridt says: yo mejor no hablo mas haller says: ajjajaj haller says: qeu va, esa nena nom e va a hablar Faridt says: lo importante es conservar a los Amigos porq la sviejas van y vienen las muy berirondas Faridt says: jajajaa Faridt says: la verga Faridt says: q Verga MAn haller says: eso es cierto Faridt says: lo va a dejar esperando o q, ahorita aparece , q se volo o q jajajajajLA Verga Faridt says: por lo menos nos reimos Faridt says: tengo una REsaca la Locura haller says: yo tamibién haller says: toca tomarse una pola para nivels el alchol Faridt says: en seiro ? haller says: calro haller says: lomejro para el gauyabo es un pola, pero una sóla haller says: el problema es uno se toma una y no puede parar Faridt says: por q? Faridt says: jjaj haller says: no se..es turco de abuela Faridt says: es Artimaña de Abuela de Turco ? Faridt says: jaja,, como yo o q ? haller says: jajjaja haller says: truco Faridt says: jajaj, La Verga haller says: no le digo...se hizo la loca haller says: la perdmos sinto Faridt says: Aja Faridt says: pues MArica, ud la conoce Faridt says: q Mamera n aloca tan solicitada haller says: yam e habló haller says: qeu c´mo estaba, pe pregutna Faridt says: q como esta ? digale q esperando, o no ?, jaja, o no mejor , no, uy Man no se haller says: ajjajja Faridt says: q tal este Invento , no ? haller says: tremendo... Faridt says: si , como va, todo bien ? haller says: e diece qeues´ta engauyabada Faridt says: claro, me imagino haller says: que se tomó unsotragos ocn la primea que stá despechda Faridt says: UY Faridt says: no MAn, mas no le puede coquetearr MArica Faridt says: q Verga Faridt says: q tal la Prima ? haller says: ummm Faridt says: despechada por ? Faridt says: por Ud debe ser, haller says: pero la prima Faridt says: q ? Faridt says: oiga haller says: diígame patrón Faridt says: q paso ? haller says: acá estoy hablnado con ella Faridt says: ah bien Faridt says: oiga haller says: vea lo qeu me dice acerca de su situación emocioanl: Faridt says: pero rarisimo, la vieja me bloquio ahora si, q hizo Señor ?!!! haller says: yo ando como en plan de nada de compromisos porque no le quiero hacer daño a nadie

Faridt says: Hijueputa haller says: ni hacerme daño, me dan como miedo los hombres, ademas estoy en un proceso de autoconocimiento que estando en seriocon alguien lo interrumpiria!!!

Faridt says: uy q Loquera de Vieja haller says: cóm le qeudó el ojo Faridt says: oiga, esa vieja ya no sale en mi MSn, com hizo eso.... haller says: se feu Faridt says: pero a ud si le sale o no ? haller says: no, ya se fue Faridt says: com asi ? haller says: se tenáiq eu ir Faridt says: ah ya se despidio haller says: em dijo "bueno cami..hablamos más tarde, unb eso" haller says: y se fue Faridt says: jajaja Faridt says: q Verga Faridt says: q Locura, pero no quedaron en nada entonces ? haller says: en nada haller says: me dejó sano Faridt says: iggg Faridt says: MAn Faridt says: pero por q? haller says: ni idea..esa nena está loca Faridt says: Total Faridt says: pero hablaron bastante o no? haller says: pues más o menos Faridt says: y por habalron de eso ?? haller says: proque como me djo que la pirma estaba despechada, yo le pregunté qeu si ella todavái seguía mal por lo del exnovio haller says: y me contestó eso Faridt says: aja haller says: bueno chino...vmaos a ir o no??.. haller says: qeu me tengo que ir a bañar y a vestir Faridt says: yo si creo , en todo caso nos vemos aca tipo 8 y media o q? haller says: pero si yo voy es a cine...no ve qeu estyo enfemro Faridt says: como asi ? Faridt says: por eso, es lo mas probable si, veamonos y decidimos, le aprece? haller says: listo Faridt says: es por si ocurre un milagro y salen nenas o algo haller says: puffff haller says: no vio qeu hasta laura me rechazó Faridt says: jajaja, lo dejo sano, ni siquiera l diola oporunidad de cuadrar algo par asalir, no ? haller says: nada haller says: no me dejó hacer nada haller says: y yo que le iba a decir quel e dijera a la prima Faridt says: yo se MArica, y q tal esta? haller says: ni idea haller says: pero así son las mujers haller says: nadie las entiende Faridt says: yo se, pero q tal está la prima? Faridt says: jaja haller says: no se, nola conozco Faridt says: esa hubiera sido , no? haller says: claaro Faridt says: Fuck Faridt says: sera q sacamos a MAraca? haller says: jajaj Faridt says: no, q fracaso!! haller says: pero maraca está en la mesa con mayxue haller says: bueno, em voy haller says: habmoas entones haller says: a ls 8 y media estoy en su casa Faridt says: oiga Faridt says: y DIego q hace? haller says: diga haller says: ni idea Faridt says: pero el Man se quedo ? haller says: siii Faridt says: toca llamaro entonces Faridt says: oiga, y no tiene otras NEnitas pr ahi bien BEllas? Faridt says: jaja Faridt says: de la Nacional o algo asi Faridt says: jajajajajjaja haller says: jajajaj....esas si qeu son feas haller says: pro ese lado no hay nada haller says: bueno nos vemos haller says: chaoliens haller says: 8 30 en su casa Faridt says: ALlright

laurentovarEspecial Civilizaciones Perdidas 674607569

rayo azul

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NO BOUNCE, only RED! ** Pentru rezidenta spartana, aplicati online la etj 2! lol vulpitzz@yahoo.com

Death is a stripping away of all that is not you. The secret of life is to die before you die --- and find that there... description Death is a stripping away of all that is not you. The secret of life is to die before you die --- and find that there is no death.' Eckhart Tolle When we (metaphorically speaking) die each day and strip away who we think we are, we discover who we are, what our passion is, what fulfills us and how to live our life fully. Join us for a discussion. Also check out Barry Long who was Eckhard Tolle's teacher. death dying eckhart tolle Barry Long death is a stripping away

https://www.youtube.com/watch?v=0NBrce-ZHi0&pp=sAQA

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muchas gracias, las 8 ruedas son del mismo tamaño? podrias venderme solamente las ruedas ,tornillos y rodamientos? muchas gracias, las 8 ruedas son del mismo tamaño? podrias venderme solamente las ruedas ,tornillos y rodamientos? muchas gracias, las 8 ruedas son del mismo tamaño? podrias venderme solamente las ruedas ,tornillos y rodamientos? MIRANDA MEDITACION MAR 21 juxgh jhpòp 2 get to seatle somehow before uknow when when this apocalypse is over

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1994, may have provided a hint of Cobain's future musical direction. The record has drawn comparisons to R.E.M.'s 1992 release, Automatic for the People,[44] and in 1993, Cobain predicted that the next Nirvana album would be "pretty ethereal, acoustic, like R.E.M.'s last album".[42] Pat Smear stated in a 2013 interview that he also knew where Cobain's musical direction was headed, stating "I know where he was looking to go at that time. I think that he was looking to do the opposite of In Utero. Not polished, but soft. Not [as far as MTV Unplugged] but definitely less noise. I think he got, everybody got, their noisy stuff out of their system, really."[45]

"Yeah, he talked a lot about what direction he was heading in", Cobain's friend, R.E.M.'s lead singer Michael Stipe, told Newsweek in 1994. "I mean, I know what the next Nirvana recording was going to sound like. It was going to be very quiet and acoustic, with lots of stringed instruments. It was going to be an amazing fucking record, and I'm a little bit angry at him for killing himself. He and I were going to record a trial run of the album, a demo tape. It was all set up. He had a plane ticket. He had a car picking him up. And at the last minute he called and said, 'I can't come.'" Stipe was chosen as the godfather of Cobain and Courtney Love's daughter, Frances Bean Cobain.[46]

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() Prince of Persia (1989 video game) From Wikipedia, the free encyclopedia Jump to navigationJump to search This article is about the 1989 video game. For the 2008 game of the same name, see Prince of Persia (2008 video game). Prince of Persia Prince of Persia 1989 cover.jpg Original cover art used for the home computer versions in the West Developer(s) Broderbund Ports Publisher(s) Broderbund Ports Designer(s) Jordan Mechner Composer(s) Francis Mechner (music) Tom Rettig (sound) Mark Cooksey (NES) Tommy Tallarico (Game Boy) Series Prince of Persia Platform(s) Apple II (see Ports) Release NA: October 3, 1989[1] JP: July 1990[3] EU: September 1990[2] Genre(s) Cinematic platformer Mode(s) Single-player Prince of Persia is a fantasy cinematic platformer designed and implemented by Jordan Mechner for the Apple II and published by Broderbund in 1989. Taking place in medieval Persia, players control an unnamed protagonist who must venture through a series of dungeons to defeat the Grand Vizier Jaffar and save an imprisoned princess.

Much like Karateka, Mechner's first game, Prince of Persia used rotoscoping for its fluid and realistic animation. For this process, Mechner used as reference for the characters' movements videos of his brother doing acrobatic stunts in white clothes, and swashbuckler films such as The Adventures of Robin Hood.

The game was critically acclaimed and is often listed among one of the greatest video games of all time, but not an immediate commercial success as it was released at the tail end of the Apple II's relevance. It sold many copies as it was ported to a wide range of platforms. It is believed to have been the first cinematic platformer and inspired many games in this subgenre, such as Another World.[4] Its success led to the release of two sequels, Prince of Persia 2: The Shadow and the Flame and Prince of Persia 3D, and two reboots of the series, first in 2003 with Prince of Persia: The Sands of Time, which led to three sequels of its own, and then again in 2008 with the identically-titled Prince of Persia.

Contents 1 Plot 2 Gameplay 3 Development 4 Ports 5 Reception 6 Legacy 7 References 8 External links Plot The game is set in medieval Persia. While the sultan is fighting a war in a foreign land, his vizier Jaffar, a wizard, seizes power. His only obstacle to the throne is the Sultan's daughter. Jaffar locks her in a tower and orders her to become his wife, or she would die within 60 minutes (extended to 120 minutes in the Super NES version, which has longer and harder levels). The game's unnamed protagonist, whom the Princess loves, is thrown prisoner into the palace dungeons. In order to free her, he must escape the dungeons, get to the palace tower and defeat Jaffar before time runs out. In addition to guards, various traps and dungeons, the protagonist is further hindered by his own doppelgänger, conjured out of a magic mirror.

Gameplay IBM PC version of Prince of Persia Mechner used videos of his brother as a reference for the original animation of the game (Pictured: IBM PC compatible version) The main objective of the player is to lead the unnamed protagonist out of dungeons and into a tower before time runs out. This cannot be done without bypassing traps and fighting hostile swordsmen. The game consists of twelve levels (though some console versions have more). However, a game session may be saved and resumed at a later time only after level 2.

The player has a health indicator that consists of a series of small red triangles. The player starts with three. Each time the protagonist is damaged (cut by sword, fallen from two floors of heights or hit by a falling rock), the player loses one of these indicators. There are small jars containing potions of several colours and sizes. The red potions scattered throughout the game restore one health indicator. The blue potions are poisonous, and they take one life indicator as damage. There are also large jars of red potion that increase the maximum number of health indicators by one, and large jars of green potion that grants a temporarily ability to hover. If the player's health is reduced to zero, the protagonist dies. Subsequently, the game is restarted from the beginning of the stage in which the protagonist died but the timer will not reset to that point, effectively constituting a time penalty. There is no counter for the number of lives; but if time runs out, the princess will be gone and the game will be over, subject to variations per console versions:

The DOS version allows the player already in the very late part of Level 12 to continue after time is out with no extra life, so: Restarting the level by pressing appropriate buttons is not death, thus not failing the game yet. Any player's death, including having killed Jaffar then falling from excessive floors of heights, also fails the game in which case the Princess is also gone. Only defeating Jaffar and exiting Level 12 alive will still save the Princess, with a negative time score in the hall of fame. The Macintosh port will not give the player a game over once they reach the final area of Level 12 (stored in data as Level 13), provided they make it there on time. The player must cross the magic bridge and make a screen-transition to a room with falling tiles to be 'safe'; once there, they will always be allowed to continue, regardless of deaths or time expiration. Running out of time at any point before the screen-transition, including the bridge, will result in game over as usual. The Super NES remake allows the players to save themselves after time is out, to get the game over at the end without the princess saved. There are three types of traps that the player must bypass: Spike traps, deep pits (three or more levels deep) and guillotines. Getting caught or falling into each results in the instant death of the protagonist. In addition, there are gates that can be raised for a short period of time by having the protagonist stand on the activation trigger. The player must pass through the gates while they are open, avoiding locking triggers. Sometimes, there are various traps between an unlock trigger and a gate.

Hostile swordsmen (Jaffar and his guards) are yet another obstacle. The player obtains a sword in the first stage, which they can use to fight these adversaries. The protagonist's sword maneuvers are as follows: advance, back off, slash, parry, or a combined parry-then-slash attack. Enemy swordsmen also have a health indicator similar to that of the protagonist. Killing them involves slashing them until their health indicator is depleted or by pushing them into traps while fighting.

In stage three a skeletal swordsman comes to life and does battle with the protagonist. The skeleton cannot be killed with the sword, but can be defeated by being dropped into one of the pits.

A unique trap encountered in stage four, which serves as a plot device, is a magic mirror, whose appearance is followed by an ominous leitmotif. The protagonist is forced to jump through this mirror upon which his doppelganger emerges from the other side, draining the protagonist's health to one. This apparition later hinders the protagonist by stealing a potion and throwing him into a dungeon. The protagonist cannot kill this apparition as they share lives; any damage inflicted upon one also hurts the other. Therefore, the protagonist must merge with his doppelganger.

In stage eight, the protagonist becomes trapped behind a gate before he can reach the exit. In this stage the Princess sends a white mouse to trigger the gate open again, allowing him to proceed to the next level.

In stage twelve protagonist faces his shadow doppelgänger. Once they have merged, the player can run across an invisible bridge to a new area, where they battle Jaffar (once the final checkpoint is reached, the player will no longer get a game over screen even if time runs out, except if the player dies after the timeout). Once Jaffar is defeated, his spell is broken and the Princess can be saved. In addition, the in-game timer is stopped at the moment of Jaffar's death, and the time remaining will appear on the high scores.

Development

Mechner used hand-drawn storyboards such as this to lay out the game's level design and character movements Development for the game began in 1985, the year Jordan Mechner graduated from Yale University. At that time, Mechner had already developed one game, Karateka, for distributor Broderbund. Despite expecting a sequel to Karateka, the distributor gave Mechner creative freedom to create an original game.[5] The game drew from several sources of inspiration beyond video games, including literature such as the Arabian Nights stories,[6] and films such as Raiders of the Lost Ark[7] and The Adventures of Robin Hood.[8]

For a few seconds, the camera angle has them in exact profile. This was a godsend. I did my VHS/one-hour-photo rotoscope procedure, spread two-dozen snapshots out on the floor of the office and spent days poring over them trying to figure out what exactly was going on in that duel, how to conceptualise it into a repeatable pattern. Jordan Mechner on how he used the final duel between Errol Flynn and Basil Rathbone from The Adventures of Robin Hood to create the game's swordfighting mechanic[5] Prince of Persia was programmed in 6502 assembly, a low-level programming language.[9] Mechner used an animation technique called rotoscoping, with which he used footage to animate the characters' sprites and movements. To create the protagonist's platforming motions, Mechner traced video footage of his younger brother running and jumping in white clothes.[10] To create the game's sword fighting sprites, Mechner rotoscoped the final duel scene between Errol Flynn and Basil Rathbone in the 1938 film The Adventures of Robin Hood.[8] Though the use of rotoscoping was regarded as a pioneering move, Mechner later recalled that "when we made that decision with Prince of Persia, I wasn't thinking about being cutting edge—we did it essentially because I'm not that good at drawing or animation, and it was the only way I could think of to get lifelike movement."[11] Also unusual was the method of combat: protagonist and enemies fought with swords, not projectile weapons, as was the case in most contemporary games. Mechner has said that when he started programming, the first ten minutes of the film Raiders of the Lost Ark had been one of the main inspirations for the character's acrobatic responses in a dangerous environment.[12]

During development, the Prince was meant to be a nonviolent character, so the game didn't initially include combat. However, due to finding the gameplay to be dull and after incessant demand from Tomi Pierce, a colleague of his, Mechner added sword fighting to the game and created Shadow Man, the Prince's doppelgänger. Guards were later added when Mechner managed to make use of an additional 12K of the Apple II's memory.[13]

For the Japanese computer ports, Arsys Software[14] and Riverhillsoft[3] enhanced the visuals and redesigned the Prince's appearance, introducing the classic turban and vest look. This version became the basis for the Macintosh version and later Prince of Persia ports and games by Brøderbund. Riverhillsoft's FM Towns version also added a Red Book CD audio soundtrack.[3]

The Game Boy version was the first game to feature music by Tommy Tallarico. He was a playtester for Virgin Interactive and offered to compose the music free of charge.

Ports

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The king who tried to escape death 1001 TALESDISCOURSES JUNE 14, 2017 SHARE “Wherever you go you will find death waiting for you,” states Osho. From our series 1001 Tales, compiled by Shanti.

King horseback

In all the directions death is waiting. In all the places death is waiting.

I have heard a very famous story, a Sufi story:

A king dreamt. In the night in his dream he saw Death. He became afraid. He asked, “What is the matter? Why are you making me so frightened?”

Death said, “I have come to tell you that tomorrow, by sunset, I am coming, so get ready. It is just out of compassion so that you can prepare.”

The king was so shocked, his sleep was broken. It was the middle of the night; he called his ministers and he said, “Find people who can interpret the dream, because time is short. Maybe it is true!”

Then the interpreters came, but as interpreters always have been, they were great scholars. They brought many big books and they started discussing and disputing and arguing. And the sun started rising, and it was morning. And an old man, who was a very trusted servant to the king, he came to the king and he whispered in his ear, “Don’t be foolish! These people will quarrel for ever and ever, and they will never come to any conclusion.”

Now, everybody was trying that his interpretation was right, and the king was more confused than ever. So he asked the old man, “Then what am I supposed to do?”

He said, “Let them continue their discussions. They are not going to conclude so soon – and the sun will be setting, because once it has risen the sunset is not very far. Rather, take my advice and escape – at least escape from this palace. Be somewhere else! By the evening reach somewhere as far away as possible.”

The logic looked right. The king had a very fast horse, the fastest in the world. He rushed, he escaped. Hundreds of miles he passed. By the time he reached a certain town, the sun was just about to set. He was very happy. He patted his horse and he said, “You did well. We have come very far.”

And when he was patting his horse, suddenly he felt somebody was standing behind him. He looked back – the same shadow of Death.

And Death started laughing. And the king said, “What is the matter? Why are you laughing?”

Death said, “I was worried because you were destined to die under this tree – and I was worried how you would manage to reach. Your horse is really great! It did well. Let me also pat your horse. That’s why I came in your dream: I wanted you to escape from the palace, because I was very worried how it would happen, how you would be able to reach. The place looked so far away and only one day was left. But your horse did well, you have come in time.”

Wherever you go you will find death waiting for you. So, that cannot be avoided – then mind starts imagining some way to avoid it.

Quote by Osho from The Discipline of Transcendence – Discourses on the forty-two sutras of Buddha, Vol 3, Ch 5

The series 1001 Tales has been compiled by Shanti

DEATH / DYINGSHANTISUFI

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