A new movie release inspires a look back at two older films with similar themes but different approaches.
Your much beloved hosts team up to take down a cannibal...
... and also Guy Ritchie's film adaptation of THE MAN FROM U.N.C.L.E. which is just silly.
Silly in that the sell by date for this particular IP is well past relevancy?
Silly in that we find it more absurd than our previous selected film which features a shapeshifting martian saving the world?
Silly in... OKAY, we can admit that Henry Cavill really does wear a suit well. Worth a watch and a listen!
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One host gets his way to take this podcast direct-to-video...
...and then keeps apologizing for it. Is it because he does not enjoy our selection of JUSTICE LEAGUE: THE NEW FRONTIER?
No.
But he does admit that his reasoning is he bought a new toy to sit on his shelf and so here we are as we kick off a team-up trilogy with Darywn Cooke's all-hands-on-deck look at the DC Universe and the best comic book adaptation.
That also happens to be a cartoon. That went straight to video. We'll never do this again.
Maybe. Enjoy!
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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In which Cate Blanchett has more than a few financial problems but is still better off than people who spend their time podcasting.
Anytime now, Spotify. Anyway... Ms. Blanchett is great here. As is Sally Hawkins. And we suppose the director (WHO SHALL REMAIN NAMELESS) does some fine work as well.
Casting Louis CK as The Other Man was a curious choice even in 2013.
But Cate Blanchett is so good!
Just to go back to that Louis CK point... he was The Other Man to... Bobby Cannavale.
That's it. This is the last Woody Allen episode. Thanks for listening.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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Lively. Kendrick. Mike. Web.
But only one has a helium tank at the ready. We conclude our mothers trilogy the only way we know how.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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In which we talk about one man's continued hatred for films in The Criterion Collection.
When faced with a film tackling the war on drugs... what do the hosts of TRILOGY IN THEORY focus on?
A teenage addiction to SUNCOAST VIDEO.
Being ashamed to take one's kid brother to Steven Soderbergh's slightly more enjoyable film OUT OF SIGHT.
And of course nitpicking the poster of this box-office and Oscar winning ensemble film aimed at adults with serious subject matter now relegated to television miniseries. STILL... not a one sheet worthy of a college dorm room wall.
Ultimately we talk about the things that matter.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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Never before have you heard anyone repeat themselves on a podcast. Right?
We never promised to break new ground on TRILOGY IN THEORY... which means we are very comfortable with a theme on directors repeating prior works in their filmography with a trilogy of CLERKS 2, DRAG ME TO HELL and BOYHOOD. Kevin Smith, Sam Raimi and Richard Linklater had no fear of proper critics taking them to task for running out of ideas... but it's safe to say they didn't expect this podcast to hold them accountable.
But today is that day. The lack of creativity ends now, filmmakers.
Leave that where it belongs. On movie podcasts.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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In which we judge an old lady for judging Alison Lohman.
It's a tradition on TRILOGY IN THEORY (and in particular this month) to rewatch films that are decidedly unpleasant. Sam Raimi does not disappoint in that regard as he returned to his roots of gross-out gags and humorous horror and boy do we feel sorry for Alison Lohman for being the recipient of all those shenanigans in DRAG ME TO HELL.
We feel so sorry that both hosts make a solemn vow to Never. Watch. This. Movie. Again.
But we are asking you to listen to this episode. And also no promises are made about not purchasing this movie in a different format.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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In which we discover that free speech is unpleasant.
And also we have dirty minds. But the blame does not lie with us. Oh no, dear listeners! For the crafting of devious young thoughts we must give credit where credit is due. To one of the greatest Kentuckians who had the pleasure of being played by a man who likes getting arrested in the Bluegrass State. And if that's not enough... the better host on this podcast is recording this very podcast...in...Kentucky. Not merely because he already lives there. It's because that is true commitment to our episode on THE PEOPLE VS. LARRY FLYNT!
The other host just edits the show but made the crucial error to not write these show notes. Enjoy.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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In which we conclude that GET SHORTY is the end of cinema.
Woody Allen is a controversial figure in film... but also has had a professional life of much critical acclaim.
Quentin Tarantino may have a bit of an ego in that massive head of his. And with good reason! He also has lived the life of a critical darling since arriving on the scene with RESERVOIR DOGS.
So when you have a trilogy on a love of movies brought to life that includes Allen's THE PURPLE ROSE OF CAIRO and Tarantino's INGLOURIOUS BASTERDS there is only one conclusion you can make.
That Barry Sonnenfeld's GET SHORTY is the only film worth discussing. This is the end of Trilogy in Theory. Good night.
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In which we apologize to the Giant Face for being late...
...on the other hand it's probably not a bad idea to be late to INGLOURIOUS BASTERDS considering what Mélanie Laurent has in store for filmgoers. As we wrap up this trilogy on movie lovers we primarily talk about the expectations for this Quentin Tarantino film upon release and also now as he has continued with his alternate history shtick. Brad Pitt as the ultimate bad-ass in the QT cinematic universe? Starts here. Christoph Waltz with the constant sass? Also here. One host's love for Tom Brady? Unfortunately for the other host... yes, that's in this episode too.
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
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In which we fall in love with Jeff Daniels of DUMB AND DUMBER.
The premise of Woody Allen's THE PURPLE ROSE OF CAIRO was too hard for your hosts to resist as it leads us to a discussion of choosing the real world or a life in the movies. (And yes, we promise no MATRIX discussion this episode...)
However it wouldn't be TRILOGY IN THEORY without some self-loathing:
Is heartbreak necessary to make a truly great love story?
Mia Farrow's fragility is sweet to one host and scary to the other.
And can we only approach the magical realism entries in Allen's filmography? (Shameless promotion time: our MIDNIGHT IN PARIS episode is our #2 most listened to blockbuster. Freaks.)
Enjoy our our failed attempt at a movie podcast for the Valentine's Day holiday before our listeners presumably go on to succeed on this most loathsome holiday!
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In which we pick out nice words (the best words as a loser FORMER President once said) for the end of the world.
Look, it wasn't enough to just survive 2020. To celebrate moving from one tough year to what looks like a marginally less tough year in 2021 we recruit some of our most charismatic screen icons to talk about endings... and hopefully new beginnings.
Mainly we just want an excuse for Ed Harris, Virginia Madsen and George Clooney to talk at us. Okay, so maybe not so much Mr. Harris.
He's scary. We're not. Enjoy as we wrap-up our TRILOGY IN THEORY on THE TRUMAN SHOW, SIDEWAYS and UP IN THE AIR!
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In which one host finally gives George Clooney a chance.
The disrespect to the great state of Kentucky continues as our most handsome candidate is FINALLY off the waitlist for one co-host while the other jeopardizes his marriage with trivia about stunt butts for Vera Farmiga in UP IN THE AIR. We assume this is the type of commentary that Jason Reitman expected in his film about rising unemployment released in the shadow of an economic crisis in America and blah blah blah Anna Kendrick has the cutest cry that... We. Have. Ever. Seen.
2021 is here. Things are looking up. If not we will continue to look up to old-fashioned movie star vehicles and be sad with very beautiful people. Enjoy!
Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs
Two Guys Who Love SIDEWAYS But Not Wine
No expertise to be had on this episode for Alexander Payne's SIDEWAYS. Oh sure, both your hosts have revisited this film many times. One of them fondly remembers experiencing its charms while eating a frozen pizza. So it shouldn't surprise any of you that neither man on this podcast is a wine snob. Or even drinks the stuff.
Though I assure you that we do drink. Probably not as much as we should the way things have been going. ANYWAY the movie is great and Virginia Madsen delivers an ALL TIMER of a speech and just thinking of the shenanigans that Paul Giamatti and Thomas Haden Church get into makes the poor bastard typing out these show notes want to watch it all over again. Enjoy!
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On this special Christmas Day episode we give our listeners those new identities that they probably didn't even know they wanted. HOWEVER for those that listened closely who could deny putting on the catsuit and becoming Michelle Pfeiffer's Catwoman in BATMAN RETURNS? Or perhaps a dead ringer for Veronica Lake like Kim Basinger in L.A. CONFIDENTIAL? And Leonardo DiCaprio bedding any number of young starlets as... well, Leonardo DiCaprio in CATCH ME IF YOU CAN?Doesn't this already sound better than Christmas 2020? TRILOGY IN THEORY works best when facing such weak competition. Happy holidays!Support what we do with bonus content and early episodes on PatreonTwitter/Instagram/Facebook: @trilogyintheoryTweet at your hosts: @projectingfilm & @webistryingLetterboxd: @projectingfilm & @webistryingArtwork by: @nasketchs
In the third part in our criminal Christmas trilogy we are granted many a gift from the Steven Spielberg classic (that's right, we're old and you're old) CATCH ME IF YOU CAN. These presents include: A great knock knock joke from Tom Hanks that you most definitely should tell to your non-mask wearing family member. Amy Adams with an even deadlier combination of disarming charm when you add braces to the mix. And Leonardo DiCaprio in no man's land of handsome (which ain't that bad, Leo) in playing too young and too old. Okay maybe that last one was a bit of coal but I believe one of the finest actors of his generation will get over it. Hopefully you will as well and come back for your stocking of film nerd neuroses as we wrap-up our trilogy of A New Identity for Christmas in our TiT Holiday Special! Support what we do with bonus content and early episodes on Patreon Twitter/Instagram/Facebook: @trilogyintheory Tweet at your hosts: @projectingfilm & @webistrying Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs