The CoverUp: Recent Episodes
Amanda and Rich Friedeman
Amanda and Rich talk about cover songs. How do they relate to the originals? What's the definitive version of the song? The better version? What makes them interesting musically? Is it a karaoke version? Great but unknown? A horror show? A complete surprise? A Hasselhoff?
A song from a band that knows how to deliver on expectations, even when they're in an experimental period, and a cover from an artist whose hallmark is subverting expectations to brilliant effect. Sad But True, originally by Metallica, covered by St. Vincent.
Outro music is We All Die Young by Steel Dragons, in case you'd forgotten about the movie that captured the spirit of power metal.
A brilliant and beloved song from a band that had the right mix of magic to get it right, and a cover that provides a wild backstory. Build Me Up Buttercup, originally by The Foundations, covered by The Valentines.
Outro music is Baby, Now That I've Found You, also by The Foundations, because how could we not.
If you're going to have one hit on top of a prolific career, it's hard to do better. This week's song is unique and fascinating. I'm Gonna Be (500 Miles) originally by The Proclaimers, covered by Alejandra Ribera. You know you want to sign along.
Outro music is (Don't Fear) The Reaper, by Blue Oyster Cult.
A breakthrough moment in the history of Rock Steady puts us on a musical path that's both familiar and incredibly unfamiliar. A Message To You Rudy, originally by Dandy Livingstone, covered by The Specials, and by Skatune Network.
Outro music is Your Horoscope For Today, by Weird Al Yankovic, which lets us wrap the episode firmly back in Ska-Land.
A listener request brings us one of the classic songs of Rock and Roll with the most unlikely origin story, and we get to call out a music recognition organization that isn't the Grammys. The Twist, originally by Hank Ballard and The Midnighters, covered by Chubby Checker.
Outro music is Back In The Saddle Again, by Gene Autry, though Zach's suggestion would have been right on as well.
An early song that could have easily defined a band's career, but instead just gave us a glimpse of what was to come, and a cover by a great band that was out in the wilderness making some bad choices. My Generation, originally by The Who, covered by Iron Maiden.
Outro music is Roll Away The Stone, by Mott The Hoople.
A song that reestablishes a seasoned and successful artist as a new kind of force, and a cover that embraces musical complexity in a brilliant but subtle way. Heaven Is A Place On Earth, originally by Belinda Carlisle, covered by The Mayries.
Outro music is I Wanna Dance With Somebody (Who Loves Me), by Whitney Houston, because this song is inevitable.
Great lessons to learn from one of the all-time road songs, a cover that understands the assignment more than the song — oh, and Rich flubs his kids' birthdays, but that's OK, because we only recorded this on Father's Day. Life Is A Highway, originally by Tom Cochrane, covered by Rascal Flatts.
Outro music is Another One Rides The Bus by Weird Al Yankovic.
A classic that somehow remains a secret, and a listener leads us to a great musical discovery. The Ghost In You originally by The Psychedelic Furs, covered by Robyn Hitchcock.
Outro music is Love My Way, also by the Furs.
A listener prods us to dive into one of the great songs in American music, and in the process we flirt with musical diabetes. Lean On Me, originally by Bill Withers, covered by Club Nouveau.
Outro music is The Candy Man by Sammy Davis Jr.
An impossibly compelling songs from one of the most important writers and performers in American music, and a great band tries something different. Dancing Barefoot, originally by the Patti Smith Group, covered by U2.
Outro music is Desire, also by U2.
Absolute pop genius from a song that wasn't supposed to be pop at all, and a cover that's a terrible fit which helps to make it even more awesome. Call Me Maybe, originally by Carly Rae Jepsen, covered by Leo Moraccioli.
Outro music is We Are Young, by Fun, just to remind you that the bar was high in 2012.
A brilliant debut single that defied genre, expectation, and the industry it was breaking into, and a cover that takes it a bit literally, but nails it anyway. Sultans of Swing, originally by Dire Straits, covered by Pink Turtle.
Outro music is Brothers in Arms, also by Dire Straits.
A massively popular yet still underrated song by an incredibly talented yet still underrated artist, and a cover that takes on an impossible task and winds up still on their feet. Wrecking Ball, originally by Miley Cyrus, covered by Abandoning Sunday.
Outro music is Piece of My Heart by Janis Joplin.
The song that brought K-Pop to the rest of the world in spectacular fashion, and a cover that's totally not punk, but really is underneath it all. Gangnam Style, originally by Psy, covered by The Cleverlys.
Outro music is Born To Be Chicken, by Korean bluegrass band Country Gongbang.
A powerful, insightful, and moving song from someone who, on the surface, is the unlikeliest source, and two covers that drive the point home in an unbelievably compelling way. Only Women Bleed, originally by Ailce Cooper, covered by Etta James, and by Ike Turner featuring Tina Turner.
Outro music is Welcome To My Nightmare, also by Alice Coper.
It's spring, so we have a song about the impending winter because cover songs don't exist in a conventional timeline. And not just any winter, but one that completely fails to anticipate Olivia Rodrigo. Stick Season, originally by Noah Kahan, covered by Alex Melton.
Outro music is Good 4 U by the aforementioned Olivia Rodrigo, who isn't heard anywhere else in the episode — just to be clear.
It's an emotional week at CoverUp HQ. We dig into one of the most profound ways a songwriter had ever decided to say goodbye, and a tribute so moving it couldn't have hit harder. Keep Me In Your Heart, originally by Warren Zevon, covered by The Wailin' Jennys.
Outro music is Poor Poor Pitiful Me, also by Warren Zevon.
The most lean-into-it power ballad you'll ever find that's always working hard at something, and a cool cover about making it work. Keep On Loving You, originally by REO Speedwagon, covered by Cigarettes After Sex.
Outro music is Lorelei, by the Cocteau Twins.
We always knew music would save the world. This week, we take it a bit more literally as we tackle Golden, originally by Huntrix (yes, we know it's complicated), covered by Our Last Night.
For outro music, we check in with our boy Morten Harket for some vocal range on A-Ha's Take On Me.
A legendary musician opens up in a typical yet profound way, and a cover that revives a whole bunch of special things. Jealous Guy, originally by John Lennon, covered by Men Without Hats.
Outro music is I Love The 80s, also by Men Without Hats, from that same album, On The Moon.
The defining song for an all-time-great band that defies definition, a cover that reimagines as hard as any cover has, and another that brings its own world to the song. Tom Sawyer, originally by Rush, covered by Emmerson Nogueira, and by The Lost Fingers.
Outro music is Owner of a Lonely Heart, another cover by Emmerson Nogueira.
A song that crushes it across genres, styles, and settings by an artist who of course can pull of something of this scale. And a cover that gives it the old college try. 9 to 5, originally by Dolly Parton, covered by Home Free.
Outro music is The Job That Ate My Brain, by The Ramones.
A song-of-the-summer redefines a band through a period of musical maturation, and puts a spotlight on the downfall of MTV. And a cover reveals hidden depths. Still Into You, originally by Paramore, covered by Lewis Capaldi.
Outro music is the theme song from Dr. Who, because there's a Capaldi in this episode, and it may be our only chance to pull that tune out.
A breakthrough mega hit that defied the odds and stood the test of time, and a band that might not have. Or maybe they did. Honestly, it's not obvious. Groove Is In The Heart, originally by Deee-Lite, covered by Blues Traveler.
Outro music is the theme song from Green Acres, sung by Eddie Albert and Eva Gabor.
An influential band's signature song that found its place for multiple generations, and a cover by an artist who seems to look into our world through her own special lens. Rasputin, originally by Boney M, covered by AURORA.
Outro music is In The Dark Of The Night, which is Rasputin's villain song in Anastasia. Even better, it's sung for the film by Jim Cummings, who is also the voice of Winnie the Pooh. Take a moment to collect your thoughts.
A modern and compelling take on protest songs that doesn't lean on outrage so much as "there but for the grace of God", and a cover by an artist who redefined what this kind of song can do in the world. Beautiful Strangers, originally by Kevin Morby, covered by Mavis Staples.
Outro music is I Ain't Got No Home In This World Anymore by Woody Guthrie.
We look at one of the best songs from one of the best debut albums ever, and follow with a pair of covers that teach us a lot about how music works and what it really means in the world. Honestly, we didn't see this one coming. Baby Can I Hold You, originally by Tracy Chapman, covered by Luciano Pavarotti, and by Billy Ocean.
Outro music is The Ride of the Valkyries by Wagner, as performed by the Royal Philharmonic Orchestra.
A song that defined a band, in spite of their many successful reinventions, and a cover by two unlikely artists — or at least ones we thought were unlikely. Sweet Emotion, originally by Aerosmith, covered by Leo Kottke and Mike Gordon.
Outro music is Jack Fig by Leo Kottke, because you need to hear what he's about.
Lots of country music is sad stories. This is that, and there's a sad story under it, but it has way more at work than you might think — and it launched one of the most important careers in the history of country music. Delta Dawn, originally by Alex Harvey, covered by Tanya Tucker.
Outro music is Eighteen Wheels and a Dozen Roses by Kathy Mattea.
The song that redefined out popular music shapes culture, and a cover that soothes your mind. Like A Prayer, originally by Madonna, covered by Sarah Menescal.
Outro music is Here Comes The Sun, also by Sarah Menescal.
A song that hit its stride in a big way with online success by an artist who has a knack for that, and a cover that keeps the soul and impact of the song while still reinventing it. Anxiety, originally by Doechii, covered by Nova Twins.
Outro music is Werewolves of London by Warren Zevon. Or is that Kid Rock? No, we'd never do that to you.
We wrap up 2025 with what may be our greatest ever listener request, the unlikeliest cover we've ever tackled, and a couple of brilliant songs. I'm Shipping Up To Boston, originally by The Dropkick Murphys, covered by The Wiggles.
Outro music is She's A Rainbow, also by The Wiggles, and we couldn't be happier.
We sneak up on the end of 2025 with a tribute episode for someone who was a great talent and a musician's musician, and a cover that aces the hard job of doing the song justice. Play A Train Song, originally by Todd Snider, covered by Jason Isbell.
Outro music is Beer Run, also by Todd Snider.
The foundations of modern American folk music, one of the biggest Canadian songs ever, and a possibly misplaced application of Christmas cheer. Seasons In The Sun, originally by The Kingston Trio, covered by Terry Jacks, and by Westlife.
Outro music is M.T.A., also by The Kingston Trio, because we can't get enough of them — it's a family tradition.
A perfectly executed song that utterly defines a genre — for good or ill — and a cover that takes a simple start and uses a lot of musical smarts to recontextualize it. All The Small Things, originally by Blink-182, covered by City Mouth.
We've used this outro music before, but it's time to restore the ear worm. The Bumblebee Tuna song by Mephiskapheles.
A brilliant song that couldn't have been anything else with the level of talent behind it, and a cover that probably took its job a little too seriously. Tell Me Something Good, originally by Rufus, covered by Pink.
Outro music is Livin' On A Prayer by Bon Jovi, and you can totally hear that thing we talk about in the episode. It's unmistakeable.
A huge hit at the start of a really complicated career, and a band who knows where to take their inspiration. Your Love Is My Drug, originally by Kesha, covered by Blusher.
Outro music is Sunday Bloody Sunday by U2.
One of the great folk songs of the modern era captures the spirit — and the historical record — of maritime tragedy, and the cover that knows it stuff as well as the original. The Wreck of The Edmund Fitzgerald, originally by Gordon Lightfoot, covered by Simon Barr Sinister.
Outro music is the theme from Underdog, because how could it not be.
The knives come out over whether we've found the perfect love song as we look at another classic episode. The Book Of Love, originally by The Magnetic Fields, covered by Peter Gabriel, and by Gavin James.
Outro music is In Spite Of Ourselves, by John Prine with iris DeMent.
We revisit episode 53, with one of the most important songs in the history of rock and roll, an incredible original, a hugely successful but also problematic cover, and … well, a great artist who stepped outside of his comfort zone. Hound Dog, originally by Big Momma Thornton, covered by Elvis Presley, and by James Taylor.
Newly added outro music is Ball 'n Chain, also by Big Momma Thornton.
Another archive episode revisited, with a classic song that's been covered countless times, and it just so happens that three of them are brilliant in their own way. People Get Ready, originally by The Impressions, covered by Jeff Beck and Rod Stewart, and by Alicia Keys.
Outro music (newly added) is It's All Right, also by The Impressions.
We pull a classic episode from the archives, back to episode 20, where we take a look at one of the most important bands in Hip Hop, and a cover that couldn't possibly work, but does. 911 Is A Joke, originally by Public Enemy, covered by Duran Duran.
Outro music (which is new to the episode) is Eve of Destruction, a rare cover by Public Enemy.
We pull a classic episode from the archives, one of our longtime favorites from episode 32. A musical theater classic and cover you'd never think to ask for, but once you know about it, you understand the treat you're in for. I Feel Pretty, originally by Marni Nixon, covered by Little Richard.
Outro music is Keep A Knockin', also by Little Richard.
We pull a classic episode from the archives and dress it up for the modern incarnation of the show. And it's a doozie, with an unforgettable dance / hip-hop classic covered earnestly by one of the least hip-hop superstars still on the stage today. My Humps, originally by The Black Eyed Peas, covered by Alanis Morissette.
Outro music is new to this episode, and we've added King of Pain also by Alanis Morissette, from her MTV Unplugged show. It's super cool.
A song from a band that shows their typically high concept, but also shares an unusual amount of heart, and a cover to bring us all together. Wish You Were Here, originally by Pink Floyd, covered by Elisapie.
Outro music is Wolf by First Aid Kit.
A thoughtful and demanding musician brings you a cup of cocoa and a blanket to throw over your feet, and a cover that understands the assignment. Lay Lady Lay, originally by Bob Dylan, covered by Dave Stewart.
Outro music is Queen of New Orleans, by Jon Bon Jovi, but Dave Stewart co-wrote, played guitar, and produced it.
The greatest band that never existed, but is somehow still touring, and a cover that's a tribute, a laugh, and a great show all at once. Big Bottom, originally by Spinal Tap, covered by Soundgarden.
Outro music is Starcrossed, by Lenny and the Squigtones.
We decide to dive into a band that's a favorite for one of us, and see if we can find the daylight between our musical tastes. She's Kerosene, originally by The Interrupters, covered by Jake Clayton.
Outro music is By My Side, also by The Interrupters.
One of the biggest songs of the 90s has a surprising origin with some very surprising originators. But we all know where this episode ends up. Torn, originally by Ednaswap, covered by Natalie Imbruglia.
Outro music is Can't Take My Eyes Off Of You (I Love You Baby) by Lauryn Hill, who was in the same grammy race we discuss in the show. It was a heck of a year, no doubt.
We celebrate our 400th episode with a song we love. It's a standout for the original band in a number of fascinating ways, and has a cover that turns everything on its head to brilliant effect. Strange Currencies, originally by R.E.M., covered by Louisa Stancioff.
Rich got the name wrong during the episode, but the outro music is Rumble by Link Wray. He was probably overcome by the reverb.
We hope this is the end of our run of tribute episodes as we remember a remarkable talent and exceptional musician. An exceptional ability for satire, an absurd but resolute sense of humor, and a mirthful approach to life which he imposed on the world around him. Poisoning Pigeons In The Park, originally by Tom Lehrer, covered by Roberta Alexander with David Triestram.
Outro music is The Masochism Tango, also by Tom Lehrer. Because he was generous enough to release all of his music into the public domain, we've included the entire song as the outro. It's a great one, and we think you should listen to the whole thing.
We do a rare instrumental episode remembering an amazing musician who was the sound of a decade — everyone wanted this sound. Feels so good, originally by Chuck Mangione, covered by Alison Brown with Jake Shimabukuro.
Outro music is Give It All You Got, also by Chuck Mangione.
We pay tribute to one of the greats of rock and metal, and find some surprising range from a former teen heartthrob. Crazy Train, originally by Ozzy Osbourne, covered by Pat Boone.
Outro music is Mama I'm Coming Home, also by Ozzy Osbourne.
The secret history of someone who deserves superstar status, one of the biggest songs of the 80s that deserves every accolade, and a cover that chooses to do it the hard way. Bette Davis Eyes, originally by Jackie DeShannon, covered by Kim Carnes, and by JoJo Siwa.
Outro music is Put A Little Love In Your Heart, also by Jackie DeShannon, because wow, we can't get enough of her.
A charming song by one of our favorite songwriters, and a band that carved out its place in history, and the cover where everyone realized the world had changed in an important way. Different Drum, originally by the Greenbriar Boys, covered by Stone Poneys.
Outro music is Papa Gene's Blues, by The Monkees, because we don't often get to share a song where Mike Nesmith is credited as the lead vocalist.
A song that's a worldwide sensation by an artist with the tools to get it done, and a satisfying cover by someone who shows that you don't know what forms success will take. Espresso, originally by Sabrina Carpenter, covered by Madilyn Bailey.
Outro music is Titanium, as covered by Madilyn Bailey.
A pivotal figure in outlaw country with a song that was always going to be his to sing, and songwriter behind the song shows the power of telling your own story. LA Freeway, originally by Jerry Jeff Walker, covered by Guy Clark.
Outro music is Love at the Five and Dime by Nanci Griffith.
We pay tribute to a musical giant, focusing on the moment where is started to get the recognition he deserved, and a cover where everyone reinforced that recognition. Surfer Girl, originally by The Beach Boys, covered by Paul Simon.
Outro music is Brian Wilson, by Barenaked Ladies.
An episode remembering a towering talent who broke new ground in unexpected ways, and covers by a couple of other remarkable talents who are clearly appreciated, but not enough and for not enough reasons. Everyday People, originally by Sly and the Family Stone, covered by Taj Mahal, and by Jeff Buckley.
Outro music is Underdog, also by Sly and the Family Stone.
A beautiful song that subtly obscures its musical roots by an artist with surprising connections to the genre, and a cover that goes all in on everything. I Can See Clearly Now, originally by Johnny Nash, covered by Hothouse Flowers.
Outro music is Closer to Fine by Indigo Girls, and we guarantee it will all make sense.
A no-nonsense dance hit that has depth beyond what you usually see in a no-nonsense dance hit, and a cover that embraces the story and an artists peculiar place in the world. Pink Pony Club, originally by Chappell Roan, covered by Rick Astley.
Outro music is Together Forever, also by Rick Astley.
A lifetime of curious musical collaborations and a killer song that needed to find the right band. Rock and Roll Hoochie Koo, originally by Johnny Winter And, covered by Rick Derringer.
Outro music is an utterly improbable cover of Rock and Roll Hoochie Koo by Mean Gene Okerlund. If you know you know, and if you don’t you’re going to want to take a look at the video link we post.
A stunning song that perfectly captures the complexity of a musical and cultural genius, and a cover that strips the song down to almost nothing, but has so much to offer. Life On Mars?, originally by David Bowie, covered by Seu Jorge.
Outro music is Bowie’s Starman, also covered by Seu Jorge, because we can’t get enough of this guy. We think you’ll agree.
Rather than debating who put whose chocolate in which peanut butter, we see the results of someone really knowing what to do with some good ingredients. Without You, originally by Badfinger, covered by Harry Nilsson.
Outro music is Whiter Shade of Pale, by Procul Harum.
An enduring song that finds the perfect balance of catchy and smart, and a band that was a little enigmatic for us, makes strange choices, but clearly has the right stuff. Save Tonight, originally by Eagle-Eye Cherry, covered by Silos.
Outro music is Mind Eraser, also by Silos.
A breakthrough song on a breakthrough album from a band that’s generationally influential, with a couple of covers that fully transform but still respect the spirit of the original. Karma Police, originally by Radiohaed, covered by Scary Pockets featuring Monica Martin, and by Pierce the Veil.
Outro music is Radiohead’s Creep, also covered by Scary Pockets, this time featuring India Carney, where circumstances allow them to bring a little more funk.
One of the biggest songs of the 80s that started out with almost all the right people, but needed some time for everyone to settle into the right role before it could become absolutely iconic. Alone, originally by I-Ten, covered by Heart, and by Celine Dion.
Outro music is Eternal Flame, by The Bangles, which was also written by the guys from I-Ten, who are really all over this episode.
A one hit wonder with a surprising number of hits, and an artist that managed to always be herself when the whole entertainment industry expected otherwise. Your Love, originally by The Outfield, covered by Kelly Clarkson.
Outro music is Since You’ve Been Gone, also by The Outfield. Yes, you read that right, and you’ll just have to listen to find out.
A killer song that almost killed the band, and a musical friendship that lead to some surprising results. Talk To Ya Later, originally by The Tubes, covered by Richard Marx.
Outro music is Save It For Later by The English Beat, not that anyone was ever confused preparing for this episode.
An iconic artist on the cusp of a powerful but controversial transition, a band that was able to put the music first for just long enough, and a singer who understands what performance art should be. It’s All Over Now Baby Blue, originally by Bob Dylan, covered by Them, and by Cat Power.
Outro music is Gloria, also by Them.
One of the all-time-great pop songs pushes an already substantial artist to new heights, and a cover that has surprising strengths (and weaknesses), while reminding us to tip the wait staff. Toxic, originally by Britney Spears, covered by Franz Ferdinand.
Outro music is Take Me Out, also by Franz Ferdinand.
The undisputed godfather of brilliant hilarity goes his own way, and a band that couldn’t be more ridiculous on paper turns out to be the perfect band for what might be the best tribute ever. We’re not kidding. Dare To Be Stupid, originally by Weird Al Yankovic, covered by Cybertronic Spree.
Outro music is Turbo Heart, also by Cybertronic Spree, because they really deserve another listen.
A very old, less known, and wildly special song before the maximally meteoric rise, and a cover by a band that was — and still is — there through it all. Cry for a Shadow, originally by the Beatles, covered by The Ventures.
Outro music is Walk, Don’t Run, also by The Ventures.
One of the greatest protest songs and just plain old songs ever recorded is tragically germane across the decades. What’s Going On, originally by Marvin Gaye, covered by Cyndi Lauper, and by Los Lobos.
Outro music is Biko by Peter Gabriel. And honestly, the folks at Rolling Stone need to get their house in order.
A song that seemed to come out of nowhere and take over the whole world is a lot more than just well formulated pop, and a cover from a secret band. Somebody That I Used To Know by Gotye featuring Kimbra, covered by Army of Three.
Outro music is The Way I Am by Ingrid Michaelson.
A debut single that put the biggest possible flag in the ground, and a cover that shows up with its own ideas. Mr Brightside, originally by The Killers, covered by Hauskey.
Outro music is Elmo’s Song, by Elmo featuring Big Bird and Snuffy. Yes, it fits.
A song that was a point of transition which lead to a future that nobody expected, least of all the band behind it, and a perfect tribute. Southern Accents, originally by Tom Petty and the Heartbreakers, covered by Dolly Parton.
Outro music is Rebels, also by Tom Petty and the Heartbreakers, and you can’t tell us that isn’t a great line.
A song that perfectly captures a historical moment that’s coming around to bite us again, and a cover that gets it all wrong in the rightest possible way. Video Killed The Radio Star, originally by The Buggles, covered by The Presidents Of The United States Of America.
Outro music is Cleveland Rocks, also by The Presidents Of The United States Of America.
We always love a song with a complicated origin story, and here we get to pay tribute to an amazing songwriter and still indulge our favorite plot twists. Help Me Make It Through The Night, originally released by Percy Sledge, with versions by Kris Kristofferson, and by Gladys Knight and the Pips.
Outro music is Jump In The River by Sinead O’Connor — and if you don’t know about the connection between Kris Kristofferson and Sinead O’Connor, you need to dig into that, because it’s amazing.
A lively song from a young band that shows a lot more musical maturity than you might expect, and a cover by an equally young band that knows what they’re about, even if the industry isn’t ready for it yet. Going Down To Liverpool, originally by The Waves (who had not yet given Katrina top billing), covered by The Bangles.
Outro music is Walking On Sunshine, also by Katrina and the Waves. Let us know if it helps you figure out who’s actually singing in the first song, because we’re still confused.
It’s hard to find a song - or a singer - who nails it better than this, which makes covering it an impossible task. We found a band that did it. Someone Like You, originally by Adele, covered by Water From Your Eyes.
Outro music is Love at the Five and Dime, by Nanci Griffith — and you should really go back and check out that episode if you missed it the first time.
An iconic song with an origin story that defies all understanding, and a cover by a singer with more talents than any six people should be trusted with. All The Young Dudes, originally by Mott the Hoople, covered by Bruce Dickinson.
Outro music is Bang a Gong, by T.Rex, who makes a surprise appearance in this episode — let us know if you spot it.
A song that knows its genre better than anyone could have expected, but also understands its roots in a way that elevates the sound, and a cover that does its country proud. A Bar Song (Tipsy), originally by Shaboozey, covered by Twenty One Two.
Outro music is Sweat Honey Buckiin by Beyoncé featuring Shaboozey.
An ideal pop song that was far enough ahead of its time it got to come around again for a second try, and a cover with all the right bits and pieces. There She Goes, originally by The La’s, covered by The Wombats.
Outro music is Sweet Emotion, by Aerosmith. And we promise that makes sense.
We embrace the Christmas spirit with a top-tier listener request and absolute classic of a song, and a cover that has equal measures of heart and musical greatness. The Heat Miser Song, originally performed by George S. Irving, covered by Big Bad Voodoo Daddy.
Outro music is Put One Foot In Front Of The Other, from Santa Claus Is Comin’ To Town, another Rankin Bass Classic.
A song from an experimental phase that is utterly complete and fully formed, and a cover that should sound like a gimmick but a brilliant band makes it polished and natural. Eleanor Rigby, originally by The Beatles, covered by Kansas with the London Symphony Orchestra.
Outro music is Mama Told Me Not To Come, by Three Dog Night with the London Symphony Orchestra.
A subtle song from band that never took over the world, but is a perfect representative of a rich and often overlooked time in music history, and a cover that leaves it all on the table. Always The Last To Know, originally by Del Amitri, covered by Jill Jackson.
Outro music is Tell Her This, also by Del Amitri, who continue their tradition of naming their songs just a little differently than you think they should.
Maximum attitude and acres of style when music wasn’t really going that way, and a cover that definitely hits the mark the band aimed at. A Girl Like You, originally by Edwyn Collins, covered by Random Hearts.
Outro music is You Only Get What You Give, by New Radicals.
The unlikeliest of artists remakes a reliable formula to create the unlikeliest of mega hits, and a band that does their thing well, but nobody really knows why. Scatman, originally by Scatman John, covered by The Axel Boys Quartet.
Outro music is Only You, also by Scatman John, which we desperately hoped would be a Yaz cover. It’s not, but it’s fun none the less.
A hugely successful song that was only coincidentally perfect for a movie, and a serious cover that knew where not to take the original too seriously. Wicked Game, originally by Chris Isaak, covered by Daisy Gray.
Outro music is Threads by Portishead.
A song that is as unexpected as it is utterly satisfying, and a cover so far beyond insightful it’s hard to fathom. Lost Cause, originally by Beck, covered by Willie Nelson.
Outro music is Keep Me In Your Heart by Warren Zevon, which is another one of those songs that just hits you, and which Willie Nelson included on the album we discuss here. Are we foreshadowing a future episode?
One of the songs that put Motown and the Motown sound on the map and a cover by a troubled but flawless band — with probably more surprise musical contributions than we’ve had in any three episodes. Stick around for the world’s greatest hype man.
Outro music is 911 Is A Joke by Public Enemy, which we also discussed way back in episode 20— that one is a similarly wild ride.
A song very much of its time that’s stood the test of time, and a cover that takes it into a new space and context. Forever Young, originally by Alphaville, covered by Brandi Carlile.
Outro music is Big in Japan, also by Alphaville.
A song with roots so hidden, yet so obviously appropriate they never should have been hidden, a big star does a cover no one bothers to forget, and an obvious path from a non-obvious choice. Mercury Blues, Originally by KC Douglas Trio, covered by Alan Jackson and by Meat Loaf.
Outro music is Houd Dog, by Big Mama Thornton — so we get really great bookends on this one.
If you think you can explain prog rock, you don’t understand prog rock — so listen while we try to explain it. Breakfast in America, originally by Supertramp, covered by Gomez.
Outro music is Roundabout by Yes.
An iconic song by a band that had mastered not just their sound, but their feel and approach to being a band, and a cover by a master of her craft. I Need You Tonight, originally by INXS, covered by Bonnie Raitt.
Outro music is Lazaretto, by Jack White.
An impossibly bold debut song that was an obvious choice to the only genius in the room, and a cover that speaks to a brilliant, but often unsung collaboration. Wuthering Heights, originally by Kate Bush, covered by Pat Benatar.
Outro music is Mamas Don’t Let Your Babies Grow Up to Be Cowboys (Chipmunks), by Alvin and the Chipmunks, off the timeless Urban Chipmunk album.
One of the biggest songs ever, by one of the biggest performers ever, from one of the biggest movies ever, and a cover from a band that only knows how to go big. My Heart Will Go On, originally by Celine Dion, covered by Dragonforce.
Outro music is Tears in Heaven, by Eric Clapton.
A song that defines a band for casual listeners while giving the real fans a breather, and a cover that almost nails it. Friday I’m In Love, originally by The Cure, covered by David Gray.
Outro music is Shiny Happy People by R.E.M.
A great issue song even if the issue gets misplaced sometimes, and the real dance rock pedigree. Beds are Burning, originally by Midnight Oil, covered by Novaspace and by Murray Head.
Outro music is One Night In Bangkok from Chess, by Murray Head.
A breakthrough song that took a while to break through and probably still deserves a little side eye in spite of its importance — and covers that reveal entirely different perspectives. Roxanne, originally by The Police, Covered by George Michael, and by Lacey Sturm.
Outro music is Wasted on You by Evanescence.
An attitude song that has a reach which may exceed its grasp, and a cover by a noteworthy performer who gets the point, but can still miss the boat. That’s Not My Name, originally by The Ting Tings, covered by Dizzee Rascal.
Outro music is This Is How It Feels, by Inspiral Carpets.
A song that perfectly conveys the themes of a film without sounding plastic or artificial, like you might expect. And a cover that plays so strongly to type no other band in history could have pulled it off. I’m Just Ken, originally by Ken played by Ryan Gosling, covered by GWAR.
Outro music is Rarrr by Heavysaurus.
The birth of New Wave channeled through satisfying melancholy, and covers that find polar opposites in the same song. More Than This, originally by Roxy Music, covered by Lucy Kaplansky, and by Missy Higgins.
Outro music is The Second Act, also by Missy Higgins.
An enduring song that stands out because of the contribution of an unlikely collaborator, and a cover so steeped in genius it’d be hard to imagine the possibility if you didn’t hear it with your own ears. Don’t Come Around Here No More, originally by Tom Petty and the Heartbreakers, covered by Rhiannon Giddens, featuring Silk Road Ensemble and Benmont Tensch.
Outro music is Texas Hold ‘Em, by Beyonce, which features Rhiannon Giddens on banjo.
The song that launched an enduring genre of music with a combination of brilliance and success in spite of itself, and a cover that succeeds in surprising ways, but has an even more surprising legacy.
Outro music is Girl You Know It’s True by Milli Vanilli.
A perfect representation of the band that started the revolution, but is mostly remembered by there reflection in the revolutionaries who followed, and the master of taking a whole lot of nothing and turning it into something amazing. Radioactivity, originally by Kraftwerk, covered by Fatboy Slim.
Outro music is Linus and Lucy by the Vince Gauraldi Trio.
A song that does manage to really hit the mood even without a ukulele, that missing ukulele, and an artist who does it the hard way but just right. Another Love, originally by Tom Odell, covered by Blanks, and by Josiah and the Bonnevilles.
Outro music is Heart on Fire, also by Blanks, and apparently from that thing we discuss in the show.
A comeback song that does its job perfectly in spite of an incredible disguise, one of the greatest teams in modern music, and an utterly savvy outside perspective. I’m Still Standing, originally by Elton John, covered by Gold Fang.
Outro music is I Guess That’s why They Call It The Blues, also by Elton John.
A genre-specific tragedy, strife in Eastern Europe, and the golden age of musical charity. Last Kiss, originally by Wayne Cochran, covered by Pearl Jam.
Outro music is Virtual Insanity by Jamiroquai.
A sleeper of a song that doesn’t seem to follow the rules for what a song needs to be, but is an indispensable anchor for a brilliant album, and a cover with a stunning pedigree. Tea for the Tillerman, originally by Cat Stevens, covered by Darren Coggan.
Outro music is Poems, Prayers, and Promises by John Denver.
A rich literary tradition plus an incredible groove builds a great foundation, and goes in unexpected directions from there — including sea shanties? Proud Mary, originally by Creedence Clearwater Revival, covered by Ike and Tina Turner, and by The Longest Johns.
Outro music is Santiana, also by The Longest Johns.
A 90s country mega-hit that doubles down on charming silliness, has no illusions about what it’s trying to be, and does it perfectly, and a cover that probably shouldn’t work, but the right band pulls it off wonderfully. Sold (The Grundy County Auction Incident), originally by John Michael Montgomery, covered by Backwoods.
Outro music is My Walking Shoes, also by Backwoods.
The power of glam, the birth of hair metal, and the bane of autocorrect. Cum On Feel The Noize, originally by Slade, covered by Quiet Riot.
Outro music continues our autocorrect hostility with Slade’s Mama Weer All Crazee Now.
The most iconic song from the prince of heavy dance music, covered by a band that lives to make it weird — and a huge musical surprise. Head Like A Hole, originally by Nine Inch Nails, covered by Devo.
Outro music is I Love Rock And Roll by Tiny Tim. If you want to know what’s up with that, you’ll have to go back and listen to episode 65.
An archetypical song from an utterly unmistakable band, and a cover with tons of pedigree and set in a context nobody can dislike. People Are Strange, originally by The Doors, covered by Echo and the Bunnymen.
Outro music is Lost in the Shadows by Lou Gramm.
Week two of Beyonce-MayOne of the biggest songs in the history of country music completely reinvented by one of the biggest artists in the world. Jolene, originally by Dolly Parton, covered by Beyoncé.
Outro music is Sorry, also by Behoncé.
Welcome to the first week of Beyonce-May! We look at a song that’s simple and pretty, with deeper roots that aren’t exactly hidden, but also aren’t exactly front and center, and a cover that knows its history and knows where it’s going. Blackbird, originally by The Beatles, covered by Beyoncé (named Blackbiird in Beyoncé’s cover).
Outro music is Daddy Lessons, also by Beyoncé featuring The Chicks.
A huge song that captures a bit of the magic and musical range of the mid-90s, and still holds up today. Mr. Jones, originally by Counting Crows, covered by The Album Cover.
Outro music is Alan’s Morissette’s Hand In My Pocket, also by The Album Cover.
One of the most lovable and comfy songs ever recorded, by a songwriter who kinda lives there, and a cover from a group that really knows their stuff. If I Had A Boat, originally by Lyle Lovett, covered by Pete Muller & The Kindred Souls.
Outro music is If I Were The Woman You Wanted by Nanci Griffith.
A big shift for a talented but comfortably conventional band, and a cover by a group that conquered Europe. Beggin’, originally by The Four Seasons, covered by Maneskin.
Outro music is Zitti E Buoni, also by Maneskin, and the song they used to win Eurovision.
There are so many sides to this song, from the brilliant writing, to the cultural obsession with the secrets behind it, and a huge cast of eligible narcissists ready to play their part. You’re So Vain, originally by Carly Simon, covered by Liza Minnelli, Faster Pussycat, and John Barrowman. Yes, we needed this many versions of it to get to the bottom of things.
Outro music is 1987 by Steel Panther, and they are so good.
One of the biggest duets ever recorded by a pair of artists that were a remarkable team-up, and a cover that’s entirely unexpected, but really did its homework to find the spirit of the song.
Outro music is Grease by Frankie Valli, which was written by the Bee Gees, which totally fits if you know what’s up.
A controversial song which is still beyond brilliant and with durable and positive musical impact, and a cover that does a complete musical relocation of the song without losing the magic. Graceland, originally by Paul Simon, covered by Willie Nelson.
Outro music is In Your Eyes by Peter Gabriel, but it’s the bit at the end where we get to hear the stunning Wolof singing by Youssou N’Dour — and which came out in the same year as Graceland.
A song that redefined a career and charted a new course for an entire generation, a cover that looks back on that new course and smiles, and a version that fit the film because that’s the job it had to do. You Don’t Own Me, originally by Lesley Gore, covered by Joan Jett, and by The Blow Monkeys.
Outro music is Bad Reputation, also by Joan Jett.
One of the most impactful songs of the 80s by a band impossibly deep with talent, and a cover that, honestly, shouldn’t have worked but succeeded brilliantly thanks to the right artist with the right plan. Here Comes The Rain Again, originally by Eurythmics, covered by Macy Gray.
Outro music is Macy Gray’s cover of Colby Caillat’s Bubbly — which apparently features Idris Elba, but we don’t think he shows in the clip, so listen to the whole thing.
The biggest song by the Godfather of American Metal, a cover that captures the essence of a regional sound, and the shame of a Beach Boy. Mother, originally by Danzig, covered by The Delorean Sisters.
Outro music is She Bop, by Cindy Lauper.
A song that may not have stood the test of time, but definitely lives rent free in your head — and a band that may well do the same. Abracadabra, originally by The Steve Miller Band, covered by Sugar Ray.
Outro music is My Own Worst Enemy by Lit.
A huge song from a band that should have taken over the world, an early cover from a band that kinda did, and a family band that can hold their own with both of them. I’m a Man, originally by Spencer Davis Group, covered by Chicago Transit Authority, and by Los Lonely Boys.
Outro music is 25 or 6 to 4 by Chicago, where they really let the horns go wild.
An unforgettable song with origins we never would have expected, and a wild ride of popularity nobody could have predicted. Unchained Melody, originally by Todd Duncan, covered by The Righteous Brothers.
Outro music is Christmas in Prison by John Prine.
Get out your striped socks and your blue foods for an ultra-listenable song that had massive success, and a cover that understood the assignment better than anyone could have expected. Riptide, originally by Vance Joy, covered by Stealth.
Outro music is Pokerface, by Lady Gaga.
Also we have a reading assignment for you this week, and we guarantee you’ll thank us for it.
We’re not saying that doubling down on emotionally abusive high school BS is the way to write great music, but wow, there’s some great music steeped in emotionally abusive high school BS. Go Your Own Way, originally by Fleetwood Mac, covered by The Cranberries.
Outro music is (They Long To Be) Close To You, but the cover version by The Cranberries.
The most important song in the history of Heavy Metal has a lot more substance than you might think, as does that song’s most unexpected cover. War Pigs, originally by Black Sabbath, covered by T-Pain.
Outro is Fortunate Son, by Creedence Clearwater Revival.
One of the biggest - and most impactful - songs of the 80s, when art rock turned into party rock without losing any of the art. And a cover that shows off a special kind of genius steeped in the purest fandom. Sledgehammer, originally by Peter Gabriel, covered by Lowland Hum.
Outro music is Higher Love, by Steve Winwood.
We start with an artist you know, but probably don’t know you know, and finish with one you definitely know, but maybe didn’t know like this. Just One Smile, originally by Gene Pitney, covered by Sheena Easton.
Outro music is A Love Bizarre, by Sheila E, because we couldn’t help ourselves.
We kick off the new year with a foundational song by a tragic but influential artist, check out a cover by a band that learned all the right lessons, and listen to a version that only exists because network TV executives have no idea how to do their jobs. Twenty Flight Rock, originally by Eddie Cochran, covered by Commander Cody and His Lost Planet Airmen, and by Conan O’Brien, featuring Jack White.
Outro music is 25 Minutes to Go, by Shel Silverstein.
An art project that had a shocking degree of influence on literally all of modern music, and a cover that tries really hard to … well, it tries really hard. Tom’s Diner, originally by Suzanne Vega, covered by AnnenMayKantereit with Giant Rooks.
Outro music is Keep On Moving by Soul II Soul.
This week, we focus on New Wave greatness, Patriotism, and questionable sandwich spreads. Down Under, originally by Men At Work, covered by Nick Cunningham, and by Leftover Crack.
Outro music is Kookaburra, by Octopretzel.
You don’t want to miss this. We find deep context, make profound connections, and enjoy some impossibly good — and important — tunes. Wake Me Up Before You Go Go, originally by Wham!, covered by Shawn Mullins.
Outro music is Cecilia, by Simon and Garfunkel.
A brilliant but deeply troubled band, a band whose fame almost matches their egos, and an under appreciated band that knew exactly how to get the most out of their music. Wild Horses, originally by The Flying Burrito Brothers, covered by The Rolling Stones (yes, really, we explain it), and by The Sundays.
Outro music is She’s a Rainbow, by The Rolling Stones, because even Rich will admit they have one good song.
A classic song by a band that filled their musical space better than anyone, and a surprising duet that’s a complete departure, that’s still utterly faithful to the original. Have You Ever Seen The Rain, originally by Creedence Clearwater Revival, covered by Willie Nelson featuring Paula Nelson.
Outro music is It Happens by Sugarland, so we know you’ll get your recommended daily allowance of twang.
One of the most innovative and iconic bands really gets the ball rolling - and leans hard on some under appreciated bandmates. And the kings of New Wave work some black magic on it. Psycho Killer, originally by Talking Heads, covered by Duran Duran featuring Victoria De Angelis.
In honor of David Byrne’s French accent, outro music is Prisencolinensinainciusol, by Adriano Celentano. He’s an Italian musician who wrote and performed the song to sound English, even though it has no actual English in it. Because he had big ideas too.
A brilliant reaches huge success thanks to a combination of musical ability and absurdly savvy marketing, covered by an artist who does her thing as well as anyone. Crazy, originally by Gnarls Barkley, covered by Shawn Colvin.
Outro is Gone Daddy Gone, also by Gnarls Barkley.
A remarkable amount of synthesizer and vocal genius this week as we tackle a song made and covered by pioneering artists who brought an uncommon level of sophistication to their work. Steppin’ Out, originally by Joe Jackson, covered by Trevor Horn featuring Seal.
Outro music is Kiss From A Rose, also by Seal, and also produced by Trevor Horn.
A hugely successful song proves polarizing, and an artful cover only makes the discussion more complicated. Probably because of Satanists. Teenage Dirtbag, originally by Wheatus, covered by Phoebe Bridgers.
Outro music is Run To The Hills, by Iron Maiden, baby.
A pioneering song by the band that reinvented the notion of pioneering, and a cover that changes all of the context, but keeps the magic. Strawberry Fields Forever, originally by The Beatles, covered by Cyndi Lauper.
Outro music is Nothing from Nothing by Billy Preston.
One of the greatest vocal bands ever — which was actually so much more — and a vocalist everyone knows is great, but is all too often overlooked. The Tracks of My Tears, originally by The Miracles, covered by Adam Lambert.
Outro music is Chandelier, also by Adam Lambert. Also, that album of his is High Drama, if you’re keeping score and want to check it out. You’re welcome.
We take a look at a foundational songs of modern music by one of the greats who was gone far too early, and follow up with a cover by one of the greats who may have made more people smile more often than any other human. Hey Good Lookin’, originally by Hank Williams, covered by Jimmy Buffett — he was supported by a ton of important people in this song, but it’s about Jimmy Buffett this week.
Outro music is End of the Line by The Traveling Wilburys.
Curl up on your couch in your Kierkegaard Snuggie and get ready for the universe to show up with some judgement — good times!. God’s Comic, originally by Elvis Costello, covered by Craig Cardiff.
Outro music is Veronica, by The Unwieldies, which we’ll probably have to talk about some time on the show.
Episode 300 is a nice milestone to take on the song that served as the initial inspiration when we started this show. A huge song with one of the most important and impactful covers ever. I Will Always Love You, originally by Dolly Parton, covered by Whitney Houston.
Outro music is I Still Miss Someone, also by Dolly Parton.
Three shockingly different takes on a song written by the godfathers of outlaw country show us everything a country song can be, and then some. There are way more surprises than you think. Just Dropped In (To See What Condition My Condition Was In), originally by Jerry Lee Lewis, covered by The First Edition, and by Gretchen Peters.
Outro music is Luckenbach, Texas, by Waylon Jennings.
One of the foundational songs of Americana, roots, and southern rock, by one of the most influential bands ever, covered by the most super of super-groups, and by someone who understood the original better than anyone expected. The Weight, originally by The Band, covered by Diana Ross and the Supremes and the Temptations, and by Joan Osborne. If you’re keeping count, that’s three versions.
Outro music is Right Hand Man, also by Joan Osborne.
A brilliant songwriter tells a story that is uniquely personal, but also nearly universal. And then Nashville works with the right performer, but takes the song half way. Silver Thunderbird, originally by Marc Cohn, covered by Jo Dee Messina.
Outro music is I’m Alright also by Jo Dee Messina.
One of the biggest and most impactful songs of the late 80s taught us who we were. A new cover raises all sorts of questions about what we’ve become. We Didn’t Start The Fire, originally by Billy Joel, Covered by Fall Out Boy.
Outro music is The Downeaster ‘Alexa’, also by Billy Joel.
We open up the Great American Songbook to visit an artist who broke ground in ways well ahead of her time, and to pay tribute to two of the most significant voices in modern music. Bewitched, Bothered, and Bewildered, originally by Vivienne Segal, covered by Tony Bennett, and by Sinead O’Connor.
Outro music is Sister Sinead, by Kris Kristofferson. And honestly, there were so many choices for this one, but we couldn’t think of a better way to say goodbye to her and to say thank you.
One of the biggest songs from one of the biggest artists in rap and its literary strengths, and a kindred spirit who couldn’t be more different. Lose Yourself, originally by Eminem, covered by Kasey Chambers.
Outro music is Jack and Diane by John Mellencamp.
A song and an artist who cemented the birth of R&B doesn’t take himself too seriously, and a brilliant folk singer takes a big swing. Another Saturday Night, originally by Sam Cooke, covered by Cat Stevens.
Outro music is Just The Way You Are, by Gheorghe Zamfir.
One of the biggest and most compelling songs in the history of rock and roll gets the flamenco treatment, and takes an unusual turn. Hotel California, originally by The Eagles, covered by Gipsy Kings, and by Nancy Sinatra.
Outro music is Layla by Derek and The Dominos, but just the long piano bit from the end, which will make total sense by the time you listen to the episode.
A page directly from The Great American Songbook, with three wildly different perspectives on culture and meaning. Irving Berlin’s Puttin’ On The Ritz, originally recorded by Leo Reisman and his Orchestra, covered by Taco, and by Neil Diamond.
Outro music is Irving Berlin’s Cheek to Cheek, recorded by Ella Fitzgerald and Louis Armstrong.
An absolutely astonishing collection of songs this week. And an amazing story, with surprise appearances, proper villains, and music that endures in remarkable ways. Killing Me Softly With His Song, originally by Lori Lieberman, covered by Roberta Flack, and by The Fugees.
Outro music is Schoolhouse Rock! The Great American Melting Pot, sung by Lori Lieberman.
Artists who are absolutely dominant in their time give a song their all. And, well, they definitely leave their marks. Bad, originally by Michael Jackson, covered by Billie Eilish.
Outro music is I Have Learned to Do Without You, by Mavis Staples.
The pop punk version of a power ballad turns into a great song that may have been a victim of its own success — and a lack of active listening skills. Plus, a secret supergroup, and a band who understood the assignment. Good Riddance (Time of Your Life), originally by Green Day, covered by Albert Lee and Hogan’s Heroes, and by Wolf Alice.
Outro music is Hole Hearted, by Extreme, and wow, Nuno Bettencourt is an absolute beast, in an under appreciated band.
A massive song by the best worst family band ever, an incredibly smart cover, and a production deadline. Woderwall, originally by Oasis, covered by Ryan Adams, and by Little Big Town.
Outro music is Girl Crush, also by Little Big Town.
This week is a rare treat where we look at a song with two completely different, and both utterly definitive versions. With these performers, it couldn’t have gone any other way. I Don’t Know Where I Stand, originally by Fairport Convention, covered by Joni Mitchell, and by Barbra Streisand.
Outro is Don’t Rain on My Parade, from Funny Girl, also by Barbra Streisand.
Could there be a more appropriate song for us to use to pay tribute after the passing of one of the great icons of modern music? The Best, originally by Bonnie Tyler, covered by the incomparable Tina Turner.
Outro music is Better Be Good To Me, also by Tina Turner.
A massive sound in a blend of styles that just shouldn’t work, by an artist who has a 200IQ approach to the music business, and a substantial cover that stands on its own. River, originally by Bishop Briggs, covered by Porter and Sayles.
Outro music is Maggie’s Farm by Bob Dylan.
An impossibly successful song with deeper roots than anyone imagined — both musically and inspirationally, and a cover which shares the love of both. Day O (The Banana Boat Song), originally by Edric Connor and the Caribbeans, covered by Harry Belafonte, and by Donovan.
Outro music is Jump in the Line, also by Harry Belafonte.
A massive rock star gets his biggest hit by breaking his own rules, and an unlikely cover that works because a wonderful artist paid attention. Dancing in the Dark, originally by Bruce Springsteen, covered by Mary Chapin Carpenter.
Outro music is This Shirt, also by Mary Chapin Carpenter, because y’all need to listen to more of her music.
A brilliant song by one of Canada’s greatest artists which probably reveals a bit too much about a troubled soul, and the unlikeliest of covers at the unlikeliest of times. Sundown, originally by Gordon Lightfoot, covered by Depeche Mode.
Outro music is F You (but the radio version, because we try to be family friendly), by CeeLo Green.
One of the most amazing voices in blues and soul, covered by a band that was great in their own way even before finding a particular muse. Ain’t No Love in the Heart of the City, originally by Bobby “Blue” Bland, covered by Whitesnake.
Outro music is Here I Go Again, also by Whitesnake — but it’s the original 1982 version from Saints and Sinners that isn’t quite like you remember the song to be. Listen all the way to the end, and please — please — check out the video. You won’t be disappointed.
A classic of mid-70s pop with a surprising — and amazingly serendipitous — origin. Also, the unlikeliest of covers. Rhinestone Cowboy, originally by Larry Weiss, covered by Glen Campbell and by Radiohead.
Outro music is Bend Me Shape Me by The American Breed — and which is itself a cover, so keep an eye on that one.
Spend a nice day on the river, and throw in a bit of piracy, just to keep the local economy going. Also, Canada is funnier than England — who knew? The Last Saskatchewan Pirate, originally by The Arrogant Worms, covered by The Longest Johns.
Outro music is Hoist Up The Thing, also by The Longest Johns, because England is still funny.
A hidden battle between artist and studio, producers trying to outdo themselves, and a quick trip to Alaska. Don’t Cha, originally by Tori Alamaze, covered by The Pussycat Dolls featuring Busta Rhymes, and by The Baseballs.
Outro music is Hey There Delilah by Plain White T’s.
A brilliant classic of rock and R&B, which flirted with bubblegum, and a cover that goes full-Wonka. I Think We’re Alone Now, originally by Tommy James and the Shondells, covered by Tiffany.
Outro music is Sunshine, Lollipops and Rainbows, by Leslie Gore.
A brilliant and surprisingly innovative dance track from a band that minted them daily, and a cover that can’t decide between parody and madness. Lay All Your Love On Me, originally by ABBA, covered by Brian David Gilbert.
Outro music is Batty Bat, by Count Von Count, voiced by the incomparable and departed Jerry Nelson.
A brilliant and classic song, overshadowed by a perfectly serviceable, but odd, cover of a cover, and a little help from James Gunn. Hooked on a Feeling, originally by BJ Thomas, covered by Blue Swede.
Outro music is Listen to Your Heart, by Roxette.
We dive into a listener request that achieves maximum atmosphere, and then takes it a step or two farther. I Follow Rivers, originally by Lykki Li, covered by Marika Hackman.
Outro music is Save a Prayer by Duran Duran.
A classic born to of ‘30s Yiddish theater with roots and history that are worth remembering — and more twists and turns than you’d think were possible. Bay Mir Bitsu Shayn, byJacob Jacobs and Sholom Secunda, covered by The Andrews Sisters.
Outro music is Makin’ Whoopee! by Eddie Cantor.
An attitude song by a consummate attitude performer finds another life on TV — and gets even more attitude. But the tough guys also find out who’s really in charge. Red Right Hand (now the theme song for Peaky Blinders), originally by Nick Cave and the Bad Seeds, covered by Snoop Dog.
Outro music is Way Down in the Hole, by Tom Waits.
A song so foundational to a branch of rock that it’s hard to imagine the world without it, and a cover that takes it in a shockingly different direction. Iron Man, originally by Black Sabbath, covered by The Cardigans (no really, this actually happened).
Outro music is The Original Doctor Who Theme, by Murray Gold — and it totally makes sense.
This week we take on a topical song that’s so good it should never have had to have been rediscovered. It’s covered by an an artist who has a rare gift of bringing something new and inventive to a song that’s already basically perfect in every way. It’s a heck of a week as we take on Long Long Time, originally by Linda Ronstadt, covered by Sid Sriram.
Outro music is Anthimaalai Neram, also sung by Sid Sriram.
And yes, we have spoilers for Last of Us — and Game of Thrones, and Girl with All the Gifts, and the remake of True Grit. Sorry, but it’s still worth it, so you should just listen.
A young artist has a brilliant song, while looking ahead at overshadowing himself, and one of the most effective and innovative comebacks in modern music. I Feel For You, originally by Prince, covered by Chaka Khan.
Outro music is Wake Me Up Before You Go-Go, by Wham! That was a heck of a year.
The roots of rock and roll, stealth gospel, unstoppable innovators, and hair with tons of personality. This week it’s All Shook Up, originally by Elvis Presley, covered by the Jeff Beck Group.
Outro music is Dig a Little Deeper by The Jordanaires.
We pay tribute to the irreplaceable David Crosby by discussing an incredibly innovative and influential song. Eight Miles High, originally by The Byrds, covered by Leo Kottke.
Outro music is The Byrds’ cover of Bob Dylan’s Mr. Tambourine Man.
We riff on riffs, investigate the value of distortion, and look at some of the hilariously dirty underbelly of the music biz with a guilty pleasure song. Talk Dirty To Me, originally by Poison, covered by Reel Big Fish.
Outro music is How Does It Feel, by Slade.
A band with loads of talent starts with a big splash, and vocal royalty takes it from there. The Boy from New York City, originally by The Ad-Libs, covered by The Manhattan Transfer.
Outro music is Yakety Yak by The Coasters.
We both geek out this week, sometimes in different directions, with a song that starts out looking a little silly, but reveals a ton of depth -- as a writing effort and in performance. 25 Minutes to Go, originally by Shel Silverstein, covered by Johnny Cash.
Outro music is A Front Row Seat to Hear Ole Johnny Sing, also by Shel Silverstein. It's like he knew we were planning this episode.
Join us in celebration of the fifth anniversary of our show as we pay tribute to the astonishing Christine McVie. Two original songs this week -- Don't Stop, originally by Fleetwood Mac, covered by Lisa Loeb, and Songbird, originally by Fleetwood Mac, covered by Rita Wilson and Josh Groban.
Outro music is Say Hello, also by Lisa Loeb.
One of the greatest songs of the 80s, which drove the success of one of the biggest movies of the 80s, by on of the most compelling stars of the 80s. Who could possibly cover that? Oh, OK. Flashdance... What a Feeling, originally by Irene Cara, covered by Celine Dion.
Outro music is Fame, also by Irene Cara.
Who doesn't love a good Christmas song -- particularly one designed to wipe the floor with Bing Crosby. Merry Christmas Baby, originally by Johnny Moore's Three Blazers, covered by Billy Idol, and by Melissa Etheridge.
Outro music is Linus and Lucy, by Vince Guaraldi Trio.
We embark on the Monsters of Pop Punk tour and find hidden depths. Basket Case, originally by Green Day, covered by Avril Lavigne.
Outro music is Don't Want to Know If You Are Lonely, by Hüsker Dü -- and we hope those umlauts don't break the download.
A master of a modern craft, a plucky band does the impossible, and a new context for maximum impact. Praise You, originally by Fatboy Slim, covered by The Belligerents, and by Jordyn Shellhart.
Outro music is You Don't Get to Get to Me, also by Jordyn Shellhart.
A band far too good to be so stealthy, a talent much bigger than her time, cynical awards shows, and a Lucille Ball cameo. Georgy Girl, originally by The Seekers, covered by Carol Burnett. And a wonderful intro from listener Janie.
Outro music is Born Free, by Andy Williams, who gets the one-raised-eyebrow look for this one.
It's easy to forget one of these bands had a huge hand in inventing heavy heavy blues rock, and it's surprising when a band they inspired phones it in. Oh Well, originally by Fleetwood Mac, covered by Jimmy Page with the Black Crowes.
Outro music is Evergreen, also by the Black Crowes.
The brilliant foundation of a band with unbelievable potential and a band with incredible focus that mastered an under appreciated craft. Surfin' Safari, originally by The Beach Boys, covered by The Ramones.
Outro music is Surf City by Jan and Dean.
Traditional music beats the modern in a classic battle, delivered with a wink and then by a band that only winks. The Devil Went Down to Georgia, originally by Charlie Daniels Band, covered by Primus.
Outro music is Welcome to Bucketheadland, by Buckethead.
And thanks, Zach, for another great suggestion.
A band with big ideas puts some deep thoughts into a musical blender, and a cover from the age of bedroom music studios. Sorrow, originally by Bad Religion, covered by Switchfoot.
Outro music is Stepping Stone, by Minor Threat.
A band with big ideas puts some deep thoughts into a musical blender, and a cover from the age of bedroom music studios. Sorrow, originally by Bad Religion, covered by Switchfoot.
Outro music is Stepping Stone, by Minor Threat.
A love song to a city that exposes all of its sorrow and failings, but is still the perfect song about what makes it great. I Love LA, originally by Randy Newman, covered by OMC, and by Eric Church.
Outro music is The Most Beautiful Girl (In the Room), by Flight of the Conchords.
A love song to a city that exposes all of its sorrow and failings, but is still the perfect song about what makes it great. I Love LA, originally by Randy Newman, covered by OMC, and by Eric Church.
Outro music is The Most Beautiful Girl (In the Room), by Flight of the Conchords.
We do something a little different this week. One of the biggest and most impactful songs of the 90s relied heavily on sampling and was subsequently significantly parodied. Both of those use the music of a nearby song to tell a new story, and it sheds some light on how the business of cover songs works. Gangsta's Paradise, originally by Coolio, sampled Pastime Paradise by Stevie Wonder, and parodied in Amish Paradise by Weird Al Yankovic.
Outro music is Eat It, also by Weird Al Yankovic.
We do something a little different this week. One of the biggest and most impactful songs of the 90s relied heavily on sampling and was subsequently significantly parodied. Both of those use the music of a nearby song to tell a new story, and it sheds some light on how the business of cover songs works. Gangsta's Paradise, originally by Coolio, sampled Pastime Paradise by Stevie Wonder, and parodied in Amish Paradise by Weird Al Yankovic.
Outro music is Eat It, also by Weird Al Yankovic.
We celebrate 250 episodes with a listener request that blew up on us a little. A classic song with deeper roots and more variations than anyone saw coming. Mack the Knife, originally sung by Kurt Gerron, covered by Gerald Price, Bobby Darin, Ella Fitzgerald, The Doors, and The Psychedelic Furs.
Outro music is Put Your Head on My Shoulder, by Paul Anka.
We celebrate 250 episodes with a listener request that blew up on us a little. A classic song with deeper roots and more variations than anyone saw coming. Mack the Knife, originally sung by Kurt Gerron, covered by Gerald Price, Bobby Darin, Ella Fitzgerald, The Doors, and The Psychedelic Furs.
Outro music is Put Your Head on My Shoulder, by Paul Anka.
Post-punk, the birth of industrial music, one-man bands, and a goth icon. Check your eyeliner for this week's episode. Dead Souls, originally by Joy Division, covered by Nine Inch Nails.
Outro music is Superman (It's Not Easy), by Five for Fighting. It doesn't sound like it fits, but it totally fits.
Post-punk, the birth of industrial music, one-man bands, and a goth icon. Check your eyeliner for this week's episode. Dead Souls, originally by Joy Division, covered by Nine Inch Nails.
Outro music is Superman (It's Not Easy), by Five for Fighting. It doesn't sound like it fits, but it totally fits.
Covering one of the greatest living singers when they record a basically perfect song is a bold choice. Wonder how that works out. Rolling in the Deep, originally by Adele, covered by Linkin Park and by Greta Van Fleet.
Outro is Final Masquerade, also by Linkin Park.
Pop royalty writes a song for a band that deserves pop royalty status, and an impassioned defense of skater trash. I'm a Believer, originally by The Monkees, covered by Smash Mouth.
Outro music is also I'm a Believer, this time by Eddie Murphy, performing as Donkey.
One of the oldest blues recordings inspires an almost perfect hit, and some not-so-great choices. Black Betty, originally by James "Iron Head" Baker and Group, covered by Ram Jam, and by Nick Cave and the Bad Seeds.
Outro music is Teenage Dirtbag by Wheatus.
Low-key greatness from an artist at the top of his game, and a cover that doubles down on everything that makes the original great. Somebody's Baby, originally by Jackson Browne, covered by Stories featuring Jennah Bell.
Outro music is Fishing in the Dark by Nitty Gritty Dirt Band.
A brilliant song reaches improbable success on the charts, and a band shows gumption covering the un-coverable. Ana Ng, originally by They Might Be Giants, covered by Star F*cking Hipsters (yes, it's not _exactly_ their name, but you can see the leap, right?).
Outro music is Protect Ya Neck by Wu-Tang Clan, which we never thought would be possible on this show, but love that it finally happened.
We have a first for the show, with a listener sharing their story behind the request. Personal rediscovery of a song, separating art from artists, and artists assumptions that don't pan out. Everyday is Like Sunday, originally by Morrissey, covered by The Pretenders.
Outro music is Willow by Joan Armatrading.
Genius, personality, tragedy, and dance-induced trauma. This week is The House is Rockin', originally by Stevie Ray Vaughan and Double Trouble, covered by Brian Setzer Orchestra. Outro music is I Remember You by Skid Row.
Genius, personality, tragedy, and dance-induced trauma. This week is The House is Rockin', originally by Stevie Ray Vaughan and Double Trouble, covered by Brian Setzer Orchestra. Outro music is I Remember You by Skid Row.
You think you'll file this one under "didn't know it was a cover". And you could. But it's really in a category all its own. I've Got My Mind Set On You, originally by James Ray with the Hutch Davie Orchestra & Chorus, covered by George Harrison.
Outro music is "(This Song is Just) Six Words Long", by Weird Al Yankovic.
A confusing origin and timeline, one of the saddest stories in rock and roll, and Billy Baldwin. But Rich doesn't care, because he's all nostalgic. Real Real Gone, originally by Tom Fogerty (yes, that's not a typo), covered by Van Morrison.
Outro music is Train to Nowhere, also by Tom Fogerty.
A band that perfectly blended innovation with powerhouse performances find their feet -- and ends up standing with Florida Man. Don't Change, originally by INXS, covered by Limp Bizkit.
Outro music is Suicide Blonde, also by INXS.
A group of musicians pivotal to multiple popular music genres, golden age and modern variety shows, and titans of their style. Cupid, originally by Sam Cooke, Covered by Bernadette Peters, and by Boyz II Men.
Outro music is Blue Moon, by Rod Stewart featuring Eric Clapton, who managed to outclass Tony Bennet that year -- Just listen. Everything will be clear.
Artists going their own way, a surprise songwriter, and brilliantly malicious compliance. For No One, originally by The Beatles, covered by Emmylou Harris, and by Rickie Lee Jones.
Outro music is Up A Lazy River, by Bing Crosby and Louis Armstrong.
A brilliant and beloved song that didn't work like expected, a fascinating charity album, and a pretty darned good roll on a d20. Nightswimming, originally by REM, covered by Okay Kaya, and by Jason Isbell and the 400 Unit.
Outro music is I've Been to Memphis, by Lyle Lovett.
A musical journey from Los Angeles to Ukraine, through Sweden, to get hooked on phonics. Hot N Cold, originally by Katy Perry, covered by Los Colorados.
Outro music is Johnny Saucep'n, by Moxy Früvous.
New Wave, Glam, Punk, Pop, New Romantic, and Ska? It makes sense in the end. Stand and Deliver, originally by Adam and the Ants, covered by No Doubt.
Outro music is Antmusic, also by Adam and the Ants.
A voyage of discovery -- is it the song or the episode? Shotgun, originally by George Ezra, covered by Pomplamoose featuring Dodie.
Outro music is Budapest, also by George Ezra, because Rich is convinced Amanda actually knows that one.
A surprise revelation buried under another surprise revelation -- and one of us kinda misses the point (one guess only). I Haven't Seen You In A Long Time, originally by Colin Hay, covered by Great Big Sea.
Outro music is Jack Hinks, also by Great Big Sea -- but seriously, spend some time with both of these bands. You won't be disappointed.
Not just the birth of rock and roll, but a song that perfectly captures brilliance, potential, and charm -- and a cover by someone uniquely able to handle all of that. Not Fade Away, originally by Buddy Holly and the Crickets, covered by Sheryl Crow.
Outro music is Everyday, also by Buddy Holly and the Crickets.
This week we get killer clowns, Killer Clowns, child prodigies, and the world's best 401k. Tears of a Clown, originally by Smokey Robinson and The Miracles, covered by The English Beat (though it's a little complicated).
Outro music is That's the Way That the World Goes Round, by John Prine.
A classic song with a more complicated -- and dramatic -- origin than anyone expected. Ring of Fire, originally by Anita Carter (yes, you read that right), covered by Johnny Cash, and by Social Distortion.
Outro music is Ball and Chain, also by Social Distortion.
There's something in the water this week with all kinds of 80s metal trying to find a way to fit in the world -- and some of those choices are unexpected. Breaking the Law, originally by Judas Priest, covered by Stryper.
Outro music is We're Not Gonna Take It, by Twisted Sister.
The episode where we run out of superlatives. A brilliantly engaging retelling of an over examined classic, and a reinvention that combines deeply personal with universal. Romeo and Juliet, originally by Dire Straits, covered by Indigo Girls.
Outro music is Storybook Love, by Mark Knopfler.
Maximum ballad from a great balladeer, and a giant talent's confusing choices. It all asks the question: How much is too schmoopy. Honesty, originally by Billy Joel, covered by Beyonce.
Outro music is Single Ladies (Put a Ring On It), also by Beyonce.
Sweet, sentimental, brilliant, and with the world's most amazing backing band. We speak for everyone when we say "We want to go to the zoo with him, too". Perfect Day, originally by Lou Reed, covered by Duran Duran, and by Kirsty MacColl with Evan Dando.
Outro music is Choppin' Broccoli by Dana Carvey, and we're not sorry at all.
Vocal brilliance meeting incredible composition and musicianship when the genres don't match? No problem. Situation, originally by Yaz, covered by Tom Jones.
Outro music is Crazy by Andy Bell.
Feather your hair and get ready to stick it to the East Coast french fry king. Rich Girl, originally by Daryl Hall and John Oates, covered by Nina Simone, and by Everclear.
Outro music is Sarah Smile, also by Daryl Hall and John Oates.
A massive departure that still fits perfectly into a brilliant body of work, and some musical choices that may have been more about revenge than artistic direction. Saturday Night's Alright (For Fighting), originally by Elton John, covered by Nickelback with Kid Rock and Dimebag Darrell.
Outro music is This Love, by Pantera.
Musical greatness finds unexpected substance and social context, a young band nails it, and a mighty band falls. Dancing in the Streets, originally by Martha and the Vandellas, covered by Carpenters, and by The Who.
Outro music is My Size by John Entwistle.
A pair of brilliant performers and a show of mutual inspiration and influence. Back to Black, originally by Amy Winehouse, covered by Ronnie Spector.
Outro music is (The Best Part Of) Breakin' Up, by The Ronettes.
Sometimes you get a song where the lines between art and artist blur in beautiful ways. And sometimes, someone shows up to cover that song. All Is Full Of Love, originally by Björk, covered by Death Cab for Cutie.
Outro music is Time Check, by Buddy Rich and his Orchestra.
A songwriter who is also an iconic performer, and a great performer who sounds like the songwriter because of how it's written -- but not in that order. Girls Talk, originally by Dave Edmunds, covered by Elvis Costello and the Attractions. Outro music is I Hear You Knocking by Dave Edmunds.
One of the biggest hits of the 80s and the perfect match between singer and song. What's Love Got To Do With It, originally by Tina Turner, covered by Rose Cousins.
Outro music is Owner of a Lonely Heart by Yes, because 1984 was an incredible year for music.
Country that leans heavily on both dance pop and arena rock doesn't seem like it should work. But it might. (If You're Not In It For Love) I'm Outta Here, originally by Shania Twain, covered by Real McCoy.
Outro music is Another Night, also by Real McCoy.
One of the most important songs ever recorded, done by one of the most effective and subversive punk bands ever. Welcome to our TED talk. Rock Lobster by The B-52's, covered by Boy Division (not a typo) and by Young Werewolves.
Outro music is also Rock Lobster by The B-52's -- it's the part of the song that blew our minds. No spoilers.
We've never had three versions of a song that are all this good. A hat trick of masterpieces and a great listener recommendation. The Letter, originally by The Box Tops, covered by Lou Rawls, and by Tedeschi Trucks Band. Outro music is Blueberry Hill, by Fats Domino.
Lush pop, new soul, six layers of misdirection, and more powdered wigs than you could buy at Costco. Walking on Broken Glass, originally by Annie Lennox, covered by Lake Street Dive.
Outro music is Unchain My Heart by Hugh Laurie.
A brilliant musical collaboration, and a bizarre but effective blending of existential dread and free jazz. Under Pressure, originally by Queen and David Bowie, covered by The Used with My Chemical Romance and by Joss Stone.
Outro music is Fell In Love With a Boy, by Joss Stone.
Pop's greatest heartbreak song, covered by an extraordinary singer and a band not fit to be her backup dancers. Against All Odds (Take a Look at Me Now), originally by Phil Collins, covered by Mariah Carey with Westlife.
Outro music is the unnamed breakup song by Starlee Kine, from This American Life #339. Give the episode a listen if you want some good songwriting advice from Uncle Phil.
A debut song when the artist was far to young to be so deep, and a pair of covers that recontextualize to opposite extremes. Ol' 55, originally by Tom Waits, covered by Richie Havens, and by Shelby Lynne and Alison Moorer.
Outro music is Our Town by Iris DeMent.
We close out 2021 with a song that defined the sound for its genre, and gets taken to a polar opposite place. These Boots are Made for Walkin', originally by Nancy Sinatra, covered by KMFDM.
Outro music is I Don't Mind The Thorns (If You're the Rose), by Lee Greenwood.
A brilliant song from a band that is both great, yet under rated, and a cover from so far out of left field that it couldn't work, but does. Dirty Deeds Done Dirt Cheap, originally by AC/DC, covered by Lesley Gore.
Outro music is You Don't Own Me, also by Lesley Gore. She recorded that one at just 17 years old. Let that sink it a bit.
Traditional music gets a thoughtful guitar rock treatment. And then the metalheads show up. Whiskey in the Jar, by The Dubliners, covered by Thin Lizzy, and by Metallica.
Outro music is Whiskey Girl, by Gillian Welch.
A hit that was never supposed to chart, and a cover that defies expectations by playing to type. In Bloom, originally by Nirvana, covered by Sturgill Simpson.
Outro music is I Against I by Bad Brains.
Pop music royalty's coronation day and a song that launched more careers than you think. ...Baby One More Time, originally by Britney Spears, covered by Travis.
Outro music is It's My Life, by Bon Jovi -- co-written by (you guessed it) Max Martin.
A capstone on a brilliant body of work, an amazing recontextualization for an audience that badly needed it, and an artist who loved the song too much. Redemption Song, originally by Bob Marley and the Wailers, covered by Wycelf Jean, and by Joe Strummer and the Mescaleros.
Outro music is Rock the Casbah by The Clash.
A wild ride through a great song's creepy and disappointing roots, through a reinvention of traditional music. Callin' Baton Rouge, originally by The Oak Ridge Boys, covered by New Grass Revival and by Garth Brooks.
Outro music is Blue Moon of Kentucky by Bill Monroe and the Bluegrass Boys.
The breakthrough song from a musically and socially vital band, and a cover with some surprising musical choices. Karma Chameleon, originally by Culture Club, covered by Lou Bega.
Outro music is The Brandenburg Concerto, by Confucius, which was the working band name for The Hideaways at the time. It'll all make sense, don't worry.
There's definitely some magic at work with a complete takeover of what was actually a really solid original song. Black Magic Woman, originally by Fleetwood Mac, covered by Santana.
Outro music is I Feel Lucky by Mary Chapin Carpenter.
We go big for episode 200! Songs so nice they named them twice. Monday Monday, by The Mamas and the Papas, covered by Petula Clark, Mony Mony, by Tommy James and the Shondells, covered by Billy Idol, and Rebel Rebel, by David Bowie, covered by Shaun Cassidy.
Outro music is Iko Iko by The Dixie Cups.
Doo-wop in it's purest form delivers a delightfully silly song about serious business. And then Saturday Night Live shows up and runs with it. Rubber Biscuit, originally by The Chips, covered by The Blues Brothers.
Outro music is The Theme from Rawhide, also by The Blues Brothers.
The final hit from one of the greatest singer-songwriter voices who had a unique perspective on the stories he told, and a cover that stands up surprisingly well. Working at the Car Wash Blues, originally by Jim Croce, covered The Great Gonzo.
Outro music is The Biggest Ball of Twine in Minnesota, by Weird Al Yankovic. As a former Minnesota resident, Rich can confirm it's a doozie.
The rough and tumble Motown music scene producing greatness, living the French dream, and ska. It's The Same Old Song, originally by The Four Tops, covered by Claude François, and by The Pietasters.
Outro music is Alexandrie, Alexandra, also by Claude François.
A local band writes a song that punches way above their weight, and then the right band records it as the song deserved -- but reluctantly. Superman, originally by The Clique, covered by REM.
Outro music is She'd Rather be With Me, by The Turtes.
The birth of the power ballad, disdain for the power ballad, and a proper sendup of the power ballad, which actually outclasses it in some important ways. Keep on Loving You, originally by REO Speedwagon, covered by The Donnas, and by Tenacious D.
Outro music is Rock and Roll Creation, by Spinal Tap.
A song so over-the-top it can't help but always be a crowd pleaser, and the most eclectic possible cover. Eye of the Tiger, originally by Survivor, covered by Walk off the Earth.
Outro music is Yesterday, by Gheorghe Zamfir, and we swear it makes sense that it's there.
We remember one of Nashville's most delightful but under appreciated singer songwriters, and hear her work interpreted through one of its greatest vocalists. Nanci Griffith's Love at the Five and Dime, covered by Kathy Mattea.
Outro music is John Prine's Speed of the Sound of Loneliness, performed by Nanci Griffith and John Prine.
The birth of recorded blues straight through its evolution to mayhem-based guitar rock. Baby Please Don't Go, originally by Big Joe William, covered by Muddy Waters, and by AC/DC.
Outro music is Wild Cow Blues, also by Big Joe Williams, because how could we not pick that.
A contentious episode where style and talent make for very different opinions about a great (nor not so great) song. The Book of Love, originally by The Magnetic Fields, covered by Peter Gabriel, and by Gavin James.
Outro music is In Spite of Ourselves, by John Prine, featuring iris DeMent.
We look at one of the greatest love songs ever written, one that has been covered countless times. We take on versions by three giants of their times. Something, originally by the Beatles, covered by Frank Sinatra, and by Billie Eilish.
Outro music is I'm Every Woman, by Chaka Khan, as a continuing tribute to Pattie Boyd. Chaka's looking at you, George.
Singer songwriter greatness from the ultimate journeyman rocker to a band that completely closes the Americana circle, to a thoughtful tribute from a longtime friend. Wildflowers, originally by Tom Petty, covered by The Wailin' Jennys, and by Lucinda Williams.
Outro music is If I Had A Boat by Lyle Lovett.
A song that everyone knows, by a band that you'd never know for this song, and the cover everyone knows if they know the actual song, even if they don't know the band, because the version everyone knows isn't even the real song. Wait, what? Love Is All Around, originally by The Troggs, covered by Wet Wet Wet.
Outro music is the oddly canonical version, Christmas is All Around, by Bill Nighy.
One of the biggest songs - and biggest videos - of the 80s, a look back at one of the worst concert tragedies ever, and a band that completely flips the script and pulls it all together. Addicted to Love, originally by Robert Palmer, covered by Eagles of Death Metal, and by Florence and the Machine.
Outro music is I Love You All The Time, also by Eagles of Death Metal, from their return to Paris at the Olympia in February 2016.
A brilliant song that plays with the balance of musical and story expectations, a version from the aether, and the first meeting of the CoverUp Book Club. Chandelier, originally by Sia, covered by Josh Pyke, and by Damien Rice.
Outro music is Beds are Burning by Midnight Oil.
Head trips, industrial mashups, and crypto-rhinestone cowboys? This week we look at Another Brick In The Wall, Part 2, originally by Pink Floyd, covered by Korn.
Outro music is Streets of Bakersfield, by Dwight Yoakam and Buck Owens, and I swear we had a reason to put it there.
The spirit of Kerri Strug, Welsh meat loaf, and the Reagan administration's deep-state. Clearly, we're talking about Have You Ever Seen The Rain, originally by Creedence Clearwater Revival, covered by Bonnie Tyler, and by The Spin Doctors.
Outro music is Hot Patootie/Bless My Soul by Meat Loaf from The Rocky Horror Picture Show.
Life is tough for your friendly neighborhood rock star, and we hear all about it in the classic Turn The Page. Originally by Bob Seger and the Silver Bullet Band, covered by Waylon Jennings and by Metallica.
Outro music is Poor Poor Pitiful Me by Warren Zevon.
We do something different for Father's Day. This week, we look at 5 songs where the artist is covering a song originally recorded by their father. It's a lot of songs this week. Natalie Cole covers Unforgettable, Hank Williams Jr and III cover Move It On Over, Roseanne Cash covers I Still Miss Someone, Wilson Phillips cover God Only Knows, and Lily Winwood covers Higher Love.
Outro music is Papa Don't Preach, by Madonna.
Some of the best of 80s New Wave by a band that didn't want to embrace the implications of their sound, and a cover that teaches about focus and the wages of distraction. It's My Life, originally by Talk Talk, covered by No Doubt.
Outro music is Ascension Day, also by Talk Talk, from their couldn't-be-more-different album Laughing Stock.
Overly humble beginnings of a chaotically brilliant band, and an express flight from Rockford to Bakersfield. I Want You to Want Me, originally by Cheap Trick, covered by Dwight Yoakam.
Outro music is also I Want You to Want Me by Cheap Trick, but it's the version you expected to hear.
A gorgeous song by one of the great women of 80s rock, and a singer-songwriter reinvention by the singer-songwriters who wrote it. We Belong, originally by Pat Benatar, covered by Lowen and Navarro.
Outro music is Cry by Lowen and Navarro.
The sweetest song ever -- possibly too sweet -- sung by the worlds most beloved amphibian and covered by the ultimate family band. Rainbow Connection, originally by Kermit the Frog, covered by The Carpenters.
Outro music is It's Not Easy Being Green by Ray Charles.
The greatest song ever recorded, immediately overshadowed by the song that inspired it, kinda? And musical greats who are outclassed but still good enough that it doesn't matter. I Heard It Through The Grapevine, originally by Gladys Knight and the Pips, covered by Marvin Gaye, and by Amy Winehouse with Paul Weller.
Outro music is In the Modern World by The Jam.
The undeniable roots of rock and roll, and band that couldn't help but force rock to evolve, and bongo drums. Jailhouse Rock, originally by Elvis Presley, covered by Jeff Beck Group and by John Mellencamp.
Outro music is Yakety Yak by The Coasters.
An incredibly compelling song by the greatest living punk, and a cover so full of depth, musical richness, and complexity that the band can hardly be called punk, but always is. The Passenger, originally by Iggy Pop, covered by Siouxsie and The Banshees.
Outro music is Trust In Me by Sterling Holloway, as the voice of Kaa.
An enormously successful song with the rare combination of being entirely danceable and wonderfully listenable -- and a cover that shows surprising depth to an apparently thin story. We Found Love, originally by Rihanna with Calvin Harris, covered by Jessie J.
Outro music is Cherry Cherry, by Neil Diamond.
We promise, this is more interesting than you might think. One of the biggest country songs and debut singles ever, covering a serviceable but uninspiring original, and the only change was adding mullets -- ALL the mullets. As far as the eye can see. Achy Breaky Heart, originally by The Marcy Brothers, covered by Billy Ray Cyrus.
Outro music is Achy Breaky Heart by Alvin and the Chipmunks, with Billy Ray Cyrus.
We're serious about this one. Give it a chance.
The best song nobody ever knew, except the one guy who had to know it, so he made it huge and unforgettable. (What's So Funny 'Bout) Peace, Love, and Understanding, originally by Brinsley Schwarz, covered by Elvis Costello and the Attractions.
Outro music is Cruel To Be Kind, by Nick Lowe.
Classic comedy, brass mayhem, and cartoon minarets. What more could you ask for in a song? Istanbul (Not Constantinople), originally by The Four Lads, covered by They Might Be Giants.
Outro music is The Teddy Bears' Picnic, sung by Bing Crosby.
The song with the greatest amount of controversy ever around its cover-song-status, guitar rock greatness, blues/jazz greatness, and stopping in at the honky-tonk in between. Layla, originally by Derek and the Dominos, covered by Charlie Daniels, and by Eric Clapton (yes, we know).
Outro music is Alive by Pearl Jam (unplugged).
An artist's most beloved work, that he kinda' hates because of a terrible business deal made at a desperate time, radar-evading maneuvers, and a bouncy castle full of trumpets. This week is Brown Eyed Girl, originally by Van Morrison, covered by Jimmy Buffett, and by Reel Big Fish.
Outro music is Talk Dirty To Me, by Poison.
A Christmas Song? In March? Absolutely, if it's this Christmas song. By far the UK's most successful, and arguably the most relatable, despite the absence of sleigh bells and reindeer. Fairytale of New York, originally by The Pogues with Kirsty MacColl, covered by KT Tunstall with Ed Harcourt, and by Jon Bon Jovi.
Outro music is Chemical Rush, by Brian McFadden. It's appropriate to the episode, so we're only a little sorry about that.
A hidden gem of a song with all the feel and style of Motown, and a cover that ended a musical career in the best possible way. Break-a-way, originally by Irma Thomas, covered by Tracey Ullman.
Outro music is (The Best Part of) Breakin' Up, by The Ronettes.
Quick, which version of the song is thoughtfully arranged with respect to its roots and current musical context: folk or disco version? Did you say both? If You Could Read My Mind, originally by Gordon Lightfoot, covered by Viola Wills.
Outro music is Save A Prayer by Duran Duran.
One of the greatest pop songs of the 80s, and a musician who was out to redefine modern music. These are probably the two smartest songs we've had in the same episode. Time After Time, originally by Cyndi Lauper, covered by Miles Davis.
Outro music is Human Nature by Michael Jackson.
The idea that the original song wasn't released as a single is a crime. It's brilliant work by an impossibly talented musician, overtaken by a singer who exists to overtake brilliant songs. You Are So Beautiful, originally by Billy Preston, covered by Joe Cocker.
Outro music is In Your Eyes, by Peter Gabriel.
One of the biggest songs by the longest running bands ever. It was a moment of transformation in a band that worked harder at keeping their music fresh than anyone gives them credit for. And a cover version by a band that has always known exactly what they were about. Sharp Dressed Man, originally by ZZ Top, covered by Ministry.
Outro music is I Love L.A., by Randy Newman.
A rare - or maybe not so rare -- self-diss-track rich in text and subtext, covered brilliantly on instruments that shouldn't be covering it. While My Guitar Gently Weeps, originally by The Beatles, covered by Jake Shimabukuro, and by Regina Spektor.
Outro music is Bohemian Rhapsody, also by Jake Shimabukuro.
A full set of listener requests leads us to a musical titan at his best, and two covers that run as fast as possible in opposite directions. Goodbye Yellow Brick Road, originally by Elton John, covered by Sara Bareilles, and by Queens of the Stone Age.
Outro music is Sorry Not Sorry by Demi Lovato.
An 80s triumph of power pop folk rock has vastly more coherence than the genre implies. It gets a genuine folk rock cover as well as an aggressive new wave treatment. The Whole of the Moon, originally by The Waterboys, covered by Peter Mulvey and by Fiona Apple.
Outro music is Wild World by Me First and the Gimme Gimmes.
The evolution of a folk song, from its rootsiest roots to a marvel of orchestration and production. Sloop John B, originally recorded by The Cleveland Simmons Group, covered by The Kingston Trio, and by The Beach Boys.
Outro music is Sixteen Tons by The Weavers.
A great song by the wrong band, and saved by the right band -- who nobody expects should ever be the right band, but they always are. Heart and Soul, originally by Exile, covered by Huey Lewis and the News.
Outro music is Somebody to Love, by Queen.
We close out our third year of the podcast with a look at another beloved artist lost to the mess of 2020. Kiss an Angel Good Mornin', originally by Charley Pride, covered by Roy Clark, and by Tom Jones.
Outro music is You Never Even Called Me By My Name, by David Allan Coe.
The greatest diss track ever recorded, the 60s version of the Masked Singer, inspiration by the Velvet Fog, and a successful torch passing. You're a Mean One Mr. Grinch, covered by Aimee Mann, and by Pentatonix. You'll have to listen to the episode to learn the original artist, because there's a story there.
Outro music is Sixteen Tons, by Tennessee Ernie Ford.
Undeniable synth-pop perfection that ended up being foundational to both our musical lives and the pop world after it, covered by enduring talents and a surprise virtuoso. Only You, originally by Yaz, covered by Enrique Iglesias and by Kylie Minogue with James Corden. Outro music is The Loco-Motion, also by Kylie Minogue (sadly, without James Corden).
One of the defining songs of rock and roll, the archetype of the evolution of blues, and an ultra-cringey musical moment that makes you not want to listen to it with your parents in the car. And that's just the original. Whole Lotta Love, originally by Led Zeppelin, covered by Tina Turner, and by Hozier.
Outro music is I Can See For Miles by The Who.
The quintessential intersection of hard rock and glam meets the intersection of TexMex and country, or something like that. Dr. Feelgood, originally by Mötley Crüe, covered by The Mavericks.
Outro music is Jockey Full Of Bourbon, by Tom Waits.
This week's episode is something to be thankful for. One of the defining songs not just of rock and roll, but of modern teen culture, by the only two artists who could have defined a culture so completely in a 2 minute song. Blue Suede Shoes, originally by Carl Perkins, covered by Elvis Presley.
Outro music is Alice's Restaurant by Arlo Guthrie, for obvious reasons.
A massive song from a foundational band on their breakthrough album proves a challenging song to cover. Enjoy The Silence, originally by Depeche Mode, covered by Moriarty, and by Nada Surf.
Outro music is Elaine, Elaine by Victor and Penny, demonstrating the value of the jazz ukulele.
We wanted to go big for episode 150, and it's unlikely we could have gone bigger than this. An impossibly important song by impossibly important artists -- and someone else, too. Heroes, originally by David Bowie, covered by Peter Gabriel, and by David Hasselhoff. Yes, we said David Hasselhoff.
Outro music is Space Oddity by William Shatner, which is a whole other thing, too.
An original largely unknown in the US, peculiarities of UK culture, and way more Christmas than we ever expected when we sat down to record this one. Mad World, originally by Tears for Fears, covered by Gary Jules with Michael Andrews, and by Seal.
Outro music is Christmas is All Around by Bill Nighy
The best known song of 1997 by the least understood band of its generation, covered by the most brilliantly confusing band in popular music. Tubthumping, originally by Chumbawumba, covered by They Might Be Giants.
Outro music is Dust In The Wind, by Kansas.
The biggest gospel song ever, done by three amazing sets of groundbreaking performers. Everyone made an impact with this song. I'll Fly Away, originally by The Selah Jubilee Singers, covered by The Chuckwagon Gang, and by Gillian Welch and Alison Krauss.
Outro music is I Don't Know Why, by Alison Krauss and Union Station.
A song that surprises a brilliant musician with its greatness, and a surprisingly effective - and touching - cover. Black Hole Sun, originally by Soundgarden, covered by Norah Jones.
Outro music is Roundabout by Yes.
A superstar both at her peak and at her best, and a serious musician who makes cool sound effortless. A Little More Love, originally by Olivia Newton-John, covered by Juliana Hatfield.
Outro music is That Song In My Head, by Julianne Hough.
A Queen song so good, even Queen can barely perform it, utterly deceptive in its simplicity. And a pair of covers that are touching for entirely different reasons. Love Of My Life, originally by Queen, covered by Extreme featuring Brian May, and by The Scorpions.
Outro music is Dust In The Wind by The Scorpions.
A happy pop song with brilliant musical choices from an anti-pop band, and some gutsy, inventive reimaginings. Just Like Heaven, originally by The Cure, covered by Dinosaur Jr., and by Kat Edmonson.
Outro music is My Heart Will Go On, by Kenny G. Seriously, stick around for it.
A brilliant song by a musical giant, overshadowed by a fantastic cover, and the passing of a genuine musical pioneer. This week is a lot, but we look at Hard to Handle, originally by Otis Redding, covered by The Black Crowes, and by Gov't Mule with Toots Hibbert.
Outro music is Do The Reggay by Toots and the Maytals. And yes, the spelled it like that. Are you really going to argue with the man?
A foundational song by a foundational folk artist, international controversy, and prescient TV producers who know just what's needed. Peace Train, originally by Cat Stevens, covered by 10,000 Maniacs, and by Richie Havens.
Outro music is In the Still of the Night by Debbie Gibson, from a certain TV show that will make sense after you listen to the episode.
A brilliantly experimental song by a band bent on maximum experimentation, Canadian calypso, and a cello make for a great week. This Must Be The Place (Naive Melody), originally by The Talking Heads, covered by Arcade Fire, and by The Lumineers.
Outro Music is Rubber Duckie by Ernie.
America's most impactful vocal band, a teen sensation who probably dreamed of being Danny Bonaduce, and a carload of Scottish punks. Must be Surfing' USA, originally by The Beach Boys, covered by Leif Garrett, and by The Jesus & Mary Chain.
Outro music is Mother by Danzig.
A fairly sweet, incredibly listenable, and shockingly unproblematic song does a world tour of jazz-influence. Patience, originally by Guns n Roses, covered by Sixth Finger featuring Dew, and by Sawa Kobayashi.
Outro music is Chandelier by Sia.
The most recognizable song from an instantly recognizable artist, and a pair of transformations that couldn't be more complete or more different. Oh, Pretty Woman, originally by Roy Orbison, covered by Count Basie, and by Van Halen.
Outro music is Wagner's Ride of the Valkyries performed by The Royal Philharmonic.
A band collapsing on itself pulls out their greatest song, a master of her craft completely reinvents it, and a nihilistic egomaniac does whatever nihilistic egomaniacs do. Back on the Chain Gang, originally by The Pretenders, covered by Selena, and by Morrissey.
Outro music is In A Big Country by Big Country.
An incredible debut single, a cover version that's actually an original version, a surprising yet inevitable producer, and glam. We look at Our Lips Are Sealed, originally by The Go-Go's, covered by Fun Boy Three, and by Peppermint Creeps.
Outro music is Cherish by The Association. How could it be anything else?
The biggest song of 2003 isn't just a party anthem, it's a genre-defining master work that remakes popular music in its own image. This week we look at Hey Ya, originally by OutKast, covered by Obadiah Parker.
Outro music is Polaroid by Keith Urban.
The original Swedish Supergroup starts a run of hits that puts them on top for a almost a decade, their biggest fans do a song their way, and someone in England makes a really creepy movie with a soundtrack with unexpected substance. SOS, originally by ABBA, covered by Erasure and by Portishead.
Outro music is A Little Respect by Bjorn Again, who is covering Erasure.
A song that is simultaneously one of the greatest Done-Me-Wrong songs and one of the greatest artist transformations in popular music meets al kinds of jazz. You Oughta Know, originally by Alanis Morisette, covered by Jordana Talsky and by Scary Pockets featuring Crystal Lewis.
Outro music is How Far I'll Go, also by Scary Pockets featuring Whitney Avalon.
A song that absolutely everyone knows, with a rich and amazing history that's an incredibly well kept secret. House of the Rising Sun, originally by Clarence 'Tom' Ashley and Gwen Foster, covered by Lead Belly, by Dave Van Ronk, and by The Animals.
Outro music is Do Wah Diddy Diddy by Manfred Mann (which took the Animals' #1 spot in 1964).
One of the most influential songs of the 20th century taken on by one of the most brilliantly thoughtful musicians alive today. Atomic Dog, originally by George Clinton, covered by Meshell Ndegeocello.
Outro music is Waterfalls, also by Meshell Ndegeocello.
A classic song with a surprising backstory, an unexpected level of focus, and a hidden gem that's actually a mountain of a song. Oh, and probably the best outro music we've ever had. Hopelessly Devoted To You, originally by Olivia Newton John, covered by Less Than Jake and by Rival Sons.
Outro music is the Bumblebee Tuna Song by Mephiskapholes (and I'm not even going to check whether I spelled that right)
Some artists are absolutely timeless. And some, you can't move on from the time in your life when you discovered them. I Wanna Be Seduced, originally by Peggy Lee, covered by Leon Redbone.
Outro music is Fever by Peggy Lee.
You know what this show needs more of? Androgynous bisexual rock stars communing with alien intelligences. I mean, what else could it have been? Ziggy Stardust, originally by David Bowie, covered by Bauhaus, and by The Gourds.
Outro music is Animal by Def Leppard.
This might be the perfect sad song, made delightfully listenable in three brilliant performances. Red Dirt Girl, originally by Emmylou Harris, covered by Brandi Carlile and by First Aid Kit.
Outro music is Emmylou by First Aid Kit.
There are songs in the world that everybody knows and loves. And then there are songs so universal they're part of our DNA. We look at one of those songs this week with When A Man Loves A Woman, originally by Percy Sledge, covered by Bette Midler, and by Michael Bolton.
Outro music is Jack Sparrow featuring Michael Bolton from Saturday Night Live.
Can you name an absolutely perfect pop song? Blues Song? Jazz song? No, you're not repeating yourself. This week we look at Billie Jean, originally by Michael Jackson, covered by Chris Cornell and by The Civil Wars.
Outro Music is Michael Jackson's Pepsi Generation.
The second of two episodes paying tribute to John Prine. In this one, we look at the covers John recorded, diving into You Never Can Tell, originally by Chuck Berry, Lulu Walls, originally by The Carter Family, and Cold Cold Heart, originally by Hank Williams.
Outro music is Burn One With John Prine by Kacey Musgraves.
The first of two episodes paying tribute to the amazing John Prine, shortly after his death from COVID-19. We focus more on John as a songwriter this time, looking at his songs Paradise, Blue Umbrella, and Hello In There. Covers are by Dwight Yoakam, Steve Goodman, and 10,000 Maniacs.
Outro music is If A Song Could Be President by Over The Rhine.
There's a difference between a great song and a great record. It's pretty clear this week that one band understood how to bridge that gap. Hanging on the Telephone, originally by The Nerves, covered by Blondie.
Outro music is A Little Bit Me, A Little Bit You by The Monkees.
One of the weirdest yet oddly satisfying songs of the 90s, covered by a band that couldn't be more serious while acting like real goofs. She Don't Use Jelly by The Flaming Lips, covered by Ben Folds Five.
Outro music is Love Will Keep Us Together by Captain and Tennille.
Just a few days before recording, the world lost Adam Schlesinger -- of Fountains of Wayne and so much more -- to COVID19. We have so many positive feelings about his music, we wanted to spend some time looking at his breadth, his impact, and a career that was shockingly successful if you'd only ever known Stacy's Mom. If you're already a fan of his, we hope we did OK for you. If a lot of this is new to you, we hope you enjoy the music as much as we do.
Thanks, Adam, and we're so sorry the world lost you like this.
One of the best written songs from one of the best songwriters, reimagined by the only person who could find more song in it. All Along The Watchtower, originally by Bob Dylan, covered by The Jimi Hendrix Experience and by Dave Matthews Band.
Outro music is Elvis is Everywhere by Mojo Nixon and Skid Roper (and I promise, it makes sense to me even if it doesn't to you. Wheels within wheels).
This is a classic everyone knows and everyone loves -- unless you're from Athens, GA. King of the Road, originally by Roger Miller, covered by REM and by The Proclaimers.
Outro music is Queen of the House by Jody Miller (no relation).
One of the greatest songs in folk rock gets off to a rough start -- in the hands of a successful folk rock artist, and we still get to smell what The Rock is cooking. California Dreamin', originally by Barry McGuire, covered by The Mamas and the Papas, Bobby Womack, and Sia.
Outro music is Hang on Sloopy, by the McCoys.
Every musical generation gets one of these. The song was huge, and the speedos in the video were tiny. Sexy and I Know It by LMFAO, covered by Noah Guthrie.
Outro music is I'm Too Sexy, by Right Said Fred.
One of the huge songs of the country music canon, by one of its most beloved artists -- and she's all over this episode. Jolene, originally by Dolly Parton, covered by The White Stripes, by Miley Cyrus, and by Pentatonix featuring Dolly Parton.
Outro music is Coat of Many Colors, also by Dolly Parton.
A brilliant debut with a heartbreaking classic, and some shockingly good interpretations. Ain't No Sunshine, originally by Bill Withers, covered by Ladysmith Black Mambazo with Des'Ree, and by Hanson.
Outro music is Rain Rain Beautiful Rain, also by Ladysmith Black Mambazo. And thank you, Joseph Shabalala for so many years of wonderful music.
A classic song written by the masters of the form, delivered exactly as it should be. And then the 80s land and permanently reimagine it. Always Something There To Remind Me, originally by Lou Johnson, covered by Dionne Warwick, by Jose Feliciano, and by Naked Eyes.
Outro music is In My Life by Jose Feliciano.
A perfect introduction to a band everyone knows and likes, a terrible miss with a version we wanted to be great, and a band that needed a Saturday detention with Emilio Estevez and Molly Ringwald. Breakdown by Tom Petty and the Heartbreakers, covered by Grace Jones and by The Replacements.
Outro music is No More The Moon Shines On Lorena by The Carter Family.
This week we walk with giants. The birth of psychedelic rock, and its perfect transformation into glam and hard rock. Shapes of Things, originally by The Yardbirds, covered by David Bowie and by Rush.
Outro music is YYZ, also by Rush. And thank you, Neil Peart, for so many years of so much brilliant music.
Motown misses by failing to recognize the R&B potential of a song. I know, I don't get it either. Devil With A Blue Dress, originally by Shorty Long, covered by Mitch Ryder and The Detroit Wheels, and by The Cramps.
Outro music is Good Golly Miss Molly by Little Richard.
A song with a complicated origin and non-collaborative collaboration that became a signature sound, unexpected country, and the Nashville machine. Wagon Wheel, originally by Old Crow Medicine Show, covered by Nathan Carter and by Darius Rucker.
Outro music is I'm On My Way by Rhiannon Giddens with Francesco Turrisi.
It's not often that we get two versions of the same song that are so incredibly different, but still utterly delightful. It's a shame that it also comes with a big does of tragedy. A New England by Billy Bragg, covered by Kirsty MacColl.
Outro music is the title theme from The Simpsons by Danny Elfman.
It was hard to be the kid that recorded one of the best songs ever. Covering that song is hard for much more benign reasons. We look at three attempts that each have very different motivation. I Want You Back, originally by The Jackson 5, covered by Sheryl Crow, Colbie Caillat, and Taylor Swift.
Outro music is Crash Into You by Dave Matthews Band (and it totally belongs there).
A classic song and a brilliant example of song craft by an art/prog/pop triple threat, and some covers that show how hard and how satisfying it can be to tackle genius head-on. In The Air Tonight, originally by Phil Collins, covered by Barenaked Ladies and by Larkin Poe.
Outro music is Annabel Lee by Stevie Nicks.
One of the greats delivers a brilliant example of how good a sad Christmas song can be. And A brilliant band takes that idea and runs with it to a beautifully intense conclusion. If We Make It Through December, Originally by Merle Haggard and the Strangers, covered by Over The Rhine.
Outro music is All I Need Is Everything, also by Over The Rhine.
The final hit from a brilliant talent, a lovely interpretation from one of the biggest talents in popular music, and the fulfillment of the promise of an interesting song. It Doesn't Matter Anymore, originally by Buddy Holly, covered by Linda Ronstadt and by Flat Duo Jets.
Outro Music is Fell in Love With a Girl by The White Stripes.
One of the best New Order songs that absolutely everyone knows, but nobody knows they know -- ya' know? Bizarre Love Triangle by New Order, covered by Frente!.
Outro music is Pocket Calculator by Kraftwerk. Please listen to their Computer World album as soon as you finish this episode.
This turned into such a strange rabbit hole, and 1969 was clearly The Upside-down. We look at the biggest Saturday Morning Cartoon song ever, Sugar Sugar, originally by The Archies, covered by Wilson Pickett, and by Ike and Tina Turner.
Outro music is the Spider-Man theme, by The Ramones (I swear to God I am not making that up).
We go big for episode 100. It's the Prince song everyone wants, but with so much more Prince than anyone expects. Nothing Compares 2 U, originally by The Family, covered by Sinead O'Connor, by Prince with Rosie Gaines, Chris Cornell, and Prince. And there's a lot of surprise Prince all over this one.
Outro music is 777-9311, by The Time.
Two bands we absolutely love, both at the height of their powers, and a song that's caused more karaoke failures than any other. It's The End Of The World, originally by REM, covered by Great Big Sea.
Outro music is Old Black Rum, also by Great Big Sea
The evolution of modern folk music in one song. Start with a good song built around a big message and end up with some of the greatest American vocal talents ever. If I Had A Hammer, originally by The Weavers, covered by Peter, Paul and Mary, and by Sam Cooke.
Outro music is Tennessee Waltz, also by Sam Cooke (which he manages to sing as a non-waltz but it still works.)
The second greatest song of all time, the queen of soul, the kings of nerd-rock, singer/songwriter brilliance -- There's a lot to process this week. Satisfaction, originally by The Rolling Stones, covered by Aretha Franklin, by Devo, and by Cat Power.
Outro Music is Bob Dylan's Like a Rolling Stone -- Rolling Stone Magazine's greatest song ever (remember that, as it'll be on the test)
It's almost impossible how much ground we cover in this one. The pinnacle of Disco, a figurative horror show suitable for a literal horror show, metal redemption with a pair of purple socks as subtext. Stayin' Alive, originally by the Bee Gees, covered by Tiny Tim, and by Dweezil Zappa with Ozzy Osbourne.
Outro music is I Can See Clearly Now, by Donny Osmond, and it totally fits.
One of the most broadly beloved rap songs ever, a nerd with a banjo, and a feminist critique of societies pressures and beauty standards. Has to be Baby Got Back by Sir Mix-a-Lot, covered by Jonathan Coulton.
Outro music is Still Alive (from Portal's closing credits), also by Jonathan Coulton, featuring Sara Quin.
A happy song that's pretty sad, a lot of vocal excellence, mid-baritones, and accents. OK, just one accent, but it's a doozie. We look at 5 O'Clock World, originally by The Vogues, covered by Hal Ketchum, and by The Proclaimers.
Outro music is King Of The Road, also by The Proclaimers. Which we may get to on a future episode.
Paul McCartney was granted a license to kill ... this song. We look at Live and Let Die, originally by Wings, covered by Guns n Roses and by Duffy.
Outro music is a live version of Chicken Pot Pie, by Weird Al.
Punk perfection bookending a questionable origin story and some ... interesting performances. This week is Because The Night by the Patti Smith Group, covered by 10,000 Maniacs, by Bruce Springsteen, and jointly by Garbage and Screaming Females.
Outro Music is The Warrior by Patty Smyth, because we're brats.
The best of the rest of the British Invasion, the birth of modern metal guitar, and The Pit of Disco Despair. This week we look at Glad All Over, originally by The Dave Clark Five, covered by Quiet Riot and by Pet Shop Boys.
Outro music is Cum On Feel The Noize, by a post-Rhoads Quiet Riot.
We say this a lot, but this episode has everything: The formative moment of modern country music, the improbably invention of jazz-country, an utterly avant garde take on a classic, and frog-related childhood trauma. Your Cheatin Heart, originally by Hank Williams, covered by Leon Redbone and by Beck.
Outro music is the theme from Mr. Belvedere, also by Leon Redbone, who did more with that song than you probably realized during the 80s.
A classic song created by a bunch of crypto-non-Australians, popularized in the evolution of punk rock, and brought to heel by the quintessential Spice Girl. I Want Candy, originally by The Strangeloves, covered by Bow Wow Wow, and by Melanie C.
Outro Music is Punk Rock Girl by The Dead Milkmen.
It shouldn't be a surprise that a song with such a universal sentiment was picked up by other musicians. This one stayed universal in an entirely different musical universe. Take This Job and Shove It, originally by Johnny Paycheck, covered by The Dead Kennedys and by the supergroup of Bobby Bare Sr., Radney Foster, Buck Owens, and Jeff Tweedy.
Outro music is Just Call Me Lonesome by Radney Foster.
The 80s-est song that ever 80s-ed didn't do so well when it tried to 64 . This week we look at Tainted Love, originally by Gloria Jones, covered by Soft Cell and by Marilyn Manson.The 80s-est song that ever 80s-ed didn't do so well when it tried to 64 . This week we look at Tainted Love, originally by Gloria Jones, covered by Soft Cell and by Marilyn Manson.
Outro music is Toxic by Britney Spears.
Nobody ever doubted this week's song was incredibly successful. But it's also a lot more substantial than we expected. Don't judge a book by the bandaid on its cover. Hot in Herre, originally by Nelly, covered by Jenny Owen Youngs.
Outro Music is Welcome to the Hellmouth by Jenny Owen Youngs and Kristin Russo.
A complete transformation of a song leads to, arguably, the complete transformation of a national identity. Overstating it? Not for the best music movie ever! Try A Little Tenderness, originally by the Ray Noble Orchestra, covered by Otis Redding and by The Commitments.
Outro music is Mustang Sally, also by The Commitments.
Yes, we really like The Commitments.
Beautiful voices, old white people, after-school TV reruns, and just how much difference the right room makes. Dream a Little Dream of Me, originally by Ozzie Nelson and his orchestra, covered by Doris Day, and by The Mamas and The Papas.
Outro music is If I Had A Hammer by Peter, Paul, and Mary.
Magic guitar playing can't make up for really icky lyrics, but it sure can distract you -- unless you double down. Hey Joe, by The Jimi Hendrix Experience, covered by Willy DeVille and by The Offspring.
Outro music is Pleasant Valley Sunday by The Monkees.
We are completely serious about this. A song that turned out to be way bigger than anyone ever expected, a cynical exercise with market power, and CGI-based musical redemption. Bad Day, originally by Daniel Powter, covered by Kidz Bop (really), and by Alvin and the Chipmunks.
Outro music is Witch Doctor by David Seville.
One of the greatest songs ever recorded, one of the biggest mistakes a band ever made, the actual Greatest of All Time. Oh, and the soundtrack from Final Fantasy XV, of course. Stand By Me, originally by Ben E. King, covered by Muhammad Ali and by Florence + The Machine.
Outro music is Under The Boardwalk by The Drifters.
The literal beginnings of punk rock and a survey course in the wonderful ways the right band can shape a song. Sheena Is A Punk Rocker, originally by The Ramones, covered by Husker Du and by Shonen Knife.
Outro music is the theme song from Hello Kitty -- you'd better believe it.
You're probably sitting there right now wondering "What would it sound like if Echo and the Bunnymen made an outlaw country album?". This week, we do _even_better_ than that. Love Vigilantes, originally by New Order, covered by Poi Dog Pondering and by Iron and Wine. Requested by podcast listener Ken -- Thanks Ken!
Outro music is Just Like Heaven by The Cure.
We hit pretty much every emotional reaction - and possibly every stage of grief - this week. Message In A Bottle, originally by The Police, covered by Excel, by John Mayer, and by 30 Seconds to Mars.
Outro music is Late At Night by Buffalo Tom, and if you don't get the connection, I'm sorry you missed out.
Wow, this one is a wild story with a brilliant song and a genuinely shocking cover. Zombie, originally by The Cranberries, covered by Bad Wolves.
Outro music is Sunday Bloody Sunday by U2 -- which I hope I didn't have to explain.
The best of 80s New Wave meets the grungiest of 90s Grunge. Another one from the annals of unexpected covers. Hungry Like The Wolf, originally by Duran Duran, covered by Hole.
Outro music is Celebrity Skin by Hole.
This week is a giant of a song, but a sweet and gentle giant, and some unexpected covers. Also, I don't know how it's taken this long, but we finally talk about one of the most important producers ever.
Drive, originally by The Cars, covered by Ian McShane (really), and by Aimee Mann.
Outro music is Voices Carry by 'Til Tuesday (so, also Aimee Mann if you're keeping score)
The foundations of blues, one of the best guitar players ever, the archetype of Chicago's sound... oh yeah, and Led Zeppelin's most impressive song. When the Levee Breaks, originally by Kansas Joe McCoy and Memphis Minnie, covered by Led Zeppelin and by Magic Slim and James Cotton.
Outro music is Sweet Home Chicago by Buddy Guy and Junior Wells.
A triumphant comeback, the birth of Auto Tune as a deliberate choice, and a singer with remarkable gifts doing his thing. We talk about Believe, originally by Cher, covered by Adam Lambert.
Outro music is Somebody To Love by George Michael and Queen.
A monster of a song, a singing competition, and a judge from a signing competition all walk into a pub. Everybody sings Come On Eileen, originally by Dexy's Midnight Runners, covered by Street Corner Symphony and by Sugarland with Sara Bareilles.
Outro song is Just Walkin' in the Rain, by Johnnie Ray.
We dive into one of the most titanic pop songs of the 90s and a jazz reinvention that fully embraces the roots that inspired the original. MMMBop by Hanson, covered by Post Modern Jukebox.
Outro music is also MMMBop by Hanson, but a live acoustic version from 2016 where they're all grown up and still killing it.
We start out strong with an absolutely classic pop song and a soulful cover. But then the covers stop being polite and start getting real. This week is Borderline by Madonna, covered by Jody Watley and by The Flaming Lips, featuring Star Death and White Dwarf -- obviously.
Outro song is The Second Time Around, by Shalamar -- which was Jody Watley's old band.
All Canada all the time -- even Rowdy Roddy Piper gets involved in an episode where basically everything is a surprise. We look at Crabbuckit by K-OS, covered by the Good Lovelies and by the Doozies.
Outro Music is The Boogie Woogie Bugle Boy by the Andrews Sisters.
Folk genius, passive aggressive grossness, electronic steel drums, and spandex pants. How could we be talking about anything other than Wild World, originally by Cat Stevens, covered by Maxi Priest and by Mr. Big.
Outro Music is To Be With You, also by Mr. Big.
Emo power rock, solo ukulele, and some fusion magic. We see a huge range of musical style's when we look at Creep, originally by Radiohead, covered by Ingrid Michaelson and by Macy Grey.
Outro music is It Never Rains In Southern California by Albert Hammond -- and he's almost right about that.
The history of country music (and a lot of American music overall), the moment Alt-Country was born, a beautiful tribute to American roots, and Garth Brooks, popping up like a jack in the box. We talk about No Depression originally by The Carter Family, covered by Uncle Tupelo and by Sheryl Crow.
Outro music is Graveyard Shift, also by Uncle Tupelo.
Legit guitar rock, variety shows, punk royalty makeovers, and a tiptoe through the tulips. We look at I Love Rock And Roll, originally by The Arrows, covered by Joan Jett and the Blackhearts, and by Tiny Tim.
Yes, really.
Outro music is Tiptoe Through the Tulips with Me by Tiny Tim
We do something new this week. We dive into Stevie Wonder's classic Isn't She Lovely, covered by Mary Spender. Mary herself joins us to talk about the song, the kind of effort that goes into a cover like this, the wisdom of whistling on stage, and so much more.
Outro music is Mary's cover of John Mayer's New Light.
The best way to find more of Mary's music (and you should because it's excellent) is on her YouTube channel: https://www.youtube.com/user/maryspender
A lovely Rock Steady song becomes punky-Reggae? Absolutely. Now all it needs is some German Rap-Reggae.
Wait, what?
The Tide Is High by The Paragons, covered by Blondie and by Seeed.
This is a trip deep into the Neil Diamond vault, a debate about what counts as the A-side of a single, and a tale of musical high school trauma. Red Red Wine, by Neil Diamond, covered by UB40.
Outro music is Cracklin' Rose by Neil Diamond
Get ready to be rotoscoped. We look at the 80s mega-hit Take On Me, with the original and a surprising unplugged version by A-Ha and additional covers by Lake Street Dive and Weezer -- because apparently Weezer is covering everything now.
Outro music is The Look by Roxette.
You can almost hear the waning of the 80s in this song. We discuss the self-consciously earnest The Heart Of The Matter by Don Henley, covered by India Arie.
Outro music is Take It Easy, by The Eagles.
The complete story of Rock and Roll and its evolution, captured in one song. Amanda and Rich discuss I Fought The Law by The Crickets, covered by the Bobby Fuller Four, by The Clash, and by The Dead Kennedys
From Trenchtown to Brooklyn, via Haiti. Amanda and Rich discuss No Woman No Cry by Bob Marley and the Wailers, covered by Jimmy Cliff and by The Fugees.
Our outro music is Do The Reggay by Toots and the Maytals from 1968.
Amanda and Rich discuss Mama Tried by Merle Haggard, covered by The Grateful Dead and by Percy Sledge
Amanda and Rich discuss When You Were Mine by Prince, covered by Cyndi Lauper and by Reina Del Cid
Amanda and Rich discuss Easy (Like Sunday Morning) by The Commodores, covered by Faith No More.
Amanda and Rich discuss Hazy Shade of Winter by Simon and Garfunkel, covered by The Bangles
Amanda and Rich discuss Hound Dog by Big Mama Thornton, covered by Elvis Presley and by James Taylor.
Amanda and Rich discuss All I Want For Christmas Is You by Mariah Carey, covered by Lady Antebellum, and by Bowling For Soup
Amanda and Rich discuss Walking In Memphis by Marc Cohn, covered by Cher, and by Paul Anka
Amanda and Rich pay tribute to Aretha Franklin, looking at four songs she covered: Respect, Over The Rainbow, Jumpin Jack Flash, and Rolling In The Deep
Amanda and Rich discuss I Will Survive by Gloria Gaynor, covered by Cake and by Me First and the Gimme Gimmes
Amanda and Rich discuss Sweet Jane by Velvet Underground, covered by Mott the Hoople and by Cowboy Junkies.
Amanda and Rich discuss Angel from Montgomery by John Prine, covered by Bonnie Raitt and by Susan Tedeschi.
Amanda and Rich discuss Solsbury Hill by Peter Gabriel, covered by Erasure and by Lou Reed.
Amanda and Rich discuss I Hope That I Don't Fall In Love With You by Tom Waits, covered by 10,000 Maniacs and by Hootie and the Blowfish
Amanda and Rich discuss Will You Still Love Me Tomorrow by The Shirelles, covered (and written) by Carole King, and by Amy Winehouse
Amanda and Rich discuss People Get Ready by The Impressions, covered by Jeff Beck and Rod Stewart, and by Alicia Keys
Amanda and Rich discuss Lovesong by The Cure, covered by Adele, and by Snake River Conspiracy
Amanda and Rich discuss Superstition by Stevie Wonder, covered by Stevie Ray Vaughn and Double Trouble
Amanda and Rich discuss Love Hurts by the Everly Brothers, covered by Roy Orbison and by Nazareth.
Amanda and Rich discuss The Mighty Quinn (Quinn the Eskimo) -- and the various permutations of that name -- by Bob Dylan, covered by Manfred Mann
Amanda and Rich discuss Where Is My Mind by The Pixies, covered by Alice Donut and by Trampled By Turtles
Amanda and Rich discuss Two Headed Boy by Neutral Milk Hotel, covered by The Dresden Dolls.
Amanda and Rich discuss I Feel Pretty from West Side Story, sung by Marni Nixon, covered by Little Richard
Amanda and Rich discuss With A Little Help From My Friends by The Beatles, covered by Joe Cocker
Amanda and Rich discuss The Man Who Sold The World by David Bowie, covered by Nirvana and by Simple Minds
Amanda and Rich discuss Bohemian Rhapsody by Queen, Covered by Weird Al, The Muppets, and Pentatonix.
Amanda and Rich discuss Beautiful originally by Christina Aguilera covered by Elvis Costello
Amanda and Rich discuss The Joker originally by The Steve Miller Band, covered by k.d. lang and by Fatboy Slim
Amanda and Rich discuss Daydream Believer, originally by The Monkees, covered by Ann Murray and by Death Blossoms
Amanda and Rich discuss Big Yellow Taxi by Joni Mitchell, covered by Amy Grant and by The Counting Crows
Amanda and Rich discuss 911 Is A Joke, originally by Public Enemy, covered by Duran Duran
Amanda and Rich discuss I Put A Spell On You, originally by Screamin' Jay Hawkins, covered by Nina Simone, by Creedence Clearwater Revival, and by Annie Lennox
Amanda and Rich discuss The Sound of Silence, originally by Simon and Garfunkel, covered by Disturbed
Amanda and Rich discuss The First Cut Is the Deepest, originally by Cat Stevens, and covered by Rod Stewart and by Sheryl Crow
Amanda and Rich discuss Take Me Home Country Roads, originally by John Denver, covered by Ray Charles and by Toots and the Maytals.
Amanda and Rich discuss I've Gotta Get A Message To You, originally by The Bee Gees, covered by Moxy Fruvous
Amanda and Rich discuss Hurt by Nine Inch Nails and Personal Jesus by Depeche Mode, both covered by Johnny Cash.
Amanda and Rich discuss Sweet Dreams (Are Made of This) originally by The Eurythmics, covered by Marilyn Manson
Amanda and Rich discuss Girls Just Wanna Have Fun by Cyndi Lauper, covered by Miley Cyrus
Amanda and Rich discuss Me and Bobby McGee, originally by Roger Miller, covered by Janis Joplin and by Pink
Amanda and Rich discuss Smooth Criminal originally by Michael Jackson, covered by Alien Ant Farm
Amanda and Rich discuss Fast Car, originally by Tracy Chapman, covered by Jonas Blue and by Justin Bieber
Amanda and Rich discuss Always On My Mind, originally recorded by Elvis Presley, covered by Willie Nelson and later by Pet Shop Boys
Amanda and Rich discuss Shake It Off, originally by Taylor Swift and covered by Screaming Females
Amanda and Rich discuss Gin and Juice, originally by Snoop Dog and covered by The Gourds
Amanda and Rich discuss Da Doo Ron Ron originally by The Crystals, covered by Shaun Cassidy and later by The Donnas
Amanda and Rich discuss Take Me To The River, originally by Al Green, covered by Talking Heads. One song, two completely different classics.
Amanda and Rich discuss Landslide, originally by Feetwood Mac, covered by The Smashing Pumpkins and by The Dixie Chicks.
An instantly recognizable Beatles classic is remade by Richie Havens. It's faithful to the original, totally different, and still instantly recognizable.
Amanda and Rich dive into the Rolling Stones classic Beast of Burden, in the original form from 1978, and as covered by Bette Midler in 1983.