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Poetry readings from GoodPoetry. Visit us at www.GoodPoetry.org. Find us on Facebook, Twitter & Instagram @itsGoodPoetry.

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Photograph Info:
George Platt Lynes - This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID cph.3c01955.


The Poem:SongLovely, dark, and lonely one,
Bare your bosom to the sun,
Do not be afraid of light
You who are a child of night.
Open wide your arms to life,
Whirl in the wind of pain and strife,
Face the wall with the dark closed gate,
Beat with bare, brown fists
And wait.

This poem is in the public domain.

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Photograph Info:
George Platt Lynes - This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID cph.3c01955.


The Poem:On QuittingHow much grit do you think you've got?
Can you quit a thing that you like a lot?
You may talk of pluck; it's an easy word,
And where'er you go it is often heard;
But can you tell to a jot or guess
Just how much courage you now possess?

You may stand to trouble and keep your grin,
But have you tackled self-discipline?
Have you ever issued commands to you
To quit the things that you like to do,
And then, when tempted and sorely swayed,
Those rigid orders have you obeyed?

Don't boast of your grit till you've tried it out,
Nor prate to men of your courage stout,
For it's easy enough to retain a grin
In the face of a fight there's a chance to win,
But the sort of grit that is good to own
Is the stuff you need when you're all alone.

How much grit do you think you've got?
Can you turn from joys that you like a lot?
Have you ever tested yourself to know
How far with yourself your will can go?
If you want to know if you have grit,
Just pick out a joy that you like, and quit.

It's bully sport and it's open fight;
It will keep you busy both day and night;
For the toughest kind of a game you'll find
Is to make your body obey your mind.
And you never will know what is meant by grit
Unless there's something you've tried to quit.

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Photograph Info:
George Platt Lynes - This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID cph.3c01955.


The Poem:A Jelly FishVisible, invisible,

A fluctuating charm,

An amber-colored amethyst

Inhabits it; your arm

Approaches, and

It opens and

It closes;

You have meant

To catch it,

And it shrivels;

You abandon

Your intent—

It opens, and it

Closes and you

Reach for it—

The blue

Surrounding it

Grows cloudy, and

It floats away

From you.

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Photograph Info:
From the United States Library of Congress's Prints and Photographs division under the digital ID cph.3a40394. .


The Poem:A Hymn to the EveningSoon as the sun forsook the eastern main

The pealing thunder shook the heav'nly plain;

Majestic grandeur! From the zephyr's wing,

Exhales the incense of the blooming spring.

Soft purl the streams, the birds renew their notes,

And through the air their mingled music floats.

Through all the heav'ns what beauteous dies are spread!

But the west glories in the deepest red:

So may our breasts with ev'ry virtue glow,

The living temples of our God below!

Fill'd with the praise of him who gives the light,

And draws the sable curtains of the night,

Let placid slumbers sooth each weary mind,

At morn to wake more heav'nly, more refin'd;

So shall the labours of the day begin

More pure, more guarded from the snares of sin.

Night's leaden sceptre seals my drowsy eyes,

Then cease, my song, till fair Aurora rise.

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Photograph Info:
From the United States Library of Congress's Prints and Photographs division under the digital ID cph.3a40394. .


The Poem:A Hymn to the MorningATTEND my lays, ye ever honour'd nine,

Assist my labours, and my strains refine;

In smoothest numbers pour the notes along,

For bright Aurora now demands my song.

Aurora hail, and all the thousand dies,

Which deck thy progress through the vaulted skies:

The morn awakes, and wide extends her rays,

On ev'ry leaf the gentle zephyr plays;

Harmonious lays the feather'd race resume,

Dart the bright eye, and shake the painted plume.

Ye shady groves, your verdant gloom display

To shield your poet from the burning day:

Calliope awake the sacred lyre,

While thy fair sisters fan the pleasing fire:

The bow'rs, the gales, the variegated skies

In all their pleasures in my bosom rise.

See in the east th' illustrious king of day!

His rising radiance drives the shades away--

But Oh! I feel his fervid beams too strong,

And scarce begun, concludes th' abortive song.

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Photograph Info:
Edna St. Vincent Millay, photographed by Carl Van Vechten, 1933


The Poem:And if I loved you Wednesday,

Well, what is that to you?

I do not love you Thursday—

So much is true.

And why you come complaining

Is more than I can see.

I loved you Wednesday,—yes—but what

Is that to me?

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Photograph Info:
Edna St. Vincent Millay in Mamaroneck, NY, 1914, by Arnold Genthe.


The Poem:TravelThe railroad track is miles away,

And the day is loud with voices speaking,

Yet there isn't a train goes by all day

But I hear its whistle shrieking.

All night there isn't a train goes by,

Though the night is still for sleep and dreaming,

But I see its cinders red on the sky,

And hear its engine steaming.

My heart is warm with the friends I make,

And better friends I'll not be knowing;

Yet there isn't a train I wouldn't take,

No matter where it's going.

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Photograph Info:
Edna St. Vincent Millay passport photograph


The Poem:I'll keep a little tavern
Below the high hill's crest,
Wherein all grey-eyed people
May set them down and rest.

There shall be plates a-plenty,
And mugs to melt the chill
Of all the grey-eyed people
Who happen up the hill.

There sound will sleep the traveller,
And dream his journey's end,
But I will rouse at midnight
The falling fire to tend.

Aye, 'tis a curious fancy—
But all the good I know
Was taught me out of two grey eyes
A long time ago.

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Photograph Info:
Edna St. Vincent Millay in Mamaroneck,[3] NY, 1914, by Arnold Genthe.


The Poem:I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one.

I will look at cliffs and clouds
With quiet eyes,
Watch the wind bow down the grass,
And the grass rise.

And when lights begin to show
Up from the town,
I will mark which must be mine,
And then start down!

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Photograph Info:
Edna St. Vincent Millay, photographed by Carl Van Vechten, 1933


The Poem:The Unexplorer

There was a road ran past our house
Too lovely to explore.
I asked my mother once—she said
That if you followed where it led
It brought you to the milk-man’s door.
(That’s why I have not traveled more.)

“The Unexplorer” was published in A Few Figs From Thistles (Harper & Brothers, 1922). This poem is in the public domain.

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Photograph Info:
Langston Hughes in 1936 by Carl Van Vechten


The Poem:The Negro Speaks of Rivers
(To W.E.B. DuBois)

I’ve known rivers:
I’ve known rivers ancient as the world and older than the flow
of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln went
down to New Orleans, and I’ve seen its muddy bosom
turn all golden in the sunset.

I’ve known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

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Photograph Info:
Portrait of American writer and activist Langston Hughes in 1943 (US Library of Congress Archives)


The Poem:

Kids Who Die

This is for the kids who die,
Black and white,
For kids will die certainly.
The old and rich will live on awhile,
As Always,
Eating blood and gold,
Letting kids die.

Kids will die in the swamps of Mississippi
Organizing sharecroppers
Kids will die in the streets of Chicago
Organizing workers
Kids will die in the orange groves of California
Telling others to get together
Whites and Filipinos,
Negroes and Mexicans,
All kinds of kids will die
Who don’t believe in lies, and bribes, and contentment
And a lousy peace.

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Photograph Info:
Portrait of American writer and activist Langston Hughes in 1943 (US Library of Congress Archives)


The Poem:

"Harlem"

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?

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EPISODE DESCRIPTION

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Photograph Info:
Portrait of American writer and activist Langston Hughes in 1943 (US Library of Congress Archives)


The Poem:

"Dreams"

Hold fast to dreams
 For if dreams die
 Life is a broken-winged bird
 That cannot fly.

Hold fast to dreams
 For when dreams go
 Life is a barren field
 Frozen with snow.

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Photograph Info:
Langston Hughes in 1936 by Carl Van Vechten


The Poem:

American Heartbreak

I am the American heartbreak—
Rock on which Freedom
Stumps its toe—
The great mistake
That Jamestown
Made long ago.

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"My People" by Langston Hughes

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Photograph Info:
Langston Hughes in 1936 by Carl Van Vechten


The Poem:
My People

The night is beautiful,

So the faces of my people.

The stars are beautiful,
So the eyes of my people.

Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.

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When Sue Wears Red

When Susanna Jones wears red
Her face is like an ancient cameo
Turned brown by the ages.

Come with a blast of trumpets,
Jesus!

When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.

Blow trumpets, Jesus!

And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like pain.

Sweet silver trumpets,
Jesus!

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"Theme for English B" by Langston Hughes

The instructor said,

Go home and write
a page tonight.
And let that page come out of you—
Then, it will be true.

I wonder if it’s that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:

It’s not easy to know what is true for you or me
at twenty-two, my age. But I guess I’m what
I feel and see and hear, Harlem, I hear you:
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records—Bessie, bop, or Bach.
I guess being colored doesn’t make me not like
the same things other folks like who are other races.
So will my page be colored that I write?

Being me, it will not be white.
But it will be
a part of you, instructor.
You are white—
yet a part of me, as I am a part of you.
That’s American.
Sometimes perhaps you don’t want to be a part of me.
Nor do I often want to be a part of you.
But we are, that’s true!
As I learn from you,
I guess you learn from me—
although you’re older—and white—
and somewhat more free.

This is my page for English B.

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GoodPoetry​ presents an excerpt from Phillis Wheatley's poem, entitled "To the Right Honourable William, Earl of Dartmouth". This poem was published in Phillis Wheatley's poetry book, entitled, "Poems on Various Subjects, Religious and Moral" in 1773. This poem is in the public domain.


This colored illustration of Phillis Wheatley is in the public domain.

Here is the text for the excerpt of Phillis Wheatley's poem, entitled, "To the Right Honourable William, Earl of Dartmouth":

Should you, my lord, while you peruse my song,
Wonder from whence my love of Freedom sprung,
Whence flow these wishes for the common good,
By feeling hearts alone best understood,
I, young in life, by seeming cruel fate
Was snatch'd from Afric's fancy'd happy seat:
What pangs excruciating must molest,
What sorrows labour in my parent's breast?
Steel'd was that soul and by no misery mov'd
That from a father seiz'd his babe belov'd:
Such, such my case. And can I then but pray
Others may never feel tyrannic sway?


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Ars Poetica
BY ARCHIBALD MACLEISH
A poem should be palpable and mute
As a globed fruit,

Dumb
As old medallions to the thumb,

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown—

A poem should be wordless
As the flight of birds.

A poem should be motionless in time
As the moon climbs,

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,
Memory by memory the mind—

A poem should be motionless in time
As the moon climbs.

A poem should be equal to:
Not true.

For all the history of grief
An empty doorway and a maple leaf.

For love
The leaning grasses and two lights above the sea—

A poem should not mean
But be.

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One’s-Self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.

Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far,
The Female equally with the Male I sing.

Of Life immense in passion, pulse, and power,
Cheerful, for freest action form’d under the laws divine,
The Modern Man I sing.


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There is no Frigate like a Book
To take us Lands away
Nor any Coursers like a Page
Of prancing Poetry –
This Traverse may the poorest take
Without oppress of Toll –
How frugal is the Chariot
That bears the Human Soul –

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"When I Was One-and-Twenty"
BY A. E. HOUSMAN

When I was one-and-twenty
I heard a wise man say,
“Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free.”
But I was one-and-twenty,
No use to talk to me.

When I was one-and-twenty
I heard him say again,
“The heart out of the bosom
Was never given in vain;
’Tis paid with sighs a plenty
And sold for endless rue.”
And I am two-and-twenty,
And oh, ’tis true, ’tis true.

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Even such is time, that takes in trust
Our youth, our joys, our all we have,
And pays us but with age and dust;
Who, in the dark and silent grave,
When we have wandered all our ways,
Shuts up the story of our days.
But from this earth, this grave, this dust,
My God shall raise me up, I trust.

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Ah , yes! I wrote the " Purple Cow" —
I'm Sorry, now, I Wrote it!
But I can Tell you, Anyhow,
I'll Kill you if you Quote it!


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----------------------------------------"I saw a man pursuing the horizon"
BY STEPHEN CRANE
I saw a man pursuing the horizon;
Round and round they sped.
I was disturbed at this;
I accosted the man.
“It is futile,” I said,
“You can never —”

“You lie,” he cried,
And ran on.

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Listen to more GoodPoetry at www.GoodPoetry.org, iTunes, Stitcher and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter. -------------------------------------- "Evolution" by John Banister Tabb

Out of the dusk a shadow,
Then, a spark;
Out of the cloud a silence,
Then, a lark;
Out of the heart a rapture,
Then, a pain;
Out of the dead, cold ashes,
Life again.

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"A Learned Man Came to Me Once" by Stephen Crane

A learned man came to me once.
He said, "I know the way, -- come."
And I was overjoyed at this.
Together we hastened.
Soon, too soon, were we
Where my eyes were useless,
And I knew not the ways of my feet.
I clung to the hand of my friend;
But at last he cried, "I am lost."

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I know I’m not that pretty,
But I have a smile that glows.

I may not be that pretty,
But I know more than you’ll ever know.

I may have chubby face:
But I can warm you with my grace

And I may have height as coal,
But I have heart that always grows.

So, maybe will come the day when I have perfect cheek bones.

But, until that day comes,
I’ll be pretty in my soul.

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“The Elephant” by Hilaire Billoc
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When people call this beast to mind,
They marvel more and more
At such a little tail behind,
So large a trunk before.

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The world has held great Heroes,
As history-books have showed;
But never a name to go down to fame
Compared with that of Toad
The clever men at Oxford
Know all that there is to be knowed.
But they none of them knew one half as much
As intelligent Mr Toad!
The animals sat in the Ark and cried,
Their tears in torrents flowed.
Who was it said, “There’s land ahead?”
Encouraging Mr Toad!
The Army all saluted
As they marched along the road.
Was it the King? Or Kitchener?
No. It was Mr Toad!
The Queen and her Ladies-in-waiting
Sat at the window and sewed.
She cried, “Look! who’s that handsome man?”
They answered, “Mr Toad.”

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"The Harlem Dancer:
by Claude McKay

Applauding youths laughed with young prostitutes
And watched her perfect, half-clothed body sway;
Her voice was like the sound of blended flutes
Blown by black players upon a picnic day.
She sang and danced on gracefully and calm,
The light gauze hanging loose about her form;
To me she seemed a proudly-swaying palm
Grown lovelier for passing through a storm.
Upon her swarthy neck black shiny curls
Luxuriant fell; and tossing coins in praise,
The wine-flushed, bold-eyed boys, and even the girls,
Devoured her shape with eager, passionate gaze;
But looking at her falsely-smiling face,
I knew her self was not in that strange place.

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"I was born upon thy bank, river"
by Henry David Thoreau

I was born upon thy bank, river,
My blood flows in thy stream,
And thou meanderest forever
At the bottom of my dream.

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"Do You Know What It's Like to Be Free?"
by Teyuna T. Darris

Do you know what it’s like
To be free?
Like when you whirl your arms around In the gold-yellow sun And fling your legs in the air?
Not caring what anyone say Just a smile in your heart And on your chin.

I know what it’s like
See, I whirl my heart
On a golden string:
Three-chorded and whirlin’ to the sun. Three-quarters turning.

I rode away in my heart.

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"Answer to a Child's Question" by Samuel Taylor Coleridge

Do you ask what the birds say? The Sparrow, the Dove,
The Linnet and Thrush say, “I love and I love!”
In the winter they’re silent—the wind is so strong;
What it says, I don’t know, but it sings a loud song.
But green leaves, and blossoms, and sunny warm weather,
And singing, and loving—all come back together.
But the Lark is so brimful of gladness and love,
The green fields below him, the blue sky above,
That he sings, and he sings; and for ever sings he—
“I love my Love, and my Love loves me!”

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"A Poem" by Teyuna Trynea Darris

A poem does not have to rhyme It simply shares a record of a tale about some interesting/practical event that all humans share.

A poem is a dream of the pictures we live (daily) of the stories we see, hear, taste, touch--- smell.

A poem is a reflection of the people, of the dream, of the vision, of the fight, of the struggle, of the hurts and sorrows
and freedoms and captivities and triumphant victories and defeat and loss and hopes. A poem is a story of a genre of an outlet,
of a means to share

of an outstrecthed hand of a friend who is seeking of a man who is weeping.

A poem is…
A poem is…

A song
A dance
A folding of the hands

An observation
A cry
An inclination---
A try
And celebration.

A poem is a poem.

Teyuna T. Darris
January 23rd, 2009

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"Invictus" by William Ernest Henley

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

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"The New Colossus"
BY EMMA LAZARUS

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

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""The Arrow and the Song" by Henry Wadsworth Longfellow"

I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.

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“GoodPoetry”

What are the prerequisites For good poetry? Is it the layout on the page
Or, a pretty word to calm fears
Or, to stir emotion
Or, to put you in-between?

Does good poetry sound good?
Are its iambs and pentameters in perfect mode? (or, is it form?) Is it a sonnet or a villanelle?
Does it rhyme or unrhyme,
And can it have the rhythm, And not have the rhyme?

Is it sexy, seductive, sassy, and sweet?
Or, is it conserve-ed, passive, humble and bleak?

Don’t ask me to define a good poem

For all the world
could not contain its potential

And no author, nor critic could pen, or contend its true definition.

What is good poetry?

Let the poem decide.

Written @ 8:56pm on 08/30/2011 by Teyuna T. Darris

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We’ll Go No More A-Roving by Lord Byron

So We'll Go No More a Roving
BY LORD BYRON (GEORGE GORDON)
So, we'll go no more a roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.

For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.

Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a roving
By the light of the moon.

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"My Poetical Side"
by Teyuna T. Darris

I just thought I'd unleash
My poetical side.
'Cause in everyday life,
I live to hide.
Need something of freedom:
From time to time
Need something of feeling:
To kiss my prime,
To hush my cries
To love my eyes.

I just thought I'd show
My virgin side:
All kids and maude---
The unaduletered tide.
See, I don't tend to fancy things:
Just those crystal, cloudless,
Truthly things.

But, since this long time,
I thought I'd hush my mawky,
Ad stick to truth:
Not fraud and lofty.

See feelings of rue
And silent ado.
This time, I'll refine:
My poetical side.

by Teyuna Trynea Darris
from "Stuff I Wrote from My Heart"

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"Let America Be America Again" by Langston Hughes

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home—
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay—
Except the dream that’s almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!
From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes.

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"The Red Wheelbarrow" by William Carlos Williams; Read by Teyuna Darris

Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.

"The Red Wheelbarrow" by William Carlos Williams;
so much depends

upon

a red wheel

barrow

glazed with rain

water

beside the white

chickens

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"Fog"
BY CARL SANDBURG
The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

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"If-ing"

If I had some small change
I’d buy me a mule,
Get on that mule and
Ride like a fool.

If I had some greenbacks
I’d buy me a Packard,
Fill it up with gas and
Drive that baby backward.

If I had a million
I’d get me a plane
And everybody in America’d
Think I was insane.

But I ain’t got a million,
Fact is, ain’t got a dime —
So just by if-ing
I have a good time!

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"Fog"
BY CARL SANDBURG
The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

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Listen to more GoodPoetry at www.GoodPoetry.org. "Snail"
Written by Langston Hughes
Read by Teyuna T. Darris

Little snail,
Dreaming you go.
Weather and rose
Is all you know.
Weather and rose
Is all you see,
Drinking
The dewdrop’s
Mystery.

Langston Hughes
From Collected Poems. Copyright ©1994 by The Estate
of Langston Hughes.

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Listen to "Dream Dust" by Langston Hughes, read by Teyuna T. Darris.

Watch "Dream Dust" by Langston Hughes--- www.youtube.com/watch?v=CnwOES3ZC9U

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Listen to Phillis Wheatley's poem, entitled, "On Being Brought from Africa to America" read by Teyuna T. Darris. More at www.GoodPoetry.org.

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Audio recording of Teyuna T. Darris reading "I Hear America Singing" by Walt Whitman.

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No matter what we are and who,
Some duties everyone must do:
A poet puts aside his wreath
To wash his face and brush his teeth,
And even Earls
Must comb their curls,
And even Kings
Have underthings.

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He had his dream, and all through life,
Worked up to it through toil and strife.
Afloat fore'er before his eyes,
It colored for him all his skies:
The storm-cloud dark
Above his bark,
The calm and listless vault of blue
Took on its hopeful hue,
It tinctured every passing beam -
He had his dream.

He labored hard and failed at last,
His sails too weak to bear the blast,
The raging tempests tore away
And sent his beating bark astray.
But what cared he
For wind or sea!
He said, 'The tempest will be short,
My bark will come to port.'
He saw through every cloud a gleam -
He had his dream.

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This is a poetry reading from GoodPoetry.org. Today, "I had no time to hate, because" by Emily Dickinson is presented. Narrated by Teyuna T. Darris.