how do we know our feelings are real? maybe without pretense, simulation, we’ve already felt everything we’re gonna feel. theodore worries that unimagined life is just a lesser version of what’s imagined. in ‘her’, the os-consciousness works on intuition–it’s growing and evolving past even the demands of the body its tailored to fit– indeed, there […]
L’ Immaculée Conception par André Breton et Paul Éluard Translated by Megan Flocken The following three sections tell the story of an immaculate conception. I say ‘an’ rather than ‘the’ quite purposefully: this very project of Breton and Éluard challenged the privileged rank of Mary’s unstained birth—and the Catholic Church’s doctrine which sanctified […]
it has taken me a while to say, that i dont have as much to say as in previous episodes. bonding {click me, muse-ich}—–> the smiths —ask me — morrissey croons, nature is a language, can’t you read? and in a fit of detournement (as i find the following is not exactly morrissey’s words): if it’s […]
in this finale, i hope for new emergences, which may resist being dubbed emergencies. logos is a repetition which highlights how paul and peter differ, in their gospels. peter didn’t believe mary* but paul breaks word as different than peter’s keys, than john’s logos. word may be god, but im-possible, illimitable difference. we are attached […]
capitalizing on a philosophical position that despair pays its debt to hope, //batman rises// is no aufhebung. but some lessons, nonetheless, learned: smile as a mask, we all wear masks. but the ugly are still some how ugly. we cant see bane smile. he is wearing a mask. if your mask is not a smile […]
misbookings on the line of flight project in collaboration, rebecca weisman | megan flocken film is experiencing a crisis risk in film is too abstract, a departure from the fundamental aspects of Real that appear ready-made for us on the screen, the reel of Real: film presents us with a unique space and time, whereby […]
picasso takes representational art in. he treats her to repast with the dismal wretches. she is debauched in this way. a broken heart leads many to the streets. he takes representational art and turns her into a prostitute. the demoiselles d’avignon (1907), now hanging as prominently as the elbow-up ladies in nyc’s Museum of Modern […]
pick up the imaginary shotgun and let’s hunt some symbolic zombies, click, click, ———->zombie “delusion is the life raft keeping me afloat in a sea of despair.” – graffiti sin e me we watch sin e ma on the screen. we tailor a certain etymology of screen to include this projection medium. and now we […]
to listen to some neruda readings and a music project, click here —-> new lows to hear about respons-ability, find the next underlined file with clickability —>responsability do i bear the mark of yesterday’s choices today? yes and no. not allways, that’s for sure. moments and memories are part of you and not, i bring […]
the radio programme recording is locatable if you knock here ——>sk the widespread digitization of communication in usamerica ushers in a contintenal shift in relation to memory. memory becomes a modicum of evidence, consolidated into different file types and labelled for easy reference/recognition. with the almost concurrent memorization of the real at times sensibly hijacking […]