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As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it early so that any one who wishes to, can use it in services or events on this Remembrance Sunday.
So here is how it came to be written. On Remembrance Day I was at home listening to the radio and when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th some years ago, minutes after having composed it, by clicking on the title or the ‘play’button if it appears.
The striking image above is ‘Poppy Day’ by Daliscar and the one below is ‘Silent Cross’ by Margot Krebs Neale
https://malcolmguite.wordpress.com/wp-content/uploads/2020/11/silence-a-sonnet.mp3Silence
November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth ,and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.
Silent Cross by Margot Krebs Neale
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The dark is bright with quiet lives and steady lights undimmed
As we come towards Hallowe’en, its worth remembering that the word Hallowe’en itself simply means ‘the eve of all Hallows’, and All Hallows is the Christian feast of All Saints, or All Saints Day’, a day when we think particularly of those souls in bliss who, even in this life, kindled a light for us, or to speak more exactly, reflected for us and to us, the already-kindled light of Christ!, It is followed immediately on November 2nd by All Souls Day. the day we remember all the souls who have gone before us into the light of Heaven. It is good that we should have a season of the year for remembrance and a time when we feel that the veil between time and eternity is thin and we can sense that greater and wider communion of saints to which we belong. It is also good and right that the Church settled this feast on a time in the turning of the year when the pre-Christian Celtic religions were accustomed to think of and make offerings for the dead. But it was right that, though they kept the day, they changed the custom. The greatest and only offering, to redeem both the living and the dead, has been made by Christ and if we want to celebrate our loving connections we need only now make gifts to the living, as we do in offering sweets to the ‘trick or treaters’ in this season, and far more profoundly in exchanging gifts at Christmas.
Anyway, given that both these seasons of hospitality and exchange have been so wrenched from their first purpose in order to sell tinsel and sweeties, I thought I might redress the balance a little and reclaim this season with a sonnet for All Souls/All Saints that remembers the light that shines in darkness, who first kindled it, and how we can all reflect it.
If your church is marking all saints or all souls day do feel free to print the words or use the recording.
The image which follows this poem, and takes up one of its key lines, is by Margot Krebs Neale. As always you can hear the poem by clicking on the ‘play’ button if it appears, or on the title.
This sonnet are from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press,
As always you can hear me read the sonnet if you click on the player button or the title of the poem
https://malcolmguite.wordpress.com/wp-content/uploads/2021/10/a-sonnet-for-all-saints.mp3All Saints
Though Satan breaks our dark glass into shards
Each shard still shines with Christ’s reflected light,
It glances from the eyes, kindles the words
Of all his unknown saints. The dark is bright
With quiet lives and steady lights undimmed,
The witness of the ones we shunned and shamed.
Plain in our sight and far beyond our seeing
He weaves them with us in the web of being
They stand beside us even as we grieve,
The lone and left behind whom no one claimed,
Unnumbered multitudes, he lifts above
The shadow of the gibbet and the grave,
To triumph where all saints are known and named;
The gathered glories of His wounded love.
‘Each shard still shines’ image by Margot Krebs Neale
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St. Luke accompanied by his ‘creature’ the winged oxThe 18th of October, is the feast day of St. Luke the Physician and Evangelist, and so I am reposting this sonnet in his honour. This poem comes from Sounding the Seasons, my series of sonnets for the church year. My sonnets in that series, include a mini-sequence on the four Evangelists together and the imagery in those sonnets is influenced by the images of the four living creatures round the throne of God and the tradition that each of these creatures represents both an aspect of Christ and one of the four Evangelists.
‘...since there are four zones of the world in which we live, and four principal winds, while the Church is scattered throughout all the world, and the “pillar and ground” of the Church is the Gospel and the spirit of life it is fitting that she should have four pillars, breathing out immortality on every side, and vivifying men afresh. From which fact, it is evident that the Word, the Artificer of all, He that sitteth upon the cherubim, and contains all things, He who was manifested to men, has given us the Gospel under four aspects, but bound together by one Spirit. ‘ St. Irenaeus of Lyons (ca. 120-202 AD) – Adversus Haereses 3.11.8
For a good account of this tradition click here. I am drawing my inspiration both from the opening page image of each Gospel in the Lindesfarne Gospels and also from the beautiful account of the four living creatures given by St. Ireneus, part of which I quote above. As well as being himself a Physician, and therefore the patron saint of doctors and all involved in healing ministry, Luke is also the patron of artists and painters. In this iconographic tradition Luke’s emblem is the ox, the lowly servant His gospel seems to have a particular connection with those on the margins of his society. In Luke we hear the voices of women more clearly than in any other gospel, and the claims and hope of the poor in Christ find a resonant voice.
As always you can hear the poem by clicking the ‘play’ button if it appears or clicking on the title of the poem. The photographer Margot Krebs Neale has again provided a thought-provoking photograph to interpret the poem, in this case one taken by her son Oliver of his brother Luc. The book with these sonnets was published by Canterbury Press and is available from all the usual Amazons etc.
http://audioboo.fm/boos/509200-st-luke-a-sonnet.mp3
Luke
His gospel is itself a living creature
A ground and glory round the throne of God,
Where earth and heaven breathe through human nature
And One upon the throne sees it is good.
Luke is the living pillar of our healing,
A lowly ox, the servant of the four,
We turn his page to find his face revealing
The wonder, and the welcome of the poor.
He breathes good news to all who bear a burden
Good news to all who turn and try again,
The meek rejoice and prodigals find pardon,
A lost thief reaches paradise through pain,
The voiceless find their voice in every word
And, with Our Lady, magnify Our Lord.
Thanks to Margot Krebs Neale for this imageIf you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
St. Francis Day falls on the 4th of October so I thought I would repost this sonnet which reflects the way Francis responded to Christ’s call by casting away the rich trappings he had inherited and embracing holy poverty. As always you can hear the sonnet by clicking on the ‘play’ button or the title
My sonnets for the Christian Year are available from Canterbury Press Here and on Kindle here
This sonnet for Francis is taken from my book The Singing Bowl, published by Canterbury Press. It is also available from Amazon UK Here, and USA Here and in Canada it is kept in stock by SignpostMusic
https://malcolmguite.wordpress.com/wp-content/uploads/2021/10/francis.mp3
‘Francis, Rebuild My Church’; a sonnet for the Saint and for the new Pope
‘Francis rebuild my church which, as you seeIs falling into ruin.’ From the crossYour saviour spoke to you and speaks to usAgain through you. Undoing set you free,Loosened the traps of trappings, cast awayThe trammelling of all that costly clothWe wind our saviour in. At break of dayHe set aside his grave-clothes. Your new birthCame like a daybreak too, naked and trueTo poverty and to the gospel call,You woke to Christ and Christ awoke in youAnd set to work through all your love and skillTo make our ruin good, to bless and healTo wake the Christ in us and make us whole.
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Ah, here is the poem thats causing the problem! Its by Guite of course!It’s National Poetry Day here in the UK so I thought I’d post this villanelle up in honour of the day. I was once photocopying some poems for a talk when the whole machine ground to a halt, totally jammed. I pulled what poetry I could from its innards and rushed off to give my talk. When I came back the woman in charge of the machine pointed an accusing finger and said “Your poetry is jamming my machine!” I thought that was such a great line that I borrowed it and wrote her this poem for her to make ammends.
As always you can hear it by clicking the ‘play’ button, if it appears or else clicking the hyperlink in the poem’s inordinately long title.
http://audioboo.fm/boos/495191-my-poetry-is-jamming-your-machine.mp3On being told my poetry was found in a broken photocopier
My poetry is jamming your machine
It broke the photo-copier, I’m to blame,
With pictures copied from a world unseen.
My poem is in the works -I’m on the scene
We free my verse, and I confess my shame,
My poetry is jamming your machine.
Though you berate me with what might have been,
You stop to read the poem, just the same,
And pictures, copied from a world unseen,
Subvert the icons on your mental screen
And open windows with a whispered name;
My poetry is jamming your machine.
For chosen words can change the things they mean
And set the once-familiar world aflame
With pictures copied from a world unseen
The mental props give way, on which you lean
The world you see will never be the same,
My poetry is jamming your machine
With pictures copied from a world unseen
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St. Michael at Mont St. Michell -photo by Margot Krebs NealeThe end of September brings us to the feast of St. Michael and All Angels which is known as Michaelmas in England, and this first autumn term in many schools and universities is still called the Michaelmas term. The Archangel Michael is traditionally thought of as the Captain of the Heavenly Host, and, following an image from the book of Revelation, is often shown standing on a dragon, an image of Satan subdued and bound by the strength of Heaven. He is also shown with a drawn sword, or a spear and a pair of scales or balances, for he represents, truth, discernment, the light and energy of intellect, to cut through tangles and confusion, to set us free to discern and choose. He is celebrated and revered in all three Monotheistic religions. There is a good, full account of him here. And here is a bright and playful image of him by the Cambridge Artist Rebecca Merry, who has done a number of icons and other images of the Archangels. You can see more of her art here, and also in the Byard Art Gallery.
And Michael’s scale is true, his blade is brightAnd here is a response to the poem from photographer Margot Krebs Neale, weaving the words at the heart of the poem into the heart-shaped image. More of Margot’s work can be seen here.
This poem comes from my sequence from Sounding the Seasons, the collection of my sonnets for the church year, published by Canterbury Press, As always you can hear the poem by clicking on the ‘play’ button if it appears, or the title.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/09/michaelmas-sonnet.mp3Michaelmas
Michaelmas gales assail the waning year,
And Michael’s scale is true, his blade is bright.
He strips dead leaves; and leaves the living clear
To flourish in the touch and reach of light.
Archangel bring your balance, help me turn
Upon this turning world with you and dance
In the Great Dance. Draw near, help me discern,
And trace the hidden grace in change and chance.
Angel of fire, Love’s fierce radiance,
Drive through the deep until the steep waves part,
Undo the dragon’s sinuous influence
And pierce the clotted darkness in my heart.
Unchain the child you find there, break the spell
And overthrow the tyrannies of Hell.
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On August 15th many churches across the world, Catholic, Orthodox and Anglican, keep a feast for the Blessed Virgin Mary, fulfilling the scripture that says “All generations will call me blessed”, remembering the one who bore our saviour for us, who was full of grace.
It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/08/annunciation.mp3
Annunciation
We see so little, stayed on surfaces,
We calculate the outsides of all things,
Preoccupied with our own purposes
We miss the shimmer of the angels’ wings,
They coruscate around us in their joy
A swirl of wheels and eyes and wings unfurled,
They guard the good we purpose to destroy,
A hidden blaze of glory in God’s world.
But on this day a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/08/visitation.mp3
The Visitation
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/08/theotokos-a-sonnet-for-mary.mp3Theotokos
You bore for me the One who came to bless
And bear for all and make the broken whole.
You heard His call and in your open ‘yes’
You spoke aloud for every living soul.
Oh gracious Lady, child of your own child,
Whose mother-love still calls the child in me,
Call me again, for I am lost, and wild
Waves suround me now. On this dark sea
Shine as a star and call me to the shore.
Open the door that all my sins would close
And hold me in your garden. Let me share
The prayer that folds the petals of the Rose.
Enfold me too in Love’s last mystery
And bring me to the One you bore for me.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/08/stations-iv-jesus-meets-his-mother.mp3Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://audioboom.com/posts/5427225-o-virgo-virginum.mp3O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
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This mosaic in Assisi, Italy, photographed May 28, depicts St. Clare of Assisi holding a palm frond, a symbol of her entering religious life. (CNS photo/Octavio Duran)August the 11th is the day the church remembers with thanksgiving the life and witness of St. Clare. She was the friend and companion of Francis, and founder of the Poor Clares. Her love for Christ, her share in the vision of St. Francis and her extraordinary gifts a soul-guide, friend, and leader made her a shining light and a clear mirror of Christ for thousands in her lifetime and still a light and inspiration to Christians from many denominations today.
Clare wrote:
Place your mind before the mirror of eternity!
Place your soul in the brilliance of glory!
Place your heart in the figure of the divine substance!
And transform your entire being into the image
of the Godhead Itself through contemplation.
So that you too may feel what His friends feel
as they taste the hidden sweetness
that God Himself has reserved from the beginning
for those who love Him”
So here is my sonnet in her honour reflecting on how the meaning of her name, ‘light and clarity’, was also the meaning of her life. This sonnet is taken from The Singing Bowl , which is published by Canterbury Press and available through Amazon etc.
As usual you can hear me read the poem by pressing the ‘play’ button.
https://malcolmguite.wordpress.com/wp-content/uploads/2022/08/saint-clare.mp3
Clare
Santa Chiara, lovely claritas
Whose soul in stillness holds love’s pure reflection,
Shining through you as Holy Caritas,
Lucid and lucent, bringing to perfection
The girl whom Love has called to call us all
Back into truth, simplicity and grace.
Your love for Francis, radiant through the veil,
Reveals in both of you your saviour’s face.
Christ holds the mirror of your given life
Up to the world he gives himself to save,
A sacrament to keep your city safe,
A window into his eternal love.
Unveiled in heaven, dancing in the light,
Pray for this pilgrim soul in his dark night.
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
The 22nd of July is Mary Magdalene’s day, and, returning to my sequence of sonnets written in response to the church year, I post this for her. As usual you can hear the poem by clicking on its title or on the ‘play’ button.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. As usual you can hear me read the poem by pressing the ‘play’ button if it appears, or else by clicking on the title.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/07/mary-magdalene.mp3
Mary Magdalene
Men called you light so as to load you down,
And burden you with their own weight of sin,
A woman forced to cover and contain
Those seven devils sent by Everyman.
But one man set you free and took your part
One man knew and loved you to the core
The broken alabaster of your heart
Revealed to Him alone a hidden door,
Into a garden where the fountain sealed,
Could flow at last for him in healing tears,
Till, in another garden, he revealed
The perfect Love that cast out all your fears,
And quickened you with love’s own sway and swing,
As light and lovely as the news you bring.
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For different reasons we have all, on both sides of the Atlantic, been reflecting on the way our words can travel and unravel beyond us, on the need to care for the tenor of what we say. Back in 2011 I had already become uneasy about the coarsening of our discourse and particularly about hate speech, and inflammatory political rhetoric, and I wrote this poem reflecting on Jesus’ warning to us about the consequences of the words we use, about the fact that we will be held accountable for them. I published that poem in 2013 in my book The Singing Bowl, but now, eleven years later, it seems more urgent than ever.
As always you can hear me read the poem by clicking on the title or the ‘play’ button
https://audioboom.com/posts/263714-what-if.mp3What If…
“But I say unto you, that every idle word that men shall speak, they shall give account thereof in the day of judgment. For by thy words thou shalt be justified, and by thy words thou shalt be condemned.” Mathew 12:36-37
What if every word we say
Never ends or fades away,
Gathers volume gathers weigh,
Drums and dins us with dismay
Surges on some dreadful day
When we cannot get away
Whelms us till we drown?
What if not a word is lost,
What if every word we cast
Cruel, cunning, cold, accurst,
Every word we cut and paste
Echoes to us from the past
Fares and finds us first and last
Haunts and hunts us down?
What if every murmuration,
Every otiose oration
Every oath and imprecation,
Insidious insinuation,
Every blogger’s aberration,
Every facebook fabrication
Every twittered titivation,
Unexamined asservation
Idiotic iteration,
Every facile explanation,
Drags us to the ground?
What if each polite evasion
Every word of defamation,
Insults made by implication,
Querulous prevarication,
Compromise in convocation,
Propaganda for the nation
False or flattering peruasion,
Blackmail and manipulation
Simulated desparation
Grows to such reverberation
That it shakes our own foundation,
Shakes and brings us down?
Better that some words be lost,
Better that they should not last,
Tongues of fire and violence.
O Word through whom the world is blessed,
Word in whom all words are graced,
Do not bring us to the test,
Give our clamant voices rest,
And the rest is silence.
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On his feast day I am reposting this sonnet on St. Benedict. My recent experience of diving deep into the Psalter has made me appreciate the Benedictine tradition even more deeply, for of course he made the recitation of the psalms the absolute core of his order’s liturgy and worship.
On July the 11th the Church celebrates the feast of St. Benedict of Nursia, the gentle founder of the Benedictine order and by extension the father of Monasticism. A moderate and modest man, he would have been astonished to learn that his ‘simple school for prayer’, his ‘modest rule for beginners’ led to the foundation of communities which kept the Christian flame alight through dark times, preserved not only Christian faith, scripture, and culture,but also the best of Classical Pagan learning and culture, fed the poor, transformed societies, promoted learning and scholarship, and today provides solace, grounding, perspective and retreat not only to monks and nuns but to millions of lay people around the world.
Here is my sonnet for Benedict, drawing largely on phrases from the Rule, I dedicate it to the sisters at Turvey Abbey. It appears in my second book with Canterbury Press, The Singing Bowl
You can also buy the book on amazon Here But better still why not order it through a local bookshop who pay their taxes and need your support!
As always you can hear the sonnet by clicking on the ‘play’ button or the title.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/07/st-benedict.mp3Benedict
You sought to start a simple school of prayer,
A modest, gentle, moderate attempt,
With nothing made too harsh or hard to bear,
No treating or retreating with contempt,
A little rule, a small obedience
That sets aside, and tills the chosen ground,
Fruitful humility, chosen innocence,
A binding by which freedom might be found
You call us all to live, and see good days,
Centre in Christ and enter in his peace,
To seek his Way amidst our many ways,
Find blessedness in blessing, peace in praise,
To clear and keep for Love a sacred space
That we might be beginners in God’s grace.
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‘Today we remember Thomas the apostle and how he touched the wounds of Christ. He is dubbed doubting’ Thomas, but maybe honest Thomas, courageous Thomas, even Tenacious Thomas would be nearer the mark!
I thank God for St. Thomas, the one disciple who had the courage to say what everyone else was thinking but didnt dare say, the courage to ask the awkward questions that drew from Jesus some of the most beautiful and profoundly comforting of all his sayings. “We dont know where you’re going, how can we know the way”? asked Thomas, and because he had the courage to confess his ignorance, we were given that beautiful saying “I am the way the Truth and the Life” Here is the poem I have written for St. Thomas, and also a sermon called ‘Touching the Wounds’ which I preached at St. Edwards.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am greateful to Margot Krebs Neale for the thought-provoking image above, you can hear the poem by clicking on the ‘play’ button below or on the title of the poem and you can hear the sermon on my podcast site by clicking here: Touching The Wounds
http://audioboo.fm/boos/758321-doubting-thomas.mp3
St. Thomas the Apostle
“We do not know… how can we know the way?”
Courageous master of the awkward question,
You spoke the words the others dared not say
And cut through their evasion and abstraction.
Oh doubting Thomas, father of my faith,
You put your finger on the nub of things
We cannot love some disembodied wraith,
But flesh and blood must be our king of kings.
Your teaching is to touch, embrace, anoint,
Feel after Him and find Him in the flesh.
Because He loved your awkward counter-point
The Word has heard and granted you your wish.
Oh place my hands with yours, help me divine
The wounded God whose wounds are healing mine.
oh place my hands with yours, help me divine
the wounded God whose wounds are healing mineIf you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
The 29th of June is St. Peter’s day, when we remember the disciple who, for all his many mistakes, knew how to recover and hold on, who, for all his waverings was called by Jesus ‘the rock’, who learned the threefold lesson that every betrayal can ultimately be restored by love. It is fitting therefore that it is at Petertide that new priests and deacons are ordained, on the day they remember a man whose recovery from mistakes and openness to love can give them courage. So I post this poem not only for St. Peter but for all those called to ministry who have been or are about to be ordained in this season.
This poem comes from my collection Sounding the Seasons published by Canterbury Press. You can also buy it on Amazon Uk or US or order it in any bookshop.
As always you can her the poem by clicking on the ‘play’ button, or on the title of the poem.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/st-peter.mp3
St. Peter
Impulsive master of misunderstanding
You comfort me with all your big mistakes;
Jumping the ship before you make the landing,
Placing the bet before you know the stakes.
I love the way you step out without knowing,
The way you sometimes speak before you think,
The way your broken faith is always growing,
The way he holds you even when you sink.
Born to a world that always tried to shame you,
Your shaky ego vulnerable to shame,
I love the way that Jesus chose to name you,
Before you knew how to deserve that name.
And in the end your Saviour let you prove
That each denial is undone by love.
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So keep his fires burning through the night
Beacons and gateways for the child of light.Now, with the summer solstice, we have come to midsummer and the traditional Church festival for this beautiful, long-lit solstice season is the Feast of St. John the Baptist, which falls on June 24th, which was midsummer day in the old Roman Calender. Luke tells us that John the Baptist was born about 6 months before Jesus, so this feast falls half way through the year, 6 months before Christmas!
The tradition of keeping St. John’s Eve with the lighting of Bonfires and Beacons is very ancient, almost certainly pre-Christian, but in my view it is very fitting that it has become part of a Christian festivity. Christ keeps and fulfills all that was best in the old pagan forshadowings of his coming and this Midsummer festival of light is no exception. John was sent as a witness to the light that was coming into the world, and John wanted to point to that light, not stand in its way, hence his beautiful saying ‘He must increase and I must diminish’, a good watchword for all of those who are, as the prayer book calls us, the ‘ministers and stewards of his mysteries’.
I have written two sonnets, one for St. John’s Eve reflecting on the lighting of the fires and another for St. John’s day in which , in honour of the Baptist, I reflect on the mystery and grace of baptism itself.
I am very grateful to the artist Rebecca Merry for her beautiful interpretation of this feast and these poems.
Both these sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on bothAmazon UK and USA It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As usual you can hear the poems by pressing the ‘play’ button if it appears, or else by clicking on the title.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/st-john-s-eve.mp3
St. John the Baptist: 1 St. John’s Eve
Midsummer night, and bonfires on the hill
Burn for the man who makes way for the Light:
‘He must increase and I diminish still,
Until his sun illuminates my night.’
So John the Baptist pioneers our path,
Unfolds the essence of the life of prayer,
Unlatches the last doorway into faith,
And makes one inner space an everywhere.
Least of the new and greatest of the old,
Orpheus on the threshold with his lyre,
He sets himself aside, and cries “Behold
The One who stands amongst you comes with fire!”
So keep his fires burning through this night,
Beacons and gateways for the child of light.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/baptism.mp3
St. John the Baptist: 2 Baptism
Love’s hidden thread has drawn us to the font,
A wide womb floating on the breath of God,
Feathered with seraph wings, lit with the swift
Lightening of praise, with thunder over-spread,
And under-girded with an unheard song,
Calling through water, fire, darkness, pain,
Calling us to the life for which we long,
Yearning to bring us to our birth again.
Again the breath of God is on the waters
In whose reflecting face our candles shine,
Again he draws from death the sons and daughters
For whom he bid the elements combine.
As living stones around a font today,
Rejoice with those who roll the stone away.
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A fierce dove racing in a fiercer gale
June the 9th is Saint Columba’s day, a saint who has a special place for me, as somehow, he feels bound up in my own journey to Faith. When I was 19, and moving from atheism, towards a greater spiritual openness, but by no means yet a Christian, I went for a long slow walk round Ireland. I went without a map because the Zen practice in which I was interested at the time, and on which I still draw in prayer, was always emphasizing ‘The map is not the reality”! You must utterly and absolutely be in the place you’re in, and let that place be what it is and teach what it has to teach without any overlay from your maps and preconceptions. So I took that literally and walked round Ireland without a map, just keeping the sea on my left! One evening, St. John’s Eve it was, right at the end of my journey, I came round a headland at sunset into a beautiful little bay and inlet on the west coast in Donegal, just as the fires were being lit around the headlands for St. John’s Eve, and there was drinking and fiddle playing and dancing round the fires that evening. And I asked where I was, and they said Glencolmcille, and I felt a sudden quickening and sense of connection, as though a memory stirred. And they asked me my name and I said ‘Malcolm’, and they said, ‘Ah that is why you have come, because he has called you’, and I said ‘who?’ and they said ‘Colm has called you, Malcolm, for this is the place he fought his battle and gathered his disciples and from here he left for the white martyrdom and Scotland. And they told me the story of St. Columba, and the battle he had fought, of his repentance, his self-imposed exile, his journey with twelve disciples from this glen to Scotland where he founded the abbey of Iona from whence Scotland and much of the north of England was converted. ‘Of course he is calling you here’, they said, ‘for your name, in Gaelic means’ servant of Colm’, which is Columba. And as they spoke I remembered at last, right back into my childhood, how I had been told stories about this saint, and how I was named for him, and how my grandmother had published poems about him and sung her lullaby for the infant Columba over me as a child. I wandered down to the shore whence he had set sail and felt how thin the veil was, how something of heaven, whatever heaven might be, seemed to glimmer through the sky and the sea itself in this place. And I thought: ‘I’m not a Christian, and I don’t see how I could ever become one, but if I do ever become one, I’ll remember Columba and I’ll go to Iona and thank him’. Which I did, and I did. Now here’s my sonnet for the saint. This poem is now collected in my book The Singing Bowl from Canterbury Press which you can get on amazon, or better still, order from your local bookshop! Click on the title or the ‘play button to hear me read the poem!
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/columba-at-colmcille.mp3
Columba
You called me and I came to Colmcille
To learn at last the meaning of my name
Though you yourself were called, and not the caller,
He called through you and when He called I came.
Came to the edge at last, in Donegal,
Where bonfires burned and music lit the flame
As from the shore I glimpsed that ragged sail
The Spirit filled to drive you from your home,
A fierce dove racing in a fiercer gale,
A swift wing flashing between sea and sky.
And with that glimpse I knew that I would fly
And find you out and serve you for a season,
My heaven hidden like your native isle,
Though somehow glimmering on each horizon.
Glencolmcille, scene of a small epiphany
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Today is the the feast of Corpus Christi (the Body of Christ), which is really a celebration of the sacrament of Holy Communion.
In mediaeval times there used to be wonderful processions in which the consecrated elements were taken out of the church on this day and processed on the streets, showing that the Word made flesh was not just in a box labelled ‘church’ but in our midst, just as He was on the streets of Nazareth and Jerusalem. Rebecca Merry‘s lovely art work ( above) has the feel of those mediaeval ‘showings’ on Corpus Christi.
For my contribution to Corpus Christi I am offering here a trio of sonnets about the experience of receiving Holy Communion, each from a slightly different angle. The first two sonnets were published in Sounding the Seasons, my cycle of seventy sonnets for the Church Year.The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great. The third sonnet, which is about the 16th Century Oak communion table in the church of St. Edward King and Martyr, is from my book The Singing Bowl also published by Canterbury Press
Margot Krebs Neale has reflected on my phrases ‘He does not come in unimagined light ‘ and ‘to dye himself into experience’ with an image not simply of a stained glass window but of that dyed and refracted light itself reflected in water. I am grateful both to Rebecca and Margot for the way their work reflects on and develops mine.
As always you can hear me read the poetry by clicking on the play button above each sonnet, if it appears, or on the title of the poem itself.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/love-s-choice.mp3
1 Love’s Choice
This bread is light, dissolving, almost air,
A little visitation on my tongue,
A wafer-thin sensation, hardly there.
This taste of wine is brief in flavour, flung
A moment to the palate’s roof and fled,
Even its aftertaste a memory.
Yet this is how He comes. Through wine and bread
Love chooses to be emptied into me.
He does not come in unimagined light
Too bright to be denied, too absolute
For consciousness, too strong for sight,
Leaving the seer blind, the poet mute;
Chooses instead to seep into each sense,
To dye himself into experience.
He does not come in unimagined light…
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/hide-and-seek.mp3
2 Hide and Seek
Ready or not, you tell me, here I come!
And so I know I’m hiding, and I know
My hiding-place is useless. You will come
And find me. You are searching high and low.
Today I’m hiding low, down here, below,
Below the sunlit surface others see.
Oh find me quickly, quickly come to me.
And here you come and here I come to you.
I come to you because you come to me.
You know my hiding places. I know you,
I reach you through your hiding-places too;
Touching the slender thread, but now I see –
Even in darkness I can see you shine,
Risen in bread, and revelling in wine.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/06/this-table.mp33 This Table
The centuries have settled on this table
Deepened the grain beneath a clean white cloth
Which bears afresh our changing elements.
Year after year of prayer, in hope and trouble,
Were poured out here and blessed and broken, both
In aching absence and in absent presence.
This table too the earth herself has given
And human hands have made. Where candle-flame
At corners burns and turns the air to light
The oak once held its branches up to heaven,
Blessing the elements which it became,
Rooting the dew and rain, branching the light.
Because another tree can bear, unbearable,
For us, the weight of Love, so can this table
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Returning for a moment to my cycle of sonnets for the Church Year, here is one for Trinity Sunday.
By coming to us as the Son, revealing to us the Father, and sending to us the Spirit, Jesus revealed the deepest mystery; that God is not distant and alone, but is three in one, a communion of love who comes to make His home with us.
The Rublev Icon, above, shows the Three in One inviting us to share in that communion. If, as I believe, we are made in the image of God, as beings in communion with one another in the name of that Holy and Undivided Trnity whose being is communion, then we will find reflections and traces of the Trinitarian mystery in all our loving and making.
As usual you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem.
Readers who are interested in my use of the word ‘coinherent’ will find out more by watching the video of my talk about the British theologian Charles Williams, a friend and fellow inkling of CS Lewis which can be found here.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
https://malcolmguite.wordpress.com/wp-content/uploads/2021/05/trinity-sunday.mp3Trinity Sunday
In the Beginning, not in time or space,
But in the quick before both space and time,
In Life, in Love, in co-inherent Grace,
In three in one and one in three, in rhyme,
In music, in the whole creation story,
In His own image, His imagination,
The Triune Poet makes us for His glory,
And makes us each the other’s inspiration.
He calls us out of darkness, chaos, chance,
To improvise a music of our own,
To sing the chord that calls us to the dance,
Three notes resounding from a single tone,
To sing the End in whom we all begin;
Our God beyond, beside us and within.
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The 25th of May is the day the Church remembers and celebrates the Venerable Bede, who died on that day in 735. Bede was a Saint and Scholar, whose wonderful Ecclesiastical History of the English People, is still the major source for early English History, as well as being, in itself a deeply inspiring book. He is buried in Durham cathedral and set above his tomb, in beautiful shimmering letters, is the text of one of the prayers he wrote. My sonnet in celebration of Bede draws on this prayer so I give its text here in both Latin and English and have posted a photograph of it below the poem.
As always you can hear the poem by clicking on the title or the ‘play’ button. This poem is from my collection of verse ‘The Singing Bowl’, published by Canterbury Press
Bede’s Prayer:
Christus est stella matutina, Alleluia
Qui nocte saeculi transacta, Alleluia
Lucem vitae sanctis promittit, Alleluia;
Et pandit aeternam, Alleluia
(Christ is the morning star who when the night of this world is past brings to his saints the promise of the light of life & opens everlasting day.)
https://malcolmguite.wordpress.com/wp-content/uploads/2021/05/st-bede.mp3
Bede
I kneel above your bones and read your words.
Church-Latin letters, shimmering in gold,
A kingdom-glimmer through the dark and cold,
A revelation gleaming on the shards
Of all our broken lives and promises.
Christus est stella matutina
Qui nocte saeculi transacta
Christ is the morning star. He promises
The light of life when this dark night is past…
Lucem vitae sanctis promittit
You speak for all his Wounded witnesses,
The morning star will shine on us at last.
Scholar and saint, illuminate the way
That opens into everlasting day.
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Bede’s Prayer
A Pentecost Banner at St. Michael ‘s Bartley Green
Here, once more is my sonnet for Pentecost.
Drawn from ‘Sounding the Seasons’, my cycle of sonnets for the Church Year, this is a sonnet reflecting on and celebrating the themes and readings of Pentecost. Throughout the cycle, and more widely, I have been reflecting on the traditional ‘four elements’ of earth, air, water and fire. I have been considering how each of them expresses and embodies different aspects of the Gospel and of God’s goodness, as though the four elements were, in their own way, another four evangelists. In that context I was very struck by the way Scripture expresses the presence of the Holy Spirit through the three most dynamic of the four elements, the air, ( a mighty rushing wind, but also the breath of the spirit) water, (the waters of baptism, the river of life, the fountain springing up to eternal life promised by Jesus) and of course fire, the tongues of flame at Pentecost. Three out of four ain’t bad, but I was wondering, where is the fourth? Where is earth? And then I realised that we ourselves are earth, the ‘Adam’ made of the red clay, and we become living beings, fully alive, when the Holy Spirit, clothed in the three other elements comes upon us and becomes a part of who we are. So something of that reflection is embodied in the sonnet.
As usual you can hear me reading the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem itself. Thanks to Margot Krebs Neale for the beautiful image which follows the poem.
Sounding the Seasons, is published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
https://malcolmguite.wordpress.com/wp-content/uploads/2021/05/pentecost-poem.mp3
Pentecost
Today we feel the wind beneath our wings
Today the hidden fountain flows and plays
Today the church draws breath at last and sings
As every flame becomes a Tongue of praise.
This is the feast of fire,air, and water
Poured out and breathed and kindled into earth.
The earth herself awakens to her maker
And is translated out of death to birth.
The right words come today in their right order
And every word spells freedom and release
Today the gospel crosses every border
All tongues are loosened by the Prince of Peace
Today the lost are found in His translation.
Whose mother tongue is Love in every nation.
If you are enjoying these posts, you might like, on occasion to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish.
And here, an a little bonus is the outline of a Pentecost Sermon, using this sonnet, by my good friend Cathy Michell:
Meditation on Malcolm’s poem: Pentecost
5 This is the feast of fire, air, and water
6 Poured out and breathed and kindled into earth.
The 3 elements:
1) WIND
1 Today we feel the wind beneath our wings
3 Today the church draws breath at last and sings.
7 The earth herself awakens to her maker
8 And is translated out of death to birth.
Acts 2 ‘Suddenly from heaven there came a sound like the rush of a violent wind, and it filled the entire house’.
The wind blowing yesterday and today – its roar and its visible effects – powerful, exciting/dangerous.
To the people of the Bible wind, breath and spirit were blended ideas (see M’s wind/breath in vv 1 and 3), all closely related in God who was seen to be all these things and therefore ‘gave ‘ all these things. The rush, roar and obvious effects of wind in nature, where paralleled by the equally obvious effects of breathing. In turn the spirit, the life in all creatures, was present because of the presence in them of breath.
In Genesis, when what ever existed or did not exist, was formless, void and dark, it is God who brings life, ‘a wind from God swept over the face of the waters’. Likewise in Genesis 2 we see God creating humans from the dust and then breathing into their nostrils the breath of life. Wind and breath are the same. They are of God and they bring the world and humans life, not just in the beginning but always. Just listen to the roar outside. Just listen to your own breath as it reanimates you over and over.
The prophet Ezekiel experienced the same in the valley of the dry bones. God tells the prophet that the bones will be brought from death to life (as M’s v8, ‘translated out of death to birth).
God says to the prophet, ‘I will cause breath to enter you and you shall live’. Ezekiel is instructed,‘Prophesy to the Breath..and say……’come from the 4 winds., O Breath, and breathe upon these slain that they may live’.
In this passage all 3 meanings of the words ‘ruach’ (Heb) or ‘pneuma’ (Gk) (breath/spirit) are found overlaid upon each other. So Jesus in John’s gospel is seen to breath on his disciples when he appears to them one evening as they are locked inside a house after the crucifixion. John tells us that Jesus breathed on them so that they might receive the Holy Spirit.
And then there’s that other account in John’s gospel about what Jesus said to the pharisee Nicodemus as they spoke about being born again. Here Jesus likens the nature and presence of The Spirit to the wind, saying,
‘The wind blows where it chooses, and you hear the sound of it, but you do not know where it comes from or where it goes. So it is with everyone who is born of The Spirit.’ (Jn 3:8)
So we have looked at the key words here, wind and breath, but see also the word ‘awakening’ that Malcolm uses in v7. The Spirit awakens the earth, the disciples and us as from sleep. The Earth is awoken at its Creation by God. Each Spring is a new waking up from winter; we are woken by God’s loving spirit from our own deadliness, to a renewed eternal life (reborn as with was Nicodemus). And at our mortal, our actual death, we wake up to resurrection Life.
In Acts it is the Church that is reawakened and given ruach, breath and Spirit at Pentecost. It’s the scared, cowed, lost and grieving disciples in their lock-down who were miraculously given life again. And it was this that sent them out to ‘sing’ as Malcolm puts it – to preach their joyful gospel to all.
And how we are longing to do the same. To draw breath, as if for the first time, to sing again. But more than that – to speak new things, hope and joy; be heard and come alive again in this community. We want to be ‘translated out of death to birth’ again and to be agents of that Life that is Christ, to others. For this breath of God is also what inspires (inspire and expire!) us, what a lovely play on words. It is the life that is found in every creative act, every leap of the imagination, clear intuition, or innovative plan. There in art, music, song, study, craft or kitchen, in theatre or church. It sings out, it patterns our life in vibrant colour. It is what the Church is in constant need of, if it will let that wind blow through its dark, dusty and often closed down ways.
We need the wings Malcolm refers to in v 1, as he speaks about the wind blowing where it will. Wings allowing us to take flight and glide on the breeze carried aloft by the Spirit. These wings are also there to remind us of the hovering dove, balancing, held up by the air. The Spirit comes to us from God. It descends upon us and always hovers over the Church in blessing and protection. It reminds us of Jesus himself receiving God’s Spirit at his baptism. And we think of our own baptism and the life it has given us as we have journeyed a long time perhaps, in the company of Jesus. And this is why Malcolm’s second verse brings in our next element or image of Pentecost, and it’s…..
2 WATER
2 Today the hidden fountain flows and plays. (‘poured out’)
Water. Yes it is about baptism, but more than this, as water takes us back again to the Creation stories; the great sea over which God brooded; the rivers, lakes and streams emerging, even the great flood as it swept the earth clean of human sin yet led to new life, a new start – God’s promise to Noah through the rainbow sign, that He would establish an everlasting covenant of love with all humanity. And under that covenant (renewed on June 6th at the service in the chapel) we still stand.
Water, like breath, is essential to us. Just like our breathing, it is Life, it is God. And of the many Bible passages we might think of, it’s the story of Jesus’s meeting the woman at Jacob’s well that rings true here (John 4); their complex, subtle discussion about being thirsty, and about where to source a water to quench not only the thirst of the body but the craving and deep need of the soul.
‘If you knew the gift of God, and who it is who is saying to you, ‘Give me a drink’, you would have asked him, and he would have given you living water……those who drink of the water that I will give them, will never be thirsty. The water that I will give will become in them a spring of water gushing up to eternal life.’
This water carries the Spirit within it, as Jesus rather enigmatically refers to again, when he and the woman go on to speak together about worshipping God.
John 4:23-24
‘the hour is coming’, says Jesus, ‘when true worshippers will worship the Father in spirit and truth………..God is Spirit and those who worship Him must worship in Spirit and in truth.’
There is so much here for us to reflect on – the meaning and impact of our own baptism; our own heart and soul longing to be refreshed and washed by Jesus the Living Water of our Life; how God’s Holy Spirit flowing through our lives may be known and listened to. And what might it be calling us to as individuals and as church in this place?
And so to our 3rd element…………….
FIRE (kindled)
4 As every flame becomes a Tongue of praise.
12 All tongues are loosened by the Prince of Peace.
Acts 2 ‘Divided tongues, as of fire, appeared among them, and a tongue rested on each one of them.’
Look how cleverly Malcolm has used the double meaning of ‘tongues’ in his poem (and in the final line as well) to make us think, and to place this element of fire alongside what the Acts account says later about the disciples, that they were filled with the Holy Spirit and so praised God as if drunk on his good wine – with very loosened tongues!
If we were to think of just one Bible narrative of many that speak about God as fire, we have to turn aside, as Moses did, to the miracle of the burning bush. (Ex 3)
‘ There the angel of the Lord appeared to him in flames of fire from within a bush. Moses saw that though the bush was on fire it did not burn up. So Moses thought, “I will go over and see this strange sight—why the bush does not burn up.”
He is told by God in no uncertain terms, “Do not come any closer, Take off your sandals, for the place where you are standing is holy ground. ……..At this, Moses hid his face, because he was afraid to look at God’.
The elemental power, glory, and beauty of fire – yes and its holy danger too – is one with the nature of God himself. The Spirit is not only God’s breath upon us, God’s living water pouring down into out hearts, it’s the fire of his energies, passion, love and desire, burning within us and lighting all around. This is what energised those fragile disciples in their cold, closed dispirited house. This is where we too may source our own energy and only by noticing and waiting on this Spirit of fire as Moses did, can we hear God’s voice and his will for us as Christians and as Church.
——————————–
And it’s to the Church and its mission that Malcolm turns at the end of his poem, by taking us back again to our Acts reading.
9 The right words come today in their right order
10 And every word spells freedom and release
11 Today the gospel crosses every border
13 Today the lost are found in His translation.
14 Whose mother-tongue is Love, in every nation.
Pentecost is about words – and how appropriate then that Malcolm chose poetry, the craft of words, to express its truths in ‘right order’. The wind, the breath and the Spirit of God descends on the disciples, where God’s breath becomes God’s Word – that Word with a capital W which John tells us was at the beginning with God, ‘and the Word was God’. This Word becomes translated into human speech, into the disciples’ praise and preaching, into Peter’s sermon given to the crowds. And of course this translating power of the Spirit is understood by everyone, just as all humans understand wind, fire, water and spirit. This is the reverse of the OT’s Tower of Babel, an incomprehension wrought by human arrogance and sin. God’s Spirit makes all things clear, its wind blows away the chaff, its waters enliven and purify, its fire burns away impurities and forges new strengths.
These gospel words spoken now, cross every border. In them ‘There is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus’ as St Paul says (Galatians 3). These Spirit – inspired words embrace all those whose experiences of being human have breathed sorrow, hurt, illness, rejection, poverty, captivity, death. For them the Spirit speaks of freedom and release.
As Jesus says according to Luke’s gospel (Lk 4:18)
The Spirit of the Lord is upon me, because he has anointed me to proclaim good news to the poor. He has sent me to proclaim liberty to the captives and recovering of sight to the blind, to set at liberty those who are oppressed,
And as the hymn writer John Bell puts it so beautifully,
To the lost Christ shows his face,
to the unloved he gives his embrace,
to those who cry in pain or disgrace
Christ makes, with his friends, a touching place.
This is the Spirit’s work. And Her or His work is, finally, nothing more or less than LOVE – ‘whose mother-tongue is love, in every nation’ as Malcolm says. What more is there to say?
This Pentecost, let’s turn aside again to stand before the love of God, to hear again for ourselves love’s invitation and allow ourselves once more to enjoy its dove-like tenderness in our lives. Let’s sing again, ‘Come down O love divine, seek thou this soul of mine’. And pray that by God’s generous grace and through the Spirit’s life-giving power, we too, like those disciples, can be given the words and the energy that will send us out to live that great love in the world.
Amen
Cathy Michell may 2021 (Toft St Andrews)
Whose Mother-tongue is Love in every nation
Here is a sonnet for Ascension Day, the glorious finale of the Easter Season.
In the mystery of the Ascension we reflect on the way in which, one sense Christ ‘leaves’ us and is taken away into Heaven, but in another sense he is given to us and to the world in a new and more universal way. He is no longer located only in one physical space to the exclusion of all others. He is in the Heaven which is at the heart of all things now and is universally accessible to all who call upon Him. And since His humanity is taken into Heaven, our humanity belongs there too, and is in a sense already there with him.”For you have died”, says St. Paul, “and your life is hidden with Christ in God”. In the Ascension Christ’s glory is at once revealed and concealed, and so is ours. The sonnet form seemed to me one way to begin to tease these things out.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle.
Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As always you can hear the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem.
I’m grateful to Oliver Neale for the image above, the image below was taken as we launched rockets to celebrate Ascension day at Girton College:
We have lift off!https://malcolmguite.files.wordpress.com/2021/05/ascension-day-sonnet.mp3Ascension
We saw his light break through the cloud of glory
Whilst we were rooted still in time and place
As earth became a part of Heaven’s story
And heaven opened to his human face.
We saw him go and yet we were not parted
He took us with him to the heart of things
The heart that broke for all the broken-hearted
Is whole and Heaven-centred now, and sings,
Sings in the strength that rises out of weakness,
Sings through the clouds that veil him from our sight,
Whilst we our selves become his clouds of witness
And sing the waning darkness into light,
His light in us, and ours in him concealed,
Which all creation waits to see revealed .
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Icon of Julian with her cat by Br Robert Lentz OFMThe 8th of May is the feast day of Julian of Norwich, sometimes known as Mother Julian or Lady Julian. She was an English Mystic of the late fourteenth Century, living as an anchoress in Norwich. Her life as an anchoress, finding Christ in isolation, and then finding that Christ transfigured that isolation into a communion of love, was an inspiration for many during lockdown. Her ‘Shewings’, or Revelations of Divine Love, a series of mystical visions of and conversations with Jesus, remain a source of profound wisdom and a gift to the church, present and future. For a good introduction to her work I recommend Julia Bolton Holloway’s website, she is herself an anchoress in Florence, and Robert Llewlyn’s classic work ‘With Pity, not With Blame, now reprinted by the Canterbury Press.
This poem is from my book The Singing Bowl which you can buy on Amazon or order from any good bookshop. Please feel free to use this poem in services, and print it in service bulletins, just include a brief acknowledgement that it comes from ‘The Singing Bowl’, Canterbury Press, 2013. Thanks
As always you can hear the poem by clicking on the ‘play’ button or on the title.
https://malcolmguite.files.wordpress.com/2021/05/julian-of-norwich.mp3Mother Julian
Show me O anchoress, your anchor-hold
Deep in the love of God, and hold me fast.
Show me again in whose hands we are held,
Speak to me from your window in the past,
Tell me again the tale of Love’s compassion
For all of us who fall onto the mire,
How he is wounded with us, how his passion
Quickens the love that haunted our desire.
Show me again the wonder of at-one-ment
Of Christ-in-us distinct and yet the same,
Who makes, and loves, and keeps us in each moment,
And looks on us with pity not with blame.
Keep telling me, for all my faith may waver,
Love is his meaning, only love, forever.
From the Amhurst Manuscript of Julian’s showingsIf you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
The feast of the Annunciation, usually falls on March 25th but that was in Holy Week this year, and so the beginning of Christ’s story was briefly eclipsed by its climax, but the feast is not forgotten, and has been transferred to the 8th of April..
The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
The scripture that says of Mary that “All generations’ will call her “blessed”, It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
https://malcolmguite.files.wordpress.com/2021/03/annunciation.mp3
Annunciation
We see so little, stayed on surfaces,
We calculate the outsides of all things,
Preoccupied with our own purposes
We miss the shimmer of the angels’ wings,
They coruscate around us in their joy
A swirl of wheels and eyes and wings unfurled,
They guard the good we purpose to destroy,
A hidden blaze of glory in God’s world.
But on this day a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.
https://malcolmguite.files.wordpress.com/2021/03/visitation.mp3
The Visitation
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
https://malcolmguite.files.wordpress.com/2021/03/theotokos-a-sonnet-for-mary.mp3Theotokos
You bore for me the One who came to bless
And bear for all and make the broken whole.
You heard His call and in your open ‘yes’
You spoke aloud for every living soul.
Oh gracious Lady, child of your own child,
Whose mother-love still calls the child in me,
Call me again, for I am lost, and wild
Waves suround me now. On this dark sea
Shine as a star and call me to the shore.
Open the door that all my sins would close
And hold me in your garden. Let me share
The prayer that folds the petals of the Rose.
Enfold me too in Love’s last mystery
And bring me to the One you bore for me.
https://malcolmguite.files.wordpress.com/2021/03/stations-iv-jesus-meets-his-mother.mp3Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://audioboom.com/posts/5427225-o-virgo-virginum.mp3O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
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The Lord is Risen! He is risen indeed Alleluia!
Heres is an extra ‘fifteenth’ sonnet for Easter Morning, which I dedicate to my friend Mary who asked me to write it, and to the memory of her husband Gavin. May he rest in peace and rise in glory.
Later today I will publish another Easter poem, but this completes the sonnet series I have been posting throughout Holy Week.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am grateful to Oliver Neale for permission to use the image above. as always you can hear the sonnet by clicking on the ‘play’ button or on the title.
https://malcolmguite.files.wordpress.com/2021/03/xv-easter-dawn.mp3
XV Easter Dawn
He blesses every love which weeps and grieves
And now he blesses hers who stood and wept
And would not be consoled, or leave her love’s
Last touching place, but watched as low light crept
Up from the east. A sound behind her stirs
A scatter of bright birdsong through the air.
She turns, but cannot focus through her tears,
Or recognise the Gardener standing there.
She hardly hears his gentle question ‘Why,
Why are you weeping?’, or sees the play of light
That brightens as she chokes out her reply
‘They took my love away, my day is night’
And then she hears her name, she hears Love say
The Word that turns her night, and ours, to Day.
Holy Saturday is a strange, still day, hanging in the balance between the suffering and sorrow of Good Friday and the Joy of Easter, life is paused, but also perhaps poised on the threshold of the new.
When I wrote the two ‘stations’ sonnets I am posting today I was conscious of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.
That need, expressed in these sonnets bon to honour grief and yet to bring a whisper of hope to the grieving, seems more pressing than ever.
Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA It is now also out on Kindle.
The Images above are by Lancia Smith, I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
Stations Of the Cross
https://malcolmguite.files.wordpress.com/2021/03/station-xiii.mp3XIII Jesus’ body is taken down from the cross
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
https://malcolmguite.files.wordpress.com/2021/03/stations-xiv.mp3XIV Jesus is laid in the tomb
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
image courtesy of https://lanciaesmith.com
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.
The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA
The Image above is courtesy of Lancia Smith. The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
Stations Of the Cross
https://malcolmguite.files.wordpress.com/2021/03/stations-1-jesus-is-condemned.mp3I Jesus is condemned to death
The very air that Pilate breathes, the voice
With which he speaks in judgment, all his powers
Of perception and discrimination, choice,
Decision, all his years, his days and hours,
His consciousness of self, his every sense,
Are given by this prisoner, freely given.
The man who stands there making no defence,
Is God. His hands are tied, His heart is open.
And he bears Pilate’s heart in his and feels
That crushing weight of wasted life. He lifts
It up in silent love. He lifts and heals.
He gives himself again with all his gifts
Into our hands. As Pilate turns away
A door swings open. This is judgment day.
https://malcolmguite.files.wordpress.com/2021/03/stations-2-jesus-is-given-his-cross.mp3
II Jesus is given his cross
He gives himself again with all his gifts
And now we give him something in return.
He gave the earth that bears, the air that lifts,
Water to cleanse and cool, fire to burn,
And from these elements he forged the iron,
From strands of life he wove the growing wood,
He made the stones that pave the roads of Zion
He saw it all and saw that it is good.
We took his iron to edge an axe’s blade,
We took the axe and laid it to the tree,
We made a cross of all that he has made,
And laid it on the one who made us free.
Now he receives again and lifts on high
The gifts he gave and we have turned awry.
https://malcolmguite.files.wordpress.com/2021/03/stations-3-jesus-falls-the-first-time.mp3
III Jesus falls the first time
He made the stones that pave the roads of Zion
And well he knows the path we make him tread
He met the devil as a roaring lion
And still refused to turn these stones to bread,
Choosing instead, as Love will always choose,
This darker path into the heart of pain.
And now he falls upon the stones that bruise
The flesh, that break and scrape the tender skin.
He and the earth he made were never closer,
Divinity and dust come face to face.
We flinch back from his via dolorosa,
He sets his face like flint and takes our place,
Staggers beneath the black weight of us all
And falls with us that he might break our fall.
https://malcolmguite.files.wordpress.com/2021/03/stations-iv-jesus-meets-his-mother.mp3
IV Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://malcolmguite.files.wordpress.com/2021/03/stations-v.mp3
V Simon of Cyrene carries the cross
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
https://malcolmguite.files.wordpress.com/2021/03/stations-vi.mp3
VI Veronica wipes the face of Jesus
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
https://malcolmguite.files.wordpress.com/2021/03/stations-vii.mp3
VII Jesus falls the second time
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
https://malcolmguite.files.wordpress.com/2021/03/stations-viii.mp3VIII Jesus meets the women of Jerusalem
He falls and stumbles with us, hurt again
But still he holds the road and looks in love
On all of us who look on him. Our pain
As close to him as his. These women move
Compassion in him as he does in them.
He asks us both to weep and not to weep.
Women of Gaza and Jerusalem,
Women of every nation where the deep
Wounds of memory divide the land
And lives of all your children, where the mines
Of all our wars are sown: Afghanistan ,
Iraq, the Cote d’Ivoire… he reads the signs
And weeps with you and with you he will stay
Until the day he wipes your tears away.
https://malcolmguite.files.wordpress.com/2021/03/stations-ix.mp3IX Jesus falls the third time
He weeps with you and with you he will stay
When all your staying power has run out
You can’t go on, you go on anyway.
He stumbles just beside you when the doubt
That always haunts you, cuts you down at last
And takes away the hope that drove you on.
This is the third fall and it hurts the worst
This long descent through darkness to depression
From which there seems no rising and no will
To rise, or breathe or bear your own heart beat.
Twice you survived; this third will surely kill,
And you could almost wish for that defeat
Except that in the cold hell where you freeze
You find your God beside you on his knees.
https://malcolmguite.files.wordpress.com/2021/03/stations-x.mp3
X Jesus is stripped of His garments
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
https://malcolmguite.files.wordpress.com/2021/03/station-xi-crucifixion.mp3
XI Crucifixion: Jesus is nailed to the cross
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
https://malcolmguite.files.wordpress.com/2021/03/stations-xii-jesus-dies.mp3
XII Jesus dies on the cross
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
So many gospel themes find their focus on Maundy Thursday, so many threads of connection flowing to and from this deep source of love and vision, in the foot washing, and in the last supper.
The meditation in this sonnet, is centred on the ancient idea of the four elements of earth, air, water and fire, for it struck me as I contemplated the events of Maundy Thursday, both the foot-washing and the first communion, that all these elements of the old creation are taken up by Jesus and transformed in the making of the new. Jesus is both the fully human companion cleansing his friends with a gentle touch, sharing his last supper with them, showing the fullness of his love, and he also the Word, God in his full creative and shaping power, the One in and through whom everyone in that room, and every element of the world is sustained in the beauty and particularity of its being. What we witness in the birth of the sacraments is both a human drama and a divine act of new creation. As we receive the familiar sacrament of this night, it may be, that if our eyes and ears are open we will sense Christ’s all-transforming presence even through the ordinary elements of the place where we are.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
Thanks to Lancia Smith for the image
You can hear the poem by clicking on the title or the ‘play’ button
https://malcolmguite.files.wordpress.com/2021/03/maundy-thursday.mp3
Maundy Thursday.
Here is the source of every sacrament,
The all-transforming presence of the Lord,
Replenishing our every element
Remaking us in his creative Word.
For here the earth herself gives bread and wine,
The air delights to bear his Spirit’s speech,
The fire dances where the candles shine,
The waters cleanse us with His gentle touch.
And here He shows the full extent of love
To us whose love is always incomplete,
In vain we search the heavens high above,
The God of love is kneeling at our feet.
Though we betray Him, though it is the night.
He meets us here and loves us into light.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
John 12 1-8, tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image above. As always you can hear the poem by clicking on the title or the ‘play’ button
https://malcolmguite.files.wordpress.com/2021/03/the-anointing.mp3
The Anointing at Bethany
Come close with Mary, Martha , Lazarus
So close the candles stir with their soft breath
And kindle heart and soul to flame within us
Lit by these mysteries of life and death.
For beauty now begins the final movement
In quietness and intimate encounter
The alabaster jar of precious ointment
Is broken open for the world’s true lover,
The whole room richly fills to feast the senses
With all the yearning such a fragrance brings,
The heart is mourning but the spirit dances,
Here at the very centre of all things,
Here at the meeting place of love and loss
We all foresee, and see beyond the cross.
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When Solomon dedicated the Temple he rightly declared that not even the Heaven of Heavens could contain almighty God, much less this temple made with hands, yet God himself still came into the temple. He came as a baby, the essence of all light and purity in human flesh, he came as a young boy full of questions, seeking to know his father’s will, and today he came in righteous anger to clear away the blasphemous barriers that human power-games try to throw up between God and the world he loves. Then finally, by his death on the cross he took away the last barrier in the Temple, and in our hearts, the veil that stood between us and the Holy of Holies, the very presence of God, in us and beyond us.
But these outward events are also inward ones. We cannot go out to the outer edifice of church or cathedral this week, but we can certainly invite Christ to come in to us, and that is what I do in this sonnet, with its fourfold cry for Christ to come into the temple of my heart.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image.
https://malcolmguite.files.wordpress.com/2021/03/cleansing-the-temple.mp3
Cleansing the Temple
Come to your Temple here with liberation
And overturn these tables of exchange
Restore in me my lost imagination
Begin in me for good, the pure change.
Come as you came, an infant with your mother,
That innocence may cleanse and claim this ground
Come as you came, a boy who sought his father
With questions asked and certain answers found,
Come as you came this day, a man in anger
Unleash the lash that drives a pathway through
Face down for me the fear the shame the danger
Teach me again to whom my love is due.
Break down in me the barricades of death
And tear the veil in two with your last breath.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
The feast of the Annunciation, usually falls on March 25th but that was in Holy Week this year, and so the beginning of Christ’s story was briefly eclipsed by its climax, but the feast is not forgotten, and has been transferred to the 8th of April..
The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
The scripture that says of Mary that “All generations’ will call her “blessed”, It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
https://malcolmguite.files.wordpress.com/2021/03/annunciation.mp3
Annunciation
We see so little, stayed on surfaces,
We calculate the outsides of all things,
Preoccupied with our own purposes
We miss the shimmer of the angels’ wings,
They coruscate around us in their joy
A swirl of wheels and eyes and wings unfurled,
They guard the good we purpose to destroy,
A hidden blaze of glory in God’s world.
But on this day a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.
https://malcolmguite.files.wordpress.com/2021/03/visitation.mp3
The Visitation
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
https://malcolmguite.files.wordpress.com/2021/03/theotokos-a-sonnet-for-mary.mp3Theotokos
You bore for me the One who came to bless
And bear for all and make the broken whole.
You heard His call and in your open ‘yes’
You spoke aloud for every living soul.
Oh gracious Lady, child of your own child,
Whose mother-love still calls the child in me,
Call me again, for I am lost, and wild
Waves suround me now. On this dark sea
Shine as a star and call me to the shore.
Open the door that all my sins would close
And hold me in your garden. Let me share
The prayer that folds the petals of the Rose.
Enfold me too in Love’s last mystery
And bring me to the One you bore for me.
https://malcolmguite.files.wordpress.com/2021/03/stations-iv-jesus-meets-his-mother.mp3Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://audioboom.com/posts/5427225-o-virgo-virginum.mp3O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
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As we contemplate Jesus weeping over Jerusalem, we contemplate weeping itself, the Rerum Lachrymae, as Virgil says, the tears of things : tears of frustration, tears of lament, and for so many who have been cruelly bereaved, tears of grief. It’s hard to see through tears, but sometimes its the only way to see. Tears may be the turning point, the springs of renewal, and to know you have been wept for is to know that you are loved. ‘Jesus Wept’ is the shortest, sharpest, and most moving sentence in Scripture.
I have a God who weeps for me, weeps with me, understands to the depths and from the inside the rerum lachrymae, the tears of things.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
Thanks to Lancia Smith for the image. as always you can hear the poem by clicking on the title or on the ‘play’ button if it appears.
https://malcolmguite.files.wordpress.com/2021/03/jesus-weeps.mp3Jesus weeps
Jesus comes near and he beholds the city
And looks on us with tears in his eyes,
And wells of mercy, streams of love and pity
Flow from the fountain whence all things arise.
He loved us into life and longs to gather
And meet with his beloved face to face
How often has he called, a careful mother,
And wept for our refusals of his grace,
Wept for a world that, weary with its weeping,
Benumbed and stumbling, turns the other way,
Fatigued compassion is already sleeping
Whilst her worst nightmares stalk the light of day.
But we might waken yet, and face those fears,
If we could see ourselves through Jesus’ tears.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image courtesy of Lancia Smith
We come now, on Palm Sunday, to the beginning of Holy Week: a strange Palm Sunday, a strange Holy Week, in which we cannot make the outward and visible journeys and gestures, exchanges and gatherings that have always bodied forth the inner meaning of this week; the procession of palm crosses, the choral singing of hosannah, all those things that echo the events of the first Palm Sunday.
But the inner journey is more necessary than ever, and in the sonnets that follow I have explored the truth that what was happening ‘out there’ and ‘back then’ as Christ entered Jerusalem is also happening ‘in here’ and ‘right now’. There is a Jerusalem of the heart. Our inner life also has its temple and palaces, its places of corruption, its gardens of rest, its seat of judgement.
In the sequence of sonnets which begins today I invite you to walk with Christ, and let him walk with you on both an outer and an inner journey that leads to the cross and beyond.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Presshere in England. The book is now back in stock on both Amazon UK and USA. It is also out on Kindle.
Do feel free to reproduce these poems for any Church services in which you may wish to use them, just include a line to say “From Sounding the Seasons, by Malcolm Guite, CanterburyPress 2012”
As before I am grateful to Lancia Smith and Margot Krebs Neale for the evocative images that accompany these poems. Of the image at the beginning of this post she writes:
– Who stands in the eye of the camera? behind that gate?
– The Savior? or me looking out and seeing in my fellow being an incarnation of the Saviour?
and for the image below she says: ‘this wax the child is melting could symbolise this resistance which becomes the source, the stock of the light that comes from us.’
As always you can hear the poem by clicking on the ‘play’ button below or on the title of the poem
https://malcolmguite.files.wordpress.com/2020/04/palm-sunday-sonnet.mp3
Palm Sunday
Now to the gate of my Jerusalem,
The seething holy city of my heart,
The saviour comes. But will I welcome him?
Oh crowds of easy feelings make a start;
They raise their hands, get caught up in the singing,
And think the battle won. Too soon they’ll find
The challenge, the reversal he is bringing
Changes their tune. I know what lies behind
The surface flourish that so quickly fades;
Self-interest, and fearful guardedness,
The hardness of the heart, its barricades,
And at the core, the dreadful emptiness
Of a perverted temple. Jesus come
Break my resistance and make me your home.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
This mosaic in Assisi, Italy, photographed May 28, depicts St. Clare of Assisi holding a palm frond, a symbol of her entering religious life. (CNS photo/Octavio Duran) August the 11th is the day the church remembers with thanksgiving the life … Continue reading →
I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet about the Transfiguration, when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had … Continue reading →
The 22nd of July is Mary Magdalene’s day, and, returning to my sequence of sonnets written in response to the church year, I post this for her. As usual you can hear the poem by clicking on its title or on … Continue reading →
On his feast day I am reposting this sonnet on St. Benedict. My recent experience of diving deep into the Psalter has made me appreciate the Benedictine tradition even more deeply, for of course he made the recitation of the … Continue reading →
‘Today’s we remember Thomas the apostle and how he touched the wounds of Christ. He is dubbed doubting’ Thomas, but maybe honest Thomas, courageous Thomas, even Tenacious Thomas would be nearer the mark! I thank God for St. Thomas, the … Continue reading →
The 29th of June is St. Peter’s day, when we remember the disciple who, for all his many mistakes, knew how to recover and hold on, who, for all his waverings was called by Jesus ‘the rock’, who learned the … Continue reading →
So keep his fires burning through the night Beacons and gateways for the child of light. Now, with the summer solstice, we have come to midsummer and the traditional Church festival for this beautiful, long-lit solstice season is the Feast … Continue reading →
Returning for a moment to my cycle of sonnets for the Church Year, here is one for Trinity Sunday.
By coming to us as the Son, revealing to us the Father, and sending to us the Spirit, Jesus revealed the deepest mystery; that God is not distant and alone, but is three in one, a communion of love who comes to make His home with us.
The Rublev Icon, above, shows the Three in One inviting us to share in that communion. If, as I believe, we are made in the image of God, as beings in communion with one another in the name of that Holy and Undivided Trnity whose being is communion, then we will find reflections and traces of the Trinitarian mystery in all our loving and making.
As usual you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem.
Readers who are interested in my use of the word ‘coinherent’ will find out more by watching the video of my talk about the British theologian Charles Williams, a friend and fellow inkling of CS Lewis which can be found here.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
https://malcolmguite.files.wordpress.com/2021/05/trinity-sunday.mp3Trinity Sunday
In the Beginning, not in time or space,
But in the quick before both space and time,
In Life, in Love, in co-inherent Grace,
In three in one and one in three, in rhyme,
In music, in the whole creation story,
In His own image, His imagination,
The Triune Poet makes us for His glory,
And makes us each the other’s inspiration.
He calls us out of darkness, chaos, chance,
To improvise a music of our own,
To sing the chord that calls us to the dance,
Three notes resounding from a single tone,
To sing the End in whom we all begin;
Our God beyond, beside us and within.
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The feast of the Visitation usually falls on the 31st of May. It celebrates the lovely moment in Luke’s Gospel (1:41-56) when Mary goes to visit her cousin Elizabeth, who was also, against all expectations, bearing a child, the child who would be John the Baptist. Luke tells us that the Holy Spirit came upon them, and that the babe in Elizabeth’s womb ‘leaped for joy’ when he heard Mary’s voice, and it is even as the older woman blesses the younger, that Mary gives voice to the Magnificat, the most beautiful and revolutionary hymn in the world. There is much for the modern world to ponder in this tale of God’s blessing and prophecy on and from the margins, and I have tried to tease a little of it out in this sonnet. I am grateful again to Margot Krebs Neale for her inspiring image, and , as always you can hear the poem by clicking on the ‘play’ button or the title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
https://malcolmguite.files.wordpress.com/2021/05/visitation.mp3
The Visitation
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
If you are enjoying these posts, you might like, on occasion to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish.
A Pentecost Banner at St. Michael ‘s Bartley Green
Here, once more is my sonnet for Pentecost.
Drawn from ‘Sounding the Seasons’, my cycle of sonnets for the Church Year, this is a sonnet reflecting on and celebrating the themes and readings of Pentecost. Throughout the cycle, and more widely, I have been reflecting on the traditional ‘four elements’ of earth, air, water and fire. I have been considering how each of them expresses and embodies different aspects of the Gospel and of God’s goodness, as though the four elements were, in their own way, another four evangelists. In that context I was very struck by the way Scripture expresses the presence of the Holy Spirit through the three most dynamic of the four elements, the air, ( a mighty rushing wind, but also the breath of the spirit) water, (the waters of baptism, the river of life, the fountain springing up to eternal life promised by Jesus) and of course fire, the tongues of flame at Pentecost. Three out of four ain’t bad, but I was wondering, where is the fourth? Where is earth? And then I realised that we ourselves are earth, the ‘Adam’ made of the red clay, and we become living beings, fully alive, when the Holy Spirit, clothed in the three other elements comes upon us and becomes a part of who we are. So something of that reflection is embodied in the sonnet.
As usual you can hear me reading the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem itself. Thanks to Margot Krebs Neale for the beautiful image which follows the poem.
Sounding the Seasons, is published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . It is now also out on Kindle. Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great..
https://malcolmguite.files.wordpress.com/2021/05/pentecost-poem.mp3
Pentecost
Today we feel the wind beneath our wings
Today the hidden fountain flows and plays
Today the church draws breath at last and sings
As every flame becomes a Tongue of praise.
This is the feast of fire,air, and water
Poured out and breathed and kindled into earth.
The earth herself awakens to her maker
And is translated out of death to birth.
The right words come today in their right order
And every word spells freedom and release
Today the gospel crosses every border
All tongues are loosened by the Prince of Peace
Today the lost are found in His translation.
Whose mother tongue is Love in every nation.
If you are enjoying these posts, you might like, on occasion to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish.
And here, an a little bonus is the outline of a Pentecost Sermon, using this sonnet, by my good friend Cathy Michell:
Meditation on Malcolm’s poem: Pentecost
5 This is the feast of fire, air, and water
6 Poured out and breathed and kindled into earth.
The 3 elements:
1) WIND
1 Today we feel the wind beneath our wings
3 Today the church draws breath at last and sings.
7 The earth herself awakens to her maker
8 And is translated out of death to birth.
Acts 2 ‘Suddenly from heaven there came a sound like the rush of a violent wind, and it filled the entire house’.
The wind blowing yesterday and today – its roar and its visible effects – powerful, exciting/dangerous.
To the people of the Bible wind, breath and spirit were blended ideas (see M’s wind/breath in vv 1 and 3), all closely related in God who was seen to be all these things and therefore ‘gave ‘ all these things. The rush, roar and obvious effects of wind in nature, where paralleled by the equally obvious effects of breathing. In turn the spirit, the life in all creatures, was present because of the presence in them of breath.
In Genesis, when what ever existed or did not exist, was formless, void and dark, it is God who brings life, ‘a wind from God swept over the face of the waters’. Likewise in Genesis 2 we see God creating humans from the dust and then breathing into their nostrils the breath of life. Wind and breath are the same. They are of God and they bring the world and humans life, not just in the beginning but always. Just listen to the roar outside. Just listen to your own breath as it reanimates you over and over.
The prophet Ezekiel experienced the same in the valley of the dry bones. God tells the prophet that the bones will be brought from death to life (as M’s v8, ‘translated out of death to birth).
God says to the prophet, ‘I will cause breath to enter you and you shall live’. Ezekiel is instructed,‘Prophesy to the Breath..and say……’come from the 4 winds., O Breath, and breathe upon these slain that they may live’.
In this passage all 3 meanings of the words ‘ruach’ (Heb) or ‘pneuma’ (Gk) (breath/spirit) are found overlaid upon each other. So Jesus in John’s gospel is seen to breath on his disciples when he appears to them one evening as they are locked inside a house after the crucifixion. John tells us that Jesus breathed on them so that they might receive the Holy Spirit.
And then there’s that other account in John’s gospel about what Jesus said to the pharisee Nicodemus as they spoke about being born again. Here Jesus likens the nature and presence of The Spirit to the wind, saying,
‘The wind blows where it chooses, and you hear the sound of it, but you do not know where it comes from or where it goes. So it is with everyone who is born of The Spirit.’ (Jn 3:8)
So we have looked at the key words here, wind and breath, but see also the word ‘awakening’ that Malcolm uses in v7. The Spirit awakens the earth, the disciples and us as from sleep. The Earth is awoken at its Creation by God. Each Spring is a new waking up from winter; we are woken by God’s loving spirit from our own deadliness, to a renewed eternal life (reborn as with was Nicodemus). And at our mortal, our actual death, we wake up to resurrection Life.
In Acts it is the Church that is reawakened and given ruach, breath and Spirit at Pentecost. It’s the scared, cowed, lost and grieving disciples in their lock-down who were miraculously given life again. And it was this that sent them out to ‘sing’ as Malcolm puts it – to preach their joyful gospel to all.
And how we are longing to do the same. To draw breath, as if for the first time, to sing again. But more than that – to speak new things, hope and joy; be heard and come alive again in this community. We want to be ‘translated out of death to birth’ again and to be agents of that Life that is Christ, to others. For this breath of God is also what inspires (inspire and expire!) us, what a lovely play on words. It is the life that is found in every creative act, every leap of the imagination, clear intuition, or innovative plan. There in art, music, song, study, craft or kitchen, in theatre or church. It sings out, it patterns our life in vibrant colour. It is what the Church is in constant need of, if it will let that wind blow through its dark, dusty and often closed down ways.
We need the wings Malcolm refers to in v 1, as he speaks about the wind blowing where it will. Wings allowing us to take flight and glide on the breeze carried aloft by the Spirit. These wings are also there to remind us of the hovering dove, balancing, held up by the air. The Spirit comes to us from God. It descends upon us and always hovers over the Church in blessing and protection. It reminds us of Jesus himself receiving God’s Spirit at his baptism. And we think of our own baptism and the life it has given us as we have journeyed a long time perhaps, in the company of Jesus. And this is why Malcolm’s second verse brings in our next element or image of Pentecost, and it’s…..
2 WATER
2 Today the hidden fountain flows and plays. (‘poured out’)
Water. Yes it is about baptism, but more than this, as water takes us back again to the Creation stories; the great sea over which God brooded; the rivers, lakes and streams emerging, even the great flood as it swept the earth clean of human sin yet led to new life, a new start – God’s promise to Noah through the rainbow sign, that He would establish an everlasting covenant of love with all humanity. And under that covenant (renewed on June 6th at the service in the chapel) we still stand.
Water, like breath, is essential to us. Just like our breathing, it is Life, it is God. And of the many Bible passages we might think of, it’s the story of Jesus’s meeting the woman at Jacob’s well that rings true here (John 4); their complex, subtle discussion about being thirsty, and about where to source a water to quench not only the thirst of the body but the craving and deep need of the soul.
‘If you knew the gift of God, and who it is who is saying to you, ‘Give me a drink’, you would have asked him, and he would have given you living water……those who drink of the water that I will give them, will never be thirsty. The water that I will give will become in them a spring of water gushing up to eternal life.’
This water carries the Spirit within it, as Jesus rather enigmatically refers to again, when he and the woman go on to speak together about worshipping God.
John 4:23-24
‘the hour is coming’, says Jesus, ‘when true worshippers will worship the Father in spirit and truth………..God is Spirit and those who worship Him must worship in Spirit and in truth.’
There is so much here for us to reflect on – the meaning and impact of our own baptism; our own heart and soul longing to be refreshed and washed by Jesus the Living Water of our Life; how God’s Holy Spirit flowing through our lives may be known and listened to. And what might it be calling us to as individuals and as church in this place?
And so to our 3rd element…………….
FIRE (kindled)
4 As every flame becomes a Tongue of praise.
12 All tongues are loosened by the Prince of Peace.
Acts 2 ‘Divided tongues, as of fire, appeared among them, and a tongue rested on each one of them.’
Look how cleverly Malcolm has used the double meaning of ‘tongues’ in his poem (and in the final line as well) to make us think, and to place this element of fire alongside what the Acts account says later about the disciples, that they were filled with the Holy Spirit and so praised God as if drunk on his good wine – with very loosened tongues!
If we were to think of just one Bible narrative of many that speak about God as fire, we have to turn aside, as Moses did, to the miracle of the burning bush. (Ex 3)
‘ There the angel of the Lord appeared to him in flames of fire from within a bush. Moses saw that though the bush was on fire it did not burn up. So Moses thought, “I will go over and see this strange sight—why the bush does not burn up.”
He is told by God in no uncertain terms, “Do not come any closer, Take off your sandals, for the place where you are standing is holy ground. ……..At this, Moses hid his face, because he was afraid to look at God’.
The elemental power, glory, and beauty of fire – yes and its holy danger too – is one with the nature of God himself. The Spirit is not only God’s breath upon us, God’s living water pouring down into out hearts, it’s the fire of his energies, passion, love and desire, burning within us and lighting all around. This is what energised those fragile disciples in their cold, closed dispirited house. This is where we too may source our own energy and only by noticing and waiting on this Spirit of fire as Moses did, can we hear God’s voice and his will for us as Christians and as Church.
——————————–
And it’s to the Church and its mission that Malcolm turns at the end of his poem, by taking us back again to our Acts reading.
9 The right words come today in their right order
10 And every word spells freedom and release
11 Today the gospel crosses every border
13 Today the lost are found in His translation.
14 Whose mother-tongue is Love, in every nation.
Pentecost is about words – and how appropriate then that Malcolm chose poetry, the craft of words, to express its truths in ‘right order’. The wind, the breath and the Spirit of God descends on the disciples, where God’s breath becomes God’s Word – that Word with a capital W which John tells us was at the beginning with God, ‘and the Word was God’. This Word becomes translated into human speech, into the disciples’ praise and preaching, into Peter’s sermon given to the crowds. And of course this translating power of the Spirit is understood by everyone, just as all humans understand wind, fire, water and spirit. This is the reverse of the OT’s Tower of Babel, an incomprehension wrought by human arrogance and sin. God’s Spirit makes all things clear, its wind blows away the chaff, its waters enliven and purify, its fire burns away impurities and forges new strengths.
These gospel words spoken now, cross every border. In them ‘There is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus’ as St Paul says (Galatians 3). These Spirit – inspired words embrace all those whose experiences of being human have breathed sorrow, hurt, illness, rejection, poverty, captivity, death. For them the Spirit speaks of freedom and release.
As Jesus says according to Luke’s gospel (Lk 4:18)
The Spirit of the Lord is upon me, because he has anointed me to proclaim good news to the poor. He has sent me to proclaim liberty to the captives and recovering of sight to the blind, to set at liberty those who are oppressed,
And as the hymn writer John Bell puts it so beautifully,
To the lost Christ shows his face,
to the unloved he gives his embrace,
to those who cry in pain or disgrace
Christ makes, with his friends, a touching place.
This is the Spirit’s work. And Her or His work is, finally, nothing more or less than LOVE – ‘whose mother-tongue is love, in every nation’ as Malcolm says. What more is there to say?
This Pentecost, let’s turn aside again to stand before the love of God, to hear again for ourselves love’s invitation and allow ourselves once more to enjoy its dove-like tenderness in our lives. Let’s sing again, ‘Come down O love divine, seek thou this soul of mine’. And pray that by God’s generous grace and through the Spirit’s life-giving power, we too, like those disciples, can be given the words and the energy that will send us out to live that great love in the world.
Amen
Cathy Michell may 2021 (Toft St Andrews)
Whose Mother-tongue is Love in every nation
AugustineToday is the feast day of St. Augustine of Canterbury, and I am drawn back to one of the most moving moments in the enthronement of the current Archbishop of Canterbury the 104th successor to St. Augustine, when he stood before the Canterbury Gospels and showed his love for the Gospel, which is itself God’s declaration of love for us, by kissing the sacred text. It was moving because the book he kissed was the very book that Augustine of Canterbury brought to these shores in the 6th century. Like the gospel it contains, it has stood the test of time, like the gospel it contains it has persisted fresh and beautiful through all the vicissitudes of our history, the wars and betrayals, the making and breaking of governments, the wrecks of empire, declaring in time and in timely ways, the redeeming Love that comes to us from beyond time. It embodies the extraordinary and miraculous continuity amidst change, the apostolic succession, that links the first and the hundred and fifth Archbishop of Canterbury.
And for both men this same gospel book, and this same Gospel is a vital source of hope and inspiration, the story of strength made perfect in weakness, of Love triumphing against the odds. ‘Apostle to the English’ was a tough assignment then and it’s a tough assignment now. In fact St. Bede tells us that after Pope Gregory sent St. Augustine to our shores he got cold feet on the way (literally I expect as well as metaphorically) and Bede tells us he wrote to Gregory asking if he could be allowed to turn back and have an easier posting somewhere else! Bede quotes the letter back from Gregory in which he strengthens Augustine’s resolve and says, ‘you’ve put your hand to the plough, go on in faith, Christ and his gospel will see you through.’
This sonnet was inspired by seeing that same little Gospel book, and comes from my Canterbury Press, book The Singing Bowl
As always you can hear the sonnet by clicking on the title or the play button.
http://audioboo.fm/boos/1325958-augustine-and-justin.mp3
Augustine of Canterbury
‘Oh loving Lord don’t send me to the English,
Boorish and brutal pagans that they are’
You prayed, you wrote to Gregory in anguish
But he replied ‘since you have come so far,
Your hand is on the plough, you must continue,
And reach them on their rain-drenched island shore
There’s something in the English that will win you
And Christ himself will open up the door.’
And so the gospel came to Canterbury,
The very gospel book we still possess,
Weathering the storms of history
In all its splendour and it’s hiddenness.
We bless you for that gospel you proclaim,
Bless your successors as they do the same
The Archbishop and The Canterbury Gospels
The 25th of May is the day the Church remembers and celebrates the Venerable Bede, who died on that day in 735. Bede was a Saint and Scholar, whose wonderful Ecclesiastical History of the English People, is still the major source for early English History, as well as being, in itself a deeply inspiring book. He is buried in Durham cathedral and set above his tomb, in beautiful shimmering letters, is the text of one of the prayers he wrote. My sonnet in celebration of Bede draws on this prayer so I give its text here in both Latin and English and have posted a photograph of it below the poem.
As always you can hear the poem by clicking on the title or the ‘play’ button. This poem is from my collection of verse ‘The Singing Bowl’, published by Canterbury Press
Bede’s Prayer:
Christus est stella matutina, Alleluia
Qui nocte saeculi transacta, Alleluia
Lucem vitae sanctis promittit, Alleluia;
Et pandit aeternam, Alleluia
(Christ is the morning star who when the night of this world is past brings to his saints the promise of the light of life & opens everlasting day.)
https://malcolmguite.files.wordpress.com/2021/05/st-bede.mp3
Bede
I kneel above your bones and read your words.
Church-Latin letters, shimmering in gold,
A kingdom-glimmer through the dark and cold,
A revelation gleaming on the shards
Of all our broken lives and promises.
Christus est stella matutina
Qui nocte saeculi transacta
Christ is the morning star. He promises
The light of life when this dark night is past…
Lucem vitae sanctis promittit
You speak for all his Wounded witnesses,
The morning star will shine on us at last.
Scholar and saint, illuminate the way
That opens into everlasting day.
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Bede’s Prayer
Here is a sonnet for Ascension Day, the glorious finale of the Easter Season. I’m posting it a day in advance, in case anyone would like to use it in a service, either on the day itself or else this Sunday.
In the mystery of the Ascension we reflect on the way in which, one sense Christ ‘leaves’ us and is taken away into Heaven, but in another sense he is given to us and to the world in a new and more universal way. He is no longer located only in one physical space to the exclusion of all others. He is in the Heaven which is at the heart of all things now and is universally accessible to all who call upon Him. And since His humanity is taken into Heaven, our humanity belongs there too, and is in a sense already there with him.”For you have died”, says St. Paul, “and your life is hidden with Christ in God”. In the Ascension Christ’s glory is at once revealed and concealed, and so is ours. The sonnet form seemed to me one way to begin to tease these things out.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle.
Please feel free to make use of this, and my other sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As always you can hear the sonnet by clicking on the ‘play’ button if it appears in your browser or by clicking on the title of the poem.
I’m grateful to Oliver Neale for the image above, the image below was taken as we launched rockets to celebrate Ascension day at Girton College:
We have lift off!https://malcolmguite.files.wordpress.com/2021/05/ascension-day-sonnet.mp3
Ascension
We saw his light break through the cloud of glory
Whilst we were rooted still in time and place
As earth became a part of Heaven’s story
And heaven opened to his human face.
We saw him go and yet we were not parted
He took us with him to the heart of things
The heart that broke for all the broken-hearted
Is whole and Heaven-centred now, and sings,
Sings in the strength that rises out of weakness,
Sings through the clouds that veil him from our sight,
Whilst we our selves become his clouds of witness
And sing the waning darkness into light,
His light in us, and ours in him concealed,
Which all creation waits to see revealed .
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…for those who loved and laboured…Mothering Sunday can be both a joyful and a painfully poignant day. For many it is a day to grieve the loss of a mother, for others a time to yearn for absent children. Nevertheless we can love and be thankful and remember that our very existence in the world is testimony to the love and labour of our mothers. So once more I post my poem of thanksgiving for all parents, especialy for those who bore the fruitful pain of labour.And more particularly in this poem I have singled out for praise those heroic single parents who, for whatever reason, have found themselves bearing alone the burdens, and sharing with no-one the joys of their parenthood.
This poem is from my book Sounding the Seasons published by Canterbury Press and it is available on Amazon Here
I am grateful to Oliver Neale for his thought-provoking work as a photographer, and, as always, you can hear the poem by clicking on the ‘play’ button, or on the title
http://audioboo.fm/boos/714101-mothering-sunday.mp3
Mothering Sunday
At last, in spite of all, a recognition,
For those who loved and laboured for so long,
Who brought us, through that labour, to fruition
To flourish in the place where we belong.
A thanks to those who stayed and did the raising,
Who buckled down and did the work of two,
Whom governments have mocked instead of praising,
Who hid their heart-break and still struggled through,
The single mothers forced onto the edge
Whose work the world has overlooked, neglected,
Invisible to wealth and privilege,
But in whose lives the kingdom is reflected.
Now into Christ our mother church we bring them,
Who shares with them the birth-pangs of His Kingdom.
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Icon of Julian with her cat by Br Robert Lentz OFMThe 8th of May is the feast day of Julian of Norwich, sometimes known as Mother Julian or Lady Julian. She was an English Mystic of the late fourteenth Century, living as an anchoress in Norwich. Her life as an anchoress, finding Christ in isolation, and then finding that Christ transfigured that isolation into a communion of love, has been an inspiration for many in the current lockdown. Her ‘Shewings’, or Revelations of Divine Love, a series of mystical visions of and conversations with Jesus, remain a source of profound wisdom and a gift to the church, present and future. For a good introduction to her work I recommend Julia Bolton Holloway’s website, she is herself an anchoress in Florence, and Robert Llewlyn’s classic work ‘With Pity, not With Blame, now reprinted by the Canterbury Press.
This poem is from my book The Singing Bowl which you can buy on Amazon or order from any good bookshop. Please feel free to use this poem in services, and print it in service bulletins, just include a brief acknowledgement that it comes from ‘The Singing Bowl’, Canterbury Press, 2013. Thanks
As always you can hear the poem by clicking on the ‘play’ button or on the title.
https://malcolmguite.files.wordpress.com/2021/05/julian-of-norwich.mp3Mother Julian
Show me O anchoress, your anchor-hold
Deep in the love of God, and hold me fast.
Show me again in whose hands we are held,
Speak to me from your window in the past,
Tell me again the tale of Love’s compassion
For all of us who fall onto the mire,
How he is wounded with us, how his passion
Quickens the love that haunted our desire.
Show me again the wonder of at-one-ment
Of Christ-in-us distinct and yet the same,
Who makes, and loves, and keeps us in each moment,
And looks on us with pity not with blame.
Keep telling me, for all my faith may waver,
Love is his meaning, only love, forever.
From the Amhurst Manuscript of Julian’s showingsIf you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
A winged lion, swift immediateThe 25th of April is the feast day of St. Mark the Evangelist, so I am posting again my sonnet on St. Mark’s Gospel, one of a set of four sonnets on each of the four evangelists. As I re-read it after our experience of Covid lockdowns when we too made the shift ‘from grand to intimate’, I am struck afresh by the transition in Mark from Christ’s action to his passion, from doing to suffering, from being in control to experiencing with us and for us what it is to depend, patiently, on the actions of others.
For each of these sonnets I have meditated on the traditional association of each of the evangelists with one of the ‘four living creatures’ round the throne, and how that helps us to focus on the particular gifts and emphasis of that Gospel writer. For a good account of this tradition click here. Mark is the lion. There is a power, a dynamic a swiftness of pace in Mark’s Gospel, his favourite word is ‘immediately’! and that suits the lion. His Gospel starts in the wilderness and that suits it too.
But the great paradox in Mark is that the Gospel writer who shows us Christ at his most decisive, powerful, startling and leonine is also the one who shows us how our conquering lion, our true Aslan, deliberately entered into suffering and passion, the great ‘doer’ letting things be done unto him. In this sonnet, I am especially indebted to WH Vanstone’s brilliant reading of this aspect of Mark in his wonderful book The Stature of Waiting.
For all four ‘Gospel’ sonnets I have also drawn on the visual imagery of the Lindesfarne Gospels, as in the one illustrated above.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
As usual you can hear the poem by clicking on the ‘play’ button or on the title.
https://malcolmguite.files.wordpress.com/2021/04/st-mark.mp3
Mark
A wingèd lion, swift, immediate
Mark is the gospel of the sudden shift
From first to last, from grand to intimate,
From strength to weakness, and from debt to gift,
From a wide desert’s haunted emptiness
To a close city’s fervid atmosphere,
From a voice crying in the wilderness
To angels in an empty sepulcher.
And Christ makes the most sudden shift of all;
From swift action as a strong Messiah
Casting the very demons back to hell
To slow pain, and death as a pariah.
We see our Saviour’s life and death unmade
And flee his tomb dumbfounded and afraid.
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On St. George’s day my thoughts turn again to Hatley St. George.
If St. George, as our patron saint, inspires English patriotism, then I’d say my own patriotism is not about wrapping one political party or another in the flag. But rather it is about loving the little particularites of my native land. Not the big nationalist rhetoric or the aggrandising imperial history, but the patchwork of little parishes and quiet shires. That’s one of the reasons why I love little mediaeval church dedicated to St. George in the village of Hatley St. George, not far from here.
Though the church goes back to the fourteenth century , in the late sixties it suffered the apparent misfortune of a collapse in its sanctuary which was declared unsafe and taken down. A new east wall was built but the architects had the wisdom to set in the new east window an arch of clear glass. For beyond that window, across the still sacred space of what had been choir and sanctuary, stands the most beautiful beech tree, which church-goers can see now in all its glory , through the changing seasons, simmering above their altar.
It’s a magical place, but like many such, struggling for survival and recognition. I originally wrote this poem both to celebrate the church and to help raise funds for its mantenance. Do visit it if you can, once our lockdown is lifted, and support those who are working for its upkeep. One of the congregation has written this poem out in beautiful calligraphy and it is hanging on the wall there, and each summer I go and read it aloud for them as part of their summer fete. This poem is in my book The Singing Bowl which you can buy on Amazon or order from any good bookshop.
You can listen to me read the poem by clicking on the title or the ‘play’ button. As you listen you will also hear the scatter of bright birdsong which lifted the early April morning where I read the poem in my little writing hut ‘The Temple of Peace’
View through the window of Hatley St. Georgehttp://audioboo.fm/boos/324495-hatley-st-george.mp3Hatley St. George
Stand here a while and drink the silence in.
Where clear glass lets in living light to touch
And bless your eyes. A beech tree’s tender green
Shimmers beyond the window’s lucid arch.
You look across an absent sanctuary;
No walls or roof, just holy, open space,
Leading your gaze out to the fresh-leaved beech
God planted here before you first drew breath.
Stand here awhile and drink the silence in.
You cannot stand as long and still as these;
This ancient beech and still more ancient church.
So let them stand, as they have stood, for you.
Let them disclose their gifts of time and place,
A secret kept for you through all these years.
Open your eyes. This empty church is full,
Thronging with life and light your eyes have missed.
Stand here awhile and drink the silence in.
Shields of forgotten chivalry, and rolls
Of honour for the young men gunned at Ypres,
And other monuments of our brief lives
Stand for the presence here of saints and souls
Who stood where you stand, to be blessed like you;
Clouds of witness to unclouded light
Shining this moment, in this place for you.
Stand here awhile and drink their silence in.
Annealed in glass, the twelve Apostles stand
And each of them is keeping faith for you.
This roof is held aloft, to give you space,
By graceful angels praying night and day
That you might hear some rumour of their flight
That you might feel the flicker of a wing
And let your heart fly free at last in prayer.
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Christ appears to the Apostles on the road to Emmaus. Mosaic (6th century)As we walk together into the Easter season I thought I would post again two sonnets reflecting on the encounter two disciples had with the risen Jesus on the road to Emmaus.
These two sonnets form part of a sequence of fifty sonnets on the sayings of Jesus called Parable and Paradox. They were published by Canterbury Press in a book of that title in 2016 and are available on Amazon Here.
Parable and ParadoxAs always you can hear me read the poems by clicking on the title or the ‘play’ button
Emmaus 1
https://audioboom.com/boos/4361630-emmaus-1.mp3
Luke 24:17 ‘He asked them, “What are you discussing together as you walk along?” They stood still, their faces downcast’.
And do you ask what I am speaking of
Although you know the whole tale of my heart;
Its longing and its loss, its hopeless love?
You walk beside me now and take my part
As though a stranger, one who doesn’t know
The pit of disappointment, the despair
The jolts and shudders of my letting go,
My aching for the one who isn’t there.
And yet you know my darkness from within,
My cry of dereliction is your own,
You bore the isolation of my sin
Alone, that I need never be alone.
Now you reveal the meaning of my story
That I, who burn with shame, might blaze with glory.
Emmaus 2
https://audioboom.com/boos/4361634-emmaus-2.mp3
Luke 24:25-26 Then he said unto them, O fools, and slow of heart to believe all that the prophets have spoken: Ought not Christ to have suffered these things, and to enter into his glory?
We thought that everything was lost and gone,
Disaster on disaster overtook us
The night we left our Jesus all alone
And we were scattered, and our faith forsook us.
But oh that foul Friday proved far worse,
For we had hoped that he had been the one,
Till crucifixion proved he was a curse,
And on the cross our hopes were all undone.
Oh foolish foolish heart why do you grieve?
Here is good news and comfort to your soul:
Open your mind to scripture and believe
He bore the curse for you to make you whole
The living God was numbered with the dead
That He might bring you Life in broken bread.
‘Today’s gospel tells the story of how Thoms touched the wounds of Christ. He is dubbed doubting’ Thomas, but maybe honest Thomas, courageous Thomas, even Tenacious Thomas would be nearer the mark!
I thank God for St. Thomas, the one disciple who had the courage to say what everyone else was thinking but didnt dare say, the courage to ask the awkward questions that drew from Jesus some of the most beautiful and profoundly comforting of all his sayings. “We dont know where you’re going, how can we know the way”? asked Thomas, and because he had the courage to confess his ignorance, we were given that beautiful saying “I am the way the Truth and the Life” Here is the poem I have written for St. Thomas, and also a sermon called ‘Touching the Wounds’ which I preached at St. Edwards.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am greateful to Margot Krebs Neale for the thought-provoking image above, you can hear the poem by clicking on the ‘play’ button below or on the title of the poem and you can hear the sermon on my podcast site by clicking here: Touching The Wounds
http://audioboo.fm/boos/758321-doubting-thomas.mp3
St. Thomas the Apostle
“We do not know… how can we know the way?”
Courageous master of the awkward question,
You spoke the words the others dared not say
And cut through their evasion and abstraction.
Oh doubting Thomas, father of my faith,
You put your finger on the nub of things
We cannot love some disembodied wraith,
But flesh and blood must be our king of kings.
Your teaching is to touch, embrace, anoint,
Feel after Him and find Him in the flesh.
Because He loved your awkward counter-point
The Word has heard and granted you your wish.
Oh place my hands with yours, help me divine
The wounded God whose wounds are healing mine.
oh place my hands with yours, help me divine
the wounded God whose wounds are healing mineIf you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
To my amazement I received, on Easter Monday two years ago three separate links to beautiful performances of new musical settings of three poems of mine, all with an Easter theme, and I thought I would share them with you here. The first was a setting, by composer Zebulon Highben, of my sonnet Easter Dawn, performed beautifully by the choir of the chapel at Duke University as part of their Easter Sunday service.
Here it is:
The other two were performances by Girton choir of settings of a series of quatrains I wrote on the mysteries of Christ, one on Easter and another on the Ascension. Here are the words for my Easter Quatrain:
Resurrection:
A stone flung in a pool makes waves of light
Until, like every life, it sinks alone.
They plunged Him too, into the pool of night,
Today His waves of light fling back the stone.
The setting is by the composer Cevanne Horrocks Hopayian, here it is:
And finally here is the Ascension piece:
Ascension
Let there be light. The light leaps up
That was in deepest darkness drowned.
There is no realm or kingdom now
In which the lost cannot be found.
The setting is by the composer Libby Croad, here it is, (I hope) the link is to facebook rather than youtube so you may have to follow through and find it there: https://www.facebook.com/libby.croad.9/videos/10165061013315607
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
The Lord is Risen! He is risen indeed Alleluia!
Heres is an extra ‘fifteenth’ sonnet for Easter Morning, which I dedicate to my friend Mary who asked me to write it, and to the memory of her husband Gavin. May he rest in peace and rise in glory.
Later today I will publish another Easter poem, but this completes the sonnet series I have been posting throughout Holy Week.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA and physical copies are shortly to be available in Canada via Steve Bell‘s Signpost Music. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I am grateful to Oliver Neale for permission to use the image above. as always you can hear the sonnet by clicking on the ‘play’ button or on the title.
https://malcolmguite.files.wordpress.com/2021/03/xv-easter-dawn.mp3
XV Easter Dawn
He blesses every love which weeps and grieves
And now he blesses hers who stood and wept
And would not be consoled, or leave her love’s
Last touching place, but watched as low light crept
Up from the east. A sound behind her stirs
A scatter of bright birdsong through the air.
She turns, but cannot focus through her tears,
Or recognise the Gardener standing there.
She hardly hears his gentle question ‘Why,
Why are you weeping?’, or sees the play of light
That brightens as she chokes out her reply
‘They took my love away, my day is night’
And then she hears her name, she hears Love say
The Word that turns her night, and ours, to Day.
Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. No more so than now, in the preternatural stillness emptiness and grief of this pandemic, when life is paused, but also perhaps poised on the threshold of the new.
When I wrote the two ‘stations’ sonnets I am posting today I was conscious of how these great Christian festivals, especially Easter and Christmas, draw up and carry with them some of our deepest family memories. If we are going to remember and miss someone we have loved and lost, we will do it now. So in the second sonnet I have moved from a contemplation of the women bearing spices and wishing they could at least anoint the one they miss, to focus on the many people who will visit graves and memorial plaques over this weekend, ‘Renewing flowers, tending the bare earth’. All those ‘beautiful useless gestures’, all that ‘love poured out in silence’ is, I believe, somehow gathered together in these three days and sown deep in the ground of God’s love, ready for the day when he will make all things new again.
That need, expressed in these sonnets bon to honour grief and yet to bring a whisper of hope to the grieving, seems more pressing than ever.
Please feel free to make use of these poems in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA It is now also out on Kindle.
The Images above are by Lancia Smith, I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
Stations Of the Cross
https://malcolmguite.files.wordpress.com/2021/03/station-xiii.mp3XIII Jesus’ body is taken down from the cross
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
https://malcolmguite.files.wordpress.com/2021/03/stations-xiv.mp3XIV Jesus is laid in the tomb
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
image courtesy of https://lanciaesmith.com
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for space I thought I would share with you the first 12 stations. We will read the 13th and 14th tomorrow on Holy Saturday and then on Easter Morning we will have the 15th’ resurrection’ station and also a new villanelle that I have written for easter Morning.
The Stations of the Cross, which form the core of my book Sounding the Seasons and are intended to be read on Good Friday.
Please feel free to make use of them in anyway you like, and to reproduce them, but I would be grateful if you could include in any hand-outs a link back to this blog and also a note to say they are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′ so that people who wish to can follow the rest of the sequence through the church year, or obtain the book, can do so. The book has an essay on poetry in liturgy with suggestions as to how these and the other sonnets can be used. The book is now back in stock on both Amazon UK and USA
The Image above is courtesy of Lancia Smith. The Images below are taken from a set of stations of the cross in St. Alban’s church Oxford. I have also read the sonnets onto audioboo, so you can click on the ‘play’ button or on the title of each poem to hear it.
Stations Of the Cross
https://malcolmguite.files.wordpress.com/2021/03/stations-1-jesus-is-condemned.mp3I Jesus is condemned to death
The very air that Pilate breathes, the voice
With which he speaks in judgment, all his powers
Of perception and discrimination, choice,
Decision, all his years, his days and hours,
His consciousness of self, his every sense,
Are given by this prisoner, freely given.
The man who stands there making no defence,
Is God. His hands are tied, His heart is open.
And he bears Pilate’s heart in his and feels
That crushing weight of wasted life. He lifts
It up in silent love. He lifts and heals.
He gives himself again with all his gifts
Into our hands. As Pilate turns away
A door swings open. This is judgment day.
https://malcolmguite.files.wordpress.com/2021/03/stations-2-jesus-is-given-his-cross.mp3
II Jesus is given his cross
He gives himself again with all his gifts
And now we give him something in return.
He gave the earth that bears, the air that lifts,
Water to cleanse and cool, fire to burn,
And from these elements he forged the iron,
From strands of life he wove the growing wood,
He made the stones that pave the roads of Zion
He saw it all and saw that it is good.
We took his iron to edge an axe’s blade,
We took the axe and laid it to the tree,
We made a cross of all that he has made,
And laid it on the one who made us free.
Now he receives again and lifts on high
The gifts he gave and we have turned awry.
https://malcolmguite.files.wordpress.com/2021/03/stations-3-jesus-falls-the-first-time.mp3
III Jesus falls the first time
He made the stones that pave the roads of Zion
And well he knows the path we make him tread
He met the devil as a roaring lion
And still refused to turn these stones to bread,
Choosing instead, as Love will always choose,
This darker path into the heart of pain.
And now he falls upon the stones that bruise
The flesh, that break and scrape the tender skin.
He and the earth he made were never closer,
Divinity and dust come face to face.
We flinch back from his via dolorosa,
He sets his face like flint and takes our place,
Staggers beneath the black weight of us all
And falls with us that he might break our fall.
https://malcolmguite.files.wordpress.com/2021/03/stations-iv-jesus-meets-his-mother.mp3
IV Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://malcolmguite.files.wordpress.com/2021/03/stations-v.mp3
V Simon of Cyrene carries the cross
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
https://malcolmguite.files.wordpress.com/2021/03/stations-vi.mp3
VI Veronica wipes the face of Jesus
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
https://malcolmguite.files.wordpress.com/2021/03/stations-vii.mp3
VII Jesus falls the second time
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
https://malcolmguite.files.wordpress.com/2021/03/stations-viii.mp3VIII Jesus meets the women of Jerusalem
He falls and stumbles with us, hurt again
But still he holds the road and looks in love
On all of us who look on him. Our pain
As close to him as his. These women move
Compassion in him as he does in them.
He asks us both to weep and not to weep.
Women of Gaza and Jerusalem,
Women of every nation where the deep
Wounds of memory divide the land
And lives of all your children, where the mines
Of all our wars are sown: Afghanistan ,
Iraq, the Cote d’Ivoire… he reads the signs
And weeps with you and with you he will stay
Until the day he wipes your tears away.
https://malcolmguite.files.wordpress.com/2021/03/stations-ix.mp3IX Jesus falls the third time
He weeps with you and with you he will stay
When all your staying power has run out
You can’t go on, you go on anyway.
He stumbles just beside you when the doubt
That always haunts you, cuts you down at last
And takes away the hope that drove you on.
This is the third fall and it hurts the worst
This long descent through darkness to depression
From which there seems no rising and no will
To rise, or breathe or bear your own heart beat.
Twice you survived; this third will surely kill,
And you could almost wish for that defeat
Except that in the cold hell where you freeze
You find your God beside you on his knees.
https://malcolmguite.files.wordpress.com/2021/03/stations-x.mp3
X Jesus is stripped of His garments
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
https://malcolmguite.files.wordpress.com/2021/03/station-xi-crucifixion.mp3
XI Crucifixion: Jesus is nailed to the cross
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
https://malcolmguite.files.wordpress.com/2021/03/stations-xii-jesus-dies.mp3
XII Jesus dies on the cross
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
So many gospel themes find their focus on Maundy Thursday, so many threads of connection flowing to and from this deep source of love and vision, in the foot washing, and in the last supper.
The meditation in this sonnet, is centred on the ancient idea of the four elements of earth, air, water and fire, for it struck me as I contemplated the events of Maundy Thursday, both the foot-washing and the first communion, that all these elements of the old creation are taken up by Jesus and transformed in the making of the new. Jesus is both the fully human companion cleansing his friends with a gentle touch, sharing his last supper with them, showing the fullness of his love, and he also the Word, God in his full creative and shaping power, the One in and through whom everyone in that room, and every element of the world is sustained in the beauty and particularity of its being. What we witness in the birth of the sacraments is both a human drama and a divine act of new creation. Although we cannot be in church to receive the familiar sacrament of this night, it may be, that if our eyes and ears are open we will sense Christ’s all-transforming presence even through the ordinary elements of the place where we are.
This sonnet, and the others I have been posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
Thanks to Lancia Smith for the image
You can hear the poem by clicking on the title or the ‘play’ button
https://malcolmguite.files.wordpress.com/2021/03/maundy-thursday.mp3
Maundy Thursday.
Here is the source of every sacrament,
The all-transforming presence of the Lord,
Replenishing our every element
Remaking us in his creative Word.
For here the earth herself gives bread and wine,
The air delights to bear his Spirit’s speech,
The fire dances where the candles shine,
The waters cleanse us with His gentle touch.
And here He shows the full extent of love
To us whose love is always incomplete,
In vain we search the heavens high above,
The God of love is kneeling at our feet.
Though we betray Him, though it is the night.
He meets us here and loves us into light.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
John 12 1-8, tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.
I feel a special poignancy in this gospel moment amidst the isolation of our present crisis, because it celebrates the touch and intimacy which so many of us are having to go without. My poem opens with the injunction ‘come close’ and yet the mantra of our time is ‘keep apart’. All the more then, as we are social distancing, must we seek intimacy with God, the intimacy he offers us in Christ.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image above. As always you can hear the poem by clicking on the title or the ‘play’ button
https://malcolmguite.files.wordpress.com/2021/03/the-anointing.mp3
The Anointing at Bethany
Come close with Mary, Martha , Lazarus
So close the candles stir with their soft breath
And kindle heart and soul to flame within us
Lit by these mysteries of life and death.
For beauty now begins the final movement
In quietness and intimate encounter
The alabaster jar of precious ointment
Is broken open for the world’s true lover,
The whole room richly fills to feast the senses
With all the yearning such a fragrance brings,
The heart is mourning but the spirit dances,
Here at the very centre of all things,
Here at the meeting place of love and loss
We all foresee, and see beyond the cross.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
When Solomon dedicated the Temple he rightly declared that not even the Heaven of Heavens could contain almighty God, much less this temple made with hands, yet God himself still came into the temple. He came as a baby, the essence of all light and purity in human flesh, he came as a young boy full of questions, seeking to know his father’s will, and today he came in righteous anger to clear away the blasphemous barriers that human power-games try to throw up between God and the world he loves. Then finally, by his death on the cross he took away the last barrier in the Temple, and in our hearts, the veil that stood between us and the Holy of Holies, the very presence of God, in us and beyond us.
But these outward events are also inward ones. We cannot go out to the outer edifice of church or cathedral this week, but we can certainly invite Christ to come in to us, and that is what I do in this sonnet, with its fourfold cry for Christ to come into the temple of my heart.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image.
https://malcolmguite.files.wordpress.com/2021/03/cleansing-the-temple.mp3
Cleansing the Temple
Come to your Temple here with liberation
And overturn these tables of exchange
Restore in me my lost imagination
Begin in me for good, the pure change.
Come as you came, an infant with your mother,
That innocence may cleanse and claim this ground
Come as you came, a boy who sought his father
With questions asked and certain answers found,
Come as you came this day, a man in anger
Unleash the lash that drives a pathway through
Face down for me the fear the shame the danger
Teach me again to whom my love is due.
Break down in me the barricades of death
And tear the veil in two with your last breath.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image courtesy of Lancia Smith
We come now, on Palm Sunday, to the beginning of Holy Week: a strange Palm Sunday, a strange Holy Week, in which we cannot make the outward and visible journeys and gestures, exchanges and gatherings that have always bodied forth the inner meaning of this week; the procession of palm crosses, the choral singing of hosannah, all those things that echo the events of the first Palm Sunday.
But the inner journey is more necessary than ever, and in the sonnets that follow I have explored the truth that what was happening ‘out there’ and ‘back then’ as Christ entered Jerusalem is also happening ‘in here’ and ‘right now’. There is a Jerusalem of the heart. Our inner life also has its temple and palaces, its places of corruption, its gardens of rest, its seat of judgement.
In the sequence of sonnets which begins today I invite you to walk with Christ, and let him walk with you on both an outer and an inner journey that leads to the cross and beyond.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Presshere in England. The book is now back in stock on both Amazon UK and USA. It is also out on Kindle.
Do feel free to reproduce these poems for any Church services in which you may wish to use them, just include a line to say “From Sounding the Seasons, by Malcolm Guite, CanterburyPress 2012”
As before I am grateful to Lancia Smith and Margot Krebs Neale for the evocative images that accompany these poems. Of the image at the beginning of this post she writes:
– Who stands in the eye of the camera? behind that gate?
– The Savior? or me looking out and seeing in my fellow being an incarnation of the Saviour?
and for the image below she says: ‘this wax the child is melting could symbolise this resistance which becomes the source, the stock of the light that comes from us.’
As always you can hear the poem by clicking on the ‘play’ button below or on the title of the poem
https://malcolmguite.files.wordpress.com/2020/04/palm-sunday-sonnet.mp3
Palm Sunday
Now to the gate of my Jerusalem,
The seething holy city of my heart,
The saviour comes. But will I welcome him?
Oh crowds of easy feelings make a start;
They raise their hands, get caught up in the singing,
And think the battle won. Too soon they’ll find
The challenge, the reversal he is bringing
Changes their tune. I know what lies behind
The surface flourish that so quickly fades;
Self-interest, and fearful guardedness,
The hardness of the heart, its barricades,
And at the core, the dreadful emptiness
Of a perverted temple. Jesus come
Break my resistance and make me your home.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Here is my usual Sunday posting resuming our pilgrimage together through Lent, using my book The Word in the Wilderness I am once again posting recordings of me reading all of this week’s poems together with the texts of the poems themselves.
The image above is once again kindly provided by Lancia Smith
Now, in Passiontide, Christ becomes all the more visibly, our companion. We walk with him and see him face and overcome our own worst fears, we see him take on, in us and for us, the pain the frailty, the fear the failure, and the death itself that haunt and shadow our life. We stay with him through his Good Friday as he stays with us through ours, so that when Easter dawns we also share with him, and he bestows abundantly on us, the new life and light which death can never overcome and swallow for it, indeed has overcome and swallowed up death. In this section we will pay particular attention to Gethsemane and the agony in the garden, through a sequence of four linked poems, starting with Herbert’s poem ‘The Agony’, and moving then to Rowan Williams’ poem ‘Gethsemane’ which has the same setting and draws on Herbert’s poem. This is followed by two Hopkins’ poems that also seem to be in close contact with the Rowan Williams poem. All four poems turn on the press and pressure, of Gethsemane understood as an oil press, releasing God’s mercy into the world.
But we begin, on Sunday with Edwin Muir’s beautiful poem The Incarnate One
The Incarnate One Edwin Muir
https://audioboom.com/boos/4296469-the-incarnate-one.mp3The windless northern surge, the sea-gull’s scream,
And Calvin’s kirk crowning the barren brae.
I think of Giotto the Tuscan shepherd’s dream,
Christ, man and creature in their inner day.
How could our race betray
The Image, and the Incarnate One unmake
Who chose this form and fashion for our sake?
The Word made flesh here is made word again
A word made word in flourish and arrogant crook.
See there King Calvin with his iron pen,
And God three angry letters in a book,
And there the logical hook
On which the Mystery is impaled and bent
Into an ideological argument.
There’s better gospel in man’s natural tongue,
And truer sight was theirs outside the Law
Who saw the far side of the Cross among
The archaic peoples in their ancient awe,
In ignorant wonder saw
The wooden cross-tree on the bare hillside,
Not knowing that there a God suffered and died.
The fleshless word, growing, will bring us down,
Pagan and Christian man alike will fall,
The auguries say, the white and black and brown,
The merry and the sad, theorist, lover, all
Invisibly will fall:
Abstract calamity, save for those who can
Build their cold empire on the abstract man.
A soft breeze stirs and all my thoughts are blown
Far out to sea and lost. Yet I know well
The bloodless word will battle for its own
Invisibly in brain and nerve and cell.
The generations tell
Their personal tale: the One has far to go
Past the mirages and the murdering snow.
MONDAY
Golgotha John Heath-Stubbs
https://audioboom.com/boos/4296436-golgotha.mp3
In the middle of the world, in the centre
Of the polluted heart of man, a midden;
A stake stemmed in the rubbish
From lipless jaws, Adam’s skull
Gasped up through the garbage:
‘I lie in the discarded dross of history,
Ground down again to the red dust,
The obliterated image. Create me.’
From lips cracked with thirst, the voice
That sounded once over the billows of chaos
When the royal banners advanced,
replied through the smother of dark:
‘All is accomplished, all is made new, and look-
All things, once more, are good.’
Then, with a loud cry, exhaled His spirit.
TUESDAY
The Agony George Herbert
https://audioboom.com/boos/4296440-the-agony.mp3
Philosophers have measur’d mountains,
Fathom’d the depths of seas, of states and kings;
Walk’d with a staff to heav’n and traced fountains:
But there are two vast, spacious thins,
The which to measure it doth more behove;
Yet few there are that sound them, ‒ Sin and Love.
Who would know Sin, let him repair
Unto Mount Olivet; there shall he see
A Man so wrung with pains, that all His hair,
His skin, His garments bloody be.
Sin is that press and vice, which forceth pain
To hunt his cruel food through ev’ry vein.
Who knows not Love, let him assay
And taste that juice which, on the cross, a pike
Did set again abroach; then let him say
If ever he did taste the like,
Love is that liquor sweet and most divine,
Which my God feels as blood, but I as wine.
WEDNESDAY
Gethsemane Rowan Williams
https://audioboom.com/boos/4296442-gethsemane.mp3Who said that trees grow easily
compared with us? What if the bright
bare load that pushes down on them
insisted that they spread and bowed
and pleated back on themselves and cracked
and hunched? Light dropping like a palm
levelling the ground, backwards and forwards?
Across the valley are the other witnesses
of two millennia, the broad stones
packed by the hand of God, bristling
with little messages to fill the cracks.
As the light falls and flattens what grows
on these hills, the fault lines dart and spread,
there is room to say something, quick and tight.
Into the trees’ clefts, then, do we push
our folded words, thick as thumbs?
somewhere inside the ancient bark, a voice
has been before us, pushed the densest word
of all, abba, and left it to be collected by
whoever happens to be passing, bent down
the same way by the hot unreadable palms.
THURSDAY
I wake and feel the fell of dark, not day G. M. Hopkins
https://audioboom.com/boos/4296451-the-fell-of-dark.mp3I wake and feel the fell of dark, not day,
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light’s delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.
I am gall, I am heartburn. God’s most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
FRIDAY
God’s Grandeur G. M. Hopkins
https://audioboom.com/boos/4296454-god-s-grandeur.mp3The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs ‒
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
SATURDAY
Love’s as warm as tears C. S. Lewis
https://audioboom.com/boos/4296434-love-s-as-warm.mp3If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
On March the 25th many churches across the world, Catholic, Orthodox and Anglican, keep the feast of the Annunciation, and though we can no longer keep the feast outwardly and visibly in our churches, I would like to keep it inwardly and spiritually here with you.
The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
The scripture that says of Mary that “All generations’ will call her “blessed”, It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
https://malcolmguite.files.wordpress.com/2021/03/annunciation.mp3
Annunciation
We see so little, stayed on surfaces,
We calculate the outsides of all things,
Preoccupied with our own purposes
We miss the shimmer of the angels’ wings,
They coruscate around us in their joy
A swirl of wheels and eyes and wings unfurled,
They guard the good we purpose to destroy,
A hidden blaze of glory in God’s world.
But on this day a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.
https://malcolmguite.files.wordpress.com/2021/03/visitation.mp3
The Visitation
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
https://malcolmguite.files.wordpress.com/2021/03/theotokos-a-sonnet-for-mary.mp3Theotokos
You bore for me the One who came to bless
And bear for all and make the broken whole.
You heard His call and in your open ‘yes’
You spoke aloud for every living soul.
Oh gracious Lady, child of your own child,
Whose mother-love still calls the child in me,
Call me again, for I am lost, and wild
Waves suround me now. On this dark sea
Shine as a star and call me to the shore.
Open the door that all my sins would close
And hold me in your garden. Let me share
The prayer that folds the petals of the Rose.
Enfold me too in Love’s last mystery
And bring me to the One you bore for me.
https://malcolmguite.files.wordpress.com/2021/03/stations-iv-jesus-meets-his-mother.mp3Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://audioboom.com/posts/5427225-o-virgo-virginum.mp3O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
If you have enjoyed this page here’s a little link that allows you to ‘buy me a coffee’ (or a beer if you prefer!)
On the 20th of March we remember with thanksgiving St. Cuthbert, the great Apostle of the North, in whose honour the Lindesfarne Gospels were made and on whose breast was found the beautiful Gospel of St. John which is our oldest complete book. Indeed, I was inspired to write a sonnet about the experience of standing in front of Cuthbert’s copy of St. John, which you can read Here.
Cuthbert, or ‘Cuddy’ as he is known affectionately in the North, was a man whose whole life was shaped and lived in and by the Gospel, by reconciliation, by good news for the poor and supremely by that free movement of the Holy spirit, flowing like water, and like the wind, blowing where it listeth. Though Cuthbert worked tirelessly for the church and for the poor he was at heart a hermit and a mystic, in intimate communion with God in his hermitage on his beloved inner Farne island . I feel a particular connection with Cuthbert and have walked on pilgrimage along the Cuthbert Way from Melrose Abbey in Scotland to the Holy island of Lindesfarne in Northumberland.
This poem is taken from my collection The Singing Bowl, published by Canterbury Press. Canterbury have also launched a Kindle Edition
As always you can hear the poem by clicking on the title or the play button
https://audioboom.com/posts/1276488-cuddy.mp3Cuddy‘Cuthbertus’ says the dark stone up in DurhamWhere I have come on pilgrimage to pray.But not this great cathedral, nor the solemnWeight of Norman masonry we layUpon your bones could hold your soul in prison.Free as the cuddy ducks they named for you,Loosed by the lord who died to pay your ransom,You roam the North just as you used to do;Always on foot and walking with the poor,Breaking the bread of angels in your cave,A sanctuary, a sign, an open door,You follow Christ through keening wind and wave,To be and bear with him where all is borne;The heart of heaven, in your Inner FarneIf you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee (or maybe, as it’s st, Patrick’s day, a Guiness! Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Lindesfarne where Cuthbert was Bishop the heart of heaven in your inner Farne
As we continue our pilgrimage together through Lent, using my book The Word in the Wilderness I am once again posting recordings of me reading all of this week’s poems together with the texts of the poems themselves.
The image above is once again kindly provided by Lancia Smith
Last week we walked with Dante, and I want to develop this sense of our ‘companioned journey’ this week by drawing alongside two other poets who may help us with our reflections on the way. In particular I want to share with you some gems from their longer poems which, precisely because they occur in the midst of long poems, are very rarely anthologized, but which have a great deal to offer us. The twin themes which I hope these poets will open for us are self-questioning on the one hand and self-knowledge on the other. Anyone who has taken a long pilgrimage, or even just a long walk, such as we are doing through Lent, will know that there comes a time when, as other concerns subside, the big questions arise: Who am I? How much do I really know myself? What can I really know about God? How can I trust that knowledge? The passage from John Davies on what it is to be human seems especially powerful in this present crisis!
but first we start with our Sunday poem, this time for Mothering Sunday, as always with all these poems you can hear the poem by clicking on the title or the play button
Mothering Sunday Malcolm Guite
https://audioboom.com/boos/4265621-mothering-sunday.mp3At last, in spite of all, a recognition,
For those who loved and laboured for so long,
Who brought us, through that labour, to fruition
To flourish in the place where we belong.
A thanks to those who stayed and did the raising,
Who buckled down and did the work of two,
Whom governments have mocked instead of praising,
Who hid their heart-break and still struggled through,
The single mothers forced onto the edge
Whose work the world has overlooked, neglected,
Invisible to wealth and privilege,
But in whose lives the kingdom is reflected.
Now into Christ our mother church we bring them,
Who shares with them the birth-pangs of His Kingdom.
Monday
Why did my parents send me to the schools? John Davies
https://audioboom.com/boos/4265622-john-davies-1.mp3Why did my parents send me to the Schools,
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind:
Even so by tasting of that fruit forbid,
Where they sought knowledge, they did error find;
Ill they desir’d to know, and ill they did;
And to give Passion eyes, made Reason blind.
For then their minds did first in Passion see
Those wretched shapes of misery and woe,
Of nakedness, of shame, of poverty,
Which then their own experience made them know.
But then grew Reason dark, that she no more,
Could the faire forms of Good and Truth discern;
Bats they became, that eagles were before:
And this they got by their desire to learn.
All things without, which round about we see,
We seek to know, and how therewith to do:
But that whereby we reason, live and be,
Within our selves, we strangers are thereto.
We seek to know the moving of each sphere,
And the strange cause of th’ebs and floods of Nile;
But of that clock within our breasts we bear,
The subtle motions we forget the while.
We that acquaint our selves with every Zone
And pass both Tropics and behold the Poles
When we come home, are to our selves unknown,
And unacquainted still with our own souls.
We study Speech but others we persuade;
We leech-craft learn, but others cure with it;
We interpret laws, which other men have made,
But read not those which in our hearts are writ.
Is it because the mind is like the eye,
Through which it gathers knowledge by degrees −
Whose rays reflect not, but spread outwardly:
Not seeing itself when other things it sees?
No, doubtless; for the mind can backward cast
Upon her self her understanding light;
But she is so corrupt, and so defac’t,
As her own image doth her self affright.
TUESDAY
What It Is To Be HumanJohn Davies
https://audioboom.com/posts/4265622-john-davies-1.mp3She within lists my ranging mind hath brought,
That now beyond my self I list not go;
My self am centre of my circling thought,
Only my self I study, learn, and know.
I know my body’s of so frail a kind,
As force without, fevers within can kill:
I know the heavenly nature of my mind,
But ‘tis corrupted both in wit and will:
I know my soul hath power to know all things,
Yet is she blind and ignorant in all;
I know I am one of nature’s little kings,
Yet to the least and vilest things am thrall.
I know my life’s a pain and but a span,
I know my Sense is mockt with every thing:
And to conclude, I know my self a man,
Which is a proud, and yet a wretched thing.
WEDNESDAY
The Light which makes the light which makes the day John Davies
https://audioboom.com/boos/4265626-john-davies-3.mp3That Power which gave me eyes the World to view,
To see my self infused an inward light,
Whereby my soul, as by a mirror true,
Of her own form may take a perfect sight,
But as the sharpest eye discerneth nought,
Except the sun-beams in the air doe shine:
So the best soul with her reflecting thought,
Sees not her self without some light divine.
To judge her self she must her self transcend,
As greater circles comprehend the less;
But she wants power, her own powers to extend,
As fettered men can not their strength express.
O Light which mak’st the light, which makes the day!
Which set’st the eye without, and mind within;
‘Lighten my spirit with one clear heavenly ray,
Which now to view it self doth first begin.
But Thou which didst man’s soul of nothing make,
And when to nothing it was fallen again,
To make it new the form of man didst take,
And God with God, becam’st a Man with men.
Thou, that hast fashioned twice this soul of ours,
So that she is by double title Thine,
Thou only knowest her nature and her pow’rs,
Her subtle form Thou only canst define…
But Thou bright Morning Star, Thou rising Sun,
Which in these later times hast brought to light
Those mysteries, that since the world begun,
Lay hid in darkness and eternal night;
Thou (like the sun) dost with indifferent ray,
Into the palace and the cottage shine,
And shew’st the soul both to the clerk and lay,
By the clear lamp of Thy Oracle divine.
THURSDAY
Death as Birth Sir John Davies
https://audioboom.com/boos/4265628-john-davies-4.mp3The first life, in the mother’s womb is spent,
Where she her nursing power doth only use;
Where, when she finds defect of nourishment,
She expels her body, and this world she views.
This we call Birth; but if the child could speak,
He Death would call it; and of Nature plain,
That she would thrust him out naked and weak,
And in his passage pinch him with such pain.
Yet, out he comes, and in this world is placed
Where all his Senses in perfection bee:
Where he finds flowers to smell, and fruits to taste;
And sounds to hear, and sundry forms to see.
When he hath past some time upon this stage,
His Reason then a little seems to wake;
Which, though the spring, when sense doth fade with age,
Yet can she here no perfect practise make.
Then doth th’aspiring Soul the body leave,
Which we call Death; but were it known to all,
What life our souls do by this death receive,
Men would it birth or gaol delivery call.
In this third life, Reason will be so bright,
As that her spark will like the sun-beams shine,
And shall of God enioy the real sight.
Being still increased by influence divine.
Acclamation
O ignorant poor man! what dost thou bear
Locked up within the casket of thy breast?
What jewels, and what riches hast thou there!
What heavenly treasure in so weak a chest!
Look in thy soul, and thou shalt beauties find,
Like those which drowned Narcissus in the flood:
Honour and Pleasure both are in thy mind,
And all that in the world is counted Good.
And when thou think’st of her eternity,
Think not that Death against her nature is;
Think it a birth: and when thou goest to die,
Sing like a swan, as if thou went’st to bliss.
FRIDAY
Faith in Honest Doubt Alfred Tennyson
https://audioboom.com/boos/4265630-tennyson-1.mp3You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Siniai’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
Saturday
Strong Son of God, Immortal Love Alfred Tennyson
https://audioboom.com/boos/4265631-tennyson-2.mp3
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
…
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before …
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
…for those who loved and laboured…Mothering Sunday can be both a joyful and a painfully poignant day. For many it is a day to grieve the loss of a mother, for others a time to yearn for absent children. Nevertheless we can love and be thankful and remember that our very existence in the world is testimony to the love and labour of our mothers. So once more I post my poem of thanksgiving for all parents, especialy for those who bore the fruitful pain of labour.And more particularly in this poem I have singled out for praise those heroic single parents who, for whatever reason, have found themselves bearing alone the burdens, and sharing with no-one the joys of their parenthood. They were already isolated before ‘self isolation’ was a thing, and now, with schools closed, their labour is multiplied, and without the help f neighbours. We cannot bring them physically into the church today, but in our prayers we bring them into Christ.
This poem is from my book Sounding the Seasons published by Canterbury Press and it is available on Amazon Here
I am grateful to Oliver Neale for his thought-provoking work as a photographer, and, as always, you can hear the poem by clicking on the ‘play’ button, or on the title
http://audioboo.fm/boos/714101-mothering-sunday.mp3
Mothering Sunday
At last, in spite of all, a recognition,
For those who loved and laboured for so long,
Who brought us, through that labour, to fruition
To flourish in the place where we belong.
A thanks to those who stayed and did the raising,
Who buckled down and did the work of two,
Whom governments have mocked instead of praising,
Who hid their heart-break and still struggled through,
The single mothers forced onto the edge
Whose work the world has overlooked, neglected,
Invisible to wealth and privilege,
But in whose lives the kingdom is reflected.
Now into Christ our mother church we bring them,
Who shares with them the birth-pangs of His Kingdom.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Here is my sonnet for St. Patrick’s Day
While Patrick is of course primarily associated with Ireland where he flourished as a missionary in the second half of the fifth century, he was not Irish to begin with. He seems to have been a shepherd on the mainland of Great Britain and was in fact captured there, at the age of sixteen, by raiding pirates and taken across the sea to Ireland where he was sold as a slave. He was six years in captivity before he finally made his escape and returned to Britain. And this is where the story takes a truly extraordinary turn. While he was enslaved in Ireland, working as a shepherd for his masters, Patrick became a Christian and when, having made good his escape, he returned home he had a vision in which a man gave him a letter headed ‘The Voice of Ireland’, a letter urging him to go back to the very place from which he had escaped and bring the Gospel to his former captors! That Patrick obeyed such a vision seems to me a greater miracle than any of the others subsequently attributed to him, and it is on this return that my sonnet turns. That capacity to return, face and forgive former oppressors or enemies seems a particularly vital gift for Ireland’s patron to bestow. As well as alluding briefly to ‘St. Patrick’s Breastplate’, my sonnet also touches on the story that wherever Patrick planted his staff to pray, it blossomed.
As always you can hear the sonnets by clicking on the title or the play button
https://malcolmguite.files.wordpress.com/2022/03/st-patrick-a-sonnet.mp3
Patrick
Six years a slave, and then you slipped the yoke,
Till Christ recalled you, through your captors cries!
Patrick, you had the courage to turn back,
With open love to your old enemies,
Serving them now in Christ, not in their chains,
Bringing the freedom He gave you to share.
You heard the voice of Ireland, in your veins
Her passion and compassion burned like fire.
Now you rejoice amidst the three-in-one,
Refreshed in love and blessing all you knew,
Look back on us and bless us, Ireland’s son,
And plant the staff of prayer in all we do:
A gospel seed that flowers in belief,
A greening glory, coming into leaf.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee (or maybe, as it’s St, Patrick’s day, a Guiness! Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
As usual, on each Sunday in Lent I am posting a week’s worth of recordings from from my book The Word in the Wilderness, for those who are following that this Lent.I am providing the texts of the poems and you can find my commentaries on those poems in the book itself. I am also taking the opportunity to correct one or two errors which crept into the printed book, in transcribing passages from Robin Kirkpatrick’s beautiful translation of Dante, which is used here with permission. The wonderful pilgrim image above is once again kindly provided by Lancia Smith and was taken by her on a recent visit to share in the life the church in South Africa.
As always you can hear me read the poems by clicking on the title or on the ‘play’ button
SUNDAY
Late Ripeness Czeslaw Milosz (1911–2004)
https://audioboom.com/boos/4236445-late-ripeness.mp3Not soon, as late as the approach of my ninetieth year
I felt a door opening in me and I entered
the clarity of early morning.
One after another my former lives were departing,
like ships, together with their sorrow.
And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.
I was not separated from people, grief and pity joined us.
We forget ‒ I kept saying ‒ that we are children of the King.
From where we come there is no division
into Yes and No, into is, was and will be.
Moments from yesterday and from centuries ago ‒
a sword blow, the painting of eyelashes before a mirror
of polished metal, a lethal musket shot, a caravel
staving its hull against a reef ‒ they dwell in us,
waiting for a fulfilment.
I knew, always, that I would be a worker in the vineyard,
as are all men and women living at the same time,
whether they are aware of it or not.
MONDAY
Meeting Virgil
https://audioboom.com/boos/4236446-meeting-virgil.mp3‘There is another road’ Dante
As I went, ruined, rushing to that low,
there had, before my eyes, been offered one
who seemed -long silent- to be faint and dry.
Seeing him near in that great wilderness,
to him I screamed my ‘miserere’: ‘Save me,
whatever – shadow or truly man – you be.’
His answer came to me: ‘No man; a man
I was in times long gone. Of Lombard stock,
my parents both by patria and Mantuan.
And I was born, though late, sub Iulio.
I lived at Rome in good Augustus’ day,
in times when all the gods were lying cheats.
I was a poet then. I sang in praise
of all the virtues of Anchises’ son. From Troy
he came ‒ proud Ilion razed in flame.
But you turn back. Why seek such grief and harm?
Why climb no higher up at lovely hill?
The cause and origin of joy shines there.’
‘So, could it be’, I answered him, (my brow,
in shy respect bent low), ‘you are that Virgil,
whose words flow wide, a river running full?
You are the light and glory of all poets.
May this serve me: my ceaseless care, the love
so great, that made me search your writings through!
You are my teacher. You, my lord and law.
From you alone I took the fine-tuned style
that has, already, brought me so much honour.
See there? That beast! I turned because of that.
Help me ‒ your wisdom’s known ‒ escape from her.
To every pulsing vein, she brings the tremor.
Seeing my tears, he answered me: ‘There is
another road. And that, if you intend
to quit this wilderness, you’re bound to take.’
(The Divine Comedy, I Inferno, lines 61−93)
TUESDAY
Through the Gate Malcolm Guite
https://audioboom.com/boos/4236448-through-the-gate.mp3Begin the song exactly where you are,
For where you are contains where you have been
And holds the vision of your final sphere.
And do not fear the memory of sin;
There is a light that heals, and, where it falls,
Transfigures and redeems the darkest stain
Into translucent colour. Loose the veils
And draw the curtains back, unbar the doors,
Of that dread threshold where your spirit fails,
The hopeless gate that holds in all the fears
That haunt your shadowed city, fling it wide
And open to the light that finds, and fares
Through the dark pathways where you run and hide,
Through all the alleys of your riddled heart,
As pierced and open as his wounded side.
Open the map to Him and make a start,
And down the dizzy spirals, through the dark,
His light will go before you. Let him chart
And name and heal. Expose the hidden ache
To him, the stinging fires and smoke that blind
Your judgement, carry you away, the mirk
And muted gloom in which you cannot find
The love that you once thought worth dying for.
Call him to all you cannot call to mind.
He comes to harrow Hell and now to your
Well-guarded fortress let his love descend.
The icy ego at your frozen core
Can hear his call at last. Will you respond?
WEDNESDAY
Towards A Shining World Dante
Dante and Virgil emerge from hell and begin the ascent of mount purgatory
https://audioboom.com/boos/4236449-a-shining-world.mp3So now we entered on that hidden Path,
my Lord and I, to move once more towards
a shining world. We did not care to rest.
We climbed, he going first and I behind,
until through some small aperture I saw
the lovely things the skies above us bear.
Now we came out, and once more saw the stars.
…
To race now over better waves, my ship
of mind -alive again- hoists sail, and leaves
behind its little keel the gulf that proved so cruel.
And I’ll sing, now, about the second realm
where human spirits purge themselves from stain,
becoming worthy to ascend to Heaven.
Here, too, dead poetry will rise again.
for now, you secret Muses, I am yours…
…
Dawn was defeating now the last hours sung
by night, which fled before it. And far away
I recognised the tremblings of the sea.
Alone, we walked along the open plain,
as though, returning to a path we’d lost,
our steps, until we came to that, were vain.
Then, at a place in shadow where the dew
still fought against the sun and, cooled by breeze,
had scarcely yet been sent out into vapour,
my master placed the palms of both his hands,
spread wide, lighty and gently on the tender grass.
And I, aware of what his purpose was,
offered my tear-stained cheeks to meet his touch.
At which, he made once more entirely clean
the colour that the dark of Hell had hidden.
(The Divine Comedy, I Inferno,canto34 lines 133−end, and II Purgatorio,Canto 1 lines 1−8 and 115−29)
THURSDAY
De Magistro Malcolm Guite
https://audioboom.com/boos/4236451-de-magistro.mp3
I thank my God I have emerged at last,
Blinking from Hell, to see these quiet stars,
Bewildered by the shadows that I cast.
You set me on this stair, in those rich hours
Pacing your study, chanting poetry.
The Word in you revealed his quickening powers,
Removed the daily veil, and let me see,
As sunlight played along your book-lined walls,
That words are windows onto mystery.
From Eden, whence the living fountain falls
In music, from the tower of ivory,
And from the hidden heart, he calls
In the language of Adam, creating memory
Of unfallen speech. He sets creation
Free from the carapace of history.
His image in us is imagination,
His Spirit is a sacrifice of breath
Upon the letters of his revelation.
In mid-most of the word-wood is a path
That leads back to the springs of truth in speech.
You showed it to me, kneeling on your hearth,
You showed me how my halting words might reach
To the mind’s maker, to the source of Love,
And so you taught me what it means to teach.
Teaching, I have my ardours now to prove,
Climbing with joy the steps of Purgatory.
Teacher and pupil, both are on the move,
As fellow pilgrims on a needful journey
FRIDAY
The Refining Fire Dante
https://audioboom.com/boos/4236452-refining-fire.mp3Over my suppliant hands entwined, I leaned
just staring at the fire, imagining
bodies of human beings I’d seen burn.
And both my trusted guides now turned to me.
And Virgil spoke, to say: ‘My dearest son,
here may be agony but never death.
Remember this! Remember! And if I
led you to safety on Geryon’s back,
what will I do when now so close to God?
Believe this. And be sure. Were you to stay
a thousand years or more wombed in this fire,
you’d not been made the balder by one hair.
And if, perhaps, you think I’m tricking you,
approach the fire and reassure yourself,
trying with your own hands your garments hem.
Have done, I say, have done with fearfulness.
Turn this way. Come and enter safely in!’
But I, against all conscience, stood stock still.
And when he saw me stiff and obstinate,
he said, a little troubled: ‘Look my son,
between Beatrice and you there ‘s just this wall….’
Ahead of me, he went to meet the fire,
and begged that Statius, who had walked the road
so long between us, now take up the rear.
And, once within, I could have flung myself ‒
The heat that fire produced was measureless ‒
For coolness, in a vat of boiling glass.
To strengthen me, my sweetest father spoke,
as on he went, of Beatrice always,
saying, it seems I see her eyes already.’
and, guiding us, a voice sang from beyond.
So we, attending only to that voice,
came out and saw where now we could ascend.
‘Venite, benedicti Patris mei!’
sounded within what little light there was.
This overcame me and I could not look.
(The Divine Comedy, II Purgatorio, Canto 27 lines 16−32 and 46−60)
SATURDAY
Dancing Through the Fire Malcolm Guite
https://audioboom.com/boos/4236454-dancing-through-the-fire.mp3Then stir my love in idleness to flame
To find at last the free refining fire
That guards the hidden garden whence I came.
O do not kill, but quicken my desire,
Better to spur me on than leave me cold.
Not maimed I come to you, I come entire,
Lit by the loves that warm, the lusts that scald,
That you may prove the one, reprove the other,
Though both have been the strength by which I scaled
The steps so far to come where poets gather
And sing such songs as love gives them to sing.
I thank God for the ones who brought me hither
And taught me by example how to bring
The slow growth of a poem to fruition
And let it be itself, a living thing,
Taught me to trust the gifts of intuition
And still to try the tautness of each line,
Taught me to taste the grace of transformation
And trace in dust the face of the divine,
Taught me the truth, as poet and as Christian,
That drawing water turns it into wine.
Now I am drawn through their imagination
To dare to dance with them into the fire,
Harder than any grand renunciation,
To bring to Christ the heart of my desire
Just as it is in every imperfection,
Surrendered to his bright refiner’s fire
That love might have its death and resurrection.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
WEEK 2
Deepening the Life of Prayer
courtesy of https://lanciaesmith.com
Here is another week’s worth of recordings in which I read the poems I selected in my anthology for Lent The Word in the Wilderness. I hope you enjoy these recordings, just click on the title of the poem or the ‘play’ button if it appears. Once again I am grateful to Lancia Smith for providing the two lovely images to go with this week’s readings.
SUNDAY
Postscript Seamus Heaney
https://audioboom.com/boos/4206544-postscript.mp3courtesy of https://lanciaesmith.com
MONDAY
Prayer (I) George Herbert
https://audioboom.com/boos/4206546-prayer.mp3PRAYER the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth;
Engine against th’ Almightie, sinner’s towre,
Reversed thunder, Christ-side-piercing spear,
The six daies world-transposing in an houre,
A kinde of tune, which all things heare and fear ;
Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The milkie way, the bird of Paradise,
Church-bels beyond the stars heard, the souls bloud,
The land of spices, something understood.
TUESDAY
Homecoming Gwyneth Lewis
https://audioboom.com/boos/4206547-homecoming.mp3Two rivers deepening into one;
less said, more meant; a field of corn
adjusting to harvest; a battle won
by yielding; days emptied to their brim;
an autumn; a wedding; a logarithm;
self-evidence earned, a coming home
to something brand new but always known;
not doing, but being – a single noun;
now in infinity; a fortune found
in all that’s disposable; not out there, but in,
the ceremonials of light in the rain;
the power of being nothing, but sane.
WEDNESDAY
Prayer/Walk Malcolm Guite
https://audioboom.com/boos/4206549-prayerwalk.mp3
A hidden path that starts at a dead end,
Old ways, renewed by walking with a friend,
And crossing places taken hand in hand,
The passages where nothing need be said,
With bruised and scented sweetness underfoot
And unexpected birdsong overhead,
The sleeping life beneath a dark-mouthed burrow,
The rooted secrets rustling in a hedgerow,
The land’s long memory in ridge and furrow,
A track once beaten and now overgrown
With complex textures, every kind of green,
Land- and cloud-scape melting into one,
The rich meandering of streams at play,
A setting out to find oneself astray,
And coming home at dusk a different way.
THURSDAY
How I talk to God Kelly Belmonte Read more about Kelly Belmonte on her great poetry site All Nine
https://audioboom.com/boos/4206552-how-i-talk-to-god.mp3Coffee in one hand
leaning in to share, listen:
How I talk to God.
“Momma, you’re special.”
Three-year-old touches my cheek.
How God talks to me.
While driving I make
lists: done, do, hope, love, hate, try.
How I talk to God.
Above the highway
hawk: high, alone, free, focused.
How God talks to me.
Rash, impetuous
chatter, followed by silence:
How I talk to God.
First, second, third, fourth
chance to hear, then another:
How God talks to me.
Fetal position
under flannel sheets, weeping
How I talk to God.
Moonlight on pillow
tending to my open wounds
How God talks to me.
Pulling from my heap
of words, the ones that mean yes:
How I talk to God.
Infinite connects
with finite, without words:
How God talks to me.
FRIDAY
The Pains of Sleep S. T. Coleridge
https://audioboom.com/boos/4206554-the-pains-of-sleep.mp3
Ere on my bed my limbs I lay,
It hath not been my use to pray
With moving lips or bended knees;
But silently, by slow degrees,
My spirit I to Love compose,
In humble trust mine eye-lids close,
With reverential resignation
No wish conceived, no thought exprest,
Only a sense of supplication;
A sense o’er all my soul imprest
That I am weak, yet not unblest,
Since in me, round me, every where
Eternal strength and Wisdom are.
But yester-night I prayed aloud
In anguish and in agony,
Up-starting from the fiendish crowd
Of .
shapes and thoughts that tortured me:
A lurid light, a trampling throng,
Sense of intolerable wrong,
And whom I scorned, those only strong!
Thirst of revenge, the powerless will
Still baffled, and yet burning still!
Desire with loathing strangely mixed
On wild or hateful objects fixed.
Fantastic passions! maddening brawl!
And shame and terror over all!
Deeds to be hid which were not hid,
Which all confused I could not know
Whether I suffered, or I did:
For all seemed guilt, remorse or woe,
My own or others still the same
Life-stifling fear, soul-stifling shame.
So two nights passed: the night’s dismay
Saddened and stunned the coming day.
Sleep, the wide blessing, seemed to me
Distemper’s worst calamity.
The third night, when my own loud scream
Had waked me from the fiendish dream,
O’ercome with sufferings strange and wild,
I wept as I had been a child;
And having thus by tears subdued
My anguish to a milder mood,
Such punishments, I said, were due
To natures deepliest stained with sin,
For aye entempesting anew
The unfathomable hell within,
The horror of their deeds to view,
To know and loathe, yet wish and do!
Such griefs with such men well agree,
But wherefore, wherefore fall on me?
To be loved is all I need,
And whom I love, I love indeed.
SATURDAY
Batter my heart John Donne
https://audioboom.com/boos/4206556-batter-my-heart.mp3
Batter my heart, three-person’d God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurp’d town to another due,
Labor to admit you, but oh, to no end;
Reason, your viceroy in me, me should defend,
But is captiv’d, and proves weak or untrue.
Yet dearly I love you, and would be lov’d fain,
But am betroth’d unto your enemy;
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Gentle exemplar, help us in our trialsOn February 27th the Church of England keeps the feast and celebrates the memory of George Herbert, the gentle poet priest whose book the Temple, published posthumously in 1633 by his friend Nicholas Ferrar has done so much to help and inspire Christians ever since. In an earlier blog post I gave a talk on George Herbert and the Insights of Prayer, today, on the eve of his Feast Day, I offer this sonnet, part of a sequence called ‘Clouds of Witness” in my poetry book The Singing Bowl. The sequence is a celebration of the saints, intended to complement my sequence Sounding the Seasons.
You can get this book in the UK by ordering it from your local bookshop, or via Amazon, As always you can hear me read the sonnet by clicking on the title or the ‘play’ button.
http://audioboo.fm/boos/1234166-george-herbert.mp3
George Herbert
Gentle exemplar, help us in our trials,
With all that passed between you and your Lord,
That intimate exchange of frowns and smiles
Which chronicled your love-match with the Word.
Your manuscript, entrusted to a friend,
Has been entrusted now to every soul,
We make a new beginning in your end
And find your broken heart has made us whole.
Time has transplanted you, and you take root,
Past changing in the paradise of Love,
Help me to trace your temple, tune your lute,
And listen for an echo from above,
Open the window, let me hear you sing,
And see the Word with you in everything.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image courtesy of https://lanciaesmith.com
I am continuing, each Sunday in Lent, to post the poems for the coming week, from My Word in the Wilderness anthology, for those who are following that. In this first week in Lent Word in the Wilderness introduces poems about pilgrimage itself and our life as pilgrimage. We will reflect on maps and mapping, on how outer journeys and inner ones are linked, on what it is we learn from the landscapes through which we walk. But first we have a poem for the first Sunday in Lent. Properly speaking, all Sundays are exceptions to Lent, for every Sunday is a commemoration of the first day of the week, the day of resurrection, and so really part of Easter. We should see Sundays as little islands of vision in the midst of Lent, or perhaps as little oases or pools of reflection and refreshment on our Lenten Journey and that is how I shall treat them in this anthology. Once again thanks are due to Lancia Smith for the image which accompanies this week’s poems.
So to celebrate the first of them here is R. S. Thomas’s famous poem ‘The Bright Field’.
The Bright Field
https://audioboom.com/boos/4174707-the-bright-field.mp3MONDAY
The Pilgrimage George Herbert
https://audioboom.com/boos/4174710-the-pilgrimage.mp3
I travell’d on, seeing the hill, where lay
My expectation.
A long it was and weary way.
The gloomy cave of Desperation
I left on th’one, and on the other side
The rock of Pride.
And so I came to Fancy’s meadow strow’d
With many a flower:
Fair would I here have made abode,
But I was quicken’d by my houre.
So to Cares copse I came, and there got through
With much ado.
That led me to the wild of Passion, which
Some call the wold;
A wasted place, but sometimes rich.
Here I was robb’d of all my gold,
Save one good Angel, which a friend had ti’d
Close to my side.
At length I got unto the gladsome hill,
Where lay my hope,
Where lay my heart; and climbing still,
When I had gain’d the brow and top,
A lake of brackish waters on the ground
Was all I found.
With that abash’d and struck with many a sting
Of swarming fears,
I fell, and cry’d, Alas my King;
Can both the way and end be tears?
Yet taking heart I rose, and then perceiv’d
I was deceiv’d:
My hill was further: so I flung away,
Yet heard a crie
Just as I went, None goes that way
And lives: If that be all, said I,
After so foul a journey death is fair,
And but a chair.
TUESDAY
Satire III John Donne
https://audioboom.com/boos/4174713-satire-iii.mp3
… though truth and falsehood be
Near twins, yet truth a little elder is;
Be busy to seek her; believe me this,
He’s not of none, nor worst, that seeks the best.
To adore, or scorn an image, or protest,
May all be bad; doubt wisely; in strange way
To stand inquiring right, is not to stray;
To sleep, or run wrong, is. On a huge hill,
Cragged and steep, Truth stands, and he that will
Reach her, about must and about must go,
And what the hill’s suddenness resists, win so.
Yet strive so that before age, death’s twilight,
Thy soul rest, for none can work in that night.
To will implies delay, therefore now do;
Hard deeds, the body’s pains; hard knowledge too
The mind’s endeavours reach, and mysteries
Are like the sun, dazzling, yet plain to all eyes.
WEDNESDAY
The Passionate Man’s Pilgrimage Walter Raleigh
https://audioboom.com/boos/4174714-the-passionate-man-s-pilgrimage.mp3
| Give me my scallop-shell of quiet,My staff of faith to walk upon,My scrip of joy, immortal diet,My bottle of salvation,My gown of glory, hope’s true gage;And thus I’ll take my pilgrimage.Blood must be my body’s balmer,No other balm will there be given;Whilst my soul, like a quiet palmer,Travelleth towards the land of heaven ;Over the silver mountains,Where spring the nectar fountains:There will I kissThe bowl of bliss;And drink mine everlasting fillUpon every milken hill:My soul will be a-dry before;But after, it will thirst no more.Then by that happy blestful day,More peaceful pilgrims I shall see,That have cast off their rags of clay,And walk apparelled fresh like me.I’ll take them firstTo quench their thirst,And taste of nectar suckets,At those clear wellsWhere sweetness dwellsDrawn up by saints in crystal buckets.And when our bottles and all weAre filled with immortality,Then the blessed paths we’ll travel,Strowed with rubies thick as gravel;Ceilings of diamonds, sapphire floors,High walls of coral, and pearly bowers.From thence to heavens’s bribeless hall,Where no corrupted voices brawl;No conscience molten into gold,No forged accuser bought or sold,No cause deferred, nor vain-spent journey;For there Christ is the King’s Attorney,Who pleads for all without degrees,And he hath angels, but no fees.And when the grand twelve-million juryOf our sins, with direful fury,‘Gainst our souls black verdicts give,Christ pleads his death, and then we live.Be thou my speaker, taintless pleader,Unblotted lawyer, true proceeder!Thou giv’st salvation even for alms;Not with a bribèd lawyer’s palms.And this is my eternal pleaTo him that made heaven, earth, and sea,That, since my flesh must die so soon,And want a head to dine next noon,Just at the stroke, when my veins start and spread,Set on my soul an everlasting head.Then am I ready, like a palmer fit;To tread those blest paths which before I writ. |
THURSDAY
Maps Holly Ordway Check out Holly’s website HERE
https://audioboom.com/boos/4174716-maps.mp3Antique maps, with curlicues of ink
As borders, framing what we know, like pages
From a book of travelers’ tales: look,
Here in the margin, tiny ships at sail.
No-nonsense maps from family trips: each state
Traced out in color-coded numbered highways,
A web of roads with labeled city-dots
Punctuating the route and its slow stories.
Now GPS puts me right at the centre,
A Ptolemaic shift in my perspective.
Pinned where I am, right now, somewhere, I turn
And turn to orient myself. I have
Directions calculated, maps at hand:
Hopelessly lost till I look up at last.
FRIDAY
The Song of Wandering Aengus W. B. Yeats
https://audioboom.com/boos/4174717-song-of-the-wondering-aengus.mp3
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.
SATURDAY
First Steps, Brancaster Malcolm Guite
https://audioboom.com/boos/4174719-first-steps.mp3
This is the day to leave the dark behind you
Take the adventure, step beyond the hearth,
Shake off at last the shackles that confined you,
And find the courage for the forward path.
You yearned for freedom through the long night watches,
The day has come and you are free to choose,
Now is your time and season.
Companioned still by your familiar crutches,
And leaning on the props you hope to lose,
You step outside and widen your horizon.
After the dimly burning wick of winter
That seemed to dull and darken everything
The April sun shines clear beyond your shelter
And clean as sight itself. The reed-birds sing,
As heaven reaches down to touch the earth
And circle her, revealing everywhere
A lovely, longed-for blue.
Breathe deep and be renewed by every breath,
Kinned to the keen east wind and cleansing air,
As though the blue itself were blowing through you.
You keep the coastal path where edge meets edge,
The sea and salt marsh touching in North Norfolk,
Reed cutters cuttings, patterned in the sedge,
Open and ease the way that you will walk,
Unbroken reeds still wave their feathered fronds
Through which you glimpse the long line of the sea
And hear its healing voice.
Tentative steps begin to break your bonds,
You push on through the pain that sets you free,
Towards the day when broken bones rejoice
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image courtesy of https://lanciaesmith.com
image by https://lanciaesmith.com
Today, on Shrove Tuesday, I am reposting the first of the weekly series in which you can hear me read aloud the poems I chose for my Lent Anthology The Word in the Wilderness. In the book itself you can read my commentary on each poem but I thought the recordings of my reading them might be useful, especially to groups who are using the book together.Where copyright allows I will also post the texts of the poems themselves here. Once more I am grateful to Lancia Smith who will be providing specially made images for these weekly posts. Lancia has told me that today’s image of the shell suggests a sense of our being ‘cleansed and emptied of what we once carried now waiting for a new day of our own’. But there is also of course the other sense in which the scallop shell is a symbol of pilgrimage, and pilgrimage is very much the central theme of this book.
Speaking of images that arise from this poetry you might like to know that there is now a Facebook Group Sounding the Sonnets which has some lovely galleries of art they have made in response to the poems in this and my other books.
As always you can hear me read the poems either by clicking on the title or on the ‘play’ button.
Today’s post takes us from Shrove Tuesday through to Saturday, the next post in this series will be on the first Sunday in Lent.
So here, first is the poem set for Shrove Tuesday, Seamus Heaney’s beautiful eleventh poem in the sequence Station Island:
https://audioboom.com/boos/4152773-station-island-xi.mp3
Station Island XI Seamus Heaney/St. John of the CrossAnd here is my sonnet for Ash Wednesday
Ash Wednesday
https://audioboom.com/boos/676669-ash-wednesday.mp3
Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.From Thursday to Saturday I have chosen each of my sonnets on the three temptations of Christ in the wilderness. You can read my commentary on these in the book.
Thursday:
https://audioboom.com/boos/683043-the-first-temptation.mp3
Stones into BreadThe Fountain thirsts, the Bread is hungry here
The Light is dark, the Word without a voice.
When darkness speaks it seems so light and clear.
Now He must dare, with us, to make a choice.
In a distended belly’s cruel curve
He feels the famine of the ones who lose
He starves for those whom we have forced to starve
He chooses now for those who cannot choose.
He is the staff and sustenance of life
He lives for all from one Sustaining Word
His love still breaks and pierces like a knife
The stony ground of hearts that never shared,
God gives through Him what Satan never could;
The broken bread that is our only food.
https://audioboom.com/boos/689993-temptation-2.mp3All the Kingdoms of the World
‘So here’s the deal and this is what you get:
The penthouse suite with world-commanding views,
The banker’s bonus and the private jet
Control and ownership of all the news
An ‘in’ to that exclusive one percent,
Who know the score, who really run the show
With interest on every penny lent
And sweeteners for cronies in the know.
A straight arrangement between me and you
No hell below or heaven high above
You just admit it, and give me my due
And wake up from this foolish dream of love…’
But Jesus laughed, ‘You are not what you seem.
Love is the waking life, you are the dream.’
Saturday:
https://audioboom.com/boos/701215-temptation-3.mp3
On the Pinnacle‘Temples and Spires are good for looking down from;
You stand above the world on holy heights,
Here on the pinnacle, above the maelstrom,
Among the few, the true, unearthly lights.
Here you can breathe the thin air of perfection
And feel your kinship with the lonely star,
Above the shadow and the pale reflection,
Here you can know for certain who you are.
The world is stalled below, but you could move it
If they could know you as you are up here,
Of course they’ll doubt, but here’s your chance to prove it
Angels will bear you up, so have no fear….’
‘I was not sent to look down from above
It’s fear that sets these tests and proofs, not Love.’
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
As we approach Lent I have been asked if I would post again the poems, recordings and images which accompany my Lent anthology Word in the Wilderness, and I am happy to do so as I know there are a number of groups reading the book together who might find it helpful to have the recordings. So I have recorded each of the poems in the Lent book, as I did for the Advent one. Whereas in Advent I posted a recording each day, along with a beautiful image from Lancia Smith, what Lancia and I have decided to do for Lent is to offer you weekly posts. Each post will be headed by a beautiful image from Lancia and then contain links to recordings of all seven poems for that week as well as the texts of the poems themselves, though for my commentary on each text you will need to turn to the book itself. We will start with an introductory post that takes us from Shrove Tuesday, through Ash Wednesday to the 1st Sunday in Lent and then each subsequent post will come out on each of the Sundays in Lent. I hope you find this helpful and please feel free to share it. Those who are using the book in weekly Lent groups this year my find it particularly helpful to have all the weeks readings gathered on one page. You can get copies of Word in the Wilderness by ordering from your local bookshop, or through this page on Amazon UK and this one on Amazon USA
As an appetiser, and to give you an idea of my reasons for compiling this anthology here are the opening paragraphs of my introduction:
Why might we want to take time in Lent, to immerse ourselves in poetry, to ask for the poets as companions on our journey with the Word through the wilderness? Perhaps it is one of the poet’s themselves who can answer that question. In The Redress of Poetry, the collection of his lectures as Oxford Professor of Poetry, Seamus Heaney claims that poetry ‘offers a clarification, a fleeting glimpse of a potential order of things ‘beyond confusion’, a glimpse that has to be its own reward’ (p. xv). However qualified by terms like ‘fleeting’, ‘glimpse’ and ‘potential’, this is still a claim that poetry, and more widely the poetic imagination, is truth-bearing; that it offers not just some inner subjective experience but as Heaney claims, a redress; the redress of an imbalance in our vision of the world and ourselves. Heaney’s claim in these lectures, and in his Nobel Prize acceptance speech, is that we can ‘Credit Poetry’, trust its tacit, intuitive and image-laden way of knowledge. I have examined these claims in detail elsewhere (Faith Hope and Poetry) and tried to show, in more academic terms, how the poetic imagination does indeed redress an imbalance and is a necessary complement to more rationalistic and analytical ways of knowing. What I would like to do in this book is to put that insight into practice, and turn to poetry for a clarification of who we are, how we pray, how we journey through our lives with God and how he comes to journey with us.
Lent is a time set aside to re-orient ourselves, to clarify our minds, to slow down, recover from distraction, to focus on the values of God’s Kingdom and on the value he has set on us and on our neighbours. There are a number of distinctive ways in which poetry can help us do that and in particular the poetry I have chosen for this anthology.
Heaney spoke of poetry offering a glimpse and a clarification, here is how an earlier poet Coleridge, put it, when he was writing about what he and Wordsworth were hoping to offer through their poetry, which was
“awakening the mind’s attention to the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.”
(Coleridge, Biographia Literaria, Vol. II, pp. 6−7)
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Transfiguration by Rebecca Merry
I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet about the Transfiguration, when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had a glimpse of Christ in his true glory. The Transfiguration is usually celebrated on August 6th, but is also sometimes remembered on this Sunday before Lent, which is a good time for it too, as I believe the glimpse of glory in Christ they saw on the mount of the Transfiguration was given in order to sustain the disciples through darkness of Good Friday. Indeed it is for a disciple, looking back at the transfiguration from Good Friday, that I have voiced the poem.
The painting above is artist Rebecca Merry‘s response to the poem. Rebecca is well known for her paintings in egg tempora and in responding to this ‘iconic’ moment in the life of Christ she has drawn on her training in icon painting. She writes:
I wanted to stay with the idea of the circle for an important event in the life of Christ, and the theme of cycle and circle that is a theme of your book – the changing of the seasons, the unchanging nature of God. Underneath is the circle and the cross, a symbol also in Egyptian hieroglyphs of the city but of course the cross (or crucifix) is the meeting point of two worlds, heaven and earth, and the division of the upper circle as light and the lower as dark also symbolises this. The red is a recurrent themes of all the illustrations but here it implies Christ’s blood (and sacrifice) but also the life blood and life giver that God/Christ is to us all, giving light to the world.
As always please feel free to copy or use the poem in prayer or liturgy; you can hear me read the poem by pressing the ‘play’ button or clicking on its title.
This sonnet is drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
https://malcolmguite.files.wordpress.com/2021/02/transfiguration.mp3
Transfiguration
For that one moment, ‘in and out of time’,
On that one mountain where all moments meet,
The daily veil that covers the sublime
In darkling glass fell dazzled at his feet.
There were no angels full of eyes and wings
Just living glory full of truth and grace.
The Love that dances at the heart of things
Shone out upon us from a human face
And to that light the light in us leaped up,
We felt it quicken somewhere deep within,
A sudden blaze of long-extinguished hope
Trembled and tingled through the tender skin.
Nor can this blackened sky, this darkened scar
Eclipse that glimpse of how things really are.
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Why should this martyr be the saint of Love?
Here is a sonnet I composed in honour of the original St. Valentine. I notice some FB posts implying that as an early Christian martyr he has nothing to do with Romantic Love and should be dissociated from it. I believe that on the contrary there is every reason why he should be the patron saint of Love and this sonnet explores why.
As always you can hear the poem by clicking on either the title or the ‘play’ button. This poem is published in my collection ‘Parable and Paradox’
St Valentine
https://audioboom.com/boos/4180903-st-valentine.mp3
Why should this martyr be the saint of love?
A quiet man of unexpected courage,
A celibate who celebrated marriage,
An ageing priest with nothing left to prove,
He loved the young and made their plight his cause.
He called for fruitfulness, not waste in wars,
He found a sure foundation, stood his ground,
And gave his life to guard the love he’d found.
Why should this martyr be our Valentine?
Perhaps because he kept his covenant,
Perhaps because, with prayer still resonant,
He pledged the Bridegroom’s love in holy wine,
Perhaps because the echo of his name
Can kindle love again to living flame.
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Against the dark our Saviour’s face is bright
Though the 12 days of Christmas ended with Twelfth Night and Epiphany, there is another sense in which this season, in which we reflect on the great mystery of God in Christ as an infant, continues until February 2nd, the Feast of the Presentation of Christ in the Temple. This feast, which many churches will be keeping this coming Sunday, came to be called by the shorter and more beautiful name of Candlemas because the day it celebrates, recorded in Luke 2:22-40, is the day the old man Simeon took the baby in his arms and recognised him as ‘A Light to lighten the Gentiles and the glory of thy people Israel.’ It became the custom of the church to light a central candle and bring it to the altar to represent the Christ-light, and also on the occasion of this feast to bless all the ‘lights’ or candles in the church, praying that all who saw that outward and visible light would remember also and be blessed by the inner light of Christ ‘who lightens everyong who comes into the world.’
It had always been prophesied that God would one day come into the Temple that human beings had built for him, though Solomon, who built the first temple had said ‘even the Heavens are too small to hold you much less this temple I have built’. Candlemas is the day we realise that eternity can come into time and touch us in the form of a tiny child, that God appears at last in His Temple, not as a transcendent overlord, but as a vulnerable pilgrim, coming in His Love to walk the road of life along side us.
I am grateful to Margot Krebs Neale for the beautiful image above. She writes:
“This picture is of my first born on his first outing to walk to the station
with his grand-mother who was returning to France. he was four days old. On
the way back I stopped at the local bakers, whom I knew well and we were
both properly feasted. Was I proud and pleased! I choose it because
something of these lines was my feelingThough they were poor and had to keep things simple,
They moved in grace, in quietness, in awe,
For God was coming with them to His temple.
He was a new little Temple of the Lord. There was definitely a sense of awe
for me. We chose his name for the Olive branch brought by the dove. I did
not like that shirt very much (it had been passed on) but for the dove…”
This and my other sonnets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’ You can get this book in the UK by ordering it from your local bookshop, or via Amazon
As always you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem
https://malcolmguite.files.wordpress.com/2021/02/candlemas.mp3Candlemas
They came, as called, according to the Law.
Though they were poor and had to keep things simple,
They moved in grace, in quietness, in awe,
For God was coming with them to His temple.
Amidst the outer court’s commercial bustle
They’d waited hours, enduring shouts and shoves,
Buyers and sellers, sensing one more hustle,
Had made a killing on the two young doves.
They come at last with us to Candlemas
And keep the day the prophecies came true
We glimpse with them, amidst our busyness,
The peace that Simeon and Anna knew.
For Candlemas still keeps His kindled light,
Against the dark our Saviour’s face is bright.
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Conversion of Saint Paul Artist Unknown Niedersaechsisches Landesmuseum, Hannover, GermanyThe 25th of January is the day the Church keeps the Feast of the Conversion of St. Paul. However often told or re-told, it is still an astonishing story. That Saul, the implacable enemy of Christianity, who came against the faith ‘breathing threats and slaughter’, should be chosen by God to be Christianity’s greatest proponant and apostle is just the first of a series of dazzling and life-changing paradoxes that flow from Paul’s writing. At the heart of these is the revelation of God’s sheer grace; finding the lost, loving the violent into light, and working everything through the very weakness of those who love him. Here’s a sonnet celebrating just a little of what I glimpse in the great Apostle.
This and my other sonets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’ You can get this book in the UK by ordering it from your local bookshop, or via Amazon.
As always you can hear the poem by clicking n the ‘play’ button if it appears, or on the title of the poem.
https://malcolmguite.files.wordpress.com/2021/01/apostle.mp3Apostle
An enemy whom God has made a friend,
A righteous man discounting righteousness,
Last to believe and first for God to send,
He found the fountain in the wilderness.
Thrown to the ground and raised at the same moment,
A prisoner who set his captors free,
A naked man with love his only garment,
A blinded man who helped the world to see,
A Jew who had been perfect in the law,
Blesses the flesh of every other race
And helps them see what the apostles saw;
The glory of the lord in Jesus’ face.
Strong in his weakness, joyful in his pains,
And bound by love, he freed us from our chains.
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The dove descends, the spirit soars and singsThe season of Epiphany is an invitation to reflect on the many little ‘epiphanies’, glimpses of how things really are, which are vouchsafed us in the Gospel. Today, the first Sunday of Epiphany is a time to reflect on the moment when ‘the heavens opened’ at Jesus’ Baptism and we were given a glimpse of Father Son and Holy Spirit at the heart of all things. This sonnet is a reflection on that mystery. As always you can hear it by clicking on the ‘play’ sign or on the title of the poem. I am grateful to Margot Krebs Neale for the beautiful photograph, taken at the river Jordan which says as much as, if not more than the poem. The poem itself is from my collection Sounding the Seasons, published by Canterbury Press and available on Amazon or from your local bookshop. After the text of the poem I have included links to the wonderful song Steve Bell wrote from it.
Epiphany on the Jordan
https://malcolmguite.files.wordpress.com/2021/01/epiphany-on-the-jordan.mp3
Beginning here we glimpse the Three-in-one;
The river runs, the clouds are torn apart,
The Father speaks, the Sprit and the Son
Reveal to us the single loving heart
That beats behind the being of all things
And calls and keeps and kindles us to light.
The dove descends, the spirit soars and sings
‘You are belovèd, you are my delight!’
In that quick light and life, as water spills
And streams around the Man like quickening rain,
The voice that made the universe reveals
The God in Man who makes it new again.
He calls us too, to step into that river
To die and rise and live and love forever.
Also check out how Steve Bell reworks this sonnet into a beautiful song
You can hear the song itself on sound cloud here:
Epiphany on the Jordan
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these three arrive and bring us with themThe Feast of the Epiphany falls on the 6th of January. Epiphany celebrates the arrival of the three wise men at the manger in Bethlehem has a special mystery and joy to it. Until now the story of the coming Messiah has been confined to Israel, the covenant people, but here suddenly, mysteriously, are three Gentiles who have intuited that his birth is good new for them too. Here is an Epiphany, a revelation, that the birth of Christ is not one small step for a local religion but a great leap for all mankind. I love the way that traditionally the three wise men (or kings) are shown as representing the different races and cultures and languages of the world. I love the combination in their character of diligence and joy. They ‘seek diligently’, but they ‘rejoice with exceeding great joy’! I love the way they loved and followed a star, but didn’t stop at the star, but rather let the star lead them to something beyond itself. Surely that is a pattern for all wise contemplation of nature whether in art or science. The last line of this poem is a little nod in the direction of Tennyson’s great poem Ulysses
This sonnet is drawn from my book Sounding the Seasons, which is available from Amazon etc or by order from your local bookshop, should you be lucky enough to have one.
As always you can hear the poem by clicking on the ‘play’ button if it appears, or by clicking on the title of the poem which will take you to the audioboom page.
https://malcolmguite.files.wordpress.com/2022/01/epiphany-sonnet.mp3
Epiphany
It might have been just someone else’s story,
Some chosen people get a special king.
We leave them to their own peculiar glory,
We don’t belong, it doesn’t mean a thing.
But when these three arrive they bring us with them,
Gentiles like us, their wisdom might be ours;
A steady step that finds an inner rhythm,
A pilgrim’s eye that sees beyond the stars.
They did not know his name but still they sought him,
They came from otherwhere but still they found;
In temples they found those who sold and bought him,
But in the filthy stable, hallowed ground.
Their courage gives our questing hearts a voice
To seek, to find, to worship, to rejoice.
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Image created by Linda Richardson after Matisse
For January 6th (the feast of epiphany) in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read, as the final poem in the collection The Divine Image by William Blake. The Feast of the Epiphany celebrates the visit of the magi to the Christ-child, and so the inclusion of the Gentiles in the Gospel story: and not simply the Gentiles in some generic way, but all the distinct races, cultures and religions of ‘the nations’, which is why the tradition of depicting the three kings as representing three different races is so helpful. On this Feast Day, it might seem obvious to choose one of the well-known poems that recall or describe that familiar scene: Eliot’s ‘The Journey of the Magi’, or Yeats’ poem ‘The Magi’. But I wanted in this final poem to move from the outward and visible picture which already adorns so many of the Christmas cards we will be taking down today, and as those outward images fade away, to come through poetry to the inward and spiritual truth which they proclaim. And that spiritual truth is that in the Incarnation Christ, in taking on human nature, takes on, becomes involved in, visits, redeems the whole of humanity, not just the chosen people to whose race and culture he belonged. And what is more, when the fullness of God comes to dwell in the fullness of Christ’s humanity, then that mysterious ‘image of God’ in which all humanity was made (Genesis 1:27) is at last restored. And we can see that the Light who so uniquely and particularly became the Christ-child at Bethlehem is also, as John’s Gospel clearly proclaims, ‘The true light that enlightens every man was coming into the world’ (John 1:9). It seems to me that it is William Blake’s poem ‘The Divine Image’, rather than any specifically Christmas or Epiphany verse, that goes to the heart of these things.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson, for the unique book of responses to Waiting on the Word last year, and again this is one of my favourites. As we finish this series of posts I would like to thank Linda for allowing me to share these beautiful images with you and for making such a rich and creative response to my book in the first instance. She will soon be establishing a website for more of her art and when she does so I will write about it on this blog. about this final image Linda writes:
Once again I return to Matisse and his dancers. The little figures are naked and in a trance of wild woodland worship. They are unselfconscious and free, not arguing a doctrinal point but holding tight to each others hands as they whirl around a Divine tree. Our minds and thinking can ensnare us like a flies on a spider’s web, but our bodies do not lie. If we are stressed, we can talk ourselves into believing we are relaxed, but our jaw may be tight and our brow heavy. In the same way we sometimes mistake ‘correct doctrine’ for love, and wonder why we feel so angry when our doctrines are attacked. In the image, the little figures are ‘every man’ and ‘every woman’. They are lost in the present moment, and the only government is the beauty of the silent tree around which, with all their hearts, they dance.
There exists only the present instant… a Now which always and without end is itself new. There is no yesterday nor any tomorrow, but only Now, as it was a thousand years ago and as it will be a thousand years hence. Meister Eckhart
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988109-the-divine-image.mp3
The Divine ImageWilliam Blake
To Mercy, Pity, Peace, and Love
All pray in their distress;
And to these virtues of delight
Return their thankfulness.
For Mercy, Pity, Peace, and Love
Is God, our father dear,
And Mercy, Pity, Peace, and Love
Is Man, his child and care.
For Mercy has a human heart,
Pity a human face,
And Love, the human form divine,
And Peace, the human dress.
Then every man, of every clime,
That prays in his distress,
Prays to the human form divine,
Love, Mercy, Pity, Peace.
And all must love the human form,
In heathen, Turk, or Jew;
Where Mercy, Love, and Pity dwell
There God is dwelling too.
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Image by Linda Richardson
For January 5th in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Rocky Mountain Railroad, Epiphany by Luci Shaw. this poem makes an interesting contrast and parallel with Coleridge’s psalm-like outpouring of yesterday. Both poems are a response to the beauty of nature, and specifically to the sight of snowy mountains, and the whole play of light on snow and ice. In both poems we have a sense of glory and of the sublime rising ‘reaches of peak above peak beyond peak’.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:
Luci Shaw takes a subtly different approach to Coleridge as she describes, ‘in a net of words’, her transcendent experience. She uses herself as a mirror to describe the effect the experience has on her. ‘I imbed it in my brain so that it will flash and flash again…an alternate reality…my open window mind is too little,…I long for each sweep….’
In the image I made, the words open and condense in the lines, sometimes clear, sometimes hidden in the ink, indicating the fleeting glimpses we see as we hurtle along in a train. Life reflects the train journey. The Divine is always around us, sometimes clearly visible in love given and received, sometimes only glimpsed as we speed by. And often, if our focus is too close, all we see is our own reflection in the window.
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988106-rocky-mountain-railroad-epiphany.mp3
Rocky Mountain Railroad, EpiphanyLuci Shaw
The steel rails parallel the river as we penetrate
ranges of pleated slopes and crests—all too complicated
for capture in a net of words. In this showing, the train window
is a lens for an alternate reality—the sky lifts and the light forms
shadows of unstudied intricacy. The multiple colors of snow
in the dimpled fresh fall. Boulders like white breasts. Edges
blunted with snow. My open-window mind is too little for
this landscape. I long for each sweep of view to toss off
a sliver, imbed it in my brain so that it will flash
and flash again its unrepeatable views. Inches. Angles.
Niches. Two eagles. A black crow. Skeletal twigs’ notched
chalices for snow. Reaches of peak above peak beyond peak
Next to the track the low sun burns the silver birches into
brass candles. And always the flow of the companion river’s
cord of silk links the valleys together with the probability
of continuing revelation. I mind-freeze for the future
this day’s worth of disclosure. Through the glass
the epiphanies reel me in, absorbed, enlightened.
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Image by Linda RichardsonFor January 4th in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read a passage from A Hymn before Sunrise in the vale of Chamouni by ST Coleridge.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson for her book of responses to Waiting on the Word, she writes:
Anyone who has ever had a “glance” of God wants to share the experience. It is like running home to show your family the beautiful butterfly you have captured in your cupped hands but when you get there it has escaped and all you have are impressions and words. In the gospel of John we hear Andrew’s response after he meets Jesus: “The first thing Andrew did was to find his brother Simon and tell him, “We have found the Messiah” (that is, the Christ). And he brought him to Jesus.”
Words and images have power to point to an experience but they aren’t the experience itself. What we really want to do is bring people to experience what we have experienced, to bring them to Jesus like Andrew brought his brother, (to bring them to the Holy Mountain). In my little painting, the mountain sits above the words, the words point to the mountain. God’s promise is that if we seek, we will find. Talking about God is good but if we don’t also open ourselves to be transformed by the experience of God, (Rise, O ever rise..), we remain in doctrine and dogma which, although essential, only has the power to point.
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988098-hymn-before-sunrise.mp3
from The Hymn before Sunrise, in the Vale of Chamouni Samuel Taylor Coleridge
Ye Ice-falls! ye that from the mountain’s brow
Adown enormous ravines slope amain—
Torrents, methinks, that heard a mighty voice,
And stopped at once amid their maddest plunge!
Motionless torrents! silent cataracts!
Who made you glorious as the gates of Heaven
Beneath the keen full moon? Who bade the sun
Clothe you with rainbows? Who, with living flowers
Of loveliest blue, spread garlands at your feet?—
God! let the torrents, like a shout of nations,
Answer! and let the ice-plains echo, God!
God! sing ye meadow-streams with gladsome voice!
Ye pine-groves, with your soft and soul-like sounds!
And they too have a voice, yon piles of snow,
And in their perilous fall shall thunder, God!
Ye living flowers that skirt the eternal frost!
Ye wild goats sporting round the eagle’s nest!
Ye eagles, play-mates of the mountain-storm!
Ye lightnings, the dread arrows of the clouds!
Ye signs and wonders of the element!
Utter forth God, and fill the hills with praise!
Thou too, hoar Mount! with thy sky-pointing peaks,
Oft from whose feet the avalanche, unheard,
Shoots downward, glittering through the pure serene
Into the depth of clouds, that veil thy breast—
Thou too again, stupendous Mountain! thou
That as I raise my head, awhile bowed low
In adoration, upward from thy base
Slow travelling with dim eyes suffused with tears,
Solemnly seemest, like a vapoury cloud,
To rise before me—Rise, O ever rise,
Rise like a cloud of incense from the Earth!
Thou kingly Spirit throned among the hills,
Thou dread ambassador from Earth to Heaven,
Great Hierarch! tell thou the silent sky,
And tell the stars, and tell yon rising sun,
Earth, with her thousand voices, praises God.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image by Linda Richardson
For January 3rd in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Courtesy by Hilaire Belloc. I have chosen it for this run-up towards Epiphany because it is essentially a series of little epiphanies, or ‘showings’; in each of the three pictures themselves pictures of moments of ‘epiphanies’ or ‘showings forth’ of the glory of God in scripture.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She writes:
The poem we consider today is about ‘courtesy’, not a word that we attribute easily these days except if we are complaining that someone lacks ‘common courtesy’. As I reflected on this poem I was taken back to my childhood when I was at a convent boarding school. I loved going to the convent chapel and kneeling to pray. I remember thinking how inadequate I was to do this, unlike the professional nuns whose prayers I considered far more powerful than my own mute and rather unhappy attempts.
I have since learned that God will inhabit the tiniest space we make for Him. Even our most feeble turning towards Him will make the angels of heaven hold their breath in excitement. Recently I read the words of a Rabbi who said, when the child of God walks down the road a thousand angels go before her crying, ‘Make way for the image of God!’
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988067-courtesy.mp3
Courtesy Hilaire Belloc
Of Courtesy, it is much less
Than Courage of Heart or Holiness,
Yet in my Walks it seems to me
That the Grace of God is in Courtesy.
On Monks I did in Storrington fall,
They took me straight into their Hall;
I saw Three Pictures on a wall,
And Courtesy was in them all.
The first the Annunciation;
The second the Visitation;
The third the Consolation,
Of God that was Our Lady’s Son.
The first was of St. Gabriel;
On Wings a-flame from Heaven he fell;
And as he went upon one knee
He shone with Heavenly Courtesy.
Our Lady out of Nazareth rode –
It was Her month of heavy load;
Yet was her face both great and kind,
For Courtesy was in Her Mind.
The third it was our Little Lord,
Whom all the Kings in arms adored;
He was so small you could not see
His large intent of Courtesy.
Our Lord, that was Our Lady’s Son,
Go bless you, People, one by one;
My Rhyme is written, my work is done.
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Image by Linda Richardson
For January 2nd in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read The Bird in the Tree by Ruth Pitter. On New Year’s Eve we considered Hardy’s almost reluctant glimpse of transfiguration ‘when Frost was spectre-grey, and ‘shrunken hard and dry’, and Hardy’s heart, bleak as the world through which he moves, nevertheless hears for a moment the ‘ecstatic sound’ of his darkling thrush. And even though he wanted to end his poem with the word ‘unaware’, something of the transcended has ‘trembled through’ his poem. Today’s poem, also about hearing a bird in a tree, also addresses the question of how the transcendent might for ‘a moment of time’ ‘tremble through’ into the immanent.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson and is one of my favourites from the beautiful book of responses she made to Waiting on the Word, it is so full of life, movement and energy. Linda Writes:
A few years ago I was walking up the hill behind our house. I had an extraordinary experience of feeling myself dissolve into the land around me, of being one with the trees, the insects below the earth and the sky above me. When I got home I attempted to paint the experience and reading Ruth Pitter’s poem brought it back to my mind.
Throughout this Advent, Malcolm has offered us poems that invite us to ‘see’. We believe we know what a bird is like, what a tree is like, we have heard the Christmas stories so often that we think we know them, but if we give ourselves time to ‘see’ anew, we will be able to glimpse eternity shining all around us and within us. We can find God manifest in the finite and the infinite, in time and eternity. In the Gospel of Thomas Jesus says, ‘split the wood, and I am there. Turn over the stone and there you will find me.’
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988062-the-bird-in-the-tree.mp3
The Bird in the Tree Ruth Pitter
The tree, and its haunting bird,
Are the loves of my heart;
But where is the word, the word,
Oh where is the art,
To say, or even to see,
For a moment of time,
What the Tree and the Bird must be
In the true sublime?
They shine, listening to the soul,
And the soul replies;
But the inner love is not whole,
and the moment dies.
Oh give me before I die
The grace to see
With eternal, ultimate eye,
The Bird and the Tree.
The song in the living Green,
The Tree and the Bird –
Oh have they ever been seen,
Ever been heard?
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
For New Year’s Day in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read another section of Tennyson’s In Memoriam, the famous and beautiful section about ringing out the old and ringing in the new which finishes with a vision of the true Advent, ‘the Christ that is to be’.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:
I have to confess that I don’t remember ever enjoying New Years Day. I always have the feeling that I am an unprepared host for this important guest, who, instead of finding my house with the bed made up and a roaring fire, discovers me amid the accumulated dross of previous revelry. The image I made does not reflect the hope of the poem, probably because I don’t believe in the great ringing in of the new – I don’t see it happening in the world.
What I can believe in, is that Christ can ring in me and in you. Annie Dillard, the American author and poet says, ‘I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.’ And so to the extent we ring for Christ, we also ring for the world.
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
You can also hear Alana Levandoski turning these verses into a lovely song on this youtube page:
https://audioboom.com/boos/3988052-in-memoriam-cvi.mp3
In Memoriam CVI Alfred Lord Tennyson
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
f you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image by Linda Richardson
For New Year’s eve in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Thomas Hardy’s poem ‘The Darkling Thrush’, which was written on New Year’s Eve at the turn from the nineteenth to the twentieth century. Though it begins with Hardy’s characteristically bleak forboding, suddenly the poet in him discerns and allows another note of hope.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She writes:
I first heard this poem at school and thought Hardy a very depressing poet. I didn’t have the tenacity to stay with the poem through the bleakness until the hope. When we are not mature we only want laughter and fun and a perpetual summer time. There is no virtue in winter and we avoid pain at all costs. The consequence of this is, not only are we likely to be selfish, but we lack the contrasts that give life depth and meaning. The image I made reflects this theme of contrast.
I made a black and white photo transfer of a small bird in a tangle of twigs and painted the canvas with cold blues and violets. I enhanced the roughness of the surface by applying thread in an acrylic medium to the surface of the painting. Out of the grey coldness of the painting comes the idea of pure and beautiful bird song. If we try to make earth our heaven we will be terribly disappointed, but here, amid the stark grey of winter, comes a song of hope. Annie Dillard, the American writer and poet says, “You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary.”
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988047-the-darkling-thrush.mp3
The Darkling Thrush Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter’s dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land’s sharp features seemed to be
The Century’s corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image by Linda Richardson
In my Anthology from Canterbury Press Waiting on the Word.The poem I have chosen for December 30th, is Christmas (1) , a remarkable sonnet by George Herbert in which he imagines discovering Jesus in a local Inn. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. She writes:
If you are feeling over indulged and replete with food and drink, this is the poem for you. Once again we return to the truth that even while we are far off, perhaps like the prodigal son, eating, drinking and over indulging, there is always a summons to examine our conscience, to look beyond the ‘fling and bling’, as Malcolm often describes this aspect of Christmas. The image for today is a very simple watercolour: a lone figure walks towards a simple shelter from which a radiant light emanates. The light comes from above and radiates out of the shelter where Christ is born, towards the figure. The figure walks towards the light, leaving behind a long dark shadow.
The history of the people of the Bible and of Christianity is stained by the corrupt idea that God is like us, full of disapproval and ready to punish. This idea keeps us away from God and we might even think that we are so bad, we might as well be a little more bad because truly, we have blown it with God. This is our ego talking, and if we listen to it we will find only self blame, self punishment and self loathing. The image tells us that we can turn at any moment and walk into the mystery of love and presence. It is not for us to perfect ourselves before we turn, God is the one who redeems. ‘You’ve got to jump off cliffs all the time and build your wings on the way down.” (Annie Dillard)
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle As always you can hear me read the poem by clicking on the title or the ‘play’ button
https://audioboom.com/boos/3988034-christmas-1.mp3
Christmas (1)
After all pleasures as I rid one day,
My horse and I, both tir’d, bodie and minde,
With full crie of affections, quite astray,
I took up in the next inne I could finde,
There when I came, whom found I but my deare,
My dearest Lord, expecting till the grief
Of pleasures brought me to him, readie there
To be all passengers most sweet relief?
O Thou, whose glorious, yet contracted light,
Wrapt in night’s mantle, stole into a manger;
Since my dark soul and brutish is thy right,
To Man of all beasts be not thou a stranger:
Furnish & deck my soul, that thou mayst have
A better lodging than a rack or grave.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Our Lady of Guadalupe – given to me by the poet Grevel Lindop
For today’s poem in my Anthology from Canterbury Press Waiting on the Word we return to the poet Grevel Lindop with an honest meditation on a visit to Mexico entitled ‘For our Lady of Guadelupe’. You can hear me read this poem by clicking on the title or the play button. After the Waiting on the Word anthology was published, for which Grevel had kindly given me permission to include this poem, we met up and he actually gave me the image he had bought on his visit and which is part of the subject of the poem and of my reflections on it. I was very moved by the gift and the little statue sits on my desk, so as Linda had not done an image for today I have included a photo of it here. As I wrote about that statue in the commentary:
We know too, from this first verse, that this mind-changing journey is one the poet himself has to make himself. Those lines,
where I will buy her plastic image later –
garish, I hope, and cheap,
are highly significant, implying that when he first arrived he might have disdained the stalls of plastic images. It is only after his actual encounter with Our Lady of Guadalupe that he understands their value and comes back to buy one….What we learn on the journey of this poem is that the devotion of the poor may transfigure cracked and broken, even poor and shoddy material more effectively than the finesse and fine taste of the sceptical rich
You can find the whole of my short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle As always you can hear me read the poem by clicking on the title or the ‘play’ button
https://audioboom.com/boos/3988026-for-our-lady-of-guadaloupe.mp3
For Our Lady of Guadelupe
The taxi windscreen’s broken,
lightning-starred with a crack from one corner:
signature of a stone from the Oaxaca road.
It drops me by the shanty-town of stalls
where I will buy her plastic image later –
garish, I hope, and cheap,
for kitsch is authenticity.
A jagged rift of space
splits the old basilica’s perfect Baroque,
an intricately-cracked stone egg
atilt on sliding subsoil where the Aztec
city’s lake was carelessly filled in.
Crowds pass its listing shell without a glance,
heading for the concrete-and-stained-glass
swirl that mimics
Juan Diego’s cloak, where she appeared
and painted her own image on the fabric
to show sceptical bishops
how perfect love could visit a poor Indian
after the wars, and fill his cloak with roses.
Now the cloak’s under glass behind the altar.
A priest celebrates Mass,
but we walk round the side
to queue for the moving pavement that will take us closer,
its mechanical glide into the dark
floating us past the sacred cloth
and her miraculous, soft, downcast gaze:
not Spanish and not Indian but both,
lovely mestiza Virgin, reconciler
who stands against the flashbulbs’ irregular
pizzicato of exploding stars,
and while we slide on interlocking steel
opens for us her mantle, from which roses
pour and pour in torrents, like blood
from a wound that may never be healed.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
The poem from my Anthology Waiting on the Word reflects on the fact that today, the fourth day of Christmas, is the feast day of the Holy Innocents. It is the day the Church remembers the story, told in Matthew’s Gospel of the appalling cruelty and wickedness of Herod in ordering the massacre of innocent children, in a bid to protect his own power-base. Appalling, but only too familiar. What Herod did then, is still being done by so many present day Herods. This scarred and wounded world is the world into which Jesus was born, the world he came to save, and amongst those brought by his blood through the grave and gate of death and into the bliss of Heaven are those children of Bethlehem who died for his name without ever knowing him. But he knows them, as he knows and loves every child in Syria, and he says of them, to every Herod, ‘Whatsoever ye do unto the least of these, ye do it unto me.’
You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. she writes:
Last year we thought nothing could be worse than seeing the bodies of refugees wash up on the beaches of Europe. This year the awful news of the destruction of Aleppo and its people breaks in upon our TV screens and hearts. Sometimes we feel that our own personal safety and comfort should be denied, after all, with so many millions of people suffering, do we have a right to personal happiness? It must be a question that so many of us ask ourselves. Of course we do not have the right to personal safety and happiness but these events give us the opportunity for generosity and gratitude.
The image is self explanatory, a nameless and homeless family, and Malcolm reminds us in his sonnet that Jesus was born into just such a situation. There is nothing new in murderous power and bloodshed and we must allow the pain of it to sing in our blood as we pray the psalms on behalf of our refugee brothers and sister, “O Lord my God, in You I have taken refuge; Save me from all those who pursue me…deliver me.”
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
This sonnet has been adapted and set powerfully to Music by Steve Bell on his Album Keening For The Dawn.
As always you can hear this sonnet by pressing the ‘play’ button, if it appears, or clicking on the title.
https://malcolmguite.files.wordpress.com/2020/12/refugee.mp3
Refugee
We think of him as safe beneath the steeple,
Or cosy in a crib beside the font,
But he is with a million displaced people
On the long road of weariness and want.
For even as we sing our final carol
His family is up and on that road,
Fleeing the wrath of someone else’s quarrel,
Glancing behind and shouldering their load.
Whilst Herod rages still from his dark tower
Christ clings to Mary, fingers tightly curled,
The lambs are slaughtered by the men of power,
And death squads spread their curse across the world.
But every Herod dies, and comes alone
To stand before the Lamb upon the throne.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
We return to Scott Cairns in my series of readings of the poems in my Anthology from Canterbury Press Waiting on the Word.The poem I have chosen for December 27th, is Nativity, a beautiful reflection on an icon of the Nativity and how it draws us in. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. Linda writes:
As I read this poem I discerned a kind of radiance and inwardness that fascinated me. Again there are glimpses of the Divine that may be missed if we are not attentive or prayerful. We lean in and see a “tiny God.. slip briefly out of time.. miss the point or meet there”.
In the image, I created a fissure in the virgin blue, and beyond that there is a brightness that cannot be touched. It is a secret brightness, obscure and transcendent and cannot be possessed by us. All of life is potentially prayer that deepens us and makes our ‘ordinary’ time more loving and creative. But prayer is not an intellectual activity but an activity of love where we learn to be near God and learn too, never to leave the holiness of his nearness as we go about our daily duties.
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle As always you can hear me read the poem by clicking on the title or the ‘play’ button
https://audioboom.com/boos/3988004-nativity.mp3
Nativity
As you lean in, you’ll surely apprehend
the tiny God is wrapped
in something more than swaddle. The God
is tightly bound within
His blesséd mother’s gaze—her face declares
that she is rapt by what
she holds, beholds, reclines beholden to.
She cups His perfect head
and kisses Him, that even here the radiant
compass of affection
is announced, that even here our several
histories converge and slip,
just briefly, out of time. Which is much of what
an icon works as well,
and this one offers up a broad array
of separate narratives
whose temporal relations quite miss the point,
or meet there. Regardless,
one blithe shepherd offers music to the flock,
and—just behind him—there
he is again, and sore afraid, attended
by a trembling companion
and addressed by Gabriel. Across the ridge,
three wise men spur three horses
towards a star, and bowing at the icon’s
nearest edge, these same three
yet adore the seated One whose mother serves
as throne. Meantime, stumped,
the kindly Abba Joseph ruminates,
receiving consolation
from an attentive dog whose master may
yet prove to be a holy
messenger disguised as fool. Overhead,
the famous star is all
but out of sight by now; yet, even so,
it aims a single ray
directing our slow pilgrims to the core
where all the journeys meet,
appalling crux and hallowed cave and womb,
where crouched among these other
lowing cattle at their trough, our travelers
receive that creatured air, and pray.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
In my Anthology from Canterbury Press Waiting on the Word,The poem I have chosen for December 26th, is The Song of the Shepherds by Richard Bauckham. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. Linda writes:
‘The night could not contain their boundless praise. We thought that just a poem – until the night a song of solar glory……’ As I conceived this image I thought it would be ridiculous to try to capture ‘solar glory’, but nevertheless I did try to do that in an image that is pure imagination. At the centre is a blazing star directly above a tiny stable on the great curve of the Earth. Bethlehem is silhouetted on the right, and the wise men on the left, journey towards the Holy Family.
In our lives we are familiar with disturbing sounds, unprovoked rages and savage dreams, and often there is little to say, particularly for people who have tedious jobs, who pack our food on production lines, who deliver our parcels or clean up our streets. But occasionally, we may experience the ‘Glance’, spoken about in the poem of the 1st December. Those are the moments when the veil is drawn back from our eyes and we see the great wonder of our being. Maybe we cannot explain that surge of sweet joy that lasts for only a moment before we return to our humdrum lives, but it is often an unforgettable and incomprehensible moment of pure grace. These strange moments remind us that God is always around us and in us, and our part is to prepare an opening for God who may be seen or unseen, but who wants to irradiate us and will only be constrained by our own refusal.
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3987994-song-of-the-shepherds.mp3
The Song of the Shepherds
We were familiar with the night.
We knew its favourite colours,
its sullen silence
and its small, disturbing sounds,
its unprovoked rages,
its savage dreams.
We slept by turns,
attentive to the flock.
We said little.
Night after night, there was little to say.
But sometimes one of us,
skilled in that way,
would pipe a tune of how things were for us.
They say that once, almost before time,
the stars with shining voices
serenaded
the new born world.
The night could not contain their boundless praise.
We thought that just a poem —
until the night
a song of solar glory,
unutterable, unearthly,
eclipsed the luminaries of the night,
as though the world were exorcised of dark
and, coming to itself, began again.
Later we returned to the flock.
The night was ominously black.
The stars were silent as the sheep.
Nights pass, year on year.
We clutch our meagre cloaks against the cold.
Our aging piper’s fumbling fingers play,
night after night,
an earthly echo of the song that banished dark.
It has stayed with us.
f you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Here is a new poem I wrote to go with a festival of lessons and carols which was part of a touring concert put on by Keith and Kristin Getty called ‘An Irish Christmas’. I was their guest for four of the shows on their tour and had the great joy of ‘premiering’ this poem at Carnegie Hall. I also paste in below a link to my little ‘Speak in the library youtube channel where you can hear me introduce and read the poem.
A Tale Of Two Gardens
A Tale Of Two Gardens
God gave us all a garden once
And walked with us at eve
That we might know him face to face
With no need to believe.
But we denied and hid from him
Concealing our own shame
Yet he still came to look for us
And call us each by name.
He found us where we hid from him
He clothed us in his grace
But still we turned our backs on him
And would not see his face.
So now he comes to us again
Not as a Lord most high
But weak and helpless as we are
That we might hear him cry.
And he who clothed us in our need
Lies naked in the straw
That we might wrap him in our rags
Whom once we fled in awe.
The strongest comes in weakness now
A stranger to our door
The king forsakes his palaces
And dwells amongst the poor.
And where we hurt he hurts with us
And when we weep he cries
He knows the heart of all our hurts
The inside of our sighs.
He does not look down from above
But gazes up at us
That we might take him in our arms
Who always cradles us.
And if we welcome him again
With open hands and heart
He’ll plant his garden deep in us
The end from which we start.
And in that garden there’s a tomb
Whose stone is rolled away
Where we and all we’ve ever loved
Were lowered in the clay.
But Lo! the tomb is empty now
And, clothed in living light,
His ransomed people walk with One
Who came on Christmas night.
So come Lord Jesus, find in me
The child you came to save
Stoop tenderly with wounded hands
And lift me from my grave.
Be with us all Emmanuel
And keep us close and true
Be with us till that Kingdom comes
Where we will be with you.
Here’s the youtube of me reading it:
image by Linda richardson
Merry Christmas! In my Advent Anthology from Canterbury Press Waiting on the Word,The poem I have chosen for Christmas Day is a substantial extract from ‘Ode on the Moring of Christ’s Nativity by John Milton. You can hear me read this poem by clicking on the title or the play button. the image above was created byLinda Richardson.Linda writes:
It is Christmas day and the poem recalls to my mind, all the beautiful images we have of Christmas. One of my favourites is the Magi. Perhaps it is because, of all the Christmas characters, they are very aware of what they are doing. They have travelled a long way and a great distance to worship a King. These are the Christmas ‘professionals’, the seers and Wise Men who have come prepared with gifts and acts of worship. As they reach their goal their faces are lit up with the light of the Holy Family.
I wonder where you would place yourself among the Christmas characters? Are you a prepared, professional with a worshipping heart? Perhaps you are like the shepherds and Christmas rolls right over you leaving you rather baffled and scratching your head. Perhaps you are an angel…perhaps you are a sheep. Whatever you feel you are, there is a place for all of us at the manger.
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3903001-ode-on-the-morning-of-christ-s-nativity.mp3
Ode on the Morning of Christ’s Nativity
This is the month, and this the happy morn,
Wherein the Son of Heaven’s Eternal King,
Of wedded Maid and Virgin Mother born,
Our great redemption from above did bring;
For so the holy sages once did sing,
That he our deadly forfeit should release,
And with his Father work us a perpetual peace.
That glorious form, that light unsufferable,
And that far-beaming blaze of majesty,
Wherewith he wont at Heaven’s high council-table
To sit the midst of Trinal Unity,
He laid aside; and, here with us to be,
Forsook the courts of everlasting day,
And chose with us a darksome house of mortal clay.
Say, heavenly Muse, shall not thy sacred vein
Afford a present to the Infant God?
Hast thou no verse, no hymn, or solemn strain,
To welcome him to this his new abode,
Now while the heaven, by the sun’s team untrod,
Hath took no print of the approaching light,
And all the spangled host keep watch in squadrons bright?
See, how from far, upon the eastern road,
The star-led wisards haste with odours sweet:
O run, prevent them with thy humble ode,
And lay it lowly at his blessed feet;
Have thou the honour first thy Lord to greet,
And join thy voice unto the Angel quire,
From out his secret altar touch’d with hallow’d fire.
THE HYMN.
It was the winter wild,
While the heaven-born child
All meanly wrapt in the rude manger lies;
Nature, in awe to him,
Had doff’d her gaudy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the sun, her lusty paramour.
Only with speeches fair
She wooes the gentle air
To hide her guilty front with innocent snow;
And on her naked shame,
Pollute with sinful blame,
The saintly veil of maiden white to throw;
Confounded, that her Maker’s eyes
Should look so near upon her foul deformities.
But he, her fears to cease,
Sent down the meek-ey’d Peace;
She, crown’d with olives green, came softly sliding
Down through the turning sphere,
His ready harbinger,
With turtle wing the amorous clouds dividing;
And, waving wide her myrtle wand,
She strikes an universal peace through sea and land.
Nor war, or battle’s sound,
Was heard the world around:
The idle spear and shield were high up hung;
The hooked chariot stood
Unstain’d with hostile blood;
The trumpet spake not to the armed throng;
And kings sat still with awful eye,
As if they surely knew their sovran Lord was by.
But peaceful was the night,
Wherein the Prince of light
His reign of Peace upon the earth began:
The winds, with wonder whist,
Smoothly the waters kiss,
Whispering new joys to the mild ocean,
Who now hath quite forgot to rave,
While birds of calm sit brooding on the charmed wave.
The stars, with deep amaze,
Stand fix’d in steadfast gaze,
Bending one way their precious influence;
And will not take their flight,
For all the morning light,
Or Lucifer, that often warn’d them thence;
But in their glimmering orbs did glow,
Until their Lord himself bespake, and bid them go.
And, though the shady gloom
Had given day her room,
The sun himself withheld his wonted speed,
And hid his head for shame,
As his inferiour flame
The new-enlighten’d world no more should need;
He saw a greater sun appear
Than his bright throne, or burning axletree, could bear.
The shepherds on the lawn,
Or e’er the point of dawn,
Sat simply chatting in a rustick row;
Full little thought they then,
That the mighty Pan
Was kindly come to live with them below;
Perhaps their loves, or else their sheep,
Was all that did their silly thoughts so busy keep.
When such musick sweet
Their hearts and ears did greet,
As never was by mortal finger strook;
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blissful rapture took:
The air, such pleasure loth to lose,
With thousand echoes still prolongs each heavenly close.
Nature that heard such sound,
Beneath the hollow round
Of Cynthia’s seat, the aery region thrilling,
Now was almost won
To think her part was done,
And that her reign had here its last fulfilling;
She knew such harmony alone
Could hold all Heaven and Earth in happier union.
At last surrounds their sight
A globe of circular light,
That with long beams the shamefac’d night array’d;
The helmed Cherubim,
And sworded Seraphim,
Are seen in glittering ranks with wings display’d,
Harping in loud and solemn quire,
With unexpressive notes, to Heaven’s new-born Heir.
Such musick (as ‘tis said)
Before was never made,
But when of old the sons of morning sung,
While the Creator Great
His constellations set,
And the well-balanc’d world on hinges hung;
And cast the dark foundations deep,
And bid the weltering waves their oozy channel keep.
Ring out, ye crystal spheres,
Once bless our human ears,
If ye have power to touch our senses so;
And let your silver chime Move in melodious time;
And let the base of Heaven’s deep organ blow;
And, with your ninefold harmony,
Make up full consort to the angelick symphony.
For, if such holy song
Enwrap our fancy long,
Time will run back, and fetch the age of gold;
And speckled Vanity
Will sicken soon and die,
And leprous Sin will melt from earthly mould;
And Hell itself will pass away,
And leave her dolorous mansions to the peering day.
Yea, Truth and Justice then
Will down return to men,
Orb’d in a rainbow; and, like glories wearing,
Mercy will sit between,
Thron’d in celestial sheen,
With radiant feet the tissued clouds down steering;
And Heaven, as at some festival,
Will open wide the gates of her high palace hall …
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Image by Linda Richardson
In my Advent Anthology from Canterbury Press Waiting on the Word,The poem I have chosen for Christmas Eve, is Christmas Eve by Christina Rossetti. You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson for her book of responses to waiting on the word. Linda writes:
Some years ago I had the wonderful privilege of seeing ‘Dance’ by Henri Matisse. It was the one kept at The Hermitage, St Petersburg, and it was brought to London for an exhibition. It is nearly four meters wide and unlike like one in New York, the figures are not pink but a glowing orange, like reflected fire light. I was utterly overwhelmed when I saw it, and I was moved to tears.
The words, ‘For Christmas bringeth Jesus”, echo through today’s poem and are for me, the centre of all this season’s activity and the reason for our joy and celebration. In the image I painted there is no speech except that of the wildly dancing figures. They are intent on celebrating the Word made flesh, through their own flesh, and all around them the trees join in the dance. Above them the birds wheel about with the clouds and stars and the whole of creation redounds in joy and praise.
You will go out in joy and be led forth in peace; the mountains and hills will burst into song before you, and all the trees of the field will clap their hands. Isaiah 55
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
I should add that unfortunately the little word ‘a’ was committed from the first line in the printing of the anthology, which slightly spoils the rhythm. You can hear me read the proper text on this recording and I also post that corrected text below:
https://audioboom.com/boos/3860198-christmas-eve.mp3
Christmas Eve
CHRISTMAS hath a darkness
Brighter than the blazing noon,
Christmas hath a chillness
Warmer than the heat of June,
Christmas hath a beauty
Lovelier than the world can show:
For Christmas bringeth Jesus,
Brought for us so low.
Earth, strike up your music,
Birds that sing and bells that ring;
Heaven hath answering music
For all Angels soon to sing:
Earth, put on your whitest
Bridal robe of spotless snow:
For Christmas bringeth Jesus,
Brought for us so low.
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O Virgo Virginum
Three years ago I was asked by the Precentor of Wells Cathedral if I would write an extra 8th Antiphon sonnet to go with the special 8th O antiphon, O Virgo Virginum, which was used in English churches and Cathedrals in the middle ages, as distinct from the usual seven on the continent. He explained that the Cathedral was reviving this practice and as they were also using my other seven sonnets it would help to have an extra eighth sonnet for the eighth Antiphon. It had its debut at the Cathedral Advent Carol service on 27th November 2016 but I am happy to share it here on the day O Virgo was traditionally sung.
Reflecting on the Antiphon O Virgo Virginum, whose text you can read below, in English and in Latin, I was struck by the way it is about seeing and marvelling, about the transformative power of vision, but I was also struck by the presence of other women in the antiphon: the vision of Mary as a ‘maid amongst the maidens’, the invocation of the ‘daughters of Jerusalem’. As I reflected on that, I thought of all those ‘maidens’, young girls and women of our own times, who, like Mary, have become refugees, vulnerable like Mary, scorned, or falsely accused as she was, and I wanted to remember them in my sonnet and to think of Mary as especially the carer and advocate for exploited and vulnerable women.
Since last year this poem and the antiphon which inspired it have also been set to music by David Solomons and performed by a choir in south Africa and you can watch and listen to a youtube recording of it here:
As usual you can also hear me read the poem by clicking on the title or the ‘play’ button below.
https://audioboom.com/posts/5427225-o-virgo-virginum.mp3O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
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Image by Linda Richardson
In my Advent Anthology from Canterbury Press Waiting on the Word,we come to the last of the Seven Great O Antiphons, which was sung on either side of the Magnificat on Christmas Eve, O Emmanuel, O God with us. This is the antiphon from which our lovely Advent hymn takes its name. It was also this final antiphon which revealed the secret message embedded subtly into the whole antiphon sequence. In each of these antiohons we have been calling on Him to come to us, to come as Light as Key, as King, as God-with-us. Now, standing on the brink of Christmas Eve, looking back at the illuminated capital letters for each of the seven titles of Christ we would see an answer to our pleas : ERO CRAS the latin words meaning ‘Tomorrow I will come!”
O Emmanuel
O Rex
O Oriens
O Clavis
O Radix
O Adonai
O Sapientia
I have also tried in my final sonnet to look back across the other titles of Christ, but also to look forward, beyond Christmas, to the new birth for humanity and for the whole cosmos, which is promised in the birth of God in our midst.
You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson. she Writes:
Within the ‘O’ I painted today there is a still point. Here the Virgin holds her Son Jesus, face to face. I imagine the sweet small breath of the newborn, the quickened little wick so tightly curled’, as he is held tenderly by his Mother, Mary.
The inspiration for this ink drawing came from a wood or lino cut. It is a simple image, quite different from the image of yesterday and reminds us to be simple when we come to God. How prepared are we to be emptied, to let go of our self stuffed fullness and cleverness? How radically are we willing to let God chisel off our pride so that we are open to the ‘Other’ who is God, who is our neighbour. Until we are emptied of our perceived ‘riches’ we will not be able to hear God or our neighbour who may be asking us for ‘spare change’, who may be from a different religious tradition, who may be our ‘enemy’. These are the thoughts I have as I look at this simple image. If we stubbornly cling to our own views and opinions, we can’t see a different perspective. Rumi, the Sufi poet says, ‘Out beyond ideas of right doing and wrong doing, there is a field. I will meet you there.’
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
Once More Jac Redford has kindly agreed to share the recording of his excellent setting of this sonnet, which you can find on his record Let beauty be our Memorial You can hear his setting here: https://malcolmguite.files.wordpress.com/2016/12/09-o-emmanuel.mp3
The second ‘play’ button is the antiphon sung on either side of my reading of the poem.
O Emmanuel, Rex et legifer noster,
exspectatio Gentium, et Salvator earum:
veni ad salvandum nos, Domine, Deus nosterO Emmanuel, our king and our lawgiver,
the hope of the nations and their Saviour:
Come and save us, O Lord our Godhttps://malcolmguite.files.wordpress.com/2020/12/o-emmanuel.mp3O EmmanuelO come, O come, and be our God-with-us
O long-sought With-ness for a world without,
O secret seed, O hidden spring of light.
Come to us Wisdom, come unspoken Name
Come Root, and Key, and King, and holy Flame,
O quickened little wick so tightly curled,
Be folded with us into time and place,
Unfold for us the mystery of grace
And make a womb of all this wounded world.
O heart of heaven beating in the earth,
O tiny hope within our hopelessness
Come to be born, to bear us to our birth,
To touch a dying world with new-made hands
And make these rags of time our swaddling bands.If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
In my Advent Anthology from Canterbury Press Waiting on the Word,The sixth great ‘O’ antiphon, O Rex Gentium, calls on Christ as King, yet also calls him corner stone and pictures him getting his hands dirty and shaping us with clay, wonderfully incongruous combination! But he is the king who walks alongside us disguised in rags, the true Strider! In this Sonnet I also reflect on on how God shapes us through all that happens to us in our living clay. He hasn’t finished with us yet! You can hear me read this poem by clicking on the title or the play button. the image above was created by Linda Richardson for her book of responses to my book Waiting on the Word. Linda Writes:
The great ‘O’ of this poem spoke directly to me about prayer and meditation. We can only truly know God through love, and passion for God arises through prayer. When God takes hold of us we are expanded and broadened, and this expansion is always creative. It reveals the light beyond our darkness, the gold that gleams through our rags and the latent life within us. It is a burgeoning of praise and wonder from within us but this is all drawn out by God. Our part is to want God and to give to God whatever of our wills and time we can manage each day.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle. You can also hear Jac Redford‘s beautiful setting of his poem here: https://malcolmguite.files.wordpress.com/2016/12/antiphons-6-o-rex-gentium.mp3
O Rex Gentium, et desideratus earum,
lapisque angularis, qui facis utraque unum:
veni, et salva hominem,
quem de limo formasti.
O King of the nations, and their desire,
the cornerstone making both one
Come and save the human race,
which you fashioned from clay
Here is my reading of the poem: https://malcolmguite.files.wordpress.com/2020/12/o-rex-gentium.mp3
*O Rex Gentium*
O King of our desire whom we despise,
King of the nations never on the throne,
Unfound foundation, cast-off cornerstone,
Rejected joiner, making many one,
You have no form or beauty for our eyes,
A King who comes to give away his crown,
A King within our rags of flesh and bone.
We pierce the flesh that pierces our disguise,
For we ourselves are found in you alone.
Come to us now and find in us your throne,
O King within the child within the clay,
O hidden King who shapes us in the play
Of all creation. Shape us for the day
Your coming Kingdom comes into its own.
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Image by Linda Richardson
The fifth ‘great ‘O’ antiphon in my Advent Anthology from Canterbury Press Waiting on the Word calls on Christ as the ‘Oriens’, the Morning Star, the Dayspring, and it comes as an answer to the sense of darkness and captivity in the fourth antiphon, O Clavis‘ I find the idea of Christ as rising light in the East very moving, for he is Alpha, the ‘Beginning’. The Translation which gives ‘Dayspring’ for Oriens I especially love, both because ‘Dayspring’ suggests at one and the same time, both light and water, two primal goods in life which I love in combination, especially light reflected on water, and also because ‘Dayspring’ was the name of a ship my great grandfather built for Scottish missionaries and also the name of the little gaff cutter, from whose deck I saw the dawn rise after a long period of darkness. Many of these senses of ‘Dayspring’ are at play in the sonnet I have given below. I should also mention that the line from Dante means “I saw light in the form of a river’ another touchstone moment for me in the Paradiso You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She writes:
How often do you hear the word ‘Dayspring’ used in common parlance? It is such a beautiful word meaning ‘dawn’. Here it is in Luke 1:76-79: ‘And thou, child, shalt be called the prophet of the Highest: for thou shalt go before the face of the Lord to prepare his ways… whereby the dayspring from on high hath visited us, To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace.’ (King James Version)
I laboured over this small painting using acrylic paint, ink and watercolour to try to get that ephemeral light that only a very few astronauts have ever seen with their own eyes. The great blue Earth turns away from the darkness of the void and is lit by the Sun, the archetype of God, and Malcolm’s poem is so full of expectant joy and peace – ‘the darkness was a dream’. Pierre Teilhard de Chardin says, ‘ We are not human beings having a spiritual experience; we are spiritual beings having a human experience’.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
I am also glad that Jac Redford has given me permission to share his beautiful setting of this poem. So the first of the ‘play’ buttons below gives you JAC’s choral setting and the second gives you the plainsong antiphon, and me reading the poem.
O Oriens: https://malcolmguite.files.wordpress.com/2016/12/antiphons-5-o-oriens.mp3
O Oriens, splendor lucis aeternae,
et sol justitiae:
veni, et illumina sedentes
in tenebris, et umbra mortis
O Dayspring,
splendour of light eternal and sun of righteousness:
Come and enlighten those who dwell in darkness and the shadow of death.
https://malcolmguite.files.wordpress.com/2020/12/o-oriens.mp3
O Oriens
E vidi lume in forme de riviera Paradiso XXX; 61
First light and then first lines along the east
To touch and brush a sheen of light on water
As though behind the sky itself they traced
The shift and shimmer of another river
Flowing unbidden from its hidden source;
The Day-Spring, the eternal Prima Vera.
Blake saw it too. Dante and Beatrice
Are bathing in it now, away upstream…
So every trace of light begins a grace
In me, a beckoning. The smallest gleam
Is somehow a beginning and a calling;
“Sleeper awake, the darkness was a dream
For you will see the Dayspring at your waking,
Beyond your long last line the dawn is breaking”.
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Image by Linda RichardsonThe third Advent antiphon,in my Advent Anthology from Canterbury Press Waiting on the Word, O Radix, calls on Christ as the root, an image I find particularly compelling and helpful. The collect is referring to the image of he ‘tree of Jesse the family tree which leads to David, and ultimately to Christ as the ‘son of David, but for me the title radix, goes deeper, as a good root should. It goes deep down into the ground of our being, the good soil of creation. God in Christ, is I believe, the root of all goodness, wherever it is found and in whatsoever culture, or with whatever names it fruits and flowers, a sound tree cannot bear bad fruit said Christ, who also said, I am the vine, you are the branches. I have tried to express some of my feelings for Christ as root and vine more elliptically in my song the Green Man, but here I do it more directly in my sonnet on the third advent antiphon. You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:
This is the last of my attempts with the Chinese brush, but once again the original text is visible behind the great ’O’. Malcolm invites us to imagine the Root of Jesse as ‘the stock and stem of every living thing whom once we worshipped in the sacred grove’, and I wonder if you too hear our ancestors, calling us back to a vision of the earth as being our sacred home. I hear an invitation to reconnect to our roots, to know ourselves as part of the great Creation.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
the tree of Jesse a carving in the LouvreO Radix
O Radix Jesse, qui stas in signum populorum,
super quem continebunt reges os suum,
quem Gentes deprecabuntur:
veni ad liberandum nos, jam noli tardare.
O Root of Jesse, standing
as a sign among the peoples;
before you kings will shut their mouths,
to you the nations will make their prayer:
Come and deliver us, and delay no longer
https://malcolmguite.files.wordpress.com/2020/12/o-radix.mp3O Radix
All of us sprung from one deep-hidden seed,
Rose from a root invisible to all.
We knew the virtues once of every weed,
But, severed from the roots of ritual,
We surf the surface of a wide-screen world
And find no virtue in the virtual.
We shrivel on the edges of a wood
Whose heart we once inhabited in love,
Now we have need of you, forgotten Root
The stock and stem of every living thing
Whom once we worshiped in the sacred grove,
For now is winter, now is withering
Unless we let you root us deep within,
Under the ground of being, graft us in.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
The poem for today in my Advent Anthology from Canterbury Press Waiting on the Word is Oh Clavis, Oh Key!
Of all the mystic titles of Christ, this is the one that connects most closely with our ‘secular’ psychology. We speak of the need on the one hand for ‘closure’ and on the other for ‘unlocking’, for ‘opening’, for ‘liberation’. The same ideas are also there in the lines from O Come O Come Emmanuel that are drawn from this antiphon, which could easily be part of anybody’s work in good therapy:
“Make safe the way that leads on high,
and close the path to misery.”
I see this antiphon, and the sonnet I wrote in response to it, as the ‘before’ picture that precdes the beautiful fifth antiphon O Oriens about Christ as the Dayspring and when l wrote this sonnet I found that I had at last written something clear about my own experience of depression. I hope that others who have been in that darkness will find it helpful.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. she Writes:
As I made this drawing, the words ‘huddled in misery’, were my starting point. The figure sits in something like a cave, but if the figure would only turn towards us, it would be able to rise, step through the doorway of the ‘O’ and walk free. Instead the poor naked figure hides its face and covers its head in shame. We can spend years ‘huddled in misery’ forbidding ourselves the freedom we crave, literally being miserly because we are captive to a way of thinking that has imprisoned us. We believe we can only be loved if we are perfect, or at least a lot better than we are, but a key only opens. It takes our action to walk out.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
I am delighted to say that the composer Jac Redford, who set all these antiphon sonnets to music on his excellent CD ‘Let Beauty be our Memorial’ has kindly given permission for me to share those recordings with you. Here are the first four including today’s:
O Sapientia:https://malcolmguite.files.wordpress.com/2016/12/antiphons-1-o-sapientia.mp3
O Adonai: https://malcolmguite.files.wordpress.com/2016/12/antiphons-2-o-adonai.mp3
O Radix: https://malcolmguite.files.wordpress.com/2016/12/antiphons-3-o-radix.mp3
O Clavis: https://malcolmguite.files.wordpress.com/2016/12/antiphons-4-o-clavis.mp3
O Key of David and sceptre of the House of Israel;
you open and no one can shut;
you shut and no one can open:
Come and lead the prisoners from the prison house,
those who dwell in darkness and the shadow of death
O Clavis David, et sceptrum domus Israel;
qui aperis, et nemo claudit;
claudis, et nemo aperit:
veni, et educ vinctum de domo carceris,
sedentem in tenebris, et umbra mortis.
https://malcolmguite.files.wordpress.com/2020/12/o-clavis.mp3O Clavis
Even in the darkness where I sit
And huddle in the midst of misery
I can remember freedom, but forget
That every lock must answer to a key,
That each dark clasp, sharp and intricate,
Must find a counter-clasp to meet its guard,
Particular, exact and intimate,
The clutch and catch that meshes with its ward.
I cry out for the key I threw away
That turned and over turned with certain touch
And with the lovely lifting of a latch
Opened my darkness to the light of day.
O come again, come quickly, set me free
Cut to the quick to fit, the master key.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
The second of the Advent Antiphons,in my Advent Anthology from Canterbury Press Waiting on the Word, O Adonai, touches on the ancient title of God himself, who was called Adonai, Lord, because his sacred name, the four letters known as ‘The Tetragramaton’, could not be uttered by unworthy human beings without blasphemy. But the Advent Hope, indeed, the Advent miracle was that this unknowable, un-namable, utterly holy Lord, chose out of His own free will and out of love for us, to be known, to bear a name, and to meet us where we are. The antiphon touches on the mysterious and awesome manifestations of God on the mountain in the sign of the burning bush. For early Christians this bush, full of he fire of God yet still itself and unconsumed, was a sign of the Lord Christ who would come, filled with God and yet in mortal flesh unconsumed. I have tried to pick up on some of these themes in the sonnet I wrote in response to this antiphon. You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. she writes:
O Adonai! This is the plural of the word Adon, meaning Lord or Master. These wonderful ‘O’ antiphons surge into our Advent consciousness, bringing with them all the weight of our Christian tradition. The joy of what is coming resounds in our ears as it has done for Christians down the centuries, connecting us with those who first encountered YHWH, those early tribal refugees in Egypt.
Keeping tradition in mind you will see behind the ‘O’ the Latin plainsong and I imagine that it is still chanted in many places.
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://malcolmguite.files.wordpress.com/2020/12/o-adonai.mp3
O Adonai, et Dux domus Israel,
qui Moysi in igne flammae rubi apparuisti,
et ei in Sina legem dedisti:
veni ad redimendum nos in brachio extento
O Adonai, and leader of the House of Israel,
who appeared to Moses in the fire of the burning bush
and gave him the law on Sinai:
Come and redeem us with an outstretched arm
O Adonai
Unsayable, you chose to speak one tongue,
Unseeable, you gave yourself away,
The Adonai, the Tetragramaton
Grew by a wayside in the light of day.
O you who dared to be a tribal God,
To own a language, people and a place,
Who chose to be exploited and betrayed,
If so you might be met with face to face,
Come to us here, who would not find you there,
Who chose to know the skin and not the pith,
Who heard no more than thunder in the air,
Who marked the mere events and not the myth.
Touch the bare branches of our unbelief
And blaze again like fire in every leaf.
For a wonderful site about the Advent Antiphons and the wisdom of the meadiaeval mystics see Julia Bolton Holloway’s great site Umilita
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
The poem I have chosen for December 17th in my Advent Anthology from Canterbury Press Waiting on the Word, is my own sonnet O Sapientia, the first in a sequence of seven sonnets on the seven ‘great O’ antiphons which I shall be reading to you each day between now and the 23rd of December. You can hear me read this poem by clicking on the title or the play button. the image above, was created by Linda Richardson for her book of responses to Waiting on the Word.
Linda writes:
If you have never heard Malcolm talking about the O antiphons you are missing a treat. You can hear a recording of him speaking at St Paul’s Cathedral here: https://www.youtube.com/watch?v=_w8ey2q28ZY&t=74s.
My response to the sonnet, ‘O Sapientia’, is a great ‘O’ of my own. The back ground of the painting is a photo transfer of a sheet of plainsong that the monks will sing every year at this time in Advent. I gave that a wash of gesso, and using a Chinese brush made a very energetic sweep in black ink and added some red too. Around the outside and inside I wrote out the words in Latin and in English, which are quite beautiful.
O Wisdom coming forth from the mouth of the Most High, reaching from one end to the other, mightily and sweetly ordering all things. Come and teach us the way of Prudence (Wisdom). The words of this antiphon have a powerfully uplifting effect on me.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
In the first centuries the Church had a beautiful custom of praying seven great prayers calling afresh on Christ to come, calling him by the mysterious titles he has in Isaiah, calling to him; O Wisdom. O Root! O Key O Light! come to us! This is the first of them
Also check out the wonderful resources on the Advent Antiphons and aother mediaeval Wisdom on Julia Holloway’s beautiful website The Great O Antiphons
O Sapientia
O Sapientia, quae ex ore Altissimi prodiisti, attingens a fine usque ad finem, fortiter suaviterque disponens omnia:
veni ad docendum nos viam prudentiae.
O Wisdom, coming forth from the mouth of the
Most High,
reaching from one end to the other mightily,
and sweetly ordering all things:
Come and teach us the way of prudence.
https://malcolmguite.files.wordpress.com/2020/12/recording-3.mp3
O Sapientia
I cannot think unless I have been thought,
Nor can I speak unless I have been spoken.
I cannot teach except as I am taught,
Or break the bread except as I am broken.
O Mind behind the mind through which I seek,
O Light within the light by which I see,
O Word beneath the words with which I speak,
O founding, unfound Wisdom, finding me,
O sounding Song whose depth is sounding me,
O Memory of time, reminding me,
My Ground of Being, always grounding me,
My Maker’s Bounding Line, defining me,
Come, hidden Wisdom, come with all you bring,
Come to me now, disguised as everything.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
The poem I have chosen for December 16th in my Advent Anthology from Canterbury Press Waiting on the Word, is Advent Good wishes by the contemporary priest poet David Grieve. You can hear me read this poem by clicking on the title or the play button. The dramatic image above, which brings so much of both war and the hope of peace into play, was created by Linda Richardson in response to this poem. she writes:
In this painting there is a figure, maybe an angel or a tree spirit holding a candle, but the light from the candle has a radiance that is other worldly. It gently lights up the sleeping wolf and lambs that rest at the foot of the painting. At first the painting seems very peaceful but it is disturbingly fiery and high above the tree are two military helicopters hovering, it seems, like vultures. I wanted to paint both peace and war, as they are the reality of the times we live in, however the centre of the painting is very still, the figure has its eyes closed and is perhaps praying.
In turbulent times we may wonder how to keep despair at bay, but the radiant, gleaming colours of the painting tell us that God’s love surrounds us on every side and encompasses us. If we trust God, then the gleaming beauty with which God surrounds us can become our vision and fear is kept at bay.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3845534-advent-good-wishes.mp3
Advent Good Wishes
Give you joy, wolf,
when Messiah makes you meek
and turns your roar into a cry that
justice has been done for the poor.
Give you joy, lamb,
when Messiah saves you from jeopardy
and all fear is overwhelmed
by his converting grace.
Give you joy, wolf and lamb together,
as Messiah brings worldwide peace and,
side by side, you shelter
under Jesse’s spreading shoot.
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image by Linda Richardson
The poem I have chosen for December 15th in my Advent Anthology from Canterbury Press Waiting on the Word, is Christmas and the Common Birth by Anne Ridler. You can hear me read this poem by clicking on the title or the play button. the image above, is once more from the beautiful book of art which Linda Richardson made in response to Waiting on the Word.
She Writes:
The image for today looks, from a distance, like a peaceful, sleeping face. On closer inspection you will see it is made up of hundreds of intense scribbled lines. We can, from a distance appear calm to those around us, but perhaps our inner lives are in turmoil, those inner voices utterly draining and our value comes from what we ‘do’, not what we ‘are’. In the poem we hear that, “Christmas comes at the dark dream of the year that might wish to sleep ever…birth is effort and pain.” Our busy-ness is often a way to stay asleep, to avoid the call that Jesus and all the mystics make on our lives to wake up to a greater vision of life where we are children of God, the beloved of the Father.
Our prayer today may be of a harried or sick person. This is the person God wants to be with and we come to God in the reality of what we are and with all the scribbles and scrawls that seem to make up our life. We bring all our addictions and anxieties with us and turn away from them to God, because the space inside us is the same space that contains the cosmos. One moment of true silence will find us in loving heart of the Great Silence out of which everything is and has its being.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3845515-christmas-and-common-birth.mp3
Christmas and the Common Birth
Christmas declares the glory of the flesh:
And therefore a European might wish
To celebrate it not at midwinter but in spring,
When physical life is strong,
When the consent to live is forced even on the young,
Juice is in the soil, the leaf, the vein,
Sugar flows to movement in limbs and brain.
Also before a birth, nourishing the child
We turn again to the earth
With unusual longing—to what is rich, wild,
Substantial: scents that have been stored and strengthened
In apple lofts, the underwash of woods, and in barns;
Drawn through the lengthened root; pungent in cones
(While the fir wood stands waiting; the beech wood aspiring,
Each in a different silence), and breaking out in spring
With scent sight sound indivisible in song.
Yet if you think again
It is good that Christmas comes at the dark dream of the year
That might wish to sleep ever.
For birth is awaking, birth is effort and pain;
And now at midwinter are the hints, inklings
(Sodden primrose, honeysuckle greening)
That sleep must be broken.
To bear new life or learn to live is an exacting joy:
The whole self must waken; you cannot predict the way
It will happen, or master the responses beforehand.
For any birth makes an inconvenient demand;
Like all holy things
It is frequently a nuisance, and its needs never end;
Freedom it brings: We should welcome release
From its long merciless rehearsal of peace.
So Christ comes
At the iron senseless time, comes
To force the glory into frozen veins:
His warmth wakes
Green life glazed in the pool, wakes
All calm and crystal trance with the living pains.
And each year
In seasonal growth is good– year
That lacking love is a stale story at best
By God’s birth
Our common birth is holy; birth
Is all at Christmas time and wholly blest.
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‘Autumn’ image by Linda RichardsonThe poem I have chosen for December 14th in my Advent Anthology from Canterbury Press Waiting on the Word, is Autumn by the contemporary poet and theologian David Baird. You can hear me read this poem by clicking on the title or the play button. The image above is from Linda Richardson’s book of responses to Waiting on the Word.Linda writes:
Ten days before Christmas Eve and the pressure is upon us. Will we continue to find the time to read these poems, to contemplate and wait upon the Word? A few days ago I encouraged the reader, if they were responding in some way, not to dismiss the response if it didn’t resonate, because later reflection could reveal hidden meaning.
Last year, responding to this poem, I reached out for what was at hand. I found a leaf that I had pressed in a book and a piece of medical gauze, found in the bedroom where my Mother-in-law had nursed my Father-in-law until his death on the 12th December 2005, almost ten years before I made this work in December 2015. These seemingly poor objects became the grist for creating the response to David Baird’s Autumn.
The art work is by-the-way, but reflecting on it a year later, the media is of greater interest. As death drew near to my Father-in-law, these words became his reality: ‘then fallen nature driven to her knees flames russet, auburn, orange fierce from within, And bush burns brighter for the growing grey’.
George Richardson was a man of Faith who lived by and for the Word. There were times in his younger years when he was inclined to unmake the incarnation and turn the Word made flesh back into legal words again as Edwin Muir the Scottish poet writes, “King Calvin with his iron pen, And God three angry letters in a book’. But George was utterly intent upon his Lord Jesus and came to a fuller, richer more loving faith, so that by the end of his life he glowed ‘orange fierce from within’. He would greet each person he met with complete attention, speaking to them as if they were the most important person, and the meeting, the most happy of his week. Being met by George at this time of his life was an invitation into the vast emptiness of his loving heart.
I didn’t realise the significance of the leaf and the gauze until I came to write about it this year.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3845436-autumn.mp3
Autumn
Was certainly not winter, scholars say,
When holy habitation broke the chill
Of hearth-felt separation, icy still,
The love of life in man that Christmas day.
Was autumn, rather, if seasons speak true;
When green retreats from sight’s still ling’ring gaze,
And creeping cold numbs sense in sundry ways,
While settling silence speaks of solitude.
Hope happens when conditions are as these;
Comes finally lock-armed with death and sin,
When deep’ning dark demands its full display.
Then fallen nature driven to her knees
Flames russet, auburn, orange fierce from within,
And bush burns brighter for the growing grey.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
December 13th is St. Lucy’s day and the poem I have chosen in my Advent Anthology from Canterbury Press Waiting on the Word, is ‘Launde Abbey on St. Lucy’s Day’. I wrote this poem whilst leading an Advent retreat at Launde Abbey, a beautiful place hidden away in the soft folds of Leicestershire. This particular morning, on Saint Lucy’s day, whose brief brightness is dedicated to the martyr saint who found the true dayspring and whose name means light, I walked in the abbey grounds. As I watched the bright low winter sun rise dazzling through the bare bleak leafless trees and light at last the Abbey’s sunken rose garden this sonnet came to me.You can hear me read this poem by clicking on the title or the play button. the image above, which anticipates the ‘great ‘O’ Advent antiphons, was created by Linda Richardson in her book of artwork responses to Waiting on the Word.
Linda Writes:
I made this great ‘O’ on St Lucy’s, as a foretaste of the ‘O Antiphons’ that will begin on the 17th. Here in the dark days of winter Malcolm describes a frozen pond, winter skies and ‘frosty light that yet recalls the glory of the summer…’ The ground of the painting is a chilling white and blue, the ‘O’ is frosted with streaks of white but there is too, beneath the layers of paint and gleaming through, a recollection of summer light, even though ‘winter night will soon surround us here…’.
Nothing much is happening in this painting just as it seems that nothing much happens in the dead of winter or in the dark night of the soul. It is at such times that we might discover with a great ‘Oh’,that it is Jesus who is praying within us, Jesus who understands, and that the song of His love for the Father can always be heard within us, even in the dark depths of winter.
You can find you can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
As always you can hear the poem by clicking on the title or the play button
https://audioboom.com/boos/2728956-launde-abbey-on-st-lucy-s-day.mp3
Launde Abbey on St. Lucy’s day
St. Lucy’s day is brief and bright with frost,
In round cupped dew ponds shallow waters freeze,
Delicate fronds and rushes are held fast,
The low sun brings a contrast to the trees
Whose naked branches, dark against the skies
And fringed with glory by the light behind,
In patterns too severe for tired eyes,
Burn their bright beauty on the weary mind.
Saint Lucy’s sun still bathes these abbey walls
And in her garden rose stalks stark and bare
Shine in a frosty light that yet recalls
The glory of the summer roses there.
Though winter night will soon surround us here,
Another Advent comes, Dayspring is near.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
In Memoriam image by Linda RichardsonThe poem I have chosen for December the 12th in my Advent Anthology from Canterbury Press Waiting on the Word, is the first of two extracts from Tennyson’s great poem In Memoriam. You can hear me read this poem by clicking on the title or the play button. Once more the image above is a page from the Art journal which Linda Richardson kept in response to the poems in Waiting on the Word. she writes:
This is a very strange artwork, so if you are looking at it wondering, ‘What is this?’, you would be forgiven for thinking it strange too. However we sometimes miss the meaning in the things that happen to us because they don’t appear in the way we expect. I would, as much as possible, like to keep to the spirit of the art journal I made and include even this strange one. If you are responding to the poems by making or doing something, perhaps you too are dissatisfied by the outcome. It is a challenge sometimes to let it be what it is, so perhaps returning to it later you might be surprised to see a depth you didn’t notice at first.
The round forms dominate the image, floating, it seems in a blue haze. The forms are in two halves, ‘answering each other in the mist’. Some of the forms, ‘swell out and fail as if a door were shut between me and the sound’. The blue haze at the bottom of the image might be our unconsciousness where much is darkness and confusion. We barely understand why we behave in the way we do and why we react emotionally to seemingly small events. We wake from dreams, sometimes afraid or grieving for something we feel we have lost or missed. This is an image of contrasts speaking to each other, of sorrow and joy, sleeping and waking, peace and pain. Are the strange round forms waiting to rise out of the blue of unconsciousness? What will lift them up to the light? ‘The moon is hid: the night is still’. Do you sense the stillness of the round forms that are perhaps brooding egg shapes, waiting for new birth? ‘Be still and know….’
You can find a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3844441-in-memoriam-xxviii.mp3
In Memoriam XXVIII
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
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Despised and Rejected Image by Linda Richardson
The poem I have chosen for December 11th in my Advent Anthology from Canterbury Press Waiting on the Word, is Despised and Rejected, a dramatic and challenging reflection on encounter with Christ by Christina Rosetti. You can hear me read this poem by clicking on the title or the play button. the image above, takes up the poems opening proclamation, was created by Linda Richardson.
Linda Writes:
There are some dramas you watch with dread. The Director lets you in on a secret that is unknown to the protagonist and you watch the drama unfold, knowing that along the way, you and the protagonist will meet at this awful moment. It was with this feeling that I began work.
When Malcolm invited me to show the images I made last year in response to Waiting on the Word, I decided to do a new art work for this poem as the one I made didn’t turn out well. But now as I come to write about it I hope you will forgive me for including it. The poem’s title is Despised and Rejected, so as a small gesture of redemption, it seems appropriate to include this work that I would otherwise have rejected.
The image is indelibly cut in two by a separating path of black ink from the top left to the bottom right. Throughout the image, Rossetti’s impassioned words weave about through the paths of ink and paint, but there, in the bronze paint at the top right of the image, like a smear of dried blood, is a cord. The cord is bundled and scrunched into the paint and travels in the opposite direction, to the bottom left of the image. The two paths meet at a cross. Art is like life, and the marks we make sometimes come from our deep subconscious, so as I return to this work I recognise the cord as something that leads out of a labyrinth. ‘Footsteps echoing like a sigh passed me by’, Rossetti says towards the end of the poem. And I am left with the question, ‘What opportunities of love do I miss when I am lost in the labyrinth of my mind’?
You can find a short reflective essay on this poem, which draws out its many references to Scripture, in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3844250-despised-and-rejected.mp3
Despised and Rejected
My sun has set, I dwell
In darkness as a dead man out of sight;
And none remains, not one, that I should tell
To him mine evil plight
This bitter night.
I will make fast my door
That hollow friends may trouble me no more.
‘Friend, open to Me.’—Who is this that calls?
Nay, I am deaf as are my walls:
Cease crying, for I will not hear
Thy cry of hope or fear.
Others were dear,
Others forsook me: what art thou indeed
That I should heed
Thy lamentable need?
Hungry should feed,
Or stranger lodge thee here?
‘Friend, My Feet bleed.
Open thy door to Me and comfort Me.’
I will not open, trouble me no more.
Go on thy way footsore,
I will not rise and open unto thee.
‘Then is it nothing to thee? Open, see
Who stands to plead with thee.
Open, lest I should pass thee by, and thou
One day entreat My Face
And howl for grace,
And I be deaf as thou art now.
Open to Me.’
Then I cried out upon him: Cease,
Leave me in peace:
Fear not that I should crave
Aught thou mayst have.
Leave me in peace, yea trouble me no more,
Lest I arise and chase thee from my door.
What, shall I not be let
Alone, that thou dost vex me yet?
But all night long that voice spake urgently:
‘Open to Me.’
Still harping in mine ears:
‘Rise, let Me in.’
Pleading with tears:
Open to Me that I may come to thee.’
While the dew dropped, while the dark hours were cold:
‘My Feet bleed, see My Face,
See My Hands bleed that bring thee grace,
My Heart doth bleed for thee,
Open to Me.’
So till the break of day:
Then died away
That voice, in silence as of sorrow;
Then footsteps echoing like a sigh
Passed me by,
Lingering footsteps slow to pass.
On the morrow
I saw upon the grass
Each footprint marked in blood, and on my door
The mark of blood for evermore.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Drear-nighted December image by Linda Richardson
The poem I have chosen for December 10th in my Advent Anthology from Canterbury Press Waiting on the Word, is In Drear-nighted December by John Keats. You can hear me read this poem by clicking on the title or the play button. the image above, is by Linda Richardson, who writes:
Had I known that these images would, the following year, accompany the poetry in Waiting on the Word, I would have made more of each of them. Some days I had only a short time to respond, but my daily discipline helped me to meditate on each of the poems, and it was a deeply enriching experience. Perhaps you could find your own way of responding, by walking or learning a part of the poem by heart, or sewing. Perhaps you could print out and stick into the book, an image that you feel captures a part of the poem that speaks most deeply to you.
In this image I used only black Indian ink, masking fluid and water. I wanted to give the impression of bleak leafless trees disappearing into a freezing mist. This stripping back of denuding winter time reveals a beauty and form that has always been there but has gone unnoticed. Think of a cobweb that is invisible until the scintillating frost of winter steals through the landscape as we sleep and turns the morning into a Narnian dream of white.
This denuding also happen to us when, forced by circumstances, we too are stripped back, perhaps by grief as John Keats was, or by struggling with an addiction, humiliation, or anger and depression. What seems like death in the landscape of our lives can, if we wait patiently, teach us to integrate our shadow side and help us to know ourselves. If we can come to prayer like this, letting what we truly are be exposed, because to Him all hearts are exposed, then maturity begins, as we say to Him, ‘Lord take me as I am. I can come to you no other way.’
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3844183-in-drear-nighted-december.mp3
In Drear-nighted December
In drear nighted December,
Too happy, happy tree,
Thy branches ne’er remember
Their green felicity—
The north cannot undo them
With a sleety whistle through them
Nor frozen thawings glue them
From budding at the prime.
In drear nighted December,
Too happy, happy brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.
Ah! would ‘twere so with many
A gentle girl and boy—
But were there ever any
Writh’d not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.
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image by Linda Richardson
The poem I have chosen for December the 9th of December in my Advent Anthology from Canterbury Press Waiting on the Word, is Old Age by the Seventeenth Century poet Edmund Waller. This gentle meditation on old age, on the light that shines ‘through chinks that time hath made’, may be one source for Leonard Cohen’s famous lines about ‘how the light gets in’. You can hear me read this poem by clicking on the title or the play button. the image above, was created by Linda Richardson.
Linda Writes:
Some years ago my husband began collecting World War Two letters from soldiers who were writing home. I did a photo transfer of one of these letters onto a canvas board and it has been in my studio for several years waiting for the moment when I would find a purpose for it.
With this as the ground, I painted the board and rubbed it down many times giving the effect of layers and layers, much like paint work in an old house. The top half of the painting is pink and infantile, the bottom half is black. The halves are separated and distanced by a rich gold band that connects the two but the image only works because light is there with the dark. The painting is uncluttered as that of a life paired down and the words are barely visible beneath the layers of paint, hinting at life nearly snuffed out, of a past and a memory fading away. The gold line foams and swells into the upper and lower halves of the painting suggesting the boundless nature of our inner spirit or the Divine Life that resides within us all. How much is visible of the gold within, is up to us and the grace of God. ‘The people walking in darkness have seen a great light; on those living in the land of deep darkness a light has dawned.’ (Isaiah 9:2)
You can find you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3844136-old-age.mp3
Old Age
THE seas are quiet when the winds give o’er;
So calm are we when passions are no more.
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness which age descries.
The soul’s dark cottage, batter’d and decay’d,
Lets in new light through chinks that Time hath made:
Stronger by weakness, wiser men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view
That stand upon the threshold of the new.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Kenosis image by Linda Richardson
Here is the next poem in my series of posts for Advent, in which I read each day’s poem to accompany my Advent Anthology from Canterbury Press Waiting on the Word, alongside a series of reflective images kindly provided by Linda Richardson
Today’s poem is Kenosis by Luci Shaw. You can click on the title or the ‘play’ button to hear me read it and you can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle.
Linda shares the following reflection on today’s art work:
The temptation as an artist is to illustrate a theme, but here is the problem: figurative painting grounds us in the human experience but the poem we read today, whilst rooted in the imagery of human experience, is transcendent because it points us to the divine nature of the new born child.
There are monks who celebrate the Christmas child as The Little Word, a title made even more tender, coming as it does from men who live such unsentimental and austere life. Malcolm tells us that the word infans means, literally, ‘without speech’, and so my approach to this work had to go beyond pictorial sentimentality. I wanted it to transcend speech and form as far as I could because receiving God in the form of a helpless baby is untranslatable in terms of human experience.
I painted the surface with thin washes of paint, rubbing it down between each coat, like sanding or planing wood. I wanted the surface to have quietness and transparency. On the top of this surface, in the finest pen, I drew delicate white tracery lines suggesting the softest threads of wool (from a sheepfold) that might swaddle an infant. In the top left corner I painted a lighter area, again rubbing it down to help us see through it. It hints at a doorway, alluding perhaps to Christ who is the door, who knocks at our door and who himself, ‘hung…..a door’.
As we come to this most beautiful of poems, all we can do is receive the vision and be stilled by its inner peace. ‘Surely I have composed and quieted my soul; Like a weaned child rests against his mother, My soul is like a weaned child within me.’ (Psalm 131.)
https://audioboom.com/boos/3844128-kenosis.mp3
Kenosis
In sleep his infant mouth works in and out.
He is so new, his silk skin has not yet
been roughed by plane and wooden beam
nor, so far, has he had to deal with human doubt.
He is in a dream of nipple found,
of blue-white milk, of curving skin
and, pulsing in his ear, the inner throb
of a warm heart’s repeated sound.
His only memories float from fluid space.
So new he has not pounded nails, hung a door
broken bread, felt rebuff, bent to the lash,
wept for the sad heart of the human race.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
An hymns of heavenly love image by Linda Richardson
Here is the next in my series of posts for Advent, in which I read each day’s poem to accompany my Advent Anthology from Canterbury Press Waiting on the Word, alongside a series of reflective images kindly provided by Linda Richardson
Today’s poem is taken from Edmund Spenser’s Hymn of Heavenly Love. You can click on the title or the ‘play’ button to hear me read it and you can find my short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle.
Linda Writes about her image:
The theme of God’s love and action through Jesus is so unfathomable, so vast, neither words nor imagery are sufficient to grasp it and yet we continue to try. Words only refer to other words, images to created things. It is only through experience that we truly come close to the love that brings us peace, and even then only as a movement of heart and soul within us. Silence has so much to teach us about God, so the image I made reflects this silence. We call it faith because our experience is more often one of knowing about God in our heads, but actually experiencing that heart bursting glance of love is a rare occurrence.
In the painting, I imagine our fall into darkness, ‘enrooted in fleshly slyme’ in the dark paint at the bottom of the pages. Above that is the blue emptiness of the cosmos, but in one vertical line of yellow ochre, I imagine the act of the ‘eternal King of Glorie’, piercing the darkness of our consciousness, down descending into our heart and deepest being.
https://audioboom.com/boos/3844117-from-an-hymne-of-heavenly-love.mp3
From An Hymn of Heavenly Love
| Out of the bosome of eternall blisse,In which He reigned with His glorious Syre,He downe descended, like a most demisse | | And abiect thrall, in fleshes fraile attyre, | | That He for him might pay sinne’s deadly hyre, | | And him restore unto that happie state | | In which he stood before his haplesse fate. | | In flesh at first the guilt committed was, | | Therefore in flesh it must be satisfyde; | | Nor spirit, nor angel, though they man surpas, | | Could make amends to God for man’s misguyde, | | But onely man himselfe, who selfe did slyde: | | So, taking flesh of sacred virgin’s wombe, | | For man’s deare sake He did a man become. | | And that most blessed bodie, which was borne | | Without all blemish or reprochfull blame, | | He freely gave to be both rent and torne | | Of cruell hands, who with despightfull shame | | Revyling Him, that them most vile became, | | At length Him nayled on a gallow-tree, | | And slew the lust by most uniust decree. | | O huge and most unspeakeable impression | | Of Love’s deep wound, that pierst the piteous hart | | Of that deare Lord with so entyre affection, | | And, sharply launcing every inner part, | | Dolours of death into His soule did dart, | | Doing him die that never it deserved, | | To free His foes, that from His heast had swerved! | | What hart can feel least touch of so sore launch, | | Or thought can think the depth of so deare wound? | | Whose bleeding sourse their streames yet never staunch, | | But stil do flow, and freshly still redownd, | | To heale the sores of sinfull soules unsound, | | And clense the guilt of that infected cryme | | Which was enrooted in all fleshly slyme. | | O blessed Well of Love! O Floure of Grace! | | O glorious Morning-Starre! O Lampe of Light! | | Most lively image of thy Father’s face, | | Eternal King of Glorie, Lord of Might, | | Meeke Lambe of God, before all worlds behight, | | How can we Thee requite for all this good? | | Or what can prize that Thy most precious blood? | | Yet nought Thou ask’st in lieu of all this love, | | But love of us, for guerdon of thy paine: | | Ay me! what can us lesse than that behove? | | Had He required life for us againe, | | Had it beene wrong to ask His owne with gaine? | | He gave us life, He it restored lost; | | Then life were least, that us so little cost. |
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda RichardsonI am continuing my series of posts for Advent, in which I read each day’s poem to accompany my Advent Anthology from Canterbury Press Waiting on the Word, alongside a series of reflective images kindly provided by Linda Richardson. In today’s poem, which is an extract from GK Chesterton’s Ballad of the white Horse I am continuing yesterday’s theme; the paradox that the God who is rightly our Lord and Master, comes to us, out of his sheer love, as a servant.
Linda writes about today’s image:
How beautifully the subject of servant continues from yesterday, but in this poem we are served by God, not through human hands but through the material of our bodies and the environment. Perhaps we consider our bodies as our own possessions, unique down to our very DNA. But here we can ponder the thought that God sealed our skull and made our ribs. We are the created ones, we don’t create ourselves however much contemporary culture tells us otherwise.
Making an image every day is quite a challenge on top of family and work life. I already had this image in the studio and felt it suited the poem very well as it has a bark-like surface hinting at oaks on the upland, and primordial slumber. The words that sprung into my mind were, ‘who…shall speak of the Holiest’, and Psalm 139, ‘thou hast knit me together in my mother’s womb. I will praise thee; for I am fearfully and wonderfully made’. I considered how I am a marvellous work, I am created by Him, utterly unique with my own fingerprint, and how His fingerprint is upon all His creation if only we took the time to see it. The art work was completed when I cut a square in the centre and placed a fingerprint upon it.
As always you can hear the poem by clicking on the ‘play’ button or on the title, and read my reflective essay in Waiting on the Word
https://audioboom.com/boos/3843835-from-the-ballad-of-the-white-horse.mp3
From the Ballad of the White Horse
And well may God with the serving-folk
Cast in His dreadful lot;
Is not He too a servant,
And is not He forgot?
For was not God my gardener
And silent like a slave;
That opened oaks on the uplands
Or thicket in graveyard gave?
And was not God my armourer,
All patient and unpaid,
That sealed my skull as a helmet,
And ribs for hauberk made?
Did not a great grey servant
Of all my sires and me,
Build this pavilion of the pines,
And herd the fowls and fill the vines,
And labour and pass and leave no signs
Save mercy and mystery?
For God is a great servant,
And rose before the day,
From some primordial slumber torn;
But all we living later born
Sleep on, and rise after the morn,
And the Lord has gone away.
On things half sprung from sleeping,
All sleeping suns have shone,
They stretch stiff arms, the yawning trees,
The beasts blink upon hands and knees,
Man is awake and does and sees-
But Heaven has done and gone.
For who shall guess the good riddle
Or speak of the Holiest,
Save in faint figures and failing words,
Who loves, yet laughs among the swords,
Labours, and is at rest?
But some see God like Guthrum,
Crowned, with a great beard curled,
But I see God like a good giant,
That, laboring, lifts the world.
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image by Linda Richardson
For the 5th of December the poem I have chosen in my Advent Anthology from Canterbury Press Waiting on the Word, is Those Winter Sundays by Robert Hayden. You can hear me read this poem by clicking on the title or the play button. The image above, bodying forth so much of the poem, was created by Linda Richardson, who writes:
Sometimes a piece of art comes into your mind already complete. So it was with this work. I used the homely linen fabric as the base, and in the middle of the work there is a rip, a rift, burnt round the edges. Beneath that, orange paper glows at the centre. The fabric is stained and frayed and there are pine needles stitched into the work because they make excellent fire lighters. The text is taken from Bible pages, ‘Come unto me, all ye that labour and are heavy laden, and I will give you rest.’ (Matthew 11.) I embroidered the words, ‘What did I know’ onto the work and added some turquoise silk. There are also real ruby beads and one pearl.
For me, the poem addresses the perfectionist in us who would like home life to be an idyll of peace and love when in reality we are dealing with the warp and weft in the characters of the people we live with. Don’t we all relate in some way to ‘the chronic angers’? So often we neither understand nor appreciate, ‘love’s austere and lonely offices’, and I think of my own Dad who used to get up at five in the morning to do a post round before he opened his shop and post office in the village where I grew up in Yorkshire.
Whilst this work may not be beautiful in a traditional sense, I wanted to combine poor cotton threads and paper with ruby and pearl to make use of many different materials, just like the diversity of human experience. We know where some of the stains, rips and burns are in our lives and it is often our challenge to be enriched by the silk, the gems and the pearls of promise that we also find within ourselves and each other.
You can find you can find my short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3843814-those-winter-sundays.mp3
Those Winter Sundays
Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson Yesterday we considered a poem by John Donne, today we pair and compare it with a poem of the same title by Scott Cairns. I draw out some of the parallels and differences in the brief … Continue reading →
The poem I have chosen for December 3rd in my Advent Anthology from Canterbury Press Waiting on the Word, is The Annunciation by John Donne, and once again it is accompanied by a beautiful illustration from the book of responses to these poems … Continue reading →
Here is the poem set for the 2nd December in my Advent Anthology from Canterbury Press Waiting on the Word, The Moons comes from Grevel Lindop‘s latest collection of poems Luna Park (which I highly recommend!) and is used with his permission You … Continue reading →
For the 1st of December the poem I have chosen in my Advent Anthology from Canterbury Press Waiting on the Word, is The Glance by George Herbert. The illustration above is the first in a series of responses to the book made by … Continue reading →
Having posted Christina Rosetti’s poem for Advent Sunday, I thought I would repost this link to my Advent anthology Waiting on the Word. This Anthology offers the reader a poem a day throughout Advent and on through Christmas and Epiphany. I also … Continue reading →
Christina Rossetti painted by her brother Dante Gabriel Rossetti Advent is a season for stillness, for quiet, for discernment. It is a season of active waiting, straining forward, listening, attentive and finely tuned. Its good to keep a quiet space, … Continue reading →
There is no feast of Thanksgiving in either the British national or church calendars, but it seems to me a good thing for any nation to set aside a day for the gratitude which is in truth the root of … Continue reading →
Scribe of the Kingdom, Keeper of the Door As well as being t St. Cecilia’s day, 22nd November is also the day CS Lewis died in 1963. I remember the great celebration of his life, work and witness we had … Continue reading →
We come now to a feast of Ends and Beginnings! This Sunday is the last Sunday in the cycle of the Christian year, which ends with the feast of Christ the King, and the following Sunday we begin our journey … Continue reading →
As we approach Remembrance Sunday I am reposting this sonnet about the two minutes silence, which was first published in my book Sounding the Seasons. I’m posting it early so that any one who wishes to, can use it in … Continue reading →
As we come towards Hallowe’en, its worth remembering that the word Hallowe’en itself simply means ‘the eve of all Hallows’, and All Hallows is the Christian feast of All Saints, or All Saints Day’, a day when we think particularly … Continue reading →
St. Francis Day falls on the 4th of October so I thought I would repost this sonnet which reflects the way Francis responded to Christ’s call by casting away the rich trappings he had inherited and embracing holy poverty. As … Continue reading →
St. Michael at Mont St. Michell -photo by Margot Krebs Neale The end of September brings us to the feast of St. Michael and All Angels which is known as Michaelmas in England, and this first autumn term in many … Continue reading →
Lancelot Andrewes preacher and translator September 25th is Lancelot Andrewes’ Day, when the Church remembers one of its greatest preachers and the man whose scholarship and gift for poetic phrasing was so central to the making of the King James … Continue reading →
The 17th of September is the feast day of Abbess Hildegard of Bingen, a remarkable and prophetic woman, who described herself as ‘a feather on the breath of God’, and whose many works in theology, music, visual art, poetry and … Continue reading →
Today is one of the feast days celebrating The Blessed Virgin Mary and the psalm set for the liturgy today is psalm 45. When I came to this psalm in my sequence of poems for David’s Crown I was tempted, of … Continue reading →
August the 11th is the day the church remembers with thanksgiving the life and witness of St. Clare. She was the friend and companion of Francis, and founder of the Poor Clares. Her love for Christ, her share in the vision … Continue reading →
I return to my series of sonnets ‘Sounding the Seasons’ of the Church’s year, to share a sonnet about the Transfiguration, when we remember how the disciples, even before they went to Jerusalem to face his trials with him, had … Continue reading →
The 22nd of July is Mary Magdalene’s day, and, returning to my sequence of sonnets written in response to the church year, I post this for her. As usual you can hear the poem by clicking on its title or on … Continue reading →
On his feast day I am reposting this sonnet on St. Benedict. My recent experience of diving deep into the Psalter has made me appreciate the Benedictine tradition even more deeply, for of course he made the recitation of the … Continue reading →
July the 3rd is the Feast of St. Thomas the apostle. Sometimes known as ‘doubting’ Thomas, but maybe honest Thomas, courageous Thomas, even Tenacious Thomas would be nearer the mark! I thank God for St. Thomas, the one disciple who … Continue reading →
We pause for a moment in our poetic journey through the psalms, to mark an important moment in our other journey through the sacred seasons of the year. For now we have come to midsummer and the traditional Church festival … Continue reading →
Returning for a moment to my cycle of sonnets for the Church Year, here is one for Trinity Sunday which I am posting a couple of days early, in case people would like to make use of it on Sunday. … Continue reading →
Here, once more is my sonnet for Pentecost. Drawn from ‘Sounding the Seasons’, my cycle of sonnets for the Church Year, this is a sonnet reflecting on and celebrating the themes and readings of Pentecost. Throughout the cycle, and more widely, I … Continue reading →
The feast of the Visitation usually falls on the 31st of May. It celebrates the lovely moment in Luke’s Gospel (1:41-56) when Mary goes to visit her cousin Elizabeth, who was also, against all expectations, bearing a child, the child … Continue reading →
Here is a sonnet for Ascension Day, the glorious finale of the Easter Season. I’m posting it a day in advance, in case anyone would like to use it in a service, either on the day itself or else this … Continue reading →
The 8th of May is the feast day of Julian of Norwich, sometimes known as Mother Julian or Lady Julian. She was an English Mystic of the late fourteenth Century, living as an anchoress in Norwich. Her life as an … Continue reading →
As we walk together into the Easter season I thought I would post again two sonnets reflecting on the encounter two disciples had with the risen Jesus on the road to Emmaus. These two sonnets form part of a sequence … Continue reading →
The reading set in many churches for this first Sunday of Easter is the account in John 20:19, of how Jesus appeared to the disciples in the upper room where they were cowering behind locked doors, and how he brought … Continue reading →
The Lord is Risen! He is risen indeed Alleluia! Heres is an extra ‘fifteenth’ sonnet for Easter Morning, which I dedicate to my friend Mary who asked me to write it, and to the memory of her husband Gavin. May … Continue reading →
Holy Saturday is a strange, still day, hanging in an unresolved poise between the darkness of the day before and the light that is not yet with us. No more so than now, in the preternatural stillness emptiness and grief … Continue reading →
In my Anthology of poems for Leant and Holy Week The Word in the Wilderness, I set just one of my Stations of the cross sonnets for Good Friday, Station XII, but as this blog is not so constricted for … Continue reading →
So many gospel themes find their focus on Maundy Thursday, so many threads of connection flowing to and from this deep source of love and vision, in the foot washing, and in the last supper. The meditation in this sonnet, … Continue reading →
John 12 1-8, tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human … Continue reading →
When Solomon dedicated the Temple he rightly declared that not even the Heaven of Heavens could contain almighty God, much less this temple made with hands, yet God himself still came into the temple. He came as a baby, the … Continue reading →
This strange Holy Week has begun in tears: tears of frustration, tears of lament, and for so many who have been cruelly bereaves, tears of grief. It’s hard to see through tears, but sometimes its the only way to see. … Continue reading →
As we continue our pilgrimage together through Lent, using my book The Word in the Wilderness I am once again posting recordings of me reading all of this week’s poems together with the texts of the poems themselves.
The image above is once again kindly provided by Lancia Smith
Last week we walked with Dante, and I want to develop this sense of our ‘companioned journey’ this week by drawing alongside two other poets who may help us with our reflections on the way. In particular I want to share with you some gems from their longer poems which, precisely because they occur in the midst of long poems, are very rarely anthologized, but which have a great deal to offer us. The twin themes which I hope these poets will open for us are self-questioning on the one hand and self-knowledge on the other. Anyone who has taken a long pilgrimage, or even just a long walk, such as we are doing through Lent, will know that there comes a time when, as other concerns subside, the big questions arise: Who am I? How much do I really know myself? What can I really know about God? How can I trust that knowledge? The passage from John Davies on what it is to be human seems especially powerful in this present crisis!
but first we start with our Sunday poem, this time for Mothering Sunday, as always with all these poems you can hear the poem by clicking on the title or the play button
Mothering Sunday Malcolm Guite
https://audioboom.com/boos/4265621-mothering-sunday.mp3 At last, in spite of all, a recognition,
For those who loved and laboured for so long,
Who brought us, through that labour, to fruition
To flourish in the place where we belong.
A thanks to those who stayed and did the raising,
Who buckled down and did the work of two,
Whom governments have mocked instead of praising,
Who hid their heart-break and still struggled through,
The single mothers forced onto the edge
Whose work the world has overlooked, neglected,
Invisible to wealth and privilege,
But in whose lives the kingdom is reflected.
Now into Christ our mother church we bring them,
Who shares with them the birth-pangs of His Kingdom.
Monday
Why did my parents send me to the schools? John Davies
https://audioboom.com/boos/4265622-john-davies-1.mp3 Why did my parents send me to the Schools,
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind:
Even so by tasting of that fruit forbid,
Where they sought knowledge, they did error find;
Ill they desir’d to know, and ill they did;
And to give Passion eyes, made Reason blind.
For then their minds did first in Passion see
Those wretched shapes of misery and woe,
Of nakedness, of shame, of poverty,
Which then their own experience made them know.
But then grew Reason dark, that she no more,
Could the faire forms of Good and Truth discern;
Bats they became, that eagles were before:
And this they got by their desire to learn.
All things without, which round about we see,
We seek to know, and how therewith to do:
But that whereby we reason, live and be,
Within our selves, we strangers are thereto.
We seek to know the moving of each sphere,
And the strange cause of th’ebs and floods of Nile;
But of that clock within our breasts we bear,
The subtle motions we forget the while.
We that acquaint our selves with every Zone
And pass both Tropics and behold the Poles
When we come home, are to our selves unknown,
And unacquainted still with our own souls.
We study Speech but others we persuade;
We leech-craft learn, but others cure with it;
We interpret laws, which other men have made,
But read not those which in our hearts are writ.
Is it because the mind is like the eye,
Through which it gathers knowledge by degrees −
Whose rays reflect not, but spread outwardly:
Not seeing itself when other things it sees?
No, doubtless; for the mind can backward cast
Upon her self her understanding light;
But she is so corrupt, and so defac’t,
As her own image doth her self affright.
TUESDAY
What It Is To Be HumanJohn Davies
https://audioboom.com/posts/4265622-john-davies-1.mp3 She within lists my ranging mind hath brought,
That now beyond my self I list not go;
My self am centre of my circling thought,
Only my self I study, learn, and know.
I know my body’s of so frail a kind,
As force without, fevers within can kill:
I know the heavenly nature of my mind,
But ‘tis corrupted both in wit and will:
I know my soul hath power to know all things,
Yet is she blind and ignorant in all;
I know I am one of nature’s little kings,
Yet to the least and vilest things am thrall.
I know my life’s a pain and but a span,
I know my Sense is mockt with every thing:
And to conclude, I know my self a man,
Which is a proud, and yet a wretched thing.
WEDNESDAY
The Light which makes the light which makes the day John Davies
https://audioboom.com/boos/4265626-john-davies-3.mp3 That Power which gave me eyes the World to view,
To see my self infused an inward light,
Whereby my soul, as by a mirror true,
Of her own form may take a perfect sight,
But as the sharpest eye discerneth nought,
Except the sun-beams in the air doe shine:
So the best soul with her reflecting thought,
Sees not her self without some light divine.
To judge her self she must her self transcend,
As greater circles comprehend the less;
But she wants power, her own powers to extend,
As fettered men can not their strength express.
O Light which mak’st the light, which makes the day!
Which set’st the eye without, and mind within;
‘Lighten my spirit with one clear heavenly ray,
Which now to view it self doth first begin.
But Thou which didst man’s soul of nothing make,
And when to nothing it was fallen again,
To make it new the form of man didst take,
And God with God, becam’st a Man with men.
Thou, that hast fashioned twice this soul of ours,
So that she is by double title Thine,
Thou only knowest her nature and her pow’rs,
Her subtle form Thou only canst define…
But Thou bright Morning Star, Thou rising Sun,
Which in these later times hast brought to light
Those mysteries, that since the world begun,
Lay hid in darkness and eternal night;
Thou (like the sun) dost with indifferent ray,
Into the palace and the cottage shine,
And shew’st the soul both to the clerk and lay,
By the clear lamp of Thy Oracle divine.
THURSDAY
Death as Birth Sir John Davies
https://audioboom.com/boos/4265628-john-davies-4.mp3 The first life, in the mother’s womb is spent,
Where she her nursing power doth only use;
Where, when she finds defect of nourishment,
She expels her body, and this world she views.
This we call Birth; but if the child could speak,
He Death would call it; and of Nature plain,
That she would thrust him out naked and weak,
And in his passage pinch him with such pain.
Yet, out he comes, and in this world is placed
Where all his Senses in perfection bee:
Where he finds flowers to smell, and fruits to taste;
And sounds to hear, and sundry forms to see.
When he hath past some time upon this stage,
His Reason then a little seems to wake;
Which, though the spring, when sense doth fade with age,
Yet can she here no perfect practise make.
Then doth th’aspiring Soul the body leave,
Which we call Death; but were it known to all,
What life our souls do by this death receive,
Men would it birth or gaol delivery call.
In this third life, Reason will be so bright,
As that her spark will like the sun-beams shine,
And shall of God enioy the real sight.
Being still increased by influence divine.
Acclamation
O ignorant poor man! what dost thou bear
Locked up within the casket of thy breast?
What jewels, and what riches hast thou there!
What heavenly treasure in so weak a chest!
Look in thy soul, and thou shalt beauties find,
Like those which drowned Narcissus in the flood:
Honour and Pleasure both are in thy mind,
And all that in the world is counted Good.
And when thou think’st of her eternity,
Think not that Death against her nature is;
Think it a birth: and when thou goest to die,
Sing like a swan, as if thou went’st to bliss.
FRIDAY
Faith in Honest Doubt Alfred Tennyson
https://audioboom.com/boos/4265630-tennyson-1.mp3 You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Siniai’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
Saturday
Strong Son of God, Immortal Love Alfred Tennyson
https://audioboom.com/boos/4265631-tennyson-2.mp3
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
…
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before …
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
On March the 25th many churches across the world, Catholic, Orthodox and Anglican, keep the feast of the Annunciation, and though we can no longer keep the feast outwardly and visibly in our churches, I would like to keep it inwardly and spiritually here with you.
The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
The scripture that says of Mary that “All generations’ will call her “blessed”, It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
https://malcolmguite.files.wordpress.com/2021/03/annunciation.mp3
Annunciation
We see so little, stayed on surfaces,
We calculate the outsides of all things,
Preoccupied with our own purposes
We miss the shimmer of the angels’ wings,
They coruscate around us in their joy
A swirl of wheels and eyes and wings unfurled,
They guard the good we purpose to destroy,
A hidden blaze of glory in God’s world.
But on this day a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.
https://malcolmguite.files.wordpress.com/2021/03/visitation.mp3
The Visitation
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
https://malcolmguite.files.wordpress.com/2021/03/theotokos-a-sonnet-for-mary.mp3 Theotokos
You bore for me the One who came to bless
And bear for all and make the broken whole.
You heard His call and in your open ‘yes’
You spoke aloud for every living soul.
Oh gracious Lady, child of your own child,
Whose mother-love still calls the child in me,
Call me again, for I am lost, and wild
Waves suround me now. On this dark sea
Shine as a star and call me to the shore.
Open the door that all my sins would close
And hold me in your garden. Let me share
The prayer that folds the petals of the Rose.
Enfold me too in Love’s last mystery
And bring me to the One you bore for me.
https://malcolmguite.files.wordpress.com/2021/03/stations-iv-jesus-meets-his-mother.mp3 Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
https://audioboom.com/posts/5427225-o-virgo-virginum.mp3 O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
If you have enjoyed this page here’s a little link that allows you to ‘buy me a coffee’ (or a beer if you prefer!)
As usual, on each Sunday in Lent I am posting a week’s worth of recordings from from my book The Word in the Wilderness, for those who are following that this Lent.I am providing the texts of the poems and you can find my commentaries on those poems in the book itself. I am also taking the opportunity to correct one or two errors which crept into the printed book, in transcribing passages from Robin Kirkpatrick’s beautiful translation of Dante, which is used here with permission. The wonderful pilgrim image above is once again kindly provided by Lancia Smith and was taken by her on a recent visit to share in the life the church in South Africa.
As always you can hear me read the poems by clicking on the title or on the ‘play’ button
SUNDAY
Late Ripeness Czeslaw Milosz (1911–2004)
https://audioboom.com/boos/4236445-late-ripeness.mp3 Not soon, as late as the approach of my ninetieth year
I felt a door opening in me and I entered
the clarity of early morning.
One after another my former lives were departing,
like ships, together with their sorrow.
And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.
I was not separated from people, grief and pity joined us.
We forget ‒ I kept saying ‒ that we are children of the King.
From where we come there is no division
into Yes and No, into is, was and will be.
Moments from yesterday and from centuries ago ‒
a sword blow, the painting of eyelashes before a mirror
of polished metal, a lethal musket shot, a caravel
staving its hull against a reef ‒ they dwell in us,
waiting for a fulfilment.
I knew, always, that I would be a worker in the vineyard,
as are all men and women living at the same time,
whether they are aware of it or not.
MONDAY
Meeting Virgil
https://audioboom.com/boos/4236446-meeting-virgil.mp3 ‘There is another road’ Dante
As I went, ruined, rushing to that low,
there had, before my eyes, been offered one
who seemed -long silent- to be faint and dry.
Seeing him near in that great wilderness,
to him I screamed my ‘miserere’: ‘Save me,
whatever – shadow or truly man – you be.’
His answer came to me: ‘No man; a man
I was in times long gone. Of Lombard stock,
my parents both by patria and Mantuan.
And I was born, though late, sub Iulio.
I lived at Rome in good Augustus’ day,
in times when all the gods were lying cheats.
I was a poet then. I sang in praise
of all the virtues of Anchises’ son. From Troy
he came ‒ proud Ilion razed in flame.
But you turn back. Why seek such grief and harm?
Why climb no higher up at lovely hill?
The cause and origin of joy shines there.’
‘So, could it be’, I answered him, (my brow,
in shy respect bent low), ‘you are that Virgil,
whose words flow wide, a river running full?
You are the light and glory of all poets.
May this serve me: my ceaseless care, the love
so great, that made me search your writings through!
You are my teacher. You, my lord and law.
From you alone I took the fine-tuned style
that has, already, brought me so much honour.
See there? That beast! I turned because of that.
Help me ‒ your wisdom’s known ‒ escape from her.
To every pulsing vein, she brings the tremor.
Seeing my tears, he answered me: ‘There is
another road. And that, if you intend
to quit this wilderness, you’re bound to take.’
(The Divine Comedy, I Inferno, lines 61−93)
TUESDAY
Through the Gate Malcolm Guite
https://audioboom.com/boos/4236448-through-the-gate.mp3 Begin the song exactly where you are,
For where you are contains where you have been
And holds the vision of your final sphere.
And do not fear the memory of sin;
There is a light that heals, and, where it falls,
Transfigures and redeems the darkest stain
Into translucent colour. Loose the veils
And draw the curtains back, unbar the doors,
Of that dread threshold where your spirit fails,
The hopeless gate that holds in all the fears
That haunt your shadowed city, fling it wide
And open to the light that finds, and fares
Through the dark pathways where you run and hide,
Through all the alleys of your riddled heart,
As pierced and open as his wounded side.
Open the map to Him and make a start,
And down the dizzy spirals, through the dark,
His light will go before you. Let him chart
And name and heal. Expose the hidden ache
To him, the stinging fires and smoke that blind
Your judgement, carry you away, the mirk
And muted gloom in which you cannot find
The love that you once thought worth dying for.
Call him to all you cannot call to mind.
He comes to harrow Hell and now to your
Well-guarded fortress let his love descend.
The icy ego at your frozen core
Can hear his call at last. Will you respond?
WEDNESDAY
Towards A Shining World Dante
Dante and Virgil emerge from hell and begin the ascent of mount purgatory
https://audioboom.com/boos/4236449-a-shining-world.mp3 So now we entered on that hidden Path,
my Lord and I, to move once more towards
a shining world. We did not care to rest.
We climbed, he going first and I behind,
until through some small aperture I saw
the lovely things the skies above us bear.
Now we came out, and once more saw the stars.
…
To race now over better waves, my ship
of mind -alive again- hoists sail, and leaves
behind its little keel the gulf that proved so cruel.
And I’ll sing, now, about the second realm
where human spirits purge themselves from stain,
becoming worthy to ascend to Heaven.
Here, too, dead poetry will rise again.
for now, you secret Muses, I am yours…
…
Dawn was defeating now the last hours sung
by night, which fled before it. And far away
I recognised the tremblings of the sea.
Alone, we walked along the open plain,
as though, returning to a path we’d lost,
our steps, until we came to that, were vain.
Then, at a place in shadow where the dew
still fought against the sun and, cooled by breeze,
had scarcely yet been sent out into vapour,
my master placed the palms of both his hands,
spread wide, lighty and gently on the tender grass.
And I, aware of what his purpose was,
offered my tear-stained cheeks to meet his touch.
At which, he made once more entirely clean
the colour that the dark of Hell had hidden.
(The Divine Comedy, I Inferno,canto34 lines 133−end, and II Purgatorio,Canto 1 lines 1−8 and 115−29)
THURSDAY
De Magistro Malcolm Guite
https://audioboom.com/boos/4236451-de-magistro.mp3
I thank my God I have emerged at last,
Blinking from Hell, to see these quiet stars,
Bewildered by the shadows that I cast.
You set me on this stair, in those rich hours
Pacing your study, chanting poetry.
The Word in you revealed his quickening powers,
Removed the daily veil, and let me see,
As sunlight played along your book-lined walls,
That words are windows onto mystery.
From Eden, whence the living fountain falls
In music, from the tower of ivory,
And from the hidden heart, he calls
In the language of Adam, creating memory
Of unfallen speech. He sets creation
Free from the carapace of history.
His image in us is imagination,
His Spirit is a sacrifice of breath
Upon the letters of his revelation.
In mid-most of the word-wood is a path
That leads back to the springs of truth in speech.
You showed it to me, kneeling on your hearth,
You showed me how my halting words might reach
To the mind’s maker, to the source of Love,
And so you taught me what it means to teach.
Teaching, I have my ardours now to prove,
Climbing with joy the steps of Purgatory.
Teacher and pupil, both are on the move,
As fellow pilgrims on a needful journey
FRIDAY
The Refining Fire Dante
https://audioboom.com/boos/4236452-refining-fire.mp3 Over my suppliant hands entwined, I leaned
just staring at the fire, imagining
bodies of human beings I’d seen burn.
And both my trusted guides now turned to me.
And Virgil spoke, to say: ‘My dearest son,
here may be agony but never death.
Remember this! Remember! And if I
led you to safety on Geryon’s back,
what will I do when now so close to God?
Believe this. And be sure. Were you to stay
a thousand years or more wombed in this fire,
you’d not been made the balder by one hair.
And if, perhaps, you think I’m tricking you,
approach the fire and reassure yourself,
trying with your own hands your garments hem.
Have done, I say, have done with fearfulness.
Turn this way. Come and enter safely in!’
But I, against all conscience, stood stock still.
And when he saw me stiff and obstinate,
he said, a little troubled: ‘Look my son,
between Beatrice and you there ‘s just this wall….’
Ahead of me, he went to meet the fire,
and begged that Statius, who had walked the road
so long between us, now take up the rear.
And, once within, I could have flung myself ‒
The heat that fire produced was measureless ‒
For coolness, in a vat of boiling glass.
To strengthen me, my sweetest father spoke,
as on he went, of Beatrice always,
saying, it seems I see her eyes already.’
and, guiding us, a voice sang from beyond.
So we, attending only to that voice,
came out and saw where now we could ascend.
‘Venite, benedicti Patris mei!’
sounded within what little light there was.
This overcame me and I could not look.
(The Divine Comedy, II Purgatorio, Canto 27 lines 16−32 and 46−60)
SATURDAY
Dancing Through the Fire Malcolm Guite
https://audioboom.com/boos/4236454-dancing-through-the-fire.mp3 Then stir my love in idleness to flame
To find at last the free refining fire
That guards the hidden garden whence I came.
O do not kill, but quicken my desire,
Better to spur me on than leave me cold.
Not maimed I come to you, I come entire,
Lit by the loves that warm, the lusts that scald,
That you may prove the one, reprove the other,
Though both have been the strength by which I scaled
The steps so far to come where poets gather
And sing such songs as love gives them to sing.
I thank God for the ones who brought me hither
And taught me by example how to bring
The slow growth of a poem to fruition
And let it be itself, a living thing,
Taught me to trust the gifts of intuition
And still to try the tautness of each line,
Taught me to taste the grace of transformation
And trace in dust the face of the divine,
Taught me the truth, as poet and as Christian,
That drawing water turns it into wine.
Now I am drawn through their imagination
To dare to dance with them into the fire,
Harder than any grand renunciation,
To bring to Christ the heart of my desire
Just as it is in every imperfection,
Surrendered to his bright refiner’s fire
That love might have its death and resurrection.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
On the 20th of March we remember with thanksgiving St. Cuthbert, the great Apostle of the North, in whose honour the Lindesfarne Gospels were made and on whose breast was found the beautiful Gospel of St. John which is our oldest complete book. Indeed, I was inspired to write a sonnet about the experience of standing in front of Cuthbert’s copy of St. John, which you can read Here.
Cuthbert, or ‘Cuddy’ as he is known affectionately in the North, was a man whose whole life was shaped and lived in and by the Gospel, by reconciliation, by good news for the poor and supremely by that free movement of the Holy spirit, flowing like water, and like the wind, blowing where it listeth. Though Cuthbert worked tirelessly for the church and for the poor he was at heart a hermit and a mystic, in intimate communion with God in his hermitage on his beloved inner Farne island . I feel a particular connection with Cuthbert and have walked on pilgrimage along the Cuthbert Way from Melrose Abbey in Scotland to the Holy island of Lindesfarne in Northumberland.
This poem is taken from my collection The Singing Bowl, published by Canterbury Press. Canterbury have also launched a Kindle Edition
As always you can hear the poem by clicking on the title or the play button
https://audioboom.com/posts/1276488-cuddy.mp3
Cuddy ‘Cuthbertus’ says the dark stone up in Durham Where I have come on pilgrimage to pray. But not this great cathedral, nor the solemn Weight of Norman masonry we lay Upon your bones could hold your soul in prison. Free as the cuddy ducks they named for you, Loosed by the lord who died to pay your ransom, You roam the North just as you used to do; Always on foot and walking with the poor, Breaking the bread of angels in your cave, A sanctuary, a sign, an open door, You follow Christ through keening wind and wave, To be and bear with him where all is borne; The heart of heaven, in your Inner Farne
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee (or maybe, as it’s st, Patrick’s day, a Guiness! Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Lindesfarne where Cuthbert was Bishop
the heart of heaven in your inner Farne
Here is my sonnet for St. Patrick’s Day
While Patrick is of course primarily associated with Ireland where he flourished as a missionary in the second half of the fifth century, he was not Irish to begin with. He seems to have been a shepherd on the mainland of Great Britain and was in fact captured there, at the age of sixteen, by raiding pirates and taken across the sea to Ireland where he was sold as a slave. He was six years in captivity before he finally made his escape and returned to Britain. And this is where the story takes a truly extraordinary turn. While he was enslaved in Ireland, working as a shepherd for his masters, Patrick became a Christian and when, having made good his escape, he returned home he had a vision in which a man gave him a letter headed ‘The Voice of Ireland’, a letter urging him to go back to the very place from which he had escaped and bring the Gospel to his former captors! That Patrick obeyed such a vision seems to me a greater miracle than any of the others subsequently attributed to him, and it is on this return that my sonnet turns. That capacity to return, face and forgive former oppressors or enemies seems a particularly vital gift for Ireland’s patron to bestow. As well as alluding briefly to ‘St. Patrick’s Breastplate’, my sonnet also touches on the story that wherever Patrick planted his staff to pray, it blossomed.
As always you can hear the sonnets by clicking on the title or the play button
https://malcolmguite.files.wordpress.com/2022/03/st-patrick-a-sonnet.mp3
Patrick
Six years a slave, and then you slipped the yoke,
Till Christ recalled you, through your captors cries!
Patrick, you had the courage to turn back,
With open love to your old enemies,
Serving them now in Christ, not in their chains,
Bringing the freedom He gave you to share.
You heard the voice of Ireland, in your veins
Her passion and compassion burned like fire.
Now you rejoice amidst the three-in-one,
Refreshed in love and blessing all you knew,
Look back on us and bless us, Ireland’s son,
And plant the staff of prayer in all we do:
A gospel seed that flowers in belief,
A greening glory, coming into leaf.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee (or maybe, as it’s St, Patrick’s day, a Guiness! Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
WEEK 2
Deepening the Life of Prayer
courtesy of https://lanciaesmith.com
Here is another week’s worth of recordings in which I read the poems I selected in my anthology for Lent The Word in the Wilderness. I hope you enjoy these recordings, just click on the title of the poem or the ‘play’ button if it appears. Once again I am grateful to Lancia Smith for providing the two lovely images to go with this week’s readings.
SUNDAY
Postscript Seamus Heaney
https://audioboom.com/boos/4206544-postscript.mp3 courtesy of https://lanciaesmith.com
MONDAY
Prayer (I) George Herbert
https://audioboom.com/boos/4206546-prayer.mp3 PRAYER the Churches banquet, Angels age,
Gods breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth;
Engine against th’ Almightie, sinner’s towre,
Reversed thunder, Christ-side-piercing spear,
The six daies world-transposing in an houre,
A kinde of tune, which all things heare and fear ;
Softnesse, and peace, and joy, and love, and blisse,
Exalted Manna, gladnesse of the best,
Heaven in ordinarie, man well drest,
The milkie way, the bird of Paradise,
Church-bels beyond the stars heard, the souls bloud,
The land of spices, something understood.
TUESDAY
Homecoming Gwyneth Lewis
https://audioboom.com/boos/4206547-homecoming.mp3 Two rivers deepening into one;
less said, more meant; a field of corn
adjusting to harvest; a battle won
by yielding; days emptied to their brim;
an autumn; a wedding; a logarithm;
self-evidence earned, a coming home
to something brand new but always known;
not doing, but being – a single noun;
now in infinity; a fortune found
in all that’s disposable; not out there, but in,
the ceremonials of light in the rain;
the power of being nothing, but sane.
WEDNESDAY
Prayer/Walk Malcolm Guite
https://audioboom.com/boos/4206549-prayerwalk.mp3
A hidden path that starts at a dead end,
Old ways, renewed by walking with a friend,
And crossing places taken hand in hand,
The passages where nothing need be said,
With bruised and scented sweetness underfoot
And unexpected birdsong overhead,
The sleeping life beneath a dark-mouthed burrow,
The rooted secrets rustling in a hedgerow,
The land’s long memory in ridge and furrow,
A track once beaten and now overgrown
With complex textures, every kind of green,
Land- and cloud-scape melting into one,
The rich meandering of streams at play,
A setting out to find oneself astray,
And coming home at dusk a different way.
THURSDAY
How I talk to God Kelly Belmonte Read more about Kelly Belmonte on her great poetry site All Nine
https://audioboom.com/boos/4206552-how-i-talk-to-god.mp3 Coffee in one hand
leaning in to share, listen:
How I talk to God.
“Momma, you’re special.”
Three-year-old touches my cheek.
How God talks to me.
While driving I make
lists: done, do, hope, love, hate, try.
How I talk to God.
Above the highway
hawk: high, alone, free, focused.
How God talks to me.
Rash, impetuous
chatter, followed by silence:
How I talk to God.
First, second, third, fourth
chance to hear, then another:
How God talks to me.
Fetal position
under flannel sheets, weeping
How I talk to God.
Moonlight on pillow
tending to my open wounds
How God talks to me.
Pulling from my heap
of words, the ones that mean yes:
How I talk to God.
Infinite connects
with finite, without words:
How God talks to me.
FRIDAY
The Pains of Sleep S. T. Coleridge
https://audioboom.com/boos/4206554-the-pains-of-sleep.mp3
Ere on my bed my limbs I lay,
It hath not been my use to pray
With moving lips or bended knees;
But silently, by slow degrees,
My spirit I to Love compose,
In humble trust mine eye-lids close,
With reverential resignation
No wish conceived, no thought exprest,
Only a sense of supplication;
A sense o’er all my soul imprest
That I am weak, yet not unblest,
Since in me, round me, every where
Eternal strength and Wisdom are.
But yester-night I prayed aloud
In anguish and in agony,
Up-starting from the fiendish crowd
Of .
shapes and thoughts that tortured me:
A lurid light, a trampling throng,
Sense of intolerable wrong,
And whom I scorned, those only strong!
Thirst of revenge, the powerless will
Still baffled, and yet burning still!
Desire with loathing strangely mixed
On wild or hateful objects fixed.
Fantastic passions! maddening brawl!
And shame and terror over all!
Deeds to be hid which were not hid,
Which all confused I could not know
Whether I suffered, or I did:
For all seemed guilt, remorse or woe,
My own or others still the same
Life-stifling fear, soul-stifling shame.
So two nights passed: the night’s dismay
Saddened and stunned the coming day.
Sleep, the wide blessing, seemed to me
Distemper’s worst calamity.
The third night, when my own loud scream
Had waked me from the fiendish dream,
O’ercome with sufferings strange and wild,
I wept as I had been a child;
And having thus by tears subdued
My anguish to a milder mood,
Such punishments, I said, were due
To natures deepliest stained with sin,
For aye entempesting anew
The unfathomable hell within,
The horror of their deeds to view,
To know and loathe, yet wish and do!
Such griefs with such men well agree,
But wherefore, wherefore fall on me?
To be loved is all I need,
And whom I love, I love indeed.
SATURDAY
Batter my heart John Donne
https://audioboom.com/boos/4206556-batter-my-heart.mp3
Batter my heart, three-person’d God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurp’d town to another due,
Labor to admit you, but oh, to no end;
Reason, your viceroy in me, me should defend,
But is captiv’d, and proves weak or untrue.
Yet dearly I love you, and would be lov’d fain,
But am betroth’d unto your enemy;
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image courtesy of https://lanciaesmith.com
As well as my posts from David’s Crown I will be continuing, each Sunday in Lent, to post the poems for the coming week, from My Word in the Wilderness anthology, for those who are following that. In this first week in Lent Word in the Wilderness introduces poems about pilgrimage itself and our life as pilgrimage. We will reflect on maps and mapping, on how outer journeys and inner ones are linked, on what it is we learn from the landscapes through which we walk. But first we have a poem for the first Sunday in Lent. Properly speaking, all Sundays are exceptions to Lent, for every Sunday is a commemoration of the first day of the week, the day of resurrection, and so really part of Easter. We should see Sundays as little islands of vision in the midst of Lent, or perhaps as little oases or pools of reflection and refreshment on our Lenten Journey and that is how I shall treat them in this anthology. Once again thanks are due to Lancia Smith for the image which accompanies this week’s poems.
So to celebrate the first of them here is R. S. Thomas’s famous poem ‘The Bright Field’.
The Bright Field
https://audioboom.com/boos/4174707-the-bright-field.mp3 MONDAY
The Pilgrimage George Herbert
https://audioboom.com/boos/4174710-the-pilgrimage.mp3
I travell’d on, seeing the hill, where lay
My expectation.
A long it was and weary way.
The gloomy cave of Desperation
I left on th’one, and on the other side
The rock of Pride.
And so I came to Fancy’s meadow strow’d
With many a flower:
Fair would I here have made abode,
But I was quicken’d by my houre.
So to Cares copse I came, and there got through
With much ado.
That led me to the wild of Passion, which
Some call the wold;
A wasted place, but sometimes rich.
Here I was robb’d of all my gold,
Save one good Angel, which a friend had ti’d
Close to my side.
At length I got unto the gladsome hill,
Where lay my hope,
Where lay my heart; and climbing still,
When I had gain’d the brow and top,
A lake of brackish waters on the ground
Was all I found.
With that abash’d and struck with many a sting
Of swarming fears,
I fell, and cry’d, Alas my King;
Can both the way and end be tears?
Yet taking heart I rose, and then perceiv’d
I was deceiv’d:
My hill was further: so I flung away,
Yet heard a crie
Just as I went, None goes that way
And lives: If that be all, said I,
After so foul a journey death is fair,
And but a chair.
TUESDAY
Satire III John Donne
https://audioboom.com/boos/4174713-satire-iii.mp3
… though truth and falsehood be
Near twins, yet truth a little elder is;
Be busy to seek her; believe me this,
He’s not of none, nor worst, that seeks the best.
To adore, or scorn an image, or protest,
May all be bad; doubt wisely; in strange way
To stand inquiring right, is not to stray;
To sleep, or run wrong, is. On a huge hill,
Cragged and steep, Truth stands, and he that will
Reach her, about must and about must go,
And what the hill’s suddenness resists, win so.
Yet strive so that before age, death’s twilight,
Thy soul rest, for none can work in that night.
To will implies delay, therefore now do;
Hard deeds, the body’s pains; hard knowledge too
The mind’s endeavours reach, and mysteries
Are like the sun, dazzling, yet plain to all eyes.
WEDNESDAY
The Passionate Man’s Pilgrimage Walter Raleigh
https://audioboom.com/boos/4174714-the-passionate-man-s-pilgrimage.mp3
| Give me my scallop-shell of quiet, My staff of faith to walk upon, My scrip of joy, immortal diet, My bottle of salvation, My gown of glory, hope’s true gage; And thus I’ll take my pilgrimage. Blood must be my body’s balmer, No other balm will there be given; Whilst my soul, like a quiet palmer, Travelleth towards the land of heaven ; Over the silver mountains, Where spring the nectar fountains: There will I kiss The bowl of bliss; And drink mine everlasting fill Upon every milken hill: My soul will be a-dry before; But after, it will thirst no more. Then by that happy blestful day, More peaceful pilgrims I shall see, That have cast off their rags of clay, And walk apparelled fresh like me. I’ll take them first To quench their thirst, And taste of nectar suckets, At those clear wells Where sweetness dwells Drawn up by saints in crystal buckets. And when our bottles and all we Are filled with immortality, Then the blessed paths we’ll travel, Strowed with rubies thick as gravel; Ceilings of diamonds, sapphire floors, High walls of coral, and pearly bowers. From thence to heavens’s bribeless hall, Where no corrupted voices brawl; No conscience molten into gold, No forged accuser bought or sold, No cause deferred, nor vain-spent journey; For there Christ is the King’s Attorney, Who pleads for all without degrees, And he hath angels, but no fees. And when the grand twelve-million jury Of our sins, with direful fury, ‘Gainst our souls black verdicts give, Christ pleads his death, and then we live. Be thou my speaker, taintless pleader, Unblotted lawyer, true proceeder! Thou giv’st salvation even for alms; Not with a bribèd lawyer’s palms. And this is my eternal plea To him that made heaven, earth, and sea, That, since my flesh must die so soon, And want a head to dine next noon, Just at the stroke, when my veins start and spread, Set on my soul an everlasting head. Then am I ready, like a palmer fit; To tread those blest paths which before I writ. |
THURSDAY
Maps Holly Ordway Check out Holly’s website HERE
https://audioboom.com/boos/4174716-maps.mp3 Antique maps, with curlicues of ink
As borders, framing what we know, like pages
From a book of travelers’ tales: look,
Here in the margin, tiny ships at sail.
No-nonsense maps from family trips: each state
Traced out in color-coded numbered highways,
A web of roads with labeled city-dots
Punctuating the route and its slow stories.
Now GPS puts me right at the centre,
A Ptolemaic shift in my perspective.
Pinned where I am, right now, somewhere, I turn
And turn to orient myself. I have
Directions calculated, maps at hand:
Hopelessly lost till I look up at last.
FRIDAY
The Song of Wandering Aengus W. B. Yeats
https://audioboom.com/boos/4174717-song-of-the-wondering-aengus.mp3
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.
SATURDAY
First Steps, Brancaster Malcolm Guite
https://audioboom.com/boos/4174719-first-steps.mp3
This is the day to leave the dark behind you
Take the adventure, step beyond the hearth,
Shake off at last the shackles that confined you,
And find the courage for the forward path.
You yearned for freedom through the long night watches,
The day has come and you are free to choose,
Now is your time and season.
Companioned still by your familiar crutches,
And leaning on the props you hope to lose,
You step outside and widen your horizon.
After the dimly burning wick of winter
That seemed to dull and darken everything
The April sun shines clear beyond your shelter
And clean as sight itself. The reed-birds sing,
As heaven reaches down to touch the earth
And circle her, revealing everywhere
A lovely, longed-for blue.
Breathe deep and be renewed by every breath,
Kinned to the keen east wind and cleansing air,
As though the blue itself were blowing through you.
You keep the coastal path where edge meets edge,
The sea and salt marsh touching in North Norfolk,
Reed cutters cuttings, patterned in the sedge,
Open and ease the way that you will walk,
Unbroken reeds still wave their feathered fronds
Through which you glimpse the long line of the sea
And hear its healing voice.
Tentative steps begin to break your bonds,
You push on through the pain that sets you free,
Towards the day when broken bones rejoice
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Brought from the burning of Palm Sunday’s Cross
I am reposting this Ash Wednesday Sonnet from Sounding the Seasons, with a new sense of urgency. It was eleven years ago that I wrote the lines:
The forests of the world are burning now
And you make late repentance for the loss.
Since then the destruction has increased, and more recently I wrote Our Burning World, set as an Anthem by Rhiannon Randle.
So here again is the sonnet and the little introduction I wrote for it a decade ago:
As I set about the traditional task of burning the remnants of last Palm Sunday’s palm crosses in order to make the ash which would bless and sign our repentance on Ash Wednesday, I was suddenly struck by the way both the fire and the ash were signs not only of our personal mortality and our need for repentance and renewal but also signs of the wider destruction our sinfulness inflicts upon God’s world and on our fellow creatures, on the whole web of life into which God has woven us and for which He also cares. So some of those themes are visited in this sonnet, which is also found in my new book The Word in the Wilderness which contains these and other poems set out so that you can reflect on a poem a day throughout Lent. If you’d like to pursue the Lenten journey further the book is available on Amazon both here and in the USA and is also available on Kindle.
As before I am grateful to Margot Krebs Neale for the remarkable commentary on these poems which she is making through her photographs. As always you can hear the poem by clicking on the title or the Play Button
https://malcolmguite.files.wordpress.com/2021/02/ash-wednesday.mp3
Ash Wednesday
Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.
He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.
And here, as a bonus track is a recording the singer-songwriter Bob Bennet sent me of a sung version of this poem which he composed minutes after hearing the poem for the first time. This is a rough ‘field recording’ taken whilst the song was still forming but he’s allowed me to share it!
https://malcolmguite.files.wordpress.com/2021/02/130625-bell-guite-ash-wednesday-demo.m4a
If you are enjoying these posts, and you are still drinking coffee in lent, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
image courtesy of https://lanciaesmith.com
image by https://lanciaesmith.com
Today, on Shrove Tuesday, I am reposting the first of the weekly series in which you can hear me read aloud the poems I chose for my Lent Anthology The Word in the Wilderness. In the book itself you can read my commentary on each poem but I thought the recordings of my reading them might be useful, especially to groups who are using the book together.Where copyright allows I will also post the texts of the poems themselves here. Once more I am grateful to Lancia Smith who will be providing specially made images for these weekly posts. Lancia has told me that today’s image of the shell suggests a sense of our being ‘cleansed and emptied of what we once carried now waiting for a new day of our own’. But there is also of course the other sense in which the scallop shell is a symbol of pilgrimage, and pilgrimage is very much the central theme of this book.
Speaking of images that arise from this poetry you might like to know that there is now a Facebook Group Sounding the Sonnets which has some lovely galleries of art they have made in response to the poems in this and my other books.
As always you can hear me read the poems either by clicking on the title or on the ‘play’ button.
Today’s post takes us from Shrove Tuesday through to Saturday, the next post in this series will be on the first Sunday in Lent.
So here, first is the poem set for Shrove Tuesday, Seamus Heaney’s beautiful eleventh poem in the sequence Station Island:
https://audioboom.com/boos/4152773-station-island-xi.mp3
Station Island XI Seamus Heaney/St. John of the CrossAnd here is my sonnet for Ash Wednesday
Ash Wednesday
https://audioboom.com/boos/676669-ash-wednesday.mp3
Receive this cross of ash upon your brow,
Brought from the burning of Palm Sunday’s cross.
The forests of the world are burning now
And you make late repentance for the loss.
But all the trees of God would clap their hands
The very stones themselves would shout and sing
If you could covenant to love these lands
And recognise in Christ their Lord and king.He sees the slow destruction of those trees,
He weeps to see the ancient places burn,
And still you make what purchases you please,
And still to dust and ashes you return.
But Hope could rise from ashes even now
Beginning with this sign upon your brow.From Thursday to Saturday I have chosen each of my sonnets on the three temptations of Christ in the wilderness. You can read my commentary on these in the book.
Thursday:
https://audioboom.com/boos/683043-the-first-temptation.mp3
Stones into BreadThe Fountain thirsts, the Bread is hungry here
The Light is dark, the Word without a voice.
When darkness speaks it seems so light and clear.
Now He must dare, with us, to make a choice.
In a distended belly’s cruel curve
He feels the famine of the ones who lose
He starves for those whom we have forced to starve
He chooses now for those who cannot choose.
He is the staff and sustenance of life
He lives for all from one Sustaining Word
His love still breaks and pierces like a knife
The stony ground of hearts that never shared,
God gives through Him what Satan never could;
The broken bread that is our only food.
https://audioboom.com/boos/689993-temptation-2.mp3 All the Kingdoms of the World
‘So here’s the deal and this is what you get:
The penthouse suite with world-commanding views,
The banker’s bonus and the private jet
Control and ownership of all the news
An ‘in’ to that exclusive one percent,
Who know the score, who really run the show
With interest on every penny lent
And sweeteners for cronies in the know.
A straight arrangement between me and you
No hell below or heaven high above
You just admit it, and give me my due
And wake up from this foolish dream of love…’
But Jesus laughed, ‘You are not what you seem.
Love is the waking life, you are the dream.’
Saturday:
https://audioboom.com/boos/701215-temptation-3.mp3
On the Pinnacle‘Temples and Spires are good for looking down from;
You stand above the world on holy heights,
Here on the pinnacle, above the maelstrom,
Among the few, the true, unearthly lights.
Here you can breathe the thin air of perfection
And feel your kinship with the lonely star,
Above the shadow and the pale reflection,
Here you can know for certain who you are.
The world is stalled below, but you could move it
If they could know you as you are up here,
Of course they’ll doubt, but here’s your chance to prove it
Angels will bear you up, so have no fear….’
‘I was not sent to look down from above
It’s fear that sets these tests and proofs, not Love.’
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As we approach Lent I have been asked if I would post again the poems, recordings and images which accompany my Lent anthology Word in the Wilderness, and I am happy to do so as I know there are a number of groups reading the book together who might find it helpful to have the recordings. So I have recorded each of the poems in the Lent book, as I did for the Advent one. Whereas in Advent I posted a recording each day, along with a beautiful image from Lancia Smith, what Lancia and I have decided to do for Lent is to offer you weekly posts. Each post will be headed by a beautiful image from Lancia and then contain links to recordings of all seven poems for that week as well as the texts of the poems themselves, though for my commentary on each text you will need to turn to the book itself. We will start with an introductory post that takes us from Shrove Tuesday, through Ash Wednesday to the 1st Sunday in Lent and then each subsequent post will come out on each of the Sundays in Lent. I hope you find this helpful and please feel free to share it. Those who are using the book in weekly Lent groups this year my find it particularly helpful to have all the weeks readings gathered on one page. You can get copies of Word in the Wilderness by ordering from your local bookshop, or through this page on Amazon UK and this one on Amazon USA
As an appetiser, and to give you an idea of my reasons for compiling this anthology here are the opening paragraphs of my introduction:
Why might we want to take time in Lent, to immerse ourselves in poetry, to ask for the poets as companions on our journey with the Word through the wilderness? Perhaps it is one of the poet’s themselves who can answer that question. In The Redress of Poetry, the collection of his lectures as Oxford Professor of Poetry, Seamus Heaney claims that poetry ‘offers a clarification, a fleeting glimpse of a potential order of things ‘beyond confusion’, a glimpse that has to be its own reward’ (p. xv). However qualified by terms like ‘fleeting’, ‘glimpse’ and ‘potential’, this is still a claim that poetry, and more widely the poetic imagination, is truth-bearing; that it offers not just some inner subjective experience but as Heaney claims, a redress; the redress of an imbalance in our vision of the world and ourselves. Heaney’s claim in these lectures, and in his Nobel Prize acceptance speech, is that we can ‘Credit Poetry’, trust its tacit, intuitive and image-laden way of knowledge. I have examined these claims in detail elsewhere (Faith Hope and Poetry) and tried to show, in more academic terms, how the poetic imagination does indeed redress an imbalance and is a necessary complement to more rationalistic and analytical ways of knowing. What I would like to do in this book is to put that insight into practice, and turn to poetry for a clarification of who we are, how we pray, how we journey through our lives with God and how he comes to journey with us.
Lent is a time set aside to re-orient ourselves, to clarify our minds, to slow down, recover from distraction, to focus on the values of God’s Kingdom and on the value he has set on us and on our neighbours. There are a number of distinctive ways in which poetry can help us do that and in particular the poetry I have chosen for this anthology.
Heaney spoke of poetry offering a glimpse and a clarification, here is how an earlier poet Coleridge, put it, when he was writing about what he and Wordsworth were hoping to offer through their poetry, which was
“awakening the mind’s attention to the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.”
(Coleridge, Biographia Literaria, Vol. II, pp. 6−7)
If you are enjoying these posts, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Why should this martyr be the saint of Love?
Here is a sonnet I composed in honour of the original St. Valentine. I notice some FB posts implying that as an early Christian martyr he has nothing to do with Romantic Love and should be dissociated from it. I believe that on the contrary there is every reason why he should be the patron saint of Love and this sonnet explores why.
As always you can hear the poem by clicking on either the title or the ‘play’ button. This poem is published in my collection ‘Parable and Paradox’
St Valentine
https://audioboom.com/boos/4180903-st-valentine.mp3
Why should this martyr be the saint of love?
A quiet man of unexpected courage,
A celibate who celebrated marriage,
An ageing priest with nothing left to prove,
He loved the young and made their plight his cause.
He called for fruitfulness, not waste in wars,
He found a sure foundation, stood his ground,
And gave his life to guard the love he’d found.
Why should this martyr be our Valentine?
Perhaps because he kept his covenant,
Perhaps because, with prayer still resonant,
He pledged the Bridegroom’s love in holy wine,
Perhaps because the echo of his name
Can kindle love again to living flame.
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The call of the Disciples by Duccio di Buoninsegna
The Gospel reading for this Sunday of Epiphany tells how Jesus walked by the sea of Galilee and called the disciples to the great adventure he would share with them. And in Luke’s version of this story we get the wonderful words from Jesus to Peter ‘launch out into the deep’. (Luke 5:4) Reflecting on this story, as well as those other key images of our salvation, the ark, and the stilling of the storm, I wrote this sonnet, for my sequence in Sounding the Seasons, about how he calls us to adventure too. I wrote this sonnet some years ago but perhaps the imagery at the end of ‘the rising waves, the falling dark’, speaks particularly into the times we are presently living through.
As always you can hear me read the poem by clicking on the title or the play button.
https://audioboom.com/posts/5507982-the-call-of-the-disciples.mp3 The Call of the Disciples
He calls us all to step aboard his ship,
Take the adventure on this morning’s wing,
Raise sail with him, launch out into the deep,
Whatever storms or floods are threatening.
If faith gives way to doubt, or love to fear,
Then, as on Galilee, we’ll rouse the Lord,
For he is always with us and will hear
And make our peace with his creative Word,
Who made us, loved us, formed us and has set
All his beloved lovers in an ark;
Borne upwards by his Spirit, we will float
Above the rising waves, the falling dark,
As fellow pilgrims, driven towards that haven,
Where all will be redeemed, fulfilled, forgiven.
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Against the dark our Saviour’s face is bright
Though the 12 days of Christmas ended with Twelfth Night and Epiphany, there is another sense in which this season, in which we reflect on the great mystery of God in Christ as an infant, continues until February 2nd, the Feast of the Presentation of Christ in the Temple. This feast, which many churches will be keeping this coming Sunday, came to be called by the shorter and more beautiful name of Candlemas because the day it celebrates, recorded in Luke 2:22-40, is the day the old man Simeon took the baby in his arms and recognised him as ‘A Light to lighten the Gentiles and the glory of thy people Israel.’ It became the custom of the church to light a central candle and bring it to the altar to represent the Christ-light, and also on the occasion of this feast to bless all the ‘lights’ or candles in the church, praying that all who saw that outward and visible light would remember also and be blessed by the inner light of Christ ‘who lightens everyong who comes into the world.’
It had always been prophesied that God would one day come into the Temple that human beings had built for him, though Solomon, who built the first temple had said ‘even the Heavens are too small to hold you much less this temple I have built’. Candlemas is the day we realise that eternity can come into time and touch us in the form of a tiny child, that God appears at last in His Temple, not as a transcendent overlord, but as a vulnerable pilgrim, coming in His Love to walk the road of life along side us.
I am grateful to Margot Krebs Neale for the beautiful image above. She writes:
“This picture is of my first born on his first outing to walk to the station
with his grand-mother who was returning to France. he was four days old. On
the way back I stopped at the local bakers, whom I knew well and we were
both properly feasted. Was I proud and pleased! I choose it because
something of these lines was my feelingThough they were poor and had to keep things simple,
They moved in grace, in quietness, in awe,
For God was coming with them to His temple.
He was a new little Temple of the Lord. There was definitely a sense of awe
for me. We chose his name for the Olive branch brought by the dove. I did
not like that shirt very much (it had been passed on) but for the dove…”
This and my other sonnets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’ You can get this book in the UK by ordering it from your local bookshop, or via Amazon
As always you can hear the poem by clicking on the ‘play’ button if it appears or on the title of the poem
https://malcolmguite.files.wordpress.com/2021/02/candlemas.mp3 Candlemas
They came, as called, according to the Law.
Though they were poor and had to keep things simple,
They moved in grace, in quietness, in awe,
For God was coming with them to His temple.
Amidst the outer court’s commercial bustle
They’d waited hours, enduring shouts and shoves,
Buyers and sellers, sensing one more hustle,
Had made a killing on the two young doves.
They come at last with us to Candlemas
And keep the day the prophecies came true
We glimpse with them, amidst our busyness,
The peace that Simeon and Anna knew.
For Candlemas still keeps His kindled light,
Against the dark our Saviour’s face is bright.
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Conversion of Saint Paul Artist Unknown Niedersaechsisches Landesmuseum, Hannover, Germany The 25th of January is the day the Church keeps the Feast of the Conversion of St. Paul. However often told or re-told, it is still an astonishing story. That Saul, the implacable enemy of Christianity, who came against the faith ‘breathing threats and slaughter’, should be chosen by God to be Christianity’s greatest proponant and apostle is just the first of a series of dazzling and life-changing paradoxes that flow from Paul’s writing. At the heart of these is the revelation of God’s sheer grace; finding the lost, loving the violent into light, and working everything through the very weakness of those who love him. Here’s a sonnet celebrating just a little of what I glimpse in the great Apostle.
This and my other sonets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’ You can get this book in the UK by ordering it from your local bookshop, or via Amazon.
As always you can hear the poem by clicking n the ‘play’ button if it appears, or on the title of the poem.
https://malcolmguite.files.wordpress.com/2021/01/apostle.mp3
Apostle
An enemy whom God has made a friend,
A righteous man discounting righteousness,
Last to believe and first for God to send,
He found the fountain in the wilderness.
Thrown to the ground and raised at the same moment,
A prisoner who set his captors free,
A naked man with love his only garment,
A blinded man who helped the world to see,
A Jew who had been perfect in the law,
Blesses the flesh of every other race
And helps them see what the apostles saw;
The glory of the lord in Jesus’ face.
Strong in his weakness, joyful in his pains,
And bound by love, he freed us from our chains.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Photo by Margot Krebs Neale
The set readings for this Sunday in Epiphany tell the story of ‘the first of the signs that Jesus did and manifested forth his glory’; the transformation of water into wine at the wedding at Cana. (John 2:1-11). I love this miracle, though John doesn’t call it a miracle, he rightly calls it a sign. It is a sign that points to so many profound and liberating things about the God whom Jesus reveals to us; His delight in and concern for our own personal life and loves, attested by His presence at the wedding feast, His abundant generosity in more than meeting our needs in the midst of everyday life, His call to us to move from the mere outward purity, symbolised by the water for ritual washing, to a transformation of inward joy, symbolised by the wine. But most importantly, this sign points to the gift of His very self, His own heart’s blood, given once for all on the cross and received by us in communion. I have tried to bring out a little of the richness and depth of this first ‘sign’ in the following sonnet. This and my other sonets for the Christian year are published together by Canterbury Press as Sounding the Seasons; seventy sonnets for the Christian Year.’
You can get this book in the UK by ordering it from your local bookshop, or via Amazon
As always you can hear the sonnet by clicking the ‘play’ button if it appears or by clicking on the title of the sonnet itself
https://malcolmguite.files.wordpress.com/2022/01/epiphany-at-cana.mp3
Epiphany at Cana
Here’s an epiphany to have and hold,
A truth that you can taste upon the tongue,
No distant shrines and canopies of gold
Or ladders to be clambered rung by rung,
But here and now, amidst your daily living,
Where you can taste and touch and feel and see,
The spring of love, the fount of all forgiving,
Flows when you need it, rich, abundant, free.
Better than waters of some outer weeping,
That leave you still with all your hidden sin,
Here is a vintage richer for the keeping
That works its transformation from within.
‘What price?’ you ask me, as we raise the glass,
‘It cost our Saviour everything he has.’
It cost our Saviour everything he has
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The dove descends, the spirit soars and sings
The season of Epiphany is an invitation to reflect on the many little ‘epiphanies’, glimpses of how things really are, which are vouchsafed us in the Gospel. Today, the first Sunday of Epiphany is a time to reflect on the moment when ‘the heavens opened’ at Jesus’ Baptism and we were given a glimpse of Father Son and Holy Spirit at the heart of all things. This sonnet is a reflection on that mystery. As always you can hear it by clicking on the ‘play’ sign or on the title of the poem. I am grateful to Margot Krebs Neale for the beautiful photograph, taken at the river Jordan which says as much as, if not more than the poem. The poem itself is from my collection Sounding the Seasons, published by Canterbury Press and available on Amazon or from your local bookshop. After the text of the poem I have included links to the wonderful song Steve Bell wrote from it.
Epiphany on the Jordan
https://malcolmguite.files.wordpress.com/2021/01/epiphany-on-the-jordan.mp3
Beginning here we glimpse the Three-in-one;
The river runs, the clouds are torn apart,
The Father speaks, the Sprit and the Son
Reveal to us the single loving heart
That beats behind the being of all things
And calls and keeps and kindles us to light.
The dove descends, the spirit soars and sings
‘You are belovèd, you are my delight!’
In that quick light and life, as water spills
And streams around the Man like quickening rain,
The voice that made the universe reveals
The God in Man who makes it new again.
He calls us too, to step into that river
To die and rise and live and love forever.
Also check out how Steve Bell reworks this sonnet into a beautiful song
You can hear the song itself on sound cloud here:
Epiphany on the Jordan
If you are enjoying these posts, you might like, on occasion to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish.
these three arrive and bring us with them
The Feast of the Epiphany falls on the 6th of January. Epiphany celebrates the arrival of the three wise men at the manger in Bethlehem has a special mystery and joy to it. Until now the story of the coming Messiah has been confined to Israel, the covenant people, but here suddenly, mysteriously, are three Gentiles who have intuited that his birth is good new for them too. Here is an Epiphany, a revelation, that the birth of Christ is not one small step for a local religion but a great leap for all mankind. I love the way that traditionally the three wise men (or kings) are shown as representing the different races and cultures and languages of the world. I love the combination in their character of diligence and joy. They ‘seek diligently’, but they ‘rejoice with exceeding great joy’! I love the way they loved and followed a star, but didn’t stop at the star, but rather let the star lead them to something beyond itself. Surely that is a pattern for all wise contemplation of nature whether in art or science. The last line of this poem is a little nod in the direction of Tennyson’s great poem Ulysses
This sonnet is drawn from my book Sounding the Seasons, which is available from Amazon etc or by order from your local bookshop, should you be lucky enough to have one.
As always you can hear the poem by clicking on the ‘play’ button if it appears, or by clicking on the title of the poem which will take you to the audioboom page.
https://malcolmguite.files.wordpress.com/2022/01/epiphany-sonnet.mp3
Epiphany
It might have been just someone else’s story,
Some chosen people get a special king.
We leave them to their own peculiar glory,
We don’t belong, it doesn’t mean a thing.
But when these three arrive they bring us with them,
Gentiles like us, their wisdom might be ours;
A steady step that finds an inner rhythm,
A pilgrim’s eye that sees beyond the stars.
They did not know his name but still they sought him,
They came from otherwhere but still they found;
In temples they found those who sold and bought him,
But in the filthy stable, hallowed ground.
Their courage gives our questing hearts a voice
To seek, to find, to worship, to rejoice.
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Image created by Linda Richardson after Matisse
For January 6th (the feast of epiphany) in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read, as the final poem in the collection The Divine Image by William Blake. The Feast of the Epiphany celebrates the visit of the magi to the Christ-child, and so the inclusion of the Gentiles in the Gospel story: and not simply the Gentiles in some generic way, but all the distinct races, cultures and religions of ‘the nations’, which is why the tradition of depicting the three kings as representing three different races is so helpful. On this Feast Day, it might seem obvious to choose one of the well-known poems that recall or describe that familiar scene: Eliot’s ‘The Journey of the Magi’, or Yeats’ poem ‘The Magi’. But I wanted in this final poem to move from the outward and visible picture which already adorns so many of the Christmas cards we will be taking down today, and as those outward images fade away, to come through poetry to the inward and spiritual truth which they proclaim. And that spiritual truth is that in the Incarnation Christ, in taking on human nature, takes on, becomes involved in, visits, redeems the whole of humanity, not just the chosen people to whose race and culture he belonged. And what is more, when the fullness of God comes to dwell in the fullness of Christ’s humanity, then that mysterious ‘image of God’ in which all humanity was made (Genesis 1:27) is at last restored. And we can see that the Light who so uniquely and particularly became the Christ-child at Bethlehem is also, as John’s Gospel clearly proclaims, ‘The true light that enlightens every man was coming into the world’ (John 1:9). It seems to me that it is William Blake’s poem ‘The Divine Image’, rather than any specifically Christmas or Epiphany verse, that goes to the heart of these things.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson, for the unique book of responses to Waiting on the Word last year, and again this is one of my favourites. As we finish this series of posts I would like to thank Linda for allowing me to share these beautiful images with you and for making such a rich and creative response to my book in the first instance. She will soon be establishing a website for more of her art and when she does so I will write about it on this blog. about this final image Linda writes:
Once again I return to Matisse and his dancers. The little figures are naked and in a trance of wild woodland worship. They are unselfconscious and free, not arguing a doctrinal point but holding tight to each others hands as they whirl around a Divine tree. Our minds and thinking can ensnare us like a flies on a spider’s web, but our bodies do not lie. If we are stressed, we can talk ourselves into believing we are relaxed, but our jaw may be tight and our brow heavy. In the same way we sometimes mistake ‘correct doctrine’ for love, and wonder why we feel so angry when our doctrines are attacked. In the image, the little figures are ‘every man’ and ‘every woman’. They are lost in the present moment, and the only government is the beauty of the silent tree around which, with all their hearts, they dance.
There exists only the present instant… a Now which always and without end is itself new. There is no yesterday nor any tomorrow, but only Now, as it was a thousand years ago and as it will be a thousand years hence. Meister Eckhart
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988109-the-divine-image.mp3
The Divine ImageWilliam Blake
To Mercy, Pity, Peace, and Love
All pray in their distress;
And to these virtues of delight
Return their thankfulness.
For Mercy, Pity, Peace, and Love
Is God, our father dear,
And Mercy, Pity, Peace, and Love
Is Man, his child and care.
For Mercy has a human heart,
Pity a human face,
And Love, the human form divine,
And Peace, the human dress.
Then every man, of every clime,
That prays in his distress,
Prays to the human form divine,
Love, Mercy, Pity, Peace.
And all must love the human form,
In heathen, Turk, or Jew;
Where Mercy, Love, and Pity dwell
There God is dwelling too.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson
For January 5th in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read Rocky Mountain Railroad, Epiphany by Luci Shaw. this poem makes an interesting contrast and parallel with Coleridge’s psalm-like outpouring of yesterday. Both poems are a response to the beauty of nature, and specifically to the sight of snowy mountains, and the whole play of light on snow and ice. In both poems we have a sense of glory and of the sublime rising ‘reaches of peak above peak beyond peak’.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson. She Writes:
Luci Shaw takes a subtly different approach to Coleridge as she describes, ‘in a net of words’, her transcendent experience. She uses herself as a mirror to describe the effect the experience has on her. ‘I imbed it in my brain so that it will flash and flash again…an alternate reality…my open window mind is too little,…I long for each sweep….’
In the image I made, the words open and condense in the lines, sometimes clear, sometimes hidden in the ink, indicating the fleeting glimpses we see as we hurtle along in a train. Life reflects the train journey. The Divine is always around us, sometimes clearly visible in love given and received, sometimes only glimpsed as we speed by. And often, if our focus is too close, all we see is our own reflection in the window.
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988106-rocky-mountain-railroad-epiphany.mp3
Rocky Mountain Railroad, EpiphanyLuci Shaw
The steel rails parallel the river as we penetrate
ranges of pleated slopes and crests—all too complicated
for capture in a net of words. In this showing, the train window
is a lens for an alternate reality—the sky lifts and the light forms
shadows of unstudied intricacy. The multiple colors of snow
in the dimpled fresh fall. Boulders like white breasts. Edges
blunted with snow. My open-window mind is too little for
this landscape. I long for each sweep of view to toss off
a sliver, imbed it in my brain so that it will flash
and flash again its unrepeatable views. Inches. Angles.
Niches. Two eagles. A black crow. Skeletal twigs’ notched
chalices for snow. Reaches of peak above peak beyond peak
Next to the track the low sun burns the silver birches into
brass candles. And always the flow of the companion river’s
cord of silk links the valleys together with the probability
of continuing revelation. I mind-freeze for the future
this day’s worth of disclosure. Through the glass
the epiphanies reel me in, absorbed, enlightened.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Image by Linda Richardson For January 4th in my Anthology from Canterbury Press, Waiting on the Word, I have chosen to read a passage from A Hymn before Sunrise in the vale of Chamouni by ST Coleridge.
You can hear me read this poem by clicking on the title or the play button. The image above was created by Linda Richardson for her book of responses to Waiting on the Word, she writes:
Anyone who has ever had a “glance” of God wants to share the experience. It is like running home to show your family the beautiful butterfly you have captured in your cupped hands but when you get there it has escaped and all you have are impressions and words. In the gospel of John we hear Andrew’s response after he meets Jesus: “The first thing Andrew did was to find his brother Simon and tell him, “We have found the Messiah” (that is, the Christ). And he brought him to Jesus.”
Words and images have power to point to an experience but they aren’t the experience itself. What we really want to do is bring people to experience what we have experienced, to bring them to Jesus like Andrew brought his brother, (to bring them to the Holy Mountain). In my little painting, the mountain sits above the words, the words point to the mountain. God’s promise is that if we seek, we will find. Talking about God is good but if we don’t also open ourselves to be transformed by the experience of God, (Rise, O ever rise..), we remain in doctrine and dogma which, although essential, only has the power to point.
You can find the words, and a short reflective essay on this poem in Waiting on the Word, which is now also available on Kindle
https://audioboom.com/boos/3988098-hymn-before-sunrise.mp3
from The Hymn before Sunrise, in the Vale of Chamouni Samuel Taylor Coleridge
Ye Ice-falls! ye that from the mountain’s brow
Adown enormous ravines slope amain—
Torrents, methinks, that heard a mighty voice,
And stopped at once amid their maddest plunge!
Motionless torrents! silent cataracts!
Who made you glorious as the gates of Heaven
Beneath the keen full moon? Who bade the sun
Clothe you with rainbows? Who, with living flowers
Of loveliest blue, spread garlands at your feet?—
God! let the torrents, like a shout of nations,
Answer! and let the ice-plains echo, God!
God! sing ye meadow-streams with gladsome voice!
Ye pine-groves, with your soft and soul-like sounds!
And they too have a voice, yon piles of snow,
And in their perilous fall shall thunder, God!
Ye living flowers that skirt the eternal frost!
Ye wild goats sporting round the eagle’s nest!
Ye eagles, play-mates of the mountain-storm!
Ye lightnings, the dread arrows of the clouds!
Ye signs and wonders of the element!
Utter forth God, and fill the hills with praise!
Thou too, hoar Mount! with thy sky-pointing peaks,
Oft from whose feet the avalanche, unheard,
Shoots downward, glittering through the pure serene
Into the depth of clouds, that veil thy breast—
Thou too again, stupendous Mountain! thou
That as I raise my head, awhile bowed low
In adoration, upward from thy base
Slow travelling with dim eyes suffused with tears,
Solemnly seemest, like a vapoury cloud,
To rise before me—Rise, O ever rise,
Rise like a cloud of incense from the Earth!
Thou kingly Spirit throned among the hills,
Thou dread ambassador from Earth to Heaven,
Great Hierarch! tell thou the silent sky,
And tell the stars, and tell yon rising sun,
Earth, with her thousand voices, praises God.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
As today is Tolkien’s Birthday I thought I’d post this poem which was inspired by my memory of having once seen a grainy photograph of Tolkien leaning back into a tree contentedly and smoking his pipe, – something I quite often do myself. Here is the poem, which I included in my book ‘The Singing Bowl, published by Canterbury Press
As usual you can hear me read the poem by clicking on the title or the ‘play’ button
https://audioboom.com/posts/7131579-patterns-tree-and-leaf.mp3
Patterns (Tree and Leaf)
Tolkien is leaning back into an oak
Old, gnarled, distinct in bole and burr
As, from the burr and bowl of his old pipe,
Packed with tightly patterned shreds of leaf,
The smoke ascends in rings and wreathes of air
To catch the autumn light and meet such leaves
As circle through its wreathes and patter down
In patterns of their own to the rich ground.
He contemplates again the tree of tales;
The roots of language and its rings of growth
‘The tongue and tale and teller all coeval’
And he becomes a pattern making patterns,
A tale telling tales and turning leaves,
From the print of thumb and finger on his pipe
To the print and press and pattern of his books
And all their prints and imprints in our minds
Out to this grainy patterned photograph
Of ‘Tolkien, leaning back into an oak’.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!