The Broadcasters Podcast: Recent Episodes
King Of Podcasts
The Broadcasters Podcast talks about everything Entertainment and Media. We follow the digital disruption and its impact on movies, TV, Music and Radio and how corporate influence, PC Culture, and how other social and cultural obstacles help or hurt the creativity in all projects in front and behind the scenes.
Our host is a media watchdog with decades of various media experience observing every part of the media we consume today from the TV we watch on cable or online, the music we listen to on the radio or via streaming and the way we read the news, sports, and entertainment online.
Hosted by the @kingofpodcasts.
Spotify continues its aggressive expansion by scaling vertical video podcasts and hitting a milestone 300 million premium subscribers, yet this push for continuous digital growth highlights a growing rift in audio entertainment.
As high subscription price hikes isolate cost-conscious listeners and leave music industry executives struggling to target traditional consumers, listener exhaustion with digital platforms is mounting.
This fatigue is fueling a full-fledged physical revival, transforming vinyl and cassette tapes into a lucrative billion-dollar refuge for fans seeking a tangible connection to music.
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To turn the recent box office rebound into a permanent comeback, Hollywood must abandon its play-it-safe playbook and pioneer a new era of proactive cultural leadership.
As Variety’s Brent Lang points out, maintaining theatrical momentum requires aggressive, forward-thinking strategies from both exhibitors and studios to continuously give audiences reasons to leave their couches.
But operational fixes are only half the battle; veteran director Joseph Kahn argues in The Hollywood Reporter that the industry lost its spark when risk-averse executives replaced the unapologetic, high-stakes creators who used to push boundaries.
The path forward isn't about retreating to the past, but rather channeling that fearless creative spirit into the modern media landscape. By embracing digital influencers—not just as promotional megaphones, but as authentic partners who hold direct lines to Gen Z and Alpha audiences—Hollywood can recapture the raw, disruptive energy that used to define the town.
Combining uncompromising cinematic vision with the viral reach and community-building power of digital creators will allow studios to take back control of the narrative, transform moviegoing into a live cultural event, and secure a sustainable future for the big screen.
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As streaming platforms and legacy broadcasters race to capture digital-native audiences, today’s young creators are moving far beyond smartphone screens to reshape the broader media landscape.
Heavyweights like Netflix are aggressively courting top YouTube talent to power their visual slate, while traditional audio networks like BBC Radio 1 are tapping TikTok personalities to bridge the divide between social feeds and broadcast radio.
At the same time, rapid advancements in AI audio are accelerating the evolution of radio, podcasts, and audiobooks, forcing traditional media to innovate faster than ever.
Yet as outlets attempt to translate online viral stardom into long-form audio charisma, they are discovering that true success requires more than just follower counts—it demands creators and broadcasters who can master both visual storytelling and the intimate art of live audio.
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As the box office is experiencing a triumphant post-pandemic rebound—banking on Gen Z audiences to fuel a projected $10 billion year—the pressure on established Hollywood talent to stay culturally relevant has reached a fever pitch.
As the FCC moves to lift long-standing caps on national broadcast ownership, threatening a wave of corporate consolidation, the traditional entertainment industry is increasingly being hollowed out by a dual threat: the rise of younger, hyper-curated social media influencers who command the attention of Gen Z, and the terrifying onset of "synthetic" competitors like Tilly Norwood, the world’s first fully AI-generated actress.
Faced with the threat of being replaced by immortal, algorithmically perfect digital avatars that never age, complain, or require a salary, aging stars and studio executives are resorting to increasingly extreme measures to preserve their physical currency.
The desperation has manifested in a striking aesthetic shift dubbed "Slop Face"—a uniform, over-filled, and generic facial structure born of preventative cosmetic procedures that are paradoxically stripping actors of their unique, expressive beauty.
When traditional filler fails to hold back the clock, some elite figures are crossing into dangerous territory, turning to unvetted DIY biology by injecting copper peptides directly into their tissue in a frantic bid to trigger rapid collagen production, ignoring severe, irreversible risks like tissue breakdown and toxicity.
Ultimately, as studios quietly eye cheaper, endlessly malleable AI actors to cut overhead, human talent is locked in a frantic, sometimes toxic race against technology and youth—propping up their careers with extreme medical intervention just to survive in a rapidly consolidating, hyper-digitized landscape.
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In a striking twist of industry irony, Netflix is reportedly exploring a return to the very television elements it spent a decade disrupting.
Faced with a "sophomore slump" where 30% to 70% of viewers abandon its hit shows after just one season, the streaming giant is looking to boost engagement by launching live, genre-organized channels and offering service bundles with competitors like Peacock.
This shift highlights a deeper structural problem in the streaming landscape: without the built-in consistency, communal rhythm, and regular schedules of traditional television, platforms are struggling to keep audiences hooked on a purely algorithmic diet of endless choices.
By bringing back linear-style channels and bundle packages, Netflix is quietly admitting that to survive the chaos of the quantity-first era, it may have to recreate the exact cable TV experience it originally set out to kill.
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The podcasting industry is facing a critical crossroads as major networks push for commercial scale while independent creators fight to protect the medium’s authentic roots.
To survive a saturated market, top-tier shows are shifting focus from high-volume output to premium quality, attempting to solve the industry’s biggest hurdle: turning broad mainstream reach into deeply ingrained listening habits.
Yet, as the corporate landscape evolves, the independent grassroots are getting left behind. Despite massive industry-wide growth, audience expansion remains fiercely elusive for indie creators, who often struggle to gain traction or leverage basic growth tools like YouTube video captions.
Ultimately, the medium is caught in a high-stakes balancing act—racing toward a commercial future while its foundational creators hustle to maintain the unique, community-driven spirit that made podcasting special in the first place.
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The traditional entertainment industry finds itself increasingly under siege from a multi-fronted assault by major tech platforms, creating a landscape of profound AI disruption and structural contraction. As legacy television models erode, social media giants are aggressively encroaching on standard entertainment territory.
Meta-owned Instagram is directly targeting the living room by expanding to Samsung, Amazon Fire, and Google TV devices to test longform, episodic storytelling, and dedicated horizontal video hubs—effectively attempting to transform creator-led content into the new prime-time television.
Concurrently, tech conglomerates are consolidating their power by leveraging existing creative content to train the next generation of generative AI, sparking intense pushback from independent artists.
YouTube's arguments regarding the fair use or necessity of training AI on media libraries have sounded a fierce alarm among indie music advocates, who criticize the practices as lacking "informed consent" and stripping creators of sovereignty over their work.
Faced with an industry-wide contraction and dwindling traditional job openings, a cruel irony has emerged for the creative workforce: Hollywood writers and rank-and-file workers are increasingly moonlighting for AI companies.
Desperate for income as standard career prospects grow slim, these professionals are actively training the very artificial intelligence models that threaten to permanently reshape—and potentially automate—wide swaths of the entertainment labor market.
Together, these forces represent a fundamental shift in media power, migrating control from Hollywood studios to Silicon Valley tech platforms.
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The traditional late-night and daytime TV talk show format is undergoing a massive evolutionary shift, migrating away from dying linear cable grids and onto major streaming platforms where video podcasts are emerging as the new standard.
In a bid to unlock fresh growth engines and push toward a $1 trillion valuation, Netflix is aggressively leaning into this space by partnering with iHeartMedia to launch a heavy-hitting slate of exclusive video podcasts featuring mainstream star power like Martha Stewart, Lele Pons, and Kate and Oliver Hudson.
This shift is turning video podcasts into highly lucrative, easily digestible content vehicles that bridge the gap between traditional television and casual listening.
The trend is gaining massive cross-industry momentum, evidenced by Apple Podcasts launching dedicated video playback and upgraded search tools to accommodate the surging demand.
Ultimately, tech and streaming giants are no longer just looking for the next hit drama series; they are redesigning the modern talk show through a podcast lens, creating highly engaging, multi-platform talk formats perfectly tailored for the on-demand era.
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The digital audio landscape is experiencing a massive power shift, as the initial chaotic boom of streaming gives way to a highly structured, culturally dominant ecosystem.
While music remains a vital baseline for personal expression, its financial and strategic leverage is being tested by aggressive tech bundling—a practice the National Music Publishers' Association (NMPA) reports has drained nearly $500 million in lost value from publishers since 2024 via platforms like Spotify and Amazon.
Meanwhile, the spoken-word market is capturing the true cultural and financial spotlight. Instead of relying on a endless flood of new content, the podcasting industry has successfully transitioned into a mature, stable era focused on longevity, quality, and rigorous cleanup of low-quality AI feeds.
By cleverly borrowing traditional radio plays like cross-promotional continuity announcements, podcasts are successfully engineering massive listener migration across networks.
This combination of highly trusted, intimate hosts and sophisticated audience-building tactics has transformed audio into an unmissable cultural powerhouse, generating unmatched hyper-attention and brand recall that leaves traditional music streaming playing catch-up.
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The traditional entertainment landscape is undergoing a massive disruption as digital platforms and online creators aggressively reshape film, television, podcasting, and music.
In Hollywood, YouTube has evolved into a premier pipeline for raw filmmaking talent, with viral internet visionaries stepping up to helm major studio projects and challenge traditional industry norms.
Simultaneously, YouTube and major video-centric platforms are rewriting the rules of the streaming wars, challenging legacy media for Emmy recognition and consumer attention.
This audio-visual evolution is also sweeping the podcasting industry, where an unprecedented boom in video-first content is driving audiences to historic new heights.
Meanwhile, the music industry is facing an existential shift as TikTok's independent music strategies threaten to bypass traditional record labels altogether, forcing legacy gatekeepers to adapt or risk being left behind.
From independent web creators to multi-million dollar platforms, the digital vanguard is no longer just knocking on Hollywood's door—they are rewriting the playbook.
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The podcasting industry is undergoing a foundational identity shift, breaking free from the traditional confines of audio-only headphones and evolving into a multi-platform, AI-driven media ecosystem optimized for maximum monetization.
Independent podcasters and media giants alike are diversifying rapidly; a major industry survey highlights that creators are expanding heavily beyond audio, with a massive push into video-first formats.
This visual transformation is driving podcasts out of commuters' ears and straight into the living room, with new data showing that audiences increasingly consume podcasts via smart TVs, turning what was once a solitary audio habit into a shared domestic experience.
To capitalize on this, hosts are leveraging their unique connection with audiences to function as “super-influencers,” forging high-trust brand partnerships that deliver far stronger advertising returns than traditional media.
However, this commercial boom faces immediate disruption from artificial intelligence.
Tech platforms are shifting toward automated spoken-word content, evidenced by Spotify’s dual push into narrating magazine articles and unveiling hyper-personalized, user-prompted AI podcasts that auto-generate daily briefings.
This explosion of synthetic audio has forced platforms like YouTube to introduce strict AI detection signals to maintain transparency and tag generated material.
Ultimately, the modern path to podcast ad dollars requires navigating this delicate balance: utilizing video and smart-TV expansion to scale human "super-influencer" trust, while simultaneously adapting to a digital landscape increasingly automated by AI.
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While the podcast industry celebrates eye-popping financial milestones, with global podcast sales skyrocketing to a record $9.2 billion driven by aggressive multi-platform video adoption, the creative soul of the medium is facing an existential crisis.
Industry leaders at the London Podcast Show have issued a stark warning against a rising "cavalcade of AI crap," as data reveals that fully synthetic, automated shows now outnumber human-launched podcasts.
This corporate push toward automated convenience is epitomized by Amazon’s introduction of Alexa+ "podslop," which replaces painstakingly researched human journalism with generic, AI-generated banter custom-tailored to listener moods. As algorithmic gatekeepers like Triton Digital pivot toward high-tech contextual targeting to extract even deeper ad dollars from every stream, the foundational art of audio storytelling is being stripped of its serendipity.
In the rush to monetize every frame and automate every voice, the podcasting landscape risks transforming from a vibrant community of authentic human voices into a hollow, mechanized echo chamber optimized strictly for profit.
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The digital landscape has hit a breaking point where **quantity no longer fuels culture—it dilutes it.
With a staggering 100,000+ tracks flooding streaming platforms daily and the "clipping economy" stripping art into viral, 15-second fragments, we have entered an era of terminal saturation.
This hyper-production, driven by AI-clipping and the pressure for constant visibility, has turned music and media into disposable commodities rather than curated experiences.
As industry giants like iHeartMedia pivot toward video to capture splintered attention spans, the fundamental value of "listening" is being sacrificed for "scrolling."
In this sea of digital noise, the human element of discovery is failing; when everything is available at once, the authority of the tastemaker vanishes, leaving audiences to navigate a hollow ecosystem where the loudest, shortest, and most frequent content wins, while genuine quality is buried under the weight of its own abundance.
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Beyond the $4 billion milestone, the upcoming season represents a pivotal shift in how Hollywood approaches the "blockbuster" economy.
While the sheer volume of theatrical releases has decreased, studios are doubling down on massive, tentpole spectacles to drive foot traffic, betting that quality and brand recognition will outperform a crowded, more diluted marketplace.
Disney sits at the epicenter of this strategy, wielding a powerhouse slate that positions them as the definitive leader to beat.
However, this "less is more" approach isn't without risk; experts are debating whether a reliance on fewer films puts too much pressure on individual titles to succeed, potentially leaving the industry vulnerable if a few high-profile gambles fail to connect.
As the sun rises on the 2026 season, the industry is eager to prove that a streamlined, event-driven calendar can not only recapture the glory of pre-pandemic earnings but also set a sustainable new blueprint for the future of cinema.
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The preliminary merger talks between iHeartMedia and SiriusXM signal a historic opportunity to revolutionize the American airwaves by adopting a sophisticated, nationalized format.
By moving away from the fragmentation of traditional local broadcasting and emulating the world-class models of BBC Radio or major European networks, this union could transform the "iHeart" brand into a premier national utility.
A centralized approach would allow for the pooling of vast resources to deliver consistent, high-production content—from elite journalism to specialized music genres—to every corner of the country.
This transition isn't just about consolidation; it's a constructive step toward creating a "Gold Standard" for American audio that combines the accessibility of AM/FM with the curated excellence of satellite radio.
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At the 2026 NAB Show in Las Vegas, the message to broadcasters was unmistakable: traditional airwaves must be augmented by a sophisticated digital backbone to survive.
NAB President Curtis LeGeyt characterized this shift as a "moment of real opportunity," urging stations to move AI and digital tools from theory into daily newsroom operations to combat audience fragmentation.
Key sessions highlighted the "74% problem"—the staggering reality that nearly three-quarters of existing radio clients do not yet purchase digital products from their stations, representing a massive untapped revenue stream.
To bridge this gap, the conference emphasized that digital is no longer a secondary option; radio must now master hyper-local podcasting, overhaul content for AI-driven search visibility, and implement weekly digital sales training to capture a share of the projected $2.5 billion digital ad market.
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The tide in Hollywood has officially turned, as the industry undergoes a massive strategic "reprioritization" that places movie theaters back at the center of the cinematic universe.
For years, the narrative was dominated by "streaming-first" mandates, but 2026 marks the year the industry realized that the prestige and massive revenue potential of a global theatrical release cannot be replicated on an app.
This shift is most visible in the aggressive new stance taken by Paramount under David Ellison, who has moved away from the shortened pandemic-era windows to a firm 45-day theatrical exclusivity period, promising a high-volume output of 30 films a year to keep seats filled.
Perhaps the most shocking signal of this new era is Netflix’s presence at CinemaCon; the streaming giant is now actively courting theater owners to explore a broader theatrical presence, acknowledging that the big screen is the ultimate marketing engine for cultural relevance.
As studios move away from the "direct-to-streaming" experiment, the theatrical window is being restored as the primary engine of the film economy, proving that in 2026, the theater is no longer a secondary option—it is the priority.
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The traditional airwaves are experiencing a seismic shift as the era of terrestrial dominance gives way to a digital-first reality.
Recent Chapter 11 bankruptcy filings from major entities like Spanish Broadcasting System and other national radio giants underscore a mounting financial crisis, signaling that the legacy broadcasting model is struggling to stay afloat under the weight of massive debt and dwindling terrestrial ad revenue.
While companies like Cumulus and iHeartMedia scramble to restructure executive pay and local sales departments to survive, international bodies such as the U.K. government are launching formal reviews to determine the very future of the industry. In stark contrast, the digital frontier is booming; streaming platforms are aggressively pivoting toward podcasting—now dubbed the "new daytime television"—to capture the attention spans of a mobile-first audience.
This transition is fueled by massive monetization milestones, such as Patreon podcasters earning over $600 million in 2025, and a frantic acquisition market where "everyone is for sale."
As radio stations desperately experiment with AI tools to convert live broadcasts into on-demand podcasts, the data suggests a permanent decoupling from the tower: while the static of traditional broadcasting continues to fade, the aggressive expansion of streaming is redefining the economics of sound.
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The landscape of Hollywood is undergoing a radical and painful transformation, where the traditional "blockbuster" model is being systematically dismantled by a new economy of fragmented, short-form consumption.
While global streaming revenue has tripled in just five years and is on a trajectory to surpass $200 billion by 2030, this financial windfall for major platforms has not translated into stability for the industry’s workforce.
Instead, Hollywood is facing a devastating employment collapse, with a 30% drop in jobs from its 2022 peak as studios pivot toward profitability by slashing production volume and moving shoots to lower-cost regions.
In this void, "clipping" has emerged as a powerhouse industry; what was once a fan-driven hobby has become a multi-million-dollar business where professional "clippers" are paid thousands to slice longer works into viral, 60-second snippets.
This shift has fundamentally rewired how content is valued, as algorithms now prioritize these bite-sized, often controversial highlights over cohesive storytelling.
Consequently, while the digital ecosystem thrives on "clip farming" and record-breaking subscription fees, the creative middle class—the set builders, production managers, and local craftspeople—is being "clipped" out of the picture, leaving behind a industry that is wealthier at the top but increasingly hollowed out at its core.
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The traditional, passive model of dropping an album and hoping for the best has been replaced by a high-octane, interactive strategy that blends legacy broadcast power with modern viral mechanics.
As highlighted by the partnership between iHeartMedia and TikTok, the industry is moving toward "cultural moments" rather than simple distribution.
This was best exemplified by Bruno Mars’ The Romantic campaign, which utilized a live, multi-platform "Album Preview" to turn a release into a massive event, generating over 3 billion impressions.
Central to this new era is the rise of "clipping"—a viral marketing strategy where marketers pay a fleet of "clippers" to flood social media with short, engaging snippets of an artist’s content. These clippers, often operating through decentralized communities on Discord, act as a "shotgun blast" of promotion, creating an illusion of organic ubiquity that triggers platform algorithms.
Complementing this is the expertise of agencies like Chaotic Good, who argue that the secret to TikTok virality lies in "frictionless participation."
By focusing on emotional storytelling, raw behind-the-scenes footage, and "7-second hooks," labels are no longer just selling songs; they are building immersive digital worlds that invite fans to become active participants in an artist's rise.
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In just two decades, podcasting has morphed from a haven for thoughtful, long-form storytelling into a high-stakes arena where sensationalism, personal scandals, emotional showdowns, and "must-hear" revelations drive massive engagement—and massive revenue.
This pivot isn't random; it's fueled by ruthless digital economics—algorithms that reward shock value, cliffhangers, and raw confessions to boost completion rates, shares, downloads, and ad impressions in a crowded market. The result: a medium once celebrated for intimacy and depth now mirrors the tabloid playbook that transformed print magazines, TV news magazines, and daytime talk shows from the 1970s through the 2000s.
Back then, fierce competition pushed National Enquirer and People to lurid celebrity exposés and emotional hooks for skyrocketing circulation; shows like A Current Affair, Hard Copy, and Inside Edition leaned on dramatic reenactments and hidden-camera scandals to spike ratings; and hosts from Jerry Springer to Maury Povich turned family feuds, surprise paternity results, and onstage meltdowns into must-watch spectacle for syndication dollars. Each era's shift prioritized voyeuristic "infotainment" over measured reporting because drama delivered eyeballs—and ad revenue.
Today's podcasts follow the same script for survival and scale. True-crime series amp up emotional narration and speculation bait; celebrity interviews dive deep into breakups, betrayals, and unfiltered rants; cultural commentary pods thrive on heated personal takes and hot-button confessions. Video versions on YouTube and platforms like Spotify echo 1990s talk-show staging—close-ups, reactions, extended runtime—while episode titles tease "shocking confessions" or "the truth they didn't want you to hear," just like old tabloid covers and TV teases.
The economic thread ties it all together: when audience metrics become currency, content evolves to feed emotional demand—shock, outrage, empathy—for stickier listening and higher monetization through stacked sponsorships, dynamic ads, subscriptions, merch, and live events. As the industry eyes billions in ad growth (with reports highlighting untapped potential locked behind measurement hurdles), the pattern remains clear across half a century of media: accessibility and competition reward the sensational, turning intimate formats into high-drama engines.
Podcasting's "tabloid turn" isn't a betrayal of its roots—it's the latest chapter in a timeless story of how the market shapes storytelling.
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As traditional radio fights to stay relevant with younger listeners, the "gut feeling" of local DJs is being replaced by the cold hard data of Spotify and Apple Music charts.
Major broadcasting conglomerates are now using real-time streaming metrics as a risk-avoidance tool, effectively turning the FM dial into a curated mirror of digital playlists.
While this "safe" programming ensures national consistency and high skip-resistance, it has come at a steep cost: the death of localism and the homogenization of music across the country.
This shift reveals a industry at a crossroads, trading its unique human connection for algorithmic efficiency in a desperate bid to capture a generation that grew up on the "skip" button
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For the second time in less than a decade, Cumulus Media—the nation’s third-largest commercial radio operator—has filed for Chapter 11 bankruptcy, signaling a critical struggle to survive in a rapidly evolving digital landscape.
As of March 5, 2026, the company entered a "prepackaged" restructuring plan in a Texas court to eliminate approximately $600 million in debt. This move follows a previous 2017 filing where the company shed over $1 billion in debt by transferring ownership to its lenders.
Between these two filings, Cumulus attempted to stabilize its finances by aggressively pivoting to digital marketing, expanding the Cumulus Podcast Network, and selling off major assets like its corporate headquarters and key station towers to pay down its high-interest loans.
Despite these efforts and a significant 2024 liability management exercise that pushed back maturity dates, the company cited "unrelenting" macroeconomic pressures—including the loss of major talent like Dan Bongino and a costly legal battle with Nielsen—as the primary drivers for this second collapse.
Under the new 2026 plan, lenders will once again take the reins, receiving 100% of the company's equity in exchange for canceling the remaining debt, a move CEO Mary Berner insists is necessary to finally clear the "static" from their balance sheet and allow for long-term investment in digital-first content.
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Manon Bannerman's sudden temporary hiatus from KATSEYE, announced on February 20, 2026, by HYBE and Geffen Records, has ignited fierce debate across fan communities and industry circles. Officially framed as a step back to prioritize her "health and wellbeing" after "open and thoughtful conversations," the move quickly spiraled into speculation about deeper tensions.
Manon herself posted on Weverse affirming she's "healthy... okay, and... taking care of myself," while noting that "sometimes things unfold in ways we don’t fully control." Yet, her social media activity—like liking (and reportedly unliking) posts about racism and mistreatment of Black women in girl groups—fueled the narrative of a "Katfight," with fans pointing to patterns of tokenism, unequal visibility, and extra scrutiny on her as the group's only Black member.
The drama taps into longstanding criticisms of assembled pop groups under major-label control. KATSEYE, forged through the 2023 survival show The Debut: Dream Academy (later documented on Netflix), embodies the high-stakes, manufactured model: intense training, relentless schedules, and a focus on global branding over organic bonds.
Critics argue this system often isolates minority members, with Manon facing stereotypes like being labeled "lazy" during pre-debut scrutiny—echoing broader industry patterns where Black women in girl groups endure disproportionate pressure, racism, death threats, and sidelining to maintain "optics" of diversity.
Supporters, including Normani and Leigh-Anne Pinnock, rallied with messages of solidarity ("We need to protect each other"), highlighting how the lone Black member frequently becomes the "test" subject for failure in these setups. As the group shifts to five-piece promotions for upcoming festivals like Coachella, questions linger about whether this is truly temporary or the start of a familiar unraveling.
This friction isn't isolated to KATSEYE—it's baked into the major-label pop star system since the rock-and-roll era. From The Monkees' battles over creative control to Spice Girls' Geri Halliwell's abrupt exit amid exhaustion and clashes, One Direction's Zayn Malik citing friendship strains and image restrictions, and Destiny's Child's early departures over favoritism, assembled acts often fracture under mismatched dynamics, burnout, and unequal spotlight.
These groups, built by producers or shows, prioritize commercial viability over personal harmony, turning members into "products" rather than collaborators.
In stark contrast, today's streaming era has diminished the dominance of teen pop idols and manufactured groups. Industry insiders note that platforms like TikTok and Spotify enable niche, grassroots discovery, where artists build slowly from community to community rather than exploding via centralized TV exposure.
Breaking a star now takes years, not months, amid mental-health concerns and the lack of monoculture. Viral finds often struggle with follow-ups without the label machinery's support, but they avoid the intense control and interpersonal pitfalls of assembled acts.
KATSEYE's turmoil underscores why grassroots paths—organic, self-driven, and less rigidly managed—may offer healthier longevity, even if slower fame, while major-label experiments continue risking the human cost for polished perfection.
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The podcasting landscape has fractured into a "Hybrid Era," where the medium is no longer defined by the file format, but by the platform it inhabits. Apple has finally shed its audio-only skin with the launch of HLS-powered video, allowing listeners to switch between watching and listening seamlessly within a single feed.
Meanwhile, the Spotify-Netflix alliance has effectively turned top-tier podcasts into "prestige TV," moving shows like The Bill Simmons Podcast into the living room to compete directly with late-night talk shows.
This shift has ignited a fierce debate: purists argue that the "production creep" of video destroys the low-barrier, portable intimacy that made podcasting unique, while modern creators contend that in 2026, a podcast without a face is invisible to the visual algorithms that drive discovery.
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The rapid ascent of generative artificial intelligence is no longer a distant theoretical threat; it has become an immediate, disruptive force triggering a sense of existential panic across the entire media landscape.
From the historic backlots of Hollywood to the high-pressure newsrooms of global publishers, the traditional pillars of content creation are facing a transformation so radical it may lead to the total extinction of legacy professions.
As AI matures from a novelty tool into a primary producer of high-fidelity media, the industry is witnessing a shift where human participation is increasingly being viewed as an optional, high-cost luxury rather than a fundamental necessity.
In Hollywood, the film and TV industry is currently grappling with a "point of no return" as the barrier between reality and synthesis dissolves.
The recent viral success of AI-generated videos featuring icons like Tom Cruise and Brad Pitt has served as a grim milestone, leading top industry writers and creatives to warn that "it’s likely over for us."
McKinsey’s analysis reinforces this sentiment, detailing how AI is moving beyond simple post-production efficiency to challenge the core roles of screenwriting and physical performance.
As studios explore the potential to generate high-quality scripts and photorealistic human likenesses without the logistical hurdles of unions or filming schedules, the very future of the human workforce in entertainment remains in serious jeopardy.
The outlook for the news industry is perhaps even more dire, as media executives increasingly brace for what some describe as the "end of the journalism industry."
AI-generated content is beginning to saturate digital spaces, making it nearly impossible for traditional outlets to compete with the sheer volume and velocity of automated reporting. This creates a dual-threat: not only is the business model crumbling as AI models scrape and summarize news—stripping original publishers of their traffic—but the erosion of human-led investigative reporting leaves a void easily filled by high-speed, algorithmically generated misinformation.
The music industry is attempting a different strategy by leaning into the chaos, though it still signals a fundamental loss of artistic control.
Spotify is currently developing "derivative" technology that allows fans to use AI to remix and cover existing tracks, framing it as a novel revenue stream for artists.
However, this shift effectively transforms the musician from a primary creator of finished works into a provider of "source data" for a modular remix culture. By inviting fans to manipulate an artist's voice and style through AI, the industry is moving away from the concept of a definitive artistic vision toward a consumer-driven, automated experience that devalues the original creator's intent.
Finally, the way we consume daily information is being upended by generative video that is poised to disrupt the social media landscape entirely.
According to reports from Deloitte and the Wall Street Journal, generative AI is creating a "creative explosion" that populates feeds with hyper-personalized content designed to capture attention more efficiently than human creators ever could.
This flood of synthetic content not only competes for eyes but also presents a massive security risk, as platforms struggle to distinguish between genuine human expression and deepfakes.
This saturation suggests that the era of the human "influencer" or content creator may soon give way to an automated attention economy, marking the end of social media as a purely human-centric space.
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Ted Sarandos offers Empty Promises and Evasive Tactics Ignite Fury The Netflix Empire Faces Senate Fire in High-Stakes Defiance for Warner Bros. Control
Netflix co-CEO Ted Sarandos’ appearance before the Senate Antitrust Subcommittee was less a defense of innovation and more a masterclass in corporate gaslighting,
Sarandos, as the Netflix co-CEO struggled to justify an $83 billion acquisition that threatens to cannibalize the remnants of the traditional studio system, attempted to play the victim by pointing toward YouTube’s dominance, his testimony was riddled with non-answers and calculated vagueness that left lawmakers and Hollywood guilds outraged.
By refusing to provide a "yes or no" on the fundamental issue of fair residual payments, Sarandos signaled that a Netflix-owned Warner Bros. would likely double down on the streamer’s notoriously opaque "black box" accounting, further stripping creators of their livelihoods. Even his olive branch of a 45-day theatrical window was widely panned as a cynical, superficial gesture that fails to provide the long-term guarantees of distribution and marketing spend required to sustain a healthy cinema ecosystem.
Ultimately, Sarandos’ "more for less" mantra rings hollow to an industry that sees this merger for what it truly is: a predatory consolidation designed to crush competition, silence labor demands, and ensure that the future of storytelling is dictated solely by a Silicon Valley algorithm.
In a historic Capitol Hill showdown that could fundamentally redraw the map of the entertainment industry, Netflix co-CEO Ted Sarandos took the stand to defend the streamer’s audacious $83 billion bid for Warner Bros. Discovery.
Facing a barrage of skepticism from the Senate Antitrust Subcommittee, Sarandos reframed the narrative of a "monopoly," arguing that the true competitive threat comes not from traditional studios, but from the unyielding growth of tech giants like YouTube and TikTok.
While he promised that the merger would benefit consumers by delivering "more content for less," lawmakers and Hollywood guilds remained unconvinced. The testimony became particularly fraught as Sarandos dodged definitive answers regarding the "black box" of residual payments, refusing to commit to a transparent system for creators.
Simultaneously, the Producers Guild and industry analysts sounded the alarm over Netflix’s late-game pledge of a 45-day theatrical window—a move many dismissed as a hollow concession that fails to address how a streaming-first titan would protect the cultural and financial sanctity of the big screen.
As the guilds warn that this consolidation could stifle creative competition and erode labor standards, Sarandos’s calculated defense has left Washington—and Hollywood—grappling with whether this deal is a necessary evolution for Netflix or the final curtain call for the traditional studio system.
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KOP focuses on two opposing survival strategies: the hyper-niche agility of music versus the monopolistic consolidation of video.
According to the Splice x MIDiA Sounds of 2026 report, the music industry is thriving on "micro-trends," driven by creator-led tools and a resurgence in genres like House music that prioritize community over mass-market appeal. This decentralized growth is fueled by a healthy financial backbone, with Spotify reporting a record $11 billion payout in 2025, bringing its all-time industry contributions to over $70 billion. Conversely,
Hollywood is entering a "cannibalization phase" where Netflix is effectively eating its competitors to sustain growth. As Netflix maneuvers to potentially acquire or absorb assets from Warner Bros. Discovery, the shift signals a move away from creative diversity toward a singular, algorithmic powerhouse.
While music creators leverage platforms like Splice to win through specialized, granular sounds, the film and TV industry is bracing for a future where even prestige brands like HBO must adapt to the standardized "content engine" of a dominant Netflix hegemony.
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The entertainment industry is locked in a high-stakes standoff that pits digital expansion (Netflix buying Warner Bros.) against federal oversight (FCC Equal Opportunities).
Netflix has intensified its bid to dominate the global media landscape with an all-cash $83 billion offer for Warner Bros. Discovery (WBD)—a move that trade groups like Cinema United warn is an "existential threat" to the theatrical business.
By potentially shortening theatrical windows to a mere 45 days and consolidating "must-have" franchises like Dune and Godzilla under a streaming-first banner, Netflix risks dismantling the traditional movie theater economy.
However, this consolidation is colliding head-on with a newly aggressive FCC. On January 21, 2026, the FCC’s Media Bureau issued a landmark guidance effectively "resurrecting" the Equal Opportunities Rule for late-night and daytime talk shows. By stripping the "bona fide news" exemption from popular programs like Jimmy Kimmel Live! and The View, the FCC is forcing broadcasters to provide comparable airtime to opposing political candidates.
This creates a complex paradox: while Netflix seeks to build an unprecedented "mega-library" to cure consumer subscription fatigue, federal regulators are simultaneously tightening the leash on how that very content—specifically political discourse on talk shows—is distributed.
For Netflix, acquiring Warner Bros. means inheriting a massive broadcast and talk-show infrastructure that is now under the intense microscope of an FCC determined to ensure that no single media titan can "put its thumb on the scale" of public opinion without offering a balanced stage.
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Spotify is currently navigating a complex era defined by massive financial growth, aggressive monetization, and a mounting crisis of confidence among its core user base.
On one hand, the streaming giant is celebrating significant commercial achievements, most notably marking a staggering $10 billion milestone in payouts to the podcast industry and expanding its Podcast Partner Program to further dominate the spoken-word market.
However, these financial triumphs are being met with resistance from consumers as the platform implements across-the-board price hikes for all U.S. subscribers in 2026, forcing users to pay more for a service that many feel is declining in quality.
The primary source of this dissatisfaction lies in the explosion of AI-generated content; as the total number of tracks on streaming platforms swells to an unprecedented quarter of a billion, Spotify’s once-beloved discovery algorithms are reportedly being "flooded" with AI music.
This influx has led to a breakdown in user trust, particularly regarding the "Discover Weekly" feature, as subscribers express fury over being forced to sift through synthetic tracks to find genuine artists.
As the platform grapples with an oversaturated library and a shift toward AI-prioritization, Spotify stands at a crossroads: it is more profitable and expansive than ever, yet it risks alienating the very music fans who built its empire.
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The audio landscape in 2026 is being defined by a widening chasm between booming commercial tech and struggling public media.
As Spotify pivots aggressively toward a "Hollywood" model—opening a dedicated studio, slashing monetization thresholds for video podcasters, and claiming a $10 billion contribution to the industry—the platform is doubling down on creator growth and platform diversification.
However, this expansion has sparked debate over whether music payouts should be further throttled to fund this podcasting gold rush.
Conversely, NPR is facing a dire inflection point; following the closure of the Corporation for Public Broadcasting (CPB), the network is battling internal rifts and a desperate funding vacuum.
While Spotify looks toward a lucrative future of creator-led video content and "bigger deals," NPR is left fighting to preserve the very future of independent, non-profit journalism in a market increasingly dominated by high-gloss, algorithm-driven entertainment.
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King of Podcasts joins host Lou Pate on WPHT 1210AM in Philadelphia to unpack the biggest shifts in the 2025 media landscape, specifically movies and TV.
We dive into the "boom and bust" of the modern box office, noting that while blockbusters like Avatar continue to dominate with near-billion-dollar runs, smaller prestige films like Marty Supreme struggle to find footing in a world dominated by streaming.
Beyond the silver screen, the conversation tackles the official end of MTV's sub-channels, the questionable "NFL-fueled" ratings of network hits like Tracker and 60 Minutes, and a explosive whistleblower scandal involving Trinity Broadcasting Network (TBN).
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Syndicated Radio host and Twitch Streamer Rafe Gomez explores the contrasting worlds of radio, music, and digital content creation. Gomez recounted his non-traditional entry into professional radio, where his mix show concept, deemed too "lively" for smooth jazz, found syndicated success on Sirius and later on WQCD as The Groove Boutique by providing an essential "solution" to plummeting weekend listenership.
This success is contrasted with his harsh critique of terrestrial radio as a "shittiest business enterprise" for its failure to prioritize listeners. The conversation pivoted to his highly successful, buyer-focused Twitch show, Danceteria Rewind, which resurrects the diverse sound and creative environment of the early 80s Danceteria nightclub with remastered, superior sound quality.
We also discussed the decline of traditional nightlife, the influence of analog-recorded music on new generations, and the importance of Latin rhythms in dance music, with Gomez ultimately advising new creators to focus on enduring, "evergreen songs" for lasting value.
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In a major coordinated escalation, the National Association of Broadcasters (NAB) and a coalition of leading radio groups have launched a high-stakes pressure campaign demanding that the FCC immediately abolish local ownership caps.
Branding the current regulations as "economic anchors" forged in the 1990s, the industry's latest filings argue that the Commission is willfully ignoring a market dominated by unregulated tech titans like Spotify and YouTube.
This isn't just a request for "modernization"—it is an ultimatum. Broadcasters are warning that if they aren’t granted the scale to compete for local ad dollars, the very survival of local journalism and community emergency services is at risk.
By framing the issue as a "one-way street" under the Telecommunications Act—which mandates the repeal of unnecessary rules—the industry is signaling that it is prepared to take this fight from the halls of the FCC to the federal courts to force a total overhaul of the media landscape.
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The landscape of music success is bracing for a seismic shift as Billboard prepares to implement a major methodology update to the Billboard 200 albums chart in 2026.
This recalibration is designed to mirror the music industry’s evolving financial reality, where streaming has moved from a secondary format to the primary driver of global revenue. By significantly lowering the number of streams required to equal one "album unit,"
Billboard is effectively increasing the "buying power" of the average listener. Under the new rules, paid subscription streams (Tier 1) will gain 20% more value, dropping from 1,250 to 1,000 streams per unit, while ad-supported streams (Tier 2) will see a massive 33% increase in weight, moving from 3,750 down to 2,500 streams per unit.
This adjustment serves as a double-edged sword within the industry. On one hand, it legitimizes the massive scale of modern streaming consumption and gives a significant boost to artists whose fanbases rely on "free" platforms.
On the other hand, the change has already ignited a high-stakes standoff with major industry players; notably, YouTube has voiced opposition to how these tiers are balanced, leading to the dramatic decision to pull its data from Billboard’s calculations entirely.
As pure sales of physical CDs and digital downloads continue to wane, these new ratios solidify a future where chart dominance is dictated almost exclusively by digital engagement.
For labels and artists, the 2026 update means that capturing the attention of the streaming public—whether through premium subscribers or ad-supported listeners—is now more valuable than ever before.
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Lick It Up (Or Pay Up) as KISS frontman Gene Simmons Delivers a Fiery, Unfiltered Testimony Supporting the American Music Fairness Act.
KISS co-founder Gene Simmons and SoundExchange President and CEO Michael Huppe testified before Congress in support of the American Music Fairness Act (AMFA), aiming to end the century-old loophole that allows AM/FM radio stations to play music without paying performers and sound recording owners. Simmons delivered a passionate plea, stating that American artists receive "not one cent" from terrestrial radio airplay despite the industry earning billions, labeling the practice "robbery."
Huppe reinforced this argument, noting that the United States is uniquely grouped with countries like North Korea and Iran for failing to pay performance royalties, a policy failure that causes American artists to lose millions in reciprocal royalties overseas. The AMFA proposes to close this gap by requiring terrestrial broadcasters to pay for music, a move strongly opposed by broadcasters who argue the new fees would create undue financial burdens, especially on small local stations, as the Senate revives the radio royalty fight.
Gene Simmons' high-profile testimony before Congress on the American Music Fairness Act (AMFA) echoes Frank Zappa's famous 1985 appearance by bringing a distinctly outspoken rock star persona directly into the halls of power to tackle a core issue of artist rights and economic freedom.
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The entertainment industry looks to be reshaped if Netflix's acquisition of Warner Bros. Discovery (WBD) for an enterprise value of approximately $82.7 billion closes.
This monumental deal, which was officially agreed upon in late 2025, sees the streaming giant gain control of Warner Bros.' film and television studios, its extensive content library, HBO, and HBO Max.
Comprehensive Summary of the Acquisition
Netflix won a bidding war against competitors like Paramount and Comcast to secure the historic acquisition, which is expected to close in the third quarter of 2026, pending regulatory and shareholder approval.
Deal Specifics
* Total Enterprise Value: Approximately $82.7 billion.
* Structure: A cash and stock transaction, valued at $27.75 per WBD share, after WBD first spins off its Global Networks division (including CNN and TNT) into a separate publicly traded entity called Discovery Global.
- Strategic Rationale: The merger is a strategic move for Netflix to eliminate a major streaming competitor (HBO Max) and immediately acquire one of Hollywood's most prestigious studios with decades of premium, globally recognized intellectual property (IP).
New Content Powerhouse
The deal creates an unparalleled content catalog, merging Netflix's own successful titles like Stranger Things and Wednesday with Warner Bros.' iconic franchises and storied libraries. This trove of newly acquired content includes:
* Film Franchises: Harry Potter, the DC Universe (Superman, Batman, etc.), The Matrix.
* Television Series: Game of Thrones, The Sopranos, The Big Bang Theory, Friends, and The White Lotus.
* Classic Films: Timeless titles like Casablanca and Citizen Kane.
Industry & Regulatory Backlash
The announcement was met with immediate and intense backlash from U.S. lawmakers, industry guilds, and Hollywood figures, who fear the creation of a media giant with monopolistic power in the streaming market.
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Antitrust Concerns: Critics, including politicians like Senator Elizabeth Warren, called the deal an "anti-monopoly nightmare," warning that the combined company would control close to half of the U.S. streaming market. This concentration of power could lead to higher subscription prices, fewer consumer choices, and a reduction in content diversity.
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Worker Impact: Both the Writers Guild of America (WGA) and the Directors Guild of America (DGA) released statements calling for the merger to be blocked, arguing that the outcome would eliminate jobs, push down wages, and worsen working conditions for entertainment workers by consolidating control into fewer hands.
Ted Sarandos and the "Outdated" Movie Industry
A central point of controversy following the acquisition has been the past and present comments of Netflix Co-CEO Ted Sarandos regarding the traditional movie industry model, which is feared to be undermined by the deal.
Sarandos' Controversial Stance
Sarandos has long been a proponent of the streaming-first model, and his comments about the theatrical experience have been perceived as dismissive and a threat to cinema:
* "We're saving Hollywood": When asked if Netflix was destroying Hollywood, Sarandos stated, "No, we're saving Hollywood." He framed Netflix as an innovator creating a new business model for filmmaking.
* The "Outdated Concept": He has famously called the traditional theatrical release, where a film plays exclusively in a cinema for two months, an "outdated concept" and "outmoded." He argued that the desire for audiences to watch a movie on a giant screen with strangers for an extended, exclusive window "just doesn't happen very much" anymore and is out of step with consumer demand for at-home viewing.
* Focus on Access: Sarandos maintains that the shift is "pro-consumer" because it provides greater access, especially for those who don't live near a multiplex or can't afford expensive movie tickets.
The Acquisition's Impact on Theatrical Windows
Despite the backlash and Sarandos's past comments, Netflix quickly tried to reassure the industry by stating that it would "continue to support" a life cycle that includes a movie theater release for Warner Bros. films.
However, critics and filmmakers remain highly skeptical. They fear that Netflix's acquisition of a major theatrical studio signals the ultimate end of robust, exclusive theatrical windows. The expectation is that even if Warner Bros. films continue to be released in theaters, they will be pulled quickly onto the combined streaming platform (Netflix/HBO Max) to satisfy Sarandos's push for "consumer-friendly" immediate access, thereby diminishing the box office revenue and cultural significance of the theatrical experience. James Cameron was among the high-profile directors who criticized the purchase, calling it "a disaster."
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Wrapped results are in! From Bad Bunny's streams to iHeart's 'Guaranteed Human' campaign, we dissect 2025's clash between music superstars, Joe Rogan's podcast repeat, and the fast-rising threat of AI tech.
The Broadcasters Podcast's 2025 Year of Music is here! We dive into the biggest stories that defined the airwaves and streaming landscape, starting with the year-end dominance of Spotify Wrapped and Apple Music Replay. Bad Bunny reigned supreme globally, while Rosé & Bruno Mars topped the song charts, and Joe Rogan once again led the podcast rankings, cementing the year's biggest stars.
But beneath the charts, a major conflict raged: the battle against AI music. We discuss iHeartRadio's firm “Guaranteed Human” stance and outright ban on AI-generated content, contrasting it with Warner Music Group’s landmark deal and settlement with AI music generator Suno, which now produces a shocking volume of music. This tension played out against our year-long discussions on the ‘New Music Drought,’ the ‘Superstar Slump,’ and the ongoing issues exposed by Billboard’s controversial Hot 100 chart rules.
Plus, we explore how traditional broadcasting is adapting, from the resurgence of rock radio (KROQ) to the launch of the BBC’s U.S. emerging-artist program. Tune in as we dissect a chaotic, chart-driven, and creativity-challenged 2025, and ask: Is there a future for human connection and creativity on the airwaves?
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Podcast and Radio veteran Ralph Sutton, founder of the Gas Digital Network (now featuring 22 shows and 6 million monthly listeners), sat down with KOP to discuss the seismic shift from traditional radio to the new digital landscape. Sutton asserted that conventional media, including radio and TV, is now "irrelevant."
For up-and-coming rock bands, success is no longer measured by Billboard charts but by tangible metrics like filling concert seats and selling merchandise, reflecting a return to a more grassroots, fan-supported "band culture."
The conversation highlighted the freedom of podcasting, which Sutton contrasted with his 20 years in syndicated radio where content was constantly constrained by program directors. He shared how the Gas Digital Network's early success stemmed from a relentless focus on high-quality audio and a disciplined, regimented show structure—innovations that set his network apart.
Both noted that the "beautiful thing" about the current era is the democratization of content creation, where anyone can start a podcast, though Sutton cautioned against the high abandonment rate of those who chase money over passion.
Ralph also detailed his intensive grassroots strategy for promoting his podcast, which involved personal "hustle" to gain subscribers. A key lesson Sutton shared was that making a show guest-dependent was his "biggest mistake," as a sustainable podcast is built on the audience's connection to the hosts themselves.
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As AI-generated tracks continue notching “soulless” chart victories—jumping to No. 1 on Billboard and topping iTunes with songs built from prompts instead of passion—the contrast with real artists has never been sharper.
Enter Olivia Dean, a stunning and stylish Grammy-nominated singer-songwriter redefining what modern stardom looks and feels like. While synthetic singles rise through algorithmic momentum, Dean’s ascent is powered by something AI can’t imitate: soul.
Her emotionally charged SNL performance recently sent her streams soaring, a reminder that music rooted in lived experience still resonates deeper than any machine-generated melody. Dean’s impact extends beyond sound, too—she’s rewriting the playbook of pop-star fashion with tactile, human presence: garments chosen with intention, style that mirrors emotion, and a charisma that can’t be computed.
And with her Art of Loving Live 2026 tour, she’s doubling down on the one thing AI can’t touch: the electricity of shared, imperfect, real-time human connection.
In a moment when AI music is climbing charts faster than ever, Olivia Dean stands as proof that the future of music doesn’t belong to the soulless—it belongs to the soulful.
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The entertainment industry is engaged in a reckless gamble, prioritizing the fleeting virality of social media stars over the reliable, public-friendly professionalism of trained talent.
This trend, which began with experimental casting, has rapidly metastasized into a full-scale corporate strategy, positioning influencers as the foolish replacement for groomed, quality artists across movies, television, music, and now, radio.
The entire entertainment ecosystem appears to be chasing instantaneous audience capture rather than fostering enduring creative merit.
Hollywood has definitively "Learned to Love Influencers", viewing them not as collaborators but as packaged audiences ready for monetization. This 'new era of fame' bypasses the necessity of traditional training, acting schools, or years spent honing a craft, opting instead for a shortcut driven by follower counts. The result is a critical substitution of seasoned actors and hosts with untested personalities.
This takeover is starkly visible in the world of television and streaming. Major platforms like Netflix are increasingly tapping into the established fanbases of "New Hollywood" by acquiring shows fronted by successful YouTube creators .
Rather than investing in development with proven writers and performers, the streaming giant is making content from creators like Brittany Broski bigger, while YouTube itself is making aggressive moves into traditional formats like late-night and stand-up comedy.
The platform is actively pushing shows like Royal Court to rival established, highly-vetted late-night hosts, making a clear statement that the traditional gatekeepers are being overthrown by algorithmic success.
Perhaps the most alarming expansion of this 'foolish' recruitment is the invasion of traditional audio broadcasting. A cornerstone of the radio industry, iHeartMedia, has struck a massive partnership with TikTok to bring platform creators into mainstream broadcast radio and launch an entire podcast network dedicated to them.
This move signals a profound erosion of quality standards, as broadcast airwaves—once reserved for highly vetted, public-friendly hosts—are handed over to personalities whose main qualification is their ability to generate clicks and soundbites.
The convergence of social media virality and institutional entertainment is not a merging of worlds, but rather a hostile takeover driven by desperate metrics.
By foolishly substituting quality, trained talent with readily available, built-in audiences, Hollywood and the entertainment industry are participating in a fundamental devaluation of craft, risking a systemic 'race to the bottom' where public-friendly quality is sacrificed for instant, yet often transient, buzz.
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The cinematic landscape is officially unrecognizable. After a decade and a half of undisputed global dominance, the twin pillars of American blockbuster filmmaking—Marvel and DC—have been decisively toppled. The new king of the mainstream is not a reboot, a legacy sequel, or a comic book franchise, but Japanese animation, or anime.
The year 2025 will be remembered as the point of no return. The theatrical battle was unequivocally won by the East, led by the colossal success of Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle. The film, distributed by Crunchyroll and Sony, made history with a shocking $70 million U.S. opening—a staggering figure that firmly positioned anime as blockbuster-level content, not "alternative content" for niche audiences.
The film's triumph wasn't just domestic; it was global and symbolic. By the end of the year, Infinity Castle had surpassed the worldwide box office total of DC's highly-anticipated reboot, Superman, becoming the highest-grossing comic book adaptation of 2025 overall.
For those who track the genre's shift, the writing had been on the wall for years, with a previous Demon Slayer film having already surpassed Avengers: Endgame's international box office earnings.
The story for the superhero studios, meanwhile, was one of fatigue and underperformance. A slew of Marvel’s 2025 releases, including the hotly anticipated Thunderbolts and The Fantastic Four: First Steps, all underperformed compared to their predecessors, with the former marking one of the MCU's lowest-ever box office totals. Analysts pointed to a decade of "interconnected universe" filmmaking that had created a "worst modern trend" in Hollywood, leaving audiences weary of what felt like required viewing rather than standalone entertainment.
The seismic shift wasn't limited to the box office. Streaming mirrored the trend as global viewers sought fresh, visually distinct storytelling. Netflix doubled down on the anime-adjacent boom, awarding Sony a staggering $15 million cash bonus for the first KPop Demon Hunters movie, confirming the massive demand for the hybrid content and pushing the sequel, KPop Demon Hunters 2, into production (albeit with a distant 2029 release target).
The most compelling evidence of the collapse of the Western superhero monolith in 2025 came not from Japan, but from China. The year’s highest-grossing film globally was the Chinese animated fantasy, Ne Zha 2, which hauled in a breathtaking $1.9 billion worldwide—earning nearly three times the global gross of Superman. This feat solidified a global appetite for big-budget, imaginative animation that is indifferent to the traditional Marvel/DC formula, conclusively proving that the mainstream audience is now hungry for an entirely new kind of fantasy spectacle.
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Neal Veglio, founder of Podknows Podcasting, shares his journey from a nearly three-decade radio career to the evolving world of podcasting.
Having worked in radio since 1994, including stints with Global Radio and Capital FM in the UK, Veglio observed the increasing homogenization of radio networks in both the UK and the US. He noted a decline in local programming and a rise in syndicated content, a trend that ultimately led him to leave radio in 2018.
Veglio emphasized that the shift from radio to podcasting required him to "unlearn everything." He explained that traditional radio's "big showbiz" intros and lengthy segments, which were crucial for advertisers, do not translate well to the on-demand nature of podcasts. Early podcasting, he recalled, was a laborious process involving manual coding of RSS feeds and creating landing pages to explain content transfer to devices. The emergence of platforms like Libsyn revolutionized content distribution, making podcasting more accessible.
He highlighted the importance of planning and strategy in podcasting, noting that 92% of new podcasts fail due to a lack of sustainable content and proper preparation. Veglio criticized common interviewing mistakes, such as hosts failing to prepare adequately and asking vague, open-ended questions. He stressed that a good host must help their guest sound excellent by asking tough, direct questions.
Veglio also discussed the frequent failure of celebrity podcasts, attributing it to celebrities expecting the audience to adapt to them rather than understanding and meeting the audience's needs for humility and relatability. He believes that successful podcasters must be willing to let their guests take the spotlight.
Reflecting on his own podcast, "Podcasting Insights," Veglio admitted that he had misdirected it for two years, targeting hobbyists instead of business clients. He emphasized the importance of honesty and humility, even for experts, as it allows listeners to relate to mistakes and feel more comfortable with their own learning process.
Veglio concluded by highlighting the growing opportunities in podcasting for businesses, advocating for its adoption to reach new audiences through efficient delivery of both audio and video content. He finds direct engagement from listeners seeking collaboration to be a more enjoyable and effective lead generation method than traditional outbound marketing.
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A Step, but Not a Solution: Why Billboard's New Rules Need to Go Farther to Break Radio's Stranglehold and Records Resistance to Truly Capture America's Musical Pulse.
Billboard's recent adjustment to its Hot 100 "recurrent" rules—a methodological tweak designed to remove older, lingering hits from the chart more quickly—is a necessary but insufficient move.
While this change will correctly clear out entrenched "zombie hits" from superstars, it only addresses a symptom of a larger problem, not the root cause. The current Hot 100 methodology, a blend of sales, streaming, and radio airplay, remains fundamentally flawed, overweighting passive, industry-driven consumption over the active, dynamic "pulse" of American listeners.
To truly force the radio and record industries to innovate and "do better," Billboard must implement a more radical methodological overhaul. Here’s how it could go farther:
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De-Weight Passive Consumption: The core issue is that programmed radio spins and algorithmically-fed streams carry disproportionate weight. This methodology rewards saturation, not genuine, active popularity. A more accurate chart would drastically reduce the point value of radio airplay—which often reflects pay-for-play dynamics and a lagging, older demographic—and instead heavily prioritize active listener engagement. Metrics like user-initiated streams, track purchases, and inclusion in user-curated playlists are a far better representation of the "pulse."
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Introduce Velocity-Based Caps: Instead of just booting songs after they've been on the chart for months, Billboard should implement "velocity caps." Once a song's growth stalls for a set period, its chart points from passive sources (like radio) should be progressively diminished. This would stop radio and labels from propping up a declining hit and force them to shift resources to a new single, creating a more dynamic chart that rewards newness.
- Incentivize New Artist Discovery: The current system forces new artists to fight for scraps of airtime. A revised methodology could actively reward the "first movers" by giving bonus chart points to radio stations and streaming playlists that successfully break a new artist into the ecosystem.
- By only tweaking its recurrent rules, Billboard is merely pruning the branches. A methodology that de-weights radio, caps saturation, and rewards velocity would be a true systemic fix. It would force record labels to invest in developing new talent rather than just maintaining their superstars, and it would compel radio programmers to become active curators of new music, finally forcing the charts to reflect what America is discovering rather than just what it's being fed.
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Digital fatigue is hitting music and radio hard as most U.S. adults use social media daily but two-thirds feel more disconnected after scrolling.
According to iHeartMedia's August survey of 2,000 consumers. With radio ad revenues projected to dip 9.4% to $32.97 billion and streaming facing 10% churn from price hikes, the industries must prioritize human authenticity to counter AI's "tidal wave" and reclaim listener loyalty.
Consumers are exhausted by algorithmic sameness and ad interruptions: 86% say online arguments escalate beyond real-life norms, 82% worry about AI's societal impact, and 75% reject its use in entertainment.
A new October poll shows 90% demanding labels on human-made music, with just 2% margin separating calls to ban AI entirely. Even kids suffer—70% of 8- to 12-year-olds lose sleep to devices—fueling 42% of adults eyeing "dumbphones" for escape.
Streaming's glut of 60 million AI users worsens discovery, making artist breakthroughs 67% tougher for indies, while younger listeners (16-19) shift time to social videos. MIDiA Research's "BEATS" blueprint calls for human-curated playlists, contextual storytelling, artist spotlights, supply limits, and fan clubs to add rewarding "friction," drawing from China's engaging apps.
Radio lags digitally too: podcast growth shines as national ads fall 5% to $1.76 billion, but clunky streams with mid-song ads and scripted social posts repel users. Critics urge weekly audits for seamless experiences, unscripted personality clips, and "micro-moments" like local polls—led by a Digital PD tracking engagement like airplay.
iHeartMedia's Bob Pittman positions live radio as an "empathy sanctuary," where 95% value human care and 92% say tech can't fake bonds.
Spotify's AI pacts with major labels signal experimentation, but without ethical lanes and emotional escapes, music risks CD-era pricing pitfalls.
By blending radio's warmth with streaming's reach via interactive tools, these sectors can spark a human-led audio revival—or fade into irrelevancy.
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In 2025, the music industry has witnessed a significant trend where albums from top-tier artists like Taylor Swift, Lil Wayne, and Lady Gaga met with surprisingly mixed results, revealing a growing disconnect between celebrity status and guaranteed success.
While Taylor Swift’s The Life of a Showgirl shattered sales records, it faced harsh critical reviews for its perceived rushed quality.
Conversely, Lil Wayne's Tha Carter VI suffered a dramatic decline in streaming numbers compared to his previous work, and was panned for poor production. This pattern of underperformance extended to Doja Cat, Cardi B, and Miley Cyrus, who faced issues ranging from low commercial debuts to an inability to launch new, impactful hit singles.
This wave of releases highlights a shifting landscape where star power alone is no longer enough to overcome streaming fatigue, quality control issues, and a perceived lack of artistic innovation.
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The rise of AI-generated "actress" Tilly Norwood has ignited fierce backlash from SAG-AFTRA and top talent agencies, spotlighting the growing rift between human artistry and machine-made mimicry. Created as a hyper-realistic digital performer, Norwood—complete with a British accent and brunette charm—has been touted by her makers as a groundbreaking tool for storytelling, but critics slam her as a soulless thief of real actors' labor. As newly elected SAG-AFTRA President Sean Astin vows to confront agencies over AI ethics, the controversy underscores Hollywood's urgent battle to safeguard jobs and authenticity in an era where algorithms threaten to steal the spotlight.
The uproar erupted in late September 2025 when Particle6, through its AI arm Xicoia, unveiled Norwood and announced interest from major talent agencies for film and TV representation.
This revelation prompted swift condemnation from SAG-AFTRA, which declared that Norwood "is not an actor" but merely "a character generated by a computer program that was trained on the work of countless professional performers—without permission or compensation.
The union lambasted her lack of "life experience to draw from, no emotion," arguing that such synthetic entities devalue human artistry, jeopardize livelihoods, and fail to resonate with audiences craving genuine connection.
High-profile actors like Emily Blunt, who voiced fears of losing "the human connection in acting," Melissa Barrera, Kiersey Clemons, Mara Wilson, and Whoopi Goldberg joined the chorus, amplifying the outcry.
Astin, the "Rudy" and "Stranger Things" alum stepping into his role amid this storm, emphasized the union's strategic leverage: "The audience wants to see real human performers in movies, TV shows, animation, video games, audio books and in all the other ways that we represent our members."
He referenced the guild's hard-won AI protections from the 2023 118-day strike and pledged upcoming dialogues with the Association of Talent Agents (ATA) to enforce permissions and compensation for performers' likenesses in AI training.
SAG-AFTRA also issued a stern warning to producer signatories: Any use of synthetic performers like Norwood must involve notice, bargaining, and compliance with contracts, or risk violations.
The talent agency front has been equally unforgiving. William Morris Endeavor (WME), one of Hollywood's powerhouses, outright rejected Norwood, with co-chairman Richard Weitz declaring at TheWrap’s 2025 Grill conference, "If she has a future, it won’t be at WME. We represent humans."
Chairman Christian Muirhead echoed the sentiment, stressing the irreplaceable "human connection" and "light in the eyes" that AI lacks, while President and COO Mark Shapiro dismissed the notion as "ridiculous."
Gersh Agency's president Leslie Siebert called Norwood's existence "frightening" and confirmed no signing there either, framing the refusal as a stand against AI models built on actors' stolen data.
This unified agency pushback highlights broader industry anxieties: While studios quietly integrate AI for efficiency, the fear of job displacement looms large, especially as Norwood's creator envisions her rivaling icons like Scarlett Johansson or Natalie Portman by prioritizing story over "whether the star has a pulse."
Tilly Norwood burst onto the scene in September 2025 as the inaugural creation of Xicoia, Particle6's AI-focused division, spearheaded by Dutch actor and comedian Eline Van der Velden.
Modeled as a young, ambitious British brunette, she's designed for virtual performances, including reenactments like Sydney Sweeney's viral "great jeans" ad, positioning her as a versatile tool for animation, CGI-enhanced roles, or fully synthetic projects.
Van der Velden defends Norwood not as a job-stealer but as an innovative extension of creative tech, akin to traditional animation, insisting audiences will embrace her if the narratives captivate.
Despite initial buzz—with agencies circling for deals— the swift Hollywood revolt has cast her as a symbol of AI's ethical pitfalls, from unauthorized data scraping to the erosion of emotional depth in storytelling.
As of early October 2025, no major breakthroughs have emerged for Norwood, but her debut has accelerated global discussions on regulating AI in media, with calls for legislation echoing SAG-AFTRA's recent California advocacy wins.
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At the content crossroads, media is vibing with a test-and-tune mindset, blending cutting-edge tech and trends to nail the perfect mix of short and long-form content. Podcasters are jumping on the short-form wave, hiring “clippers” to churn out TikTok and Instagram Reels that pop off with millions of views to hook new fans
But there’s a catch: these bite-sized bangers risk stealing the spotlight from full episodes, as casual scrollers get their fix without tuning into the main show, potentially tanking ad revenue
AI’s in the mix too, with tools like Inception Point AI spitting out thousands of episodes weekly, letting creators test what slaps while sparking debates over realness versus robot-made content.
In music and radio, it’s all about data-driven glow-ups. Platforms like Scorecard Plus help stations vibe-check songs against streaming trends and pop culture moments, turning underrated tracks into playlist gold to keep listeners locked in beyond the usual nine-minute session.
Meanwhile, network TV’s fumbling the bag, copying streaming’s short seasons without the big budgets to back it up. Shows like "High Potential" feel rushed and fall flat compared to Netflix’s cinematic bangers, proving you can’t just shrink the format and expect long-form loyalty.
Media’s playing a high-stakes game, using AI, algorithms, and trend-chasing to test short-form hooks for virality and long-form depth for fandom, all to keep audiences glued in a scroll-heavy world.
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Anime has ascended to become a dominant force at the box office while late night TV might be facing its last days.
The state of late-night television, particularly for hosts like Jimmy Kimmel, Stephen Colbert, and Jimmy Fallon, is precarious, largely due to a challenging financial and corporate climate.
Kimmel's show was put on hold by Disney, raising questions about his future at the network. This move, while potentially related to specific comments Kimmel made, underscores the broader issue of networks' increasing willingness to make difficult decisions regarding their most prominent talent.
The financial pressure on late-night shows is severe. Advertising revenue for the genre has been cut in half, dropping from an estimated $439 million in 2018 to around $220 million in 2024. This decline is attributed to a general shift in viewership to streaming services and digital platforms like YouTube and TikTok, which have fractured the audience once reliably drawn to linear television.
Stephen Colbert's situation at CBS/Paramount Global is a stark example. Despite being a top-rated show, reports suggest his program was losing tens of millions of dollars annually, with some sources claiming as much as $40-50 million per year. While there's debate over whether this figure is a result of "Hollywood accounting" designed to justify the decision, the consensus is that the show's economics were unsustainable.
NBC's Jimmy Fallon has also felt the effects, with his show's schedule already reduced to four nights a week to cut costs. He has, however, extended his contract and is exploring new strategies like live episodes to try and keep the show relevant and profitable in the evolving media landscape.
The fate of all three shows is ultimately tied to their parent companies' financial priorities and corporate maneuvers, such as the Paramount/Skydance merger.
While late-night TV struggles, anime has ascended to become a dominant force in the global entertainment market, particularly at the box office. Anime's journey from a niche, cult following to a mainstream phenomenon is a story of strategic distribution and a unique artistic vision. In the U.S., the launch of Cartoon Network's Toonami block in 1998 was a "Big Bang" moment, transforming shows like Dragon Ball Z into blockbuster hits and proving that American audiences craved serialized, character-driven storytelling.
This success has translated into box office dominance.
Films like Demon Slayer: Kimetsu no Yaiba Infinity Castle are now grossing staggering amounts, with the film projected to reach a $100 million cume in the U.S. and is already ahead of major Hollywood films. This success is a result of anime's ability to engage a dedicated and growing fan base. A recent survey showed that 42% of Gen Z Americans watch anime weekly, a figure that surpasses the 25% who follow the NFL.
Unlike the homogenized, corporately-driven Hollywood model, the anime industry's future is protected by its unique structure. The majority of series are owned by their original manga authors, not large corporations, which helps safeguard the singular artistic vision of the creators and resists the "homogenizing forces of Hollywood." This creative independence, combined with a strong, dedicated fanbase and an effective use of digital platforms for marketing (as evidenced by TikTok's role in viral hits), has positioned anime movies to continue dominating the global box office.
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In a media landscape increasingly dominated by opinion and partisan commentary, the integrity of journalism is in a state of profound crisis.
The traditional role of the media as a neutral watchdog has been compromised, as news outlets and journalists have become complicit participants in a culture war, actively engaging in smear campaigns and prioritizing agenda-driven narratives over objective reporting.
This shift has led to a fundamental loss of public trust, as the media's ethical foundation appears to have crumbled under the pressure of political and social polarization.
The problematic nature of this transformation is made painfully clear by specific examples where media professionals have abandoned basic ethical standards. Instead of offering straight news, some outlets and individuals now use sensationalized headlines and commentary designed to manipulate public emotion.
This is not a mistake but a deliberate strategy to "enrage" or "rally" certain audiences, transforming a tragic event into a political opportunity. Such actions reveal a profound lack of respect and empathy, demonstrating that for some, the pursuit of a specific narrative has become more important than the truth or human decency.
This failure of integrity highlights a broader systemic problem. While journalism has always faced ethical challenges, the modern media environment presents new dilemmas—from the rise of AI to the strategic use of social media—that have exacerbated the ethical decline.
The profession's reluctance to establish new, robust guidelines for these challenges suggests a deeper complicity in its own downfall. By failing to adapt and uphold its core principles, the media has allowed itself to become a vehicle for division and misinformation, effectively trading its credibility for a partisan voice.
The result is a broken system where a significant portion of the public no longer sees the media as a source of information, but as a part of the very problem it once claimed to expose.
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Today's hyper-individualized digital consumption, where music is a personalized playlist and social media dictates trends, the MTV Video Music Awards (VMAs) in 2025 stands as a unique, and increasingly vital, cultural event.
While the show has seen its share of ups and downs in relevance, particularly throughout the streaming era, it has evolved into a crucial platform attempting to bridge the fractionalized landscape of modern music. The 2025 VMAs, in particular, showcases a deliberate effort to be a singular meeting point for a diverse array of genres, from traditional pop and hip-hop to the global rise of Afrobeats, K-Pop, reggaeton, and corridos.
Bridging the Musical Divide: A VMA ImperativeHistorically, the VMAs were a bellwether for what was "next" in pop culture. In 2025, that role has become more complex. Streaming services and social media have created a world of micro-genres and niche communities, making it difficult for any single artist or sound to dominate the cultural conversation in the way they once did. The VMAs have responded to this challenge by expanding their tent, and the 2025 ceremony is a testament to this strategy.
The inclusion of new categories for Best Pop Artist and Best Country Artist, for example, is a direct acknowledgment of the industry's evolving landscape. The show's nominations and performances reflect this expansive approach, featuring a roster of artists that spans the globe and a multitude of sounds. This year's lineup includes established pop stars like Lady Gaga and Sabrina Carpenter, alongside country artists like Jelly Roll and Megan Moroney, hip-hop heavyweights like Doja Cat and Post Malone, and Latin music icons like J Balvin and Ricky Martin. The ceremony actively seeks to be the one night where a K-Pop act can share the same stage and audience with a rock band or a reggaeton star, creating a cultural conversation that simply doesn't happen on an algorithmically-driven platform.
The Streaming Era: A History of Peaks and ValleysThe history of the VMAs in the streaming era has been marked by a struggle for cultural oxygen. The initial decades of the awards show were defined by their status as a "Super Bowl for youth," a must-see event that generated moments of collective shock and awe. The rise of YouTube and other video platforms, however, democratized the music video and diminished MTV's role as the primary gatekeeper of visual music.
This has led to a perceived lack of "notable moments" in recent years, as the kind of spectacles that once dominated headlines now compete with countless viral clips and online personalities.
Furthermore, the live performances have increasingly focused on solo artists, with a few singing groups making an appearance. The lack of traditional bands on the VMA stage is a notable trend, reflecting the current dominance of solo performers and producers in the music industry.
The show often leans on a sense of nostalgia, bringing back veteran artists like Mariah Carey, Ricky Martin, and Busta Rhymes to perform and receive special honors, giving viewers a taste of the show's past glory while also connecting with artists who have shaped the industry.
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The animated action musical "KPop Demon Hunters" has become a global phenomenon, breaking Netflix viewership records with 236 million views in two months, outpacing films like "Red Notice." Its steady viewership, with only a 2% weekly drop, mirrors the staying power of family-friendly content, bolstered by a No. 1 box office run, sing-along screenings, and a sequel announcement.
The soundtrack has made history, placing four songs—"Golden" at No. 1, "Your Idol" at No. 4, "Soda Pop" at No. 5, and "How It’s Done" at No. 10—in the Billboard Hot 100’s top 10, a first for any soundtrack. "Golden" has topped streaming charts for five weeks, with the album hitting No. 2 on the Billboard 200. This success is partly due to a lack of new pop music releases, allowing the film’s KPop-inspired tracks to dominate.
The cultural impact extends to a new Funko merchandise line, including light sticks, cementing the film’s influence across streaming, music, and fan engagement.
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Lou Pate, a seasoned radio broadcaster, discussed the challenges facing modern radio, including a lack of experimentation and the industry's slow adoption of new technologies like podcasting. He highlighted issues of self-censorship in media and criticized the increasing advertising of gambling in sports media.
We first started with a brief debate. Recent advertising campaigns for jeans have sparked controversy, with American Eagle's "Sydney Sweeney Has Great Jeans" generating debate but boosting stock. Gap's "Better in Denim" featuring KATSEYE was lauded for its multicultural representation, while Lucky Brand collaborated with Addison Rae on the "Addison Ultra Low Rise Flare." Levi's "The Denim Cowboy" campaign with Beyoncé, which reinvented iconic ads and promoted empowerment, drew comparisons to the Sweeney campaign, all of which reflect a perceived return to more conventional beauty standards in advertising.
The conversation then explored the evolution of media consumption, the financial models of radio, and the importance of quality content to attract advertisers. They noted that radio corporations have largely failed to adapt to the podcasting trend, often just repurposing existing content rather than creating original material. This has contributed to a decline in local radio and talent development, leading to a "cookie-cutter mold" where many terrestrial talk shows focus on repetitive topics.
While sports talk radio has found success by engaging audiences with lengthy discussions, the broader radio industry struggles with attracting younger audiences and retaining advertisers, partly due to uninspired content and a reluctance to innovate. We also emphasized that quality content is key to attracting advertisers and that the "wild west" of podcasting, with its freedom and convenience, offers a refreshing alternative to stale, corporately controlled radio.
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Music Industry Raises the Rent: ASCAP and BMI Hike Radio Royalties. Meanwhile SoundExchange Hits a Wall with SiriusXM
The music industry, acting as a landlord for songwriters, has successfully raised the "rent" on terrestrial radio through new deals with ASCAP and BMI, finalized with the Radio Music License Committee (RMLC) for nearly 10,000 stations. BMI’s agreement jacks up royalty rates to 2.14% of gross revenue for 2022-2023 and 2.20% from 2026-2029—a nearly 24% spike—demanding back payments for 2022-2024.
ASCAP’s deal, though less detailed, also ups the rent with higher rates and broader digital licensing, easing station operations but pinching budgets, especially for smaller players.
Both settlements, lasting through 2029, include digital revenue discounts and minimum fees, ensuring songwriters get a bigger cut while radio tenants face steeper costs.
Meanwhile, SoundExchange’s attempt to raise the rent on SiriusXM for digital royalties was blocked when a federal court dismissed its $150 million lawsuit, ruling it lacks legal authority to sue under the Copyright Act, leaving it stuck with audits and negotiations.
These moves show the music industry squeezing more from radio broadcasters while hitting a legal dead end in the satellite realm, reshaping the cost of music for airplay tenants.
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The music and media worlds are buzzing with seismic developments as Taylor Swift gears up for the release of her 12th studio album, The Life of a Showgirl, on October 3, 2025, while Howard Stern’s impending departure from SiriusXM after a 20-year run ignites controversy and speculation.
Swift’s album, announced with characteristic flair on her boyfriend Travis Kelce’s New Heights podcast, is set to inject a surge of adrenaline into the fall music scene, with industry insiders and fans alike predicting it will dominate the Billboard Hot 100 and streaming platforms. Meanwhile, Stern’s expiring $100 million-a-year contract with SiriusXM, set to conclude in December 2025, has sparked a firestorm of commentary, with polarized reactions highlighting his polarizing legacy in radio.
Swift’s The Life of a Showgirl promises to be a cultural juggernaut. Revealed on August 13, 2025, during a nearly two-hour New Heights episode, the album features 12 meticulously crafted tracks produced by Swift alongside pop titans Max Martin and Shellback, marking their first full collaboration since 2017’s Reputation.
The album’s title track includes a highly anticipated feature from Sabrina Carpenter, a former Eras Tour opener, adding to the excitement. Swift described the album as a vibrant reflection of her behind-the-scenes experiences during the record-breaking Eras Tour, emphasizing its “infectiously joyful, wild, dramatic” energy. With a focused tracklist—Swift confirmed no bonus tracks will follow, unlike the 31-song The Tortured Poets Department—and a glittering aesthetic featuring a Mert Alas and Marcus Piggott-shot cover of Swift in a diamond-encrusted showgirl costume, the album is poised to be a pop masterpiece. Four deluxe CD variants, each with unique artwork and collectibles, have already driven pre-order frenzy, while a curated Spotify playlist and orange-themed promotions (including the Empire State Building glowing orange) amplify the hype.
Given Swift’s track record—The Tortured Poets Department claimed 17 weeks at No. 1 on the Billboard 200 and smashed streaming records with 300 million plays in a single day—industry analysts expect The Life of a Showgirl to dominate charts and streaming platforms, potentially replicating her historic 2022 feat of occupying the entire Billboard Hot 100 top 10 with Midnights.
Fans have already spotted numerological Easter eggs, like the October 3 (10+3=13) release date tying to Swift’s lucky number, fueling speculation of a calculated chart takeover.
Concurrently, Howard Stern’s reported exit from SiriusXM has unleashed a torrent of reactions, reflecting his divisive status in media.
InsideRadio suggests SiriusXM and Stern are capitalizing on the controversy, noting that Stern’s team is “making sure a hot controversy doesn’t go to waste” by hyping a potential announcement around September 2, 2025, possibly clarifying his future with the network or a new venture. Supporters argue Stern’s boundary-pushing style remains relevant, pointing to his loyal listener base and cultural impact over decades.
The polarized feedback underscores a broader debate about legacy media figures in a digital age, with some X users reveling in Stern’s potential downfall and others speculating he may pivot to a new platform to maintain his influence.
Together, these stories highlight contrasting dynamics in entertainment: Swift’s unstoppable ascent, leveraging her cultural dominance and fanbase to redefine pop music, and Stern’s uncertain transition, as his once-dominant radio presence faces scrutiny. As Swift prepares to electrify the fall with The Life of a Showgirl, potentially sweeping the Billboard Hot 100 and streaming charts, Stern’s saga serves as a counterpoint—a reminder of the challenges legacy media faces in retaining relevance. By October, Swift’s album is likely to be the soundtrack of the season, while Stern’s next move, expected to be clarified in September, will determine whether he can reclaim his spotlight or fade into media history.
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Howard Stern, the self-proclaimed "King of All Media," faces an uncertain future at SiriusXM as his five-year, $500 million contract nears its end in December 2025, marking a potential close to his 20-year tenure with the satellite radio giant. Reports indicate that SiriusXM is unlikely to renew Stern’s contract at his reported $100 million annual salary, not due to his polarizing political stances, but as a strategic business decision driven by the evolving dynamics of live and on-demand audio, particularly the rise of podcasting. This shift reflects broader industry trends where SiriusXM is pivoting toward more cost-effective, digitally native content to attract younger audiences and compete in a fragmented media ecosystem.
Stern’s transformative impact on SiriusXM is undeniable. When he joined in 2006, the platform had fewer than 600,000 subscribers; today, it boasts nearly 35 million, with Stern’s uncensored, boundary-pushing show playing a pivotal role in that growth. As Charlamagne Tha God noted, “Howard Stern put SiriusXM on the map,” elevating satellite radio’s cultural relevance and subscriber base through his raw, engaging style and high-profile celebrity interviews. However, the audio landscape has changed dramatically since Stern’s arrival. The rise of podcasting, amplified by platforms like YouTube and Spotify, has disrupted traditional radio models, offering on-demand, visually engaging content that appeals to younger demographics. SiriusXM’s recent investments in podcasting superstars like Alex Cooper of Call Her Daddy ($125 million deal) and SmartLess ($100 million-plus) signal a deliberate shift toward diversified, podcast-driven content to bolster subscriber growth and ad revenue.
This pivot is driven by economic realities. SiriusXM’s subscriber growth has plateaued, and the company reported a 3% year-over-year revenue decline to $2.2 billion in its latest quarter. Stern’s high salary, coupled with his reduced schedule—now broadcasting just three days a week with extended breaks—has become harder to justify as listener habits shift toward on-demand audio. The company’s acquisition of podcasts like SmartLess and Call Her Daddy, which resonate with Gen Z and millennial audiences, reflects a strategy to convert free podcast listeners into paid subscribers, potentially through paywalls, as noted by SiriusXM President Scott Greenstein. These shows, with their massive download numbers (e.g., Crime Junkie ranks as the second-biggest U.S. podcast), offer a more scalable, cost-effective way to engage new audiences compared to Stern’s expensive, live-radio model.
Tensions with newer talent, such as Alex Cooper, whom sources claim Stern “can’t stand,” highlight the generational and format shift. Cooper’s Call Her Daddy has been praised for its digital-first approach, leveraging SiriusXM’s infrastructure to expand into video and live events, areas where Stern’s show has lagged. Industry analyst Brian Russo estimated in 2020 that 15% of SiriusXM subscribers (roughly 2.7 million at the time) could cancel if Stern leaves, but the company’s bolstered roster—including James Corden, Andy Cohen, and Conan O’Brien—suggests confidence in weathering this loss. The broader podcasting boom, with YouTube emerging as a dominant player (handling 70% of U.S. podcast consumption), underscores the challenge: Stern’s live, audio-only format struggles to compete with the accessibility and visual appeal of podcasting.
If Stern departs, potential landing spots include podcast platforms like Spotify or iHeartRadio, where he could maintain creative control, or even YouTube, where video podcasts thrive. Alternatively, he might sell his extensive archive for replays on uncensored digital platforms or pursue limited-run specials. While Stern’s legacy as a trailblazer in uncensored broadcasting remains intact, SiriusXM’s move away from his high-cost model reflects a pragmatic adaptation to a podcast-driven future, prioritizing flexibility and broader audience reach over reliance on a single, aging star.
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KOP welcomes Michael Harrison, the Founder of TALKERS Magazine, discussing his influential roles at TALKERS magazine and "Radio & Records," his pioneering work in progressive rock and "Album Oriented Rock" (AOR), and his transition from on-air talent to trade publishing.
We tackle the critical challenges facing the radio industry today, and the profound shifts in talent recruitment, noting the decline of the traditional farm system and the new reliance on digital platforms and college radio for fresh voices.
The financial burdens and inherited debt of major radio corporations are also examined, with Harrison acknowledging the difficult circumstances current leaders face. The potential impact of proposed FCC rule changes on media ownership is debated, with Harrison asserting that radio's cultural and financial value has diminished, rendering it "largely obsolete" compared to its 20th-century importance, though still possessing a role in the evolving media landscape.
Despite these challenges, Harrison emphasizes the necessity for radio to reinvent itself by prioritizing quality content and creating engaging programming rather than resting on past laurels. He advocates for personal responsibility in media creation, stressing that new opportunities exist for individuals to build their own platforms.The discussion also touches on the competitive environment between public and commercial talk radio, with Harrison suggesting that public radio may need to adapt to fewer resources.
Finally, they address the commercial challenges in radio, particularly the impact of lengthy ad breaks on listener retention, proposing that the industry could learn from podcasting's advertising models, such as authentic host endorsements, to better monetize content in the digital age.
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In a watershed moment for the entertainment industry, the Federal Communications Commission (FCC) has officially approved the $8 billion merger between Paramount Global and David Ellison’s Skydance Media. This merger marks the end of a century-old studio as a standalone entity and ushers in a new era of corporate consolidation, political realignment, and shifting content strategies within Hollywood.
The deal comes with unprecedented conditions, including Skydance’s appointment of a CBS ombudsman to oversee news editorial integrity and the company’s controversial pledges to scale back diversity, equity, and inclusion (DEI) initiatives—a move that has sparked debate across media and political circles. These concessions appear to reflect the growing influence of conservative-leaning sentiment at the FCC under GOP Commissioner Brendan Carr, who has signaled a broader effort to overhaul broadcast ownership rules following recent court wins and a Republican majority at the agency.
Immediately following the deal’s approval, Paramount Global co-CEO Chris McCarthy, who also oversaw MTV Entertainment, announced his resignation—signaling a major changing of the guard. His exit represents not just corporate reshuffling but the collapse of the traditional cable-era entertainment power structure, especially as the Paramount-Skydance merger pivots the company toward a stripped-down, IP-focused model centered on blockbusters and franchise revivalism.
The merger approval comes amid a rapidly changing media landscape where the traditional box office model is no longer a sure bet. Superhero and horror franchises, once dependable earners, are showing signs of fatigue, leaving the industry grasping for new formats and platforms.
Meanwhile, creators are fleeing broadcast and basic cable for the booming world of podcasts and streaming-first video content. YouTube is actively courting podcasters with the pitch that discovery is driven by video, and industry think pieces like “Creatorverse” argue that podcasting has replaced late-night talk shows as the go-to cultural conversation driver.
At the same time, public media institutions like NPR are also feeling the pressure. NPR recently announced an $8 million budget cut, reallocating resources to its member stations as it tries to stay relevant in an age where streaming algorithms and podcast platforms dominate audience attention.
The Paramount-Skydance deal is more than a business story—it’s a flashpoint in the broader battle over the future of media, where tech-driven distribution, culture war politics, and the decline of legacy entertainment formats are reshaping the industry from every angle.
With the FCC increasingly poised to roll back ownership restrictions, and private equity-backed entities like Skydance asserting greater control over Hollywood’s narrative engines, the next phase of entertainment may be as much about ideology as it is about innovation.
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In 2025, "recession pop"—a distinctive genre characterized by its euphoric, high-energy, and escapist qualities—is experiencing a significant revival, echoing its widespread popularity during the Great Recession of 2008-2012.
This resurgence is not merely a nostalgic whim but a multifaceted phenomenon driven by evolving consumer behaviors, economic anxieties, and the cyclical nature of popular music, as articulated by radio consultant Guy Zapoleon's theories on music cycles.
Recession pop, as its name suggests, first emerged as a cultural antidote to economic hardship. Artists like Lady Gaga, Kesha, Katy Perry, and Flo Rida defined the genre with their upbeat, danceable tracks that served as a temporary escape from the anxieties of the financial crisis.
Key characteristics of this sound include euphoric and high-energy beats designed to uplift spirits, carefree lyrics that promote living in the moment and partying, a potent sense of nostalgia for those who remember its original prominence, and a fundamental offering of escapism from real-world worries.
The current return of recession pop in 2025 is fueled by several interconnected factors.
Firstly, the overall growth rate in music streaming, while still positive, is slowing down. Luminate's 2025 Midyear Report indicates that while global on-demand audio streams increased to 2.5 trillion in the first half of 2025, the growth rate has dipped from 15.1% in 2024 to 10.3% in 2025. In the US, the slowdown is even more pronounced, with growth at 4.6% in 2025 compared to 8% in 2024. This deceleration may be prompting listeners to revisit popular music from the past, particularly the infectious hits of the 2008-2012 era. Indeed, Luminate highlights that US on-demand audio streams of pop music from that period have increased by 6.4% in 2025, outpacing the overall industry growth rate.
Secondly, nostalgia plays a crucial role. As Guy Zapoleon's long-discussed pop music cycle theory suggests, musical trends often operate in cycles.
Zapoleon's theory, often described as a 10-year cycle with phases like "Birth/Pure Pop," "Extremes," and "Doldrums," implies a natural ebb and flow of musical styles. The 15-year gap since the initial recession pop boom places its revival perfectly within a generational nostalgia cycle, as those who were coming of age during the Great Recession now look back fondly on the music of their youth.
This is amplified by platforms like TikTok, which have become powerful engines for rediscovering and recontextualizing older songs for new audiences, further fueling the nostalgic trend.
Thirdly, ongoing economic concerns, despite some positive indicators, contribute significantly to the desire for escapist entertainment. The persistent threat of a potential recession in 2025 creates a palpable need for music that offers a sense of carefree fun and positive emotions, mirroring the psychological coping mechanisms observed during the original recession pop era.
As Luminate's report notes, this desire for escapism and familiarity is driving consumers towards catalog music (tracks older than 18 months), which accounts for a substantial 75.8% market share of total US audio streams in H1 2025.
Finally, contemporary artists are embracing and reinterpreting the recession pop sound. While the term "recession pop" was coined retrospectively, artists like Chappell Roan and Charli XCX are at the forefront of this new wave, alongside veterans like Kesha, who has released new music ("JOYRIDE") that resonates with the genre's spirit. Lady Gaga, a progenitor of the original sound, is also seeing renewed popularity, cementing the idea that the core tenets of recession pop — its upbeat nature, danceability, and celebratory lyrics — remain deeply appealing in times of uncertainty.
In essence, the 2025 recession pop revival is a testament to music's enduring power as a cultural balm. It reflects a collective craving for escapism, a comfortable embrace of nostalgia, and a return to the high-energy, feel-good anthems that historically provided solace and distraction during challenging economic landscapes, all within the framework of cyclical music trends that radio consultant Guy Zapoleon has long observed.
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James Gunn’s much-anticipated Superman reboot—simply titled Superman—was meant to usher in a bold new era for the DC Extended Universe (DCEU), but instead, it finds itself mired in ideological backlash, political controversy, and a fractured audience response that could derail the studio’s grand cinematic relaunch.
Starring David Corenswet as a younger, idealistic Man of Steel and Rachel Brosnahan as Lois Lane, Gunn’s Superman emphasizes themes of compassion, alienation, and global unity, reimagining the superhero as an immigrant navigating a divided world—a creative decision that has become the lightning rod for both cultural praise and conservative outrage.
The film has received generally favorable reviews from critics, who laud Gunn’s signature blend of heart and humor, as well as its cinematic craftsmanship and emotionally resonant character arcs. But while many applauded the updated portrayal of Superman as a “hopeful alien outsider,” the framing has triggered backlash among certain segments of the American public—particularly right-wing commentators and conservative media, who accuse the film of being "woke" propaganda in a cape.
Former Superman actor Dean Cain, who played the titular role in the 1990s TV series Lois & Clark, criticized the film for abandoning what he described as “traditional patriotic ideals” in favor of “immigrant-first messaging” and “virtue signaling.” He further claimed that the movie tries to appeal to "everyone except the people who made Superman iconic in the first place.”
The discourse around the movie has been amplified by a coordinated online backlash, calling for boycotts and labeling the film as "another failed woke experiment." Social media campaigns under hashtags like #NotMySuperman and #GoWokeGoBroke have surged in the weeks since its release, further politicizing the film’s reception.
This controversy couldn’t have come at a worse time for Warner Bros. Discovery, which entrusted Gunn and producer Peter Safran with rebooting the DCEU from the ashes of previous box office misfires and internal creative chaos. The studio had pinned hopes on Superman to lead a ten-year plan of interconnected films and series, starting with a clean slate after the end of the Zack Snyder era. But the political turbulence around Gunn’s choices may now cast a long shadow over the franchise's future.
Adding to the friction is Gunn’s own active engagement on social media, where he has been unapologetically candid about his values and dismissive of reactionary critics. While his transparency has earned him respect among fans who appreciate his no-BS approach, it has also fueled perceptions among detractors that Superman is less about heroic storytelling and more about culture war sermonizing.
Despite projected respectable international numbers and a modestly successful opening weekend, domestic performance has underwhelmed compared to expectations for a tentpole reboot. Industry analysts suggest the polarizing political framing and lack of four-quadrant appeal may be holding the film back from reaching the mass audience it was designed to court.
The situation places the future of the DCEU in a precarious position. While Gunn still enjoys support from the studio and a loyal fan base, the mixed commercial outcome of Superman may force Warner Bros. to rethink how much political messaging audiences are willing to accept in their superhero blockbusters—especially in an election year when ideological divisions are already at a boiling point.
In the end, Superman may not be judged solely on the strength of its storytelling or visuals, but rather on how it navigated (or stumbled through) the cultural minefield of modern America. And as the DCEU tries to build its cinematic future, it must now reckon with a new villain in its origin story: polarization.
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Speaking with host Lou Pate on 1210 WPHT, KOP shares his opinions on movies released so far in 2025. After KOP watched 62 movies last year and almost 30 this year , he highly recommends "F1," especially for the theater experience, praising its immersive racing scenes and Brad Pitt's performance and "Ballerina" from the John Wick universe.
Conversely, the guest identifies "The Weekend" as arguably the worst movie of the year, criticizing its amateur acting and poor plot and a strong disapproval for "Bride Hard," calling its premise of Rebel Wilson as a CIA agent saving a wedding from mercenaries ridiculous.
The conversation touches on a "Jurassic Park" rebirth and the final "Mission Impossible" movie, "Dead Reckoning, Part Two"and how that the "Mission Impossible" sequels can be watched independently, as they provide refreshers on Ethan Hunt's career.
KOP also expresses anticipation for the John Madden biopic starring Nicolas Cage. The discussion concludes with speculation about the next James Bond.
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Thinking about radio? "Sound Advice: A Guide to Navigating Careers in the Modern and Future Radio Digital Media Landscape" touts the industry's digital expansion and the demand for adaptable, multi-skilled pros in AI, data, and podcasts.
That's a start, but for aspiring talent, this sanitized view leaves you unprepared for reality. While the book correctly points out the necessity of becoming "multiskilled", it barely scratches the surface of what that truly entails for aspiring talent. You won't just be a "Music Presenter who blend song selection with personality" or a "Talk Show Host who facilitate fascinating conversations".
The expectation in today's lean media environment is that you become a one-person content machine – a virtual Swiss Army knife. This demands not only audio mastery but also proficiency in video, social media, basic graphic design, and web analytics.
While "Sound Advice" lists "Multimedia Content Development" or "Video Producer/Editor" as separate roles, new entrants often find these are their responsibilities—creating compelling social content and engaging listeners in real-time, all while prepping for your next on-air segment.
Beyond skills, "Sound Advice" ignores the industry's human element. It highlights "creative cores" and "dedicated teams of technical professionals" but omits the cynicism infecting co-workers—a byproduct of tight budgets, long hours, and constant pressure. Radio's corporate climate can be fiercely competitive, even toxic.
While "challenges" are mentioned, detailed discussions of interpersonal dynamics, job insecurity, or demanding management are missing. Aspiring talent needs to be mentally prepared not just for technical demands, but for the emotional resilience required to navigate an environment where passion is constantly tested by commercial pressures and internal politics.
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In a landmark celebration, Apple is marking the 20th anniversary of adding podcasts to iTunes, a pivotal moment that legitimized and propelled the once-niche medium into a global phenomenon.
To commemorate this milestone, the company has launched a dedicated webpage titled "20 Years, 20 Podcasts We Love," highlighting influential shows that have shaped the industry over the past two decades. This anniversary serves as a reminder of Apple's profound and enduring legacy in the world of audio entertainment.
The History and Legacy of Podcasting Before Apple
Before the iPod and iTunes became synonymous with podcasting, the groundwork for the medium was laid by a community of tech enthusiasts and early adopters. The term "podcast" itself is a portmanteau of "iPod" and "broadcast," a name coined by journalist Ben Hammersley in a 2004 article.
The concept relied on RSS (Really Simple Syndication) feeds, which allowed users to subscribe to and automatically download audio files. Early podcasts were often homemade, featuring a wide range of topics from technology to personal journals, but they lacked a centralized platform for discovery and distribution, making them difficult for the average user to find and access.
Apple's Game-Changing Intervention
Apple's entry into the podcasting world in June 2005 with iTunes 4.9 was the catalyst for its mainstream explosion. This single move solved the biggest hurdle for podcasting: accessibility. By integrating podcasting directly into iTunes, a platform already used by millions of people to manage their digital music libraries, Apple made it incredibly easy for users to find, subscribe to, and download podcasts to their iPods.
The initial directory launched with 3,000 shows, providing a central hub that legitimized the medium and made it a recognized form of entertainment.
Steve Jobs, in a press release at the time, famously stated, "Podcasting is the next generation of radio, and users can now subscribe to over 3,000 free Podcasts and have each new episode automatically delivered over the Internet to their computer and iPod." This statement was not just a marketing slogan; it was a vision that Apple would go on to realize.
Apple's Enduring Impact on the Podcast Ecosystem
Apple's contribution goes far beyond simply providing a directory. Its influence is evident in several key areas:
* Standardization and Discovery: The iTunes directory created a de facto standard for podcast distribution. Creators simply needed to submit their RSS feed to Apple, and their show would be discoverable to a massive audience. This open, decentralized model fostered a diverse and independent ecosystem, empowering a wide range of voices and creators.
* The Apple Podcasts App: In 2012, Apple released a standalone Apple Podcasts app, further solidifying the platform's place as the primary destination for listeners. This dedicated app, pre-installed on every iPhone since 2014, made podcasts a core part of the mobile experience.
* Democratization of Content Creation: By providing a free and open platform for distribution, Apple leveled the playing field for content creators. Anyone with a microphone and a computer could potentially reach a global audience, leading to the rise of independent creators who could build their own communities and even generate revenue through advertising and sponsorships.
* Evolution and Growth: The anniversary page highlights this evolution, showcasing a curated list of influential podcasts from different eras, including early pioneers like This American Life and Love and Radio to more recent hits like Huberman Lab and The Rest Is History. This demonstrates how the medium has evolved from simple audio diaries to sophisticated narrative storytelling, in-depth journalism, and specialized content for every niche.
* Continued Innovation: Even two decades later, Apple is still investing in the platform. The company is introducing new features like a wider range of playback speeds and an "Enhance Dialogue" feature to improve the listener experience, reaffirming its commitment to the medium.
The Legacy
While other platforms and apps have emerged, Apple's initial push and continued stewardship of the open podcasting ecosystem are undeniable. The company didn't just popularize the term "podcast"—it built the infrastructure that allowed it to flourish. From a handful of shows in 2005 to millions today, podcasting has become a multi-billion dollar industry and a fundamental part of the modern media landscape, and Apple's iTunes (now Apple Podcasts) played the most critical role in making that happen.
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The Federal Communications Commission (FCC) is moving quickly to "refresh the record" on the national TV ownership cap, which currently limits a single company to reaching 39% of U.S. TV households.
This initiative, spearheaded by Chairman Brendan Carr shortly after Commissioner Olivia Trusty's confirmation, signals a strong deregulatory push aiming to modernize "outdated rules" and enable broadcasters to better compete with Big Tech.
The move is part of Carr's "Delete, Delete, Delete" agenda and is expected to lead to the most aggressive deregulation in decades, with potential ripple effects for radio broadcasters as well.
History of Ownership Caps and the Impact of the Telecommunications Act of 1996:
Historically, the FCC has imposed limits on media ownership to promote diversity, localism, and competition in the broadcast landscape. These caps were designed to prevent any single entity from dominating the airwaves and to ensure a variety of voices and viewpoints for the public.
* Early Caps: Since the 1930s, the federal government has regulated the number of radio stations an entity could own. Over time, these limits were gradually relaxed by the FCC, particularly in the 1980s and early 1990s.
* The Telecommunications Act of 1996: This landmark legislation marked a significant shift in media ownership policy. While proponents argued it would foster competition and lower prices, critics contended it led to massive consolidation. The Act notably:
* Eliminated the national cap on radio station ownership: This allowed for unlimited national consolidation in the radio industry, leading to a dramatic reduction in the number of distinct radio companies and an increase in station holdings by a few large entities. This often resulted in homogenized programming and a decline in local content.
* Increased the national television ownership cap: The cap was raised from 25% of U.S. TV households to 35% (later raised to the current 39%). While not eliminated entirely, this increase significantly expanded the potential reach of individual broadcast companies.
* Eased local ownership limits: The Act also raised local caps on both radio and television station ownership, further facilitating consolidation within individual markets. For example, in the largest radio markets, the number of stations an owner could have increased from 4 to 8.
* Mandated Quadrennial Reviews: The Act directed the FCC to review its media ownership rules every four years to determine if they remained "necessary in the public interest as a result of competition," and to modify or repeal any rules deemed no longer necessary.
This provision, however, has often led to litigious battles and stagnant rules.
The exponential increase in ownership following the Telecommunications Act of 1996 was a direct consequence of these deregulatory measures.
The removal of national radio caps and the significant raising of TV caps empowered large media conglomerates to acquire numerous stations across the country, leading to widespread consolidation and concerns about a shrinking diversity of media voices.
The current FCC's move to further relax these caps aligns with a continued push towards deregulation, arguing that such measures are necessary for traditional broadcasters to compete in a rapidly evolving media landscape dominated by large tech platforms.
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The Broadcasters Podcast welcomes Joe Pardavila, Director of Podcasts for Advantage Media | Forbes Books And Host of the Good Listen Podcast
Joe is a seasoned media professional, discusses his radio career, from interning at WPLJ to becoming a producer for Scott Shannon and Todd Pettengill, highlighting the vital role of a producer and the unique skills required for radio.
Joe discussed how the shift from diary-based ratings to PPM (Personal People Meter) data led to radio stations prioritizing "less talk, more music," often at the expense of live personalities and engaging content.
Joe contrasted radio and podcasting, noting the shift to video in podcasting and the impact of metrics on content. Pardavila emphasized balancing analytics with intuition in podcasting and building an audience through good content. He also shared details about his book and podcast, "Good Listen," which focuses on storytelling.
Joe also explains how his book stemmed from anecdotes shared while coaching podcast clients and contains life lessons learned in radio, applicable to communication in various contexts. The "Good Listen" podcast he hosts serves as an extension of the book, focusing on people's stories.
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In a notable shift from the "all-in-on-streaming" mantra of recent years, corporate media giants are recalibrating their strategies, moving away from a singular focus on streaming to embrace a more hybrid model that re-emphasizes the value of linear television and theatrical releases.
This strategic adjustment is not a full-scale retreat from streaming but a recognition that a diversified approach, leveraging the strengths of both new and traditional platforms, is essential for long-term profitability and audience reach.The initial rush to streaming, fueled by the "streaming wars," led to a fragmented market and mounting content expenses. Now, media conglomerates are finding that the traditional avenues of linear television and theatrical releases offer distinct advantages.
Linear TV, for instance, continues to command massive simultaneous reach, particularly for live events like sports and news, which remain a powerful draw for advertisers. As noted in the 2025 upfronts, there's a renewed appreciation for the broad audiences that linear channels can deliver.
This sentiment is echoed by industry leaders like Disney CEO Bob Iger, who has publicly stated that the combination of linear and streaming is a "winning combination." This "best of both worlds" approach allows companies to maximize their content's value across different windows of distribution.
Further evidence of this trend can be seen in Amazon's significant investment in a substantial slate of theatrical releases. By committing to debuting more films in theaters, the tech and streaming giant is acknowledging the cultural and financial benefits of the traditional cinema experience, which can create a powerful marketing funnel for a film's subsequent life on streaming platforms.
This strategic pivot is also reflected in the evolving nature of streaming itself. The rise of ad-supported tiers on platforms like Netflix and the bundling of various streaming services are, in essence, a re-creation of the cable package model in the digital realm.
This suggests that the future of media consumption is not a complete cord-cutting revolution but rather a re-bundling of content in a way that offers consumers choice while providing media companies with more stable revenue streams. The era of pure-play streaming appears to be giving way to a more integrated and, arguably, more sustainable media ecosystem.
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The Broadcaster's Podcast welcomes Karel (Charles Karel Bouley II) about his legendary broadcasting career that not only shaped radio but also challenged its very foundations. Karel's journey is nothing short of extraordinary, marked by groundbreaking achievements, unwavering principles, and a profound understanding of media's ever-evolving landscape.
Karel's entry into the world of radio was serendipitous, sparked by promoting a record on Groove Radio, which quickly blossomed into a significant presence. His early days at KYPA and the gay network started by Triangle Broadcasting laid the foundation for a remarkable career. However, it was his bold move to send a tape to KFI, despite initial doubts, that truly changed the game. Karel's audacity and unique perspective shone brightly, leading to an audition with program director David G. Hall. His unconventional answer, professing not to know much about KFI but recognizing its number-one status, showcased a refreshing honesty that resonated deeply. This led to fill-in work and ultimately, an afternoon drive show that would etch his name in radio history.
At KFI, alongside his late husband Andrew Howard, Karel's brilliance truly flourished. Together, they took over the afternoon drive, becoming a formidable force and successfully competing against established figures like Tom Leis. This wasn't just a job; it was a transformative experience where Karel and Andrew, along with colleagues like Phil Hendry and David Hall, forged a close-knit family. David Hall, a visionary program director, recognized and nurtured their unique talent, providing an environment where their show could thrive. Karel and Andrew's success at KFI was not merely about ratings; it was about breaking barriers and redefining what radio could be.
Karel Bouley and Andrew Howard were pioneers, bravely breaking the "pink ceiling" by becoming the first openly gay male couple to host a show on a major market station like KFI. In an era where conservative voices like Dr. Laura and Rush Limbaugh dominated the airwaves, their presence was revolutionary. They navigated controversy with grace and courage, addressing sensitive issues head-on. Even when faced with advertisements against gay marriage on their own show, they stood firm, using their platform to denounce discrimination and uphold their values. Karel believed, and rightly so, that radio should not shy away from controversy, but rather engage with it thoughtfully and honestly. Their tenure at KFI was marked by challenging conversations, impactful stunts, and a deep connection with their community, which is rarely seen today.
One of the most admirable aspects of Karel's career is his unyielding commitment to journalistic integrity and genuine connection. During his time at KFI, he covered tragic events with sensitivity and responsibility. The harrowing experience of going live during school shootings, including speaking with a student hiding during the Columbine shooting, deeply affected him. This led to a profound decision, after reporting live during a shooting in Santee, that he and Andrew would no longer cover such events, recognizing the ethical complexities and emotional toll. This decision reflects Karel’s deep empathy and unwavering principles, setting him apart as a broadcaster who prioritized human dignity over sensationalism.
Karel’s reflections on the changes in talk radio reveal his deep understanding of the industry's evolution and its current challenges. He lamented the shift towards more conservative content and the devastating impact of media consolidation. He vividly recalled the four management changes at KFI, noting the initial support from the Cox sisters juxtaposed with resistance due to Andrew Howard's HIV status. Karel's account of being fired from KGO for refusing a lower, non-union pay scale illustrates his commitment to fair labor practices and his refusal to compromise his values. The mass firing at KGO, which he believed contributed to Gene Burns' death, underscored the harsh realities of corporate management prioritizing profit over talent. These experiences prompted Karel to start a syndicated show and eventually a podcast, adapting to the changing media landscape with resilience and innovation.
Despite the rise of streaming and podcasting, Karel maintains that radio remains crucial. He passionately argued for its unique ability to expose listeners to diverse music and opinions, contrasting this with the algorithmic feeds of streaming services. He pointed out the decline of local radio, the rise of echo chambers, and the shrinking attention spans of younger audiences. His frustration with guests charging appearance fees and the use of AI in writing news articles reveals a deep concern for journalistic ethics and the preservation of human creativity. Karel’s prediction that AI could be used to resurrect dead talk show hosts is both fascinating and unsettling, demonstrating his foresight and understanding of technology’s potential impact.
Karel's advocacy for music royalties and industry change further underscores his commitment to fairness and justice. He highlighted the need for radio stations to pay royalties to artists, similar to streaming services, and is actively involved in pushing for these changes through the Grammy Awards. His proposal for radio to have exclusive first access to new music releases before streaming platforms speaks to his innovative thinking and desire to revitalize the industry. He advocated for returning to David Hall's "golden triangle of radio": every broadcast should be informative, relevant, and entertaining. This principle, he believes, is key to radio’s resurgence.
In conclusion, Karel Bouley's career is a testament to his exceptional talent, unwavering integrity, and profound impact on the world of radio. His journey is marked by groundbreaking achievements, courageous stands, and a deep commitment to his audience and his principles. Karel is not just a broadcaster; he is a trailblazer, a visionary, and a true legend whose legacy will continue to inspire for generations to come. His insights, experiences, and passionate advocacy remind us of the power of radio and the importance of preserving its unique voice in our ever-changing world.
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For over a century, Hollywood has been the undisputed global epicenter of filmmaking, a dream factory synonymous with cinematic magic. However, the iconic Hollywood sign now casts a shadow of uncertainty as the very industry it represents is steadily migrating away.
A confluence of economic pressures, aggressive competition, and seismic shifts within the entertainment business has triggered a significant and sustained exodus of film and television production from its long-reigning capital. This migration, a trend that has been quietly building for decades, has now accelerated into a full-blown crisis, leaving many to question the future of Hollywood as the heart of the entertainment world.
The primary catalyst behind this production flight is the aggressive and highly successful implementation of tax incentives and rebates by other states and countries. For years, regions like Georgia, New York, and Louisiana in the United States, and international locations such as Canada, the United Kingdom, and various European nations, have been rolling out the red carpet for film and television productions.
These jurisdictions offer substantial financial perks, with some providing tax credits that can cover up to 30% or even 40% of a production's budget. These incentives are often more generous, flexible, and easier to access than what California has traditionally offered. For production companies operating on razor-thin margins and facing ever-escalating costs, the lure of such significant savings is often too compelling to ignore. As a result, projects that would have once been filmed in and around Los Angeles are now routinely shot in these more economically advantageous locales.
Compounding the problem are the notoriously high costs associated with filming in California. Los Angeles is one of the most expensive cities in the world for productions. Everything from studio rentals and location permits to union wages and the general cost of living contributes to a significantly inflated bottom line.
While California has a deep and experienced talent pool, the financial burden of operating in the state has become a major deterrent. The intricate and often cumbersome permitting process in Los Angeles, with its layers of regulations and fees, further adds to the frustration and expense for filmmakers. In contrast, competing locations often boast a more streamlined and production-friendly bureaucracy.
The recent turmoil within the industry has only served to exacerbate this long-simmering issue. The COVID-19 pandemic brought productions to a standstill, and the subsequent dual strikes by the Writers Guild of America (WGA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) in 2023 delivered a further blow. These events not only halted production for months but also created an environment of instability and uncertainty. In the wake of these disruptions, many studios and production companies have been forced to re-evaluate their strategies, with a greater emphasis on cost-cutting and risk mitigation.
This has led to a further push towards filming in locations that offer greater financial stability and predictability.The consequences of this production exodus are being felt across the Southern California economy. The entertainment industry is a major economic driver for the region, supporting a vast ecosystem of businesses and a large workforce. The departure of productions means a significant loss of revenue for local businesses, from catering companies and equipment rental houses to hotels and transportation services.
It also translates to a devastating loss of jobs for the thousands of skilled professionals who make up the backbone of the industry. Grips, electricians, camera operators, editors, and a wide array of other "below-the-line" crew members are finding it increasingly difficult to find consistent work in a shrinking local market. This has led to a talent drain, with many experienced professionals being forced to relocate to other states or even leave the industry altogether.
In response to this growing crisis, California lawmakers are now scrambling to make the state a more competitive destination for film and television production. There are proposals on the table to significantly increase the state's film and television tax credit program, with some advocating for a near-doubling of the available funds. These initiatives aim to level the playing field and entice productions to return to the Golden State. However, many in the industry feel that these efforts may be too little, too late. The infrastructure and talent pools in competing locations have grown substantially over the years, and it will take more than just tax credits to reverse the tide.
The future of Hollywood hangs in the balance. While it is unlikely to disappear completely, its once-unshakeable dominance has been irrevocably challenged. The entertainment industry is becoming more decentralized, with production hubs flourishing in various locations around the world. Hollywood may need to adapt to a new reality where it is just one of many important players in a globalized and highly competitive industry.
The coming years will be a critical test for Hollywood as it battles to retain its status as the creative and commercial heart of the entertainment world. The outcome of this struggle will not only determine the future of a storied industry but also the economic fate of a region that has long been defined by the magic of the movies.
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Morgan Wallen Shatters Billboard Records Amidst Debate Over Hot 100 Methodology and Chart Stagnation
Morgan Wallen has once again rewritten Billboard history, with his latest album "I'm the Problem" launching an unprecedented 37 songs simultaneously onto the Hot 100 chart in May 2025. This "album bomb" not only surpassed his own previous record but has also intensified ongoing discussions about the current state of music charts, including concerns about stagnation and the fairness of the Hot 100's methodology in the streaming era.
Wallen's remarkable feat saw nearly every track from his lengthy 37-song album, including new songs and a pre-existing hit, find a place on the coveted singles chart, alongside the album itself debuting at No. 1 on the Billboard 200. This level of chart dominance, while a testament to Wallen's massive popularity and the power of his fanbase in the streaming ecosystem, has also served as a focal point for critiques of how music success is measured.
The phenomenon of "album bombs" – where a significant number of tracks from a single popular album flood the charts simultaneously – has become increasingly common since Billboard began incorporating streaming data into its Hot 100 formula. Artists with large, dedicated streaming audiences, like Wallen, can achieve massive chart impact upon an album's release. While this reflects immediate consumption patterns, some observers and industry analysts argue it can lead to periods of chart stagnation, where a few dominant artists or albums occupy a large portion of the chart, potentially crowding out other artists and songs that might demonstrate more gradual, sustained popularity across multiple platforms like radio.
Discussions in forums and among chart-watchers highlight a sentiment that while such record-breaking moments are impressive, they also expose potential discrepancies in a methodology trying to balance diverse consumption metrics like radio airplay, digital sales, and varied streaming platforms. The sheer volume of tracks on albums like Wallen's "I'm the Problem" is seen as a strategy that leverages current chart rules, allowing for such extensive chart takeovers.
Critics point out that many of these "album bomb" tracks tend to descend the charts relatively quickly once the initial streaming surge from dedicated fans subsides, especially if they don't gain significant traction on radio or other broader discovery platforms. This raises questions about whether the Hot 100, in its current iteration, accurately captures the long-term cultural impact and widespread appeal of individual songs versus the immediate, concentrated listening habits of a large artist's fanbase.
Billboard has a history of evolving its chart methodologies to adapt to changes in music consumption, from the introduction of SoundScan in 1991 to the more recent full integration of streaming data. However, events like Wallen's latest record-breaking week continue to fuel the debate about whether the current system adequately reflects the diverse ways music achieves popularity and whether it creates a level playing field, especially when compared to chart achievements from previous eras with different consumption landscapes and chart rules. The "winner-takes-all" nature of the streaming economy is often cited as a contributing factor to these chart outcomes, prompting ongoing calls by some for further refinements to the Hot 100's formula to better represent the overall music landscape.
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Summer 2025 is set to deliver a cinematic feast, with Lilo & Stitch, Jurassic World: Rebirth, and How to Train Your Dragon poised to dominate box office charts, their family-friendly adventures and epic visuals drawing massive crowds. Superhero fans pin their hopes on Marvel’s gritty Thunderbolts* and James Gunn’s bold Superman, each carrying the weight of franchise futures.
Horror enthusiasts are in for a treat with Final Destination: Bloodlines, 28 Years Later, M3GAN 2.0, and Insidious 6, promising screams all season long. Yet, as X discussions highlight, the packed schedule sparks worries of box office clashes, with some films at risk of fading in the crowded spotlight. From dinosaurs to superheroes to killer dolls, the season’s diversity ensures something for everyone. Grab tickets early—summer 2025 will keep theaters buzzing through August!
As the summer of 2025 heats up, the box office is poised to explode with a vibrant lineup of films that promise to captivate audiences from May through August. Theaters will hum with the energy of superhero spectacles, long-awaited sequels, pulse-pounding horror, and heartwarming remakes, offering something for every moviegoer. From Marvel’s gritty antiheroes to dinosaurs stomping back onto the screen, the season is packed with cinematic fireworks. Drawing from the latest release schedules and buzz on X, here’s a deep dive into what’s coming to the silver screen this summer.
May has given us a precursor with Marvel’s Thunderbolts, a high-stakes antihero team-up featuring fan-favorites like Yelena Belova and Red Guardian. This film is a pivotal moment for the Marvel Cinematic Universe’s next phase, with early buzz suggesting it could either soar as a fresh take or struggle under the weight of its ensemble. Mid-May, on May 16, brings a double dose of intrigue with Final Destination: Bloodlines, the sixth chapter in the horror franchise known for its elaborate, gruesome deaths. That same day, Hurry Up Tomorrow, a musical thriller starring The Weeknd, offers a darker, artsier alternative for audiences craving something unconventional.
Closing out May on the 23rd, Disney’s live-action Lilo & Stitch aims to win hearts with its tale of an alien and his human companion, projected to gross up to $1.2 billion globally. Competing for attention, Mission: Impossible – The Final Reckoning sees Tom Cruise back as Ethan Hunt for one last death-defying mission, with estimates of $550 million at the box office. Fan surveys on X show both films generating massive excitement, setting the stage for a fierce Memorial Day showdown.
June keeps the adrenaline pumping with a mix of action and terror. On June 6, Ballerina, a John Wick spin-off starring Ana de Armas, dives into the assassin underworld with a balletic edge, projected to earn $275 million. Horror fans get their fix on June 20 with 28 Years Later, the long-awaited sequel to 28 Days Later. Directed by Danny Boyle and starring Cillian Murphy, it’s expected to pull in $175 million while reinvigorating the zombie genre. June 27 delivers a doubleheader: M3GAN 2.0 brings back the creepy AI doll for more robotic chaos, while F1, a racing drama starring Brad Pitt, speeds toward a projected $375 million haul. Posts on X highlight strong anticipation for both, especially among horror fans and adrenaline junkies, making June a battleground for diverse tastes.
July roars in with colossal blockbusters and bold reboots. On July 2, Jurassic World: Rebirth stomps into theaters with Scarlett Johansson and Jonathan Bailey, rebooting the dino franchise with new creatures and high stakes, poised to dominate the summer. On July 11, James Gunn’s Superman introduces David Corenswet as the Man of Steel, carrying the weight of DC’s cinematic future. Ranking high in fan polls, it’s a make-or-break moment for the franchise. July 18 offers a nostalgic slasher with a reimagined I Know What You Did Last Summer, blending retro vibes with modern horror. Closing out the month on July 25, How to Train Your Dragon brings its animated magic to live-action, with a projected $800 million box office take, appealing to families and fantasy lovers alike. The summer’s midpoint is a testament to its range, from prehistoric thrills to superhero reinventions.
August wraps the season with a mix of scares and sentiment. On August 29, Insidious 6 delves deeper into the paranormal horrors of the Further, promising chills for dedicated horror fans. Meanwhile, the Untitled Dirty Dancing Sequel (exact date TBD within summer 2025) sways into theaters with nostalgic romance and iconic dance moves, aiming to capture hearts. The summer’s final stretch ensures a strong finish, with horror diehards and romantics finding plenty to love.
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The evolving audio landscape is a dynamic battleground of convenience, control, and content—and the latest developments underscore just how deeply technology and consumer behavior are reshaping the industry.
YouTube's new Podcast Chart, as reported by Android Authority, signals Google's push to become a central player in the podcasting arena. By surfacing top shows based on watch and listen time, YouTube is leveraging its dominance in video to court traditional audio audiences, offering podcasters more discoverability in a highly visual format.
Meanwhile, Spotify continues to double down on AI. As Music Business Worldwide details, the platform’s expanded AI DJ feature now includes voice-based music requests for premium users—ushering in a hands-free, hyper-personalized listening experience. This could further lock users into Spotify’s ecosystem, blending algorithmic curation with human-like interaction.
Yet, as Edison Research and Inside Radio reveal, the subscription boom may be peaking. While over half of Americans now pay for audio content, there’s growing evidence that listeners are cutting back, citing subscription fatigue. This mirrors wider streaming trends where users reevaluate which platforms truly earn their monthly fees.
Taken together, these stories reflect a pivotal moment: platforms are racing to innovate and capture loyalty, but listeners are becoming more selective with both their time and money. The next phase of audio’s evolution may depend less on who has the most tech—and more on who offers the most value.
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On 1210 WPHT, host Lou Pate welcomed guest KingOfPodcasts, a prominent podcaster and avid moviegoer (having seen 65 films in theaters the previous year and 20 by that point in the current year), to delve into the evolving landscape of movie consumption. Their discussion centered on the traditional theater experience versus at-home streaming, and addressed recent comments by Netflix co-CEO Ted Sarandos suggesting the decline of extended, sold-out theatrical runs.
KingOfPodcasts championed the irreplaceable qualities of movie theaters, arguing that home setups, despite improvements, cannot fully replicate the superior audiovisual technology, luxury seating (like those offered with programs such as Regal Unlimited), and the unique communal atmosphere of watching a film with an audience. He also highlighted the challenges of discovering theatrical releases on streaming platforms and the often lower quality of direct-to-streaming original content.
Lou Pate and KingOfPodcasts explored the shift from grand single-screen "palaces" to modern multiplexes. They discussed the impact of lengthy pre-show commercials (which KingOfPodcasts noted typically last about 20 minutes before the movie begins) and issues with audience etiquette. KingOfPodcasts advocated for the revival of holding successful movies in theaters for longer periods, citing examples where word-of-mouth boosted later attendance. Referencing actor Danny McBride's criticisms of poorly maintained suburban theaters, KingOfPodcasts expressed optimism about the film industry's ongoing investments in upgrading facilities. These upgrades include premium formats like IMAX or similar proprietary large-screen experiences, enhanced sound systems, comfortable seating, and even the sale of in-theater merchandise tied to specific films.
Both Lou Pate and KingOfPodcasts agreed that interactive films (such as "Rocky Horror Picture Show"), concert films, or cinematic spectacles like "Top Gun: Maverick" particularly benefit from the big-screen experience. The conversation concluded with KingOfPodcasts asserting that while streaming is a significant and convenient force, a revitalized, high-quality theatrical experience will continue to draw audiences who seek an immersive and social event, suggesting a future where both models of movie consumption coexist.
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The contemporary music landscape, dominated by major record labels, presents a curious paradox: while access to music is more abundant than ever, the Billboard charts and mainstream listening experiences often feel like a revolving door of the same familiar tunes.
This perceived stagnation isn't a singular issue but rather a confluence of factors rooted in major label strategies, the mechanics of streaming, the enduring influence of radio airplay, and the powerful, often cyclical, nature of promotion.
Major record labels, the financial powerhouses of the music industry, are increasingly driven by data and risk aversion. In an era where developing new artists is costly and success is far from guaranteed, labels often lean towards investing in proven entities, established catalog artists, or new artists who have already demonstrated significant viral traction and marketability on their own.
This can lead to a more cautious approach in releasing a diverse range of new music, prioritizing instead tracks that fit a pre-tested mold or come with a built-in audience, thereby limiting the pool of fresh material with substantial backing.
As MN2S points out, major labels also tend to acquire successful independent labels, potentially homogenizing the broader music landscape.
This dynamic is amplified by the interplay between streaming platforms and traditional radio. Streaming services, while offering a vast ocean of music, are often navigated via algorithmic recommendations and curated playlists.
These algorithms, designed to maximize engagement, can inadvertently create echo chambers, repeatedly suggesting songs similar to what a user already likes or what is broadly popular. This means that once a song gains initial traction, often fueled by significant promotional pushes, it can remain in heavy rotation for extended periods simply because the system is designed to keep serving it up.
As one Reddit discussion highlighted, the very nature of streaming—where each individual play counts towards chart metrics—allows a dedicated fanbase repeatedly listening to a song to keep it on the charts for much longer than in the pre-streaming era, which was based on unit sales.
Radio, despite the rise of streaming, remains a critical component for mass exposure and legitimizing a song's hit status. Radio airplay can significantly boost streaming numbers and overall engagement, acting as a "stamp of approval" (Sounds Space).
However, radio playlists are inherently limited. With finite airtime and a commercial imperative to retain listeners, radio stations often prioritize songs that are already popular, have tested well, or are backed by significant promotional efforts from major labels.
An article from CEO Weekly likely touches upon how radio airplay is a distinct entity from streaming success, with its own gatekeepers and economic considerations. Furthermore, as RadioInsight and other industry analyses suggest, there can be a lag or reluctance for radio to fully embrace unproven streaming hits, preferring the "safer" bets that are already gaining ubiquity or are supported by substantial label investment.
This leads to a cycle where a select number of songs, heavily promoted by major labels, gain traction on streaming platforms (partly through algorithmic feedback loops) and then receive sustained radio airplay.
This continuous, multi-platform promotion, as noted by HyperTribe, is crucial for a song's longevity on the charts. The result is a Billboard chart that can appear static, with the same handful of tracks dominating for weeks, or even months. New, genuinely groundbreaking music from less-established artists or those without massive promotional budgets struggles to break through this promotional density and algorithmic preference for existing hits.
While viral trends, often originating on platforms like TikTok, can occasionally inject novelty into the charts, the underlying structure often favors the staying power of heavily backed tracks. The "staying power" becomes less about organic, widespread discovery of diverse new music and more a feature of sustained promotional campaigns targeting both streaming algorithms and radio programmers.
This environment creates a challenge for the continuous introduction and sustained success of a broader range of new music, potentially leading to a sense of stagnation for listeners seeking fresh sounds within the mainstream.
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An executive order, issued by the President, directs the Corporation for Public Broadcasting (CPB) and all executive departments and agencies to cease federal funding for National Public Radio (NPR) and the Public Broadcasting Service (PBS).
The stated reasons for this action are that government funding for news media is considered outdated, unnecessary given the diverse modern media landscape, and harmful to the appearance of journalistic independence. The order asserts that while taxpayers have the right to expect fair, accurate, unbiased coverage from public broadcasting, NPR and PBS fail to provide this.
Specifically, the order instructs the CPB Board to stop all direct and indirect funding to NPR and PBS, including cancelling existing funds where legally possible, denying future funds, and revising grant criteria by June 30, 2025, to prohibit funding NPR/PBS. Other agencies are also directed to identify and terminate their funding to the maximum extent allowed by law, and to review existing agreements for compliance. Additionally, the Secretary of Health and Human Services is instructed to check NPR and PBS for compliance with non-discrimination in employment laws.
The order includes a severability clause, stating that if any part is deemed invalid, the rest remains in effect.
Let’s stop pretending: terrestrial and satellite radio aren’t “evolving”—they’re fossilizing in real time. The only thing keeping them alive is regulatory oxygen and the collective denial of an industry terrified to admit it’s no longer leading the conversation.
Start with terrestrial radio. The FCC and advocacy groups are suddenly screaming about “localism” again, as if bringing back high school football recaps and farm reports will undo decades of corporate consolidation and listener attrition. In reality, most local stations are owned by the same handful of media conglomerates, with programming piped in from centralized servers hundreds of miles away. The “local” DJ? Likely recorded yesterday from a studio in another time zone.
Commissioner Brendan Carr and others at the FCC claim they want to strengthen community broadcasting—but they’re also greenlighting foreign ownership of U.S. media companies. Which is it? Protect local voices, or sell them off to the highest bidder? Reforming ownership rules under the banner of “saving local radio” is lipstick on a decades-old deregulation disaster.
Meanwhile, satellite radio’s great hope is... fewer people unsubscribed than last quarter. That’s the bar now. SiriusXM is trying to sound optimistic while still losing subscribers and relevance in a world where most drivers already have Bluetooth and Spotify. Their pivot? Slap a slick new interface on an aging delivery system and hope bundling their app with your phone plan will trick you into listening.
Yes, SiriusXM still has some loyalists, but let’s not confuse loyalty with growth. Their strategy—double down on celebrity deals and niche channels—is just an expensive way to delay the inevitable. And even Spotify, which just bragged about paying over $100 million to podcasters, is quietly exiting the exclusivity game and restructuring to survive. If Spotify is struggling to keep audio audiences engaged, what hope does satellite radio have selling curated channels behind a paywall?
All this is happening while streaming television collapses into a bloated rerun of cable TV. The MarketWatch article nails it: what started as freedom from bundles has become bundles upon bundles—Netflix with ads, Hulu merging into Disney+, Paramount folding into who-knows-what. Add in password crackdowns and rising prices, and it’s clear: streaming didn’t kill cable, it just put it in a hoodie and gave it a new UX.
Even late-night television, once a cornerstone of cultural promotion, is quietly phasing out musical guests—because what’s the point? Artists get more traction from a TikTok drop than a Fallon performance. And the networks know it. Live television has lost its edge, and the younger generation doesn’t need a middleman to find new music. Or news. Or anything.
Then there’s radio’s supposed next frontier: creators. SAG-AFTRA just announced a new committee for influencers—finally realizing, years too late, that the people commanding millions of followers don’t want or need a union. While radio scrambles to regulate and recruit digital creators, those same creators are already monetizing, scaling, and exiting through platforms built for them—not built to extract from them.
So what does this all add up to?
A media industry still dominated by legacy players treating adaptation as a marketing campaign, not a mindset. Terrestrial and satellite radio are clinging to nostalgic ideals and regulatory life rafts, while the real audience has long since moved on to platforms that reward immediacy, autonomy, and relevance.
We don’t need more panels on “the future of audio.” We need to acknowledge the present: the broadcast model is outdated, bloated, and culturally sidelined. Dressing it up in apps and acronyms doesn’t change the fact that the conversation has moved on—and radio forgot to RSVP.
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We explore the distinct values and challenges of both the traditional movie theater and the surging streaming video on demand model, following recent comments from Netflix co-CEO Ted Sarandos have reignited the discussion with a bold assertion: movie theaters are "outdated," and Netflix is "saving Hollywood."
Sarandos's perspective aligns with the undeniable trend accelerated by the pandemic – the pivot towards direct-to-consumer streaming. As highlighted in our analysis, 2020 saw studios, including those with burgeoning streaming arms, bypass the traditional theatrical exhibition window, recognizing the immediate need and opportunity to deliver content to home audiences. This period dramatically boosted platforms like Netflix and accelerated the industry's focus on subscription growth and home consumption.
From this vantage point, the vast investment Netflix makes in producing content across a wide range of budgets and genres, delivering it instantly to millions of global subscribers, could certainly be framed as providing a vital engine for Hollywood production and keeping many creators and crews employed, especially for projects that might not fit the shrinking theatrical mold. The streaming model, with its emphasis on convenience and comfort, directly addresses what Sarandos might perceive as the theater's fundamental limitation in the modern age: requiring audiences to leave their homes on a fixed schedule for a singular experience.
However, dismissing the movie theater experience as simply "outdated" overlooks several key aspects discussed in our analysis. The theater's strength lies in its unparalleled ability to deliver spectacle through massive screens and immersive sound, creating a unique sensory environment that elevates certain types of filmmaking – the visually stunning blockbusters and grand narratives designed for collective awe. While streaming can bring intimate dramas and character studies to the forefront, films built on scale and event status ("Deadpool & Wolverine" being a contemporary example of a film undeniably built for the big screen) often still rely on the theatrical release to maximize their impact, generate cultural buzz, and achieve profitability that fuels future large-scale production. The communal experience, too, remains a potent, albeit less frequent, draw for audiences seeking shared moments.
Furthermore, the post-2020 landscape has seen a re-establishment, albeit with shorter windows, of theatrical exclusivity for major titles. This indicates that even in the streaming era, studios recognize the significant marketing launchpad and substantial revenue potential that a successful theatrical run provides before a film hits the home market. If theaters were truly obsolete, this return to windows wouldn't be happening.
While Netflix undoubtedly plays a crucial role in the current ecosystem – funding diverse projects and providing widespread access – the idea that one platform is unilaterally "saving" Hollywood might be an oversimplification. Hollywood is a multifaceted industry thriving (or struggling) across various platforms: theatrical, streaming, television, international markets, and more. Each contributes differently to the overall financial and cultural health of the ecosystem.
In conclusion, while the theater model is undeniably evolving and facing stiff competition from the convenience of streaming, Sarandos's claim of it being "outdated" might be premature. The unique spectacle and communal nature of the cinematic experience still hold value for both filmmakers and audiences, particularly for event-driven content. Netflix is certainly a vital and transformative force in Hollywood, but whether it is its sole "savior," or rather a powerful new engine within a complex, adapting machine that still includes the big screen, remains a point of healthy debate.
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The airwaves are crackling with controversy as the FCC finds itself at the epicenter of several high-stakes debates.
The White House's renewed push to defund National Public Radio (NPR) and the Public Broadcasting Service (PBS) has ignited a fierce battle over the future of public media.
Proponents of this move cite concerns about alleged political bias, while defenders passionately argue that these institutions provide invaluable educational programming, vital news dissemination, and crucial services, particularly reaching underserved rural communities.
The process of dismantling established funding streams, however, necessitates congressional approval, setting the stage for a potentially contentious legislative showdown that will determine the fate of these long-standing public resources.
Simultaneously, the FCC is deeply engaged in its "delete delete delete" initiative, a sweeping review that could fundamentally reshape the media ownership landscape. This ambitious undertaking aims to revisit and potentially dismantle long-standing domestic and foreign ownership rules.
The National Association of Broadcasters (NAB) has weighed in heavily, submitting an extensive 80-page document outlining their perspectives and concerns regarding these potential changes. The core tension lies in the delicate balance between fostering deregulation to promote market efficiencies and safeguarding the principles of media diversity, localism, and preventing undue concentration of media power. The outcomes of this review could have profound and lasting effects on the structure and character of the media we consume.
Adding another layer of complexity, the FCC is currently addressing specific requests concerning radio stations seeking to operate FM booster frequencies. This seemingly technical matter carries significant implications for the reach and operational capabilities of radio broadcasters.
These requests involve intricate engineering considerations related to signal propagation, potential interference with existing broadcasts, and the overall optimization of the FM radio spectrum.
The FCC's decisions on these matters will directly impact how radio stations can expand their coverage and serve their listening audiences, highlighting the agency's ongoing role in the technical evolution of broadcasting.
In essence, the FCC is navigating a period of intense pressure and significant potential change. The confluence of the White House's efforts to defund public media, the FCC's ambitious review of ownership regulations, and the ongoing technical considerations surrounding radio frequencies underscores the dynamic and often politically charged nature of media regulation in the United States.
The outcomes of these interconnected issues will undoubtedly shape the future of broadcasting and the media landscape for years to come.
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The recently released Minecraft movie has arrived with the weight of expectation from a massive global fanbase. While the source material, a sandbox game celebrated for its boundless creativity and emergent storytelling, holds immense cinematic potential, this Hollywood interpretation largely misses the mark.
For viewers familiar with the intricate world-building and player-driven narratives of Minecraft, this adaptation feels like a superficial gloss, failing to capture the essence that makes the game so compelling.
One of the film's central conceits, the supposed man bromance between the characters portrayed by Jason Momoa and Jack Black, unfortunately falls disappointingly flat. Despite the star power of the actors, their on-screen chemistry feels forced and lacks the organic development necessary to resonate with the audience. The attempts at comedic banter and heartfelt connection feel manufactured, failing to deliver the genuine camaraderie that could have anchored the film emotionally.
This misstep is particularly jarring for those accustomed to the nuanced character dynamics often found in successful IP adaptations, such as the intricate team-ups and evolving relationships within the Marvel Cinematic Universe.
Furthermore, as someone with a significant background in consuming Marvel movies and other IP-related franchises, the appeal of this Minecraft movie remains elusive. The inherent draw of the Minecraft game lies in its open-ended nature, where players are empowered to create their own adventures, build intricate structures, and forge unique narratives.
This film, however, imposes a pre-determined storyline that feels generic and uninspired, stripping away the very element that makes the game so captivating. The visual translation of the blocky aesthetic, while initially novel, quickly becomes monotonous and lacks the imaginative flair that players themselves bring to the game.
Ultimately, this cinematic venture into the world of Minecraft feels like a missed opportunity. While it may pique the curiosity of existing fans eager to see their beloved game on the big screen, it fails to offer a compelling narrative or a genuine understanding of the source material's core appeal.
For those unfamiliar with the game, or those expecting the depth and engaging storytelling found in other successful IP adaptations, this Minecraft movie is likely to leave them scratching their heads, wondering what all the fuss is about. It serves more as a shallow advertisement for the game than a satisfying cinematic experience in its own right.
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For decades, the Billboard Hot 100 has reigned supreme as the barometer of American musical taste—a weekly countdown that crowned kings and queens of the charts, set records, and shaped careers. But behind the glossy numbers and platinum dreams lies a story of evolution, resistance, and a stubborn allegiance to a dying format: radio.
In the 1970s and '80s, Billboard's methodology was an opaque concoction of manual reporting from radio stations and retailers. Program directors filled out forms, retailers scribbled down sales numbers, and those reports were sent off to Billboard’s offices like musical carrier pigeons. The process, flawed as it was, served the times—though it was ripe for manipulation. Payola scandals whispered through the industry, and artists rose or fell not just on public support but on insider favors.
The early '90s marked a revolution. In 1991, Billboard introduced Nielsen SoundScan and Broadcast Data Systems (BDS), transforming the chart into a digital truth-teller. Suddenly, albums that were once undercounted—especially from genres like hip-hop, country, and R&B—rocketed up the charts. It was a wake-up call: the American public was buying different music than the gatekeepers thought. And for a moment, the charts felt democratic.
But even as Billboard adapted to digital downloads in 2005 and streaming data in the 2010s, one thing never changed: the centrality of radio. BDS continued to monitor radio airplay as a key metric in the chart formula, often giving disproportionate weight to songs that labels pushed to terrestrial radio. Even in the era of YouTube virality and TikTok-driven hits, Billboard has clung tightly to radio spins as a measure of relevance.
And that’s where the story begins to fracture.
In today’s streaming-saturated world, the power of the people has shifted. Songs go viral without ever touching the FM dial. Young listeners build playlists independent of radio DJs. Yet, Billboard’s Hot 100 still leans heavily on airplay, rewarding songs that are "radio-friendly"—often meaning safe, major-label releases tailored to a broad audience. This has created a paradox: songs can dominate Spotify, trend on TikTok, and rack up billions of views, yet lag on the charts if radio hasn’t caught up—or worse, if programmers haven’t given their blessing.
Take Lil Nas X’s “Old Town Road,” for instance. The song went viral long before radio embraced it, and it wasn’t until Billboard adapted that its chart success became unstoppable. More recently, songs by independent or niche artists, despite commanding enormous online fanbases, struggle to chart as high as their engagement warrants. Why? Because Billboard still insists on weighting radio as a dominant metric.
And radio itself? It’s no longer the cultural arbiter it once was. The medium, while not dead, is aging. The average radio listener is older than the average Spotify user. Stations are increasingly corporatized, playlists are homogenized, and true regional hits—once the lifeblood of local radio—have been replaced by national programming.
So why does Billboard still trust radio so deeply?
The answer, perhaps, lies in comfort. Radio represents a structured system, one that labels and advertisers can navigate, influence, and control. Streaming is wild, unpredictable, and often powered by grassroots movements. By tethering itself to radio, Billboard clings to a legacy of order—but in doing so, it sometimes misses the heartbeat of the culture.
The Hot 100 isn't broken, but it's bruised. It tells a story, but sometimes it’s the story the industry wants told—not the one the people are living. Until Billboard truly centers streaming and digital engagement—not just as supplementary metrics, but as primary indicators of cultural relevance—it risks becoming a rearview mirror rather than a compass.
Music moves forward. The question is: will Billboard keep up, or will it keep chasing the echo of FM static?
Meanwhile, the audio landscape is buzzing with activity, as highlighted by this collection of reports. Several key trends emerge, painting a picture of a vibrant and evolving market.
Firstly, the ongoing saga surrounding TikTok's future in the US remains a significant point of interest. Amazon's last-minute reported bid underscores the immense value placed on TikTok's massive user base and its powerful influence, particularly within the music discovery ecosystem. This potential acquisition by a tech giant like Amazon could have far-reaching implications for how music is consumed, promoted, and monetized.
Secondly, TikTok itself is proactively deepening its ties with the music industry through the soft launch of "TikTok for Artists." This platform signals a clear intent to empower artists with tools and resources to directly engage with their fanbase on the platform. By fostering a more direct relationship, TikTok aims to solidify its position as a crucial platform for artist development and music promotion, regardless of its ownership structure.
These developments are occurring against a backdrop of a demonstrably thriving music market, as reported by Media Confidential. This positive assessment suggests that consumer appetite for music remains strong across various formats and platforms. This healthy market provides fertile ground for innovation and competition, as seen with Amazon's interest in TikTok and TikTok's investment in artist-centric tools.
Further bolstering the positive outlook for audio is the report from Inside Radio, which proclaims a "new and enhanced age of attribution." This is a critical development for the audio industry, including radio and streaming, as improved attribution models allow for a clearer understanding of audio's impact on consumer behavior and advertising effectiveness. Enhanced attribution can attract more advertising dollars and validate the continued relevance of audio in the modern media mix.
Finally, the Barrett Media analysis of the QUU 2025 In-Vehicle Visuals Report offers a nuanced perspective specifically for the radio industry. While acknowledging the increasing presence of visuals in the car, the report's implications suggest that radio's audio-centric nature remains a core strength. The challenge and opportunity for radio lie in effectively complementing in-vehicle visuals while continuing to deliver compelling audio content that caters to the driving experience.
In conclusion, the current state of the audio industry is marked by significant dynamism. TikTok's strategic moves and potential acquisition, coupled with a thriving music market and advancements in audio attribution, point towards a future filled with both opportunities and challenges. While radio navigates the evolving in-car experience, the overall message is clear: audio in its various forms continues to be a powerful and integral part of the media landscape.
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The digital media landscape in 2025 is a complex tapestry woven with threads of evolving consumer habits, technological advancements, and economic pressures. Streaming fatigue has settled in, with consumers critically evaluating the value proposition of their numerous subscriptions. Rising costs and a fragmented content environment are forcing them to be more selective, potentially leading to consolidation or subscription churn. This cost sensitivity, as highlighted by Deloitte and Variety, underscores the need for streaming services to consistently deliver value. Simultaneously, personalized experiences are becoming paramount, with AI-driven recommendations and interactive content like AR and VR gaining traction. The battle for attention is fierce, with short-form video, interactive formats, and community-driven content vying for eyeballs, particularly among younger demographics.
On the listenable media front, podcasting continues its meteoric rise, fueled by increased accessibility, diverse content offerings, and strong audience engagement. Niche content, personalized recommendations, and interactive features are driving this growth, fostering strong community bonds. Traditional radio, however, faces significant challenges, as outlined by Insideradio. Its survival hinges on its ability to adapt to digital platforms, embrace on-demand content, and enhance the listener experience. Radio must transcend its traditional broadcast model, integrating with digital platforms, offering personalized content, and engaging listeners through interactive features. Audio, in general, is becoming increasingly integrated into various digital experiences, from smart speakers and voice assistants to in-car entertainment and wearable devices, presenting opportunities for both music streaming and podcasting to expand their reach.
In essence, 2025's digital media landscape is characterized by a demand for value, a craving for personalization, and the imperative of digital integration. Traditional media must adapt, and all content creators must innovate to capture and retain audiences in a fiercely competitive environment. The growth of audio, particularly podcasting, marks a significant shift in consumption patterns, indicating a continued rise in the importance of audio-based content.
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The radio broadcasting industry in 2025 faces a complex landscape, marked by evolving consumer behavior, legislative action, and ongoing regulatory challenges. Recent reports shed light on these critical areas.
Firstly, the Edison Research 2025 Infinite Dial study underscores the continued transformation of audio consumption. While traditional radio maintains a presence, the data clearly indicates the increasing dominance of digital audio platforms. This trend necessitates that broadcasters adapt their strategies to effectively engage audiences within the expanding digital realm, incorporating streaming services and podcasting into their content distribution.
Secondly, the reestablishment of the Broadcasters Caucus in Congress signals a concerted effort to bolster support for local media. This legislative initiative acknowledges the essential role of local radio and television stations in disseminating vital community information and providing public service. In a rapidly changing media environment, this congressional backing could prove crucial for the sustainability of local broadcasting.
Lastly, the ongoing appeals court hearing regarding the FCC's media ownership limits highlights the regulatory hurdles confronting the industry. Broadcasters contend that these existing limits are outdated and impede their ability to compete effectively in the modern media landscape. The court's decision will have significant implications for media consolidation and the future of local broadcasting, potentially reshaping the competitive dynamics of the industry.
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The Federal Communications Commission (FCC) has initiated a public comment period, signaling a broad deregulation effort within the broadcasting industry. This initiative, framed as a "Delete, Delete, Delete" approach, aims to identify and eliminate outdated or unnecessary regulations, aligning with executive orders focused on reducing business burdens and promoting economic growth. The FCC is particularly interested in feedback concerning cost-benefit analyses, market and technological changes, barriers to entry, legal and constitutional concerns, and regulatory redundancy. Broadcasters, notably through the National Association of Broadcasters (NAB), have welcomed this move, anticipating the loosening of ownership caps that they argue are essential for competing in the current media landscape dominated by Big Tech and streaming services.
However, a counterargument emerges, highlighting the potential dangers of deregulating ownership rules. Instead of loosening these regulations, the FCC should consider reversing the trend of media consolidation. Relaxing ownership caps threatens localism, as consolidated media outlets prioritize national content over local programming, leading to a decline in local journalism and the creation of news deserts. Furthermore, consolidation diminishes the diversity of voices and viewpoints available to the public, fostering an echo chamber effect where a few powerful corporations control the flow of information. Independent and minority-owned media outlets struggle to compete in such an environment, further limiting diverse representation.
The increased corporate power resulting from loosened ownership rules raises concerns about undue influence on public discourse and policy decisions, undermining the principles of a free and open press. While the NAB argues that competition with digital platforms necessitates deregulation, this perspective overlooks the unique role of local news and radio in providing emergency broadcasts and community information. Therefore, the FCC should prioritize reinstating and strengthening ownership caps to promote media diversity and localism, implement policies that support independent and minority-owned media outlets, and place public interest obligations above corporate profits. A healthy media landscape, characterized by a diversity of voices and perspectives, is essential for a well-informed and engaged citizenry.
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In the 20 year rise of YouTube, we have seen declining public trust, anticipated regulatory changes, organizational restructuring in a declining traditional media landscape.
YouTube celebrated its 20th anniversary, marking two decades of profound influence on content creation and consumption. From its humble beginnings as a platform for amateur videos, YouTube has evolved into a dominant force in the entertainment industry. Creators like Sean Evans have leveraged the platform’s reach to achieve mainstream success, exemplifying the opportunities YouTube provides for talent discovery and audience engagement. The platform's evolution underscores the rapid pace of change in digital media and its impact on traditional broadcasting paradigms.
The media industry stands at a crossroads, grappling with declining public trust, potential regulatory shifts, organizational restructuring, and the ongoing evolution of digital platforms. These dynamics underscore the need for adaptability, innovation, and a renewed commitment to journalistic integrity to navigate the complexities of the modern media landscape.
Public confidence in mainstream media has reached historic lows. A Gallup poll indicates that only 31% of Americans trust the media to report news fairly and accurately. This decline is attributed to various factors, including perceived biases and the proliferation of misinformation. Lesley Stahl, a seasoned journalist from 60 Minutes, expressed deep concern about this trend, stating, "I'm very worried about the press, extremely worried about the press." The erosion of trust poses challenges for democracy, as a free press is essential for an informed citizenry.
The Federal Communications Commission (FCC) is signaling a shift towards deregulation in the broadcasting industry. FCC Commissioner Nathan Simington, speaking at the 2025 NAB State Leadership Conference, asserted, "Should we expect broadcast deregulation? I think it's absolutely clear that we will." This perspective is shared by broadcasters who feel that existing regulations are outdated and hinder their competitiveness against digital platforms. Simington's comments have been met with optimism within the industry, with many viewing potential deregulation as a necessary step to adapt to the evolving media environment.
Economic challenges have prompted significant restructuring within media organizations. Audacy, a major player in the radio industry, has undertaken workforce reductions to ensure a "strong and resilient future." These measures reflect broader trends in the industry, where companies are adapting to changing consumer behaviors and technological advancements. The rise of digital platforms has disrupted traditional media models, necessitating strategic shifts to maintain viability.
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Big developments underscore the evolving landscape of audio entertainment, as major players navigate growth opportunities, financial pressures, and regulatory oversight in a rapidly changing industry.
Audacy has expanded its partnership with CBS, adding over 36 new podcasts from CBS Entertainment, Media Ventures, News, and Studios to its distribution network.
These additions are available on the Audacy app and other major podcast platforms, further solidifying its presence in the digital audio space.
Meanwhile, YouTube has surpassed 1 billion monthly active podcast listeners, marking a significant milestone in the platform’s dominance of digital audio content.
In the business sector, Cumulus Media reported a substantial increase in net losses, highlighting the financial struggles of traditional broadcast companies in a shifting media landscape.
At the same time, iHeartMedia CEO Bob Pittman addressed the FCC’s scrutiny over payola practices, opting for a public statement rather than a formal response. The FCC also pressed iHeartMedia for details on artist deals related to listener concerts, with Chairman Brendan Carr sending a letter to CEO Bob Pittman concerning the 2025 iHeartCountry Festival.
Regulatory concerns extended to Audacy’s deal with George Soros’s investment firm, as FCC Chairman Brendan Carr briefed House GOP members on potential influence issues.
Additionally, the Corporation for Public Broadcasting faces funding challenges, with its CFO confirming the organization currently lacks access to necessary financial resources.
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In a move that has shaken the spy franchise to its core, Amazon is tightening its grip on the James Bond universe, signaling a significant shift in creative control. Ever since acquiring MGM for $8.5 billion in 2022, the tech titan has wielded increasing influence over the world’s most famous secret agent, sparking speculation about the future of 007.
Historically, the Bond brand has been fiercely protected by EON Productions, led by Barbara Broccoli and Michael G. Wilson, who have meticulously overseen the franchise’s creative direction for decades. However, insiders suggest that Amazon is pushing for a bolder, broader Bond, one that aligns with modern streaming trends and mass-market appeal.
Sources close to the negotiations indicate that Amazon is eager to expand the Bond brand beyond its traditional theatrical tentpoles. Discussions reportedly include a potential TV series, spinoff projects, and even an interconnected Bond universe—a stark departure from the franchise’s historically standalone films.
"Amazon sees Bond as more than just a film franchise; they see it as a goldmine for multimedia expansion," said one industry insider. "They want Bond to be bigger, broader, and built for binge-watching."
While Amazon has publicly expressed respect for EON’s leadership, tensions are brewing behind the scenes. The Broccoli-Wilson duo has long maintained that Bond’s cinematic integrity must be preserved, resisting efforts to transform 007 into a formulaic streaming spectacle.
Fans, meanwhile, are divided. Some welcome the idea of more Bond content, while purists fear that Amazon’s involvement could dilute the franchise’s signature sophistication, espionage intrigue, and cinematic grandeur.
As Amazon’s influence grows, one question remains: Can Bond survive this corporate coup, or will the world’s greatest spy find himself at the mercy of his most formidable foe yet—big tech?
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The media landscape is facing a triple threat, a perfect storm of disruption that has left the established order reeling. Diversity, Equity, and Inclusion (DEI) initiatives, long fought for and seemingly gaining ground, are now under attack.
The rise of Artificial Intelligence (AI) is rapidly transforming content creation and distribution, leaving traditional media scrambling to adapt. And finally, legal challenges surrounding AI's use of copyrighted material are adding another layer of complexity, threatening the very foundation of how media operates.
These forces are converging to create a period of unprecedented upheaval, one that the old guard appears woefully unprepared to navigate.
The rollback of DEI efforts, exemplified by Disney's public scaling back and Comcast's FCC investigation, signals a chilling shift.
Years of advocacy for more representative storytelling and diverse talent both on and off screen are seemingly being undone. The silence from prominent advocacy groups like the NAACP, GLAAD, the ACLU, and Color of Change speaks volumes, suggesting a sense of disarray and perhaps even fear of reprisal.
This retreat from DEI isn't just a moral failing; it's a strategic misstep. A media landscape that doesn't reflect its audience risks alienating viewers and becoming increasingly irrelevant in a rapidly diversifying world.
The pressure on public broadcasters, such as the reported shutdown of PBS's diversity office, further underscores this worrying trend. The gains made in representation are fragile, and their vulnerability highlights the precariousness of progress in the face of political and social headwinds.
Adding fuel to the fire is the relentless march of AI. The upcoming NAB Show's increased focus on AI underscores its transformative power.
From content creation and distribution to monetization and audience engagement, AI is reshaping every facet of the media ecosystem.
A recent MIT Technology Review Insights report, in partnership with Nokia, confirms this trend, highlighting AI's growing integration into media production workflows. While AI offers exciting possibilities for enhanced storytelling and personalized experiences, it also presents significant challenges.
The rapid pace of technological change is forcing media companies to adapt or be left behind. Startups are emerging with AI-powered tools that are redefining production processes, disrupting traditional business models, and challenging established players.
The old ways of doing things are becoming obsolete, and the media establishment is struggling to keep up.
The legal battle between news and magazine publishers and AI companies like Cohere Inc. represents yet another front in this multifaceted disruption.
The copyright infringement lawsuit, filed by members of the News/Media Alliance, alleges that Cohere's generative AI systems rely on the unauthorized use of copyrighted content.
This case has far-reaching implications. If the publishers prevail, it could significantly impact the development and deployment of AI technologies in the media industry.
The core issue at stake is ownership and control of content in the age of AI. Who owns the data used to train these powerful systems? How do we balance the potential benefits of AI with the need to protect creators' rights?
These are complex questions that the legal system is only beginning to grapple with. The outcome of this lawsuit will likely shape the future of content creation and consumption for years to come.
The convergence of these three forces – the assault on DEI, the rise of AI, and the legal challenges surrounding copyright – has created a perfect storm for the media establishment.
They are facing disruption on multiple fronts, and they appear ill-prepared to defend their traditional ways of operating. The old playbooks are no longer relevant.
The rules of the game have changed. The media landscape is being reshaped in real time, and those who fail to adapt risk being swept away by the tide of change.
The future of media will be defined by those who can embrace diversity, harness the power of AI responsibly, and navigate the complex legal landscape that is emerging.
The old guard is being challenged, and the question remains: can they rise to the occasion, or will they become relics of a bygone era? The answer to that question will determine the future of media itself.
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The Federal Communications Commission (FCC) is ramping up its fight against media manipulation and corporate-controlled radio playlists, cracking down on pay-for-play schemes that prioritize major-label-backed artists over independent musicians. At the same time, the agency is aligning with Congress’s renewed push for the American Music Fairness Act (AMFA)—legislation that would require radio stations to pay performance royalties for the music they broadcast.
The FCC’s latest enforcement advisory warns broadcasters against covertly influencing airplay through payola-style practices, including forcing artists to participate in promotions or concerts in exchange for spins. Such schemes, the agency states, violate federal law and undermine fairness in music broadcasting.
"These deceptive tactics distort the market and limit opportunities for emerging artists," an FCC spokesperson said. "We are committed to ensuring transparency and fairness in how music reaches the airwaves."
Meanwhile, in Congress, lawmakers backing AMFA argue that it's time for big radio to pay its fair share—a move that would end radio’s long-standing exemption from paying artists for on-air performances. Supporters claim that the bill will level the playing field, while opponents, including the National Association of Broadcasters (NAB), warn that it could cripple local stations and reduce diversity in programming.
With the FCC and Congress both turning up the heat on corporate radio, industry leaders are bracing for major regulatory changes that could reshape the power dynamics of music broadcasting. As independent artists and legacy broadcasters clash over the future of radio, the battle over who controls the airwaves—and who profits from them—continues to escalate.
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In a significant move that has raised concerns about the future of public broadcasting, the Federal Communications Commission (FCC) has initiated an investigation into the funding practices of National Public Radio (NPR) and the Public Broadcasting Service (PBS).
The FCC is examining whether these organizations have violated federal regulations by airing commercial advertisements instead of the permitted sponsorship acknowledgments.
The FCC's inquiry focuses on the nature of underwriting announcements broadcast by NPR and PBS member stations. Under current regulations, noncommercial educational broadcasters are allowed to air underwriting spots that acknowledge sponsors without promoting products or services. The concern is that some of these announcements may have crossed the line into commercial advertising, which is prohibited for publicly funded entities.
In response, NPR and PBS have asserted that their underwriting practices comply with federal guidelines. NPR's CEO, Katherine Maher, stated, "NPR programming and underwriting messaging complies with federal regulations, including the FCC guidelines on underwriting messages for noncommercial educational broadcasters." Similarly, PBS emphasized its commitment to adhering to the FCC's underwriting regulations.
Critics of the investigation argue that it may be an attempt to intimidate public media organizations. FCC Commissioner Anna Gomez expressed concern, stating, "This appears to be yet another Administration effort to weaponize the power of the FCC. The FCC has no business intimidating and silencing broadcast media."
This development comes amid ongoing debates over federal funding for public broadcasting. Some lawmakers are considering proposals to reduce or eliminate taxpayer support for NPR and PBS, citing concerns over content and financial practices. The outcome of the FCC's investigation could significantly impact the future of public media in the United States, particularly for local stations that rely heavily on federal funding to operate.
As the situation unfolds, stakeholders across the media landscape are closely monitoring the implications of the FCC's actions. The investigation highlights the delicate balance between regulatory oversight and the independence of public broadcasting, raising important questions about the role of government in supporting media organizations that serve the public interest.
Indian Media Houses Rally Against OpenAI Over Copyright Dispute: Major Indian media organizations have united to challenge OpenAI, alleging that the company has infringed upon their copyrights by using proprietary content to train its language models without proper authorization. The dispute underscores the growing tension between traditional media outlets and emerging AI technologies.
Bad Bunny and Rauw Alejandro Aim to Revitalize Salsa with New Albums: Latin music superstars Bad Bunny and Rauw Alejandro have announced upcoming albums that seek to breathe new life into the salsa genre. By infusing traditional rhythms with contemporary elements, they hope to attract a younger audience and preserve the rich cultural heritage of salsa music.
David Field Steps Down as Audacy CEO: After steering the company through a significant transformation, David Field has resigned from his role as CEO of Audacy. The company is now embarking on a search for new leadership to navigate the evolving audio entertainment landscape.
SiriusXM Announces Layoffs and Organizational Restructuring: In response to shifting market dynamics, SiriusXM has revealed plans to implement layoffs and a comprehensive restructuring of its operations. The move aims to streamline the company's focus on its core satellite radio services while exploring new growth opportunities.
Study Finds Social Video Surpasses Traditional TV Among Young Viewers: Recent research indicates that platforms like YouTube and TikTok have overtaken traditional television as the primary source of video content for younger demographics. This shift highlights the changing consumption habits and the increasing importance of digital media in reaching these audiences.
In-Car Listening Report Reveals Preference for Solo Artists: A new report on in-car audio preferences shows that listeners favor solo artists over bands, with genres like pop and hip-hop dominating the airwaves. The findings provide valuable insights for radio programmers and music marketers aiming to cater to commuter audiences.
Potential Impact on Podcasting Without TikTok: As discussions about a potential TikTok ban in the U.S. continue, concerns are rising about the platform's role in podcast discovery. Data shows that a significant portion of younger listeners use TikTok to find new podcasts, suggesting that a ban could disrupt current podcast marketing strategies.
Super Bowl Commercials Reach Record $8 Million Price Tag: The upcoming Super Bowl has seen some commercial spots sold for as much as $8 million per 30-second slot, setting a new record. This trend reflects the enduring value of live sports events as premium advertising opportunities in an increasingly fragmented media environment.
Latest SiriusXM Satellite Now Operational: SiriusXM has announced that its newest satellite, SXM-9, is now fully operational. This addition is expected to enhance the quality and reach of the company's satellite radio services across North America.
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American popular music is facing a stagnation crisis. While streaming charts overflow with diverse genres and emerging artists, radio airwaves seem trapped in a time warp, dominated by familiar names and predictable formulas. This growing disconnect between how music is consumed online and what gets played on traditional radio is raising concerns about the industry's future and the stifling of musical innovation.
"It feels like we're living in two different musical worlds," says Dr. Emily Chen, a musicologist at NYU. "Streaming allows for niche exploration and personalized discovery, while radio remains stubbornly attached to a shrinking pool of mainstream artists."
The numbers paint a stark picture. According to recent data from Luminate, the average age of songs on Billboard's Hot 100, a chart heavily influenced by radio play, has steadily increased over the past decade. In contrast, streaming platforms like Spotify and Apple Music boast playlists with hyper-specific genres and a constant influx of new releases.
This divergence has real consequences for artists. While breaking into playlists can garner millions of streams and build a dedicated online fanbase, it doesn't guarantee mainstream recognition. Radio airplay remains crucial for reaching wider audiences, particularly older demographics and those in rural areas with limited internet access.
"It's incredibly frustrating," says Maya Jones, an up-and-coming indie artist from Chicago. "I have a decent following online, but getting my music on the radio feels like an impossible dream. It's like there's an invisible wall between me and a larger audience."
The reasons for this disconnect are complex. Radio stations, particularly those owned by large conglomerates like iHeartMedia, often rely on risk-averse playlists and established formulas to maintain listenership and attract advertisers. This leads to a heavy rotation of familiar hits and a reluctance to experiment with newer sounds.
"Radio is a business, and they're playing it safe," explains music industry analyst, Mark Thompson. "They're catering to a perceived mass audience, which often translates to playing the same songs we've heard a thousand times before."
Furthermore, the influence of major record labels on radio programming cannot be ignored. Labels often prioritize established artists and commercially viable genres, further limiting the diversity of music reaching the airwaves.
This situation has led to calls for greater crossover between streaming and radio, and not just by passively observing trends. Industry professionals need to actively participate in bridging this gap.
Imagine a world where:
Radio stations partner with streaming services: Collaborative playlists curated by DJs and algorithms could introduce listeners to new artists while leveraging the data-driven insights of streaming platforms.
Labels prioritize artist development over quick profits: Instead of focusing solely on established acts, labels could invest in nurturing emerging talent and actively pitch their music to radio stations.
Independent curators gain influence: Tastemakers from the online world could be given a platform on radio, introducing their unique perspectives and diverse musical selections to a wider audience.
Metrics evolve beyond just airplay: Charts could incorporate streaming data, social media engagement, and live performance metrics, providing a more holistic view of an artist's success and influencing radio programming.
This kind of collaborative approach could benefit more than just the record labels. Artists would gain access to new audiences and opportunities, radio stations could revitalize their programming and attract new listeners, and music lovers would be exposed to a wider range of sounds and genres.
"This isn't about replacing radio with streaming or vice versa," says Thompson. "It's about recognizing the strengths of each platform and finding ways to work together to create a more vibrant and inclusive musical landscape."
The stagnation of popular music on American radio is not just an industry issue; it's a cultural one. By clinging to outdated formulas and neglecting the vibrant landscape of online music, radio risks losing relevance and failing to reflect the evolving tastes of listeners.
It's time for the music industry to break down the walls between streaming and radio, allowing fresh sounds and new voices to reach the airwaves and revitalize the American soundscape. And that can only happen through active collaboration and a shared commitment to musical discovery.
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KOP speaks about all things ESPN and sports on television in a conversation with Peter Fox, a founding executive producer at ESPN, about the network's history, evolution, and future plans.
ESPN’s Rise to Prominence:
Fox recounted ESPN’s early days, starting with its first telecast in 1978. He highlighted the crucial role of Getty Oil’s acquisition in 1979, providing much-needed funding. ESPN’s success paved the way for niche cable networks like CNN and Nickelodeon, transforming the cable industry landscape. Fox emphasized the importance of talented individuals like Chris Berman and Tom Mees, and the innovative approach to production, utilizing remote trucks and freelance crews.
Challenges and Evolution:
ESPN’s evolution has been marked by both successes and challenges. The network’s strong brand and quality play-by-play coverage have been key to its dominance. However, attempts to introduce personality-driven shows haven’t always resonated with audiences. Disney’s influence has led to a more polished, “vanilla” image. The rising cost of sports rights and salaries, coupled with competition from other networks, presents ongoing challenges.
Adapting to the Digital Age:
The conversation explored the impact of streaming and the need for better technology. ESPN is navigating the shift from broad media coverage to microcasting, with algorithms playing a significant role in audience targeting. The rise of podcasts and the importance of context and authority in sports presentation were also discussed.
Gambling’s Growing Influence:
The impact of gambling on sports and advertising was a key topic. Concerns were raised about the ethical implications of increased sports gambling advertising, particularly its potential influence on young people and amateur sports.
Honoring the Past, Embracing the Future:
Fox shared his experiences of writing “300 Daydreams and Nightmares: The Early Days of ESPN,” which chronicles the network’s beginnings. The book has been optioned for a major motion picture. The conversation concluded with reflections on the enduring legacy of classic sports broadcasters and the importance of passionate storytelling in sports broadcasting.
Looking Ahead:
ESPN faces a dynamic future, shaped by evolving technology, changing viewer habits, and the growing influence of gambling. The network’s ability to adapt and innovate will be crucial to maintaining its position as a leader in sports media.
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The media and entertainment landscape is undergoing a dramatic transformation in 2025, characterized by both exciting advancements and unsettling uncertainties.
Artificial intelligence is rapidly becoming a pivotal player, impacting everything from content creation and distribution to the very way audiences consume media. This is evident in the strategies of major players like TikTok, whose executives at CES 2025 emphasized AI's role in personalizing content and driving user engagement.
The radio industry, too, is exploring AI's potential to revolutionize programming, automate tasks, and even generate content, as highlighted at CES.
However, this technological leap forward is accompanied by a host of challenges. Concerns surrounding data privacy, algorithmic bias, the spread of misinformation, and the potential displacement of human jobs loom large.
Adding to this complexity is the looming threat of a TikTok ban in the US, fueled by national security concerns, which could significantly reshape the social media landscape.
Traditional media outlets continue to grapple with their own set of hurdles. The journalism industry, already facing financial pressures, is experiencing significant job cuts, raising concerns about the future of investigative reporting and reliable news sources.
Meanwhile, the broadcasting sector is navigating a complex environment marked by declining advertising revenue and fierce competition from streaming services. Although local advertising remains a relatively strong area, broadcasters must adapt to evolving audience preferences and find innovative ways to deliver content across multiple platforms.
The situation with Audacy further illustrates the complexities faced by media companies. Despite facing scrutiny over its foreign ownership, Audacy maintains that it is reducing its foreign ownership stake and complying with FCC regulations. This case highlights the increasing regulatory scrutiny and geopolitical factors influencing the media landscape.
In conclusion, 2025 presents a dynamic and multifaceted environment for media and entertainment.
While AI offers exciting possibilities for innovation and growth, the industry must also contend with regulatory challenges, economic pressures, and evolving audience behaviors. Successfully navigating this evolving landscape will require adaptability, strategic foresight, and a commitment to ethical and responsible practices.
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The media landscape is undergoing a seismic shift, and we're breaking it all down with a special recap of a conversation I had with Lou Pate from 1210 WPHT.
We delve into the dramatic decline of cable TV viewership in 2024, exploring the factors that led to networks losing a significant portion of their audience – some by over 50%! What does this mean for the future of television?
Next, we turn our attention to Hollywood's apparent obsession with sequels and reboots. If you thought 2024 was overrun with familiar franchises, brace yourselves, because 2025 is shaping up to be even more intense! Lou and I discuss this phenomenon and whether Hollywood is playing it too safe.
Finally, we wrap things up with a look at the ongoing digital transformation of the media industry. KOP provides valuable insights into how media companies are adapting and what it means for consumers like you and me.
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2024 proved to be a year of dramatic transformation and upheaval in the media industry, with traditional giants grappling with debt and declining audiences, while new players and formats continued to disrupt the status quo.
Radio's Rocky Road
The radio industry faced significant challenges this year, with two major players, iHeartMedia and Cumulus Media, experiencing contrasting fortunes. iHeartMedia, the largest radio station owner in the US, managed to restructure its debt, cutting it by $440 million and pushing loan maturities back by three years. This move provides the company with much-needed breathing room as it navigates the evolving audio landscape.
In stark contrast, Cumulus Media faces the threat of delisting from the NASDAQ stock exchange due to its failure to meet minimum bid price requirements. This comes as the company, like many others in the radio sector, struggles with declining advertising revenue and the rise of alternative audio platforms.
Adding to the industry's woes, talk radio experienced a particularly challenging year. The format, which has traditionally relied on strong personalities and loyal listenership, grappled with shifting demographics, evolving political discourse, and the rise of podcasts as a competing source for news and opinion.
Television's Transformation
The television landscape also underwent significant changes in 2024. Paramount Global, the parent company of networks like Nickelodeon, BET, MTV, and Comedy Central, has reportedly shifted its focus away from these traditional cable channels. This strategic move reflects the broader trend of declining cable viewership as audiences migrate to streaming platforms.
Furthermore, the year saw a noticeable shift in television content, with a focus on themes of self-improvement and personal growth. Shows emphasizing mindfulness, mental health, and social responsibility gained prominence, suggesting a desire among viewers for more meaningful and inspiring content.
Meanwhile, the rise of podcasts continued unabated, with these audio programs increasingly finding their way onto television screens. This crossover highlights the growing popularity of podcasts as a source of entertainment and information, and their potential to bridge the gap between audio and visual media.
Streaming Wars Intensify
The streaming landscape, already crowded and competitive, became even more complex in 2024. With new entrants and evolving business models, the battle for subscribers intensified, leaving consumers with a dizzying array of choices. This volatility has created uncertainty for both content creators and viewers, as the industry continues to evolve at a rapid pace.
The Decline of the Hollywood Superstar
In a notable cultural shift, 2024 saw a decline in the power and influence of Hollywood superstars. Factors contributing to this trend include the rise of independent filmmaking, the democratization of content creation through social media, and the growing emphasis on ensemble casts and diverse storytelling. As a result, the traditional notion of the A-list celebrity may be fading, giving way to a more fragmented and multifaceted media landscape.
2024 was a year of significant change and uncertainty for the media industry. Traditional players like radio and television faced unprecedented challenges, while new formats and platforms continued to disrupt the status quo. As the lines between audio and visual media blur, and the battle for audience attention intensifies, the media landscape is likely to remain in flux for the foreseeable future.
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The digital audio landscape is undergoing a rapid transformation, with major players like YouTube and iHeartMedia making strategic moves while social media giant TikTok faces an uncertain future. Here's a closer look at the key developments:
YouTube Emerges as a Podcast Powerhouse
YouTube is signaling its intent to become a major player in the podcasting world, revealing insights into how users are consuming audio content on its platform. While details are still emerging, YouTube's vast reach and established user base could disrupt the podcasting landscape, posing a challenge to established platforms like Spotify.
TikTok's Fate Hangs in the Balance
The Supreme Court's decision to hear a case that could potentially ban TikTok in the U.S. has sent shockwaves through the social media world. Concerns about data privacy and national security are at the forefront of this legal battle, which could have significant implications for the future of TikTok and the broader social media landscape.
iHeartMedia Doubles Down on Digital Audio
iHeartMedia is charting a course for 2025 with a clear focus on digital audio, podcasting, and live events. The company's strategy aims to capitalize on the growing popularity of audio content, leveraging its extensive resources and reach to maintain its position as a leading audio company in the digital age.
Radio's Role in the Podcast Ecosystem Under Scrutiny
A recent op-ed in RadioInsight has sparked debate about radio's potential to promote podcasts. The article questions whether radio stations are doing enough to support the growth of podcasts, suggesting that greater collaboration could benefit both mediums. This conversation highlights the evolving relationship between traditional radio and the burgeoning world of digital audio.
Job Cuts Underscore Industry Challenges
The announcement of 15,000 job cuts in the entertainment and media sector serves as a stark reminder of the challenges facing the industry. Declining advertising revenue and the ongoing shift to digital platforms are forcing companies to adapt and evolve.
With YouTube's entry into podcasting, TikTok's uncertain future, and iHeartMedia's digital focus, the competition for listeners' attention is intensifying. 2025 will be crucial as these players navigate the challenges and opportunities of this evolving market.
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SiriusXM's stock plummeted after the company delivered a disappointing 2025 revenue forecast and announced a new round of cost-cutting, including the departure of a key executive.
This news comes amidst a tumultuous year for the radio industry, with SiriusXM's struggles mirroring the broader challenges faced by traditional broadcasters. 2024 has seen a continued decline in radio listenership, particularly among younger demographics who have largely migrated to streaming platforms.
This trend has led to dwindling advertising revenue, forcing many radio companies to resort to drastic measures such as staff layoffs, debt restructuring, and even bankruptcy. While SiriusXM has attempted to diversify by investing in streaming and partnering with car manufacturers like Tesla and Rivian, these efforts have yet to yield significant results.
The company's latest announcement raises serious concerns about its ability to navigate the evolving media landscape and the uncertain future of radio.
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In 2024, the music industry experienced a powerful transformation, blending emerging talent with genre-defying crossovers. Sabrina Carpenter, Chappell Roan, and Gracie Abrams redefined pop, climbing from niche recognition to dominating major charts. Sabrina’s anthemic hits, Chappell’s theatrical flair, and Gracie’s introspective lyricism connected with audiences, earning spots on global streaming playlists.
Meanwhile, Kendrick Lamar overtook Drake, marking a shift in hip-hop dominance. Kendrick’s introspective lyrics and genre-fusion albums earned him massive streams, reflecting a shift toward deeper, more complex narratives in rap.
Afrobeats further expanded its influence, led by Tyla, Ayra Starr Burna Boy, Wizkid, and Tems. Collaborations with global artists elevated Afrobeats beyond its African roots, dominating dance floors and mainstream radio worldwide. Burna Boy’s infectious rhythms and Wizkid’s smooth vocals made Afrobeats a mainstay in pop playlists, with Spotify reporting a 35% increase in Afrobeats streams globally.
Country music also broke new ground. Luke Combs and Morgan Wallen led a genre resurgence by blending traditional country with pop and rock elements, reaching new, younger audiences. Wallen’s crossover success on pop charts and Combs’ viral covers of pop songs brought country into urban spaces, with Apple Music noting country as the fastest-growing genre among listeners under 30.
Spotify Wrapped and Apple Music Replay crowned Taylor Swift, Drake, and Bad Bunny among the most-streamed artists, yet newer genres and stars indicated a shifting landscape. With Afrobeats and country breaking cultural barriers, and new pop icons emerging, 2024 proved that music is more global and genre-fluid than ever before.
Taylor Swift's The Tortured Poets Department had a strong run at the top of the Billboard 200, spending 15 non-consecutive weeks at No. 1 before being overtaken by Post Malone's F-1 Trillion, which debuted with a massive 250,000 equivalent album units sold. Swift's 31-track opus still holds a solid position at No. 3 with 62,000 units sold in its latest week, showcasing her consistent fanbase and broad appeal.
Post Malone’s F-1 Trillion has been making waves, driven by a futuristic concept and a bold marketing campaign that appeals to both mainstream and niche audiences. Meanwhile, Charli XCX’s BRAT, with its edgy and rebellious tone, continues to resonate with fans, landing at No. 7 with 41,000 units sold this week.
On the country side, rising stars Dasha and Myles Smith have been making notable strides. Dasha is recognized for blending traditional country with modern influences, gaining traction on streaming platforms. Myles Smith, known for his soulful approach to country music, continues to grow his audience, offering a fresh perspective on the genre while staying true to its roots.
This diverse musical landscape, from Afrobeats and country to pop and rap, reflects how various genres are thriving and evolving in today's market.
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Bob Pittman, the CEO of iHeartMedia, recently took to MSNBC to champion radio as a bastion of trust and a bulwark against misinformation in the tumultuous sea of the 2024 election cycle. He painted a picture of radio as a steadfast companion, a reliable source of truth in a world increasingly plagued by the echo chambers of social media. While Pittman's sentiments might hold a kernel of truth, they also reveal a stark disconnect between his perception of radio's role in the modern media landscape and the reality of its struggle to stay relevant against the rising tide of digital audio content.
Pittman's recent pronouncements on the enduring power of radio come on the heels of sweeping layoffs that have rocked iHeartMedia. Just last week, the company axed hundreds of employees across its vast network of stations, a move that sent shockwaves through the industry and left many questioning the future of traditional radio. These layoffs, the latest in a series of cost-cutting measures, underscore the financial challenges plaguing iHeartMedia and the broader radio industry.
While Pittman is quick to highlight radio's trustworthiness and its regulatory framework as strengths, he seems to overlook the elephant in the room: the seismic shift in consumer behavior and the rise of new technologies that are rapidly reshaping the audio landscape. Podcasting, with its on-demand nature and diverse range of content, has exploded in popularity, offering listeners a level of choice and control that traditional radio simply cannot match. Similarly, live streaming platforms like Twitch and YouTube are attracting younger audiences with their interactive formats and personalized content recommendations.
Pittman's assertion that radio is a "constant, trusted companion" rings hollow for a generation that has grown up with smartphones and instant access to a universe of audio content. In an era of personalized playlists and algorithmic recommendations, the linear, one-size-fits-all model of traditional radio feels increasingly outdated. While radio may still hold a certain appeal for older demographics, its grip on younger audiences is weakening with each passing year.
The irony is that iHeartMedia, under Pittman's leadership, has been at the forefront of digital audio innovation. The company has invested heavily in podcasting and streaming, recognizing the need to diversify its offerings and adapt to changing consumer preferences. Yet, Pittman's public pronouncements often seem to cling to a nostalgic vision of radio's past glory, failing to fully acknowledge the challenges and opportunities presented by the digital revolution.
The disconnect between Pittman's rhetoric and the reality of iHeartMedia's struggles raises questions about his leadership and his vision for the future of the company. Is he truly committed to embracing new technologies and transforming iHeartMedia into a digital-first audio powerhouse? Or is he clinging to an outdated model, hoping to weather the storm by relying on the dwindling loyalty of older listeners?
The recent layoffs at iHeartMedia suggest that the company is facing a financial reckoning. While Pittman may tout radio's enduring value, the numbers tell a different story. The company is saddled with debt, its advertising revenue is declining, and its stock price has been languishing. These challenges cannot be ignored, and they demand bold, innovative solutions.
Pittman's focus on radio's trustworthiness and its role in combating misinformation is commendable. However, it cannot be the sole strategy for survival in the rapidly evolving media landscape. To thrive in the digital age, iHeartMedia needs to embrace new technologies, invest in innovative content formats, and connect with younger audiences on their terms.
The future of radio may not be as bleak as some predict, but it certainly won't be a return to the glory days of the past. It's time for Bob Pittman and iHeartMedia to face the music, adapt to the changing times, and chart a new course for the future of audio.
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Corporate Media at a Crossroads just in time for the holidays. The media landscape is undergoing a seismic shift, with major implications for how we consume news and the future of journalism itself.
The media landscape is undergoing a seismic shift, with major implications for how we consume news and the future of journalism itself. Recent events, including Comcast's spinoff of NBCUniversal's cable networks, have highlighted the challenges and uncertainties facing corporate media outlets. A key factor in this upheaval is the declining trust in mainstream media. There's a growing perception that corporate media outlets are biased, sensationalistic, and more interested in pushing a particular agenda than reporting the facts. This loss of trust has translated into declining ratings, particularly for networks like MSNBC, which has seen its viewership plummet by 51% since the 2020 election.
Comcast's decision to spin off its cable networks, including MSNBC, into a new company called SpinCo, has sent ripples through the industry. While some see this as a necessary move to adapt to the changing media landscape, others are uncertain about its implications. Comcast's shares rose after the announcement, suggesting that investors may view the spinoff as a positive step. The spinoff will likely sever ties between MSNBC and NBC News, further isolating the struggling network. MSNBC's ratings decline is a major factor in the decision, and the network's future remains uncertain.
Amidst these challenges, there is a growing call for a return to traditional journalistic principles. Media outlets can regain public trust by hiring reporters with less political bias, cutting sensationalism from news stories, and putting the country ahead of party. The future of news remains uncertain. As corporate media outlets grapple with declining trust and ratings, they must adapt to the changing landscape and find new ways to engage audiences. Whether the current upheaval will lead to a more diverse and trustworthy media landscape or further fragmentation remains to be seen.
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2025 looks to be the year of new media (music streaming, social media, influencers on YouTube Instagram and TikTok) making the pivot to overtake mainstream content (cable and network TV, news magazines and newspapers).
This year marked a watershed moment in media consumption, with new media finally eclipsing traditional outlets in both audience engagement and revenue generation. The long-predicted shift away from cable television, network news, and print publications accelerated dramatically in 2025, leaving the old guard scrambling to adapt.
Streaming services like Spotify and Apple Music have completely dominated the music industry, rendering physical album sales a niche market. Social media platforms like TikTok and Instagram have become the primary source of news and entertainment for Gen Z and Millennials, while YouTube continues its reign as the king of online video.
"The writing's been on the wall for years," says media analyst Sarah Chen. "Younger generations have grown up with on-demand content, personalized recommendations, and interactive experiences. Traditional media simply can't compete with that level of engagement."
The rise of the influencer has further disrupted the media landscape. Charismatic personalities on YouTube, Instagram, and TikTok command massive, dedicated audiences, often surpassing the reach of established media outlets. Brands are increasingly turning to these influencers to connect with consumers, further eroding the advertising revenue that once supported traditional media.
"Influencers are the new tastemakers," says marketing consultant David Lee. "They have built authentic relationships with their followers, who trust their opinions and recommendations. That kind of trust is invaluable for brands."
This shift has had a profound impact on the media industry. Major television networks have seen their ratings plummet, leading to budget cuts and layoffs. Print publications have struggled to stay afloat, with many forced to close their doors or move entirely online.
However, the transition hasn't been entirely smooth. Concerns about misinformation, echo chambers, and the mental health impact of social media have become increasingly prominent. The lack of regulation in the new media landscape has also raised questions about accountability and ethical standards.
"It's a Wild West out there," says media ethics professor Emily Rodriguez. "We need to develop new frameworks for ensuring accuracy, fairness, and responsibility in this new media ecosystem."
Despite these challenges, the momentum clearly lies with new media. As technology continues to evolve and consumer habits continue to shift, the influence of traditional media is likely to diminish even further. 2025 may be remembered as the year that new media truly came of age, ushering in a new era of information and entertainment.
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In the 2024 election lead-up, both Donald Trump and Kamala Harris leveraged the podcast platform to connect with diverse voter bases, stepping away from traditional media. Trump, appearing on popular shows like ImPaulsive with Logan Paul, This Past Weekend with Theo Von, and PBD Podcast, targeted a male demographic, discussing topics from artificial intelligence to his views on social issues like abortion and marijuana. These episodes often reached millions, broadening his appeal to younger, podcast-savvy audiences.
Harris, meanwhile, engaged on shows like Call Her Daddy and All the Smoke, aiming to connect with younger women and minority communities on issues such as abortion rights, mental health, and social equity. Her podcast engagements allowed her to focus on progressive policies and expand her outreach beyond traditional voters.
The impact of these appearances highlights how new media—particularly podcasts—is reshaping political engagement, allowing candidates to bypass legacy media for direct, often more personal, communication. This shift has made podcasts a powerful tool, not just for influencing opinion but for demonstrating a broader trend of new media outpacing traditional news outlets in electoral impact.
Here’s a list of major podcast appearances by Donald Trump and Kamala Harris leading up to the 2024 presidential election:
Donald Trump:
ImPaulsive with Logan Paul – Discussed artificial intelligence and politics.
This Past Weekend with Theo Von – Shared personal views on addiction and family values.
Lex Friedman Podcast – Touched on medical marijuana and the 2020 election.
FLAGRANT – Spoke about abortion rights and political reform.
Bussin’ with the Boys – Addressed immigration and trade.
PBD Podcast – Critiqued political opponents and discussed national threats.
Kamala Harris:
Call Her Daddy – Discussed abortion, women’s rights, and cost of living policies.
All the Smoke – Addressed mental health issues in the U.S. and educational reforms.
Club Shay Shay
Roland Martin Unfiltered
The Breakfast Club
These appearances allowed each candidate to directly engage younger and niche audiences on key issues, amplifying their message outside of traditional media outlets.
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Streaming Giants Shake Up the Mainstream: Corridos, Afrobeats, and More Take Center Stage. The music industry is undergoing a seismic shift as alternative genres, once relegated to the fringes, are exploding onto the mainstream through the power of streaming.
Corridos, Afrobeats, K-Pop solo artists, and even certain corners of country music are finding massive audiences online, often outpacing traditional radio play.
This phenomenon highlights a growing disconnect between the established gatekeepers of the music industry and the tastes of a digitally connected generation. While radio continues to favor established formulas, streaming platforms like Spotify and YouTube Music have become fertile ground for musical discovery, allowing artists to connect directly with fans and build global followings organically.
"Streaming has democratized music discovery," says music industry analyst Sarah Chen. "It's empowering listeners to explore beyond the limitations of radio and algorithms, and it's allowing artists from diverse backgrounds to reach audiences they never could have before."
One striking example is the rise of corridos tumbados, a subgenre of regional Mexican music blending traditional corridos with trap and hip-hop influences. Artists like Peso Pluma, Natanael Cano, and Eslabon Armado are racking up billions of streams, with hits like "Ella Baila Sola" and "AMG" dominating global charts. Yet, their presence on mainstream radio remains limited.
Similarly, Afrobeats continues its global ascent, with Nigerian superstars like Burna Boy, Wizkid, and Davido leading the charge. Their infectious rhythms and vibrant melodies have captivated audiences worldwide, but radio play in many Western markets still lags behind their streaming dominance.
Even within the realm of country music, artists like Zach Bryan and Tyler Childers are challenging the genre's conventions, drawing inspiration from folk, bluegrass, and indie rock. Their raw, authentic sound has resonated deeply with fans, propelling them to streaming stardom even as they receive limited airplay on mainstream country radio.
K-Pop solo artists are also making waves, with stars like Lisa of BLACKPINK and IU achieving massive global success. Their music videos routinely garner hundreds of millions of views on YouTube, and their songs dominate digital charts.
This shift towards streaming-driven success has significant implications for the music industry. Record labels are increasingly looking to streaming data to identify emerging talent, and artists are finding new ways to connect with fans directly through social media and online platforms.
While radio remains a relevant force, its influence is waning in the face of the streaming revolution. As listeners continue to embrace the freedom and diversity of online music discovery, the mainstream is becoming increasingly reflective of the global tapestry of sound.
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Publishers confront the AI era meanwhile an international protest of unlicensed use of copyrighted content by AI systems has gathered more than 13,500 signatories.
The publishing world is grappling with the rise of AI, facing a dual challenge: how to leverage AI's potential while protecting their copyrighted content. Here's a breakdown of the latest developments:
Publishers Confront the AI Era:
Licensing Deals: Some publishers are striking deals with AI companies like OpenAI to license their content for use in training AI models. This offers a potential revenue stream and ensures some control over how their content is used. However, these deals are not universally available, leaving smaller publishers at a disadvantage.
Anti-crawler Measures: Publishers are employing anti-crawler measures to prevent AI companies from scraping their websites for free content. This is a defensive strategy aimed at forcing AI companies to the negotiating table.
Traffic Referrals: AI platforms like Google's SearchGPT and Perplexity are starting to drive traffic back to publisher websites, offering a potential upside to content licensing. However, the extent and sustainability of this referral traffic remain unclear.
Internal AI Use: Publishers are exploring ways to use AI internally to improve efficiency and personalize content recommendations for readers.
International Protest Against Unlicensed Use of Copyrighted Content:
A petition signed by over 13,500 authors, publishers, and industry professionals highlights the growing concern over AI's use of copyrighted material without permission or compensation.
The petition calls for AI companies to respect copyright laws and for policymakers to create clear guidelines for AI's use of copyrighted content.
Key Concerns for Publishers:
Copyright Infringement: The unauthorized use of copyrighted material to train AI models is a major concern, raising questions about fair use and compensation.
Competition from AI-Generated Content: Publishers worry that AI-generated content could flood the market, devaluing human-created works and potentially putting authors out of jobs.
Transparency and Control: Publishers seek greater transparency about how AI companies use their content and want more control over its use.
Looking Ahead:
The tension between publishers and AI companies is likely to continue as both sides navigate this evolving landscape. The outcome will depend on factors such as legal developments, technological advancements, and the willingness of both sides to negotiate fair and sustainable solutions.
It's important to stay informed about these developments as they unfold. Here are some resources to help you stay up-to-date:
Digiday: Media Briefing: Publishers confront the AI era during the Digiday Publishing Summit
Publishers Weekly: Confronting Publishing's AI Fears
Literary Hub: Publishers are already using way too much AI.
By staying informed, publishers and content creators can better advocate for their interests and work towards a future where AI and publishing can coexist and thrive.
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As the radio landscape continues to shift, managers in the industry face a range of challenges that keep them up at night. A combination of workforce reductions, changes in audience measurement methods, and rapid technological advancements are reshaping how radio stations operate, connect with listeners, and compete in the digital age.
Job Cuts and Operational Consolidation
The recent announcement of more job cuts at BBC radio stations is indicative of the broader trend of consolidation across the radio industry. BBC’s decision to merge further bulletins and programs aims to streamline operations and reduce costs amidst financial pressures. However, these moves come at the expense of jobs, adding to the uncertainty for staff and raising concerns about the ability to maintain the diversity and quality of local programming .
Radio executives are left balancing financial sustainability with the need to retain the unique connection their stations have with local audiences. The impact of these cuts is felt deeply within the industry, reflecting a global trend where radio stations face the tough choice of prioritizing profitability over regional content that distinguishes them from digital competitors.
Audience Measurement Changes and Listening Patterns
The adjustments in Nielsen’s Average Quarter-Hour (AQH) plan have also stirred concerns among radio managers. With the new plan requiring less listening time for ratings consideration, the competition for listener attention is fiercer than ever. This shift could make tune-out issues more prominent, as radio stations need to ensure engaging content throughout every second of a broadcast to keep listeners from switching channels .
Managers are particularly worried about this potential tune-out, as it could directly impact their stations' ratings and revenue. As listeners become more selective in how they spend their time with audio content, maintaining high engagement has become a top priority for stations looking to hold their audience base. The need to adapt programming to ensure sustained listener interest is becoming an essential strategy to weather this shift.
The Role of Evolving Technology
At the same time, technological advancements continue to redefine the audio landscape. The podcasting industry, often considered a competitor to traditional radio, is not only evolving but is also benefiting from the advancements in the underlying technology that powers it . The integration of AI and more sophisticated data analytics allows podcast platforms to better understand audience behavior, providing deeper insights into content preferences and engagement patterns.
For radio stations, this tech evolution is a double-edged sword. On one hand, it offers the opportunity to enhance digital offerings and better understand listeners through improved data analytics. On the other, it creates pressure to innovate quickly or risk losing listeners to more tech-savvy digital platforms. Managers must decide how to integrate these technological advances into their operations while remaining true to the core identity of radio as a medium.
Navigating an Uncertain Future
The combination of workforce reductions, changes in audience measurement, and evolving technology presents a daunting landscape for radio's top managers. These challenges are compounded by the need to maintain a unique local connection while adapting to a more competitive audio environment. As they navigate these turbulent waters, radio leaders are increasingly focused on striking a balance between embracing innovation and preserving the essence of what has made radio a trusted medium for generations.
With listeners' habits changing and financial pressures mounting, the road ahead for the radio industry remains uncertain. Yet, for those willing to adapt and innovate, the evolving landscape also offers opportunities to redefine what radio can be in the digital age.
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Over the past decade, the entertainment industry has undergone a seismic shift. The rise of streaming platforms, social media, AI, and other technological advancements has disrupted the traditional studio and network system that once dominated Hollywood. The days of massive billboards on busy highways being the primary method of promoting the latest blockbuster are gone. In today’s landscape, digital content—especially social media—has become the driving force behind movie and TV series promotions, ensuring that studios can break through the clutter and connect with audiences.
The Hollywood Reporter’s recent articles on influencers, published on October 10th, 2024, highlight this transformation in great detail. According to the report, the way we learn about new films, TV shows, and even games has fundamentally changed. Most of today's audiences are introduced to new entertainment not through traditional advertisements, but through social media posts, YouTube videos, TikToks, and collaborations between influencers and major Hollywood studios.
Influencers and content creators have become indispensable partners for studios, platforms, and networks looking to reach new audiences in innovative and authentic ways. Their ability to create viral moments and engage with fans directly has made them critical players in shaping the success of entertainment projects. The Hollywood Reporter emphasizes that without digital content—whether it’s a behind-the-scenes Instagram story or a viral TikTok challenge—breaking into the cultural zeitgeist is nearly impossible.
Dedicated companies have emerged to facilitate these influencer collaborations, working closely with studios to craft campaigns that resonate with fans on a personal level. These firms understand the nuances of digital marketing and recognize the power of influencers to not only promote a project but to make it part of the broader conversation.
As the Hollywood Reporter underscores, traditional promotional methods alone are no longer enough to succeed in the entertainment world. The integration of social media, AI, and influencers has not only changed how entertainment is marketed but has also permanently altered how audiences consume it. Welcome to the new era of Hollywood, where digital reigns supreme.
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The FCC has approved the restructuring of Audacy, allowing the company to exit Chapter 11 bankruptcy. This decision enables Audacy to reorganize approximately $1.6 billion of existing debt.
The approval was granted with a 3-2 vote, with support falling along party lines.The restructuring plan involves former debt holders receiving new common stock in the reorganized company. It also includes a temporary waiver permitting Audacy to operate before fully addressing potential foreign ownership concerns.
Some controversy surrounded the approval due to a stake in the broadcaster linked to George Soros.
Despite this, the FCC concluded that the restructuring serves the public interest by ensuring the continued operation of Audacy's vital local broadcasting services.
I also play back my recent Podcasters Row interview with journalist T.J. Raphael to discuss the current state of journalism, the evolution of podcasting, and the impact of AI on the industry.
T. J. Raphael is a seasoned enterprise reporter, investigative journalist, editor, producer, and on-air host with 15 years of experience at national media outlets. She’s created multiple chart-topping podcasts, and has worn every hat possible in the pursuit of high-quality, impactful journalism.
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In a world once ruled by the airwaves, the sound of radio's golden age has become a distant echo. Streaming services and social media's meteoric rise have profoundly reshaped the audio landscape, leaving traditional radio scrambling to stay afloat. This seismic shift has sent shockwaves through the industry, triggering bankruptcies, downsizing, and a ripple effect that extends to the very heart of the music industry.
The Numbers Tell the Tale
Listenership: A 2023 study by Edison Research revealed a stark decline in traditional radio listening, with 82% of Americans aged 12+ tuning in weekly, down from 92% in 2010.
Revenue: Radio advertising revenue, once the industry's lifeblood, has plateaued, while streaming platforms have witnessed double-digit growth year over year.
Bankruptcies and Downsizing: Major radio conglomerates like iHeartMedia (formerly Clear Channel Communications), Audacy (formerly Entercom), Cumulus Media, and even satellite radio giant SiriusXM have faced financial turmoil. These companies have navigated bankruptcies, massive debt loads, and layoffs, leaving thousands of employees jobless.
The Corporate Radio Conundrum
The downfall of corporate radio giants can be attributed to several factors:
Overleveraged Acquisitions: Aggressive acquisition sprees during the industry's boom years saddled these companies with insurmountable debt, hindering their ability to adapt to the changing landscape.
Mismanagement: Critics argue that short-sighted management decisions, prioritizing cost-cutting over innovation, further exacerbated the industry's woes.
Homogenization of Content: A reliance on syndicated programming and formulaic playlists eroded radio's local flavor and appeal, driving listeners to more personalized streaming options.
The Music Industry's Collateral Damage
The decline of radio has had far-reaching implications for the music industry:
Billboard Charts: Radio airplay, once the primary metric for measuring a song's popularity, has been dethroned by streaming data. This shift has disrupted the established order, opening the door for new artists to gain recognition outside the traditional radio ecosystem.
Artist Exposure: The decline of radio has made it increasingly challenging for emerging artists to break into the mainstream, relying heavily on social media and streaming platforms to reach a wider audience.
A New Era of Audio
While the decline of radio has been painful for many, it also marks the dawn of a new era of audio consumption. Streaming services offer listeners unprecedented control over their listening experience, while social media fosters direct connections between artists and fans.
The future of radio remains uncertain. Some industry experts predict a resurgence of local, community-driven radio stations that can capitalize on their unique appeal and cater to niche audiences. However, the road ahead will be challenging, and radio must evolve to compete in the ever-evolving audio landscape.
Conclusion
The decline of radio is a cautionary tale of an industry that failed to adapt to the digital age. As streaming services and social media continue to redefine how we consume audio, traditional radio faces an existential crisis. The future will belong to those who can embrace innovation and offer listeners a compelling reason to tune in. The airwaves may be quieter, but the sound of change is undeniable.
Major Radio Owners in the USA: Financial Summary
1. iHeartMedia
Debt: As of Q2 2024, iHeartMedia had approximately $5.38 billion in total debt.
Ownership: Primarily owned by institutional investors and investment funds. Some significant shareholders include:
BlackRock
Vanguard Group
State Street Corporation
Bankruptcies: iHeartMedia (formerly Clear Channel Communications) filed for Chapter 11 bankruptcy in 2018 and emerged in 2019 with a significantly reduced debt load.
Private Equity:
Bain Capital and THL Partners were major private equity firms involved in the 2008 leveraged buyout of Clear Channel Communications. These firms still retain a stake in iHeartMedia.
Public Offering: iHeartMedia went public again in 2019 under the ticker symbol "IHRT."
2. Audacy (formerly Entercom)
Debt: As of Q2 2024, Audacy had approximately $1.9 billion in total debt.
Ownership: Primarily owned by institutional investors and investment funds.
Bankruptcies: Audacy has not filed for bankruptcy.
Private Equity: None.
Public Offering: Audacy is a publicly traded company under the ticker symbol "AUD."
3. Cumulus Media
Debt: As of Q2 2024, Cumulus Media had approximately $1.1 billion in total debt.
Ownership: Cumulus Media emerged from bankruptcy in 2018 and is now majority-owned by its creditors.
Bankruptcies: Cumulus Media filed for Chapter 11 bankruptcy in 2017 and emerged in 2018.
Private Equity: None.
Public Offering: None.
4. Townsquare Media
Debt: As of Q2 2024, Townsquare Media had approximately $585 million in total debt.
Ownership: Oaktree Capital Management, a private equity firm, owns a majority stake in Townsquare Media.
Bankruptcies: None.
Private Equity: Oaktree Capital Management.
Public Offering: None.
5. Beasley Media Group
Debt: As of Q2 2024, Beasley Media Group had approximately $221 million in total debt.
Ownership: The Beasley family retains a significant ownership stake in the company.
Bankruptcies: None.
Private Equity: None.
Public Offering: Beasley Media Group is a publicly traded company under the ticker symbol "BBGI."
Important Notes
Debt Levels: The radio industry, like many traditional media sectors, has been grappling with high debt levels due to declining advertising revenues and the rise of digital media.
Private Equity: Private equity firms have played a significant role in the radio industry, often acquiring companies with high debt loads.
Financial Challenges: The ongoing COVID-19 pandemic has further exacerbated financial challenges for radio broadcasters.
Please note that the financial information provided here is based on the latest available data as of September 2024. It is essential to consult the most recent financial statements and SEC filings of these companies for the most up-to-date information.
Let me know if you have any other questions or require additional information!
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California Strikes $175M Deal with Google to Support Local Journalism. The bills to tax or force arbitration failed, so a compromise was made.
California lawmakers have reached an agreement with Google to fund local journalism, shifting away from earlier proposals that would have forced tech giants like Google and Meta to directly pay news outlets for using their content. Instead, the agreement establishes a $175 million fund over five years to support local media in the state.
This deal involves Google contributing $55 million to a fund managed by UC Berkeley, the state providing $70 million, and an additional $50 million through Google's existing grants. Part of this initiative includes creating an artificial intelligence (AI) program to aid local newsrooms. The AI component, however, has sparked concerns among some journalists, who fear it could lead to further job losses in the media industry.
Critics, such as the Media Guild of the West, have expressed disappointment with the deal, arguing that it allows Google to maintain its monopoly over the news industry without addressing the systemic challenges facing local journalism. They claim the funding is insufficient compared to similar laws in countries like Canada and Australia, which have imposed stronger regulations on tech companies to pay news publishers directly.
While the agreement is seen by some as a positive step toward supporting struggling newsrooms, others view it as a concession to Big Tech, which continues to wield significant power in the digital landscape. The AI element of the deal, in particular, has been met with skepticism, as it may further entrench Google's influence over the media sector in California.
This compromise marks a shift in how California is handling the tech-news relationship, providing immediate financial relief to news outlets but leaving larger questions about the future of independent journalism unanswered.
California's new arrangement with Google, while groundbreaking, is not actually a bill. It's a public-private partnership aimed at supporting local journalism and AI research in the state. Here are the key details:
- Funding:
- The partnership will provide over $300 million over five years.
- Roughly $110 million will come from Google and $70 million from the state budget to boost journalism jobs.
- Google will also kick in $70 million to fund the AI research program.
- Focus areas:
- The money will be used for two main purposes:
- News Transformation Fund: This fund, managed by UC Berkeley's Graduate School of Journalism, will support local news organizations (excluding broadcasters) in California.
- AI Innovation Accelerator: This program will focus on developing AI tools to help solve real-world problems. The specifics of this program are still being finalized.
- Reactions:
- The agreement has received mixed reactions.
- Supporters see it as a crucial step in addressing the decline of local journalism and promoting innovation.
- Critics argue that it doesn't go far enough and that Google is getting off too easy compared to what could have been achieved through legislation. Some journalists also fear that the focus on AI could lead to job losses in the industry.
Key points to note:
- The agreement is the first of its kind in the U.S.
- It effectively ends a year-long fight between tech giants and lawmakers over a proposed "link tax" that would have required companies like Google to pay publishers for linking to their content.
- The partnership highlights the growing intersection of journalism and AI, with both potential benefits and concerns for the future of the industry.
The path leading to the current California-Google arrangement was not a straight one, and involved a complex interplay of factors and players. Here's a brief overview:
The Decline of Local Journalism: The backdrop is the ongoing crisis in local journalism, with newspapers struggling to stay afloat in the digital age. This led to calls for government intervention to support the industry.
Proposed "Link Tax" (AB 886): Assembly Bill 886, also known as the California Journalism Preservation Act, was introduced in early 2023. It proposed a "link tax" requiring tech companies like Google and Meta (Facebook) to pay publishers for linking to their content.
Intense Lobbying and Opposition: The bill faced fierce opposition from tech giants, who argued that it would harm the internet and stifle innovation. Intense lobbying ensued from both sides, with news publishers and tech companies spending millions to sway lawmakers.
Stalemate and Compromise: Despite numerous hearings and revisions, the bill remained stalled in the legislature. Recognizing the need for a solution, Governor Newsom stepped in to facilitate negotiations between the two sides.
The Partnership Agreement: After months of talks, the agreement was reached in August 2024. It effectively ended the fight over the link tax, opting instead for a public-private partnership to support journalism and AI research.
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The 2024 MTV VMAs, once a beacon of music's cutting edge, flickered dimly, a stark contrast to its former glory. Its corporate radio counterparts mirrored this decline, their playlists stagnant, their influence waning.
The VMAs and radio stations clung to a familiar formula, spotlighting corporate darlings like Taylor Swift, Post Malone, and Katy Perry. These established acts, safe bets for ratings and airplay, dominated the airwaves and award shows.
But the American public, their tastes shaped by TikTok trends and Spotify algorithms, turned away from these legacy institutions. The VMAs' desperate attempts at relevance - flashy sets, viral moments - felt hollow, a performance for an audience that had long moved on.
Social media and streaming platforms, with their democratized access and personalized content, filled the void. Viral acts, born from online communities and fueled by organic engagement, captured the cultural zeitgeist, their music resonating with a generation hungry for authenticity.
The VMAs and corporate radio, once gatekeepers of success, became relics of a bygone era. Their price? The trust of a generation, their currency - relevance - devalued in a new, digital age.
- The VMAs' continued focus on established stars:
- Many recaps of the 2024 VMAs highlighted the dominance of artists like Taylor Swift, who won multiple awards including Video of the Year, further solidifying her position as a mainstream favorite.
- Articles also noted the presence of other established acts like Katy Perry and Post Malone, showcasing the award show's inclination towards familiar faces.
- The influence of social media and streaming platforms:
- While not directly about the VMAs, several discussions have centered around the growing power of platforms like TikTok in shaping music trends and launching new artists into the spotlight.
- The increasing popularity of streaming services and their personalized algorithms has also been acknowledged as a major factor in how people discover and consume music.
- The desire for authenticity and relatability:
- There's a general consensus that audiences, especially younger generations, crave authenticity and relatability from their favorite artists.
- This desire is often fulfilled by viral acts and independent artists who connect with their audiences through social media and create music that reflects their lived experiences.
These points suggest a growing disconnect between legacy institutions like the VMAs and the evolving tastes of the music-consuming public. While the VMAs haven't completely lost their relevance, their continued focus on established stars and traditional formats may be alienating them from a significant portion of the audience who crave fresh voices and new experiences.
It's important to note that this is an ongoing conversation, and the full impact of these trends on the future of the VMAs and corporate radio remains to be seen.
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The US radio broadcasting industry is experiencing a profound period of transformation. The signs of change are everywhere, from the swift rise and fall of hit songs to the radical restructuring of radio groups. But is this simply an evolutionary shift brought about by changing technologies and economic pressures? Or is radio facing an existential crisis, a fight for its very survival?
The industry's long-held traditions are being dismantled. "This is how we've always done it" is no longer a valid excuse. Financial constraints and technological advancements are forcing radio groups to reinvent their operations from the top down. These changes are more significant than anything seen since the consolidation wave of the mid-1990s.
Meanwhile, a stark contrast exists across the pond. The UK radio scene is thriving, with stations like Capital and BBC Radio 1 posting their best audience shares in years. The energy and innovation in British CHR, fueled by a strong dance music component, is particularly striking.
This vibrancy underlines the challenges faced by US radio, where even the resurgence of CHR stations in London is a reminder of a fragmented market. The question remains: is radio in the US facing a mere evolution or an existential threat?
While the industry's struggles are evident, it's too early to write its obituary. The 80% of adults who still tune in weekly represent a vast and loyal audience. However, radio cannot rely solely on its past successes or its current reach.
To survive and thrive in the 21st century, radio must embrace change and innovation. It must adapt to new technologies, evolving listener habits, and the shifting media landscape. It must find ways to deliver compelling, relevant content that connects with audiences in a meaningful way. If it fails to do so, the future of radio may indeed be in jeopardy. The outcome is not a foregone conclusion, but the stakes have never been higher.
Billboard Charts (US) vs. Official Charts (UK): Contrasting Approaches to Radio Airplay
Billboard Charts:
Heavy Emphasis on Airplay: Radio airplay holds significant weight in determining a song's position on the Billboard Hot 100. It's one of the three core metrics (alongside sales and streaming) used in the chart's calculation.
Audience Impressions: The Billboard Radio Songs chart specifically tracks the estimated number of times a song is heard by listeners across various radio formats. This implies a focus on the reach and potential impact of a song on the radio.
Official Charts (UK):
Reduced Emphasis on Airplay: While radio airplay is still a factor in the UK's Official Singles Chart, its influence has diminished in recent years. The chart now places greater importance on streaming and digital downloads.
Playlists and Streaming: The Official Charts Company has adapted its methodology to better reflect the changing music consumption habits of UK listeners. This includes incorporating data from streaming platforms and playlist plays, acknowledging the growing influence of these platforms on music discovery.
Implications:
* US Radio's Lingering Influence: The continued importance of radio airplay on the Billboard charts suggests that traditional radio still holds considerable sway in the US music industry. However, the rapid turnover of chart-topping hits may signal a disconnect between radio programming and evolving listener preferences.
- UK's Digital-First Approach: The reduced reliance on radio airplay in the Official Charts reflects the UK's embrace of digital music consumption. This approach may enable the charts to better capture the true popularity of songs and artists, especially among younger demographics.
Conclusion:
The contrasting use of radio airplay in the Billboard and Official Charts highlights the differing landscapes of the US and UK music industries. While radio remains a key player in the US, the UK charts have adapted to the digital age, potentially reflecting a more dynamic and forward-thinking approach to measuring music popularity. These differences could contribute to the perceived struggles of US radio compared to the relative success of its UK counterpart.
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The Oasis Reunion: A Second Shot at Rocking America – Will the Gallagher Brothers Finally Get the U.S. Recognition They Deserve?
Oasis, a British rock band formed in 1991 by brothers Liam and Noel Gallagher, became a defining force in the Britpop movement of the 1990s. They achieved massive success in the UK and globally, with iconic albums like Definitely Maybe (1994) and (What’s the Story) Morning Glory? (1995), which produced hits such as "Wonderwall" and "Champagne Supernova." Despite their enormous popularity in the UK and other countries, Oasis struggled to achieve the same level of mainstream impact in the United States.
Oasis made a significant impact in the U.S., though it was not as dominant as in the UK. Their biggest moment came with the success of their 1995 album (What’s the Story) Morning Glory?, which peaked at No. 4 on the Billboard 200 and went quadruple platinum in the U.S. "Wonderwall," one of their most iconic songs, reached No. 8 on the Billboard Hot 100 and became a staple of 1990s rock music in the U.S., receiving heavy radio play and becoming a popular cultural reference.
The band’s sound, influenced by The Beatles and British rock tradition, was distinctively British, which may have contributed to the difficulty in connecting with a broader American audience. Additionally, their brash public personas, infamously turbulent relationships, and frequent clashes with the media often overshadowed their music. While they did experience some chart success in the U.S., particularly with "Wonderwall," they never reached the commercial heights they enjoyed in the UK. Cultural differences, along with the band's reluctance to cater to American tastes, likely contributed to their limited impact on the mainstream U.S. music scene compared to their massive influence in Britain.
When Oasis rose to prominence in the UK during the mid-1990s, the mainstream musical landscape in the United States and abroad was markedly different, featuring a diverse mix of genres that often contrasted with the Britpop movement Oasis championed.
In the United States, the early to mid-1990s were dominated by grunge, alternative rock, and hip-hop. Bands like Nirvana, Pearl Jam, and Soundgarden led the grunge movement, characterized by its raw, angst-driven sound and themes of disillusionment. At the same time, alternative rock bands such as R.E.M., The Smashing Pumpkins, and Red Hot Chili Peppers enjoyed significant success. Hip-hop was also on the rise, with influential artists like Tupac Shakur, Notorious B.I.G., Dr. Dre, and Snoop Dogg shaping the soundscape with their groundbreaking albums. Pop and R&B were dominated by artists like Mariah Carey, Boyz II Men, and Janet Jackson, who topped the charts with polished, radio-friendly hits.
Abroad, particularly in the UK, the musical scene was experiencing a Britpop revival. Oasis, alongside bands like Blur, Pulp, and Suede, led this movement that celebrated British culture, catchy melodies, and anthemic choruses, directly contrasting with the darker tones of American grunge. Britpop was a reaction against the American music invasion, emphasizing British identity and themes of working-class life, youth, and optimism.
In Europe and other parts of the world, the 1990s also saw the rise of electronic music and Eurodance, with acts like The Prodigy, The Chemical Brothers, and Daft Punk gaining international popularity. This period of musical diversity presented a challenge for Oasis as they sought to break into a U.S. market that was less inclined toward the distinctly British flavor of Britpop, while in their home country, they thrived by tapping into the cultural zeitgeist.
Oasis Chart Accomplishments in the UK:
- Albums:
- Definitely Maybe (1994): Debuted at No. 1 on the UK Albums Chart and became the fastest-selling debut album in UK history at the time.
- (What’s the Story) Morning Glory? (1995): Reached No. 1 and became one of the best-selling albums in UK history, certified 15× platinum.
-
Be Here Now (1997): Debuted at No. 1 and was the fastest-selling album in UK history at that time, selling over 424,000 copies in its first week.
-
Singles:
- "Some Might Say" (1995): No. 1 on the UK Singles Chart.
- "Don’t Look Back in Anger" (1996): No. 1 on the UK Singles Chart.
- "D’You Know What I Mean?" (1997): No. 1 on the UK Singles Chart.
- "Wonderwall" (1995): Peaked at No. 2 but became one of their most enduring hits.
- A total of eight No. 1 singles and multiple top 10 hits throughout their career.
Oasis Chart Accomplishments in the USA:
- Albums:
- (What’s the Story) Morning Glory? (1995): Peaked at No. 4 on the Billboard 200 and was certified 4× platinum.
-
Be Here Now (1997): Reached No. 2 on the Billboard 200.
-
Singles:
- "Wonderwall" (1995): Peaked at No. 8 on the Billboard Hot 100 and was certified 4× platinum in the U.S.
- "Champagne Supernova" (1996): Reached No. 1 on the Billboard Modern Rock Tracks chart.
- "Live Forever" (1994) and "Don’t Look Back in Anger" (1996) also saw moderate success on U.S. rock and alternative charts.
While Oasis enjoyed massive success in the UK, including multiple chart-topping albums and singles, their impact in the U.S. was more modest, with notable achievements but fewer mainstream hits compared to their home country.
The American response to Britpop in the 90s was mixed, but generally positive. Here's a summary:
-
Initial Contrast with Grunge: Britpop's upbeat, melodic sound was a stark contrast to the dominant grunge scene in America, which was characterized by angst and raw emotion. This initial difference led to some skepticism.
-
Growing Popularity: As Britpop bands like Oasis, Blur, and Pulp gained popularity in the UK, their music started to gain traction in the US. This was partly due to MTV's heavy rotation of Britpop music videos and the bands' energetic live performances.
-
Chart Success: Several Britpop bands achieved significant chart success in the US, with Oasis's "(What's the Story) Morning Glory?" reaching the top 5 on the Billboard 200. This demonstrated the growing appeal of Britpop amongst American audiences.
-
Media Hype: The media played a role in promoting Britpop, with the "Battle of Britpop" between Oasis and Blur generating significant buzz. This rivalry captured the public's attention and further fueled interest in the genre.
-
Critical Acclaim: Many American music critics praised Britpop for its catchy melodies, clever lyrics, and energetic performances. This positive reception helped to solidify Britpop's place in the American music scene.
-
Limited Impact on Mainstream: Despite its popularity, Britpop's impact on the mainstream American music scene was limited compared to grunge and other genres. It remained somewhat of a niche genre, appealing primarily to alternative rock fans.
Overall, the American response to Britpop in the 90s was largely positive, with many appreciating its energetic sound and catchy melodies. Although it didn't achieve the same level of mainstream success as grunge, Britpop left a lasting mark on the American music scene and continues to be enjoyed by fans today.
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SiriusXM has acquired the rights to Alex Cooper's hit podcast, "Call Her Daddy," and the entire Unwell Network. Add several other content deals and it's time to ask will they extend Howard Stern's contract in 2025.
The consequence of this corporate takeover could be a stifling of creativity and a homogenization of content, turning the vibrant podcast landscape into a bland corporate radio experience. Independent creators may struggle to compete, leading to a loss of diversity and unique voices. SiriusXM's gamble could alienate existing podcast fans and drive away potential subscribers, ultimately exacerbating their financial woes.
In the bustling heart of SiriusXM's headquarters, a pivotal decision echoed through the halls. Faced with dwindling subscription numbers, the satellite radio giant made a bold move in 2024 – a substantial investment in podcast content.
The strategy was clear: to offset subscriber losses by capitalizing on the burgeoning podcast industry. But the path was fraught with uncertainty. Major companies had made similar forays, only to stumble and fall. Could SiriusXM succeed where others had failed?
The company's podcast division sprang into action, securing exclusive deals with popular creators and developing original shows. In 2024 alone, they made headlines by acquiring the rights to Alex Cooper's hit podcast, "Call Her Daddy," and the entire Unwell Network, further expanding their content library and attracting new listeners.
But challenges loomed large. Competition in the podcast space was fierce, with established players and independent creators vying for attention. Could SiriusXM differentiate itself and carve out its niche?
The stakes were high. Success could revitalize the company, attracting new subscribers and diversifying its revenue streams. Failure, however, could drain resources and exacerbate existing problems.
As SiriusXM navigated the podcast landscape, industry experts watched with keen interest. Could the satellite radio giant crack the code and achieve sustainable growth? Or would its podcast gamble prove to be a costly misstep, similar to the struggles of major companies before them?
The answer, it seemed, lay in the hands of time. The future of SiriusXM, once defined by satellite radio, now hinged on the unpredictable world of podcasts. Only time would tell if this bold strategy, fueled by investments in hits like "Call Her Daddy" and the Unwell Network, would lead to triumph or despair.
SiriusXM has studios across North America, but its main studios are located in:
Hollywood, California: Includes "The Garage" performance space
New York City: Headquarters in Rockefeller Center
Washington, D.C.
It also has studios in other cities, including:
Nashville, Tennessee
Miami, Florida
Las Vegas, Nevada: At the Wynn Las Vegas
SiriusXM doesn't specify which studios are exclusively for podcasts or radio. It's likely that many studios are used for both types of content creation.
SiriusXM's major acquisitions in the 2020s:
2021:
Stitcher: Podcast creation, distribution, and monetization platform
99% Invisible: Award-winning podcast
Team Coco: Conan O'Brien's podcast network
Earwolf: Comedy podcast network
Midroll Media: Podcast advertising company
2020:
Simplecast: Podcast hosting and analytics platform
* Pandora (acquisition closed in 2019 but integration continued in 2020s)
These acquisitions highlight SiriusXM's focus on expanding its podcasting capabilities and presence, complementing its satellite radio offerings.
SiriusXM's major content acquisitions in the 2020s have focused primarily on podcasts and podcast networks. These include:
Podcasts and Networks
99% Invisible: Award-winning podcast known for its deep dives into design and architecture
Team Coco: Conan O'Brien's podcast network, featuring his own podcasts and other comedy shows
Earwolf: Comedy podcast network, home to popular shows like Comedy Bang! Bang! and How Did This Get Made?
* Stitcher's podcast library: Access to a wide range of popular podcasts through the acquisition of Stitcher
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Paramount Global has initiated a wave of layoffs as the company declares it has reached "an inflection point" in its ongoing struggle to adapt to the rapidly changing media landscape.
The layoffs mark a significant moment for the media giant, which has been grappling with industry-wide challenges as streaming services continue to disrupt traditional business models.
Meanwhile, Audacy, one of the largest radio station operators in the U.S., is facing its own challenges, with a court date set to seek a deadline extension in its ongoing financial troubles. The company is under pressure as it navigates the shifting sands of the audio entertainment industry, where competition from streaming platforms continues to erode traditional revenue streams.
Amid these struggles, a new Edison Music Discovery Report has highlighted the enduring importance of AM/FM radio for music discovery, ranking it as the third most significant platform for listeners to find new music. This finding underscores the ongoing relevance of traditional radio in an increasingly digital world, even as other forms of media face existential threats.
In a related development, the once lucrative cable TV industry, long considered a cash cow for media conglomerates, is now being compared to roadkill on the information superhighway. With cord-cutting on the rise and streaming services taking center stage, there is growing speculation that a fire sale of cable assets may be on the horizon as companies seek to shed these declining divisions.
Together, these headlines paint a picture of a media landscape in flux, where legacy companies are forced to make tough decisions to survive in a rapidly evolving digital era.
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Media Giants in Turmoil as Paramount's Struggles and Disney's Streaming Triumph Amidst Industry-Wide Challenges.
In a stark illustration of the shifting tides in the entertainment industry, Paramount Global's recent earnings report painted a picture of financial strain. The company's stock tumbled as it revealed a significant decline in profits, attributed in part to the ongoing writers' and actors' strikes that have disrupted production schedules.
In a bid to shore up its finances, Paramount is exploring the sale of several of its entertainment websites, including iconic brands like Showtime and MTV News. Additionally, the company has announced plans for further layoffs, adding to the thousands of jobs already cut across the media sector this year.
Meanwhile, Disney's financial results offered a glimmer of hope amidst the industry's challenges. The company announced that its streaming service, Disney+, had finally achieved profitability a quarter ahead of schedule. This positive development helped offset losses in other areas of Disney's business, demonstrating the growing importance of streaming in the entertainment landscape.
However, not all media companies are faring as well as Disney. iHeartMedia, a major player in the radio industry, reported further losses and requested an extension on its debt obligations. The company also announced additional layoffs, underscoring the financial difficulties facing traditional media outlets in the digital age.
Other media companies, such as Warner Bros. Discovery and AMC Networks, have also reported financial challenges and implemented cost-cutting measures, including layoffs and content write-downs. The industry-wide struggles highlight the ongoing transformation of the media landscape as streaming services disrupt traditional business models and consumer habits evolve.
Overall, the recent financial reports from major media companies paint a picture of an industry in flux. While some companies, like Disney, are finding success in streaming, others are struggling to adapt to the changing landscape. The ongoing writers' and actors' strikes have only added to the challenges facing the industry, making the future of media uncertain.
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Newsmax CEO Christopher Ruddy (in an exclusive Broadcasters Podcast interview) shares insights into the rapid growth of Newsmax Media, parent company of one of America's fastest-growing cable news channels.
Ruddy highlights NewsmaxTV's opportunistic approach, multi-platform expansion, and commitment to balanced news reporting.
He also addresses concerns about changing audience dynamics and announces a forthcoming public offering, inviting potential investors to visit NewsmaxInvest.com for more information.
Why Silicon Valley Is Going to War Against the Media, Journalists
There are growing tensions between Silicon Valley tech giants and the media industry. Tech companies are increasingly critical of traditional journalism, accusing it of bias and sensationalism. In response, media organizations are scrutinizing the power and influence of tech firms, particularly in terms of data privacy, misinformation, and monopolistic practices. This escalating conflict underscores the competing interests and ideological divides between these influential sectors.
Media Groups Seek a New Profit Model with AI
Media companies are turning to artificial intelligence to find new revenue streams. As traditional advertising revenues decline, media organizations are leveraging AI for tasks such as content creation, audience engagement, and personalized advertising. By adopting AI technologies, these companies aim to reduce operational costs, increase efficiency, and create more targeted content to attract and retain subscribers.
iHeartMedia Begins Debt Restructuring Negotiations With Group Of Lenders
iHeartMedia is efforting to address its financial challenges by entering debt restructuring negotiations with its lenders. Facing significant debt, the media conglomerate is seeking to reorganize its financial obligations to ensure long-term viability. These negotiations are critical for iHeartMedia to stabilize its financial situation, continue operations, and potentially return to profitability.
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Transformations, Tensions, and Triumphs as Tech Titans Tangle over AI and the Future of News.
In a landscape increasingly dominated by artificial intelligence, the media industry finds itself at a critical crossroads. Elon Musk’s ambitious plan to have his AI bot, Grok, deliver the news is just one of many recent developments shaking up the sector. Grok, designed to curate and personalize news updates, aims to compete directly with traditional outlets and other AI platforms, promising a new era of news consumption.
Meanwhile, OpenAI’s latest venture, SearchGPT, directly challenges Google’s hegemony in the search engine market. This prototype seeks to offer users more precise and contextually relevant search results, pushing the boundaries of what AI can do beyond simple queries.
However, the rise of AI in media isn’t without controversy. Condé Nast’s accusations against Perplexity, an AI search engine, for plagiarism spotlight the growing tension between content creators and AI developers. As AI tools become more sophisticated, traditional media companies are increasingly concerned about intellectual property rights and the unauthorized use of their content.
Publishers are also rethinking paywall strategies in light of AI advancements and the manipulation of tiny text files like robots.txt. These developments threaten to undermine subscription models, prompting a reevaluation of how digital content is protected and monetized.
In the gaming industry, performers are preparing to strike over fears that AI could replace their voices and likenesses, underscoring broader concerns about the ethical and economic implications of AI in creative fields.
As the battle between tech giants and media companies unfolds, the future of news, content creation, and digital rights remains uncertain, promising significant changes ahead.
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Gen Alpha's Viewing Habits Reshape Entertainment Landscape, ushering in a new era of video consumption, upending traditional media models. While streaming services like Netflix have dethroned linear TV in recent years, social media platforms are now emerging as strong contenders for eyeballs, especially among Gen Alpha.
This generation spends a staggering 78% of their screen time watching social video content, compared to just 56% for Gen Z. Short-form video platforms like YouTube Shorts and TikTok are leading the charge, captivating Gen Alpha with their bite-sized bursts of entertainment. Nearly 70% of Gen Alpha tune into these platforms for 1-2 hours daily, with YouTube maintaining a strong presence as well.
This shift in viewing habits has significant implications for the entertainment industry. Traditional video-on-demand (VOD) services are experiencing a decline, with both paid and free options witnessing a drop in consumption. This highlights Gen Alpha's preference for the immediacy and interactive nature of social media video compared to the more passive experience of traditional streaming.
Social media platforms are not just capturing attention; they're also influencing purchasing decisions. A significant 22% of Gen Alpha viewers have reported buying something after seeing it advertised on YouTube Shorts. This trend indicates the effectiveness of social media video marketing in reaching this younger demographic.
As Gen Alpha's media habits continue to evolve, content creators and platforms will need to adapt. Short-form, engaging video content that thrives on social interaction appears to be the key to capturing this generation's attention. The future of entertainment might very well lie in the hands of these social media-savvy youngsters.
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Here's a more persuasive argument for corporate radio stations to adopt a music-centric approach, drawing inspiration from MTV and The Box:
Rewind, Replay, Rejuvenate: How Radio Can Reclaim Its Groove with Uninterrupted Music
Commercial radio stations are hemorrhaging listeners, stuck on a loop of repetitive playlists and excessive commercials. To recapture their audience, they should rewind to the era of music television channels like MTV and The Box.
From Music Videos to Genre-Bending Goodness
MTV's initial success lay in its nonstop music video format. The Box, launched in the late 80s, took this concept further, offering a more diverse selection of music videos across genres, from underground alternative to hard-to-find hip-hop. These channels understood the power of music discovery and curation, letting viewers immerse themselves in extended stretches of uninterrupted music.
The Power of Choice and Connection
Radio stations can emulate this strategy by incorporating extended blocks of commercial-free music. This could involve genre-specific programming or dedicated decades stations, similar to The Box's focus on alternative music. This empowers listeners to choose their musical journey, fostering a deeper connection with the artists and songs they love.
Unleashing the Magic of Music
By minimizing commercials, radio stations can elevate the listening experience. Music becomes the centerpiece, allowing listeners to fully engage with the emotional resonance and artistic expression music provides. This creates a loyal and receptive audience, more inclined to pay attention to the limited commercials that are aired.
The Box, originally christened the Video Jukebox Network (VJ Network) in 1985, was a music television channel that challenged the dominance of MTV. Unlike MTV's curated playlist, The Box embraced a revolutionary concept: viewer control.
The VJ Network, launched in Miami, initially featured Miami bass music videos and local personalities. But its claim to fame was its innovative use of telephone technology. Viewers could call in and request videos, creating a dynamic and interactive music experience.
In the early 90s, The Box rebranded as The Box Music Network and expanded its reach nationally. While facing competition from MTV, The Box carved a niche with its focus on alternative music videos and viewer requests. It gained a loyal following, particularly among younger demographics.
However, The Box's reliance on phone requests and laserdisc technology proved limitations in the face of MTV's vast resources and evolving cable landscape. By the early 2000s, The Box was sold and eventually faded from the airwaves.
Despite its short run, The Box left a lasting legacy. It pioneered the concept of viewer-controlled music television, inspiring future interactive entertainment models. The Box's focus on alternative music also helped shape the tastes of a generation.
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As Corporate Radio Crumbles Under Mountain of Debt, Private Equity's Grip Tightens and further destroys the radio industry until they are called their massive markers.
In a dramatic turn of events, the once-thriving corporate radio industry is facing a catastrophic collapse, buckling under the immense weight of debt accrued during years of private equity ownership. This downfall has sent shockwaves throughout the media landscape, leaving listeners, employees, and advertisers reeling from the fallout.
The seeds of this disaster were sown years ago when private equity firms, lured by the promise of quick profits, acquired major radio conglomerates. In pursuit of rapid returns on their investments, these firms saddled radio stations with exorbitant debt loads, stripping them of resources and creativity in the process.
As the industry grappled with the rise of digital streaming platforms and changing listener preferences, corporate radio's financial woes deepened. The debt burden became unsustainable, forcing stations to slash budgets, lay off staff, and compromise on content quality.
The consequences of this financial turmoil were devastating. Local news coverage dwindled, as seasoned journalists were replaced by automated playlists and syndicated programming. Music diversity suffered, with independent artists finding it increasingly difficult to gain airtime amidst the dominance of pre-approved playlists.
Listeners grew disillusioned with the homogenized and repetitive content, turning to alternative platforms for their audio needs. Advertisers followed suit, abandoning the sinking ship in favor of digital platforms with greater reach and engagement.
The industry's decline culminated in a series of bankruptcy filings and fire sales, with once-proud radio empires crumbling under the weight of their financial obligations. The ripple effects of this collapse extended far beyond the airwaves, impacting local communities and economies that had relied on radio stations for information, entertainment, and employment.
Experts point to private equity's relentless pursuit of profit as the primary catalyst for this disaster. By prioritizing short-term gains over long-term sustainability, these firms extracted value from radio stations without reinvesting in their future. This strategy ultimately proved unsustainable, leaving the industry in tatters.
The downfall of corporate radio serves as a cautionary tale about the dangers of unchecked private equity influence. It highlights the importance of prioritizing the well-being of industries and communities over the pursuit of quick riches.
As the dust settles on this catastrophic collapse, questions remain about the future of radio. While some believe that independent and community-based stations may rise from the ashes, others fear that the damage inflicted by private equity may be irreparable.
One thing is certain: the collapse of corporate radio marks the end of an era. It is a somber reminder of the fragility of industries and the devastating consequences of prioritizing profit over people.
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The ongoing integration of artificial intelligence (AI) into various media sectors has ignited a series of legal and ethical battles that are reshaping the landscape of journalism, broadcasting, and the music industry.
Journalism vs. AI: Who Owns the News?
The use of AI models to generate news stories has raised concerns about the ownership and originality of content. News organizations are grappling with how to protect their journalistic work from being used to train AI algorithms without proper compensation or attribution. This debate highlights the need for new legal frameworks that address copyright issues in the age of AI-generated content.
Broadcasters Resist Royalty Fees Amid AI Expansion
Broadcasters are pushing back against proposed legislation that would require them to pay royalties for using their content to train AI models. They argue that such fees would undermine the long-standing tradition of localism in radio broadcasting, which relies on free access to news and information. This conflict underscores the challenges of balancing technological innovation with preserving established media practices.
Music Industry Fights Back Against AI-Generated Music
The music industry is facing a growing threat from AI-generated music, which can mimic the styles of popular artists and potentially devalue original compositions. Record labels have filed a $350 million copyright lawsuit against AI music platforms, claiming that they are infringing on the intellectual property rights of musicians and songwriters. This legal battle will likely set a precedent for how AI-generated music is regulated and monetized in the future.
The Path Forward: Collaboration and Regulation
As AI continues to transform the media landscape, it is essential for stakeholders across different sectors to engage in open dialogue and collaboration. Developing clear legal frameworks and ethical guidelines will be crucial to ensure that AI is used responsibly and fairly. While AI has the potential to enhance media creation and distribution, it is important to protect the rights of creators and preserve the integrity of established media practices.
This ongoing clash between AI and various media sectors highlights the complex challenges and opportunities that lie ahead. As technology continues to evolve, the need for innovative solutions and collaborative efforts will be paramount to navigating the ever-changing landscape of media in the age of AI.
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The rise of afrobeats music crossing over in the USA and Europe starting with Ckay and "Love Nwantiti" to Rema and "Calm Down" to the trio new albums by Ayra Starr, Tems and Tyla mark a turning point for the continent's global voice
The infectious rhythms and vibrant melodies of Afrobeats have been steadily gaining momentum worldwide, transcending cultural boundaries and captivating audiences across the United States and Europe. This musical genre, originating from Africa, has found its way into mainstream consciousness, thanks to a wave of talented artists and their groundbreaking music.
The journey began with Ckay's viral sensation, "Love Nwantiti," which took the internet by storm, accumulating billions of streams and remixes featuring international artists. This breakthrough track served as a gateway, introducing Afrobeats to a global audience and setting the stage for a new era of cross-cultural musical exchange.
Fast forward to today, and the Afrobeats scene is thriving, with a growing roster of artists making their mark on the global stage. Among them are Ayra Starr, Tems, and Tyla, whose recent albums have solidified Afrobeats' position as a major force in contemporary music. Their unique sounds, blending traditional African elements with modern pop sensibilities, have resonated with listeners worldwide, garnering critical acclaim and commercial success.
Ayra Starr's self-titled debut album showcases her versatility and vocal prowess, while Tems' "For Broken Ears" EP explores themes of love, loss, and self-discovery. Tyla's "Lady" EP, on the other hand, offers a fresh perspective on Afrobeats, incorporating elements of Amapiano, a South African house subgenre.
These albums not only represent a turning point for Afrobeats but also for the continent's global voice. They serve as a testament to the rich musical heritage of Africa and its ability to connect with people from all walks of life. The success of these artists has paved the way for a new generation of Afrobeats talent, eager to share their music with the world.
Since 2019, Afrobeats music has made a significant impact on both the Billboard Hot 100 and the Official Charts.
Billboard Hot 100:
- Wizkid: His song "Essence" featuring Tems (and later Justin Bieber on a remix) peaked at number 9, spending 35 weeks on the chart.
- Fireboy DML: His song "Peru" featuring Ed Sheeran reached number 53.
- CKay: "Love Nwantiti" reached number 26.
- Rema: His song "Calm Down" featuring Selena Gomez reached number 3.
Official Charts (UK):
- Wizkid: "Essence" reached number 16.
- Fireboy DML: "Peru" peaked at number 2.
- CKay: "Love Nwantiti" peaked at number 3.
- Rema: "Calm Down" reached number 6.
These are just a few examples of the many Afrobeats songs that have charted in recent years, demonstrating the genre's growing global popularity and influence on the mainstream music industry.
As Afrobeats continues to evolve and expand its reach, it is clear that this genre is here to stay. Its infectious energy, positive vibes, and cross-cultural appeal have made it a global phenomenon, bridging continents and uniting music lovers worldwide. The future looks bright for Afrobeats, and the world eagerly awaits the next chapter in this exciting musical journey.
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"Bad Boys: Ride or Die" Rides to the Rescue, Revitalizing an otherwise lackluster Summer Box Office.
The summer movie season has so far been marked by underwhelming releases and lackluster ticket sales, but "Bad Boys: Ride or Die" has emerged as a much-needed savior, reinvigorating the box office and proving that audiences still crave action-packed entertainment on the big screen.
The fourth installment in the beloved buddy-cop franchise, starring Will Smith and Martin Lawrence, has shattered expectations, raking in a staggering $104.6 million in its opening weekend alone worldwide. This impressive debut not only secured the top spot at the domestic box office but also marked a significant win for Sony Pictures and the film industry as a whole.
The film's success can be attributed to several factors, including its star power, nostalgic appeal, and pent-up demand for big-budget action comedies. After a series of underperforming releases and a lingering pandemic-induced hesitancy to return to theaters, "Bad Boys: Ride or Die" offered audiences a much-needed escape, delivering thrills, laughs, and a reminder of the magic of the cinematic experience.
The film's triumph has also provided a much-needed boost to the overall summer box office, which had been struggling to find its footing. While other releases have failed to captivate audiences, "Bad Boys: Ride or Die" has proven that there is still a strong appetite for crowd-pleasing entertainment that can lure viewers back to theaters.
As the summer movie season continues, the success of "Bad Boys: Ride or Die" serves as a beacon of hope, signaling that the box office can still thrive in the face of challenges. With its impressive performance and undeniable appeal, the film has not only bailed out a bare summer box office cupboard but also reignited the excitement and anticipation for what the rest of the season may hold.
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Tech AI Revolutionizes the Troubled News Media Landscape, giving corporations crumbs to leverage their content.
In the ever-evolving world of journalism, a new player has emerged: artificial intelligence (AI). As traditional news outlets grapple with declining readership, shrinking budgets, and a rapidly changing digital landscape, tech AI is stepping in to fill the void, offering solutions that promise to reshape the industry.
Efficiency and Automation:
One of the most significant impacts of AI in newsrooms is the automation of mundane tasks. AI-powered tools can now generate news reports on financial earnings, sports scores, and weather forecasts, freeing up journalists to focus on more in-depth investigative reporting and analysis.
Personalization and Targeted Content:
AI algorithms are also being used to personalize news feeds for individual readers. By analyzing user preferences and behavior, these algorithms can deliver tailored content, increasing engagement and retention. This targeted approach, however, raises concerns about filter bubbles and potential biases in news consumption.
Combating Misinformation:
In an era of fake news and misinformation, AI is being deployed to help identify and flag false or misleading content. Machine learning algorithms can analyze vast amounts of data to detect patterns and anomalies, potentially helping to restore trust in journalism.
Ethical Concerns and Job Displacement:
The rise of AI in journalism raises ethical concerns about the potential for bias, lack of transparency, and the loss of human touch in storytelling. Additionally, the automation of tasks has led to fears of job displacement for journalists, particularly those in entry-level positions.
The Future of Journalism:
While the future of journalism remains uncertain, one thing is clear: AI is here to stay. Embracing this technology responsibly and ethically will be crucial for news outlets to survive and thrive in the digital age. The challenge for the industry will be to strike a balance between automation and human expertise, ensuring that AI serves as a tool to enhance journalism, not replace it.
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The box office (with movies not making their projections), streaming services (over losing subscribers and desperately building bundles), News Media (over AI) are sweating their long hot summer of stress
The summer of 2024 is shaping up to be a season of discontent for the entertainment and media industries. Box office numbers are underwhelming, streaming services are hemorrhaging subscribers, and news outlets are grappling with the rise of AI.
Box Office Blues
Hollywood's summer blockbuster season has been a major disappointment so far. Several high-profile releases have failed to meet expectations, leaving theaters struggling to attract audiences. Factors such as rising ticket prices, competition from streaming platforms, and a perceived lack of originality in tentpole films have contributed to the slump. Studios are now scrambling to adjust their release strategies and marketing campaigns in hopes of salvaging the remainder of the summer season.
Streaming Wars Intensify
The streaming landscape is also experiencing significant turbulence. Major players like Netflix and Disney+ have reported substantial subscriber losses, prompting them to explore new strategies to stay afloat. This includes cracking down on password sharing, introducing ad-supported tiers, and investing heavily in original content. However, the increasingly crowded streaming market and the rising cost of living have made it difficult for consumers to justify multiple subscriptions, leading to a fierce battle for viewers' attention.
News Media's AI Dilemma
The news media industry is facing its own existential crisis in the form of artificial intelligence. AI-generated content is becoming increasingly sophisticated, blurring the lines between human and machine-written articles. This has raised concerns about the spread of misinformation, the erosion of journalistic standards, and the potential displacement of human writers. News outlets are now forced to grapple with the ethical and practical implications of AI, as they strive to maintain credibility and relevance in a rapidly changing media landscape.
A Summer of Uncertainty
As the summer of 2024 unfolds, the entertainment and media industries face a period of significant uncertainty. The challenges they are currently facing are complex and multifaceted, requiring innovative solutions and a willingness to adapt to new realities. The long, hot summer of stress may be a turning point for these industries, forcing them to reevaluate their business models and embrace new technologies in order to survive and thrive in the digital age.
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The 2024 summer movie season, typically a blockbuster-filled bonanza, is bracing for a potential downturn as the ongoing strikes by the Writers Guild of America (WGA) and Screen Actors Guild (SAG) send ripples through the entertainment industry. The strikes, primarily centered around fair compensation and concerns over the use of artificial intelligence in content creation, have caused significant delays and disruptions in production schedules, leading to a scarcity of new releases for the summer season.
Industry analysts predict a noticeable dip in box office numbers compared to previous years. The absence of highly anticipated sequels and franchise films, which usually dominate the summer movie lineup, is expected to be a major factor in the anticipated decline. Moviegoers may find themselves with fewer options to choose from, potentially leading them to seek entertainment elsewhere.
The strike-induced shuffle has also forced studios to reshuffle their release calendars. Some films have been pushed back to later dates, while others have been hastily moved up to fill the void left by postponed productions. This haphazard scheduling could lead to increased competition between films vying for audience attention, further impacting individual box office performances.
Independent filmmakers and smaller studios, less affected by the strikes, could seize this opportunity to gain a foothold in the market. With fewer big-budget productions vying for attention, their films might find a more receptive audience, potentially leading to unexpected breakout hits.
The strikes' impact extends beyond the summer season, with concerns looming over the long-term consequences for the industry. If not resolved soon, the ongoing labor disputes could disrupt the entire production cycle, leading to a prolonged shortage of new content and potentially altering the landscape of movie production and distribution.
While the 2024 summer movie season faces undeniable challenges, industry experts remain optimistic about the future. They believe that once the strikes are resolved and production resumes, the industry will bounce back, with a renewed focus on fair compensation and collaboration between all stakeholders.
In the meantime, moviegoers will have to adapt to a less predictable and potentially less exciting summer movie season. However, with a bit of creativity and a willingness to explore new options, they might still find cinematic gems to enjoy amidst the strike-induced shuffle.
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Hear more about the Hollywood Studios Streaming Bundles Scramble and the leaked Diddy video as I am interviewed by Lou Pate on 1210 WPHT in Philadelphia, PA.
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Now, Comcast To Offer New Peacock, Netflix & Apple TV+ Streaming Bundle after Disney, Warner Bros. join forces to offer streaming bundle of Disney+, Hulu and Max.
In the not-so-distant future, the streaming landscape had evolved into a battlefield of entertainment titans. As media companies vied for subscribers and market dominance, the eventual Blitz of Streaming Bundles became inevitable.
It began with whispers of discontent among consumers, weary of subscription fatigue. With each new streaming service offering exclusive content, the once-convenient method of accessing entertainment became fragmented and expensive. Sensing the unrest, media giants plotted their next moves.
As the Blitz of Streaming Bundles unfolded, consumers found themselves inundated with choices, each promising an unparalleled entertainment experience. Some embraced the convenience of bundled packages, relishing the variety of content at their fingertips. Others, however, lamented the increasing complexity and cost of navigating the streaming landscape.
Ultimately, the Blitz of Streaming Bundles forced media companies to adapt to shifting consumer demands and preferences. In the ever-evolving landscape of entertainment, only those nimble enough to anticipate and respond to change would emerge victorious. And as the dust settled, one thing became clear: the streaming wars were far from over.
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AP reported: In one of the biggest beefs in recent hip-hop history, Drake and Kendrick Lamar are feuding — to the point that police were asked about their feud after a security guard was shot outside Drake’s Toronto mansion on Tuesday. But it wasn’t always this way.
Over a decade ago, the pair collaborated on a few songs: On Drake’s 2011 track “Buried Alive Interlude,” on Lamar’s 2012 release “Poetic Justice,” and on A$AP Rocky’s “(Expletive) ’ Problems” that same year.
That didn’t last very long. In 2013, Pulitzer Prize winner Lamar was featured on Big Sean’s “Control,” in which he called out a slew of contemporary rappers including Drake, J. Cole, Meek Mill, Pusha T, A$AP Rocky, Big K.R.I.T., Wale, Pusha T and even Big Sean among them.
“I got love for you all, but I’m trying to murder you,” he rapped. “Trying to make sure your core fans never heard of you.”
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Variety reports: The months-long standoff between Universal Music Group and TikTok over royalty payments and AI policies is finally over, at least for the time being, with the announcement that the two entities have struck a deal to bring the label’s music back on the platform.
As part of the agreement, the companies stated that they will “deliver improved remuneration for UMG’s songwriters and artists, new promotional and engagement opportunities for their recordings and songs and industry-leading protections with respect to generative AI.”
UMG’s music will return to the platform imminently, and the companies will collaborate on realizing “new monetization opportunities utilizing TikTok’s growing e-commerce capabilities and will work together on campaigns supporting UMG’s artists across genres and territories globally.”
Inside Radio reports: Nearly two decades after Howard Stern bolted for satellite radio, the now 70-year-old radio host’s future is up in air. His contract with SiriusXM is set to expire next year, and Stern has made noise about retiring. Whether then or in the future, President and Chief Content Officer Scott Greenstein says SiriusXM is better prepared to withstand the impact than ever before as it has added several big-named talents to its radio and podcast lineups.
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From Billboard: As the 2024 Rap Civil War wages on, Drake appears to have become a lone wolf, fighting an uphill battle against some of the genre’s brightest stars.
Though the blockbuster battle against Kendrick Lamar is the main event on the card, multiple other artists seemingly want to take a swipe at the OVO captain. And in response, Drake has framed this lyrical warfare as a ’20 V. 1′ contest, implying that he’s ready to take on multiple opponents at once.
Lines have been drawn ever since Lamar’s scorching verse on “Like That,” featured on the Metro Boomin and Future project We Don’t Trust You and spending three weeks atop the Hot 100 chart. More opponents have rallied alongside him since then: Rick Ross, A$AP Rocky and The Weeknd have all chosen their side and aligned with Kendrick, as well as Kanye West, who previewed his scathing verse against Drake on the unofficial “Like That (Remix).”
“[Future] called me and I went to the studio and laid that. We went through the creative process of adding the chords and called the Hooligans out in London to get on the joint,” Ye explained in an interview with Justin LaBoy over the weekend. “Everybody was very, very energized about the elimination of Drake.”
The age-old saying that idols become rivals rings loud and clear for Drizzy, as some of his heroes (like Ross and Ye) have turned their backs on him, seemingly in hopes of watching his empire crumble. Billboard has compiled a list detailing everyone involved in the Rap Civil War, and their respective roles in taking down the 6 God.
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The latest film "Civil War" by director Alex Garland depicts a third-term president ruling over a divided America from a pseudo-journalistic lens. Journalism in 2024 meanwhile struggles with social media, the impact of AI, and the evolution of funding for traditional media, with potential layoffs and buyouts projected.
LA Times reports A24’s “Civil War,” the latest film from “Ex Machina” and “Men” director Alex Garland, imagines a third-term president ruling over a divided America and follows the journalists driving through the war-torn countryside on a mission to land his final interview.
Starring Kirsten Dunst and Cailee Spaeny as photojournalists, alongside Wagner Moura and Stephen McKinley Henderson (and a scene-stealing, nerve-racking Jesse Plemons), the film carries a reported production budget of $50 million and has already started to recoup the costs at the box office, earning $25.7 million in ticket sales in its first weekend in North America.
“Civil War” has also been a discourse juggernaut. Conversation on social media has focused on the lack of context given for the conflict at the heart of the film. In a recent column, The Times’ Mary McNamara wrote that “forcing the very real political divisions that plague this nation into vague subtext doesn’t even serve the purported pro-journalism nature of ‘Civil War.’”
According to ICFJ, journalism in 2024 will see major changes in the relationship between traditional and social media, the emergence of AI, and funding for traditional media evolving. Other possible developments include:
More newspapers stop daily print production: As print costs rise and distribution networks weaken, more newspapers will stop printing daily.
Digital news and non-news content will be bundled: Large publishers will bundle digital news and non-news content to lock in existing customers.
Big tech platforms will lean further into paid business models: Big tech platforms will look to reduce their dependence on advertising.
According to Muck Rack, more than one-third of journalism organizations will report layoffs or buyouts in 2024. In January 2024, Challenger, Gray & Christmas reported that 538 news outlets announced layoffs, including print, broadcast, and digital media.
However, some say that 2024 will be a big print year because print is more trustworthy than online sources.
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How the OJ Simpson trial started the tabloidization and destruction of all news media from the salacious clickbait headlines to the 24 hour news cycle.
On October 3, 1995, the world stood still as the verdict was read in the trial of O.J. Simpson, a former NFL star and actor accused of murdering his ex-wife Nicole Brown Simpson and her friend Ron Goldman. The trial, dubbed "the trial of the century," captivated audiences globally and marked a pivotal moment in the history of media.
The O.J. Simpson trial was a perfect storm of sensationalism, celebrity, and tragedy that laid the groundwork for the tabloidization and destruction of traditional news media as we knew it. From the salacious clickbait headlines to the relentless 24-hour news cycle, the trial set a precedent for how news is covered and consumed in the modern era.
The media frenzy surrounding the trial was unprecedented. Every twist and turn of the case was dissected and sensationalized, with news outlets competing for ratings and readership by any means necessary. The trial was not just about justice; it was a spectacle, a form of entertainment for millions of viewers.
The rise of tabloid journalism during the O.J. Simpson trial marked a shift in the values of the news media. Sensationalism and scandal became more important than accuracy and integrity. Headlines became increasingly clickbaity, designed to grab attention and generate outrage rather than inform the public.
Moreover, the trial highlighted the emergence of the 24-hour news cycle, fueled by cable news networks like CNN, which provided round-the-clock coverage of the case. This constant barrage of information had a profound impact on how news is consumed, with audiences becoming accustomed to instant updates and real-time analysis.
The O.J. Simpson trial also exposed the flaws and biases inherent in the criminal justice system. The trial became a racial flashpoint, with many African Americans rallying behind Simpson, viewing him as a symbol of systemic injustice. The media's handling of the case further deepened these divisions, perpetuating stereotypes and reinforcing preconceived notions about race and class.
Fast forward to today, and the legacy of the O.J. Simpson trial looms large over the media landscape. The sensationalism and obsession with celebrity that characterized the trial have become ingrained in our culture, shaping how news is reported and consumed.
However, amidst the spectacle and controversy, it's important to remember the human cost of the O.J. Simpson trial. Nicole Brown Simpson and Ron Goldman lost their lives in a senseless act of violence, and their families continue to grieve to this day. As news breaks that O.J. Simpson has passed away from cancer at the age of 76, it serves as a reminder of the complexities and tragedies that lie at the heart of this case.
In the end, the O.J. Simpson trial changed the media landscape forever, ushering in an era of tabloidization and sensationalism that continues to shape the way we view and consume news. As we reflect on the legacy of this trial, we must also reckon with the broader implications it has had on society and the pursuit of justice.
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Don’t expect social media to save the news industry. Business Times
How the Media Industry Keeps Losing the Future. New York Times
Record Label Layoffs Hit Radio Promotions Staffs: Why It's Happening? Billboard
These headlines encompass all of the headaches corporate media and music are suggesting from.
Tonight we discuss the Digital Divide: How Social Media Upends Traditional Media: A Deep Dive into the Rivalry Between Social Media Titans and Corporate Media Giants**
In the era of digitization, the battle for audience attention and advertising revenue has intensified, pitting traditional corporate media outlets against the disruptive force of social media platforms. This clash of titans has revealed the stark contrasts in their approaches to news dissemination, editorial standards, and audience engagement.
Background:
Corporate media giants, with their legacy newspapers, television networks, and radio stations, have long been the primary sources of news and information. Upholding journalistic ethics and editorial integrity, these institutions have traditionally served as the gatekeepers of public discourse.
In contrast, social media platforms have revolutionized the media landscape, offering instant connectivity, user-generated content, and virality at unprecedented scales. With algorithms designed to prioritize engagement and user retention, social media companies prioritize clickbait, sensationalism, and polarizing content.
The Rivalry Unfolds:
The rivalry between corporate media and social media escalated as the latter gained prominence, challenging traditional news outlets' dominance. Social media platforms, such as Facebook, Twitter, and Instagram, amassed billions of users, eclipsing the reach of many corporate media entities.
Driven by the pursuit of profit and audience engagement, social media platforms prioritize content virality over journalistic integrity. This approach has enabled them to capture the attention of younger audiences and monetize user interactions through targeted advertising.
Ethical Dilemmas:
As social media platforms prioritize engagement metrics, they often amplify sensationalist or misleading content, undermining the credibility of traditional journalism. The rise of fake news, misinformation, and echo chambers has eroded public trust in media institutions and fueled societal divisions.
Corporate media outlets, on the other hand, face pressure to adapt to the digital age while maintaining editorial standards. Some have embraced social media as a means of audience engagement and distribution, while others remain wary of compromising journalistic integrity for the sake of virality.
The Fallout:
Despite their initial successes, social media platforms have faced scrutiny for their role in disseminating misinformation, facilitating harmful behavior, and undermining democratic processes. Public backlash and regulatory scrutiny have prompted social media companies to reassess their content moderation policies and address concerns about algorithmic bias.
Meanwhile, corporate media outlets have sought to differentiate themselves by emphasizing their commitment to journalistic ethics, fact-checking, and accountability. While traditional media may lack the immediacy and virality of social media, they remain indispensable sources of reliable information and investigative reporting.
Looking Ahead:
As the digital landscape continues to evolve, the rivalry between social media and corporate media is likely to persist. The challenge for both sides lies in striking a balance between audience engagement and editorial integrity, ensuring that the public has access to accurate, reliable, and diverse sources of information.
In this ongoing battle for relevance and influence, the future of media will be shaped by the ability of both social media and corporate media to adapt to changing consumer preferences, technological advancements, and regulatory pressures. The outcome of this struggle will have far-reaching implications for the future of journalism and democracy.
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KOP discusses UMG's new partnership with Spotify while ignoring TikTok as we explore the ongoing Mismanagement of Modern Music: Industry Ignorance in the Digital Age
In the ever-evolving landscape of the music industry, one glaring issue stands out: the mishandling of modern music by industry ignorance. Record labels, once the gatekeepers of the music world, now find themselves grappling with a myriad of challenges that threaten their very existence. From financial instability to copyright concerns and the diminishing returns for artists, the industry is facing a crisis that demands urgent attention and reform.
One of the most pressing issues confronting record labels is the seismic shift in how music is consumed. Gone are the days of physical album sales dominating the market; instead, we find ourselves in an era dominated by digital downloads and streaming services. While these platforms offer unparalleled convenience for consumers, they have also ushered in a new era of financial uncertainty for artists and labels alike.
The rise of illegal downloads and streaming services that pay minuscule royalties per play has further exacerbated the problem. While technology has made music more accessible than ever before, it has also devalued the art form in the eyes of consumers. Why pay for an album when you can stream it for free or for a nominal monthly fee? This mentality has eroded the traditional revenue streams that once sustained the industry, leaving labels scrambling to adapt to a new reality.
Compounding these challenges are the skyrocketing production and promotion costs associated with launching a successful music career. In an era where viral fame can be achieved overnight, labels are under increasing pressure to invest heavily in marketing and promotion to ensure their artists stand out in a crowded marketplace. However, this investment does not always guarantee success, leaving many labels in a precarious financial position.
Furthermore, the issue of copyright infringement looms large over the industry, with artists and labels struggling to protect their intellectual property in an age of rampant digital piracy. While technology has made it easier than ever to share and distribute music, it has also made it incredibly difficult to enforce copyright laws effectively. As a result, artists and labels are losing out on valuable revenue streams, further compounding their financial woes.
In light of these challenges, it's clear that the music industry is in dire need of reform. However, effecting change will require a fundamental shift in the way labels operate and the way artists are compensated for their work. Rather than clinging to outdated business models, labels must embrace innovation and adapt to the changing demands of the digital age.
One potential solution lies in the implementation of fairer royalty structures for artists. While streaming services offer unparalleled reach and accessibility, they also pay artists a fraction of a penny per play, leading to paltry earnings for all but the most successful acts. By advocating for fairer compensation from these platforms, labels can ensure that artists are adequately rewarded for their creativity and hard work.
Similarly, labels must invest in new technologies and platforms that can help them better understand and connect with their audience. By leveraging data analytics and machine learning algorithms, labels can gain valuable insights into consumer behavior and preferences, allowing them to tailor their marketing and promotion efforts more effectively. This targeted approach can help labels maximize their ROI and ensure that their artists reach the widest possible audience.
Furthermore, labels must work tirelessly to combat digital piracy and protect artists' intellectual property rights. This may involve partnering with law enforcement agencies and technology companies to develop more robust anti-piracy measures or lobbying for stricter copyright laws and enforcement mechanisms. While these efforts may require significant time and resources, they are essential for safeguarding the future of the music industry.
Ultimately, the mismanagement of modern music by industry ignorance is a complex issue that demands a multifaceted solution. By embracing innovation, advocating for fairer compensation, and protecting artists' rights, record labels can navigate the challenges of the digital age and ensure that music continues to thrive as an art form. However, this will require a concerted effort from all stakeholders involved, from labels and artists to consumers and policymakers. Only by working together can we build a music industry that is equitable, sustainable, and resilient in the face of constant change.
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In the realm of children's television, few names carry as much weight as Dan Schneider. With a career spanning decades, Schneider has been the creative force behind some of Nickelodeon's most iconic shows, including Drake & Josh, All That, iCarly, and Victorious. Yet, recent accusations brought to light in the Investigation Discovery docuseries, Quiet on Set: The Dark Side of Kids TV, have cast a shadow over his legacy.
The docuseries, released this week, delves into allegations of inappropriate behavior on the sets of Schneider's '90s and '00s shows. Amidst the backdrop of nostalgia and fond memories, troubling accounts emerged, painting a stark contrast to the wholesome image often associated with children's programming.
For Schneider, the accusations represent a profound challenge to his reputation and career. In response, he has chosen to break his silence and offer a rebuttal. In a move that has garnered significant attention, Schneider addressed the allegations head-on, acknowledging the pain and distress they have caused.
As someone who has played a pivotal role in shaping the childhoods of millions of viewers, Schneider's words carry weight. His statement serves not only as a defense against the accusations but also as a reflection on the culture and dynamics of the entertainment industry.
In his apology, Schneider expressed remorse for any harm caused and emphasized his commitment to creating a safe and respectful work environment. For fans who grew up watching his shows, it's a moment of reckoning, forcing a reassessment of their nostalgia through a new lens.
The controversy surrounding Schneider underscores broader conversations about power dynamics, accountability, and the need for transparency in the entertainment industry. As allegations continue to surface and voices are amplified, the landscape of children's television stands at a crossroads, grappling with its past while striving for a more equitable future.
Whether Schneider's apology will be enough to repair his reputation remains to be seen. For now, the conversation sparked by Quiet on Set serves as a poignant reminder of the complexities inherent in the world of kids' TV and the importance of holding those in positions of influence accountable.
As the dust settles and the industry grapples with the fallout, one thing is certain: the legacy of Dan Schneider and his contributions to children's television will forever be intertwined with the controversy that now surrounds him.
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Deregulation has been motivated by increased profit margins, reduced risk, and maintaining a competitive edge. However, some radio station owners have argued that deregulation has made it harder to sell their stations because audience and revenue are down by half.
Radio deregulation is the process of removing or reducing regulations that apply to the commercial broadcast industry. The Federal Communications Commission (FCC) officially began the process in 1981 with a broadcast deregulation order that changed or removed many regulations.
The deregulation of radio broadcasting has included:
Non-entertainment program regulation
The FCC removed guidelines that specified how much informational programming stations needed to have their license renewed. Instead, stations are now required to offer programming that responds to public issues.
Commercials
The FCC removed guidelines on the maximum amount of commercial time stations can have on the air. National and local restrictions on ownership
The 1996 Telecommunications Act removed these restrictions, which specified how many stations one company could own in a market.
Lessons from FCC Regulation of Radio Broadcasting" the Deregulation of Radio consisted of: Non entertainment program regulation. The FCC eliminated "guidelines" indicating how much informational programming each station should carry to have its license renewed, replacing it with "a generalized obligation for commercial radio stations to offer programming responsive to public issues." Ascertainment. Elimination of formal documentation of "community needs". Commercials. Abolition of FCC guidelines on maximum commercial time allowed on radio stations. Program logs.
Since deregulation, more than a third of all US radio stations have been bought and sold. For example, four corporations control the music and news delivered to more than half of the radio audience.
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The landscape of commercial radio has witnessed significant shifts, and sadly, many veteran radio talents have found themselves abruptly taken off the air. This article delves into the surprising exits of these beloved voices over the past 50 years, exploring the reasons behind their departures and the impact on both the industry and their loyal listeners.
The Golden Age: 1970s-1980s
During the 1970s and 1980s, radio was at its zenith, with legendary talents like Casey Kasem, Don Imus, and Larry King dominating the airwaves. However, even in this golden age, unexpected departures began to emerge. Whether due to contractual disputes, creative differences, or personal reasons, some of the most cherished voices in radio faced surprising exits, leaving listeners in shock and mourning the loss of an era.
Technological Evolution: 1990s-2000s
As the 1990s ushered in the digital age, radio faced challenges from emerging technologies. The rise of digital streaming and satellite radio led to a changing landscape, with traditional broadcasters adapting or facing obsolescence. Veteran talents, accustomed to the analog era, sometimes found it difficult to navigate the technological shift. Some stations opted for younger, tech-savvy hosts, resulting in the unexpected sidelining of seasoned voices.
Corporate Consolidation: 2000s-2010s
The 2000s and 2010s witnessed a wave of corporate consolidations within the radio industry. As large conglomerates acquired smaller stations, cost-cutting measures often targeted high-salary veteran talents. Iconic figures like Bob Edwards and Diane Rehm experienced surprising exits, casualties of a changing corporate culture that prioritized the bottom line over the rich history and loyalty these veterans brought to the airwaves.
Shifting Listener Demands: 2010s-Present
In recent years, the radio landscape has faced the challenge of catering to evolving listener preferences. Podcasts, social media, and on-demand content have reshaped the way audiences consume information and entertainment. Some veteran radio talents, accustomed to traditional formats, found it difficult to compete with the rising tide of digital alternatives. As a result, stations made decisions that left listeners in disbelief, bidding farewell to familiar voices that had become a staple of their daily routines.
The history of veteran radio talent being taken off the air over the past 50 years in the United States reflects the dynamic nature of the industry. From the golden age to the present, technological evolution, corporate consolidations, and shifting listener demands have all played a role in shaping the destiny of iconic voices. As we reflect on the surprising exits, we must also celebrate the enduring impact these talents have had on the world of radio and the hearts of millions of listeners across the nation.
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Songs published by UMG (Universal Music Group) have been removed from TikTok. The standoff initially saw recordings owned or distributed by UMG removed from the platform, but now it's also including those published by the company.
Meanwhile, UMG has started laying off employees and are steadfast in their stalemate with TikTok.
UMG claims that TikTok is not compensating its artists fairly and that the platform is flooded with AI-generated recordings. UMG also claims that TikTok is developing tools to enable, promote, and encourage AI music creation on the platform.
TikTok has removed songs by artists including Taylor Swift, BTS, Billie Eilish, Adele, and Bad Bunny.
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The recent rescue of Audacy from bankruptcy by Soros Management Group marks the latest instance of private equity takeovers in the U.S. media sector and the continued decline of corporate radio.
Exploring the strategies of these firms within the financial landscape, the article delves into their aggressive expansion into media ownership, addressing public interest concerns tied to the frenzied buyout market, profit maximization, and the substantial debt burdens on acquired firms. The challenges posed by private equity to effective media regulation are discussed, alongside a comparison with corporate media ownership models.
The U.S. media sector has deep roots in private ownership, influenced by structures that prioritize profitability. Concentration and corporatization in media ownership pose documented threats to public interest obligations, leading to issues such as hypercommercialism, declining localism, lack of diversity, and weakened journalism. While existing scholarship focuses on corporate media ownership, the last decade has seen a surge in non-corporate financial institutions, particularly elite private equity firms, investing in the U.S. media sector.
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From Salon.com: (As Beyonce) embarks on releasing her eighth album on March 29, the powerhouse only reinforces that she will always be a million steps ahead of her musical peers and fans who theorize about her next strategic move. During the Super Bowl, the artist dropped a costly, self-referencing Verizon commercial, in which she announced, "OK, they ready — drop the new music. I told y’all the ‘Renaissance’ is not over."
The Hill mentioned: Beyoncé announced two new songs — “Texas Hold ‘Em” and “16 Carriages” — in an ad during Sunday’s Super Bowl. The songs have a significant country influence, marking a departure from her typical musical style.
From Deadline: Soros Fund Management is set to become the biggest shareholder of Audacy (formerly Entercom), the radio station owner and podcast company that filed for bankruptcy in January.
Audacy was pushed into Chapter 11 by the cost of financing its hefty $1.9 billion in debt. The bankruptcy was prepackaged, meaning it had already lined up support from lenders. A court hearing is scheduled for Feb. 20.
Documents filed in bankruptcy court in the Southern District of Texas show that billionaire investor George Sorors’ Soros Fund Management had acquired about $415 million of Audacy’s first-lien debt, which would make SFM the broadcaster’s biggest shareholder when it emerges from bankruptcy. The filing put Soros’ holding at close to $280 million in term loans and a $135 million revolving credit facility.
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In the ever-evolving landscape of media consumption, a new champion has emerged, leaving the corporate news industry quivering in its wake.
Enter the podcasting revolution, where ordinary individuals with extraordinary ideas have taken center stage, while corporate news outlets struggle to keep up. The power of podcasts lies in their ability to break free from the shackles of traditional news, offering listeners a refreshing alternative to the stale and biased reporting that has plagued our screens for far too long. As the world turns its back on the mainstream, podcasts have seized the opportunity to fill the void, providing authentic and unfiltered content that resonates with audiences worldwide.
Gone are the days when people relied solely on corporate news outlets to stay informed. The rise of podcasting has ushered in a new era of independent journalism, where anyone with a microphone and a story to tell can become a trusted source of information. In this age of skepticism and distrust towards the mainstream media, podcasts have become a beacon of hope for those seeking unbiased news coverage. As the traditional news industry continues to lose credibility, podcasts have gained a loyal following by offering a diverse range of perspectives and topics that cater to the varied interests of their listeners.
What sets podcasts apart from their corporate counterparts is their ability to foster a sense of connection and intimacy with their audience. Unlike the impersonal nature of mainstream news, podcasts invite listeners into a conversation, creating a sense of community and camaraderie that is sorely lacking in today's media landscape. With each episode, hosts share their personal experiences, opinions, and insights, allowing listeners to form a genuine connection with them. This intimacy breeds trust, and as trust in traditional news falters, podcasts step in to fill the void.
The financial success of podcasts further highlights their growing influence in the media industry. While corporate news outlets struggle to adapt to the changing landscape, podcasts have found innovative ways to monetize their content. Through sponsorships, merchandise sales, and crowdfunding campaigns, podcasters are able to not only sustain their shows but also turn a profit. This financial independence allows podcasters to maintain their editorial integrity and resist the pressures of corporate influence that often plague traditional news outlets. As corporate news continues to hemorrhage viewership and revenues, podcasts are thriving, proving that there is still a hunger for authentic and engaging content.
In conclusion, as corporate news outlets struggle to maintain relevance in an increasingly digital world, podcasts have emerged as the voice of a new generation. With their ability to offer unbiased perspectives, foster connection with listeners, and generate revenue independently, podcasts have capitalized on the failings of traditional news outlets. As we witness the decline of corporate news and the rise of podcasting as a profitable industry, it becomes clear that the future of media lies in the hands of those who dare to challenge the status quo. So let us embrace this podcasting revolution and bid farewell to the nullity of corporate news once and for all.
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🎶🚫 Unmute the drama as the music industry giant, Universal Music Group, hits pause on TikTok tunes, taking Taylor Swift, Drake, Ariana Grande, Lady Gaga and other to go mute on the platform.
In this episode, we dive deep into the rhythm of the recent clash between Universal Music and TikTok, where the world’s biggest record label is pulling the plug on its artists' tracks. What happens when the beats of Taylor Swift, Drake, and Bob Dylan go silent on the viral video platform?
🎤 Join us as we explore the backstage negotiations that turned sour during the Grammy Awards week, uncovering the high-stakes battle for better pay and licensing agreements. Imagine a TikTok world without the chart-toppers, where over 1 billion users scramble to find new soundtracks for their content. Will the silence resonate in the music industry, or will this be a turning point for how artists are compensated in the digital age?
📲 Don't miss the crescendo of reactions from both TikTok enthusiasts and the powerhouse artists affected. We discuss the potential ripple effects on the platform's dynamics and the strategies users might adopt to keep the creative rhythm alive. Will TikTok find harmony without Universal Music, or are we witnessing a major disruption in the dance of social media and the music biz?
🎧 Tune in for an earful of insights, speculations, and the backstage gossip of this sensational showdown between TikTok and Universal Music. "Silenced Sounds" is about to drop – the stage is set, the lights are dimmed, and the beat goes silent. Are you ready for the symphony of change in the digital soundscape? 🎶🔇
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CNN reports that the News industry is off to a brutal 2024 start as mass layoffs devastate publishers, raising questions about the future of journalism. Even as the presidential election cycle heats up and public attention and revenues historically mount, has been on full display this month, with the first few weeks of 2024 ushering in a spate of painful layoffs at news organizations from coast-to-coast.
The Los Angeles Times slashed its newsroom by more than 20% earlier this week; TIME cut dozens of staffers; and Business Insider said it would trim its workforce by 8%. Meanwhile, hundreds of staffers at Condé Nast, Forbes, The New York Daily News, and others staged historic walkouts to protest planned cuts at the outlets.
The recent round of layoffs, while pronounced, are part of a much larger and unrelenting storm battering the journalism industry. Over the past 18 months, most news organizations have been forced to make difficult decisions to reduce their workforces.
At the national level, CNN, The Washington Post, NPR, Vice Media, Sports Illustrated, Vox Media, NBC News, CNBC, and other organizations have cut swaths of their reporting staff. At the local level, layoffs have been nearly constant, with newspaper giant Gannett cutting hundreds of employees, and small outlets carving out already lean operations.
The latest round of layoffs come after 2023 marked the worst year for job cuts in the journalism sector since Covid-19 upended the world in 2020, with roughly 2,700 jobs eliminated.
While each outlet is struggling with its own unique challenges, they all are facing brutal industry headwinds ushered in by the internet revolution and other technological advances that have fundamentally changed the way the public consumes news and entertainment.
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Refinery29 describes the movie Satlburn as follows: "Spoilers ahead. There's something distinctly unnerving about leaving the cinema and not being able to process what you just watched. 'What the fuck just happened?' 'Why am I horny?' 'Was that a Britney Spears shirt?'
These are just some of the words that might come out of your mouth after watching Emerald Fennell's new film, Saltburn.
Emerald Fennell's (Promising Young Woman, Killing Eve) new film Saltburn is hard to define. It's a story about love, desire and obsession that's part twisty psychological thriller and part laugh-until-you-weep comedy. It's also super, super gay.
The film follows Oliver, played by Barry Keoghan (The Banshees of Inisherin, The Killing of a Sacred Deer), a shy scholarship student at Oxford who quickly becomes infatuated with the charming and aristocratic Felix, played Jacob Elordi (Euphoria). Despite their clear differences, Felix invites Oliver to spend the summer at his family's sprawling estate, Saltburn. Soon, we're taken on a wild journey that's just as sexy as it is dark."
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KOP looks at the growing trend of comedians finding themselves caught up in controversy and facing the possibility of being cancelled or computer recycled. They include Jo Koy, Katt Williams, and George Carlin..
Jo Koy, known for his hilarious stand-up routines and relatable storytelling, has been a target of controversy on multiple occasions. One of the main issues that have come up is his use of racially charged jokes. While some find his humor refreshing and genuine, others argue that it perpetuates stereotypes and fosters division. This has led to calls for him to be cancelled or to have his content removed from streaming platforms. However, it is important to note that comedy is subjective, and what may offend one person may make another laugh. It is up to the audience to decide what they find acceptable or not.
Similarly, Katt Williams, a comedian known for his quick wit and sharp tongue, has also found himself at the center of controversy. His provocative style often treads the line between comedy and offense, resulting in backlash from various communities. One instance that sparked controversy was his use of homophobic language during a stand-up routine. This led to calls for him to be cancelled and for his shows to be boycotted. However, Williams defended his right to freedom of speech, stating that comedy should be a space where anything can be said without fear of retribution. The debate continues on whether comedians should be held accountable for their words or if they should be given more leeway due to the nature of their profession.
Now coming back to the spotlight in AI form that no one asked for, even legendary comedian George Carlin was not immune to controversy during his career. Known for his satirical take on social and political issues, Carlin pushed boundaries with his uncompromising style. He often used profanity and tackled taboo topics, which resulted in criticism from conservative groups and calls for him to be computer recycled. However, Carlin remained unapologetic about his material, arguing that it was a reflection of the world we live in and that comedy should challenge societal norms. Despite the controversies surrounding him, Carlin is still remembered as one of the greatest comedians of all time.
In conclusion, comedians like Jo Koy, Katt Williams, and George Carlin have all faced their fair share of controversy throughout their careers. Whether it is through racially charged jokes or provocative language, these comedians have found themselves caught in the crossfire between freedom of speech and accountability. While some argue for their cancellation or computer recycling, others believe that comedy should be a space where anything can be said without fear of retribution. Ultimately, it is up to the audience to decide what they find funny and acceptable, and whether they choose to support or condemn these comedians is a matter of personal choice.
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Audacy will soon dive into bankruptcy, Salem Media delists and Beasley and Urban One are on the verge of being delisted. iHeart is still not out of their financial woes either. Commericial radio continues to roll into decline.
Inside Radio reports: The Wall Street Journal reports that Audacy is gearing up to file for bankruptcy in the coming weeks, grappling with a significant decline in advertising revenue that has rendered it incapable of servicing its $2 billion debt load. The WSJ exclusive says Audacy has already successfully negotiated a prepackaged bankruptcy plan with its senior lenders, who are poised to provide the necessary financing for the impending Chapter 11 proceedings. As part of this arrangement, the senior lenders are anticipated to assume ownership of the company post-restructuring.
The financial challenges faced by Audacy are rooted in diminishing revenue and widening net losses, primarily attributed to a downturn in ad spending. The company had previously cast doubt on its ability to operate as a going concern, citing concerns over its capacity to meet debt obligations based on its revenue forecasts for 2024.
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Taking a long look at the digital disruption that the internet, digital streaming and social media has taken in the last 5 years to erode the traditional mainstream monolith of media companies providing content to the mainstream.
The dawn of the digital age has ushered in transformative changes across various industries, with the media sector experiencing one of the most profound shifts. Over the last five years, the rise of the internet, digital streaming platforms, and social media has disrupted the traditional mainstream media landscape, challenging the dominance of established media conglomerates and reshaping the way content is produced, distributed, and consumed. This article examines the digital disruption that has eroded the traditional mainstream monolith of media companies.
1. Proliferation of Digital Streaming Platforms:
One of the most significant disruptions in recent years has been the proliferation of digital streaming platforms such as Netflix, Amazon Prime, and Disney+. These platforms have revolutionized content consumption by offering on-demand access to a vast library of movies, TV shows, and original content. Unlike traditional broadcast and cable networks, which operate on fixed schedules, streaming platforms provide viewers with the flexibility to watch content anytime, anywhere, and on any device. This shift towards on-demand viewing has challenged the traditional advertising-driven business model of mainstream media companies, forcing them to adapt to new consumption patterns and preferences.
2. Rise of User-Generated Content and Social Media:**
The rise of social media platforms like Facebook, Instagram, and Twitter has democratized content creation and distribution, allowing individuals and independent creators to reach global audiences without the need for traditional media intermediaries. User-generated content, influencer marketing, and viral trends have become integral parts of the modern media landscape, enabling a new generation of content creators to challenge the dominance of traditional media outlets. The virality and immediacy of social media platforms have also amplified the impact of breaking news and events, further eroding the gatekeeping role traditionally held by mainstream media organizations.
3. Fragmentation of Audiences and Content Personalization:
The digital disruption has led to the fragmentation of audiences across multiple platforms and channels, making it increasingly challenging for mainstream media companies to capture and retain viewership. The proliferation of niche content and specialized streaming services catering to specific interests and demographics has resulted in a more personalized and fragmented media landscape. This shift towards personalized content consumption has forced traditional media companies to reevaluate their content strategies and diversify their offerings to cater to evolving audience preferences.
4. Disintermediation and Direct-to-Consumer Models:
The digital disruption has facilitated the rise of direct-to-consumer (DTC) models, enabling media companies to bypass traditional distribution channels and engage directly with audiences. Streaming platforms and content creators can now monetize their content through subscription-based models, pay-per-view events, and premium content offerings, reducing their reliance on advertising revenue and third-party distributors. This direct relationship with audiences has empowered media companies to experiment with innovative content formats, pricing strategies, and engagement tactics, further challenging the traditional mainstream media ecosystem.
5. Challenges and Opportunities for Traditional Media Companies:
While the digital disruption has presented significant challenges for traditional mainstream media companies, it has also created new opportunities for innovation and growth. Media organizations are increasingly investing in digital transformation initiatives, developing their streaming platforms, and forging strategic partnerships to expand their digital footprint and reach new audiences. The convergence of technology, content, and distribution has enabled traditional media companies to experiment with new storytelling formats, immersive experiences, and interactive content, fostering a more dynamic and competitive media landscape.
The digital disruption driven by the internet, digital streaming, and social media has fundamentally transformed the traditional mainstream media landscape. The erosion of the mainstream monolith of media companies has paved the way for a more diverse, democratized, and personalized media ecosystem, where content creators, platforms, and audiences are more interconnected and empowered than ever before. As the digital revolution continues to unfold, traditional media companies will need to embrace innovation, adapt to new consumption patterns, and reimagine their role in the evolving media landscape to remain relevant and competitive in the digital age.
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KingOfPodcasts as he delves into the buzz surrounding the potential blockbuster merger between Warner Bros. Discovery and Paramount Global. In this episode:
🔹 David Zaslav, CEO of Warner Bros. Discovery, and Bob Bakish, Paramount Global's CEO, sit down for high-stakes discussions in NYC.
🔹 What does this mean for the entertainment industry? The potential formation of a media titan could reshape the landscape.
🔹 Could this be the dawn of a new streaming giant? The melding of Paramount+ and Max might just be the answer to Netflix and Disney+'s dominance.
🔹 Who's buying whom? The intricacies of the deal, the stakeholders involved, and the potential impact on the market.
🔹 Beyond streaming: The synergies are limitless! From international distribution to merging iconic franchises and news powerhouses, we break down the potential implications.
🔹 The pressures on Paramount: A look at their financial landscape, debt concerns, and the race to find the right strategic partner.
🔹 A blueprint for success? How Zaslav's prior merger strategies could hint at what's to come.
Tune in for an in-depth analysis, expert insights, and all the latest on this game-changing potential merger. Don't miss out on this episode of the Broadcasters Podcast! 🎧📺
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Inside The Music Industry Massacre of 2023: If it’s not TikTok it’s AI or Fake Streams, the music industry and the record labels are taking in a lot of incoming attacks
When Music Was Diverse and Inclusive and How The Crossover Needs to Comeback: A guest column in Billboard in April called for “all music industry professionals to reflect on the ways in which our industry has perpetuated a system that benefits a select few at the expense of marginalized communities.”
How Radio Is Removing Real Talent for AI Inferiority:
Two long-time radio talents are fired without warning as Corporate Radio favors more AI Technology over even human voicetracking.
AM Radio is Dying a Slow Death With a Lot of Static:
The decline of AM Radio has been a long-standing issue in the radio industry, and the trend of it being removed from infotainment dashboards is only further exacerbating the issue.
How New Music on Corporate Radio is Dying, plus Record Labels Rigging Radio Airplay and the Rest of Radio’s Very Rough Week in May
Radio Retreats to Throwbacks and Surrenders New Music to the Streamers over the Summer
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Corporate Media is getting crushed by economic turmoil and the effects are being passed along to the detriment of their consumers. What are the online content creators getting right and how are they taking advantage of the digital disruption.
Podcasting during a recession is pushing out the pretenders and pushing back on big names and big contracts.
DC Universe Reboot Revealed. Dissecting the New DC Studios Direction
ChatGPT Calls Out Radio On Its Future
Podcasters are Pivoting and Radio Stations are Switching
Spotify Sees Something More in Podcasts and Sirius XM and Radio Face A New Reality
How Radio Is Removing Real Talent for AI Inferiority
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Ryan Seacrest gets the golden game show TV gig of Wheel of Fortune but still decides to stay in radio? KOP discusses this decision.
Hollywood Reporter says, "iHeartMedia has inked a new three-year deal with Ryan Seacrest, bringing his contract through the end of 2027. Under the agreement, the omni-present entertainer will continue to be a core personality across all iHeartRadio platforms, hosting and producing its No. 1 L.A. morning drive-time show for 102.7 KIIS-FM as well as the nationally syndicated On Air with Ryan Seacrest and American Top 40 with Ryan Seacrest.
As part of the new pact, which brings Seacrest to nearly 30 years in the iHeart family and 20 years as the voice of morning radio in L.A., he’ll also maintain a close working relationship with iHeart chairman and CEO Bob Pittman and president Rich Bressler. In that capacity, Seacrest not only provides input into the company’s major initiatives but also hosts several of its tentpole events, including the two-day iHeartRadio Music Festival and L.A.’s iHeartRadio Jingle Ball holiday concert.
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KOP talks with Lou Pate on WPHT in Philadelphia to discuss Dolly Parton dressed up as a Dallas Cowboy Cheerleader on Thanksgiving and the Kelces take on their new Christmas song the Fairytale of Philadelphia.
Country music legend Dolly Parton performed in a Dallas Cowboys cheerleader outfit during halftime of an NFL game on Thanksgiving Day. The 77-year-old sang some of her hits while standing at midfield.
“Fairytale of Philadelphia” is a newly release Christmas song by NFL stars Jason and Travis Kelce. The song is a cover of The Pogues' classic Christmas carol, but with a Philly twist. The Kelce brothers took many lyrical liberties to make the song fit the context. The song is also a tribute to the Kelces' brotherly love.
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KOP welcomes filmmaker/writer/professor Michele Meek, author of Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. We talk about how the content that we're being subjected to in our TV and movies, and the negative connotations they raise are a big problem based on a number of variables: How this content gets exposed to children and how it's indicative of a need for sex education at an early age? How victims of sexual assault and harassment (which facts show the supermajority of victims are women over men), and how they respond after the fact, are affected due to an evolving social and cultural change that is creating negative reactions? How men are becoming more conformed to react and respond differently to women then they might have in past generations? Michele Meek is a filmmaker/writer/professor, and she recently published the book Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. She is an Assistant Professor of Communication Studies at Bridgewater State University where she teaches courses in digital media production, film studies, screenwriting, and gender studies. She has written and directed several award-winning short films, and she is the founder of NewEnglandFilm.com. Her website is www.michelemeek.com. Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Reuters reported that R&B vocalist Cassandra Ventura sued Sean "Diddy" Combs in federal court on Thursday, accusing the rapper and hip-hop mogul she once dated and whose music label she signed with of subjecting her to serial physical abuse, sexual slavery and rape.
One of the central allegations against Combs by Ventura, who performs under the stage name Cassie, was that he forced her to engage in sex acts with a succession of male prostitutes he hired while he watched and filmed the encounters for his own pleasure.
The lawsuit, filed in U.S. District Court in Manhattan, also accuses Combs of regularly beating Ventura over the course of a 10-year professional and romantic relationship in which he controlled her through intimidation and by plying her with drugs and alcohol.
Ventura, 37, alleges that Combs raped her near the end of their relationship in 2018 when she broached the idea of leaving him.
Combs' lawyer, Ben Brafman, issued a statement saying his client "vehemently denies these offensive and outrageous allegations."
Combs has been trying to make good for past trangressions with artists he screwed over by reassigning the publishing rights of the Bad Boy Records catalog to the performers and songwriters after years of criticisms that he hasn’t treated artists fairly.
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The SAG-AFTRA Strike ends and the Hollywood Labor Unions put up a long fight to sequentially change the rules to catch up with the era of streaming.
Variety reported: SAG-AFTRA negotiators have approved a tentative agreement that will end the longest actors strike against the film and TV studios in Hollywood history.
In an announcement Wednesday, the union said the 118-day strike would officially end at 12:01 a.m. on Thursday.
The union’s negotiating committee approved the deal on a unanimous vote. The agreement next goes to the SAG-AFTRA national board for approval on Friday.
The two sides spent the last several days putting the finishing touches on the deal, which will see the first-ever protections for actors against artificial intelligence and a historic pay increase. The deal will see most minimums increase by 7% — two percent above the increases received by the Writers Guild of America and the Directors Guild of America.
The deal also includes a “streaming participation bonus,” according to an email sent to SAG-AFTRA members, as well as increases in pension and health contributions. The union said the contract is worth more than $1 billion in total.
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Variety reported a scathing article on Marvel Studios: Marvel is reeling from a series of disappointments on-screen, a legal scandal involving one of its biggest stars and questions about the viability of the studio’s ambitious strategy to extend the brand beyond movies into streaming. The most pressing issue is was what to do about Jonathan Majors, the actor who had been poised to carry the next phase of the Marvel Cinematic Universe but instead is headed to a high-profile trial in New York later this month on domestic violence charges.
Forbes sounded the alarm on superhero movies back in March: Superhero movies seem to have lost their momentum at the box office, with the last two entries from Marvel and DC facing audience apathy; superhero movies seem to be slipping from their pop culture pedestal.
Shazam 2 opened to a limp $30.5 million domestic, and Ant-Man: Quantumania never lived up to its $106 million opening weekend, sputtering toward a $462 million global total and unlikely to hit $500 million.
This is disappointing, considering that Quantumania was a vital stepping stone to Marvel’s next big crossover event, introducing Kang (Jonathan Majors) the big bad of the MCU’s Phase 5. Technically, it is Kang’s second introduction, if you count his appearance on the Disney+ series Loki. Add underperforming box office busts from DC in The Flash and Blue Beetle, and now Aquaman seems destined to go underwater.
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Generation Z Expresses Strong Preference for Platonic Relationships in Entertainment, New Study Finds. KOP looks into the details and how applies to entertainment from Hollywood will react.
Los Angeles, CA - A groundbreaking study conducted by the University of California Los Angeles's (UCLA) Center for Scholars and Storytellers has revealed a significant shift in the entertainment preferences of young Americans. The study, titled "Teens and Screens," focused on the media consumption habits of Generation Z and found that this generation has a profound interest in stories centered on platonic relationships, with a notable disinterest in those featuring sex and romance.
More than 1,500 young people between the ages of 13 and 24 participated in the comprehensive survey, which sought to understand their perspectives on content consumption. The findings indicate a growing desire for narratives that emphasize friendship and non-romantic connections. Notably, 54% of respondents expressed a strong preference for seeing more content that focuses on friendships, highlighting a clear shift away from the traditional emphasis on romantic relationships in media.
Nearly 40% of participants explicitly conveyed their desire for more representation of non-romantic relationships and asexual characters on screen. This reflects a growing demand for diversity and inclusion in entertainment, with Gen Z expressing an eagerness to see characters who do not necessarily fit into the conventional mold of romantic relationships.
One of the most striking outcomes of the study was the widespread sentiment that romance in media has become overused. The majority of those surveyed felt that the constant portrayal of romantic relationships in entertainment has become predictable and even tiresome.
Dr. Emily Mitchell, the lead researcher of the "Teens and Screens" study, commented on the findings, saying, "Generation Z is clearly telling us that they are looking for something different in their entertainment. They want to see more dynamic and authentic depictions of the various relationships in their lives, with an emphasis on friendships and connections that go beyond romance."
This study has important implications for the entertainment industry. With Gen Z representing a significant portion of the consumer base, content creators may need to reconsider their storytelling strategies to meet the evolving preferences of this generation. It is clear that young Americans are seeking more diverse and authentic representations of human relationships on screen, challenging the traditional narrative structures that have dominated the industry for years.
The "Teens and Screens" study sheds light on the changing landscape of storytelling, with Generation Z at the forefront of a cultural shift towards more diverse, inclusive, and platonic representations in entertainment. As this generation continues to shape the media landscape, the industry is expected to adapt to meet their evolving demands.
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"Taylor Swift: The Eras Tour" concert film proved to be a massive hit, raking in nearly $93 million on its opening weekend at the box office. Swift's decision to independently distribute the film through AMC Theaters, bypassing major Hollywood studios, was a strategic win for both the theater chain and the multi-talented Grammy-winning singer, songwriter, and filmmaker. This move further solidified Taylor Swift's reputation as an entrepreneurial force in the entertainment industry. The film's overwhelming success on opening weekend was a testament to its broad appeal, particularly among female moviegoers.
CinemaScore data revealed that a remarkable 80% of those who attended the film's opening weekend were female, a notable increase compared to the 65% female audience for July's blockbuster "Barbie." The audience was also notably youthful, with 30% falling within the 25-34 age bracket, 23% in the 18-24 range, and a remarkable 20% under the age of 18. However, despite the film's undeniable popularity, there were some concerns voiced by attendees regarding disruptive audience behavior during the screenings, with one attendee describing the theater experience as "horrible."
Bad Bunny's fifth solo album is Nadie Sabe Lo Que Va a Pasar Mañana. It's a rap homecoming that circles back to where he started.
Nadie Sabe Lo Que Va A Pasar Mañana, references a controversy where he threw a fan's phone. The incident occurred earlier this year when Bad Bunny snatched a fan's phone while she was taking a selfie.
The opening track of the album, "Nadie Sabe," includes the lyrics "Tú no ere' mi fan real, por eso te tiré el celular / A los reale' por siempre los voy amar". This translates to "You were not my real fan, that's why I threw the cell phone / The real ones, I'll always love".
Some fans were amused by the reference to the incident. Some even said they liked the song more because of the shade thrown at the fan who lost her phone.
The song has created a collective smirk on platforms like TikTok. Fans have convinced each other that the lyrics are a direct hit against a woman whose interaction with Bad Bunny went viral at the start of 2023.
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Drake Drops All For the Dogs, his 14th album, which includes features from SZA, Bad Bunny, 21 Savage, Yeat and many more. Let's talk about the analysis and feedback the album which is expected to dominate the Billboard Hot 100 next week.
In the ever-evolving landscape of modern hip-hop, few artists have managed to maintain their status as consistently as Drake. From his early mixtape days to now, Drake has remained a household name, a symbol of musical excellence, and a pioneer in the world of hip-hop. With a career spanning over a decade, the Toronto-born artist has evolved from a young actor on Degrassi to one of the most influential figures in the music industry.
Drake, whose real name is Aubrey Graham, started his journey as a rapper with an uncanny ability to combine catchy hooks, introspective lyrics, and a keen sense of melody. Throughout his career, he's released hit after hit, from "Best I Ever Had" to "Hotline Bling" and "In My Feelings." But what makes Drake truly unique is his willingness to collaborate with a wide array of artists, pushing the boundaries of his own sound with every release.
Now, with his 14th studio album, "All For the Dogs," Drake is set to take his collaborative game to new heights. Featuring an impressive lineup of guest artists including SZA, Bad Bunny, 21 Savage, Yeat, and many more, this album promises to be a true tour de force in the hip-hop industry. The title, "All For the Dogs," serves as a nod to Drake's unwavering dedication to his loyal fanbase, known affectionately as "The 6ix" – a reference to Toronto's area code.
"All For the Dogs" has been a long-anticipated project, following the success of his previous album, "Certified Lover Boy." The buzz around the album has been building for months, thanks in part to Drake's cryptic social media teasers, but also due to the impressive roster of collaborators he's lined up. This is a testament to his unparalleled ability to bring together artists from diverse backgrounds, creating an album that promises to transcend genres and make a significant impact on the music world.
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The NFL has been defending its decision to focus on Taylor Swift and Travis Kelce. The two have sparked romance rumors. The NFL has been leaning into the rumors on its social media accounts.
Swift has been shown frequently during the Chiefs' most recent two games against the Chicago Bears and New York Jets. The NFL has seen ticket prices and television ratings go up for the couple of games.
The NFL has defended its coverage of Swift and Kelce as a "pop cultural moment". However, some have said that the NFL is "overdoing" the promotion of Swift.
The New York Post's Page Six reported that Swift reportedly jetted off to possibly Kansas City to celebrate Kelce's birthday with him. That report has not been confirmed and there have been no reported sightings of her in town as of midmorning Thursday.
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Writers get a big win in their months-long labor strike. But, how about the uber-trending love story of Pop Superstar Taylor Swift and NFL Super Bowl Champ Travis Kelce.
AP initially reported Tuesday night the Hollywood’s writers strike was declared over after nearly five months Tuesday night when board members from their union approved a contract agreement with studios, bringing the industry at least partly back from a historic halt in production.
The governing boards of the eastern and western branches of the Writers Guild of America and their joint negotiating committee all voted to accept the deal, two days after the tentative agreement was reached with a coalition of Hollywood’s biggest studios, streaming services and production companies. After the vote they declared that the strike would be over and writers would be free to start on scripts at 12:01 a.m. Wednesday.
Late-night talk shows — the first to go dark when writers walked out on May 2 — are likely the first shows that will resume. Scripted shows will take longer to return, with actors still on strike and no negotiations yet on the horizon.
Swift was seen watching Kelce in his suite at a Chiefs game. The two also attended an afterparty in New York, where Kelce referenced Swift's song "Getaway Car".
Kelce and Swift have been spotted hanging out, and a source told The Messenger that they are "quietly hanging out". Kelce also tried to shoot his shot with Swift at "The Eras Tour".
Kelce has a net worth of around $30 million. He starred in his own reality TV dating show, Catching Kelce, in 2016.
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Studio Heads Interview As Hopes Rise for the Hollywood Writers' and Actors' Strike to Reach a Conclusion. KOP looks at What's at Stake and What Lies Ahead.
For the past several months, the entertainment industry has been in turmoil due to the Hollywood writers' strike, which commenced on May 2nd. This labor dispute has had far-reaching consequences, not only impacting the production of beloved TV shows and films but also sparking important conversations about pay, writing staff sizes, and the use of artificial intelligence (AI) in the creative process. However, there is finally a glimmer of hope on the horizon, as Hollywood writers and studios are reportedly close to reaching an agreement that could bring an end to this lengthy strike.
In a significant turn of events, both the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) issued a joint statement following negotiations on a pivotal Wednesday. The statement read, "The WGA and AMPTP met for bargaining today and will meet again tomorrow." While this statement might appear concise, it carries substantial weight as it signals that progress is being made in the negotiations.
According to reports from CNBC, a deal to end the strike is highly likely to be finalized on Thursday. Negotiators on both sides seem optimistic about the prospect of reaching an agreement that will put an end to the strike, providing much-needed relief to industry workers and fans alike. However, it's important to note that the situation remains fluid, and until an official agreement is reached, there's still a possibility that the strike could persist through the end of the year.
This strike has been historic in many ways. Notably, on July 14th, the Screen Actors Guild (SAG) took the extraordinary step of joining the writers on the picket line, marking the first time in over six decades that both unions have simultaneously gone on strike. This unprecedented show of unity underscores the gravity of the issues at hand and the determination of industry professionals to address them.
The strike has primarily revolved around several key issues:
Pay: One of the central concerns of the striking writers has been fair compensation. Writers argue that they deserve a larger share of the revenue generated by their work, especially in an era of booming streaming services and digital content.
Writing Staff Sizes: The size of writing staffs on television shows has been a point of contention. Writers argue that smaller staffs can lead to overworked and underpaid individuals, which ultimately affects the quality of content produced.
Use of Artificial Intelligence: Perhaps the most novel and complex issue on the table is the use of artificial intelligence in the creative process. As technology advances, some studios have explored using AI to generate scripts or assist in story development. Writers are concerned that this could lead to job displacement and a loss of creative control.
As the strike appears to be nearing its conclusion, there is hope that a fair and mutually beneficial agreement can be reached. The entertainment industry is not only a source of entertainment but also a major driver of jobs and economic activity. A resolution would not only bring relief to the thousands of workers affected by the strike but also ensure the continued production of the content we love.
The strike has shed light on the challenges faced by writers and industry professionals, sparking important discussions about their rights, fair compensation, and the role of AI in creative endeavors. While the road to resolution has been long and arduous, the impending agreement offers a glimmer of optimism, suggesting that a new chapter in the entertainment industry may be on the horizon.
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Members of the Writers Guild of America have been on strike for 136 days and the Screen Actors Guild for 63 days. The recent actions of talk show hosts Drew Barrymore and Bill Maher have caused controversy within the entertainment industry. Both hosts have been accused of trampling on the picket lines set up by the Writers Guild of America (WGA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). These picket lines were established as part of a larger labor dispute between the guilds and the major studios, with the aim of securing better working conditions and fair compensation for industry professionals. However, Barrymore and Maher's decision to continue filming their shows during this time has drawn criticism from their fellow union members and supporters.
The WGA and SAG-AFTRA have been fighting for months to address issues such as low wages, long working hours, and lack of creative control within the industry. The decision by Barrymore and Maher to ignore the picket lines sends a message that they prioritize their own personal interests over the collective struggle for better conditions for all industry professionals. This has sparked outrage among their colleagues who view their actions as a betrayal of the union's efforts.
Furthermore, Barrymore and Maher's actions not only undermine the efforts of the unions but also set a dangerous precedent for other talk show hosts and entertainers. By crossing the picket lines, they are essentially breaking ranks with their fellow union members and sending a message to other industry professionals that it is acceptable to disregard the collective bargaining power of the unions. This can have far-reaching consequences for the entire industry, as it weakens the position of the unions in future negotiations and makes it more difficult to secure important concessions for workers.
Drew Barrymore and Bill Maher's decision to continue filming their talk shows despite the ongoing labor dispute between the WGA and SAG-AFTRA is deeply concerning. Their actions not only undermine the efforts of these unions but also set a dangerous precedent for other entertainers. It is important for all industry professionals to stand in solidarity with the unions and support their fight for fair working conditions and compensation.
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For years, Jimmy Fallon has charmed audiences worldwide with his infectious laughter, playful antics, and celebrity impressions. He is the beloved host of "The Tonight Show," a late-night institution that had been a beacon of comedy and entertainment for decades.
However, behind the bright lights and the laughter of the studio audience, there was a darkness that few knew existed. Rolling Stone, the venerable music and culture magazine, had pulled back the curtain on a troubling secret. An explosive report had been published, accusing Jimmy Fallon of fostering a toxic work environment at "The Tonight Show."
The revelation sent shockwaves through the entertainment industry, and Fallon, known for his warm and friendly on-screen persona, found himself facing a reckoning. He couldn't ignore the allegations any longer. Gathering his courage, he decided to address the issue head-on, taking a difficult but necessary step to apologize to his dedicated staff.
Jimmy Fallon convened a Zoom call with his staff. The faces of his loyal team members, who had stood by his side for years, filled the screen. Fallon's voice was laden with sincerity as he began his mea culpa.
"I want to start by saying how truly sorry I am," Fallon began, his eyes conveying a sense of remorse. "I've always considered you guys the best of the best. You're the top of the game, and you deserve nothing but respect and a positive work environment."
He paused for a moment, searching for the right words to express his feelings. "There are things I've done in the past that are embarrassing, and for that, I'm genuinely sorry. But I want to make it clear that I never intentionally mistreated anybody."
As Fallon spoke, he could see the mixed emotions on the faces of his staffers. Some seemed relieved that he was addressing the issue, while others still wore expressions of skepticism and hurt.
Rolling Stone has reported disturbing accounts from two current and 14 former employees, painting a bleak picture of a workplace far removed from the jovial atmosphere seen on television screens. The toxic environment was said to have its roots in Fallon's erratic behavior, which had long gone unchecked. It had filtered down through a revolving door of leadership teams, with nine showrunners in as many years, all seemingly reluctant to challenge the beloved host.
Former employees had described "The Tonight Show" as a tense and "pretty glum atmosphere," where belittlement and intimidation were commonplace. Some had even spoken of their fear of Fallon's outbursts and unpredictable behavior. Despite multiple HR complaints, the problems persisted, casting a shadow over the show's legacy.
Fallon concluded his apology with a heartfelt promise. "I am committed to making things right. We need to change the culture here, and it starts with me. I'll be working closely with our HR team to address these issues and ensure that 'The Tonight Show' becomes a place where everyone can thrive."
The Zoom call ended, and the staff was left to process the sincerity of Fallon's words. It was a pivotal moment for the late-night host, a moment when he realized that he had the power to transform not only his show but also the lives of those who had stood by him for so long.
As the days turned into weeks and months, Jimmy Fallon took concrete steps to foster a healthier work environment. He engaged in open dialogues with his staff, encouraged feedback, and initiated a comprehensive workplace improvement plan. Slowly but surely, the toxic cloud that had hung over "The Tonight Show" began to dissipate.
Fallon's apology had been the first step in a journey toward redemption and change. The laughter on "The Tonight Show" became more genuine, the smiles more heartfelt, and the atmosphere more inclusive. As for Jimmy Fallon, he learned that true leadership required not just making people laugh but also ensuring their well-being. In doing so, he transformed himself from a late-night host into a beacon of change in the entertainment industry.
KOP compares the issue of talk show backstage behavior going back to Ellen Degeneres and James Corden to the recent accusations on Kelly Clarkson.
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Music in America has witnessed a remarkable takeover of the Billboard charts by the country music genre. KOP investigates the phenomenon.
Unlike any other season in recent memory, and perhaps unprecedented in Hot 100 history, the music landscape is currently dominated by the heartfelt twang and emotional storytelling of country artists.
From established names like Morgan Wallen, Luke Combs, and Jason Aldean to emerging talents like Oliver Anthony Music, the country genre has firmly held its ground on the top spots of the chart throughout the entire season.
However, amidst this country surge, the charts have still resonated with the pop power of Taylor Swift and Miley Cyrus, hip-hop hits from Gunna and Toosii, and global rhythms from Rema & Selena Gomez, Fifty Fifty, and Eslabon Armado & Peso Pluma.
From the HilltopOnline "On May 2, after six weeks of failed negotiations, the Writers Guild of America (WGA), representing 11,500 writers of film, television and other entertainment forms, went on strike against the Alliance of Motion Picture and Television Producers (AMPTP), the collective bargaining group that represents major Hollywood studios and streamers such as Amazon, Apple, Disney, NBCUniversal, Netflix, Paramount, Sony and Warner Bros.
Among the labor disputes between the two parties are contractual concerns, the film industry’s adaptation to inflation, equitable profit distribution, as well as proper residual payments and protection against Artificial Intelligence (AI) usage and influence in film and streaming.
Following the first two months of the writer’s strike, on July 17, the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA), the entertainment industry’s largest union, which represents 160,000 actors and performers, joined the WGA on strike marking the first time in 63 years both the SAG-AFTRA and WGA unions have simultaneously been on strike
The television and film writers’ strike has passed the 100-day mark and the WGA and television producers have yet to agree on a new contract. The WGA plans to remain “resolved and united” amidst the largest interruption to the American television and film industries since the beginning of the COVID-19 pandemic.
The 2023 Writers Guild Strike rules prohibit members from meeting or negotiating with a struck company (a company represented by AMPTP) and prevent writing services and the sale of literary material.
The rules also extend to mediums such as animation and fiction podcasts covered by the WGA and the current Collective Bargaining Agreement. Other literary representatives, such as lawyers and agents, are also prohibited from negotiating new, pending or future deals on projects for their WGA member clients. "
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In 2019, Scooter Braun, renowned music manager and entrepreneur, made headlines with his acquisition of Big Machine Records. Little did he know that this business move would ignite a highly publicized feud over the ownership of Taylor Swift's cherished music masters. Swift didn't mince words, accusing Braun of engaging in "bullying" tactics and manipulative behavior. She expressed deep disappointment, labeling the acquisition as a heartbreaking "betrayal."
Responding to this contentious situation, Swift took matters into her own hands. With unwavering determination, she embarked on the journey of re-recording each of her albums, determined to regain control over her musical legacy. The feud between Swift and Braun became a recurring theme in her music, finding its way into poignant tracks like "My Tears Ricochet," "Vigilante Shit," and "Karma."
Braun's controversies extended beyond the realm of music ownership battles. He faced allegations of using his influence to suppress stories about his ex-wife's alleged affair, ensuring the public was kept in the dark. Additionally, accusations emerged of him pressuring Ariana Grande to include the track "Ghostin" on her album, raising questions about his managerial ethics.
As the feud continued, Braun's professional roster saw significant changes. A string of A-list clients, including Justin Bieber, Ariana Grande, J Balvin, and Demi Lovato, parted ways with him. Many speculated that these departures were linked to the troubles arising from his conflict with Swift.
Nevertheless, insights from sources suggested that Braun had a shift in focus. Reports from Variety indicated that he was gradually stepping back from artist management responsibilities, redirecting his attention to his new role as the CEO of HYBE America. This strategic pivot signaled Braun's intent to explore new avenues while potentially distancing himself from the ongoing controversies surrounding his management practices and feud with Taylor Swift..
We also dicuss what the AMPTP offered as a starting point to the writers showing how far apart negotiations are right now.
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Oliver Anthony's song "Rich Men North of Richmond" debuted at number one on the Billboard Hot 100 chart. I talk to Lou Pate on 1210 WPHT about the song's rise to the top of the charts.
The song is the first entry on the chart for the singer-songwriter, who goes by the name Oliver Anthony Music. His other song, "Aint Gotta Dollar," debuted at number 82. The song's debut success surpassed Elvis and the Beatles.
Anthony became the first artist to debut at number one on the Billboard Hot 100 without any prior chart history. He beat out Taylor Swift, Morgan Wallen, Luke Combs, and Olivia Rodrigo to reach the top spot. The song is about the frustration of working-class struggles. It struck a chord with conservative pundits.
I also talk more about the latest on the writers and actors strike. I also discuss Taylor Swift declining the Super Bowl and the ongoing scandal around her old manager Scooter Braun.
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108 days into the writer's strike and a month into the actors strike, the studios via AMPTP are meeting at the negotiating table. KOP looks at the progress.
The Writers Guild of America (WGA) and the Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA) strikes are ongoing. The WGA strike has lasted three months and will continue indefinitely. The SAG-AFTRA strike began on July 14, 2023.
The strikes are part of broader Hollywood labor disputes. The strikes call for better pay and job security, and draw attention to disparities in the film and television industry that have grown wider in the streaming boom.
LA Times reports: "The companies, many of which are saddled with debt, could save money by cutting costly producer deals and pausing production of movies and TV shows. Industry news outlet Deadline quoted an anonymous executive who suggested that studios were ready to hold out until writers started losing their homes, which stoked outrage on picket lines.
As the negotiations resume, it’s still uncertain how much the Writers Guild of America and the studios are willing to bend to reach a compromise, or what precise shape a deal wouldtake. Sources close to the negotiations say the sides remain far apart on key issues.
But it’s become increasingly clear that the major studios and streamers, represented by the Alliance of Motion Picture and Television Producers, are motivated to end the work stoppages that have roiled Hollywood. The SAG-AFTRA actors’ union joined the WGA by going on strike last month."
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Taylor Swift is one of the only music superstars in a flooded sea of acts only gathering streaming numbers and nothing more.
Corporate Radio ignorance, AI Deepfakes, and a lack of destinations for new music discovery is contributing to the music industry demise that is making it difficult for any new artist destined to make it big.
In today's music landscape, dominated by streaming platforms and an overwhelming influx of new acts, Taylor Swift stands out as a beacon of artistry and authenticity. While countless artists strive to make their mark primarily through streaming numbers, Taylor Swift's journey showcases the resilience of true musicianship. The modern music industry faces a slew of challenges, from corporate radio ignorance and AI deepfakes to a lack of platforms for genuine music discovery. These factors contribute to the demise of the industry, making it a challenging environment for new artists aspiring to achieve widespread recognition.
The Triumph of Artistry Over Streaming Numbers
In an era where success is often measured by the number of streams an artist accumulates, Taylor Swift remains a testament to the fact that genuine talent and heartfelt storytelling can still captivate audiences. Rather than conforming to trends or prioritizing algorithms, Swift's music reflects her personal experiences, emotions, and growth. Her ability to connect with fans on a deeper level, beyond just numbers, highlights the enduring power of music that resonates on an emotional plane.
Corporate Radio Ignorance and Its Impact
One of the challenges that hinder the industry's vitality is corporate radio ignorance. Many radio stations are driven by profit margins, often favoring a select few artists over others. This practice limits exposure for emerging talents and contributes to a homogenized musical landscape. Taylor Swift's ability to break free from this cycle and maintain her distinct sound showcases the importance of authenticity and the need for platforms that encourage musical diversity.
AI Deepfakes and the Erosion of Authenticity
The rise of AI technology has brought about new opportunities but also a significant threat to authenticity within the music industry. Deepfake algorithms can replicate an artist's voice, raising concerns about the legitimacy of future music releases. Taylor Swift's commitment to genuine creativity stands as a safeguard against the erosion of authenticity. Her refusal to compromise her identity in the face of technological advancements underscores the importance of protecting the true essence of music.
The Dearth of New Music Discovery Platforms
Discovering new music has become increasingly challenging in the digital age. While streaming platforms offer an abundance of content, the sheer volume can be overwhelming. Taylor Swift's journey highlights the need for curated platforms that promote the discovery of innovative and unique sounds. As the industry moves forward, fostering spaces for emerging artists to showcase their talents and allowing listeners to explore diverse genres becomes imperative.
In conclusion, Taylor Swift's prominence in a music industry flooded with streaming-focused acts emphasizes the enduring power of authentic artistry. The challenges posed by corporate radio ignorance, AI deepfakes, and a lack of dedicated music discovery platforms underscore the need for a revitalized approach to music consumption. By celebrating artists like Taylor Swift who prioritize creativity and authenticity, we can pave the way for a more vibrant and inclusive future for the music industry.
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KOP is interviewed on WICC-AM 600 and 107.3 FM in Bridgeport, CT by Lou Pate. We discuss how I came up withe being King Of Podcasts, the new era of success today in pro wrestling. Plus I'm asked about the success and messaging in the billion-dollar grossing Barbie movie and Bill Maher's comments on it. Plus, Lou asks me about Taylor Swift and her very successful tour and album re-releases and also about my new series where I'm talking to fellow podcasters called Podcasters Row.
Follow Lou Pate on X (Twitter) @loupateshow and on listen for Lou on radio stations across the country.
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.
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Lizzo Responds to Sexual Harassment and Weight-Shaming Allegations: Saying They are ‘As Unbelievable as They Sound’. Could these accusations cause the tiki torches of cancel culture to kill Lizzo's career?
In response to the recent allegations made against her and her production company, Lizzo has addressed the situation with a heartfelt statement. Expressing her feelings of disappointment and difficulty in recent days, she emphasized that her work ethic, morals, and respectfulness have been unfairly questioned. Despite usually choosing not to respond to false accusations, Lizzo deemed these claims unbelievable and too outrageous to ignore.
Lizzo asserted that the allegations come from former employees who had already admitted to being informed about their inappropriate and unprofessional behavior while on tour. As an artist, she stated her unwavering passion for her craft and her commitment to delivering the best art that represents both her and her fans. She acknowledged that this passion sometimes leads to tough decisions, but she never intended to make anyone on her team feel uncomfortable or undervalued.
The artist expressed that she does not seek to be seen as a victim in this situation but emphasized that she is not the villain either. She candidly stated that she is open about her sexuality and self-expression, but she refuses to let others misinterpret this as an opportunity to paint her in a false light. Lizzo believes in the importance of women's respect and empowerment and emphasized that she would never body shame or mistreat an employee based on their weight.
Despite feeling hurt by the allegations, Lizzo is determined not to let this overshadow the positive impact she has made in the world. She expressed gratitude to those who have offered support during this challenging time. Ultimately, Lizzo's statement seeks to address the accusations directly and reaffirm her commitment to professionalism, respect, and the well-being of her team.
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The entertainment industry remains paralyzed as the ongoing strike by the Writers Guild of America (WGA) enters its 86th day, with popular TV series suspended and Hollywood productions facing indefinite delays. The strike, which began on May 2, 2023, is the first dual strike by both writers and actors in over six decades and is centered around demands for changes to the entertainment landscape caused by the rise of streaming platforms.
The WGA's decision to initiate the strike came after a unanimous vote on April 3, 2023, where an overwhelming 97.85 percent of its members approved the move. The strike has since brought Hollywood to a standstill, leaving fans of hit series like "The White Lotus," "Euphoria," "Stranger Things," "Yellowstone," and "Severance" anxiously awaiting the resumption of production.
The impasse between the unions and the Alliance of Motion Picture and Television Producers (AMPTP) hinges primarily on the issue of residuals, the royalties paid to performers for repeat airings or showings of films and television shows. Union members assert that the advent of streaming services has significantly diminished these residual payments, leading to financial hardships for actors and writers alike.
As the strike persists, both sides remain steadfast in their positions. Actors participating in the strike are calling for increased pay to account for the changing nature of the entertainment industry, where streaming services have become the primary mode of content consumption for audiences worldwide.
In response to the ongoing standoff, Hollywood studios have been forced to halt or delay the production of various projects. The strike's impact extends beyond mere filming delays, as promotional tours for upcoming releases have also been put on indefinite hold, causing anxiety among filmmakers and studio executives alike.
The Screen Actors Guild national executive director, in a recent statement, warned that the strike may extend until early 2024, raising concerns about the future of several high-profile projects in development.
While negotiations between the WGA, Screen Actors Guild (SAG), and the AMPTP continue, the industry is grappling with significant uncertainty. Both sides recognize the importance of reaching a resolution that addresses the demands of the unions while ensuring the long-term sustainability and profitability of the entertainment business.
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The ongoing strike between the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and the Writers Guild of America (WGA) has caused confusion among social media influencers. These influencers, who often work alongside both organizations, find themselves in an unclear position within the entertainment industry. In response to this confusion, SAG-AFTRA has issued guidelines urging influencers to refrain from promoting films and TV series, even if they are not members of the guild. The organization encourages everyone, regardless of membership, to support the strike. Non-member influencers who continue to work with studios and streamers during the strike may face consequences such as being barred from future guild membership and potentially being blacklisted.
The guidelines set by SAG-AFTRA clarify that influencers should fulfill their existing contracts but should avoid taking up new projects. They are also discouraged from posting about struck work on social media, even as fans. However, influencers are still allowed to pursue brand-partnership jobs covered by the SAG-AFTRA Influencer Agreement and/or Influencer Waiver. This distinction aims to provide clarity amidst the confusion surrounding influencers' involvement during the strike.
The strike itself has garnered significant attention, with over 160,000 actors and performers joining in. The absence of A-list actors from movie production has created a void that executives are keen to fill. As a result, they have turned to social media influencers from platforms like TikTok to fill this gap. However, one TikTok influencer, known as @Straw_Hat_Goofy, faced controversy for crossing the picket line and expressing callous views on the strike. This behavior is considered "scab" work, referring to non-union workers who take the place of striking union members. Participating in scab work can result in a ban from joining unions. This strike presents a unique challenge for actors and creators as it is the first to occur in the age of social media.
In conclusion, social media influencers find themselves navigating a complex landscape during the SAG-AFTRA strike. While some influencers have expressed solidarity with the striking unions, others have faced backlash for initially stating they would continue to work. SAG-AFTRA's guidelines aim to provide clarity and ensure that influencers are aware of their responsibilities during this time. The strike itself presents new challenges for actors and creators, as it involves navigating social media platforms and addressing controversies surrounding scab work.
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The tech disruption of streaming and AI has created a generational watershed moment for entertainment
it finally happened. For the first time since 1960, writers and actors have joined with numerous other organizations in a united front against the major Hollywood studios.
The Streaming Revolution and AI: A Paradigm Shift in Entertainment
In a historic move, the entertainment industry is witnessing a watershed moment that is reshaping the landscape of film and television. The convergence of technology disruptions, particularly streaming platforms and artificial intelligence (AI), has sparked a united front of writers, actors, and various industry organizations against the major Hollywood studios. Spearheaded by the Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) and the Writers Guild of America (WGA), the demand for higher pay (with targeting more on streaming residuals) , better working conditions, and regulations on AI has triggered a remarkable transformation in the way the entertainment industry operates.
The Power of the Unions:
With approximately 160,000 members, including film and television actors, journalists, and radio personalities, SAG-AFTRA is a formidable force representing the interests of entertainment professionals. On the other hand, the WGA, with over 11,000 members, stands as a crucial advocate for film, television, news, radio, and online writers. Together, these unions have joined hands to challenge the Alliance of Motion Picture and Television Producers (AMPTP), a trade association responsible for negotiating industry-wide contracts.
The Writers' Battle:
The WGA's decision to go on strike in 2023 reflects the discontent among writers who feel that their incomes have been significantly affected by the AMPTP's share of residuals. Compared to a decade ago, writers' average earnings have dwindled, prompting the demand for higher wages, increased residual payments, regulations on AI implementation, guaranteed staffing minimums, and other essential improvements to their working conditions. The writers' strike is a rallying cry for fair compensation and recognition of the value they bring to the entertainment industry.
SAG-AFTRA's Demands:
SAG-AFTRA has also outlined crucial demands in its pursuit of a fairer industry landscape. The union aims to secure better compensation and benefits for its members, addressing the existing disparity between residual payments and the true value of their contributions. With the rise of streaming platforms, traditional exhibition models have given way to new challenges, leading to reduced residual income for actors. SAG-AFTRA seeks to rectify this imbalance and ensure that members receive their rightful dues.
AI in the Entertainment Industry:
One of the groundbreaking aspects of this generational shift in entertainment is the inclusion of AI regulations within the unions' demands. SAG-AFTRA recognizes the potential for AI misuse and aims to protect its members from its negative implications. The union is requesting safeguards against the misuse of AI and an explicit definition of acceptable uses of the technology. As AI continues to permeate various aspects of the entertainment industry, it is essential to strike a balance between its potential benefits and potential risks.
The Auditioning Dilemma:
Another critical concern raised by SAG-AFTRA pertains to the auditioning process, specifically the rise of self-taped auditions. Without proper regulations, actors face an increasingly demanding and costly casting process. In the past, audition costs were the responsibility of casting and production, but the shift towards self-tapes has placed an undue burden on actors. SAG-AFTRA aims to address this issue and ensure a fair and equitable auditioning process for its members.
The confluence of streaming technology and AI has created a pivotal moment in the entertainment industry, prompting writers, actors, and other industry professionals to come together and demand essential changes. The strike by the WGA and the demands put forth by SAG-AFTRA mark a turning point where the industry is forced to confront issues such as fair compensation, AI regulations, and the challenges of the auditioning process. As the entertainment landscape continues to evolve, it is vital to prioritize the well-being and fair treatment of those who contribute their talent and creativity to the world of film and television.
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Labor Unions Demand Fair Compensation and Protection for Entertainment Industry Workers. Actors are now activated to prepare to join the writers on the picket lines for the first time in decades.
The entertainment industry is currently facing significant labor unrest as two prominent labor unions, the Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) and the Writers Guild of America (WGA), take a stand to demand improved working conditions and better compensation for their members.
SAG-AFTRA represents approximately 160,000 professionals in the film and television industry, including actors, journalists, and radio personalities. Meanwhile, the WGA represents over 11,000 writers working in various mediums such as film, television, news, radio, and online platforms.
In 2023, the Writers Guild of America initiated a strike in order to advocate for higher pay and improved working conditions. The writers claim that the Alliance of Motion Picture and Television Producers (AMPTP), a trade association responsible for negotiating industry-wide contracts, has significantly reduced their average incomes by cutting their share of residuals compared to a decade ago. The strike seeks a new contract that offers higher wages, increased residuals, regulations on AI usage, guaranteed staffing minimums, and various other demands.
On the other hand, SAG-AFTRA has extended its current contract until July 12 to continue negotiations with the AMPTP. As the Writers Guild of America enters its second month on strike, both unions remain determined to achieve their respective goals.
The Writers Guild of America's demands are extensive and cover a wide range of issues. They include increased minimum compensation, higher residuals, fair compensation for TV series writing from pre- to post-production, increased contributions to pension and health plans, strengthened professional standards, fair living wages, improved health insurance, guaranteed work opportunities, regulations on AI usage for script writing, mandatory staffing, duration of employment considerations, fairer deals and contracts, provisions regarding artificial intelligence, shorter exclusive contracts, and more writers per show. This strike marks the first major action taken by the WGA in 15 years.
SAG-AFTRA's demands focus on monetary compensation and protection for its members. The union calls for better compensation and benefits from the AMPTP, as the current residual payments do not reflect the value of member contributions. SAG-AFTRA emphasizes that residual income has been undercut by inflation and the streaming ecosystem, where producers pay less compared to traditional exhibition models. Additionally, SAG-AFTRA seeks protections against the misuse of artificial intelligence and a clear definition of acceptable AI usage. Furthermore, the union highlights the need for regulation regarding self-taped auditions to alleviate the burden on performers, as they currently face an unfairly arduous casting process and bear the costs that were traditionally the responsibility of casting and production.
As the entertainment industry grapples with these labor disputes, the negotiations between the unions and the Alliance of Motion Picture and Television Producers will play a crucial role in shaping the future working conditions and compensation for professionals in the industry. The outcome of these negotiations will have a lasting impact on the livelihoods of thousands of workers who contribute to the creation of captivating films, television shows, and other forms of entertainment.
The Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) is an American labor union representing approximately 160,000 film and television actors, journalists, radio personalities, etc.
The Writers Guild of America (WGA) went on strike in 2023 to demand higher pay and better working conditions. The WGA represents over 11,000 film, television, news, radio, and online writers.
The Alliance of Motion Picture and Television Producers (AMPTP) is a trade association that negotiates industry-wide guild and union contracts for the entertainment industry.
The WGA claims that AMPTP's share of such residuals has cut much of the writers' average incomes compared to a decade ago. Film and TV writers began their strike hoping for a new contract offering higher wages, more residuals, regulations on AI, guaranteed staffing minimums, among other demands.
SAG-AFTRA has extended their current contract to July 12 as they continue negotiations with the AMPTP. WGA enters their second month on strike.
The WGA's demands include:
Increased minimum compensation
Increased residuals
Appropriate TV series-writing compensation from pre- to postproduction
Increased contributions to pension and health plans
Strengthening of professional standards and overall protections for writers
Fair living wage
Health insurance
Guaranteed work
Regulation on using AI for script writing
Mandatory staffing
Duration of employment
Fairer deals and contracts
Provisions about artificial intelligence
Shorter exclusive contracts
More writers per show
Assurance on AI
The WGA's strike was the first in 15 years.
SAG-AFTRA's demands include:
Money: SAG wants the AMPTP to provide better compensation and benefits for its members.
Residuals: Current residual payments don’t reflect the value of member contributions. According to the union, they “undercut by inflation and by a streaming ecosystem through which producers pay less residual income than traditional exhibition models.”
Generative AI: The union is requesting that the AMPTP provide protections for members against misuse of artificial intelligence, as well as a definition of acceptable use of the technology.
Self-tapes: Without regulation regarding self-taped auditions, SAG alleges that performers currently face an unfairly arduous casting process. “The shift to burdensome and unreasonably demanding self-taped auditions means that our members are working harder than ever, forced to take on audition costs that have always been the responsibility of casting and production.
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Hollywood on Edge, Actors and Studios Brace for Word on SAG-AFTRA Contract Talks as the July 1st Deadline approaches. Meanwhile the WGA is staying steadfast for their demands with no deal in sight.
As Hollywood stands on edge, actors and studios alike are bracing themselves for the results of the upcoming SAG-AFTRA contract talks. The Screen Actors Guild-American Federation of Television and Radio Artists, or SAG-AFTRA for short, is a union representing performers in the film and television industry. Negotiations between the union and the studios have been ongoing, but tensions are high as the current contract is set to expire soon.
The Writers Guild of America, or WGA, went through a similar process last year, which resulted in a strike that disrupted the industry for months. Hollywood is now hoping to avoid a similar outcome with the SAG-AFTRA negotiations. The terms of the new contract will have a significant impact on the industry, including issues such as safety protocols, residuals, and compensation for streaming services. The studios are hoping to reach a compromise with SAG-AFTRA to avoid any disruptions in production, but the union is standing firm on their demands. As the negotiations continue, the industry is holding its breath in anticipation of the outcome of these crucial talks.
Labor union issues in the digital era of Hollywood have centered around several key themes. Here are some of the notable ongoing issues:
Fair compensation for digital content: As the industry has transitioned to digital platforms, there have been ongoing debates and negotiations regarding fair compensation for creative professionals. Actors, writers, directors, and other industry workers have sought to ensure that they receive appropriate compensation for their work when it is distributed digitally, such as through streaming services or online platforms.
Residuals and streaming revenue: With the rise of streaming services, there have been discussions about the calculation and distribution of residuals, which are additional payments to artists for subsequent uses of their work. Labor unions have been engaged in negotiations with streaming platforms to secure fair residual structures that reflect the changing landscape of content consumption.
Working conditions and job security: The digital era has brought changes to traditional production models, which have raised concerns about job security and working conditions for industry workers. Freelance and contract workers, in particular, have sought greater protections, benefits, and stability in the digital age.
Protection of intellectual property rights: In the digital era, piracy and unauthorized distribution of content have become significant challenges. Labor unions have been advocating for stronger enforcement of intellectual property rights and measures to combat piracy, ensuring that creators receive appropriate compensation for their work in the online realm.
Inclusion and diversity: The push for greater inclusion and diversity in Hollywood has also been a prominent labor union issue in the digital era. Unions have been involved in efforts to increase representation both on-screen and behind the scenes, advocating for more opportunities and fair treatment for underrepresented groups.
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The 2023 summer box office movie season started as a thrilling time for superhero fans, with two highly anticipated films leading the way. The first was the latest installment in the Spiderman franchise, which saw the web-slinging hero facing off against a new villain with ties to his past. The film was praised for its stunning visuals and heart-pumping action sequences.
Meanwhile, The Flash made his big-screen debut in a film that explored the complexities of time travel and alternate universes. The character's lightning-fast speed was on full display, as he raced through different timelines to save the day. The Flash has missed expectations and the DCEU is now in disarray.
Overall, the 2023 summer box office season proved that superheroes are still a major draw for moviegoers, and that characters like Spiderman and The Flash continue to captivate audiences with their unique powers and engaging storylines, but any other movies have yet to succeed. Mission Impossible, Indiana Jones and Oppenheimer hope to change that trend.
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The media job massacre of 2023 has dealt a severe blow to the industry, with nearly 20,000 jobs already lost in the first six months. The convergence of technological disruptions, changing consumer habits, consolidation, and automation has created a perfect storm, forcing media organizations to restructure and downsize.
Writers Strike Union Solidarity and The Network and Streamer Scramble for New Content
The ongoing writers strike, supported by the Writers Guild of America (WGA), has now entered its 45th day, causing significant disruptions in the entertainment industry. Networks and streaming platforms are finding themselves in a state of panic as they struggle to fill their programming schedules for the upcoming fall season. With the absence of new scripts and content, the ability to produce fresh and captivating shows has become a challenge. This situation is further exacerbated by the fact that award shows, including those aired on CBS, are expected to suffer as well. The strike is causing a ripple effect throughout the industry, impacting not only the networks and streamers but also various events that rely on quality scripts and writing talent.
Twitter In Trouble with The Music Industry, While Universal Music makes a deal with Soundcloud for artists.
Twitter, one of the major social media platforms, is currently facing a lawsuit from major music conglomerates such as Universal, Sony, and Warner. The lawsuit alleges that Twitter knowingly hosts and streams infringing copies of music compositions without obtaining the proper licenses, resulting in mass copyright infringement. Unlike other platforms like Facebook, Instagram, TikTok, YouTube, and Snapchat, Twitter does not have music licensing deals in place. The publishers argue that Twitter intentionally fosters a user base that posts videos with copyright-protected music to increase engagement and advertising revenue. The lawsuit seeks damages of at least $250 million and accuses Twitter of direct copyright infringement, contributory infringement, and vicarious infringement.
In a separate development, Universal Music Group (UMG), the world's largest music rightsholder, is engaging in talks with the music streaming service SoundCloud to explore a new payment model for artists. UMG has been actively working on improving payments from streaming services and has formed partnerships with TIDAL and Deezer to research new streaming models. Streaming has become a vital component of the music industry, accounting for the majority of recorded music revenues globally. However, the pro-rata payment model used by most streaming services has faced criticism for favoring smaller actors and undervaluing artists' contributions. UMG is advocating for a new "artist-centric" payment model to ensure fair compensation for artists based on their streams.
These developments highlight the ongoing challenges in the music industry regarding copyright infringement and artist compensation. As music consumption continues to shift towards online platforms, it is crucial for all stakeholders to work together to find solutions that protect artists' rights and ensure fair compensation for their creative work.
Record number of media job cuts so far in 2023 https://www.axios.com/2023/06/13/media-job-cuts-record
Media Layoffs: LA Times, the Athletic, and 37 More Companies Cut Staff https://www.businessinsider.com/media-layoffs-rattle-netflix-nbcu-roku-vice-buzzfeed-wbd-disney-2022-12
'It's gonna be a hot labor summer' — unionized workers show up for striking writers https://www.npr.org/2023/06/14/1181947862/writers-strike-union-solidarity
Writers Are Fighting a Long History of Pattern Bargaining: ‘We Are in a New World’ https://variety.com/2023/biz/news/wga-dga-pattern-bargaining-history-1235644014/
It sounds like CBS is realizing their fall schedule isn't going to work
CBS will swap scheduled scripted series for—surprise!—a "reality-heavy" fall lineup
https://www.avclub.com/cbs-reconfiguring-fall-schedule-amid-strike-1850538843
Networks To Air Streaming Series Because They Are Out Of Content?
CBS is considering airing Paramount+ exclusives in lieu of the ongoing writers' strike.
https://www.giantfreakinrobot.com/ent/network-tv-streaming-cbs-paramount.html
Twitter Sued By Music Publishers For Copyright Infringement https://deadline.com/2023/06/twitter-sued-music-publishers-copyright-infringement-1235417531/
Music Piracy Is Still a Problem — But It’s a Manageable One: While TV/film continues to struggle with piracy, for music it's hardly the problem it once was thanks to the industry's approach to streaming. https://www.billboard.com/pro/music-piracy-still-a-problem-manageable/ https://archive.ph/CXs4o#selection-2021.0-2027.142
Universal Music Group (UMG), the world’s largest music rightsholder, has entered talks with music streaming service SoundCloud about changing the way artists are paid for streams.
https://www.musicbusinessworldwide.com/universal-and-soundcloud-are-in-talks-over-a-new-way-to-pay-artists-for-streaming/
YouTube is lowering the barrier to be eligible for its monetization program https://techcrunch.com/2023/06/13/youtube-is-lowering-the-barrier-to-be-eligible-for-its-monetization-program/
Retail Media Networks Are Hot. How Can Radio Get In On The Action? https://www.insideradio.com/free/retail-media-networks-are-hot-how-can-radio-get-in-on-the-action/article_cd2ccae0-0b55-11ee-8f5f-0f0fad127305.html
Radio station gets part-time AI DJ based on its midday host https://techcrunch.com/2023/06/14/radio-station-gets-part-time-ai-dj-based-on-its-midday-host/
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Radio's corporate leaders are still living in delusion as the digital disruption has destroyed the very fabric of radio even more than deregulation ever has. KOP looks at the topics of interest leading up to the upcoming RadioDays North America.
iHeartMedia CEO Bob Pittman sings radio’s praises, says it’s as ‘strong as ever’ https://nypost.com/2023/06/01/iheartmedia-ceo-bob-pittman-sings-radios-praises/
What Does Radio Still Offer Artists? https://radioinsight.com/blogs/252642/what-does-radio-still-offer-artists/
Fifteen Years Later, PPM Casts a Shadow https://radioinsight.com/blogs/252488/fifteen-years-later-ppm-casts-a-shadow/
In a recent development, the DGA National Board has unanimously approved the tentative contract agreement with the AMPTP and SAG-AFTRA. This marks a significant milestone in the ongoing negotiations between the two parties. The studios have also agreed to a media blackout as talks begin, indicating a willingness to work towards a mutually beneficial agreement. The SAG-AFTRA has been actively involved in these negotiations, with the AMPTP also playing a crucial role. It is heartening to see such cooperation between these organizations, and it is hoped that this positive momentum will continue in the future.
DGA National Board Unanimously Approves Tentative Contract Agreement with AMPTP
https://variety.com/2023/biz/news/dga-contract-wga-writers-strike-1235635513/
SAG-AFTRA and Studios Agree to Media Blackout as Talks Begin
https://variety.com/2023/biz/news/sag-aftra-media-blackout-amptp-1235636231/
Spotify Shifts Podcast Strategy to Make Exclusives Available on Other Platforms https://www.bloomberg.com/news/articles/2023-06-07/spotify-shifts-podcast-strategy-from-exclusives-to-a-wider-reach
Who’s Winning the Streaming Wars in 2023? Insiders get honest about which services are coming out on top and which need to be “burnt to the ground.” https://www.vulture.com/article/streaming-power-ranking-2023.html
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As the Writers Guild of America (WGA) strike enters its 30th day, Hollywood's labor leaders have issued a joint statement of solidarity with the Directors Guild of America (DGA) as its contract talks enter the final week. However, the WGA has warned that an agreement between the studios and the DGA will not end their strike. The WGA has emphasized that solidarity between the entertainment unions will stand against any potential "divide and conquer" tactics.
The WGA has also noted that the DGA's 2008 deal with the Alliance of Motion Picture and Television Producers served as the pattern for the WGA's previous deal. Ultimately, the companies will need to negotiate with the WGA on its full agenda to resolve the strike. As Hollywood's labor leaders express solidarity with DGA, it remains unclear how this will impact the ongoing WGA strike and whether a resolution can be reached in the near future.
WGA Says Not to Expect DGA Deal to End Strike
https://variety.com/2023/biz/news/wga-dga-strike-pattern-bargaining-1235630932/
Writers’ Shut-It-Down Strategy Has Been Effective, Executives Privately Concede https://www.yahoo.com/entertainment/writers-shut-down-strategy-effective-153022977.html
On-Location Filming Of Scripted TV Shows Grinds To Near-Complete Halt In L.A. After 4th Week Of WGA Strike https://deadline.com/2023/05/wga-strike-on-location-filming-scripted-tv-shows-stop-los-angeles-1235383716/
Hollywood’s Labor Leaders Issue Joint Statement Of Solidarity With DGA As Its Contract Talks Enter Final Week https://deadline.com/2023/05/sag-wga-iatse-joint-statement-dga-solidarity-1235383790/
WGA, Saying “Era Of Divide & Conquer Is Over,” Accuses AMPTP Of “Gaslighting” Union Members & Telling A “Lie” About The Breakdown Of Contract Talks https://deadline.com/2023/06/wga-amptp-gaslighting-lie-contract-talks-1235398467/
Netflix Shareholders Decline To Back Executive Compensation Packages After WGA Urged Rejection Of “Inappropriate” Pay During Strike https://deadline.com/2023/06/netflix-shareholder-meeting-wga-strike-executive-compensation-1235398208/
Teamsters Put Pedal To The Metal For Independent Commercial Producers Talks & Deal https://deadline.com/2023/06/writers-strike-teamsters-independent-commercial-producers-talks-lindsay-dougherty-1235398335/
Are Major Labels Cooling on Viral Artists? After years of paying big for songs going viral on social media, labels' strategies may be shifting. https://www.billboard.com/pro/major-label-viral-artist-signings-tiktok-cooling-off/
Dear Music Industry: Don’t Let DEI Die: Diversity, equity and inclusion efforts are already backsliding, but we can't let them go. https://www.billboard.com/pro/music-diversity-equity-inclusion-problem-allies-step-up/
UK – Commercial radio has reached a record weekly audience of 38.7 million people in the UK, according to quarterly figures from commercial radio industry body Rajar.
https://www.research-live.com/article/news/commercial-radio-audience-hits-new-high/id/5112643
This classic AM station’s rebirth could improve radio if the industry listens
https://www.dailynews.com/2023/04/17/this-classic-am-stations-rebirth-could-improve-radio-if-the-industry-listens/
What’s Next In AM Radio’s Dashboard Battle? https://www.insideradio.com/free/what-s-next-in-am-radio-s-dashboard-battle/article_c9123b78-feaf-11ed-b1c0-9b43ff15da46.html
iHeartMedia Internal Memo Sets Forth Company's AI Policies, Plans https://www.allaccess.com/net-news/archive/story/228423/iheartmedia-internal-memo-sets-forth-company-s-ai-
New Sponsors For LRFA Ends Radio’s Big Month In DC
https://radioink.com/2023/06/01/local-radio-freedom-act-gets-new-names-in-congress/
Nearly Half Of Gen Z Listens To Podcasts Each Month, With Diversity Driving The Growth.
https://www.insideradio.com/free/nearly-half-of-gen-z-listens-to-podcasts-each-month-with-diversity-driving-the-growth/article_47674838-0045-11ee-be94-8377be47eda4.html
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The changing landscape of the music industry, driven by the rise of streaming services and shifting listener preferences, has led to a significant reduction in the airtime devoted to new music on traditional radio. While radio stations adapt their programming to meet audience demands and secure advertising revenue, emerging artists face challenges in gaining exposure through this medium. As the baton of promoting new music is passed to streaming services, it becomes increasingly important for music lovers to explore various platforms, supporting both established and emerging artists alike. As the industry continues to evolve, finding a balance between throwbacks and new music remains crucial to ensure a vibrant and diverse musical ecosystem.
For decades, music radio has been a trusted platform for discovering new music and staying up to date with the latest trends. However, in recent years, there has been a noticeable shift in programming choices. Many radio stations seem to be abandoning new music in favor of playing throwback hits from the past. This transition has inadvertently surrendered the responsibility of promoting new music to streaming services. In this blog post, we will explore the reasons behind this shift and the impact it has on both listeners and the music industry as a whole.
The rise of streaming services: The advent of music streaming services like Spotify, Apple Music, and YouTube Music has revolutionized the way people consume music. These platforms offer vast libraries of songs, catering to individual tastes and allowing users to create personalized playlists. Streaming services have become the go-to destination for discovering new artists, albums, and songs. With on-demand access to an extensive catalog, listeners can explore a wide range of music genres and discover emerging talent. This convenience and control over music selection have posed a challenge to traditional radio stations.
Changing listener preferences: As listeners increasingly turn to streaming platforms for new music, radio stations have taken note of their audience's changing preferences. Many stations have shifted their programming to focus on playing throwback hits from the '80s, '90s, and early 2000s. This decision is driven by market research indicating that nostalgia plays a significant role in listener engagement. By playing familiar songs that evoke memories and emotions, radio stations aim to captivate their audience and maintain ratings. However, this approach often comes at the expense of showcasing new and emerging talent.
Economic considerations: Another factor contributing to the decline of new music on radio is the economics of the industry. Commercial radio stations rely heavily on advertising revenue to sustain their operations. To attract advertisers, stations need to maintain high listener numbers and engagement. Research suggests that throwback hits, which are often popular across generations, tend to have a more significant appeal to a broader audience compared to new releases. Consequently, radio stations opt for a safer, nostalgia-driven approach that caters to a larger demographic, ensuring a steady stream of advertisers.
Impact on emerging artists and the music industry: The shift away from new music on radio has unintended consequences for emerging artists and the music industry as a whole. Historically, radio airplay has played a crucial role in launching the careers of many artists, providing exposure and driving record sales. By reducing the airtime given to new releases, radio stations limit the opportunities for up-and-coming artists to reach a broader audience. As a result, streaming platforms have become the primary avenue for artists to gain visibility and build a fanbase. While streaming offers its own advantages, radio airplay remains a powerful tool for reaching listeners who may not actively seek out new music online.
I Still Listen to Music on AM, But …https://radioinsight.com/blogs/252288/i-still-listen-to-music-on-am-but/
How To Play Throwbacks https://radioinsight.com/blogs/252285/how-to-play-throwbacks/
“Radio’s Future in The Car” . . . Especially AM https://radioinsight.com/blogs/252301/radios-future-in-the-car-especially-am/
Ad Buyers Say Podcasts Are Delivering Big Results And Deserve Larger Share Of Budget. https://www.insideradio.com/free/ad-buyers-say-podcasts-are-delivering-big-results-and-deserve-larger-share-of-budget/article_a48ddab8-fac8-11ed-85ba-d72dfacbf293.html
Unified Ad Buying, Podcasting, AI Are Talking Points For iHeart At Investor Conference. https://www.insideradio.com/free/unified-ad-buying-podcasting-ai-are-talking-points-for-iheart-at-investor-conference/article_60452b36-fac8-11ed-b5d6-57bddb59f2b7.html
Edison: 20 Percent of Radio Listening Is Via The Internet
http://mediaconfidential.blogspot.com/2023/05/edison-20-percent-of-radio-listening-is.html
Colin Farrell, Mariska Hargitay, Danny Strong and More Stars Rally at WGA Picket Line Outside Paramount in Times Square
https://variety.com/2023/tv/news/colin-farrell-mariska-hargitay-writers-strike-picket-line-1235625544/
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The radio industry has long been a powerful force in the music business, with airplay on popular stations playing a crucial role in an artist's success. However, the influence of record labels on radio airplay charts has come under scrutiny in recent years. Targeted payments and overnight spins are just two of the tactics used by record labels to boost their artists' chart positions. Mediabase, the leading provider of airplay charts in the United States, is often at the center of these controversies. While some argue that these practices are simply part of the game, others believe they undermine the integrity of the charts and unfairly disadvantage independent artists. The debate over the relationship between record labels and radio airplay charts is sure to continue for years to come.
Plus, the entertainment industry is currently facing a major upheaval as both SAG-AFTRA and WGA are considering going on strike. SAG-AFTRA's National Board has voted unanimously to ask its members for strike authorization, while the Writers Guild continues week 3 of their writers' strike. The major issue at stake is the lack of a fair contract with the Alliance of Motion Picture and Television Producers (AMPTP). These organizations are fighting for better pay, better working conditions, and better benefits for their members. The potential strike could have a significant impact on the industry, with delays in productions and possible losses in revenue for studios and networks. It remains to be seen how negotiations will progress, but both sides are standing firm in their demands.
Targeted Payments and Overnight Spins: How Labels Influence Airplay Charts
Documents obtained by Billboard show how payments from labels to one independent radio promoter seemingly result in spins at specific stations.
https://www.billboard.com/pro/radio-record-labels-payments-overnight-airplay/
Will EVs—or Just Plain Progress—Kill the Broadcast Radio Star?
As AM radios start disappearing from dashboards, many wonder how long it will be until FM follows.
Trading of Audacy Shares Halted as New York Stock Exchange Plans to Delist Company https://www.billboard.com/pro/audacy-shares-suspended-new-york-stock-exchange-delisted/ via @billboard
Broadcasters Say AI Is Teeming With Potential – And Concerns. https://www.insideradio.com/free/broadcasters-say-ai-is-teeming-with-potential-and-concerns/article_6a55e6f2-f2e8-11ed-89f9-7b395d00d278.html
IAB Podcast Upfront Notebook: iHeart, Audacy, NPR, Cumulus, Wondery, WNYC, Sony, Paramount.
https://www.insideradio.com/free/iab-podcast-upfront-notebook-iheart-audacy-npr-cumulus-wondery-wnyc-sony-paramount/article_c87888f8-f2e7-11ed-8252-2b0686c91d8e.html
iHeartMedia launches branded podcast studio as buyers say distribution and scale are key
https://digiday.com/media/iheartmedia-launches-branded-podcast-studio-as-buyers-say-distribution-and-scale-are-key/
Techsurvey: Localness, Personality Still Drive AM/FM Listening, But There Are Red Flags.
https://www.insideradio.com/free/techsurvey-localness-personality-still-drive-am-fm-listening-but-there-are-red-flags/article_94f7e4fa-efc8-11ed-949f-7f8e62f689a3.html
FCC’s Annual Fee Proposal Would Cut Radio Costs, Especially For Small Market Stations.
https://www.insideradio.com/free/fcc-s-annual-fee-proposal-would-cut-radio-costs-especially-for-small-market-stations/article_a5eed692-f47d-11ed-9991-f76b1f6caa02.html
Country Ties Pop on Top, R&B Overtakes Hip-Hop: The State of the Hot 100 Top 10 in 2023 Q1
A look at the latest trends in the chart's top 10, as analyzed by Hit Songs Deconstructed.
https://www.billboard.com/pro/state-of-hot-100-top-10-q1-2023-hit-songs-deconstrcuted/
SAG-AFTRA’s National Board Votes Unanimously To Ask Members For Strike Authorization https://deadline.com/2023/05/sag-aftra-strike-authorization-vote-membership-1235371123/
Major Labels to Send ‘Takedown Notices’ to Streaming Services for AI Soundalikes
Companies will lean on artists' rights of publicity to request removals, which platforms seem open to acting on.
WGA Strike: As Broadcast Fights For Survival, “Divided” AMPTP Could Face Splintering Over Conflicting Agendas https://deadline.com/2023/05/wga-strike-broadcast-survival-divided-amptp-splintering-old-new-media-1235359488/
David Zaslav Suggests Rival Streamers Should Bundle Together: If We Don’t Do It Ourselves “It Will Be Done To Us”
https://deadline.com/2023/05/david-zaslav-streamers-max-bundle-1235371789/
Free Speech Video Platform Rumble Makes Its Move Into Audio With Callin Buyout.
https://www.insideradio.com/free/free-speech-video-platform-rumble-makes-its-move-into-audio-with-callin-buyout/article_1dcb9b38-f47d-11ed-bfdf-6b6e876a78de.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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There are several reasons why new music on corporate radio is dying:
Consolidation of radio ownership: Over the past few decades, there has been a trend towards consolidation in the radio industry, with a few large corporations owning most of the radio stations in the country. These corporations are primarily interested in making profits, and they often rely on a small playlist of familiar songs that appeal to a wide audience to attract advertisers. This means that new and innovative music is often overlooked in favor of more commercial and safe choices.
Lack of diversity: Corporate radio stations are often limited in their playlists, playing the same songs repeatedly throughout the day. This limits the exposure of new music, as well as music from artists who don't fit within the narrow range of genres that are popular on commercial radio.
Online streaming services: With the rise of online streaming services like Spotify and Apple Music, listeners have access to a vast library of music that is not limited by the constraints of corporate radio. These services allow users to discover new music based on their personal tastes, rather than relying on the limited playlists of corporate radio stations.
The music industry is changing: The music industry has undergone significant changes in recent years, with the rise of independent artists and DIY distribution methods. This has made it easier for new and innovative music to reach audiences without the need for corporate radio airplay.
Overall, these factors have contributed to the decline of new music on corporate radio. However, it's important to note that there are still many dedicated radio stations and DJs who are passionate about discovering and promoting new music.
Is Top 40 a Thing of the Past?
https://radioinsight.com/blogs/251712/is-top-40-a-thing-of-the-past/
When Throwbacks Came to the Frontier
https://radioinsight.com/blogs/251723/when-throwbacks-came-to-the-frontier/
Why Spotify’s Podcast Retrenchment Is the Right Move https://variety.com/vip/why-spotifys-podcast-retrenchment-is-the-right-move-1235592976/
Report: No Longer Confined To Upper Funnel, Audio Seen As Multi-Purpose Platform. https://www.insideradio.com/free/report-no-longer-confined-to-upper-funnel-audio-seen-as-multi-purpose-platform/article_3d0e782a-e8a8-11ed-8100-3bf3332ffde3.html?
The WGA strike of 2023 is currently at a stalemate with negotiations between the WGA and AMPTP at a standstill. The WGA members are fighting for fair compensation and benefits for their hard work, which is crucial to the success of the entertainment industry. However, the AMPTP seems to be dragging their feet and not taking the WGA's demands seriously. The WGA members are united in their cause and are determined to see it through until they get what they deserve. The AMPTP needs to come to the table with a fair offer and compromise, or risk facing the consequences of a prolonged strike.
The Five Biggest Narratives After Week 1 of the Writers Strike
https://www.theringer.com/2023/5/8/23716129/the-five-biggest-narratives-after-week-1-of-the-wga-writers-strike-and-kevin-costner-on-yellowstone
How A WGA Hit Squad Is Shutting Down Hollywood One Shoot At A Time
https://deadline.com/2023/05/writers-strike-how-a-wga-hit-squad-is-taking-down-hollywood-one-shoot-at-a-time-1235360087/
WGA’s Minimum Staffing Demands Were A Key Sticking Point In Failed Contract Talks, But It Wouldn’t Be The First Guild To Require Them
https://deadline.com/2023/05/writers-strike-wga-minimum-staffing-requirement-1235359357/
Netflix, Amazon Among Top Investors Expanding Spain’s Entertainment Biz https://variety.com/2023/tv/global/netflix-amazon-spain-investment-1235607564/
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The Writers Guild of America (WGA) has gone on strike due to the Alliance of Motion Picture and Television Producers' refusal to address issues surrounding compensation for writers in the evolving media landscape, including the use of AI in screenwriting.
The strike impacts over 800,000 direct employees and 2.4 million total supported in the industry, with $81 billion in industry wages and $186 billion in total production spending at stake. Major guilds and unions, including the SAG-AFTRA and Directors Guild of America, are supporting the WGA in negotiations with the AMPTP.
The strike has resulted in many scripted projects being put on hold, including late-night shows, such as “Jimmy Kimmel Live,” “The Late Show,” “The Tonight Show,” and “The Daily Show.” The strike is the first since the COVID pandemic and the first WGA strike in 15 years. The previous strike had lasted 100 days and disrupted production on several series and films. It remains to be seen how long the current strike will last.
AMPTP Hits Back, Making Its Case For “Generous” Contract Offered To The WGA
https://deadline.com/2023/05/writers-strike-studios-make-case-generous-contract-offer-1235356203/
WGA’s David Goodman Slams Latest Studio Response, Says Paramount’s Bob Bakish Sounds “Scared”
https://deadline.com/2023/05/writers-strike-david-goodman-hits-back-at-studio-response-paramount-bob-bakish-scared-1235356409/
Upfronts 2023: Pilot Buzz Muted By Writers Strike
https://deadline.com/2023/05/pilot-buzz-2023-abc-cbs-nbc-writers-strike-1235355789/
WGA Strike Shuts Down ‘Billions’ Amid Skirmishes, Cries Of “Scabs” Outside NYC Studio; Teamsters Refuse To Cross Pickets At ‘American Horror Story’ Filming
https://deadline.com/2023/05/writers-strike-billions-shut-down-american-horror-story-teamsters-new-york-police-1235356415/
Strike Chaos Consumes Hollywood: What Made Studios Balk and Writers Walk
https://variety.com/2023/tv/features/writers-strike-2023-how-long-1235601720/
WGA Strike Explained: The Issues, The Stakes, Movies & TV Shows Affected — And How Long The 2023 Work Stoppage Might Last
https://deadline.com/feature/hollywood-writers-strike-wga-explained-1235341146/
All the TV Shows and Movies Affected by the WGA Writers Strike (Updating)
https://variety.com/2023/tv/news/tv-shows-movies-affected-wga-writers-strike-2023-1235601094/
WGA Calls for Strike to Begin Tuesday, Slams Studios for Creating ‘Gig Economy’ That Aims to Turn Writing into ‘Entirely Freelance’ Profession
https://variety.com/2023/biz/news/wga-amptp-talks-negotiations-1235598645/
AI vs. the Music Industry: With the Internet Full of Fake Drakes and Eminems, Who Gets Paid?
https://variety.com/2023/music/news/ai-vs-music-industry-fake-drake-eminem-who-gets-paid-1235601494/
‘THE INDUSTRY HAS CONTROLLED WHAT THE CONSUMER LISTENS TO FOR WAY TOO LONG.’
https://www.musicbusinessworldwide.com/the-industry-has-controlled-what-the-consumer-listens-to-for-way-too-long/
TIKTOK’S PARENT IS WORKING ON AN AI MUSIC APP THAT ‘SIGNIFICANTLY LOWERS THE MUSIC CREATION BARRIER’ https://www.musicbusinessworldwide.com/tiktoks-parent-is-working-on-an-ai-music-app-that-significantly-lowers-the-music-creation-barrier/
Data: Which TV and Streaming Companies Are Most Vulnerable in a Writers Strike?
https://variety.com/2023/biz/news/data-which-tv-amp-streaming-companies-most-vulnerable-in-a-writers-strike-1235600248/
Station Went AI For A Day. Listeners Said, 'Give Us Back Our Humans.'
https://www.insideradio.com/free/station-went-ai-for-a-day-listeners-said-give-us-back-our-humans/article_612392aa-e983-11ed-93b1-23dc762d8599.html
Survey: YouTube, Streaming Music Losing Listening Time To Podcasts. https://www.insideradio.com/free/survey-youtube-streaming-music-losing-listening-time-to-podcasts/article_680b0bb0-e8a8-11ed-a036-8ff333b3148e.html
Why Spotify’s Podcast Retrenchment Is the Right Move https://variety.com/vip/why-spotifys-podcast-retrenchment-is-the-right-move-1235592976/
Report: No Longer Confined To Upper Funnel, Audio Seen As Multi-Purpose Platform. https://www.insideradio.com/free/report-no-longer-confined-to-upper-funnel-audio-seen-as-multi-purpose-platform/article_3d0e782a-e8a8-11ed-8100-3bf3332ffde3.html?
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Peso Pluma is leading the charge of Regional Mexican music into the mainstream music landscape. Just recently, Peso Pluma's popularity has prompted Becky G, Bad Bunny and Snoop Dogg to get featured in some of the many songs that have debuted on Billboard Hot 100 in recent months. This breakthrough for Peso Pluma is indicative of a larger trend of Latin artists being recognized in the larger music industry. The genre's impact is further exemplified by x110to by Grupo Frontera and Bad Bunny's recent success to with a Top 20 debut. While there are still challenges ahead for Regional Mexican musicians, it can't be denied that they are becoming more prominent right now in today's popular culture.
Meet Eslabon Armado and Peso Pluma, the Mexican regional stars making history on the pop charts https://www.latimes.com/entertainment-arts/music/story/2023-04-26/eslabon-armado-peso-pluma-ella-baila-sola-mexican-regional-bad-bunny
What’s Your Favorite Regional Mexican/Urban Collab? Vote! https://www.billboard.com/music/latin/best-regional-mexican-urban-collaboration-peso-pluma-blessd-poll-1235316013/
Mexico’s ‘narcocorridos’ going mainstream. What’s behind their popularity explosion?
https://www.courier-journal.com/story/news/crime/2023/04/27/mexico-corrido-singers-peso-pluma-natanael-cano-popularity-explosion/70130265007/
Women Are Breaking Barriers in Latin Music. But Why Is It Taking So Long? https://www.billboard.com/music/latin/billboard-latin-women-in-music-2023-cover-analysis-1235314305/
WGA Reviews & Counters Latest AMPTP Offer As Potential Strike Deadline Moves Closer https://deadline.com/2023/04/hollywood-strike-talks-studio-offer-wga-amptp-1235340257/
If a Writers’ Strike Hits Hollywood, Everybody Loses
https://www.vanityfair.com/hollywood/2023/04/if-a-writers-strike-hits-hollywood-everybody-loses
Music Discovery On Radio Stations Is Now An Audio/Visual Experience.
https://www.insideradio.com/free/music-discovery-on-radio-stations-is-now-an-audio-visual-experience/article_cae06c40-e023-11ed-89c3-13443164386f.html
Industry Gears Up For Hybrid Radio In The Digital Dash. https://www.insideradio.com/free/industry-gears-up-for-hybrid-radio-in-the-digital-dash/article_824c0a0e-e26f-11ed-8bd8-cfa31c10925d.html
ESPN Radio is on life support, along with all of national sports talk. They, and other national sports talk brands, are in a losing race against time.
https://awfulannouncing.com/radio/espn-layoffs-national-sports-talk-life-support.html
Survey Shows Half Of Podcast Listeners Are 35 To 44 Years Old. https://www.insideradio.com/free/survey-shows-half-of-podcast-listeners-are-35-to-44-years-old/article_bf55ce64-e2e5-11ed-8c2d-676a4d1b6bd7.html
Jerry Springer Dies: Legendary Talk Show Host Was 79 https://deadline.com/2023/04/jerry-springer-dies-talk-show-host-was-79-1235339361/
Warner Bros. Discovery Is Going All-In on Theatrical Releases – Which Means Max Is, Too | Analysis https://www.yahoo.com/entertainment/warner-bros-discovery-going-theatrical-130000980.html
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WGA Approves Strike Authorization With 97.9% Voting Yes. WGA’s members have voted to strike if a new film and TV contract with the AMPTP is not made.
The Writers Guild of America (WGA) has just authorized a strike, with 97.9% of its members voting in favor. This decision comes as the WGA is still in negotiations with the Alliance of Motion Picture and Television Producers (AMPTP) over a new contract that would cover film and television writers. With such overwhelming support from the writers, it is clear that they are serious about making progress on the issues they have been fighting for. This could lead to one of the largest strikes in Hollywood history if no agreement is reached between the WGA and AMPTP.
Netflix Doubles Down on Theatrical Release Strategy: ‘Driving Folks to a Theater Is Just Not Our Business’
Apple and Amazon have recently made headlines with plans to spend billions of dollars on movies for theatrical release. This move signals a shift in the way movies are produced, consumed, and marketed as streaming services move into the big-screen movie market. With traditional movie exhibition chains facing increasing competition from streaming services, this new trend could mark a new age for cinema and theatre. It remains to be seen if these pricey gambles will pay off, but one thing is certain - Netflix is doubling down on theatrical releases too.
Yep, It’s Slow: How A Potential Strike & Industry Pivoting Has Hollywood’s TV Biz At A Standstill https://deadline.com/2023/04/potential-strike-impact-on-business-in-hollywood-1235329823/
WGA Approves Strike Authorization With 97.9% Voting Yes https://variety.com/2023/biz/news/wga-approves-strike-authorization-results-1235585560/
The WGA has overwhelmingly voted to authorize a strike. An overwhelming majority of the WGA’s members have voted to authorize a strike if a new film and TV contract with the AMPTP is not reached by May 1st.
https://www.theverge.com/2023/4/17/23687112/wga-strike-vote-authorization-amptp
Hollywood on Strike? Here’s What the Writers Are Fighting For
https://www.yahoo.com/lifestyle/hollywood-strike-writers-fighting-131500496.html
Apple and Amazon Plan to Spend Billions on Movies for the Big Screen. Will the Pricey Gamble Pay Off?
Apple and Amazon Plan to Spend Billions on Movies for the Big Screen. Will the Pricey Gamble Pay Off?
https://variety.com/2023/film/news/apple-amazon-movie-theaters-1235562457/
Netflix Doubles Down on Theatrical Release Strategy: ‘Driving Folks to a Theater Is Just Not Our Business’
https://www.yahoo.com/lifestyle/netflix-doubles-down-theatrical-release-234345070.html
The Biggest Box Office Bombs Of 2022: Deadline’s Most Valuable Blockbuster Tournament
https://deadline.com/2023/04/biggest-box-office-bombs-2022-lowest-grossing-movies-1235325138/
In Other News....
Bracing For The Bloodbath: Disney Layoffs To Resume Monday https://deadline.com/2023/04/disney-layoffs-coming-tv-film-departments-1235329916/
Amazon Releases AI Tool So You Can Finally Hear Dialogue In Movies
There's nothing better than cranking up the volume during a talking scene, just to lose all hearing to an explosion.
https://www.iflscience.com/amazon-releases-ai-tool-so-you-can-finally-hear-dialogue-in-movies-68552
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The decline of AM Radio has been a long-standing issue in the radio industry, and the trend of it being removed from infotainment dashboards is only further exacerbating the issue. With the rise of online streaming services and podcasts, AM Radio has struggled to keep up with the times and maintain its relevance among audiences.
For programmers and operators of AM Radio stations, the impact of this decline can be significant. With fewer listeners tuning in, ad revenue can decrease, making it harder to sustain the station financially. Additionally, programming decisions become more challenging as stations try to balance the needs and interests of their remaining audience with the need to attract new listeners.
However, it's important to note that the decline of AM Radio does not necessarily spell the end of radio as a whole. FM radio has continued to thrive and evolve, and newer technologies such as satellite radio and internet radio have also emerged as viable options for listeners. As the radio industry continues to adapt and innovate, it's likely that we'll see new opportunities and possibilities for both programmers and audiences alike. KOP weighs all those options.
AM/FM Radio ‘Essential’ To 72% Of Drivers, Finds DTS https://radioink.com/2023/04/13/am-fm-radio-essential-to-72-of-drivers-finds-dts/
Can The Industry And Congress Keep AM Radio In The Dashboard? https://www.insideradio.com/free/can-the-industry-and-congress-keep-am-radio-in-the-dashboard/article_956884be-d77a-11ed-8aba-73d167ea3d00.html
Farm Broadcasters Join Fight To Keep AM In The Dashboard. https://www.insideradio.com/free/farm-broadcasters-join-fight-to-keep-am-in-the-dashboard/article_309e1ed6-d9cd-11ed-af43-3385b3c46ab5.html
Steve Forbes On AM: Remedies Are 'Small Change.' https://www.insideradio.com/free/steve-forbes-on-am-remedies-are-small-change/article_b6026a58-d8fd-11ed-bcb3-23e3c3f7d119.html
Audacy Insights: ‘The Buggles Were Wrong. Radio Killed The Video Star.’ https://www.insideradio.com/free/audacy-insights-the-buggles-were-wrong-radio-killed-the-video-star/article_89e5aec6-d82b-11ed-8e0e-e7a2cd67c00e.html
More Country Hits Are in the Hot 100’s Top 10 – But Are They That Different From Pop Hits?
Led by Morgan Wallen, country surged to tie pop for the most top 10s among all genres in Q1 2023.
https://www.billboard.com/pro/more-country-hot-100-top-10-morgan-wallen-hit-songs-deconstructed/
What Were Radio’s Top Formats In Q1? https://radioink.com/2023/04/13/what-were-radios-top-genres-in-q1/
Nielsen Introduces Market-Wide Total Line Reporting. https://www.insideradio.com/free/nielsen-introduces-market-wide-total-line-reporting/article_b91d69c0-d8a0-11ed-90ef-f3c56ac3bd62.html
People Are Sick and Tired of All Their Subscriptions
Consumers are rethinking their relationship to subscriptions—and so are companies
https://www.wsj.com/articles/people-are-sick-and-tired-of-all-their-subscriptions-cbee7e03
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
If it's not TikTok it's AI or Fake Streams, the music industry and the record labels are taking in a lot of incoming attacks. KOP looks at how the music industry is getting destroyed by the digital disruption and is trying to survive the onslaught.
The Case For — and Against — Higher Streaming Subscription Prices
JPMorgan Chase analysts estimate a Spotify rate increase for U.S. individual plans would create incremental annual revenue of about $200 million.
https://www.billboard.com/pro/music-streaming-subscription-prices-spotify-hike/
Billboard Explains: What Role Do Record Labels Play?
https://www.billboard.com/music/music-news/record-labels-billboard-explains-1235296400/
Why Can’t Music Fix Its Fake Streams Problem?
https://www.billboard.com/pro/fake-music-streams-industry-fraud-problem/
‘Fake streams are nothing new, but the recordings business is only just waking up to the scale of the practice.’
https://www.musicbusinessworldwide.com/fake-streams-are-nothing-new-but-the-recordings-business-is-only-just-waking-up-to-the-scale-of-the-practice/
RIAA, Others Join Human Artistry Campaign to Grapple With AI https://www.thewrap.com/ai-change-napster-human-artistry-campaign-riaa/
As government threatens TikTok shutdown, the music industry holds its breath https://www.latimes.com/entertainment-arts/music/story/2023-03-28/tiktok-shutdown-music-business-artists
Spotify Shutters Clubhouse Competitor ‘Spotify Live’ https://www.billboard.com/pro/spotify-shuts-down-clubhouse-live-audio-competitor/
Faced With the AI Revolution, the Entertainment Industry Can’t Pull a Napster https://www.yahoo.com/lifestyle/faced-ai-revolution-entertainment-industry-173712517.html
How Hollywood’s Guilds Are Preparing for the Dangers – and Benefits – of AI https://news.yahoo.com/hollywood-guilds-preparing-dangers-benefits-130000029.html
“The major labels are losing market share on Spotify.” The scale of ‘DIY’ music uploaded to streaming services has skyrocketed, and the three major record companies – Universal Music, Sony Music, and Warner Music – have seen their market share eroded, slightly but consistently, year-over-year.
https://www.musicbusinessworldwide.com/as-major-label-market-share-falls-on-spotify-can-we-expect-even-more-indie-investment-from-the-big-three/
Why More Brands Are Gravitating To Audio Advertising. https://www.insideradio.com/free/why-more-brands-are-gravitating-to-audio-advertising/article_30adca68-d1ab-11ed-aae5-6340433f17de.html
Drew Carey's AI Lesson: People Like Personality. https://www.insideradio.com/free/drew-careys-ai-lesson-people-like-personality/article_eea79b00-d1b2-11ed-a3c2-bb3ffc7002f9.html
YouTube Could Be The New Home of MLB Baseball if Bally Sports & AT&T SportsNets Shutdown
https://cordcuttersnews.com/youtube-could-be-the-new-home-of-mlb-baseball-if-bally-sports-att-sportsnets-shutdown/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Two long-time radio talents are fired without warning as Corporate Radio favors more AI Technology over even human voicetracking. KOP discusses this and how AI will serve to hurt terrestrial radio more than help
Jack Harris, longtime Tampa radio personality, says he has been fired https://www.tampabay.com/life-culture/2023/03/29/jack-harris-longtime-tampa-radio-personality-says-he-has-been-fired/
Axel Lowe, original 99X member, departs a revived version of the station without warning
https://www.ajc.com/life/radiotvtalk-blog/axel-lowe-original-99x-member-departs-a-revived-version-of-the-station-without-warning/YR4JO2D2ZNEOXDXYIR5S73SP2U/
Meet The New :30 – Visual Messages, Displayed During Station Programming. https://www.insideradio.com/free/meet-the-new-30-visual-messages-displayed-during-station-programming/article_a53cef02-ce00-11ed-b5e0-03559705b0c0.html
Super Hi-Fi and ElevenLabs have partnered to launch "AI Radio" as "a real-time example of how powerful and entertaining these AI-driven music experiences can be". "AI Radio" combines Super Hi-Fi's MagicStitch™ AI powered tools that combines music tracks, audio liners, ad spots, sonic logos, and audio branding into a playlist.
https://radioinsight.com/headlines/250478/super-hi-fi-elevenlabs-launch-ai-radio/
‘It’s about time we rethink promotion.’
https://www.musicbusinessworldwide.com/its-about-time-we-rethink-promotion/
iHeart to stop matching employee retirement savings
The decision is part of a cost-savings measure, and comes less than two weeks after top executives acquired $1 million in stock.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
A recent guest column in Billboard calls for "all music industry professionals to reflect on the ways in which our industry has perpetuated a system that benefits a select few at the expense of marginalized communities." KOP looks back at the music crossover used to serve that purpose.
Why the Music Industry Must Embrace Meritocracy for True Diversity, Inclusion (Guest Column) https://www.billboard.com/pro/music-industry-meritocracy-bipoc-diversity-dei-janishia-jones-guest-column/
Analysis of Billboard Hot 100 Hits Through Time
https://rstudio-pubs-static.s3.amazonaws.com/198801_49ebd6cd54f64d5cb60377820f4d6b89.html
Do you believe music from the 70’s is more diverse than the 80’s? It seems the 80’s only had synth pop and hair metal. https://www.quora.com/Do-you-believe-music-from-the-70-s-is-more-diverse-than-the-80-s-It-seems-the-80-s-only-had-synth-pop-and-hair-metal
With Sped-Up Songs Taking Over, Artists Feel the Need for Speed https://www.billboard.com/pro/sped-up-songs-taking-over-labels-tiktok/
Why is Spotify pursuing a new design that borrows heavily from time-sucking short-form video services like TikTok? https://www.musicbusinessworldwide.com/podcast/why-spotify-copying-tiktok-to-cling-on-to-power/
TikTok in talks with potential buyers as US presses for ban, sources say:
The US government has reportedly told ByteDance-owned TikTok that it faces a potential ban in the US unless the app’s Chinese owners divest their stakes in the company.
https://www.musicbusinessworldwide.com/tiktok-says-the-us-government-wants-its-chinese-owners-to-sell-stakes-or-face-ban-report/
https://nypost.com/2023/03/16/tiktok-in-talks-with-potential-buyers-as-us-presses-for-ban-sources/
Content creators say they struggle to keep up with their audiences as social media platforms evolve
https://digiday.com/marketing/content-creators-say-they-struggle-to-keep-up-with-their-audiences-as-social-media-platforms-evolve/
Podcasters weigh the cost-benefit of producing video podcasts
https://digiday.com/media/podcasters-weigh-the-cost-benefit-of-producing-video-podcasts/
Bally Sports Just Declared Bankruptcy – The Death of RSNs?
https://cordcuttersnews.com/bally-sports-just-declared-bankruptcy-the-death-of-rsns/
How podcasters use ChatGPT and other AI tools in their workflows — and what listeners think the rules should be https://www.businessinsider.com/how-podcasters-podcast-use-chatgpt-other-ai-tools-ethics-2023-3
Nielsen: AM/FM Ratings Overtake TV For First Time https://radioink.com/2023/03/13/nielsen-am-fm-ratings-overtake-tv-for-first-time/
Fire Your Consultant (And Hire ChatFNJ For Your Radio Station) - https://jacobsmedia.com/?p=71724
Country vs. CHR: It Starts with The Chart https://radioinsight.com/blogs/249637/country-vs-chr-it-starts-with-the-chart/
Spotify Has Paid Out $40 Billion to the Music Industry - So Why Is No One Happy? | PRO Insight https://www.thewrap.com/spotify-40-billion-music-business-model/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Spotify has unveiled a series of new podcasts, partnerships and features as part of its effort to dominate in all things audio. Meanwhile, radio faces a new reality with AI and the domination of streaming.
Spotify charts podcasting future after controversies, challenges and shakeups https://www.latimes.com/entertainment-arts/business/story/2023-03-08/after-controversies-challenges-shakeups-spotify-charts-its-podcasting-future
Replacing Humans “Is the Furthest Thing From Our Mindset,” Says the Company Selling an A.I. Radio Host https://slate.com/technology/2023/03/radiogpt-artificial-intelligence-dj-futuri-interview.html
Who Needs A Satellite? SiriusXM Is Charting A Path To Be A Bigger Digital Audio Player. https://www.insideradio.com/free/who-needs-a-satellite-siriusxm-is-charting-a-path-to-be-a-bigger-digital-audio/article_484ea522-bd86-11ed-8525-7bb0cf0b5531.html
Infinite Dial Exposed More Realities Concerning Radio https://mediaconfidential.blogspot.com/2023/03/infinite-dial-exposed-more-realities.html
It Takes a Lot of People to Create All This AI Music
Creators are embracing artificial intelligence to pump out tracks; these tech companies make sure it's not just a "bunch of nonsense." https://www.billboard.com/pro/generative-music-ai-creating-millions-of-songs/
Apple Veteran Larry Jackson Launches Gamma, Bringing ‘Unprecedented’ Private Equity to Frontline Music Business https://www.billboard.com/pro/larry-jackson-gamma-launched-music-company-major-label-rival/
ESPN wants to be the hub of all live sports streaming — even if it helps its competition
ESPN has talked with major sports leagues and media partners about launching a feature that would link users directly to where a live sporting event is streaming, sources said.
The actual media partners haven’t yet been determined, and there’s no timeline on when a feature would launch. It could involve global streaming services and direct-to-consumer regional sports network products, and would aim to make ESPN the TV guide of live sports.
https://www.cnbc.com/2023/03/02/espn-live-sports-streaming-hub.html
Movie theaters aren't dying — they're evolving https://cnb.cx/3xQLu3R
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Podcasters convene to forecast how it will be evolving, while radio stations are switching to format for older demo and stretching to pick up more listeners to advertise to. KOP comments on these changes and wonders out loud why he is never invited to any podcast conference.
Pivot to … Something? The Blurry Future of Podcasting
Top creators and executives, gathering at the Hot Pod Summit, mulled over monetization and new formats as the market matures: "This industry has changed every year for the last 10 years, so if we're only going to cater to the now, then where are we?" https://www.hollywoodreporter.com/business/digital/podcasts-hot-pod-summit-2023-1235337983/
The biggest stories from Hot Pod Summit https://www.theverge.com/2023/2/28/23619312/hot-pod-summit-youtube-spotify-iheart-decoder-apple
YouTube's new head talks 2023 priorities, including AI, podcasting, Shorts and more https://tcrn.ch/3kzys87
The biggest stories from Hot Pod Summit / YouTube revealed its big podcast plan, Spotify talked audiobooks, and Decoder had its first live show. https://www.theverge.com/2023/2/28/23619312/hot-pod-summit-youtube-spotify-iheart-decoder-apple
Podcasting? Radio? It’s all one big opportunity for iHeartMedia Digital CEO Conal Byrne
Amid layoffs and a looming recession, folks are concerned about the audio industry. iHeart’s podcast head Conal Byrne is not worried. Here’s why. https://www.theverge.com/2023/2/28/23617404/iheart-media-radio-podcasting-digital-ceo-conal-byrne
Following Its Best Quarter Ever, iHeart Navigates 2023’s ‘Volatility And Uncertainty.’ https://www.insideradio.com/free/following-its-best-quarter-ever-iheart-navigates-2023-s-volatility-and-uncertainty/article_94e8c536-b807-11ed-b71b-4767c72bdd3e.html?
iHeartMedia Stock Slides as Wall Street Remains Wary of Advertising Headwinds
J.P. Morgan analysts downgraded the stock Wednesday, saying that the company's Q1 guidance is reflective of an "uncertain macro environment."
https://www.hollywoodreporter.com/business/business-news/iheartmedia-stock-slides-as-wall-street-remains-wary-of-advertising-headwinds-1235339009/
More Stations Are Flipping To Contemporary Christian, Spanish And Classic Rock. https://www.insideradio.com/free/more-stations-are-flipping-to-contemporary-christian-spanish-and-classic-rock/article_d292ae60-b8cf-11ed-b102-dfb17b8b9e50.html?
The lack of AM radio in some new electric vehicles could cut off drivers from important safety alerts broadcast over the medium, a group of former emergency officials warn https://www.wsj.com/articles/electric-vehicles-need-am-radio-former-emergency-officials-argue-9e69e297
Hubbard Offers Test Case In Using First Party Data To Boost Listening. https://www.insideradio.com/free/hubbard-offers-test-case-in-using-first-party-data-to-boost-listening/article_9b54e4c6-b678-11ed-bdcf-9bb4020fbbda.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Cocaine Bear just by the name alone should stir moviegoers to the theatre this weekend. KOP looks at the movie's money-making potential and his anticipation for the flick.
‘Cocaine Bear’ Team on Committing to the Outrageous Title and Bringing the Killer Bear to Life https://www.hollywoodreporter.com/movies/movie-news/cocaine-bear-title-killer-bear-premiere-1235331633/
‘Cocaine Bear’ is here to strike a blow to staid Hollywood https://www.lockhaven.com/news/arts-culture-scene/2023/02/cocaine-bear-is-here-to-strike-a-blow-to-staid-hollywood/
SPOTIFY JUST LAUNCHED A PERSONALIZED ‘DJ’ POWERED BY GENERATIVE AND VOICE AI
https://www.musicbusinessworldwide.com/spotify-just-launched-a-personalized-dj-powered-by-generative-and-voice-ai/
Futuri Launches AI Created Audio For Radio https://mediaconfidential.blogspot.com/2023/02/futuri-launches-ai-created-audio-for.html?
https://radioinsight.com/headlines/249038/futuri-launches-radiogpt-to-bring-ai-created-audio-to-radio/
Radio’s Unanimous Message To Congress: Don’t Pass Royalty Bill For On-Air Music Use. https://www.insideradio.com/free/radio-s-unanimous-message-to-congress-don-t-pass-royalty-bill-for-on-air-music/article_cdb02f9a-b3b0-11ed-85e1-535be43138d0.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
KOP talks about how a radio consultant used ChatGPT to give an overview about the future of radio broadcasting. Of course, KOP uses this opportunity to go on another rant. Here is the response:
“Radio broadcasting is facing challenges with the rise of digital media, but it is still expected to have a future, especially in areas with limited internet access. With the advancement of technology, radio stations are incorporating more digital elements into their programming, such as streaming their broadcasts online and using social media to engage with listeners.
“However, traditional radio faces stiff competition from online streaming services like Spotify, Pandora, and Apple Music, which offer personalized music recommendations and on-demand playback. To remain relevant, radio stations need to adapt and offer unique content, such as live performances, exclusive interviews, and local news and information.
“Another trend in radio broadcasting is the increasing use of satellite radio and internet radio, which offer listeners more options and greater access to a wider variety of programming. The use of smart speakers, such as Amazon Echo and Google Home, has also given listeners another way to access radio content.
“Overall, while the future of radio broadcasting may be uncertain, the industry is likely to continue to evolve and adapt to changing technology and consumer preferences. With a rich history and a strong connection to local communities, radio broadcasting has the potential to remain a vital and relevant medium for many years to come.”
The Time for Chat Is Over
https://radioinsight.com/blogs/248472/the-time-for-chat-is-over/
For World Radio Day, key facts about radio listeners and the radio industry in the U.S. https://pewrsr.ch/3E7HGij
To celebrate her featured role in the Bollywood Blockbuster Hit Film Pathaan, I pull out of the archives my interview with with Rachel Ann Mullins, an international model turned actress who started her career at the age of 12. She has produced viral campaigns for mega brands in addition to short films and web series. She has been living and working in Hollywood for over a decade.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Radio remains in a equity-funded corporate-operated continued decline. The industry will simply not take some efforts to evolve once again into the arbiters of new music discovery and the archivists of great music to an audience overwhelmed by streaming choices.
Who’d like to buy a radio empire? Here’s my plan to revitalize the industry
https://www.dailynews.com/2023/01/23/whod-like-to-buy-a-radio-empire-heres-my-plan-to-revitalize-the-industry/
https://archive.ph/LOpnb
A Threat Even Bigger Than No Car Radio https://www.radioworld.com/columns-and-views/guest-commentaries/a-threat-even-bigger-than-no-car-radio
Lawmakers Re-Introduce Radio Freedom Act https://radioink.com/2023/02/07/lawmakers-re-introduce-radio-freedom-act/
Harvard Kennedy School Professor’s Research Shows Radio Stations Can Fill Local News Gaps
https://www.thecrimson.com/article/2023/2/3/hks-radio-local-news/
Why is R&B music more explicit than ever? It’s complicated.
https://apnews.com/article/explicit-music-trend-e52ac28dde0944077db9e8c5bea25807
The State of the Radio Industry and Technology
https://barrettsportsmedia.com/2023/01/30/the-state-of-the-radio-industry-and-technology/
Where Does ChatGPT Fit in the Radio Industry?
https://www.radioworld.com/columns-and-views/guest-commentaries/where-does-chatgpt-fit-in-the-radio-industry
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
The reimagined DC Slate is Unveiled, including a New Batman, Supergirl Movies, a Green Lantern TV Show, and More From Studio Heads James Gunn and Peter Safran.
DC Slate Unveiled: New Batman, Supergirl Movies, a Green Lantern TV Show, and More From James Gunn, Peter Safran
The DC Studios bosses shared 10 projects, talked the exit of Henry Cavill and addressed the potential future of Ezra Miller as the Flash as they introduced a slate of big heroes and lesser-known characters. "The stakes are massive for us and for Warner Bros. Discovery," says Safran.
https://www.hollywoodreporter.com/movies/movie-features/james-gunn-unveils-dc-slate-batman-superman-1235314176/
How The Flash Will Reset The DC Universe (& Why) James Gunn confirmed that The Flash “resets everything” – here’s how that works and what it means for the new DC Universe and its Chapter 1. https://screenrant.com/how-the-flash-movie-will-reset-dc-universe/
NFL Sunday Ticket Will Have Many New Features When It Moves To YouTube This Fall, Google Exec Philipp Schindler Says https://deadline.com/2023/02/nfl-sunday-ticket-youtube-new-features-2023-directv-1235248264/
Sadness and Static as AM Stations Fade
https://www.wsj.com/articles/sadness-and-static-as-am-stations-fade-electric-car-airwaves-radio-host-ufo-media-auto-drive-soundtrack-11675023531
Media & Entertainment: 10 Legal Challenges for Companies in 2023 https://www.jdsupra.com/legalnews/media-entertainment-10-legal-challenges-8962747/
HBO Max Series Velma is getting views not because viewers enjoy the show, the same way we're always curious to see a virtual trainwreck. Plus, podcasting during a recession is pushing out the pretenders and pushing back on big names and big contracts.
Even Velma and Daphne's Queer Romance Can't Save Mindy Kaling's Scooby-Doo Prequel https://www.autostraddle.com/even-velma-and-daphnes-queer-romance-cant-save-mindy-kalings-scooby-doo-prequel/
Jinkies! 'Velma' Demand Surges 127% - a Critic-Defying Win for HBO Max
https://www.thewrap.com/top-shows-hbo-max-velma-netflix-wednesday/
Velma and the Case of the Condescending Reboot
https://www.vulture.com/article/velma-90s-show-night-court-tv-show-reboot-nostalgia.html
Adobe Launches Enhanced Speech: A Free AI Tool to Remove Background Noise and Improve Sound Quality https://www.marktechpost.com/2022/12/29/adobe-launches-enhanced-speech-a-free-ai-tool-to-remove-background-noise-and-improve-sound-quality/
Podcasting’s Recession Era: Dealmaking Gets More Selective in Slower Ad Market https://www.hollywoodreporter.com/business/business-news/podcast-deals-market-advertising-1235302513/
Triton Digital Releases Inaugural U.S. Year-End Podcast Report
https://www.businesswire.com/news/home/20230124005800/en/Triton-Digital-Releases-Inaugural-U.S.-Year-End-Podcast-Report
Investment In Content Is Paying Off As Triton Says Podcast Downloads Grew 20% In 2022. https://www.insideradio.com/free/investment-in-content-is-paying-off-as-triton-says-podcast-downloads-grew-20-in-2022/article_15eeb16a-9d62-11ed-a963-93d20e53fda6.html?
Podcasting’s Growth Is A Having Spillover Effect On Radio, Industry Execs Say.
https://www.insideradio.com/free/podcasting-s-growth-is-a-having-spillover-effect-on-radio-industry-execs-say/article_3441aac6-9af8-11ed-9d8e-ff459341835e.html
How the Spotify layoffs impact its podcasting business
https://www.theverge.com/2023/1/24/23569956/spotify-layoff-podcast-ostroff-rogan
Podcast subscribers want more podcasts
https://www.theverge.com/2023/1/10/23548780/podcast-apple-amazon-spotify-hot-pod-summit-brooklyn-2023
New tool makes YouTube podcasting easier
https://www.thewrap.com/top-shows-hbo-max-velma-netflix-wednesday/
An Overview of the Hot Policy Topics in Music Licensing
https://www.broadcastlawblog.com/2023/01/articles/an-overview-of-the-hot-policy-topics-in-music-licensing/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
In a move that mirrors the Progressive radio stations at the start of FM radio is getting a revival by the way of public radio. KOP looks into this phenomenon by an unexpected ally of music synonymous with sophisticated and refined talk radio.
Uncovering different ways to discover new music https://www.goldminemag.com/columns/uncovering-different-ways-to-discover-new-music
Music Radio: A Kingdom of Gold https://radioink.com/2022/01/11/music-radio-a-kingdom-of-gold/
Public Radio’s Winning Strategy: Music Discovery https://www.billboard.com/pro/public-radio-kexp-kutx-growing-audiences-new-music/
Glass Animals Heat Waves Why Aren’t There More Follow-Ups? https://radioinsight.com/blogs/247298/why-arent-there-more-follow-ups/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Corporate Media is getting crushed by economic turmoil and the effects are being passed along to the detriment of their consumers. What are the online content creators getting right and how are they taking advantage of the digital disruption.
Stock market wiped $500 billion-plus from media sector this year — here’s what happens next https://finance.yahoo.com/news/media-stocks-lost-over-500-billion-in-value-this-year-heres-what-happens-next-114545901.html
Broadcasters Band Together To Create A Cross-Platform TV Measurement Standard https://www.adexchanger.com/tv-2/broadcasters-band-together-to-create-a-cross-platform-tv-measurement-standard/
The New Cancel Culture: Why Renewals, Greenlights, and Production Aren’t What They Used to Be https://www.indiewire.com/2023/01/hbo-max-cancellations-amc-david-zaslav-1234796933/
Box Office: As 2023 Begins, Worry and Fear Linger After a Topsy-Turvy Year for Moviegoing https://www.hollywoodreporter.com/movies/movie-news/box-office-2022-revenue-share-studio-1235291215/
Why Hollywood Has Turned to Video Games as Its Next IP Gold Mine | Charts https://www.yahoo.com/lifestyle/why-hollywood-turned-video-games-140000694.html
YouTube Releases 2022 Trending U.S. Videos, Creators: Technoblade, MrBeast Top Lists https://variety.com/2022/digital/news/youtube-2022-trending-videos-creators-technoblade-mrbeast-1235444060/
The Great Podcasting Market Correction
With hiring freezes, smaller upfront payments and fewer acquisitions, the podcast boom is feeling like a thing of the past
https://www.bloomberg.com/news/articles/2023-01-04/the-great-podcasting-market-correction
https://archive.ph/VrqTx#selection-3467.0-3473.124
This Could Be a Rough Year for the Podcast Industry https://www.vulture.com/article/podcast-industry-boom-problems-2023.html
Radio by the (FCC) Numbers https://www.radioworld.com/news-and-business/radio-by-the-fcc-numbers-2
When Audio Isn't Enough - https://jacobsmedia.com/?p=71291
Format Report Card: AC's Up, While CHR's Down, Across The Board. https://www.insideradio.com/free/format-report-card-acs-up-while-chrs-down-across-the-board/article_a1750774-8b2a-11ed-905a-93f91f3896dd.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
The Damar Hamlin Injury caught the hearts and minds of viewers flocking in to watch a near tragic situation on Monday Night Football. KOP looks into how media handled a sports story that became breaking news.
NFL Will Not Resume The Buffalo Bills/Cincinnati Bengals Game After Damar Hamlin Injury https://deadline.com/2023/01/nfl-will-not-resume-buffalo-bills-cincinnati-bengals-game-after-damar-hamlin-injury-1235212708/
I’m a professor of sports journalism, and ESPN really did the best they could with Damar Hamlin’s horrific injury on ‘Monday Night Football’ https://fortune.com/2023/01/05/how-espn-covered-damar-hamlin-heart-attack-monday-night-football-troy-aikman-joe-buck/
ESPN's immediate coverage of Damar Hamlin situation done with right tone | Opinion https://www.usatoday.com/story/sports/media/2023/01/03/damar-hamlin-bills-espn-coverage/10982068002/
Box Office: As 2023 Begins, Worry and Fear Linger After a Topsy-Turvy Year for Moviegoing https://www.hollywoodreporter.com/movies/movie-news/box-office-2022-revenue-share-studio-1235291215/
The Great Podcasting Market Correction
With hiring freezes, smaller upfront payments and fewer acquisitions, the podcast boom is feeling like a thing of the past
https://www.bloomberg.com/news/articles/2023-01-04/the-great-podcasting-market-correction?leadSource=uverify%20wall
https://archive.ph/VrqTx#selection-3467.0-3473.124
Vince McMahon “Taking Steps” To Return To WWE As Executive Chairman To Oversee Rights Deals, Possible Sale https://deadline.com/2023/01/vince-mcmahon-wwe-rights-deals-1235212526/
Songwriters’ New Streaming Royalties Approved Before the New Year https://www.billboard.com/pro/songwriters-new-streaming-royalties-approved-new-year/
This Could Be a Rough Year for the Podcast Industry https://www.vulture.com/article/podcast-industry-boom-problems-2023.html
Radio by the (FCC) Numbers https://www.radioworld.com/news-and-business/radio-by-the-fcc-numbers-2
Analyst Tackles ‘Linear’s Decline, Streaming’s Rise’ https://rbr.com/moffettnathanson-examines-linears-decline-streamings-rise/
Format Report Card: AC's Up, While CHR's Down, Across The Board. https://www.insideradio.com/free/format-report-card-acs-up-while-chrs-down-across-the-board/article_a1750774-8b2a-11ed-905a-93f91f3896dd.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Movies, TV, Music and Radio from the mainstream perspective are suffering going into the new year. KOP analyzes each sector and describes how media consumption is no longer under the control of the masses.
Peak TV Broke Records in 2022. That Won't Happen Again http://bit.ly/3YSHtbN
What ‘Yellowstone’ and the NFL Can Teach TV About Amassing Audience https://variety.com/vip/what-tv-can-learn-from-yellowstone-and-the-nfl-1235466338/
2023 Domestic Box Office To Hit $9 Billion Fueled By 33 Tentpoles, But How Does Hollywood Prevent Original Adult Pics From Falling Into Further Jeopardy? https://deadline.com/2022/12/box-office-2023-prediction-1235205995/
Box Office 2022: What Worked, What Flopped and What to Make of a Rollercoaster Year at the Movies https://variety.com/2022/film/news/box-office-2022-what-worked-what-flopped-takeaways-1235475687/
Audacy has placed its Radio.com domain up for auction. https://radioinsight.com/headlines/246635/audacy-places-radio-com-up-for-auction/
How Can Radio Appeal to Young Consumers? https://www.radioworld.com/global/how-can-radio-appeal-to-young-consumers
TikTok Is Driving Fewer Streams to Its Biggest Hits https://www.billboard.com/pro/viral-tiktok-hit-songs-dont-stream-as-well/
What Happens to Songwriters When AI Can Generate Music? https://www.billboard.com/pro/ai-technology-will-change-how-music-written/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
KOP goes into where media is heading going into the New Year from the world of music, movies, TV and Radio. We also complete our look at the year in media for 2022.
A deal for the rights to NFL Sunday Ticket cements YouTube, a division of Alphabet’s Google, as a rising force in streaming online and on television sets https://www.wsj.com/articles/youtube-cements-its-tv-shift-with-nfl-sunday-ticket-deal-11671711836
Google’s YouTube Grabs NFL Sunday Ticket in Seven-Year Deal https://variety.com/2022/digital/news/youtube-tv-nfl-sunday-ticket-2023-season-1235468074/
Save us from the wave of narcissistic podcasting: Meghan, Kim and Gwyneth all have them https://inews.co.uk/inews-lifestyle/meghan-gwyneth-narcissistic-podcasting-2002123
The 10 Biggest Music Business Stories & Trends of 2022: TikTok, Taylor, Web3 & More https://www.billboard.com/pro/biggest-music-business-news-trends-2022/
Social Media Is Entering Its Flop Era https://www.vice.com/en/article/n7zy7m/social-media-entering-flop-era
Journalism Threatened by Social Media: Can the News Industry Be Saved? https://impakter.com/journalism-threatened-by-social-media-can-the-news-industry-be-saved/
CNN’s Chris Licht: “So Much Of What Passes For News Is Name-Calling, Half-Truths And Desperation” https://deadline.com/2022/12/cnn-chris-licht-so-much-what-passes-for-news-name-calling-half-truths-desperation-1235202091/
iHeartMedia to cut U.S. real estate footprint in half https://www.worklife.news/spaces/iheartmedia-to-cut-u-s-real-estate-footprint-in-half/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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A Black Adam Box Office Bomb, and the complete decimation of the current DCEU plan has fans feeling fickle for anticipated projects being taken away. KOP looks into where things will go from here.
After ditching Henry Cavill’s Superman, can James Gunn really turn DC around? https://www.theguardian.com/film/2022/dec/16/henry-cavill-superman-james-gunn-dc
Here are all the DC films cancelled or postponed under James Gunn and Peter Safran
There are some big shake-ups in the DC universe https://www.nme.com/news/film/heres-dc-films-cancelled-under-james-gunn-peter-safran-3367563
The Endless Green of ‘White Christmas’ & Other Holiday Hits https://www.billboard.com/pro/holiday-christmas-music-revenue-mariah-carey-deep-dive/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Variety reports the American Music Fairness Act would still have to go through the full House, as well as meet approval from the Senate and the president, to be signed into law. KOP looks into the implications for radio since they can't afford this.
Nadler Opening Statement for Markup of the American Music Fairness Act - nadler.house.gov/news/documentsingle.aspx?DocumentID=394907
Congressional Bill to Get Artists & Labels Paid for Radio Airplay Clears Critical House Vote https://www.billboard.com/pro/artist-pay-radio-play-bill-passes-congress-committee/
House Judiciary Committee Approves Bill Requiring Radio Stations to Pay Royalties to Performers https://variety.com/2022/music/news/house-committee-approves-american-music-fairness-act-radio-performance-royalties-1235453621/
So You Want to Be a TikTok Star https://www.newyorker.com/magazine/2022/12/12/so-you-want-to-be-a-tiktok-star
CNN and Gannett staffers face layoffs, NPR announced a near-total hiring freeze as part of cost-cutting measures, and the Washington Post is killing its award-winning Sunday magazine. https://www.vanityfair.com/news/2022/12/layoffs-and-hiring-freezes-media-industry-ends-2022-with-bad-news-for-journalists
New York Times faces first major walkout since 1970s https://www.bbc.com/news/business-63893414
Regulators Put Brakes on Media Megadeals https://variety.com/2022/biz/entertainment-industry/regulators-put-brakes-media-megadeals-microsoft-activision-blizzard-1235450369/
The former CEO of WarnerMedia predicts only 3 major entertainment companies will survive in the streaming space https://finance.yahoo.com/news/former-ceo-warnermedia-predicts-only-191317545.html
National radio industry icon who lived in Santa Barbara County dies https://www.kclu.org/2022-12-06/national-radio-industry-icon-who-lived-in-santa-barbara
The Rock's Black Adam Box Office Damage Control Is Embarrassing https://gizmodo.com/dc-black-adam-box-office-flop-dwayne-johnson-the-rock-1849866587
Whoopi Goldberg Pushes Back On Claims ‘Blazing Saddles’ Is Racist: “Don’t Make Me Come For You” https://deadline.com/2022/12/whoopi-goldberg-pushes-back-claims-blazing-saddles-racist-the-view-1235193040/
Whoopi Goldberg defends 1974 comedy Blazing Saddles amid racism row https://mol.im/a/11514481
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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The digital disruption combined with the economic calamity falling on big corporate media is creating a much faster decline. Hollywood relevancy, layoffs and traditional mainstream outlets are falling apart. KOP surveys the pileup of collateral damage.
‘The Job Is Going to Die’: Songwriters Say More Change Is Needed to Survive in the Music Industry
While a recent ruling from a little-known copyright judge panel has songwriters cautiously optimistic, much more is needed, songwriters say
https://www.rollingstone.com/music/music-features/songwriters-music-industry-copyright-royalty-board-1234601365/
‘Streaming has unshackled us to compete and unshackled artists to be heard.’ - Music Business Worldwide https://www.musicbusinessworldwide.com/streaming-has-unshackled-us-to-compete-and-unshackled-artists-to-be-heard/
Was ‘Glass Onion’ a Success? Peeling Back the Layers on Netflix’s Box Office Gambit https://variety.com/2022/film/box-office/glass-onion-box-office-netflix-knives-out-1235443658/
Amazon is planning to invest $1 billion in movies for theatres: Report http://toi.in/MQCsab/a24gk
Activate Consulting Releases Annual Activate Outlook Report on the Future of Technology & Media in 2023 https://prn.to/3sBjsXu
Media layoffs spike amid recession fears https://www.axios.com/2022/11/22/media-layoffs-cnn-disney-economy-jobs-advertising
NPR Imposes Hiring Freeze; Plans To Cut $10M From Annual Budget. https://www.insideradio.com/free/npr-imposes-hiring-freeze-plans-to-cut-10m-from-annual-budget/article_9f8f7900-7192-11ed-b1c1-971246026900.html
Radio is boring? Especially for young demos. (Here's how we fix it.) http://bit.ly/3F81qmP
The Broadcasters Podcast on Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMzY4NDEzMS9lcGlzb2Rlcy9mZWVk?sa=X&ved=2ahUKEwiFx9S3gtr7AhUidzABHfXHCSMQ9sEGegQIARAD
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
TikTok continues to trigger all of the music trends affecting the pulse of new music and timeless music. We look at how TikTok has created a Napsterlike shift in the music industry once again.
TikTok Has Gen Z Hooked — Can Its Streaming Service Get Them to Pay for Music? https://www.billboard.com/pro/tiktok-music-streaming-app-gen-z-users-customers/
‘Ultimately, you’re in the hands of the public’: has streaming killed the one-hit wonder? https://www.theguardian.com/music/2022/nov/16/ultimately-youre-in-the-hands-of-the-public-has-streaming-killed-the-one-hit-wonder?
Sped-Up Songs Are Taking Over TikTok and Driving Songs Up the Charts https://www.billboard.com/pro/sped-up-songs-tiktok-streaming-charts/
Here’s Why Shorter Songs Are Surging (And Why Some Welcome It) https://www.billboard.com/pro/songs-getting-shorter-tiktok-streaming/
Songs were already getting shorter because of streaming. TikTok is accelerating that. https://www.ajournalofmusicalthings.com/songs-were-already-getting-shorter-because-of-streaming-tiktok-is-accelerating-that/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Dave Chapelle appears on SNL and delivers another viral monologue kindling the flame on controversial comments made by prominent black athletes and celebrities to catch himself again In The Cancel Culture Crossfire. KOP looks into the latest commentary.
Dave Chappelle used his opening monologue on "Saturday Night Live" to address Ye's and Kyrie Irving’s anti-Semitic statements. https://www.theatlantic.com/culture/archive/2022/11/dave-chappelle-saturday-night-live/672107/
Jerry Seinfeld on Dave Chappelle ‘SNL’ Monologue: “I Think the Subject Matter Calls for a Conversation” https://www.hollywoodreporter.com/tv/tv-news/jerry-seinfeld-dave-chappelle-snl-monologue-1235262265/
‘Hacks’ Star Hannah Einbinder On Dave Chappelle’s ‘SNL’ Monologue: ‘Establishment Bullies Reinforcing Status Quo’ Is Not The ‘Job Of A Comedian’ https://deadline.com/2022/11/hacks-star-hannah-einbinder-dave-chappelle-snl-monologue-1235174096/
Jon Stewart On Dave Chappelle: “I Don’t Believe Censorship And Penalties Are The Way To End Antisemitism” https://deadline.com/2022/11/jon-stewart-antisemitism-dave-chappelle-kanye-west-kyrie-irving-video-1235173719/
Dave Chappelle & Louis C.K.'s Controversial Grammy Nominations Addressed by CEO: Grammys CEO Harvey Mason Jr. says his job is to evaluate the "quality of the art" and not to "control who the voters vote for."
https://movieweb.com/dave-chappelle-louis-ck-nominees-grammys-art/
I critiqued Dave Chappelle and his fans questioned my Blackness https://www.npr.org/2022/11/17/1137241883/dave-chappelle-snl-anti-semitic
Let Comedy Be Comedy https://www.nationalreview.com/corner/let-comedy-be-comedy/
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Twitter and Meta layoffs shake up the social media legacy of Twitter, Facebook and Instagram. Plus Drake calls out changes made to the charting process for the Billboard Hot 100.
The decline of text-based social media
The switch from Twitter and Facebook to video platforms such as TikTok is changing the face of the internet.
https://www.newstatesman.com/social-media/2022/11/decline-social-media-text-post
Elon Musk tells Twitter staff to prepare for “difficult times ahead” and ends remote work https://www.theverge.com/2022/11/10/23450942/elon-musk-twitter-first-email-staff-difficult-times-ahead-remote-work
It’s never felt more plausible that the age of social media might end—and soon. https://www.theatlantic.com/technology/archive/2022/11/twitter-facebook-social-media-decline/672074/
Boom to bust? What Facebook and Twitter’s mass layoffs say about the future of tech
Twitter has laid off half its staff, and Meta around 13 per cent. Is this a trend across the tech industry?
https://www.sbs.com.au/news/article/boom-to-bust-what-facebook-and-twitters-mass-layoffs-say-about-the-future-of-tech/x238ah10x
Drake Claims Billboard “Fixed” Charts After “Scorpion” on HotNewHipHop https://www.hotnewhiphop.com/448707-drake-claims-billboard-fixed-charts-after-scorpion
What can we learn from Taylor Swift's chart dominance? https://faroutmagazine.co.uk/taylor-swift-chart-dominance-modern-music-industry/
Taylor Swift Makes History as First Artist With Entire Top 10 on Billboard Hot 100, Led by ‘Anti-Hero’ at No. 1 https://www.billboard.com/music/chart-beat/taylor-swift-all-hot-100-top-10-anti-hero-1235163664/
TikTok is going after podcasting—and it’s all YouTube’s fault https://www.insiderintelligence.com/content/tiktok-going-after-podcasting-and-it-s-all-youtube-s-fault
Podcast Subscriptions Are A Harder Sell Than Ever Says iHeart’s Conal Byrne. https://www.insideradio.com/free/podcast-subscriptions-are-a-harder-sell-than-ever-says-iheart-s-conal-byrne/article_0e1083ce-59b5-11ed-97db-97c201ec0052.html
This Podcast Brought to You by Having Rich Parents https://hard-drive.net/this-podcast-brought-to-you-by-having-rich-parents/
Many YouTubers are anticipating big payouts from Shorts, but other industry insiders warn they should cool their expectations https://www.businessinsider.com/youtube-ad-revenue-share-creators-excitement-experts-warn-2022-10
Google Will Pay YouTube Creators in Bid to Crash TikTok’s Party
https://www.pymnts.com/google/2022/google-will-pay-youtube-creators-in-bid-to-crash-tiktoks-party/
How much money influencers charge on Instagram, TikTok, and YouTube for sponsored content https://www.businessinsider.com/data-how-much-money-influencers-charge-brands-instagram-tiktok-youtube-2022-10
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Decade by decade the Corporate Media, the gatekeepers of the mainstream pop culture has continued the crippling of crossover music and culture that bridged cultural and brought people together. KOP explains this phenomenon on purpose.
Crossover Music on Wikipedia: https://en.wikipedia.org/wiki/Crossover_music
Revitalization Or Gentrification? How A Rebuild Is Changing Detroit’s Culture
How are Black residents coping with displacement?
https://yr.media/news/revitalization-or-gentrification-how-a-rebuild-is-changing-detroits-culture/
From the Death of Disco Rose the Urban Contemporary Music.
https://original.newsbreak.com/@william-saint-val-1592919/2781157800585-from-the-death-of-disco-rose-the-urban-contemporary-music
The Business Of ‘Soul Train’: 11 Things To Know About Don Cornelius Productions
https://moguldom.com/423458/the-business-of-soul-train-11-things-to-know-about-don-cornelius-productions/
Lizzo on her crossover success: 'I am not making music for white people' https://nypost.com/2022/10/11/lizzo-on-her-success-i-am-not-making-music-for-white-people/
Lizzo draws comparison to Tina Turner in response to critics of her success, says "I don't make music for white people" https://thespidernews.com/celebrity/lizzo-draws-comparison-to-tina-turner-in-response-to-critics-of-her-success-says-i-dont-make-music-for-white-people/
The Story of How Migos Met Drake and Changed Rap Forever
In this excerpt from his book, 'Rap Capital: An Atlanta Story,' music journalist Joe Coscarelli tells the story of Migos' 2013 crossover hit 'Versace'
https://www.rollingstone.com/music/music-features/migos-versace-drake-takeoff-rap-capital-1234623089/
For Bad Bunny’s fans, he’s more than a global superstar. He’s a political icon.
https://www.washingtonpost.com/nation/2022/10/19/bad-bunny-political-activism/
Black-Led TV Shows Have Always Had Crossover Appeal; So Why the Side-Piece Treatment? https://www.theroot.com/black-led-tv-shows-have-always-had-crossover-appeal-so-1792686820
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Time for another radio rant to document the continued down the dial decline. No media wants to call this out but KOP will.
“Too Many Songs, Not Enough Hits: Pop Music Is Struggling to Create New Stars – Execs say that a deluge of new music — and the difficulty of influencing TikTok’s algorithm — has made building an audience harder than ever for new acts.”
https://lefsetz.com/wordpress/2022/10/14/the-billboard-article/
https://www.radiodiscussions.com/threads/are-there-hits-any-more-an-article-by-bob-lefsetz.755625/
Is radio dead/dying/on the inevitable road to death? What would you like to see changed about it?
https://www.reddit.com/r/TrueAskReddit/comments/1rdlye/is_radio_deaddyingon_the_inevitable_road_to_death/
Here’s When iHeartMedia Releases Its Q3 Report https://www.rbr.com/heres-when-iheartmedia-releases-its-q3-report/
'Steady decline for years': KGO hosts reflect on Bay Area radio station closure https://www.sfgate.com/local/article/radio-hosts-remember-kgo-17494929.php
89% of British adults are still weekly radio listeners https://musically.com/2022/10/27/89-of-british-adults-are-still-weekly-radio-listeners/
The latest Infinite Dial study from Edison Research shows that 88% of Americans age 16+ own a mobile phone, and as the availability of audio apps and podcast apps has increased, so has consumption on a mobile phone.
http://mediaconfidential.blogspot.com/2022/10/most-audio-listening-is-via-mobile.html
Why have so many radio stations given up on weekends? http://bit.ly/3VnwyVo
Bad winter coming for U.S. media companies https://www.axios.com/2022/10/25/media-layoffs-2022-ad-market-decline
The Network-Affiliate Conundrum: The broadcast networks may be desperate to keep up with the big streamers by laying big bets on their own, but in the process, they’re choking off their local affiliates and hastening their own demise. It’s time for a more cooperative relationship. https://tvnewscheck.com/business/article/the-network-affiliate-conundrum/
Meghan Markle (aka The Dutchess of Sussex) Says Working on Deal or No Deal Made Her Feel “Not Smart” saying “I would end up leaving with this pit in my stomach knowing that I was so much more than what was being objectified on the stage.” KOP looks into the questioned portrayal and the backlash.
Meghan Markle Says Working on Deal or No Deal Made Her Feel “Not Smart”
“I would end up leaving with this pit in my stomach knowing that I was so much more than what was being objectified on the stage.”
https://www.harpersbazaar.com/celebrity/latest/a41684265/meghan-markle-deal-or-no-deal-podcast-archetypes-paris-hilton/
Meghan Markle says Deal Or No Deal objectified women, and people are weirdly offended https://www.avclub.com/meghan-markle-deal-or-no-deal-objectified-women-1849684120
10 celebrities who were briefcase models on 'Deal or No Deal' https://www.insider.com/deal-or-no-deal-celebrities-models-2021-4?
‘RHOA’ Alum Claudia Jordan Shuts Down Meghan Markle Claims ‘Deal Or No Deal’ Treated Models Like Bimbos
https://deadline.com/2022/10/rhoa-claudia-jordan-shuts-down-meghan-markle-claims-deal-or-no-deal-treated-models-like-bimbos-1235149098/
Whoopi Goldberg & ‘The View’ React To Meghan Markle And ‘Deal Or No Deal’ Claims: “The Objectification Might Be Coming From You And How You Felt”
https://deadline.com/2022/10/whoopi-goldberg-the-view-react-meghan-markles-deal-or-no-deal-claims-objectification-1235149924/
Peter Bart: A Coat Of Paint On The Hollywood Sign Can‘t Obscure Industry’s Erosion Of Creative Courage
https://deadline.com/2022/10/peter-bart-a-coat-of-paint-on-the-hollywood-sign-cant-obscure-industrys-erosion-of-creative-courage-1235150684/
The Gen Z view: Why should you park your personality at the door in the media industry?
https://www.adnews.com.au/opinion/the-gen-z-view-why-should-you-park-your-personality-at-the-door-in-the-media-industry
Big Tech Acquisitions of Media Companies Are on the Horizon https://www.thewrap.com/big-tech-media-m-and-a-mergers-aquisitions/
Americans' Trust In Media Remains Near Record Low https://news.gallup.com/poll/403166/americans-trust-media-remains-near-record-low.aspx
Semafor Joins A Very Broken US Media Industry Claiming To Have Found The Cure For Eroded Trust In News. But Have They Really?
https://www.techdirt.com/2022/10/20/semafor-launches-into-a-very-broken-us-media-claiming-to-have-found-something-new-but-have-they/
Why Experts Aren’t Worried About the Content Boom Slowing – Even if the Economy Does (Video) https://www.thewrap.com/thegrill-2022-merger-mania-content-boom-will-continue-video/
Live music is falling apart. - Music Business Worldwide https://www.musicbusinessworldwide.com/live-music-is-falling-apart/
The music industry is headed for a tussle with TikTok over payouts https://www.musicbusinessworldwide.com/music-industry-headed-for-a-tussle-with-tiktok/
Report: Elon Musk plans to cut 75% of Twitter workforce https://apnews.com/article/elon-musk-twitter-inc-technology-social-media-1a9005b6653b07b5764ed61053554d1f
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
TikTok continues its dominance in music and ever-changing trends and topics. KOP looks into the platform's push into streaming, the pop stars that have taken charge of the music charts, and the continued loss of radio and record label influence.
Like it or not, TikTok is changing the music industry https://thenextweb.com/news/tiktok-changing-the-music-industry-syndication
Too Many Songs, Not Enough Hits: Pop Music Is Struggling to Create New Stars https://www.billboard.com/pro/new-music-tiktok-artist-development-suffering/
Gayle, and the Rise of Meta-Pop https://www.newyorker.com/magazine/2022/10/10/gayle-and-the-rise-of-meta-pop
Is TikTok Good for Musicians or Is It Hurting the Music Industry?
https://www.jumpstartmag.com/is-tiktok-good-for-musicians-or-is-it-hurting-music-industry/
TikTok parent in talks with labels to launch music streaming service in 12+ new markets
The Wall Street Journal reported on Wednesday (October 12), citing people familiar with the discussions, that TikTok parent ByteDance is in negotiations with record companies about expanding its dedicated music-streaming platform to multiple new markets.
https://www.musicbusinessworldwide.com/tiktok-parent-in-talks-with-labels-to-launch-music-streaming-service-in-12-new-markets/
Still convinced that TikTok isn’t turning into a record company? https://www.musicbusinessworldwide.com/still-convinced-that-tiktok-and-bytedance-arent/
For Gen Z, TikTok Is the New Search Engine
https://www.nytimes.com/2022/09/16/technology/gen-z-tiktok-search-engine.html
TikTok competitor YouTube Shorts is integrating more closely with YouTube Music https://tcrn.ch/3eM8JGa
Jamaica broadcasting regulator bans music and TV deemed to glorify crime https://www.theguardian.com/world/2022/oct/13/jamaica-broadcasting-commission-regulator-bans-music-tv-deemed-to-glorify-crime
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Bros, Super Mario Bros, White Lives Matter, and Dahmer are just a handful of the buzzwords triggering Hollywood and mainstream entertainment. KOP looks into some of the outrage and ostracization that is occurring.
Kanye West Says His ‘White Lives Matter’ T-Shirt Drew Threat of Physical Violence (Video) https://www.thewrap.com/kanye-west-says-his-white-lives-matter-t-shirt-drew-threats-of-physical-violence-video/
Kanye West Says ‘White Lives Matter’ Shirts Inspired By His ‘Connection To God’
After days of criticism over his Paris Fashion Week antics, West found a sympathetic ear in Fox News’s Tucker Carlson on Thursday.
https://www.rollingstone.com/music/music-news/kanye-west-tucker-carlson-white-lives-matter-shirts-god-1234606799/
Reactions to Chris Pratt’s Mario Voice in ‘Super Mario Bros. Movie’ Trailer Range From ‘Slightly Racist’ to ‘Normal Speaking Voice’
https://www.thewrap.com/chris-pratt-mario-voice-reaction-super-mario-bros-trailer/
Does ‘Dahmer’ Justify Netflix’s Monster Deal With Ryan Murphy? https://variety.com/vip/does-dahmer-justify-netflixs-monster-deal-with-ryan-murphy-1235393956/
‘Bros’ Decoded: Why You Shouldn’t Read Too Much Into the Gay Rom-Com’s Weak Box Office https://www.thewrap.com/bros-gay-rom-com-box-office-meaning/
‘There’s endless choice, but you’re not listening’: fans quitting Spotify to save their love of music https://www.theguardian.com/music/2022/sep/27/theres-endless-choice-but-youre-not-listening-fans-quitting-spotify-to-save-their-love-of-music
VIP+ Survey: Inside the Growing Demographic Divide Across Media Platforms http://bit.ly/3UDgKxF
"I Can't Believe You Get Paid To Play Your Favorite Songs On The Radio" - https://jacobsmedia.com/?p=69790
A TikTok's Worth 1,000 Words - https://jacobsmedia.com/?p=69892
As Gen Z Puts Its Stamp On Media, Audio Holds Up Better Than Other Traditional Outlets. https://www.insideradio.com/free/as-gen-z-puts-its-stamp-on-media-audio-holds-up-better-than-other-traditional/article_9580f92e-447a-11ed-8a5c-d34896b7e40f.html?
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Blonde, Amsterdam, Don't Worry Darling and The Woman King are getting blasted by critics or geting outcried for the skewed historical account or a controversy behind the scenes. KOP lays out the latest flicks under fire.
‘Blonde’ Review: Exploiting Marilyn Monroe for Old Times’ Sake https://www.nytimes.com/2022/09/28/movies/blonde-review-marilyn-monroe.html
‘Amsterdam’ Review: Disjointed, Dull David O. Russell Period Comedy Wastes Talented Cast https://www.thewrap.com/amsterdam-review-david-o-russell-christian-bale-margot-robbie-john-david-washington/
Can David O. Russell’s Star-Studded ‘Amsterdam’ Survive Withering Reviews and Bad Buzz? https://variety.com/2022/film/news/david-o-russell-amsterdam-reviews-bad-buzz-box-office-taylor-swift-1235385300/
"The Woman King" poses the conundrum of making a great action movie about exceptional killers https://www.salon.com/2022/09/24/the-woman-king-poses-the-conundrum-of-making-a-great-action-movie-about-exceptional-killers/
Viola Davis responds to #BoycottWomanKing: Story 'is fictionalized. It has to be' https://www.latimes.com/entertainment-arts/story/2022-09-20/viola-davis-responds-boycott-woman-king
‘Don’t Worry Darling’ drama explained: Olivia Wilde, Florence Pugh, Harry Style and Chris Pine... https://en.as.com/latest_news/dont-worry-darling-drama-explained-olivia-wilde-vs-florence-pugh-harry-style-and-chris-pine-n
How TikTok Is Influencing Music Trends https://variety.com/vip/how-tiktok-is-influencing-music-trends-1235382286/
Senators Introduce American Music Fairness Act, Which Would Require Radio to Pay Royalties to Musicians https://variety.com/2022/music/news/senators-american-music-fairness-act-radio-royalties-1235380037/
Meta Says $142M Music Copyright Suit Is So Vague They Have to ‘Try to Guess’ What They Did Wrong https://www.billboard.com/pro/facebook-instagram-music-copyright-lawsuit-epidemic-sound-meta-response/ via @billboard
Survey: One-Third Of Adults Pick YouTube As Their Preferred Podcast Platform. https://www.insideradio.com/free/survey-one-third-of-adults-pick-youtube-as-their-preferred-podcast-platform/article_25b0eaf8-3e41-11ed-97cd-ab7fcbbb56c2.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
The digital disruption continues to erode the traditional media model, in part of because of a growning lack of trust of any any corporate run media. Independent creators are the safe haven to growing audiences. KOP examines studies and stories validating that trend.
UCLA Study Finds Teens Resoundingly Reject Aspirational Content On TV & Movies https://deadline.com/2022/09/ucla-study-finds-teens-resoundingly-reject-aspirational-content-in-tv-or-movies-1235121262/
Young Readers Feel All Information Is 'Not To Be Trusted Or Taken At Face Value,' Study Finds @Reuters https://bit.ly/3LmtvIv
Survey: The Dark Side of News Consumption on Social Media https://variety.com/vip/survey-the-dark-side-of-news-consumption-on-social-media-1235349747/
User trust in social platforms is falling, according to our new study
https://www.insiderintelligence.com/content/user-trust-social-platforms-falling-according-our-new-study
How News Feels: Anticipated Anxiety as a Factor in News Avoidance and a Barrier to Political Engagement
https://www.tandfonline.com/doi/full/10.1080/10584609.2022.2123073
Shrinking M&A Appetite Spells Bad News for Digital Media https://variety.com/vip/shrinking-ma-appetite-spells-bad-news-for-digital-media-1235375334/
A painful halt: If you work in film and TV, get ready for layoff
A multiyear boom in film and TV production, driven by media firms racing to sign up subscribers for their new streaming services, has come to a painful halt
https://www.business-standard.com/article/international/a-painful-halt-if-you-work-in-film-and-tv-get-ready-for-layoff-122092001393_1.html
Audiobooks Have Potential to Be a Game Changer for Spotify https://variety.com/vip/audiobooks-have-potential-to-be-a-game-changer-for-spotify-1235378439/
In General, Generalizing About Generations Is Generically Common To Baby Boomers - https://jacobsmedia.com/?p=69618
Adnan Syed, Serial, and justice https://www.cjr.org/the_media_today/adnan_syed_conviction_overturned_serial.php
Luminate Partners With Mediabase for Radio Tracking Data https://www.billboard.com/pro/luminate-mediabase-partnership-radio-tracking/
https://radioinsight.com/headlines/242742/bdsradio-monitoring-to-be-folded-into-mediabase/
Podcasting Is Just Radio Now
https://www.vulture.com/2022/09/podcasting-is-just-radio-now.html
People are apparently using Spotify’s video podcast tool to illegally pirate movies https://www.fastcompany.com/90790965/people-are-apparently-using-spotifys-video-podcast-to-illegally-pirate-movies
Podcasting 2.0 Will Bring Bitcoin To The Masses https://bitcoinmagazine.com/culture/podcasting-2-0-will-bring-bitcoin-to-the-masses
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
The killing of PnB Rock leads the headlines of rap artists under constant attack. Rap albums are underwhelming across the board and the corporatization of rap has taken a toll in the once thriving counterculture. KOP examines the continued decline of rap.
Bottom Feeders Are Preying on Street Rap’s Dominance https://www.complex.com/music/street-rap-court-system-essay/
Instagram post of PnB Rock may have led to killing, LAPD says
https://www.latimes.com/entertainment-arts/music/story/2022-09-12/rapper-pnb-rock-shot-at-l-a-restaurant
Rapper says he was shot, robbed in North Hollywood after flaunting money and jewelry on social media https://www.latimes.com/california/story/2022-09-12/rapper-wakko-the-kid-shot-robbery-los-angeles
Rich Homie Quan Says Rap Needs to End 'Bubblegum' and 'Gun' Lyrics https://www.tmz.com/2022/09/15/rich-homie-quan-hip-hop-gangsta-rap-krazy-gun-shooting/
Lil Pump’s Explicit Comeback + Where Are Some One-Hit Wonders Now?
As Lil Pump trends for a sexually explicit video, fans may wonder what other one-hit wonders are up to now. Here are the top five rappers who had hit records and slowly slipped away from the music scene.https://www.sohh.com/lil-pumps-explicit-comeback-where-are-some-one-hit-wonders-now/
Rap lyrics on trial: Bill would limit prosecutors’ use of words and music as evidence https://www.kpbs.org/news/politics/2022/09/15/rap-lyrics-bill-limit-prosecutors-words-music-evidence
YouTube Says It Has Made $6B in Payments to Music Industry https://www.hollywoodreporter.com/business/digital/youtube-6b-payments-music-industry-1235219965/
YouTube’s Music-Royalty System Is ‘Ripe for Abuse,’ Report Claims https://variety.com/2022/digital/news/youtube-music-royalty-abuse-1235369596/
SiriusXM Aims For Younger, More Diverse Audience With Streaming. https://www.insideradio.com/free/siriusxm-aims-for-younger-more-diverse-audience-with-streaming/article_e1d237f4-34c9-11ed-aa6d-c7c742f37451.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
It's nearly impossible to keep up with all of the rising stars and ridiculed and controversial characters on YouTube and their clips spread across social media. KOP talks about the state of the streaming counterculture and the fascination with those championed and those on the brink of being censored and cancelled.
Why is it more compelling when we can see them? http://bit.ly/3TR5rl4
Now banned by TikTok and others, Andrew Tate rode wave of online misogyny, says Northeastern expert https://news.northeastern.edu/2022/08/30/andrew-tate/
Andrew Tate: Censorship conundrum
https://tulanehullabaloo.com/60733/arcade/andrew-tate-censorship-conundrum/
The issue with Andrew Tate
http://www.castletonspartan.com/2022/09/08/the-issue-with-andrew-tate/
Joe Rogan Defends Andrew Tate's Overall Messaging After Social Media Ban
https://www.newsweek.com/joe-rogan-defends-andrew-tate-social-media-ban-1740123
Andrew Tate's been banned from social media. But his harmful content still reaches young men https://www.cbc.ca/news/entertainment/andrew-tate-social-media-bans-1.6573978
KSI dismisses Logan Paul’s warnings over potential Andrew Tate fight
https://www.dexerto.com/entertainment/ksi-dismisses-logan-pauls-warnings-over-potential-andrew-tate-fight-1924482/
Watch “F*ck KSI,” Andrew Tate Lashes Out At KSI After He Celebrates His Social Media Ban On Twitter https://thesportsgrail.com/watch-fck-ksi-andrew-tate-lashes-out-at-ksi-after-he-celebrates-his-social-media-ban-on-twitter-threatens-to-smoke-him-in-viral-video/
The un-cancellation of Sam Hyde @UnHerd https://unherd.com/thepost/the-un-cancellation-of-sam-hyde/
TikTok is not social media. In fact, it marks the end of the social era https://www.thedrum.com/opinion/2022/09/05/tiktok-not-social-media-fact-it-marks-the-end-the-social-era
‘It’s the way the industry is going’: how YouTube is transforming podcasting https://www.theguardian.com/media/2022/sep/03/video-podcasting-youtube-joe-marler-mrballen-tiktok
Zach Sang, the Ryan Seacrest of the Youth, Wants to Save Radio https://www.nytimes.com/2022/08/31/arts/music/zach-sang-radio-amazon-amp.html
The Greying Of Radio - https://jacobsmedia.com/?p=69378
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
On the eve of National Cinema Day and a quiet Labor Day Weekend for the movies KOP looks at why the movie releases are coming in sluggish. Plus, music labels look forward to making more money from the streamers and eventually the radio stations.
How to Fix Movie Theaters’ Supply Problem https://variety.com/vip/fixing-movie-theaters-supply-problem-1235346151/
Without Any New Major Releases, Will ‘Spider-Man: No Way Home’ Return to No. 1 at Box Office? https://variety.com/2022/film/news/spider-man-box-office-re-release-1235354411/
From ‘Batgirl’ Fallout to Rebooting ‘Superman’: All the Landmines Facing the Next DC Chief https://variety.com/2022/film/news/batgirl-ezra-miller-superman-next-dc-head-warner-bros-discovery-1235353666/
Producers of 2022 VMAs on Why They Think the Ratings Ticked Up This Year: ‘All the Stars Aligned’ https://www.billboard.com/music/awards/producers-2022-vmas-interviewed-post-show-1235133326/
Spotify, Apple and Other Streamers Set Royalty Rates With Music Publishers Through 2027 https://www.hollywoodreporter.com/business/digital/spotify-apple-streamers-royalty-rates-music-publishers-1235209793/
Broadcasters Hit Milestone In Battle Against Royalty, But Music Industry Vows To Fight On. https://www.insideradio.com/free/broadcasters-hit-milestone-in-battle-against-royalty-but-music-industry-vows-to-fight-on/article_07072504-27a3-11ed-bc81-d7c0dd53f60f.html
Majority of House Co-sponsoring Local Radio Freedom Act
https://news.radio-online.com/articles/b17179/Majority-of-House-Cosponsoring-Local-Radio-Freedom-Act
NAB Claims Milestone Support for Local Radio Freedom Act https://mediaconfidential.blogspot.com/2022/08/nab-claims-milestone-support-for-local.html
Radio is the real media unicorn, says iHeartMedia's Bob Pittman https://www.thedrum.com/opinion/2022/08/19/radio-the-real-media-unicorn-says-mtv-co-founder-bob-pittman
Listeners Reveal The Plusses And Minuses Of Podcast Listening. https://www.insideradio.com/free/listeners-reveal-the-plusses-and-minuses-of-podcast-listening/article_c5c483e6-2768-11ed-ac3c-4305bfc8b87b.html
Podcasting's Next Frontier? Reaching 'The Next Billion Listeners.’ https://www.insideradio.com/free/podcastings-next-frontier-reaching-the-next-billion-listeners/article_509da048-2768-11ed-b0ff-bf35bdcfbba0.html
Spotify is increasingly eyeing YouTube as its biggest threat in podcasting after the video platform became a podcasting juggernaut without even trying https://www.businessinsider.com/how-youtube-became-a-podcasting-powerhouse-without-trying-2022-8
Audioburst Debuts Feature That Will Sell Podcasts And Radio Content As NFTs. https://www.insideradio.com/free/audioburst-debuts-feature-that-will-sell-podcasts-and-radio-content-as-nfts/article_9f416746-22a6-11ed-8ed6-0f379f098022.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Anyone streaming on YouTube, Twitch and other video platforms have essentially picked up the podcasting model and clipped to share on all social media. We look at the continued power play podcasting has become and why the corporate media continues to invest.
New Edison Data Shows Growing Role Of Video For Podcasters. https://www.insideradio.com/free/new-edison-data-shows-growing-role-of-video-for-podcasters/article_65349660-2434-11ed-b3bf-bf772b094f74.html
YouTube is the most-used podcasting platform https://www.theverge.com/2022/8/23/23318305/youtube-podcast-npr-spotify-meghan-markle-prince-harry-archewell
YouTube kicks off podcast strategy with new landing page https://arstechnica.com/?post_type=post&p=1875293
Streaming Subscribers Resist Idea Of Trading Down From Ad-Free To Ad-Supported Tiers Despite Cost Savings – Study https://deadline.com/2022/08/streaming-subscribers-resist-trading-down-from-ad-free-to-ad-supported-despite-cost-savings-fandom-study-1235096358/
‘Dragon Ball Super: Super Hero’ Opens To $20M+: How Crunchyroll Pulled Off A No. 1 Box Office Win Via Non-Traditional Means — Sunday AM Update https://deadline.com/2022/08/box-office-dragon-ball-super-super-hero-beast-idris-elba-1235096162/
Report: FCC Standing Firm On Its 13% Annual Fee Hike For Radio Stations. https://www.insideradio.com/free/report-fcc-standing-firm-on-its-13-annual-fee-hike-for-radio-stations/article_ee976ed4-2379-11ed-8d1f-0f43e2c87d9a.html
iHeart Stays On Top, NPR Returns As Media Monitors Charts Rise Of Influencers. https://www.insideradio.com/free/iheart-stays-on-top-npr-returns-as-media-monitors-charts-rise-of-influencers/article_99c7181e-2379-11ed-86fb-7b4412f44cde.html
iHeartMedia’s latest metaverse move is the launch of ‘iHeartLand’ in Fortnite, and a virtual Charlie Puth concert https://www.musicbusinessworldwide.com/iheartmedias-latest-metaverse-move-is-the-launch-of-iheartland-in-fortnite-and-a-virtual-charlie-puth-concert/
iHeartLand In Fortnite Launches With Podcasts Part Of The Content Mix. https://www.insideradio.com/podcastnewsdaily/iheartland-in-fortnite-launches-with-podcasts-part-of-the-content-mix/article_b41b784c-248f-11ed-bf84-df56c2f5c6a8.html
Twitter Adds Podcasts to Live Audio Tab https://www.hollywoodreporter.com/business/digital/twitter-podcasts-1235206475/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
The CW becomes the latest casuality to corporate negligence and further shows how corporate media continues to cave to the digital disruption. Corporate keeps taking Ls on network and cable to streaming which is also struggling. KOP explains.
The CW Will Be A Profitable Network By 2025, With Broader And Cheaper Programming, New Owners At Nexstar Signal https://deadline.com/2022/08/the-cw-will-become-profitable-network-2025-broader-cheaper-programming-nexstar-1235092173/
Nexstar Says Average CW Viewer Is 58, And Internet Can’t Stop Laughing https://deadline.com/2022/08/cw-average-viewer-age-58-nexstar-1235092697/
The CW Sale: It's Your Move, ABC, CBS, NBC & FOX: BCTVDD Editorial
https://bleedingcool.com/tv/the-cw-sale-its-your-move-abc-cbs-nbc-fox-bctvdd-editorial/
HBO Max to Remove 36 Titles, Including 20 Originals, From Streaming https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/
Streaming Viewership Has Surpassed Cable TV Tune-In For The First Time, Per Nielsen https://deadline.com/2022/08/streaming-viewership-surpassed-cable-tv-for-first-time-in-july-nielsen-1235095173/
Streaming services are raising prices and introducing advertising now that subscriber growth has slowed. Is bundling next? https://www.bloomberg.com/news/newsletters/2022-08-14/streaming-is-starting-to-look-a-lot-like-cable-tv
Americans spend 60% of entertainment time on ad-filled platforms, new study finds https://www.musicbusinessworldwide.com/americans-spend-60-of-entertainment-time-on-ad-filled-platforms-new-study-finds/
Climbing The Ladder To Radio Success - https://jacobsmedia.com/?p=69046
Layoffs At Audacy To Reduce Company Workforce. https://www.insideradio.com/layoffs-at-audacy-to-reduce-company-workforce/article_84f96926-1da4-11ed-9849-23eb9fea9f3a.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
First Batgirl, then what's next? The Flash? Peacemaker? Joker 2? We look at the corporate decisions being made from cutting content to cost hikes. KOP breaks it down.
Inside the Confusing State of DC, From Huge ‘Joker 2’ Paydays to the Search for Their Kevin Feige https://variety.com/2022/film/news/dc-films-kevin-feige-batgirl-joker-2-walter-hamada-david-zaslav-1235337927/
The Batman 2 Gets Disappointing Development Update https://screenrant.com/batman-2-development-update-no-greenlight/
When Warner Bros. Discovery canceled the release of #Batgirl, it was a shocking move to many. But there are other movies and TV shows that have likewise gained infamy due to never seeing the light of day: http://thr.cm/Cyfo7tC
Everything Revealed About Batgirl's Canceled Story https://screenrant.com/batgirl-movie-canceled-story-plans-details/
Warner Bros. Weighing Fate of ‘The Flash’ as Its Ezra Miller Problem Grows https://www.hollywoodreporter.com/movies/movie-news/the-flash-fate-ezra-miller-problem-worsens-warners-1235196919/
Where Are All the Blockbusters? Movie Theaters Brace for Slowdown After Bustling Summer https://variety.com/2022/film/news/box-office-summer-movie-season-slowdown-1235336906/
Wall Street Mulls Pros & Cons Of Streaming Price Hikes As Disney Earnings Boost Stock https://deadline.com/2022/08/disney-share-earnings-streaming-disneyplus-1235089989/
Big surprise: New analysis blames Netflix subscriber exodus on price hike
https://bgr.com/business/big-surprise-new-analysis-blames-netflix-subscriber-exodus-on-price-hike/
Spotify, Others Targeted In Bill For 'A New Streaming Royalty' https://www.digitalmusicnews.com/2022/08/08/spotify-new-streaming-royalty-bill/
Live Nation Reports Highest Quarterly Concert Attendance Ever https://www.digitalmusicnews.com/2022/08/05/live-nation-highest-concert-attendance-ever/
Axios Sold to Cox Enterprises in $525 Million Deal https://variety.com/2022/digital/news/axios-sold-to-cox-enterprises-in-525-million-deal-1235335799/
Former Lawmaker Takes Aim At iHeartMedia, Cumulus Following Strong Q2 2022 Earnings Reports: ‘Greedy Broadcasters Are Brazenly Showing Their Hypocrisy’ https://www.digitalmusicnews.com/2022/08/05/iheartmedia-radio-royalties-criticism/
For Radio, Is Gen Z The Iceberg...Or The Opportunity? - https://jacobsmedia.com/?p=68935
Edison Sheds Light On Podcasts Listening Times https://mediaconfidential.blogspot.com/2022/08/edison-sheds-light-on-podcasts.html
Edison Research: Half Of Podcast Listening Is Done Before Two PM. https://www.insideradio.com/free/edison-research-half-of-podcast-listening-is-done-before-two-pm/article_952dba2a-18ec-11ed-9ef4-b3df694f9d83.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Leslie Grace's portrayal of Batgirl get shelved as part of a typical corporate decision to cost cut following a merger. KOP breaks down the timeline of changes and what it means for the future of HBO Max and the DCEU as a whole.
‘Batgirl’ Film Axed by Warner Bros., Won’t Be Released on Any Platform https://variety.com/2022/film/news/batgirl-not-released-warner-bros-hbo-max-1235331897
‘Batgirl’ Directors ‘Saddened and Shocked’ After Warner Bros. Killed the Film: ‘We Still Can’t Believe It’ https://variety.com/2022/film/news/batgirl-filmmakers-shocked-warner-bros-killed-film-1235332526/
‘Batgirl’ and ‘Scoob!: Holiday Haunt’ Scrapped at Warner Bros. Amid Cost-Savings Push https://www.hollywoodreporter.com/movies/movie-news/batgirl-shelved-at-warner-bros-hbo-max-1235191371/
Leslie Grace Deserves More Than a Canceled 'Batgirl' Movie https://decider.com/2022/08/03/batgirl-leslie-grace-canceled-warner-bros/
‘Batgirl’ Star Leslie Grace Responds After Film Is Shelved, Calls Herself “My Own Damn Hero”
https://www.hollywoodreporter.com/movies/movie-news/batgirl-star-leslie-grace-responds-film-shelved-1235192379/
HBO Max, Discovery+ to Merge Into Single Streaming Platform Starting in Summer 2023 https://variety.com/2022/digital/news/hbo-max-discovery-plus-merger-2023-1235333314/
Warner Bros. Discovery Shares Slide 12% After Earnings Debut – Update https://deadline.com/2022/08/warner-bros-discovery-hbo-hbomax-earnings-1235085245/
Hollywood Creatives Furious at HBO Max Upheaval: ‘This Isn’t Just About a Few Movies’ https://www.thewrap.com/hbo-max-problems-reaction-filmmakers-writers-producers-david-zaslav/
Speculation Is on Fire Around HBO Max's Future, Planned Layoffs in Major Streaming Shake-Up https://www.thewrap.com/hbo-max-layoffs-warner-bros-discovery-q2-earnings-preview/
The Dish: What’s Behind The ‘Batgirl’ & ‘Scoob!’ Discard? David Zaslav’s Abject Rejection Of Jason Kilar’s HBO Max Strategy https://deadline.com/2022/08/batgirl-scoob-discard-warnerbros-discovery-david-zaslav-jason-kilar-hbo-max-strategy-1235084032/
Why Streaming Platforms Are Getting Into Distribution https://www.billboard.com/pro/why-tiktok-streaming-platforms-distributing-music/ 44
A Different View of Today’s Top Hits
https://radioinsight.com/blogs/234065/a-different-view-of-todays-top-hits/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Comic-Con makes a big comeback, regaining status as key studio marketing launchpad. Netflix is retroactively editing Stranger Things? Plus, more royalties for rightsholders. KOP breaks it down.
After Absence, Comic-Con Regains Status as Key Studio Marketing Launchpad
Marvel Studios, 'Lord of the Rings' and a supersized Dwayne Johnson appearance showed the Con is still seen as a must-attend event: "We have to earn the right to have fans engage with us." https://www.hollywoodreporter.com/movies/movie-news/comic-con-2022-panels-1235187096/
Netflix retroactively editing Stranger Things is the beginning of a dangerous TV trend https://www.gq-magazine.co.uk/culture/article/stranger-things-netflix-retroactively-editing
Facebook will now directly share a proportion of ad revenue with music rightsholders for UGC videos. Your move, TikTok… https://www.musicbusinessworldwide.com/facebook-will-now-directly-share-a-proportion-of-ad-revenue-with-music-rightsholders-for-ugc-videos-your-move-tiktok/
For the Record: Who’s Afraid of User-Centric Royalties? https://www.billboard.com/pro/user-centric-royalties-streaming-for-the-record/ via @billboard
Pioneering The Podcast: ‘WTF With Marc Maron’ Celebrates 13 Years With A New Partnership With Acast https://www.forbes.com/sites/marcberman1/2022/07/28/pioneering-the-podcast-wtf-with-marc-maron-celebrates-13-years-with-a-new-partnership-with-acast/
How iHeartMedia Is Bringing Podcasts To The Metaverse (And The Metaverse To Podcasts) https://www.forbes.com/sites/johnkoetsier/2022/07/27/how-iheartmedia-is-bringing-podcasts-to-the-metaverse-and-the-metaverse-to-podcasts/
Proposed Senate Bill Would Permit TV, Radio Marijuana Ads In Legal States: The standalone bill would block the FCC from denying or otherwise penalizing broadcast stations that allow marijuana-related... https://bit.ly/3viTUjA
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Stranger Things did for Kate Bush and Metallica what Thor: Love and Thunder did for Guns and Roses. KOP looks at the trend and the viral probability going forward.
Want a Kate Bush Moment For Your Song? Here’s the Recipe https://www.billboard.com/pro/stranger-things-songs-viral-streaming-strategy-tv-syncs-tik-tok-shazam/
Guns N' Roses Rocked Song Charts – Is It Because of 'Thor: Love and Thunder'?
https://www.musictimes.com/articles/85934/20220720/guns-n-roses-rocked-song-charts-–-thor-love-thunder.htm
Trending Up: ‘Thor’ Looks Less Than Mighty With Guns N’ Roses Synchs, Ruth B’s ‘Dandelions’ Grows & A Surprise ‘Minions’ Breakout Hit https://www.billboard.com/pro/trending-up-guns-n-roses-thor-minions/
TV rewatch podcasts are a ‘push towards nostalgia’, iHeartMedia CEO says https://finance.yahoo.com/video/tv-rewatch-podcasts-push-towards-160821104.html
Here’s Where The Big Money Is Going In This Year’s Mid-Term Elections. https://www.insideradio.com/free/here-s-where-the-big-money-is-going-in-this-year-s-mid-term-elections/article_1a2f0fd6-0271-11ed-ba08-4fd3dd96cdf8.html
Nearly a third of new subscribers to news publications cancel in the first 24 hours https://nie.mn/3z1JIP6 via @NiemanLab
Analysis | Let’s look at trust in the news media and ‘equal’ coverage https://www.washingtonpost.com/politics/2022/07/21/lets-look-trust-news-media-equal-coverage
ESPN Chief Says Traditional Cable Network Will Remain Despite Direct-to-Consumer Trend https://variety.com/2022/tv/news/espn-jimmy-pitaro-cable-streaming-nba-1235322172/
TikTok to Add Content Ratings on Videos With ‘Overtly Mature Themes’ https://www.billboard.com/business/streaming/tiktok-ratings-mature-themes-1235114274/
Nielsen: Streaming Accounts for More Than One-Third of TV Viewing https://mediaconfidential.blogspot.com/2022/07/nielsen-streaming-accounts-for-more.html
How Many Podcast Listeners Also Tune To Radio? New Survey Says Most Do. https://www.insideradio.com/free/how-many-podcast-listeners-also-tune-to-radio-new-survey-says-most-do/article_4d4953c6-0664-11ed-bb09-e7333c70b16b.html
The End of Ownership: Why the Battle Over Paying TV Creatives Is Only Getting Crazier https://variety.com/2022/tv/features/ownership-cover-hollywood-tv-creatives-wga-sag-dga-1235319528/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
From legacy musicians making money from movies and TV, to making money from digital disruptors, KOP looks at the crusade for creators young and old to get paid more.
Viral Revivals: From Kate Bush to Tom Odell, Inside the Business of Oldies as New Hit Songs https://variety.com/2022/music/news/kate-bush-tom-odell-catalog-songs-tiktok-business-1235317069/
That syncing feeling: how Stranger Things supercharged the music industry https://www.theguardian.com/music/2022/jul/12/that-syncing-feeling-how-stranger-things-supercharged-the-music-industry
With $53m in annual revenues last year, Queen is still riding high from Bohemian Rhapsody (the movie) https://www.musicbusinessworldwide.com/with-53m-in-annual-revenues-last-year-queen-is-still-riding-high-from-bohemian-rhapsodys-success/
When will TikTok start paying the music industry ‘properly’? https://www.musicbusinessworldwide.com/podcast/tiktok-start-paying-the-music-industry-properly/
Lewis Black Has Sued Pandora, But It Is Radio That Could Wind Up Paying In The Long Run. https://www.insideradio.com/free/lewis-black-has-sued-pandora-but-it-is-radio-that-could-wind-up-paying-in/article_6f275260-0338-11ed-a57e-47c633e62aea.html
BMI Asks Court To Rule On Radio Effort To Combine Royalty Rate-Setting Into One Proceeding. https://www.insideradio.com/free/bmi-asks-court-to-rule-on-radio-effort-to-combine-royalty-rate-setting-into-one/article_f92daffe-0270-11ed-8ca1-5b252baf73e1.html
The major labels face an uphill battle for music streaming market share. Here’s how they might fight back. https://www.musicbusinessworldwide.com/podcast/the-major-labels-face-an-uphill-battle-for-streaming-market-share-heres-how-they-might-fight-back/
RAB Hits Back Against SiriusXM Bash Piece https://radioink.com/2022/07/14/rab-hits-back-against-sirusxm-marketing-bash-piece/
Are You Just Going to Take This? https://radioink.com/2022/07/13/are-you-just-going-to-take-this/
RAB, Jacobs Rebut SXM Attack Ad: ‘Why Waste Your Money On Satellite Radio?’ https://www.insideradio.com/free/rab-jacobs-rebut-sxm-attack-ad-why-waste-your-money-on-satellite-radio/article_987ffd2e-0338-11ed-9fd2-572f95ef42ec.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Podcast Listening Is Again Growing In 2022, Says Reuters, But News Habits Are Changing. Plus, the U.S. is losing an average of two weekly newspapers a week. KOP comments on the changes.
Podcast Listening Is Again Growing In 2022, Says Reuters, But News Habits Are Changing. https://www.insideradio.com/free/podcast-listening-is-again-growing-in-2022-says-reuters-but-news-habits-are-changing/article_e8418d42-ed43-11ec-b054-b323a36529ef.html
Insights: Solutions To The Podcast Ad Frequency Pr... https://mediaconfidential.blogspot.com/2022/07/insights-solutions-to-podcast-ad.html
NAB Says Audio Market Is More Challenging Today For Radio Than It Was Two Years Ago. https://www.insideradio.com/free/nab-says-audio-market-is-more-challenging-today-for-radio-than-it-was-two-years/article_eb90ee04-fcf0-11ec-a048-bf5645059e86.html
The Pace Of New Podcast Launches Plummets So Far In 2022. https://www.insideradio.com/free/the-pace-of-new-podcast-launches-plummets-so-far-in-2022/article_34a1ae40-fcf0-11ec-97ef-37af4c1672c2.html
NPR and Edison Research released the 2022 Smart Audio Report
https://radioinsight.com/headlines/featured/228983/npr-edison-research-release-2002-smart-audio-report/
Royalty rates for musicians and publishers to be raised by Copyright Royalty Board
Musicians will receive a long overdue 44 per cent royalty increase after years of delays
https://www.nme.com/news/music/royalty-rates-for-musicians-and-publishers-to-be-raised-by-copyright-royalty-board-3262391
The U.S. is losing an average of two weekly newspapers a week https://nie.mn/3bDf4C4 via @NiemanLab
Perspective | Every week, two more newspapers close — and ‘news deserts’ grow larger https://www.washingtonpost.com/media/2022/06/29/news-deserts-newspapers-democracy/
Journalists Sense Turmoil in Their Industry Amid Continued Passion for Their Work https://pewrsr.ch/3NSGty6
Study: Many Reporters Don’t Believe In ‘Equal’ Coverage https://mediaconfidential.blogspot.com/2022/07/study-many-reporters-dont-believe-in.html
Streamers Are Embracing a Brave New World of Ads. Will Consumers? https://variety.com/vip/streamers-are-embracing-a-brave-new-world-of-ads-will-consumers-1235305622/
‘Minions’ Sequel Signals End of 2020 Movie-Delay Mayhem https://variety.com/vip/minions-sequel-signals-end-of-2020-movie-delay-mayhem-1235305639/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
KOP has an exclusive interview with the bassist from Grammy Award winners System From A Down and Owner and 22Red Founder Shavo Odadjian.
TARGETING YOUNGER AUDIENCES: A SUPERSESSION
https://radioinsight.com/blogs/229856/targeting-younger-audiences-a-supersession/
Broadcasters See ‘Major Step Forward’ In Congress Toward Allowing Cannabis Ads On Radio. https://www.insideradio.com/free/broadcasters-see-major-step-forward-in-congress-toward-allowing-cannabis-ads-on-radio/article_cceb48a0-f5e3-11ec-9437-d34e472f6c65.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Drake releases Honestly, Nevermind and Beyonce' follows up with a single "Break My Soul" leading up to her forthcoming album "Renaissance" coming out in July. KOP chronicles this urban-led dance crusade.
Why Drake (and Beyoncé!) Would Like You to Dance Right Now https://www.rollingstone.com/music/music-news/drake-beyonce-house-dance-podcast-1373081/
Beyoncé, Drake and the revival of 90s house music
https://www.bbc.com/news/entertainment-arts-61878412
7 Dance Artists on Drake’s ‘Honestly, Nevermind’ That You Need to Know https://www.billboard.com/music/music-news/drake-honestly-nevermind-dance-producers-1235089896/
Out: Drake as romantically wronged rapper. In: Drake as romantically wronged house diva https://www.latimes.com/entertainment-arts/music/story/2022-06-20/drake-honestly-nevermind-house-dancefloor-album-review
Will Beyoncé’s “Break My Soul” usher in a new era of dance music?
Anchored by an unstoppable house beat, Beyoncé’s new song is a readymade soundtrack to a big night out.
https://www.newstatesman.com/culture/music/2022/06/beyonce-break-my-soul-review-dance-sample-lyrics
Amid a rash of cheesy samples, is UK rap running out of ideas? https://www.theguardian.com/music/2022/may/31/amid-a-rash-of-cheesy-samples-is-uk-rap-running-out-of-ideas?
Beyoncé & Drake Collide on the Dance Floor: Breaking Down the Surprise A-List Releases https://www.yahoo.com/entertainment/beyonc-drake-collide-dance-floor-012136735.html
Welcome to the Summer of Dancing and Darkness: Beyoncé and Drake are turning to house music to encourage listeners to let loose. But are we ready to submit? https://www.theatlantic.com/culture/archive/2022/06/drake-honestly-nevermind-album-beyonce-single/661344/
Vince Staples And Joe Budden Talk How Drake’s Dance Album May Mark Rap Music’s End https://www.vibe.com/news/entertainment/vince-staples-joe-budden-drake-new-album-1234670567/
Irv Gotti Says ‘Honestly, Nevermind’ Puts Hip-Hop In Peril, Says He’s Looking For A “New DMX” https://thesource.com/2022/06/23/irv-gotti-says-honestly-nevermind-puts-hip-hop-in-peril-says-hes-looking-for-a-new-dmx/
K Camp Defends Drake Dance Wave Against Irv Gotti's 'Demise of Rap' Rant https://www.tmz.com/2022/06/23/k-camp-drake-honestly-nevermind-irv-gotti/
"Honestly, Nevermind" review: Drake hits the dance floor — but does he really move the needle? https://ew.com/music/music-reviews/drake-honestly-nevermind-review/
ASCAP and BMI hit out at US radio industry plan to force combined rate court hearing
https://completemusicupdate.com/article/ascap-and-bmi-hit-out-at-us-radio-industry-plan-to-force-combined-rate-court-hearing/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Kate Bush serves as a music revolutionary once again in the age of streaming. We look at her genius and the dumbfounded music and radio industries left in her dust.
Kate Bush’s ‘Running Up That Hill’ Is Already a 2022 Sales and Streaming Smash — Will It Take Over Radio Too? https://www.billboard.com/music/chart-beat/kate-bush-running-up-that-hill-radio-1235089191/
Why Is Kate Bush Running Up The Charts? - https://jacobsmedia.com/?p=67992
Kate Bush, “Running Up That Hill,” and the End of Music Charts As We Knew Them https://www.theringer.com/music/2022/6/7/23157824/kate-bush-running-up-that-hill-stranger-things-billboard-charts
Kate Bush is the world’s biggest indie artist. She’s owning it. https://www.musicbusinessworldwide.com/kate-bush-is-the-worlds-biggest-independent-artist-right-now-shes-owning-it/
Kate Bush had the biggest record in the UK last week, but she’s not No.1 on the Official Chart. This is a watershed moment for a music industry struggling to understand the meaning of ‘new’. https://www.musicbusinessworldwide.com/kate-bush-had-biggest-streaming-record-in-the-uk-last-week-but-shes-not-no-1-on-the-official-chart-this-is-a-watershed-moment-for-a-music-industry-struggling-to-understand-the-meaning-of-new/
Drake to Release New Album ‘Honestly, Nevermind’ Tonight https://variety.com/2022/music/news/drake-new-album-honestly-nevermind-1235296831/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
We look at the current protocol of new music discovery whether it is new or something dusted off thanks to pop culture, like Kate Bush returning to the top of the charts thanks to Stranger Things.
Gen Z Has Finally Discovered Kate Bush, and I’m Thrilled https://www.vogue.com/article/kate-bush-stranger-things-gen-z-discovery
Kate Bush’s Stranger Things Triumph Reminds Us of the Joy of Discovering Music Through Film and TV https://consequence.net/2022/06/stranger-things-kate-bush-music-discovery
The revival of “Running Up That Hill” proves the best songs are timeless
It’s no wonder Gen Z have fallen in love with Kate Bush’s empathy anthem. https://www.newstatesman.com/quickfire/2022/06/kate-bush-running-up-that-hill-best-songs-timeless
‘Music creation has changed, fan behavior has changed, and therefore, artists’ needs for digital music distribution have changed too.’ - Music Business Worldwide https://www.musicbusinessworldwide.com/music-creation-has-changed-fan-behavior-has-changed-and-therefore-artists-needs-for-digital-music-distribution-have-changed-too/
So Your Song Went Viral on TikTok. What’s Next?
https://www.vulture.com/2022/06/so-your-song-went-viral-on-tiktok-whats-next.html
What will the future of podcasts look like?
https://qz.com/2172700/here-are-the-podcast-trends-shaping-the-future-of-the-industry/
Media and Entertainment Industry Gets a Turn in DOJ-FTC Antitrust Hot Seat | https://www.hklaw.com/en/insights/publications/2022/05/media-and-entertainment-industry-gets-a-turn-in-doj-ftc-antitrust
Jeff Sagansky Slams Streaming-Driven TV Business Model: “We Are In A Golden Age Of Content Production And The Dark Age Of Creative Profit Sharing” https://deadline.com/2022/06/jeff-sagansky-profit-participation-backend-streaming-speech-natpe-1235036716/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
TikTok has totally taken over the reigns of new music discovery. KOP talks about how Radio's corporate consequences have cost them the leverage they had as a traditional linear medium to introduce listeners to new music.
KROQ has Kevin Weatherly back: Here’s how the radio station gets back on top https://www.dailynews.com/2022/05/30/kroq-has-kevin-weatherly-back-heres-how-the-radio-station-get-back-on-top/
TikTok Is Testing Ground for New Singles — Why Labels Love It (and Some Artists & Writers Don’t) https://www.billboard.com/pro/tiktok-song-promo-campaigns-teasers-marketing-songwriter-splits/
He Had a Billion-Stream Hit. Now His Songs Are in Limbo Until They Go Viral on TikTok https://www.rollingstone.com/music/music-news/tiktok-music-industry-halsey-trevor-daniel-1360904/
Willow, Olivia Rodrigo and Pop Punk’s Long, Weird Legacy https://www.rollingstone.com/music/music-features/pop-punk-willow-olivia-rodrigo-history-1352969/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Can Top Gun: Maverick be the top draw need to bolster a stagnant year at the box office and get more than just superhero fans back to watch the big flicks. KOP looks at the potential.
‘Top Gun: Maverick’ Could Become Paramount’s Biggest Hit in a Decade https://www.yahoo.com/now/top-gun-maverick-could-become-230832843.html
Will ‘Top Gun: Maverick’ Be Tom Cruise’s First $100 Million Opening Weekend? https://variety.com/2022/film/box-office/top-gun-maverick-opening-weekend-box-office-projections-tom-cruise-1235276259/
‘Top Gun: Maverick’ Set To Soar To $180M WW, Repping Best Global Start For Tom Cruise – Weekend Box Office https://deadline.com/2022/05/top-gun-maverick-box-office-opening-1235032240/
The biggest box-office flops of the year so far highlight the movie genres struggling to drive audiences back to theaters https://news.yahoo.com/biggest-box-office-flops-far-131625989.html
Make No Mistake, Content Spending Isn’t Going Down Anytime Soon |https://www.thewrap.com/streaming-content-spending-franchises/
Ellen DeGeneres’ Finale Is a Fitting End to a Show Without Perspective (Column) https://variety.com/2022/tv/columns/ellen-degeneres-show-finale-1235278173/
FIVE POWERS AND WHAT THEY SAY ABOUT 2022’S HITS
https://radioinsight.com/blogs/226275/five-powers-and-what-they-say-about-2022s-hits/
Why Podcasts Are A Good Investment For Cryptocurrency Marketing Dollars. https://www.insideradio.com/podcastnewsdaily/why-podcasts-are-a-good-investment-for-cryptocurrency-marketing-dollars/article_919e0144-db7f-11ec-9bf1-df1897c62c01.html
The Ledger: Three Major Trends Revealed in Music Companies’ Q1 2022 Earnings https://www.billboard.com/pro/music-stocks-q1-2022-trends-analysis/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Not since the OJ Simpson Trial have we witnessed such callous celebrity starved media play up the sleaze and salaciousness of an unfortunate domestic violence defamation trial, headlined by two flawed Hollywood celebrities. KOP breaks it down.
Why Does It Seem Like the Entire Internet Is Team Johnny Depp? https://www.vice.com/en/article/4aw93j/justice-for-johnny-depp-internet-comments
Johnny Depp Case Brings Stan Culture Into the Courtroom https://www.nytimes.com/2022/04/29/style/johnny-depp-amber-heard-fans.html
The Johnny Depp vs. Amber Heard Trial Is Dominating TikTok and YouTube https://cnet.co/39ABmn5
How celebrity cases shaped the conversation about domestic violence long before Johnny Depp and Amber Heard https://ti.me/3sMvXzZ
A $600 Million Fortune Lost and a Career Implosion: Witnesses Describe Johnny Depp’s Decline in Hollywood https://www.rollingstone.com/movies/movie-news/johnny-depp-amber-heard-trial-finances-career-1355929/
Survey Says Radio Listening on The Decline https://radioink.com/2022/05/11/survey-says-radio-listening-on-the-decline/
W.W.D.D.S. - What Would Don Draper Say (About Radio)? - https://jacobsmedia.com/?p=67612
In Search Of: The "Best In Class" Advertising Model - https://jacobsmedia.com/?p=67607
Madison Avenue’s Biggest Event Returns, to a Whole New World https://www.nytimes.com/2022/05/16/business/media/upfronts-tv-warner-bros-discovery.html
The Devil They Know: Why the Big Four Broadcasters Are Canceling Fewer Shows https://www.hollywoodreporter.com/tv/tv-news/why-networks-cut-back-canceling-shows-1235147594/
Netflix Lays Off About 150 Employees, 2% of U.S. Workforce, Amid Revenue Slowdown https://variety.com/2022/digital/news/netflix-layoffs-150-employees-1235269678/
Broadcasters Are Still Fighting To Win Clearance To Air Cannabis Ads. https://www.insideradio.com/free/broadcasters-are-still-fighting-to-win-clearance-to-air-cannabis-ads/article_5c16f74e-d5ab-11ec-b1a6-27d73639c518.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Last June, The two largest station operators prepared major initiatives that led to changes at many CHR stations across the country. KOP proposes the idea to implement their initiatives across the board for nationally broadcasted terrestrial radio.
How Does Radio Reverse The Declining Listener Trend? https://radioink.com/2022/05/12/how-does-radio-reverse-the-declining-listener-trend/
Bob & Sheri reflect on first year at K 104.7 — and what they think of their old station https://www.charlotteobserver.com/entertainment/article260014805.html
Radio Looks To Modernize Its Place In The Digital Dashboard. https://www.insideradio.com/free/radio-looks-to-modernize-its-place-in-the-digital-dashboard/article_130d769c-caaf-11ec-91bd-b3352aa14e3f.html
If You Can Afford Only One Local Host, Do This
https://radioinsight.com/blogs/224199/if-you-can-afford-only-one-local-host-do-this/
The Diverging Plans For CHR At Audacy And iHeartMedia
https://radioinsight.com/blogs/210094/the-diverging-plans-for-chr-at-audacy-and-iheartmedia/
Major Labels, Publishers Reach Deal at CRB to Increase Songwriter Mechanical Royalties https://www.billboard.com/pro/crb-major-labels-publishers-songwriter-mechanical-royalties-deal/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, Depraved and Debaucherous… and the Wrestling is Real Wrestling Podcast.
Netflix loses a chunk of subscribers, content fails to click with viewers and corporate constraint has taken the once dominant streamer into a nose dive. KOP discusses.
Is Netflix Tanking Because Its Shows Have Gotten Bad?
https://www.thedailybeast.com/is-netflixs-downfall-because-its-shows-have-gotten-bad
Netflix’s Bad Habits Have Caught Up With It
https://www.vulture.com/2022/04/netflix-bad-decisions-have-caught-up-with-it.html
The success of Netflix’s latest drama compounds its problem with quality control https://www.techradar.com/news/the-success-of-netflixs-latest-drama-compounds-its-problem-with-quality-control
Netflix Is Being Sued By Its Own Shareholders Over Subscriber Slump
https://www.ign.com/articles/netflix-is-being-sued-by-its-own-shareholders-over-subscriber-slump
13% of U.S. Netflix subs would cancel if charged extra for password sharing https://www.fiercevideo.com/video/if-netflix-charges-extra-account-sharing-13-would-drop-service-aluma
The Ridiculous Pile-Up of New and Returning TV? Blame the Emmy Calendar https://variety.com/2022/tv/awards/emmys-tv-premieres-2022-april-may-1235243201/
Facebook Drops Podcast Listening Option, Cuts Cord With Spotify. https://www.insideradio.com/free/facebook-drops-podcast-listening-option-cuts-cord-with-spotify/article_00bfc84c-cb26-11ec-b63e-2fe8e43b1434.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
The NAB Show's CEO Keynote: "Transforming Radio in the Audio Renaissance" showcases the ignorance and neglect in entertaining programming and music discovery that radio leaders failed to give listeners a reason to stay with them. KOP explains why Podcasting has become Radio 2.0.
CEO Keynote: Transforming radio in the Audio Renaissance: #NABShow https://radioinfo.com.au/news/ceo-keynote-transforming-radio-in-the-audio-renaissance-nabshow/
NAB Show: Radio Industry Toppers See Radio And Audio ‘Surging Forward.’ https://www.insideradio.com/nab-show-radio-industry-toppers-see-radio-and-audio-surging-forward/article_e574ca36-c5a5-11ec-ba43-477cbb8378bc.html
A Matter of Trust: Radio In The Consumer’s Eyes https://www.rbr.com/a-matter-of-trust-radio-in-the-consumers-eyes/
Pay Your Respects To Radio, The Ancestor Of Podcasting https://www.rollingstone.com/culture-council/articles/pay-your-respects-to-radio-ancestor-of-podcasting-1330010/
Spotify lets creators in some markets publish video podcasts https://tcrn.ch/3K8wlP3
Facebook is losing interest in its podcasting plans, new report claims https://tcrn.ch/3K8wlP3
Policy recommendations for addressing content moderation in podcasts https://brook.gs/3rweRFX
Cumulus Releases Report on Podcast Audience, Smart Speaker Owners https://www.radioworld.com/uncategorized/cumulus-releases-report-on-podcast-audience-smart-speaker-owners
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Cochella showcased the core of today's music going viral without the traditional marketing of radio and record labels. Plus, KOP gives an important take on the rise of UK Rap and how they have overtaken their American counterparts.
Coachella: high-energy hedonism, surprise stars and Covid concerns https://www.theguardian.com/music/2022/apr/18/coachella-high-energy-hedonism-surprise-stars-and-covid-concerns
Lil Durk, Fivio Foreign, And The Changing Meaning Of “Drill”
https://www.stereogum.com/2183909/lil-durk-fivio-foreign-and-the-changing-meaning-of-drill/columns/status-aint-hood/
Tiffany Calver calls on UK rap talent to target growing European opportunities https://bit.ly/3NufF7Q
ArrDee: fresh, fierce charisma from the UK’s next leading rap star
https://www.nme.com/blogs/nme-radar/arrdee-interview-pier-pressure-mixtape-body-3185848
Finally, UK grime star Stormzy is coming to Melbourne
https://beat.com.au/finally-uk-grime-star-stormzy-is-coming-to-melbourne/
A Dizzy Record of Newfound Fame https://www.newyorker.com/culture/listening-booth/a-dizzy-record-of-newfound-fame
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
KOP discusses the Twitter Takeover by new majority shareholder Elon Musk, plus the creation of another corporate media conquest to further consolidate and clear out any duplication due to the digital disruption.
Elon Musk Launches $43 Billion Hostile Takeover Bid for Twitter https://variety.com/2022/digital/news/elon-musk-offering-to-buy-twitter-1235232598/
Elon Musk Explains Why He Wants to Buy Twitter, Says He Wants to “Open Source the Algorithm” https://www.hollywoodreporter.com/business/digital/elon-musk-talks-why-buying-twitter-1235130282/
Twitter Said To Be Mulling Poison Pill To Block Elon Musk Takeover – Update https://deadline.com/2022/04/elon-musk-offers-41-4bn-to-buy-twitter-1235002295/
Warner Bros Discovery Town Hall: CEO David Zaslav Tells Oprah Winfrey How Merger Came Together, Addresses CNN’s Future, Looming Staff Cuts https://deadline.com/2022/04/warner-bros-discovery-town-hall-details-david-zaslav-oprah-winfrey-1235002338/
Warner Bros. Discovery Town Hall Kicks Off With Oprah Winfrey; David Zaslav Says ‘The World Is Changing’ https://variety.com/2022/tv/news/warner-bros-discovery-town-hall-oprah-winfrey-1235232864/
Warner Bros Discovery Exploring Overhaul of DC Entertainment (EXCLUSIVE) https://variety.com/2022/film/news/dc-warner-bros-discovery-zaslav-hbo-max-1235232185/
Warner Bros. Discovery Wants Kevin Feige-Style Leader to Overhaul DC, More Movies Like ‘Joker’ https://www.indiewire.com/2022/04/warner-bros-discovery-kevin-feige-leader-dc-overhaul-joker-1234717022/
The Rapid Growth of Legalized U.S. Sports Betting https://variety.com/vip/the-state-of-online-sports-gambling-1235228711/
How Streaming Is Straining Linear TV https://variety.com/vip/how-streaming-is-straining-linear-tv-1235224490/
How To Launch A National Radio Station
https://radioinsight.com/headlines/223202/how-to-launch-a-national-radio-station/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
All the major podcast players are positioning and pioneering the audio space to pull in more listeners and pull in more profit. KOP lays out the progress.
How SiriusXM bought and bungled a beloved podcast network https://www.theverge.com/22989201/siriusxm-podcasts-earwolf-stitcher-acquisition-hosts-employees-leaving
Want an idea of YouTube’s plans for podcasting? Take a look at its pitch deck.
https://www.tubefilter.com/2022/03/30/youtube-podcasts-landing-page-pitch-deck-pod-news/
Podcasting is the New College
Creating value for listeners also offers a number of unique benefits for businesses.
https://www.entrepreneur.com/article/421589
Substack announced a broader push into podcasting on Tuesday, including poaching four shows from rival Patreon https://www.bloomberg.com/news/articles/2022-04-05/substack-poaches-more-patreon-stars-amid-larger-podcasting-push
Spotify's Podcast Investments Could Start Producing Profits Soon | NASDAQ https://www.nasdaq.com/articles/spotifys-podcast-investments-could-start-producing-profits-soon
Seven Takeaways About Podcasting From The 2022 Infinite Dial. https://www.insideradio.com/free/seven-takeaways-about-podcasting-from-the-2022-infinite-dial/article_b5bf4992-ab3d-11ec-9e3d-ff16d21bc89a.html
Majority Of Advertisers Plan To Increase Spend On Podcasting and Streaming Audio. https://www.insideradio.com/free/majority-of-advertisers-plan-to-increase-spend-on-podcasting-and-streaming-audio/article_5b96d3ce-a361-11ec-b45c-275e3f03c9db.html
How NFTs create new opportunities in the entertainment industry https://venturebeat.com/2022/03/08/how-nfts-create-new-opportunities-in-the-entertainment-industry/
Exclusive: iHeartMedia building new NFT network for podcasts https://www.axios.com/iheartmedia-new-nft-network-podcasts-5c67986c-2f02-4dec-978b-7ae30c78a6b5.html
From the Chris Rock G. I Jane Joke to Slapgate to the Best Actor Oscar for King Richards, we will dissect Will Smith's Best and Worst Night Ever and what led to this unfortunate Academy Awards fiasco.
Academy Leaders Say Inquiry Into Will Smith’s Actions Will Take Weeks https://www.hollywoodreporter.com/movies/movie-news/academy-says-will-smith-inquiry-will-take-few-weeks-1235122214/
How Will the Academy Deal With Will Smith? Governors, Members Weigh In https://www.hollywoodreporter.com/movies/movie-news/1235121887-will-smith-chris-rock-oscars-1235121887/
The story of Slapgate: Will Smith and Chris Rock’s relationship through the years
From 'The Fresh Prince' to Oscars infamy...
https://www.nme.com/features/film-features/will-smith-chris-rock-relationship-through-the-years-3193434
Will Smith, Chris Rock Incident “Will Take A Few Weeks” To Probe Says Academy In Letter To Members https://deadline.com/2022/03/will-smith-chris-rock-incident-will-take-a-few-weeks-1234990670/
Second Thoughts On The Oscars, Toxic Masculinity & Admitting Wrong For Appeasing Will Smith’s Assault On Chris Rock https://deadline.com/2022/03/academy-awards-toxic-masculinity-admitting-wrong-will-smith-chris-rock-jada-pinkett-smith-assault-second-thoughts-1234990293/
Zoë Kravitz Calls Oscars “The Show Where We Are Apparently Assaulting People On Stage Now” https://deadline.com/2022/03/zoe-kravitz-oscars-will-smith-slap-assault-1234990573/
Will Smith slap: Actor hitting Chris Rock at Oscars prompts LAPD statement, flood of memes - National | Globalnews.ca https://globalnews.ca/news/8715228/will-smith-chris-rock-slap-oscars-academy-lapd/
People Were Pissed About Amy Schumer Calling Kirsten Dunst A Seat Filler At The Oscars, And She Finally Responded https://www.buzzfeed.com/morganmurrell/amy-schumer-kirsten-dunst-oscar-joke-backlash-response
Comedians Rally Around Chris Rock, Express Concern About Violence Towards Comics: “Now We All Have To Worry” https://deadline.com/2022/03/comedians-defend-chris-rock-will-smith-slap-1234989485/
Will Smith Recalls Life-Changing Psychedelic Experiences in New Book https://hightimes.com/news/will-smith-recalls-life-changing-psychedelic-experiences-in-new-book/
Jada Pinkett Smith Declared ‘I Don’t Give Two Craps What People Feel About This Bald Head of Mine’ Before Oscars https://deadline.com/2022/03/jada-smith-head-tiktok-comment-before-oscars-1234989505/
Jada Pinkett Smith Calls for ‘Healing’ After Will Smith Slaps Chris Rock at the Oscars https://variety.com/2022/film/news/jada-pinkett-smith-reacts-will-smith-slap-chris-rock-oscars-1235216678/
Richard Williams Speaks Out on Will Smith Slapping Chris Rock at the Oscars: ‘We Don’t Condone Anyone Hitting Anyone Else’ https://variety.com/2022/film/news/will-smith-richard-williams-oscars-chris-rock-1235217501/
Kareem Abdul-Jabbar Criticizes Will Smith for ‘Perpetuating Stereotypes’ About Black Community https://www.thewrap.com/kareem-abdul-jabbar-will-smith-perpetuating-stereotypes-black-community/
Slapgate Is Chris Rock’s Defining Moment https://variety.com/vip/slapgate-is-chris-rocks-defining-moment-1235218041/
From Will Smith to Cut Categories: How the Oscars Can Recover After Its Most Controversial Year Ever https://variety.com/2022/film/news/will-smith-oscars-controversy-recovery-1235217950/
Bob Chapek’s Missteps Fuel Confidence Crisis at Disney https://www.hollywoodreporter.com/business/business-news/bob-chapek-missteps-fuel-confidence-crisis-1235122002/
In Search of ‘Show Biz Radio’
https://radioinsight.com/blogs/221572/in-search-of-show-biz-radio/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
The music industry is a mess over their work promoting artists and their battle for revelancy against the digital revolutionaries of Spotify, Apple, Pandora and others. KOP explains.
Music’s Messy Digital Revolution https://www.nytimes.com/2022/03/15/technology/music-industy-digital-revolution.html
52,600 artists generated over $10k on Spotify last year – and 15,140 of them uploaded their own music - Music Business Worldwide https://www.musicbusinessworldwide.com/52600-artists-generated-over-10k-on-spotify-last-year-and-15140-of-them-uploaded-their-own-music/
‘Free’ music streaming paid the record industry $4.6bn in 2021… and other key insights from the latest IFPI Global Music Report - Music Business Worldwide https://www.musicbusinessworldwide.com/free-music-streaming-worth-4-6bn-to-the-record-industry-in-2021-and-3-other-key-insights-from-ifpis-latest-global-mu
Spotify just dropped a stat that changes everything about how we judge the streaming economy https://www.musicbusinessworldwide.com/podcast/spotify-just-dropped-stat-changes-everything-about-how-we-should-judge-the-streaming-economy/
Spotify says it paid out a record $7B to music industry in 2021 https://www.axios.com/spotify-record-7b-music-industry-2021-8308de93-6f12-45c2-bf1f-b3b724bfbfab.html
The Infinite Dial: U-S Online Listening Grows https://mediaconfidential.blogspot.com/2022/03/the-infinite-dial-u-s-online-listening.html
Edison Research Releases 2022 Infinite Dial Data
https://radioinsight.com/headlines/221777/edison-research-releases-2022-infinite-dial-research/
Netflix’s Password Crackdown Will Be Tougher Than It Seems https://variety.com/vip/netflixs-password-crackdown-will-be-tougher-than-it-seems-1235208619/
Big Troubles Brewing for Big Tech https://variety.com/vip/big-troubles-brewing-for-big-tech-1235208601/
Which Comes First? The Station or the Music?
https://radioinsight.com/blogs/221089/which-comes-first-the-station-or-the-music/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Its time to do another radio rant about the stagnation of hit music and new music being released. KOP break down the established corporate new music censorship.
Daylight Savings Time Proposal Threatens To Cut Short Morning Drive For AM Radio. https://www.insideradio.com/free/daylight-savings-time-proposal-threatens-to-cut-short-morning-drive-for-am-radio/article_36a456be-a5bd-11ec-ab82-3f4b747df04e.html
Do Fewer Radios In the Home Present a Problem For Broadcasters? https://www.rbr.com/do-fewer-radios-in-the-home-present-a-problem-for-broadcasters/
Music Industry No Longer Sees Radio Royalty Settlement Coming Outside Of Congress. https://www.insideradio.com/free/music-industry-no-longer-sees-radio-royalty-settlement-coming-outside-of-congress/article_9923b4f8-a043-11ec-88ca-a713cc6a3878.html
NFT Activity in the Entertainment Industry: Who’s Doing What https://variety.com/vip/whats-behind-entertainments-nft-incursion-1235194640/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
The Batman breaks through 128 million domesically and over a quarter million worldwide. The DCEU decides to shuffle their release schedule of superhero flicks. KOP explains.
‘Aquaman 2’ Shifts to Spring 2023, ‘Shazam!’ Sequel Moves Up to December https://www.thewrap.com/aquaman-2-release-date-shifts-shazam-2-december/
‘The View': Samuel L. Jackson Defends Superhero Movies From Director Critics: ‘Movies Are Movies’ https://www.thewrap.com/the-view-samuel-l-jackson-defends-superhero-movies-from-director-critics-movies-are-movies/
Disney Censors Same-Sex Affection in Pixar Films, According to Letter From Employees https://variety.com/2022/film/news/disney-pixar-same-sex-affection-censorship-dont-say-gay-bill-1235200582/
Amazon launches a 'live radio' app, Amp, which lets you play DJ with music and call-ins https://tcrn.ch/3sRF8zG
Amazon just jumped into the live-audio industry https://www.protocol.com/entertainment/amazon-amp-music
What Content Marketers Need To Know About Podcasting https://www.forbes.com/sites/colettecoleman/2022/03/08/what-content-marketers-need-to-know-about-podcasting/
Report: YouTube offering podcasters $50-300K 'grants' to make video versions of shows https://9to5google.com/2022/03/05/youtube-podcast-grants/
Twitter is working on a podcasts tab https://tcrn.ch/3IDbio1
The Booming Business of Kids’ Podcasting: “It Has Absolutely Exploded” https://www.hollywoodreporter.com/business/digital/podcasting-studios-streamers-childrens-podcasts-1235101928/
NAB Says It Hasn’t Heard A Peep From Music Industry Over Its Offer To Restart Royalty Talks. https://www.insideradio.com/free/nab-says-it-hasn-t-heard-a-peep-from-music-industry-over-its-offer-to/article_7a6e1e52-9ded-11ec-b209-a3d84ee46238.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Positive Reviews and Praise Befall the Batman on its opening weekend. KOP analyzes Matt Reeves’ newest take on the Batman franchise starring Robert Pattinson, Jeffrey Wright, Zoë Kravitz, Paul Dano and Colin Farrell.
‘The Batman’ Is Set to Ignite the Box Office – Even Without Russia https://www.yahoo.com/now/batman-set-ignite-box-office-005509638.html
Is ‘The Batman’ the First 2023 Oscar Contender? https://variety.com/2022/awards/awards/the-batman-oscars-robert-pattinson-paul-dano-zoe-kravitz-1235193753/
AMC Is Charging More For ‘Batman’ Tickets; CEO On Variable Pricing And “Transformational M&A” https://deadline.com/2022/03/amc-entertainment-ceo-adam-aron-batman-tickets-variable-pricing-box-office-1234968595/
'Secrets of Playboy' is not the Hugh Hefner takedown you were expecting https://www.latimes.com/entertainment-arts/tv/story/2022-01-31/secrets-of-playboy-hugh-hefner-don-cornelius
No one tell Sam Elliott about “Brokeback Mountain” because he already has his cowboy chaps in a twist about Jane Campion’s “The Power of the Dog” over its “allusions of homosexuality,” among other concerns. https://www.huffpost.com/entry/sam-elliott-the-power-of-the-dog_n_621e5c4ee4b0a7784bafe79c
TikTok ups max video length to 10 minutes. Should YouTube be worried? https://www.musicbusinessworldwide.com/tiktok-max-video-length-to-10-minutes-should-youtube-be-worried1/
How Clubhouse Can Keep Pace in the Social Audio Race https://variety.com/vip/how-clubhouse-can-keep-pace-in-the-social-audio-race-1235190680/
Did Radio Destroy the Recurrent?
https://radioinsight.com/blogs/220048/did-radio-destroy-the-recurrent/
Why Spotify, Amazon Are Set to Spark the Next Podcast Bidding War https://variety.com/vip/why-spotify-amazon-are-set-to-spark-the-next-podcast-bidding-war-1235184206/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel and search for King Of Podcasts
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Uncharted performs as an underdog February flick while The Batman looks to give the box office a big bounce into Spring. KOP reviews the potential profits from both. Plus, the Oscars get ostracized for some critical changes.
‘The Batman’ Can’t Save The Box Office Alone via @forbes https://www.forbes.com/sites/scottmendelson/2022/02/22/batman-box-office-sonic-morbius-pixar/
The Batman First Reactions Released Early (& They're Very Good) screenrant.com/the-batman-movie-reviews-early-reactions
'Uncharted' beat expectations at the box office, but needs staying power to become a rare video-game movie hit https://www.businessinsider.com/uncharted-movie-beats-box-office-expectations-details-reviews-2022-2
Oscars Shakeup: 8 Awards to Be Handed Out Ahead of Live Telecast https://www.thewrap.com/oscars-2022-8-awards-handed-out-before-live-broadcast/
Film Academy Gets Zero Stars From Critics for Cutting 8 Key Categories From Oscars Broadcast https://www.thewrap.com/film-academy-gets-zero-stars-from-critics-for-cutting-8-key-categories-from-oscars-broadcast/
Streaming Has Supersized TV Episodes, But How Long Is Too Long? https://variety.com/2022/tv/features/inventing-anna-gilded-age-tv-length-streaming-1235188062/
Why Spotify, Amazon Are Set to Spark the Next Podcast Bidding War https://variety.com/vip/why-spotify-amazon-are-set-to-spark-the-next-podcast-bidding-war-1235184206/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Podcasting Giants Spotify and iHeartRadio are making a Power Play for the Pole Position in Digital Audio. KOP runs through the latest moves made.
Spotify snaps up podcast measurement and analytics firms Podsights and Chartable
https://techcrunch.com/2022/02/16/spotify-snaps-up-podcast-measurement-and-analytics-firms-podsights-and-chartable/
iHeart Will Tap Sounder’s Brand Safety Tools To Make More Podcasts Appealing To Ad Buyers. http://www.insideradio.com/podcastnewsdaily/iheart-will-tap-sounder-s-brand-safety-tools-to-make-more-podcasts-appealing-to-ad/article_bc2d07f8-8f52-11ec-a81a-038b4ac50c95.html
Edison Research, ARM Release Super Listeners Study
https://news.radio-online.com/articles/b16954/Edison-Research-ARM-Release-Super-Listeners-Study
Here’s Why Talk Radio Needs To Embrace Podcasting. http://www.insideradio.com/free/here-s-why-talk-radio-needs-to-embrace-podcasting/article_ff2eb8ac-8fcb-11ec-b826-7b5f8178b555.html
Why Is U.S. Radio Sitting Out The Audio Renaissance? https://jacobsmedia.com/why-is-u-s-radio-sitting-out-the-audio-renaissance/
Why Radio Doesn't Care About Gen Z (But Why It Should) - https://jacobsmedia.com/?p=65849
Is Blockchain the Future of Entertainment?
Blockchain technology could have a direct impact on entertainment for years to come.
https://www.rollingstone.com/culture-council/articles/blockchain-future-of-entertainment-1298876/
Paramount Needs a Partner: New Name Shouldn’t Change Its M&A Game https://variety.com/vip/paramount-needs-a-partner-new-name-shouldnt-change-its-ma-game-1235183114/ via @variety
Things We Saw Today: The New MoviePass Is the Stuff of Nightmares https://www.themarysue.com/moviepass-is-back-to-track-your-eyeballs/
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Sports on TV and Its Unstoppable Super Bowl of Success
Live Sports continues to strive and suceed from the digital disruption, and networks have been experimenting with new spins on traditional sports telecasts to draw new viewers. KOP looks into it.
Inside the ManningCast: How ESPN and Two Football Brothers Are Transforming Sports TV https://variety.com/2022/sports/features/espn-manningcast-superbowl-sports-tv-ratings-1235175580/
The future of TV sports, Part 1: How we got here
https://www.thescore.com/news/2286611
The future of TV sports, Part 2: Where we're going
https://www.thescore.com/mlb/news/2286617
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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From the resignation of Jeff Zucker from CNN, to the music exodus from Spotify to controversial comments on live TV, Corporate Media deals with several significant crises. KOP discusses.
Jeff Zucker’s Ouster: The Probe, The Relationship, The Lawyer’s Letter & The Phone Call That Led To CNN CEO’s Shocking Exit
https://deadline.com/2022/02/jeff-zucker-cnn-exit-scandal-allison-gollust-chris-cuomo-david-zaslav-1234925526/
Jeff Zucker Resigns As Head Of CNN, Citing Failure To Disclose “Consensual Relationship” With A Colleague
https://deadline.com/2022/02/jeff-zucker-resigns-as-head-of-cnn-1234924902/
After Jeff Zucker’s Exit: CNN Holds “Tense” Meeting With Jason Kilar as Staff Reels https://www.hollywoodreporter.com/business/business-news/cnn-streaming-jeff-zucker-discovery-1235086462/
Whoopi Goldberg Suspended From 'The View' By ABC After "Wrong And Hurtful" Holocaust Comments
https://deadline.com/2022/02/whoopi-goldberg-suspended-the-view-1234924699/
Why artists are leaving Spotify https://www.washingtonpost.com/arts-entertainment/2022/02/03/why-artists-leaving-spotify/
There Are Multiple Reasons Artists Are Leaving Spotify Over Joe Rogan https://www.insidehook.com/daily_brief/music/joe-rogan-spotify-race
Why more musicians haven't joined Neil Young's Spotify boycott over Joe Rogan https://www.latimes.com/entertainment-arts/business/story/2022-02-01/what-weve-learned-from-spotifys-joe-rogan-response
Opinion | What the Neil Young-Spotify moment teaches us https://www.washingtonpost.com/opinions/2022/02/01/what-the-spotify-joe-rogan-moment-teaches-us/
Broadcast-news industry is exploiting its own, which threatens the public trust | Opinion https://www.miamiherald.com/opinion/op-ed/article257672493.html
News organizations are increasing diversity efforts, a Medill survey finds
Journalists report notable changes, including new training programs, hiring procedures and policies around language, the survey shows.
https://www.poynter.org/business-work/2022/news-media-diversity-equity-inclusion-2022/
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Comments of Criticisms, Canceling and Censorship abound with the likes of Peter Dinklage, Neil Young and Howard Stern. KOP breaks it all down. Plus, more on the lack of new music being released.
Disney Responds to Peter Dinklage’s ‘Snow White’ Live-Action Criticisms (Exclusive) https://www.hollywoodreporter.com/movies/movie-news/peter-dinklage-disney-responds-snow-white-criticism-1235080612/
Howard Stern Says He 'Doesn't Want To See Joe Rogan Cancelled': 'I Don't Like Censorship' https://mediaite.com/a/mqitv
Is Old Music Killing New Music?
Old songs now represent 70 percent of the U.S. music market. Even worse: The new-music market is actually shrinking.
https://www.theatlantic.com/ideas/archive/2022/01/old-music-killing-new-music/621339/
What's Old Is New Again - https://jacobsmedia.com/?p=65625
Broadcast to Podcast: As They Flip Off Radio Careers, Former On-Air Hosts Weather Complicated Pivot https://variety.com/2022/music/news/broadcast-podcast-radio-pivot-stars-1235155844/
Defining ‘Real Radio’ in 2022 https://radioinsight.com/blogs/218787/defining-real-radio-in-2022/
Is the Media Doomed? https://politi.co/33xNwL1
Two Looming Battlegrounds for NFTs https://variety.com/vip/two-looming-battlegrounds-for-nfts-1235151277/
NBC And Fox Will Both Air USFL Opener In April, In First TV Network Sports Simulcast Since 1967 https://deadline.com/2022/01/fox-nbc-usfl-first-tv-network-sports-simulcast-since-1967-super-bowl-1234919357/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Radio and Payola is back in the news thanks to a judgement from a recent lawsuit. Plus, a lawsuit over iHeart and Google Paid Ads gets resolved.
‘Payola Is Illegal’: Lawsuit Revives Pay-for-Play Accusations in Radio Industry https://www.rollingstone.com/music/music-features/pay-for-play-lawsuit-radio-1287139/
FLASHBACK Want to Get on the Radio? Have $50,000? https://www.rollingstone.com/pro/features/radio-stations-hit-pay-for-play-867825/
FLASHBACK Pay-for-Play Was Banned From Radio — But Texts Reveal It May Still Be Thriving https://www.rollingstone.com/pro/features/pay-for-play-radio-texts-1067691/
Attorney General Drops Lawsuit on Google Over Radio Ads https://radioink.com/2022/01/20/attorney-general-sueing-google-over-radio-ads/
Sportsbooks Continue To Spend Millions On Radio Advertising https://sportshandle.com/sportsbooks-spending-millions-radio-advertising/
Over 73% of the US music market is now claimed by catalog records, rather than new releases (UPDATE) - Music Business Worldwide https://www.musicbusinessworldwide.com/over-82-of-the-us-music-market-is-now-claimed-by-catalog-records-rather-than-new-releases2/
World’s First Space-Based Entertainment Studio To Launch In 2024; S.E.E. Unveiled As Studio Behind Tom Cruise Space Film https://deadline.com/2022/01/worlds-first-space-based-entertainment-studio-to-launch-in-2024-s-e-e-unveiled-as-studio-behind-tom-cruise-space-film-1234915122/
How Web3 and DAOs can be a blessing for the music industry https://thenextweb.com/news/how-web3-and-daos-can-be-a-blessing-for-the-music-industry
How Music NFTs Could Disrupt the Music Industry
https://cryptonews.com/exclusives/how-music-nfts-could-disrupt-music-industry.htm
How the Future of Streaming Will Leverage Web 3.0 To Make Media Free of Every End User
https://hackernoon.com/how-the-future-of-streaming-will-leverage-web-30-to-make-media-free-of-every-end-user
Survey Points To Big Opportunity For Podcasters Among B2B Brand Marketers. http://www.insideradio.com/free/survey-points-to-big-opportunity-for-podcasters-among-b2b-brand-marketers/article_121142f6-78f6-11ec-ae8f-5bae40645931.html
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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TV and Radio Host Steve Harvey Speaks up about political correctness and how the evolution to cancel culture had killed comedy to where he would choose not to perform any stand-up specials in the future.
Steve Harvey Slams “Cancel Culture”: “Political Correctness Has Killed Comedy” https://www.hollywoodreporter.com/tv/tv-news/steve-harvey-cancel-culture-123507328
Steve Harvey Has No Plans For Stand-Up Comedy Special Due To Cancel Culture https://deadline.com/2022/01/steve-harvey-no-plans-stand-up-comedy-special-cancel-culture-1234908281
Is this the way to sidestep 'cancel culture' and be friends with everyone? Maybe. https://www.usatoday.com/story/life/health-wellness/2022/01/11/patton-oswalt-dave-chappelle-cancel-culture-changing-future/9134911002/
Music Radio: A Kingdom of Gold https://radioink.com/2022/01/11/music-radio-a-kingdom-of-gold/
Radio vs. Spotify
https://james.crid.land/update/radio-vs-spotify
As Media Companies Focus On Streaming, The Audience Of Their Cable Networks Continue To Drop https://www.forbes.com/sites/bradadgate/2022/01/05/as-media-conglomerates-focus-on-streaming-the-audience-of-their-cable-networks-continue-to-drop/
Streaming platforms and service providers are teaming up to woo subscribers
When it comes to retaining customers, two—or three, or four—heads are better than one.
https://www.morningbrew.com/marketing/stories/2022/01/13/streaming-platforms-and-service-providers-are-teaming-up-to-woo-subscribers
Media experts sound alarm on rise of paywalled content https://www.axios.com/media-startups-subscriptions-elite-401b9309-404e-482b-9e23-718f9daea3a6.html
The average hit podcast is more than 7 years old. Where are the new hits? https://www.bloomberg.com/news/newsletters/2022-01-09/podcasting-hasn-t-produced-a-new-hit-in-years
Spotify shuts down its namesake podcast studio https://www.theverge.com/2022/1/11/22877242/spotify-studios-four-lay-off-original-podcast
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The Movie Comeback Continues with more backlogged titles hitting the box office. Streamers Struggle For Subscribers and Might seek some consolidating to begin the next phase of bundling.
With Tentpoles Bound To Surge The 2022 Box Office, The Great Theatrical-Streaming Day & Date Experiment Goes Out Like A Dud In 2021 https://deadline.com/2022/01/2022-box-office-theatrical-streaming-day-date-experiment-1234902774/ via @Deadline
“It’s a Leaner, Meaner Business”: Hollywood Braces for Volatile 2022 Box Office https://www.hollywoodreporter.com/business/business-news/box-office-2022-1235070014/ via @th
After a Seismic Year, Genre Film and TV Aims for Even Busier 2022 https://www.hollywoodreporter.com/movies/movie-features/2022-superhero-sci-fi-movies-1235068735/ via @thr
Alexa, You Have A Problem! - https://jacobsmedia.com/?p=65206
Data: How Movies Powered HBO Max 2021 Subscriber Growth https://variety.com/vip/data-how-movies-powered-hbo-max-2021-subscriber-growth-1235147502/ via @variety
Three-fifths frustrated with navigating streaming video content
https://www.rapidtvnews.com/2022010461829/three-fifths-frustrated-with-navigating-streaming-video-content.html
Trust in media is low worldwide. Are media outlets reaching out to the wrong people? https://www.poynter.org/ethics-trust/2022/a-trust-issue-are-media-outlets-reaching-out-broadly-enough/
News engagement fell off a cliff in 2021 https://www.axios.com/media-ratings-traffic-2021-a6be4d72-ba5f-4f8a-ae3e-0872ecd87677.html
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TV News tumbles In a total decline of trust. KOP explains why he thinks it has much more to do than just tribal politics and a spin cycle of overexaggerated opinions.
A Look Back At 2021: Cable News Viewership Dropped — And There May Be More Disruption To Come (Analysis) https://deadline.com/2021/12/cable-news-ratings-2021-fox-cnn-1234899789/ via @Deadline
TV’s Biggest Newsrooms Poised for 2022 Surge in Streaming Wars https://variety.com/2021/tv/news/tv-news-streaming-wars-cnn-fox-news-abc-news-1235143944/ via @variety
'Spider-Man' is a box office hero. Is Hollywood in a post-movie star era? https://www.latimes.com/entertainment-arts/business/newsletter/2021-12-28/spider-man-is-a-box-office-hero-is-hollywood-in-a-post-movie-star-era-the-wide-shot
2021 Was Bound to Be a Year of Pop Culture Disappointments
Despite high points like Dune and Squid Game, the year was full of letdowns. Perhaps we wanted too much.
https://www.wired.com/story/2021-year-of-cultural-disappointments/
Understanding the Basic Building Blocks of the Metaverse https://www.rollingstone.com/culture-council/articles/basic-building-blocks-metaverse-1275018/ via @RollingStone
The evolution of podcasting may continue to its own demise https://depauliaonline.com/?p=55999
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Spider-Man No Way Home proves the box office has overcome the odds the pandemic placed against it. KOP gives his take on the year's top selling movie blockbuster.
‘Spider-Man: No Way Home’ Swings Past $800M Global To Become No. 1 Hollywood Title Of 2021; ‘Matrix Resurrections’ & ‘Sing 2’ Expand Overseas – International Box Office https://deadline.com/2021/12/spider-man-no-way-home-crosses-800-million-global-matrix-resurrections-sing-2-international-box-office-1234901157/ via
‘Spider-Man: No Way Home’ Box Office Is Mixed Blessing for Hollywood https://www.hollywoodreporter.com/movies/movie-news/spider-man-no-way-home-box-office-is-mixed-blessing-for-hollywood-1235066038/ via @thr
It’s a Resurrection: ‘Matrix’ Will Add to the Box Office Boom ‘Spider-Man’ Began https://www.indiewire.com/2021/12/matrix-resurrections-spider-man-holiday-box-office-1234687212/ via @indiewire
How Exclusive Contracts Leave Writers and Actors Scrambling to Navigate Supercharged Job Market https://variety.com/2021/tv/entertainment-industry/exclusive-deals-streamers-prestige-television-1235142536/ via @variety
Fading Ratings: Where TV Audience Size Will Increase in 2022 https://variety.com/vip/fading-ratings-where-tv-audience-size-will-increase-in-2022-1235142680/ via @variety
New Duopoly Threat: Google and Amazon Could Control 80% of All Connected TVs in a Decade | PRO Insight
https://www.thewrap.com/google-amazon-connected-tv-control-duopoly/
https://outline.com/5WRBNZ
CMA Study: How Country Can Expand Its Audience https://mediaconfidential.blogspot.com/2021/12/cma-study-how-country-can-expand-its.html
2021 Was Bound to Be a Year of Pop Culture Disappointments
Despite high points like Dune and Squid Game, the year was full of letdowns. Perhaps we wanted too much.
https://www.wired.com/story/2021-year-of-cultural-disappointments/
The evolution of podcasting may continue to its own demise https://depauliaonline.com/?p=55999
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Spider-Man: No Way Home is setting the upcoming trend for the box office in 2022. Cinematic Universe movies are on the brink to bring the box office to a monumental comeback. KOP looks into what's ahead.
‘Spider-Man: No Way Home’ Global Box Office To Sling Minimum $290M In Opening Weekend https://deadline.com/2021/12/spider-man-no-way-home-global-box-office-to-sling-minimum-290m-in-opening-weekend-1234891192/ via @Deadline
‘Spider-Man: No Way Home’ Review: Tom Holland Cleans Out the Cobwebs of Sprawling Franchise With Multiverse Super-Battle
Convoluted as the Marvel Cinematic Universe has gotten, Holland's latest opus spins two decades and three iterations of the Spidey brand into a satisfying meta-adventure. https://variety.com/2021/film/reviews/spider-man-no-way-home-review-tom-holland-1235132550/ via @variety
Spielberg’s ‘West Side Story’ Opens to Tepid Box Office Receipts https://www.nytimes.com/2021/12/12/business/media/west-side-story-tepid-sales.html
Does Box Office Impact a Film’s Oscar Chances? https://www.hollywoodreporter.com/movies/movie-features/box-office-films-oscars-1235058136/ via @thr
Fading Ratings: How Far Broadcast TV Has Tumbled Since 2015 https://variety.com/vip/fading-ratings-how-far-broadcast-tv-has-tumbled-since-2015-1235124641/ via @variety
Fading Ratings: How 24-Hour News Swallowed Other Cable Genres’ Market Share https://variety.com/vip/fading-ratings-how-24-hour-news-swallowed-other-cable-genres-market-share-1235130284/ via @variety
Will OTT Consolidation Hamper Innovation?
https://www.streamingmedia.com/Articles/Columns/Streams-of-Thought/Will-OTT-Consolidation-Hamper-Innovation-150168.aspx
The Streaming Wars Will End in Treaties. They Won’t Be Pretty. https://observer.com/2021/04/streaming-wars-winners-losers-consolidation-mergers-netflix-disney-fox-viacom-cbs/
The Next Era of the Streaming Wars Looks an Awful Lot Like TV
This week, WarnerMedia and Discovery announced they are merging. Soon, streaming could be dominated by a Big Three. Sound familiar? https://www.wired.com/story/media-consolidation-streaming-wars/
Are we witnessing the rise of the $9.99 creator subscription economy? - Music Business Worldwide https://www.musicbusinessworldwide.com/are-we-witnessing-the-rise-of-the-9-99-creator-subscription-economy/
Here’s How NFTs Could Disrupt a Heavily Centralized Music Industry - https://blockworks.co/heres-how-nfts-could-disrupt-a-heavily-centralized-music-industry/ via @Blockworks_
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Reports are abound that members of the iHeartPodcast Network division say they “have been encouraged to embrace the dynamism of start-up culture without any of the associated benefits.” They have signed union cards to organize with the Writers Guild of America. KOP gives his take.
Writers, Producers & Hosts At iHeartPodcast Network Unionize With WGA East https://deadline.com/2021/12/iheartpodcast-network-unionizes-wga-east-1234887961/ via @Deadline
Podcasters at IHeartMedia say their unionization campaign has secured majority backing, extending a recent wave of organizing in the convulsive media industry https://www.bloomberg.com/news/articles/2021-12-09/iheartmedia-podcasters-launch-union-extending-organizing-wave via @technology
Are iHeartMedia Podcasters The Next WGA Members? https://www.rbr.com/are-iheartmedia-podcasters-the-next-wga-members/ via @rbrtvbr
Travis Scott Says He Didn’t Know About Astroworld Tragedy Until After Show, Calls for Concert Industry to “Figure Out What Happened” https://www.hollywoodreporter.com/news/music-news/travis-scott-charlamagne-tha-god-astroworld-interview-1235059892/ via @thr
Sports have a Gen Z problem, and it could take some experimenting to fix https://deadspin.com/sports-have-a-gen-z-problem-and-it-could-take-some-exp-1848161162
Universal Movies to Debut on Peacock 45 Days After Theater Release https://www.thewrap.com/universal-movies-peacock-45-days-theater-release/
How TikTok Reads Your Mind https://www.nytimes.com/2021/12/05/business/media/tiktok-algorithm.html
The Substack scaries are over for media companies https://www.axios.com/substack-subscribers-competitors-f8b21c46-10f5-4a75-ad65-11a93103ae8e.html
Twitter's new 'private media' policy devastates investigative journalism | Opinion https://www.newsweek.com/twitters-new-private-media-policy-devastates-investigative-journalism-opinion-1656122
Music Listening Behavior is Changing https://www.radioworld.com/news-and-business/programming-and-sales/music-listening-behavior-is-changing
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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The Metaverse is the new digital disruptor in media and the big media companies are looking to find their way into the space. KOP explains the benefits of investing into building content and engaging into the space.
Metaverse and Media: How Tech’s Hottest Trend Will Impact the Entertainment Industry https://variety.com/vip-special-reports/metaverse-and-media-how-techs-hottest-trend-will-impact-the-entertainment-industry-1235116381/ via @variety
How NFTs Will Disrupt Gaming and Music in 2022 https://variety.com/vip/how-nfts-will-disrupt-gaming-and-music-in-2022-1235107376/ via @variety
NFTs are disrupting collector culture. But fans aren't buying it. https://mashable.com/article/nfts-fandom-collector-culture
Edison’s “Share Of Ear” Q3 2021 Five-Year Report Card: Pandora Collapses, Spotify Stagnates, Podcasts Soar, AM/FM Radio Dominates, And AM/FM Radio Streaming Is Up 2X https://www.westwoodone.com/2021/11/29/edisons-share-of-ear-q3-2021-five-year-report-card-pandora-collapses-spotify-stagnates-podcasts-soar-am-fm-radio-dominates-and-am-fm-radio-streaming-is-up-2x/
Radio: Avoid the Abandoned Mall Feeling
https://powergold.com/2021/11/17/radio-avoid-the-abandoned-mall-feeling/
That radio DJ you hear might already be a robot https://www.reuters.com/technology/that-radio-dj-you-hear-might-already-be-robot-2021-12-02/
A View Into The Future of Radio in 2030 https://radioink.com/2021/11/22/a-view-into-the-future-2030/ via @radio_ink
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Reboots, Remakes and re-engineering movies and TV shows is what the big corporate media giants are doing to support their streaming services and the box office. We talk about why they can't help themselves.
Netflix's 'Cowboy Bebop' is everything wrong with nostalgia reboots https://www.engadget.com/cowboy-bebop-review-netflix-191548307.html via @engadget
Why does Hollywood produce so many remakes, prequels, sequels and reboots? https://www.buzz.ie/movies/hollywood-produce-many-remakes-prequels-25386785
Hollywood will only keep up its reboot-rewind phase for as long as we buy into it https://www.highlandernews.org/83138/hollywood-will-only-keep-up-its-reboot-rewind-phase-for-as-long-as-we-buy-into-it/ via @UCRHighlander
28 TV reboots, remakes, and spin-offs that are in the works https://www.insider.com/tv-reboot-remake-spin-offs-2018-9
Why are there so many film and TV remakes right now? Is it entertainment Groundhog Day? https://www.cosmopolitan.com/uk/entertainment/a37787577/film-tv-reboots-why-so-many/
10 of the best TV reboots and revivals https://ew.com/tv/best-tv-reboots-and-revivals
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Travis Scott Astroworld Trial Trouble Nearing Three Billion and YouTube Yanks Dislikes?!
Two major lawsuits have been filed Against Travis Scott, Drake, and Astroworld Fest Organizers over the recent festival where now 10 dead victims have now been identified. Plus, YouTube decides to drop the dislike button.
$2 Billion Lawsuit Filed Against Travis Scott, Drake, and Astroworld Fest Organizers Following Tragedy https://www.yahoo.com/entertainment/travis-scott-drake-apple-live-192020828.html
Travis Scott is being sued for $750 million over the Astroworld tragedy while W Magazine has decided against digitally promoting a new cover featuring him and Kylie Jenner in the wake of the backlash https://www.buzzfeednews.com/article/ellendurney/travis-scott-sued-for-750-million-by-astroworld-victims
400-Plus Astroworld Victims Now Suing Travis Scott, Live Nation and Others https://www.billboard.com/business/legal/astroworld-lawsuits-victims-1234998563/ via @billboard
YouTube gives dislikes the thumbs-down, hides public counts https://www.theverge.com/2021/11/10/22773299/youtube-dislike-button-hide-public-count-numbers-small-creator-protection
YouTube co-founder predicts ‘decline’ of the platform following removal of dislikes https://www.theverge.com/2021/11/17/22787080/youtube-dislikes-criticism-cofounder-jawed-karim-first-video-description-zoo
IATSE Members Ratify New Film & TV Contracts; Rebuke To Union Leaders As L.A. Deal Loses Popular Vote https://deadline.com/2021/11/iatse-film-tv-contracts-ratified-1234873770/ via @Deadline
IATSE Members Vote to Ratify Contract, Ending Strike Threat https://variety.com/2021/film/news/iatse-members-ratify-contract-1235112300/ via @variety
Next Big Thing: TikTok Star Josh Richards on His First Movie Role and What Gen Z Brings to Hollywood https://www.hollywoodreporter.com/business/digital/tiktok-josh-richards-movie-role-gen-z-1235048830/ via @thr
Former New York Times CEO Mark Thompson: “US TV News Is In Dead Trouble” https://deadline.com/2021/11/former-new-york-times-ceo-mark-thompson-us-tv-news-is-in-dead-trouble-1234875928/ via @Deadline
MoviePass Co-Founder Stacy Spikes Details Relaunch Plans: For Starters, ‘It’s Not Going to Be $10’ Per Month https://www.yahoo.com/entertainment/moviepass-co-founder-stacy-spikes-140000137.html
Music’s Listening Share Has Declined 8% Since 2014, Thanks to Podcasts and Other Spoken-Word Audio
https://www.digitalmusicnews.com/2021/11/15/spoken-word-audio-growth-report/
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Sports Betting and Sports Gambling have taken over the live TV sports landscape. KOP looks into the latest ad cash grab as he celebrates episode 200 of the Broadcasters Podcast.
Gambling ads become the new normal for American sports https://www.wsj.com/articles/gambling-ads-become-the-new-normal-for-american-sports-11635084000?reflink=desktopwebshare_twitter via @WSJ
https://www.universalpersonality.com/gambling-ads-become-the-new-normal-for-american-sports/business/
‘We are the media company’: Sportsbooks are spending millions on media deals, but publishers should hedge their bets https://digiday.com/media/we-are-the-media-company-sportsbooks-are-spending-millions-on-media-deals-but-publishers-should-hedge-their-bets/ via @digiday
Technology is Dramatically Transforming the Entertainment Industry — Here’s How https://newsnationusa.com/news/technology/technology-is-dramatically-transforming-the-entertainment-industry-heres-how/
Twitter’s subscription product, Twitter Blue, launches in the U.S., and yes, it lets you undo tweets https://nie.mn/3wv5tUk via @NiemanLab
Spotify to Acquire Audiobook Platform Findaway https://www.hollywoodreporter.com/business/digital/spotify-audiobook-findaway-acquisition-1235046431/ via @thr
Astroworld Tragedy Lawsuit Now Has 110 Plaintiffs Against Travis Scott, Drake & Live Nation, Says Lawyer https://deadline.com/2021/11/astroworld-lawsuit-110-plaintiffs-travis-scott-drake-live-nation-1234871896/ via @Deadline
Live Nation ‘heartbroken for those lost and impacted’ at Travis Scott’s Astroworld festival - Music Business Worldwide https://www.musicbusinessworldwide.com/live-nation-heartbroken-for-those-lost-and-impacted-at-travis-scotts-astroworld-festival/
Opposition Growing To Proposed IATSE Contract As Members Prepare To Vote & Industry Faces Uncharted Waters https://deadline.com/2021/11/iatse-contract-ratification-vote-opposition-growing-1234871747/ via @Deadline
Members Divided as IATSE Contract Comes Up for Vote: ‘A Lot of People Are Disappointed’ https://variety.com/2021/film/news/iatse-ratification-vote-members-divided-1235108313/ via @variety
How Broadcast Stacks Up With Streaming in Total Minutes Viewed https://www.hollywoodreporter.com/tv/tv-news/broadcast-streaming-comparison-total-viewing-time-1235045869/ via @thr
MoviePass Coming Back From the Dead? Co-Founder Eyes Relaunch After Buying Bankrupt Service’s Assets https://variety.com/2021/digital/news/moviepass-relaunch-stacy-spikes-1235110064/ via @variety
Record industry campaign group makes another call for radio royalties in the US as iHeart announces big gambling deal
https://completemusicupdate.com/article/record-industry-campaign-group-makes-another-call-for-radio-royalties-in-the-us-as-iheart-announces-big-gambling-deal/
Study: Car buyers say broadcast radio should be standard https://advanced-television.com/2021/11/10/study-car-buyers-say-broadcast-radio-should-be-standard/
Journalists Advocate for Legislation to Combat Misinformation at IOP Event
https://www.thecrimson.com/article/2021/11/9/journalists-iop-misinformation-event/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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New studies and comments support the reality that journalism is dead as we knew it. KOP looks at the latest study conducted by the Columbia Journalism Review that chronicles how broadcast and print media are being ignored.
A year after the election, America has turned the news off https://www.cjr.org/analysis/a-year-after-the-election-america-has-turned-the-news-off.php via @cjr
Study: Why People Cancel News Subscriptions
http://mediaconfidential.blogspot.com/2021/11/study-why-people-cancel-news.html
Cancel culture: Why do people cancel news subscriptions? We asked, they answered.
We found that the primary stated reason was money, followed by political or ideological concerns.
https://www.niemanlab.org/2021/10/cancel-culture-why-do-people-cancel-news-subscriptions-we-asked-they-answered/
Expensive, boring, and wrong: Here are all the news publications people canceled and why
From AdAge to the Wyoming Tribune Eagle.
https://www.niemanlab.org/2021/10/expensive-boring-and-wrong-here-are-all-the-news-publications-people-canceled-and-why/
News avoidance during the COVID-19 pandemic is associated with better mental well-being via @psypost https://www.psypost.org/2021/10/news-avoidance-during-the-covid-19-pandemic-is-associated-with-better-mental-well-being-61968
Netflix Sets Launch of Games in Mobile App Worldwide, Including ‘Stranger Things’ Titles https://variety.com/2021/digital/news/netflix-launches-games-mobile-1235102924/ via @variety
Radio's Metadata Megatrend - https://jacobsmedia.com/?p=64206
Radio's Digital Dashboard Display Dilemma - https://jacobsmedia.com/?p=64280
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Dave Chapelle and J Balvin are the latest public figures accused by cancel culture. KOP examines both styles of handling the constant critique and how some will take charge while others will crumble to the pressure.
Dave Chappelle Willing to Discuss ‘The Closer’ With Trans Netflix Employees, but Says ‘I’m Not Bending to Anyone’s Demands’ https://variety.com/2021/film/news/dave-chappelle-netflix-the-closer-trans-employees-1235097068/ via @variety
Read Dave Chappelle's response to backlash over Netflix comedy special 'The Closer' https://www.npr.org/2021/10/25/1049167773/read-dave-chappelles-response-to-backlash-over-netflix-comedy-special-the-closer
Caitlyn Jenner says Dave Chappelle is '100 percent right' https://www.yahoo.com/entertainment/caitlyn-jenner-defends-dave-chappelle-lgbtq-controversy-woke-cancel-culture-run-amok-003027651.html
J Balvin Apologizes for, Takes Down ‘Perra’ Music Video
https://www.vulture.com/2021/10/perra-j-balvin-tokischa-apologize-for-deleted-music-video.html
Ted’s Big Stand: Will Chappelle Support Haunt Netflix Co-CEO? https://www.hollywoodreporter.com/business/digital/teds-big-stand-will-chappelle-support-haunt-netflix-co-ceo-1235037087/ via @th
IATSE & AMPTP Reach Tentative Deal On Area Standards Agreement; Contract Now Goes To Members For Ratification https://deadline.com/2021/10/iatse-amptp-reach-tentative-deal-on-area-standards-agreement-contract-1234862829/ via @Deadline
IATSE Leaders Urge Members To “Stay United” & Ratify Proposed New Contract https://deadline.com/2021/10/iatse-leaders-urge-members-to-stay-united-ratify-proposed-new-contract-1234864703/ via @Deadline
Hollywood Workers’ Dilemma: Push for Gradual Gains or Sweeping Reforms? https://www.hollywoodreporter.com/business/business-news/iatse-hollywood-sweeping-reforms-1235038104/ via @thr
“Project Popcorn”: WarnerMedia’s Box Office-HBO Max Experiment Gets Mixed Results https://www.hollywoodreporter.com/business/business-news/warnermedias-project-popcorn-box-office-hbo-max-experiment-gets-mixed-results-1235037096/ via @thr
Peter Bart: Fatal ‘Rust’ Shooting A Sad Epitaph For The Decline And Fall Of The Indie https://deadline.com/2021/10/rust-shootin-indie-movie-dangers-peter-bart-1234864187/ via @Deadline
Facebook Is Changing Its Name To ‘Meta’: “From Now On We’re Going To Be The Metaverse First, Not Facebook First” https://deadline.com/2021/10/facebook-meta-metarverse-mark-zuckerberg-1234864340/ via @Deadline
Amazon's Project Mic app will reinvent live radio for the digital age
Project Mic is an Amazon app in development, with the ability to allow anyone to broadcast a live audio show using music from Amazon's own library
https://www.techadvisor.com/news/entertainment/amazon-live-radio-app-3809799/
Amazon is building a Clubhouse competitor that turns hosts into DJs https://www.theverge.com/2021/10/26/22744585/amazon-project-mic-launch-live-audio-app via @Verge
Here’s exactly what Spotify, Apple and other streaming services want to pay songwriters https://www.musicbusinessworldwide.com/heres-exactly-what-spotify-apple-and-other-streaming-services-want-to-pay-songwriters-from-2023-onwards/
Cancel culture: Why do people cancel news subscriptions? We asked, they answered.
We found that the primary stated reason was money, followed by political or ideological concerns.
https://www.niemanlab.org/2021/10/cancel-culture-why-do-people-cancel-news-subscriptions-we-asked-they-answered/
Expensive, boring, and wrong: Here are all the news publications people canceled and why
From AdAge to the Wyoming Tribune Eagle.
https://www.niemanlab.org/2021/10/expensive-boring-and-wrong-here-are-all-the-news-publications-people-canceled-and-why/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Reggaeton and Dembow sounds (with an extra sprinkle of EDM) have started to merge into the mainstream. Farruko, J Balvin, Karol G, Rosalia, Bad Bunny and El Alfa El Jefe are among the many marquee names moving the new Latin music movement.
Reggaeton dances to a new beat, as lilt of dembow gives way to thump of EDM https://www.latimes.com/entertainment-arts/music/story/2021-10-13/reggaeton-edm-farruko-j-balvin-rauw-alejandro
Reggaeton Is So Much More Than Party Music. This Podcast Breaks Down Its Political Roots
https://time.com/6104431/loud-spotify-podcast-reggaeton-history/
J Balvin & Tokischa’s 'Perra' Video Removed From YouTube: Here’s What We Know
https://www.billboard.com/articles/columns/latin/9647751/j-balvin-tokischa-perra-video-removed-youtube
J Balvin's video Perra taken off YouTube amid misogynoir controversy https://mol.im/a/10109923 via @DailyMailCeleb
Black Women Carry Reggaetón’s Foundation; Let’s Ensure They Reign in Its Future https://www.refinery29.com/en-ca/2021/10/10716462/black-latinas-reggaeton
The Female Rappers Taking Up New Space in the Dominican Republic
https://www.cntraveler.com/story/the-female-rappers-taking-up-new-space-in-the-dominican-republic
IATSE Reveals Most Thorough Details Yet Of Proposed New Deal; Full Contract To Be Unveiled This Weekend – Update https://deadline.com/2021/10/hollywood-strike-deal-details-coming-iatse-amptp-studios-union-1234858754/
Timeline For IATSE Contract Ratification Vote Rolling Out In 4 Phases https://deadline.com/2021/10/timeline-for-iatse-contract-vote-four-phases-1234859415/ via @Deadline
Leaders of Largest IATSE Local Recommend Ratifying Controversial Tentative Deal https://www.hollywoodreporter.com/business/business-news/iatse-deal-local-leaders-recommend-ratifying-1235034106/
Cinematographers Guild Lays Out Gains In New IATSE Agreement & Rollbacks Sought By AMPTP That Were Thwarted https://deadline.com/2021/10/cinematographers-guild-gains-iatse-agreement-1234859086/
Netflix Sticks Up for Free Speech Rights of Recommendation Algorithm – The Hollywood Reporter https://www.hollywoodreporter.com/business/business-news/netflix-recommendation-algorithm-1235028388/
Bergner: Radio Not Going Back to a $15 Billion Industry https://radioink.com/2021/09/29/bergner-radio-not-going-back-to-a-15-billion-industry/ via @radio_ink
Liberty Media Sells iHeartMedia Stake, Exiting Broadcast Radio Business https://www.billboard.com/articles/business/radio/9647325/liberty-media-sells-iheartmedia-stake/?utm_medium=social&utm_source=twitter via @billboard
https://outline.com/pWndmn
Liberty Media Sells Entire iHeartMedia Stake, Ending Bid to Build Media Conglomerate
https://variety.com/2021/music/news/libery-media-sells-iheartmedia-stake-exits-broadcast-radio-1235092953/
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Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
The Wrap reports "If a deal isn’t reached on a new bargaining agreement by Sunday evening at midnight, IATSE will begin its first-ever Hollywood strike, shutting down almost every film and TV project currently shooting or in postproduction."
IATSE Tells Members “Assume There Will Be A Strike”; Union Prepares Latest Contact Proposal For AMPTP As Monday Deadline Looms https://deadline.com/2021/10/hollywood-strike-preparation-iatse-amptp-studios-1234856237/ via @Deadline
IATSE Strike Plan Details: How the Picket Line Would Work https://www.hollywoodreporter.com/business/business-news/iatse-strike-faqs-document-unemployment-healthcare-1235031658/ via @thr
Hollywood crew members speak out about why they’re ready to strike https://fortune.com/2021/10/13/hollywood-strike-crew-members-talk-tv-movi
IATSE Will Launch Nationwide Strike On Monday Unless Deal Is Reached In Next Few Days; AMPTP Responds – Update https://deadline.com/2021/10/hollywood-strike-date-iatse-producers-1234855030/ via @Deadline
Hollywood Leaders Need to Hear What IATSE Is Really Asking For https://variety.com/2021/tv/news/iatse-contract-talks-amptp-hollywood-strike-1235086185/ via @variety
IATSE Says AMPTP “Repeatedly Refuses To Do What It Will Take To Achieve A Fair Deal” https://deadline.com/2021/10/hollywood-strike-threat-iatse-producers-1234854315/ via @Dea
IATSE: Pace of Studio Talks ‘Does Not Reflect the Urgency’ of Workers’ Needs https://www.thewrap.com/iatse-studio-talks-amptp/
IATSE Strike: Everything We Know About Potential Hollywood Shutdown (So Far) https://www.thewrap.com/iatse-strike-everything-we-know-hollywood-shutdown/
IATSE Strike: Which Film and TV Projects Will Go Dark? https://www.thewrap.com/iatse-strike-film-tv-projects-shut-down/
https://outline.com/YAXm6Y
TV Ads in Flux: $60B in Limbo Amid Changing Viewer Habits and Nielsen Upheaval https://www.hollywoodreporter.com/tv/tv-features/tv-ads-viewers-streaming-broadcast-1235025916/ via @thr
Spotify and other streaming services propose ‘lowest royalty rates in history’ for songwriters - Music Business Worldwide https://www.musicbusinessworldwide.com/spotify-and-other-streaming-services-propose-lowest-royalty-rates-in-history-for-songwriters/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Dave Chappelle's final Netflix comedy special "The Closer" has lit the torches of Cancel Culture. KOP discusses how the concept of DGAF is ultimately the kryptonite of cancel culture and how more public figures are caring less.
Critics call to cancel Dave Chappelle, Netflix for 'ridiculing trans people' https://nypost.com/2021/10/07/critics-blast-dave-chappelle-netflix-for-ridiculing-trans-people/?utm_source=twitter_sitebuttons&utm_medium=site%20buttons&utm_campaign=site%20buttons via
Dave Chappelle’s Endless Feedback Loop
https://www.vulture.com/amp/article/dave-chappelle-the-closer-comedy-review.html
What Goes Up: Dave Chappelle, Transphobia, and "Cancel Culture"
https://www.pastemagazine.com/comedy/dave-chappelle/dave-chappelle-terf-cancel-culture/
Dave Chappelle faces backlash over new Netflix special 'ridiculing trans people' https://www.yahoo.com/entertainment/dave-chappelle-backlash-netflix-special-the-closer-trans-lgbtq-195716238.html
F*ck cancel culture https://www.dailyprincetonian.com/article/2021/09/cancel-culture-princeton-change
A major Hollywood union threatens to strike over streaming pay https://www.theverge.com/2021/10/6/22711567/iatse-strike-authorization-negotiations-resume-streaming-pay
IATSE and AMPTP to Keep Talking as Hollywood Hopes to Avert Strike https://variety.com/2021/film/news/iatse-negotiations-amptp-contract-strike-1235081835/ via @variety
Why Hollywood crews have authorized a strike https://qz.com/2069645/how-close-is-hollywood-to-a-2021-strike/
Tune in Whenever You Want: How TV Marketing Has Changed in the On-Demand Era https://variety.com/2021/tv/features/tv-marketing-streaming-on-demand-1235054955/ via @variety
How to achieve diversity in media and entertainment industry https://www.weforum.org/agenda/2021/09/how-diverse-is-media-and-entertainment/ via @wef
https://www3.weforum.org/docs/WEF_The_State_of_Diverse_Representation_in_Media_and_Entertainment_2021.pdf
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James Bond, A Young Tony Soprano, A Classic 80's Retelling and a Horror Classic lead the October Box Office to what KOP feels will ensure a big box office comeback.
Box Office Recovery Is on the Upswing and James Bond Will Take It Even Higher https://www.indiewire.com/2021/09/box-office-recovery-james-bond-venom-1234666535/ via @indiewire
These Hollywood Horror Stories Could Inspire the Biggest Industry Strike Since World War II
“Sometimes I have to chew plastic bottle caps to stay awake,” confesses one commenter on IATSE Stories—an unpretentious Instagram account run by organizers hoping to change Hollywood’s horrendous below-the-line working conditions.
https://www.vanityfair.com/hollywood/2021/09/iatse-stories-instagram-strike-amptp
TikTok is evolving into a very different kind of music streaming giant. - Music Business Worldwide https://www.musicbusinessworldwide.com/tiktok-is-evolving-into-a-very-different-kind-of-music-streaming-giant/
The Power of TikTok and Disrupting the Music Industry
https://www.allmusic.com/blog/post/the-power-of-tiktok-and-disrupting-the-music-industry
The Evolution Of The Music Industry — And What It Means For Marketing Yourself As A Musician via @forbes https://www.forbes.com/sites/forbesbusinesscouncil/2021/09/13/the-evolution-of-the-music-industry---and-what-it-means-for-marketing-yourself-as-a-musician/
Why this one programming change might remake LA’s radio landscape https://www.dailynews.com/2021/09/28/why-this-one-programming-change-might-remake-las-radio-landscape/ via @ladailynews
Are Radio Stations Genres Or Lifestyles? - https://jacobsmedia.com/?p=62734
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Howard Stern and Joe Rogan are at odds over comments made by the self-proclaimed "King of All Media" about Joe Rogan's Covid Recovery and the issue of vaccinations overall. KOP looks into the ugly mess over the leaders in radio and podcasting.
Howard Stern’s listeners and Joe Rogan’s fans are feuding on social media, and it’s getting very ugly https://uproxx.it/hl2yd3v
Joe Rogan & Howard Stern Fans Feud After Stern Tells Rogan "Go F*ck Yourself" https://hnhh.co/ahyrv via @HotNewHipHop
An IATSE Strike Would Shut Down Film and TV Production Coast to Coast https://variety.com/2021/film/news/iatse-strike-shut-down-production-nationwide-1235070315/ via @variety
AMPTP Responds As IATSE Gears Up For Second Strike; Union Seeks Separate Strike Authorization From Locals Across U.S. – Update https://deadline.com/2021/09/iatse-second-strike-seeks-separate-authorization-locals-across-us-1234842729/ via @Deadline
Editors Guild Board Votes Unanimously to Recommend Members Back Strike Authorization https://www.hollywoodreporter.com/business/business-news/editors-guild-board-votes-strike-authorization-1235019190/ via @thr
Cryptocurrency Firms Spend Big on Hollywood Names to Gain Trust https://www.hollywoodreporter.com/business/digital/cryptocurrency-spend-big-on-hollywood-names-to-gain-trust-1235019008/ via @thr
SiriusXM Hopes to Grow Subscribers Outside the Car https://www.hollywoodreporter.com/business/business-news/siriusxm-ceo-recession-worries-digital-upside-liberty-media-1235008129/
Audio is undergoing a renaissance, and @Audacy explains why. From a transformation in retail to new platforms for audio, smart marketers will leverage the advantages of sonic marketing. https://www.mediavillage.com/article/audacy-unpacks-audios-role-in-the-robust-retail-renaissance/ via @MediaVillageCom
‘Not on me to save the media industry’: Confessions of an early-career journalist leaving the industry https://digiday.com/media/not-on-me-to-save-the-media-industry-confessions-of-an-early-career-journalist-leaving-the-industry/
The Future of TV Won't Be On TV
https://variety.com/vip/the-future-of-tv-news-wont-be-on-tv-1235064667/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Drake dominates the Billboard Charts, well surpassing the success that Kanye West enjoyed the week before. KOP takes a focus on the success of popular music and does MTV and the VMAs still play a viable role.
MTV VMAs Dip In Demo Rating, Rise In Total Minutes Consumed From Previous Year With Return To Barclays https://deadline.com/2021/09/mtv-vmas-dip-rating-rise-total-minutes-consumed-previous-year-barclays-1234833139/ via @Deadline
The 40th Anniversary Of MTV Felt Anything But The Grandiose Celebration It Deserves
https://substreammagazine.com/2021/09/the-40th-anniversary-of-mtv-felt-anything-but-the-grandiose-celebration-it-deserves/
Drake Crushes Kanye West for 2021’s Biggest Album Debut, and He Owns the Top 10 Songs, Too https://variety.com/2021/music/news/drake-album-chart-certified-lover-boy-biggest-debut-kanye-west-donda-1235063313/ via @variety
How ‘Shang-Chi’ Changes Disney’s Film Distribution Strategy https://variety.com/vip/how-shang-chi-changes-disneys-film-distribution-strategy-1235058361/ via @variety
IATSE President Calls for ‘Combined Solidarity’ Among Hollywood’s Workers as Threat of Strike Looms https://www.thewrap.com/iatse-president-calls-for-combined-solidarity-among-hollywoods-workers-as-threat-of-strike-looms/
SiriusXM Hopes to Grow Subscribers Outside the Car https://www.hollywoodreporter.com/business/business-news/siriusxm-ceo-recession-worries-digital-upside-liberty-media-1235008129/
Sportsbooks spent over $24 million on ads during NFL Week 1 in sign of things to come
Gambling was the sixth biggest ad category over the weekend during NFL programming.
https://awfulannouncing.com/gambling/sportsbooks-advertising-nfl-week-1-fanduel-draftkings-caesers.html
Study: Adoption of Streaming Accelerating
http://mediaconfidential.blogspot.com/2021/09/study-adoption-of-streaming-accelerating.html
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Kanye West and Drake Clash for Billboard Chart Supremacy
It's Kanye West vs. Drake Battling it Out for Billboard Chart Supremacy with "Donda" dropping this week first followed by an upcoming chart clash with "Certified Lover Boy".
Kanye West Lands 23 Songs From 'Donda' on Billboard Hot 100, With Two in Top 10
https://www.billboard.com/articles/business/chart-beat/9625539/kanye-west-donda-23-songs-hot-100/
Drake on course for seventh UK Number 1 on the Official Singles Chart with Girls Want Girls
https://www.officialcharts.com/chart-news/drake-on-course-for-seventh-uk-number-1-on-the-official-singles-chart-with-girls-want-girls__33955/
Drake’s ‘Certified Lover Boy’ Out-Streams Kanye West’s ‘DONDA’
https://hypebeast.com/2021/9/drake-certified-lover-boy-tops-kanye-west-donda
The Big Business of Interpolating Old Melodies for New Hits
https://www.rollingstone.com/pro/features/olivia-rodrigo-doja-cat-interpolation-music-1220580/
TikTok Star Addison Rae Signs Film Deal With Netflix (EXCLUSIVE) https://variety.com/2021/film/news/addison-rae-tiktok-netflix-hes-all-that-12350
IATSE Gearing Up For Possible Strike Against Film & TV Industry https://deadline.com/2021/09/iatse-strike-threat-against-film-tv-industry-1234828948/
Summer Box Office At $1.75B Not The Lowest On Record As Disney & 20th Rake In Close To $600M With Controversial Day & Date Model https://deadline.com/2021/09/summer-box-office-2021-covid-disney-hbo-max-streaming-black-widow-1234828431/
Should Radio’s Ownership Caps Be Lifted? https://radioink.com/2021/09/07/should-radios-ownership-caps-be-lifted/
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Olivia Rodrigo is under fire from the success of her debut platinum-certified album Sour, following the giving up of royalties to artists she interpolated her music from. KOP discusses the uneeded social media backlash.
Split Decisions: Olivia Rodrigo Has Given Up Millions in Publishing Royalties https://www.billboard.com/articles/business/publishing/9622848/olivia-rodrigo-royalties-song-credits-sour/
‘Top Gun: Maverick,’ ‘Mission: Impossible 7’ Releases Delayed Amid Delta Surge https://variety.com/2021/film/news/top-gun-maverick-mission-impossible-7-delayed-2022-1235053990/
After ‘Top Gun: Maverick’ Moves to 2022, What’s Next for Fall Film Releases? https://variety.com/2021/film/news/top-gun-maverick-film-delays-covid-1235054851/
Vice Media Raises $85 Million as Co-Founder Shane Smith Abandons SPAC Talks and Voting Control (Report) https://www.thewrap.com/vice-85-million-spac/
How the pandemic (sort of) changed the way we consume news https://nie.mn/2WlXewf
Nielsen’s National Ratings Accreditation Suspended by Media Rating Council https://variety.com/2021/tv/news/nielsen-national-ratings-suspension-media-rating-council-1235053949/
Nielsen, TV Networks Battle Over Ratings — And Few May Win https://variety.com/2021/tv/news/nielsen-tv-neworks-battle-ratings-measurement-1235054689/
The Great Rekindling by Perry Michael Simon https://www.allaccess.com/the-letter/archive/33624/the-great-rekindling?fbclid=IwAR0a6Ma-XUXsPqnjkG6A6gJYMSpfCA-cSRr62vrklzRk8zqwFVShVatDftY
An FCC Auction Highlights Major Shifts In The Radio Industry https://celebrityaccess.com/2021/08/26/an-fcc-auction-highlights-major-shifts-in-the-radio-industry/
Retail Is Dead. Radio Is Dead. (Why Both Are Wrong) - https://jacobsmedia.com/?p=63135
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BTS Confronts Chart Manipulation Chatter in a new Billboard interview. Plus Movie Studios are Mocked by Hollywood Stars and Directors For Streaming Blunders that affected the Box Office and their pockets.
How the Billboard Charts Became a Battleground for Stans and Label Executives
Each week, a new winner prevails. The cost? Up to $100,000. https://www.34st.com/article/2021/06/billboard-charts-bts-olivia-rodrigo-dynamite-butter-drivers-license via @34st
BTS Member RM Deftly Shut Down Chart Manipulation Discourse
https://www.teenvogue.com/story/bts-member-rm-deftly-shut-down-chart-manipulation-discourse-billboard
Patty Jenkins “Not A Fan Of Day & Date”; Says HBO Max Move With ‘WW1984’ Was “Best Choice In A Bunch Of Bad Choices”
https://deadline.com/2021/08/wonder-woman-1984-patty-jenkins-hbo-max-streaming-1234822843/
What Scarlett Johansson’s ‘Black Widow’ Legal Battle Means for the Future of Hollywood
The birth of the subscription streaming platform Disney Plus is a good marker for the transition that’s spurred a wholesale realignment of film and TV operations
https://variety.com/2021/film/features/scarlett-johansson-walt-disney-lawsuit-hollywood-future-1235042786/
Theater Owners Chief John Fithian Doubles Down on Streaming Debate: ‘Simultaneous Release Does Not Work for Anyone’ https://variety.com/2021/film/news/theater-owners-chief-john-fithian-cinemacon-1235047830/
Theater owners are already taking a victory lap in the fight for where movies screen https://www.theverge.com/2021/8/25/22641318/hybrid-film-releases-cinemacon-theater-exclusivity
Vice Media Makes New Round of Layoffs in Digital Group and Refinery29 https://variety.com/2021/digital/news/vice-media-round-layoffs-1235049824/
TikTok Creators Turn to YouTube Shorts Amid “Insane” Subscriber Growth https://www.hollywoodreporter.com/business/digital/tiktok-creators-youtube-shorts-amid-insane-subscriber-growth-1235002615/
America's Largest Newspapers Have Lost 20% of Print Sales
https://mediaconfidential.blogspot.com/2021/08/americas-largest-newspapers-have-lost.html
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OnlyFans take the October ax to Pornographic Content. Where will the influencers go now with risque content. KOP rails again a podcasting opinion piece.
OnlyFans Will Ban Pornography Starting in October, Citing Need to Comply With Financial Partners https://variety.com/2021/digital/news/onlyfans-ban-pornography-sexually-explicit-1235044904/
OnlyFans’ inexplicable ban on porn might be explained by this BBC investigation https://www.theverge.com/2021/8/19/22633411/onlyfans-banned-explicit-porn-sex-content-after-bbc-investigation-leak
WHY PODCASTING WON’T BE ANYTHING MORE THAN A NICHE AD VERTICAL: OPINION https://adage.com/article/marketing-news-strategy/why-podcasting-wont-be-anything-more-niche-ad-vertical-opinion/2357186
Are NFTs The New Napster? This Time The Music Industry Isn’t Taking Chances via @forbes https://www.forbes.com/sites/michaeldelcastillo/2021/08/13/are-nfts-the-new-napster-this-time-the-music-industry-isnt-taking-chances/
Pop, R&B and Love Songs: The State of the Billboard Hot 100's Top 10 in the First Half of 2021
https://www.billboard.com/articles/business/chart-beat/9613914/hot-100-midyear-2021-hit-songs-deconstructed via @billboard
Protecting the future of journalism with the Journalist Protection Act https://thehill.com/blogs/congress-blog/politics/565875-protecting-the-future-of-journalism-with-the-journalist
When Rock Ruled the World: A 40-Year Timeline
https://radioinsight.com/ross/211636/when-rock-ruled-the-world-a-40-year-timeline/
Are We Finally Moving Closer To A One-Stop Streaming Shop For Broadcast Radio?
https://radioinsight.com/headlines/211818/are-we-finally-moving-closer-to-a-one-stop-streaming-shop-for-broadcast-radio/
What Scarlett Johansson’s ‘Black Widow’ Legal Battle Means for the Future of Hollywood
https://variety.com/2021/film/features/scarlett-johansson-walt-disney-lawsuit-hollywood-future-1235042786/
The birth of the subscription streaming platform Disney Plus is a good marker for the transition that’s spurred a wholesale realignment of film and TV operations
From Daniel Craig to Dwayne Johnson, Inside the Biggest Movie Stars’ Salaries https://variety.com/2021/film/news/biggest-movie-star-salaries-daniel-craig-dwayne-johnson-1235043305/
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How The Influencer Counterculture Is Destroying Traditional Media
Social Media and its Influencer Army is defining the counterculture and exposing the vacuum that traditional media has had on mainstream culture. KOP analyzes.
Influencer marketing is big business: here are five mistakes the stars (and the brands who sponsor them) should avoid https://theconversation.com/influencer-marketing-is-big-business-here-are-five-mistakes-the-stars-and-the-brands-who-sponsor-them-should-avoid-164099
MTV 'Cribs' just returned to television 20 years after its original debut. But 'wealth porn' may not have the same appeal to a new generation. https://news.yahoo.com/mtv-cribs-just-returned-television-090100287.html
To Fight Vaccine Lies, Authorities Recruit an ‘Influencer Army’ https://www.nytimes.com/2021/08/01/technology/vaccine-lies-influencer-army.html
Not your boomer’s influencer: the rapidly evolving world of influencer marketing https://www.thedrum.com/profile/publicis-health/news/not-your-boomers-influencer-the-rapidly-evolving-world-of-influencer-marketing
Early-stage brands should also unlock the power of influencers https://tcrn.ch/3fPCUK6 via @techcrunch
The Key Weakness That Could Lead To The Fall Of Influencer Marketing via @forbes https://www.forbes.com/sites/forbesagencycouncil/2021/07/19/the-key-weakness-that-could-lead-to-the-fall-of-influencer-marketing/
Universal, Sony, Warner Partner With Beatsource to Pay Artists – Rolling Stone https://www.rollingstone.com/pro/news/universal-sony-warner-label-beatsource-1206878/
As KROQ DJ Kat Corbett Exits, She Reflects on Two Decades at the Station and the Struggles Facing Alternative Radio https://variety.com/2021/music/news/kroq-kat-corbett-exits-locals-only-kevin-bean-1235034057/
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Celebrity Crossfire in the Continuous Cancel Culture Circus
DaBaby becomes the latest consequence of the Celebrity Crossfire in the Continuous Cancel Culture Circus. KOP deep dives into the latest campaign to destroy a celebrity.
The DaBaby Domino Effect: How Lollapalooza Became the Bellwether for Festivals to Follow https://variety.com/2021/music/news/dababy-lollapalooza-canceled-domino-effect-festivals-1235033991/
The Music Industry Is Holding DaBaby Accountable https://www.wpr.org/node/1831906
DaBaby-Featuring Remix of Dua Lipa’s “Levitating” Being Pulled From Radio Stations After Homophobic Comments https://www.yahoo.com/entertainment/dababy-featuring-remix-dua-lipa-210139515.html
BTS and ARMY are playing fair to conquer Billboard chart
https://www.koreatimes.co.kr/www/art/2021/08/732_313388.html
As MTV Turns 40, It’s Time to Embrace the Generation That Grew Up With It (Column) https://variety.com/2021/tv/news/mtv-40th-anniversary-column-ridiculousness-1235032076/
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New Numbers Tell A Tragic Downfall of The News Media, according to a new Pew Research Center reported titled State of the News Media 2021.
State of the News Media (Project)-Pew Research
https://www.pewresearch.org/topic/news-habits-media/news-media-trends/state-of-the-news-media-project/
BuzzFeed Is Going Public. What Now for Vice and Vox? https://www.nytimes.com/2021/07/27/business/media/buzzfeed-vox-media-vice-group-nine-ipo.html
https://www.hebergementwebs.com/new/buzzfeed-goes-public-now-and-for-vox-media-group-nine-and-vice
Peak TV Is Dead. Long Live Peak Streaming https://variety.com/vip/peak-tv-is-dead-long-live-peak-streaming-1235026387/
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Radio Syndication Spreads Past Morning Shows| Netflix Looks To Rule The Digital Disruption
Radio Syndication Spreads Past Morning Shows as We look at the Response to Audacy's new Top 40 Radio Strategy, plus Netflix Looks To Rule The Digital Disruption.
Audacy CHR Lineups Discussed | RadioDiscussion Board Post from The BigA
The music business, especially in CHR, is targeting social media (TikTok) and streaming (Spotify). That's where they're focusing a lot of their promotion and their new releases. Why? Because of the mass audience those platforms deliver, and the mass audience creates royalties that pay labels and artists. That doesn't exist in FM radio. We saw this earlier this year with Olivia Rodrigo. Her big hit was delivered to Spotify, not FM. It was quick, efficient, and productive.
So how does radio compete in this environment? Channeling its national platform. In iHeart's case, their streaming platform is among the largest in the world. Audacy owns its own streaming platform too, but they need to create exclusive content to drive people to it. Radio companies have access to the same national international platforms that Spotify has. They just need to harness that power, and demonstrate to the music industry they can deliver ears and revenue for artists and labels. That's what this is all about. Redirecting resources so radio is a player in the same market with Spotify.
If you're a young fan, you're not attached to your radio the way people were 40 years ago. You're online chatting with your friends, sharing new music, and engaging with the artists directly. You don't need a radio DJ to act as middleman. You can speak directly to your favorite artist on Twitter. So the rules have changed, and radio needs to be in that process somehow. It's not easy, but it's not going to happen if a radio station is only focusing on one market, because the music environment is much bigger.
Can Radio Survive the Digital Apocalypse? https://radiofacts.com/can-commercial-radio-survive-the-digital-apocalypse/
Facebook To Invest $1 Billion In Creators Of Content For FB, Instagram https://deadline.com/2021/07/facebook-1-billion-investment-for-creators-on-fb-instagram-1234792890/
Theater Owners Blast Disney for Making ‘Black Widow’ Available Immediately on Streaming https://www.hollywoodreporter.com/business/business-news/black-widow-theater-owners-blast-disney-1234984300/
What would it really take to decentralize the music industry? - Music Business Worldwide https://www.musicbusinessworldwide.com/what-would-it-really-take-to-decentralize-the-music-industry/
Going Mobile: Netflix Wants to Be the Everything App https://www.hollywoodreporter.com/business/digital/netflix-video-games-mobile-podcasts-1234986128/
How Media Mergers Are Changing The News Industry via @forbes https://www.forbes.com/sites/forbesbusinesscouncil/2021/07/22/how-media-mergers-are-changing-the-news-industry/
Are Influencers Bringing The Cool Back in Media?
Digital Influencers are consistently trendsetting the counterculture and giving us the things that we find cool today. KOP looks into the cool factors that influencers are bringing.
Is anything cool anymore? https://www.vox.com/the-goods/22570006/cool-consumer-identity-gen-z-cheugy
Influencers earning more money from Instagram, but face an uphill battle to combat fraud https://www.thedrum.com/news/2021/07/15/influencers-earning-more-money-instagram-face-uphill-battle-combat-fraud
It's Time to Redefine the Influencer http://entm.ag/Xm9SXA
Do's And Don'ts Of Developing An Influencer Marketing Campaign https://www.forbes.com/sites/forbesbusinesscouncil/2021/06/24/dos-and-donts-of-developing-an-influencer-marketing-campaign/
Over 66% of all music listening in the US is now of catalog records, rather than new releases https://www.musicbusinessworldwide.com/over-66-of-all-music-listening-in-the-us-is-now-of-catalog-records-rather-than-new-releases/
Format Restructurings & Cuts Underway At Audacy CHRs
https://radioinsight.com/headlines/209983/format-restructurings-cuts-underway-at-audacy-chrs/
Post-Pandemic Media Consumption: Online Streaming Accelerates A New Content Experience https://www.forbes.com/sites/forrester/2021/06/28/post-pandemic-media-consumption-online-streaming-accelerates-a-new-content-experience/
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Summer movies are reigning supreme at the box office once again, while the clutter of new streaming services is starting to slow down their respective subscriber counts.
Comscore Box Office Figures Show Nearly 90% of Movie Theaters Are Now Open Worldwide https://www.insidenova.com/news/state/comscore-box-office-figures-show-nearly-90-of-movie-theaters-are-now-open-worldwide/article_6d8d6750-9121-5a48-beb7-afb3fb08acca.html
Sure, the Movie Industry Is Rebounding, But It Was Already Retreating Well Before COVID-19
https://www.fool.com/investing/2021/06/11/movie-industry-rebounding-but-was-retreating-covid/
Could Streaming Lead To The Rebirth Of The Theatrical Experience? https://deadline.com/2021/07/broken-windows-army-of-the-dead-borat-subsequent-moviefilm-netflix-amazon-prime-apple-tv-plus-cannes-magazine-disruptor-1234786382/
Former Paramount and Fox CEO Barry Diller Declares ‘The Movie Business Is Over’ https://www.thewrap.com/former-paramount-and-fox-ceo-barry-diller-declares-the-movie-business-is-over/
The honeymoon is over for streaming services: Here's where the major players stand https://cnb.cx/3hRUNbJ
Media consumers may be reaching limit of streaming services
https://apnews.com/article/los-angeles-clippers-sports-entertainment-media-technology-29c30c50306863009545b09e1c06dd68
New Research Shows Growth Potential for Streaming Players in 2021 https://www.tvtechnology.com/news/new-research-shows-growth-potential-for-streaming-players-in-2021
Universal movies to move to Peacock streaming service on quicker timeline https://www.reuters.com/lifestyle/universal-movies-move-peacock-streaming-service-quicker-timeline-2021-07-06/
Netflix Hires First Head of Podcasts: Former Apple and NPR Exec N’Jeri Eaton https://variety.com/2021/digital/news/netflix-podcast-njeri-eaton-apple-npr-1235015395/
People Spend Nearly 2 1/2 Hours Daily On Social Media
https://www.mediapost.com/publications/article/364853/people-spend-nearly-2-12-hours-daily-on-social-me.html?edition=122908
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Is a Rock Renaissance Ready to Roar Back into the Mainstream?
The chart and sales success of Olivia Rodrigo, Maneskin, and Willow are giving good signals that the door is opening for a rock music resurrection back to the mainstream.
The Resurgence of Rock and Roll https://www.fivecentsound.com/blog/the-resurgence-of-rock-and-roll
Maneskin might be the music industry story of 2021… but they just split from their manager - Music Business Worldwide https://www.musicbusinessworldwide.com/maneskin-might-be-the-music-industry-story-of-2021-but-they-just-split-from-their-manager/
Olivia Rodrigo, Willow + Others Lead Rock Resurgence on U.K. Singles Chart http://loudwire.com/olivia-rodrigo-willow-rock-resurgence-uk-singles-chart/
Will the success of Olivia Rodrigo's Good 4 U be good for rock music? https://www.kerrang.com/features/will-the-success-of-good-4-u-be-good-for-rock-music/ via @KerrangMagazine
Congressmen Introduce American Music Fairness Act to Compel Radio to Pay Royalties on Recorded Music https://variety.com/2021/music/news/american-music-fairness-act-radio-royalties-1235004757/
TV News Is Having an Existential Crisis
https://amplify.nabshow.com/articles/tv-news-is-having-an-existential-crisis/
The Diverging Plans For CHR At Audacy And iHeartMedia
https://radioinsight.com/headlines/210094/the-diverging-plans-for-chr-at-audacy-and-iheartmedia/
Musicians, broadcasters battle in Congress over radio royalties
https://thehill.com/business-a-lobbying/business-a-lobbying/560639-musicians-broadcasters-battle-in-congress-over-radio
Box Office: “Patience Was a Virtue” for Studios That Held Films
As 'F9' and 'A Quiet Place Part II' enjoy strong theatrical runs, the release-calendar shuffle may be winding down: "It is a very positive sign."
https://www.hollywoodreporter.com/movies/movie-news/f9-black-widow-box-office-recovery-patience-1234975366/
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Radio Veterans Reflect on Radio’s 21st Century Evolution
Can Radio Reel Back Listeners and Advertisers Back From The Digital Disruption? We look at the some of Radio's comeback plus we listen back to what some of KOP's guest have said about the state of radio.
Podcasts start coming to Facebook next week https://www.theverge.com/2021/6/16/22537023/facebook-podcast-rss-feed-publish-clips-pages
Facebook CEO Mark Zuckerberg hosts first test of Live Audio Rooms in US https://tcrn.ch/3xqMxWi
Explainer: The Local Radio Freedom Act
https://nrb.org/articles/explainer-the-local-radio-freedom-act-2/
Radio’s PPM-Holding Audience Returns. Will Advertisers?
https://www.rbr.com/radios-ppm-holding-audience-returns-will-advertisers/
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Are Digital Influencers Winning The Prize Fight Over Corporate-Controlled Celebrities?
Influencers are winning, from making boxing a lucrative sport again to raking in millions in endorsements. Are celebrities feeling the heat to stay relevant?
YouTubers vs. TikTokers boxing is the hottest sport for a new generation
https://www.sbnation.com/2021/6/14/22533239/youtubers-vs-tiktokers-boxing-ppv-results
Inside the rise of influencer boxing, which can be wildly lucrative for creators but has been messy for broadcasters
https://www.lamag.com/culturefiles/social-gloves-pits-youtubers-against-tiktokers-in-the-boxing-ring/
Do Consumers Trust Social Media Influencers? Here’s What Statistics Show
https://www.slicktext.com/blog/2021/06/social-media-influencer-statistics-survey/
Celebrities are crashing the creator economy
https://qz.com/2021902/on-the-internet-celebrities-function-like-influencers/
Influencer Fans May Not Be Ready for Monthly Social Media Subscriptions Yet: Survey https://variety.com/vip/influencer-fans-may-not-be-ready-for-monthly-social-media-subscriptions-yet-survey-1234994447/
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We look the rise of new media and the damage being done to the media establishment. Meanwhile, media is both praised and critivized by the experts.
Ursula, Bugs Bunny, and Asami Sato. They are three of the 259 LGBTQ characters Insider found in cartoons.
Queer culture has historically been present in this space. But, small-screen LGBTQ representation both exploded and shifted over the past decade.
https://www.insider.com/lgbtq-cartoon-characters-kids-database-2021-06?page=read-stories&utm_medium=social&utm_campaign=2021-q2-special_projects&utm_content=lgbtq
Media industry braces for post-pandemic reality https://news.yahoo.com/media-industry-braces-post-pandemic-090051014.html
3 Digital Trends Transforming the Media and Entertainment Industry-The media and entertainment industry is...#cioreview via @cioreview https://www.cioreview.com/news/3-digital-trends-transforming-the-media-and-entertainment-industry-nid-33661-cid-6.html
Short Video and “We-Media” Industry Castigated by Mainstream Platform Officials at Internet Convention
https://pandaily.com/short-video-and-we-media-industry-castigated-by-mainstream-platform-officials-at-internet-convention/
Media & Entertainment CEO Salaries Flourished In Pandemic 2020 As Industry Cratered https://deadline.com/2021/05/2020-media-ceo-salary-pay-richest-executives-1234752049/
Analysis: Media industry still beset by sexism https://advanced-television.com/2021/05/24/analysis-media-industry-still-beset-by-sexism/
Cable TV is dying, and the industry only has itself to blame https://www.yahoo.com/entertainment/cable-tv-dying-industry-only-211216126.html
MoviePass was even shadier than we thought https://www.vox.com/22526008/moviepass-ftc-complaint-password-block-scam
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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The Rise and Fall of FM Radio In America
FM Radio celebrates 60 years on the airwaves. How many more birthdays will it get to celebrate before streaming and podcasting render it extinct. KOP looks at the current state of radio.
Happy 60th Birthday To FM Radio https://www.forbes.com/sites/kionasmith/2021/05/31/happy-60th-birthday-to-fm-radio/
As The Country Opens Up, Radio Listening Is Returning To Pre-Pandemic Levels via @forbes https://www.forbes.com/sites/bradadgate/2021/06/01/as-the-country-opens-up-radio-listening-is-returning-to-pre-pandemic-levels/
Radio On the Mend: Takeaways From iHeart, Audacy and Cumulus' Q1 Earnings
https://www.billboard.com/articles/business/radio/9571420/radio-earnings-iheart-audacy-cumulus-q1-2021-analysis/ via @billboard
Radio Is On Road to Recovery But Needs More Help From Podcasts
https://www.billboard.com/articles/business/radio/9533475/radio-business-earnings-podcasts-pandemic/
iHeartMedia: Still Heading Higher
https://seekingalpha.com/article/4432817-iheartmedia-still-heading-higher-ihrt
BTS Is Quickly Becoming A Staple Of American Pop Radio via https://www.forbes.com/sites/hughmcintyre/2021/06/01/bts-is-quickly-becoming-a-staple-of-american-pop-radio/
TikTok Radio: the new station in town could be a real gamechanger
https://www.hypebot.com/hypebot/2021/06/tiktok-radio-the-new-station-in-town-could-be-a-real-gamechanger.html
Deadline’s Complete Fall 2021 Primetime Broadcast TV Grid
https://deadline.com/2021/05/2021-primetime-tv-schedule-fall-broadcast-1234760298/
Media Confidential: TV Ratings: CBS Is Top Net For Just-Ended Season https://mediaconfidential.blogspot.com/2021/06/tv-ratings-cbs-is-top-net-for-just.html
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Radio Wants to Control Pop Music. While Radio continues its power struggle TikTok Radio Brings Streaming Trends to Mainstream thanks to SiriusXM.
BTS’ ‘Butter’ Is All Over Top 40 Radio — Like, Literally on Every Monitored Station https://variety.com/2021/music/news/bts-butter-top-40-added-every-station-mediabase-1234981670/
TikTok Radio Draws Some Attention https://www.radioworld.com/news-and-business/programming-and-sales/tiktok-radio-draws-some-attention
https://jacobsmedia.com/theres-a-new-radio-station-in-town/
How To Market To Millennials? Go Fish - https://jacobsmedia.com/?p=61457
I Was a Reporter. Now I Drive for Lyft. Journalism Has Become a Bastion of Privilege. | Opinion https://www.newsweek.com/i-was-reporter-now-i-drive-lyft-journalism-has-become-bastion-privilege-opinion-1594619
‘In some ways, I think the label model as we know it is dead.’ https://www.musicbusinessworldwide.com/sofiane-seddiki-in-some-ways-i-think-the-label-model-as-we-know-it-is-dead/
Op-Ed: Spotify’s New ‘Discovery Mode’ Is Just Payola
Deadline’s Complete Fall 2021 Primetime Broadcast TV Grid
https://deadline.com/2021/05/2021-primetime-tv-schedule-fall-broadcast-1234760298/
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The Damage Done by the Telecommunications Act of 1996...25 Years Later
Supreme Court Restores Trump FCC's Deregulation Of Media Ownership Rules
https://www.mondaq.com/unitedstates/consumer-law/1068846/supreme-court-restores-trump-fcc39s-deregulation-of-media-ownership-rules
On Its Silver Anniversary, Let's Modernize the Telecom Act of 1996
https://www.realclearmarkets.com/articles/2021/02/06/on_its_silver_anniversary_lets_modernize_the_telecom_act_of_1996_659367.html
This 1996 Law Was Meant to Save Radio. Instead, It Decimated Popular Black Music https://www.vice.com/en/article/n7vjqm/this-1996-law-was-meant-to-save-radio-instead-it-decimated-popular-black-music
Telecom Axt of 1996
https://www.ntia.doc.gov/legacy/opadhome/overview.htm
The WarnerMedia-Discovery Deal Changes Everything for Streaming
The merger announced Monday seems to be a concession that AT&T’s 2018 acquisition of Time Warner was a bad idea. But the new media company that arises could be the biggest player in the streaming landscape.
https://www.theringer.com/tv/2021/5/18/22441413/warnermedia-discovery-merger-streaming-hbo-max
Op-Ed: Spotify’s New ‘Discovery Mode’ Is Just Payola https://www.rollingstone.com/pro/music-biz-commentary/spotify-payola-artist-rights-alliance-1170544/
Levitating Rises to the Top Again
https://radioinsight.com/ross/208066/levitating-rises-to-the-top-again/
Jimmy Kimmel Rips Network TV During Disney Upfront: “We’re All Screwed” https://www.hollywoodreporter.com/tv/tv-news/jimmy-kimmel-abc-upfront-2021-1234955049/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Podcasting Goes Premium and Hollywood | The Disney Digital Plan Plunges
Podcasting Goes Premium and Hollywood with new deals to celebrities and new paywalls. Plus, the Disney Digital Plan Plunges with new programming unable to bring in new subscribers.
Who Listens To Podcasts (And How Can You Reach Them)? https://www.forbes.com/sites/forbesagencycouncil/2021/05/12/who-listens-to-podcasts-and-how-can-you-reach-them/
Podcasting will surpass $2 billion by 2023
https://www.emarketer.com/content/podcasting-will-surpass-2-billion-by-2023?ecid=NL1001
Apple threatens to upend podcasting's free, open architecture https://www.theridgefieldpress.com/news/article/Apple-threatens-to-upend-podcasting-s-free-open-16173806.php
Radio, Left To Its Own Device Promos
https://radioinsight.com/ross/207808/radio-left-to-its-own-device-promos/
Why Hollywood Is Giving the Nod to Companion Podcasts
With finite screen time and budgets, creators and studios are continuing their onscreen stories in a medium that’s more competitive and lucrative than ever — and turning popular pods into films and series.
https://www.hollywoodreporter.com/tv/tv-features/hollywood-is-giving-the-nod-to-companion-podcasts-1234947609/
Why your favorite new NPR show might sound a lot like a podcast
https://www.washingtonpost.com/lifestyle/media/npr-50th-anniversary-podcast-audience/2021/05/03/af0d49a0-a8fa-11eb-8d25-7b30e74923ea_story.html
As the Joe Budden Podcast Implodes, We Wonder: What Would Howard Stern Do? https://variety.com/2021/digital/opinion/joe-budden-podcast-howard-stern-show-1234973004/
SiriusXM Is Buying ‘99% Invisible,’ and Street Cred in Podcasting
https://www.nytimes.com/2021/04/26/arts/siriusxm-99-invisible-roman-mars.html
Disney’s New World Order Leads to Confusion and Bruised Egos https://variety.com/2021/film/news/disney-bob-chapek-bob-iger-reorganization-1234971562/
Disney Misses Quarterly Revenue Target as Disney Plus Growth Slows https://variety.com/2021/film/news/disney-quarterly-earnings-disney-plus-1234972687/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Digital media marauders like Substack, TikTok and Patreon along with the subscription streamers have disrupt a decades-long grasp of the mainstream. KOP analyzes the progress and decline.
The unprecedented consolidation of the modern media industry has severe consequences
https://miscellanynews.org/2021/04/29/opinions/the-unprecedented-consolidation-of-the-modern-media-industry-has-severe-consequences/
How subscriptions took over our lives
On platforms like Substack and Patreon, subscriptions can be emotional purchases. But others, like Amazon Prime, feel more like utilities.
https://www.vox.com/the-goods/22403782/subscription-boom-fatigue-content
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Oscars Outrage Fuels ShowBiz Struggle to Overcome Pandemic Obstacles
Oscars Outrage Fuels ShowBiz Struggle to Overcome Pandemic Obstacles. KOP looks into some of the constructive commentary from another pandemic-plagued yet missed opportunity.
The 2021 Oscars Were the Least Watched Ever
https://www.vulture.com/2021/04/oscars-2021-tv-ratings-show-was-the-least-watched-ever.html
The Oscars failed its one job: to make viewers interested in the movies
https://qz.com/2001674/the-oscars-completely-failed-to-show-off-the-nominated-movies/
After Oscars Ratings Tank, Do the Academy Awards Need Another Makeover?
https://variety.com/2021/awards/news/oscars-2021-academy-awards-reviews-ratings-1234962181/
You Can’t Manufacture an Oscars Moment
https://thegeekiary.com/2021-oscars-review/94932
Bob Iger Defends Studio Pivot to Disney+, Streaming Focus https://www.hollywoodreporter.com/news/bob-iger-defends-pivot-disney-streaming
The Right Station for Summer 2021
https://radioinsight.com/ross/207089/the-right-station-for-summer-2021/
After 50 years, The New York Times is retiring the term “op-ed” https://nie.mn/3vhtdcT
Goodbye, Jeff - Don't Let The Door Hit You On The Way Out - https://jacobsmedia.com/?p=60845
Remembering LA’s KHJ 930 AM and the sneaky trick that launched the station’s classic format https://www.dailynews.com/2021/04/27/remembering-las-khj-930-am-and-the-sneaky-trick-that-launched-the-stations-classic-format/
TikTok Now Influencing Influencer Marketing
https://www.mediapost.com/publications/article/362824/tiktok-now-influencing-influencer-marketing.html
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Clubhouse Faces Counterstrike In Epic Social Audio Showdown
Social Audio All-Star App Clubhouse Faces a Counterstrike from the likes of Facebook and Twitter in what will be an Epic Social Audio Showdown. KOP lays out the state of social audio.
Facebook takes on Clubhouse, Twitter with plans for 'social audio' tools https://cnet.co/3apVwOd
Clubhouse, big tech or newcomers: who will win the social audio race? https://sifted.eu/articles/social-audio/
4 Reasons to press pause on social audio https://www.businessinsider.com/social-audio-top-challenges-barriers-to-widespread-adoption-2021-4
https://outline.com/jRYKpy
Clubhouse starts monetization, but startups and influencers may beat them to it https://digiday.com/marketing/clubhouse-starts-monetization-but-startups-and-influencers-may-beat-them-to-it/
Apple Rolls Out Podcast Subscriptions https://www.hollywoodreporter.com/news/apple-rolls-out-podcast-subscriptions
Music industry’s center of gravity is shifting (again), says Mark Mulligan
https://www.hypebot.com/hypebot/2021/04/the-music-industrys-shifting-center-of-gravity-again-says-mark-mulligan.html
No, Americans haven’t abandoned journalism values like transparency and oversight https://nie.mn/32xI3jb via @NiemanLab
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Streaming Media Reinventing, Revolutionizing, and Rolling Over Corporate Media
15 Years of Spotify: How the Streaming Giant Has Changed and Reinvented the Music Industry
https://variety.com/2021/music/news/spotify-turns-15-how-the-streaming-giant-has-changed-and-reinvented-the-music-industry-1234948299/
Inside Amazon's plan to transform the sports broadcasting world https://nypost.com/2021/04/15/inside-amazons-plan-to-transform-the-sports-broadcasting-world/
NFT Craze Catching On in Media Industry https://variety.com/vip-video/nft-craze-catching-on-in-media-industry/ via @variety
The Impact COVID-19 Had On The Entertainment Industry In 2020
https://www.forbes.com/sites/bradadgate/2021/04/13/the-impact-covid-19-had-on-the-entertainment-industry-in-2020/?sh=6debadb9250f
The Buyer’s Dilemma Has Come Home to Roost
https://www.adexchanger.com/tv-and-video/the-buyers-dilemma-has-come-home-to-roost/
Clubhouse Faces Big Competition As The Social Audio Market Heats Up https://allwork.space/2021/04/clubhouse-faces-big-competition-as-the-social-audio-market-heats-up/
Clubhouse and the great unbundling of Radio.
https://medium.com/shapes-ideas/the-great-unbundeling-of-radio-4767c68dee89
Streamers Snagging More Silver Screen Content;
Radio's Tough Return To Relevance
The State Of Non-Scripted TV: Networks & Streamers Optimistic In 2021 As They Seek Post-Pandemic Stability & Noisy New Hits https://deadline.com/2021/04/the-state-of-non-scripted-tv-broadcasters-streamers-optimistic-in-2021-feature-1234727534/
How 24-Hour Streaming Brought Media Full-Circle via https://www.forbes.com/sites/theyec/2021/04/08/how-24-hour-streaming-brought-media-full-circle/
Netflix Nabs Post-PVOD Streaming Rights to Sony's Feature Films in Multiyear Deal https://www.hollywoodreporter.com/news/netflix-nabs-streaming-rights-to-sonys-feature-beginning-in-2022
‘We Need to Reimagine Ads for Streaming Media’: Essence’s Gerber
https://www.beet.tv/2021/04/we-need-to-reimagine-ads-for-streaming-media-essences-gerber.html
WarnerMedia’s CEO says that in 2022 his movies will debut in theaters before they stream https://www.vox.com/recode/2021/4/8/22372626/warnermedia-ceo-jason-kilar-hbo-max-movies-streaming-interview-peter-kafka
Has Radio's Live & Local Ship Sailed? - https://jacobsmedia.com/?p=60374
Radio & the point of no(rmal) return. http://bit.ly/39QMF7R
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Corporate Controlled Celebrities Criticized For Hypocrisy While Digital Influencers Dominate
Corporate Controlled Celebrities Are Now Being Criticized (and Being Confronted For Hypocrisy) While Digital Influencers are Dominating
Influencer Culture vs Celebrity Culture: How Marketing Has Changed https://www.business2community.com/social-media/influencer-culture-vs-celebrity-culture-how-marketing-has-changed-02394163
Substack raises more money, but is that a good thing? https://www.cjr.org/the_media_today/substack-raises-more-money-but-is-that-a-good-thing.php
When the mob comes https://nie.mn/3dtFPX5
Celebrities in Australia anger stranded citizens over 'double standard'
https://www.bbc.com/news/world-australia-55851074
These 45 influencers and celebrities partied hard during the pandemic, flouting public-health guidelines https://www.insider.com/celebrity-influencer-party-partying-coronavirus-covid-19-pandemic-2021-3
Supreme Court Holds That FCC Permissibly Relaxed Media Ownership Limits
https://www.gibsondunn.com/supreme-court-holds-that-fcc-permissibly-relaxed-media-ownership-limits/
Radio Deregulation: Has It Served Citizens and Musicians?
http://www.futureofmusic.org/sites/default/files/FMCradiostudy.pdf
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Why Corporate Radio Runs on A Flea Market Mentality
KOP exposes corporate radio for how it operates as a secondary service for the music industry and an afterthought for listeners. Radio in America today is run like a flea market.
Global recorded music revenues grew 7.4% to $21.6bn in 2020, in spite of the pandemic https://www.musicbusinessworldwide.com/global-recorded-music-revenues-grew-7-4-to-21-6bn-in-2020-in-spite-of-the-pandemic/
New First on SoundCloud accelerator program to make ‘multi-phase, year-long investment’ in emerging artists - Music Business Worldwide https://www.musicbusinessworldwide.com/new-first-on-soundcloud-accelerator-program-to-make-multi-phase-year-long-investment-in-emerging-artists/
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Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Ratings fallout from the Grammys, Golden Globes and maybr even the Oscars shows more than ever that Establishment Media Mainstream is Losing Its Influence on Everyday Public
Golden Globes Ratings Sink 64% To a 13-Year Low — Are the Grammys Next?
https://www.digitalmusicnews.com/2021/03/09/grammys-golden-globes-ratings/
Grammys television audience shrinks to a new low.
https://www.nytimes.com/2021/03/15/business/media/grammy-awards-ratings.html
Netflix earns most Academy Award nominations in a year where diversity shines https://cnb.cx/2NhRkrq
iHeartMedia Files Counter-Petition To Limit Global Media & Entertainment’s Ownership Stake
https://radioinsight.com/headlines/206100/report-uks-global-seeks-fcc-approval-to-increase-iheartmedia-ownership-stake/
Kagan’s 2021 Outlook: Opportunities Abound for Local Radio And TV. http://www.insideradio.com/free/kagan-s-2021-outlook-opportunities-abound-for-local-radio-and-tv/article_7fac412c-86f7-11eb-8766-43512ec9963e.html
How many artists are generating $50k+ a year on Spotify? Over 13,000.
https://www.musicbusinessworldwide.com/how-many-artists-are-generating-more-than-50k-a-year-on-spotify-over-13000/
Spotify Launches “Loud & Clear” Transparency Initiative
https://pitchfork.com/news/spotify-launches-loud-and-clear-transparency-initiative/
Big Music Needs to Be Broken Up to Save the Industry https://www.wired.com/story/opinion-big-music-needs-to-be-broken-up-to-save-the-industry/
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KOP looks at how the digital disruption delivered in the pandemic permutation and what parts of media suffered the most.
Media Briefing: How the pandemic did — and didn’t — change the media industry
https://digiday.com/media/media-briefing-how-the-pandemic-did-and-didnt-change-the-media-industry/
So, Where Does Radio Go From Here? https://www.radioworld.com/news-and-business/programming-and-sales/so-where-does-radio-go-from-here
Why Spotify’s ex-Global Head of Music Publishing thinks streaming services should be paying songwriters more money https://www.musicbusinessworldwide.com/why-spotifys-ex-global-head-of-music-publishing-thinks-streaming-services-should-be-paying-songwriters-more-money/
Inside the ‘Black Market’ Where Artists Can Pay for Millions of Streams https://www.rollingstone.com/music/music-features/digital-marketing-streaming-manipulation-1138529/
NFTs Are Booming and the Music Biz Desperately Wants In
https://www.billboard.com/articles/business/tech/9538259/nft-music-business-explainer-3lau-grimes-deamau5 via @billboard
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Is Celebrity Culture Cancelling Itself all on its own? KOP looks at all the chatter of the pandemic-induced crushing of the celebrity. Will Hollywood go down the way of Las Vegas?
Celebrity culture during pandemic reveals excesses of American reverence https://miscellanynews.org/2021/03/03/opinions/celebrity-culture-during-pandemic-reveals-excesses-of-american-reverence/
Mitch Albom: A COVID-19 casualty that's not so bad: Celebrity obsession https://www.freep.com/story/sports/columnists/mitch-albom/2021/02/21/mitch-albom-kim-kardashian-kanye-west-celebrity-obsession-covid-19/4524247001/
How the COVID-19 pandemic is forcing a reckoning within celebrity culture
https://cw.ua.edu/79901/culture/how-the-covid-19-pandemic-is-forcing-a-reckoning-within-celebrity-culture/
Celebrity culture during pandemic reveals excesses of American reverence https://miscellanynews.org/2021/03/03/opinions/celebrity-culture-during-pandemic-reveals-excesses-of-american-reverence/
A new "Eat the Rich" plan asks you to unfollow your favorite celebrities and corporations https://www.newsweek.com/new-eat-rich-plan-asks-you-unfollow-your-favorite-celebrities-corporations-1566608
HBO's 'Fake Famous' Documentary Gets Influencer Marketing All Wrong http://entm.ag/byRVAZ
‘Because it’s so new and fresh’: It took a minute, but brands are in the Clubhouse app https://digiday.com/media/brands-are-in-the-clubhouse-app/
What the major record companies really think about the economics of music streaming https://www.musicbusinessworldwide.com/what-the-major-record-companies-really-think-about-the-economics-of-music-streaming/
News organizations that want journalists to engage with their audience may be setting them up for abuse https://nie.mn/3sTzrP1
KOP explains how Influencers have become more important than celebrities and how ShowBiz has been forever changed thanks to the pandemic.
Why Consumers Trust Influencers Over Celebrities
https://www.questionpro.com/blog/consumers-trust-influencers-celebrities/
5 Reasons Why Brand Influencers Are Better Than Celebrities https://mediakix.com/blog/brand-influencers-better-than-celebrities/
Social Media Marketing Expert Dylan Vanas Explains The Importance Of Influencer Marketing https://hauteliving.com/2021/02/social-media-marketing-expert-dylan-vanas-explains-the-importance-of-influencer-marketing/695019/
Study Reveals Instagram Reels Better For Brands, TikTok Better For Influencers https://www.forbes.com/sites/rebeccabellan/2021/02/22/study-reveals-instagram-reels-better-for-brands-tiktok-better-for-influencers/
Get to Know the 3 Types of Influencers http://entm.ag/Svx3Vb
The top 17 influencer marketers at brands who plan creative campaigns and partner effectively with creators on Instagram, TikTok, and YouTube
https://www.businessinsider.com/top-influencer-marketers-at-brands-list-dunkin-chipotle-seatgeek-2021-1
https://outline.com/cFXKLq
KOP welcomes Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
KOP discusses some of the creative content creators speaking out as corporate media companies crushing creativity in favor of "content". We look at the movie and music angles of the argument.
Martin Scorsese Says Cinema Is Being ‘Devalued’ to ‘Content’ in Essay Criticizing Modern Film Industry https://variety.com/2021/film/news/martin-scorsese-condemns-movie-business-essay-1234909069/
In New Essay On Federico Fellini, Martin Scorsese Takes Aim At The Movie Industry And Streaming https://deadline.com/2021/02/martin-scorsese-fellini-1234694949/ via @Deadline
Music streaming must switch to a fair and logical payout model. There is no time to lose. https://www.musicbusinessworldwide.com/the-streaming-music-industry-must-switch-to-a-fair-and-logical-payout-model-there-is-no-time-to-lose/
KOP concludes his chat with Sophie Bowman, CEO, Brand Branding PR LLC
& Co-Founder of BusinessOwnerSociety.com. Sophie is a Forbes-published multi-award-winning entrepreneur and influencer. She has been a celebrity and brand social media manager for over six years, with a proven track record of significantly increasing followers and engagement organically.
KOP welcomes Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
KOP discusses how streaming Has become the signal. Radio Has become the noise. As streaming dominates the music world, Is Radio’s Signal Fading? We look at some startling indicators.
As Streaming Dominates the Music World, Is Radio’s Signal Fading? https://variety.com/2021/music/news/radio-signal-fading-streaming-1234904387/
Radio Consolidation May Spell Changes for Label Promo Departments
https://outline.com/At7ezN
Owner Of UK’s Largest Commercial Radio Operator Acquires 8.8% Of iHeartMedia
https://radioinsight.com/headlines/204888/owner-of-uks-largest-commercial-radio-operator-acquires-8-8-of-iheartmedia/
Global's Tabor family buys stake in iHeartMedia in surprise move
https://www.campaignlive.com/article/globals-tabor-family-buys-stake-iheartmedia-surprise-move/1707162
The Wall Street Journal says it wants to help readers identify opinion pieces — but the campaign’s real audience may be its own newsroom https://nie.mn/2NbHKpw via @NiemanLab
Music streaming must switch to a fair and logical payout model. There is no time to lose. - Music Business Worldwide https://www.musicbusinessworldwide.com/the-streaming-music-industry-must-switch-to-a-fair-and-logical-payout-model-there-is-no-time-to-lose/
KOP speaks with Sophie Bowman, CEO, Brand Branding PR LLC
& Co-Founder of BusinessOwnerSociety.com. Sophie is a Forbes-published multi-award-winning entrepreneur and influencer. She has been a celebrity and brand social media manager for over six years, with a proven track record of significantly increasing followers and engagement organically.
KOP welcomes Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
KOP explains how new music doesn't matter in corporate radio...and now a new study shows radio personalities no longer matter to listeners. KOP states the case for change.
Olivia Rodrigo's 'Drivers License' No. 1 on Hot 100 For 3rd Week https://www.billboard.com/articles/business/chart-beat/9519286/olivia-rodrigo-drivers-license-number-one-third-week-hot-100
Report: Drive Time Isn't The Only Time for AM/FM Radio
https://news.radio-online.com/articles/b16555/Report-Drive-Time-Isnt-The-Only-Time-for-AM-FM-Radio
Gen Z Says “Meh” to FM DJs https://www.radioworld.com/news-and-business/programming-and-sales/gen-z-says-meh-to-fm-djs
KOP speaks with strategist, instructor and thought leader Lee Hunt, publisher and editor-in-chief of CMO Marketplace
Lee is a longtime entertainment marketing strategist and thought leader who has shared his on-air analysis with TV networks and channel brands for years including launching and branding Lifetime, VH1 and TNT. He holds the distinction of working with more entertainment brands around the world than any other strategist.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
KOP review the radical moves being made in the corporate media establishment's scramble for streaming media solace and how movies, scripted tv and live sports are being affected.
Media Briefing: The media industry’s top trends at the moment https://digiday.com/media/media-briefing-the-media-industrys-top-trends-at-the-moment/
The Future Of Movie Theaters, And Other 2021 Streaming Media Predictions via @forbes https://www.forbes.com/sites/forbestechcouncil/2021/01/20/the-future-of-movie-theaters-and-other-2021-streaming-media-predicitons/
Sports fans, accept your streaming future https://qz.com/1962106/
The Streaming Wars Are Turning Into a Game of Catch-up https://www.theringer.com/tv/2021/1/27/22251513/streaming-wars-peacock-wwe-hbo-max-game-of-thrones-netflix
Media companies prioritize streaming services over cable
https://triblive.com/aande/movies-tv/tv-talk-media-companies-prioritize-streaming-services-over-cable/
Radio Industry Mourns Loss of Legendary Bill Tanner
https://news.radio-online.com/cgi-bin/rol.exe/headline_id=n40045?fbclid=IwAR0O3VrJ4243uEttPqVowZsIQ70IHPYQw19oK0UnF7pSTNoJvqWwV_WwGJE
KOP speaks with strategist, instructor and thought leader Lee Hunt, publisher and editor-in-chief of CMO Marketplace
Lee is a longtime entertainment marketing strategist and thought leader who has shared his on-air analysis with TV networks and channel brands for years including launching and branding Lifetime, VH1 and TNT. He holds the distinction of working with more entertainment brands around the world than any other strategist.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
What do the debuts of Olivia Rodrigo, Billie Eilish and Rosalia have in common? KOP talks about the Music Cycle repeats in 10-year periods and that decades are often similar.
Guy Zapoleon’s 2021 10-Year Music Cycle Update by Guy Zapoleon https://www.allaccess.com/consultant-tips/archive/32506/guy-zapoleon-s-2021-10-year-music-cycle-update
Will Movie Theaters Survive When Audiences Can Stream New Releases? https://hbr.org/2021/01/will-movie-theaters-survive-when-audiences-can-stream-new-releases
The business of media in 2021 https://www.weforum.org/agenda/2021/01/video-streaming-was-a-hit-during-covid-19-but-what-does-that-mean-for-media/
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Influencers Are Now the A-List Celebrities of the Digital Mainstream. KOP explains why everyday influencers are more influential than the rich and famous celebrity establishment
The New Breed of Influencer | Why the general public is now more influential than the rich and famous and, how brands can tap into this using social listening
https://www.business2community.com/social-media/the-new-breed-of-influencer-02375732
Optimizing Influencer Marketing, Social, Content Budgets In 2021 https://bit.ly/35IgEgf
More than two-thirds of US marketers will use influencer marketing
https://www.emarketer.com/content/more-than-two-thirds-of-marketers-will-use-influencer-marketing
Meet the new influencer company working with top creators and models on OnlyFans
https://www.businessinsider.com/youtube-and-influencer-business-trends-newsletter-january-14-2021-1
Which Media Empires Are Feeling Linear TV’s Decline Hardest https://variety.com/vip/which-media-empires-are-feeling-linear-tvs-decline-hardest-1234880105/
KOP's featured guest interview is with Jamie Rodriguez, a former music journalist and concert photographer. He was on heritage Miami Top 40 radio station WHYI Y-100 in the mid-2000s as part of the morning show, and now he host a popular rock podcast (called the JRodConcerts Podcast) as well as a photojournalist working with South Florida publications such as the Miami New Times, Miami Music Magazine, and Palm Beach Post.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Support KOP by subscribing to his YouTube channel https://www.youtube.com/user/jbrasco951?sub_confirmation=1
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Media and Entertainment have gone through a full transition through the digital disruption and enters the new culture clash with a defined split of the mainstream. KOP analyzes
The Culture War and Its Effect On Entertainment Moving Forward https://www.piratesandprincesses.net/the-culture-war-and-its-effect-on-entertainment-moving-forward/
The End of Peak TV’s Relentless Growth https://variety.com/vip/the-end-of-peak-tvs-relentless-growth-1234866798/
Behind Podcasting's M&A Frenzy: "Easier to Buy Than Build" https://www.hollywoodreporter.com/news/behind-podcastings-ma-frenzy-easier-to-buy-than-build
U-S Newsrooms Lost A Record Number Of Jobs in 2020 https://mediaconfidential.blogspot.com/2021/01/u-s-newsrooms-lost-record-number-of.html?spref=tw
KOP's featured guest interview is with Jamie Rodriguez, a former music journalist and concert photographer. He was on heritage Miami Top 40 radio station WHYI Y-100 in the mid-2000s as part of the morning show, and now he host a popular rock podcast (called the JRodConcerts Podcast) as well as a photojournalist working with South Florida publications such as the Miami New Times, Miami Music Magazine, and Palm Beach Post.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
2021 Begins: Media and Entertainment Mobilized for Major Changes to embrace the digital disruption, by the corporate establishment and the grassroots creators.
Brutally Honest Insights on a Wild Year in the Streaming Wars https://variety.com/2020/digital/news/streaming-wars-2020-netflix-disney-plus-hbo-max-1234876686/
It Was A Very Good Year For Video Streamers https://mediaconfidential.blogspot.com/2020/12/it-was-very-good-year-for-video.html?spref=tw
The Unlikely TV Networks Defying Ratings Gravity https://variety.com/vip/the-unlikely-tv-networks-defying-ratings-gravity-1234876435/
How 2020 Changed the Music Business Forever https://www.rollingstone.com/pro/features/music-business-changes-transformations-2020-1107373/
The 2020 Journalism Crisis: A year in review https://www.cjr.org/busines.../journalism-crisis-in-2020.php
Substack isn’t a new model for journalism — it’s a very old one https://nie.mn/37FtBYA
A Year in Music on TikTok https://pitchfork.com/features/lists-and-guides/tiktok-songs-2020/
$IHRT - iHeartMedia: 2021 Play. https://seekingalpha.com/article/4395919-iheartmedia-2021-play
How The Box Office Will Power Back In 2021 Despite Covid Woes & Streaming Obsessions https://deadline.com/2020/12/movie-theaters-2021-outlook-poised-for-rebound-covid-black-widow-1234661930/ via @Deadline
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
2020: When Corporate Media Was Blown Up By The Digital Disruption-Part 1
KOP presents When Corporate Media Was Broken By The Digital Disruption, a two part series of what happened in 2020 to destroy the traditional corporate media construct.
Media and entertainment will come out looking very different in 2021, in both the way the content is produced and consumed. https://www.bloombergquint.com/opinion/2020-in-review-an-unforgettable-year-for-media
Traditional pay TV will embrace the disruption
https://www.niemanlab.org/2020/12/traditional-pay-tv-will-embrace-the-disruption/
The End of Peak TV’s Relentless Growth https://variety.com/vip/the-end-of-peak-tvs-relentless-growth-1234866798/
Video game revenues in 2020 set to top sports, movie industries https://nypost.com/2020/12/23/video-game-revenues-in-2020-set-to-top-sports-movie-industries/
10 NEW Star Wars Projects and 10 NEW Marvel Projects? Is Mickey Mouse Running Disney + https://youtu.be/MeBN_rSzVcM
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
A new study claims the heralded Top 40 or CHR format seems to be fading away. Meanwhile, music streaming is adding subscribers but the streaming stays the same.
The CHR Format Seems To Be Fading Away https://mediaconfidential.blogspot.com/2020/12/the-chr-format-seems-to-be-fading-away.html?spref=tw
Is Music Streaming Stalling? https://mediaconfidential.blogspot.com/2020/12/is-music-streaming-stalling.html
The 2020 Journalism Crisis: A year in review https://www.cjr.org/busines.../journalism-crisis-in-2020.php
WGA Confirms CAA Franchise Agreement, Ending Their Long-Running Battle – Read The Terms https://deadline.com/2020/12/writers-guild-caa-franchise-agreement-deal-reached-read-the-documents-1234658001/
KOP concludes his interview with Warren H. Cohn, the CEO/Founder of HeraldPR and
CEO/Co-Founder of Emerald Digital.
Warren founded a New York City-based public relations firm that focuses on providing expert services to its clients, specializing in traditional public relations, social media and digital advertising, company and personal branding, website development and crisis management.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Entertainment Embracing Digital Streaming Thanks to the digital disruption in addition to pandemic panic, but at what risk to their talent, content creators and their bottom line?
What to expect from the entertainment landscape in 2021
https://awfulannouncing.com/orig/what-to-expect-from-the-entertainment-landscape-in-2021.html
Measuring News Consumption in a Digital Era https://pewrsr.ch/2VUtTFe
For the entertainment industry, an HBO Max move is causing peak upset https://www.washingtonpost.com/business/2020/12/09/warner-hbo-move-angers-hollywood/
What Warner Bros.’ Streaming Strategy Means for Netflix and Movie Theaters: A Dialogue
https://variety.com/2020/film/news/future-of-movie-theaters-netflix-hbo-max-1234849836
10 ‘Star Wars’ Series, 10 Marvel Series and More to Debut on Disney Plus https://variety.com/2020/tv/news/disney-plus-star-wars-marvel-pixar-series-1234850947
Disney to Spend $8 Billion-$9 Billion on Disney Plus Content in Fiscal 2024 https://variety.com/2020/tv/news/disney-plus-investor-day-streaming-star-wars-marvel-pixar-1234850905/ via @variety
Disney Will Spend $14B-$16B A Year On Streaming Content By 2024 As It Ramps Up Production https://deadline.com/2020/12/disney-will-be-spending-14-16-billion-on-all-streaming-content-by-2024-as-it-ramps-up-production-1234654652/ via @Deadline
CAA President: Warner Bros.' Streaming Bet Will "Dramatically" Impact Clients' Backend Pay https://www.hollywoodreporter.com/news/caa-president-says-warner-bros-streaming-bet-will-dramatically-impact-clients-backend-pay
Spotify says you can watch music videos and documentaries on its platform (you can’t). Are they on the way? - Music Business Worldwide https://www.musicbusinessworldwide.com/spotify-says-you-can-watch-music-videos-and-documentaries-on-its-platform-you-cant-are-they-on-the-way/
Substack isn’t a new model for journalism — it’s a very old one https://nie.mn/37FtBYA via @NiemanLab
KOP welcomes Warren H. Cohn, the CEO/Founder of HeraldPR and
CEO/Co-Founder of Emerald Digital.
Warren founded a New York City-based public relations firm that focuses on providing expert services to its clients, specializing in traditional public relations, social media and digital advertising, company and personal branding, website development and crisis management.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Warner Bros. to Debut Entire 2021 Film Slate, Including ‘Dune’ and ‘Matrix 4,’ Both on HBO Max and In Theaters https://variety.com/2020/film/news/warner-bros-hbo-max-theaters-dune-matrix-4-1234845342/
AMC Theatres Says Warner Bros.' Streaming Plan Will "Sacrifice" Studio Profits https://www.hollywoodreporter.com/news/amc-theatres-says-warner-bros-streaming-plan-will-sacrifice-studio-profits
WarnerMedia’s HBO Max Movie Move Sinks Exhibition Stocks, Throws Down Streaming Gauntlet https://deadline.com/2020/12/warnermedia-hbo-max-exhibition-stocks-streaming-windows-1234650018/
5 Burning Questions for the Movie Business After the Stunning Warner Bros.-HBO Max News https://variety.com/2020/film/news/warner-bros-hbo-max-announcement-movie-business-1234845580/
"It's a Bloodbath": Layoffs Underway at Disney https://www.hollywoodreporter.com/live-feed/its-a-bloodbath-layoffs-under-way-at-disney
US media layoffs on track for record high in 2020
https://thehill.com/homenews/media/527937-us-media-layoffs-on-track-for-record-high-in-2020
The Price Is Right: The Bob Barker Era’: Fremantle & Pluto TV Launch Channel Dedicated To Game Show’s Heyday
https://deadline.com/2020/11/the-price-is-right-bob-barker-fremantle-pluto-tv-channel-1234635433/
Showtime Launches Free Pluto TV Channel, Hoping to Lure Paying Subscribers (EXCLUSIVE)
https://variety.com/2020/digital/news/pluto-tv-showtime-selects-free-channel-1234842099/
Social Media, Not Streaming, Is the Music Industry’s Future https://www.rollingstone.com/pro/features/social-media-tiktok-instagram-video-games-music-money-1097428
KOP concludes his interview with Actress, Singer, Dancer, Producer Stephanie Andujar.
Stephanie starred on stage early in her career performing in productions of ‘The Wiz,’ and ‘The Crucible,. She has appeared on fan favorite tv series like: ‘Blue Bloods,’ ‘Law & Order: SVU’ and “Orange is the New Black”, and she also appeared in the Academy Award winning film ‘Precious’. She has founded a family owned and operated production company in Andujar Productions where she has expanded into some new ambitious projects.
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Covid Stories on Network TV are only going to chase viewers to streaming seeking more escapist content and they lack new movies and tv to watch.
What the hell is happening with masks on network TV? https://www.vulture.com/article/network-tv-masks-covid-stories.html
Now is the Time to Reimagine Network TV
https://comicbook.com/tv-shows/news/now-is-the-time-to-reimagine-network-tv/
Why cinema will survive the coronavirus pandemic
https://www.marketwatch.com/story/why-cinema-will-survive-the-2020-pandemic-2020-10-30
KOP welcomes part 1 of his interview with Actress, Singer, Dancer, Producer Stephanie Andujar.
Stephanie starred on stage early in her career performing in productions of 'The Wiz,' and 'The Crucible,. She has appeared on fan favorite tv series like: 'Blue Bloods,' 'Law & Order: SVU' and “Orange is the New Black”, and she also appeared in the Academy Award winning film 'Precious'. She has founded a family owned and operated production company in Andujar Productions where she has expanded into some new ambitious projects.
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Movie Studios like Disney and Marvel are impatient and now making moves to stream new releases instead of waiting on the theatres to return to normal.
‘Wonder Woman 1984’ to Debut Both on HBO Max and in Theaters https://variety.com/2020/film/news/wonder-woman-1984-hbo-max-release-1234804411/
Disney Mulling Pivot Of ‘Pinocchio’, ‘Peter Pan’, ‘Cruella’ From Theatrical To Disney+ Premieres https://deadline.com/2020/11/disney-plus-moving-pinocchio-cruella-peter-pan-and-wendy-no-theaters-1234619134/
Over 2bn YouTube users are now playing music videos every month https://www.musicbusinessworldwide.com/over-2bn-youtube-users-are-now-watching-music-videos-every-month/
An industry in flux https://www.cjr.org/special_report/an-industry-in-flux.php/
KOP concludes his exclusive interview with Lauren Conlin, entertainment reporter and host of The Red Carpet Rendezvous podcast.
Lauren is a New York City based entertainment contributor and the host of the 'Red Carpet Rendezvous' a weekly podcast for all things entertainment, film, television, and Broadway. Learn more at www.onthecarpet.com
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Social Media Regulation is again a topic and KOP delves into stories that discuss How might it be regulated? We also look at the ongoing Section 230 debate.
Social media: How might it be regulated?
https://www.bbc.com/news/technology-54901083
Reform Section 230 Now or Leave Section 230 Alone
https://www.newsweek.com/reform-section-230-now-opinion-1542228
https://www.newsweek.com/leave-section-230-alone-opinion-1543041
Facebook Shares New Insights into Evolving Consumer Behaviors Amid COVID-19 https://www.socialmediatoday.com/news/facebook-shares-new-insights-into-evolving-consumer-behaviors-amid-covid-19/588937/
Peter Rice Unveils Structure Of Disney’s General Entertainment Division Focused On TV Content Creation https://deadline.com/2020/11/peter-rice-structure-disney-general-entertainment-division-tv-content-creation-restructuring-gary-marsh-dana-walden-courtney-monroe-1234612367/
How Network TV Shows Are Coping With Covid https://www.rollingstone.com/tv/tv-features/how-network-tv-shows-covid-superstore-blackish-good-doctor-conners-1084646/
With Political Advertising Grinding To A Halt, The Media Industry Needs Sports via @forbes https://www.forbes.com/sites/mikevorhaus/2020/11/08/with-the-elections-over-the-media-industry-needs-sports/
KOP introduces part 1 of his exclusive interview with Lauren Conlin, entertainment reporter and host of The Red Carpet Rendezvous podcast.
Lauren is a New York City based entertainment contributor and the host of the 'Red Carpet Rendezvous' a weekly podcast for all things entertainment, film, television, and Broadway. Learn more at www.onthecarpet.com
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
For Big Tech, what follows ‘free expression’? How the media industry is creating an ‘Offer You Can’t Refuse’ and how this all leads to the Media Establishment Massacre
For Big Tech, what follows ‘free expression’? https://www.cjr.org/opinion/big-tech-senate-hearing-free-expression
How the media industry is creating an ‘Offer You Can’t Refuse’ by @stevenVBe https://customerthink.com/how-the-media-industry-is-creating-an-offer-you-cant-refuse/
3 things to know about Spotify’s controversial new ‘pay for influence’ tool, Discovery Mode - Music Business Worldwide https://www.musicbusinessworldwide.com/3-things-to-know-about-spotifys-controversial-new-pay-for-influence-tool-discovery-mode/
Plus, KOP concludes his featured interview with Muyinza Kasirye, a Black Media Producer / Artist / Entrepreneur and owner of APRT Media.
Muyinza runs a media production company that does photography and videography primarily in the entertainment space, working coast to coast between LA, NYC and Boston.
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
There is definitely a market for edited content,says a music executive in a New York Times article that Music Censorship Is Good for Business.
Cardi B’s ‘WAP’ Proves Music’s Dirty Secret: Censorship Is Good Business https://www.nytimes.com/2020/10/27/arts/music/clean-versions-explicit-songs.html
Radio’s Opportunity In The $63 Billion Content Marketing Space. http://www.insideradio.com/free/radio-s-opportunity-in-the-63-billion-content-marketing-space/article_fe3c3490-181e-11eb-83f0-4712fe3c1359.html?
Media executives are finally accepting the decline of cable TV as they plot a new path forward https://cnb.cx/2TkDqEe
Plus, KOP presents part 2 of his featured interview with Muyinza Kasirye, a Black Media Producer / Artist / Entrepreneur and owner of APRT Media.
Muyinza runs a media production company that does photography and videography primarily in the entertainment space, working coast to coast between LA, NYC and Boston.
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Quibi will go quiet as the mobile streaming startup led by Jeffrey Katzenberg and Meg Whitman, just six months after launching, and so goes nearly $2 billion in investment dollars.
Quibi Sets Shutdown Date https://www.hollywoodreporter.com/news/quibi-sets-shutdown-date
Inside Quibi's Abrupt Shutdown: "This Is Not How They Wanted It to Go" https://www.hollywoodreporter.com/news/inside-quibis-abrupt-shutdown-this-is-not-how-they-wanted-it-to-go
Assessing Quibi Debacle: Financiers Second Guess While A Film Crew Struggles To Finish A Production In Ukraine After Being Told To Shut Down https://deadline.com/2020/10/quibi-downfall-what-happened-investors-business-model-hollywood-analysis-1234602285/
iHeartMedia acquires podcast technology company Voxnest - Music Business Worldwide https://www.musicbusinessworldwide.com/iheartmedia-acquires-podcast-technology-company-voxnest/
The FCC is now ready to fight Section 230 https://www.axios.com/the-fcc-is-now-ready-to-fight-section-230-6dec58b7-e940-4214-97e9-56afa469c694.html
Is Disney Playing For Keeps With ESPN? https://www.hollywoodreporter.com/news/is-disney-playing-for-keeps-with-espn
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
FCC and Congress look to Confront Social Media For Crossing the Line of Censorship. KOP explains why it's more than just suppressing an October Surprise.
FCC will move to regulate social media after censorship outcry https://www.theverge.com/2020/10/15/21518097/fcc-social-media-censorship-moderation-ajit-pai-section-230-nypost-biden
FCC moves to 'clarify' Section 230 law following censoring of Post story https://nypost.com/2020/10/15/fcc-moves-to-clarify-section-230-law-after-censoring-of-post-story/
FCC Urged To Reject 'Digital Authoritarianism,' Dismiss Petition For Social Media Rules
https://www.mediapost.com/publications/article/355900/fcc-urged-to-reject-digital-authoritarianism-di.html
THE BRAVE NEW WORLD OF SOCIAL MEDIA CENSORSHIP
http://cdn.harvardlawreview.org/wp-content/uploads/2014/06/vol127_Heins.pdf
Journalism faces a crisis in trust. Journalists fall into two very different camps for how to fix it
https://www.niemanlab.org/2020/10/journalism-faces-a-crisis-in-trust-journalists-fall-into-two-very-different-camps-for-how-to-fix-it/
New Spotify format allows podcasters to place songs between talk segments in shows - Music Business Worldwide https://www.musicbusinessworldwide.com/new-spotify-format-allows-podcasters-to-place-songs-between-talk-segments-in-shows/
Plus, KOP presents part 1 of his featured interview with Muyinza Kasirye, a Black Media Producer / Artist / Entrepreneur and owner of APRT Media.
My next guest runs a media production company that does photography and videography primarily in the entertainment space, working coast to coast between LA, NYC and Boston.
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Rolling Stone follows up on Radio's Payola Problem as they write Pay-for-Play Was Banned From Radio — But Texts Reveal It May Still Be Thriving.
Pay-for-Play Was Banned From Radio — But Texts Reveal It May Still Be Thriving https://www.rollingstone.com/pro/features/pay-for-play-radio-texts-1067691/
The Splintering of The Radio Industry https://radioink.com/2020/10/08/the-splintering-of-the-radio-industry/
FCC Closing In On An All-Digital AM Decision. http://www.insideradio.com/free/fcc-closing-in-on-an-all-digital-am-decision/article_e3185dae-06dc-11eb-a24a-db9822043f62.html
How a Wildly Ambitious Company Called Hipgnosis Is Shaking Up the Music Industry https://www.complex.com/music/2020/10/hipgnosis-songs-explainer-interview-merck-mercuriadis/
Why Have There Been So Many No. 1 Debuts This Year on the Hot 100?
https://www.billboard.com/amp/articles/business/chart-beat/9462429/number-one-debuts-hot-100-travis-scott
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Billboard and Rolling Stone are on the same team as the parent companies of these Mainstream Music Magazines Merge Making More Media Deregulation
Rolling Stone, Billboard, Vibe, More to Operate Under New Joint Venture PMRC https://pitchfork.com/news/rolling-stone-billboard-vibe-more-to-operate-under-new-joint-venture-pmrc/
What Does the Rolling Stone and Billboard Deal Mean for Music Fans? https://pitchfork.com/thepitch/what-does-the-rolling-stone-and-billboard-deal-mean-for-music-fans/
The Most Musically Aggressive Stations In CHR?
https://radioinsight.com/blogs/198350/the-most-musically-aggressive-stations-in-chr/
How A.I. is playing a bigger role in music streaming than you ever imagined https://fortune.com/2020/10/01/sonos-spotify-iheartradio-artificial-intelligence/
WME and CAA Struggle With WGA Over Terms of Surrender on Agency Campaign https://variety.com/2020/tv/news/wga-wme-caa-packaging-production-1234785461/ via @variety
Movie theaters reduce hours as Hollywood blockbusters delayed https://nypost.com/2020/09/30/movie-theaters-reduce-hours-as-hollywood-blockbusters-delayed/
WGA Outlines Next Step In Separate Negotiations With CAA & WME Over Franchise Agreement https://deadline.com/2020/09/writers-guild-caa-wme-talks-update-negotiations-latest-1234589087/
How BTS and Its ARMY Could Change the Music Industry https://variety.com/2020/music/asia/bts-fans-army-music-industry-1234786977/
Who The Hell Cares What YOU Think? The Metaphysics of Modern (Same-As-The-Old) Media
https://ivn.us/posts/who-the-hell-cares-what-you-think-the-metaphysics-of-modern-same-as-the-old-media
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
The Digital Media Disruption Dominates in a Crushing Entertainment and Media Covid Crisis. KOP talks about the resilience of digital has accelerated the demise of traditional media.
Entertainment and media industry revenues to slump 6.7% in 2020 https://www.thedrum.com/news/2020/09/09/entertainment-and-media-industry-revenues-slump-67-2020
Why social media has changed the world — and how to fix it? MIT Professor Sinan Aral’s new book, “The Hype Machine,” explores the perils and promise of social media in a time of discord.
https://news.mit.edu/2020/hype-machine-book-aral-0924
dio listener profiles: an infinite dial report
https://www.edisonresearch.com/radio-listener-profiles-an-infinite-dial-report/
Hollywood making a comeback: Studios, guilds, unions reach COVID return-to-work agreement https://abc7.com/business/tv-movie-production-finally-revving-up-again-after-covid-stoppage/6505869/
Hollywood Labor Unions & Management Finalize Return-To-Work Agreement https://deadline.com/2020/09/hollywood-return-to-work-deal-labor-unions-producers-management-1234573357/
Movie industry dealt devastating blow as 'Black Widow,' Marvel slate postponed https://cnb.cx/33O0kJa
Weekend predictions: movies are showing better legs during the pandemic
https://www.the-numbers.com/news/248150830-Weekend-predictions-movies-are-showing-better-legs-during-the-pandemic
A third of musicians surveyed may leave the music industry due to pandemic struggles https://uproxx.it/bq4es2h
Joe Rogan Is Already a Headache for Spotify
https://www.vulture.com/2020/09/joe-rogan-spotify-problems.html?
Joe Rogan Fans Angry Over Spotify Partnership, Rest of the Internet Laughs
https://www.cheatsheet.com/entertainment/joe-rogan-fans-angry-over-spotify-partnership-rest-of-the-internet-laughs.html/
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Hollywood studios delaying movie releases, added with labor unrest (and state-enforced lockdowns in New York and California) the movies lack motivation for moviegoers.
Movie Theaters Returned. Audiences Didn’t. Now What? https://www.nytimes.com/2020/09/15/business/media/tenet-movie-theaters-coronavirus.html?smid=tw-share
Tepid ‘Tenet’ Box Office Reflects U.S. Audiences’ Fear of Theaters https://variety.com/vip/tepid-tenet-box-office-reflects-us-audience-fear-of-theaters-1234771916/
What Studios & Exhibition Seriously Need To Do Right Now To Save Moviegoing After Release Date Fallout & ‘Tenet’ https://deadline.com/2020/09/tenet-covid-19-movie-theaters-studios-release-dates-black-widow-1234576042/
Daytime TV's Dark Side: Former 'TMZ on TV,' 'Ellen' and 'Rosie' Employees Detail Abusive Work Culture https://www.hollywoodreporter.com/features/daytime-tvs-dark-side-former-tmz-on-tv-ellen-and-rosie-employees-detail-abusive-work-culture
Are news companies already putting diversity pledges on the back burner? https://nie.mn/3iKOYfe
‘A flood of money into music IP is about to change the music industry forever.’ https://www.musicbusinessworldwide.com/the-flood-of-money-into-music-ip-is-about-change-the-music-industry-forever/
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Netflix Crosses the Lines with Cuties, a Controversial French film “Cuties” (about a young Senegalese girl in Paris who joins a “free-spirited dance clique” to escape family dysfunction). KOP discusses the line crossed.
‘Cancel Netflix’ Backlash Grows Over ‘Cuties’ Film’s Sexualization of Young Girls https://variety.com/2020/digital/news/cancel-netflix-backlash-cuties-sexualized-girls-1234765747/
New Oscars standards require best picture contenders must be inclusive to compete https://www.latimes.com/entertainment-arts/movies/story/2020-09-08/academy-oscars-inclusion-standards-best-picture
The New Oscars Inclusion Rules Explained https://variety.com/2020/film/awards/oscars-inclusion-diversity-rules-standards-explained-1234763473/
As SiriusXM, Howard Stern Contract Talks Drag On, CEO Jim Meyer Is “Optimistic” https://deadline.com/2020/09/as-siriusxm-howard-stern-contract-talks-drag-on-ceo-jim-meyer-is-ptimistic-1234573596/
Renowned Media Consultant Lee Abrams: Terrestrial Radio Is on the Clock https://variety.com/2020/music/news/lee-abrams-radio-consultant-terrestrial-1234766248/
iHeartMedia CEO Bullish on Podcast Industry Growth https://www.hollywoodreporter.com/news/iheartmedia-ceo-bullish-on-podcast-industry-growth
Joe Rogan Has a Rough Rollout on #Spotify https://youtu.be/BUyMEdxzea4
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
KOP talks about the Digital Disruption and how it is destroying the Yellow Journalism bubble. He explains the origin of the phrase and how objectivity in journalism should affect reporting being compared to airtight evidence used in a court of law.
A majority of Republicans (70%) and Democrats (56%) believe that the news media should be approached with skepticism rather than trust. https://nie.mn/31LPovG
To Fix Fake News, Look To Yellow Journalism
https://daily.jstor.org/to-fix-fake-news-look-to-yellow-journalism/
In the Age of Digital Yellow Journalism, Objective Local News Sites Are Critical to the Fourth Estate
http://www.editorandpublisher.com/stories/in-the-age-of-digital-yellow-journalism-objective-local-news-sites-are-critical-to-the-fourth,172412
Caleb’s Concepts: Journalists aren’t neutral https://theappalachianonline.com/?p=37646
Should journalists rethink objectivity? Stanford professors weigh in https://www.stanforddaily.com/2020/08/20/should-journalists-rethink-objectivity-stanford-professors-weigh-in/
Media Apocalypse & 30 Days to 10,000 Newsletter Subscribers
https://contrarianthinking.substack.com/p/68b29073-8f2e-444e-b490-4c5b8a0b7ca6
WGA Says It’s “Gone About As Far As We Can Go” To Reach Deal With WME And CAA https://deadline.com/2020/09/writers-guild-caa-wme-talks-status-packaging-fee-deal-1234568233/ via @Deadline
@iHeartRadio Survey: Radio Continues To Be The Most Trusted Medium https://mediaconfidential.blogspot.com/2020/09/ihm-survey-radio-continues-to-be-most.html?spref=tw
Support the Broadcasters Podcast by:
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Hollywood is Crumbling Thanks to Covid due to a series of epic events effecting the Hollywood establishment.
Walmart to buy TikTok with Microsoft? https://www.musicbusinessworldwide.com/walmart-to-buy-tiktok-with-microsoft/
UCLA Department Of Film, TV & Digital Media Gets Poor Grade In Academic Senate Review
https://deadline.com/2020/08/ucla-department-of-film-tv-digital-media-gets-poor-grade-in-academic-senate-review-1203024245/
The Great Agency Exodus: Top Reps Flee the Majors As Management Civil War Looms https://www.hollywoodreporter.com/news/the-great-agency-exodus-top-reps-flee-the-majors-as-management-civil-war-looms
Network Comedies’ Future Threatened By Outdated Broadcast Business Model https://deadline.com/2020/08/broadcast-tv-comedy-future-business-woes-indie-studios-broadcast-model-1203019378/
Hollywood Unions & AMPTP “Very Close” To Return-To-Work Deal, Sources Say
https://deadline.com/2020/08/hollywood-unions-producers-very-close-deal-return-to-work-deal-1203026091/
Regal Cinemas Parent Says Many Movies 'Sold Out' As Theaters Reopen
https://www.fool.com/investing/2020/08/28/regal-cinemas-parent-says-many-movies-sold-out-as/
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Apple takes another crack at online radio, while NPR notices podcasts do better for them than radio does. Plus, sex (WAP) and solitude (Folklore) soar in mainstream music under quarantine.
Why Apple Music Still Cares About Radio https://www.rollingstone.com/pro/news/beats-apple-music-radio-announcement-1045912/
Apple announces Apple Music radio https://nr.apple.com/dE7W9d3G7L
Radio listening has plummeted. NPR is reaching a bigger audience than ever. What gives? https://nie.mn/317QHVB
Justice Department’s Antitrust Chief Reorganizes With New Focus On Telecom, Media And Entertainment https://deadline.com/2020/08/justice-department-antitrust-media-and-entertainment-1203019290/
Facebook now allows creators to earn money from online events - Music Business Worldwide https://www.musicbusinessworldwide.com/facebook-now-allows-creators-to-earn-money-from-online-events/
Op/ED says Sexism in the Music Industry is Making a Mess
https://www.thelantern.com/2020/08/grab-a-bucket-and-a-mop-sexism-in-music-industry-is-making-a-mess/
Three Music-Industry Trends From Quarantine That Are Here to Stay https://www.rollingstone.com/pro/features/pandemic-music-industry-trends-cardi-b-taylor-swift-1045276/
Plus KOP concludes his conversation with photographer, video producer
and YouTube video blogger Jim Costa. Jim recently released a new video blog on your youtube channel, jimcostafilms. A new series on lighting for videography, filmmaking and photography.
Support the Broadcasters Podcast by:
Donating via Bitcoin, Bitcoin Cash, Dai, Ethereum, Litecoin or USD
by going to https://commerce.coinbase.com/charges/RKXRRTBR
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Music and Entertainment make waves to push through the pandemic while dealing with costs and challenges that come in the way.
Remote Control: Making Television Mid-Pandemic
https://www.nytimes.com/2020/08/12/arts/television/coastal-elites-connecting-social-distance.html
AMC Theatres Charging 15 Cents a Ticket on Opening Day
https://variety.com/2020/film/news/amc-theatres-charging-15-cents-a-ticket-reopening-coronavirus-1234733922/
As election looms, a network of mysterious ‘pink slime’ local news outlets nearly triples in size https://www.cjr.org/analysis/as-election-looms-a-network-of-mysterious-pink-slime-local-news-outlets-nearly-triples-in-size.php
Amazon Music Adding Podcasts, Walk Back Condition That Podcasters Don’t Disparage Amazon
https://pitchfork.com/news/amazon-music-adding-podcasts-on-the-condition-that-podcasters-dont-disparage-amazon/
Support the Broadcasters Podcast by:
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
The Corporate Media is Disconnected and Living In Their Own Bubble
KOP lays out the argument on how the corporate media is disconnected and living in their own bubble. As a result objective journalism has been rendered obsolete.
Journalists’ Twitter use shows them talking within smaller bubbles
https://news.illinois.edu/view/6367/326226550?rn=0805T192112&fbclid=IwAR3NuSVFspHlkHj90fKDQKCSNi32JTKPnkTh_xqIgrbeBQBs4RCRS-mjaZw
https://journals.sagepub.com/doi/10.1177/2056305120926639
How the Media Led the Great Racial Awakening
https://www.tabletmag.com/sections/news/articles/media-great-racial-awakening
Support the Broadcasters Podcast by:
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Big Tech Confronted and Challenged for Content Censorship and Commerce in an antitrust hearing where the CEOs of big tech companies including Facebook, Amazon, Apple and Google were hauled before lawmakers for a Congressional roasting.
Trump administration petitions FCC on social media content rules
https://www.reuters.com/article/us-twitter-trump/trump-administration-petitions-fcc-on-social-media-content-rules-idUSKCN24S2QM
Commerce Dept Petitions FCC To Clamp Down On Social Media https://mediaconfidential.blogspot.com/2020/07/trump-has-agency-petitions-fcc-on.html
Rep. Jerry Nadler blames Facebook, Google for demise of news industry
https://nypost.com/2020/07/29/rep-nadler-blames-facebook-google-for-demise-of-news-industry/
‘We’re starting to see a generation of artists born and raised on TikTok.’ https://www.musicbusinessworldwide.com/were-starting-to-see-a-generation-of-artists-born-and-raised-on-tiktok/
Facebook Is Reportedly Offering Money To Lure Influencers From TikTok To Reels
https://www.forbes.com/sites/elanagross/2020/07/28/facebook-is-reportedly-offering-money-to-lure-influencers-from-tiktok-to-reels/#4bdf8a1d7b36
Regal will open theaters on Aug. 21 — but won’t require masks during movies https://www.polygon.com/2020/7/28/21344999/regal-theaters-opening-coronavirus-safety-guidelines
Ellen DeGeneres Addresses Workplace Allegations and Changes Forthcoming in Staff Letter (Exclusive) https://www.hollywoodreporter.com/live-feed/ellen-degeneres-addresses-workplace-allegations-changes-forthcoming-staff-letter-1305189
SiriusXM CEO Jim Meyer Says He Knows What Star Host Howard Stern Wants & “We Will Get There I Hope”
https://deadline.com/2020/07/siriusxm-ceo-says-he-knows-what-host-howard-stern-wants-will-get-there-hope-1202999343/
Is Spotify Making A Play For Howard Stern? CEO Daniel Ek On Why Creators Should Choose It Over SiriusXM
https://deadline.com/2020/07/spotify-play-howard-stern-ceo-daniel-ek-creators-siriusxm-1202998550/
Spotify thinks the Top 40 is over (and other key takeaways from its Q2 results) - Music Business Worldwide https://www.musicbusinessworldwide.com/spotify-the-top-40-is-over-and-other-key-takeaways-from-its-q2-results/
Tom Kent Pens Open Letter to the Radio Industry
https://news.radio-online.com/articles/n39169/Tom-Kent-Pens-Open-Letter-to-the-Radio-Industry
Lifestyle Journalism Takes Another Kick In The Crotch
https://www.refinery29.com/en-ca/2020/07/9935255/media-layoffs-lifestyle-journalism
TV ‘trailblazer’ Ed Ansin, who helped change the flavor of news, dies in Miami at 84
https://www.miamiherald.com/news/local/obituaries/article244513307.html
KOP speaks with Bestselling author, activist, and actor Donny O’ Malley, the Founder of Irreverent Warriors and Veteran Entertainment Television.
Support the Broadcasters Podcast by:
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Movies studios and exhibitors continue to move back plans to reopen, while one music maker might make a bold move that could shake the core of the music industry.
Big Screen Flicks on the Move out of 2020 https://deadline.com/2020/07/quiet-place-2-top-gun-2-moving-to-2021-1202993889/
Movie theaters implore studios: Release the blockbusters
https://apnews.com/c717475b7faf5e518e4de99e18f5318c
AMC Theatres, as well as Regal and Cinemark Delay U.S. Reopening to August https://www.hollywoodreporter.com/news/amc-theatres-delays-us-reopening-august-1304083
R.I.P. Cable TV: Why Hollywood Is Slowly Killing Its Biggest Moneymaker https://variety.com/2020/tv/news/cable-tv-decline-streaming-cord-cutting-1234710007/
Will changes to print outlast the pandemic? https://www.cjr.org/business_of_news/will-changes-to-print-outlast-the-pandemic.php
For a lot of these TikTok hits, the artists could be an avatar – it wouldn’t matter.’ - Music Business Worldwide https://www.musicbusinessworldwide.com/vydia-roy-lamanna-this-new-generation-of-managers-dont-know-the-rules-and-therefore-dont-abide-by-the-rules/
R.I.P. Cable TV: Why Hollywood Is Slowly Killing Its Biggest Moneymaker https://variety.com/2020/tv/news/cable-tv-decline-streaming-cord-cutting-1234710007/
‘If Drake Goes Independent, the Music Business Is Done,’ Says United Masters’ Steve Stoute https://variety.com/2020/music/news/drake-independent-music-industry-business-steve-stoute-russ-1234710345/
https://www.xxlmag.com/drake-independent-shut-down-music-industry-steve-stoute/
TikTok inks global deal with music publishers (who previously threatened to sue it) - Music Business Worldwide https://www.musicbusinessworldwide.com/tiktok-inks-global-multi-year-deal-with-music-publishers/
Support the Broadcasters Podcast by:
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
While China offers a crucial customer base for Hollywood and provides popular technology for the world, changes may be coming thanks to Covid-19.
Barr Criticizes Studios Over China Relationships, Singles Out Marvel, Paramount
https://www.hollywoodreporter.com/news/barr-criticizes-studios-china-relationships-singles-marvel-paramount-1303474
China to Begin Post-Covid Reopening of Cinemas
https://variety.com/2020/film/news/china-reopening-cinemas-coronavirus-1234708051/
China’s Theaters Are Reopening Next Week, But There’s A Big Catch
https://www.forbes.com/sites/scottmendelson/2020/07/16/china-box-office-sonic-detective-chinatown-covid-coronavirus-dolittle-mulan-tenet/#435ac87a48ec
TikTok rival Instagram Reels to launch globally in ‘matter of weeks’ https://www.musicbusinessworldwide.com/facebook-to-launch-tiktok-rival-reels-globally-in-matter-of-weeks-report/
Kudlow: China's TikTok to Operate as a US Company
https://www.newsmax.com/finance/streettalk/kudlow-tiltok-us-company-china/2020/07/16/id/977557/
It’s Facebook vs. YouTube: Official music videos coming to Mark Zuckerberg’s platform in August https://www.musicbusinessworldwide.com/its-facebook-vs-youtube-official-music-videos-coming-to-mark-zuckerbergs-platform-on-august-1/
Nick Cannon Dropped by ViacomCBS After Making Anti-Semitic Comments https://variety.com/2020/tv/news/nick-cannon-dropped-viacomcbs-anti-semitic-comments-podcast-1234706748/
Vox Media Lays Off 6% of Staff After Sharp Revenue Drop-Off Amid Pandemic https://variety.com/2020/digital/news/vox-media-layoffs-6-percent-revenue-coronavirus-1234708210/
Nick Cannon to Remain Host of The Masked Singer
https://consequenceofsound.net/2020/07/nick-cannon-masked-singer/
Nick Cannon To Take Indefinite Leave From Radio Show
https://radioinsight.com/headlines/191255/skyview-suspends-nick-cannon-radio-distribution/
Infinite Dial: 68% Discover New Music From YouTube; 46% From AM/FM via @radioinsight https://radioinsight.com/headlines/191268/infinite-dial-68-discover-new-music-from-youtube-46-from-am-fm/
Infinite Dial: 68% Discover New Music From YouTube; 46% From AM/FM
https://radioinsight.com/headlines/191268/infinite-dial-68-discover-new-music-from-youtube-46-from-am-fm/
Plus, KOP concludes his two-part interview with Rachel Ann Mullins, an international model turned actress who started her career at the age of 12. She has produced viral campaigns for mega brands in addition to short films and web series. She has been living and working in Hollywood for over a decade. She produced and directed a feature length documentary called YouSlut and you now host the podcast No Filter Friday on Public House Media.
Support the Broadcasters Podcast by:
Donating via Bitcoin, Bitcoin Cash, Dai, Ethereum, Litecoin or USD
by going to https://commerce.coinbase.com/charges/RKXRRTBR
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
AMC works out a financial runway to play motion pictures this summer, the state of playlists in 2020 and some new plays in the world of podcasting.
$AMC Entertainment Nears Debt Deal That Would Ensure Solvency Into Early Next Year https://deadline.com/2020/07/amc-entertainment-debt-deal-solvency-early-next-year-1202981933/
Why releasing an album is a waste of time https://www.musicradar.com/news/why-releasing-an-album-is-a-waste-of-time
State Of Playlists: 2020 Edition https://www.hypebot.com/hypebot/2020/07/state-of-playlists-2020-edition.html
A Stitcher Acquisition Would Give SiriusXM The Tools To Compete With Apple And Spotify In Podcasting https://www.forbes.com/sites/billrosenblatt/2020/07/07/siriusxm-buys-stitcher-giving-it-the-tools-to-compete-with-apple-and-spotify/
Plus, KOP begins his two-part interview with Rachel Ann Mullins, an international model turned actress who started her career at the age of 12. She has produced viral campaigns for mega brands in addition to short films and web series. She has been living and working in Hollywood for over a decade. She produced and directed a feature length documentary called YouSlut and you now host the podcast No Filter Friday on Public House Media.
Support the Broadcasters Podcast by:
Donating via Bitcoin, Bitcoin Cash, Dai, Ethereum, Litecoin or USD
by going to https://commerce.coinbase.com/charges/RKXRRTBR
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP talks about a future of journalism without a scintilla of objectivity. Plus, on the 50th anniversary of American Top 40, we look at the revising of radio history.
What comes after we get rid of objectivity in journalism? https://www.cjr.org/the_media_today/what-comes-after-we-get-rid-of-objectivity-in-journalism.php
Media Leaders Weigh In on Where the Industry Will Head After COVID-19
https://www.editorandpublisher.com/feature/media-leaders-weigh-in-on-where-the-industry-will-head-after-covid-19/
On With the Countdown: Happy 50th Birthday to the ‘American Top 40’ Program
https://www.billboard.com/articles/business/radio/9412479/american-top-40-celebrates-50th-anniversary
Radio Is Quietly Scrubbing the Word ‘Urban,’ Sources Say – Rolling Stone https://www.rollingstone.com/pro/news/iheartradio-mediabase-urban-radio-changes-1023730/
The Early ‘90s: Real Airplay Reduces The “Lost Factor” https://radioinsight.com/ross/189644/the-early-90s-real-airplay-reduces-the-lost-factor/
SAG-AFTRA Factions Weigh In On Pros & Cons Of Proposed New Film & TV Contract https://deadline.com/2020/07/sag-aftra-contract-factions-pros-cons-of-proposed-deal-1202976402/
SAG-AFTRA Voting Begins on TV/Theatrical Deal in Test of Leadership https://www.hollywoodreporter.com/news/sag-aftra-voting-begins-tv-theatrical-deal-test-leadership-1301588
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP looks into the current state of Objective Journalism Going Obsolete In a Cloud of Bias and Unemployment. Plus COVID-19 Panic Returns looking to dampen the return of entertainment.
Objectivity isn’t a magic wand https://www.cjr.org/analysis/objectivity-isnt-a-magic-wand.php
Estimates of COVID-19’s impact on journalism fail to count freelancers, whose livelihoods have vanished overnight https://www.poynter.org/business-work/2020/estimates-of-covid-19s-impact-on-journalism-fail-to-count-freelancers-whose-livelihoods-have-vanished-overnight/
A once-perfect radio marriage ends in divorce https://www.investmentnews.com/once-perfect-radio-marriage-still-ends-divorce-194364
Broadcast Series Order Volume Plummets More Than 50% in Coronavirus-Ravaged Pilot Season https://variety.com/2020/tv/news/broadcast-series-order-volume-plummets-more-than-50-in-coronavirus-ravaged-pilot-season-1234642925/
Two Potential FCC Rulings Could Reshape Streaming Landscape https://variety.com/vip/potential-fcc-rulings-could-reshape-streaming-1234647100/
Comedy And The Fight For Racial Justice: What Role Can Humor Play In Shaping Change? https://deadline.com/2020/06/kenya-barris-felischa-marye-caroline-martin-robin-thede-comedy-racial-justice-interview-news-1202964422/
KOP welcomes New England native, veteran radio host, #GetHighRapper and host of 2 Be Blunt w/Peezy podcast, Sal “Peezy” Pugliares. We discuss all of the cultural and corporate issues surrounding radio and podcasting today.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
The Culture War led in part be the Black Lives Matter movement continues to lead an aggressive push for social and cultural change, and all forms of media are being affected. KOP runs through the latest.
Black Lives Matter: From Protests to Lasting Change (Opinion) https://www.philanthropy.com/article/Black-Lives-Matter-From/249017
Howard Stern comes under fire for blackface skit and use of N-word https://mol.im/a/8422963
Sirius XM Will “Pick Up The Pace” On Howard Stern’s Contract Renewal Talks, CEO Says
https://deadline.com/2020/06/sirius-xm-ceo-james-meyer-howard-stern-contract-renewal-1202961399/
The journalism crisis is gaining momentum. https://www.cjr.org/tow_center/the-journalism-crisis-is-gaining-momentum.php
Hollywood must go beyond solidarity on social media
https://www.kcrw.com/culture/shows/the-business/hollywood-industry-black-lives-matter-inclusion
Why the music industry is right to dump the term 'urban' https://nypost.com/2020/06/18/why-the-music-industry-is-right-to-dump-the-term-urban/
The axing of ‘urban’ music: Good thing – or ‘Band-Aid to the real conversation’? https://www.musicbusinessworldwide.com/the-axing-of-urban-music-good-thing-or-just-a-band-aid-to-the-real-conversation/
KOP welcomes New England native, veteran radio host, #GetHighRapper and host of 2 Be Blunt w/Peezy podcast, Sal "Peezy" Pugliares. We discuss all of the cultural and corporate issues surrounding radio and podcasting today.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Long Time critics have felt the label urban contemporary “is seemingly designed to compartmentalize black artists, undermining the culture’s contributions to and influences on music even as it tries to celebrate it.”
Republic Records — home to top artists including Ariana Grande and Taylor Swift — on Friday vowed to ban the word “urban” as a generalization for hip-hop and R&B. Many see it as an antiquated umbrella term — it is still used to describe many awards at the Grammys — that ignorantly lumps all music by black artists into the same grab-bag. The label, a division of Universal, said it would remove “urban” from department names, employee titles and music genres. Use of “urban” in music jargon dates back to the mid-1970s, according to Billboard, which says the black WBLS New York radio DJ Frankie Crocker used the phrase “urban contemporary.”
KOP looks into the history of the Urban Contemporary Era and explains his long standing argument how this is a signal for the change of mainstream music.
References:
Music Industry Rethinks ‘Urban’ as a Genre for Black Artists https://www.bloombergquint.com/pursuits/music-industry-rethinks-using-urban-to-market-black-artists
1991: The Most Important Year in Pop-Music History https://www.theatlantic.com/culture/a…
The very white ways of the top 40 https://theoutline.com/post/1148/the-…
This Is Why The Urban Contemporary Grammy Exists https://www.thefader.com/2015/02/02/this-is-why-the-urban-contemporary-grammy-exists
Should the Urban Contemporary Grammy Category Be Abolished? https://www.spin.com/2017/02/urban-contemporary-grammy-abolished/
History of Urban Contemporary Music https://www1.udel.edu/nero/Radio/readings/urban.html
The Urban Contemporary Dilemma https://melismamagazine.com/2017/06/19/the-urban-contemporary-dilemma/
The Racist Undertones Of The ‘Urban Contemporary’ Grammys Category https://medium.com/the-establishment/the-racist-undertones-of-the-urban-contemporary-grammys-category-e2559aeefe60
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com .
KOP weighs how Media, Entertainment, and Culture have responded to the George Floyd protests, and their plight for systemic and institutional change.
The Media, Entertainment and Culture Industry’s Response and Role in a Society in Crisis
http://www3.weforum.org/docs/WEF_Media_Entertainment_Report_2020.pdf
The media industry’s preexisting conditions
https://www.cjr.org/the_media_today/layoffs_buzzfeed_quartz_vice.php
Protests and activism in the social media era
https://www.cbs17.com/news/local-news/protests-and-activism-in-the-social-media-era/
The Impact of Media Bias on our Society
https://dividedwefall.com/2020/06/03/ground-news/
Reflecting Diverse Voices Starts in the Newsroom (Column)
https://variety.com/2020/voices/opinion/diversity-in-the-newsroom-column-1234623583/
George Floyd, racism, white privilege and the media https://blogs.lse.ac.uk/medialse/2020/06/02/george-floyd-racism-white-privilege-and-the-media/
Paper Scripts Will Go Away in Hollywood Plan to Restart Production https://www.vanityfair.com/hollywood/2020/06/hollywood-reopen-coronavirus-plan
Now Isn’t the Time for More Music-Industry Silence
https://www.vulture.com/2020/06/blackout-tuesday-music-industry-essay.html
Blackout Tuesday: Spotify, SiriusXM Observe Moments of Silence in George Floyd Tributes
https://variety.com/2020/music/news/blackout-tuesday-spotify-siriusxm-silence-george-floyd-1234623010/
This didn't get well thought out...Blackout Tuesday Posts Get Backlash for Drowning Out #BlackLivesMatter Information https://variety.com/2020/digital/news/blackout-tuesday-drowning-out-blacklivesmatter-1234623139/
Plus, KOP presents part one of his interview with Kevin Gootee, the CEO of Monkeybutt Productions, LLC. He hosts Comics Watching Comics (on Amazon Video) and has another one titled, “Fantasy Football Jibber Jabber” (YouTube and Facebook). He also hosts a podcast titled (Gutting the Sacred Cow).
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com .
Headlines of Section 230 of the Communications Decency Act and the media coverage in Minneapolis prompted KOP to look at the convergence of the media establishment and Silicon Valley, aka the Social Media Platform Press Complex.
What to do when you’re overwhelmed by coronavirus media coverage
https://www.fastcompany.com/90508461/what-to-do-when-youre-overwhelmed-by-coronavirus-media-coverage
Big Tech’s favorite law is under fire
https://www.cnbc.com/2020/02/19/what-is-section-230-and-why-do-some-people-want-to-change-it.html
Media cuts weigh on industry morale
https://www.axios.com/media-cuts-weigh-on-industry-morale-28bde8f1-54a7-4a81-a689-9a29559bb8c3.html
The Fall, Rise, and Fall of Media Trust
https://www.cjr.org/special_report/the-fall-rise-and-fall-of-media-trust.php
The Platform Press: how Silicon Valley reengineered journalism
A report on the influence of social media platforms and technology companies on American journalism highlights the clashes and trade-offs between growth, autonomy, and quality for the profession worldwide
https://www.rcmediafreedom.eu/Publications/Reports/The-Platform-Press-how-Silicon-Valley-reengineered-journalism
Social Media and social control: How Silicon Valley serves the U.S. State Department
https://mronline.org/2020/01/03/social-media-and-social-control-how-silicon-valley-serves-the-u-s-state-department/
What Is Section 230—And Why Does Trump Want To Change It?
https://www.forbes.com/sites/abrambrown/2020/05/28/what-is-section-230-and-why-does-trump-want-to-change-it/#7abde416389d
Executive Order on Preventing Online Censorship
https://www.whitehouse.gov/presidential-actions/executive-order-preventing-online-censorship/
"The growth of podcasts is not slowing down: The number of podcasts published to Stitcher has grown more than 129,000% since 2010."
The Stitcher Podcasting Report by @Stitcher https://link.medium.com/JRqdkmAoR6
Radio Staffers Work May Never Be The Same. http://www.insideradio.com/free/how-and-where-radio-staffers-work-may-never-be-the-same/article_eab61cd2-9ff7-11ea-a892-8bf4ef0b0dd6.html
The music industry is still obsessed with charts – but is it always looking at the right data? - Music Business Worldwide https://www.musicbusinessworldwide.com/the-music-industry-is-still-obsessed-with-charts-but-is-it-always-looking-at-the-right-data/
Radio: KROQ has a problem, and here’s how to fix it – Daily News https://www.dailynews.com/radio-kroq-has-a-problem-and-heres-how-to-fix-it
Joe Rogan, Barstool Sports And Podcasting’s Walled Garden Problem via @forbes https://www.forbes.com/sites/jaykapoor/2020/05/26/podcastings-walled-garden-problem/
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Image Credit: Getty Images/iStockphoto
KOP analyzes Joe Rogan’s $100 Million Podcast Move to Spotify and the Future of Podcasting.
Why The Joe Rogan, Spotify Deal Is A Game Changer
https://mediaconfidential.blogspot.com/2020/05/why-joe-rogan-spotify-deal-is-game.html?spref=tw
Spotify’s $100m+ Joe Rogan deal redefines its podcast strategy. Songwriters and record labels should be watching closely. https://www.musicbusinessworldwide.com/spotifys-100m-joe-rogan-deal-redefines-its-podcast-strategy-songwriters-and-record-labels-should-be-watching-closely/
70% of people would rather watch movies at home, even if theaters reopen: survey https://www.marketwatch.com/story/70-of-people-would-rather-watch-movies-at-home-even-if-theaters-reopen-survey-2020-05-21
Yankee Stadium’s parking lot will reportedly turn into a giant drive-in theater this summer http://a.msn.com/02/en-us/BB14q1Ea?ocid=st
Music industry to nearly double in value by the end of the decade, Goldman Sachs says https://www.cnbc.com/2020/05/20/coronavirus-music-industry-to-nearly-double-in-value-by-2030-goldman-sachs-says.html
Hollywood Gobsmacked By California Governor’s Plan To Potentially Reopen Production Soon https://deadline.com/2020/05/coronavirus-hollywood-reopening-production-confusion-gavin-newsom-plan-1202940054/
The Future of Movie Theaters Might Look a Lot Like an Apple Store https://onezero.medium.com/the-future-of-movie-theaters-might-look-a-lot-like-an-apple-store-185c941d02a5
Extras on $et: Inside Hollywood’s Pricey Plans to Restart Production https://variety.com/2020/biz/features/restarting-production-coronavirus-pandemic-hollywood-1234611125/
As Cable TV Fades, Fearing ‘the End of Comedy Central’ https://www.nytimes.com/2020/05/17/business/media/comedy-central-tv-streaming.html
Broadcasters Move Closer To Needed Majority To Block Radio Royalty Effort In Congress. http://www.insideradio.com/free/broadcasters-move-closer-to-needed-majority-to-block-radio-royalty-effort-in-congress/article_13cef886-9626-11ea-a891-076bef05bd37.html
Industry Infighting, Union Turf Battles Slow Development of Back-to-Work Plan
https://variety.com/2020/film/news/production-guidelines-white-paper-amptp-iatse-1234613975/
Plus, KOP presents part one of his interview with Kevin Gootee, the CEO of Monkeybutt Productions, LLC. He hosts Comics Watching Comics (on Amazon Video) and has another one titled, "Fantasy Football Jibber Jabber" (Youtube and Facebook). He also hosts a podcast titled (Gutting the Sacred Cow).
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
AMC Theatres could be up for sale as a result of an Amazon Takeover? Quibi is Quibbling with a bad start. Radio is reeling with a lack of revenue.
L.A. Coronavirus Update: Mayor Eric Garcetti Says, “I Don’t Want To Turn Los Angeles Into Some Sort Of Police State” https://deadline.com/2020/05/l-a-coronavirus-update-mayor-eric-garcetti-says-i-dont-want-to-turn-los-angeles-into-some-sort-of-police-state-1202934246/
iHeartMedia: Biggest Name In Radio And Podcasts Selling For Just 2X Free Cash Flow And Below Book
https://seekingalpha.com/article/4346960-iheartmedia-biggest-name-in-radio-and-podcasts-selling-for-just-2x-free-cash-flow-and-below
Sources Say Amazon Wants to Buy AMC Theaters, but Does the Deal Make Sense? https://www.lamag.com/citythinkblog/amc-amazon/
AMC Theatres’ Stock Soars on Amazon Acquisition Speculation https://variety.com/2020/film/news/amc-entertainment-amazon-acquisition-stock-1234603290/
A Movie Studio Could Buy AMC, Even if Amazon Isn’t Interested https://www.barrons.com/articles/a-movie-studio-paramound-decrees–amc-amazon-merger-51589226278
Moviegoers Split Over Theater Owners’ Feud With Universal https://www.hollywoodreporter.com/news/movieogers-divided-universal-feud-theater-owners-1294009
Broadway Won’t Reopen For Some Time — But What About New York City Movie Theaters? https://deadline.com/2020/05/new-york-city-movie-theaters-reopening-and-broadway-1202932910/
Jeffrey Katzenberg: Coronavirus to Blame for “Everything That Has Gone Wrong” With Quibi https://www.hollywoodreporter.com/news/jeffrey-katzenberg-coronavirus-blame-everything-has-gone-wrong-quibi-1294275
SiriusXM CFO Says Satellite Radio Faces Uncertain Coronavirus Impact https://www.hollywoodreporter.com/news/siriusxm-cfo-satellite-radio-faces-uncertain-coronavirus-impact-1294348
COVID-19’s Effect on the Global Music Business, Part 1: Genre https://blog.chartmetric.com/covid-19-effect-on-the-global-music-business-part-1-genre/
COVID-19’s Impact On The Global Music Industry, Part 2: Geography – Hypebot https://www.hypebot.com/hypebot/2020/05/covid-19s-impact-on-the-global-music-industry-part-2-geography.html
Also, KOP concludes his conversation with Hall of Fame Broadcaster Dave Pratt aka The Morning Mayor.
Dave Pratt is a member of the Broadcaster’s Hall of Fame, Music and Entertainer’s Hall of Fame and the owner of Star Worldwide Networks, one of the fastest growing internet radio and TV Networks in the nation. Dave is also a Media Consultant for Tribune Media Group with over 40 television stations in America’s largest markets plus WGN radio in Chicago.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Overseas movies and TV production proceeds.The Radio Industry Needs a New Revival. KOP lays out what Radio should do to change and adapt to audience in real time.
WME Looking At Black Monday: 20% Of Employees Will Be Laid Off, Furloughed Or Cut To Part Time
How The World’s Biggest Producers Are Plotting Their Way Out Of The Pandemic.
Live Nation CEO Awaits NFL Schedule To Set Stadium Dates: Sees Summer Of Experimentation With Venues, Markets And Return To Normal In 2021.
New Zealand Returns To Production, Paving Way For ‘Avatar’ Sequels & ‘The Lord Of The Rings’ Series To Resume Filming.
Disney Reveals Plans for Phased Reopening of Disney Springs Complex in Florida
NPR Cuts Employee Pay and Benefits.
WGN America Moving Forward With News Nation Launch.
The Radio Industry Needs to Change and Adapt to Audience in Real Time. KOP lays out a lengthy post-pandemic plan on how to connect to community in real time. Also, he explains the crucial need to reconnect with artists and record labels again).
Broadcasting Note: KOP concludes his conversation with Hall of Fame Broadcaster Dave Pratt aka The Morning Mayor on next week’s episode.
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AMC Theatres Won’t Play Universal Movies in Wake of ‘Trolls World Tour’ Dispute. Regal Follows Suit. KOP takes on the theatrical vs. digital release debate.
Universal Just Told the World That Theaters Are No Longer the Priority.
Local Media Outlets To D.C. Lawmakers: Consumers Are Leaning On Us During Coronavirus Crisis, But We Need A Lifeline.
Coronavirus continues to take its toll on the media industry.
A Hollywood Goodbye, With An Unwarranted Swipe At Radio.
Latin Music Is Growing Faster Than Overall U.S. Music Market.
How music streaming and TikTok are fueling the rise of the Track 1 hit.
“Pop radio in decline, streaming on the rise: How the coronavirus is changing what we listen to”.
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Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Democratic senators call for funding for local media in coronavirus stimulus, Funding Journalism, Finding Innovation: Success Stories and Ideas for Creative, Sustainable Partnerships. and In a Crisis, Radio Should Be Bigger Than Ever — So Why Isn’t It?
WGA Offers To Start Contract Talks With AMPTP On May 11; Says It’s “Prepared To Agree” To Extend Current Pact To June 30.
Hollywood’s Backstage Creatives Try to Soldier On.
‘The current situation is going to dramatically change the music business, as a huge accelerator of user behavior on the digital side.’
Big Radio Consolidation Spotlights The Need to Update Songwriters’ Rights
Netflix has biggest quarter with nearly 16 million new subscribers signing on.
Coronavirus Fallout May Redefine the Types of Movies That Play in Theaters.
Many of Fox Sports’ On-Air Talent Will Take Pay Cut.
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Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
The White House Coronavirus Task Force lays out its phased post-pandemic plan to get the entertainment industry back to work in place. KOP lays out what the industry is planning out.
Movie Theaters, Other Large Venues Can Reopen, But With Strict Physical Distancing.
‘Contagion’ Director Steven Soderbergh To Head DGA Committee To Address Getting Town Restarted.
New Federal Coronavirus Guidelines Specify When Movie Theaters Could Reopen.
From Insurance To Testing, Crowd Scenes & Craft Services, Here Are The Pandemic Problems Studios Are Trying To Solve Before The Re-Start.
‘Ellen’ Crew Furious Over Poor Communication Regarding Pay, Non-Union Workers During Coronavirus Shutdown.
Disney Workers May Be Auto-Enrolled for Florida Unemployment Benefits
Google announces a Journalism Emergency Relief Fund for local newsrooms.
Will Las Vegas gaming ever be the same?
Pittman: ‘Radio Listening Is Growing During This Home Bound Pandemic.’
iHeartMedia Expands Morning Shows By Extra Hour
Kristen L. Pope is an award-winning broadcast journalist. Pope has worked as a general assignment reporter for Emmy Award Winning station News 12 Westchester serving Westchester County just outside of New York City since 2014. At the same time, she has been running her own boutique production company, “Pope Productions.”
Support the Broadcasters Podcast by:
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Follow KOP on Twitter or Facebook @kingofpodcasts
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Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP talks about the media establishment and the overall state of journalism from the local to the national level with award-winning broadcast journalist Kristen L. Pope.
Kristen L. Pope is an award-winning broadcast journalist. Pope has worked as a general assignment reporter for Emmy Award Winning station News 12 Westchester serving Westchester County just outside of New York City since 2014. At the same time, she has been running her own boutique production company, “Pope Productions.”
The demise of local newspapers — which are still by far the main source of original reporting in their communities — is also linked to a rise in local corruption and an increase in polarization, as news consumers rely more on partisan-inflected national outlets for their information. Does this just prove how deregulation and corporate culture are just bad news for journalists and the public as a whole?
Headlines:
Cinemark Credit Rating Downgraded Over Extended Cinema Closures
Nile Rodgers on his production, his philosophy – and why he believes you should ’embrace failure’.
‘Birds of Prey’ Drops Price After Two Weeks on VOD as Studios Rewrite Rules.
Box Office’s Best Case Scenario? Down 40 Percent.
AMPTP Wants To Start Contract Talks With WGA This Month.
Video Streaming to TVs Soared 85% in U.S. in First Three Weeks of March, Nielsen Says.
A Puzzle Without All the Pieces: Broadcast Networks Scramble to Program an Uncertain Future.
Vista, ScreenPlus Team on Software for Cinemas’ Own Streaming Services.
Support the Broadcasters Podcast by:
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Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Future for the movieplex is uncertain. Media workers feel the brunt of the virus with furloughs; Podcasts Get a Push as part of the coronavirus confinement. So does Netflix and traditional TV.
Moviegoers Highly Likely To Return To Theaters Upon Reopening, But More Than Half Will Wait A Bit, Study Suggests. Movie Theaters Could Face Big Trouble with Low Attendance Once They Reopen.
iHeartMedia furloughs employees; CEO Bob Pittman gives up $1.5m salary for remainder of 2020 – Music Business Worldwide.
Entercom Announces Layoffs, Furloughs And Pay Cuts For Employees
New Podcast Listeners Are Coming From Radio, Not Music.
Report: Americans Increase Listening To Podcasts
Music Streaming Is Taking a Backseat to Netflix — But Audio’s Decline is Leveling Off
Apple Faces Copyright-Infringement Lawsuit from Songwriters, Composers
Disney To Furlough Employees ‘Whose Jobs Aren’t Necessary At This Time’ Starting April 19, Parks Are First.
30,000 New Creators Launched On Patreon In First 3 Weeks Of March
TV Ratings: News & Game Shows Enjoy Surge
Report: Music Streaming Decline Leveling
With Fewer Commuters, SiriusXM Radio Offers Free Streaming
KOP presents part 2 of his interview with Jared Easley, co-founder and Head of Community and Content of Podcast Movement
Jared Easley is a genuine entrepreneur. He has been called the Zig Ziglar of the podcasting world. In the past couple of years he’s started a podcast, written a book and co-founded Podcast Movement which is the World’s Largest International Podcasting only Conference. Jared is a noticer, motivator, friend and power content creator.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Netflix to the Rescue establishing $100M coronavirus relief fund for TV, film workers. The Coronavirus Cinema Crisis Continues with closings and changing releases.
Netflix has set up a $100 million fund to help people in the TV and film industry who have lost work because of the coronavirus outbreak., film workers. Netflix also Pays Talent Guarantees As Hollywood Starts To Address Fallout From Coronavirus-Related Shutdown.
Wonder Woman 1984 is now moving from its June 5 release to August 14. Meanwhile ‘In The Heights’, ‘Scoob!’ & ‘Malignant’ are Undated For Now. Big Theater Chains Regal, Cinemark, AMC & Their Furlough Dilemmas During The Coronavirus Crisis.
Also, iHeartMedia Boosts Liquidity by $350 Million, Withdraws Guidance Amid Pandemic. Get ready for another corporate radio rant! Plus, you produced a hit! Now good luck getting paid.
The music industry moves fast, and it often leaves young producers broke — even when their songs rule the airwaves
KOP interviews with Jared Easley, co-founder and Head of Community and Content of Podcast Movement
Jared Easley is a genuine entrepreneur. He has been called the Zig Ziglar of the podcasting world. In the past couple of years he’s started a podcast, written a book and co-founded Podcast Movement which is the World’s Largest International Podcasting only Conference. Jared is a noticer, motivator, friend and power content creator.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Streaming Media Serves as Solace for Coronavirus Confinement. Nielsen explains how COVID-19 could impact media usage across the US.
Consumers Nearly Twice as Likely to Spend More on Streaming
Americans Following COVID-19 Pandemic
Empty stadiums and online streaming: how coronavirus is affecting the media industry
Hollywood Dealmakers Navigate Pandemic Amid Looming Writers’ War
Virus Crisis Forces Hollywood to Reckon With Collapsing Theatrical Windows
WGA & AMPTP Join Forces To Plan Labor Path Ahead As Coronavirus Shakes Up Hollywood
TV Ratings Climb As People Rediscover Live Linear Viewing Amid Coronavirus-Imposed Stay At Home
KOP concludes his interview with veteran writer turned director Brad Holloway.
Brad Holloway has been a working screenwriter for twelve years. He sold his first feature script Black Box to Warner Brothers with Lorenzo Di Bonaventura (producer of the Transformers series). He went on to write feature length scripts and pilots for Warner and other major studios, including Paramount, and Lionsgate, working with producers Jason Blum, Michael De Luca and Rodrigo Teixeira and director James Mangold. He just recently released a short film he wrote and directed titled Open House 1-4.
Support the Broadcasters Podcast by:
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
The news media needs to calm down on the Coronavirus clickbait. We look at all of the events and news that have culminated. Plus, we talk about what will ultimately change as a result.
The Hill reports:
Nearly 70,000 people have recovered from coronavirus. Amid concerns over the coronavirus outbreak in the U.S., it’s important to remember most who become infected recover from the illness.
While the number of coronavirus cases has surpassed 127,000, more than 68,000 people have recovered.
The World Health Organization says those who become infected generally experience mild illness and recover in about two weeks.
Plus:
NuVoodoo Study Tackles COVID-19 Coronavirus.
‘Fast & Furious 9’ Release Pushed Back a Year Due to Coronavirus.
Coronavirus: Broadway Producers Discussing Immediate Month-Long Shutdown; Emergency Meeting Underway.
Lee Abrams on Rock and Roll Thinking and the 8 Realities of Radio.
KOP talks to veteran writer turned director Brad Holloway.
Brad Holloway has been a working screenwriter for twelve years. He sold his first feature script Black Box to Warner Brothers with Lorenzo Di Bonaventura (producer of the Transformers series). He went on to write feature length scripts and pilots for Warner and other major studios, including Paramount, and Lionsgate, working with producers Jason Blum, Michael De Lucaa and Rodrigo Teixeira and director James Mangold.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Deadline reports: Coronavirus Concern At The Box Office After ‘No Time To Die’ Moves to November. Could ‘Black Widow’ & ‘F9’ Be Next? KOP looks at how the pandemic is affecting media.
Plus:
Global Film Industry Facing $5 Billion Loss Amid Coronavirus Outbreak.
What Happens if Coronavirus Forces U.S. Movie Theaters to Close?
Coronavirus Concerns Stymie Live Music Performances And SXSW.
Major Concerts Canceled to the Coronavirus.
With uncertainty the new norm, the coronavirus rattles the media industry.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP looks at Digital Trends Transforming the Media and Entertainment Industry in 2020 and How Blockchain Will Transform Media & Entertainment.
Plus, Why Coronavirus Is Expected to Tank 2020’s Hollywood Studio Profits as the Observer reports:
the spread of the coronavirus, or COVID-19, costing the entertainment industry millions of dollars every day, it’s near impossible to accurately survey the landscape, but there’s one all-but sure prediction: this year looks grimmer than last.
Plus, Why Scripted TV Shows Are Becoming Scarce on Basic Cable as streaming platforms become the priority for dramas and comedies, traditional networks are relying on more cost-effective unscripted series to fill out schedules.
Support the Broadcasters Podcast by:
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
The WGA and the Big 3 talent agencies have agreed to try to resolve their ongoing legal dispute through mediation, says a new report
WGA & Big 3 Talent Agencies Agree To Mediation, But Don’t Hold Your Breath.
Report: Female Country Artists Only Get 10% Airplay.
Staples is opening podcast studios in six Boston stores.
A world without public service media would be a darker place
Plus, KOP reflects on Bob Pittman’s keynote at Podcast Movement Evolutions and discusses the idea of national formats like BBC Radio on iHeartRadio stations.
KOP also speaks with Joshua Otten, CEO at Ronin Content Services and the Co-Founder of Content & Original Productions at PRØHBTD
Joshua spent the last 20 years as a trailblazing developer of premium entertainment, builder of digital media platforms, and creator of content marketing solutions. He assists entrepreneurs in building successful brands, planning for exits and liquidity events, and navigating capital formation. As a founder or board member in companies that have successfully raised more than $60MM in capital investments.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Deadline.com reports “President Donald Trump’s proposed new budget again calls for… slashing funding for the Corporation for Public Broadcasting, which provides funding to PBS and NPR. “
KOP breaks down the history of public broadcasting. He also weighs the value of replacing the CPB model and giving the public airwaves back to the people. We also debate why the Public Broadcasting Act needs an update to save local public media journalism
Plus Broadcasting and Cable reports on possible cuts to international media:
The Trump Administration is proposing to significantly cut funding to the U.S. Agency for Global Media, which oversees U.S. international broadcasting (Voice of America, Radio Free Europe, Radio Free Asia).
USAGM got $810 million in 2020, but the Trump Administration wants to cut that to $637 million in 2021.
Also, Kid Kelly Opens Up: Former SiriusXM Pop Guru on Why He Lost His Job and the ‘Very Bad’ State of Radio.
Programming note: Part 2 of my interview with Joshua Otten, CEO at Ronin Content Services and the Co-Founder of Content & Original Productions at PRØHBTD will conclude on next week’s episode.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcasters Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Hollywood Reporter reports “the Writers Guild signals it is “ready for a battle” over streaming revenue, producers are giving early series renewals and extending episode counts in preps for a Hollywood shutdown.
Studios Begin Stockpiling for a Writers Strike: “We Learned the Hard Way Last Time”
DGA & AMPTP To Start Contract Negotiations For New Agreement
Distribution Plan And Story, Not Characters’ Gender Or Race, Key To Box Office Success: Study
Who cares if the GRAMMY AWARDS do not appreciate rock and metal?
KOP also speaks with Joshua Otten, CEO at Ronin Content Services and the Co-Founder of Content & Original Productions at PRØHBTD
Joshua spent the last 20 years as a trailblazing developer of premium entertainment, builder of digital media platforms, and creator of content marketing solutions. He assists entrepreneurs in building successful brands, planning for exits and liquidity events, and navigating capital formation. As a founder or board member in companies that have successfully raised more than $60MM in capital investments.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
The radio world has been rocked by iHeartMedia’s recent announcement about nationwide layoffs in small markets. One U.S. Senator asks for answers from the iHeartMedia CEO.
U.S. Senator Questions iHeartMedia CEO Bob Pittman About Layoffs.
The PR fallout from iHeart Media’s layoffs.
What Radio Stations Get It Right?
RIP to New York’s Morning Mayor, Harry Harrison, passes away at 89.
FCC Chairman Ajit Pai Happy He Has New Tools To Defeat Pirate Radio.
Streaming Residuals Could Set Stage For WGA Strike; Would Packaging Play Role?
Fred Silverman, TV Executive Who Led Programming at ABC, CBS and NBC, Dies at 82.
Links can be found at www.broadcasterspodcast.com
Plus, KOP continues his chat with Entertainment & Culture Expert Joanna Dodd Massey, Ph.D.
Joanna Dodd Massey, Ph.D., MBA is a C-suite executive and management consultant, who has served as in-house communications counsel for more than 25 years in the media and digital technology industries at companies such as Condé Nast, Lionsgate, Discovery, Hasbro, CBS, and Viacom. She handles global brand reputation management, crisis communications and culture transformation.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
FCC Commissioner Mike O’Rielly has demanded that Sony, UMG and WMG answer new “pay to play” allegations. The Commissioner wrote about this the payola problem:
“While the [RIAA] response was appreciated, RIAA claimed that it was not in a position to survey its members’ anti-payola practices and submit responses collectively. Instead, it recommended that I reach out directly to each of you to gain insight into what processes your company has in place to ensure compliance with federal legal provisions. This letter is intended for that purpose.”
For O’Rielly, “Even the most cursory review of consumer complaints and assertions provides cause for concern regarding the persistence of payola. And, in recent months, some artists have responded forcefully against accusations of payola. which speaks to the seriousness of the issue. Yet, there is no shortage of accusations that financial enticement is in some cases driving chart rankings, album and song sales, and commercial success.”
Plus:
‘We Can’t Have All Our Artists Die’: How the Music Industry Is Fighting the Mental-Health Crisis
Agency for the Performing Arts and Gersh among several agencies signing direct deals with the WGA.
Plus, KOP welcomes Entertainment & Culture Expert Joanna Dodd Massey, Ph.D.
Joanna Dodd Massey, Ph.D., MBA is a C-suite executive and management consultant, who has served as in-house communications counsel for more than 25 years in the media and digital technology industries at companies such as Condé Nast, Lionsgate, Discovery, Hasbro, CBS, and Viacom. She handles global brand reputation management, crisis communications and culture transformation.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Rolling Stone reports iHeartMedia, the largest radio company in America cut a number of employees this week, dealing a blow to local radio across the country.
The largest radio conglomerate in the country, iHeartMedia, initiated a round of mass layoffs this week, cutting enough people that one former on-air host described Tuesday as “one of the worst days in on-air radio history.” The layoffs were concentrated in small and medium markets, where staffs had already been reduced, striking another major blow to local radio.
‘The Culling Has Begun’: Inside the iHeartMedia Layoffs-January 15,2020
KOP chronicles the ongoing onslaught of layoffs that hurts takes down talented radio pros and betrays the public.
Plus:
Netflix Content Spending to Top $17 Billion in 2020
The Two Biggest Pop Radio Stations Barely Played ‘Old Town Road’
Here’s how Netflix’s $15 billion bet on original content paid off at the Oscars.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Ricky Gervais teaches Hollywood what speaking truth to power really means and why his Criticism of Hollywood Is So Satisfying.
Top Hollywood Execs Look Ahead to a Year of Disruption.
You Weren’t Imagining Things—Women Didn’t Talk Much in 2019 Movies.
National CineMedia CEO Touts Big-Screen Advertising Closer to Movies
Major union launches campaign to organize video game and tech workers.
U.S. Music Industry Hits Streaming Milestone in 2019.
and KOP debunks a story said to be debunking a myth about radio.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP deeps dives into the looming Hollywood labor crisis and how the digital disruption will affect all areas of entertainment behind the scenes and our movie, TV and smart device screens.
Disruptor Of The Decade: How Streaming Changed Everything And Will Do It Again In The 2020s
Pro Says To Expect More M&A Deals In Streaming Media
WGA And Big 3 Agencies Aiming At March 2021 Trial Start
Netflix could play a key role in upcoming Hollywood labor drama
Plus, these headlines:
How a New Law Will Change California Show Biz
A year of media upheaval
iHeart surges on report that John Malone wants to buy bigger stake
The Industry Responds To The Death of Don Imus
Streaming now accounts for 80 percent of the US music market
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
A New York Times Writer Writes about broken media, radio ownership rules are reinstated, and a cash course of the streaming media cash grab.
The Media Is Broken And not for the reasons you think.
2016 Quadrennial Media Ownership Rules are Reinstated
Why There’s ‘No Magic Bullet’ Solution to Music Industry’s Distribution Problem
Streaming won’t get easier or cheaper…at some point, companies need to start making money.
Ann Ligouri
Plus, KOP concluded his interview with Radio and television golf commentating phenomenon Ann Liguori.
She is one of the original talk show hosts on the world’s first 24-hour-per-day sports talk station, WFAN AM and FM in New York City, and The Golf Channel as well as the author of ‘A Passion for Golf, Celebrity Musings About the Game.’
She is also President of Ann Liguori Productions and owner of the Sports Innerview Radio & Cable series archives, a collection of interviews Ann did and continues to do with sports legends and entertainment stars.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Who else could talk about the future of podcasting in 2020 but the KingOfPodcasts. New stories depicting podcasting in a negative light need to debunked.
The big story of podcasting in 2019 was all about Spotify. Will 2020 be the year Apple strikes back?
Are Podcasts Threatening the Growth of the Music Industry?
Radio’s Blame for Tom Joyner’s Retirement
Ann Ligouri
Plus, KOP presents part 1 of his interview with Radio and television golf commentating phenomenon Ann Liguori.
She is one of the original talk show hosts on the world’s first 24-hour-per-day sports talk station, WFAN AM and FM in New York City, and The Golf Channel as well as the author of ‘A Passion for Golf, Celebrity Musings About the Game.’
She is also President of Ann Liguori Productions and owner of the Sports Innerview Radio & Cable series archives, a collection of interviews Ann did and continues to do with sports legends and entertainment stars.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Trade Unions Toughen Up For Talks for WGA, ATA, SAG-AFTRA, AMPTP and others. Plus the outlook for Streaming Media Survival in 2020 here on the 100th Episode of the Broadcasters Podcast.
Writers Guild of America starts contract talks as streaming pay takes center stage while WGA West Reports “Record” Employment Of Members, But Says Writers’ Pay Is “Not Where It Should Be”.
Impending Problems For YouTube Creators.
Spotify Walks the Line Between Advertising and Pay-For-Play
Plus, KOP concludes his interview with Brant Pinvidic, an award-winning film director, veteran television producer, C-level sales and presentations coach, keynote speaker, top-rated podcast host, and a columnist for Forbes. He has been named to the Hollywood Reporter’s 30 Most Powerful Reality TV Sellers and is widely recognized as one of the great creative sales leaders in Hollywood.
We talk about how he has taken his life, business, and storytelling lessons you’ve developed during your Hollywood career to bridge both business and showbiz entertainment industry and the business community. His new book, The 3 Minute Rule: Say Less to Get More from Any Pitch or Presentation.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Forbes reports the media industry in 2020 may bring a different sort of change from what we have seen over the past 10-plus years as digital has disrupted media.
Hollywood Shows How Antitrust Laws Can Flop
Bob Pittman says “TV’s Downfall Is Radio’s Opportunity”
New streaming services change media industry
Plus, KOP welcomes Brant Pinvidic, an award-winning film director, veteran television producer, C-level sales and presentations coach, keynote speaker, top-rated podcast host, and a columnist for Forbes. He has been named to the Hollywood Reporter’s 30 Most Powerful Reality TV Sellers and is widely recognized as one of the great creative sales leaders in Hollywood.
We talk about how he has taken his life, business, and storytelling lessons you’ve developed during your Hollywood career to bridge both business and showbiz entertainment industry and the business community. His new book, The 3 Minute Rule: Say Less to Get More from Any Pitch or Presentation.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Deadline reports as WGA’s current film and TV contract is set to expire, and AMPTP only five months away, the TV studios are starting to prepare for a potential strike.
Plus, DOJ looks to end Paramount Consent Decrees. Indiewire reports that ” Maybe that means small theaters will find it impossible to get big movies, and small distributors will lose access to big chains. Maybe studios will try to push their weight and force chains to accept movies with a 60-day theatrical window. Maybe studios will be so aggressive and greedy that it inspires a flurry of lawsuits. “
Plus, KOP concludes his conversation with Michelle Danner, a legendary acting teacher and co-founder of the Edgemar Center for the Arts and the Los Angeles Acting Conservatory
Danner’s also now well-established as a successful feature film director. Her latest completed film, “Bad Impulse,” is a psychological thriller about family secrets and modern technology, starring Sonya Walger (Lost), Grant Bowler (Syfy’s Defiance), and Paul Sorvino.
Plus: As TV Consumption Shifts, Streamers Struggle With How to Apply Programming Standards and Taylor Swift To Perform On the AMAs As Label, Producer Reach Agreement.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
New legislation introduced in both houses of Congress introduces the AM-FM Act to Get Artists & Labels Paid for Radio Play
The Ask Musicians for Music Act (AM-FM) would require radio stations to get consent from recording artists to play their music. The legislation was introduced in the Senate by Sen. Marsha Blackburn (R-TN) and in the House by Rep. Jerrold Nadler (D-NY), who called the current copyright system for radio “patchwork” and said the act would require all radio services to pay a fair market value for the music they use.
Billboard explains “This bill follows the Fair Play Fair Pay Act, which Blackburn and Nadler introduced in 2015 and 2017 to achieve the same goal.” KOP breaks down the backstory.
Plus, KOP speaks with Michelle Danner, a legendary acting teacher and co-founder of the Edgemar Center for the Arts and the Los Angeles Acting Conservatory
Danner’s also now well-established as a successful feature film director. Her latest completed film, “Bad Impulse,” is a psychological thriller about family secrets and modern technology, starring Sonya Walger (Lost), Grant Bowler (Syfy’s Defiance), and Paul Sorvino.
Plus: As TV Consumption Shifts, Streamers Struggle With How to Apply Programming Standards and Taylor Swift To Perform On the AMAs As Label, Producer Reach Agreement.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP looks in the headlines encompassing the state of the Music Industry in 2019: Artists Leaving. Pop Stars Plotting. Streaming Succeeding.
Summer Walker Says She’s Done With the Music Industry. She tells Teen Vogue, “Y’all can have the music and I’ma just head out.”
Taylor Swift Talks about Changing the Music Industry, Taking Control. She tells Billboard I’m One of the Only People… Who Can Be Loud About It’
Op-ed: The Music Industry Shouldn’t kid itself: Piracy was never killed streaming…but it might be more valuable than you think.
Plus, KOP concludes his two-part interview with Paula Rizzo, an Emmy award winning television producer in NYC, a media trainer and strategist and the author of two books. The most recent one just published is called Listful Living: A List-Making Journey to a Less Stressed You.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Lee Abrams writes an epic Facebook rant on the state of radio and the red flags that need to be addressed. Plus, an interview with Media Consultant, Author, and Speaker Paula Rizzo.
Radio programming pioneer and XM Satellite Radio co-founder Lee Abrams recently sounded off on in a Facebook rant saying:
“Radio is in an undeniable position of strength in terms of accessibly, but as a fan of the medium, it has the potential for long term extinction in its current form. “
Plus, we discuss:
Toxic Masculinity at the Movies: This Year’s Awards Season Is All About Bad Men
Hollywood assistants are in open revolt. Here’s why.
How Mariah Carey’s ‘All I Want For Christmas Is You‘ Became the Holiday Gift That Keeps on Giving.
Plus, KOP speak with Paula Rizzo, an Emmy award winning television producer in NYC, a media trainer and strategist and the author of two books. The most recent one just published is called Listful Living: A List-Making Journey to a Less Stressed You.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
How Politics Destroyed Deadspin due to a content dispute and a writer walkout; WGA-ATA strike spreads to studios as contract talks with studios commence.
WGA Gearing Up For Contract Talks With Studios – And A Possible Strike In May – Amid Ongoing Battle With Agencies.
Deadspin’s Public Execution Reveals A Media Industry Dying From The Inside. Executives told their employees to stop doing what they’ve been doing for years. They walked out, and now Deadspin is effectively no more.
Plus, KOP concludes his conversation with a rising radio and TV host in the world of music, entertainment and business. An entrepreneur in her own right, Remi Jones talks to KOP about her work as a correspondent, actress, producer, and model who has interviewed legendary a who’s who of hip hop and R&B stars, and has worked red-carpet events for BET, VH1, and MTV.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
If Spotify is the Savior of the Music Industry. Can It Save Itself? We look at how the Profits are hard to come by—and how Apple and Amazon aren’t going away.
New White Paper says: Underrepesented Moviegoers Expand Box Office When They Are Reflected on Screen.
CASE Act: The Bill Every Musician Needs To Know About
Spotify Saved the Music Industry. Now What?
Remi Jones
Plus, KOP welcomes a rising radio and TV host in the world of music, entertainment and business. An entrepreneur in her own right, Remi Jones talks to KOP about her work as a correspondent, actress, producer, and model who has interviewed legendary a who’s who of hip hop and R&B stars, and has worked red-carpet events for BET, VH1, and MTV.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , HalloweenCostumes http://www.kingofpodcasts.com/halloween and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Following the epic fail of Gemini Man and the upcoming release of The Irishman, KOP looks into the new trend of de-aging in movies and why it looks troubling for content creators.
Robert De Niro Thinks Technology Like De-Aging Could Make Movies ‘Cartoony’ Like Marvel.
Plus, UMG content strategist says Podcasts ‘could potentially rival share of ear for music consumption’
Can Spotify be the one to finally get people listening to short podcasts?
‘Radio is in a tough position’: Laid-off radio hosts reflect on changing industry.
James Dyble
KOP concludes his discussion about “How London is the Mecca for Music” with James Dyble, managing director of London music company Global Sound Group, a music and sound company specialising in music public relations, audio mastering and music production. Global Sound Group is a London based music and sound company specialising in music promotion. Some of your services include Outsourcer which allows users to work with the world’s best freelance professionals. GSGM is the media side of Global Sound Group and provides the global music community with the latest music news, reviews and exclusive interviews with some of the worlds best musicians.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , HalloweenCostumes http://www.kingofpodcasts.com/halloween and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Joker is a box office juggernaut for $96 million domestically and a quarter billion globally this week. Plus,"How London is the Mecca for Music".
Joker becomes a Box Office Juggernaut as it made an estimated $93.5 million in its first three days (and more than $234 million worldwide). That beats the previous record-holder, last year's Venom. Joker beats the $93.8 million earned by Justice League in November 2017. Joker was made with an estimated $55 million budget compared to Venom ($100 million) and Justice League ($300 million.) Joker became the fourth largest opening ever for an R-rated movie.
Masters of the Universe and its Studio Dilemma: Risk a Box Office Flop, or Sell to Netflix?
The women of Marvel have spoken: according to Brie Larson, they’ve asked studio head Kevin Feige to add an all-female feature film to the Marvel Cinematic Universe.
KOP speaks about "How London is the Mecca for Music" with James Dyble, managing director of London music company Global Sound Group, a music and sound company specialising in music public relations, audio mastering and music production. Global Sound Group is a London based music and sound company specialising in music promotion. Some of your services include Outsourcer which allows users to work with the world's best freelance professionals. GSGM is the media side of Global Sound Group and provides the global music community with the latest music news, reviews and exclusive interviews with some of the worlds best musicians.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , HalloweenCostumes http://www.kingofpodcasts.com/halloween and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
The Joker Movie opens this weekend set to make a possible $150 million opening. The opening comes with a carnival filled with social and cultural controversy. KOP breaks it down.
'Joker,' Gun Violence and Warner Bros.: Inside the Tricky Marketing of a Modern Supervillain and Todd Phillips discusses Why Depiction of Realistic Violence in ‘Joker’ Is ‘Very Responsible’
Headlines:
Sorry, Apple and Disney: No one is abandoning Netflix anytime soon
Why no local news is bad news.
The Record Industry Gave Everything Away to Spotify. Could It Change Its Mind?
KOP interviews multi-talented multimedia actress, host and writer Connie Werner Reichert. Connie is a former Radio/TV Newscaster and Radio Personality turned lifestyle blogger “The Badass Writer.”
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Controversy swirls around the upcoming screenings of the Warner Bros. film Joker, starring Joaquin Phoenix. TV Long View: Five Years of Network Ratings Declines in Context. Yet another season of linear ratings declines scheduled for the broadcast networks. Gary Vaynerchuk is Uncomfortably Bullish On Audio, says, " go wherever the consumers are no matter how they are consuming the audio. " Billboard and Hollywood Reporter owner Valence Media makes some changes. First, Billboard gets a big paywall over most of their content. Plus, Editorial Staff Cuts At Spin, Stereogum, Vibe. Concert Crowdfunding As A New Way to Fund Shows – Is It Viable? Concert Crowdfunding As A New Way to Fund Shows – Is It Viable? After Music Modernization passes, the Next Copyright Fight becomes the Recording Academy Turning Its Focus to Radio Royalties.
KOP interviews multi-talented multimedia actress, host and writer Connie Werner Reichert. Connie is a former Radio/TV Newscaster and Radio Personality turned lifestyle blogger "The Badass Writer."
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , HalloweenCostumes http://www.kingofpodcasts.com/halloween and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Miami Bass, Free Speech and Hip Hop Honored in Spotify's Mogul. KOP reviews the documentary and reflects on the case study creativity vs. conformity.
Mogul, an exclusive Spotify podcast series that talks about hip hop’s most iconic moments, told by the people who lived them, features the history of Luther Campbell and the 2 Live Crew in its newly released second season.
KOP offers feedback and his own memories of the legacy that the Miami bass movement offered that personifies a classic case study of diversity, culture, free speech and expression.
Plus, KOP discusses the outing of Shane Gillis from SNL and the support from comedic legends. Also, NBC Universal flaunts their new "Peacock".
Plus, KOP concludes his interview with Lera Salt, a Toronto-based digital marketing entrepreneur, event organizer and Music Director of a non-profit community rock festival Maple Rock Festival, and a passionate professionally trained indie rock singer.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , HalloweenCostumes http://www.kingofpodcasts.com/halloween and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP talks about the legacy of rock music and its raw energy with Toronto-based award-nominated digital marketing entrepreneur Lera Salt.
Lera Salt is a Toronto-based digital marketing entrepreneur, event organizer and Music Director of a non-profit community rock festival Maple Rock Festival, and a passionate professionally trained indie rock singer.
Headlines:
Apple TV announced to launch with a new $4.99/ month subscription price.
How Kanye, Taylor and the 2009 VMAs Changed Music and Culture Reporting
SAG-AFTRA Developing Protocols For On-Set Intimacy Coordinators
How Labels Pay to Get Songs on the Radio part 2
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
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Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Kevin Hart is attacked again by the cancel culture media for asking Lil Nas X when asked to explain why he grew up to hate gay people meanwhile he came out as gay at his peak of popularity.
You may remember KOP's brought up a Rolling Stone article last month titled. Want to Get on the Radio? Have $50,000? Payola At Radio Never Went Away, says New Report. Well, the FCC and RIAA are checking out some new payola claims.
Billboard reports:
In an official letter sent Wednesday, FCC commissioner Mike O’Rielly asked the Recording Industry Association of America (RIAA) to investigate allegations of payola in the music industry.
"To the extent that payola is currently occurring within the industry, I am writing to ask for your help in ensuring that the practice be discontinued," the letter reads.
Payola -- the practice of exchanging money or goods with radio stations to secure airplay for artists -- was the subject of a Congressional investigation in 1960 that ended the career of iconic American disc jockey Alan Freed. Following the investigation, Congress amended the Federal Communications Act to require broadcasters “to disclose if airplay for a song has been purchased.”
Plus, KOP concludes his interview with Award-Winning Television Producer Harry Lowell-founder and Executive Producer of NiteLite Pictures and documentary and television producer Ari Wilhelm, the producer of the #WELAGENTE Documentary.
WELAGENTE is a 5-minute documentary offering a non-political, positive, human look at real Hispanic immigration stories; putting a face to the diversity that adds to the fabric of America.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) http://www.kingofamazon.com , HalloweenCostumes http://www.kingofpodcasts.com/halloween and Nord VPN http://www.kingofpodcasts.com/vpn
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Please help support Hurricane Dorian Relief in the Bahamas by donating to Bahamian born NBA player Buddy Hield's foundation at https://www.gofundme.com/f/r28pr-hurricane-dorian-relief-in-the-bahamas
KOP interviews Award-Winning Television Producer Harry Lowell-founder and Executive Producer of NiteLite Pictures and documentary and television producer Ari Wilhelm, the producer of the #WELAGENTE Documentary.
WELAGENTE is a 5-minute documentary offering a non-political, positive, human look at real Hispanic immigration stories; putting a face to the diversity that adds to the fabric of America.
KOP speaks with Award-Winning Television Producer Harry Lowell-founder (and Executive Producer of NiteLite Pictures). Joining them is documentary and television producer Ari Wilhelm, the producer of the #WELAGENTE Documentary.
Headlines this Week:
MTV VMAs Hit All-Time Ratings Low for 3rd Straight Year. It's Time to Stop this show to rest
Disney Layoffs Hit Nearly 60 in Media Distribution Division. Corporatization and deregulation collapses creativity again.
Dave Chappelle Defends Comedy's Blue Line by Doubling Down with Sticks and Stones.
Support the Broadcasters Podcast by:
Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts
Supporting KOP’s sponsors at King of Amazon (it’s really Amazon) (www.kingofamazon.com), HalloweenCostumes (www.kingofpodcasts.com/halloween) and Nord VPN (www.kingofpodcasts.com/vpn)
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production
Follow KOP on Twitter or Facebook @kingofpodcasts
Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast.
Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
More of KOP's tribute to WKTU radio legend Paco Navarro, the legendary New York DJ who brought the sound of disco and dance music to a large loyal diverse listenership. KOP continues his conversation with veteran record producer, event promoter and radio programmer Eddie Mercado. Headlines: What the music industry could learn from Old Town Road's chart-breaking success. SpiderMan and Sony Split Taylor Swift Says She'll Re-Record Her Catalog After Scooter Braun Deal Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Supporting KOP's sponsors at King of Amazon (it's really Amazon) (www.kingofamazon.com), HalloweenCostumes (www.kingofpodcasts.com/halloween) and Nord VPN (www.kingofpodcasts.com/vpn) Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP pays tribute to Paco Navarro, the legendary New York DJ who brought the sound of disco and dance music to a large loyal diverse listenership. He passed away earlier this month at age 82. The New York Times wrote the following about Navarro's passing Manuel Francisco “Paco” Navarro , a disc jockey who became the sultry voice of disco in New York City in the late 1970s, helping WKTU-FM become the highest-rated radio station in the city, died on Aug. 8 at a hospice facility in Saddle River, N.J. He was 82. Mr. Navarro spent much of his career playing Latin music on Spanish-language radio stations in Los Angeles, New York and his native Puerto Rico both before and after his time at WKTU. He used the name Paquito Navarro (his given name at birth was Manuel) when he was the host of a salsa show on WKTU’s AM sister station, WJIT, before moving to WKTU in 1978. WKTU had played relatively mellow rock music, reaching a minuscule share of the New York market, before Mr. Navarro arrived. At the time, many stations programmed mainly Top 40 hits (as many still do). The rock ’n’ roll station WABC-AM had long dominated the New York airwaves with star D.J.s like Harry Harrison, Dan Ingram and Bruce Morrow, known to audiences as Cousin Brucie. Many stations played disco records, but few if any had experimented with an all-disco format. WKTU switched to disco months after John Travolta created a sensation as a disco denizen in the hit film “Saturday Night Fever” (1977), just as the music’s popularity peaked. Mr. Navarro tailored his on-air persona to help sell the new format. “Unlike his former WJIT delivery — higher pitched and with words tripping out at an awesome clip — his WKTU voice is a deep, lyrical, Latin-accented bass that combines playfulness with unabashed sensuality,” the New Jersey newspaper The Record said in 1978. Within months WKTU had become the highest-rated station in the New York market, deposing WABC. “All of a sudden we were the establishment and the kids who were around then were looking for something that said, ‘I don’t want to listen to my father’s music,’” Mr. Ingram was quoted as saying in an article about WABC’s history in The New York Times in 2002. KOP welcomes veteran record producer, event promoter and radio programmer Eddie Mercado to speak about Paco's passing and the revolutionary mark he made on the radio from New York City to the world. A GoFundMe page has been made respectfully asking Friends and Family of Paco to consider making a donation in lieu of flowers for his memorial service. Headlines this week include: Al Reveals How 'Old Town Road' Became the Biggest Song Ever Talent Agencies Cancel Emmy Parties Amid WGA-ATA Standoff Behind Universal's Call to Scrap 'The Hunt': Death Threats, Negative Test Screening Feedback The Vanishing $200 Million Blockbuster Will Netflix Have to Change Its Strategy Soon? CBS-Viacom Deal Reunites TV Studio and Paramount Legacy; Here’s What Might Come Next Fox Feels the Pressure From Disney as Film Flops Mount Report: There May Only Be A Decade To Save FM Radio Report: iHeartMedia Is Ready For Next Chapter
Disney+ Lays Down the Gauntlet on Netflix with a Blockbuster Bundle. Disney will offer a bundle package of its three streaming services — Disney+, Hulu, and ESPN+ — for $12.99 a month starting on November 12th. The Verge explains: At $12.99, the bundle is cheaper than or on par with competitive streaming services, including Netflix and Amazon Prime Video. It’s also significantly cheaper than HBO Max’s rumored streaming price of $16 or $17 a month. Hulu is currently available for $5.99 a month (with ads), and ESPN+ costs . Plus, we discuss: ‘Game of Thrones’ Creators David Benioff and D.B. Weiss Strike Overall Deal at Netflix. Want to Get on the Radio? Have $50,000? Payola At Radio Never Went Away, says New Report How one new radio station is breaking free of corporate control. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
"Old Town Road" Breaks Billboard Record and Pinnacles New Music Revolution. "Old Town Road" Breaks a Billboard Record and Revises the all-time record of the Billboard Hot 100. As Billboard stated, Lil Nas X's "Old Town Road," featuring Billy Ray Cyrus, claims one of the most prized records in the Billboard Hot 100's 60-year history as it spends an unprecedented 17th week at No. 1. "Road" bests the previous record of 16 weeks first achieved by Mariah Carey and Boyz II Men's "One Sweet Day," in 1995-96, and later matched by Luis Fonsi and Daddy Yankee's "Despacito," featuring Justin Bieber in 2017. Plus: What a mess! How Woodstock 50 imploded from 'peace, love, and music' to drama, confusion, and legal battles Can ‘Hobbs & Shaw’ Break the Summer Sequel Slump? Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, When I’m Not Podcasting… and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Both DirecTV and Netflix take a dive as subscribers leave the satellite but not enough go digital. Netflix loses a billion dollars in a day, and DirecTV and AT&T lose about a million subscribers according to their quarterly reports. Plus KOP analyzes how good is the chance "Old Town Road" can break the all-time Billboard Hot 100 record for the most weeks at number one. Plus, more of KOPs chat with actor and comedian Jason Stuart, the author of Shut Up, I’m Talking: Coming Out in Hollywood and Making it to the Middle. Interview continues around the 12-minute mark. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, When I'm Not Podcasting... and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP talks to Veteran Film and TV Actor and Comedian Jason Stuart, Author of Shut Up, I’m Talking: Coming Out in Hollywood and Making it to the Middle You’ve seen Jason Stuart before, whether you recognize him from his roles on TV shows from “My Wife and Kids” to Judd Apatow’s “Love,” his decades of prominence as one of the first openly gay stand-up comedians (he came out on “Geraldo”), or from his masterful character work in dozens of feature films (including “Tangerine” and “The Birth of a Nation.”) He’s “that guy” – the one who can slip into any role, in any genre, and make his mark, with over 150 credits that are testament to his talent, professionalism, and persistence. Now, Jason documents his long and curious career in his new memoir, Shut Up, I’m Talking: Coming Out in Hollywood and Making it to the Middle from CCB Publishing. It’s part of a whirlwind year for him, which also includes a weekly radio gig with Dash Radio (“Riffing with Jason Stuart”); roles in notable indie dramas such as “The Infiltrators” and the upcoming “Immortal” (with Samm Levine and Dylan Baker); comedy turns in his new web series “Smothered” (which he co-created with Match Hara) and the feature “DIVOS!” with Marisa Jaret Winokur and Nicole Sullivan; and the starring role in the dramatic short “Hank,” which won the Best LGBTQ Short at this year’s Los Angeles International Film Festival. Lastly, Jason play the voice of “The Dispatcher” in the science fiction thriller “The Fare” airing this fall. Born in the Bronx and raised in Los Angeles, Jason Stuart has been working professionally as an actor and comedian for thirty years, ultimately making a name for himself when a personal decision – to finally publically acknowledge his identity as a gay man – gave him some prominence in an era when many performers remained closeted. Nearly twenty five years later, Jason admits that being gay is only a small part of his identity, and he has transcended any sort of label through his increasingly impressive range of dramatic work far removed from his success as a stand-up comedian. Acting alongside Armie Hammer and Jackie Earle Haley as one of the brutal plantation owners in Nate Parker’s searing drama “The Birth of a Nation” showed the world that Stuart’s talent is formidable. That’s not to say that he isn’t hilarious – and still evolving as a performer and as a human being hoping to make the world a better place. Talking with Jason Stuart offers the perspective of a master of his craft and insider who knows all too well what it means to be “that guy” that every project needs. The interview starts around the 30-minute mark. Headlines: Netflix Loses $17 Billion in Value in One Day Scarlett Johannsen's Backpedal Shows Woke Rules Hollywood Why “The Git Up” Is “Meant To Be”. The Rise of Country into Hip-Hop U.S. Box Office, Movie Admissions, Ticket Price Fall in Second Quarter Why the FCC Should Reject NAB’s FM Proposal iHeartMedia Is Going Public With a Listing—But It’s No Spotify Apple Announces They’re Buying Rights To Exclusive Podcasts For Its Streaming Services
Rolling Stone Challenges Billboard For the Top of the Charts. KOP discusses the interesting choice by the heritage rock magazine to challenge chart supremacy for the first time in over a decade. What does it mean to be popular? That’s a question that music fans and music makers alike have asked for ages — but recently with more urgency than ever before, as listening patterns in the digital age shift and splinter. There are now dozens of ways to tally listeners’ music consumption, and streaming services have changed the game forever. And yet traditional once-a-week metrics remain relatively static. Today, we’re proud to introduce the Rolling Stone Charts, an interactive set of music charts that update on a daily basis and offer an impartial, in-depth and in-the-moment view of the biggest songs, albums and artists in music. -Rolling Stone Magazine- July 2nd, 2019. Plus, KOP talks with Omar Akram is a Grammy Award-winning recording artist, composer, and pianist. His new album, Destiny, drops on August 9th. He became the first Afghan-American to win a Grammy award in 2013 with his fourth studio album, Echoes of Love. He is also an inspirational writer who contributes to The Huffington Post. Omar’s piano-driven, instrumental music elegantly defies borders and has played a crucial role in defining modern New Age and World music. His songs have millions of plays on YouTube, and his first two albums, Opal Fire (2002) and Free As a Bird (2004), hit the Top 15 on Billboard’s New Age chart. In 2013, he became the first Afghan-American to win a Grammy Award with Echoes of Love. In 2013, he also released Daytime Dreamer, presenting an enchanting blend of World, New Age and electronic music that lures listeners with masterful musicianship and his well-traveled wisdom. Headlines this week: Film, TV Gains Drive Writer Earnings to $1.56 Billion in 2018. The future of home entertainment must be open. Why Independent Musicians Are Becoming The Future Of The Music Industry ‘Terminator: Dark Fate’ Director Tim Miller Proclaims : Why Mackenzie Davis Will ‘Scare the F— Out of’ Misogynists! Radio Finally Gets Shorter Songs, Now What? Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Squared Circle of Pop Culture and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Critically acclaimed and multiple award-winning actor Eric Schumacher talks about the superhero movie stranglehold and the ensuing digital streaming battle against Netflix. Eric Schumacher is a critically acclaimed and multiple award-winning actor, producer, and director. Eric has produced or directed industrial videos, commercials, feature films, short films, web series, music videos and more. Eric has extensive experience in entertainment marketing, teaching, business development, contract management, and negotiations and even economic development and is currently the creative director for Seelie Studios, LLC, a multiple award-winning narrative fiction and branded entertainment creative group. KOP also discusses: WGA Offers ATA 1-Year Pause. 77 WABC Sold Cheap as part of the Cumulus bankruptcy purge. Charlies Angels is rebooted for the fourth time. Piracy is back Nicki Minaj claps back on BET Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Squared Circle of Pop Culture and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Writers Guild Wants 1-on-1 With Top 9 Agencies. The WGA Rejects ATA Offer and now seeks individual talks with the top 9 agencies. Variety reports the Writers Guild of America has called off negotiations with the Association of Talent Agents in favor of pursuing individual talks with nine top agencies as it enforces a total ban on packaging fees and affiliated production for agents representing guild members. Bad podcasting will teach you how to make good radio When you hear a long drifting podcast with no discipline you recognise good radio. There will always be a place for good podcasts, but bad podcasts can teach you how to make good radio.” KOP tests this theory made by Amanda Keller, the co-host of Sydney's WS FM Breakfast Show, who said this while speaking on a panel at Mumbrella360. KOP speaks about the obstacles of the independent filmmaker with Actor/Filmmaker Eric Schumacher. Eric Schumacher is a critically acclaimed and multiple award-winning actor, producer, and director. Eric has produced or directed industrial videos, commercials, feature films, short films, web series, music videos and more. Eric has extensive experience in entertainment marketing, teaching, business development, contract management, and negotiations and even economic development and is currently the creative director for Seelie Studios, LLC, the multi-time award-winning narrative fiction and branded entertainment creative group. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Squared Circle of Pop Culture and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Billie Eilish Blows Up into the Mainstream. KOP follows up on the continuing rise of a young new music artist ushering in a new phase of pop culture for the next decade. KOP answers a listener email that reads: Great review of Billie Eilish. First-time listener to your podcast, btw. So pardon me if this question is inappropriate. Is Billie Eilish an "industry plant"? This is a common question raised in blogs and social media and I was hoping for a response from someone like you with industry knowledge and experience and the skills to know if Billie Eilish is a fake?No Host at Emmys? Insiders say that a final decision is still weeks away as producers consider how to best celebrate the year's biggest shows. Plus, KOP concludes his conversation with Larry Namer, Co-Founder of E! Entertainment Television. Larry Namer is an entertainment industry veteran with over 45 years of professional experience in cable television, live events, and new media. Larry is one of the co-founders of E! Entertainment Television, a company now valued at over $3.5 billion USD, seen worldwide by hundreds of millions of cable subscribers. After creating several other successful companies in the United States he took his focus overseas where he is now a founding partner of Metan Global Entertainment Group (MGEG), a venture created to develop and distribute entertainment content and media specifically for Chinese speaking audiences in China and abroad. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Squared Circle of Pop Culture and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
KOP discusses Conformity and Censorship at the Cost of Media Corporatization. The Vox Media Union walkout combined with a YouTube censorship cry from one of Vox's YouTube hosts show the latest case of the above. While the mainstream media subliminally supports conformity and censorship, Publish Protocol recent published a whitepaper on the subject that stated, " The purpose of journalism is to provide the public with the information that is essential for them to make the best possible decisions about their livelihood, societies and governments. While every medium offers a particular voice and perspective, corporate media and consolidation enforce conformity and suppress views that fall short of a specified range of interest. The oligopolistic dominance enforces ideological conformity and distortion, and the great danger is in that it occurs so discreetly that the formation of critical thought is suppressed without anyone noticing. The sheer number of uniquely-branded publishers, broadcast stations and music labels suggests a deceptive impression that there is great diversity. In reality, however, there are only as many messages as the number of media conglomerates in the market, and alternative viewpoints are nearly non-existent. Choice then becomes an illusion, feigned diversity, and yet another form of censorship. Good journalism also presents a voice for the marginalized and exposes injustice, thereby working to hold those in power accountable. When the media is run by business leaders in place of journalists, however, the pursuit of objectivity and truth is generally not a priority. The longtime mainstays of high-quality journalism, such as investigative journalism that has played a crucial role in driving major social changes, are shunned as they are seen cost-ineffective. Clientelist relations dictate what is published, turning the media into a convenient instrument for particularized interest. Publishers have effectively become mouthpieces for their respective owners and are failing to serve and empower the public as the fourth estate as socially bestowed. Deregulation has played a part in spearheading commercial exploitation within the media industry, which in turn has subverted the democratic role and value of journalism altogether. Journalistic integrity is no longer a virtue in the industry, and journalists are forced to give up their conviction in playing the critical role of “agitators” against injustice. Plus, KOP talks about the incredible story of E! Entertainment Television and the network's rise to prominence with Larry Namer, Co-Founder of E! Entertainment Television. Larry Namer is an entertainment industry veteran with over 45 years of professional experience in cable television, live events, and new media. Larry is one of the co-founders of E! Entertainment Television, a company now valued at over $3.5 billion USD, seen worldwide by hundreds of millions of cable subscribers. After creating several other successful companies in the United States he took his focus overseas where he is now a founding partner of Metan Global Entertainment Group (MGEG), a venture created to develop and distribute entertainment content and media specifically for Chinese speaking audiences in China and abroad. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Conform This and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
Movie stars are planted into some of our all-time favorite game shows. Is streaming suffering from a lack of transparency? How will the changing landscape fracture Netflix's long-term stranglehold on the streaming spectrum? Stories discussed include: What Do Showrunners Look for When Staffing a Writers Room? TV Game Shows Increasingly Reel In Movie Star Hosts TV Long View: Streaming Future Suffers From Lack of Transparency Trans World's Challenges Mount Amid Flowing Red Ink, Board Tension & Possible Stock Delisting How Miley Cyrus and Katy Perry Can Fit Into the 2019 Pop Landscape Saying goodbye to WPLJ Also, KOP concludes his conversation with Los Angeles TV Host and Spokesperson Shannon O’ Dowd She is the co-author of the coming book, The Ultimate On-Camera Guidebook: HostsExpertsInfluencers, available on July 9th but available for pre-order now. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Conform This and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster’s Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
TV classics create a new social conversation. KOP gives his takeaways on "Live in Front of a Studio Audience: Norman Lear’s All in the Family and The Jeffersons on ABC." Shock Jock Radio is Dead as Howard Stern's new book fails to hold on as a top bestseller. Radio industry vets weigh what happened. Plus, WGA-ATA Talks back on, the disruptors of streaming video services, Network TV in 2019, and why Netflix isn't the future of TV. Also, KOP talks to Los Angeles TV Host and Spokesperson Shannon O' Dowd in the first of a two-part interview. She is the co-author of the coming book, The Ultimate On-Camera Guidebook: HostsExpertsInfluencers, available on July 9th but available for pre-order now.
Several stories targeting the upcoming fall season of network TV pop up. A story pops up about the state of the Music Industry. Critics write that there are not enough women, color or gender in each media. KOP examines the claims made. Plus, a radio business publication picks up the Data Face study that KOP spoke about months ago. The article he cites is titled, "Does Radio ‘Lag Behind’ Streaming On New Music?" Also, KOP gives a partial review of the book he's been reading from his previous guest Patrick Kilpatrick, the author of Dying for Living : Sins & Confessions of a Hollywood Villain & Libertine Patriot. Also, KOP concludes his interview with University of Florida communications professor Andrew Selepak to talk about millennials and Gen Z media consumption, social media influencers, censorship and much more. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through his special link http://www.kingofamazon.com Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Conform This and the Wrestling is Real Wrestling Podcast. Do you want to be a guest on the Broadcaster's Podcast or know someone who would make a great guest, please email kingofpodcasts@yahoo.com.
SI Swimsuit Issue Shocks Readers... cue feigning outrage, and KOP welcomes back University of Florida communications professor Andrew Selepak to talk about GenZ and the Diverse and Segmented Media. Sports Illustrated tells swimsuit issue buyers "It's Time to Rethink Everything You Thought You Knew about the SI Swimsuit Issue. They state: "The issue celebrates beauty in all its forms. Pretty faces? Yes — but also so much more. Mothers. Athletes. Businesswomen. Women of color. Women of different shapes and sizes. Women from all walks of life" Much like the Nike and Gillette campaigns before them, feigned outrage leads the conversation and misleads the good intent. Plus, we welcome back University of Florida communications professor Andrew Selepak, who is the director of a graduate program in social media. We talk about the feedback he gets from his students about the changing media landscape. He talks about how we live in a diverse and segmented media marketplace where media companies are continually serving smaller and smaller niche audiences. We also talk about social media influencers, censorship and much more. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Conform This and the Wrestling is Real Wrestling Podcast. Send KOP your feedback by email to kingofpodcasts@yahoo.com. We may even read your comments on the show.
Avengers: Endgame and Game of Thrones show that creative patience pays off. KOP talks about how well-told stories and appointment viewing are still possible to the attention deprived, binge-watcher. Plus, KOP talks Hollywood: Writers Guild Expanding Staffing Submission System Without Agents. 88 Percent of Showrunners Are White, WGA West Finds. Disney Streaming Deal Will Blow Up The Cable Universe. Netflix will have no choice but to run ads, industry execs say. And the latest radio news: The Lo-Fi Voices That Speak for America Billboard: Study Finds ‘Alarming’ Gender Representation on Country Radio. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Conform This and the Wrestling is Real Wrestling Podcast. Send KOP your feedback by email to kingofpodcasts@yahoo.com. We may even read your comments on the show.
More of KOP's featured conversation on the future of digital media and journalism's journey back to credibility with marketing and communications professional Nicole Jordan. KOP welcomes back marketing and communications professional Nicole Jordan, the founder of her own independent PR firm, Radix Collective. We discuss several points made in a recent article in the Vassar Public Review, titled “The public is the enemy of good journalism”. We give our thoughts on several points that the article points out including "how fewer and fewer people are turning to the mainstream media for their information, leading to a diminishing readership, and how "the media’s focus has narrowed to covering juicy stories that will draw as many clicks or eyeballs as possible, rather than stories of substance and import. " Plus, we discuss how her company, Radix Collective, will be hosting its third annual Independent PR Summit. In the headlines: Writers vs. Agents: A Standoff Without a Script Netflix finds another way to spend more money and add to their mounting debt. Disney Decides to Drop Several Fox Movie Projects Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP’s other programs, Conform This and the Wrestling is Real Wrestling Podcast. Send KOP your feedback by email to kingofpodcasts@yahoo.com. We may even read your comments on the show.
KOP discusses the issues affecting the state of digital media and the overall survival of journalism with marketing and communications professional Nicole Jordan. Nicole started her career in Silicon Valley during the tech boom, where she worked on launching and maintaining marketing programs for companies that play in the space where digital media, the web, and consumer products converge. Some of those companies have included Apple, PriceGrabber.com, HP, DeviantArt, and the Rubicon Project which is when I met Nicole at an AdTech conference in 2009. She’s spent over a decade working at top-tier PR agencies, running her own consultancy, overseeing marketing and communications program from the inside, and now leading the charge for clients at her independent PR firm, Radix Collective. Plus, Digital Streaming and Network TV fight for talent for their TV pilots. Why Netflix May Actually Benefit From Disney+ and Other Streaming Entrants. Also, Old Media Flexes Library Muscle For Streaming Platform Launches With Off-Network Comedies. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter or Facebook @kingofpodcasts Listen to KOP's other programs, Conform This and the Wrestling is Real Wrestling Podcast. Send KOP your feedback by email to kingofpodcasts@yahoo.com. We may even read your comments on the show.
Billie Eilish breaks through the mainstream barrier and brings a fresh new sound to modern music all the way to the top of the Billboard charts. KOP profiles her ongoing ride to inevitable superstar status and what we can learn from her creativity and confidence so early into her career. Plus, digital media learns what it's like to be in corporate radio with the story of one company being acquired by a vulturous private equity group. NAB CEO Gordon Smith states that Government Should Regulate Tech Industry and we learn the latest coming out of the WGA-ATA standoff. Also, KOP presents the second part of his interview with veteran Hollywood actor and writer Patrick Kilpatrick, about his new book titled: “Dying For Living: Sins & Confessions of a Hollywood Villain & Libertine Patriot” This episode is dedicated to the life and memory of my fallen radio brother, Andy Preston. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
Time Running Out For New WGA-ATA Deal as the expiration of their franchise agreement approaches. Plus, iHeartMedia Prepares for Possible I.P.O. even while bankrupt, Netflix fuels the pipeline for more content and now fuels the race for studio space. Plus, KOP interviews Patrick Kilpatrick, a veteran actor who has appeared in over 170 hit films and TV shows largely as a villain — from Steven Spielberg’s MINORITY REPORT to James Cameron’s DARK ANGEL to 24 to PBS. He has had a fascinating career appearing against the likes of Arnold Schwarzenegger, James Caan, Tom Cruise, Jean Claude Van Damme, Bruce Willis, Steven Seagal, Naomi Watts, Pam Grier, Sean Connery, and Jessica Alba . I spoke with Patrick about his new book titled: “Dying For Living: Sins & Confessions of a Hollywood Villain & Libertine Patriot”
Cardi B says she used to rob and drug men growing up, and KOP defends the artist against the social media smear being made to her. Netflix vs. Apple TV is On! Netflix Ranked as No. 1 Fastest-Growing U.S. Brand in 2019, just as Apple TV Streaming is announced. Also, iHeartMedia Considers IPO, Direct Listing as Bankruptcy Exit Nears. Plus, more of my 2-part interview with Perry Michael Simon, the VP and News-Talk-Sports Editor at AllAccess.comand host of The Evening Bulletin podcast. We cover the bankruptcy fallout of the top 2 radio companies in the US, iHeartMedia, and Cumulus, plus we go into all of the inroads being made into podcasting. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
Corporate Radio Rolls Out of Bankruptcy and Rolls Into Podcasting as KOP discusses the evolution of the radio industry in a 2-part interview with Perry Michael Simon, the VP and News-Talk-Sports Editor at AllAccess.com and host of The Evening Bulletin podcast. We cover the bankruptcy fallout of the top 2 radio companies in the US, iHeartMedia, and Cumulus, plus we go into all of the inroads being made into podcasting. Radio has been making an aggressive pursuit into podcasting based on continuous reports of the growth of the streaming medium. We discuss that the same way NetFlix and Amazon have disrupted established media, reports including the 2019 Infinite Dial Study by Edison Research and Triton Digital state that the total number of people who have ever listened to a podcast has passed 50% for the first time ever making podcasting a part of mainstream media. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
iHeartMedia flips a station to get this...all podcasts! Radio asks: Can You Accept Pot Ads? Can You Run Ads For CBD Oils? Asked and answered at Radio Ink Hispanic Radio Conference in Miami. Sixty-Four Percent of Diverse TV Writers Experience Discrimination or Harassment on the Job, New Report Finds. Plus, more of my conversation on with Sexual Consent and Seduction in Movies and Television as KOP welcomes filmmaker/writer/professor Michele Meek, author of Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
Sexual Consent and Seduction in Movies and Television as KOP welcomes filmmaker/writer/professor Michele Meek, author of Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. We talked about how the content that we're being subjected to in our TV and movies, and the negative connotations they raise are a big problem based on a number of variables: How this content gets exposed to children and how it's indicative of a need for sex education at an early age? How victims of sexual assault and harassment (which facts show the supermajority of victims are women over men), and how they respond after the fact, are affected due to an evolving social and cultural change that is creating negative reactions? How men are becoming more conformed to react and respond differently to women then they might have in past generations? Michele Meek is a filmmaker/writer/professor, and she recently published the book Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. She is an Assistant Professor of Communication Studies at Bridgewater State University where she teaches courses in digital media production, film studies, screenwriting, and gender studies. She has written and directed several award-winning short films, and she is the founder of NewEnglandFilm.com. Her website is www.michelemeek.com. Plus, MoviePass moves to make movies, WGA Labor news, HBO Programming Head takes shots at Netflix, and Spotify's grand plan to conquer podcasting.
Streaming vs Radio Resistance debate continues as KOP resumes his discussion on the DataFace study on Measuring Radio’s Lag Behind Streaming Services And How It’s Impacting The Music We Listen To. Plus, more on The Future Of The Media Industry , Country Radio's identity crisis and part of KOP dicussion with Producer/Director/Writer Ned Ehrbar talking about the Oscars, writing for entertainment, the state of journalism today and more. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
KOP examines the unfortunate fall of #JussieSmollett. #ArianaGrande tops the top 3 spots of the Billboard #Hot100 and the album makes the #Hot200. Plus, KOP talks with Writer and director Ned Ehrbar, known for the California No (2018), Bunker (2014) and Co-op of the Damned (2012). Ned is also a personal finance producer for Yahoo Finance. He previously worked at NBC, CBS, and MTV. KOP talks to Ned about what Hollywood is really like, including the eminent PC Culture and the various obstacles that content creators have to overcome and if they have the means and the freedom to make anything anymore. Is there any room for independent movies to break out into the mainstream. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
Radio Cant Beat Music Streaming. So They Join Together?! Kop goes through a new study that measures Radio’s Lag Behind Streaming Services. Could one of the debt-ridden radio companies be going away? Plus, how bad is music streaming impacting radio and how Teens Are Trouble For Radio. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
The Sad State of #NetworkTV is pitiful, as it is Surviving on the #NFL #SuperBowl and Live Sports. A new report shows that NFL games accounted for 34 of the top 50 most-watched broadcasts, and 61 of the top 100. Plus, we look at the social justice influence on commercials and the halftime show in the Super Bowl this weekend. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
DigitalNews, and all journalism as we knew it, is on Death Watch as KOP takes a 30,000-foot discussion on how journalism and the evolution of digital news have lost its way and its vital signs as an industry is critical. Plus, Action-Based Anime Makes Mainstream Arrival as Dragon Ball Super: Broly's box office success opens the eyes of the movie industry. What are animes chances in the mainstream? Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
Gillette Grills Guys Masculinity and KOP takes a rare look into a controversial commercial looking to make a message without any focus on the actual product. Plus, Netflix Growth Neutralizes Spend Into Debt. So, what does this mean about the cable and network mainstays? Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
MeToo Strikes John Legend and R. Kelly. John Legend being photographed with Harvey Weinstein and an R. Kelly docuseries resurrect years-old sex accusations against the singer. Plus, How Bad Does Radio Need Change? KOP looks at the disparities in radio's corporate culture and the negative impact created by homogenized CHR radio. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
Louie CK and the Invasion of political correctness to destroy comedy as KOP discusses how social justice warriors are riding the wave of PC to further destroy an already blackballed comedian in Louis CK. We also look at what some of the biggest names in comedy have said about how political correctness is hurting comedy. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
New Poll: People Tired Of #PoliticalCorrectness. Is Entertainment to Blame? KOP examines this poll that might have gotten lost in the middle of the holiday rush. Welcome to Marwen is massacred in the box office. Plus, future labor issues on the horizon in the ad and writers front, and does TV need to lighten up in 2019? Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts . Send KOP your feedback by either leaving a voicemail at 1-561-899-7030 or email kingofpodcasts@yahoo.com. We may even playback or read your comments on the show.
TVs Bull Busted By #MeToo as Actress Eliza Dushku was paid a secret settlement of $9.5 million to quiet reports of sexual harassment she allegedly received from Bull star Michael Weatherly while filming a number of episodes of the CBS show Plus, KOP rants by asking "Where is the Social Outcry for Segregation in Music Radio?!" KOP discusses how radio needs to get ahead of digital streaming and start taking down some corporate roadblocks. Plus, he rails against how the corporate-imposed segregation (along with the censorship of on-air talent as well as the exclusion of diversity, inclusion, and race based on popular opinion not social justice influence of a few) of mainstream radio in the early 1990s breaking away from using the Billboard Hot 100 as the standard needs to finally be repealed. Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or follow the Broadcasters Podcast @royalrant
Actors and Athletes Under Attack and thus Forced To not just accept or tolerate but now must Surrender to any outcry of Social Justice. KOP weighs the attacks on Kevin Hart and Kyler Murray. Is political anger being used to fuel more people to lose their freedom of thought and expression to the throne of political correctness? Support the Broadcasters Podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or follow the Broadcasters Podcast @royalrant
Netflix and Spotify: Streaming Media Striving for Success or Surviving in Debt as KOP goes through where these two companies look to serve content creators while taking a big financial hit. Plus, the FCC looks to revisit rules on regulation and ownership. KOP make his argument on what they should do for the good of all things radio. Support the Creative Not Corporate podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Patreon by going to https://www.patreon.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
Bonuses for Top Brass Bosses at Bankrupt IHeartMedia as Bankrupt iHeartMedia Wants to Pay Top Brass Up to $33 Million in Bonuses. KOP chimes in. Plus, Netflix has a promotions problem and an uninhibited look at how actress Amanda Bynes reflects on her past mistakes and lessons she learned now after becoming a very successful child star. Support the Creative Not Corporate podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Patreon by going to https://www.patreon.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
iHeartMedia remains delusional making new deals while being bailed out of bankruptcy. Why would the likes of Apple and High Times want to make deals with the Titanic of Radio? Plus, Network TV continues to be in FreeFall with new shows not doing the job keeping viewers. We look at how the new shows have underperformed, and how network tv has given the best show creators no choice but to move to digital streaming platforms. Support the Creative Not Corporate podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Patreon by going to https://www.patreon.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
KOP looks at the real takeaways from the passing of Stan Lee, the comic-book creator of Marvel Comics turned movie mogul of Marvel Studios. What are the real-life characteristics that we should appreciate and cherish about the career he left behind? Support the Creative Not Corporate podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Patreon by going to https://www.patreon.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
Apple Wants a Piece of IHeart as iHeartMedia’s creditors are reaching out to Apple. KOP rails against all the breaks iHeart keep getting when it should be made to implode from its burden of debt. Plus, Breaking Bad Going Big Screen as Series Creator Vince Gilligan is working on a creating a full-length feature movie of ‘Breaking Bad’. Support the Creative Not Corporate podcast by: Sending a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Patreon by going to https://www.patreon.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
The Tampa Bay times asks what happened to Bubba the Love Sponge? KOP looks back at this rollercoaster career... from Tampa Bay's top CHR night time rebel to being anointed by Howard Stern to carry the torch for the next generation of shock jocks. KOP explains how this has happened to a lot of veteran radio talent and how some are given multiple chances, regardless of all their transgressions. They are too many other radio jocks that could make way for someone like BTLS. Plus, a review of Mid90s, a new survey on Rated R movies and the 2018 Salaries of TV’s Top Stars are Revealed. Help support the Creative Not Corporate podcast by doing one or any of the following: Send a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Cocoscope and Learn How to Produce Better Podcasts by going to https://www.cocoscope.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
Netflix New Debt Gamble For New Content as they announce plans to raise $2 billion in financing through debt securities to fund more content. More Reboots Good and Bad as Halloween rolls to the top of the box office 40 years later while Lebron James looks to reboot the Friday the 13th Franchise. Help support the Creative Not Corporate podcast by doing any of the following: Send a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Cocoscope and Learn How to Produce Better Podcasts by going to https://www.cocoscope.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
Crowded Movie Week Cripples #FirstMan While #AStarIsBorn Soundtrack Soars as KOP unpacks the mess the movie moguls made by cluttering the box office. First Man falls short next to Venom and A Star is Born, the latter doing great thanks to its top charting soundtrack. Send a PayPal donation by going to https://www.paypal.me/kingofpodcasts Shopping at Amazon through our special link http://www.kingofpodcasts.com/amazon Subscribe to KOP premium channel on Cocoscope and Learn How to Produce Better Podcasts by going to https://www.cocoscope.com/KingOfPodcasts Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com/production Follow KOP on Twitter @kingofpodcasts or on Facebook @creativenotcorporate
Taylor Swift and the Sacrifice of Creativity for Public Political Scrutiny as after years of political silence, the singer went public with a big statement. We look back and compare this moment to the eventual demise of the Dixie Chicks and how public speaking out on politics, in general, can seriously shadow a content creator's creativity for the length of their career. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Who is Listening to Radio and Can Radio Play Nice with Podcasting? KOP runs down the facts and lays out the obstacles that radio fails to understand. Plus, Night School Schools the Box Office, the impact of Pay TV, Spotify does some good for the world of music and what young rappers need to know before coming into the business from one of the top rap stars. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Network TV is nearing its Near End with Reboots & Remakes, while Basic Cable & Streaming are in Complete Control. A Decider article says it best when "Predictable plots. Clumsy dialogue. Stiff and guessable procedural mysteries. Big sitcom jokes that fall flat despite the guffawing laugh track. Premises that feel uninspired and derivative. It feels like the networks just went through the motions, picking shows that wouldn’t rock any boats or piss off any potential viewers." Plus, SiriusXM Acquires Pandora, plus digital and on-demand streaming continues to be more for the younger consumers of music and TV while the older consumers are continuing to make the switch. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Emmys were given out this week and creators should sense the signal of streaming services superiority of the medium. Plus, Eminem explains #Kamikaze and KOP gives his take on the new album. KOP also reviews White Boy Rick, and an update on the Music Modernization Act. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
KOP is Positive on #Peppermint, but why are the critics so negative on it? Plus we reflect on the passing of screen legend Burt Reynolds, one of the best-beloved actors on our movie screen. Plus, are we in the golden age of audio? KOP reviews White Boy Rick and recaps the debut of Mayans MC and the season finale of Power. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Corporate Creative Choices Create Unnecessary Outrage and Controversy. KOP explains two examples, First Man and the Colin Kaepernick Nike campaign, how corporate choices screwed these well-intentioned projects. Don't believe everything you have read, and hear the argument for yourself. Plus, the feel-good story about Geoffrey Owens, another Diehard movie ready to go, plus Drake breaks more records and Eminem lands on top with "Kamikaze". Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Big Bang Theory Hatred examined as the CBS is set to finish after season 12, Summer Movies have a positive trend and More than Seven Dirty Words, the new FCC podcast debuts. Plus, more manipulation by the corporate-controlled American Top 40 chart so out of touch behind the Billboard Hot 100. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
VMAS Puts Microscope On Degrading Image of Pop Culture and Music as Looks and image as long as you're not on regular television but on social media don't matter anymore. KOP ponders if that's why musicians are not striving to be glamorous and good-looking anymore. How much does this affect younger people and is it really creative or is it just more destructive. Plus, was BlacKKKlansman Fabricated? The director of Sorry To Bother You offers his critique. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
KOP discusses the habits of podcast listeners and TV viewers, how they might be changing and how it affects what you do creatively or how you produce it. Plus, why podcasters should diversify which apps they distribute their content too, most notably the new Google Podcasts app. Also, KOP reviews BlacKKKlansman, and disputes if the Charlottesville clouded the clear-well conceived message within the actual film. Also, Travis Scott's Astroworld album lands on the Billboard Hot 100 like an asteroid. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Billboard 's #Hot100Turns60 as KOP counts down the chart's all-time top 600 songs, unfortunately without the music. Movie Subscriptions after #MoviePass will be a thing going forward, but KOP explains how that plan would still hinder the creativity of the movie business. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
MoviePass Has A Really Bad Week as in just under a week, MoviePass ran out of money and required a loan in order to keep itself in business. Plus, they blocked out folks trying to see Mission: Impossible – Fallout, saw shares of Helios and Matheson (its parent company) plunge below $1, had a system-wide crash and apparently announced that it wouldn’t support the newest releases on opening weekend. Plus, Podcast Movement becomes a meeting place where the radio industry infiltrated and plants the seed of persuading podcasters to work together. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
KOP reviews Sorry to Bother You and discusses why the movie's creativity leads to a counterproductive social commentary. KOP disputes the ongoing socio-economic narrative that there are deadly conditions of working-class life and the only way to break out of it somehow by lottery-winning luck or through supposed merit. He also disputes the idea the writer/director Boots Riley tries to make that regarding poverty being a system of bad choices. "Yes, maybe you can make better choices and be the crab that gets out of the bucket — but that’ll be at the expense of all the other crabs in the bucket." KOP also discusses the messages and the characters and the sci-fi component to the movie that has everyone buzzing. NOTE: I welcome constructive discussion on this episode, and if you would like to comment, please write me on Twitter @kingofpodcasts, write to our Facebook page or email jbrasco951@gmail.com Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Is There Marvel Cinematic Universe Fatigue? Are You Kidding?! KOP takes to task a ScreenRant article that disputes an argument that the Marvel formula is wearing off. KOP discusses why there is no fatigue, why Marvel's injected humor works while DC movies miss the mark, and why the writer doesn't understand how Marvel comics became popular. Plus, upcoming NetFlix and Network TV talk, MTV VMAs and radio ownership. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
From #InMyFeelings to Viral Videos, how does Drake continue to create what compares to a musical tsunami up the Billboard charts with every album and how does he compares with his peers. Plus, MoviePass introduces peak pricing and KOP rants into how the new movie experience continues to get worse when new releases move from being held over to being placed in home video hell. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Scorpion Skyrockets Drake Again Up the Chart as he is destined to reach the top of the Billboard charts for the 8th time. Plus some astonishing #WorldCup Watching Stats and the depths to which people will find a way to watch it while at work. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
KOP remembers a radio legend. Dan Ingram, one of the signature voices of New York’s legendary WABC (770) from 1961 until 1982 and then a vital part of WCBS-FM (101.1) in its golden years, passed away this weekend at the age of 83. Plus, KOP defends the movie Gotti and why it didn't deserve to get a 0% score by Rotten Tomatoes, but that the producer's mistakes and a box office cooler in John Travolta were destined to make Gotti fail. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
KOP looks into the Rise and Fall of SoundCloud star turned chart-topping rapper #XXXTentacion, his prediction of demise, his criminal demons, and his death. Plus, the epic fail of Network TV in 2017-2018, and what is not being done to stop the slide. More MoviePass madness, a #SuperFly review, Gotti hits back and more. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Oceans8 Does Right by the Oceans Franchise and tops some big movies in a big Box Office Weekend. KOP talks about why the movie worked. Plus, the final results on Network TV for 2017-2018, plus news on Mayans MC and a Game of Thrones prequel, and KOP review the newest album by Kanye West called #Ye Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
"#Top40 #CHR Radio Has a Rap Problem... and More Than That! "KOP exclaims with the help of a recent Rolling Stone article. KOP explains how the narrowness, authoritarian-style programming for obsolete family stereotypes and listening habits are the cause for the complete disconnect Top40/CHR radio which has led to an exodus of young listeners seeking buzz-worthy music to streaming services. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Roseanne is canceled by ABC after a successful first season in its revival over some tweet activity that ended with a racially-sensitive tweet. KOP asks what did you expect when she came back. Plus, Solo suffers and KOP explains what worked and what didn't. Plus, KOP reflects on the series finale of the Americans. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv Seek out KOP for professional podcast production, imaging, and web design services with King of Podcasts Audio Production and Web Design Services at http://www.kingofpodcasts.com/production
Is #Deadpool2 and their slight miss on box office projections a sign of Marvel Box Office Fatigue. Meanwhile, KOP got a chance to review before his vacation. Plus, is there a need for more Gender Equality In Music Radio? Well, the catch is that is what is being asked by a panel of female public radio professionals about the lack of gender equality in public radio that plays music. Ah, that's the problem. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
Decoding #ChildishGambino 's End Game with #ThisIsAmerica as the new song makes its way atop the Billboard Hot 100 chart this week. KOP looks at this creative expression, why there needs to be more of it but how there this needs to spark an open civil debate. Plus, what's in and out on Network TV, and #Deadpool2 is said not to disappoint. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
PostMalone 's new album #BeerBongsandBentleys breaks all-time chart records. WE go through how big the album is and KOP gives his favorites. Plus, #BillandTed is being brought back for another sequel?! Plus, how today's mainstream music on the radio does not bring mothers and daughters like it used to. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
KOP consoles those younger Marvel movie fans jilted by the cliffhanger that became from Aftermath #Avengers Infinity War. Plus #Kanye West appears on @TMZ and KOP uses this to discuss the ability of a content creator to have freedom of thought, freedom of expression and the ability to have open dialogue. He explains how that need of freedom of thought, whether you agree or disagree, should not be suffocated regardless. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
After KOP calls out American Top 40 and their hypocritical chart manipulation, as they try to pull a fast one on their April 21st chart. Plus, MTV takes a big corporate step backwards greenlighting a new Jackass-like series called Too Stupid to Die. Also #SuperTroopers2 finds Crowdfunding Success. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
KOP comments on the underwhelming #ScandalFinale. He recaps #Chappaquidick and previews the successfully crowdfunded sequel of #SuperTroopers2. Plus, AdAge prints a ridiculous story putting a Positive Spin on the Radio Industry. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
KOP explains the history, importance, and relevance of the Billboard Hot 100 since the beginning of the rock era and how it was integral to radio's success at one time. KOP compares how new music is treated by radio today by simply looking at how bad the American Top 40 chart has swayed away from what people listen to today in reality via digital streaming instead of the radio. Plus, KOP talks about how much tv is out there to consume each week, as in way too much. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
KOP welcomes Master Composer Robert Miller, plus we look at the real factors that have led to a Slow Death of Corporate Radio. KOP speaks with Robert Miller, a master composer with over 25 years experience in film, TV, and the concert hall. He provided the soundtrack for the recently Oscar-nominated documentary short, Knife Skills. Robert's work has garnered him seven CLIO awards, two AICP awards, and two collective Emmys. Most recently, Robert’s music appeared on ESPN’s award-winning “30 for 30” documentary series and in the American Museum of Natural History's planetarium show narrated by Neil deGrasse Tyson. Plus, a review of Ready Player One and a preview of Chappaquidick.
RoseanneReboot and How Network Television Will Respond To It as KOP shows historically why this should shake up what pilots will come out going forward. We also look at the current crop of pilots made to be progressive or repetitive or rebooted. Plus, Snoop Dogg tops the Gospel chart, and hatred for iHeartRadio. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
Mega-Media Mergers Create Uncertain Future as we look into the AT&T-DOJ Antitrust Trial underway, plus how does Disney CEO Bob Iger deserve to retire in a few years to the tune of nearly half a billion dollars. Plus, KOP interviews TV Producer and Sci-fi Author Darren Campo, adjunct professor at NYU’s Stern School of Business where he teaches in the Entertainment, Media and Technology Program. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
KOP talk to Hollywood Studio Executive Lou Dennig, recognized with 4 Daytime Emmy Award nominations, and host of the upcoming podcast series, "Games, Gab & Gossip: TV Before Social Media Sucked the Life Out of Broadcast". Plus, iHeart Media Files Chapter 11, Wrinkle in Time takes a financial tumble, and KOP reviews Gringo and the Hurricane Heist. Support the Creative Not Corporate Podcast by going to http://www.creativenotcorporate.com/sponsors Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
KOP welcomes Oscar Nominated Blade Runner 2049 Sound Guys Doug Hemphill and Ron Bartlett about their sound work since Blade Runner and now with Blade Runner 2049. Oscar-winning Re-Recording Sound Mixer, Doug Hemphill (also worked on Master and Commander: The Far Side of the World (2003), The Last of the Mohicans (1992))and Oscar-nominated Sound Mixer, Ron Bartlett ( The Fifth Element (1997) and Deepwater Horizon (2016) run Formosa Group, a full-service post-production sound company, serving independent and studio filmmakers and content creators. Plus, the latest on the iHeart impending bankruptcy, MoviePass tracking your moves before and after a movie, and possible changes to iTunes.
Talking about moviemaking as KOP talks with one of the best and busiest cinematographers working today, Luc Montpellier. Luc Montpellier is an award-winning Canadian cinematographer who shot Starz's upcoming science fiction thriller "Counterpart," starring J.K. Simmons. He has worked on CBS’ “Flashpoint,” Fox’s “Rocky Horror Picture Show” live tv event. He has worked with household names including Sarah Polley Take This Waltz, Away From Her), Vince Gilligan (Breaking Bad and Better Call Saul), and David Shore (the Good Doctor, House, Law and Order and NYPD Blue). Most recently, Luc shot the dramatic debut episode of Showtime’s “The Chi.” Plus a preview of new movies (Death Wish and Red Sparrow), and tv shows (Unsolved and Krypton). Plus, Fox and FX lose Ryan Murphy to Netflix. The same Netflix set to crank out 700 tv shows and 80 movies in 2018. Stick around at the end of the show to hear an epic rant by KOP regarding the impending Chapter 11 bankruptcy of iHeart Media. KOP addresses the audacity of the radio giant to not pay its debt or interest payments but rather award their CEO CFO and EVP an outrageous combined sum of $4 million dollars per quarter in 2018.
Pop Culture, Social Media and the Next Generation of Media as KOP speaks with Andrew Selepak, PhD (@aselepak) a University of Florida communications professor who is the director of a graduate program in social media. We discuss the influence of social media and today's pop culture on students in general and how he talks about those subjects with his classes, plus we learn about Andrew's experience in corporate radio. Plus, Black Panther pounces passed half a billion dollars and we get a KOP review, the music industry faces its own #MeToo crisis, how record labels and musicians are tackling digital streaming and the back door method to film financing. Doing your Amazon shopping through our link, http://www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at http://www.kingofpodcasts.com/tv
Recording Artist, Music Industry professional, and entrepreneur Eric Knight talks to KOP about the ongoing tug of war between Corporate vs. The ever-changing recording industry. Eric has released a few albums nationally as an independent artist and has opened for some major acts (KISS, Aerosmith, Dave Matthews & Kid Rock). Eric sings lead vocals for the Disciples Of Babylon that just recorded & released its latest album "The Rise and Fall of Babylon" , produced by GRAMMY Winner Andres Torres who produced the Luis Fonsi mega smash hit, "Despacito" tying the record for most weeks [14] at number one a top the 'Billboard Hot 100' and was nominated for 3 Grammys. Plus, how much EDM is really in our Pop, a review of the 15:17 to Paris and a proper preview of Black Panther and its Marvel origins as opposed to what is being said about it today.
Star Wars with Dragons?! Maybe? Game of Thrones producers David Benioff and D.B Weiss get a run at their piece of the Star Wars franchise. We also discuss corporate bailouts and layoffs and digital streaming money Drops for Hulu and Spotify. Plus, rapid royal reviews of 12 Strong in the movies, Altered Carbon and Disjointed on Netflix and Migos' new album Culture II. Plus, iHeartMedia looks at Chapter 11 in their future and radio needs to grow a new pair says a company CEO. Please support the Creative Not Corporate Pop Culture and Media Podcast by: Doing your Amazon shopping through our link, www.kingofpodcasts.com/amazon Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at www.kingofpodcasts.com/tv
Super Bowl 52 Commercials Previewed, plus Drake Dominates Hot 100 and More Reboots in the world of movies and TV! Plus, iHeartMedia takes one more step towards bankruptcy, Quincy Jones disses on pop music, and why is the cost of a Super Bowl commercial over $5 million? Please support the Creative Not Corporate Pop Culture and Media Podcast by: Doing your Amazon shopping through our link, AmazonIsReal.com Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at www.kingofpodcasts.com/tv
KOP discusses the Dundee Super Bowl Ad that we really thought was going to be a movie, Camila Cabello Hits Number One and The Eventual Fall of iHeart Media. Plus, a study while movie fans prefer Marvel over DC, new reboots coming to TV in Greatest American Hero, Charmed and Murphy Brown! Also, MoviePass Hits and Misses, Rap is back in the Mainstream and more. Please support the Creative Not Corporate Pop Culture and Media Podcast by: Doing your Amazon shopping through our link, AmazonIsReal.com Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at www.kingofpodcasts.com/tv
Paycheck Movie Season Or Peak TV or Digital Music Consumption Fatigue as KOP runs through some popular tags to describe things that happen in media at the start of a new year. Liam Neeson and Gerard Butler lead new movies The Commuter and Den of Thieves respectively. These two actors represent January and February movies that actors make that they supposedly act in for a paycheck. Plus, the Netflix and Hulu laugh at the cable and broadcast networks fretting over Peak TV season. Radio is delusional to Digital Music Consumption Fatigue while listeners are fatigued at what they are offering. Please support the Creative Not Corporate Pop Culture and Media Podcast by: Doing your Amazon shopping through our link, AmazonIsReal.com Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more from TV Store Online at www.kingofpodcasts.com/tv
MoviePass Mayhem, The Voice vs. American Idol Showdown in March, plus KOP gives a Digital Wake Up Call for Radio. Plus, we check out what we learned out of the TCA Winter Press Tour, is Liam Neeson simply playing Bryan Mills again in his new movie, The Commuter. Plus, the Year in Sad Rap, and why corporate radio suits are so out of touch with what they need to do to fix the radio. Please support the Creative Not Corporate Pop Culture and Media Podcast by: Doing your Amazon shopping through our link, AmazonIsReal.com Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more at TVOnlineStore
KOP discusses Pop Culture and Media in 2017 and the Corporate Obstacles to Come in 2018 in the world of Movies, TV, Music and Radio. In the inaugural episode of Creative Not Corporate, KingOfPodcasts talks about the state of the Movie Box Office in decline, TV habits continuing to change to on-demand and music streaming continuing to climb. We look at how radio and TV is trying to stay relevant in obeyance of the corporate suits in the ongoing evolution of consumers becoming on-demand and consuming more on their own time. Please support the Creative Not Corporate Pop Culture and Media Podcast by: Doing your Amazon shopping through our link, AmazonIsReal.com Shop Thousands of Officially Licensed TV and Movie Costumes, Shirts, and more at TVOnlineStore