Equity Foundation Podcast: Recent Episodes
Equity Foundation Podcast
The Equity Foundation – the professional development arm of Actors Equity – was established in 2002 to oversee Equity’s publications, awards and extensive professional program.
The mission of the Equity Foundation is to enhance the lives of Australian and New Zealand actors by investing in programs which help them in their professional endeavours and the communities in which they live. Our professional program, which connects with performers in Australia and New Zealand through an extensive masterclass and workshop program, is developed in close collaboration with performers.
The Equity Foundation is independent from Actors Equity but offers substantive services to Equity members, free of charge. The Foundation relies solely on the support from grants, corporate sponsorships, bequests and individual contributions to maintain our programs and create new ones. Our mission is to assist, educate and inspire actors.
Actors live and work in an environment that asks a lot of them. Auditions, rejections, financial uncertainty, intense rehearsal periods, performance anxiety, public scrutiny, relationship dynamics, creative vulnerability, and the challenge of sustaining a career in a highly competitive industry all place unique demands on actors.As a psychologist who works with artists and performers, I’ve often noticed that the framework we hold for performers has a specific difference. When people outside the performing arts experience stress, they’re often encouraged to step back, do less, or find fulfilment elsewhere. But performers rarely want to care less about their craft. They want to keep creating, keep striving, and keep showing up for the work they love. The question becomes: how do we develop the skills to manage high levels of stress sustainably?In this conversation, we’ll explore the psychological realities of life as an actor. We’ll discuss the thoughts that can undermine confidence, the emotions that come with putting yourself on the line creatively, the physical demands of rehearsal and performance, and the challenge of balancing the pressures of work with the realities of everyday life.Most importantly, we’ll look at practical ways to build psychological flexibility and resilience so that stress doesn’t consume the energy you need for what matters most: telling stories, connecting with audiences, and bringing your creative work to life.Whether you’re navigating the stress of auditions, managing performance nerves, recovering from setbacks, or simply trying to sustain a long and meaningful career in the arts, this session will offer practical insights and plenty of opportunity for discussion.Bring your questions. The world of performance is demanding, but there are many skills we can learn that help us meet those demands while continuing to grow as artists and as people.Dr Shona Erskine is a registered psychologist in private practice with 30 years’ experience working in the arts sector. After graduating the Victorian College of the Arts (Dance, 1994), she spent decades working as a dancer while qualifying as a psychologist. She has an expertise in psychology for performing and visual artists and work through professional companies, universities, and in private practice. The focus of her psychology work includes performance and creativity as well as communication and complex systems. She has a keen interest in best practice models for artists that attend to the whole person with compassion and curiosity.
A terrific opportunity to hear from Australian actor Shabana Azeez as she prepares to begin filming Season 3 of The Pitt in the US.Equity member Kat Hoyos sits down with Shabana to explore her journey from starting out in Adelaide to working on one of the most talked-about TV series today. Widely regarded as one of the most popular shows of the moment, The Pitt has captured global attention with its gripping storytelling and distinctive style. This a great opportunity to hear firsthand about the experiences, influences, and stories that continue to shape her work. They discuss how she has navigated the industry, developed her craft, and embraced the opportunities and challenges of an international career.Shabana Azeez has quickly established herself as one of the most exciting actors to watch with her undeniable talent and magnetic screen presence. As a breakout star of HBO Max’s Emmy-winning hit series, THE PITT, she can be seen reprising her role as “Victoria Javadi” in the second season which is currently streaming on Max in the USA, Binge in Australia and a number of other platforms around the world. She recently wrapped production on SBS’s new drama, THE AIRPORT CHAPLAIN. The eight-part series stars Shabana opposite Hugo Weaving and captures the high-stakes world of a bustling international airport, told through the struggles and triumphs of the workers who keep it running. Recently in film, she voiced the lead character of “Saira” in the animated feature film LESBIAN SPACE PRINCESS which was selected for the 2025 Berlinale where it won the Teddy Award and honored with an AACTA Award for ‘Best Indie Film’. Previously in film, she starred as “Irene” in the feature film, BIRDEATER, for which she was awarded ‘Best Actress’ by the Australian Film Critics Association. The film also won the AACTA for ‘Best Independent Feature Film’, the audience award for ‘Best Australian Narrative Feature at Sydney Film Festival’ and had sold out screenings at Melbourne International Film Festival prior to a very well-received release in the USA at SXSW. Shabana co-won ‘Best Female Actor’ at Tropfest in 2019 and was nominated for ‘Best Performance’ at Stellar Film Festival and ‘Best Actress’ at the South Australian Screen Awards for her work in the feature CRUSH. She also plays “Lali” in the short film I’M THE MOST RACIST PERSON I KNOW which won the Special Jury Award at SXSW 2025, ‘Best Short Film’ at Cinefest Oz in 2025 and ‘Best Short Film’ at the 2026 AACTA Awards. Previous television credits include roles on the animated series TALES FROM OUTER SUBURBIA, ABC’s IN LIMBO, SBS’s THE HUNTING, Netflix’s APPLE CIDER VINEGAR, Disney+’s NAUTILUS, ABC’S UTOPIA and WHY ARE YOU LIKE THIS?. Shabana also regularly lends her voice and talent for accents to voiceover work and audiobooks, including the very important story Home to Biloela by Priya Nadesalingam. Splitting her time between Australia and Los Angeles, she continues to take on bold, diverse roles that showcase her talent and versatility while highlighting her passion for telling stories that push the envelope.
Culture Awards and 3 Sydney Theatre Awards) for Darlinghurst Theatre Company, the Australian Premiere of Passing Strange (nominated for 5 Green Room Awards including Production of the Year) for Antipodes Theatre Company, co-directed Colour And Light: The Art of Sondheim (winning 2 Green Room Awards) and Sunday In The Park George (Green Room Award nominee for Best Direction and Best Multimedia Design) for Watch This - Australia's Sondheim repertory company for whom he is Co-Artistic Director, directed and designed bare the Musical and the Australian Premiere of Memphis the musical for StageArt. Dean has worked on over 20 national tours and has produced advertising campaigns and major events across Australia, New Zealand, in Tokyo and New York. Dean is an advocate for theatre that is inclusive of Indigenous, Bla(c)k and people of colour, artists with a disability and LGBTQIA+ artists.
TV industry.She is the founder of the Secret Actor Society app and membership site, which connects actors worldwide with casting directors, provides a supportive community, and contains masterclasses on how to navigate the film industry as an actor. Kym’s mission is to share knowledge with her peers and the next generation of talent.Kym is also a SAG-AFTRA convention delegate, who in 2022 co-authored and gained unanimous support from the delegation for her resolution to limit self tape lengths - a key point in the 2023 SAG-AFTRA strike negotiations.
Beyond the Gun – Creative PartnershipsThere’s a distinct difference between being cast as an actor in a theatre production and working as a creative collaborator and developing your own work.This session examines how actors can step into producing and move into the developmental life of a project—contributing ideas, shaping the script, and influencing the work as it develops. Actors such as Ngoc Phan, Nicholas Brown, Julia Robertson, Amy Ingram, and Cameron Hurry have expanded their work into producing, writing and directing. This conversation explores how actors can evolve their practice, build a reputation for meaningful creative input, and become initiators and collaborators whose contributions extend beyond performance into the heart of the work itself.Amy is a multi-award-winning actor and theatre-maker based in Brisbane, later this year she will appear in the return season of Pride And Prejudice at QTC and the World Premiere of Suzie Miller’s Strong Is The New Pretty touring Nationally.Ngọc is an award-winning actor, director and playwright. Her diverse theatre work includes Vietgone, Boy Swallows Universe and Good Grief (Queensland Theatre), Laurinda (MT), Love Stories (Brisbane Festival/QPAC), Horizon (Playlab Theatre), Medea (Shock Therapy Productions), We’re All Gonna Die, Away, A Streetcar Named Desire and Stunt Double (The Farm).Julia Robertson is a multidisciplinary theatre maker, director and actor living and working on Gadigal land. She is the Artistic Director of the award-winning devising group Little Eggs Collective, a recipient of the Ensemble Theatre’s Sandra Bates Award for Directing, and a Young Artists Program finalist with Opera Australia. Julia was recently nominated for Best Direction of a Musical at the Sydney Theatre Awards for The Producers (Hayes Theatre Co. / Riverside Parramatta). In 2026, Julia will direct the premiere production of STELLA, The Musical in Melbourne, as well as The Addams Family for Hayes Theatre Co. She will also work as Movement Director on 84 Charing Cross Road for the Ensemble Theatre, and as Assistant Director on Suzie Miller’s new work Strong Is the New Pretty for Sydney Theatre Company, Queensland Theatre and Brisbane Festival.Nicholas Brown is a NIDA graduate who has forged an impressive international career across film, television and theatre as an actor, writer, singer, songwriter and leading man with major roles in Bollywood films, Australian drama and as a much-loved ABC Play School presenter. He plays a lead role in upcoming Alex Proyas science fiction musical film R.U.R. As a playwright, Nicholas won the prestigious Nick Enright Prize for Playwriting in the 2024 NSW Premier's Literary Awards for his play Sex Magick which was performed in the 2023 Griffin Theatre season. It was also nominated for a 2025 AWGIE and a 2024 Sydney Theatre Award.Cameron Hurry is a Brisbane based actor and writer. He completed his actor training at the University of Southern Queensland. Cameron’s theatre credits include: Pride and Prejudice (Queensland Theatre Company), Unconditional (Playlab Theatre), Three Little Words (Ad Astra), Twelfth Night (4MBS Brisbane Shakespeare Festival), Dance Nation (THAT Production Company), Grand Horizons (PIP Theatre), Frankenstein (Fractal Theatre), Macbeth (JUTE Theatre), Picnic at Hanging Rock (Brisbane Arts Theatre), and Aladdin and the Mysterious Magical Lamp, Jane Eyre, Little Women, Shadowlands (Harvest Rain Theatre Company). His film and television credits include: Spit, Boy Swallows Universe, The Bureau of Magical Things, Young Rock, and Wanted. Cameron has received the Matilda Award for Best Performance in a Supporting Role – Independent Production (Grand Horizons) and has a proud member of MEAA for 20 years.
Actor and Equity member Monica Sayers will chat to Australian casting director Kirsty McGregor about discuss auditions, castings and the actor/casting director relationship. Kirsty McGregor’s journey from performer to an influential casting director working across Australia and internationally has had a significant impact on film and television. She is the recipient of three AACTA Awards and seventeen Casting Guild of Australia Awards, and has also received three nominations from the Casting Society of Americas well as an Emmy nomination. A long-time advocate for the craft of casting, Kirsty has been a leading voice within the Casting Guild of Australia, championing the recognition of casting as a key creative department. Her work has helped shape some of the most acclaimed Australian productions of recent years, including Lion, Animal Kingdom, Babyteeth, Colin from Accounts, Top Of The Lake, The Twelve, Apple Cider Vinegar and Bump. Her work continues to shape and elevate talent both in Australia and internationally. Kirsty is a proud member of the Casting Guild of Australia, the Casting Society of America and the Academy of Motion Picture Arts and Sciences.
A chance to hear from Equity’s National Industrial Officers Tess Chappell and Miles Hunt on performers’ employment contracts, usage payments and residuals.This will be of particular interest for new members and a refresher for established members.The discussion will cover the following topics:• Contract basics, how to negotiate an employment contract before signing and how to use your contract during your employment.• Usage – upfront buyouts and the curse of in perpetuity.• Residuals – backend payments and where they come from;• Agreements – how usage and residuals work in film, TV and streaming;• MEAA negotiations and payments for performers;• Commercials and rollovers• The difficulty with streamers; and• International Perspective – SAG and other jurisdictions and Q and A
Equity's Live Stream Program continues with esteemed casting director Lauren Wiley talking with Equity member Helen Dallimore about all things auditions, musicals, casting, current and past projects, the actor/casting director relationship and answering all your questions. Lauren Wiley is one of Australia’s most accomplished Casting Directors, bringing more than two decades of experience. She is currently the Casting Director for the forthcoming Australian premiere of A Beautiful Noise – The Neil Diamond Musical (TEG Dainty/Ken Davenport). Her extensive credits include MJ The Musical (Michael Cassel Group), Gaslight (Newtheatricals/Queensland Theatre), Hamilton (International Tour) and Hamilton (Australia) (Michael Cassel Group), Come From Away (Junkyard Dog/Newtheatricals), Beautiful: The Carole King Musical (Michael Cassel Group), and Kinky Boots (Michael Cassel Group). Lauren also served as Consulting Casting Director for Tina – The Tina Turner Musical (TEG Dainty/Stage Entertainment) and was Casting Administrator for Cameron Mackintosh’s Les Misérables (Michael Cassel Group). Lauren began her theatrical casting career at Sydney Theatre Company in 2009, appointed Casting Coordinator to Co-Artistic Directors Cate Blanchett and Andrew Upton. She later returned to Sydney Theatre Company as in-house Casting Director under Artistic Director Kip Williams, a role she held until 2019. A graduate of Charles Sturt University with a Bachelor of Arts in Communications (Theatre/Media), Lauren spent two years based in London, where she worked as Casting Assistant to Jina Jay on major feature films including The Lovely Bones (Dir. Peter Jackson), Body of Lies (Dir. Ridley Scott), Agora (Dir. Alejandro Amenábar), and The Adventures of Tintin (Dir. Steven Spielberg) as well as time working for London’s most established talent agencies.
Join professional voice artist Alexandra Lopez for an essential introduction to the voice over industry, designed specifically for acting graduates ready to expand their career opportunities. Represented by Scout Management and specialising in coaching beginners, Alexandra will guide you through the unique skills and techniques that set voice work apart from stage and screen acting. You'll learn who to connect with in the industry, what equipment and training you'll need to be audition-ready, and how to stay productive and sharp between jobs. Whether you're curious about voice over or ready to dive in, this session will give you the practical knowledge and insider perspective to confidently navigate this exciting avenue of your acting career. Alexandra Lopez is the CEO of Alexandra Lopez Studios and the founder of Voice Over Collective. Represented by Scout Management, Alexandra has over 20 years of experience as a professional voice artist. She has voiced campaigns for brands including the SA Government, Shiels Jewellers, L'Oréal, Mitsubishi, Foodland, Adelaide Symphony Orchestra, and San Remo.
How to make money playing the role you were born to play: yourself. Or in other words: learn that the skills you have gained as an actor are of value beyond the script. A deep dive into what skills you have as a performer that can be monetized in other ways including corporate work as an MC, hosting children's shows, game shows and light entertainment with ongoing high profile warm up audience work. Michael worked as an actor on both stage and screen for several years. 1984 was a turning point as he began an on-air career as a television presenter, hosting children’s shows, game shows and light entertainment. What followed was a decade of profile building which opened opportunities in the corporate space as host and emcee of Award Nights, conferences, product launches and the like. Work that he continues to this day. 1990 saw another sideways turn as audience warm-up for Blind Date. More shows followed and Michael soon became the go-to-guy for audience warm-up for everything from The Voice, Australia’s Got Talent, Mad As Hell and sitcoms such as Acropolis Now, and All Together Now. He continues in this role now on Tipping Point – celebrating 35 continuous years applying the performance skills he learnt as an actor, to this arena. Along the way he has worked as Breakfast Radio host and has created television programs and produced others such as The Price Is Right, Bert’s Family Feud and Comedy Slapdown. Check him out: www.michaelpope.com.au
Acclaimed acting coach Miranda Harcourt will discuss how actors can craft a journey through their material, how verbatim text can help us achieve naturalism and how our thoughts translate through the lens. As she did in her last livestream, Miranda will bring case studies and research about the ways psychology and neuroscience supports your performance. Last time she discussed how you can achieve unselfconsciousness, inner life and responsiveness by balancing your vista, connection and internal landscape. This time she will push beyond those core craft skills into new material. Miranda will spend half the time respond directly to your questions about acting and directing on stage and screen. Globally renowned as a performance-pilot, not only does Miranda support stars at the highest level, but also guides emerging talents into stellar careers. Her clients have won and been nominated for multiple Oscars, Golden Globes, Emmys, BAFTAs and AAFTAs. She has lifted up countless careers through her work at labs and schools like TIFF, NYU Tisch, London Film School, UK’s National Film and Television School and Toi Whakaari. You can read more about the startling impact of Miranda’s key tools including Connection, Internal Landscape in her on-line textbook NOTES FOR ACTORS AND DIRECTORS mirandaharcourt.substack.com
'. David got his first taste of acting as an extra in the booming movie industry in Sydney during the 1990's, including a small role in Star Wars 'Attack Of The Clones' of which he personally received direction from the great George Lucas. Little did he know then, that 20 years later this would be his calling. David stepped up and began various acting training courses in Adelaide from 2013, which includes ongoing training and mentor-ship today by Greg Apps (Casting Director Sydney) as well as training with Jeff Seymour of The Real Life Actor (USA), StageMilk Online Drama and more recently the wonderful Les Chantery in Sydney. David is a well-known and respected actor in the South Australian film and television industry as a source of support, mentorship, advice and training in his delivery of various online acting sources including his monthly podcast series and regular 'Off Script' bite size info sessions. David is your Teacher, Doctor, Father Figure or Enforcer type, but can draw on his experience living in different states and working with many different people and cultures when needed. His acting style is naturalistic, drawing on life experiences for character development. David is also a competitive bodybuilder and has competed in several Australian state championships.
3), Last Known Position, and Narcissa. Meg has been nominated for 11 Artios Awards for excellence in casting and has won twice. Currently the VP of Governance for the Casting Society, has also served as an advisor for Film Independent’s Directing Lab and the Global Media Makers project.
How do you not just succeed once, but keep delivering for a lifetime? In this 90-minute session, Damien Strouthos - actor, coach and founder of The Resilient Actor shares the 5 essentials to perform at your best, stay resilient, and thrive in one of the toughest industries in the world. Drawing on high-performance principles and years of professional experience, Damien offers practical tools and strategies that help actors align craft, career and well-being for long-term success.Damien Strouthos is an award-winning actor, best known for his work in the Foxtel series The Twelve and HBO Max/BBC’s The Tourist, with a career spanning film, television, and theatre. On screen, he’s appeared in Heartbreak High(Netflix), One Night (Paramount+), Last King of the Cross (Paramount+), Home and Away, and Pieces of Her (Netflix). His feature film credits include Transfusion, directed by Matt Nable, I Am Woman, and Peter Rabbit 1 and; 2. Damien is also an accomplished theatre performer, having worked with Sydney Theatre Company, Bell Shakespeare, Belvoir, and Sport for Jove, most recently appearing in Death of a Salesman opposite Anthony LaPaglia.
With the current heightened uncertainly within the performance industry and the broader global instability, any kind of ‘tick the box’ approach to our wellbeing is just not working as it used to. This podcast delves into next level strategies to help us navigate the risks and hazards of the industry at this time. We will be discussing: - Understanding our negative emotions and how to manage them- Forming a strong, personal identity. Developing a coherent identity which is not based on our success as an actor, whether we get a call back or get offered the part- Exploring being emotionally ‘detached with love’ from the industry. Caring enough to invest deeply in our work but not caring so much that it impacts on our mental health- Creating new narratives for defining success- Discovering how to anchor ourselves in the midst of personal and global uncertaintyDr Julie Crabtree M.A. Dip Ed, FCHP, FCCOUNP, CCLP, MAPS, MBPSs, CPsychol. Clinical and Counselling Psychologist Secretary APS Arts and Performance Interest Group Director Zebra Psychology As an experienced clinical psychologist, Julie has worked extensively with a range of people and is experienced in treating complex issues. Also through her doctoral research into creativity and mental health, she is at the forefront of our understanding of how to be both healthy and creative and has a unique approach to treating the concerns of those within the performance industries. In her practice, she regularly sees performers, creatives and their partners who are experiencing anxiety, depression, relationship issues, performance anxiety and the range of concerns that face those in the creative industries.
Seventy-one percent of MEAA members are deeply concerned about AI replacing human-led creativity. MEAA is campaigning for strong regulation through an Australian AI Act and for big tech to pay a levy for using artists’ work to train AI. Join MEAA’s Policy team, Lilia Anderson and Matt Byrne and Industrial Officers Miles Hunt and Tess Chappell with MEAA President, Michael Balk chairing, for a vital briefing on AI and performers. They’ll unpack how AI threatens the creative industries, the risks for performers, how MEAA is pushing governments and companies to act, and what safeguards could protect your image, voice and data.
An opportunity to hear from the Sydney Theatre Company's Artistic Director Mitchell Butel who will talk to actor Danielle Cormack about the actor-director relationship, the steps that artistic directors take to choose productions, the casting process and STC's plans for the future. Mitchell Butel is a multi-awarded director, performer, writer and producer and Sydney Theatre Company’s Artistic Director and Co-CEO. Mitchell holds four Helpmann Awards, four Sydney Theatre Awards and two Victorian Green Room Awards for his work as a director and actor in Australia. He has worked extensively for State Theatre Company South Australia, Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, Belvoir, Bell Shakespeare, Griffin, Malthouse, Opera Australia, Sydney Chamber Opera, Pinchgut Opera, The Production Company, The Hayes Theatre and for the Sydney, Adelaide and Perth Festivals on over 200 professional productions.
Join Director of Photography Emma Paine (Colin from Accounts, NCIS - Sydney, Watching You, Four Years Later) and Queenie van de Zandt as they explore the actor and DOP relationship. As an actor it is important to understand every role on a production and how your work intersects with all involved. DOP's are an integral part of the storytelling process as they are responsible for creating the look of the film. Their primary duties include developing a film's visual style, determining lighting and composition and planning camera angles. The conversation will also cover Emma's extensive work locally, how the DOP’s process impacts actors’ and what we see on screen. This conversation may be particularly useful for actors with a theatre background who are not as familiar with the complexities of screen acting. Audience members will leave with a better understanding of how to work effectively with a DOP on their next job.
Learn how to deliver under pressure with actor, WAAPA grad and founder of The Resilient Actor, Damien Strouthos. This practical session gives you the tools to stay grounded in high pressure auditions, emotionally connect to character and give your best work even when the stakes are high. And maybe even a cheeky crying hack or two. Damien Strouthos is an award-winning actor, best known for his work in the Foxtel series The Twelve and HBO Max/BBC’s The Tourist, with a career spanning film, television, and theatre. On screen, he’s appeared in Heartbreak High(Netflix), One Night (Paramount+), Last King of the Cross (Paramount+), Home and Away, and Pieces of Her (Netflix). His feature film credits include Transfusion, directed by Matt Nable, I Am Woman, and Peter Rabbit 1 and; 2. Damien is also an accomplished theatre performer, having worked with Sydney Theatre Company, Bell Shakespeare, Belvoir, and Sport for Jove, most recently appearing in Death of a Salesman opposite Anthony LaPaglia.
This is an exclusive in conversation with legendary filmmaker George Miller AO — the creative force behind the Mad Max franchise, Happy Feet, Babe and so much more. George will sit down with Equity President Jason Klarwein to reflect on his remarkable career, share insights into his bold creative process, and delve into his unique collaboration with actors. Whether you're just starting out or deep in the craft, this is an unmissable chance to hear from one of the world’s most imaginative directors.
This is a chance to work with Katherine Beck on what it takes to master NOT mimic the US accent. Attendees will work on the placement of sounds and how to achieve the accent authenticity in just 66 days.Katherine Beck is a leading voice and dialect coach who works regularly with actors at The Actor’s Hub, The Actor’s Pulse, Screenwise, International Screen Academy and on film and theatre productions. She is the co-founder and co-author of Hollywood Speak: The Australian Actor’s Resource Guide to Creating an Authentic American Accent. Born and raised in Chicago, Katherine is a native American accent speaker.
Steven Tylor O’Connor, a two-time Emmy and multiple Artios Award winning Casting Professional at Aufiero/Horn Casting in the US, will talk to Equity member and actor Danielle Cormack about the US casting process, the actor/casting director relationship, his advice for actors and what he has learnt along the way. Steven has won Casting Associate of the Year at the Heller Awards in 2024. Steven also sits on the Board of Directors for Casting Society and serves in Executive Leadership as their Treasurer / VP of Finance.
The role of intimacy director is now a familiar one - so where are we now? Given the impact and significance of the role this is a chance for an update by one of the most successful intimacy directors, Chloe Dallimore AM with Helen Dallimore in the interview chair. Topics discussed include:- How to work effectively with your intimacy director (ID)- What can you ask the ID when you are on set…- How you can go with not knowing how to work with an ID to realising that you can’t work without them.- What can/does the ID director bring to the set?- What can actors and crew do to ensure correct protocols on set without an ID
Would you like to better understand how a film set works and how actors collaborate with the Second Assistant Director? The 2nd AD is the main point of contact for all actors on set. During pre-production, they break down the script, organise fittings and rehearsals, and arrange transport and facility requirements for cast members. Once filming begins, they prepare the next day’s call sheet, ensure actors are ready when needed, and coordinate transport, make-up, and wardrobe schedules. Working closely with the 1st AD, they help keep everything running smoothly. Join Second Assistant Director Nick Hadland and Equity member Monica Main as he shares insights into his role, how he works with actors, and what you need to know about on-set protocols—so you can feel confident and prepared when you step on set. Credits: Nick has worked on a diverse range of film and television productions in the Assistant Director's department including: Heartbreak High, Last King of the Cross, Mr Inbetween, Interceptor, Total Control, Ruby’s Choice and more recently Stan's Sunny Nights and the film SOS: Send Help.
Equity's Livestream Program continues with casting directors Stephanie Pringle and Alison Fowler of Chicken and Chips Casting, in conversation with Queenie van de Zandt, talking all things auditions, casting, current and past projects, the actor/casting director relationship and answering all your questions. Their recent achievements include the success of the Australian thriller Birdeater (SXSW 2024 & SFF People’s Choice Winner 2023), 2024 AACTA Nominated for Best Indie Film A Savage Christmas, the 2021 AACTA Award-winning Ellie & Abbie (and Ellie’s Dead Aunt), Cannes Series-selected Deadhouse Dark and the anticipated My Eyes starring Adam Garcia & Tsushan Chambers
This an opportunity to hear from leading creator, writer, script editor and producer Michael Lucas (The Newsreader, Five Bedrooms, Wentworth, Rosehaven, Offspring) In Conversation with Danielle Cormack. Michael will discuss the actor/producer/writer relationship, the current screen landscape, what goes on behind the scenes of a screen production before actors are cast, what is involved in the creating, writing and producing a television show, casting, self-taping, rehearsing and much more. There will be plenty of time for audience questions.
Learn how to optimise your relationship with your agent or manager. In this class, Kym Jackson (S.W.A.T., We Bury The Dead) will share how to best support your representation, how to stay top of mind without bugging them, how to reach out to them when you hear about a project that you're right for, how and when to ask for referrals into other agencies, and how to communicate with them in a way that is assertive, respectful, appreciative, and professional.
Anousha Zarkesh (Mystery Road, Series 1 & 2, Rake, Redfern Now, Cleverman) joins NSW Equity President Glenn Hazeldine to talk all things auditions, casting, her current and past projects, the actor/casting director relationship and answer all your questions. Anousha is an AACTA and Casting Guild award winning casting director and currently sits as Vice President of the Casting Guild of Australia.
Kathryn Scott is a talent agent and the founder of Scout Management, a leading voice and talent agency based in Sydney, Australia. This is a chance for Kathryn to talk candidly with Equity member Jacqui Duncan about the voiceover industry, how the actor/voiceover relationship works, the agent’s expectations of the actor, what an agent does on a day to day basis, what you can do to have a productive relationship with your agent, what you can reasonably expect from your agent and the state of the Australian industry.
This is an opportunity to hear from Australian actor Christopher Chung about being a cast member of Emmy Award-winning Apple TV series Slow Horses, including Gary Oldman, Kristin Scott-Thomas and Jonathan Pryce. Actor Nicole Nabout will talk to Christopher about his journey from acting training at St Martins Theatre in Melbourne to his role as Roddy Ho in one of the most prestigious and well received television series of the last decade.Please note: This is an edited version of a live event and as such there are some small interruptions.
A rare chance to hear from the artistic directors of two of Australia's most reputable theatre companies - Matthew Lutton (Malthouse Theatre) and Courtney Stewart (La Boite Theatre) as they talk to actor Veronica Neave about navigating an acting career in theatre, their journey from directors to cultural leaders while unpacking the actor/director relationship, casting, the rehearsal process, the current theatrical landscape, and much more.
Acclaimed acting coach Miranda Harcourt will discuss how actors can achieve unselfconsciousness, inner life and responsiveness by balancing their vista, their connection and their internal landscape. Miranda will bring case studies and research about the ways psychology and neuroscience can help us to fully occupy a role and a relationship.
Deanna Cooney is a Perth-based actor and presenter represented by MCA. She teaches Presenting to Camera at WAAPA. In this podcast you’ll learn foundational techniques designed to develop a sense of ease and confidence in front of camera while delivering down the lens with a presentation style performance. This sense of ease is increasingly relevant as many directors and casting agents are calling on zoom and live conferencing as a means of 'on-camera' communication. You’ll also find this skill set useful for many tv commercials where the talent is required to speak directly to camera presenter-style, and it’s a fantastic adjacent skill set that can help you develop another income stream as a TV presenter or program host.
An opportunity to hear from to producer Joanna Werner, (The Newsreader, Clickbait, Secret City) and director Emma Freeman (The Newsreader, Glitch, Stateless) when they join Equity member Nicole Nabout (The Clearing, Return to Paradise) to discuss what goes on behind the scenes of a screen production before actors are cast, what is involved in the producing and directing side of things on a day to day basis, how they work with actors, the best ways to navigate the actor/producer and actor/director relationships, self taping, zoom auditions, rehearsing, protocols on set and much more.
Join award winning Australian actor and voiceover artist Melanie Zanetti, or as she is better known as "Chilli" in the internationally successful, Emmy, BAFTA and five time AACTA award winning animated series, Bluey. Melanie talks to Veronica Neave about her creative journey moving between voiceover, feature film and television in Australia and the US, shares what it is like to work on one of Australia's most successful shows as a voiceover artist and her advice or diversifying your skills so you can work in many different areas locally and internationally.
Syrus Lowe is a leader in corporate role play, having worked in the industry for over twenty years for some of the top companies. He has delivered hundreds of hours of role play in the UK and worldwide. This session will introduce you to the world of corporate role play. You will learn what corporate role play is and how it is used in the business world, how the industry works, how to do corporate role play, and how to give evidence-based feedback. You will be provided with the building blocks and many tips and tricks to enable you to enter this potentially lucrative side hustle.
There are so many hugely important roles in the world of musical theatre that help bring top productions to life and provide wonderful and rewarding careers for performers. If you are pursuing a career in musical theatre, do you know what it takes to be a swing or cover? What are the rewards and challenges? Hear from some of Australia's most successful musical theatre performers about what’s involved and what their work looks like day to day. This livestream will be chaired by Stephen Mahy (Beautiful: The Carole King Musical) with panellists Julian Kuo (Hamilton), Shewit Belay (Wicked) and Ashton Lash (Hamilton).
This is a rare chance to hear from leading theatrical producer Michael Cassel, who has brought many of Australia's most successful theatre productions to life including Hamilton, Harry Potter and the Cursed Child, Beautiful: The Carole King Musical, as well as the West End premiere of Sydney Theatre Company’s The Picture of Dorian Gray starring Sarah Snook. With Erin James interviewing, this is a chance to get a behind the scenes look at how top stage productions are cast, how to have the best chance of successful stage career locally and internationally, what you need to know about the industry and how it works to get ahead, the steps that theatre producers take to get a production up and running and Michael's plans for the future.
Actor and Equity member Clare Chihambakwe chats to Vancouver-based Australian actor and writer Ildiko Susany. Ildiko is currently a staff writer on Netflix's hit Virgin River and has written episodes in seasons 5 & 6. As an actor, Ildiko has appeared in Alaska Daily (ABC) opposite Hilary Swank, Zoey's Extraordinary Playlist (NBC), as well as Lost in Space (Netflix) and many more. Ildiko has navigated a successful Australian career into a flourishing North American career as both an actor and a writer. Ildiko will share how she did this, what she has learnt along the way, her experience as an Australian actor working overseas and how she successfully moved into screenwriting, what it takes and what is is like to work as a Netflix staff writer on an international hit show.
A basic intro for the experienced actor who needs to know what you need to do to move into the broad world of voiceover. Abbe Holmes is one of Australia's most recognized mainstream voice actors and will give you the essential steps to to get you started. This includes, understanding the skills unique to voiceover; how the industry works, tips for creating your voiceover reel and who you approach once you have it, setting up a home studio, whether you need an agent to get work and much more.
As the first point of contact with a potential employer, your marketing materials are an extension of yourself and an indication of your level of professionalism. Kym Jackson (This Is Us, S.W.A.T., N.C.I.S., The Secrets She Keeps) will give you a clear knowledge of how to make your entire acting toolkit (headshots, resume, demo reel, website, business cards) match those of any top working actor in the industry.
An opportunity for casting director Daisy Hicks to talk candidly with Equity member Monica Sayers about the actor and casting director relationship, offer advice about the audition process and answer any queries you may have.
This is a chance to hear from esteemed US hair designer Camille Friend as she chats to actor and activist Cessalee Stovall about her work on major Hollywood productions over the last 25 years and her passion for bringing cultural authenticity to her work. Camille was nominated for an Oscar for her rich, complex work on Black Panther: Wakanda Forever, her seventh Marvel film. Other credits include The Little Mermaid, Tenet, Us, Captain Marvel, Guardians of the Galaxy Vol. 2, Captain America: Civil War, The Hunger Games Parts 1 and 2, The Help, Dream Girls and Django Unchained, collectively grossing over $US3.9 billion at the box office. Camille is an expert in working with all textures of hair and uses her vast experience to educate and mentor hairstylists wanting a career in entertainment.
Equity member Helen Dallimore talks to producer Helen Bowden from Lingo Pictures (Upright, The Messenger, The Secret She Keeps) about the actor/producer relationship, the current screen landscape, what goes on behind the scenes of a screen production before actors are cast, what is involved in the producing side of things on a day to day basis, the best ways to navigate the actor/producer relationships, self taping, zoom auditions, rehearsing and much more.
An opportunity for casting director Amanda Mitchell (Heartbreak High, Totally Completely Fine, La Brea, Young Rock) to talk candidly to actor and NSW Equity President Glenn Hazeldine about the actor and casting director relationship.
A chance to delve into the art of putting on a cabaret. Performer and QLD Equity President Asabi Goodman talks to cabaret artist Aurélie Roque about forming a concept, stagecraft, lighting design and budgeting: An A to Z guide on cabaret creation. This is an edited version of a livestream held on September 27, 2023.
This is a chance for agent Catherine Poulton of Catherine Poulton Management to talk candidly with Equity member Loretta Kung about how the actor/agent relationship works, what an agent does on a day to day basis, what you can do to have a productive relationship with your agent, what you can reasonably expect from your agent, the agents’ role in the casting process, how to navigate US and UK opportunities and the state of the Australian industry.
Join award-winning stage and screen actor Danielle Cormack and one of Australia's most experienced Directors of Photography Martin McGrath (ACS) as they explore the actor and DOP relationship. As an actor it is important to understand every role on a production and how your work intersects with all involved. DOP's are an integral part of the storytelling process as they are responsible for creating the look of the film. Their primary duties include developing a film's visual style, determining lighting and composition and planning camera angles. The conversation will also cover Martin’s extensive work locally and internationally, how the DOP’s process impacts actors’ and what we see on screen. This conversation may be particularly useful for actors with a theatre background who are not as familiar with the complexities of screen acting. Audience members will leave with a better understanding of how to work effectively with a DOP on their next job.
A chance to hear from Equity's Screen Lawyer, Miles Hunt, about usage payments and residuals. This discussion will cover the following topics:Usage – upfront buyouts and the curse of in perpetuity;Residuals – backend payments and where they come from;Agreements – how usage and residuals work in film, TV and Streaming;MEAA negotiations and payments for performers;The Difficulty with Streamers;International Perspective – SAG and other jurisdictions; andTVC Rollovers.Miles Hunt is a Senior Industrial Officer working within Equity at MEAA. He deals with industrial issues for members (individually and collectively) and negotiates agreements (for film and TV) on behalf of members.
Award-winning voice actor Dianne Weller will introduce you to the world of voicing for video games during this one-hour livestream. This is a chance to see how it differs from animation and how to approach character development and auditions.
A chance for Equity member Sara Cooper to talk to first assistant director, Noni Roy (Carmen, Total Control 2, Wellmania) about the actor and first assistant director (first AD) relationship. First AD’s manage the schedule and coordinate cast and crew to ensure that shoots run smoothly. Their work includes considering the project’s budget, the time required, cast and crew availability and location limitations. This conversation will be an opportunity to discuss the things that actors may not have had the opportunity to talk about before. It may be particularly useful for actors with a theatre background who are not as familiar with the complexities of screen acting.
In this livestreamed in conversation Equity member Monica Sayers interviewed producer Ian Collie (The Twelve, Rake, Jack Irish) and director Daniel Nettheim (Broadchurch, Line of Duty) about what goes on behind the scenes of a screen production before actors are cast, what is involved in the producing and directing side of things on a day to day basis, what are some of the differences between how shows are made in Australia and overseas, how they work with actors, the best ways to navigate the actor/producer and actor/director relationships, self taping, zoom auditions, rehearsing, protocols on set and much more.
Award-winning actor Shuang Hu creates comedy skits online for her 4.2 million followers on TikTok, 3.6 million subscribers on Youtube and 91k followers on Instagram. With so many actors under pressure to create their own work, this is an opportunity to hear from Shuang and interviewer Sophia Emberson-Bain and get some hints and advice about how to develop your creative and online skills.
In this workshop, photographer Deanna Cooney will shared the advice and direction she shares with all the actors she works with, so you can take it with you into any shoot and know you’ll come away with killer images. This is an edited version of an Equity Foundation Livestream event.
This is a chance to work on your US accent with Paige Walker. Paige Walker specialises in the American dialect for the performer. This is an edited version on an Equity Foundation Livestream event.
What skills do you need for voiceover in commercial, non-commercial, animation/character work and audiobook narration? This session with Abbe Holmes will give you information to assist you taking the next step. Abbe is one of Australia's most recognised mainstream voice actors. This is an edited version on an Equity Foundation Livestream event.
How do creative professionals use the media and social media to market themselves? What PR management strategies do you need to promote yourself and ultimately get more work? And what about when you DO get work…how do you manage PR and the media then? And what are the pitfalls to avoid? For the early to mid career actor. Catherine Lavelle, CLPR, is one of Australia's leading film and television public relations consultant. This is an edited version on an Equity Foundation Livestream event.
In this livestream Shortland Street Casting Director Matt Dwyer discusses the casting process and his advice for actors with Equity member Jessi Williams.
To survive as a performer in the long-term you will need to know how to utilise your creative talents in many ways to earn a living and sustain your career. WA-based slashies Monica Main and Libby Klysz will discuss the practical ways you can be a successful slashie; a multidisciplinary artist working successfully in many areas of the creative industries.
Join casting director Danny Long and actor Helen Kim as they discuss the essentials of self testing and answer any questions you may have. This workshop will be suitable to those new to self testing who are looking for advice on how to set up their equipment, lighting, sound, editing and uploading and the major dos and don'ts. The Equity Foundation's explainer video can be found here: www.equityfoundation.org.au/self-testing/
You are an actor looking to pitch your project to a producer, but where do you start? Who do you talk to and are producers interested in hearing from you? Actor Fayssal Bazzi will talk to Jungle Entertainment's Partner/Chief Operating Officer/Executive Producer, Chloe Rickard and Head of Drama's Shay Spencer about how the pitching process works at Jungle Entertainment.
Alexandra is the CEO of Alexandra Lopez Studios - a creative company specialising in voice strategy work for brands and coaching beginners in the voice industry. "An Introduction to the Voice Over Industry" is her signature course. It is designed to give you a solid foundation to begin your career as a voice artist. This session will be suitable for anyone who is new to the industry and looking for actionable steps to get them on their way.
The Australian screen industry has made huge progress in recent years in becoming a more inclusive and culturally secure place for historically underrepresented communities. Despite this progress some of the industry's most structural barriers remain intact, preventing us from achieving equal representation on screens. What is the current state of diversity in today's industry, and where do we go next? Why are diverse stories so important for our society, culture and economy? Please join moderator Pearl Tan and guest speakers Lena Nahlous, Michelle Law and Kate Hood for our first 2021 Screen Diversity Showcase panel discussion about how diverse stories are changing the game for the screen industry.
This is the third Screen Diversity Showcase panel discussion on health and wellbeing, moderated by actor and activist, Saroni Roy. We discuss the biggest mental health challenges facing creatives in the Australian screen industry, and how these challenges have evolved since the pandemic. Ben Steel, Bayley Turner, Pip Edwards and Chris Cheers share practical resources and techniques to assist performers and other artists in securing their wellbeing in such a demanding workplace, and how the field of intimacy is playing such a crucial role in this process.
So many actors create their own online work and in this increasingly difficult Covid world there is even more need for information and resources to assist with this. Screen Australia's Investment Manager for Online Production, Lee Naimo, will discuss all this and more with actor Jane Watt. Topics for discussion include: What are the different streams of funding for entry level creatives and with a special focus on Lee’s speciality of online funding. Is it about the idea? Is it about the application? Is it about the team attached? Is it all 3? The pros and cons of making content for online? Why make online content? How to maximize your use of online platform for storytelling
The advent of the intimacy co-ordinator has changed the dynamics of intimacy on set and stage. So what should we expect with intimate scenes and what are the practical realities; what can you ask and how do you navigate a space if there isn’t an intimacy co-ordinator? Intimacy co-ordinator Chloe Dallimore (trained by and under Mentorship to Ita O’Brien) will discuss this and more with actor Michelle Lim Davidson.
The Screen Diversity Showcase is bringing together the top industrial representatives from Equity, the Australian Directors' Guild and the Australian Writers' Guild to discuss how we, as artists, can best safeguard our work. This panel discussion and Q&A is about all matters industrial and legal including; contracts, rates, bargaining and intellectual property. Please join our host Jonathan Chan with Alaric McAusland, Miles Hunt, Bryant Apolonio and Greg Duffy, to find out more about how your union and guilds operate, and how you can get the most out of your membership.
Editors Julie-Anne De Ruvo and Nick Holmes will join performer Nicole Nabout for a discussion about the elements of craft and the technical skills an actor must execute to avoid the cutting room floor and the decisions directors, producers and editors make based on an actor's performance. Audience members will leave with a better understanding of the process of editing a one-hour dramatic episode and how the actor can best serve that process.
With NSW, Vic and ACT in lockdown, this is a chance get expert advice on what COVID economic relief is available to actors and creatives. What is available federally and in each state and what is the easiest and most effective way to access them? Nicole Pedersen-McKinnon will also give some advice about how to financially regroup after this period of downtime.
Join actor/audiobook narrator Jennifer Vuletic and audiobook/podcast producer Justine Sloane Leys and Queensland Equity chairperson Asabi Goodman for a discussion about the process of audiobook narration and everything actors need to know who are interested in working in this field.
Acclaimed meditation teacher Edwina Maxwell-Parsons has created a series of professionally recorded guided meditation sessions for Equity members in a long and short format. A regular practice of meditation is one of the most effective and inexpensive ways to deal with the too well known feelings of uncertainty, stress, loss and vulnerability.
Yoga Nidra is an ancient practice of healing and relaxation that activates the body’s natural ability to heal itself. The body rests as the mind stays alert, inducing physical, emotional and mental relaxation. It is sometimes called an awake or ‘yogic’ sleep.
The benefits of Yoga Nidra for performers includes: -Calms the nervous system -Reduces stress and anxiety -Improves sleep -Beneficial to mental health and well-being -Aids the ability to concentrate and focus / improves memory -Enhances creativity -Releases physical tension -Promotes numerous health benefits for the body
In preparation for Yoga Nidra -Find a quiet comfortable place where you can lie without being disturbed for the duration of the practice. -You may also like to have a small pillow under your head. This position is known as Savasana. -You might like to use a scarf, small towel or eye pillow to cover your eyes. -If you have lower back issues, put a pillow or cushion under your knees. Try not to have your head propped up too high. -Make sure you are wearing comfortable clothing and have a blanket or rug if you feel the cold.
Edwina Maxwell-Parsons is a qualified meditation teacher. She teaches meditation and mindfulness to students, elite sportsmen and women as well as private clients. She trained under the guidance of Dr Ian Gawler OAM, Paul Bedson and Penny Gill. During the 2020 COVID-19 lockdown she gave free weekly zoom meditations for artists working in the performing arts industry. She is a member of the Meditation Association of Australia.
Music Adrift by Christopher Lloyd Clarke. Licensed by Enlightened Audio. Podcast proudly sponsored by The NSW Actors Benevolent Fund.
Acclaimed meditation teacher Edwina Maxwell-Parsons has created a series of professionally recorded guided meditation sessions for Equity members in a long and short format. A regular practice of meditation is one of the most effective and inexpensive ways to deal with the too well known feelings of uncertainty, stress, loss and vulnerability.
Yoga Nidra is an ancient practice of healing and relaxation that activates the body’s natural ability to heal itself. The body rests as the mind stays alert, inducing physical, emotional and mental relaxation. It is sometimes called an awake or ‘yogic’ sleep.
The benefits of Yoga Nidra for performers includes: -Calms the nervous system -Reduces stress and anxiety -Improves sleep -Beneficial to mental health and well-being -Aids the ability to concentrate and focus / improves memory -Enhances creativity -Releases physical tension -Promotes numerous health benefits for the body
In preparation for Yoga Nidra -Find a quiet comfortable place where you can lie without being disturbed for the duration of the practice. -You may also like to have a small pillow under your head. This position is known as Savasana. -You might like to use a scarf, small towel or eye pillow to cover your eyes. -If you have lower back issues, put a pillow or cushion under your knees. Try not to have your head propped up too high. -Make sure you are wearing comfortable clothing and have a blanket or rug if you feel the cold.
Edwina Maxwell-Parsons is a qualified meditation teacher. She teaches meditation and mindfulness to students, elite sportsmen and women as well as private clients. She trained under the guidance of Dr Ian Gawler OAM, Paul Bedson and Penny Gill. During the 2020 COVID-19 lockdown she gave free weekly zoom meditations for artists working in the performing arts industry. She is a member of the Meditation Association of Australia.
Music Adrift by Christopher Lloyd Clarke. Licensed by Enlightened Audio. Podcast proudly sponsored by The NSW Actors Benevolent Fund.
Acclaimed meditation teacher Edwina Maxwell-Parsons has created a series of professionally recorded guided meditation sessions for Equity members in a long and short format. A regular practice of meditation is one of the most effective and inexpensive ways to deal with the too well known feelings of uncertainty, stress, loss and vulnerability.
Yoga Nidra is an ancient practice of healing and relaxation that activates the body’s natural ability to heal itself. The body rests as the mind stays alert, inducing physical, emotional and mental relaxation. It is sometimes called an awake or ‘yogic’ sleep.
The benefits of Yoga Nidra for performers includes: -Calms the nervous system -Reduces stress and anxiety -Improves sleep -Beneficial to mental health and well-being -Aids the ability to concentrate and focus / improves memory -Enhances creativity -Releases physical tension -Promotes numerous health benefits for the body
In preparation for Yoga Nidra -Find a quiet comfortable place where you can lie without being disturbed for the duration of the practice. -You may also like to have a small pillow under your head. This position is known as Savasana. -You might like to use a scarf, small towel or eye pillow to cover your eyes. -If you have lower back issues, put a pillow or cushion under your knees. Try not to have your head propped up too high. -Make sure you are wearing comfortable clothing and have a blanket or rug if you feel the cold.
Edwina Maxwell-Parsons is a qualified meditation teacher. She teaches meditation and mindfulness to students, elite sportsmen and women as well as private clients. She trained under the guidance of Dr Ian Gawler OAM, Paul Bedson and Penny Gill. During the 2020 COVID-19 lockdown she gave free weekly zoom meditations for artists working in the performing arts industry. She is a member of the Meditation Association of Australia.
Adrift by Christopher Lloyd Clarke. Licensed by Enlightened Audio.
Acclaimed meditation teacher Edwina Maxwell-Parsons has created a series of professionally recorded guided meditation sessions for Equity members in a long and short format. A regular practice of meditation is one of the most effective and inexpensive ways to deal with the too well known feelings of uncertainty, stress, loss and vulnerability.
Yoga Nidra is an ancient practice of healing and relaxation that activates the body’s natural ability to heal itself. The body rests as the mind stays alert, inducing physical, emotional and mental relaxation. It is sometimes called an awake or ‘yogic’ sleep.
The benefits of Yoga Nidra for performers includes: -Calms the nervous system -Reduces stress and anxiety -Improves sleep -Beneficial to mental health and well-being -Aids the ability to concentrate and focus / improves memory -Enhances creativity -Releases physical tension -Promotes numerous health benefits for the body
In preparation for Yoga Nidra -Find a quiet comfortable place where you can lie without being disturbed for the duration of the practice. -You may also like to have a small pillow under your head. This position is known as Savasana. -You might like to use a scarf, small towel or eye pillow to cover your eyes. -If you have lower back issues, put a pillow or cushion under your knees. Try not to have your head propped up too high. -Make sure you are wearing comfortable clothing and have a blanket or rug if you feel the cold.
Edwina Maxwell-Parsons is a qualified meditation teacher. She teaches meditation and mindfulness to students, elite sportsmen and women as well as private clients. She trained under the guidance of Dr Ian Gawler OAM, Paul Bedson and Penny Gill. During the 2020 COVID-19 lockdown she gave free weekly zoom meditations for artists working in the performing arts industry. She is a member of the Meditation Association of Australia.
Music Adrift by Christopher Lloyd Clarke. Licensed by Enlightened Audio. Podcast proudly sponsored by The NSW Actors Benevolent Fund.
Acclaimed meditation teacher Edwina Maxwell-Parsons has created a series of professionally recorded guided meditation sessions for Equity members in a long and short format. A regular practice of meditation is one of the most effective and inexpensive ways to deal with the too well known feelings of uncertainty, stress, loss and vulnerability.
Yoga Nidra is an ancient practice of healing and relaxation that activates the body’s natural ability to heal itself. The body rests as the mind stays alert, inducing physical, emotional and mental relaxation. It is sometimes called an awake or ‘yogic’ sleep.
The benefits of Yoga Nidra for performers includes: -Calms the nervous system -Reduces stress and anxiety -Improves sleep -Beneficial to mental health and well-being -Aids the ability to concentrate and focus / improves memory -Enhances creativity -Releases physical tension -Promotes numerous health benefits for the body
In preparation for Yoga Nidra -Find a quiet comfortable place where you can lie without being disturbed for the duration of the practice. -You may also like to have a small pillow under your head. This position is known as Savasana. -You might like to use a scarf, small towel or eye pillow to cover your eyes. -If you have lower back issues, put a pillow or cushion under your knees. Try not to have your head propped up too high. -Make sure you are wearing comfortable clothing and have a blanket or rug if you feel the cold.
Edwina Maxwell-Parsons is a qualified meditation teacher. She teaches meditation and mindfulness to students, elite sportsmen and women as well as private clients. She trained under the guidance of Dr Ian Gawler OAM, Paul Bedson and Penny Gill. During the 2020 COVID-19 lockdown she gave free weekly zoom meditations for artists working in the performing arts industry. She is a member of the Meditation Association of Australia.
Music Adrift by Christopher Lloyd Clarke. Licensed by Enlightened Audio. Podcast proudly sponsored by The NSW Actors Benevolent Fund.
Acclaimed meditation teacher Edwina Maxwell-Parsons has created a series of professionally recorded guided meditation sessions for Equity members in a long and short format. A regular practice of meditation is one of the most effective and inexpensive ways to deal with the too well known feelings of uncertainty, stress, loss and vulnerability.
Yoga Nidra is an ancient practice of healing and relaxation that activates the body’s natural ability to heal itself. The body rests as the mind stays alert, inducing physical, emotional and mental relaxation. It is sometimes called an awake or ‘yogic’ sleep.
The benefits of Yoga Nidra for performers includes: -Calms the nervous system -Reduces stress and anxiety -Improves sleep -Beneficial to mental health and well-being -Aids the ability to concentrate and focus / improves memory -Enhances creativity -Releases physical tension -Promotes numerous health benefits for the body
In preparation for Yoga Nidra -Find a quiet comfortable place where you can lie without being disturbed for the duration of the practice. -You may also like to have a small pillow under your head. This position is known as Savasana. -You might like to use a scarf, small towel or eye pillow to cover your eyes. -If you have lower back issues put a pillow or cushion under you knees. Try not to have your head propped up too high. -Make sure you are wearing comfortable clothing and have a blanket or rug if you feel the cold.
Edwina Maxwell-Parsons is a qualified meditation teacher. She teaches meditation and mindfulness to students, elite sportsmen and women as well as private clients. She trained under the guidance of Dr Ian Gawler OAM, Paul Bedson and Penny Gill. During the 2020 COVID-19 lockdown she gave free weekly zoom meditations for artists working in the performing arts industry. She is a member of the Meditation Association of Australia.
Music Adrift by Christopher Lloyd Clarke. Licensed by Enlightened Audio. Podcast proudly sponsored by The NSW Actors Benevolent Fund.
This chat between Scott Williams (the founder of The Impulse Company) and John Batchelor (Award winning Australian actor) will further examine the specific challenges and opportunities facing today’s actors. Scott and John will discuss how the Meisner Techniques is adaptable for work in today’s film, television and theatre environments. John Batchelor is not only an actor who crosses all those platforms, but also is well-versed in using Scott's approaches on stage and screen. There will be time for questions from the audience towards the end.
Mindfulness with Craig Behenna: Actors don't always get the support they need on and off camera to keep themselves grounded and together. It can be easy to take on beliefs about yourself and your acting based on the structures and power dynamics of the business. In this session we'll take time to work with meditation practices that help you make inner space in moments of tension and which help you to see that you are more than the thoughts and stories. We’ll explore how a mindfulness practice can help you separate from unhelpful stories and feelings you may have absorbed, and show you how you can have a relationship with them, rather than reacting to them.
There are so many ways of approaching a role, all of them with major pluses. In this first Meisner-based session, actor Christopher Sommers and London's leading Meisner technique teacher and Artistic Director of The Impulse Company in the UK, Scott Williams, discuss some of your options as you prepare for the part, and will use examples from their work to help you decide what might be best for you.
Kym Jackson on how to effectively learn lines and break down a script, become a character, navigate a live audition, make a simple self tape setup, and edit your self-tape in a way that ensures it is completely professional - all on your phone. Kym is a member of The Television Academy (Emmy Nominating Committee), American MENSA, a speaker and committee member for the SAG-AFTRA Conservatory, an elected SAG-AFTRA Convention Delegate, and a busy working actress (see IMDB) with over thirty SAG-AFTRA feature film and TV credits in the past five years. Kym recently wrapped shooting the series regular role of Queen Neela in ABC Networks 2019 pilot ‘Triangle’ alongside Mike Vogel and Mallory Jansen. She has also played roles on This Is Us, American Crime Story, NCIS, ABC's Ten Days in The Valley, and BET show, Rebel. Her latest feature film ‘Wishman’ recently screened at both Cannes and Toronto film festivals.
Join QLD Equity President Asabi Goodman as she chats to Simon Whipp of Shanahan Management about navigating the actor/agent relationship. From 1994 to 2011 Simon worked for the Media, Entertainment & Arts Alliance in a variety of roles: Assistant Federal Secretary of the union, the National Director of the Actors Equity section and Vice-President of the International Federation of Actors. Since 2012 Simon has worked as an agent with Shanahan Management.
Nigel Poulton and Alicia Rodis from Intimacy Coordinators and Directors (ICD) hold a discussion about the role of an intimacy co-ordinator, geared towards someone who would like to explore the opportunity to become an intimacy co-ordinator in Australia.
A chance to work with Katherine Beck on your Southern US Accent. Katherine is leading voice and dialect coach who works regularly with actors at The Actor’s Hub, The Actor’s Pulse, Screenwise, International Screen Academy and on film and theatre productions. She is the co-founder and co-author of Hollywood Speak: The Australian Actor’s Resource Guide to Creating an Authentic American Accent. Born and raised in Chicago, Katherine is a native American accent speaker.
Los Angeles acting coach, Lisa Robertson, currently working in Australia, will speak on the current climate of self-taping and auditioning, the US market and the influx of production to Australia and New Zealand. Through the lens of being inside the US industry since she started major TV and film coaching in 2002 and being a part of its seismic changes, Lisa will cover professional actors reigniting their love for acting and breaking through to a new range of roles, recent acting grads adjusting to screen, coaching booked roles (what happens and why it’s helpful) and what is important for emerging actors to look at in their work right now.
WA Equity President Stuart Halusz interviews actor Kate Walsh (Grey's Anatomy, Private Practice, Fargo, 13 Reasons Why, The Umbrella Academy) about building her US career and her involvement with some of the US's most critically and commercially successful television productions.
Join actor Fayssal Bazzi (Stateless, The Commons, Measure for Measure) as he interviews director Daina Reid (The Handmaid’s Tale, The Secret River, Sunshine, The Wrong Girl) about her career and her involvement in so many critically and commercially successful productions and the actor/director relationship.
This is from director Jessica Hobbs (The Crown Series 3 and 4, Broadchurch) in conversation with NZ Equity President Jennifer Ward-Lealand Te Atamira. Discussing Jessica's career and her involvement in so many critically and commercially successful productions.
Join actor Tina Bursill as she interviews Neighbours Casting Director Thea McLeod on how to navigate the Neighbours audition and casting process.
This 2nd and final part, Dr Julie Crabtree will focus on how rejection can impact our sense of identity. She will look at ways of framing rejection in a more detached way to protect and preserve our creative identities. Julie will also address how important the act of storytelling is to our society. This event is part of the Equity Health & Wellness Series, proudly supported by the Actors Benevolent Fund of NSW.
Dr Julie Crabtree will explore how to develop a secure creative identity and the relationship of identity to resilience. We will also cover identity as a consistent view of self and examine how our core, cultural and social beliefs shape our identities, as well as, how rejection can affect our sense of identity. This first session will help you understand what makes up your authentic self. Using techniques designed to uncover and consolidate a sense of self Julie will show us how important it is to preserve and protect your identity.
In part three of the Anxiety and the Creative series, Dr Julie Crabtree will explore the concept of catastrophic thinking as a cause of anxiety for the creative mind. She will explore the ways in which we can turn musings of the future into what is real in the now, as well as demonstrating tools of how to reduce the severity of anxiety. This event is part of the Equity Health & Wellness Series, supported by the Actors Benevolent Fund of NSW.
In this part two of this Anxiety and the Creative series we will explore how perfectionism can be a cause of anxiety. Dr Julie Crabtree will explore the ways in which we can turn unrelenting standards into a positive tool to help us create. This event is part of the Equity Health & Wellness Series, supported by the Actors Benevolent Fund of NSW.
Anxiety seems to be particularly prevalent for those in the performance industries. Over three sessions we will be looking at anxiety focussing on overdriven thinking, catastrophic thinking and perfectionism. In part one Dr Julie Crabtree will explore the physiological effects of anxiety with special emphasis on overdriven thinking.
In our 3rd session of Resilience for Creatives. Dr Julie Crabtree addresses the importance of relationships – identifying support systems and developing mentor relationships. Also additional strategies for you use to build resilience in yourself. This is part of the Equity Health & Wellness Series, supported by the Actors Benevolent Fund of NSW.
Join experienced psychologist Dr Julie Crabtree as she explores some of the key qualities we know are associated with resilience including your belief systems, the ability to be flexible and adaptable and the kinds of personal disciplines you need. Learn the vital skill of developing resilience, looking after your mental health and helping others.
Resilience is two things: the capacity to withstand difficulties and to rebuild after adversity. Resilience is normally an essential quality but in 2020 it is more important than ever before. Join experienced psychologist Dr Julie Crabtree and look at the some of the key qualities we know are associated with resilience including your belief systems, the ability to be flexible, adaptable and the kinds of personal disciplines you need. These themes will be developed and expanded on over two podcasts as you learn the vital skill of developing resilience.
US casting director Kerry Barden talks to a group of Australian and NZ Equity members online about the casting process, his past and current projects, the challenges and highlights of his career, his advice for actors and what he has learnt along the way. Kerry's projects include Boy’s Don’t Cry, Spotlight, Sex and the City, 13 Reasons Why, Dallas Buyer’s Club, August Osage County, Pitch Perfect, The Help, Prisoners, Still Alice and Good Will Hunting. This is an edited version of a live stream event for MEAA Equity members that took place on Thursday May 21, 2020.
Adelaide-based actor Alicia Case interviews Neighbours stars Sharon Johal and Alan Fletcher about what it is like to work on one of Australia's fastest paced and longest running productions. This discussion covers everything from the Neighbours audition/casting process and learning lines to on-set processes, diversity on Australian TV and filming post COVID-19. This is an edited version of a live stream event for MEAA Equity members that took place on June 27, 2020.
An hour of chats with these two accomplished, fabulously funny creatives as they are interviewed by actor Lucy Wigmore. Jackie van Beek and Madeleine Sami talk about their careers and their involvement with some of New Zealand's most critically and commercially successful film and television productions and share their advice for those looking to have versatile and long lasting careers. This is an edited version of a live stream event for MEAA Equity members that took place on Friday July 24, 2020.
In this online Equity Foundation address acclaimed acting coach Miranda Harcourt will speak and show material about text, how we learn it, how our thoughts form it and inform it, how it creates character and how we can speak it fluidly with a sense of ownership and spontaneity. An essential class to take your acting to the next level. This is an edited version of a live stream event for MEAA Equity members that took place on Tuesday August 4, 2020.
Join the Australian casting director of Mystery Road, Rake, Redfern Now, Cleverman, Anousha Zarkesh, in conversation with actor Charmaine Bingwa. This is an edited version of a live stream event for MEAA Equity members that took place on Friday June 5, 2020.
Join award-winning Australian showrunner, writer and director Tony Ayres (Stateless, Clickbait, Family Law, Barracuda) in conversation with actor Jessica Tovey as they discuss Tony's involvement with some of Australia's most critically and commercially successful screen productions. This is an edited version of a live stream event for MEAA Equity members that took place on Wednesday June 3, 2020.
Writer and performer Michelle Law (Single Asian Female, Rosehaven S3, Get Krack!n S2 and Homecoming Queens) in conversation with stage and screen actor Patrick Jhanur. This is an edited version of a live stream event for MEAA Equity members that took place on Friday June 12, 2020.
Non-commercial voicoever covers e-learning, Explainer Videos, How-To Videos, Website Navigation and many others. Non-commercial both ‘sells’ and gives ‘information and instruction’, so these scripts are sometimes long and not always easy to get your head around. This session will give you some insights into the kinds of scripts you come across and techniques for how to approach them. This is an edited version a live stream event for MEAA Equity members that took place on Tuesday June 23, 2020, as part of the Equity Foundation’s "Let's Talk" recurring series on all aspects of voiceover. Hosted by one of Australia’s leading voice actors and voiceover technique coaches, Abbe Holmes.
Our series on all aspects of voiceover continues with this livestream for any performer wanting to get in to the commercial voiceover world. Abbe talks about the voice actor relationship with Advertising Agencies, Studios, Radio Stations and Agents; where the work is and how you get cast. This is an edited version of a live stream event for MEAA Equity members that took place on Tuesday June 9, 2020. Hosted by one of Australia’s leading voice actors and voiceover technique coaches, Abbe Holmes.
If you’re a performer who wants to know more about the landscape of voiceover in Australia, this is for you. Whether it’s commercial, non-commercial, character work and animation, Abbe will talk about who the players are, what and where the work is and how you get cast. If you’ve always thought voiceover could be for you or you’ve done some work but want to know more about how to break in, Abbe will cover all aspects of the voiceover industry and answer your questions. This is an edited version a live stream event for MEAA Equity members that took place on Wednesday May 26, 2020, as part of the Equity Foundation’s "Let's Talk" recurring series on all aspects of voiceover for Equity members. Hosted by one of Australia’s leading voice actors and voiceover technique coaches, Abbe Holmes.
Audio book narration has been growing steadily over the past little while and can be an incredibly rewarding and satisfying creative experience, unlike any other performing work. Abbe Holmes will be joined by Justine Sloane-Lees, Audio Book Producer at Square Sound, and Stig Wemyss, an award-winning Audio Book Narrator, to cover all aspects of the industry. This is an edited version a live stream event that took place on Wednesday May 13, 2020, as part of the Equity Foundation’s "Let's Talk" series on all aspects of voiceover for MEAA Equity members. Hosted by one of Australia’s leading voice actors and voiceover technique coaches, Abbe Holmes.
This is the first session in our recurring "Let's Talk..." series on all aspects of voiceover for Equity members. Right now, you need a home studio to be able to work in voiceover. In this zoom session Abbe talks about how to set one up, about mics, interfaces, editing programs, sound proofing, Source Connect and costs.
US casting director Jeanie Bacharach talks to a group of Equity members about the US casting process and her past and current projects including The Marvellous Mrs Maisel and Nashville.
A chance for Howard Fine to give an overview of his teaching philosophy and his rigorous belief in technique. Equity members talked to Howard about his actor-training that promotes self-reliance and a safe emotional and psychological approach. The Equity Foundation thanks the Howard Fine Acting Studio Melbourne for their support of this event.
Equity NZ President and New Zealander of the Year Jennifer Ward-Lealand Te Atamira recently interviewed Sam Neill about his life and career, and what he has learnt along the way. Sam Neill has more than 75 films and over 45 television programs to his credit. He is a passionate supporter of many environmental and social justice causes and has been a proud Equity member since 1979.
The voice over industry can be a mystery to those outside it. This is a chance to find out how it works and get key information about what you need to be a working commercial voice over artist.
This is an edited version of our recent live stream where Miranda discussed screen acting and naturalism. Miranda’s approach is based on years of writing and performing Verbatim theatre in prisons in New Zealand, Australia and the UK, as well as her work as an on-set acting coach with renowned actors and directors on films all over the world. In her work with actors and directors Miranda aims to shift paradigms, empowering creatives to realise their own talent. She introduces simple but innovative ways of thinking about and achieving connection and character. She has developed a series of tools and exercises for use in rehearsal and on-set that get actors to where they need to be, fast.
This is an edited version of a recent Equity Foundation live lecture and Q&A with leading voice and dialect coach Katherine Beck. This is a chance for Equity members to learn the tools to enhance your American accent and create an authentic American character.
This is an edited version of a recent Equity Foundation Live Stream. Join leading Australian psychologist Dr Julie Crabtree for an online discussion about coping as a performer during these uncertain times. Julie has worked extensively with creative people and through her doctoral research into creativity and mental health she is at the forefront of our understanding of how to be both healthy and creative. This is a great chance for some simple and practical advice from a professional who understands your unique circumstances.
US Casting Director Jeanie Bacharach shares her insights into the industry with Alan Fletcher.
Recorded live in Melbourne May 2018.
During this The Equity Foundation In Conversation Australian director Garth Davis ('Mary Magdalene', 'Lion') discusses his film-making process and his approach to working with actors. Garth is interviewed by esteemed producer/acting coach Miranda Harcourt. This event was held in Auckland in May with the support of Rialto Cinemas, Transmission Films and the Australian High Commission.
What is the difference between the American and Australian audition process? How important is it to have a believable American accent? How can I prepare for pilot season?
In this podcast Josh Bitton and Sharon Davis discuss the ins and outs of the American and Australian acting industries.
Joshua Bitton is an actor, teacher and coach. Most notably he was Eminem’s acting coach on the set of' 8 Mile'. He has worked with Nicole Da Silva, Hamish Michael, Josh Helman, Ashley Zukerman, Cal Mickey, Sean “Puffy” Combs, Omar Benson Miller, and many more. As as actor he has appeared on over three dozen TV shows and numerous films. He teaches classes in NYC and LA.
The podcast is produced by The Equity Foundation and sponsored by Media Super.
Mindfulness of your cuppa by Sarah Borg. Prepare your favourite hot beverage and use it as an anchor in this short practice to help centre your mind in the present moment.
Post performance solo or group cool down by Simon Ward. A brilliant performance! Welcome yourself back to the world without a bumpy re entry.
Pre Audition calm-down and energise up by Simon Ward. In the hallway before an audition. Everyone else is better than me and I have to go in! A mindful way of calming down and keeping your focus.
Step out of performance mode by Sarah Borg. A short grounding practice to help transition out of performance mode. Great for those times after an audition, rehearsal, a day on set... especially those performances that might be tricky to let go of.
An intimate and detailed discussion about craft and career with two of Australia’s most in-demand performers, Don Hany and Patrick Brammell. Moderated by performer, Jane Harber.
Recorded at The Malthouse Theatre on the 4th February 2017.
Artistic Directors Kip Williams (Sydney Theatre Company), Lee Lewis(Griffin) and Eamon Flack(Belvoir) share rare behind-the-scenes insights into the journey of bringing exciting works and artists to the Australian stage. The directors discuss their past and current projects, the challenges and highlights of their careers, what they have learnt along the way and their plans for the future. Moderated by performer Helen Dallimore.
*Please note at 59:32 the recording stopped due to technical difficulties.
Recorded at Belvoir on Monday January 30th 2017.
From the ditzy blonde to the Middle Eastern terrorist, stereotypical representations of women, minorities, seniors and other historically marginalised groups are all too common on our stages and screens.
What can we do as individuals and an industry to ensure the characters we create don't perpetuate stereotypes? Is it possible to help reframe the conversation, while creating and sustaining your career? Panellists will share their real world experiences in creating a different narrative.
Speakers: Tony Ayres - Scripted Producer, Matchbox Pictures Kate Hood - Performer Osamah Sami - Performer Maysa Abouzeid - Performer
Moderator: Sonya Suares - Performer
More and more performers are stepping into production roles such as writing, producing and directing in a bid to create the kinds of stories and characters they want to see on our screens and stages. Four slashies discuss the challenges and rewards of taking on different creative roles, what lead them there and what they learnt along the way.
Speakers: Robyn Butler - Writer, Performer, Producer Candy Bowers - Writer, Performer, Comedian, Hip Hop Artist, Director, Producer Damon Gameau - Performer, Filmmaker Shaun Micallef - Performer, Comedian, Writer
Moderator: Queenie van de Zandt - Writer, Performer, Producer
Madeline Di Nonno is the Chief Executive Officer of the Geena Davis Institute on Gender in Media, the only research based non-profit working with the entertainment and media community to improve gender diversity in entertainment through research based programs. Di Nonno leads the Institute's strategic direction and brings over thirty years experience in media, marketing and business development in the entertainment, non-profit, digital media and consumer packaged goods industries.
Recorded in Melbourne at The Equity Summit on Sunday December 4 2016.
What are the issues that female performers must face on a regular basis and what tools can we use to address them? Join us for a discussion about what rights female performers have and how we can all be empowered to create an industry in which women are treated with equality, respect and dignity.
Speakers: Zoe Angus - Director, Actors Equity Australia & New Zealand Nicolina Lademann - Senior Associate, Litigation, Marshalls + Dent Lawyers Ferne Downey - President, International Federation of Actors Anna McGahan - Performer Simone Ball Santamaria - Performer
Moderator: Nadine Garner - Performer
Some of Australia's most successful storytellers reflect on their careers, bringing female stories to the screen, what they wish for the future of our industry and how we get there.
Speakers: Gillian Armstrong - Director Sue Maslin - Producer Ana Kokkinos - Director Nadia Tass - Director
Moderator: Danielle Cormack
Recorded at the Equity Summit in Melbourne on Sunday December 4 2016.
Statistics about the gender imbalance in the entertainment industry are stark. Women are still missing in a major way. Industry leaders discuss what we are doing as an industry, the current movement for change, what changes they want to see when it comes to the representation of women and what they see coming down the line.
Speakers: Brett Sheehy, Artistic Director, Melbourne Theatre Company Georgina Naidu, Performer Leanne Tonkes, Producer, Sense & Centsability Michelle Guthrie, Managing Director, ABC Moderator: Leah Vandenberg, Performer
Recorded on Monday December 5th 2016 at The Equity Summit: Gender on the Agenda.
Damon Herriman In Conversation with Lorna Lesley. Top Australian actor Damon Herriman shares vital tips about working in the U.S. covering everything from visas, insurance, pilot season to the audition process and the importance of persistence.
Recorded in Sydney on 16 May 2016.
From Quintilian to Method, Zeami to Suzuki … this panel will explore theories of acting, delving into their perceived differences and commonalities, the process behind them, what they require of the performer, what their ultimate goal is, any psychological or physical impact they may have of the performer’s health or well-being and how this is dealt with.
Panellists Kristine Landon-Smith (Lecturer in Acting, NIDA) Dean Carey (Creative and Founding Director, Actors Centre Australia) Professor Ian Maxwell (Dept of Performance Studies, University of Sydney)
Moderator: Kim Krejus (16th Street Actors Studio)
Auditioning is an inevitable part of a performer’s life but the process itself – what happens before an performer walks in the room and what happens when they leave – often seems shrouded in mystery.
What light can a group of successful casting directors shed on the process? How is technology changing the way we audition? What is the best advice Australia’s leading casting directors can give?
Speakers: Nikki Barrett (Barrett Casting) Greg Apps (Greg Apps Casting) Kirsty McGregor (Kirsty McGregor Casting) Serena Hill (Sydney Theatre Company)
Moderator: Amanda Bishop (Performer)
As part of the Equity Foundation’s In Conversation series, performers are given the opportunity to attend an intimate question and answer session with leading performers, producers, directors, writers and other members of the industry
Mitchell Butel
Mitchell is a triple Helpmann Award winning actor and singer. His theatre credits include The Government Inspector, Angels in America, Strange Interlude, Snugglepot and Cuddlepie, The Laramie Project, A View from the Bridge, Dead Heart (Belvoir), Romeo and Juliet, The Grenade, Summer Rain, The Republic of Myopia, Harbour, Tartuffe, Mourning Becomes Electra, The Café Latte Kid, Summer of the Aliens, Six Degrees of Separation (STC), Tomfoolery, Urinetown, Piaf (MTC), Boeing-Boeing (Dainty), Stones in his Pockets, The Venetian Twins (QTC), Emerald City (Griffin), Laugher on the 23rd Floor (Ensemble), Meow Meow’s Little Match Girl, Woyzeck (Malthouse), Othello (Bell) and Unidentified Human Remains and the True Nature of Love (STCSA). Music theatre credits include South Pacific, Orpheus in the Underworld, The Mikado (Opera Australia), Assassins (Silo) Avenue Q (AAP), The Producers, Sugar, Little Me, Hair (Production Company), Grease, Little Shop of Horrors (DAE), Man of La Mancha and A Funny Thing Happened on the Way to the Forum (GFO) opposite Geoffrey Rush. Film/TV credits include Holding the Man, Hiding, The Broken Shore, Mr & Mrs Murder, Bordertown, Wildside, Grass Roots, Rake, The Bank, Two Hands, Dark City and AFI-nominated performances in Strange Fits of Passion and Gettin’ Square. Mitchell has appeared in three solo cabaret shows, Excellent Adventure, Now for the Weather and Killing Time (which is available on iTunes and just completed a sellout season at the Hayes Theatre). Mitchell received Helpmann Awards for The Venetian Twins, Avenue Q and The Mikado and Green Room Awards for Piaf and Hair. Proud member of Actors Equity since 1988 and a member of the National Performers Committee since 2007. He is also a Board member of Belvoir St Theatre.
Tony Sheldon
Tony Sheldon made his Broadway debut starring in PRISCILLA, QUEEN OF THE DESERT at the Palace Theater. He played the role of Bernadette for more than 1750 performances in Australia, New Zealand, London, Toronto and New York, winning the Theatre World Award for Outstanding Broadway Debut as well as nominations for the TONY Award, the Drama Desk Award, the Drama League Award and the Outer Critics Circle Award as Best Actor in a Musical. He was honored with his own caricature at Sardi’s restaurant in Times Square.
For his performance in PRISCILLA he won the Toronto Theatre Critics Award and the DORA Award as Best Actor in a Musical in Toronto. In Australia he won the Sydney Critics Award, the Green Room Award, the Glugs Award and the Aussietheatre.com Award for Best Actor in a Musical as well as the MO Award as Musical Theatre Performer of the Year. He was also nominated for the Australian Dance Award and the Helpmann Award. In London he was nominated for the Olivier Award and the What’s On Stage Award for Best Actor in a Musical. Since his arrival in the USA, Tony has appeared as Horace Vandergelder in HELLO, DOLLY! at the historic Goodspeed Opera House, King Pellinore in CAMELOT for Theatre Under The Stars in Houston and in the films CARRY ME HOME with Cuba Gooding, Jr. and BUTTERFLIES OF BILL BAKER with Will Chase. He was featured on the tv series JOAN & MELISSA: JOAN KNOWS BEST and performed on THE VIEW, ROSIE! and THE NBC TODAY SHOW. In Australia, Tony won the 2005 Helpmann Award, the Sydney Critics Award, the Mo Award and the Glugs Award for his performance as Roger de Bris in THE PRODUCERS. He was also nominated for a Helpmann and a Green Room Award for his work in THE WITCHES OF EASTWICK in 2003. Tony played the lead role of Lawrence Jameson in the Australian premiere of DIRTY ROTTEN SCOUNDRELS, to rave reviews.
Media Super is the principal sponsor of the Equity Foundation.
In 2014 Actors Equity celebrates its 75th birthday and the Equity Podcast brings you an oral history collected over the past years which celebrates the achievements and milestones of actors. We will bring to you insights and observations from performers about their profession and why they value their Union membership.
In 2014 Actors Equity celebrates its 75th birthday and the Equity Podcast brings you an oral history collected over the past years which celebrates the achievements and milestones of actors. We will bring to you insights and observations from performers about their profession and why they value their Union membership.
In 2014 Actors Equity celebrates its 75th birthday and the Equity Podcast brings you an oral history collected over the past years which celebrates the achievements and milestones of actors. We will bring to you insights and observations from performers about their profession and why they value their Union membership.