Brief & Abstract: Recent Episodes

Juliana

Poetry, prose, and ramblings from a poor player Support this podcast: https://anchor.fm/briefandabstract/support

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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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A little bit of bonus content in honor of Shakespeare's birthday.


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The Poem


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The poem


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https://www.best-poems.net/mary_oliver/the_moths.html


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https://www.poetryfoundation.org/poetrymagazine/poems/58641/respiration


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Jabberwocky By Lewis Carroll

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe:

All mimsy were the borogoves,

And the mome raths outgrabe.

“Beware the Jabberwock, my son!

The jaws that bite, the claws that catch!

Beware the Jubjub bird, and shun

The frumious Bandersnatch!”

He took his vorpal sword in hand;

Long time the manxome foe he sought—

So rested he by the Tumtum tree

And stood awhile in thought.

And, as in uffish thought he stood,

The Jabberwock, with eyes of flame,

Came whiffling through the tulgey wood,

And burbled as it came!

One, two! One, two! And through and through

The vorpal blade went snicker-snack!

He left it dead, and with its head

He went galumphing back.

“And hast thou slain the Jabberwock?

Come to my arms, my beamish boy!

O frabjous day! Callooh! Callay!”

He chortled in his joy.

’Twas brillig, and the slithy toves

Did gyre and gimble in the wabe:

All mimsy were the borogoves,

And the mome raths outgrabe


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Little Exercise By Elizabeth Bishop

for Thomas Edwards Wanning

Think of the storm roaming the sky uneasily

like a dog looking for a place to sleep in,

listen to it growling.

Think how they must look now, the mangrove keys

lying out there unresponsive to the lightning

in dark, coarse-fibred families,

where occasionally a heron may undo his head,

shake up his feathers, make an uncertain comment

when the surrounding water shines.

Think of the boulevard and the little palm trees

all stuck in rows, suddenly revealed

as fistfuls of limp fish-skeletons.

It is raining there. The boulevard

and its broken sidewalks with weeds in every crack

are relieved to be wet, the sea to be freshened.

Now the storm goes away again in a series

of small, badly lit battle-scenes,

each in "Another part of the field."

Think of someone sleeping in the bottom of a row-boat

tied to a mangrove root or the pile of a bridge;

think of him as uninjured, barely disturbed.


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O golden-tongued Romance with serene lute!

Fair plumed Syren! Queen of far away!

Leave melodizing on this wintry day,

Shut up thine olden pages, and be mute:

Adieu! for once again the fierce dispute,

Betwixt damnation and impassion'd clay

Must I burn through; once more humbly assay

The bitter-sweet of this Shakespearian fruit.

Chief Poet! and ye clouds of Albion,

Begetters of our deep eternal theme,

When through the old oak forest I am gone,

Let me not wander in a barren dream,

But when I am consumed in the fire,

Give me new Phoenix wings to fly at my desire.


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The House of Rest By Julia Ward Howe

I will build a house of rest,

Square the corners every one:

At each angle on his breast

Shall a cherub take the sun;

Rising, risen, sinking, down,

Weaving day’s unequal crown.

In the chambers, light as air,

Shall responsive footsteps fall:

Brother, sister, art thou there?

Hush! we need not jar nor call;

Need not turn to seek the face

Shut in rapture’s hiding-place.

Heavy load and mocking care

Shall from back and bosom part;

Thought shall reach the thrill of prayer,

Patience plan the dome of art.

None shall praise or merit claim,

Not a joy be called by name.

With a free, unmeasured tread

Shall we pace the cloisters through:

Rest, enfranchised, like the Dead;

Rest till Love be born anew.

Weary Thought shall take his time,

Free of task-work, loosed from rhyme.

No reproof shall grieve or chill;

Every sin doth stand confest;

None need murmur, ‘This was ill’:

Therefore do they grant us rest;

Contemplation making whole

Every ruin of the soul.

Pictures shall as softly look

As in distance shows delight;

Slowly shall each saintly book

Turn its pages in our sight;

Not the study’s wealth confuse,

Urging zeal to pale abuse.

Children through the windows peep,

Not reproachful, though our own;

Hushed the parent passion deep,

And the household’s eager tone.

One above, divine and true,

Makes us children like to you.

Measured bread shall build us up

At the hospitable board;

In Contentment’s golden cup

Is the guileless liquor poured.

May the beggar pledge the king

In that spirit gathering,

Oh! my house is far away;

Yet it sometimes shuts me in.

Imperfection mars each day

While the perfect works begin.

In the house of labor best

Can I build the house of rest.


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Text of the poem:

['Often rebuked, yet always back returning']

By Emily Brontë

Often rebuked, yet always back returning

To those first feelings that were born with me,

And leaving busy chase of wealth and learning

For idle dreams of things which cannot be:

To-day, I will seek not the shadowy region;

Its unsustaining vastness waxes drear;

Bring the unreal world too strangely near.

I’ll walk, but not in old heroic traces,

And not in paths of high morality,

And not among the half-distinguished faces,

The clouded forms of long-past history.

I’ll walk where my own nature would be leading:

It vexes me to choose another guide:

Where the gray flocks in ferny glens are feeding;

Where the wild wind blows on the mountain side.

What have those lonely mountains worth revealing?

More glory and more grief than I can tell:

The earth that wakes one human heart to feeling

Can centre both the worlds of Heaven and Hell.


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Ms. Sutphen is one of the great poets of the Midwest - incisive, clear-eyed, and brilliant.


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There Are Some Men, by Leonard Cohen


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Sleep by Dorothy Keeley Aldis


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Text of the poem:

We were very tired, we were very merry—

We had gone back and forth all night on the ferry.

It was bare and bright, and smelled like a stable—

But we looked into a fire, we leaned across a table,

We lay on a hill-top underneath the moon;

And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry—

We had gone back and forth all night on the ferry;

And you ate an apple, and I ate a pear,

From a dozen of each we had bought somewhere;

And the sky went wan, and the wind came cold,

And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,

We had gone back and forth all night on the ferry.

We hailed, “Good morrow, mother!” to a shawl-covered head,

And bought a morning paper, which neither of us read;

And she wept, “God bless you!” for the apples and pears,

And we gave her all our money but our subway fares.


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For my first episode, I wanted to read my favorite sonnet from one of my favorite authors. The text of Sonnet 47 reads as follows:

Betwixt mine eye and heart a league is took,

And each doth good turns now unto the other:

When that mine eye is famish’d for a look,

Or heart in love with sighs himself doth smother,

With my love’s picture then my eye doth feast,

And to the painted banquet bids my heart;

Another time mine eye is my heart’s guest,

And in his thoughts of love doth share a part:

So, either by thy picture or my love,

Thy self away, art present still with me;

For thou not farther than my thoughts canst move,

And I am still with them, and they with thee;

Or, if they sleep, thy picture in my sight

Awakes my heart, to heart’s and eyes’ delight.

I think it's appropriate for our day and age, in our time of social distancing. "Love's picture" referred to portraits in Shakespeare's time, but can just as easily refer to pictures on social media or Skype or Zoom calls.


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