Ozark Highlands Radio: Recent Episodes
Ozark Folk Center State Park
Ozark Highlands Radio is a weekly radio program that features live music and interviews, recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners on a musical journey with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
producing a jangle-stomp time-machine to vessel their most bizarre implements and soundscapes. In it, they have embarked on a journey exploring hillbilly music from a distant future. Hop on in, y'all. It’s only weird the first time.Where does the name come from? What is the Spooklight? The Spooklight (also called the Hornet Spooklight, Hollis Light and Joplin Spooklight) is a paranormal light enigma near Route 66 southwest of Joplin, MO along a farm road called E 50, colloquially known as ‘Spooklight Road.’” - https://stompgrass.com/the-spooklights In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1974 archival recording of the legendary songwriter and Ozark original, Jimmy Driftwood, performing one of his more unusual songs, “The Lonesome Ape,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” author, professor and historian Dr. Brooks Blevins discusses some notable early song collectors in Springfield, Missouri.
dance, handcrafted art, fine Southern cuisine, and old-fashioned fun. The festival includes live shows on Friday and Saturday featuring acclaimed bands from the Ozarks and beyond.The Stones River Reelers are a Tennessee based traditional oldtime quartet. Self described as “Hardcore traditional music from the heart of the Volunteer State,” they are Andrew Larson on guitar, Michal Klug on fiddle, Seth Shumate playing harmonica, and Aaron Stephens on banjo. The Reelers recreate not only the sound but also the feel and flair of early American “hillbilly” dance music of the 78 speed records era. Why do they do it? According to their website: “Like all the great old-timers, we play this venerated music to avoid hard labor.” - https://stonesriverreelers.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1974 archival recording of original OHR host and clawhammer banjo Jedi Mark Jones along with Lynn Young, performing the traditional song “John Henry,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the exact location of the Ozark region. Where the Ozarks are and where they’re not.
dance, handcrafted art, fine Southern cuisine, and old-fashioned fun. The festival includes live shows on Friday and Saturday featuring acclaimed bands from the Ozarks and beyond.“Fiddling Earl White has been a mainstay in the old-time, folk and dance community for more than 45 years. An original and founding member of the famed Green Grass Cloggers, he is one of few Black Americans preserving and playing Appalachian old time string band music, which was an intricate part of Black communities and formed the foundation of American music of today. Earl is well known for his extensive repertoire of tunes, and his heartfelt, compact, driving style. He has played in numerous old time string bands, and he currently leads the Earl White String Band, featuring Victor Furtado (banjo), Jim Nelson (guitar), and Dido Norris (bass). White runs the Big Indian Farm Artisan Bakery with his wife in rural Virginia. He also teaches private lessons, hosts jams and (when we’re lucky) comes down to Raleigh to play a PineCone Square Dance.” - https://pinecone.org/artists/earl-white/ In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1974 archival recording of legendary balladeer Aunt Ollie Gilbert, performing the traditional song “A Rock in the Weary Land,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles Ollie Gilbert’s husband, folk singer Oscar Gilbert.
Bruce Molsky. Tony Trischka was born in Syracuse, NY and raised in a home filled with music. There were broadway scores and a sweeping range of classical music, from Stravinsky to Beethoven. The wide-open American vistas of Aaron Copland had an especially potent spiritual and visceral impact on him, as did the folk music his left-leaning father held dear. The Almanac Singers, the solo work of its founding members Woody Guthrie and Pete Seeger, and Lead Belly’s children’s lp were in constant rotation. Trischka fell in love with the banjo by way of the Kingston Trio’s 1959 recording of “M.T.A.,” and was able to experience the New York-centered folk revival by trekking to the Newport Folk Festival in the early to mid-’60s. He moved to the city in the early ’70s and hit the ground running, settling in among a peer group of extraordinary musicians who saw American roots music as a thriving, living language that could be expanded and combined with other influences and sensibilities. - https://www.tonytrischka.com/bio Grammy-nominated, described as “an absolute master” (No Depression), Bruce Molsky transports audiences to another time and place, with his authentic and personal interpretations of rarities from the Southern Appalachian songbook and other musical traditions from around the globe. Best known for his work on the fiddle, Bruce’s banjo, guitar and his distinctive, powerful vocals also resonate with listeners. His combination of technical virtuosity and relaxed conversational wit makes a concert hall feel like an intimate front porch gathering. Bruce's take on tradition has landed him in collaborations with some of the world's most highly respected players from roots to rock. https://brucemolsky.com/bioIn this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1985 archival recording of a notable contest fiddler from the past, Alison Krauss, performing the traditional tune “Gardenia Waltz,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the etymology of the name Ozark.
Alisa Jones and Cathy Barton-Para, performing the traditional tune “Bill Cheatham,” from the Ozark Folk Center State Park archives. Also, a vintage joke told by Grandpa.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the surprisingly varied heritage of the Ozarks.
stories.John Prine was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020. John was connected to Mountain View, Arkansas through his love of fishing and Jack’s Resort on the beautiful White River. John visited Mountain View regularly since his childhood and made many friends in the area. In fact, according to John, his first public performance as a teenager was for fellow patrons at Jack’s White River Resort.https://www.johnprine.com/about Jason Wilber - “I was 26 when I started playing guitar with John Prine. During the summer Time Traveler was recorded, I turned 50. I had been playing with John essentially my entire adult life,” Wilber says. “John and his wife Fiona, their boys, the band and crew, they’re like family to me. I love them all, and I loved working with them. It was a special gift to stand beside John all those years and watch what happened between him and an audience. I can’t deconstruct it for you, or explain exactly why it was so brilliant. But I can tell you that something amazing was happening. There’s something about John’s music and his performance of it that touches people deeply. It’s very special, and it was a pleasure and a joy to get to be a part of it for so long.” - https://jasonwilber.com/jason_wilber_bio/ Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice’s Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis’ legendary Beale Street with many of music’s most talented songwriters. He would join Jimmy Buffett’s Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1979 archival recording of David Prine, John’s brother, performing the classic Carter Family song “Hello Stranger,” from the Ozark Folk Center State Park archives.
Kay Thomas on mountain dulcimers performing the classic hymn “Amazing Grace,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins recounts the story of Mountain View, Arkansas’ infamous 1929 Connie Franklin murder trial from his book “Ghost of the Ozarks.”
Friends featuring Tim Crouch; Carolyn Carter; The Parker Unit; and Five South.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins explores the storied history of early gospel music publishing in the Ozark and Quachita Mountains. This episode focuses on legendary gospel music composer and publisher Eugene Monroe Bartlett and his Arkansas based Hartford Music Company. Featured is an Ozark Folk Center archival recording of Fredona Currie performing Bartlett’s most famous hymn, “Victory in Jesus.”
Samuel Cobb; The Paul Brock Band.In this week’s “From the Vault” segment, we revisit legendary educator, country music legacy, and the original keeper of the vault, Mark Jones, offering a 1979 archival recording of David Prine, the brother of John Prine, performing the song “Southern Railroad Blues” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins explores the history of bears in the Ozarks.
in the campgrounds, have even been invited to perform at the festival.Rick Faris is a Kansas Music Hall of Fame Member who was recently awarded the “Songwriter of the Year” at the 2024 International Bluegrass Music Association Awards making him an 8-time IBMA Award winner. In addition Rick won the coveted “New Artist of the Year” in 2022. Faris also spent 11 years with Special Consensus while the band earned two GRAMMY nominations before embarking on his chart topping solo career. The Rick Faris Band, is an International touring Bluegrass outfit playing in the US, Mainland Europe, the British Isles and Canada. They bring sibling harmony and comedic relief with brother JimBob Faris on bass and a youthful snap to their original brand of music with a couple of bluegrass thoroughbreds, Henry Burgess (who grew up with fiddle legend Byron Berline) and Gibson Davis (who is a third generation bluegrass musician following father Chris Davis and his Grandfather Danny Davis). Rick recently moved to Owensboro, Kentucky the Bluegrass Music Capital and has opened his Faris Guitar Co. - https://rickfaris.com/press-kit In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1988 archival recording of gospel music legends The Chuck Wagon Gang performing the 1934 J.R. Baxter song “After the Sunrise,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins explores the storied history of early gospel music publishing in the Ozark and Quachita Mountains.
Mary Gillihan performing the traditional song “Banks of the Ohio,” from the Ozark Folk Center State Park archives.Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the White River Line railroad of the Ozarks, featuring interviews with George Lankford, professor emeritus at Lyon College in Batesville.
This week, world renowned country music recording artist Suzy Bogguss recorded live at the Ozark Folk Center State Park. Also, interviews with Suzy. Best known for her country music hits in the 80’s and 90’s, Suzy Bogguss is an old time musician and fan at heart. Her 2011 release American Folk Songbook testified to this, and featured her versions of “Shenandoah, Banks of the Ohio, and Rock Island Line” among others. Now enjoying her “post stardom” career, and taking things at a decidedly and much welcomed slower pace, we caught up with Suzy for a feature performance at the Ozark Folk Center State Park. And yes, there are a few of her hits from the 80’s and 90’s in for good measure.In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Onus Morrison demonstrating the traditional dance fiddle technique of playing with “fiddle sticks,” from the Ozark Folk Center State Park archives.From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the first of three episodes on Ozark regional ballads. This episode features a recording of “The Boy That Burned in the Berryville Jail,” also called “Floyd Eddings,” sung by Ed Alford of Delmar, Arkansas on January 3, 1960. The recording was made by University of Arkansas folklorist Mary Parler, and is preserved in the University of Arkansas Ozark Folk Collection.
She fell in love with the sound of banjo in college, moved to the mountains, and learned with master musicians in Kentucky, Virginia, and North Carolina, becoming a blue-ribbon fiddler and banjo player (WV State Folk Fest, Kentucky Fiddle Contest.) She was a fellow at the Berea College Archive, a 2014 OneBeat fellow (Bang on a Can's Found Sound Nation,) artistic director of Kentucky’s traditional music institute, the Cowan Creek Mountain Music School, and curator of Baltimore's Crankie Festival. She has recently delved into new musical worlds, including recent work with composers Brian Harnetty, Nate May and Cleek Schrey, Matmos, David Rothenberg, Susan Alcorn, and saxophonist Jarrett Gilgore. She has contributed writing to No Depression and The Old Time Herald.In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy’s Dream,” from the Ozark Folk Center State Park archives.Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on world renowned cowboy poet, balladeer, and story teller Glenn Orhlin.
This week, old time early radio days throwback quartet Bill and the Belles recorded live at the Ozark Folk Center State Park. Also, interviews with these novel retro performers. What began as a project to explore the space created between hillbilly and urban, between vaudeville and down home, has arrived somewhere entirely new. Bill and the Belles offers a contemporary reimagining of a bygone era, a vocal-centric performance that breathes new life into the sounds of early country music. At the foothills of the Blue Ridge and the forefront of old-time music, Bill and the Belles continue to further the music traditions of their region. From sentimental Southern ballads to the popular songs of Tin Pan Alley to regional fiddle breakdowns, a Bill and the Belles show is a celebration of the diversity country music once represented.Bill and the Belles play alongside America’s top country and roots music artists as the house band for the historic radio program Farm and Fun Time presented by Radio Bristol and the Birthplace of Country Music. Lifelong musicians Kris Truelsen, Grace Van’t Hof, Kalia Yeagle, and Karl Zerfas bring to the stage an uplifting show unlike any other, full of humor, high spirits, and all-around revelry. It’s clear this group shares a rare musical connection and deep love for the music, and their excitement is contagious.In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Aubrey Richardson performing the traditional song “Bunker Hill,” from the Ozark Folk Center State Park archives.
television legend and Country Music Hall of Fame member Grandpa Jones with his wife, Grand Old Opry star Ramona and family recorded live at the Ozark Folk Center State Park. Also, interviews and a live performance from the Jones Family. Aubrey Atwater presents “The Mother of Folk Music” Jean Ritchie, and Mark Jones offers an archival recording of Ozark original, Jim Bullard.Grandpa Jones was a performer during the golden age of radio, and later found success as a cast member on the syndicated television program, “Hee Haw.” After years of living near Nashville, TN, Grandpa moved to Mountain View, Arkansas in the early 1980’s. Along with his wife Ramona, they ran the Grandpa Jones Dinner Theater. The theater employed many musicians, many of whom are still around the Ozarks today including their son Mark and guitarist Danny Dozier. We’ll dig deep into the archives this week for a set of music, featuring some of Grandpa’s finest performances at Ozark Folk Center State Park.“The Jones Family Band” features a cast of all-star musicians, including Alisa and Mark Jones. This performance from the Jones Family Band was the last one recorded at the Ozark Folk Center State Park before Ramona passed in late 2015.Renowned folk musician Aubrey Atwater profiles influential folk music icons Jean Ritchie and the Ritchie Family, as well as explores the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on Jean Ritchie as a songwriter, and features Jean’s performance of her original song “Black Water.”Mark Jones' “From the Vault” segment features a rare recording of Ozark original Jim Bullard, performing the traditional song “Glory Land,” from the Ozark Folk Center State Park archives.
Ruthie Haney performing the classic A.P. Carter song “You are my Flower,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the final episode of his series recounting the history of the ill-fated Ozarkland Jamboree, a 1960’s country music variety show based in Horseshoe Bend, Arkansas that never made it on the air.
in the campgrounds, have even been invited to perform at the festival.The Special Consensus, celebrating its 50th anniversary in 2025, is a bluegrass band that has achieved a contemporary sound with traditional roots in five decades of performing. Band leader and founder Greg Cahill is a recipient of the prestigious Distinguished Achievement Award from the International Bluegrass Music Association (IBMA) and was inducted into the Society for the Preservation of Bluegrass Music in America (SPBGMA) Hall of Greats. Special Consensus has released 21 band recordings and received seven awards from the IBMA and two Grammy nominations. The band’s sound is grounded in a deep appreciation and understanding of bluegrass music, incorporating both the drive and harmonies of the traditional sound with the more contemporary sounds and repertoire of today. With the foundation of Greg’s unique banjo playing style and the vocal prowess of the 2023 IBMA Male Vocalist of the Year Greg Blake (guitar), Dan Eubanks (bass) and Brian McCarty (mandolin), these musicians effortlessly support each other and consistently maintain their bluegrass center whether they’re playing a jazz-tinged instrumental or a song from any of their award-winning recordings. These four talented vocalists and instrumentalists follow their creative desires without straying too far from their roots.https://www.specialc.com/biography In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1991 archival recording of Ozark original Randall Hylton performing his original song “Over the Counter Drugs,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents part two of his series recounting the history of the ill-fated Ozarkland Jamboree, a 1960’s country music variety show based in Horseshoe Bend, Arkansas that never made it on the air.
This week, a special road trip episode featuring up and coming high energy traditional Irish trio Socks in the Frying Pan recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from world famous singer-songwriter and folk music icon John McCutcheon.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.Socks in the Frying Pan, a multi-award-winning trio from Ennis, County Clare, Ireland—the Mecca of Irish traditional music—was formed in 2014. Forged together by a fire of pure joy and passion for their art, the band comprises Aodan Coyne on guitar and lead vocals, Shane Hayes on accordion, and younger brother Fiachra Hayes on fiddle. Their ‘Socks Sound’ combines virtuosic musicianship with a burning passion for the music and tradition, pitch-perfect harmonies and a big splash of quick wit and banter. Their electrifying performances and on-stage charm have established them as kingpins on the Irish traditional music scene, today. They have toured extensively, capturing hearts in 46 US states, dozens of countries, and every continent, showcasing at renowned festivals such as the Walnut Valley Festival in Kansas, Electric Picnic in Ireland, Tønder Festival in Denmark and the world-famous New Orleans Jazz Festival. To date, Socks in the Frying Pan have released three studio albums, each adding to their list of accolades including ‘Best New Band’, ‘Best Live Band‘, ‘Album of the Year‘, and ‘Best Live Performance of the Year’, Their latest release, Raw & Ríl, recorded live at Glór Theatre, was immediately awarded ‘Best Live Album’. - https://socksinthefryingpan.com/band/ John McCutcheon is an American folk music singer-songwriter and multi-instrumentalist who has produced 45 albums since the 1970s. He is regarded as a master of the hammered dulcimer, and is also proficient on many other instruments including guitar, banjo, autoharp, mountain dulcimer, fiddle, and jaw harp. He has received six Grammy Award nominations. Born and raised in Wisconsin, in his 20s, he travelled to Appalachia and learned from some of the legendary greats of traditional folk music, including Roscoe Holcomb and Tommy Hunter. - https://www.folkmusic.com/ In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Sheryl Irvine performing the traditional Child ballad “Sweet Peggy,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents part one of his series recounting the history of the Ozarkland Jamboree, a 1960’s country music variety show based in Horseshoe Bend, Arkansas that never made it on the air.
This week, a special road trip episode featuring Walnut Valley original Pecan Grove campground jam band Old Sound recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from renowned singer-songwriter and folk music legacy Nathan McEuen. The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.A trio of longtime friends and musical collaborators, Kansas City's Old Sound crafts an original brand of liquid folk music. The well-worn trio travels through song with evocative acoustic compositions, imagery-filled lyrics and beckoning three-part harmonies. The band holds deep roots running back to Winfield, KS where they grew up and cut their teeth in the picking circles and campground stages of the Walnut Valley Festival. Old Sound continues to evolve and bend the possibilities of modern acoustic music with rich, effects-driven live performances, while also creating a unique sound that could just as easily be heard around a campfire. - https://oldsoundmusic.com/Nathan McEuen grew up surrounded by incredible music and talented musicians. By age five he started performing with his father, John McEuen (Nitty Gritty Dirt Band), Nathan soon became a natural showman. With over 40 years of touring, more than 3,000 shows, and appearances on American Idol, The Stagecoach Festival, the Grand Ole Opry, The Tonight Show, Music City Roots, and XM/Sirius Radio, his music has reached audiences around the world. Held in the highest esteem by his musical colleagues, Nathan has shared the stage with an impressive lineup of artists ranging from Bon Jovi to Willie Nelson.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Kenny Sims performing the traditional American Civil War song “Goober Peas,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozark roots for one man’s inspiration that would ultimately result in the founding of the Grand Old Opry.
This week, a special road trip episode featuring up and coming Irish finger style guitar Jedi Shane Hennessy recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from each of the top three 2024 Walnut Valley International finger style guitar champions, Hiroya Tsukamoto, Mikey Bilello, and Stephen Bennett.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.Shane Hennessy is a virtuoso fingerstyle guitarist, singer/songwriter, and composer. With an upbringing in the world of Irish traditional music, Shane has been captivating audiences globally for the past few years, with sell-out solo tours in Europe and North America under his belt, as well as regular appearances at major international music festivals including MerleFest, Walnut Valley Bluegrass Festival, Sound of Europe Festival (Düsseldorf, Germany), and Milwaukee Irish Fest. He has released four albums of original music, and his most recent studio album ‘Rain Dance’ was hailed as “a triumphant reaffirmation of his virtuosity and compositional excellence” by Irish Music Magazine. Shane has collaborated with Tommy Emmanuel, worked with Grammy-winner Bill Whelan (composer of Riverdance), and made his début on the Grand Ole Opry in Nashville, Tennessee in March 2023. A musician from a young age, Shane credits his background in Irish traditional music as the base on which he has built his genre-defying musical explorations. Initially a concertina player, he achieved successes in competitions in Ireland. He then turned to the guitar aged twelve inspired by the music of James Taylor. Becoming more interested in songwriting and in music in general, it was when he discovered the styles of Tommy Emmanuel and Chet Atkins that his interest in solo performance blossomed. Described by legendary guitarist and mentor Tommy Emmanuel as “a brilliant entertainer and an amazing musician who transcends the guitar the same way Muhammed Ali transcended boxing”, Shane has since developed an unmistakably unique voice as a fingerstyle guitarist, blending his native Irish music with elements of jazz, country, blues, funk, classical, soul, world, and hip-hop. With the addition of some smooth vocals and improvisations, it makes sense why music legend super-producer Nile Rodgers (CHIC) remarked that “[Shane’s] style is killer, it’s really cool stuff.”https://www.shanehennessy.ie/bio In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 2015 archival recording of Ozark original guitarists Danny Dozier and Randy Buckner performing the 1924 Isham Jones song “I’ll See You in My Dreams,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins concludes his three part series on the surprisingly violent history of tornadoes in the Ozarks.
This week, a special road trip episode featuring world renowned cowboy singer-songwriter and story teller Dave Stamey recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.Cowboys and Indians Magazine has called him “the Charlie Russell of Western Music.” Western Horseman Magazine has declared his “Vaquero Song” to be one of the greatest Western songs of all time. True West Magazine named him Best Living Western Solo Musician four years in a row. Dave Stamey has been a cowboy, a mule packer, a dude wrangler, and is now one of the most popular Western entertainers working today. He has been voted seven times Entertainer of the Year, seven times Male Performer of the Year and Five times Songwriter of the Year by the Western Music Association and received the Will Rogers Award from the Academy of Western Artists. He’s delighted audiences in twenty-three states and finds that he prefers this to being stomped by angry horses. In November 2016, Dave was inducted into the Western Music Hall of Fame. - https://davestamey.com/ In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1978 archival recording of Ozark original cowboy Glenn Ohrlin performing the song “Tying Knots in the Devils Tail,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins continues his three part series on the surprisingly violent history of tornadoes in the Ozarks.
This week, a special road trip episode featuring Salt Lake City, Utah based progressive bluegrass explorers Pixie and The Partygrass Boys recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a bonus first main stage performance by original Walnut Valley campground jam band Sally & The Hurts.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.Pixie and The Partygrass Boys may be far from their humble beginnings but they still don't take themselves too seriously. What began as a group of ski bums playing house parties in the Cottonwood Canyons of Salt Lake City has evolved into a nationally touring band that always aims to have the most fun possible. The band is Katia "Pixie" Racine on vocals & ukulele, Amanda B. Grapes on fiddle & vocals, Zach Downes on upright bass, Ben Weiss on mandolin & vocals, and Andrew Nelson on guitar & vocals. Pixie and The Partygrass Boys create a uniquely American sound that can turn the room into a ruckus but offers a full variety of other dynamics as well - approaching bluegrass/folk with a classical and jazz background while incorporating elements of broadway and pop-punk. They have captivated audiences across the nation with their unique blend of heartfelt songwriting, high velocity instrumental excellence, silly outfits, and sing-along anthems. Pixie and The Partygrass Boys invite the audience into their world every time they take the stage, hoping to share a piece of the magic they've found on the mountain tops and in the desert canyons of their Utah home. - https://www.pixieandthepartygrassboys.com/bandIn this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark originals Janis Dooley & Pam Sanders performing a cappella the song “No Mortal as Happy as I,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins begins a three part series on the surprisingly violent history of tornadoes in the Ozark region.
This week, a special road trip episode featuring up and coming California based bluegrass phenomenon AJ Lee & Blue Summit recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a bonus performance from IBMA award winning hit maker Chris Jones & The Night Drivers.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound, that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.AJ Lee & Blue Summit are an award-winning energetic, charming, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz, California, the group met as teenagers, picking and jamming together as kids at local music festivals and jams until one day, they decided they would be a band. Their first gigs were local, small venues, cafes, restaurants, coffee shops, where they’d play for multiple hours honing their set list and learning shared musical vocabularies. Now, as they criss-cross the country performing hundreds of shows a year to larger and larger audiences, you can sense the intention they had back then – to make music together not for just aspirational reasons, but because it’s fun – and it’s all you want to do as young musicians. Currently made up of Lee on mandolin, fiddler Jan Purat, and guitarists Scott Gates & Sullivan Tuttle, the band carries that youthful, festival-parking-lot energy with them still today, but at the same time there’s a genuine ease and confidence to their music making. This is not the bluegrass of ambitious musicians intent on industry success, this is music made firstly for the joy of making it and primarily made for each other. https://www.bluesummitmusic.com/about-us-1 Chris Jones & the Night Drivers make some of the most distinctively elegant yet driving bluegrass music heard anywhere today. Deeply rooted in tradition but never bound to it, they deliver original music with tight arrangements, emotional authenticity, and engaging humor. Collectively, Chris Jones & the Night Drivers have won 12 IBMA awards and have racked up 24 #1 songs. In July of 2022, they made their debut on The Grand Ole Opry and were soon asked to return.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark originals Bob Momich & Adam Fudge performing a banjo duet on the tune “Protecting the Innocent,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater dives deep into Aesop’s classic fable about the ant & the grasshopper.
This week, a special road trip episode featuring Celtic-American Roots music “super group” RUNA recorded live at the 2024 Walnut Valley Festival in Winfield Kansas, a four day acoustic music marathon and arts & crafts fair held every September in Winfield, Kansas.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound, that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.Celebrating fourteen years together as a band, Celtic-American Roots music “super group” RUNA continues to push the boundaries of Irish folk music into the Americana and roots music formats. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music. Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation. RUNA consists of vocalist Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, acclaimed drummer Cheryl Prashker (Full Frontal Folk, Jonathan Edwards), fiddler Jake James of New York, and three-time Canadian fiddle champion Tom Fitzgerald, who also plays mandolin. - https://runamusic.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original Mike McGhee performing the Classic Child ballad “Barbara Allen,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater profiles the legendary Ozark song catcher, Mary Celestia Parler.
This week, a special road trip episode. For the first time, Ozark Highlands Radio visits the legendary Walnut Valley Festival, a four day acoustic music marathon and arts & crafts fair held every September in Winfield, Kansas. Host Dave Smith and OHR producer Jeff Glover sample the menagerie of musical acts we recorded at this incredible event.The annual Walnut Valley Festival, now in it’s 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer’s market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound, that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival.Ozark Highlands Radio was invited to the 52nd annual Walnut Valley Festival. It was an unforgettable experience and a total success for us, having been able to record fifteen musical acts including: Nathan McEuen; Sally & the Hurts; RUNA; Special Consensus; Chris Jones & the Night Drivers; John McCutcheon; The Rick Faris Band;; Socks in the Frying Pan; Pixie & the Partygrass Boys; A.J. Lee & Blue Summit; Dave Stamey; Old Sound; Rob Ickes & Trey Hensley; Shane Hennessy; and Bing Futch. We also managed to capture the 2024 Championship Finger Style Guitarists performance and the National Mountain Dulcimer Championship.
This week, More Voices. Another collection of contemporary folk singers with unique and authentic voices recorded live at the Ozark Folk Center State Park.Ballad singing is a primary form of expression in folk music. Folk ballads merge melody and story to recount events but also transport the listener to an emotional space. How well a ballad can bring the listener into that space very much depends on the singer. Less important to an effective folk singer are the rudimentary aspects of singing than is the authentic sound of their voice. The timbre and character of the singer’s voice in service to the ballad becomes the vehicle, transporting the listener into that emotional space. Ozark original and legendary folk balladeer Aunt Ollie Gilbert for an example. As much as the stories Aunt Ollie relates, it’s the sound of her instantly recognizable and authentic voice that moves listeners deep into the hills and hollers of the Ozarks.Featured on this episode are an all-star lineup of contemporary singers including: renowned vocalist, songwriter and multi-instrumentalist Amythyst Kiah; Ozark original up and coming folk sensation Willie Carlisle; outlaw country music legends Malcolm Holcomb & Ozark original Billy Don Burns; singer-songwriter and educator Wil Maring; Paul Brock Band singer and multi-instrumentalist Dave Curley; famed folk duo The Secret Sisters; world champion mountain dulcimer player, vocalist and educator Sarah Kate Morgan; vocalist, multi-instrumentalist and musical time traveler Meredith Axelrod; folk blues superstar Taj Mahal; Jake Leg Stompers vocalist Lela Mae Smith; Kentucky Colonel and bluegrass sensation Dave Adkins.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Pam Setser with Mike Gavin performing the Flatt & Scruggs song “Rough & Rocky” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the legendary Ozark original balladeer Oscar Gilbert, husband of famed ballad singer Aunt Ollie Gilbert. Featured is an archival recording of Oscar performing the traditional Ozark ballad “The Ballad of Cole Younger,” courtesy of the Lyon College Wolf Folklore Collection.
This week, a retrospective of the second season of Ozark Highlands Radio featuring a variety of outstanding performances recorded live at the Ozark Folk Center State Park. Host Dave Smith and OHR producer Jeff Glover provide context and commentary for this captivating collection.Each year at the Ozark Folk Center State Park, we record many hours of live music. We cherish all of it, but some of these performances stand out as being uniquely interesting or moving. On this episode, OHR producer Jeff Glover guides us through some of the most memorable moments of season two. Featured on this show are: Bill & the Belles; Anna & Elizabeth; The Honey Dewdrops; Jamey Stone & the Lomax Project featuring vocalist Moira Smiley; Clarke Buehling & Carl Anderton; Dom Flemons; The Vogts Sisters; Don Edwards; Jerron “Blind Boy” Paxton; David Holt & Josh Goforth; Sad Daddy; Suzy Boggus; Willie Carlisle & Allison Williams.In this week’s “From the Vault” segment, legendary educator, country music legacy, and the original keeper of the vault, Mark Jones, offers a 1974 archival recording of Ozark original folk school the Jr. Rackensack Society performing the traditional tune “Down in the Arkansas” from the Ozark Folk Center State Park archives.Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode explores the uniquely American art form of shape note singing.
This week, a sampling of Ozark original stringbands recorded live at the Ozark Folk Center State Park’s 2024 Stringband festival held annually in Mountain View, Arkansas.Each Fall, the Ozark Folk Center State Park holds its annual Stringband Festival featuring internationally touring musicians as well as local stringbands. In 2024, the headliners were The Lonesome Ace Stringband from Toronto and Dirk & Amelia Powell from Louisiana. Both these internationally touring acts were featured recently on Ozark Highlands Radio. In this episode, we’ll spotlight the authentic local Ozark stringbands that round out our festival. Featured are Lillyanne McCool & Ozark Legacy, The Creek Rocks, Bug Shuffle, The Riggsville Ramblers, and Salem Plateau.Lillyanne McCool & Ozark Legacy is a five piece string band that straddles the line between oldtime and bluegrass musics. Led by award winning banjo virtuoso Lillyanne McCool, Ozark legacy is based in Mountain View, Arkansas. Joined by her brother Jared on mandolin and her mother Crystal on upright bass, Lillyanne has grown up on the Ozark Folk Center stage. Esther Exley joins in on fiddle and Emalee Flatness-Combs brings the guitar.The Creek Rocks from Springfield, Missouri are Cindy Woolf and Mark Bilyeu. Cindy Woolf was raised in Batesville, Arkansas along the southern foothills of the Ozarks Mountain region. Mark Bilyeu hails from Springfield, located atop the Ozarks Plateau. They began their musical collaboration in 2003 with Mark at the helm for Woolf’s debut CD “Simple and Few.” They married in 2013 and have endeavored together on a mission to breath new life into traditional Ozark folk songs, a mission that’s carried them all the way to the Smithsonian Folklife Festival!Bug Shuffle is a traditional oldtime stringband trio based in Mountain View, Arkansas. The band consists of husband and wife Scott & Shay Pool and our very own Dave Smith, the host of Ozark Highlands Radio. Shay Pool is an oldtime fiddle contest champion and educator in the Ozark Folk Center’s Music Roots program. Scott is a renowned guitar accompanist and talented luthier. Together, they own and operate Mountain View Music, an old fashioned retail music store and local landmark.The Riggsville Ramblers are another Mountain View fixture. This four piece Ozark original stringband can be heard regularly in the craft grounds at the Ozark Folk Center State Park. The Ramblers are husband and wife Jenny & Tom Sartain on banjo and guitar, Joe Roe on fiddle, and Carl Adkins on resonator guitar. With a sound plucked right out of the 19th century, the Riggsville Ramblers will have your toes tapping and your hands clapping.Salem Plateau is an oldtime husband and wife duo made up of five time Arkansas CMA winner Grace Stormont-McCarthy and multi-instrumentalist Joseph McCarthy. With a penchant and a voice for ancient ballads, Grace grew up on the Ozark Folk Center stage singing and playing everything from upright bass to guitar and banjo to fiddle. Not only a talented multi-instrumentalist, Joseph McCarthy is a human encyclopedia of knowledge when it comes to traditional Ozark music.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original stringband Squirrel Heads in Gravy performing a medley of “My Own House Waltz and Come on with Dinah,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the folk song Lazy John.
This week, musicians born into powerful family musical traditions recorded live at the Ozark Folk Center State Park. Also, commentary from some of these living legacies.Legacy is something handed down from the past. The tradition of folk music and culture is rooted in legacy. Musical legacies can exist in the form of songs, melodies, musical instruments, styles of playing, and sometimes even people. A musician born into a powerful family music tradition may find themselves a living connection to that legacy for thousands of fans. On this week’s show, we feature some of these living legacies: Amy Helm; A.J. Croce; Carlene Carter; Dale Jett; and Thom Bresh.Amy Helm is an American singer-songwriter and daughter of The Band drummer Levon Helm and singer Libby Titus. She is a past member of the Levon Helm's Midnight Ramble Band and Ollabelle, as well as her own touring band. Born in Woodstock, New York, Amy spent her childhood between Woodstock, Los Angeles, and New York City. She attended Trinity High School where she studied jazz with Dr. Aaron Bell, while singing in bands, and playing in New York City clubs and bars. A lifelong musician and music-lover, Helm’s parents guided her training and influences. She later became a founding member of the alt-country collective Ollabelle and served as a backing musician in her father's Midnight Ramble Band.Adrian James "A.J." Croce is an American singer-songwriter. He is the son of singer-songwriters Jim Croce and Ingrid Croce. A.J. Croce has been inextricably linked to a version of his own story by virtue of his name. He’s experienced a lifetime of comparisons to a father he lost at age two, whose music bears little resemblance to his own output yet still serves as a reference point despite the years that have passed and the many iconic mentors who have stepped in to offer their counsel, creativity, and endorsement throughout his long career.Carlene Carter is an American country singer and songwriter. She is the daughter of June Carter of the famed Carter Family and her first husband, Carl Smith. She became the step-daughter of Johnny Cash. Between 1978 and the present, Carter has recorded twelve albums, primarily on major labels. In the same timespan, she has released more than twenty singles, including three No. 3-peaking hits on the Billboard Hot Country Songs chart.Dale Jett is a proud bearer of the Carter Family musical legacy. Son of Jeanette Carter and grandson of A.P. and Sara Carter, Dale performs songs from the Carter Family song book with his group “Hello Stranger.” With his wife Teresa on bass, and Oscar Harris on auto harp, Dale keeps the music of his family tradition alive and relevant.Thom Bresh has led an incredible, multi-faceted life in the entertainment business. To start, his birth father is guitar royalty, Merle Travis. Thom was raised in California during the golden age of television and worked as a stuntman/actor during his youth. He went on to become one of the premier practitioners of his fathers “thumbpicking” style of guitar. Harnessing a quick wit and an equally quick set of ten fingers, there is nothing like a Thom Bresh performance.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of country music legacy and our very own Mark Jones performing in the banjo style of his famous father Grandpa Jones the tune “Mountain Whippoorwill,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater describes therapeutic music and her role as a musician in a pediatric hospital.
This week, Louisiana old time and traditional Cajun music father-daughter duo the inimitable Dirk Powell with his daughter Amelia recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Dirk.“Dirk Powell is known as a “musician’s musician” in the circle of American roots music and beyond. He learned banjo and fiddle from his Kentucky grandfather, James Clarence Hay, and has been a part of the thriving Cajun/Creole music community in Louisiana since his early 20s. He has toured and recorded with musicians such as Joan Baez, Rhiannon Giddens, Eric Clapton, Buddy Miller, Loretta Lynn, and Levon Helm, while his contribution to film has found him collaborating with directors like Anthony Minghella ("Cold Mountain"), Ang Lee ("Ride with the Devil"), and Spike Lee ("Bamboozled"). His solo records, which often combine a traditional foundation with a wide-ranging commitment to emotion and original songs, have had impact around the globe. His original song “Waterbound” has been recorded over 100 times. He is also in demand as a producer and owns his own studio, the Cypress House, on the banks of Bayou Teche near Breaux Bridge, Louisiana. On this performance, Dirk is joined by his daughter Amelia.” - https://www.dirkpowell.org/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark originals Aunt Lilly Freeze and her son Ervin Freeze singing the gospel classic “Just One Drop,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater deconstructs how melodies are played on the mountain dulcimer.
This week, North Dakota based 2023 SPBGMA International Bluegrass Band Champions the Waddington Brothers recorded live at the Ozark Folk Center State Park. Also, interviews with eldest brother Seth Waddington.“The Waddington Brothers, a band of four brothers from rural North Dakota, perform what they live: music that is real to them, that takes listeners on a journey through the heart of the American West. “Seth, Ethan, Jacob, and Job Waddington skillfully blend cowboy and bluegrass music, creating a style that’s timelessly classic and yet refreshingly new and unique. With their rich, stirring vocal harmonies and instrumental versatility that ranges from hard-driving bluegrass to more mellow acoustic tones, this quartet has developed a sound that is truly as strong as it is special. And their gift for captivating an audience comes naturally to these men. Whether they’re singing about cowboys or cabins, hunting or horseback riding, ranches or Indian reservations, The Waddington Brothers share heartfelt songs that evoke feelings of warmth, appreciation, and a genuine connection to the way life was lived by our country’s pioneers.“This group shares their music as a well-polished craft: one that’s been cultivated by four siblings who have been playing and singing together their entire lives. While their performing experience together traces back to 2004, the band officially came together as The Waddington Brothers in 2019. Their musical inspiration today is drawn from many pools of influences. Their sound might be described as a mixture of traditional bluegrass, gospel music, and Western strains reminiscent of The Sons of the Pioneers. Even more accurately, though, it can be described as something brand new—something powerfully different—a breath of fresh air to their audiences, that could only be created by four brothers with such an authentic synergy and blend. And it’s been proven: in 2023 at the annual SPBGMA (Society for the Preservation of Bluegrass Music of America) Convention in Nashville, Tennessee, The Waddington Brothers took first place in the International Bluegrass Band Competition.” - https://www.waddingtonbrothers.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of bluegrass legends the Country Gentlemen performing the Kris Kristofferson song “Darby’s Castle,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater demonstrates American clog dancing styles and their influences.
This week, Toronto, Canada old time trio The Lonesome Ace Stringband recorded live at the Ozark Folk Center State Park during our annual String Band festival. Also, interviews with Lonesome Ace founder and banjo player Chris Coole.“The Lonesome Ace Stringband bring grit, skill and abandon to Americana music, bridging old-time, bluegrass and folk traditions into a seamless hybrid of original material that is at once fresh and timeless. The trio’s sound is anchored in the fiddle and clawhammer banjo of John Showman and Chris Coole. They are joined by a rotating cast of extraordinary upright bassists (including founding member Max Malone, James Mceleney, and Lotus Wight). The band moves freely between a sound so commanding it doesn’t seem like it should be coming from a stringband, to a sparse fragility that draws the listener closer. Whether singing about climate change, modern love, BBQ techniques or life's inevitable existential crises, the band cuts to the core. They can also turn and churn out a tune with so much verve that it will make your heart spin and set the dance floor swirling.”https://lonesomeace.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original Lisa Wiede singing the cowboy ballad “John Martin Duffy,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the seafaring song “Jamestown Homeward Bound.”
This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Siloam Springs Ozark original Dominic Bryan Roy and his band, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.Dominic Bryan Roy's music takes his audience on a journey of emotions and leaves a lasting impact. His performances are known for their captivating storytelling, passionate vocals, and skilled instrumentation, making each live show a memorable and engaging experience for his fans. One of Dominic's notable attributes is his incredible whistling skills and the remarkable vibrato in his voice. His performances are infused with great energy and a touch of quirkiness that captivates the audience from start to finish. Additionally, Dominic occasionally incorporates the harmonica into his sets, showcasing the breadth of his musical talent. - https://www.facebook.com/DominicBRoyMusic/ In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark originals Nellie and Glen Branscum performing the song “Cool Water” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses lined out hymnody, a form of Anglo-American worship singing introduced by English and Scottish emigrants in the 1600s, where a leader chants a line and the congregation answers.
This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Ozark original indie-folk husband and wife duo National Park Radio, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.“National Park Radio is a nationally touring indie-folk ‘power duo’ based in the Ozark Mountains of Northwest Arkansas. With an impressive and consistently growing grassroots fanbase across the U.S. (and the world), husband and wife duo Stefan & Kerrie Szabo have made a name for themselves over the past several years with their beautiful harmonies, incredibly inspiring and relatable songwriting, and their unique and energetic live shows. Aside from their incredibly relatable songwriting and harmonies that connect with so many of their fans, their high-energy live shows - created by the duo bringing in a unique setup and multitasking configuration - brings a new level of sound created by just two people on stage. National Park Radio has been described as the ‘biggest sounding indie-folk duo’ that there is, and between the two of them, many say they create the sound and energy of a 5-piece band.” https://npr.band/In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark originals Mary and Robert Gillihan performing the song “Keep on the Sunny Side” from the Ozark Folk Center State Park archives.
This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Eureka Springs post-folk Americana trio The Gary Lawrence Show, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.The Gary Lawrence Show is a three-piece band from Eureka Springs, Arkansas. Like Eureka Springs itself, the trio brews an unlikely collection of influences into an uniquely fresh sound. Blending elements of ska, funk and indie-rock with Americana and true-folk themes, The Gary Lawrence Show is truly an Ozark original. Along with his acoustic guitar and colorful vocals, Gary is joined by Dylan Caldwell on bass and “Benji" on percussion. For this performance, Sophia Clark of the band Eureka Strings joins in on vocals.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Elliott Hancock performing the traditional train wreck ballad “The Fate of Chris Lively and Wife” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the origin and meaning of the traditional folk song “The Old Woman and the Pig.”
This week, a special road trip episode. Once again, OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring their Ozark Folk Jamboree, a compilation of bands recorded live over two days at the City of Rogers’ Butterfield Stage located next to Railyard Park in downtown Rogers. Also, commentary from Rogers Arts & Culture Coordinator Kinya Christian.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at a very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.Kinya Christian provides a brief overview of what’s going on in Rogers, Arkansas’ Railyard Entertainment District and why. Musicians featured on the show are all local to Northwest Arkansas. They include National Park Radio, The Gary Lawrence Show, Jesse Dean, Dandelion Heart, and Dominic Bryan Roy.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original three finger banjo Jedi Adam Fudge performing the tune “Bugle Call Rag,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the concept of the “old maid” in traditional music.
This week, in honor of Hispanic history month, OHR presents California based multi-instrumentalists, singers and purveyors of traditional Southwestern American folk music Frank Fairfield & Zac Sokolow recorded live at the Ozark Folk Center State Park. Also, interviews with Frank & Zac.Music has the power to transport us to another time and place. Frank Fairfield loves to harness that power with a broad audience of fellow music lovers and passionate musicians alike. Ever since a young age, Fairfield has found great joy and satisfaction by being involved in the creative music process. Frank plays down-home, old time folk music. He plays fiddle, guitar, banjo and he sings. Frank has been featured on NPR’s Tiny Desk Concert, as well as the PBS documentary series American Epic. Born in Fresno, California, he now lives in Los Angeles with his wife.https://www.frankfairfield.netOn this show, Frank will share the stage with the equally adept multi-instrumentalist & singer Zac Sokolow. Zac is at home on guitar, banjo, fiddle, as well as mandolin. Sokolow is a founding member of the contemporary Americana band “The Americans,” also featured on PBS’ “American Epic.” Zac began learning music from his father at an early age, playing bluegrass as a child.http://www.theamericansmusic.comIn this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Frank Ellis performing the tune “Seamus O’Brien,” from the Ozark Folk Center State Park archives.Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of The Meadowcreek Project, a sustainable agriculture & education facility located in the Ozarks.
This week, old-time Appalachian multi-instrumentalists and educators Dan Levenson & Bob Carlin recorded live at the Ozark Folk Center State Park. Dan and Bob acted as judges at our annual old-time fiddle & banjo contest where they also gave us this masterful evening performance.“Dan Levenson is an Appalachian native who has grown up with the music of that region. Today he is considered a respected master teacher and performer of both the clawhammer banjo and Appalachian style fiddle. Dan performs and teaches regularly throughout the world, including in England, Ireland, Israel and Brazil. He has taught at many music schools and camps, including in the John C. Campbell Folk School, Mars Hill, Maryland Banjo Academy, The Ozark Folk Center at Mountain View, AR, Banjo Camp North, The Rolland Fiddle Camp and Dan’s own Clawcamp and Old-Time Music instructional weekends held at various locations throughout the country.” - https://clawdan.com/about/ “Banjoist Bob Carlin has been offering performances, lectures and workshops for over thirty years. Carlin had largely left the solo arena in the mid-1990s after an invitation to join the band of songwriter John Hartford. For six years, Bob Carlin toured throughout the United States and Canada with Hartford, even accompanying John on a ten day Japanese sojourn. Since the death of John Hartford in 2001, Bob Carlin has returned to solo performing, teaching and appearances with other musicians.”- http://www.bobcarlinmusic.com/teacher+performer/index.htm In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original old-time fiddle champion Shay Pool playing the traditional tune “Grigsby’s,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks’ influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 4)
This week, a tribute to legendary singer-songwriter John Prine by his son Tommy Prine & longtime friend and co-writer Keith Sykes recorded live at the Ozark Folk Center State Park.John Prine was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020. John was connected to Mountain View, Arkansas through his love of fishing and Jack’s Resort on the beautiful White River. John visited Mountain View regularly since his childhood and made many friends in the area. In fact, according to John, his first public performance as a teenager was for fellow patrons at Jack’s White River Resort.https://www.johnprine.com/about Tommy Prine is an American singer-songwriter and is the youngest son of John Prine. After his father's death in 2020, Tommy decided to pursue a musical career. At the age of 10, Tommy learned how to fingerpick from his father. As a teenager, Prine traveled with his father's tour primarily to assist with merchandise, then occasionally joining him on stage for the encore. While Prine endeavored to create distinct and independent music from his father, his influence is remembered by everything from covering John Prine songs to writing songs about his father. While Tommy is often compared to John, he developed his own path while acknowledging the legacy of his award-winning father.https://www.tommyprine.com/ Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice’s Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis’ legendary Beale Street with many of music’s most talented songwriters. He would join Jimmy Buffett’s Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1976 archival recording of John Prine himself performing his famous song “Paradise,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks’ influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 3)
This week, Ozark original old time harmonica and guitar duo Seth Shumate & Roy Pilgrim recorded live at the Ozark Folk Center State Park. Also, interviews with this dynamic musical duo. A feature performance by renowned singer George Hulsey this week as well.Ozark original Seth Shumate plays harmonica in ways that one does not hear too often anymore. His phrasing, technique and style go back to the pre war days of traditional American music when the harmonica was a lyrical and melodic instrument. Another Ozark original, Roy Pilgrim is arguably Arkansas' premier Old-Time fiddler. Like his counterpart, Roy takes his musical cues from traditional American old time but with an emphasis on fiddle tunes from the Ozarks of Arkansas and Missouri.Roy and Seth also perform together as part of the Ozark Highballers, who have earned a well-deserved reputation as one of today's premier Old-Time groups and dance bands.Originally from Louisiana, George Hulsey moved to Mountain View, Arkansas a few years back and has become a well known singer in the local Stone County music scene. George is accompanied on this performance by multi-instrumentalist Duane Porterfield, fiddler Mary Parker, bassist Chris Smith and vocalist Carolina Mendoza.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original harmonica legend Percy Copeland playing the traditional tune “Wabash Cannonball,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks’ influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 2)
This week, Ozark original singer, multi-instrumentalist and hit song writing powerhouse Shawn Camp recorded live at the Ozark Folk Center State Park. Also, interviews with this #1 country song writing genius.Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer, a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait) and Billy Currington’s hit single “Love Done Gone.” Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn, and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine. - https://shawncamp.com/bio Shawn is joined in this performance by fiddle champion and multi-instrumentalist Tim Crouch. A bluegrass and country fiddle player from Strawberry, Arkansas, Tim got his start fiddling with Jim & Jesse as a Virginia Boy when he was 19 years old. He has since worked with a long list of country and bluegrass artists including Alan Jackson, Dolly Parton and Alison Krauss. He is a former staff fiddle player for Nashville’s "Grand Ole Opry" and has also performed on numerous television programs including "Late Night with David Letterman," “The Conan O’Brien Show," "CBS This Morning," "Austin City Limits," "Hee Haw" and others.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original fiddle master Tim Crouch playing the tune “Tom and Jerry” at the 1981 SPBGMA Fiddle Contest held at the Ozark Folk Center State Park.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks’ influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 1)
This week, national champion hammered dulcimer Jedi and viral internet phenomenon Ted Yoder recorded live at the Ozark Folk Center State Park. Also, interviews with this unique musical hammer wielding genius.“Ted Yoder is a world-renowned musician, known for his groundbreaking and innovative approach to the hammered dulcimer. In 2016, Ted gained widespread attention when his hammered dulcimer cover of Tears for Fears' ‘Everybody Wants to Rule the World’ became a viral sensation on Facebook, amassing over 100 million views. He won the title of National Hammered Dulcimer Champion, performed on NPR radio, opened for Jake Shimabukuro, performed at Busch Gardens, and the historic WGN radio in Chicago. Ted’s original compositions blend rock 'n roll sensibilities and unmistakable innovation, creating deeply moving and joyous music that captivates audiences. His live performances are unforgettable, leaving audiences asking for encores and prompting presenters to "BRING HIM BACK!” Ted Yoder has redefined what's possible with the hammered dulcimer!” - https://tedyoder.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original hammered dulcimer master Joe Jewell playing the traditional tune “Music Box Waltz,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles notable Ozark woodcarver Junior Cobb.
This week, Hindman, Kentucky writer, educator, vocalist and world champion mountain dulcimer Jedi Sarah Kate Morgan recorded live at the Ozark Folk Center State Park. Also, a special performance by the 2024 Ozark Folk Center Mountain Dulcimer Contest winner Melinda McMillan of Martinsville, IN.“Born of Appalachian soil in Sharps Chapel, Tennessee, Sarah Kate Morgan sings, plays, and writes like she’s been in these hills since the dawn of time. She’s had plenty of varied influences, beginning with hearing a classical music CD belonging to her family and going on to discover old time music through a dulcimer built by her grandfather. She began playing dulcimer at age 7. This proved to be a pivotal moment. At 18 years old, Sarah Kate placed 1st at the 2012 National Mountain Dulcimer Championships in Winfield, Kansas. She’s gone on to build a unique personal style which honors mountain dulcimer giants such as Jean Ritchie while working across genres to build something new. Her dexterous approach to the instrument is one that only masterful artists can bring to the table; much like Bruce Molsky and the fiddle, having been a dedicated student of the dulcimer’s complexities Morgan is able to distill them into a beautifully polished package. Well-known and widely respected as one of the leading experts of the mountain dulcimer, Sarah Kate is also a first-rate singer and songwriter. Her earthy and poetic lyrics embrace the highs and lows of southern Appalachian life while her voice does the same – moving between alto and soprano parts with ease. Her crystal-clear but rootsy vocal style combines the best of country, old time, bluegrass, and gospel influences who, like Morgan, foreground their cultural roots. All of this goes hand in hand to create a musical experience akin to a sonic baptism.” - https://www.sarahkatemorgan.com/bio-1In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Country Music Hall of Fame and Grand Ole Opry member Ramona Jones fiddling out a square dance on the traditional tune “Liberty,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles self-promoting Ozark folk artist and entrepreneur L.L. Broadfoot.
This week, here comes Dulcimer Jamboree once again! Each year, dulcimer players from all over come to the Ozark Folk Center State Park in Mountain View, Arkansas for a weekend of learning, listening, and loving all things dulcimer. Each evening of the event features concerts by world renowned dulcimer teachers and performers. We’ll enjoy highlights recorded from these live performances featuring both mountain dulcimers and the more ancient hammered dulcimers.Artists performing this year include: OHR guest contributor, renowned traditional folk musician, writer, and step dancer Aubrey Atwater; world champion mountain dulcimer player and multi instrumentalist Duane Porterfield accompanied by vocalist Alex Prince; world champion mountain dulcimer artist, singer and educator Sarah Kate Morgan; hammered dulcimer master and educator Rick Thum; world famous hammered dulcimer Jedi and internet sensation Ted Yoder.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Tommy & Jean Simmons performing the traditional tune “Bonnie Lass,” from the Ozark Folk Center State Park archives.Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley explores the history of McSpadden Dulcimers, the iconic mountain dulcimer manufacturer located right next door to the Ozark Folk Center State Park for over 50 years.
This week, Springfield, Missouri based Ozark original husband & wife duo The Creek Rocks recorded live at the Ozark Folk Center State Park. Also, interviews with these genuine Ozark troubadours. A bonus offering of songs and interviews with Ozark original singer-songwriter and multiple ACMA winner Grace Stormont.The Creek Rocks from Springfield, Missouri are Cindy Woolf and Mark Bilyeu. Cindy Woolf was raised in Batesville, Arkansas along the southern foothills of the Ozarks Mountain region. Mark Bilyeu hails from Springfield, located atop the Ozarks Plateau. They began their musical collaboration in 2003 with Mark at the helm for Woolf’s debut CD “Simple and Few.” They married each other in 2013, shortly after the release of Cindy’s third solo CD, “May.” “Before they married, Springfield’s Cindy Woolf and Mark Bilyeu were among the area’s most potent songwriting talents; wedding their life and craft, the pair has become a true power couple, yet one whose greatness is best expressed through a humble folk-rock sound and heart-piercing lyrics.” - Columbia Daily Tribune, Columbia, MO Cindy & Mark are joined in this performance by percussionist Keith Symanowitz.One of the most exciting and talented young musicians in Arkansas, Grace Stormont is just getting started. After moving to Mountain View, Arkansas to immerse herself in the local music scene, Grace has made a name for herself among a long list of outstanding musicians. A multi-instrumentalist (bass, guitar, banjo and dulcimer,) Grace also excels as a vocalist and interpreter of traditional Ozark ballads. Her musical phrasing and insight are well beyond her age. Grace has won multiple Arkansas Country Music Awards including best original song.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1978 archival recording of Ozark originals Lonnie Roberts and his wife Thelma performing the 1946 song “Blue Eyes Crying in the Rain” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles notable Ozark folk artists.
This week, unconventional folk-blues-Americana-bluegrass trio “The Howlin’ Brothers” recorded live at the Ozark Folk Center State Park. Also, interviews with these folk music mavericks.“The Howlin’ Brothers are a Nashville based string band composed of Ian Craft, Ben Plasse and Jared Green. Anchored in a bed of old-time blues and bluegrass, their upbeat shows are heavy with original and traditional music, featuring the sounds of slide banjo, harmonica and old-time fiddle. Sounding like what would happen if a bunch of Appalachian punk rockers formed a jug-band, The Howlin’ Brothers play with a ferocious energy that drags you in and finds you boogieing along in spite of yourself.”- https://thehowlinbrothers.com/bio/In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1978 archival recording of Ozark original Lonnie Roberts performing the traditional tune “the Fiddler’s Waltz” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins explores the history of The Shepherd of the Hills dinner theater in Branson, Missouri, the outdoor drama of the namesake novel, The Shepherd of the Hills.
This week, an accidental masterpiece performance featuring three finger bluegrass banjo Jedi and Ozark original Adam Fudge & friends recorded live at the Ozark Folk Center State Park.Once in a while, when things don’t go as planned, something happens that’s unexpectedly great. To quote famed artist Bob Ross, a “happy accident.” One such happy accident occurred on Saturday of the Ozark Folk Center’s 2023 bluegrass festival when, due to illness, banjo player Adam Fudge had to scramble to find musicians to help him with his set. In desperation, Adam and his brother, bassist Shane Fudge, recruited three local teenagers and staged an impromptu jam session. What followed, turned out to be one of the most exciting and energetic bluegrass performances ever heard at the Ozark Folk Center State Park.Born and raised in the rich musical culture of the Ozarks, Adam Fudge has followed the legacy of his native mountain music with tenacity and a deep love for the traditional. Adam is a talented singer and guitarist playing traditional country & bluegrass but his true calling is the three finger style of banjo popularized by bluegrass legend Earl Scruggs. Adam has won numerous awards for his banjo skills both in Arkansas and at the traditional music proving grounds of the Walnut Valley Music Festival in Winfield, Kansas. Here, Adam performs with his brother, upright bassist Shane Fudge, siblings Mary and Gordon Parker on fiddle and mandolin respectively and Turner Atwell on guitar.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original bluegrass band Gospel Grass performing the traditional song “Will the Circle Be unbroken” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the role of squirrels in both Ozark culture and the Ozark diet.
This week, Kentucky Music Hall of Fame member and six time International Bluegrass Music Association Female Vocalist of the Year, Dale Ann Bradley, recorded live at the Ozark Folk Center State Park.“Dale Ann Bradley is a Kentucky native who is proud of her state. Her music reflects that love as she often sings of the state’s multiple charms including sparkling streams, rolling hills and mountains, lush hillsides filled with native plants and beautiful landscapes. She also includes songs about coal mines (her father was a miner) and another business, that of moonshine stills.Thanks to a great-uncle who noted Dale Ann’s interest in music, an 8-track player appeared at her home, along with tapes of some of her favorite singers. When she was 14, she was given her first guitar. ‘It was a little plywood, small body guitar, but it had six strings, and I made a pick from a milk jug. I drove everybody crazy learning to play it.’The singer learned to play her guitar and soon was singing the songs she heard on the radio and off the 8-track player. When she was a junior in high school, the new band director at school and his wife, known as Back Porch Grass, sang in the summer at Pine Mountain Stage Park in Pineville. Acknowledging her talent, they asked Dale Ann to join them, which gave her the opportunity to learn to entertain an audience. Attending one of her concerts is almost like having a friend in your living room, as she chats back and forth with the audience and doesn’t hesitate to share jokes on herself as well as the rest of her band.In 2018, Dale Ann was inducted into the Kentucky Music Hall of Fame, joining many people she looked up to including Bill Monroe, Keith Whitley, Sonny Osborne, and Sam Bush. The singer is a six-time winner of IBMA’s Female Vocalist of the Year and took home the Gospel Recorded Performance of the Year in 2021 for ‘After While.’ She has been named Female Vocalist of the year by the Society for the Preservation of Bluegrass Music of America three times.”-https://www.daleannbradley.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Texas swing legend Laura Lee McBride performing the classic Western song “I Bet Ya My Heart I Love Ya” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins talks about the Ozark tradition of growing and refining molasses.
This week, voices. A collection of contemporary folk singers with unique and authentic voices recorded live at Ozark Folk Center State Park.Ballad singing is a primary form of expression in folk music. Folk ballads merge melody and story to recount events but also transport the listener to an emotional space. How well a ballad can bring the listener into that space very much depends on the singer. Less important to an effective folk singer are the rudimentary aspects of singing than is the authentic sound of their voice. The timbre and character of the singer’s voice in service to the ballad becomes the vehicle, transporting the listener into that emotional space. Ozark original and legendary folk balladeer Almeda Riddle for an example. As much as the stories Almeda relates, it’s the sound of her instantly recognizable and authentic voice that moves listeners deep into the hills and hollers of the Ozarks.Featured on this episode are an all-star lineup of contemporary folk balladeers including: world renowned vocalist & educator Moira Smiley with the Jayme Stone Project; Ozark original & Smithsonian Folklife Festival performer Carolina Mendoza; Ozark original and Creek Rocks vocalist & multi-instrumentalist Cindy Woolf; OFC regular & prolific singer-songwriter Carolyn Carter; Ozark original vocalist & multi-instrumentalist Pam Setser with The Ozark Granny Chicks; inimitable folk singer & multi-instrumentalist Grace Stormont; and award winning Eureka Springs, AR singer-songwriter Melissa Carper with The Buffalo Gals.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1973 archival recording of Ozark original singer, Aunt Ollie Gilbert, performing the traditional Ozark ballad “The Ballad of Cole Younger” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the “Voice of the Ozarks,” the legendary Ozark original balladeer Almeda Riddle. Featured is a 1957 recording of Almeda performing the traditional Ozark ballad “The Oxford Girl,” courtesy of the Lyon College Wolf Folklore Collection.
This week, Ozark original ACMA nominated and rising national bluegrass sensation The Casey Penn Band recorded live at the Ozark Folk Center State Park. Also, an interview with Casey Penn. As a bonus, music and commentary from Ozark original prodigies and Mountain View’s very own Ozark Strangers.Based in Central Arkansas, Casey Penn is an Arkansas Country Music Award-nominated songwriter and a performing bluegrass and Americana artist. She's represented by Mountain Fever Records, for which she has released three singles and a debut album (One Step Away / February 2023). Her newest single, "We Go Together Like a Guitar and a Fiddle," is available now and is climbing the Bluegrass Unlimited Top 30 charts. Her full album is climbing the Top 15 Album Chart for Bluegrass Unlimited as well. Casey is a former founding member of the Americana duo Lee Street Lyrical. Now dissolved, the band was signed to MFM’s Travianna Records and was a repeat ACMA nominee for Acoustic Act of the Year. “I’ll Never Be A Mountain Girl,” written by Penn and Irene Kelley, reached #8 on Bluegrass Today’s Weekly Grassicana chart. Casey is joined in this performance by: her husband Will Penn on acoustic bass; singer-songwriter Roger King on guitar, dobro, and vocals; Gravel Yard band member Titus Turner on mandolin; and Titus’ sister, multi-instrumentalist Tiffany Turner on banjo, guitar, and vocals.Although the Ozark Strangers are young, they’re by no means novices. Born out of the Ozark Folk Center State Park’s Music Roots program, these young men have built a name for themselves in the local bluegrass scene. Ranging in age from 13 to 19, the Strangers have already been performing professionally for years. Under the tutelage of Music Roots educator and renowned bluegrass producer Crystal McCool, the Ozark Strangers have competed at the Silver Dollar City KSMU Youth in Bluegrass Contest and have released a live album. The band’s roster includes: Sugar Foot Gordon Parker on mandolin; Jordan Brannon on guitar; Truett Brannon on fiddle; Zach Ledbetter on acoustic upright bass; and Jake Ledbetter on banjo.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original bluegrass band Gospel Grass performing the traditional song “Everlasting Arms” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater pays homage to folk icon Jean Ritchie, featuring the song “Sings the Soldier.”
This week, authentic Minneapolis old time bluegrass string band Steam Machine recorded live at Ozark Folk Center State Park. Also, an interview with the bands founders AJ Srubas and Rina Rossi. Joining AJ and Rina in this performance are David Robinson on banjo and Andrew Deia on upright bass.“Steam Machine is a midwest based old time/bluegrass music project fronted by award winning in-demand Minneapolis fiddler AJ Srubas and Twin Cities old time music & dance instigator Rina Rossi on guitar. A spectacular shortlist of stellar musicians perform with the band on banjo and bass, and when possible, mandolin. “Originally formed in Minneapolis in 2017, Steam Machine brought to the national stage a midwest influenced string band aesthetic that didn’t draw such hard lines between bluegrass and old time music. Smooth powerful fiddling, driving three finger banjo, front-of-the-beat rhythm backup combined into a “suspiciously entertaining” sound. “Two time Appalachian String Band Music Festival (Clifftop) Traditional Band Contest ribbon winners and Folk Alliance Midwest Official Showcase Artists, since 2018 they have been touring the region and the country performing at diverse venues from roots music hubs to bluegrass and Americana festivals, and teaching workshops at traditional music epicenters across the country from the Augusta Heritage Center (WV) to Festival of American Fiddle Tunes (WA) with many others in between. At home in Minneapolis, they are heavily involved as organizers in many of the local community old time and bluegrass institutions. “While not purists, Steam Machine does listen closely to the “old stuff” and strives to capture the essence of what makes these tunes and songs special, as they hear it. The project continues to be an evolving vehicle for playing music they love and honoring the brilliance left behind by old time heroes like Lyman Enloe, Cyril Stinnett and more. Equally at home playing for an oldtime/bluegrass loving crowd or listeners new to these sounds, Steam Machine aspires to keep midwest style old time bluegrass music alive and well wherever they go.” - https://www.steammachinemusic.com/what-we-doIn this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Bob Olivera performing the classic cowboy song “Tumbling Tumbleweeds” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater sleuths out the origin of the folk song “The World is Old.”
This week, traditional Irish musician, songwriter and multi-instrumentalist Seamus Egan recorded live at Ozark Folk Center State Park. Also, an interview with Seamus.“It’s hard to think of an artist in traditional Irish music more influential than Seamus Egan. From his beginnings as a teen prodigy, to his groundbreaking solo work with Shanachie Records, to his founding of Irish-American powerhouse band Solas, to his current work as one of the leading composers and interpreters of the tradition, Egan has inspired multiple generations of musicians and helped define the sound of Irish music today. As a multi-instrumentalist, he’s put his mark on the sound of the Irish flute, tenor banjo, guitar, mandolin, tin whistle, and low whistle, among others. As a composer, he was behind the soundtrack for the award-winning film The Brothers McMullen, co-wrote Sarah McLachlan’s breakout hit, ‘Weep Not for the Memories,’ and has scored numerous documentaries and indie films since. As a bandleader, Solas has been the pre-eminent Irish-American band of their generation for the past 20 years, continuously renewing Irish music with fresh ideas, including a collaboration with Rhiannon Giddens on their 2015 album. As a performer, few others can make so many instruments or such wickedly complex ornaments seem so effortless.” - https://seamuseganproject.com/about Seamus is joined in this performance by Owen Marshall. “Vogue magazine calls musician Owen Marshall ‘A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot’ (Vogue 2009). With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. In addition to touring with acts such as The Press Gang, Copley Street, Haas, Marshall, Walsh, and dance band Riptide, Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music.” - www.owenmarshallmusic.comIn this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Bob & Melissa Atchison performing the traditional tune “Miss Miranda” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores shape note singing and the haunting “Abolitionists Hymn.”
This week, hammered dulcimer prodigy, singer-songwriter, multi-instrumentalist and Ozark original Ben Haguewood recorded live at Ozark Folk Center State Park. Also, an interview with this upstart hammer wielding dulcimer master.Ben Haguewood is an Ozark original hailing from the tiny hamlet of Potosi, Missouri near the heart of the Mark Twain National Forest. Although a relative newcomer to the competitive world of hammered dulcimer playing, Ben has left his mark on the art form both as a player and a composer. Since becoming a regular Ozark Folk Center performer as a teen, he’s voraciously absorbed all the traditional folk music he could and collected many friends along the way. Ben has been in more than a few bands over the years but his partnership with champion old-time fiddler Kailee Spickes stands out as most enduring. The duo make up two fifths of the band “Taller Than You” and all of the band “Blackberry Summer.” Possessing a seemingly inexhaustible desire to create, both separately and together, Ben and Kailee have explored multiple instruments, musical styles, and even songwriting. From rousing traditional jigs to delicate original ballads, you’ll enjoy this journey through the music of Ben Haguewood.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 2022 archival recording of Ozark original and dulcimer instructor to Ben Haguewood, Janice Huff, performing her original tune “Back of the Moon” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater examines nonsensical lyrics in traditional songs.
This week, a retrospective of the very first season of Ozark Highlands Radio featuring a variety of outstanding performances recorded live at Ozark Folk Center State Park. Host Dave Smith and OHR producer Jeff Glover provide context and commentary for this captivating collection.Each year at the Ozark Folk Center State Park, we record many hours of live music. We cherish all of it, but some of these performances stand out as being uniquely interesting or moving. On this episode, OHR producer Jeff Glover guides us through some of the most memorable moments of season one. Featured on this show are: thumb picking guitar Jedi and country music legacy Thom Bresh; OHR guest host, writer, and renowned folk musician Aubrey Atwater; singer-songwriter Wil Maring with award winning guitarist Robert Bowlin; OHR host and our very own Dave Smith; Ozark originals The Lazy Goat String Band; Missouri folk sensations and Ozark originals Cindy Woolf & Mark Bilyeu; Outlaw Country star Malcolm Holcomb with multi-instrumentalist Jared Tyler; Ozark originals The Clark Family; world champion mountain dulcimer master Jeff Hames; writer, auto harpist and singer Bryan Bowers; and Ozark original husband and wife duo Lukas & Eden Pool.In this week’s “From the Vault” segment, OHR host Dave Smith offers a 1975 archival recording of Ozark original musician, educator, country music legacy, and the original keeper of “the vault,” Mark Jones, performing the traditional tune “Arkansas Traveler” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins presents a profile of renowned Ozark original folk singer Almeda Riddle, the voice of the Ozarks.
This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Ozark original true folk troubadours Chucky Waggs & The Company of Raggs, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.Chucky Waggs is a multi-instrumentalist, singer/songwriter and recording artist based out of the hills of Eureka Springs, AR. Chucky Waggs plays a mix of acoustic and electric guitar, 5 string and tenor banjo, dobro, resonator guitar, harmonica, musical saw and kazoo, while using his feet to stomp out the back beat on a thrown together drum kit during live performances. Drawing influences from early American roots music, as well as early punk and rock and roll, he's often joined on stage by numerous accompanying musicians during live performances to add to the energy and dynamic of his original material. This group is commonly referred to as the "Company of Raggs.” The result ranges from intimate, often humorous, folk ballads, to all out rowdy stomp alongs. - https://chuckywaggs.com/bio In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Dave Para performing the traditional song “Frankie and Albert” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater presents a collection of coal mining disaster songs.
This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring post-folk newgrass phenomenon Arkansauce, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Rogers Arts & Culture Coordinator Kinya Christian.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.“Arkansauce is Tom Andersen on bass, Zac Archuleta on guitar, Ethan Bush on mandolin, and Adams Collins on banjo. Their music features improvisational string leads matched with complex melodies, intriguing rhythms, and deep thumping bass grooves. Each member sings lead and harmony parts as well as contributes to the lyrics, which offer authentic, intelligent songwriting with hard-hitting hooks. “We are a band that spends most of our time in the back of a van hurtling toward long nights, good times, and a destiny unknown,” says Ethan. “Our inspiration is gathered by events unfolding in our own adventures in real time. These days, the desire to create, inspire, and redefine within our scene seems to be the main driving force behind our music.” The melodies of the Ozark Mountains' rolling hills and raging rivers can be heard in this progressive string quartet’s distinct blend of newgrass.”https://www.arkansaucemusic.com/infoIn this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals The Bill Sky Family Trio performing the traditional song “Twilight is Stealing” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater traces the peregrination of the tune “John Stenson’s No. 2.”
This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Eureka Springs folk orchestra, Eureka Strings, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Eureka Strings’ bassist, Dave Gesualdo.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.Eureka Strings is a folk orchestra. A seven piece menagerie of instrumentation and musical styles based in Eureka Springs, Arkansas. The band features Dave Gesualdo on bass, Warren Dietzel on drums, Damian Sisca on keys, Alex Hawf on mandolin & vocals, Dylan Hawf on fiddle, Bear Morrison on guitar & vocals, and Sophia Clarke on guitar & vocals. Their sound is difficult to define, first appearing as a mild mannered country/southern rock band. But when they quickly begin to color outside of those lines, the listener finds Eureka Strings is a full blown genre bending psychedelic musical experience. Original southern twang and brutal folk candor meld with angular jazz chords, space grass virtuosity, southern rock energy, and slap bass to create an infectious country-fried Funkadelic-esque party on the stage.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals The Sylamore Creek Quartet performing an unknown tune from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the themes of conundrums and impossible tasks in traditional music.
This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring singer-songwriters Will Gunselman & Ashtyn Barbaree recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Ozark original Will Gunselman.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.Will Gunselman is a singer-songwriter from Bella Vista, Arkansas. Will’s vivid writer’s voice along with his unique style invents an honest and authentic Ozark story. Honing his art through decades of live performance, Will has crafted a simple sound that is modern and relatable but reveals a rich patina of life lived. Although plaintive, his music, rooted in folk, country and blues, dwells on the positive nature of experience and seeking joy in the everyday. Like traversing the river Will ardently describes in his song Buffalo River Run, sitting with a set of his music is a journey bent with scenic vistas of the soul.Ashtyn Barbaree is an internationally touring gritty Americana singer-songwriter and multi-instrumentalist from Fayetteville, Arkansas. Sweet, soulful, charming and relatable, her lyrics have found their way into the hearts of folks from all walks of life. She has a smokey, yet silky voice accompanied with harmonies, guitar, tenor 8-string ukulele, upright bass, pedal steel, drums and piano. https://www.ashtynbarbaree.com/aboutIn this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of bluegrasser Lenny Wallace performing the tune “Take Your Shoes Off Moses,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the theme of riddles and trick questions in traditional folk music.
This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Eureka Springs hard-driving folk quartet, Front Porch, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, commentary from Rogers Arts & Culture Coordinator Kinya Christian on the exciting things happening in the Rogers Entertainment District. Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.Front Porch is a hard driving four piece folk ensemble. Self described as “contemporary bluegrass, old time and mayhem from Northwest Arkansas,” the band is based in Eureka Springs. Front Porch is Petey Wesley on banjo & fiddle, John Henry Holthus on guitar, Alex Hawf on mandolin, and Cameron Keeling rounding out the low end with upright bass. In true bluegrass fashion, all the guys in the band sing, but that’s where the traditional ends. Front Porch performs with all the usual ingredients of bluegrass and folk but bakes them up into a post-punk old-time acid jazz barn-burning bluegrass fusion that will have you jumping.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Uncle Floyd Holland performing the tune “Nellie Gray,” from the Ozark Folk Center State Park archives.In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores variations of the traditional folk song “Polly Put the Kettle On.”
This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring their Ozark Folk Jamboree. A compilation of seven bands recorded live over two days at the City of Rogers’ Butterfield Stage. Also, commentary from Rogers Arts & Culture Coordinator Kinya Christian.Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at a very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.OHR producer Jeff Glover sits down with Arts & Culture Coordinator Kinya Christian to discuss what’s going on in Rogers, Arkansas’ Railyard Entertainment District and why. Musicians featured on the show are all local to Northwest Arkansas. They include Chucky Waggs, Ashtyn Barbaree, Rachel Ammons, Will Gunselman, Front Porch, Eureka Strings, and Arkansauce.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a recording of Ozark original one woman band Rachel Ammons giving a very unconventional performance of the song “Shady Grove,” at the Rogers, Arkansas Railyard Live Ozark Folk Jamboree.
This week, a titanic trio of certified country blues guitar masters recorded live at Ozark Folk Center State Park. Also, commentary from these blues maestros.
Country blues, also known as folk blues, rural blues, backwoods blues or down home blues, is one of the earliest forms of blues music. It’s performed primarily as a solo vocal with acoustic finger style guitar accompaniment. Country blues was developed in the rural Southern United States in the early 20th century and stands in contrast primarily to the urban blues style, especially in the pre-world war two era. Artists such as Blind Lemon Jefferson, Charley Patton, and Blind Willie McTell were among the first to record blues songs in the 1920s. Country blues ran parallel to urban blues, which was popular in cities.
Featured on this episode of Ozark Highlands Radio are renowned old-time singer and multi-instrumentalist Jerron “Blind Boy” Paxton, award winning Carolina Chocolate Drops veteran Hubby Jenkins, and celebrated bluesicologist & Reverend Gary Davis protege’ Roy Bookbinder.
Jerron "Blind Boy" Paxton is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and was influenced by Fats Waller and "Blind" Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is "virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and '30s, the blues of Bessie Smith and Lonnie Johnson.”
Hubby Jenkins is a talented multi-instrumentalist, who endeavors to share his love and knowledge of old-time American music. Born and raised in Brooklyn, he delved into his Southern roots, following the thread of African American history that wove itself through country blues, ragtime, fiddle and banjo, and traditional jazz. After years of busking around the country and making a name for himself, Hubby became acquainted with the Carolina Chocolate Drops. Since 2010 he has been an integral part of the Grammy award winning Carolina Chocolate Drops and continues to make solo performances.
Guitarist Roy Book Binder has traveled the world as a solo performer for nearly 50 years. Roy’s career and playing style is heavily influenced by the late Reverend Gary Davis, who specialized in a unique style of guitar finger picking. Roy’s performances are as much a story of his life and experiences as they are a musical endeavor.
In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Kenneth Rorie performing the tune “The Devil and the Farmers Wife,” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins tells the story of Enoch Wolf, an adventitiously fortunate Arkansas Confederate Civil War officer whom, at the very end of the war, was spared an undeserved execution at the hands of his Union captors.
This week, it’s Dulcimer Jamboree time once again! Each year, dulcimer players from all over come to the Ozark Folk Center State Park in Mountain View, Arkansas for a weekend of learning, listening, and loving all things dulcimer. Each evening of the event features concerts by world renowned dulcimer teachers and performers. We’ll enjoy highlights recorded from these live performances featuring both mountain dulcimers and the more ancient hammered dulcimers.
Artists performing this year include: educator, songwriter and award winning mountain dulcimer maven Kara Barnard; hammered dulcimer prodigy Ben Haguewood accompanied by oldtime fiddle champion Kailee Spickes; ubiquitous hammered dulcimer performer and educator Ken Kolodner; hammered dulcimer master and educator Mary Lynn Michal; inimitable mountain dulcimer and auto-harp Jedi Karen Mueller; hammered dulcimer phenom Colin Beasley; multi-instrumentalist, folk singer, educator and Ozark original Pam Setser;
In this week’s “From the Vault” segment, musician, songwriter and Music Roots educator Kathy Jensen offers a 1981 archival recording of Ozark originals Tommy & Jean Simmons performing the tune “Greensleeves,” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores scary Ozark Monster stories, featuring such horrifying beasts as the “Gowrow,” the “Highbehind” and the “Whangdoodle.”
This week, songs and stories from a trio of Grammy award winning world class songwriters recorded live at Ozark Folk Center State Park. Also, commentary from these three musical musketeers. Featured on this show are world renowned songwriter Roger Cook, award winning Memphis singer-songwriter Keith Sykes, and singer-songwriter and session musician Shawn Camp.
Born in Bristol, England, Roger Cook is recognized as one of the world’s greatest modern songwriters. During his lengthy international songwriting career, Roger has had more than 80 top 30 hits, including classics such as Something’s Gotten Hold Of My Heart – Gene Pitney, Something Tells Me – Cilla Black, Long Cool Woman In A Black Dress – The Hollies, and You’ve Got Your Troubles – The Fortunes. However, Roger is perhaps best known for his song I’d Like To Teach The World To Sing, which was recorded by the New Seekers and became the theme song for a long-running series of Coca-Cola commercials. - https://en.wikipedia.org/wiki/Roger_Cook_(songwriter)
Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice’s Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis’ legendary Beale Street with many of music’s most talented songwriters. He would join Jimmy Buffett’s Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/
Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer and a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait,) and Billy Currington’s hit single “Love Done Gone.) Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine. Camp also co-produced a compilation tribute album for his friend and hero Guy Clark which was #1 on the Americana Charts for several weeks in the spring of 2012 and voted Americana Album Of The Year 2012. - https://shawncamp.com/bio
In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Buddy Lancaster performing the tune “Fire on the Mountain,” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores regional variations of the traditional folk song “Going to the West.”
This week, a collection of consummate cow poke crooners recorded live at Ozark Folk Center State Park. Also, commentary from these bovine balladeers. Included on this show are Grammy nominated cowboy performer Don Edwards, inimitable cowboy poet & humorist Glenn Ohrlin, and Arkansas original cowgirl, singer, songwriter, actress and Country Music Hall of Fame superstar Patsy Montana.
One of America’s best loved and most enduring cowboy singers, Don Edwards is indeed an American treasure. His love and passion for traditional cowboy songs is second to none and has earned him a fan base worldwide. He knows the songs, the stories, and even some of the old trails that made the old West famous. Accompanied by his trusty guitar, Don takes us on a trip back in time when cowboy singers and songs echoed through the trails, taverns, and cattle drive camps of yesterday.
Born in Minneapolis, MN in 1926, Glenn Ohrlin was a veteran of the cattle industry and worked the rodeo circuit, both while being an acquisitive singer, poet, & story teller. Glenn put his extensive knowledge and years of experience collecting Western folk songs into a book, “The Hell Bound Train,” as well as performing his authentic style of cowboy poetry & prose. Ohrlin performed at cowboy poetry gatherings across America, and at the Kennedy Center in Washington D.C. In the 1970’s, Glenn moved to Mountain View, Arkansas, where he continued his music career, lending regular performances at the Ozark Folk Center. We at the Ozark Folk Center State Park reap the benefit of having years of Glenn’s live performance recordings in our archives.
Patsy Montana was an American country music singer, songwriter and actress. Montana was the first female country performer to have a million-selling single with her signature song "I Want to Be a Cowboy's Sweetheart,” and is a member of the Country Music Hall of Fame. She was a mainstay on the National Barn Dance on Chicago radio station WLS for many years. Born “Ruby Blevins” in Beaudry, Arkansas, the 11th child and first daughter of a farmer, Patsy attended schools in President Bill Clinton's hometown of Hope, Arkansas. She was influenced early on by the music of Jimmie Rodgers, and paved the way for women in the male dominated world of country music.
In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Dean Hinesley performing the tune “Letter Edged in Black,” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins discusses the origin of some odd words and pronunciations in the native dialect of Ozarkian.
This week, a collection of stringbands and stringband music both traditional and modern recorded live at Ozark Folk Center State Park. Also, commentary by musicians from these solely stringed outfits.A stringband is an old-time music ensemble made up solely of string instruments. Stringbands were extremely popular in 1920s and 30s America and were the forerunners of modern country and bluegrass bands. Early old-time stringbands were comprised mainly of a fiddle, a banjo and acoustic guitar. They may have also been joined by other instruments including spoons, washboard, jug, harmonica, mountain or hammered dulcimer, autoharp and bones. Eventually, other stringed instruments began to be added to the fiddle-banjo duo that was essential to dance music of the early United States. These other instruments included mandolin and double bass or washtub bass. Such an assemblage of instrumentation became known simply as a “stringband.”Featured on this stringband show are Ozark originals The Lazy Goat Stringband, Possum Juice, The Leatherwoods, The Upjumpers, and Harmony. Also featured are Shenandoah Valley old-time supergroup, The Steel Wheels and Minnesota stringband sensation, The Roe Family Singers.In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Lloyd & Floyd Armstrong performing the song “Dust on the Bible,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores how to speak Ozarkian and the origins of Ozark vernacular.
This week, Ozark original old-time fiddler, banjo maker and legendary fiddle tune collector Banjo Billy Mathews recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Dave Smith is joined in hosting this week by expert musicologist and Banjo Billy’s most prolific protege, Emily Lawless.Billy Mathews is known far and wide across this land for his musical skill and old time fiddling ability. He has traveled extensively throughout the Midwest for over 40 years. Thoughtful musical kinships, maintained throughout these many years, have earned him a considerable amount of notoriety and recognition in Old Time music circles. True to his name, Billy continues to play and record a vast amount of Old Time Clawhammer Banjo tunes. Billy has released a recording of Original Banjo Tunes, The Ghost of Banjo Billy. Billy still resides in the Ozark Mountains, continuing work on music projects. Billy keeps busy by traveling throughout the country for workshops, concerts and other special events, playing his huge repertoire of old time fiddle and banjo tunes. Billy has literally become the embodiment of his Scot-Irish ancestors by continuing their traditional approach to life. Billy continues to collect and play a huge repertoire of old-time fiddle tunes. He has already made a sizeable and significant contribution to our American musical culture and there is no end in sight! Billy has shared the stage with such noteworthy musicians as Joe Burke, John Koener, John Hartford, The Fiddle Puppets, Mike Seeger, De Dannan, Bill Monroe and more! - http://www.banjobilly.net/about-us/ In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1974 archival recording of Ozark original Larry Poff performing the tune “900 Miles,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins examines the gradual disappearance of traditional Ozarkian language in the modern Ozark region through the lens of his friendship and conversations with Ozark scholar Dr. Audrey Thompson.
This week, a celebration of 50 years of the Ozark Folk Center State Park presented through archival audio from its 1973 grand opening as well as interviews of key park figures and commentary by historian and writer Charley Sandage.The University of Arkansas Cooperative Extension Service, in an early attempt to preserve the vanishing heritage of the Ozark Mountains, assisted local craftsmen and musicians to form the Ozark Foothills Crafts Guild in 1962. The guild started with 30 members and grew to a membership of over 300 master craftsmen and musicians. In 1963 the guild, in cooperation with local civic organizations, education advocate Bessie Moore, and renowned Ozark singer-songwriter Jimmy Driftwood organized the first Arkansas Folk Festival which attracted approximately 15,000 people. The festival became an annual event and within a few years was attracting almost 100,000 people to Mountain View. Because of the success of the annual festival the guild realized that they needed a permanent home. The guild, in cooperation with local government, obtained a grant from the United States Economic Development Administration to establish a private commercial craft center at Mountain View. Prior to its opening in the Spring of 1973, the state of Arkansas recognized the potential of the project and folded the Ozark Folk Center into the state park system and provided additional funding.Ozark Folk Center State Park is dedicated to perpetuating the music, crafts, and culture of the Ozarks. Located in Mountain View, Arkansas, and open mid-April to late-October, the park offers visitors an opportunity to watch artisans work, to stroll through the Heritage Herb Garden, and to hear live Southern mountain music.In the Craft Village at the Ozark Folk Center, more than 20 working artisans demonstrate, create, and sell handmade items. Handcrafted items like leather purses and goods, baskets, brooms, stained glass, ironwork, pottery, knives, weavings, quilts, wood carvings, spun yarn, soap, candles, and more are made onsite. Artisans also host workshops throughout the year for a more immersive crafting experience with personal attention and hands-on instruction.The Heritage Herb Garden is where old-time pass-along plants, medicinal herbs, native plants, and edible herbs are grown. The Garden functions as a living classroom for workshops and programs. Events celebrating both culinary and medicinal herbs are held in May and October.Music is at the heart of this park. Fiddle, banjo, guitar, mandolin, dulcimer, and autoharp are just some of the instruments that combine to produce that enduring Ozark Mountain sound. The Ozark Highlands Theater hosts live concerts and special events, bringing legendary artists from all facets of Americana music to the stage. Workshops are also available at scheduled times for musicians and dancers of all skill levels.In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1973 archival recording of Ozark original Jimmy Driftwood singing is famous song “The Battle of New Orleans,” at the park’s grand opening from the Ozark Folk Center State Park archives.
This week, singer, multi-instrumentalist, podcaster, story teller and musicologist Nicholas Edward Williams recorded live at Ozark Folk Center State Park.“Host of the popular roots music history podcast American Songcatcher, Nicholas Edward Williams is a multi-instrumentalist and storyteller who is dedicated to 'playing it forward' by preserving the songs and styles that have shaped our country: ragtime, Piedmont blues, traditional folk, old time and early country. Williams has spent the last 15 years touring around the US, the UK, Western Europe and Australia, blending the roots music spectrum in his own style. He's opened for Taj Mahal, The Wood Brothers, Dom Flemons, CAAMP, John Paul White, Town Mountain, John Craigie, Rachel Baiman and Lucy Daucus, and has performed at festival stages on three continents. William's debut record As I Go Ramblin' Around made the International Folk Radio DJ Charts in 2019 with the #6 Top Album, #7 Top Song. His critically acclaimed sophomore release Folk Songs For Old Times' Sake unveiled in November of 2021 and has been heralded by the likes of Grammy-winning musician David Holt who said: ‘With tasteful guitar arrangements and a voice that draws you right in, Nicholas’ recordings roll along like a mountain stream.”https://nicholasedwardwilliams.com/about/In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Sam Younger performing the tune “Mississippi Sawyer,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of tourism in the entertainment Mecca of the Ozarks: Branson, Missouri.
This week, bluegrass superstar, beloved television personality and founder of the legendary bluegrass group the Dillards, Rodney Dillard, recorded live at Ozark Folk Center State Park. Rodney is accompanied on this show by multi instrumentalist George Giddens, Gary Smith on upright bass, Corey Walker on guitar, and Beverly Cotton Dillard on clawhammer banjo.“Rodney Dillard has had a long and varied career resulting so far in two Grammy Nominations, induction into the International Bluegrass Music Hall of Fame, a well-known acting stint on the Andy Griffith Show, many other movie, commercials and TV appearances, recipient of The Outstanding Missourian Award, and worldwide acclaim for his over 50 years of recording both traditional Bluegrass and his own brand of ‘DILLARDGRASS.’ Rodney Dillard as founding member of the legendary group, ‘THE DILLARDS’ (aka the Darlings) is seen nearly everyday somewhere in the world thanks to the still enormous popularity of The ANDY GRIFFITH SHOW reruns. Rodney continued to modernize and innovate the sound of Bluegrass as he wrote and collaborated to write such now classic songs as ‘There Is a Time, The Darlin Boys, Ebo Walker, and Dooley.’By the late 1960′s Rodney had transformed the Dillards into the driving force creating new sounds in the West Coast music environment. Later, called ‘The Father of Country Rock,’ Rodney was among the first Bluegrass musicians to ‘electrify’ traditional Bluegrass instruments while also adding drums, steel guitar, and orchestra. The band’s unique flare for song writing and arrangement affected a broad range of important future musicians in the Bluegrass and Pop music world alike. Rodney is credited with helping set the stage for the ‘Country Rock’ movement and burgeoning progressive sounds of Bluegrass.”- https://rodneydillard.tv/bio/ In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Jean and Pam Simmons performing the song “Scotland the Brave,” from the Ozark Folk Center State Park archives.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of tourism in the entertainment Mecca of the Ozarks: Branson, Missouri.
This week, renowned Mississippi blues guitarist and singer Alvin Youngblood Hart recorded live at Ozark Folk Center State Park.Alvin Youngblood Hart was born in Oakland, California in 1963 and spent some time in Carroll County, Mississippi in his youth, where he was influenced by the Mississippi country blues performed by his relatives. Hart is known as one of the world's foremost practitioners of country blues. He is also known as a faithful torchbearer for 1960s and 1970s guitar rock as well as western swing and traditional country. His style has been compared to Lead Belly and Spade Cooley. Bluesman Taj Mahal once said about Hart: "The boy has got thunder in his hands." Hart himself said, "I guess my big break came when I opened for Taj Mahal for four nights at Yoshi’s." His debut album, Big Mama's Door, was released in 1996 on Okeh Records. In 2003, Hart's album Down in the Alley was nominated for a Grammy Award for Best Traditional Blues Album.In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of tourism in the entertainment Mecca of the Ozarks: Branson, Missouri.
This week, acoustic ragtime and early jazz quintet the Lovestruck Balladeers recorded live at Ozark Folk Center State Park. Also, interviews with this fascinating group’s fearless leader, Jake Sanders.“The Lovestruck Balladeers enchant audiences with their masterful performances and inspired repertoire of ragtime, jazz and beautiful songs from around the world. They might whip out a lost melody from a forgotten mandolin folio or they might play a Mexican waltz. They might push into a renegade rearrangement of a swing standard or get down with a country rag. They are the five scorpion sons of a West Virginia dance hall, a Little Italy tourist attraction and a Oaxacan birthday party. Together or on their own paths, this stellar band of traveling musicians has traversed the country and the globe, carrying traditional styles into modern times. The versatile quintet features twin fiddles, clarinet, guitars, a mandolin trio, upright bass, banjo, piano and vocal harmonies. Their repertoire is a rare repository of American and international music seldom heard beyond the walls of low-lit dance halls at the edge of the known world. Hailing from across the United States and Canada, The Lovestruck Balladeers are: Jake Sanders, Aaron Jonah Lewis, Dennis Lichtman, Sean Cronin and Dalton Ridenhour.”https://www.lovestruckballadeers.com/In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Tommy Simmons & Dean Hinesley performing the song “Sinking Creek,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of “big fellers” and tall tales in the Ozarks. You’ve heard of Paul Bunyan, the legendary giant lumberjack, but have you heard of Blinky Bluejohn of the Ozarks? Brooks fills us in on this Ozark original “big feller.”
This week, award winning country & Western swing trio The Farmer & Adele recorded live at Ozark Folk Center State Park. Also, interviews with these rhythmic wranglers.“With the sounds of classic songwriting in their music and the future in their sights, The Farmer & Adele are reimagining the modern cowboy/cowgirl while respecting its beginnings. Based out of Nashville, TN, The Farmer & Adele – led by Grace Adele and Keenan Wade – leads the pack of a new wave of musicians revitalizing western swing music. With a star-studded record, award nominations and their own morning radio show, The Farmer & Adele are a one-two punch of classic meets modern.“The Farmer & Adele have quickly rooted themselves into the fabric of music communities near and far. Their debut album, Into the Wide Open Sky, was selected to be featured as part of Nashville Public Library’s Boombox series, a closely curated music collection highlighting the best artists in Nashville. Most recently, the band was awarded Best Western Swing Group by the Ameripolitan Music Awards. Also, their annual Country and Western Christmas Party tour is a beloved tradition that travels annually nationwide, featuring classic Christmas tunes, original holiday songs and their own take on The Nutcracker with a western swing twist. The band is also featured regularly on 650 AM WSM as the house band during the station’s Grand Ole Opry pre-show and live radio spot coverage.”https://www.everybodylovesthefarmerandadele.com/story In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1994 archival recording of Ozark originals the Apple Family performing the tune “Who’s Gonna Dance with Sally Ann,” from the Ozark Folk Center State Park archives.Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley profiles early country music superstar and Arkansas native Patsy Montana.
This week, Grammy Award winning oldtime singer, songwriter, multi-instrumentalist and Smithsonian Folkways recording artist Dom Flemons with renowned cowboy poet, singer-songwriter, multi-instrumentalist and archivist Andy Hedges recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Dom & Andy.“GRAMMY Award Winner, Two-Time EMMY Nominee, 2020 United States Artists Fellow- Dom Flemons is originally from Phoenix, Arizona and currently lives in the Washington, D.C. area with his wife Vania Kinard and their daughter Cheyanne Love. He has branded the moniker ‘The American Songster’ since his repertoire of music covers over 100 years of early American popular music. Flemons is a songwriter, multi-instrumentalist, producer, actor, music scholar, historian, and record collector. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. Flemons was selected for the prestigious 2020 United States Artists Fellowship Award for the Traditional Arts category which was generously supported by The Andrew W. Mellon Foundation. He currently serves as a Governor on the Board of Directors for the Washington, D.C Chapter of the Recording Academy. In 2018, Flemons released a solo album titled ‘Dom Flemons Presents Black Cowboys’ on GRAMMY Award-winning record label Smithsonian Folkways and received a GRAMMY Nomination for ‘Best Folk Album’ at the 61st GRAMMY Awards. This recording is part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture in Washington, D.C.” - https://theamericansongster.com/about/ “Andy Hedges is a songster, reciter, storyteller, guitarist, and collector of cowboy songs and poems. The son of an Italian schoolteacher and a rodeo cowboy turned preacher, Andy was born in Lubbock, Texas, in the spring of 1980. He grew up in the small community of Tokio, Texas, where his family paid rent on an old farmhouse by looking after a few head of cattle. It was there that Andy fell in love with traditional music by listening to his father’s cassettes of cowboy songs.“Andy’s vast and varied repertoire includes classic cowboy poetry recitations, obscure cowboy songs, dust bowl ballads, and blues. He also hosts a podcast, Cowboy Crossroads which features in-depth interviews with fellow musicians and poets. Andy has performed many times with folk legend Ramblin’ Jack Elliott and the duo’s performance at the 60th Newport Folk Festival was named one of the ’10 Best Things We Saw’ by Rolling Stone.” - https://andyhedges.com/about Together Dom and Andy explore the songs of the old west and often overlooked music of African American Cowboys in this rare and special performance.In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original fiddler Charley Richardson performing the tune “Gold Rush,” from the Ozark Folk Center State Park archives.Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley profiles our very own Ozark original cowboy poet Glenn Ohrlin with an archival recording of Glenn reciting the classic Wallace McRae poem “Reincarnation.”
This week, it’s Dulcimer Jamboree 2022! Each year, dulcimer players from all over come to the Ozark Folk Center State Park in Mountain View, Arkansas for a weekend of learning, listening, and loving all things dulcimer. Each evening of the event features concerts by world renowned dulcimer teachers and performers. We’ll enjoy highlights recorded from these live performances featuring both mountain dulcimers and the more ancient hammered dulcimers.
Artists performing this year include: hammered dulcimer prodigy Ben Haguewood accompanied by oldtime fiddle champion Kailee Spickes; multi-award winning mountain dulcimer maven Duane Porterfield; educator and mountain dulcimer phenom Erin Mae; ubiquitous hammered dulcimer performer, educator and luthier Rick Thum; hammered dulcimer master and educator Janis Huff accompanied by multi-instrumentalist Spike Huff; multi-instrumentalist, folk singer, traditional dancer, writer, educator and OHR guest host Aubrey Atwater; Ozark original hammered dulcimer champion and educator Joe Jewell; inimitable mountain dulcimer educator, showman and Jedi Bing Futch.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original hammered dulcimer master Jay Round performing a medley of Irish folk tunes from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of The Meadowcreek Project, a sustainable agriculture & education facility located in the Ozarks.
This week, legendary award winning Texas cowboy singer-songwriter and poet Pipp Gillette recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this canorous cow-poke.
“Pipp Gillette lives and works on the family ranch near Lovelady, Texas, where his grandfather started raising cattle and cotton in 1912. Pipp and his late brother Guy received the Western Heritage Award for Outstanding Traditional Western Album of 2011 and the 2013 Western Heritage Award for Outstanding Original Western Composition for their performance of the Waddie Mitchell song "Trade Off.” Drawing on a lifelong interest in Western history and music, Pipp plays traditional cowboy music on guitar, banjo, harmonica and bones. Pipp’s first solo CD, Singing Songs by Waddie and Pipp received the Western Heritage Award for Outstanding Traditional Western Album of 2016. His newest CD, PippGillette with Lloyd Wright was released fall 2018.” Pipp is accompanied in this performance by Lloyd Wright. https://www.campstreetcafe.com/guy&pipp.htm
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Freeman Thomas performing the song “The Cowboy and the Wheel,” from the Ozark Folk Center State Park archives.
Author and historian Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. This week, Brooks presents a profile of Oscar Gilbert, the husband of famed folk singer Ollie Gilbert. Also, we’ll hear an archival recording of Oscar singing the classic “Ballad of Cole Younger.”
This week, more songs out of style performed by various artists recorded live at Ozark Folk Center State Park. Songs can transcend musical styles and those styles can also transcend their traditional roots. “More Songs out of Style” continues our exploration of the movement of great songs across musical genres. We’ll hear modern songs remade into traditional acoustic styles.
Artists featured on “More Songs out of Style” include up and coming bluegrass sensation Sylamore Special, experimental bluegrass ensemble The Barefoot Movement, soulful bluegrass legend The Dave Adkins Band, guitar virtuoso Muriel Anderson, amazing sibling duo The Vogts Sisters, mountain dulcimer world champion Jeff Hames, bluegrass genre jumpers The Seldom Scene, mountain dulcimer guru & musical mad scientist Bing Futch, masters of harmony The Secret Sisters, as well as old-time music mavens, comedians, and all-around hooligans The Hogslop String Band.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original mountain dulcimer master Elliot Hancock performing the tune “Hole in the Stocking” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses how songs change as they are passed on, learned, and performed by new artists. This episode traces the path of the traditional song “Red Rocking Chair” through some different performer’s styles.
This week, songs about saying goodbye performed by a variety of artists recorded live at Ozark Folk Center State Park in Mountain View, Arkansas.
Farewells have produced some of our most powerful and emotional works of art. Goodbye is a theme endlessly explored in paintings, sculpture, literature and film. Music is no different. In this episode, we’ll hear songs of farewell written for everything from beloved people, to places, careers, innocence, life, and even a horse. Featured are experimental folk ensemble Jayme Stone & the Lomax Project with Moira Smiley, renowned cowboy singer Don Edwards, the Paul Brock Band with Dennis Carey & Dave Curley, Smithsonian Folkways artists Anna & Elizabeth, Scottish fiddler Alasdair Fraser with cellist Natalie Haas, Texas swing and bluegrass phenomenon The Purple Hulls, John McEuen of the Nitty Gritty Dirt Band, Smithsonian Folkways artists Lula Wiles, traditional fiddler Bruce Molsky, folk singer and actor Joe Purdy & friends, and ubiquitous cowboy cadre Riders in the Sky.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Bob Blair performing the traditional song “Who Will Sing?” from the Ozark Folk Center State Park archives.
Renowned folk musician Aubrey Atwater presents songs about home. Leaving home, missing home, and going home are all themes of Aubrey’s segment this week.
This week, legendary songwriter, performer, folklorist, historian and Ozark original Jimmy Driftwood recorded live at Ozark Folk Center State Park. Dave Smith gives an historical portrait of the life of this remarkable Ozarker.
There was never a more popular, outspoken or controversial musician or personality to come out of Stone County, Arkansas than James Corbitt Morris (better known as Jimmy Driftwood.) Driftwood was a driving force behind the creation of the Ozark Folk Center State Park and a successful singer songwriter who penned “The Battle of New Orleans” and “Tennessee Stud” among other notable songs. Jimmy helped put Stone County on the musical map and left a legacy that is still talked about to this day. Our program this week features special and seldom heard songs from some of Jimmy’s archival Ozark Folk Center performances.
Mark Jones' “From the Vault” segment offers an archival recording from the Ozark Folk Center State Park archives of Jimmy Driftwood demonstrating playing a tune on a hickory leaf.
Author and historian Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. This week, Brooks presents a brief history of the very first Arkansas Folk Festival and folk singer Jimmy Driftwood’s efforts in starting the event that has been held annually in Mountain View, Arkansas since 1963.
This week, It’s Dulcimer Jamboree! A whole host of mountain & hammered dulcimer national champions recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the some of these interesting and eclectic musicians.
For over 35 years, Ozark Folk Center State Park has hosted the annual Dulcimer Jamboree. The annual event takes place in mid-April and features three days of specialized instruction and performances from the country’s top mountain and hammered dulcimer players. The mountain dulcimer remains one of the more popular folk instruments today. Its celebration in the Mountain View, Arkansas area as a core folk instrument has never waned over the years, with an active community of players and instrument makers. With origins dating back to Biblical times, the hammered dulcimer is an unique instrument in the percussion family. Like the mountain dulcimer, it found a home in the Ozark region among folk musicians and instrument makers alike. Music this week includes performances by Ted Yoder, Rick Thum, Bing Futch, Jeff Hames, Tull Glazener, Jess Dickinson, and Judson Steinback.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original dulcimer master craftsman Lynn McSpadden and his wife Catherine performing the traditional tune “Castle Grand,” from the Ozark Folk Center State Park archives.
Renowned folk musician Aubrey Atwater profiles influential folk music icons Jean Ritchie and the Ritchie Family, exploring the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on Jean Ritchie’s introduction of the mountain dulcimer to the New York City folk revival of the 1960’s, and features Jean Ritchie performing an haunting version of the traditional song “Pretty Saro.”
This week, Ozark original multi-instrumentalist, composer, educator, audio engineer and OHR host, our very own Mark Jones recorded live at Ozark Folk Center State Park. Also, interviews with Mark as well as with his long time friend, country music superstar Marty Stewart.
Anyone who listens to Ozark Highlands Radio will be familiar with the fun loving and friendly voice of Mark Jones, the keeper of our “Vault.” In August of 2021, we lost Mark to Covid-19. His passing was a profound loss to all of us, both professionally and personally. Please join us as we pay tribute to the life and legacy of our dear friend, Mark Jones.
Mark Alan Jones was born in 1955 to Country Music Hall of Fame & Grand Ole Opry performers Louis "Grandpa" Jones and Ramona Jones in Nashville, Tennessee. As a young man, he toured across the country with his famous parents making appearances on the Grand Ole Opry and the television show "Hee Haw.” He performed with numerous other artists including the Willis Brothers, the Wright Brothers, and Jimmy Driftwood's Rackensack Folklore Society. He also worked as a sound engineer for the Statler Brothers.
Mark toured with renowned guitarist, Doyle Dykes, playing in churches throughout America. He was a regular performer at the Grandpa Jones Dinner Theatre in Mountain View, Arkansas, and was a founding member of the Arkansas Beanfest. Mark spent several years playing banjo and running sound and lights at Silver Dollar City and Shepherd of The Hills Outdoor Drama in Branson, Missouri. He also worked as a performer and sound engineer at the Ozark Folk Center in Mountain View, Arkansas.
Throughout his life, Mark taught private music lessons helping to preserve traditional folk music. Even though his life was deeply engrained in music, he enjoyed working with the intellectually disabled and often used his musical talent as a therapeutic tool. Mark is a 2021 inductee of the George D. Hay Society Hall of Honor.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers archival recordings of himself and a few of his friends demonstrating his true passion, the clawhammer banjo. Hear Mark playing the tunes Mountain Whippoorwill, Cripple Creek and John Hardy, from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley celebrates 50 years of the Buffalo National River. This episode recalls early efforts to conserve and protect America’s first national river. Featured is an interview with long time area resident and photographer Ed Alexander, who’s father, Arkansas Game and Fish Commission biologist Harold Alexander was one of the early pioneers in seeking to protect the river.
This week, Nashville, TN based high energy neo-traditional oldtime music sensation The Hogslop String Band returns to Ozark Folk Center State Park. Also, interviews with this rowdy rabble.
“Staying true to tradition while maintaining a bold irreverence is something that rarely goes hand-in-hand but Hogslop String Band manages to walk that line. With their roots in old-time string band music and their energy based in wild rock-and-roll, you could almost call them punk purists.
It’s an unlikely combination, but given the talents of singer and fiddler Kevin Martin; guitarist, harmonica player and singer Gabriel Kelley; mandolin player and singer Will Harrison; banjo player and singer Daniel Binkley, and bassist and all-round entertainer Pickle, they pull it off with natural ease. The name alone hints at their wacky ways, but catching them live will give you a true sense of these bizarre, seemingly contradictory descriptions.
They thrive on crossing genres, casting off the confines of straight old-time and bluegrass, delving into a deep repertoire of rock, folk, psychedelic, and original numbers that can only be described as, 'The Hogslop Sound.' It’s clear that these boys are going places, and they've quickly become one of the most unique and exhilarating outfits on the scene today. 'It only gets weirder from here,' they often say from stage. They're not kidding.” - http://www.hogslopstringband.com
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley continues our celebration of 50 years of the Buffalo National River. This episode describes the park staff and volunteer support structures as well as the immense logistical challenges of maintaining America’s first national river. Featured are interviews with Buffalo National River Chief of Interpretation Cassie Branstetter, area native and long time Buffalo National River staff member Zed Davenport, Buffalo National River Partners Board Chairperson Terrie Martindale, park ranger and interpreter Lauren Ray, and long time area resident and photographer Ed Alexander.
This week, Ozark original and Mountain View, Arkansas based seventeen year old award winning fiddle prodigy Mary Parker and her band of rising bluegrass superstars, Sylamore Special, recorded live at Ozark Folk Center State Park. Also, interviews with this up and coming fiddle wunderkind.
For over ten years now, Mary Parker has been a regular performer here at the Ozark Folk Center State Park. That’s extraordinary, considering that she’s only now seventeen years old. The middle in her family of nine children, Mary has distinguished herself as a world class oldtime and bluegrass fiddle player and vocalist. She’s won ten state fiddle championships, as well as numerous bluegrass competitions with her many different bands. Most recently, her band “Sylamore Special” won first place at the Youth in Bluegrass Competition in Branson, Missouri. With her seemingly indefatigable sunny disposition and a voracious appetite for learning new music, Mary appears destined to carry on her already auspicious career in music. Mary is joined in this performance by her award winning band “Sylamore Special.” The band features another championship musical prodigy, Lillyanne McCool on banjo, also bass player and vocalist Mercy Grace, guitar picker and vocalist Turner “Turnip” Atwell, and mandolinist & jig dancer Gordon “Sugar foot” Parker, Mary’s footstep following younger brother.
In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Mary Parker’s mentor and Ozark original fiddler Roger Fountain performing the tune “Listen to the Mockingbird,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley continues our celebration of 50 years of the Buffalo National River. This episode recounts the controversy over, and political maneuvering that resulted in the creation of America’s first national river. Featured are interviews with writer, professor, and regular Ozark Highlands Radio contributor Dr. Brooks Blevins, and Buffalo River area native and long time Buffalo National River staff member Zed Davenport.
This week, Gatlinburg, Tennessee based neo-traditional bluegrass quintet The Po' Ramblin’ Boys recorded live at Ozark Folk Center State Park. Also, interviews with Ramblin’ Boys guitarist and vocalist, Josh Rinkel.
“At a time when most people feel constantly distracted by technology and barraged by the news, authenticity and straightforward honesty are paramount. There’s something about the music of The Po’ Ramblin’ Boys that cuts right through the noise of the world and speaks plainly to the soul. Formed in the Smoky Mountains, The Po’ Ramblin’ Boys are at once exactly what you would expect and not at all what you would expect from a tattooed East Tennessee Bluegrass outfit. No strangers to hard work, the boys are as much at home riding in their restored Eagle tour bus as they are crawling underneath to fix it when it needs maintenance. But they take pride in being ambassadors of their genre, and the group has brought their music from rural bluegrass festival stages to the rock clubs of Europe, and even the GRAMMY Red Carpet, with stunning results. ‘I think to a certain extent everyone is just craving music that they can feel, and any music that feels real will reach any audience’ says CJ Lewandowski, the groups founder, ‘We want to put bluegrass right where it’s least expected.’ Perhaps this mindset is why the group earned the title of Emerging Artist of the Year at the 2018 IBMA Awards.” https://www.theporamblinboys.com
In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Ervin Freeze performing the traditional song “Charming Betsy,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley continues our celebration of 50 years of the Buffalo National River with a profile of the Buffalo National River Partners, a civic organization that supports the river in innumerable ways.
This episode continues our tour of places “you shouldn’t miss” and other remarkable spots along the 135 miles of America’s first national river, as well as where to find information about park events, facilities and services. Featured are interviews with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton and Buffalo National River Partners Board Chairperson Terrie Martindale.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode guides us on a tour of places “you shouldn’t miss” and other remarkable spots along the 135 miles of America’s first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode recalls early efforts to conserve and protect America’s first national river. Featured is an interview with long time area resident and photographer Ed Alexander, who’s father, Arkansas Game and Fish Commission biologist Harold Alexander was one of the early pioneers in seeking to protect the river.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode investigates the impact of human activity on the river environment and ecology, as well as policies and guidelines designed to mitigate such issues for America’s first national river. Featured are interviews with park ranger and interpreter Lauren Ray, park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton, and long time area resident and photographer Ed Alexander.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode describes the park staff and volunteer support structures as well as the immense logistical challenges of maintaining America’s first national river. Featured are interviews with Buffalo National River Chief of Interpretation Cassie Branstetter, area native and long time Buffalo National River staff member Zed Davenport, Buffalo National River Partners Board Chairperson Terrie Martindale, park ranger and interpreter Lauren Ray, and long time area resident and photographer Ed Alexander.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode inventories natural resources and the history of economic activity around America’s first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode recounts the controversy over, and political maneuvering that resulted in the creation of America’s first national river. Featured are interviews with writer, professor, and regular Ozark Highlands Radio contributor Dr. Brooks Blevins, and Buffalo River area native and long time Buffalo National River staff member Zed Davenport.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode examines the history of human activity and historic cultural sites along America’s first national river. Featured is an interview with Buffalo National River archaeologist Suika Rivett.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode details planned park festivities for the 50th anniversary celebration year and profiles a unique volunteer support organization for America’s first national river, the Buffalo National River Partners. Featured are interviews with Buffalo National River Chief of Interpretation Cassie Branstetter and Buffalo National River Partners Board Chairperson Terrie Martindale.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode explores the myriad of wildlife that thrive both above and below the waters of America’s first national river. Featured are interviews with Arkansas Game and Fish Commission biologist Rachel Norton and Buffalo National River ecologist and aquatic wildlife specialist Shawn Hodges.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This episode explains the geology and natural water systems that created and continue to sustain America’s first national river. Featured are interviews with Buffalo National River biological sciences technician Ashley Rodman and park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton.
In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.
This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.
This week, Cincinnati, Ohio based post-punk neo-folk acoustic oldtime string band The Tillers recorded live at Ozark Folk Center State Park. Also, interviews with The Tillers’ fearless leader, Mike Oberst.
“The Tillers have been thumping their own distinctive sound of string band style folk music for a decade, riding it all over the country and across the sea. Four studio albums and one live record have won them praise as modern folk storytellers of the national soundscape. The band features Mike Oberst on banjo & vocals, Sean Geil on guitar & vocals, Joe Macheret on fiddle, and Aaron Geil on upright bass.
“The Tillers got their start in August 2007 when they started thumping around with some banjos and guitars and a big wooden bass. Their look didn’t fit the stereotype. They were clearly recovering punk rockers with roots in city’s west side punk rock and hardcore scene. The punk influence gave their sound a distinctive bite, setting them apart from most other folk acts- a hard-driving percussive strum and stomp that brought new pulse and vinegar to some very old songs. But their musical range soon proved itself as they floated from hard-tackle thumping to tender graceful melody, all the while topped by Oberst and Geil’s clear tenor harmonies.
“Musically, the band wears many hats. Their sound has proven to be an appropriate fit with a wide range of musical styles- traditional folk, bluegrass, jazz, punk rock and anything else they might run into. They have shared the stage with a broad swath of national touring acts, ranging from renowned folk legends such as Doc Watson, Ramblin’ Jack Elliott, Guy Clark, Country Joe McDonald, Jerry Douglas, Iris Dement, Pokey LaFarge, The Hackensaw Boys and The Carolina Chocolate Drops to rambunctious rock daredevils like the Legendary Shack Shakers.” www.the-tillers.com/bio
In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original fiddler Sam Younger performing the traditional tune “Smoky Mountain Shuffle,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley begins our celebration of 50 years of the Buffalo National River, America’s first national river.
This week, outlaw country music icons the legendary Billy Don Burns and his protege Josh Morningstar recorded live at Ozark Folk Center State Park. Also, interviews with these artistic outlaws.
As country music moved towards a more slick commercial “Nashville sound” in the 1970s, some of its most notable artists bucked the trend. Influential country musicians such as Willie Nelson and Waylon Jennings fought back against the major studios and won the right to record their music the way they wanted. With its roots in blues, honky tonk, rockabilly, and rock & roll, outlaw country has become a musical genre all its own.
In Stone County, Arkansas, we have a legendary outlaw singer-songwriter right here in our community. Since the early days of outlaw country, Billy Don Burns has been a go to songwriter for artists like Willie Nelson and Waylon Jennings. Now in his 70s, Billy Don is still at it. BDB crisscrosses the country on his Harley Davidson while producing hit songs recorded by country music legacy Shooter Jennings, rising country music star Cody Jinks, and many others. Also featured on this episode of OHR is Billy Don’s protege Josh Morningstar. An up and coming outlaw, Josh Morningstar has also had hit songs recorded by Cody Jinks.
“Billy Don Burns is one of the few remaining original outlaw country music singer songwriters. This long and hard road paved with a honky tonk reality has taken him from Stone County, Arkansas and around the world touring for the past fifty years. He has been described as The Warrior Poet who has gained the respect of some of the greatest songwriters including Billy Joe Shaver, David Lynn Jones, Johnny Cash, and Willie Nelson. Some of BDB’s critically acclaimed albums are ‘Desperate Men’ with Hank Cochran, and “Heroes, Friends and Other Troubled Souls” with Hank Cochran, Willie Nelson, and Tanya Tucker. Johnny Paycheck, Willie, Connie Smith, Mel Tillis, and Sammy Kershaw have recorded his songs. A few artists that have recently recorded his songs are Cody Jinks, Colter Wall, and Whitey Morgan. Other BDB albums are ‘Graveyard in Montgomery,’ ‘Train Called Lonesome,’ and the live album produced by Shooter Jennings in Joshua Tree, California called ‘A Night in Room 8,’ the room where Gram Parsons died. The newest album ‘The Country Blues,’ is BDB’s latest effort.” - The Hollywood Times
“A curious and fresh combination of grit and humor, Josh Morningstar is knocking down stereotypes with his worn boots and unforgettable raspy voice. He is a small-town boy that originally hails from Funkstown, Maryland, and he carries those roots in a suitcase with him everywhere he goes. His small-town charm is evident in the way he greets people, and in the conversational way that he weaves the stories of his life into his music.
“In front of the bright lights and behind the microphone isn't where Morningstar feels most at home. Named the 2018 Texas Radio Songwriter of the Year, he and his Kristofferson signed guitar have knocked out melodies in dingy hotels all across the country. He’s written songs alongside Kendell Marvel, Channing Wilson, Autumn McEntire, and many more. Morningstar was also the writer of several Cody Jinks songs, including his #1 hit “Must Be The Whiskey.” - https://joshmorningstar.com In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Uncle Floyd Holland performing the traditional tune “Nellie Grey,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley describes the Ozark journey of famed folk song collector Alan Lomax.
This week, postmodern folk singer-songwriter McKain Lakey and neo-acoustic folk-rock duo Jamie Lou & Garrett Brolund recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with these innovative trouveurs.
Artists featured on this week’s show embody the spirit of folk nouveau or “new folk.” They’ve taken in sounds and stories of traditional folk music as well as modern influences to build new sounds and stories bridging their own personal experiences to this ancient art.
“Sometimes the pursuit of our greater humanity involves jumping into life head first. That’s what McKain Lakey does. You can tell by her songs. Armed with George the trusty road cat, a carful of instruments, and all the fight of a rambling, rural-raised, queer femme wanderer, McKain Lakey is one to be reckoned with. She’s the rare human who feels as comfortable wielding a chisel as she does a guitar, who can be as often spotted behind the soundboard in a crowded venue as discussing the intersections of race and gender in old time music with a classroom full of 5th graders. Described by What’s Up Magazine as ‘a time capsule unearthed, fine-tuned and re-imagined’, Lakey draws creative inspiration from far corners of the American music tradition, tracing the lines of musical lineage that connect Old Time to Rockabilly, Country to Cajun to Dixieland. She’s a dedicated student of tradition, but at once unafraid to stare down convention through the modern lens of her lived experience. Her upcoming album, Somewhere, blurs lines of old and new, referencing musical textures of past eras while unabashedly exploring topics of mental health, family separation, rural identity and queer love. ‘My introduction to American folk music was so rooted in the knowledge that I am a part of living tradition, a web connected across time and distance, and built by generations of creative and resilient people.’ - McKain Lakey” https://www.mckainlakey.com/about
“Florida native Jamie Lou Connolly began writing and sharing her songs with family at the age of 15 in Florida. But just three years later, the songs and most everything took a back seat to survival, as tragedy left her homeless in a cold and snowy Colorado. By 2010, she’d rebounded and relocated to Russellville, Arkansas and began playing live in the local open mic and songwriter scene. Jamie Lou performed solo, as one half of a folk duo, and as front woman for a number of full bands.” Her latest project is a full electric band called “Jamie Lou and the Hullabaloo.” For her acoustic performance at Ozark Folk Center State Park, Jamie Lou is joined by singer, guitarist, songwriter and fellow Jamie Lou and the Hullabaloo band member Garrett Brolund. - https://www.jamielouandthehullabaloo.com/theband
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Dwight Moody performing the traditional song “In the Pines,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the many and varied styles of folk music captured by legendary song collector Alan Lomax.
This week, Ozark original singer-songwriter and multi-instrumentalist Caleb Ryan Martin recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Caleb.
“Caleb Ryan Martin has, according to one reviewer, ‘a lonesome voice and rhythm that can at times invoke a lonesome ramblin' man sound, a voice that will haunt you with some type of mysterious mountain holler sound, like a banshee singing in the nether woods.’ Caleb Ryan Martin, an acoustic bluegrass, folk and roots musician hailing from the hills of Fayetteville, AR. Looking like a man from leaner and meaner times, Caleb has traveled and played music all across the Midwest and Gulf Coast region, singing with expressive vocals, playing guitar, and picking the banjo providing people with melodic medicine. Caleb currently averages between 150 - 200 shows a year, with no sign of slowing down.” https://www.reverbnation.com/calebryanmartin1
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Dave Leatherman performing the Louvin Brothers classic “From Mother’s Arms to Korea,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with Ozark Folk Center Craft Director Jeanette Larson about the magic of fiber arts.
This week, a pair of fascinating internet born musical celebrities, Hillary Klug & Abby the Spoon Lady recorded live at Ozark Folk Center State Park. Also, interviews with these online auteurs.
The internet and its many social media outlets have created a space where regular folks can showcase their talents to the entire world. This vast endless digital showcase is mentoring a renaissance in folk music, culture, and expression. Occasionally, these online expressions take on a life of their own and go “viral.” It’s happened over and again, turning regular people living relatively quiet lives into international superstars quite literally overnight. In this episode of Ozark Highlands Radio, we feature two of these celebrious viral VIP’s.
Hillary Klug is a buck dancer, award winning fiddle player and street performer from Nashville, Tennessee. She began as a dance & fiddle teacher but became a street performer after realizing that she could make a good living fiddling and dancing for tourists in Nashville’s art district. Quite by accident, Hillary became an internet sensation when in 2018 she posted a video to Facebook of herself performing that went viral. Now, with over one million Facebook followers and over one hundred thousand YouTube subscribers, Hillary is an international celebrity. For her performance recorded here at Ozark Folk Center State Park, Hillary is accompanied by her teacher and mentor, five time Tennessee fiddle champion and multi-instrumentalist Jim Wood. Also accompanying Hillary is multi-instrumentalist Ben Ayers. Together, they present an eclectic mix of traditional old-time music and original tunes, along with Hillary’s fancy percussive foot work. - https://hillaryklug.com
Abby the Spoon Lady, born Abby Roach, is an American musician, radio personality, and free speech activist. Her music focuses on the American roots genre. In 2017, she posted a hastily made YouTube video for her friends for an event called Play Music on the Front Porch Day. The video went viral with over 44 million views and Abby became an international celebrity overnight. She now has almost a half million followers on Facebook and almost 400 thousand subscribers to her YouTube channel. Abby first started street performing and busking as a means to make money traveling across the United States, primarily hopping freight trains. She taught herself to play the spoons and traveled all over the United States by hitchhiking and railroad. She states that landing in Asheville, North Carolina, was completely an accident and that she took the wrong train. Today she hosts storytelling events where she discusses the lifestyle of the American hobo. She spent a good amount of her time traveling, recording the stories, interviews and songs of other American travelers. Abby is an advocate for street performance and free speech. In 2014 she was instrumental in developing a group called the Asheville Buskers Collective which advocates for street performance within the city of Asheville, North Carolina. Today she records buskers through a project called Busker Broadcast, and records interviews and songs of travelers passing through Asheville. Abby is accompanied on her Ozark Folk Center performance by singer-songwriter and one many band, Chris Rodrigues. - https://spoonlady.com/about/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a recording from the Ozark Folk Center State Park archives of harmonica virtuoso Lonnie Glosson making his harmonica literally talk.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with Ozark Folk Center broom maker Shawn Hoefer about the history and process of traditional broom making.
This week, a boisterous bounty of Bluegrass bands both regional and international recorded live at Ozark Folk Center State Park. Also, interviews with these peppy pickers.
In the 1940’s, Kentucky mandolinist Bill Monroe and his Blue Grass Boys band coined a brand new sound onto the American popular music landscape. Named after Monroe’s band, this new “bluegrass” music was an evolution of the traditional old-time music of Appalachia. Drawing its roots from the same English, Scottish and Irish ballads and dances as early Appalachian folk music, bluegrass also utilizes the same type of acoustic stringed instruments. Banjo, mandolin, fiddle, guitar, dobro, and upright acoustic bass are the standard tools for bluegrass. Add to those a ferocious driving tempo, brilliant virtuosity, and a style of singing that Bill Monroe described as a “high lonesome sound” and you’ve got bluegrass!
Featured in this episode of Ozark Highlands Radio are: Nashville based multiple IBMA award winners the Becky Buller Band; Grammy nominated Austin, Texas progressive bluegrass sensation Wood & Wire; Ozark Original ACMA award winning family bluegrass band The Keisler Brothers; Pikeville, Kentucky IBMA award winner and the most soulful voice in bluegrass today, Dave Adkins; Newark, Arkansas’ own three finger banjo Jedi Adam Fudge; Ozark Original mandolinist and Acoustic Music Talk podcast host Brad Apple; Bethesda, Maryland progressive bluegrass icons Seldom Scene.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1980 archival recording of bluegrass legend Buck White performing the traditional song “More Pretty Girls than One,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with Ozark Folk Center wood worker Joe Roe about the subtleties of bow making.
This week, a collection of exceptional Ozark original singer-songwriters recorded live at Ozark Folk Center State Park. Also, interviews with these canorous poets.
Folk songs don’t just materialize out of thin air and they don’t grow on trees. They’re conceived and written by regular people to express their feelings, their experiences and their culture. Although we tend to think of folk songs as records of a distant past, contemporary songwriters carry on this rich tradition. Nowhere is the tradition more alive than in the Ozark Mountains of Arkansas and Missouri. Join us, as we present a small sampling of true contemporary Ozark original singer-songwriters creating brand new folk music for these modern times.
Featured on this episode of Ozark Highlands Radio are: Buffalo Gals band member Melissa Carper of Eureka Springs, Arkansas; Mountain View, Arkansas’ own Carolyn Carter; Batesville, Arkansas native and Creek Rocks band member Cindy Woolf; Mountain View resident and Ozark Folk Center regular, Grace Stormont; Taller Than You band member and hammered dulcimer champion, Mineral Point, Missouri’s Ben Haguewood; Buffalo Gals band member and award winning fiddler, Eureka Springs, Arkansas’ Rebecca Patek; Traveling minstrel and multi-instrumentalist Willi Carlisle of Fayetteville, Arkansas.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1973 archival recording of Ozark original singer-songwriter Jimmy Driftwood performing his well known song “The Battle of New Orleans,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with Ozark Folk Center master printer Troy Odom about the techniques of early printing presses.
This week, next generation Ozark original folk, bluegrass and old-time musicians recorded live at Ozark Folk Center State Park. Also, interviews with these budding artists.
A defining characteristic of folk music is its translation from one generation to the next. Traditional songs and melodies travel not only across oceans, mountains and cultures but also through time as they are passed down. Each new generation of musicians leaves their mark on these cultural artifacts as they experience them and this has not changed. Within the mission of Ozark Folk Center State Park is a desire to provide an environment for this cultural translation to take place. The park’s Music Roots program in local public schools in combination with performance opportunities at Ozark Highlands Theater have provided a rich medium for propagating a steady stream of young traditional musicians. We’re proud to offer this small sampling of the next generation of Ozark originals.
Featured on this special episode of OHR…
The unbridled energy and vertical ascendancy of the band Taller Than You will have you up and dancing. This six piece old-time Ozark original string band features an unusual lead instrument, the hammered dulcimer, played by vocalist and award winning hammered dulcimer maestro Ben Haguewood. Another award winner, Kailee Spickes brings her championship old-time fiddling as well as backup vocals. Old-time clawhammer banjo champion Grace Stormont rounds out the rhythm and lends her amazing vocals. Chandler Spickes provides some smooth guitar and Gresham McMillon fills out the low end on upright acoustic doghouse bass.
Up and coming Ozark original bluegrass phenomenon Southern Strings band straddles the line between traditional and modern. This bluegrass quintet can old-time with the best of them while bridging their unique modern acoustic sound to tunes from a variety of genres. The band is lead by vocalist and guitar whip Sophia Wright. Multi award winning fiddler and vocalist Mary Parker provides an impeccable virtuosity. World champion clawhammer banjo Jedi Lillyanne McCool shows her mastery of the three finger Scruggs banjo style. Mandolinist Isaac McCutchen rounds out the rhythm and style with his soulful voice, and Luke Nentrup brings it all together with his vocals and versatility on upright acoustic bass.
Also featured on this episode is Southern Strings banjoist Lillyanne McCool’s winning performance at the 2019 old-time clawhammer banjo contest held during Grandpa Jones Tribute Weekend at Ozark Folk Center State Park. We’ll close the show with a rare performance by vocal prodigy Carolina Mendoza that is guaranteed to make you weep like a baby.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1973 archival recording of a very young Ozark original Greg Moody performing the traditional folk song “Going Down this Road Feeling Bad,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley gives us a glimpse into pioneer survival techniques and the proper use of a “froe,” explained by long time Ozark Folk Center craftsman and musician Robert Gillihan.
This week, Ozark original old-time family string band Love Holler recorded live at Ozark Folk Center State Park. Also, interviews with these familial entertainers.
Love Holler is a three piece old-time family string band. Father, Stacy Russell, leads the band on upright acoustic bass and vocals. Fronting the band are twin sisters Emma and Caroline bringing clawhammer banjo, guitar and the most ethereal sibling harmonies this side of paradise. Descendants of the original settlers of the Love Holler region of Independence County Arkansas, the Russell family has turned their ardor for all things antique into an authentic old-time sound. Although drawing their primary inspiration from legendary country music superstars The Carter Family, Love Holler has incorporated into their repertoire a collection of haunting ancient European ballads and early American folk songs as well as their own original songs. Join the Russell family as they embark on a journey through the past to the early days of radio and beyond.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Judy Klemenson performing the traditional hymn “Where Could I Go but to the Lord,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley gives a perspective on both the corporeal and spiritual bounty of barns.
This week, Ozark original old-time family string band Love Holler recorded live at Ozark Folk Center State Park. Also, interviews with these familial entertainers.
Love Holler is a three piece old-time family string band. Father, Stacy Russell, leads the band on upright acoustic bass and vocals. Fronting the band are twin sisters Emma and Caroline bringing clawhammer banjo, guitar and the most ethereal sibling harmonies this side of paradise. Descendants of the original settlers of the Love Holler region of Independence County Arkansas, the Russell family has turned their ardor for all things antique into an authentic old-time sound. Although drawing their primary inspiration from legendary country music superstars The Carter Family, Love Holler has incorporated into their repertoire a collection of haunting ancient European ballads and early American folk songs as well as their own original songs. Join the Russell family as they embark on a journey through the past to the early days of radio and beyond.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Judy Klemenson performing the traditional hymn “Where Could I Go but to the Lord,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley gives a perspective on both the corporeal and spiritual bounty of barns.
This week, OHR celebrates the singularly American musical art form, Jazz, with a mélange of both regional and nationally renowned artists recorded live at Ozark Folk Center State Park. Also, interviews with these melodious mavens.
The uniquely blended culture of America has produced some of the world’s most notable modern musical genres. Not the least of these is jazz. Growing from its roots in African-American blues music, jazz in its many forms dominated American popular music of the first half of the 20th Century.
Featured on this episode of Ozark Highlands Radio are: A.J. Croce, jazz pianist, singer, songwriter and son of famed American singer-songwriter Jim Croce; powerhouse jazz and Texas swing trio The Quebe Sisters; talented Arkansas family group The Clark Family Trio; Ozark original singer and guitarist Denise Lanuti with her band Mighty Fine Time; multi-instrumentalist and featured artist on PBS’ American Epic, Jerron “Blind Boy” Paxton; inimitable time traveling San Francisco ragtime duo Meredith Axelrod & Craig Ventresco.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1991 archival recording of Ozark original Moon Mullins performing the classic tune “Tiptoe Through the Tulips,” from the Ozark Folk Center State Park archives.
This week, Ozark original all girl old-time string band sensation the Ozark Granny Chicks recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with these seasoned sirens.
The Ozark Granny Chicks are an old-time string band quartet comprising Kay Thomas on mountain dulcimer, fiddle and vocals, Tara Ludwig on clawhammer banjo and vocals, Pam Setser on mountain dulcimer, guitar, spoons and vocals, and Crystal McCool on upright acoustic bass, fiddle and vocals. Specializing in traditional Ozark folk music, these ladies bring superb mountain harmonies and mastery of a variety of acoustic stringed instruments. Their laid back style is evocative of gentler days, when Ozark folks gathered for what were called “pickins” where they could socialize, dance, and listen to local musicians “pick.” Let the granny’s music transport you to the old Ozarks for a toe tapping down home good time.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Mary Gillihan performing the traditional a cappella ballad “Two Brethren,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the socio-economic ramifications of hay hauling.
This week, Ozark original all girl old-time string band sensation the Ozark Granny Chicks recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with these seasoned sirens.
The Ozark Granny Chicks are an old-time string band quartet comprising Kay Thomas on mountain dulcimer, fiddle and vocals, Tara Ludwig on clawhammer banjo and vocals, Pam Setser on mountain dulcimer, guitar, spoons and vocals, and Crystal McCool on upright acoustic bass, fiddle and vocals. Specializing in traditional Ozark folk music, these ladies bring superb mountain harmonies and mastery of a variety of acoustic stringed instruments. Their laid back style is evocative of gentler days, when Ozark folks gathered for what were called “pickins” where they could socialize, dance, and listen to local musicians “pick.” Let the granny’s music transport you to the old Ozarks for a toe tapping down home good time.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Mary Gillihan performing the traditional a cappella ballad “Two Brethren,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the socio-economic ramifications of hay hauling.
This week, Colorado old-time and progressive bluegrass singer-songwriter duo Lizzy Plotkin and Natalie Spears recorded live at Ozark Folk Center State Park. Also, interviews with these promising new artists.
“Lizzy Plotkin and Natalie Spears revel in the endless groove of Appalachian fiddle/banjo duets, funky blues bass lines, and soulful harmony singing. Their original compositions and reverent interpretations of old-time and bluegrass standards draw from a rich history of listening and learning from great American music of the past. They have appeared on the stages of The John Hartford Memorial Festival, Jammin at Hippie Jack’s, BlackPot Festival, Swallow Hill, Steve’s Guitar’s, The Jalopy Theatre, and can be seen touring around their homes on the Western Slope of Colorado and beyond.” https://www.lizzyandnatalie.com/about
“Natalie’s original compositions are a home-grown recipe of honest lyricism, soulful melodies, and placed-based inspiration. Drawing on the roots of Americana, including Old time and Jazz, she brings to life the history of these traditions with her own voice and quiver of instruments (banjo, bass, piano, and guitar). Her music offers listeners the space to both venture into the intimate corners of humanity and to rest easy under the strength of strings.
Born and raised in the heart of Washington DC, Natalie took after her father, a Jazz and Classical pianist, and began playing piano at age five. By fifth grade she was schlepping her upright bass on the school bus, playing saxophone in her school band, and taking drum lessons. Music fell by the wayside after high school but in her early 20’s, Natalie stumbled upon American Roots music. While playing bass in an Old-Time string band, she became enamored by the driving rhythm of the clawhammer banjo, and since then, has dedicated herself to learning the instrument and its history.” http://nataliespears.com/welcome
“Lizzy Plotkin’s place-based songwriting and fiddling is as exuberant as is it graceful. With reverence for the natural world and a humble, yet wise human perspective, Lizzy shares with listeners her joy and connection through original story, melody and voice.
The sounds of Appalachian fiddles and banjos enliven Lizzy’s music, while she is equally drawn to the groove of old-jazz, blues and swing. Seamlessly combining a rich heritage of musical influence, she has sewn a folk fabric of her own. In 2012, Lizzy co-founded Colorado folk trio Free the Honey, released three records, reached #1 on the folk dj charts with their album Fine Bloom and performed nation-wide until 2016. As a guest instrumentalist, she has performed with a number of electronic, blues, jazz, bluegrass and country outfits such as The Polish Ambassador, Martha Scanlan, Drew Emmit Band, Ragged Mountain Bluegrass, Pure Prairie League, Gypsy Jazz Social Club and Trout Steak Revival . She lives full time in Almont, CO where she is an active community member and music instructor.” https://lizzyplotkin.com/bio/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of himself and Ozark original Frank Ellis performing the traditional tune “The Chicken Reel,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses a metaphysical aspect of hearing loss.
This week, Colorado old-time and progressive bluegrass singer-songwriter duo Lizzy Plotkin and Natalie Spears recorded live at Ozark Folk Center State Park. Also, interviews with these promising new artists.
“Lizzy Plotkin and Natalie Spears revel in the endless groove of Appalachian fiddle/banjo duets, funky blues bass lines, and soulful harmony singing. Their original compositions and reverent interpretations of old-time and bluegrass standards draw from a rich history of listening and learning from great American music of the past. They have appeared on the stages of The John Hartford Memorial Festival, Jammin at Hippie Jack’s, BlackPot Festival, Swallow Hill, Steve’s Guitar’s, The Jalopy Theatre, and can be seen touring around their homes on the Western Slope of Colorado and beyond.” https://www.lizzyandnatalie.com/about
“Natalie’s original compositions are a home-grown recipe of honest lyricism, soulful melodies, and placed-based inspiration. Drawing on the roots of Americana, including Old time and Jazz, she brings to life the history of these traditions with her own voice and quiver of instruments (banjo, bass, piano, and guitar). Her music offers listeners the space to both venture into the intimate corners of humanity and to rest easy under the strength of strings.
Born and raised in the heart of Washington DC, Natalie took after her father, a Jazz and Classical pianist, and began playing piano at age five. By fifth grade she was schlepping her upright bass on the school bus, playing saxophone in her school band, and taking drum lessons. Music fell by the wayside after high school but in her early 20’s, Natalie stumbled upon American Roots music. While playing bass in an Old-Time string band, she became enamored by the driving rhythm of the clawhammer banjo, and since then, has dedicated herself to learning the instrument and its history.” http://nataliespears.com/welcome
“Lizzy Plotkin’s place-based songwriting and fiddling is as exuberant as is it graceful. With reverence for the natural world and a humble, yet wise human perspective, Lizzy shares with listeners her joy and connection through original story, melody and voice.
The sounds of Appalachian fiddles and banjos enliven Lizzy’s music, while she is equally drawn to the groove of old-jazz, blues and swing. Seamlessly combining a rich heritage of musical influence, she has sewn a folk fabric of her own. In 2012, Lizzy co-founded Colorado folk trio Free the Honey, released three records, reached #1 on the folk dj charts with their album Fine Bloom and performed nation-wide until 2016. As a guest instrumentalist, she has performed with a number of electronic, blues, jazz, bluegrass and country outfits such as The Polish Ambassador, Martha Scanlan, Drew Emmit Band, Ragged Mountain Bluegrass, Pure Prairie League, Gypsy Jazz Social Club and Trout Steak Revival . She lives full time in Almont, CO where she is an active community member and music instructor.” https://lizzyplotkin.com/bio/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of himself and Ozark original Frank Ellis performing the traditional tune “The Chicken Reel,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses a metaphysical aspect of hearing loss.
This week, international multi-award winning Toronto, Canada guerrilla-folk ensemble The Lemon Bucket Orkestra recorded live at Ozark Folk Center State Park. Also, interviews with Mark Marczyk, founding member of this genre-bending super-band.
“Lemon Bucket Orkestra are Toronto's original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are ‘gorgeously sung and passionately played’ and The New York Times declared them ‘charismatic...handsome and ambitious.’
“Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience - ranging from the ecstatic to the cathartic and all points in between - and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released in Canada through Outside Music in late 2018, it’s set for worldwide release via a new deal with Six Degrees Records this September, and includes guest appearances from famed soprano Measha Brueggergosman, rising Latino rapper Boogát, sing-a-long phenoms Choir!Choir!Choir! and more.
“Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)” https://www.lemonbucket.com/band
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original fiddler Lonnie Robertson performing the traditional tune “Florida Blues,” from the Ozark Folk Center State Park archives.
This week, international multi-award winning Toronto, Canada guerrilla-folk ensemble The Lemon Bucket Orkestra recorded live at Ozark Folk Center State Park. Also, interviews with Mark Marczyk, founding member of this genre-bending super-band.
“Lemon Bucket Orkestra are Toronto's original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are ‘gorgeously sung and passionately played’ and The New York Times declared them ‘charismatic...handsome and ambitious.’
“Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience - ranging from the ecstatic to the cathartic and all points in between - and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released in Canada through Outside Music in late 2018, it’s set for worldwide release via a new deal with Six Degrees Records this September, and includes guest appearances from famed soprano Measha Brueggergosman, rising Latino rapper Boogát, sing-a-long phenoms Choir!Choir!Choir! and more.
“Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)” https://www.lemonbucket.com/band
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original fiddler Lonnie Robertson performing the traditional tune “Florida Blues,” from the Ozark Folk Center State Park archives.
This week, award winning Baltimore, Maryland Old-time and progressive Bluegrass sensation The Ken & Brad Kolodner Quartet recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this musical father and son.
“The dynamic father-son team Ken & Brad Kolodner weave together a captivating soundscape on hammered dulcimer and clawhammer banjo blurring the lines of Old-Time, Bluegrass and American Roots music. Regarded as one of the most influential hammered dulcimer players in North America, Baltimore’s Ken Kolodner has joined forces with his son Brad Kolodner, a renowned clawhammer banjo player. They've sculpted their own brand of driving, innovative, tasteful acoustic roots music with a ‘creative curiosity that lets all listeners know that a passion for traditional music yet thrives in every generation.’ The hypnotizing groove of the percussive hammered dulcimer and rhythmic clawhammer banjo is the core of their sound. They are joined by bassist Alex Lacquement who locks everything together with his commanding presence and the dynamic multi-instrumentalist Rachel Eddy on fiddle and guitar. The quartet won 1st place in the Neo-Traditional Band Contest at the Appalachian Stringband Festival in the summer of 2019. They released their fourth studio album "Stony Run" in March 2020.” https://www.kenandbrad.com/about.html
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Bob & Kay Blair performing the traditional song “Mary of the Wild Moor,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the literal and philosophical dilemmas posed by low water bridges for people who depend on them to get home.
This week, award winning Baltimore, Maryland Old-time and progressive Bluegrass sensation The Ken & Brad Kolodner Quartet recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this musical father and son.
“The dynamic father-son team Ken & Brad Kolodner weave together a captivating soundscape on hammered dulcimer and clawhammer banjo blurring the lines of Old-Time, Bluegrass and American Roots music. Regarded as one of the most influential hammered dulcimer players in North America, Baltimore’s Ken Kolodner has joined forces with his son Brad Kolodner, a renowned clawhammer banjo player. They've sculpted their own brand of driving, innovative, tasteful acoustic roots music with a ‘creative curiosity that lets all listeners know that a passion for traditional music yet thrives in every generation.’ The hypnotizing groove of the percussive hammered dulcimer and rhythmic clawhammer banjo is the core of their sound. They are joined by bassist Alex Lacquement who locks everything together with his commanding presence and the dynamic multi-instrumentalist Rachel Eddy on fiddle and guitar. The quartet won 1st place in the Neo-Traditional Band Contest at the Appalachian Stringband Festival in the summer of 2019. They released their fourth studio album "Stony Run" in March 2020.” https://www.kenandbrad.com/about.html
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Bob & Kay Blair performing the traditional song “Mary of the Wild Moor,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the literal and philosophical dilemmas posed by low water bridges for people who depend on them to get home.
This week, nationally renowned Arkansas singer-songwriter Erin Enderlin recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this award winning wordsmith.
“‘One of the best things about country music was that it was adult music,’ Erin Enderlin says of the country songs she grew up listening to in Arkansas. ‘It was real music that dealt with hard issues in life so that people going through those things don’t feel so alone.’ “The observation is signature Enderlin: She has a way of turning a song or even just a thought into an outstretched hand to the lonely or ashamed. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier firmly cemented her as something more. She’s a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Backsliders, avengers, lovers, and victims––they’re all swapping forlorn tales on the collection, which is a fresh take on the concept album set in a small Southern town. “Now, Enderlin is home in Nashville, reflecting on that record and the past couple of years as she enjoys a little downtime after opening a run of shows for Jamey Johnson. 2018 was an especially busy year for the singer-songwriter. She was named a member of the 2018 CMT Next Women of Country, a recipient of the Arkansas Country Music Awards Songwriter and Album of the Year recognitions, and runner-up to Jason Isbell in the Best Singer-Songwriter field in the Nashville Scene’s touchstone Best of Nashville issue. Already a go-to writer for stars having penned mega country hits such as Alan Jackson’s ‘Monday Morning Church,’ Lee Ann Womack’s ‘Last Call,’ Luke Bryan’s ‘You Don’t Know Jack,’ and a host of other songs for Randy Travis, Joey+Rory, and more. Enderlin continues to add marquee cuts to her catalog including, ‘The Bar’s Getting Lower’ recorded by Reba for her upcoming album Stronger Than the Truth. Terri Clark also featured five Enderlin-written gems on her Raising the Bar album and Whisperin’ Bill Anderson recorded and released her ‘Waffle House Christmas,’ then featured her in the song’s beloved video. After hearing Enderlin perform on the radio broadcast of the Grand Ole Opry while en route there herself, Jeannie Seely decided to sing the song she heard Enderlin deliver, the gut-punching ‘I Let Her Talk.’ This summer, Enderlin is up for six more Arkansas Country Music Awards.” - https://www.erinenderlin.com/bio
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Jim & Denise Lansford performing the song “My Dear Old Southern Home,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley contemplates the promise of rain for those who’s lives and livelihoods are tied to the land.
This week, nationally renowned Arkansas singer-songwriter Erin Enderlin recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this award winning wordsmith.
“‘One of the best things about country music was that it was adult music,’ Erin Enderlin says of the country songs she grew up listening to in Arkansas. ‘It was real music that dealt with hard issues in life so that people going through those things don’t feel so alone.’ “The observation is signature Enderlin: She has a way of turning a song or even just a thought into an outstretched hand to the lonely or ashamed. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier firmly cemented her as something more. She’s a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Backsliders, avengers, lovers, and victims––they’re all swapping forlorn tales on the collection, which is a fresh take on the concept album set in a small Southern town. “Now, Enderlin is home in Nashville, reflecting on that record and the past couple of years as she enjoys a little downtime after opening a run of shows for Jamey Johnson. 2018 was an especially busy year for the singer-songwriter. She was named a member of the 2018 CMT Next Women of Country, a recipient of the Arkansas Country Music Awards Songwriter and Album of the Year recognitions, and runner-up to Jason Isbell in the Best Singer-Songwriter field in the Nashville Scene’s touchstone Best of Nashville issue. Already a go-to writer for stars having penned mega country hits such as Alan Jackson’s ‘Monday Morning Church,’ Lee Ann Womack’s ‘Last Call,’ Luke Bryan’s ‘You Don’t Know Jack,’ and a host of other songs for Randy Travis, Joey+Rory, and more. Enderlin continues to add marquee cuts to her catalog including, ‘The Bar’s Getting Lower’ recorded by Reba for her upcoming album Stronger Than the Truth. Terri Clark also featured five Enderlin-written gems on her Raising the Bar album and Whisperin’ Bill Anderson recorded and released her ‘Waffle House Christmas,’ then featured her in the song’s beloved video. After hearing Enderlin perform on the radio broadcast of the Grand Ole Opry while en route there herself, Jeannie Seely decided to sing the song she heard Enderlin deliver, the gut-punching ‘I Let Her Talk.’ This summer, Enderlin is up for six more Arkansas Country Music Awards.” - https://www.erinenderlin.com/bio
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Jim & Denise Lansford performing the song “My Dear Old Southern Home,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley contemplates the promise of rain for those who’s lives and livelihoods are tied to the land.
This week, we celebrate the life and music of traditional folk troubadour and Ozark original the late Cathy Barton. Enjoy Cathy and her husband Dave Para recorded live at Ozark Folk Center State Park. Also, interviews with Cathy & Dave.
“A lifelong musician, Cathy Barton grew up singing and started learning the ukulele in elementary school in Hawaii. After moving to Missouri, she took up the guitar and banjo and eventually developed a champion old-time banjo style. After hearing a record by Bill Spence on community radio, she became one of the first hammered dulcimer players in her region and helped expand the popularity of the instrument, inspiring many players nationally. Her playing was vibrant, powerful and spot on. She was also a generous and thoughtful teacher. Music was always fun for her and she tried to pass that on as much as any technique to her students and audiences.
Cathy and her husband Dave Para shared a love for singing and cultivated a versatile and distinctive harmony duet and a reputation for giving dynamic performances acclaimed for variety and expertise. ‘Why do they sound like a whole band,’ the great banjoist Alan Munde once commented.” - https://bartonpara.com/bp/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Cathy Barton and his own sister Alisa Jones singing the song “The Water is Wide,” from the Ozark Folk Center State Park archives.
Dave Smith sits down with writer, musician and traditional dancer Aubrey Atwater to discuss the life, music, and enduring musical legacy of folk icon Cathy Barton, one of traditional folk music’s most dedicated champions.
This week, Grammy Award winning North Carolina modern bluegrass supergroup The Steep Canyon Rangers recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the band’s leader and mandolin Jedi Mike Guggino.
“Steep Canyon Rangers are Asheville, North Carolina’s GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin.
The Rangers are made up of Woody Platt on guitar and vocals, Graham Sharp on banjo and vocals, Mike Guggino on mandolin/mandola and vocals, Nicky Sanders on fiddle and vocals, Mike Ashworth on drums and vocals, and Barrett Smith on bass and vocals.
Steep Canyon Rangers have been on a journey that is uniquely their own. The band started in college at UNC-Chapel Hill, then dove head first into bluegrass in its most traditional form, and over the years have risen to the top of the bluegrass genre headlining top festivals such as Merlefest and Grey Fox Bluegrass. Only to then be discovered by Steve Martin, famous actor and banjo player. Martin has taken the Rangers on a nearly decade long tour introducing them to hundreds of thousands of new fans and giving them prime time TV exposure. This has helped SCR become the most recognizable modern name in bluegrass music. The band has continued to tour extensively on their own, without Martin, and have expanded their genre into country and Americana with the addition of a drummer, alongside an incredibly versatile bassist - to accompany the original core band. The Rangers are big players in the bluegrass/country and Americana scene today. They are often compared to predecessors The Band, Nitty Gritty Dirt Band, and the modern Zac Brown Band.” - https://www.steepcanyon.com/about
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Frank Ellis, Cathy Barton, and Taylor McBain performing the classic tune “Grey Eagle” from the Ozark Folk Center State Park archives.
This week, Grammy Award winning North Carolina modern bluegrass supergroup The Steep Canyon Rangers recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the band’s leader and mandolin Jedi Mike Guggino.
“Steep Canyon Rangers are Asheville, North Carolina’s GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin.
The Rangers are made up of Woody Platt on guitar and vocals, Graham Sharp on banjo and vocals, Mike Guggino on mandolin/mandola and vocals, Nicky Sanders on fiddle and vocals, Mike Ashworth on drums and vocals, and Barrett Smith on bass and vocals.
Steep Canyon Rangers have been on a journey that is uniquely their own. The band started in college at UNC-Chapel Hill, then dove head first into bluegrass in its most traditional form, and over the years have risen to the top of the bluegrass genre headlining top festivals such as Merlefest and Grey Fox Bluegrass. Only to then be discovered by Steve Martin, famous actor and banjo player. Martin has taken the Rangers on a nearly decade long tour introducing them to hundreds of thousands of new fans and giving them prime time TV exposure. This has helped SCR become the most recognizable modern name in bluegrass music. The band has continued to tour extensively on their own, without Martin, and have expanded their genre into country and Americana with the addition of a drummer, alongside an incredibly versatile bassist - to accompany the original core band. The Rangers are big players in the bluegrass/country and Americana scene today. They are often compared to predecessors The Band, Nitty Gritty Dirt Band, and the modern Zac Brown Band.” - https://www.steepcanyon.com/about
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Frank Ellis, Cathy Barton, and Taylor McBain performing the classic tune “Grey Eagle” from the Ozark Folk Center State Park archives.
This week, Fayetteville, Arkansas Ozark original old time acoustic quartet “Mighty Fine Times” recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the band’s fearless leader Denise Lanuti.
"Mighty Fine Times" members Dennis Collins and Denise Lanuti have many years of musical experience and have been performing together since 1987. Bayard Blain and Jennifer Parker joined the band and together the group features songs from many genres including old time, jazz, cowboy, bluegrass, blues and folk music.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of his own family, The Jones Family, performing the Buck White tune “Buck’s Waltz,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater presents a portrait of Bessie Jones and the Georgia Sea Island Singers. In this segment, we look in particular at the music and dance of Bessie Jones and the Georgia Sea Island Singers—a story that has everything to do with slavery and isolation.
This week, Fayetteville, Arkansas Ozark original old time acoustic quartet “Mighty Fine Times” recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the band’s fearless leader Denise Lanuti.
"Mighty Fine Times" members Dennis Collins and Denise Lanuti have many years of musical experience and have been performing together since 1987. Bayard Blain and Jennifer Parker joined the band and together the group features songs from many genres including old time, jazz, cowboy, bluegrass, blues and folk music.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of his own family, The Jones Family, performing the Buck White tune “Buck’s Waltz,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater presents a portrait of Bessie Jones and the Georgia Sea Island Singers. In this segment, we look in particular at the music and dance of Bessie Jones and the Georgia Sea Island Singers—a story that has everything to do with slavery and isolation.
This week, Grammy nominated Austin, Texas based progressive bluegrass quintet “Wood & Wire.” Also, interviews with these boundary bending bluegrass mavericks.
“To understand the musical entity known as Wood & Wire, it’s best to toss aside expectations regarding the sounds that might be created by four pickers holding assemblages of wood and wire — specifically acoustic guitar, bass, banjo and mandolin. Banjo player Trevor Smith spent some of his teen years in Tucson, Arizona, playing in headbanger bands while studying Bill Monroe and J.D. Crowe. Mandolinist Billy Bright, raised in El Paso, Texas, swore his youthful allegiance to punk rock. And bassist Dom Fisher holds a jazz studies degree from Ithaca College in upstate New York.
They don’t claim to defy categorization, they just ignore the notion of boundaries. ‘Us coming together and throwing those recipes in a blender is what makes the sound of what we do unique’ asserts Houston and Galveston raised lead singer/guitarist Tony Kamel. Kamel, unbelievably, cites Wood & Wire as his first professional band outing, though he obviously developed prodigious skills since digging his mom’s guitar out of the attic at 12.” - https://www.woodandwireband.com/bio
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of West Virginia country music legends The Bailes Brothers performing the traditional song “I Saw the Light,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses children’s songs in folk culture with musical examples and her own cultivated insight. In this segment, we look at children’s songs, many of which have ancient lyrics and references. As songs are passed from parent to child or child to child, it is very natural to sing about our surroundings and what we overhear. What is surprising, though, are the often morbid origins of these songs. Death, disease, cruelty, religious conflict, politics, war, corruption, taxes, you name it.
This week, New York singer-songwriter, Americana and folk duo Richie & Rosie recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with these two fascinating talents.
“Richie Stearns and Rosie Newton grew up 150 miles and a few decades apart. While both were raised by professional cellists, Richie started playing banjo at age 14 and Rosie began classical piano lessons at eight, eventually moving to classical viola as a teen. Both shared incredibly unique, musically-immersed childhoods. Richie’s family founded the iconic GrassRoots Festival of Music & Dance (of which he is now President) and by her junior year of high school, Rosie was playing fiddle and touring with folk rock band The Mammals. During that time, the two were introduced at Saratoga Springs’ Flurry festival, a meeting that would spark a fated friendship and unique musical bond.
‘He left an impression on me because he was wearing Converse. I had never seen an adult wear Converse before,’ said Rosie, reflecting back on the first time she shared the stage with Richie. As a Woodstock native, she graduated high school and decided to move to Ithaca after being drawn to the thriving old-time scene, which happened to also be Richie’s stomping grounds. While studying viola at Ithaca College and playing fiddle on the side, Rosie started incorporating folk with her traditional Celtic and classical upbringing. Meanwhile, Richie was a well-established singer and banjo player in the community, having performed around the world with bands like Bela Fleck, Pete Seeger, David Byrne, Billy Bragg & Wilco, Old Crow Medicine Show, and Joan Baez. In addition to releasing two solo albums, Richie was adding to his endless discography, which includes three Natalie Merchant records, multiple collaborations with Jim Lauderdale and Donna The Buffalo, and Carrie Rodriguez.” https://richieandrosie.com/bio
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Frank Ellis performing a traditional fiddle medley from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses songs of “home” with musical examples and her own cultivated insight. Home, hearth, family, and sense of place are profound aspects of the human experience. In this segment, we explore American folk songs that address leaving home, returning home, searching for home, homesickness, and our heavenly home.
This week, New York singer-songwriter, Americana and folk duo Richie & Rosie recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with these two fascinating talents.
“Richie Stearns and Rosie Newton grew up 150 miles and a few decades apart. While both were raised by professional cellists, Richie started playing banjo at age 14 and Rosie began classical piano lessons at eight, eventually moving to classical viola as a teen. Both shared incredibly unique, musically-immersed childhoods. Richie’s family founded the iconic GrassRoots Festival of Music & Dance (of which he is now President) and by her junior year of high school, Rosie was playing fiddle and touring with folk rock band The Mammals. During that time, the two were introduced at Saratoga Springs’ Flurry festival, a meeting that would spark a fated friendship and unique musical bond.
‘He left an impression on me because he was wearing Converse. I had never seen an adult wear Converse before,’ said Rosie, reflecting back on the first time she shared the stage with Richie. As a Woodstock native, she graduated high school and decided to move to Ithaca after being drawn to the thriving old-time scene, which happened to also be Richie’s stomping grounds. While studying viola at Ithaca College and playing fiddle on the side, Rosie started incorporating folk with her traditional Celtic and classical upbringing. Meanwhile, Richie was a well-established singer and banjo player in the community, having performed around the world with bands like Bela Fleck, Pete Seeger, David Byrne, Billy Bragg & Wilco, Old Crow Medicine Show, and Joan Baez. In addition to releasing two solo albums, Richie was adding to his endless discography, which includes three Natalie Merchant records, multiple collaborations with Jim Lauderdale and Donna The Buffalo, and Carrie Rodriguez.” https://richieandrosie.com/bio
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Frank Ellis performing a traditional fiddle medley from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses songs of “home” with musical examples and her own cultivated insight. Home, hearth, family, and sense of place are profound aspects of the human experience. In this segment, we explore American folk songs that address leaving home, returning home, searching for home, homesickness, and our heavenly home.
This week, Woodstock, NY singer-songwriter, multi-instrumentalist and American musical legacy Amy Helm recorded live at Ozark Folk Center State Park. Also, interviews with this descendant of American music royalty.
“Amy Helm is an American singer-songwriter and daughter of The Band drummer Levon Helm and singer Libby Titus. She is a past member of the Levon Helm's Midnight Ramble Band and Ollabelle, as well as her own touring band. Born in Woodstock, New York, Amy spent her childhood between Woodstock, Los Angeles, and New York City. She attended Trinity High School where she studied jazz with Dr. Aaron Bell, while singing in bands, and playing in New York City clubs and bars. A lifelong musician and music-lover, Helm’s parents guided her training and influences. She later became a founding member of the alt-country collective Ollabelle and served as a backing musician in her father's Midnight Ramble Band.” http://www.amyhelm.com/home#about-amy
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark originals The Simmons Family and also Pam Setser performing the traditional song “Bright Morning Stars are Rising.”
This week, Ozark Highlands Radio explores hard times in 2020. For this special episode, we’ve reached out to various Ozark Highlands Radio featured artists to discuss the Covid-19 pandemic. Hear notable musicians open up about how they themselves, their careers, and their art have been affected by these trying events. We’ll also hear music from these hard driving gig workers, recorded live at Ozark Folk Center State Park.
The pandemic of 2020 has been a major disruption to almost every facet of human life. Because of the associated lock-downs and social distancing requirements in combination with the nature of their work, one certain group of gig workers, touring musicians, have been completely shut down. Not only are they dealing with an immediate and unexpected lack of income but also a very uncertain future. As we’ll hear from their interviews, they’re quite aware that they may be some of the last people allowed to get back to work.
Featured in this special episode are Canadian Ottawa Valley fiddler and step dancer April Verch, Mark Bilyeu of the Ozark original group “The Creek Rocks,” international autoharp maverick and poet Bryan Bowers, Rhode Island writer, musician and traditional step dancer Aubrey Atwater, North Carolina old-time songwriter and clawhammer banjo slinger Joe Newberry, and Florida contemporary mountain dulcimer Jedi Bing Futch.
This week, Ozark original, singer-songwriter, yodeler, multi-instrumentalist and one man band Nick Shoulders recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this interesting musical multi-tasker.
Nick Shoulders is originally from Fayetteville, Arkansas but now divides his time between Fayetteville and New Orleans. Nick blends his unique brand of Arkansas honkabilly with Slim Whitman-style quivering country ballads. While simultaneously playing drums and guitar, Nick performs old-time country and honky tonk music that features whistling, yodeling, mouth trumpet, kazoo, and more. “Wielding a high yodel and whistle crafted from a lifetime chasing lizards through the Ozark hills, Nick combines his family's deep ties to southern traditional music with years singing to empty street corners to create this hybridized form of raucous country music: born of some dark holler and bred to be stomped into the New Orleans dance floors it now calls home. Since 2014, Nick has periodically traveled for months at a time, living out of his van-house with his trusty 130-pound dog Moose while busking as a one-man band all over the U.S.” - https://nickshoulders.bandcamp.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Mike Sutter performing the blues song “Jimmy Bell,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the tradition of jump rope and hand clapping rhymes and songs in folk music with musical examples and her own cultivated insight. In this segment, we visit playgrounds to hear children jump rope and play hand-clapping games, eavesdropping on their rhymes and chants, many of which are derived from old folk songs, tales and current events. We even learn how some of these songs have made their ways into modern popular music.
This week, Ozark original, singer-songwriter, yodeler, multi-instrumentalist and one man band Nick Shoulders recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this interesting musical multi-tasker.
Nick Shoulders is originally from Fayetteville, Arkansas but now divides his time between Fayetteville and New Orleans. Nick blends his unique brand of Arkansas honkabilly with Slim Whitman-style quivering country ballads. While simultaneously playing drums and guitar, Nick performs old-time country and honky tonk music that features whistling, yodeling, mouth trumpet, kazoo, and more. “Wielding a high yodel and whistle crafted from a lifetime chasing lizards through the Ozark hills, Nick combines his family's deep ties to southern traditional music with years singing to empty street corners to create this hybridized form of raucous country music: born of some dark holler and bred to be stomped into the New Orleans dance floors it now calls home. Since 2014, Nick has periodically traveled for months at a time, living out of his van-house with his trusty 130-pound dog Moose while busking as a one-man band all over the U.S.” - https://nickshoulders.bandcamp.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Mike Sutter performing the blues song “Jimmy Bell,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the tradition of jump rope and hand clapping rhymes and songs in folk music with musical examples and her own cultivated insight. In this segment, we visit playgrounds to hear children jump rope and play hand-clapping games, eavesdropping on their rhymes and chants, many of which are derived from old folk songs, tales and current events. We even learn how some of these songs have made their ways into modern popular music.
This week, renowned California bluegrass and roots singer-songwriter, traditional dancer, and multi-instrumentalist Evie Ladin and her band recorded live at Ozark Folk Center State Park. Also, interviews with Evie.
“The neo-trad kinetic-folk of the Evie Ladin Band is a mingling of the deep Appalachian sound of clawhammer banjo, guitar, bass and percussive dance, with contemporary storytelling and original, conversational interplay among the band members. Some of their adventurousness comes from early hip hop in the high school cafeteria, some from Evie’s early attraction to, and study of, the African roots in Appalachian music and dance. She created an African Studies In Dance major at Brown University, then studied dance in Eastern Nigeria on a Fulbright Fellowship. While myriad world and contemporary music influences permeate the band’s choices, they never reach too far, remaining seamless and true to the stories they tell.
Precisely because Evie was raised to know that music, dance and singing are what humans do together, she is an avid educator and community facilitator, at all ages and levels, in diverse communities. An electric and entertaining live performer, balancing performing with hands on teaching has proven extremely satisfying. Music is meant to move. Music is to do. In listening, live or on record, Evie keeps bringing you back to these basics, while savoring the real stuff of life.” - https://evieladin.com/bio/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Bob Strayer performing on a mouth harp the traditional song “Turkey in the Straw,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the tradition of “work songs” in folk music with musical examples and her own cultivated insight.
This week, renowned California bluegrass and roots singer-songwriter, traditional dancer, and multi-instrumentalist Evie Ladin and her band recorded live at Ozark Folk Center State Park. Also, interviews with Evie.
“The neo-trad kinetic-folk of the Evie Ladin Band is a mingling of the deep Appalachian sound of clawhammer banjo, guitar, bass and percussive dance, with contemporary storytelling and original, conversational interplay among the band members. Some of their adventurousness comes from early hip hop in the high school cafeteria, some from Evie’s early attraction to, and study of, the African roots in Appalachian music and dance. She created an African Studies In Dance major at Brown University, then studied dance in Eastern Nigeria on a Fulbright Fellowship. While myriad world and contemporary music influences permeate the band’s choices, they never reach too far, remaining seamless and true to the stories they tell.
Precisely because Evie was raised to know that music, dance and singing are what humans do together, she is an avid educator and community facilitator, at all ages and levels, in diverse communities. An electric and entertaining live performer, balancing performing with hands on teaching has proven extremely satisfying. Music is meant to move. Music is to do. In listening, live or on record, Evie keeps bringing you back to these basics, while savoring the real stuff of life.” - https://evieladin.com/bio/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Bob Strayer performing on a mouth harp the traditional song “Turkey in the Straw,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the tradition of “work songs” in folk music with musical examples and her own cultivated insight.
This week, cowboy poet, singer-songwriter, guitarist, and archivist Andy Hedges recorded live at Ozark Folk Center State Park. Also, interviews with this Texas troubadour.
“Andy Hedges is a songster, reciter, storyteller, guitarist, and collector of cowboy songs and poems. The son of an Italian schoolteacher and a rodeo cowboy turned preacher, Andy was born in Lubbock, Texas, in the spring of 1980. He grew up in the small community of Tokio, Texas, where his family paid rent on an old farmhouse by looking after a few head of cattle. It was there that Andy fell in love with traditional music by listening to his father’s cassettes of cowboy songs.
Andy’s vast and varied repertoire includes classic cowboy poetry recitations, obscure cowboy songs, dust bowl ballads, and blues. He also hosts a podcast, Cowboy Crossroads which features in-depth interviews with fellow musicians and poets. Andy has performed many times with folk legend Ramblin’ Jack Elliott and the duo’s performance at the 60th Newport Folk Festival was named one of the ’10 Best Things We Saw’ by Rolling Stone.” - https://www.andyhedges.com/about
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Dave Para performing the traditional song “Why Paddy’s Not at Work Today,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the prevalence of cautionary tales found in traditional folk music with musical examples and her own cultivated insight.
This week, cowboy poet, singer-songwriter, guitarist, and archivist Andy Hedges recorded live at Ozark Folk Center State Park. Also, interviews with this Texas troubadour.
“Andy Hedges is a songster, reciter, storyteller, guitarist, and collector of cowboy songs and poems. The son of an Italian schoolteacher and a rodeo cowboy turned preacher, Andy was born in Lubbock, Texas, in the spring of 1980. He grew up in the small community of Tokio, Texas, where his family paid rent on an old farmhouse by looking after a few head of cattle. It was there that Andy fell in love with traditional music by listening to his father’s cassettes of cowboy songs.
Andy’s vast and varied repertoire includes classic cowboy poetry recitations, obscure cowboy songs, dust bowl ballads, and blues. He also hosts a podcast, Cowboy Crossroads which features in-depth interviews with fellow musicians and poets. Andy has performed many times with folk legend Ramblin’ Jack Elliott and the duo’s performance at the 60th Newport Folk Festival was named one of the ’10 Best Things We Saw’ by Rolling Stone.” - https://www.andyhedges.com/about
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Dave Para performing the traditional song “Why Paddy’s Not at Work Today,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the prevalence of cautionary tales found in traditional folk music with musical examples and her own cultivated insight.
This week, International Bluegrass Music Association award winners, singers, songwriters, and multi-instrumentalists Mike Compton and Joe Newberry recorded live at Ozark Folk Center State Park. Also, interviews with this prolific pair of pickers.
“Mike Compton and Joe Newberry, masters of old-time mandolin and banjo/guitar, dig deep into early country music and blues. Their duet-singing, two-man string band ranges between traditional songs, instrumentals, ‘mother’ ballads and original tunes. It’s not about the number of notes with Compton and Newberry, but telling the truth and respecting the song.
Mike Compton is a Grammy award winner, IBMA Mandolin Player of the Year nominee, a steady sideman for John Hartford from 1994 until Hartford’s death in 2001, and mandolinist for the Nashville Bluegrass Band. Mike is inarguably the world expert on Bill Monroe-style bluegrass mandolin, and is also steeped in old-time fiddle tunes, early string band music and Delta blues.
Known far and wide for his powerful banjo playing, Joe Newberry is a prizewinning guitarist, songwriter, and singer to boot. In addition to his work with Mike, Joe plays with old-time music legends Bill Hicks, Jim Watson, and Mike Craver, performs with guitarist Jon Shain, and is a frequent guest on Garrison Keillor’s A Prairie Home Companion. He won the songwriting prize for “Gospel Recorded Performance” at the 2012 IBMA Awards for his song Singing As We Rise, and was co-writer, with Eric Gibson, of the 2013 IBMA Song of the Year for They Called It Music.” http://comptonandnewberry.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Pat Hammock performing the traditional song “I Never Will Marry,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the universality of folk music, how it transcends geography, culture and time, with musical examples and her own cultivated insight.
This week, eight time International Bluegrass Music Association awards winner, singer, songwriter, and multi-instrumentalist Becky Buller and her band recorded live at Ozark Folk Center State Park. Also, interviews with Becky.
Becky Buller is an 8-time International Bluegrass Music Association (IBMA) awards winner who made bluegrass music history in 2016 by becoming the first artist ever to win in both instrumental and vocal categories, as well as the first female to win Fiddle Player Of The Year. She is accompanied by 2018 IBMA Banjo Player of the Year Ned Luberecki, director of the ETSU Bluegrass, Old-Time And Country Music Studies Program Dan Boner on guitar, 2015 IBMA Momentum Award-winning instrumentalist Nate Lee on mandolin, and Daniel “the Hulk” Hardin on upright bass. - https://beckybuller.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Mary & Robert Gillihan performing the traditional song “All Those Endearing Young Charms,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the theme of marriage in traditional music with musical examples and her own cultivated insight.
This week, legendary guitar virtuosos, songwriters, and Telecaster Jedi Bill Kirchen and Redd Volkaert recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with these two guitar giants.
“Grammy-nominated guitarist, singer, and songwriter Bill Kirchen first gained national recognition as a founding member of the original “Americana” group Commander Cody and his Lost Planet Airmen. His trademark guitar licks drove their “Hot Rod Lincoln” into the Top Ten in 1972. His latest recording “Transatlanticana” hit the Top 10 on the Americana Radio chart, staying in the Top 40 for 5 months.” - https://www.billkirchen.com/bill-kirchen-biography
“Redd Volkaert was a successor to Roy Nichols in Merle Haggard's backing band, and is "among the country’s top Telecaster guitar slingers.” Volkaert won a 2009 Grammy for Best Country Instrumental Performance. Best known as a Fender Telecaster player, with a personal collection that includes a 1953 Fender Telecaster, a 1951 Fender Nocaster, a 1958 Fender Esquire and a 1950s-style Hahn Telecaster.” Volkaert has backed up literally everyone in country music at some point. - https://www.reddvolkaert.com/default.html
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Mike McGee performing the traditional song “Rank Strangers,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater guides us through a cultural transposition of the traditional song “One Morning in May,” with musical examples and her own cultivated insight.
This week, Carter Family legacy, singer-songwriter, multi-instrumentalist, and country music superstar Carlene Carter recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this scion of American music royalty.
Carlene Carter is an American country singer and songwriter. She is the daughter of June Carter and her first husband, Carl Smith. Between 1978 and the present, Carter has recorded twelve albums, primarily on major labels. In the same timespan, she has released more than twenty singles, including three No. 3-peaking hits on the Billboard Hot Country Songs chart.
Carlene has always straddled the line between country and rock, following her own path. As a rock singer in the mid-'70s, she became immersed in the new wave before emerging as a new country singer in the late '80s. Through it all, her music has always infused roots music with a nervy, edgy energy. Her mother, June Carter-Cash would frequently take her daughter on Carter Family tours, which meant that Carlene developed a musical interest at an early age. When she was 12, her mother married Johnny Cash. Following the marriage, Carlene and her stepsister, Rosanne Cash, became backup singers in the Carter/Cash touring show.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Pappy Shorey and his shape note singers performing the hymn “How Beautiful Heaven Must Be,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater discusses the surprising origins of yodeling and its appearance in generations of traditional folk and popular music throughout the world with musical examples and her own cultivated insight.
This week, we celebrate the life of award winning Indiana finger style guitar prodigy the late Evan Twitty recorded live at Ozark Folk Center State Park. Also, interviews with the talented teen as well as his mentors and friends Thom Bresh and Randy Buckner. We are deeply saddened at the tragic passing of eighteen year old Evan Twitty. Evan lost his life in a car accident on February 7th of 2020. We here at Ozark Folk Center State Park have watched Evan grow up over his many years of attending our Merle Travis Thumbpicking Weekend. He began as a bright and promising student and matured into a championship winning guitarist, contest judge, teacher and mentor. In his brief eighteen years, Evan had placed himself among the finest guitarists in the world.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Clark Fowler and the Sacred Harp Singers performing a shape note version of the traditional song “Angel Band,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the importance of time in our lives and how we measure it.
This week, acclaimed North Carolina traditional Oldtime husband and wife duo Frank & Allie Lee recorded live at Ozark Folk Center State Park. Also, interviews with this talented twosome.
“Since starting to perform rural Southern music together in 2016, the feedback we have heard most often from folks across the country is that watching our show makes them happy. We feel happy when we sing in harmony and share our music. Passing on that joy to our listeners is why we perform. When we drive home from a gig, we reflect on the happy faces in the crowd. If we made you happy, then we feel that the show was worthwhile. Living in beautiful Bryson City, North Carolina near the Great Smoky Mountain National Park with our daughter and rescued kitties, we are known for singing old songs, playing the banjo, building community through teaching music, and making screen-printed t-shirts.” - https://www.frankandallie.com/promo-material
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of Ozark original Almeda Riddle performing the traditional English ballad “The House Carpenter,” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates historic outlaws of the Ozarks. Many famous outlaws including Bonnie & Clyde and Pretty Boy Floyd have hidden out in the Ozarks. Brooks guides us through this cult of criminality, recounting details of the infamous Battle of Springfield Massacre in part four of this series called “Public Enemy.”
Renowned Arkansas Americana and true folk singer-songwriter and film actor Joe Purdy recorded live at Ozark Folk Center State Park. Joe Purdy is joined in this performance by duos the Honey Dewdrops and also Smokey & the Mirror. Also, interviews with Joe.
“From his home state of Arkansas to his home in Los Angeles, Joe Purdy has recorded a baker’s dozen worth of albums. His songs have turned up on numerous TV shows and film soundtracks. Most notably, however, in recent years the singer, songwriter and self-described “hillbilly” has come to see the world and his role in it somewhat differently, charting this direction on his latest album, "Who Will Be Next?” Here he firmly plants his feet deep in the tradition of folk artists such as Pete Seeger, Woody Guthrie, Bob Dylan and Phil Ochs, applying his unique skills as writer and vocalist as a passionate observer and participant of our times.” - http://www.joepurdy.com
Joe is joined onstage by two different husband and wife Americana and true folk duos The Honey Dewdrops and Smokey & the Mirror. “Based out of Baltimore, MD, the Honey Dewdrops continue a long line of husband and wife duos making beautiful music together. Laura Wortman and Kagey Parrish now reside in Baltimore, but have strong connecting roots to the music in their home state of Virginia.” https://www.thehoneydewdrops.com
“Smokey & The Mirror is husband and wife duo Bryan and Bernice Hembree. Based out of Fayetteville, Arkansas, the Smokey & The Mirror have toured nationally/internationally over the past decade. The band has supported tours for Old Crow Medicine Show, The Wood Brothers, I’m With Her, Elephant Revival, John Fullbright, and many of their musical heroes.” - http://www.smokeyandthemirror.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Sam Younger and himself performing the song “Kicking Mule,” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates historic outlaws of the Ozarks. Many famous outlaws including Bonnie & Clyde and Pretty Boy Floyd have hidden out in the Ozarks. Brooks guides us through this cult of criminality, recounting details of the Ozark experiences of Bonnie & Clyde in part three of this series called “Public Enemy.”
In honor of Black History Month, OHR pays tribute to African Americans’ profound contribution to American music. Forged into the roots of blues, jazz, pop, rock, soul, hip-hop, country, old-time and traditional folk, the influence of African American culture on the American musical landscape cannot be overestimated. This week, we’ll present songs from a variety of modern world class African American performers of traditional American music, recorded live at Ozark Folk Center State Park in Mountain View, Arkansas.
Featured on this special episode are Jerron “Blind Boy” Paxton of PBS’ “American Epic,” Amythyst Kiah of Our Native Daughters (recorded live at Oxford American’s South on Main in Little Rock, AR,) Smithsonian Folkways recording artist Dom Flemons, blues and roots music legend Taj Mahal, and Carolina Chocolate Drops and Our Native Daughters member Leyla McCalla.
In this week’s guest host segment, author, folklorist and songwriter Charley Sandage continues our celebration of 50 years of the Buffalo National River. This episode inventories natural resources and the history of economic activity around America’s first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton.
More than a time, it’s a feeling, a style, and a sound. It’s “Oldtime.” In this special episode, OHR explores this rich international music genre. Sit a spell with Dave Smith and Mark Jones. Enjoy uncommon music performed by world class traditional Oldtime artists recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Featured on this episode are The April Verch Band, David Holt & Josh Goforth, Love Holler, Harmony, The Lazy Goat String Band with Dom Flemons, The Downhill Strugglers, Bruce Molsky, Jerron ‘Blind Boy’ Paxton, Lukas and Eden Pool, The Hogslop String Band, Betse Ellis & Clarke Wyatt, and The Ozark Highballers.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original Sam Younger and himself performing the song “Kicking Mule,” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates historic outlaws of the Ozarks. Many famous outlaws including Bonnie & Clyde and Pretty Boy Floyd have hidden out in the Ozarks. Brooks guides us through this cult of criminality, recounting details of the Ozark experiences of Bonnie & Clyde in part two of this series called “Public Enemy.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
In this week’s special episode, OHR heads west. The Western United States encompasses a plethora of great musical traditions. We’ve saddled up a superb sampling of Western American music performed by various traditional artists recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Featured on this episode are The Jason Roberts Band, The Purple Hulls, Don Edwards, The Western Flyers, Dom Flemons, Frank Fairfield & Zac Sokolow, The Quebe Sisters, and Riders in the Sky. Let’s ride!
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of Ozark original and our very own Dave Smith performing the song “The Happy Sunny Side of Life” from the Ozark Folk Center State Park archives.
In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates historic outlaws of the Ozarks. Many famous outlaws including Bonnie & Clyde and Pretty Boy Floyd have hidden out in the Ozarks. Brooks guides us through this cult of criminality, recounting details of some of the nation’s most notorious crooks’ Ozark experiences in part one of this series called “Public Enemy.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, five time Grammy Award winning traditional country, bluegrass, & Americana music legend Marty Stuart and his band, The Fabulous Superlatives, recorded live at the Ozark Folk Center State Park. Also, interviews with Marty. Mark Jones offers an archival recording of himself & Marty Stuart performing the song “The Train That Carried My Girl From Town.”
Marty Stuart is an American country music singer-songwriter & multi-instrumentalist, known for both his traditional style, and eclectic merging of rockabilly, honky tonk, and traditional country music. As a musical child prodigy, Marty grew up playing with some of the greatest names in bluegrass & country music. His early career saw him working with Lester Flatt, Vassar Clements, Doc Watson, Johnny Cash, Roy Orbison, Carl Perkins, Jerry Lee Lewis, Porter Wagoner, and many others. As an adult, Stuart launched a successful solo career that has spanned 30 years, and garnered five Grammy Awards. He has appeared on numerous TV shows including Hee Haw, The Nashville Network, and his own show “The Marty Stuart Show.” These days, he tours & records with his band “The Fabulous Superlatives,” featuring Kenny Vaughan on lead and acoustic guitar, Harry Stinson on drums and background vocals, and Chris Scruggs on electric, acoustic, steel and bass guitars, and background vocals. https://www.martystuart.net
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1980 archival recording of himself & Marty Stuart performing the song “The Train That Carried My Girl From Town,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, world renowned Grammy award winning musician, producer, writer, filmmaker, and founding member of the Nitty Gritty Dirt Band, John McEuen with his String Wizards recorded live at the Ozark Folk Center State Park. Also, interviews with this prolific creator and performer.
“John McEuen has been a ‘professional performer’ since 1962, working as a magician in Disneyland’s Magic Shop as a teenager. Music soon came along, which led to his long and varied career first solo, then as a founding member of the Nitty Gritty Dirt Band in 1966. Over 10,000 concerts and 300 television shows throughout more than 3 million miles - with the band and as a solo performer - John has pursued his passion for performing and recording. John left NGDB at the end of their 50th year touring to focus on the demand for his solo performing and projects. Beyond performing, he concurrenty has a rich history of creating, producing and preserving original and traditional folk and acoustic music, and taking it to new audiences.
“He brings his guitar, banjo, fiddle, and mandolin along with favorite NGDB songs and the stories behind them to the stage in a manner that earned the honored Best in the West Award from the Folk Alliance Organization.
“McEuen has made over 40 albums (7 solo) that have earned four platinum and five gold recognition awards, Grammy nominations, CMA and ACM awards, an Emmy nomination, IBMA record of the year award, and performed on another 25 albums as guest artist. He's also produced another 7 albums, and 14 film scores (two Emmy nominated shows) and more than 300 concerts throughout his career - the first in 1965 in Long Beach Calif., with Bob Dylan.
“His production of Steve Martin - The Crow won the 2010 Best Bluegrass Album Grammy. Prior to that, The Music of the Wild West CD- produced by McEuen, was honored with the Western Heritage Award. A Grammy nomination for String Wizards II preceded the1994 Uncle Dave Macon Award for his excellence in preservation and performance of historic music. On Sirius/XM's The Bridge, John's popular Acoustic Traveller show is now in its 9th year. McEuen produced and directed the 2006 documentary film The Dillards - A Night In the Ozarks, which captures his early mentors at their best.
“In April of 2018 John officially became an author, with his first book The Life I’ve Picked being published (On Chicago Review Press). A memoire, a telling of incredible stories from raising 6 kids in the music business and the ins and outs of being an iconic band member to being a single father to his current full and varied career, his book takes the reader on his unusual journey.
“In September of 2017 John was inducted in to the American Banjo Museum Hall of Fame. McEuen's countless jams include street performers to Phish, Earl Scruggs, Levon Helm… and even on Sesame Street with a herd of goats and a cow! Arguably, McEuen's most important legacy may be his initiating what Rolling Stone called ‘The most important record to come out of Nashville’ and what the 2004 ZAGAT survey called ‘the most important record in country music’ - Will the Circle Be Unbroken.” http://www.johnmceuen.com/biography.html
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1973 archival recording of his father, country music icon Grandpa Jones performing the classic song “Mountain Dew,” from the Ozark Folk Center State Park archives.
Brooks Blevins gives a native’s view of the people, music, and colorful events that shape the Ozark region. In this episode of stories, the author and historian investigates historic outlaws of the Ozarks. Many famous outlaws including Bonnie & Clyde, Maw Barker, and Pretty Boy Floyd have hidden out in the Ozarks. Brooks guides us through this cult of criminality, recounting details of some of the nation’s most notorious crooks’ Ozark experiences.
Brooks Blevins gives a native’s view of the people, music, and colorful events that shape the Ozark region. In this episode of stories, the author and historian presents the story of the Ozark Jubilee, one of America’s first nationally broadcast Oldtime barn dance country music television shows based in Springfield, Missouri. As a bonus, Brooks also recounts the history of the Ozark Opry, one of the first Oldtime barn dance music stage shows also in Springfield.
Brooks Blevins gives a native’s view of the people, music, and colorful events that shape the Ozark region. In this episode of stories, the author and historian presents the tale of "Ghost of the Ozarks” about the infamous Connie Franklin murder trial of the 1930’s. The trial became a mysterious and worldwide spectacle involving a man who testified at the trial for his own murder.
This week, a special episode. Ozark Highlands Radio partners with Oxford American Magazine to bring Woodstock, New York based contemporary folk and Americana superstar Josh Ritter, recorded live at South on Main in downtown Little Rock, Arkansas. Also, an interview with Oxford American Literary Project executive director Ryan Harris. Mark Jones offers an archival recording of Ozark original Karen Bell performing the classic tune “Grandfather’s Clock.”
“The Oxford American is a nonprofit organization with a mission to explore the complexity and vitality of the American South through excellent writing, visual art, and events programming. Our quarterly print magazine was founded in 1992, and, in addition to winning four National Magazine Awards, has helped launch the writing careers of such noted authors as Jesmyn Ward and John Jeremiah Sullivan, while publishing beloved writers like Charles Portis, Nikky Finney, Peter Guralnick, and many others.
“Our concert series at South on Main in Little Rock is an extension of the magazine, creating meaningful opportunities for the community to experience the most culturally significant artists in our region.
“The OA has a longstanding history of curating great music. Our Winter 2018 issue is dedicated to the music of North Carolina. It is our twentieth installment of the series, which the Houston Chronicle calls "the single best music-related magazine of any given year." Each music issue comes with a sought-after CD, curated by the editors to showcase the region's hugely varied musical legacy.”
More information about Oxford American programming, the magazine, and their mission can be found at https://www.oxfordamerican.org
Moscow, Idaho born and currently Woodstock, New York based musician Josh Ritter is an American singer, songwriter, musician, and author who performs and records with the Royal City Band. Ritter is known for his distinctive Americana style and narrative lyrics. In 2006 he was named one of the "100 Greatest Living Songwriters" by Paste magazine. - https://www.joshritter.com
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1977 archival recording of Ozark original Karen Bell performing the classic tune “Grandfather’s Clock,” from the Ozark Folk Center State Park archives.
This week, Baltimore based Old Time string and Irish button accordion band Charm City Junction recorded live at the Ozark Folk Center State Park. Also, interviews with these masterful Maryland musicians.
“From dance inducing Old Time rhythms and foot stomping Irish melodies to hard-driving Bluegrass, Baltimore-based acoustic roots quartet Charm City Junction creates a fresh soundscape that keeps listeners on the edge of their seats wondering where they'll go next. Featuring fiddle, clawhammer banjo, button accordion and upright bass, this quartet isn’t afraid to take roots music to new places — but always with an eye on tradition.
Formed in 2014, Charm City Junction has taken the acoustic music scene by storm performing around the country gaining high praise along the way for their high-energy, captivating and dynamic performances. Bobby Britt takes charge with his virtuosic, powerful and musical approach to the fiddle. Clawhammer banjo wizard Brad Kolodner adds his playful, driving, melodic and groovy Old-Time touch. Sean McComiskey soars through the tunes and fills the gaps with his soulful button accordion playing. The versatile bassist Alex Lacquement drives the train, locking everything together with his commanding and tasteful choices.” https://www.charmcityjunction.com/about.html
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of Ozark original Charley Sandage performing the traditional tune “Blacksmith of Brandywine,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins continues his exploration on the story of the Ozark Jubilee, one of America’s first nationally-broadcast Old Time barn dance country music television shows, based in Springfield, Missouri.
This week, blast off with the Matchsellers’ “Bluegrastronauts,” the world’s first outer-space bluegrass odyssey, recorded live at the Ozark Folk Center State Park. Mixing elements of tall tales, theater, science fiction and bluegrass, the Bluegrastonauts show isn’t quite like anything you’ve ever heard.
The Matchsellers are Warsaw, Indiana native Andrew Morris and Julie Bates of Kansas City, Missouri. Their exciting, gritty, and often hilarious stage show has been developed over six years of touring across the US and Europe. Performing at the Ozark Folk Center State Park, Andrew and Julie present their outer-space bluegrass odyssey with a four piece stringband, featuring Chad Graves of The Hillbenders on dobro, and Betsey Mae on bass. The group combines absurdity, authenticity, and excellent musicianship to create a performance that is representative of the present age: They are pleasantly stuck between the years gone by and those to come.
The Matchsellers’ Bluegrastronauts is old-time in outer space. It’s a far away galaxy as close as your first cousin. It’s a 100,000-mile-an-hour horse and buggy. Dressed as space travelers from the year 2437, the Matchsellers’ Bluegrastronauts take audiences through a musical “history of the future,” including a first-hand account of the Apocalypse of 2137, the subsequent colonization of the moon, and the dangers of playing hopscotch in deep space. The show reaches the heights of absurdity while confronting deeply humanist issues of love, disillusionment, and mortality. Prepare to travel through space and old-time with one of the most unique and ambitious acts in acoustic music today. - https://thematchsellers.com/bluegrastronauts-band/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 recording of mountain dulcimer master David Schnaufer performing the traditional tune “Red Haired Boy,” from the Ozark Folk Center State Park archives.
This week, international Oldtime string band and Ottawa Valley step dance duo Newberry & Verch recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this dynamic musical duo.
“Joe Newberry grew up in a family full of singers and dancers. He took up the guitar and banjo as a teenager and learned fiddle tunes from great Missouri fiddlers. April Verch grew up listening to her Dad’s country band play for dances in the Ottawa Valley. She started step dancing at age three and fiddling at age six.
Both Newberry & Verch became masters of their traditions and tour the world with their respective bands and projects. Yet they never forget the roots of their music, that connection to the people in the audience, on the dance floor, to the community sparked by a good song. For these veteran performers who come from distinct traditions and parts of the world, their collaboration is fueled by their kindred passion for bringing people together to celebrate traditional music.
Blues and ballads stem into Canadian regional styles and originals. Their voices blend in harmony, their tasteful instrumentals prove that these masters have nothing left to prove, and then their feet kick up the dust in perfect rhythm…and together, they make you remember why this music existed in the first place.” http://aprilverch.com/about/newberry-verch/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of his famous father, Grandpa Jones, telling the classic joke “Surprise Aunt Marthy.” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles prolific Ozark musician Slim Wilson of the Ozark Jubilee, one of America’s first nationally-broadcast Old Time barn dance country music television shows, based in Springfield, Missouri.
This week, Baltimore based Old Time string and Irish button accordion band Charm City Junction recorded live at the Ozark Folk Center State Park. Also, interviews with these masterful Maryland musicians.
“From dance inducing Old Time rhythms and foot stomping Irish melodies to hard-driving Bluegrass, Baltimore-based acoustic roots quartet Charm City Junction creates a fresh soundscape that keeps listeners on the edge of their seats wondering where they'll go next. Featuring fiddle, clawhammer banjo, button accordion and upright bass, this quartet isn’t afraid to take roots music to new places — but always with an eye on tradition.
Formed in 2014, Charm City Junction has taken the acoustic music scene by storm performing around the country gaining high praise along the way for their high-energy, captivating and dynamic performances. Bobby Britt takes charge with his virtuosic, powerful and musical approach to the fiddle. Clawhammer banjo wizard Brad Kolodner adds his playful, driving, melodic and groovy Old-Time touch. Sean McComiskey soars through the tunes and fills the gaps with his soulful button accordion playing. The versatile bassist Alex Lacquement drives the train, locking everything together with his commanding and tasteful choices.” https://www.charmcityjunction.com/about.html
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of Ozark original Charley Sandage performing the traditional tune “Blacksmith of Brandywine,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins continues his exploration on the story of the Ozark Jubilee, one of America’s first nationally-broadcast Old Time barn dance country music television shows, based in Springfield, Missouri.
This week, San Francisco based early 20th Century American music preservationist duo Meredith Axelrod & Craig Ventresco recorded live at the Ozark Folk Center State Park. Also, interviews with these time traveling minstrels.
“Delightfully engaging and unassumingly comic, Meredith Axelrod envisions the limitless potential of early twentieth century music, whether it be Ragtime, Music Hall, Pop Standard, Boogie Woogie, Tin Pan Alley, String band, Jazz, Country, Blues or even Jug Band music, and embodies the spirit that brought the music into existence. Her vocal style is unusual, probably because she learned to sing by listening to how folks did it a century ago – through the medium of cylinders and 78-rpm records.
The dominant theme throughout Meredith’s expansive repertoire is that, whatever the genre, these are songs she learns from the original sources (records and/or sheet music) which were released between the 1890s and the 1930s. Part of the allure of old time music is hearing the original recordings as played and sung by the original performers in their heyday, loving what they’re doing and doing it because it means something to them in that moment. Meredith brings the same unbridled passion, earnest devotion and candid vitality to all of her music. She has found possibility and joy in the treasures of cultural folklore.
Meredith demonstratively loves the life she leads, thriving in varied musical and performance settings. She often partners with string virtuoso Craig Ventresco. They perform at venues and festivals that include the San Francisco Silent Film Festival, West Coast Ragtime Festival, and Blind Boone Early Jazz Festival.” - https://meredithaxelrod.com/about/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of Ozark original Ulys Pilcher performing the traditional tune “Sally Goodin,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores the story of the Ozark Jubilee, one of America’s first nationally-broadcast old time barn dance country music television shows based in Springfield, Missouri.
This week, Bucksnort, Tennessee based old school Memphis style jug band the Jake Leg Stompers recorded live at the Ozark Folk Center State Park. Also, interviews with this band of musical outlaws.
A Jake Leg Stompers show is a truly unique experience. Like a Vaudeville party with all the bells and whistles. Literally, their show includes bells and whistles. With lively renditions of classic blues and jug band tunes from early 20th century American music and a theatrical sensibility, the Jake Leg Stompers will have you dancing in your seat. The band’s performers include leader Hambone Willie Nevil on vocals, banjo, and guitar, Lela Mae Smith on vocals, Horatio Algernon Whiplash on washboard, snare, bells, and whistles, Jersey Slim Hawkins with fiddle, mandolin, and guitar, and Ramshackle Jack Dunshee on old time jug.
For more information about the Jake Leg Stompers… http://www.jakelegstompers.com/about
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of hammered dulcimer master Jay Round performing the traditional tune “Saint Anne’s Reel,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores the history of the Ozark Opry, one of the first old time barn dance music stage shows based in Springfield, Missouri.
This week, San Francisco based early 20th Century American music preservationist duo Meredith Axelrod & Craig Ventresco recorded live at the Ozark Folk Center State Park. Also, interviews with these time traveling minstrels.
“Delightfully engaging and unassumingly comic, Meredith Axelrod envisions the limitless potential of early twentieth century music, whether it be Ragtime, Music Hall, Pop Standard, Boogie Woogie, Tin Pan Alley, String band, Jazz, Country, Blues or even Jug Band music, and embodies the spirit that brought the music into existence. Her vocal style is unusual, probably because she learned to sing by listening to how folks did it a century ago – through the medium of cylinders and 78-rpm records.
The dominant theme throughout Meredith’s expansive repertoire is that, whatever the genre, these are songs she learns from the original sources (records and/or sheet music) which were released between the 1890s and the 1930s. Part of the allure of old time music is hearing the original recordings as played and sung by the original performers in their heyday, loving what they’re doing and doing it because it means something to them in that moment. Meredith brings the same unbridled passion, earnest devotion and candid vitality to all of her music. She has found possibility and joy in the treasures of cultural folklore.
Meredith demonstratively loves the life she leads, thriving in varied musical and performance settings. She often partners with string virtuoso Craig Ventresco. They perform at venues and festivals that include the San Francisco Silent Film Festival, West Coast Ragtime Festival, and Blind Boone Early Jazz Festival.” - https://meredithaxelrod.com/about/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1976 archival recording of Ozark original Ulys Pilcher performing the traditional tune “Sally Goodin,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores the story of the Ozark Jubilee, one of America’s first nationally-broadcast old time barn dance country music television shows based in Springfield, Missouri.
This week, award winning Ozark singer-songwriter and multi-instrumentalist duo The Whispering Willows recorded live at the Ozark Folk Center State Park. Also, interviews with this progressive husband and wife folk duo. Also, a performance by singer and multi-instrumentalist Keith Symanowitz, backed by Ozark originals Lukas Pool, Sam Cobb, Danny Dozier, Gresham McMillon, and John Severs.
The Whispering Willows is an Americana duo featuring warm and rich vocals, masterful songwriting, and the finely crafted fiddle work of Alaina Blake & Dylan Hawf. Alaina, originally from Lawrence, Kansas, has made her home with husband Dylan at Eureka Springs, Arkansas in the heart of the Ozarks. From a diverse musical background including old-time, Americana, classic country, bluegrass, Irish music, and rock, Alaina’s vocal style is at once unique and sincere with a subtlety that belies the emotional and powerful nature of her songwriting. One of her performances is featured in the Netflix original series “Ozark.” Dylan Hawf, originally from Illinois, comes from a musical family. His father, guitarist Doug Hawf encouraged Dylan’s fiddle playing from an early age, sending him to bluegrass camps where he was able to study with some of the greatest players around. Alaina & Dylan’s collaboration began at the famed annual music festival in Winfield, Kansas and has blossomed into not only a powerful musical force but also romance and marriage.
Keith Symanowitz is not only the marketing specialist at the Ozark Folk Center State Park, he’s also a talented singer, traditional dancer, and multi-instrumentalist. Keith’s modern and soulful vocal style breathes new life into well known traditional folk songs. In this performance, Keith is joined by some of the Ozarks’ most talented musicians including Lukas Pool on clawhammer banjo, Sam Cobb on mandolin, Danny Dozier on finger style guitar, Gresham McMillon on bass, and thumb picking guitarist John Severs.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Cathy Barton performing the traditional tune “Hecksham Races,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the mysterious Prince Daruki, an enigmatic music teacher of questionable aristocratic origin who lived in the early Ozarks.
This week, Grammy award winning Mississippi singer, songwriter, multi-instrumentalist, producer, and Squirrel Nut Zippers co-founder Jimbo Mathus with his “Kinfolks” recorded live at the Ozark Folk Center State Park. Also, interviews with this musical Mississippi maverick.
Jimbo Mathus is a singer-songwriter and guitarist, best known for his work with the swing revival band Squirrel Nut Zippers. Born in Oxford, Mississippi to Jimmy Mathus and Jeanella (Malvezzi) Mathus, his early life was filled with music as his father and relatives were skilled instrumentalists and singers. He began joining the family musical circle at an early age and by age eight was proficient at mandolin. By age fifteen, Jimbo had been taught the rudiments of guitar, piano and harmony singing. The family's repertoire consisted of hundreds of folk, bluegrass, country blues and pre-recorded songs passed down through the Mathus and Byrd families.
“Jimbo Mathus & Kinfolks” is a project that takes Jimbo back to his earliest musical roots. Alongside lifelong friend and mentor Jimmy “Buck” Bennett on dobro, Steve Butler on fiddle, Ernie Welch guitar, and Steve Craig on bass, “Kinfolks” recreates the family and social music gatherings of Jimbo’s youth.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of banjo Jedi Jimmy Connor performing the tune “Old Ed Setser,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the curious story of Katy Heidi, a woman of Austrian nobility who became a lifelong transplant to the early Missouri Ozarks.
This week, a very special episode. Ozark Highlands Radio partners with Oxford American Magazine to bring Johnson City, Tennessee based up & coming contemporary folk and Americana superstar Amythyst Kiah, recorded live at South on Main in downtown Little Rock, Arkansas. Also, an interview with Oxford American Literary Project executive director Ryan Harris. In this performance, Amythyst is joined by Taylor Green on keyboard and Andrew Gibbens on drums.
“The Oxford American is a nonprofit organization with a mission to explore the complexity and vitality of the American South through excellent writing, visual art, and events programming. Our quarterly print magazine was founded in 1992, and, in addition to winning four National Magazine Awards, has helped launch the writing careers of such noted authors as Jesmyn Ward and John Jeremiah Sullivan, while publishing beloved writers like Charles Portis, Nikky Finney, Peter Guralnick, and many others.
“Our concert series at South on Main in Little Rock is an extension of the magazine, creating meaningful opportunities for the community to experience the most culturally significant artists in our region.
“The OA has a longstanding history of curating great music. Our Winter 2018 issue is dedicated to the music of North Carolina. It is our twentieth installment of the series, which the Houston Chronicle calls "the single best music-related magazine of any given year." Each music issue comes with a sought-after CD, curated by the editors to showcase the region's hugely varied musical legacy.”
More information about Oxford American programming, the magazine, and their mission can be found at https://www.oxfordamerican.org
“A professed Southern Gothic songster born in Chattanooga but based in Johnson City, Tennessee, Amythyst Kiah’s commanding stage presence is only matched by her raw and powerful vocals—a deeply moving, hypnotic sound that stirs echoes of a distant and restless past. Accoutered interchangeably with banjo, acoustic guitar, or a full band (Her Chest of Glass,) Amythyst’s toolbox is augmented by her scholarship of African-American roots music. Provocative and coolly fierce, her ability to cross the boundaries of blues and old-time through reinterpretation is groundbreaking and simply unforgettable. Amythyst Kiah is forging an important path from her musical ancestry to a multi-cultural generation with contemporary sensibilities and undeniable flair.”
Learn more about Amythyst Kiah at… https://amythystkiah.com/about
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1977 archival recording of Ozark original Aunt Ollie Gilbert performing the ballad “Springtime in Alaska,” from the Ozark Folk Center State Park archives.
This week, world renowned three-time Grammy winning singer, songwriter, film composer, guitarist, multi-instrumentalist, founding member of the band “Rising Sons,” and Blues legend Taj Mahal recorded live at Ozark Folk Center State Park in Mountain View, Arkansas.
Henry St. Claire Fredericks Jr, better known as “Taj Mahal,” is an American blues musician, a singer-songwriter and film composer who plays the guitar, piano, banjo, harmonica, and many other instruments. Taj incorporates elements of world music into his works and has done much to reshape the definition and scope of blues music by fusing it with nontraditional forms including sounds from the Caribbean, Africa, and the South Pacific.
Accompanied here by bassist Bill Rich and drummer Kester Smith, Taj Mahal takes us on a musical journey like no other. Raised between two very different musical traditions, the American gospel of his mother and the Caribbean jazz influences of his father, Taj takes his music into unique and interesting territory. This journey has taken him around the world with a career spanning over five decades. In addition to being one of America’s greatest cultural treasures, Taj Mahal has garnered three Grammy Awards, a Blues Music Award, an honorary doctorate, and the Americana Music Association’s Lifetime Achievement Award.
“What inspires me most about my career is that I’ve been able to make a living playing the music that I always loved and wanted to play since the early 50s,” Mahal says. “And the fact that I still am involved in enjoying an exciting career at this point in time is truly priceless. I’m doing this the old fashioned way and it ain’t easy. I work it and I earn it. My relationship with my audience has been fun, with great respect going both ways! I am extremely lucky to have fans who have listened to the music I choose to play and have stayed with me for 50 years. These fans have also introduced their children, grandchildren and in some cases great-grand children to this fabulous treasure of music that I am privileged to represent. It’s very exciting, to say the least.
“Like ancient culture,” he adds, “the people are as much a part of the performance as the music. Live communication through music, oh yeah, it’s right up there with oxygen!” - http://www.tajblues.com
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1976 archival recording of another three time Grammy winner and Americana Music Association Lifetime Achievement Award recipient, country folk icon John Prine performing his classic song “Paradise” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Arkansas Ozark singer-songwriter Dane Joneshill recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this talented Ozark original.
Dane Joneshill is a quiet man. A man accustomed to silence and the watching, listening and waiting that generally accompany it. He grew up in the coastal loneliness of rural Alaska in a home tucked against the base of a mountain, a stone’s throw from the cold Pacific. Educated in a bush school by his own father, he remembers the focus of much of that class time. “We read books constantly. Wrote poems and short stories when we weren’t reading, and played in the woods for hours. I have no memories of math or science, whatsoever.” Probably not a well-rounded education, but it forced words and language deep into his soul and forged a weld with the emotional power of story. With a lyricism more akin to a novelist than a songwriter, his songs are at once wry, charming, and bittersweet. Like a Steinbeck novel, they walk the tension of darkness and loss in order to find the lights of hope. - https://danejoneshillmusic.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Stephanie Isaacs, performing the traditional ballad “Lady Mary,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with author and herbalist Tina Marie Wilcox on the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Texas based 2017 Ameripolitan 'Western Swing Group of the Year’ The Western Flyers recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this talented Texas trio.
The Texas trio The Western Flyers consists of Joey McKenzie on guitar and vocals, Katie Glassman on fiddle and vocals, and Gavin Kelso on upright bass and vocals. Both Joey and Katie being world class fiddlers along with Gavin’s mastery of swing & jazz bass, you won’t find better Western Swing music anywhere this side of the Pecos.
“The Western Flyers are one of the most exciting new bands to glide onto the music scene in years. Their music is a distinctive cross section of the Great American Songbook: authentic Western swing, hot jazz and swing standards, cowboy songs, and electrifying old-time fiddle tunes. Internationally renowned guitar master Joey McKenzie drives the train with his powerful rhythm, while reigning National Swing Fiddle champion Katie Glassman and world-class upright bassist Gavin Kelso add fuel to the fire. A blending of tradition and innovation, The Western Flyers are a singular musical experience; a fresh take on a venerable American art form performed by three Western swing virtuosos.” - https://www.facebook.com/twflyers/
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1976 archival recording of Ozark originals Bob Hayes & Bud Bell performing the traditional tune “I’ll Fly Away,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with author and herbalist Tina Marie Wilcox on the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Toronto singer-songwriter, multi-instrumentalist and CFMA “Traditional Singer of the Year” Hannah Shira Naiman recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this captivating Canadian. Performing with Hannah on this show is her father, famed Canadian banjoist Arnie Naiman.
“Named ‘Traditional Singer of the Year' (2017) by the CFMAs, Hannah Shira Naiman’s banjo-grounded songs dance the listener into the Appalachian mountains and eras back in time, drawing on her roots in Toronto’s ‘old time’ folk music community to share powerful tales of hope and loss. “With a sound that’s been described as a cross between Gillian Welch and Sarah Harmer, Naiman crafts original songs that ring with influences of Ola Belle Reed, The Carter Family, American oldtime, and traditional English ballads. “Naiman grew up around folk music as her celebrated banjo-playing father, Arnie Naiman, and award-winning children’s musician mother, Kathy Reid-Naiman, brought her to numerous folk camps and festivals every year. But it wasn’t until she left home that Hannah began to explore her father’s instrument in a new way. Collaborating with vocalist Emily Adam as part of folk duo The Blackest Crow sparked a more serious interest in making music.” - http://www.hannahshiranaiman.com/bio-press
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1981 archival recording of his mom and sister, Ramona & Alisa Jones performing the Buck White tune “Down Home Waltz,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with author Tom Dillard on the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Portland, Oregon based singer-songwriter, square dance enthusiast, and Ozark original JT Trawick of the famed folk music family the Trawicks, recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with JT. JT is joined in this performance by champion fiddler Alex Sharps and bassist & multi-instrumentalist Bill Nesbitt.
Being of the legendary Trawick folk music family of the Ozarks, JT Trawick grew up immersed in traditional music. Specializing in guitar, vocals and mandolin, JT has performed and worked with some of the premier musicians of our generation. Two-time Grand North American Fiddle Champion - Calvin Vollrath, seven-time World Champion Fiddler - Jim "Texas Shorty" Chancellor, National Flatpick Champion - Tyler Grant, world famous mandolinist - Evan Marshall, Grand National Champion - Dale Morris Jr., three-time Grand Master Fiddle Champion - Matthew Hartz, Canadian Fiddle Queen - April Verch, and World Champion Fiddler - Ricky Boen are just a few of the artists Jonathan has worked with.
While calling Portland, Oregon his home base, JT Trawick remains involved with Fiddlin Arkansas, the Arkansas fiddle community outreach he started in 2010. Today, the organization remains a lighthouse for all things Arkansas fiddle. Continuing in the footsteps of his musical heroes, JT delivers authentic American roots music, traditional and original western swing, bluegrass and classic country to the people everywhere he goes. - https://www.jttrawick.com
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1981 archival recording of legendary Ozark balladeer Almeda Riddle, performing the traditional tune “From Jerusalem to Jericho,” from the Ozark Folk Center State Park archives. In this rare recording, Almeda, who normally performs a cappella, is accompanied by guitarist Jim Lansford.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with members of a nomadic recreational vehicle community on the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, a very special episode. Ozark Highlands Radio partners with Oxford American Magazine to bring Chapel Hill, North Carolina based contemporary folk and Americana superstars “Mandolin Orange,” recorded live at South on Main in downtown Little Rock, Arkansas. Also, an interview with Oxford American Literary Project executive director Ryan Harris. Mandolin Orange are joined in this performance by Eli West on guitar & banjo, Josh Oliver on electric guitar, Clint Mulligan on Bass, and Joe Westerlund on drums.
“The Oxford American is a nonprofit organization with a mission to explore the complexity and vitality of the American South through excellent writing, visual art, and events programming. Our quarterly print magazine was founded in 1992, and, in addition to winning four National Magazine Awards, has helped launch the writing careers of such noted authors as Jesmyn Ward and John Jeremiah Sullivan, while publishing beloved writers like Charles Portis, Nikky Finney, Peter Guralnick, and many others.
“Our concert series at South on Main in Little Rock is an extension of the magazine, creating meaningful opportunities for the community to experience the most culturally significant artists in our region.
“The OA has a longstanding history of curating great music. Our Winter 2018 issue is dedicated to the music of North Carolina. It is our twentieth installment of the series, which the Houston Chronicle calls "the single best music-related magazine of any given year." Each music issue comes with a sought-after CD, curated by the editors to showcase the region's hugely varied musical legacy.”
More information about Oxford American programming, the magazine, and their mission can be found at https://www.oxfordamerican.org
“Mandolin Orange is an Americana/folk duo based out of Chapel Hill, North Carolina.The group was formed in 2009 in Chapel Hill, North Carolina and consists of the group's songwriter Andrew Marlin (vocals, mandolin, guitar, banjo) and Emily Frantz (vocals, violin, guitar). Mandolin Orange has produced five albums of Marlin's original works of American roots music. In the last three years, the group has toured throughout the U.S and Europe, including appearances at Austin City Limits, South-by-Southwest, Telluride Bluegrass Festival, Newport Folk Festival, Pickathon, and Merlefest. They signed to Yep Roc Records in 2013 and have produced four albums under their umbrella, This Side of Jordan, Such Jubilee, Blindfaller and Tides of a Teardrop.”
Learn more about Mandolin Orange at - http://www.mandolinorange.com/#home-section
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1981 archival recording of Ozark originals Pat & Bob Momich performing the traditional tune “Soldier’s Joy,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Smithsonian Folkways artists and award winning Boston, Massachusetts progressive folk trio “Lula Wiles” recorded live at the Ozark Folk Center State Park. Also, interviews with these bright Boston bards.
Lula Wiles is a Boston based progressive folk trio consisting of Isa Burke, Eleanor Buckland, and Mali Obomsawin. Their blending of instrumental virtuosity, intricate three part harmony singing, and visionary songwriting has quickly ushered them to the forefront of modern American contemporary folk music. With the recent release of their Smithsonian Folkways album “What Will We Do,” the trio now joins the ranks of America’s most important folk artists.
“Long before they were in a band together, the members of Lula Wiles were singing folk songs and trading fiddle tunes at camp in Maine. ‘All of us were lucky to have access to the folk music community at a young age,’ Burke says. “The music traditions that we’re drawing on are social, community-building traditions.” On those warm summer nights, playing music was just plain fun. But the members of Lula Wiles carry those early lessons of community and the meaning of shared art with them to this day, as they seek to create music that questions cultural virtues, soothes aching wounds, and envisions a better world.
“Lula Wiles came of age in Boston, in the practice rooms of Berklee College of Music and the city’s lively roots scene. In 2016, the band self-released Lula Wiles, a sensitive, twang-tinged collection of originals. Since then, they have toured internationally, winning fans at the Newport Folk Festival and the Philadelphia Folk Festival, and sharing stages with the likes of Aoife O’Donovan, the Wood Brothers, and Tim O’Brien.
“Now, the release of What Will We Do on Smithsonian Folkways Recordings places the group squarely in line with some of its deepest influences, from the protest anthems of Woody Guthrie to the trailblazing songs of Elizabeth Cotten and Hazel Dickens. (Even the band’s name is a twist on an old Carter Family song.)” - http://www.lulawiles.com/bio/
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1983 archival recording of Ozark original fiddler, Roger Fountain, performing the traditional tune “Saint Anne’s Reel,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with environmentalist and author Richard Mason on the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, world renowned Grammy award winning musician, producer, writer, filmmaker, and founding member of the Nitty Gritty Dirt Band, John McEuen with his String Wizards recorded live at the Ozark Folk Center State Park. Also, interviews with this prolific creator and performer.
“John McEuen has been a ‘professional performer’ since 1962, working as a magician in Disneyland’s Magic Shop as a teenager. Music soon came along, which led to his long and varied career first solo, then as a founding member of the Nitty Gritty Dirt Band in 1966. Over 10,000 concerts and 300 television shows throughout more than 3 million miles - with the band and as a solo performer - John has pursued his passion for performing and recording. John left NGDB at the end of their 50th year touring to focus on the demand for his solo performing and projects. Beyond performing, he concurrenty has a rich history of creating, producing and preserving original and traditional folk and acoustic music, and taking it to new audiences.
“He brings his guitar, banjo, fiddle, and mandolin along with favorite NGDB songs and the stories behind them to the stage in a manner that earned the honored Best in the West Award from the Folk Alliance Organization.
“McEuen has made over 40 albums (7 solo) that have earned four platinum and five gold recognition awards, Grammy nominations, CMA and ACM awards, an Emmy nomination, IBMA record of the year award, and performed on another 25 albums as guest artist. He's also produced another 7 albums, and 14 film scores (two Emmy nominated shows) and more than 300 concerts throughout his career - the first in 1965 in Long Beach Calif., with Bob Dylan.
“His production of Steve Martin - The Crow won the 2010 Best Bluegrass Album Grammy. Prior to that, The Music of the Wild West CD- produced by McEuen, was honored with the Western Heritage Award. A Grammy nomination for String Wizards II preceded the1994 Uncle Dave Macon Award for his excellence in preservation and performance of historic music. On Sirius/XM's The Bridge, John's popular Acoustic Traveller show is now in its 9th year. McEuen produced and directed the 2006 documentary film The Dillards - A Night In the Ozarks, which captures his early mentors at their best.
“In April of 2018 John officially became an author, with his first book The Life I’ve Picked being published (On Chicago Review Press). A memoire, a telling of incredible stories from raising 6 kids in the music business and the ins and outs of being an iconic band member to being a single father to his current full and varied career, his book takes the reader on his unusual journey.
“In September of 2017 John was inducted in to the American Banjo Museum Hall of Fame. McEuen's countless jams include street performers to Phish, Earl Scruggs, Levon Helm… and even on Sesame Street with a herd of goats and a cow! Arguably, McEuen's most important legacy may be his initiating what Rolling Stone called ‘The most important record to come out of Nashville’ and what the 2004 ZAGAT survey called ‘the most important record in country music’ - Will the Circle Be Unbroken.” http://www.johnmceuen.com/biography.html
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1973 archival recording of his father, country music icon Grandpa Jones performing the classic song “Mountain Dew,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, 2018 ACMA Female Vocalist of the Year, Ameripolitan Outlaw Female of the Year, songwriter and up and coming Outlaw Country star, Arkansas’ own Bonnie Montgomery recorded live at the Ozark Folk Center State Park. Also, interviews with this uniquely talented Arkansas singer-songwriter.
“Upon first listening to Bonnie Montgomery, it’s easy to mistakenly assume that you’ve stumbled upon a long-buried track by a legend from the golden era of country/western music. Such is the artistry of this Arkansas native and silver-voiced songstress. Her story is of her journey but she presents it through a folk/bluegrass/country perspective that’s traditional and timeless.
Montgomery’s stunning vocal chops and ability to draw listeners in with her natural songwriting talent should come as no surprise. Her musical roots run deep. Brought up among the never-ending sound of music that flowed through her family’s Arkansas music store, her childhood was heavily steeped in Ozark bluegrass, Texas swing, Delta blues, as well as gospel and rock and roll. Surrounded by talented musicians that ran the gamut from performers on the original Sun Records to bluegrass greats and opera singers, Montgomery expanded her musical horizons and began performing.” - https://www.bonniemontgomerymusic.com/about
In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1983 archival recording of legendary fiddler Billy Matthews performing the traditional tune “Arkansas Traveller.” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses with Jeanette Larson, Craft Director at the Ozark Folk Center State Park the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, legendary Grammy nominated Bethesda, Maryland progressive bluegrass super-group The Seldom Scene recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this enduring and enigmatic group of bluegrass pioneers.
“The Seldom Scene is an American bluegrass band formed in 1971 in Bethesda, Maryland. The Scene has been instrumental in starting the progressive bluegrass movement as their shows include bluegrass versions of country music, rock, and even pop. What does it take for a bluegrass band to remain popular for more than four decades? For The Seldom Scene, it's taken not only talented musicians, a signature sound, and a solid repertoire, but also a sheer sense of fun.” - https://www.seldomscene.com/band/
For almost fifty years, The Seldom Scene has been a staple of the American bluegrass landscape. Their innovative approach to this traditional genre has brought bluegrass music to an ever widening audience. While paying homage to the genre with traditional instrumentation & harmony singing, The Seldom Scene cleverly apply a fresh coat of bluegrass bent to seemingly any kind of song they choose. Along with traditional bluegrass songs, rock, country, pop, and even classical music are reimagined into fresh masterpieces.
Although the lineup of The Seldom Scene has changed slightly over the decades, the sound and spirit of the group has endured. Today, they are Dudley Connell on guitar, Lou Reid manning mandolin & guitar, Ron Stewart taking on banjo & fiddle, Fred Travers on dobro, and Ronnie Simpkins holding up the bottom end on bass.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1983 archival recording of Ozark original Bob Atchison performing the traditional fiddle tune “Bull at the Wagon,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater presents “Ballads That End Well,” proving that folk ballads don’t always end with a grizzly horrifying death.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Grammy nominated Muscle Shoals Americana & contemporary bluegrass singer-songwriter mega-duo The Secret Sisters, recorded live at the Ozark Folk Center State Park. Also, interviews with these superlative siblings.
The Secret Sisters are an Americana singing and songwriting duo consisting of vocalists Laura Rogers and Lydia Slagle. The sisters’ music has been compared to artists like The Everly Brothers. Laura and Lydia are from Muscle Shoals, Alabama. With a love for music coming from both sides of their family (their grandfather and his brothers forged a group called The Happy Valley Boys,) they grew up with a zeal for country music and sang songs with their family by country music artists such as Don Williams. The girls first learned to harmonize through singing a cappella at their hometown church.
The sisters have produced three albums. Their third album, “You Don’t Own Me Anymore” produced by Brandi Carlile, received the duo’s first Grammy nomination. Aside from touring the world with their unique brand of Southern story telling and impeccable harmonies, the Secret Sisters have appeared on The Late Show with David Letterman, The Tonight Show with Jay Leno, The Tonight Show with Jimmy Fallon, and have a song featured on the movie soundtrack for “The Hunger Games.”
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1983 archival recording of autoharp master Ron Wall performing the traditional tune “Home Sweet Home,” from the Ozark Folk Center State Park archives.
Writer, musician, and traditional dancer Aubrey Atwater presents “Devil Songs.” Aubrey will guide us through the dark angel’s appearance in generations of traditional folk songs with musical examples and her own cultivated insight.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, it’s “Banjo Time!” Join host Dave Smith and banjo royalty Mark Jones as they explore music of the banjo. From its ancient African roots, we’ll follow the banjo’s transition from a slave instrument into the mainstream of American popular and folk musics. Mark and Dave will guide us through performances by various banjo masters covering a myriad of styles into which the banjo has evolved, all recorded live at the Ozark Folk Center State Park.
Artists featured on this week’s show include Country Music Hall of Fame member & “Hee Haw" star Grandpa Jones, master of traditional African American banjo Jerron ‘Blind Boy’ Paxton, Carolina Chocolate Drops member Hubby Jenkins, Ozark original Uncle Floyd Holland, connoisseurs of classic sheet music and banjo duo Clark Bueling & Carl Anderton, songwriter and banjo frailing ninja Jimmy Connors, fresh-faced banjo slinging madman Samuel Blake, preeminent bluegrass virtuoso Adam Fudge, our very own Mark Jones, Berklee School of Music banjo pioneer Lukas Pool, up and coming clawhammer champion Lillyanne McCool, classic country music and banjo superstar Buck Trent, and the inimitable Paul Brock Band featuring banjo shredders Dave Curley & Shane Farrell.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of ubiquitous Ozark banjo legend Bookmiller Shannon performing the tune “Shortnin’ Bread,” from the Ozark Folk Center State Park archives. Bookmiller traveled America with famed Ozark songwriter and folklorist Jimmy Driftwood in the 1960’s and 70’s, bringing the Ozark style of clawhammer banjo into greater awareness.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores “The African American Banjo,” illuminating the African roots of this enduring musical instrument. Aubrey takes us back to the source of the banjo with musical examples and enlightening commentary.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, songs out of style performed by various artists recorded live at the Ozark Folk Center State Park. Songs can transcend musical styles and those styles can also transcend their traditional songs. “Songs out of Style” explores the movement of great songs, both old and modern, across musical genres. We’ll hear traditional songs made new again, and modern songs remade in the old ways.
Artists featured on “Songs out of Style” include bluegrass sensation The Barefoot Movement, experimental acoustic ensemble Jayme Stone & The Lomax Project - featuring Moira Smiley, amazing sibling duo The Vogts Sisters, renowned traditional music explorers Anna & Elizabeth, internet star & hammered dulcimer Jedi Ted Yoder, mountain dulcimer world champion Jeff Hames, mountain dulcimer guru & musical mad scientist Bing Futch & Co, Red Wing Roots Music Festival founders & old-time supergroup The Steel Wheels, as well as old-time music masters, comedians, and all-around hooligans The Hogslop String Band.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of a very young Ozark original, Dwight Moody, performing the song “In the Pines,” from the Ozark Folk Center State Park archives. “In the Pines” is a traditional American song that was remade into a modern hit in 1993 by the grunge rock band Nirvana as “Where Did You Sleep Last Night.”
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the peregrination of a song, following the journey of traditional song “Loving Hannah” from Ireland to America and back again. Aubrey presents various artists’ versions of the song including herself, Mary Black, Carrie Norris, and Jean Ritchie with her son Jon Pickow.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, music by family, for family, and about family, performed by various artists recorded live at the Ozark Folk Center State Park. Family life and ties are a big part of Ozark folk culture and music. Come on home with us to the Ozarks as we enjoy a little “family time,” celebrating the joy of familial bonding through song. Featured on this episode are a variety of artists including A.J. Croce, The Purple Hulls, Thom Bresh, Lukas & Eden Pool, The Gordons, The Honey Dewdrops, The Creek Rocks, The Lazy Goat String Band, The Weide Family, The Vogts Sisters, Love Hollar, and the Grandpa Jones Family Band. We’ll hear songs by, for, and about family, many of them written by the artists themselves.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1981 archival recording of Ozark originals, husband & wife team Jim & Denise Lansford performing the song “Are You From Dixie” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the strange tradition of “counting songs,” songs that feature counting numbers as part of their lyrics and meaning. This episode includes, among other examples, the song “Bluebird,” written by folk music legend Jean Ritchie for her young sons.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, songs not so serious, both modern and traditional, performed by various artists recorded live at the Ozark Folk Center State Park. Folk music is often thought of as being either dark and serious or naive and childish. Not so with this collection of artists and songs. In this episode, explore with us a lighter side of folk. Featured on this episode are a variety of artists including Antsy McClain, the Buffalo Gals, Bill & the Belles, Muriel Anderson, David Holt & Josh Goforth, Mike Snider, Jimmy Driftwood, the Hogslop Stringband, and Jerron Paxton. We’ll hear their most humorous songs, both traditional and modern, many of them written by the artists themselves.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of Ozark original Kenneth Rorie performing the traditional song “In the Pines,” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses traditional songs that are unmetered & crooked and do not fit into our common ideas about rhythm. Hear Aubrey as she dares us to try and dance to these crooked tunes.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, multi instrumentalist, composer, and Ozark original Brad Apple, recorded live with some of his many friends at the Ozark Folk Center State Park. Also, interviews with this magnetic maestro of mandolin & guitar. Mark Jones offers an archival recording of the musical family of Fred Crouch with his gifted progeny, Dennis and Tim, performing the tune “Don’t Let Your Deal Go Down,” accompanied by Ozark legend Frank Ellis. Writer, musician, and traditional dancer Aubrey Atwater explores the world of the “Woman on the Shore,” and songs of tragedy told from the perspective of those left behind.
Growing up in Batesville, Arkansas on the edge of the Ozark plateau, Brad Apple has been immersed in the music & culture of the Ozarks throughout his life. Brad was raised in a musical family. From his earliest instruction given by his musical grandfather, on to playing live with his parents & brother as a teen and into adulthood, Brad Apple has become one of the Ozarks’ finest musicians. Along with his immeasurable skills on both mandolin & guitar, Brad is also a gifted composer of New Acoustic music, as well as a master of traditional folk and bluegrass.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of the amazing musical family of Fred Crouch with his gifted progeny, Dennis and Tim Crouch, and accompanied by Ozark legend Frank Ellis, performing the tune “Don’t Let Your Deal Go Down,” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the world of the “Woman on the Shore,” and songs of tragedy told from the perspective of those left behind.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Stone county native, Ozark original, and our very own traditional folk legend Pam Setser, recorded live at the Ozark Folk Center State Park. Also, interviews with this Ozark icon. Mark Jones offers an archival recording of another Ozark icon, Almeda Riddle, performing the traditional tune “Pretty Peggy-O.” Writer, musician, and traditional dancer Aubrey Atwater waxes poetic in a discussion about songs of undying love.
Pam Setser is an award winning multi-instrumentalist extraordinaire. It's not just her musical talent that will catch your heart but her angelic voice as well. Setser has played at many venues including Louisiana Hayride, Hee Haw, The Ralph Emery Show, Jay Leno, and You Can Be A Star. Not to mention playing in Washington D.C. for President Clinton, and winning third place in the National Wrangler Country Showdown at the Grand Old Opry in Nashville, Tennessee. From the first time you here Pam Setser perform, you will want to hear her again and again. http://pamsetser.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of Ozark folk icon Almeda Riddle, performing the traditional tune “Pretty Peggy-O,” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater waxes poetic in her discussion about songs of undying love. The segment features the most beautiful of all love songs ever conceived, “The Blackest Crow.”
This week, award winning actor, playwright, singer-songwriter, and traditional Ozark folk musician Willi Carlisle, recorded live at Ozark Folk Center State Park. Also, interviews with this dynamic talent. In addition, a featured performance by Arkansas True Folk singer-songwriter Carolyn Carter.
Willi Carlisle is, according to The Washington Post, "powerful...both down-home and brainy." With years of collecting folklore, playing or calling square dances, and working in the avant-garde, Willi Carlisle Goehring is a multi-faceted writer, performer, and instrumentalist. With a style forged in the fire of Ozark oldtime music and his ever-growing collection of antique music, Carlisle’s musical stories hoot, stomp, and saunter through joys and troubles uniquely southern and timelessly true. Equally comfortable on banjo, fiddle, and guitar, Carlisle has earned accolades for his versatility with performances at the Ozark Folk Center, the Fayetteville Roots Festival, Thacker Mountain Radio, and Fringe Festivals across the country, where he has been lauded with awards like "Best Show" (Orlando Fringe) and the "Meryl Streep Acting Award" (Portfringe). While his big frame and expressive voice draw comparison to old balladeers and bluesmen, Willi sings new songs for the oldest reasons: love, heartache, and joy. People who watch and listen will find that he laughs and sheds a tear onstage almost as often as his audiences do, fire- and-brimstone proof of larger-than-life songs and stories. - http://www.willicarlisle.com
Carolyn Carter is a Stone Country, Arkansas native and a regular performer at the Ozark Folk Center State Park. Carolyn is a gifted songwriter and singer, whose talents are now becoming apparent to a larger audience, outside of Arkansas. Blessed with a songbird’s voice, Carolyn’s original compositions can be both haunting and heartwarming, reflecting her experiences growing up in the Ozarks.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of guitar designer, builder, & player Stu Mossman performing the traditional tune “Red Haired Boy,” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater relates legendary folk singer Jean Ritchie’s childhood experience of meeting her mysterious “Uncle Jason,” from whom she learns of her own family’s music and history.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, award winning True Folk & Americana singer-songwriter Brian Martin, recorded live at the Ozark Folk Center State Park. Also, interviews with Brian. Mark Jones offers an archival recording of Ozark original Pam Branscum performing the traditional tune “Goodbye Liza Jane.” Writer, musician, and traditional dancer Aubrey Atwater discusses the concept of percussive singing in traditional as well as modern musics.
“While keeping one foot planted firmly in the roots of American music, singer/songwriter Brian Martin is forging a distinct path into its future as well. Interweaving old-time country blues and mountain folk music with southern soul, funk and gospel, Martin seamlessly creates a style that he simply refers to as "front porch soul." His burly voice and down home witty tales result in music that is both alluring and enduring for generations young and old. Hailing from southern Arkansas, Martin begin the journey of a full time performing musician in 2004. He spent years crafting new songs and developing his sound through constant touring around Arkansas, Louisiana, and Texas, while building a devoted fan base along the way. He released his solo debut album "No Rider" in 2011. Offering many of his fan favorite songs, "No Rider" highlights Martin's gritty soulful voice and intricate acoustic guitar finger picking, resulting in a theme collection of intimate, and at times, haunting folk songs.
In addition to his solo performances, Martin also performs with Sad Daddy, a popular folk swing band he co-founded in 2010 with Melissa Carper on upright bass and Joe Sundell on the banjo. The trio recorded their self titled debut album in 2010 and toured extensively over the next few years, before taking a hiatus to work on other projects. The band has since added violinist Rebecca Patek to the lineup and released their follow up album "Fresh Catch" in 2016. With the new lineup intact, Sad Daddy has been out and about, sharing the new songs with old favorites, while keeping fans singing and dancing along the way.” https://www.brianmartinmusic.com/home
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of Ozark original Pam Branscum performing the traditional tune “Goodbye Liza Jane,” from the Ozark Folk Center State Park archives.
In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the concept of percussive singing in traditional as well as modern musics. She offers examples of how this odd musical phenomenon has, and continues to pervade music from all over the world.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, award winning contemporary bluegrass singer-songwriter Dave Adkins and his band, recorded live at the Ozark Folk Center State Park. Also, interviews with Dave Adkins. Mark Jones offers an archival recording of Ozark originals the Trawick Family performing the traditional tune “Under the Double Eagle.” Writer, professor, and historian Dr. Brooks Blevins relates a history of birds in the early Ozark region.
There is no mistaking the raw and powerful vocals by singer, songwriter and guitarist Dave Adkins. His significant chart success, coupled with his stellar live performances, have made him one of most talked about male vocalist in acoustic music.
Adkins was born in Pikeville, Kentucky and makes his home in Elkhorn City. He began playing and singing when he was just eight years old and joined a band with fellow classmates performing at schools and other venues. At 17, he began playing bluegrass music at Dollywood where he stayed two years. A year later, Adkins was named a Kentucky Colonel – the highest title of honor bestowed by the Commonwealth of Kentucky. Commissions for Kentucky colonels are given by the governor and the secretary of state to individuals in recognition of noteworthy accomplishments and outstanding service to a community, state or the nation. https://daveadkinsmusic.com/about/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of Ozark originals the Trawick Family performing the traditional tune “Under the Double Eagle,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins relates a history of birds in the early Ozark regions of Arkansas & Missouri.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, mysterious time traveling minstrel Meredith Axelrod recorded live at the Ozark Folk Center State Park. Also, interviews with this amazing musical apparition. Mark Jones offers an archival recording of David Prine, brother of famed singer-songwriter John Prine, performing the tune “Southern Railroad Blues.” Writer, professor, and historian Dr. Brooks Blevins relates the history of panthers & wolves in the early Ozark region.
Delightfully engaging and unassumingly comic, Meredith Axelrod envisions the limitless potential of early twentieth century music, whether it be Ragtime, Music Hall, Pop Standard, Boogie Woogie, Tin Pan Alley, String band, Jazz, Country, Blues or even Jug Band music, and embodies the spirit that brought the music into existence in the first place. Her vocal style is unusual, probably because she learned to sing by listening to how folks did it a century ago – through the medium of cylinders and 78-rpm records.
The dominant theme throughout her expansive repertoire, is that, whatever the genre, these are songs she learns from the original sources (records and / or sheet music) which were released between the 1890s and the 1930s. Part of the allure of old time music, indeed any music throughout the history of recorded music, is hearing the original recordings as played and sung by the original performers in their heyday, loving what they’re doing and doing it because it means something to them in that moment, never because of nostalgia, and Meredith brings the same unbridled passion, earnest devotion and candid vitality to all of her music; she has found possibility and joy in the treasures of cultural folklore. https://meredithaxelrod.com/about/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1979 archival recording of David Prine, brother of famed singer-songwriter John Prine, performing the tune “Southern Railroad Blues,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins relates the history of panthers & wolves in the early Ozark regions of Arkansas & Missouri.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, high energy neo-traditional oldtime music phenomenon “The Hogslop String Band” recorded live at the Ozark Folk Center State Park. Also, interviews with this rowdy group of pickers. Mark Jones offers an archival recording of a very young Allison Krauss performing the traditional tune “Gardenia Waltz.” Writer, professor, and historian Dr. Brooks Blevins relates the history of black bears in the early Ozark region.
The Hogslop String Band is a Nashville based old time string band comprised of four energetic young musicians hailing from Georgia & Tennessee. Featuring Kevin Martin on the fiddle, Gabriel Kelley on guitar, Daniel Binkley on banjo and Casey "Pickle" McBride on the washtub bass, these boys surely raise a ruckus.
Upon forming as a pickup square dance band in the summer of 2009, The Hogslop String Band has since become one of the most sought after old time string bands. Known for their outrageous facial hair and a rollicking repertoire heavily based on Georgia and Middle Tennessee fiddle tunes, these boys have provided entertainment for fashion shows, political conventions and whiskey distilleries as well as countless weddings, festivals and soirees.
Following in the footsteps of such country music luminaries as Uncle Dave Macon and Gid Tanner, they put on a high energy show easily appreciated by both young and old alike. Despite an unkempt appearance, their undeniable charm is as certain to steal your heart as it will your daughters! http://www.hogslopstringband.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of a very young Allison Krauss performing the traditional tune “Gardenia Waltz,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins relates the history of black bears in the early Ozark regions of Arkansas & Missouri.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, inimitable Illinois husband & wife acoustic duo The Gordons recorded live at the Ozark Folk Center State. Also, interviews with these matrimonial music mavens. Mark Jones offers an archival recording of Ozark original Lonnie Finnley performing the traditional tune “Vienna Waltz.” Writer, professor, and historian Dr. Brooks Blevins relates the history of elk in the early Ozark region.
“The Gordons” – Gary and Roberta. Influenced by the great music of their era, this husband and wife duo were baptized by bluegrass music and have made wonderful folk music ever since. Accompanied by Gary’s tasteful Gallagher guitar and dobro, Roberta plays the American born Appalachian autoharp. With many recordings to their credit since 1976, harmony singing is their signature. http://www.thegordonsmusic.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Lonnie Finnley performing the traditional tune “Vienna Waltz,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins relates the history of elk in the early Ozark regions of Arkansas & Missouri.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, talented twin Texan bluegrass and gospel duo The Purple Hulls recorded live at the Ozark Folk Center State Park. Also, interviews with these identical virtuosos. Mark Jones offers an archival recording of Ozark original Donnie Dutton performing the traditional tune “Wildwood Flower.” Writer, professor, and historian Dr. Brooks Blevins recounts the American geographer, geologist, and ethnologist Henry Schoolcraft’s experience in the early Ozark region.
You could easily say these two musicians were born to make music together. Identical twins Katy Lou and Penny Lea Clark of The Purple Hulls were raised on a working family farm in the deep piney woods of East Texas, but that didn’t stop the Texans from finding their way to the hills of Tennessee, specifically Music City, where they began touring with various country artists and writing songs for Nashville’s largest publishing company, Sony Tree. The Purple Hulls are no stranger to road life and are now blazing the trail as a dynamic sister duo, showcasing their unique sibling harmonies while ripping the strings off any instrument they can get their hands on. If you’re looking for authentic acoustic driven music delivered at its best, your search is over. https://thepurplehulls.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Dave Leatherman performing the traditional tune “Shoutin’ On the Hills,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins recounts the American geographer, geologist, and ethnologist Henry Schoolcraft’s harrowing experiences in the early Ozark regions of Arkansas & Missouri.
This week, Brooklyn, New York based old-time string band The Down Hill Strugglers recorded live at Ozark Folk Center State Park. Also, interviews with this fantastic folk trio. Mark Jones offers an archival recording of Ozark original Dave Leatherman performing the traditional tune “Shoutin’ On the Hills.” Writer, professor, and historian Dr. Brooks Blevins recounts the American geographer, geologist, and ethnologist Henry Schoolcraft’s experience in the early Ozark region.
The Down Hill Strugglers is a string band composed of Eli Smith, Walker Shepard and Jackson Lynch, who play at various times; fiddle, banjo, guitar, mandolin and harmonica. Forming in 2008, they are influenced by the music that came out of rural America, including Appalachian traditions, music from the Deep South, and the Western States. They combine the feeling of the old music that can be heard on commercially recorded 78 RPM records (largely of the pre-WWII era) and field recordings made throughout the 20th century. They have been playing together for five years and have performed at the Newport Folk Festival, the Kennedy Center, the Library of Congress, the Brooklyn Folk Festival and many other places. In 2013 they were featured on the soundtrack to the Coen Brothers film, "Inside Llewyn Davis" produced by T-Bone Burnett. - http://downhillstrugglers.blogspot.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Dave Leatherman performing the traditional tune “Shoutin’ On the Hills,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins recounts the American geographer, geologist, and ethnologist Henry Schoolcraft’s harrowing experiences in the early Ozark regions of Arkansas & Missouri.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Canadian Ottawa Valley fiddler, singer, and stepdancer April Verch recorded live at the Ozark Folk Center State Park. Also, interviews with April. Mark Jones offers an archival recording of Ozark originals Tim & Dennis Crouch performing the tune “Dill Pickle Rag.” Writer, professor, and historian Dr. Brooks Blevins recounts the American geographer, geologist, and ethnologist Henry Schoolcraft’s experience in the early Ozark region.
Fiddler, singer, and stepdancer April Verch knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music—her father’s country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions. She thought every little girl learned to stepdance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician. She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way.
While Verch is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond, for a well-rounded tour-de-force of North Americana sounds. Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once with apparent ease and precision. Verch is – as they say – a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed. http://aprilverch.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Tim & Dennis Crouch performing the tune “Dill Pickle Rag,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins recounts the American geographer, geologist, and ethnologist Henry Schoolcraft’s harrowing experiences in the early Ozark regions of Arkansas & Missouri.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, California based multi-instrumentalists, singers, and purveyors of traditional Southwestern American folk music Frank Fairfield & Zac Sokolow recorded live at the Ozark Folk Center State Park. Also, interviews with Frank & Zac. Mark Jones offers an archival recording of Ozark original Frank Ellis performing the tune “Shamus O’Brien.” Author, folklorist, and songwriter Charley Sandage presents a portrait of The Meadowcreek Project, a sustainable agriculture & education facility located in the Ozarks.
Music has the power to transport us to another time and place. Frank Fairfield loves to harness that power with a broad audience of fellow music lovers and passionate musicians alike. Ever since a young age, Fairfield has found great joy and satisfaction by being involved in the creative music process. Frank plays down-home, old time folk music. He plays fiddle, guitar, banjo and he sings. Frank has been featured on NPR’s Tiny Desk Concert, as well as the PBS documentary series American Epic. Born in Fresno, California, he now lives in Los Angeles with his wife. https://www.frankfairfield.net
On this show, Frank will share the stage with the equally adept multi-instrumentalist & singer Zac Sokolow. Zac is at home on guitar, banjo, fiddle, as well as mandolin. Sokolow is a founding member of the contemporary Americana band “The Americans,” also featured on PBS’ “American Epic.” Zac began learning music from his father at an early age, playing bluegrass as a child. http://www.theamericansmusic.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Frank Ellis performing the tune “Shamus O’Brien,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of The Meadowcreek Project, a sustainable agriculture & education facility located in the Ozarks.
This week, five time Grammy Award winning traditional country, bluegrass, & Americana music legend Marty Stuart and his band, The Fabulous Superlatives, recorded live at Ozark Folk Center State Park. Also, interviews with Marty. Mark Jones offers an archival recording of himself & Marty Stuart performing the song “The Train That Carried My Girl From Town.”
Marty Stuart is an American country music singer-songwriter & multi-instrumentalist, known for both his traditional style, and eclectic merging of rockabilly, honky tonk, and traditional country music. As a musical child prodigy, Marty grew up playing with some of the greatest names in bluegrass & country music. His early career saw him working with Lester Flatt, Vassar Clements, Doc Watson, Johnny Cash, Roy Orbison, Carl Perkins, Jerry Lee Lewis, Porter Wagoner, and many others. As an adult, Stuart launched a successful solo career that has spanned 30 years, and garnered five Grammy Awards. He has appeared on numerous TV shows including Hee Haw, The Nashville Network, and his own show “The Marty Stuart Show.” These days, he tours & records with his band “The Fabulous Superlatives,” featuring Kenny Vaughan on lead and acoustic guitar, Harry Stinson on drums and background vocals, and Chris Scruggs on electric, acoustic, steel and bass guitars, and background vocals. https://www.martystuart.net
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1980 archival recording of himself & Marty Stuart performing the song “The Train That Carried My Girl From Town,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, award winning Neo-Bluegrass & Americana acoustic singer-songwriter duo The Buffalo Gals recorded live at the Ozark Folk Center State Park. Also, interviews with these incredibly talented Buffalo Gals. Mark Jones offers an archival recording of Ozark original Kenny Sims performing the traditional song “Butcher’s Boy.” Writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years.
The Arkansas duo Buffalo Gals is comprised of Melissa Carper on vocals, upright bass & guitar and Rebecca Patek on vocals, fiddle & guitar. Both women being extraordinary songwriters as well as accomplished musicians, they bring to the stage a range of stories and down home feeling that’ll have your toes tapping and your heart yearning. Blending a classic Country music & Americana sound with a bit of humor and a decidedly modern sensibility, the Buffalo Gals’ music is at once authentic as well as intimately relatable. Rebecca Patek’s most recent album “Come up and Meet Me” was named Best Bluegrass Album for 2016, by the Independent Music Association.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Kenny Sims performing the traditional song “Butcher’s Boy,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years. The last of a three part series, this episode chronicles the chaotic downfall of an Ozark theme park based on the famous cartoon “Li’l Abner,” created by cartoonist Al Capp.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, celebrated Scottish & Oldtime acoustic music explorers Alasdair Fraser & Natalie Haas recorded live at Ozark Folk Center State Park. Also, interviews with this dynamic musical duo.
The musical partnership between consummate performer Alasdair Fraser, "the Michael Jordan of Scottish fiddling", and brilliant Californian cellist Natalie Haas spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 18 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding and the joyful spontaneity and sheer physical presence of their music.
Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who's who of the fiddle world including Mark O'Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.
This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo's debut recording, Fire & Grace, won the coveted the Scots Trad Music "Album of the Year" award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record four more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe. https://alasdairandnatalie.com/bio
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Roger Fountain performing the traditional fiddle tune “Bill Cheatham,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years. The second of a three part series, this episode chronicles the development of an Ozark theme park based on the famous cartoon “Li’l Abner,” created by cartoonist Al Capp.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Country Blues & Oldtime music phenomenon and Carolina Chocolate Drops member Hubby Jenkins recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Hubby. Mark Jones offers an archival recording of Ozark originals Bess & Lester Kelley performing the Carter Family song “All the Good Times are Past & Gone.” Writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years.
Hubby Jenkins is a talented multi-instrumentalist, who endeavors to share his love and knowledge of old-time American music. Born and raised in Brooklyn, he delved into his Southern roots, following the thread of African American history that wove itself through country blues, ragtime, fiddle and banjo, and traditional jazz. Hubby got his higher musical education started as a busker. He developed his guitar and vocal craft on the sidewalks and subway platforms of New York City, performing material by those venerable artists whose work he was quickly absorbing. An ambitiously itinerant musician, he took his show on the road, playing the streets, coffee shops, bars, and house parties of cities around the U.S. After years of busking around the country and making a name for himself, Hubby became acquainted with the Carolina Chocolate Drops. Since 2010 he has been an integral part of the Grammy award winning Carolina Chocolate Drops and continues to make solo performances.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Bess & Lester Kelley performing the Carter Family song “All the Good Times are Past & Gone,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years. The first of a three part series, this episode chronicles the early years of an Ozark theme park based on the famous cartoon “Li’l Abner,” created by cartoonist Al Capp.
This week, distinguished traditional Louisiana Cajun music connoisseurs The Savoy Family Cajun Band recorded live at Ozark Folk Center State Park. Also, interviews with renowned fiddler Joel Savoy. Mark Jones offers an archival recording of Ozark originals Ervin & Lily Freeze performing the song “Let Those Brown Eyes Smile at Me.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Blanchard Springs National Park, featuring an interview with long time U.S. Forest Service visitor information specialist Tony Guinn.
The Savoy Family Cajun Band consists of father Marc, mother Ann, and brothers Joel & Wilson Savoy.
Marc Savoy was born and raised in the small Cajun prairie town of Eunice, Louisiana. Drawing inspiration from 'bals de maison' (house dances) in his father's outdoor kitchen, Savoy obtained his first accordion and began playing it at the age of 12. Playing the instrument led to repairing it and after disassembling enough accordions he began to build them. Playing the accordion has always been a natural part of his life from the dancehall to the home. The musicians with whom he has played Cajun music read like a who’s who of the finest in Cajun music, from the Balfa Brothers, DL Menard, Doc Guidry to early fiddle masters Dennis McGee and Wade Fruge.
Ann Allen Savoy is a musician, photographer, record producer, and writer. Her destiny was sealed when she began to listen to rare collections of Cajun 78’s. She met her future husband, acclaimed accordion builder/musician Marc Savoy, and after their marriage she began documenting the Cajun culture, taking photographs, interviewing important musicians, and transcribing the Cajun French songs. Her documentation ultimately became a book, Cajun Music: A Reflection of a People Volume 1, which won the prestigious Botkin book award from the American Folklore Society. An avid photographer since high school, her photos have been exhibited at the Virginia Museum of Fine Arts and at the Festival of American Music in Eugene, Oregon.
Joel Savoy is one of the most requested fiddlers in SW Louisiana today. Joel grew up in Eunice, Louisiana, literally at the feet of Cajun heros like Dennis McGee, Dewey Balfa, Michael Doucet, and Wade Frugé. In 2006 Joel founded Valcour Records. He’s worked and played with Linda Ronstadt,T-Bone Burnett, Steve Buckingham, Allison Krauss, Linda Ronstadt, Steve Miller, Tim O’Brien, Darol Angor and many more. Joel also builds accordions with his father, makes electric guitars and hi-end tube amps and studio gear, and is an excellent recording engineer.
Wilson Savoy, the youngest son of Marc and Ann, has made music since before he could walk. He began playing boogie-woogie and blues piano, inspired by Louisiana native Jerry Lee Lewis, at the age of 10. Wilson took up the accordion after graduating from high school. His major influences are his father, Amede Ardoin, and Iry Lejeune. Besides being a musician he is an avid filmmaker, and has produced films of many of the finest bands in SW Louisiana. (www.almenafilms.com) When he isn’t making and producing music videos and short biographies he is traveling with his three times Grammy nominated dynamic young band, the Pine Leaf Boys. - http://www.savoyfamilycajunband.com/index.html
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Ervin & Lily Freeze performing the song “Let Those Brown Eyes Smile at Me,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of Blanchard Springs National Park, featuring an interview with long time U.S. Forest Service visitor information specialist Tony Guinn.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, a celebration of Ozark traditional music pioneers and their influences. This special episode features Betse Ellis & Clarke Wyatt, The Creek Rocks, and The Aching Hearts recorded live at the Ozark Folk Center State Park. Mark Jones offers an archival recording of Ozark originals The Apple Family performing the traditional song “Who’s Gonna Dance With Sally Ann.” Author, folklorist, and songwriter Charley Sandage presents the Off the Beaten Path Studio Tour of the Ozarks, featuring an interview with Becky Dahlstedt, one of the organizers of the tour.
https://www.betseandclarke.com/bio/ http://www.thecreekrocks.com https://theachinghearts.com/bio
This week, preeminent old time fiddler Bruce Molsky and his Molsky’s Mountain Drifters recorded live at Ozark Folk Center State Park. Mark Jones offers an archival recording of Ozark original Moon Mullins performing the tune “Tiptoe Through the Tulips.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the M&NA railroad of the Ozarks, featuring an original song & interview from Tom Simmons, the very first director of the Ozark Folk Center.
Bruce Molsky is a self-described “street kid” from the Bronx who bailed on college and big city life for a cold-water cabin in Virginia in the 1970s. His mission? To soak up the passion that was dramatically upending his parent’s life plan for him – authentic Appalachian mountain music – at the feet of its legendary pioneers, old masters who are now long gone. Molsky’s Mountain Drifters also includes banjoist Allison de Groot and guitarist & singer Stash Wyslouch. Today, Bruce Molsky is one of the most revered “multi-hyphenated career” ambassadors for America’s old-time mountain music. For decades, he’s been a globetrotting performer and educator, a recording artist with an expansive discography including seven solo albums, well over a dozen collaborations and two Grammy-nominations. He’s also the classic “musician’s musician” – a man who’s received high praise from diverse fans and collaborators like Linda Ronstadt, Mark Knopfler, Celtic giants Donal Lunny and Andy Irvine, jazzer Bill Frisell and dobro master Jerry Douglas, a true country gentleman by way of the Big Apple aptly dubbed “the Rembrandt of Appalachian fiddlers” by virtuoso violinist and sometimes bandmate Darol Anger. Molsky digs deep to transport audiences to another time and place, with his authentic feel for and the unearthing of almost-forgotten rarities from the Southern Appalachian songbook. His foils are not only his well-regarded fiddle work, but banjo, guitar and his distinctly resonant vocals. From tiny folk taverns in the British Isles to huge festival stages to his ongoing workshops at the renowned Berklee College of Music, Molsky seduces audiences with a combination of rhythmic and melodic virtuosity and relaxed conversational wit – a uniquely humanistic, downhome approach that can make Carnegie Hall feel like a front porch or parlor jam session. - https://www.mountaindrifters.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Moon Mullins performing the tune “Tiptoe Through the Tulips,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the M&NA railroad of the Ozarks, featuring an original song & interview from Tom Simmons, the very first director of the Ozark Folk Center.
This week, celebrated singer/songwriter & hometown humorist Antsy McClain with world renowned harp-guitarist Muriel Anderson recorded live at the Ozark Folk Center State Park. Also, interviews with Antsy & Muriel. Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the White River Line railroad of the Ozarks, featuring an interview with George Lankford, professor emeritus at Lyon College in Batesville.
Antsy McClain brings his unique blend of music and “humor with heart” to the stage, combining his original songs with a hilarious slide show, including Antsy’s own life observations, social commentary and imaginary sponsors from his home town trailer park of Pine View Heights. As a master storyteller with the likes of PBS, NPR and TEDTalks under his belt, Antsy includes humorous and serious songs in his shows. Songs such as “One Less Trailer Here in Pine View Heights,” My Baby Whistles When She Walks,” and “The Junk Drawer of Your Heart,” are keenly humorous observations about love and loss, while his more serious songs, like “Field Trip,” “I’m Everyone,” or “Falling in Love in America,” are more akin to personal journal entries written in the act of living. It’s this tightrope walk between humor and heart that makes Antsy McClain a true original. - http://unhitched.com/antsys-bio/
One of the world’s foremost fingerstyle guitarists and harp-guitarists, Muriel Anderson is the first woman to have won the National Fingerstyle Guitar Championship. Her CD “Nightlight Daylight” was chosen as one of the top 10 CDs of the decade by Guitar Player Magazine her “Heartstrings” recording accompanied the astronauts on the space shuttle Discovery. She has performed/recorded with Chet Atkins, Les Paul, Victor Wooten and the Nashville Chamber Orchestra. Her obvious joy of music, humor and her facility across the genres of folk, classical, jazz, bluegrass and international music is revered by guitarists worldwide. An engaging performer, Muriel’s unique approach to the instrument virtually transforms the guitar into a lyrical choir, then a marching band, then a Japanese koto, then a Bluegrass band, one minute launching into a Beatles’ tune and the next, a Rodrigo concerto. Her video “Why Worry” has garnered a total of over 8 million views. Muriel is host of the renowned Muriel Anderson’s ALL STAR GUITAR NIGHT® and founder of the MUSIC FOR LIFE ALLIANCE charity. - http://murielanderson.com/press/bio/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the White River Line railroad of the Ozarks, featuring interviews with George Lankford, professor emeritus at Lyon College in Batesville.
This week, world renowned Irish button accordion & melodeon player Paul Brock & his band recorded live at the Ozark Folk Center State Park. Also, interviews with this master of Irish traditional music. Mark Jones offers an archival recording of Ozark original Ulys Pilcher performing the traditional tune “Sally Goodin.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the Little Red River of the Ozarks, featuring interviews with Arkansas Game and Fish Commission Stream Fisheries Biologist Jeff Quinn & Angela Chandler, Arkansas Geological Survey supervising geologist.
Button accordion and melodeon player Paul Brock is a multiple All-Ireland champion from Athlone, County Westmeath now residing in Ennis, County Clare. Brock’s solo album, Mo Charidin (Gael-Linn), was described by the Rough Guide to Irish Music as “a masterpiece of accordion playin.” Brock co-founded Brock McGuire Band in 2000 with fiddle player Manus McGuire. The band has gone on to record a number of highly acclaimed albums including Green Grass Blue Grass, a collaboration with 14-time GRAMMY Award winner Ricky Skaggs celebrating the connection between Appalachian and Irish music. In 2014, the band performed a fully-scored program of their music with the Mississippi Symphony Orchestra in Jackson, Mississippi.
As a soloist, Brock has toured extensively internationally. He has performed with leading musicians and has been a special guest artist on a number of occasions with acclaimed Irish band The Chieftains. In 1989, Brock and McGuire co-founded Moving Cloud, with whom he recorded two award winning albums for Green Linnet Records. Brock’s 2006 collaboration with Enda Scahill, Humdinger (Compass Records), was voted “Irish Music Album of the Year” by The Irish Times and “Instrumental Album of the Year” by The Irish American News. Brock’s many album credits include A Tribute to Joe Cooley (Gael-Linn) with fiddler Frankie Gavin. - https://paulbrockband.com
For this performance, Paul Brock is joined by famed Irish composer & teacher Denis Carey, multi-instrumentalist, singer, and dancer Dave Curley, and also multi-instrumentalist Shane Farrell.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Ulys Pilcher performing the traditional tune “Sally Goodin,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the Little Red River of the Ozarks, featuring interviews with Arkansas Game and Fish Commission Stream Fisheries Biologist Jeff Quinn and Angela Chandler, Arkansas Geological Survey supervising geologist.
This week, high energy Neo-Grass acoustic music phenomenon The Barefoot Movement recorded live at the Ozark Folk Center State Park. Also, interviews with The Barefoot Movement vocalist & co-founder Noah Wall. Mark Jones offers an archival recording of Ozark original Brooke Breeding performing the traditional tune “Tying the Leaves.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the White river of the Ozarks, featuring interviews with Arkansas Game and Fish Commission Stream Fisheries Biologist Jeff Quinn and historian & folklorist Dr. George Lankford.
Heartfelt, energetic, and down home. Heralded by CMT Edge as "one of the most promising bands on the bluegrass scene," the music of the Nashville based group The Barefoot Movement is as down to earth as their intention for members of their audience: sit back, relax, take your shoes off, and stay a while. All the worries and frustrations of the world melt away as this charming, acoustic band takes listeners back to a simpler place and time. Whether you're seeking emotional ballads or rip-roaring barn-burners, you can expect a collection of music that offers something for everyone. With two full length albums, an EP of traditional music, several cross-country tours, and appearances at some of the top bluegrass festivals in the United States already under their belt, the possibilities for this act are endless. The group has enjoyed almost non-stop touring including a trip to Burkina Faso, Africa where they were guests of the American Embassy, and in September of 2014, they received a Momentum Award, naming them "Band of the Year" by the International Bluegrass Music Association. - http://www.thebarefootmovementofficial.com/bio/
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Brooke Breeding performing the traditional tune “Tying the Leaves,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley continues our celebration of 50 years of the Buffalo National River, America’s first national river.
This week, New York born Haitian-American classical & folk music sensation and former Carolina Chocolate Drops member Leyla McCalla recorded live at the Ozark Folk Center State Park. Also, interviews with Leyla. Mark Jones offers an archival recording of Ozark original & hammered dulcimer legend Jay Round performing a medley of traditional Irish tunes. Author, folklorist, and songwriter Charley Sandage presents an introduction to Ozark geology, featuring an interview with Arkansas Geological Survey supervisor Angela Chandler.
Leyla McCalla is a Haitian-American living in New Orleans, who sings in French, Haitian Creole and English, and plays cello, tenor banjo and guitar. Deeply influenced by traditional Creole, Cajun and Haitian music, as well as by American jazz and folk, her music is at once earthy, elegant, soulful and witty — it vibrates with three centuries of history, yet also feels strikingly fresh, distinctive and contemporary. Violist Free Feral - Guitarist, banjoist, and triangle Daniel Tremblay
Leyla’s debut album, Vari-Colored Songs: A Tribute to Langston Hughes, was named 2013’s Album of the Year by the London Sunday Times and Songlines magazine, and received additional raves from a number of other publications, including the New York Times, Boston Globe and Offbeat, for its haunting mixture of music and message. - https://leylamccalla.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original & hammered dulcimer legend Jay Round performing a medley of traditional Irish tunes, from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode gives us an introduction to Ozark geology, featuring an interview with Arkansas Geological Survey supervisor Angela Chandler.
This week, two time Grammy Award winning Texas Swing fiddler and Asleep at the Wheel member Jason Roberts & the Jason Roberts Band recorded live at Ozark Folk Center State Park. Also, interviews with Jason.
Grammy Award winning fiddle player Jason Roberts brings his signature style to the Jason Roberts Band. Having spent his childhood among legends in Texas honky-tonks -- and then nearly 20 years with the world-famous band Asleep at the Wheel -- Jason has soaked up the very best of Western Swing and brings his own signature style to this traditional American genre. Two Grammy Awards and four individual Hall of Fame inductions later, Jason and his Jason Roberts Band delight fans around the world.
Music is a family thing in the Roberts clan. Jason’s grandfather, Buck Roberts, a fellow Texas Western Swing Hall of Famer, toured nationally with The Roberts Brothers Rhythmaires in the 1940’s and 50’s. A 12-year-old Jason eventually fronted a band with his grandfather and other Rhythmaires’ veterans. From the other side, Jason’s grandmother played swing piano well past her 100th birthday. Jason learned to play on his grandfather Carl’s fiddle, an instrument that’s on stage with him to this day.
Legendary fiddler Johnny Gimble (Jason’s kin by marriage) took notice of young Jason's remarkable natural talent and took him under his wing. Jason has said, “Every good lick I know, I stole from Johnny Gimble.” By the time he was 15, Jason had played with greats like Gimble, Leon Rausch, Bobby Boatwright, Herb Remington, and other members of Bob Wills’ Texas Playboys.
From the White House to The David Letterman Show and the Kennedy Center to Bob Wills’ hometown of Turkey, Texas, Jason has helped keep the spirit of Western Swing alive across generations. His fiddle magic and endearing personality make him a fan favorite everywhere he plays. https://www.jasonrobertsband.com
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of four Ozark originals; Buddy Lancaster, Tom Simmons, Jackie Stewart, and of course Mark Jones performing “Bile Them Cabbage Down,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley continues our celebration of 50 years of the Buffalo National River, America’s first national river.
This week, American singer-songwriter and musical legacy A.J. Croce recorded live at Ozark Folk Center State Park. Hear A.J. speak of getting to know his famous musical father, Jim Croce, through his inherited collection of personal archival recordings. “A.J. Croce: Two Generations of American Music,” is a blend of A.J’s own soulful music, his father’s enduring hit songs, and some of the music that they shared as influences, together. It is a glimpse into the life of one of America’s greatest songwriters and his equally talented progeny.
Adrian James "A.J." Croce is an American singer-songwriter. He is the son of singer-songwriters Jim Croce and Ingrid Croce.
“According to Willie Nelson, “A.J. Croce has wisdom beyond his years. With his music, he represents his generation with a profound sense of honesty in his lyrics and quality in his delivery. The future of entertainment is safe in his hands!”
Some artists are afforded the chance to tell their personal stories as they see fit, at a particular moment when they know the time has come. But for many, there is no choice — the story emerges hardwired to the music and they become forever identified with it no matter how their story may evolve or change.
A.J. Croce has been inextricably linked to a version of his own story by virtue of his name. He’s experienced a lifetime of comparisons to a father he lost at age two, whose music bears little resemblance to his own output yet still serves as a reference point despite the years that have passed and the many iconic mentors who have stepped in to offer their counsel, creativity, and endorsement throughout his long career.
It’s curious that it now feels necessary to include the reference, as enough time has passed that a new generation of tastemakers and journalists might not know who Jim Croce was — that he was a golden-voiced everyman, a singer-songwriter-guitarist who died too soon, leaving one of pop music’s most beautiful and memorable ballads (written about a young A.J.) in his wake.
Croce the younger, on the other hand, is a piano man, first and foremost, and a vocal stylist second. His muted growl pulls from a host of American traditions and anti-heroes — it’s part New Orleans, part juke joint, part soul, but somehow evokes New York, a continuum where John Lurie meets Lou Reed. He is further a songwriter, driven by a personal muse, informed by a life on a boomerang of tragedy.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, traditional bluegrass & Ozark legends The Keisler Brothers Band recorded live at the Ozark Folk Center State Park. Also, interviews with this talented band of brothers. Mark Jones offers an archival recording of harmonica virtuoso Lonnie Glosson performing “Mama, I Want a Drink of Water.” Author, folklorist, and songwriter Charley Sandage presents a brief history of white settlers to the Ozark region.
The Keisler Brothers Band is comprised of Redmond, Randy and Rick Keisler, as well as their long time friend Rodney Heslep. This traditional bluegrass group has been bringing their fiery brand of acoustic music to American audiences for four decades. Redmond Keisler, the leader of the group, plays Dobro, while his brothers Randy and Rick play bass & guitar, respectively. The brothers’ long time compatriot Rodney Heslep brings the all important three finger banjo to round out a perfect traditional high energy bluegrass sound. One of the Keisler Brothers’ specialties is their razor sharp harmony singing. Family harmonies are breathtaking to behold, and this family has been perfecting theirs for decades. True, honest, and decidedly down home, a Keisler Brothers show is a testament to their traditional bluegrass legacy.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of harmonica virtuoso Lonnie Glosson performing “Mama, I Want a Drink of Water,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on the history of early white settlers to the Ozark region, and their impact on the indigenous cultures of the area.
This week, Christmas songs both traditional & rare, performed by an interesting array of folk musicians, recorded live at Ozark Folk Center State Park. Hosts Dave Smith & Mark Jones present these festive archival holiday recordings. Mark Jones offers an archival recording of his father, Country Music Hall of Fame legend Grandpa Jones reciting a poem called “The Christmas Guest.” Aubry Atwater & Elwood Donnelly profile the story of folk music royalty Jean Ritchie’s first family Christmas tree.
Musicians at the Ozark Folk Center State Park have been putting on Christmas music shows for over four decades. As with most music performed at the park, the Christmas music represented here is not your normal collection of holiday standards. You’ll hear a few songs that you know and love, as well as many others that you’ve likely never encountered before. The eclectic range of musicians performing on this edition of Ozark Highlands Radio include Grandpa Jones, Randall Hylton, The Dowden Sisters, The Lonesome Cowboys, Joni Bishop, Bob Olivera, The Heritage Quartet, and more.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of his father, country music legend Grandpa Jones, reciting a poem called “The Christmas Guest,” from the Ozark Folk Center State Park archives.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode relates Jean Ritchie’s own childhood memories of an early Ritchie Family Christmas.
This week, neo-folk, Americana, and progressive bluegrass sensation Jayme Stone & The Lomax Project recorded live at Ozark Folk Center State Park. Also, interviews with Jayme about his music and the ambitious Lomax Project.
Two-time Juno-winning banjoist, composer and instigator Jayme Stone makes music inspired by sounds from around the world—bridging folk, jazz, and chamber music. His award-winning albums both defy and honor the banjo’s long role in the world’s music, turning historical connections into compelling sounds. Stone is the consummate collaborator, unearthing musical artifacts and magnetizing extraordinary artists to help rekindle these understudied sounds. He is a passionate educator, producer, and instigator.
Jayme Stone’s Lomax Project focuses on songs collected by folklorist and field recording pioneer Alan Lomax. This collaboration brings together distinctive and creative roots musicians to revive, recycle and reimagine traditional music. The repertoire includes Bahamian sea shanties, Sea Island spirituals, Appalachian ballads, fiddle tunes and work songs collected from both well-known musicians and everyday folk: sea captains, cowhands, fishermen, prisoners and homemakers. Collaborators on this particular live show include Moira Smiley and Tristan Clarridge.
Moira Smiley is a singer & composer who creates and performs new work for voices. A musical polyglot, and vocal shape-shifter, her voice – and composing – are heard on feature films, BBC & PBS television programs, NPR, and on more than 60 albums. When she’s not leading her own group, Moira Smiley & VOCO, Moira tours with Indie artist tUnE-yArDs, Irish music powerhouse, Solas, The Lomax Project and Billy Child’s “Laura Nyro Re-Imagined.” Recent solo performances include TED, Stravinsky’s ‘Les Noces,’ the London Proms Festival, features on BBC3’s The Choir, and ABC Australia’s Books & Arts programs. Moira’s recordings feature spare, vocally driven collections of warped traditional songs, original polyphony and body percussion. In addition to her performing work, she is in high demand as a choral clinician, composer and arranger.
Multi-instrumentalist Tristan Clarridge is a 5-time Grand National Fiddle Champion and a pioneering cellist, synthesizing traditional folk influences with rhythmic vocabulary from jazz, rock and pop music, and leading a revolution among adventurous young cellists throughout the country. He has toured the world with bluegrass/nu-folk sensation Crooked Still and Darol Anger’s Republic of Strings, as well as Mike Marshall, Bruce Molsky and Cape Breton fiddle phenomenon Natalie MacMaster. Tristan’s latest collaboration, “The Bee Eaters,” features his talented sister Tashina Clarridge as well as hammered dulcimer wizard Simon Chrisman.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Mona Fay Moody performing the traditional song “I Will Never Marry,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley celebrates 50 years of the Buffalo National River. This episode guides us on a tour of places “you shouldn’t miss” and other remarkable spots along the 135 miles of America’s first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton.
This week, oldtime, bluegrass, and psychograss pioneers Darol Anger & Mike Marshall recorded live at the Ozark Folk Center State Park. Also, interviews with these legendary instrumentalists. Mark Jones offers an archival recording of Ozark originals Bob & Kay Blair performing the traditional song “Red Green.”
Fiddler, composer, producer and educator, Darol Anger is at home in a number of musical genres, some of which he helped to invent. Exceptional among modern fiddlers for his versatility and depth, Anger has helped drive the evolution of the contemporary string band through his involvement with numerous pathbreaking ensembles such as his Republic Of Strings, the Turtle Island String Quartet, the David Grisman Quintet, Montreux, his Duo with Mike Marshall, and others. He has performed and taught all over the world with musicians such as Dr. Billy Taylor, Bela Fleck, Bill Evans, Edgar Meyer, Bill Frisell, David Grisman, Tony Rice, Tim O’Brien, The Anonymous 4, Marin Alsop and the Cabrillo Orchestra, the Detroit Symphony, Mark O’Connor, and Stephane Grappelli. Today Darol can be heard on NPR’s “Car Talk” theme every week, along with Earl Scruggs, David Grisman and Tony Rice. He was also the violinist on the phenomenally popular Sim City computer games. In addition to performing all over the world, he has recorded and produced scores of important recordings since 1977, is a MacDowell and UCross Fellow, and has received numerous composers’ residencies and grants. He has been a featured soloist on dozens of recordings and motion picture soundtracks. He is an Associate Professor at the Berklee School of music.
Mike Marshall made his Carnegie Hall debut at the age of 20 with jazz violin legend Stephane Grappelli as a member of the David Grisman Quartet. In 1985 he would perform in that famed hall with his own classical ensemble The Modern Mandolin Quartet in 1985. Mike has been at the forefront of New Acoustic music for over 40 years having been the founding member of many groups including the Montreux Band, Psychograss, Choro Famoso and The Anger Marshall Band. Between 1999 and 2003 Mike collaborated with Joshua Bell, Edgar Meyer, Bela Fleck and Sam Bush on two separate projects. These groups toured the U.S.A. extensively and performed at the Aspen Music Festival, San Francisco Performances and Chamber Music at Lincoln Center, NY. Both ensembles were nominated for Grammy Awards for their Sony Classical releases. In 2014 Mike was nominated for his third Grammy Award for his recording with the Turtle Island Quartet. Currently Mike is touring with German mandolin virtuoso Caterina Lichtenberg. The two have released two cds on the Adventure Music label and have performed at the Carmel Bach Festival, The Savannah Music Festival, the Bach Haus Liepzig, Germany and the Rockygrass Bluegrass Festival in Colorado and have been soloists with the New Century Orchestra under Nadja Salerno-Sonnenberg, and Orchester l’arte del mondo from Cologne, Germany. He currently directs the Mike Marshall School of Mandolin through the ArtistWorks on-line educational company where he is teaching hundreds of mandolinists from around the world. Mike splits his time currently between his home in San Francisco, CA and Wuppertal, Germany where his wife, Caterina Lichtenberg holds the position of mandolin professor at the Cologne Music Conservatory.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Bob & Kay Blair performing the traditional song “Red Green,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Grammy award winning Oldtime singer, songwriter, and multi-instrumentalist Dom Flemons, accompanied by the versatile Brian Farrow, recorded live at the Ozark Folk Center State Park. Also, interviews with this Grammy award winning artist. Mark Jones offers an archival recording of country music royalty Jeanette Carter performing the classic song “Foggy Mountain Top.”
Raised in Phoenix, Arizona, Dom Flemons’ involvement with music began by playing percussion in his high school band. After picking up the guitar and harmonica as a teenager, he began to play in local coffee houses and became a regular performer on the Arizona folk music scene. Dom wrote his own songs and produced 25 albums of singer-songwriters and slam poets in the Phoenix area, including six albums of his own during this time. He took a brief break from playing music in order to pursue slam poetry (he majored in English at Northern Arizona University) and performed in two national poetry slams in 2002 and 2003. Aside from exploring slam poetry, he spent his early adulthood listening to records and discovering a love of folk music, blues, jazz, jug band music, country music and ‘50s rock ‘n’ roll. Dom became interested in folk musicians such as Phil Ochs, Dave Van Ronk, and Mike Seeger, as well as musicians such as Mississippi John Hurt, Howlin’ Wolf, Hank Williams, Chuck Berry and Carl Perkins. After stepping away from the slam poetry scene, he rekindled his interest in music, this time focusing on the old-time blues music of the pre-WWII era.
A multi-instrumentalist, Dom Flemons plays banjo, guitar, harmonica, fife, bones, bass drum, snare drum, and quills, in addition to singing. He says that he incorporates his background in percussion to his banjo playing. Dom’s banjo repertoire includes not only clawhammer but also tenor and three-finger styles of playing. He first picked up the instrument when he borrowed a five-string banjo from a friend who had removed the instrument’s fifth string. As a founding member of the Carolina Chocolate Drops, an African-American string band, Dom was able to explore his interest in bringing traditional music to new audiences. The band won a GRAMMY for its 2011 album Genuine Negro Jig and was nominated for its most recent album, Leaving Eden, in 2012.
Dom says he would like to use the traditional forms of music he has heard and immersed himself in over the years to create new soundscapes that generate interest in old-time folk music. Focusing very much on creating music that is rooted in history but taking a contemporary approach, Dom hopes to reexamine what traditional music can become.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of country music royalty Jeanette Carter performing the classic song “Foggy Mountain Top,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, old time fiddling husband and wife duo “Spencer & Rains” recorded live at Ozark Folk Center State Park. Also, interviews with this fascinating duo. A performance from old time fiddle legend Dan Levenson, and Mark Jones offers an archival recording of singer/songwriter Jimmy Connor performing his hit song “Grandma’s Featherbed.”
Spencer & Rains combines the talents of two extraordinary traditional fiddlers, Kansas fiddler Tricia Spencer with Texas artist and fourth generation fiddler Howard Rains. Together, the husband and wife duo Spencer & Rains have performed and taught nationally and internationally, preserving and building upon the traditions of their region. The duo are known for their twin fiddle harmony, which is a product of the influence of midwestern Scandinavian fiddlers Tricia heard as a child. At the same time, Howard’s distinct repertoire reintroduces listeners to the pre-contest styles of Texas fiddling. That same sense of harmony is in their vocals as well, which they pull from all manner of American folk music. Both multi-instrumentalists, they are steeped in tradition and are dedicated to the preservation, performance, and teaching of old time music.
A Southern Appalachian native, Dan Levenson was raised with old time music. He has become a true master musician and teacher in both the Clawhammer Banjo style and Old Time Fiddling. His dad called square dances and his mom played guitar, piano and sang. With 14 Mel Bay publications including his innovative Clawhammer Banjo From Scratch and 10 recordings to his name, Dan is one of the undisputed influences on today’s old time music aficionados. Dan Levenson is a modern day troubadour in the truest sense of the word. A full time musician, he travels the country with banjo and fiddle, singing songs and telling stories of the road, his musical journey and his Southern Appalachian roots. Dan is a native of Pittsburgh, Pennsylvania, but now makes his home in Tucson, Arizona year round, when he is not on the road. His stage show, “An Evening with Dan Levenson" is an intimate evening of musical conversation that combines old time fiddle, Appalachian banjo, stories, and song in a storytelling format, celebrating life in rural Appalachia and life on the roads of America via the music of our country.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of singer/songwriter Jimmy Connor performing his hit song “Grandma’s Featherbed,” from the Ozark Folk Center State Park archives.
This week, Ozark old time duo “Old Ties” performs live at the Ozark Folk Center State Park. Also, interviews with the members of this eclectic duo, Allison Williams & Willi Carlisle. Mark Jones offers an archival recording of Ozark original Walter Gosser playing the traditional tune “Cripple Creek.” Author, folklorist, and songwriter Charley Sandage presents a piece on the uniquely American art form of shape note singing.
Allison Williams and Willi Carlisle were brought together by a passion for old-time music. The duo is best known around these parts as the leaders of monthly square dances at various hotspots throughout Northwest Arkansas. When they aren’t calling dances, Williams and Carlisle gig as “Old Ties.”
A native of the Arkansas Ozarks, Allison Williams got her start as a punk rock musician before rediscovering her musical roots. Several years in the mountains of North Carolina educated her in Appalachian banjo techniques, especially the fast distinctive styles of Hobart Smith and Wade Ward. Allison has toured internationally, sharing stages with Rhonda Vincent, Donna the Buffalo, and many other giants of the new roots music scene. Her solo CD ”Give Me the Roses” came out in the autumn of 2008, featuring driving arrangements of traditional old-time songs as well as eclectic originals, woven together by a talented backing band of rising stars: alumni of the Carolina Chocolate Drops, Old Crow Medicine Show, and the Wiyos, among others. Since then, Allison has toured internationally, playing to a sold-out Barbican Hall in London as part of the BBC’s “Folk America” special, and backing folk legend Michelle Shocked on her 2010 East Coast tour.
Willi Carlisle has, according to one reviewer, "an authenticity it takes some songwriters years to achieve." After years of collecting folklore, playing or calling square dances, and working in the avant-garde, Willi Carlisle is a multi-faceted writer, performer and instrumentalist. With a style forged in the fire of Ozark oldtime and an ever-growing collection of antique musics, Carlisle’s multi-instrumental stories hoot, stomp, and saunter through joys and troubles uniquely Southern and timelessly true. Equally comfortable on banjo, fiddle and guitar, Carlisle has earned accolades for his versatility with performances at the Ozark Folk Center, the Fayetteville Roots Festival, Thacker Mountain Radio, and Fringe Festivals across the country. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Walter Gosser playing the traditional tune “Cripple Creek,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode presents a piece on the uniquely American art form of shape note singing.
This week, Ozark guitarist, singer, and master of the three finger banjo Adam Fudge performs live at the Ozark Folk Center State Park. Also, interviews with Adam. Mark Jones offers an archival recording of harmonica player & Ozark original Lou Alderman playing the traditional tune “Danny Boy.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Arkansan & country music superstar Patsy Montana, through the lens of archivist Bill McNeil.
Born and raised in the rich musical culture of the Arkansas Ozarks, Adam Fudge has pursued the legacy of his native mountain music with tenacity and a deep love for the traditional. Adam is a fine singer and guitarist playing traditional country & bluegrass, but his true love is the three finger style of banjo popularized by bluegrass legend Earl Scruggs. Adam has won numerous awards for his incredible banjo skills, both in Arkansas and at the traditional music proving grounds of Winfield, Kansas. As well as possibly being one of the greatest three finger banjo players alive today, his guitar skills and Jimmie Rogers style vocals are finely tuned as well. On this show, Adam performs with a variety of musicians including his brother bassist Shane Fudge, bluegrass legend Dave Brancecum, old time fiddler Roger Fountain, guitar guru Brad Apple, educator & multi-instrumentalist Bill Nesbitt, and prolific bassist Gresham McMillon.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of harmonica player & Ozark original Lou Alderman playing the traditional tune “Danny Boy,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode presents a portrait of Arkansan & country music superstar Patsy Montana, through the lens of long time Ozark Folk Center archivist & author Bill McNeil.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, old time early radio days throwback quartet Bill and the Belles performs live at the Ozark Folk Center State Park. Also, interviews with these novel retro performers. Mark Jones offers an archival recording of Ozark original Aubrey Richardson performing the traditional song “Bunker Hill.”
What began as a project to explore the space created between hillbilly and urban, between vaudeville and down home, has arrived somewhere entirely new. Bill and the Belles offers a contemporary reimagining of a bygone era, a vocal-centric performance that breathes new life into the sounds of early country music. At the foothills of the Blue Ridge and the forefront of old-time music, Bill and the Belles continue to further the music traditions of their region. From sentimental Southern ballads to the popular songs of Tin Pan Alley to regional fiddle breakdowns, a Bill and the Belles show is a celebration of the diversity country music once represented.
Bill and the Belles play alongside America’s top country and roots music artists as the house band for the historic radio program Farm and Fun Time presented by Radio Bristol and the Birthplace of Country Music. Lifelong musicians Kris Truelsen, Grace Van’t Hof, Kalia Yeagle, and Karl Zerfas bring to the stage an uplifting show unlike any other, full of humor, high spirits, and all-around revelry. It’s clear this group shares a rare musical connection and deep love for the music, and their excitement is contagious.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Aubrey Richardson performing the traditional song “Bunker Hill,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, three world renowned autoharp virtuosos, Bryan Bowers, Karen Mueller, and Charles Whitmer perform live at the Ozark Folk Center State Park’s annual “Autoharp Weekend.” Mark Jones offers an archival recording of bluegrass legend Buck White performing the song “More Pretty Girls Than One.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Dr. Bill McNeil, the long time archivist at the Ozark Folk Center, in which Dr. McNeil discusses Ozark folk tales.
Bryan Bowers takes the auto harp to places not known to exist. Sounds strange, but it’s true. He possesses a powerful and soulful voice, and is a regular contributor to the Annual Auto Harp Weekend at the Ozark Folk Center State Park. From Washington State, Bowers became very popular with the audience of the comedy radio program The Dr. Demento Show with his 1980 recording of Mike Cross' song "The Scotsman.” In 1993, Bowers was inducted into the Autoharp Hall of Fame whose membership includes Mother Maybelle Carter, Kilby Snow, and Sara Carter.
Karen Mueller is one of the top autoharp and mountain dulcimer players performing today. Her exciting and innovative performing style, featuring Appalachian, Celtic and contemporary music, has been applauded by critics and audiences from LA to Boston. Bluegrass Unlimited magazine has said "Karen Mueller's touch, timing and taste make her a true virtuoso. Her talent and clarity...deserve a wide audience.”
Charles Whitmer is a music educator and composer, as well as being an autoharp virtuoso. He currently has 612 traditional songs in print arranged for autoharp for which he is known internationally. In 2008 he was inducted into the Autoharp Hall of Fame. He is a current staff member of The Autoharp Quarterly as a sheet music editor and was also a long time staff member for I.A.D. Publications, a former international quarterly magazine for autoharp enthusiasts.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of bluegrass legend Buck White of “The Whites” performing the song “More Pretty Girls Than One,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds. This installment examines Dr. McNeil’s take on Ozark folk tales.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, old time fiddler, composer, actress, singer, Grand Ole Opry star, and country music royalty Ramona Jones performs live at the Ozark Folk Center State Park. Also, interviews with Ramona and her talented progeny. Mark Jones offers an archival recording of Ozark original Onis Morrison singing the traditional Ozark song “Dry & Dusty.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Ramona Jones through the lens of archivist Bill McNeil.
Ramona Jones was a musician, actress, and composer known for Hee Haw (1969,) R.I.O.T.: The Movie (1996,) and He's So Fine (1993.) Born Ramona Riggins in Indiana, Jones met her first husband, country entertainer Louis Marshall "Grandpa" Jones while both were working at Cincinnati radio station WLW. They moved to Nashville in 1947. Grandpa Jones was a member of the Country Music Hall of Fame and a longtime Grand Ole Opry member. They were married 52 years until his death in 1998. A musician from a young age, Jones learned the fiddle from her father, then taught herself several other stringed instruments, competing in (and winning) several amateur contests during high school. She made her solo debut on the Opry in 1947, and performed all over the world with Jones, including shows for service members on the front lines during the Korean War. They later toured U.S. military bases in Italy, Austria, and Germany. In the mid-Fifties, the couple regularly appeared on the Washington, D.C.-based TV series Town and Country Time. She would go on to record numerous duets with her husband as well as a handful of solo singles for Monument Records, and albums that spotlighted her fiddle work. From its 1969 debut — and for the next 25 years — the couple appeared on TV's Hee Haw.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Onis Morrison performing the traditional Ozark song “Dry & Dusty,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Ramona Jones through the lens of legendary archivist Bill McNeil.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, prodigious purveyors of the past, multi-instrumentalists, singers and story tellers, Anna & Elizabeth perform live at the Ozark Folk Center State Park. Also, interviews with these unique performers. Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy’s Dream.” Author, folklorist, and songwriter Charley Sandage presents a portrait of world famous cowboy poet & singer Glenn Orhlin.
The collaboration between Anna & Elizabeth spans worlds — between their homes in Brooklyn and rural Virginia -- between deep study of mountain ballads with old masters and explorations into the avant garde — between music, performance, and visual art. Anna & Elizabeth have performed across the country and in Europe. Highlights include: The Newport Folk Festival; NPR's Tiny Desk Concert; The Chicago Folk Festival; The High Museum of Modern Art (Atlanta); and the Cambridge Folk Festival (UK.) Their work has been featured on BBC Radio 2 and BBC3's Late Junction, Vice’s Noisey, the Huffington Post, and No Depression. They have shared the stage with Alice Gerrard, Mick Moloney, Sam Lee and Riley Baugus, Bruce Greene, Abigail Washburn, Wayne Henderson, and also National Heritage Award winners Sheila Kay Adams and Billy McComiskey.
Elizabeth Laprelle lives on a farm in Rural Retreat, Virginia, where she grew up, and has pursued her interest in mountain ballads for over a decade. Since the release of her debut album at age 16, she’s been hailed as one of the most dedicated students of the traditional unaccompanied style of her generation. The student of master singer Ginny Hawker and National Heritage Fellow Sheila Kay Adams, Elizabeth was the first recipient of the Henry Reed Award from the Library of Congress at age 16, and won the 2012 Mike Seeger Award at Folk Alliance International. She has released three solo ballad albums, and was called “the best young Appalachian ballad singer to emerge in recent memory” by UK’s fRoots Magazine.
Anna Roberts-Gevalt is a voracious and curious multi-instrumentalist originally from Vermont, described by Meredith Monk as a "radiant being." She fell in love with the sound of banjo in college, moved to the mountains, and learned with master musicians in Kentucky, Virginia, and North Carolina, becoming a blue-ribbon fiddler and banjo player (WV State Folk Fest, Kentucky Fiddle Contest.) She was a fellow at the Berea College Archive, a 2014 OneBeat fellow (Bang on a Can's Found Sound Nation,) artistic director of Kentucky’s traditional music institute, the Cowan Creek Mountain Music School, and curator of Baltimore's Crankie Festival. She has recently delved into new musical worlds, including recent work with composers Brian Harnetty, Nate May and Cleek Schrey, Matmos, David Rothenberg, Susan Alcorn, and saxophonist Jarrett Gilgore. She has contributed writing to No Depression and The Old Time Herald.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy’s Dream,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on world renowned cowboy poet, balladeer, and story teller Glenn Orhlin.
One of the unique experiences for visitors to the Ozark Folk Center is the intimate matinee performances by our guest musicians. The shows are a unique way for musicians and guests share a time and space much different than a traditional indoor performance venue. There are often Q &A sessions, jokes, stories and of course, the occasional request from an audience member that make these sets so popular.
These performances take place in the backdrop of the Ozark Folk Center State Park Craft Village, a large outdoor area, home to over 20 artisans who demonstrate traditional and contemporary craftsmanship on site. Nestled in the center of the Craft Village is an old wooden covered stage. The area seats about 50 people but is always overflowing with people for the matinee sets by our guest artists.
Jay Ungar and Molly Mason are veterans of the acoustic music scene on the East coast and have been performing together for well over 20 years. Jay and Molly’s performance at the Ozark Folk Center State Park highlights all aspects of their musical style and ability. Ungar was born in the Bronx, the son of immigrant Jewish parents from Eastern Europe. He frequented Greenwich Village music venues during his formative period in the 1960s. He is probably best known for "Ashokan Farewell" (1982,) originally composed as a lament, which was used as the theme tune to the Ken Burns documentary The Civil War (1990.) Molly Mason has been a regular performer on Prairie Home Companion. In 1991, Ungar married Molly Mason, whom he had first met during the 1970s. They continue to perform as a duo, with their band, Swingology, and as the Jay Ungar and Molly Mason Family Band with Jay's daughter Ruthy Ungar (her mother is Lyn Hardy) and Ruthy's husband Michael Merenda. In 1992, Ungar and Mason provided the soundtrack to the acclaimed documentary film Brother's Keeper. In 2006 they headlined the Northwest Folklife Festival in Seattle.
Dennis Stroughmatt is a renaissance man. His passion for the Creole fiddle and French music of the Southern Illinois/Missouri region has lead him on a journey to the backwoods of Louisiana and the University of Quebec. He has nearly single handedly revitalized the original Creole music and French culture of the Illinois-Missouri region by rekindling a love and passion for the culture and song.
Masters of Texas style swing, fiddle and three voice harmony, The Quebe Sisters bring it like few can. Like other family and sibling performers we’ve featured on Ozark Highlands Radio, the Quebe Sisters (Grace, Sophia, and Hulda) have formed a sound and style that is both traditional and familiar, yet all their own. Each sister an accomplished fiddle player and singer, the trio specializes in western swing tunes with their signature three part harmony.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Shirley Greenfield singing the traditional song “Don’t Sing Love Songs, You’ll Wake My Mother,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds. This installment examines Dr. McNeil’s interest in the evolution of folk music traditions.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, traditional American banjo performer & historian Clarke Buehling and his skilled protege’ Carl Anderton perform live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Clarke & Carl. Mark Jones offers an archival recording of the Dogwood Stringband performing the song “Down in the Arkansas.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Dr. Bill McNeil, the long time archivist at the Ozark Folk Center.
Clarke Buehling is widely recognized for his interpretations of late 19th Century, classic finger-style banjo, and is in the forefront of the recent resurgence of interest in the earlier minstrel banjo style. Much of his material is based around his extensive collection of 19th Century banjo and mandolin instruction books and sheet music. Clarke teaches banjo, fiddle, mandolin and guitar in Fayetteville, Arkansas, and plays with several popular old time stringbands, including The Skirt Lifters and The Ozark Highballers.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original The Dogwood Stringband performing the song “Down in the Arkansas,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds. This installment examines Dr. McNeil’s support for amateur song collectors.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, Austin, Texas based fiddle driven folk pop and renowned Contra Dance band “The Lost & Nameless Orchestra” performs live at the Ozark Folk Center State Park. Also, interviews with this unique group of musicians. Mark Jones offers an archival recording of a much younger Mark Jones performing the song “Mountain Whippoorwill.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Dr. Bill McNeil, the long time archivist at the Ozark Folk Center, focusing on Dr. McNeil’s attention to historical scholarship with regard to traditional music.
They may call themselves Lost & Nameless, but all it takes is a few notes for listeners to recognize this foursome is anything but. With original compositions featuring complex, turn-on-a-dime arrangements and performing histories dating to childhood, the members of this Austin-based band are seasoned professionals who whip up an unforgettable sonic whirlwind wherever they play. Lost & Nameless can be traced to St. Louis, where Arkansas fiddle champion Chris E. Peterson met vocalist/guitarist Patrick Conway in 1993. They began jamming together and did some busking and recording in Europe, then went their separate ways. Peterson eventually moved to Austin to attend graduate school and in 2006, Conway followed. They decided to form “a great live band” and within a week, found keyboardist Nathan Quiring. Vocalist/fiddler Kimberly Zielnicki, winner of the 2012 Old Settler’s Music Festival Youth Talent Competition, became a full-fledged member in 2008, at age 11. Together, they imbue their music with a playful energy and soulfulness. Their sound simultaneously evokes Ireland and Appalachia, old-time folk and timeless pop, with an orchestral fullness.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of a much younger Mark Jones performing the song “Mountain Whippoorwill,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds. This installment focuses on Dr. McNeil’s attention to historical scholarship with regard to traditional music.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, the witty & convivial Americana ragtime, blues & early jazz quartet, “Side Street Steppers” perform live at the Ozark Folk Center State Park. Also, interviews with these fascinating performers. Mark Jones offers an archival recording of Ozark original Buddy Lancaster performing the traditional song “Back up & Push.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Dr. Bill McNeil, the long time archivist at the Ozark Folk Center, focusing on Dr. McNeil’s knowledge of traditional ballads.
Christian Stanfield and Miss Vera Victoria founded the Side Street Steppers in June of 2009. What began as a simple duo of musicians unearthing material from the Golden Age of American Gramophone recording has grown into a full-blown Memphis institution. The Side Street Steppers are a page from Americas past, playing rare and popular music from the 1920s and 30s. Dubbed the Golden Age of Gramophone Recording, the two decades between 1920 and World War II saw the rise of jazz and the birth of the blues, the demise of ragtime and the emergence of hillbilly music that would become known through the world as country music. The Side Street Steppers present a pastiche of this transformation of the American musical landscape, performing on vintage and homemade instruments. Get ready for plenty of hip-shaking, foot stompin', caterwauling and croonin’.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Buddy Lancaster performing the traditional song “Back up & Push,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds. This installment focuses on Dr. McNeil’s knowledge of traditional ballads.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, original cowgirl, singer, songwriter, actress and Country Music Hall of Fame superstar Patsy Montana performs live at the Ozark Folk Center State Park. Also, interviews with this country music legend. Also featured is the inimitable cowboy poet & humorist Glenn Ohrlin. Mark Jones offers an archival recording of Ozark legend Cathy Barton performing the song “Ebenezer.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Dr. Bill McNeil, the long time archivist at the Ozark Folk Center.
Patsy Montana, was an American country music singer, songwriter and actress. Montana was the first female country performer to have a million-selling single with her signature song "I Want to Be a Cowboy's Sweetheart", and is a member of the Country Music Hall of Fame. She was a mainstay on the National Barn Dance on Chicago radio station WLS for many years. Born “Ruby Blevins” in Beaudry, Arkansas, the 11th child and first daughter of a farmer, Patsy attended schools in President Bill Clinton's hometown of Hope, Arkansas. She was influenced early on by the music of Jimmie Rodgers, and paved the way for women in the male dominated world of country music.
Born in Minneapolis, MN in 1926, Glenn Ohrlin was a veteran of the cattle industry and worked the rodeo circuit, both while being an acquisitive singer, poet, & story teller. Glenn put his extensive knowledge and years of experience collecting Western folk songs into a book, “The Hell Bound Train,” as well as performing his authentic style of cowboy poetry & prose. Ohrlin performed at cowboy poetry gatherings across America, and at the Kennedy Center in Washington D.C. In the 1970’s, Glenn moved to Mountain View, Arkansas, where he continued his music career, lending regular performances at the Ozark Folk Center. We at the Ozark Folk Center State Park reap the benefit of having years of Glenn’s live performance recordings in our archives.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Cathy Barton performing the traditional song “Ebenezer,” from the Ozark Folk Center State Park archives.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on Dr. Bill McNeil, the long time archivist at the Ozark Folk Center. For thirty years, from 1975 until his untimely passing in 2005, Dr. Bill McNeil served as the Ozark Folk Center’s folklorist and all-purpose advisor on all things dealing with traditional Ozark culture. During his tenure at the Folk Center, Bill McNeil guided the establishment of the Ozark Cultural Resource Center, an archival and teaching facility on the Folk Center’s grounds.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, old time blues, jazz, & traditional music prodigy Jerron “Blind Boy” Paxton performs live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Jerron.
Jerron "Blind Boy" Paxton is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and was influenced by Fats Waller and "Blind" Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is "virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and '30s, the blues of Bessie Smith and Lonnie Johnson.”
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark legend Bookmiller Shannon performing the traditional murder ballad “The Banks of the Ohio,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles traditional Ozark fiddler Absie Morrison. This installment features archival recordings of the traditional Ozark fiddle tunes “Dry & Dusty, The Concord March, and The Ozark Waltz.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, international guitar thumbpicking champion and songwriting humorist Shane Adkins performs live at the Ozark Folk Center State Park. Also, interviews with Shane. Featured as well, a performance and interviews from up and coming modern thumpicking prodigy Kirby Easler.
Alabama guitarist Shane Adkins comes by his talent honestly. As a boy, he learned from guitar legend and family friend Mose Rager in the heart of thumbpicking country, Drakesboro, KY. Shane applied those lessons and went on win the International "Home of the Legends" Thumbpicking Contest in Muhlenberg County, KY and the International Fingerstyle Guitar Championship in Winfield, KS. A talented songwriter, Shane takes a page from friend and fellow musician Mike Snider, writing songs with southern wit and humor. This performance was as one of the featured musicians who appeared at the Ozark Folk Center State Park’s annual Thumbpicking Weekend in May of 2016.
Kirby Easler is a Nashville-based guitarist from Charleston, South Carolina, specializing in solo acoustic performance and fingerstyle arranging. At 22 years of age, Kirby is a protégé of Grammy-winning guitarist John Knowles, CGP, and has worked and performed alongside some of the industry's top guitarists, including Thom Bresh and Tommy Emmanuel, CGP. In 2015 Kirby placed second in the Contemporary division of the National Thumpicker's Hall of Fame guitar competition, and in April 2014 Kirby and her Yorkshire Terrier, Grabel, were featured on The Late Show with David Letterman for an episode of "Stupid Pet Tricks.”
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Dave Leatherman performing the song “From Mother’s Arms to Korea,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the Ozark tradition of square dances. This installment features archival recordings of actual Ozark square dances held in Galena, MO and Mt. Gaylor, AR in 1950.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, neo-folk family troubadours “The Honey Dewdrops” perform live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this talented husband & wife duo.
Based out of Baltimore, MD, the Honey Dewdrops continue a long line of husband and wife duos making beautiful music together. Laura Wortman and Kagey Parrish now reside in Baltimore, but have strong connecting roots to the music in their home state of Virginia. Their popularity continues to grow, as they have performed at MerleFest and the Redwing Roots Music Festival. Instrumentation is classic Americana and includes guitar, banjo, and harmonica. Coupled with spectacular vocal harmonies, their original material remains true to both traditional and contemporary forms of American roots music.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Bobby Hayes performing the traditional classic “Pretty Polly,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Max Collins. This installment features archival recordings of the classic fiddle tunes ”Railroad Runs Through Georgia, Old Number 9, Whistling Rufus, and Lonesome Hill.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, guitar legend Merle Travis performs live at the Ozark Folk Center State Park in Mountain View, Arkansas. A performance by Merle’s son, Grammy award winning songwriter, guitarist, and actor Tom Bresh. Also, performances from two thumbpicking guitar champions, Danny Dozier & Randy Buckner.
In 1979, the Ozark Folk Center State Park created an event to honor thumbpicking legend Merle Travis. In the early days the weekend featured a thumpicking contest and performances from the late Merle Travis and other popular guitarists. Over the years the event has continued on, and now hosts Merle’s son, Thom Bresh, as the feature performer each year. The event has grown to include traditional thumbpicking and contemporary fingerstyle guitar contests as well as workshops and jam sessions. This week, we feature performances from Thom Bresh, Danny Dozier, Randy Buckner, and an archival recording of Merle Travis himself, performing at the very first Ozark Folk Center Merle Travis Thumbpicking Weekend.
Merle Robert Travis was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky. His song's lyrics often discussed both the lives and the economic exploitation of American coal miners. Among his many well-known songs are "Sixteen Tons," "I am a Pilgrim," and "Dark as a Dungeon." However, it is his unique guitar style, still called “Travis Picking” by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Thom Bresh has led an incredible, multi-faceted life in the entertainment business. To start, his birth father is guitar royalty, Merle Travis. Thom was raised in California during the golden age of television and worked as a stuntman/actor during his youth. He went on to become one of the premier practitioners of his fathers “thumbpicking” style of guitar. Harnessing a quick wit and an equally quick set of ten fingers, there is nothing like a Thom Bresh performance.
Danny Dozier is an Arkansas native and proud of it. He is one of the area’s premier guitar players, well versed in the Merle Travis “thumbpicking” style. Danny has worked with a wide variety of performers over the years including; Grandpa and Ramona Jones, Omar and the Howlers and regional favorite, The Leatherwoods.
Randy Buckner also plays the Merle Travis style of thumbpicking, as well as teaching guitar, banjo, ukulele, and mandolin in Springfield, Mo. A Springfield native, Randy has been playing guitar since 1973. He studied Jazz at Middle Tennessee State University, and has shared the stage with many great musicians including the legend himself, Merle Travis.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Dean Hinesley & Andre Cannard performing the classic song “I Don’t Love Nobody,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, two Grammy Award winning old time musicians and an up and coming folk/blues sensation perform live at the Ozark Folk Center State Park Craft Village. Featured on this special episode are Dom Flemons, Don Edwards, and Jerron Paxton.
One of the unique experiences for visitors to the Ozark Folk Center is the intimate matinee performances by our guest musicians. The shows are a unique way for musicians and guests share a time and space much different than a traditional indoor performance venue. There are often Q &A sessions, jokes, stories and of course, the occasional request from an audience member that make these sets so popular.
These performances take place in the backdrop of the Ozark Folk Center State Park Craft Village, a large outdoor area, home to over 20 artisans who demonstrate traditional and contemporary craftsmanship on site. Nestled in the center of the Craft Village is an old wooden covered stage. The area seats about 50 people but is always overflowing with people for the matinee sets by our guest artists.
Dom Flemons is a Grammy Award winning musician & singer-songwriter. Carrying on the songster tradition, Flemons strives to mix traditional music forms with a contemporary approach, to create new sounds that will appeal to wider audiences. Flemons co-found the Carolina Chocolate Drops, an African-American string band that won a Grammy for its 2010 album Genuine Negro Jig. Today, he tours throughout the United States and internationally as “The American Songster.
One of America’s best loved and most enduring cowboy singers, Don Edwards is indeed an American treasure. His love and passion for traditional cowboy songs is second to none and has earned him a fan base worldwide. He knows the songs, the stories, and even some of the old trails that made the old West famous. Accompanied by his trusty guitar, Don takes us on a trip back in time when cowboy singers and songs echoed through the trails, taverns, and cattle drive camps of yesterday.
Jerron "Blind Boy" Paxton is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and was influenced by Fats Waller and "Blind" Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is "virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and '30s, the blues of Bessie Smith and Lonnie Johnson."
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Adrian Parks performing the classic song “Under the Double Eagle,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Uncle Dick Hutchinson. This installment features archival recordings of the classic fiddle tunes “Christmas Eve, Judge Parker Take Your Shackles Off, Hell on the Nine Mile, and Sharecropper’s Blues.”
This week, Grammy Award winning old time musician and TV personality David Holt recorded live at Ozark Folk Center State Park. Performing with David is his talented protégé Josh Goforth. Also, interviews with David & Josh.
In the early 1970’s David Holt made a journey to the rural Southeastern U.S. in search of the roots of American music. What he discovered had a profound effect on him as a person and a musician. Over the years David has been a sideman with Doc Watson, performed at the Grand Ole Opry, was a cast member on Hee Haw with Grandpa Jones, and even won a Grammy Award for his work with Doc Watson. Today, David enjoys a successful solo career and performers regularly with a variety of other musicians. For this show, David was joined by long- time friend and former protégé Josh Goforth. The two met when Josh was in grade school, where David was performing for a group of students. As fate would have it, they kept in touch and are now band mates all these years later.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Guyman Gammill singing a rare traditional song “White Dove,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Pete Howard. This installment features modern recordings of the classic fiddle tunes “Fire on the Mountain, Natchez Under the Hill, and Bear Creek.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, it’s Dulcimer Weekend! A whole host of mountain & hammered dulcimer national champions perform live at the Ozark Folk Center State Park. Also, interviews with mountain dulcimer mavens Tull Glazener, Jeff Hames, and Debbie Porter discussing the origins, resurgence of popularity, and appeal of this humble mountain musical instrument.
For over 35 years, the Ozark Folk Center State Park has hosted the annual Dulcimer Jamboree. The annual event takes place in mid-April and features three days of specialized instruction and performances from the country’s top mountain and hammered dulcimer players. The mountain dulcimer remains one of the more popular folk instruments today. Its celebration in the Mountain View, Arkansas area as a core folk instrument has never waned over the years, with an active community of players and instrument makers. With origins dating back to Biblical times, the hammered dulcimer is a unique instrument in the percussion family. Like the mountain dulcimer, it found a home in the Ozark region among folk musicians and instrument makers alike. Music this week includes highlights from the 2016 event, including performances by Ted Yoder, Rick Thum, Bing Futch, Jeff Hames, Tull Glazener, Jess Dickinson, and Judson Steinback.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Dee Johnson singing the rare traditional lullaby “Buttercup Meadows,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Jim Means. This installment features archival recordings of the classic fiddle tunes “Pretty Polly, The Girl I Left Behind, Rose of the Garden, and The Blue Bells of Scotland.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, unique Grammy nominated Louisiana alternative Zydeco band “The Lost Bayou Ramblers” perform live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the Lost Bayou Ramblers.
The Lost Bayou Ramblers were formed in 1999 by brothers Andre and Louis Michot, performing the roots Cajun music they learned as members of Les Frères Michot, the family band their father and uncles formed in the 80's. The brothers quickly began playing clubs and festivals around Louisiana, and taking the traditional music they were raised with to new levels of rhythmic energy and spontaneity. Over the years, the group has continually integrated new sonic elements to its live performances, always experimenting and growing the show to what it's become today, an eclectic mix of modern sounds and rhythms with ancient Cajun melodies and lyrics.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Melvin Wrinkle singing the rare traditional song “Home Sweet Home,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Ben Pollard. This installment features archival recordings of the classic fiddle tunes “Sand March, Hop Light Ladies, Dream Waltz, Silver Star Hornpipe, and Sail Away Red Dress.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, old time acoustic blues legend Roy Book Binder performs live at the Ozark Folk Center State Park. Also, interviews with this celebrated legacy of the Reverend Gary Davis style of acoustic guitar blues. Mark Jones offers an archival recording of Ozark youth Dwight Moody singing the traditional classic, “In the Pines.” Old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Skeeter Walden.
Guitarist Roy Book Binder has traveled the world as a solo performer for nearly 50 years. Roy’s career and playing style is heavily influenced by the late Reverend Gary Davis, who specialized in a unique style of guitar finger picking. Roy’s performances are as much a story of his life and experiences as they are a musical endeavor.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1973 recording of Ozark youth Dwight Moody singing the traditional classic, “In the Pines,” from the Ozark Folk Center State Park archives.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Skeeter Walden. This installment features archival recordings of the classic fiddle tunes “Woody’s Hornpipe, Puncheon Floor, and Natchez on the Hill.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.
This week, alternative folk duo “Hoot & Holler” performs live at the Ozark Folk Center State Park. Also, interviews with the talented duo. A performance and interviews from “The Ozark Banjo Company.” Mark Jones offers an archival recording of Ozark original Walter Gosser singing the rare traditional classic, “Jimmy Brown the News Boy.” Old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Lon Jordan.
“Hoot n’ Holler” are comprised of guitarist Mark Kilianski and fiddler Amy Alvey. Like our other performers this week, their partnership has roots at the Berklee College of Music in Boston, MA. Born from a love of American folk music, nurtured in Boston's burgeoning string band scene, and inspired by the authenticity and enduring spirit of traditional Appalachian mountain music, “Hoot & Holler” hit the road full time in 2016 while living in their camper van “Irene.” Their tender harmonizing and songwriting comes across as simple, honest, and fresh to the ears. Described as the perfect cross section of soulful grit and polished technique, you can expect the full range of dynamics when performing traditional and original old time fiddle tunes. Like a sonic cross-country road trip, you can hear the soundscapes from different parts of the country in their original songs: from the dirgy Louisiana swamp to the stark and sparse beauty of a Southwestern desert.
“The Ozark Banjo Company’s” Eden Forman (fiddle) and Lukas Pool (banjo) share a deep passion for old time and traditional American music. The two met while studying at Berklee College of Music in Boston, MA. Eden studied fiddle with Darol Anger and Bruce Molsky. She finds her musical home in American old time fiddle music, but her repertoire extends into many directions. Lukas grew up in Mountain View, Arkansas in the Ozark Mountains where he started playing banjo at the age of 12. Most nights were spent on the courthouse square with his friends and family learning and growing with the sounds of Ozark music. Lukas has had the honor of winning the national old-time banjo championship twice and has returned to Berklee as a guest professor. The pair now resides in Mountain View, Arkansas where they own and operate the Ozark Banjo Co. which specializes in creating handmade traditional and custom banjos.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Walter Gosser singing the rare traditional classic, “Jimmy Brown the News Boy,” from the Ozark Folk Center State Park archives. This 1973 recording also features Guyman Gammill and Dean Hinesley on guitars.
From his series entitled “Fine Fiddlers of the Ozarks,” old time and Ozark fiddle aesthete Roy Pilgrim profiles the legendary Ozark fiddler Lon Jordan. This installment features archival recordings of the classic fiddle tunes “Wake Up Jacob and Let's Go A Hunting, Granny Will Your Dog Bite, Fever River, and The Bluebird Waltz.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, talented Texas trio The Quebe Sisters perform live at the Ozark Folk Center State Park. Also, interviews with the Quebe Sisters. Mark Jones offers an archival recording of Ozark original Betty Copeland singing a rare traditional gospel classic, “Life’s Railway to Heaven.” Writer, professor, and historian Dr. Brooks Blevins profiles the last in a series of three Ozark regional ballads, “Little Johnny Lee.”
Masters of Texas style swing, fiddle and three voice harmony, the Quebe (kway-bee) Sisters bring it like few can. Like other family and sibling performers we’ve featured on Ozark Highlands Radio, the Quebe Sisters (Grace, Sophia and Hulda) have formed a sound and style that is both traditional and familiar, yet all their own. Each sister an accomplished fiddle player and singer, the trio specializes in western swing tunes with their signature three part harmony.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original and family music legacy Betty Copeland singing a rare traditional gospel classic, “Life’s Railway to Heaven,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the last of three episodes on Ozark regional ballads. This episode features a recording of the traditional Ozark ballad “Little Johnny Lee,” sung by Bessie Owens of Batesville, Arkansas on April 6, 1958. The recording was made by folklorist Mary Parler, and is preserved in the Ozark Folksong Collection of the University of Arkansas Libraries Digital Collections. http://digitalcollections.uark.edu/cdm/singleitem/collection/OzarkFolkSong/id/3286/rec/5
This week, consummate cowboy balladeer and Grammy nominated performer Don Edwards performs live at Ozark Folk Center State Park. Also, interviews with Don.
One of America’s best loved and most enduring cowboy singers, Don Edwards is indeed an American treasure. His love and passion for traditional cowboy songs is second to none and has earned him a fan base worldwide. He knows the songs, the stories, and even some of the old trails that made the old West famous. Accompanied by his trusty guitar, Don takes us on a trip back in time when cowboy singers and songs echoed through the trails, taverns, and cattle drive camps of yesterday.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of the mysterious Jesse Wright, singing the classic Jimmy Rodgers song “The Orphan Child,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the second of three episodes on Ozark regional ballads. This episode features a recording of the traditional Ozark ballad “Lee Mills,” sung by husband and wife Berry and Clementine Sutterfield of Marshall, Arkansas on August 1, 1963. The recording was made by folklorist John Quincy Wolf, and is preserved in Lyon College’s “John Quincy Wolf Collection.” http://web.lyon.edu/wolfcollection/songs/sutterfieldlee1279.mp3
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, world renowned country music recording artist Suzy Bogguss performs live at the Ozark Folk Center State Park. Also, interviews with Suzy. Mark Jones offers an archival recording of Ozark original Onus Morrison demonstrating the traditional dance fiddle technique of playing with “fiddle sticks.” Writer, professor, and historian Dr. Brooks Blevins profiles the first in a series of three Ozark regional ballads, “The Boy That Burned in the Berryville Jail.”
Best known for her country music hits in the 80’s and 90’s, Suzy Bogguss is an old time musician and fan at heart. Her 2011 release American Folk Songbook testified to this, and featured her versions of “Shenandoah, Banks of the Ohio, and Rock Island Line” among others. Now enjoying her “post stardom” career, and taking things at a decidedly and much welcomed slower pace, we caught up with Suzy for a feature performance at the Ozark Folk Center State Park. And yes, there are a few of her hits from the 80’s and 90’s in for good measure.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Onus Morrison demonstrating the traditional dance fiddle technique of playing with “fiddle sticks,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the first of three episodes on Ozark regional ballads. This episode features a recording of “The Boy That Burned in the Berryville Jail,” also called “Floyd Eddings,” sung by Ed Alford of Delmar, Arkansas on January 3, 1960. The recording was made by University of Arkansas folklorist Mary Parler, and is preserved in the University of Arkansas Ozark Folk Collection. http://digitalcollections.uark.edu/cdm/singleitem/collection/OzarkFolkSong/id/4193/rec/9
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, new fashioned folk duo Bobby Glendy & Ruthie Haynie perform live at the Ozark Folk Center State Park. A performance from the traditional family folk trio “Love Holler.” Also, interviews with Bobby & Ruthie, and also with “Love Holler.” Mark Jones offers an archival recording of famed songwriter & Ozark folklorist Jimmy Driftwood, playing a traditional instrument called the “picking bow.” Writer, professor, and historian Dr. Brooks Blevins profiles the last in a series of three Ozark song catchers, Max Hunter.
Bobby Glendy is a second generation guitarist who learned his love of music from his father. A long-time collaborator with many musicians in the Ozark region, Bobby is one of the finest flat pickers in the area and has a rich, resonate singing voice. Paired up with Ruthie Haynie, (vocals) the duo performs classic and traditional material with attention to detail and authenticity.
Emma and Caroline Russell are among the next generation of outstanding young Ozark musicians. The sisters have crafted a truly unique and heartfelt vocal harmony style that is unrivaled. Raised on the music of the Carter Family and other traditional sounds, Emma and Caroline (guitar/banjo) are joined by their father, Tracy on bass to form the group Love Hollar. The name, Love Hollar, references a geographical location near their home in Batesville, Arkansas. Their sound is real and without pretension. They sing and they do it VERY well.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of the famed songwriter & Ozark folklorist Jimmy Driftwood, playing a traditional instrument called the “picking bow,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the last of three episodes on Ozark song catchers, the Springfield, Missouri collectors. This episode features a recording of Gordon McCann, Glenn Rickman, and Missy Pearce in a traditional Ozark jam session at Crane, Missouri, on December 16, 1978. The recording was made by song collector Gordon McCann, and is preserved by Missouri State University’s Meyer Library in its online collections. http://digitalcollections.missouristate.edu/cdm4/item_viewer.php?CISOROOT=/McCann&CISOPTR=0&CISOBOX=1&REC=2
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, seraphic modern folk duo “the Vogts Sisters” perform live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the Vogts Sisters. Mark Jones offers an archival recording of Arkansas native Uncle Floyd Holland, singing the song “Suzy Licked the Ladle.” Writer, professor, and historian Dr. Brooks Blevins profiles the second in a series of three Ozark song catchers, John Quincy Wolf.
With haunting harmonies and wickedly creative songs, the Vogts Sisters (Maggie and Abigail) are relative new comers to the old time/acoustic music scene. While they draw from traditional instrumentation (guitar/fiddle/mandolin) and source material, their song repertoire is mostly original and features themes of coming of age in small town America. Harmony singing among family members is always something special and unique; it’s a sound and feel that comes from familiarity and unspoken communication. The Vogts stand out in a crowded field of similar performers, with a fresh sound from America’s Heartland.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of beloved Stone County, Arkansas native Uncle Floyd Holland, singing the humorous folk song “Suzy Licked the Ladle.” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles the second of three Ozark song catchers, John Quincy Wolf. This episode features a recording of Owen Harvel performing the traditional song “Bad Companions” at Lunenburg, Arkansas on July 2, 1952. The recording was made by collectors John Quincy Wolf Jr. and his wife Bess, and is preserved by the Lyon College Regional Studies Center in its John Quincy Wolf Jr. Collection. http://web.lyon.edu/wolfcollection/songs/harvellbad1231.html
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, political folk music provocateur and Ozark original Tom Parker performs live at the Ozark Folk Center State Park with his friends, songwriter Mark Crabtree and bass player Jeff Sowards. Also, interviews with Tom. Featured also is talented singer/songwriter and traditional music educator Kathy Jensen. Mark Jones offers an archival recording of traditional Ozark dance fiddler Charley Richardson, playing the fiddle tune “Gold Rush.” Writer, professor, and historian Dr. Brooks Blevins profiles the first in a series of three Ozark song catchers, Mary Parler.
Tom Parker was a bit of an enigma to us, in a good way. Here is the short story on how we found out about him. Virgil Brawley, Mountain View musician and member of Flat Broke, came to us one day after a trip to Springfield, Missouri and told us of a unique banjo player he saw at an old time jam. Not one to mince words “you should get this guy” he said, referring to this week’s feature artist, Tom Parker. Virgil went on about Tom and to paraphrase, noted that his banjo style was neither old time, nor modern, nor even bluegrass. Tom is just something different. Well, you can judge for yourself as we feature Tom on this weeks’ show.
Another one of Stone County’s fine multi instrumentalists (piano and guitar) and vocalists, Kathy Jensen is more than a working musician. She’s also a blueberry farmer and one of the key organizers and instructors for Stone County’s “Music Roots” program. Like so many in the Ozarks, she excels in multiple fields, and has a deep passion and understanding of what makes old time and traditional musics special.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of traditional Ozark dance fiddler Charley Richardson, playing the fiddle tune “Gold Rush.” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles the first of three Ozark song catchers, Mary Parler Randolph. This episode features a recording of Jim Means performing the traditional banjo tune “Cripple Creek” at Goshen, Arkansas on November 9th, 1949. The recording was made by collectors Mary Parler Randolph and Merlin Mitchell, and is preserved by the University of Arkansas Mullins Library in its Ozark Folk Collection. http://digitalcollections.uark.edu/cdm/singleitem/collection/OzarkFolkSong/id/3626/rec/7
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, traditional folk troubadours and Ozark originals Cathy Barton & Dave Para perform live at the Ozark Folk Center State Park. Also, interviews with Cathy & Dave. Mark Jones offers an archival recording of his famous parents, Grandpa & Ramona Jones, singing the song “Kentucky.” Writer, professor, and historian Dr. Brooks Blevins profiles the last in a series of three Ozark Civil War Ballads, “The Battle of Prairie Grove.”
Long time purveyors of traditional old time music, Dave and Cathy are outstanding performers with a rich history tied to many well-known old time musicians in the Ozark region. Cathy Barton is well versed in both clawhammer banjo and hammered dulcimer. She’s performed and toured with Ramona Jones and Jimmy Driftwood among others, and was a featured hammered dulcimer player at one of the first Walnut Valley festivals in Kansas. Dave Para is a guitarist and a longtime resident of Booneville, Missouri. He has a great fondness for Civil War era songs and folklore. Along with Bob Dyer, Dave was a stalwart in the central Missouri folk music scene in the mid 70’s. It was during that time he met and teamed up with Cathy. The two currently live in Booneville, MO, and perform regularly at festivals and workshops around the United States.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of his famous parents, Grandpa & Ramona Jones, singing a song about Grandpa’s birthplace called “Kentucky,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles the last of three Ozark Civil War ballads. This episode features a recording of Sara Jo Fendley, accompanying herself on the banjo, performing “the Battle of Prairie Grove” at the Leslie Homecoming on June 13, 1963. The recording was made by collector John Quincy Wolf Jr., and is preserved by Lyon College on its John Quincy Wolf Folklore Collection website. http://web.lyon.edu/wolfcollection/songs/fendleybattle1302.html
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, modern folk minstrel and intimate songwriter Avery Hill performs live at the Ozark Folk Center State Park. Also, interviews with Avery, and performances and interviews with our very own “Flathoof Stringband.” Mark Jones offers an archival recording of legendary Ozark balladeer Ollie Gilbert, telling the story of “The Preacher and the Bear.” Writer, professor, and historian Dr. Brooks Blevins profiles the second in a series of three Ozark Civil War Ballads, “The Battle of Pea Ridge.”
Hailing from Portland, Oregon, Avery Hill captures the essence of modern singer/songwriters in her music. Though Avery studied to be a school teacher, an environmental educator, and then a storyteller, all of these things eventually led her back to music, the thing she knows and loves best of all. Avery's first full-length recording, entitled “Dreams & Ghosts: A Family Album,” features intimate portraits, life lessons, & sometimes embarrassingly humorous songs inspired by her family’s history. Like a photo album, this collection of songs presents musical snapshots of different times in history, reflecting on universal themes of growing up and being brave.
Old Time Ozark music played with passion and love, that’s the “Flathoof Stringband.” The group is comprised of guitarist Mike Sutter, who was a member of the original Ozark Folk Center house band when the park opened in 1973. (Sorry to age you there, Mike.) On fiddle is Roger Fountain, another long time OFC musician and one of the best dance fiddlers, anywhere. Wes Kent holds down mandolin duties and, along with his wife Judy, is an active volunteer in many Stone County music endeavors. Long time OFC musician Gresham McMillon holds it all together with his steady roll on the upright bass.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of legendary Ozark balladeer Ollie Gilbert, telling her own version of the traditional story “The Preacher and the Bear.” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins profiles the second of three Ozark Civil War ballads. This episode features a recording of archivist Max Hunter himself, singing the Ozark Civil War ballad “The Battle of Pea Ridge,” that he learned from Allie Long Parker of Hog Scald Holler, Arkansas. The recording was made at the tenth annual meeting of the Arkansas Folklore Society in 1958, and is preserved in the Max Hunter Collection at Missouri State University. https://maxhunter.missouristate.edu/songinformation.aspx?ID=0126
This week, original Ozark Old Time folk minstrel and songwriting group “Sad Daddy” performs live at the Ozark Folk Center State Park. Also, interviews with these interesting and innovative songwriters.
Sad Daddy combines the talents of four unique Arkansas musicians in one convenient package. The group features Brian Martin on guitar, Melissa Carper on bass, Joe Sundell on banjo, and Rebecca Patek on fiddle. Sad Daddy performs all original material, and their songs have the unique quality of sounding familiar yet new at the same time. Music fans in these parts are notoriously very selective about “new” or “original” music. Suffice it to say, Sad Daddy easily won over a tough room. Oh, and the name? Guitarist Brian Martin tells the story of an old Arkansas backwoods man who’s common refrain to something in less than a good state of operation….”that’s one Sad Daddy….”
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark legend and dance banjo maven Bookmiller Shannon, playing the traditional song “Shortnin’ Bread.” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley continues our celebration of 50 years of the Buffalo National River. This episode investigates the impact of human activity on the river environment and ecology, as well as policies and guidelines designed to mitigate such issues for America’s first national river. Featured are interviews with park ranger and interpreter Lauren Ray, park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton, and long time area resident and photographer Ed Alexander.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, original Ozark Alternative Folk music ingenue Grace Stormont performs live at the Ozark Folk Center State Park. Also, interviews with this fast rising new folk artist. Mark Jones offers an archival recording of the Junior Rackensack Society, singing the Jimmy Driftwood song “Down in the Arkansas.” Writer, professor, and historian Dr. Brooks Blevins profiles the Brockwell School, and its tradition of education in the uniquely American art form of shape note singing.
One of the most exciting and talented young musicians in Arkansas, Grace Stormont is just getting started. After moving to Mountain View, Arkansas a few years ago to immerse herself in the local music scene, Grace has made a name for herself among a long list of outstanding musicians. A multi-instrumentalist (bass, guitar, banjo and dulcimer,) sixteen year old Grace also excels as a vocalist and interpreter of traditional Ozark ballads. Her musical phrasing and insight are well beyond her age. Aside from her solo performances, which are featured on this program, Grace also performs with the incredible all female group “Pretty Lil Miss.”
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of the Junior Rackensack Society, singing the Jimmy Driftwood song “Down in the Arkansas,” from the Ozark Folk Center State Park archives.
From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the Brockwell School, located in Brockwell, Arkansas, and its tradition of education in the uniquely American art form of shape note singing. This episode features an archival recording of Orgel Mason and a gospel quartet singing the traditional song “It’s a Mighty Hard Road to Travel.”
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Original Ozark Old Time phenomenon “The Lazy Goat String Band” performs live at the Ozark Folk Center State Park. Also, a performance from the dynamic mountain dulcimer duo Jack & Mary Giger, as well as interviews with “The Lazy Goat String Band” and Jack & Mary. Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” and Dave Smith offers Mark Jones an archival recording of, well, Mark Jones playing the traditional song “Arkansas Traveler,” in the clawhammer banjo style of his famous father, Grandpa Jones.
“Authentic, heartfelt, and relevant” are just a few words that folks have used to describe the Lazy Goat String Band. Consisting of Arkansas State Fiddle Champion Emily Phillips and the father/son duo of Scott and Samuel Blake (guitar/banjo,) the Lazy Goat String Band captures the sound and feel of pre-war musical ensembles like few other bands.
Jack & Mary Giger have been regular performers at the Ozark Folk Center State Park for many years, and are active in a number of dulcimer events around Mountain View and Stone County, Arkansas. The duo (husband and wife) perform traditional songs with Mary’s wonderful voice leading the way.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of, well, Mark Jones playing the traditional song “Arkansas Traveler,” in the traditional clawhammer banjo style of his famous father, Grandpa Jones, from the Ozark Folk Center State Park archives.
This week, legendary songwriter, performer, folklorist, historian and Ozark original Jimmy Driftwood recorded live at Ozark Folk Center State Park. Dave Smith gives an historical portrait of the life of this remarkable Ozarker. Also, Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music.” Mark Jones offers an archival recording of another Ozark original, Jean Simmons, performing the song “Unclouded Day” in her pioneering mountain dulcimer style.
There was never a more popular, outspoken or controversial musician or personality to come out of Stone County, Arkansas than James Corbitt Morris (better known as Jimmy Driftwood). Driftwood was a driving force behind the creation of the Ozark Folk Center State Park and a successful singer songwriter who penned “The Battle of New Orleans” and “Tennessee Stud” among other notable songs. Jimmy helped put Stone County on the musical map and left a legacy that is still talked about to this day. Our program this week features special and seldom heard songs from some of Jimmy’s archival Ozark Folk Center performances.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Jean Simmons, performing in her pioneering mountain dulcimer style the song “Unclouded Day,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, original Ozark Old Time stringband “The Upjumpers” perform live at the Ozark Folk Center State Park. A performance from the unique Canadian Contra dance band “Maivish,” as well as interviews with “The Upjumpers.” Also, Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” and Mark Jones offers an archival recording of Ozark Original Elliot Hancock, singing the traditional song “Hole in the Stocking.”
Two families combine to form one special group. That’s the uncomplicated secret to the sound of “The Upjumpers.” A collaboration of the Pool family: Scott (guitar;) Shay (fiddle;) and daughter Rebecca (cello;) and the McCools: Jackie (bass;) Crystal (fiddle;) and Lillyanne (claw hammer banjo), the band has deep family ties and a strong sense of community. “The Upjumpers” performs traditional mountain music including vocal selections and fiddle tunes.
Each year, the Ozark Folk Center State Park hosts the annual Folk Dance Days weekend. As part of the entertainment, a house band is hired for the weekend to provide music for traditional contra dancing events. “Maivish" explores time-honored melodies and songs with traditions from the British Isles, Ireland and America. The group is a collaboration between American fiddler Jaige Trudel and British born guitarist Adam Broome, and includes Matthew Olwell on flutes, bodhrán, and percussive dance.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark Original Elliot Hancock, singing the traditional song “Hole in the Stocking,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, the unique and inimitable Clark Family Trio, accompanied by virtuoso guitarist Bill Nesbitt, performs live at the Ozark Folk Center State Park. Performances from the youthful Old Time string band “Possum Juice,” as well as interviews with the Clark Family and Possum Juice members. Also, Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” and Mark Jones offers an archival recording of Ozark Highlands Radio host Dave Smith, singing the classic Stephen Foster song “My Old Kentucky Home.”
Family bands always have that extra bit of bonding (sometimes even tension) that makes the music more compelling. The Clark Family Trio consists of mother Cindy on bass/vocals, daughters Sophie and Sally Ann on lead and harmony vocal, with guitarist Bill Nesbit rounding out the “trio.” Natives of Arkansas and stalwarts in the Stone County music scene, the Clarks cover a wide variety of material from traditional to modern, all with a signature family harmony.
Comprised from some of Stone County’s finest youth musicians, “Possum Juice” is a traditional string band that features Oakley Smith on fiddle, Kai Perry on mandolin, Alana Brewer on guitar and Judy Munn on bass. The group specializes in traditional Ozark fiddle tunes and other instrumental music common to the area.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark Highlands Radio host Dave Smith, singing the classic Stephen Foster song “My Old Kentucky Home,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, the talented and versatile Ruby Pines performs with a variety of great musicians, including her father Larry Snyder, live at the Ozark Folk Center State Park. Also, interviews with Ruby Pines, Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” and Mark Jones offers an archival recording of Ozark original Judy Husky, singing the classic song “Let’s All Go Down to the River.”
Rachel Kempf (aka Ruby Pines) had an unassuming musical introduction at the Ozark Folk Center State Park. At one time she worked as a front desk assistant. Rachel made mention to another park employee that she did “some singing” on the side. We’re quite glad that conversation happened. Now a married mother of three, Rachel still performs at the OFCSP regularly, covering a wide range of musical styles. As “Ruby Pines” she performs traditional music of the region in a group that includes her father, Larry Snider on banjo. With “Romantics” the leanings are toward more traditional jazz standards.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Judy Husky, singing the classic song “Let’s All Go Down to the River,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, a select few of the next generation of Ozark folk musicians perform live at the Ozark Folk Center State Park. Also, interviews with the teachers and administrators of an innovative new school music program called “Music Roots.” Historian & folklorist Charley Sandage presents an exploration of the Ozark Folk Center as an institution of learning, and Mark Jones offers an archival recording of Ozark original Dave Leatherman performing the song “Swing Low, Sweet Chariot.”
Started by local musician Joe Jewell, the “Next Generation” concert is a long standing tradition at the Ozark Folk Center State Park. The show features area musicians and performers, all under the age of 21. The continued success of the concert series is a testament to the deep well of music and tradition the community has to draw upon. Featured performances by; The Cobb Brothers, Clancey Ferguson, Twang, Grace Stormont and Sibling Rivalry.
Historian & folklorist Charley Sandage presents an exploration of the Ozark Folk Center as an institution of learning. Charley interviews Folk Center staff about their role in presenting, preserving, and promoting traditional ways of the Ozark region through various educational activities and workshops.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Dave Leatherman, performing the classic song “Swing Low, Sweet Chariot,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, accomplished modern folk performers and songwriters Wil Maring & Robert Bowlin perform live at Ozark Folk Center State Park. Also, interviews with Wil & Robert, Dave Smith and producer Jeff Glover ask the question “What is folk music,” and Mark Jones offers an archival recording of Clark Fowler leading the “Sacred Harp Singers.”
Wil Maring got her start as a songwriter, picking out songs, while working at her family’s roadside fruit stand outside Carbondale, IL. And while she’s since traveled the world, Wil continues to call rural Illinois her home. Her voice and songwriting reflect the natural, uncomplicated beauty of the rural Midwest.
Wil is joined by her longtime musical collaborator Robert Bowlin. Robert is an accomplished guitarist and fiddle player, and a native of Pocahontas, Arkansas. He has extensive credits for guitar and fiddle, performing with Bill Monroe and Kathy Mattea, among other notable musicians.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of legendary shape note expert Clark Fowler, leading the Sacred Harp Singers in a traditional rendition of the song “Angel Band,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, award winning Missouri Ozark traditionalist Van Colbert performs live at the Ozark Folk Center State Park. A performance from Old Time musicians Dave Para & Cathy Barton. Also, interviews with Van Colbert, Dave Para & Cathy Barton. Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” and Mark Jones offers an archival recording of famed songwriter and Ozark original Jimmy Driftwood.
Like an old pair of jeans, Van Colbert and his family band are familiar and very comfortable in almost any setting. Van leads the group on banjo and vocals, with a laid back and easy style. Van and his family have been playing music all of their lives, in and around the Springfield, MO area. Van also performs with the “Blackberry Winter Band,” whose music was the soundtrack for the 2010 Oscar nominated film Winter’s Bone.
Performing together for over 30 years, the husband and wife team of Dave Para and Cathy Barton have long been tuned into the sounds, traditions, and ways of old time musicians. Cathy Barton was an early adopter of Grandpa Jones’ “claw-hammer” style of banjo playing. She worked with both Grandpa and Ramona in Mountain View, AR and Nashville, TN among other musical hot spots over the years. Dave Para (guitar/vocals) moved to rural Missouri in the late 70’s and began what has been a long and fruitful career as a musician. The duo was recorded as part of the annual “Tribute to Grandpa Jones” event at the Ozark Folk Center State Park.
Ozark Highlands Radio host Dave Smith and producer Jeff Glover discuss the fine points of what makes “folk music,” drawing from interviews & perspectives of various folk musicians.
Mark Jones' “From the Vault” segment offers an archival recording of famed songwriter and Ozark original Jimmy Driftwood performing a song, using a hickory leaf as a musical instrument, from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Shenandoah Valley, Virginia progressive folk roots Band “The Steel Wheels” perform live at the Ozark Folk Center State Park. Also, interviews with the band, and Mark Jones “From the Vault” segment.
The Steel Wheels are a four piece acoustic band that combines the instrumentation and song structure of traditional Old Time music with a modern sensibility and drive. Performing together since 2010, The Steel Wheels hail from the rich musical grounds of the Blue Ridge Mountains in Virginia. The band sponsors and organizes an annual music festival, held in the lush Shenandoah Valley of Virginia, called the “Red Wing Roots Music Festival.”
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Doug Ward performing the traditional song “The Fox,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Minnesota Old Time quartet “The Roe Family Singers” perform live at Ozark Folk Center State Park. Also, interviews with the Roe Family Singers.
The “Roe Family Singers” are led by the husband and wife duo of Quillan and Kim Roe. With traditional old time instrumentation (guitar, auto harp, and claw hammer style banjo,) the group performs a wide variety of traditional old time tunes. What separates them from similar bands are the exceptional vocal harmonies and high energy of their song interpretations.
Prolific folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode offers a discussion on African roots in traditional American folk music.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Barbara Sanders performing the song “Gypsy’s Warning,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Grammy Award winning cowboy quartet “Riders in the Sky” perform live at the Ozark Folk Center State Park. Also, Mark Jones offers an archival recording of Ozark originals Bud & Karen Bell.
For over 30 years, “Riders in the Sky” have kept the “cowboy way” of music alive, performing traditional songs from Roy Rogers, Gene Autry, and other classic Western music artists. They are two-time Grammy Award winners, boasting exceptional musicianship across the board. For this program, the band was performing show number 6,235. There are a lot of ways to crunch those numbers, but that would essentially amount to over 17 years of successive shows. That is some real staying power.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark originals Bud & Karen Bell performing the song “Cannonball Blues,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, East Tennessee all-girl stringboard “The Poor Valley Girls” perform live at the Ozark Folk Center State Park. Also, Interviews with The Poor Valley Girls, Aubrey Atwater & Elwood Donnelly present “Women Warrior Ballads,” and Mark Jones offers an archival recording of Ozark original Jay Round.
The “Poor Valley Girls” hail from the hallowed musical grounds of Northeast Tennessee and Southwest Virginia. “Poor Valley” refers to the geographical region that both Heather Pace and Madison Brown call home in Virginia. This region of the United States also includes Bristol, TN, which is known for the “sonic-boom” of country music recordings, on the Victor Record label in the early 1920’s (Jimmy Rogers and The Carter Family, among others.) For their performance at the Ozark Folk Center State Park, Heather and Madison are joined by friend and musician, Colleen Trenwith. This recording is a wonderful example of how the traditional sounds of their region have moved seamlessly to the next generation of musicians.
Prolific folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode offers a presentation of “Women Warrior Ballads.”
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Jay Round performing the traditional song “Soldiers’ Joy,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Arkansas True Folk singer/songwriter Carolyn Carter and Bluegrass prodigies “The Cobb Brothers” perform live at the Ozark Folk Center State Park. Also, Interviews with Carolyn and the Cobbs. Aubrey Atwater & Elwood Donnelly present seafaring songs of the Ozarks & Appalachia, and Mark Jones offers an archival recording of Ozark original Lynn Young.
Carolyn Carter is a Stone Country, Arkansas native and a regular performer at the Ozark Folk Center State Park. Carolyn is a gifted songwriter and singer, whose talents are now becoming apparent to a larger audience, outside of Arkansas. Blessed with a songbird’s voice, Carolyn’s original compositions can be both haunting and heartwarming, reflecting her experiences growing up in the Ozarks.
“The Cobb Brothers” (Caleb-fiddle/guitar/banjo/piano, Samuel-mandolin/guitar, and Nathan-guitar/bass) spent their youth in their hometown of McCrory, Arkansas, and learned their love of music from their father, Carl. A later move to Mountain View, AR gave the trio an active and supportive music community, where their skills could flourish. Individually, their skill on each instrument take a back seat to no one, and the trio of brothers helped usher in the latest generation of notable musicians into the Stone County region.
Prolific folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode offers a presentation of seafaring songs of the Ozarks & Appalachia, influenced by the English, Irish, and Scottish heritage of these mountain settlers.
Mark Jones' “From the Vault” segment offers an archival recording of Ozark original Lynn Young performing the song “San Antonio Rose,” from the Ozark Folk Center State Park archives.
This week, world renowned finger style and harp guitar phenom Muriel Anderson recorded live at Ozark Folk Center State Park. Also, interviews with this prodigious picker.
Muriel Anderson is a former National Thumbpicking guitar champion, a fine 6 string picker, and practitioner of the many stringed harp guitar. Creating a sound like no other, the harp guitar incorporates a multitude of strings that cover a wide sonic range. The result can be both ethereal and otherworldly, or just downright mind blowing. Muriel’s repertoire includes traditional folk music, world music, and original compositions.
Prolific folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode offers a profile of Ozark original balladeer Almeda Riddle, and features an archival recording of Almeda singing the traditional ballad “Will the Weaver.”
Mark Jones' “From the Vault” segment offers an archival recording of Grand Old Opry and “Hee Haw” star Grandpa Jones performing his song “Mountain Dew,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, comedian, banjo prodigy, Grand Old Opry star and HeeHaw alum Mike Snider performs live at the Ozark Folk Center State Park. Aubrey Atwater & Elwood Donnelly discuss the cultural cross-pollination of traditional folk music, and Mark Jones offers an archival recording of original Ozark musician Floyd Holland.
Mike Snider plays banjo, and has a great sense of humor. So much so, we’ve dedicated an entire program to his recent performance at the Ozark Folk Center State Park. Mike is a long tenured member of the Nashville music scene, having performed on “Hee Haw” and the Grand Ole Opry among other notable venues. He’s a former national champion banjo picker (3 finger style,) but has converted to the more traditional claw hammer style in recent years. Mike is joined by a wonderful backing group of musicians for this performance.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode offers a discussion of cultural cross-pollination of traditional folk music, as illustrated through the traditional song “Red Rocking Chair.”
Mark Jones' “From the Vault” segment offers an archival recording of original Ozark musician Uncle Floyd Holland, performing the tune “My Darling Nellie Grey,” from the Ozark Folk Center State Park archives.
This week, North Carolina insurgent country folk singer/songwriter Malcolm Holcombe recorded live at the Ozark Folk Center State Park.
Malcolm Holcombe may not be a household name to music fans, and that probably suits him just fine. Among his peers however, he’s respected and revered. Holcombe has shared the stage with Merle Haggard, Richard Thompson, John Hammond, Leon Russell, Wilco and Shelby Lynne. Though his instrumentation is nothing new to the singer/songwriter genre (guitar and vocals), Malcolm sets himself apart with honest and touching songs, arranged and crafted from his unique perspective. Malcolm is joined by longtime collaborator Jared Tyler on various stringed instruments and vocals.
Mark Jones' “From the Vault” segment offers an archival recording of original Ozark dulcimer master craftsman Lynn McSpadden, performing the traditional tune “Castle Grand,” from the Ozark Folk Center State Park archives.
Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley celebrates 50 years of the Buffalo National River. This episode continues our tour of places “you shouldn’t miss” and other remarkable spots along the 135 miles of America’s first national river, as well as where to find information about park events, facilities and services. Featured are interviews with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton and Buffalo National River Partners Board Chairperson Terrie Martindale.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Nationally recognized clawhammer banjo prodigy and Stone County native Lukas Pool with his band “The Moonlight Ramblers” perform live at the Ozark Folk Center State Park. Also, interviews with Lukas, Aubrey Atwater & Elwood Donnelly relate Jean Ritchie’s childhood recollections of a real old fashioned mountain Christmas, and Mark Jones offers an archival recording of original Ozarker Horance Smith.
Lukas Pool has done quite well, playing claw hammer banjo. After honing his craft in the fertile musical grounds of Stone County, AR, Lukas went on to win a few national banjo championships, and study at the Berklee College of Music. He later went on to become the first dedicated instructor at Berklee in the claw hammer style. In recent years, Lukas performed with Steve Martin (yes, the actor AND banjo player) among other notable gigs. Along with his partner, Eden Forman, Lukas began building instruments under the Ozark Banjo Co. moniker. Lukas and Eden (fiddle) are joined in this recorded performance by John Mailander on mandolin and fiddle, and Nick DiSebastian on guitar.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode relates Jean Ritchie’s own childhood memories of an early Ritchie Family Christmas.
Mark Jones' “From the Vault” segment features a rare recording of original Ozarker Horance Smith performing “Hobo’s Meditation,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Nashville based neo-folk stringband “Locust Honey” performs live at the Ozark Folk Center State Park. Also, interviews with “Locust Honey,” Aubrey Atwater & Elwood Donnelly present a history of the “Play Party,” and Mark Jones offers an archival recording of original Ozark fiddler Red Gillihan.
“Locust Honey” features the guitar, fiddle, and harmony singing of Meredith Watson and Chloe Edmonstone. After forming a musical partnership in Asheville, NC, the two have been touring the US and abroad since 2012. Their 2014 release, “Never Let Me Cross Your Mind” was in the top ten on the Folk DJ Charts for much of that year, and earned them an international audience. While their musical backgrounds are quite diverse, it’s easy to hear traditional old time and classic country influences in their music.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on the history of “play parties,” a type of traditional party game that originated in Batesville, Arkansas, and became common in 19th Century North America.
Mark Jones' “From the Vault” segment features a rare recording of original Ozark fiddler Red Gillihan performing his very own “KBTA Waltz,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, the Original Ozark Stringband “The Leatherwoods” perform live at the Ozark Folk Center State Park. Also, interviews with “The Leatherwoods,” a performance from “The Apple Brothers,” Aubrey Atwater & Elwood Donnelly present memoirs of Jean Ritchie, and Mark Jones offers an archival recording of Ozark musician Freeman Thomas.
“The Leatherwoods” have been a mainstay in the Arkansas music scene for years. Their songs and musical traditions have been passed down through many generations of Ozark families. Lead by Pam Setser on vocals, guitar and mountain dulcimer, “The Leatherwoods” features some of the area’s finest musicians including Roger Fountain on fiddle, Teresa Johns on bass/vocals, and the omnipresent Danny Dozier on guitar and mandolin.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on Jean Ritchie’s memories of her family’s first radio, and her impressions of how “Hill Music” was presented in that media.
Mark Jones' “From the Vault” segment features a rare recording of Ozark original Freeman Thomas performing the true folk song “Cowboy Wheel,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, radio & television legend, and Country Music Hall of Fame member Grandpa Jones performs with his wife, Grand Old Opry star Ramona, live at the Ozark Folk Center State Park. Also, interviews and a live performance from the Jones Family. Aubrey Atwater & Elwood Donnelly present “The Mother of Folk Music” Jean Ritchie, and Mark Jones offers an archival recording of original Ozark musician Jim Bullard.
Grandpa Jones was a performer during the golden age of radio, and later found success as a cast member on the syndicated television program, “Hee Haw.” After years of living near Nashville, TN, Grandpa moved to Mountain View, Arkansas in the early 1980’s. Along with his wife Ramona, they ran the Grandpa Jones Dinner Theater. The theater employed many musicians, many of whom are still around the Ozarks today including their son Mark and guitarist Danny Dozier. We’ll dig deep into the archives this week for a set of music, featuring some of Grandpa’s finest performances at Ozark Folk Center State Park.
“The Jones Family Band” features a cast of all-star musicians, including Alisa and Mark Jones. This performance from the Jones Family Band was the last one recorded at the Ozark Folk Center State Park before Ramona passed in late 2015.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on Jean Ritchie as a songwriter, and features Jean’s performance of her original song “Black Water.”
Mark Jones' “From the Vault” segment features a rare recording of Ozark original Jim Bullard, performing the traditional song “Glory Land,” from the Ozark Folk Center State Park archives.
This week, the unconventional folk-blues-rock-bluegrass trio “The Howlin’ Brothers” perform live at Ozark Folk Center State Park. Also, interviews with “The Howlin’ Brothers.”
“The Howlin’ Brothers” are Ian Craft, Ben Plasse, and Jared Green. The trio has a wide ranging appeal as evidenced by their popular performance at the Ozark Folk Center State Park. Combining banjo, fiddle, guitar and upright bass, they perform traditional and original music with a sound familiar to fans of old time, roots, and Americana styles. Of note is fiddler and banjo player Ian Craft, as he could be creating a new style of hybrid banjo playing.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on memories of Bayless Ritchie, and features Aubrey & Elwood’s performance of the traditional song “I am a Foreign Lander.”
Mark Jones' “From the Vault” segment features a rare recording of Ozark originals Aubrey Richardson & Mike McGee performing the traditional folk song “Cluck Ole Hen,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, multi-instrumentalist and mountain dulcimer champion Duane Porterfield performs live at the Ozark Folk Center State Park. Also, interviews with Duane, Aubrey Atwater & Elwood Donnelly profile the influential folk musician Jean Ritchie, and Mark Jones presents an archival recording of his mother, Grand Ole Opry star Ramona Jones.
Duane Porterfield is a retired law enforcement officer from Kansas…and no, he won’t be checking your tags for current registration. Like many others, Duane moved to Mountain View to enjoy the laid back lifestyle and welcoming music community. In 2014 Duane was attending the annual Walnut Valley Music Festival and was poked, prodded, and otherwise coerced into competing in the mountain dulcimer contest. Not necessarily prepared or planning to compete, he had to borrow an instrument from a local vendor. Turns out, he won first prize! He’s a fine fellow to boot and we are happy to feature him.
Renowned folk musicians Aubrey Atwater & Elwood Donnelly profile influential folk music icons Jean Ritchie and the Ritchie Family, as well as explore the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on Jean Ritchie’s introduction of the mountain dulcimer to the New York City folk revival of the 1960’s, and features Jean Ritchie performing an haunting version of the traditional song “Pretty Saro.”
Mark Jones' “From the Vault” segment features a rare recording of Mark’s mother, Grand Ole Opry star Ramona Jones, performing the traditional song “Roving Gambler,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, bona fide Illinois French trouveur & fiddler Dennis Stroughmatt performs live at Ozark Folk Center State Park. Also, interviews with Dennis, folklorist and author Charley Sandage offers an historical sojourn into Ozark culture, and Mark Jones presents an archival recording of a trio of Ozark originals, Walter Gosser, Mike Hill, and Dean Hinesley.
Dennis Stroughmatt is a renaissance man. His passion for the Creole fiddle and French music of the Southern Illinois/Missouri region has lead him on a journey to the backwoods of Louisiana and the University of Quebec. He has nearly single handedly revitalized the original Creole music and French culture of the Illinois-Missouri region by rekindling a love and passion for the culture and song.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode focuses on traditional dance styles of the Ozark region.
Mark Jones' “From the Vault” segment features a rare recording of a trio of Ozark originals, Walter Gosser, Mike Hill, and Dean Hinesley performing the song “Roving Gambler,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, the accomplished traditional folk trio “Harmony” perform live at the Ozark Folk Center State Park. Also, interviews with the trio “Harmony,” folklorist and author Charley Sandage offers an historical sojourn into Ozark culture, and Mark Jones presents an archival recording of the Ozark folk singer Kay Thomas.
Harmony has been a mainstay on the Ozark Folk Center Stage for many years. Their vocals, as one might suspect, center around stellar three part harmony. The group features the talents of Ozark Highlands Radio host Dave Smith on vocals, guitar, and fiddle among other instruments. Husband & wife duo Robert and Mary Gillihan round out the trio, and are multi instrumentalists as well. Mary plays both bass and autoharp, while Robert covers the guitar and mandolin.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode focuses on the population and cultural impacts of the Ozark Folk Center State Park on the Stone County, Arkansas region.
Mark Jones' “From the Vault” segment features a rare recording of the genuinely talented Ozark folk singer Kay Thomas, performing a beautiful arrangement of the traditional song “All Ye Fair and Tender Ladies,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Dynamic traditional Ozark music duo Betse Ellis & Clarke Wyatt perform live at the Ozark Folk Center State Park. Also, interviews with Betse & Clarke, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of original Ozark songster Bob Blair.
Betse Ellis & Clarke Wyatt are a fiddle and banjo duo, who specialize in traditional old time music of the Ozarks. For years Betse was the fiery fiddler in the touring group, The Wilders. A student and friend of Arkansas fiddle legend, Violet Hensley, Betse has made it her mission to carry on the traditional songs and fiddle style of her native Arkansas. Betse has enjoyed a successful solo career but has recently teamed up with Clarke Wyatt, a talented finger style banjo picker. Now a powerful team, together Betse and Clarke continue to explore the sounds and styles that make Ozark music unique.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode focuses on the beautiful gardens of the Ozark Folk Center State Park, and it’s mission to preserve the original ornamental, edible, and medicinal plants of the Ozarks.
Mark Jones' “From the Vault” segment features a rare recording of original Ozark songster Bob Blair, performing the song “Who Will Sing For Me,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, International Blues Challenge award winning Dulcimer maven Bing Futch performs live at the Ozark Folk Center State Park. Also, interviews with Bing, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of authentic Ozark fiddler Sam Younger.
Bing Futch is a new breed of talent in the world of the mountain dulcimer. While he performs traditional dulcimer tunes, his influences from all areas of music have been adapted to his dulcimer playing, including the use of effects pedals and other whiz-bang electronic stuff. He is a regular contributor and instructor at the Annual Dulcimer Jamboree at the Ozark Folk Center State Park. Bing was recently won best guitarist at the International Blues Challenge in Memphis, Tennessee and yes, he was playing his dulcimer.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode focuses on the roots music aspect of the Ozark Folk Center State Park, and it’s mission to preserve the old Ozark ways.
Mark Jones' “From the Vault” segment features a rare recording of authentic Ozark fiddler Sam Younger, performing the traditional song “Turkey in the Straw,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, award winning guitar prodigy Ben Hall performs live at the Ozark Folk Center State Park. Also, interviews with Ben, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of original Ozark character Albert Sands.
Ben Hall is a Mississippi native who now makes his home, where so many musicians do, in Nashville, TN. Ben is a former thumbpicking contest winner, and like Danny Dozier and Thom Bresh, is heavily influenced by Merle Travis. Not one to seek out the life of a traveling or full time musician, Ben might be low key but he’s full throttle on the 6 string box.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode focuses on the philosophy of the Ozark Folk Center State Park Craft Village, and it’s mission to preserve the old Ozark ways.
Mark Jones' “From the Vault” segment features a rare recording of original Ozark character Albert Sands telling a short story about going to a traditional Ozark dance, from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, Arkansas Delta Bluegrass pioneer Dave Brancecum performs live at the Ozark Folk Center State Park. Also, interviews with Dave, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of Judi Klemenson.
Dave Brancecum was born and raised in the cotton fields of the Arkansas Delta. A working man most of his life, Dave had always dreamed of moving to the Ozarks to enjoy a simple life, where he could play music and enjoy all the region has to offer. Good thing all that happened because Dave is now a regular performer at the Ozark Folk Center State Park. Equally adept on guitar and claw-hammer banjo, Dave possesses a natural feel in his playing and singing unique to the Ozark region. Dave says come visit the Ozark Folk Center rather than the website he’s yet to create.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode focuses on the founding of the Ozark Folk Center State Park.
Mark Jones' “From the Vault” segment features a rare recording of noted Ozark mountain dulcimer mentor Judi Klemenson (Klinkhammer) performing the song “Where Would I Go But to the Lord,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments carry listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
On this week’s show, original Ozark guitar wizard Danny Dozier performs live at the Ozark Folk Center State Park. Also, interviews with Danny, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of Aunt Ollie Gilbert.
Danny Dozier is an Arkansas native and proud of it. He is one of the area’s premier guitar players, well versed in the Merle Travis, “thumbpicking” style. Danny has worked with a wide variety of performers over the years including; Grandpa and Ramona Jones, Omar and the Howlers and regional favorite, Leatherwoods.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode features a background on the founding the very first Arkansas Folk Festival.
Mark Jones' “From the Vault” segment features a rare recording of prodigious Ozark folk balladeer Ollie Gilbert singing the traditional Ozark folk song “The Ballad of Cole Younger,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments carry listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
On this week’s show, thumb picking guitar legacy Thom Bresh performs live at Ozark Folk Center State Park. Also, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of Ozark original Greg Moody.
Thom Bresh has led an incredible, multi-faceted life in the entertainment business. To start, his birth father is guitar royalty, Merle Travis. Thom was raised in California during the golden age of television and worked as a stuntman/actor during his youth. He went on to become one of the premier practitioners of his fathers “thumbpicking” style of guitar. Harnessing a quick wit and an equally quick set of ten fingers, there is nothing like a Thom Bresh performance. Seriously.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft.
Mark Jones' “From the Vault” segment features a rare recording of Greg Moody singing the traditional folk song “Going Down This Road Feeling Bad,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
In this episode, Award winning modern acoustic minstrels Kelly & Donna Mulhollan perform live at the Ozark Folk Center State Park. Also, interviews with Kelly and Donna, author Brooks Blevins answers the question “Who are the Ozarkers,” and Mark Jones presents an archival recording of Ozark folk musicians The Copeland Kids.
Still on the Hill is comprised of Kelly and Donna Mulhollan who make their home in Northwest Arkansas. The duo has been performing together since the early 90’s and have created their own sound blending traditional Ozark music with modern flair and style. Take a musical sojourn into the lives of the real Ozarkers that Kelly & Donna portray in their own colorful style.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. In this episode, the author and historian explores the question “Who are the Ozarkers.”
Mark Jones' “From the Vault” segment features a rare recording of The Copeland Kids from the Ozark Folk Center State Park archives.
Traditional old time stringband The Ozark Highballers perform live at the Ozark Folk Center in Mountain View, Arkansas. Also, interviews with the Highballers, a performance from the acoustic trio Backwoods Arkansas, Brooks Blevins: “Where are the Ozarks?,” and Mark Jones' "Vault" segment features Percy Copeland.
Ozark Highballers are one of the most authentic “old school” bands today. And by “old school” we mean turn of the 20th century times. Captained by fiddler Roy Pilgrim, the 4 piece band (fiddle, banjo, harmonica, and guitar) has a sound straight out of a Ken Burns documentary sound track. Close your eyes and you’ll be transported to a time when music seemed simpler, yet the skill and precision to play it, much more complex.
Backwoods Arkansas is comprised of Mountain View, AR musicians Don “Pappy” Melon, Billy Wayne Martin and Gresham McMillon, all of whom are regular performers at the Ozark Folk Center State Park. Their performance features traditional tunes of the region and of course, traditional jokes and humor.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian answers the tricky question “Where are the Ozarks?”
Mark Jones' “From the Vault” segment features a recording of famed Ozark harmonica player Percy Copeland performing the traditional song “Turkey in the Straw,” from the Ozark Folk Center State Park archives.
National mountain and hammered dulcimer champions past & present perform live at the Ozark Folk Center in Mountain View, Arkansas. Also, Brooks Blevins: “Where did the word ‘Ozark’ come from?,” and Mark Jones' "Vault" segment features Buddy Lancaster.
Dulcimer Jamboree Weekend is an immensely popular annual workshop at the Ozark Folk Center State Park. It features three days of performance and instruction from some of the finest dulcimer players (mountain and hammered) in the United States. This program features highlights of the weekend performances including; Jeff Hames, Duane Porterfield, Jess Dickinson, Larry Conger, Russell Cook, and local duo Jack and Mary Geiger.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents an exploration of the roots of the term “Ozark.”
Mark Jones' “From the Vault” segment features an archival recording of Stone County native fiddler Buddy Lancaster playing “Bear Creek Hop,” from the Ozark Folk Center State Park archives.
Louisiana singer-songwriter Wendy Colonna performs live at the Ozark Folk Center in Mountain View, Arkansas. Also, interviews with Wendy, a performance from Robert Louis Cole, Brooks Blevins profiles folk song collector Oscar Gilbert, and Mark Jones' "Vault" segment features Fate Morrison.
Wendy Colonna hails from Louisiana and now makes her home in Austin, Texas. Wendy has a style that combines many influences, most notably; blues and soul but most decidedly, real.
Robert Louis Cole lets it all go on stage. He’s a no holds barred singer and musically on edge, which is good. A Denver native, one can’t help but hear the strong influence musicians like Tom Waits and bluesman Robert Johnson have had on him.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents a profile of Oscar Gilbert, husband of famed folk singer Ollie Gilbert, and an original Ozark folk musicologist.
Mark Jones' “From the Vault” segment features a recording from the Ozark Folk Center State Park archives of legendary Ozark fiddler Fate Morrison playing a traditional fiddle dance tune.
*Full show available for streaming on 2/16/16
Mountain dulcimer guru and folk balladeer Bryan Bowers performs live at the Ozark Folk Center in Mountain View, Arkansas. Also, hear the band "Harmony." Brooks Blevins profiles the legendary Ozark bard Almeda Riddle, and Mark Jones' "Vault" segment features Lucy & Waco Johnson.
Bryan Bowers takes the auto harp to places not known to exist. Sounds strange, but it’s true. He possesses a powerful and soulful voice, and is a regular contributor to the Annual Auto Harp Weekend at the Ozark Folk Center State Park. His version of “Little Liza Jane” is a sound to behold, indeed. Bryan is joined by the group Harmony (noted below) for a number of tunes.
Harmony has been a mainstay on the Ozark Folk Center Stage for many years. Featured on A Prairie Home Companion's "Talent from Towns Under 2000" contest, their vocals, as one might suspect, center around stellar three part harmony. The group features the talents of Ozark Highlands Radio host Dave Smith on vocals, guitar, fiddle, and "banjolele," among other instruments. Husband and wife duo Robert and Mary Gillihan round out the trio with guitar, mandolin and bass, as well as brilliant vocals.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents a profile of renowned Ozark folk singer Almeda Riddle.
Mark Jones' “From the Vault” segment features a recording of authentic Ozark folk musicians Waco & Lucy Johnson singing “Shadow of the Pines,” from the Ozark Folk Center State Park archives.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments carry listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region.
This week, traditional American folk music and dance power couple Aubrey Atwater & Elwood Donnelly perform live at the Ozark Folk Center State Park. Also, interviews with Aubrey & Elwood, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of Ozark folk originals Dave Newburn and Charley Sandage.
Aubrey Atwater and Elwood Donnelly are regular contributors at a number of Ozark Folk Center State Park workshops as well as numerous traditional and old time music gatherings across the United States. The husband and wife team were heavily influenced by Kentucky folk musician, Jean Ritchie. Both are multi instrumentalists but Aubrey takes it one “step” further with her incredible rhythmic dancing ability.
Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode features a perspective on how the founding of the very first Arkansas Folk Festival affected the Stone County, Arkansas region.
Mark Jones' “From the Vault” segment features a rare recording of Ozark folk originals Dave Newburn and Charley Sandage performing the song “Going Back to the Red Clay Country,” from the Ozark Folk Center State Park archives.
Springfield, Missouri based modern folk minstrels and Ozark originals Cindy Woolf and Mark Bilyeu perform as the Creek Rocks recorded live at Ozark Folk Center State Park. Also, interviews with Cindy and Mark.
Cindy Woolf & Mark Bilyeu are now collectively known as The Creek Rocks. Cindy and Mark bring traditional Ozark music into the modern acoustic world. This husband and wife duo formed a few years back after both enjoyed successful careers as musicians based out of Springfield, MO. Cindy a solo performer and Mark, former member of Big Smith, found a kinship on multiple levels. Their performance at the Ozark Folk Center State Park features a number of traditional and regional songs from the recorded archives of folklorists Max Hunter and John Quincy Wolf.
“‘Wolf Hunter’ is the debut CD by The Creek Rocks from Springfield, Missouri. The title is an amalgam of the names of the two folklorists whose collections provided the raw materials for the songs on the album -- John Quincy Wolf of Batesville, Arkansas and Max Hunter of Springfield, Missouri. Cindy Woolf was raised in Batesville, along the southern foothills of the Ozarks Mountain region, and Mark Bilyeu hails from Springfield, located atop the Ozarks Plateau. They began their musical collaboration in 2003 with Mark at the helm for Woolf’s debut CD “Simple and Few.” They married each other in 2013, shortly after the release of Cindy’s third solo CD, “May.” Joining them on Wolf Hunter are bassist Jason Chapman, also known from The Chapmans, the award-winning family bluegrass band; and percussionist Jay Williamson, who is a sixteen-year veteran of another family band, Big Smith, of which Mark was a founding member as well. Big Smith released seven CDs during their tenure, and Mark has a solo album to his credit, 2005's ‘First One Free.’” - http://www.thecreekrocks.com/#about-section
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents a brief history of the very first "Arkansas Folk Festival," that has been held annually in scenic Mountain View, Arkansas since 1963.
Mark Jones' “From the Vault” segment features a vintage recording of folk balladeer and Ozark original Glen Branscum singing the rare spiritual “Some Hath Fathers,” from the Ozark Folk Center State Park archives.
Old Crow Medicine Show founder Willie Watson performs live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Willie Watson, a performance from up and coming folk artist Grace Stormont, Brooks Blevins: Ghost of the Ozarks Tale (part 3,) and Mark Jones' "Vault" segment featuring Almeda Riddle.
Willie Watson is a folk singer. It’s even the title of his latest solo release. Willie was once part of the popular band Old Crow Medicine Show but has recently embarked on a solo career that finds him singing, playing guitar, banjo and harmonica. Interpreting tunes from a wide variety of influences including Ledbelly and Charley Jordan among others, Willie proves he’s right where he belongs.
Grace Stormont moved to Mountain View, Arkansas to be part of the local music scene. She has embraced the music community beyond anyone’s expectations (except maybe her own.) With a powerful voice, a veteran sense of timing and feel, Grace performs with a skill beyond her age of just 15. She’s also a big Willie Watson fan, so this worked out great.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents the conclusion of his three part series "Ghost of the Ozarks," about the infamous Connie Franklin murder trial.
Mark Jones' “From the Vault” segment features a hauntingly beautiful acapella recording of roots music legend Almeda Riddle singing the classic song “Amazing Grace,” from the Ozark Folk Center State Park archives.
"Hello Stranger" featuring Carter Family legacy Dale Jett perform live at the Ozark Folk Center State Park in scenic Mountain View, Arkansas. Also, interviews with Dale Jett, Brooks Blevins: Ghost of the Ozarks Tale (Part 2,) and Mark Jones' "Vault" segment featuring The Simmons Family.
Dale Jett is a proud bearer of the Carter Family musical legacy. Son of Jeanette Carter and grandson of A.P. and Sara Carter, Dale performs songs from the Carter Family song book with his group “Hello Stranger.” With his wife Teresa on bass, and Oscar Harris on auto harp, Dale keeps the music of his family tradition alive and relevant.
Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents the second of his three part series "Ghost of the Ozarks" about the infamous Connie Franklin murder trial.
Mark Jones' “From the Vault” segment features a recording of The Simmons Family singing the traditional song “Bright Morning Stars are Rising,” from the Ozark Folk Center State Park archives. The segment also features a recent cut of the song done by Pam Setser (Simmons,) illustrating the legacy of music in Ozark culture.
This week, New York based folk duo Jay Ungar & Molly Mason perform live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Jay & Molly. A performance from Ozark Originals The Lazy Goat String Band.
“He was a Bronx kid. She grew up in Washington State. He was raised on pop music of the 1940s and ’50s. She had a fondness for traditional fiddle music and ’30s and ’40s popular tunes. He hung out in Greenwich Village coffeehouses and roamed North Carolina and Tennessee in search of traditional players. She played clubs and colleges on the West Coast and took a liking to the jazzy sound of the Swing Era. Since joining forces—both artistically and romantically (the two would marry in 1991)—Jay Ungar and Molly Mason have become one of the most celebrated duos on the American acoustic music scene.
It started with a chance meeting in the late 1970s. Jay and Molly were each performing at the Towne Crier, a rural New York club. They hit it off musically and played together from time to time until Molly headed off to Minnesota to work in the house band of a new radio show: Garrison Keillor’s A Prairie Home Companion. Meanwhile, back in New York, Jay put together a band with fellow fiddlers Evan Stover and Matt Glaser and guitarist Russ Barenberg. When Fiddle Fever, as the collaboration was called, needed a bassist, Molly signed on. The group recorded two classic LPs, now available on CD as The Best of Fiddle Fever (Flying Fish Records).
On radio and television, Jay and Molly have appeared on CBS Good Morning, The Rosie O’Donnel Show, All Things Considered, A Prairie Home Companion, and the BBC’s Transatlantic Sessions. And they have no shortage of future musical projects.” - https://jayandmolly.com/about/
The Lazy Goat Stringband is comprised of Scott and Samuel Blake (father & son) on guitar and claw-hammer banjo and Emily Phillips on fiddle. They have been regular performers at Ozark Folk Center State Park for the past several years and one of the more popular groups in the region. Their attention to the authenticity of their sound is just as keen as their eye on making music a fun endeavor. Had he known, Ken Burns might have used some of their recordings in The Civil War, they would be right at home.
Brooks Blevins gives a native’s view of the people, music, and colorful events that shape the Ozark region. The author and historian presents the first of his three part series "Ghost of the Ozarks," on the infamous Connie Franklin murder trial.
In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1973 archival recording of Ozark original Jimmy Driftwood singing is famous song “The Battle of New Orleans,” from the Ozark Folk Center State Park archives.